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Speaker 1: The volume.

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Speaker 2: We are back sponsored by Boost. Just getting to the

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Speaker 2: end of the year, Man's baby steps.

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Speaker 1: You got to run through the tape or you like

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Speaker 1: you like you like pulled up with like ten meters left, like, yeah,

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Speaker 1: you gotta run to celebrate. Yeah, you got to run

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Speaker 1: through the tape and ran right before win. Yeah that's

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Speaker 1: the problem.

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Speaker 2: But no, no, I'm still still focused that down. But

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Speaker 2: you know, two more weeks. I'm focusing on just getting

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Speaker 2: through the rest of this year. That's that's where I'm at,

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Speaker 2: Just focused on these two weeks only such.

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Speaker 3: A dad, that's dad. Did you finish your Christmas shopping

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Speaker 3: or whatever holiday you do? Celebrate? Happy holidays to everyone? Yeah, no, inclusive.

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Speaker 3: I don't get gifts? No, why no more? That's it?

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Speaker 2: So really no, you get your nephews. I cannot see

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Speaker 2: you not getting your nephew.

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Speaker 3: Gifts all year.

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Speaker 2: That's how I was feeling about Amara this year. I

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Speaker 2: was like, it's Christmas every day for this broad exactly.

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Speaker 2: This broad is craziest fact. What is going on here?

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Speaker 2: I just finished my thanks to Amazon. I'm not going

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Speaker 2: out in these.

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Speaker 1: Amazon now, you can't go out in these shoots. You

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Speaker 1: passed that threshold No.

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Speaker 2: I don't want to see the tree. I don't care

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Speaker 2: about that. I will be doing my online shopping, but

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Speaker 2: I think I'm pretty much done, you know, trinkets for

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Speaker 2: mom and dad.

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Speaker 3: Thank you? No problem? So glad you can join this. Baby?

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Speaker 3: How you feeling? You're right? I'm great. How are you?

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Speaker 4: You look good? You look happy? Smiling? You glowing?

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Speaker 3: What's that? It's a bit of a glow. And I

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Speaker 3: don't think it's because of the purple light. The stuff

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Speaker 3: you ovulating? It's a wild.

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Speaker 2: Why is it that HR becomes an issue in December

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Speaker 2: every year for every year every year? Yah, I don't

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Speaker 2: think you're allowed to ask a woman in the workplace

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Speaker 2: is she ovulating?

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Speaker 3: Now? I'm uncomfortable? Can I go?

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Speaker 4: Can I go to HR?

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Speaker 1: Now?

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Speaker 4: I feel attacked?

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Speaker 1: Can I can I schedule me? I'd like to know

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Speaker 1: why you feel attacked? Because she asked if I was

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Speaker 1: wanted to know in her?

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Speaker 3: Is that an attack? Yes? I'm an pull out guy. Oh,

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Speaker 3: I don't get got you? She uh? She assumed who

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Speaker 3: you were?

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Speaker 4: She was glowing?

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Speaker 1: Baby, he's glowing, So just one to know what it was.

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Speaker 1: You know, women, you know ovulate, they glow and things

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Speaker 1: like that.

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Speaker 5: I sat in my house all weekend and didn't speak

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Speaker 5: to it, so like y'all are.

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Speaker 3: That's probably why you're Oh, you're rejuvenated.

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Speaker 5: No one's voice until I walked in toowards.

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Speaker 4: You bedrided all weekend.

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Speaker 5: I worked, but I just didn't speak to anybody.

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Speaker 4: You ain't speaking no whity a week. How do you

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Speaker 4: pull it off?

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Speaker 3: It was?

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Speaker 5: I sat in my house and put my phone on

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Speaker 5: Dan and D.

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Speaker 1: Yeah.

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Speaker 5: Not a soul. Wait, not even a phone call, not

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Speaker 5: a soul. I watched you want to talk about it?

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Speaker 5: Every single No, it was great. I watched every single creed.

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Speaker 1: No, no, no, we're not doing that. We're not doing that.

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Speaker 1: I know you watched everything you caught up on your shows.

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Speaker 1: It was great, easick everything. Why are you sitting at

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Speaker 1: home all week and not talking to nobody?

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Speaker 5: Because because we talked for a living. We talked for

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Speaker 5: a living, and then I got to talk to my family,

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Speaker 5: then I talked to my friends all day. I'm tired

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Speaker 5: of talking.

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Speaker 1: I'm with you.

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Speaker 5: I'm not I'm tired of the sound of my own

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Speaker 5: fucking voice. Y'all don't get like that. Y'all been talking

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Speaker 5: for years. Y'all, don't get tired of sound of.

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Speaker 1: Your own voice. Yeah, but I don't shit at home

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Speaker 1: all weekend and not even speak on my phone than anybody,

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Speaker 1: like I've never done that.

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Speaker 5: I spoke to my my little sister for five minutes

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Speaker 5: because I knew if she kept calling me and I

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Speaker 5: didn't answer, she would call my dad and he would

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Speaker 5: pop up at my house. So I answered her phone call.

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Speaker 5: That was it since Thursday. Yeah, but it's just a

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Speaker 5: drastic change from last weekend. Like last weekend it was,

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Speaker 5: you know, it was a little more social. This weekend

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Speaker 5: it was just anti.

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Speaker 3: Balance at it.

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Speaker 5: Balance y'all should try.

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Speaker 2: It wasn't talking nobody, wasn't it In that said that

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Speaker 2: when you live alone, sometimes you realize you haven't spoken

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Speaker 2: in two days.

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Speaker 3: Yeah, yeah, sometimes you need that. You know, that's my ship.

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Speaker 3: But I mean I speak on the phone like I

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Speaker 3: ain't need that to speak.

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Speaker 5: I ain't have ship to speak about. I talked so

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Speaker 5: much that I had nothing new to talk about, so

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Speaker 5: I just didn't.

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Speaker 3: I'm cool, I'm dead ass.

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Speaker 1: Yeah.

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Speaker 2: You know you need to if you can get a

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Speaker 2: weekend where you can avoid speaking, especially in this gig,

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Speaker 2: you need to do that.

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Speaker 3: We're going we're gonna that's affected a relationship. I don't

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Speaker 3: want to talk. We're on table this and come back

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Speaker 3: to baby. Do you wanna circle back?

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Speaker 5: I'm perfectly fine my mental health file I had. Nothing's wrong.

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Speaker 5: I just I hate the sound of my own voice.

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Speaker 3: Sometimes. I got used to it.

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Speaker 1: For years, I hated it, I'm used to I'm I've

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Speaker 1: just given up on caring about it.

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Speaker 3: You don't like your voice? Not that I just like

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Speaker 3: my voice.

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Speaker 2: It was just uncomfortable because I'd never been like the

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Speaker 2: on camera guy, or like the person that like wanted

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Speaker 2: their voice to be heard so badly that they've dedicated

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Speaker 2: their entire life to just trying to be famous. I

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Speaker 2: didn't have that part of my brain. So, yeah, when

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Speaker 2: I started first hearing, because I used to edit the episodes,

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Speaker 2: remember way back in the day, so I'd have to

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Speaker 2: listen to myself, I'd be like, ugh, yeah, this is

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Speaker 2: how I've sounded for the last twenty four years. Well,

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Speaker 2: how do I have friends? This voice is annoying as fuck,

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Speaker 2: but I've gotten used to it. Yeah, I don't really

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Speaker 2: care at this point.

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Speaker 3: Okay, but it's good to see y'all. Yeah, we were outside,

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Speaker 3: we had the opposite. We was outside. Yeah, I was

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Speaker 3: outside side.

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Speaker 2: We was outside outside. We was outside like rappers from Thursday,

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Speaker 2: well just thursdays, just.

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Speaker 1: Thursday, I want to say, after Thursday, I wasn't outside

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Speaker 1: neither cold, it was snow and it was all kind

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Speaker 1: of shit.

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Speaker 3: I wasn't outside.

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Speaker 2: Thursday we went to the Massive Pill. I don't want

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Speaker 2: to say that. I mean, I guess it's a pop up. Yeah,

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Speaker 2: pop up for all the albums that they've put out

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Speaker 2: this year.

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Speaker 3: The legacy installation. Yes, installation, those are the cooler words,

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Speaker 3: the artsy words. You gotta say installation and know an

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Speaker 3: installation like the It was warm, yeah, it was insolant,

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Speaker 3: it was Yeah.

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Speaker 2: I think it's for the remainder of the month. You

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Speaker 2: should go there, and you don't need a jacket. They

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Speaker 2: have they have heat, yeah, and they got jackets there.

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Speaker 3: Yeah.

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Speaker 2: But they have merched there, they have vinyls there, they

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Speaker 2: have like each setup for each album.

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Speaker 3: It's really really cool to Massive Pill. If you're a

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Speaker 3: jacket hoop.

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Speaker 2: I really think you guys should go to the Space

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Speaker 2: and Soho if you're in the Tri State area. But yes,

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Speaker 2: we went there and we interviewed ghost Face, which will

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Speaker 2: be coming out on Thursday. Yes, and that was just

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Speaker 2: an awesome bucket list combo. Yeah, Like I was, I

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Speaker 2: could not believe we were speaking to Tony Starks and

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Speaker 2: like he was just chilling and being funny, entertaining, like

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Speaker 2: you really want to speak.

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Speaker 1: To us everything you thought I ever thought he would

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Speaker 1: be like on a personal level.

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Speaker 2: Yeah, absolutely, so I'm really excited to put that episode.

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Speaker 4: Shout out the ghost face.

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Speaker 2: Then after what Conway popped up as well. I didn't

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Speaker 2: know Conway was coming with you had mentioned that.

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Speaker 1: Did he come with you?

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Speaker 5: No?

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Speaker 3: No, no, no, I saw him. We did that Thursday.

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Speaker 1: I saw kN Tuesday, okay, but I told him about

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Speaker 1: it and I told him and shout out to Chad

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Speaker 1: and they said they was pulling up.

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Speaker 3: So shout out to Conway. Yeah, Conway was there.

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Speaker 2: Talk to Conway for a little bit and then then

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Speaker 2: we went, uh, then we was on our real rap shit.

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Speaker 2: We went to the studio to celebrate and listen to

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Speaker 2: music with men and bad.

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Speaker 1: Food and Roy, you always listening to music with men,

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Speaker 1: that's your bag. That's like when you comfortable what I

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Speaker 1: always in the studio with men? That's not true. Well,

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Speaker 1: ninety percent of the time, not really, okay, refer to

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Speaker 1: my last three.

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Speaker 2: Sessions were with Jozzi Joyce and John Lennon.

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Speaker 1: He's resting, John Lennon said, Rory was in a studio

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Speaker 1: with John women yoga is still alive.

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Speaker 2: Yes, that's so wild to me, Like how much she

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Speaker 2: wanted to be the center of attention in the spotlight

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Speaker 2: and like then she just got her husband killed in disappeared.

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Speaker 3: But yeah, the truth.

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Speaker 1: No, I'm not scared of the truth. I just don't

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Speaker 1: know if that's the truth. But yeah, shout out to Conway.

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Speaker 1: We went to the studio. Conway listened to his album

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Speaker 1: album available now, you Can't Kill God with Bullets.

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Speaker 3: Which which we will get to music reviews shortly. But

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Speaker 3: it was a fun night.

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Speaker 1: Man.

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Speaker 2: I do like those studio sessions where like you don't

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Speaker 2: have to work and you could just listen to amazing

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Speaker 2: music and just enjoy yourself.

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Speaker 1: Talk some shit and you know, drink dark liquor, no pressure. Yeah,

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Speaker 1: just come and have a good.

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Speaker 2: Great Conway is sitting on a lot of music, I'll

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Speaker 2: say that. And he has a whole album with a

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Speaker 2: producing duo that I don't know how you could just

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Speaker 2: sit and have that and like not put it out.

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Speaker 3: Well, after talking to him, I understand why he business.

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Speaker 3: I get it.

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Speaker 4: The business got to be right.

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Speaker 2: But I've been having those studio sessions to play it

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Speaker 2: for everybody every Tuesday, coming in here and just listen

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Speaker 2: to this album.

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Speaker 3: Music is incredible.

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Speaker 2: So shout out to Conway again. We will get to

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Speaker 2: the review of his project. Sunday, it was outside what

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Speaker 2: was going on?

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Speaker 3: Sunday?

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Speaker 2: I went to our friend of the show, Rosie, her

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Speaker 2: her birthday party, which Maris was invited to, but I

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Speaker 2: didn't know. You know, she was taking her what are

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Speaker 2: the Buddhists do abstinence of speaking vowels silence? She couldn't

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Speaker 2: come because she was taking her vow of silence. She's

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Speaker 2: now going to sell gold coins in Times Square.

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Speaker 3: How was the party?

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Speaker 5: Like you worry about me? How was the party?

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Speaker 1: She's had that bottle up all weekend, just quietly. It's

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Speaker 1: like school shooter vibes, which fuck wrong time. It was fun.

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Speaker 3: I did karaoke back in karaoke bag.

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Speaker 4: She's she had a karaoke board.

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Speaker 2: Yeah, and she had the theme, which is like a

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Speaker 2: TikTok thing. The attire is not the occasion, so you

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Speaker 2: dress as something that's not the occasion of the birthday party.

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Speaker 2: It's a TikTok thing. So like people show up dressed

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Speaker 2: like in full athletic gear and they'll be like, the

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Speaker 2: this is not the gym. People will show up like

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Speaker 2: dressed as crossing guards and be like, this is not

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Speaker 2: the street.

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Speaker 3: So it's Halloween sort of. Yeah, you niggas love to

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Speaker 3: dress up.

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Speaker 1: Boy, I just want to come out and say happy

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Speaker 1: birthday to a friend and just have a good time. Like,

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Speaker 1: why do I got to dress up like a crossing guard? Oh,

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Speaker 1: this is not a school zone.

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Speaker 2: Listen man, adults, No, that's exactly I don't think that

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Speaker 2: person should be a crossing guard for children.

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Speaker 3: I'll tell you that adults can still have fun.

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Speaker 1: Man.

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Speaker 2: They splice it up and then they put it on

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Speaker 2: TikTok and it's just like all your friends are entering

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Speaker 2: the party like this is not this. So you know what,

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Speaker 2: if a guy did it, I'd look at it a

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Speaker 2: little weird.

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Speaker 3: But it's a girl. No, there's allowed to do that

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Speaker 3: type of stuff. Not allowed to have that type of fun. No, no, no,

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Speaker 3: we can't do that. But happy birthday of Rosie. I

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Speaker 3: had forgotten that that was the theme.

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Speaker 2: So I stopped at Target on my way there and

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Speaker 2: there was only a robe available, so I did. I

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Speaker 2: gave her two options. I said, is this Tony Sopranos house?

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Speaker 2: And then I said, is this a mental hospital?

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Speaker 3: All right? So yeah, I think I freaked the road.

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Speaker 3: But you know, you put a white Peter on there, like, yeah,

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Speaker 3: you pulled it off. Sorry.

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Speaker 1: She was holding that in all week and she didn't

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Speaker 1: talk all week, and so she's been waiting to look sorry,

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Speaker 1: get that out.

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Speaker 2: And I actually got a lot of compliments of oh,

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Speaker 2: you look like you've been in the gym a little bit.

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Speaker 3: She loved that.

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Speaker 4: Don't you love me? They say that to you.

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Speaker 3: Come on, haven't been in the gym a little bit? Yeah,

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Speaker 3: a little bit, just a little bit. No, I really,

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Speaker 3: I've been back on my ship. That's what's up. Yeah,

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Speaker 3: that's that's so all right.

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Speaker 2: Karaoke I only performed once, and our friend Danielle can

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Speaker 2: sing really really really really really well. She's in like

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Speaker 2: Broadway performances, and we hate those type people at karaoke.

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Speaker 2: Don't come up there and actually sing and like make

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Speaker 2: this a real concert. So we agreed that I would

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Speaker 2: do Kelly Rowan's part in Dilemma, and then she would

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Speaker 2: wrap Nelly's part and that was our performance.

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Speaker 4: Baby, what you do.

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Speaker 3: Give us a little bit of like no, no, you

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Speaker 3: have to wait till the footage drops. You know, everyone

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Speaker 3: had their cameras up in there. See.

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Speaker 1: That's why I can't go to karaoke parties because I

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Speaker 1: feel like you inclined you have.

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Speaker 3: To perform and YouTube, YouTube go.

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Speaker 4: I want to just go chill and just you know,

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Speaker 4: I mean, see my friends and just you know.

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Speaker 3: I don't want to perform.

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Speaker 1: I don't want to get on the mic and have

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Speaker 1: everybody make tiktoks.

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00:11:21,679 --> 00:11:23,120
Speaker 3: Like come on. Edden was there.

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Speaker 2: Eden was the karaoke dj. Oh he was his man's

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00:11:27,800 --> 00:11:29,920
Speaker 2: who's been here? Sorry, I forgot I want to call him.

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Speaker 2: He character okay, thank gosh, Hector. I didn't want to

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Speaker 2: be wrong actor. He killed some bad buddy. I didn't

300
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Speaker 2: know because he's always quiet when he see he's a

301
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Speaker 2: natural performer.

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Speaker 3: Hector is always quiet. Well, he's moving around, but.

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Speaker 1: Yeah, hected me throwing ass from the time he walked

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Speaker 1: in the party to the time I'm focused on the

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Speaker 1: live stream. He threw so much ash in here. He

306
00:11:51,160 --> 00:11:53,360
Speaker 1: fell asleep here like I was, like, he worked for it.

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00:11:53,400 --> 00:11:55,680
Speaker 1: He deserves the rest. This guy's gyrating.

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Speaker 4: No fucking night.

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00:11:56,800 --> 00:11:59,599
Speaker 3: Shit, you just quiet. If you jas, you would have

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Speaker 3: thought bad money was there.

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Speaker 2: He didn't miss a syllable Like I was like, yo,

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Speaker 2: this is a masterful performance.

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Speaker 4: Shut out.

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Speaker 2: So, yeah, that was my weekend for the most part.

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Speaker 2: I'm sure we don't need to ask. You just stayed

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Speaker 2: in the house. Yeah, you didn't make it snow. I

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Speaker 2: went I went out, did a little shopping Saturdachristmas. Yeah,

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Speaker 2: the one that did a little shopping Saturday. But then

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Speaker 2: it snowed, so it was like I'm not going out Sunday,

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Speaker 2: like Sunday. Was in the house all day heard so.

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Speaker 5: I didn't know it snowed until this morning.

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Speaker 1: Don't say nothing. Don't whatever you do, don't say I

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Speaker 1: got this.

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Speaker 3: I know it matters.

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Speaker 4: What are you going through? What happened?

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00:12:39,360 --> 00:12:41,160
Speaker 1: Like, not only did you not speak to anybody, you

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Speaker 1: didn't even look out the fucking window.

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Speaker 5: You know, not in for nobody. I ain't look out

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Speaker 5: the windows.

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Speaker 3: How you donna look out your window?

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Speaker 5: I have I have like shape like the darkening curtains,

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Speaker 5: like blackout curtains.

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00:12:53,880 --> 00:12:56,040
Speaker 1: Blackout curtains three days. Yeah, but blackout curves is not

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Speaker 1: supposed to be closed for three days straight.

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Speaker 2: Sh you didn't even do like a little uber eats

336
00:13:00,679 --> 00:13:04,560
Speaker 2: the door dash open that see I don't know.

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Speaker 5: No, I overeats, but I guess it had it snowed

338
00:13:07,120 --> 00:13:09,560
Speaker 5: when I Ober eat, Uber eats Friday, you eat.

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Speaker 1: And she said leave it at the door. Even want

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00:13:13,400 --> 00:13:16,000
Speaker 1: the same way, leave it at the door the door.

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00:13:16,000 --> 00:13:17,520
Speaker 1: I want to talk you. No, once I had to

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00:13:17,559 --> 00:13:19,240
Speaker 1: leave it at the door for a few times and

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Speaker 1: you get your bag and it should be spilled in

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Speaker 1: the bag.

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00:13:21,200 --> 00:13:21,959
Speaker 4: No, no, not come in let me.

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Speaker 1: I'll let you want to because I'm not saying but

347
00:13:23,200 --> 00:13:25,440
Speaker 1: they can't do anything they like going that yeah, no, yeah,

348
00:13:25,520 --> 00:13:26,920
Speaker 1: don't talking.

349
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Speaker 5: About I don't like when they put ship like like

350
00:13:29,000 --> 00:13:31,160
Speaker 5: don't put my pizza on the ground. I don't like that.

351
00:13:31,640 --> 00:13:32,200
Speaker 5: I don't like that.

352
00:13:32,679 --> 00:13:33,560
Speaker 3: Like the box.

353
00:13:33,640 --> 00:13:34,800
Speaker 5: Yeah, don't put my pizza box.

354
00:13:35,040 --> 00:13:37,400
Speaker 1: It's kind of wild. Yeah, that one's kind of nuts.

355
00:13:37,480 --> 00:13:37,920
Speaker 3: I don't like that.

356
00:13:37,960 --> 00:13:40,199
Speaker 2: But don't put my art big ass pizza box in

357
00:13:40,240 --> 00:13:42,000
Speaker 2: the back of your bike and then I open it

358
00:13:42,000 --> 00:13:43,160
Speaker 2: and it turns into the burrito.

359
00:13:43,240 --> 00:13:46,800
Speaker 1: Now burrito. That shop was just roll delivered pizza to

360
00:13:46,840 --> 00:13:48,520
Speaker 1: me one time. I know he was doing wheelies with

361
00:13:48,559 --> 00:13:50,920
Speaker 1: my shoes in the back of his There was no

362
00:13:51,000 --> 00:13:51,600
Speaker 1: cheese on the.

363
00:13:52,760 --> 00:13:53,600
Speaker 3: No bungee courses.

364
00:13:53,679 --> 00:13:56,600
Speaker 1: Just yeah, he's just wheelies and wild is my Why

365
00:13:56,720 --> 00:13:58,760
Speaker 1: is all the cheese over here and the crust is

366
00:13:58,800 --> 00:13:59,200
Speaker 1: over here?

367
00:13:59,280 --> 00:14:02,480
Speaker 5: Like you cheese either it's barely sticking.

368
00:14:05,760 --> 00:14:07,600
Speaker 4: That's good. It's good pizzas. I'm gonna put you on

369
00:14:07,600 --> 00:14:08,400
Speaker 4: in this good vegan.

370
00:14:08,200 --> 00:14:09,520
Speaker 3: Pizza spot, all right.

371
00:14:09,600 --> 00:14:12,400
Speaker 1: I trust you because I took see, I took you

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00:14:12,440 --> 00:14:14,720
Speaker 1: to one spot and then he was like, I gotta

373
00:14:14,760 --> 00:14:17,040
Speaker 1: come in here, like no, no, no, don't we doing

374
00:14:17,040 --> 00:14:17,400
Speaker 1: that on me?

375
00:14:17,440 --> 00:14:18,280
Speaker 4: Going on my spots?

376
00:14:18,600 --> 00:14:21,400
Speaker 2: It was it was Kia's mom's birthday on Sunday and

377
00:14:21,440 --> 00:14:22,360
Speaker 2: she's vegetarian.

378
00:14:22,600 --> 00:14:24,400
Speaker 3: So Kia actually made it the.

379
00:14:24,360 --> 00:14:26,640
Speaker 2: First time I've had of like vegetarian dish where I

380
00:14:26,680 --> 00:14:29,640
Speaker 2: was like, I would eat this not for content purposes,

381
00:14:29,960 --> 00:14:33,760
Speaker 2: like I'm gonna heat this up tomorrow, vegan lasagna. I

382
00:14:33,760 --> 00:14:36,320
Speaker 2: think there was mushrooms in there. It was just fire.

383
00:14:36,840 --> 00:14:37,880
Speaker 2: The cheese was like.

384
00:14:37,920 --> 00:14:40,560
Speaker 3: I I was shocked.

385
00:14:41,440 --> 00:14:43,120
Speaker 2: I don't well, I don't know who's is there a difference

386
00:14:43,080 --> 00:14:44,840
Speaker 2: between vegan cheese and vegetarian cheese.

387
00:14:44,880 --> 00:14:48,080
Speaker 5: So vegetarian just it has no meat. It probably was

388
00:14:48,160 --> 00:14:49,000
Speaker 5: real cheese.

389
00:14:50,480 --> 00:14:52,960
Speaker 3: Because vegetarians don't eat colproducts.

390
00:14:53,360 --> 00:14:54,680
Speaker 5: Yes they do, they just don't.

391
00:14:55,040 --> 00:14:56,560
Speaker 3: Like butter and things like that.

392
00:14:56,680 --> 00:14:59,320
Speaker 1: It's like it just can't be like you can't kill

393
00:14:59,360 --> 00:15:03,360
Speaker 1: the animal for Okay, I understand, I got you. So

394
00:15:03,440 --> 00:15:06,440
Speaker 1: you can eat products from an animal like butcher milk, yeah,

395
00:15:06,800 --> 00:15:09,160
Speaker 1: very eggs, yeah, birds and the bees, but.

396
00:15:09,120 --> 00:15:11,120
Speaker 4: You're not going to eat a fucking turkey wing.

397
00:15:11,280 --> 00:15:11,640
Speaker 1: Okay.

398
00:15:11,720 --> 00:15:13,880
Speaker 2: Maybe that's maybe that's why it was really good because

399
00:15:13,880 --> 00:15:16,520
Speaker 2: it was real. Yeah, I thought it was vegan gees.

400
00:15:16,640 --> 00:15:19,160
Speaker 5: Vegetarian isn't bad. Vegan is when shit starts getting hard.

401
00:15:19,240 --> 00:15:22,640
Speaker 5: But even vegetarian isn't hard. Oh No, lasagn was incredible.

402
00:15:23,440 --> 00:15:26,440
Speaker 5: But yeah, it was a right right, regular weekend more

403
00:15:26,520 --> 00:15:28,400
Speaker 5: or less. How was y'all's commute this morning? What with

404
00:15:28,480 --> 00:15:30,920
Speaker 5: the radio? Sounded like I.

405
00:15:31,000 --> 00:15:34,080
Speaker 3: Never listened to radio. I listened to the radio for

406
00:15:34,160 --> 00:15:34,880
Speaker 3: my morning commuting.

407
00:15:35,000 --> 00:15:37,560
Speaker 1: I would I don't listen to the radio.

408
00:15:38,120 --> 00:15:39,040
Speaker 4: We talked about that old time.

409
00:15:39,040 --> 00:15:41,560
Speaker 1: I haven't listened to radio, and sometimes I listen to

410
00:15:41,640 --> 00:15:43,040
Speaker 1: it just to hear what they're playing.

411
00:15:43,680 --> 00:15:45,000
Speaker 4: Let me let me hear what they play.

412
00:15:45,280 --> 00:15:47,120
Speaker 1: And then if you in traffic for an hour and

413
00:15:47,160 --> 00:15:49,680
Speaker 1: a half, you realize they played the same fourteen songs.

414
00:15:50,160 --> 00:15:50,680
Speaker 3: Mm hmmm.

415
00:15:50,960 --> 00:15:52,440
Speaker 4: So it's like, all right, I'm cool, Like I don't.

416
00:15:52,680 --> 00:15:54,720
Speaker 2: You didn't tell your lady uber driver you'll throw on

417
00:15:54,720 --> 00:15:56,480
Speaker 2: that funk flex this morning.

418
00:15:56,520 --> 00:15:57,240
Speaker 4: No, I did not.

419
00:15:58,320 --> 00:16:00,880
Speaker 1: But for all of those who have not heard Ebro

420
00:16:01,040 --> 00:16:03,120
Speaker 1: in the morning show has come to an end.

421
00:16:03,240 --> 00:16:07,800
Speaker 2: Yes, Ebro show consists of him, Peter Rosenberg, and Laura Styles,

422
00:16:07,960 --> 00:16:11,840
Speaker 2: all friends of the show. I mean, congrats on a

423
00:16:11,880 --> 00:16:15,240
Speaker 2: crazy run. Ebro was what program director for twenty years

424
00:16:15,280 --> 00:16:16,440
Speaker 2: and then on air for ten.

425
00:16:17,920 --> 00:16:18,960
Speaker 3: I always loved their show.

426
00:16:19,320 --> 00:16:21,160
Speaker 2: I think Rosenberg is one of the few people that

427
00:16:21,360 --> 00:16:24,520
Speaker 2: actually like gave a fuck about hip hop at.

428
00:16:24,400 --> 00:16:25,160
Speaker 3: A radio station.

429
00:16:25,840 --> 00:16:30,000
Speaker 2: And Laura always an amazing personality and was the best

430
00:16:30,040 --> 00:16:33,240
Speaker 2: feeling because and it's gonna samosogynistic, but I'm just being truthful.

431
00:16:33,320 --> 00:16:35,400
Speaker 2: Sometimes they just throw a woman into a radio show

432
00:16:35,400 --> 00:16:37,720
Speaker 2: because they need a woman. Laura Styles has been a

433
00:16:37,720 --> 00:16:39,280
Speaker 2: part of this culture and loves hip hop and is

434
00:16:39,280 --> 00:16:40,280
Speaker 2: knowledgeable about hip hop.

435
00:16:40,360 --> 00:16:42,640
Speaker 1: That's what made her role so much better that they

436
00:16:42,640 --> 00:16:45,040
Speaker 1: weren't like, yeah, let's just get a chick. That's atractive

437
00:16:45,080 --> 00:16:48,160
Speaker 1: and you know she can be like haha, Like Laura

438
00:16:48,320 --> 00:16:50,400
Speaker 1: was like really really contributed all the time, and it

439
00:16:50,440 --> 00:16:50,880
Speaker 1: was amazing.

440
00:16:50,920 --> 00:16:51,840
Speaker 3: I always loved their show.

441
00:16:52,040 --> 00:16:53,280
Speaker 2: I know they got a lot of shit because they

442
00:16:53,280 --> 00:16:55,200
Speaker 2: made a lot of enemies, but their numbers.

443
00:16:54,880 --> 00:16:57,040
Speaker 3: Were always really good with enemies that they make.

444
00:16:57,800 --> 00:17:00,400
Speaker 2: I mean they're back and forth with which has always

445
00:17:00,440 --> 00:17:03,160
Speaker 2: been in radio, but they're back and forth with power

446
00:17:03,960 --> 00:17:08,800
Speaker 2: when power was capitalized radio beef. Oh yeah. And you know,

447
00:17:08,920 --> 00:17:13,000
Speaker 2: hebro sometimes rubbed certain like when he had I think

448
00:17:13,040 --> 00:17:14,640
Speaker 2: it was Kodak Black when he tried to get.

449
00:17:14,560 --> 00:17:14,960
Speaker 3: In the rap.

450
00:17:15,000 --> 00:17:17,920
Speaker 2: Like there's there's been moments where they've rubbed people the

451
00:17:17,960 --> 00:17:20,439
Speaker 2: wrong way. But I think that's what radio is supposed

452
00:17:20,440 --> 00:17:22,240
Speaker 2: to do to some degree, as long as you're being

453
00:17:22,240 --> 00:17:27,760
Speaker 2: somewhat respectable. But congrats on a crazy run, Like I

454
00:17:28,280 --> 00:17:32,720
Speaker 2: think that's amazing. But I also feel like it was

455
00:17:32,760 --> 00:17:35,359
Speaker 2: good for them, Like I even hit Pete, you know,

456
00:17:35,400 --> 00:17:38,600
Speaker 2: just send sent them a text, thank God, this is over.

457
00:17:38,680 --> 00:17:42,800
Speaker 2: Like radio needs to adjust and pivot to the times,

458
00:17:43,080 --> 00:17:44,399
Speaker 2: and of course they were trying to do it with

459
00:17:45,119 --> 00:17:48,159
Speaker 2: you know, YouTube and Breakfast Club is a perfect example

460
00:17:48,200 --> 00:17:50,000
Speaker 2: of how you do pivot. And that's why they're in

461
00:17:50,080 --> 00:17:53,480
Speaker 2: the Radio Hall of Fame. But it was, come on, man,

462
00:17:54,080 --> 00:17:57,119
Speaker 2: you have to revamp. Like as much as I thought

463
00:17:57,359 --> 00:17:59,280
Speaker 2: Charlamne and Heavy should have stayed because of what they

464
00:17:59,320 --> 00:18:01,719
Speaker 2: built there. I also think new Blood is important and

465
00:18:01,720 --> 00:18:05,119
Speaker 2: pivoting is important because radio, for the most part, if

466
00:18:05,119 --> 00:18:07,760
Speaker 2: you think about it, when we were growing up, they

467
00:18:07,840 --> 00:18:11,120
Speaker 2: treated radio like clubs, Like we're changing the name every year. Yeah,

468
00:18:11,200 --> 00:18:14,080
Speaker 2: like people talk about stars generational Rum, which it was

469
00:18:14,400 --> 00:18:21,040
Speaker 2: that was one year. Like usually unless it's an Angie

470
00:18:21,080 --> 00:18:25,720
Speaker 2: Flex big boy radio, people leave like this.

471
00:18:25,720 --> 00:18:27,240
Speaker 3: This changes, dja's change.

472
00:18:27,280 --> 00:18:31,200
Speaker 2: Everything changes, and New York radio has been not stagnant

473
00:18:31,200 --> 00:18:33,359
Speaker 2: by any means, but it's been the same fucking people forever.

474
00:18:33,640 --> 00:18:35,760
Speaker 3: So I think it's beautiful that Flex took over the

475
00:18:35,760 --> 00:18:39,280
Speaker 3: split new Blood.

476
00:18:41,040 --> 00:18:43,720
Speaker 1: Flex, this is just cleaning house, so he could take

477
00:18:43,760 --> 00:18:45,919
Speaker 1: every fucking slot. No, no, no, To be fair, Flex

478
00:18:45,960 --> 00:18:48,240
Speaker 1: said he's only only taking over today, just feeling it,

479
00:18:48,440 --> 00:18:51,840
Speaker 1: just feeling in today. We don't know what tomorrow looks

480
00:18:51,880 --> 00:18:55,240
Speaker 1: like for the radio station. But I mean Flex did

481
00:18:55,240 --> 00:18:59,960
Speaker 1: take over today, another familiar voice and familiar you know person.

482
00:19:00,600 --> 00:19:02,600
Speaker 2: I did not listen, but I just don't know what

483
00:19:03,640 --> 00:19:08,000
Speaker 2: Flex's morning swag would be Flex is amazing for evenings.

484
00:19:08,320 --> 00:19:08,840
Speaker 3: I love a.

485
00:19:08,760 --> 00:19:10,760
Speaker 2: Bomb on my way over to the gw H Like,

486
00:19:11,119 --> 00:19:13,520
Speaker 2: I think that's great. Screaming is great at that time.

487
00:19:13,560 --> 00:19:14,840
Speaker 2: What is flex morning swag like?

488
00:19:15,359 --> 00:19:17,080
Speaker 1: I don't know, man, maybe he got into his you know,

489
00:19:17,200 --> 00:19:18,879
Speaker 1: R and B bag. I didn't, I didn't listen to it,

490
00:19:19,440 --> 00:19:21,000
Speaker 1: but maybe he got into a little more R and

491
00:19:21,000 --> 00:19:23,639
Speaker 1: B heavy for the morning commute. But either way, I

492
00:19:23,680 --> 00:19:26,159
Speaker 1: do think that you know, we spoke to Pete a

493
00:19:26,160 --> 00:19:28,240
Speaker 1: few months ago, he came by. He gave us a

494
00:19:28,240 --> 00:19:32,119
Speaker 1: little insight on things. Yeah, it's shifting. It was a

495
00:19:32,240 --> 00:19:34,280
Speaker 1: shock to them the way it was a shock to

496
00:19:34,400 --> 00:19:34,920
Speaker 1: all of us.

497
00:19:35,000 --> 00:19:35,560
Speaker 3: Yeah.

498
00:19:35,640 --> 00:19:39,879
Speaker 2: And I also don't think it really has anything to

499
00:19:39,960 --> 00:19:42,080
Speaker 2: do with numbers because the end of the day, yeah,

500
00:19:42,080 --> 00:19:46,240
Speaker 2: YouTube numbers are super important, but the real radio charts

501
00:19:46,280 --> 00:19:49,760
Speaker 2: are what radio advertisers are looking for, what program directors

502
00:19:49,800 --> 00:19:54,000
Speaker 2: are looking at, and hot and breakfast Club like month

503
00:19:54,080 --> 00:19:54,760
Speaker 2: to month it switched.

504
00:19:54,800 --> 00:19:55,359
Speaker 3: It's not like.

505
00:19:55,320 --> 00:19:58,840
Speaker 2: It the way we see breakfast club dominating in the

506
00:19:58,880 --> 00:20:01,680
Speaker 2: digital space, It's not that way on the radio. So

507
00:20:01,720 --> 00:20:04,040
Speaker 2: it's not like they were failures by any mean. I

508
00:20:04,080 --> 00:20:06,600
Speaker 2: just think this new company that bought it from MS

509
00:20:06,840 --> 00:20:09,360
Speaker 2: doesn't give a fuck about hip hop. I think they're

510
00:20:09,359 --> 00:20:11,119
Speaker 2: just trying to shap like the way Elon when he

511
00:20:11,160 --> 00:20:14,760
Speaker 2: bought Twitter turns and X fired everyone on fucking staff

512
00:20:14,800 --> 00:20:16,040
Speaker 2: and like, you know what, he I was gonna run

513
00:20:16,040 --> 00:20:16,320
Speaker 2: this year.

514
00:20:17,119 --> 00:20:19,440
Speaker 3: I see what our overhead is. I see what we're making.

515
00:20:19,800 --> 00:20:22,200
Speaker 2: Sorry, guys, Ebro, you've been here for twenty years, so

516
00:20:22,240 --> 00:20:23,320
Speaker 2: your salary is a certain thing.

517
00:20:23,720 --> 00:20:27,040
Speaker 3: We're not paying that anymore. Like That's what I think.

518
00:20:27,240 --> 00:20:29,600
Speaker 2: And em Miss I think was more of a still

519
00:20:29,600 --> 00:20:32,000
Speaker 2: a corporation, but more of a niche corporation than I

520
00:20:32,040 --> 00:20:32,800
Speaker 2: forgot this one.

521
00:20:32,640 --> 00:20:35,640
Speaker 1: That bought it. Man, they don't give a fuck about

522
00:20:35,680 --> 00:20:36,000
Speaker 1: hip hop.

523
00:20:36,160 --> 00:20:37,600
Speaker 3: So you don't think this has anything to do with

524
00:20:37,600 --> 00:20:40,000
Speaker 3: the radio RICO. I don't know.

525
00:20:40,080 --> 00:20:45,119
Speaker 2: I don't think Ebro, Rosenberg and Laura specifically, I know,

526
00:20:45,160 --> 00:20:48,160
Speaker 2: I don't think any of them are involved in any

527
00:20:48,240 --> 00:20:52,399
Speaker 2: RICO activity whatsoever? Do I think even though people have

528
00:20:52,440 --> 00:20:54,560
Speaker 2: been giving me shit of like I'm on my canvas

529
00:20:54,600 --> 00:20:55,880
Speaker 2: own shit, Like, where's the evidence?

530
00:20:56,240 --> 00:20:57,720
Speaker 3: That shit is still coming? Pause?

531
00:20:58,359 --> 00:20:59,959
Speaker 2: And I think a lot of the shifts we've been

532
00:21:00,080 --> 00:21:03,480
Speaker 2: seeing across the board, not just with Hot ninety seven

533
00:21:03,840 --> 00:21:06,640
Speaker 2: but other radio stations I think there's a trickle down

534
00:21:06,640 --> 00:21:09,840
Speaker 2: connection to some of it, where budgeting may land when

535
00:21:10,280 --> 00:21:14,480
Speaker 2: things start to go to shit. So I don't think directly,

536
00:21:14,520 --> 00:21:17,320
Speaker 2: but I think their overall bottom line no longer is

537
00:21:17,400 --> 00:21:19,440
Speaker 2: caring about growing the Hot ninety seven brand.

538
00:21:19,960 --> 00:21:21,640
Speaker 1: What is going on in the Hot ninety seven because

539
00:21:21,640 --> 00:21:25,720
Speaker 1: we've seen Summer Jam significantly downsize and it hasn't been

540
00:21:25,880 --> 00:21:30,200
Speaker 1: as you know, let's say star studied as it's usually

541
00:21:30,240 --> 00:21:31,320
Speaker 1: been throughout the years.

542
00:21:31,640 --> 00:21:34,879
Speaker 2: Well, I mean I think that has that's is it music,

543
00:21:35,040 --> 00:21:40,760
Speaker 2: that's festival culture where you know, Summer Jam is a staple,

544
00:21:40,800 --> 00:21:42,440
Speaker 2: and I think didn't we talk about this with Pete

545
00:21:42,440 --> 00:21:46,600
Speaker 2: when he was here. They're competing with people that have

546
00:21:46,680 --> 00:21:51,359
Speaker 2: fuck you money, whereas you know, Summer Jam isn't backed

547
00:21:51,400 --> 00:21:54,360
Speaker 2: by Verizon, where Verizon can just start a fucking festival

548
00:21:54,359 --> 00:21:58,520
Speaker 2: tomorrow and get Bad Bunny as a headliner. Like they're

549
00:21:58,720 --> 00:22:00,760
Speaker 2: they're a small fish in a big pond. Now that

550
00:22:00,840 --> 00:22:03,919
Speaker 2: festival culture is the thing and fans only have so

551
00:22:04,000 --> 00:22:07,440
Speaker 2: much money per month, and what I'm what do you

552
00:22:07,440 --> 00:22:10,080
Speaker 2: think I'm gonna go to Rolling Loud or Summer Jail

553
00:22:11,000 --> 00:22:13,720
Speaker 2: if I have fifty five dollars this month? Where do

554
00:22:13,760 --> 00:22:15,320
Speaker 2: you think I'm gonna go Yeah, I think I'm gonna

555
00:22:15,320 --> 00:22:18,359
Speaker 2: go to fucking City Field and see all the rolling

556
00:22:18,520 --> 00:22:20,520
Speaker 2: loud acts, or I'm going to drive.

557
00:22:20,400 --> 00:22:25,320
Speaker 3: To Long Island to see the summer jail. They can't compete. Well,

558
00:22:25,359 --> 00:22:27,639
Speaker 3: I do think that things do need to change. Change

559
00:22:27,680 --> 00:22:31,720
Speaker 3: is good, obviously, you know, even even with radio, comes

560
00:22:31,760 --> 00:22:34,879
Speaker 3: a time where you have to shift things and change

561
00:22:34,880 --> 00:22:36,880
Speaker 3: with the times and the culture. I don't know what

562
00:22:36,920 --> 00:22:39,639
Speaker 3: this looks like for how nineties haven't moving forward, but

563
00:22:39,680 --> 00:22:41,560
Speaker 3: it is a real thing now. I mean not as

564
00:22:41,560 --> 00:22:44,200
Speaker 3: many people listen to radio as before.

565
00:22:44,280 --> 00:22:45,120
Speaker 4: We all are our.

566
00:22:45,040 --> 00:22:48,439
Speaker 1: Own DJs to a certain extent. Now music comes out,

567
00:22:48,480 --> 00:22:52,560
Speaker 1: we create our own playlist. So I mean, maybe maybe

568
00:22:52,600 --> 00:22:55,760
Speaker 1: you listen to radio for you know, some of the

569
00:22:55,800 --> 00:22:59,119
Speaker 1: commentary and some of the you know, the personalities that

570
00:22:59,160 --> 00:23:01,880
Speaker 1: are there, but as far as the music, and this

571
00:23:01,920 --> 00:23:06,119
Speaker 1: is what you know, radio is all about the programming.

572
00:23:06,200 --> 00:23:08,159
Speaker 1: I think I just think people just are tired of

573
00:23:08,200 --> 00:23:10,879
Speaker 1: hearing the same old shit over and over when it

574
00:23:10,920 --> 00:23:11,480
Speaker 1: comes to radio.

575
00:23:11,520 --> 00:23:14,040
Speaker 3: I think people want to hear most of the things

576
00:23:14,040 --> 00:23:15,159
Speaker 3: that they like. Uh.

577
00:23:15,240 --> 00:23:17,720
Speaker 1: They don't want things to be programmed and fed to them.

578
00:23:18,240 --> 00:23:20,240
Speaker 1: I think people want real good music.

579
00:23:20,240 --> 00:23:20,840
Speaker 3: They don't want to.

580
00:23:20,960 --> 00:23:22,600
Speaker 1: They don't want the radio to tell us or the

581
00:23:22,680 --> 00:23:25,159
Speaker 1: key to or curate a playlist and say, hey, this

582
00:23:25,200 --> 00:23:26,760
Speaker 1: is what we want you to listen to all day

583
00:23:26,800 --> 00:23:29,200
Speaker 1: on loop. I just think people moved away from radio

584
00:23:29,200 --> 00:23:31,440
Speaker 1: and started listening to their own music and their phones.

585
00:23:31,480 --> 00:23:34,160
Speaker 2: I mean, radio is still super super important. Of course,

586
00:23:34,160 --> 00:23:38,960
Speaker 2: there's been a decline and you know our age have

587
00:23:39,920 --> 00:23:42,280
Speaker 2: you know, typically go more to Bluetooth and their iPhone

588
00:23:42,280 --> 00:23:44,000
Speaker 2: and want to play the stuff that they want to

589
00:23:44,000 --> 00:23:45,920
Speaker 2: play without commercials, this and that. But radio is still

590
00:23:46,000 --> 00:23:50,280
Speaker 2: very much a thing of Middle America. And again when

591
00:23:50,320 --> 00:23:52,560
Speaker 2: I say Middle America, don't actually mean Middle America. Middle

592
00:23:52,600 --> 00:23:54,560
Speaker 2: America can be in North Jersey, it can be in

593
00:23:54,600 --> 00:23:58,160
Speaker 2: Long Island. Middle America still does get in their car

594
00:23:58,320 --> 00:24:00,600
Speaker 2: and just they're not as invested as we are. Where

595
00:24:00,640 --> 00:24:02,000
Speaker 2: it's like I want to hear this song, that I

596
00:24:02,000 --> 00:24:03,080
Speaker 2: want to hear this song, that I want to hear

597
00:24:03,080 --> 00:24:04,520
Speaker 2: this song. Some people just get in their car and

598
00:24:04,560 --> 00:24:07,440
Speaker 2: want to hit a button and fucking drive. That's still

599
00:24:07,480 --> 00:24:10,800
Speaker 2: a huge part of the consumer. I just don't know

600
00:24:10,840 --> 00:24:13,840
Speaker 2: what's going to happen in the next forty years when

601
00:24:13,880 --> 00:24:16,000
Speaker 2: all the kids younger than me. Are now the adults

602
00:24:16,040 --> 00:24:18,000
Speaker 2: driving their kids to school. I don't know if they're

603
00:24:18,000 --> 00:24:19,160
Speaker 2: going to be the people they just want to hit

604
00:24:19,160 --> 00:24:22,800
Speaker 2: one button in drive. Oh No, So they need to

605
00:24:22,800 --> 00:24:24,280
Speaker 2: make shifts for what's going to happen in the next

606
00:24:24,320 --> 00:24:27,960
Speaker 2: forty fifty years now with radio. In my opinion, and again,

607
00:24:28,040 --> 00:24:30,120
Speaker 2: I'm not even going to speak as an expert because

608
00:24:30,119 --> 00:24:30,560
Speaker 2: I don't.

609
00:24:30,359 --> 00:24:30,879
Speaker 3: Know what that shift is.

610
00:24:30,880 --> 00:24:33,080
Speaker 2: I really don't. I don't know enough about the radio

611
00:24:33,119 --> 00:24:35,639
Speaker 2: business to know how they should pivot. But it is

612
00:24:35,760 --> 00:24:38,320
Speaker 2: clear that change is coming. As important as they still

613
00:24:38,359 --> 00:24:41,240
Speaker 2: are and will remain to be important, they got to

614
00:24:41,320 --> 00:24:44,520
Speaker 2: change something. And I guess I view this more as

615
00:24:45,119 --> 00:24:48,480
Speaker 2: a media personality than I do a fan. If I'm Ero,

616
00:24:48,600 --> 00:24:50,960
Speaker 2: Laura and Pete, what else is there for me to

617
00:24:51,000 --> 00:24:55,359
Speaker 2: do here? What's left here? If this company has no

618
00:24:55,400 --> 00:24:57,879
Speaker 2: interest in growing this brand or letting us do anything,

619
00:24:57,880 --> 00:24:58,640
Speaker 2: why am I here?

620
00:24:58,760 --> 00:25:00,640
Speaker 3: Yeah? So, I'm sure.

621
00:25:00,680 --> 00:25:02,680
Speaker 2: Yeah, it's probably sad that you know, they've been there

622
00:25:02,720 --> 00:25:04,359
Speaker 2: for so long and that's been such a big part

623
00:25:04,400 --> 00:25:04,919
Speaker 2: of their How long?

624
00:25:05,200 --> 00:25:06,560
Speaker 3: How long were they on the radio?

625
00:25:06,720 --> 00:25:08,639
Speaker 2: He got there when I was a senior, he was

626
00:25:09,000 --> 00:25:13,040
Speaker 2: seven or eight. Ebro's been there since I was born.

627
00:25:16,359 --> 00:25:18,240
Speaker 2: Laura got there after Kate Fox left.

628
00:25:18,280 --> 00:25:22,239
Speaker 1: I'm not sure which year that that was, maybe like

629
00:25:22,480 --> 00:25:25,440
Speaker 1: twenty twelve, thirteen, fourteen, some over there.

630
00:25:25,480 --> 00:25:29,760
Speaker 3: But Laura's been there for a minute. But what more

631
00:25:29,800 --> 00:25:30,480
Speaker 3: is there to do here?

632
00:25:30,800 --> 00:25:33,200
Speaker 2: Yeah, like of course we all have bills, So yeah,

633
00:25:33,240 --> 00:25:33,600
Speaker 2: I'll keep it.

634
00:25:34,080 --> 00:25:35,359
Speaker 3: What am I doing?

635
00:25:35,440 --> 00:25:38,520
Speaker 2: Nothing's going to change here if if the people that

636
00:25:38,560 --> 00:25:40,760
Speaker 2: bought it are not interested in that. So if I'm

637
00:25:40,800 --> 00:25:43,680
Speaker 2: then yo, good running. It's been a good run. Let's

638
00:25:43,760 --> 00:25:46,240
Speaker 2: keep our brand going. Like they still have their own

639
00:25:46,280 --> 00:25:49,119
Speaker 2: show like Ebra in the Morning, they can take and do.

640
00:25:49,280 --> 00:25:54,160
Speaker 2: They could still stay as a crew, Like their numbers

641
00:25:54,200 --> 00:25:57,359
Speaker 2: even on the audio podcast side are good. Like I

642
00:25:57,359 --> 00:25:59,240
Speaker 2: would just move on and keep the show. I mean,

643
00:25:59,400 --> 00:26:00,800
Speaker 2: if that's what the three of them want to do.

644
00:26:01,200 --> 00:26:02,800
Speaker 2: Laura may want to do her own thing, Ebro may

645
00:26:02,840 --> 00:26:04,600
Speaker 2: want to just focus on Apple, Pete may just want

646
00:26:04,640 --> 00:26:06,080
Speaker 2: to be wrestling. I don't know what I'm saying. The

647
00:26:06,080 --> 00:26:07,480
Speaker 2: three of them still have a show that they can

648
00:26:07,520 --> 00:26:12,080
Speaker 2: continue on. They don't have to stop just because Hot

649
00:26:12,119 --> 00:26:13,119
Speaker 2: doesn't want to.

650
00:26:13,840 --> 00:26:16,800
Speaker 1: Well, thank you to Ebro, Lauren and Pete for you know,

651
00:26:16,840 --> 00:26:22,320
Speaker 1: the years of radio and entertainment. Great interviews and we

652
00:26:22,440 --> 00:26:24,119
Speaker 1: just have to wait and see where they where they

653
00:26:24,200 --> 00:26:27,480
Speaker 1: end up. But I'm sure we'll see Laura Ebro and

654
00:26:28,000 --> 00:26:28,560
Speaker 1: Pete again.

655
00:26:29,119 --> 00:26:31,080
Speaker 2: Yeah, I mean, and they all alluded to that in there,

656
00:26:31,480 --> 00:26:35,280
Speaker 2: like yeah, tweets and everything.

657
00:26:35,440 --> 00:26:38,000
Speaker 3: Just a change. Change is good, Change is inevitable. What

658
00:26:38,280 --> 00:26:38,840
Speaker 3: do we think?

659
00:26:40,400 --> 00:26:42,199
Speaker 2: And this isn't even local because I still feel like

660
00:26:42,200 --> 00:26:46,440
Speaker 2: Hot ninety seven is still a nationwide brand even though

661
00:26:46,440 --> 00:26:50,240
Speaker 2: it's not like a breakfast club that's syndicated in Iowa

662
00:26:50,320 --> 00:26:52,800
Speaker 2: like it is, but Hot ninety seven is still a national.

663
00:26:52,440 --> 00:26:53,880
Speaker 1: Brand because it's hip hop.

664
00:26:54,640 --> 00:26:57,520
Speaker 2: What is the next move because none of the streamers,

665
00:26:57,560 --> 00:27:00,280
Speaker 2: the streamers of the streamers like that's where radio when

666
00:27:00,280 --> 00:27:01,760
Speaker 2: they always like let's get new blood in there, Like

667
00:27:01,800 --> 00:27:04,479
Speaker 2: all the new blood that would be good may not

668
00:27:04,520 --> 00:27:06,280
Speaker 2: want to go at radio like they have their own thing,

669
00:27:06,320 --> 00:27:09,120
Speaker 2: whether it be podcasts and streaming like Twitch. I don't

670
00:27:09,160 --> 00:27:11,879
Speaker 2: know if those people that would revamp it would have

671
00:27:11,960 --> 00:27:15,359
Speaker 2: any interest in going to do that, but they need somebody.

672
00:27:15,560 --> 00:27:19,520
Speaker 3: Yeah, it can't be flex. It can't be flexed.

673
00:27:19,960 --> 00:27:22,639
Speaker 1: No, and it won't be flex I mean, this is

674
00:27:22,640 --> 00:27:24,840
Speaker 1: how of flex is he's saying that, you know he's

675
00:27:24,880 --> 00:27:26,960
Speaker 1: not going to be the permanent replacement. He was just

676
00:27:27,000 --> 00:27:30,680
Speaker 1: taking over today. But yeah, I don't know, man, I

677
00:27:30,880 --> 00:27:32,919
Speaker 1: don't know. I do. I do think that this is

678
00:27:32,960 --> 00:27:36,200
Speaker 1: a sign of things to come. I think there's more

679
00:27:36,280 --> 00:27:38,800
Speaker 1: changes that will happen. I think that, you know, there's

680
00:27:38,880 --> 00:27:41,480
Speaker 1: changes that have already happened before. This's is just another

681
00:27:41,480 --> 00:27:44,199
Speaker 1: one on the list. And I just think that's the

682
00:27:44,200 --> 00:27:45,840
Speaker 1: time we in man. I think things are changing, things

683
00:27:45,840 --> 00:27:46,320
Speaker 1: are shifting.

684
00:27:46,520 --> 00:27:47,639
Speaker 3: I heard I heard a rumor.

685
00:27:49,600 --> 00:27:52,600
Speaker 2: Because of their their privacy, I will not say what

686
00:27:52,640 --> 00:27:54,199
Speaker 2: it is, and I hate being this person, but I

687
00:27:54,240 --> 00:27:57,320
Speaker 2: heard a rumor of who they chose for that morning slot,

688
00:27:57,920 --> 00:28:00,159
Speaker 2: and it's the best move they could have ever made.

689
00:28:00,560 --> 00:28:03,040
Speaker 2: When I was told who they picked, I was like, oh, yeah,

690
00:28:03,320 --> 00:28:05,600
Speaker 2: this is going to keep Hot ninety. It's the perfect

691
00:28:05,640 --> 00:28:10,520
Speaker 2: person to keep that ship moving. Good morning, speedy, No,

692
00:28:10,560 --> 00:28:13,199
Speaker 2: not sunny. But I know a lot of people have

693
00:28:13,240 --> 00:28:15,320
Speaker 2: complained over the years that there's not a lot of

694
00:28:15,359 --> 00:28:19,840
Speaker 2: New Yorkers left at Hot or at Power. And when

695
00:28:19,840 --> 00:28:22,159
Speaker 2: you have a New Yorker that's relevant, that's funny, that

696
00:28:22,240 --> 00:28:25,679
Speaker 2: can revamp something and as a creative fucking mind and

697
00:28:25,720 --> 00:28:28,639
Speaker 2: has a cult following, yeah that's going to keep the

698
00:28:28,680 --> 00:28:31,359
Speaker 2: hot ninety seven ship moving if he takes that offer.

699
00:28:32,480 --> 00:28:34,199
Speaker 2: It was when I heard that because I was I

700
00:28:34,240 --> 00:28:35,720
Speaker 2: wasn't thinking too much of it, Like I didn't spend

701
00:28:35,760 --> 00:28:38,000
Speaker 2: my weekend wondering what ninety seven was going to replace with.

702
00:28:38,160 --> 00:28:41,520
Speaker 2: But when I heard it on Sunday, I said, oh, genius, can.

703
00:28:41,360 --> 00:28:43,320
Speaker 5: You cover your mouths it?

704
00:28:46,600 --> 00:28:48,520
Speaker 3: Ah?

705
00:28:48,960 --> 00:28:51,480
Speaker 2: I thought it was perfect. I thought it was a

706
00:28:51,480 --> 00:28:54,880
Speaker 2: home run, local innovative.

707
00:28:55,960 --> 00:28:59,280
Speaker 1: Grew up on radio but has clearly isn't a completely

708
00:28:59,280 --> 00:29:04,120
Speaker 1: different worlds Like I thought that was, Oh, yeah, you

709
00:29:04,160 --> 00:29:05,200
Speaker 1: guys may have a fighting chance.

710
00:29:05,240 --> 00:29:07,840
Speaker 2: Now, yeah, I'm interested. You just had that reaction though.

711
00:29:07,720 --> 00:29:10,000
Speaker 5: That's no, it's no, it wasn't a barrier, I said, interesting,

712
00:29:10,520 --> 00:29:12,760
Speaker 5: It was just more me processing it and thinking about it.

713
00:29:12,800 --> 00:29:14,040
Speaker 5: And you've had time to think about it.

714
00:29:14,040 --> 00:29:14,400
Speaker 3: I haven't.

715
00:29:14,440 --> 00:29:17,280
Speaker 2: So yeah, those Speedy would be great, But I think

716
00:29:18,400 --> 00:29:21,960
Speaker 2: that was just a joke. I think Speedy enjoys his

717
00:29:21,960 --> 00:29:25,680
Speaker 2: his life of one interview on his time, because that's

718
00:29:25,680 --> 00:29:29,840
Speaker 2: what I think people don't understand, Like, yes, everyone has

719
00:29:29,880 --> 00:29:32,800
Speaker 2: full time jobs. I'm not saying a cushy radio gig

720
00:29:32,800 --> 00:29:35,400
Speaker 2: when you're on the air for just four hours is

721
00:29:36,040 --> 00:29:38,960
Speaker 2: not the life. But you take a morning gig on

722
00:29:39,000 --> 00:29:42,480
Speaker 2: a radio station. That's your life though, like you can't travel,

723
00:29:42,600 --> 00:29:46,800
Speaker 2: you can't like even like when when Dame was, you know,

724
00:29:46,880 --> 00:29:50,840
Speaker 2: jokingly giving Charlotte and all them shit, I felt attacked too.

725
00:29:50,880 --> 00:29:52,640
Speaker 2: When Dane was saying it. Dane was like, y'all live

726
00:29:52,680 --> 00:29:55,520
Speaker 2: in this fucking box. Y'all even have a window. Like

727
00:29:55,680 --> 00:29:57,800
Speaker 2: when Dane was attacking them, I was like, God, damn it,

728
00:29:57,840 --> 00:30:00,600
Speaker 2: this has hurting me too, Like he's like, y'all don't

729
00:30:00,600 --> 00:30:02,120
Speaker 2: even y'a don't even get to go out and live,

730
00:30:02,120 --> 00:30:04,920
Speaker 2: but like you've been in the same place. So like

731
00:30:05,000 --> 00:30:07,240
Speaker 2: that's when in my nature for the first time, I

732
00:30:07,240 --> 00:30:08,880
Speaker 2: wanted to defend Charlotte, Like, fuck you, Dame.

733
00:30:09,440 --> 00:30:13,520
Speaker 3: We have a life. You don't have dreams. I go outside,

734
00:30:15,200 --> 00:30:17,880
Speaker 3: have perspective, you know, saying I don't even got a window.

735
00:30:17,640 --> 00:30:21,600
Speaker 2: Like damn, but I feel them and like, granted, it's

736
00:30:21,640 --> 00:30:24,040
Speaker 2: still a dream to have this kid, because you could

737
00:30:24,040 --> 00:30:27,960
Speaker 2: say that about shit sound engineers, Like I'm sure there's

738
00:30:28,000 --> 00:30:30,960
Speaker 2: been times like I've watched Guru pivot to do stuff

739
00:30:31,000 --> 00:30:32,480
Speaker 2: that he wants to do, but there was a time

740
00:30:32,800 --> 00:30:34,560
Speaker 2: when I've heard him and just Blaze talk about like

741
00:30:34,760 --> 00:30:40,040
Speaker 2: we were working on beans Freeway. Jay Cam, we literally

742
00:30:40,160 --> 00:30:43,800
Speaker 2: lived in baseline. I used to go street to change clothes.

743
00:30:43,800 --> 00:30:45,400
Speaker 2: They used to get a hotel across the street just

744
00:30:45,440 --> 00:30:45,920
Speaker 2: to shower.

745
00:30:46,200 --> 00:30:49,400
Speaker 3: He's like, we had no life, Like we literally lived

746
00:30:49,400 --> 00:30:51,200
Speaker 3: in a dark room. People don't talk about that part

747
00:30:51,200 --> 00:30:51,400
Speaker 3: of it.

748
00:30:51,400 --> 00:30:53,200
Speaker 1: Like when you so baked into the culture in a

749
00:30:53,240 --> 00:30:57,520
Speaker 1: position like radio or something like that, or podcasting, you know,

750
00:30:57,560 --> 00:31:00,959
Speaker 1: it becomes a thing where it has to weekly yally.

751
00:31:01,040 --> 00:31:02,280
Speaker 1: You know what I'm saying. You have to do this

752
00:31:02,360 --> 00:31:04,880
Speaker 1: thing and you have to be on air. It's a

753
00:31:04,920 --> 00:31:07,360
Speaker 1: blessing and it's a privilege to have, you know, that

754
00:31:07,440 --> 00:31:11,040
Speaker 1: position and to you know, kind of be in a

755
00:31:11,440 --> 00:31:14,160
Speaker 1: spot where people look to you on their morning commutes

756
00:31:14,200 --> 00:31:16,719
Speaker 1: and things like that. But there's a thing of you know,

757
00:31:16,840 --> 00:31:19,640
Speaker 1: it can box you in and keep you from growing,

758
00:31:19,680 --> 00:31:22,160
Speaker 1: and other opportunities that may come your way you up

759
00:31:22,200 --> 00:31:25,640
Speaker 1: to turn down because it just you know, it doesn't

760
00:31:25,640 --> 00:31:28,760
Speaker 1: coincide with your schedule for radio and things like that.

761
00:31:28,840 --> 00:31:30,160
Speaker 3: So it's not an easy thing.

762
00:31:30,240 --> 00:31:32,480
Speaker 1: Man. We take for granted, you know, like you said,

763
00:31:33,120 --> 00:31:35,680
Speaker 1: how people have to put their lives kind of on

764
00:31:35,720 --> 00:31:37,560
Speaker 1: the back burner a little bit, their personal lives on

765
00:31:37,600 --> 00:31:39,960
Speaker 1: the back burner when they have these you know, these

766
00:31:40,000 --> 00:31:43,240
Speaker 1: positions in our culture. So to have something like you know,

767
00:31:43,320 --> 00:31:45,440
Speaker 1: Ebro in the morning for so many years and that

768
00:31:45,480 --> 00:31:48,840
Speaker 1: team to be dedicated to doing that for so many years,

769
00:31:48,960 --> 00:31:50,040
Speaker 1: it's not a small.

770
00:31:49,760 --> 00:31:52,040
Speaker 4: Thing, man, that's like a really big deal.

771
00:31:52,480 --> 00:31:54,640
Speaker 1: And you know, they should be proud of what they did,

772
00:31:54,720 --> 00:31:58,200
Speaker 1: what they accomplished, what they've given us. And I'm sure

773
00:31:58,240 --> 00:32:00,560
Speaker 1: again that they'll be a part of whatever just coming,

774
00:32:00,640 --> 00:32:03,360
Speaker 1: whatever change is happening. I'm sure that all three of

775
00:32:03,360 --> 00:32:05,880
Speaker 1: those individuals will land on their feet.

776
00:32:06,160 --> 00:32:06,400
Speaker 3: Yeah.

777
00:32:06,400 --> 00:32:09,320
Speaker 2: No, absolutely, though I am jealous of radio people. They

778
00:32:09,320 --> 00:32:12,400
Speaker 2: get commercial breaks, music breaks. Yeah, we gotta fuck that.

779
00:32:12,520 --> 00:32:16,120
Speaker 5: Yeah, but we're just talking fucking yeah. But it's four hours,

780
00:32:16,560 --> 00:32:16,800
Speaker 5: I know.

781
00:32:17,440 --> 00:32:19,560
Speaker 2: And they've all moved to long form interviews as well.

782
00:32:19,640 --> 00:32:22,480
Speaker 2: So they are podcasters. Yeah, Breakfast Club has one podcast

783
00:32:22,520 --> 00:32:24,280
Speaker 2: of the year for the last thirty years, I believe. Yeah,

784
00:32:24,280 --> 00:32:25,760
Speaker 2: so like you know, they're a podcast the.

785
00:32:25,800 --> 00:32:29,040
Speaker 3: Last how many years? Thirty?

786
00:32:29,640 --> 00:32:31,400
Speaker 4: Yeah, Charlemagne's contract is ending.

787
00:32:31,840 --> 00:32:35,920
Speaker 2: Yeah, which is a good segue. Well, not Charlemagne's per

788
00:32:35,960 --> 00:32:39,920
Speaker 2: se if it's the Black Effect Network signed with iHeart

789
00:32:39,920 --> 00:32:43,000
Speaker 2: for five years. I think that's separate of Charlemagne's contract

790
00:32:43,080 --> 00:32:45,400
Speaker 2: with Breakfast Club. But I could be wrong or they

791
00:32:45,960 --> 00:32:49,160
Speaker 2: run coincide either way, but he was up there with Dolly.

792
00:32:49,200 --> 00:32:50,280
Speaker 3: I forgot what platform they were on.

793
00:32:50,320 --> 00:32:54,360
Speaker 2: Shout to Dolly and they asked December twenty twenty five,

794
00:32:55,080 --> 00:32:57,280
Speaker 2: contracts up, which you're about to do? And Charlemagne did

795
00:32:57,320 --> 00:32:59,320
Speaker 2: a great job of just dancing around the question. Same

796
00:32:59,320 --> 00:33:01,320
Speaker 2: shit I would do. Not judging him for it. But

797
00:33:01,400 --> 00:33:05,000
Speaker 2: I think with the news on Friday of the iHeart

798
00:33:05,000 --> 00:33:07,640
Speaker 2: and Netflix deal, I don't think Black Effect is going anywhere.

799
00:33:09,080 --> 00:33:11,800
Speaker 2: I think Black Effects will be staying with with iHeart.

800
00:33:12,000 --> 00:33:15,800
Speaker 2: I think that's Charlemagne's home base. That's Black effects home base.

801
00:33:16,760 --> 00:33:18,040
Speaker 2: New partnership with Netflix.

802
00:33:19,160 --> 00:33:19,880
Speaker 1: Why would you leave?

803
00:33:20,680 --> 00:33:23,200
Speaker 2: Where would you go with all those shows when you

804
00:33:23,280 --> 00:33:25,920
Speaker 2: have something like a Netflix partnership coming up? With iHeart

805
00:33:26,320 --> 00:33:28,840
Speaker 2: and Yeah, I mean, I know, last time I said Darling,

806
00:33:29,240 --> 00:33:31,960
Speaker 2: I got killed because I didn't know Darling was like

807
00:33:32,000 --> 00:33:35,160
Speaker 2: an insult. But Charlamagne is also Iheart's Darling. I mean

808
00:33:35,200 --> 00:33:37,840
Speaker 2: that as a compliment. I think Charlamagne can go up

809
00:33:37,840 --> 00:33:40,760
Speaker 2: to iHeart and get whatever the fuck he wants. They

810
00:33:40,800 --> 00:33:44,240
Speaker 2: love him because he's always delivered. For the last however

811
00:33:44,280 --> 00:33:48,200
Speaker 2: many years. So I think whatever Charlemagne wants with this

812
00:33:48,240 --> 00:33:50,400
Speaker 2: new Netflix deal, he'll get. So I don't think he'll

813
00:33:50,440 --> 00:33:50,680
Speaker 2: leave it.

814
00:33:50,680 --> 00:33:59,000
Speaker 1: All well over the weekend, you're thinking about upgrading your phone, Rory,

815
00:33:59,080 --> 00:34:02,479
Speaker 1: because I saw your and I was gonna ask. I

816
00:34:02,520 --> 00:34:04,960
Speaker 1: know you feel like you want the new iPhone seventeen.

817
00:34:05,040 --> 00:34:06,400
Speaker 3: I never told a soul about that.

818
00:34:06,480 --> 00:34:08,160
Speaker 1: Yeah, but listen, did you know that it's designed to

819
00:34:08,160 --> 00:34:10,960
Speaker 1: be the most powerful iPhone ever? I didn't. And did

820
00:34:11,040 --> 00:34:13,759
Speaker 1: you know that if it's traffic, they'll come to you? No?

821
00:34:14,000 --> 00:34:14,719
Speaker 4: See, did what you do?

822
00:34:14,840 --> 00:34:14,880
Speaker 1: So?

823
00:34:14,920 --> 00:34:15,440
Speaker 4: I got good news.

824
00:34:15,480 --> 00:34:17,279
Speaker 1: When you order a new phone on law Boosmobile, they'll

825
00:34:17,280 --> 00:34:19,360
Speaker 1: send an expert to your home or right here to

826
00:34:19,400 --> 00:34:19,840
Speaker 1: the studio.

827
00:34:19,920 --> 00:34:21,239
Speaker 3: Rory O got new Boost was like that.

828
00:34:21,320 --> 00:34:22,240
Speaker 4: Yeah, they'll give me your.

829
00:34:22,120 --> 00:34:23,960
Speaker 1: New iPhone seventeen pro and they get you set up

830
00:34:23,960 --> 00:34:25,680
Speaker 1: on a boost Mobile plan within minutes.

831
00:34:25,800 --> 00:34:27,040
Speaker 3: No hassle, no hassle.

832
00:34:27,120 --> 00:34:29,759
Speaker 1: Visit boothsmobile dot com to get started. Delivery available for

833
00:34:29,800 --> 00:34:32,399
Speaker 1: select devices purchased at boostmobile dot Com.

834
00:34:32,480 --> 00:34:32,960
Speaker 3: Terms apply.

835
00:34:33,320 --> 00:34:33,520
Speaker 1: Maul.

836
00:34:33,640 --> 00:34:36,880
Speaker 2: I'm here to shout out hard Rock bet not because

837
00:34:36,920 --> 00:34:41,440
Speaker 2: they sponsored this show, but because man did the Buffalo bills,

838
00:34:41,880 --> 00:34:45,200
Speaker 2: the Nickel City, get me more than a nickel this

839
00:34:45,239 --> 00:34:46,040
Speaker 2: past Sunday on.

840
00:34:46,000 --> 00:34:47,439
Speaker 4: Hard rock, bet let me hold song.

841
00:34:47,560 --> 00:34:49,360
Speaker 3: The whole bar got to drink because of me.

842
00:34:50,760 --> 00:34:52,680
Speaker 1: On you, I was passing out turkeys with what the

843
00:34:52,680 --> 00:34:55,800
Speaker 1: Buffalo Bills did with me. On hard rock bet Rory

844
00:34:55,800 --> 00:34:57,719
Speaker 1: in that new for You paid treated like Instagram.

845
00:34:57,800 --> 00:34:58,640
Speaker 4: Y'all gotta check that out.

846
00:34:58,680 --> 00:35:00,920
Speaker 1: It serves up picks based on one who I ride

847
00:35:00,960 --> 00:35:02,880
Speaker 1: with and how I like to bet. I'll open then

848
00:35:02,880 --> 00:35:05,239
Speaker 1: app go to the for you page, find the play

849
00:35:05,280 --> 00:35:08,200
Speaker 1: I like, and boom bed placed, throw the money bags

850
00:35:08,239 --> 00:35:08,440
Speaker 1: on it.

851
00:35:08,480 --> 00:35:08,839
Speaker 4: There you go.

852
00:35:08,920 --> 00:35:10,600
Speaker 1: Then I'm right back to rapping gifts and throwing on

853
00:35:10,680 --> 00:35:12,560
Speaker 1: my favorite Christman movie like nothing Ever Happened.

854
00:35:12,680 --> 00:35:14,879
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855
00:35:14,920 --> 00:35:16,719
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856
00:35:16,760 --> 00:35:19,880
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857
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858
00:35:21,400 --> 00:35:23,959
Speaker 3: Now that is spreading holiday cheer.

859
00:35:24,239 --> 00:35:26,560
Speaker 1: Pay up on bonus bets, not a cash offer offered

860
00:35:26,560 --> 00:35:29,040
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861
00:35:29,080 --> 00:35:30,480
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862
00:35:30,600 --> 00:35:30,960
Speaker 3: In all of the.

863
00:35:30,960 --> 00:35:36,680
Speaker 1: States, must be twenty one plus and physically President in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

864
00:35:36,680 --> 00:35:39,800
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865
00:35:39,840 --> 00:35:43,160
Speaker 1: conditions apply. Concerned about gambling and Florida, call one eight

866
00:35:43,160 --> 00:35:44,200
Speaker 1: three three play wise.

867
00:35:44,560 --> 00:35:45,240
Speaker 3: In Indiana.

868
00:35:45,280 --> 00:35:47,720
Speaker 1: If you are someone you know has a gambling problem

869
00:35:47,719 --> 00:35:49,719
Speaker 1: and wants helped, call one eye hundred and nine with

870
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Speaker 1: it gambling problem called one hundred Gambler. Arizona, Colorado, Illinois, Michigan,

871
00:35:54,880 --> 00:36:03,160
Speaker 1: New Jersey, Ohio, Tennessee, and Virginia. All right, well, we

872
00:36:03,200 --> 00:36:04,960
Speaker 1: got some new music over the weekend, Rory.

873
00:36:05,120 --> 00:36:06,800
Speaker 3: Yes, it was good good music Friday.

874
00:36:06,960 --> 00:36:11,840
Speaker 1: Good good music Friday. Remember good music Fridays. I was

875
00:36:11,880 --> 00:36:15,400
Speaker 1: at that cham Yeah, great Fridays. We got a Nods

876
00:36:15,440 --> 00:36:20,160
Speaker 1: and DJ Premire album. Yes, after years of you know,

877
00:36:20,360 --> 00:36:23,680
Speaker 1: the culture kind of talking about it and wanting it,

878
00:36:24,400 --> 00:36:26,799
Speaker 1: we obviously knew that it was happening this year and

879
00:36:26,840 --> 00:36:28,440
Speaker 1: we finally got it over this weekend.

880
00:36:29,320 --> 00:36:30,120
Speaker 4: Rory called me.

881
00:36:30,160 --> 00:36:32,080
Speaker 3: Well you text me. I text you yesterday, text me

882
00:36:32,120 --> 00:36:33,120
Speaker 3: Sunday Sunday night.

883
00:36:33,520 --> 00:36:37,800
Speaker 2: I asked for a specific person opinion on it, because

884
00:36:37,840 --> 00:36:39,480
Speaker 2: that person is who I look to. I'm not going

885
00:36:39,520 --> 00:36:40,759
Speaker 2: to say because some people are gonna ask, like, what

886
00:36:40,840 --> 00:36:44,080
Speaker 2: is his opinion, and we're not doing that. Yeah, I

887
00:36:44,120 --> 00:36:46,799
Speaker 2: was curious what someone we were veer in the hip

888
00:36:46,840 --> 00:36:50,840
Speaker 2: hop world what they thought of it, and their review

889
00:36:51,040 --> 00:36:55,040
Speaker 2: was very similar to what I saw on the timeline

890
00:36:55,480 --> 00:36:58,840
Speaker 2: and what I was texted a bit that some people

891
00:36:58,880 --> 00:37:05,400
Speaker 2: were underwhelmed by some of the production. And this is

892
00:37:05,400 --> 00:37:07,759
Speaker 2: why I'm glad I don't really look at the timeline

893
00:37:07,880 --> 00:37:11,680
Speaker 2: before listening to a project. Did I feel like every

894
00:37:11,840 --> 00:37:17,040
Speaker 2: beat was NAS's like or Second Childhood or Devil's Pie? No,

895
00:37:17,600 --> 00:37:20,640
Speaker 2: but clearly Nas had a lot of shit to get

896
00:37:20,680 --> 00:37:23,120
Speaker 2: off his chest. Because I need one of those like

897
00:37:23,440 --> 00:37:25,560
Speaker 2: Twitter pages that has the stats of rapping and how

898
00:37:25,560 --> 00:37:28,200
Speaker 2: many words that's like the most rapping I think I've

899
00:37:28,239 --> 00:37:30,759
Speaker 2: ever heard, Like the most words I've ever heard on

900
00:37:30,760 --> 00:37:32,120
Speaker 2: a Nas album. I mean that in a good way.

901
00:37:32,239 --> 00:37:34,480
Speaker 2: Na's had a lot of shit to say and get

902
00:37:34,520 --> 00:37:38,560
Speaker 2: off his chest. I don't know if the premiere beats

903
00:37:38,960 --> 00:37:41,799
Speaker 2: that you guys were looking for are set up for

904
00:37:41,840 --> 00:37:43,719
Speaker 2: an artist that has a vision like that at that

905
00:37:43,800 --> 00:37:46,400
Speaker 2: current moment. I just don't know if you're going to

906
00:37:46,440 --> 00:37:48,680
Speaker 2: get New York state of mind when Nas is in

907
00:37:48,760 --> 00:37:52,279
Speaker 2: a different mind, like if NAS was on there kind

908
00:37:52,280 --> 00:37:56,239
Speaker 2: of given regular NAS flow sixteen hook whatever, I could

909
00:37:56,239 --> 00:37:58,200
Speaker 2: be like, yeah, I would like a NAS's like in

910
00:37:58,239 --> 00:38:01,960
Speaker 2: this mix. But he just had so much to say

911
00:38:02,040 --> 00:38:04,719
Speaker 2: that was so important that Premier could have played him

912
00:38:04,719 --> 00:38:08,840
Speaker 2: fifteen Nass like type beats and he could have went, nah,

913
00:38:09,400 --> 00:38:11,719
Speaker 2: I want this one with a wider landscape where I

914
00:38:11,760 --> 00:38:14,359
Speaker 2: can talk more. And that's what I took from it,

915
00:38:14,600 --> 00:38:16,680
Speaker 2: as I can totally understand somebody that just wants to

916
00:38:16,719 --> 00:38:19,080
Speaker 2: bang some Premiere and Nas in their car.

917
00:38:19,320 --> 00:38:20,719
Speaker 1: I'm with you, I get it.

918
00:38:20,920 --> 00:38:23,160
Speaker 2: I don't think if there's anything wrong with judging this

919
00:38:23,239 --> 00:38:24,959
Speaker 2: album on the production side.

920
00:38:25,239 --> 00:38:26,920
Speaker 1: Music is to be judged. It's your opinion.

921
00:38:27,200 --> 00:38:28,960
Speaker 3: I just don't think that was NAS's vision.

922
00:38:29,000 --> 00:38:31,760
Speaker 1: I don't know if Pream should get that flak because

923
00:38:31,760 --> 00:38:33,560
Speaker 1: you don't know what was happening in that studio.

924
00:38:33,600 --> 00:38:35,480
Speaker 3: Pream could have played one hundred bangers for him.

925
00:38:35,520 --> 00:38:38,279
Speaker 2: He was like, nah, I think I want these more

926
00:38:38,320 --> 00:38:41,040
Speaker 2: simplistic pullback beats so I could talk the shit I'm talking.

927
00:38:42,480 --> 00:38:45,040
Speaker 2: That's what I thought of the criticism. I personally really

928
00:38:45,120 --> 00:38:46,960
Speaker 2: like every time I listen to what I catch more.

929
00:38:48,120 --> 00:38:50,080
Speaker 2: It's a very very intricate NAS album.

930
00:38:50,080 --> 00:38:51,120
Speaker 3: The shit was like a book.

931
00:38:52,280 --> 00:38:54,360
Speaker 2: The shit that they give nas like koofy naves that

932
00:38:55,400 --> 00:38:58,759
Speaker 2: this is that to me like he was, it was

933
00:38:58,800 --> 00:39:01,440
Speaker 2: a dissertation, was a fucking ted talk, And I mean

934
00:39:01,440 --> 00:39:03,640
Speaker 2: that in a good way. Like even when people gave

935
00:39:03,640 --> 00:39:05,759
Speaker 2: four forty four some shit, even though I think those

936
00:39:05,840 --> 00:39:09,279
Speaker 2: no id beats are fucking crazy, when they gave four

937
00:39:09,360 --> 00:39:11,799
Speaker 2: forty four shit. On the production side, it was like, well,

938
00:39:11,880 --> 00:39:13,799
Speaker 2: Jay had a lot to say, so clearly no Idea

939
00:39:13,880 --> 00:39:16,239
Speaker 2: is pulling back on some of these. Yeah, he's me

940
00:39:16,400 --> 00:39:18,120
Speaker 2: mixed on top of the shit for a reason because

941
00:39:18,600 --> 00:39:21,640
Speaker 2: what he's saying is more important than what you're listening

942
00:39:21,640 --> 00:39:23,799
Speaker 2: to production wise. But again, I'm also one of those

943
00:39:23,800 --> 00:39:28,200
Speaker 2: people that pick production over lyrics anything. Yeah, I've heard

944
00:39:28,719 --> 00:39:33,160
Speaker 2: shitty rap songs with good production. I'm sorry, rap songs

945
00:39:33,200 --> 00:39:35,279
Speaker 2: with shitty lyrics and good production that I've liked. I

946
00:39:35,280 --> 00:39:37,520
Speaker 2: don't know if I've heard production I hate.

947
00:39:37,360 --> 00:39:38,759
Speaker 1: In good lyrics and then like I'm going to listen

948
00:39:38,800 --> 00:39:39,160
Speaker 1: to that again.

949
00:39:39,239 --> 00:39:41,520
Speaker 2: Yeah, production is always number one for me, even though

950
00:39:41,520 --> 00:39:44,359
Speaker 2: words are so important. But yeah, if Na's had all

951
00:39:44,400 --> 00:39:48,719
Speaker 2: this to say, then you're gonna get like a clean canvas,

952
00:39:49,480 --> 00:39:50,360
Speaker 2: not a nases like.

953
00:39:50,440 --> 00:39:52,200
Speaker 3: Type of canvas. You're not going to get a New

954
00:39:52,280 --> 00:39:53,680
Speaker 3: York State of Mind canvas.

955
00:39:54,120 --> 00:39:55,440
Speaker 4: I'm on the other side.

956
00:39:55,760 --> 00:39:58,760
Speaker 1: I was a little underwhelmed by the album, only because

957
00:39:58,800 --> 00:40:03,920
Speaker 1: I think after getting six Nas hit Boy albums and

958
00:40:04,160 --> 00:40:06,319
Speaker 1: the music finally get into a space where because for

959
00:40:06,440 --> 00:40:08,360
Speaker 1: years people have given Nas.

960
00:40:08,080 --> 00:40:10,720
Speaker 3: Slack, like, you know, his production is lack less.

961
00:40:10,400 --> 00:40:11,440
Speaker 1: Time always disagree with.

962
00:40:11,480 --> 00:40:13,240
Speaker 4: Why they put that on Nas. I don't know, but whatever.

963
00:40:14,960 --> 00:40:19,560
Speaker 1: So this album, I was expecting the music to kind

964
00:40:19,600 --> 00:40:21,760
Speaker 1: of coming again, coming off all of the hit Boy stuff.

965
00:40:22,200 --> 00:40:25,120
Speaker 1: I was expecting the music to be a little different

966
00:40:25,120 --> 00:40:27,719
Speaker 1: than what they gave us. I wasn't expecting it to

967
00:40:27,719 --> 00:40:30,239
Speaker 1: be exactly what hit Boy and NAS did because this

968
00:40:30,320 --> 00:40:34,319
Speaker 1: is obviously prim and Nas, but it wasn't to me.

969
00:40:34,400 --> 00:40:39,000
Speaker 1: The music wasn't you know, lyrically, Nas is going to

970
00:40:39,040 --> 00:40:41,960
Speaker 1: be Nas on every track. He's gonna do what NAS does,

971
00:40:42,000 --> 00:40:43,839
Speaker 1: so I'm not never worried about that, but I think

972
00:40:43,880 --> 00:40:47,560
Speaker 1: the music on a lot of the tracks didn't carry

973
00:40:47,680 --> 00:40:49,359
Speaker 1: NAS's lyrics as much as they could.

974
00:40:49,400 --> 00:40:54,520
Speaker 2: Up, were you expecting more of the Ransom premiere album

975
00:40:54,520 --> 00:40:57,760
Speaker 2: that came out in October at the Reinvention? We're expecting

976
00:40:57,800 --> 00:41:01,080
Speaker 2: more of that type of prem.

977
00:41:00,120 --> 00:41:00,640
Speaker 4: I'm not saying.

978
00:41:00,640 --> 00:41:04,760
Speaker 1: I'm not saying I expected that type of Preme again

979
00:41:04,800 --> 00:41:07,000
Speaker 1: because the artist is different. So you know, the producer

980
00:41:07,000 --> 00:41:10,040
Speaker 1: has to kind of cater to whatever artists they're working with.

981
00:41:10,080 --> 00:41:13,520
Speaker 1: But you know, this album, the music, to me, is

982
00:41:13,560 --> 00:41:17,560
Speaker 1: not as strong as I would have hoped it to be. Again,

983
00:41:17,680 --> 00:41:20,920
Speaker 1: Nas lyrically is always in shape. He's always talking, you know.

984
00:41:21,320 --> 00:41:23,319
Speaker 1: Now he got real slic shit to talk about, you know,

985
00:41:23,600 --> 00:41:25,080
Speaker 1: opening casinos and things like that.

986
00:41:25,120 --> 00:41:28,200
Speaker 4: This whole language is different now. Just the music.

987
00:41:27,960 --> 00:41:32,279
Speaker 1: Didn't really keep me in and grab me the way

988
00:41:32,360 --> 00:41:33,880
Speaker 1: I thought it would have been, you know what I mean. Like,

989
00:41:34,000 --> 00:41:36,600
Speaker 1: this is something that people have been asking for for

990
00:41:36,680 --> 00:41:40,680
Speaker 1: years between Nas and Premiere, so when we heard that

991
00:41:40,719 --> 00:41:43,400
Speaker 1: they were finally doing it, we was all excited. I

992
00:41:43,440 --> 00:41:45,000
Speaker 1: just think that they didn't live up to Now, if

993
00:41:45,040 --> 00:41:47,759
Speaker 1: we got this album before we got all of the

994
00:41:47,840 --> 00:41:52,440
Speaker 1: hit Boy albums, maybe I feel a little different. But

995
00:41:52,520 --> 00:41:55,400
Speaker 1: coming off of all of those hit Boy records and

996
00:41:55,480 --> 00:41:57,759
Speaker 1: that music being what it was and as strong as

997
00:41:57,760 --> 00:42:00,839
Speaker 1: it was, to this was kind of underwhelming because again,

998
00:42:00,880 --> 00:42:05,880
Speaker 1: well I'm only judging you off of your last.

999
00:42:03,719 --> 00:42:06,160
Speaker 2: And obviously with the hip boy when you get records

1000
00:42:06,200 --> 00:42:08,320
Speaker 2: like The Cure where Nas is just saying crap. I

1001
00:42:08,360 --> 00:42:10,360
Speaker 2: think that was on King Disease three like he was

1002
00:42:10,440 --> 00:42:12,360
Speaker 2: rapping rapping on the Hit Boys shit for sure, But

1003
00:42:13,640 --> 00:42:15,320
Speaker 2: I think it was more of a balance of production

1004
00:42:15,560 --> 00:42:17,360
Speaker 2: and pulling back a bit on the rapping because of

1005
00:42:17,400 --> 00:42:20,560
Speaker 2: the production. I think he entered this one with the

1006
00:42:20,560 --> 00:42:23,640
Speaker 2: opposite thought of just getting everything he had to say,

1007
00:42:23,640 --> 00:42:26,600
Speaker 2: which I'm fine with because we have those six Hit

1008
00:42:26,680 --> 00:42:29,359
Speaker 2: Boy albums that are kind of in the other vein.

1009
00:42:29,400 --> 00:42:31,960
Speaker 2: But I feel like on pause tapes you get the

1010
00:42:32,320 --> 00:42:35,120
Speaker 2: no spream feeling. I think people wanted mad Man. I

1011
00:42:35,120 --> 00:42:38,520
Speaker 2: think you get it like it's a balance. I just

1012
00:42:38,520 --> 00:42:43,880
Speaker 2: don't know if I don't know if people should judge

1013
00:42:43,920 --> 00:42:48,120
Speaker 2: this album this quickly based off who these two people are.

1014
00:42:48,320 --> 00:42:49,040
Speaker 4: A slow burn for you.

1015
00:42:49,719 --> 00:42:52,279
Speaker 2: I think people should give it another chance because I

1016
00:42:52,280 --> 00:42:56,000
Speaker 2: don't think it was designed to be the blow your

1017
00:42:56,040 --> 00:42:59,920
Speaker 2: ears into another stratosphere on the first listening while we

1018
00:43:00,040 --> 00:43:03,120
Speaker 2: all waited at Thursday at midnight to just get in

1019
00:43:03,160 --> 00:43:06,000
Speaker 2: the car and play it, I don't think that was

1020
00:43:06,040 --> 00:43:08,279
Speaker 2: what they were going for. I think it's more I

1021
00:43:08,320 --> 00:43:10,239
Speaker 2: think this is something you need to listen to more

1022
00:43:10,640 --> 00:43:11,959
Speaker 2: and like appreciate more.

1023
00:43:12,760 --> 00:43:15,040
Speaker 3: I appreciate it. I just can't. The music for me

1024
00:43:15,160 --> 00:43:17,160
Speaker 3: is just not what don't think.

1025
00:43:17,160 --> 00:43:19,840
Speaker 2: I don't have my critiques like you know shit I

1026
00:43:19,880 --> 00:43:22,359
Speaker 2: started at My life is real obviously at midnight. But

1027
00:43:22,480 --> 00:43:24,160
Speaker 2: I wanted to skip to number three in New York

1028
00:43:24,160 --> 00:43:26,759
Speaker 2: State of Mind Part three. Do I think that holds

1029
00:43:26,800 --> 00:43:28,400
Speaker 2: up against New York State of Mind Part one and two?

1030
00:43:28,440 --> 00:43:30,279
Speaker 1: Absolutely not. I don't.

1031
00:43:30,280 --> 00:43:30,719
Speaker 3: I don't know that.

1032
00:43:31,200 --> 00:43:33,839
Speaker 2: I don't think you should. I don't dislike the song.

1033
00:43:34,120 --> 00:43:34,960
Speaker 2: I just like the title.

1034
00:43:36,560 --> 00:43:38,800
Speaker 1: Okay, I can't understand that. I don't dis like the

1035
00:43:38,840 --> 00:43:40,480
Speaker 1: song at all. It's not a skip for me. I

1036
00:43:40,560 --> 00:43:41,440
Speaker 1: just disliked the title.

1037
00:43:41,920 --> 00:43:43,920
Speaker 2: I think scratching in all that stuff, you could have

1038
00:43:43,960 --> 00:43:45,799
Speaker 2: just scratched something else and it still would have been

1039
00:43:45,800 --> 00:43:46,560
Speaker 2: an amazing song.

1040
00:43:47,000 --> 00:43:50,000
Speaker 1: Like I just need we need more drums. We need

1041
00:43:50,000 --> 00:43:52,799
Speaker 1: more drums again. That's why I think no one like

1042
00:43:52,800 --> 00:43:56,520
Speaker 1: a clean slate. I have drums, though I listen.

1043
00:43:56,560 --> 00:43:59,600
Speaker 2: I'm always Ava as much as I love Griselda and

1044
00:43:59,640 --> 00:44:01,560
Speaker 2: a lot of that sound, and they still have drums.

1045
00:44:01,560 --> 00:44:03,319
Speaker 2: But I was still one of those like yo, I

1046
00:44:03,320 --> 00:44:05,080
Speaker 2: love that hip hop is still happening, but can we

1047
00:44:05,080 --> 00:44:05,520
Speaker 2: get drums?

1048
00:44:05,600 --> 00:44:05,759
Speaker 6: Back.

1049
00:44:06,000 --> 00:44:06,760
Speaker 1: I like drums.

1050
00:44:06,840 --> 00:44:10,480
Speaker 2: Yeah, I hate that drums has become extinct in the

1051
00:44:10,960 --> 00:44:13,120
Speaker 2: quote unquote underground hip hop shit, like everybody just wants

1052
00:44:13,160 --> 00:44:15,640
Speaker 2: to wrap over a fucking sample and some keys somebody

1053
00:44:15,680 --> 00:44:18,080
Speaker 2: at a fucking snare, right, So I feel especially Preme

1054
00:44:18,160 --> 00:44:23,680
Speaker 2: drums because Preme drums are shit, probably the most iconic

1055
00:44:23,760 --> 00:44:25,759
Speaker 2: drums in hip hop history. But of course you want

1056
00:44:25,800 --> 00:44:28,439
Speaker 2: Preme drums. So I hear you not mad at that criticulo, Yeah,

1057
00:44:28,600 --> 00:44:30,680
Speaker 2: I just don't. I just don't know if that's when

1058
00:44:30,719 --> 00:44:32,200
Speaker 2: not get it.

1059
00:44:32,360 --> 00:44:34,160
Speaker 1: We wasn't in the studio when they created it, but

1060
00:44:34,200 --> 00:44:35,759
Speaker 1: you know, this is what they gave us, so we

1061
00:44:35,800 --> 00:44:37,960
Speaker 1: can only go for what the final product sounds like.

1062
00:44:38,680 --> 00:44:42,279
Speaker 1: But for me, it was a little little underwhelming. But again,

1063
00:44:42,320 --> 00:44:45,160
Speaker 1: you know, I'm this is like childhood shit for me

1064
00:44:45,360 --> 00:44:48,279
Speaker 1: to finally get a Nodge and DJ Promi album. So

1065
00:44:48,280 --> 00:44:50,760
Speaker 1: I'm happy that we got it, but it just didn't

1066
00:44:51,040 --> 00:44:53,000
Speaker 1: live up to my expectations of what I thought it

1067
00:44:53,000 --> 00:44:56,680
Speaker 1: would sound like. But not saying it's a bad album, Uh,

1068
00:44:56,800 --> 00:44:58,560
Speaker 1: it just didn't live up to the expectations that I

1069
00:44:58,600 --> 00:44:59,279
Speaker 1: had for No.

1070
00:44:59,520 --> 00:45:01,040
Speaker 2: And again, I want to make clear when I saw

1071
00:45:01,080 --> 00:45:04,200
Speaker 2: everyone critiquing it. It wasn't a bunch of people hating

1072
00:45:04,560 --> 00:45:06,560
Speaker 2: like it was. It was music people really telling their

1073
00:45:06,600 --> 00:45:08,520
Speaker 2: opinion on it. Wasn't one of those like just hate

1074
00:45:08,560 --> 00:45:12,200
Speaker 2: train things. So I can appreciate people disliking the project

1075
00:45:12,320 --> 00:45:14,319
Speaker 2: and give their reasons. I saw a lot of like

1076
00:45:14,480 --> 00:45:17,200
Speaker 2: song breakdowns. Per rating each one, I was like, well,

1077
00:45:17,200 --> 00:45:19,239
Speaker 2: how could you be mad at that person? That's not hate, Yeah,

1078
00:45:19,280 --> 00:45:22,000
Speaker 2: that's just their opinion. Yeah, So that I was at

1079
00:45:22,040 --> 00:45:25,320
Speaker 2: least happy to see that any critiques and negative comments

1080
00:45:25,320 --> 00:45:27,160
Speaker 2: about it came from a place of somebody that was

1081
00:45:27,200 --> 00:45:28,080
Speaker 2: actually trying to listen.

1082
00:45:28,360 --> 00:45:30,120
Speaker 1: Now, somebody was just like in their oh shoot off,

1083
00:45:30,200 --> 00:45:30,840
Speaker 1: you know you.

1084
00:45:30,840 --> 00:45:31,959
Speaker 4: Can't you can't talk to those people.

1085
00:45:31,960 --> 00:45:34,359
Speaker 1: Those people are gonna they're gonna trash anything that didn't

1086
00:45:34,400 --> 00:45:35,359
Speaker 1: come out when they were born.

1087
00:45:35,480 --> 00:45:37,400
Speaker 3: So yeah, they trashed at eleven fifty nine.

1088
00:45:37,160 --> 00:45:42,640
Speaker 2: So he refreshed not even out yet, but also on Friday,

1089
00:45:42,680 --> 00:45:45,319
Speaker 2: congrats again to our brother Conway. You can't kill God

1090
00:45:45,360 --> 00:45:51,360
Speaker 2: with bullets out now eighteen records write an hour exactly.

1091
00:45:53,000 --> 00:45:56,760
Speaker 2: I mean, I like, I don't know at this point, Conways,

1092
00:45:56,920 --> 00:45:59,560
Speaker 2: the same shit we say about Gibbs, like just the

1093
00:45:59,600 --> 00:46:02,480
Speaker 2: destocer here, this point is kind of untouchable.

1094
00:46:02,520 --> 00:46:04,160
Speaker 3: For me, this is one of Conway's best albums.

1095
00:46:04,239 --> 00:46:08,520
Speaker 1: I'm top to bottom on the same side, still rapping

1096
00:46:08,560 --> 00:46:10,600
Speaker 1: at a very high level. Not many people can rap

1097
00:46:10,640 --> 00:46:14,480
Speaker 1: better than Conway. But what I told him last week

1098
00:46:14,560 --> 00:46:19,240
Speaker 1: listening to it, the music on this album, he stepped

1099
00:46:19,239 --> 00:46:22,160
Speaker 1: it up, you know, on the production side, the music side,

1100
00:46:23,080 --> 00:46:25,200
Speaker 1: getting more into like you know, he's not not too

1101
00:46:25,239 --> 00:46:27,480
Speaker 1: many features. A lot of the songs is just him

1102
00:46:27,480 --> 00:46:31,040
Speaker 1: by myself doing the hooks everything. So to see Conway

1103
00:46:31,160 --> 00:46:35,280
Speaker 1: evolve in that aspect of his of his craft is dope.

1104
00:46:36,160 --> 00:46:37,840
Speaker 1: But yeah, I love this album. This is one of

1105
00:46:37,840 --> 00:46:40,040
Speaker 1: my favorite favorite Conway albums for sure.

1106
00:46:40,239 --> 00:46:42,560
Speaker 3: It's up there with my personal Fit.

1107
00:46:42,640 --> 00:46:44,440
Speaker 2: It's up there with Lulu, with Me the Alchemist One

1108
00:46:45,080 --> 00:46:47,839
Speaker 2: God Don't make Mistakes, It's up there yeah as well. Yeah,

1109
00:46:47,920 --> 00:46:52,360
Speaker 2: I think him and West have a really good quality

1110
00:46:52,600 --> 00:46:59,360
Speaker 2: of topping their previous work. Honestly, Like every time I

1111
00:46:59,400 --> 00:47:01,400
Speaker 2: think this is my favorite West Side Gun album, he

1112
00:47:01,400 --> 00:47:03,879
Speaker 2: puts out Prey for Paris, Like, yeah, it's just every

1113
00:47:03,960 --> 00:47:09,280
Speaker 2: time they find new ways to make straight wrapping.

1114
00:47:09,200 --> 00:47:11,399
Speaker 1: Interesting again and again.

1115
00:47:11,400 --> 00:47:13,200
Speaker 3: I think production wise to this these are some of

1116
00:47:13,239 --> 00:47:16,400
Speaker 3: my favorite beats that that that compet absolutely, so I

1117
00:47:16,400 --> 00:47:16,920
Speaker 3: can't say.

1118
00:47:16,960 --> 00:47:18,719
Speaker 1: It helps to have a few Justice League records on

1119
00:47:18,760 --> 00:47:21,000
Speaker 1: it too. Yeah, you know what I'm saying, mat that'll help,

1120
00:47:21,080 --> 00:47:23,080
Speaker 1: that'll help any artists, Yeah, any project.

1121
00:47:23,560 --> 00:47:26,480
Speaker 2: I love that you put on the ship though, Yeah, yeah, absolutely,

1122
00:47:26,480 --> 00:47:28,680
Speaker 2: I thought that was great. We also got a twenty

1123
00:47:28,680 --> 00:47:29,440
Speaker 2: one Savage project.

1124
00:47:29,480 --> 00:47:31,719
Speaker 3: Shout out to twenty one Savage. What you felt about it?

1125
00:47:34,560 --> 00:47:34,840
Speaker 1: Hmm.

1126
00:47:36,239 --> 00:47:39,880
Speaker 2: It's one of those I do want to give a

1127
00:47:40,000 --> 00:47:42,759
Speaker 2: proper listening because I did stay mostly on Nas and

1128
00:47:42,880 --> 00:47:44,800
Speaker 2: Conway with the time that I did have this weekend,

1129
00:47:44,840 --> 00:47:47,080
Speaker 2: I did give it a once a once over.

1130
00:47:47,320 --> 00:47:49,719
Speaker 3: Okay, when we got back from the ghost.

1131
00:47:49,480 --> 00:47:51,719
Speaker 2: Ship, we were all here with some of some of

1132
00:47:51,719 --> 00:47:55,320
Speaker 2: our Patreon Discord friends, and you had played the Drake record.

1133
00:47:56,080 --> 00:47:57,839
Speaker 2: I saw that getting a lot of shit. I don't

1134
00:47:57,840 --> 00:47:59,360
Speaker 2: have to fuck you out to talk about and.

1135
00:48:00,000 --> 00:48:00,440
Speaker 4: People don't lie.

1136
00:48:00,480 --> 00:48:02,479
Speaker 2: I don't think, Yeah, this is not a Drake cast

1137
00:48:02,520 --> 00:48:04,960
Speaker 2: on my enge. I will always be objective. Y'all are

1138
00:48:04,960 --> 00:48:06,040
Speaker 2: bugging that record is fire?

1139
00:48:06,560 --> 00:48:07,279
Speaker 3: Oh they don't.

1140
00:48:07,280 --> 00:48:08,080
Speaker 4: They're not fucking with it.

1141
00:48:08,239 --> 00:48:11,799
Speaker 2: I mean hatred, like you never know who's on the

1142
00:48:11,800 --> 00:48:14,319
Speaker 2: other side of hating them. Oh okay, like not any

1143
00:48:14,320 --> 00:48:16,440
Speaker 2: personal people I know are like, this is trash, But

1144
00:48:16,440 --> 00:48:18,520
Speaker 2: the Internet, I never know what their agenda is.

1145
00:48:18,719 --> 00:48:21,279
Speaker 3: Click their abby, it's like, oh okay, it makes sense that.

1146
00:48:21,239 --> 00:48:25,200
Speaker 2: Mister precupchit is fire. That beat us fire. Yeah yeah,

1147
00:48:25,200 --> 00:48:27,920
Speaker 2: I don't know what y'all are talking about there. Production

1148
00:48:28,040 --> 00:48:30,920
Speaker 2: wise with twenty one, I prefer more of the American

1149
00:48:31,000 --> 00:48:35,080
Speaker 2: Dream twenty one Savage his last album. I like that

1150
00:48:35,200 --> 00:48:38,799
Speaker 2: production with twenty one, but it wasn't it wasn't bad

1151
00:48:38,840 --> 00:48:40,440
Speaker 2: off off the first listen. I do want to give it,

1152
00:48:40,480 --> 00:48:43,959
Speaker 2: like some real proper attention because, like I've said before,

1153
00:48:44,000 --> 00:48:46,719
Speaker 2: like twenty one, I know he's now not like a

1154
00:48:46,760 --> 00:48:50,880
Speaker 2: new artist, but that era of gonna Baby twenty one

1155
00:48:50,960 --> 00:48:54,200
Speaker 2: is my favorite out of all of that graduating class.

1156
00:48:54,640 --> 00:48:57,239
Speaker 3: So I do want to give it it's proper do.

1157
00:48:57,440 --> 00:48:57,920
Speaker 1: But yeah, it was.

1158
00:48:57,960 --> 00:49:00,239
Speaker 3: It was one over it. It was cool.

1159
00:49:00,239 --> 00:49:01,880
Speaker 2: But I you know, coming off American Dream, which is

1160
00:49:01,880 --> 00:49:03,799
Speaker 2: probably my favorite twenty one album, I was just like

1161
00:49:04,600 --> 00:49:05,759
Speaker 2: I had that twenty one in my head.

1162
00:49:06,000 --> 00:49:07,040
Speaker 4: Yeah I don't that's.

1163
00:49:06,920 --> 00:49:09,200
Speaker 1: Not this, but it's just it's still it's a different

1164
00:49:09,239 --> 00:49:11,080
Speaker 1: vibe from that, definitely, but it's still it's still good

1165
00:49:11,080 --> 00:49:14,040
Speaker 1: wraps in there. It's still good music, good production, twenty one,

1166
00:49:14,120 --> 00:49:15,279
Speaker 1: still talking this ship on there.

1167
00:49:15,520 --> 00:49:17,799
Speaker 4: I wasn't mad at the project. I wasn't mad at all.

1168
00:49:18,239 --> 00:49:21,359
Speaker 2: Yeah, Jamarics, did you listen to any music?

1169
00:49:21,400 --> 00:49:23,200
Speaker 3: I mean, I know you were. You didn't even.

1170
00:49:24,840 --> 00:49:27,680
Speaker 1: As she opened her windows. You didn't let no fresh

1171
00:49:27,760 --> 00:49:31,879
Speaker 1: air in. You didn't do nothing. You just bed rode

1172
00:49:32,000 --> 00:49:37,880
Speaker 1: and fart and eat and it was funky and funky

1173
00:49:37,880 --> 00:49:40,959
Speaker 1: Cole Madiah, It wasn't It wasn't that bad.

1174
00:49:41,000 --> 00:49:44,799
Speaker 5: But yeah, watching Lucifer from the beginning, like I'm just.

1175
00:49:45,400 --> 00:49:48,040
Speaker 1: Hold on, hold on, don't say nothing, don't say nothing.

1176
00:49:48,239 --> 00:49:51,640
Speaker 1: Rory's so so far we got She didn't speak to

1177
00:49:51,640 --> 00:49:54,359
Speaker 1: nobody all weekend. She didn't open that windows, she didn't

1178
00:49:54,360 --> 00:49:56,800
Speaker 1: even know we had a snowstorm, and she was watching

1179
00:49:56,880 --> 00:49:59,280
Speaker 1: Lucifer all weekend.

1180
00:50:00,200 --> 00:50:01,200
Speaker 3: Lucifer is a good shot.

1181
00:50:01,239 --> 00:50:02,000
Speaker 4: I just I just want you.

1182
00:50:02,120 --> 00:50:07,000
Speaker 1: To understand just the bulletin I'm giving you, and you.

1183
00:50:06,920 --> 00:50:09,279
Speaker 5: See why, You see how not interacting with humans will

1184
00:50:09,320 --> 00:50:10,160
Speaker 5: have you like glowing.

1185
00:50:10,640 --> 00:50:13,240
Speaker 2: What's the long ashall went without a shower, without a shower,

1186
00:50:15,880 --> 00:50:20,160
Speaker 2: Because I've had some bedrock weekends where it's like, damn, last.

1187
00:50:20,600 --> 00:50:23,160
Speaker 5: When I was depressed, I probably want a good three days.

1188
00:50:23,360 --> 00:50:27,000
Speaker 1: I'm probably going three days. That ass was smelling like

1189
00:50:27,040 --> 00:50:28,560
Speaker 1: the rim of the mustard bottle.

1190
00:50:28,719 --> 00:50:31,759
Speaker 2: Just Actually, I don't know when I when I was

1191
00:50:33,040 --> 00:50:36,880
Speaker 2: studying to become a member of capof the SIP Fraternity Incorporated.

1192
00:50:38,160 --> 00:50:40,400
Speaker 2: You have to say that every time. Sometimes I sometimes

1193
00:50:40,719 --> 00:50:47,240
Speaker 2: nights I would study in corporate what's a not hazing organization.

1194
00:50:47,640 --> 00:50:50,600
Speaker 2: Clear some nights I would just be studying so hard

1195
00:50:51,120 --> 00:50:53,799
Speaker 2: for like weeks on end. Once I would study so

1196
00:50:53,920 --> 00:50:56,200
Speaker 2: hard that sometimes I would forget and not have.

1197
00:50:56,239 --> 00:50:57,080
Speaker 4: To wash your ass.

1198
00:50:57,600 --> 00:50:59,520
Speaker 1: Yeah, but that was just because I have my head

1199
00:50:59,560 --> 00:51:00,000
Speaker 1: the books. Man.

1200
00:51:00,280 --> 00:51:02,479
Speaker 2: So yeah, that time, it may have been more than three.

1201
00:51:03,400 --> 00:51:05,839
Speaker 2: But I've never done it Civilian World three.

1202
00:51:05,719 --> 00:51:08,360
Speaker 5: I've never done it like where I was like, this

1203
00:51:08,480 --> 00:51:11,399
Speaker 5: is t M I but if I use the bath back,

1204
00:51:11,440 --> 00:51:15,360
Speaker 5: if I poop, I have to like shower that day.

1205
00:51:15,719 --> 00:51:18,520
Speaker 5: So it's never been like that, because it was always

1206
00:51:18,520 --> 00:51:20,520
Speaker 5: like I had to. I just wasn't eat, I was depressed.

1207
00:51:20,560 --> 00:51:22,640
Speaker 5: I wasn't eating, so I wasn't pooping. So I was

1208
00:51:22,680 --> 00:51:24,360
Speaker 5: able to go three days without showering.

1209
00:51:24,719 --> 00:51:28,160
Speaker 3: So yeah, that was he was just fast and that's

1210
00:51:28,160 --> 00:51:31,440
Speaker 3: all he was doing. He was just so depressed. She

1211
00:51:31,480 --> 00:51:34,160
Speaker 3: was praying and fast for my zest for like, Yeah, he.

1212
00:51:34,200 --> 00:51:35,800
Speaker 1: Was just fast and that's all he was doing. Baby,

1213
00:51:35,800 --> 00:51:36,640
Speaker 1: didin't nothing wrong with fast?

1214
00:51:37,320 --> 00:51:37,799
Speaker 3: Made a good point.

1215
00:51:37,840 --> 00:51:40,120
Speaker 2: You get a day, having a day and being depressed

1216
00:51:40,200 --> 00:51:42,040
Speaker 2: is just kind of a funny, like being depressed and

1217
00:51:42,040 --> 00:51:45,719
Speaker 2: then purchasing of a day, Like.

1218
00:51:45,640 --> 00:51:47,720
Speaker 5: How you depressed while water is shooting up your ass?

1219
00:51:48,440 --> 00:51:51,160
Speaker 1: I mean, you know sometimes that's depressing. You don't want

1220
00:51:51,160 --> 00:51:52,520
Speaker 1: to wash your ass, you don't want to be clean.

1221
00:51:53,200 --> 00:51:58,360
Speaker 1: What Anthony Ama just said, ain't shaved, ain't ain't did nothing, Charlie,

1222
00:51:58,400 --> 00:51:59,720
Speaker 1: you don't remember, Charlie.

1223
00:52:00,040 --> 00:52:02,000
Speaker 5: I remember Charlene, but I can't remember what he said.

1224
00:52:03,000 --> 00:52:04,759
Speaker 1: I was. I was pushing for them. I was really

1225
00:52:04,800 --> 00:52:07,640
Speaker 1: hoping they was gonna make it. Not washing your ass

1226
00:52:07,640 --> 00:52:09,359
Speaker 1: and your shower was right there for three days.

1227
00:52:09,360 --> 00:52:09,920
Speaker 3: It's just crazy.

1228
00:52:09,920 --> 00:52:11,960
Speaker 2: Anthony Hamilson might have one of the nastiest tweets of

1229
00:52:11,960 --> 00:52:14,120
Speaker 2: all time. And I know I'm not allowed to you know,

1230
00:52:14,320 --> 00:52:18,120
Speaker 2: who am I to talk about that? But yeah, Anthon

1231
00:52:18,160 --> 00:52:20,000
Speaker 2: Hamilton talks about getting in. This may be a Southern thing,

1232
00:52:20,040 --> 00:52:22,680
Speaker 2: so I apologize. He talked about getting in the bath

1233
00:52:23,120 --> 00:52:24,960
Speaker 2: after his like his mom's bathwater.

1234
00:52:25,000 --> 00:52:25,520
Speaker 1: That was a thing.

1235
00:52:25,920 --> 00:52:27,839
Speaker 2: I just remember everyone killing him on Twitter that day

1236
00:52:27,840 --> 00:52:30,279
Speaker 2: in like twenty ten, and it was just like a

1237
00:52:30,600 --> 00:52:34,040
Speaker 2: maybe this is just a Southern cultural thing that I

1238
00:52:34,080 --> 00:52:36,759
Speaker 2: just don't fully understand, so I'm here to learn.

1239
00:52:36,840 --> 00:52:40,200
Speaker 3: I'm just yeah.

1240
00:52:40,239 --> 00:52:44,440
Speaker 2: The tweet was, remember using your mama's bathwater after she did.

1241
00:52:45,760 --> 00:52:48,000
Speaker 4: Let's get back to Love. I don't know if you

1242
00:52:48,080 --> 00:52:49,040
Speaker 4: hashtagg back.

1243
00:52:48,920 --> 00:52:50,279
Speaker 2: To love, and if that was the name of the

1244
00:52:50,320 --> 00:52:52,200
Speaker 2: song he was promoting that week, that's even crazier.

1245
00:52:52,200 --> 00:52:56,279
Speaker 1: But using your mama's bathwater. It couldn't bet me, let

1246
00:52:56,320 --> 00:52:59,000
Speaker 1: me tall you No, it ain't. Oh no, the title

1247
00:52:59,120 --> 00:53:02,080
Speaker 1: was to get back to the name of that Let's get.

1248
00:53:01,960 --> 00:53:04,800
Speaker 3: Back to love, back to Love? And I love Anthony Hamilton, but.

1249
00:53:04,920 --> 00:53:08,160
Speaker 1: Again Anthony, listen, we love Anthony Hamilton over here, legend.

1250
00:53:09,440 --> 00:53:11,440
Speaker 1: I don't know how deep in the trenches you gotta

1251
00:53:11,440 --> 00:53:13,239
Speaker 1: be to have your niggas got ship back.

1252
00:53:13,280 --> 00:53:15,400
Speaker 2: We'll not from the sticks mall like that could be

1253
00:53:15,400 --> 00:53:16,840
Speaker 2: a thing where you only have so much.

1254
00:53:16,680 --> 00:53:21,799
Speaker 1: Water in a week, fam sharing bathwater, you and the

1255
00:53:21,960 --> 00:53:23,040
Speaker 1: fucking trenches.

1256
00:53:23,600 --> 00:53:25,960
Speaker 3: I'm way deep in the trenches and I've been to Charlotte.

1257
00:53:25,960 --> 00:53:26,680
Speaker 3: It's kind of a city.

1258
00:53:27,440 --> 00:53:28,520
Speaker 4: Wait this happened to Sharp.

1259
00:53:29,320 --> 00:53:31,880
Speaker 5: I'm just talking at it back in his day, Charlotte,

1260
00:53:31,920 --> 00:53:32,760
Speaker 5: back in his day.

1261
00:53:32,680 --> 00:53:35,440
Speaker 1: Man, Anthony Hamilton might be the same body you talking about,

1262
00:53:35,480 --> 00:53:38,520
Speaker 1: like back in his day. Would you think he eighty

1263
00:53:38,600 --> 00:53:41,680
Speaker 1: nine years old? Think it's not even fifty years old yet.

1264
00:53:41,719 --> 00:53:44,759
Speaker 1: I know a lot of people from Hamilton. Man, Uh,

1265
00:53:45,000 --> 00:53:45,600
Speaker 1: he's fifty four.

1266
00:53:45,640 --> 00:53:47,400
Speaker 3: He was born in seventy one, so you guys are

1267
00:53:47,520 --> 00:53:48,600
Speaker 3: seventy one.

1268
00:53:49,320 --> 00:53:51,720
Speaker 5: Seventy one back back was Charlotte.

1269
00:53:51,719 --> 00:53:56,080
Speaker 3: I can see it happening. Nah, sharing Sharon bathwater is crazy.

1270
00:53:57,480 --> 00:53:59,880
Speaker 1: Let me wash my ass, get out, and then you

1271
00:54:00,080 --> 00:54:01,680
Speaker 1: get in the same water.

1272
00:54:01,600 --> 00:54:03,719
Speaker 5: Because because now we got rock paper sisters, because who

1273
00:54:03,719 --> 00:54:04,399
Speaker 5: get the fresh water?

1274
00:54:05,400 --> 00:54:07,640
Speaker 1: No, it seems like mom did.

1275
00:54:07,880 --> 00:54:09,640
Speaker 5: Oh if I was my mom for show getting the

1276
00:54:09,640 --> 00:54:11,080
Speaker 5: fresh water, you niggas could oh.

1277
00:54:11,280 --> 00:54:14,160
Speaker 2: I don't know, man, he went to South Mecklenburg High School,

1278
00:54:14,200 --> 00:54:15,320
Speaker 2: South mech Sabers.

1279
00:54:15,320 --> 00:54:17,120
Speaker 3: That sounds like some like deep South shit.

1280
00:54:18,040 --> 00:54:18,360
Speaker 1: I don't know.

1281
00:54:18,400 --> 00:54:19,719
Speaker 3: I don't know. If he was in like Charlotte by

1282
00:54:19,719 --> 00:54:23,320
Speaker 3: the stadium. He also could have just been had an outhouse.

1283
00:54:25,320 --> 00:54:28,200
Speaker 4: Remember using your mama's bath worter after she he.

1284
00:54:28,160 --> 00:54:29,920
Speaker 5: Said that ship like we all had the same experience

1285
00:54:30,040 --> 00:54:30,440
Speaker 5: like nigga.

1286
00:54:30,560 --> 00:54:32,560
Speaker 3: No, I've never used my mom's bad waters.

1287
00:54:32,840 --> 00:54:33,080
Speaker 4: Never.

1288
00:54:33,600 --> 00:54:36,520
Speaker 2: It's never okay, not showering for five days or use

1289
00:54:36,560 --> 00:54:39,160
Speaker 2: your mother's bath water. I almost shower for five days.

1290
00:54:39,480 --> 00:54:43,040
Speaker 2: I'm not using nobody's bath water. No, I'm not doing that.

1291
00:54:43,160 --> 00:54:44,480
Speaker 5: I don't like my bath water.

1292
00:54:45,480 --> 00:54:47,920
Speaker 1: Not crazy that I'm not doing that my mother or not.

1293
00:54:48,040 --> 00:54:49,760
Speaker 1: I'm not using somebody's bath water.

1294
00:54:52,320 --> 00:54:53,440
Speaker 2: To be I want to be like, hey, we all

1295
00:54:53,520 --> 00:54:55,480
Speaker 2: use hot tubs and pools, but there's like they put

1296
00:54:55,640 --> 00:54:57,279
Speaker 2: chemicals in there to clean it.

1297
00:54:57,640 --> 00:54:59,600
Speaker 1: Yeah, but if somebody's in the hot tub and they

1298
00:55:00,080 --> 00:55:02,400
Speaker 1: us out of loose fun and start washing it, you

1299
00:55:02,440 --> 00:55:04,279
Speaker 1: think I'm gonna just sit in there like, No, it's

1300
00:55:04,320 --> 00:55:08,400
Speaker 1: chlorine in a hot tub with dirty people, which is

1301
00:55:08,400 --> 00:55:11,000
Speaker 1: why I don't like I've never I never jacked like

1302
00:55:11,120 --> 00:55:14,359
Speaker 1: pools and hot to I was never that guy another fella.

1303
00:55:14,719 --> 00:55:18,640
Speaker 3: It's true for me, I was on another fella.

1304
00:55:19,120 --> 00:55:19,960
Speaker 5: You was it a hot sebe with.

1305
00:55:19,960 --> 00:55:21,480
Speaker 1: A fella like.

1306
00:55:23,560 --> 00:55:25,360
Speaker 3: Just ended up? Everyone could got out and.

1307
00:55:26,880 --> 00:55:30,279
Speaker 1: I remember, I don't remember, but everybody got out and

1308
00:55:30,320 --> 00:55:31,839
Speaker 1: then I noticed that it was just me and him.

1309
00:55:32,000 --> 00:55:33,200
Speaker 4: Tell a whole fucking story.

1310
00:55:33,480 --> 00:55:36,480
Speaker 3: Don't make it seem like story. I don't make it

1311
00:55:36,520 --> 00:55:38,399
Speaker 3: seem I said it was just mal and a guy,

1312
00:55:38,440 --> 00:55:39,799
Speaker 3: and he say, just.

1313
00:55:39,760 --> 00:55:41,200
Speaker 1: Me and a guy in a hot time. I'm like, wait,

1314
00:55:41,239 --> 00:55:43,399
Speaker 1: when did that happen? Like nah, but everybody got out

1315
00:55:43,440 --> 00:55:45,560
Speaker 1: and then I realized that it was just me and

1316
00:55:45,560 --> 00:55:47,040
Speaker 1: this gentlemine. I was like, I'm getting the funk out

1317
00:55:47,040 --> 00:55:49,600
Speaker 1: of here. Yeah, but no, it was other people with us.

1318
00:55:49,600 --> 00:55:51,000
Speaker 1: And I looked up and it was just me and him.

1319
00:55:51,000 --> 00:55:52,960
Speaker 2: At one point, I was probably been in a hot

1320
00:55:52,960 --> 00:55:55,200
Speaker 2: tub with just I mean, I was joking when me

1321
00:55:55,200 --> 00:55:56,920
Speaker 2: and PE's were in the hot tub together in Saint Thomas,

1322
00:55:56,920 --> 00:55:57,720
Speaker 2: But there was a lot.

1323
00:55:57,560 --> 00:55:59,600
Speaker 3: Of other people in that hot to. That's what I'm saying.

1324
00:55:59,640 --> 00:56:01,920
Speaker 3: I probably been with a friend and went in a

1325
00:56:01,960 --> 00:56:05,319
Speaker 3: hot tub before just you and the homie probably, And.

1326
00:56:06,040 --> 00:56:08,759
Speaker 1: It's that crazy to say. I'm not saying we were

1327
00:56:08,800 --> 00:56:11,799
Speaker 1: in we weren't. We were in a motel with a

1328
00:56:11,880 --> 00:56:16,760
Speaker 1: heart shaped tub, watching it Poco Champagne, champagne baptist.

1329
00:56:16,920 --> 00:56:18,839
Speaker 3: Yeah, like I've gone.

1330
00:56:19,120 --> 00:56:21,880
Speaker 2: I've done those friend trips where you know, it's like,

1331
00:56:22,520 --> 00:56:25,200
Speaker 2: you know, five guys, five girls, a couple of ship

1332
00:56:25,239 --> 00:56:27,759
Speaker 2: up to the Poconos before, and I've probably been on

1333
00:56:27,800 --> 00:56:29,680
Speaker 2: the deck in the hot tub with a friend before.

1334
00:56:30,840 --> 00:56:31,320
Speaker 3: I don't think that.

1335
00:56:31,440 --> 00:56:34,640
Speaker 1: All right, that's what not Listen, that's crazy man. One

1336
00:56:34,640 --> 00:56:36,520
Speaker 1: thing about me. I'm just here to support you, my brother.

1337
00:56:36,560 --> 00:56:37,880
Speaker 1: You know what I'm saying. Whatever you do is what

1338
00:56:37,960 --> 00:56:39,600
Speaker 1: you do. Man, I'm not you been a pool with

1339
00:56:39,600 --> 00:56:41,240
Speaker 1: a man before a pool?

1340
00:56:41,360 --> 00:56:43,960
Speaker 2: Yeah, you in the homie if they're just you know,

1341
00:56:44,640 --> 00:56:45,960
Speaker 2: getting your laps and doing laps.

1342
00:56:46,719 --> 00:56:48,319
Speaker 1: Me and the homie have never just gotten the pull

1343
00:56:48,360 --> 00:56:50,520
Speaker 1: and started doing lap. That has never happened.

1344
00:56:52,120 --> 00:56:56,719
Speaker 3: Just all three of these things I've done.

1345
00:56:56,760 --> 00:56:58,920
Speaker 1: By the way, getting in the hotel with another man

1346
00:56:59,040 --> 00:56:59,440
Speaker 1: is crazy.

1347
00:56:59,440 --> 00:56:59,920
Speaker 3: I'm sorry.

1348
00:57:00,280 --> 00:57:02,360
Speaker 1: It's like, yo, let me like what you're about to do.

1349
00:57:02,360 --> 00:57:04,239
Speaker 1: You want to all right, then I'm gonna just go

1350
00:57:04,280 --> 00:57:05,800
Speaker 1: do something else. Then when I see you not in

1351
00:57:05,840 --> 00:57:07,719
Speaker 1: the hot tub, then I'll go get in a hot tub.

1352
00:57:07,840 --> 00:57:09,440
Speaker 1: But I was never a fan of hot tubs like

1353
00:57:09,800 --> 00:57:11,880
Speaker 1: anything with them jet stream. I was never you go

1354
00:57:11,920 --> 00:57:13,640
Speaker 1: to hotel and they had them tubs with that.

1355
00:57:13,760 --> 00:57:14,080
Speaker 4: I'm not.

1356
00:57:14,120 --> 00:57:16,480
Speaker 1: I'm never getting that shit because I'm like, I know

1357
00:57:16,480 --> 00:57:18,960
Speaker 1: they're not. They're not cleaning that. There's no way they

1358
00:57:19,000 --> 00:57:20,919
Speaker 1: clean that. One of my things I've seen our fast

1359
00:57:20,920 --> 00:57:21,640
Speaker 1: house keeping, turn.

1360
00:57:21,560 --> 00:57:22,000
Speaker 4: Over a room.

1361
00:57:22,040 --> 00:57:24,680
Speaker 3: That shit be twelve minutes, whole room clean? You did

1362
00:57:24,720 --> 00:57:26,880
Speaker 3: they clean them jet streams? Nah? Bro, I'm not fucking

1363
00:57:26,920 --> 00:57:27,080
Speaker 3: with that.

1364
00:57:27,120 --> 00:57:29,760
Speaker 2: Oh, don't ever ever watch the sixty minutes specialt She's

1365
00:57:29,760 --> 00:57:31,880
Speaker 2: probably like twenty five years old, but everything's on YouTube

1366
00:57:31,920 --> 00:57:35,240
Speaker 2: of when they went in to select hotels, chain hotels.

1367
00:57:35,240 --> 00:57:37,240
Speaker 2: They didn't say what the name was with a black light.

1368
00:57:38,440 --> 00:57:40,640
Speaker 3: That shit. They started the episode in sixty.

1369
00:57:40,400 --> 00:57:43,560
Speaker 2: Minutes saying, if you're watching this from a hotel room

1370
00:57:43,600 --> 00:57:47,120
Speaker 2: right now, turn it off. Sixty minutes said stop watching us.

1371
00:57:47,160 --> 00:57:49,000
Speaker 2: We don't even want the ratings. Do not watch this

1372
00:57:49,200 --> 00:57:52,080
Speaker 2: if you're sitting in a hotel room right now. It

1373
00:57:52,240 --> 00:57:55,040
Speaker 2: was nasty. You know, one thing I do, it was sick.

1374
00:57:55,160 --> 00:57:56,640
Speaker 1: One thing I do when I go to when I

1375
00:57:56,760 --> 00:57:59,640
Speaker 1: check in the hotel that nobody ever understood until I

1376
00:57:59,640 --> 00:58:02,880
Speaker 1: broken down, Like I always wrapped my pillow with a

1377
00:58:02,960 --> 00:58:07,440
Speaker 1: towel because I just had the room was using that

1378
00:58:07,440 --> 00:58:08,720
Speaker 1: that pillow and they dreol on that ship.

1379
00:58:08,720 --> 00:58:10,840
Speaker 3: They not changed that drool is in the pillow.

1380
00:58:11,480 --> 00:58:13,440
Speaker 2: Oh you're saying the actual pillow itself case.

1381
00:58:13,720 --> 00:58:17,000
Speaker 1: Yeah, they're clear the pillow case, but the drool all

1382
00:58:17,040 --> 00:58:19,240
Speaker 1: that should go through the pillow and into the feathers

1383
00:58:19,240 --> 00:58:20,800
Speaker 1: of the pillow and all of that, and then they

1384
00:58:20,880 --> 00:58:22,600
Speaker 1: just changed the pillow pillow case.

1385
00:58:23,480 --> 00:58:26,919
Speaker 3: Nah, put wrap my shiet with a towel, man, because

1386
00:58:26,960 --> 00:58:28,640
Speaker 3: what because then you're gonna go in the room one day.

1387
00:58:28,640 --> 00:58:30,200
Speaker 1: You never checking the hotel and it could be a

1388
00:58:30,280 --> 00:58:33,000
Speaker 1: nice hotel and just the ship smell got it like

1389
00:58:33,040 --> 00:58:36,760
Speaker 1: a even the comforter, it just smells like like it.

1390
00:58:36,760 --> 00:58:38,400
Speaker 4: Was damp and they didn't dry it all the way.

1391
00:58:38,440 --> 00:58:40,400
Speaker 5: It was like the feathers smells like that when you

1392
00:58:40,440 --> 00:58:42,360
Speaker 5: go out of the country. Yeah, walking out the country

1393
00:58:42,440 --> 00:58:46,720
Speaker 5: always smelled damp. Well, no matter how expensive the hotel is.

1394
00:58:47,120 --> 00:58:51,000
Speaker 2: Well, we were making music in a specific motel in

1395
00:58:51,040 --> 00:58:54,040
Speaker 2: Detroit and then in New Jersey. For the one in Jersey,

1396
00:58:54,080 --> 00:58:57,840
Speaker 2: I was sleeping there. I went right to Target. Oh

1397
00:58:57,920 --> 00:59:01,040
Speaker 2: I know, I bought pillow sheets, blank its. I threw

1398
00:59:01,280 --> 00:59:03,600
Speaker 2: everything that was. I almost wanted to buy a new mattress.

1399
00:59:03,680 --> 00:59:07,280
Speaker 3: Yeah. Like I was like, I believe you like me, and.

1400
00:59:08,720 --> 00:59:11,520
Speaker 1: Hotels can not really dirty, man, Like, I don't care

1401
00:59:11,560 --> 00:59:13,920
Speaker 1: if it's a nice hotel, Like you know, how many

1402
00:59:13,920 --> 00:59:17,880
Speaker 1: people have slept on this mattress? Yeah, in these pillows.

1403
00:59:18,600 --> 00:59:20,360
Speaker 1: I've been to a few nice as crazy.

1404
00:59:20,400 --> 00:59:23,200
Speaker 2: I a few nice airbnbs that have been like I

1405
00:59:23,240 --> 00:59:26,000
Speaker 2: don't know if like the last time they washed the ship.

1406
00:59:26,160 --> 00:59:26,400
Speaker 3: I ain't.

1407
00:59:27,320 --> 00:59:31,800
Speaker 5: Airbnbs freaks me out. I gotta wash everything.

1408
00:59:32,880 --> 00:59:34,640
Speaker 4: Like when you check in, you change the sheets.

1409
00:59:34,720 --> 00:59:35,920
Speaker 3: Yeah, I gotta wash it.

1410
00:59:35,960 --> 00:59:39,440
Speaker 1: I'm not mad at that pillowcases especially, it's the pillow.

1411
00:59:39,520 --> 00:59:44,360
Speaker 1: Fuck the pillowcase. That pillow drool all that ship seep right.

1412
00:59:44,280 --> 00:59:46,720
Speaker 5: Through that heavy too. So now I'm thinking about that.

1413
00:59:48,200 --> 00:59:48,959
Speaker 3: I'm telling you.

1414
00:59:48,840 --> 00:59:50,880
Speaker 2: You never had like drew stains on your pillow when

1415
00:59:50,880 --> 00:59:53,479
Speaker 2: you go to wash your pillowcases, like you can see

1416
00:59:54,040 --> 00:59:56,640
Speaker 2: u ship, oh yeah, and dirty ass mouths.

1417
00:59:56,760 --> 00:59:58,920
Speaker 3: Oh yeah, you better put a towel wrapped this in

1418
00:59:58,960 --> 00:59:59,600
Speaker 3: the towel.

1419
00:59:59,360 --> 01:00:00,640
Speaker 2: And on top of that, like, I don't want to

1420
01:00:00,640 --> 01:00:02,520
Speaker 2: be too vulnerable here because you guys are mean. I'm

1421
01:00:02,560 --> 01:00:07,040
Speaker 2: also like a pillow, uh like hugger because I'm a cuddler,

1422
01:00:07,080 --> 01:00:08,600
Speaker 2: So you make the pillow like I've been, you know,

1423
01:00:08,600 --> 01:00:10,320
Speaker 2: I've been in long term relationships. I'm used to like

1424
01:00:10,680 --> 01:00:13,760
Speaker 2: sleeping next to somebody every night, so so like.

1425
01:00:14,080 --> 01:00:17,000
Speaker 3: Ma, I like, get him old of this guy. I

1426
01:00:17,040 --> 01:00:20,680
Speaker 3: hope I'm used to I'm used to sleeping with someone.

1427
01:00:21,040 --> 01:00:22,640
Speaker 3: I didn't mean I don't mean a big league you guys.

1428
01:00:23,200 --> 01:00:25,040
Speaker 2: You know it's so good when you live with a woman,

1429
01:00:25,120 --> 01:00:28,000
Speaker 2: you sleep with there every night. So I got accustomed

1430
01:00:28,040 --> 01:00:29,280
Speaker 2: to that, you know.

1431
01:00:29,760 --> 01:00:30,280
Speaker 3: So you know what.

1432
01:00:30,320 --> 01:00:33,880
Speaker 1: I just got your I just got your Christmas gift already.

1433
01:00:34,400 --> 01:00:36,800
Speaker 3: No, but here's the thing, lonely boy.

1434
01:00:37,160 --> 01:00:38,720
Speaker 4: The pillow with the arm they got the arm one.

1435
01:00:38,800 --> 01:00:39,720
Speaker 3: Oh, I don't have that one.

1436
01:00:39,760 --> 01:00:43,040
Speaker 2: But Kia had her pregnancy, Like there's pregnancy body pillows.

1437
01:00:43,120 --> 01:00:45,800
Speaker 3: Yeah, Aftermorrow was born. I just dive me that.

1438
01:00:46,000 --> 01:00:47,680
Speaker 1: Yeah, the one where you can kind of put your

1439
01:00:47,760 --> 01:00:50,800
Speaker 1: arm up on the side of Yeah, it's made me

1440
01:00:50,800 --> 01:00:51,400
Speaker 1: want to be pregnant.

1441
01:00:51,440 --> 01:00:51,840
Speaker 3: Good pillow.

1442
01:00:53,520 --> 01:00:56,720
Speaker 2: She wanted to see what your reaction would be. Sometimes

1443
01:00:56,760 --> 01:00:59,200
Speaker 2: I just say things to see what wal your friend.

1444
01:00:59,280 --> 01:00:59,920
Speaker 2: I barely know.

1445
01:01:00,120 --> 01:01:01,840
Speaker 3: That's my man. That's my bro. That's the brow right there,

1446
01:01:01,920 --> 01:01:03,600
Speaker 3: no doubt about it. That's the that's the bro.

1447
01:01:03,960 --> 01:01:06,160
Speaker 1: Twenty one Savage did an interview Rory.

1448
01:01:06,360 --> 01:01:08,800
Speaker 2: I did see that yet, big We got off music somehow,

1449
01:01:09,040 --> 01:01:12,480
Speaker 2: and I'm not letting Jamaris off the hook. I love

1450
01:01:12,520 --> 01:01:14,520
Speaker 2: the position that you're in. I would love to not

1451
01:01:14,640 --> 01:01:16,720
Speaker 2: ever critique music again too. I saw the deflection you

1452
01:01:16,720 --> 01:01:19,400
Speaker 2: did there. I ain't listening to nothing.

1453
01:01:20,120 --> 01:01:22,120
Speaker 5: I haven't listened to lending music.

1454
01:01:22,120 --> 01:01:22,720
Speaker 3: It's in trouble.

1455
01:01:22,720 --> 01:01:25,720
Speaker 1: Listen, we just happen with Mari watched her ass this weekend. Okay,

1456
01:01:25,760 --> 01:01:27,800
Speaker 1: that that was asking a lot of the master, thank you,

1457
01:01:28,040 --> 01:01:30,240
Speaker 1: and I don't think is going to bring you another

1458
01:01:30,320 --> 01:01:31,880
Speaker 1: bit of music for the rest. I won't.

1459
01:01:31,920 --> 01:01:35,160
Speaker 5: I won't say another motherfucking thing about a motherfucking rapper

1460
01:01:35,160 --> 01:01:39,120
Speaker 5: about a singer. I'm cool. I'm so tired of going

1461
01:01:39,200 --> 01:01:40,560
Speaker 5: viral for my music opinions.

1462
01:01:40,640 --> 01:01:42,920
Speaker 2: But why because you can say you like a rapper

1463
01:01:42,960 --> 01:01:45,000
Speaker 2: and then your grandmother's addresses on the internet.

1464
01:01:45,960 --> 01:01:49,439
Speaker 1: Like I was like, I'm cool, not even disrespect another rapper.

1465
01:01:49,440 --> 01:01:51,360
Speaker 1: It's like, yo, you know what, I like that rapper.

1466
01:01:51,440 --> 01:01:52,080
Speaker 4: Damn So you're not.

1467
01:01:52,120 --> 01:01:53,880
Speaker 3: So you're not. You don't want to critique any music?

1468
01:01:54,400 --> 01:01:58,040
Speaker 5: I feel it beauty space, my critique and mask ears.

1469
01:01:58,120 --> 01:01:58,640
Speaker 3: I'm cool.

1470
01:01:58,800 --> 01:02:01,600
Speaker 2: Noah, wait till to the fency fellas put your uncle's

1471
01:02:01,600 --> 01:02:02,480
Speaker 2: address on the internet.

1472
01:02:02,760 --> 01:02:04,360
Speaker 5: The fency Fellas.

1473
01:02:04,400 --> 01:02:08,800
Speaker 2: I'm sure there's a beauty content hive somewhere where, like

1474
01:02:08,920 --> 01:02:10,120
Speaker 2: mac Verse fenty.

1475
01:02:11,960 --> 01:02:14,560
Speaker 3: And the way the internet has split with rap music.

1476
01:02:14,720 --> 01:02:15,960
Speaker 3: There's probably a makeup world like that.

1477
01:02:16,080 --> 01:02:20,360
Speaker 5: Probably, I'm cool. Have been up on that Summer Jam

1478
01:02:20,400 --> 01:02:23,720
Speaker 5: screen so fucking much. I'm tired never again.

1479
01:02:23,720 --> 01:02:25,120
Speaker 3: And you just talked about Summer Jam too.

1480
01:02:25,560 --> 01:02:30,920
Speaker 5: Yep, everything's great. I love everything. Art is to be

1481
01:02:31,280 --> 01:02:32,040
Speaker 5: everybody you know.

1482
01:02:32,200 --> 01:02:37,240
Speaker 3: No art is not to be critiqued. Everything is iconic. Yeah, yeah,

1483
01:02:38,080 --> 01:02:45,480
Speaker 3: I just scared of the internet. Look at you, he

1484
01:02:45,640 --> 01:02:46,080
Speaker 3: sent me to.

1485
01:02:46,640 --> 01:02:48,280
Speaker 5: Y'all keep trying to put a mic in front of

1486
01:02:48,920 --> 01:02:49,560
Speaker 5: this micro.

1487
01:02:49,760 --> 01:02:53,280
Speaker 2: The internet almost got three kids heads blown off in

1488
01:02:53,320 --> 01:02:53,880
Speaker 2: my driveway.

1489
01:02:54,000 --> 01:02:56,200
Speaker 4: Oh my god, y'all are crazy. Man, y'all can't be

1490
01:02:56,200 --> 01:02:56,560
Speaker 4: scared of it.

1491
01:02:57,360 --> 01:02:59,440
Speaker 5: I'm not scared of the Internet. It's a difference between

1492
01:02:59,440 --> 01:03:03,080
Speaker 5: being scared and just being I'm tired, no matter what

1493
01:03:03,120 --> 01:03:03,920
Speaker 5: you say.

1494
01:03:04,280 --> 01:03:06,560
Speaker 2: She said it like the mom loving basketball when she

1495
01:03:06,800 --> 01:03:09,720
Speaker 2: got her I'm just I'm tired.

1496
01:03:10,400 --> 01:03:11,360
Speaker 3: I'm tired.

1497
01:03:12,680 --> 01:03:15,640
Speaker 5: No matter what you say. If somebody is gonna take

1498
01:03:15,640 --> 01:03:17,880
Speaker 5: it the wrong way and turn it around and twist,

1499
01:03:17,880 --> 01:03:19,400
Speaker 5: I'm tired. I don't I don't got it in me.

1500
01:03:19,640 --> 01:03:23,040
Speaker 5: So everybody's album was great, Congratulations everybody I don't like.

1501
01:03:23,080 --> 01:03:23,480
Speaker 3: I don't know.

1502
01:03:23,720 --> 01:03:25,600
Speaker 4: Everybody album wasn't great. But I'll get it.

1503
01:03:25,600 --> 01:03:26,560
Speaker 3: I understand what you're saying.

1504
01:03:26,800 --> 01:03:29,040
Speaker 1: Everyone's everyone's music is perfect, but.

1505
01:03:28,960 --> 01:03:33,680
Speaker 3: I am going to perfect everybody. Everybody is perfect. I

1506
01:03:33,720 --> 01:03:36,840
Speaker 3: love what you did this, sir, perfect perfect.

1507
01:03:37,920 --> 01:03:42,520
Speaker 2: I've actually never heard bad music in my life.

1508
01:03:41,560 --> 01:03:42,840
Speaker 3: The one thing on earth that's perfect.

1509
01:03:43,720 --> 01:03:45,000
Speaker 4: I'll be the bad guy. It's alright.

1510
01:03:46,120 --> 01:03:48,200
Speaker 5: You know what's crazy though. All that works for you

1511
01:03:48,240 --> 01:03:51,439
Speaker 5: because you've been it for so long. But the bad this, Yeah,

1512
01:03:51,600 --> 01:03:53,600
Speaker 5: like you so dedicated to just saying whatever the fuck

1513
01:03:53,640 --> 01:03:54,040
Speaker 5: you want to.

1514
01:03:54,000 --> 01:03:59,040
Speaker 3: Say, because why not? Why not? That's unfair.

1515
01:03:59,160 --> 01:04:01,360
Speaker 1: I'm not disrespect nobody like I'm not saying I'm not

1516
01:04:01,400 --> 01:04:03,400
Speaker 1: being disrespectful. I don't like your song, I don't like

1517
01:04:03,400 --> 01:04:04,920
Speaker 1: your song. If I don't like your album, I don't

1518
01:04:04,960 --> 01:04:07,160
Speaker 1: like your album doesn't mean I don't like you, just

1519
01:04:07,160 --> 01:04:08,160
Speaker 1: don't like what you put out.

1520
01:04:08,240 --> 01:04:10,720
Speaker 2: There was a turn on a certain month of a

1521
01:04:10,720 --> 01:04:12,880
Speaker 2: certain year where Maul became the bad guy. Before that,

1522
01:04:13,000 --> 01:04:15,920
Speaker 2: Mall was the nice guy that put on so many artists.

1523
01:04:15,640 --> 01:04:18,360
Speaker 3: That we love, yeah, but I still do.

1524
01:04:19,000 --> 01:04:23,120
Speaker 2: Mall was never the bad guy, uh saying wrestling the heel.

1525
01:04:23,120 --> 01:04:26,360
Speaker 2: He was never the heel of podcasting like ever. For

1526
01:04:26,400 --> 01:04:27,040
Speaker 2: the first ten.

1527
01:04:27,000 --> 01:04:31,240
Speaker 3: Years it just happened recently. It was a wild shift

1528
01:04:31,400 --> 01:04:31,840
Speaker 3: to watch.

1529
01:04:31,920 --> 01:04:34,160
Speaker 1: But I don't know how and why they gave it

1530
01:04:34,200 --> 01:04:36,440
Speaker 1: to me, But whatever, man Like, I'm still gonna talk

1531
01:04:36,480 --> 01:04:36,760
Speaker 1: my shit.

1532
01:04:37,000 --> 01:04:38,400
Speaker 4: Your album is whack albums.

1533
01:04:38,720 --> 01:04:40,280
Speaker 3: His hardest battles to the strongest, souldier.

1534
01:04:40,280 --> 01:04:42,040
Speaker 4: There you go, man, I got you, baby.

1535
01:04:42,080 --> 01:04:44,280
Speaker 1: They just like, text me your text, text me your

1536
01:04:44,280 --> 01:04:46,120
Speaker 1: opinions and music, and I'm gonna just get it. I

1537
01:04:46,200 --> 01:04:47,720
Speaker 1: gonna tell him it's your opinion. I'm gonna just get

1538
01:04:47,720 --> 01:04:48,560
Speaker 1: my shit off. That's all.

1539
01:04:49,040 --> 01:04:50,080
Speaker 4: Let me know what you're listening to.

1540
01:04:50,160 --> 01:04:51,840
Speaker 1: Like when that new more riot of scientists drop, if

1541
01:04:51,880 --> 01:04:55,600
Speaker 1: you ain't feeling it, text me, that's a possible And

1542
01:04:55,680 --> 01:04:57,080
Speaker 1: I'm on Maria, I got Mariah.

1543
01:04:57,480 --> 01:04:58,160
Speaker 3: No, we have to.

1544
01:04:58,200 --> 01:04:59,840
Speaker 2: We have to leave her mother's address and ask her

1545
01:04:59,920 --> 01:05:02,640
Speaker 2: she he's really a scientist, Like, that's the lengths we

1546
01:05:02,720 --> 01:05:06,440
Speaker 2: have to go with his opinion Friday without harm people's families.

1547
01:05:06,640 --> 01:05:09,480
Speaker 3: Did you guys hear Friday's EP that he dropped? He

1548
01:05:09,720 --> 01:05:10,560
Speaker 3: damn he dropped it.

1549
01:05:10,720 --> 01:05:11,920
Speaker 1: Oh shout out, somebody got Friday.

1550
01:05:12,200 --> 01:05:14,640
Speaker 4: I didn't even know he put one out just this weekend.

1551
01:05:14,720 --> 01:05:16,320
Speaker 1: Damn I apologize Friday. Damn.

1552
01:05:16,400 --> 01:05:19,400
Speaker 3: Oh well definitely listen to that. Yeah, out Friday's album

1553
01:05:19,480 --> 01:05:19,880
Speaker 3: for sure.

1554
01:05:19,960 --> 01:05:24,080
Speaker 2: Yeah, everybody got somebody. EP six Records twenty minutes. I'm

1555
01:05:24,080 --> 01:05:25,000
Speaker 2: putting this on in the car.

1556
01:05:25,040 --> 01:05:27,520
Speaker 1: Oh that's ride home for a perfect listen right there,

1557
01:05:27,560 --> 01:05:29,280
Speaker 1: YEP six tracks twenty minutes.

1558
01:05:29,320 --> 01:05:31,120
Speaker 2: Shout out to Friday, thank you for telling us that.

1559
01:05:32,480 --> 01:05:38,640
Speaker 2: Oh oh, now I know why track number five. I

1560
01:05:38,640 --> 01:05:39,920
Speaker 2: thought you was like putting my man.

1561
01:05:40,080 --> 01:05:42,000
Speaker 5: I have heard, though I have not heard it, but

1562
01:05:42,040 --> 01:05:43,920
Speaker 5: I knew that it came out, So shout out to Friday.

1563
01:05:43,960 --> 01:05:46,240
Speaker 3: But so you went straight to just the Mariah record.

1564
01:05:46,320 --> 01:05:48,680
Speaker 5: I haven't heard anything. Oh you didn't hear the record? No,

1565
01:05:48,720 --> 01:05:50,560
Speaker 5: I he put one out. I haven't heard.

1566
01:05:50,400 --> 01:05:52,360
Speaker 3: Anything, Okay, got you all right? That's fair.

1567
01:05:52,560 --> 01:05:54,880
Speaker 5: But I was looking at my vision board earlier, like

1568
01:05:54,880 --> 01:05:58,000
Speaker 5: looking at my vision board from twenty twenty that I made,

1569
01:05:58,000 --> 01:05:59,600
Speaker 5: you know, in January, I'm like, this is what I

1570
01:05:59,600 --> 01:06:02,240
Speaker 5: want from my life. I got everything I wanted on

1571
01:06:02,360 --> 01:06:04,360
Speaker 5: my vision board other than these piles of money that's

1572
01:06:04,400 --> 01:06:07,360
Speaker 5: not here. I got everything I wanted on my vision board.

1573
01:06:08,120 --> 01:06:10,480
Speaker 5: But I should have just been a little bit more specific.

1574
01:06:13,400 --> 01:06:15,400
Speaker 5: I should have just been just a little little bit more.

1575
01:06:15,320 --> 01:06:16,880
Speaker 1: No, when they prayed for a man they don't pray for.

1576
01:06:16,960 --> 01:06:18,840
Speaker 1: They got to get more specifically the type of man

1577
01:06:19,160 --> 01:06:19,480
Speaker 1: pray for.

1578
01:06:19,560 --> 01:06:20,720
Speaker 3: God answered your prayer.

1579
01:06:21,200 --> 01:06:22,480
Speaker 1: Put a man in front of you got to put

1580
01:06:22,480 --> 01:06:25,200
Speaker 1: a man in front you gotta say exactly.

1581
01:06:25,280 --> 01:06:27,240
Speaker 3: What's So's that movie with the guy from the Mummy.

1582
01:06:27,280 --> 01:06:29,200
Speaker 2: He's like the worst actor he was in Crash, probably

1583
01:06:29,240 --> 01:06:31,840
Speaker 2: worst actor of all time, Brandon Fraser.

1584
01:06:32,520 --> 01:06:34,280
Speaker 3: What was the movie? And sin No Man is a classic?

1585
01:06:34,280 --> 01:06:36,520
Speaker 3: We're not doing that. He's one of the worst actors

1586
01:06:36,600 --> 01:06:40,120
Speaker 3: and no Man is a classic. We're not doing that. Yeah,

1587
01:06:40,320 --> 01:06:42,440
Speaker 3: what was it? The wale McLamore is want to grab me?

1588
01:06:42,560 --> 01:06:42,920
Speaker 1: Let's not.

1589
01:06:44,360 --> 01:06:48,720
Speaker 3: Now macmore is actually talented? Bath Why didn't mean to

1590
01:06:48,720 --> 01:06:48,960
Speaker 3: say that?

1591
01:06:49,200 --> 01:06:50,280
Speaker 4: I like white on white violence?

1592
01:06:50,520 --> 01:06:50,720
Speaker 3: Good?

1593
01:06:51,760 --> 01:06:53,960
Speaker 2: What was the movie where he had like he got

1594
01:06:53,960 --> 01:06:56,400
Speaker 2: a genie but he wasn't specific with his wishes, so

1595
01:06:56,440 --> 01:06:57,520
Speaker 2: everything he wished for.

1596
01:07:00,120 --> 01:07:00,480
Speaker 3: That movie.

1597
01:07:00,560 --> 01:07:02,160
Speaker 2: His acting is horrible in it, but the concept that

1598
01:07:02,200 --> 01:07:04,040
Speaker 2: movie is great. He has a genie and he keeps

1599
01:07:04,080 --> 01:07:06,200
Speaker 2: wishing for things, but he's not too specific with it,

1600
01:07:06,360 --> 01:07:08,479
Speaker 2: so it ends up being the worst thing ever.

1601
01:07:09,240 --> 01:07:10,680
Speaker 3: But that's a throwback.

1602
01:07:10,880 --> 01:07:12,920
Speaker 4: Wow, what is that? Ninety?

1603
01:07:12,920 --> 01:07:20,480
Speaker 3: What shit? Two thousand thousand? Okay, oh Land Jones, this

1604
01:07:20,560 --> 01:07:21,520
Speaker 3: is pretty much you should watch.

1605
01:07:21,520 --> 01:07:23,560
Speaker 2: But Dazzled Yeah, as a way to go in twenty

1606
01:07:23,600 --> 01:07:25,480
Speaker 2: twenty six of how you need to be more specific

1607
01:07:25,480 --> 01:07:26,040
Speaker 2: with your prayers.

1608
01:07:26,080 --> 01:07:28,360
Speaker 5: Bro I looked at because I have put like one

1609
01:07:28,400 --> 01:07:30,120
Speaker 5: of the pictures I put on there. It was just

1610
01:07:30,160 --> 01:07:32,680
Speaker 5: like it was kind of like virality, but I just

1611
01:07:32,720 --> 01:07:34,480
Speaker 5: meant it because I wanted to grow my audience. I

1612
01:07:34,520 --> 01:07:36,800
Speaker 5: promise you, I never I never, I'll never do it again.

1613
01:07:37,200 --> 01:07:39,480
Speaker 5: I look at that shit was like, oh, you manifested all.

1614
01:07:39,360 --> 01:07:41,320
Speaker 3: The wrong shit where you put go viral on your

1615
01:07:41,600 --> 01:07:42,440
Speaker 3: now go viral.

1616
01:07:42,480 --> 01:07:46,160
Speaker 5: I put a photo it was supposed to represent like

1617
01:07:46,280 --> 01:07:49,800
Speaker 5: growing my own personal audience, but it just I should

1618
01:07:49,840 --> 01:07:52,800
Speaker 5: have been more clear, Like I should have been more

1619
01:07:52,800 --> 01:07:55,520
Speaker 5: clear because I got the followers. But it wasn't the

1620
01:07:55,520 --> 01:07:58,120
Speaker 5: way I wanted to Okay, gotcha, Yeah, it wasn't for

1621
01:07:58,160 --> 01:07:59,240
Speaker 5: what I wanted to be known for.

1622
01:07:59,400 --> 01:08:03,240
Speaker 3: But well, I mean, life happens. It's okay, it's all right, Yeah,

1623
01:08:03,240 --> 01:08:05,240
Speaker 3: all right, we'll be more will be more specific. Maybe

1624
01:08:05,240 --> 01:08:05,880
Speaker 3: we do on Patreon.

1625
01:08:05,920 --> 01:08:09,320
Speaker 2: Maybe we start our vision boards on Patreon for twenty

1626
01:08:09,360 --> 01:08:12,640
Speaker 2: twenty six, start off vision boards. We'll get some magazines

1627
01:08:12,680 --> 01:08:14,360
Speaker 2: we have all cut out photos.

1628
01:08:14,760 --> 01:08:16,080
Speaker 4: It's like a ransom note.

1629
01:08:16,360 --> 01:08:19,040
Speaker 3: Yeah, yeah, gotcha.

1630
01:08:19,200 --> 01:08:21,800
Speaker 2: You know I would like to see mall make a

1631
01:08:21,880 --> 01:08:25,200
Speaker 2: vision board. That's where twenty dollars on Patreon for sure.

1632
01:08:25,439 --> 01:08:26,960
Speaker 3: Do you guys believe in manifestation?

1633
01:08:27,040 --> 01:08:27,320
Speaker 1: Like do you?

1634
01:08:27,400 --> 01:08:27,599
Speaker 3: Yeah?

1635
01:08:27,640 --> 01:08:30,200
Speaker 1: Absolutely you do. I think words are very powerful. I

1636
01:08:30,200 --> 01:08:31,680
Speaker 1: think you speak things and you exist. I mean it

1637
01:08:31,680 --> 01:08:35,320
Speaker 1: takes work, but it starts with speaking. M Yeah, I

1638
01:08:35,360 --> 01:08:36,240
Speaker 1: definitely think do you.

1639
01:08:36,400 --> 01:08:38,120
Speaker 5: Practice it or do you just believe in it? Because

1640
01:08:38,120 --> 01:08:39,839
Speaker 5: some people believe in it, but they don't like actively

1641
01:08:39,920 --> 01:08:40,479
Speaker 5: practice it.

1642
01:08:40,880 --> 01:08:41,200
Speaker 1: I try.

1643
01:08:41,360 --> 01:08:44,920
Speaker 2: I'm a pessimistic person internally, so I have to like

1644
01:08:45,479 --> 01:08:46,880
Speaker 2: practice extra hors.

1645
01:08:49,400 --> 01:08:51,559
Speaker 3: Like I have to remind myself to do that. Yeah.

1646
01:08:51,880 --> 01:08:53,519
Speaker 5: I think you have a lot of negative self talk

1647
01:08:53,560 --> 01:08:54,800
Speaker 5: that you need to work, Oh, for.

1648
01:08:54,760 --> 01:08:57,679
Speaker 4: Sure, negative self talk talk.

1649
01:08:57,840 --> 01:08:59,760
Speaker 5: Yeah, so I think Rory a lot in his head.

1650
01:08:59,760 --> 01:09:01,600
Speaker 5: Will they shit like I'm an idiot or that was

1651
01:09:01,600 --> 01:09:04,200
Speaker 5: so fucking stupid, or I don't deserve this or this, this, this,

1652
01:09:04,200 --> 01:09:06,240
Speaker 5: this and that, And it's like, you shouldn't talk like

1653
01:09:06,240 --> 01:09:08,280
Speaker 5: that because your brain starts to believe it and then

1654
01:09:08,320 --> 01:09:10,840
Speaker 5: your actions follow, so you start acting like you don't

1655
01:09:10,840 --> 01:09:13,200
Speaker 5: deserve certain things, and it becomes your reality that derives

1656
01:09:13,200 --> 01:09:13,799
Speaker 5: from childhood.

1657
01:09:13,880 --> 01:09:15,559
Speaker 1: Y'all about to say that's the only child shit, that's

1658
01:09:15,600 --> 01:09:19,599
Speaker 1: how No, I'm so fucking stupid mom, No shit like that.

1659
01:09:19,680 --> 01:09:22,559
Speaker 3: Like no, it's not that I wasn't saying that, Oh

1660
01:09:22,600 --> 01:09:24,599
Speaker 3: my bad, it's how Irish people.

1661
01:09:24,400 --> 01:09:25,240
Speaker 1: Raise their children.

1662
01:09:29,439 --> 01:09:31,800
Speaker 3: You know. I was not the one saying that. Oh

1663
01:09:31,840 --> 01:09:39,639
Speaker 3: it was Jacob. I mean, fuck, I can't even oh

1664
01:09:39,720 --> 01:09:40,240
Speaker 3: my god.

1665
01:09:41,200 --> 01:09:43,640
Speaker 2: Well, yeah, that could be a fun when we go

1666
01:09:43,720 --> 01:09:46,240
Speaker 2: through our twenty twenty five predictions se which ones came

1667
01:09:46,280 --> 01:09:48,680
Speaker 2: true in our twenty twenty six predictions. We can do

1668
01:09:48,720 --> 01:09:51,840
Speaker 2: our manifestations on Patreon for that episode. I think that'll

1669
01:09:52,040 --> 01:09:55,000
Speaker 2: that'd be a fun one. Speak some positivity into existence

1670
01:09:55,040 --> 01:09:55,720
Speaker 2: before the new year.

1671
01:09:56,479 --> 01:09:56,960
Speaker 3: Here you go.

1672
01:09:57,000 --> 01:09:58,599
Speaker 2: But I didn't want to get into twenty one savage shit.

1673
01:09:58,600 --> 01:09:59,920
Speaker 2: We keep getting off music.

1674
01:10:00,920 --> 01:10:01,759
Speaker 3: He did an interview.

1675
01:10:03,040 --> 01:10:04,599
Speaker 2: I want to get into like some of the stuff

1676
01:10:04,600 --> 01:10:06,000
Speaker 2: he said, because then we're just getting back to what

1677
01:10:06,120 --> 01:10:08,880
Speaker 2: Jamaris and I were just saying of going viral talking

1678
01:10:08,880 --> 01:10:12,120
Speaker 2: about other artists. He did say that Atlanta's like a pedophile,

1679
01:10:12,360 --> 01:10:15,200
Speaker 2: and I was trying to see where he was taking us.

1680
01:10:16,520 --> 01:10:18,639
Speaker 2: But I did understand what he was saying as far

1681
01:10:18,800 --> 01:10:23,840
Speaker 2: as the city you grow up and can groom you

1682
01:10:25,040 --> 01:10:29,040
Speaker 2: to start participating in things you have no business participating

1683
01:10:29,040 --> 01:10:32,680
Speaker 2: in at your age. Okay, Like I used to use

1684
01:10:33,040 --> 01:10:35,000
Speaker 2: a fake IDA before I even got a fake idea.

1685
01:10:35,000 --> 01:10:37,559
Speaker 2: I used to use my man's ID, and there was

1686
01:10:37,600 --> 01:10:39,760
Speaker 2: teenage clubs to go to, and I still would try

1687
01:10:39,800 --> 01:10:42,559
Speaker 2: to go to twenty one plus clubs when I was

1688
01:10:42,600 --> 01:10:45,640
Speaker 2: sixteen seventeen with fake id's, Like I had no business too.

1689
01:10:45,640 --> 01:10:47,679
Speaker 2: I shouldn't have been exposed to that, Like I shouldn't

1690
01:10:47,720 --> 01:10:52,760
Speaker 2: be at a bar that has titties at sixteen. So

1691
01:10:53,000 --> 01:10:57,519
Speaker 2: I feel him like Atlanta's night life kids are attracted to,

1692
01:10:58,080 --> 01:11:01,000
Speaker 2: and Atlanta specifically has a very viver night life, if

1693
01:11:01,040 --> 01:11:01,479
Speaker 2: you want.

1694
01:11:01,280 --> 01:11:01,680
Speaker 1: To call it that.

1695
01:11:02,320 --> 01:11:05,160
Speaker 2: And yeah, I'm sure him growing up, all he wanted

1696
01:11:05,160 --> 01:11:06,839
Speaker 2: to do was be in the mix. You're a teenager,

1697
01:11:06,920 --> 01:11:08,800
Speaker 2: you're looking at what all the older people doing. That

1698
01:11:08,880 --> 01:11:10,880
Speaker 2: can fuck you up as a kid, like a city

1699
01:11:10,920 --> 01:11:12,960
Speaker 2: can groom you. I did understand what he was trying

1700
01:11:12,960 --> 01:11:13,240
Speaker 2: to say.

1701
01:11:13,479 --> 01:11:16,639
Speaker 1: I mean, yeah, but that's it's not just Atlanta specific.

1702
01:11:16,680 --> 01:11:19,240
Speaker 1: That's no, that's that's our culture, not that's the culture

1703
01:11:19,280 --> 01:11:20,880
Speaker 1: of hip hop and what we grow up in the

1704
01:11:20,960 --> 01:11:25,840
Speaker 1: music we listened to the videos, we watch, our neighborhoods,

1705
01:11:25,960 --> 01:11:29,519
Speaker 1: the things that we deemed to be you know, fun

1706
01:11:29,640 --> 01:11:31,800
Speaker 1: and things like that. That's you know, that's that's part

1707
01:11:31,840 --> 01:11:33,840
Speaker 1: of it, man. I mean, I understand what he's saying.

1708
01:11:35,280 --> 01:11:38,240
Speaker 1: I wouldn't compare it to a pedophile, but I understand

1709
01:11:38,280 --> 01:11:39,479
Speaker 1: what twenty one was saying.

1710
01:11:39,800 --> 01:11:40,360
Speaker 3: Like anything.

1711
01:11:40,439 --> 01:11:43,320
Speaker 1: Yeah, like you know, it's saying Atlanta groomed, groomed them

1712
01:11:43,360 --> 01:11:44,320
Speaker 1: since they were kids.

1713
01:11:44,920 --> 01:11:45,599
Speaker 4: That's a real thing.

1714
01:11:45,720 --> 01:11:45,960
Speaker 1: Yeah.

1715
01:11:46,000 --> 01:11:48,280
Speaker 4: New York did the same. Same for me. I just

1716
01:11:49,000 --> 01:11:50,599
Speaker 4: I just always was blessed with.

1717
01:11:50,600 --> 01:11:53,519
Speaker 1: Discernment, and you know, something just wasn't didn't feel right,

1718
01:11:53,560 --> 01:11:55,120
Speaker 1: and I wasn't really into what I wasn't doing it

1719
01:11:55,160 --> 01:11:57,120
Speaker 1: just because everybody else was doing it. Like I just

1720
01:11:57,160 --> 01:11:59,320
Speaker 1: always had that about me. But it's the same here

1721
01:11:59,320 --> 01:11:59,800
Speaker 1: in New York.

1722
01:12:00,160 --> 01:12:00,599
Speaker 3: Same thing.

1723
01:12:00,640 --> 01:12:03,479
Speaker 1: Like we hear about clubs, and you know, growing up,

1724
01:12:03,479 --> 01:12:05,280
Speaker 1: you hear all the rappers, all the you know, all

1725
01:12:05,320 --> 01:12:07,800
Speaker 1: the dope boys and you know the athletes they go

1726
01:12:07,840 --> 01:12:10,120
Speaker 1: to certain clubs and then you see the girls going

1727
01:12:10,160 --> 01:12:12,040
Speaker 1: in and you know, the driving the cars is like

1728
01:12:12,040 --> 01:12:13,360
Speaker 1: that's what I want. I want to do that and

1729
01:12:13,400 --> 01:12:15,519
Speaker 1: I want to go there or you know, I feel

1730
01:12:15,520 --> 01:12:16,960
Speaker 1: like I made it once. I'm able to go to

1731
01:12:17,000 --> 01:12:18,840
Speaker 1: that club and get a table, and you know what

1732
01:12:18,880 --> 01:12:21,080
Speaker 1: I'm saying, spend spend money in there and throw money

1733
01:12:21,080 --> 01:12:24,120
Speaker 1: in the strip club. Like that's not just Atlanta, that's

1734
01:12:24,400 --> 01:12:27,040
Speaker 1: that's the most major cities within our cold.

1735
01:12:27,080 --> 01:12:29,160
Speaker 2: He was only speaking to his experience, but but I

1736
01:12:29,200 --> 01:12:32,400
Speaker 2: get that. But yeah, yeah, New York definitely was that.

1737
01:12:32,840 --> 01:12:35,599
Speaker 2: But because it is New York and the biggest city,

1738
01:12:36,200 --> 01:12:39,720
Speaker 2: I think there was a little bit more I don't

1739
01:12:39,720 --> 01:12:42,560
Speaker 2: want to say use the word security, but it's a

1740
01:12:42,600 --> 01:12:44,599
Speaker 2: little more tight knit just because it's New York. Like

1741
01:12:45,439 --> 01:12:48,000
Speaker 2: listening to Jay talk about his childhood in New Orleans

1742
01:12:48,000 --> 01:12:50,280
Speaker 2: and like if you get to the Deep South, like

1743
01:12:51,160 --> 01:12:53,640
Speaker 2: they were doing shit at I was like, they're not

1744
01:12:53,680 --> 01:12:56,400
Speaker 2: doing that in the Bronx at thirteen, Like, yeah, y'all

1745
01:12:56,439 --> 01:12:59,680
Speaker 2: was doing wild shit at an extremely young agent in

1746
01:13:00,360 --> 01:13:04,000
Speaker 2: Like that's something. There's just less rules out there, so

1747
01:13:04,400 --> 01:13:07,679
Speaker 2: it's easier for an undeveloped brain to get into more bullshit.

1748
01:13:07,720 --> 01:13:10,479
Speaker 2: That's why I was like, damn, actually kind of happy

1749
01:13:10,479 --> 01:13:13,040
Speaker 2: it was. It was a little bit more secure up here. Yeah,

1750
01:13:13,240 --> 01:13:16,680
Speaker 2: because they were doing Atlanta probably is closer to New

1751
01:13:16,720 --> 01:13:18,080
Speaker 2: York than I think it would be with the New

1752
01:13:18,160 --> 01:13:23,240
Speaker 2: Orleans because they're also that type of shit. But sh Mississippi, Alabama,

1753
01:13:23,320 --> 01:13:25,760
Speaker 2: New Orleans, Florida. He was doing wild shit. But I

1754
01:13:25,800 --> 01:13:29,680
Speaker 2: compare that same thing to gang culture. Yeah, that's manipulation

1755
01:13:29,760 --> 01:13:31,920
Speaker 2: and praying on kids for sure. Like when you got

1756
01:13:31,920 --> 01:13:33,920
Speaker 2: the old g's and the big homies and they see

1757
01:13:33,920 --> 01:13:36,679
Speaker 2: a kid that's eleven years old and they're like, yeah,

1758
01:13:36,680 --> 01:13:38,720
Speaker 2: we're gonna, you know, put them under the wing and

1759
01:13:38,840 --> 01:13:41,560
Speaker 2: groom them to be the big homie one day, you

1760
01:13:41,560 --> 01:13:42,040
Speaker 2: know what I'm saying.

1761
01:13:42,120 --> 01:13:44,439
Speaker 1: So it's the same shit. It's not just you know,

1762
01:13:44,479 --> 01:13:46,479
Speaker 1: with night life and things like that. It's the same

1763
01:13:46,520 --> 01:13:49,320
Speaker 1: in gang culture. You got people that pray on you know,

1764
01:13:49,600 --> 01:13:51,680
Speaker 1: kids and and kind of like you know, poison their

1765
01:13:52,040 --> 01:13:54,920
Speaker 1: their upbringing and have them believe that certain things are

1766
01:13:55,400 --> 01:13:56,760
Speaker 1: you know, real and things like that.

1767
01:13:56,800 --> 01:13:58,160
Speaker 4: Then you get to a certain age you realize, oh,

1768
01:13:58,240 --> 01:13:59,320
Speaker 4: I've been lied to the whole time.

1769
01:14:00,040 --> 01:14:02,640
Speaker 1: This shit is fake, all of it is toxic, all

1770
01:14:02,680 --> 01:14:04,880
Speaker 1: of it is you know, is detrimental to my health

1771
01:14:04,920 --> 01:14:07,559
Speaker 1: and things like that. Hopefully you get to that point

1772
01:14:07,560 --> 01:14:10,360
Speaker 1: early and you kind of pivot away from that lifestyle.

1773
01:14:10,400 --> 01:14:15,559
Speaker 1: But the overarching thing is it's our culture. It's where

1774
01:14:15,560 --> 01:14:18,360
Speaker 1: we're from. It's the streets, it's you know, everything about

1775
01:14:18,400 --> 01:14:21,240
Speaker 1: the streets. It's the music, everything that we're hearing. Now.

1776
01:14:21,280 --> 01:14:23,080
Speaker 4: We just said, manifestation is real.

1777
01:14:23,120 --> 01:14:24,720
Speaker 1: If I first thing I do when I wake up

1778
01:14:24,760 --> 01:14:28,200
Speaker 1: is turn on fucking you know, some hardcore rap shit,

1779
01:14:28,720 --> 01:14:31,360
Speaker 1: and I'm in the shower and I'm spitting these crazy

1780
01:14:32,040 --> 01:14:34,160
Speaker 1: that's my energy for the day. Now, Yeah, you know

1781
01:14:34,160 --> 01:14:36,040
Speaker 1: what I'm saying. So now I'm moving around with this energy.

1782
01:14:36,080 --> 01:14:37,639
Speaker 1: And we don't pay attention to that because we think

1783
01:14:37,640 --> 01:14:41,040
Speaker 1: that it's just entertainment. And it's like, while it is entertainment,

1784
01:14:41,680 --> 01:14:44,519
Speaker 1: it does take on real energy and it can start

1785
01:14:44,520 --> 01:14:47,360
Speaker 1: to consume you. And now you're walking around with these

1786
01:14:47,400 --> 01:14:49,160
Speaker 1: emotions and these starts in your head and you didn't

1787
01:14:49,160 --> 01:14:51,679
Speaker 1: even realize, like, oh shit, this is everything that I've

1788
01:14:51,680 --> 01:14:54,920
Speaker 1: been feeding myself over the years. It's a young kid,

1789
01:14:54,960 --> 01:14:57,680
Speaker 1: and now I'm an adult and I'm moving around with

1790
01:14:57,720 --> 01:14:59,880
Speaker 1: this energy. So I get what he's saying. I get

1791
01:14:59,920 --> 01:15:02,160
Speaker 1: it what you want to say. It's definitely something that

1792
01:15:03,120 --> 01:15:05,160
Speaker 1: you know, I've always thought about and looked at, and

1793
01:15:05,600 --> 01:15:07,559
Speaker 1: you know, there's there's a thing in our culture where

1794
01:15:07,560 --> 01:15:10,519
Speaker 1: we groom. You know, people from young to kind of

1795
01:15:10,520 --> 01:15:13,439
Speaker 1: take on this energy and you know, hopefully again it

1796
01:15:13,520 --> 01:15:15,400
Speaker 1: starts in the home. If you got the right foundation

1797
01:15:15,479 --> 01:15:18,160
Speaker 1: in the home and you got a mother, a falling people,

1798
01:15:18,200 --> 01:15:19,439
Speaker 1: that's teaching you right from wrong.

1799
01:15:19,840 --> 01:15:20,920
Speaker 3: This is just entertainment.

1800
01:15:21,000 --> 01:15:22,960
Speaker 1: This is not you know, the way you should walk

1801
01:15:23,000 --> 01:15:24,920
Speaker 1: around and the energy you should take on.

1802
01:15:25,400 --> 01:15:28,280
Speaker 4: Hopefully you have that. If not, it could end up

1803
01:15:28,280 --> 01:15:28,800
Speaker 4: bad for you.

1804
01:15:28,920 --> 01:15:32,639
Speaker 3: Yeah, when did.

1805
01:15:32,479 --> 01:15:35,880
Speaker 5: They star around like everybody in situations.

1806
01:15:35,439 --> 01:15:41,719
Speaker 2: Like Josh asked with your family, like bigs and Rockfeller

1807
01:15:41,800 --> 01:15:45,679
Speaker 2: Being started when you were younger? When did you start

1808
01:15:45,760 --> 01:15:49,280
Speaker 2: being brought around situations where maybe at your age you.

1809
01:15:49,200 --> 01:15:52,200
Speaker 1: Had no business being around. First time I went to

1810
01:15:52,240 --> 01:15:55,560
Speaker 1: a club, I was sixteen. I think it was Metropolis

1811
01:15:55,560 --> 01:16:02,640
Speaker 1: and Queens, okay, And I believe it was the year

1812
01:16:02,680 --> 01:16:07,160
Speaker 1: The Heart Knock Life come out ninety seven hard I think, ye,

1813
01:16:07,360 --> 01:16:12,120
Speaker 1: not yet, so it was around that time, and I remember,

1814
01:16:12,160 --> 01:16:14,560
Speaker 1: like you know, I was just I was happy to

1815
01:16:14,600 --> 01:16:17,719
Speaker 1: be in the club with everybody else, like finally seeing

1816
01:16:17,760 --> 01:16:21,519
Speaker 1: like grown women dressed nice and all the dope boys

1817
01:16:21,560 --> 01:16:24,880
Speaker 1: and rappers and everybody. And I'm sixteen, seventeen years old,

1818
01:16:24,960 --> 01:16:27,760
Speaker 1: ain't got no business in there. But again for me,

1819
01:16:27,840 --> 01:16:30,280
Speaker 1: it was different because I was with my actual brothers

1820
01:16:30,560 --> 01:16:32,280
Speaker 1: and they wasn't gonna let me do no stupid shit,

1821
01:16:32,400 --> 01:16:34,400
Speaker 1: wasn't gonna let me get involved in no dumb shit.

1822
01:16:35,120 --> 01:16:38,920
Speaker 1: But I could see how if I wasn't out of

1823
01:16:38,960 --> 01:16:41,320
Speaker 1: be like I'm in here every week, I'm not going

1824
01:16:41,400 --> 01:16:43,960
Speaker 1: nowhere like this is because that was everything being a

1825
01:16:43,960 --> 01:16:45,759
Speaker 1: young kid. And it's like I get to go back

1826
01:16:46,160 --> 01:16:48,599
Speaker 1: to school and tell all my friends, like, yo, shorty

1827
01:16:48,680 --> 01:16:50,800
Speaker 1: was in this shit. It's dressed on titties, was dumb,

1828
01:16:50,840 --> 01:16:53,080
Speaker 1: big da da da she started she pulled her titties

1829
01:16:53,120 --> 01:16:55,800
Speaker 1: out there. It's like you start thinking that that's like

1830
01:16:56,280 --> 01:16:58,599
Speaker 1: normal shit, and it's like ro that's a whole different

1831
01:16:58,680 --> 01:17:01,560
Speaker 1: world that consume you if you allow it to, and

1832
01:17:01,600 --> 01:17:03,920
Speaker 1: then you take on that energy. But that was the

1833
01:17:03,960 --> 01:17:05,760
Speaker 1: first time for me seeing that, like going to the

1834
01:17:05,800 --> 01:17:10,000
Speaker 1: club sixteen seventeen years old, just seeing everything that I

1835
01:17:10,000 --> 01:17:15,600
Speaker 1: had been hearing in songs, you know, popping champagne and

1836
01:17:15,720 --> 01:17:19,120
Speaker 1: you know girls kissing girls and you know shit like that,

1837
01:17:19,200 --> 01:17:22,479
Speaker 1: like pulling up in big cars and you seeing the cars.

1838
01:17:22,479 --> 01:17:24,600
Speaker 3: He's rather like you're the man. No, no, not me.

1839
01:17:25,200 --> 01:17:27,559
Speaker 1: I was just there witnessing this shit, you know, but

1840
01:17:27,600 --> 01:17:29,599
Speaker 1: seeing the cars that you would hear about the songs

1841
01:17:29,640 --> 01:17:31,639
Speaker 1: and you you know, before I knew where the cl

1842
01:17:31,680 --> 01:17:34,160
Speaker 1: six hundred was, I had heard about it. And then

1843
01:17:34,160 --> 01:17:36,880
Speaker 1: when you finally see it, it's like, oh shit, like

1844
01:17:36,920 --> 01:17:39,160
Speaker 1: I want one of those. And you start seeing, you know,

1845
01:17:39,200 --> 01:17:42,200
Speaker 1: everybody got a rolex on and big jewelry, and you're

1846
01:17:42,200 --> 01:17:44,200
Speaker 1: seeing a type of attention these guys are getting from

1847
01:17:44,200 --> 01:17:46,600
Speaker 1: the pretty women, and think that shit starts you be like,

1848
01:17:46,640 --> 01:17:49,719
Speaker 1: nigga fucks, I got math to my fuck math. Yeah,

1849
01:17:49,800 --> 01:17:51,120
Speaker 1: you know what I'm saying. I want to be around

1850
01:17:51,160 --> 01:17:53,599
Speaker 1: this type of shit and it's a real thing. It'll

1851
01:17:53,680 --> 01:17:57,040
Speaker 1: be something that you know, starts to take, you know,

1852
01:17:57,240 --> 01:17:59,280
Speaker 1: move your way from the things that really mattered, the

1853
01:17:59,280 --> 01:18:01,000
Speaker 1: important things if you want to be consumed by that

1854
01:18:01,080 --> 01:18:02,200
Speaker 1: lifestyle to matters.

1855
01:18:02,280 --> 01:18:03,880
Speaker 2: Let's get back in our therapy back. I think we

1856
01:18:04,280 --> 01:18:06,360
Speaker 2: made we made some headway here.

1857
01:18:06,560 --> 01:18:06,840
Speaker 3: Okay.

1858
01:18:07,800 --> 01:18:09,559
Speaker 2: For years, we've tried to explain to them all that,

1859
01:18:09,680 --> 01:18:12,519
Speaker 2: like you know, real women do exist. Not every woman

1860
01:18:12,760 --> 01:18:15,760
Speaker 2: is a gold dinging thirst bucket that wants to be

1861
01:18:15,800 --> 01:18:19,880
Speaker 2: with an athlete rapper. I said that before, and that

1862
01:18:20,040 --> 01:18:21,000
Speaker 2: was words per se.

1863
01:18:21,280 --> 01:18:22,040
Speaker 4: So I didn't say that.

1864
01:18:22,960 --> 01:18:24,960
Speaker 5: I didn't say all the time that y'all see house

1865
01:18:25,040 --> 01:18:26,040
Speaker 5: views on our SKU.

1866
01:18:26,120 --> 01:18:29,160
Speaker 2: I'll tell you how, but I can see U if

1867
01:18:29,200 --> 01:18:33,720
Speaker 2: one of your first experiences into your teenage years is

1868
01:18:33,760 --> 01:18:36,479
Speaker 2: being at a club where stereotypically am not saying every woman,

1869
01:18:36,520 --> 01:18:39,160
Speaker 2: but stereotypically a club woman might be one of those

1870
01:18:39,200 --> 01:18:41,000
Speaker 2: type of women that is there for the guy that

1871
01:18:41,040 --> 01:18:41,880
Speaker 2: has the car that.

1872
01:18:41,760 --> 01:18:43,280
Speaker 3: Pulls up as the section.

1873
01:18:44,040 --> 01:18:46,840
Speaker 2: I could see you forming a view that this is

1874
01:18:46,880 --> 01:18:50,760
Speaker 2: what women like, if that's what you're introduced to at

1875
01:18:50,800 --> 01:18:54,800
Speaker 2: a very young age, where yeah, I was, I was

1876
01:18:55,000 --> 01:18:58,080
Speaker 2: in clubs when I was young, but not I wasn't.

1877
01:18:57,920 --> 01:19:01,559
Speaker 3: With Biggs and Jay, so I was just there.

1878
01:19:02,720 --> 01:19:05,040
Speaker 2: I still had a view of the girl and uh,

1879
01:19:05,400 --> 01:19:10,400
Speaker 2: you know third lunch in my in my cafeteria, that

1880
01:19:10,439 --> 01:19:11,160
Speaker 2: like existed.

1881
01:19:11,240 --> 01:19:13,400
Speaker 1: I just knew that there was another type of woman

1882
01:19:13,479 --> 01:19:13,920
Speaker 1: out there.

1883
01:19:14,000 --> 01:19:16,240
Speaker 2: Yeah, it's like I feel like maybe that that woman

1884
01:19:16,320 --> 01:19:19,760
Speaker 2: took over your brain as the generalization of maybe how

1885
01:19:19,840 --> 01:19:20,679
Speaker 2: most women move.

1886
01:19:21,360 --> 01:19:23,120
Speaker 3: No, that's not true. You'd like to put that on me,

1887
01:19:23,160 --> 01:19:24,439
Speaker 3: but no, sir, that's not how I think.

1888
01:19:24,920 --> 01:19:26,479
Speaker 1: I do think that if I'm talking to that, I'm

1889
01:19:26,479 --> 01:19:29,519
Speaker 1: speaking directly to that specific type of woman. I'm not

1890
01:19:29,560 --> 01:19:31,200
Speaker 1: saying that all women are like that, because I don't

1891
01:19:31,200 --> 01:19:32,880
Speaker 1: you know, I know, I know some women that are,

1892
01:19:33,560 --> 01:19:36,599
Speaker 1: you know, classy. They don't have a reputation out here,

1893
01:19:36,640 --> 01:19:39,240
Speaker 1: they have their own thing going on in real careers.

1894
01:19:39,280 --> 01:19:41,000
Speaker 1: Like I know a lot of women like that. When

1895
01:19:41,000 --> 01:19:43,439
Speaker 1: I'm speaking to that, I'm talking dire. They know exactly

1896
01:19:43,479 --> 01:19:45,759
Speaker 1: the type of woman I'm talking about. That woman.

1897
01:19:45,960 --> 01:19:48,280
Speaker 3: Oh no, that woman exists. Yeah, yeah, that's what I'm

1898
01:19:48,280 --> 01:19:48,679
Speaker 3: talking about.

1899
01:19:48,680 --> 01:19:53,040
Speaker 1: And I'm just saying, like being around that, you know,

1900
01:19:53,080 --> 01:19:55,160
Speaker 1: it's hard to go back to school and you know

1901
01:19:55,720 --> 01:19:57,559
Speaker 1: the girl that you got to crush on and she's

1902
01:19:57,600 --> 01:19:59,240
Speaker 1: wearing you know, the long because you know what we

1903
01:19:59,280 --> 01:20:01,439
Speaker 1: had with but she got to dressed down to here

1904
01:20:01,920 --> 01:20:03,960
Speaker 1: when Saturday I was at the Metropolis and she had

1905
01:20:04,000 --> 01:20:08,000
Speaker 1: on two inches of but the thing, you know, it's like,

1906
01:20:08,040 --> 01:20:09,519
Speaker 1: you know what I'm saying, I'm in school now, like

1907
01:20:10,040 --> 01:20:11,599
Speaker 1: y'all born, you know what I'm saying, like.

1908
01:20:11,680 --> 01:20:15,080
Speaker 2: Which unfortunately goes back to when we always talked it's

1909
01:20:15,120 --> 01:20:18,240
Speaker 2: never changed your generation, my generation, when older guys would

1910
01:20:18,240 --> 01:20:20,479
Speaker 2: pick up girls at our high school.

1911
01:20:20,560 --> 01:20:21,439
Speaker 3: Yeah, it's like.

1912
01:20:21,439 --> 01:20:22,160
Speaker 4: That was a real thing.

1913
01:20:22,200 --> 01:20:24,120
Speaker 3: That girl's not going to come back and talk to me.

1914
01:20:24,280 --> 01:20:25,400
Speaker 4: Listen, that was a real thing.

1915
01:20:25,520 --> 01:20:28,680
Speaker 1: Just in a car. She was in a car. That

1916
01:20:28,760 --> 01:20:31,040
Speaker 1: was crazy. It was to be in a car. Yes,

1917
01:20:31,520 --> 01:20:35,040
Speaker 1: I trust me, Bro, that's a that's a that's a

1918
01:20:35,120 --> 01:20:35,559
Speaker 1: real thing.

1919
01:20:35,680 --> 01:20:37,599
Speaker 3: Growing up, you went to a older guys, he had

1920
01:20:37,640 --> 01:20:38,519
Speaker 3: his own place.

1921
01:20:39,200 --> 01:20:43,840
Speaker 4: That's a real thing. Like, yeah, my boy, when you got.

1922
01:20:43,680 --> 01:20:46,080
Speaker 2: To the little girl and it's wrong as fuck. I

1923
01:20:46,479 --> 01:20:47,800
Speaker 2: know we have to say that because you guys are

1924
01:20:47,840 --> 01:20:50,559
Speaker 2: being common. It was disgusting. We think it's awful that

1925
01:20:50,560 --> 01:20:53,120
Speaker 2: that was a thing. But I can see an undeveloped

1926
01:20:53,120 --> 01:20:56,599
Speaker 2: teenage girl's mind thinking she's mature and like, I get

1927
01:20:56,640 --> 01:20:58,799
Speaker 2: to go to a place that he there's.

1928
01:20:58,560 --> 01:21:00,920
Speaker 3: No parents there, and I drove there.

1929
01:21:01,560 --> 01:21:03,760
Speaker 2: I could see a girl not wanting to come back

1930
01:21:04,320 --> 01:21:05,599
Speaker 2: to high school and talk to us.

1931
01:21:06,000 --> 01:21:08,639
Speaker 3: Why would she, listen, I grew up with a lot

1932
01:21:08,680 --> 01:21:08,920
Speaker 3: of that.

1933
01:21:09,680 --> 01:21:13,080
Speaker 2: Why y'all for manipulating young girls in high school, y'all

1934
01:21:13,080 --> 01:21:14,240
Speaker 2: are fucking disgusting fucks.

1935
01:21:14,400 --> 01:21:16,200
Speaker 3: Yeah, but we don't talk. We don't talk about it

1936
01:21:16,240 --> 01:21:18,400
Speaker 3: from the undeveloped teenage mind a girl.

1937
01:21:18,520 --> 01:21:20,360
Speaker 1: But you got to speak to the speak to the family.

1938
01:21:20,439 --> 01:21:24,200
Speaker 1: New the family that she's dating.

1939
01:21:24,360 --> 01:21:26,759
Speaker 3: Yeah, well, now I didn't really someone didn't really have family.

1940
01:21:26,880 --> 01:21:28,640
Speaker 3: Not always. It was so easy for them to do that.

1941
01:21:28,680 --> 01:21:29,720
Speaker 4: So we're not always mean.

1942
01:21:29,880 --> 01:21:33,560
Speaker 5: Yeah sometimes I did not always. I was dating in

1943
01:21:33,640 --> 01:21:35,639
Speaker 5: ten years older than me. My parents had no clue.

1944
01:21:35,760 --> 01:21:38,160
Speaker 1: Yeah, but that's so not always. But you know some

1945
01:21:38,240 --> 01:21:40,559
Speaker 1: girls who was dating older guys and they family knew.

1946
01:21:41,479 --> 01:21:44,760
Speaker 3: I know you knew that that definitely happens, such as

1947
01:21:44,800 --> 01:21:47,560
Speaker 3: nasty demographic, but.

1948
01:21:47,200 --> 01:21:50,440
Speaker 1: They I ain't a specific demographic.

1949
01:21:50,600 --> 01:21:51,280
Speaker 5: Know what demographic.

1950
01:21:51,600 --> 01:21:56,479
Speaker 3: I know the demographic exactly. I know the demo. What's

1951
01:21:56,479 --> 01:21:59,080
Speaker 3: the and other news.

1952
01:21:59,080 --> 01:22:02,800
Speaker 1: Bobby's murder was jumped damn in Minnesota.

1953
01:22:02,360 --> 01:22:04,599
Speaker 5: Out Oh in Minnesota.

1954
01:22:04,200 --> 01:22:04,600
Speaker 4: Yeah he was.

1955
01:22:04,800 --> 01:22:06,160
Speaker 1: Bobby was in there, I think a night club in

1956
01:22:06,200 --> 01:22:09,640
Speaker 1: Minnesota and had a little fisticuffs.

1957
01:22:09,640 --> 01:22:12,160
Speaker 4: But you know, Bobby held his own.

1958
01:22:12,200 --> 01:22:13,360
Speaker 1: Man. I don't know if they thought that they was

1959
01:22:13,360 --> 01:22:18,519
Speaker 1: gonna make Bobby look bad. Listen, you get jumped and

1960
01:22:18,560 --> 01:22:20,519
Speaker 1: as long as you fighting back, it don't matter.

1961
01:22:21,479 --> 01:22:22,240
Speaker 4: You held your own.

1962
01:22:22,320 --> 01:22:24,599
Speaker 1: You got nigga up, That's all you got to see.

1963
01:22:24,760 --> 01:22:26,960
Speaker 1: Bobby was He's supposed to dive on the first nigga

1964
01:22:26,960 --> 01:22:29,519
Speaker 1: and just bite his neck. Right, I'm really not mad

1965
01:22:29,560 --> 01:22:33,160
Speaker 1: at that the whole club would have emptied out. I

1966
01:22:33,200 --> 01:22:36,160
Speaker 1: would have walked out with that nigga like a.

1967
01:22:36,240 --> 01:22:38,759
Speaker 5: Like a new born puppy you're talking about.

1968
01:22:39,560 --> 01:22:41,840
Speaker 1: I would have walked back security with that nigga, like,

1969
01:22:43,040 --> 01:22:47,320
Speaker 1: get this nigga bit What if me, you and Demarus

1970
01:22:47,360 --> 01:22:49,120
Speaker 1: went to jump somebody and I was the first one

1971
01:22:49,160 --> 01:22:50,120
Speaker 1: there and they bit me.

1972
01:22:50,240 --> 01:22:52,639
Speaker 3: I would walk like, nah, guys, now I'm cool. Everybody

1973
01:22:52,720 --> 01:22:54,719
Speaker 3: got it worth it worthy.

1974
01:22:55,840 --> 01:22:57,840
Speaker 1: They tried to make Bobby look bad, and so listen,

1975
01:22:57,880 --> 01:23:00,400
Speaker 1: getting jumped is not a that does make.

1976
01:23:00,280 --> 01:23:00,800
Speaker 4: You look bad.

1977
01:23:00,840 --> 01:23:02,960
Speaker 3: I'm not. You don't even have to fuck somebody up.

1978
01:23:03,320 --> 01:23:05,799
Speaker 2: You just have to make it difficult, and in my opinion,

1979
01:23:05,800 --> 01:23:07,760
Speaker 2: you win if you make it hard to jump heeple

1980
01:23:07,760 --> 01:23:08,200
Speaker 2: than you want.

1981
01:23:08,240 --> 01:23:11,040
Speaker 1: Man, Bobby stood ten toes. He ain't run from nothing.

1982
01:23:11,560 --> 01:23:13,080
Speaker 1: He did what he was supposed to be picked up.

1983
01:23:13,120 --> 01:23:14,360
Speaker 1: I don't know what it was that. Who could he

1984
01:23:14,400 --> 01:23:17,960
Speaker 1: picked up anything? Anything? Pick this ship up? What is

1985
01:23:18,000 --> 01:23:20,600
Speaker 1: this the mixer? Whatever the fade? I'm picking all this

1986
01:23:20,640 --> 01:23:24,120
Speaker 1: shit up. I'm yeah, we fucking all this ship up,

1987
01:23:24,160 --> 01:23:25,760
Speaker 1: like that's all you gotta do. My name was young

1988
01:23:25,800 --> 01:23:27,880
Speaker 1: Mike's stand for a long time. Yeah, sometimes you just

1989
01:23:27,880 --> 01:23:29,960
Speaker 1: got to pick up a shout after Bobby Man. Shout

1990
01:23:30,080 --> 01:23:32,960
Speaker 1: to Bobby schmurder Man words stand ten. That's ten toes

1991
01:23:33,000 --> 01:23:35,120
Speaker 1: Bobby from now on. He ain't running from none of

1992
01:23:35,160 --> 01:23:39,040
Speaker 1: you niggas. I'm fucking Bobby who it's got to be

1993
01:23:39,080 --> 01:23:39,519
Speaker 1: too cold?

1994
01:23:39,520 --> 01:23:41,200
Speaker 3: And then is he doing?

1995
01:23:41,280 --> 01:23:44,280
Speaker 1: And the men now listen, get it back hosting the parties.

1996
01:23:44,920 --> 01:23:48,040
Speaker 1: They're ship in Minnesota. I say it's too cold to

1997
01:23:48,160 --> 01:23:49,919
Speaker 1: like because.

1998
01:23:49,720 --> 01:23:51,679
Speaker 3: When fights break out, all the doors have to open.

1999
01:23:51,840 --> 01:23:55,680
Speaker 5: Security like that, and oh, everybody trying to call it

2000
01:23:55,680 --> 01:23:58,759
Speaker 5: over at the same time, they busy, like save this ship.

2001
01:23:58,600 --> 01:24:01,439
Speaker 3: For the summer. They go down. When they got to

2002
01:24:01,479 --> 01:24:03,200
Speaker 3: go down much, they gotta go down. Fuck that.

2003
01:24:03,240 --> 01:24:05,840
Speaker 1: I don't care what it's doing outside. And Bobby pop first.

2004
01:24:05,840 --> 01:24:06,840
Speaker 1: You saw him swing first.

2005
01:24:07,280 --> 01:24:09,280
Speaker 3: He's scared. Sometimes realize you're about to get jumped.

2006
01:24:09,280 --> 01:24:11,800
Speaker 2: That's your best option is to swing first, like, oh,

2007
01:24:11,880 --> 01:24:12,840
Speaker 2: I see what's going on here?

2008
01:24:12,920 --> 01:24:14,679
Speaker 1: Shut out to Bobby Man, but the old Joe de side.

2009
01:24:14,680 --> 01:24:17,040
Speaker 1: Hopefully Bobby stays safe. Man moving around because there's all

2010
01:24:17,120 --> 01:24:19,320
Speaker 1: dudes out here looking to just get a rep and

2011
01:24:19,360 --> 01:24:20,719
Speaker 1: do some stupid shit for content.

2012
01:24:20,800 --> 01:24:23,600
Speaker 3: So make sure you're passing one week keep Bobby, so

2013
01:24:23,800 --> 01:24:24,360
Speaker 3: have one.

2014
01:24:24,240 --> 01:24:27,240
Speaker 2: TikTok that's like, yo, we the guys that jump Bobby

2015
01:24:27,360 --> 01:24:28,920
Speaker 2: and it'll last for twenty four hours.

2016
01:24:29,040 --> 01:24:31,800
Speaker 3: Yeah, unless Vlad wants to interview them.

2017
01:24:32,000 --> 01:24:33,920
Speaker 1: See they mad because Bobby, you just be dancing and

2018
01:24:34,040 --> 01:24:36,080
Speaker 1: having fun. You know what I'm saying. He not on,

2019
01:24:36,240 --> 01:24:38,439
Speaker 1: you know what I'm saying, just trying to just chill. Here.

2020
01:24:38,439 --> 01:24:40,120
Speaker 3: They come trying to pull him back into the energy,

2021
01:24:40,120 --> 01:24:44,240
Speaker 3: into that life. Listen, Man, Bobby did seven years in Clinton.

2022
01:24:45,000 --> 01:24:48,240
Speaker 2: I think a bar with a teaky theme in Minnesota

2023
01:24:48,360 --> 01:24:50,599
Speaker 2: is I think he he knows how to handle himself.

2024
01:24:50,920 --> 01:24:52,880
Speaker 2: Shut out to Bobby Man doing a tiki bar in

2025
01:24:52,920 --> 01:24:56,599
Speaker 2: Minnesota is alartic. Don't put bamboo in a minute when

2026
01:24:56,600 --> 01:24:59,360
Speaker 2: you sit to the Mighty Ducks team and I'll be there.

2027
01:24:59,240 --> 01:24:59,960
Speaker 4: It was a tiki bar.

2028
01:25:00,360 --> 01:25:01,200
Speaker 3: Pull the video up.

2029
01:25:02,200 --> 01:25:04,000
Speaker 1: Rory just be saying you got to check that. You

2030
01:25:04,120 --> 01:25:06,080
Speaker 1: got to check ry a tiki bar.

2031
01:25:06,560 --> 01:25:08,960
Speaker 3: Look at that it's bamboo and ship up there that's

2032
01:25:09,000 --> 01:25:09,599
Speaker 3: not bamboo.

2033
01:25:09,840 --> 01:25:12,080
Speaker 1: See how fast word turn the whole Yeah, like what

2034
01:25:12,240 --> 01:25:13,000
Speaker 1: is he talking about?

2035
01:25:13,320 --> 01:25:13,680
Speaker 3: All right?

2036
01:25:15,479 --> 01:25:16,120
Speaker 4: Teky bar?

2037
01:25:16,600 --> 01:25:18,760
Speaker 2: You talk at the bottom it looked like a yeah,

2038
01:25:18,920 --> 01:25:21,120
Speaker 2: come on, it looks like the tiky grass.

2039
01:25:20,840 --> 01:25:25,840
Speaker 3: That's curtains, all right. I don't know what that is. Man,

2040
01:25:26,439 --> 01:25:28,439
Speaker 3: can't you can't look at that real quick.

2041
01:25:29,600 --> 01:25:33,280
Speaker 4: The man, that's just the core.

2042
01:25:36,520 --> 01:25:40,880
Speaker 3: Anyways, Roe you think you're still how to fight, it's

2043
01:25:40,880 --> 01:25:44,240
Speaker 3: been a while. I don't know. You think it's like

2044
01:25:44,320 --> 01:25:44,880
Speaker 3: riding a bike.

2045
01:25:45,479 --> 01:25:46,240
Speaker 4: No, No, it's not.

2046
01:25:46,360 --> 01:25:48,120
Speaker 3: I don't I don't at all know it is not.

2047
01:25:48,160 --> 01:25:50,200
Speaker 3: I don't think that fighting is not like riding a bike.

2048
01:25:50,640 --> 01:25:52,640
Speaker 1: It is not. And you don't know that it's not

2049
01:25:52,680 --> 01:25:54,960
Speaker 1: like riding a bike until you in the fight and

2050
01:25:55,040 --> 01:25:57,320
Speaker 1: realize that back leg give out like it don't know,

2051
01:25:57,400 --> 01:26:01,000
Speaker 1: you try to plant, you do your box jumps. You

2052
01:26:01,000 --> 01:26:03,559
Speaker 1: didn't do your box squatching a long time, like you

2053
01:26:03,600 --> 01:26:04,920
Speaker 1: gotta keep that bass strong.

2054
01:26:05,439 --> 01:26:08,400
Speaker 2: After I ran Division one track, I took a break

2055
01:26:08,400 --> 01:26:10,920
Speaker 2: because I was like, dud, I've been doing athletics my

2056
01:26:11,000 --> 01:26:11,400
Speaker 2: whole life.

2057
01:26:11,439 --> 01:26:12,639
Speaker 1: I just want to chill for a little bit.

2058
01:26:12,880 --> 01:26:14,439
Speaker 3: And then when I went back to the gym.

2059
01:26:14,240 --> 01:26:16,519
Speaker 2: Maybe like a year later, I tried to work out

2060
01:26:16,720 --> 01:26:18,280
Speaker 2: the way I worked out when I was a Division

2061
01:26:18,320 --> 01:26:21,240
Speaker 2: one athlete and played myself and hurt myself. Yeah, So

2062
01:26:21,320 --> 01:26:23,400
Speaker 2: I think now if I tried to fight, I would

2063
01:26:23,400 --> 01:26:27,599
Speaker 2: go with the same like muscle memory of what to do,

2064
01:26:27,640 --> 01:26:30,040
Speaker 2: and I don't know if the muscles would receive the

2065
01:26:30,080 --> 01:26:31,679
Speaker 2: message yeah the same way.

2066
01:26:31,800 --> 01:26:32,519
Speaker 3: Yeah. Nah.

2067
01:26:32,720 --> 01:26:34,320
Speaker 4: Fighting is not like riding the bite baby did.

2068
01:26:34,520 --> 01:26:36,400
Speaker 2: My reactions are still there, but I don't know if

2069
01:26:37,040 --> 01:26:40,040
Speaker 2: and I probably get winded, like I don't know. Adrenaline

2070
01:26:40,080 --> 01:26:42,719
Speaker 2: would have to really carry the fight. That's all awesome,

2071
01:26:42,760 --> 01:26:44,680
Speaker 2: that one. I would hope that adrenaline would carry out.

2072
01:26:44,680 --> 01:26:46,920
Speaker 5: Were used to reaching between somebody legs and slam them,

2073
01:26:46,960 --> 01:26:48,439
Speaker 5: I feel like if I want to do that now,

2074
01:26:48,640 --> 01:26:50,679
Speaker 5: I'm gonna I'm gonna pull my back out for sure.

2075
01:26:51,120 --> 01:26:53,120
Speaker 1: You better not try to lift nobody up, baby, Then

2076
01:26:53,120 --> 01:26:54,920
Speaker 1: you gonna tell all your whole left side trying to

2077
01:26:54,920 --> 01:26:59,519
Speaker 1: hold somebody both the ground body slam somebody, baby did.

2078
01:26:59,560 --> 01:27:01,200
Speaker 1: I ain't gona go the way you think it's gonna go.

2079
01:27:01,439 --> 01:27:03,200
Speaker 1: I know in your brain you think that it's gonna

2080
01:27:03,200 --> 01:27:04,920
Speaker 1: go a certain way. That ain't gonna go the way

2081
01:27:05,840 --> 01:27:07,920
Speaker 1: I thought we're gonna go a certain Yeah, that's not

2082
01:27:07,920 --> 01:27:09,880
Speaker 1: gonna go the way I feel like, Yeah, I'm gonna

2083
01:27:09,880 --> 01:27:11,840
Speaker 1: pull my back, Yeah, you're gonna definitely you're gonna fuck

2084
01:27:11,880 --> 01:27:12,280
Speaker 1: yourself up.

2085
01:27:12,320 --> 01:27:12,800
Speaker 3: Don't do that.

2086
01:27:13,200 --> 01:27:17,080
Speaker 2: Yeah, unless I'm anticipating the fight and I'm the one plotting.

2087
01:27:17,240 --> 01:27:18,280
Speaker 2: I don't know if it would go the way I

2088
01:27:18,280 --> 01:27:19,519
Speaker 2: think it will go at this point in my life.

2089
01:27:20,320 --> 01:27:23,840
Speaker 1: And I really only got three combos. What's like, if

2090
01:27:23,880 --> 01:27:25,479
Speaker 1: my three combos don't get you out of here, I

2091
01:27:25,520 --> 01:27:27,200
Speaker 1: don't know what I'm doing after that. Like my next

2092
01:27:27,200 --> 01:27:28,360
Speaker 1: move is just gonna be like, all right, we just

2093
01:27:28,360 --> 01:27:30,040
Speaker 1: gotta just lock on the center.

2094
01:27:30,040 --> 01:27:31,880
Speaker 5: You ever, but Mortal Kombat and you're trying to get

2095
01:27:31,880 --> 01:27:34,360
Speaker 5: the like the more the fatality, but you can't figure

2096
01:27:34,360 --> 01:27:35,720
Speaker 5: out which buttons to hit, and you just.

2097
01:27:35,680 --> 01:27:40,320
Speaker 3: Like, yeah, he was just nothing.

2098
01:27:40,360 --> 01:27:42,880
Speaker 4: Come out three combos.

2099
01:27:43,400 --> 01:27:45,400
Speaker 1: I got three combos, And if that don't get you

2100
01:27:45,439 --> 01:27:47,560
Speaker 1: out of the paint, that's when I just jump in

2101
01:27:47,560 --> 01:27:49,160
Speaker 1: the middle of the street and hope the police is coming.

2102
01:27:49,200 --> 01:27:54,400
Speaker 1: Like after that, Like That's where I'm at my Mortal

2103
01:27:54,439 --> 01:27:59,240
Speaker 1: Kombat characters. I was I love Scorpion scoring some zero

2104
01:28:00,080 --> 01:28:02,360
Speaker 1: uh to go to raiding?

2105
01:28:03,120 --> 01:28:03,519
Speaker 3: Yeah?

2106
01:28:04,120 --> 01:28:04,439
Speaker 4: Raiding?

2107
01:28:05,000 --> 01:28:07,040
Speaker 3: Yeah? Yeah, I was a raiding guy.

2108
01:28:08,240 --> 01:28:11,000
Speaker 2: Well ship, I mean what, I'm sure I never had

2109
01:28:11,040 --> 01:28:14,280
Speaker 2: like comp Like I didn't have a finishing move.

2110
01:28:14,880 --> 01:28:16,080
Speaker 3: You said you had three combos.

2111
01:28:16,280 --> 01:28:19,920
Speaker 2: I was just I was reacting, Well, you got I

2112
01:28:20,120 --> 01:28:21,599
Speaker 2: know I know how to throw combos when I spar

2113
01:28:21,800 --> 01:28:23,280
Speaker 2: or anything like that. But I'm saying in a fight,

2114
01:28:23,520 --> 01:28:26,720
Speaker 2: I don't have like I'm literally just gonna this is

2115
01:28:26,760 --> 01:28:30,200
Speaker 2: gonna be this up up. No, I'm just gonna like

2116
01:28:30,240 --> 01:28:35,080
Speaker 2: what's what's in front of my face? Like matter fact,

2117
01:28:35,120 --> 01:28:35,920
Speaker 2: I'm like Floyds.

2118
01:28:37,960 --> 01:28:38,519
Speaker 4: You like Floyd.

2119
01:28:39,240 --> 01:28:41,840
Speaker 3: Everyone says, I'm like Floyd. That's what's up. I was

2120
01:28:41,880 --> 01:28:44,519
Speaker 3: good with the elbows, though I use all of that.

2121
01:28:44,560 --> 01:28:45,799
Speaker 3: Those are oh no, no, no.

2122
01:28:46,720 --> 01:28:49,240
Speaker 2: What I would say would go to in close combat

2123
01:28:49,360 --> 01:28:52,600
Speaker 2: was never punching. It was always always right here I

2124
01:28:52,640 --> 01:28:54,640
Speaker 2: throw because I don't way a lot. I throw my

2125
01:28:54,680 --> 01:28:56,559
Speaker 2: whole shoulder and hip and at this elbow. You're getting

2126
01:28:56,560 --> 01:28:57,040
Speaker 2: that ship right there.

2127
01:28:57,080 --> 01:28:59,200
Speaker 4: You got to use everything. Everything is a weapon.

2128
01:28:58,960 --> 01:29:00,360
Speaker 3: In Yeah, I'm let person.

2129
01:29:00,360 --> 01:29:02,639
Speaker 2: I got because when you disclosed, especially like a bar

2130
01:29:02,720 --> 01:29:05,280
Speaker 2: fight or something like, you can't even get the space.

2131
01:29:05,040 --> 01:29:07,600
Speaker 3: To get a proper punch off. So the fall you

2132
01:29:07,720 --> 01:29:09,559
Speaker 3: use your legs to kick the girl back, like.

2133
01:29:09,600 --> 01:29:11,160
Speaker 5: Yeah, she go to get on top of you, you gotta

2134
01:29:11,240 --> 01:29:13,000
Speaker 5: kick her right in her vagina so she fly up

2135
01:29:13,040 --> 01:29:13,320
Speaker 5: in the air.

2136
01:29:16,360 --> 01:29:18,799
Speaker 3: That's the science, and we know the anatomy of when.

2137
01:29:18,560 --> 01:29:20,559
Speaker 5: You get somebody down and you get on top of them.

2138
01:29:20,560 --> 01:29:22,960
Speaker 5: You pin, You put your knees on their arms so

2139
01:29:22,960 --> 01:29:25,439
Speaker 5: that they can't fight back. You pin them down with

2140
01:29:25,520 --> 01:29:28,200
Speaker 5: your opinion, pin them down.

2141
01:29:27,560 --> 01:29:31,960
Speaker 3: Watching too much World Star? What World Star fights? That's

2142
01:29:32,000 --> 01:29:33,000
Speaker 3: every girl in her yea.

2143
01:29:33,080 --> 01:29:35,360
Speaker 2: She has a picture of Sharkisha in her home with

2144
01:29:35,600 --> 01:29:40,320
Speaker 2: Shakesha No, sha Keshay, listen bro Shakeisha?

2145
01:29:40,360 --> 01:29:40,800
Speaker 1: What to work?

2146
01:29:41,200 --> 01:29:43,480
Speaker 4: That's still one of the hardest right hooks.

2147
01:29:43,960 --> 01:29:46,800
Speaker 1: I'll get a headache watching it. Yeah, I know her

2148
01:29:46,840 --> 01:29:48,600
Speaker 1: head was ringing. What did she end up doing with

2149
01:29:48,640 --> 01:29:49,000
Speaker 1: her life?

2150
01:29:49,680 --> 01:29:52,200
Speaker 3: Truth? That's a doctor philm moment like she put on.

2151
01:29:53,479 --> 01:29:55,200
Speaker 4: Oh she's a chef and entrepreneur.

2152
01:29:55,640 --> 01:29:58,160
Speaker 3: Se I like when people turn their life around.

2153
01:29:58,520 --> 01:30:02,000
Speaker 1: Man, look at sha Keisha open restaurant Urban Country Kitchen

2154
01:30:02,040 --> 01:30:05,280
Speaker 1: in Walnut Grove, Mississippi and releasing a cook book.

2155
01:30:06,120 --> 01:30:09,120
Speaker 2: Is my therapy being a seafood restaurant on the table.

2156
01:30:09,200 --> 01:30:11,840
Speaker 2: But that's that's just leaving money on the table.

2157
01:30:12,120 --> 01:30:16,320
Speaker 5: Sha Kesha byry, he's so corn.

2158
01:30:16,400 --> 01:30:19,080
Speaker 3: That's gotta be a seafood restaurant from sha Keisha. No

2159
01:30:19,200 --> 01:30:21,360
Speaker 3: as the name of the restaurant, well, no, they're in Mississippi.

2160
01:30:21,360 --> 01:30:23,080
Speaker 3: So you can't have a seafood and you're not gonna

2161
01:30:23,080 --> 01:30:24,960
Speaker 3: do too well with the seafood restaurant in Mississippi. You

2162
01:30:25,080 --> 01:30:33,960
Speaker 3: mean the river Yep, that's the river is.

2163
01:30:33,280 --> 01:30:37,000
Speaker 2: Because Mississippi is right next to Louisiana. Like they probably

2164
01:30:37,000 --> 01:30:37,879
Speaker 2: make really good.

2165
01:30:37,720 --> 01:30:42,680
Speaker 1: And then what that New Orleans makes, they have to

2166
01:30:44,040 --> 01:30:45,120
Speaker 1: it touches the same ship.

2167
01:30:45,400 --> 01:30:47,240
Speaker 4: It's a little different. Though New Orleans got some great.

2168
01:30:47,320 --> 01:30:49,640
Speaker 1: I'm sure you get some good Cajun food in southern Mississippi,

2169
01:30:49,840 --> 01:30:51,960
Speaker 1: get some gator was that of seafood.

2170
01:30:52,000 --> 01:30:54,120
Speaker 5: I had a good turkey oil when I was in Mississippi.

2171
01:30:54,120 --> 01:30:57,080
Speaker 1: It is not seafood, right, that wouldn't be considered seafood.

2172
01:30:58,280 --> 01:31:00,920
Speaker 3: Swap food food.

2173
01:31:01,800 --> 01:31:03,639
Speaker 4: Don't ever put no swamp food on my plate.

2174
01:31:04,520 --> 01:31:07,519
Speaker 1: Swamp food. Just saying swamp food is crazy. I went

2175
01:31:07,560 --> 01:31:10,200
Speaker 1: to in Florida when this wasn't the fanbo shit. I

2176
01:31:10,200 --> 01:31:12,280
Speaker 1: didn't louise I've in Florida. I went to a not

2177
01:31:12,320 --> 01:31:14,040
Speaker 1: a fan boat thing, but one of those swamps we

2178
01:31:14,240 --> 01:31:16,360
Speaker 1: ate like. It was like chicken nuggets.

2179
01:31:16,479 --> 01:31:19,600
Speaker 3: That was alligator and she was great gator nuggets, but

2180
01:31:19,640 --> 01:31:20,519
Speaker 3: it was a swamp like.

2181
01:31:20,560 --> 01:31:23,679
Speaker 2: They didn't get it from the shores of Australia where

2182
01:31:23,680 --> 01:31:26,720
Speaker 2: there's alligators in the sea, like it was just it

2183
01:31:26,760 --> 01:31:28,439
Speaker 2: was a swamp for shampoo.

2184
01:31:28,280 --> 01:31:29,920
Speaker 3: Swamp food.

2185
01:31:30,280 --> 01:31:30,880
Speaker 1: How thin it works?

2186
01:31:30,920 --> 01:31:33,599
Speaker 4: You a swamp connoisseur, look like it.

2187
01:31:33,840 --> 01:31:35,439
Speaker 1: Swamp ass sometimes three days straight.

2188
01:31:36,000 --> 01:31:41,559
Speaker 2: Nobody tells you how many random little charges hit you

2189
01:31:41,600 --> 01:31:44,479
Speaker 2: every week. One minute you're grabbing coffee, next thing you know,

2190
01:31:44,600 --> 01:31:47,640
Speaker 2: it's a delivery fee, a parking ticket, and somehow you

2191
01:31:47,720 --> 01:31:48,720
Speaker 2: bought a plant.

2192
01:31:48,400 --> 01:31:49,840
Speaker 4: That you don't even like exactly.

2193
01:31:49,920 --> 01:31:52,320
Speaker 1: Life doesn't come with the budget app built in, but

2194
01:31:52,560 --> 01:31:54,640
Speaker 1: the Clarina Card kind of feels like you should have.

2195
01:31:55,120 --> 01:31:58,240
Speaker 2: It's basically your debit card upgraded. You use your own money,

2196
01:31:58,280 --> 01:32:00,639
Speaker 2: no credit, no weird fees, and you get to choose

2197
01:32:00,680 --> 01:32:03,840
Speaker 2: how you pay all upfront or you plan it out

2198
01:32:04,080 --> 01:32:05,519
Speaker 2: in the Klarna app.

2199
01:32:05,960 --> 01:32:07,600
Speaker 4: Yeah, so you're still being responsible.

2200
01:32:07,800 --> 01:32:08,280
Speaker 3: Just smarter.

2201
01:32:08,360 --> 01:32:11,280
Speaker 1: It works anywhere visas accepted, and there's zero credit impact

2202
01:32:11,320 --> 01:32:11,639
Speaker 1: when you.

2203
01:32:11,640 --> 01:32:16,000
Speaker 2: Apply Smarter spending, less stress. That's grown man budgeting right there.

2204
01:32:16,160 --> 01:32:18,880
Speaker 1: Sign up for the Clarna card by downloading the Klarna app,

2205
01:32:19,000 --> 01:32:22,080
Speaker 1: or learn more at klarna dot com. Forward Slash us

2206
01:32:22,080 --> 01:32:25,599
Speaker 1: forward Slash Clarna Dash Card, Colarna Card paylated plans issued

2207
01:32:25,640 --> 01:32:27,960
Speaker 1: by web Bank Deposits in your balance account are held

2208
01:32:27,960 --> 01:32:32,400
Speaker 1: at web Bank member FDIC anywhere Visa is accepted. Certain

2209
01:32:32,439 --> 01:32:36,040
Speaker 1: merchant product, good and service restrictions apply. Some merchants do

2210
01:32:36,080 --> 01:32:39,160
Speaker 1: not accept virtual cards. Physical card only included with a

2211
01:32:39,200 --> 01:32:42,839
Speaker 1: paid Klarna membership plan. Certain merchant product, good and service

2212
01:32:42,840 --> 01:32:43,679
Speaker 1: restrictions apply.

2213
01:32:44,000 --> 01:32:47,240
Speaker 2: This episode is brought to you by Walden University. Mal

2214
01:32:47,280 --> 01:32:48,760
Speaker 2: I want you to join my frat man, but you

2215
01:32:48,760 --> 01:32:50,479
Speaker 2: gotta go back to school. All right, let's do it.

2216
01:32:50,479 --> 01:32:53,040
Speaker 2: I might charter a chapter over at Walden University because

2217
01:32:53,080 --> 01:32:55,360
Speaker 2: I know, I know you're busy to earn a degree

2218
01:32:55,360 --> 01:32:57,000
Speaker 2: that can get kind of complicated, even though I don't

2219
01:32:57,000 --> 01:32:58,800
Speaker 2: have a degree. Maybe I'll go back with you. Maybe

2220
01:32:58,800 --> 01:33:00,760
Speaker 2: you and I could just be the Walden Boys. They

2221
01:33:00,800 --> 01:33:03,200
Speaker 2: have tempo learning as we're busy, that we could do

2222
01:33:03,200 --> 01:33:05,760
Speaker 2: it at our tempo. We could set our BPM to

2223
01:33:05,800 --> 01:33:07,799
Speaker 2: figure out how we want to, you know, learn and everything.

2224
01:33:07,800 --> 01:33:11,160
Speaker 2: No weekly deadlines, no rigid schedules, just the flexibility to

2225
01:33:11,200 --> 01:33:13,880
Speaker 2: earn your degree on your terms, at your pace, with

2226
01:33:14,320 --> 01:33:15,000
Speaker 2: your budget.

2227
01:33:15,360 --> 01:33:18,240
Speaker 1: Walden University set a course for Change certified to operate

2228
01:33:18,280 --> 01:33:18,800
Speaker 1: by CHEV.

2229
01:33:24,600 --> 01:33:26,439
Speaker 5: All right, everybody, so it's time to putting me on

2230
01:33:26,760 --> 01:33:28,520
Speaker 5: sponsored by Walden University.

2231
01:33:28,680 --> 01:33:29,479
Speaker 3: Shout out to them.

2232
01:33:29,720 --> 01:33:31,920
Speaker 5: I am excited because I actually have an artist that

2233
01:33:31,920 --> 01:33:35,200
Speaker 5: I want to put you guys onto that I discovered recently.

2234
01:33:35,439 --> 01:33:36,800
Speaker 4: When did you listen to them while you was home

2235
01:33:36,840 --> 01:33:37,599
Speaker 4: in your self?

2236
01:33:38,120 --> 01:33:40,680
Speaker 5: This is before, it was before. But the name the

2237
01:33:40,720 --> 01:33:44,479
Speaker 5: scientist now, her name is Charity, and I came across her.

2238
01:33:44,479 --> 01:33:47,280
Speaker 4: Scientis Charity, so in the family.

2239
01:33:47,000 --> 01:33:49,160
Speaker 3: I actually don't see how charity and science.

2240
01:33:49,439 --> 01:33:50,479
Speaker 4: You don't see.

2241
01:33:50,520 --> 01:33:52,719
Speaker 3: You don't know enough about, you know, my bet.

2242
01:33:53,000 --> 01:33:56,920
Speaker 5: The hidden Element. So I came across Charity's page on

2243
01:33:57,080 --> 01:33:59,639
Speaker 5: ig because she was doing kind of like a spoken

2244
01:33:59,760 --> 01:34:03,679
Speaker 5: ward like uplifting type of thing, and she was talking about,

2245
01:34:03,760 --> 01:34:06,040
Speaker 5: you know, talking about lover girls and talking about how

2246
01:34:06,160 --> 01:34:07,920
Speaker 5: there's a place in the world for us and that

2247
01:34:08,000 --> 01:34:09,840
Speaker 5: we should keep it going and not a heart in

2248
01:34:09,880 --> 01:34:11,680
Speaker 5: our heart and all of those things. So I was

2249
01:34:11,720 --> 01:34:13,479
Speaker 5: listening to that, so I went to go She was like,

2250
01:34:13,479 --> 01:34:15,559
Speaker 5: you know, you can find the rest of this on Spotify.

2251
01:34:15,600 --> 01:34:17,120
Speaker 5: So I went to her Spotify thinking it would be

2252
01:34:17,120 --> 01:34:20,040
Speaker 5: like more spoken word and it was actually an album.

2253
01:34:20,120 --> 01:34:23,760
Speaker 5: She released an album called Warm and Soft, and I

2254
01:34:23,880 --> 01:34:27,599
Speaker 5: know that's right, yeah, but she's she's she's done love.

2255
01:34:27,920 --> 01:34:31,559
Speaker 5: I like her. I like her writing. That's the only

2256
01:34:31,640 --> 01:34:34,519
Speaker 5: kindes I like her writing. I think that that Rory

2257
01:34:34,760 --> 01:34:36,639
Speaker 5: maybe even you more. I think that you guys would

2258
01:34:36,680 --> 01:34:37,160
Speaker 5: like her music.

2259
01:34:37,160 --> 01:34:39,439
Speaker 3: Where's she from? I don't know where she's from.

2260
01:34:39,439 --> 01:34:41,880
Speaker 5: I would have to I'm completely new to her. And

2261
01:34:41,920 --> 01:34:43,880
Speaker 5: it's a full project or yeah, the full project. It

2262
01:34:43,920 --> 01:34:46,759
Speaker 5: dropped October seventeenth of this y. Her name is Charity

2263
01:34:47,000 --> 01:34:49,400
Speaker 5: Charity and different.

2264
01:34:49,240 --> 01:34:54,000
Speaker 3: Second it's spelled just like regular check. Yeah.

2265
01:34:54,040 --> 01:34:55,920
Speaker 5: She does like good like spoken word on IG and

2266
01:34:55,960 --> 01:34:58,320
Speaker 5: I think that that was great. It was so much

2267
01:34:58,360 --> 01:35:01,200
Speaker 5: better than just like listen to my album or like,

2268
01:35:01,320 --> 01:35:03,720
Speaker 5: you know, just giving a snippet of the music, like

2269
01:35:03,800 --> 01:35:07,280
Speaker 5: she for every song on the album. She did a

2270
01:35:07,360 --> 01:35:11,280
Speaker 5: spoken word piece on IG that will make people want

2271
01:35:11,280 --> 01:35:13,280
Speaker 5: to go and see more of her. And then it's like, oh,

2272
01:35:13,400 --> 01:35:15,640
Speaker 5: like this same content you have in music for him?

2273
01:35:15,680 --> 01:35:16,320
Speaker 1: So gotcha?

2274
01:35:16,520 --> 01:35:17,200
Speaker 3: So shout out to.

2275
01:35:17,120 --> 01:35:19,600
Speaker 2: Her, all right, Charity, I'm definitely gonna listen to that.

2276
01:35:20,120 --> 01:35:23,120
Speaker 2: I like love a girl music. You all love a girl,

2277
01:35:23,680 --> 01:35:24,040
Speaker 2: love a girl?

2278
01:35:24,080 --> 01:35:24,360
Speaker 4: You are?

2279
01:35:24,560 --> 01:35:26,240
Speaker 1: I am no such a love a girl. Just the

2280
01:35:26,280 --> 01:35:29,960
Speaker 1: eyes listen, it's the eyelashes. I don't think it's the

2281
01:35:30,000 --> 01:35:32,840
Speaker 1: eyes I think it's the eyelashes. That's why I could

2282
01:35:32,880 --> 01:35:36,200
Speaker 1: never be tough, because I just have these eyelashes. No

2283
01:35:36,240 --> 01:35:40,120
Speaker 1: one's intimidated. My guy, Reggie, who everyone in this room

2284
01:35:40,120 --> 01:35:43,920
Speaker 1: at least knows. Reggie was on my first album. He

2285
01:35:44,080 --> 01:35:47,160
Speaker 1: was on a song called Enough with Jay Electronica. He

2286
01:35:47,240 --> 01:35:49,519
Speaker 1: was one of my favorite new artists in twenty twenty one.

2287
01:35:50,640 --> 01:35:52,559
Speaker 1: You know, Reggie took a break at a child and

2288
01:35:52,680 --> 01:35:56,760
Speaker 1: is now releasing incredible music. I've been waiting for this day.

2289
01:35:57,680 --> 01:35:59,680
Speaker 2: She had since twenty twenty one for him to start

2290
01:35:59,680 --> 01:36:02,320
Speaker 2: putting out all the amazing music that I've heard. He's

2291
01:36:02,320 --> 01:36:04,760
Speaker 2: put out three singles in the last three months, all

2292
01:36:04,800 --> 01:36:07,000
Speaker 2: with the same artwork, So I assume this is for

2293
01:36:07,040 --> 01:36:11,880
Speaker 2: a bigger EP or a bigger project. But congrats new Headstone.

2294
01:36:12,080 --> 01:36:15,920
Speaker 2: And then last week he dropped my favorite record sometimes

2295
01:36:16,040 --> 01:36:20,080
Speaker 2: that's incredible. So Reggie all lowercase R, E, G, G

2296
01:36:20,360 --> 01:36:22,719
Speaker 2: I E. He was also my album.

2297
01:36:22,800 --> 01:36:24,519
Speaker 1: I think he's one of the most talented R and

2298
01:36:24,520 --> 01:36:27,720
Speaker 1: B artists period, Like he's one of them.

2299
01:36:28,080 --> 01:36:29,519
Speaker 3: He's even one hop coss.

2300
01:36:31,000 --> 01:36:35,000
Speaker 2: Is he from Brooklyn, No, he's from Houston, Texas. How

2301
01:36:35,040 --> 01:36:38,000
Speaker 2: I even found out about Reggie was because at the time,

2302
01:36:38,000 --> 01:36:41,479
Speaker 2: he was working with Maxo Cream's camp. So when they

2303
01:36:41,520 --> 01:36:43,479
Speaker 2: told me, you know, we got an artist, I think

2304
01:36:43,520 --> 01:36:46,759
Speaker 2: you want to hear I'm assuming you know, I love Maxo,

2305
01:36:46,840 --> 01:36:48,280
Speaker 2: but I'm assuming it's like some criptshit.

2306
01:36:48,960 --> 01:36:51,880
Speaker 3: And then like the most beautiful voice of all.

2307
01:36:51,760 --> 01:36:53,599
Speaker 1: Time comes on. I'm like, oh shit, all right.

2308
01:36:53,920 --> 01:36:57,120
Speaker 2: He had put out on a record called Southside, which

2309
01:36:57,200 --> 01:36:59,560
Speaker 2: I played on the pod and it was one of

2310
01:36:59,600 --> 01:37:02,280
Speaker 2: my favorite joints that year. Reggie is really really dope,

2311
01:37:02,600 --> 01:37:06,000
Speaker 2: directs his own ship, uh, you know, super talented visually

2312
01:37:06,040 --> 01:37:10,360
Speaker 2: as well. I can't say enough about Reggie. His Colors

2313
01:37:10,360 --> 01:37:13,160
Speaker 2: performance is incredible. But yeah, he's put music out again

2314
01:37:13,200 --> 01:37:14,479
Speaker 2: and I couldn't be fucking happier.

2315
01:37:14,760 --> 01:37:16,000
Speaker 3: Fright, I gotta check that out.

2316
01:37:16,520 --> 01:37:18,719
Speaker 1: Wenna put y'all on to a new movie Holiday Time,

2317
01:37:19,000 --> 01:37:25,960
Speaker 1: Unexpected Christmas, Little Real, Uh, Tabitha Brown, Anna Marie Horsford.

2318
01:37:25,960 --> 01:37:27,840
Speaker 1: I mean, you can't have a Chris Black Christmas movie

2319
01:37:27,840 --> 01:37:30,920
Speaker 1: without Anna Marie Horsford. She did all the Fridays. She

2320
01:37:31,040 --> 01:37:32,439
Speaker 1: was the mom in Fridays. I don't know, and I

2321
01:37:32,439 --> 01:37:36,120
Speaker 1: mean I love low Rel too. Yeah, Unexpected Christmas funny funny,

2322
01:37:36,200 --> 01:37:39,599
Speaker 1: uh funny funny movie. I think everybody will love it.

2323
01:37:39,640 --> 01:37:42,680
Speaker 1: Perfect movie for this time of year. Definitely give it

2324
01:37:42,720 --> 01:37:44,479
Speaker 1: a watch. And it's you know, some black casts, so

2325
01:37:44,479 --> 01:37:47,960
Speaker 1: we gotta support that Reagan Gomez Preston, isn't it.

2326
01:37:48,439 --> 01:37:49,560
Speaker 3: What's the synopsis?

2327
01:37:49,800 --> 01:37:52,880
Speaker 1: It's the you know family Tom, everybody come back to

2328
01:37:52,920 --> 01:37:57,679
Speaker 1: the house. You know, uh, secret love affairs and family

2329
01:37:57,760 --> 01:37:58,840
Speaker 1: secrets are revealed.

2330
01:37:59,160 --> 01:38:01,280
Speaker 3: You know that that story, you know that story. We

2331
01:38:01,320 --> 01:38:01,600
Speaker 3: all know.

2332
01:38:01,640 --> 01:38:03,880
Speaker 1: We all loved that movie. Yeah, but this is a

2333
01:38:04,280 --> 01:38:05,599
Speaker 1: this was a good movie. This was a good watch.

2334
01:38:05,640 --> 01:38:08,120
Speaker 1: So if you got some time, definitely check out Unexpected Christmas.

2335
01:38:08,880 --> 01:38:09,639
Speaker 1: I definitely will.

2336
01:38:09,880 --> 01:38:13,240
Speaker 2: And yeah, I need a new one in the mix

2337
01:38:13,320 --> 01:38:15,080
Speaker 2: for for holiday movie.

2338
01:38:15,080 --> 01:38:16,439
Speaker 3: This is a good this is good. A lot of

2339
01:38:16,439 --> 01:38:18,000
Speaker 3: repeats for a lot of years. Yeah, I need. I

2340
01:38:18,000 --> 01:38:19,040
Speaker 3: definitely need to throw a new one.

2341
01:38:19,080 --> 01:38:21,519
Speaker 1: This felt This is a good insert for a new

2342
01:38:21,680 --> 01:38:22,720
Speaker 1: Christmas movie for sure.

2343
01:38:22,800 --> 01:38:26,160
Speaker 3: Is this a Netflix thing or is this Prime? Prime? Prime?

2344
01:38:26,360 --> 01:38:29,920
Speaker 1: Yeah, check it out on Prime. Unexpected Christmas and Little Real.

2345
01:38:29,960 --> 01:38:31,720
Speaker 1: You know we support low real funny funny guys.

2346
01:38:31,760 --> 01:38:33,439
Speaker 3: So yeah, we were supposed to have Little reroll on

2347
01:38:33,479 --> 01:38:35,960
Speaker 3: the show. But was it scheduling or something? I hope

2348
01:38:35,960 --> 01:38:37,840
Speaker 3: he's crazy, man. He probably was shooting, this.

2349
01:38:40,240 --> 01:38:43,040
Speaker 1: Unexpected Christmas, famous working comedian.

2350
01:38:43,280 --> 01:38:48,000
Speaker 2: Yeah, that ship to do absolutely. Prayers to everyone in Australia.

2351
01:38:48,479 --> 01:38:51,519
Speaker 1: Unfortunately they had a mass shooting over the weekend.

2352
01:38:51,600 --> 01:38:54,400
Speaker 2: Prayers to the two students at Brown University that lost

2353
01:38:54,439 --> 01:38:57,040
Speaker 2: their lives to another mass shooting and everyone that was

2354
01:38:57,040 --> 01:38:59,200
Speaker 2: injured in both those incidents.

2355
01:38:59,760 --> 01:39:03,439
Speaker 1: It's unfortunate that this continues to be news like that.

2356
01:39:03,479 --> 01:39:06,120
Speaker 1: We're just so used to these things popping up every

2357
01:39:06,160 --> 01:39:07,639
Speaker 1: day in headlines with mass.

2358
01:39:07,439 --> 01:39:10,720
Speaker 2: Shootings, like we say this every time. So I got

2359
01:39:10,720 --> 01:39:14,559
Speaker 2: nothing at this point. Everyone has to do better. It's

2360
01:39:14,560 --> 01:39:18,479
Speaker 2: it's it's gotten crazy. Rest in peace to Rob Reiner

2361
01:39:18,560 --> 01:39:21,040
Speaker 2: and Michelle Reiner, his wife.

2362
01:39:22,479 --> 01:39:23,800
Speaker 3: This happened when we were walking in.

2363
01:39:23,840 --> 01:39:26,120
Speaker 2: I saw that he passed, but then I saw on

2364
01:39:26,160 --> 01:39:30,320
Speaker 2: the list that allegedly his son had stabbed both of them.

2365
01:39:32,200 --> 01:39:34,160
Speaker 1: Just heard about that part that's held on a four

2366
01:39:34,200 --> 01:39:36,680
Speaker 1: million dollars bond, so pretty much he used the guy

2367
01:39:36,720 --> 01:39:42,200
Speaker 1: that killed his parents. Yeah, that's that's nuts. But rest

2368
01:39:42,200 --> 01:39:43,800
Speaker 1: in peace to a great director, a great actor, a

2369
01:39:43,800 --> 01:39:47,799
Speaker 1: great writer. Legend that's very very very wild.

2370
01:39:48,560 --> 01:39:51,719
Speaker 2: So you know, Presidentnolences to everyone family that was affected

2371
01:39:51,720 --> 01:39:54,519
Speaker 2: by everything that happened this weekend and we can.

2372
01:39:54,720 --> 01:39:57,799
Speaker 1: We can get to voye smails. These are sponsored by Boost.

2373
01:39:57,920 --> 01:40:00,840
Speaker 2: Sorry for putting your name so close to h you

2374
01:40:00,880 --> 01:40:03,559
Speaker 2: know stuff that's sad, But hopefully we have a voicemail

2375
01:40:03,560 --> 01:40:06,400
Speaker 2: that'll get them morale up and get us moving.

2376
01:40:06,760 --> 01:40:12,559
Speaker 3: You've got mail. So now my question is, boy, man,

2377
01:40:13,040 --> 01:40:15,040
Speaker 3: have y'all want hold on?

2378
01:40:15,120 --> 01:40:15,280
Speaker 6: Josh?

2379
01:40:15,320 --> 01:40:16,400
Speaker 3: Hold on? What do you want from me?

2380
01:40:16,479 --> 01:40:16,599
Speaker 1: Man?

2381
01:40:16,680 --> 01:40:16,880
Speaker 2: Yeah?

2382
01:40:16,920 --> 01:40:17,599
Speaker 4: You see how.

2383
01:40:17,560 --> 01:40:20,839
Speaker 1: Rory's whole mood changed when he can't get into the conspiracy.

2384
01:40:21,800 --> 01:40:22,360
Speaker 3: Y'all don't know.

2385
01:40:22,479 --> 01:40:24,200
Speaker 1: Rory just went on the whole rank and we're not

2386
01:40:24,280 --> 01:40:27,040
Speaker 1: airing it because he went down the whole hole that.

2387
01:40:27,040 --> 01:40:28,040
Speaker 4: We want really.

2388
01:40:29,840 --> 01:40:32,360
Speaker 1: About the Australian ship he was about to his who

2389
01:40:32,760 --> 01:40:35,400
Speaker 1: His whole move just changed because we made him shut

2390
01:40:35,400 --> 01:40:37,280
Speaker 1: the fuck because we made him shut the fuck up

2391
01:40:37,560 --> 01:40:41,040
Speaker 1: and just give prayers of gondolences to the victims of

2392
01:40:41,160 --> 01:40:42,920
Speaker 1: such tragic, such a tragic weekend.

2393
01:40:43,680 --> 01:40:46,839
Speaker 4: I'm sorry, Josh, but yes, let's get into voicemails.

2394
01:40:47,200 --> 01:40:47,559
Speaker 1: All right.

2395
01:40:47,600 --> 01:40:51,400
Speaker 6: So now my question is, uh, have y'all ever cut

2396
01:40:51,400 --> 01:40:55,160
Speaker 6: somebody off for something that they did to somebody else,

2397
01:40:55,280 --> 01:40:58,040
Speaker 6: not even something did to you directly. So I have

2398
01:40:58,120 --> 01:41:00,400
Speaker 6: a friend that I grew up with that. You know,

2399
01:41:00,439 --> 01:41:03,080
Speaker 6: he was close and he was actually a good friend.

2400
01:41:03,120 --> 01:41:03,679
Speaker 3: You know what I'm saying.

2401
01:41:03,760 --> 01:41:08,680
Speaker 6: He was always hold me down anything I needed. You

2402
01:41:08,720 --> 01:41:10,439
Speaker 6: know what I'm saying, was loyal. You know what I'm

2403
01:41:10,479 --> 01:41:13,720
Speaker 6: saying was was you know somebody I feel like, you know,

2404
01:41:13,760 --> 01:41:16,840
Speaker 6: I could confide into a certain extent. But this nigga

2405
01:41:16,960 --> 01:41:20,240
Speaker 6: was such a liar. Like when I say liar, I

2406
01:41:20,280 --> 01:41:25,280
Speaker 6: mean like little stuff from like you know, or about

2407
01:41:25,320 --> 01:41:28,960
Speaker 6: his finances or things that he owned, or experiences that

2408
01:41:29,000 --> 01:41:31,599
Speaker 6: he's had. He would lie about to like bigger stuff,

2409
01:41:31,640 --> 01:41:33,160
Speaker 6: like he would lie on his dick when he came

2410
01:41:33,200 --> 01:41:36,000
Speaker 6: to like saying he fucked certain girls. And to the

2411
01:41:36,040 --> 01:41:38,439
Speaker 6: point that last straw was that he lied about an

2412
01:41:38,479 --> 01:41:41,519
Speaker 6: illness he had and everybody was worried, thinking something's gonna

2413
01:41:41,520 --> 01:41:42,120
Speaker 6: happen to him.

2414
01:41:42,439 --> 01:41:43,960
Speaker 3: Come to find out that shit wasn't real.

2415
01:41:44,040 --> 01:41:46,559
Speaker 6: And it got to a certain point, I'm like, you

2416
01:41:46,600 --> 01:41:48,559
Speaker 6: know what, as much of a good friend as you are,

2417
01:41:48,640 --> 01:41:50,880
Speaker 6: and you know, loyal as you are and all that,

2418
01:41:50,960 --> 01:41:52,960
Speaker 6: I'm like, if I can't trust your word or nothing, like,

2419
01:41:53,320 --> 01:41:55,040
Speaker 6: I can't trust you and I had to cut them off.

2420
01:41:55,080 --> 01:41:57,160
Speaker 6: So my question is, have ya ever been in a

2421
01:41:57,200 --> 01:41:59,559
Speaker 6: situation like that where y'all cut somebody off even though

2422
01:41:59,560 --> 01:42:03,040
Speaker 6: they're they're to you, but you cut them off because

2423
01:42:03,080 --> 01:42:03,960
Speaker 6: it's just how they move.

2424
01:42:04,160 --> 01:42:08,160
Speaker 3: In general, I've definitely cut people all the cutsom niggas

2425
01:42:08,200 --> 01:42:09,880
Speaker 3: off sooner. I've definitely cut.

2426
01:42:09,760 --> 01:42:12,719
Speaker 1: People off for how they move with other people before.

2427
01:42:13,120 --> 01:42:15,719
Speaker 2: But the biggest mistake that I've made more than once,

2428
01:42:15,800 --> 01:42:17,920
Speaker 2: it's not just one person, and you guys, get in

2429
01:42:17,960 --> 01:42:19,960
Speaker 2: the comments figure out what I'm talking about, because it's

2430
01:42:20,000 --> 01:42:22,840
Speaker 2: been more than once. I have watched people do foul

2431
01:42:22,880 --> 01:42:24,760
Speaker 2: things to other people in thought in my head they

2432
01:42:24,760 --> 01:42:26,920
Speaker 2: won't do that to me, and didn't.

2433
01:42:26,680 --> 01:42:27,280
Speaker 1: Cut them off.

2434
01:42:27,560 --> 01:42:27,920
Speaker 3: Idiot.

2435
01:42:28,360 --> 01:42:31,679
Speaker 2: Yeah, no, I'm well aware of that mistake. I've made

2436
01:42:31,680 --> 01:42:33,439
Speaker 2: it more than once, which I guess at that point

2437
01:42:33,520 --> 01:42:35,320
Speaker 2: is not a mistake. You just need to change your

2438
01:42:35,320 --> 01:42:39,760
Speaker 2: fucking behavior. But yeah, I've definitely thought, yeah, you doing

2439
01:42:39,760 --> 01:42:41,720
Speaker 2: to other people, they would never do that shit to me. Yeah,

2440
01:42:41,800 --> 01:42:44,599
Speaker 2: it happens, then it just takes a few years.

2441
01:42:44,960 --> 01:42:47,160
Speaker 5: If I see you're a bad friend to other people

2442
01:42:47,400 --> 01:42:50,360
Speaker 5: a meet, I have nothing for you. I get disgusted.

2443
01:42:50,400 --> 01:42:53,240
Speaker 5: I have nothing for you. I do not do bad

2444
01:42:53,320 --> 01:42:56,240
Speaker 5: people like bad people. I don't, or they would never

2445
01:42:56,320 --> 01:42:58,120
Speaker 5: do that to me, or they know better than try

2446
01:42:58,120 --> 01:43:00,000
Speaker 5: that with me. I do not fuck with bad people

2447
01:43:00,320 --> 01:43:02,200
Speaker 5: when it comes to like, when it comes to men,

2448
01:43:02,240 --> 01:43:04,040
Speaker 5: when it comes to friends, when it comes to anything.

2449
01:43:04,080 --> 01:43:07,320
Speaker 5: If you have bad personality traits and you're a disloyal person,

2450
01:43:07,439 --> 01:43:08,000
Speaker 5: I'm cool.

2451
01:43:08,360 --> 01:43:09,200
Speaker 3: I don't fuck with it.

2452
01:43:10,160 --> 01:43:12,760
Speaker 5: I can't agree because I'm too I'm too good of

2453
01:43:12,760 --> 01:43:14,839
Speaker 5: a friend and I have too like I have amazing

2454
01:43:14,840 --> 01:43:16,720
Speaker 5: fucking friends. I can't have you over here sitting with

2455
01:43:16,800 --> 01:43:18,840
Speaker 5: these amazing ass people when you a fucked up person,

2456
01:43:18,880 --> 01:43:21,320
Speaker 5: just because you haven't fucked me over yet like that.

2457
01:43:21,360 --> 01:43:22,840
Speaker 5: And if I tell you that you did some fucked

2458
01:43:22,880 --> 01:43:24,640
Speaker 5: up shit and you'll know how to take accountability for

2459
01:43:24,680 --> 01:43:27,879
Speaker 5: it and change nothing for you, not at this big assage.

2460
01:43:28,000 --> 01:43:31,080
Speaker 2: Well, So sometimes I was always the person that I

2461
01:43:31,080 --> 01:43:32,960
Speaker 2: don't think the word was a naive per se, but

2462
01:43:33,000 --> 01:43:35,680
Speaker 2: I did give my friends a lot of credit and

2463
01:43:35,720 --> 01:43:38,160
Speaker 2: grace of what they were saying to me. I was

2464
01:43:38,160 --> 01:43:41,240
Speaker 2: not the person that would just always question their friends.

2465
01:43:41,240 --> 01:43:43,960
Speaker 2: So sometimes when I would see foul shit, they'd have

2466
01:43:44,000 --> 01:43:46,920
Speaker 2: an explanation for it. So I'd be like, all right, yeah,

2467
01:43:46,960 --> 01:43:50,320
Speaker 2: because I don't know your character to be that, so nah,

2468
01:43:50,360 --> 01:43:52,000
Speaker 2: and then you know, it ended up being like, nah,

2469
01:43:52,000 --> 01:43:55,160
Speaker 2: they did that shit. So I've been in that position too,

2470
01:43:55,160 --> 01:43:58,760
Speaker 2: where I was, you know, but act to being a

2471
01:43:58,800 --> 01:44:01,920
Speaker 2: lover girl. I still like want to give my friends

2472
01:44:01,960 --> 01:44:04,840
Speaker 2: grace and not think everyone's lying. Like, if you're my friend,

2473
01:44:04,840 --> 01:44:06,720
Speaker 2: I don't want to automatically assume you're lying.

2474
01:44:06,760 --> 01:44:08,160
Speaker 1: I don't ever want to be that person.

2475
01:44:08,320 --> 01:44:09,160
Speaker 3: Just because that's happening.

2476
01:44:09,160 --> 01:44:10,720
Speaker 1: You have friends that you know are liars though, oh

2477
01:44:10,760 --> 01:44:14,320
Speaker 1: for sure, like compulsive liars. Now, well I don't know

2478
01:44:14,320 --> 01:44:16,639
Speaker 1: if they're your friends now, but you now, oh for sure,

2479
01:44:16,920 --> 01:44:17,679
Speaker 1: one hundred percent.

2480
01:44:17,840 --> 01:44:22,640
Speaker 2: Yeah, no, absolutely, Now I can't I can't say that

2481
01:44:22,680 --> 01:44:23,400
Speaker 2: to my knowledge.

2482
01:44:23,920 --> 01:44:26,000
Speaker 3: Yeah you don't know, but that's what I'm saying.

2483
01:44:26,000 --> 01:44:28,120
Speaker 2: It's been multiple people that, yes, friends that have been

2484
01:44:28,320 --> 01:44:31,800
Speaker 2: compulsive liars for sure. Yeah, And I've seen them compulsively

2485
01:44:31,800 --> 01:44:33,840
Speaker 2: lie to other people and I was like, well, you

2486
01:44:33,880 --> 01:44:34,479
Speaker 2: ain't lieing to me.

2487
01:44:34,840 --> 01:44:36,439
Speaker 1: My favorite is when like you have one of those

2488
01:44:36,439 --> 01:44:38,920
Speaker 1: friends that are compulsive liars and they're telling the story

2489
01:44:38,960 --> 01:44:41,840
Speaker 1: to somebody and you was dead when they're telling that

2490
01:44:41,840 --> 01:44:44,759
Speaker 1: story and that's not how it happened. I love those people.

2491
01:44:45,479 --> 01:44:47,800
Speaker 1: I like, you know, you should go into film because

2492
01:44:47,800 --> 01:44:52,639
Speaker 1: that's not that's not crazy. Yeah you imagination screenwriter? Yeah

2493
01:44:52,720 --> 01:44:55,960
Speaker 1: you a screenwriter. Way, you just freestyle that whole night

2494
01:44:56,200 --> 01:44:58,679
Speaker 1: like that did not happen like that. But I love

2495
01:44:58,720 --> 01:45:00,600
Speaker 1: you know, I love the enthusiasm in the flare that

2496
01:45:00,640 --> 01:45:03,040
Speaker 1: you brought to the story though, but it's just not true.

2497
01:45:03,360 --> 01:45:07,040
Speaker 2: Yeah shit, he was there that one one day in

2498
01:45:07,160 --> 01:45:09,360
Speaker 2: La right. Then we got the story back and he

2499
01:45:09,439 --> 01:45:10,960
Speaker 2: was like, that did not I was standing there.

2500
01:45:10,960 --> 01:45:11,719
Speaker 1: That did not happen.

2501
01:45:13,040 --> 01:45:16,320
Speaker 2: One of my ex compulsive liar friends had turned a

2502
01:45:16,360 --> 01:45:18,720
Speaker 2: whole story around about how our interaction went.

2503
01:45:19,560 --> 01:45:23,040
Speaker 4: Oh yes, yes, wait what did not happen? Like, what

2504
01:45:23,840 --> 01:45:24,439
Speaker 4: did not happen?

2505
01:45:24,520 --> 01:45:25,800
Speaker 3: Like I was right there? Yeah?

2506
01:45:25,920 --> 01:45:27,479
Speaker 1: Yeah, cut those people off, man. You got to get

2507
01:45:27,479 --> 01:45:29,639
Speaker 1: away from people like that, yeah, because it will bleed

2508
01:45:30,400 --> 01:45:33,759
Speaker 1: ass too. I think people like that at some point,

2509
01:45:33,760 --> 01:45:35,200
Speaker 1: when you become.

2510
01:45:36,880 --> 01:45:42,360
Speaker 2: Away, you become expendable to continue with their compulsive line.

2511
01:45:42,680 --> 01:45:46,519
Speaker 2: They will eventually do that to you, even if right

2512
01:45:46,600 --> 01:45:49,280
Speaker 2: now they're only lying to other people or being fouled

2513
01:45:49,320 --> 01:45:51,880
Speaker 2: to other people. At some point, your time will come

2514
01:45:51,920 --> 01:45:54,760
Speaker 2: because they have to continue this behavior throughout this because

2515
01:45:54,760 --> 01:45:56,280
Speaker 2: they're burning bridge after bridge.

2516
01:45:57,360 --> 01:45:58,719
Speaker 3: You're gonna be the last bridge left.

2517
01:45:58,560 --> 01:46:00,880
Speaker 2: And the gon'll have to that's all they know, absolutely,

2518
01:46:00,920 --> 01:46:04,320
Speaker 2: So you know, leave those people.

2519
01:46:04,240 --> 01:46:06,360
Speaker 3: Alone, get rid of them, lie ass friends.

2520
01:46:07,439 --> 01:46:10,240
Speaker 5: Also get rid of people who are not okay with confrontation.

2521
01:46:10,320 --> 01:46:12,640
Speaker 5: Get rid of people who are afraid of confrontation.

2522
01:46:12,800 --> 01:46:15,599
Speaker 1: Even like line, get rid of people want to get

2523
01:46:15,680 --> 01:46:17,520
Speaker 1: rid of people that's afraid of confrontation.

2524
01:46:17,240 --> 01:46:19,400
Speaker 5: Afraid of conference. I don't even want to say confrontation

2525
01:46:19,640 --> 01:46:23,720
Speaker 5: or conflict like people who avoid, like when it is

2526
01:46:23,760 --> 01:46:26,400
Speaker 5: an issue and if you like try to talk about

2527
01:46:26,400 --> 01:46:28,920
Speaker 5: the issue, they clam up those people but they feel

2528
01:46:29,200 --> 01:46:31,840
Speaker 5: will be a passive aggressive or talking about it like

2529
01:46:31,880 --> 01:46:34,400
Speaker 5: behind your back, you're on dumb people not don't what

2530
01:46:34,520 --> 01:46:36,519
Speaker 5: you afraid of? Like what I'm not going to hit you?

2531
01:46:36,560 --> 01:46:38,519
Speaker 5: What are you afraid of? Let's talk about shit, Let's

2532
01:46:38,560 --> 01:46:40,800
Speaker 5: not go through this person and well, this person said

2533
01:46:40,800 --> 01:46:42,800
Speaker 5: they don't really want to talk. Now, what's the issue?

2534
01:46:42,800 --> 01:46:45,679
Speaker 5: Because when you approach a person like that, they can't lie.

2535
01:46:45,960 --> 01:46:47,760
Speaker 5: They can make themselves feel like the better person when

2536
01:46:47,800 --> 01:46:49,840
Speaker 5: they're talking to other people, but they can't lie to

2537
01:46:49,880 --> 01:46:51,479
Speaker 5: you when you know what the fuck is going on, Like,

2538
01:46:51,479 --> 01:46:53,639
Speaker 5: what's really the issue? I don't like people like that.

2539
01:46:53,680 --> 01:46:56,120
Speaker 5: I don't do passive aggressive. I'm just aggressive. Let's talk

2540
01:46:56,120 --> 01:46:58,280
Speaker 5: about what the fuck it is. Are that passive aggressive shit?

2541
01:46:58,320 --> 01:46:58,960
Speaker 5: I don't like that shit.

2542
01:46:59,080 --> 01:47:01,439
Speaker 1: I was like, you need a lot of your friends.

2543
01:47:02,439 --> 01:47:04,800
Speaker 5: I lie to my friends sometimes, but this is a socip.

2544
01:47:04,520 --> 01:47:07,160
Speaker 2: Okay, But I'm talking about like, no not my phone

2545
01:47:07,200 --> 01:47:08,960
Speaker 2: was on do not disturb and I was taking about

2546
01:47:09,040 --> 01:47:11,000
Speaker 2: silence over the weekend type of life, like that's fine,

2547
01:47:11,000 --> 01:47:14,639
Speaker 2: you can have that type of life, but like really

2548
01:47:14,720 --> 01:47:16,080
Speaker 2: lying to your friends.

2549
01:47:17,840 --> 01:47:20,040
Speaker 1: Some things are not glad you said it because I

2550
01:47:20,080 --> 01:47:22,479
Speaker 1: wanted to say but I wasn't gonna say it.

2551
01:47:22,479 --> 01:47:24,200
Speaker 2: It was too easy for call back. I do believe

2552
01:47:24,200 --> 01:47:25,559
Speaker 2: that the marriage did that over the weekend. I really

2553
01:47:25,560 --> 01:47:27,720
Speaker 2: do believe that what I'm saying certain things is not

2554
01:47:27,760 --> 01:47:28,160
Speaker 2: your phone.

2555
01:47:28,520 --> 01:47:30,240
Speaker 4: I don't believe she was alone. I believe she was.

2556
01:47:31,640 --> 01:47:35,760
Speaker 5: I believe, Yeah, don't do that. I believe it was home.

2557
01:47:35,840 --> 01:47:42,479
Speaker 5: Don't don't do that. Don't do that. Sometimes I don't know.

2558
01:47:42,920 --> 01:47:44,960
Speaker 3: I don't know what you doing. I speak to you say,

2559
01:47:45,000 --> 01:47:45,479
Speaker 3: I don't know what.

2560
01:47:45,439 --> 01:47:47,719
Speaker 5: You people listen to this motherfucker podcast.

2561
01:47:47,760 --> 01:47:50,439
Speaker 1: I was alone the marriage. I don't know that I'm saying.

2562
01:47:50,479 --> 01:47:52,880
Speaker 1: I don't think you are alone. I think I think

2563
01:47:53,120 --> 01:47:54,439
Speaker 1: I don't know what she was doing. I think she

2564
01:47:54,479 --> 01:47:54,800
Speaker 1: was alone.

2565
01:47:54,800 --> 01:47:55,000
Speaker 3: Thank you?

2566
01:47:55,040 --> 01:47:57,000
Speaker 1: Okay, cool, I actually believe I was really just making

2567
01:47:57,000 --> 01:47:57,840
Speaker 1: a callback joke.

2568
01:47:57,760 --> 01:48:00,880
Speaker 2: Playing around a lot of podcast I'm like, why I

2569
01:48:00,920 --> 01:48:03,360
Speaker 2: love Demarus as a friend is that I like I

2570
01:48:03,400 --> 01:48:06,599
Speaker 2: can tell her the truth about everything, because there's certain

2571
01:48:06,600 --> 01:48:07,840
Speaker 2: shit I want to keep to myself, but you got

2572
01:48:07,840 --> 01:48:09,640
Speaker 2: to speak to people about it sometimes, like when you're

2573
01:48:09,680 --> 01:48:12,240
Speaker 2: going through something like, you don't need to lie to

2574
01:48:12,240 --> 01:48:12,639
Speaker 2: your friends.

2575
01:48:12,640 --> 01:48:14,360
Speaker 3: That's why they're friends. Tell me the truth.

2576
01:48:15,000 --> 01:48:18,240
Speaker 2: They'll hold it down if his foul too. I did

2577
01:48:18,280 --> 01:48:21,680
Speaker 2: this all right, you're stupid. Thank you for telling me.

2578
01:48:21,880 --> 01:48:23,160
Speaker 2: How do you pray about it quiet?

2579
01:48:23,160 --> 01:48:25,240
Speaker 5: If your friends that talk all the time suddenly get quiet,

2580
01:48:25,240 --> 01:48:27,240
Speaker 5: it's because they don't want to lie to you. They'd

2581
01:48:27,320 --> 01:48:30,200
Speaker 5: rather be quiet than lie to you. Yeah, Rory go missing.

2582
01:48:30,200 --> 01:48:31,519
Speaker 5: I'd be like, he's doing some shit he don't want

2583
01:48:31,520 --> 01:48:33,360
Speaker 5: to explain to me, and that's fine. I'll be here

2584
01:48:33,360 --> 01:48:34,240
Speaker 5: when he's ready to talk.

2585
01:48:34,880 --> 01:48:36,960
Speaker 3: No, I was thinking about of silence in my house.

2586
01:48:37,240 --> 01:48:39,439
Speaker 5: Okay, I'm man. You won alone either, right?

2587
01:48:40,760 --> 01:48:41,920
Speaker 1: I was not alone this weekend?

2588
01:48:43,280 --> 01:48:48,920
Speaker 3: Oh shit, oh shit, I was alone. But okay, I

2589
01:48:48,960 --> 01:48:50,479
Speaker 3: have Maura every day.

2590
01:48:51,080 --> 01:48:55,960
Speaker 1: That's theay one. You're right, but that's not a lie.

2591
01:48:56,280 --> 01:48:58,320
Speaker 1: You're a great and present dad's.

2592
01:48:58,320 --> 01:48:58,720
Speaker 3: Try to get it.

2593
01:48:58,800 --> 01:49:01,479
Speaker 4: No, no, I don't want to be listen. I get it.

2594
01:49:01,560 --> 01:49:04,240
Speaker 3: I get it. Sometimes I'm just like, I'm not fighting you.

2595
01:49:04,479 --> 01:49:05,439
Speaker 3: I'm not the eye already.

2596
01:49:05,520 --> 01:49:06,280
Speaker 4: I'm not gonna fight.

2597
01:49:06,280 --> 01:49:07,599
Speaker 1: Just while you're my friend. I can tell you the truth.

2598
01:49:07,800 --> 01:49:10,439
Speaker 1: Sometimes I'm like, yo, I don't want to be president.

2599
01:49:11,160 --> 01:49:13,160
Speaker 1: I don't want to be a good dad. Like I

2600
01:49:13,160 --> 01:49:15,600
Speaker 1: hear my daughter crying, I'm exhausted.

2601
01:49:15,680 --> 01:49:17,439
Speaker 3: Yeah, no, I feel you. I definitely feel you on that.

2602
01:49:17,600 --> 01:49:18,120
Speaker 3: All right, baby.

2603
01:49:18,160 --> 01:49:19,880
Speaker 1: He was glad that you We got you out your

2604
01:49:19,960 --> 01:49:23,519
Speaker 1: lair and you finished your Lucifer ritual and watching whatever

2605
01:49:23,560 --> 01:49:23,880
Speaker 1: it was.

2606
01:49:23,800 --> 01:49:24,519
Speaker 3: That you were watching.

2607
01:49:24,560 --> 01:49:26,280
Speaker 1: I got black out curtains to Yeah, I mean I

2608
01:49:26,320 --> 01:49:29,760
Speaker 1: understand this is something about you know, just a gray

2609
01:49:29,800 --> 01:49:33,160
Speaker 1: weekend and blackout curtains and you missed it.

2610
01:49:33,160 --> 01:49:35,200
Speaker 2: I was so excited when I woke up Sunday morning

2611
01:49:35,200 --> 01:49:37,800
Speaker 2: and looked out my window and saw the snow or

2612
01:49:37,880 --> 01:49:38,240
Speaker 2: your kid.

2613
01:49:38,320 --> 01:49:40,799
Speaker 3: Yeah they got from upstate New York. I was like, oh,

2614
01:49:41,479 --> 01:49:42,760
Speaker 3: this ain't ship. Yeah.

2615
01:49:42,880 --> 01:49:45,600
Speaker 2: Yeah, but the last like I don't know, five to

2616
01:49:45,680 --> 01:49:48,360
Speaker 2: seven years we haven't gotten crazy, like we've had a

2617
01:49:48,360 --> 01:49:50,479
Speaker 2: few snowstorms. But when I was a kid, it fucking

2618
01:49:50,520 --> 01:49:51,320
Speaker 2: snowed all winter.

2619
01:49:51,560 --> 01:49:54,200
Speaker 5: Yeah, yeah, a warming baby welcome.

2620
01:49:54,680 --> 01:49:57,439
Speaker 3: So yeah, I was really excited to see the snow lit.

2621
01:49:57,520 --> 01:49:59,960
Speaker 1: Ma'm happy you got to see some snow. Happy baby.

2622
01:50:00,000 --> 01:50:06,760
Speaker 1: He got to, you know, do what she do. He said,

2623
01:50:06,760 --> 01:50:08,720
Speaker 1: the white stuff is Eric Adams is going out with

2624
01:50:08,760 --> 01:50:10,960
Speaker 1: a bang. He was was he was he on like

2625
01:50:11,000 --> 01:50:14,080
Speaker 1: the Coney Island, Coney Island boardwalk. Yeah, that white stuff

2626
01:50:14,080 --> 01:50:14,599
Speaker 1: coming through.

2627
01:50:15,840 --> 01:50:17,000
Speaker 5: Nah, he gotta stop.

2628
01:50:17,240 --> 01:50:19,880
Speaker 3: He has to you know what you're doing. Yeah, you

2629
01:50:19,920 --> 01:50:21,559
Speaker 3: know he took a twelve million dollars.

2630
01:50:21,600 --> 01:50:23,719
Speaker 2: He about to retire to the sunset and say whatever

2631
01:50:23,760 --> 01:50:26,320
Speaker 2: the fuck he wants. Yeah, I admire that man. Now

2632
01:50:26,840 --> 01:50:29,400
Speaker 2: I was angry before, but that's that's a good business plan.

2633
01:50:30,560 --> 01:50:30,960
Speaker 4: All right.

2634
01:50:31,000 --> 01:50:34,640
Speaker 1: Well listen, baby, d he's good seeing you. We got

2635
01:50:34,680 --> 01:50:35,920
Speaker 1: some ship to talk about off air.

2636
01:50:36,360 --> 01:50:37,040
Speaker 3: Wrap this up.

2637
01:50:37,160 --> 01:50:38,000
Speaker 1: Oh yeah that is true.

2638
01:50:38,560 --> 01:50:40,160
Speaker 3: Oh shit, Okay, I don't know we gotta talk about

2639
01:50:40,160 --> 01:50:42,759
Speaker 3: but let's go. All right, y'all, be safe, be blessed.

2640
01:50:42,840 --> 01:50:44,840
Speaker 3: I'm that nigga, he's just ginger peace.