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Speaker 1: I listen to The Black Guy Who Tips Podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tips Podcast. I am your host, Rod joined us always

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Speaker 2: on my calls, and we are live on a Wednesday.

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Speaker 1: The return. I don't know, after the long.

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Speaker 3: Ass breaks, somebody want y'all. They're actually voted and they

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Speaker 3: voted that they wanted it back.

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Speaker 2: I don't know why y'all want this. I don't know

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Speaker 2: who wants this. I don't know who is listening. How

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Speaker 2: many people gonna listen to this? I'm assuming it's six

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Speaker 2: of us. I assume it's close. You know, I feel like,

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Speaker 2: you know, we are the survivors at this point.

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Speaker 1: Yes we are. We are the Walking Dead.

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Speaker 2: Yeah, but as you can tell from either the title

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Speaker 2: or the description, it's it's it's time, niggas.

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Speaker 1: Okay, we your schemed and you applotted and you cried,

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Speaker 1: hey us give the ship.

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Speaker 2: We was like, you know what, Okay, your blackmailed us,

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Speaker 2: your passive aggressive senders gifts like we got uh, we

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Speaker 2: got a picture over here that that that's framed of

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Speaker 2: a fake news article about the breakout for the Walking Dead.

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Speaker 2: So I mean shit, I guess we just have to

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Speaker 2: give y'all, you know, all the credit they walked. The

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Speaker 2: return of Walking Dead Wednesday is upon us.

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Speaker 1: It's himself for those of y'all to stop come on back.

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Speaker 2: Now. I'm just gonna assume that there's gonna be like

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Speaker 2: twelve downloads for this.

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Speaker 3: Our eight of the people in the chat gonna be

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Speaker 3: the eight of the downloads.

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Speaker 2: I'm I mean, Karen's getting their life to this. I'm

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Speaker 2: assuming that.

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Speaker 1: Because it's funny to be I don't care.

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Speaker 2: I'm assuming that, you know, because it's not just that

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Speaker 2: we're reviewing a show that you know, started getting less

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Speaker 2: and less, you know, viewers and stuff, but we're also

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Speaker 2: one of the only shows that like is recapping it.

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Speaker 2: I mean, these episodes came out a year ago.

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Speaker 1: This ever got busy, y'all.

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Speaker 2: This episode is from October Teco twenty twenty two, which

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Speaker 2: is literally a little less than a year ago. We're

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Speaker 2: only a couple weeks away from this being a year old,

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Speaker 2: this recap. But honestly, once I started watching, I just

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Speaker 2: remember how much I still love it.

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Speaker 1: Same.

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Speaker 2: We won't be able to have like YouTube clips and

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Speaker 2: stuff this time because the YouTube clips also are kind

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Speaker 2: of spoilery when I go look for them, and and

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Speaker 2: we're so far behind that if I search for the

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Speaker 2: YouTube clips, I'm afraid I'm gonna get spoiled. Me and

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Speaker 2: Karen have managed somehow to stay unspoiled.

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Speaker 1: I don't know how to fuck we did it, but

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Speaker 1: we did it, you know, and.

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Speaker 2: So you know, I'm actually very excited to see how

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Speaker 2: the show ends with these last eight episodes. But I

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Speaker 2: have a bit of a time can strain today because

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Speaker 2: I have some other shit to do, and we basically

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Speaker 2: have like an hour to do this, so, you know,

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Speaker 2: without further delay, let's go ahead and get into it.

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Speaker 2: This episode is episode seventeen of the final season, season eleven,

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Speaker 2: called Lockdown. It's directed by Greg Nicotero, written by Julia

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Speaker 2: Richmond Karen. What did you Let's start the way we

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Speaker 2: always start. What did you think of this episode?

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Speaker 1: In general? This episode was good.

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Speaker 2: I enjoyed it a lot. It was it was moving

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Speaker 2: because it's moving.

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Speaker 3: It has been has moved in the past, but now

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Speaker 3: it actually okay, let's everybody's kind of settled in.

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Speaker 2: Everybody's you know, adjusted now. They was like, okay, let's

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Speaker 2: get shipped to rolling.

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Speaker 1: Yeah, and Uh, yeah, I agree with you. I think

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Speaker 1: it was good. I think it just hit the stride.

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Speaker 2: I still I loved everything about Like the action looked amazing,

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Speaker 2: and we got, you know, some prominent features of like

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Speaker 2: characters that we really enjoy so that was cool too.

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Speaker 1: So yeah, I also was head over heels for this episode,

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Speaker 1: mostly because it moved fast.

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Speaker 2: It was only an hour whatever, like a lot of

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Speaker 2: times when they do these returns.

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Speaker 1: Like oh we're back from a break, it's like an hour.

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Speaker 2: It'd be a long ass thing. Yes, yeah, I like that.

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Speaker 2: It was just like, nah, we're not going that.

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Speaker 1: We don't. We don't need all that you don't. So

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Speaker 1: all right, let's start with the recap.

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Speaker 2: I broke it into two groups, even though I could

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Speaker 2: have gone a little further in my breakdown, I just

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Speaker 2: broke it down.

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Speaker 1: Into two different groups. Okay.

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Speaker 2: The first group is the people fighting hornsby outside the fence,

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Speaker 2: outside you know, out in the community. Uh, this is

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Speaker 2: like Niagan and Maggie and Darryl, like all the people

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Speaker 2: used to hate each other working together. And then I

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Speaker 2: have the Commonwealth, where a bunch of action went down

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Speaker 2: with a bunch of different groups. I'll try to keep

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Speaker 2: it as straight as possible, but they interacted with each

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Speaker 2: other so much.

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Speaker 1: Correct, I had to put a big block of.

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Speaker 2: So I think we'll start with the hornsby group first

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Speaker 2: and then get into the inner workings of the the Commonwealth,

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Speaker 2: because Commonwealth was off the hook this spell.

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Speaker 1: Yeah, it was a drum.

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Speaker 2: So hornsby group, the people fighting hornsby Uh, we started this,

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Speaker 2: so would What I assume to be is maybe Judith

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Speaker 2: in the future of somebody like narrating about today or something.

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Speaker 2: I don't even know who this voice was, but it's

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Speaker 2: like a woman's voice being like, you know, with a

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Speaker 2: montage of everything that's all the villains from season one

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Speaker 2: till now of the Walking Dead, where you're seeing the

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Speaker 2: Governor and you're seeing the Whisperers and all these people

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Speaker 2: and the heroes, you know, Rick and all them surviving

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Speaker 2: them and all that shit, and it kind of ends

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Speaker 2: this montage with that was a long time ago and

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Speaker 2: it's now Will it be tomorrow? Like will we ever

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Speaker 2: get to live in like a civilized society again? Or

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Speaker 2: is it always gonna be us fighting these horrible villains

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Speaker 2: to the death.

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Speaker 1: Right and trying not to become villains ourselves?

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Speaker 2: You know, and they're showing like shamee giving it to

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Speaker 2: the darkness and all this stuff. So the montage ends

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Speaker 2: with Daryl and Maggie killing a bunch of walkers and

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Speaker 2: abandoned building while Hornsby is outside with just unlimited trooper code.

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Speaker 1: Yeah, like I don't know. They was like, how many

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Speaker 1: how many troops you need?

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Speaker 2: You got him right, like he just had by one trooper,

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Speaker 2: get one all half off.

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Speaker 1: Yes he did saill or something, because it's just so

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Speaker 1: many fucking he copy paste, copy paste.

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Speaker 2: And you know they all ain't shit because all of

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Speaker 2: them are dressed in that like white plastic stormtrooper armor.

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Speaker 1: They all look like stormtroopers, y'all for real.

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Speaker 2: And you know when there's a lot of you dressed

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Speaker 2: the same, you can't fight for shit. No, that's just

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Speaker 2: the right. Can't shoot, that's just the rules of TV.

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Speaker 2: If they not showing your face, you can't fight for shit.

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Speaker 1: You are expendable as fuck.

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Speaker 2: You know, it doesn't make sense if you think about it,

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Speaker 2: because our heroes are almost never armored up. They just

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Speaker 2: wearing regular normal people clothes that look good on camera

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Speaker 2: and help them look like movie stars. And then the

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Speaker 2: other people are dressed in battle armor and they getting

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Speaker 2: taken out left and right.

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Speaker 1: Yes they are.

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Speaker 2: You can give a stormtrooper concussion with a rock, but

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Speaker 2: you know you shoot, You shoot Luke Skywalker straight through

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Speaker 2: the chest with a with a blaster and he'll live.

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Speaker 1: You know.

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Speaker 2: So anyway, these motherfuckers is outside and Hornsby is of

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Speaker 2: course directing everybody with his better calls aut looking.

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Speaker 1: At he doesn't let that, dude, don't.

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Speaker 2: Yeah, he got that like an off brand, and he

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Speaker 2: got that cut on his cheek from like how he

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Speaker 2: got hurts like the last episode. And he's like giving

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Speaker 2: his speech like he's in the fugitive, you know, search

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Speaker 2: every window, doorway, stairway, had a way out, house in house,

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Speaker 2: house music.

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Speaker 1: I want him den alte pee, we's playhouse, search it all.

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Speaker 2: And then Darryl and Maggie look out the window and

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Speaker 2: see him doing this, and they like, She's like, man,

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Speaker 2: how many troops he got in?

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Speaker 1: Darryl like it don't matter. We're gonna take him out

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Speaker 1: one by one. And you know what, I believed him.

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Speaker 2: Me too, because he's Darryl Dixon and she's Maggie and

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Speaker 2: they can.

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Speaker 1: Do it and we don't see them get through some situations.

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Speaker 2: Yeah, I think at this point, our troops, our people,

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Speaker 2: our benetton ad our diversity and inclusion, diversity, equity, inclusion,

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Speaker 2: neopolar of Anpolitan Neapolitan ice cream group. Yeah, like the

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Speaker 2: diversity equity and inclusion group is the They are that girl.

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Speaker 2: So I like, I didn't know how they were gonna

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Speaker 2: do this episode, but I was like, I can see

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Speaker 2: them spending an hour just carefully picking each one off,

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Speaker 2: like it's the fucking like Rambo in the jungle, and

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Speaker 2: then at the end it's just them and fucking horns me.

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Speaker 2: But I didn't know. So then they hear some commotion.

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Speaker 2: They go by the door, you know, hide in their.

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Speaker 1: Position, ready to ambush whoever comes in.

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Speaker 2: But it turns out it's Glenn Aaron Nagan and Nigan's

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Speaker 2: wife Annie, that black woman, because you know he like him.

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Speaker 1: A black wife.

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Speaker 2: Yes, okay, this is cam like shape butter, this is Cannon. Okay,

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Speaker 2: you see Parley, he went black when he had that Harrem.

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Speaker 1: He never went back. Never. So they let Maggie know.

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Speaker 2: That Herschel the baby is with Elijah and the baby

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Speaker 2: is safe. Basically just a way to keep you know,

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Speaker 2: the kid off the screen. And keep in mind Herschel

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Speaker 2: had been questioned by Hornsby at one point, and so

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Speaker 2: we know Hornsey is not above using.

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Speaker 1: These kids to get to these people.

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Speaker 2: Correct Meagan, and he say that, Hey, we're here to

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Speaker 2: help kill Hornsby. Gabe says, yeah, I hear what y'all saying,

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Speaker 2: But we need to get our people out of the

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Speaker 2: Commonwealth before we try to take down Hornsby, because he

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Speaker 2: can basically radio back to Commonwealth at any time, all

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Speaker 2: ambush our people, you know, because you still got like Carol, Ezekiel, Rosita, Jerry,

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Speaker 2: the kids, Matt Yumico, Magna, like every like maybe even

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Speaker 2: Princess is still in there, like all.

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Speaker 1: She gotta be. Yeah, I think like all these.

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Speaker 2: People are still in there, and so we start attacking,

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Speaker 2: you know, going ahead to head with Hornsby. He gets

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Speaker 2: on the radio tells everybody his agents and all his

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Speaker 2: ship back in, his spies back in the Commonwealth, Hey

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Speaker 2: go kill these people, take them hostage, you know, and

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Speaker 2: they don't have no defense against that. So while they

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Speaker 2: arguing over what they should do, like we should just

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Speaker 2: kill them now, No, we should make sure we can't

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Speaker 2: radio back, Daryl comes over with a plan. He says, look,

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Speaker 2: we can do both, okay, Meagan, Annie.

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Speaker 1: They don't know what y'all look like, but they know

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Speaker 1: what we look like.

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Speaker 2: So we can't go back because you know, he can

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Speaker 2: just easily knark on us and they will get caught.

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Speaker 2: But we can send Megan back, or we can send

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Speaker 2: y'all back. And Megan says, I'll go by myself, and

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Speaker 2: he wants to go with him. He says, baby, you

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Speaker 2: know you're carrying a gut full of me. Okay this,

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Speaker 2: I can't. I can't let my black wife die for me. Okay,

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Speaker 2: ain't it might beat chcolic baby. Okay, now I'm nagging. I'm, I'm, I'm,

218
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Speaker 2: I'm I'm gonna be all right, but but I need

219
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Speaker 2: you to stay here.

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Speaker 1: And so.

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Speaker 2: He and he looked all in the face like, you know,

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Speaker 2: all up in the eyes too, like it was serious.

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Speaker 1: I ain't never gonna forget about you, you know, gun Drop.

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Speaker 1: He asked Darryl what is to play?

225
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Speaker 2: And uh, you know they that's basically how they end

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Speaker 2: that scene, because you know, they do that thing where

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Speaker 2: they're not gonna tell us what Daryl told him, but

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Speaker 2: they're clearly coming up with a plan to.

229
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Speaker 1: Send Niagan back right.

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Speaker 2: Uh, and his ebony wife is gonna stay with the

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Speaker 2: rest of them, so uh she divesting. Okay, Uh she said,

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Speaker 2: this is a good white man. I know he might

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Speaker 2: have tortured and killed y'all and had a hair, but

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Speaker 2: he a good white man.

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Speaker 1: He'll provide her. I know that much. He do be providing.

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Speaker 2: And I stayed in all the hair care products. My

237
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Speaker 2: hair is glow Rios and the Zpoch. Come on, how

238
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Speaker 2: many of y'all can say the same?

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Speaker 1: Come on, I stand for up another cane. Okay, he'll

240
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Speaker 1: run up in Sally's for your girl. Come on and

241
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Speaker 1: know the products that I'm asking for too.

242
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Speaker 2: Some Commonwealth fodder, I mean, soldiers end up trying to

243
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Speaker 2: take out a group of zombies. They get killed by

244
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Speaker 2: One of them gets killed by the zombies despite having

245
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Speaker 2: superior firepower, armor and the element of sprang.

246
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Speaker 1: They took him out. There was a lunchtime who ordered

247
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Speaker 1: to do a dash. It's so wild.

248
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Speaker 2: It's so wild considering how organized the troopers of the

249
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Speaker 2: Commonwealth looked not too long ago, and now we're at

250
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Speaker 2: a point where it's just like like they can get

251
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Speaker 2: killed just about fucking around and be like, oops, I slipped,

252
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Speaker 2: and then zombies just eat them up.

253
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Speaker 1: All that armor for nothing, just big for nothing. And

254
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Speaker 1: I wonder, and maybe just me, I wonder if it

255
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Speaker 1: has not to do with what's his name? BIMs Hornsby, Hornsby, Hornsby.

256
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Speaker 1: We're rusty, Karen hasn't we haven't watched it. Yeah, I'm sorry, Hornsby.

257
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Speaker 2: It might show that he's been killing so many people

258
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Speaker 2: that they kind of got to the bottom of the

259
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Speaker 2: barrel of like the trainees.

260
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Speaker 1: That might be one reason why they I mean, because

261
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Speaker 1: you know he has he been killing the troopers.

262
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Speaker 3: Not him, but he'd be like sending them off on ship.

263
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Speaker 3: Remember he'd been trying to I mean, he don't done

264
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Speaker 3: a lot of shit.

265
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Speaker 1: That's a valid point.

266
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Speaker 2: I don't know if they've thought about it as deeply

267
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Speaker 2: as you're saying, Oh, I think it's just when you

268
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Speaker 2: have seventy five people in white armor, you're gonna kill

269
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Speaker 2: thirty of them just because these are people that exist

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Speaker 2: to be killed.

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Speaker 1: They're not main characters.

272
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Speaker 2: They add to some cool depths on the show and

273
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Speaker 2: don't nobody give a fuck about them. So it's not

274
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Speaker 2: like but it is funny considering when we first met

275
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Speaker 2: them it was like, oh, these motherfuckers got soldiers like there,

276
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Speaker 2: and now it's just like, oh no, on time of

277
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Speaker 2: Shoe Zombie, it's like, damn, what happened to y'all?

278
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Speaker 1: What happened? Beautiful?

279
00:15:06,880 --> 00:15:09,480
Speaker 2: Uh so, yeah, while this has happened, Megan pulls a

280
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Speaker 2: whisperer move.

281
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Speaker 1: But he this is funny too.

282
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Speaker 2: It's been so long the show is like not bothering

283
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Speaker 2: with certain type of details, so he ain't put all

284
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Speaker 2: that shit on the smell like a zombie. And he

285
00:15:23,920 --> 00:15:26,160
Speaker 2: came around that corner with a zombie mask on, walking

286
00:15:26,200 --> 00:15:28,680
Speaker 2: casual as fuck, like he might as well been whistling.

287
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Speaker 2: And while the one soldier was looking at the other

288
00:15:32,720 --> 00:15:33,200
Speaker 2: one died.

289
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Speaker 1: He stabbed. He shanks that one to death. The soldier

290
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Speaker 1: that was looking.

291
00:15:36,880 --> 00:15:40,080
Speaker 2: On He takes their radio and their gun, tosses it

292
00:15:40,120 --> 00:15:44,040
Speaker 2: over to a van that Daryl's hiding in. Darryl picks

293
00:15:44,080 --> 00:15:47,920
Speaker 2: up the gun in the walkie talkie, and then Nagan

294
00:15:48,080 --> 00:15:52,000
Speaker 2: steals the troopers car and starts driving towards the Commonwealth.

295
00:15:53,360 --> 00:15:57,200
Speaker 2: Uh but yeah, and this is just another moment where

296
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Speaker 2: I'm like, this is why our group is the coda.

297
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Speaker 2: Motherfucker's in his the way, they just efficiently just dispatch

298
00:16:04,560 --> 00:16:07,560
Speaker 2: what these two dudes thow they shit, and now they're

299
00:16:07,600 --> 00:16:09,600
Speaker 2: ready to distract Hornsby and all this stuff.

300
00:16:09,640 --> 00:16:10,360
Speaker 1: He was like, let's go.

301
00:16:11,360 --> 00:16:14,920
Speaker 2: Hornsby is now aware because we kind of skipped for

302
00:16:14,960 --> 00:16:17,600
Speaker 2: it a little bit. Hornsby is aware that one of

303
00:16:17,600 --> 00:16:20,520
Speaker 2: the soldiers cars is missing because they didn't check in right,

304
00:16:20,640 --> 00:16:23,120
Speaker 2: and he's like, Okay, we got to warn the Commonwealth

305
00:16:23,120 --> 00:16:25,920
Speaker 2: because they probably head him back and we need to

306
00:16:25,960 --> 00:16:27,040
Speaker 2: let them know that these.

307
00:16:26,880 --> 00:16:30,840
Speaker 1: Motherfuckers can't be trusted. Yeah, before they get there, right, So.

308
00:16:30,800 --> 00:16:33,880
Speaker 2: The radio can't get a signal. The only thing he's

309
00:16:33,920 --> 00:16:36,600
Speaker 2: able to get out before losing signal is just the

310
00:16:36,720 --> 00:16:41,040
Speaker 2: name Daryl Dixon. But that's it, just like Dixon, Daryl Dixon,

311
00:16:41,040 --> 00:16:44,440
Speaker 2: and it cuts out. He's like, radio guy, go off

312
00:16:44,440 --> 00:16:45,680
Speaker 2: and get me a better signal.

313
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Speaker 1: And you know how they do it with the radio.

314
00:16:49,800 --> 00:16:54,680
Speaker 1: Convenient convenient radio in yeah, obviously Koreean walker talkie convenient.

315
00:16:54,400 --> 00:16:58,200
Speaker 2: Radio for the plot, but also walking the radio guys

316
00:16:58,280 --> 00:17:00,400
Speaker 2: like sure, I'll run off by myself, off in the

317
00:17:00,400 --> 00:17:03,160
Speaker 2: middle of this zone where all these people are looking

318
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Speaker 2: to kill us.

319
00:17:03,680 --> 00:17:06,040
Speaker 1: You in the most important job. I do it solo.

320
00:17:06,359 --> 00:17:07,280
Speaker 1: I got your boss.

321
00:17:07,480 --> 00:17:10,240
Speaker 2: So just as the guy runs off, Darryl starts bucking

322
00:17:10,240 --> 00:17:13,560
Speaker 2: at the soldiers from that van and he wings Hornsby

323
00:17:13,880 --> 00:17:16,679
Speaker 2: and the shoulder. Yeah, but not like enough to like

324
00:17:16,880 --> 00:17:18,399
Speaker 2: really stop him from doing anything.

325
00:17:18,440 --> 00:17:20,399
Speaker 3: Yeah, I'm not as well being a ribber bullet. He's like,

326
00:17:20,440 --> 00:17:23,480
Speaker 3: oh yeah, I just bounce back.

327
00:17:23,720 --> 00:17:27,160
Speaker 2: On the radio on the walkie talkie Darryl that Darryl

328
00:17:27,840 --> 00:17:28,879
Speaker 2: was tossed by.

329
00:17:30,240 --> 00:17:32,960
Speaker 1: Megan. He hears them.

330
00:17:32,760 --> 00:17:36,119
Speaker 2: Say like, hey, we found Nagan. Well we found the

331
00:17:36,200 --> 00:17:39,120
Speaker 2: cars stolen car. Somebody's in it. We're about to track

332
00:17:39,200 --> 00:17:42,640
Speaker 2: him down. So then they go to flank Darryl, Hornsby

333
00:17:42,680 --> 00:17:44,480
Speaker 2: and his crew. But by the time they get.

334
00:17:44,280 --> 00:17:47,000
Speaker 1: There, Darryl's ninja this way out of there. He's gone.

335
00:17:47,720 --> 00:17:52,320
Speaker 2: And when they look up, Darryl stole their car because

336
00:17:52,320 --> 00:17:55,520
Speaker 2: he's Daryl fucking Dixon, right and he can do ninja. Shit,

337
00:17:56,359 --> 00:17:58,560
Speaker 2: he stole their car. He tries to run over Hornsby

338
00:17:58,600 --> 00:18:00,240
Speaker 2: but cant. Hornsby ducks out the way.

339
00:18:00,800 --> 00:18:03,440
Speaker 1: Yeah, that's he got plot out And I was like, yeah,

340
00:18:03,680 --> 00:18:06,760
Speaker 1: he probably wouldn't normally hit him.

341
00:18:07,440 --> 00:18:11,679
Speaker 2: And so then Meagan is getting in the car chase

342
00:18:11,800 --> 00:18:14,280
Speaker 2: with the soldiers that are after him. They bucking from

343
00:18:14,359 --> 00:18:16,760
Speaker 2: the It's like some fast and furious ship. Shout out

344
00:18:16,760 --> 00:18:19,560
Speaker 2: to the special effects and the action budget. It's been

345
00:18:19,640 --> 00:18:24,200
Speaker 2: spectacular this uh this last season or so, and so

346
00:18:24,240 --> 00:18:26,399
Speaker 2: it looks like really good. It's in broad daylight and

347
00:18:26,400 --> 00:18:29,119
Speaker 2: they're just shooting up the car and he's fucking riding

348
00:18:29,320 --> 00:18:33,479
Speaker 2: trying to get away. Darryl sideswipes the people right, they

349
00:18:33,480 --> 00:18:43,119
Speaker 2: see me, catch me ridingdr the So uh yeah, the

350
00:18:43,280 --> 00:18:44,320
Speaker 2: budget was budgeting.

351
00:18:45,000 --> 00:18:50,720
Speaker 1: It was Daryl hits that card. Nagan escapes the.

352
00:18:49,840 --> 00:18:53,040
Speaker 2: Radio guy later and Daryl like sees him drive off

353
00:18:53,040 --> 00:18:54,400
Speaker 2: and knows Nigan's gonna get away.

354
00:18:54,480 --> 00:18:56,200
Speaker 1: Cool going back to the Commonwealth.

355
00:18:56,720 --> 00:19:01,200
Speaker 2: Later, the radio guy finally gets isolated it by himself

356
00:19:01,640 --> 00:19:04,600
Speaker 2: and gets a signal sets everything up. He he out

357
00:19:04,640 --> 00:19:08,240
Speaker 2: there like like an old school cell phone with antenna.

358
00:19:08,640 --> 00:19:10,640
Speaker 1: He was like, can you hear me down? Can can

359
00:19:10,720 --> 00:19:12,080
Speaker 1: you me down? Wait a minute? Do I need to

360
00:19:12,080 --> 00:19:13,000
Speaker 1: go up? I can hear me do?

361
00:19:13,640 --> 00:19:16,560
Speaker 2: And so he finally got the five G and he's like,

362
00:19:16,800 --> 00:19:19,879
Speaker 2: all right, uh and you can tell us such a

363
00:19:19,920 --> 00:19:24,520
Speaker 2: TV thing because he starts like you know, c w

364
00:19:24,880 --> 00:19:28,720
Speaker 2: actual you know Charlie, Charlie Washington actual come in, Charlie.

365
00:19:28,720 --> 00:19:31,320
Speaker 1: The whole nine two eight, and then you know, it's

366
00:19:31,359 --> 00:19:33,120
Speaker 1: like and all that shit.

367
00:19:33,200 --> 00:19:35,560
Speaker 2: Then it's like, okay, I got a signal, and they like,

368
00:19:35,560 --> 00:19:37,760
Speaker 2: we hear you coming in loud of Claire Brovo give

369
00:19:37,840 --> 00:19:42,040
Speaker 2: us a situation update, and he's like, okay, listen, something

370
00:19:42,040 --> 00:19:44,640
Speaker 2: really important. I gotta tell y'all right now, okay, so

371
00:19:44,760 --> 00:19:47,920
Speaker 2: Darryl Dixon and then before he can get it out,

372
00:19:48,000 --> 00:19:52,080
Speaker 2: a hubcap gets thrown in his direction in Distrackson and

373
00:19:52,119 --> 00:19:53,359
Speaker 2: he's like, let me stop.

374
00:19:53,400 --> 00:19:54,840
Speaker 1: My very important message.

375
00:19:54,920 --> 00:19:58,200
Speaker 3: Calls like I'm gonna put your old hole, y'all.

376
00:19:58,200 --> 00:19:59,480
Speaker 1: Don't mind being on hole, do you?

377
00:19:59,640 --> 00:20:01,760
Speaker 2: I can later the rest of this message in a second,

378
00:20:01,880 --> 00:20:04,120
Speaker 2: and so Annie steps out. He points a gun at

379
00:20:04,119 --> 00:20:06,160
Speaker 2: it because she is a black woman and he's a cop.

380
00:20:06,280 --> 00:20:10,720
Speaker 2: He can't help himself. It's it's involuntary at this point.

381
00:20:10,840 --> 00:20:15,480
Speaker 2: And right when he does that, Maggie steps from behind,

382
00:20:15,880 --> 00:20:19,480
Speaker 2: stabs him, and then destroys the radio. But unfortunately, Daryl's

383
00:20:19,560 --> 00:20:22,480
Speaker 2: name did make it back to the Commonwealth, even though

384
00:20:22,480 --> 00:20:24,800
Speaker 2: he wasn't able to finish the message. So they just

385
00:20:24,840 --> 00:20:26,879
Speaker 2: know it has something to do with Darryl, right, they

386
00:20:26,920 --> 00:20:31,680
Speaker 2: don't know what the message is. Later we see even,

387
00:20:32,040 --> 00:20:34,080
Speaker 2: like I said, some of these details. I think it's

388
00:20:34,119 --> 00:20:37,679
Speaker 2: just kind of funny because Maggie and Annie were together

389
00:20:37,760 --> 00:20:40,800
Speaker 2: at this point, but later we see Darryl and Maggie

390
00:20:40,800 --> 00:20:44,479
Speaker 2: together without any They ducked down an alleyway to avoid

391
00:20:44,520 --> 00:20:47,520
Speaker 2: some troops. Maggie takes the time to say she's sorry

392
00:20:47,560 --> 00:20:49,919
Speaker 2: that Darryl had to portray Leah and kill Lea to

393
00:20:49,920 --> 00:20:53,840
Speaker 2: protect her. To protect Maggie, Daryl says Glenn would have

394
00:20:53,840 --> 00:20:56,560
Speaker 2: wanted him to protect her, you know, so don't say

395
00:20:56,600 --> 00:20:57,880
Speaker 2: you're sorry, don't say.

396
00:20:57,880 --> 00:20:59,600
Speaker 1: Trying to give my chance. And she said nope.

397
00:20:59,680 --> 00:21:02,240
Speaker 2: He was like okay, yeah, He's like, it's not don't

398
00:21:02,280 --> 00:21:03,080
Speaker 2: even worry about that.

399
00:21:03,240 --> 00:21:04,080
Speaker 1: We family.

400
00:21:04,720 --> 00:21:07,560
Speaker 2: So then Aaron gave and Annie joined them, so once

401
00:21:07,560 --> 00:21:10,679
Speaker 2: again we didn't really see when any split off. I

402
00:21:10,680 --> 00:21:13,840
Speaker 2: think these are little details that don't take me completely out,

403
00:21:13,880 --> 00:21:15,440
Speaker 2: but it's just things I noticed, So I'm like.

404
00:21:15,400 --> 00:21:17,240
Speaker 1: Oh, okay, yeah, and a lot of that not your fuck.

405
00:21:17,240 --> 00:21:17,919
Speaker 1: They just sped it up.

406
00:21:17,920 --> 00:21:19,680
Speaker 2: They was like nobody gives a fuck, like we could

407
00:21:19,720 --> 00:21:22,280
Speaker 2: have to say, but I just I noticed because I

408
00:21:22,320 --> 00:21:24,200
Speaker 2: pay attention to write the notes and watch it twice.

409
00:21:24,680 --> 00:21:25,040
Speaker 1: I care.

410
00:21:25,560 --> 00:21:27,760
Speaker 2: But yeah, it's little things I noticed, like like that.

411
00:21:27,960 --> 00:21:31,760
Speaker 2: I'm like, hmm, interesting the situation. So then they're surrounded.

412
00:21:31,960 --> 00:21:35,680
Speaker 2: So basically they find out they're surrounded. Any of them

413
00:21:35,680 --> 00:21:37,600
Speaker 2: are like, you know, they must so they must have

414
00:21:37,680 --> 00:21:39,600
Speaker 2: just cut the scene. But they must have split up

415
00:21:39,600 --> 00:21:42,679
Speaker 2: and said Aaron, Gabe and y'all go look for a

416
00:21:42,680 --> 00:21:44,360
Speaker 2: way out. Me and Maggie looked for a way out. Yeah,

417
00:21:44,400 --> 00:21:46,440
Speaker 2: we just did see that conversation. Yeah, they kind of

418
00:21:46,480 --> 00:21:49,359
Speaker 2: cut it for tom. They come back together and they're like, look,

419
00:21:49,680 --> 00:21:52,160
Speaker 2: ain't no way out. They behind us, stay behind y'all.

420
00:21:52,760 --> 00:21:55,560
Speaker 2: Annie says, what do we just go down into the sewer?

421
00:21:56,119 --> 00:21:58,080
Speaker 1: Yeah, but if they don't see us, cause they was like,

422
00:21:58,080 --> 00:21:59,760
Speaker 1: if we try to go out on the streets.

423
00:21:59,480 --> 00:22:02,040
Speaker 2: We're gonna be So they go down into the sewer

424
00:22:02,880 --> 00:22:07,960
Speaker 2: and it's a huge sewer tunnel that is only exist

425
00:22:08,040 --> 00:22:08,680
Speaker 2: in Hollywood.

426
00:22:08,920 --> 00:22:11,880
Speaker 3: Yes, that was a clean look. I was like, does

427
00:22:11,960 --> 00:22:15,440
Speaker 3: sewer does not look the fucking clean clean?

428
00:22:15,600 --> 00:22:18,520
Speaker 1: Not just clean. I'm not just talking about the cleanliness

429
00:22:18,520 --> 00:22:19,280
Speaker 1: of it.

430
00:22:19,280 --> 00:22:23,159
Speaker 2: It was huge, Like thirty people could fit in that sewer,

431
00:22:23,400 --> 00:22:25,880
Speaker 2: like and I'm not exaggerating. Later, on, we would see

432
00:22:26,240 --> 00:22:28,480
Speaker 2: thirty people pointing guns at each other in that big

433
00:22:28,520 --> 00:22:29,040
Speaker 2: ass sewer.

434
00:22:29,280 --> 00:22:31,720
Speaker 1: It looked like the Ninja turtles Layer in the sewer.

435
00:22:32,880 --> 00:22:38,000
Speaker 2: So anyway, in the huge sewer tunnels, Maggie ass if

436
00:22:38,040 --> 00:22:40,240
Speaker 2: Andie is okay because Annie, of course is worried about

437
00:22:40,320 --> 00:22:42,880
Speaker 2: Nigga and she's pregnant. Of course, this also shows how

438
00:22:42,880 --> 00:22:46,080
Speaker 2: far we come, because but all the shit that Niaga

439
00:22:46,119 --> 00:22:48,560
Speaker 2: and Maggie went through where it was trying to kill

440
00:22:48,600 --> 00:22:51,920
Speaker 2: each other and all this shit, and she's they now

441
00:22:52,000 --> 00:22:52,800
Speaker 2: care about.

442
00:22:52,520 --> 00:22:54,960
Speaker 1: Each other's families and stuff, and we know they got a.

443
00:22:54,920 --> 00:22:59,000
Speaker 2: Spin off show coming uh Dead City where they're gonna

444
00:22:59,000 --> 00:23:03,719
Speaker 2: plost be working together. So anyway, but I'm mostly just

445
00:23:03,800 --> 00:23:07,240
Speaker 2: happy they never tried to give them like a romance.

446
00:23:06,840 --> 00:23:09,760
Speaker 1: Thing, agreed, because I thought the while.

447
00:23:09,520 --> 00:23:13,320
Speaker 2: The chemistry and them trusting each other was important and cool,

448
00:23:13,520 --> 00:23:16,399
Speaker 2: it just it would have been too much for me

449
00:23:17,040 --> 00:23:19,080
Speaker 2: for that to be romantic. And I know some people

450
00:23:19,080 --> 00:23:21,680
Speaker 2: were trying to like hint towards them shipping them and shit,

451
00:23:21,720 --> 00:23:25,240
Speaker 2: and I just thought that was completely ridiculous. The same So,

452
00:23:26,080 --> 00:23:28,280
Speaker 2: but yeah, she checks on Annie and he says she's okay.

453
00:23:28,320 --> 00:23:31,840
Speaker 2: They just need to hurry up, and then they kill

454
00:23:31,920 --> 00:23:36,399
Speaker 2: some Walkers and then Daryl realizes, wait, we're worried about

455
00:23:36,400 --> 00:23:39,000
Speaker 2: trying to get up and skate, why don't we make

456
00:23:39,080 --> 00:23:40,640
Speaker 2: a trap and have the troops.

457
00:23:40,320 --> 00:23:43,960
Speaker 1: Come down here. So they start. Glenn Gabe shoots a.

458
00:23:43,920 --> 00:23:49,760
Speaker 2: Gun up into the up into the ceiling of the sewer,

459
00:23:49,800 --> 00:23:52,080
Speaker 2: which seems dangerous.

460
00:23:51,520 --> 00:23:53,520
Speaker 1: Right, but he shoots the gun.

461
00:23:53,680 --> 00:23:55,840
Speaker 3: I'm like, you ain't afraid of hitting the metal, Like,

462
00:23:55,880 --> 00:23:58,280
Speaker 3: I don't know, maybe I'm confused and don't know how

463
00:23:58,280 --> 00:23:59,000
Speaker 3: the shit works.

464
00:23:59,119 --> 00:24:01,680
Speaker 1: He shoots the gun. It draws the troopers down to him.

465
00:24:01,920 --> 00:24:04,600
Speaker 2: The troopers coming to the sewers, they get ambushed because

466
00:24:04,680 --> 00:24:07,120
Speaker 2: Darrel and them set up some and Walkers's bait. They

467
00:24:07,160 --> 00:24:09,760
Speaker 2: cut like the Achilles tendon, like it's Aaron Rodgers on

468
00:24:09,800 --> 00:24:12,880
Speaker 2: Monday Night Football. And then they and then they take

469
00:24:13,040 --> 00:24:16,880
Speaker 2: Hornsby hostage, but the troopers still have their guns. Everybody's

470
00:24:16,880 --> 00:24:20,159
Speaker 2: pointing guns at each other like it's fucking trapped in

471
00:24:20,200 --> 00:24:24,960
Speaker 2: the closet Chapter thirty nine, Yes, and it's just it's

472
00:24:25,000 --> 00:24:29,000
Speaker 2: just ridiculous. And then it ends with the camera zooming

473
00:24:29,040 --> 00:24:33,439
Speaker 2: in on Hornsby's face and he's actually smiling, So we

474
00:24:33,520 --> 00:24:36,200
Speaker 2: don't know if, like, if he just feels like he's

475
00:24:36,200 --> 00:24:39,879
Speaker 2: still a control the situation, if that's a false smile

476
00:24:40,000 --> 00:24:42,360
Speaker 2: of confidence, because Daryl's got a knife to his throat.

477
00:24:42,600 --> 00:24:44,480
Speaker 1: But everyone's got guns to each other.

478
00:24:45,080 --> 00:24:49,040
Speaker 2: So who knows where we're gonna start with that next season,

479
00:24:49,160 --> 00:24:54,280
Speaker 2: next episode, right, the Commonweal, we go back.

480
00:24:54,160 --> 00:24:55,919
Speaker 1: To the Commonweal now.

481
00:24:56,800 --> 00:25:01,679
Speaker 2: I think last time we were in the Commonwealth, Connie

482
00:25:02,680 --> 00:25:08,760
Speaker 2: had done his sister a investigative report and leaked it

483
00:25:08,800 --> 00:25:12,240
Speaker 2: to say a whole bunch of people were missing. And

484
00:25:12,720 --> 00:25:15,400
Speaker 2: they think that Sebastian got something to do with it.

485
00:25:15,920 --> 00:25:19,119
Speaker 2: They know that Sebastian because he said Rosita and Darryl.

486
00:25:19,600 --> 00:25:21,960
Speaker 2: They know that Sebastian has sent people into like a

487
00:25:22,040 --> 00:25:23,040
Speaker 2: house to get.

488
00:25:22,880 --> 00:25:24,600
Speaker 1: Money because his mom cut him off.

489
00:25:25,000 --> 00:25:29,479
Speaker 2: And of course the Commonwealth still has money, so his

490
00:25:29,600 --> 00:25:32,160
Speaker 2: mom cut him off from from her, you.

491
00:25:32,119 --> 00:25:34,919
Speaker 3: Know her do these things to get money, and a

492
00:25:34,920 --> 00:25:36,840
Speaker 3: lot of times he's send them people out there and

493
00:25:36,840 --> 00:25:37,400
Speaker 3: they would die.

494
00:25:37,440 --> 00:25:39,440
Speaker 1: He wouldn't even think twice about them people dying.

495
00:25:39,760 --> 00:25:45,800
Speaker 2: Yeah, And also some of the troopers that work for Mercer,

496
00:25:46,840 --> 00:25:52,640
Speaker 2: the Big black Man, the Big Fine black Man. He uh,

497
00:25:53,840 --> 00:25:57,000
Speaker 2: he killed a couple of troopers when he found out

498
00:25:57,080 --> 00:25:59,720
Speaker 2: they were in on it, they would killed him in

499
00:25:59,720 --> 00:26:04,120
Speaker 2: front of Rosita, and she saw it. So he has

500
00:26:04,200 --> 00:26:07,840
Speaker 2: that secret because he was so pissed at them. So

501
00:26:07,880 --> 00:26:10,720
Speaker 2: he has that secret that that that only she knows.

502
00:26:11,359 --> 00:26:14,320
Speaker 2: And so they deduced from all this that, oh, what

503
00:26:14,440 --> 00:26:17,840
Speaker 2: must have happened all these missing people, Sebastian, must be

504
00:26:18,119 --> 00:26:19,600
Speaker 2: the reason that these people are.

505
00:26:19,440 --> 00:26:20,760
Speaker 1: Missing, if I remember correctly.

506
00:26:21,680 --> 00:26:25,359
Speaker 2: So now that everyone knows this and people are have

507
00:26:25,520 --> 00:26:28,760
Speaker 2: missing loved ones, they're all down at town Hall and

508
00:26:28,840 --> 00:26:30,320
Speaker 2: they are protesting Hill.

509
00:26:30,760 --> 00:26:33,640
Speaker 1: They like, all lives matter, all lives matter? The fuck

510
00:26:33,720 --> 00:26:33,920
Speaker 1: is this?

511
00:26:34,960 --> 00:26:37,920
Speaker 2: Uh No, I would not say all lives matter. That's

512
00:26:37,920 --> 00:26:41,560
Speaker 2: the wrong side of this one. They're more like, we

513
00:26:41,600 --> 00:26:44,640
Speaker 2: won't justice deliver Sebastian. Now, these are good protesters, these

514
00:26:45,600 --> 00:26:46,600
Speaker 2: counter protesters.

515
00:26:48,280 --> 00:26:51,120
Speaker 1: Okay, yeah, they're the bad guys. These are the good guys.

516
00:26:51,119 --> 00:26:53,200
Speaker 1: We're rooting for these people. I understand.

517
00:26:53,480 --> 00:26:57,000
Speaker 2: But because it was like a mixture of so many

518
00:26:57,040 --> 00:26:59,840
Speaker 2: mixture of people, this was like a true like if

519
00:27:00,080 --> 00:27:02,280
Speaker 2: if people will really talk about all lives matter, this

520
00:27:02,400 --> 00:27:04,320
Speaker 2: is really would be what it looked like. So that

521
00:27:04,440 --> 00:27:07,960
Speaker 2: I'm sorry I didn't explain to joke. No phone, no phone, Sorry,

522
00:27:08,119 --> 00:27:09,920
Speaker 2: but like cause you know, the people is upset, and

523
00:27:09,960 --> 00:27:10,680
Speaker 2: I don't blame them.

524
00:27:10,720 --> 00:27:11,360
Speaker 1: I'd have been bad.

525
00:27:11,440 --> 00:27:14,160
Speaker 2: I'm just I just would never give the I care

526
00:27:14,240 --> 00:27:16,520
Speaker 2: for these people, so I would never do to put

527
00:27:16,520 --> 00:27:18,720
Speaker 2: them into all lives matter category.

528
00:27:18,320 --> 00:27:19,960
Speaker 1: Just because I hate those people.

529
00:27:20,040 --> 00:27:23,360
Speaker 2: So yes, in reality no, yes, and it's fixed reality,

530
00:27:23,520 --> 00:27:26,600
Speaker 2: a different story. They were down there, like give us, Sebastian,

531
00:27:26,760 --> 00:27:29,600
Speaker 2: we just want let look, come outside, Sebastian.

532
00:27:29,640 --> 00:27:31,640
Speaker 1: We're not gonna jump you. We just want to talk.

533
00:27:34,080 --> 00:27:37,160
Speaker 1: They was out there, like lock him up, lock him up. Right.

534
00:27:37,280 --> 00:27:41,439
Speaker 2: So meanwhile, you Mko who has because she was a

535
00:27:41,720 --> 00:27:45,359
Speaker 2: lawyer in the past, has moved herself up into the

536
00:27:45,359 --> 00:27:48,880
Speaker 2: halls of power. She's inside with Pamela Milton, the governor,

537
00:27:50,400 --> 00:27:50,880
Speaker 2: and you.

538
00:27:50,840 --> 00:27:52,680
Speaker 1: Know, went right on up that corporate ladder than she.

539
00:27:52,800 --> 00:27:56,119
Speaker 2: Yeah, in a power suit looking out the window, and

540
00:27:56,240 --> 00:27:57,280
Speaker 2: she sees her.

541
00:27:57,320 --> 00:28:00,640
Speaker 1: Kit heels, She sees Connie on there.

542
00:28:00,520 --> 00:28:04,000
Speaker 2: And eventually Kelly and a bunch of people, and she

543
00:28:04,080 --> 00:28:08,280
Speaker 2: sees there with the protesters, so you know, those are

544
00:28:08,320 --> 00:28:11,760
Speaker 2: her friends. And also she knows Connie is the person

545
00:28:11,800 --> 00:28:17,119
Speaker 2: that leaked the report. So then Pamela Milton gets on

546
00:28:17,160 --> 00:28:21,680
Speaker 2: the intercom and just in a week half assed way.

547
00:28:21,720 --> 00:28:25,760
Speaker 2: It's just like, hey, y'all, it's Governor Pamela Milton.

548
00:28:25,880 --> 00:28:28,960
Speaker 1: It's your girl. Don't believe what y'all heard about my son.

549
00:28:29,040 --> 00:28:31,560
Speaker 1: I right know, they just be trying to rap hell. Y'all,

550
00:28:31,640 --> 00:28:34,480
Speaker 1: y'all know my son. I know my son. My son

551
00:28:34,480 --> 00:28:37,160
Speaker 1: wouldn't do that. Okay, Yeah, she's gonna pa announcement.

552
00:28:37,160 --> 00:28:43,160
Speaker 2: They was like, also, today is Taco Tuesday in the cafeteria,

553
00:28:43,280 --> 00:28:48,600
Speaker 2: so don't forget. But no one's trying to listen to her.

554
00:28:49,360 --> 00:28:52,640
Speaker 2: She's saying it's all lies. There's you know, we don't

555
00:28:53,880 --> 00:28:57,720
Speaker 2: and at this point the crowd probably thinks she's either

556
00:28:57,760 --> 00:29:01,800
Speaker 2: covering up for him, in on it, or just doesn't

557
00:29:01,800 --> 00:29:03,280
Speaker 2: know what the hell she's talking about because no one

558
00:29:03,320 --> 00:29:03,960
Speaker 2: believes her.

559
00:29:04,040 --> 00:29:05,600
Speaker 1: She's not swaying anyone.

560
00:29:05,440 --> 00:29:08,440
Speaker 3: No, she's not. She hasn't built the trust. Like you know,

561
00:29:08,520 --> 00:29:11,760
Speaker 3: a lot of people are like, hey, do like your

562
00:29:11,800 --> 00:29:13,120
Speaker 3: family's got of shady.

563
00:29:13,080 --> 00:29:14,880
Speaker 2: Well because of the system that they built in the

564
00:29:14,960 --> 00:29:19,160
Speaker 2: Commonwealth being a class system and them being the upper class.

565
00:29:19,160 --> 00:29:21,160
Speaker 2: There's a lot of people that have it better than

566
00:29:21,160 --> 00:29:24,880
Speaker 2: they did outside the walls, but don't have it good.

567
00:29:25,120 --> 00:29:27,680
Speaker 2: And if you're talking about my loved one being missing,

568
00:29:28,120 --> 00:29:30,960
Speaker 2: it wouldn't matter how safe quote unquote this place is

569
00:29:31,800 --> 00:29:34,080
Speaker 2: people I love are missing and your son might have

570
00:29:34,080 --> 00:29:36,239
Speaker 2: had something to do with it. I'm willing to give

571
00:29:36,320 --> 00:29:38,160
Speaker 2: up the ice cream to find my fucking son.

572
00:29:38,240 --> 00:29:40,440
Speaker 1: That's the truth. Like, there's some shit people look the

573
00:29:40,480 --> 00:29:41,120
Speaker 1: other way, like.

574
00:29:41,080 --> 00:29:43,840
Speaker 2: If you if you know, if it's someone else's family,

575
00:29:43,840 --> 00:29:45,880
Speaker 2: there's somebody, But there's some of these people that are like, nah,

576
00:29:45,880 --> 00:29:47,160
Speaker 2: fuck that so right?

577
00:29:47,720 --> 00:29:48,080
Speaker 1: Uh?

578
00:29:48,120 --> 00:29:52,120
Speaker 2: In the crowd, Kelly asked Connie in sign language, is

579
00:29:52,160 --> 00:29:55,239
Speaker 2: this is this what we wanted? And Connie's like, this

580
00:29:55,280 --> 00:29:59,160
Speaker 2: is what change looks like. People still missing there somewhere

581
00:29:59,360 --> 00:30:03,120
Speaker 2: we not finna let off their nexus, and you know.

582
00:30:03,280 --> 00:30:05,360
Speaker 1: This is what change looked like. Like, yes, you're going

583
00:30:05,440 --> 00:30:07,880
Speaker 1: people protest, people gonna be angry when you put this

584
00:30:07,920 --> 00:30:10,840
Speaker 1: information out there. People have a right to interpret it

585
00:30:10,880 --> 00:30:11,600
Speaker 1: how they want to.

586
00:30:12,160 --> 00:30:14,480
Speaker 2: Hani's with the smoke, and we know that she has

587
00:30:14,560 --> 00:30:17,560
Speaker 2: a stubborn determination of a survivor because she survived that

588
00:30:17,640 --> 00:30:18,640
Speaker 2: whole season.

589
00:30:19,000 --> 00:30:19,880
Speaker 1: Out there by herself.

590
00:30:20,040 --> 00:30:22,360
Speaker 2: Yes she did, and she did not miss a step

591
00:30:22,360 --> 00:30:25,120
Speaker 2: when she came back. She's like, listen, I know what

592
00:30:25,160 --> 00:30:27,320
Speaker 2: it's like to be missing and how it drives people crazy.

593
00:30:27,360 --> 00:30:29,400
Speaker 2: Now Kelly doesn't like, I done got my sister back

594
00:30:29,640 --> 00:30:31,080
Speaker 2: while we kept about these missing people.

595
00:30:31,120 --> 00:30:32,680
Speaker 1: She's like, nah, fuck that right.

596
00:30:33,320 --> 00:30:37,600
Speaker 2: Magna looks a kind of concerned with her arms folded,

597
00:30:37,680 --> 00:30:39,120
Speaker 2: because Magna never.

598
00:30:38,960 --> 00:30:39,960
Speaker 1: Trusted this system.

599
00:30:40,040 --> 00:30:43,680
Speaker 2: She never trusted at the beginning she had she immediately

600
00:30:43,760 --> 00:30:45,880
Speaker 2: was like kind of lined up with the revolution.

601
00:30:46,560 --> 00:30:49,080
Speaker 1: She immediately was in the working class people.

602
00:30:49,720 --> 00:30:52,320
Speaker 2: So you know, I think she always was like this

603
00:30:52,440 --> 00:30:54,560
Speaker 2: place is some bullshit and the bitch is gonna come down,

604
00:30:54,960 --> 00:30:57,040
Speaker 2: which is kind of the theme of The Walking Dead.

605
00:30:57,680 --> 00:30:58,920
Speaker 1: Every society breaks down.

606
00:30:59,120 --> 00:31:04,000
Speaker 2: Yes, Sir Zeke up there with his newly healed surgery yelling,

607
00:31:04,520 --> 00:31:07,880
Speaker 2: you know, like you know, hell no, we won't go.

608
00:31:08,040 --> 00:31:11,320
Speaker 2: We won't justice deliver Sebastian. Then he comes over to

609
00:31:11,440 --> 00:31:16,440
Speaker 2: him and they start discussing should they leave or should

610
00:31:16,480 --> 00:31:20,760
Speaker 2: they stay. Rosita walks over as well, so they're like, look,

611
00:31:21,600 --> 00:31:23,160
Speaker 2: we need to get the fuck out of here because

612
00:31:23,160 --> 00:31:26,760
Speaker 2: this shit about to come down. And Rosita is remember

613
00:31:26,880 --> 00:31:30,320
Speaker 2: working in security with mercering them, but she ain't at

614
00:31:30,320 --> 00:31:33,560
Speaker 2: work right now, despite she's at this protest where shes

615
00:31:33,600 --> 00:31:36,479
Speaker 2: like the clock, which seems like a security risk if

616
00:31:36,520 --> 00:31:40,720
Speaker 2: you ask me. It's like the opposite of security. But yeah,

617
00:31:40,760 --> 00:31:44,480
Speaker 2: so she's she's like, we can discuss this later. We

618
00:31:44,560 --> 00:31:47,200
Speaker 2: just all need to like get back home and talk

619
00:31:47,240 --> 00:31:50,840
Speaker 2: about this, because they're like we should leave.

620
00:31:52,400 --> 00:31:53,920
Speaker 1: I think Zeke thinks they should leave.

621
00:31:54,000 --> 00:31:57,600
Speaker 2: But then like Rosita, Connie, Kelly, Magna, like we should

622
00:31:57,640 --> 00:31:59,120
Speaker 2: help these people get free.

623
00:31:59,720 --> 00:32:03,800
Speaker 3: Right, And also particularly for Magna, she was like, all

624
00:32:03,840 --> 00:32:06,280
Speaker 3: I ever did was run, Like I'm tired of running.

625
00:32:06,440 --> 00:32:08,240
Speaker 1: We need to stand up for something, right.

626
00:32:10,000 --> 00:32:15,160
Speaker 2: So then Mercer comes over to Rosita like from Mercer

627
00:32:15,160 --> 00:32:17,440
Speaker 2: and his troops come through, but not in like a

628
00:32:17,520 --> 00:32:20,680
Speaker 2: menacing way, but the presence of troops during a rally

629
00:32:20,760 --> 00:32:23,840
Speaker 2: is always menacing, all right. But he comes over, and

630
00:32:23,880 --> 00:32:25,800
Speaker 2: the reason I make a distinction because later you will

631
00:32:25,800 --> 00:32:28,240
Speaker 2: see some menacing troops. But he comes over kind of

632
00:32:28,280 --> 00:32:30,280
Speaker 2: like to see what the fuck is happening. He asked Rosita,

633
00:32:30,320 --> 00:32:32,480
Speaker 2: what you're doing out of uniform. She's like, it's a

634
00:32:32,520 --> 00:32:35,440
Speaker 2: personal day, and he was like, girl, not today.

635
00:32:35,440 --> 00:32:37,320
Speaker 1: Today is not a personal day. I need for you

636
00:32:37,400 --> 00:32:38,440
Speaker 1: to put your uniful moll.

637
00:32:38,880 --> 00:32:41,680
Speaker 2: She says, well, this is not my problem. This protest

638
00:32:41,680 --> 00:32:44,480
Speaker 2: is not my problem, and it's not yours either, and

639
00:32:44,640 --> 00:32:49,040
Speaker 2: he gets radio, and soone's like, we need you in processing,

640
00:32:49,560 --> 00:32:54,320
Speaker 2: and he tells Rosita, listen, suit up and I'm gonna

641
00:32:54,360 --> 00:32:56,320
Speaker 2: go to processing. But you need to go ahead and

642
00:32:56,360 --> 00:32:58,840
Speaker 2: get your trooper gear. You coming to work today.

643
00:33:00,040 --> 00:33:02,600
Speaker 1: Get ready to get on the clock. Right. Uh.

644
00:33:02,800 --> 00:33:06,960
Speaker 2: Inside the Governor's like you playing m h inside the

645
00:33:06,960 --> 00:33:10,120
Speaker 2: Governor's office in the town hall, Pamela Milton is still

646
00:33:10,120 --> 00:33:10,840
Speaker 2: on the intercom.

647
00:33:10,880 --> 00:33:14,640
Speaker 1: Now what's funny is in the scene you can tell.

648
00:33:15,360 --> 00:33:18,800
Speaker 2: She was supposed to be talking the whole time into

649
00:33:18,800 --> 00:33:22,920
Speaker 2: that intercom, but with the what we just witnessed on

650
00:33:22,960 --> 00:33:25,840
Speaker 2: the outside, we heard her, we never really hear her.

651
00:33:26,560 --> 00:33:28,440
Speaker 1: So my guess is the people are so mad.

652
00:33:28,560 --> 00:33:31,239
Speaker 2: You just can't find this here, like and it just

653
00:33:31,280 --> 00:33:34,200
Speaker 2: says something about the cognitive dissonance between the people in

654
00:33:34,320 --> 00:33:36,400
Speaker 2: power and the people on the street. That she's in

655
00:33:36,440 --> 00:33:39,800
Speaker 2: the intercom being like, my son did not do this.

656
00:33:39,960 --> 00:33:41,920
Speaker 2: We will get to the bottom of this. And on

657
00:33:41,960 --> 00:33:44,880
Speaker 2: the outside they're like, we won't justice, we don't know,

658
00:33:44,960 --> 00:33:48,680
Speaker 2: we won't go fuck you, you know, And and so it's

659
00:33:48,720 --> 00:33:50,760
Speaker 2: such a disconnect. She's basically wasting her time.

660
00:33:51,040 --> 00:33:55,400
Speaker 1: Yes she is, honey.

661
00:33:53,960 --> 00:33:57,360
Speaker 2: Eat rich right, Yeah, Uh, that's what they should they

662
00:33:57,400 --> 00:33:59,000
Speaker 2: need a burning character outside.

663
00:34:00,080 --> 00:34:01,440
Speaker 1: But yeah, so then she.

664
00:34:03,480 --> 00:34:09,840
Speaker 2: Max, oh beautiful Max comes over and hands Milton some

665
00:34:10,560 --> 00:34:13,960
Speaker 2: questions for citizens from citizens for her to answer on

666
00:34:14,000 --> 00:34:17,919
Speaker 2: the intercom, and you know they not. Ain't nobody listening

667
00:34:17,920 --> 00:34:19,640
Speaker 2: that shit. Matter of fact, we kind of cut away

668
00:34:19,680 --> 00:34:20,040
Speaker 2: from that.

669
00:34:20,200 --> 00:34:22,000
Speaker 3: Yeah, I was like that, you know, that's like you

670
00:34:22,120 --> 00:34:24,799
Speaker 3: going and we actually filter these questions. If we're gonna

671
00:34:24,960 --> 00:34:27,319
Speaker 3: use like the easiest questions and you know it's gonna

672
00:34:27,320 --> 00:34:29,359
Speaker 3: be unrelated to the shit that's happening.

673
00:34:29,239 --> 00:34:32,320
Speaker 2: I figure, Yeah, I wonder how they source the questions.

674
00:34:32,320 --> 00:34:35,000
Speaker 2: I also feel like, yeah, there would have been planned

675
00:34:35,040 --> 00:34:39,040
Speaker 2: almost like a town hall. But I think what would

676
00:34:39,080 --> 00:34:40,640
Speaker 2: have been funny is if they would have let us

677
00:34:40,640 --> 00:34:42,200
Speaker 2: hear a couple of questions and they would have had

678
00:34:42,280 --> 00:34:43,320
Speaker 2: nothing to do with the protest.

679
00:34:43,719 --> 00:34:45,560
Speaker 1: Of course, they would have had nothing to do it. Okay.

680
00:34:45,640 --> 00:34:50,680
Speaker 2: Question number one from citizen Jane m who says, will

681
00:34:50,760 --> 00:34:55,560
Speaker 2: there be tacos this Taco Tuesday? I'm glad you asked, Jane. Yes, yes,

682
00:34:56,360 --> 00:34:59,439
Speaker 2: we will be having tacos in the cafeteria as long

683
00:34:59,480 --> 00:35:03,600
Speaker 2: as everyone one politely, calmly leaves right now.

684
00:35:03,920 --> 00:35:06,560
Speaker 1: We'll put extra double meat in the cocos.

685
00:35:06,960 --> 00:35:10,399
Speaker 2: But if not, no one's getting tacos. Jane, Okay, let's

686
00:35:10,440 --> 00:35:11,400
Speaker 2: go to the next question.

687
00:35:11,520 --> 00:35:17,840
Speaker 3: Here's a question from John age twelve. Yes, the question

688
00:35:17,960 --> 00:35:22,360
Speaker 3: is will we be able to have basketballs now they're flat.

689
00:35:22,880 --> 00:35:23,840
Speaker 1: We're gonna address that.

690
00:35:24,040 --> 00:35:25,960
Speaker 3: We're gonna have the troopers go out and get you

691
00:35:26,040 --> 00:35:29,399
Speaker 3: some pumps, and we're gonna be sure that we pump

692
00:35:29,480 --> 00:35:30,040
Speaker 3: these balls.

693
00:35:30,080 --> 00:35:32,239
Speaker 1: He also ask a follow up question, what is my

694
00:35:32,360 --> 00:35:35,000
Speaker 1: favorite color? Oh my god, John.

695
00:35:35,800 --> 00:35:40,400
Speaker 2: Red, okay, thank you, Oh, this is so good.

696
00:35:40,440 --> 00:35:43,920
Speaker 1: But then had an NPR voice, So.

697
00:35:43,800 --> 00:35:46,120
Speaker 2: Then right, and that's how she's trying to calm the

698
00:35:46,120 --> 00:35:48,600
Speaker 2: crowd with the NPR voice. So it's not working because

699
00:35:48,760 --> 00:35:51,399
Speaker 2: their loved ones are missing and they think your son

700
00:35:51,480 --> 00:35:52,239
Speaker 2: did it right.

701
00:35:52,719 --> 00:35:56,960
Speaker 3: They don't care nothing about your soothing jazz voicemail.

702
00:35:57,160 --> 00:35:59,200
Speaker 2: There's no amount of calm down. It's gonna fix this.

703
00:36:00,280 --> 00:36:03,719
Speaker 2: So at any rate you Mua go and Max talk.

704
00:36:03,880 --> 00:36:08,000
Speaker 2: Max basically says I'm still down for this, because Uma

705
00:36:08,000 --> 00:36:10,200
Speaker 2: goes like, do you think Milton knows where her son

706
00:36:10,280 --> 00:36:10,720
Speaker 2: is hiding?

707
00:36:11,000 --> 00:36:12,120
Speaker 1: Max like, probably not.

708
00:36:12,239 --> 00:36:15,480
Speaker 2: Sebastian scared of his mama more than anybody else, And

709
00:36:16,360 --> 00:36:18,239
Speaker 2: I still want to keep going with the plot to

710
00:36:18,239 --> 00:36:21,040
Speaker 2: bring the Commonwealth down, and Umago says, then we're gonna

711
00:36:21,120 --> 00:36:21,560
Speaker 2: keep going.

712
00:36:22,800 --> 00:36:24,040
Speaker 1: We cut the processing.

713
00:36:24,280 --> 00:36:28,360
Speaker 2: Mercer is in there because the person that needs to

714
00:36:28,400 --> 00:36:29,680
Speaker 2: be processed is needing.

715
00:36:30,080 --> 00:36:30,839
Speaker 1: And he called for.

716
00:36:30,880 --> 00:36:34,960
Speaker 2: Mercer by name and said his friend April gave him

717
00:36:35,040 --> 00:36:39,800
Speaker 2: Mercer's name. Now I can't remember the significance of April.

718
00:36:39,840 --> 00:36:44,640
Speaker 2: I feel like April was like his sister. If I'm

719
00:36:44,640 --> 00:36:46,120
Speaker 2: not mistaken, well, I got max.

720
00:36:45,920 --> 00:36:57,279
Speaker 1: Sene is his sister, right, I don't remember. So, yeah,

721
00:36:57,320 --> 00:37:00,520
Speaker 1: I don't remember her like thing.

722
00:37:00,600 --> 00:37:04,640
Speaker 2: And I'm scared to google April because gonna tell me.

723
00:37:06,600 --> 00:37:09,840
Speaker 1: Yeah, it's just gonna be like, you know, April is

724
00:37:09,880 --> 00:37:12,520
Speaker 1: somebody else. Yeah, it's just gonna be like she got killed.

725
00:37:12,600 --> 00:37:15,480
Speaker 2: And I'm be like fuck uh So I'll just April

726
00:37:15,560 --> 00:37:17,520
Speaker 2: somebody that means something to him, because I.

727
00:37:17,440 --> 00:37:19,800
Speaker 1: Forget who she is. But April.

728
00:37:21,200 --> 00:37:24,520
Speaker 2: Said, but Mercers like, yeah, April, April sent me or

729
00:37:24,520 --> 00:37:25,080
Speaker 2: some ship.

730
00:37:24,920 --> 00:37:27,080
Speaker 1: And okay, they said she was the lady who died

731
00:37:27,080 --> 00:37:27,840
Speaker 1: getting the money.

732
00:37:28,600 --> 00:37:30,239
Speaker 2: Oh okay, all right, so she's one of the people

733
00:37:30,280 --> 00:37:34,319
Speaker 2: that okay, co co Coe. So then only people that

734
00:37:34,360 --> 00:37:37,399
Speaker 2: live in the Commonwealth would know Mercer would know about that,

735
00:37:37,480 --> 00:37:40,919
Speaker 2: correct so he's like, okay, who sent you?

736
00:37:41,600 --> 00:37:48,640
Speaker 1: And uh Meaghan basically says uh.

737
00:37:48,680 --> 00:37:52,920
Speaker 2: He deduces from the question because Mercers like, what you

738
00:37:53,000 --> 00:37:55,040
Speaker 2: know what happened in April? And He's like, well, I

739
00:37:55,120 --> 00:37:56,960
Speaker 2: know if you ask him like that, it can't be good.

740
00:37:57,480 --> 00:37:59,640
Speaker 2: And Nighan is like, I ran it to your boy

741
00:37:59,719 --> 00:38:02,280
Speaker 2: with the with the suit you know better call sawt

742
00:38:04,520 --> 00:38:07,200
Speaker 2: did and Mercer says, hey, can you go get on

743
00:38:07,239 --> 00:38:10,359
Speaker 2: some water? So all the guards leave the room.

744
00:38:10,080 --> 00:38:11,520
Speaker 1: And it's like you want to leave now?

745
00:38:11,560 --> 00:38:14,920
Speaker 2: He was like yes, now, so then they can talk freely,

746
00:38:15,680 --> 00:38:19,759
Speaker 2: and Mercer was like, what you really want. Nigga's like, listen,

747
00:38:19,880 --> 00:38:22,439
Speaker 2: Darryl sent me to get my people out of here,

748
00:38:22,560 --> 00:38:26,160
Speaker 2: and Mercy's like, you know, with the protocols and ship,

749
00:38:26,200 --> 00:38:27,840
Speaker 2: I can't just let you in here. It's in the

750
00:38:27,840 --> 00:38:31,440
Speaker 2: middle of fucking like emergency situation. And Nigga's like, if

751
00:38:31,440 --> 00:38:34,680
Speaker 2: nobody else is playing by the rules, why are you right?

752
00:38:35,400 --> 00:38:37,520
Speaker 2: And everybody else gets the fuck why why are you

753
00:38:37,600 --> 00:38:41,520
Speaker 2: the only person standing? Makes it's a fucking it's a

754
00:38:41,520 --> 00:38:45,720
Speaker 2: great point. So then we cut the Carol's apartment very clean,

755
00:38:45,800 --> 00:38:48,880
Speaker 2: she's cooking pancakes and baby's all there.

756
00:38:48,960 --> 00:38:52,000
Speaker 1: With the kids. You know, she the best babysitter ever, right,

757
00:38:57,960 --> 00:38:59,040
Speaker 1: so she's teaching.

758
00:38:59,440 --> 00:39:04,839
Speaker 2: Uh, he's like watching Judith, RJ. And Gracie because those

759
00:39:04,840 --> 00:39:06,720
Speaker 2: are they kids. They didn't send them to the school

760
00:39:06,719 --> 00:39:09,920
Speaker 2: today or whatever, so they gotta you know that. I

761
00:39:09,960 --> 00:39:11,839
Speaker 2: don't know if it's in preparation for the plan or what,

762
00:39:11,960 --> 00:39:14,760
Speaker 2: but she they know Carol is the ultimate.

763
00:39:14,360 --> 00:39:16,839
Speaker 1: Babysitter's treat it like a sick day.

764
00:39:17,400 --> 00:39:22,960
Speaker 2: So Judith is like, hey, why you got all these

765
00:39:22,960 --> 00:39:27,120
Speaker 2: surveillance photos of people that Kelly took just sitting out

766
00:39:27,320 --> 00:39:30,920
Speaker 2: and uh, Carol's like, so we can keep it eye

767
00:39:31,000 --> 00:39:33,320
Speaker 2: on everybody here and get to know the people and

768
00:39:33,320 --> 00:39:35,400
Speaker 2: who we could trust. And you can see they have

769
00:39:35,480 --> 00:39:37,839
Speaker 2: pictures of people that maybe they suspect are working for

770
00:39:37,920 --> 00:39:41,240
Speaker 2: Hornsby stuff like that, because Carol, of course is always

771
00:39:41,280 --> 00:39:42,400
Speaker 2: running counter surveillance.

772
00:39:42,680 --> 00:39:43,840
Speaker 1: That's what she do.

773
00:39:43,840 --> 00:39:45,759
Speaker 2: Don't let the fact she's sitting in there in the

774
00:39:45,800 --> 00:39:49,440
Speaker 2: sweater cooking pancakes for these kids make you think she

775
00:39:49,680 --> 00:39:51,360
Speaker 2: not also scoping out the scene.

776
00:39:51,520 --> 00:39:56,040
Speaker 1: Right, So Carol asked, uh.

777
00:39:56,840 --> 00:40:00,480
Speaker 2: If because oh, Judas is like, when when's everybody coming back?

778
00:40:01,200 --> 00:40:05,279
Speaker 2: And uh, Carol's like, why you miss Darryl's cooking, and

779
00:40:05,360 --> 00:40:07,759
Speaker 2: she's like, hell no. She started laughing, like, hell no,

780
00:40:07,880 --> 00:40:10,800
Speaker 2: he can't cook. He can't cook nothing but camp fire food.

781
00:40:10,800 --> 00:40:13,920
Speaker 2: You got some smores up in this bitch, JM. I

782
00:40:14,120 --> 00:40:16,960
Speaker 2: like yo cooking. And Grace's like, well, my daddn't know

783
00:40:17,000 --> 00:40:20,920
Speaker 2: how to cook wherever he at. Okay, I believe it

784
00:40:21,000 --> 00:40:23,040
Speaker 2: her daddy. He gotta put his foot in it is.

785
00:40:23,080 --> 00:40:24,160
Speaker 2: He can't put his hand in.

786
00:40:24,360 --> 00:40:25,800
Speaker 1: Right, It's gonna get done.

787
00:40:26,600 --> 00:40:29,799
Speaker 2: Carol looks outside at the people walking to the protest

788
00:40:30,280 --> 00:40:32,320
Speaker 2: and then happens to see a couple of people walking

789
00:40:32,480 --> 00:40:35,640
Speaker 2: the other way towards her apartment, and they look like

790
00:40:36,160 --> 00:40:39,960
Speaker 2: from surveillance, must be some of Hornsby's people. She packs

791
00:40:40,000 --> 00:40:42,520
Speaker 2: all the kids picks, she packs all the pictures up

792
00:40:42,920 --> 00:40:45,719
Speaker 2: that are surveillance and says, hey, we're gonna play the

793
00:40:45,800 --> 00:40:46,319
Speaker 2: quiet game.

794
00:40:47,040 --> 00:40:50,840
Speaker 3: Child. The kids know protocol and child, you know Judith

795
00:40:50,920 --> 00:40:54,160
Speaker 3: is a GYNDI. She like, child, you ain't gotta say

796
00:40:54,160 --> 00:40:56,440
Speaker 3: nothing but the word should. I'm surprised she'd been like,

797
00:40:56,440 --> 00:40:57,160
Speaker 3: what my weapon?

798
00:40:57,600 --> 00:40:59,120
Speaker 1: Right? Where's my sword?

799
00:40:59,640 --> 00:41:04,360
Speaker 2: So they hide from the agent's The agents search the apartment.

800
00:41:05,040 --> 00:41:07,600
Speaker 2: They give up after a little while, but not before

801
00:41:07,600 --> 00:41:10,759
Speaker 2: they see a picture of the kids with Darryl RJ

802
00:41:10,920 --> 00:41:13,480
Speaker 2: and uh who was unefrigerated with it. Yeah, RJ and Judith.

803
00:41:13,840 --> 00:41:16,880
Speaker 2: So one of the agents like, oh, they probably at

804
00:41:16,880 --> 00:41:19,760
Speaker 2: the school. Let's go check on the school. See, meaning

805
00:41:20,080 --> 00:41:24,680
Speaker 2: once again horns these people not above taking your motherfucking kids, right,

806
00:41:24,880 --> 00:41:27,040
Speaker 2: because what else are they gonna do if they they're

807
00:41:27,080 --> 00:41:29,480
Speaker 2: not looking for Carol at that point, they're looking for

808
00:41:29,520 --> 00:41:30,120
Speaker 2: the kids.

809
00:41:30,520 --> 00:41:32,360
Speaker 1: If they go to the school and find the kids.

810
00:41:33,160 --> 00:41:35,279
Speaker 2: And this is all off of them just hearing the

811
00:41:35,400 --> 00:41:39,160
Speaker 2: name Daryl Dixon on the broadcast, Like they don't.

812
00:41:38,920 --> 00:41:40,920
Speaker 1: Even know what happened. Dude could have been writing in

813
00:41:41,080 --> 00:41:43,760
Speaker 1: calling in to be like Daryl Dixon got hurt. They don't.

814
00:41:43,760 --> 00:41:45,040
Speaker 1: They're like, nope, something up.

815
00:41:45,520 --> 00:41:50,120
Speaker 2: So at any rate, they go to the school to

816
00:41:50,239 --> 00:41:53,240
Speaker 2: find the kids. In the middle of town square, Jerry

817
00:41:53,280 --> 00:41:57,040
Speaker 2: walks up on Meagan very conveniently. Meigan has been let

818
00:41:57,080 --> 00:42:00,719
Speaker 2: in by mercer. Meigan says, look, I'm here to save

819
00:42:00,880 --> 00:42:01,560
Speaker 2: y'all asses.

820
00:42:02,600 --> 00:42:02,920
Speaker 1: Nigga.

821
00:42:03,239 --> 00:42:06,200
Speaker 3: Nigga walked through that like he got an express processing

822
00:42:06,280 --> 00:42:07,120
Speaker 3: for the past point.

823
00:42:07,160 --> 00:42:09,520
Speaker 1: He They was like, oh, we go up your jobs

824
00:42:09,520 --> 00:42:11,400
Speaker 1: for free, come on through. Yeah, he had t s

825
00:42:11,520 --> 00:42:14,319
Speaker 1: a pre chat. Yes he did. He had clear.

826
00:42:15,960 --> 00:42:18,839
Speaker 2: So Jerry's like, yeah, I'll take you to Carroll. They

827
00:42:18,840 --> 00:42:21,279
Speaker 2: go to Carol's kid. She's packed the kids up for

828
00:42:21,320 --> 00:42:24,120
Speaker 2: a little adventure. Uh that's literally what she said.

829
00:42:24,120 --> 00:42:25,080
Speaker 1: We're going a little adventure.

830
00:42:25,120 --> 00:42:27,319
Speaker 2: They all got they like to go, packs on and

831
00:42:27,320 --> 00:42:30,799
Speaker 2: ship they go. Everybody got go bags and Jerry Niga

832
00:42:30,880 --> 00:42:33,399
Speaker 2: knock on the door. Nigga says, turns out you were right.

833
00:42:33,440 --> 00:42:35,120
Speaker 2: I should have stayed in there. Goddamn cabin.

834
00:42:35,239 --> 00:42:37,560
Speaker 1: Hilarious, Yes, they spoke.

835
00:42:37,840 --> 00:42:40,719
Speaker 2: Nigga reveals that Hornsby will use the kids to draw

836
00:42:40,760 --> 00:42:43,680
Speaker 2: their people out because he tried it with Herschel and Maggie.

837
00:42:43,840 --> 00:42:46,879
Speaker 2: He asked Jerry to keep the I'm sorry. Carol asked

838
00:42:46,920 --> 00:42:49,480
Speaker 2: Jerry to keep the kids in an attic that stocked

839
00:42:49,520 --> 00:42:51,080
Speaker 2: with supplies, just because they've.

840
00:42:50,920 --> 00:42:51,640
Speaker 1: Been ready for this.

841
00:42:52,440 --> 00:42:56,040
Speaker 2: And she says, tell everybody be ready to move on

842
00:42:56,120 --> 00:42:59,840
Speaker 2: my signal. She switched right into commander mode. And Carol says, me,

843
00:42:59,880 --> 00:43:03,000
Speaker 2: and we gonna get some insurance for our escape plan.

844
00:43:04,400 --> 00:43:05,880
Speaker 1: Uh. Oh uh.

845
00:43:06,440 --> 00:43:11,719
Speaker 3: To go back to when they were looking if I'm

846
00:43:11,760 --> 00:43:13,640
Speaker 3: not mistake of the same thing, where they was looking around.

847
00:43:14,920 --> 00:43:17,239
Speaker 3: Karen was on the outside of the fire escape.

848
00:43:17,719 --> 00:43:20,160
Speaker 1: Yeah. She was hanging outside the window with a knife.

849
00:43:20,280 --> 00:43:23,440
Speaker 3: Yeah, and the wonder person got closer she had I

850
00:43:23,680 --> 00:43:25,120
Speaker 3: was like, oh, child, you up and at that thing,

851
00:43:25,160 --> 00:43:26,400
Speaker 3: you don't get fucked up.

852
00:43:26,520 --> 00:43:27,560
Speaker 1: Like a g gangster.

853
00:43:27,880 --> 00:43:30,920
Speaker 2: That's a great point in the town hall, people confront

854
00:43:30,960 --> 00:43:35,080
Speaker 2: Pamela Milton about hiding her son like Drake, and when

855
00:43:36,200 --> 00:43:40,000
Speaker 2: they get riled up because they see her like coming

856
00:43:40,000 --> 00:43:41,920
Speaker 2: down the stairs. She got a new dude that's like

857
00:43:41,960 --> 00:43:44,160
Speaker 2: a black dude that's headed her secret service and know

858
00:43:44,200 --> 00:43:46,480
Speaker 2: where he come from. And he's not good at it,

859
00:43:46,560 --> 00:43:50,000
Speaker 2: Like he's not intimidating, he doesn't have armor, he's wearing

860
00:43:50,040 --> 00:43:51,040
Speaker 2: like a black suit.

861
00:43:51,800 --> 00:43:54,800
Speaker 1: But at any rate, the people get riled up, they're like,

862
00:43:54,840 --> 00:43:55,799
Speaker 1: your son did it?

863
00:43:55,880 --> 00:44:00,040
Speaker 2: Where my fucking loved ones and shit her up and

864
00:43:59,320 --> 00:44:02,000
Speaker 2: she and Pamela Milton is shrinking in the moment. She

865
00:44:02,040 --> 00:44:05,399
Speaker 2: can't get control of it, and so Yumico comes over

866
00:44:05,560 --> 00:44:09,440
Speaker 2: and calms everyone down with a leadership speech. Yes, and

867
00:44:09,440 --> 00:44:13,319
Speaker 2: the thing about Umico is she kind of related to

868
00:44:13,360 --> 00:44:15,520
Speaker 2: the people. She didn't treat them like a bir She

869
00:44:15,640 --> 00:44:18,319
Speaker 2: was like, I literally wanted you. And it was one

870
00:44:18,320 --> 00:44:24,359
Speaker 2: of those things where for the Milton Miss Milton. For her,

871
00:44:24,880 --> 00:44:27,319
Speaker 2: it was like she was very souf spoken. She didn't

872
00:44:27,320 --> 00:44:29,040
Speaker 2: know how to really take control and she didn't really

873
00:44:29,120 --> 00:44:30,200
Speaker 2: know how to relate to the people.

874
00:44:30,239 --> 00:44:32,680
Speaker 1: And you could tell, Yeah, Umico came down the steps

875
00:44:32,719 --> 00:44:33,560
Speaker 1: like I have a.

876
00:44:33,600 --> 00:44:37,360
Speaker 2: Dream, yes, and they was just started listening. She was like,

877
00:44:37,560 --> 00:44:40,360
Speaker 2: we're gonna find out what happened. We're gonna update you

878
00:44:40,440 --> 00:44:41,960
Speaker 2: with every step of the process.

879
00:44:42,280 --> 00:44:43,000
Speaker 1: And it works.

880
00:44:43,520 --> 00:44:45,719
Speaker 2: And this was after security had been like, y'all don't

881
00:44:45,760 --> 00:44:47,680
Speaker 2: get from around here, and everybody's like nigga or what

882
00:44:48,920 --> 00:44:53,320
Speaker 2: Milton based Milton shrink and then Umico calls calms her down.

883
00:44:53,440 --> 00:44:56,960
Speaker 2: But after the people leave, Milton comes over to Umico

884
00:44:57,080 --> 00:45:00,400
Speaker 2: and applies, well, I know your little friend and the

885
00:45:00,520 --> 00:45:06,000
Speaker 2: journalist wrote that piece probably, and so what's up with

886
00:45:06,080 --> 00:45:08,880
Speaker 2: that basically, And what it made me think is, I

887
00:45:08,920 --> 00:45:11,239
Speaker 2: wonder if Pamelas just felt the writing on the wall

888
00:45:11,280 --> 00:45:12,480
Speaker 2: can kind of see what's happening.

889
00:45:13,560 --> 00:45:16,000
Speaker 1: She is possibly about to lose power is.

890
00:45:16,040 --> 00:45:21,080
Speaker 2: Very tenuous, correct, And Miko Umko just stepped up right

891
00:45:21,200 --> 00:45:23,960
Speaker 2: and they listened to her in the middle of this crisis,

892
00:45:24,000 --> 00:45:26,279
Speaker 2: and she related to the people in a way that

893
00:45:26,560 --> 00:45:31,120
Speaker 2: the Miltons duck can't at this point right. So outside

894
00:45:31,280 --> 00:45:33,560
Speaker 2: people still mad though, so they got out the lobby.

895
00:45:33,560 --> 00:45:36,440
Speaker 1: But outside people was like down with the Miltons, and

896
00:45:36,480 --> 00:45:37,480
Speaker 1: they see.

897
00:45:38,600 --> 00:45:41,799
Speaker 2: Pamela like being escorted out by the Secret Service into

898
00:45:41,840 --> 00:45:45,239
Speaker 2: an arm vehicle where she's driven off. But the whole

899
00:45:45,239 --> 00:45:47,799
Speaker 2: time I kept thinking, like, man, you could tell life

900
00:45:47,880 --> 00:45:49,719
Speaker 2: is good for these people because they saw his room

901
00:45:49,760 --> 00:45:54,400
Speaker 2: temperature butter, because she was right there, y'all could have

902
00:45:54,440 --> 00:45:57,520
Speaker 2: threw rocks. Y'all could have did something right, but y'all didn't.

903
00:45:57,600 --> 00:45:59,880
Speaker 2: Y'all really just was like, come on, man, you know,

904
00:46:00,800 --> 00:46:05,160
Speaker 2: give me upsets, give me my son back, please. Milton

905
00:46:05,160 --> 00:46:08,400
Speaker 2: gets on alwaukie talkie in the armored car and says,

906
00:46:08,840 --> 00:46:12,560
Speaker 2: BE fourteen do it right away. As she's driven off

907
00:46:12,640 --> 00:46:15,879
Speaker 2: in an armored car. I'll get to what I think

908
00:46:15,920 --> 00:46:21,160
Speaker 2: BE fourteen is right. So Magna meets umic O in

909
00:46:21,239 --> 00:46:21,800
Speaker 2: a park.

910
00:46:22,040 --> 00:46:24,319
Speaker 1: They sit on the bench. Uma goes like, this is

911
00:46:24,360 --> 00:46:24,879
Speaker 1: really me.

912
00:46:25,000 --> 00:46:29,080
Speaker 2: Warning y'all that she knows Milton knows Connie did that shit.

913
00:46:30,000 --> 00:46:33,520
Speaker 2: And you was right, Magna, you always thought this was

914
00:46:33,560 --> 00:46:36,880
Speaker 2: some bullshit, and I'm gonna help get.

915
00:46:36,760 --> 00:46:37,480
Speaker 1: Y'all out of here.

916
00:46:37,760 --> 00:46:42,400
Speaker 2: And of course Connie's like, I mean. Magna's like, you

917
00:46:42,480 --> 00:46:43,800
Speaker 2: mean we gonna get.

918
00:46:43,640 --> 00:46:47,080
Speaker 1: Out of here, and uh.

919
00:46:47,080 --> 00:46:49,160
Speaker 2: Uma goes like, no, I'm gonna stay because I got

920
00:46:49,239 --> 00:46:52,600
Speaker 2: to support my brother Tommy. And Magna's like, either we

921
00:46:52,640 --> 00:46:56,759
Speaker 2: all leave or nobody's leaving, and Uma goes like you stubborn.

922
00:46:56,840 --> 00:46:59,040
Speaker 2: And they used to date. So Magna's like, that's one

923
00:46:59,080 --> 00:47:04,560
Speaker 2: of the things you liked about. But assuming Magnet's gonna

924
00:47:04,600 --> 00:47:06,879
Speaker 2: go tell Connie over the intercom.

925
00:47:07,239 --> 00:47:08,440
Speaker 1: You get in the park.

926
00:47:08,640 --> 00:47:11,319
Speaker 2: You hear as they're sitting there, they get interrupted by

927
00:47:11,480 --> 00:47:15,239
Speaker 2: order to lock down. It's like, guys, we need to

928
00:47:15,280 --> 00:47:18,520
Speaker 2: lock down. We got emergency water order. There's a herd

929
00:47:18,520 --> 00:47:22,440
Speaker 2: of walker's five miles outside the city and it's the

930
00:47:22,480 --> 00:47:25,080
Speaker 2: head of secret security. He comes out of the town

931
00:47:25,120 --> 00:47:28,000
Speaker 2: hall with a megaphone like listen, everybody go home.

932
00:47:28,520 --> 00:47:30,120
Speaker 1: Walkers are coming. Street lights.

933
00:47:30,200 --> 00:47:32,840
Speaker 2: Okay, if you outside out the street lights, you getting

934
00:47:32,840 --> 00:47:36,880
Speaker 2: the whooping. We look for your own safety. Boom, And

935
00:47:36,960 --> 00:47:41,200
Speaker 2: I was like they weren't like boo. They started going on, yeah, initiat,

936
00:47:41,280 --> 00:47:45,080
Speaker 2: these niggas is soft, okay, yes, initially yes, they was

937
00:47:45,120 --> 00:47:47,719
Speaker 2: like you know what, yes, yes, let's go home. And

938
00:47:48,040 --> 00:47:51,480
Speaker 2: I was thinking, hmmm, this sounds like they wouldn't heard it,

939
00:47:51,480 --> 00:47:53,960
Speaker 2: and walkers so people to go in.

940
00:47:54,280 --> 00:47:55,600
Speaker 1: There's two things here.

941
00:47:55,680 --> 00:48:00,480
Speaker 2: One, I like the idea of a community treating walkers

942
00:48:00,560 --> 00:48:03,160
Speaker 2: like a natural disaster. We've covered this several times throughout

943
00:48:03,200 --> 00:48:05,200
Speaker 2: the walking down, but it's actually really smart.

944
00:48:05,320 --> 00:48:07,200
Speaker 1: Hurd of walkers should be treated like a hurricane.

945
00:48:07,360 --> 00:48:09,880
Speaker 2: Yes, and you know they start putting out the hurricane

946
00:48:09,880 --> 00:48:10,720
Speaker 2: protections and everything.

947
00:48:10,760 --> 00:48:12,719
Speaker 1: And there's but.

948
00:48:14,160 --> 00:48:20,480
Speaker 2: Very convenient timing that would fuel conspiracies because as unrest

949
00:48:20,560 --> 00:48:26,239
Speaker 2: is happening, as you're zeroing in on the leadership protecting

950
00:48:27,040 --> 00:48:31,920
Speaker 2: the one percent essentially that you think has been responsible

951
00:48:31,920 --> 00:48:35,040
Speaker 2: for all these people going missing, all of a sudden

952
00:48:35,320 --> 00:48:37,400
Speaker 2: convenient herd of walkers.

953
00:48:36,960 --> 00:48:39,920
Speaker 1: And we have to be locked down right and in

954
00:48:40,000 --> 00:48:40,480
Speaker 1: the house.

955
00:48:40,520 --> 00:48:43,560
Speaker 2: And shit, that's what I think when she said B fourteen,

956
00:48:43,719 --> 00:48:47,520
Speaker 2: I think B fourteen isn't code for let's have a lockdown.

957
00:48:47,600 --> 00:48:50,440
Speaker 1: It's hey, initiate the plan to let.

958
00:48:50,400 --> 00:48:53,719
Speaker 2: Out a group of walkers come towards the city, and

959
00:48:54,239 --> 00:48:57,080
Speaker 2: then we use that as an excuse to quell the

960
00:48:57,239 --> 00:48:59,640
Speaker 2: unrest and calm shit down.

961
00:49:00,080 --> 00:49:02,080
Speaker 3: Yeah, that shit on't the last temporarily, and after you

962
00:49:02,160 --> 00:49:04,120
Speaker 3: kill them, I was gonna start it's people gonna be

963
00:49:04,160 --> 00:49:05,040
Speaker 3: back at it again.

964
00:49:04,960 --> 00:49:08,239
Speaker 2: And because they're missing loved ones, there's nothing you might

965
00:49:08,239 --> 00:49:11,080
Speaker 2: have bought yourself a little bit of time, but in general,

966
00:49:11,160 --> 00:49:12,120
Speaker 2: people ready to risk it.

967
00:49:12,160 --> 00:49:13,000
Speaker 1: All of that. You know.

968
00:49:13,160 --> 00:49:16,560
Speaker 2: Now, maybe we'll talk later about about it, and I

969
00:49:16,560 --> 00:49:18,439
Speaker 2: could see maybe it play it out a different way,

970
00:49:18,560 --> 00:49:20,440
Speaker 2: But it depends on if you got the hard to

971
00:49:20,440 --> 00:49:22,880
Speaker 2: do it. And I think this whole town is soft,

972
00:49:22,960 --> 00:49:24,320
Speaker 2: including the security people.

973
00:49:24,960 --> 00:49:25,640
Speaker 1: They soft.

974
00:49:25,680 --> 00:49:28,399
Speaker 2: They not really about to do what it would take

975
00:49:28,480 --> 00:49:35,480
Speaker 2: to really squash this whole thing. So anyway, the Jerry

976
00:49:35,600 --> 00:49:39,320
Speaker 2: and the kids and this is all like the timing

977
00:49:39,360 --> 00:49:40,439
Speaker 2: gets kind of weird here.

978
00:49:40,800 --> 00:49:41,960
Speaker 1: I'll get into that in a second.

979
00:49:42,280 --> 00:49:45,720
Speaker 2: But Jerry and the kids are chased by Hornsby's secret

980
00:49:45,719 --> 00:49:48,239
Speaker 2: agents that came to the apartment. But they get some

981
00:49:48,239 --> 00:49:50,960
Speaker 2: people to run interference for them to stop the people

982
00:49:51,000 --> 00:49:54,880
Speaker 2: from chasing them, and they go and hide up a

983
00:49:54,880 --> 00:49:57,480
Speaker 2: fire escape and.

984
00:49:56,880 --> 00:50:00,000
Speaker 1: The people like just a near miss. The people don't

985
00:50:00,040 --> 00:50:01,280
Speaker 1: find them essentially.

986
00:50:01,080 --> 00:50:05,399
Speaker 3: Right, They chased them like a RPG player when you're

987
00:50:05,480 --> 00:50:07,040
Speaker 3: like in a call of due this something like that,

988
00:50:07,080 --> 00:50:10,200
Speaker 3: and somebody walks up, get real close and then almost

989
00:50:10,200 --> 00:50:11,759
Speaker 3: resets and then just go back where the.

990
00:50:11,760 --> 00:50:14,120
Speaker 1: Hell they came from. Yeah, it was yeah, it was

991
00:50:14,160 --> 00:50:15,400
Speaker 1: like they glitched out or something.

992
00:50:15,520 --> 00:50:18,480
Speaker 2: Yes, and the but it was just like a simple

993
00:50:18,520 --> 00:50:19,520
Speaker 2: way to have them escape.

994
00:50:19,520 --> 00:50:20,759
Speaker 1: That's really what they needed him to do.

995
00:50:21,560 --> 00:50:23,799
Speaker 2: Niagan and Carol break into the city planning office to

996
00:50:23,840 --> 00:50:27,640
Speaker 2: find blueprints for the Union Station, because she says, Hey,

997
00:50:27,920 --> 00:50:31,359
Speaker 2: the dude was in the Union Station, which is their

998
00:50:31,360 --> 00:50:35,120
Speaker 2: city hall when the protest broke out, looking for ain't

999
00:50:35,160 --> 00:50:37,359
Speaker 2: nobody seeing them outside. We think he's hot. I think

1000
00:50:37,400 --> 00:50:40,040
Speaker 2: he's hiding somewhere here. Blueprints will help us find him.

1001
00:50:40,680 --> 00:50:43,560
Speaker 2: Nagan tells her, I got married, I got a wife.

1002
00:50:43,640 --> 00:50:46,440
Speaker 2: He didn't tell us she was black though, maybe he

1003
00:50:46,440 --> 00:50:48,040
Speaker 2: didn't want a stunt and be like she also a

1004
00:50:48,040 --> 00:50:48,919
Speaker 2: gorgeous black woman.

1005
00:50:49,000 --> 00:50:51,319
Speaker 1: I know you into this world. Okay, you and Zeke.

1006
00:50:52,560 --> 00:50:55,040
Speaker 2: Maybe we should get get everybody together, go out for dinner.

1007
00:50:55,239 --> 00:50:58,680
Speaker 2: But they extremely progressive white people. But at any rate,

1008
00:50:59,520 --> 00:51:03,000
Speaker 2: Carol basically understands that he's worried about his wife.

1009
00:51:03,040 --> 00:51:06,000
Speaker 1: She reassures him that he'll be okay. Jerry.

1010
00:51:06,360 --> 00:51:07,959
Speaker 2: Oh, I already said that Jerry and the kids okay.

1011
00:51:07,960 --> 00:51:11,480
Speaker 2: So then Rosita and Mercer go on patrol with the

1012
00:51:11,520 --> 00:51:14,440
Speaker 2: rest of the troopers to try to kill.

1013
00:51:14,520 --> 00:51:15,200
Speaker 1: The walker herd.

1014
00:51:15,280 --> 00:51:18,040
Speaker 2: So they're going outside the wall to stop these walkers, right,

1015
00:51:19,000 --> 00:51:21,760
Speaker 2: Carol and Meagan find Sebashian in the head and compartment

1016
00:51:21,840 --> 00:51:23,680
Speaker 2: sleeping on the cot the yolk his ass up.

1017
00:51:23,719 --> 00:51:27,360
Speaker 1: He reaches for a gun. He's like, what do you want?

1018
00:51:27,520 --> 00:51:29,120
Speaker 1: And uh.

1019
00:51:29,280 --> 00:51:32,640
Speaker 2: When Meagan like stops him from grabbing a gun, he goes,

1020
00:51:32,680 --> 00:51:35,480
Speaker 2: do you know who I am? And Nigan goes, oh,

1021
00:51:35,640 --> 00:51:38,160
Speaker 2: do you know who I am? And I'll just start laughing.

1022
00:51:38,239 --> 00:51:42,040
Speaker 2: It's like, yeah, you don't want to know. Carol says, look,

1023
00:51:42,080 --> 00:51:44,360
Speaker 2: I'm taking you to your mama. He's like, nah, fuck that,

1024
00:51:44,440 --> 00:51:49,520
Speaker 2: and she she's like, uh. Meigan says, listen, I'm sorry, no, no, no.

1025
00:51:49,560 --> 00:51:53,880
Speaker 2: Sebastia says, my mom don't care about me. She's like, nigga,

1026
00:51:53,880 --> 00:51:57,680
Speaker 2: that's show mama, right. He's like, Commonwealth is her kid.

1027
00:51:57,719 --> 00:51:59,560
Speaker 2: I'm just a prop. And Meigan just laughs at this

1028
00:51:59,560 --> 00:52:03,399
Speaker 2: sporting title bullshit, and he was like, listen, if Carol is.

1029
00:52:04,080 --> 00:52:07,799
Speaker 1: Giving you an out, child, you better take it. Take it.

1030
00:52:07,960 --> 00:52:10,359
Speaker 2: She giving you a life raft. I don't watch this

1031
00:52:10,400 --> 00:52:13,720
Speaker 2: woman kill so many people. She could have just walked

1032
00:52:13,719 --> 00:52:15,400
Speaker 2: in here and killed Joe ass and been like I

1033
00:52:15,440 --> 00:52:17,040
Speaker 2: found your son and brought your head back.

1034
00:52:17,520 --> 00:52:21,120
Speaker 1: Cobo, just fucking do what she says. She take out anybody.

1035
00:52:21,200 --> 00:52:23,360
Speaker 1: She take out the kids, you take out the adults.

1036
00:52:23,680 --> 00:52:25,560
Speaker 1: Don't carol. Right.

1037
00:52:25,880 --> 00:52:31,320
Speaker 2: So then in town square after the curfew, people are mourning.

1038
00:52:31,640 --> 00:52:33,960
Speaker 1: They're missing family members with a candle like vigil.

1039
00:52:35,680 --> 00:52:39,319
Speaker 2: And what I think is interesting about this is that

1040
00:52:39,400 --> 00:52:42,480
Speaker 2: it's definitely nighttime because it's after curfew and they're not

1041
00:52:42,480 --> 00:52:45,640
Speaker 2: supposed to be out. Later we will cut to Mercer

1042
00:52:45,640 --> 00:52:48,839
Speaker 2: and Rosita outside the walls and it's daytime. So I

1043
00:52:48,880 --> 00:52:52,040
Speaker 2: don't know if they're saying it took them all day

1044
00:52:52,680 --> 00:52:55,040
Speaker 2: to get outside the gates and they were actually fighting

1045
00:52:55,040 --> 00:52:57,560
Speaker 2: the zombies the next day, or if they just got

1046
00:52:57,560 --> 00:53:00,839
Speaker 2: the timing messed up in the episode where these things

1047
00:53:00,840 --> 00:53:03,680
Speaker 2: were happening simultaneously and they just kind of forgot that,

1048
00:53:03,719 --> 00:53:05,680
Speaker 2: Oh we filmed this one scene at night, and this

1049
00:53:05,800 --> 00:53:08,000
Speaker 2: one scene that's happening in broad daylight. I don't know,

1050
00:53:08,040 --> 00:53:10,560
Speaker 2: it doesn't really matter, but I just wanted to point

1051
00:53:10,560 --> 00:53:11,759
Speaker 2: it out something I.

1052
00:53:11,680 --> 00:53:15,080
Speaker 1: Noticed in town square.

1053
00:53:15,280 --> 00:53:18,000
Speaker 2: Like I said, the mourners are there, and they said,

1054
00:53:18,000 --> 00:53:21,880
Speaker 2: we not moving til Sebastia is broad outside. The troops

1055
00:53:22,120 --> 00:53:25,440
Speaker 2: get into battle formation. And the reason I think thing

1056
00:53:25,560 --> 00:53:28,080
Speaker 2: the scene worked for me is that I believe if

1057
00:53:28,520 --> 00:53:31,759
Speaker 2: a convenient heard happened and a lockdown happened when I

1058
00:53:31,800 --> 00:53:34,840
Speaker 2: was protesting for my loved one, I also would be

1059
00:53:34,880 --> 00:53:38,120
Speaker 2: outside still, like, man, fuck a curfew, fuck a lockdown,

1060
00:53:38,640 --> 00:53:41,000
Speaker 2: bring this nigga outside, y'all want us all to be

1061
00:53:41,040 --> 00:53:43,680
Speaker 2: inside so y'all can help them escape or some shit.

1062
00:53:44,280 --> 00:53:46,959
Speaker 2: I'm not taking my off of this fucking place because

1063
00:53:47,000 --> 00:53:49,080
Speaker 2: then tomorrow when we come out, y'all gonna be like,

1064
00:53:49,120 --> 00:53:53,320
Speaker 2: I don't know what happened. Correct, So it made sense

1065
00:53:53,960 --> 00:53:58,719
Speaker 2: Naghan and Carol see this confrontation happening because the head

1066
00:53:58,719 --> 00:54:00,680
Speaker 2: of secret Service comes in. It's like, we got a

1067
00:54:00,719 --> 00:54:04,200
Speaker 2: problem to missus Henderson, whoever that is. You're like, we

1068
00:54:04,239 --> 00:54:08,040
Speaker 2: got a situation, and he now has his troops and

1069
00:54:08,120 --> 00:54:11,560
Speaker 2: they spread out like they ready to fucking like fight,

1070
00:54:12,080 --> 00:54:15,240
Speaker 2: you know. So then Niagan and Carol try to sneak

1071
00:54:15,280 --> 00:54:18,800
Speaker 2: Sebastian out, but this random dude walking down the street

1072
00:54:18,880 --> 00:54:21,920
Speaker 2: recognize the Sebastian in a hoodie, which I love this

1073
00:54:22,120 --> 00:54:25,400
Speaker 2: because this never happens on TV shows. It's always like

1074
00:54:25,680 --> 00:54:29,200
Speaker 2: if you wear a hat or hoodie, suddenly if you're invisible,

1075
00:54:30,160 --> 00:54:32,759
Speaker 2: like they was like no, and this dude's like, wait

1076
00:54:32,800 --> 00:54:36,279
Speaker 2: a minute, that's Sebastian. That's a Bastian who niggas like,

1077
00:54:36,320 --> 00:54:38,320
Speaker 2: don't worry, I got it, and he tries to stop

1078
00:54:38,400 --> 00:54:41,959
Speaker 2: the dude, but then one of the troopers knocks Niagan down,

1079
00:54:42,880 --> 00:54:47,200
Speaker 2: hitting him in the back of the head, and uh,

1080
00:54:47,520 --> 00:54:50,399
Speaker 2: the head of security Secret Service dude in all black

1081
00:54:50,560 --> 00:54:53,759
Speaker 2: is like, shut up and listen, y'all shut the fuck up.

1082
00:54:53,840 --> 00:54:54,880
Speaker 1: Everybody shuts up.

1083
00:54:55,320 --> 00:54:58,719
Speaker 2: Because these niggas are soft. Okay, these people have had

1084
00:54:58,719 --> 00:55:00,840
Speaker 2: it nice. You would a pro test, someone tell you

1085
00:55:00,920 --> 00:55:03,160
Speaker 2: to shut up, you do it. That's the opposite of

1086
00:55:03,160 --> 00:55:06,719
Speaker 2: a protest. But okay, they're so quiet they actually hear

1087
00:55:06,760 --> 00:55:09,759
Speaker 2: the zombies outside. So now the conspiratorial part of it

1088
00:55:09,800 --> 00:55:12,720
Speaker 2: is like, wait, there really are zombies.

1089
00:55:12,320 --> 00:55:14,239
Speaker 1: Outside, right, Like they ain't fucking with us.

1090
00:55:14,280 --> 00:55:16,480
Speaker 2: I would imagine up to this point they were like,

1091
00:55:16,560 --> 00:55:19,920
Speaker 2: y'all are pretending they're zombies outside, so y'all can make

1092
00:55:20,000 --> 00:55:23,240
Speaker 2: us go into lockdown. What So this kind of would

1093
00:55:23,320 --> 00:55:25,960
Speaker 2: throw these people off because what they aren't thinking is

1094
00:55:26,160 --> 00:55:29,800
Speaker 2: y'all released the zombies outside to make us go into lockdown,

1095
00:55:29,920 --> 00:55:30,359
Speaker 2: right right?

1096
00:55:31,120 --> 00:55:31,920
Speaker 1: I just thought it was.

1097
00:55:31,920 --> 00:55:36,759
Speaker 2: Like a cool psychological moment at any rate. So, uh,

1098
00:55:37,840 --> 00:55:41,759
Speaker 2: dude is like, fuck it, they ain't leaving, fuck them up.

1099
00:55:41,840 --> 00:55:45,440
Speaker 3: And they put out the tear gas and they were

1100
00:55:45,840 --> 00:55:47,480
Speaker 3: I'm surprised they ain't hit They ain't hit it with

1101
00:55:47,560 --> 00:55:48,440
Speaker 3: the bean bags.

1102
00:55:48,680 --> 00:55:51,680
Speaker 2: The fact that they have gas grenades and non lethal

1103
00:55:51,719 --> 00:55:55,520
Speaker 2: measures shows you how good they have it in Commonwealth. Yes,

1104
00:55:55,600 --> 00:55:59,360
Speaker 2: because any other Walking Dead community they would shoot you

1105
00:55:59,440 --> 00:56:01,600
Speaker 2: because that's what we have is guns.

1106
00:56:02,280 --> 00:56:04,279
Speaker 1: We don't have that tases out.

1107
00:56:04,560 --> 00:56:08,080
Speaker 2: Yeah, like nah, we fuck you up, we kill people.

1108
00:56:08,640 --> 00:56:11,239
Speaker 2: Everything is a one strike law here. Yes, it is

1109
00:56:11,520 --> 00:56:15,279
Speaker 2: Mercer and Rosita. Outside the walls is broad daylight, even

1110
00:56:15,280 --> 00:56:16,880
Speaker 2: though it was just dark in the scene before.

1111
00:56:18,360 --> 00:56:18,959
Speaker 1: Oh I'm sorry.

1112
00:56:19,000 --> 00:56:21,080
Speaker 2: And then we do watch the crowd dispersed and Connie

1113
00:56:21,120 --> 00:56:23,839
Speaker 2: and Kelly and there were among the crowd and they cross, but.

1114
00:56:23,800 --> 00:56:25,720
Speaker 1: They never get caught. They just go home.

1115
00:56:26,120 --> 00:56:28,560
Speaker 2: So once again, could just be that this next scene

1116
00:56:28,600 --> 00:56:30,880
Speaker 2: doesn't happen to the next day for some reason, It

1117
00:56:31,040 --> 00:56:33,040
Speaker 2: just took that long for them to get out there,

1118
00:56:33,120 --> 00:56:36,200
Speaker 2: even though they showed us them leaving, not you know

1119
00:56:36,360 --> 00:56:40,919
Speaker 2: that long before this anyway, So basically they find out

1120
00:56:40,960 --> 00:56:44,359
Speaker 2: like the Walkers got too closed. She says, how they

1121
00:56:44,360 --> 00:56:46,759
Speaker 2: get this closed? They made it past these other outposts

1122
00:56:46,840 --> 00:56:49,360
Speaker 2: and he says, because somebody wasn't doing their job. And

1123
00:56:50,080 --> 00:56:52,799
Speaker 2: Rosita says, that seemed to be happening a lot around here.

1124
00:56:53,200 --> 00:56:56,200
Speaker 2: My guess that means versus not in I'm playing B fourteen,

1125
00:56:57,080 --> 00:56:59,400
Speaker 2: which was probably to let the walkers.

1126
00:56:59,000 --> 00:57:00,800
Speaker 1: Pass the out post area.

1127
00:57:01,160 --> 00:57:05,880
Speaker 2: Yes so, and which makes sense because he didn't know

1128
00:57:05,880 --> 00:57:09,520
Speaker 2: about them rogue troops that were helping Sebastian that he killed.

1129
00:57:09,520 --> 00:57:12,200
Speaker 1: He probably at all. He probably thinks he squashed the

1130
00:57:12,239 --> 00:57:16,320
Speaker 1: problem by killing them. Well he really didn't. The corruption

1131
00:57:16,480 --> 00:57:17,120
Speaker 1: is too strong.

1132
00:57:17,320 --> 00:57:20,640
Speaker 2: So he thanks her for you know, he's like, he

1133
00:57:20,680 --> 00:57:22,560
Speaker 2: apologizes to her. First of all, he says, I'm sorry

1134
00:57:22,600 --> 00:57:25,000
Speaker 2: you had to see me kill them troopers the other day.

1135
00:57:25,240 --> 00:57:27,320
Speaker 2: She's like, I don't. I watched people get killed all

1136
00:57:27,320 --> 00:57:29,680
Speaker 2: the time. It's not a big deal. He's like, you know,

1137
00:57:29,720 --> 00:57:32,520
Speaker 2: I need somebody I could trust out there watching my back.

1138
00:57:32,600 --> 00:57:34,560
Speaker 2: And she said, well, don't ask me, because I care

1139
00:57:34,560 --> 00:57:38,520
Speaker 2: about my family first, and if it come down to it,

1140
00:57:38,560 --> 00:57:40,960
Speaker 2: I'm protecting them, not you, not the commonwealth.

1141
00:57:41,000 --> 00:57:43,200
Speaker 1: I could give a fuck. And he's like, you give

1142
00:57:43,280 --> 00:57:43,920
Speaker 1: it real, he.

1143
00:57:43,960 --> 00:57:47,520
Speaker 2: Said, I respect that, and I'll help you get out

1144
00:57:47,560 --> 00:57:50,560
Speaker 2: if you decide to leave, which you know they may

1145
00:57:50,680 --> 00:57:53,000
Speaker 2: need to because they're gonna need an escape plan if

1146
00:57:53,040 --> 00:57:55,040
Speaker 2: they decide to get the fuck out of here, and

1147
00:57:55,120 --> 00:57:58,840
Speaker 2: right now they don't really have one. They get a

1148
00:57:58,920 --> 00:58:01,080
Speaker 2: radio call to help some troop was fighting some zombies.

1149
00:58:01,480 --> 00:58:03,720
Speaker 2: They drive out there, Rozita hops in the back of

1150
00:58:03,720 --> 00:58:06,800
Speaker 2: the jeep once again, special effects like a gangs she

1151
00:58:07,000 --> 00:58:09,520
Speaker 2: man's the gun terror in the back of the jeep

1152
00:58:09,560 --> 00:58:12,280
Speaker 2: and it looks like Halo if you've ever played Halo,

1153
00:58:12,680 --> 00:58:14,800
Speaker 2: where one person can get on the fucking gun in

1154
00:58:14,840 --> 00:58:15,160
Speaker 2: the back.

1155
00:58:15,200 --> 00:58:16,160
Speaker 1: It looks so dope.

1156
00:58:16,480 --> 00:58:19,400
Speaker 2: And they had like the out the like the zoomed

1157
00:58:19,400 --> 00:58:21,200
Speaker 2: out shot with drones.

1158
00:58:21,240 --> 00:58:22,120
Speaker 1: It looked amazing.

1159
00:58:23,080 --> 00:58:25,120
Speaker 2: And she, of course is just bucking you know, nothing

1160
00:58:25,160 --> 00:58:27,840
Speaker 2: but head shots like that Rambo movie that came out

1161
00:58:27,840 --> 00:58:32,560
Speaker 2: a few years ago. And uh, they pick up one trooper,

1162
00:58:32,920 --> 00:58:35,320
Speaker 2: but he is really no help because he lets his

1163
00:58:35,360 --> 00:58:38,640
Speaker 2: partner get killed. After they don't crash the van once again.

1164
00:58:39,240 --> 00:58:42,040
Speaker 2: These these motherfuckers are losing recipes.

1165
00:58:42,680 --> 00:58:45,560
Speaker 1: These are not the best troops. No, it's the bottom

1166
00:58:45,560 --> 00:58:47,720
Speaker 1: of the barrel, Like, how did you crash the van

1167
00:58:47,840 --> 00:58:50,120
Speaker 1: nigga's nothing going on out there. There was like draft,

1168
00:58:50,120 --> 00:58:51,200
Speaker 1: We're gonna just draft him.

1169
00:58:51,400 --> 00:58:55,120
Speaker 2: So he they crashed the van. This motherfucker pulled. Uh

1170
00:58:55,240 --> 00:58:58,200
Speaker 2: they pulled one dude. Mercer tries to pull one dude in.

1171
00:58:58,960 --> 00:59:01,960
Speaker 2: Dude gets ripped their half by zombies. It's very gross,

1172
00:59:02,080 --> 00:59:06,600
Speaker 2: very cool. It's pretty cool. And then finally back at

1173
00:59:06,640 --> 00:59:10,560
Speaker 2: Milton's crib, she is getting drunk early in the morning.

1174
00:59:11,840 --> 00:59:14,200
Speaker 1: So I guess this was the next day. Maybe that's time,

1175
00:59:14,240 --> 00:59:16,000
Speaker 1: it's the time to drink. Maybe that's why I was

1176
00:59:16,080 --> 00:59:17,160
Speaker 1: light outside. It was the morning.

1177
00:59:17,200 --> 00:59:19,560
Speaker 2: It must have been the next morning. So she's drinking.

1178
00:59:19,920 --> 00:59:23,720
Speaker 2: Umicoat comes in and it's like and she's like, girl,

1179
00:59:23,720 --> 00:59:26,080
Speaker 2: you on the glass. She's like, bitch, is seven am

1180
00:59:26,240 --> 00:59:30,840
Speaker 2: or whatever, like get yourself together. And she's like and

1181
00:59:30,880 --> 00:59:33,480
Speaker 2: you goes like why you tear gas my friends last night?

1182
00:59:34,040 --> 00:59:37,080
Speaker 2: And she's like, do you really think your son isn't

1183
00:59:37,480 --> 00:59:41,240
Speaker 2: involved in this? And Pamela's like, look, he just he

1184
00:59:41,440 --> 00:59:44,520
Speaker 2: just rebelling. He just yells a kid, and he's just

1185
00:59:44,840 --> 00:59:47,920
Speaker 2: he's just a forty year old kid acting out this.

1186
00:59:47,920 --> 00:59:49,560
Speaker 2: This is what happens to all the men in my family.

1187
00:59:49,560 --> 00:59:52,120
Speaker 2: But they eventually grew up to be great leaders. He's

1188
00:59:52,160 --> 00:59:54,880
Speaker 2: not a killer. Umico says, well, I might have to

1189
00:59:54,880 --> 00:59:56,840
Speaker 2: defend you in court, and she said, well, that's funny

1190
00:59:56,840 --> 00:59:59,320
Speaker 2: because you friends with the bitch that exposed me, So

1191
01:00:00,040 --> 01:00:04,040
Speaker 2: how about that? And then right about then, Carol comes

1192
01:00:04,080 --> 01:00:10,280
Speaker 2: in with Sebastian and says, look, I brought him home.

1193
01:00:11,040 --> 01:00:13,600
Speaker 2: Milton hugs him, smacks the shit out of him, and

1194
01:00:13,680 --> 01:00:15,160
Speaker 2: she's like, did you have something to do with this?

1195
01:00:15,640 --> 01:00:18,120
Speaker 1: And he's like, no, you know, I'm just an easy target.

1196
01:00:18,120 --> 01:00:18,880
Speaker 1: It's all lies.

1197
01:00:19,360 --> 01:00:22,320
Speaker 2: And Carol says, well, then maybe we can help each other.

1198
01:00:23,240 --> 01:00:25,760
Speaker 2: I don't know that Carol believes it's all lives and

1199
01:00:25,760 --> 01:00:28,560
Speaker 2: this shit. And of course they know from the mansion

1200
01:00:28,600 --> 01:00:32,040
Speaker 2: thing that some people been going missing and dining in

1201
01:00:32,040 --> 01:00:33,760
Speaker 2: that house, and he was with a person that sent

1202
01:00:33,840 --> 01:00:34,040
Speaker 2: him in.

1203
01:00:34,080 --> 01:00:36,240
Speaker 1: There, right, and that was correct.

1204
01:00:36,520 --> 01:00:43,240
Speaker 2: So Carol says, basically, look, we can help each other out.

1205
01:00:43,720 --> 01:00:47,120
Speaker 2: Hordesby is after my friends outside the walls.

1206
01:00:48,240 --> 01:00:48,960
Speaker 1: We can.

1207
01:00:50,280 --> 01:00:53,560
Speaker 2: We can give the people somebody to blame other than

1208
01:00:54,080 --> 01:00:56,760
Speaker 2: your son, right, And I think that's the way out,

1209
01:00:56,880 --> 01:01:00,680
Speaker 2: is to basically say we'll give the people escapegoat. Hornsby

1210
01:01:00,760 --> 01:01:04,680
Speaker 2: is the one that's been going around disappearing everybody, which

1211
01:01:04,720 --> 01:01:08,120
Speaker 2: he is also been disappearing around fucking people up right,

1212
01:01:08,440 --> 01:01:11,240
Speaker 2: So you know it's been times where everybody, you know,

1213
01:01:11,360 --> 01:01:13,640
Speaker 2: leave it here, come but just malled everybody down.

1214
01:01:13,640 --> 01:01:14,920
Speaker 1: It was like, well, damn dog.

1215
01:01:15,320 --> 01:01:20,000
Speaker 2: So it gives an out for everybody, and that's where

1216
01:01:20,160 --> 01:01:22,560
Speaker 2: it essentially ends. We got to get out of here.

1217
01:01:22,600 --> 01:01:26,439
Speaker 2: Like I said, I have to go caring. I would

1218
01:01:26,440 --> 01:01:28,440
Speaker 2: say what we were looking forward to next week, but

1219
01:01:28,480 --> 01:01:30,080
Speaker 2: there was no preview at the end of this one

1220
01:01:30,440 --> 01:01:33,080
Speaker 2: because at the time they were promoting interview with a

1221
01:01:33,200 --> 01:01:36,760
Speaker 2: Vampire and we weren't recording that. So we'll be back

1222
01:01:37,320 --> 01:01:39,080
Speaker 2: next time we do one of these recaps. I hope

1223
01:01:39,120 --> 01:01:42,560
Speaker 2: y'all did enjoy this definitely, let us know, leave us

1224
01:01:42,560 --> 01:01:45,360
Speaker 2: a comment all that stuff, because you know, we're doing

1225
01:01:45,400 --> 01:01:48,760
Speaker 2: this literally for y'all and it is work, and I

1226
01:01:48,800 --> 01:01:50,680
Speaker 2: know it's a year late, but I hope y'all enjoyed

1227
01:01:50,680 --> 01:01:51,160
Speaker 2: it anyway.

1228
01:01:51,200 --> 01:01:54,480
Speaker 1: All right, until next time, I love you, wh