1
00:00:01,840 --> 00:00:06,440
Speaker 1: Worry and you're not feeling this one.

2
00:00:08,360 --> 00:00:10,720
Speaker 2: It's just I just wasn't expecting you to start banging

3
00:00:10,800 --> 00:00:13,200
Speaker 2: teenage love affair, Like I don't going on when you

4
00:00:13,200 --> 00:00:14,800
Speaker 2: got to do a varsity jacket or you're trying to

5
00:00:14,800 --> 00:00:15,880
Speaker 2: relive your high school days.

6
00:00:15,880 --> 00:00:17,599
Speaker 3: What's up? Man? Talk to me. I'm your guy.

7
00:00:17,760 --> 00:00:19,319
Speaker 1: All you gotta do is talk to me. I didn't

8
00:00:19,360 --> 00:00:22,200
Speaker 1: even connect those too. Yeah, like it up, like okay,

9
00:00:22,400 --> 00:00:23,800
Speaker 1: Like you know, I would have went pro if I

10
00:00:23,800 --> 00:00:26,000
Speaker 1: didn't pull my hamster, just like I would be in

11
00:00:26,040 --> 00:00:26,520
Speaker 1: the right.

12
00:00:26,600 --> 00:00:30,400
Speaker 3: No, no, no, NIX will be a whole different team, probably

13
00:00:30,440 --> 00:00:33,199
Speaker 3: be the same. They probably be the same, bro.

14
00:00:33,400 --> 00:00:35,400
Speaker 1: I mean, I would they really need Derek Rose.

15
00:00:36,240 --> 00:00:37,880
Speaker 3: I'm sure they would. I'm sure he would still have

16
00:00:37,920 --> 00:00:40,760
Speaker 3: a spot. Absolutely he wasn't feeling teenage love affair. Why

17
00:00:40,760 --> 00:00:44,000
Speaker 3: does Alicia Keys always do the breakdown like weirdo talk shit?

18
00:00:45,000 --> 00:00:46,599
Speaker 1: Because Alicia Alicia.

19
00:00:46,280 --> 00:00:51,400
Speaker 2: Keys is like the epitome of like, uh, like a musical.

20
00:00:52,360 --> 00:00:55,160
Speaker 2: She's like a musical artist, Like all of her records

21
00:00:55,160 --> 00:00:57,840
Speaker 2: feel like a musical, like her visuals or like everybody

22
00:00:57,840 --> 00:01:00,279
Speaker 2: all the way to just start dancing, you don't, I mean,

23
00:01:00,320 --> 00:01:02,200
Speaker 2: like Alicia Keys, is that type of She is.

24
00:01:02,240 --> 00:01:03,960
Speaker 1: The epitome of the West Side story.

25
00:01:04,080 --> 00:01:05,600
Speaker 3: Yeah, that's what that's what keys is.

26
00:01:05,680 --> 00:01:07,560
Speaker 1: I feel like her flirting. And of course we're talking

27
00:01:07,600 --> 00:01:11,520
Speaker 1: about her music, not she's in a loving marriage right now, absolutely,

28
00:01:11,520 --> 00:01:14,520
Speaker 1: But anytime she like flirted on a record, like with

29
00:01:14,640 --> 00:01:17,760
Speaker 1: Most or even on this teenage lovelfair like it was,

30
00:01:18,000 --> 00:01:19,920
Speaker 1: it was just the epitome of women not having gained.

31
00:01:19,959 --> 00:01:20,160
Speaker 1: It was.

32
00:01:20,160 --> 00:01:22,440
Speaker 3: It sounded like the voicemail for the phone.

33
00:01:23,080 --> 00:01:26,840
Speaker 1: Put extra milk in here, hot chocolate usually tell me

34
00:01:26,880 --> 00:01:27,399
Speaker 1: to use water.

35
00:01:27,560 --> 00:01:30,039
Speaker 2: She shot out at the legendary panpan haulm too, shout

36
00:01:30,040 --> 00:01:31,440
Speaker 2: out the panpan and most.

37
00:01:31,360 --> 00:01:34,840
Speaker 1: Death ordered a hot chocolate and fish. You know what

38
00:01:34,959 --> 00:01:36,840
Speaker 1: his stomach is going insane combo there.

39
00:01:36,840 --> 00:01:40,120
Speaker 2: Speaking of the combos, somebody left some crazy shit in

40
00:01:40,120 --> 00:01:41,640
Speaker 2: the toilet in the men's bathroom.

41
00:01:41,920 --> 00:01:42,319
Speaker 1: I see.

42
00:01:42,480 --> 00:01:44,680
Speaker 2: That's the beautiful thing about like working in like corporate

43
00:01:44,680 --> 00:01:46,679
Speaker 2: and being in off of space with other people, like

44
00:01:46,760 --> 00:01:49,280
Speaker 2: the bathroom, like that's where shit goes down at or

45
00:01:49,280 --> 00:01:49,920
Speaker 2: doesn't go down.

46
00:01:50,160 --> 00:01:52,240
Speaker 1: That toilet is fucked up in there, for sure.

47
00:01:52,480 --> 00:01:55,440
Speaker 3: Somebody in here is eating way too much dairy.

48
00:01:55,200 --> 00:01:58,760
Speaker 1: Bro I've heard. I've heard from women some nasty things

49
00:01:59,240 --> 00:02:01,760
Speaker 1: men have like texted them from their corporate job in

50
00:02:01,760 --> 00:02:05,960
Speaker 1: the bathroom, like like yeah, and like wild ship. Then

51
00:02:05,960 --> 00:02:08,160
Speaker 1: I'm like, that's what happens in corporate corporate bathroom. It's

52
00:02:08,160 --> 00:02:10,040
Speaker 1: like when I'm pissing, like some dudes over there beating

53
00:02:10,120 --> 00:02:12,240
Speaker 1: off on his lunch break.

54
00:02:12,400 --> 00:02:14,000
Speaker 3: It's like the subway. It's like a New York subway.

55
00:02:14,040 --> 00:02:15,720
Speaker 1: But I would expect it at the subway because someone's

56
00:02:15,760 --> 00:02:17,960
Speaker 1: kind of romantic. But I mean, everybody gets off the subway.

57
00:02:17,960 --> 00:02:21,280
Speaker 3: It comes in, which you expect to say teenage love

58
00:02:21,280 --> 00:02:24,800
Speaker 3: affair exactly, exactly, perfect, perfect way to tie that all in.

59
00:02:25,160 --> 00:02:29,160
Speaker 1: You need to have an adult love affair. Who said,

60
00:02:29,160 --> 00:02:32,160
Speaker 1: I don't Well, we interviewed our exes on the show.

61
00:02:32,320 --> 00:02:34,079
Speaker 3: We did had a great time, didn't.

62
00:02:33,880 --> 00:02:37,760
Speaker 1: We in New York. We we interviewed my ex live

63
00:02:37,960 --> 00:02:38,800
Speaker 1: behind a curtain, A.

64
00:02:38,800 --> 00:02:41,359
Speaker 2: Lot of fun, a lot of some things about you, man,

65
00:02:42,919 --> 00:02:45,320
Speaker 2: I mean said she wore you like a cashmere scarf.

66
00:02:45,520 --> 00:02:47,480
Speaker 3: I still don't know what that means. But I didn't

67
00:02:47,520 --> 00:02:48,000
Speaker 3: know you were so fa.

68
00:02:48,160 --> 00:02:52,000
Speaker 1: It means I'm gentle but dependable, sarmed yet fashionable.

69
00:02:52,160 --> 00:02:52,639
Speaker 3: Warm.

70
00:02:52,720 --> 00:02:56,240
Speaker 2: Yeah okay, okay, so I was warn Yeah, I didn't

71
00:02:56,240 --> 00:02:56,920
Speaker 2: know you was flexible.

72
00:02:56,919 --> 00:02:58,120
Speaker 3: She said, you were very flexible.

73
00:02:58,639 --> 00:03:02,880
Speaker 1: I ran track at one point.

74
00:03:03,360 --> 00:03:06,120
Speaker 2: Yeah, you know, yeah, yeah, I mean, you know, I

75
00:03:06,240 --> 00:03:08,240
Speaker 2: learned a lot about you. But it was a lot

76
00:03:08,240 --> 00:03:08,480
Speaker 2: of fun.

77
00:03:08,520 --> 00:03:08,640
Speaker 3: Though.

78
00:03:08,639 --> 00:03:09,760
Speaker 2: We had a lot of fun. I think the fans

79
00:03:09,800 --> 00:03:11,920
Speaker 2: enjoyed that a lot. It was great feedback from that.

80
00:03:12,800 --> 00:03:13,120
Speaker 1: Too bad.

81
00:03:13,160 --> 00:03:14,760
Speaker 3: We can't do that in every city because we don't

82
00:03:14,760 --> 00:03:16,480
Speaker 3: have exs and every show. Well, let me speak for myself.

83
00:03:16,480 --> 00:03:17,720
Speaker 3: I don't have an ex in every city.

84
00:03:17,840 --> 00:03:22,000
Speaker 1: I do not, nor would I ever. That's yeah, horror baby.

85
00:03:22,080 --> 00:03:23,359
Speaker 2: But but but you thought we could do like we

86
00:03:23,400 --> 00:03:25,440
Speaker 2: can still do fun ship, but like single women, we

87
00:03:25,440 --> 00:03:27,320
Speaker 2: could fly them out to these different cities.

88
00:03:27,440 --> 00:03:30,480
Speaker 1: No ex, you don't wan to fly out that. I

89
00:03:30,480 --> 00:03:32,040
Speaker 1: feel like that is probably taking a step back.

90
00:03:32,160 --> 00:03:33,120
Speaker 3: Yeah, it's a little crazy.

91
00:03:33,200 --> 00:03:34,920
Speaker 1: Yeah, I mean we put them in a separate hotel.

92
00:03:35,320 --> 00:03:38,920
Speaker 1: I'm a different city. I'm no longer actively sleeping with

93
00:03:38,960 --> 00:03:41,000
Speaker 1: a woman that was interviewed. It has been a long time. Yeah,

94
00:03:41,040 --> 00:03:42,480
Speaker 1: I didn't think she was going to reveal some of

95
00:03:42,480 --> 00:03:45,720
Speaker 1: the things that she revealed, and some of the secrets

96
00:03:45,760 --> 00:03:48,160
Speaker 1: that that I had had about, you know, certain group

97
00:03:48,240 --> 00:03:50,640
Speaker 1: chats and group sex, and I didn't think she was

98
00:03:50,640 --> 00:03:53,280
Speaker 1: gonna tell Sony Hall that. Yeah, you know, I mean.

99
00:03:53,280 --> 00:03:55,280
Speaker 3: We're all a family's think about our live shows, this

100
00:03:55,320 --> 00:03:55,760
Speaker 3: whole family.

101
00:03:55,840 --> 00:03:57,560
Speaker 1: God is still working with me. Yeah, I'm not my

102
00:03:57,640 --> 00:03:58,320
Speaker 1: past me too.

103
00:03:58,880 --> 00:04:01,960
Speaker 3: I'm a I'm a work in progress. Uh. You know.

104
00:04:01,960 --> 00:04:04,920
Speaker 2: It was good to see and hear from a lady

105
00:04:04,920 --> 00:04:08,160
Speaker 2: I used to date. She's she looks great, she's doing well.

106
00:04:08,320 --> 00:04:08,520
Speaker 3: You know.

107
00:04:08,680 --> 00:04:11,360
Speaker 1: So she sounded and you know this is gonna be

108
00:04:11,920 --> 00:04:15,000
Speaker 1: funny coming from me, but it's just how us white

109
00:04:15,000 --> 00:04:17,520
Speaker 1: people think. I did expect her to sound the way

110
00:04:17,560 --> 00:04:20,839
Speaker 1: she sounded. Yeah, little which which block in the heights

111
00:04:20,839 --> 00:04:24,240
Speaker 1: is she from? Not? Not not too far uptown in

112
00:04:24,279 --> 00:04:29,119
Speaker 1: the heights? Close? She's the early seventies one, yeah, ninety

113
00:04:29,240 --> 00:04:32,599
Speaker 1: ninety six, Okay, yeah, all right, not too bad. But no,

114
00:04:32,720 --> 00:04:34,760
Speaker 1: she kind of held it down for you. I feel like, yeah, man,

115
00:04:34,880 --> 00:04:36,400
Speaker 1: I'm trying to look through the questions I asked and

116
00:04:36,720 --> 00:04:37,600
Speaker 1: kind of her answers.

117
00:04:37,839 --> 00:04:41,159
Speaker 2: Yeah, I mean it's not I haven't dated any women

118
00:04:41,240 --> 00:04:43,560
Speaker 2: that you know, Like I said, it was left off

119
00:04:43,560 --> 00:04:46,279
Speaker 2: on too bad of terms, like it's it's still like

120
00:04:46,360 --> 00:04:50,080
Speaker 2: all love and respect. Some some some hate me for

121
00:04:50,720 --> 00:04:53,400
Speaker 2: reasons outside of my control, but you know, for the

122
00:04:53,440 --> 00:04:55,440
Speaker 2: most part from MI end. It's still all love and respect.

123
00:04:55,920 --> 00:04:58,480
Speaker 1: Well, no, the funny one she did say, which I mean,

124
00:04:58,520 --> 00:05:00,560
Speaker 1: we should put up some highlights soon on on YouTube

125
00:05:00,560 --> 00:05:03,360
Speaker 1: and we will. The most insecure thing you ever did

126
00:05:03,480 --> 00:05:06,320
Speaker 1: was you turned the beats pill off when it unreleased

127
00:05:06,320 --> 00:05:08,000
Speaker 1: State East record was playing and she knew the lyrics.

128
00:05:08,080 --> 00:05:09,800
Speaker 3: Yeah. I just didn't understand how she knew the lyrics

129
00:05:09,800 --> 00:05:10,960
Speaker 3: to that record because it wasn't out right.

130
00:05:11,040 --> 00:05:12,680
Speaker 2: Yeah, it wasn't out yet, and it was just like, all,

131
00:05:12,800 --> 00:05:14,960
Speaker 2: we're not doing that. You know it was out to

132
00:05:15,040 --> 00:05:15,400
Speaker 2: Dave though.

133
00:05:15,600 --> 00:05:17,200
Speaker 1: It was the feedback after like he sent you the

134
00:05:17,279 --> 00:05:18,920
Speaker 1: unreleased like your mall, let me know what you think.

135
00:05:19,279 --> 00:05:20,200
Speaker 1: Did you give him feedback?

136
00:05:20,200 --> 00:05:22,320
Speaker 3: No, he didn't send me to release. He sent her

137
00:05:22,320 --> 00:05:22,920
Speaker 3: to unreleased.

138
00:05:22,920 --> 00:05:25,360
Speaker 1: Oh and oh she started playing. You tried to examine

139
00:05:25,360 --> 00:05:25,760
Speaker 1: and it wasn't.

140
00:05:25,760 --> 00:05:27,920
Speaker 2: I was just like, yo, how you even know these bars?

141
00:05:28,000 --> 00:05:30,120
Speaker 2: Like nah, cut that off, We're not doing that. I

142
00:05:30,160 --> 00:05:30,840
Speaker 2: know what that means.

143
00:05:31,040 --> 00:05:33,840
Speaker 3: That's a personal a personal folder you have on your phone.

144
00:05:34,440 --> 00:05:37,400
Speaker 1: After the LA show, we went back to the Mandre

145
00:05:37,520 --> 00:05:39,159
Speaker 1: on and had you know it was it was late

146
00:05:39,279 --> 00:05:39,880
Speaker 1: and LA is.

147
00:05:40,200 --> 00:05:41,719
Speaker 3: Now we can't state it no more because now you

148
00:05:41,760 --> 00:05:42,680
Speaker 3: had fans showing up.

149
00:05:43,120 --> 00:05:44,680
Speaker 1: I did not have any fans show up. No you did.

150
00:05:45,320 --> 00:05:46,200
Speaker 1: I had nothing to do with that.

151
00:05:46,279 --> 00:05:48,240
Speaker 3: No you did. You told the whole world where we

152
00:05:48,240 --> 00:05:48,760
Speaker 3: were staying.

153
00:05:49,040 --> 00:05:49,680
Speaker 1: She showed up.

154
00:05:50,000 --> 00:05:53,240
Speaker 2: You mean that's your fault. So the Madre, it's been great.

155
00:05:53,279 --> 00:05:56,520
Speaker 2: We will not be using your services, your beds anymore.

156
00:05:56,520 --> 00:05:58,880
Speaker 1: It's been a great run with but we won't be

157
00:05:58,920 --> 00:06:00,480
Speaker 1: there anymore. No, we'll be on the block.

158
00:06:00,560 --> 00:06:03,880
Speaker 3: Yeah, right down the road. Don't worry about it.

159
00:06:04,640 --> 00:06:08,040
Speaker 1: Well, yeah, that was odd. Yeah, that fan coming back

160
00:06:08,880 --> 00:06:09,960
Speaker 1: and getting in the elevator.

161
00:06:10,200 --> 00:06:12,400
Speaker 3: I'm glad it was just one because it could have

162
00:06:12,400 --> 00:06:12,760
Speaker 3: been more.

163
00:06:13,160 --> 00:06:14,480
Speaker 1: I just assumed she was with y'all.

164
00:06:15,120 --> 00:06:16,880
Speaker 2: We all assumed she was with one of us, Like

165
00:06:16,920 --> 00:06:19,120
Speaker 2: everybody just assumed, like I thought she was, thought she

166
00:06:19,160 --> 00:06:19,440
Speaker 2: was with you.

167
00:06:19,800 --> 00:06:21,240
Speaker 3: No, she wasn't with any of us.

168
00:06:21,240 --> 00:06:23,280
Speaker 1: And at the show when we did like the after

169
00:06:23,320 --> 00:06:25,560
Speaker 1: meet and great shit, I thought she worked for the venue.

170
00:06:25,600 --> 00:06:28,120
Speaker 1: She was taking pictures like a professional. Yeah, I don't work.

171
00:06:28,600 --> 00:06:31,039
Speaker 1: I'll get you these prints soon. I'm like, oh, thanks, Yes, she.

172
00:06:31,040 --> 00:06:33,479
Speaker 2: Did a wardrobe change because she and then she like

173
00:06:33,480 --> 00:06:34,880
Speaker 2: put the merch on, and I thought it was a

174
00:06:34,920 --> 00:06:36,719
Speaker 2: whole different person, and she came and took another picture

175
00:06:36,720 --> 00:06:37,880
Speaker 2: with me. I was like, wait, I just saw you

176
00:06:37,920 --> 00:06:40,480
Speaker 2: with a whole different setup on. And then she ended

177
00:06:40,560 --> 00:06:41,480
Speaker 2: up at the hotel lobby.

178
00:06:41,560 --> 00:06:43,800
Speaker 3: Yeah. I was just like, Okay, well, I see what's happening.

179
00:06:44,000 --> 00:06:47,400
Speaker 1: Well, the people that were invited did bring some pluses,

180
00:06:47,880 --> 00:06:50,360
Speaker 1: and I haven't interacted in a long time with like

181
00:06:50,440 --> 00:06:54,520
Speaker 1: just strange women, like in a casual setting where like

182
00:06:54,560 --> 00:06:56,240
Speaker 1: you just really get to know things about people that

183
00:06:56,240 --> 00:06:58,279
Speaker 1: you've never met and probably wouldn't speak to had you

184
00:06:58,320 --> 00:07:02,520
Speaker 1: not been in this predicament at the moment, right, it's

185
00:07:02,560 --> 00:07:05,520
Speaker 1: fucking weird out there now. Carl can attest. Carl was

186
00:07:05,520 --> 00:07:08,960
Speaker 1: there with me. Yeah, yeah, And I thought one I

187
00:07:09,000 --> 00:07:11,960
Speaker 1: thought these women were in their mid thirties. They were

188
00:07:11,960 --> 00:07:14,080
Speaker 1: like twenty two, which is a red flag right away.

189
00:07:14,400 --> 00:07:17,680
Speaker 2: Yeah we know that off top shout out told the

190
00:07:17,760 --> 00:07:19,320
Speaker 2: twenty two year olds. But yeah, it's a red flag.

191
00:07:19,560 --> 00:07:22,880
Speaker 1: We're very young, which threw me off. And then as

192
00:07:22,920 --> 00:07:24,960
Speaker 1: I felt like the vibe was getting kind of cool

193
00:07:25,160 --> 00:07:27,600
Speaker 1: and people were chilling. Music was playing at that point, food,

194
00:07:27,600 --> 00:07:31,160
Speaker 1: it came one of the women I was talking to

195
00:07:31,200 --> 00:07:35,200
Speaker 1: on a completely platonic level, looks over at me very

196
00:07:35,200 --> 00:07:37,280
Speaker 1: close to my face and says, have you ever had

197
00:07:37,320 --> 00:07:45,720
Speaker 1: an abortion? It was the same silence that I know

198
00:07:45,760 --> 00:07:47,520
Speaker 1: what she was asking thenk God, no one could hear

199
00:07:47,520 --> 00:07:50,680
Speaker 1: it over the party next door, but I heard it.

200
00:07:50,800 --> 00:07:52,880
Speaker 2: I know what she was asking. She was asking, also,

201
00:07:52,960 --> 00:07:54,440
Speaker 2: has a woman ever had an abortion?

202
00:07:54,680 --> 00:07:56,320
Speaker 3: For you? But she just didn't wordy it.

203
00:07:56,360 --> 00:07:59,120
Speaker 1: Okay, I know what she meant. I know exactly where she.

204
00:07:59,320 --> 00:08:01,640
Speaker 3: Sound nuts asking have you ever had an abortion?

205
00:08:02,400 --> 00:08:04,880
Speaker 1: I know what she meant when she said it. Why

206
00:08:04,920 --> 00:08:07,400
Speaker 1: are you asking me that? What? What?

207
00:08:07,520 --> 00:08:07,640
Speaker 4: Like?

208
00:08:07,680 --> 00:08:08,920
Speaker 1: What is going on? I think she was.

209
00:08:09,000 --> 00:08:10,800
Speaker 2: I think she was like, you know, just trying to

210
00:08:10,840 --> 00:08:13,680
Speaker 2: start a deeper conversation with you.

211
00:08:13,680 --> 00:08:14,120
Speaker 3: You know what I mean.

212
00:08:14,160 --> 00:08:16,360
Speaker 2: I think she was trying to tap into you emotionally

213
00:08:16,360 --> 00:08:16,840
Speaker 2: a little bit.

214
00:08:16,920 --> 00:08:19,520
Speaker 1: This is where I beg for women to ask me

215
00:08:19,560 --> 00:08:20,320
Speaker 1: my sign first.

216
00:08:21,000 --> 00:08:22,440
Speaker 3: Yeah, it's like we could we could keep it.

217
00:08:23,240 --> 00:08:25,360
Speaker 1: Let's go with the strology that I don't believe in.

218
00:08:25,560 --> 00:08:27,680
Speaker 3: Let's go surface level ship. What type of food do

219
00:08:27,720 --> 00:08:30,440
Speaker 3: I like? You know? What type of dessert do I like?

220
00:08:30,440 --> 00:08:32,520
Speaker 3: What do I usually order when I go to restaurants?

221
00:08:32,559 --> 00:08:32,640
Speaker 1: Like?

222
00:08:32,640 --> 00:08:33,439
Speaker 3: What type of wine?

223
00:08:33,480 --> 00:08:36,200
Speaker 1: What's your name? I don't even think we got that far.

224
00:08:36,120 --> 00:08:38,000
Speaker 3: Yeah, yeah, that what's your name? You know, how old

225
00:08:38,000 --> 00:08:38,200
Speaker 3: are you?

226
00:08:38,520 --> 00:08:40,840
Speaker 1: Things like that, And I didn't know how to answer

227
00:08:40,840 --> 00:08:43,600
Speaker 1: her because then I was like, well, is she like

228
00:08:43,679 --> 00:08:46,640
Speaker 1: fresh from one? Yeah? Like does she go from there

229
00:08:46,760 --> 00:08:47,040
Speaker 1: to hear?

230
00:08:47,240 --> 00:08:48,880
Speaker 3: And then you don't know what type of emotion that

231
00:08:48,880 --> 00:08:49,640
Speaker 3: will bring up in her?

232
00:08:49,720 --> 00:08:52,040
Speaker 1: And I'm pro choice is your choice, it's a woman's body.

233
00:08:52,800 --> 00:08:55,080
Speaker 1: But I also that I have a pro choice to

234
00:08:55,160 --> 00:08:59,079
Speaker 1: not answer you about abortion things. Choice, my mouth, my.

235
00:08:59,080 --> 00:09:02,960
Speaker 2: Choice, absolutely, your choice, your mouth, your choice. You didn't

236
00:09:03,000 --> 00:09:04,600
Speaker 2: have to answer that. I don't think you should have

237
00:09:04,600 --> 00:09:06,800
Speaker 2: answered that. I did not, and it's nobody's business.

238
00:09:07,280 --> 00:09:09,400
Speaker 1: I did. I did like an in person l L

239
00:09:09,840 --> 00:09:18,520
Speaker 1: like like you don't really laugh, let's just add slap her.

240
00:09:18,520 --> 00:09:20,040
Speaker 3: Leg like come on?

241
00:09:20,120 --> 00:09:22,120
Speaker 5: I think, is where does she go from the answer?

242
00:09:22,360 --> 00:09:24,760
Speaker 5: Like if you said the year or no, where is

243
00:09:24,800 --> 00:09:26,760
Speaker 5: she going to take the rest of the conversation.

244
00:09:27,320 --> 00:09:30,200
Speaker 1: Maybe she wanted details like did you go half uh?

245
00:09:30,679 --> 00:09:34,680
Speaker 1: Did you go with her to the clinic? Did you say, hey,

246
00:09:34,720 --> 00:09:37,560
Speaker 1: get rid of that ship, or hey, that's not mine.

247
00:09:37,600 --> 00:09:39,480
Speaker 1: I always approach she shouldn't.

248
00:09:39,480 --> 00:09:42,800
Speaker 2: Actually, that's just way too like personal ship to be

249
00:09:42,840 --> 00:09:45,559
Speaker 2: asking somebody the first day you meet them the first

250
00:09:45,559 --> 00:09:46,600
Speaker 2: hour you meet them.

251
00:09:46,840 --> 00:09:49,320
Speaker 1: Yeah, I mean her defense. The food was Domino's pizza,

252
00:09:49,440 --> 00:09:52,480
Speaker 1: so like, the bar wasn't too high in the room.

253
00:09:53,000 --> 00:09:55,199
Speaker 2: It was chill vibes. It wasn't nothing too crazy. Everybody

254
00:09:55,240 --> 00:09:57,599
Speaker 2: was chilling. It was it was interesting, but it was

255
00:09:57,600 --> 00:09:59,960
Speaker 2: a good night, great show in LA. The energy was

256
00:10:00,080 --> 00:10:04,040
Speaker 2: really good. Saw a lot of faces that I recognized

257
00:10:04,080 --> 00:10:08,520
Speaker 2: from before previous shows. A lot of new fans, a

258
00:10:08,520 --> 00:10:10,520
Speaker 2: lot of new people came out to see us.

259
00:10:10,840 --> 00:10:12,720
Speaker 3: It was a great time. I had time.

260
00:10:12,760 --> 00:10:14,680
Speaker 1: I didn't tell you about my experience flying from I

261
00:10:14,679 --> 00:10:17,600
Speaker 1: didn't tell any of y'all flying from New York to LA.

262
00:10:17,679 --> 00:10:19,080
Speaker 1: My flight was delayed six hours.

263
00:10:19,360 --> 00:10:20,480
Speaker 3: He had a rain YEP.

264
00:10:20,600 --> 00:10:22,480
Speaker 1: Finally got on the plane. He sat for two hours.

265
00:10:22,480 --> 00:10:25,440
Speaker 1: The guy in front of me, I just assumed he

266
00:10:25,520 --> 00:10:29,480
Speaker 1: was really fucked up. He was berating every single flight ascendant,

267
00:10:29,559 --> 00:10:31,640
Speaker 1: screaming like I want to see the red coat. I

268
00:10:31,640 --> 00:10:32,880
Speaker 1: didn't even know what the red coat was. I thought

269
00:10:33,240 --> 00:10:35,640
Speaker 1: he was watching the Patriot on the ship. He said,

270
00:10:35,679 --> 00:10:37,080
Speaker 1: I need to see the red coat, and I'm looking

271
00:10:37,120 --> 00:10:38,040
Speaker 1: around at everyone.

272
00:10:38,440 --> 00:10:40,000
Speaker 3: The military showing us the red coat.

273
00:10:40,440 --> 00:10:42,560
Speaker 1: There's like a manager on a plane that like, where's

274
00:10:42,559 --> 00:10:44,839
Speaker 1: a red coat. Never seen him. That must be I'm

275
00:10:44,840 --> 00:10:46,040
Speaker 1: in the back of the plane, that must be the

276
00:10:46,120 --> 00:10:46,920
Speaker 1: red Usually.

277
00:10:47,400 --> 00:10:49,000
Speaker 2: They're usually at the gate when you when you check

278
00:10:49,080 --> 00:10:51,520
Speaker 2: when you're walking into the boarding the plane.

279
00:10:51,640 --> 00:10:55,199
Speaker 1: So he was going like he was going crazy in

280
00:10:55,240 --> 00:10:58,600
Speaker 1: that plane, annoying the fuck out of everybody because everyone

281
00:10:58,600 --> 00:11:01,480
Speaker 1: we've all been sitting here for four hours before. Like, dog,

282
00:11:01,480 --> 00:11:03,360
Speaker 1: come on, we're all in the same predicament right now.

283
00:11:03,360 --> 00:11:06,880
Speaker 1: Stop being an asshole to two women. On top of

284
00:11:06,920 --> 00:11:08,199
Speaker 1: that as flight attendants.

285
00:11:08,240 --> 00:11:10,160
Speaker 2: You know what I never understood when people go crazy

286
00:11:10,280 --> 00:11:13,599
Speaker 2: on flights being delayed when it's weather related, Like what

287
00:11:13,800 --> 00:11:15,959
Speaker 2: the fuck can anybody in this airport do?

288
00:11:16,160 --> 00:11:18,040
Speaker 3: Like you want them to stop the weather? Like what

289
00:11:18,160 --> 00:11:18,400
Speaker 3: they were.

290
00:11:18,800 --> 00:11:20,760
Speaker 1: He was berating the flight attendants as if they could

291
00:11:20,840 --> 00:11:23,560
Speaker 1: do something, and he was like, well, can I get

292
00:11:23,600 --> 00:11:26,400
Speaker 1: like a free drink or something? Just say you want

293
00:11:26,400 --> 00:11:26,839
Speaker 1: a free drink?

294
00:11:26,920 --> 00:11:28,960
Speaker 3: Just say I'm an alcoholic and need some alcohol.

295
00:11:29,440 --> 00:11:33,480
Speaker 1: Sir, You're in first class, the drinks are free. Would

296
00:11:33,480 --> 00:11:34,000
Speaker 1: you like a drink?

297
00:11:34,040 --> 00:11:35,000
Speaker 3: Yeah? Like just relax.

298
00:11:35,400 --> 00:11:37,280
Speaker 1: So then we finally get on the tarmat. We were

299
00:11:37,320 --> 00:11:39,480
Speaker 1: first in line. They let us skip. We get on

300
00:11:39,520 --> 00:11:43,840
Speaker 1: the tarmat. He refuses to put his fucking bed shit up.

301
00:11:44,600 --> 00:11:46,680
Speaker 1: So now not only have we been delayed with this long,

302
00:11:47,000 --> 00:11:49,840
Speaker 1: this asshole when we're about to take off, refuses to

303
00:11:49,840 --> 00:11:51,440
Speaker 1: put his seat up because we were delayed, and he

304
00:11:51,440 --> 00:11:53,320
Speaker 1: thinks he can do whatever the fuck he wants. Yeah,

305
00:11:53,640 --> 00:11:56,480
Speaker 1: So the flight attendant then comes, It's like, hey, you

306
00:11:56,520 --> 00:11:57,959
Speaker 1: need to put the seat up, Like we're gonna have

307
00:11:58,000 --> 00:11:59,520
Speaker 1: to go back to the gate. You realize we just

308
00:11:59,520 --> 00:12:01,640
Speaker 1: got straight to the runway they put us in front.

309
00:12:02,559 --> 00:12:05,040
Speaker 1: He then grabs her wrist and I was the closest

310
00:12:05,040 --> 00:12:08,959
Speaker 1: one there, so I grabbed him, and then the other

311
00:12:09,000 --> 00:12:11,079
Speaker 1: flight attendant went to get the pilot. I'm like, oh,

312
00:12:11,160 --> 00:12:14,240
Speaker 1: this flight's getting canceled, Like we just waited six hours

313
00:12:14,280 --> 00:12:15,520
Speaker 1: for me to have to go back to my crip.

314
00:12:16,760 --> 00:12:19,079
Speaker 1: So the pilot comes out and is like, all right,

315
00:12:19,920 --> 00:12:21,280
Speaker 1: is this going to be a problem because I could

316
00:12:21,280 --> 00:12:23,160
Speaker 1: tell the pilot was like, dog, I'm trying to get

317
00:12:23,160 --> 00:12:25,160
Speaker 1: the fuck out of here too. Are you gonna sit

318
00:12:25,160 --> 00:12:27,800
Speaker 1: there and be quiet? And at that point, I don't

319
00:12:27,800 --> 00:12:31,199
Speaker 1: know if he was just like a super misogynist. He

320
00:12:31,240 --> 00:12:33,680
Speaker 1: listened to that pilot right away. He was like, yes,

321
00:12:33,760 --> 00:12:35,360
Speaker 1: I'll sit here, I'll buckle up, I'll put it up.

322
00:12:35,640 --> 00:12:39,800
Speaker 1: We start flying fastest Seabell comes off, he loses his

323
00:12:39,840 --> 00:12:42,960
Speaker 1: phone and the shit in his seat, So now he's

324
00:12:43,000 --> 00:12:45,400
Speaker 1: literally trying to tear apart a whole first class seat,

325
00:12:45,480 --> 00:12:50,120
Speaker 1: and he's slamming his fucking overhead, staring at me like, yeah,

326
00:12:50,200 --> 00:12:53,559
Speaker 1: you drabbed me, but I can slam it overhead. Then

327
00:12:53,600 --> 00:12:55,520
Speaker 1: he slams the overhead. It doesn't shut because he hit

328
00:12:55,559 --> 00:12:57,320
Speaker 1: it too hard. His bag falls at him, and I say,

329
00:12:57,320 --> 00:12:59,720
Speaker 1: when the whole plane just starts dying, laughing at him.

330
00:13:00,360 --> 00:13:02,199
Speaker 1: Then he starts taking pills out of his bag and

331
00:13:02,200 --> 00:13:04,559
Speaker 1: I'm like, oh, he's pilled up. Takes the pills, he

332
00:13:04,640 --> 00:13:07,280
Speaker 1: knocks out, don't hear from we wake up or he

333
00:13:07,320 --> 00:13:09,679
Speaker 1: wakes up? Parton? When we land, turns around, looks at

334
00:13:09,679 --> 00:13:10,719
Speaker 1: me like he had never seen me a day in

335
00:13:10,800 --> 00:13:14,480
Speaker 1: his life and goes, where are we? I said, We're in?

336
00:13:14,600 --> 00:13:19,120
Speaker 1: LA said Why am I in LA? I said, I

337
00:13:19,120 --> 00:13:23,000
Speaker 1: don't know, sir, So clearly I do want to shoot

338
00:13:23,040 --> 00:13:25,600
Speaker 1: him some Clearly the pills that he took was something

339
00:13:25,640 --> 00:13:27,440
Speaker 1: he needed, because that knocked him out and brought him

340
00:13:27,480 --> 00:13:28,800
Speaker 1: kind of back to where the fuck he was.

341
00:13:28,840 --> 00:13:29,800
Speaker 3: He brought him back to New York.

342
00:13:29,800 --> 00:13:33,960
Speaker 1: He was he was clearly having a that's true. Yeah,

343
00:13:34,559 --> 00:13:36,480
Speaker 1: it was a very strange experience that that.

344
00:13:36,760 --> 00:13:39,400
Speaker 2: Flying is always interesting because you never know who you're gonna,

345
00:13:39,520 --> 00:13:43,760
Speaker 2: you know, see, or be on the plane with. I

346
00:13:43,800 --> 00:13:46,760
Speaker 2: remember coming back from LA the last time we were there,

347
00:13:47,520 --> 00:13:49,319
Speaker 2: there was somebody sitting in front of me and he

348
00:13:49,440 --> 00:13:52,240
Speaker 2: was like, I don't I don't know what the terms is,

349
00:13:52,280 --> 00:13:55,920
Speaker 2: but he had like he was really like it wasn't anxiety,

350
00:13:56,000 --> 00:13:59,520
Speaker 2: he had like a he was cursing, he was banging

351
00:13:59,520 --> 00:14:01,559
Speaker 2: on the fuck and like he he was mad that

352
00:14:01,640 --> 00:14:04,520
Speaker 2: whenever he tapped the screen to change the movie, I

353
00:14:04,520 --> 00:14:06,880
Speaker 2: guess it wasn't like picking up his thumb his thumbprint,

354
00:14:07,360 --> 00:14:09,760
Speaker 2: So he started punching it. Then he got he got

355
00:14:09,800 --> 00:14:11,960
Speaker 2: agitated at the dude was in front of us.

356
00:14:12,040 --> 00:14:12,760
Speaker 1: No, no, it wasn't you.

357
00:14:13,280 --> 00:14:15,240
Speaker 2: It was one dude in front of us that kept

358
00:14:15,240 --> 00:14:16,960
Speaker 2: like slamming, like he kept getting something out of his

359
00:14:17,000 --> 00:14:17,839
Speaker 2: bag and closing it.

360
00:14:18,280 --> 00:14:19,440
Speaker 3: He started cursing at that dude.

361
00:14:19,480 --> 00:14:22,400
Speaker 2: He keeps slamming the fucking overhead like so I was like, okay,

362
00:14:22,400 --> 00:14:24,560
Speaker 2: this dude is a little and his wife was sitting

363
00:14:24,600 --> 00:14:26,240
Speaker 2: right next time I saw she was trying to calm down,

364
00:14:26,240 --> 00:14:28,520
Speaker 2: and he was taking pills throughout the flight. So it's

365
00:14:28,560 --> 00:14:30,600
Speaker 2: just always like a movie within a movie, like you're

366
00:14:30,600 --> 00:14:32,640
Speaker 2: watching the movie, but then you're watching the people around you,

367
00:14:32,720 --> 00:14:34,360
Speaker 2: seeing what they get, you know, type of people they.

368
00:14:34,320 --> 00:14:38,960
Speaker 1: Are, and like you're you're guarded by the idea of

369
00:14:39,440 --> 00:14:41,760
Speaker 1: this being federal and the worst federal crime that could

370
00:14:41,760 --> 00:14:45,040
Speaker 1: possibly happens when you're in an airport or on an airplane,

371
00:14:45,400 --> 00:14:48,480
Speaker 1: So all that anger is like where's it going because

372
00:14:48,520 --> 00:14:50,480
Speaker 1: you can't do you can't do nothing, you can't touch

373
00:14:50,520 --> 00:14:52,880
Speaker 1: someone rom Yeah, that's why when he grabbed that flight

374
00:14:52,880 --> 00:14:54,840
Speaker 1: attend's wrist and then I grabbed his to.

375
00:14:54,760 --> 00:14:55,240
Speaker 3: Get it off.

376
00:14:55,760 --> 00:14:58,120
Speaker 1: Oh this this flight is over, like there's no way.

377
00:14:58,160 --> 00:15:01,200
Speaker 2: And sometimes A Marshall's on the flight, which I was

378
00:15:01,280 --> 00:15:03,800
Speaker 2: expected at some point. Sometimes Ed Marster's on the flights,

379
00:15:03,920 --> 00:15:06,120
Speaker 2: and you hope that you're not on the flight with

380
00:15:06,360 --> 00:15:08,280
Speaker 2: Ed Marster has to detain somebody because then the flight's

381
00:15:08,280 --> 00:15:10,360
Speaker 2: not going over, especially if you didn't take off yet,

382
00:15:10,360 --> 00:15:11,200
Speaker 2: the flight's not going.

383
00:15:11,080 --> 00:15:12,720
Speaker 1: Or you're fucking landing in Chattanooga.

384
00:15:12,840 --> 00:15:15,720
Speaker 2: Yeah, yeah, it's terrible, but yeah, man, l A was

385
00:15:15,760 --> 00:15:17,680
Speaker 2: a great time. L A was a great time, had

386
00:15:17,680 --> 00:15:21,040
Speaker 2: a lot of fun, saw some old friends. Shout out

387
00:15:21,040 --> 00:15:23,560
Speaker 2: to everybody came out to the show. There's a lot

388
00:15:23,560 --> 00:15:27,160
Speaker 2: of people that came out dressing room. Was it was

389
00:15:27,160 --> 00:15:29,200
Speaker 2: a vibe. Yeah, it was a lot of people. I finally,

390
00:15:29,320 --> 00:15:32,760
Speaker 2: I finally met Ari Ari Lennix. She had some uh

391
00:15:33,760 --> 00:15:36,600
Speaker 2: interesting words for me, but it's all love. She she

392
00:15:36,720 --> 00:15:40,320
Speaker 2: For some reason, Ari felt like, I like I said

393
00:15:40,320 --> 00:15:43,120
Speaker 2: some things about her before that she didn't like. And

394
00:15:43,200 --> 00:15:47,320
Speaker 2: I swear I don't remember ever so saying anything about Ari.

395
00:15:47,520 --> 00:15:49,360
Speaker 1: I don't either, And this this has been a thing

396
00:15:49,360 --> 00:15:50,760
Speaker 1: for a little while, and Ari is a dear friend

397
00:15:50,760 --> 00:15:52,840
Speaker 1: of mine. I do love and care about her. I've

398
00:15:52,880 --> 00:15:54,920
Speaker 1: explained to her. Was like, I don't remember, and I

399
00:15:54,960 --> 00:15:57,680
Speaker 1: could be wrong. Yeah, but if I find the clip,

400
00:15:57,960 --> 00:15:59,960
Speaker 1: sure I don't. I don't ever say in a bad

401
00:16:00,080 --> 00:16:02,200
Speaker 1: I don't remember ever seeing anything about Ari.

402
00:16:03,400 --> 00:16:05,760
Speaker 2: And then she, you know, she told me, She's like, oh,

403
00:16:06,360 --> 00:16:09,120
Speaker 2: I thought you were an asshole, Like you're such a

404
00:16:09,200 --> 00:16:11,640
Speaker 2: nice guy. It was like you thought I was an asshole,

405
00:16:11,720 --> 00:16:15,080
Speaker 2: Like damn like, but we spoke and it's all love.

406
00:16:15,160 --> 00:16:16,920
Speaker 1: Shout the way less of an asshole than the person

407
00:16:16,960 --> 00:16:18,560
Speaker 1: that you like.

408
00:16:18,040 --> 00:16:19,280
Speaker 3: Yeah, I'm the as.

409
00:16:19,880 --> 00:16:23,120
Speaker 2: Yeah, I'm like, Rory is the asshole, but okay whatever,

410
00:16:23,160 --> 00:16:24,120
Speaker 2: but yeah, she's great.

411
00:16:24,160 --> 00:16:24,320
Speaker 1: Man.

412
00:16:24,360 --> 00:16:27,200
Speaker 2: We spoke and we laughed about the whole thing, and

413
00:16:27,440 --> 00:16:29,320
Speaker 2: I thanked her for coming out, and she she enjoyed

414
00:16:29,320 --> 00:16:29,560
Speaker 2: the show.

415
00:16:29,600 --> 00:16:30,600
Speaker 3: She said, we did a great job.

416
00:16:30,640 --> 00:16:34,160
Speaker 1: So yeah, uh, it was it was rapping in there

417
00:16:34,200 --> 00:16:36,560
Speaker 1: to reason Boogie. We're just name dropping there at this way.

418
00:16:36,960 --> 00:16:40,320
Speaker 2: Obviously, Guru the family was a lot the fan, the

419
00:16:40,360 --> 00:16:41,400
Speaker 2: fam came out to support.

420
00:16:41,480 --> 00:16:44,840
Speaker 1: It was it was industry. I'm just admitting I'm industry now. Like,

421
00:16:44,880 --> 00:16:46,880
Speaker 1: if you're not the street, don't come in my green room.

422
00:16:48,080 --> 00:16:50,760
Speaker 2: That sounds crazy, but I understand what you mean. Like, yeah,

423
00:16:51,480 --> 00:16:53,200
Speaker 2: it is what it is, but it's it's a different

424
00:16:53,200 --> 00:16:55,680
Speaker 2: type of industry. It's like the people that we really

425
00:16:55,720 --> 00:16:59,240
Speaker 2: really fuck with. Yeah, they're artists and you know things

426
00:16:59,240 --> 00:17:02,440
Speaker 2: of that, executives, producers and stuff, but.

427
00:17:03,520 --> 00:17:07,639
Speaker 3: They're like the cool of that down to people.

428
00:17:07,760 --> 00:17:11,240
Speaker 2: Yeah, like they're not too strong on strung out on themselves,

429
00:17:11,280 --> 00:17:14,119
Speaker 2: they're not too into themselves. Like the conversations that we

430
00:17:14,200 --> 00:17:16,040
Speaker 2: have is just like I would they would never speak

431
00:17:16,080 --> 00:17:17,120
Speaker 2: like that with anybody else.

432
00:17:17,160 --> 00:17:18,280
Speaker 3: Oh no, you know what I mean.

433
00:17:18,320 --> 00:17:21,000
Speaker 2: So it's like it's a different it's a different relationship.

434
00:17:21,040 --> 00:17:23,239
Speaker 2: It's a different relationship. But we had a lot of fun. Man,

435
00:17:23,240 --> 00:17:24,560
Speaker 2: shout out to La. Shout out all the people that

436
00:17:24,600 --> 00:17:25,520
Speaker 2: came out. It was a great time.

437
00:17:26,440 --> 00:17:28,680
Speaker 1: Uh, the last LA thing I will say. I did

438
00:17:28,720 --> 00:17:31,359
Speaker 1: go to a club for the first time in a while.

439
00:17:31,760 --> 00:17:32,200
Speaker 3: M hmm.

440
00:17:32,680 --> 00:17:34,840
Speaker 1: But I went to like the White Knight at Poppy.

441
00:17:35,160 --> 00:17:37,520
Speaker 1: It wasn't like it was like a lot of d

442
00:17:37,680 --> 00:17:41,760
Speaker 1: M and like White College. The same night as you,

443
00:17:42,080 --> 00:17:44,080
Speaker 1: but different times I got there. I was in the

444
00:17:44,080 --> 00:17:44,600
Speaker 1: early crowd.

445
00:17:44,640 --> 00:17:47,440
Speaker 2: You know, you went to Bootsies that was not Poppy.

446
00:17:47,440 --> 00:17:49,840
Speaker 2: I went to Poppy, So I didn't go to Poppy.

447
00:17:50,800 --> 00:17:54,800
Speaker 1: I just want to know, Like we talk about frontline

448
00:17:54,840 --> 00:17:57,600
Speaker 1: workers and first responders and all that, we never discussed

449
00:17:57,600 --> 00:17:59,600
Speaker 1: the uber drivers at four am that pull up to

450
00:17:59,600 --> 00:18:02,080
Speaker 1: the club like they're to me first responders. They deserve

451
00:18:02,160 --> 00:18:05,640
Speaker 1: the same the flyover from the jets at football games,

452
00:18:05,680 --> 00:18:08,119
Speaker 1: Like we need to add in uber drivers for drunk

453
00:18:08,200 --> 00:18:09,359
Speaker 1: kids at four am.

454
00:18:09,400 --> 00:18:11,879
Speaker 2: I don't know how taxi cab confessions or like uber

455
00:18:11,920 --> 00:18:14,960
Speaker 2: confessions isn't a thing on HBO, because I'm sure there's

456
00:18:15,000 --> 00:18:18,080
Speaker 2: some like gold content. You those ubers at night leaving

457
00:18:18,080 --> 00:18:21,480
Speaker 2: the club with like privileged, rich kids going back into

458
00:18:21,480 --> 00:18:23,720
Speaker 2: the hills, Like you have to film that?

459
00:18:24,040 --> 00:18:26,440
Speaker 3: And how how was how was HBO not filming this.

460
00:18:26,520 --> 00:18:28,360
Speaker 1: Well, because I feel like most of the footage would

461
00:18:28,359 --> 00:18:29,760
Speaker 1: be them throwing up in the backseat.

462
00:18:29,960 --> 00:18:33,280
Speaker 3: But I want to watch. I love to see rich,

463
00:18:33,320 --> 00:18:35,840
Speaker 3: privileged kids cursing the drive out and then sir, can

464
00:18:35,880 --> 00:18:36,639
Speaker 3: you pull over please?

465
00:18:37,320 --> 00:18:38,359
Speaker 1: And then Blake threw up.

466
00:18:39,400 --> 00:18:41,280
Speaker 3: I want to see that. I was laugh at that shit.

467
00:18:41,400 --> 00:18:42,719
Speaker 1: And then Connor stepped in it.

468
00:18:42,920 --> 00:18:45,680
Speaker 3: Yeah, it was, it was. I got to I got

469
00:18:45,720 --> 00:18:47,000
Speaker 3: to after you left. It was.

470
00:18:47,240 --> 00:18:49,120
Speaker 2: It was definitely interesting to see like all of those

471
00:18:49,160 --> 00:18:52,120
Speaker 2: kids outside waiting for their ubers after and getting pissed

472
00:18:52,160 --> 00:18:53,800
Speaker 2: on the Uber driver. I couldn't find where they were

473
00:18:53,840 --> 00:18:57,080
Speaker 2: standing on the sidewalk and it was just like, your

474
00:18:57,080 --> 00:18:59,120
Speaker 2: car is literally thirty feet away. You can just walk

475
00:18:59,119 --> 00:19:00,639
Speaker 2: to your car. No, they want the called the reverse

476
00:19:00,680 --> 00:19:03,840
Speaker 2: and come back to the front. I was just like, yeah, whatever,

477
00:19:03,920 --> 00:19:05,320
Speaker 2: but yeah, man, we had a good time in La

478
00:19:05,440 --> 00:19:06,000
Speaker 2: La was great.

479
00:19:06,040 --> 00:19:06,200
Speaker 3: Man.

480
00:19:07,440 --> 00:19:09,120
Speaker 1: I guess some ship did happen while we were there.

481
00:19:09,880 --> 00:19:12,800
Speaker 3: We shot episode with Guru on Hop.

482
00:19:12,880 --> 00:19:14,639
Speaker 1: Yeah, which people seem to like. It was definitely some

483
00:19:14,720 --> 00:19:15,480
Speaker 1: nerd talk.

484
00:19:15,520 --> 00:19:19,640
Speaker 2: But I like that great conversation, Uh serious sex shout

485
00:19:19,640 --> 00:19:21,640
Speaker 2: out to serious X and that lady opened their studios

486
00:19:21,640 --> 00:19:23,800
Speaker 2: for us and welcomed us there.

487
00:19:24,240 --> 00:19:25,760
Speaker 1: They I mean they lighted me like a ghost.

488
00:19:25,800 --> 00:19:28,919
Speaker 3: But yeah, that was that was That was that was.

489
00:19:29,960 --> 00:19:32,320
Speaker 3: I never knew I could get got to take some

490
00:19:32,359 --> 00:19:34,199
Speaker 3: of that blak car.

491
00:19:34,320 --> 00:19:36,400
Speaker 2: You could put a filter on that camera. Something bro

492
00:19:36,640 --> 00:19:37,720
Speaker 2: that That lighting on.

493
00:19:37,840 --> 00:19:40,280
Speaker 1: Rory was like some nineteen seventy seven.

494
00:19:41,119 --> 00:19:44,240
Speaker 2: He's white, but that was like that was like different

495
00:19:44,320 --> 00:19:46,920
Speaker 2: level white. That was like, Yo, this guy doesn't leave

496
00:19:46,920 --> 00:19:47,160
Speaker 2: the house.

497
00:19:47,320 --> 00:19:48,920
Speaker 1: I'm not even that white in December.

498
00:19:49,040 --> 00:19:50,119
Speaker 3: Yeah, that was crazy.

499
00:19:50,280 --> 00:19:53,359
Speaker 2: That was absolutely not even Guru was like three shades

500
00:19:53,440 --> 00:19:56,440
Speaker 2: light look the only me and Hop looked normal because

501
00:19:56,440 --> 00:19:58,359
Speaker 2: we had hats on, so it kind of the shade.

502
00:19:58,560 --> 00:19:59,680
Speaker 3: The light was kind of being blocked.

503
00:20:00,080 --> 00:20:00,880
Speaker 1: Face turned it down.

504
00:20:00,880 --> 00:20:02,480
Speaker 5: He was like, Yo, I'm at the lighting guy, I

505
00:20:02,520 --> 00:20:04,320
Speaker 5: just know the presets and I was just like.

506
00:20:04,320 --> 00:20:06,560
Speaker 1: It was preset pasty. Yes, that's what it was.

507
00:20:06,600 --> 00:20:08,399
Speaker 3: It was a pastel. That's not it.

508
00:20:10,000 --> 00:20:10,800
Speaker 1: Challenge, Yeah it was.

509
00:20:10,840 --> 00:20:11,040
Speaker 3: It was.

510
00:20:11,080 --> 00:20:12,960
Speaker 2: It was that that lighting was crazy. They have my

511
00:20:13,000 --> 00:20:16,400
Speaker 2: guy Rory looking crazy. But it was a dope conversation.

512
00:20:17,160 --> 00:20:17,440
Speaker 3: Uh.

513
00:20:17,520 --> 00:20:19,280
Speaker 2: And I was mad because when me and Hop left

514
00:20:19,280 --> 00:20:22,760
Speaker 2: we went to Hop studio right down the block and

515
00:20:22,800 --> 00:20:24,240
Speaker 2: he told me off camera, he was like, damn, I

516
00:20:24,280 --> 00:20:27,119
Speaker 2: forgot to bring up on camera the Black album was

517
00:20:27,160 --> 00:20:28,960
Speaker 2: actually the last time he worked with Jay.

518
00:20:30,520 --> 00:20:31,960
Speaker 3: Oh wow, Yeah that was that.

519
00:20:31,960 --> 00:20:33,960
Speaker 2: That was the last time that Hop worked with j

520
00:20:34,080 --> 00:20:35,800
Speaker 2: On on on the album.

521
00:20:36,200 --> 00:20:37,680
Speaker 1: Was that for a particular reason?

522
00:20:38,480 --> 00:20:40,320
Speaker 3: I'm not sure. I didn't ask him, Like, we didn't

523
00:20:40,359 --> 00:20:41,040
Speaker 3: really get into it.

524
00:20:41,080 --> 00:20:43,560
Speaker 2: Hops plate definitely got super cool after that. We didn't

525
00:20:43,560 --> 00:20:45,199
Speaker 2: we didn't get into it, but he was like, he

526
00:20:45,280 --> 00:20:47,120
Speaker 2: was like yeah. He was like, you know, he said, yeah,

527
00:20:47,240 --> 00:20:49,359
Speaker 2: I totally forgot, like that's the last time I worked

528
00:20:49,359 --> 00:20:51,760
Speaker 2: on on an album with Jay. So I was like, damn,

529
00:20:51,800 --> 00:20:54,560
Speaker 2: you know, I didn't realize that. But either way, it

530
00:20:54,600 --> 00:20:58,320
Speaker 2: was a great conversation. Thanks to Guru, thanks to how

531
00:20:58,359 --> 00:21:00,000
Speaker 2: for taking time to come sit and kick it with us.

532
00:21:00,800 --> 00:21:03,520
Speaker 2: And I would like to do more of that, oh yeah,

533
00:21:03,680 --> 00:21:06,000
Speaker 2: especially with them because they have so many projects and

534
00:21:06,520 --> 00:21:09,240
Speaker 2: artists and stuff that they worked with and shit that

535
00:21:09,240 --> 00:21:11,879
Speaker 2: they worked on that they're like the encyclopedia is of

536
00:21:11,960 --> 00:21:13,919
Speaker 2: hip hop. Like me and Hop was in the studio

537
00:21:13,960 --> 00:21:16,479
Speaker 2: talking about so much shit and it was just like,

538
00:21:16,640 --> 00:21:19,200
Speaker 2: you know, you know, watching your big brother from Afar,

539
00:21:19,280 --> 00:21:21,400
Speaker 2: you don't realize how much shit he's done because Hop

540
00:21:21,480 --> 00:21:22,080
Speaker 2: is the most.

541
00:21:21,920 --> 00:21:24,560
Speaker 3: Down to earth, humble you you'll ever meet.

542
00:21:25,400 --> 00:21:27,720
Speaker 2: And then you know, he started talking about projects he

543
00:21:27,760 --> 00:21:29,960
Speaker 2: did and playing the record. He's like, yeah, you know,

544
00:21:30,280 --> 00:21:32,320
Speaker 2: and and ur Dad, I'm like, what, Like I totally

545
00:21:32,320 --> 00:21:34,840
Speaker 2: forgot about that. So yeah, we got to sit down

546
00:21:34,880 --> 00:21:36,399
Speaker 2: and make sure we talk to like people and the

547
00:21:36,400 --> 00:21:39,639
Speaker 2: culture like that, Like the real encyclopedia is the people

548
00:21:39,640 --> 00:21:42,280
Speaker 2: that most most people may not know, but they play

549
00:21:42,280 --> 00:21:45,040
Speaker 2: a very intricate role in a lot of the art

550
00:21:45,119 --> 00:21:46,480
Speaker 2: and the things that we love and some of the

551
00:21:46,560 --> 00:21:49,520
Speaker 2: legendary pieces of material that we have in our culture.

552
00:21:49,720 --> 00:21:52,040
Speaker 1: And I even liked the idea not to say that

553
00:21:52,080 --> 00:21:54,439
Speaker 1: this was like preconceived that we were like we were

554
00:21:54,480 --> 00:21:56,280
Speaker 1: going to do the Black album with Hop and G.

555
00:21:56,840 --> 00:22:00,000
Speaker 1: I do think focusing on certain albums every now and then, yeah,

556
00:22:00,160 --> 00:22:02,840
Speaker 1: like just doing certain episodes dedicated even it's not an anniversary,

557
00:22:03,040 --> 00:22:05,159
Speaker 1: like just if we have someone that's in the space

558
00:22:05,200 --> 00:22:08,520
Speaker 1: that was so intricate the way an engineer in ar

559
00:22:08,600 --> 00:22:10,639
Speaker 1: can be with an album that I think that's a

560
00:22:10,680 --> 00:22:12,560
Speaker 1: cool series that we could add to the ship and

561
00:22:12,640 --> 00:22:14,840
Speaker 1: you know, like we've said, we're doing shit on the

562
00:22:14,840 --> 00:22:16,760
Speaker 1: fly scene what works, And I think that's something in

563
00:22:16,800 --> 00:22:19,520
Speaker 1: the future. We find an album we love, find a

564
00:22:19,560 --> 00:22:22,080
Speaker 1: person that and just disa with the people that.

565
00:22:22,880 --> 00:22:26,600
Speaker 2: Yeah, absolutely, especially when you have people with uh, you know,

566
00:22:26,640 --> 00:22:28,840
Speaker 2: as much history and the relationship that Hop and Google,

567
00:22:29,400 --> 00:22:31,720
Speaker 2: you know what I mean, Like I said, they you know,

568
00:22:31,760 --> 00:22:34,479
Speaker 2: they go way back, sharing you know, motels in Manhattan,

569
00:22:34,560 --> 00:22:36,560
Speaker 2: just the shower to get back to the studio, you

570
00:22:36,560 --> 00:22:36,920
Speaker 2: know what I mean.

571
00:22:36,920 --> 00:22:39,840
Speaker 3: That type of shit you don't see anymore. So Yeah,

572
00:22:39,840 --> 00:22:40,960
Speaker 3: shout out to Hop shotut to Google.

573
00:22:41,000 --> 00:22:43,760
Speaker 2: That was a great episode, great conversation, and I look

574
00:22:43,760 --> 00:22:45,120
Speaker 2: forward to doing more shit like that.

575
00:22:45,440 --> 00:22:48,720
Speaker 1: Yeah, you stayed in there, let a little longer, certain reason,

576
00:22:48,840 --> 00:22:50,320
Speaker 1: like it was a girl or something like.

577
00:22:50,440 --> 00:22:55,520
Speaker 3: No, it's just flights. Flights. I hate the flights, the flights,

578
00:22:55,680 --> 00:22:57,320
Speaker 3: you know, I hate flying in like the day we

579
00:22:57,359 --> 00:22:58,440
Speaker 3: got to work or record.

580
00:22:58,560 --> 00:23:00,760
Speaker 1: I hate that. You should have told her that there

581
00:23:00,800 --> 00:23:01,160
Speaker 1: was no.

582
00:23:01,200 --> 00:23:03,480
Speaker 2: Her, Like I literally missed the fucking It was my

583
00:23:03,520 --> 00:23:06,560
Speaker 2: first time flying out of American, out of LAX, so

584
00:23:06,600 --> 00:23:09,840
Speaker 2: I wasn't familiar with the terminal. We usually fly Delta

585
00:23:10,680 --> 00:23:13,639
Speaker 2: and it was just you know, I went to this

586
00:23:13,760 --> 00:23:15,399
Speaker 2: kiosk and it was a bunch of people at kiosks

587
00:23:15,400 --> 00:23:17,880
Speaker 2: waiting to get their bag tags. Then by the time

588
00:23:17,880 --> 00:23:19,280
Speaker 2: I got my bag tag, I said they had to

589
00:23:19,320 --> 00:23:19,960
Speaker 2: see an agent.

590
00:23:20,400 --> 00:23:20,640
Speaker 1: Listen.

591
00:23:20,840 --> 00:23:22,040
Speaker 3: I got to walk to the other end of the

592
00:23:22,080 --> 00:23:23,159
Speaker 3: terminal to see the agent.

593
00:23:23,240 --> 00:23:25,040
Speaker 1: He was in a quality spooning and she said, babe,

594
00:23:25,040 --> 00:23:25,760
Speaker 1: you stayed another night.

595
00:23:25,880 --> 00:23:27,000
Speaker 3: No, absolutely not.

596
00:23:27,119 --> 00:23:29,040
Speaker 2: I was all packed ready to get out of LA

597
00:23:29,080 --> 00:23:30,160
Speaker 2: It was packed to the airport.

598
00:23:30,440 --> 00:23:32,240
Speaker 3: Yeah. No, no, I wasn't packed in anybody.

599
00:23:32,280 --> 00:23:34,760
Speaker 2: I was ready to leave and I had to get

600
00:23:34,760 --> 00:23:36,720
Speaker 2: back on that shuttle to get back to the Uber

601
00:23:36,760 --> 00:23:37,240
Speaker 2: parking lot.

602
00:23:37,280 --> 00:23:38,159
Speaker 3: That shit was terrible.

603
00:23:38,200 --> 00:23:40,159
Speaker 1: Well but at least you saw her after when he

604
00:23:40,200 --> 00:23:43,439
Speaker 1: missed the fly right. No, no, I literally admitting there

605
00:23:44,080 --> 00:23:44,920
Speaker 1: there's no her I.

606
00:23:44,920 --> 00:23:48,440
Speaker 2: Literally watched the Laker game Lakers and Bucks, got something

607
00:23:48,480 --> 00:23:50,240
Speaker 2: to eat, took a quick nap. I had to be

608
00:23:50,240 --> 00:23:51,960
Speaker 2: at the airport at four am, so it wasn't like.

609
00:23:52,200 --> 00:23:53,480
Speaker 1: But she got a car so she drove you, so

610
00:23:53,480 --> 00:23:54,040
Speaker 1: it's easier.

611
00:23:54,600 --> 00:23:55,879
Speaker 3: Rory is a fucking idiot.

612
00:23:56,080 --> 00:23:58,320
Speaker 1: It was just no herd. I'm trying, you know, I

613
00:23:58,359 --> 00:23:59,000
Speaker 1: know what you try.

614
00:23:59,000 --> 00:24:01,560
Speaker 2: And it was no, but yeah, I had to spend

615
00:24:01,800 --> 00:24:03,840
Speaker 2: a few more hours in La than I had wish to.

616
00:24:03,960 --> 00:24:08,120
Speaker 1: But it's all good. Well, some shit happened. I guess

617
00:24:08,160 --> 00:24:09,920
Speaker 1: we have to go back to it. Not that part

618
00:24:09,920 --> 00:24:13,320
Speaker 1: two of the yea shit was too much crazier than

619
00:24:13,359 --> 00:24:15,520
Speaker 1: the other thing, other than him exploiting backpack rap, which

620
00:24:15,520 --> 00:24:17,159
Speaker 1: I think is fucking hysterical.

621
00:24:17,800 --> 00:24:20,160
Speaker 2: And try to tell y'all, man, it was a troll

622
00:24:20,200 --> 00:24:22,480
Speaker 2: all along, and nobody would listen to me. It was like, no,

623
00:24:22,520 --> 00:24:25,359
Speaker 2: he was, I said, brow two polo shirts on at

624
00:24:25,359 --> 00:24:28,560
Speaker 2: the same time is a troll and louis backpack and

625
00:24:28,600 --> 00:24:29,960
Speaker 2: saying you're with the backpackers.

626
00:24:30,440 --> 00:24:31,040
Speaker 1: That's a troll.

627
00:24:31,880 --> 00:24:35,200
Speaker 2: Backpackers of jan sports, I know, you know kiplings, maybe

628
00:24:35,280 --> 00:24:36,920
Speaker 2: kiplings if you want to be like, oh, he got

629
00:24:36,920 --> 00:24:37,640
Speaker 2: a little.

630
00:24:37,359 --> 00:24:38,080
Speaker 3: Style to him.

631
00:24:38,160 --> 00:24:41,200
Speaker 1: I mean, but you would see like buckshotting them dressing

632
00:24:41,240 --> 00:24:44,000
Speaker 1: in some some gushi every now and then. Yeah, they

633
00:24:44,000 --> 00:24:47,240
Speaker 1: were they considered back they're backpacked with guns. Yes they

634
00:24:47,280 --> 00:24:48,080
Speaker 1: have guns in the back.

635
00:24:48,000 --> 00:24:51,119
Speaker 2: Back absolutely absolutely, Yeah. But I just knew Kanye was

636
00:24:51,119 --> 00:24:53,640
Speaker 2: trolling all on like that. That was never I never

637
00:24:53,680 --> 00:24:55,760
Speaker 2: took any of that serious. But it was interesting to

638
00:24:55,800 --> 00:24:57,760
Speaker 2: see him like finally say it on camera.

639
00:24:58,200 --> 00:25:00,959
Speaker 1: It's fun. I was mad at it because I myself

640
00:25:01,040 --> 00:25:04,439
Speaker 1: am a backpacker and it's like, damn, that kind of

641
00:25:04,480 --> 00:25:10,000
Speaker 1: sucks that, Like he was really using them, but backpacking

642
00:25:10,119 --> 00:25:13,560
Speaker 1: used Kanye, Like, I feel like that kind of bridged

643
00:25:13,600 --> 00:25:17,719
Speaker 1: the gap between a lot of shit, like even from

644
00:25:17,960 --> 00:25:19,960
Speaker 1: like the Quality Slum Village and all them, Like, I

645
00:25:20,080 --> 00:25:22,399
Speaker 1: feel like he brought that sound kind of into the

646
00:25:22,400 --> 00:25:25,200
Speaker 1: mainstream too. So as much as I was like, damn,

647
00:25:25,200 --> 00:25:27,320
Speaker 1: it's corny that, like he's shitting on them, Like I've

648
00:25:27,359 --> 00:25:29,280
Speaker 1: never fucked with back I was listening to fucking No Limit.

649
00:25:29,280 --> 00:25:30,520
Speaker 1: I wouldn't trying to hear that shit. That was just

650
00:25:30,520 --> 00:25:32,879
Speaker 1: the only people that would fuck with me. I get it.

651
00:25:32,960 --> 00:25:36,520
Speaker 1: But I guess it bridges bridged it because college dropout,

652
00:25:36,560 --> 00:25:39,680
Speaker 1: to me is the perfect mix of Rockefeller mainstream and

653
00:25:39,760 --> 00:25:42,280
Speaker 1: backpack wrap together palatable backpack n It worked.

654
00:25:42,400 --> 00:25:43,160
Speaker 3: It definitely worked.

655
00:25:43,200 --> 00:25:45,959
Speaker 1: I guess I'll take the troll everyone used everyone in that.

656
00:25:46,600 --> 00:25:47,680
Speaker 3: It absolutely worked.

657
00:25:48,600 --> 00:25:51,200
Speaker 2: But again, it was just interesting to see him admit

658
00:25:51,280 --> 00:25:54,440
Speaker 2: it and speak about it and just confirm what I

659
00:25:54,520 --> 00:25:57,480
Speaker 2: knew all along, Like bro, come on, two shirts on it,

660
00:25:57,520 --> 00:25:59,080
Speaker 2: two college shirts on it at the same time.

661
00:26:00,359 --> 00:26:01,920
Speaker 3: I mean, that's that's true.

662
00:26:01,920 --> 00:26:04,080
Speaker 1: I used to wear basketball shorts under my jeans. So

663
00:26:04,080 --> 00:26:07,959
Speaker 1: whose nasty times like that? Those times were just like,

664
00:26:08,000 --> 00:26:09,960
Speaker 1: I don't know what we were doing. We were just nasty.

665
00:26:10,520 --> 00:26:14,080
Speaker 3: We were being prepared for what's like godshaid, you know,

666
00:26:14,200 --> 00:26:16,239
Speaker 3: in case I spent the night, like so you just

667
00:26:16,400 --> 00:26:18,520
Speaker 3: might randomly sleep at somebody else's house, so you need

668
00:26:18,560 --> 00:26:19,439
Speaker 3: like basketball shorts.

669
00:26:19,440 --> 00:26:20,720
Speaker 1: No, well, I was young at the time when I

670
00:26:20,760 --> 00:26:23,000
Speaker 1: was doing that, When that era I was, I was like,

671
00:26:23,119 --> 00:26:24,560
Speaker 1: maybe maybe I'll get a gaming.

672
00:26:26,119 --> 00:26:29,119
Speaker 3: And then put your g's back shorts. We were some

673
00:26:29,240 --> 00:26:30,080
Speaker 3: nasty little dudes.

674
00:26:30,240 --> 00:26:32,919
Speaker 1: What when you was a kid, there was no showers

675
00:26:33,000 --> 00:26:35,320
Speaker 1: after you know, like you literally put all your same

676
00:26:35,359 --> 00:26:37,239
Speaker 1: ship back on and then you went home in the

677
00:26:37,240 --> 00:26:39,399
Speaker 1: cold all.

678
00:26:38,760 --> 00:26:40,359
Speaker 3: You all you let the sweat dry on you. Now

679
00:26:40,400 --> 00:26:43,399
Speaker 3: you got sweats stains on your forehead. You look nasty

680
00:26:43,400 --> 00:26:45,240
Speaker 3: all on your on your back of your head. And

681
00:26:45,840 --> 00:26:47,840
Speaker 3: we were just nasty little kids. Man. I could see

682
00:26:47,840 --> 00:26:49,239
Speaker 3: how my mom used to get mad when I came

683
00:26:49,280 --> 00:26:51,240
Speaker 3: back in the house being out all day.

684
00:26:51,080 --> 00:26:55,040
Speaker 1: The beanie on after you ran a full court disgusting.

685
00:26:55,160 --> 00:26:56,280
Speaker 3: Just nasty kids, man.

686
00:26:56,880 --> 00:26:59,800
Speaker 2: But yeah, I didn't watch the full second part, but

687
00:26:59,840 --> 00:27:03,560
Speaker 2: I bits and pieces of it, little clips online, but

688
00:27:03,560 --> 00:27:04,960
Speaker 2: I'm gonna check it out because I heard it with

689
00:27:05,000 --> 00:27:06,920
Speaker 2: some some some good conversation there too.

690
00:27:07,040 --> 00:27:08,720
Speaker 1: Well we can get past the elephant in the room.

691
00:27:09,520 --> 00:27:13,800
Speaker 1: Tell us about squashing the beef between between and Drake.

692
00:27:15,760 --> 00:27:19,479
Speaker 2: That's funny, Uh, I like, I like it. I figured

693
00:27:19,720 --> 00:27:23,640
Speaker 2: once h J. Prince stepped into the situation that things

694
00:27:23,680 --> 00:27:28,119
Speaker 2: would be settled and being just being honest, the beef

695
00:27:28,160 --> 00:27:32,720
Speaker 2: between Kanye and Drake is I don't want to say

696
00:27:32,720 --> 00:27:35,359
Speaker 2: it's dumb, but it was kind of like, all right,

697
00:27:35,359 --> 00:27:36,280
Speaker 2: what is this about again?

698
00:27:36,680 --> 00:27:37,159
Speaker 3: You know what I mean?

699
00:27:37,440 --> 00:27:38,960
Speaker 2: It kind of started to get to that point like

700
00:27:39,320 --> 00:27:41,600
Speaker 2: what exactly is the issue? And then you know, Kanye

701
00:27:41,680 --> 00:27:43,800
Speaker 2: spoke on it and he was like he felt, you know,

702
00:27:43,880 --> 00:27:46,080
Speaker 2: Drake was alluding to some things or he wasn't being

703
00:27:46,119 --> 00:27:47,600
Speaker 2: clear on certain things, and it's.

704
00:27:47,560 --> 00:27:50,280
Speaker 3: Like, okay, but is that a beef? Like why not

705
00:27:50,359 --> 00:27:51,159
Speaker 3: just speak to him like.

706
00:27:51,280 --> 00:27:53,640
Speaker 1: What it is is? Have you ever thought some ship

707
00:27:54,359 --> 00:27:57,439
Speaker 1: and maybe been wrong about it? But we already beefing,

708
00:27:57,640 --> 00:27:59,080
Speaker 1: So now we just got got to keep going, just

709
00:27:59,119 --> 00:28:00,679
Speaker 1: got it. We gotta go. Now this is just what

710
00:28:00,720 --> 00:28:02,160
Speaker 1: it just is what it is now.

711
00:28:02,200 --> 00:28:05,280
Speaker 2: But when you're too, when you're two big brands, you

712
00:28:05,280 --> 00:28:08,560
Speaker 2: know the calible of Drake and Kanye, you can't fall

713
00:28:08,600 --> 00:28:11,520
Speaker 2: into dumb shit like that, Like that type of shit

714
00:28:11,640 --> 00:28:15,000
Speaker 2: you just have to ignore or y'all know each other personally,

715
00:28:15,080 --> 00:28:16,960
Speaker 2: you have to have that conversation and be like, yo,

716
00:28:17,119 --> 00:28:19,280
Speaker 2: like what's going on? Like I'm sensing something? Is it

717
00:28:19,320 --> 00:28:21,440
Speaker 2: something like going on like that? I don't know about.

718
00:28:22,240 --> 00:28:23,760
Speaker 2: But to let it drag out the way it did

719
00:28:23,920 --> 00:28:27,600
Speaker 2: for you know, as many years as it's been, it

720
00:28:27,760 --> 00:28:29,480
Speaker 2: just was. It got to the point where it was

721
00:28:29,680 --> 00:28:32,080
Speaker 2: I'm glad they they they hashed that out because it

722
00:28:32,160 --> 00:28:32,879
Speaker 2: kind of got stale.

723
00:28:32,880 --> 00:28:34,240
Speaker 3: It was like, what are y'all beefing about? Really?

724
00:28:34,280 --> 00:28:37,720
Speaker 1: Do you think that they This is just my my

725
00:28:37,920 --> 00:28:39,360
Speaker 1: theory in my head, not to say I believe it

726
00:28:39,440 --> 00:28:43,040
Speaker 1: or not. Do you think because the response to Donda

727
00:28:43,320 --> 00:28:49,160
Speaker 1: and to COLB was good but not great or lopsided

728
00:28:49,320 --> 00:28:51,400
Speaker 1: or anything, it kind of got the same response. And

729
00:28:51,440 --> 00:28:53,360
Speaker 1: I'm not saying bad or good, It just kind of

730
00:28:53,360 --> 00:28:56,880
Speaker 1: got the same regular response. Do you think if it

731
00:28:56,920 --> 00:29:00,280
Speaker 1: had been lopsided there would be peace here? Because I

732
00:29:00,320 --> 00:29:02,600
Speaker 1: think if CLB would have been drastically better than Donda

733
00:29:02,680 --> 00:29:05,080
Speaker 1: or Donna would have been drastically better than CLB, which

734
00:29:05,080 --> 00:29:09,280
Speaker 1: people can argue. I'm just saying the general response there

735
00:29:09,280 --> 00:29:13,800
Speaker 1: would there would not be this like crazy shit because

736
00:29:13,800 --> 00:29:17,040
Speaker 1: because when Scorpion and Ya went out, Yeah, clearly Ya

737
00:29:17,240 --> 00:29:20,280
Speaker 1: was a pile of shit and Scorpion was cool, not

738
00:29:20,360 --> 00:29:22,960
Speaker 1: Drake's best, but it was a good album. This was

739
00:29:23,040 --> 00:29:25,320
Speaker 1: just kind of the same response. To me, I feel like,

740
00:29:25,840 --> 00:29:28,200
Speaker 1: so now it's like, what do we beefing? Like we're

741
00:29:28,200 --> 00:29:29,160
Speaker 1: both on the same level.

742
00:29:29,160 --> 00:29:32,440
Speaker 2: Now, Yeah, I think I think that it may it

743
00:29:32,480 --> 00:29:34,240
Speaker 2: may be some of that. I don't I don't think

744
00:29:34,240 --> 00:29:39,000
Speaker 2: it's much to that. Donda is a whole different type

745
00:29:39,000 --> 00:29:41,600
Speaker 2: of sound, different type of project than CLB.

746
00:29:42,800 --> 00:29:45,520
Speaker 3: But CLB, you know, it's Drake. It did the numbers

747
00:29:45,560 --> 00:29:46,520
Speaker 3: that it was supposed to do.

748
00:29:47,240 --> 00:29:49,800
Speaker 1: But you could have drastically different albums and get the

749
00:29:49,840 --> 00:29:51,920
Speaker 1: same response. Like I'll put it this way, I think

750
00:29:51,920 --> 00:29:55,280
Speaker 1: when Solange put out Seat at the Table it did

751
00:29:55,320 --> 00:29:58,560
Speaker 1: have a similar impact response the way Summer did with

752
00:29:58,720 --> 00:30:02,920
Speaker 1: Over It like two completely different albums, but the response

753
00:30:02,960 --> 00:30:06,000
Speaker 1: and impact that they had were about the same. And

754
00:30:06,040 --> 00:30:09,080
Speaker 1: I'm saying with CEB and Donna, the impact and response

755
00:30:09,240 --> 00:30:11,880
Speaker 1: was it was just like all right, cool. No one

756
00:30:11,920 --> 00:30:14,880
Speaker 1: had a lopsided shit where they could say, yo, my

757
00:30:14,920 --> 00:30:16,640
Speaker 1: album just shitted on yours because they was doing the

758
00:30:16,680 --> 00:30:18,400
Speaker 1: back and forth fucking when we're gonna put it out,

759
00:30:18,640 --> 00:30:22,520
Speaker 1: battleshit and no one won. There was no winner.

760
00:30:23,040 --> 00:30:24,880
Speaker 2: I think that, Like I said, I think it's some

761
00:30:25,000 --> 00:30:26,959
Speaker 2: to that. I think it's more so like, you know,

762
00:30:27,080 --> 00:30:31,120
Speaker 2: just the brands are so big, and it's the beef

763
00:30:31,200 --> 00:30:34,320
Speaker 2: is really not that serious, so it's like, let's just

764
00:30:34,400 --> 00:30:37,280
Speaker 2: put this shit behind us. Twenty twenty two is coming,

765
00:30:37,520 --> 00:30:40,600
Speaker 2: you know, performance venues are back open. I think they

766
00:30:40,600 --> 00:30:44,480
Speaker 2: see the bigger picture, you know. And then J Prince

767
00:30:44,480 --> 00:30:46,600
Speaker 2: said stepping in and them really trying to do something

768
00:30:46,680 --> 00:30:50,120
Speaker 2: monumental as far as for the Hoover family, yeah, and

769
00:30:50,400 --> 00:30:53,520
Speaker 2: trying to help, you know, with that situation. I just

770
00:30:53,560 --> 00:30:55,800
Speaker 2: think that it's it's, you know, put their ego to

771
00:30:55,840 --> 00:30:58,120
Speaker 2: the side and let's hash this out. Y'all are too

772
00:30:58,400 --> 00:31:01,000
Speaker 2: too big to be beefing. Like y'all the brands are

773
00:31:01,000 --> 00:31:05,000
Speaker 2: too powerful, and it's it's the things that y'all can

774
00:31:05,040 --> 00:31:08,960
Speaker 2: do together. I agree, is this beef is not worth

775
00:31:09,200 --> 00:31:11,640
Speaker 2: stopping any of that from happening. So I'm glad to

776
00:31:11,640 --> 00:31:14,240
Speaker 2: see them. And they were really friends at one point,

777
00:31:14,360 --> 00:31:16,000
Speaker 2: you know what I mean. So I'm glad to see

778
00:31:16,040 --> 00:31:20,120
Speaker 2: them get past that and put that behind them. It's

779
00:31:20,120 --> 00:31:22,080
Speaker 2: gonna be dope to see uh you know if they

780
00:31:22,080 --> 00:31:23,240
Speaker 2: get this concert to happen.

781
00:31:23,280 --> 00:31:25,760
Speaker 3: I believe j Prince at December ninth, something like that.

782
00:31:26,680 --> 00:31:28,800
Speaker 1: I'm thinking at the Crypto Center or is it?

783
00:31:29,640 --> 00:31:31,960
Speaker 3: I'm thinking they go so far stadium with this one.

784
00:31:32,640 --> 00:31:34,080
Speaker 1: Oh yeah, that would be the way to go.

785
00:31:34,160 --> 00:31:36,400
Speaker 2: I don't I think the Staples Center might be too

786
00:31:36,400 --> 00:31:36,959
Speaker 2: small for this.

787
00:31:37,520 --> 00:31:39,320
Speaker 1: Sorry, it's the Crypto dot Com Center.

788
00:31:39,560 --> 00:31:41,920
Speaker 3: Well, it will be named at Christmas, I believe.

789
00:31:42,120 --> 00:31:44,080
Speaker 2: So we're still calling the stables in a crypto dot

790
00:31:44,120 --> 00:31:47,520
Speaker 2: com is a nasty name for us uh an arena.

791
00:31:47,840 --> 00:31:50,360
Speaker 3: I think that's just terrible, big crypt Yeah, come on.

792
00:31:50,400 --> 00:31:53,320
Speaker 1: In the city. But though I was thinking about it,

793
00:31:53,360 --> 00:31:55,840
Speaker 1: I was like, damn staplesing like that was such a

794
00:31:57,040 --> 00:31:59,520
Speaker 1: But then I started thinking, like, what's the last time

795
00:31:59,560 --> 00:32:01,720
Speaker 1: you went to They can't afford this.

796
00:32:01,800 --> 00:32:04,720
Speaker 3: Rant that's that's that's true that I.

797
00:32:04,640 --> 00:32:06,160
Speaker 1: Was like, damn, I have not been a Staples in

798
00:32:06,200 --> 00:32:07,000
Speaker 1: about a decade.

799
00:32:07,200 --> 00:32:08,640
Speaker 3: That's true, but it's there's some other.

800
00:32:08,720 --> 00:32:11,000
Speaker 1: Shop, and it's getting the laptop and putting your kids

801
00:32:11,040 --> 00:32:12,840
Speaker 1: on Zoom. That's the Zoom Center, now.

802
00:32:13,040 --> 00:32:14,800
Speaker 2: You know, I get it. I think the Staples far

803
00:32:14,800 --> 00:32:18,400
Speaker 2: as Staples. Yeah, that's that's like going to like Kinko's

804
00:32:18,400 --> 00:32:18,960
Speaker 2: at this point.

805
00:32:19,160 --> 00:32:19,720
Speaker 1: Yeah.

806
00:32:20,120 --> 00:32:23,960
Speaker 3: But Crypto dot com is just a nasty it's.

807
00:32:23,840 --> 00:32:24,640
Speaker 1: A terrible name.

808
00:32:24,840 --> 00:32:26,920
Speaker 3: It's just like, how do you brand that? Like I

809
00:32:27,000 --> 00:32:27,600
Speaker 3: just don't know, but.

810
00:32:30,200 --> 00:32:36,920
Speaker 2: Uh, well, God, where come from?

811
00:32:36,960 --> 00:32:41,360
Speaker 3: I don't know, maybe something more California.

812
00:32:41,960 --> 00:32:45,120
Speaker 1: Here's the thing I would love. I would have loved

813
00:32:45,600 --> 00:32:50,280
Speaker 1: if Crypto because of course that's how so many stadiums

814
00:32:50,480 --> 00:32:52,760
Speaker 1: make their actual moneys off sponsorships and what's naming on

815
00:32:52,760 --> 00:32:54,680
Speaker 1: that ship? If there was some way to make that

816
00:32:54,760 --> 00:32:59,120
Speaker 1: ship the Kobe Bryant Arena brought to you by Crypto,

817
00:32:59,240 --> 00:33:02,720
Speaker 1: like somehow that we could just call that the like

818
00:33:03,280 --> 00:33:05,080
Speaker 1: that would be ill if Crypto would have done that.

819
00:33:05,360 --> 00:33:08,320
Speaker 1: It still could have been presented by Crypto, or every

820
00:33:08,360 --> 00:33:12,560
Speaker 1: sign says Crypto, but somehow it's Mamba or it's Kobe's Center.

821
00:33:13,160 --> 00:33:14,600
Speaker 1: I think would have been the ill way to do it.

822
00:33:14,600 --> 00:33:16,920
Speaker 2: And they may have some amazing things in store as

823
00:33:16,960 --> 00:33:19,920
Speaker 2: far as branding and you know, marketing and stuff like that.

824
00:33:20,000 --> 00:33:23,880
Speaker 2: But just the name Crypto dot com dot com in

825
00:33:23,920 --> 00:33:25,520
Speaker 2: the name, I just don't.

826
00:33:25,560 --> 00:33:25,800
Speaker 3: I don't.

827
00:33:25,840 --> 00:33:27,280
Speaker 2: I don't know, man, did you go to the site?

828
00:33:27,960 --> 00:33:30,560
Speaker 2: Did I go to the site? No, marketing didn't work there, No,

829
00:33:30,760 --> 00:33:33,800
Speaker 2: absolutely not. It's still it's still a stable center as

830
00:33:33,800 --> 00:33:36,320
Speaker 2: far as I'm concerned, Like it'll always be the Stable Center.

831
00:33:36,640 --> 00:33:38,760
Speaker 3: But yeah, seven hundred million they paid that tab for

832
00:33:38,800 --> 00:33:39,160
Speaker 3: that name.

833
00:33:39,200 --> 00:33:42,320
Speaker 1: So that's gonna be rough because I mean, I've never

834
00:33:42,320 --> 00:33:43,440
Speaker 1: been to a Laker game, but I have been in

835
00:33:43,480 --> 00:33:45,239
Speaker 1: the stable center for stuff. I do see bloods there

836
00:33:45,240 --> 00:33:47,280
Speaker 1: from time to time. Like it must be rough in

837
00:33:47,280 --> 00:33:48,520
Speaker 1: the group chat to be like, oh are you about

838
00:33:48,520 --> 00:33:48,680
Speaker 1: to go.

839
00:33:48,720 --> 00:33:57,160
Speaker 3: Link crypto big crypt You are stupid, man, You're stupid

840
00:33:57,520 --> 00:33:58,600
Speaker 3: going to the big joke it.

841
00:33:58,640 --> 00:34:00,840
Speaker 1: Dog, I have nothing to do a game with. I'm

842
00:34:00,840 --> 00:34:02,320
Speaker 1: a civilian. I love all gangs.

843
00:34:02,360 --> 00:34:03,880
Speaker 2: Yeah, but I think I think that they would have

844
00:34:03,920 --> 00:34:05,920
Speaker 2: to do that concert at the Sofi Stadium.

845
00:34:06,040 --> 00:34:06,720
Speaker 3: Yeah, they would have to.

846
00:34:06,920 --> 00:34:09,520
Speaker 2: It's a it's a bigger it holds more people, and

847
00:34:09,560 --> 00:34:12,640
Speaker 2: then obviously you can put seats on the field, you

848
00:34:12,680 --> 00:34:14,080
Speaker 2: know what I mean, things like that, So yeah, I

849
00:34:14,120 --> 00:34:15,080
Speaker 2: think they have to do it there.

850
00:34:15,480 --> 00:34:17,920
Speaker 1: I would say, do it on all that land Kanye

851
00:34:17,960 --> 00:34:20,680
Speaker 1: has in Wyoming, But I think with the recent stuff

852
00:34:20,719 --> 00:34:25,279
Speaker 1: going on, building out a whole new stage with security,

853
00:34:25,719 --> 00:34:28,719
Speaker 1: proper safety precautions probably ain't the time.

854
00:34:28,920 --> 00:34:31,520
Speaker 2: And I think that's asking Drake to go too much

855
00:34:31,560 --> 00:34:34,399
Speaker 2: into Kanye's world, you know what I mean, Like going

856
00:34:34,400 --> 00:34:36,640
Speaker 2: to Wyoming, that's like a that's like a Kanye thing.

857
00:34:36,719 --> 00:34:38,200
Speaker 1: Well he did. That's how this whole thing started. He

858
00:34:38,200 --> 00:34:39,719
Speaker 1: went to Wyoming and said, hey, look at my child.

859
00:34:41,440 --> 00:34:42,440
Speaker 1: That's exactly what happened.

860
00:34:42,600 --> 00:34:44,840
Speaker 3: The funniest shit I don't and I don't see anybody

861
00:34:44,920 --> 00:34:46,719
Speaker 3: talking about online. The funniest s it to me about

862
00:34:46,719 --> 00:34:49,640
Speaker 3: that picture that they took was Kanye waring a vip

863
00:34:49,880 --> 00:34:53,600
Speaker 3: lambet to walk around Drake's house hysterical. I'm like, this

864
00:34:54,680 --> 00:34:58,319
Speaker 3: prince had one, no, no Ja, brids absolutely does not

865
00:34:58,360 --> 00:35:00,799
Speaker 3: have a vip lambitt to walk around Dre Drake's house.

866
00:35:01,320 --> 00:35:03,200
Speaker 3: That was just funny to me, Like they made Kanye

867
00:35:03,239 --> 00:35:04,760
Speaker 3: with a vip Landt.

868
00:35:04,360 --> 00:35:07,640
Speaker 1: And Kanye's defense, Drake walked around his own crib in

869
00:35:07,680 --> 00:35:11,000
Speaker 1: a ski mask and did TikTok dances.

870
00:35:11,160 --> 00:35:12,920
Speaker 3: So, but that's your crib. You can do what the

871
00:35:12,920 --> 00:35:14,719
Speaker 3: fuck you want. They could wear every chain in the

872
00:35:14,719 --> 00:35:16,480
Speaker 3: house exactly, but.

873
00:35:16,560 --> 00:35:20,080
Speaker 2: Making Kanye wear a VIP passed. I'm just saying, nobody

874
00:35:20,160 --> 00:35:21,120
Speaker 2: knows who Kanye.

875
00:35:20,880 --> 00:35:22,960
Speaker 1: Is wearing a ski mask in your own crib, which

876
00:35:23,000 --> 00:35:24,880
Speaker 1: I'm sure you have some of the highest level security

877
00:35:24,920 --> 00:35:27,080
Speaker 1: of all time. Like, did you send out a memo

878
00:35:27,760 --> 00:35:29,759
Speaker 1: like y'all gonna shoot some TikTok dances today and a

879
00:35:29,800 --> 00:35:31,800
Speaker 1: ski mask and I'm gonna look like I'm about to

880
00:35:31,880 --> 00:35:32,680
Speaker 1: rob my own crib.

881
00:35:32,920 --> 00:35:33,960
Speaker 3: I hope that was random.

882
00:35:34,239 --> 00:35:36,360
Speaker 2: I hope it wasn't like a thought out execution it

883
00:35:36,440 --> 00:35:37,880
Speaker 2: like that, Like, I hope that was just some random

884
00:35:37,880 --> 00:35:39,680
Speaker 2: shit he did, because that was just weird.

885
00:35:39,960 --> 00:35:43,600
Speaker 1: It was a whole music video. It worked right, foot

886
00:35:43,680 --> 00:35:44,680
Speaker 1: left right.

887
00:35:44,560 --> 00:35:45,040
Speaker 3: It worked.

888
00:35:45,160 --> 00:35:45,520
Speaker 1: It worked.

889
00:35:45,520 --> 00:35:46,840
Speaker 3: I didn't understand what he was doing with it.

890
00:35:46,840 --> 00:35:48,920
Speaker 2: I didn't think Drake needed that type of song at

891
00:35:48,960 --> 00:35:49,800
Speaker 2: the time, but it worked.

892
00:35:50,440 --> 00:35:53,719
Speaker 1: It tically worked fifty times. We're on side. Yeah, all right,

893
00:35:53,719 --> 00:35:54,920
Speaker 1: So what do you think happens next? Just so we

894
00:35:54,920 --> 00:35:56,719
Speaker 1: can get off Drake and Kanye because I'm such a

895
00:35:56,800 --> 00:35:58,440
Speaker 1: hypocrite that I've said I'm so fucking tired of talking

896
00:35:58,440 --> 00:36:00,080
Speaker 1: about this yet, Well, mem.

897
00:35:59,719 --> 00:36:05,400
Speaker 2: Musically absolutely happens the concert happens. I don't know if

898
00:36:05,400 --> 00:36:07,759
Speaker 2: it had happened as soon as December ninth, but I

899
00:36:07,800 --> 00:36:11,080
Speaker 2: think it happens at some point. But most importantly, I

900
00:36:11,080 --> 00:36:13,480
Speaker 2: think that we get music, which is to me, you know,

901
00:36:13,560 --> 00:36:15,839
Speaker 2: that's all I care about is just just give us

902
00:36:15,840 --> 00:36:16,360
Speaker 2: good music.

903
00:36:16,560 --> 00:36:19,879
Speaker 1: I think at the show, if it happens, we get

904
00:36:19,880 --> 00:36:23,319
Speaker 1: an announcement of a joint project, that will be a

905
00:36:23,320 --> 00:36:23,759
Speaker 1: pump fake.

906
00:36:24,480 --> 00:36:25,640
Speaker 3: You don't think it actually happened.

907
00:36:25,680 --> 00:36:27,920
Speaker 1: No, I think we will get an announcement or some

908
00:36:28,040 --> 00:36:30,399
Speaker 1: type of alluding that this project is gonna happen. Because

909
00:36:30,400 --> 00:36:32,640
Speaker 1: they're both two very sensitive artists. I don't mean that

910
00:36:32,640 --> 00:36:33,759
Speaker 1: in a negative way at all.

911
00:36:34,000 --> 00:36:35,360
Speaker 3: Artists are sensitive, Yeah.

912
00:36:35,480 --> 00:36:38,200
Speaker 1: And that's why they're so great. Two very sensitive artists.

913
00:36:38,239 --> 00:36:41,359
Speaker 1: I think their emotions go. There's really no middle ground.

914
00:36:41,400 --> 00:36:44,080
Speaker 1: It's either all the way, all or nothing, and I

915
00:36:44,120 --> 00:36:45,919
Speaker 1: think they went all the way on the beef side.

916
00:36:45,920 --> 00:36:47,600
Speaker 1: They're about to get all the way on the I

917
00:36:47,680 --> 00:36:50,800
Speaker 1: love you side, and I think we're gonna get. I

918
00:36:50,840 --> 00:36:53,919
Speaker 1: think we're gonna get the love fest. He took all

919
00:36:54,000 --> 00:36:57,680
Speaker 1: his fucking Adidas shoes and easy stuff from his house,

920
00:36:57,840 --> 00:36:59,840
Speaker 1: drove his golf cart down the street, and threw it

921
00:36:59,880 --> 00:37:02,480
Speaker 1: on his lawn. That's what ex girlfriends do.

922
00:37:03,800 --> 00:37:05,080
Speaker 3: So you think that was like going all over here

923
00:37:05,120 --> 00:37:05,480
Speaker 3: and then.

924
00:37:05,400 --> 00:37:06,960
Speaker 1: And then went on a Travis Scott record said he

925
00:37:07,040 --> 00:37:07,760
Speaker 1: busts a left.

926
00:37:08,960 --> 00:37:12,200
Speaker 3: Yeah, but nothing never happened. Like that's that.

927
00:37:12,440 --> 00:37:13,920
Speaker 1: I love both of them, So that's what I mean.

928
00:37:13,960 --> 00:37:16,160
Speaker 2: Like it was just again it was it was a

929
00:37:16,200 --> 00:37:18,680
Speaker 2: personal thing because they are they have a real relationship.

930
00:37:18,960 --> 00:37:20,040
Speaker 1: We're going to get the love fest.

931
00:37:20,120 --> 00:37:20,319
Speaker 3: Yeah.

932
00:37:20,560 --> 00:37:22,120
Speaker 1: Now it's going to be annoying how much they love

933
00:37:22,160 --> 00:37:22,520
Speaker 1: each other.

934
00:37:23,520 --> 00:37:26,680
Speaker 3: But I'll take that any day. Like, you know, really,

935
00:37:26,719 --> 00:37:27,480
Speaker 3: give me some good music.

936
00:37:27,680 --> 00:37:30,120
Speaker 1: You want to give me good music people that love glow? Yeah,

937
00:37:30,160 --> 00:37:31,520
Speaker 1: like exactly, I love glow.

938
00:37:31,600 --> 00:37:33,279
Speaker 2: I loved it, So give me some Give me more

939
00:37:33,280 --> 00:37:36,319
Speaker 2: of that, give me some great music, give us some

940
00:37:36,480 --> 00:37:41,200
Speaker 2: great visuals, and maybe even collab on a sneaker or two.

941
00:37:41,760 --> 00:37:43,400
Speaker 3: Yeah, go all the way there with it. Fuck it?

942
00:37:43,440 --> 00:37:43,640
Speaker 3: Why not?

943
00:37:44,719 --> 00:37:47,120
Speaker 1: I guess we could stand that that that range real quick,

944
00:37:48,719 --> 00:37:50,600
Speaker 1: because I guess title has something to do with it.

945
00:37:50,640 --> 00:37:52,759
Speaker 1: Did you see the new Title news.

946
00:37:53,600 --> 00:37:56,800
Speaker 3: About them paying the artists and the creatives out, Yeah,

947
00:37:56,880 --> 00:37:58,120
Speaker 3: yeah I did that.

948
00:37:58,440 --> 00:38:02,920
Speaker 1: Also, ten percent of those of that income will go

949
00:38:03,040 --> 00:38:07,600
Speaker 1: to the artists that you stream the most, which I'm

950
00:38:07,600 --> 00:38:10,799
Speaker 1: not gonna say they stole our idea because I'm happy

951
00:38:10,880 --> 00:38:12,680
Speaker 1: they did. But we've been talking about that shit for

952
00:38:12,880 --> 00:38:15,560
Speaker 1: five fucking years. Yeah, Like, why the fuck is the

953
00:38:15,680 --> 00:38:18,880
Speaker 1: artist I stream the most not getting all my money?

954
00:38:19,000 --> 00:38:19,280
Speaker 3: Right?

955
00:38:19,560 --> 00:38:24,480
Speaker 2: Yeah, I think this is titled probably knocking down a

956
00:38:24,480 --> 00:38:27,440
Speaker 2: different door in this streaming space. It's a good start,

957
00:38:27,719 --> 00:38:30,360
Speaker 2: It's a real good start, and I'm saying a lot

958
00:38:30,400 --> 00:38:32,080
Speaker 2: of artists are really happy about this.

959
00:38:32,360 --> 00:38:35,279
Speaker 1: Yeah, because I mean, and that just shows you how

960
00:38:35,920 --> 00:38:39,400
Speaker 1: important your core fan base can get. Like, for example,

961
00:38:39,440 --> 00:38:42,920
Speaker 1: we'll use Griselda guys, because that's just a good example,

962
00:38:42,960 --> 00:38:46,920
Speaker 1: and that's our people. If they could get a majority

963
00:38:46,960 --> 00:38:48,799
Speaker 1: of the money of the people that have signed up

964
00:38:48,840 --> 00:38:52,360
Speaker 1: for a streaming service that are mostly just listening to

965
00:38:52,480 --> 00:38:55,200
Speaker 1: the fucking twenty five albums that they put out all

966
00:38:55,239 --> 00:38:59,080
Speaker 1: the time. Now a core fan base is more profitable

967
00:38:59,239 --> 00:39:03,200
Speaker 1: than maybe I'll pop up on a playlist today. Yeah,

968
00:39:03,640 --> 00:39:07,759
Speaker 1: it's changing somewhat of the Payola game where you have

969
00:39:07,800 --> 00:39:10,840
Speaker 1: to get in a certain algorithm with playlists. Not to

970
00:39:10,840 --> 00:39:13,879
Speaker 1: say it won't help, because eventually that will build somewhat

971
00:39:13,880 --> 00:39:16,759
Speaker 1: of a core, but now I can really focus on

972
00:39:16,800 --> 00:39:20,160
Speaker 1: the people that like this type of music that I make,

973
00:39:20,239 --> 00:39:21,840
Speaker 1: and I don't have to go try weird shit and

974
00:39:22,360 --> 00:39:25,120
Speaker 1: kind of alienate them. I can find a way where

975
00:39:25,280 --> 00:39:28,080
Speaker 1: I get that direct income via the streaming the way

976
00:39:28,440 --> 00:39:30,759
Speaker 1: I've used to, the way Nipsey would put out the

977
00:39:30,760 --> 00:39:32,960
Speaker 1: one hundred dollars mixtape. I'm gonna go write to my

978
00:39:33,000 --> 00:39:35,799
Speaker 1: people and get the money from them. Streaming kind of

979
00:39:35,800 --> 00:39:36,920
Speaker 1: took that shit away.

980
00:39:37,040 --> 00:39:39,520
Speaker 3: So yeah, I think it's a great move. It's a

981
00:39:39,560 --> 00:39:41,239
Speaker 3: great start.

982
00:39:41,480 --> 00:39:43,440
Speaker 2: Hopefully it's the start of a domino effect with other

983
00:39:43,480 --> 00:39:48,200
Speaker 2: streaming platforms. And again it's just titled, you know, being

984
00:39:48,200 --> 00:39:50,120
Speaker 2: brave enough to step out there and say this is

985
00:39:50,160 --> 00:39:52,120
Speaker 2: the right thing to do, and you know, hopefully all

986
00:39:52,160 --> 00:39:54,239
Speaker 2: other streaming platforms follow suit and start to do the

987
00:39:54,280 --> 00:39:57,440
Speaker 2: same and pay these artists out more money, because seeing

988
00:39:57,440 --> 00:39:59,240
Speaker 2: some of these streaming embers with artists have to stream

989
00:39:59,280 --> 00:40:03,120
Speaker 2: to make you know, one hundred thousand dollars is insane.

990
00:40:03,440 --> 00:40:03,960
Speaker 3: It's insane.

991
00:40:04,040 --> 00:40:08,120
Speaker 1: Fucking billion streams, it's crazy. And not to say that

992
00:40:08,120 --> 00:40:09,680
Speaker 1: that ten percent is going to be a lot, because

993
00:40:09,680 --> 00:40:12,200
Speaker 1: they still need to fix that fraction of a fucking penny.

994
00:40:12,239 --> 00:40:13,839
Speaker 1: And I know Title pays out the most of any

995
00:40:13,880 --> 00:40:16,200
Speaker 1: of the streaming service. But yeah, it is a way

996
00:40:17,040 --> 00:40:20,560
Speaker 1: it's start. I think Title may not end up ever

997
00:40:20,680 --> 00:40:26,200
Speaker 1: being in that three biggest streaming sites. I think even

998
00:40:26,239 --> 00:40:29,759
Speaker 1: with I know, we don't listen typically our demographic doesn't

999
00:40:29,800 --> 00:40:31,919
Speaker 1: listen to Amazon Music. I know they're changing that a lot,

1000
00:40:32,040 --> 00:40:34,320
Speaker 1: but a lot of the world uses Amazon Music. Yeah,

1001
00:40:34,360 --> 00:40:37,239
Speaker 1: and obviously we have Apple and Spotify. But I think

1002
00:40:37,320 --> 00:40:42,360
Speaker 1: the stuff Title has been doing they've been looking at

1003
00:40:42,560 --> 00:40:45,320
Speaker 1: because even when they've changed, like the high five level

1004
00:40:45,320 --> 00:40:48,480
Speaker 1: of music with Apple Music now, how they do playlisting,

1005
00:40:48,520 --> 00:40:50,680
Speaker 1: Like Titles kind of been that example for all these

1006
00:40:50,760 --> 00:40:53,920
Speaker 1: other streaming services that are too big to realize the

1007
00:40:54,040 --> 00:40:58,160
Speaker 1: niche shit that consumers and artists need. So if they

1008
00:40:58,239 --> 00:41:00,919
Speaker 1: never become the biggest, they will have that impact Like Yo,

1009
00:41:01,120 --> 00:41:03,880
Speaker 1: we did the little ship. That's really gonna matter in

1010
00:41:03,880 --> 00:41:05,560
Speaker 1: the long run for this streaming game.

1011
00:41:05,640 --> 00:41:10,080
Speaker 2: And that's say they do they pay attention to the detail. Yeah,

1012
00:41:10,160 --> 00:41:13,280
Speaker 2: even with you know, the credits on albums and projects

1013
00:41:13,280 --> 00:41:16,680
Speaker 2: and songs, that Title does little things like that, making

1014
00:41:16,680 --> 00:41:18,840
Speaker 2: sure that you know, people are recognized that worked on

1015
00:41:18,880 --> 00:41:21,560
Speaker 2: these projects. I think that's important and it's just it's

1016
00:41:21,560 --> 00:41:24,160
Speaker 2: just you know, sets them apart. Are we, you know,

1017
00:41:25,280 --> 00:41:28,120
Speaker 2: ever going to be as big as Apple or Spotify?

1018
00:41:28,200 --> 00:41:30,560
Speaker 2: Maybe not, but we're going to have things that we

1019
00:41:30,640 --> 00:41:33,760
Speaker 2: do with our platform that they're not doing that hopefully

1020
00:41:33,800 --> 00:41:36,960
Speaker 2: people love and care about more. And you know, we'll

1021
00:41:37,000 --> 00:41:39,719
Speaker 2: start to follow here and you know, stream here and

1022
00:41:40,200 --> 00:41:41,879
Speaker 2: support their artists because we pay them more.

1023
00:41:42,200 --> 00:41:45,560
Speaker 1: And that's ship that gives you the ability. Sometimes having

1024
00:41:45,600 --> 00:41:47,880
Speaker 1: the largest fan base is not the most ideal thing.

1025
00:41:48,000 --> 00:41:51,240
Speaker 1: No can try different things when you have a regular

1026
00:41:51,239 --> 00:41:54,160
Speaker 1: fan base the way Title does. But yeah, I just

1027
00:41:54,200 --> 00:41:55,400
Speaker 1: want to shut them out because I thought that was

1028
00:41:55,400 --> 00:41:56,279
Speaker 1: really interesting and really cool.

1029
00:41:56,480 --> 00:41:58,719
Speaker 3: Shut out the title. Man, That's that's a brave, bold

1030
00:41:58,800 --> 00:42:01,120
Speaker 3: move that they did, and I respect that.

1031
00:42:03,320 --> 00:42:08,280
Speaker 1: Do we want to get into uh to Auntie versus

1032
00:42:09,080 --> 00:42:10,600
Speaker 1: or do we want to get into three six? And

1033
00:42:12,520 --> 00:42:14,440
Speaker 1: I bunked us because I do. I do want to.

1034
00:42:14,560 --> 00:42:18,400
Speaker 1: I know people hate versus talk, but I still enjoy it.

1035
00:42:18,480 --> 00:42:22,520
Speaker 1: Shakan Stephanie Mills is tonight, I believe right yes, as

1036
00:42:22,520 --> 00:42:25,680
Speaker 1: we're recording this, I can't wait for that.

1037
00:42:26,480 --> 00:42:27,560
Speaker 3: It's again.

1038
00:42:27,600 --> 00:42:31,160
Speaker 2: I like the statement that Miss Shaka Khan put out

1039
00:42:32,160 --> 00:42:35,279
Speaker 2: and saying, you know, this is just us showcasing our

1040
00:42:35,840 --> 00:42:39,520
Speaker 2: talents and our catalog and our art for the world.

1041
00:42:40,200 --> 00:42:42,520
Speaker 2: It's not a battle. You know, we don't have we

1042
00:42:42,560 --> 00:42:45,319
Speaker 2: don't dislike each other. It's, you know, we just want

1043
00:42:45,360 --> 00:42:47,359
Speaker 2: to have fun and just you know, have a great night.

1044
00:42:47,640 --> 00:42:49,360
Speaker 2: And I think that's what Verses turned into. It's not

1045
00:42:49,680 --> 00:42:51,400
Speaker 2: when it started, I think it was more of a

1046
00:42:51,440 --> 00:42:56,120
Speaker 2: battle thing. But as it progressed and once Triller stepped in,

1047
00:42:57,200 --> 00:42:59,799
Speaker 2: it just became a celebration of just the art and

1048
00:43:00,400 --> 00:43:02,800
Speaker 2: of these amazing talented legendary artists that we have in

1049
00:43:02,840 --> 00:43:06,000
Speaker 2: our culture. And sha Ka Khan and Stephanie Mills are

1050
00:43:06,040 --> 00:43:07,880
Speaker 2: right up there with the legendists.

1051
00:43:08,040 --> 00:43:10,040
Speaker 1: But I mean, I think three six and Bone Thugs,

1052
00:43:10,400 --> 00:43:12,239
Speaker 1: even though I think it's a weird matchup, would be

1053
00:43:12,239 --> 00:43:15,160
Speaker 1: more of a battle. I think chak Khan said that.

1054
00:43:15,440 --> 00:43:17,160
Speaker 1: I think she was kind of saying, I don't play

1055
00:43:17,239 --> 00:43:20,600
Speaker 1: y'all little internet games. We're here to listen to some music.

1056
00:43:20,640 --> 00:43:22,920
Speaker 1: I'm tired, Like, I don't do the shit y'all. She's

1057
00:43:22,960 --> 00:43:25,920
Speaker 1: probably looked at her YouTube comments or the Internet like

1058
00:43:26,160 --> 00:43:28,040
Speaker 1: twice in her life and was like, Oh, this is

1059
00:43:28,080 --> 00:43:30,719
Speaker 1: what the fuck y'all doing here. It's just mad negativity

1060
00:43:31,040 --> 00:43:33,759
Speaker 1: and people shitting on each other. Right, Hey, this is

1061
00:43:33,800 --> 00:43:37,800
Speaker 1: what this is. Now with three six and bone thugs,

1062
00:43:37,880 --> 00:43:40,320
Speaker 1: I think you could get more of a actual battle

1063
00:43:40,360 --> 00:43:42,480
Speaker 1: out of that. Now, I think it's gonna be weird

1064
00:43:42,760 --> 00:43:45,120
Speaker 1: when I'm trying to miss my uncle Charlie and slab

1065
00:43:45,120 --> 00:43:48,319
Speaker 1: on my knob comes on. But we'll see how these

1066
00:43:48,320 --> 00:43:49,320
Speaker 1: two go back and forth.

1067
00:43:49,760 --> 00:43:50,000
Speaker 3: Yeah.

1068
00:43:50,000 --> 00:43:52,839
Speaker 2: So I found a statement that Shaka Khan release. She said, Uh,

1069
00:43:53,000 --> 00:43:55,920
Speaker 2: we don't need no script. We don't need fun in games.

1070
00:43:56,480 --> 00:43:58,920
Speaker 2: We don't need no battles, we don't need no bullshit.

1071
00:44:00,040 --> 00:44:01,960
Speaker 2: I hear to play, I wouldn't battle nobody. It's not

1072
00:44:02,000 --> 00:44:02,600
Speaker 2: a competition.

1073
00:44:04,440 --> 00:44:06,600
Speaker 1: Yeah, that's all that is. I've seen what y'all do

1074
00:44:06,600 --> 00:44:08,640
Speaker 1: on the internet. I'm not playing with that. Yeah, y'all

1075
00:44:08,680 --> 00:44:11,960
Speaker 1: are fucking weird, negative like leave me alone.

1076
00:44:12,320 --> 00:44:14,200
Speaker 3: Yeah, I respect that. I respect that coming you.

1077
00:44:14,320 --> 00:44:17,200
Speaker 2: I mean again, I've been felt like that with these uh,

1078
00:44:17,600 --> 00:44:20,839
Speaker 2: with these verses, it's like it's now, it's just it's

1079
00:44:20,880 --> 00:44:22,520
Speaker 2: like a it's like a show, you know what I mean,

1080
00:44:22,600 --> 00:44:25,400
Speaker 2: Like you do a record, I do a record, you know,

1081
00:44:25,520 --> 00:44:26,640
Speaker 2: back and forth type of thing.

1082
00:44:27,200 --> 00:44:28,000
Speaker 3: But it's I don't. I don't.

1083
00:44:28,000 --> 00:44:30,400
Speaker 2: I don't feel like even though I felt like the

1084
00:44:30,520 --> 00:44:33,840
Speaker 2: fat joe Ja ru on Kana's it had and that

1085
00:44:33,880 --> 00:44:37,560
Speaker 2: was expected because it was the locks. Was definitely a

1086
00:44:37,560 --> 00:44:42,360
Speaker 2: battle they had Michael Buffer like, you know, uh Styles

1087
00:44:42,480 --> 00:44:44,600
Speaker 2: was trying to pull Cam off the beach.

1088
00:44:46,960 --> 00:44:51,040
Speaker 3: She was calling uh grown men pussies. I was like,

1089
00:44:51,280 --> 00:44:51,839
Speaker 3: this is over.

1090
00:44:51,920 --> 00:44:53,319
Speaker 2: I didn't think that we was gonna get a single

1091
00:44:53,320 --> 00:44:55,239
Speaker 2: ball that night, but we got a legendary uh.

1092
00:44:55,560 --> 00:44:56,160
Speaker 3: Battle that night.

1093
00:44:56,280 --> 00:44:57,960
Speaker 1: Mister Versus just destroyed everyone.

1094
00:44:58,120 --> 00:44:58,359
Speaker 3: Yeah.

1095
00:44:58,640 --> 00:45:01,520
Speaker 1: Yeah, that's fire me though that if you look at

1096
00:45:01,520 --> 00:45:04,880
Speaker 1: this entire Versus thing, of the amount of legends that

1097
00:45:05,600 --> 00:45:09,239
Speaker 1: have been on this, their accomplishments, the music they made,

1098
00:45:09,239 --> 00:45:12,280
Speaker 1: everything that Jadakiss is still missed the verses.

1099
00:45:12,560 --> 00:45:16,799
Speaker 2: Yeah, and I you know again, I tweeted that night

1100
00:45:16,880 --> 00:45:18,600
Speaker 2: that I go because I saw a lot of people

1101
00:45:18,719 --> 00:45:20,919
Speaker 2: just counting the locks out like and I was like, oh, yeall,

1102
00:45:20,920 --> 00:45:22,640
Speaker 2: I just don't know about the locks and it's fine,

1103
00:45:22,680 --> 00:45:27,560
Speaker 2: Like the locks were from the mid late nineties, so

1104
00:45:27,640 --> 00:45:29,800
Speaker 2: it's like, you know, a lot of these people that

1105
00:45:29,800 --> 00:45:31,759
Speaker 2: are on the internet watching this thing now, they were

1106
00:45:31,800 --> 00:45:34,360
Speaker 2: born in ninety nine, you know what I mean. So

1107
00:45:34,400 --> 00:45:36,160
Speaker 2: it's kind of like, okay, y'all, just don't y'all weren't

1108
00:45:36,160 --> 00:45:39,520
Speaker 2: outside so I understand, but yeah, I'm gonna watch Shaka

1109
00:45:39,520 --> 00:45:40,000
Speaker 2: con Stephane.

1110
00:45:40,080 --> 00:45:42,360
Speaker 3: It was only because it's like, listen, there's two legends, man, why.

1111
00:45:42,239 --> 00:45:44,480
Speaker 1: Not I feel Yeah, bring you back to your teenage

1112
00:45:44,520 --> 00:45:45,200
Speaker 1: love affair.

1113
00:45:46,480 --> 00:45:48,160
Speaker 3: Three six and bone thugs.

1114
00:45:47,920 --> 00:45:50,480
Speaker 1: Another teenage level affair. I don't know if that's love.

1115
00:45:50,520 --> 00:45:51,880
Speaker 1: I don't know if it was any love affairs.

1116
00:45:51,880 --> 00:45:52,960
Speaker 3: And uh, I.

1117
00:45:53,000 --> 00:45:55,000
Speaker 1: Think he might have been in a slob of my love.

1118
00:45:55,200 --> 00:45:57,319
Speaker 3: Slob on mina will make you fall in love for sure.

1119
00:45:57,320 --> 00:46:00,520
Speaker 2: If if a girl knows how to slob on your

1120
00:46:00,600 --> 00:46:03,120
Speaker 2: knob correctly, you will have a love affair.

1121
00:46:03,440 --> 00:46:05,600
Speaker 1: I mean, if she could sing dougust ruggish bone at

1122
00:46:05,640 --> 00:46:08,640
Speaker 1: the right pitch, I might fall in love or sing,

1123
00:46:08,760 --> 00:46:10,240
Speaker 1: especially when I was a teenager.

1124
00:46:09,920 --> 00:46:12,320
Speaker 2: Or singing while you're slapping on my knob. That's that

1125
00:46:12,400 --> 00:46:13,239
Speaker 2: sounds like a great time.

1126
00:46:14,400 --> 00:46:14,880
Speaker 3: Yeah, why not?

1127
00:46:15,280 --> 00:46:17,920
Speaker 1: Why not sing thugus ruggish bone?

1128
00:46:18,960 --> 00:46:19,520
Speaker 3: Yeah you know that.

1129
00:46:19,600 --> 00:46:22,560
Speaker 1: The I feel like, feel like teeth have to be

1130
00:46:22,640 --> 00:46:23,520
Speaker 1: used when you sing.

1131
00:46:23,640 --> 00:46:25,840
Speaker 2: No, it's ruggish, but it's more so like this, the

1132
00:46:25,920 --> 00:46:29,000
Speaker 2: rapid tongue from you know what I'm saying thugish? Yeah,

1133
00:46:29,480 --> 00:46:30,920
Speaker 2: you know what I'm saying, Like That's what I mean

1134
00:46:31,360 --> 00:46:33,000
Speaker 2: to me, I'm just like, I'm down.

1135
00:46:33,040 --> 00:46:34,320
Speaker 3: I'd go for it.

1136
00:46:35,000 --> 00:46:38,000
Speaker 1: Would you take that girl on vacation? Yeah?

1137
00:46:38,000 --> 00:46:39,759
Speaker 3: But you gotta know, we talked about this.

1138
00:46:39,840 --> 00:46:43,759
Speaker 2: You have to know what type of woman to take where,

1139
00:46:43,880 --> 00:46:47,960
Speaker 2: like where you can't take a woman just you know,

1140
00:46:48,040 --> 00:46:49,600
Speaker 2: you have to know which woman you could take to

1141
00:46:49,640 --> 00:46:54,000
Speaker 2: which vacation destination. Every woman is not Turks worthy. Every

1142
00:46:54,040 --> 00:46:56,960
Speaker 2: woman is not you know, Hawaii worthy. Every woman is

1143
00:46:57,000 --> 00:46:59,960
Speaker 2: not the Bahamas worthy. Some women just got to take

1144
00:47:00,120 --> 00:47:03,160
Speaker 2: right to Miami, okay, or you know, take right the

1145
00:47:03,239 --> 00:47:08,080
Speaker 2: Orchard Beach in the Bronx, maybe Long Island, maybe Jones

1146
00:47:08,160 --> 00:47:11,440
Speaker 2: Beach or something like that, or Long Beach. But everybody

1147
00:47:11,480 --> 00:47:15,000
Speaker 2: can't go to the Crystal Blue Water.

1148
00:47:15,320 --> 00:47:17,000
Speaker 1: Why would you if the type of girl that you

1149
00:47:17,040 --> 00:47:19,880
Speaker 1: can't take to Turks you would take to Miami. You

1150
00:47:19,920 --> 00:47:21,320
Speaker 1: could find that girl in Miami.

1151
00:47:22,239 --> 00:47:24,200
Speaker 3: Maybe maybe you don't need.

1152
00:47:24,120 --> 00:47:26,319
Speaker 1: To take her to Miami. Maybe she's there already.

1153
00:47:26,040 --> 00:47:27,719
Speaker 2: Right, but you have to even but you still have

1154
00:47:27,800 --> 00:47:30,919
Speaker 2: to know, Like the bigger picture is, you have.

1155
00:47:30,880 --> 00:47:34,560
Speaker 3: To know which woman deserves what vacation destination.

1156
00:47:35,480 --> 00:47:38,280
Speaker 2: But I feel like because a woman got to have style,

1157
00:47:38,360 --> 00:47:41,040
Speaker 2: Like because women a lot of women don't have vacation style.

1158
00:47:41,080 --> 00:47:43,040
Speaker 3: They don't have vacation etiquette. They wear a wrong shit

1159
00:47:43,120 --> 00:47:45,680
Speaker 3: on vacation, but it's vacation. Dont matter what you wear

1160
00:47:45,960 --> 00:47:47,279
Speaker 3: as long as it's nothing.

1161
00:47:47,320 --> 00:47:49,600
Speaker 2: She If a woman doesn't have style, she can embarrass

1162
00:47:49,600 --> 00:47:50,759
Speaker 2: you when it's time to go to dinner that night

1163
00:47:50,840 --> 00:47:51,400
Speaker 2: on a vacation.

1164
00:47:51,760 --> 00:47:53,600
Speaker 3: You're walking that restaurant and like, what the fuck is

1165
00:47:53,640 --> 00:47:54,000
Speaker 3: she wearing?

1166
00:47:54,800 --> 00:47:57,200
Speaker 1: I'm telling you, but you don't know nobody out there

1167
00:47:57,280 --> 00:47:58,400
Speaker 1: that's the beauty of vacation.

1168
00:47:58,560 --> 00:48:00,920
Speaker 2: But it's you though. You're sitting across the table and

1169
00:48:01,000 --> 00:48:03,080
Speaker 2: you have to look at this terrible get up that

1170
00:48:03,160 --> 00:48:05,239
Speaker 2: she chose to wear for the night you booked a flight.

1171
00:48:05,680 --> 00:48:07,360
Speaker 1: You never saw what she wore before.

1172
00:48:07,840 --> 00:48:08,799
Speaker 2: But you know what I'm saying, You don't know what

1173
00:48:08,880 --> 00:48:11,600
Speaker 2: she packed. You have to trust that you have a

1174
00:48:11,640 --> 00:48:14,799
Speaker 2: woman that stylish enough to know what to wear when

1175
00:48:14,800 --> 00:48:17,160
Speaker 2: it's still eighty degrees at night on the island. You

1176
00:48:17,200 --> 00:48:19,279
Speaker 2: know what I mean, Like you every woman don't know

1177
00:48:19,320 --> 00:48:22,000
Speaker 2: how to really throw that together, Like you can't go

1178
00:48:22,040 --> 00:48:24,759
Speaker 2: to dinner with her wearing like the fish net sea

1179
00:48:24,840 --> 00:48:27,120
Speaker 2: through cover up that she had on a bikini, Like

1180
00:48:27,200 --> 00:48:28,440
Speaker 2: she can't wear that to dinner.

1181
00:48:28,480 --> 00:48:31,239
Speaker 1: Well, she put a formal lingerie under at this time

1182
00:48:31,239 --> 00:48:33,120
Speaker 1: for dinner instead instead of bathing suit.

1183
00:48:33,239 --> 00:48:35,280
Speaker 3: It's embarrassing because now you're sitting there.

1184
00:48:35,520 --> 00:48:36,680
Speaker 1: Well, what resort are we at?

1185
00:48:36,960 --> 00:48:38,480
Speaker 3: It doesn't we had ob and Cabo.

1186
00:48:38,560 --> 00:48:40,960
Speaker 1: Are we at? Your sitting in Jamaica?

1187
00:48:41,000 --> 00:48:45,399
Speaker 2: You're sitting amongst other grown adults, and like your girl

1188
00:48:45,400 --> 00:48:47,880
Speaker 2: walks in with like some fish net seed through something

1189
00:48:47,920 --> 00:48:48,400
Speaker 2: for dinner.

1190
00:48:48,480 --> 00:48:50,239
Speaker 1: Yeah, I'm about to bust that down later after the

1191
00:48:50,360 --> 00:48:51,000
Speaker 1: lamp man.

1192
00:48:51,040 --> 00:48:53,320
Speaker 2: She can't sit everything in for everybody, you know what

1193
00:48:53,360 --> 00:48:55,279
Speaker 2: I mean? Like, you gotta know where you who you

1194
00:48:55,360 --> 00:48:56,600
Speaker 2: taking and where you're taking them too.

1195
00:48:56,960 --> 00:48:59,520
Speaker 1: I feel like and why, I guess men are kind

1196
00:48:59,520 --> 00:49:02,520
Speaker 1: of pieces of shit. I feel like the girl you're

1197
00:49:02,560 --> 00:49:06,680
Speaker 1: trying more to court or impress gets the iller vacations

1198
00:49:06,719 --> 00:49:08,719
Speaker 1: than the girl that you already have and know.

1199
00:49:09,320 --> 00:49:11,759
Speaker 2: Oh yeah of course, but even her you have to

1200
00:49:11,800 --> 00:49:14,040
Speaker 2: know where to take her though, because you can be

1201
00:49:14,040 --> 00:49:15,640
Speaker 2: trying to court her and it's new and it's fresh

1202
00:49:15,680 --> 00:49:17,360
Speaker 2: and it's like you know, but you have to know

1203
00:49:17,400 --> 00:49:19,839
Speaker 2: where to take her. You can't just take decillo. I'm

1204
00:49:19,840 --> 00:49:21,359
Speaker 2: gonna take her head. And then you get to an

1205
00:49:21,360 --> 00:49:23,000
Speaker 2: island and you're like, oh my god, but now you're

1206
00:49:23,000 --> 00:49:24,680
Speaker 2: stuck for four or five days with this woman that

1207
00:49:25,360 --> 00:49:26,840
Speaker 2: doesn't deserve to be on this island with you.

1208
00:49:26,880 --> 00:49:29,160
Speaker 1: But four or five days with a new person, you're

1209
00:49:29,160 --> 00:49:31,840
Speaker 1: setting yourself up. I can't do four or five days

1210
00:49:31,880 --> 00:49:33,600
Speaker 1: with people I'm known for the rest of my entire life.

1211
00:49:33,600 --> 00:49:34,160
Speaker 1: How long would you.

1212
00:49:34,200 --> 00:49:38,000
Speaker 2: Usually spend on a vacation in the islands? That four

1213
00:49:38,080 --> 00:49:38,800
Speaker 2: days at least?

1214
00:49:39,040 --> 00:49:41,759
Speaker 1: Yeah, I got all right, three actual real days and

1215
00:49:41,760 --> 00:49:44,239
Speaker 1: then that fourth for the travel I can't do. I

1216
00:49:44,280 --> 00:49:47,440
Speaker 1: get real easy. I have to find somebody that I

1217
00:49:47,520 --> 00:49:50,040
Speaker 1: know that we could go explore different parts of this

1218
00:49:50,120 --> 00:49:53,480
Speaker 1: resort for like, it's fun a couple hours away from

1219
00:49:53,520 --> 00:49:54,600
Speaker 1: each other and then together.

1220
00:49:54,960 --> 00:49:57,520
Speaker 2: Knows how to have good conversation, likes to laugh, have

1221
00:49:57,600 --> 00:50:00,239
Speaker 2: a good time. But I mean, just don't give me

1222
00:50:00,239 --> 00:50:03,440
Speaker 2: an itinerary. We spoke tobut I hate. Don't have an itinerary,

1223
00:50:03,440 --> 00:50:05,319
Speaker 2: tomorro Yo. We gotta get up at eight thirty because

1224
00:50:05,320 --> 00:50:08,239
Speaker 2: the shuttle leaves at ten, and we're gonna like, don't

1225
00:50:08,239 --> 00:50:09,759
Speaker 2: give me that I want to get up when I

1226
00:50:09,800 --> 00:50:10,840
Speaker 2: want to get up on vacation.

1227
00:50:11,080 --> 00:50:13,319
Speaker 1: I'm gonna sound really fucking miserable. And I'm gonna get

1228
00:50:13,360 --> 00:50:14,840
Speaker 1: killed on this and this has nothing to do with

1229
00:50:14,880 --> 00:50:17,360
Speaker 1: my life experience. I promise you, guys, this is really

1230
00:50:17,440 --> 00:50:25,000
Speaker 1: for pod conversation purposes. The wifey vacations. You may not

1231
00:50:25,040 --> 00:50:26,360
Speaker 1: want to waste on the ill.

1232
00:50:26,239 --> 00:50:28,279
Speaker 3: Trip that's sick as fun.

1233
00:50:29,800 --> 00:50:32,200
Speaker 1: You don't want to take wifey to the ill destinations

1234
00:50:32,640 --> 00:50:35,680
Speaker 1: because it's gonna be a wifey vacation. It's gonna be

1235
00:50:35,719 --> 00:50:38,920
Speaker 1: what you just said. It's gonna be what you said. No, no, no,

1236
00:50:39,000 --> 00:50:41,280
Speaker 1: I'm not saying that. I'm not saying that, of course,

1237
00:50:41,640 --> 00:50:43,279
Speaker 1: and I'm not saying go take a side somewhere. I'm

1238
00:50:43,280 --> 00:50:45,320
Speaker 1: just saying it, you know, in between when you're just

1239
00:50:45,440 --> 00:50:48,359
Speaker 1: dating a girl, like a new girl, or when you've

1240
00:50:48,360 --> 00:50:50,040
Speaker 1: been with a girl for a long time, promisesn't. I

1241
00:50:50,080 --> 00:50:51,520
Speaker 1: promise it's nothing to do my life. The more I

1242
00:50:51,520 --> 00:50:52,680
Speaker 1: say it, the more it sounds like it is. But

1243
00:50:52,719 --> 00:50:58,040
Speaker 1: I promise it's not. Okay, yeah, wifey vacations. Like with

1244
00:50:58,280 --> 00:51:00,279
Speaker 1: your family, it feels like at that point I gotta

1245
00:51:00,320 --> 00:51:03,600
Speaker 1: know you, yeah, like we can't explore anything about each other.

1246
00:51:04,480 --> 00:51:06,960
Speaker 3: See, that's fucked up, because I feel that's a catch

1247
00:51:06,960 --> 00:51:07,680
Speaker 3: twenty two of it.

1248
00:51:07,800 --> 00:51:10,080
Speaker 1: Like with vacations with that type of shit, because when

1249
00:51:10,120 --> 00:51:12,520
Speaker 1: you are in the courtship and like dating and getting

1250
00:51:12,520 --> 00:51:14,759
Speaker 1: to know somebody, the ill is places to do it

1251
00:51:14,800 --> 00:51:18,200
Speaker 1: are on like vacation because it's fun and highs and shit.

1252
00:51:18,840 --> 00:51:19,680
Speaker 1: But you can get to.

1253
00:51:19,640 --> 00:51:22,480
Speaker 2: Know your girl, your significant other on a vacation to

1254
00:51:22,560 --> 00:51:25,160
Speaker 2: a place that neither of you have ever been.

1255
00:51:25,360 --> 00:51:25,719
Speaker 3: That's true.

1256
00:51:25,760 --> 00:51:27,239
Speaker 1: I guess you together, Like.

1257
00:51:27,239 --> 00:51:29,320
Speaker 2: If you put yourselves in a situation where it's like, Okay,

1258
00:51:29,360 --> 00:51:31,839
Speaker 2: I've never done this and she hasn't done it either,

1259
00:51:31,880 --> 00:51:33,560
Speaker 2: it's like, okay, you do that together.

1260
00:51:33,640 --> 00:51:35,840
Speaker 3: Now you have that memory recorded, and you know what

1261
00:51:35,840 --> 00:51:36,120
Speaker 3: I mean.

1262
00:51:36,160 --> 00:51:38,960
Speaker 2: Like, because a vacation is, if we're just being honest, like,

1263
00:51:39,000 --> 00:51:42,920
Speaker 2: let's be brutally honest. A vacation is just so we

1264
00:51:42,960 --> 00:51:44,960
Speaker 2: can do stuff during the day. Your girl could tan

1265
00:51:45,120 --> 00:51:47,400
Speaker 2: or whatever, and then like I go back to the

1266
00:51:47,440 --> 00:51:50,840
Speaker 2: room and have nasty sex, Like fuck, this room entirely upused.

1267
00:51:50,960 --> 00:51:52,880
Speaker 2: You got to use three hundred towers on vacation, oh,

1268
00:51:52,960 --> 00:51:55,680
Speaker 2: of course, Like you have to keep it with an

1269
00:51:55,800 --> 00:51:57,920
Speaker 2: extra stack of my own rat Yeah, you have to

1270
00:51:57,960 --> 00:52:00,239
Speaker 2: keep calling outstairs like I need ten more, Like you

1271
00:52:00,239 --> 00:52:01,960
Speaker 2: know what I'm saying, Like, why does this man keep

1272
00:52:01,960 --> 00:52:03,839
Speaker 2: calling the front desk with titles like cause I'm getting

1273
00:52:03,920 --> 00:52:04,560
Speaker 2: nasty in here.

1274
00:52:04,960 --> 00:52:07,319
Speaker 1: It's and all right. Vacations are a couple of things

1275
00:52:07,320 --> 00:52:10,440
Speaker 1: because there's levels of the vacation. There is the courtship,

1276
00:52:10,560 --> 00:52:13,400
Speaker 1: let's go have fun, let me get to know you,

1277
00:52:13,480 --> 00:52:15,319
Speaker 1: and like a Turk's they're like, well, let's make it

1278
00:52:15,360 --> 00:52:16,800
Speaker 1: for everybody, like just a warm location.

1279
00:52:17,000 --> 00:52:17,200
Speaker 3: Yeah.

1280
00:52:17,920 --> 00:52:20,640
Speaker 1: Then there's the I'm really in a relationship and like

1281
00:52:20,880 --> 00:52:23,240
Speaker 1: let's go to the pyramids and learn about history together.

1282
00:52:23,360 --> 00:52:24,919
Speaker 1: Like that's when you get into like a full let's

1283
00:52:24,920 --> 00:52:26,680
Speaker 1: go to Guam and understand.

1284
00:52:27,640 --> 00:52:29,800
Speaker 3: Culture, Like y'all better be engaged marriage.

1285
00:52:29,800 --> 00:52:31,040
Speaker 1: That's what I'm saying. No, this is at like the

1286
00:52:31,080 --> 00:52:33,560
Speaker 1: real wifey wifey stage where those vacations taking you to

1287
00:52:33,560 --> 00:52:35,080
Speaker 1: see King tut we're married.

1288
00:52:36,320 --> 00:52:37,160
Speaker 3: Yeah, it's not.

1289
00:52:37,920 --> 00:52:39,560
Speaker 1: It's not due by even if they're close. It's not

1290
00:52:39,640 --> 00:52:41,960
Speaker 1: Dubai like let me piss on this girl in this

1291
00:52:42,080 --> 00:52:45,279
Speaker 1: foreign state. It's a weird cycle and I've observed it.

1292
00:52:45,600 --> 00:52:49,080
Speaker 1: You go from the hot, warm places to court. Then

1293
00:52:49,120 --> 00:52:52,240
Speaker 1: you go travel to like weird locations to learn history

1294
00:52:52,280 --> 00:52:53,840
Speaker 1: and like get to know and be an adult and

1295
00:52:53,840 --> 00:52:56,960
Speaker 1: all that bullshit. And then once that phase is over.

1296
00:52:57,040 --> 00:52:59,359
Speaker 1: You're now at the I've known this person way too

1297
00:52:59,400 --> 00:53:02,920
Speaker 1: fucking long. Let's go back to the hot, warm resort

1298
00:53:03,239 --> 00:53:06,359
Speaker 1: to see if we can make this thing work again. Yeah,

1299
00:53:06,440 --> 00:53:09,120
Speaker 1: let's let's try to do what we used to do. Yeah,

1300
00:53:09,120 --> 00:53:09,719
Speaker 1: it work.

1301
00:53:09,800 --> 00:53:13,239
Speaker 2: You gotta use vacations kind of like a let's see

1302
00:53:13,239 --> 00:53:14,680
Speaker 2: if the fire is still there between us?

1303
00:53:14,800 --> 00:53:16,279
Speaker 1: How like how many times have you been to like

1304
00:53:16,360 --> 00:53:18,920
Speaker 1: a warm resort or location you could even say Miami

1305
00:53:19,400 --> 00:53:21,920
Speaker 1: and seeing that old couple like just trying to make

1306
00:53:21,960 --> 00:53:24,120
Speaker 1: it a record, like Yo, no, y'all should go back

1307
00:53:24,120 --> 00:53:24,560
Speaker 1: to Paris.

1308
00:53:24,719 --> 00:53:27,120
Speaker 2: Yeah, Like she's in the pool, he's at the bar.

1309
00:53:27,560 --> 00:53:30,720
Speaker 2: They're not speaking to each other. Yeah, you know that couple.

1310
00:53:30,760 --> 00:53:32,279
Speaker 2: It's like, Okay, they're trying to make it work, but

1311
00:53:32,400 --> 00:53:33,160
Speaker 2: it looks like it's over.

1312
00:53:33,360 --> 00:53:35,799
Speaker 1: And that's just the three levels of vacationing.

1313
00:53:36,080 --> 00:53:39,040
Speaker 2: Yeah, you gotta, you gotta. You have to know who

1314
00:53:39,080 --> 00:53:40,960
Speaker 2: you're taking and where you're taking them. Like that's the

1315
00:53:41,040 --> 00:53:43,279
Speaker 2: real thing. Because I've had some horrible like some of

1316
00:53:43,280 --> 00:53:44,640
Speaker 2: the homies called me like, yo, I'm like, what.

1317
00:53:44,600 --> 00:53:45,120
Speaker 3: Happened to girl?

1318
00:53:45,200 --> 00:53:47,840
Speaker 2: You took to bro We went out there, she was

1319
00:53:47,920 --> 00:53:50,080
Speaker 2: got drunk and I had to carry her out of

1320
00:53:50,080 --> 00:53:51,800
Speaker 2: the thing, and she was cursing the staff.

1321
00:53:52,520 --> 00:53:53,840
Speaker 3: Things could go bad.

1322
00:53:53,880 --> 00:53:57,160
Speaker 2: Like like wherever you took it, she got drunk and

1323
00:53:57,160 --> 00:53:59,440
Speaker 2: started cursing the staff. Now you're here and these people

1324
00:53:59,480 --> 00:54:01,080
Speaker 2: have to look at you every you know, they talk

1325
00:54:01,120 --> 00:54:03,160
Speaker 2: about you in the office like yo, that couple in

1326
00:54:03,239 --> 00:54:05,799
Speaker 2: room whatever, like yo, she's an asshole. So now that

1327
00:54:06,160 --> 00:54:08,000
Speaker 2: your vacation is ruined, it's like and then you know

1328
00:54:08,040 --> 00:54:09,520
Speaker 2: you didn't even know this girl had that side to

1329
00:54:09,560 --> 00:54:12,200
Speaker 2: her where she gets drunk like that and curses people out.

1330
00:54:12,920 --> 00:54:15,359
Speaker 1: You still got two days left, Well deal with it.

1331
00:54:15,719 --> 00:54:17,120
Speaker 1: That's why you have to take her to Griffin and

1332
00:54:17,120 --> 00:54:19,000
Speaker 1: figure that out exactly.

1333
00:54:19,520 --> 00:54:22,359
Speaker 2: Take it somewhere local, get to know her first, because

1334
00:54:22,360 --> 00:54:23,640
Speaker 2: you don't know where you're taking them.

1335
00:54:23,640 --> 00:54:26,239
Speaker 3: You can't take everybody can't go everywhere. That's the bottom line.

1336
00:54:26,239 --> 00:54:29,080
Speaker 2: You gotta know where you're taking these girls, which vacation,

1337
00:54:29,160 --> 00:54:30,440
Speaker 2: who deserves which destination?

1338
00:54:30,560 --> 00:54:31,799
Speaker 3: But everybody can't go to the same place.

1339
00:54:31,800 --> 00:54:33,200
Speaker 5: Do you think of vacation is a good time to

1340
00:54:33,200 --> 00:54:34,080
Speaker 5: ask a girl for a three some?

1341
00:54:35,200 --> 00:54:36,920
Speaker 1: I think that's the best place if a girl that

1342
00:54:37,000 --> 00:54:38,120
Speaker 1: you actually like, if.

1343
00:54:37,960 --> 00:54:40,279
Speaker 2: You see a catching rhythm with another lady, there like,

1344
00:54:40,560 --> 00:54:43,560
Speaker 2: you know, they at the pool kicking it and like, oh,

1345
00:54:43,560 --> 00:54:45,359
Speaker 2: we're gonna go to the bar, or we're gonna go

1346
00:54:45,480 --> 00:54:48,319
Speaker 2: get something to eat, and you kind of see how

1347
00:54:48,360 --> 00:54:51,040
Speaker 2: getting like the little vib But it's more so is

1348
00:54:51,040 --> 00:54:53,160
Speaker 2: it is it a threesome or is it a swingest thing?

1349
00:54:53,239 --> 00:54:56,120
Speaker 2: Because nine times out of ten she probably wouldn't a man.

1350
00:54:56,280 --> 00:54:57,279
Speaker 3: The other chick.

1351
00:54:57,360 --> 00:54:58,719
Speaker 1: Well, that's that's where you have to figure out of

1352
00:54:58,800 --> 00:55:01,319
Speaker 1: those types of place, says you take which girl to

1353
00:55:01,360 --> 00:55:03,640
Speaker 1: take to a place, because there's a lot of resorts

1354
00:55:04,040 --> 00:55:06,319
Speaker 1: that a lot of single people are at. It's not

1355
00:55:06,480 --> 00:55:07,600
Speaker 1: the couples resort.

1356
00:55:07,760 --> 00:55:10,799
Speaker 3: Absolutely, And hedonism in Jamaica is terrible, by the way.

1357
00:55:10,800 --> 00:55:11,960
Speaker 3: I don't know if I haven't been.

1358
00:55:12,239 --> 00:55:14,839
Speaker 2: Yeah, my homeboys went twice and they was like, bro,

1359
00:55:15,239 --> 00:55:17,600
Speaker 2: you know you because I thought headonism was the ship

1360
00:55:17,640 --> 00:55:20,399
Speaker 2: Like there's a bunch of beautiful naked women. No, all

1361
00:55:20,440 --> 00:55:24,040
Speaker 2: old couples walking around as naked to the tities out,

1362
00:55:24,120 --> 00:55:25,880
Speaker 2: saggy asses, just.

1363
00:55:26,719 --> 00:55:30,279
Speaker 1: Nude beaches, like even the ones in Jersey, Like yeah,

1364
00:55:30,840 --> 00:55:32,680
Speaker 1: it's just gonna be a bunch of new people. You

1365
00:55:32,719 --> 00:55:34,680
Speaker 1: don't if you don't want to just be naked and

1366
00:55:34,920 --> 00:55:37,359
Speaker 1: be by yourself. Don't go to a new beach. New

1367
00:55:37,440 --> 00:55:38,400
Speaker 1: beaches is not ill.

1368
00:55:38,320 --> 00:55:40,360
Speaker 2: It's not it's not what you think. It's definitely not

1369
00:55:40,400 --> 00:55:42,360
Speaker 2: what you think, which is why I never went. Like

1370
00:55:42,440 --> 00:55:44,680
Speaker 2: after a couple of the homies went and they're like terrible,

1371
00:55:44,680 --> 00:55:46,200
Speaker 2: I'm like, okay, cool, I ain't going there.

1372
00:55:46,280 --> 00:55:48,560
Speaker 1: I will say, though, to Carol's point, if you're with

1373
00:55:48,680 --> 00:55:53,000
Speaker 1: like your girl girl, that's not like y'all don't already

1374
00:55:53,080 --> 00:55:56,399
Speaker 1: have that threesome relationship. Vacation would be the only place

1375
00:55:56,400 --> 00:55:58,399
Speaker 1: that it would pop off, like it would have to be.

1376
00:55:58,520 --> 00:56:01,719
Speaker 1: You'd have to find someone something about. When girls are

1377
00:56:01,760 --> 00:56:06,200
Speaker 1: not in their hometown or like anywhere around anyone that

1378
00:56:06,239 --> 00:56:10,360
Speaker 1: would know them or judge them, they become themselves that

1379
00:56:10,360 --> 00:56:13,759
Speaker 1: they wanted to become. And I'm not saying that's a

1380
00:56:13,800 --> 00:56:15,799
Speaker 1: bad thing. It's a good thing because that woman makes

1381
00:56:15,800 --> 00:56:18,880
Speaker 1: a great mother. But if you get her on that

1382
00:56:19,000 --> 00:56:22,600
Speaker 1: vacation vibe and she lets loose, maybe you can learn

1383
00:56:22,600 --> 00:56:23,600
Speaker 1: some shit about wife.

1384
00:56:23,880 --> 00:56:25,400
Speaker 2: I was talking to a friend of mine and she

1385
00:56:25,600 --> 00:56:27,799
Speaker 2: because you know the whole I never had a threesome thing,

1386
00:56:27,840 --> 00:56:29,000
Speaker 2: she thought I was like lying about it.

1387
00:56:29,040 --> 00:56:32,400
Speaker 3: I'm like, no, I never had a threeesome and She

1388
00:56:32,560 --> 00:56:35,080
Speaker 3: basically confirmed what I always felt about three somethings, like

1389
00:56:35,719 --> 00:56:37,960
Speaker 3: it's really not it's kind of overrated.

1390
00:56:38,160 --> 00:56:39,160
Speaker 1: It's for them, it's not for you.

1391
00:56:39,520 --> 00:56:39,759
Speaker 3: Yeah.

1392
00:56:39,800 --> 00:56:43,480
Speaker 2: So she was like, Yo, honestly, you're not really missing anything.

1393
00:56:43,960 --> 00:56:46,120
Speaker 2: But I always felt like that, Like I never felt

1394
00:56:46,160 --> 00:56:49,520
Speaker 2: like having a threesome was something that I needed to do.

1395
00:56:49,960 --> 00:56:52,960
Speaker 1: I will at this point before we beat this into

1396
00:56:53,000 --> 00:56:55,879
Speaker 1: the ground because we're talking about vacation wifey all that shit.

1397
00:56:56,360 --> 00:56:59,480
Speaker 1: You should do that with wifey and I always say

1398
00:56:59,520 --> 00:57:02,239
Speaker 1: that the opposite. Don't ever do three some of that.

1399
00:57:02,320 --> 00:57:05,719
Speaker 1: But it is fun. It's like a bonding experience to

1400
00:57:05,760 --> 00:57:08,680
Speaker 1: fuck a girl together. That's a different type of three soome.

1401
00:57:08,719 --> 00:57:10,880
Speaker 1: There's three sums where three people are having sex, and

1402
00:57:10,920 --> 00:57:13,839
Speaker 1: then there's three sums where you and this girl are

1403
00:57:13,840 --> 00:57:19,440
Speaker 1: gonna go fuck that girl. It's drastically different. It's a

1404
00:57:19,440 --> 00:57:22,640
Speaker 1: bonding it's a fun thing a wife Now you wake

1405
00:57:22,720 --> 00:57:27,560
Speaker 1: up like together, like, yo, we did that smoke?

1406
00:57:30,560 --> 00:57:30,840
Speaker 5: Do that?

1407
00:57:31,200 --> 00:57:31,480
Speaker 1: Why not?

1408
00:57:31,640 --> 00:57:33,400
Speaker 3: That's sick. I don't think I could do that, not

1409
00:57:33,480 --> 00:57:34,520
Speaker 3: with wifey.

1410
00:57:35,720 --> 00:57:36,480
Speaker 5: You you know what I mean?

1411
00:57:37,200 --> 00:57:44,640
Speaker 1: Because crazy in his own little CuPy, he got nasty real.

1412
00:57:44,560 --> 00:57:47,880
Speaker 2: Quick, right, Yeah, I don't know, man, but yeah, a

1413
00:57:47,880 --> 00:57:49,760
Speaker 2: friend of mine. She confirmed it, like you're not really

1414
00:57:49,760 --> 00:57:50,520
Speaker 2: missing nothing.

1415
00:57:51,200 --> 00:57:53,400
Speaker 1: Or she was saying, like, yo, we should go fuck

1416
00:57:53,400 --> 00:57:54,000
Speaker 1: a girl together.

1417
00:57:54,600 --> 00:57:56,720
Speaker 2: No, she's she's. She's vocal enough that she would have

1418
00:57:56,760 --> 00:57:59,840
Speaker 2: said that. Okay, yeah, she's, she's. She doesn't she's not shadows.

1419
00:57:59,840 --> 00:58:03,040
Speaker 2: She definitely said that. But yeah, she was like, I mean,

1420
00:58:03,080 --> 00:58:04,200
Speaker 2: if you want to do it, do it, but you're

1421
00:58:04,200 --> 00:58:04,880
Speaker 2: not missing.

1422
00:58:04,600 --> 00:58:07,480
Speaker 1: Ship, so just don't force it. Like I've always said,

1423
00:58:08,520 --> 00:58:11,360
Speaker 1: is there any other ship that we have to hit

1424
00:58:11,440 --> 00:58:16,000
Speaker 1: on a more fun type of level? I know, A

1425
00:58:16,040 --> 00:58:20,600
Speaker 1: Dell drops tonight while we're recording this Friday. It will

1426
00:58:20,640 --> 00:58:22,680
Speaker 1: be out tomorrow or today. When you're listening to this,

1427
00:58:25,360 --> 00:58:27,960
Speaker 1: I know you're not like the Adele guy the way

1428
00:58:28,000 --> 00:58:28,280
Speaker 1: I am.

1429
00:58:28,360 --> 00:58:30,680
Speaker 3: But I love Adele shout out to shout out to

1430
00:58:30,720 --> 00:58:32,640
Speaker 3: my guy, Rich Paul. I love it.

1431
00:58:32,800 --> 00:58:34,440
Speaker 1: I didn't know Rich Paul and Adell knew each other.

1432
00:58:36,080 --> 00:58:38,880
Speaker 3: Shut up and what are you talking about?

1433
00:58:39,680 --> 00:58:40,520
Speaker 1: Am I missing something?

1434
00:58:40,640 --> 00:58:40,960
Speaker 3: You didn't know?

1435
00:58:41,040 --> 00:58:45,120
Speaker 2: Rich Paul and Adell were like dating, they were together. No,

1436
00:58:45,720 --> 00:58:46,560
Speaker 2: that's his girlfriend.

1437
00:58:46,600 --> 00:58:47,360
Speaker 1: That's wrong with you?

1438
00:58:47,840 --> 00:58:48,360
Speaker 3: Rich girl?

1439
00:58:48,400 --> 00:58:52,520
Speaker 1: Yeah it's amazing. Yeah, Oh tell Rich.

1440
00:58:54,040 --> 00:59:01,520
Speaker 3: Girls, music is great, Rich Richard. Yeah, the Oprah Special.

1441
00:59:01,880 --> 00:59:05,360
Speaker 2: No, yeah, they rich rich posted the pictures they sat

1442
00:59:05,400 --> 00:59:06,240
Speaker 2: with Oprah together.

1443
00:59:06,640 --> 00:59:09,120
Speaker 1: Well, I actually feel really good that. I don't know

1444
00:59:09,120 --> 00:59:11,080
Speaker 1: that that makes me feel better about myself that I

1445
00:59:11,080 --> 00:59:12,360
Speaker 1: really don't know what's going on.

1446
00:59:12,440 --> 00:59:15,800
Speaker 2: Yeah, No, I love a celebrity. Is she's one of

1447
00:59:15,800 --> 00:59:18,960
Speaker 2: the she's one of the ones. Yeah, we know that

1448
00:59:19,000 --> 00:59:20,240
Speaker 2: she's one of She's one of the ones.

1449
00:59:20,600 --> 00:59:22,240
Speaker 1: Well, I'm really excited about this album.

1450
00:59:22,480 --> 00:59:24,640
Speaker 3: Yeah, I'm looking forward to it.

1451
00:59:24,680 --> 00:59:28,720
Speaker 2: We haven't heard from Adele in a minute, so yeah,

1452
00:59:28,720 --> 00:59:31,600
Speaker 2: I'm looking forward to him with Well she cooked.

1453
00:59:31,440 --> 00:59:34,040
Speaker 1: Up yeah, and I mean Ravens to all the photos,

1454
00:59:34,040 --> 00:59:34,320
Speaker 1: so it's.

1455
00:59:34,240 --> 00:59:36,760
Speaker 3: Gonna be great. Oh really, m oh yeah Ravens.

1456
00:59:36,840 --> 00:59:39,480
Speaker 1: Raven's been Adele's photographer for a little while now.

1457
00:59:39,680 --> 00:59:41,560
Speaker 2: She took photos of us. I didn't hear the camera

1458
00:59:41,640 --> 00:59:43,200
Speaker 2: go off. I don't know if that if the camera

1459
00:59:43,320 --> 00:59:45,360
Speaker 2: poto didn't hit the same way it hit a dell.

1460
00:59:46,800 --> 00:59:47,320
Speaker 3: Stand right here.

1461
00:59:47,600 --> 00:59:49,520
Speaker 2: We stayed there and then it was just as she

1462
00:59:49,560 --> 00:59:51,640
Speaker 2: just walked away. I was like, did she take it like?

1463
00:59:52,120 --> 00:59:55,560
Speaker 2: We ain't look like yeah, it's like I look like

1464
00:59:55,640 --> 00:59:58,560
Speaker 2: Richie looked like a I don't know, I don't know,

1465
00:59:58,600 --> 00:59:59,919
Speaker 2: but yeah, shout out to the Raven.

1466
01:00:00,240 --> 01:00:03,439
Speaker 3: That's dope that she uh, Raven's doing She's doing dope shit.

1467
01:00:03,520 --> 01:00:04,320
Speaker 1: Man. Of course, I.

1468
01:00:04,240 --> 01:00:06,960
Speaker 2: Remember having a conversation with Raven years ago when she

1469
01:00:07,080 --> 01:00:11,320
Speaker 2: first spoke to me about getting into taking photos, and

1470
01:00:11,040 --> 01:00:12,720
Speaker 2: I told her I was like, Yo, that's dope.

1471
01:00:12,720 --> 01:00:13,760
Speaker 3: Go for that ship, like you know what I mean

1472
01:00:13,760 --> 01:00:15,240
Speaker 3: to do that. She didn't know anything.

1473
01:00:14,960 --> 01:00:15,960
Speaker 1: About it, I remember too.

1474
01:00:15,960 --> 01:00:17,360
Speaker 2: She just said she wanted to buy a camera and

1475
01:00:17,720 --> 01:00:20,600
Speaker 2: jump into it, and she had an idea for a series.

1476
01:00:20,880 --> 01:00:22,200
Speaker 2: I don't know if she ever did it was she

1477
01:00:22,240 --> 01:00:23,960
Speaker 2: didn't call me to take a photo, but she had

1478
01:00:24,120 --> 01:00:26,040
Speaker 2: a really dope idea for a series of photos she

1479
01:00:26,080 --> 01:00:29,000
Speaker 2: wanted to do. I'm not sure she did it, but

1480
01:00:29,520 --> 01:00:31,080
Speaker 2: she should definitely do that because I thought that that

1481
01:00:31,120 --> 01:00:33,960
Speaker 2: was a miser to say cheese. I think so she

1482
01:00:34,520 --> 01:00:34,720
Speaker 2: did it.

1483
01:00:34,800 --> 01:00:37,040
Speaker 1: Yeah, that was the first series that like really popped

1484
01:00:37,040 --> 01:00:39,880
Speaker 1: off her. Cravey be the photographer, the people that don't

1485
01:00:39,920 --> 01:00:43,480
Speaker 1: know jay Z, Beyonce like all that shit, the Raven.

1486
01:00:43,560 --> 01:00:43,840
Speaker 3: Man.

1487
01:00:45,440 --> 01:00:47,120
Speaker 1: Wow, I see, I didn't know I had all these

1488
01:00:47,120 --> 01:00:49,320
Speaker 1: people that were so close to Adel in my life.

1489
01:00:49,600 --> 01:00:49,840
Speaker 3: Yeah.

1490
01:00:49,880 --> 01:00:52,360
Speaker 1: Man, here I am big playing her in the studio.

1491
01:00:52,480 --> 01:00:54,160
Speaker 1: Y'all are like, Hey, are you sad? I'm like, nah,

1492
01:00:54,240 --> 01:00:54,720
Speaker 1: just like a Dell.

1493
01:00:56,520 --> 01:01:03,360
Speaker 2: No, she's toomass classic voice. Man, She's she's amazing. Adel

1494
01:01:03,440 --> 01:01:03,920
Speaker 2: is amazing.

1495
01:01:04,080 --> 01:01:07,480
Speaker 1: I would like out of this album like some features.

1496
01:01:07,840 --> 01:01:09,440
Speaker 1: I know she doesn't do that type of ship. I

1497
01:01:09,480 --> 01:01:11,200
Speaker 1: would like to hear like some.

1498
01:01:11,400 --> 01:01:14,040
Speaker 3: And we don't get what a trackless do? That doesn't

1499
01:01:14,040 --> 01:01:15,040
Speaker 3: happen with Adele, does it?

1500
01:01:15,120 --> 01:01:16,960
Speaker 1: I doubt it? Let me see on the pre order.

1501
01:01:17,040 --> 01:01:18,720
Speaker 3: Yeah, I would love to see like the track list,

1502
01:01:18,800 --> 01:01:21,920
Speaker 3: just to see like what we're gonna get thee like

1503
01:01:21,920 --> 01:01:24,120
Speaker 3: a twenty one Savage feature with Adele.

1504
01:01:24,200 --> 01:01:28,760
Speaker 1: Oh no, we have with uh Errol Garner. Okay, I

1505
01:01:28,760 --> 01:01:30,600
Speaker 1: feel like there's gonna be and I really don't have

1506
01:01:30,600 --> 01:01:33,360
Speaker 1: any inside information, I promise. I feel like there's gonna

1507
01:01:33,400 --> 01:01:35,000
Speaker 1: be some sneaky features in there because I feel like

1508
01:01:35,040 --> 01:01:37,400
Speaker 1: she hasn't done that ship before. Yeah, I hope so,

1509
01:01:37,480 --> 01:01:40,680
Speaker 1: like I need a crooning James Blake Adele.

1510
01:01:40,400 --> 01:01:43,760
Speaker 2: Duet, but everybody it would have to be the special

1511
01:01:43,760 --> 01:01:46,320
Speaker 2: ones though, because everybody can't hang with on the dress.

1512
01:01:46,440 --> 01:01:48,800
Speaker 1: So yeah, I would love to just feel like James

1513
01:01:48,800 --> 01:01:50,680
Speaker 1: could outsid her, do you think so?

1514
01:01:51,560 --> 01:01:53,160
Speaker 3: Yeah?

1515
01:01:53,200 --> 01:01:55,920
Speaker 2: Well, Adele's happy now, so that true. Yeah, so that

1516
01:01:56,040 --> 01:01:58,080
Speaker 2: you might be writing that she's she's happy now, so.

1517
01:01:58,400 --> 01:02:00,760
Speaker 1: You know they I better not get no happy music

1518
01:02:00,760 --> 01:02:01,520
Speaker 1: on this album.

1519
01:02:01,720 --> 01:02:03,920
Speaker 2: Yeah, rich If it's too if it's too heavy on

1520
01:02:03,920 --> 01:02:05,200
Speaker 2: the happy man, we're gonna have to get in the

1521
01:02:05,240 --> 01:02:06,120
Speaker 2: group checks like this.

1522
01:02:06,560 --> 01:02:08,960
Speaker 3: Yeah. Take Richard the Strip Club, give him some bad dances.

1523
01:02:09,040 --> 01:02:14,760
Speaker 3: Pis a dell Off secretly videotape, get back to the real.

1524
01:02:15,440 --> 01:02:18,520
Speaker 1: Yeah, even if rich does nothing, I'm photoshopping.

1525
01:02:18,560 --> 01:02:20,760
Speaker 2: Yeah, yeah, yeah, get Peege on it. He'll make it happen.

1526
01:02:20,800 --> 01:02:22,240
Speaker 2: He'll disturb that home in a minute.

1527
01:02:23,000 --> 01:02:24,720
Speaker 1: Is there any other music coming out tomorrow? You know,

1528
01:02:26,280 --> 01:02:30,120
Speaker 1: I've been traveling, I've came out. I know we talked

1529
01:02:30,120 --> 01:02:32,440
Speaker 1: about on stage so much. I feel like we're repeating

1530
01:02:32,480 --> 01:02:34,440
Speaker 1: ourselves always. I hate we do live shows.

1531
01:02:34,640 --> 01:02:36,960
Speaker 3: And I love the fact that they kept it, they

1532
01:02:36,960 --> 01:02:40,680
Speaker 3: didn't go crazy. What is it non tracks? I love that.

1533
01:02:41,440 --> 01:02:45,720
Speaker 1: Do you feel like this is a Anderson pat You

1534
01:02:45,800 --> 01:02:47,960
Speaker 1: said featuring Bruno Mars No.

1535
01:02:47,960 --> 01:02:52,000
Speaker 2: Man, Bruno is Bruno many Yeah, but we're not gonna

1536
01:02:52,040 --> 01:02:54,320
Speaker 2: say featuring like nah, Bruno was Bruned.

1537
01:02:54,360 --> 01:02:56,000
Speaker 3: This is silk Sonic. No.

1538
01:02:56,080 --> 01:03:00,920
Speaker 1: He killed Anderson's backgrounds, he killed his leads, too. I'm

1539
01:03:00,920 --> 01:03:04,959
Speaker 1: not gonna let he killed his leader. I just feel

1540
01:03:04,960 --> 01:03:07,960
Speaker 1: like Anderson kind of he Shane more on this, you think. Yeah,

1541
01:03:07,960 --> 01:03:10,439
Speaker 1: And I feel like how we kept saying whose world

1542
01:03:10,440 --> 01:03:13,320
Speaker 1: are they going to go into? Even though Bruno obviously

1543
01:03:13,360 --> 01:03:16,400
Speaker 1: does this type of music absolutely as how they delivered

1544
01:03:16,440 --> 01:03:19,920
Speaker 1: it like even on certain cadences and ship. It was

1545
01:03:19,960 --> 01:03:22,640
Speaker 1: times at one point I thought Bruno was Anderson like

1546
01:03:22,680 --> 01:03:25,080
Speaker 1: he was. I felt like he was delivering like Anderson

1547
01:03:25,120 --> 01:03:28,520
Speaker 1: on most records. He wasn't delivering like Bruno, which I'm

1548
01:03:28,520 --> 01:03:30,880
Speaker 1: fine with because I really enjoyed the project. And I

1549
01:03:30,880 --> 01:03:32,240
Speaker 1: do want to do a lyric breakdown on one of

1550
01:03:32,280 --> 01:03:35,840
Speaker 1: those joints next episode because cool because they've been through

1551
01:03:35,840 --> 01:03:36,640
Speaker 1: some ship you know.

1552
01:03:37,080 --> 01:03:39,160
Speaker 3: I love I love the project.

1553
01:03:39,480 --> 01:03:42,160
Speaker 2: They got Booty Collins on there on some of the intros,

1554
01:03:43,360 --> 01:03:44,080
Speaker 2: which is dope.

1555
01:03:45,200 --> 01:03:46,640
Speaker 3: So yeah, I liked I liked this out man. I

1556
01:03:46,640 --> 01:03:47,840
Speaker 3: think it was it was worth the wait.

1557
01:03:48,240 --> 01:03:50,680
Speaker 2: I think they may have waited maybe too much, too

1558
01:03:50,960 --> 01:03:53,840
Speaker 2: too late to drop it. I feel like two months

1559
01:03:53,840 --> 01:03:55,960
Speaker 2: ago would have been perfect to drop it.

1560
01:03:56,160 --> 01:03:58,400
Speaker 1: I mean, we don't take their time.

1561
01:03:58,640 --> 01:04:00,600
Speaker 3: Yeah, but I'm not mad at they made us.

1562
01:04:01,800 --> 01:04:02,480
Speaker 1: Yeah, I get it.

1563
01:04:02,520 --> 01:04:03,720
Speaker 3: You know. It was like because when we got the

1564
01:04:03,760 --> 01:04:04,520
Speaker 3: first single, wing.

1565
01:04:04,480 --> 01:04:06,840
Speaker 2: Was it January? Long time ago, you know what I mean.

1566
01:04:06,880 --> 01:04:08,880
Speaker 2: So it was like they really rolled this thing out,

1567
01:04:08,880 --> 01:04:10,640
Speaker 2: slow cooked. It made us wait. They didn't want the

1568
01:04:10,720 --> 01:04:13,840
Speaker 2: music to just be microwave. You know, people's songs come

1569
01:04:13,880 --> 01:04:16,640
Speaker 2: out and they just listened for a week and then

1570
01:04:16,640 --> 01:04:18,560
Speaker 2: that's it. So they really wanted to slow cook this.

1571
01:04:18,640 --> 01:04:19,640
Speaker 2: But it's a great project.

1572
01:04:19,880 --> 01:04:21,440
Speaker 1: What did you think about smoking out the window?

1573
01:04:22,080 --> 01:04:23,760
Speaker 3: Love it?

1574
01:04:23,840 --> 01:04:25,400
Speaker 1: What about like the contents of it?

1575
01:04:26,360 --> 01:04:27,760
Speaker 2: I think it was right on, Bret. I've seen a

1576
01:04:27,760 --> 01:04:29,880
Speaker 2: lot of people calling it like, you know, parody shit.

1577
01:04:30,000 --> 01:04:32,040
Speaker 1: No, No, I was talking about like just how you

1578
01:04:32,520 --> 01:04:36,840
Speaker 1: the way they were explaining the girl that they were

1579
01:04:36,880 --> 01:04:39,400
Speaker 1: going with the first verse, they broke down like who

1580
01:04:39,440 --> 01:04:41,000
Speaker 1: she was? Like, Yo, she was a whole, she had

1581
01:04:41,000 --> 01:04:43,440
Speaker 1: a kid, her man was almost got me beat the

1582
01:04:43,480 --> 01:04:46,120
Speaker 1: fuck up. Everything was like, yo, let me take her

1583
01:04:46,160 --> 01:04:46,720
Speaker 1: on vacation.

1584
01:04:47,040 --> 01:04:49,320
Speaker 3: Yeah, yeah, definitely want to take it. She needs it,

1585
01:04:49,520 --> 01:04:50,120
Speaker 3: she needs it.

1586
01:04:51,080 --> 01:04:53,000
Speaker 1: I don't want to judge them because not to say

1587
01:04:53,040 --> 01:04:56,200
Speaker 1: I've been in that situation, but I've come close. It

1588
01:04:56,280 --> 01:04:58,400
Speaker 1: was so many red flags in that first verse, and

1589
01:04:58,400 --> 01:05:00,640
Speaker 1: then it was like now I'm just sitting you're smoking

1590
01:05:00,640 --> 01:05:03,440
Speaker 1: out of the window, sir, contemplate, did you listen to

1591
01:05:03,480 --> 01:05:04,960
Speaker 1: your own first VERSI right.

1592
01:05:05,120 --> 01:05:07,520
Speaker 2: Right now, I thought that I thought the song was dope.

1593
01:05:07,640 --> 01:05:11,800
Speaker 2: I thought it was a perfect last single for the project. Yeah,

1594
01:05:12,240 --> 01:05:16,040
Speaker 2: the music is crazy. The vocals at the Anison.

1595
01:05:15,720 --> 01:05:18,120
Speaker 1: Pack and Bruno Thundercat on there too.

1596
01:05:18,200 --> 01:05:21,640
Speaker 3: Yeah, they they this entire project. Every song to me

1597
01:05:21,760 --> 01:05:24,720
Speaker 3: is like and I'm glad it's not too Like nine Tracks.

1598
01:05:24,480 --> 01:05:25,880
Speaker 1: Was perfect thirty one minutes.

1599
01:05:25,920 --> 01:05:26,680
Speaker 3: Yeah, perfect.

1600
01:05:26,720 --> 01:05:29,560
Speaker 2: That was a perfect, perfect, perfect amount of music for

1601
01:05:29,640 --> 01:05:31,400
Speaker 2: that type of vibe and that type of sound.

1602
01:05:32,120 --> 01:05:33,760
Speaker 1: I just I just want to do more of a

1603
01:05:33,960 --> 01:05:35,680
Speaker 1: deep dive. I want to sit with them just to

1604
01:05:35,680 --> 01:05:37,680
Speaker 1: talk about Smoking out the Window, Like I need to

1605
01:05:37,720 --> 01:05:39,920
Speaker 1: hear about this relationship. I want to sit with.

1606
01:05:39,880 --> 01:05:43,000
Speaker 3: Them to talk about just the entire project and the way.

1607
01:05:42,880 --> 01:05:45,400
Speaker 2: They rolled it out, Like to me, that was real

1608
01:05:45,520 --> 01:05:47,200
Speaker 2: brave and bold for them to do that in the

1609
01:05:47,240 --> 01:05:48,960
Speaker 2: era where you know, like you said, we get music

1610
01:05:49,040 --> 01:05:51,200
Speaker 2: every week now. Yeah, So I like the fact that

1611
01:05:51,240 --> 01:05:53,400
Speaker 2: they slow cooked it and you know, they gave it

1612
01:05:53,440 --> 01:05:55,840
Speaker 2: to us and doses and then gave us the full

1613
01:05:55,960 --> 01:05:59,160
Speaker 2: the full course, and they delivered. They didn't drop the ball.

1614
01:05:59,200 --> 01:06:03,560
Speaker 2: The albums dope. The music is incredible, the vocals are incredible.

1615
01:06:03,760 --> 01:06:05,480
Speaker 2: I know you like to say it's something it's almost

1616
01:06:05,520 --> 01:06:07,480
Speaker 2: too perfect.

1617
01:06:06,920 --> 01:06:09,880
Speaker 1: On this one, it's still kind of is it is

1618
01:06:09,880 --> 01:06:13,640
Speaker 1: still Bruno in that capacity as it's extremely polished. But

1619
01:06:14,880 --> 01:06:17,800
Speaker 1: I think I need to see this album live.

1620
01:06:18,800 --> 01:06:18,960
Speaker 3: Oh.

1621
01:06:19,000 --> 01:06:21,240
Speaker 1: I can't wait, because I think you'll get some of

1622
01:06:21,240 --> 01:06:25,280
Speaker 1: those the more warm imperfections and not polish it with

1623
01:06:25,400 --> 01:06:27,120
Speaker 1: the live band. And I know they're.

1624
01:06:26,880 --> 01:06:28,880
Speaker 3: Gonna Seeing them live is a must.

1625
01:06:28,920 --> 01:06:31,360
Speaker 1: You have to this album. To me, I think will

1626
01:06:31,360 --> 01:06:34,400
Speaker 1: make more sense live than it does on record.

1627
01:06:34,480 --> 01:06:36,439
Speaker 2: And then and then live the band gets to play

1628
01:06:36,480 --> 01:06:38,240
Speaker 2: with the music a little more.

1629
01:06:38,120 --> 01:06:41,640
Speaker 1: And we know Anderson and Bruno together both with their own.

1630
01:06:41,600 --> 01:06:43,640
Speaker 2: I still I still tell people Bruno Mars still has

1631
01:06:43,680 --> 01:06:46,880
Speaker 2: one of the best halftime super Bowl shows ever.

1632
01:06:47,000 --> 01:06:49,040
Speaker 1: Well, he's done the last seven, so he's talking the

1633
01:06:49,080 --> 01:06:50,880
Speaker 1: one with with Beyonce, which you're.

1634
01:06:50,760 --> 01:06:52,680
Speaker 3: Talking about any of them.

1635
01:06:52,720 --> 01:06:55,640
Speaker 2: He's just one of those those performers that anytime he

1636
01:06:55,840 --> 01:06:59,440
Speaker 2: touches the stage, it's it's a full out performance, like

1637
01:06:59,600 --> 01:07:01,960
Speaker 2: he's a performer entertaining every sense of the word.

1638
01:07:02,400 --> 01:07:05,600
Speaker 1: This may sound blasphemous to a lot of people, where

1639
01:07:05,600 --> 01:07:08,640
Speaker 1: do you rank it with the Weekends last last year

1640
01:07:09,040 --> 01:07:10,040
Speaker 1: or this year? That was this year?

1641
01:07:10,080 --> 01:07:11,040
Speaker 3: Right, this year?

1642
01:07:11,720 --> 01:07:15,640
Speaker 2: The Weekends was dope visually, especially with the whole COVID

1643
01:07:15,640 --> 01:07:18,640
Speaker 2: shit in him using the bandages all year, walking around

1644
01:07:18,640 --> 01:07:21,000
Speaker 2: like that in character. I think he played into that

1645
01:07:21,080 --> 01:07:24,320
Speaker 2: perfectly with all of the dances and everybody moving pieces

1646
01:07:24,360 --> 01:07:26,959
Speaker 2: had to wear masks. Obviously, I think the weekend played

1647
01:07:27,000 --> 01:07:33,520
Speaker 2: into that amazingly. Vocally, it wasn't. I mean, the Weekend

1648
01:07:33,600 --> 01:07:36,600
Speaker 2: is not strong as vocally as Bruno.

1649
01:07:36,720 --> 01:07:39,720
Speaker 1: Of course not. I just think the performance in itself

1650
01:07:39,880 --> 01:07:42,360
Speaker 1: was it was that ship was crazy.

1651
01:07:42,680 --> 01:07:44,920
Speaker 3: The Weekend Ship was. It was definitely one of the

1652
01:07:44,920 --> 01:07:45,640
Speaker 3: best we've seen.

1653
01:07:45,960 --> 01:07:48,320
Speaker 1: I don't know it was the internet thing where that

1654
01:07:48,360 --> 01:07:50,560
Speaker 1: mob mentality where people have to start to hate something

1655
01:07:50,560 --> 01:07:53,520
Speaker 1: when one person starts. But to me, that Weekend Ship

1656
01:07:53,680 --> 01:07:56,840
Speaker 1: was incredible. I don't know why. Everyone. I went back

1657
01:07:56,880 --> 01:07:58,600
Speaker 1: and watched the people even I think I may have

1658
01:07:58,680 --> 01:08:00,320
Speaker 1: a few comments about it, but then I watched together

1659
01:08:00,440 --> 01:08:02,040
Speaker 1: was like, this ship is incredible. Yeah.

1660
01:08:02,080 --> 01:08:05,600
Speaker 2: I think some people were more so talking about the

1661
01:08:05,600 --> 01:08:08,520
Speaker 2: the vocal performance more than anything, you know what I mean.

1662
01:08:08,800 --> 01:08:09,920
Speaker 3: But I think that he's he.

1663
01:08:10,840 --> 01:08:13,400
Speaker 2: Visually with what they were able to do with that

1664
01:08:13,400 --> 01:08:14,960
Speaker 2: performance for the weekend was was amazing.

1665
01:08:15,200 --> 01:08:17,800
Speaker 1: And then we have what Dry and Snoop this year, Dre.

1666
01:08:18,000 --> 01:08:24,799
Speaker 2: Snoop Mary Eminem, I feel like a mission, Kendrick Kendrick.

1667
01:08:26,120 --> 01:08:28,840
Speaker 1: Yeah, that's gonna be crazy. Yeah, that's gonna be an

1668
01:08:28,880 --> 01:08:32,479
Speaker 1: insanely oh wow. And it's in l A right.

1669
01:08:34,040 --> 01:08:34,720
Speaker 3: Believe so.

1670
01:08:36,160 --> 01:08:38,240
Speaker 1: Yeah, I think I think it's at the Sophie Field

1671
01:08:38,320 --> 01:08:43,160
Speaker 1: whatever that's it is called the Crypto dot Com Football Field.

1672
01:08:44,880 --> 01:08:47,160
Speaker 3: That's a terrible that's a terrible name.

1673
01:08:48,400 --> 01:08:50,800
Speaker 1: I know we killed Ho for all that, but I mean,

1674
01:08:50,840 --> 01:08:54,000
Speaker 1: at least at least we get all those performance at halftime.

1675
01:08:54,720 --> 01:08:56,479
Speaker 1: He got it right. No, but in this but in

1676
01:08:56,520 --> 01:08:59,400
Speaker 1: this era though, of like the football fan and how

1677
01:08:59,479 --> 01:09:03,200
Speaker 1: crazy they've gotten about like, don't bring anything black around

1678
01:09:03,240 --> 01:09:06,599
Speaker 1: me except for the players to death. Yeah, that lineup

1679
01:09:06,680 --> 01:09:09,480
Speaker 1: is fucking people. That's gonna be hysterical.

1680
01:09:11,080 --> 01:09:13,519
Speaker 3: You know know, you know football fans want they golf

1681
01:09:13,560 --> 01:09:14,240
Speaker 3: books at halftime.

1682
01:09:14,600 --> 01:09:15,920
Speaker 1: Bruce Springsteen is not on this bill.

1683
01:09:16,200 --> 01:09:18,040
Speaker 2: No, they pissed off about that. They want golf, They

1684
01:09:18,080 --> 01:09:19,559
Speaker 2: want Bruce, not this year.

1685
01:09:19,600 --> 01:09:22,280
Speaker 1: And you know, Kendrick's gonna he's gonna.

1686
01:09:22,040 --> 01:09:24,120
Speaker 3: He's gonna go crazy, Yeah, he's gonna go crazy. It

1687
01:09:24,120 --> 01:09:24,880
Speaker 3: was good to see Kendrick.

1688
01:09:24,880 --> 01:09:26,519
Speaker 1: It might be a whole African tribe on that stage.

1689
01:09:26,560 --> 01:09:28,200
Speaker 3: He's gonna go crazy. He's gonna go absolutely.

1690
01:09:28,320 --> 01:09:28,599
Speaker 5: He might.

1691
01:09:28,640 --> 01:09:31,240
Speaker 1: He might wrap his whole set on one knee.

1692
01:09:32,120 --> 01:09:34,920
Speaker 2: I'm not mad, that's fine, that's fire. I'm not mad

1693
01:09:34,960 --> 01:09:36,719
Speaker 2: at that at all. I'm definitely not mad, and.

1694
01:09:36,600 --> 01:09:39,200
Speaker 1: Put the American flag behind him. He might. He might

1695
01:09:39,200 --> 01:09:43,519
Speaker 1: freestyle over the fucking Star Spangled banner on one knee.

1696
01:09:43,560 --> 01:09:44,880
Speaker 3: If he do that, it's gonna be a riot. You

1697
01:09:44,920 --> 01:09:47,160
Speaker 3: know they can't. You can't. You can't mess up the stars.

1698
01:09:47,400 --> 01:09:49,080
Speaker 3: Don't remix the Star spangled Kendrick.

1699
01:09:49,160 --> 01:09:54,920
Speaker 1: I know you're not listening, but we know you won't

1700
01:09:54,960 --> 01:09:57,280
Speaker 1: hear this. If should even, dude, I don't know. If

1701
01:09:57,280 --> 01:09:59,400
Speaker 1: you do the pledge of allegiance somehow remix it, do

1702
01:09:59,560 --> 01:10:02,000
Speaker 1: something to just piss off white people.

1703
01:10:02,200 --> 01:10:04,559
Speaker 2: Yeah, oh no, I think I think them just being

1704
01:10:04,600 --> 01:10:06,439
Speaker 2: in the building is pissing, pissing people off.

1705
01:10:06,640 --> 01:10:10,040
Speaker 1: I think everyone should forgive Jay for however they viewed

1706
01:10:10,040 --> 01:10:12,480
Speaker 1: that entire deal with the NFL freestyles.

1707
01:10:12,920 --> 01:10:14,080
Speaker 3: They still don't know what the deal was.

1708
01:10:14,320 --> 01:10:18,320
Speaker 1: If he freestyles over the star spanking better on one knee.

1709
01:10:18,760 --> 01:10:19,439
Speaker 1: It's all worth it.

1710
01:10:19,439 --> 01:10:20,760
Speaker 3: That's gonna be the last year for that ship.

1711
01:10:20,800 --> 01:10:23,559
Speaker 2: I can guarantee if that happens, that line's gonna look

1712
01:10:23,680 --> 01:10:24,639
Speaker 2: very different next year.

1713
01:10:24,960 --> 01:10:29,519
Speaker 1: What if they say all those names and Cap just

1714
01:10:29,560 --> 01:10:31,800
Speaker 1: comes out to just the empty stage. It's like, Hey,

1715
01:10:31,880 --> 01:10:37,240
Speaker 1: I'd like to talk to you guys about police brutality.

1716
01:10:36,720 --> 01:10:38,679
Speaker 1: No snoop, no marry.

1717
01:10:38,840 --> 01:10:41,040
Speaker 2: I would love for them to try to incorporate Kaepernick

1718
01:10:41,120 --> 01:10:42,679
Speaker 2: in some in some form of fashion.

1719
01:10:43,040 --> 01:10:44,400
Speaker 3: I would love that. Why not?

1720
01:10:45,760 --> 01:10:47,560
Speaker 1: I don't of course, I don't know the deal or

1721
01:10:47,600 --> 01:10:49,599
Speaker 1: anything like that, but Jay, you still have to play

1722
01:10:49,640 --> 01:10:52,240
Speaker 1: the game somewhat. The NFL is not allowing Kaepernick is

1723
01:10:52,240 --> 01:10:53,120
Speaker 1: gonna be at the halftime.

1724
01:10:53,240 --> 01:10:55,080
Speaker 2: No, no, no, no, I'm not saying yeah. I'm just saying

1725
01:10:55,080 --> 01:10:57,679
Speaker 2: incorporate him somehow. I'm not saying he has to be there.

1726
01:10:58,200 --> 01:11:00,280
Speaker 1: I mean, I'm sure they're not picking their wardrobe. Everyone

1727
01:11:00,280 --> 01:11:01,040
Speaker 1: could wear seven.

1728
01:11:00,920 --> 01:11:04,400
Speaker 2: Jerseys that I'm sure Kendrick will probably do the afro,

1729
01:11:05,360 --> 01:11:07,360
Speaker 2: you know what I mean, Like just little things like that,

1730
01:11:07,400 --> 01:11:08,080
Speaker 2: a little subtle.

1731
01:11:08,760 --> 01:11:10,720
Speaker 1: We're just talking ship right now.

1732
01:11:10,840 --> 01:11:14,240
Speaker 3: No, Ken, that's been announced that.

1733
01:11:14,280 --> 01:11:16,519
Speaker 1: Day in Vegas. Ship. I will say I have not

1734
01:11:17,960 --> 01:11:21,600
Speaker 1: like envied missing a performance in quite some time. That

1735
01:11:21,720 --> 01:11:23,200
Speaker 1: Kendrick shit looked.

1736
01:11:23,040 --> 01:11:23,840
Speaker 3: Look look it looked.

1737
01:11:23,880 --> 01:11:27,840
Speaker 2: It looked like just seeing him in that hole and

1738
01:11:28,040 --> 01:11:32,400
Speaker 2: what he was wearing, Uh, it gave you know, the

1739
01:11:32,400 --> 01:11:33,479
Speaker 2: whole retro vibe.

1740
01:11:34,360 --> 01:11:36,639
Speaker 3: It was. It was Kendrick in every sense of the word.

1741
01:11:36,720 --> 01:11:37,760
Speaker 3: Like he's doing his own thing.

1742
01:11:37,760 --> 01:11:41,240
Speaker 2: He doesn't look like nobody, doesn't sound like nobody, and

1743
01:11:41,320 --> 01:11:43,639
Speaker 2: it just looks like he's He's now in a different

1744
01:11:44,800 --> 01:11:47,280
Speaker 2: in his life. You could tell he's in a different spaces.

1745
01:11:47,680 --> 01:11:50,240
Speaker 2: He's doing something totally different. He's all the way in

1746
01:11:50,280 --> 01:11:55,640
Speaker 2: his art bag, his creative energy and everything is intentional

1747
01:11:56,240 --> 01:11:59,600
Speaker 2: from you know, his image and his aesthetics and the

1748
01:11:59,680 --> 01:12:03,000
Speaker 2: war robe and music was always intentional with him. But

1749
01:12:03,840 --> 01:12:06,600
Speaker 2: you can tell now he's a complete artist. He's a

1750
01:12:06,640 --> 01:12:07,400
Speaker 2: complete artist now.

1751
01:12:07,439 --> 01:12:12,600
Speaker 1: And the records he chose to perform too, like like

1752
01:12:12,840 --> 01:12:15,719
Speaker 1: Sea Sides off of Good Kid, Mad City he was performing,

1753
01:12:15,760 --> 01:12:16,920
Speaker 1: I was like, all right, this is one of those

1754
01:12:17,000 --> 01:12:19,400
Speaker 1: I would have still sing about me. When he got

1755
01:12:19,439 --> 01:12:20,640
Speaker 1: his bag on that, I was like, all right, I

1756
01:12:20,680 --> 01:12:23,200
Speaker 1: would have loved to see that performed at a festival.

1757
01:12:23,800 --> 01:12:27,680
Speaker 1: And just even with the stage presents he had with

1758
01:12:27,680 --> 01:12:30,840
Speaker 1: with all the dancers and the certain type of choreographical

1759
01:12:30,840 --> 01:12:32,679
Speaker 1: shit he was doing. Like that was one of those shows.

1760
01:12:32,720 --> 01:12:35,200
Speaker 2: I like seeing artists disappeared and come back and like

1761
01:12:35,280 --> 01:12:38,080
Speaker 2: look totally different, but don't still sound sharp.

1762
01:12:38,240 --> 01:12:39,479
Speaker 1: Only few get that luxury.

1763
01:12:39,520 --> 01:12:42,799
Speaker 2: Oh absolutely, we know that on the Greats, the legends

1764
01:12:42,800 --> 01:12:45,080
Speaker 2: get that luxury, and it's good to see them come

1765
01:12:45,120 --> 01:12:47,080
Speaker 2: back and they haven't missed a beat. They still sharp,

1766
01:12:47,479 --> 01:12:51,920
Speaker 2: the music isn't suffering. I just I just like that.

1767
01:12:51,960 --> 01:12:53,720
Speaker 2: I love seeing artists, you know, stay out of the

1768
01:12:53,800 --> 01:12:55,720
Speaker 2: public eye for a while, and then when you see them,

1769
01:12:55,960 --> 01:12:58,519
Speaker 2: it's like they look good. They said, they sound amazing,

1770
01:12:58,560 --> 01:13:01,200
Speaker 2: And that's what Kendrick did with at dan Vegas. He

1771
01:13:01,240 --> 01:13:04,360
Speaker 2: looked great, sound amazing, and I'm waiting. I can't wait

1772
01:13:04,400 --> 01:13:06,360
Speaker 2: for new music from him. Honestly, he's He's one of

1773
01:13:06,360 --> 01:13:09,080
Speaker 2: those dudes that you look at like, yo, Kendrick is recording.

1774
01:13:09,120 --> 01:13:10,519
Speaker 2: He's back in the studio. Like even when you hear that,

1775
01:13:10,560 --> 01:13:12,920
Speaker 2: you're like, okay, cool, yeah.

1776
01:13:12,439 --> 01:13:15,519
Speaker 1: And shout out to Dan Vegas. To my understanding, I

1777
01:13:15,520 --> 01:13:18,840
Speaker 1: didn't see any major crazy health things. I didn't see

1778
01:13:18,840 --> 01:13:22,559
Speaker 1: anyone passed away, didn't see anything outside of the norm

1779
01:13:22,600 --> 01:13:26,120
Speaker 1: for a festival. So shout out to them for putting

1780
01:13:26,120 --> 01:13:28,920
Speaker 1: on a safe show, especially at that capacity, because I mean,

1781
01:13:28,960 --> 01:13:31,760
Speaker 1: to me, that's probably the best lineup I've seen quite

1782
01:13:31,800 --> 01:13:34,280
Speaker 1: some time for any festival. And the amount of acts

1783
01:13:34,280 --> 01:13:36,720
Speaker 1: and the amount of people three days, like, that's some

1784
01:13:36,840 --> 01:13:38,960
Speaker 1: hard shit to pull off. Yeah, So shout out to

1785
01:13:39,000 --> 01:13:44,320
Speaker 1: everyone behind that. If someone didn't but I wasn't aware,

1786
01:13:44,439 --> 01:13:48,200
Speaker 1: and condolences, but yeah, no, that sucks that.

1787
01:13:48,120 --> 01:13:48,720
Speaker 3: We couldn't be there.

1788
01:13:48,760 --> 01:13:54,560
Speaker 1: Yeah, But to talk about somebody that definitely preached a

1789
01:13:56,160 --> 01:14:01,120
Speaker 1: being an amazing father, Unfortunately, young Dolph Uh passed away

1790
01:14:02,280 --> 01:14:07,840
Speaker 1: on Wednesday in Memphis, and I believe it was a

1791
01:14:08,000 --> 01:14:10,880
Speaker 1: cookie store that he had been promoting for for quite

1792
01:14:10,880 --> 01:14:15,160
Speaker 1: some time. And I will say, I don't know the

1793
01:14:15,200 --> 01:14:17,400
Speaker 1: politics behind anything that's going on. The only thing I

1794
01:14:17,439 --> 01:14:21,559
Speaker 1: do know is somebody that was an amazing talent, Uh

1795
01:14:21,600 --> 01:14:25,599
Speaker 1: and from what we see, an amazing family man, Yeah,

1796
01:14:25,720 --> 01:14:30,440
Speaker 1: passed away and and that shit is extremely unfortunate.

1797
01:14:30,880 --> 01:14:36,520
Speaker 2: It's it's unfortunate, but it's so familiar, and it's unfortunate

1798
01:14:36,560 --> 01:14:39,559
Speaker 2: to say that me personally, as a black man, I've

1799
01:14:39,560 --> 01:14:42,000
Speaker 2: become numb to it.

1800
01:14:42,000 --> 01:14:43,880
Speaker 3: It won't be the last.

1801
01:14:44,000 --> 01:14:48,120
Speaker 2: It's unfortunate to say it won't be the last. And

1802
01:14:48,160 --> 01:14:52,320
Speaker 2: it's a cycle that as black men or black people

1803
01:14:52,479 --> 01:14:55,080
Speaker 2: that we've just been caught up in for so many years.

1804
01:14:55,120 --> 01:15:00,240
Speaker 2: It's you know, the street mentality, this this energy that

1805
01:15:00,280 --> 01:15:02,600
Speaker 2: we walk with and we live with in our communities.

1806
01:15:03,160 --> 01:15:06,040
Speaker 2: It's so toxic and so you know, so much trauma

1807
01:15:06,080 --> 01:15:10,800
Speaker 2: behind it. And you know, coming from somebody that lost

1808
01:15:10,800 --> 01:15:15,080
Speaker 2: the brother the gun violence, it changes you. It changes

1809
01:15:15,120 --> 01:15:18,439
Speaker 2: the family. You no longer have a certain trust that

1810
01:15:18,439 --> 01:15:21,320
Speaker 2: you had in people. When someone is taken away from

1811
01:15:21,320 --> 01:15:25,040
Speaker 2: you like that, it changes you forever. It turns you

1812
01:15:25,080 --> 01:15:29,840
Speaker 2: into this cold person that you know, you have a

1813
01:15:29,840 --> 01:15:34,960
Speaker 2: hard time looking at people and really trusting. Yeah, because something,

1814
01:15:35,040 --> 01:15:36,640
Speaker 2: something is someone that you love so much and you

1815
01:15:36,680 --> 01:15:38,600
Speaker 2: cared about was taking away.

1816
01:15:39,920 --> 01:15:40,879
Speaker 3: Through the gun violence.

1817
01:15:40,960 --> 01:15:46,439
Speaker 2: And it just perpetuates more situations, you know, more families

1818
01:15:46,439 --> 01:15:50,960
Speaker 2: will suffer. It's just more more black children growing up

1819
01:15:51,000 --> 01:15:55,120
Speaker 2: without their father, a black woman having to raise kids

1820
01:15:55,160 --> 01:16:00,720
Speaker 2: without you know, her husband, and all for what. Yeah,

1821
01:16:00,760 --> 01:16:02,559
Speaker 2: you know, it's like, what is it all for? What

1822
01:16:02,640 --> 01:16:06,080
Speaker 2: is it all about? And it's again, it's just this

1823
01:16:06,240 --> 01:16:09,200
Speaker 2: nasty cycle and this nasty energy that we have in

1824
01:16:09,200 --> 01:16:10,479
Speaker 2: our community.

1825
01:16:11,439 --> 01:16:12,080
Speaker 3: That I think that.

1826
01:16:13,840 --> 01:16:15,880
Speaker 2: I don't know if we'll ever truly break out of it,

1827
01:16:16,000 --> 01:16:18,519
Speaker 2: because you know, you look at the world now and

1828
01:16:18,560 --> 01:16:21,840
Speaker 2: the opportunity and the access that we have with the

1829
01:16:21,880 --> 01:16:24,679
Speaker 2: internet and you know, being able to be entrepreneurs. There's

1830
01:16:24,680 --> 01:16:27,879
Speaker 2: so many young entrepreneurs now, a lot of young creatives

1831
01:16:27,880 --> 01:16:33,400
Speaker 2: making a lot of money. Information is so available these days,

1832
01:16:35,320 --> 01:16:37,400
Speaker 2: So you ask yourself, and you know, you's still a

1833
01:16:37,439 --> 01:16:41,760
Speaker 2: lot of these communities, there's still not a lot of resources,

1834
01:16:42,200 --> 01:16:45,720
Speaker 2: there's still not a lot of you know, jobs, and

1835
01:16:45,760 --> 01:16:49,240
Speaker 2: you know programs available in certain areas of the country

1836
01:16:49,840 --> 01:16:51,040
Speaker 2: that need to be addressed.

1837
01:16:51,040 --> 01:16:51,680
Speaker 3: And we know that.

1838
01:16:52,400 --> 01:16:56,640
Speaker 2: But here's a guy that loved his city, wrapped his

1839
01:16:56,680 --> 01:17:00,760
Speaker 2: city all over the world wherever he went, openly gave

1840
01:17:00,800 --> 01:17:06,240
Speaker 2: to people, gave opportunity, supported people, put people in position

1841
01:17:06,360 --> 01:17:09,840
Speaker 2: to do better things with their lives and better themselves.

1842
01:17:10,000 --> 01:17:11,960
Speaker 3: Was very big on, you know, giving.

1843
01:17:12,280 --> 01:17:15,439
Speaker 2: He always spoke about giving opportunity given because he didn't

1844
01:17:15,439 --> 01:17:18,439
Speaker 2: have opportunities. So when he was wasn't put in a

1845
01:17:18,439 --> 01:17:20,720
Speaker 2: position to give people an opportunity, he made sure he

1846
01:17:20,760 --> 01:17:25,000
Speaker 2: did that. You know, it was into real estate. He

1847
01:17:25,040 --> 01:17:27,960
Speaker 2: has a real estate catalog already set up for his kids,

1848
01:17:28,040 --> 01:17:30,600
Speaker 2: they owned a lot of properties. I was reading he

1849
01:17:30,640 --> 01:17:34,080
Speaker 2: owned all of his masters, you know. So he was

1850
01:17:34,120 --> 01:17:36,800
Speaker 2: one of those minds that just understood that he had

1851
01:17:36,840 --> 01:17:39,120
Speaker 2: to be the guy to break the the psychle and

1852
01:17:39,200 --> 01:17:43,160
Speaker 2: break the chain of you know, how he does business

1853
01:17:43,280 --> 01:17:45,719
Speaker 2: and how he moves as a man, and the way.

1854
01:17:45,600 --> 01:17:46,840
Speaker 3: He sets up his kid's future.

1855
01:17:47,760 --> 01:17:50,800
Speaker 2: So it's just unfortunate to see him taken from his

1856
01:17:50,840 --> 01:17:54,280
Speaker 2: family and taking from the culture in his own backyard,

1857
01:17:54,400 --> 01:17:57,200
Speaker 2: in the city that he loved, supporting a business that

1858
01:17:57,560 --> 01:18:01,880
Speaker 2: was black owned, you know, And it's it's unfortunate, man.

1859
01:18:01,960 --> 01:18:06,599
Speaker 2: Like you know, I I bumped into Dolph when we

1860
01:18:06,600 --> 01:18:09,400
Speaker 2: were in Atlanta, or when I was in Atlanta earlier

1861
01:18:09,439 --> 01:18:12,479
Speaker 2: this year at the airport. We were going through TSA together,

1862
01:18:12,560 --> 01:18:15,519
Speaker 2: like literally right behind each other. But you know, you

1863
01:18:15,560 --> 01:18:17,200
Speaker 2: have the mask on so you really can't see people

1864
01:18:17,240 --> 01:18:21,479
Speaker 2: faces anymore. But when you know, you had to take

1865
01:18:21,520 --> 01:18:23,680
Speaker 2: his jacket off, so the Dolph chain and all I said, oh,

1866
01:18:23,680 --> 01:18:25,920
Speaker 2: that's Dolph, And I just made sure I gave him that,

1867
01:18:26,080 --> 01:18:27,800
Speaker 2: and I said, yo, like, I fuck with you, Like,

1868
01:18:28,560 --> 01:18:29,800
Speaker 2: you know, I like what you're doing. I like the

1869
01:18:29,880 --> 01:18:31,360
Speaker 2: things that you're saying. I like the way you move,

1870
01:18:31,520 --> 01:18:34,160
Speaker 2: you know, like you're doing it right, And it was

1871
01:18:34,200 --> 01:18:36,360
Speaker 2: a quick exchange, gave each other DAP and went out

1872
01:18:36,400 --> 01:18:40,519
Speaker 2: separate ways. But it was just unfortunate to receive that

1873
01:18:40,640 --> 01:18:42,920
Speaker 2: news and to read that online and then to see

1874
01:18:42,960 --> 01:18:46,040
Speaker 2: the images and stuff like that. And we don't realize

1875
01:18:46,040 --> 01:18:48,000
Speaker 2: how much trauma that gives us, you know what I'm saying,

1876
01:18:48,000 --> 01:18:50,280
Speaker 2: Like when we see people in our culture being taken

1877
01:18:50,320 --> 01:18:53,680
Speaker 2: like that, because we just so used to scrolling, scrolling, scrolling, like,

1878
01:18:53,680 --> 01:18:55,559
Speaker 2: we don't realize that that shit stays with us, those

1879
01:18:55,560 --> 01:18:58,280
Speaker 2: images stay with us. Yeah, Like, and it's unfortunate, man,

1880
01:18:58,280 --> 01:19:02,400
Speaker 2: because here's a guy that from his city, like Nick

1881
01:19:03,320 --> 01:19:05,240
Speaker 2: was trying to do some positive things and trying to

1882
01:19:05,280 --> 01:19:08,000
Speaker 2: support and put people in a position to better themselves

1883
01:19:08,000 --> 01:19:09,960
Speaker 2: and give back to the community and love his people,

1884
01:19:10,920 --> 01:19:16,479
Speaker 2: and you know, his own people taking them out. It's tragic.

1885
01:19:16,640 --> 01:19:20,400
Speaker 2: It's unfortunate. Again, more black children now growing up without

1886
01:19:20,400 --> 01:19:24,720
Speaker 2: their father. Yeah, and it's just you know, I'm just

1887
01:19:24,800 --> 01:19:27,840
Speaker 2: I'm just being honest. I don't I don't know if

1888
01:19:27,880 --> 01:19:30,719
Speaker 2: it'll ever stop. I don't know if I'll be alliwed

1889
01:19:30,720 --> 01:19:32,280
Speaker 2: for it. I hope it stops. I don't know if

1890
01:19:32,320 --> 01:19:34,360
Speaker 2: I'll be here to see it. But you know, it's

1891
01:19:34,439 --> 01:19:37,320
Speaker 2: it's unfortunate like this is, this is it's an unfortunate

1892
01:19:37,360 --> 01:19:39,360
Speaker 2: thing that in our culture we are so accustomed to

1893
01:19:39,439 --> 01:19:42,760
Speaker 2: and so used to that it's it's a shame. And

1894
01:19:44,160 --> 01:19:47,439
Speaker 2: you know again it's it's not the last. And that's

1895
01:19:47,439 --> 01:19:49,320
Speaker 2: the and that's the thing that bothers me, is that

1896
01:19:49,680 --> 01:19:50,840
Speaker 2: this is not going to be the last.

1897
01:19:51,960 --> 01:19:58,280
Speaker 1: Yeah, and unfortunately not everyone's famous, so not the last

1898
01:19:58,280 --> 01:20:01,559
Speaker 1: could be happening right now the next hour. Everything that

1899
01:20:01,680 --> 01:20:07,080
Speaker 1: is really sad that everyone doesn't even get the proper

1900
01:20:07,320 --> 01:20:11,000
Speaker 1: attention when the same situation does happen because they're not

1901
01:20:11,040 --> 01:20:13,280
Speaker 1: famous and also could be doing just as much positive

1902
01:20:13,280 --> 01:20:17,920
Speaker 1: shit in the world, so that also kind of doubles

1903
01:20:17,960 --> 01:20:20,920
Speaker 1: down on how side that entire thing can be. But

1904
01:20:22,120 --> 01:20:26,920
Speaker 1: prayers for Dall's family, for his two kids, his wife. Yeah,

1905
01:20:27,040 --> 01:20:28,479
Speaker 1: it's funny when you brought.

1906
01:20:28,280 --> 01:20:31,120
Speaker 2: Up and continue to support them because you know a

1907
01:20:31,160 --> 01:20:34,120
Speaker 2: lot of people again I'm speaking from experience, a lot

1908
01:20:34,160 --> 01:20:36,919
Speaker 2: of people are there when you know it first happens,

1909
01:20:36,960 --> 01:20:38,880
Speaker 2: and you know they did for the family to reach out,

1910
01:20:39,360 --> 01:20:43,559
Speaker 2: but those calls stop, those visits style, the support stops,

1911
01:20:44,880 --> 01:20:48,840
Speaker 2: and you know, not saying that you know, life goes on.

1912
01:20:49,640 --> 01:20:51,800
Speaker 2: I don't want to sound harsh, but that's just the

1913
01:20:51,840 --> 01:20:54,640
Speaker 2: reality of life will go on. But it's important to

1914
01:20:55,040 --> 01:20:55,799
Speaker 2: always reach.

1915
01:20:55,680 --> 01:20:59,679
Speaker 3: Back to families that go through tragedy like this, especially

1916
01:20:59,680 --> 01:21:01,640
Speaker 3: when it's the kids are so young, because you know,

1917
01:21:01,680 --> 01:21:05,360
Speaker 3: it's they grow up with so many questions, Yeah, grow

1918
01:21:05,400 --> 01:21:08,080
Speaker 3: up with so many you know, things in their mind,

1919
01:21:08,840 --> 01:21:11,120
Speaker 3: and it's important to have a you know, a village

1920
01:21:11,120 --> 01:21:13,200
Speaker 3: of people around him that that love and support them

1921
01:21:13,200 --> 01:21:17,160
Speaker 3: and let them know that we're still here. And your

1922
01:21:17,160 --> 01:21:19,280
Speaker 3: father was doing great things, you know, he was.

1923
01:21:19,840 --> 01:21:21,519
Speaker 2: He had a lot of morals, a lot of integrity

1924
01:21:21,560 --> 01:21:24,160
Speaker 2: that he stood on, and you know, he was trying

1925
01:21:24,200 --> 01:21:27,920
Speaker 2: to make effective change in his in his family and

1926
01:21:28,000 --> 01:21:31,240
Speaker 2: in his community. And that's something that I don't think

1927
01:21:31,960 --> 01:21:34,439
Speaker 2: should fade away. I think we should keep. We should keep,

1928
01:21:34,520 --> 01:21:36,960
Speaker 2: you know, preaching that let people know that Dolph was

1929
01:21:37,000 --> 01:21:39,040
Speaker 2: doing it right. Yeah, he was saying the right things,

1930
01:21:39,040 --> 01:21:40,640
Speaker 2: he was doing the right things, he was standing on

1931
01:21:40,720 --> 01:21:45,880
Speaker 2: with his words that he spoke. Yeah, and it's just

1932
01:21:45,920 --> 01:21:47,600
Speaker 2: it's just sad, man, that shit is, That sh it

1933
01:21:47,680 --> 01:21:50,600
Speaker 2: is is. It's a sad, sad thing that you know.

1934
01:21:50,680 --> 01:21:53,840
Speaker 2: It's so it's just like I'm just numb to the ship,

1935
01:21:53,960 --> 01:21:55,040
Speaker 2: you know what I'm saying, Like you just see it

1936
01:21:55,080 --> 01:21:56,839
Speaker 2: all the time. You hear it all the time, and

1937
01:21:56,880 --> 01:22:00,960
Speaker 2: it's not surprising. It's more so like damn again, you know,

1938
01:22:01,120 --> 01:22:02,920
Speaker 2: like we're still with this ship, We're still doing this shit.

1939
01:22:03,000 --> 01:22:06,639
Speaker 2: And you know again, you know there's people that will say, oh,

1940
01:22:06,640 --> 01:22:09,519
Speaker 2: but you know it was real. You know, he had

1941
01:22:09,560 --> 01:22:11,800
Speaker 2: a lot of street shit going on it. So what, man,

1942
01:22:12,240 --> 01:22:15,200
Speaker 2: like that ship is so played out, like you know

1943
01:22:15,600 --> 01:22:16,200
Speaker 2: that street shit.

1944
01:22:16,479 --> 01:22:17,160
Speaker 3: I don't know that.

1945
01:22:17,240 --> 01:22:20,439
Speaker 2: I just saw a statement, a press release today that

1946
01:22:20,800 --> 01:22:23,559
Speaker 2: the FEDS paid out almost six hundred million dollars to

1947
01:22:23,640 --> 01:22:27,559
Speaker 2: informance this ship. Yeah, so if that ain't telling you

1948
01:22:27,560 --> 01:22:29,960
Speaker 2: that the streets is over with, you know what I mean?

1949
01:22:30,000 --> 01:22:32,479
Speaker 2: Like informants are being paid out in a year six

1950
01:22:32,560 --> 01:22:35,280
Speaker 2: hundred million. That street shit is over with. Man, Like

1951
01:22:35,320 --> 01:22:39,680
Speaker 2: you niggas better get education, you niggas better you know,

1952
01:22:40,240 --> 01:22:42,800
Speaker 2: to try to pick up a trade, create some shit.

1953
01:22:43,760 --> 01:22:44,880
Speaker 3: That street shit is over with.

1954
01:22:45,880 --> 01:22:48,679
Speaker 1: Cameras everywhere, Yeah, like that that you just you playing

1955
01:22:48,680 --> 01:22:50,320
Speaker 1: a game cameras.

1956
01:22:50,479 --> 01:22:52,160
Speaker 2: Yeah, like you just waiting for your number to be

1957
01:22:52,200 --> 01:22:54,120
Speaker 2: called to be either killed or thrown and thrown in

1958
01:22:54,200 --> 01:22:55,600
Speaker 2: jail for the rest of your life, you know what

1959
01:22:55,600 --> 01:22:58,280
Speaker 2: I mean. It's like, but it's been its way for years,

1960
01:22:58,360 --> 01:22:59,640
Speaker 2: and that's what I'm saying. I just don't know for

1961
01:22:59,720 --> 01:23:01,280
Speaker 2: the ever change because it was this way when I

1962
01:23:01,320 --> 01:23:03,840
Speaker 2: was sixteen. Yeah, you know what I mean, Like, I'm.

1963
01:23:03,720 --> 01:23:05,880
Speaker 1: Not gonna act like I know anything really about it,

1964
01:23:05,880 --> 01:23:08,759
Speaker 1: So I don't know. It's in that degree.

1965
01:23:08,840 --> 01:23:10,680
Speaker 3: It's just it's just it's a cycle. Man.

1966
01:23:10,760 --> 01:23:13,840
Speaker 2: It's like we just caught in this this this this

1967
01:23:13,840 --> 01:23:16,839
Speaker 2: this fucked up cycle of you know, hate and jealousy

1968
01:23:16,880 --> 01:23:21,400
Speaker 2: and envy and trauma and you know, ego and insecurities,

1969
01:23:21,439 --> 01:23:24,280
Speaker 2: and it's just like a cycle of all of these

1970
01:23:24,320 --> 01:23:25,400
Speaker 2: things that affect.

1971
01:23:25,040 --> 01:23:26,640
Speaker 3: Our community and that kill our community.

1972
01:23:26,720 --> 01:23:30,200
Speaker 2: And you know, it's again you have people that making

1973
01:23:30,240 --> 01:23:32,280
Speaker 2: effective change and trying to make change in their community,

1974
01:23:32,280 --> 01:23:34,920
Speaker 2: supporting their community, and putting people in position again like

1975
01:23:34,960 --> 01:23:37,439
Speaker 2: a nipsy you know, like a dolf, and then you

1976
01:23:37,479 --> 01:23:39,200
Speaker 2: see this, this this type of shit happened.

1977
01:23:40,600 --> 01:23:41,440
Speaker 3: It's unfortunate.

1978
01:23:41,479 --> 01:23:43,559
Speaker 2: And again, man, just I just pray for his kids

1979
01:23:43,560 --> 01:23:46,960
Speaker 2: and his wife and his family because, like I said,

1980
01:23:46,960 --> 01:23:47,559
Speaker 2: I've been there.

1981
01:23:47,840 --> 01:23:50,679
Speaker 3: I know that pain. It doesn't go away.

1982
01:23:50,800 --> 01:23:54,320
Speaker 2: Just learn to live with it and hopefully, like I said,

1983
01:23:54,760 --> 01:23:56,400
Speaker 2: I probably won't be able to see it, but hopefully

1984
01:23:56,400 --> 01:23:59,040
Speaker 2: shit changes in our community and we start to love

1985
01:23:59,080 --> 01:24:01,920
Speaker 2: and support each other and talk more about our issues

1986
01:24:01,920 --> 01:24:04,479
Speaker 2: with each other and you know, handle things differently. But

1987
01:24:04,560 --> 01:24:08,320
Speaker 2: just killing each other's ship. This shit is corny, man

1988
01:24:08,360 --> 01:24:09,400
Speaker 2: like taking people away from.

1989
01:24:09,240 --> 01:24:12,360
Speaker 3: Their families and you know, their loved ones, and you

1990
01:24:12,479 --> 01:24:14,479
Speaker 3: just took somebody out of the community that was making

1991
01:24:14,479 --> 01:24:17,160
Speaker 3: effective change, that was trying to create opportunities for everybody.

1992
01:24:17,560 --> 01:24:19,720
Speaker 2: So it's like, now, who's there to do that, you

1993
01:24:19,760 --> 01:24:22,000
Speaker 2: know what I mean? So now it's like, were setting

1994
01:24:22,040 --> 01:24:24,920
Speaker 2: ourselves back by taking these leaders out of our community

1995
01:24:25,000 --> 01:24:27,479
Speaker 2: and these people that really want to make things happen

1996
01:24:27,520 --> 01:24:30,880
Speaker 2: in a positive way. So prayers to Golf, you know,

1997
01:24:31,120 --> 01:24:34,200
Speaker 2: God rest his soul, prayers his kids, prayers, his wife,

1998
01:24:34,439 --> 01:24:38,720
Speaker 2: his loved ones, his friends, his fans, and you know,

1999
01:24:38,920 --> 01:24:41,040
Speaker 2: continue to support each other and love each other.

2000
01:24:41,439 --> 01:24:47,920
Speaker 1: Yeah, for sure said that perfect. I don't want to

2001
01:24:48,000 --> 01:24:51,320
Speaker 1: end on a such a somber note, but I think

2002
01:24:51,320 --> 01:25:00,160
Speaker 1: everything you said there was so important, and yeah, is

2003
01:25:00,240 --> 01:25:06,160
Speaker 1: just kind of getting corny and annoying. That headline every

2004
01:25:06,240 --> 01:25:06,800
Speaker 1: fucking day.

2005
01:25:07,360 --> 01:25:08,479
Speaker 3: It's it's tragic.

2006
01:25:08,520 --> 01:25:10,439
Speaker 2: Man, it's you know, and again, I love my people,

2007
01:25:10,439 --> 01:25:13,519
Speaker 2: I love my community, but you know this is why

2008
01:25:14,040 --> 01:25:16,519
Speaker 2: when people see success, they don't want to come back. Yeah,

2009
01:25:16,960 --> 01:25:18,559
Speaker 2: when people make money, they don't want to come back

2010
01:25:18,560 --> 01:25:21,080
Speaker 2: because you got you know, this jealousy and this this

2011
01:25:21,280 --> 01:25:25,040
Speaker 2: energy that is in our community that you know, it's

2012
01:25:25,120 --> 01:25:27,080
Speaker 2: just it's cancerous, you know what I mean.

2013
01:25:27,120 --> 01:25:28,320
Speaker 3: And it's it's it's like we.

2014
01:25:29,920 --> 01:25:31,840
Speaker 2: I don't know, you know, you try to you try

2015
01:25:31,840 --> 01:25:35,600
Speaker 2: to think about scenarios where you know, you try to

2016
01:25:35,640 --> 01:25:37,840
Speaker 2: figure out like why, and it's just always the same ship.

2017
01:25:37,880 --> 01:25:39,680
Speaker 2: It's like it doesn't even matter why. It's just like

2018
01:25:39,760 --> 01:25:43,080
Speaker 2: it's just it just keeps happening, and it's you know

2019
01:25:44,720 --> 01:25:47,080
Speaker 2: again like and like as the unfortunate part is it

2020
01:25:47,080 --> 01:25:47,759
Speaker 2: won't be the last.

2021
01:25:47,760 --> 01:25:49,120
Speaker 3: That's the unfortunate part, you know.

2022
01:25:49,240 --> 01:25:52,639
Speaker 2: Like reading that, it was just like damn, you know Dolph,

2023
01:25:52,760 --> 01:25:54,439
Speaker 2: you know, you know everything he was saying, everything he

2024
01:25:54,520 --> 01:25:57,400
Speaker 2: was doing, and but it's like, you know, this is

2025
01:25:57,400 --> 01:25:57,760
Speaker 2: not going to.

2026
01:25:57,760 --> 01:25:58,200
Speaker 3: Be the last.

2027
01:25:58,280 --> 01:26:00,280
Speaker 2: That's the part that really bothers me. It's like this

2028
01:26:00,320 --> 01:26:01,240
Speaker 2: will not be the last.

2029
01:26:01,320 --> 01:26:04,680
Speaker 1: Well, I think everything that you brought up before is

2030
01:26:04,720 --> 01:26:07,639
Speaker 1: always the why doesn't matter. The real scenario. The why

2031
01:26:07,640 --> 01:26:14,440
Speaker 1: it is always comes from a traumatic experience or hereditary

2032
01:26:14,760 --> 01:26:18,080
Speaker 1: trauma that's been happening for so long, and that type

2033
01:26:18,080 --> 01:26:19,960
Speaker 1: of shit builds up ego, it builds up pride, it

2034
01:26:19,960 --> 01:26:22,839
Speaker 1: builds up being on defense all the time, it builds

2035
01:26:22,880 --> 01:26:24,880
Speaker 1: up feeling like all right, if they did this, I

2036
01:26:24,920 --> 01:26:28,160
Speaker 1: gotta do that. So that's really where it comes from, which,

2037
01:26:28,160 --> 01:26:30,160
Speaker 1: of course we all know is way way more deep

2038
01:26:30,200 --> 01:26:33,639
Speaker 1: rooted in this country to begin with. So it's yeah,

2039
01:26:33,680 --> 01:26:35,920
Speaker 1: it never really is the details because we do know

2040
01:26:35,960 --> 01:26:40,200
Speaker 1: the why right and how to fix that fuck if

2041
01:26:40,240 --> 01:26:45,240
Speaker 1: I know. But it's just unfortunate to see all the

2042
01:26:45,280 --> 01:26:48,800
Speaker 1: time even when even when you don't know or know

2043
01:26:48,840 --> 01:26:51,720
Speaker 1: the details, like it still sucks. I don't care if

2044
01:26:51,760 --> 01:26:54,599
Speaker 1: there was a reason or whatever, it just still sucks,

2045
01:26:54,600 --> 01:26:55,360
Speaker 1: Like damn.

2046
01:26:55,800 --> 01:26:57,599
Speaker 3: It doesn't have to go to that. It's all long,

2047
01:26:57,640 --> 01:26:58,000
Speaker 3: you know what I mean.

2048
01:26:58,280 --> 01:27:00,000
Speaker 2: I get we're gonna have our issues, We're gonna have

2049
01:27:00,080 --> 01:27:03,120
Speaker 2: have our disagreements in one another, Like you know, it's

2050
01:27:03,160 --> 01:27:05,800
Speaker 2: not a perfect world. We know that, but we got

2051
01:27:05,840 --> 01:27:09,000
Speaker 2: to find a different way to handle these these problems

2052
01:27:09,040 --> 01:27:10,960
Speaker 2: and these issues with each other because this is not

2053
01:27:12,200 --> 01:27:14,120
Speaker 2: you know, this is not the answer this is not it.

2054
01:27:14,160 --> 01:27:16,720
Speaker 2: This is this is just more black kids going up

2055
01:27:16,720 --> 01:27:17,559
Speaker 2: without their fathers.

2056
01:27:18,680 --> 01:27:23,000
Speaker 1: Yeah, and seeing all those videos, which you know, I

2057
01:27:23,280 --> 01:27:26,160
Speaker 1: never followed Dolphin on socials or anything, but of course

2058
01:27:26,240 --> 01:27:28,800
Speaker 1: when this happened, all those videos of his kids came

2059
01:27:28,840 --> 01:27:31,400
Speaker 1: out and his interactions with the kids. That was definitely

2060
01:27:31,439 --> 01:27:38,519
Speaker 1: difficult to watch. So, you know, I guess in better news,

2061
01:27:39,120 --> 01:27:45,439
Speaker 1: Julius Jones looked like he's not being executed today from

2062
01:27:45,479 --> 01:27:50,120
Speaker 1: my understanding, good from what I saw earlier. I'm not

2063
01:27:50,120 --> 01:27:51,599
Speaker 1: sure exactly where the case is act because we are

2064
01:27:51,600 --> 01:27:53,439
Speaker 1: recording this right now, but I did see on the

2065
01:27:53,439 --> 01:27:55,240
Speaker 1: way in here that that would not be happening today

2066
01:27:55,240 --> 01:28:01,120
Speaker 1: if it did happen. Very interesting case my man Rich

2067
01:28:01,120 --> 01:28:05,240
Speaker 1: who we shot that first sketch. Ever, it's his first cousin. Wow,

2068
01:28:06,200 --> 01:28:09,719
Speaker 1: So you know, I'm glad to see that and shout

2069
01:28:09,760 --> 01:28:12,599
Speaker 1: out to I saw a lot of I like when

2070
01:28:12,600 --> 01:28:16,080
Speaker 1: celebrity shit does work, going crazy with it and ship

2071
01:28:16,680 --> 01:28:20,200
Speaker 1: Kim too, Kim Kardashian, I know what I like. I

2072
01:28:20,320 --> 01:28:22,360
Speaker 1: like to see when that that type of attention works,

2073
01:28:22,360 --> 01:28:24,280
Speaker 1: But I don't want to take away from the people

2074
01:28:24,320 --> 01:28:26,960
Speaker 1: that bring it to the celebrities. Attention The people that

2075
01:28:27,000 --> 01:28:29,800
Speaker 1: put the footwork in. We appreciate the celebrities.

2076
01:28:29,320 --> 01:28:31,679
Speaker 2: Pushing it and making it, you know, using their platform

2077
01:28:31,760 --> 01:28:33,240
Speaker 2: to to amplify it.

2078
01:28:34,040 --> 01:28:37,000
Speaker 1: But it's it's really the everyone in the country really

2079
01:28:37,000 --> 01:28:39,040
Speaker 1: got that ship moving to get it to that place.

2080
01:28:39,040 --> 01:28:40,960
Speaker 2: And let's keep and let's keep doing that, you know,

2081
01:28:41,120 --> 01:28:44,320
Speaker 2: let's keep raising away, and it's let's keep praying, let's

2082
01:28:44,400 --> 01:28:47,160
Speaker 2: keep you know, calling calling whoever we need to call

2083
01:28:47,600 --> 01:28:52,080
Speaker 2: local officials, because again, it's just not even if you

2084
01:28:52,120 --> 01:28:54,160
Speaker 2: know nothing about this case, you just read little things

2085
01:28:54,160 --> 01:28:56,240
Speaker 2: you know that, Okay, something isn't right.

2086
01:28:56,960 --> 01:28:59,960
Speaker 1: And it's funny when you watched all the media covers

2087
01:29:00,280 --> 01:29:03,160
Speaker 1: of like after George Floyd and the countless things that

2088
01:29:03,160 --> 01:29:06,840
Speaker 1: we've seen with the quote unquote riots even when they're

2089
01:29:06,840 --> 01:29:10,920
Speaker 1: not riots but like protests and just people being in

2090
01:29:10,960 --> 01:29:14,439
Speaker 1: the street. There was a larger game plan with that

2091
01:29:14,520 --> 01:29:18,760
Speaker 1: because now it has officials scared. And I like that

2092
01:29:19,600 --> 01:29:24,040
Speaker 1: because I think had everything that happened with George Floyd

2093
01:29:24,040 --> 01:29:26,599
Speaker 1: and the countless other names and the countless other cities

2094
01:29:26,640 --> 01:29:29,320
Speaker 1: where that type of stuff had happened, where there were protests,

2095
01:29:29,320 --> 01:29:32,120
Speaker 1: there were marches coming together, there were riots too.

2096
01:29:32,200 --> 01:29:32,439
Speaker 3: Good.

2097
01:29:33,160 --> 01:29:36,120
Speaker 1: Yeah, now it has everyone shook. So now when ship

2098
01:29:36,240 --> 01:29:38,280
Speaker 1: isn't gonna go the way it's supposed to, yeah, you

2099
01:29:38,280 --> 01:29:40,200
Speaker 1: should be scared because if you go through with this,

2100
01:29:40,360 --> 01:29:41,280
Speaker 1: it's your city next.

2101
01:29:42,120 --> 01:29:42,559
Speaker 3: I agree.

2102
01:29:42,680 --> 01:29:44,960
Speaker 1: That's so that's the that's the plan. People don't see

2103
01:29:44,960 --> 01:29:46,760
Speaker 1: in the media of like, oh my god, what why

2104
01:29:46,760 --> 01:29:49,000
Speaker 1: would they do this? Now, they're doing it to scare

2105
01:29:49,040 --> 01:29:49,479
Speaker 1: your city.

2106
01:29:49,600 --> 01:29:51,479
Speaker 2: Yeah, and to and to let you know that you know,

2107
01:29:52,400 --> 01:29:54,639
Speaker 2: we care about each other. Yeah, and that we're gonna

2108
01:29:54,720 --> 01:29:57,679
Speaker 2: we're gonna come out and we're gonna support each other again,

2109
01:29:57,720 --> 01:30:00,360
Speaker 2: support and love each other. And this is the type

2110
01:30:00,400 --> 01:30:02,760
Speaker 2: of change and that you can make. You can you

2111
01:30:02,800 --> 01:30:05,439
Speaker 2: can get officials to start second guests and like, Okay,

2112
01:30:05,479 --> 01:30:06,960
Speaker 2: we need to look deep into this, we need to

2113
01:30:07,000 --> 01:30:09,920
Speaker 2: really fine combe this thing. Maybe we miss something. Maybe

2114
01:30:09,920 --> 01:30:11,960
Speaker 2: you know what I'm saying, the law isn't right right here,

2115
01:30:12,000 --> 01:30:14,639
Speaker 2: like things like that. They you know again, that's all

2116
01:30:14,640 --> 01:30:16,360
Speaker 2: you can ask is that people raise away and it's

2117
01:30:16,680 --> 01:30:20,519
Speaker 2: use their voices and to create effective change in a

2118
01:30:20,560 --> 01:30:21,160
Speaker 2: positive way.

2119
01:30:21,280 --> 01:30:24,679
Speaker 1: And that and that's where they missed. That word matter.

2120
01:30:25,479 --> 01:30:29,559
Speaker 1: His life matters. So if you don't take a concern

2121
01:30:29,600 --> 01:30:32,680
Speaker 1: in his life, yeah, we're going to show you that

2122
01:30:32,760 --> 01:30:36,000
Speaker 1: it matters. Absolutely, Like we're going to go out there

2123
01:30:36,240 --> 01:30:38,639
Speaker 1: and if you want to say, how dare you lude

2124
01:30:38,680 --> 01:30:41,000
Speaker 1: how dare you tag this ship up? How dare you

2125
01:30:41,200 --> 01:30:43,680
Speaker 1: how dare you stop traffic during the holiday season? Not

2126
01:30:43,760 --> 01:30:45,880
Speaker 1: fuck that this person mattered, And we're showing you that

2127
01:30:45,920 --> 01:30:48,680
Speaker 1: they fucking mattered. So be on be on alert the

2128
01:30:48,720 --> 01:30:52,120
Speaker 1: next time you run into a spot where someone you

2129
01:30:52,200 --> 01:30:55,920
Speaker 1: don't care about, Yeah, you have their decision to live

2130
01:30:56,000 --> 01:30:59,280
Speaker 1: or die. So yeah, I'm glad. Yeah, I think this

2131
01:30:59,439 --> 01:31:02,880
Speaker 1: all trick go down. With everything that happened this year

2132
01:31:03,000 --> 01:31:06,640
Speaker 1: and last year specifically, I think it's all tied in,

2133
01:31:06,840 --> 01:31:08,600
Speaker 1: and I think everyone needs to kind of shut up

2134
01:31:08,640 --> 01:31:12,040
Speaker 1: about those protests and those riots of what what was

2135
01:31:12,080 --> 01:31:15,200
Speaker 1: the point of them? This was the point of them. Yeah,

2136
01:31:15,200 --> 01:31:18,240
Speaker 1: you gotta you gotta get your local government a little shook.

2137
01:31:18,360 --> 01:31:19,400
Speaker 3: Yeah, disrupt the system.

2138
01:31:19,560 --> 01:31:22,519
Speaker 1: Absolutely, shout out. Shout out to everyone that was behind

2139
01:31:23,280 --> 01:31:24,240
Speaker 1: this entire thing.

2140
01:31:24,280 --> 01:31:26,840
Speaker 2: And prayers to him and his family, you know, and

2141
01:31:26,880 --> 01:31:29,920
Speaker 2: hopefully like we keep pushing and keep this thing going

2142
01:31:30,120 --> 01:31:33,040
Speaker 2: to where he is released and freed from prison. Yeah,

2143
01:31:33,200 --> 01:31:35,599
Speaker 2: for sure, I do believe he's wrongfully convicted of something

2144
01:31:35,600 --> 01:31:36,120
Speaker 2: that he didn't do.

2145
01:31:36,160 --> 01:31:36,840
Speaker 3: I believe that.

2146
01:31:36,800 --> 01:31:39,320
Speaker 2: Based on what I've read about the case and things

2147
01:31:39,320 --> 01:31:41,200
Speaker 2: like that, Like, I do absolutely believe that this is

2148
01:31:41,520 --> 01:31:42,120
Speaker 2: this is wrong.

2149
01:31:42,320 --> 01:31:48,240
Speaker 1: Yeah, not for certain. Well, then we can wrap up here.

2150
01:31:48,360 --> 01:31:50,080
Speaker 1: I know that there were some somber things it was.

2151
01:31:50,120 --> 01:31:53,840
Speaker 1: It was kind of a somber week. But we're definitely

2152
01:31:53,880 --> 01:31:57,880
Speaker 1: all going to keep it pushing and we'll be back

2153
01:31:57,880 --> 01:32:00,160
Speaker 1: with some funnies and some laughs as well. But there

2154
01:32:00,200 --> 01:32:02,240
Speaker 1: was definitely some things that need to be addressed today.

2155
01:32:04,560 --> 01:32:06,639
Speaker 1: And yeah, I guess, I guess we'll be back.

2156
01:32:07,200 --> 01:32:07,840
Speaker 3: We'll be back.

2157
01:32:09,000 --> 01:32:09,559
Speaker 1: What's today?

2158
01:32:10,400 --> 01:32:13,000
Speaker 3: Today is Friday?

2159
01:32:13,240 --> 01:32:14,280
Speaker 1: Okay, Yeah, so.

2160
01:32:14,200 --> 01:32:14,599
Speaker 3: We'll be back.

2161
01:32:14,640 --> 01:32:18,479
Speaker 1: We'll be back Saturday with the video, Tuesday with the

2162
01:32:18,760 --> 01:32:22,000
Speaker 1: next audio. Yeah, yeah, I don't know.

2163
01:32:22,479 --> 01:32:24,439
Speaker 2: And we got merch coming soon. I didn't want to

2164
01:32:24,439 --> 01:32:27,120
Speaker 2: say that. Let people know they've been reaching out seeing

2165
01:32:27,200 --> 01:32:29,360
Speaker 2: some pictures from the shows that the merch was available

2166
01:32:29,360 --> 01:32:29,960
Speaker 2: at the shows.

2167
01:32:30,400 --> 01:32:32,679
Speaker 3: Merch will be available online real soon.

2168
01:32:34,479 --> 01:32:37,160
Speaker 1: Which came out incredible, by the way, Thank.

2169
01:32:37,040 --> 01:32:39,000
Speaker 2: You, shout out, shout out, shout out to the guys

2170
01:32:39,000 --> 01:32:42,160
Speaker 2: at Vanity, shout out to and shout out to g

2171
01:32:43,360 --> 01:32:45,479
Speaker 2: They did an amazing job. You know, we collapsed on

2172
01:32:45,520 --> 01:32:49,000
Speaker 2: some ideas and I leaned on them for their expertise.

2173
01:32:49,800 --> 01:32:52,920
Speaker 2: Shout out to everybody that made brands dustin, shout out

2174
01:32:52,920 --> 01:32:55,000
Speaker 2: the big so putting that whole play together.

2175
01:32:56,160 --> 01:32:57,320
Speaker 3: And yeah, I'm excited, man.

2176
01:32:57,360 --> 01:32:59,080
Speaker 2: We got a lot of dope ship that we're gonna

2177
01:32:59,080 --> 01:33:01,240
Speaker 2: try to get done in the next few months with

2178
01:33:01,280 --> 01:33:04,760
Speaker 2: this merch thing. Just paying at into the details, you

2179
01:33:04,800 --> 01:33:06,640
Speaker 2: know what I mean, doing some real fly ship. We

2180
01:33:06,640 --> 01:33:09,320
Speaker 2: don't want to just do merch just to do it.

2181
01:33:09,360 --> 01:33:11,400
Speaker 2: I really want to do some some real dope creative

2182
01:33:11,400 --> 01:33:12,160
Speaker 2: ship in this space.

2183
01:33:12,200 --> 01:33:17,840
Speaker 1: So not get it your podcast, gun fuck you you

2184
01:33:17,880 --> 01:33:18,439
Speaker 1: are cool.

2185
01:33:18,560 --> 01:33:20,519
Speaker 2: Yeah, but merch available soon because they have been asking

2186
01:33:20,560 --> 01:33:22,400
Speaker 2: online and you know, people like, oh, it's not fair,

2187
01:33:22,400 --> 01:33:23,719
Speaker 2: we don't have merch, but yeah, it's coming.

2188
01:33:24,040 --> 01:33:26,280
Speaker 1: Yeah, it's just a little different. It's not just regular merchan.

2189
01:33:26,560 --> 01:33:29,120
Speaker 3: No, this is different. This is some ship that you can't.

2190
01:33:28,880 --> 01:33:32,320
Speaker 1: You could watch twice. Yes, it's over for the T shirt.

2191
01:33:32,400 --> 01:33:33,680
Speaker 3: No, this ain't that. This ain't that.

2192
01:33:33,720 --> 01:33:36,800
Speaker 2: So Yeah, merch coming soon and shout out tay Righty

2193
01:33:36,800 --> 01:33:38,240
Speaker 2: came out to the live shows once again.

2194
01:33:38,920 --> 01:33:39,400
Speaker 3: New York.

2195
01:33:39,479 --> 01:33:42,679
Speaker 2: Thank you La, thank you Saint John, thank you Guru,

2196
01:33:42,800 --> 01:33:49,080
Speaker 2: thank you wild A, thank you Ari, thank you Justice

2197
01:33:49,120 --> 01:33:53,599
Speaker 2: boogie reed, just bug rees, uh hop, thank.

2198
01:33:53,400 --> 01:33:56,280
Speaker 1: You first choice DJ, that New York DJ, first.

2199
01:33:56,120 --> 01:34:00,799
Speaker 2: Choice, thank you, yeah man, And have some more cities

2200
01:34:00,840 --> 01:34:04,320
Speaker 2: coming soon twenty twenty two. Hopefully we get to see

2201
01:34:04,439 --> 01:34:05,880
Speaker 2: a lot of the states and touch a lot of

2202
01:34:05,920 --> 01:34:08,800
Speaker 2: the I don't want to say touch the people. That

2203
01:34:08,840 --> 01:34:09,479
Speaker 2: sound crazy.

2204
01:34:09,600 --> 01:34:11,760
Speaker 1: I mean I don't want to touch the people.

2205
01:34:11,800 --> 01:34:13,759
Speaker 3: Yeah, but that's the type of you might touch the people.

2206
01:34:14,840 --> 01:34:19,160
Speaker 2: He might shake the hands, may touch women. No, I

2207
01:34:19,160 --> 01:34:23,040
Speaker 2: will shake the hands of women, and think for coming

2208
01:34:23,040 --> 01:34:23,280
Speaker 2: out it.

2209
01:34:23,240 --> 01:34:25,240
Speaker 1: Would be consensual. Of course I'm saying, yeah.

2210
01:34:25,160 --> 01:34:29,080
Speaker 2: Shake the hands. Yeah, that's what the consensual handshakes. So yeah,

2211
01:34:29,120 --> 01:34:32,160
Speaker 2: twenty twenty two, More cities coming, more shows coming. We

2212
01:34:32,280 --> 01:34:34,479
Speaker 2: got all things visually we're going to be bringing soon.

2213
01:34:36,439 --> 01:34:38,160
Speaker 2: So yeah, just thank you to everybody that came out

2214
01:34:38,240 --> 01:34:40,519
Speaker 2: these last two shows and supported it was It was great.

2215
01:34:40,760 --> 01:34:42,720
Speaker 2: Had a lot of fun with y'all and looking forward

2216
01:34:42,720 --> 01:34:43,599
Speaker 2: to seeing more y'all soon.

2217
01:34:44,280 --> 01:34:44,559
Speaker 1: Cool.

2218
01:34:46,000 --> 01:34:49,040
Speaker 2: So yeah, that's the Ginger Bear man that is. I'm

2219
01:34:49,040 --> 01:34:51,479
Speaker 2: all and we'll see y'all soon. We'll talk to y'all soon.

2220
01:34:51,560 --> 01:34:57,040
Speaker 3: Be safe, have fun and uh love love is love

2221
01:34:58,040 --> 01:35:00,760
Speaker 3: yet love broh.

2222
01:35:03,360 --> 01:35:07,360
Speaker 4: I swear to God, bro I remember walking out the house,

2223
01:35:07,840 --> 01:35:11,120
Speaker 4: walking down the street, going to go around my boy's

2224
01:35:11,160 --> 01:35:15,639
Speaker 4: house or whatever. I'm going around my cousin house brother, just thinking,

2225
01:35:15,800 --> 01:35:19,720
Speaker 4: bro Cuz, just like damn I wish we had Like

2226
01:35:19,720 --> 01:35:21,920
Speaker 4: like damn, I wish I had somebody pull up on me.

2227
01:35:22,040 --> 01:35:24,160
Speaker 1: Just throw me something, throw me a dub, throw me up.

2228
01:35:24,439 --> 01:35:27,080
Speaker 4: Like damn wish you know what I'm saying, Like, man,

2229
01:35:27,200 --> 01:35:30,400
Speaker 4: I just bro like I don't know bruh, Like I

2230
01:35:30,479 --> 01:35:33,839
Speaker 4: just remember all this shit, everything like sleeping on the floors,

2231
01:35:34,520 --> 01:35:38,920
Speaker 4: my Pottinger's they situation is the just everything. So it's

2232
01:35:38,960 --> 01:35:42,680
Speaker 4: like I just be thinking to myself, like, bro, do

2233
01:35:42,760 --> 01:35:44,559
Speaker 4: some shit you ain't never did, I mean, do some

2234
01:35:44,600 --> 01:35:47,920
Speaker 4: shit for somebody that ain't You ain't never what did

2235
01:35:47,960 --> 01:35:48,920
Speaker 4: ship for you?

2236
01:35:48,960 --> 01:35:49,080
Speaker 3: Now?

2237
01:35:49,080 --> 01:35:51,080
Speaker 4: I mean, my whole thing is just the guild, bro.

2238
01:35:51,439 --> 01:35:54,000
Speaker 4: I mean because you listen to me, like, right, nobody

2239
01:35:54,000 --> 01:35:55,479
Speaker 4: never gave me ship. I ain't know what this is

2240
01:35:55,520 --> 01:36:01,080
Speaker 4: that this so me, I just be like, bro, shitt

2241
01:36:01,080 --> 01:36:02,920
Speaker 4: me do that shit for somebody, you know what I mean?

2242
01:36:03,040 --> 01:36:06,320
Speaker 4: Like the first shit, I wont I was gonna give

2243
01:36:06,360 --> 01:36:10,040
Speaker 4: somebody a hundred thousand, but I had to think about

2244
01:36:10,080 --> 01:36:12,120
Speaker 4: this shit, and it was like man, broy you get

2245
01:36:12,120 --> 01:36:16,120
Speaker 4: it one person at a hundred thousand, it's cool, but bruh,

2246
01:36:16,360 --> 01:36:19,040
Speaker 4: that's only one shot and there's one Like, that's one

2247
01:36:19,040 --> 01:36:22,280
Speaker 4: person getting a hundred thousand, and like bru split it up, brouh,

2248
01:36:22,280 --> 01:36:24,719
Speaker 4: and give away twenty five thousand, four different people