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Speaker 1: This Q and A episode is presented by Hyundai. Hey there,

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Speaker 1: Fana Ritos, Welcome back to How Rude Tana Ritos.

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Speaker 2: Back by popular demand, we are doing another fan Q

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Speaker 2: and A. It's been amazing to meet so many of

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Speaker 2: you in answer the questions you have for us, so

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Speaker 2: we will jump at any opportunity to do these q

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Speaker 2: and as. We absolutely love them, and we're bringing three

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Speaker 2: fans onto the podcast today and answering. They're hard hitting,

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Speaker 2: full house questions face to face, while I also lose

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Speaker 2: my voice, it's not getting at once.

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Speaker 1: Plus, we have some bonus questions that we'll be answering

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Speaker 1: from our Instagram post, so stay tuned to see if

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Speaker 1: your question gets answered. Now let's get into it.

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Speaker 3: Welcome to the show. Caitlin, we all managed it, yay,

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Speaker 3: look at us.

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Speaker 4: Yeah, yeah, I did it. I've managed to weasel my

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Speaker 4: way in here finally.

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Speaker 2: Yeah, so excited.

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Speaker 1: Wait are you the Caitlin that we met in ninety

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Speaker 1: at nineties con and Larkin Kate.

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Speaker 4: Yeah, that's right, I love it. Welcome to the pod.

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Speaker 4: You finally made it so much.

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Speaker 5: This is unbelievable. I'm like freaking out. I'm shaking the

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Speaker 5: whole nine really.

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Speaker 1: Oh, we're easy. We're easy, we're you know, we don't bite.

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Speaker 1: We'll screw this up somehow, you know.

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Speaker 4: Oh yeah, this is the.

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Speaker 2: Bar for this is like, it's just it's us trying

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Speaker 2: to not blow it significantly, you know what I mean.

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Speaker 4: You're fine.

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Speaker 3: Just have fun. We're here, get it, we're enjoying.

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Speaker 2: Yeah, nowhere.

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Speaker 4: Where are you based?

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Speaker 2: Where are you from?

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Speaker 1: What states? Live in Orlando, Florida? Okay, so we met

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Speaker 1: you at the Florida nineties.

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Speaker 4: Yeah, Florida in Tampa, so not too terribly far away

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Speaker 4: from me, all right, And.

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Speaker 1: You're a Beatles fan. I can see behind you all

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Speaker 1: of your Beetles stuff and your full house swag.

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Speaker 3: You know. My younger orter is actually named after the

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Speaker 3: Beatles Beatrix. Yeah.

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Speaker 5: You actually told me that her birth announcement was the

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Speaker 5: bass drum.

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Speaker 3: Yeah it was.

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Speaker 2: We have little pins made that instead of it saying

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Speaker 2: like Ludwig the drum kit, you know, it says lovely

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Speaker 2: little Beatrix on it. So yeah, we have those. She

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Speaker 2: has an actual little drum head in her room too,

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Speaker 2: so that's awesome.

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Speaker 5: I don't know, well, you can't see it because I

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Speaker 5: have strategically placed other accrou trement over here sit in

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Speaker 5: the background. But I do have a Paul McCartney Hoffner

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Speaker 5: base back there and all kinds of awesome and.

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Speaker 4: Stuff like that. I'm a DJ on the Beatles channel.

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Speaker 2: So oh my god. Well, then I'm sure that my

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Speaker 2: my younger daughter's dad, my ex husband Morty uh listens,

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Speaker 2: probably listens to you, because oh.

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Speaker 5: My god, I can't even fathom that he is obsessed

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Speaker 5: with the Beatles, like obsessed hence Beatrix. So yeah, Well

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Speaker 5: when I saw you guys in saw Jeff Franklin and

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Speaker 5: I told him what I did. He was like, oh,

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Speaker 5: I saw the Beatles in nineteen sixty five at the Bowl,

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Speaker 5: and I'm just.

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Speaker 4: Like, right, amaz.

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Speaker 2: So cool, so cool. Well, this has now turned into

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Speaker 2: a Beatles podcast, so everyone, thanks for joining us.

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Speaker 3: It's been a hard day's night. We actually did use

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Speaker 3: the song.

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Speaker 2: Help before on the show, so that's our Beatles tie

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Speaker 2: in because everything goes back to the Beatles.

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Speaker 4: Oh my god, this isn't actually going to be on

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Speaker 4: this part, is it.

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Speaker 2: Oh yeah, every sign cal you're on, we should have

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Speaker 2: probably told you that.

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Speaker 1: But well, we are unedited, we're unfiltered.

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Speaker 2: And man, this is the thing.

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Speaker 3: We just go we just step right off the ledge

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Speaker 3: and we just go. There's no safety net at all.

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Speaker 4: Oh man, Yeah, Dang's here's the thing.

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Speaker 2: So far, you've been just endearing, hilarious, wonderful. You haven't

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Speaker 2: said anything that you that you should regret.

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Speaker 4: So you're gossome.

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Speaker 1: You're part of the she wolf pack.

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Speaker 2: Now welcome.

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Speaker 4: Ye stop it.

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Speaker 1: Yes, that's the best thing you guys could say.

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Speaker 3: You know, now that you know you're on a podcast.

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Speaker 2: Uh did you Well, I'd love to hear what your

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Speaker 2: question was.

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Speaker 4: Yeah.

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Speaker 5: So, actually this whole thing is pretty funny because I

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Speaker 5: am actually here kind of as a understudy. So my

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Speaker 5: very good friend Jennifer was actually picked on Instagram. It

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Speaker 5: was her question that she was going to ask now

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Speaker 5: because adulting sucks and nobody really wants to do that.

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Speaker 4: She had to go to work and she's like, oh

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Speaker 4: my god, I don't know what I'm gonna do, and

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Speaker 4: I'm like, can I step in? Can this happen?

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Speaker 2: You're like, I look, I mean, I it's a little

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Speaker 2: bit of an inconvenience, but I'll do what I can.

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Speaker 4: Yeah.

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Speaker 5: Yeah, no, she's I mean, she's so upset that she

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Speaker 5: can't be here. She sends her love and all that kind.

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Speaker 2: Of suff Well, right back, yeah, she hadn't worked, Jennifer,

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Speaker 2: But we're glad you have a job, you know.

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Speaker 1: Yeah, yeah, that's something to celebrate. Yes, So what's Jennifer's

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Speaker 1: question via Caitlyn Larkin?

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Speaker 4: Oh my god, sup, I love when you do that.

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Speaker 4: It gets me every time.

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Speaker 5: So Jen's question is what plot holds and inconsistencies bother

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Speaker 5: you the most, Jennifers is Kimmy's ever changing family members,

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Speaker 5: while mine personally is Uncle Jesse graduating high school but

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Speaker 5: and going to his ten year reunion, only till later

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Speaker 5: it be discovered that he was a high school dropout.

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Speaker 2: Oh, I haven't.

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Speaker 4: Gotten to that yet.

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Speaker 2: We haven't got it yet. Yeah, I was like, he

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Speaker 2: was tell me more.

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Speaker 3: No, yeah again.

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Speaker 2: Our knowledge of the show stops at what season three,

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Speaker 2: episode seven are early reviewing?

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Speaker 1: Okay, so what plot?

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Speaker 3: God, there's so many. I'm like, I don't know, it's

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Speaker 3: just well, I'll take one.

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Speaker 1: The one that Jennifer mentioned was a Jennifer's Jennifer's favorite

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Speaker 1: plot hoole inconsistency. Okay, yeah, Kimmy's siblings, which started out

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Speaker 1: Kimmy had three sisters in the pilot.

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Speaker 4: Is that right?

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Speaker 1: I have to like verify you're like our friends, right,

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Speaker 1: please tell us you okay, we had three sisters in

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Speaker 1: the pilot.

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Speaker 2: Oh I am your Phona fan Phona fan. Oh great, okay,

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Speaker 2: oh good?

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Speaker 1: And then later Garth hasn't appeared yet on in season one,

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Speaker 1: two or three, I don't know when he comes, but

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Speaker 1: later on he doesn't.

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Speaker 5: Garth Garth never makes an appearance. No, no, he doesn't

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Speaker 5: make it appearance.

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Speaker 4: We know he doesn't make it appearance.

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Speaker 2: But even we.

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Speaker 5: First mentioned him, he gets mentioned during the wild Thing

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Speaker 5: episode with the car.

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Speaker 1: Okay, so that's that's a few seasons way later, because

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Speaker 1: they gave him thirteen and season three.

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Speaker 4: Maybe maybe he was adopted.

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Speaker 2: Maybe he was adopted, maybe he was like maybe the

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Speaker 2: Gibblers took him in as an older teenager. Maybe the Gibblers.

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Speaker 2: Here's the thing, maybe the Gibblers were a foster family

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Speaker 2: and so they had a lot of kids coming in out.

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Speaker 2: But they all they call them, you know, siblings to

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Speaker 2: really create a family dynamic. So maybe, uh, that's what

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Speaker 2: it was. Although I do think maybe the Ostrich might

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Speaker 2: have prevented them from becoming a foster family.

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Speaker 3: Although you know, who knows.

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Speaker 1: Well, that's a much better theory than the real story,

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Speaker 1: which is not even a real story. But so, no, no,

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Speaker 1: when we were doing Fuller House, I was called you, Felicity,

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Speaker 1: yelling you Felicity, Jody, I need more coffee.

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Speaker 4: Okay.

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Speaker 1: So when we went in to shoot Fuller House and

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Speaker 1: they were going to introduce the character of Jimmy Gibbling,

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Speaker 1: they said it, We're so excited, We're gonna Jimmy Gibbler.

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Speaker 1: And I'm like, guys, no, the fans are going to

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Speaker 1: lord this over me. I'm gonna get questions, I'm gonna

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Speaker 1: get dms, I'm gonna get emails for the rest of

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Speaker 1: my life if you name him anything other than Garth.

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Speaker 2: And they're like, well, no, we like Jimmy and Cummy.

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Speaker 2: We like the rhyming part of it.

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Speaker 1: And I'm like, okay, here we go, and I'm still

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Speaker 1: hearing about it. I'm still hearing about it and I will.

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Speaker 3: But was Garth?

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Speaker 2: I thought Garth was older because we mentioned him in

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Speaker 2: the well, we mentioned Garth in the episode where We're

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Speaker 2: Chained Together?

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Speaker 3: Are you were you? And we do mention him.

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Speaker 2: Then, okay, But he's often like Reno or something so

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Speaker 2: he's obviously older. He's older, So Jimmy was younger though,

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Speaker 2: because Jimmy's younger than me. Oh so Jimmy, Jimmy is

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Speaker 2: a is a baby and does not replace Garth. But

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Speaker 2: we don't know what happened to Garth. Maybe he went

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Speaker 2: to Reno and never came back, and he's a degenerate gambler.

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Speaker 2: I don't know there anything could be possible in the

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Speaker 2: Gibbler family. I'm saying, I'm surprised that I've been able

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Speaker 2: to make this connection.

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Speaker 3: And this is where.

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Speaker 1: We're well, because you married into the fam, you married

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Speaker 1: into the Gibbler.

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Speaker 3: Family family I had.

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Speaker 1: Yeah, yeah, so you have to know the family lore

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Speaker 1: and the family.

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Speaker 2: You know, Garth wasn't invited, so obviously there's you know,

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Speaker 2: there's a strange tensions.

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Speaker 1: There's yeah, he's down in the bunker with the Gibbler

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Speaker 1: parents right right, and Jimmy's RV. So yeah, it's a

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Speaker 1: it's a revolving door.

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Speaker 2: It's kind of like, you know, a failure to launch

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Speaker 2: across the board really with all the kids. But yeah, yes,

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Speaker 2: but you know, the Gibblers were a mess, so expected preach.

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Speaker 3: The kitlin.

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Speaker 2: I don't know if that was an answer, but it

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Speaker 2: was certainly a strange tangent.

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Speaker 1: Well, yeah, do you have one, Jody, do you have

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Speaker 1: a plot inconsistency that.

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Speaker 2: There's so many? I mean, my biggest one seems to

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Speaker 2: be the like, weird lack of connection between Jesse's family

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Speaker 2: and Danny's family, particularly at the beginning of the show. Okay,

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Speaker 2: because it's not like we were even a couple of

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Speaker 2: seasons in where you'd kind of forgotten that, like, oh,

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Speaker 2: the mom just died and the mom was your sister

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Speaker 2: and your wife, so like you are, you're literally his

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Speaker 2: brother in law and you mention it all the time. Yeah,

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Speaker 2: like it That to me was like the biggest.

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Speaker 3: Kind of weird Wait, what is just the family?

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Speaker 2: Everything else in the family dynamics of the cast felt

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Speaker 2: so genuine, and then it just left me with a

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Speaker 2: lot of questions besides the fact of where did old Grandmaco?

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Speaker 1: But uh, yeah, well, and and then when Nick and

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Speaker 1: Irene show up, it's rarely mentioned that, oh, hey, your

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Speaker 1: daughter passed away.

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Speaker 4: It's all about what I'm sick in.

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Speaker 2: His misogyny and Irene yat it's rarely mentioned that they

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Speaker 2: also doing And I'm like dude, your kids was just

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Speaker 2: killed in an accident. It's terrible. Well, you know, meanwhile,

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Speaker 2: he's like, make me a sandwich.

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Speaker 4: And after Jesse and get married, you never see him again.

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Speaker 1: Oh yeah, we don't see them after Becky and Jesse

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Speaker 1: get married.

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Speaker 4: There, so they're only really in season two.

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Speaker 5: You're not going to see them again until Jesse and

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Speaker 5: Becky's wedding, and then they're never on the show again,

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Speaker 5: which always bothers the Toil because you name one of

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Speaker 5: their grandsons.

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Speaker 4: Right, oh yeah.

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Speaker 1: Again, Wow, this is they move, This is terrible.

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Speaker 3: Back to Greece, which very Papooli.

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Speaker 2: They just never come back, very but right to Bury, Yeah,

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Speaker 2: to go be with Papuli's family, that was right, right,

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Speaker 2: or obviously back to New York where they seem to

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Speaker 2: be from with their accents, you know what I mean.

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Speaker 3: Right, I'm like, okay, so the.

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Speaker 2: Kids, the kids are like half Italian and Greek, so

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Speaker 2: this may that now I know why I can so easily. Yeah,

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Speaker 2: you know, the Sun just loves me. But I mean,

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Speaker 2: I don't know anyway that thing is. It just seems

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Speaker 2: like a weird disconnect.

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Speaker 1: Yeah, I agree, sure, I can't think of any other

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Speaker 1: plot inconsistencies, but I'm sure we'll come across.

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Speaker 2: Well, yeah, there are so.

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Speaker 3: Many you guys are in for a treat.

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Speaker 2: Oh good Gray, And I just want to.

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Speaker 5: Say on behalf of all the faner ritos while I'm

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Speaker 5: here and have this opportunity. Just it means so much

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Speaker 5: that you guys are you know, doing this and taking

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Speaker 5: that trip back and watching all these because you know,

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Speaker 5: a lot of us felt like we grew up with

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Speaker 5: you anyway, and it's like, oh, yeah, you know they're

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Speaker 5: my besties. Like this is the episode of Beach Boy

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Speaker 5: Bingo where you guys are all just hanging out in

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Speaker 5: the living room with the Beach Boys and Jesse goes, hey,

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Speaker 5: you guys want to see my room.

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Speaker 4: That's totally what's happening with me right now.

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Speaker 1: So it's so much I love it.

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Speaker 4: Well, it really does.

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Speaker 5: Doing this and sharing those behind the scenes stories and

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Speaker 5: you know other things like that and all the other

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Speaker 5: inside jokes with us now makes it feel even more

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Speaker 5: like a family, you know, like watching the show back

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Speaker 5: on you know, well.

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Speaker 4: DJ's upset, DJ's upset.

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Speaker 1: You know J's upset, right.

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Speaker 4: Yeah, you know it turns.

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Speaker 3: Right, yeah, yeah, I mean it's wild.

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Speaker 4: I'm ready for the merch.

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Speaker 1: By the way, we just we were talking about it.

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Speaker 3: Was literally well, thanks universe, thank you.

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Speaker 2: I guess now that's the same the thing the sign,

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Speaker 2: because we were literally talking about it earlier today.

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Speaker 3: So kay Lynn Larkin, thank you for Yeah.

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Speaker 1: Yeah, what should do for year two of the podcast?

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Speaker 1: And let's do merche, let's do ba.

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Speaker 2: I'm ready to coffee coffee coffee. Okay, coffee coffee, coffee.

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Speaker 1: Yeah, the joke's gotta work.

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Speaker 4: My spread Guard two thousand and one shirt, you know.

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Speaker 1: Oh that's fantastic.

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Speaker 3: I love it.

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Speaker 6: Well.

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Speaker 5: Last time I saw you, guys, I was wearing Rigby

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Speaker 5: as a ripoff, so I want to yes.

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Speaker 3: Rigby rip up.

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Speaker 2: Oh my god, that's terrifying one. I forgot we even

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Speaker 2: have that to come to.

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Speaker 3: Oh god, oh god.

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Speaker 1: Shirt. Please wear a different shirt every time we see you, tees,

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Speaker 1: wear a different shirt.

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Speaker 4: Okay, done, I have a miss.

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Speaker 2: I thought it.

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Speaker 4: The rippers. We're good, yes, love it, can't wait.

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Speaker 2: Well, hopefully we will be adding to some of those

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Speaker 2: T shirts with some ridiculous.

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Speaker 3: Merch ideas that we have for the podcast. So I'm

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Speaker 3: ready already, Well, Andrea, shall we on the count of three, one,

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Speaker 3: two three again. Yeah, it's very hard.

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Speaker 2: The timing is it's not great over zoom, but we

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Speaker 2: do our best, so we do.

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Speaker 1: We nailed it.

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Speaker 4: It was perfect though. Music tonight.

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Speaker 3: Yeah you know what.

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Speaker 2: Yeah, it's better if it's not good, which is also

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Speaker 2: the log line of our podcast, it's not good.

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Speaker 1: Okay. That's going on a T shirt.

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Speaker 2: With that on. Well, thank you so much for joining us, Kaitlin.

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Speaker 2: Tell Jennifer we are so sorry that we missed her.

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Speaker 2: But it was a great question and we had so

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Speaker 2: much fun having you on the show.

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Speaker 5: Thank you guys so much, and keep doing what you're doing.

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Speaker 5: And I hope to see you guys at another convention

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Speaker 5: in Florida sometime soon.

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Speaker 4: Please.

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Speaker 2: I mean we might just be able to do that,

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Speaker 2: so we'll see awesome. Sounds good, sounds good.

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Speaker 4: Thanks, Thanks.

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Speaker 1: Fun.

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Speaker 3: Oh she's so fun.

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Speaker 2: I love so great, like recognizing fans that we've seen

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Speaker 2: at these cons that we've seen it a couple ones

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Speaker 2: or that like have come up to us and Ben

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Speaker 2: so I can't tell you. I mean when you weren't

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Speaker 2: at the last con, I just kept texting you. I

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Speaker 2: was like, oh my god, we're getting so many fan

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Speaker 2: of Ritos that are coming through the line, like it

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Speaker 2: was really really fun. So it's so great to hear

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Speaker 2: that people are enjoying yes, ridiculousness that we do.

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Speaker 1: And I love that our relationship with the Fanarritos and

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Speaker 1: Caitlyn just sort of touched on this. It's a very

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Speaker 1: symbiotic relationship, like they love hearing the stories, like they

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Speaker 1: grew up with us, and we're like, we need fact checkers,

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Speaker 1: Like right, yeah.

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Speaker 3: Fact check what was happening.

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Speaker 2: Yeah, like someone told us a timeline because we're we're

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Speaker 2: kind of new.

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Speaker 4: Yeah, we're we're basically we're.

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Speaker 3: New Full House fans.

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Speaker 2: We're new to the the subreddit thread or whatever. Yeah,

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Speaker 2: we need we you know, we're just dipping our toe

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Speaker 2: in and we're we're only in season three, so please

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Speaker 2: be patient with us. We're just learning, uh, you know.

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Speaker 4: What the world of Full House is.

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Speaker 1: So yeah, it's a journey.

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Speaker 2: Yeah, I am here for it. And it's again confusing

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Speaker 2: because plot holes, things that just go away or don't happen,

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Speaker 2: or happened but then didn't or never to be seen again.

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Speaker 2: It's kind of yeah, right, it's a little little gaslighting

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Speaker 2: of the audience. You know what I mean you're like, hey,

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Speaker 2: this is a stick. No never mind, what what do

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Speaker 2: you mean that didn't happen? Yeah a little bit?

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Speaker 1: Oh man.

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Speaker 2: All right, well shall we take our next fabulous caller

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Speaker 2: of the day. Our next call of the day is

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Speaker 2: Sarah Hi.

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Speaker 1: Sarah Hi, Hi, say Hi, welcome to How Rude.

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Speaker 6: Thank you so nice to meet you. Guys.

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Speaker 1: Thanks, tell me you too.

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Speaker 2: Tell us where you're from.

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Speaker 7: I'm from New Jersey, so I'm on the East coast.

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Speaker 4: So it's like twenty is right now, we're here.

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Speaker 2: Okay, okay, okay, So what you're saying is you've had

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Speaker 2: enough coffee, whereas we probably haven't.

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Speaker 6: Yes, I had my lunch and my coffee. We're all

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Speaker 6: get to go.

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Speaker 1: Okay, you're in good shape. We're struggling.

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Speaker 2: I'm on the tail end of my like six a

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Speaker 2: m coffee so.

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Speaker 4: We need to fill it.

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Speaker 5: Then.

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Speaker 2: Seriously, well, thank you so much for coming on the show.

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Speaker 2: It is what we love getting to see our I mean,

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Speaker 2: you know, because we do our things over zoom, we

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Speaker 2: get to see our tan rito's faces, even though some

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Speaker 2: people might just be getting to listen to it, but

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Speaker 2: we get the lovely privilege of seeing our fan Rito's faces. So, Sarah,

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Speaker 2: it is so wonderful to see you and know what

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Speaker 2: is your question for me and ab today? Okay, what

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Speaker 2: you get?

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Speaker 7: I think I've watched Full House probably like a good

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Speaker 7: three times, the beginning all the way to the end.

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Speaker 7: Once it's like a little little kid. I had every DVD.

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Speaker 7: Then when I hit puberty and now as an adult,

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Speaker 7: and each time I've watched it, I've gained new perspectives

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Speaker 7: on it. So I'm actually a teacher. So my question

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Speaker 7: for you is, as a teacher, what is one episode

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Speaker 7: you would want every child to watch?

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Speaker 2: Oh, I can think of two.

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Speaker 1: I do you teach elementary school age?

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Speaker 2: I teach kindergarten in first grade, so I have that

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Speaker 2: was that was I wanted to teach first or second grade.

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Speaker 2: That was what my my undergrad degree is in is

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Speaker 2: elementary and I yeah, I wanted to do the little ones,

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Speaker 2: but sometimes you don't get to pick and then they

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Speaker 2: become middle schoolers now. But yeah, but the little ones, Oh, gosh,

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Speaker 2: one episode that I want. I mean I can think

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Speaker 2: right off the bat, the Duckface episode.

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Speaker 1: Yeah, because we just we just did that one a

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Speaker 1: few weeks ago. But that's such a good message about

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Speaker 1: treat others with kindness.

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Speaker 2: And again, it like that one, watching it, like you said,

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Speaker 2: as an adult and getting kind of a different perspective,

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Speaker 2: like that one actually kind of made me tear up

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Speaker 2: because I just saw, you know, I just saw so

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Speaker 2: much of who I am today in that bit of Steph.

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Speaker 3: And I'm just.

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Speaker 2: Really proud that, like maybe that episode got to be

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Speaker 2: an example to somebody of how to be that way

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Speaker 2: and how to stand up for people and you know,

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Speaker 2: and that we're not all perfect and that sometimes we

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Speaker 2: can you know, be mean, but then you go back

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Speaker 2: and you make it right. And I just loved the

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Speaker 2: message of that episode and I love you know. Again

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Speaker 2: he comes back in some future episodes, so like that'll

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Speaker 2: be fun to see that too.

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Speaker 3: But that was a really important one. And I'd say, the.

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Speaker 1: Gosh, Stephan, he's been sticking up for the underdog since

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Speaker 1: nineteen eighty nine.

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Speaker 2: Sure, yeah, yeah, yeah.

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Speaker 1: Well I was gonna say this doesn't apply to elementary school.

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Speaker 4: It's more like the high school set.

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Speaker 1: But the episode where Kimmy gets drunk at a frat

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Speaker 1: party and tries to drive home right and DJ stops

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Speaker 1: her and takes her keys and they fight.

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Speaker 6: Yeah.

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Speaker 1: I think that's a great a really great one. Yeah,

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Speaker 1: for high schoolers to watch or middle school you know

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Speaker 1: whatever age, whatever age is appropriate. But yeah, that's a

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Speaker 1: that's a great message that you hammer home to even adults.

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Speaker 1: It does.

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Speaker 2: I guess it doesn't matter what age. Anybody could learn

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Speaker 2: from that one.

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Speaker 1: Was just like, hey, if you're gonna have a drink,

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Speaker 1: be responsible, give your keys to somebody else. Yeah, that's

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Speaker 1: a that's a good one.

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Speaker 2: And the child.

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Speaker 3: Abuse episode, that's the one I wrote down.

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Speaker 7: I had that Silent Ones folded and Stephanie's wild ride

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Speaker 7: with the car.

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Speaker 2: I was gonna say the car one too. Yeah, yeah, yeah,

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Speaker 2: kids getting in cars and doing stupid. Yeah, that's always

447
00:20:05,240 --> 00:20:06,440
Speaker 2: a good lesson to learn.

448
00:20:07,440 --> 00:20:09,560
Speaker 1: I haven't seen those. I'm excited to watch them.

449
00:20:09,640 --> 00:20:12,720
Speaker 2: Yeah, me and Gia we go. And then again the

450
00:20:12,760 --> 00:20:13,920
Speaker 2: guys getting an accident.

451
00:20:14,440 --> 00:20:17,879
Speaker 1: Oh of course it's Gea. It's always Gia.

452
00:20:18,840 --> 00:20:21,400
Speaker 2: Trying to get me to park illegally get in a wild,

453
00:20:21,520 --> 00:20:22,119
Speaker 2: dangerous car.

454
00:20:22,280 --> 00:20:25,440
Speaker 1: Now, and what about the there's an episode. I think

455
00:20:25,440 --> 00:20:26,560
Speaker 1: it's the earthquake one.

456
00:20:26,760 --> 00:20:28,800
Speaker 3: I was gonna say the earth quakepe stuff.

457
00:20:28,560 --> 00:20:31,240
Speaker 1: Struggles and goes to therapy. Is that yeah, it happens.

458
00:20:31,320 --> 00:20:34,320
Speaker 2: Yeah, that's another important message there. That's I thought that

459
00:20:34,400 --> 00:20:38,120
Speaker 2: was a super important one because like we didn't I mean,

460
00:20:38,160 --> 00:20:41,080
Speaker 2: thinking back on it, like therapy wasn't like a you know,

461
00:20:41,240 --> 00:20:44,760
Speaker 2: it wasn't like it is now where like a lot

462
00:20:44,800 --> 00:20:48,640
Speaker 2: of people are a lot more in tune to therapy

463
00:20:48,720 --> 00:20:50,199
Speaker 2: or what you know. It was kind of a like,

464
00:20:50,240 --> 00:20:53,679
Speaker 2: oh wow, like stuff's really struggling. But like, again, what

465
00:20:53,800 --> 00:20:57,040
Speaker 2: a great message that, Hey, sometimes something really scary happens

466
00:20:57,040 --> 00:21:00,080
Speaker 2: and you need to talk to somebody and that's okay.

467
00:21:00,280 --> 00:21:02,800
Speaker 2: You know again, I just we watched this show and

468
00:21:02,800 --> 00:21:06,760
Speaker 2: I'm like, wow, we've taught some really good little lessons.

469
00:21:08,000 --> 00:21:09,240
Speaker 1: We did a good job.

470
00:21:09,240 --> 00:21:10,680
Speaker 6: You guys certainly did.

471
00:21:10,760 --> 00:21:13,439
Speaker 7: I mean, I think part of the reason why I

472
00:21:13,480 --> 00:21:15,639
Speaker 7: wanted to become a teacher was because of some of

473
00:21:15,640 --> 00:21:19,199
Speaker 7: the episodes on your show. And I'm twenty four, so

474
00:21:19,240 --> 00:21:22,360
Speaker 7: this came out, Like I watched it way after premiered,

475
00:21:22,440 --> 00:21:25,600
Speaker 7: and it's really such a generational TV show, Like I

476
00:21:25,600 --> 00:21:28,760
Speaker 7: can't wait to show my future children the show because

477
00:21:28,760 --> 00:21:31,440
Speaker 7: there's so much to be learned from just watching all

478
00:21:31,480 --> 00:21:31,679
Speaker 7: of you.

479
00:21:32,400 --> 00:21:36,320
Speaker 1: Wow, TV, thank you, thank you. What a what a

480
00:21:36,359 --> 00:21:40,280
Speaker 1: wonderful compliment. Yeah, okay, so you're what were your two?

481
00:21:40,359 --> 00:21:43,080
Speaker 1: Did you have two? Silence is not golden? Was there

482
00:21:43,080 --> 00:21:43,520
Speaker 1: another one?

483
00:21:43,600 --> 00:21:45,280
Speaker 4: With the car Stephanie's wild drive?

484
00:21:45,359 --> 00:21:47,840
Speaker 1: Oh this stuff she said, Okay, okay, yeah, gosh, yeah,

485
00:21:47,960 --> 00:21:51,600
Speaker 1: deserve so many good lessons. I'm eager to And it's

486
00:21:51,640 --> 00:21:53,720
Speaker 1: not like it's just a very special episode. It's like

487
00:21:53,720 --> 00:21:56,719
Speaker 1: these were woven into the storylines, according to the girls,

488
00:21:56,800 --> 00:22:01,520
Speaker 1: milestones and ages. Yeah, it was. It was patting ourselves

489
00:22:01,560 --> 00:22:03,760
Speaker 1: on the back, right, Yeah, we had really will pat.

490
00:22:03,560 --> 00:22:05,120
Speaker 2: Jeff on the back. We had That's true.

491
00:22:05,400 --> 00:22:05,840
Speaker 4: That's sure.

492
00:22:05,840 --> 00:22:09,920
Speaker 2: Our writers and Jeff right, yeah, we we just were there,

493
00:22:10,280 --> 00:22:12,399
Speaker 2: but but we brought it to life and we and

494
00:22:12,440 --> 00:22:14,560
Speaker 2: I think also it was brought to life because the

495
00:22:14,560 --> 00:22:16,480
Speaker 2: writers listened to us and because.

496
00:22:17,680 --> 00:22:19,440
Speaker 3: You know, they asked our families.

497
00:22:19,480 --> 00:22:21,199
Speaker 2: I get like, you know, Jeff's talked about like I

498
00:22:21,560 --> 00:22:23,200
Speaker 2: talk to the moms, Hey, what's going on in their lives,

499
00:22:23,280 --> 00:22:25,760
Speaker 2: like what's kind of the what's the thing going on

500
00:22:25,840 --> 00:22:28,360
Speaker 2: with you know, elementary school kids or middle school And

501
00:22:28,400 --> 00:22:32,120
Speaker 2: then they listened, you know, and that was super important.

502
00:22:32,160 --> 00:22:36,359
Speaker 2: And so I'm always excited to see and meet fans

503
00:22:36,400 --> 00:22:39,480
Speaker 2: who say like that made a difference because they did

504
00:22:39,480 --> 00:22:42,919
Speaker 2: see themselves reflected in what they were watching, and that's

505
00:22:43,160 --> 00:22:43,640
Speaker 2: that's great.

506
00:22:44,320 --> 00:22:46,840
Speaker 1: I love this. I'm I'm so glad, Sarah that you're here.

507
00:22:46,880 --> 00:22:49,640
Speaker 1: I'm so glad you're a teacher. We have teacher representation

508
00:22:49,760 --> 00:22:53,480
Speaker 1: on this podcast. Yes, I am so grateful to all

509
00:22:53,640 --> 00:22:56,960
Speaker 1: teachers in this world for you. You work so hard,

510
00:22:57,080 --> 00:22:59,840
Speaker 1: you never get paid enough, you never get enough kudos,

511
00:23:00,080 --> 00:23:03,640
Speaker 1: and you guys are are affecting the generations to come,

512
00:23:03,680 --> 00:23:04,800
Speaker 1: and I appreciate all of you.

513
00:23:05,000 --> 00:23:07,760
Speaker 2: Yeah, teaching is only getting harder and harder, and you

514
00:23:07,800 --> 00:23:09,800
Speaker 2: are You're doing so much.

515
00:23:09,840 --> 00:23:14,640
Speaker 3: So we appreciate you all the teachers out there. Thank you. Yeah, yeah, yeah,

516
00:23:14,640 --> 00:23:16,879
Speaker 3: well absolutely, Sarah, so nice to me.

517
00:23:17,240 --> 00:23:20,000
Speaker 2: Thank you. Yeah, thanks for coming on today and asking

518
00:23:20,040 --> 00:23:20,720
Speaker 2: such a great question.

519
00:23:20,760 --> 00:23:23,199
Speaker 3: We really appreciate it. Cors, have a wonderful rest of

520
00:23:23,200 --> 00:23:25,600
Speaker 3: the new after you do well.

521
00:23:25,640 --> 00:23:29,440
Speaker 4: Thank you bye bye. Oh that was so sweet.

522
00:23:29,640 --> 00:23:32,240
Speaker 2: Sweet, that was a good That was a great question.

523
00:23:32,800 --> 00:23:35,719
Speaker 1: Right, you know, it's not all just silly. The jokes

524
00:23:35,840 --> 00:23:38,320
Speaker 1: have to work, you know, turtles and bag it's it's

525
00:23:38,359 --> 00:23:40,360
Speaker 1: you know, there's some deep lessons in FULLD Home.

526
00:23:40,440 --> 00:23:41,040
Speaker 3: It's true.

527
00:23:41,400 --> 00:23:43,359
Speaker 2: Yeah, mixed, yeah, I you know, well you got to

528
00:23:43,400 --> 00:23:47,800
Speaker 2: mix in turtles and bags with serious things because got

529
00:23:47,840 --> 00:23:54,720
Speaker 2: a lightens. Yeah, exactly, ridiculousness is necessary. Well, I love that.

530
00:23:54,800 --> 00:23:56,840
Speaker 2: I love hearing. I mean, and the fact that, like

531
00:23:56,880 --> 00:23:59,760
Speaker 2: she said, she's twenty four. She's like, this was something

532
00:23:59,800 --> 00:24:02,359
Speaker 2: that I watched years after it had originally been on.

533
00:24:02,480 --> 00:24:04,440
Speaker 2: So that's it kind of blew my mind.

534
00:24:04,600 --> 00:24:07,720
Speaker 1: That's wild that she didn't watch it in the original run.

535
00:24:07,840 --> 00:24:10,560
Speaker 2: Ye, I mean most I'd say, like a lot of

536
00:24:10,640 --> 00:24:14,480
Speaker 2: people didn't did not watch the original run, you know,

537
00:24:14,760 --> 00:24:17,720
Speaker 2: and came to it through Naked Night or whatever.

538
00:24:18,000 --> 00:24:20,320
Speaker 1: Yeah. Yeah, Oh that's awesome.

539
00:24:20,920 --> 00:24:26,199
Speaker 2: I think we have one more caller, Yeah, Okaya, Yarah

540
00:24:26,280 --> 00:24:28,560
Speaker 2: or Carra. We'll find out.

541
00:24:28,800 --> 00:24:29,480
Speaker 3: We'll find out.

542
00:24:30,840 --> 00:24:35,520
Speaker 4: Hello, Hello, is it Kara? Is it Kara or Carra?

543
00:24:36,440 --> 00:24:38,840
Speaker 8: It's actually Kara, but my mom says I say my

544
00:24:38,920 --> 00:24:41,600
Speaker 8: name wrong, So you know, either way, it's fine with.

545
00:24:41,600 --> 00:24:42,920
Speaker 2: Me, got it.

546
00:24:43,040 --> 00:24:45,159
Speaker 1: God, That's what I say about Andrea, Like, if you

547
00:24:45,200 --> 00:24:48,919
Speaker 1: call me Andrea, I'm not gonna complain, So it's fine anything.

548
00:24:49,000 --> 00:24:52,399
Speaker 2: Does I always correct people? It's Andrea.

549
00:24:52,600 --> 00:24:57,119
Speaker 3: It's Andrea. No are for Yeah, it's true.

550
00:24:57,880 --> 00:25:01,440
Speaker 2: So Sokara, Kara, thank you, thank you for joining us today.

551
00:25:02,119 --> 00:25:04,240
Speaker 1: Where are you calling from besides your car, it looks

552
00:25:04,240 --> 00:25:06,000
Speaker 1: like you're where are you from?

553
00:25:06,080 --> 00:25:06,680
Speaker 6: So funny story.

554
00:25:06,720 --> 00:25:09,479
Speaker 8: We're actually in a small town in Manitoba right now

555
00:25:09,480 --> 00:25:11,119
Speaker 8: because we're headed to Chicago for a concert.

556
00:25:11,280 --> 00:25:12,439
Speaker 6: Like seven of us in the vehicle.

557
00:25:13,040 --> 00:25:16,280
Speaker 8: Yoh well, everyone else is in a dive bar inside

558
00:25:16,359 --> 00:25:18,680
Speaker 8: right now, just like hanging out and toligo.

559
00:25:18,880 --> 00:25:22,040
Speaker 6: So I'm in. I lived just outside of Winnipeg in Manitoba.

560
00:25:22,520 --> 00:25:25,080
Speaker 2: I have been, I've worked in Winnipeg.

561
00:25:25,119 --> 00:25:28,080
Speaker 3: I actually love Winnipeg. It's a great city.

562
00:25:28,160 --> 00:25:33,159
Speaker 2: There is some amazing food there and the National is

563
00:25:33,160 --> 00:25:36,000
Speaker 2: it the National Human Rights Museum? Yeah, I saw you

564
00:25:37,080 --> 00:25:40,320
Speaker 2: there is in credible.

565
00:25:40,720 --> 00:25:41,360
Speaker 4: It's incredible.

566
00:25:41,359 --> 00:25:41,840
Speaker 6: Absolutely.

567
00:25:42,000 --> 00:25:42,200
Speaker 8: Yeah.

568
00:25:42,240 --> 00:25:45,320
Speaker 2: Winnipeg, i'd say is a kind of an underrated little spot,

569
00:25:45,359 --> 00:25:47,840
Speaker 2: but it's got some some neat stuff going on there.

570
00:25:47,880 --> 00:25:51,720
Speaker 6: So yeah, yeah, so I'm glad you know it. Yeah.

571
00:25:51,840 --> 00:25:52,040
Speaker 4: Yeah.

572
00:25:52,119 --> 00:25:53,840
Speaker 2: I mean I was gonna guess that you were Canadian

573
00:25:53,840 --> 00:25:56,199
Speaker 2: by the o's, but I wasn't gonna say anything.

574
00:25:57,000 --> 00:25:58,399
Speaker 6: That's so funny that you noticed that.

575
00:25:58,680 --> 00:25:59,879
Speaker 2: It was Manitoba.

576
00:26:00,080 --> 00:26:00,320
Speaker 6: Yeah.

577
00:26:00,359 --> 00:26:03,720
Speaker 2: I was like, oh, well, so that you can go

578
00:26:03,840 --> 00:26:07,199
Speaker 2: and join your friends inside in the dive bar. Uh,

579
00:26:08,520 --> 00:26:11,600
Speaker 2: what question did you have for a b and I today.

580
00:26:11,960 --> 00:26:15,560
Speaker 8: So I was wondering when you both became close as friends, like,

581
00:26:15,560 --> 00:26:17,199
Speaker 8: given the age difference between both of you.

582
00:26:18,080 --> 00:26:20,639
Speaker 1: Oh yeah, well we're Jodi and I are five years apart.

583
00:26:21,119 --> 00:26:24,359
Speaker 1: I'm five years older. Yeah, which sounds like a really

584
00:26:24,400 --> 00:26:27,360
Speaker 1: big age difference when you're ten.

585
00:26:27,200 --> 00:26:31,560
Speaker 2: And five, right, But I'd say even when we were young,

586
00:26:31,800 --> 00:26:34,320
Speaker 2: like you were, you and I always hung out.

587
00:26:34,359 --> 00:26:38,000
Speaker 3: I think also because our like the moms hung out too.

588
00:26:38,520 --> 00:26:38,720
Speaker 5: Yeah.

589
00:26:39,240 --> 00:26:41,399
Speaker 2: Yeah, but you and I did spend a lot of

590
00:26:41,400 --> 00:26:44,159
Speaker 2: time together and and like you kind of would always

591
00:26:44,240 --> 00:26:45,600
Speaker 2: you know, hang out with me, and I mean you

592
00:26:45,640 --> 00:26:47,360
Speaker 2: and Candae were like the same age, so you guys

593
00:26:47,359 --> 00:26:51,320
Speaker 2: were definitely like the older ones, but you always tried

594
00:26:51,359 --> 00:26:53,879
Speaker 2: to include me or like, you know, we'd have lunch together,

595
00:26:54,000 --> 00:26:55,720
Speaker 2: and yeah, we always.

596
00:26:55,400 --> 00:26:58,520
Speaker 1: Go to the mall, we go to Disneyland. Yeah, I

597
00:26:58,520 --> 00:27:03,359
Speaker 1: could say that was probably sometime season two because the Hawaii,

598
00:27:03,600 --> 00:27:05,600
Speaker 1: you know, we just did the Hawaii, It's true, and

599
00:27:05,640 --> 00:27:08,080
Speaker 1: we had all those pictures of us traveling around Hawaii

600
00:27:08,160 --> 00:27:09,480
Speaker 1: doing things together. So I'm going to say it was

601
00:27:09,520 --> 00:27:11,679
Speaker 1: season two enough.

602
00:27:11,560 --> 00:27:14,879
Speaker 2: Because your parents also became friends, like, and our dads

603
00:27:14,920 --> 00:27:18,040
Speaker 2: would ride up to tapings together because they both came

604
00:27:18,040 --> 00:27:21,040
Speaker 2: from Orange County, so they would ride up together. So

605
00:27:21,040 --> 00:27:24,040
Speaker 2: I think our dads were friends and your mom and

606
00:27:24,080 --> 00:27:26,760
Speaker 2: my mom got along and so yeah, then that trip,

607
00:27:26,800 --> 00:27:30,560
Speaker 2: it was like, well, let's just all hang out and yeah,

608
00:27:30,600 --> 00:27:32,520
Speaker 2: so that was kind of the that was kind of

609
00:27:32,520 --> 00:27:32,840
Speaker 2: the deal.

610
00:27:33,200 --> 00:27:33,400
Speaker 5: Yeah.

611
00:27:33,440 --> 00:27:35,560
Speaker 1: I never thought of Jody as like the little kid

612
00:27:35,800 --> 00:27:40,280
Speaker 1: or I just maybe I was really immature as a

613
00:27:40,280 --> 00:27:42,240
Speaker 1: as a teen, But I just always felt like this

614
00:27:42,440 --> 00:27:45,960
Speaker 1: really kindred spirit with Jody, and age just never really

615
00:27:46,280 --> 00:27:47,680
Speaker 1: played a factor in our friendship.

616
00:27:48,119 --> 00:27:50,640
Speaker 2: And then and then doing Fuller, we just i mean

617
00:27:50,680 --> 00:27:52,960
Speaker 2: became I mean, throughout the years, we also just grew

618
00:27:53,000 --> 00:27:56,280
Speaker 2: closer because you know, that five year age gap becomes

619
00:27:56,320 --> 00:27:58,600
Speaker 2: not as much of a thing, and your wedding and

620
00:27:58,680 --> 00:28:00,639
Speaker 2: babies and all, you know, all all of the stuff

621
00:28:00,680 --> 00:28:04,359
Speaker 2: that we have been through. But yeah, i'd say then

622
00:28:04,400 --> 00:28:07,520
Speaker 2: during Fuller, we you know, really became even closer.

623
00:28:07,920 --> 00:28:09,440
Speaker 1: Absolutely absolutely.

624
00:28:09,720 --> 00:28:10,040
Speaker 6: Yeah.

625
00:28:10,119 --> 00:28:13,000
Speaker 2: And now and now I've even agreed to at some

626
00:28:13,080 --> 00:28:15,320
Speaker 2: point let her kidnap me to some sort of New

627
00:28:15,400 --> 00:28:15,880
Speaker 2: Kids event.

628
00:28:16,119 --> 00:28:17,320
Speaker 1: So that a.

629
00:28:17,320 --> 00:28:19,440
Speaker 2: Friendship screen that's yeah, that's true friendship.

630
00:28:19,600 --> 00:28:21,760
Speaker 6: Yeah, that's awesome.

631
00:28:22,840 --> 00:28:29,440
Speaker 1: I'll be blocking your phone number after this, Judy.

632
00:28:27,920 --> 00:28:30,280
Speaker 8: You guys have always seen him close and stuff, and

633
00:28:30,359 --> 00:28:34,080
Speaker 8: you're very similar and just where you stand morally and stuff,

634
00:28:34,160 --> 00:28:37,800
Speaker 8: So I can see why why you would be close quickly.

635
00:28:38,000 --> 00:28:41,520
Speaker 2: Yeah, yeah, ab and we you know, to be fair, Also,

636
00:28:41,680 --> 00:28:45,320
Speaker 2: you and I shared a classroom, and studio teachers can'tus

637
00:28:45,320 --> 00:28:48,160
Speaker 2: had a different teacher than us. You and I shared

638
00:28:48,160 --> 00:28:52,080
Speaker 2: a classroom, so that was you know, a lot of

639
00:28:52,120 --> 00:28:54,080
Speaker 2: bonding time and a lot of just being together, like

640
00:28:54,120 --> 00:28:56,160
Speaker 2: the two of us and you know, one or two

641
00:28:56,160 --> 00:29:00,880
Speaker 2: teachers in our little small classroom, right, it was. Yeah,

642
00:29:00,920 --> 00:29:02,920
Speaker 2: we definitely spent a lot of time together. I'm sure

643
00:29:02,960 --> 00:29:06,680
Speaker 2: you heard a lot of Jody stopped tipping your chair backwards,

644
00:29:06,760 --> 00:29:09,160
Speaker 2: and Jody, can you get your work done?

645
00:29:09,480 --> 00:29:11,920
Speaker 1: Jody stopped fidgeting with the dencils. Jody's right.

646
00:29:12,560 --> 00:29:15,640
Speaker 2: Well, and it took me much as twenty years to

647
00:29:15,640 --> 00:29:21,000
Speaker 2: get diagnosed with ADG, but yeah, we spent a lot

648
00:29:21,000 --> 00:29:21,560
Speaker 2: of time together.

649
00:29:21,760 --> 00:29:24,200
Speaker 1: So and yeah, we're just we just get closer. Like

650
00:29:24,480 --> 00:29:26,360
Speaker 1: it's great having a friend. You can be so on

651
00:29:26,520 --> 00:29:31,520
Speaker 1: it like brutally honest. Yes, like anything goes, any topic goes.

652
00:29:31,720 --> 00:29:37,520
Speaker 1: Oh whatever, we're having a bad day, good day, celebrations.

653
00:29:35,960 --> 00:29:37,840
Speaker 3: We've laid in bed and eaten lunch together.

654
00:29:38,160 --> 00:29:40,800
Speaker 2: Yeah, yeah, that was yeah, not too long ago.

655
00:29:41,920 --> 00:29:42,440
Speaker 1: It's true.

656
00:29:42,640 --> 00:29:43,400
Speaker 6: That's amazing.

657
00:29:46,680 --> 00:29:50,400
Speaker 2: But yeah, I know I love a b She's I don't.

658
00:29:50,400 --> 00:29:52,080
Speaker 2: I don't think she's getting rid of me anytime soon.

659
00:29:52,240 --> 00:29:56,240
Speaker 2: So no, I'm actually your fot lawn. So it's gonna

660
00:29:56,280 --> 00:29:57,280
Speaker 2: get weird, but why not.

661
00:29:58,680 --> 00:30:01,400
Speaker 1: I'm gonna move into your garage, so you know, I just.

662
00:30:01,320 --> 00:30:04,680
Speaker 2: Had it organized. There's there's space in there. It's lovely.

663
00:30:05,120 --> 00:30:07,280
Speaker 3: Go for it, you room. It's gonna be hot to

664
00:30:07,880 --> 00:30:08,360
Speaker 3: real hot.

665
00:30:08,560 --> 00:30:13,040
Speaker 2: Yeah, well, thank you so much, Cara. Enjoy your concert,

666
00:30:13,160 --> 00:30:16,480
Speaker 2: have fun with your friends. Tell everyone we said hello, and.

667
00:30:16,560 --> 00:30:18,400
Speaker 6: You haven't believed me, but I will tell them. I

668
00:30:18,440 --> 00:30:19,040
Speaker 6: will tell them that.

669
00:30:19,040 --> 00:30:21,240
Speaker 3: You say hello, Tell them, tell them.

670
00:30:21,280 --> 00:30:24,320
Speaker 2: That they better believe you because otherwise.

671
00:30:24,400 --> 00:30:26,720
Speaker 8: Yeah, They're like, is it the real Ones? Though, I'm like, yeah,

672
00:30:26,840 --> 00:30:28,400
Speaker 8: like the podcast messaged.

673
00:30:28,080 --> 00:30:31,840
Speaker 3: Me like, is it the real Ones? This is AI's

674
00:30:31,880 --> 00:30:33,360
Speaker 3: come a long way. It's amazing.

675
00:30:34,040 --> 00:30:37,120
Speaker 2: It's really in just a short period of time, they

676
00:30:37,120 --> 00:30:41,840
Speaker 2: have replicated my head and uh and my inability to focus.

677
00:30:41,880 --> 00:30:46,720
Speaker 8: It's yeah, personality, attitude, everything amazing. Well, Actually, Tody, I

678
00:30:46,720 --> 00:30:49,160
Speaker 8: I talked to Celia often. I message a lot on

679
00:30:49,200 --> 00:30:51,640
Speaker 8: Instagram at Center Fast.

680
00:30:52,120 --> 00:30:54,720
Speaker 3: You invited us to the Celia and I to your wedding.

681
00:30:54,880 --> 00:30:55,640
Speaker 3: Was that correct?

682
00:30:57,040 --> 00:30:57,120
Speaker 6: What?

683
00:30:57,640 --> 00:30:59,800
Speaker 3: Oh my gosh, amaz.

684
00:31:00,840 --> 00:31:03,680
Speaker 2: Kara listened to the other podcast that I did for

685
00:31:03,800 --> 00:31:06,280
Speaker 2: years with my best friend, Celia Bayharr Calton.

686
00:31:06,280 --> 00:31:08,560
Speaker 3: Never thought I'd say this, which was Andrea you were.

687
00:31:08,640 --> 00:31:10,560
Speaker 2: I believe it was against our first guest on her,

688
00:31:10,560 --> 00:31:13,840
Speaker 2: one of our first guests, and uh yeah, it was

689
00:31:13,880 --> 00:31:18,880
Speaker 2: our our wild look at parenting, and uh yeah, she

690
00:31:19,160 --> 00:31:20,720
Speaker 2: had told me the other day she was like, I

691
00:31:20,760 --> 00:31:22,880
Speaker 2: think Kara's going to be on your show on you know,

692
00:31:23,280 --> 00:31:24,120
Speaker 2: asking questions.

693
00:31:24,120 --> 00:31:25,000
Speaker 6: So so fun.

694
00:31:25,280 --> 00:31:26,440
Speaker 3: Pleasure to see you again.

695
00:31:26,600 --> 00:31:29,800
Speaker 2: Thank you so much for listening to this podcast of

696
00:31:29,840 --> 00:31:34,000
Speaker 2: me rambling again And uh yeah, that's definitely appreciate it.

697
00:31:34,040 --> 00:31:35,360
Speaker 2: That's true, That's true.

698
00:31:35,400 --> 00:31:37,760
Speaker 8: Yeah, I just appreciate you both so much. I grew

699
00:31:37,800 --> 00:31:41,040
Speaker 8: up watching the show. I had, you know, rough times

700
00:31:41,040 --> 00:31:43,280
Speaker 8: of my childhood and Full House was just like my

701
00:31:43,440 --> 00:31:45,720
Speaker 8: go to of like I'm the same age as Mary

702
00:31:45,800 --> 00:31:48,040
Speaker 8: Kate Nashley, so gives you an idea of how young

703
00:31:48,040 --> 00:31:49,120
Speaker 8: I was when the show was on.

704
00:31:49,200 --> 00:31:51,240
Speaker 6: But yeah, just amazing, And I.

705
00:31:51,200 --> 00:31:53,040
Speaker 8: Love that you're doing the podcast that you're doing because

706
00:31:53,080 --> 00:31:54,080
Speaker 8: it brings back memories.

707
00:31:54,120 --> 00:31:56,280
Speaker 6: Then it's my go to my drive to work.

708
00:31:56,360 --> 00:31:58,880
Speaker 8: So oh good, so much for what you're doing and

709
00:31:59,240 --> 00:32:00,360
Speaker 8: who you both aren't people.

710
00:32:00,400 --> 00:32:01,600
Speaker 6: I have so much respect for you.

711
00:32:01,880 --> 00:32:02,840
Speaker 3: Thank you, thank.

712
00:32:02,640 --> 00:32:05,240
Speaker 1: You, you too, you too, you're Can you just follow

713
00:32:05,280 --> 00:32:06,960
Speaker 1: us around all day? Right?

714
00:32:07,040 --> 00:32:07,240
Speaker 3: Yeah?

715
00:32:07,400 --> 00:32:08,320
Speaker 4: Just it was so sweet.

716
00:32:08,320 --> 00:32:10,400
Speaker 3: She's gonna call you and be like, hey, Karen, we

717
00:32:10,440 --> 00:32:11,120
Speaker 3: do very sweet.

718
00:32:11,200 --> 00:32:12,000
Speaker 2: Thank you.

719
00:32:12,000 --> 00:32:12,680
Speaker 4: You're so sweet.

720
00:32:13,880 --> 00:32:16,120
Speaker 6: My dog pretty busy. But I mean I could if

721
00:32:16,120 --> 00:32:16,960
Speaker 6: you really needed me to.

722
00:32:17,160 --> 00:32:19,840
Speaker 2: But but you know what, now it makes absolute sense

723
00:32:19,880 --> 00:32:21,680
Speaker 2: that you're a social worker because you're like, yes, let

724
00:32:21,680 --> 00:32:23,400
Speaker 2: me help people and be kind and giving.

725
00:32:23,560 --> 00:32:26,120
Speaker 6: So yeah, thank you for that.

726
00:32:26,400 --> 00:32:28,960
Speaker 2: You're so welcome. Absolutely, my husband's a social worker. I

727
00:32:28,960 --> 00:32:30,520
Speaker 2: got mad respect for social workers.

728
00:32:30,840 --> 00:32:32,440
Speaker 6: Amazing him.

729
00:32:33,640 --> 00:32:36,080
Speaker 2: All right, well, take care of care and enjoy the

730
00:32:36,120 --> 00:32:38,480
Speaker 2: rest of your trip, and uh, we will see you

731
00:32:38,520 --> 00:32:39,400
Speaker 2: out there on the internet.

732
00:32:39,480 --> 00:32:40,760
Speaker 6: Okay, thanks so much, take care.

733
00:32:40,800 --> 00:32:42,600
Speaker 3: Sounded weirdly threatening, but I didn't mean.

734
00:32:42,480 --> 00:32:44,320
Speaker 6: It like that, so I didn't take it that way.

735
00:32:44,880 --> 00:32:46,480
Speaker 1: We won't stalk you, I promise.

736
00:32:46,560 --> 00:32:49,240
Speaker 3: No, No, I didn't. Yeah, No, we're good.

737
00:32:49,280 --> 00:32:53,240
Speaker 6: We're good. You're good, don't worry. Thanks Karen.

738
00:32:54,000 --> 00:32:54,640
Speaker 2: Bye.

739
00:32:56,000 --> 00:32:57,720
Speaker 1: Well, it was so fun.

740
00:32:58,120 --> 00:33:01,240
Speaker 2: She yeah, she has been a very very sweet listener

741
00:33:01,320 --> 00:33:04,240
Speaker 2: over the years to the podcast, And yeah.

742
00:33:04,320 --> 00:33:06,600
Speaker 1: I can't believe she invited you to her wedding.

743
00:33:07,160 --> 00:33:10,240
Speaker 3: For getting married. And she was like, we would love

744
00:33:10,320 --> 00:33:11,200
Speaker 3: to have you at the wedding.

745
00:33:11,280 --> 00:33:14,680
Speaker 2: And I mean, you know again love Winnipeg would have gone,

746
00:33:15,040 --> 00:33:18,080
Speaker 2: but I was working, So I mean, look, you're offering

747
00:33:18,160 --> 00:33:20,160
Speaker 2: me a free dinner. You know, I'll take the chicken,

748
00:33:20,600 --> 00:33:25,880
Speaker 2: you know what, I'll even do the veggie option. So yeah,

749
00:33:25,920 --> 00:33:28,800
Speaker 2: anywaat story Now, now I feel like we're going to

750
00:33:28,840 --> 00:33:32,200
Speaker 2: get invited to weddings for sure. Can you imagine if

751
00:33:32,240 --> 00:33:36,440
Speaker 2: you and I showed up wearing those ridiculous bridesmaid's costumes

752
00:33:36,760 --> 00:33:39,560
Speaker 2: that we wore in that episode to someone's wedding.

753
00:33:39,480 --> 00:33:42,640
Speaker 1: We would ruin We would ruin the wedding.

754
00:33:43,600 --> 00:33:46,120
Speaker 3: I'm not only if they asked us.

755
00:33:46,040 --> 00:33:51,240
Speaker 2: To do not crashing anyone's wedding, but I'm saying, like,

756
00:33:51,280 --> 00:33:52,480
Speaker 2: what if they were like, can.

757
00:33:52,320 --> 00:33:54,360
Speaker 4: You wear that? Would you do it?

758
00:33:54,760 --> 00:33:54,920
Speaker 6: Oh?

759
00:33:55,000 --> 00:33:57,840
Speaker 2: Yeah, I mean that on the air because people might

760
00:33:57,840 --> 00:33:59,760
Speaker 2: hold it, hold us to it, but it's not legally binding,

761
00:33:59,760 --> 00:34:00,400
Speaker 2: so they ha ha.

762
00:34:01,320 --> 00:34:04,280
Speaker 3: But I mean I would be tempted to.

763
00:34:05,200 --> 00:34:08,280
Speaker 2: I guess any excuse to be ridiculous with you.

764
00:34:08,360 --> 00:34:11,200
Speaker 1: Yeah, we've done. It's not the weirdest thing we've done either.

765
00:34:11,280 --> 00:34:14,400
Speaker 2: Like what if we dressed in those weird matching outfits

766
00:34:14,440 --> 00:34:17,520
Speaker 2: where we were like the like the the terrible version

767
00:34:17,560 --> 00:34:20,600
Speaker 2: of the shining matching with those things on our heads,

768
00:34:20,760 --> 00:34:22,160
Speaker 2: with the.

769
00:34:21,680 --> 00:34:28,520
Speaker 1: Umbilical cord, we have to do the infascinators the entire wedding.

770
00:34:28,600 --> 00:34:30,640
Speaker 3: We'd have to stay connected by the ambilical cord.

771
00:34:31,680 --> 00:34:32,920
Speaker 1: We walked down the aisle.

772
00:34:33,280 --> 00:34:38,439
Speaker 2: We're a we are the flower girl. Oh no, I'm

773
00:34:38,480 --> 00:34:41,040
Speaker 2: just giving someone a terrible idea. And it's and they're

774
00:34:41,040 --> 00:34:43,560
Speaker 2: gonna have like a jesse impersonator as instead of an

775
00:34:43,600 --> 00:34:44,080
Speaker 2: Elvis in.

776
00:34:44,000 --> 00:34:48,799
Speaker 3: Person It's gonna be a Jessie as Elvis impersonator that

777
00:34:48,880 --> 00:34:49,760
Speaker 3: marries them.

778
00:34:49,920 --> 00:34:53,560
Speaker 1: Okay, you know what, if somebody actually has the con

779
00:34:54,080 --> 00:34:58,640
Speaker 1: to do this, I will show you know.

780
00:34:59,800 --> 00:35:00,800
Speaker 3: I would do it in there.

781
00:35:00,960 --> 00:35:06,160
Speaker 1: I would be absolutely that's a commitment to design your

782
00:35:06,320 --> 00:35:07,920
Speaker 1: entire wedding around the full house.

783
00:35:09,640 --> 00:35:13,040
Speaker 2: Wow. I think I think I think we might hear

784
00:35:13,040 --> 00:35:15,359
Speaker 2: from a few people. I'm just gonna say I really do.

785
00:35:15,640 --> 00:35:18,080
Speaker 2: Because the Internet loves a challenge, you know what I mean.

786
00:35:18,200 --> 00:35:20,320
Speaker 2: People be like, oh, you think, yeah.

787
00:35:20,080 --> 00:35:22,000
Speaker 1: Yeah, hey, you can make it a triple wedding, get

788
00:35:22,000 --> 00:35:24,600
Speaker 1: married with your best friends. You could have a golden

789
00:35:24,640 --> 00:35:29,200
Speaker 1: retriever walk down the aisle like there's the shape shifting backyard.

790
00:35:29,280 --> 00:35:31,480
Speaker 2: Like there's so many options. There's so many I mean,

791
00:35:31,719 --> 00:35:35,520
Speaker 2: you could yeah, you could uh put it on the

792
00:35:35,560 --> 00:35:37,680
Speaker 2: invitation that you're doing it Gibler style.

793
00:35:38,200 --> 00:35:40,000
Speaker 1: Yeah, oh, Ghibbler style party planning.

794
00:35:40,160 --> 00:35:43,840
Speaker 2: Yes, I think this is and you know, look, maybe

795
00:35:43,880 --> 00:35:46,680
Speaker 2: maybe maybe they can throw Joey McIntyre in there somewhere,

796
00:35:46,680 --> 00:35:49,080
Speaker 2: I don't know, just as a bonus, just as he

797
00:35:49,160 --> 00:35:50,520
Speaker 2: was technically on the show.

798
00:35:50,840 --> 00:35:54,600
Speaker 3: Yes he married us before, you know if just is it?

799
00:35:54,719 --> 00:35:56,560
Speaker 2: And also like to entice you a little bit, you

800
00:35:56,600 --> 00:35:58,040
Speaker 2: know what I mean, I really want to be there.

801
00:35:59,160 --> 00:36:00,840
Speaker 3: Just tell her that Joey mcintar's You.

802
00:36:00,840 --> 00:36:03,120
Speaker 1: Don't have to entice me, just know it. Just walking

803
00:36:03,120 --> 00:36:05,560
Speaker 1: down the aisle with you attached by a fake umbilical cord.

804
00:36:05,840 --> 00:36:07,879
Speaker 1: I'm in Like, you don't have to say anything else,

805
00:36:08,480 --> 00:36:09,359
Speaker 1: and that's it.

806
00:36:10,719 --> 00:36:11,520
Speaker 3: I can't wait.

807
00:36:11,920 --> 00:36:16,160
Speaker 2: Wow, Wow, we just went down a rabbit hole. Let's

808
00:36:16,360 --> 00:36:18,160
Speaker 2: you know what, Let's answer a couple more fan questions

809
00:36:18,200 --> 00:36:21,520
Speaker 2: from our Instagram post. Let's let's yeah, Minisoda is turning

810
00:36:21,520 --> 00:36:25,720
Speaker 2: into a into a maxisode.

811
00:36:27,040 --> 00:36:30,400
Speaker 1: That sounds like a new sponsor for feminine products.

812
00:36:29,840 --> 00:36:38,120
Speaker 3: Right, yeah, not at our age. Okay, today, I don't

813
00:36:38,160 --> 00:36:39,920
Speaker 3: know what Okay.

814
00:36:39,920 --> 00:36:42,320
Speaker 1: So these are questions from fans who were unable to

815
00:36:42,400 --> 00:36:45,719
Speaker 1: join us today because they've got real jobs and commitments

816
00:36:45,800 --> 00:36:50,000
Speaker 1: and they had things to do, right, okay. So the

817
00:36:50,000 --> 00:36:54,600
Speaker 1: first question is from Michelle, and Michelle is asking she.

818
00:36:54,600 --> 00:36:57,760
Speaker 2: Had she had to work unfortunately, so okay, so sorry

819
00:36:57,760 --> 00:37:01,799
Speaker 2: Michelle again, We're sorry, happy for your job. Sad it

820
00:37:01,840 --> 00:37:02,920
Speaker 2: prevented us from seeing it.

821
00:37:03,160 --> 00:37:07,839
Speaker 1: Yeah, exactly. Michelle says, can you please explain how you

822
00:37:07,920 --> 00:37:11,160
Speaker 1: film an episode? Is it filmed in order? Like how

823
00:37:11,200 --> 00:37:13,400
Speaker 1: we watch it? How long are the tape beings for

824
00:37:13,440 --> 00:37:15,880
Speaker 1: a twenty minute episode? How do you get the audience

825
00:37:15,920 --> 00:37:18,160
Speaker 1: to laugh at the same joke more than once?

826
00:37:18,880 --> 00:37:19,880
Speaker 4: This is such a good question.

827
00:37:20,280 --> 00:37:22,799
Speaker 3: But small shocks in the seats, small.

828
00:37:24,360 --> 00:37:29,160
Speaker 1: Electrical shock, right, yeah, just a little. Well, let's go chronological,

829
00:37:29,239 --> 00:37:31,200
Speaker 1: like starting at the beginning of the week. It takes

830
00:37:31,200 --> 00:37:31,480
Speaker 1: one week.

831
00:37:31,520 --> 00:37:34,279
Speaker 2: But yeah, yeah, it takes one week to film one episode, right,

832
00:37:34,840 --> 00:37:38,239
Speaker 2: so and by a few seasons, and we were doing

833
00:37:38,239 --> 00:37:41,680
Speaker 2: it in four days, right, but we'll, we'll, that's ambitious,

834
00:37:41,840 --> 00:37:45,080
Speaker 2: that's well, yeah, once the sitcoms going, it's a pretty

835
00:37:45,080 --> 00:37:48,359
Speaker 2: well oiled machine. But yeah, right, so first day of.

836
00:37:48,280 --> 00:37:50,560
Speaker 1: The week, first day of the week, So on a Monday,

837
00:37:50,760 --> 00:37:53,520
Speaker 1: you would do normally you do a table read, which

838
00:37:53,680 --> 00:37:55,719
Speaker 1: you just show up, you sit around a table with

839
00:37:55,800 --> 00:37:59,040
Speaker 1: the cast, the writers, the producers, and you just read

840
00:37:59,080 --> 00:38:00,839
Speaker 1: it so the writers can it. You could just hear

841
00:38:00,840 --> 00:38:03,160
Speaker 1: it out loud, hear how the jokes are hitting or

842
00:38:03,200 --> 00:38:06,960
Speaker 1: not hitting, and that's kind of it. You just there's

843
00:38:06,960 --> 00:38:09,440
Speaker 1: no makeup, there's no hair, there's no blocking, there's no cameras,

844
00:38:09,440 --> 00:38:10,000
Speaker 1: there's nothing.

845
00:38:10,040 --> 00:38:11,360
Speaker 2: Was that all we did on Mondays?

846
00:38:11,520 --> 00:38:13,600
Speaker 1: Well, in the beginning, I think, well you and I

847
00:38:13,640 --> 00:38:17,279
Speaker 1: went to school afterwards, but oh yeah, that's yeah.

848
00:38:17,760 --> 00:38:18,480
Speaker 2: In the early.

849
00:38:18,280 --> 00:38:21,520
Speaker 1: Seasons it was I think it was Mondays, and.

850
00:38:21,440 --> 00:38:24,440
Speaker 2: Then eventually I only really remember what the schedules were

851
00:38:24,480 --> 00:38:26,600
Speaker 2: like once we were at like a four day week, right,

852
00:38:26,600 --> 00:38:29,160
Speaker 2: that was kind of where I remember stuff. But but yeah,

853
00:38:29,360 --> 00:38:31,080
Speaker 2: it's you know, you have a couple of rehearsal days

854
00:38:32,080 --> 00:38:36,080
Speaker 2: and then yeah, Todaday Wednesday are rehearsal days where you're

855
00:38:36,200 --> 00:38:38,719
Speaker 2: learning blocking, learning your lines, you're doing everything with the

856
00:38:38,719 --> 00:38:40,920
Speaker 2: script in your hand, they're still making a lot of rewrites.

857
00:38:41,719 --> 00:38:44,560
Speaker 2: The writers come in one day, the producers come in

858
00:38:44,600 --> 00:38:46,600
Speaker 2: the next day to watch what's called run through, which

859
00:38:46,600 --> 00:38:50,040
Speaker 2: is where you do the show in chron chronological order

860
00:38:50,080 --> 00:38:53,880
Speaker 2: from top to bottom without you know, like really stopping

861
00:38:53,920 --> 00:38:55,520
Speaker 2: or thing. You move from set to set. Everyone just

862
00:38:55,560 --> 00:38:57,319
Speaker 2: kind of walks and stands in front of the set

863
00:38:57,400 --> 00:39:00,360
Speaker 2: watches it. No cameras or anything. But that's just to

864
00:39:00,400 --> 00:39:03,480
Speaker 2: see if the jokes work, because again, jokes got to work.

865
00:39:04,080 --> 00:39:06,040
Speaker 4: See if the jokes work, See where.

866
00:39:05,760 --> 00:39:09,040
Speaker 2: Things can be cut added, what notes the network might

867
00:39:09,120 --> 00:39:11,920
Speaker 2: have or other writers or producers, blah blah blah. And

868
00:39:11,960 --> 00:39:14,440
Speaker 2: then by the time you get to Thursday, you have

869
00:39:14,560 --> 00:39:16,239
Speaker 2: your shooting script.

870
00:39:16,640 --> 00:39:16,839
Speaker 6: Yeah.

871
00:39:16,840 --> 00:39:19,520
Speaker 1: And then and then that's when you bring the cameras out,

872
00:39:19,560 --> 00:39:22,160
Speaker 1: the hair, the makeup, the costumes, and it's a pre

873
00:39:22,239 --> 00:39:25,640
Speaker 1: tape day. So we would pre tape any scenes that

874
00:39:25,680 --> 00:39:30,600
Speaker 1: were particularly difficult, i e. Baby scenes, scenes with dogs,

875
00:39:31,320 --> 00:39:34,320
Speaker 1: any scenes with special effects, just anything that you do.

876
00:39:34,560 --> 00:39:39,399
Speaker 1: Turtles and bags, turtles, turtles and turtles on skateboards. Yeah, yeah, yeah, yeah,

877
00:39:39,520 --> 00:39:42,080
Speaker 1: that's that's when you pre tape everything just in case

878
00:39:42,120 --> 00:39:45,080
Speaker 1: you can't get it on audience night, you want to

879
00:39:45,120 --> 00:39:47,239
Speaker 1: have it in the bag, so to speak, in the.

880
00:39:47,239 --> 00:39:50,560
Speaker 2: Can, right. And also it's like that way when you're

881
00:39:50,600 --> 00:39:53,200
Speaker 2: doing things like you know, a shot where you have

882
00:39:53,239 --> 00:39:55,799
Speaker 2: to pull the camera up into the set more to

883
00:39:55,840 --> 00:39:58,279
Speaker 2: get a particular angle or stuff like that, you don't

884
00:39:58,280 --> 00:40:01,160
Speaker 2: have to kind of do it all on show night

885
00:40:01,239 --> 00:40:03,319
Speaker 2: because show night tends to be pretty hectic and you

886
00:40:03,360 --> 00:40:06,040
Speaker 2: do want to keep the audience, you know, the rhythm

887
00:40:06,120 --> 00:40:08,840
Speaker 2: going in a live so like you know, bringing in

888
00:40:08,880 --> 00:40:11,280
Speaker 2: a fourth wall or something like that. That's all stuff

889
00:40:11,320 --> 00:40:13,279
Speaker 2: that you do on a pre tape day so that

890
00:40:13,680 --> 00:40:16,200
Speaker 2: you don't have to do that with the with the

891
00:40:16,239 --> 00:40:17,680
Speaker 2: audience right, right.

892
00:40:18,200 --> 00:40:23,000
Speaker 1: And then Fridays for our favorite days TGIF live show.

893
00:40:22,840 --> 00:40:28,960
Speaker 2: Days, and those start like earlier than people probably expect.

894
00:40:28,800 --> 00:40:31,600
Speaker 1: Yeah, like four pm or five pm. Yeah, that's when

895
00:40:31,600 --> 00:40:34,400
Speaker 1: we bring in the audience and we hold them captive

896
00:40:34,560 --> 00:40:36,200
Speaker 1: for like the next five hours.

897
00:40:36,640 --> 00:40:38,759
Speaker 2: Yeah, it really. People are like, how long is like

898
00:40:38,800 --> 00:40:40,879
Speaker 2: a you know, it's a twenty two minute show, how

899
00:40:40,880 --> 00:40:42,919
Speaker 2: long could the taping possibly be? And you're like, oh,

900
00:40:43,000 --> 00:40:45,080
Speaker 2: you poor soul, you have no idea what you're in for,

901
00:40:45,920 --> 00:40:50,960
Speaker 2: because it is I'd say probably around four hours, although

902
00:40:51,000 --> 00:40:52,440
Speaker 2: with the kids and stuff. Yeah, it was like four

903
00:40:52,520 --> 00:40:55,680
Speaker 2: four and a half because yeah, we'd be out. We'd

904
00:40:55,719 --> 00:40:58,200
Speaker 2: usually be but done by nine. I think we pumpkined

905
00:40:58,200 --> 00:41:00,560
Speaker 2: at like nine or eight thirty, so the little ones

906
00:41:01,360 --> 00:41:02,120
Speaker 2: and means.

907
00:41:02,160 --> 00:41:05,040
Speaker 1: The kids we would expire and turn back into mice.

908
00:41:05,120 --> 00:41:07,720
Speaker 3: No, we would. That means we were no longer legally

909
00:41:07,760 --> 00:41:08,560
Speaker 3: allowed to work.

910
00:41:08,600 --> 00:41:10,920
Speaker 2: And they call it pumpkin because you turn into a

911
00:41:10,920 --> 00:41:15,560
Speaker 2: pumpkin and so, but yeah, it would be you know,

912
00:41:15,840 --> 00:41:19,520
Speaker 2: four or five hours of going through the scenes in order.

913
00:41:19,840 --> 00:41:22,440
Speaker 2: You'd start at the top of the show in chronological order, right,

914
00:41:22,480 --> 00:41:25,440
Speaker 2: so that the audience gets what the show is about

915
00:41:25,640 --> 00:41:28,160
Speaker 2: and can laugh at the jokes and see kind of

916
00:41:28,160 --> 00:41:29,360
Speaker 2: what's going on throughout the episode.

917
00:41:29,360 --> 00:41:30,360
Speaker 4: It's it's like.

918
00:41:31,200 --> 00:41:36,399
Speaker 2: A live play meets a movie where you're recording it,

919
00:41:36,520 --> 00:41:36,799
Speaker 2: you know.

920
00:41:37,719 --> 00:41:40,120
Speaker 1: Yeah, and it takes so long because and if you've

921
00:41:40,160 --> 00:41:41,799
Speaker 1: ever been to a live taping you'll know this. But

922
00:41:42,360 --> 00:41:44,960
Speaker 1: we shoot a scene, we'd shoot one take and then

923
00:41:44,960 --> 00:41:47,000
Speaker 1: there's a lot of discussion over at video village where

924
00:41:47,040 --> 00:41:50,200
Speaker 1: people are sitting with monitors, directors, producers, writers, and they

925
00:41:50,200 --> 00:41:52,240
Speaker 1: want to rewrite stuff in the moment saying that joke's

926
00:41:52,239 --> 00:41:54,200
Speaker 1: not working, we got to get a different joke in there.

927
00:41:54,440 --> 00:41:56,359
Speaker 1: So that's what takes so long, is that in between take,

928
00:41:56,480 --> 00:41:59,200
Speaker 1: the writers are rewriting right, and then the actors have

929
00:41:59,280 --> 00:42:02,759
Speaker 1: to learn the rewrite really quickly and then doing another take.

930
00:42:02,800 --> 00:42:04,680
Speaker 1: We never did one take. We always did at least

931
00:42:04,719 --> 00:42:08,360
Speaker 1: two yeah, sometimes ten yeah, yeah.

932
00:42:08,320 --> 00:42:10,160
Speaker 2: Depending on what it was, depending on if the joke

933
00:42:10,200 --> 00:42:12,160
Speaker 2: wasn't working, we had to keep rewriting it, or if

934
00:42:12,200 --> 00:42:14,399
Speaker 2: it was just you know, something that was a matter

935
00:42:14,400 --> 00:42:17,000
Speaker 2: of timing or whatever. And yeah, some some scenes we

936
00:42:17,160 --> 00:42:18,680
Speaker 2: you know, were like easy and you'd blow through, and

937
00:42:18,760 --> 00:42:21,200
Speaker 2: then some scenes there were definitely those things when you're like,

938
00:42:21,280 --> 00:42:24,120
Speaker 2: we've we've been in this scene for like forty five

939
00:42:24,160 --> 00:42:26,480
Speaker 2: minutes and it doesn't feel like we're ever going to

940
00:42:26,560 --> 00:42:29,560
Speaker 2: leave this set in this scene, so what okay?

941
00:42:29,560 --> 00:42:33,200
Speaker 1: So how did we keep the audience laughing, like besides

942
00:42:33,280 --> 00:42:35,640
Speaker 1: keeping them hostage and not letting them go home until

943
00:42:35,640 --> 00:42:36,080
Speaker 1: they laugh?

944
00:42:36,760 --> 00:42:39,279
Speaker 2: Well, the warm up guy, I mean, at least on

945
00:42:39,320 --> 00:42:41,279
Speaker 2: Fuller and I believe Bob Purlo did this, who was

946
00:42:41,320 --> 00:42:45,359
Speaker 2: our warm up guy on full House. The warm up

947
00:42:45,360 --> 00:42:48,640
Speaker 2: guy is basically a comedian that comes out before the show,

948
00:42:49,160 --> 00:42:52,320
Speaker 2: before the show starts recording and then in between takes

949
00:42:52,320 --> 00:42:54,000
Speaker 2: and this and that, so you know, not only are

950
00:42:54,040 --> 00:42:56,719
Speaker 2: we working on the floor, but there's like music and

951
00:42:56,800 --> 00:42:59,759
Speaker 2: a comedian and juggling and whatever you know, going on

952
00:42:59,840 --> 00:43:02,760
Speaker 2: in the stands that you're trying to not pay attention

953
00:43:02,840 --> 00:43:05,760
Speaker 2: to and like focus on stuff while they're in between.

954
00:43:05,760 --> 00:43:08,319
Speaker 2: But they usually gave a spiel at the beginning of

955
00:43:08,320 --> 00:43:11,040
Speaker 2: the thing like, hey, you're here because we need you.

956
00:43:11,160 --> 00:43:11,880
Speaker 6: We need you to.

957
00:43:11,960 --> 00:43:14,200
Speaker 2: Laugh if you think something's mildly funny, and you just

958
00:43:14,239 --> 00:43:16,719
Speaker 2: go that does We're not gonna hear that. We want

959
00:43:16,719 --> 00:43:18,560
Speaker 2: to hear you. You want to hear you on the

960
00:43:18,719 --> 00:43:21,520
Speaker 2: laugh thing. You know, nobody like they basically give a

961
00:43:21,560 --> 00:43:25,279
Speaker 2: little thing like that, and people love, you know, participating,

962
00:43:25,320 --> 00:43:29,480
Speaker 2: They love feeling like they're helping deliver part of the show,

963
00:43:29,560 --> 00:43:32,200
Speaker 2: and they really really do. It's super important for an

964
00:43:32,239 --> 00:43:35,320
Speaker 2: audience to laugh at jokes and to laugh in the

965
00:43:35,360 --> 00:43:37,960
Speaker 2: same spots as they did, you know, three or four times,

966
00:43:38,800 --> 00:43:41,879
Speaker 2: because it's our rhythm. You know, we're doing a scene

967
00:43:41,920 --> 00:43:43,960
Speaker 2: and we know like, okay, this is a joke. Now pause,

968
00:43:44,000 --> 00:43:47,280
Speaker 2: and like sometimes you won't get a laugh and you're like, uh, okay,

969
00:43:47,360 --> 00:43:49,560
Speaker 2: and then it just feels like you screw up everything else.

970
00:43:50,000 --> 00:43:53,840
Speaker 1: Yeah, no, it's timing is so important as a sitcom actor.

971
00:43:54,360 --> 00:43:57,440
Speaker 1: And if the laugh differs, if it's too short or

972
00:43:57,440 --> 00:43:59,799
Speaker 1: it doesn't happen the next time, it throws off our

973
00:43:59,840 --> 00:44:02,440
Speaker 1: ris them completely, because yeah, then we're then the the

974
00:44:02,480 --> 00:44:04,280
Speaker 1: wheels are turning in our minds. Am I not funny?

975
00:44:04,280 --> 00:44:06,680
Speaker 1: Oh my gosh, they're gonna fire right right, I'm never

976
00:44:06,760 --> 00:44:07,319
Speaker 1: gonna work again.

977
00:44:07,520 --> 00:44:09,000
Speaker 2: You were supposed to laugh, so that I had like

978
00:44:09,040 --> 00:44:10,719
Speaker 2: two seconds to walk over here and do this, and

979
00:44:10,760 --> 00:44:11,520
Speaker 2: now it's just dead air.

980
00:44:11,560 --> 00:44:13,760
Speaker 3: And now I feel like everyone whoa no, yeah, it's

981
00:44:13,560 --> 00:44:16,640
Speaker 3: just right. The actor panic begins actor panic.

982
00:44:16,680 --> 00:44:19,440
Speaker 1: But yeah, no, that's that's how it goes.

983
00:44:19,640 --> 00:44:20,279
Speaker 3: That's how it goes.

984
00:44:20,280 --> 00:44:23,480
Speaker 2: And they also, you know, give them candy and snacks throughout,

985
00:44:23,480 --> 00:44:27,160
Speaker 2: so there is some some sugar happening too. They try

986
00:44:27,200 --> 00:44:29,960
Speaker 2: and do that, and they there's some prizes too, like

987
00:44:30,000 --> 00:44:34,000
Speaker 2: some of the extra props that's true has signed or not.

988
00:44:34,840 --> 00:44:37,200
Speaker 3: Jody loves to sign props, signs all of them.

989
00:44:37,960 --> 00:44:39,960
Speaker 2: But yeah, we like we would sign things and they

990
00:44:40,000 --> 00:44:43,280
Speaker 2: would give them out at the taping, t shirts, props

991
00:44:43,280 --> 00:44:46,000
Speaker 2: from the show, stuff like that. So yeah, people were

992
00:44:46,080 --> 00:44:48,920
Speaker 2: very excited, and I mean as the show went on,

993
00:44:48,960 --> 00:44:51,040
Speaker 2: we had people from all over the world come to

994
00:44:51,080 --> 00:44:54,000
Speaker 2: see the tapings, so they were usually pretty excited to

995
00:44:54,000 --> 00:44:56,120
Speaker 2: be there, which was amazing and made mix for just

996
00:44:56,120 --> 00:44:57,960
Speaker 2: such a great energy to perform in front of.

997
00:44:58,280 --> 00:45:00,319
Speaker 1: Oh, it's there's nothing like it. There's nothing like the

998
00:45:00,360 --> 00:45:00,880
Speaker 1: live show.

999
00:45:01,040 --> 00:45:02,840
Speaker 2: Yeah, I would live for live shows.

1000
00:45:03,719 --> 00:45:05,799
Speaker 3: Did you get nervous before every live show?

1001
00:45:06,160 --> 00:45:09,840
Speaker 1: Yes? Yeah, every life? Yeah I still do. I still do.

1002
00:45:10,120 --> 00:45:12,560
Speaker 1: Oh it's a good nerds like, it keeps you on

1003
00:45:12,560 --> 00:45:14,320
Speaker 1: your toes, it keeps you from falling asleep.

1004
00:45:14,480 --> 00:45:17,560
Speaker 2: So it's literally the thing where I walk out and

1005
00:45:17,600 --> 00:45:20,080
Speaker 2: I go, I don't oh, it's all gone.

1006
00:45:20,239 --> 00:45:21,200
Speaker 3: I don't know what I'm doing.

1007
00:45:21,360 --> 00:45:24,520
Speaker 2: Oh no no, no, no, no, no no right every then

1008
00:45:24,840 --> 00:45:27,279
Speaker 2: like and then until we get in it and it's

1009
00:45:27,320 --> 00:45:30,320
Speaker 2: like the room falls silent and we're like okay, and

1010
00:45:30,320 --> 00:45:31,359
Speaker 2: and then call action.

1011
00:45:31,480 --> 00:45:33,719
Speaker 3: Then I'm like, oh, there it is, Okay, it's back, sorry,

1012
00:45:33,800 --> 00:45:34,560
Speaker 3: got it, there is.

1013
00:45:35,160 --> 00:45:37,200
Speaker 2: But uh yeah, up until that moment, I'm usually like

1014
00:45:37,280 --> 00:45:39,840
Speaker 2: what why have I done this job? Why have they

1015
00:45:39,880 --> 00:45:41,279
Speaker 2: paid me to do this job? I don't know what

1016
00:45:41,320 --> 00:45:43,439
Speaker 2: I'm doing. I don't even know my line. Where where

1017
00:45:43,480 --> 00:45:45,120
Speaker 2: am I what do I do? I can't do this?

1018
00:45:45,520 --> 00:45:48,000
Speaker 2: And yeah, that's why you'll see it hasn't happened yet.

1019
00:45:48,000 --> 00:45:51,680
Speaker 1: After intros when they introduce the main cast, you'll see

1020
00:45:51,760 --> 00:45:54,799
Speaker 1: us like race to go get our scripts, and we're like,

1021
00:45:54,880 --> 00:45:57,399
Speaker 1: you know, you're like crammy, like cramming for a last

1022
00:45:57,440 --> 00:45:58,000
Speaker 1: minute test.

1023
00:45:58,080 --> 00:46:01,320
Speaker 3: Still like it's in, Like it's there. We've been rehearsing

1024
00:46:01,360 --> 00:46:03,239
Speaker 3: it all week. We know it's there. We haven't, you know.

1025
00:46:03,360 --> 00:46:05,920
Speaker 2: But I always used to say there was nothing more

1026
00:46:06,000 --> 00:46:09,640
Speaker 2: terrifying than having the first line of the first scene

1027
00:46:09,960 --> 00:46:10,600
Speaker 2: at the start of the.

1028
00:46:10,600 --> 00:46:13,239
Speaker 1: Show mm hmmmm, because it says because it.

1029
00:46:13,280 --> 00:46:16,759
Speaker 2: Sets the tone, and I, more than once would be

1030
00:46:16,800 --> 00:46:21,200
Speaker 2: like and just be like cool, great, well that was fun, glad.

1031
00:46:21,480 --> 00:46:24,440
Speaker 2: That's how we do it professional. Yeah, and then you

1032
00:46:24,520 --> 00:46:25,919
Speaker 2: just pick yourself up and go again.

1033
00:46:26,239 --> 00:46:28,279
Speaker 1: And that's why we hide our scripts all around, like

1034
00:46:28,320 --> 00:46:30,399
Speaker 1: in the kitchen drawer or in the in the seat

1035
00:46:30,440 --> 00:46:32,600
Speaker 1: cushion of the couch, because it's like a pacifier.

1036
00:46:32,680 --> 00:46:33,480
Speaker 2: It's like, even if you.

1037
00:46:33,440 --> 00:46:34,720
Speaker 1: Don't need it, you want it nearby.

1038
00:46:35,239 --> 00:46:39,120
Speaker 2: Every I learned that from Sagitt though, and every time

1039
00:46:39,200 --> 00:46:41,680
Speaker 2: to this day that I am on set and I

1040
00:46:41,840 --> 00:46:47,799
Speaker 2: stuff a script in a drawer or something so that

1041
00:46:47,880 --> 00:46:49,759
Speaker 2: I can open it up and look or do. I'm

1042
00:46:49,920 --> 00:46:52,360
Speaker 2: it just reminds me Bob, because we would find scripts

1043
00:46:53,719 --> 00:46:57,040
Speaker 2: seasons later, well maybe not seasons well sometimes if I

1044
00:46:57,200 --> 00:46:59,880
Speaker 2: was like a piece of furniture that hadn't been yeah,

1045
00:47:00,080 --> 00:47:02,200
Speaker 2: we would find like a script that he'd hidden, you know,

1046
00:47:02,360 --> 00:47:03,680
Speaker 2: underneath the cushions or something.

1047
00:47:03,880 --> 00:47:05,720
Speaker 1: So, yeah, that's.

1048
00:47:05,600 --> 00:47:07,600
Speaker 2: What you do. That's like a little thinky. You're like,

1049
00:47:07,640 --> 00:47:09,680
Speaker 2: I need I just I know, I know, I know it,

1050
00:47:09,719 --> 00:47:11,280
Speaker 2: but I need I need to know it's there.

1051
00:47:11,200 --> 00:47:12,880
Speaker 1: So let me touch it. It's a it's a weird

1052
00:47:12,880 --> 00:47:16,960
Speaker 1: tick that actors have, but that's that's how it's done. Yeah,

1053
00:47:17,000 --> 00:47:19,880
Speaker 1: that was a great that was a great question for Michelle.

1054
00:47:20,600 --> 00:47:21,760
Speaker 3: Yeah, thank you, Michelle.

1055
00:47:21,960 --> 00:47:25,240
Speaker 1: Yeah, that was awesome, Thanks Michelle. Who do we have next?

1056
00:47:25,760 --> 00:47:28,960
Speaker 2: Next up, we have Nicki and Nicky wants to know

1057
00:47:29,160 --> 00:47:33,279
Speaker 2: what kind of punishment do you think steph should have

1058
00:47:33,280 --> 00:47:35,920
Speaker 2: gotten for driving Joey's car into the kitchen?

1059
00:47:36,520 --> 00:47:39,560
Speaker 1: Oh? Who was that your fault?

1060
00:47:39,560 --> 00:47:39,759
Speaker 2: Though?

1061
00:47:39,840 --> 00:47:42,280
Speaker 1: I mean he kind of left a child.

1062
00:47:42,520 --> 00:47:44,200
Speaker 3: I don't know. Yeah, I don't know, and you.

1063
00:47:44,200 --> 00:47:48,120
Speaker 1: Know, I don't know, do you? So Stephanie didn't get

1064
00:47:48,120 --> 00:47:48,600
Speaker 1: punished the.

1065
00:47:48,800 --> 00:47:52,000
Speaker 2: Week to be asking me about kids and punishing and cars.

1066
00:47:55,960 --> 00:48:00,440
Speaker 1: I think, well, considering it wasn't a hundred sense to

1067
00:48:00,600 --> 00:48:01,240
Speaker 1: it wasn't.

1068
00:48:01,600 --> 00:48:05,560
Speaker 3: Right, it was you know. I think the lesson is.

1069
00:48:06,000 --> 00:48:10,800
Speaker 2: Like a lot of things, is that because you thought

1070
00:48:10,920 --> 00:48:15,480
Speaker 2: you knew, because you thought you knew better, and you

1071
00:48:15,480 --> 00:48:20,280
Speaker 2: you know, touched something that was an adult or messed

1072
00:48:20,280 --> 00:48:24,759
Speaker 2: with something that only adults should do, you put yourself

1073
00:48:24,840 --> 00:48:28,319
Speaker 2: and other people in danger. Yes, and that you know,

1074
00:48:28,440 --> 00:48:32,200
Speaker 2: and and I think most of the time, especially if

1075
00:48:32,239 --> 00:48:34,000
Speaker 2: it's like they didn't mean to do it, like that's

1076
00:48:34,120 --> 00:48:35,840
Speaker 2: enough of a wake up of like oh my, like

1077
00:48:36,120 --> 00:48:40,440
Speaker 2: oh my gosh. I mean, she definitely would have had

1078
00:48:40,480 --> 00:48:44,080
Speaker 2: to help clean up and you know all of that.

1079
00:48:44,160 --> 00:48:46,400
Speaker 2: But I also think, like the kid just backed a

1080
00:48:46,600 --> 00:48:49,040
Speaker 2: car through a building, So there might be also some

1081
00:48:49,200 --> 00:48:51,880
Speaker 2: like wow, that was a little traumatic. I just nearly

1082
00:48:53,520 --> 00:48:55,759
Speaker 2: backed into my family in the house. I don't I mean,

1083
00:48:55,800 --> 00:48:57,319
Speaker 2: you know what I mean, Like that might also be

1084
00:48:57,400 --> 00:49:01,759
Speaker 2: something that you might need to address and and be like, hey,

1085
00:49:01,920 --> 00:49:06,040
Speaker 2: this is yeah, we need to lock the doors of

1086
00:49:06,080 --> 00:49:08,320
Speaker 2: the car and also explain.

1087
00:49:09,360 --> 00:49:12,560
Speaker 3: How they work, maybe full basics, just some basics.

1088
00:49:12,280 --> 00:49:14,920
Speaker 1: So well, it doesn't Joey do this or no not?

1089
00:49:15,080 --> 00:49:17,640
Speaker 1: Who does? Oh no, it's DJ with the cement truck.

1090
00:49:18,040 --> 00:49:20,600
Speaker 1: When does this happen again? DJ is stever making out

1091
00:49:20,600 --> 00:49:24,200
Speaker 1: in the cement truck, right, somebody hits and yes, let.

1092
00:49:24,120 --> 00:49:27,160
Speaker 2: Joey's in the kitchen with the headphones on and doesn't

1093
00:49:27,160 --> 00:49:30,240
Speaker 2: he's meditating them right right, Okay, so it happens again.

1094
00:49:30,600 --> 00:49:31,520
Speaker 3: It does happen again.

1095
00:49:31,840 --> 00:49:34,359
Speaker 2: So that kitchen has been through some things, it has

1096
00:49:34,440 --> 00:49:37,799
Speaker 2: seen some things again. It's I think it's part of

1097
00:49:37,840 --> 00:49:40,239
Speaker 2: the shape shifting backyard though. It just sort of really

1098
00:49:40,239 --> 00:49:45,319
Speaker 2: magically heals itself. And also the second story seems to

1099
00:49:45,360 --> 00:49:47,520
Speaker 2: be totally fine. Oh, nothing, not a problem.

1100
00:49:47,560 --> 00:49:50,920
Speaker 1: The house is structurally sound, you know, it doesn't which.

1101
00:49:50,800 --> 00:49:56,200
Speaker 2: For you know, probably an early nineteen hundreds Victorian is impressive. Yes,

1102
00:49:56,560 --> 00:50:00,359
Speaker 2: it's really had it earthquake retrofitted and car prooved.

1103
00:50:02,320 --> 00:50:02,480
Speaker 6: Well.

1104
00:50:02,480 --> 00:50:05,480
Speaker 1: I think the only the only appropriate punishment for Stephanie,

1105
00:50:05,480 --> 00:50:08,080
Speaker 1: if there was one, would be Stephanie has to listen

1106
00:50:08,120 --> 00:50:11,719
Speaker 1: to Joey rehearse his comedy bits over and over and over.

1107
00:50:11,880 --> 00:50:13,960
Speaker 1: You have to be like a captive audience, right right,

1108
00:50:14,120 --> 00:50:15,239
Speaker 1: Joey's rehearsal.

1109
00:50:14,880 --> 00:50:17,360
Speaker 2: And then Joey a captive audience that laughs at the

1110
00:50:17,360 --> 00:50:18,360
Speaker 2: appropriate times.

1111
00:50:18,640 --> 00:50:19,080
Speaker 6: Yeah.

1112
00:50:19,160 --> 00:50:20,840
Speaker 3: Yeah, we have to teach her how to be a

1113
00:50:20,840 --> 00:50:21,880
Speaker 3: good audience member.

1114
00:50:21,680 --> 00:50:24,239
Speaker 1: A good studio audience member. Yeah yeah, yeah, yeah, that's

1115
00:50:24,239 --> 00:50:25,360
Speaker 1: that's that feels fitting.

1116
00:50:25,880 --> 00:50:29,200
Speaker 2: Yeah yeah, And I think, yeah, I think hearing that

1117
00:50:29,239 --> 00:50:31,640
Speaker 2: a few times, you'd be like, this is I'm done now.

1118
00:50:32,600 --> 00:50:35,040
Speaker 1: So I'll never drive a car through a kit.

1119
00:50:37,239 --> 00:50:39,839
Speaker 2: The last time I do that, Yeah, well, I mean

1120
00:50:39,840 --> 00:50:42,320
Speaker 2: it isn't because it happens again.

1121
00:50:42,920 --> 00:50:46,240
Speaker 3: But yeah, yeah, yeah.

1122
00:50:46,920 --> 00:50:47,360
Speaker 2: Didn't you.

1123
00:50:48,480 --> 00:50:50,640
Speaker 1: I'm trying to remember because I watched you do it

1124
00:50:51,040 --> 00:50:52,440
Speaker 1: in Fuller. I don't I don't know if I ever

1125
00:50:52,480 --> 00:50:54,240
Speaker 1: watched the original one in full House, but I watched

1126
00:50:54,239 --> 00:50:56,759
Speaker 1: you back the car through the kitchen in Fuller, Yeah,

1127
00:50:56,760 --> 00:50:58,560
Speaker 1: which was terrified, Like it was scary.

1128
00:50:58,560 --> 00:50:59,239
Speaker 4: It's scary to.

1129
00:50:59,200 --> 00:51:01,600
Speaker 3: Watch when they actual when I yeah.

1130
00:51:01,160 --> 00:51:03,200
Speaker 1: Because didn't you like hurt your neck a little bit?

1131
00:51:03,320 --> 00:51:07,600
Speaker 2: Or well I did, because I I did the part

1132
00:51:07,640 --> 00:51:10,520
Speaker 2: where it was like we we backed up and they

1133
00:51:10,520 --> 00:51:13,440
Speaker 2: had they needed me in the car to back up.

1134
00:51:13,440 --> 00:51:14,240
Speaker 4: Like really quickly.

1135
00:51:14,280 --> 00:51:17,040
Speaker 3: But the car was the axles were.

1136
00:51:18,400 --> 00:51:22,239
Speaker 2: Uh staked to like a chain that's bolted into the

1137
00:51:22,280 --> 00:51:25,759
Speaker 2: stage floor. Okay, but the problem is is with an

1138
00:51:25,760 --> 00:51:28,759
Speaker 2: old car. You know, you really got a gun it

1139
00:51:28,880 --> 00:51:31,480
Speaker 2: in order to get it to do anything. Okay, so

1140
00:51:31,520 --> 00:51:34,040
Speaker 2: you had to floor it. And then by the time

1141
00:51:34,080 --> 00:51:37,440
Speaker 2: you floored it and it's reversed the twelve feet of

1142
00:51:37,520 --> 00:51:40,400
Speaker 2: chain and you've taken your foot even off the gas.

1143
00:51:41,320 --> 00:51:45,319
Speaker 2: You hit it with such you know, like force, and

1144
00:51:45,920 --> 00:51:47,960
Speaker 2: for the shot you had to take the head rest out.

1145
00:51:48,760 --> 00:51:50,600
Speaker 2: Oh wow, So there was no because it was an

1146
00:51:50,640 --> 00:51:53,439
Speaker 2: old car, so there was no head rest and uh yeah,

1147
00:51:53,480 --> 00:51:56,279
Speaker 2: I definitely uh like tweaked my neck.

1148
00:51:56,960 --> 00:51:59,440
Speaker 3: Oh and I remember I think our our transport.

1149
00:51:59,480 --> 00:52:02,320
Speaker 4: I was like, what what are you doing? Are you okay?

1150
00:52:02,400 --> 00:52:03,960
Speaker 2: I was like, yeah, no, it'll be it'll be great.

1151
00:52:04,080 --> 00:52:04,560
Speaker 6: It'll be great.

1152
00:52:04,600 --> 00:52:06,759
Speaker 2: Tomorrow, tomorrow'll be fine. And tomorrow I was like, no,

1153
00:52:06,800 --> 00:52:08,919
Speaker 2: it's not great. But I was like, I'm not gonna

1154
00:52:08,960 --> 00:52:10,880
Speaker 2: you know, I wasn't gonna make a thing because it

1155
00:52:10,920 --> 00:52:13,719
Speaker 2: was whatever it was, what it was. But yeah, it

1156
00:52:13,840 --> 00:52:17,080
Speaker 2: was uh yeah, it hurt. It hurt.

1157
00:52:17,480 --> 00:52:19,960
Speaker 1: And so then they had then they for the.

1158
00:52:19,960 --> 00:52:23,160
Speaker 2: Actual crash, but then for the actual backing up, they

1159
00:52:23,200 --> 00:52:25,799
Speaker 2: put like a real stunt person in there who is

1160
00:52:25,880 --> 00:52:31,360
Speaker 2: obviously much better trained than I at how to survive whiplash.

1161
00:52:31,880 --> 00:52:34,600
Speaker 1: Yeah, yeah, no, that's I was. I was worried about you.

1162
00:52:34,680 --> 00:52:35,840
Speaker 1: So I'm glad that you didn't have to do the

1163
00:52:35,880 --> 00:52:39,600
Speaker 1: actual crash. They had somebody a stunt double with a wig.

1164
00:52:39,400 --> 00:52:42,840
Speaker 2: And oh no, that's no, no, they're they're yeah, stunt double,

1165
00:52:42,920 --> 00:52:46,080
Speaker 2: wig all of that. Yeah, they they probably they really

1166
00:52:46,080 --> 00:52:48,600
Speaker 2: probably didn't even want me to do what I did.

1167
00:52:50,160 --> 00:52:54,560
Speaker 2: I'm sure that somewhere Chris Jensen was having some sort

1168
00:52:54,600 --> 00:52:56,480
Speaker 2: of a heart attack about it.

1169
00:52:56,800 --> 00:53:01,400
Speaker 1: And you want her to do what Chris was our first.

1170
00:53:01,239 --> 00:53:05,840
Speaker 2: A d and yeah, and I was probably like an

1171
00:53:05,880 --> 00:53:07,680
Speaker 2: idiot going now to be fine, it's great.

1172
00:53:07,719 --> 00:53:08,160
Speaker 4: I got it.

1173
00:53:08,200 --> 00:53:09,280
Speaker 3: I got it because I love.

1174
00:53:09,200 --> 00:53:12,680
Speaker 2: Doing things that seem kind of, you know, challenging and

1175
00:53:12,960 --> 00:53:16,759
Speaker 2: potentally dangerous. And uh yeah, so again, and I didn't

1176
00:53:16,760 --> 00:53:18,920
Speaker 2: want I didn't want Chris dress. I was like, it's fine, everyone,

1177
00:53:18,920 --> 00:53:20,719
Speaker 2: it's fine, fine, But I think that's the one and

1178
00:53:20,760 --> 00:53:21,600
Speaker 2: only time we're doing that.

1179
00:53:21,680 --> 00:53:24,239
Speaker 1: So that was that was a thing that you did.

1180
00:53:24,320 --> 00:53:26,319
Speaker 2: But then it was fun to you know, stand there

1181
00:53:26,360 --> 00:53:28,480
Speaker 2: and watch it crash through the kitchen.

1182
00:53:28,880 --> 00:53:31,640
Speaker 1: Very cool, very cool, very tense. It's very tense on

1183
00:53:31,680 --> 00:53:34,279
Speaker 1: set when they do that quiet on set and you know,

1184
00:53:34,440 --> 00:53:36,879
Speaker 1: only the people that have to be on set are there,

1185
00:53:37,000 --> 00:53:39,319
Speaker 1: you know, the austraneous people allowed on set?

1186
00:53:39,400 --> 00:53:42,239
Speaker 2: Yeah, because stuff goes flying and you you know, if

1187
00:53:42,280 --> 00:53:47,080
Speaker 2: you're like, there's so many protocols for stunt work, which

1188
00:53:47,440 --> 00:53:48,239
Speaker 2: you know, again.

1189
00:53:48,880 --> 00:53:50,920
Speaker 3: Is why they're there, because it's.

1190
00:53:50,760 --> 00:53:55,120
Speaker 2: Super important that they get followed because then accidents happen exactly.

1191
00:53:55,440 --> 00:53:57,240
Speaker 2: All right, we have a last question.

1192
00:53:57,440 --> 00:54:01,120
Speaker 1: Okay, one last question from Jeff and Jeff is asking

1193
00:54:01,640 --> 00:54:04,600
Speaker 1: how is it watching these episodes? Is it like watching

1194
00:54:04,680 --> 00:54:07,759
Speaker 1: home movies and do you find it hard or comforting

1195
00:54:07,960 --> 00:54:09,320
Speaker 1: to watch Bob.

1196
00:54:13,560 --> 00:54:13,719
Speaker 8: This.

1197
00:54:13,840 --> 00:54:16,840
Speaker 3: I've been loving watching these episodes.

1198
00:54:17,239 --> 00:54:19,680
Speaker 1: It's like it's kind of like watching home movies. It

1199
00:54:20,040 --> 00:54:22,480
Speaker 1: feels very familiar and comforting, but it's also like I'm

1200
00:54:22,520 --> 00:54:25,600
Speaker 1: learning new things for sure about you know, like especially

1201
00:54:25,600 --> 00:54:28,000
Speaker 1: the episodes I've never seen, which is right well.

1202
00:54:27,880 --> 00:54:30,000
Speaker 2: And it's it's like when you watch old family movies

1203
00:54:30,000 --> 00:54:33,160
Speaker 2: and you're like, oh, that's what was happening, or you know,

1204
00:54:33,200 --> 00:54:36,400
Speaker 2: you kind of fill in maybe pieces that you don't remember,

1205
00:54:36,600 --> 00:54:39,240
Speaker 2: or you watch it and you go, oh, I remember

1206
00:54:39,280 --> 00:54:43,080
Speaker 2: what happened that week, or oh I remember that outfit,

1207
00:54:43,239 --> 00:54:47,080
Speaker 2: or you know, things stir a memory that I mean, God,

1208
00:54:47,320 --> 00:54:49,200
Speaker 2: I've had. It happened so many times that I've been

1209
00:54:49,200 --> 00:54:53,000
Speaker 2: watching an episode and gone, oh my gosh, that's right,

1210
00:54:53,040 --> 00:54:55,840
Speaker 2: like and thought of something or just had a feeling

1211
00:54:56,560 --> 00:55:00,760
Speaker 2: like a memory of a shirt or a you know whatever,

1212
00:55:01,000 --> 00:55:03,480
Speaker 2: random prop something.

1213
00:55:05,080 --> 00:55:07,560
Speaker 1: I experienced it when when we shut the front when

1214
00:55:07,719 --> 00:55:09,120
Speaker 1: when a character shuts the front.

1215
00:55:08,920 --> 00:55:12,439
Speaker 2: Front door, and that that right now, like he's gonna

1216
00:55:12,440 --> 00:55:13,279
Speaker 2: say the rat is.

1217
00:55:13,280 --> 00:55:15,680
Speaker 1: A visceral reaction to that, because I'm like, oh, yeah,

1218
00:55:15,680 --> 00:55:17,799
Speaker 1: we heard that for eight years growing up and then

1219
00:55:17,840 --> 00:55:18,759
Speaker 1: five years on full Er.

1220
00:55:18,760 --> 00:55:19,520
Speaker 2: It is embedded.

1221
00:55:19,719 --> 00:55:22,040
Speaker 3: I can hear it in my sleep and it yeah.

1222
00:55:22,080 --> 00:55:24,200
Speaker 1: Very very visceral experience.

1223
00:55:24,600 --> 00:55:27,160
Speaker 2: Yeah, but it's I mean, I love it, and it

1224
00:55:27,280 --> 00:55:28,280
Speaker 2: is like watching home movies.

1225
00:55:28,360 --> 00:55:33,600
Speaker 3: And you know, honestly, I every once in a while.

1226
00:55:33,320 --> 00:55:35,560
Speaker 2: It'll there will be usually if it's like a scene

1227
00:55:35,560 --> 00:55:39,160
Speaker 2: where it's just me and Bob, that's when it'll I'll

1228
00:55:39,160 --> 00:55:42,719
Speaker 2: have a moment where just a little pang of like

1229
00:55:42,800 --> 00:55:45,319
Speaker 2: being heartsick kind of makes me really miss him, where

1230
00:55:45,320 --> 00:55:49,759
Speaker 2: I'm like, oh, that's right, like yeah we were, Yeah,

1231
00:55:49,800 --> 00:55:51,640
Speaker 2: you were my friend and I miss you, you know,

1232
00:55:53,400 --> 00:55:57,080
Speaker 2: And but most of the time it's just nice to

1233
00:55:57,120 --> 00:55:59,160
Speaker 2: hear his voice. It is.

1234
00:55:59,239 --> 00:56:03,040
Speaker 1: It is comfort, and it keeps the person, the person's

1235
00:56:03,120 --> 00:56:06,200
Speaker 1: spirit alive. You know, Like the worst thing about losing

1236
00:56:06,239 --> 00:56:09,719
Speaker 1: someone is you don't want them to be forgotten. You

1237
00:56:09,719 --> 00:56:11,600
Speaker 1: don't want other people to forget them. So this is

1238
00:56:11,640 --> 00:56:14,160
Speaker 1: a way of keeping him alive and in our hearts

1239
00:56:14,440 --> 00:56:16,440
Speaker 1: and sharing it with all of our faner ritos, and

1240
00:56:16,480 --> 00:56:18,600
Speaker 1: we can all we're all just still talking about him.

1241
00:56:18,600 --> 00:56:21,279
Speaker 2: And that's all he ever wanted, was all he ever wanted,

1242
00:56:22,000 --> 00:56:24,560
Speaker 2: was what I said, He is so mad that he's

1243
00:56:24,560 --> 00:56:28,520
Speaker 2: not here to hear everyone talking about how great he is. Yeah,

1244
00:56:28,640 --> 00:56:31,239
Speaker 2: And I you know, I've always meant that with all

1245
00:56:31,280 --> 00:56:33,239
Speaker 2: of the love, And you know, I've actually thought of

1246
00:56:33,280 --> 00:56:36,279
Speaker 2: something sort of similar to that about not wanting to

1247
00:56:36,280 --> 00:56:36,840
Speaker 2: be forgotten.

1248
00:56:36,880 --> 00:56:37,520
Speaker 3: And when.

1249
00:56:39,360 --> 00:56:43,480
Speaker 2: When Kara was talking about it about how you know,

1250
00:56:44,080 --> 00:56:47,000
Speaker 2: she wasn't even this age when the show, or she

1251
00:56:47,040 --> 00:56:48,719
Speaker 2: wasn't even born when the show was originally on, and

1252
00:56:48,880 --> 00:56:50,640
Speaker 2: she started watching it and she wants to watch it

1253
00:56:50,680 --> 00:56:53,359
Speaker 2: with her kids, and then like, you know, yeah, and

1254
00:56:54,400 --> 00:56:59,520
Speaker 2: the idea that I don't know, the idea that we

1255
00:56:59,600 --> 00:57:04,759
Speaker 2: have done something in our lives that will be remembered

1256
00:57:04,800 --> 00:57:13,680
Speaker 2: by people fondly and as a core memory for generations

1257
00:57:14,400 --> 00:57:19,040
Speaker 2: is not something that I take lightly because there are

1258
00:57:19,080 --> 00:57:21,080
Speaker 2: not a lot of people that get to have an

1259
00:57:21,120 --> 00:57:24,360
Speaker 2: impact like that, or a show that means something like that,

1260
00:57:24,560 --> 00:57:27,640
Speaker 2: or a cast that means something like that, and to have,

1261
00:57:27,880 --> 00:57:32,240
Speaker 2: you know, a piece of art. And I will, you know,

1262
00:57:32,440 --> 00:57:35,600
Speaker 2: fight anybody that says that Full House isn't it All

1263
00:57:35,720 --> 00:57:40,160
Speaker 2: is art is you know, big wide net and to

1264
00:57:40,240 --> 00:57:43,520
Speaker 2: have a piece of art that lasts for generations is

1265
00:57:43,560 --> 00:57:47,880
Speaker 2: something that not many of us get the opportunity to

1266
00:57:48,160 --> 00:57:50,400
Speaker 2: experience and to be a part of. And I just

1267
00:57:50,800 --> 00:57:53,360
Speaker 2: want all the fan of Ritos to know that, like

1268
00:57:54,600 --> 00:57:58,520
Speaker 2: we think about that, we know that that that's huge

1269
00:57:58,640 --> 00:58:01,200
Speaker 2: and it just means a lot to me and I

1270
00:58:02,080 --> 00:58:03,160
Speaker 2: am so grateful for it.

1271
00:58:03,240 --> 00:58:05,440
Speaker 1: So yeah, it's really it's really the honor of a

1272
00:58:05,480 --> 00:58:08,760
Speaker 1: lifetime for all the reasons that you said. But yeah,

1273
00:58:08,800 --> 00:58:11,240
Speaker 1: I mean Full House was panned by so many critics

1274
00:58:11,280 --> 00:58:14,200
Speaker 1: and even Fuller House, and it's easy to just stereotype

1275
00:58:14,280 --> 00:58:18,000
Speaker 1: sitcoms and sitcom actors. Is just superficial, right, Like it's

1276
00:58:18,080 --> 00:58:21,080
Speaker 1: just they're just they're just sitcom actors and it's just

1277
00:58:21,080 --> 00:58:24,680
Speaker 1: a sitcom. It's just fluff, and yeah, it's silly. There's

1278
00:58:24,800 --> 00:58:27,880
Speaker 1: ridiculous storylines. I'm not arguing that, right.

1279
00:58:27,760 --> 00:58:29,120
Speaker 3: I mean, you hear right, you hear me.

1280
00:58:29,200 --> 00:58:31,680
Speaker 2: I make fun of it constantly, but in a way

1281
00:58:31,720 --> 00:58:34,520
Speaker 2: of like this was it's meant something to people, like

1282
00:58:34,560 --> 00:58:35,360
Speaker 2: this was important.

1283
00:58:35,480 --> 00:58:37,120
Speaker 3: We were all a little more.

1284
00:58:38,600 --> 00:58:42,440
Speaker 2: Innocent and naive then, you know, the sensibilities were a

1285
00:58:42,440 --> 00:58:43,200
Speaker 2: little bit different.

1286
00:58:43,320 --> 00:58:45,720
Speaker 3: And yeah, and.

1287
00:58:45,640 --> 00:58:47,360
Speaker 2: That's it's always been about the fans.

1288
00:58:47,160 --> 00:58:49,440
Speaker 1: It's it's never been about the critics or trying to

1289
00:58:49,800 --> 00:58:51,520
Speaker 1: win awards or anything like that. It's like, no, we

1290
00:58:51,600 --> 00:58:54,080
Speaker 1: do this for the fans because we love the characters,

1291
00:58:54,120 --> 00:58:55,720
Speaker 1: and they love the characters so much.

1292
00:58:55,840 --> 00:58:57,600
Speaker 3: Yeah, and honestly, we got to have.

1293
00:58:57,560 --> 00:58:59,640
Speaker 2: So much more fun, I think with the show because

1294
00:58:59,680 --> 00:59:02,200
Speaker 2: of that, because there was you know, it was like, look,

1295
00:59:02,440 --> 00:59:04,520
Speaker 2: our fans love when we do ridiculous stuff. Let's just

1296
00:59:04,560 --> 00:59:07,160
Speaker 2: lean into it. Let's just do it like we're not

1297
00:59:07,280 --> 00:59:11,120
Speaker 2: you know, who cares if we're you know, writing an

1298
00:59:11,200 --> 00:59:12,680
Speaker 2: I mean, that's not what this show. This show is

1299
00:59:12,720 --> 00:59:16,760
Speaker 2: about fun and family and and love and silliness and

1300
00:59:16,760 --> 00:59:21,080
Speaker 2: and yeah, I think people have kind of connected with it.

1301
00:59:21,240 --> 00:59:25,000
Speaker 2: So yeah, so thank you guys. Anyway, just a little

1302
00:59:25,000 --> 00:59:27,960
Speaker 2: fan appreciation, uh moment there at the end.

1303
00:59:28,400 --> 00:59:30,080
Speaker 3: So thanks guys.

1304
00:59:30,240 --> 00:59:33,080
Speaker 1: Thanks, we love you, guys, We love you.

1305
00:59:33,160 --> 00:59:37,160
Speaker 3: And this again an hour and two minutes of the episode.

1306
00:59:37,560 --> 00:59:39,880
Speaker 2: Yeah yeah, our maxisode.

1307
00:59:39,480 --> 00:59:41,280
Speaker 3: Our maxie right, our mini.

1308
00:59:41,040 --> 00:59:45,959
Speaker 1: Maxis supersized, our supersiz Yeah, but no, this was great.

1309
00:59:46,040 --> 00:59:49,360
Speaker 1: I love these Q and a's getting to meet our

1310
00:59:49,400 --> 00:59:52,600
Speaker 1: faneritos face to face or meet them again like in

1311
00:59:52,640 --> 00:59:55,479
Speaker 1: the case of today with Caitlin, it was. It's just great.

1312
00:59:55,520 --> 00:59:57,160
Speaker 1: I love it. I hope we get to do more.

1313
00:59:57,640 --> 01:00:01,800
Speaker 1: And we love your questions. Thank you for asking them.

1314
01:00:02,080 --> 01:00:04,560
Speaker 2: Thank you so much, you guys, and uh, you know again,

1315
01:00:04,600 --> 01:00:08,560
Speaker 2: make sure you're following us on Instagram at how read

1316
01:00:08,640 --> 01:00:11,600
Speaker 2: podcast or sending us an email howad Podcast at gmail

1317
01:00:11,640 --> 01:00:14,600
Speaker 2: dot com. Uh, make sure you're subscribing to the podcast

1318
01:00:14,680 --> 01:00:16,920
Speaker 2: on whatever platform you're listening to it so that you

1319
01:00:16,920 --> 01:00:19,200
Speaker 2: can get the newest ones as soon as they come out,

1320
01:00:19,200 --> 01:00:22,800
Speaker 2: including our mini maxisodes and our maxim minisodes and the

1321
01:00:22,800 --> 01:00:24,760
Speaker 2: ones where we just don't shut up.

1322
01:00:25,280 --> 01:00:26,240
Speaker 1: Uh.

1323
01:00:26,360 --> 01:00:29,960
Speaker 2: So, thank you guys for listening. Uh, we love your questions.

1324
01:00:30,000 --> 01:00:30,520
Speaker 3: We love you.

1325
01:00:31,760 --> 01:00:39,840
Speaker 2: Remember the the the world is small, but our outciousness

1326
01:00:39,920 --> 01:00:42,760
Speaker 2: is not. Our loquaciousness is long.

1327
01:00:42,840 --> 01:00:45,000
Speaker 3: Now I don't know, I don't know.

1328
01:00:45,200 --> 01:00:49,360
Speaker 1: The world is full and our brains are empty. That

1329
01:00:49,400 --> 01:00:51,919
Speaker 1: doesn't yeah, a foggy I'd say, fuck, you know what,

1330
01:00:52,080 --> 01:00:52,560
Speaker 1: how's this?

1331
01:00:53,160 --> 01:00:55,640
Speaker 2: The doors are always open and Carl, the fog is

1332
01:00:55,640 --> 01:00:56,600
Speaker 2: taken over. Here we go.

1333
01:00:56,920 --> 01:00:57,240
Speaker 3: I don't know.

1334
01:00:57,320 --> 01:01:00,400
Speaker 2: That doesn't roll off the tongue. But it's a work, Carl.

1335
01:01:00,440 --> 01:01:01,840
Speaker 3: I blame Carl it. We'll work on it.

1336
01:01:01,920 --> 01:01:02,760
Speaker 1: We're working on it, guys.

1337
01:01:02,800 --> 01:01:03,600
Speaker 4: You have it, Carl.

1338
01:01:04,920 --> 01:01:07,120
Speaker 3: This episode is brought to you by Hyundai.

1339
01:01:15,240 --> 01:01:15,760
Speaker 2: Mm hmm