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Speaker 1: Welcome to Jurassic Pals, the new No Dunk's summer podcast project,

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Speaker 1: where we've decided to watch him break down every movie

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Speaker 1: from the Jurassic Park franchise. I'm Jay Skeets here in

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Speaker 1: the Classic Factory, and alongside me, as always, he's Chaos

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Speaker 1: Theory himself. Tasmelis. Thank you you are. Oh wow, I

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Speaker 1: appreciate that next to him, he's my top shot hop

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Speaker 1: boy and clever girl. Trey Herbie he at last, but

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Speaker 1: not least Life finds a way to keep this guy

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Speaker 1: podcasting Super producer jd.

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Speaker 2: Hello, that's all you do? It really is actually pretty much.

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Speaker 1: Over the next seven weeks, we're going to be reviewing

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Speaker 1: each Jurassic Park movie. That is the definition of hold

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Speaker 1: on to your button. Okay, we did this back in

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Speaker 1: the day with the Fast and Furious franchise. We had

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Speaker 1: a lot of fun. I learned a lot about cars,

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Speaker 1: oh yeah yeah, and that it's important to have that

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Speaker 1: little nitro boost in your car. But we're doing it

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Speaker 1: with the dinosaurs this time. So if you're a fan

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Speaker 1: of this type of content, hit the like button, subscribe,

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Speaker 1: five star ratings and reviews. So, yes, we are starting

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Speaker 1: with Jurassic Park Dog June eleventh, nineteen ninety three. This

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Speaker 1: is over thirty years old. At this point, guys had

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Speaker 1: a budget of sixty three million dollars. Its initial theatrical

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Speaker 1: run grossed over nine hundred and fourteen million worldwide, and

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Speaker 1: then they would like re release it and it went

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Speaker 1: way over a billion dollars.

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Speaker 2: But not bad.

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Speaker 1: The skinny science sabotage and prehistoric DNA collide when cloned

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Speaker 1: dinosaurs escape their enclosures and begin praying on the guests

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Speaker 1: at a top secret theme park. Runtime two hours and

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Speaker 1: six minutes. Did it go fast?

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Speaker 3: Did it go slow?

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Speaker 1: Just quickly?

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Speaker 4: Did you think about flo hours in seven minutes? Checking

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Speaker 4: my status? Did it go fast?

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Speaker 2: Yeah?

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Speaker 1: That flew by to me too. It's a good movie.

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Speaker 1: Stars Sam Neil, Laura Dern, Jeff Goldbloom really Jeff gold

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Speaker 1: blooming it up and yeah, and it's directed by Steven Spielberg.

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Speaker 1: So I want to start before we walk away through

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Speaker 1: the movie ninety three TK, I mean, you're what are you? Eleven? Ten?

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Speaker 3: Your young nine years old? A young boy? And I

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Speaker 3: saw it in the theater multiple times. How could you not?

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Speaker 3: My kids would not be able to handle this at

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Speaker 3: the exact same ages. Now so scary that this movie.

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Speaker 3: But I love Jurassic Park. I remember seeing it in

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Speaker 3: the theater the first time in Yorkville, Illinois. I saw

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Speaker 3: it when they re released it in twenty thirteen. My

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Speaker 3: wife Laura, she hates this movie because when she saw

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Speaker 3: it the first time, her uh, there were some older

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Speaker 3: kids sitting behind her and when the t Rex came out,

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Speaker 3: they started shaking the chair. So it's been scared of

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Speaker 3: it ever since. So twenty thirteen it released. I'm like,

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Speaker 3: you're a up now, should be fine. It's still terrified

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Speaker 3: the whole time. This movie totally holds up perfect movie.

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Speaker 3: You can't wait to talk about it. Yes, we're obviously

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Speaker 3: starting with a banger.

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Speaker 1: I feel as we make our way through the Jurassic

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Speaker 1: Park series, it's gonna get maybe worse and worse and worse.

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Speaker 1: But what do you think your initial thoughts of JP.

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Speaker 4: I think Steven Spielberg would have loved that effect of

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Speaker 4: the shaking chairs.

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Speaker 2: I mean, like things a little shaky. Yeah, I mean,

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Speaker 2: I mean I watched it last night. I was on

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Speaker 2: the edge of my seate. Okay, thirty two years.

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Speaker 1: Had you not in all honest he probably seen it since,

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Speaker 1: like back in the nineties.

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Speaker 4: Yeah, I thinks yeah, wow, yeah that era, Yeah for sure.

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Speaker 1: And JD a little older than us. Did you go

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Speaker 1: see it in the theater?

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Speaker 2: Oh of course, yeah. I probably saw it at least

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Speaker 2: twice in the theater ninety three, so it would have

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Speaker 2: been twenty two.

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Speaker 1: Okay, so you were you were the kid shaking chances

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Speaker 1: it was?

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Speaker 2: I was. I'd read the book before it came out,

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Speaker 2: and I was a huge fan, and yeah it was awesome.

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Speaker 1: Were you were you ready to scrutinize it at the time. Oh,

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Speaker 1: I'm sure you're a fan of the book.

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Speaker 2: Well yeah, you know when you read a book and

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Speaker 2: it's like you have a personal relationship with it already,

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Speaker 2: you know, it's like, Okay, this movie is for me.

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Speaker 2: This was made for me because I read this book

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Speaker 2: and that's how I felt, and it blew me away.

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Speaker 2: I mean there's differences in it. Yeah yeah, yeah, but

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Speaker 2: it's a great adaptation.

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Speaker 3: All right.

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Speaker 1: Well, let's get into it, because sometimes these can take

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Speaker 1: quite a while. As we take our way through the movies.

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Speaker 1: It's a two hour, six or seven minute movie. Can

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Speaker 1: we do our first Jurassic Pals under that time. I

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Speaker 1: think we can. I think we can. But it starts obviously.

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Speaker 1: The premise here is John Hammond, the owner of Jurassic Park,

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Speaker 1: a theme park located on Isla, Newblar, which is off

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Speaker 1: the coast of Costa Rica. Do you consider it more

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Speaker 1: a theme park or a zoo park? Okay?

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Speaker 3: First one theme park? Okay, first one theme park, First

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Speaker 3: one theme park. I think it changes as we get

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Speaker 3: into it, but uh it, it's weird seeing this now

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Speaker 3: that I have a daughter named Isla, because guaranteed that's

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Speaker 3: the first time I ever saw that word.

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Speaker 2: I s l.

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Speaker 3: For me seeing I'm like, that, says Isla Garante. That's

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Speaker 3: probably why I said she was actually named after Jurassic

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Speaker 3: people know that you should have named your second child.

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Speaker 1: Is a great But all right, So, after an incident

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Speaker 1: with a velociraptor, Hammond brings in three specialists to sign

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Speaker 1: off on the park to try and calm the investors.

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Speaker 1: Now we're going to get to the specialists and that

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Speaker 1: scene in a second. But what did you think of

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Speaker 1: the movie's opening, because it does start with I believe

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Speaker 1: a man named Jeoffrey, not the guy from Game of Throne,

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Speaker 1: but this guy getting killed while they're transferring the velociraptor

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Speaker 1: like into a pen into a cage, and all hell

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Speaker 1: breaks loose and we lose our first victim.

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Speaker 2: Here.

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Speaker 1: That's how the starts. Yeah, like, were you in right away?

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Speaker 1: Did you remember that that was the opening scene? Because

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Speaker 1: I started forgotten That's what I had forgotten. It is

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Speaker 1: something you want to forget. I think you don't want

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Speaker 1: to remember that, not because the person dies, but because

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Speaker 1: it's just it ain't all that theatrically engaging because his mouth.

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Speaker 3: They thought of everything except for how to open the

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Speaker 3: gate exactly.

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Speaker 2: I say engaging.

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Speaker 4: I mean I don't want to remember that because I

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Speaker 4: just don't think it was great.

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Speaker 2: The rest is so good, and that is what are

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Speaker 2: they doing.

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Speaker 1: Yeah, the technology through the roof. We're bringing back dinosaurs

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Speaker 1: for crying out loud, but yeah, we got to transfer

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Speaker 1: this one velociraptor into another part. Hey, but you got

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Speaker 1: have to get on top and just pull it off.

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Speaker 1: Just stay away. And then he obviously one of them

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Speaker 1: gets attacked, the guy named Jeoffrey. So you you were

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Speaker 1: into the open, you loved it.

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Speaker 3: We gotta get a little taste of the violence. We

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Speaker 3: gotta meet the dinosaurs. Without really meeting him. Yes, and

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Speaker 3: we gotta know that there's danger out there before we

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Speaker 3: actually start getting into the real world of stuff. So

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Speaker 3: they give us a little action at the beginning, promising

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Speaker 3: that it's going to pay off in the long run.

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Speaker 3: I think we have to see this because otherwise what

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Speaker 3: we're starting with a lawyer, we're starting with guys out

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Speaker 3: working in the field of paleontology. That's not exciting. Seeing

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Speaker 3: somebody gets eaten to shreds.

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Speaker 5: That is.

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Speaker 1: Yeah, the stakes right away JD are higher and sets

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Speaker 1: up why John Hammond is going to have to go

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Speaker 1: get the specialist to okay.

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Speaker 2: This exactly right. I mean, this is a move that

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Speaker 2: Spielberg does in Jaws. There's an attack right off the bat,

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Speaker 2: and this is a standard operating procedure now in movies.

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Speaker 2: You got to come in with a bang. And also,

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Speaker 2: this is the only bit of action we see for

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Speaker 2: an entire hour. We do not see another dinosaur attack

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Speaker 2: until one hour and three minutes into this movie.

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Speaker 1: That's more than halfway through the movie. Yeah, crazy, Yeah,

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Speaker 1: it's a good point. Within five minutes of this movie,

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Speaker 1: at the start of it, we jumped from New blar

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Speaker 1: This Island to the Dominican Republic to Montana in the

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Speaker 1: bad lands, Like we are bouncing around, b bing bing,

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Speaker 1: and we can make our way to the bad lands here,

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Speaker 1: and that's when we get to meet our heroes of

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Speaker 1: the story, paleontologist doctor Alan Grant, that's Sam Neil and

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Speaker 1: paleobotanist doctor Ellie Sadler, so that's him and going to

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Speaker 1: them to again get them to come to the park.

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Speaker 1: Gonna have to okay it. And we learned that doctor

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Speaker 1: Grant is a hands on paleontologists. He doesn't like the

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Speaker 1: machines tray. He's a digger.

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Speaker 3: They're in that little scene with the lawyer going and

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Speaker 3: talking to the guy and like the Amber minded that

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Speaker 3: you're never gonna be able to get doctor Grant. He's

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Speaker 3: a digger. But guess what, you promise him something that

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Speaker 3: he's never seen before, and the guy's gonna come out.

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Speaker 3: And this is just great stuff. This is just great

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Speaker 3: Spielberg stuff. Within like five minutes of meeting Grant and Satline,

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Speaker 3: we know there's a little bit of a thing between

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Speaker 3: him cool. We know he hates technology and he gives

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Speaker 3: that story to the kid about the raptors, which is

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Speaker 3: priming us, Hey, man, raptors are a thing you're gonna

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Speaker 3: have to worry about, even though it pays off like

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Speaker 3: ninety minutes down the road, like he's teaching us stuff

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Speaker 3: about the movie and how we're going to be watching

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Speaker 3: this movie, but it's also fun to watch, Like that

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Speaker 3: scene is pretty hilarious and talking to the kid scaring

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Speaker 3: the daylights out of him, gorgeous stuff.

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Speaker 1: Yeah, that is the kid's name I believe in the

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Speaker 1: movie is Eddie. A lot of people just call him

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Speaker 1: the six foot Turkey boy because that's what he's all

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Speaker 1: like talking about.

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Speaker 3: It's like, hey, it's the six foot turkey.

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Speaker 1: It was driving me nuts watching him, like where's that

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Speaker 1: kid from? Where's that kid from? And it finally hit me.

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Speaker 1: He appeared in Full House for a couple episodes. He

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Speaker 1: was a super nerdy kid in Full House. I mean

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Speaker 1: he's pretty charismatic, the kid, like he's just expressive. Yes,

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Speaker 1: that's a good way to put it. He's just like

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Speaker 1: a classic ninety sitcom kid that you bring in for

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Speaker 1: a couple episodes to play a nerd, to play maybe

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Speaker 1: a little bully. I think he was on Family Guy

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Speaker 1: or Family Man, not Family Family Man as well. Family,

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Speaker 1: family matters. So I'm trying to say, yeah, anyway, that's

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Speaker 1: Eddie And you're right. I was going to add to

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Speaker 1: that trey you also learn I guess, oh doctor Grant

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Speaker 1: hates kids? Yep, right, totally. You know you can't why

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Speaker 1: why is that kid there?

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Speaker 2: Why is that like a like a tour group of

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Speaker 2: some sort or a field trip. It felt like there

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Speaker 2: were kids there, like, you know, learning about archaeology and stuff.

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Speaker 2: That's what it felt like to me.

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Speaker 1: Yeah, because there were the people working, but and then

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Speaker 1: there were a lot of the diggers, and then a

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Speaker 1: lot of other people just seemed to be there. Maybe

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Speaker 1: it was a tour, I think.

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Speaker 4: So, Yeah, I don't remember the idea that doctor Grant

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Speaker 4: hated kids.

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Speaker 2: When he goes out and saves the kids.

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Speaker 1: What do you mean? Well, right, no, he eventually learns

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Speaker 1: to love the kids. That's that's the part of it. Yeah,

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Speaker 1: but he even he says something like he's like he's

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Speaker 1: not a fan of kids.

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Speaker 3: Yeah, that little combo as they're like walking away after

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Speaker 3: he scared the kid, and she asked them if he

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Speaker 3: ever wants to have kids?

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Speaker 4: Like, no way, Yeah, I thought it was more just

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Speaker 4: about this kid, not respecting dinosaurs the way they should

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Speaker 4: be respected. That kid just loves kid just loves turkeys.

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Speaker 1: Yeah, whatever, and something TRACEA JD. I want your thoughts

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Speaker 1: on the relationship between the two, you know doctors, between

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Speaker 1: Ellie and Alan. Ye, like, yeah, there there's an immediate chemistry,

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Speaker 1: but it wasn't a little like what are they together?

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Speaker 1: Are they not? Are they great? Question?

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Speaker 2: Yeah?

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Speaker 1: I was perplexed by that.

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Speaker 2: It's yeah, it's hard to say because she's way more

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Speaker 2: receptive to Malcolm later on, like her flirtation with Malcolm.

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Speaker 2: Malcolm is the biggest threat on that island, including all

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Speaker 2: the dinosaurs to Samuel's character, you know what I mean.

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Speaker 2: So I you assume they're together, like they seem to

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Speaker 2: live in this airstream, you know, trailer in the middle

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Speaker 2: of the desert, and they work together, and she seems

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Speaker 2: to want to have kids with them, but I don't know,

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Speaker 2: it's it's a strange.

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Speaker 4: But then they come out and Malcolm asks doctor Grant,

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Speaker 4: are you guys together?

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Speaker 2: Yeah, doctor Grant, he didn't ask Ellie, And he's like, yeah,

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Speaker 2: what did he say? He says something like yeah, she's

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Speaker 2: she's spoken for or whatever, like and then all of

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Speaker 2: a sudden, there's a dinosaur, there's something changes something. It's like,

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Speaker 2: I don't know if he just likes her and wants

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Speaker 2: to get with her, but it's it's hard hard to tell.

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Speaker 3: It don't seem to be an active couple to me. No,

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Speaker 3: currently together. But yeah, I mean when you're out there

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Speaker 3: in the airstream.

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Speaker 1: Oh yeah, that's when the bones are getting dusted. Yeah,

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Speaker 1: I agree, Like I think they have your knuckerchief, Doc,

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Speaker 1: they've boned down for sure.

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Speaker 3: You're right.

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Speaker 1: She's even like putting the handkerchief on his net, like

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Speaker 1: there is some chemistry there. But I'm with you. I

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Speaker 1: don't think they're like actively together because when Malcolm does

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Speaker 1: bring it up, like yeah, Grant sort of like like

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Speaker 1: they're in a car together and Malcolm is like knacking

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Speaker 1: on her. Oh yeah, and he's sitting right there. So

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Speaker 1: if it is his girlfriend or like partner, he'd say

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Speaker 1: something I would think like cutting out chaos, guy.

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Speaker 3: Chaos puts water on my wife's hands. It's oh yeah,

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Speaker 3: hold on your butts.

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Speaker 4: Yeah, Goldblum looked super sexy when you're injured, and you

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Speaker 4: know that. Sure, it's what a sexy what a sexy shot?

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Speaker 1: Okay, So John Hammond shows up and he is there

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Speaker 1: to lure the two away from the site. It's going

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Speaker 1: to take a sizeable research grant and he's going to

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Speaker 1: cover the expenses for like the next three years. They

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Speaker 1: can't possibly say no. At first, they were maybe going

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Speaker 1: to like, we're not doing that, and then it's like, Okay,

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Speaker 1: they're going to cover this, all of this. We're gonna

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Speaker 1: be able to bone out here in the middle of

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Speaker 1: dover three years pun intended.

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Speaker 3: Yeah, and I mean, look he at one point, Hammond

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Speaker 3: says he's been paying fifty thousand dollars a year for

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Speaker 3: their research, so that's pretty cheap for him. He's basically

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Speaker 3: trying to buy him off for one hundred and fifty

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Speaker 3: thousand dollars and they are elated to hear that news.

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Speaker 3: But man, this is the second scene with Hammond. We

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Speaker 3: or I guess this is his real first scene is

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Speaker 3: here in the trailer, but we hear earlier from his

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Speaker 3: lawyer that Hammond hates inspectors, and then he's here and

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Speaker 3: he says, I don't care for lawyers. This is a

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Speaker 3: sinister man.

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Speaker 2: Oh yeah, yeah.

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Speaker 3: They're trying to make it like I mean, eventually this

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Speaker 3: dude went on to play Santa Claus right, Like I

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Speaker 3: think Richard Attenborough was a clause. They're trying to make

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Speaker 3: him lovable, but uh, you got to look behind the facade.

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Speaker 3: This is an evil, evil man.

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Speaker 2: Okay, he's one of the most interesting villains, you know,

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Speaker 2: he because he's so avunculary, he's just his whole character.

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Speaker 2: When he's in the airstream, he's like he he's in

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Speaker 2: the fridge. And then it's like, turns around, pops the champagne.

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Speaker 2: You knowne Oh he made a meal, Well he opens

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Speaker 2: it right away, but then he's wiping glasses. He's fiddling

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Speaker 2: with it. But this is this is classic Spielberg. And

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Speaker 2: this is another massive exposition dump that doesn't feel like

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Speaker 2: an expedition dump, you know what I mean. Like this

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Speaker 2: is we got a full hour of exposition here, and

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Speaker 2: every one of them is just a masterclass of this

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Speaker 2: is how you do it with keeping everybody interested and yeah,

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Speaker 2: and he's just like fiddling around with the bottle and

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Speaker 2: just you know, they're covered in dust and stuff, and

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Speaker 2: we get to see almost the entire interior of that airstream,

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Speaker 2: which by the way, is about five times the size

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Speaker 2: of the exterior.

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Speaker 3: Of you notice that it's quite a lot.

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Speaker 2: But but yeah, I mean I love this scene. It's

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Speaker 2: a great intro to Hammond.

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Speaker 1: Yeah, and it's a good point about like he is

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Speaker 1: sort of a villain, but man, he's likable as hell too. Yeah,

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Speaker 1: you want to love this guy.

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Speaker 3: Look, once you realize that he is the real villain,

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Speaker 3: you're like, don't trust this guy. Every time you see

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Speaker 3: him on the screen, he's like, whatever he's saying, do.

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Speaker 1: The opposite, especially when he's eating ice cream.

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Speaker 3: Yeah, it's probably gonna get sick.

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Speaker 1: We'll get to our next scene introduces Jurassic Parks disgruntled

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Speaker 1: lead computer programmer Dennis Nedri. This is newman Seinfeld. He

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Speaker 1: is taking a bribe from Dodgson. I guess the guy's

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Speaker 1: name is. He's getting seven hundred and fifty thousand up

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Speaker 1: front and then fifty thousand upon delivery of each viable

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Speaker 1: embryo to steal these fertilized dinosaur embryos. That's his that's

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Speaker 1: his mission here that I think it's a lot. He's

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Speaker 1: getting a lot of money up front and then only

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Speaker 1: fifty thousand per dinosaur embryo. And I think there were

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Speaker 1: like fourteen or fifteen nood adds up. Don't get me wrong,

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Speaker 1: but it'll pay out.

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Speaker 3: Like he's making like a million and a half dollars,

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Speaker 3: which seems pretty cheap to get right on par with

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Speaker 3: Engine with regards to their dinosaurs, right, Like, yeah, you're

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Speaker 3: making a million and a half dollar investment. I'm sure

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Speaker 3: John Hammond spent way more than that, Yeah, to develop

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Speaker 3: the embryos and build the park in the first place. Meanwhile,

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Speaker 3: Dodson is here and he's just trying to get him

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Speaker 3: right in the game. From millions and a half, it's

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Speaker 3: because I think Nedri should have charged more.

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Speaker 1: Oh okay, so he's got bad agent, he's got terrible.

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Speaker 2: Right, Yeah, yeah, maybe, yeah, I totally agree.

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Speaker 1: J Do you disagree?

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Speaker 2: I don't know. The guy's got financial problems.

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Speaker 3: Yeah, half to him, it's still be money, that's what

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Speaker 3: it is.

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Speaker 2: We're also talking nineteen ninety three. I mean, you guys

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Speaker 2: are used to the big contracts now with the NBA,

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Speaker 2: So you're like million and a half what are you

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Speaker 2: talking about? Y? Yeah, we're not getting paid to create dinosaurs.

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Speaker 1: He has a player option.

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Speaker 4: But you're right, you're right in that he has money troubles.

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Speaker 4: That's what this is all about. Is he's a struggling man.

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Speaker 4: And I think that's the whole part about every single

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Speaker 4: whoa how excited he is every single time wow, whatever

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Speaker 4: he's being directed.

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Speaker 2: Through that discussion, he is super excited. He's excited to

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Speaker 2: hear the number fifty fifty thousand dollars. Yeah, so he's

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Speaker 2: just super super excited.

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Speaker 1: He's obviously doing you know, rough times financially, because he

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Speaker 1: gets staunching to pick up the bill at this at

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Speaker 1: this weird like I had completely forgotten about this scene.

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Speaker 1: I just have completely forgotten that he meets this doncheon

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Speaker 1: and they have this dinner and he's like being all

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Speaker 1: loud and guy's trying to be like all comfort. It's

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Speaker 1: so good.

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Speaker 2: That's the transport.

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Speaker 1: Oh he's destruct's first comes into play. Brilliant the barbosol

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Speaker 1: can Oh cool.

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Speaker 2: Oh so James Bond. So interesting to look at, such

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Speaker 2: a nice touch of him, the squeezing out the shaving

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Speaker 2: cream and then putting it on the pie. Like I

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Speaker 2: fucking hate this guy, you know what I mean, just

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Speaker 2: like what are you doing? Yeah, it's just he's just

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Speaker 2: a dick and uh and I love it. He's just

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Speaker 2: the the pure charisma Way Night, you know, Uh, isn't

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Speaker 2: it way night?

383
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Speaker 3: That's way night for ye Yeah?

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Speaker 2: Uh, and just so sweaty and such a mess. But

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Speaker 2: one of the greatest characters. Man. I love him.

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Speaker 1: Next scene is the helicopter ride to the park, and

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Speaker 1: this is where we first meet chaos theorist ian Malcolm.

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Speaker 1: This is Jeff Goldbloom, and he is Jeff gold Blooming

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Speaker 1: more than anyone has ever Jeff Goldbloom, I have three

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Speaker 1: questions for you guys, which he asks in the airplane ride.

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Speaker 1: You've heard of chaos theory, non linear equations, strange attractors,

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Speaker 1: just keeps going.

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Speaker 3: I can't believe chaos theory is a real thing.

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Speaker 2: Yeah I was.

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Speaker 3: If you're on Wikipedia and you click where it says

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Speaker 3: chaos Titian or whatever that is, it clicks to a

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Speaker 3: real field of mathematical study.

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Speaker 1: I didn't know that was a thing.

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Speaker 2: I mean, I remember reading the book and that was

400
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Speaker 2: the first time I had ever heard about dinosaurs being

401
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Speaker 2: compared to birds, chaos theory, all that stuff, and it's,

402
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Speaker 2: you know, I guess it's at the time, was the

403
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Speaker 2: brand new thinking behind archaeology. The bird thing anyways, But yeah,

404
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Speaker 2: I had never heard of the butterfly effect. I mean,

405
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Speaker 2: there's an Ashton Kutcher movie now called the Butterfly Effect.

406
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Speaker 2: But back then this was all news. That's the point, Like,

407
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Speaker 2: it's just like, Okay, this movie is already going a

408
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Speaker 2: million miles an hour, and now it's going even faster

409
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Speaker 2: with just information throwing it.

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Speaker 1: I do have a question about this helicopter ride though.

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Speaker 1: What was the point of Alan Grant struggling with the seatbelt?

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Speaker 2: Oh, I'm glad you asked, Yeah, So, so break this

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Speaker 2: down for me. It's a metaphor. Okay, he had two

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Speaker 2: female Yeah, the belt buckle you couldn't couldn't He couldn't

415
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Speaker 2: buckle them together. What did he do? He tied them together.

416
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Speaker 2: Life finds a way, Okay. I mean that's why it's there.

417
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Speaker 2: That's the whole point of that scene, right.

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Speaker 3: I think also that you would say that they haven't

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Speaker 3: even gotten to the park and the safety procedures are

420
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Speaker 3: falling apart right around them. This is the first time

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Speaker 3: you're trying to be safe and you can't put on

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Speaker 3: a seatbelt.

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Speaker 1: This is good? Can I add a third maybe?

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Speaker 3: Things?

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Speaker 1: You know, it's it's him showing like thinking outside the

426
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Speaker 1: box a little bit. Yeah, you know, thinking on his

427
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Speaker 1: feet here, I'm going to have. You're gonna come across

428
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Speaker 1: a lot more, much more scarier instances where you have

429
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Speaker 1: to make decisions stuff like that. So I guess there's

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Speaker 1: those are great though.

431
00:21:03,080 --> 00:21:06,159
Speaker 2: That's a great point and very on brand for Grant.

432
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Speaker 2: Just an analog solution. It's like, fuck it, I'm just

433
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Speaker 2: gonna I'm tying this together. It's two pieces of string,

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Speaker 2: I'm tying it together.

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Speaker 1: Yeah, it's great. It is funny that they couldn't even

436
00:21:15,880 --> 00:21:19,520
Speaker 1: get the seat belt buckles right on the airplane to

437
00:21:19,560 --> 00:21:22,000
Speaker 1: take into the Jurassic That is a bad sign, now

438
00:21:22,080 --> 00:21:25,520
Speaker 1: you say that. Not a good sign for the security.

439
00:21:25,840 --> 00:21:26,200
Speaker 2: Not great.

440
00:21:26,840 --> 00:21:30,040
Speaker 3: We screwed up that. As for Jeff Goldbloom wearing a

441
00:21:30,119 --> 00:21:33,119
Speaker 3: leather jacket to an island off the Costa Rica in

442
00:21:33,160 --> 00:21:35,760
Speaker 3: the summer, I don't have a good theory or explanation

443
00:21:35,840 --> 00:21:36,760
Speaker 3: besides sexiness.

444
00:21:36,920 --> 00:21:41,320
Speaker 1: Yeah, they look so good. It looks cool, all right.

445
00:21:41,400 --> 00:21:43,879
Speaker 1: So twenty minutes into this movie, we are now on

446
00:21:44,040 --> 00:21:46,840
Speaker 1: the island and we get to one of the most

447
00:21:47,000 --> 00:21:48,280
Speaker 1: iconic scenes in movie history.

448
00:21:48,440 --> 00:21:48,560
Speaker 2: Right.

449
00:21:48,560 --> 00:21:50,560
Speaker 1: I don't think anyone's going to disagree with that. This

450
00:21:50,720 --> 00:21:55,200
Speaker 1: is the Welcome to Jurassic Park scene where they see

451
00:21:55,440 --> 00:21:59,080
Speaker 1: for the first time a live dinosaur, the Brachyosaurus in

452
00:21:59,160 --> 00:22:02,600
Speaker 1: the distance, and this is the the sunglasses coming off

453
00:22:02,640 --> 00:22:06,160
Speaker 1: from both of them and him turning doctor Sattler's head

454
00:22:06,160 --> 00:22:09,880
Speaker 1: and them just being in awe and the John Williams soundtracking,

455
00:22:09,920 --> 00:22:12,879
Speaker 1: and honestly, it's fucking awesome.

456
00:22:13,040 --> 00:22:13,879
Speaker 2: Yes, it's awesome.

457
00:22:14,160 --> 00:22:16,960
Speaker 3: Is one of the best scenes in movie history, absolutely period.

458
00:22:18,080 --> 00:22:21,040
Speaker 3: It holds up every time. I rewatched this like a

459
00:22:21,040 --> 00:22:24,080
Speaker 3: week ago and then just was flipping through my favorite

460
00:22:24,080 --> 00:22:26,679
Speaker 3: scenes before we started recording, and I still get chills

461
00:22:27,200 --> 00:22:29,280
Speaker 3: seeing them see a dinosaur that I know isn't real,

462
00:22:29,440 --> 00:22:33,080
Speaker 3: but I've seen them see fifty different times, them getting excited,

463
00:22:33,119 --> 00:22:36,240
Speaker 3: but every time, like the reactions are perfect. Grant struggling

464
00:22:36,240 --> 00:22:38,560
Speaker 3: to get his glasses off, like you're saying, Jeff Goldblum,

465
00:22:38,680 --> 00:22:41,560
Speaker 3: Malcolm goes between saying like you actually did it and

466
00:22:41,600 --> 00:22:44,840
Speaker 3: then laughing because he's like, man, I am seeing dinosaurs.

467
00:22:44,960 --> 00:22:46,520
Speaker 3: I don't think it's a good idea, but.

468
00:22:50,600 --> 00:22:54,679
Speaker 1: You know, yeah, it's it's like that first shot obviously

469
00:22:55,359 --> 00:22:58,199
Speaker 1: the cgi JD like just the work they did, Like

470
00:22:58,280 --> 00:23:01,600
Speaker 1: when you see the two racket sources coming out of

471
00:23:01,640 --> 00:23:04,440
Speaker 1: the water. Yeah, and then all the other dinosaurs there by.

472
00:23:04,880 --> 00:23:08,160
Speaker 1: It just looks awesome, but obviously them in the foreground

473
00:23:08,200 --> 00:23:09,879
Speaker 1: or whatever, like watching from behind.

474
00:23:10,119 --> 00:23:13,359
Speaker 2: Yeah, shots kissing. Then the music too, the music. The

475
00:23:13,480 --> 00:23:17,120
Speaker 2: music is what makes it. But it's it is those shots.

476
00:23:17,160 --> 00:23:20,280
Speaker 2: It's those what are they looking at? You see Grant,

477
00:23:20,320 --> 00:23:23,959
Speaker 2: you see La, you see Malcolm, They're all like and

478
00:23:23,960 --> 00:23:27,240
Speaker 2: then even Hammond is like, ah, and the way if

479
00:23:27,280 --> 00:23:30,919
Speaker 2: you actually like step back and watch how it's blocked. Like,

480
00:23:31,520 --> 00:23:35,280
Speaker 2: you know, Hammond's stepping up to the camera whispering into

481
00:23:35,320 --> 00:23:38,200
Speaker 2: the void with the doctor Grant, Puke and his gut

482
00:23:38,200 --> 00:23:41,720
Speaker 2: set behind them, you know, welcome to Jurassic But like,

483
00:23:41,880 --> 00:23:44,240
Speaker 2: it's just it's great. It makes your hair stand on

484
00:23:44,440 --> 00:23:45,400
Speaker 2: end in a good way.

485
00:23:45,520 --> 00:23:45,720
Speaker 1: You know.

486
00:23:46,520 --> 00:23:47,840
Speaker 2: I loved it and I love it.

487
00:23:48,080 --> 00:23:51,600
Speaker 4: Yeah, even doctor Grant just entering the frame that's above the.

488
00:23:51,560 --> 00:23:56,680
Speaker 2: Bar as he rises to see and it's just perfect framing. Yeah.

489
00:23:56,720 --> 00:23:59,960
Speaker 4: And yeah, as you said it was, was that sixty

490
00:24:00,040 --> 00:24:01,159
Speaker 4: minutes into the film, no.

491
00:24:01,240 --> 00:24:04,040
Speaker 2: Twenty no, no, no, the t Rex shows up.

492
00:24:04,680 --> 00:24:08,400
Speaker 4: He's saying the action the real Yes, Yeah, because it's

493
00:24:08,480 --> 00:24:11,280
Speaker 4: literally that's the amazing part about this movie is that

494
00:24:11,600 --> 00:24:14,919
Speaker 4: the dinosaurs are only on camera for fifteen minutes of

495
00:24:14,920 --> 00:24:16,359
Speaker 4: the one hundred and twenty seven minutes.

496
00:24:16,680 --> 00:24:20,760
Speaker 1: Yep, is that true? Yeah? Wow, I mean move yeah,

497
00:24:20,840 --> 00:24:21,640
Speaker 1: Jaws like move.

498
00:24:21,880 --> 00:24:22,760
Speaker 2: Jaws was only.

499
00:24:22,680 --> 00:24:27,240
Speaker 4: Six minutes in comparison, So this is a vast getting

500
00:24:27,240 --> 00:24:30,000
Speaker 4: along way more but it's literally fifteen of one hundred

501
00:24:30,040 --> 00:24:30,919
Speaker 4: and twenty seven minutes.

502
00:24:31,119 --> 00:24:33,199
Speaker 3: Yeah, but Spielberg, man, JD you nail it, Like this

503
00:24:33,280 --> 00:24:35,680
Speaker 3: is basically a Jaws sequel the way it plays out,

504
00:24:35,760 --> 00:24:38,560
Speaker 3: and you can tell the things he's learned from the

505
00:24:38,560 --> 00:24:42,600
Speaker 3: first are from Jaws play out in this as well,

506
00:24:42,640 --> 00:24:45,119
Speaker 3: like maybe we are seeing double the amount of dinosaurs,

507
00:24:45,119 --> 00:24:47,040
Speaker 3: but they're hardly in it because it makes it more

508
00:24:47,040 --> 00:24:50,359
Speaker 3: exciting every single time they're in it. And you know

509
00:24:50,440 --> 00:24:52,760
Speaker 3: the framing, that's a Spielberg magic sort of thing. And

510
00:24:52,760 --> 00:24:55,160
Speaker 3: he's just so smart with the way he drops nuggets

511
00:24:55,160 --> 00:24:56,159
Speaker 3: in here, Like they say.

512
00:24:56,040 --> 00:24:57,640
Speaker 1: How fast can the brachiosaurs move?

513
00:24:57,800 --> 00:24:59,679
Speaker 3: And Hammond just is like, well, we clocked the t

514
00:24:59,800 --> 00:25:01,879
Speaker 3: rex at thirty two miles an hour, so guess what

515
00:25:01,920 --> 00:25:03,639
Speaker 3: now we know there's a t rex there, and what

516
00:25:03,720 --> 00:25:05,360
Speaker 3: if they ever happened to get into a car chase

517
00:25:05,400 --> 00:25:06,119
Speaker 3: with a t rex?

518
00:25:06,400 --> 00:25:06,600
Speaker 2: Oh?

519
00:25:07,280 --> 00:25:11,320
Speaker 1: We know how fast it goes. This this scene. I mean,

520
00:25:11,359 --> 00:25:13,560
Speaker 1: everybody's seen this scene. It's up on YouTube. You like

521
00:25:13,600 --> 00:25:17,879
Speaker 1: this particular scene. The comments are amazing under this video.

522
00:25:18,160 --> 00:25:22,040
Speaker 1: I just pulled my favorite one quote. I remember thinking, yep,

523
00:25:22,280 --> 00:25:26,800
Speaker 1: we need to find a way to do this. And

524
00:25:26,840 --> 00:25:28,199
Speaker 1: then they went on to say I also had a

525
00:25:28,240 --> 00:25:31,080
Speaker 1: Jurassic Park themed birthday party that year. Okay, I just

526
00:25:31,160 --> 00:25:32,879
Speaker 1: love her. Yeah, we need a way to do this.

527
00:25:33,000 --> 00:25:34,840
Speaker 1: But there is like that idea of like doctor Grant,

528
00:25:34,880 --> 00:25:36,479
Speaker 1: like even at when he gets up there, he stumbles

529
00:25:36,520 --> 00:25:37,879
Speaker 1: out of the car and stuff, He's like, it's a

530
00:25:37,880 --> 00:25:40,040
Speaker 1: dinosaur and he like says it like a child, right,

531
00:25:40,119 --> 00:25:42,879
Speaker 1: Like his is a mind fucked Like this guy's like

532
00:25:43,040 --> 00:25:46,640
Speaker 1: his entire life is digging up dinosaurs and now there

533
00:25:46,720 --> 00:25:48,160
Speaker 1: is one in front of him, and he like turned

534
00:25:48,200 --> 00:25:51,600
Speaker 1: into basically a child, Like the awe of this in

535
00:25:51,600 --> 00:25:51,879
Speaker 1: front of.

536
00:25:51,920 --> 00:25:54,560
Speaker 2: Him totally strad And not only that, but he's seeing

537
00:25:55,080 --> 00:25:58,760
Speaker 2: theories in practice immediately, like oh, they're traveling and herds

538
00:25:58,760 --> 00:26:02,320
Speaker 2: and like things that have always been theoretical and just

539
00:26:02,560 --> 00:26:05,600
Speaker 2: you know, speculation is now right before him. And Sam

540
00:26:05,640 --> 00:26:09,760
Speaker 2: Neil pulls this off incredibly, They all do, but him

541
00:26:09,840 --> 00:26:12,359
Speaker 2: especially in this scene, is just him just being so

542
00:26:12,520 --> 00:26:15,080
Speaker 2: blown away, basically brought to tears by this. It's it's

543
00:26:15,119 --> 00:26:15,760
Speaker 2: just incredible.

544
00:26:15,880 --> 00:26:18,560
Speaker 1: Point you like, done with the wrong actors, are obviously

545
00:26:18,600 --> 00:26:21,080
Speaker 1: the wrong director. It could be cheesy, totally, it totally

546
00:26:21,119 --> 00:26:22,439
Speaker 1: could cost super cheesy.

547
00:26:22,520 --> 00:26:25,800
Speaker 2: But can was up for this role. He was, Yeah,

548
00:26:25,840 --> 00:26:29,480
Speaker 2: for doctor Grant. Yeah, totally different move.

549
00:26:29,520 --> 00:26:29,800
Speaker 3: Wow.

550
00:26:30,080 --> 00:26:32,800
Speaker 1: Yeah, that's interesting. Okay, I didn't know that. Okay. So

551
00:26:32,800 --> 00:26:34,879
Speaker 1: we go to the park's visitor center and this is

552
00:26:34,880 --> 00:26:37,240
Speaker 1: where the group learns so that the cloning was accomplished

553
00:26:37,280 --> 00:26:42,120
Speaker 1: by extracting dinosaur DNA from prehistoric mosquitos preserved in amber,

554
00:26:42,680 --> 00:26:45,600
Speaker 1: as one does. And there is a note here, a

555
00:26:45,680 --> 00:26:48,840
Speaker 1: very important note. DNA from frogs used to fill in

556
00:26:48,880 --> 00:26:52,040
Speaker 1: the gaps in the genome of the dinosaurs and to

557
00:26:52,119 --> 00:26:54,280
Speaker 1: prevent breeding, because that comes up all the dinals were

558
00:26:54,280 --> 00:27:00,880
Speaker 1: made female by direct chromosome manipulation. Though Ian Malcolm not convinced,

559
00:27:00,880 --> 00:27:02,800
Speaker 1: I'm this way again, believe life finds a way. Yeah,

560
00:27:02,840 --> 00:27:04,919
Speaker 1: He's like, yeah, come on, what do you think of

561
00:27:05,000 --> 00:27:07,720
Speaker 1: the uh? I guess it was sort of like a

562
00:27:08,359 --> 00:27:11,919
Speaker 1: ride almost. It's the show at the visitor center. The

563
00:27:11,960 --> 00:27:14,480
Speaker 1: whole presentation of what they're doing there in Jurassic Park.

564
00:27:14,640 --> 00:27:17,920
Speaker 3: Perfect, honestly perfect, Like they have to explain DNA. People

565
00:27:17,920 --> 00:27:20,920
Speaker 3: didn't know what DNA was before Jurassic Park and before

566
00:27:20,920 --> 00:27:23,600
Speaker 3: the OJ trial. This was before the OJ trial. So

567
00:27:23,640 --> 00:27:27,280
Speaker 3: they literally come up with a theme park ride. They

568
00:27:27,280 --> 00:27:29,800
Speaker 3: have those real theme parks. You sit through this kind

569
00:27:29,840 --> 00:27:31,600
Speaker 3: of stuff at Disney World before you go on the

570
00:27:31,600 --> 00:27:34,200
Speaker 3: Avatar ride or something like that. So turning it into

571
00:27:34,200 --> 00:27:37,920
Speaker 3: a character mister Dna, which tells you how they did

572
00:27:37,960 --> 00:27:41,760
Speaker 3: this and what potentially could be the problem down the line,

573
00:27:42,320 --> 00:27:46,359
Speaker 3: it's just brilliant s night, Like it's fun to watch,

574
00:27:46,720 --> 00:27:49,680
Speaker 3: I think at a Universal Studios, like you can buy

575
00:27:49,720 --> 00:27:53,120
Speaker 3: a Mister Dna plush doll, you know, Like they made

576
00:27:53,200 --> 00:27:55,920
Speaker 3: that into a character that's beloved. This a little part

577
00:27:55,920 --> 00:27:56,679
Speaker 3: of the video.

578
00:27:58,000 --> 00:28:00,320
Speaker 2: And just the selection of the narrator who was in

579
00:28:00,320 --> 00:28:02,720
Speaker 2: a familiar voice to all of us, like we've heard

580
00:28:02,720 --> 00:28:04,760
Speaker 2: this guy. I can't remember his name and blanket.

581
00:28:04,440 --> 00:28:05,200
Speaker 1: On Richard Kyle.

582
00:28:05,800 --> 00:28:08,280
Speaker 2: No, no, no, no, he's in the car. He's in the car.

583
00:28:08,320 --> 00:28:12,720
Speaker 2: But the animation it's that sort of down Homi. It's

584
00:28:12,760 --> 00:28:16,040
Speaker 2: almost Wolford Brimley. He's in like Christmas specials and stuff

585
00:28:16,080 --> 00:28:22,800
Speaker 2: like that, Yeah, purposefully picked obviously, and then you have

586
00:28:23,680 --> 00:28:25,760
Speaker 2: Hammet in the back going, oh, this is all the

587
00:28:25,840 --> 00:28:29,080
Speaker 2: score is temporary, And that's a nice touch. You got

588
00:28:29,119 --> 00:28:33,880
Speaker 2: Gennaro going, is this auto erotic? You know, he's talking

589
00:28:33,920 --> 00:28:37,119
Speaker 2: about the scientists in the lab. He's like, no, no,

590
00:28:37,200 --> 00:28:37,920
Speaker 2: this is all real.

591
00:28:38,280 --> 00:28:40,240
Speaker 1: It's just it's very.

592
00:28:41,960 --> 00:28:42,160
Speaker 3: Yeah.

593
00:28:42,680 --> 00:28:44,920
Speaker 2: Well, I mean they there's a couple of lines from

594
00:28:44,960 --> 00:28:47,680
Speaker 2: Gennero to make him seem like a complete buffoo. Yeah,

595
00:28:47,760 --> 00:28:50,880
Speaker 2: like the goat. Later on he's like, well you'd never

596
00:28:50,920 --> 00:28:54,800
Speaker 2: had lamb chops, you know, and he's talking about the goat. Anyways.

597
00:28:55,000 --> 00:28:55,800
Speaker 2: A great scene.

598
00:28:56,160 --> 00:29:00,520
Speaker 1: Also another instance immediately of security not being that great.

599
00:29:00,880 --> 00:29:03,400
Speaker 2: Yeah, we don't just lift up the ball on the.

600
00:29:03,360 --> 00:29:05,720
Speaker 1: Rund, like now we're gonna get out of here to

601
00:29:05,800 --> 00:29:06,480
Speaker 1: check out that side.

602
00:29:08,160 --> 00:29:09,440
Speaker 2: We go right into the last.

603
00:29:11,200 --> 00:29:13,680
Speaker 1: Come on in, we got yeah, like, they don't have

604
00:29:13,680 --> 00:29:15,480
Speaker 1: to mask up or put on any of this suit.

605
00:29:16,000 --> 00:29:18,080
Speaker 1: Come on in, and that's where they get to witness

606
00:29:18,320 --> 00:29:22,040
Speaker 1: task the hatching of the little velociraptors right there, coming

607
00:29:22,040 --> 00:29:25,640
Speaker 1: out of the little leg, which I thought sort of

608
00:29:25,640 --> 00:29:28,720
Speaker 1: looked like crap, come on, I mean I thought it

609
00:29:28,760 --> 00:29:31,080
Speaker 1: was the opposite of well, I know it's more of

610
00:29:31,120 --> 00:29:32,920
Speaker 1: obviously a little puppeteer at this point.

611
00:29:33,400 --> 00:29:37,440
Speaker 4: Yeah, yeah, yeah, and the little motions take a little bit.

612
00:29:38,040 --> 00:29:41,280
Speaker 4: It is a little, but it's coming out of an egg,

613
00:29:41,320 --> 00:29:42,680
Speaker 4: so it's accepted for me.

614
00:29:44,000 --> 00:29:46,600
Speaker 3: I also like the Hamond mentions he has to be

615
00:29:46,680 --> 00:29:51,760
Speaker 3: there for because the first thing he's like, it's got

616
00:29:51,880 --> 00:29:56,160
Speaker 3: to be I love. I also like we also get

617
00:29:56,160 --> 00:29:59,640
Speaker 3: like our first change in tone right at the end

618
00:29:59,680 --> 00:30:02,640
Speaker 3: of this, right as soon as the raptor hatches out

619
00:30:02,640 --> 00:30:06,760
Speaker 3: of the egg, sam Neil alan Grant's holding it and

620
00:30:06,760 --> 00:30:11,280
Speaker 3: they asked Beady Wong, He's like, what species this, uh, velociraptor?

621
00:30:11,480 --> 00:30:14,560
Speaker 3: And then in complete darkness, like his face is covered

622
00:30:14,600 --> 00:30:17,560
Speaker 3: in shadows. You bred raptors? Yeah, And then we're onto

623
00:30:17,600 --> 00:30:20,560
Speaker 3: the next scene. Just once again Primus like, hey, be

624
00:30:20,640 --> 00:30:21,520
Speaker 3: scared of raptors.

625
00:30:21,600 --> 00:30:22,840
Speaker 1: Yeah.

626
00:30:22,440 --> 00:30:22,520
Speaker 3: Ye.

627
00:30:23,000 --> 00:30:25,400
Speaker 2: It almost seemed like he was about to crush it

628
00:30:25,440 --> 00:30:29,320
Speaker 2: in his wow, like, this is a raptor. This is

629
00:30:29,360 --> 00:30:35,360
Speaker 2: not a good idea, crush.

630
00:30:33,120 --> 00:30:36,400
Speaker 1: I mean, not a good idea to be breeding the raptors. Also,

631
00:30:36,840 --> 00:30:40,120
Speaker 1: they do know that there are t rexes as well already, right,

632
00:30:40,200 --> 00:30:43,000
Speaker 1: and maybe that hasn't sunk in yet because they haven't

633
00:30:43,040 --> 00:30:46,560
Speaker 1: seen it, but yeah, okay, uh so, yeah, I have

634
00:30:46,600 --> 00:30:49,720
Speaker 1: here in my notes Alan doctor Grant alarmed to know

635
00:30:49,800 --> 00:30:52,000
Speaker 1: that Hammond and his team of bread raptors at the park.

636
00:30:52,400 --> 00:30:55,840
Speaker 1: But we're now off to see a cow being fed

637
00:30:56,680 --> 00:30:59,760
Speaker 1: to the raptors in that enclosure there, and this is

638
00:30:59,760 --> 00:31:03,240
Speaker 1: where where Robert Muldoon comes back. Yeah, this guy just

639
00:31:03,280 --> 00:31:06,640
Speaker 1: shows up. He's spit mad facts about raptors right away.

640
00:31:06,680 --> 00:31:09,680
Speaker 1: He's talking about the cheetah speed, how much they can leap,

641
00:31:10,200 --> 00:31:14,520
Speaker 1: their problem solving intelligence, like he's investigating the fence. Yeah,

642
00:31:15,160 --> 00:31:18,040
Speaker 1: multiply sounds like that he doesn't like working there. I

643
00:31:18,080 --> 00:31:21,000
Speaker 1: don't like he doesn't. He doesn't he knows how scary

644
00:31:21,000 --> 00:31:21,200
Speaker 1: it is.

645
00:31:21,240 --> 00:31:24,280
Speaker 3: I guess this is another Spielberg doing Spielberg to me.

646
00:31:24,680 --> 00:31:26,400
Speaker 1: Muldoon is the Quint.

647
00:31:26,160 --> 00:31:30,440
Speaker 3: Character from Jaws, the Robert Jaw like krusty sea dog

648
00:31:30,480 --> 00:31:32,080
Speaker 3: who they finally call him and at the end to

649
00:31:32,120 --> 00:31:34,200
Speaker 3: try and hunt down Jaws. But he knows more about

650
00:31:34,240 --> 00:31:36,880
Speaker 3: the sharks than anybody. Muldoon knows more about the raptors

651
00:31:36,880 --> 00:31:39,920
Speaker 3: than anybody. He's like the prime predator trying to take

652
00:31:39,960 --> 00:31:43,600
Speaker 3: down his greatest prey. And you know, long story short,

653
00:31:44,080 --> 00:31:46,080
Speaker 3: his story arc goes the same way that Quince does

654
00:31:46,320 --> 00:31:48,480
Speaker 3: in Jaws, dies at the hands of who he was

655
00:31:48,520 --> 00:31:49,440
Speaker 3: trying to track down.

656
00:31:49,520 --> 00:31:51,600
Speaker 1: But yeah, just more and more.

657
00:31:52,200 --> 00:31:54,800
Speaker 3: Spielberg is piling up reasons why we need to be

658
00:31:54,920 --> 00:31:55,680
Speaker 3: scared of this guy.

659
00:31:55,720 --> 00:31:56,480
Speaker 1: We know it's scary.

660
00:31:56,560 --> 00:31:59,680
Speaker 3: I killed the guy at first. Doctor Grant is scared

661
00:31:59,680 --> 00:32:02,360
Speaker 3: of it. Guess what actually can kill five guys to one.

662
00:32:02,680 --> 00:32:05,080
Speaker 3: It can figure out the weak spots and a fence.

663
00:32:05,320 --> 00:32:07,120
Speaker 3: It can't open doors, but can it?

664
00:32:09,000 --> 00:32:12,240
Speaker 1: They're smart? Any thoughts on the enclosure part here? This

665
00:32:12,320 --> 00:32:13,560
Speaker 1: scene that was great.

666
00:32:13,600 --> 00:32:17,600
Speaker 2: I mean, you know, the cow getting skeletonized and then

667
00:32:17,640 --> 00:32:20,640
Speaker 2: it comes back up also adds to the dread of

668
00:32:20,680 --> 00:32:23,800
Speaker 2: what's in the pen. We haven't actually seen a raptor yet,

669
00:32:23,840 --> 00:32:26,640
Speaker 2: I don't. I don't know, other than doctor maybe an

670
00:32:26,680 --> 00:32:30,600
Speaker 2: eyeball through the heade. Yeah, yeah, yeah, yeah, great scene.

671
00:32:30,640 --> 00:32:32,600
Speaker 1: I would have loved to have worked on Jurassic Park

672
00:32:32,880 --> 00:32:36,600
Speaker 1: and my only job to be Shake Leaves, because there's

673
00:32:36,680 --> 00:32:38,720
Speaker 1: like four scenes in the movie where it's just.

674
00:32:41,280 --> 00:32:41,600
Speaker 2: One of those.

675
00:32:42,600 --> 00:32:46,120
Speaker 3: This is a great movie for fans of vibration. You

676
00:32:46,200 --> 00:32:49,760
Speaker 3: got that like the water, you gotta leaves, You've got.

677
00:32:49,640 --> 00:32:56,840
Speaker 1: The yellow Jiggler vibrations. Good, good, good. They should have

678
00:32:56,840 --> 00:33:00,840
Speaker 1: put that in. During lunch, we have this scene during

679
00:33:00,920 --> 00:33:04,080
Speaker 1: lunch in the weirdest room ever. Yeah, they're eating lunch

680
00:33:04,160 --> 00:33:08,640
Speaker 1: in a strange place, lunch with all of these images

681
00:33:08,680 --> 00:33:10,880
Speaker 1: going on like sort of on the wall. The group

682
00:33:10,960 --> 00:33:13,520
Speaker 1: debates the ethics of cloning and the creation of the park,

683
00:33:13,560 --> 00:33:17,080
Speaker 1: and we got the blood sucking lawyer what's his name? Yeah,

684
00:33:17,080 --> 00:33:20,280
Speaker 1: he's he's sold now, he's just counting dollar bills. He's

685
00:33:20,320 --> 00:33:23,480
Speaker 1: like changing changing chain. But Malcolm is warning about the

686
00:33:23,480 --> 00:33:27,040
Speaker 1: implications of genetic engineering and he basically calls it shot

687
00:33:27,040 --> 00:33:29,440
Speaker 1: here right, He's like, this is inevitably not going to work.

688
00:33:30,480 --> 00:33:32,680
Speaker 1: This is going to break down. He says, quote, dinosaurs

689
00:33:32,680 --> 00:33:35,920
Speaker 1: had their shot and nature selected them for extinction. But

690
00:33:36,000 --> 00:33:38,480
Speaker 1: here we go. Any thoughts on on this scene in

691
00:33:38,480 --> 00:33:40,440
Speaker 1: the weird room they're having luncheon.

692
00:33:42,920 --> 00:33:46,160
Speaker 2: No, no, that's a forgettable one for me. Forgettable. This

693
00:33:46,320 --> 00:33:49,920
Speaker 2: is love probably my favorite scene. Oh yeah, because just

694
00:33:49,960 --> 00:33:53,920
Speaker 2: the debate of it's the debate now now, yes, everybody's

695
00:33:54,080 --> 00:33:57,200
Speaker 2: kind of well, Malcolm's been out from the second he

696
00:33:57,240 --> 00:34:01,640
Speaker 2: stepped on the island, but even it goes around the table. Yeah,

697
00:34:01,920 --> 00:34:04,280
Speaker 2: and I just love the discussion, and again it's just

698
00:34:04,520 --> 00:34:09,439
Speaker 2: exposition that is just handled so wonderfully, and and it's

699
00:34:09,480 --> 00:34:12,879
Speaker 2: just adding to the dread. And you know, now now

700
00:34:12,920 --> 00:34:15,520
Speaker 2: it's on and then they go and then it ends

701
00:34:15,800 --> 00:34:19,520
Speaker 2: with the kids showing up. It's like we've we've decided, Okay,

702
00:34:20,040 --> 00:34:23,600
Speaker 2: the scientists are in agreement here, this is a terrible idea.

703
00:34:24,200 --> 00:34:27,239
Speaker 2: You should probably shut this place down. And then two

704
00:34:27,360 --> 00:34:30,640
Speaker 2: children arrive and they're going out into the park immediately,

705
00:34:30,760 --> 00:34:30,960
Speaker 2: you know.

706
00:34:30,960 --> 00:34:31,359
Speaker 3: What I mean.

707
00:34:31,719 --> 00:34:35,160
Speaker 2: It's just it's just a perfect pacing. It's and it's

708
00:34:35,200 --> 00:34:37,560
Speaker 2: just you know, Tray, You've mentioned it several times. It's

709
00:34:37,600 --> 00:34:40,759
Speaker 2: just building up the dread, building up the tension, and

710
00:34:40,800 --> 00:34:45,040
Speaker 2: a lot of exposition, which I loved. So yeah, I'm

711
00:34:45,080 --> 00:34:47,680
Speaker 2: surprised that you didn't like. Oh I liked it.

712
00:34:47,880 --> 00:34:51,600
Speaker 4: It's more the listen the doctor Malcolm line is the

713
00:34:51,640 --> 00:34:54,960
Speaker 4: line you're a scientists are so preoccupied with whether or

714
00:34:54,960 --> 00:34:57,920
Speaker 4: not they could they didn't stop to think if they should.

715
00:34:57,880 --> 00:34:58,759
Speaker 2: Right, that's the lot.

716
00:34:59,280 --> 00:35:03,160
Speaker 4: Yeah, No, it's more. I just meant that the scene

717
00:35:02,880 --> 00:35:04,680
Speaker 4: the actual.

718
00:35:04,600 --> 00:35:09,160
Speaker 1: Room room distraction, So why are they sitting in this

719
00:35:09,200 --> 00:35:11,680
Speaker 1: weird room? But obviously it is the debate of like

720
00:35:11,719 --> 00:35:14,400
Speaker 1: the ethics of all of this TK anything to add.

721
00:35:14,400 --> 00:35:16,759
Speaker 3: Nah, not much. You're basically just getting a refresher on

722
00:35:16,760 --> 00:35:19,680
Speaker 3: everybody's perspectives. The people who know better know this is

723
00:35:19,719 --> 00:35:22,200
Speaker 3: a bad idea, but the lawyer and the guy who

724
00:35:22,200 --> 00:35:23,799
Speaker 3: created are like, we can make a ton of money

725
00:35:23,840 --> 00:35:24,960
Speaker 3: and dinosaurs are cool.

726
00:35:25,239 --> 00:35:28,080
Speaker 1: I sort of love rewatching it. Obviously didn't think about

727
00:35:28,080 --> 00:35:30,040
Speaker 1: it when I was thirteen watching it in ninety three.

728
00:35:30,160 --> 00:35:33,960
Speaker 1: I love the meta portion of this movie, this idea

729
00:35:34,000 --> 00:35:37,160
Speaker 1: of like chi ching, chi ching, chi ching. We see merchandise,

730
00:35:37,200 --> 00:35:40,719
Speaker 1: we see Jurassic parch merchandise in the movie, and it's like,

731
00:35:41,040 --> 00:35:43,680
Speaker 1: that's obviously what's just gonna happen with the actual movie

732
00:35:43,719 --> 00:35:46,640
Speaker 1: itself too, selling you know, or making a billion dollars

733
00:35:46,640 --> 00:35:48,960
Speaker 1: and how many more in merchant stuff like that.

734
00:35:49,040 --> 00:35:50,960
Speaker 2: Yeah, crazy, do you think about it? It is crazy.

735
00:35:51,040 --> 00:35:53,120
Speaker 1: It's like happening at the same time it's actually happening

736
00:35:53,120 --> 00:35:55,160
Speaker 1: in the movie. It's very weird. So yeah. The group

737
00:35:55,239 --> 00:35:59,440
Speaker 1: is joined by Hammond's grandchildren Lex and Tim Murphy. They

738
00:35:59,480 --> 00:36:02,440
Speaker 1: are there for a tour of the park. Do we

739
00:36:02,719 --> 00:36:05,600
Speaker 1: do we get told why? They're like their parents just

740
00:36:05,640 --> 00:36:09,279
Speaker 1: sent them there. He just brought him in. Ham and

741
00:36:09,400 --> 00:36:13,719
Speaker 1: doing that to like help, you know, prove to the specialists.

742
00:36:13,760 --> 00:36:16,319
Speaker 1: Like how cool this is just worked out on the

743
00:36:16,360 --> 00:36:18,880
Speaker 1: calendar that he had the grandchildren that week. What do

744
00:36:18,920 --> 00:36:21,200
Speaker 1: you think Tim.

745
00:36:21,000 --> 00:36:24,000
Speaker 3: Is obsessed with doctor Grant? True, Like he's dressed like

746
00:36:24,040 --> 00:36:25,920
Speaker 3: doctor Grant. He was talking to him about reading his

747
00:36:25,960 --> 00:36:28,480
Speaker 3: book about how dinosaurs have become birds. So maybe it's

748
00:36:28,520 --> 00:36:33,040
Speaker 3: just a grandfather seeing what his grandchildren are interested in,

749
00:36:33,280 --> 00:36:34,200
Speaker 3: trying to get them involved.

750
00:36:34,960 --> 00:36:38,440
Speaker 2: As he also says, this is the target audience. Let's

751
00:36:38,560 --> 00:36:41,200
Speaker 2: let's get them in the cars and let's show them

752
00:36:41,200 --> 00:36:45,680
Speaker 2: some dinosaurs and get people excited. See, it's so the

753
00:36:46,160 --> 00:36:48,399
Speaker 2: scientists see it through the eyes of a child who

754
00:36:48,440 --> 00:36:51,040
Speaker 2: would be seeing Not that you needed that, because doctor

755
00:36:51,080 --> 00:36:54,600
Speaker 2: Grant was seeing it through the eyes of his childhood.

756
00:36:54,880 --> 00:36:59,320
Speaker 1: But still, I got to say, you know, the parents

757
00:36:59,760 --> 00:37:03,480
Speaker 1: for home alone, those parents that left Kevin behind, they

758
00:37:03,480 --> 00:37:05,400
Speaker 1: get a lot of flak right as bad parents. But

759
00:37:06,000 --> 00:37:08,640
Speaker 1: I think we got to start adding uh, Lex and

760
00:37:08,719 --> 00:37:11,160
Speaker 1: Tim's parents to the list. Here they are like sending

761
00:37:11,200 --> 00:37:12,960
Speaker 1: their kids to a goddamn.

762
00:37:12,520 --> 00:37:15,000
Speaker 2: Island full of dinosaurs. You're right, and I know.

763
00:37:15,040 --> 00:37:18,360
Speaker 1: Grandpa's there, but this is the he's also evil.

764
00:37:19,080 --> 00:37:19,879
Speaker 3: Yeah, he's the mad Guy.

765
00:37:20,320 --> 00:37:23,880
Speaker 2: Not to spoil anything, but they're the best parents actually

766
00:37:24,200 --> 00:37:32,279
Speaker 2: of the entire seven movie stretch, the gold standard of

767
00:37:32,320 --> 00:37:35,120
Speaker 2: parenthood in the Jurassic.

768
00:37:34,800 --> 00:37:36,239
Speaker 1: Park because they actually.

769
00:37:35,920 --> 00:37:40,480
Speaker 2: Don't realize, right, you know, everybody after this they know, Okay,

770
00:37:40,560 --> 00:37:40,840
Speaker 2: they know.

771
00:37:41,760 --> 00:37:44,200
Speaker 1: And again this like goes back to you know, these

772
00:37:44,280 --> 00:37:46,640
Speaker 1: kids are here now and oh guess what, doctor Grant

773
00:37:46,680 --> 00:37:48,920
Speaker 1: he hates kids. Oh my god, Now we got these

774
00:37:48,960 --> 00:37:51,239
Speaker 1: two kids hanging on, you know, one that idolizes him

775
00:37:51,239 --> 00:37:53,560
Speaker 1: and dresses like them and all that. Uh so we

776
00:37:53,680 --> 00:37:56,359
Speaker 1: sort of, well, two things happen here. Obviously, we get

777
00:37:56,360 --> 00:37:58,799
Speaker 1: into the control room and what's going on there, and

778
00:37:58,840 --> 00:38:01,760
Speaker 1: we start the tour too. They get in these cars

779
00:38:02,640 --> 00:38:06,320
Speaker 1: with the interactive CD ROM and the voice here is

780
00:38:06,400 --> 00:38:07,239
Speaker 1: Richard Kylie Ja.

781
00:38:07,680 --> 00:38:11,880
Speaker 2: That's spared no expense. And by the way, that is

782
00:38:11,920 --> 00:38:14,960
Speaker 2: such a great line in this movie where it's just

783
00:38:15,040 --> 00:38:17,280
Speaker 2: the first half of the movies, Hey, we spared no expense,

784
00:38:17,320 --> 00:38:19,319
Speaker 2: like this is awesome, this is and then it just

785
00:38:19,360 --> 00:38:23,960
Speaker 2: becomes you know, like a joke, like a punchline to

786
00:38:24,239 --> 00:38:27,360
Speaker 2: you know, how ship everything no expense.

787
00:38:27,880 --> 00:38:33,640
Speaker 1: I couldn't even fasten my seabell on that definition of I.

788
00:38:33,560 --> 00:38:37,319
Speaker 2: Spared my expenses on Dennis Nedrie. Actually he came in

789
00:38:37,320 --> 00:38:38,320
Speaker 2: in a huge bargain.

790
00:38:39,960 --> 00:38:42,600
Speaker 1: So yeah, we get our first hold onto your butts

791
00:38:42,600 --> 00:38:46,480
Speaker 1: line here from the chain smoking Samuel L. Jackson in

792
00:38:46,560 --> 00:38:48,400
Speaker 1: the control room.

793
00:38:48,440 --> 00:38:51,680
Speaker 3: It's not casual hold on your butts totally flipped it in.

794
00:38:54,040 --> 00:38:58,520
Speaker 1: It is a forgotten one one. How many cigarettes does

795
00:38:58,520 --> 00:39:02,120
Speaker 1: this guy smoke this movie? How many, Joshua, what would

796
00:39:02,120 --> 00:39:03,560
Speaker 1: you put it at? Like, I know we're not seeing

797
00:39:03,600 --> 00:39:04,400
Speaker 1: them on camera.

798
00:39:04,200 --> 00:39:06,520
Speaker 2: But we're talking just on screen or the in the

799
00:39:06,560 --> 00:39:14,480
Speaker 2: production itself, because it's hundreds. If that's the case, is

800
00:39:14,520 --> 00:39:17,239
Speaker 2: there any shots of him without a cigarette either in

801
00:39:17,280 --> 00:39:18,319
Speaker 2: his hand or in his mouth?

802
00:39:18,440 --> 00:39:20,320
Speaker 1: Well, when his hands hanging off.

803
00:39:20,760 --> 00:39:24,080
Speaker 2: There's been a lit cigarette.

804
00:39:24,719 --> 00:39:27,120
Speaker 1: And she's like, I don't want to smoke, stop asking

805
00:39:27,200 --> 00:39:31,120
Speaker 1: me his hand falls off. Yeah, it's it's a lot.

806
00:39:31,239 --> 00:39:33,960
Speaker 1: It's a lot, a lot. And wow, I never thought

807
00:39:34,000 --> 00:39:35,880
Speaker 1: about it until this very second hold on to your

808
00:39:35,920 --> 00:39:39,880
Speaker 1: butts double meaning wow, double meaning.

809
00:39:39,640 --> 00:39:40,680
Speaker 2: He blew my mind?

810
00:39:41,560 --> 00:39:45,280
Speaker 1: What he talking about? Its actually talking about smoking.

811
00:39:46,800 --> 00:39:51,080
Speaker 3: Their butts Like a cycling program. I get one set

812
00:39:51,280 --> 00:39:54,120
Speaker 3: but trying to get throw as many as I can.

813
00:39:54,680 --> 00:39:57,560
Speaker 1: So we learned that the entire programming here in the

814
00:39:57,560 --> 00:40:00,040
Speaker 1: control room, it's all buggy. I think there's something like

815
00:40:00,080 --> 00:40:03,080
Speaker 1: one hundred and fifty one bugs and glitches to fix.

816
00:40:03,520 --> 00:40:07,320
Speaker 1: And it's implied here that Dennis has had bad financial problems.

817
00:40:07,760 --> 00:40:09,600
Speaker 1: Doctor Hammond doesn't seem to give a shit though, he's

818
00:40:09,640 --> 00:40:11,919
Speaker 1: I don't care, man, get your crap together, just fix

819
00:40:11,960 --> 00:40:15,680
Speaker 1: this stuff right. And meanwhile, on the tour, the group

820
00:40:15,920 --> 00:40:18,759
Speaker 1: they're just not seeing anything, like you know, there's just

821
00:40:18,800 --> 00:40:22,800
Speaker 1: a bunch of leaves shaking at this point. No delaphosaurus,

822
00:40:23,160 --> 00:40:25,920
Speaker 1: no t rex, like this is this tour is an

823
00:40:25,920 --> 00:40:28,959
Speaker 1: absolute dud task And that's like you'd be you'd be task.

824
00:40:29,000 --> 00:40:30,680
Speaker 1: Mellis would be asking for his money back at this

825
00:40:30,719 --> 00:40:32,560
Speaker 1: point for sure.

826
00:40:33,000 --> 00:40:37,800
Speaker 4: No, these moments are what this is all about. We're

827
00:40:37,840 --> 00:40:40,960
Speaker 4: just waiting and waiting and waiting. It's about the moments.

828
00:40:41,800 --> 00:40:44,440
Speaker 4: But you don't see the dinosaurs those.

829
00:40:44,719 --> 00:40:46,440
Speaker 1: Oh you think it's you think a part of the

830
00:40:46,480 --> 00:40:49,279
Speaker 1: tour is purposely not showing you a dinosaur for the

831
00:40:49,280 --> 00:40:51,080
Speaker 1: first couple of pins. That's smart.

832
00:40:51,480 --> 00:40:53,879
Speaker 2: That's a Spielberg movie that would build up more.

833
00:40:54,520 --> 00:40:55,000
Speaker 1: Exactly.

834
00:40:55,120 --> 00:40:58,560
Speaker 3: I do love a Malcolm to like tapping on the

835
00:40:58,600 --> 00:41:01,040
Speaker 3: camera to talk straight to Hammond. Do you plan on

836
00:41:01,680 --> 00:41:03,839
Speaker 3: having any dinosaurs on your dinosaur tour.

837
00:41:04,560 --> 00:41:04,759
Speaker 1: Yeah.

838
00:41:05,160 --> 00:41:07,399
Speaker 2: I mean that's almost a meta moment as well, right,

839
00:41:07,480 --> 00:41:10,520
Speaker 2: because now we're about forty five minutes and movie, and

840
00:41:10,560 --> 00:41:13,600
Speaker 2: like the audience may be going, where the hell are

841
00:41:13,680 --> 00:41:15,040
Speaker 2: the din dinosaurs?

842
00:41:15,040 --> 00:41:18,560
Speaker 1: Man? But we have seen a couple of but where

843
00:41:18,560 --> 00:41:19,359
Speaker 1: are the scary ones?

844
00:41:19,400 --> 00:41:19,520
Speaker 2: Man?

845
00:41:19,600 --> 00:41:22,120
Speaker 1: Yeah, that's a good point. I also I want to

846
00:41:22,120 --> 00:41:25,560
Speaker 1: say here, I just love these cars. Did you guys

847
00:41:25,600 --> 00:41:28,440
Speaker 1: love these like the Jeeps as well as these like

848
00:41:28,520 --> 00:41:30,239
Speaker 1: whatever SUVs whatever they are. I don't know what you

849
00:41:30,239 --> 00:41:32,520
Speaker 1: would call them, but like, they just look so cool.

850
00:41:32,560 --> 00:41:34,920
Speaker 1: The branding looks awesome on them. I just remember being like,

851
00:41:34,960 --> 00:41:35,879
Speaker 1: this looks like a great barn.

852
00:41:36,920 --> 00:41:40,000
Speaker 3: Like, the cars look cool, the outfits everybody's word, look

853
00:41:40,080 --> 00:41:43,760
Speaker 3: pretty cool. Everything except for the safety procedures is awesome.

854
00:41:43,880 --> 00:41:46,680
Speaker 3: Dressic park obviously, the big doors that you go through,

855
00:41:46,880 --> 00:41:48,719
Speaker 3: the Jurastic part, everything looks bad ass.

856
00:41:48,960 --> 00:41:51,120
Speaker 1: No expensive spare at least aesthetics.

857
00:41:51,200 --> 00:41:55,680
Speaker 3: Yeah, they did spare an expense on locking mechanisms for

858
00:41:55,760 --> 00:41:57,800
Speaker 3: the doors, and I love that well, Dunes, Like I

859
00:41:57,880 --> 00:41:59,480
Speaker 3: told you, we should have locks.

860
00:42:00,239 --> 00:42:01,920
Speaker 2: On the door the doors of the cars.

861
00:42:03,320 --> 00:42:05,520
Speaker 1: Was it not just a glitch that Nedri's supposed to

862
00:42:05,520 --> 00:42:07,680
Speaker 1: be working on or No. I thought I thought we

863
00:42:07,800 --> 00:42:08,560
Speaker 1: just didn't put them in.

864
00:42:08,760 --> 00:42:11,160
Speaker 2: Sadler jumps out of the car and then that's when

865
00:42:11,480 --> 00:42:15,000
Speaker 2: muldoon is like, we should have got locks, lock those

866
00:42:15,000 --> 00:42:16,200
Speaker 2: people into those guys.

867
00:42:16,239 --> 00:42:18,000
Speaker 1: Yeah, yeah, yeah.

868
00:42:17,800 --> 00:42:20,239
Speaker 4: Yeah, you know the first guy getting eating in the

869
00:42:20,280 --> 00:42:22,040
Speaker 4: opening scene kind of figured that out.

870
00:42:23,320 --> 00:42:23,920
Speaker 1: Seatbelts.

871
00:42:24,080 --> 00:42:24,279
Speaker 3: Yeah.

872
00:42:24,640 --> 00:42:27,120
Speaker 1: So they are on this tour and they make their

873
00:42:27,160 --> 00:42:29,360
Speaker 1: way uh well this is the scene where Malcolm is

874
00:42:29,400 --> 00:42:33,920
Speaker 1: macking on uh Saddler. Yeah, and doctor Grant's just sitting there,

875
00:42:34,200 --> 00:42:36,239
Speaker 1: and I guess I did gloss over. We had the

876
00:42:36,280 --> 00:42:38,680
Speaker 1: fun little like hey, what car are you riding in

877
00:42:40,000 --> 00:42:43,520
Speaker 1: exchange between Tim and Doctor Grant, Like he doesn't want

878
00:42:43,520 --> 00:42:45,040
Speaker 1: to ride with them, but he's just falling around. He's

879
00:42:45,040 --> 00:42:47,319
Speaker 1: spitting all these facts from his books and stuff like that.

880
00:42:47,600 --> 00:42:50,080
Speaker 1: So there's that cute little moment. But we eventually make

881
00:42:50,080 --> 00:42:54,320
Speaker 1: our way to a sick triceratops that's on its side,

882
00:42:54,360 --> 00:42:57,200
Speaker 1: and that's where we come up literally sick.

883
00:42:57,239 --> 00:42:59,440
Speaker 2: Because it sounded like you were talking about like a

884
00:42:59,440 --> 00:43:02,919
Speaker 2: really cool well, it's.

885
00:43:02,800 --> 00:43:05,759
Speaker 1: Funny you say that because I was team Triceratops back

886
00:43:05,760 --> 00:43:07,360
Speaker 1: in the day. I thought that was one of the

887
00:43:07,400 --> 00:43:14,480
Speaker 1: cooler dinosaurs three tops. It was just cool. And uh,

888
00:43:14,520 --> 00:43:17,480
Speaker 1: this this looked way cooler than the little baby velociraptor

889
00:43:17,480 --> 00:43:18,200
Speaker 1: coming out of an egg.

890
00:43:18,360 --> 00:43:21,080
Speaker 2: This awesome look cool, looks awesome.

891
00:43:21,280 --> 00:43:23,640
Speaker 1: Grant laying on it, Yeah, going up.

892
00:43:23,560 --> 00:43:25,920
Speaker 3: And down when it's breathing. That's so cool.

893
00:43:26,120 --> 00:43:29,080
Speaker 1: And then yeah, Satler, doctor Sandler trying to figure out, like,

894
00:43:29,080 --> 00:43:31,319
Speaker 1: what the hell's wrong with it? Why is it sick?

895
00:43:31,360 --> 00:43:33,480
Speaker 1: Because this is like her field sort of probably what

896
00:43:34,000 --> 00:43:36,839
Speaker 1: it ate? Where's the poop? Let me start digging through

897
00:43:36,840 --> 00:43:40,359
Speaker 1: the poop. That's this whole scene, looking for some kind

898
00:43:40,360 --> 00:43:43,239
Speaker 1: of berry or something, right, or like, yeah, some sort

899
00:43:43,280 --> 00:43:45,400
Speaker 1: of poisonous plant that she's like, you shouldn't have you

900
00:43:45,440 --> 00:43:48,000
Speaker 1: shouldn't have these out here. And they're like, well they

901
00:43:48,480 --> 00:43:50,960
Speaker 1: doesn't the guy the vet he says, yeah, but they

902
00:43:51,000 --> 00:43:53,080
Speaker 1: don't eat them. It's what he says. I think.

903
00:43:53,280 --> 00:43:55,040
Speaker 2: Yeah, And then she's will there's only one way to

904
00:43:55,080 --> 00:43:58,680
Speaker 2: find out, Yeah, go find a big pile of ship. Yeah,

905
00:43:58,800 --> 00:44:01,200
Speaker 2: this is this is a great scene. It's such a

906
00:44:01,320 --> 00:44:06,279
Speaker 2: juxtaposition between the lab and the you know how you know,

907
00:44:06,560 --> 00:44:11,520
Speaker 2: cold and uh, not very sterile, but then you're in

908
00:44:11,560 --> 00:44:15,160
Speaker 2: the in nature and then you got passionate scientists who

909
00:44:15,200 --> 00:44:19,560
Speaker 2: are touching the dinosaur, you know, concerned about the dinosaur.

910
00:44:19,760 --> 00:44:21,799
Speaker 2: Ellie goes so far as to stick her hand all

911
00:44:21,840 --> 00:44:25,400
Speaker 2: the way into the dung looking for what's wrong with

912
00:44:25,440 --> 00:44:26,200
Speaker 2: this dinosaur?

913
00:44:26,719 --> 00:44:28,840
Speaker 1: Sounds like we got a digger.

914
00:44:29,960 --> 00:44:33,839
Speaker 2: We got a digger on the end, way I get.

915
00:44:33,760 --> 00:44:35,880
Speaker 3: To dig What do you think they made that pile

916
00:44:35,920 --> 00:44:40,399
Speaker 3: of great question? Wow, it's one big pile of ship.

917
00:44:40,880 --> 00:44:44,000
Speaker 3: What a live Do you think that was improvised or

918
00:44:44,000 --> 00:44:46,960
Speaker 3: written into the script? I wonder, great question.

919
00:44:47,040 --> 00:44:49,360
Speaker 1: You're right they do say ship. Yeah, that's sort of

920
00:44:49,800 --> 00:44:52,680
Speaker 1: interesting decision, you know, as great a PG. I think, Yeah,

921
00:44:52,680 --> 00:44:56,080
Speaker 1: I guess it is sort of scared of the nineties. Yet,

922
00:44:56,360 --> 00:44:57,879
Speaker 1: I don't know how you make that poop. You're you're

923
00:44:57,920 --> 00:44:58,520
Speaker 1: the compost man.

924
00:44:58,560 --> 00:45:01,399
Speaker 2: How do you begin to come a six foot pile

925
00:45:01,440 --> 00:45:01,840
Speaker 2: of poop?

926
00:45:01,920 --> 00:45:05,239
Speaker 4: Yeah, I've never seen it. I decompose way too well

927
00:45:05,280 --> 00:45:06,359
Speaker 4: for even get that high.

928
00:45:06,400 --> 00:45:11,360
Speaker 1: Yeah, I mean it's a monstrous how uh it's almost

929
00:45:11,400 --> 00:45:15,440
Speaker 1: comically too big in a way. It looks taller than

930
00:45:15,560 --> 00:45:18,280
Speaker 1: the actual tri SEROTOPX. Now I know that tri seratops

931
00:45:18,320 --> 00:45:20,839
Speaker 1: is on side because it's sick. Get that thing up

932
00:45:20,840 --> 00:45:23,480
Speaker 1: on all fours. Then it butts off higher off the ground,

933
00:45:23,520 --> 00:45:26,840
Speaker 1: but it looks like as tall as it to me. Yeah,

934
00:45:27,719 --> 00:45:30,319
Speaker 1: it's like like it's like pooping so much, it's like

935
00:45:30,360 --> 00:45:32,560
Speaker 1: building up and it's like legs are up behind him

936
00:45:32,800 --> 00:45:33,160
Speaker 1: that long.

937
00:45:33,320 --> 00:45:36,520
Speaker 4: It's Yeah, for that triceratops to create that much poop,

938
00:45:36,600 --> 00:45:37,879
Speaker 4: wouldn't it decompose?

939
00:45:38,320 --> 00:45:40,680
Speaker 1: I have a I have a question. While they're making

940
00:45:40,680 --> 00:45:44,799
Speaker 1: their way to the six sick tri serratops, Lex, the

941
00:45:44,840 --> 00:45:48,839
Speaker 1: girl she falls right, and then doctor Grant holds her hand.

942
00:45:49,440 --> 00:45:53,359
Speaker 1: Did she fall on purpose to get him to help

943
00:45:53,400 --> 00:45:56,719
Speaker 1: her to hold her hand because she's super happy when

944
00:45:56,760 --> 00:45:57,560
Speaker 1: he holds her hand.

945
00:45:57,719 --> 00:46:01,080
Speaker 2: Well, he helps her up and then she class holds

946
00:46:01,120 --> 00:46:03,440
Speaker 2: on and then like iron grip. So I don't know,

947
00:46:03,520 --> 00:46:05,000
Speaker 2: that's an interesting.

948
00:46:05,960 --> 00:46:09,520
Speaker 1: That's why you come to Jurassic Pals for the hard

949
00:46:09,640 --> 00:46:12,600
Speaker 1: hitting questions that no one's asked in some of the years.

950
00:46:13,000 --> 00:46:14,720
Speaker 1: Did Lex fall on purpose?

951
00:46:17,040 --> 00:46:17,200
Speaker 3: All?

952
00:46:17,280 --> 00:46:17,400
Speaker 2: Right?

953
00:46:17,880 --> 00:46:20,319
Speaker 1: So bad news though, tour is going to be cut short.

954
00:46:20,360 --> 00:46:23,719
Speaker 1: Here a tropical storm approaching, and there was like some

955
00:46:23,800 --> 00:46:27,120
Speaker 1: build up. I like how they think they sprinkled it

956
00:46:27,160 --> 00:46:28,759
Speaker 1: in a little bit right, A few scenes of like

957
00:46:28,800 --> 00:46:31,560
Speaker 1: a storm making its way off. I think it'll pass.

958
00:46:31,800 --> 00:46:33,759
Speaker 1: I don't know, don't worry about it, blah blah blah blah.

959
00:46:33,800 --> 00:46:36,000
Speaker 1: But it start to rain and most of the park

960
00:46:36,000 --> 00:46:39,600
Speaker 1: employees they're leaving for the mainland for the boat, and

961
00:46:39,600 --> 00:46:41,919
Speaker 1: then the visitors like they're like, okay, we better return here.

962
00:46:42,080 --> 00:46:46,120
Speaker 1: Except doctor Sadler, She's gonna stay behind and help out

963
00:46:46,160 --> 00:46:50,200
Speaker 1: the park veterinarian to study this sick tristereops try Sarahtops

964
00:46:50,200 --> 00:46:51,880
Speaker 1: in a downpour. I thought that was a bit of

965
00:46:51,880 --> 00:46:55,719
Speaker 1: a weird decision, but also in her defense, like she

966
00:46:55,840 --> 00:46:57,640
Speaker 1: is seeing a tri Sarahtops for the first time.

967
00:46:57,800 --> 00:47:00,000
Speaker 2: Yeah, she literally says, I want to I want to

968
00:47:00,040 --> 00:47:01,760
Speaker 2: hang out with Yeah, yeah, a little longer.

969
00:47:01,840 --> 00:47:04,040
Speaker 1: Okay, it's like you. That was her favorite when she

970
00:47:04,080 --> 00:47:04,879
Speaker 1: was a little Yeah.

971
00:47:06,719 --> 00:47:09,400
Speaker 4: What I said going through the poop and that was

972
00:47:09,440 --> 00:47:11,839
Speaker 4: a story about Jurassic Parking. The filming of it, right,

973
00:47:11,960 --> 00:47:14,080
Speaker 4: is that there was a bunch of storms where they're

974
00:47:14,080 --> 00:47:19,040
Speaker 4: filming in Hawaii, right, not on island Newblar, but they

975
00:47:19,080 --> 00:47:22,000
Speaker 4: were filming it and they were having these difficult, difficult

976
00:47:22,000 --> 00:47:25,600
Speaker 4: filming situations. They're just hanging out, well, waiting.

977
00:47:25,480 --> 00:47:30,960
Speaker 1: We get to nefarious ned here Nedri He deactivates the

978
00:47:31,000 --> 00:47:34,240
Speaker 1: park's security system to gain access to the embryo storage

979
00:47:34,280 --> 00:47:37,919
Speaker 1: room to store the embryos inside that container disguised as

980
00:47:38,000 --> 00:47:42,719
Speaker 1: the shaving cream can. Nedri's sabotage also cuts power to

981
00:47:42,719 --> 00:47:45,000
Speaker 1: the tour vehicles and it strands them by the t

982
00:47:45,160 --> 00:47:48,120
Speaker 1: Rex paddock. The phones are out him and can't call

983
00:47:48,200 --> 00:47:51,200
Speaker 1: for help, and basically most of the park's electric fences

984
00:47:51,239 --> 00:47:54,520
Speaker 1: are also deactivated. So this is Trey. We get Nedri

985
00:47:54,680 --> 00:47:57,000
Speaker 1: doing his thing, the start of his thing, where he's

986
00:47:57,000 --> 00:47:59,799
Speaker 1: at least putting them into the can, and we get

987
00:48:00,239 --> 00:48:02,480
Speaker 1: to obviously, you know, one of the best scenes in

988
00:48:02,480 --> 00:48:05,240
Speaker 1: the movie as well, where we encounter the t Rex

989
00:48:05,480 --> 00:48:07,920
Speaker 1: now able to get out because of the deactivity defense.

990
00:48:08,000 --> 00:48:10,280
Speaker 3: I love it. The fence is going crazy. They're trying

991
00:48:10,320 --> 00:48:12,879
Speaker 3: to like hack into Nedri's system and it's got Wayne

992
00:48:12,920 --> 00:48:16,279
Speaker 3: Knight laughing, and obviously John Hammond is like finally getting

993
00:48:16,320 --> 00:48:18,799
Speaker 3: scared because he's realizing my grandkids are out there and

994
00:48:18,800 --> 00:48:21,719
Speaker 3: they're now stuck, and he says the line where did

995
00:48:21,719 --> 00:48:25,640
Speaker 3: the vehicle stop? Instant cut to the goat just sitting

996
00:48:25,760 --> 00:48:27,880
Speaker 3: in the t Rex paddock in the rain.

997
00:48:28,160 --> 00:48:30,520
Speaker 1: Like chills just from a cut.

998
00:48:30,640 --> 00:48:33,120
Speaker 3: Yeah, and then the scene finally starts, and it takes

999
00:48:33,160 --> 00:48:36,000
Speaker 3: a while to build up, and then we're talking about,

1000
00:48:36,520 --> 00:48:39,240
Speaker 3: are what this is maybe our third all time classic

1001
00:48:39,280 --> 00:48:43,840
Speaker 3: scene already in the movie, and yet it totally holds

1002
00:48:43,920 --> 00:48:46,960
Speaker 3: up the way the t Rex is like smashing the

1003
00:48:47,000 --> 00:48:49,239
Speaker 3: car and then flipping the car and spinning it.

1004
00:48:49,480 --> 00:48:52,680
Speaker 1: Gennaro finally leaves. The kids freak out even more, and we're.

1005
00:48:52,520 --> 00:48:54,399
Speaker 3: Like, oh, so that's why they ended up splitting out

1006
00:48:54,400 --> 00:48:56,439
Speaker 3: with the lawyer going with two kids he's never met

1007
00:48:56,480 --> 00:48:59,239
Speaker 3: before and the three adults being together, and so the

1008
00:48:59,320 --> 00:49:02,520
Speaker 3: kids could end up alone being scared by the t Rex.

1009
00:49:02,520 --> 00:49:06,000
Speaker 3: And luckily Timmy had his night vision goggles that they

1010
00:49:06,040 --> 00:49:09,520
Speaker 3: gave them for their daytime tour. They're the standard, the

1011
00:49:09,600 --> 00:49:14,120
Speaker 3: standard in the weymos that they invented. But so good,

1012
00:49:14,320 --> 00:49:15,680
Speaker 3: just a iconic scene and.

1013
00:49:15,719 --> 00:49:17,440
Speaker 1: JD, like you said, we're an now we're into this thing.

1014
00:49:18,040 --> 00:49:21,360
Speaker 1: Now we're so we have the real, you know, exciting

1015
00:49:21,360 --> 00:49:21,839
Speaker 1: scenes here.

1016
00:49:21,880 --> 00:49:25,560
Speaker 2: Absolutely, and you know, we were talking about how awesome

1017
00:49:25,840 --> 00:49:31,239
Speaker 2: John Williams score was earlier with the Majestic Brachyosaurus seeing

1018
00:49:31,320 --> 00:49:34,480
Speaker 2: the dinosaurs for the first time. There is an incredible

1019
00:49:34,760 --> 00:49:37,799
Speaker 2: lack of music through all of these scenes. There is

1020
00:49:38,120 --> 00:49:41,839
Speaker 2: no music in this t Rex scene. It's carried by

1021
00:49:42,880 --> 00:49:47,360
Speaker 2: effects and acting, like sound effects and acting when the goats.

1022
00:49:48,480 --> 00:49:51,960
Speaker 2: When the goat's leg lands on top of the jeep,

1023
00:49:53,000 --> 00:49:55,359
Speaker 2: your instinct is to like have a sing or like

1024
00:49:55,520 --> 00:49:59,719
Speaker 2: some sort of like a music sting. It's punctuated by

1025
00:49:59,719 --> 00:50:03,600
Speaker 2: thun right like it's and it just puts you in

1026
00:50:03,680 --> 00:50:07,160
Speaker 2: the car with them and in that scene, and it

1027
00:50:07,360 --> 00:50:09,960
Speaker 2: just makes it that much more terrifying. And you don't

1028
00:50:10,000 --> 00:50:11,960
Speaker 2: hear music again until it cuts back to the control

1029
00:50:12,040 --> 00:50:17,520
Speaker 2: room and then there's tension music and stuff. Yeah, it's awesome. Yeah.

1030
00:50:17,560 --> 00:50:20,360
Speaker 2: How many times is there music in this movie? I

1031
00:50:20,360 --> 00:50:23,080
Speaker 2: mean there's there's no music in that scene. There's no

1032
00:50:23,200 --> 00:50:28,320
Speaker 2: music in the Nedri death scene. Very little anyway, what else,

1033
00:50:28,520 --> 00:50:31,840
Speaker 2: what about the kitchen scene there's no music? Well yeah,

1034
00:50:32,000 --> 00:50:35,000
Speaker 2: so like the scariest parts of the movie, there's no music.

1035
00:50:35,600 --> 00:50:39,759
Speaker 1: And it's scary. And you talked about like, yeah, like

1036
00:50:40,680 --> 00:50:43,799
Speaker 1: watching it with your girls. This scene, this is terrifying stuff.

1037
00:50:43,760 --> 00:50:46,920
Speaker 3: Big time. I'm not scared.

1038
00:50:48,760 --> 00:50:52,799
Speaker 1: You were scared, So yeah, you got the This is

1039
00:50:52,800 --> 00:50:54,480
Speaker 1: the t Rex scene and there's so much happening here.

1040
00:50:54,560 --> 00:50:58,680
Speaker 1: Malcolm gets injured and the lawyer gets eaten on the shutter.

1041
00:50:59,560 --> 00:51:02,040
Speaker 3: I don't think Malcolm need to make the sprint. No,

1042
00:51:02,080 --> 00:51:03,400
Speaker 3: I think there was any reason for him to do

1043
00:51:03,440 --> 00:51:08,000
Speaker 3: that sprint, right like man, I mean, doctor Grant was

1044
00:51:08,040 --> 00:51:10,360
Speaker 3: trying to distract them with the flare. It wasn't working

1045
00:51:10,400 --> 00:51:13,399
Speaker 3: as much, but it at least caught the t rex's eye,

1046
00:51:13,440 --> 00:51:15,399
Speaker 3: which I think would have given Tim and Lex enough

1047
00:51:15,400 --> 00:51:15,799
Speaker 3: time to.

1048
00:51:15,760 --> 00:51:16,600
Speaker 1: Get somewhere else.

1049
00:51:17,719 --> 00:51:21,759
Speaker 3: But then doctor Malcolm hops out and just which you know,

1050
00:51:22,080 --> 00:51:25,120
Speaker 3: gets the t Rex excited chases him down. That's when

1051
00:51:25,160 --> 00:51:27,960
Speaker 3: Malcolm is supposed to die. But they're like, Jeff Goldbloom,

1052
00:51:28,280 --> 00:51:30,759
Speaker 3: you're killing it, man, Just go hang out for the rest.

1053
00:51:31,200 --> 00:51:36,040
Speaker 1: Just just somehow fall under a bunch of bamboo like

1054
00:51:36,640 --> 00:51:37,239
Speaker 1: he too cool.

1055
00:51:38,000 --> 00:51:40,000
Speaker 3: But I don't think he needed to do that sprint.

1056
00:51:40,200 --> 00:51:42,480
Speaker 3: I think there was better options in that moment. But

1057
00:51:42,600 --> 00:51:45,120
Speaker 3: you know, you're panicking. It's chaos theory. Nobody knows what

1058
00:51:45,120 --> 00:51:47,440
Speaker 3: they're going to do until they knew it. It's true.

1059
00:51:47,880 --> 00:51:51,200
Speaker 1: The real chaos theory is theorious theorist. Excuse me, would

1060
00:51:51,239 --> 00:51:53,719
Speaker 1: have like stripped naked and started dancing or something like,

1061
00:51:53,800 --> 00:51:55,640
Speaker 1: just done something Rex has never seen it.

1062
00:51:57,400 --> 00:51:58,600
Speaker 3: But worst way us to.

1063
00:51:58,560 --> 00:51:59,799
Speaker 1: Die on a crapper JD.

1064
00:52:00,040 --> 00:52:03,719
Speaker 2: Can you think of any then? Well, I mean it

1065
00:52:03,719 --> 00:52:06,080
Speaker 2: would be worse if it was actually taking a dumb.

1066
00:52:06,120 --> 00:52:07,520
Speaker 1: That's true. It was just in there.

1067
00:52:07,680 --> 00:52:09,759
Speaker 2: I think that's why they put him in shorts, you

1068
00:52:09,760 --> 00:52:11,600
Speaker 2: know what I mean. He was wearing a suit with

1069
00:52:11,600 --> 00:52:14,800
Speaker 2: shorts with shorts, so when he sat on the toilet

1070
00:52:14,800 --> 00:52:16,640
Speaker 2: there it looked like he was actually taking a dumb.

1071
00:52:16,640 --> 00:52:19,520
Speaker 2: I think that's that was the decision to put Gennaro

1072
00:52:19,719 --> 00:52:21,320
Speaker 2: in shorts.

1073
00:52:22,560 --> 00:52:26,919
Speaker 3: Would you rather go be eaten by its Tyrannosaurus rex

1074
00:52:27,000 --> 00:52:27,760
Speaker 3: or Elvis style?

1075
00:52:28,400 --> 00:52:31,440
Speaker 1: Just a heart attack the toilet come on, okay? Or

1076
00:52:31,520 --> 00:52:35,600
Speaker 1: a crossbow to the chest like a game of throat

1077
00:52:36,400 --> 00:52:44,400
Speaker 1: to go full drop world, Uh, it's over. He was

1078
00:52:44,440 --> 00:52:45,160
Speaker 1: done like that.

1079
00:52:45,320 --> 00:52:46,600
Speaker 2: Yeah, that's true. I agree.

1080
00:52:48,520 --> 00:52:51,239
Speaker 4: One of the scariest things of going in theory is

1081
00:52:51,360 --> 00:52:54,360
Speaker 4: just seeing all the feces, right, just having to having

1082
00:52:54,400 --> 00:52:56,040
Speaker 4: to absorb that.

1083
00:52:56,120 --> 00:52:58,960
Speaker 2: I think if it's.

1084
00:52:58,239 --> 00:53:00,600
Speaker 4: You know you, the biggest word is that the thing

1085
00:53:00,600 --> 00:53:05,000
Speaker 4: gets shaken and literally you're covered in poop. Yeah, so

1086
00:53:05,160 --> 00:53:06,680
Speaker 4: I think that would be fine in that moment. If

1087
00:53:06,680 --> 00:53:08,840
Speaker 4: you're gonna get eaten, that's the time to get covered,

1088
00:53:09,000 --> 00:53:09,440
Speaker 4: I suppose.

1089
00:53:10,320 --> 00:53:12,640
Speaker 2: Yeah, those are lightly.

1090
00:53:12,160 --> 00:53:15,760
Speaker 1: Used potties too at this point, I maybe the workers

1091
00:53:15,760 --> 00:53:16,360
Speaker 1: out there.

1092
00:53:16,160 --> 00:53:19,440
Speaker 2: Butson, I'm offended by on behalf of John Hammond that

1093
00:53:19,560 --> 00:53:21,640
Speaker 2: you call that a porta potty. It was a rest.

1094
00:53:21,800 --> 00:53:24,920
Speaker 3: I guess it was spared no expense.

1095
00:53:26,440 --> 00:53:29,280
Speaker 1: True, it's true plumbing and everything installed out there.

1096
00:53:29,719 --> 00:53:31,560
Speaker 4: Just one question is this is the scene where the

1097
00:53:31,640 --> 00:53:33,960
Speaker 4: kid says so much blood?

1098
00:53:34,080 --> 00:53:40,560
Speaker 2: Right, that's when when they're caught up in the stampede

1099
00:53:40,560 --> 00:53:44,400
Speaker 2: and then the t Rex comes out. Yeah. Yeah, and then.

1100
00:53:44,400 --> 00:53:45,000
Speaker 1: That's a little bit.

1101
00:53:45,040 --> 00:53:47,239
Speaker 2: I'll save it. I'm going to save my comment later.

1102
00:53:48,360 --> 00:53:50,439
Speaker 1: I do love the part where like the car gets

1103
00:53:50,440 --> 00:53:52,759
Speaker 1: flipped and all that and doctor Grant's trying to save them. Like.

1104
00:53:52,800 --> 00:53:55,000
Speaker 1: I love how it's like like sort of going back

1105
00:53:55,040 --> 00:53:58,239
Speaker 1: and forth, like you're like like spinning with it, like

1106
00:53:58,320 --> 00:54:01,040
Speaker 1: against the edge. That was cool, And I'd forgotten then

1107
00:54:01,120 --> 00:54:03,200
Speaker 1: that the t Rex pushes it off the edge. I

1108
00:54:03,239 --> 00:54:05,680
Speaker 1: think I've just forgotten that part where Tim's in the

1109
00:54:05,680 --> 00:54:08,120
Speaker 1: car and it goes over and then the obviously make

1110
00:54:08,160 --> 00:54:09,320
Speaker 1: their way to the tree later.

1111
00:54:09,120 --> 00:54:13,279
Speaker 2: But Tim's in the car and they're underneath it. I

1112
00:54:13,320 --> 00:54:16,359
Speaker 2: forgotten about that this whole Like this this is where, uh,

1113
00:54:16,560 --> 00:54:19,560
Speaker 2: when I watch something like John Wick, which I enjoy

1114
00:54:19,640 --> 00:54:23,719
Speaker 2: the John Wick movies just fine. They're incredibly choreographed. This

1115
00:54:23,800 --> 00:54:28,160
Speaker 2: is more choreographed, but it feels wild. Like all of

1116
00:54:28,200 --> 00:54:31,760
Speaker 2: these scenes were storyboarded apparently two years in advance, because

1117
00:54:32,280 --> 00:54:37,400
Speaker 2: Spielberg went over budget and overschedule on Hook and he

1118
00:54:37,480 --> 00:54:41,760
Speaker 2: was like, I'm not doing that anymore. So these scenes

1119
00:54:41,840 --> 00:54:45,160
Speaker 2: are so meticulously planned, but they're they don't feel like

1120
00:54:45,400 --> 00:54:48,319
Speaker 2: they feel like utter chaos, and it just makes it

1121
00:54:48,360 --> 00:54:49,360
Speaker 2: that much more exciting.

1122
00:54:49,640 --> 00:54:53,080
Speaker 1: Yeah, well, we go back to Nedri. Here he is

1123
00:54:53,120 --> 00:54:55,920
Speaker 1: on his way to deliver the embryos to the island's docks,

1124
00:54:55,960 --> 00:54:59,760
Speaker 1: but he becomes lost in the rain and he crashes

1125
00:54:59,800 --> 00:55:03,200
Speaker 1: his jeep Wrangler and then you know Hi Jinks and

1126
00:55:03,239 --> 00:55:06,839
Speaker 1: Sue here he's he falls down the hill because he's

1127
00:55:06,840 --> 00:55:09,319
Speaker 1: like he breaks his glasses. He falls down the hill

1128
00:55:09,320 --> 00:55:10,759
Speaker 1: and it's poor and rain, like I said, and he's

1129
00:55:10,760 --> 00:55:12,560
Speaker 1: trying to like winch up his jeep. He's trying to

1130
00:55:12,560 --> 00:55:14,759
Speaker 1: get it like down the hill because it's stuck. And

1131
00:55:14,800 --> 00:55:18,160
Speaker 1: that's where he comes across. That is the Dolophosaurus. Yes

1132
00:55:18,280 --> 00:55:20,520
Speaker 1: I believe right, that's the poisonous one.

1133
00:55:20,680 --> 00:55:23,359
Speaker 3: Yeah, okay, yeah, I think screamy poison face.

1134
00:55:24,880 --> 00:55:27,640
Speaker 1: There are real scientific names, but yes, yes, and uh,

1135
00:55:28,239 --> 00:55:30,480
Speaker 1: you know this is well, he gets attacked by it

1136
00:55:30,560 --> 00:55:32,239
Speaker 1: and he doesn't do himself any favors. I think he

1137
00:55:32,239 --> 00:55:35,560
Speaker 1: pissed off the dinosaur saying good boy. First off, Right,

1138
00:55:35,680 --> 00:55:37,600
Speaker 1: it's a stupid nice boy, I guess he said, and

1139
00:55:37,600 --> 00:55:40,839
Speaker 1: then you call him stupid. Yeah, and then gets in there,

1140
00:55:40,880 --> 00:55:43,040
Speaker 1: back into the jeep. And then there's another one in there,

1141
00:55:43,040 --> 00:55:46,680
Speaker 1: and that's the mud or the poison gunk to the face.

1142
00:55:47,239 --> 00:55:51,400
Speaker 1: And then and then it's more shaking. Yeah, that was

1143
00:55:51,440 --> 00:55:54,680
Speaker 1: me behind the jeep going crazy. And then the embryos

1144
00:55:54,760 --> 00:55:57,839
Speaker 1: like they're in the shaving uh you know can and

1145
00:55:57,920 --> 00:56:01,080
Speaker 1: it falls down the little hill and gets buried by

1146
00:56:01,120 --> 00:56:04,440
Speaker 1: the mud. And I asked you before we went, you know,

1147
00:56:04,520 --> 00:56:07,440
Speaker 1: live here doing this show, does that pay off like

1148
00:56:07,600 --> 00:56:11,480
Speaker 1: incoming Jurassic Park movies, because you would like they made

1149
00:56:11,520 --> 00:56:15,160
Speaker 1: a clear decision to show you, Hey, all the embryos

1150
00:56:15,200 --> 00:56:17,359
Speaker 1: in this can. It's going to be covered in mud

1151
00:56:17,440 --> 00:56:19,440
Speaker 1: and maybe fossilized itself or something like that.

1152
00:56:19,800 --> 00:56:21,400
Speaker 3: Oh modern day amber.

1153
00:56:22,640 --> 00:56:23,440
Speaker 2: Oh yeah, maybe.

1154
00:56:23,680 --> 00:56:26,880
Speaker 3: I've only rewatched one and two so far and it

1155
00:56:26,920 --> 00:56:29,960
Speaker 3: didn't pay off in two. But they also went to

1156
00:56:29,960 --> 00:56:31,640
Speaker 3: a different islands, so it could still be out there.

1157
00:56:31,640 --> 00:56:33,920
Speaker 3: I don't know when they Maybe they find it. If

1158
00:56:33,960 --> 00:56:37,160
Speaker 3: it's good for Barbarasol, like brand Wise Hue gonna be.

1159
00:56:37,160 --> 00:56:39,319
Speaker 2: Involved here, absolutely, yeah, I think so.

1160
00:56:39,880 --> 00:56:45,360
Speaker 5: Gillette Marbosol is still kicking it. This is why it

1161
00:56:45,400 --> 00:56:49,680
Speaker 5: still exists. The embryos would have only last for thirty

1162
00:56:49,719 --> 00:56:50,319
Speaker 5: six it did.

1163
00:56:50,440 --> 00:56:52,560
Speaker 1: They did say that it's some great, great call.

1164
00:56:52,880 --> 00:56:55,279
Speaker 2: I don't know if it's under enough mud, That's what

1165
00:56:55,280 --> 00:56:58,200
Speaker 2: I'm thinking. Yeah, it happened and fallen Amber. I don't

1166
00:56:58,239 --> 00:57:00,759
Speaker 2: know why finds the Way Life.

1167
00:57:01,040 --> 00:57:03,879
Speaker 1: I laugh every time Nedrie falls down the oh yeah,

1168
00:57:03,880 --> 00:57:06,680
Speaker 1: the hill. Yeah, yeah, it's legit funny. It's a great fall.

1169
00:57:06,800 --> 00:57:07,279
Speaker 1: It's great.

1170
00:57:08,440 --> 00:57:12,480
Speaker 3: And yeah he's dead, goodbye ned Yeah. Another great scene,

1171
00:57:12,520 --> 00:57:14,920
Speaker 3: Way Night is perfect in this movie. He basically has

1172
00:57:15,000 --> 00:57:17,160
Speaker 3: three scenes and they're all great. A lot of people

1173
00:57:17,160 --> 00:57:20,640
Speaker 3: talk about you can't make such and such a movie

1174
00:57:20,760 --> 00:57:22,880
Speaker 3: nowadays because we have cell phones and it would just

1175
00:57:22,920 --> 00:57:24,600
Speaker 3: be easy to call somebody. That's why a lot of

1176
00:57:24,680 --> 00:57:27,120
Speaker 3: movies are said in the eighties right, so that they

1177
00:57:27,120 --> 00:57:29,280
Speaker 3: don't have that easy out. This you can tell was

1178
00:57:29,320 --> 00:57:33,840
Speaker 3: made pre Lasik because at first he gets lost because

1179
00:57:33,840 --> 00:57:36,400
Speaker 3: his glasses fog up, and then he gets lost because

1180
00:57:36,400 --> 00:57:38,240
Speaker 3: he can't see where to go. But if you had

1181
00:57:38,280 --> 00:57:40,479
Speaker 3: Lasik eye surgery, he would just have twenty twenty vision

1182
00:57:40,560 --> 00:57:42,800
Speaker 3: the entire time. And maybe he makes it to the boat.

1183
00:57:42,920 --> 00:57:45,360
Speaker 1: Maybe that's so true. And you said, Jad, you think

1184
00:57:45,360 --> 00:57:47,880
Speaker 1: he's he's taking a shortcut to get to the docks.

1185
00:57:47,960 --> 00:57:50,600
Speaker 1: That's right, Thus why he doesn't really know the way

1186
00:57:50,680 --> 00:57:52,120
Speaker 1: and needs the signage to help him.

1187
00:57:52,200 --> 00:57:54,480
Speaker 2: Yeah, there's a there's a point where things are shutting

1188
00:57:54,480 --> 00:57:56,600
Speaker 2: down and they're in the control room and then the

1189
00:57:56,640 --> 00:57:59,680
Speaker 2: padducks start to shut down and he's like, why would

1190
00:57:59,680 --> 00:58:01,440
Speaker 2: he do that? Why would he shut this down? And

1191
00:58:01,480 --> 00:58:04,920
Speaker 2: then it cuts immediately to him pushing open the high

1192
00:58:05,000 --> 00:58:10,520
Speaker 2: voltage gate to drive the jeep through because he's he's

1193
00:58:10,560 --> 00:58:12,040
Speaker 2: pressed for time. He has to get to the boat.

1194
00:58:12,080 --> 00:58:14,280
Speaker 2: So the only the shortest way is through the park

1195
00:58:14,320 --> 00:58:14,600
Speaker 2: and his.

1196
00:58:14,560 --> 00:58:18,320
Speaker 1: Plan was to go there, drop off the shaving can,

1197
00:58:18,720 --> 00:58:20,960
Speaker 1: cream can, and then come back right yeah.

1198
00:58:20,800 --> 00:58:23,200
Speaker 2: Yeah, yeah, Just what were you doing.

1199
00:58:23,360 --> 00:58:25,600
Speaker 1: Just smoking butts outside? I don't know, we were wanted

1200
00:58:25,640 --> 00:58:29,560
Speaker 1: to smoke in here? How did you not know.

1201
00:58:31,720 --> 00:58:32,480
Speaker 3: Some cigarettes?

1202
00:58:33,000 --> 00:58:35,120
Speaker 2: That is a great moment for a way night as well.

1203
00:58:35,160 --> 00:58:38,400
Speaker 2: I know where this is going backwards by him pulling

1204
00:58:38,440 --> 00:58:42,800
Speaker 2: himself away from his computer, like just all sweaty and

1205
00:58:42,880 --> 00:58:45,720
Speaker 2: like talking a mile a minute, just the the guiltiest

1206
00:58:45,760 --> 00:58:46,240
Speaker 2: of guilty.

1207
00:58:46,560 --> 00:58:48,240
Speaker 1: Yes, yeah, yeah, just.

1208
00:58:48,240 --> 00:58:52,920
Speaker 2: As he's going to commit his caper. It's just awesome,

1209
00:58:53,280 --> 00:58:56,640
Speaker 2: Wayne Night, just a bumbling fool. You're doing a horrible job, man,

1210
00:58:56,720 --> 00:58:59,120
Speaker 2: I'm making this scene normal. Yeah.

1211
00:58:58,840 --> 00:58:58,960
Speaker 3: Uh.

1212
00:58:59,160 --> 00:59:01,440
Speaker 1: Now we go to the scene where John Hammond is

1213
00:59:01,440 --> 00:59:04,480
Speaker 1: with Doctor Satler and they're just well, he's eating a

1214
00:59:04,480 --> 00:59:08,600
Speaker 1: bunch of ice cream. One of the funniest scenes. It

1215
00:59:08,760 --> 00:59:12,120
Speaker 1: was like ten tubs of ice cream and he's basically like, well,

1216
00:59:12,560 --> 00:59:14,760
Speaker 1: the powers out, it's all gonna go bad. So he's

1217
00:59:14,760 --> 00:59:17,840
Speaker 1: gonna eat his feelings. I guess he's going through and

1218
00:59:17,880 --> 00:59:20,640
Speaker 1: maybe we have more conversation. There's obviously more to this scene,

1219
00:59:20,640 --> 00:59:21,080
Speaker 1: but it is.

1220
00:59:22,080 --> 00:59:23,880
Speaker 3: All I wrote out of my notes is Hammond has

1221
00:59:23,920 --> 00:59:27,360
Speaker 3: always been a Charlottean. It's basically admitting, like I've been

1222
00:59:27,400 --> 00:59:30,840
Speaker 3: scamming my whole life. I'm anti Hammond. Let me just

1223
00:59:30,840 --> 00:59:33,400
Speaker 3: say I.

1224
00:59:33,400 --> 00:59:36,080
Speaker 2: I mean that's the that's the flea circus.

1225
00:59:36,760 --> 00:59:39,360
Speaker 3: Yeah, they don't exist.

1226
00:59:39,680 --> 00:59:43,080
Speaker 2: It's all facad yeah, and the illusion of being in

1227
00:59:43,160 --> 00:59:48,720
Speaker 2: control and Ellie says, it's an illusion. Now you are

1228
00:59:48,720 --> 00:59:49,360
Speaker 2: not in control.

1229
00:59:49,480 --> 00:59:51,560
Speaker 1: You're not in control, and the dinosaurs are for sure.

1230
00:59:52,160 --> 00:59:52,280
Speaker 3: Uh.

1231
00:59:52,440 --> 00:59:54,640
Speaker 1: We go to Grant, Tim and Lex. They are taking

1232
00:59:54,720 --> 00:59:57,080
Speaker 1: shelter in a tree top after they survive sort of

1233
00:59:57,080 --> 00:59:58,840
Speaker 1: the fall, and they're off the edge there the t

1234
00:59:58,960 --> 01:00:02,280
Speaker 1: rex is gone. Right now, they encounter another Brachyosaurus. This

1235
01:00:02,320 --> 01:00:03,920
Speaker 1: is up close and personal. This is the one with

1236
01:00:03,960 --> 01:00:09,640
Speaker 1: the cold like sneezes on the paper, right lass, right. Yeah.

1237
01:00:09,680 --> 01:00:12,960
Speaker 1: They later discover the broken shells of dinosaur eggs, and

1238
01:00:13,000 --> 01:00:16,360
Speaker 1: this is where Grant concludes that, h oh, they've been breeding,

1239
01:00:17,480 --> 01:00:21,880
Speaker 1: which occurred because of their frog DNA. Some West African

1240
01:00:21,960 --> 01:00:25,240
Speaker 1: frogs can change their sex in a single sex environment.

1241
01:00:25,880 --> 01:00:28,720
Speaker 1: It's like, why didn't you say this back when we

1242
01:00:28,720 --> 01:00:31,960
Speaker 1: were around all the actual scientists. And this is allowing

1243
01:00:31,960 --> 01:00:33,640
Speaker 1: the dinosaurs to do it as well because they were

1244
01:00:33,680 --> 01:00:37,160
Speaker 1: a part of that DNA. But yeah, this is I

1245
01:00:37,200 --> 01:00:40,320
Speaker 1: think is this the part where we're at the scene

1246
01:00:40,360 --> 01:00:42,080
Speaker 1: where they see all what you were talking about, Yeah,

1247
01:00:42,080 --> 01:00:44,160
Speaker 1: the stampede, the stampede, Yeah, this is all sort of

1248
01:00:44,280 --> 01:00:45,200
Speaker 1: within the same scene.

1249
01:00:45,440 --> 01:00:48,040
Speaker 2: Oh right, yeah, I have a question.

1250
01:00:48,160 --> 01:00:52,520
Speaker 4: So obviously a Spielberg move is to keep the dinos

1251
01:00:52,520 --> 01:00:54,640
Speaker 4: off camera as much as possible. There is that moment

1252
01:00:54,680 --> 01:00:58,320
Speaker 4: where the kid is literally on camera for twenty seconds

1253
01:00:59,200 --> 01:01:02,720
Speaker 4: after he's he's told that there's a lot of blood

1254
01:01:03,040 --> 01:01:06,640
Speaker 4: and he's watching it happen, and he's on camera for

1255
01:01:06,680 --> 01:01:11,000
Speaker 4: twenty seconds and then we don't see the blood. When

1256
01:01:11,080 --> 01:01:13,680
Speaker 4: he says so much blood, we don't see any blood.

1257
01:01:14,080 --> 01:01:14,840
Speaker 2: Is that a move?

1258
01:01:15,480 --> 01:01:17,880
Speaker 4: Is that just the Spielberg move, not showing it after

1259
01:01:18,080 --> 01:01:19,880
Speaker 4: twenty seconds of being on a camera, or is it

1260
01:01:20,000 --> 01:01:24,480
Speaker 4: just some sort of issue with the CGI and just

1261
01:01:24,520 --> 01:01:27,240
Speaker 4: not being able to show a good bloody I mean yes, and.

1262
01:01:27,240 --> 01:01:31,080
Speaker 2: Yes it's very effective, you know, just not showing and yeah,

1263
01:01:31,320 --> 01:01:34,880
Speaker 2: as we say, like he learned it by accident doing

1264
01:01:35,000 --> 01:01:38,800
Speaker 2: Jaws when the shart didn't work right. But there's a

1265
01:01:38,920 --> 01:01:40,880
Speaker 2: ratings thing as well. If you show too much blood,

1266
01:01:40,880 --> 01:01:44,919
Speaker 2: you're gonna get a like an adult accompaniment or whatever

1267
01:01:44,920 --> 01:01:51,560
Speaker 2: it's called here, or restricted rating. And yeah, it's it's effective.

1268
01:01:51,640 --> 01:01:54,240
Speaker 2: It's just if you have good enough actors and you

1269
01:01:54,320 --> 01:01:56,919
Speaker 2: have a push in shot and he's just like it's

1270
01:01:57,000 --> 01:01:59,479
Speaker 2: literally twenty seconds of the boy.

1271
01:02:00,720 --> 01:02:02,720
Speaker 1: Is this when the t Rex is destroying one of

1272
01:02:02,720 --> 01:02:06,520
Speaker 1: the further in the future, Oh, is that it?

1273
01:02:06,600 --> 01:02:08,760
Speaker 3: Yeah, right, now we're talking about they get stuck in

1274
01:02:08,840 --> 01:02:10,960
Speaker 3: the tree, right with the brachiosaurus.

1275
01:02:11,720 --> 01:02:14,480
Speaker 1: Yeah, I thought it led into them.

1276
01:02:14,560 --> 01:02:17,320
Speaker 3: Then this is the t rex chasing the car with

1277
01:02:17,480 --> 01:02:21,360
Speaker 3: a Molcolm sitting in the back seat too.

1278
01:02:21,480 --> 01:02:22,160
Speaker 1: Yeah.

1279
01:02:22,240 --> 01:02:24,680
Speaker 3: I think the running dinosaurs are a little bit later.

1280
01:02:24,600 --> 01:02:28,320
Speaker 1: That it's like the next day of them. But I

1281
01:02:28,320 --> 01:02:29,320
Speaker 1: actually really liked.

1282
01:02:29,320 --> 01:02:31,160
Speaker 3: The tree scene because it's like we've just had this

1283
01:02:31,360 --> 01:02:34,440
Speaker 3: huge traumatic moment, right with the t rex finally appearing,

1284
01:02:34,480 --> 01:02:38,000
Speaker 3: a guy got eaten in half. It was just chill

1285
01:02:38,360 --> 01:02:40,720
Speaker 3: for a second. Take down the tension so we can

1286
01:02:40,760 --> 01:02:43,640
Speaker 3: start building it up again. They're sitting there in that tree.

1287
01:02:43,960 --> 01:02:46,640
Speaker 3: Grant leans back, Ah, what is that? Oh it's the

1288
01:02:46,760 --> 01:02:49,040
Speaker 3: raptor claw I keep in my back pocket. You forgot

1289
01:02:49,080 --> 01:02:51,600
Speaker 3: about raptors, didn't you, Because we haven't mentioned.

1290
01:02:51,400 --> 01:02:53,240
Speaker 1: Raptors for like a half an hour yet.

1291
01:02:53,280 --> 01:02:55,400
Speaker 3: But they're still out there even though we haven't seen

1292
01:02:55,440 --> 01:02:58,080
Speaker 3: them yet. Also, he's cuddling the kids, showing you he's

1293
01:02:58,160 --> 01:03:01,440
Speaker 3: kind of getting on board with it more. And this

1294
01:03:01,560 --> 01:03:04,040
Speaker 3: part of the movie to me kind of really shows

1295
01:03:04,080 --> 01:03:07,600
Speaker 3: how much of a kid's movie this is, and like

1296
01:03:07,640 --> 01:03:10,040
Speaker 3: how it was made for kids and the Spielberg kind

1297
01:03:10,040 --> 01:03:11,600
Speaker 3: of pushed to make it for kids because we have

1298
01:03:11,680 --> 01:03:13,360
Speaker 3: the car tree scene where.

1299
01:03:14,520 --> 01:03:16,400
Speaker 1: It's Grant and Tim in the.

1300
01:03:16,280 --> 01:03:19,440
Speaker 3: Car falling down, falling down, falling down. They finally get

1301
01:03:19,440 --> 01:03:21,760
Speaker 3: to the bottom, the car falls on top of them

1302
01:03:21,880 --> 01:03:25,240
Speaker 3: and they said, now we're back in the car. You know,

1303
01:03:25,440 --> 01:03:27,920
Speaker 3: a nice way to cut the tension. When Muldune and

1304
01:03:28,000 --> 01:03:32,680
Speaker 3: Satler find Malcolm knocked down bey the by the toilet

1305
01:03:32,720 --> 01:03:36,680
Speaker 3: where Gennaro got eaten, Malcolm says, really you thank John.

1306
01:03:36,440 --> 01:03:37,480
Speaker 1: For a lovely weekend.

1307
01:03:37,600 --> 01:03:40,080
Speaker 3: When they find them another at tension cutting scene. Then

1308
01:03:40,120 --> 01:03:42,560
Speaker 3: they had this t Rex chase where they can go

1309
01:03:42,640 --> 01:03:45,120
Speaker 3: faster than thirty two miles an hour in their jeep.

1310
01:03:45,160 --> 01:03:47,320
Speaker 1: They finish it and Malcolm says, I think.

1311
01:03:47,160 --> 01:03:48,080
Speaker 3: They'll have that on tour.

1312
01:03:48,280 --> 01:03:48,560
Speaker 2: Yeah.

1313
01:03:48,600 --> 01:03:51,080
Speaker 3: There's just always something in this kind of like Escape

1314
01:03:51,080 --> 01:03:54,760
Speaker 3: from Dinosaurs montage that cuts the tension, because this isn't

1315
01:03:54,760 --> 01:03:56,919
Speaker 3: a movie that's supposed to be scary one hundred percent

1316
01:03:56,920 --> 01:03:59,160
Speaker 3: of the time. It's supposed to be one hundred percent

1317
01:03:59,200 --> 01:04:01,880
Speaker 3: scary at some times, but it's also a movie for

1318
01:04:02,000 --> 01:04:02,680
Speaker 3: families to.

1319
01:04:02,680 --> 01:04:04,240
Speaker 1: Go and see you together, and that's why it was

1320
01:04:04,280 --> 01:04:06,240
Speaker 1: so successful. I'll add one more to that because you

1321
01:04:06,320 --> 01:04:08,760
Speaker 1: just reminded me when when we'll get to it. Obviously,

1322
01:04:08,840 --> 01:04:10,840
Speaker 1: the whole fence thing where Timmy's on the fence and

1323
01:04:10,840 --> 01:04:14,320
Speaker 1: gets electrocuted off of it. His joke basically after he

1324
01:04:14,360 --> 01:04:19,120
Speaker 1: comes alive after the CPR is like three like the countdowns,

1325
01:04:24,200 --> 01:04:26,480
Speaker 1: like cutting the tension there, like we almost killed this

1326
01:04:26,600 --> 01:04:30,400
Speaker 1: child on camera, but he's got a joke, man, all right.

1327
01:04:30,480 --> 01:04:34,440
Speaker 1: So unable unable to decipher Nedrie's code to reactivate the

1328
01:04:34,440 --> 01:04:37,080
Speaker 1: security system, Hammond and Chief Engineer Ray Arnold. This is

1329
01:04:37,120 --> 01:04:39,600
Speaker 1: Samuel Jackson. They're going to reboot the park system. This

1330
01:04:39,640 --> 01:04:42,400
Speaker 1: where we get our second hold onto your butts. Yep,

1331
01:04:42,440 --> 01:04:44,040
Speaker 1: this one with a lot more. This is the one

1332
01:04:44,040 --> 01:04:44,720
Speaker 1: people remember.

1333
01:04:44,760 --> 01:04:48,600
Speaker 3: I think, yeah, yeah, there's also like a sexy Malcolm

1334
01:04:48,600 --> 01:04:49,720
Speaker 3: time when he's just laying there.

1335
01:04:49,760 --> 01:04:56,560
Speaker 1: All Arnold heads to a maintenance shed to complete the

1336
01:04:56,600 --> 01:05:00,400
Speaker 1: rebooting process, and when Arnold fails to reach he This

1337
01:05:00,440 --> 01:05:02,520
Speaker 1: is where doctor Satler and Muldoon they're like, well, well,

1338
01:05:02,640 --> 01:05:04,040
Speaker 1: where the heck is this guy? He said it would

1339
01:05:04,040 --> 01:05:05,880
Speaker 1: be like three minutes. I think he said, we got

1340
01:05:05,920 --> 01:05:08,320
Speaker 1: to head out to this shed and they discovered the

1341
01:05:08,320 --> 01:05:12,960
Speaker 1: shutdown has deactivated the remaining fences. That has released the velociraptors.

1342
01:05:13,080 --> 01:05:13,760
Speaker 2: My god.

1343
01:05:14,200 --> 01:05:16,440
Speaker 1: And here we get where we can at least address

1344
01:05:16,520 --> 01:05:20,640
Speaker 1: the scene where Muldoon he's distracting the raptors so Satler

1345
01:05:20,680 --> 01:05:23,880
Speaker 1: can get to that shed or that like bunker to

1346
01:05:23,920 --> 01:05:26,919
Speaker 1: go turn the power back on. Funny little part here

1347
01:05:27,400 --> 01:05:31,240
Speaker 1: she does a random, weird swing off a branch. Yeah

1348
01:05:31,680 --> 01:05:37,000
Speaker 1: really why it was just add watch this move sort

1349
01:05:37,040 --> 01:05:39,320
Speaker 1: of cool, a little parkour there for you. She like

1350
01:05:39,320 --> 01:05:42,280
Speaker 1: looks back, muldoone, you see that that was awesome before

1351
01:05:42,360 --> 01:05:44,880
Speaker 1: being attacked by a raptor and she she's down there,

1352
01:05:44,920 --> 01:05:47,280
Speaker 1: she's like avoids being attacked sort of. But that's where

1353
01:05:47,280 --> 01:05:51,160
Speaker 1: we get Arnold's severed arm. And meanwhile, Muldoon he's up there,

1354
01:05:51,280 --> 01:05:53,720
Speaker 1: he's out there. He gets caught off guard and he

1355
01:05:53,760 --> 01:05:58,120
Speaker 1: gets killed by two raptors or more working together in tandem.

1356
01:05:58,160 --> 01:06:01,200
Speaker 1: And this is where we get the clever girl, the

1357
01:06:01,240 --> 01:06:03,320
Speaker 1: respect he had for them even in his death.

1358
01:06:04,320 --> 01:06:06,160
Speaker 2: Is that the best line of the movie in terms

1359
01:06:06,240 --> 01:06:09,280
Speaker 2: of iconic No, I mean.

1360
01:06:10,760 --> 01:06:14,920
Speaker 1: So many hits up there. It's up there, Yeah, I

1361
01:06:14,920 --> 01:06:18,400
Speaker 1: mean I say it a lot. Yeah, I definitely say

1362
01:06:18,440 --> 01:06:23,600
Speaker 1: it like to my dog a lot. You know. Yeah,

1363
01:06:23,680 --> 01:06:26,320
Speaker 1: Any thoughts on the Muldoon death here. It is a

1364
01:06:26,360 --> 01:06:27,840
Speaker 1: favorite of yours.

1365
01:06:28,360 --> 01:06:31,000
Speaker 3: There's so much stuff I like in this sort of sequence.

1366
01:06:31,040 --> 01:06:31,200
Speaker 2: Here.

1367
01:06:31,240 --> 01:06:32,440
Speaker 1: It starts when they.

1368
01:06:32,280 --> 01:06:34,880
Speaker 3: Are in the lab trying to figure out what they're

1369
01:06:34,920 --> 01:06:37,520
Speaker 3: gonna do, and they present two options. We can shut

1370
01:06:37,560 --> 01:06:40,440
Speaker 3: down everything and reboot the system, which will turn off

1371
01:06:40,520 --> 01:06:43,880
Speaker 3: every fence. We even get mentioned that even Nedri left

1372
01:06:43,920 --> 01:06:47,040
Speaker 3: the raptor fences up right, like he took down every fence,

1373
01:06:47,040 --> 01:06:49,800
Speaker 3: but he knew I'm not taking down the raptor fence.

1374
01:06:50,080 --> 01:06:52,760
Speaker 3: So that is one option. We can reboot everything, we

1375
01:06:52,800 --> 01:06:55,280
Speaker 3: will have no power, or we can just let it

1376
01:06:55,320 --> 01:06:57,600
Speaker 3: go how it is. Raptor fence is fine, and we

1377
01:06:57,720 --> 01:07:01,120
Speaker 3: use the lycene contingency. Apparently animals will just die eventually

1378
01:07:01,160 --> 01:07:04,360
Speaker 3: because they don't get their shot of lies or whatever.

1379
01:07:04,920 --> 01:07:08,600
Speaker 3: Guess which one John Hammond wants to do. Yeah, yeah,

1380
01:07:08,640 --> 01:07:10,800
Speaker 3: we'll shut down the raptor fence as long as it

1381
01:07:10,800 --> 01:07:13,280
Speaker 3: doesn't kill the dinosaurs. That's how you know it's the

1382
01:07:13,320 --> 01:07:16,480
Speaker 3: wrong move, because it was Hammond's idea. Even Nedri knew

1383
01:07:16,640 --> 01:07:18,960
Speaker 3: we can't mess with the raptors. So I think that

1384
01:07:19,600 --> 01:07:22,080
Speaker 3: is pretty good. And I also love the way they

1385
01:07:22,120 --> 01:07:23,960
Speaker 3: really tie the moulded, not on things.

1386
01:07:23,960 --> 01:07:24,200
Speaker 2: We know.

1387
01:07:24,240 --> 01:07:30,160
Speaker 3: The guy considers the raptors like the ultimate predator out there.

1388
01:07:30,280 --> 01:07:34,040
Speaker 3: We also heard doctor Alan Grant explained to that brat

1389
01:07:34,120 --> 01:07:37,160
Speaker 3: kid how a raptor will hunt you down, and it's

1390
01:07:37,200 --> 01:07:39,520
Speaker 3: by you focusing on the one that's in front of you,

1391
01:07:39,680 --> 01:07:43,440
Speaker 3: and two come from the sides. And guess how Muldoon dies.

1392
01:07:43,600 --> 01:07:45,760
Speaker 3: He's looking at one in front of him and two

1393
01:07:45,880 --> 01:07:48,400
Speaker 3: on the side come to get him. He dies just

1394
01:07:48,440 --> 01:07:51,000
Speaker 3: the way Quentin did, getting eaten by the animal he

1395
01:07:51,080 --> 01:07:51,800
Speaker 3: was trying to kill.

1396
01:07:52,080 --> 01:07:57,960
Speaker 2: Perfect It's great. There's an amazing piece of dialogue from

1397
01:07:58,640 --> 01:08:01,720
Speaker 2: uh from Samuel L. Jack and it's probably the hardest

1398
01:08:01,760 --> 01:08:04,320
Speaker 2: line to say. I don't know what it is. I

1399
01:08:04,320 --> 01:08:05,680
Speaker 2: don't have it off the top of my head, but

1400
01:08:05,720 --> 01:08:10,320
Speaker 2: it's him explaining the Lysne contingency. Go back and watch that.

1401
01:08:10,600 --> 01:08:14,520
Speaker 2: He is speaking a million miles an hour and it's

1402
01:08:14,600 --> 01:08:17,680
Speaker 2: just like he's just telling us, Oh, there's this failsafe

1403
01:08:17,720 --> 01:08:21,600
Speaker 2: that we haven't told you about. Yeah, and it's very complicated,

1404
01:08:21,720 --> 01:08:26,879
Speaker 2: but it's just an incredible piece of very believable dialogue

1405
01:08:26,880 --> 01:08:29,960
Speaker 2: coming from you know, a great actor who went on

1406
01:08:30,200 --> 01:08:34,840
Speaker 2: that following year to be in Paul fiction. Just I mean,

1407
01:08:35,040 --> 01:08:38,080
Speaker 2: we didn't even know Sam Jackson back then, really until

1408
01:08:38,640 --> 01:08:44,720
Speaker 2: the year. Samuel L. Jackson is hard to say. I

1409
01:08:44,800 --> 01:08:47,960
Speaker 2: find it hard to say, yeah, and now many times

1410
01:08:48,000 --> 01:08:49,600
Speaker 2: in a row. So I'm just calling him sick. You

1411
01:08:49,600 --> 01:08:53,160
Speaker 2: think becomes a three name guy you need you have to.

1412
01:08:53,640 --> 01:08:56,280
Speaker 4: Yeah, it's incredibly well said, though with a cigarette in

1413
01:08:56,280 --> 01:08:56,880
Speaker 4: his mouth, it is.

1414
01:08:59,080 --> 01:09:02,000
Speaker 1: That's the part you're over a camel light dangling out

1415
01:09:02,040 --> 01:09:04,400
Speaker 1: of his lips saying all that was. I was just

1416
01:09:04,400 --> 01:09:09,439
Speaker 1: wondering maybe maybe Samuel L. Jackson was Sam Jackson showed

1417
01:09:09,520 --> 01:09:12,920
Speaker 1: up to Jurassic Park and Sam Neils like, Hi, I'm Sam.

1418
01:09:13,200 --> 01:09:25,240
Speaker 1: He's like, oh, oh crap, I guess I gotta be Samuel.

1419
01:09:22,640 --> 01:09:23,080
Speaker 2: Michael B.

1420
01:09:23,200 --> 01:09:28,799
Speaker 1: Jordan's It's possible reason here. Yeah, any any other thoughts

1421
01:09:28,840 --> 01:09:31,479
Speaker 1: on all of that? JD. The craziness of Muldoon dying

1422
01:09:31,560 --> 01:09:36,240
Speaker 1: and unfortunately our guy Samuel L. Jackson dying as well.

1423
01:09:36,360 --> 01:09:40,439
Speaker 2: Yeah, A great reveal, A great reveal. Apparently there was

1424
01:09:40,479 --> 01:09:46,120
Speaker 2: a whole set piece of Ray's death raised his Ray

1425
01:09:46,200 --> 01:09:51,719
Speaker 2: arnld but budgetary constraints and schedule meant that they couldn't

1426
01:09:51,720 --> 01:09:55,559
Speaker 2: do it. But still, uh, a great way to reveal

1427
01:09:55,600 --> 01:09:59,760
Speaker 2: that he's dead. A nice little jump scare there. Yeah,

1428
01:09:59,800 --> 01:10:02,479
Speaker 2: but the tray said at all like Muldoon going down

1429
01:10:02,920 --> 01:10:07,160
Speaker 2: hunting the beast that he had the most respect for.

1430
01:10:07,280 --> 01:10:09,360
Speaker 2: He was the one that had the most respect for

1431
01:10:09,400 --> 01:10:12,800
Speaker 2: the animals, and he seemed like the most likely to

1432
01:10:12,840 --> 01:10:13,639
Speaker 2: take them down.

1433
01:10:13,960 --> 01:10:14,599
Speaker 1: And he couldn't.

1434
01:10:14,760 --> 01:10:17,599
Speaker 2: He couldn't, and he already knew, he knew how they

1435
01:10:17,680 --> 01:10:20,240
Speaker 2: hunted as well, and he still got fooled. I don't know,

1436
01:10:20,280 --> 01:10:21,599
Speaker 2: maybe have a couple of extra guys.

1437
01:10:21,840 --> 01:10:29,040
Speaker 1: Yeah, you knew what was gonna happen. You're going anyway,

1438
01:10:29,080 --> 01:10:29,479
Speaker 1: all right?

1439
01:10:29,880 --> 01:10:35,280
Speaker 3: Uh. Other great little moments here is because Satler is

1440
01:10:35,320 --> 01:10:37,200
Speaker 3: like trying to turn the power back on, which will

1441
01:10:37,200 --> 01:10:40,679
Speaker 3: then therefore allow her to turn all of the fences

1442
01:10:40,720 --> 01:10:43,120
Speaker 3: back on. We get like the countdown moment of her

1443
01:10:43,200 --> 01:10:47,400
Speaker 3: like click fence, click fence. Meanwhile, doctor Grant and the

1444
01:10:47,479 --> 01:10:51,360
Speaker 3: kids are scaling said fence and coming down, and Timmy

1445
01:10:51,400 --> 01:10:51,880
Speaker 3: is coming down.

1446
01:10:51,880 --> 01:10:55,320
Speaker 1: When they start hearing them, they're like, john man, john man,

1447
01:10:55,960 --> 01:10:56,760
Speaker 1: I'll tell you down.

1448
01:10:56,920 --> 01:10:59,760
Speaker 3: Yeah, he finally does it, as he gets blown off

1449
01:10:59,760 --> 01:11:01,280
Speaker 3: at seems like a triumphant moment.

1450
01:11:01,400 --> 01:11:04,679
Speaker 1: We cut the Satler and she's like, we did it.

1451
01:11:04,840 --> 01:11:07,839
Speaker 3: Doctor Hammond guess why there's a raptor behind you. Whoops,

1452
01:11:08,000 --> 01:11:10,880
Speaker 3: there's our first raptor actually attacking somebody. That like those

1453
01:11:10,920 --> 01:11:12,880
Speaker 3: two seconds banger.

1454
01:11:12,600 --> 01:11:13,320
Speaker 1: Of a scene.

1455
01:11:13,640 --> 01:11:16,200
Speaker 3: I also love when they're getting ready to go over

1456
01:11:16,240 --> 01:11:18,559
Speaker 3: the fence for the first time. They don't know if

1457
01:11:18,560 --> 01:11:21,360
Speaker 3: it's electric, like if it's turned on or not. They

1458
01:11:21,400 --> 01:11:23,080
Speaker 3: think it's not, so Doctor Grant's like, all right, I'll

1459
01:11:23,120 --> 01:11:25,240
Speaker 3: do it first, and he goes. In The Ultimate Warriors,

1460
01:11:28,000 --> 01:11:28,759
Speaker 3: that was hilarious.

1461
01:11:30,040 --> 01:11:30,960
Speaker 1: He threw a stick out.

1462
01:11:32,439 --> 01:11:36,240
Speaker 2: Classic's he went after that kid in the beginning of

1463
01:11:36,240 --> 01:11:39,679
Speaker 2: the movie and now he's just like everything they've been through,

1464
01:11:39,760 --> 01:11:41,599
Speaker 2: he's still going to terrorize these kids.

1465
01:11:41,680 --> 01:11:45,920
Speaker 1: I love it. That's true. We're nearly eaten by a

1466
01:11:45,960 --> 01:11:49,120
Speaker 1: t reck and he's gonna still like pretend that he's electrocute.

1467
01:11:49,160 --> 01:11:49,960
Speaker 1: That's some sick ship.

1468
01:11:50,520 --> 01:11:53,120
Speaker 3: It's crazy they I'll cuddle you in the tree, but

1469
01:11:53,160 --> 01:11:53,880
Speaker 3: I ain't that sweet.

1470
01:11:53,960 --> 01:11:56,240
Speaker 1: Yeah yeah, so yeah, the power switch back on and

1471
01:11:56,280 --> 01:11:59,080
Speaker 1: Tim gets that massive jolt and he gets kicked off

1472
01:11:59,160 --> 01:12:03,439
Speaker 1: the fence and you know, he somehow survives some CPR

1473
01:12:03,520 --> 01:12:06,519
Speaker 1: helps from Doctor Grant and that's when he drops the

1474
01:12:06,560 --> 01:12:09,120
Speaker 1: three joke after But pretty amazing that he survived this.

1475
01:12:09,400 --> 01:12:12,280
Speaker 4: That's definitely a joke and not just him coming back

1476
01:12:12,320 --> 01:12:15,320
Speaker 4: to life and just saying three when he comes back,

1477
01:12:15,680 --> 01:12:15,960
Speaker 4: what do.

1478
01:12:15,920 --> 01:12:18,719
Speaker 1: You What do you mean? Because I thought he's saying

1479
01:12:18,720 --> 01:12:19,759
Speaker 1: three because of the countdown.

1480
01:12:19,840 --> 01:12:21,080
Speaker 2: Yeah, you're gonna count.

1481
01:12:20,880 --> 01:12:24,200
Speaker 4: You're gonna jump on three, right, I forgot that he

1482
01:12:24,240 --> 01:12:28,240
Speaker 4: didn't say one too that. Yeah, literally, he could be

1483
01:12:28,320 --> 01:12:31,000
Speaker 4: just coming back to life. But yeah, kids got jokes.

1484
01:12:32,320 --> 01:12:36,320
Speaker 1: I've got jokes. Incredible tenacity to this kid to take

1485
01:12:36,360 --> 01:12:38,719
Speaker 1: the shock joke. Oh yeah, I don't know, I don't shock.

1486
01:12:38,800 --> 01:12:42,120
Speaker 1: Big fall. Yeah, does he fall in Grant's arms?

1487
01:12:42,240 --> 01:12:42,960
Speaker 3: Does he catch him?

1488
01:12:43,080 --> 01:12:46,360
Speaker 2: He does catch big catch.

1489
01:12:46,520 --> 01:12:49,040
Speaker 3: There is kids, he likes.

1490
01:12:49,000 --> 01:12:51,920
Speaker 2: Kids, Doctor Grant likes kids. There is a shot, like

1491
01:12:51,960 --> 01:12:54,880
Speaker 2: a crane shot of Timmy still up on the on

1492
01:12:55,000 --> 01:12:57,960
Speaker 2: the fence and Lex and Doctor Grant are on the

1493
01:12:58,000 --> 01:13:00,960
Speaker 2: ground and really really far away screaming at him to

1494
01:13:01,720 --> 01:13:05,360
Speaker 2: I'll catch you. He's like twenty yards away. So there

1495
01:13:05,439 --> 01:13:08,840
Speaker 2: was that little inconsistency. Yeah, but you know it worked

1496
01:13:08,840 --> 01:13:12,519
Speaker 2: out because the fence blew him off of about twenty

1497
01:13:12,600 --> 01:13:14,800
Speaker 2: yards off the fence and he was right there to

1498
01:13:14,840 --> 01:13:15,200
Speaker 2: catch him.

1499
01:13:15,200 --> 01:13:20,120
Speaker 1: We caught him, perfect catch. Yeah, Maybe he meant maybe

1500
01:13:20,120 --> 01:13:22,320
Speaker 1: a little. Timmy meant three outs because he caught him.

1501
01:13:24,360 --> 01:13:26,479
Speaker 1: I don't know. He was a baseball fan, all right.

1502
01:13:26,520 --> 01:13:29,160
Speaker 1: So the three of them, they eventually reached the visitor center.

1503
01:13:29,280 --> 01:13:31,080
Speaker 1: It tell me if I am missing any figure. I

1504
01:13:31,120 --> 01:13:32,720
Speaker 1: was trying to take notes. I was just enjoying the

1505
01:13:32,720 --> 01:13:35,680
Speaker 1: movie too much. But Grant then he heads out to

1506
01:13:35,720 --> 01:13:38,040
Speaker 1: look for Satler. When they get back to the visitor

1507
01:13:38,040 --> 01:13:41,840
Speaker 1: center and Tim and Lex they enjoy some when I

1508
01:13:41,840 --> 01:13:44,640
Speaker 1: thought looked to be some pretty gross ass food he

1509
01:13:44,760 --> 01:13:49,559
Speaker 1: spent out all night. They will. Yeah, they were gross

1510
01:13:49,600 --> 01:13:51,559
Speaker 1: to me, but they're hungry. They're eating. Give me some

1511
01:13:51,600 --> 01:13:54,960
Speaker 1: green jello. Yeah. And this is where exactly more shaking,

1512
01:13:55,000 --> 01:13:57,400
Speaker 1: because this is where they're pursued by two raptors. Eventually

1513
01:13:57,400 --> 01:13:59,320
Speaker 1: get into the kitchen, and we have this set piece

1514
01:13:59,360 --> 01:14:04,479
Speaker 1: which is pretty iconic, and they escape slick moves. Obviously

1515
01:14:04,520 --> 01:14:08,720
Speaker 1: the one part with I guess Lex tricked. I guess

1516
01:14:08,800 --> 01:14:12,479
Speaker 1: the velociraptor because of the mirror, like banged into the wall,

1517
01:14:12,520 --> 01:14:13,960
Speaker 1: but she was on the other side in the reflection

1518
01:14:14,000 --> 01:14:15,760
Speaker 1: showing her and like the I don't know what you

1519
01:14:15,800 --> 01:14:17,400
Speaker 1: call it. I guess she was in a cabinet of

1520
01:14:17,400 --> 01:14:19,679
Speaker 1: some sort couldn't get the door down, but then slick

1521
01:14:19,760 --> 01:14:23,439
Speaker 1: move by Timmy to get the one trapped in the freezer. Yeah,

1522
01:14:23,720 --> 01:14:25,920
Speaker 1: he saw it. I don't know if he knew there

1523
01:14:25,960 --> 01:14:27,880
Speaker 1: was ice there that was gonna help him out to

1524
01:14:27,880 --> 01:14:31,759
Speaker 1: get the sliding but they obviously get out and eventually

1525
01:14:31,840 --> 01:14:34,720
Speaker 1: joined Grant Settler. But again, this is this on the

1526
01:14:34,720 --> 01:14:37,160
Speaker 1: shortlist of iconic movie scenes in this movie?

1527
01:14:37,600 --> 01:14:40,760
Speaker 3: Yeah, and it's still super tense watching it happens. I'm

1528
01:14:40,760 --> 01:14:43,760
Speaker 3: still fooled every time, just like a velociraptor when lex

1529
01:14:43,880 --> 01:14:46,880
Speaker 3: is using the cabinet as a mirror or whatever it is.

1530
01:14:46,960 --> 01:14:49,400
Speaker 3: Every time I'm like, oh, that was the one where

1531
01:14:49,400 --> 01:14:50,519
Speaker 3: she was hiding in the cabinets.

1532
01:14:50,600 --> 01:14:51,800
Speaker 1: You never know which one it's gonna be.

1533
01:14:52,320 --> 01:14:54,320
Speaker 3: Uh So, Yeah, I think this one holds up big time.

1534
01:14:54,400 --> 01:14:56,840
Speaker 3: Tensis scenes in a kitchen until the bear came.

1535
01:14:56,680 --> 01:15:01,960
Speaker 1: Out the one other raptors.

1536
01:15:06,280 --> 01:15:08,479
Speaker 2: Yeah, I think this is this correct me if I'm wrong.

1537
01:15:08,600 --> 01:15:11,360
Speaker 2: Is this the first time we see dinosaurs inside indoors

1538
01:15:11,479 --> 01:15:18,720
Speaker 2: in like a human setting, you know, if.

1539
01:15:16,840 --> 01:15:21,439
Speaker 1: You don't count the bunker like Trey said Rightler, Yeah, yeah, yeah,

1540
01:15:21,439 --> 01:15:23,400
Speaker 1: but it's in a kitchen and it's you know, pots

1541
01:15:23,400 --> 01:15:26,040
Speaker 1: and pants are flying around everywhere, and so it's just

1542
01:15:26,120 --> 01:15:27,320
Speaker 1: that much more menacing.

1543
01:15:27,439 --> 01:15:29,759
Speaker 2: And then there's I can't remember if it's the kitchen

1544
01:15:29,760 --> 01:15:32,960
Speaker 2: scene or just shortly after. It's just you see there's

1545
01:15:33,000 --> 01:15:36,040
Speaker 2: a tight shot of the raptor assessing the situation. I

1546
01:15:36,040 --> 01:15:37,800
Speaker 2: think it might have been in the dining room after,

1547
01:15:37,880 --> 01:15:39,960
Speaker 2: but you see him glanced this way, glensat way, and

1548
01:15:39,960 --> 01:15:42,519
Speaker 2: Glen's at like he's making threat number one, threat number

1549
01:15:42,520 --> 01:15:46,080
Speaker 2: two thread out of three, and just like they seem smart.

1550
01:15:46,240 --> 01:15:49,320
Speaker 2: It's like their puppets, but they're they're so well designed

1551
01:15:49,320 --> 01:15:51,599
Speaker 2: and it's just great.

1552
01:15:52,160 --> 01:15:54,599
Speaker 1: There's just that one cool shot when they're in the kitchen.

1553
01:15:54,640 --> 01:15:57,040
Speaker 1: I think one leaps up onto the counter and the

1554
01:15:57,080 --> 01:15:59,000
Speaker 1: others going down the aisle and so they're sort of

1555
01:15:59,000 --> 01:16:02,160
Speaker 1: walking together, and like it just looks at.

1556
01:16:01,920 --> 01:16:05,600
Speaker 2: Us, the combination, like the feet. You know, there's that

1557
01:16:05,800 --> 01:16:09,080
Speaker 2: the tracking shot where the feet you just see the

1558
01:16:09,080 --> 01:16:12,400
Speaker 2: feet running at lex. I mean, that's practical, I assume,

1559
01:16:12,720 --> 01:16:15,080
Speaker 2: But then there's also a lot of CGI there. But

1560
01:16:15,479 --> 01:16:18,280
Speaker 2: it's nineteen ninety three and I still, yeah, I watched

1561
01:16:18,280 --> 01:16:20,080
Speaker 2: a movie yesterday. I can't tell the difference. I can't

1562
01:16:20,080 --> 01:16:23,479
Speaker 2: tell which is real and what isn't it holds up.

1563
01:16:24,040 --> 01:16:27,040
Speaker 1: So the group reaches the control room and Lex uses

1564
01:16:27,080 --> 01:16:30,599
Speaker 1: a computer to restore the park's power because we were

1565
01:16:31,240 --> 01:16:33,960
Speaker 1: told at one point earlier and she is a nerd,

1566
01:16:34,120 --> 01:16:37,040
Speaker 1: she's a bit of a hacker. And she says, quote

1567
01:16:37,400 --> 01:16:41,640
Speaker 1: it's a Unix system. I know this, and allows them

1568
01:16:41,680 --> 01:16:44,160
Speaker 1: to call Hayman, who calls for help. But this is

1569
01:16:44,479 --> 01:16:46,760
Speaker 1: the two doctors are trying to hold off the velociraptor

1570
01:16:46,800 --> 01:16:48,439
Speaker 1: from getting in the room, and they need the locks,

1571
01:16:48,720 --> 01:16:51,520
Speaker 1: and she like, this is when we're like real nineties

1572
01:16:51,560 --> 01:16:54,719
Speaker 1: computer graphics where it's going, and want to show.

1573
01:16:57,400 --> 01:17:01,000
Speaker 3: I don't know, it's over over, like diferent neighborhoods of

1574
01:17:01,120 --> 01:17:03,760
Speaker 3: computer files until you find the security one.

1575
01:17:04,120 --> 01:17:07,480
Speaker 1: You've never seen something like that maybe my least favorite,

1576
01:17:07,840 --> 01:17:11,439
Speaker 1: like beat of the movie. Yeah, seem like just I

1577
01:17:11,520 --> 01:17:14,200
Speaker 1: think we're completely fine without her having to have known

1578
01:17:14,400 --> 01:17:17,600
Speaker 1: computer Unix systems to help out here. I don't know.

1579
01:17:17,680 --> 01:17:20,200
Speaker 2: Okay, she's had a reugh ride. She's had a reugh ride,

1580
01:17:21,080 --> 01:17:24,720
Speaker 2: you know, she got sneezed on, just been attacked by dinosaurs,

1581
01:17:24,720 --> 01:17:29,040
Speaker 2: she tripped. She hasn't really had her moment. No, you're Timmy,

1582
01:17:29,320 --> 01:17:32,439
Speaker 2: Timmy trapped the raptor in the freezer. So let's give

1583
01:17:32,520 --> 01:17:34,640
Speaker 2: like something. Okay, she kept on getting called was it

1584
01:17:34,680 --> 01:17:37,519
Speaker 2: a nerd or geek? That she corrects that's rich coming

1585
01:17:37,560 --> 01:17:42,519
Speaker 2: from Tim. Sorry, yeah, I mean come on, yeah, why.

1586
01:17:42,360 --> 01:17:44,200
Speaker 3: Don't you get into something cool like dinosaurs?

1587
01:17:46,240 --> 01:17:48,320
Speaker 1: Uh so yeah, So again they get him in, they

1588
01:17:48,360 --> 01:17:50,639
Speaker 1: get the call for help, and but they're not done

1589
01:17:50,680 --> 01:17:52,720
Speaker 1: because as they try to escape, they have to go

1590
01:17:52,760 --> 01:17:55,759
Speaker 1: through the ceiling because the raptors are still coming.

1591
01:17:55,920 --> 01:17:56,519
Speaker 3: Cool scene.

1592
01:17:56,680 --> 01:17:59,360
Speaker 1: I forgot forgotten about this part too, that it's not

1593
01:17:59,400 --> 01:18:01,080
Speaker 1: sort of done. And yeah, they're up there in the

1594
01:18:01,160 --> 01:18:03,040
Speaker 1: ducks and it's trying to get up and the way

1595
01:18:03,080 --> 01:18:05,759
Speaker 1: it's shot, they eventually find their way to the visitor

1596
01:18:05,840 --> 01:18:08,840
Speaker 1: center that front office. They're cornered by the raptors. Looks

1597
01:18:08,880 --> 01:18:12,559
Speaker 1: like they're done, they're screwed, but they escape when the

1598
01:18:12,560 --> 01:18:17,240
Speaker 1: t Rex appears, kills the raptors, gives them the out.

1599
01:18:17,760 --> 01:18:19,360
Speaker 1: I always thought it was so polite for the t

1600
01:18:19,479 --> 01:18:22,320
Speaker 1: Rex to come in through the opening. I feel like

1601
01:18:22,360 --> 01:18:24,840
Speaker 1: he took his shoes off even and he's just there

1602
01:18:24,880 --> 01:18:27,360
Speaker 1: and he's taking care of the raptors and that's how

1603
01:18:27,439 --> 01:18:30,000
Speaker 1: they escape here. But yeah, two scenes there the air

1604
01:18:30,080 --> 01:18:32,600
Speaker 1: ducked up through the ceiling and then this part and

1605
01:18:32,640 --> 01:18:35,160
Speaker 1: the big dinosaur piece like the skeleton and all that

1606
01:18:35,640 --> 01:18:36,360
Speaker 1: out here on my chest.

1607
01:18:37,000 --> 01:18:37,400
Speaker 2: Fossils.

1608
01:18:37,680 --> 01:18:38,479
Speaker 1: Yeah, what do you think?

1609
01:18:39,200 --> 01:18:43,040
Speaker 3: I love the shot of them like getting into the

1610
01:18:43,120 --> 01:18:45,080
Speaker 3: ducks and you can see the raptors like jumping up

1611
01:18:45,120 --> 01:18:47,880
Speaker 3: trying to grab at Lex. I think is probably the

1612
01:18:47,960 --> 01:18:50,600
Speaker 3: last one through the hole. And you see trying to

1613
01:18:50,640 --> 01:18:53,479
Speaker 3: get at her the first time. We don't hear the

1614
01:18:53,520 --> 01:18:56,400
Speaker 3: t Rex before we see it. Yeah, lots going on,

1615
01:18:56,520 --> 01:18:58,160
Speaker 3: and that's you know. I was like, is part of

1616
01:18:58,160 --> 01:19:00,960
Speaker 3: the reason that the fossils fell from the room because

1617
01:19:01,160 --> 01:19:03,760
Speaker 3: the t Rex is shaking the place. I don't know,

1618
01:19:03,800 --> 01:19:07,040
Speaker 3: but I do like that all things considered, all the

1619
01:19:07,040 --> 01:19:09,519
Speaker 3: t Rex did was eat some other dinosaurs.

1620
01:19:08,960 --> 01:19:12,160
Speaker 1: And the blood sucking lawyer then saved our heroes. T

1621
01:19:12,240 --> 01:19:14,280
Speaker 1: Rex is a good guy. Girl.

1622
01:19:14,840 --> 01:19:16,800
Speaker 3: Sorry, the girls probably.

1623
01:19:17,240 --> 01:19:20,680
Speaker 1: Catch good catch. Any other notes on sort of the

1624
01:19:20,760 --> 01:19:22,960
Speaker 1: ending hero of the movie.

1625
01:19:22,800 --> 01:19:24,439
Speaker 2: Just scene it for me. I mean, I just love

1626
01:19:24,520 --> 01:19:25,000
Speaker 2: the scene.

1627
01:19:24,920 --> 01:19:27,080
Speaker 1: The banner falling, but the same.

1628
01:19:28,880 --> 01:19:29,479
Speaker 2: That looks bad.

1629
01:19:29,560 --> 01:19:32,200
Speaker 1: Yes, the big scream obviously from the t Rex.

1630
01:19:32,240 --> 01:19:36,360
Speaker 4: The famous quotes debatable, but one of the famous visuals

1631
01:19:36,439 --> 01:19:37,240
Speaker 4: is just that banner.

1632
01:19:37,320 --> 01:19:40,760
Speaker 1: Yeah, yeah, absolutely, because now it's the hero. Like Trey said,

1633
01:19:40,760 --> 01:19:43,880
Speaker 1: it's like, oh, I saved us. Hammond does arrive in

1634
01:19:43,920 --> 01:19:47,000
Speaker 1: a jeep with Malcolm and the group boards a helicopter

1635
01:19:47,080 --> 01:19:49,320
Speaker 1: to leave the island, and I wrote in my notes here,

1636
01:19:49,400 --> 01:19:52,280
Speaker 1: I love the ending of this movie because not a

1637
01:19:52,320 --> 01:19:56,080
Speaker 1: single word is said on that helicopter ride out. It's awesome.

1638
01:19:56,200 --> 01:19:57,320
Speaker 2: You see some pelicans.

1639
01:19:57,840 --> 01:19:59,760
Speaker 1: I was gonna say, you see doctor Grant. You see

1640
01:19:59,760 --> 01:20:01,840
Speaker 1: the two kids passed out on him. So there's that part.

1641
01:20:01,840 --> 01:20:02,920
Speaker 1: But yeah, the birds.

1642
01:20:03,160 --> 01:20:06,920
Speaker 4: Obviously it's about what you don't see or what you

1643
01:20:06,960 --> 01:20:08,479
Speaker 4: don't say, or what you don't hear.

1644
01:20:08,479 --> 01:20:13,559
Speaker 1: It's Spielberg good ending, really good ending. Okay, so great ending.

1645
01:20:13,600 --> 01:20:16,320
Speaker 1: They're like, uh, doctor Grant's like I'm not gonna endorse

1646
01:20:16,360 --> 01:20:18,320
Speaker 1: your park. Funny line, and then the movie is over.

1647
01:20:18,600 --> 01:20:21,200
Speaker 3: Like they don't waste any time with like, oh, here's

1648
01:20:21,200 --> 01:20:24,240
Speaker 3: what happens. When they get back to the main with

1649
01:20:24,320 --> 01:20:27,000
Speaker 3: a like the news or something and tell their story,

1650
01:20:27,000 --> 01:20:29,439
Speaker 3: they're like, no, they're getting off the island. You spent

1651
01:20:29,840 --> 01:20:32,840
Speaker 3: one day there, Yeah, that was one day that we saw.

1652
01:20:33,000 --> 01:20:35,240
Speaker 3: And they're like, you don't need anything else, you do

1653
01:20:35,360 --> 01:20:37,639
Speaker 3: lie away, and you can tell everything that happened. Doctor

1654
01:20:37,680 --> 01:20:41,920
Speaker 3: Grant has grown. He likes kids, right now, Ellie loves him.

1655
01:20:41,920 --> 01:20:44,240
Speaker 3: You can tell the way she's looking. Doctor Malcolm. This

1656
01:20:44,320 --> 01:20:47,000
Speaker 3: guy is strung out on more at this point because

1657
01:20:47,040 --> 01:20:49,400
Speaker 3: he was supposed to be dead, but somehow he's still alive.

1658
01:20:49,600 --> 01:20:52,080
Speaker 3: And even John Hammond is wrestling with his demons, like

1659
01:20:52,400 --> 01:20:54,559
Speaker 3: what did I do? Yeah, I guess I'll just open

1660
01:20:54,600 --> 01:20:56,120
Speaker 3: another one.

1661
01:20:56,520 --> 01:20:58,720
Speaker 1: Yeah, you're right. It's just like I love that they

1662
01:20:58,720 --> 01:21:01,080
Speaker 1: don't say a single word to each they're on that ride. Yeah,

1663
01:21:01,120 --> 01:21:02,960
Speaker 1: and it's almost like you wonder, like have they do

1664
01:21:02,960 --> 01:21:05,840
Speaker 1: they have an unseat packed that we will never talk

1665
01:21:05,880 --> 01:21:09,200
Speaker 1: about this again what we just went through. But JDMI

1666
01:21:09,240 --> 01:21:11,400
Speaker 1: final thoughts here before I have some big questions for

1667
01:21:11,439 --> 01:21:11,720
Speaker 1: you guys.

1668
01:21:12,240 --> 01:21:15,599
Speaker 2: Yeah, it's it's the perfect ending to a perfect movie.

1669
01:21:15,680 --> 01:21:19,200
Speaker 2: I think you know, as you said that nothing is

1670
01:21:19,240 --> 01:21:25,400
Speaker 2: said and you know, let's not to be uh you know, cynical.

1671
01:21:25,479 --> 01:21:28,799
Speaker 2: But I'm pretty sure they were knew a sequel was coming,

1672
01:21:28,960 --> 01:21:32,880
Speaker 2: Like they know a sequel, like Criton was already commissioned

1673
01:21:32,920 --> 01:21:37,040
Speaker 2: to write this second Like so uh you know, we'll

1674
01:21:37,120 --> 01:21:41,960
Speaker 2: we'll we'll revisit these characters obviously, but yeah, I loved it.

1675
01:21:42,479 --> 01:21:45,280
Speaker 1: Okay, we'll move with some pace here, because you know

1676
01:21:45,840 --> 01:21:47,400
Speaker 1: we went through the entire movie. But do you have

1677
01:21:47,439 --> 01:21:49,880
Speaker 1: a favorite scene, Trey, I'll start with you favorite scene

1678
01:21:50,040 --> 01:21:51,800
Speaker 1: of all these amazing scenes we just went through.

1679
01:21:53,040 --> 01:21:59,320
Speaker 3: I have many favorites. Probably Welcome to Jurassic Park is

1680
01:21:59,360 --> 01:22:04,120
Speaker 3: my favorite. It's like a joyous scene. And I don't

1681
01:22:04,160 --> 01:22:08,160
Speaker 3: think the scariness of the dinosaurs works the same way.

1682
01:22:08,360 --> 01:22:11,720
Speaker 3: If you don't get the elation of seeing them for

1683
01:22:11,760 --> 01:22:13,599
Speaker 3: the first time, if you don't get the first half

1684
01:22:13,640 --> 01:22:16,400
Speaker 3: of the movie where dinosaurs are cool and we love

1685
01:22:16,520 --> 01:22:20,040
Speaker 3: seeing them, it doesn't hit the same way when they

1686
01:22:20,080 --> 01:22:25,439
Speaker 3: turn and end up being dinosaurs. You know, they're cool

1687
01:22:25,439 --> 01:22:27,920
Speaker 3: because we don't know about them, but they're scary because

1688
01:22:27,920 --> 01:22:30,000
Speaker 3: we don't know about them. So I guess that's probably

1689
01:22:30,040 --> 01:22:32,000
Speaker 3: to me still, the iconic scene.

1690
01:22:31,800 --> 01:22:33,840
Speaker 1: Seeing them for the first time, I would one hundred

1691
01:22:33,840 --> 01:22:35,640
Speaker 1: percent agree, and I would just add to it, like

1692
01:22:35,800 --> 01:22:38,519
Speaker 1: just the idea of us seeing the dinosaurs for the

1693
01:22:38,560 --> 01:22:41,639
Speaker 1: first time in ninety three, maybe on the big screen

1694
01:22:41,720 --> 01:22:43,479
Speaker 1: or wherever you watched it on VHS, it was like,

1695
01:22:43,880 --> 01:22:46,360
Speaker 1: holy crap, Like we're in the same shoes as them.

1696
01:22:46,720 --> 01:22:49,160
Speaker 1: In a weird way seeing what can be done in

1697
01:22:49,200 --> 01:22:50,120
Speaker 1: movie filmmaking.

1698
01:22:50,160 --> 01:22:53,360
Speaker 2: Totally, it's like incredible, it is. What are the first times?

1699
01:22:53,439 --> 01:22:57,599
Speaker 2: Are the first time that computer animation has been employed?

1700
01:22:57,640 --> 01:23:01,639
Speaker 2: I know the Last Starfighter back way back they start

1701
01:23:01,720 --> 01:23:04,479
Speaker 2: experimenting with it, and there's been experiments with it, but

1702
01:23:04,560 --> 01:23:06,840
Speaker 2: this is the first time in like a blockbuster movie

1703
01:23:06,840 --> 01:23:11,160
Speaker 2: that they've really heavily relied on CGI. Yeah. I mean

1704
01:23:11,200 --> 01:23:11,960
Speaker 2: that's a great scene.

1705
01:23:12,000 --> 01:23:13,880
Speaker 1: I don't a favorite scene for you as well done?

1706
01:23:14,040 --> 01:23:19,200
Speaker 2: Now, oh the t Rex breakout. I mean just the

1707
01:23:19,200 --> 01:23:23,640
Speaker 2: the sound effects, the tension, just how well choreographed it is,

1708
01:23:24,280 --> 01:23:27,599
Speaker 2: and just how it gets worse and worse and worse again,

1709
01:23:27,640 --> 01:23:29,320
Speaker 2: and you think that it's not going to get any

1710
01:23:29,360 --> 01:23:31,639
Speaker 2: more worse. Then we got a kid in a tree

1711
01:23:31,640 --> 01:23:34,599
Speaker 2: in a car, and then a car is chasing two

1712
01:23:34,640 --> 01:23:37,680
Speaker 2: people down a tree. You know, it's just it just

1713
01:23:38,280 --> 01:23:41,960
Speaker 2: gets crazier and crazier and crazier, and and I loved it.

1714
01:23:42,760 --> 01:23:43,960
Speaker 1: Same question for you if scene.

1715
01:23:44,080 --> 01:23:46,760
Speaker 4: Yeah, I love the car, I love that the car

1716
01:23:46,840 --> 01:23:48,400
Speaker 4: falling down the tree. But I got to say that

1717
01:23:48,400 --> 01:23:49,920
Speaker 4: I'm seeing the dinosaurs for the first time.

1718
01:23:50,120 --> 01:23:55,360
Speaker 2: I can't resist. Yeah, still unbelievable.

1719
01:23:54,720 --> 01:23:57,559
Speaker 1: You've seen that seem like one hundred plus times. I'm sure,

1720
01:23:57,680 --> 01:23:59,679
Speaker 1: like at least online, I mean, not the movie, maybe

1721
01:23:59,680 --> 01:24:02,280
Speaker 1: watching the whole thing, but like it's still good. Uh,

1722
01:24:02,680 --> 01:24:09,519
Speaker 1: favorite character slash dinosaur you have character?

1723
01:24:09,600 --> 01:24:13,240
Speaker 3: Probably Nedri? Okay, it's between Nedri and Malcolm. To me,

1724
01:24:13,360 --> 01:24:15,960
Speaker 3: they are like my two favorite performances in the movie.

1725
01:24:15,960 --> 01:24:19,519
Speaker 3: Though I think everybody who has lines is perfect in it,

1726
01:24:19,600 --> 01:24:23,040
Speaker 3: like perfectly cast, perfect performance. I love the way it is,

1727
01:24:23,080 --> 01:24:26,360
Speaker 3: but like it's probably number four on the list for me.

1728
01:24:26,400 --> 01:24:29,280
Speaker 3: But Nedri's death scene is in the mix for one

1729
01:24:29,320 --> 01:24:30,880
Speaker 3: of the best scenes out there. And I just think

1730
01:24:31,120 --> 01:24:34,479
Speaker 3: Wayne Knight steals the scene every time he's on camera.

1731
01:24:35,240 --> 01:24:36,280
Speaker 1: And as for a dinosaur.

1732
01:24:36,360 --> 01:24:39,000
Speaker 3: As for a dinosaur, look you you gotta give the

1733
01:24:39,120 --> 01:24:42,280
Speaker 3: raptors of the breakout star of Jurassic Park. They really

1734
01:24:43,000 --> 01:24:45,760
Speaker 3: they really came on the scene with this one. The

1735
01:24:45,800 --> 01:24:49,519
Speaker 3: t Rex is the hero. But for me, I gotta

1736
01:24:49,640 --> 01:24:52,360
Speaker 3: throw a bone here to those dinosaurs that are just sprinting,

1737
01:24:52,479 --> 01:24:55,920
Speaker 3: you know, those just running dinosaurs. They get devoured by

1738
01:24:55,960 --> 01:24:57,840
Speaker 3: the t rex eventually. I don't even know what their

1739
01:24:57,920 --> 01:25:00,200
Speaker 3: names are, but I like to see him out there getting.

1740
01:24:59,920 --> 01:25:03,320
Speaker 1: The steps in. I did sort of the one scene

1741
01:25:03,360 --> 01:25:04,920
Speaker 1: I can't place in the movie. I don't know where

1742
01:25:04,920 --> 01:25:06,679
Speaker 1: it goes, but I know exactly what you're talking about,

1743
01:25:06,840 --> 01:25:08,160
Speaker 1: and that was the one you were talking that you.

1744
01:25:08,120 --> 01:25:13,720
Speaker 4: Like, Yeah, what are those things.

1745
01:25:13,760 --> 01:25:14,120
Speaker 1: Of the.

1746
01:25:16,439 --> 01:25:18,840
Speaker 2: Well? Yeah? Good, Yeah, they're just good.

1747
01:25:20,000 --> 01:25:21,360
Speaker 3: What am I google running down?

1748
01:25:22,280 --> 01:25:25,200
Speaker 1: Exactly? What about you? J D favorite character in Dinosaur

1749
01:25:25,720 --> 01:25:27,559
Speaker 1: I'm a Malcolm Manka all the way.

1750
01:25:28,280 --> 01:25:32,360
Speaker 2: He has the most jokes. Uh we're talking Jeff Goldbloom

1751
01:25:32,479 --> 01:25:36,200
Speaker 2: at his the absolute peak of his powers. He comes

1752
01:25:36,240 --> 01:25:40,360
Speaker 2: back for Lost World, which you know we'll get into

1753
01:25:40,880 --> 01:25:43,920
Speaker 2: next week, but uh, he is just one of my

1754
01:25:44,000 --> 01:25:47,679
Speaker 2: favorite actors. And again, the guy with the most jokes

1755
01:25:47,800 --> 01:25:50,600
Speaker 2: is usually the person I'm gonna want to, you know,

1756
01:25:50,720 --> 01:25:56,960
Speaker 2: watch the most. And Dinosaurs, I mean, the delaphosaurus is great.

1757
01:25:57,280 --> 01:26:00,240
Speaker 2: The just the sneaky sort of you know, dog like

1758
01:26:00,360 --> 01:26:02,680
Speaker 2: way they are. They're kind of cute. They have a

1759
01:26:03,360 --> 01:26:07,960
Speaker 2: really really uh cute chirp, you know, the sound design

1760
01:26:08,040 --> 01:26:12,080
Speaker 2: on them. But then when they fan out there whatever

1761
01:26:12,160 --> 01:26:14,679
Speaker 2: these are their wings or whatever, and then they spit,

1762
01:26:14,880 --> 01:26:18,519
Speaker 2: which is gross. Uh they're legit scary. So it's like

1763
01:26:19,439 --> 01:26:23,080
Speaker 2: they're so cute, but then they become terrifying, which is

1764
01:26:24,360 --> 01:26:26,599
Speaker 2: kind of the most scary thing for me, right yeah,

1765
01:26:26,600 --> 01:26:28,880
Speaker 2: because you're attracted to them, but then they you.

1766
01:26:28,920 --> 01:26:31,719
Speaker 1: Know, Goodnosta, did you find the name of those potential

1767
01:26:32,120 --> 01:26:33,760
Speaker 1: let's say it might be a Gali mimus. I think

1768
01:26:33,840 --> 01:26:41,640
Speaker 1: that's what I got. Toss your favorites.

1769
01:26:42,800 --> 01:26:47,440
Speaker 4: Well, actor as JD was just saying about the dinosaur

1770
01:26:47,640 --> 01:26:50,960
Speaker 4: that's the wings and the spits to me, Goldblum. Gold

1771
01:26:51,000 --> 01:26:54,679
Speaker 4: Blom fits exactly that, and that he is sexy as hell,

1772
01:26:55,080 --> 01:26:58,360
Speaker 4: but it's also is as smart as hell, so he's

1773
01:26:58,400 --> 01:26:59,720
Speaker 4: the man to me.

1774
01:27:00,720 --> 01:27:03,800
Speaker 2: As far as dino. You know, I've come around on

1775
01:27:03,840 --> 01:27:04,680
Speaker 2: the Triceratops.

1776
01:27:05,120 --> 01:27:05,960
Speaker 1: I think I think the most.

1777
01:27:06,600 --> 01:27:09,760
Speaker 4: I think the most emotion just because you're there and

1778
01:27:09,840 --> 01:27:13,040
Speaker 4: the Triceratops is sick that I get from one single

1779
01:27:13,120 --> 01:27:16,920
Speaker 4: dinosaur is the moment with Laura Dern and the Triceratops.

1780
01:27:16,960 --> 01:27:18,080
Speaker 2: So yeah, I'm going next.

1781
01:27:18,640 --> 01:27:20,320
Speaker 1: I'm going to show some love here. I love the

1782
01:27:20,520 --> 01:27:24,639
Speaker 1: Malcolm as the character everyone's picking, but lex the girl

1783
01:27:25,520 --> 01:27:30,080
Speaker 1: incredible terrified face on this on this actor just looks

1784
01:27:30,120 --> 01:27:33,160
Speaker 1: awesome every time she's like terrified scared face. So a

1785
01:27:33,200 --> 01:27:35,920
Speaker 1: little love to her. As for dinosaurs, much as I

1786
01:27:35,960 --> 01:27:40,080
Speaker 1: love the triceratops, the Brachiosaurus. It's just so cool man,

1787
01:27:40,560 --> 01:27:43,240
Speaker 1: Just the size of it. Man, Yeah, it's like nuzzling

1788
01:27:43,320 --> 01:27:43,800
Speaker 1: up against it.

1789
01:27:45,439 --> 01:27:47,479
Speaker 3: Do you think a great Dean? Do you think they

1790
01:27:47,520 --> 01:27:51,600
Speaker 3: should open a Jurassic Park? Whoops? All herbivores?

1791
01:27:51,800 --> 01:27:56,880
Speaker 1: Yeah that was the over. You're still making bank with

1792
01:27:57,040 --> 01:27:58,800
Speaker 1: those dinosaurs that are just eating plants.

1793
01:27:58,840 --> 01:27:59,920
Speaker 2: Yeah, you're not making as much.

1794
01:28:00,160 --> 01:28:01,600
Speaker 3: Maybe not because you want to want to see a

1795
01:28:01,640 --> 01:28:03,280
Speaker 3: t rex for sure, because you're saying it.

1796
01:28:03,360 --> 01:28:05,519
Speaker 1: The t rex is like the roller coaster of this.

1797
01:28:05,640 --> 01:28:06,760
Speaker 2: Place, totally. Yeah.

1798
01:28:06,920 --> 01:28:07,120
Speaker 1: Yeah.

1799
01:28:08,160 --> 01:28:11,759
Speaker 2: The brachiosaurus is like the show that's on at twelve

1800
01:28:11,880 --> 01:28:15,679
Speaker 2: and three and five. Yeah, yeah, yeah, the kid right. Nice,

1801
01:28:15,760 --> 01:28:17,600
Speaker 2: it's fine if you happen to catch it, great, but

1802
01:28:18,320 --> 01:28:19,679
Speaker 2: yeah I want to see that t rex.

1803
01:28:20,080 --> 01:28:20,200
Speaker 3: Right.

1804
01:28:20,479 --> 01:28:22,400
Speaker 1: And then my final, like you know, big picture question

1805
01:28:22,920 --> 01:28:25,040
Speaker 1: is there what is the dumbest scene to you or

1806
01:28:25,080 --> 01:28:27,120
Speaker 1: your maybe your least favorite scene or is it or

1807
01:28:27,240 --> 01:28:29,040
Speaker 1: is it or dare I say a perfect movie or

1808
01:28:29,280 --> 01:28:31,640
Speaker 1: there's something that looking back on it tray you're like

1809
01:28:31,960 --> 01:28:33,560
Speaker 1: I could have lived without that, or I didn't like

1810
01:28:33,600 --> 01:28:34,080
Speaker 1: that or whatever.

1811
01:28:34,439 --> 01:28:38,479
Speaker 3: The only thing I would change is that basically, Jeff

1812
01:28:38,520 --> 01:28:40,600
Speaker 3: Goldbloom is out of the movie after he does his

1813
01:28:40,760 --> 01:28:42,800
Speaker 3: run with the t Rex. He has the scene where

1814
01:28:42,880 --> 01:28:44,759
Speaker 3: he's in the back of the car where he's funny

1815
01:28:44,800 --> 01:28:46,640
Speaker 3: in that one as well, but then he's basically just

1816
01:28:46,680 --> 01:28:49,680
Speaker 3: hanging out at the operations center being like uh huh yep, okay, yeah,

1817
01:28:49,800 --> 01:28:50,519
Speaker 3: do that yeah.

1818
01:28:50,560 --> 01:28:53,720
Speaker 1: John Hammond puts on the map out like logsticks on him.

1819
01:28:54,960 --> 01:28:57,240
Speaker 3: He's like the star to me, he's like probably the

1820
01:28:57,320 --> 01:28:59,720
Speaker 3: best part of the first half of the movie. He's

1821
01:28:59,880 --> 01:29:02,719
Speaker 3: like JDS saying he's got the best lines. He's probably

1822
01:29:02,760 --> 01:29:04,479
Speaker 3: the best character at that the first half of the movie.

1823
01:29:04,760 --> 01:29:06,560
Speaker 3: And then the way the book was written in the

1824
01:29:06,680 --> 01:29:09,160
Speaker 3: original script was written, he was going to be out

1825
01:29:09,160 --> 01:29:10,479
Speaker 3: of it. He was going to be devoured at the

1826
01:29:10,479 --> 01:29:13,479
Speaker 3: same time Gennaro was so instead, they just don't really

1827
01:29:13,600 --> 01:29:15,680
Speaker 3: use Jeff Goldbloom very much in the second half of

1828
01:29:15,720 --> 01:29:18,080
Speaker 3: the movie, even though we saw the first half of

1829
01:29:18,120 --> 01:29:19,840
Speaker 3: the movie and he was straight up killing it.

1830
01:29:21,000 --> 01:29:23,920
Speaker 1: Fair any dumb scenes dum s no way, not for me,

1831
01:29:25,240 --> 01:29:26,000
Speaker 1: I mean dumb.

1832
01:29:27,080 --> 01:29:30,679
Speaker 2: I find it odd again, I mentioned it Muldoon doesn't

1833
01:29:30,720 --> 01:29:36,599
Speaker 2: have anybody helping it. Security, there's that I don't Literally

1834
01:29:36,840 --> 01:29:40,840
Speaker 2: everybody leaves the island, but like, why, what what is

1835
01:29:40,920 --> 01:29:41,519
Speaker 2: happening there?

1836
01:29:41,840 --> 01:29:44,080
Speaker 1: Like, well, was that storm was quite severe?

1837
01:29:44,200 --> 01:29:46,920
Speaker 2: You know, isn't that a time to hunker down? I

1838
01:29:47,000 --> 01:29:51,479
Speaker 2: mean maybe like there's like a kitchen staff who served

1839
01:29:51,520 --> 01:29:53,120
Speaker 2: them lunch, you know what I mean, Like they were

1840
01:29:53,200 --> 01:29:55,880
Speaker 2: all just going to stay on the island, just with

1841
01:29:56,040 --> 01:30:01,280
Speaker 2: our main cast, but literally nobody else. Weird, But you know,

1842
01:30:01,439 --> 01:30:04,960
Speaker 2: that is like just such a minor, minor flo I

1843
01:30:05,120 --> 01:30:08,719
Speaker 2: do think it's a perfect movie. Okay, no dumb scene

1844
01:30:08,800 --> 01:30:10,640
Speaker 2: the lifting of the crate. To me, we could have

1845
01:30:10,680 --> 01:30:11,280
Speaker 2: done something else.

1846
01:30:12,400 --> 01:30:16,120
Speaker 1: That's get up there and pull open this thing. Any

1847
01:30:16,160 --> 01:30:19,760
Speaker 1: other random notes or observations before we actually rank it

1848
01:30:19,880 --> 01:30:22,160
Speaker 1: or rate it, anything else you want to slip in there.

1849
01:30:23,840 --> 01:30:27,040
Speaker 3: We see some employees at the very first part of

1850
01:30:27,520 --> 01:30:29,960
Speaker 3: them arriving to the park. They're like opening the gates

1851
01:30:30,000 --> 01:30:31,640
Speaker 3: for them to get in before they even get to

1852
01:30:31,760 --> 01:30:34,200
Speaker 3: like the giant gates. And I just really like the

1853
01:30:34,240 --> 01:30:37,880
Speaker 3: pink Jurassic Park polo shirts they're wearing. Okay, like they've

1854
01:30:37,880 --> 01:30:41,439
Speaker 3: got great outfits. Everybody looks so cool style in nineties

1855
01:30:41,479 --> 01:30:45,120
Speaker 3: in this movie. And like you said earlier with regards

1856
01:30:45,200 --> 01:30:50,360
Speaker 3: to the trucks and the jeeps. Everything looks super cool,

1857
01:30:50,760 --> 01:30:54,479
Speaker 3: So I would be the dummy who's like, yeah, drastic

1858
01:30:54,520 --> 01:30:57,400
Speaker 3: Parks opening, we should go and see it. I heard

1859
01:30:57,439 --> 01:30:59,960
Speaker 3: they got Trannosaurus rex. I'm sure it'll be fine.

1860
01:31:00,080 --> 01:31:00,880
Speaker 1: Yeah, I get eat.

1861
01:31:01,800 --> 01:31:04,240
Speaker 4: Maybe that's why the Toronto Raptors coaches all wear those

1862
01:31:04,400 --> 01:31:08,519
Speaker 4: pink Salmon shirts when they go to summer the no

1863
01:31:08,720 --> 01:31:11,200
Speaker 4: to that, But you're right about everything looking good.

1864
01:31:11,760 --> 01:31:14,439
Speaker 2: Just everyone well dressed, so nice?

1865
01:31:14,600 --> 01:31:14,760
Speaker 3: Yeah?

1866
01:31:14,880 --> 01:31:16,960
Speaker 1: Did did they like?

1867
01:31:17,160 --> 01:31:22,120
Speaker 3: Was this font invented or did this font exist before

1868
01:31:22,240 --> 01:31:25,960
Speaker 3: Jurassic Just to me, now, that's the Jurassic pot Park fonde.

1869
01:31:26,040 --> 01:31:27,160
Speaker 3: I can't think of it any other one.

1870
01:31:27,400 --> 01:31:30,280
Speaker 1: Yeah, I assume it was created for the movie or

1871
01:31:30,320 --> 01:31:31,920
Speaker 1: the book. I don't even know. I'm not sure what

1872
01:31:32,000 --> 01:31:34,320
Speaker 1: the cover looks like. Safe question. I know, I'm sure

1873
01:31:34,320 --> 01:31:37,080
Speaker 1: they've since redone it with at least that Jurassic Park font.

1874
01:31:37,120 --> 01:31:40,000
Speaker 1: But uh yeah, any other observation Straadia that you want

1875
01:31:40,040 --> 01:31:40,519
Speaker 1: to get in here?

1876
01:31:40,880 --> 01:31:43,720
Speaker 2: I think I only covered everything. I mean, I'm looking

1877
01:31:43,720 --> 01:31:46,400
Speaker 2: at my notes here. All my randoms got covered.

1878
01:31:46,479 --> 01:31:49,759
Speaker 1: Okay, so might I only have two left? In watching

1879
01:31:49,840 --> 01:31:52,800
Speaker 1: this with Nora and and my dog Luna. My dog

1880
01:31:53,000 --> 01:31:58,280
Speaker 1: hated the Raptor sound that like weird staccato like grunt

1881
01:31:58,400 --> 01:32:01,000
Speaker 1: that that the raptors were making, which is amazing. I

1882
01:32:01,040 --> 01:32:03,160
Speaker 1: mean the sound mix and this is incredible and I

1883
01:32:03,240 --> 01:32:06,800
Speaker 1: think it maybe won an Oscar for it sound mixing. Anyway, Uh,

1884
01:32:06,960 --> 01:32:11,040
Speaker 1: Luna Cool perked right up like what does that sound?

1885
01:32:11,080 --> 01:32:13,240
Speaker 1: And then was like focused on the dinos, on the

1886
01:32:13,320 --> 01:32:16,639
Speaker 1: raptors on screen. So it worked on docs, works on dogs.

1887
01:32:16,760 --> 01:32:19,400
Speaker 1: Nice and a little love to another great quote because

1888
01:32:19,400 --> 01:32:21,040
Speaker 1: we were going through the best quotes. I love the

1889
01:32:21,080 --> 01:32:25,000
Speaker 1: exchange Malcolm doctor Satler. Malcolm goes God creates dinosaurs, God

1890
01:32:25,080 --> 01:32:30,320
Speaker 1: destroys dinosaurs, God creates Man, Man destroys God, Man creates dinosaurs.

1891
01:32:30,800 --> 01:32:33,840
Speaker 1: And then doctor Satler comes in on the top. Dinosaurs

1892
01:32:33,880 --> 01:32:38,120
Speaker 1: eat Man. Woman inherits the Earth, Woman Inherits Earth. That's

1893
01:32:38,160 --> 01:32:38,680
Speaker 1: pretty good too.

1894
01:32:39,400 --> 01:32:42,040
Speaker 3: That's the beauty of Jurassic Park. This is an awesome

1895
01:32:42,240 --> 01:32:45,600
Speaker 3: blockbuster movie, a popcorn movie, a massive hit, and it

1896
01:32:45,680 --> 01:32:48,960
Speaker 3: actually has themes that are hidden in here that are

1897
01:32:49,000 --> 01:32:51,320
Speaker 3: fairly easy to pick up on, that are really meaningful.

1898
01:32:51,640 --> 01:32:54,880
Speaker 3: We can't control nature. Technology has gone too far. And

1899
01:32:54,920 --> 01:32:57,240
Speaker 3: I would say that this is probably an anti capitalist

1900
01:32:57,360 --> 01:32:59,920
Speaker 3: movie because the three people that die are and employ

1901
01:33:00,520 --> 01:33:03,599
Speaker 3: of this corporation, the blood sucking lawyer, and the guy

1902
01:33:03,680 --> 01:33:06,920
Speaker 3: who is stealing dinosaur embryos to try and make a

1903
01:33:07,000 --> 01:33:11,960
Speaker 3: million and a half dollars. So Steven Spielberg preaching but

1904
01:33:12,120 --> 01:33:16,880
Speaker 3: also teaching it's crazy. But this is not the case

1905
01:33:17,320 --> 01:33:19,759
Speaker 3: in the Lost World, as we will see, the themes

1906
01:33:19,760 --> 01:33:21,840
Speaker 3: are not there the same way they are in this

1907
01:33:22,200 --> 01:33:25,719
Speaker 3: And this was a movie for everyone that everyone saw

1908
01:33:25,880 --> 01:33:29,000
Speaker 3: and had this imprinted into their brain, just like Doctor

1909
01:33:29,080 --> 01:33:31,200
Speaker 3: Hammond watching a velosaretter being born.

1910
01:33:33,080 --> 01:33:36,200
Speaker 1: I wonder if Muldoon and Arnold, because they also died,

1911
01:33:36,240 --> 01:33:40,040
Speaker 1: maybe they had a bunch of stock. That's true, that's true,

1912
01:33:40,320 --> 01:33:41,719
Speaker 1: you know. I'm just trying to think where they also

1913
01:33:42,120 --> 01:33:43,320
Speaker 1: at their core capitalists.

1914
01:33:43,320 --> 01:33:43,800
Speaker 2: I'm just kidding.

1915
01:33:43,840 --> 01:33:44,400
Speaker 1: I love that take.

1916
01:33:44,400 --> 01:33:47,960
Speaker 4: Okay, so let's write this. I've got something imprinted in

1917
01:33:48,040 --> 01:33:51,839
Speaker 4: my brain as well. So this is a note. Steven

1918
01:33:51,880 --> 01:33:56,040
Speaker 4: Subielberg gave the cast a gift after filling rap. Spielberg

1919
01:33:56,080 --> 01:34:00,320
Speaker 4: gave all the casts a signed Velociraptor model and currently

1920
01:34:00,680 --> 01:34:04,800
Speaker 4: gold bloom. Arianna Richards and Joseph Mazzello and Laura Dern

1921
01:34:05,280 --> 01:34:08,240
Speaker 4: have those models displayed in their homes to this day. Apparently,

1922
01:34:08,680 --> 01:34:11,160
Speaker 4: my question is do you think Baron Davis has seen

1923
01:34:14,439 --> 01:34:17,000
Speaker 4: That's a call back there our days that the starters

1924
01:34:17,040 --> 01:34:20,040
Speaker 4: of Baron Davis didn't like being asked about his relationship

1925
01:34:20,120 --> 01:34:20,479
Speaker 4: with Laura.

1926
01:34:21,000 --> 01:34:23,599
Speaker 1: Yes, the answers yes, if he's been over, yes he's

1927
01:34:23,600 --> 01:34:25,879
Speaker 1: seen it, because I'm sure it's somewhere prominently displayed.

1928
01:34:26,200 --> 01:34:27,720
Speaker 2: Yeah, it's still there.

1929
01:34:27,760 --> 01:34:29,560
Speaker 1: It's either got to be on a shelf in the

1930
01:34:29,600 --> 01:34:31,280
Speaker 1: living room or maybe it's on her bedside table.

1931
01:34:33,400 --> 01:34:39,160
Speaker 2: I mean, how big is it? I don't know, si models,

1932
01:34:39,960 --> 01:34:42,080
Speaker 2: I don't know. Incredible. All right, that's by the way.

1933
01:34:43,640 --> 01:34:47,920
Speaker 2: One last thing. Jurassic Park won three Academy Awards Best Sound,

1934
01:34:48,080 --> 01:34:50,679
Speaker 2: Best Sound Effects, Editing, and Best Visual Effects.

1935
01:34:50,720 --> 01:34:53,320
Speaker 1: Okay, there we go, so we got the ones it deserved.

1936
01:34:53,320 --> 01:34:57,160
Speaker 3: It sounds like, uh, yeah, I think Spielberg made Schindler's

1937
01:34:57,200 --> 01:34:57,920
Speaker 3: List the same years.

1938
01:34:58,120 --> 01:35:03,360
Speaker 1: Yeah. Oh yeah, so clean. Holy, that's all to think about. Yeah.

1939
01:35:03,520 --> 01:35:06,519
Speaker 2: John Williams also worked on Schindler's List as well. Maybe

1940
01:35:06,560 --> 01:35:11,799
Speaker 2: that's why there's so little music exactly.

1941
01:35:12,040 --> 01:35:14,760
Speaker 1: Okay, let's rank this movie. I will tell you, guys,

1942
01:35:14,880 --> 01:35:17,360
Speaker 1: ninety one percent on Rotten Tomatoes from both the critics

1943
01:35:17,400 --> 01:35:19,519
Speaker 1: and the fans. When it comes to Jurassic Park, the

1944
01:35:19,600 --> 01:35:22,519
Speaker 1: original movie here three out of four stars from our

1945
01:35:22,560 --> 01:35:27,559
Speaker 1: guy Roger Ebert. Yeah, he wrote, quote, it's clear seeing

1946
01:35:27,640 --> 01:35:30,400
Speaker 1: this long awaited project that Spielberg devoted most of his

1947
01:35:30,520 --> 01:35:33,920
Speaker 1: effort to creating the dinosaurs. The human characters are a

1948
01:35:34,080 --> 01:35:39,240
Speaker 1: ragtag bunch of half realized, sketched in personalities who exist

1949
01:35:39,439 --> 01:35:44,080
Speaker 1: primarily to scream utter dire warnings and outwit the monsters.

1950
01:35:44,640 --> 01:35:47,680
Speaker 1: End quote. That's Roger. He was not a fan of

1951
01:35:47,760 --> 01:35:53,000
Speaker 1: our characters, our beloved characters. Yeah, so I guess with

1952
01:35:53,120 --> 01:35:57,000
Speaker 1: the first one here, so good they are on a

1953
01:35:57,000 --> 01:35:58,600
Speaker 1: scale of one to ten is how we'll do this,

1954
01:35:59,000 --> 01:36:02,040
Speaker 1: because we'll we'll eventually start ranking them in regards to

1955
01:36:02,120 --> 01:36:04,559
Speaker 1: the other movies in the franchise right where we're putting

1956
01:36:04,600 --> 01:36:06,240
Speaker 1: them in order. But like for this first one, I

1957
01:36:06,400 --> 01:36:08,040
Speaker 1: just want to know, on a scale of one to ten,

1958
01:36:08,240 --> 01:36:11,040
Speaker 1: how are you ranking the original Jurassic Park.

1959
01:36:11,600 --> 01:36:12,120
Speaker 3: Ten of ten?

1960
01:36:12,280 --> 01:36:12,760
Speaker 1: Ten to ten.

1961
01:36:12,880 --> 01:36:15,080
Speaker 3: Yeah, this is probably in my top ten movies all time,

1962
01:36:15,960 --> 01:36:18,760
Speaker 3: and it's awesome and it holds up every time I've

1963
01:36:18,760 --> 01:36:19,280
Speaker 3: ever watched it.

1964
01:36:20,520 --> 01:36:23,760
Speaker 2: Ten to ten for me, ten out of ten for me,

1965
01:36:24,960 --> 01:36:25,519
Speaker 2: ten out of ten.

1966
01:36:26,640 --> 01:36:30,000
Speaker 1: I want to start. It's unfortunate just knowing where we're

1967
01:36:30,000 --> 01:36:33,040
Speaker 1: going to be heading this franchise. This is our highest adpise.

1968
01:36:33,240 --> 01:36:34,800
Speaker 2: This is the happiest you're going to see me in

1969
01:36:34,880 --> 01:36:37,479
Speaker 2: Jurassic Pals. Yeah, yeah, yeah, okay.

1970
01:36:38,280 --> 01:36:41,280
Speaker 1: Jurassic Park was selected in twenty eighteen for preservation in

1971
01:36:41,320 --> 01:36:44,920
Speaker 1: the United States National Film Registry Registry by the Library

1972
01:36:44,960 --> 01:36:49,680
Speaker 1: of Congress as being culturally, historically or aesthetically significant. How

1973
01:36:49,760 --> 01:36:50,400
Speaker 1: much of a banger?

1974
01:36:50,479 --> 01:36:51,080
Speaker 3: This movie is?

1975
01:36:51,200 --> 01:36:54,599
Speaker 1: All right, ten out of ten, perfect movie. And we'll

1976
01:36:54,640 --> 01:36:56,280
Speaker 1: see what the next one brings us. That is The

1977
01:36:56,400 --> 01:37:00,560
Speaker 1: Lost World Jurassic Park released in nineteen ninety seven, So

1978
01:37:01,320 --> 01:37:04,640
Speaker 1: four years after this one, we get our sequel and

1979
01:37:04,760 --> 01:37:07,799
Speaker 1: that will premiere in your Noteungk's feed here on Friday,

1980
01:37:07,880 --> 01:37:08,719
Speaker 1: August fifteenth.

1981
01:37:08,800 --> 01:37:12,160
Speaker 2: What a birthday gift for you, the Loss I'm blessed.

1982
01:37:12,320 --> 01:37:15,240
Speaker 1: Yes, the Lost World dropping on August fifteenth. But if

1983
01:37:15,280 --> 01:37:17,040
Speaker 1: you're a fan of Jurassic Palas, like I said off

1984
01:37:17,040 --> 01:37:19,160
Speaker 1: the top, hit the like button, subscribe, share the show

1985
01:37:19,640 --> 01:37:22,240
Speaker 1: five star ratings and reviews. Let's hear your thoughts on

1986
01:37:22,479 --> 01:37:26,400
Speaker 1: the movie, your favorite dinosaurs, your favorite characters, your favorite scenes,

1987
01:37:26,439 --> 01:37:29,320
Speaker 1: maybe things that didn't work in drastic parking, and whether

1988
01:37:29,400 --> 01:37:31,120
Speaker 1: or not you agree with us on the ten out

1989
01:37:31,160 --> 01:37:33,519
Speaker 1: of ten. Let's hear what your thoughts are in the

1990
01:37:33,600 --> 01:37:38,320
Speaker 1: comments below. All right, great star guys like like Nedrie

1991
01:37:38,600 --> 01:37:42,599
Speaker 1: sliding down a hill. It's only downhill from here, something

1992
01:37:42,720 --> 01:37:45,240
Speaker 1: like that, something like that. That's not bad.

1993
01:37:46,280 --> 01:37:49,559
Speaker 3: I'm Neddre delivering a Barbersol can of embryo.

1994
01:37:49,720 --> 01:37:53,439
Speaker 1: It's all down, a perfect way to end it, and

1995
01:37:53,680 --> 01:37:55,519
Speaker 1: life finds a way. We'll see you next time on

1996
01:37:55,640 --> 01:38:07,799
Speaker 1: Jurassic Pals in Temper