WEBVTT - The Science of 'Ant-Man'

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<v Speaker 1>Exitement. Welcome to Stuff to Blow Your Mind from housetop

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<v Speaker 1>Works dot com. Hey you wasn't a stuff to Blow

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<v Speaker 1>your mind. My name is Robert Lamb and I'm Christian Seger,

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<v Speaker 1>and today we're gonna be talking about it Man, the

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<v Speaker 1>famous tiny little superhero who was on the big screen

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<v Speaker 1>over the summer, and about the science behind it miniaturization

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<v Speaker 1>and it's all different kinds of crazy, wacky science things

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<v Speaker 1>that are actually some are true and some are not.

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<v Speaker 1>Before we get into that, though, I want to remind

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<v Speaker 1>and we try every Friday at noon Eastern Standard time

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<v Speaker 1>to be available for about twenty or thirty minutes hang

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<v Speaker 1>out with our audience, talk to you about what's going

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<v Speaker 1>and what we have coming up in the next couple

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<v Speaker 1>of weeks. So, uh, we won't be on We're currently

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<v Speaker 1>recording this right before Christmas, so it's gonna be a

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<v Speaker 1>little bit uh off schedule. But once we get past

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<v Speaker 1>the new year, I think we'll we'll get back onto

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<v Speaker 1>that Friday schedule. All right, well, let's launch into it.

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<v Speaker 1>We're talking about aunt Man. We're talking about aunts, We're

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<v Speaker 1>talking about the possible science of miniaturization. Uh. Aunt Man,

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<v Speaker 1>of course, is the latest Marvel Cinematic Universe movie to

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<v Speaker 1>come out came out here in as of this recording.

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<v Speaker 1>It has just hit the digital streaming market and I

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<v Speaker 1>believe it's it's either out on DVD and Blu Ray

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<v Speaker 1>now or it will be very soon. I believe you

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<v Speaker 1>saw in the theater. I did. I saw it in

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<v Speaker 1>the theater. I'm, as many of our listeners know, a

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<v Speaker 1>huge comic book fan and try to support comic book movies.

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<v Speaker 1>For the most part. I was a little bit on

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<v Speaker 1>the fence about this one, to be honest, but I

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<v Speaker 1>did go see it in the theater. Col I liked it. Okay,

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<v Speaker 1>it wasn't like my favorite or anything, but but the

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<v Speaker 1>science was particularly interesting. Yeah, the science was. I just

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<v Speaker 1>saw it last week and I really enjoyed it. I was.

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<v Speaker 1>I definitely came into it not you know, I wasn't

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<v Speaker 1>certain what to expect because on one hand, I don't

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<v Speaker 1>have any real attachment to Aunt Man and I, even

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<v Speaker 1>though I love miniaturization science fiction as well discussed um, Yeah,

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<v Speaker 1>I was kind of like, well, not enough that he's

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<v Speaker 1>little one, does you have to talk to aunts too?

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<v Speaker 1>And then I also had been following some of the

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<v Speaker 1>production history with that being part of it and not

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<v Speaker 1>being a part of it. That was part of my hesitant. Yeah.

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<v Speaker 1>The reason why I was hesitant to see it was

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<v Speaker 1>I'm a big egg right fan, and I had followed

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<v Speaker 1>you know, we don't need to go into all that here,

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<v Speaker 1>but I kind of followed the troubled production of this

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<v Speaker 1>movie and was really looking forward to his take on

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<v Speaker 1>the character. Um, but I think that there's some glimmers

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<v Speaker 1>of his voice in that movie still, I think so. Yeah.

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<v Speaker 1>And and Joe Cornish to the guy who did attack

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<v Speaker 1>the Block, also helped work on this, right, Yeah, I thought.

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<v Speaker 1>I thought the end result was a heck of a

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<v Speaker 1>lot of fun. I enjoy it, And after I saw it,

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<v Speaker 1>I said, hey, let's uh flu this. Let's let's do

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<v Speaker 1>an episode that I was a big nerd. So so

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<v Speaker 1>here's the thing, like, for this episode, I'm gonna try

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<v Speaker 1>to restrain my comic nerd. Um. I am gonna probably

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<v Speaker 1>cover the segment on just sort of how comic book

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<v Speaker 1>aunt Man compares to to movie aunt Man, and I'll

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<v Speaker 1>probably interject here there. But Robert's gonna keep me on track,

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<v Speaker 1>and we're in a drastic to the science of this,

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<v Speaker 1>because there's some really fascinating stuff that you know, honestly,

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<v Speaker 1>like approaching this, didn't think was gonna turn out to

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<v Speaker 1>be true. Yeah, Yeah, it's it's it's it's kind of

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<v Speaker 1>funny how much how much great science there is in

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<v Speaker 1>the film. Uh, So just just start off, let's talk

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<v Speaker 1>a little bit about miniaturization science fiction itself, because this

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<v Speaker 1>provides sort of the soil from which ant Man it

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<v Speaker 1>initially emerges, and then the latest incarnation the film also, uh,

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<v Speaker 1>comes out of this history. Yeah, there's a fascination I

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<v Speaker 1>think that probably popped up in the late fifties and

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<v Speaker 1>early sixties, which is when ant Man the comic was

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<v Speaker 1>created with the idea of shrinking and or growing things. Right,

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<v Speaker 1>we were fascinated with giant ants and bugs and stuff

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<v Speaker 1>being monsters in horror movies. And yeah, and I think

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<v Speaker 1>a lot of this comes out of increased awareness of

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<v Speaker 1>what's going on at the smaller levels of nature and uh,

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<v Speaker 1>and also our ability to share that with the general population.

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<v Speaker 1>People were able to see these close up photos and

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<v Speaker 1>their and learning about our our continuing exploration of these

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<v Speaker 1>tiny realms. So one of the one of the big

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<v Speaker 1>ones that we have to mention is, of course Richard

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<v Speaker 1>Matheson's novel The Shrinking Man and the subsequent nine seven

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<v Speaker 1>movie The Incredible Shrinking Man. And I've read I don't

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<v Speaker 1>know how this matches up with the timeline. I've read

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<v Speaker 1>that these were supposedly a big influence on on Hank

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<v Speaker 1>Pim the Hand character about his first adventure in which

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<v Speaker 1>he what he falls into an aunt hill. Yeah, that's

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<v Speaker 1>the first, uh, the first comic that they did at

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<v Speaker 1>Marvel with him. And I don't even know if he

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<v Speaker 1>was necessarily a superhero at that point. I think it

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<v Speaker 1>was just kind of a you know, scientists, mad Science

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<v Speaker 1>Gonna rise story. But yeah, man, Richard Matheson, Like when

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<v Speaker 1>you go back and look at that guy's resume, he

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<v Speaker 1>influenced so much pop culture. Oh yeah, he did. And

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<v Speaker 1>of course we have to mention the nineteen sixty six

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<v Speaker 1>film Fantastic Voyage, in which a tiny submarine that contains

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<v Speaker 1>a miniaturized Raquel Welch and a miniaturized Donald Pleasants and

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<v Speaker 1>some other people that of varying importance, and they are

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<v Speaker 1>you know, sent into the bloodstream, going in there to

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<v Speaker 1>address an illness at a at a at a very

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<v Speaker 1>small scale. Yeah, there's there's there is a fascination like

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<v Speaker 1>with this shrinking and growing thing, right, like the ones

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<v Speaker 1>that I remember more often, the the growing ones, like

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<v Speaker 1>Attack of the fifty Foot Woman. That's one, right, that

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<v Speaker 1>was one of those big movies of the time, Amazing

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<v Speaker 1>Colossal Man that was another giant them wash um. Now,

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<v Speaker 1>of course, Fantastic Voyage itself kind of spins off into

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<v Speaker 1>its own little franchise. Isaac Asimov did the novelization in

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<v Speaker 1>the nineteen sixty six and we'll discuss some of his

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<v Speaker 1>science City and jacks into the franchise in a bit.

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<v Speaker 1>He also did a Fantastic Voyage to Destination Brain in

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<v Speaker 1>eighties seven. I read the former novel, but I remember

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<v Speaker 1>trying to read the second one. I was like in

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<v Speaker 1>junior high at the time, and I think I just

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<v Speaker 1>kind of timed out on some of the science again

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<v Speaker 1>at the time. I should give it another read. Um.

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<v Speaker 1>Kevin J. Anderson did Fantastic Voyage Microcosm much later, in

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<v Speaker 1>which the crew explores the body of a dead alien. Wow.

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<v Speaker 1>That sounds interesting, and I was. I was surprised to

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<v Speaker 1>hear that in sixty eight there was a Fantastic Voyage

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<v Speaker 1>animated series. I don't think I've ever seen a clip

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<v Speaker 1>of this hadn't either. Yeah, that's in fact, like my

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<v Speaker 1>knowledge of the whole Fantastic Voyage, you know, franchise is

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<v Speaker 1>rather limited. This sounds like a treasure trove of stuff

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<v Speaker 1>to go back to. Yeah, and then of course Fantastic

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<v Speaker 1>Voyage itself directly influenced the fabulous nine film Interspace, And

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<v Speaker 1>this is the one I remember from growing up. I

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<v Speaker 1>was ten when this came out and they hadn't I

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<v Speaker 1>want to say it was like Universal Studios or something

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<v Speaker 1>like that. When I was a kid had an Inner

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<v Speaker 1>Space ride and it was like one of those things

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<v Speaker 1>where you you went into a room with like shaky

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<v Speaker 1>seats and you basically watched a movie where like Martin

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<v Speaker 1>Short or somebody walked you through as you went through

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<v Speaker 1>the body. You know. Um, that was pretty cool. Yeah,

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<v Speaker 1>it's a It was a great film I remember to

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<v Speaker 1>watch as a kid because you had all the you know,

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<v Speaker 1>you had all this Martin Short manic stuff. Dennis Quaid

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<v Speaker 1>was Dennis Quaid was was miniaturized in this cool little

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<v Speaker 1>submarine in Martin Short. And then in the climax that

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<v Speaker 1>I just I must have watched dozens of times as

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<v Speaker 1>a kid. You had the bad guys miniaturized as well

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<v Speaker 1>in his own little robot suit and they do battle

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<v Speaker 1>in uh in the stomach. It's cool to aunt man

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<v Speaker 1>in a way. Yeah, they didn't really go in anybody's body.

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<v Speaker 1>In aunt Man, for the most part, it's because he's

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<v Speaker 1>ant sized and not like they're like microscopic, and yeah,

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<v Speaker 1>they're much smaller, but but very similar, especially when you

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<v Speaker 1>get into the battling chokh And then of course Fantastic

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<v Speaker 1>Voyage and Inner Space went on to influence. Uh. There's

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<v Speaker 1>a Futurama episode par Parasites Lost. Uh you remember this one.

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<v Speaker 1>This is where Fry gets intestinal worms from eating a

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<v Speaker 1>I think like a tuna fish sandwich that he buys

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<v Speaker 1>from a condom machine and galactic trucks. Always a bad idea,

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<v Speaker 1>but that's that's a great miniaturization episode. There's a wonderful

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<v Speaker 1>Rick and Morty episode titled Anatomy Park. Yeah. I can

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<v Speaker 1>only imagine the mind of Dan Harmon at work on

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<v Speaker 1>something like that. Sounds like a Jurassic Park. Honey, I

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<v Speaker 1>shrunk the kids mash up. Yeah, yeah, but pretty much

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<v Speaker 1>it's well, it's it's it's kind of a Fantastic Voyage

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<v Speaker 1>meets a neat Jurassic Parks. So we have all these

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<v Speaker 1>deadly viruses that are kept in kind of a Jurassic

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<v Speaker 1>Park inside the body of kind. I think it's an alcoholic,

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<v Speaker 1>homeless Santa Claus, and then you get you get yourself miniaturized,

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<v Speaker 1>and then you go and visit and you can meet

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<v Speaker 1>all these terrible, you know, pathogens. Yeah, this sounds like

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<v Speaker 1>Dan Harmon with an unlimited budget. So and then I

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<v Speaker 1>just mentioned Honey, I Shrunk the Kids, which is you

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<v Speaker 1>know what, were there three of those movies or something

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<v Speaker 1>like that. I can't remember, but yeah, there was they

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<v Speaker 1>shrunk the kid and then they blew up the baby

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<v Speaker 1>something like that, and then I don't remember. I think

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<v Speaker 1>there was a third bit. I never said. They were

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<v Speaker 1>definitely again, like I want to say that those came

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<v Speaker 1>out sometime in my three teen years or something like that,

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<v Speaker 1>so I remember seeing them, but I don't remember a

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<v Speaker 1>lot about them. It was that sort of arrow when

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<v Speaker 1>like c G I was was just really starting to

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<v Speaker 1>become convincing. So the idea of Rick moranis getting shrunken

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<v Speaker 1>down into his front yard and having to travel around

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<v Speaker 1>with all the Yeah I believe aunts again answered like

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<v Speaker 1>the go to for this miniaturization thing. Yeah, I mean, because,

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<v Speaker 1>as we'll discuss in the second half of this episode,

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<v Speaker 1>there are so fascinating and their world is is just

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<v Speaker 1>so alien and an an intricate that we we can't

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<v Speaker 1>help but imagine ourselves immersed in it. And then you

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<v Speaker 1>know this, a lot of this spawned into and also

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<v Speaker 1>out of comic books. There is as much of a

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<v Speaker 1>fascination with miniaturization and comics as there is in film

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<v Speaker 1>and television from that time. So you've got aunt Man. Uh.

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<v Speaker 1>D C has their version of aunt Man, which is

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<v Speaker 1>the atom uh. And then uh, the ant Man has

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<v Speaker 1>his wife, the Wasp. Uh well sometimes wife, sometimes not wife.

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<v Speaker 1>I'll talk about that in a little bit. And uh,

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<v Speaker 1>there's there's all kinds of other series. In fact, there

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<v Speaker 1>was even I think in the eighties there was a

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<v Speaker 1>series called Micronots that was about like, uh like it

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<v Speaker 1>was sort of like Star Wars meets ant Man, right,

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<v Speaker 1>Like the idea was like they they lived in this

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<v Speaker 1>tiny micro verse that was so small it was completely

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<v Speaker 1>like it was sort of like the quantum realm from

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<v Speaker 1>aunt Man. All right, well, tell me about aunt Man.

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<v Speaker 1>I'm coming at it as a guy who basically knows

0:11:31.120 --> 0:11:33.079
<v Speaker 1>what I saw in the film and you know, skimming

0:11:33.120 --> 0:11:37.000
<v Speaker 1>a few uh you know, comic wiki pages about him.

0:11:37.400 --> 0:11:39.960
<v Speaker 1>Give me the full story. So ant Man is created

0:11:40.200 --> 0:11:44.520
<v Speaker 1>in nineteen sixty two at Marvel Comics by the usual

0:11:44.559 --> 0:11:48.520
<v Speaker 1>suspect Stanley and Jack Kirby, also with some help from

0:11:48.600 --> 0:11:53.720
<v Speaker 1>Larry Lieber, who is Stanley's brother. Uh. And basically it's

0:11:54.080 --> 0:11:57.520
<v Speaker 1>the character has usually been the version that Michael Douglas

0:11:57.559 --> 0:12:01.880
<v Speaker 1>portrays in the movie right, the older heck Pim character,

0:12:02.240 --> 0:12:05.480
<v Speaker 1>except for he's not older in the in the original comics. UM.

0:12:05.480 --> 0:12:08.400
<v Speaker 1>But the gist is he's a super scientist who fights crime.

0:12:08.559 --> 0:12:12.120
<v Speaker 1>The way he does it is he has these PIM

0:12:12.120 --> 0:12:16.000
<v Speaker 1>particles that he's invented that enable him to shunt his

0:12:16.160 --> 0:12:20.040
<v Speaker 1>mass or gain mass from an alternate dimension. Uh, and

0:12:20.400 --> 0:12:23.600
<v Speaker 1>he either shrinks or he gets big. And he used

0:12:23.640 --> 0:12:27.079
<v Speaker 1>to like swallow capsules. I think when they first came out, Um,

0:12:27.320 --> 0:12:29.679
<v Speaker 1>then he breathed in particle filled gas. I think that's

0:12:29.720 --> 0:12:32.440
<v Speaker 1>why that the helmet. Then helmet sort of has like

0:12:32.480 --> 0:12:36.280
<v Speaker 1>a gas mask look to it. And then eventually, if

0:12:36.320 --> 0:12:40.040
<v Speaker 1>I remember the cannon correctly, there's something about how his

0:12:40.120 --> 0:12:43.360
<v Speaker 1>body absorbed the PIM particles, so he was basically just

0:12:43.440 --> 0:12:46.440
<v Speaker 1>producing them on his own, and he could at will

0:12:46.520 --> 0:12:48.760
<v Speaker 1>shrink or grow, and he could also like shrink or

0:12:48.800 --> 0:12:52.480
<v Speaker 1>grow other objects nearby him. Or other people. Okay, so

0:12:52.559 --> 0:12:54.640
<v Speaker 1>is it kind of like the whole Spider Man deal

0:12:54.720 --> 0:12:58.160
<v Speaker 1>where at times Spider Man is shooting webs because he's

0:12:58.200 --> 0:13:00.960
<v Speaker 1>made fantastic little devices. In other times it becomes more

0:13:01.000 --> 0:13:05.360
<v Speaker 1>a part of who he is physically. Uh No, I

0:13:05.400 --> 0:13:08.440
<v Speaker 1>think it's like because those are two like this is

0:13:08.440 --> 0:13:12.080
<v Speaker 1>super nerdy, but that the comic book version is the

0:13:12.120 --> 0:13:15.280
<v Speaker 1>one with the web shooters. The movie version is the

0:13:15.280 --> 0:13:17.839
<v Speaker 1>one where it shoots out organically. Okay, so he never

0:13:17.880 --> 0:13:20.680
<v Speaker 1>shoots it out organically in the comics. They they reckcondit

0:13:21.120 --> 0:13:24.120
<v Speaker 1>later on in like the two thousands for a series

0:13:24.120 --> 0:13:27.640
<v Speaker 1>called Ultimate Spider Man. But yes, so in this case,

0:13:27.679 --> 0:13:29.200
<v Speaker 1>I think it was like sort of the same character

0:13:29.240 --> 0:13:33.320
<v Speaker 1>in the same universe, but he just you know, over time,

0:13:33.360 --> 0:13:36.880
<v Speaker 1>they're like capsules. That's kind of lame. Let's do gas,

0:13:37.160 --> 0:13:38.960
<v Speaker 1>we don't. He doesn't need the gas. He can just

0:13:39.080 --> 0:13:43.760
<v Speaker 1>change um. And so the deal was was he was

0:13:43.840 --> 0:13:46.679
<v Speaker 1>aunt Man. He joins the Avengers. He usually teams up

0:13:46.720 --> 0:13:50.160
<v Speaker 1>with his girlfriends, sometimes wife Janet van Dyne, who is

0:13:50.200 --> 0:13:52.720
<v Speaker 1>the Wasp, And in the movie they sort of hint

0:13:52.760 --> 0:13:55.800
<v Speaker 1>at that and they show flashbacks to their crime fighting

0:13:55.840 --> 0:14:00.760
<v Speaker 1>career together. The thing about Aunt Man of spoilers for

0:14:00.800 --> 0:14:02.960
<v Speaker 1>aunt Man comics that are like, I guess, forty years

0:14:02.960 --> 0:14:06.400
<v Speaker 1>old at this point. But uh, the thing about aunt

0:14:06.440 --> 0:14:09.040
<v Speaker 1>Man that isn't really touched upon in the movies at

0:14:09.040 --> 0:14:13.280
<v Speaker 1>all is that he has tons of different identities. So

0:14:13.360 --> 0:14:16.720
<v Speaker 1>aunt Man isn't just Hank Pim's identity. He also becomes

0:14:16.800 --> 0:14:19.840
<v Speaker 1>Giant Man, where he just grows and smashes things. And

0:14:19.880 --> 0:14:21.960
<v Speaker 1>then I guess he thought Giant Man wasn't a cool

0:14:22.080 --> 0:14:24.520
<v Speaker 1>enough name, so he changes it to Goliath, and then

0:14:24.520 --> 0:14:26.720
<v Speaker 1>he changes his name to Yellow Jacket and he starts

0:14:26.720 --> 0:14:29.520
<v Speaker 1>shrinking again. Uh. And then there's even a point I

0:14:29.520 --> 0:14:31.480
<v Speaker 1>think it was this was in the two thousands where

0:14:31.520 --> 0:14:36.280
<v Speaker 1>the Wasp died or something, and to honor her memory,

0:14:36.360 --> 0:14:38.640
<v Speaker 1>he became the Wasp. So he was like the male

0:14:38.760 --> 0:14:41.000
<v Speaker 1>version of the Wasp, al right, So if he recognized

0:14:41.040 --> 0:14:42.920
<v Speaker 1>that you gotta keep mixing it up, you gotta keep

0:14:43.040 --> 0:14:45.640
<v Speaker 1>reinventing yourself, so much so that like I believe it

0:14:45.760 --> 0:14:47.880
<v Speaker 1>is part of the character's history that he had multiple

0:14:48.560 --> 0:14:51.880
<v Speaker 1>personality disorder because like he was having a difficult time

0:14:52.000 --> 0:14:55.120
<v Speaker 1>tracking all of his secret identities, and something to do

0:14:55.280 --> 0:14:59.240
<v Speaker 1>with the particle ingestion was messing with his mind. So

0:14:59.360 --> 0:15:01.960
<v Speaker 1>like when he the Yellow Jacket character, he's almost like

0:15:01.960 --> 0:15:06.320
<v Speaker 1>a different person um and and sort of a villain. Uh.

0:15:06.360 --> 0:15:09.120
<v Speaker 1>And sometimes he gets brainwashed by villains. Other times he's

0:15:09.160 --> 0:15:11.560
<v Speaker 1>replaced by shape shifting aliens. So this character has this

0:15:11.680 --> 0:15:17.960
<v Speaker 1>like really bizarre history of sometimes just being completely aloof

0:15:18.000 --> 0:15:21.040
<v Speaker 1>to what's going on in the rest of the storylines

0:15:21.080 --> 0:15:24.240
<v Speaker 1>around him, basically because he's not himself, to the point

0:15:24.280 --> 0:15:27.040
<v Speaker 1>that there is a classic storyline in ant Man that

0:15:27.080 --> 0:15:29.600
<v Speaker 1>I'm sure the film producers tried to stay away from

0:15:29.640 --> 0:15:33.760
<v Speaker 1>as much as possible, in which aunt Man becomes very

0:15:33.800 --> 0:15:37.520
<v Speaker 1>aggressive in his person persona as Yellow Jacket and has

0:15:37.520 --> 0:15:40.520
<v Speaker 1>a mental breakdown, and when the Wasp tries to intervene

0:15:40.560 --> 0:15:43.640
<v Speaker 1>because they're married at this point, he hits her and

0:15:43.800 --> 0:15:47.480
<v Speaker 1>is expelled from the Avengers. They end up getting a divorce, uh,

0:15:47.520 --> 0:15:49.080
<v Speaker 1>and then I think, like, you know, maybe twenty or

0:15:49.120 --> 0:15:51.560
<v Speaker 1>thirty years later in the comics they resumed their romance.

0:15:51.920 --> 0:15:54.120
<v Speaker 1>But so he's sort of like the ant Man I

0:15:54.160 --> 0:15:56.680
<v Speaker 1>grew up with reading in the eighties was always this

0:15:56.800 --> 0:16:01.720
<v Speaker 1>like disheveled guy who had like in broken because like

0:16:01.840 --> 0:16:04.920
<v Speaker 1>he had this mental breakdown and then like was sort

0:16:04.920 --> 0:16:07.480
<v Speaker 1>of reviled by all the other superheroes because he hit

0:16:07.560 --> 0:16:11.120
<v Speaker 1>his wife. Uh oh, and also he is in the

0:16:11.160 --> 0:16:14.600
<v Speaker 1>comics the guy who invents Ultron, the big bad robot

0:16:14.640 --> 0:16:18.280
<v Speaker 1>from the Avengers movie. Everybody's like, great, you hit your

0:16:18.320 --> 0:16:21.160
<v Speaker 1>wife and you invent this robot that accidentally tries to

0:16:21.240 --> 0:16:23.760
<v Speaker 1>kill us all the time. Okay, So luckily in the

0:16:23.840 --> 0:16:26.240
<v Speaker 1>in the Marvel films, we've gotten to move that off

0:16:26.280 --> 0:16:29.200
<v Speaker 1>and blame that on Tony Stone. Yeah, exactly. They chose

0:16:29.240 --> 0:16:31.160
<v Speaker 1>to get that to Robert Downey Jr. He was already

0:16:31.240 --> 0:16:33.960
<v Speaker 1>charming enough. All right, let's let's get into the movie

0:16:33.960 --> 0:16:37.720
<v Speaker 1>a bit now, before we get into the miniaturization science

0:16:37.760 --> 0:16:41.200
<v Speaker 1>and the quantum physics and the ultimately what we see

0:16:41.240 --> 0:16:43.800
<v Speaker 1>some of the ants doing in the picture. You want

0:16:43.800 --> 0:16:48.120
<v Speaker 1>to touch on some of the just straight up caper science. Yeah, well,

0:16:48.120 --> 0:16:50.440
<v Speaker 1>when I was watching it, I was sort of stunned

0:16:50.480 --> 0:16:53.480
<v Speaker 1>by the scene. So again, if you haven't seen the movie,

0:16:53.560 --> 0:16:55.840
<v Speaker 1>we're gonna spoil the hell out of it this episode.

0:16:55.880 --> 0:16:59.640
<v Speaker 1>But uh, Scott Lang, who is the not aunt man

0:16:59.680 --> 0:17:01.520
<v Speaker 1>at this point. The premise of the movie is that

0:17:01.600 --> 0:17:06.720
<v Speaker 1>Scott Lang breaks into Hank Pim's house to steal the suit. Uh,

0:17:07.359 --> 0:17:10.080
<v Speaker 1>the sort of heisty stuff that he does to get

0:17:10.119 --> 0:17:15.000
<v Speaker 1>in past. His defenses were science in a way. Uh.

0:17:15.040 --> 0:17:16.520
<v Speaker 1>And at the time I was watching it and I

0:17:16.600 --> 0:17:19.560
<v Speaker 1>was like, this is completely false, Like there's no way

0:17:19.560 --> 0:17:22.600
<v Speaker 1>that you could get past a fingerprint scanner with super

0:17:22.640 --> 0:17:25.800
<v Speaker 1>glue the way that he does. And in fact, Joe

0:17:25.840 --> 0:17:28.320
<v Speaker 1>and I are working on something right now about forensic

0:17:28.359 --> 0:17:32.680
<v Speaker 1>science and superglue. Fuming is a thing that is done

0:17:32.680 --> 0:17:35.920
<v Speaker 1>to gather fingerprint evidence, and so much so that it's

0:17:35.920 --> 0:17:37.399
<v Speaker 1>one of the few ways that you can pull a

0:17:37.440 --> 0:17:41.080
<v Speaker 1>fingerprint off of a dead body. So there is some

0:17:41.280 --> 0:17:44.479
<v Speaker 1>science to that, but it's not necessarily. I don't know

0:17:44.520 --> 0:17:47.119
<v Speaker 1>that you could take the superglue itself, reform it and

0:17:47.119 --> 0:17:50.320
<v Speaker 1>then turn it into something that a fingerprint scanner would understand,

0:17:50.960 --> 0:17:52.680
<v Speaker 1>you know, much less do it on a fly like that.

0:17:56.920 --> 0:17:58.560
<v Speaker 1>And I don't even want to get into doesn't he

0:17:58.680 --> 0:18:03.960
<v Speaker 1>like freeze the door somehow to say free like filling

0:18:03.960 --> 0:18:06.560
<v Speaker 1>it with water and then freezing the water. Yeah, yeah,

0:18:06.880 --> 0:18:09.240
<v Speaker 1>I maybe there's some science to that one too. I

0:18:09.240 --> 0:18:10.840
<v Speaker 1>didn't look too deep into that, but I wanted to

0:18:10.880 --> 0:18:13.840
<v Speaker 1>mention that they at least tried. There's some stuff going

0:18:13.880 --> 0:18:18.440
<v Speaker 1>on there. The superglue thing is uh slightly accurate. Um.

0:18:18.520 --> 0:18:21.640
<v Speaker 1>But the reason for this is that they had uh

0:18:21.680 --> 0:18:24.440
<v Speaker 1>an actual scientist on set who is sort of there,

0:18:25.080 --> 0:18:28.040
<v Speaker 1>I guess, reference point and adviser. And his name is

0:18:28.160 --> 0:18:32.440
<v Speaker 1>Dr Spiros Machalicus. Uh. He's from cal Tech, California, and

0:18:32.480 --> 0:18:35.800
<v Speaker 1>he consulted mainly about quantum physics and the miniaturization stuff.

0:18:35.840 --> 0:18:38.399
<v Speaker 1>But you know, maybe he also was like, by the way,

0:18:38.560 --> 0:18:42.520
<v Speaker 1>you can break into this lock with superglue. All right,

0:18:42.520 --> 0:18:45.680
<v Speaker 1>so we yeah, we're gonna touch on some of Macalicus's

0:18:45.880 --> 0:18:49.600
<v Speaker 1>um thoughts and on the science of aunt Man. We're

0:18:49.600 --> 0:18:54.880
<v Speaker 1>also going to reference the physics of Superheroes by James Kakalios. Yeah,

0:18:54.920 --> 0:18:57.960
<v Speaker 1>a lot of Greek guys looking into the science of

0:18:57.960 --> 0:19:01.000
<v Speaker 1>of superheroes here. Uh. I do want to add here

0:19:01.000 --> 0:19:03.800
<v Speaker 1>before we dive into this that so obviously it would

0:19:03.840 --> 0:19:05.480
<v Speaker 1>have been ideal if we had done this right when

0:19:05.480 --> 0:19:08.800
<v Speaker 1>the movie came out in theaters, but I actually like

0:19:08.920 --> 0:19:12.960
<v Speaker 1>that we're not because so much was paid attention to

0:19:13.000 --> 0:19:17.280
<v Speaker 1>the science in articles or an other kind of you know,

0:19:17.400 --> 0:19:20.359
<v Speaker 1>content that was created around the internet when that movie

0:19:20.400 --> 0:19:22.480
<v Speaker 1>came out, that we're able to sort of gather it

0:19:22.520 --> 0:19:25.800
<v Speaker 1>all together, compare notes, and do like the full shebang now,

0:19:26.240 --> 0:19:30.120
<v Speaker 1>where um, like wired had some pieces and nerdiced had

0:19:30.200 --> 0:19:32.960
<v Speaker 1>some pieces, but they didn't have like all of it together.

0:19:33.000 --> 0:19:34.840
<v Speaker 1>And this I feel like we're able to bring it

0:19:34.880 --> 0:19:36.840
<v Speaker 1>all together now a couple of months later. Yeah. And plus,

0:19:36.880 --> 0:19:38.199
<v Speaker 1>if you're like me and you only get out to

0:19:38.240 --> 0:19:40.160
<v Speaker 1>see a movie in the theater once or twice a year,

0:19:40.359 --> 0:19:41.919
<v Speaker 1>then then you know this is this is maybe a

0:19:41.920 --> 0:19:46.560
<v Speaker 1>more ideal time. So let's start off by talking about miniaturization,

0:19:46.640 --> 0:19:49.480
<v Speaker 1>which again we've seen in so many different science fiction

0:19:49.520 --> 0:19:54.080
<v Speaker 1>films and TV shows and comics. But how would it

0:19:54.160 --> 0:19:57.679
<v Speaker 1>possibly work? So here's the thing, just to get this

0:19:57.720 --> 0:20:03.359
<v Speaker 1>out of the way. Miniaturization, as we comprehend it is

0:20:03.640 --> 0:20:07.080
<v Speaker 1>physically impossible based on our understanding of physics. There's so

0:20:07.119 --> 0:20:10.320
<v Speaker 1>many reasons why it wouldn't work, not even just the miniaturization,

0:20:10.359 --> 0:20:12.199
<v Speaker 1>but we'll talk later as well as like even if

0:20:12.240 --> 0:20:14.639
<v Speaker 1>you could come up with some way to miniatureize a body,

0:20:14.920 --> 0:20:17.240
<v Speaker 1>there's so many things that would go wrong with that body.

0:20:17.400 --> 0:20:20.240
<v Speaker 1>Yeah it's miniaturized. Yeah, it's like going from you know,

0:20:20.320 --> 0:20:25.800
<v Speaker 1>duplos to normal legos or vice versa. Yeah, So as

0:20:25.960 --> 0:20:31.120
<v Speaker 1>Umkakalios points out in his book, at a very basic level,

0:20:31.280 --> 0:20:33.239
<v Speaker 1>matters made out of atoms, and the size of an

0:20:33.280 --> 0:20:36.240
<v Speaker 1>atom is a fundamental length scale of nature, and it's

0:20:36.280 --> 0:20:40.800
<v Speaker 1>not open to continue with adjustment. And furthermore, Isaac Asimov,

0:20:40.840 --> 0:20:43.120
<v Speaker 1>who of course had to crunch the science way back

0:20:43.119 --> 0:20:46.119
<v Speaker 1>when he did his novelization of Fantastic Voyage, which is

0:20:46.119 --> 0:20:50.720
<v Speaker 1>interesting because, as I recall the story, there was they said, hey, hey, Isaac,

0:20:51.000 --> 0:20:53.840
<v Speaker 1>we need should write a novelization of this hot new film,

0:20:54.040 --> 0:20:55.760
<v Speaker 1>and He's like, how, I don't want to do it,

0:20:55.800 --> 0:20:58.119
<v Speaker 1>and they finally agreed to let him to get him

0:20:58.160 --> 0:21:00.000
<v Speaker 1>to do it, provided he got to tweet the science

0:21:00.040 --> 0:21:02.560
<v Speaker 1>to try and make it work a little bit him. Yeah,

0:21:02.600 --> 0:21:04.560
<v Speaker 1>So in his novelization he points out that to make

0:21:04.600 --> 0:21:08.880
<v Speaker 1>something smaller it requires either one making the atom smaller,

0:21:09.000 --> 0:21:12.200
<v Speaker 1>to removing a large fraction of the atoms, or three

0:21:12.200 --> 0:21:15.280
<v Speaker 1>pushing the atoms closer together. Right, And there's I believe

0:21:15.359 --> 0:21:18.320
<v Speaker 1>Kakalios and others have sort of debunked why those things

0:21:18.359 --> 0:21:20.879
<v Speaker 1>wouldn't work either. But yeah, I should also point out

0:21:20.960 --> 0:21:24.040
<v Speaker 1>we mentioned that the sequel that Dasma did Fantastic Voyage

0:21:24.240 --> 0:21:28.080
<v Speaker 1>to Destination brain um, and in that he provided his

0:21:28.119 --> 0:21:31.200
<v Speaker 1>own sci fi model for miniaturization, which was involved the

0:21:31.240 --> 0:21:34.879
<v Speaker 1>creation of a quote local distortion field that changes the

0:21:34.960 --> 0:21:38.680
<v Speaker 1>value of planks constant. And that's a that's a physical constant.

0:21:38.960 --> 0:21:41.840
<v Speaker 1>That is the quantum of action central and quantum mechanics,

0:21:41.920 --> 0:21:46.360
<v Speaker 1>and it's a fundamental constant of the universe. But if

0:21:46.400 --> 0:21:48.960
<v Speaker 1>you could adjust planks constant and therefore make it, I

0:21:48.960 --> 0:21:52.639
<v Speaker 1>guess planks adjustable. Uh, you could shrink things as you please.

0:21:52.720 --> 0:21:54.919
<v Speaker 1>But it's all sci fi magic as to how you

0:21:55.000 --> 0:21:57.200
<v Speaker 1>might do it. And I think that's ultimately a part

0:21:57.240 --> 0:21:59.480
<v Speaker 1>of any of these models, is there. You can sort

0:21:59.520 --> 0:22:01.280
<v Speaker 1>of say a point A, and we can get to

0:22:01.280 --> 0:22:04.439
<v Speaker 1>sort of say point see, and we can get our result.

0:22:04.520 --> 0:22:07.800
<v Speaker 1>But there's a missing point of magic in there that involved,

0:22:07.800 --> 0:22:10.040
<v Speaker 1>and that's what makes it science fiction exactly. Yeah, you

0:22:10.080 --> 0:22:12.600
<v Speaker 1>have to like the connecting thread between the things, even

0:22:12.640 --> 0:22:14.600
<v Speaker 1>even as much as you do, you know, I admire

0:22:14.720 --> 0:22:16.600
<v Speaker 1>that he did the research to sort of kind of

0:22:16.600 --> 0:22:20.280
<v Speaker 1>come up with various ways, but they don't necessarily connect.

0:22:20.840 --> 0:22:25.120
<v Speaker 1>But so Cacallios in his book argues that if PIM

0:22:25.200 --> 0:22:28.760
<v Speaker 1>particles were somehow able to change the mass of electrons,

0:22:29.280 --> 0:22:32.440
<v Speaker 1>that those particles would then be in closer orbits and

0:22:32.560 --> 0:22:35.480
<v Speaker 1>the um. This is called the bore radius. We're gonna

0:22:35.520 --> 0:22:37.840
<v Speaker 1>end up talking about this and Planks constant quite a bit,

0:22:38.119 --> 0:22:41.040
<v Speaker 1>and so those particles would be closer in orbit to

0:22:41.080 --> 0:22:44.959
<v Speaker 1>the respective atoms and molecules that they surround, because electrons

0:22:45.000 --> 0:22:47.680
<v Speaker 1>and the interactions between them are ultimately what prevent these

0:22:47.720 --> 0:22:51.560
<v Speaker 1>objects from ever really touching each other. Having all the

0:22:51.560 --> 0:22:55.800
<v Speaker 1>electrons in an object suddenly game mass would theoretically shrink

0:22:55.840 --> 0:22:58.840
<v Speaker 1>the whole object. But again I'm not quite sure that

0:22:58.840 --> 0:23:02.400
<v Speaker 1>that all adds up. So and like we said, atoms

0:23:02.440 --> 0:23:05.359
<v Speaker 1>are always the same size right. In fact, they're a

0:23:05.720 --> 0:23:09.840
<v Speaker 1>third of a nanometer. That's kind of how we quantify them. Uh.

0:23:09.880 --> 0:23:14.679
<v Speaker 1>This is as planks constant uh implies a constant of

0:23:14.760 --> 0:23:17.720
<v Speaker 1>quantum mechanics. So if you change the size of an atom,

0:23:17.760 --> 0:23:19.399
<v Speaker 1>you would have to come up with a mechanism that

0:23:19.440 --> 0:23:22.439
<v Speaker 1>just changes the value of all constants and science, right,

0:23:22.440 --> 0:23:25.480
<v Speaker 1>it would just completely throw off physical properties of everything,

0:23:25.520 --> 0:23:29.320
<v Speaker 1>not just like shrink things. So so instead Cacalios recommends

0:23:29.320 --> 0:23:32.800
<v Speaker 1>this changing the bore radius method UH, which is related

0:23:32.840 --> 0:23:35.720
<v Speaker 1>to the average size of an atom. I don't know,

0:23:35.840 --> 0:23:38.680
<v Speaker 1>I don't think they actually add up. But there is

0:23:38.880 --> 0:23:42.680
<v Speaker 1>um another person who did some really great science articles

0:23:42.720 --> 0:23:44.800
<v Speaker 1>over at Wired dot com. I believe his name is

0:23:45.000 --> 0:23:48.919
<v Speaker 1>Rhett Elaine. He always does these fun articles looking at

0:23:48.920 --> 0:23:51.280
<v Speaker 1>the science of superheroes whenever one of these big budget

0:23:51.400 --> 0:23:54.439
<v Speaker 1>UM superhero movies comes out. He did two articles on

0:23:54.480 --> 0:23:58.040
<v Speaker 1>ant Man uh and so he proposed two options. One was,

0:23:58.560 --> 0:24:01.359
<v Speaker 1>uh ant Man could keep his same mass, but in

0:24:01.400 --> 0:24:05.520
<v Speaker 1>this scenario his density would increase. Okay, so he shrinks,

0:24:05.560 --> 0:24:08.400
<v Speaker 1>but he's he's super dense. At half an inch tall,

0:24:08.480 --> 0:24:12.159
<v Speaker 1>he would be two point eight million times more dense

0:24:12.280 --> 0:24:15.480
<v Speaker 1>than a regular human. So he would obviously just sink

0:24:15.600 --> 0:24:18.200
<v Speaker 1>right through everything. You know. He would sink through a tabletop,

0:24:18.240 --> 0:24:19.879
<v Speaker 1>you would sink through the earth, you know. So it

0:24:19.920 --> 0:24:22.159
<v Speaker 1>would be able to ride an around. No, but I

0:24:22.520 --> 0:24:25.760
<v Speaker 1>kill every and but I remember thinking, like when they

0:24:25.800 --> 0:24:28.200
<v Speaker 1>when they just naturized him in the film and something,

0:24:28.240 --> 0:24:30.800
<v Speaker 1>he's showing all these superpowers. I was thinking, well, maybe

0:24:30.800 --> 0:24:33.479
<v Speaker 1>it's there's a certain amount of density involved, Like essentially,

0:24:33.480 --> 0:24:36.280
<v Speaker 1>he's this really heavy bullet that can just launch him

0:24:36.640 --> 0:24:38.880
<v Speaker 1>like that. He's or like that he's moving the density

0:24:38.920 --> 0:24:41.520
<v Speaker 1>around in his body somewhere right, Like, maybe he's moving

0:24:41.960 --> 0:24:44.760
<v Speaker 1>that two point eight million times of density into his

0:24:44.840 --> 0:24:47.000
<v Speaker 1>fist and that's why when he punches people at super

0:24:47.000 --> 0:24:50.200
<v Speaker 1>tiny size. I don't know, it doesn't it doesn't quite

0:24:50.200 --> 0:24:53.000
<v Speaker 1>work out, but that was one of the Lane's best guesses.

0:24:53.560 --> 0:24:56.520
<v Speaker 1>Uh so there's that. Or he could keep his same

0:24:56.600 --> 0:24:59.439
<v Speaker 1>density and have a lower mass. But where does the

0:24:59.480 --> 0:25:03.040
<v Speaker 1>mask go? And that's essentially the argument of the Stanley

0:25:03.160 --> 0:25:05.280
<v Speaker 1>science behind this, which is, well, it just goes into

0:25:05.280 --> 0:25:08.960
<v Speaker 1>an alternate dimension. Um, there's an exhaust pipe of just

0:25:09.040 --> 0:25:11.199
<v Speaker 1>pure energy. I want to know, I want to like

0:25:11.359 --> 0:25:17.240
<v Speaker 1>see what this alternate like all Hank pims mass or

0:25:17.440 --> 0:25:19.440
<v Speaker 1>where what kind of mass is he pulling in when

0:25:19.480 --> 0:25:23.560
<v Speaker 1>he when he grows larger. But yeah, so the idea

0:25:23.680 --> 0:25:27.080
<v Speaker 1>here is that you know, but they would potentially also

0:25:27.119 --> 0:25:29.520
<v Speaker 1>convert to energy, like if you're shunting that kind of

0:25:29.560 --> 0:25:32.119
<v Speaker 1>mass around. I think Elaine even says at one point

0:25:32.119 --> 0:25:34.080
<v Speaker 1>that like that if you do the math on it,

0:25:34.160 --> 0:25:36.199
<v Speaker 1>the amount of energy that would be created if he

0:25:36.280 --> 0:25:38.359
<v Speaker 1>was shrinking Downder the size he has could like power

0:25:38.400 --> 0:25:41.560
<v Speaker 1>a city or something like that. Um, so the best

0:25:41.600 --> 0:25:43.800
<v Speaker 1>he comes up with is this shifting mass thing, putting

0:25:43.840 --> 0:25:45.800
<v Speaker 1>it into other dimensions, and the way he looks at

0:25:45.880 --> 0:25:49.640
<v Speaker 1>it is like, well, he does like an illustration of uh,

0:25:49.680 --> 0:25:52.720
<v Speaker 1>if you move two dimensions into three dimensions, here's how

0:25:52.720 --> 0:25:55.160
<v Speaker 1>it would work. And then he sort of hypothesizes maybe

0:25:55.240 --> 0:25:58.200
<v Speaker 1>what's going on with ant Man is he's shifting three

0:25:58.200 --> 0:26:01.600
<v Speaker 1>dimensional mass into a fourth dimension somehow that we're not

0:26:01.680 --> 0:26:03.760
<v Speaker 1>quite aware of. This would allow him to have the

0:26:03.800 --> 0:26:06.879
<v Speaker 1>same mass, the same strength and everything, but he wouldn't

0:26:06.920 --> 0:26:09.000
<v Speaker 1>actually be small, right, It would just be like an

0:26:09.040 --> 0:26:12.639
<v Speaker 1>illusion because we're seeing like a fourth dimensional object in

0:26:12.800 --> 0:26:15.320
<v Speaker 1>third three dimensions or something like that. Yeah, yeah, we

0:26:15.359 --> 0:26:18.880
<v Speaker 1>have three spatial dimensions in a in a fourth dimension

0:26:18.920 --> 0:26:21.320
<v Speaker 1>of time, but in this case, it would be a

0:26:21.359 --> 0:26:24.760
<v Speaker 1>fourth spatial dimension, which makes me, you know, try and

0:26:24.840 --> 0:26:26.640
<v Speaker 1>imagine it. It's kind of kind of like this big

0:26:26.760 --> 0:26:29.160
<v Speaker 1>dude and it becomes small and he pushes his excess

0:26:29.240 --> 0:26:33.600
<v Speaker 1>mass out into a gigantic tumor that extends into another

0:26:33.680 --> 0:26:36.200
<v Speaker 1>spatial dimension. This is what I think that the people

0:26:36.240 --> 0:26:39.400
<v Speaker 1>who are currently working on ant Man comics should be exploring,

0:26:39.600 --> 0:26:42.800
<v Speaker 1>is like, what does that gross fourth dimension look like?

0:26:42.840 --> 0:26:46.200
<v Speaker 1>Where he's just pushing mass and pulling mass. There's got

0:26:46.200 --> 0:26:48.560
<v Speaker 1>to be something creepy to tell you, I'm just imagining

0:26:48.600 --> 0:26:52.960
<v Speaker 1>like Origami and an aphex twin video coming together. It

0:26:53.119 --> 0:26:56.080
<v Speaker 1>work perfectly. I think that's what the Edgar Right version

0:26:56.119 --> 0:27:00.760
<v Speaker 1>of the media. So Okay, So this leads us to

0:27:00.800 --> 0:27:04.359
<v Speaker 1>the big question. Yeah, miniaturization is totally impossible. But what

0:27:04.400 --> 0:27:07.040
<v Speaker 1>about this whole ant man strength thing? Right? So the

0:27:07.280 --> 0:27:09.359
<v Speaker 1>premises because that's a big, big part of it is

0:27:09.400 --> 0:27:11.280
<v Speaker 1>not only small. It's one thing to be small and

0:27:11.359 --> 0:27:14.040
<v Speaker 1>like spying people and maybe move the pins around, but

0:27:14.640 --> 0:27:18.400
<v Speaker 1>ultimately he's also able to fight dudes that are giants

0:27:18.440 --> 0:27:21.080
<v Speaker 1>to him. Yeah. In the movies, he's like he can

0:27:21.320 --> 0:27:23.399
<v Speaker 1>jump with this amount of strength that he would have

0:27:23.560 --> 0:27:25.920
<v Speaker 1>if he was normal size. So he's this this ant

0:27:26.040 --> 0:27:28.600
<v Speaker 1>that's leaping up and jumping around guns and stuff like

0:27:28.680 --> 0:27:32.280
<v Speaker 1>that and punching people out. Uh. And this goes back

0:27:32.320 --> 0:27:35.280
<v Speaker 1>to the comics Entails to Astonish number thirty eight. Pim

0:27:35.400 --> 0:27:37.520
<v Speaker 1>says that he retains all of his normal size and

0:27:37.600 --> 0:27:41.840
<v Speaker 1>strength when he shrinks. Uh. And Kakalios asks in his book,

0:27:42.160 --> 0:27:43.960
<v Speaker 1>how does aunt Man punch his way out of a

0:27:44.000 --> 0:27:46.920
<v Speaker 1>paper bag? And he uses an example from one of

0:27:46.960 --> 0:27:49.520
<v Speaker 1>the old comics in which aunt Man gets trapped in

0:27:49.560 --> 0:27:51.520
<v Speaker 1>a vacuum bag. I think like he gets vacuumed up

0:27:51.560 --> 0:27:53.359
<v Speaker 1>and he's in the bag, and he just punches his

0:27:53.400 --> 0:27:54.800
<v Speaker 1>way right through because he's like, well, I have the

0:27:54.840 --> 0:27:56.920
<v Speaker 1>strength of a normal size guy, and a normal size

0:27:56.920 --> 0:28:01.080
<v Speaker 1>guy could punch those bags and no, whoop um. There's

0:28:01.160 --> 0:28:04.800
<v Speaker 1>interesting science behind this that it may be plausible. Now,

0:28:04.880 --> 0:28:07.480
<v Speaker 1>remember the miniaturization. We don't have an answer for that.

0:28:07.680 --> 0:28:12.000
<v Speaker 1>But our actual strength comes from our skeleton and our muscles,

0:28:12.359 --> 0:28:14.919
<v Speaker 1>and they act like a series of interconnected levers. Right,

0:28:15.000 --> 0:28:18.280
<v Speaker 1>So think of strength as lift and our arms are

0:28:18.359 --> 0:28:21.920
<v Speaker 1>the levers that lift things and throw them. Right. Well,

0:28:22.320 --> 0:28:25.520
<v Speaker 1>if you use the principles of seesaw and torque, as

0:28:25.600 --> 0:28:28.760
<v Speaker 1>Cacalios does, he argues, aunt Man could punch his way

0:28:28.800 --> 0:28:32.440
<v Speaker 1>out of a bag. Basically, it goes like this. The

0:28:32.640 --> 0:28:35.840
<v Speaker 1>ratio of movement in the human arm is one to seven,

0:28:36.359 --> 0:28:38.920
<v Speaker 1>regardless of what your size is. Right, It's all about

0:28:39.720 --> 0:28:44.120
<v Speaker 1>the cross sectional area of muscles in our arms. Uh So,

0:28:44.440 --> 0:28:47.680
<v Speaker 1>it's not the length that matters, it's sort of their proportions. Okay,

0:28:48.280 --> 0:28:51.320
<v Speaker 1>So if ant Man, this is Cacalios's math, If aunt

0:28:51.360 --> 0:28:54.600
<v Speaker 1>Man is point zero to one times his normal height,

0:28:55.080 --> 0:28:59.240
<v Speaker 1>the force of his muscles provide a reduced factor of

0:28:59.440 --> 0:29:03.600
<v Speaker 1>ready for it, point zero one squared, which equals point

0:29:03.800 --> 0:29:08.160
<v Speaker 1>zero zero zero one. And at normal size, if he

0:29:08.240 --> 0:29:11.640
<v Speaker 1>could punch with a force of two hundred pounds, divide

0:29:11.720 --> 0:29:16.080
<v Speaker 1>that by his fist cross sectional size of five square inches. Okay,

0:29:16.680 --> 0:29:20.400
<v Speaker 1>the pressure his fist applies is forty pounds per square inch.

0:29:20.840 --> 0:29:22.760
<v Speaker 1>So he's he's making a rough guest that like a

0:29:22.880 --> 0:29:26.080
<v Speaker 1>normal size person that you know could could probably make

0:29:26.120 --> 0:29:30.720
<v Speaker 1>about forty pounds per square inch punch. At tiny size,

0:29:30.840 --> 0:29:33.360
<v Speaker 1>he delivers less force right. In fact, it would be

0:29:33.600 --> 0:29:36.680
<v Speaker 1>in comparison to the two hundred pounds point zero two pounds.

0:29:37.080 --> 0:29:40.520
<v Speaker 1>But his fist is also smaller, so the force per

0:29:40.680 --> 0:29:44.040
<v Speaker 1>unit area of his tiny punch also comes out to

0:29:44.120 --> 0:29:46.280
<v Speaker 1>forty pounds per square inch when you do the math,

0:29:46.720 --> 0:29:49.320
<v Speaker 1>which is point zero two pounds divided by the size

0:29:49.360 --> 0:29:52.360
<v Speaker 1>of point zero zero zero five square inches for his

0:29:52.480 --> 0:29:56.200
<v Speaker 1>fifth size. So Cacalias did all this out and he

0:29:56.400 --> 0:29:59.920
<v Speaker 1>thinks he, regardless of the size, he can punch with

0:30:00.080 --> 0:30:02.760
<v Speaker 1>the pressure of forty pounds per square inch and therefore

0:30:02.880 --> 0:30:05.600
<v Speaker 1>punch his way out of the paper bag. But my

0:30:05.800 --> 0:30:09.040
<v Speaker 1>question is this what happens when he grows. I know

0:30:09.160 --> 0:30:11.040
<v Speaker 1>in the Ant Man movie, like he hasn't gotten to

0:30:11.120 --> 0:30:12.320
<v Speaker 1>that point yet. I'm sure that will be in the

0:30:12.400 --> 0:30:15.120
<v Speaker 1>sequel where he gets big, right, but like, uh, I

0:30:15.200 --> 0:30:17.480
<v Speaker 1>think there was a scene where like, uh an ant

0:30:17.720 --> 0:30:21.120
<v Speaker 1>accidentally like ingested the stuff and got the size of

0:30:21.160 --> 0:30:23.680
<v Speaker 1>a dog and it has no problem moving around. Yeah. Yeah,

0:30:23.880 --> 0:30:28.640
<v Speaker 1>So like, based on this cross sectional area math, does

0:30:28.720 --> 0:30:32.000
<v Speaker 1>that then mean if like he's Giant Man, that he's

0:30:32.080 --> 0:30:35.680
<v Speaker 1>still also punching with forty pounds per square inch because

0:30:35.720 --> 0:30:39.440
<v Speaker 1>it's based on the cross section of his fist size

0:30:39.560 --> 0:30:43.200
<v Speaker 1>and the force that his arm is applying. Yeah, I mean,

0:30:43.240 --> 0:30:46.360
<v Speaker 1>there a whole set of constraints that come into play

0:30:46.520 --> 0:30:48.760
<v Speaker 1>in the when you can't start thinking about the giant side.

0:30:49.120 --> 0:30:52.959
<v Speaker 1>For instance, Cacalios points out that you could compare Giant

0:30:53.040 --> 0:30:55.840
<v Speaker 1>Man to a redwood tree. The taller the tree, the

0:30:55.920 --> 0:30:58.760
<v Speaker 1>wider the trunk, and in order to provide support for

0:30:58.840 --> 0:31:01.280
<v Speaker 1>the large mass above it, the tree needs a very

0:31:01.360 --> 0:31:03.680
<v Speaker 1>broad base. And he says, quote, Giant Man could in

0:31:03.800 --> 0:31:06.520
<v Speaker 1>principle grow as tall as a redwood tree, but he

0:31:06.560 --> 0:31:09.000
<v Speaker 1>would have to be just as mobile, so we just

0:31:09.080 --> 0:31:12.120
<v Speaker 1>immediately fall over. Yeah, yeah, I think I remember there's

0:31:12.160 --> 0:31:15.000
<v Speaker 1>like a point where they sort of update the comics. Uh.

0:31:15.160 --> 0:31:17.520
<v Speaker 1>And when he does the giant man thing, that's something

0:31:17.640 --> 0:31:22.480
<v Speaker 1>he talks about like he has a really hard time balancing. Uh. Yeah,

0:31:22.520 --> 0:31:24.560
<v Speaker 1>I mean it just it's a it's more about the

0:31:24.640 --> 0:31:29.880
<v Speaker 1>anatomy than it is about the size. Yeah. Like an

0:31:29.960 --> 0:31:33.200
<v Speaker 1>example that I've run across multiple times when dealing with

0:31:33.400 --> 0:31:37.400
<v Speaker 1>large fantastic creatures, particularly when you're talking about gods, Villa

0:31:37.600 --> 0:31:39.720
<v Speaker 1>and King Kong and stuff, is think of a cow

0:31:39.960 --> 0:31:43.200
<v Speaker 1>as a sphere. Okay, a spherical cow. Uh. And as

0:31:43.240 --> 0:31:46.280
<v Speaker 1>a sphere gets bigger, it's volume increases more rapidly than

0:31:46.320 --> 0:31:49.120
<v Speaker 1>its surface area. Double the radius of a sphere and

0:31:49.200 --> 0:31:52.320
<v Speaker 1>the surface area increases four times, and the volume increases

0:31:52.400 --> 0:31:54.680
<v Speaker 1>eight times. So you double something size and you keep

0:31:54.680 --> 0:31:57.240
<v Speaker 1>its proportions the same. Well, that means that the weight

0:31:57.360 --> 0:32:00.120
<v Speaker 1>doesn't double or even quadruple, it increases by a factor

0:32:00.200 --> 0:32:04.360
<v Speaker 1>of eight. So a creatures more morphography, especially human morphography,

0:32:04.440 --> 0:32:07.080
<v Speaker 1>wouldn't be able to match that. You need stocky your limbs.

0:32:07.720 --> 0:32:10.520
<v Speaker 1>Um giant man might need to walk around on all

0:32:10.600 --> 0:32:15.080
<v Speaker 1>fours like a like a like a dinosaur, And then

0:32:15.120 --> 0:32:17.240
<v Speaker 1>you have to also factor in things like blood flow

0:32:17.280 --> 0:32:19.640
<v Speaker 1>and other issues like think of the giraffe. Since the

0:32:19.720 --> 0:32:22.400
<v Speaker 1>giraffe's brain is so far away from its heart, it

0:32:22.760 --> 0:32:25.760
<v Speaker 1>boasts an extremely high blood blood pressure about twice that

0:32:25.920 --> 0:32:29.560
<v Speaker 1>found in humans and uh, and plus the giraffe heartbeats

0:32:29.640 --> 0:32:32.479
<v Speaker 1>up to one seventy times per minute, double that of humans.

0:32:32.800 --> 0:32:35.280
<v Speaker 1>And the plumbing is is also a position so that

0:32:36.240 --> 0:32:39.560
<v Speaker 1>so that there's a special net of arteries and veins

0:32:39.640 --> 0:32:42.720
<v Speaker 1>that divert blood flow when it lowers its head to

0:32:42.800 --> 0:32:46.000
<v Speaker 1>drink to keep this increased pressure to the head from

0:32:46.040 --> 0:32:50.400
<v Speaker 1>making its head explode. Yeah, so okay, The pim particles

0:32:50.520 --> 0:32:54.240
<v Speaker 1>may address the fictional science of like shunting mass to

0:32:54.320 --> 0:32:58.000
<v Speaker 1>another dimension, but they certainly don't address all those anatomical needs,

0:32:58.520 --> 0:33:02.080
<v Speaker 1>both in the large form of giant man or goliath

0:33:02.200 --> 0:33:04.560
<v Speaker 1>or whatever he wants to call himself this week or

0:33:04.840 --> 0:33:06.959
<v Speaker 1>when he gets tiny as a man. Right, It's kind

0:33:06.960 --> 0:33:09.920
<v Speaker 1>of like thinking from a like an economic uh point

0:33:09.960 --> 0:33:14.920
<v Speaker 1>of view, Like imagine a McDonald's restaurant in a small town, right,

0:33:15.320 --> 0:33:17.360
<v Speaker 1>and just thinking about the economic job. But if you

0:33:17.480 --> 0:33:20.360
<v Speaker 1>just say, hey, let's make this a bigger operation. Let's

0:33:20.400 --> 0:33:23.720
<v Speaker 1>put one on every street corner, Let's let's do sixteen

0:33:23.800 --> 0:33:26.600
<v Speaker 1>McDonald's restaurants in this one small town can Does that

0:33:26.880 --> 0:33:30.240
<v Speaker 1>make sense because it's not isolated, it's not existing in

0:33:30.320 --> 0:33:33.600
<v Speaker 1>a bubble. It's tied in to the economic infrastructure of

0:33:33.640 --> 0:33:36.000
<v Speaker 1>the surrounding area. And that's what we see time and

0:33:36.080 --> 0:33:40.560
<v Speaker 1>time again with miniaturization or or or giant man. Is

0:33:40.720 --> 0:33:45.160
<v Speaker 1>that whatever the size of the being, it's it's atomic structure,

0:33:45.280 --> 0:33:49.640
<v Speaker 1>it's molecular structure, the it's it's morphography, every every aspect

0:33:49.680 --> 0:33:52.800
<v Speaker 1>of its existence is tied into the fabric that's going

0:33:52.840 --> 0:33:55.720
<v Speaker 1>to have to exist in the ecosystem around it that

0:33:55.960 --> 0:33:58.600
<v Speaker 1>isn't shrinking or growing, right, And that is the hard

0:33:58.680 --> 0:34:01.040
<v Speaker 1>party then and then involved the building blocks that involves

0:34:01.080 --> 0:34:04.320
<v Speaker 1>the function everything. Yeah, and this is you know why,

0:34:04.840 --> 0:34:06.880
<v Speaker 1>you know, we always hear this, like I don't know

0:34:06.920 --> 0:34:09.600
<v Speaker 1>what the exact figure is, but like ants are fifty

0:34:09.680 --> 0:34:12.680
<v Speaker 1>times stronger than human beings are for their proportional size

0:34:12.760 --> 0:34:16.800
<v Speaker 1>or whatever. This is basically why because that whole cross

0:34:16.840 --> 0:34:20.120
<v Speaker 1>sectional anatomy type thing. Right, Okay, so aunt man gets

0:34:20.160 --> 0:34:22.800
<v Speaker 1>his strength from the fact that an organisms volume is

0:34:22.840 --> 0:34:24.719
<v Speaker 1>dependent on the cube of its height, right, But if

0:34:24.760 --> 0:34:27.759
<v Speaker 1>you extrapolate the math all the way outwards, you get

0:34:27.960 --> 0:34:31.000
<v Speaker 1>these ants that can lift objects that are many times

0:34:31.080 --> 0:34:34.000
<v Speaker 1>their own mass, Right, So that's where that comes from.

0:34:34.080 --> 0:34:37.080
<v Speaker 1>It's that the the the anatomy of the ant is

0:34:37.160 --> 0:34:40.520
<v Speaker 1>giving them the strength, not necessarily the size. Yeah, and

0:34:40.560 --> 0:34:44.040
<v Speaker 1>imagined they also took some inspiration from the jumping power

0:34:44.200 --> 0:34:47.680
<v Speaker 1>of the common Fleet, which is the the most tremendous

0:34:47.800 --> 0:34:51.520
<v Speaker 1>jumping potential for its size of any creature on the planet. Yeah,

0:34:51.719 --> 0:34:54.800
<v Speaker 1>that's definitely like the bits where he's like bouncing around

0:34:54.960 --> 0:34:58.439
<v Speaker 1>and jumping off bullets and stuff. All Right, So there's

0:34:58.440 --> 0:35:01.920
<v Speaker 1>a scene in the movie where and this is like

0:35:02.360 --> 0:35:05.200
<v Speaker 1>I think pretty spoiler ish for the movie, Uh, he

0:35:05.320 --> 0:35:08.719
<v Speaker 1>shrinks down so small that he enters into do they

0:35:08.760 --> 0:35:11.800
<v Speaker 1>call it the quantum realm? And they do. Uh. And

0:35:11.920 --> 0:35:15.399
<v Speaker 1>so basically the fictional premise here is that, like there's

0:35:15.480 --> 0:35:18.680
<v Speaker 1>something with the suit where like if if you don't

0:35:18.719 --> 0:35:20.960
<v Speaker 1>regulate it the right way or something, you shrink down

0:35:21.000 --> 0:35:22.800
<v Speaker 1>and you're lost forever in the quantum room. And this

0:35:22.880 --> 0:35:25.400
<v Speaker 1>is what happened to the loss, Like if you try

0:35:25.440 --> 0:35:28.120
<v Speaker 1>and go too small in order to you know, go

0:35:28.239 --> 0:35:32.920
<v Speaker 1>through a particularly difficult a material, then you run the

0:35:33.040 --> 0:35:35.840
<v Speaker 1>risk of just getting smaller and smaller entering the quantum

0:35:35.880 --> 0:35:38.560
<v Speaker 1>realm and just losing yourself in a place where the

0:35:39.040 --> 0:35:42.120
<v Speaker 1>rules of of our physical world don't necessarily hope. So

0:35:42.239 --> 0:35:45.040
<v Speaker 1>this is sort of like the movie logic and comic logic.

0:35:45.080 --> 0:35:47.160
<v Speaker 1>I guess of like, why he doesn't get smaller than

0:35:47.239 --> 0:35:50.319
<v Speaker 1>half an inch tall? Right? Yeah, because he just gets

0:35:50.360 --> 0:35:53.160
<v Speaker 1>way out of his league, and smaller he gets. And

0:35:53.200 --> 0:35:55.759
<v Speaker 1>of course there's a This is based in a large

0:35:55.840 --> 0:35:59.320
<v Speaker 1>part on on on a very real place that we

0:35:59.719 --> 0:36:02.360
<v Speaker 1>we scientists, actually called the quantum realm. And this is

0:36:02.400 --> 0:36:06.280
<v Speaker 1>where events play out at distances of nanometers. Many laws

0:36:06.320 --> 0:36:09.759
<v Speaker 1>and classical physics of the classical physics appear to break down.

0:36:10.239 --> 0:36:12.760
<v Speaker 1>So in the quantum realm, for instance, scientists can predict

0:36:12.920 --> 0:36:17.520
<v Speaker 1>very little with one accuracy. According to Heisenberg's uncertainty principle,

0:36:17.600 --> 0:36:20.239
<v Speaker 1>you can't even measure the position of an object without

0:36:20.280 --> 0:36:25.160
<v Speaker 1>disturbing its momentum in an unpredictable way. Classical physics physics

0:36:25.200 --> 0:36:28.439
<v Speaker 1>also fail to account for this phenomenon, as it serves

0:36:28.440 --> 0:36:31.400
<v Speaker 1>as a prime example of what we call quantum weirdness.

0:36:32.600 --> 0:36:37.160
<v Speaker 1>Uh there's also the so called EPR paradox name for

0:36:37.239 --> 0:36:42.200
<v Speaker 1>Albert Einstein uh bores Podolski and Nathan Rosen. And this

0:36:42.280 --> 0:36:45.360
<v Speaker 1>applies an even extants, even stranger example of quantum weirdness,

0:36:45.400 --> 0:36:48.239
<v Speaker 1>in which to sub atomic particles thousands of light years

0:36:48.280 --> 0:36:53.440
<v Speaker 1>apart can instantaneously respond to each other's motions. And this

0:36:53.560 --> 0:36:56.600
<v Speaker 1>is of course quantum entanglement. It takes place at the

0:36:56.640 --> 0:37:00.040
<v Speaker 1>particle level. And uh and in two thousand nine, I

0:37:00.120 --> 0:37:04.200
<v Speaker 1>just were actually able to produce the effect with linked superconductors.

0:37:05.560 --> 0:37:08.360
<v Speaker 1>So it's it's a place where, yeah, we're thinking the

0:37:08.520 --> 0:37:11.680
<v Speaker 1>weird things are, We're still trying to understand how everything works.

0:37:11.840 --> 0:37:15.440
<v Speaker 1>It's also a perfect place for magic and the unexplained

0:37:15.480 --> 0:37:18.719
<v Speaker 1>to emerge in a comic. Yeah, and definitely, like I

0:37:19.400 --> 0:37:21.680
<v Speaker 1>think a lot of people described Aunt Man is like

0:37:21.840 --> 0:37:24.520
<v Speaker 1>the weirdest superhero you've ever seen, And I think the

0:37:24.640 --> 0:37:28.560
<v Speaker 1>quantum realm stuff is probably why, because like when he

0:37:28.640 --> 0:37:31.320
<v Speaker 1>goes into the quantum realm, it's basically like a psychedelic

0:37:31.360 --> 0:37:33.560
<v Speaker 1>acid trip, right, Yeah, And I thought they did a

0:37:33.600 --> 0:37:36.160
<v Speaker 1>good job of presenting it that way, because I mean,

0:37:36.200 --> 0:37:39.799
<v Speaker 1>how do you visually present this quantum realm? And yeah, well,

0:37:40.040 --> 0:37:41.920
<v Speaker 1>the human senses at that size wouldn't be able to

0:37:42.000 --> 0:37:44.680
<v Speaker 1>comprehend what's going on. It's interesting to you ask if

0:37:44.719 --> 0:37:47.560
<v Speaker 1>they actually call it the quantum realm in the movie.

0:37:48.120 --> 0:37:53.600
<v Speaker 1>And apparently we can thank Macalicus for that, because they

0:37:53.640 --> 0:37:56.399
<v Speaker 1>were going to call it the micro verse. Okay, that's

0:37:56.680 --> 0:37:59.120
<v Speaker 1>that's that's from the comics. That's why I was surprised,

0:37:59.120 --> 0:38:00.759
<v Speaker 1>because I was like, oh, it's the micro verse. He's

0:38:00.760 --> 0:38:03.200
<v Speaker 1>gonna go to the micro verse where the micro knots. Right.

0:38:03.560 --> 0:38:05.800
<v Speaker 1>But but the thing is, like, apparently micro verse is

0:38:05.840 --> 0:38:09.080
<v Speaker 1>tied up with some legal issues, so they asked Macalico s.

0:38:09.120 --> 0:38:11.120
<v Speaker 1>They asked that. They said, hey, what's a better term,

0:38:11.239 --> 0:38:13.200
<v Speaker 1>and he rattled off a list of possible terms, and

0:38:13.200 --> 0:38:17.239
<v Speaker 1>they said, oh, quantum realm. That's the one, the real thing. Yeah,

0:38:17.280 --> 0:38:19.560
<v Speaker 1>it's it's both the real thing and also it sounds

0:38:19.640 --> 0:38:22.239
<v Speaker 1>far more fantastic than any of the other options. Yeah.

0:38:22.239 --> 0:38:24.360
<v Speaker 1>I don't remember what the deal is with the legal issues,

0:38:24.440 --> 0:38:27.040
<v Speaker 1>but micro Knots is owned by some toy company like

0:38:27.120 --> 0:38:30.040
<v Speaker 1>it might be Kenner or somebody like, and therefore I

0:38:30.120 --> 0:38:32.520
<v Speaker 1>think things that are related to that can't be used

0:38:32.560 --> 0:38:35.080
<v Speaker 1>by Marvel in cinema. So what are some other issues

0:38:35.160 --> 0:38:38.120
<v Speaker 1>that pop up? All? Right, So let's pretend for a

0:38:38.200 --> 0:38:41.439
<v Speaker 1>second that we can miniaturize, you can. Let's let's agree

0:38:41.480 --> 0:38:44.280
<v Speaker 1>with Stanley science or shunting mass off to an alternate

0:38:44.440 --> 0:38:49.160
<v Speaker 1>tumor dimension. Uh, but there's lots of issues with our

0:38:49.280 --> 0:38:52.239
<v Speaker 1>human anatomy when we get to that size. So just

0:38:52.320 --> 0:38:55.359
<v Speaker 1>think about communicating if you're aunt Man size, right, if

0:38:55.400 --> 0:38:57.760
<v Speaker 1>you shrink to the size of an ant, your vocal

0:38:57.840 --> 0:39:00.279
<v Speaker 1>cords will shrink as well, which will ray is your

0:39:00.360 --> 0:39:03.160
<v Speaker 1>voice from two hundred hurts to about three thousand, four

0:39:03.280 --> 0:39:06.480
<v Speaker 1>hundred hurts, So you'd have this really high pitched, squeaky voice.

0:39:06.800 --> 0:39:09.360
<v Speaker 1>So even if he had like the little headset or

0:39:09.400 --> 0:39:11.919
<v Speaker 1>whatever that allows them to communicate with normal sized people,

0:39:12.239 --> 0:39:14.600
<v Speaker 1>they would just hear this really high pitched like like

0:39:14.760 --> 0:39:17.120
<v Speaker 1>he just I guess sucked in helium or yea. You'd

0:39:17.160 --> 0:39:21.960
<v Speaker 1>have to have an adapter than his trans uh. And

0:39:22.200 --> 0:39:24.279
<v Speaker 1>this is from Cacallios, by the way, in his book.

0:39:24.719 --> 0:39:26.560
<v Speaker 1>And he also did some interviews around the time that

0:39:26.600 --> 0:39:29.719
<v Speaker 1>the movie came out. Uh. So he also wouldn't be

0:39:29.760 --> 0:39:32.040
<v Speaker 1>able to aunt Man wouldn't be able to project his

0:39:32.200 --> 0:39:34.360
<v Speaker 1>voice because he'd have so much less air in his

0:39:34.480 --> 0:39:38.959
<v Speaker 1>diagram again, like he's shrinking. The size of air. Molis

0:39:39.000 --> 0:39:41.080
<v Speaker 1>are not shrinking, so he's not gonna be able to

0:39:41.200 --> 0:39:45.200
<v Speaker 1>fit them in in his lungs right. Also, the vibrating

0:39:45.320 --> 0:39:48.719
<v Speaker 1>cilia in his ears would also shrink, which would go

0:39:48.880 --> 0:39:51.560
<v Speaker 1>from him being able to hear twenty hurts to three

0:39:51.760 --> 0:39:54.239
<v Speaker 1>d and forty hurts. He wouldn't be able to hear

0:39:54.480 --> 0:39:57.520
<v Speaker 1>normal human speech, which again is at two hundred hurts,

0:39:57.920 --> 0:40:00.359
<v Speaker 1>so it would just be like this tone that he's

0:40:00.480 --> 0:40:04.640
<v Speaker 1>not able to distinguish. And finally, his vision would be

0:40:04.880 --> 0:40:09.239
<v Speaker 1>terrible because the size of his eye opening is not

0:40:09.440 --> 0:40:13.080
<v Speaker 1>a hundred or rather, as ours are hundreds of times

0:40:13.200 --> 0:40:16.320
<v Speaker 1>greater than the wavelength of light, right, so when he

0:40:16.360 --> 0:40:18.520
<v Speaker 1>shrinks down now, it would only be like ten times

0:40:18.600 --> 0:40:21.200
<v Speaker 1>as great as the wavelength of light. This would basically

0:40:21.280 --> 0:40:23.920
<v Speaker 1>make everything fuzzy and blurred because light waves would be

0:40:23.960 --> 0:40:27.080
<v Speaker 1>scattering off of his iris and diffracting differently than they

0:40:27.160 --> 0:40:30.120
<v Speaker 1>normally do. This is why insects have eyes that are

0:40:30.200 --> 0:40:33.680
<v Speaker 1>so drastically different than than our eyes. Yeah, and even

0:40:33.800 --> 0:40:36.319
<v Speaker 1>so the ant from you know, from whom he takes

0:40:36.440 --> 0:40:40.000
<v Speaker 1>his namesake, have generally terrible vision, so in a sense

0:40:40.080 --> 0:40:42.320
<v Speaker 1>that would make it would it would work perfectly that

0:40:42.360 --> 0:40:46.000
<v Speaker 1>aunt Man couldn't see Jack and we talked about density,

0:40:46.239 --> 0:40:48.480
<v Speaker 1>you know, briefly, but again, if he can ride on

0:40:48.560 --> 0:40:50.640
<v Speaker 1>top of an ant, then his mass has got to

0:40:50.680 --> 0:40:54.680
<v Speaker 1>also decrease in some way, or if his density remains constant,

0:40:54.719 --> 0:40:57.800
<v Speaker 1>because keep in mind, density equals mass divided by volume,

0:40:58.360 --> 0:41:01.560
<v Speaker 1>he's going to sink right through ant. It's so many

0:41:01.680 --> 0:41:07.560
<v Speaker 1>dead ants um breathing. So I talked about this briefly, right, So, Okay,

0:41:07.800 --> 0:41:10.040
<v Speaker 1>he's gonna have trouble breathing. And that's they sort of

0:41:10.120 --> 0:41:12.759
<v Speaker 1>hint at that, right, like that's in the movie. They're like, well,

0:41:12.920 --> 0:41:15.080
<v Speaker 1>he has to wear the suit like you can't shrink it,

0:41:15.120 --> 0:41:17.480
<v Speaker 1>Like he has to have a miniaturized air supply as well,

0:41:17.600 --> 0:41:21.480
<v Speaker 1>because he's miniaturized air molecules to breathe. Yeah, they don't

0:41:21.480 --> 0:41:24.200
<v Speaker 1>really address how they're miniaturizing the air, but let's let's

0:41:24.200 --> 0:41:26.720
<v Speaker 1>assume that that's what they're doing. But essentially the science

0:41:26.760 --> 0:41:29.160
<v Speaker 1>would go like this. If you were suddenly shrunk down,

0:41:29.239 --> 0:41:31.520
<v Speaker 1>the air would be like as if you were at

0:41:31.560 --> 0:41:33.560
<v Speaker 1>the top of the tallest mountain. The amount of air

0:41:33.680 --> 0:41:36.680
<v Speaker 1>would stay the same, but the volume it occupies would

0:41:36.760 --> 0:41:40.560
<v Speaker 1>drastically increase relative to you and your new tiny size.

0:41:40.920 --> 0:41:43.799
<v Speaker 1>So if you're the size of atoms. There's no way

0:41:43.880 --> 0:41:47.080
<v Speaker 1>you could inhale the billions of oxygen atoms. You would

0:41:47.120 --> 0:41:51.440
<v Speaker 1>need to keep your human sized metabolism running smoothly. Again,

0:41:51.480 --> 0:41:54.360
<v Speaker 1>it ties into the just the economics of this creature

0:41:54.560 --> 0:41:58.359
<v Speaker 1>and it has to exist within the local economy. Uh

0:41:58.440 --> 0:42:03.040
<v Speaker 1>and Michael Kas also brought up the idea of ant

0:42:03.080 --> 0:42:07.720
<v Speaker 1>man would have some problems with cooling down, so because

0:42:08.239 --> 0:42:10.880
<v Speaker 1>he wouldn't have the same amount of surface area that

0:42:11.000 --> 0:42:14.040
<v Speaker 1>he normally has to dissipate the heat that his body generates.

0:42:14.400 --> 0:42:17.919
<v Speaker 1>Even moderate exertion would generate an incredible amount of heat

0:42:18.040 --> 0:42:21.439
<v Speaker 1>without anywhere to go, unless maybe the heat is also

0:42:21.520 --> 0:42:24.960
<v Speaker 1>going to that magical fourth dimensional tumor thing. Yeah, or

0:42:25.040 --> 0:42:28.319
<v Speaker 1>his suit is operating as a cooling skill suit, which

0:42:28.400 --> 0:42:31.000
<v Speaker 1>also doesn't work. As Joe and I explored in the

0:42:31.080 --> 0:42:34.560
<v Speaker 1>Dune episodes, it's all it's yeah, it's all weird, even

0:42:34.640 --> 0:42:36.680
<v Speaker 1>down to the point where like apparently I think this

0:42:36.840 --> 0:42:40.399
<v Speaker 1>was another Elaine article that he would run really weird.

0:42:40.520 --> 0:42:42.040
<v Speaker 1>So the same way we're talking about, like if your

0:42:42.080 --> 0:42:44.400
<v Speaker 1>giant size, you would need to have like kind of

0:42:44.520 --> 0:42:48.080
<v Speaker 1>stumpy legs balance, right, if he gets shrunk down in

0:42:48.160 --> 0:42:51.960
<v Speaker 1>proportion to the gravitational field. He would be running in

0:42:52.040 --> 0:42:54.680
<v Speaker 1>this very bizarre way, and it would be like kind

0:42:54.719 --> 0:42:57.080
<v Speaker 1>of like these small hops is what it would basically

0:42:57.160 --> 0:42:59.759
<v Speaker 1>look like. Um, and that's not even getting into the

0:43:00.000 --> 0:43:03.960
<v Speaker 1>serials science. Right, So maybe he can shrink himself, but

0:43:04.120 --> 0:43:06.360
<v Speaker 1>how does he shrinking his suit or his clothes or

0:43:06.360 --> 0:43:08.759
<v Speaker 1>all the other things around him. In the comics they

0:43:08.800 --> 0:43:11.320
<v Speaker 1>explain it away with something called that Stanley was just

0:43:11.400 --> 0:43:15.920
<v Speaker 1>like unstable molecules, that's it. And and uh, the unstable

0:43:15.960 --> 0:43:18.320
<v Speaker 1>molecules are actually a real thing, but these are the

0:43:18.360 --> 0:43:21.280
<v Speaker 1>molecules that are falling apart or exploding for one reason

0:43:21.440 --> 0:43:24.560
<v Speaker 1>or another. Uh, So there's that's not really much of

0:43:24.640 --> 0:43:27.520
<v Speaker 1>an answer. But in in comics that's like, this is

0:43:27.600 --> 0:43:30.480
<v Speaker 1>how the human torch can like set himself on fire

0:43:30.640 --> 0:43:34.359
<v Speaker 1>and his clothes don't burn away. So how Mr Pants, yeah,

0:43:34.440 --> 0:43:37.200
<v Speaker 1>Hels Pants or Mr Fantastic and stretch really far and

0:43:37.280 --> 0:43:40.520
<v Speaker 1>his clothes don't rip. Uh, presumably ant Man is also

0:43:40.600 --> 0:43:44.200
<v Speaker 1>wearing something made of unstable molecules. The closest we've got

0:43:44.280 --> 0:43:47.120
<v Speaker 1>to this in real life is their shape memory materials,

0:43:47.920 --> 0:43:51.279
<v Speaker 1>and they basically have an original configuration and then they

0:43:51.320 --> 0:43:54.719
<v Speaker 1>get deformed, and they can undergo phase transitions based on

0:43:54.760 --> 0:43:58.719
<v Speaker 1>like temperature, temperature changes, pressure, or applied electrical fields. So

0:43:58.880 --> 0:44:02.279
<v Speaker 1>like um superhero example of this, think of Batman in

0:44:02.360 --> 0:44:05.680
<v Speaker 1>those um Christopher Nolan movies. He applies an electrical field

0:44:05.719 --> 0:44:07.480
<v Speaker 1>to his cape and it makes it hard so he

0:44:07.480 --> 0:44:10.000
<v Speaker 1>can kind of glide around, and then the electrical field

0:44:10.040 --> 0:44:11.799
<v Speaker 1>goes away and it goes back to just being a cape.

0:44:11.960 --> 0:44:14.600
<v Speaker 1>It's it's kind of hilarious that that a certain amount

0:44:14.600 --> 0:44:18.200
<v Speaker 1>of thought and science, or at least science fiction, went

0:44:18.280 --> 0:44:21.000
<v Speaker 1>into trying to figure out how to make these superheroes

0:44:21.040 --> 0:44:24.640
<v Speaker 1>wear clothes. But when it comes to the female characters, especially,

0:44:24.680 --> 0:44:26.759
<v Speaker 1>there's there's a tremendous amount of effort in trying to

0:44:26.840 --> 0:44:30.279
<v Speaker 1>make them wear as little as possible. So they might

0:44:30.320 --> 0:44:33.160
<v Speaker 1>as well have just said, hey, sorry, science says that

0:44:33.200 --> 0:44:35.400
<v Speaker 1>our superheroes can't wear clothes. They have to be naked.

0:44:35.400 --> 0:44:37.799
<v Speaker 1>If you really want to go down the internet rabbit hole,

0:44:38.680 --> 0:44:42.080
<v Speaker 1>look up how many costumes the Wasp has worn over

0:44:42.160 --> 0:44:45.479
<v Speaker 1>the years. Uh, she's I believe They explain it away

0:44:45.480 --> 0:44:47.840
<v Speaker 1>at one point by saying like, oh, she's a fashion designer,

0:44:48.200 --> 0:44:51.160
<v Speaker 1>so she's constantly changing her costume. But like there's like

0:44:51.360 --> 0:44:54.880
<v Speaker 1>hundreds of costumes and they they go from you know,

0:44:55.040 --> 0:44:57.919
<v Speaker 1>kind of conservative and moderate too. Yeah, it gets pretty

0:44:57.960 --> 0:45:02.080
<v Speaker 1>skimpy around the nineties. Okay, so let's talk about these ants.

0:45:02.120 --> 0:45:05.399
<v Speaker 1>So the premise the set, the if aunt man's power

0:45:05.520 --> 0:45:10.680
<v Speaker 1>set is shrinking and controlling ants, right, and they how

0:45:10.719 --> 0:45:14.680
<v Speaker 1>do they explain it that the helmet somehow amidst frequencies

0:45:14.800 --> 0:45:17.160
<v Speaker 1>or pheromones or something like that that allow him to

0:45:17.280 --> 0:45:22.480
<v Speaker 1>control ants movements basically like he's like playing a video game, right. Uh.

0:45:22.600 --> 0:45:24.719
<v Speaker 1>And the way that they showed in the movie is

0:45:24.800 --> 0:45:26.600
<v Speaker 1>like Hank pim even whereas like kind of like it

0:45:26.680 --> 0:45:29.880
<v Speaker 1>looks like a hearing aid, but it's actually like his

0:45:29.960 --> 0:45:33.880
<v Speaker 1>little controller, right. Yeah, it's like a what a cybernetic helmet.

0:45:34.120 --> 0:45:36.839
<v Speaker 1>I think it's sometimes explained, but but again this, yeah,

0:45:36.880 --> 0:45:38.760
<v Speaker 1>this gets kind of iffy as to how he's actually

0:45:38.840 --> 0:45:42.799
<v Speaker 1>controlling them because when it comes to ant communication, Um,

0:45:43.719 --> 0:45:46.480
<v Speaker 1>most of this is happening via those pheromones, Like you say,

0:45:46.520 --> 0:45:49.320
<v Speaker 1>it's chemical messages detected by other ants through their antenna.

0:45:49.560 --> 0:45:53.520
<v Speaker 1>And then this is supported by tactile acoustic and least

0:45:53.560 --> 0:45:56.840
<v Speaker 1>of all a little visual communication. So we're talking a

0:45:57.640 --> 0:46:00.360
<v Speaker 1>high pitched chirps strokes with the antenna and for like

0:46:00.640 --> 0:46:05.239
<v Speaker 1>vibration and how's a helmet going to manage all effect? Right, Yeah,

0:46:06.280 --> 0:46:08.960
<v Speaker 1>this is from the comics too. I mean they definitely

0:46:09.480 --> 0:46:12.080
<v Speaker 1>build this into the ant Man character in the comics

0:46:12.120 --> 0:46:13.920
<v Speaker 1>pretty early because I think that that was how their

0:46:14.000 --> 0:46:16.680
<v Speaker 1>explanation basically for how he got around was that like

0:46:17.000 --> 0:46:19.640
<v Speaker 1>he wrote around on ants with wings and that's how

0:46:19.680 --> 0:46:22.080
<v Speaker 1>he got from one place to another at tiny size.

0:46:22.239 --> 0:46:24.640
<v Speaker 1>The interesting part is that if you're looking at it

0:46:24.680 --> 0:46:28.239
<v Speaker 1>as aunt man manipulating the ants and winning their aid, uh,

0:46:28.360 --> 0:46:31.520
<v Speaker 1>you know, by making them believe that he's some sort

0:46:31.560 --> 0:46:35.440
<v Speaker 1>of privileged aunt um there, we actually see versions of

0:46:35.560 --> 0:46:38.160
<v Speaker 1>this in the natural world. He's he's not the first

0:46:38.320 --> 0:46:41.960
<v Speaker 1>organism to trick ants into doing his bidding. Okay, I'm

0:46:42.000 --> 0:46:44.080
<v Speaker 1>guessing this is stuff to blow your minds from guessing

0:46:44.120 --> 0:46:47.959
<v Speaker 1>a parasite's going to come into play here, you know it. Yeah,

0:46:48.480 --> 0:46:53.560
<v Speaker 1>particular type of specialized inverberate parasite. They're known that they're

0:46:53.560 --> 0:46:57.360
<v Speaker 1>generally known on grouped together as remcca files or ant lovers,

0:46:57.760 --> 0:47:00.440
<v Speaker 1>and so what they've done is they've they've they tricked

0:47:00.440 --> 0:47:05.440
<v Speaker 1>the ant population into accepting or overlooking their intrusion. And

0:47:05.760 --> 0:47:08.080
<v Speaker 1>there was a two thousand fifteen study published in Plos

0:47:08.160 --> 0:47:13.040
<v Speaker 1>One that that examined a particular species of beetle Pepa

0:47:13.120 --> 0:47:16.640
<v Speaker 1>vary And uh, this particular beetle makes its home inside

0:47:16.719 --> 0:47:19.800
<v Speaker 1>an ant colony, and you know, a heavily guarded, nearly

0:47:19.920 --> 0:47:24.040
<v Speaker 1>impenetrable fortress that has all of these resources. It seems

0:47:24.080 --> 0:47:27.719
<v Speaker 1>like the most dangerous place in the world as as

0:47:27.760 --> 0:47:29.960
<v Speaker 1>another insect to try and carve out your livelihood. It's

0:47:30.000 --> 0:47:33.280
<v Speaker 1>like trying to live in more door right as a hobbit,

0:47:33.360 --> 0:47:35.120
<v Speaker 1>and just like stealing food here and there and just

0:47:35.200 --> 0:47:40.200
<v Speaker 1>convincing everyone that you're supposed to. Yeah. So this particular beetle,

0:47:40.320 --> 0:47:43.080
<v Speaker 1>it seems to achieve this through a complex dance of

0:47:43.120 --> 0:47:46.279
<v Speaker 1>both chemical and auditory mimicry. So it convinces the ant

0:47:46.400 --> 0:47:48.600
<v Speaker 1>it's one of them, even as it feeds on their

0:47:48.719 --> 0:47:52.480
<v Speaker 1>larva and benefits from the colony's protection. Yeah, and uh,

0:47:53.200 --> 0:47:56.319
<v Speaker 1>it's uh, it seems like this this beetle may even

0:47:56.480 --> 0:47:59.040
<v Speaker 1>mimic the queen from time to time in order to

0:47:59.520 --> 0:48:03.600
<v Speaker 1>receive royal treatment from the surrounding colony. It's like backrubs

0:48:03.640 --> 0:48:06.640
<v Speaker 1>and stuff. Yeah, or you know, just special protection, special

0:48:07.000 --> 0:48:10.640
<v Speaker 1>special feeding privileges. But but it also knows the limits,

0:48:10.719 --> 0:48:13.040
<v Speaker 1>like you know, otherwise it leaves the queen unharmed. It

0:48:13.120 --> 0:48:15.800
<v Speaker 1>knows that's a line it can't cross. So it doesn't

0:48:16.000 --> 0:48:19.360
<v Speaker 1>seek to decimate the host colony, but rather to thrive

0:48:19.480 --> 0:48:23.440
<v Speaker 1>within it as a you know, a perfect parasitic member society.

0:48:23.520 --> 0:48:25.840
<v Speaker 1>Right if it started to disintegrate it from within, they'd

0:48:25.880 --> 0:48:29.640
<v Speaker 1>probably catch on. Yeah, so I could see I could

0:48:29.680 --> 0:48:33.480
<v Speaker 1>see you aunt Man working along those lines. Okay, So

0:48:33.560 --> 0:48:36.200
<v Speaker 1>there's a scene in aunt Man which is super Exposition

0:48:36.560 --> 0:48:39.160
<v Speaker 1>where they're basically like training him how to use his powers,

0:48:39.320 --> 0:48:41.640
<v Speaker 1>and Michael Douglas has hank him does this thing where

0:48:41.680 --> 0:48:44.480
<v Speaker 1>he's like, okay, these are like your allies. There's this

0:48:44.600 --> 0:48:46.600
<v Speaker 1>kind of ant, and this kind of ant, this ants

0:48:46.640 --> 0:48:49.239
<v Speaker 1>really really good for flying on and this ant's going

0:48:49.280 --> 0:48:51.480
<v Speaker 1>to build a bridge for you. And this ant stings

0:48:51.520 --> 0:48:53.359
<v Speaker 1>really hard, right, Like they all have kind of their

0:48:53.360 --> 0:48:56.839
<v Speaker 1>own superpower that he can apply in various situations. In fact,

0:48:56.840 --> 0:48:59.800
<v Speaker 1>there's one and they're one that like absorbs electricity or

0:48:59.840 --> 0:49:02.960
<v Speaker 1>some thing like that. Yeah. Yeah, the crazy ants um

0:49:04.000 --> 0:49:05.800
<v Speaker 1>which I'll go and talk about the crazy ant a

0:49:05.880 --> 0:49:08.000
<v Speaker 1>little bit here. Um, the one that we're most familiar

0:49:08.080 --> 0:49:11.439
<v Speaker 1>with here in the Estates is the crazy Raspberry ant.

0:49:12.080 --> 0:49:14.400
<v Speaker 1>And this one continues to make the news, is that

0:49:14.560 --> 0:49:18.000
<v Speaker 1>you know, invades Texas and Florida. It rolls over fire

0:49:18.040 --> 0:49:21.839
<v Speaker 1>ant populations. Actually like they end up wiping those guys out,

0:49:21.880 --> 0:49:26.040
<v Speaker 1>which it might seem like that's a that's good because

0:49:26.560 --> 0:49:29.160
<v Speaker 1>the crazy ants don't have that painful sting. You don't

0:49:29.160 --> 0:49:31.960
<v Speaker 1>have to worry about your toddler wandering out and encountering

0:49:32.000 --> 0:49:35.600
<v Speaker 1>them so much. But they do have a tendency to

0:49:35.760 --> 0:49:39.759
<v Speaker 1>just overwhelm home. They'll short out electrical boxes and crawl

0:49:39.800 --> 0:49:42.320
<v Speaker 1>up into your computer and short that out too, And

0:49:42.719 --> 0:49:44.600
<v Speaker 1>it's still kind of an open question is to why

0:49:44.800 --> 0:49:49.040
<v Speaker 1>they seem to crave electricity. But some species of ants

0:49:49.080 --> 0:49:53.080
<v Speaker 1>are capable of detecting electromatic magnetic fields and might even

0:49:53.160 --> 0:49:56.360
<v Speaker 1>use the earth magnetic field as a navigational tool. And

0:49:56.440 --> 0:49:59.680
<v Speaker 1>the speculation the birds can do that as well. YEA, yeah,

0:50:00.360 --> 0:50:02.880
<v Speaker 1>so that's like that that's a whole another like realm

0:50:03.080 --> 0:50:05.800
<v Speaker 1>of sensory realm that we as humans just don't have

0:50:05.880 --> 0:50:08.120
<v Speaker 1>access to, right, so there would be a good ally

0:50:08.200 --> 0:50:11.399
<v Speaker 1>to have down there at at this the smaller level

0:50:11.480 --> 0:50:14.560
<v Speaker 1>of existence. But there's also the theory that crazy ants

0:50:14.640 --> 0:50:18.440
<v Speaker 1>just mistake the fields associated with electoral electoral gadgetry as

0:50:18.560 --> 0:50:21.800
<v Speaker 1>road signs. But it's also possible that they're just scouting

0:50:21.840 --> 0:50:24.240
<v Speaker 1>a new nest and hey, you look at a computer

0:50:24.400 --> 0:50:27.520
<v Speaker 1>right here. It's better. It's a dry interior, there are

0:50:27.640 --> 0:50:30.920
<v Speaker 1>fewer entry points and exit points. It's just a great

0:50:31.000 --> 0:50:34.960
<v Speaker 1>place by their estimation to secure a stronghold. Yeah, yeah,

0:50:35.000 --> 0:50:37.719
<v Speaker 1>that makes sense. Yeah, so you know, I could see

0:50:37.760 --> 0:50:39.560
<v Speaker 1>them making good allies. But again, with any of these

0:50:39.719 --> 0:50:42.800
<v Speaker 1>these ant examples, you also have to say, how is

0:50:43.480 --> 0:50:46.520
<v Speaker 1>how is aunt Man convincing them to do all these

0:50:46.600 --> 0:50:50.200
<v Speaker 1>operations so far away from their colony. Yeah, you've seen

0:50:50.239 --> 0:50:52.000
<v Speaker 1>it more recently than me. I'm trying to remember how

0:50:52.040 --> 0:50:54.280
<v Speaker 1>he uses the ants. It's like when he's breaking into

0:50:54.640 --> 0:50:58.600
<v Speaker 1>the super secure facility, he's somehow crazy short out the

0:50:59.560 --> 0:51:02.120
<v Speaker 1>system to force field or whatever it is it's keeping

0:51:02.200 --> 0:51:04.680
<v Speaker 1>him from getting out. Okay, Well, then there's the bridge

0:51:04.719 --> 0:51:08.319
<v Speaker 1>building ants. Uh. And I have to say I really

0:51:08.400 --> 0:51:10.839
<v Speaker 1>liked the UM the special effects for how they did

0:51:10.880 --> 0:51:13.239
<v Speaker 1>the ants in particular. Yeah, they would have favorite parts

0:51:13.239 --> 0:51:16.319
<v Speaker 1>of the movie. UM, But the bridge bundling ants. That's

0:51:16.360 --> 0:51:19.800
<v Speaker 1>for real. Um fire ants can act like either a

0:51:19.960 --> 0:51:22.160
<v Speaker 1>fluid or a solid. In fact, I think we did

0:51:22.239 --> 0:51:24.680
<v Speaker 1>something on how stuff works now about this recently and

0:51:24.719 --> 0:51:26.520
<v Speaker 1>like the last month. It might have been Lauren vocal

0:51:26.560 --> 0:51:29.440
<v Speaker 1>bobs um. I'll make sure to link to that on

0:51:29.480 --> 0:51:32.040
<v Speaker 1>the land because it's cool. There's some cool videos from

0:51:32.080 --> 0:51:33.920
<v Speaker 1>the studies that these guys have been doing. In fact,

0:51:33.920 --> 0:51:36.360
<v Speaker 1>they're right down the street over at Georgia Tech. Guys

0:51:36.760 --> 0:51:40.719
<v Speaker 1>Jong Yang Liu and David Hugh have observed this, this

0:51:41.080 --> 0:51:44.640
<v Speaker 1>fluid solid shifting back and forth between Now it's not

0:51:44.840 --> 0:51:47.560
<v Speaker 1>one fire ants shifting back and forth between states. It's

0:51:47.600 --> 0:51:51.080
<v Speaker 1>a whole colony of them. But they can basically pour

0:51:51.440 --> 0:51:54.480
<v Speaker 1>themselves out like a liquid or spring back when something

0:51:54.560 --> 0:51:56.360
<v Speaker 1>presses down on them. In fact, in the video they

0:51:56.480 --> 0:51:58.600
<v Speaker 1>show like it's not like a brick, but it's something

0:51:58.680 --> 0:52:01.960
<v Speaker 1>heavy and they're pushing down fifty ants, and the ants

0:52:02.040 --> 0:52:05.280
<v Speaker 1>all kind of like spring back and forth to allow

0:52:05.880 --> 0:52:09.839
<v Speaker 1>for that pushing. Um So fire ants. The reason why

0:52:09.880 --> 0:52:11.520
<v Speaker 1>they have this ability is they have to cope with

0:52:11.640 --> 0:52:15.120
<v Speaker 1>periodic downpours in their natural environment, so they evolved the

0:52:15.200 --> 0:52:19.279
<v Speaker 1>ability to clump together into structures and so um liu

0:52:19.520 --> 0:52:23.120
<v Speaker 1>and who are using rheometers, which are used to measure

0:52:23.200 --> 0:52:26.840
<v Speaker 1>the flow of liquids or slurries like cement, uh, to

0:52:27.040 --> 0:52:29.960
<v Speaker 1>to measure the viscosity and the elasticity of these balls

0:52:30.000 --> 0:52:32.239
<v Speaker 1>of ants. And they found out that these fire ants

0:52:32.280 --> 0:52:35.040
<v Speaker 1>can flow and move around as a group, acting like

0:52:35.600 --> 0:52:38.360
<v Speaker 1>like thick fluid, right or or or like rubber in

0:52:38.480 --> 0:52:41.560
<v Speaker 1>some instances. And yes, they construct bridges to get across

0:52:41.640 --> 0:52:43.160
<v Speaker 1>gaps in the same way that you see them do

0:52:43.280 --> 0:52:45.959
<v Speaker 1>this in the in the movie. UH. They can also

0:52:46.080 --> 0:52:49.360
<v Speaker 1>quickly repair any damage to the structure they create. Right. So,

0:52:49.480 --> 0:52:51.440
<v Speaker 1>like let's say they make a bridge and like a

0:52:51.560 --> 0:52:54.040
<v Speaker 1>rock falls and it kills like ten of the ants. Well,

0:52:54.080 --> 0:52:56.880
<v Speaker 1>the other ants are all they're all gonna sense this

0:52:57.120 --> 0:53:00.759
<v Speaker 1>and reinforce the living structure and move in um. The

0:53:00.840 --> 0:53:04.640
<v Speaker 1>researchers actually subjected them to different vibrations to cause them

0:53:05.040 --> 0:53:09.480
<v Speaker 1>to spring into action and fix the bridge at different frequencies. Uh.

0:53:09.560 --> 0:53:12.240
<v Speaker 1>And they also pull closer to each other and tighten

0:53:12.320 --> 0:53:14.680
<v Speaker 1>their grip to fill in holes make sure that the

0:53:14.719 --> 0:53:20.120
<v Speaker 1>structure holds together. The practical implications here, apparently are that

0:53:20.280 --> 0:53:22.080
<v Speaker 1>they're trying to figure out, well, how do these ants

0:53:22.160 --> 0:53:24.200
<v Speaker 1>do this, so we can replicate it and make self

0:53:24.280 --> 0:53:27.600
<v Speaker 1>assembling robots. So that would be fairly interesting if we

0:53:27.719 --> 0:53:31.200
<v Speaker 1>had these little, tiny ant sized robots that could, you know,

0:53:31.280 --> 0:53:34.600
<v Speaker 1>theoretically form bridges for us to drive across or something.

0:53:34.640 --> 0:53:36.680
<v Speaker 1>I'm not I'm not quite sure how they would pull

0:53:36.719 --> 0:53:39.200
<v Speaker 1>it off. It sounds like we're years away from something

0:53:39.320 --> 0:53:41.520
<v Speaker 1>like that. It would be pretty cool. Yeah that that,

0:53:41.719 --> 0:53:43.840
<v Speaker 1>I mean you basically have like a T one thousand

0:53:43.960 --> 0:53:47.040
<v Speaker 1>kind of Yeah, that's what they compare it to. Yeah. Um,

0:53:47.239 --> 0:53:49.439
<v Speaker 1>so like the theory is, well, it's not a theory

0:53:49.520 --> 0:53:51.520
<v Speaker 1>that they show this in the video. Actually, if you

0:53:51.680 --> 0:53:54.719
<v Speaker 1>drop a penny into a quote ocean of ants, you've

0:53:54.760 --> 0:53:57.560
<v Speaker 1>just got this pile of ants. They absorbed the impact

0:53:57.680 --> 0:54:00.880
<v Speaker 1>of the penny dropping that, catching it and then slowly

0:54:01.080 --> 0:54:04.160
<v Speaker 1>lowering it to the bottom of whatever they're in. Uh.

0:54:04.280 --> 0:54:07.800
<v Speaker 1>And these live ants will even let go and behave

0:54:07.960 --> 0:54:11.000
<v Speaker 1>like they're dead in some instances. So they can help

0:54:11.160 --> 0:54:15.440
<v Speaker 1>decrease the viscosity of the overall ant structure and allow

0:54:15.719 --> 0:54:18.000
<v Speaker 1>it to have more of a liquid flow to it.

0:54:19.080 --> 0:54:22.040
<v Speaker 1>So that part of the science bridge building ants. Yeah,

0:54:22.280 --> 0:54:25.800
<v Speaker 1>for real cool And that actually lines up rather nicely

0:54:25.920 --> 0:54:28.239
<v Speaker 1>with the raft building ants that we also see this

0:54:28.440 --> 0:54:31.320
<v Speaker 1>is I think the way that he infiltrates High Security

0:54:32.160 --> 0:54:33.960
<v Speaker 1>lab is that he goes in through the water pipes

0:54:34.000 --> 0:54:36.439
<v Speaker 1>and you're riding a raft made up of ants joined

0:54:36.480 --> 0:54:40.040
<v Speaker 1>together into a little structure. And we actually see this,

0:54:40.360 --> 0:54:42.640
<v Speaker 1>uh with a number of different ants. They bind together

0:54:42.640 --> 0:54:46.920
<v Speaker 1>into a raft when cataclysmic floods threatened the colony. And

0:54:48.320 --> 0:54:49.880
<v Speaker 1>you know, they do this pretty much in the same

0:54:49.920 --> 0:54:53.600
<v Speaker 1>way you've described the formation of these bridges. Yeah, but

0:54:54.160 --> 0:54:56.239
<v Speaker 1>but you get into a question like, well, how how

0:54:56.320 --> 0:54:58.759
<v Speaker 1>do you build that structure? I mean, how do you

0:54:58.920 --> 0:55:01.360
<v Speaker 1>arrange it? And that gets really interested, Right, how do

0:55:01.440 --> 0:55:04.200
<v Speaker 1>you decide who's the one which which aunt has to

0:55:04.560 --> 0:55:07.480
<v Speaker 1>be underwater and drowned? Yeah, I mean imagine say any

0:55:07.560 --> 0:55:10.040
<v Speaker 1>group of people, you know, the crew of a pirate ship,

0:55:10.160 --> 0:55:13.399
<v Speaker 1>and the ship's thinking and they're like, all right, made,

0:55:13.400 --> 0:55:16.759
<v Speaker 1>he's buying together because we're going to form ourselves a

0:55:16.840 --> 0:55:20.040
<v Speaker 1>new both made out of your body. So then you know,

0:55:20.120 --> 0:55:21.920
<v Speaker 1>what do you do? Castraws to see who's going to

0:55:22.000 --> 0:55:23.960
<v Speaker 1>be at the bottom is going to get to be

0:55:24.040 --> 0:55:27.800
<v Speaker 1>on top? Well, there's a cool study that looked into this.

0:55:27.880 --> 0:55:30.440
<v Speaker 1>The two thousand fourteen study from Jessica Purcell at the

0:55:30.520 --> 0:55:34.239
<v Speaker 1>University of Lasagne, and she took a closer look at

0:55:34.320 --> 0:55:38.239
<v Speaker 1>the rafts physical and social structure. Specifically, she looked at

0:55:38.239 --> 0:55:42.200
<v Speaker 1>the functional geometry of rafts in the ant for micah Cell, yes,

0:55:42.440 --> 0:55:44.480
<v Speaker 1>these are ants that are a bundant in the floodplains

0:55:44.640 --> 0:55:49.120
<v Speaker 1>throughout the Apps and the Pyrenees. Unsurprisingly, the queen occupies

0:55:49.200 --> 0:55:52.000
<v Speaker 1>the center of the raft. She's the most important, she's

0:55:52.040 --> 0:55:54.520
<v Speaker 1>the package, she is the the ant man of this, uh,

0:55:54.920 --> 0:55:57.120
<v Speaker 1>this particular raft. Okay, so this is a scenario where

0:55:57.120 --> 0:55:59.360
<v Speaker 1>he's probably making them think he's the queen. Yeah, I

0:55:59.360 --> 0:56:01.480
<v Speaker 1>would imagine he would have to convince them Ham the queen,

0:56:01.560 --> 0:56:05.080
<v Speaker 1>I'm important. You've gotta get me through. So take tangled

0:56:05.160 --> 0:56:07.759
<v Speaker 1>worker ants then make up the outside of the raft.

0:56:08.000 --> 0:56:10.719
<v Speaker 1>And this might come as a shock, but Larval ant

0:56:10.880 --> 0:56:13.960
<v Speaker 1>that larval aunt brood makes up the lowest portions of

0:56:14.000 --> 0:56:16.480
<v Speaker 1>the craft, so they put the essentially put the babies

0:56:16.640 --> 0:56:23.000
<v Speaker 1>on the bottom, which you wouldn't expect. But yeah, but

0:56:23.160 --> 0:56:27.400
<v Speaker 1>Lussain found that since the brood the larva are the

0:56:27.480 --> 0:56:31.360
<v Speaker 1>most buoyant members of the colony, they actually survive exceedingly

0:56:31.440 --> 0:56:34.920
<v Speaker 1>well down there and ultimately work really well float and

0:56:35.239 --> 0:56:37.719
<v Speaker 1>so their survival rate is on was on par with

0:56:37.800 --> 0:56:41.279
<v Speaker 1>the rest of the crew, and when brood items were

0:56:41.360 --> 0:56:43.960
<v Speaker 1>not available to to build the lower portion of the raft,

0:56:44.000 --> 0:56:46.200
<v Speaker 1>the worker ants formed the bottom of the raft as well.

0:56:46.280 --> 0:56:49.600
<v Speaker 1>But they also presume proved a rather resistant to drowning,

0:56:49.880 --> 0:56:54.200
<v Speaker 1>but required extended recovery time upon landing. So it's it's

0:56:54.480 --> 0:56:57.279
<v Speaker 1>it's interesting to imagine these ants and think of the

0:56:57.360 --> 0:56:59.759
<v Speaker 1>dances as this last ditch survival effort. You just bound

0:57:00.080 --> 0:57:03.960
<v Speaker 1>bind together into this this raft, this arc when you're

0:57:03.960 --> 0:57:06.439
<v Speaker 1>delivered to this new location and then everybody just starts

0:57:06.480 --> 0:57:10.080
<v Speaker 1>setting up a Wow. Yeah, just the social communication and

0:57:10.280 --> 0:57:16.480
<v Speaker 1>decision making amongst ants is so alien and uh just

0:57:16.640 --> 0:57:20.480
<v Speaker 1>alien to how we think about things. Yeah, I mean

0:57:20.560 --> 0:57:23.200
<v Speaker 1>when I see ants come into my home through the window,

0:57:23.280 --> 0:57:26.000
<v Speaker 1>sill up onto the kitchen counter, and I kind of

0:57:26.040 --> 0:57:27.640
<v Speaker 1>think about this stuff. Then it's like how do they

0:57:28.240 --> 0:57:30.640
<v Speaker 1>how they decide who's the one? Like my wife's really

0:57:30.680 --> 0:57:35.440
<v Speaker 1>into the like uh non chemical application of like put

0:57:35.560 --> 0:57:39.200
<v Speaker 1>cinnamon across the window cells because they really don't like cinnamon.

0:57:39.720 --> 0:57:41.840
<v Speaker 1>Some of them like force their way through the cinnamon

0:57:41.920 --> 0:57:45.919
<v Speaker 1>and get like cough, they cough, they cough, yea ants cough.

0:57:47.200 --> 0:57:49.680
<v Speaker 1>They get covered in this stuff and then you can

0:57:49.760 --> 0:57:52.360
<v Speaker 1>see them kind of immobile. But the others are like, great,

0:57:52.360 --> 0:57:54.040
<v Speaker 1>they've made a path for me. I can move on

0:57:54.200 --> 0:57:58.240
<v Speaker 1>through these make these decisions. Yeah, it's crazy. I feel

0:57:58.240 --> 0:58:02.080
<v Speaker 1>like we every year there seems like dozens of new

0:58:02.160 --> 0:58:05.480
<v Speaker 1>ants studies come out. They're always just some really fascinating,

0:58:05.560 --> 0:58:08.200
<v Speaker 1>really mind blowing bits in there. Like the most recent

0:58:08.280 --> 0:58:11.080
<v Speaker 1>one that we did a Now video on had to

0:58:11.120 --> 0:58:13.240
<v Speaker 1>do with lazy ants. So these ants that are in

0:58:13.320 --> 0:58:15.520
<v Speaker 1>the colony and they seem to just be standing around

0:58:15.640 --> 0:58:18.360
<v Speaker 1>doing nothing, and the scientists were trying to figuet why

0:58:18.400 --> 0:58:22.000
<v Speaker 1>are they doing nothing? Are they Is there something wrong here? Um?

0:58:22.680 --> 0:58:26.280
<v Speaker 1>Are they reserve troops? That seemed to be a prime theory.

0:58:26.400 --> 0:58:29.840
<v Speaker 1>So the one theory was that maybe they were laying communications. Yeah,

0:58:29.880 --> 0:58:31.600
<v Speaker 1>that's what I would think, But they're not. It turns

0:58:31.640 --> 0:58:34.640
<v Speaker 1>out there less in tune with what's going on in

0:58:34.720 --> 0:58:38.360
<v Speaker 1>the colony than anybody else interest in. Huh, Yeah, they

0:58:38.480 --> 0:58:42.280
<v Speaker 1>just completely tuned out. Okay, so we've covered parasites, we've

0:58:42.360 --> 0:58:45.800
<v Speaker 1>covered bridge building, we've covered the electricity. Uh, but what

0:58:46.000 --> 0:58:48.040
<v Speaker 1>was the stinger ant? That was the bullet ant right,

0:58:48.120 --> 0:58:51.680
<v Speaker 1>like their their their bite is particularly bad. And that's true. Yeah,

0:58:51.680 --> 0:58:54.720
<v Speaker 1>because we went into that in the Ignoble episode. Oh yeah,

0:58:54.800 --> 0:58:57.480
<v Speaker 1>that's right. I forgot all about that. Joe covered that section.

0:58:57.680 --> 0:58:59.160
<v Speaker 1>So if you want, if you're saying I want to

0:58:59.200 --> 0:59:01.120
<v Speaker 1>know more about those bulls of ants, go back to

0:59:01.400 --> 0:59:05.680
<v Speaker 1>our Ignobel Prize episodes from I Believe November and check

0:59:05.760 --> 0:59:08.240
<v Speaker 1>those out. And there's one thing about the ants too

0:59:08.400 --> 0:59:10.240
<v Speaker 1>that I don't have in my notes here, but I

0:59:10.320 --> 0:59:13.760
<v Speaker 1>read it extensively in almost every article about ant man

0:59:13.880 --> 0:59:15.480
<v Speaker 1>in the Science of ant Man, which is that they

0:59:15.520 --> 0:59:19.600
<v Speaker 1>get the gender of the ants wrong because well or

0:59:20.000 --> 0:59:23.080
<v Speaker 1>just aunt Man himself isn't giving male names to female

0:59:23.120 --> 0:59:26.400
<v Speaker 1>ants because he isn't. His His buddy aunt is Anthony,

0:59:26.760 --> 0:59:29.480
<v Speaker 1>and they they're saying like Anthony would actually be a

0:59:29.600 --> 0:59:33.040
<v Speaker 1>female aunt because of its particular kind of anatomy. Yeah,

0:59:33.160 --> 0:59:35.440
<v Speaker 1>and I didn't know. I'll buy into that, because what

0:59:35.520 --> 0:59:37.880
<v Speaker 1>does he know about ants? Yeah, he didn't really seem

0:59:37.960 --> 0:59:39.520
<v Speaker 1>to have a whole lot of idea about what was

0:59:39.560 --> 0:59:41.640
<v Speaker 1>going on there. You think he'd do some research, Yeah,

0:59:41.880 --> 0:59:46.800
<v Speaker 1>like we did that. Yah. Yeah, that's perfect. I'm looking

0:59:46.840 --> 0:59:48.720
<v Speaker 1>forward to seeing more of him in these like I

0:59:48.760 --> 0:59:50.400
<v Speaker 1>think he's going to be in that Captain American movie

0:59:50.440 --> 0:59:55.600
<v Speaker 1>next year to that, and Corey Stall was really good

0:59:55.640 --> 0:59:58.840
<v Speaker 1>as the villain. Yeah, Corey Stall from The Strange. We

0:59:58.920 --> 1:00:02.120
<v Speaker 1>also did a Science of episode. Course. Style seems to

1:00:02.200 --> 1:00:05.160
<v Speaker 1>be finding himself cast in a lot of movies where

1:00:05.560 --> 1:00:08.360
<v Speaker 1>movies or television they're like kind of sci fi. Yeah,

1:00:08.480 --> 1:00:12.760
<v Speaker 1>he's it's kind of in the mix somehow. He's always

1:00:12.800 --> 1:00:15.200
<v Speaker 1>like a he was a straight up villain in this,

1:00:15.480 --> 1:00:18.000
<v Speaker 1>but it's sort of like an anti hero. And in

1:00:18.080 --> 1:00:20.520
<v Speaker 1>his other protagonist role, Yeah, he's good at playing In

1:00:20.600 --> 1:00:24.520
<v Speaker 1>House of Cards, he was he played a flawed alcoholic

1:00:24.600 --> 1:00:26.160
<v Speaker 1>character in that, and then he kind of plays the

1:00:26.200 --> 1:00:28.520
<v Speaker 1>same thing in the Strain. So he's great at at

1:00:28.600 --> 1:00:34.160
<v Speaker 1>playing these, uh, these characters with they are fairly cardboard

1:00:34.240 --> 1:00:36.320
<v Speaker 1>but also have a certain amount of nuance to them.

1:00:36.400 --> 1:00:38.640
<v Speaker 1>So yeah, he made for a fun villain. And I

1:00:38.760 --> 1:00:43.520
<v Speaker 1>like this little zapper that he used one particularly menacing. Yeah. Alright,

1:00:43.600 --> 1:00:45.680
<v Speaker 1>So there you have it. Just to breakdown of some

1:00:45.800 --> 1:00:49.040
<v Speaker 1>of the science in ant Man, the film, the comic

1:00:49.080 --> 1:00:52.040
<v Speaker 1>book series, and also touching on some of these examples

1:00:52.080 --> 1:00:56.880
<v Speaker 1>of miniaturization science fiction. Obviously, we didn't touch on absolutely everything,

1:00:57.320 --> 1:01:00.760
<v Speaker 1>uh from ant man or miniaturization side by, So we

1:01:00.800 --> 1:01:03.880
<v Speaker 1>would love to hear from everybody out there. What's your

1:01:03.960 --> 1:01:08.960
<v Speaker 1>favorite piece of ministuration media? Uh, what are your thoughts

1:01:09.000 --> 1:01:11.640
<v Speaker 1>on the science of aunt Man? Yeah, and let us

1:01:11.720 --> 1:01:14.160
<v Speaker 1>know about this stuff on social media. When this episode

1:01:14.200 --> 1:01:16.160
<v Speaker 1>comes out, we're going to share it all over the place,

1:01:16.400 --> 1:01:19.400
<v Speaker 1>but we will also be responding to and listening to

1:01:19.480 --> 1:01:23.360
<v Speaker 1>your comments there. Uh, you can find us on Facebook, Twitter, Tumbler,

1:01:24.000 --> 1:01:27.040
<v Speaker 1>all those we are Blow the Mind, and as always

1:01:27.120 --> 1:01:29.040
<v Speaker 1>check out stuff to Blow your Mind dot com. That

1:01:29.240 --> 1:01:31.560
<v Speaker 1>is where you will find all the podcast episodes, all

1:01:31.640 --> 1:01:34.960
<v Speaker 1>those blog posts of some videos, and links out to

1:01:35.000 --> 1:01:37.080
<v Speaker 1>the social media accounts. And finally, if you want to

1:01:37.160 --> 1:01:40.320
<v Speaker 1>just talk to us directly about aunt Man or whatever

1:01:40.440 --> 1:01:43.800
<v Speaker 1>we've covered on the podcast recently, don't forget to tune

1:01:43.800 --> 1:01:48.480
<v Speaker 1>into those periscope shows on Friday's at noon Eastern Standard time.

1:01:48.800 --> 1:01:51.560
<v Speaker 1>Will be around for twenty or thirty minutes, talking science,

1:01:51.720 --> 1:01:55.440
<v Speaker 1>talking horror movies. Usually we end up talking about some

1:01:55.600 --> 1:01:59.760
<v Speaker 1>kind of Monster of the Week type scenario. And as always,

1:01:59.840 --> 1:02:01.440
<v Speaker 1>you to get in touch with this fee email just

1:02:01.600 --> 1:02:04.560
<v Speaker 1>shoot his one at Blow the Mind at how Stuff

1:02:04.600 --> 1:02:16.960
<v Speaker 1>Works For more on this and basands of other topics.

1:02:17.240 --> 1:02:18.600
<v Speaker 1>Is It How stuff Works dot com