WEBVTT - A Nice Pod by the Lake

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<v Speaker 1>Hello, My name is Jason Cumcio and I'm Rosie Night, and.

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<v Speaker 2>Welcome back to X ray Vision at our new home

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<v Speaker 2>for the podcast. This is the podcast where we're still

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<v Speaker 2>diving deep into your favorite shows, movies, comics, and pop culture.

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<v Speaker 2>We're coming to you now from iHeartRadio, where we will

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<v Speaker 2>be bringing you two episodes a week every Tuesday and Thursday,

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<v Speaker 2>and we're starting with a giant sized episode celebrating Free

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<v Speaker 2>Comic Book Day with DC and indie comic giant James Tynan.

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<v Speaker 1>In today's episode.

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<v Speaker 3>In the previously on we are talking about that wild

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<v Speaker 3>Deadpool and Wolverine trailer, which is.

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<v Speaker 1>Gonna have us saying the word life out's feet.

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<v Speaker 3>We're gonna have a new section called back Maha where

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<v Speaker 3>I'm explain what's Free Comic Book Day? Why are we

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<v Speaker 3>talking about it? Can you really get free comics? The

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<v Speaker 3>answer is yes. And we'll also be talking about Professor X,

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<v Speaker 3>that cheeky little man, that cheeky little.

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<v Speaker 4>Guy, sneaky Useing Bostard Charles, and of course Magneto and

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<v Speaker 4>his fate and all of those X Men things as

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<v Speaker 4>we catch up with X Men ninety seven weekly.

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<v Speaker 1>Because of course, we have to do it come on?

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<v Speaker 2>Well, the long awaited project Deadpool and Wolverine, it has

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<v Speaker 2>met Sean Levy, It has a name, the third installment

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<v Speaker 2>in the Wild Deadpool series and the one that is

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<v Speaker 2>going to introduce a whole bunch of X characters to

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<v Speaker 2>our larger MCU framework. The trailer has dropped and it's

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<v Speaker 2>time to talk about it.

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<v Speaker 5>Rosie Wow crazy, And they went fully into this kind

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<v Speaker 5>of thesis that they have, which seems to be that.

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<v Speaker 3>You know, Deadpool has to recruit a version of Wolverine

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<v Speaker 3>from a different universe.

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<v Speaker 1>It seems where he let everyone down and they.

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<v Speaker 3>All died, so it's logan esque, but in Logan he

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<v Speaker 3>dies obviously, and we get the classic blue and yellow costume.

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<v Speaker 1>We get the typical.

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<v Speaker 3>Recruitment at a bar. It's very meta and referential. Of course,

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<v Speaker 3>we get some Deadpool humor with his branded gun.

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<v Speaker 1>This looks like a lot of fun.

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<v Speaker 3>And obviously for comic book fans, there was a huge

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<v Speaker 3>silly easter egg that we were all dying over, which

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<v Speaker 3>is the life Failed Feet Store.

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<v Speaker 1>Oh god, that's that's the big one.

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<v Speaker 3>Because obviously everyone in comics history, who I have to say,

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<v Speaker 3>I'm a I disagree on this.

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<v Speaker 1>But people used to rag on Rob Liifelf for not

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<v Speaker 1>having feet. But if you've actually.

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<v Speaker 3>Read those old Rob Liefel comics, he was like an

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<v Speaker 3>abstract genius in his twenties.

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<v Speaker 1>Those comics are not supposed to look like.

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<v Speaker 3>Real anatomy feet antimal, but it is hilarious.

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<v Speaker 2>It is hilarious. Let me just first say it is

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<v Speaker 2>a little overblown. The thing about the feet is that

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<v Speaker 2>either one they're kind of not in the picture often, yes,

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<v Speaker 2>you look back at the old, original life old stuff,

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<v Speaker 2>or the characters are so bulky and top heavy with

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<v Speaker 2>all the muscles and cargo pouches on their uniforms that

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<v Speaker 2>it makes the feet look tiny in comparison.

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<v Speaker 1>Yeah, like Bruce tim feet, you know, like, yeah, man,

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<v Speaker 1>the anime. It's serious figurines that you can never ever

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<v Speaker 1>ever stand up.

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<v Speaker 3>But the truth is, I think if you go back

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<v Speaker 3>and you look at like Depo's first appearance the New

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<v Speaker 3>Mutants ninety eight, which hilariously was like a dollobang comic

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<v Speaker 3>when we were growing up, but it's now obviously like

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<v Speaker 3>a very collectible comic, I actually think Lifefeld is like

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<v Speaker 3>a bit of an abstract genius like his Aye is

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<v Speaker 3>so strange and different, and I think that's part of

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<v Speaker 3>the reason that people completely fell for it in the nineties.

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<v Speaker 2>I think it's it's you touched on it. The thing

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<v Speaker 2>which is like his twenties, He was like nineteen, he

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<v Speaker 2>was a baby when he became a best selling comic artist,

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<v Speaker 2>superstar artist, and I think it's impossible to overstate what

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<v Speaker 2>a breath of fresh air he felt like at the time.

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<v Speaker 2>And while it's easy to kind of mock his style

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<v Speaker 2>because it is so recognizable, it also felt like a

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<v Speaker 2>very necessary break with the past. At the time. It

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<v Speaker 2>felt like, Oh, this is new, this is like a

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<v Speaker 2>new energy in comics. Anyway, the easter egg that I

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<v Speaker 2>personally loved was the huge Hank Pym skull out of

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<v Speaker 2>which our characters come in one scene from the trailer

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<v Speaker 2>that appears to me to be a kind of reference

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<v Speaker 2>to Pim Falls, which is a detail from Old Man Logan,

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<v Speaker 2>the series which the movie Logan was adapted.

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<v Speaker 3>Well, I was gonna say, I actually think we in

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<v Speaker 3>a meta kind of way. I think this actually might

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<v Speaker 3>be more of a close adaptation of Old Man Logan,

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<v Speaker 3>because Logan wasn't really that it was kind of a

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<v Speaker 3>complete it was take Logan, he's old, He's in the

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<v Speaker 3>post apocalypse, what do you do?

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<v Speaker 1>But this has some real nods towards it.

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<v Speaker 3>I mean they talk about how Logan let down his

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<v Speaker 3>whole team, he let down the X Men.

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<v Speaker 1>Obviously in Old Men, Logan he kills all of the.

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<v Speaker 3>X Men with an because of RP and spoiler alert

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<v Speaker 3>for an old comic, because he is kind of tricked

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<v Speaker 3>by a magneto. And we also get some stuff here

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<v Speaker 3>that just looks like it could be more into that

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<v Speaker 3>wasteland space. We get the Red Skull car, which kind

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<v Speaker 3>of could hint that maybe the Red Skull has killed

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<v Speaker 3>the Avengers, which is another thing from Old Man Logan.

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<v Speaker 3>So it's very interesting and it's just full of Easter eggs.

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<v Speaker 3>And I also think one of the biggest things is

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<v Speaker 3>everything we've seen from this movie has probably been from

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<v Speaker 3>like ten minutes.

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<v Speaker 1>Of the movie. That's how it really.

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<v Speaker 3>Feels, and that's how it always and I feel like

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<v Speaker 3>here it's extra obvious, and I think that's why for

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<v Speaker 3>some people I was really interested to see. Like for

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<v Speaker 3>some people, this trailer didn't hit whereas like in our

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<v Speaker 3>discord and in my kind of circles, everyone.

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<v Speaker 1>Was like loving it.

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<v Speaker 3>I did see for some people they were kind of like, oh,

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<v Speaker 3>you know, I'm not sure if this is for me.

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<v Speaker 3>Sean Levy said, it's a no homework movie, so you

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<v Speaker 3>can just go in and enjoy it. Though obviously I

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<v Speaker 3>think it's funny when people say that because also I'm like,

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<v Speaker 3>Cassandra Nova is in this movie.

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<v Speaker 2>Yea, it is clearly like a big part of the plot.

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<v Speaker 3>Like you could argue that the amt Man head or

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<v Speaker 3>the Hank Pim head is also like that could be

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<v Speaker 3>from what because we saw the Giant Zombie and you know,

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<v Speaker 3>but we do get some other fun mutants here.

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<v Speaker 1>We get to see Lady death Strike, probably Callisto.

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<v Speaker 3>I think, so we're gonna see those Fox characters as Zazel's.

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<v Speaker 1>In there, and I do think that we were kind

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<v Speaker 1>of right.

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<v Speaker 3>Will see when the movie comes out, but we'd kind

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<v Speaker 3>of proposed this theory of our live show at like

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<v Speaker 3>Comic Con, that it was going to be Deadpool kills

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<v Speaker 3>the Fox universe, and it does kind of seem like that,

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<v Speaker 3>but it also seems like he's gonna have to save it.

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<v Speaker 3>We also get dog Pool, which I loved, and they're

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<v Speaker 3>doing a lot of teleporting Doctor Strange's style.

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<v Speaker 1>So basically it's completely bonkers and we'll have to wait

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<v Speaker 1>to see what happens.

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<v Speaker 2>Now, the question which we it feels like we asked

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<v Speaker 2>all the time on our old show, and I think

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<v Speaker 2>which is quite present with the release of this trailer,

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<v Speaker 2>is what does this mean for the X Men? How

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<v Speaker 2>do we get the X Men into the MCU? The

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<v Speaker 2>Time Variance Authority gives us one version where they're from

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<v Speaker 2>an altered universe, but how do you how do you

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<v Speaker 2>think it happens? How do you think they do it?

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<v Speaker 3>So I think that the end of this movie will

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<v Speaker 3>probably be that all the Fox versions of the X

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<v Speaker 3>Men are dead, right? Will they be able to get

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<v Speaker 3>you know, Santa Stark to come back after a.

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<v Speaker 1>Much maligned performance. I don't know. It depends how good

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<v Speaker 1>Sean Levy.

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<v Speaker 3>Is a schmoozing, but I think that we'll end up

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<v Speaker 3>in a position where we can have entirely new X

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<v Speaker 3>Men and probably where like only Deadpool and Logan remember

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<v Speaker 3>that any of this ever happened. So the MCU is

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<v Speaker 3>basically a clean slate for a new generation of X Men,

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<v Speaker 3>which I do think will likely be similar to the

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<v Speaker 3>X Men ninety seven lineups that we've seen, because those

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<v Speaker 3>are reflected in those new X Men comics, which we

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<v Speaker 3>talked about on our X Men ninety seven episode. So

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<v Speaker 3>I do think this is gonna pave the way. But also,

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<v Speaker 3>what do they do if it's a billion dollar movie

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<v Speaker 3>and they want to kind of continue both worlds? I

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<v Speaker 3>don't know.

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<v Speaker 1>It's kind of a can they have their cake and

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<v Speaker 1>eat it scenario? What do you think?

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<v Speaker 3>Ah?

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<v Speaker 2>Well, I agree, I agree with us that this is

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<v Speaker 2>going to be some version of killing off the various

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<v Speaker 2>variants that are the five X Men universe. Then I

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<v Speaker 2>think there's gonna be some sort of singularity that brings Deadpool,

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<v Speaker 2>Wolverine and others into our universe. And the question is,

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<v Speaker 2>then is there an off ramp for the illustrious mister

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<v Speaker 2>Hugh Jackman, who is playing Wolverine now for twenty years

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<v Speaker 2>for and while I think he is fantastic and obviously iconic,

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<v Speaker 2>is the character we probably need somebody new and how

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<v Speaker 2>do you get him off? And I think that how

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<v Speaker 2>you get him off is how you introduce the other

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<v Speaker 2>X Men. Yeah, speaking of the X Men, let's just

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<v Speaker 2>talk a little bit about a joy in our life, right,

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<v Speaker 2>now X Men ninety seven on Disney Plus. We talked

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<v Speaker 2>about it at length in our preview episodes, and we

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<v Speaker 2>have to keep talking about it because, Uh, it is

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<v Speaker 2>just going so hard.

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<v Speaker 1>Yeah, I don't believe.

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<v Speaker 2>It's unbelievable. And to tie it back to our conversation

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<v Speaker 2>about Deadpool, I am kind of wondering how much X

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<v Speaker 2>Men ninety seven. To what degree X Men ninety seven

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<v Speaker 2>is like a stress test for certain storylines. I think

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<v Speaker 2>for the introduction of the X Men to the MCU,

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<v Speaker 2>I think so.

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<v Speaker 3>I think it's I think it's re upping people's recognition

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<v Speaker 3>of these characters and reminding them who they are. This

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<v Speaker 3>is their powers, this is the different team members, these

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<v Speaker 3>are the kind of law that has built them, and

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<v Speaker 3>also seeing how people respond to certain stuff. I wouldn't

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<v Speaker 3>be surprised if we got a reimagining of Genosha in

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<v Speaker 3>Them See You because of how hard episode five hit,

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<v Speaker 3>you know, I think that episode six, which was your

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<v Speaker 3>cosmic Shia episode, which is what we've kind of been

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<v Speaker 3>theorizing they would do.

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<v Speaker 1>I would love to see them do that.

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<v Speaker 3>But I also think that they probably should have switched

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<v Speaker 3>Life def Part two, which was your shear episode and

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<v Speaker 3>switched that with episode seven because I feel like episode

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<v Speaker 3>seven felt like a more obvious continuation of episode five,

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<v Speaker 3>and I think it would have kept people more engaged.

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<v Speaker 1>So I think that Shear Stuff might be a little

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<v Speaker 1>further off.

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<v Speaker 3>I think that that didn't hit as hard for those

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<v Speaker 3>of us who maybe didn't already know about it, But

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<v Speaker 3>it has been fun to see people learn that Charles

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<v Speaker 3>Xavier kind of sucks some.

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<v Speaker 2>Bad guy, and I'm like, babe, is Charles is Charles

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<v Speaker 2>a kind of a bad guy? Let me tell you.

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<v Speaker 3>And everyone's like, well, let us tell you. But yeah,

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<v Speaker 3>I think I loved seeing that she are stuff. But

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<v Speaker 3>I do think this is a stress test. I do

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<v Speaker 3>think they're going to see how people deal with it.

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<v Speaker 3>I do think that after this series, Gambit is much

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<v Speaker 3>more likely to show up in these movies, which I

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<v Speaker 3>kind of didn't really think would happen, but they did

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<v Speaker 3>good Gambit propaganda in this. I think we're definitely going

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<v Speaker 3>to get a version of the original five. I think

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<v Speaker 3>we're gonna get your Scott, your.

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<v Speaker 1>Gene, your Wolverine.

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<v Speaker 3>But I think that if they're smart and they follow

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<v Speaker 3>what Bodomeo and the team did, they're definitely going to

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<v Speaker 3>play into the love triangle of it all.

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<v Speaker 1>They need that, you need that, and you know.

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<v Speaker 3>I would be interested to see them expand on Storm.

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<v Speaker 3>I think Storm hasn't been as central as I would

0:12:21.600 --> 0:12:23.960
<v Speaker 3>have made her in this series. But also I think

0:12:23.960 --> 0:12:26.880
<v Speaker 3>if your smart Storm is probably your entry point to

0:12:26.920 --> 0:12:30.120
<v Speaker 3>the X Men in the MCU. But yeah, I mean,

0:12:30.160 --> 0:12:32.920
<v Speaker 3>it's just continues to deliver. I thought episode seven was

0:12:33.040 --> 0:12:36.040
<v Speaker 3>up there with the best episodes that they've done, and

0:12:36.080 --> 0:12:40.240
<v Speaker 3>it was just a total, you know, joy to see

0:12:40.280 --> 0:12:43.280
<v Speaker 3>these characters. And I mean, we just got a huge

0:12:43.480 --> 0:12:46.079
<v Speaker 3>introduction of a comic book character that a lot of

0:12:46.080 --> 0:12:48.000
<v Speaker 3>people have probably never even heard of in Bastion.

0:12:48.840 --> 0:12:49.040
<v Speaker 6>Yeah.

0:12:49.040 --> 0:12:52.880
<v Speaker 2>I mean one of the another weird product of the

0:12:52.960 --> 0:12:59.400
<v Speaker 2>late nineties early two thousand's Bastion is a sentiententirely of

0:12:59.600 --> 0:13:04.840
<v Speaker 2>vol machine Man yeah, who is at Killer.

0:13:04.760 --> 0:13:07.760
<v Speaker 3>Yeah, And it's this thing Operation zero Tolerance. So I

0:13:07.760 --> 0:13:11.840
<v Speaker 3>would be interested to see if we maybe get something

0:13:11.920 --> 0:13:14.240
<v Speaker 3>from that, Scott Lobdell, which is like I was surprised

0:13:14.280 --> 0:13:16.120
<v Speaker 3>to see them draw from this, but like Uncanny X

0:13:16.240 --> 0:13:20.360
<v Speaker 3>Men three f three, that kind of era of mutants

0:13:20.440 --> 0:13:24.000
<v Speaker 3>being a truly targeted population, and then that could set

0:13:24.040 --> 0:13:26.079
<v Speaker 3>up as we've always been asking how.

0:13:25.920 --> 0:13:27.320
<v Speaker 1>Are mutants hated and feared?

0:13:28.320 --> 0:13:30.040
<v Speaker 3>And that's been one of the big questions in a

0:13:30.080 --> 0:13:32.840
<v Speaker 3>world where you have like Avengers, Action figures, how do

0:13:32.880 --> 0:13:36.920
<v Speaker 3>you have a time where mutants and superheroes are feared?

0:13:37.360 --> 0:13:40.120
<v Speaker 3>And I think that having something like Operation Zero Tolerance,

0:13:40.240 --> 0:13:43.720
<v Speaker 3>essentially like a militia group who want to kill mutants,

0:13:43.720 --> 0:13:45.840
<v Speaker 3>that's a good way to establish that. So it'll be

0:13:45.840 --> 0:13:48.480
<v Speaker 3>interesting to see if that comes through in the MCU.

0:13:48.600 --> 0:13:50.280
<v Speaker 2>I'm glad you brought that up because I think the

0:13:50.320 --> 0:13:52.480
<v Speaker 2>one thing that has been so effective about X Men

0:13:52.559 --> 0:13:54.440
<v Speaker 2>ninety seven when we say it's going hard and all

0:13:54.480 --> 0:13:57.880
<v Speaker 2>those things, and I think what that means is the

0:13:58.040 --> 0:14:03.760
<v Speaker 2>X Men are perfect anti hero in the Marvel mums,

0:14:03.800 --> 0:14:05.679
<v Speaker 2>which I didn't you know, as the X Men were

0:14:05.720 --> 0:14:08.640
<v Speaker 2>my favorite team, my favorite characters, so I always saw

0:14:08.640 --> 0:14:12.760
<v Speaker 2>them as heroes, flat out heroes. But within the larger MCU,

0:14:13.200 --> 0:14:16.080
<v Speaker 2>they're kind of they're not the bad guys, they're not

0:14:16.120 --> 0:14:19.120
<v Speaker 2>the good guys. They're outlaws. Certainly outlaws, I think is

0:14:19.120 --> 0:14:21.640
<v Speaker 2>the way to put it. That is the central tension

0:14:21.720 --> 0:14:24.840
<v Speaker 2>between the X Men and the Avengers in the Marvel Universe,

0:14:24.880 --> 0:14:28.840
<v Speaker 2>which is the Avengers are great, they're heroes, they're by

0:14:28.880 --> 0:14:33.200
<v Speaker 2>the book, they're the lawful ones, and they have a

0:14:33.240 --> 0:14:36.120
<v Speaker 2>lot of excuses about why they couldn't be there when

0:14:36.240 --> 0:14:38.240
<v Speaker 2>mutants were being wiped out, or they could they were

0:14:38.480 --> 0:14:42.280
<v Speaker 2>they didn't know about this government program that's actually working

0:14:42.320 --> 0:14:45.760
<v Speaker 2>on a weapon to destroy mutants, and the mutants are like, well,

0:14:45.800 --> 0:14:47.880
<v Speaker 2>then we're going to have to do things ourselves. And

0:14:47.920 --> 0:14:52.440
<v Speaker 2>I think that dynamic where you've got this group of

0:14:52.440 --> 0:14:54.120
<v Speaker 2>superpower people who are just like, well, we have to

0:14:54.160 --> 0:14:56.960
<v Speaker 2>protect ourselves and we have to do something about this

0:14:57.240 --> 0:14:59.520
<v Speaker 2>threat that we are under, and we're going to do something.

0:15:00.600 --> 0:15:04.280
<v Speaker 2>Is It's such a great way to drive tension and

0:15:05.120 --> 0:15:08.680
<v Speaker 2>potentially generate anger at these characters in the world, fear

0:15:08.800 --> 0:15:11.240
<v Speaker 2>of them. And I hope that that is a thing

0:15:11.360 --> 0:15:15.920
<v Speaker 2>that they can capture because the X Men are a

0:15:15.960 --> 0:15:19.080
<v Speaker 2>diversity metaphor. They are a metaphor about out groups. They

0:15:19.080 --> 0:15:22.120
<v Speaker 2>are a metaphor about oppression, and that is central to

0:15:22.160 --> 0:15:24.320
<v Speaker 2>who they are. And if they could figure out a

0:15:24.360 --> 0:15:27.120
<v Speaker 2>way to capture that, that will be the thing that

0:15:27.200 --> 0:15:28.760
<v Speaker 2>injects new life into the MCU.

0:15:28.920 --> 0:15:31.200
<v Speaker 3>And you can also, like you said, the diversity angle,

0:15:31.440 --> 0:15:34.160
<v Speaker 3>you can actually use it to like have that meta

0:15:34.200 --> 0:15:38.040
<v Speaker 3>critique and conversation about the conversations that people have been

0:15:38.040 --> 0:15:39.040
<v Speaker 3>having about these movies.

0:15:39.120 --> 0:15:41.640
<v Speaker 1>Yeah, the way that that the really fantastic.

0:15:41.120 --> 0:15:44.000
<v Speaker 3>Scott Pilgrim show, which we'll talk about in a different episode,

0:15:44.080 --> 0:15:47.080
<v Speaker 3>but that basically was in conversation with everyone who'd been

0:15:47.120 --> 0:15:49.320
<v Speaker 3>talking about the comics and the movies for like a

0:15:49.400 --> 0:15:50.240
<v Speaker 3>decade plus.

0:15:50.680 --> 0:15:52.840
<v Speaker 1>And I think that the X Men could.

0:15:52.600 --> 0:15:56.160
<v Speaker 3>Allow they could be the in characters for us saying

0:15:56.240 --> 0:15:58.680
<v Speaker 3>like whoaa, whoa wa, why would you work with the

0:15:58.680 --> 0:16:01.080
<v Speaker 3>government if they're the ones who create at the sentinels, Like,

0:16:01.120 --> 0:16:04.160
<v Speaker 3>there's no compromise here. It's and especially in a world

0:16:04.240 --> 0:16:07.120
<v Speaker 3>where we are getting a TV show with X Men

0:16:07.200 --> 0:16:11.040
<v Speaker 3>ninety seven that essentially consistently says Magneo was right.

0:16:12.160 --> 0:16:15.320
<v Speaker 1>Again, hone, He's still alive. Wonderful.

0:16:16.040 --> 0:16:32.480
<v Speaker 2>Up next to our conversation with James Tynan, James Tynan

0:16:32.920 --> 0:16:35.680
<v Speaker 2>is the Eyes Are and Glad Award winning mastermind behind

0:16:35.680 --> 0:16:39.120
<v Speaker 2>The Nice House in the Lake, Something's Killing the Children, Batman,

0:16:39.240 --> 0:16:42.480
<v Speaker 2>The Department of Truth, the Crazy Department of Truth, that

0:16:42.680 --> 0:16:45.440
<v Speaker 2>many many more. With the announcement of a sequel to

0:16:45.480 --> 0:16:47.120
<v Speaker 2>The Nice House in the Lake, The Nice House by

0:16:47.160 --> 0:16:49.960
<v Speaker 2>the Sea. We're incredibly excited to have James Makers X

0:16:50.040 --> 0:16:52.680
<v Speaker 2>Ray Vision debut on our comeback episode. James, thank you

0:16:52.720 --> 0:16:53.680
<v Speaker 2>so much for joining us.

0:16:53.800 --> 0:16:56.080
<v Speaker 6>Thank you so much for having me. I'm really really

0:16:56.120 --> 0:16:56.840
<v Speaker 6>happy to be here.

0:16:57.640 --> 0:17:00.840
<v Speaker 3>Yeah, it's gonna be a delightful We're so happy you

0:17:00.880 --> 0:17:03.960
<v Speaker 3>could join us. So when we have folks on the show,

0:17:04.000 --> 0:17:06.520
<v Speaker 3>we often begin by just asking them kind of like

0:17:06.760 --> 0:17:09.040
<v Speaker 3>it's a big question for people like us, but what's

0:17:09.080 --> 0:17:11.520
<v Speaker 3>your comic book origin story? Like, what was the comic

0:17:11.600 --> 0:17:13.840
<v Speaker 3>that made you fall in love with comics? What was

0:17:14.040 --> 0:17:16.119
<v Speaker 3>the moment when you thought, oh, this is something I

0:17:16.160 --> 0:17:18.800
<v Speaker 3>want to do, or what's just a comic that kind

0:17:18.840 --> 0:17:19.720
<v Speaker 3>of sparked your love.

0:17:20.720 --> 0:17:23.439
<v Speaker 6>So it's honestly kind of of the moment right now

0:17:24.119 --> 0:17:26.679
<v Speaker 6>now that we're in the heyday of X Men ninety seven.

0:17:26.880 --> 0:17:30.679
<v Speaker 6>But the first comic I ever remember picking up in

0:17:30.720 --> 0:17:34.200
<v Speaker 6>a comic book shop was an issue of X Men Adventures,

0:17:34.359 --> 0:17:38.639
<v Speaker 6>the comic book tie in series two, the animated series,

0:17:38.680 --> 0:17:41.440
<v Speaker 6>when I must have been about five or six years old.

0:17:41.480 --> 0:17:42.080
<v Speaker 5>Wow, And.

0:17:43.560 --> 0:17:47.800
<v Speaker 6>I remember picking it up and it was a Mojo issue,

0:17:49.359 --> 0:17:53.320
<v Speaker 6>a very bizarre entry point into the X Men franchise,

0:17:53.440 --> 0:17:57.520
<v Speaker 6>but it made me like I was. I was dragged

0:17:57.560 --> 0:18:01.200
<v Speaker 6>in you know, the both the X Men animated series

0:18:01.200 --> 0:18:04.639
<v Speaker 6>in the Batman animated series were the things that pulled

0:18:04.640 --> 0:18:08.200
<v Speaker 6>me into an interest in superheroes, which then pulled me

0:18:08.240 --> 0:18:09.920
<v Speaker 6>into a comic shop and then made me a fan

0:18:09.960 --> 0:18:12.680
<v Speaker 6>of the medium, and then I've been here ever since.

0:18:13.320 --> 0:18:15.359
<v Speaker 3>What was it like to then, I mean, I'm gonna

0:18:15.400 --> 0:18:17.639
<v Speaker 3>go with skipping forward a little bit here, but like

0:18:18.080 --> 0:18:20.199
<v Speaker 3>you mentioned Batman the animated series, So what was it

0:18:20.280 --> 0:18:22.879
<v Speaker 3>like to then get to write Batman after that being

0:18:22.960 --> 0:18:24.200
<v Speaker 3>one of your entry points?

0:18:24.560 --> 0:18:31.159
<v Speaker 6>Incredibly intimidating, Like just the most wildly intimidating thing. My

0:18:31.240 --> 0:18:34.960
<v Speaker 6>career started a little unusually where I had been the

0:18:35.080 --> 0:18:40.280
<v Speaker 6>writing assistant to Scott Snyder when he before he had

0:18:40.320 --> 0:18:44.479
<v Speaker 6>actually started writing comic books. It was when he had

0:18:44.520 --> 0:18:47.359
<v Speaker 6>been my professor at Sarah Lawrence College, and I was

0:18:47.359 --> 0:18:50.320
<v Speaker 6>helping him do research for a novel that he had

0:18:50.359 --> 0:18:52.480
<v Speaker 6>been working on. But I was a big comic book eek.

0:18:52.520 --> 0:18:56.600
<v Speaker 6>So once he actually started talking to you know, DC

0:18:56.920 --> 0:19:00.000
<v Speaker 6>and Marvel and started getting work through them, he eventually

0:19:00.200 --> 0:19:01.879
<v Speaker 6>like was like, Hey, they just asked me if I

0:19:01.880 --> 0:19:04.320
<v Speaker 6>could do backup stories on this thing, would you be

0:19:04.359 --> 0:19:08.399
<v Speaker 6>willing to co write them with me, and I was like, yes, absolutely, peace.

0:19:09.240 --> 0:19:11.280
<v Speaker 6>But it was like the early on, I was like

0:19:11.320 --> 0:19:14.240
<v Speaker 6>I'm not allowed to write Batman, like I will write

0:19:14.240 --> 0:19:16.480
<v Speaker 6>any supporting character in all of that. But there was

0:19:16.520 --> 0:19:20.080
<v Speaker 6>an annual that we wrote together, This would have been

0:19:20.240 --> 0:19:24.320
<v Speaker 6>in twenty twelve that like I was just like, I

0:19:24.359 --> 0:19:26.680
<v Speaker 6>will write all of the Mister Freeze bits, I will

0:19:26.680 --> 0:19:29.000
<v Speaker 6>write everything else, but you actually have to write the

0:19:29.280 --> 0:19:32.280
<v Speaker 6>dialogue for Batman because I'm not allowed to do that yet.

0:19:32.960 --> 0:19:35.679
<v Speaker 6>And Scott had to very patiently like get me on

0:19:35.720 --> 0:19:37.919
<v Speaker 6>the phone and just be like, James, I brought you

0:19:37.960 --> 0:19:41.240
<v Speaker 6>on because my schedule's insane right now, and I really

0:19:41.240 --> 0:19:44.679
<v Speaker 6>really need you to write the Batman bits as well,

0:19:45.080 --> 0:19:47.879
<v Speaker 6>like that is part of the assignment. And I just

0:19:47.960 --> 0:19:50.639
<v Speaker 6>like I had like a panic attack, and then I

0:19:50.720 --> 0:19:52.760
<v Speaker 6>just had to sort of center myself and sort of

0:19:53.000 --> 0:19:55.280
<v Speaker 6>you know, find the voice of Batman and me, which

0:19:55.400 --> 0:19:58.240
<v Speaker 6>was the voice of Kevin Conroy. So it was the

0:19:58.920 --> 0:20:00.800
<v Speaker 6>you know, I was able to sort of channel the

0:20:00.880 --> 0:20:03.960
<v Speaker 6>voice of Batman that really spoke to me and then

0:20:04.080 --> 0:20:07.359
<v Speaker 6>try to bring it to life on the page. And yeah,

0:20:07.560 --> 0:20:11.760
<v Speaker 6>but very intimidating, very very intimidating to walk into Gotham

0:20:11.760 --> 0:20:12.800
<v Speaker 6>City for the first time.

0:20:13.320 --> 0:20:15.080
<v Speaker 2>I mean, speaking of voice, I mean we have to

0:20:15.119 --> 0:20:19.080
<v Speaker 2>talk about the Nice House on the Lake, which I

0:20:19.119 --> 0:20:23.880
<v Speaker 2>think we've just been gushing about Rosie and I It's

0:20:23.920 --> 0:20:27.560
<v Speaker 2>so good. I mean reading it, you're like, oh, this

0:20:27.600 --> 0:20:30.440
<v Speaker 2>is going to be one of those classic graphic novels

0:20:30.480 --> 0:20:34.359
<v Speaker 2>that even people who don't collect comics or aren't at

0:20:34.400 --> 0:20:36.639
<v Speaker 2>the comic shop on a weekly basis, will have like

0:20:36.720 --> 0:20:40.399
<v Speaker 2>on their bookshelf next to like Sandman and Watchmen, et cetera.

0:20:40.800 --> 0:20:44.120
<v Speaker 2>It's so great and one of the you talking about voices,

0:20:44.960 --> 0:20:46.639
<v Speaker 2>one of the things that stands out for me writing

0:20:46.760 --> 0:20:50.880
<v Speaker 2>is your ability to capture the voices of your characters

0:20:50.880 --> 0:20:53.320
<v Speaker 2>and make them feel so visort of and real. And

0:20:53.400 --> 0:20:57.040
<v Speaker 2>Nice House in the Lake is an incredible example of that.

0:20:57.880 --> 0:21:00.480
<v Speaker 2>How do you generate that? How do you how do

0:21:00.520 --> 0:21:04.560
<v Speaker 2>you find the voices of all of those characters, specifically

0:21:04.600 --> 0:21:06.880
<v Speaker 2>in Nice House and the Lake, in order to make

0:21:06.920 --> 0:21:10.359
<v Speaker 2>that story feel so emotionally powerful.

0:21:10.840 --> 0:21:13.760
<v Speaker 6>I mean, so Nice House is a very personal comic

0:21:13.800 --> 0:21:17.400
<v Speaker 6>to me. It's something that you know, I think when

0:21:17.440 --> 0:21:19.520
<v Speaker 6>people look at a picture of me or see me,

0:21:19.600 --> 0:21:21.119
<v Speaker 6>they can kind of see that there's a little bit

0:21:21.119 --> 0:21:25.840
<v Speaker 6>of Walter in me just keep generally speaking, and the

0:21:25.920 --> 0:21:28.120
<v Speaker 6>character is very much based on me in my voice

0:21:28.160 --> 0:21:30.000
<v Speaker 6>and how I interact with the world, and a lot

0:21:30.000 --> 0:21:33.840
<v Speaker 6>of the characters that are around Walter in the house,

0:21:33.960 --> 0:21:36.119
<v Speaker 6>there are sort of hybrids of a few of my

0:21:36.200 --> 0:21:38.679
<v Speaker 6>friends that have sort of like you know, blended together,

0:21:39.520 --> 0:21:42.879
<v Speaker 6>as you know, and then changed to fit into a

0:21:42.880 --> 0:21:45.600
<v Speaker 6>fictional universe. But it is something where it's like I

0:21:45.640 --> 0:21:47.960
<v Speaker 6>already always have a kind of true north of like

0:21:48.040 --> 0:21:51.399
<v Speaker 6>what I'm trying to accomplish with these characters and like,

0:21:51.520 --> 0:21:52.760
<v Speaker 6>and then on top of that, I have a real

0:21:52.800 --> 0:21:56.320
<v Speaker 6>sense of the like the emotional relationships between all of

0:21:56.320 --> 0:21:59.239
<v Speaker 6>the characters and their dynamics. Like I wanted to in

0:21:59.359 --> 0:22:01.720
<v Speaker 6>building out that house, I wanted to make sure we

0:22:01.800 --> 0:22:05.359
<v Speaker 6>had a real blend of personalities because otherwise you have

0:22:05.600 --> 0:22:09.119
<v Speaker 6>you do like, you can't do a an eleven person

0:22:09.280 --> 0:22:14.040
<v Speaker 6>cast when every every character sounds exactly the same. And

0:22:14.080 --> 0:22:16.560
<v Speaker 6>then on top of that, that's just not all that interesting.

0:22:16.600 --> 0:22:19.280
<v Speaker 6>As a writer, you want to have characters who are

0:22:19.280 --> 0:22:22.320
<v Speaker 6>going to react very differently in different situations and sort

0:22:22.320 --> 0:22:26.199
<v Speaker 6>of being able to lean into those specific voices and

0:22:26.240 --> 0:22:31.000
<v Speaker 6>try to capture something real, Like that's the you know,

0:22:31.080 --> 0:22:33.440
<v Speaker 6>that's the joy of being a writer. It's like, this

0:22:33.480 --> 0:22:36.399
<v Speaker 6>is the book that I try to make the real

0:22:36.720 --> 0:22:39.800
<v Speaker 6>like honestly the realist of any of the books that

0:22:39.880 --> 0:22:42.320
<v Speaker 6>I do. Uh, it's you know, it's the book Like

0:22:42.359 --> 0:22:44.359
<v Speaker 6>I've said this before, but it's like it's the book

0:22:44.359 --> 0:22:50.879
<v Speaker 6>that I write to scare my therapist. Like yeah, like

0:22:51.359 --> 0:22:53.960
<v Speaker 6>there's a joy in trying to scare your therapist and

0:22:54.040 --> 0:22:54.880
<v Speaker 6>a book that you're doing.

0:22:55.440 --> 0:22:59.520
<v Speaker 3>Oh so, how do you come to DC Comics right

0:22:59.600 --> 0:23:01.160
<v Speaker 3>and say, Hey, so I want to do a book

0:23:01.200 --> 0:23:05.040
<v Speaker 3>that's not superheroes, that is going to not be tied

0:23:05.080 --> 0:23:07.160
<v Speaker 3>to your universe, and I want it to scare my therapist.

0:23:07.520 --> 0:23:09.600
<v Speaker 3>And also it is an apocalypse book and it's an

0:23:09.600 --> 0:23:11.399
<v Speaker 3>alien book. But most of it just takes place in

0:23:11.440 --> 0:23:13.119
<v Speaker 3>a house, and there's a lot of talking like what

0:23:13.280 --> 0:23:16.040
<v Speaker 3>is the pitch like? Because it seems like it's a

0:23:16.080 --> 0:23:19.000
<v Speaker 3>hard sell, even though once you and Alvaro are like

0:23:19.080 --> 0:23:21.560
<v Speaker 3>working on it, it's so readable, it's so engaging.

0:23:21.600 --> 0:23:24.200
<v Speaker 1>How did this How did it come about? That ended

0:23:24.280 --> 0:23:24.760
<v Speaker 1>up at DC?

0:23:25.560 --> 0:23:27.920
<v Speaker 6>So, I mean, you know, it always started with that

0:23:28.040 --> 0:23:31.080
<v Speaker 6>kind of the core conceit it's just like that, you

0:23:31.240 --> 0:23:34.600
<v Speaker 6>have this dynamic friend who invites ten of ten of

0:23:34.600 --> 0:23:37.119
<v Speaker 6>his closest friends to a house on a lake for

0:23:37.320 --> 0:23:40.160
<v Speaker 6>a nice, fun weekend over summer, and then once they

0:23:40.240 --> 0:23:42.280
<v Speaker 6>get there, they realize that it's the end of the

0:23:42.280 --> 0:23:45.199
<v Speaker 6>world outside, that they're never leaving that house, and that

0:23:45.280 --> 0:23:48.280
<v Speaker 6>their friend is actually a part of some non human

0:23:49.000 --> 0:23:52.760
<v Speaker 6>form of being that has trapped them there and is

0:23:52.840 --> 0:23:56.200
<v Speaker 6>involved with the entire destruction of humanity in the apocalypse

0:23:56.240 --> 0:23:58.440
<v Speaker 6>outside of it. Like that was in the original one

0:23:58.480 --> 0:24:02.040
<v Speaker 6>page pitch, and it was a description of the first issue,

0:24:02.920 --> 0:24:04.800
<v Speaker 6>even though it would be about two or three years

0:24:04.880 --> 0:24:07.959
<v Speaker 6>until I wrote it. And honestly, when I pitched it

0:24:08.000 --> 0:24:11.520
<v Speaker 6>the first time, it was at a moment where I

0:24:11.560 --> 0:24:13.720
<v Speaker 6>wasn't sure what the future of Creator Owned at DC

0:24:13.960 --> 0:24:15.280
<v Speaker 6>was going to look. Like it was sort of the

0:24:15.320 --> 0:24:19.560
<v Speaker 6>start of DC Black Label, and they had kind of

0:24:19.600 --> 0:24:23.399
<v Speaker 6>wound down the Vertigo imprint over there, and you know,

0:24:23.480 --> 0:24:26.680
<v Speaker 6>but like I was exclusive at DC, so like contractually

0:24:26.720 --> 0:24:28.880
<v Speaker 6>I needed to like pass things along. But the other

0:24:29.000 --> 0:24:31.920
<v Speaker 6>thing before I was i'd be able to take them

0:24:32.040 --> 0:24:34.760
<v Speaker 6>out of house. But the you know, the thing that

0:24:34.800 --> 0:24:37.520
<v Speaker 6>had changed is that the editor who had originally paired

0:24:37.720 --> 0:24:43.640
<v Speaker 6>Olvaro and myself together on Batman Eternal and then Detective Comics,

0:24:44.040 --> 0:24:47.040
<v Speaker 6>and then that all leading into our work on Justice

0:24:47.080 --> 0:24:50.920
<v Speaker 6>League Dark. You know, was it was suddenly the person

0:24:51.400 --> 0:24:54.560
<v Speaker 6>you know, making the decisions over at at DC Black Label,

0:24:54.800 --> 0:24:57.280
<v Speaker 6>and he really really loved the book. And then around

0:24:57.280 --> 0:25:00.320
<v Speaker 6>that time, it was also when I launched my my

0:25:00.359 --> 0:25:03.760
<v Speaker 6>Boom series Something Is Killing the Children, which really sort

0:25:03.760 --> 0:25:06.760
<v Speaker 6>of set off a new chapter in my career. And

0:25:07.040 --> 0:25:10.800
<v Speaker 6>you know, I remember, like I remember sitting with uh,

0:25:11.440 --> 0:25:13.440
<v Speaker 6>you know, the publisher of d C at the time,

0:25:13.480 --> 0:25:15.199
<v Speaker 6>and he was just like, you know, I want you

0:25:15.240 --> 0:25:18.159
<v Speaker 6>to bring that kind of horror energy that you're bringing

0:25:18.160 --> 0:25:19.919
<v Speaker 6>over there to d C. And I'm like, you have

0:25:19.960 --> 0:25:25.159
<v Speaker 6>a bitch. And then we got it up and running

0:25:25.359 --> 0:25:28.040
<v Speaker 6>and you know, and thankfully, and d C has been

0:25:28.040 --> 0:25:31.000
<v Speaker 6>an incredibly good steward for this book, and you know,

0:25:31.040 --> 0:25:34.800
<v Speaker 6>it's an incredible honor, like the you know that it's

0:25:34.960 --> 0:25:38.480
<v Speaker 6>I'm I'm incredibly incredibly happy with it. I don't know.

0:25:41.160 --> 0:25:47.760
<v Speaker 2>Just what, right, Yeah, the second cycle to The Nice

0:25:47.760 --> 0:25:51.160
<v Speaker 2>House in the Lake is coming out this summer. What

0:25:51.240 --> 0:25:53.760
<v Speaker 2>if anything can you tell us?

0:25:54.280 --> 0:25:58.119
<v Speaker 6>I mean, at core, like the Nice House saga in

0:25:58.200 --> 0:26:02.000
<v Speaker 6>general is defined by its mysteries and its twists and

0:26:02.040 --> 0:26:05.280
<v Speaker 6>its turns. So you know what we're saying, like right

0:26:05.320 --> 0:26:08.200
<v Speaker 6>out the gate, like you know, yes, we're we're introducing

0:26:08.200 --> 0:26:10.720
<v Speaker 6>a new house. Yes, there's a whole bunch of new characters.

0:26:10.800 --> 0:26:14.000
<v Speaker 6>And how does this connect to everything that you've known

0:26:14.040 --> 0:26:16.199
<v Speaker 6>and loved from the first cycle. You're going to have

0:26:16.240 --> 0:26:19.359
<v Speaker 6>to read the book like it is the you know

0:26:19.560 --> 0:26:22.760
<v Speaker 6>that is uh, that's sort of what I'm laying out there,

0:26:22.880 --> 0:26:25.040
<v Speaker 6>but it is just like it Like one thing that

0:26:25.119 --> 0:26:27.640
<v Speaker 6>was very something that I really wanted to tap into

0:26:27.760 --> 0:26:31.879
<v Speaker 6>is the first cycle deals with basically a friend group

0:26:32.000 --> 0:26:35.399
<v Speaker 6>coming together in a house and the dynamics and the

0:26:35.520 --> 0:26:38.160
<v Speaker 6>tensions that come from people who have known each other

0:26:38.680 --> 0:26:40.399
<v Speaker 6>decades in some case, and then some of them have

0:26:40.480 --> 0:26:42.720
<v Speaker 6>only known each other for like they may have been

0:26:42.760 --> 0:26:45.679
<v Speaker 6>to five parties together ever. But it's just like, and

0:26:45.840 --> 0:26:49.600
<v Speaker 6>how did those dynamics when they all center around one

0:26:49.680 --> 0:26:53.080
<v Speaker 6>person who is then no longer really there to be

0:26:53.280 --> 0:26:56.720
<v Speaker 6>the center of the that experience? The you know, that

0:26:56.920 --> 0:26:59.480
<v Speaker 6>was sort of what drove me in that first volume.

0:26:59.600 --> 0:27:01.560
<v Speaker 6>For this volume, I wanted to come at it from

0:27:01.560 --> 0:27:04.720
<v Speaker 6>the exact opposite angle where we are now seeing kind

0:27:04.720 --> 0:27:08.840
<v Speaker 6>of the ideal version of what Walter was supposed to

0:27:08.880 --> 0:27:11.080
<v Speaker 6>do with his house. He was supposed to go out

0:27:11.119 --> 0:27:14.439
<v Speaker 6>there and find ten of the most exceptional people in

0:27:14.520 --> 0:27:16.560
<v Speaker 6>each of their fields and then put them all in

0:27:16.560 --> 0:27:19.200
<v Speaker 6>a house together. But the issue is is that once

0:27:19.200 --> 0:27:21.400
<v Speaker 6>you put ten people who do not know each other,

0:27:21.800 --> 0:27:25.640
<v Speaker 6>that are all like, very prominent in their individual fields

0:27:25.640 --> 0:27:27.240
<v Speaker 6>and all that, and you throw them in a house together,

0:27:27.440 --> 0:27:30.080
<v Speaker 6>there is no guarantee that those people are going to

0:27:30.240 --> 0:27:32.800
<v Speaker 6>like each other. In fact, it's most likely that they're

0:27:32.840 --> 0:27:35.679
<v Speaker 6>not going to And so we're going to kind of

0:27:35.680 --> 0:27:39.040
<v Speaker 6>be able to see the ways in which Walter may

0:27:39.080 --> 0:27:41.919
<v Speaker 6>have been right in how he built his house the

0:27:41.960 --> 0:27:46.840
<v Speaker 6>first time. And that is the hint at some of

0:27:46.840 --> 0:27:48.960
<v Speaker 6>the stuff that's coming in the series.

0:27:49.359 --> 0:27:51.959
<v Speaker 3>I love that, and obviously like a big part of

0:27:52.040 --> 0:27:57.480
<v Speaker 3>the first cycle is this kind of unbelievable the way

0:27:57.480 --> 0:27:59.960
<v Speaker 3>Alvarro would bring the house to life, right the chitet

0:28:00.240 --> 0:28:05.439
<v Speaker 3>troll beauty of the house and the location, and also

0:28:05.800 --> 0:28:09.720
<v Speaker 3>these kind of incredible double page spreads that have a

0:28:09.840 --> 0:28:11.840
<v Speaker 3>hyper amount of panels but not a lot of action.

0:28:12.480 --> 0:28:14.240
<v Speaker 1>So could you sort of talk tease.

0:28:14.000 --> 0:28:17.680
<v Speaker 3>A little bit of how Alvro's work is going to

0:28:17.760 --> 0:28:21.760
<v Speaker 3>kind of expand or play into that in the new cycle.

0:28:22.200 --> 0:28:26.160
<v Speaker 6>Honestly, the development process of both series was so fun

0:28:26.600 --> 0:28:28.359
<v Speaker 6>because there's a whole part of it where we're just

0:28:28.400 --> 0:28:34.960
<v Speaker 6>sending each other Zillow listings like these beautiful elaborate.

0:28:34.400 --> 0:28:41.280
<v Speaker 1>Homes millennial friendship. I lived it.

0:28:41.280 --> 0:28:44.080
<v Speaker 6>It was like, honestly, the you know it was it

0:28:44.160 --> 0:28:48.360
<v Speaker 6>set some goals you know, long off in the future,

0:28:48.720 --> 0:28:51.920
<v Speaker 6>but the you know, but this time around. Initially, what

0:28:52.000 --> 0:28:54.920
<v Speaker 6>I was thinking when I originally pitched out a nice

0:28:54.920 --> 0:28:57.560
<v Speaker 6>house by the sea, I was sort of picture picturing

0:28:57.560 --> 0:29:02.160
<v Speaker 6>a kind of Caribbean esthetic that sort of like beach

0:29:02.200 --> 0:29:05.800
<v Speaker 6>house vibe. And Aldro was the one who sort of

0:29:05.840 --> 0:29:07.960
<v Speaker 6>came in, Like Alvro was based in Spain, and he

0:29:08.080 --> 0:29:10.120
<v Speaker 6>was just like, I have the idea of this kind

0:29:10.120 --> 0:29:14.719
<v Speaker 6>of like Mediterranean via like and like trying to really

0:29:14.880 --> 0:29:19.080
<v Speaker 6>capture that kind of aesthetic, which is so like fundamentally

0:29:19.080 --> 0:29:22.760
<v Speaker 6>different than how I initially was approaching it. But then

0:29:22.800 --> 0:29:25.240
<v Speaker 6>once he started sending in these reference images of what

0:29:25.320 --> 0:29:28.360
<v Speaker 6>he wanted to capture in this space, like it was

0:29:28.400 --> 0:29:30.360
<v Speaker 6>just like, yes, please, like I want to, I want

0:29:30.400 --> 0:29:31.360
<v Speaker 6>to go visit there.

0:29:32.040 --> 0:29:33.120
<v Speaker 1>I would love to.

0:29:33.600 --> 0:29:35.680
<v Speaker 6>I would definitely love to stay in that house. And

0:29:35.760 --> 0:29:38.000
<v Speaker 6>I mean like that's the that's always the push in

0:29:38.040 --> 0:29:40.280
<v Speaker 6>the pull. It's like, this is need you know, we

0:29:40.360 --> 0:29:45.960
<v Speaker 6>are establishing these uh, these little paradises for these characters

0:29:45.960 --> 0:29:49.880
<v Speaker 6>to be trapped inside of and uh, you know, and

0:29:50.120 --> 0:29:53.400
<v Speaker 6>it needs to feel like paradise. And so you know,

0:29:54.000 --> 0:29:58.960
<v Speaker 6>thankfully Alvro loves that kind of design work and building

0:29:58.960 --> 0:30:01.920
<v Speaker 6>these spaces. And then on top of that, like you know,

0:30:02.000 --> 0:30:04.000
<v Speaker 6>Olvera and I have worked together so long and we've

0:30:04.040 --> 0:30:09.840
<v Speaker 6>always liked dense storytelling, and that is key in nice House.

0:30:09.920 --> 0:30:14.280
<v Speaker 6>And it's something that like I've always wanted when you

0:30:14.320 --> 0:30:15.960
<v Speaker 6>pick up one of my comic books for it to

0:30:16.000 --> 0:30:17.920
<v Speaker 6>be a kind of dense experience. I don't want it

0:30:17.960 --> 0:30:20.680
<v Speaker 6>to be a sort of especially a single comic book

0:30:20.680 --> 0:30:25.040
<v Speaker 6>issue can be an awful value at the store where

0:30:25.080 --> 0:30:27.200
<v Speaker 6>it's just like here's twenty five pages and if you

0:30:27.240 --> 0:30:30.239
<v Speaker 6>can read the whole thing in two minutes, like you

0:30:30.240 --> 0:30:32.960
<v Speaker 6>know what, you know, what's the point. I want you

0:30:33.000 --> 0:30:35.600
<v Speaker 6>to sit with it, especially because we're doing horror. I

0:30:35.680 --> 0:30:39.320
<v Speaker 6>want to you know, really pace you through it. And

0:30:39.360 --> 0:30:41.880
<v Speaker 6>so the density of panels, the density of dialogue, and

0:30:41.920 --> 0:30:44.960
<v Speaker 6>a density of information on the page, slows down the

0:30:45.000 --> 0:30:47.640
<v Speaker 6>reading process and allows us to control more of the

0:30:47.720 --> 0:30:50.320
<v Speaker 6>tension and how we build the tension. It's one of

0:30:50.320 --> 0:30:52.400
<v Speaker 6>my favorite tricks, and I like, you know, I use

0:30:52.440 --> 0:30:55.560
<v Speaker 6>it in my other books too, but it is the

0:30:56.520 --> 0:30:58.960
<v Speaker 6>you know like it. I think it's it's really fundamental

0:30:58.960 --> 0:31:01.480
<v Speaker 6>to how the series works. Is especially because Ulvaro is

0:31:01.560 --> 0:31:05.360
<v Speaker 6>such a talented artist. He is able to get so

0:31:05.480 --> 0:31:09.360
<v Speaker 6>much information across even when you're on a double page

0:31:09.360 --> 0:31:13.480
<v Speaker 6>spread that has you know, somewhere between twelve to sixteen panels.

0:31:13.800 --> 0:31:17.960
<v Speaker 2>Speaking of the tensions, Nice House is incredibly tense, wonderfully thrilling,

0:31:18.440 --> 0:31:20.720
<v Speaker 2>just really spooky with the twist and turns. But there's

0:31:20.760 --> 0:31:23.360
<v Speaker 2>this really unique speaking of your tricks, there's a really

0:31:23.480 --> 0:31:28.320
<v Speaker 2>unique sense of playfulness too that is sprinkled throughout. That

0:31:28.440 --> 0:31:31.800
<v Speaker 2>made me think, please don't hate me. This is crazy

0:31:31.840 --> 0:31:34.360
<v Speaker 2>to quote Walder, but it made me think of like

0:31:35.080 --> 0:31:38.880
<v Speaker 2>the reality show Big Brother or the video game The Sims.

0:31:39.560 --> 0:31:42.960
<v Speaker 2>You know, this kind of like godlike view of characters

0:31:43.120 --> 0:31:45.320
<v Speaker 2>trapped in a house so you can do things too.

0:31:46.520 --> 0:31:49.960
<v Speaker 2>And I'm wondering, does that resonate it off? Is there

0:31:50.040 --> 0:31:51.160
<v Speaker 2>anything to that?

0:31:51.760 --> 0:31:54.400
<v Speaker 6>I think I think that that's a great read. Like

0:31:54.560 --> 0:31:56.920
<v Speaker 6>it is something that we always have a kind of

0:31:56.920 --> 0:32:00.440
<v Speaker 6>fascination with people who are sort of contained in space,

0:32:00.600 --> 0:32:02.960
<v Speaker 6>and there is some like you know, with Walter, like

0:32:03.040 --> 0:32:05.800
<v Speaker 6>I initially you know in a way that this is

0:32:05.840 --> 0:32:08.560
<v Speaker 6>sort of an alien zoo story without it really being

0:32:08.920 --> 0:32:11.440
<v Speaker 6>like it is just you know, like we've we have

0:32:11.480 --> 0:32:13.760
<v Speaker 6>a little sample set of humanity that's sort of living

0:32:13.800 --> 0:32:16.280
<v Speaker 6>out its days and they're but they are being watched.

0:32:16.360 --> 0:32:20.240
<v Speaker 6>They are being uh, they aren't just alone out there

0:32:20.240 --> 0:32:22.880
<v Speaker 6>and they don't fully understand what's like recording them or

0:32:22.920 --> 0:32:25.200
<v Speaker 6>watching them, but they know that they're being watched and recorded.

0:32:25.240 --> 0:32:28.480
<v Speaker 6>So there is absolutely that element, you know, And I

0:32:28.520 --> 0:32:31.800
<v Speaker 6>think in that like, you know, I've I've done my

0:32:31.880 --> 0:32:33.800
<v Speaker 6>time with all of the reality shows, but I think

0:32:33.840 --> 0:32:37.000
<v Speaker 6>like the Truman Show would have been like the foundational

0:32:37.720 --> 0:32:40.520
<v Speaker 6>piece of media for me that sort of would tit

0:32:40.640 --> 0:32:42.840
<v Speaker 6>me in that direction. And then like and then yeah,

0:32:42.880 --> 0:32:45.400
<v Speaker 6>the Sims the idea of it's just like build this

0:32:45.520 --> 0:32:48.480
<v Speaker 6>kind of perfect place and then just see what happens

0:32:48.520 --> 0:32:52.440
<v Speaker 6>when your little toys have to like start living in it.

0:32:52.640 --> 0:32:54.960
<v Speaker 6>And it's just like that kind of disconnect that Walter

0:32:55.120 --> 0:32:58.160
<v Speaker 6>has between these people that you know, he genuinely loves

0:32:58.200 --> 0:33:00.240
<v Speaker 6>he genuinely really really cares about but they're is a

0:33:00.280 --> 0:33:06.280
<v Speaker 6>deep coldness and distance between Walter and and all of

0:33:06.280 --> 0:33:09.120
<v Speaker 6>these people he's been around his entire life, and that

0:33:09.400 --> 0:33:13.040
<v Speaker 6>kind of you know, how he navigates both his warm

0:33:13.120 --> 0:33:16.240
<v Speaker 6>feelings and his very cold feelings. It's like, is you know,

0:33:16.320 --> 0:33:18.479
<v Speaker 6>absolutely core to the character.

0:33:19.080 --> 0:33:22.479
<v Speaker 3>Yeah, it's very simuous, like then you remove the doors

0:33:22.520 --> 0:33:26.280
<v Speaker 3>and they can't leave. Actually, it's like a really great read. So,

0:33:26.360 --> 0:33:29.600
<v Speaker 3>speaking of horror and that kind of new or newer

0:33:29.720 --> 0:33:33.360
<v Speaker 3>part of your career, you've got Spectrograph coming out with

0:33:33.480 --> 0:33:37.800
<v Speaker 3>Christian Wards soon from Distillery actually this week, right, So

0:33:37.840 --> 0:33:40.280
<v Speaker 3>what can you kind of tell us about that and

0:33:40.400 --> 0:33:43.400
<v Speaker 3>kind of this this kind of ghost story that you

0:33:43.440 --> 0:33:44.480
<v Speaker 3>to have created together.

0:33:45.280 --> 0:33:47.760
<v Speaker 6>Oh, I'm really excited about this one. I mean, for one,

0:33:48.280 --> 0:33:50.560
<v Speaker 6>Christian Ward is just one of the best artists working

0:33:50.600 --> 0:33:53.040
<v Speaker 6>in the comics medium, and you know, we got to

0:33:53.040 --> 0:33:55.400
<v Speaker 6>do a few short stories together over at DC. We

0:33:55.440 --> 0:33:58.840
<v Speaker 6>did a swamp thing story, we did a poison ivy story,

0:33:59.080 --> 0:34:01.440
<v Speaker 6>like you know, we got you know, we got to

0:34:01.440 --> 0:34:04.080
<v Speaker 6>play with some of the big toys. But during that

0:34:04.320 --> 0:34:08.400
<v Speaker 6>entire time we were talking about doing this comic and

0:34:08.760 --> 0:34:11.920
<v Speaker 6>you know, the sort of central pitch there, you know,

0:34:11.960 --> 0:34:14.760
<v Speaker 6>which is the first few pages of the first issue,

0:34:14.800 --> 0:34:17.920
<v Speaker 6>so I don't mind spoiling it, but it's basically, you know,

0:34:18.000 --> 0:34:20.560
<v Speaker 6>it starts with a flashback to the nineteen sixties and

0:34:20.600 --> 0:34:24.920
<v Speaker 6>you see this man who's you know, walking into this

0:34:24.960 --> 0:34:28.440
<v Speaker 6>occult club in New York City. He is obviously hated

0:34:28.520 --> 0:34:30.600
<v Speaker 6>by the other figures in that club, and he basically

0:34:30.640 --> 0:34:32.239
<v Speaker 6>walks up in front of the club and it's just like,

0:34:32.840 --> 0:34:37.160
<v Speaker 6>I've spent the first half of my life and half

0:34:37.160 --> 0:34:39.920
<v Speaker 6>in the first half of my fortune trying to prove

0:34:40.040 --> 0:34:43.000
<v Speaker 6>that ghosts exist, and I am ready here to say

0:34:43.040 --> 0:34:46.480
<v Speaker 6>that they do not exist, but they should. And I'm

0:34:46.520 --> 0:34:48.520
<v Speaker 6>going to spend the next half of my life and

0:34:48.560 --> 0:34:51.960
<v Speaker 6>the next half of my money making ghosts exist. And

0:34:52.160 --> 0:34:56.399
<v Speaker 6>that is that is the setup of Spectograph. And then

0:34:56.600 --> 0:34:58.440
<v Speaker 6>you know, the then we jump into the present day

0:34:58.480 --> 0:35:02.680
<v Speaker 6>and we meet the actual a central characters of the story.

0:35:02.920 --> 0:35:06.359
<v Speaker 6>And you know, our lead Jane Uh, you know, has

0:35:06.560 --> 0:35:09.239
<v Speaker 6>has a very very human drive to get out of

0:35:09.239 --> 0:35:12.279
<v Speaker 6>that house when she's trapped inside of it. But we

0:35:12.320 --> 0:35:16.959
<v Speaker 6>wanted to do an unconventional haunted house story, and part

0:35:16.960 --> 0:35:20.280
<v Speaker 6>of my email pitching this to Christian right at the beginning,

0:35:20.320 --> 0:35:21.879
<v Speaker 6>it wasn't you know, first it was all of that

0:35:21.880 --> 0:35:23.640
<v Speaker 6>that I just said, But then the other thing that

0:35:23.680 --> 0:35:25.120
<v Speaker 6>I just said is like, Christian, I just want to

0:35:25.120 --> 0:35:29.200
<v Speaker 6>see you draw ghosts. And it turns out turns out

0:35:29.200 --> 0:35:34.120
<v Speaker 6>he's great at it, Like he's absolutely great, and you

0:35:34.160 --> 0:35:36.319
<v Speaker 6>know that that's part of the fun of it too.

0:35:36.440 --> 0:35:39.440
<v Speaker 6>It's just like us coming up with some very unconventional

0:35:39.480 --> 0:35:42.160
<v Speaker 6>types of ghosts and then unleashing them on our core

0:35:42.239 --> 0:35:45.960
<v Speaker 6>cast and you know, it's a great, big mystery, and

0:35:46.400 --> 0:35:47.640
<v Speaker 6>you know, and then on top of that, it's going

0:35:47.719 --> 0:35:49.319
<v Speaker 6>to you know, a lot of my series are very

0:35:49.320 --> 0:35:52.960
<v Speaker 6>sprawling over many years, but Spectrograph is a tight story.

0:35:53.040 --> 0:35:56.680
<v Speaker 6>It's you know, it's gonna be told in four oversight

0:35:56.800 --> 0:36:01.320
<v Speaker 6>forty six page issues in that kind of album format,

0:36:01.400 --> 0:36:04.760
<v Speaker 6>so it's like larger pages and the print quality is amazing,

0:36:05.160 --> 0:36:08.400
<v Speaker 6>Like it's a gorgeous, gorgeous book. So it's just like

0:36:08.560 --> 0:36:10.960
<v Speaker 6>I am, I'm very very excited for people to pick

0:36:11.040 --> 0:36:13.719
<v Speaker 6>this up. It's uh, it's gonna be it's gonna be

0:36:13.719 --> 0:36:14.400
<v Speaker 6>something special.

0:36:14.719 --> 0:36:18.800
<v Speaker 2>Oh wow, I can't wait. You recently launched Tiny Onion

0:36:18.840 --> 0:36:20.040
<v Speaker 2>Studios tell us about that.

0:36:20.600 --> 0:36:24.759
<v Speaker 6>Yeah, so you know, at at its core, like the

0:36:25.360 --> 0:36:27.759
<v Speaker 6>like we we announced ourselves just a couple of months ago,

0:36:28.000 --> 0:36:30.360
<v Speaker 6>and you know, right now we're doing all of the

0:36:30.400 --> 0:36:34.120
<v Speaker 6>secret stuff that you know, everyone's not really gonna find

0:36:34.120 --> 0:36:36.439
<v Speaker 6>out what we're doing like for another year or two.

0:36:36.800 --> 0:36:39.000
<v Speaker 6>But there are a lot of very exciting things that

0:36:39.160 --> 0:36:41.279
<v Speaker 6>like the boulders have been pushed down the hill and

0:36:41.320 --> 0:36:44.759
<v Speaker 6>now they're rolling and that is very very exciting. But

0:36:45.440 --> 0:36:49.719
<v Speaker 6>you know, really in my entire career, I've I've liked

0:36:49.760 --> 0:36:53.680
<v Speaker 6>being I like, I've liked operating independently, and I've liked

0:36:53.800 --> 0:36:57.239
<v Speaker 6>being able to sort of drive my you know, let

0:36:57.360 --> 0:37:00.719
<v Speaker 6>my the create a vision of the books, sort of

0:37:00.800 --> 0:37:03.839
<v Speaker 6>drive how we bring them to the market and who

0:37:03.840 --> 0:37:06.360
<v Speaker 6>we bring them through. And the nice thing is is

0:37:06.400 --> 0:37:09.600
<v Speaker 6>like I have a footprint now at I think like

0:37:09.680 --> 0:37:13.160
<v Speaker 6>four of the five largest comic publishers right now, and

0:37:13.239 --> 0:37:15.520
<v Speaker 6>it's just like and so now we're able to sort

0:37:15.520 --> 0:37:17.799
<v Speaker 6>of be like, Okay, is this book an image book?

0:37:17.840 --> 0:37:19.640
<v Speaker 6>Is this book a dark horse book? Is this book?

0:37:19.719 --> 0:37:19.920
<v Speaker 2>You know?

0:37:20.560 --> 0:37:23.200
<v Speaker 6>Uh like and then like you know, it's the fifth

0:37:23.239 --> 0:37:25.640
<v Speaker 6>year anniversary if something is killing the children, and the

0:37:25.680 --> 0:37:28.320
<v Speaker 6>tenth year anniversary of all my work with Boom Studios,

0:37:28.400 --> 0:37:30.840
<v Speaker 6>and you know, the biggest question that I got from

0:37:31.040 --> 0:37:33.560
<v Speaker 6>you know, retailers and from my publishers was just like

0:37:33.880 --> 0:37:35.840
<v Speaker 6>are you a publisher? Now? What are are you? And

0:37:35.880 --> 0:37:38.239
<v Speaker 6>it's just like, no, no, we're It's like, imagine an

0:37:38.440 --> 0:37:41.239
<v Speaker 6>independent film studio and we are. We go and we

0:37:41.320 --> 0:37:43.839
<v Speaker 6>work with like all of our great friends and all

0:37:43.840 --> 0:37:47.440
<v Speaker 6>of these different distributions, like all the different distributors, but

0:37:47.480 --> 0:37:51.160
<v Speaker 6>we're like we sort of we build things independently on

0:37:51.200 --> 0:37:54.320
<v Speaker 6>our own and then we bring them into the publishing system.

0:37:54.840 --> 0:37:57.239
<v Speaker 6>And you know, it's a kind of new, new way

0:37:57.280 --> 0:37:59.879
<v Speaker 6>to approach it, but it's also you know, it's both

0:38:00.200 --> 0:38:04.360
<v Speaker 6>and it's also very similar to how the initial studios

0:38:04.360 --> 0:38:09.400
<v Speaker 6>that comprised image, So it is just the like basically,

0:38:09.440 --> 0:38:12.400
<v Speaker 6>this allows me to kind of set the groundwork for

0:38:12.440 --> 0:38:14.720
<v Speaker 6>what I want to build over the next five ten years.

0:38:15.040 --> 0:38:16.840
<v Speaker 6>And then on top of that, it allows us to

0:38:16.880 --> 0:38:21.200
<v Speaker 6>sort of pull together our resources as we approach bringing

0:38:21.239 --> 0:38:26.000
<v Speaker 6>these works into into multimedia, into film and television and animation,

0:38:26.120 --> 0:38:29.960
<v Speaker 6>and we have a lot of ambitions there. So that's

0:38:30.360 --> 0:38:32.680
<v Speaker 6>and it's you know, and it's been exciting because you know,

0:38:32.920 --> 0:38:35.600
<v Speaker 6>I've been able to watch the process as something is

0:38:35.640 --> 0:38:38.280
<v Speaker 6>Killing the Children has been in development over at Netflix

0:38:38.320 --> 0:38:40.319
<v Speaker 6>for the last few years, and it's like it's in

0:38:40.360 --> 0:38:42.400
<v Speaker 6>a very good place. I can't say anything more than that,

0:38:42.480 --> 0:38:45.040
<v Speaker 6>but it's a things are moving very well and then

0:38:45.320 --> 0:38:47.920
<v Speaker 6>you know, very exciting things are happening behind the scenes

0:38:47.960 --> 0:38:51.000
<v Speaker 6>with Department of Truth right now that I really wish

0:38:51.040 --> 0:38:54.839
<v Speaker 6>I could hint that, but I can't say more than that.

0:38:55.600 --> 0:38:57.759
<v Speaker 6>But it is just like we have, you know, It's

0:38:57.840 --> 0:39:01.360
<v Speaker 6>it's been really really nice to sort of see how

0:39:01.480 --> 0:39:05.080
<v Speaker 6>these you know, how the system works and the way

0:39:05.239 --> 0:39:08.359
<v Speaker 6>in which I want my work to live on in

0:39:08.400 --> 0:39:11.319
<v Speaker 6>other media, while still making sure that the heart of

0:39:11.320 --> 0:39:14.759
<v Speaker 6>what I do and the core reason that I'm making

0:39:14.800 --> 0:39:17.880
<v Speaker 6>all of these comics is to make really really good comics.

0:39:17.920 --> 0:39:20.920
<v Speaker 6>Like that is the that is my number one concern,

0:39:21.360 --> 0:39:23.120
<v Speaker 6>you know, and especially when I talk to retailers. I

0:39:23.120 --> 0:39:25.560
<v Speaker 6>want to make really good comics that do well for

0:39:25.640 --> 0:39:28.160
<v Speaker 6>retailers because I want I need them to sell well

0:39:28.239 --> 0:39:30.719
<v Speaker 6>enough so that they want to buy more from me. Yeah,

0:39:31.719 --> 0:39:34.200
<v Speaker 6>it's the curse of being a high output writer is

0:39:34.239 --> 0:39:36.000
<v Speaker 6>that it's just like I need them to buy a

0:39:36.040 --> 0:39:37.920
<v Speaker 6>lot of my comics. So it's just like they have

0:39:38.000 --> 0:39:40.879
<v Speaker 6>to keep I have to keep making sure that they're

0:39:40.880 --> 0:39:44.239
<v Speaker 6>good and that they sell, and I'm gonna do my

0:39:44.360 --> 0:39:46.200
<v Speaker 6>damndest to make that happen.

0:39:46.840 --> 0:39:47.360
<v Speaker 1>I love that.

0:39:47.440 --> 0:39:50.160
<v Speaker 3>And also speaking of retailers, finally, this is so this

0:39:50.280 --> 0:39:53.200
<v Speaker 3>is going to be our Free Comic Book Day episode

0:39:53.200 --> 0:39:55.200
<v Speaker 3>because it's gonna come out just before Free Comic Book Day.

0:39:55.400 --> 0:39:57.760
<v Speaker 3>So what's your favorite free comic book Bay memory?

0:39:58.360 --> 0:40:03.000
<v Speaker 6>Let me try to remember, like I think, uh, you know,

0:40:03.080 --> 0:40:07.000
<v Speaker 6>there was a a Free Comic Book Day early in

0:40:07.040 --> 0:40:10.840
<v Speaker 6>my career that I went to a store signing in

0:40:10.920 --> 0:40:15.799
<v Speaker 6>Indiana and that with Scott Snyder. And then afterwards, like me, Scott,

0:40:16.600 --> 0:40:20.040
<v Speaker 6>Mark Wade, and Chris Somney, like a fan had brought

0:40:20.239 --> 0:40:24.120
<v Speaker 6>a like a like sharpened batterrang and we were all

0:40:24.320 --> 0:40:27.120
<v Speaker 6>throwing the batterrang into like.

0:40:27.120 --> 0:40:31.080
<v Speaker 1>A piece of wood and the incredible Yeah.

0:40:30.920 --> 0:40:32.640
<v Speaker 6>No, that was that was pretty good. I was not

0:40:32.760 --> 0:40:35.520
<v Speaker 6>good at throwing the batter rang. Scott on his first

0:40:35.560 --> 0:40:37.640
<v Speaker 6>throw got like a perfect throw and then it's like

0:40:37.680 --> 0:40:40.040
<v Speaker 6>I'm not throwing it again. But I mean I'm like,

0:40:40.920 --> 0:40:43.920
<v Speaker 6>you know, like that was an accident and that is

0:40:43.960 --> 0:40:48.280
<v Speaker 6>not gonna happen again. But yeah, no, that that's probably

0:40:48.400 --> 0:40:49.880
<v Speaker 6>that's probably the standout memory.

0:40:50.480 --> 0:40:50.960
<v Speaker 1>I love that.

0:40:51.920 --> 0:40:53.719
<v Speaker 2>Well, James, thank you so much for joining us. Has

0:40:53.760 --> 0:40:55.080
<v Speaker 2>been a delightful conversation.

0:40:55.480 --> 0:40:56.399
<v Speaker 1>Yeah, thank you so much.

0:40:56.520 --> 0:40:57.560
<v Speaker 6>You so much for having me.

0:41:02.320 --> 0:41:04.840
<v Speaker 2>Every episode we liked in the show with a fast

0:41:04.880 --> 0:41:08.040
<v Speaker 2>moving segment. This time we're doing Who's Who, and we're

0:41:08.040 --> 0:41:11.239
<v Speaker 2>gonna be talking about the weirdest, our favorite weirdest. They're

0:41:11.280 --> 0:41:18.080
<v Speaker 2>all weird, honestly, from really, who are our favorite weird

0:41:18.160 --> 0:41:22.120
<v Speaker 2>characters from Old Man Logan? Who are your favorite Who's

0:41:22.120 --> 0:41:23.479
<v Speaker 2>your favorite weirdo from Old Man Logan?

0:41:23.600 --> 0:41:26.680
<v Speaker 3>To me, there's only one answer, and that is the

0:41:26.800 --> 0:41:28.000
<v Speaker 3>Venomized t Rex.

0:41:28.239 --> 0:41:30.879
<v Speaker 1>I love it aka venom Bonded t Rex.

0:41:30.920 --> 0:41:33.439
<v Speaker 3>But still, let's be real, that is such a cool

0:41:33.520 --> 0:41:36.719
<v Speaker 3>character design. That's such a cool idea, and I love

0:41:36.760 --> 0:41:40.600
<v Speaker 3>that it's actually been like expanded out now and they

0:41:40.640 --> 0:41:44.520
<v Speaker 3>even did like a Ethan Saxon, Marco Chicato and Old

0:41:44.600 --> 0:41:47.480
<v Speaker 3>Man Hawke I six did like an origin story for

0:41:47.520 --> 0:41:49.680
<v Speaker 3>the for the venom bonded t Rex. So I think

0:41:49.719 --> 0:41:52.600
<v Speaker 3>for me that's always stood out as like a really

0:41:52.680 --> 0:41:54.360
<v Speaker 3>cool idea and I would love to see that in

0:41:54.400 --> 0:41:55.719
<v Speaker 3>depthol Wolverine what about you?

0:41:56.239 --> 0:41:56.520
<v Speaker 6>For me?

0:41:56.840 --> 0:41:59.959
<v Speaker 2>You know, old Man logan is really all about its villain.

0:42:00.840 --> 0:42:03.280
<v Speaker 2>It's a story center in world in which the villains

0:42:03.320 --> 0:42:08.040
<v Speaker 2>are triumphant, and so, you know, not a weirdo per se,

0:42:08.640 --> 0:42:11.919
<v Speaker 2>But I'm gonna go with Red Skull. We see Red

0:42:11.960 --> 0:42:17.480
<v Speaker 2>Skull triumphant in this book, and at in my opinion,

0:42:17.880 --> 0:42:22.400
<v Speaker 2>his most evil ever, not counting having a piece of

0:42:22.560 --> 0:42:27.960
<v Speaker 2>Charles's brain implanted in his brain. Like this is for me,

0:42:28.080 --> 0:42:31.520
<v Speaker 2>the most evil Red Skull we've ever seen. And we

0:42:31.600 --> 0:42:36.360
<v Speaker 2>get a glimpse of the Red Skull in his like

0:42:36.840 --> 0:42:44.680
<v Speaker 2>museum of Pilford hero artifacts, and it is unnerving. Let's

0:42:44.680 --> 0:42:45.160
<v Speaker 2>just say that.

0:42:45.239 --> 0:42:49.840
<v Speaker 1>Yeah, what a weirdo. What a weirdo? What a weirdo? Jason?

0:42:49.840 --> 0:42:51.320
<v Speaker 1>What are you looking forward to this week?

0:42:51.840 --> 0:42:55.080
<v Speaker 2>Oh gosh, I'll tell you. What I'm looking forward to

0:42:55.200 --> 0:42:57.960
<v Speaker 2>is going to the movies and seeing The Stuntman. The

0:42:58.000 --> 0:43:03.080
<v Speaker 2>Stuntman movie is starring Ryan Garsling, an ode to old

0:43:03.120 --> 0:43:07.560
<v Speaker 2>school practical effects and guys falling off buildings on fire

0:43:07.719 --> 0:43:12.520
<v Speaker 2>into large inflatable crash bags. I am really excited to

0:43:12.560 --> 0:43:13.759
<v Speaker 2>see this movie. What about you?

0:43:14.560 --> 0:43:16.600
<v Speaker 1>I love that movie. I'm glad you shout out the

0:43:16.600 --> 0:43:19.799
<v Speaker 1>fall Guy. Absolutely delightful movie. I hope everyone goes to

0:43:19.800 --> 0:43:21.799
<v Speaker 1>see it. It's a love led to Stuntman. And I

0:43:21.840 --> 0:43:24.520
<v Speaker 1>also hope that it means that we finally get a

0:43:24.560 --> 0:43:26.040
<v Speaker 1>stunt oscar. It's way over due.

0:43:26.080 --> 0:43:27.879
<v Speaker 3>I have a couple of core things. Obviously, free comic

0:43:27.880 --> 0:43:30.600
<v Speaker 3>book They can't wait for it. So what is Free

0:43:30.600 --> 0:43:32.520
<v Speaker 3>Comic Book Day? It really is a day when you

0:43:32.560 --> 0:43:34.760
<v Speaker 3>can go to your comic shop and you can get

0:43:34.840 --> 0:43:38.360
<v Speaker 3>free comics. Now, not every comic is free, but you

0:43:38.480 --> 0:43:40.799
<v Speaker 3>can go in and they will have a ton of

0:43:40.840 --> 0:43:44.319
<v Speaker 3>different comics. Every publisher puts out special comics on Free

0:43:44.320 --> 0:43:45.000
<v Speaker 3>Comic Book Day.

0:43:45.120 --> 0:43:45.839
<v Speaker 1>This year it's on.

0:43:45.840 --> 0:43:48.480
<v Speaker 3>May fourth, so it coincides with Star Wars Day, which

0:43:48.480 --> 0:43:52.480
<v Speaker 3>I think is very exciting. And traditionally it's basically held

0:43:52.520 --> 0:43:54.719
<v Speaker 3>the first Saturday in May every year, which has kind

0:43:54.760 --> 0:43:57.319
<v Speaker 3>of become like the Blockbuster release week, and.

0:43:57.280 --> 0:43:58.120
<v Speaker 1>It's very interesting.

0:43:58.160 --> 0:43:59.680
<v Speaker 3>This is the first year in a while we haven't

0:43:59.680 --> 0:44:02.279
<v Speaker 3>had a superhero movie that the Free Comic Bookday. This

0:44:02.480 --> 0:44:05.120
<v Speaker 3>movie this year is basically The Fall Guy, but it

0:44:05.200 --> 0:44:08.319
<v Speaker 3>began in two thousand and two, and you can go

0:44:08.360 --> 0:44:10.880
<v Speaker 3>to your local comic book shop and you can grab

0:44:10.960 --> 0:44:13.240
<v Speaker 3>a bunch of different free comics. Different comic book shops

0:44:13.239 --> 0:44:16.160
<v Speaker 3>do it different ways. Some places do pre bagged, some

0:44:16.280 --> 0:44:19.759
<v Speaker 3>you can go and grab a comic and it's done.

0:44:19.760 --> 0:44:23.200
<v Speaker 3>It pretty much every comic shop across North America and

0:44:23.239 --> 0:44:26.000
<v Speaker 3>definitely in England where I used to live. So it's

0:44:26.040 --> 0:44:28.080
<v Speaker 3>really fun and it's a great way to try out

0:44:28.320 --> 0:44:32.560
<v Speaker 3>new art new artists. And I want to shout out

0:44:32.600 --> 0:44:36.080
<v Speaker 3>the comic Bite Ngozia Kazu Barda. That's one of my

0:44:36.120 --> 0:44:38.400
<v Speaker 3>most anticipated comics of the year. You can get it

0:44:38.400 --> 0:44:41.080
<v Speaker 3>from your local comic book shop this weekend at Free

0:44:41.080 --> 0:44:41.799
<v Speaker 3>Comic Book Day.

0:44:42.000 --> 0:44:44.080
<v Speaker 1>Also, if you're in New York, Den.

0:44:43.840 --> 0:44:47.200
<v Speaker 3>Of Geek is doing a super cool event to celebrate

0:44:47.320 --> 0:44:50.799
<v Speaker 3>the anniversary of the X Files and it looks really

0:44:50.840 --> 0:44:52.719
<v Speaker 3>rad and I got to be a part of choosing

0:44:53.120 --> 0:44:55.279
<v Speaker 3>and voting on their Monster of the Week and that's

0:44:55.320 --> 0:44:57.440
<v Speaker 3>on Friday. So if you're listening to this when it

0:44:57.480 --> 0:44:59.840
<v Speaker 3>actually comes out, if you're in New York, check that

0:45:00.200 --> 0:45:01.560
<v Speaker 3>we can put a link in the show notes.

0:45:02.400 --> 0:45:03.720
<v Speaker 2>Thanks for listening to Extra Vision.

0:45:03.760 --> 0:45:11.760
<v Speaker 1>See you next time, See you next time, guys. Bye.

0:45:13.520 --> 0:45:16.880
<v Speaker 2>X Ray Vision is hosted by Jason Kensumsion and Rosie

0:45:16.920 --> 0:45:21.160
<v Speaker 2>Knight and is a production of iHeart Podcasts. Our executive

0:45:21.200 --> 0:45:23.760
<v Speaker 2>producers are Joelle Smith and Aaron Kaufman.

0:45:24.200 --> 0:45:25.960
<v Speaker 1>Our supervising producer is.

0:45:26.160 --> 0:45:31.240
<v Speaker 2>A Boo Zafar. Our producers are Carmen Laurent and Mia Taylor.

0:45:32.000 --> 0:45:34.080
<v Speaker 2>Our theme song is by Brian Basquez.

0:45:34.560 --> 0:45:38.880
<v Speaker 3>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:45:39.239 --> 0:45:41.280
<v Speaker 3>and Heidi our discord moderator.