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Speaker 1: So me and.

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Speaker 2: The dog from Independence Day, who you think is gonna

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Speaker 2: be in trouble.

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Speaker 3: He jumps away, and he's.

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Speaker 2: Okay, oh, okay. We're in the flower store smelling all

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Speaker 2: the flowers because we have a game where we take

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Speaker 2: turn smelling the flower, sort of a danger experience where

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Speaker 2: he smell the flower.

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Speaker 1: I smell a flower.

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Speaker 2: And we see we go in without even checking does

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Speaker 2: it has bees inside? And we'll smell it and if

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Speaker 2: it doesn't have the bee, then we say, okay, good,

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Speaker 2: we buy the flower for the other person.

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Speaker 3: So okay, so let me say the game back to

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Speaker 3: you as I understand it. You put your nose all

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Speaker 3: the way a flower, not knowing if there's a bee.

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Speaker 1: He goes first.

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Speaker 3: But yes, let me say the game back to you

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Speaker 3: with my new understanding of it. The dog is name

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Speaker 3: we don't know from Independence Day who jump out the

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Speaker 3: window and we thought it's gonna be heard or something.

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Speaker 1: But then he's okay, yeahs away.

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Speaker 3: He puts his nose all the way in the flower,

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Speaker 3: not knowing if there's a bee. Then you seemingly take

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Speaker 3: a much smaller risk.

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Speaker 2: No, it's not the same flower shot, and you've skipped

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Speaker 2: a major step which is after there's no bees, he

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Speaker 2: buys me that flower, he buys you the flower hat,

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Speaker 2: so that flower is now out of the game.

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Speaker 3: And if there is a be does a game end.

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Speaker 3: So far, there has not been any bees ever a

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Speaker 3: bee in the flower store. No, have you talked about

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Speaker 3: playing this in nature. There's not as many flowers there. Okay, really,

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Speaker 3: let me tell you what happened.

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Speaker 2: So your question about the bees is actually important because

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Speaker 2: we start the game, he smells the number one flower

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Speaker 2: and he was ow ow ow, I did get stung

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Speaker 2: by a bee as a joke. Well, I don't know

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Speaker 2: he is being serious, but I think you know, at

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Speaker 2: least sometimes with him, you don't know.

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Speaker 3: Well, he's pretending he's going to be heard in Independence

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Speaker 3: day and then what it is that is he's actually fine.

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Speaker 1: So that's like.

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Speaker 2: Yes, because I look at his nose and it's not

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Speaker 2: big and red, it's not thumping, so that I'm a

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Speaker 2: hole in it.

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Speaker 1: It doesn't have a big hole, all.

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Speaker 3: Right, I mean it does, but not that's not supposed

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Speaker 3: to be there.

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Speaker 2: And I didn't see any bees and I didn't hear

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Speaker 2: any bees. And then so I'm saying, did you just

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Speaker 2: not want to buy me the Flower.

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Speaker 3: Well, here's what I wonder too, If it's not that,

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Speaker 3: if he's being real, are there now silent bees?

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Speaker 1: Silent yes? Because that don't even leave any evidence?

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Speaker 3: And if so, will I ever sleep again? Hi? Always

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Speaker 3: the center? We call show biz up?

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Speaker 1: What a Max?

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Speaker 3: Max Man?

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Speaker 1: The Max?

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Speaker 3: You guys ever watched to Save by the Bell?

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Speaker 1: I love saw My version of that.

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Speaker 2: My version of thinking about the Max is this, this

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Speaker 2: is the trippy cartoon. Actually people to Maxes. Yes, and

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Speaker 2: it was from a time on MTV where they actually

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Speaker 2: did stuff that was extremely fucked up.

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Speaker 3: Yeah.

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Speaker 1: Maybe you know.

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Speaker 4: That was the first time I liked my name Max.

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Speaker 4: I don't have to axes. I'm a Maximilian and I

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Speaker 4: got MAXI paddle out when I was younger. Then the Max.

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Speaker 4: I was like, you know, Sam Keith's amazing, cool artist.

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Speaker 4: This makes me, Yeah, I'm the Max.

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Speaker 3: Tiny tunes must have fucked you up?

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Speaker 4: Yeah yeah they were so small, you know I like them?

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Speaker 3: And yeah yeah these tunes should be huge.

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Speaker 4: Yeah white, these tunes so tiny? Yeah you know what

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Speaker 4: I used to say, Max, people know you. That's great

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Speaker 4: to hear. Mm hmm, yeah, it's fantastic. I mean that's

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Speaker 4: what I'm out here.

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Speaker 3: Tell me why, Ah, this is really nice. All the

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Speaker 3: time we tell the guests how they're known. Sure, but

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Speaker 3: we've never done this.

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Speaker 4: Yeah, let's try it.

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Speaker 1: Let's try it.

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Speaker 3: Let's try it. Sure.

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Speaker 4: Well, you know, I a lot of the stuff that

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Speaker 4: I do. You know, my name's not on it, so

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Speaker 4: people know me, but don't you know, no.

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Speaker 3: No, my name you know, well, you know the thing

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Speaker 3: that I do, taking a leak or whatever.

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Speaker 4: No, But I mean, you know, like I write a

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Speaker 4: lot of sort of non I do a lot of

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Speaker 4: you know, branded stuff.

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Speaker 3: Whoa okay, yeah yeah, cattle.

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Speaker 4: Yeah exactly. Yeah, it's kind of it was.

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Speaker 1: Sort of I always wonder who's doing those.

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Speaker 3: Yeah yeah, no, just for see the symbols, and I

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Speaker 3: go like, that's fucking bad, because.

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Speaker 4: That's not that's not how farms keep track of them anymore.

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Speaker 4: They have chips and stuff. But then I sort of

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Speaker 4: come in and I say, what if we still we

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Speaker 4: still burn them with no symbol, And they're like, we

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Speaker 4: don't want to do that. But ultimately, these fences are

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Speaker 4: easy for human.

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Speaker 3: Your symbol is the comedy and tragedy mess exactly. Yeah, yeah,

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Speaker 3: that's good.

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Speaker 4: Yeah, but they're both crying because I'm sort of trying

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Speaker 4: to transition to more hard drama stuff.

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Speaker 3: So I do.

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Speaker 4: I do punch up on escape rooms, and you know,

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Speaker 4: I sort of I've been kind of helping out in

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Speaker 4: that space, trying to just tighten you know, they bring

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Speaker 4: people in and it's it's been fun.

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Speaker 3: You know. I was in a detective like forties detective

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Speaker 3: escape room that I believe you had a hand in. Okay, yeah, yeah.

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Speaker 3: There was sort of a like old kind of forties

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Speaker 3: receptionist character who would go like, yes, it's not in there.

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Speaker 4: Yeah, yes, I I pitched get out of there. But

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Speaker 4: they you know, ultimately the you know, the writer change it.

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Speaker 4: But that you her stockings that was me, oh yeah,

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Speaker 4: because they were kind of like criss crossy and black.

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Speaker 3: Yeah yeah like that. You know.

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Speaker 2: Yeah, I'll say, yeah, I didn't like that, but I

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Speaker 2: understand why people did.

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Speaker 3: Max.

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Speaker 2: What the other thing that is so famous about you

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Speaker 2: is you've done all these recaps.

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Speaker 4: I had done for many years. I recapped the Top

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Speaker 4: Chef television program.

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Speaker 1: And you've made You've made fun of so much food.

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Speaker 4: So much I've described what people have cooked in print,

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Speaker 4: because I mean, I feel like the one. The best

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Speaker 4: way to experience food is For a long time, people

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Speaker 4: thought the best way to experience food was to watch

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Speaker 4: it made on television, you know, better than eating it.

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Speaker 4: But then I was like, what if you were to

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Speaker 4: then watch it be made, not taste it? But then

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Speaker 4: right up what they did turned the pictures into words exactly.

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Speaker 3: So then read about someone who watched it rather than

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Speaker 3: have to look at it or eat it exactly because

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Speaker 3: I think maybe.

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Speaker 4: The visuals are too much for some people, and they

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Speaker 4: don't they don't have the time to want.

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Speaker 3: To make so you're something of an observer an.

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Speaker 4: You know, I believe the role of the artist is

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Speaker 4: to kind of notice connections.

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Speaker 3: Yes, sit back and you watch the whole food get made,

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Speaker 3: and then you strike, yeah, almost like a sniper, and

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Speaker 3: it's and you go in with your bullet of funny joketrol. Yeah.

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Speaker 2: So there's a class clown right making joke, and then

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Speaker 2: there's a guy, yeah, sitting next to the class clown.

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Speaker 3: Who's pretending not to notice or describes what everyone met

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Speaker 3: for lunch, and it's like pretending to doodle, Yes, makes

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Speaker 3: fun of the lunch and is going like, hey, do

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Speaker 3: you notice those chicken nuggets. Yeah, yeah, do you want

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Speaker 3: to read before we get started, Let's just bust on

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Speaker 3: some food.

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Speaker 2: I have a bunch of a pile of rollos in

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Speaker 2: my sweatshirt pack. Do you want to bust on these

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Speaker 2: rollos just to sort of like.

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Speaker 1: Get you going?

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Speaker 3: Sure?

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Speaker 4: Yeah?

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Speaker 1: Uh?

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Speaker 4: Hayes had eight rollos, which I think is plenty of rollos.

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Speaker 3: And we're just priming the pump. Yeah, and I can

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Speaker 3: see Max sort of coming a lot.

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Speaker 4: My face is getting flushed. Yeah. I asked that we

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Speaker 4: not do any photos and stuff during this today, but

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Speaker 4: if you were taking them, you.

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Speaker 2: Would see that my face is kind of and there

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Speaker 2: is nine. So talk about the decision there to make

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Speaker 2: it eight.

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Speaker 4: Well, A big part of recapping rollos is the speed,

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Speaker 4: because fans of the rollos they want to know about

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Speaker 4: what happened in your sweatshirt yes hours later, you know,

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Speaker 4: Like if I had waited to count these, my Twitter

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Speaker 4: would be like you get where Yeah, where's your rod cap?

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Speaker 4: Which is what people call my rollo recaps, And I'd

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Speaker 4: be like, look, if I spent here all day fact

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Speaker 4: checking how many rollos there were, you know, the the

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Speaker 4: up and coming rollo recapper would already have it out.

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Speaker 3: Moving around if you do, go right now to Hillary

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Speaker 3: Clinton dot com. They are fact checking Max's Rollo review live. Yeah,

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Speaker 3: and you can see on their page as he's speaking,

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Speaker 3: like how many rollos there actually were. And so it's.

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Speaker 4: Kind of like that has been the room that works

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Speaker 4: on that has been pretty bleak since the election. They're

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Speaker 4: still fact checking the stuff. But you know, it's it's

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Speaker 4: pretty quiet office.

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Speaker 1: Sad it's outside.

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Speaker 4: Yeah, the keys to the roof still work, so they're like,

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Speaker 4: why don't we just do it up there?

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Speaker 3: It's beautiful. Yeah, it has been nice lately. Yeah.

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Speaker 2: So we have been talking about these recaps every day, right,

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Speaker 2: tell them every day.

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Speaker 3: For about you know, a week? Yeah, wow, yeah, yeah.

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Speaker 3: All week we've been saying these recapsa no, tell really

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Speaker 3: tell them. Max Hayes and I have been talking about

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Speaker 3: these recaps. I don't want to keep that from you.

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Speaker 3: And what we've had to say is I'm cracking up.

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Speaker 3: I'm loving it. How's he do it?

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Speaker 1: Stop?

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Speaker 3: Max? Okay, keep going, Hey, I'm laughing again. This part,

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Speaker 3: I don't get this seems like a mistake.

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Speaker 4: Okay on this there's a bit of a look. If

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Speaker 4: I went on percent for all twenty five hundred words,

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Speaker 4: people would be exhausted. So there's a bit of a

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Speaker 4: catch and release where you got to let people catch their.

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Speaker 3: Breath and try and make you stop. Yeah.

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Speaker 4: Yeah, And the absence of laughter is what makes the

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Speaker 4: next laugh.

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Speaker 3: So you want one paragraph?

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Speaker 4: Yeah, yeah, we're you know, I'm describing drama or something like.

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Speaker 4: You know, this has got to be here. But these

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Speaker 4: are the bones that make the meat taste so good,

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Speaker 4: which is what I always say.

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Speaker 2: And here's what we say at the end every time

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Speaker 2: Sean and I say we got to do these for us.

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Speaker 3: Some of these yeah, some of these got to go

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Speaker 3: for us.

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Speaker 4: I gotta say that, you know, I since I stopped

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Speaker 4: writing those three years ago, it really means a lot

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Speaker 4: that you guys kind of go back and still you know,

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Speaker 4: those seasons are hard to find, but that you you know,

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Speaker 4: synk them up and yeah, I'm on iTunes or whatever.

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Speaker 2: And how Gabe Dellahay felt when we forced them to

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Speaker 2: talk about video.

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Speaker 3: Good for them, we did have gave up talking about it.

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Speaker 4: I mean, people don't and you know, yeah people love.

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Speaker 2: It, yes, people, and people love it about stuff that

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Speaker 2: they've stopped doing for a long time.

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Speaker 3: Yeah, yeah, and they yeah, And a lot of times

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Speaker 3: people want to talk about what they've done in the

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Speaker 3: past three years, this year, the year before, the year

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Speaker 3: before then. But I just go like, well, why are

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Speaker 3: we doing that? Right? We got to do some of

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Speaker 3: these recaps for us, some of these.

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Speaker 4: Right, And I mean sometimes when you talk about new stuff,

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Speaker 4: it like makes you feel like the stuff you've done

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Speaker 4: in the last three years has resonated, you know, in

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Speaker 4: a way. So it's nice to kind of go back

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Speaker 4: and just remember, just remember the main Yeah, yeah, the

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Speaker 4: main thing.

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Speaker 2: Now, notice there's still two of my rollos that you

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Speaker 2: have not touched. Would you like to.

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Speaker 4: Well, I assume these are all mine? Well, yeah, you

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Speaker 4: did hard of recapping? Is taking this episode of the

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Speaker 4: show exactly?

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Speaker 3: Yeah?

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Speaker 4: Yeah, redistribution rights, formatting stuff overseas.

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Speaker 1: Okay, that's fair.

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Speaker 4: So for example, if you were to, you know, sell

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Speaker 4: a TV idea to Israel, that's like about you know,

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Speaker 4: nine rollos just trying to like coexist. I would actually

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Speaker 4: get a piece of every episode just.

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Speaker 2: Once I touched all these nine roll How are these

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Speaker 2: nine rollos gonna?

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Speaker 4: Yeah, I mean, because they're all a little different, but

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Speaker 4: they're all smart. They all make jokes. They're you know,

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Speaker 4: they're rollos that make jokes. They don't just you know, it's.

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Speaker 1: Yes, I love the roll They're good at their jobs.

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Speaker 3: They're very good at their jobs. Yes they are. They're

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Speaker 3: good at their jobs. They really care about each other

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Speaker 3: at the end of the day, even though they're not

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Speaker 3: above busting chops.

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Speaker 2: Yeah, they're not, you know. And they're adulting. They're adulting

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Speaker 2: like a boss.

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Speaker 3: And a lot of them are struggling with their relationship

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Speaker 3: with their father.

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Speaker 1: Yeah, and they kind of got something to prove.

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Speaker 4: Yeah, and you know it's I mean, and I would

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Speaker 4: be involved with casting. I feel like if you miscast

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Speaker 4: something like this, it just feels like a lot of

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Speaker 4: actors playing rollers that don't like each other. And we

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Speaker 4: want people to know that these rollers do love each other.

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Speaker 4: That's why they are able to, as you put it,

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Speaker 4: bust jobs.

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Speaker 3: And I love cast it. Get the Ducktails cast well

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Speaker 3: point three five million views in less than twenty four hours.

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Speaker 3: Oh my god, I'm sorry, Get the Ducktails cast. That

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Speaker 3: YouTube video is number one trending right now. I mean,

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Speaker 3: by the time you guys hear this will probably be

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Speaker 3: three million views.

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Speaker 4: The submarine from the Fate of the Furious Trailers. Looking

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Speaker 4: to do comedy. Oh yeah, yeah, yeah.

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Speaker 3: And he wants to get out of the cold weather.

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Speaker 3: So like, bitch, that's fucking bitching. Man, Yo, we gotta

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Speaker 3: do some of these recaps forever. We're gonna do it.

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Speaker 1: We gotta do some of these some of these recaps.

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Speaker 1: We're gonna do them right now for us.

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Speaker 2: Well, you think the way to do them is play

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Speaker 2: an episode of the show and then you talk about it.

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Speaker 2: So we are gonna play the whole episode just for us,

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Speaker 2: but when people hear it, they'll just.

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Speaker 3: Hear the relevant part that you're recapping. So we're gonna

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Speaker 3: sit in this room for the next four or five hours,

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Speaker 3: I guess, and play like five episodes of the show.

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Speaker 3: And then when you if you.

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Speaker 1: Do one at a time, you'll do one, play the

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Speaker 1: whole episode.

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Speaker 2: Uh, and then you'll recap that one and then on

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Speaker 2: and Max.

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Speaker 3: Be brutal, be ruthless, and be brave. I can take it.

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Speaker 3: You're letting me, letting me off the leash here. I'm

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Speaker 3: like a rollo in the sense that I care about you,

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Speaker 3: but I still don't mind busting chime. And I noticed

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Speaker 3: on Top Chef. You give some of these guys some

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Speaker 3: cookie nicknames or whatever. I don't know if I get

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Speaker 3: a nickname, I don't know. You know, I mean we'll

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Speaker 3: see I mean, you know, we'll see these four or

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Speaker 3: five hours. You know.

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Speaker 4: I'm obviously big fan of the podcast, and no.

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Speaker 1: To this point, not obvious. Oh yeah, Oh.

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Speaker 4: Well, what it is is I don't I don't like

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Speaker 4: listening to stuff, so I I have heard, like this

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Speaker 4: is weird. I email the episodes to like a transcription service.

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Speaker 4: Oh wow, and they send back a big block of text.

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Speaker 4: But unfortunately it doesn't differentiate any of your voices. So

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Speaker 4: it's sometimes and I'll read.

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Speaker 3: It on my phone, just one unbroken yeah.

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Speaker 4: And I skim it and it's just ninety five thousand

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Speaker 4: words and kind of a single paragraph and a word doc.

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Speaker 4: And I'll read it in traffic and I'm laughing. But

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Speaker 4: I don't know if it's Hayes or Sean or the guests.

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Speaker 4: I'm not really Yeah.

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Speaker 3: It's a what does that write me? Voice? Dot com?

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Speaker 4: Rev dot com. It's a dollar a minute. So also

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Speaker 4: every episode, I'm spending sixty dollars of my own loanout's

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Speaker 4: money to uh.

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Speaker 2: Yeah, it's getting short though, because we worry about people

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Speaker 2: paying too much money.

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Speaker 3: I appreciate that.

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Speaker 2: Yeah, okay, so we play the episode you listen to,

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Speaker 2: you're talking about what we're doing and back and forth. Man,

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Speaker 2: let's just jump in and listen to one. So this

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Speaker 2: is Adam Pally's one that he did, the one, the

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Speaker 2: second one from before or whatever.

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Speaker 5: Yeah, does anyone enjoy coming on here?

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Speaker 3: M yeah?

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Speaker 2: People Croll, for example, came afterwards said croshed it that

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Speaker 2: kill zones start to finish. Yes, he said we were

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Speaker 2: funnier than he was after.

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Speaker 3: Cracked us up, but also admitted how funny we were.

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Speaker 5: Yes, but but but really do you think that, like

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Speaker 5: when you when you burden a friend by asking them

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Speaker 5: to come on a podcast and take time out of

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Speaker 5: their life, do.

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Speaker 1: You think that anyone really enjoys doing this?

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Speaker 3: Well? Hold on though, hold on, there's no this is

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Speaker 3: this is basically.

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Speaker 5: A a like guilt. This is like guilt when you

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Speaker 5: have to come back back into the to come here.

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Speaker 3: Professionally, this could be huge for you professionally.

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Speaker 1: Personally, it's all guilt.

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Speaker 5: It's just like you feel better, You're like, oh, I

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Speaker 5: should do that, right, Like oh, it's a friend of mine.

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Speaker 2: It's hard to say. I think everyone likes it. I'm honestly,

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Speaker 2: this is I just think you're wrong. I think when

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Speaker 2: people are asked to do a podcast, to say this

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Speaker 2: great opportunity forget to get my brand out there.

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Speaker 5: I will tell you, friend, no one likes to do podcasts.

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Speaker 5: And you're right. Everyone hates doing podcasts. I feel so

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Speaker 5: bad for you.

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Speaker 3: Wow we okay, Wow? Is there anything that jumped out

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Speaker 3: from that whole episode, the Mark Twain story? Anything, you know?

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Speaker 4: I think for me, I mean, if I you know,

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Speaker 4: when I when I write my recaps, I definitely like to,

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Speaker 4: you know, start with the fun stuff and then kind

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Speaker 4: of move into the yeah well not no, no, no,

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Speaker 4: just like, what's the thing that's really going to be

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Speaker 4: the takeaway from this? So if I was writing recap

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Speaker 4: the whole thing, the first thing I'd want to write

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Speaker 4: would probably be that thing where Pally I ask you

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Speaker 4: guys about out, uh whether people like being on podcasts.

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Speaker 3: And we prove that they do pretty handle it?

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Speaker 2: Sure, yeah I don't. And he gets pooned in that part?

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Speaker 2: Is that the part you're talking about where he gets

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Speaker 2: punned major.

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Speaker 4: You know, as a as a recapper. My job a

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Speaker 4: little bit is to provide an alt POV because I

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Speaker 4: think a lot of times, you know, when you when

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Speaker 4: you take in something that you guys have control. Like

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Speaker 4: so for Top Chef.

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Speaker 2: Comedy Bang Bang, I think they would say, in all right,

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Speaker 2: and is not that show? Yeah, we are having a

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Speaker 2: conversation here.

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Speaker 3: It might also do something about like nineties alternative rock,

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Speaker 3: you know, yeah, it seems to be in there right. Well,

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Speaker 3: they would probably just wiew them all, just do it

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Speaker 3: all and then ye, so somebody goes all right, somebody

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Speaker 3: says Pepe, and somebody else goes like right, yeah, and

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Speaker 3: then oh, ship up, here's Pepe, and then that pe here. Look,

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Speaker 3: Pepe is here and Pepe is singing nineties alternative rocks.

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Speaker 4: Yeah, and it might be spoon man, you know.

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Speaker 3: Oh shit, dough boys gonna be pad forget it. Yeah,

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Speaker 3: it's just forda have a spoon man. I just forget

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Speaker 3: that part already forgotten. That's messed up.

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Speaker 1: How they both love food too? Does that ever make you, dude?

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00:18:13,240 --> 00:18:15,359
Speaker 3: You are kind of the original doughboy kind of was

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Speaker 3: you know?

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Speaker 4: I actually literally had a video series called chain Gang

404
00:18:19,920 --> 00:18:23,760
Speaker 4: where me and this other literal School Recapper. This is

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00:18:23,800 --> 00:18:28,919
Speaker 4: four years ago where we would go to chains and yeah, fuck,

406
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Speaker 4: and then we released that. We're like, well, who wants

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Speaker 4: to do this every week and make that their thing?

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Speaker 4: And then you know they they did. Yeah that's fine.

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Speaker 4: I don't need it chains anymore.

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Speaker 3: So well, they didn't make the list anyway. Their Hottest

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Speaker 3: Comedy Podcast list came out, Oh my, the hottest one

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Speaker 3: ever it was, and we were number two, Oh my god.

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Speaker 4: And they were number the most eleven hopefully the most

414
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Speaker 4: fit hot, like in the British way. Yeah sure, yeah, yeah,

415
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Speaker 4: like wearing tight stretch pants it.

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Speaker 3: But don't you know the Streets the guy from the

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Speaker 3: Street Streets Skinner, Mike Skinner. The money was behind the chair.

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Speaker 3: I don't have to spoil that.

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Speaker 1: Come for free, yeah, yeah, don't sit on that.

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00:19:09,240 --> 00:19:13,359
Speaker 4: The television list in the chair, Yeah, just tweaking it.

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00:19:13,760 --> 00:19:14,840
Speaker 3: Original power material.

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Speaker 4: Yeah. Sometimes accidentally upgrade things and make them better and

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Speaker 4: how I remember them.

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Speaker 3: Yeah.

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Speaker 4: So I just feel like, I know you guys, kind

426
00:19:22,160 --> 00:19:24,960
Speaker 4: of to take away in producing that episode for you

427
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Speaker 4: is that you you poned Pally, but I would kind of,

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Speaker 4: I think, come in to recap that that you know,

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Speaker 4: he pretty much nailed you guys to.

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Speaker 3: The wall, right, I see why you feel like you

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Speaker 3: have to do that.

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Speaker 4: Yeah, even if I agreed, Even if I agreed with

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Speaker 4: you guys, I'm like, no one wants to just read

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Speaker 4: back what they just said.

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Speaker 2: I'm clicking on that. I'm clicking on it. I see,

436
00:19:45,240 --> 00:19:48,800
Speaker 2: like why Sean Hayes actually got boned. Yeah, bye bye

437
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Speaker 2: Adam Pally.

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Speaker 3: Yeah, I have to click, even if it's just to

439
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Speaker 3: make myself mad, which I think it.

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Speaker 4: Would, yeah, exactly. And then like I might do a

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Speaker 4: thing where I'm like, so apparently Hayes and Sean think

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Speaker 4: that they just poned Adam Pally question mark, And that's rhetorical,

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Speaker 4: you know, I kind of write to my audience conversation. Yeah,

444
00:20:06,359 --> 00:20:08,680
Speaker 4: and then I might put a jiff in. Some people

445
00:20:08,720 --> 00:20:10,199
Speaker 4: call them gifts, but you know, I've been in the

446
00:20:10,200 --> 00:20:12,639
Speaker 4: game a long time. They're gifts of like, you know,

447
00:20:12,920 --> 00:20:15,359
Speaker 4: a cartoon character puking into a bucket, you know, something

448
00:20:15,400 --> 00:20:19,160
Speaker 4: that's kind of the image is the answer my rhetorical question,

449
00:20:19,200 --> 00:20:20,919
Speaker 4: which is I disagree, and it makes me sick that

450
00:20:20,920 --> 00:20:22,480
Speaker 4: they would think that that they would think.

451
00:20:22,400 --> 00:20:24,919
Speaker 3: That anyone would like to be on podcasts. Wow.

452
00:20:25,119 --> 00:20:27,879
Speaker 4: Yeah, So that's just like a fun and so people

453
00:20:29,040 --> 00:20:31,200
Speaker 4: people reading it, or maybe because I think what's fun

454
00:20:31,280 --> 00:20:32,959
Speaker 4: is that you read recaps being like okay, I just

455
00:20:33,000 --> 00:20:36,480
Speaker 4: listened to podcast. Yeah they pone Palli And then suddenly

456
00:20:37,200 --> 00:20:40,520
Speaker 4: I come in with my laser, right, and the readers like,

457
00:20:41,080 --> 00:20:43,160
Speaker 4: I think Palli poned them?

458
00:20:43,240 --> 00:20:45,760
Speaker 2: And what does that do to your soul to be

459
00:20:45,840 --> 00:20:49,240
Speaker 2: such a faker and to not be.

460
00:20:49,560 --> 00:20:51,320
Speaker 3: And to do and to be doing tricks on the

461
00:20:51,440 --> 00:20:53,159
Speaker 3: internet that your mom could be reading.

462
00:20:53,720 --> 00:20:57,800
Speaker 4: Yeah, I mean I had to walk away for that reason,

463
00:20:57,840 --> 00:21:00,920
Speaker 4: you know, like it caused a lot of stuff outside

464
00:21:00,960 --> 00:21:04,680
Speaker 4: even my professional I was. I was unhappy. I didn't

465
00:21:04,800 --> 00:21:08,400
Speaker 4: like food or TV anymore. There's a lot of sort

466
00:21:08,400 --> 00:21:11,600
Speaker 4: of sex stuff, you know, like not getting hard, being

467
00:21:11,640 --> 00:21:13,280
Speaker 4: mad at the other person, you know, like stuff that

468
00:21:13,359 --> 00:21:17,439
Speaker 4: was clearly because I was angry about that. I just

469
00:21:17,480 --> 00:21:19,400
Speaker 4: had to tear apart these these people that.

470
00:21:19,600 --> 00:21:23,880
Speaker 3: And that fixed it to stop doing the recaps.

471
00:21:24,480 --> 00:21:29,760
Speaker 2: Yeah, yeah, okay, and I just had But how would

472
00:21:29,760 --> 00:21:33,640
Speaker 2: that translate if you're not doing them already?

473
00:21:33,680 --> 00:21:35,600
Speaker 1: You know, what's the version of.

474
00:21:35,520 --> 00:21:37,719
Speaker 3: That for someone who's not doing Yeah, let's say somebody's

475
00:21:37,760 --> 00:21:38,719
Speaker 3: not doing recaps.

476
00:21:40,119 --> 00:21:43,800
Speaker 4: I might start doing recaps of them and maybe just

477
00:21:45,320 --> 00:21:47,840
Speaker 4: exactly it's a little bit of blown in the cartridge,

478
00:21:47,960 --> 00:21:48,240
Speaker 4: you know.

479
00:21:49,160 --> 00:21:50,000
Speaker 3: Just about anything.

480
00:21:52,200 --> 00:21:53,320
Speaker 1: Okay, let's do it again.

481
00:21:54,400 --> 00:21:57,879
Speaker 4: Yeah, I just just to be clear though, You're not

482
00:21:58,040 --> 00:22:02,280
Speaker 4: like turning my appearance here. You know this kind of

483
00:22:02,280 --> 00:22:05,920
Speaker 4: hang among friends into like a clip show for you

484
00:22:05,920 --> 00:22:06,639
Speaker 4: your purposes.

485
00:22:06,720 --> 00:22:06,920
Speaker 3: Right?

486
00:22:07,400 --> 00:22:10,400
Speaker 1: Uh?

487
00:22:10,440 --> 00:22:16,679
Speaker 3: Are we friends? I mean we just met. I stole

488
00:22:16,720 --> 00:22:20,359
Speaker 3: your email off a separate change from somebody who is

489
00:22:20,400 --> 00:22:20,960
Speaker 3: friends with you.

490
00:22:21,119 --> 00:22:23,840
Speaker 4: Sure, I do you want to say I really appreciate

491
00:22:23,920 --> 00:22:27,080
Speaker 4: being corded, that is, you know, it means a lot

492
00:22:27,600 --> 00:22:28,440
Speaker 4: to be courted.

493
00:22:28,680 --> 00:22:31,639
Speaker 2: Okay, tell Adam Pally. You know there's a heat coming

494
00:22:31,680 --> 00:22:35,280
Speaker 2: behind Okay it is Kevin. Okay, you feel that heat blasts.

495
00:22:35,440 --> 00:22:41,439
Speaker 2: I'm sweater is so big, So let's uh, Kevin just

496
00:22:41,480 --> 00:22:42,840
Speaker 2: be quiet for this part.

497
00:22:43,400 --> 00:22:45,879
Speaker 1: Let's do a recap of Kevin.

498
00:22:46,400 --> 00:22:48,320
Speaker 3: Kevin, get a pick of your sweater, which I think

499
00:22:48,560 --> 00:22:53,000
Speaker 3: was a blanket.

500
00:22:51,440 --> 00:22:53,720
Speaker 1: That you chewed through. You chewed a hole.

501
00:22:54,080 --> 00:22:57,000
Speaker 3: Yeah, he chewed a hole into it, put his head in. Okay,

502
00:22:57,040 --> 00:22:59,000
Speaker 3: then he like close pinned to the arms in.

503
00:22:59,560 --> 00:23:01,119
Speaker 1: This is from Darcy, you know Darcy.

504
00:23:01,520 --> 00:23:01,760
Speaker 3: Sure?

505
00:23:01,840 --> 00:23:06,040
Speaker 4: Oh my god, love Darcy, Oh my god, Hi Darcy.

506
00:23:06,119 --> 00:23:06,680
Speaker 5: Hey, keV.

507
00:23:07,760 --> 00:23:12,080
Speaker 6: First, I want to apologize for like looking at you

508
00:23:12,200 --> 00:23:16,440
Speaker 6: from the window as you entered. It came off probably

509
00:23:16,480 --> 00:23:20,560
Speaker 6: creepier than it was, which is, I guess explains what

510
00:23:20,600 --> 00:23:24,040
Speaker 6: I'm about to say. Okay, I'm first sorry for entering

511
00:23:24,080 --> 00:23:29,280
Speaker 6: the room. And Sean and Hayes have also noted creepy

512
00:23:30,840 --> 00:23:33,200
Speaker 6: accusations I would like to call it, and a lot

513
00:23:33,240 --> 00:23:36,280
Speaker 6: of it is me taking photos of the guests without

514
00:23:36,280 --> 00:23:37,760
Speaker 6: their permission, right, So.

515
00:23:37,920 --> 00:23:40,679
Speaker 1: The accusations are creepy, it's you.

516
00:23:40,680 --> 00:23:43,720
Speaker 3: You are. It's accusations if you are creepy, but they're

517
00:23:43,760 --> 00:23:48,159
Speaker 3: not creepy you and your behavior. Accusations are plain is

518
00:23:48,240 --> 00:23:49,679
Speaker 3: dead really straight up?

519
00:23:49,760 --> 00:23:52,679
Speaker 7: Yes, it's hard just because it's like you looked at

520
00:23:52,680 --> 00:23:54,919
Speaker 7: me outside the like when I was pulling in, you

521
00:23:54,960 --> 00:23:57,720
Speaker 7: definitely like looked at me from this fourth floor window

522
00:23:57,760 --> 00:24:00,199
Speaker 7: or whatever, so like you had a weird little like

523
00:24:00,280 --> 00:24:03,000
Speaker 7: eagle eye on me in a way that definitely made

524
00:24:03,040 --> 00:24:03,840
Speaker 7: me feel ncomfortable.

525
00:24:04,359 --> 00:24:07,239
Speaker 1: And you probably wondered if he was taking creepshots from

526
00:24:07,320 --> 00:24:07,560
Speaker 1: up there.

527
00:24:07,600 --> 00:24:09,320
Speaker 7: Yeah, I was thinking maybe he was taking creep shots

528
00:24:09,320 --> 00:24:09,720
Speaker 7: and he was.

529
00:24:10,000 --> 00:24:12,119
Speaker 3: Is that true? Yeah, he likes watching people when they

530
00:24:12,119 --> 00:24:15,520
Speaker 3: don't know he's watching them. Doesn't need Darcy.

531
00:24:15,640 --> 00:24:17,520
Speaker 7: Yeah, I think that's exactly what's going on.

532
00:24:17,760 --> 00:24:18,200
Speaker 4: Mm hmm.

533
00:24:18,920 --> 00:24:21,920
Speaker 7: And then I would like to apologize because after you,

534
00:24:22,920 --> 00:24:25,560
Speaker 7: after I heard that you were looking at me out

535
00:24:25,600 --> 00:24:27,919
Speaker 7: the window, I did whisper I'm going to kill you

536
00:24:27,920 --> 00:24:28,440
Speaker 7: in your ear.

537
00:24:28,840 --> 00:24:33,720
Speaker 2: And so we listen to the whole episode. Yeah, and

538
00:24:33,840 --> 00:24:36,000
Speaker 2: Kevin was a big part of it, was big, big part.

539
00:24:36,160 --> 00:24:39,159
Speaker 2: And so now you're seeing Kevin as you're listening to

540
00:24:39,280 --> 00:24:40,120
Speaker 2: the which is hard.

541
00:24:40,119 --> 00:24:42,159
Speaker 4: I mean a lot of the power of being a

542
00:24:42,200 --> 00:24:47,360
Speaker 4: recapper is the distance yea of just you know, firing

543
00:24:47,440 --> 00:24:51,280
Speaker 4: up your copy of Apple Pages and you know, just

544
00:24:51,440 --> 00:24:53,679
Speaker 4: letting the fingers fly. You know, you're simming on a

545
00:24:53,720 --> 00:24:56,760
Speaker 4: cold brew and you're just like it's like fencing, yeah,

546
00:24:56,960 --> 00:24:59,040
Speaker 4: Perry and poke or whatever the terms are.

547
00:24:59,080 --> 00:25:01,480
Speaker 2: And then you send it in yeah, eater, and they're like,

548
00:25:01,480 --> 00:25:06,359
Speaker 2: can you please reform.

549
00:25:05,240 --> 00:25:06,160
Speaker 4: Has no extension.

550
00:25:06,160 --> 00:25:06,600
Speaker 3: It's just.

551
00:25:08,520 --> 00:25:12,520
Speaker 4: Just thousands of weird symbols. And I'm like, you know

552
00:25:12,600 --> 00:25:17,439
Speaker 4: that iWork dot com is available to all iCloud members. Uh,

553
00:25:17,520 --> 00:25:19,199
Speaker 4: you can actually type right on your breath. And they're like,

554
00:25:19,200 --> 00:25:22,040
Speaker 4: can't you use Google Docs? And and I'm like, look,

555
00:25:22,080 --> 00:25:26,440
Speaker 4: the muse doesn't doesn't strike when I'm in Google docs.

556
00:25:27,280 --> 00:25:29,080
Speaker 3: I just put it in the body of an email.

557
00:25:31,440 --> 00:25:33,479
Speaker 3: Did I say the body of the subject line?

558
00:25:36,040 --> 00:25:38,200
Speaker 4: But I definitely I would probably tear apart that h

559
00:25:38,640 --> 00:25:43,320
Speaker 4: when Kevin, Uh, when Kevin kind of apologized to Darcy.

560
00:25:43,160 --> 00:25:45,080
Speaker 1: Yeah, he was there a little bit.

561
00:25:45,200 --> 00:25:47,040
Speaker 4: Oh wait, gosh, I mean this time I'm on board.

562
00:25:47,080 --> 00:25:48,880
Speaker 4: I mean he was poning big time. I might kind of.

563
00:25:49,040 --> 00:25:51,760
Speaker 3: This is something where for you to say that Kevin

564
00:25:51,880 --> 00:25:55,040
Speaker 3: poned Darcy in the headline would actually be working against you.

565
00:25:55,640 --> 00:25:57,040
Speaker 4: Yeah, I would. I mean I would want that to

566
00:25:57,080 --> 00:25:58,840
Speaker 4: be the surprise. I mean, you know, there's all you

567
00:25:58,840 --> 00:26:01,120
Speaker 4: even imagine how people are gonna read this they're scrolling through.

568
00:26:01,160 --> 00:26:02,960
Speaker 4: And then maybe I would take a picture of Kevin

569
00:26:03,359 --> 00:26:08,160
Speaker 4: and put like an impact font pones like red letters, and.

570
00:26:08,119 --> 00:26:10,080
Speaker 3: I would have it flash. I could animate that.

571
00:26:10,080 --> 00:26:14,359
Speaker 4: That's uh, you just do layers in your copy of

572
00:26:14,400 --> 00:26:17,520
Speaker 4: corell draw and uh then you then you can export that.

573
00:26:17,920 --> 00:26:20,400
Speaker 3: Would I get a nickname or anything? Oh, I don't

574
00:26:20,400 --> 00:26:21,479
Speaker 3: want to give you all.

575
00:26:21,560 --> 00:26:25,560
Speaker 4: I mean Kevin would be uh probably like, uh, Curvin

576
00:26:25,680 --> 00:26:34,200
Speaker 4: the PERV, you know, or Curve theerve. I might be like, uh,

577
00:26:34,840 --> 00:26:38,480
Speaker 4: uh is it just me or these guys jinking. You know,

578
00:26:38,520 --> 00:26:40,840
Speaker 4: I kind of story about.

579
00:26:41,240 --> 00:26:42,480
Speaker 3: Hayes and I dinking?

580
00:26:43,400 --> 00:26:47,920
Speaker 4: Okay, yeah, no, no, no, no, about about Darcy and Dark.

581
00:26:48,040 --> 00:26:49,560
Speaker 2: What is it about the two of us that you

582
00:26:49,920 --> 00:26:51,840
Speaker 2: what's not you two? I just think that would be

583
00:26:51,880 --> 00:26:53,200
Speaker 2: a that that would work.

584
00:26:53,280 --> 00:26:55,040
Speaker 3: That's just gonna get clicks on if he Hayes and

585
00:26:55,080 --> 00:26:55,719
Speaker 3: I are dinking.

586
00:26:56,320 --> 00:26:59,280
Speaker 4: Uh yeah, I meant Curven And it's.

587
00:26:59,080 --> 00:27:01,560
Speaker 1: So funny because we are not, because we're actually not.

588
00:27:02,040 --> 00:27:03,240
Speaker 3: No, we're not. Huh.

589
00:27:03,280 --> 00:27:06,919
Speaker 2: But for you while encourage us to is making me

590
00:27:06,960 --> 00:27:08,719
Speaker 2: think like, oh well, I don't know. It's just an

591
00:27:08,760 --> 00:27:10,600
Speaker 2: interesting position to take. I wonder what would be the

592
00:27:10,640 --> 00:27:11,400
Speaker 2: case for that.

593
00:27:11,520 --> 00:27:12,760
Speaker 3: I mean, you want to make it.

594
00:27:13,200 --> 00:27:15,080
Speaker 1: What's the argument? What's the pro argument?

595
00:27:15,600 --> 00:27:19,240
Speaker 4: I think would be grade a click meet if you

596
00:27:19,320 --> 00:27:22,040
Speaker 4: two were confirmed doinking?

597
00:27:23,160 --> 00:27:23,480
Speaker 3: Okay?

598
00:27:23,560 --> 00:27:26,159
Speaker 4: I mean I can just imagine that headline, like you know,

599
00:27:26,480 --> 00:27:31,480
Speaker 4: on the Douinster Report or whatever. Confirmed. Maybe it'd be

600
00:27:31,560 --> 00:27:34,640
Speaker 4: like Hayes like some sort of funny you know, kind

601
00:27:34,640 --> 00:27:38,000
Speaker 4: of it's harder to do that in a headline, but

602
00:27:38,040 --> 00:27:39,920
Speaker 4: I you know, look, I'm not the guy that writes

603
00:27:39,920 --> 00:27:42,320
Speaker 4: the Doyster, you know. I know there's been a lot

604
00:27:42,359 --> 00:27:44,640
Speaker 4: of stories like does Max Silvestri, Is he the guy

605
00:27:44,680 --> 00:27:48,840
Speaker 4: behind the doster? Just because I retweet a lot of

606
00:27:48,840 --> 00:27:50,960
Speaker 4: the stuff doesn't mean that I'm trying to get this

607
00:27:51,040 --> 00:27:51,840
Speaker 4: site off the ground.

608
00:27:51,960 --> 00:27:54,360
Speaker 3: Yeah, okay, you know, it's just like a good gossip.

609
00:27:54,520 --> 00:27:55,680
Speaker 4: If you guys don't read the doings.

610
00:27:55,720 --> 00:27:58,000
Speaker 1: You're the only follower or other Twitter account.

611
00:27:58,800 --> 00:28:02,320
Speaker 4: I mean, I'm honored that they only followed. I was like, oh,

612
00:28:02,880 --> 00:28:06,680
Speaker 4: you guys, this is like, I mean, I don't really

613
00:28:06,680 --> 00:28:09,160
Speaker 4: read this stuff. It's kind of a guilty pleasure. But uh,

614
00:28:09,440 --> 00:28:10,240
Speaker 4: this stuff's good.

615
00:28:10,400 --> 00:28:11,920
Speaker 3: Who is writing this stuff?

616
00:28:12,280 --> 00:28:13,800
Speaker 4: Because like a lot of this stuff is just pictures

617
00:28:13,840 --> 00:28:16,480
Speaker 4: of celebs, but like there's funny copy, Like it's the

618
00:28:16,520 --> 00:28:18,200
Speaker 4: way the stories are told is funny.

619
00:28:18,280 --> 00:28:19,040
Speaker 3: It's a good angle.

620
00:28:19,160 --> 00:28:23,199
Speaker 2: Yeah, no con stinking. I guess we think about it.

621
00:28:23,240 --> 00:28:26,280
Speaker 2: There really is no reason not to to me. Yeah

622
00:28:26,560 --> 00:28:29,119
Speaker 2: that should be fine. Yeah, I mean I think that

623
00:28:29,160 --> 00:28:30,359
Speaker 2: should be absolutely fine.

624
00:28:31,280 --> 00:28:34,720
Speaker 3: Yeah. Sorry, yeah, sorry, I'm brave.

625
00:28:35,119 --> 00:28:37,160
Speaker 4: Yeah no, that's great. I think it is great.

626
00:28:37,520 --> 00:28:39,800
Speaker 3: So our nickname is like, are these guys doinking?

627
00:28:39,960 --> 00:28:42,160
Speaker 4: Yeah that's interesting, Well I probably you know, I probably

628
00:28:42,200 --> 00:28:44,480
Speaker 4: ship you. I like to do that in the caps,

629
00:28:44,520 --> 00:28:47,000
Speaker 4: so kind of you can tell the with the cows. Now,

630
00:28:47,200 --> 00:28:49,240
Speaker 4: what's that? That's how they tracked the cows with.

631
00:28:49,800 --> 00:28:50,000
Speaker 7: Yeah.

632
00:28:50,040 --> 00:28:52,640
Speaker 4: Yeah, yeah, so I might be I might say, like,

633
00:28:53,960 --> 00:28:56,720
Speaker 4: and then you know, I couldn't focus on the next

634
00:28:56,720 --> 00:29:00,480
Speaker 4: part of the podcast because, uh, Clavenport made the room

635
00:29:00,520 --> 00:29:02,760
Speaker 4: smell like sex again, you know something like that, because

636
00:29:02,760 --> 00:29:05,640
Speaker 4: it's like I'm giving you a fun, fun name. Maybe

637
00:29:05,840 --> 00:29:08,800
Speaker 4: sex has an odor, Yeah it does, and even people

638
00:29:08,800 --> 00:29:11,520
Speaker 4: that just want to have sex, Yeah, it must have

639
00:29:11,560 --> 00:29:15,720
Speaker 4: a musk. Yeah, so yeah, I give you start with that.

640
00:29:15,960 --> 00:29:18,440
Speaker 1: Is that how you like to make it happen?

641
00:29:19,280 --> 00:29:21,240
Speaker 4: I mean, look, I like to. I like to to

642
00:29:21,360 --> 00:29:23,360
Speaker 4: find evidence of what's there and then build on that.

643
00:29:23,360 --> 00:29:25,320
Speaker 2: That's you know what I mean, Like with the odor sex,

644
00:29:25,800 --> 00:29:28,520
Speaker 2: like the put the odor on first and then that.

645
00:29:29,000 --> 00:29:30,560
Speaker 3: Is that how you get it to go?

646
00:29:31,080 --> 00:29:33,719
Speaker 4: Or I know, I think when you smell it, it

647
00:29:33,760 --> 00:29:35,720
Speaker 4: means you can. That's when it's okay to do it.

648
00:29:36,280 --> 00:29:40,400
Speaker 3: So obviously I know, like that's but who's making the smell?

649
00:29:41,160 --> 00:29:42,959
Speaker 2: Oh, I just smell if I'm gonna smell it them,

650
00:29:43,040 --> 00:29:46,520
Speaker 2: I somehow making that smell and then I smell it and.

651
00:29:46,440 --> 00:29:49,200
Speaker 3: Now I'm making it and he shows up, and now

652
00:29:49,200 --> 00:29:49,920
Speaker 3: it's going to work.

653
00:29:50,240 --> 00:29:53,760
Speaker 4: I mean ideally you both would be making such a

654
00:29:53,800 --> 00:29:56,280
Speaker 4: similar smell that you don't know where your smell stops

655
00:29:56,320 --> 00:29:58,440
Speaker 4: and his begins. And that's kind of what you know,

656
00:29:58,600 --> 00:30:02,000
Speaker 4: a partnership is, is just you know your smells, Your

657
00:30:02,040 --> 00:30:02,800
Speaker 4: smells are in line.

658
00:30:03,080 --> 00:30:04,000
Speaker 3: Is it at the store?

659
00:30:06,160 --> 00:30:10,400
Speaker 4: The smell the smell, I don't know. Yeah, you could

660
00:30:10,440 --> 00:30:11,600
Speaker 4: buy it, but I think it's better if.

661
00:30:11,800 --> 00:30:15,560
Speaker 3: He doesn't even know. Yeah, see he doesn't know. See

662
00:30:15,640 --> 00:30:20,600
Speaker 3: I find this a lot with these experts. So let's

663
00:30:20,600 --> 00:30:21,720
Speaker 3: listen to another episode.

664
00:30:21,800 --> 00:30:22,800
Speaker 1: Yeah, this is when we talk.

665
00:30:22,920 --> 00:30:24,640
Speaker 2: So this could be interesting because we sort of did

666
00:30:24,640 --> 00:30:26,479
Speaker 2: a recap of Nip Tuck, but we did it when

667
00:30:26,480 --> 00:30:28,640
Speaker 2: we were actually watching it live, which when you think

668
00:30:28,640 --> 00:30:30,840
Speaker 2: about doing that sometimes it's sort of like recapping without

669
00:30:30,880 --> 00:30:35,120
Speaker 2: a net, uh, instead of being like, oh, you know,

670
00:30:35,200 --> 00:30:36,800
Speaker 2: I'm gonna like, I know, you'd like try to do

671
00:30:36,840 --> 00:30:39,480
Speaker 2: it quickly right afterwards, but you know, it's still pretty safe.

672
00:30:39,600 --> 00:30:41,360
Speaker 4: But I feel like, you know, my job also as

673
00:30:41,400 --> 00:30:44,600
Speaker 4: a critic and cultural commentator is to digest this information,

674
00:30:44,800 --> 00:30:48,880
Speaker 4: is to sort of spend time, yeah, contextualizing and sort

675
00:30:48,880 --> 00:30:54,680
Speaker 4: of you know, uh finding you know, the signification that

676
00:30:54,720 --> 00:30:57,120
Speaker 4: I think you couldn't possibly on a live viewing.

677
00:30:57,840 --> 00:31:00,520
Speaker 2: H We're not digesting it. It's going right through us.

678
00:31:00,520 --> 00:31:01,600
Speaker 2: We're spraying it out.

679
00:31:02,920 --> 00:31:04,600
Speaker 4: It's like a penny down a well that is just

680
00:31:04,640 --> 00:31:06,920
Speaker 4: flying out of the back of you the second it touches.

681
00:31:07,120 --> 00:31:09,560
Speaker 3: Yeah, your tongue. Yeah, like a penny down the well. Yeah,

682
00:31:09,600 --> 00:31:12,640
Speaker 3: it goes quickly. I'm like one of those. So we

683
00:31:12,720 --> 00:31:15,280
Speaker 3: have a thing to water our Christmas tree right now.

684
00:31:15,840 --> 00:31:19,960
Speaker 3: That's like a tube when you say our Christmas tree,

685
00:31:20,640 --> 00:31:24,320
Speaker 3: me and Hayes. Yeah, okay, So me and Hayes have

686
00:31:24,440 --> 00:31:28,880
Speaker 3: like you have another No, I have a little tiny

687
00:31:28,920 --> 00:31:30,840
Speaker 3: one that I keep in my room.

688
00:31:30,840 --> 00:31:32,840
Speaker 4: I allowed to decorate however I want. Hayes doesn't get

689
00:31:32,840 --> 00:31:36,480
Speaker 4: to say, but I picked the trimens, is what you

690
00:31:36,520 --> 00:31:37,280
Speaker 4: said right before.

691
00:31:37,120 --> 00:31:37,960
Speaker 1: We started recording.

692
00:31:38,480 --> 00:31:44,240
Speaker 3: And this one what I did was lights just lights. Yeah,

693
00:31:44,440 --> 00:31:49,280
Speaker 3: I like it a little Tinsel, I fucking say, Tinsel.

694
00:31:49,120 --> 00:31:53,400
Speaker 2: I know I it is kind of lights, just lights,

695
00:31:53,640 --> 00:31:54,200
Speaker 2: kind of lights.

696
00:31:54,920 --> 00:31:57,960
Speaker 3: Tinsils are kind of lights. Yes, what can you cap

697
00:31:58,040 --> 00:32:02,000
Speaker 3: that opinion for melas lights? Tinsel?

698
00:32:02,280 --> 00:32:07,040
Speaker 2: Yes, No, it's reflection yeah, of what of what sean

699
00:32:07,160 --> 00:32:08,000
Speaker 2: of whatever there is?

700
00:32:08,400 --> 00:32:11,160
Speaker 1: Of whatever there is of lights, I.

701
00:32:11,080 --> 00:32:13,200
Speaker 4: Mean, all the reason we're able to see one another

702
00:32:13,280 --> 00:32:17,960
Speaker 4: is just because our all objects are reflecting the light.

703
00:32:18,080 --> 00:32:19,040
Speaker 4: So we're not all lights?

704
00:32:19,680 --> 00:32:22,560
Speaker 1: Well yeah, is this because we're all no, because we are.

705
00:32:22,440 --> 00:32:24,960
Speaker 3: All something that amplifies a light is all light.

706
00:32:24,880 --> 00:32:27,840
Speaker 1: And we're all star stuff. Stars are stars are lights.

707
00:32:28,160 --> 00:32:32,520
Speaker 3: Okay, Hay's just phoned me and you can recap that

708
00:32:32,600 --> 00:32:33,320
Speaker 3: if you want.

709
00:32:33,280 --> 00:32:35,320
Speaker 1: But do let's do it after this. Okay, we'll listen

710
00:32:35,400 --> 00:32:35,800
Speaker 1: to this one.

711
00:32:35,840 --> 00:32:42,400
Speaker 2: This one is an hour and forty minutes, and here

712
00:32:42,440 --> 00:32:42,880
Speaker 2: we go.

713
00:32:44,440 --> 00:32:47,040
Speaker 3: It had to. It's my only defense against them. And

714
00:32:47,040 --> 00:32:48,640
Speaker 3: I wonder if this guy's a mean guy or a

715
00:32:48,760 --> 00:32:53,280
Speaker 3: nice guy. It has been a long recovery. Doctor Troy along, Okay,

716
00:32:53,320 --> 00:33:00,280
Speaker 3: doctor Troy. Okay, doctor Troy. Doctor true. So that's a

717
00:33:00,280 --> 00:33:04,120
Speaker 3: big clue. So okay, we're starting to piece it together.

718
00:33:04,320 --> 00:33:07,880
Speaker 3: And his name must have been last name was Troy

719
00:33:08,000 --> 00:33:12,080
Speaker 3: before he became a doctor. I haven't seen anyone. I'm

720
00:33:12,080 --> 00:33:14,600
Speaker 3: so depressed about how I looked and wouldn't even let

721
00:33:14,600 --> 00:33:15,760
Speaker 3: my own daughter visit me.

722
00:33:16,320 --> 00:33:18,680
Speaker 2: And so she must have gotten some kind of surgery before.

723
00:33:19,520 --> 00:33:22,040
Speaker 2: And it's interesting to think she did.

724
00:33:22,200 --> 00:33:22,640
Speaker 1: She did.

725
00:33:23,040 --> 00:33:25,240
Speaker 3: Is that what we saw was that her One of

726
00:33:25,280 --> 00:33:27,920
Speaker 3: the things is they were going you're addicted to plastic

727
00:33:27,960 --> 00:33:30,400
Speaker 3: surgery to this woman, and that's one of the things

728
00:33:30,400 --> 00:33:31,960
Speaker 3: they do on the show, and so.

729
00:33:34,080 --> 00:33:36,320
Speaker 2: That's one of the things that it's helpful to explain,

730
00:33:36,360 --> 00:33:37,640
Speaker 2: I think, because that is one of the things we

731
00:33:37,720 --> 00:33:40,320
Speaker 2: do know that this is a plastic surgery show.

732
00:33:42,640 --> 00:33:45,520
Speaker 1: So how interesting was that for you?

733
00:33:45,680 --> 00:33:47,920
Speaker 4: I mean, I know we were going to do three

734
00:33:48,000 --> 00:33:50,080
Speaker 4: years ago, but yeah, we ended up doing the whole season.

735
00:33:50,400 --> 00:33:52,960
Speaker 4: Was just like, I don't know what storyline I cared

736
00:33:52,960 --> 00:33:55,240
Speaker 4: about more the you know, obviously.

737
00:33:54,920 --> 00:33:56,800
Speaker 3: The nip tuck one, or the story of us figuring

738
00:33:56,800 --> 00:33:57,880
Speaker 3: out what that show was.

739
00:33:58,040 --> 00:34:02,200
Speaker 4: Yeah, and just coming into your own as recappers. I mean,

740
00:34:02,760 --> 00:34:06,320
Speaker 4: you know, sometimes it's fun to see the the tool

741
00:34:06,400 --> 00:34:09,800
Speaker 4: set fully developed from the start to watch you guys

742
00:34:10,719 --> 00:34:13,600
Speaker 4: grow and sink into it and get so it's just

743
00:34:13,760 --> 00:34:14,520
Speaker 4: second nature.

744
00:34:14,680 --> 00:34:17,880
Speaker 2: Yeah, because I've seen your unedited When you would just

745
00:34:17,920 --> 00:34:19,919
Speaker 2: file your recap, sure it would have.

746
00:34:19,840 --> 00:34:21,200
Speaker 1: A lot of the like what is this?

747
00:34:21,640 --> 00:34:24,120
Speaker 3: What am I? What am I? What am I writing?

748
00:34:24,440 --> 00:34:24,480
Speaker 7: Is?

749
00:34:24,880 --> 00:34:27,239
Speaker 4: How do I start a new line? A lot of

750
00:34:27,320 --> 00:34:30,600
Speaker 4: questions of even how to you know, why is the

751
00:34:30,719 --> 00:34:33,560
Speaker 4: save iconic disc Like a lot of things that weren't

752
00:34:33,640 --> 00:34:35,640
Speaker 4: actually gonna end up in the final product.

753
00:34:35,800 --> 00:34:39,200
Speaker 3: Yes, you talked about our tool set, and you talked

754
00:34:39,239 --> 00:34:45,200
Speaker 3: about watching us grow. Yeah so you think so your

755
00:34:45,280 --> 00:34:48,160
Speaker 3: general impression is like, that's something that's going on for us, right,

756
00:34:48,480 --> 00:34:49,799
Speaker 3: our tool set's going to grow.

757
00:34:49,880 --> 00:34:52,000
Speaker 4: Oh yeah, yeah yeah, and it doesn't stop growing. I mean,

758
00:34:52,040 --> 00:34:56,120
Speaker 4: the tools only get bigger and sharper, good god, or heavier,

759
00:34:56,120 --> 00:34:57,080
Speaker 4: depending on what kind of tool.

760
00:34:57,120 --> 00:34:58,640
Speaker 3: I mean, And people like this.

761
00:34:58,840 --> 00:35:01,520
Speaker 1: People want like when this happens, they want it right.

762
00:35:02,000 --> 00:35:05,880
Speaker 3: They're not like wait, they don't like wake up nervous

763
00:35:05,920 --> 00:35:07,480
Speaker 3: and then it goes away and they're like, Okay.

764
00:35:07,600 --> 00:35:09,279
Speaker 4: I think there comes a point where if you're if

765
00:35:09,280 --> 00:35:13,680
Speaker 4: your tool gets if your tools grow too large or

766
00:35:13,719 --> 00:35:17,600
Speaker 4: too sharp, it's it's worrisome. But I think you just

767
00:35:17,640 --> 00:35:19,680
Speaker 4: have to embrace it and be like I like it.

768
00:35:20,480 --> 00:35:21,800
Speaker 4: I like how strong my tool.

769
00:35:21,680 --> 00:35:23,960
Speaker 1: Is, and you can make it stop if it is

770
00:35:24,040 --> 00:35:24,840
Speaker 1: going too fast.

771
00:35:25,719 --> 00:35:28,200
Speaker 4: You just whatever you're doing. When it gets when you're

772
00:35:28,239 --> 00:35:30,000
Speaker 4: when you're when you're when the growth happens to quickly,

773
00:35:30,040 --> 00:35:31,480
Speaker 4: just stop it and it will. You know, your your

774
00:35:31,520 --> 00:35:33,279
Speaker 4: tools are always going to kind of atrophy when you

775
00:35:33,320 --> 00:35:40,480
Speaker 4: know it should it be cold, the tool like ice cold.

776
00:35:44,640 --> 00:35:46,480
Speaker 4: I mean, if you're if you're using your tool outside.

777
00:35:46,480 --> 00:35:48,040
Speaker 4: I think it's fine for it to be cold, but

778
00:35:48,120 --> 00:35:50,200
Speaker 4: I think if it's cold inside.

779
00:35:50,760 --> 00:35:53,880
Speaker 3: No, wait, the other day you did right, Well, okay,

780
00:35:54,000 --> 00:35:58,279
Speaker 3: I have an outdoor shower. Well anyway, so you know

781
00:35:58,320 --> 00:36:02,600
Speaker 3: we're growing as recap or yeah, you got to experience that.

782
00:36:02,760 --> 00:36:04,120
Speaker 4: I mean, not that it wasn't good at the beginning.

783
00:36:04,160 --> 00:36:06,040
Speaker 4: I mean it was raw, but in a way that

784
00:36:07,040 --> 00:36:08,759
Speaker 4: I don't know, it's still exciting because it's like a

785
00:36:08,920 --> 00:36:11,319
Speaker 4: new voices on the scene of people that watch I mean,

786
00:36:11,360 --> 00:36:14,480
Speaker 4: the the kind of the the nip Took community of

787
00:36:14,520 --> 00:36:19,279
Speaker 4: people that release full length live recaps is active and

788
00:36:19,280 --> 00:36:21,840
Speaker 4: there you know, there's a lot of great different voices

789
00:36:21,880 --> 00:36:23,399
Speaker 4: out there, and it's excited to hear new.

790
00:36:23,280 --> 00:36:24,879
Speaker 3: Well, it's nice to hear us figure it out. It's

791
00:36:24,920 --> 00:36:27,600
Speaker 3: like how people prefer student films or non.

792
00:36:27,440 --> 00:36:32,000
Speaker 4: Professional sports, right right, I like I prefer young improvisers.

793
00:36:32,440 --> 00:36:35,440
Speaker 3: Yes, yes, when they before they sort of have gotten

794
00:36:35,480 --> 00:36:37,120
Speaker 3: stale and have their bag of trips.

795
00:36:37,200 --> 00:36:39,040
Speaker 4: Yes, And a lot of times when you when when

796
00:36:39,120 --> 00:36:41,520
Speaker 4: when they sort of get better and and and maybe

797
00:36:41,560 --> 00:36:43,600
Speaker 4: join a group that has chemistry, you're like, okay, you're

798
00:36:43,640 --> 00:36:45,400
Speaker 4: just kind of like hitting these notes with people, you know,

799
00:36:45,440 --> 00:36:47,920
Speaker 4: But when it's like a graduation class or something where

800
00:36:48,160 --> 00:36:50,240
Speaker 4: you were just kind of a sign based on scheduling.

801
00:36:50,280 --> 00:36:52,959
Speaker 4: That's when it's that's when there's exciting things.

802
00:36:53,040 --> 00:36:54,960
Speaker 3: That's mad. That is mad. Yeah.

803
00:36:55,080 --> 00:36:57,360
Speaker 2: Yeah, who did you find it be getting pooned in

804
00:36:57,400 --> 00:36:57,960
Speaker 2: that opisode?

805
00:36:58,200 --> 00:36:59,080
Speaker 3: Oh? Great question?

806
00:37:00,960 --> 00:37:04,200
Speaker 4: I mean I think, uh, I think you guys pned

807
00:37:04,200 --> 00:37:05,560
Speaker 4: doctor Troy pretty hard.

808
00:37:05,680 --> 00:37:07,680
Speaker 3: Yeah, I remember, clearly agree.

809
00:37:07,960 --> 00:37:08,680
Speaker 1: I agree.

810
00:37:09,040 --> 00:37:10,440
Speaker 3: Do you have a nickname in this episode?

811
00:37:10,880 --> 00:37:13,600
Speaker 4: Do you wait? You as the recapper? Oh, so me

812
00:37:13,719 --> 00:37:16,680
Speaker 4: recapping your recap? What would I call? Yeah?

813
00:37:16,880 --> 00:37:19,799
Speaker 3: I know you would call Antonio the spy.

814
00:37:19,719 --> 00:37:21,000
Speaker 1: Or whatever a top chefs.

815
00:37:21,160 --> 00:37:23,000
Speaker 4: Sure, sure, sure, So.

816
00:37:23,000 --> 00:37:25,640
Speaker 3: Maybe I'm like a spy.

817
00:37:26,120 --> 00:37:27,880
Speaker 4: Yeah, you know, I think Sean the spy.

818
00:37:28,120 --> 00:37:29,560
Speaker 3: Oh okay, that's good.

819
00:37:29,840 --> 00:37:31,200
Speaker 4: I'm like, uh, it's macau.

820
00:37:31,239 --> 00:37:32,160
Speaker 3: You're great at this.

821
00:37:32,480 --> 00:37:35,120
Speaker 1: I mean, can I be here's an indust spy?

822
00:37:35,400 --> 00:37:38,600
Speaker 2: That's what I a micro philm No, but I was

823
00:37:38,600 --> 00:37:39,719
Speaker 2: saying an interesting one for me?

824
00:37:40,320 --> 00:37:42,200
Speaker 3: Oh sure, sure, please, please please.

825
00:37:42,320 --> 00:37:46,319
Speaker 2: It could be like Andy recap with two p's, oh

826
00:37:46,719 --> 00:37:49,360
Speaker 2: like the hot fries. Yeah, but actually it's from a

827
00:37:49,360 --> 00:37:51,160
Speaker 2: newspaper comics trip. And this is something I know a

828
00:37:51,200 --> 00:37:52,839
Speaker 2: lot about. I did an episode of High I'm mighty

829
00:37:52,880 --> 00:37:53,600
Speaker 2: about five months.

830
00:37:53,640 --> 00:37:54,759
Speaker 3: That's actually performing really well.

831
00:37:54,840 --> 00:37:57,279
Speaker 2: It's doing great, it's continuing to grow. The tale has

832
00:37:57,280 --> 00:37:59,959
Speaker 2: been extremely long. Yeah, if you listened to that show,

833
00:38:00,280 --> 00:38:03,160
Speaker 2: well you should get transcriptions to that. I will get

834
00:38:03,200 --> 00:38:06,799
Speaker 2: Fabris's voice actually does come through the transcription.

835
00:38:07,080 --> 00:38:09,200
Speaker 4: Well, you know, out of loyalty to Stereo Gum and

836
00:38:09,320 --> 00:38:13,840
Speaker 4: Video Gum because of their ongoing lawsuit with Headgum, I

837
00:38:14,200 --> 00:38:15,640
Speaker 4: don't listen to any of the stuff. I mean, I

838
00:38:16,160 --> 00:38:19,080
Speaker 4: do read the transcriptions when I can get them onto REV,

839
00:38:19,160 --> 00:38:21,759
Speaker 4: but I haven't actually gone to the website.

840
00:38:21,840 --> 00:38:25,400
Speaker 2: Oh you guys, I'm any stereogum, video Gum. I'm breaking

841
00:38:25,400 --> 00:38:27,680
Speaker 2: all my device is putting gum and my stuff.

842
00:38:27,760 --> 00:38:30,640
Speaker 4: Sure, sure, yeah, I mean I think we will all agree,

843
00:38:30,640 --> 00:38:32,759
Speaker 4: going back a long way. Gum is our favorite thing.

844
00:38:33,000 --> 00:38:36,759
Speaker 4: So how do you apply that enthusiasm of something that's

845
00:38:36,840 --> 00:38:41,120
Speaker 4: delicious and enriching to say yes, say podcast.

846
00:38:41,080 --> 00:38:45,719
Speaker 3: Sort of skitch off of the successive gum guy. As

847
00:38:45,719 --> 00:38:47,560
Speaker 3: an adult, gum is such a big part of my

848
00:38:47,680 --> 00:38:51,440
Speaker 3: life because now I can get whenever I want. You know,

849
00:38:51,520 --> 00:38:54,160
Speaker 3: when I was a kid, yes, he really, people are

850
00:38:54,200 --> 00:38:56,400
Speaker 3: trying to stop you from having gum, and then when

851
00:38:56,440 --> 00:38:57,960
Speaker 3: you sort of come in your own and you have

852
00:38:58,200 --> 00:39:00,799
Speaker 3: a big hot podcast number two on the Vulture List. Sure,

853
00:39:01,600 --> 00:39:06,480
Speaker 3: and uh, you have friends, a Christmas tree, everything you

854
00:39:06,560 --> 00:39:06,960
Speaker 3: could want.

855
00:39:07,040 --> 00:39:09,400
Speaker 2: People say they probably forget about comedy bang bang, right,

856
00:39:09,480 --> 00:39:12,200
Speaker 2: or there's some reason they couldn't like include that as

857
00:39:12,280 --> 00:39:14,200
Speaker 2: number two or number one. No, they did remember, and

858
00:39:14,320 --> 00:39:15,080
Speaker 2: it was number six.

859
00:39:15,000 --> 00:39:17,200
Speaker 3: Number six, so they know about it.

860
00:39:17,280 --> 00:39:18,400
Speaker 4: Yeah, they listen to everything.

861
00:39:18,600 --> 00:39:19,360
Speaker 3: They do know about it.

862
00:39:19,400 --> 00:39:22,920
Speaker 4: They do know about it. But you guys were number two. Yeah,

863
00:39:22,960 --> 00:39:25,520
Speaker 4: I mean I you guys can You're now at the

864
00:39:25,520 --> 00:39:27,120
Speaker 4: place in your lines where you buy as much gum

865
00:39:27,120 --> 00:39:30,520
Speaker 4: as you want, and you've realized you have a not

866
00:39:30,640 --> 00:39:32,440
Speaker 4: only can you afford as much gum as you want,

867
00:39:32,480 --> 00:39:34,439
Speaker 4: but your your appetite for it is only grown.

868
00:39:34,719 --> 00:39:37,120
Speaker 3: Sure as a bigger man, I can fit more gum

869
00:39:37,200 --> 00:39:40,120
Speaker 3: in my mouth. I need more to get done what

870
00:39:40,200 --> 00:39:40,440
Speaker 3: I need.

871
00:39:40,960 --> 00:39:45,880
Speaker 4: You you know you now have those new semi porcelain

872
00:39:45,960 --> 00:39:49,960
Speaker 4: veneers that you know choppers, Yeah you can choppers, yeaheah, No,

873
00:39:50,160 --> 00:39:51,960
Speaker 4: I can take on gum like no, I know your

874
00:39:52,000 --> 00:39:53,799
Speaker 4: old caps. You couldn't do gum for a while.

875
00:39:54,040 --> 00:39:57,000
Speaker 3: Well, that's a misconcertion. You had to soak it in

876
00:39:57,080 --> 00:39:59,000
Speaker 3: water and you could. I could do I could do it,

877
00:39:59,160 --> 00:40:02,880
Speaker 3: but the clean up process between pieces of gum, and

878
00:40:03,160 --> 00:40:05,040
Speaker 3: of course when I take them off, I have these

879
00:40:05,239 --> 00:40:08,400
Speaker 3: really sharp, thin sort of vampires creepy.

880
00:40:08,640 --> 00:40:11,040
Speaker 4: It almost outweighed the pleasure you got from gum.

881
00:40:11,160 --> 00:40:16,520
Speaker 3: Almost. But now, yeah, look at you, I mean you

882
00:40:16,640 --> 00:40:20,960
Speaker 3: have I got these huge chompers. I got the Lancasters,

883
00:40:21,000 --> 00:40:22,640
Speaker 3: Burt Lancaster and the rain Maker.

884
00:40:23,600 --> 00:40:27,320
Speaker 4: And uh no, is it just because it's kind of

885
00:40:27,320 --> 00:40:29,080
Speaker 4: a little colder in LA that you keep having to

886
00:40:29,200 --> 00:40:31,160
Speaker 4: apply vast leans like.

887
00:40:33,080 --> 00:40:35,360
Speaker 3: I have to put a gel on them because my

888
00:40:35,719 --> 00:40:39,640
Speaker 3: lips don't create their own moisture. And I guess something

889
00:40:39,680 --> 00:40:47,680
Speaker 3: about it, yeah, sures, yeah, yeah, something about the application.

890
00:40:47,760 --> 00:40:50,040
Speaker 3: I think it's actually the opposite. They are liking them

891
00:40:50,120 --> 00:40:54,799
Speaker 3: too much, right, Yeah, they seem to be accepting them

892
00:40:54,960 --> 00:40:57,240
Speaker 3: as such a part of my body that the inside

893
00:40:57,280 --> 00:41:00,120
Speaker 3: of my gum line, well, lieus in.

894
00:41:00,160 --> 00:41:02,560
Speaker 4: On your face. It's almost like we choose the chompers,

895
00:41:02,640 --> 00:41:06,000
Speaker 4: we want to leave your face. Yeah, you need to

896
00:41:06,040 --> 00:41:07,359
Speaker 4: do something about the rest of your face. And that's

897
00:41:07,400 --> 00:41:08,719
Speaker 4: kind of why you guys got in a nip tuck,

898
00:41:08,840 --> 00:41:09,640
Speaker 4: is because you know.

899
00:41:09,719 --> 00:41:11,160
Speaker 3: You are curious.

900
00:41:11,840 --> 00:41:14,440
Speaker 4: Addressed this on one of the episodes before we hire them,

901
00:41:14,719 --> 00:41:16,760
Speaker 4: we should see if they're good doctors.

902
00:41:17,080 --> 00:41:19,880
Speaker 3: Yeah, so yes, and yeah, because my plan was to

903
00:41:19,960 --> 00:41:23,160
Speaker 3: bring in the Reagan mask from point break and just

904
00:41:23,280 --> 00:41:30,319
Speaker 3: go like make me this. Well, well I did want

905
00:41:30,360 --> 00:41:32,840
Speaker 3: to do that. It's been a it's been a special

906
00:41:33,040 --> 00:41:37,160
Speaker 3: special time with you. Yeah, we've learned about recapping. Would

907
00:41:37,160 --> 00:41:39,759
Speaker 3: you guys do ap of you doing it?

908
00:41:40,120 --> 00:41:40,160
Speaker 7: No?

909
00:41:40,280 --> 00:41:42,720
Speaker 3: I don't think so, not as a recapper, as a guest, no, oh,

910
00:41:42,840 --> 00:41:46,640
Speaker 3: as a oh oh, as a guest, not as a recapper. Yeah,

911
00:41:47,040 --> 00:41:47,800
Speaker 3: that's interesting.

912
00:41:49,560 --> 00:41:51,200
Speaker 1: It's hard for me to remember the beginning.

913
00:41:52,320 --> 00:41:56,120
Speaker 4: Yeah, well, there's this trick in writing in medius rees

914
00:41:56,680 --> 00:41:58,640
Speaker 4: where you can just kind of pick up somewhere and

915
00:41:59,560 --> 00:42:02,120
Speaker 4: you hope your audience will will catch up.

916
00:42:02,239 --> 00:42:03,799
Speaker 3: So you know, you could just sort of pick any

917
00:42:03,840 --> 00:42:04,279
Speaker 3: what do you mean?

918
00:42:04,320 --> 00:42:06,520
Speaker 1: What therespood?

919
00:42:07,080 --> 00:42:12,240
Speaker 4: Right? You're teaching us. A lot of in media owns

920
00:42:12,280 --> 00:42:15,520
Speaker 4: the doing the doingster. They're kind of they just bought

921
00:42:15,600 --> 00:42:19,279
Speaker 4: it during this So I'm really exciting excited for whoever

922
00:42:19,360 --> 00:42:22,200
Speaker 4: owns that site. You know, it's a stock only deal.

923
00:42:22,280 --> 00:42:27,040
Speaker 1: But what else?

924
00:42:27,840 --> 00:42:29,920
Speaker 3: What's coming up for you? Man? You've talked so much

925
00:42:29,920 --> 00:42:30,960
Speaker 3: about what you're not doing.

926
00:42:36,280 --> 00:42:40,880
Speaker 4: Ah, if you're when will this come out? I don't know,

927
00:42:44,400 --> 00:42:52,000
Speaker 4: oh man, you know, I just would love people to

928
00:42:52,000 --> 00:42:54,400
Speaker 4: follow me on social media, you know, just come out

929
00:42:54,440 --> 00:42:55,040
Speaker 4: to the shows.

930
00:42:55,520 --> 00:43:03,800
Speaker 3: Bye. Hollywood Handbook is brought to you by Wolf Cool

931
00:43:03,920 --> 00:43:09,800
Speaker 3: Production to a subsidiary of Calvin Noondhibbs. Our Baby