WEBVTT - Chicho and the Mermaid

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<v Speaker 1>This is a production of Journalista podcast LLC and iHeartRadio.

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<v Speaker 2>When the Nicaraguan port of Corinto was bombed in October,

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<v Speaker 2>it was the Contrast who took the credit, but CBS

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<v Speaker 2>News has learned it was Americans who led the raid.

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<v Speaker 2>Military sources confirm it was Americans who took two boatloads

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<v Speaker 2>of Honduran commandos from the Salvadoran coast to Corinto to

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<v Speaker 2>place time bombs in the port, Americans from the CIA,

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<v Speaker 2>and Americans from regular military service. Publicly, the Pentagon won't

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<v Speaker 2>talk about those actions, and privately, the American military just

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<v Speaker 2>keeps doing them. Jane Wallace, CBS News to Gusigalpa, Honduras.

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<v Speaker 1>Welcome back to the Journalista podcasts. Cookie is becoming a

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<v Speaker 1>rock star for CBS. But after the CIA is exposed

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<v Speaker 1>mining harbors and blowing up ships in Nicaragua, folks back

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<v Speaker 1>home in the United States are starting to wonder what

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<v Speaker 1>in the hell are we doing in Central America.

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<v Speaker 3>The success of communism in Central America poses the threat,

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<v Speaker 3>but one hundred million people from Panama to the open

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<v Speaker 3>border on Arshall could come under the control of pro

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<v Speaker 3>Soviet regimes.

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<v Speaker 1>President Reagan made his case to the American people, but

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<v Speaker 1>Congress wasn't buying it. Democratic Senator Patrick Leahy called it stupid.

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<v Speaker 1>Republican Senator Barry Goldwater said I'm pissed off. Former President

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<v Speaker 1>Jimmy Carter called it disgraceful. Justin Wolfe, Tulane history professor,

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<v Speaker 1>explains what happened next.

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<v Speaker 4>In nineteen eighty two, there's an amendment put forward by

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<v Speaker 4>Representative Boland to a Military Appropriations Act. It's a rider.

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<v Speaker 4>The Democrats are in a weaker position. They don't have

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<v Speaker 4>the votes to outright forbid any US funding for the

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<v Speaker 4>Contras or US support for the Contras, but they're able

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<v Speaker 4>to put in limits because it's a military bill that

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<v Speaker 4>the Reagan administration desperately wants. Basically, they're not going to

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<v Speaker 4>veto it. It's a unanimously passed military appropriations bill, but

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<v Speaker 4>they're stuck with this. The language in the press, the

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<v Speaker 4>language of US officials becomes more violent, more aggressive about

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<v Speaker 4>the need to remove the Sananistas and the growing questions

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<v Speaker 4>in the US, the growing anti war movement. But I

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<v Speaker 4>think really importantly, the growing uncertainty that this will be

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<v Speaker 4>another Vietnam. There's no appetite for US interventions there's no

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<v Speaker 4>appetite for US involvement in a war that doesn't seem

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<v Speaker 4>like our war. And so in eighty three and eighty four,

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<v Speaker 4>the bowl And Amendment is expanded through a series of

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<v Speaker 4>other amendments and laws that basically limit all funding and

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<v Speaker 4>all overt and covert funding right including the CIA to

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<v Speaker 4>the contrast. And so this places the Contras in a

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<v Speaker 4>difficult position. They need supplies, they need new weapons, they

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<v Speaker 4>need ammunition, they need you name it, they need the

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<v Speaker 4>supplies of war. The Reagan administration, particularly members of Reagan's

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<v Speaker 4>National Security Council, are trying to figure out how to

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<v Speaker 4>get funding there that doesn't look like it's coming directly

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<v Speaker 4>from the US.

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<v Speaker 1>The Reagan administration decides to go rogue. They come up

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<v Speaker 1>with a secret plan to go around the Bowland Amendments,

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<v Speaker 1>the beginning of the Iran contrast story that would rock

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<v Speaker 1>the world and become the biggest scandal of the eighties.

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<v Speaker 1>In the meantime, Cookie is just doing work. She has

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<v Speaker 1>a story for Ed Bradley at sixty minutes about one

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<v Speaker 1>of the most badass women in Central American history. Did

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<v Speaker 1>you ever do any big stories with some of those

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<v Speaker 1>big sixty minutes people, did anyone come in and do

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<v Speaker 1>a story?

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<v Speaker 5>Oh, all the time. Don Hewett, you know he's the

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<v Speaker 5>creator of sixty minutes. He was the most aggressive motherfucker

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<v Speaker 5>to get a story. All of them were just dirty,

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<v Speaker 5>old fucking men. I'll fit right in. Sixty minutes rolls

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<v Speaker 5>on a whole different plane. It's what I used to

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<v Speaker 5>call working with the big boys, the elite. Sixty Minutes

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<v Speaker 5>wouldn't come in to just do day to day stories.

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<v Speaker 5>I would have to come up with something extremely interesting,

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<v Speaker 5>one of a kind for them to be interested. I

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<v Speaker 5>was always communicating with them. I developed some very good

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<v Speaker 5>contacts and friendships there. It's funny because Ed had a

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<v Speaker 5>fixation and obsession with somebody that you also have, and

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<v Speaker 5>that was with Nora Aga exactly. She was a lady

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<v Speaker 5>that came from a well to do family and educated family.

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<v Speaker 5>She was one of these rich kids that were in

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<v Speaker 5>the underground for the San Denistas, way before anybody even knew.

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<v Speaker 5>She was also a fighter, a warrior. You've seen pictures

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<v Speaker 5>that you fell in love with with her in her

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<v Speaker 5>uniform and always looking fabulous.

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<v Speaker 1>Like a fabulous badass, like.

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<v Speaker 5>A fabulous warrior. I called her others called her Matahari.

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<v Speaker 5>At least is as good as that I like to

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<v Speaker 5>hear it, or maybe it's too bad.

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<v Speaker 3>For me to hear it.

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<v Speaker 5>No, no, no, oh, poor friend, Dubrey.

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<v Speaker 6>Says that you are spy.

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<v Speaker 1>That was the legendary movie star Greta Garbo from the

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<v Speaker 1>nineteen thirty one film Matahari, who is the real Matahari,

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<v Speaker 1>one of the world's most notorious spies, known for her

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<v Speaker 1>beauty and seductive charms. Her real name was Margaretha Gertruda MacLeod,

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<v Speaker 1>a Dutch exotic dancer who was convicted of being a

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<v Speaker 1>spy for Germany during World War One. Before the war,

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<v Speaker 1>she had performed as Matahari several times for the Crown

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<v Speaker 1>Prince Wilhelm, eldest son of Kaiser Wilhelm the Second, who

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<v Speaker 1>was the Emperor of Germany. She was recruited by France

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<v Speaker 1>to seduce the Crown Prince to steal military secrets they

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<v Speaker 1>could use in the war. That didn't work out too well.

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<v Speaker 1>She did seduce him, but ended up changing sides and

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<v Speaker 1>spying for the Germans. She was eventually captured and executed

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<v Speaker 1>by firing squad. She was the original fem fatale. She

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<v Speaker 1>inspired dozens of books, stage plays, TV shows, and films,

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<v Speaker 1>as recently as twenty twenty one as a character in

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<v Speaker 1>The Kingsman, which grossed over one hundred and twenty five

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<v Speaker 1>million dollars at the box office. So, calling Nora Astorga

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<v Speaker 1>the Madihari of Nicaragua was both a compliment and a curse,

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<v Speaker 1>depending on who you listened to. But it was a

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<v Speaker 1>moniker that would follow her for the rest of her life.

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<v Speaker 5>She was Madahari because of who she was in society.

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<v Speaker 5>She could get in and out of things and get

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<v Speaker 5>information for the underground. So a spy a spy, yes.

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<v Speaker 5>What put her on the map was before any of this,

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<v Speaker 5>before the Civil War, before the revolution, before any of

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<v Speaker 5>those things, when the Sandinistas were still very much under

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<v Speaker 5>Obviously the Samosa people knew about them and tried at

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<v Speaker 5>every point to crush them. The plan was to kidnap

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<v Speaker 5>a Sumosa general, hold him hostage, hold him for ransom,

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<v Speaker 5>get some money out of it. I'm not quite sure,

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<v Speaker 5>but I don't think their intention was to kill this guy.

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<v Speaker 1>What was his name is?

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<v Speaker 5>Vega?

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<v Speaker 1>Perez Vega was deputy commander of Anastasio Simosa's National guard

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<v Speaker 1>considered one of the most brutal generals in Nicaragua, responsible

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<v Speaker 1>for the torture and murder of hundreds of Nicaraguans. He

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<v Speaker 1>was also a womanizer and went after the women he wanted,

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<v Speaker 1>for better or worse, whenever he felt like it. He

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<v Speaker 1>was a really bad man. His nickname the dog.

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<v Speaker 5>He actually grew up with my mother, and he had

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<v Speaker 5>a different nickname, remolacha, which means beat because he would

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<v Speaker 5>get very red in the face. So your nickname that

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<v Speaker 5>you discovered came years later.

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<v Speaker 1>And the dog in Spanish is at pedro.

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<v Speaker 2>Yeah.

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<v Speaker 5>Yeah. Well, so Nora was with the group that kidnapped him.

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<v Speaker 5>It was herself and two others, and she used her

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<v Speaker 5>womanly whiles to set him up and hold him hostage.

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<v Speaker 1>Nora was a lawyer at the time and it crossed

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<v Speaker 1>Vegas path in the normal course of business. He decided

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<v Speaker 1>he wanted her, not what she wanted, but it created

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<v Speaker 1>an opportunity. This is Nora Astorga in her own words.

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<v Speaker 7>The plan was to make a date for him to

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<v Speaker 7>come to my house. In the house, there would be

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<v Speaker 7>three compagnos, one in a big closet that opened into

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<v Speaker 7>the main room, another in the room opposite and another

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<v Speaker 7>in a very small room. We had a signal. I

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<v Speaker 7>was to disarm him while he suspected nothing. I would

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<v Speaker 7>then have him totally defenseless and would hold him well.

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<v Speaker 7>I gave the countersign for my compagnitos to move into action.

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<v Speaker 1>My understanding is she was working this for a while.

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<v Speaker 1>It was a seduction too.

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<v Speaker 5>Yeah, all of this stuff had to be You couldn't

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<v Speaker 5>just do it because you were dealing with the ruthless regime.

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<v Speaker 1>And she was just sort of playing him, stringing him

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<v Speaker 1>along for a while, sucking him.

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<v Speaker 5>In absolutely, and then something went wrong.

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<v Speaker 7>He arrived ready to simply get on with it. No

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<v Speaker 7>little drinks or conversation first, none of the subtlety or

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<v Speaker 7>the delicacy menus from time to time. No, he just

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<v Speaker 7>arrived and said, here I am, let's do it.

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<v Speaker 5>So it began.

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<v Speaker 7>We went straight to the bedroom. I disarmed him and

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<v Speaker 7>I took off all of my outer clothes. The compans

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<v Speaker 7>came into the room and immobilized him. He put up qualified.

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<v Speaker 7>He was very strong. He began to shut to his guard,

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<v Speaker 7>but the guard didn't hear him. It was when I

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<v Speaker 7>went to the garage to get a car that they

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<v Speaker 7>had to kill El Perro. He resisted too much and

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<v Speaker 7>they had to execute him.

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<v Speaker 5>I remember my mother telling me, oh, one of my

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<v Speaker 5>childhood friends was murdered. We don't know how it happened

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<v Speaker 5>or who did it, because you have to understand this

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<v Speaker 5>is all still very underground. This isn't public knowledge. It

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<v Speaker 5>was years later that it came out that she was

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<v Speaker 5>involved with that.

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<v Speaker 7>I never felt guilty. The plan was to kidnap him,

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<v Speaker 7>but he fought back and had to be killed. It

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<v Speaker 7>was something you had to do for a revolutionary justice.

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<v Speaker 7>He had killed so many, he was a monster.

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<v Speaker 1>They slit his throat. His body was later found wrapped

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<v Speaker 1>in the Sandinista flag. A. Storica became the most wanted

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<v Speaker 1>woman in Nicaragua. The subject of a national manhunt, she

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<v Speaker 1>escaped to the Jungles and joined the Sandinista revolutionaries, where

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<v Speaker 1>she became a warrior and a leader in the war

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<v Speaker 1>against the Mosa.

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<v Speaker 5>The one thing the Sandinesas were good at was treating

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<v Speaker 5>women not only with respect, but equally. They could be

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<v Speaker 5>equal partners on the field, equal partners as soldiers, equal

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<v Speaker 5>partners on missions, and so when the Sandinistas won the revolution,

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<v Speaker 5>she obviously had good standing, and she had held several

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<v Speaker 5>high positions.

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<v Speaker 1>Astorga eventually became Nicaraguan Ambassador to the United Nations. She

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<v Speaker 1>was a controversial choice, opposed vehemently by the US government,

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<v Speaker 1>but she was effective, mingling with the elite and scoring

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<v Speaker 1>major aid packages for Nicaragua. Strident in her beliefs, always

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<v Speaker 1>a warrior for her country, yet always the center of

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<v Speaker 1>controversy and gossip. A female diplomat from Latin America at

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<v Speaker 1>a Security Council debates said, the moment Nora Astorga crossed

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<v Speaker 1>her legs, all the eyes in the room were off

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<v Speaker 1>the speaker and on her. One male Western ambassador said,

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<v Speaker 1>she wears her past like other women wear perfume. She

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<v Speaker 1>was one of a kind. Sixty minutes agreed.

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<v Speaker 5>So Ed Bradley was sort of entranced with her mystique

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<v Speaker 5>and everything about it, much like you are. I told

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<v Speaker 5>him that I could get an interview with her. Was

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<v Speaker 5>he interested? And he was like, tell me when and

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<v Speaker 5>where I'll be there. She was a very striking woman,

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<v Speaker 5>very intelligent. I got everything set up, Ed flew in

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<v Speaker 5>and we got the interview. He loved it. He brought

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<v Speaker 5>up her past. He brought up her present, and he

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<v Speaker 5>brought up what's in the future. None of us knew

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<v Speaker 5>at the time that she had breast cancer and she

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<v Speaker 5>was dying. There was not going to be much future

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<v Speaker 5>left for her. That evening we celebrated. Of course, we

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<v Speaker 5>asked Nora to join us at the hotel.

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<v Speaker 1>Was he flirting with her?

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<v Speaker 3>Oh?

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<v Speaker 5>Ed was a flirt Ed was a charmer. He could

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<v Speaker 5>charm the pants off, literally off anybody. Yeah, he was

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<v Speaker 5>very taken with her. You didn't see the Madahari side

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<v Speaker 5>of her. You could see how she was able to

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<v Speaker 5>do it, but you just didn't see that side of her.

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<v Speaker 5>You think you know people, but you don't know everything

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<v Speaker 5>about them.

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<v Speaker 1>She was tough.

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<v Speaker 5>She was tough, and I believe she was fighting at

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<v Speaker 5>the time the Port of Corinto being mined by the US,

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<v Speaker 5>because that was breaking we spoke of earlier the Geneva convention.

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<v Speaker 5>She was a tough lady. Tough lady.

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<v Speaker 1>When she left the party just raiged on.

0:13:24.600 --> 0:13:28.160
<v Speaker 5>Yeah. Ed could hold his own Yeah, and I was

0:13:28.200 --> 0:13:33.480
<v Speaker 5>getting producing credits in sixty minutes, which was amazing. So yeah,

0:13:33.559 --> 0:13:34.880
<v Speaker 5>it was a night to celebrate.

0:13:35.000 --> 0:13:37.800
<v Speaker 1>Do you want to say anything about having a fling ed.

0:13:37.800 --> 0:13:38.840
<v Speaker 5>And I got close.

0:13:39.679 --> 0:13:39.960
<v Speaker 6>You know.

0:13:40.040 --> 0:13:42.760
<v Speaker 5>He came back to Nicaragua a couple of times. We

0:13:42.800 --> 0:13:45.440
<v Speaker 5>would also see each other in New York and he

0:13:45.559 --> 0:13:48.440
<v Speaker 5>was also a big jazz Fest fan, so when he

0:13:48.480 --> 0:13:51.520
<v Speaker 5>would come here we would have deluxe treatment. It was

0:13:51.559 --> 0:13:56.319
<v Speaker 5>always fun to run with Ed, working or not working. Yeah,

0:13:56.400 --> 0:13:59.160
<v Speaker 5>we had a fling. He was fun. He was interesting,

0:13:59.520 --> 0:14:01.760
<v Speaker 5>but again and maybe he was a little more interested

0:14:01.800 --> 0:14:03.600
<v Speaker 5>in me than I was in him.

0:14:03.679 --> 0:14:12.320
<v Speaker 1>Interesting and not surprising either. Yeah, after the break, we'll

0:14:12.320 --> 0:14:15.040
<v Speaker 1>meet the man in Cookie's life, and after forty years,

0:14:15.120 --> 0:14:17.400
<v Speaker 1>he has a lot to say about it. We'll be

0:14:17.480 --> 0:14:23.560
<v Speaker 1>right back. Welcome back. We've talked a lot about Cookie's

0:14:23.600 --> 0:14:28.000
<v Speaker 1>many adventures, some crazy, some scary, some just plain ridiculous.

0:14:28.160 --> 0:14:30.120
<v Speaker 1>But now we meet the man in her life, her

0:14:30.160 --> 0:14:32.760
<v Speaker 1>forever dude. Some when you met back in her missus

0:14:32.760 --> 0:14:36.480
<v Speaker 1>scarface days. Here we are back again with the beautiful

0:14:36.520 --> 0:14:39.880
<v Speaker 1>and talented Cookie hood, and today we have a very

0:14:39.920 --> 0:14:43.680
<v Speaker 1>special guest, her son Patrick, who everyone knows is Chico.

0:14:43.840 --> 0:14:45.160
<v Speaker 6>Hey, Steve, thanks for having me.

0:14:45.240 --> 0:14:46.720
<v Speaker 1>We know each other a little bit, but I'd like

0:14:46.800 --> 0:14:49.160
<v Speaker 1>to know what it was like growing up in a

0:14:49.200 --> 0:14:52.160
<v Speaker 1>hotel suite in Monagua with this crazy woman in the

0:14:52.160 --> 0:14:52.920
<v Speaker 1>middle of a war.

0:14:53.320 --> 0:14:55.600
<v Speaker 8>You know, here in other people's childhoods and how they

0:14:55.640 --> 0:14:57.840
<v Speaker 8>grew up, and I always think, man, that was not

0:14:58.000 --> 0:15:02.000
<v Speaker 8>my child. I did not have that same experience. It

0:15:02.040 --> 0:15:04.920
<v Speaker 8>was different. Instead of having a front yard in a backyard,

0:15:05.000 --> 0:15:07.920
<v Speaker 8>I had a hotel lobby in a pool area.

0:15:08.000 --> 0:15:11.040
<v Speaker 5>You know, so your friends used to call Yeah.

0:15:11.120 --> 0:15:13.560
<v Speaker 8>My friends used to call it a chi Cho's big house.

0:15:14.120 --> 0:15:16.360
<v Speaker 8>So it was it was interesting, you know, because my

0:15:16.400 --> 0:15:17.960
<v Speaker 8>friends can come over and they knew that, you know,

0:15:18.000 --> 0:15:19.040
<v Speaker 8>we could stay up all night.

0:15:20.600 --> 0:15:21.000
<v Speaker 9>What was it?

0:15:21.120 --> 0:15:21.960
<v Speaker 5>One rule though?

0:15:23.080 --> 0:15:25.720
<v Speaker 6>What there are no rules.

0:15:26.000 --> 0:15:29.640
<v Speaker 5>There's only one rule in this big house. There are

0:15:29.680 --> 0:15:33.600
<v Speaker 5>no rules. And the kids friends would all be like, wow,

0:15:34.600 --> 0:15:38.360
<v Speaker 5>your mom is cool, and they could do whatever the

0:15:38.520 --> 0:15:42.240
<v Speaker 5>fun they wanted. But that did Chiecho was just another day.

0:15:42.480 --> 0:15:44.600
<v Speaker 8>It was a great experience in that piece, but the

0:15:44.600 --> 0:15:47.440
<v Speaker 8>pieces that, you know, maybe fell through the cracks where

0:15:47.600 --> 0:15:50.800
<v Speaker 8>you know, maybe at times, you know, I loved having

0:15:50.800 --> 0:15:53.000
<v Speaker 8>a best friend, but you know, at times I needed

0:15:53.000 --> 0:15:55.320
<v Speaker 8>a mother as well, and she just wasn't good at that.

0:15:55.880 --> 0:15:59.640
<v Speaker 1>You grew up with this crazy, amazing person. Her mission

0:16:00.200 --> 0:16:03.160
<v Speaker 1>to party, her driving force was to party. And she

0:16:03.320 --> 0:16:06.560
<v Speaker 1>became a journalist to party and she changed the world

0:16:06.600 --> 0:16:07.160
<v Speaker 1>in her way.

0:16:07.400 --> 0:16:08.440
<v Speaker 6>Party party.

0:16:08.720 --> 0:16:11.960
<v Speaker 1>Yeah, that sounds really fun and cool. Then you realize

0:16:11.960 --> 0:16:12.760
<v Speaker 1>that's your mom.

0:16:12.640 --> 0:16:12.800
<v Speaker 3>You know.

0:16:12.840 --> 0:16:16.120
<v Speaker 8>There was a few times where I would encounter her

0:16:16.560 --> 0:16:20.520
<v Speaker 8>or her coworkers, you know, maybe like out of their minds,

0:16:20.560 --> 0:16:23.560
<v Speaker 8>messed up. Maybe she's like going off the deep end

0:16:23.680 --> 0:16:26.920
<v Speaker 8>and what her perception of what reality is at the moment,

0:16:27.040 --> 0:16:29.280
<v Speaker 8>you know. And same thing with some of her coworkers.

0:16:29.360 --> 0:16:32.920
<v Speaker 8>I remember there being like lines, yeah, lines or weed

0:16:33.160 --> 0:16:36.880
<v Speaker 8>or pipes or whatever everywhere around me, and because you're

0:16:36.880 --> 0:16:38.800
<v Speaker 8>a kid, you see them, but you don't make two

0:16:38.840 --> 0:16:41.640
<v Speaker 8>sense of it. Obviously I didn't grab anything or do

0:16:41.680 --> 0:16:44.600
<v Speaker 8>anything like that, but it was all, yeah, it was

0:16:44.640 --> 0:16:46.920
<v Speaker 8>all nearby, and I was interacting with all these people

0:16:46.920 --> 0:16:49.120
<v Speaker 8>that are completely fucked up, out of their minds, you know.

0:16:49.280 --> 0:16:51.360
<v Speaker 5>So I used to think you were from the CIA,

0:16:51.440 --> 0:16:56.160
<v Speaker 5>and he was seven. Look at his eyes, those are cameras.

0:16:56.240 --> 0:17:01.080
<v Speaker 5>That's the ciabe. He's seven. He's seven years old. He's

0:17:01.120 --> 0:17:02.240
<v Speaker 5>not from the CIA.

0:17:03.160 --> 0:17:07.280
<v Speaker 8>From an early age, I knew what drugs were and

0:17:07.320 --> 0:17:10.239
<v Speaker 8>how they affected people. It's funny. It wasn't until I

0:17:10.359 --> 0:17:13.280
<v Speaker 8>was in high school going through a DARE class that

0:17:13.320 --> 0:17:15.280
<v Speaker 8>I realized that all these things were bad.

0:17:15.440 --> 0:17:17.680
<v Speaker 1>Your mom's friends, some of these people that she ran

0:17:17.760 --> 0:17:20.800
<v Speaker 1>with at the time, were they like uncles to you? Basically?

0:17:20.920 --> 0:17:21.920
<v Speaker 6>Yeah, it was.

0:17:22.720 --> 0:17:23.920
<v Speaker 5>They were all like buddies.

0:17:24.200 --> 0:17:24.440
<v Speaker 4>Yeah.

0:17:24.760 --> 0:17:27.600
<v Speaker 8>Again, that's one of the things that was really awesome

0:17:27.640 --> 0:17:30.399
<v Speaker 8>about how she raised me was, you know, she treated

0:17:30.440 --> 0:17:32.439
<v Speaker 8>me like an equal. So even though I knew she

0:17:32.520 --> 0:17:34.160
<v Speaker 8>was my mom, you know, I could make fun of her,

0:17:34.320 --> 0:17:36.359
<v Speaker 8>or I could make jokes and feel comfortable around her.

0:17:36.560 --> 0:17:39.120
<v Speaker 8>It was the same for her crew and her friends.

0:17:39.280 --> 0:17:41.520
<v Speaker 8>Because of the way she treated me, they would do

0:17:41.560 --> 0:17:42.200
<v Speaker 8>the same thing.

0:17:42.280 --> 0:17:42.480
<v Speaker 2>You know.

0:17:42.600 --> 0:17:44.520
<v Speaker 8>So maybe some of the camera guys and some of

0:17:44.560 --> 0:17:46.119
<v Speaker 8>the crew guys are a little tougher, you know what

0:17:46.160 --> 0:17:46.440
<v Speaker 8>I mean.

0:17:46.720 --> 0:17:48.480
<v Speaker 5>Because he was the mascot, you know.

0:17:48.480 --> 0:17:49.960
<v Speaker 6>Man, there were little shits, man.

0:17:49.880 --> 0:17:55.000
<v Speaker 5>Like it would wrap them up, Gaffer tam Man and

0:17:55.040 --> 0:17:59.280
<v Speaker 5>he would be hopping around. What time? This was a

0:17:59.280 --> 0:18:01.560
<v Speaker 5>great story. I took him to Bill Counsuler, you know.

0:18:01.640 --> 0:18:03.520
<v Speaker 5>William Kunstler, the famous attorney.

0:18:03.840 --> 0:18:06.720
<v Speaker 1>William Kunstler was the former director of the American Civil

0:18:06.800 --> 0:18:11.720
<v Speaker 1>Liberties Union the ACLU. He made his name defending the indefensible,

0:18:12.000 --> 0:18:13.480
<v Speaker 1>taking on unwinnable cases.

0:18:13.560 --> 0:18:15.480
<v Speaker 10>He was one of the most well known lawyers and

0:18:15.520 --> 0:18:19.199
<v Speaker 10>civil rights activists of the twentieth century. William Kunstler defended

0:18:19.240 --> 0:18:22.720
<v Speaker 10>the Chicago Seven and counted Martin Luther King, Junior, Malcolm X,

0:18:22.760 --> 0:18:25.000
<v Speaker 10>and comedian Lenny Bruce among his clients.

0:18:25.280 --> 0:18:27.439
<v Speaker 1>The New York Times called him the most hated and

0:18:27.520 --> 0:18:28.760
<v Speaker 1>loved lawyer in America.

0:18:29.480 --> 0:18:32.680
<v Speaker 5>Well, I took him to Bill's house for barbecue at

0:18:32.720 --> 0:18:36.960
<v Speaker 5>the same moment the JDL is outside protesting and wanting

0:18:37.000 --> 0:18:41.080
<v Speaker 5>to kill him because he was defending the first World

0:18:41.119 --> 0:18:44.600
<v Speaker 5>Trade Center bombers. You remember those first ones. Yeah, And

0:18:44.720 --> 0:18:47.760
<v Speaker 5>so even when we weren't in Nick Roger in the war,

0:18:48.000 --> 0:18:50.480
<v Speaker 5>anywhere we would go, this would be.

0:18:50.480 --> 0:18:52.360
<v Speaker 6>His trouble was finding us. Man.

0:18:52.400 --> 0:18:54.680
<v Speaker 8>I just remember, like we're eating and I'm like looking

0:18:54.680 --> 0:18:56.000
<v Speaker 8>at and so I'm like, what are all these people?

0:18:56.080 --> 0:18:59.160
<v Speaker 5>He just like, why are those people protesting and angry

0:18:59.280 --> 0:19:02.119
<v Speaker 5>at us? Why do they want to hurt us? Cookie?

0:19:02.200 --> 0:19:04.720
<v Speaker 5>And like we had to book and get out the

0:19:04.800 --> 0:19:07.720
<v Speaker 5>back door and run away. His life was like that,

0:19:07.960 --> 0:19:09.880
<v Speaker 5>anywhere and everywhere that we went.

0:19:10.200 --> 0:19:12.720
<v Speaker 1>Were you aware of the danger? Were you afraid for

0:19:12.800 --> 0:19:15.280
<v Speaker 1>your mom? Were you afraid for the world you have?

0:19:16.160 --> 0:19:19.240
<v Speaker 8>I always knew what her job was and I understood

0:19:19.280 --> 0:19:23.320
<v Speaker 8>the dangers because I would see news footage being spliced

0:19:23.359 --> 0:19:25.800
<v Speaker 8>in front of me in their studio in the hotel.

0:19:26.080 --> 0:19:28.480
<v Speaker 8>It didn't really hit home until she would get into

0:19:28.480 --> 0:19:30.640
<v Speaker 8>these situations where I'd be like, hey, where's my mom,

0:19:30.640 --> 0:19:32.640
<v Speaker 8>And they're like, well, she can't come home right now

0:19:32.680 --> 0:19:35.200
<v Speaker 8>because of this, or she can't come home because of that.

0:19:35.480 --> 0:19:37.600
<v Speaker 8>She would never hide anything from me, and you know,

0:19:37.640 --> 0:19:39.919
<v Speaker 8>I could be five years old and she's telling me

0:19:39.920 --> 0:19:40.879
<v Speaker 8>the cold, hard.

0:19:40.600 --> 0:19:43.280
<v Speaker 6>Facts, whether I understood it or not, you know, but uh.

0:19:43.880 --> 0:19:46.520
<v Speaker 1>Yeah, well Cookie, did you ever have a moment where

0:19:46.560 --> 0:19:48.360
<v Speaker 1>you thought what am I doing to this kid?

0:19:48.400 --> 0:19:48.920
<v Speaker 6>Every day?

0:19:50.119 --> 0:19:53.080
<v Speaker 5>Actually? You know, you'd think that I would have thought that,

0:19:53.600 --> 0:19:57.920
<v Speaker 5>But everything was just so natural, just things that most

0:19:57.920 --> 0:20:01.320
<v Speaker 5>people would have just been horrified. We just took it

0:20:01.359 --> 0:20:05.160
<v Speaker 5>and stride was normal. I guess it was our normal.

0:20:05.359 --> 0:20:06.960
<v Speaker 5>And if we wouldn't have been in a war, we

0:20:07.000 --> 0:20:10.879
<v Speaker 5>would have been in some other crazy situation. So I

0:20:10.960 --> 0:20:15.520
<v Speaker 5>did try to hide certain aspects of the war from him,

0:20:15.560 --> 0:20:18.280
<v Speaker 5>you know, I wouldn't expose him to dead bodies or

0:20:18.280 --> 0:20:21.320
<v Speaker 5>people blown up. There were times when he had to

0:20:21.400 --> 0:20:24.399
<v Speaker 5>confront that kind of shit. I guess at the time,

0:20:24.480 --> 0:20:27.760
<v Speaker 5>I didn't realize how that could fuck him up or something,

0:20:28.200 --> 0:20:31.080
<v Speaker 5>which I guess just having me as a mother would

0:20:31.080 --> 0:20:34.680
<v Speaker 5>have been enough to fuck him up. I never really

0:20:34.720 --> 0:20:38.679
<v Speaker 5>felt guilty about putting him in those situations. My guilt

0:20:38.760 --> 0:20:41.800
<v Speaker 5>was more of I'm not always there for him. I'm

0:20:41.800 --> 0:20:44.560
<v Speaker 5>not a great mom, or a mom not on top

0:20:44.600 --> 0:20:48.760
<v Speaker 5>of his homework, or where's he going, which in later

0:20:48.880 --> 0:20:51.680
<v Speaker 5>years I felt guilty about. I didn't feel guilty at

0:20:51.720 --> 0:20:55.080
<v Speaker 5>the time because I was too caught up in everything

0:20:55.119 --> 0:20:58.159
<v Speaker 5>that was going on. The funny thing is that he

0:20:58.359 --> 0:21:04.040
<v Speaker 5>was everywhere, and not just myself, but all journalists, all

0:21:04.160 --> 0:21:08.000
<v Speaker 5>crews just took him for granted. He was just chi

0:21:08.160 --> 0:21:12.439
<v Speaker 5>cho hanging out. He lived in a bubble within a

0:21:12.480 --> 0:21:15.880
<v Speaker 5>bubble within a war. He was probably in a lot

0:21:15.960 --> 0:21:19.520
<v Speaker 5>more danger than we would care to admit or realize

0:21:19.760 --> 0:21:22.760
<v Speaker 5>at any given moment. I guess that's my bad.

0:21:23.320 --> 0:21:27.160
<v Speaker 8>The biggest takeaway from it was being ready for anything,

0:21:27.280 --> 0:21:30.320
<v Speaker 8>and you know, whether as positive or negative. And it

0:21:30.359 --> 0:21:33.239
<v Speaker 8>really got me to be in touch with people, you know,

0:21:33.680 --> 0:21:36.000
<v Speaker 8>whether they were you know, somebody that was really important

0:21:36.080 --> 0:21:39.480
<v Speaker 8>or treated as a VIP, or you know, maybe it's

0:21:39.680 --> 0:21:42.399
<v Speaker 8>just a poor person that's begging in the street. You know,

0:21:42.440 --> 0:21:46.280
<v Speaker 8>my mom always taught me to never differentiate between class

0:21:46.280 --> 0:21:49.439
<v Speaker 8>and always treat people equally. I had friends these parents

0:21:49.440 --> 0:21:52.240
<v Speaker 8>are maids, and then I had friends whose parents were,

0:21:52.600 --> 0:21:53.919
<v Speaker 8>you know, national diplomats.

0:21:54.320 --> 0:21:57.000
<v Speaker 1>When did you realize your mom was up to something

0:21:57.040 --> 0:21:58.760
<v Speaker 1>that was pretty fucking amazing.

0:21:59.000 --> 0:22:01.680
<v Speaker 8>I would interact with my schoolmates, and I would hear

0:22:01.680 --> 0:22:03.920
<v Speaker 8>what their parents were doing and what their parents' job

0:22:04.080 --> 0:22:06.320
<v Speaker 8>was like, and none of them sounded like my mom's,

0:22:06.359 --> 0:22:09.119
<v Speaker 8>you know. And I would see different people that you know,

0:22:09.160 --> 0:22:13.280
<v Speaker 8>would recognize from film or TV or news and be like,

0:22:13.320 --> 0:22:13.680
<v Speaker 8>why what.

0:22:13.640 --> 0:22:14.639
<v Speaker 6>Are they doing here? You know?

0:22:14.760 --> 0:22:17.200
<v Speaker 8>And it turned into this thing where I was like, Wow,

0:22:17.359 --> 0:22:19.760
<v Speaker 8>I think my mom's got something going on here, you know.

0:22:20.040 --> 0:22:21.680
<v Speaker 6>So it's interesting.

0:22:21.760 --> 0:22:23.720
<v Speaker 1>Well, let's get into some of that, because that's kind

0:22:23.760 --> 0:22:26.040
<v Speaker 1>of the one of the fun parts of this whole

0:22:26.119 --> 0:22:29.360
<v Speaker 1>journey is that hotel Suite became kind of like party central,

0:22:29.440 --> 0:22:32.200
<v Speaker 1>so everybody who was anybody was coming through there at

0:22:32.200 --> 0:22:34.080
<v Speaker 1>some point or another. So let's talk a little bit

0:22:34.080 --> 0:22:37.840
<v Speaker 1>about that. Like, what was your first essay celebrity encounter.

0:22:38.480 --> 0:22:40.840
<v Speaker 8>Well, you know, one of my favorite anecdotes was the

0:22:40.880 --> 0:22:42.880
<v Speaker 8>time I met Daryl Hannah.

0:22:42.960 --> 0:22:45.080
<v Speaker 1>I first saw Daryl Hannah cart wheeling into one of

0:22:45.080 --> 0:22:48.240
<v Speaker 1>my top ten films, The Original Blade Runner starring Harrison

0:22:48.280 --> 0:22:51.160
<v Speaker 1>Ford and Rucker Howard. But you might also remember her

0:22:51.160 --> 0:22:55.520
<v Speaker 1>from the tear jerker Steel Magnolias, where Tarantino's kill Bill.

0:22:56.080 --> 0:22:58.639
<v Speaker 1>She was the badass blonde wearing the black pirate patch

0:22:58.680 --> 0:22:59.280
<v Speaker 1>on her eye.

0:22:59.720 --> 0:23:01.920
<v Speaker 8>It was funny. My mom introduced me to her, and

0:23:01.960 --> 0:23:03.520
<v Speaker 8>I was pretty young. I think I might have I

0:23:03.600 --> 0:23:05.879
<v Speaker 8>might have been three or something like that, and one

0:23:05.920 --> 0:23:08.440
<v Speaker 8>of my favorite movies at the time was Splash, you know,

0:23:08.480 --> 0:23:11.119
<v Speaker 8>the way for me to associate with who this person

0:23:11.119 --> 0:23:12.600
<v Speaker 8>I was meeting. My mom was like, hey, this is

0:23:12.640 --> 0:23:14.080
<v Speaker 8>the mermaid, you know, and I was like, oh, what

0:23:14.200 --> 0:23:14.760
<v Speaker 8>with a mermaid?

0:23:14.840 --> 0:23:15.159
<v Speaker 6>Huh.

0:23:15.240 --> 0:23:17.639
<v Speaker 8>My first reaction was to go find a bucket of

0:23:17.640 --> 0:23:18.959
<v Speaker 8>water so I could throw it on her.

0:23:19.040 --> 0:23:21.880
<v Speaker 6>My mom had to stop me from all the.

0:23:21.800 --> 0:23:24.639
<v Speaker 5>Way dragging a bucket of water. I'm like, where are

0:23:24.680 --> 0:23:28.600
<v Speaker 5>you going. Water was a very valuable thing at the time.

0:23:28.960 --> 0:23:30.600
<v Speaker 5>He goes, I'm going to go throwing on the.

0:23:30.560 --> 0:23:32.239
<v Speaker 6>Mermaids, trying to help the mermaid out.

0:23:32.440 --> 0:23:35.879
<v Speaker 5>Yeah. I was like, no, it's not like that. So

0:23:36.000 --> 0:23:39.080
<v Speaker 5>for him, he had blurred lines, you know, and it

0:23:39.160 --> 0:23:43.840
<v Speaker 5>wasn't just with movie stars and TV stars, with rock stars, directors,

0:23:44.200 --> 0:23:46.760
<v Speaker 5>prominent politicians from other countries.

0:23:47.200 --> 0:23:50.239
<v Speaker 1>You met Jimmy Carter, and I know the Cookie had

0:23:50.240 --> 0:23:52.600
<v Speaker 1>a pretty special relationship with them, with yours as well.

0:23:52.880 --> 0:23:57.679
<v Speaker 5>His relationship was hit the Secret Service because they would

0:23:57.720 --> 0:24:00.600
<v Speaker 5>try to chase him down the hall and he would

0:24:00.640 --> 0:24:03.680
<v Speaker 5>just go run straight to mister Jimmy and miss Rosalind.

0:24:03.800 --> 0:24:06.320
<v Speaker 8>Well, you're putting the Secret Service against a kid that

0:24:06.440 --> 0:24:08.560
<v Speaker 8>knows the hotel inside and out, you know. So they're

0:24:08.560 --> 0:24:10.480
<v Speaker 8>trying to chase me and they can't catch me because

0:24:10.480 --> 0:24:12.720
<v Speaker 8>I know the intricacies of this place, you know. So

0:24:13.320 --> 0:24:16.560
<v Speaker 8>it was really cool though. He was a super super

0:24:16.600 --> 0:24:19.280
<v Speaker 8>gracious man. Same thing for his wife. You know, they're

0:24:19.320 --> 0:24:20.439
<v Speaker 8>really really nice people.

0:24:20.880 --> 0:24:23.119
<v Speaker 1>Jimmy Carter was in Monogua to monitor of the election,

0:24:23.359 --> 0:24:25.400
<v Speaker 1>one of the many things that shaped his legacy.

0:24:25.960 --> 0:24:28.479
<v Speaker 6>They stayed on our same floor, which was awesome.

0:24:28.760 --> 0:24:32.800
<v Speaker 5>Presidential suite was on our personal suite floor and the

0:24:32.840 --> 0:24:35.480
<v Speaker 5>CBS News suite's offices.

0:24:35.720 --> 0:24:38.320
<v Speaker 8>They were really really nice, really down to earth, and

0:24:38.680 --> 0:24:40.600
<v Speaker 8>he made it a point to make sure to talk

0:24:40.600 --> 0:24:43.560
<v Speaker 8>to everybody, and you know, it made everybody feel special,

0:24:43.600 --> 0:24:46.439
<v Speaker 8>whether it's talking to her whether he's talking to the

0:24:46.480 --> 0:24:47.680
<v Speaker 8>person that's bringing him a water.

0:24:48.000 --> 0:24:51.040
<v Speaker 5>One of the Secret Services one called the front desk

0:24:51.160 --> 0:24:54.720
<v Speaker 5>and said, there's a child running a monk in this hotel.

0:24:55.080 --> 0:24:57.800
<v Speaker 5>He's lost. Who knows what could happen to him. The

0:24:57.840 --> 0:25:00.159
<v Speaker 5>guy at the front desk said, could you describe that

0:25:00.240 --> 0:25:03.120
<v Speaker 5>child to me? And they described Chicho and the guy

0:25:03.160 --> 0:25:06.399
<v Speaker 5>started laughing. He goes, sir, that child could take you

0:25:06.480 --> 0:25:09.040
<v Speaker 5>on a tour of the hotel he lives here. The

0:25:09.080 --> 0:25:12.120
<v Speaker 5>Secret Service they had their hands full with him because

0:25:12.400 --> 0:25:14.840
<v Speaker 5>they were on our floor. They're on my turf, they're

0:25:14.880 --> 0:25:16.159
<v Speaker 5>on his turf. Yeah.

0:25:16.320 --> 0:25:18.639
<v Speaker 8>One of the people that I met that maybe I

0:25:18.640 --> 0:25:21.840
<v Speaker 8>didn't appreciate back then, but you know, definitely appreciate now

0:25:22.080 --> 0:25:23.720
<v Speaker 8>is Oliver Stone.

0:25:23.880 --> 0:25:26.399
<v Speaker 1>That's the four time Oscar winner and director of films

0:25:26.440 --> 0:25:29.719
<v Speaker 1>like Platoon, Wall Street and JFK. Just in the neighborhood

0:25:29.760 --> 0:25:33.000
<v Speaker 1>making the film Salvador, about another Central American cluster fuck

0:25:33.040 --> 0:25:34.399
<v Speaker 1>the United States was involved in.

0:25:34.600 --> 0:25:37.520
<v Speaker 8>You know, he's an incredible director, and I remember him

0:25:37.560 --> 0:25:40.080
<v Speaker 8>just having these giant hands. I got to go to

0:25:40.119 --> 0:25:44.280
<v Speaker 8>the Natural Born Killers anniversary screening two years ago, lo

0:25:44.400 --> 0:25:46.920
<v Speaker 8>and behold, he was sitting like three seats away from

0:25:47.000 --> 0:25:49.080
<v Speaker 8>me behind me, and I got a chance to meet

0:25:49.160 --> 0:25:51.879
<v Speaker 8>him again and we talked about the Nicaragua experience for

0:25:51.880 --> 0:25:54.040
<v Speaker 8>a little bit, which was really interesting.

0:25:54.440 --> 0:25:57.240
<v Speaker 1>Then Cookie and Chicho met a little, tiny ass kicking

0:25:57.320 --> 0:25:59.119
<v Speaker 1>nun mother Teresa.

0:25:59.440 --> 0:26:01.280
<v Speaker 5>We were told she was going to show up at

0:26:01.280 --> 0:26:03.479
<v Speaker 5>this school and she was going to meet with some

0:26:03.520 --> 0:26:06.119
<v Speaker 5>religious leaders there. Since it was out of school, I

0:26:06.160 --> 0:26:08.679
<v Speaker 5>brought a cheajolo, and I remember we were told to

0:26:08.680 --> 0:26:12.360
<v Speaker 5>set up on a balcony overlooking the courtyard.

0:26:12.720 --> 0:26:15.000
<v Speaker 1>She received permission from the Pope to start her own

0:26:15.119 --> 0:26:17.800
<v Speaker 1>order in Calcutta, India, where she devoted her life to

0:26:17.880 --> 0:26:20.520
<v Speaker 1>caring for the poorest of the poor, even receiving the

0:26:20.520 --> 0:26:22.840
<v Speaker 1>Nobel Peace Prize in nineteen seventy nine.

0:26:23.560 --> 0:26:29.120
<v Speaker 9>Wet us all together, thank God for this beautiful ocation

0:26:29.720 --> 0:26:35.320
<v Speaker 9>where we can all together proclaim the joy of springing peace,

0:26:36.280 --> 0:26:41.760
<v Speaker 9>the joy of loving one another, and the joy acknowledging

0:26:42.400 --> 0:26:46.520
<v Speaker 9>that the poorest of the poor are our brothers and sisters.

0:26:47.440 --> 0:26:50.600
<v Speaker 5>I'm not a religious person at all, And I remember

0:26:50.600 --> 0:26:53.320
<v Speaker 5>we're setting up with the camera crew that did the

0:26:53.359 --> 0:26:57.160
<v Speaker 5>opening shots of that movie you like Salvador, and all

0:26:57.160 --> 0:27:00.520
<v Speaker 5>of a sudden, I just felt something and I turned

0:27:00.560 --> 0:27:03.480
<v Speaker 5>to Domingo and I said, do you feel that? He goes,

0:27:03.560 --> 0:27:05.560
<v Speaker 5>what are you talking about? I said, I just feel

0:27:05.720 --> 0:27:09.680
<v Speaker 5>something in me. And she was walking in at that moment,

0:27:09.840 --> 0:27:13.399
<v Speaker 5>into the courtyard. I looked down at her. She looked

0:27:13.480 --> 0:27:16.160
<v Speaker 5>up at me. She had no reason to look up.

0:27:16.400 --> 0:27:20.080
<v Speaker 5>I'm like, oh, wow, okay, this is weird. We filmed

0:27:20.080 --> 0:27:22.520
<v Speaker 5>whatever it is she was doing in the courtyard, meeting

0:27:22.600 --> 0:27:26.639
<v Speaker 5>with these religious leaders, and then we had asked to

0:27:26.760 --> 0:27:29.880
<v Speaker 5>meet with her for ten minutes. She had already said

0:27:29.960 --> 0:27:33.040
<v Speaker 5>no to all the journalists for some reason. Whoever we

0:27:33.160 --> 0:27:35.480
<v Speaker 5>asked to get through to her. They got us the

0:27:35.520 --> 0:27:38.800
<v Speaker 5>ten minutes. So we packed up our gear from the balcony,

0:27:38.920 --> 0:27:42.600
<v Speaker 5>went in into a room on the inside. She's sitting

0:27:42.640 --> 0:27:44.639
<v Speaker 5>there and I went up to her, you know, to

0:27:44.680 --> 0:27:48.119
<v Speaker 5>introduce myself, and I said, I'm cooking from CBS News.

0:27:48.160 --> 0:27:50.840
<v Speaker 5>We're the ones going to interview you. And she was

0:27:50.920 --> 0:27:56.800
<v Speaker 5>just this tiny, fragile little person. She looked up at

0:27:56.840 --> 0:27:59.920
<v Speaker 5>me and she said to me, can I tell you something?

0:28:00.160 --> 0:28:04.000
<v Speaker 5>And I said, sure, ask me anything. She says, you

0:28:04.280 --> 0:28:07.439
<v Speaker 5>and your generation thought that you guys were here to

0:28:07.520 --> 0:28:10.720
<v Speaker 5>change the world. She says, maybe what you should have

0:28:10.760 --> 0:28:13.760
<v Speaker 5>been thinking, and you still could think that maybe you

0:28:14.359 --> 0:28:18.280
<v Speaker 5>cookie are just here to change one person's life, and

0:28:18.400 --> 0:28:22.040
<v Speaker 5>maybe that life is your life. And I'm just so

0:28:22.160 --> 0:28:27.200
<v Speaker 5>blown away. I'm like, what the fuck that just happened here?

0:28:27.760 --> 0:28:32.080
<v Speaker 5>I mean, I've got goosebumps. I'm at a loss for words.

0:28:32.080 --> 0:28:36.000
<v Speaker 5>Where if you know me, that never happens. It took

0:28:36.000 --> 0:28:39.120
<v Speaker 5>me a couple of minutes to gather myself and I

0:28:39.240 --> 0:28:40.880
<v Speaker 5>turned to the crew and I said, yeah, we're going

0:28:40.920 --> 0:28:43.720
<v Speaker 5>to start the interview now. Might not have been my

0:28:43.840 --> 0:28:47.720
<v Speaker 5>best interview because I was just so thrown off by

0:28:47.720 --> 0:28:51.240
<v Speaker 5>what she said. She affected me more than the Pope

0:28:51.320 --> 0:28:53.800
<v Speaker 5>or anybody else that I had ever met, and I

0:28:53.880 --> 0:28:58.200
<v Speaker 5>interviewed the Pope three times spiritually, she was the one.

0:28:58.880 --> 0:29:00.400
<v Speaker 6>She definitely had an energy her.

0:29:00.400 --> 0:29:01.920
<v Speaker 8>I got a chance to meet her, and she was

0:29:02.200 --> 0:29:04.640
<v Speaker 8>really really sweet, you know, Like I met her and

0:29:04.880 --> 0:29:07.640
<v Speaker 8>she just like cupped my face with her hands, and

0:29:07.680 --> 0:29:10.680
<v Speaker 8>that's like what I mainly remember about her. She definitely

0:29:10.720 --> 0:29:13.440
<v Speaker 8>had an energy about her. I'm not even a religious person,

0:29:13.480 --> 0:29:14.960
<v Speaker 8>and I was like, man, she was amazing.

0:29:15.480 --> 0:29:18.400
<v Speaker 5>Stop somebody like me and tell me something like that.

0:29:18.560 --> 0:29:21.200
<v Speaker 6>I was like, whoa mind blown huh?

0:29:21.280 --> 0:29:25.560
<v Speaker 5>Yeah, what the fuck? Just happened. Yeah, that was one

0:29:25.600 --> 0:29:27.840
<v Speaker 5>of the better moments of my career.

0:29:28.280 --> 0:29:28.640
<v Speaker 11>Wow.

0:29:30.600 --> 0:29:35.040
<v Speaker 1>In twenty sixteen, Mother Teresa became a saint, so Cookie

0:29:35.080 --> 0:29:41.040
<v Speaker 1>had a spiritual experience. Great timing because she's about to

0:29:41.040 --> 0:29:51.120
<v Speaker 1>face her own death. We'll be right back, Welcome back.

0:29:53.120 --> 0:29:55.360
<v Speaker 1>When I was a kid, I used to wonder if

0:29:55.400 --> 0:29:58.080
<v Speaker 1>you were in an elevator and it was falling, you

0:29:58.160 --> 0:30:03.400
<v Speaker 1>just jump right before it crashed and survive. Cookies about

0:30:03.400 --> 0:30:06.160
<v Speaker 1>to find out sort of.

0:30:07.560 --> 0:30:12.240
<v Speaker 5>Before journalists could go into the boonies, into the jungles,

0:30:12.560 --> 0:30:18.120
<v Speaker 5>they always had to get permissions and authorizations from whichever

0:30:18.240 --> 0:30:23.280
<v Speaker 5>commandante's region you were going into, and nothing happens without

0:30:23.320 --> 0:30:29.720
<v Speaker 5>his permission knowledge whatever. This was Commandante Roberto Calderon. We

0:30:29.840 --> 0:30:34.440
<v Speaker 5>needed permission to go into his region because we were

0:30:34.440 --> 0:30:37.640
<v Speaker 5>going to go on a junket with the soldiers, and

0:30:37.720 --> 0:30:40.920
<v Speaker 5>I was going to try to bullshit my way into

0:30:40.960 --> 0:30:44.280
<v Speaker 5>getting his okay, because a lot of times journalists would

0:30:44.320 --> 0:30:47.520
<v Speaker 5>go to these regions, go to the commandante in charge,

0:30:47.680 --> 0:30:50.400
<v Speaker 5>and then be turned away. So I knew I was

0:30:50.440 --> 0:30:53.840
<v Speaker 5>going to have to use all my weaponry to get

0:30:53.880 --> 0:30:59.200
<v Speaker 5>this permission. Well, we could call it charm bullshitting, whatever

0:30:59.200 --> 0:31:01.080
<v Speaker 5>you want to call it. And we get to the

0:31:01.080 --> 0:31:04.840
<v Speaker 5>military base. I asked to speak to the commandante. Well,

0:31:04.880 --> 0:31:07.040
<v Speaker 5>do you have an appointment? No, I don't. I'm with

0:31:07.160 --> 0:31:10.880
<v Speaker 5>CBS News. We want to get permission to go on

0:31:11.120 --> 0:31:14.520
<v Speaker 5>a junket with the soldiers. And he says, well, we're

0:31:14.560 --> 0:31:18.120
<v Speaker 5>not giving permissions right now. Can you just call the

0:31:18.160 --> 0:31:21.280
<v Speaker 5>commandante and I would just like to meet with him.

0:31:21.560 --> 0:31:23.040
<v Speaker 5>It's not going to do any good. He's not going

0:31:23.080 --> 0:31:26.120
<v Speaker 5>to give you permission. I'm not leaving until you get

0:31:26.160 --> 0:31:29.280
<v Speaker 5>the commandante for me. So we waited an hour or

0:31:29.360 --> 0:31:32.920
<v Speaker 5>so and we got the meeting. He was very kind

0:31:33.240 --> 0:31:36.040
<v Speaker 5>and I explained to him what we needed his permission

0:31:36.080 --> 0:31:39.360
<v Speaker 5>to go in and he says, well, I think my

0:31:39.440 --> 0:31:42.280
<v Speaker 5>guy's already told you that we're not giving permissions at

0:31:42.320 --> 0:31:45.800
<v Speaker 5>this time. I said, it's so important to us, you know,

0:31:45.880 --> 0:31:50.120
<v Speaker 5>we need to show what is going on in this war.

0:31:50.520 --> 0:31:54.360
<v Speaker 5>And he says, I can't protect you. I promise you

0:31:54.680 --> 0:31:57.720
<v Speaker 5>we will get the story and we won't get killed.

0:31:58.440 --> 0:32:02.280
<v Speaker 5>He acquiesced and he gave us permission. So the first

0:32:02.320 --> 0:32:06.280
<v Speaker 5>part of the mission, we had to be flown in

0:32:06.400 --> 0:32:10.720
<v Speaker 5>a two propeller plane to the base in the jungle.

0:32:10.920 --> 0:32:13.080
<v Speaker 5>That is where we were going to meet up with

0:32:13.360 --> 0:32:15.760
<v Speaker 5>helicopters that were going to take us in to meet

0:32:15.840 --> 0:32:18.520
<v Speaker 5>with the soldiers. So we're like, great, we'll get in

0:32:18.600 --> 0:32:21.200
<v Speaker 5>this two propeller plane. It's just myself and the crew.

0:32:21.680 --> 0:32:26.040
<v Speaker 1>The military pilot was the sister of Nora Astorga, you know,

0:32:26.320 --> 0:32:29.400
<v Speaker 1>the Matahari of Nicaragua. Small world.

0:32:29.640 --> 0:32:34.240
<v Speaker 5>I'm standing behind the plane as pilot Astorga turns it on.

0:32:35.680 --> 0:32:40.120
<v Speaker 5>The exhaust from it was so strong it lifted me

0:32:40.360 --> 0:32:45.240
<v Speaker 5>up so high like I was levitating. Then it dropped me.

0:32:46.800 --> 0:32:49.520
<v Speaker 5>The pilot realized what was going on, she turned the

0:32:49.600 --> 0:32:52.600
<v Speaker 5>vehicle off, which is what caused me to fall. She

0:32:52.720 --> 0:32:57.520
<v Speaker 5>knew she had messed up. I was severely wounded. I

0:32:57.640 --> 0:33:01.040
<v Speaker 5>could feel that my whole body had just been run

0:33:01.080 --> 0:33:04.160
<v Speaker 5>over by a truck. It felt like I knew I

0:33:04.240 --> 0:33:07.120
<v Speaker 5>was going to be in trouble and probably not in

0:33:07.160 --> 0:33:10.200
<v Speaker 5>good shape to go on this ten day junket walking

0:33:10.360 --> 0:33:12.880
<v Speaker 5>in the jungles. They're still going to take us to

0:33:12.920 --> 0:33:16.000
<v Speaker 5>the military base and have a doctor look at me there.

0:33:16.240 --> 0:33:18.680
<v Speaker 5>So we go on the two propeller plane. We get

0:33:18.720 --> 0:33:21.720
<v Speaker 5>to this base. I think it was called Nueva Guinea.

0:33:21.800 --> 0:33:25.360
<v Speaker 5>It was another region Immediately, a doctor from the base

0:33:25.440 --> 0:33:27.640
<v Speaker 5>looks at me and he says to the camera crew,

0:33:27.960 --> 0:33:32.280
<v Speaker 5>she cannot go on this junket with you guys. Kmatomas

0:33:32.320 --> 0:33:35.920
<v Speaker 5>had formed all over my legs, my body. I was

0:33:36.160 --> 0:33:39.880
<v Speaker 5>one big hematoma and they just send me to a

0:33:40.000 --> 0:33:45.080
<v Speaker 5>cot to go to sleep. Unbeknownst to myself, they're getting

0:33:45.240 --> 0:33:49.040
<v Speaker 5>the helicopter ready that's gonna take the crew and originally

0:33:49.080 --> 0:33:52.360
<v Speaker 5>gonna take me deeper into the jungle to meet with

0:33:52.480 --> 0:33:56.040
<v Speaker 5>the platoon that I'm going with. The doctor had not

0:33:56.200 --> 0:34:00.280
<v Speaker 5>left instructions to anybody. They wake me up, they put

0:34:00.320 --> 0:34:03.160
<v Speaker 5>me on the helicopter with the crew and here I

0:34:03.240 --> 0:34:07.080
<v Speaker 5>am going deeper into the jungle to go into this junket,

0:34:07.160 --> 0:34:10.040
<v Speaker 5>and I'm so out of it, I'm not even saying anything.

0:34:10.480 --> 0:34:13.319
<v Speaker 5>And then they dump us, they leave us there. I

0:34:13.360 --> 0:34:15.640
<v Speaker 5>gotta suck it up. And you have to remember, when

0:34:15.640 --> 0:34:18.920
<v Speaker 5>I go on these junkets, I'm usually the only female.

0:34:19.239 --> 0:34:23.000
<v Speaker 5>I can't be complaining and whining and saying, oh, I

0:34:23.080 --> 0:34:27.600
<v Speaker 5>gotta be as strong as they are. The crew realizes

0:34:27.920 --> 0:34:30.279
<v Speaker 5>I'm in trouble. They're going to be in trouble if

0:34:30.320 --> 0:34:33.120
<v Speaker 5>I can't handle myself. And it was a tough one.

0:34:33.760 --> 0:34:36.960
<v Speaker 5>After ten days, it's time to be picked up and

0:34:37.040 --> 0:34:40.960
<v Speaker 5>taken back to civilization. So a helicopter comes to pick

0:34:41.000 --> 0:34:43.680
<v Speaker 5>us up. We get loaded on. We're all relieved. We're

0:34:43.680 --> 0:34:45.120
<v Speaker 5>going back to civilization.

0:34:45.719 --> 0:34:48.000
<v Speaker 1>The helicopter takes off with Cookie the crew and a

0:34:48.000 --> 0:34:49.719
<v Speaker 1>couple doesn't sand Anisa soldiers.

0:34:50.160 --> 0:34:53.359
<v Speaker 5>We were in a Russian helicopter because the Russians are

0:34:53.360 --> 0:34:57.920
<v Speaker 5>the ones helping the Sandinistans. The Russian helicopters were famous

0:34:57.920 --> 0:35:01.640
<v Speaker 5>for two things. They had no p dejective ceilings around

0:35:01.680 --> 0:35:05.800
<v Speaker 5>their gas tanks, and in this particular helicopter, they're carrying

0:35:06.040 --> 0:35:10.399
<v Speaker 5>extra tanks of unsealed fuel. This does not bode well.

0:35:10.880 --> 0:35:13.719
<v Speaker 5>We had taken off. I don't know how far up

0:35:13.760 --> 0:35:16.520
<v Speaker 5>we were. All I know is that we were up

0:35:16.560 --> 0:35:22.640
<v Speaker 5>in the air. I heard three somethings. I looked at

0:35:22.680 --> 0:35:24.760
<v Speaker 5>one soldier and I said, that's not a good sound,

0:35:24.880 --> 0:35:27.719
<v Speaker 5>is it? And he went white and he said, no,

0:35:27.880 --> 0:35:30.359
<v Speaker 5>we're going down. And I said, what do you mean?

0:35:30.440 --> 0:35:33.799
<v Speaker 5>We're going down? And then the other one's right, we're

0:35:33.840 --> 0:35:38.120
<v Speaker 5>gonna die. And then we started to go down. If

0:35:38.160 --> 0:35:40.120
<v Speaker 5>it had been a surface to air missile, we wouldn't

0:35:40.120 --> 0:35:42.520
<v Speaker 5>be here talking to you. We would have been blown

0:35:42.600 --> 0:35:49.200
<v Speaker 5>up midair. This was some lonely, fucking inexperienced soldier that

0:35:49.360 --> 0:35:54.160
<v Speaker 5>shot us down. Thank god. Everyone says that thing about

0:35:54.520 --> 0:35:57.319
<v Speaker 5>you know, your whole life flashes in front of you,

0:35:57.520 --> 0:36:01.040
<v Speaker 5>and that didn't happen to me. All I kept saying

0:36:01.200 --> 0:36:05.440
<v Speaker 5>was you stupid, fucking bitch. You are finally in a

0:36:05.520 --> 0:36:09.759
<v Speaker 5>situation you cannot talk yourself out of. You can't run

0:36:09.920 --> 0:36:13.279
<v Speaker 5>yourself out of it, you can't will yourself out of this.

0:36:13.840 --> 0:36:16.640
<v Speaker 5>Through the years, that was the worst story to cover.

0:36:16.960 --> 0:36:20.320
<v Speaker 5>Helicopter and plane crashes. We called them in the business

0:36:20.360 --> 0:36:24.520
<v Speaker 5>crispy critters because they would just be burned or pieces

0:36:24.560 --> 0:36:28.840
<v Speaker 5>of meat here and there. I'm fucked. I'm gonna be

0:36:28.880 --> 0:36:29.720
<v Speaker 5>a crispy cretter.

0:36:30.840 --> 0:36:33.920
<v Speaker 1>So it's spinning around, spinning around, You're gonna crash.

0:36:34.000 --> 0:36:38.160
<v Speaker 5>It's gonna crash in a valley, which is even worse.

0:36:38.680 --> 0:36:41.359
<v Speaker 5>I decide I'm gonna do like the movies. I'm gonna

0:36:41.400 --> 0:36:43.760
<v Speaker 5>get to that door and I'm gonna jump out before

0:36:43.800 --> 0:36:46.799
<v Speaker 5>we hit the ground. The camera crew was right behind me.

0:36:47.120 --> 0:36:50.440
<v Speaker 5>I jumped out still mid air. They jumped out.

0:36:50.640 --> 0:36:54.000
<v Speaker 1>They hit the ground hard, severely injured. Helicopter filled with

0:36:54.080 --> 0:36:55.600
<v Speaker 1>soldiers spins toward the ground.

0:36:55.840 --> 0:36:58.759
<v Speaker 5>All I know is I've got to run and just

0:36:59.000 --> 0:37:01.920
<v Speaker 5>run and not look back. But where do I have

0:37:02.000 --> 0:37:05.280
<v Speaker 5>to run? Upwards? To get out of the valley.

0:37:05.600 --> 0:37:08.520
<v Speaker 1>The helicopter crashes into the valley, exploding in flames.

0:37:11.480 --> 0:37:15.560
<v Speaker 5>So I'm climbing and I'm climbing and I'm climbing, and

0:37:15.600 --> 0:37:18.560
<v Speaker 5>as I get to the top, I realize I can't

0:37:18.640 --> 0:37:22.400
<v Speaker 5>take one more minute of this. I can't make it

0:37:22.440 --> 0:37:25.239
<v Speaker 5>to the top. And all of a sudden comes a

0:37:25.400 --> 0:37:29.680
<v Speaker 5>hand from above and somebody lifts me up and saves me.

0:37:30.360 --> 0:37:32.600
<v Speaker 5>And it was one of the soldiers that we had

0:37:32.640 --> 0:37:35.520
<v Speaker 5>been with on the ten day junket. They saw what

0:37:35.640 --> 0:37:39.359
<v Speaker 5>had happened. At that point, I don't realize that they're

0:37:39.400 --> 0:37:43.640
<v Speaker 5>getting in touch with Commandante Roberto Calderon, letting him know

0:37:43.680 --> 0:37:48.439
<v Speaker 5>what's going on. He's going to send not one, not two.

0:37:48.800 --> 0:37:53.000
<v Speaker 5>He's going to send three helicopters, one for each of us,

0:37:53.200 --> 0:37:56.839
<v Speaker 5>because at this point he doesn't know if there's more

0:37:57.120 --> 0:37:59.640
<v Speaker 5>attacks that are going to happen, and he doesn't want

0:37:59.680 --> 0:38:03.120
<v Speaker 5>all of us on one helicopter to be shot at

0:38:03.160 --> 0:38:03.800
<v Speaker 5>and killed.

0:38:05.040 --> 0:38:07.600
<v Speaker 1>And at the same time, there are contraus soldiers rushing

0:38:07.640 --> 0:38:10.840
<v Speaker 1>to the crash. There's no time to waste.

0:38:11.360 --> 0:38:13.879
<v Speaker 5>We're in a spot that's full of trees. I can

0:38:13.920 --> 0:38:19.080
<v Speaker 5>see the soldiers with their machetes chopping down trees, making

0:38:19.120 --> 0:38:23.000
<v Speaker 5>a clearing for all these three helicopters to land. Three

0:38:23.040 --> 0:38:27.200
<v Speaker 5>helicopters come, they take us away. To this day, I

0:38:27.280 --> 0:38:31.000
<v Speaker 5>have to thank that Comandante for saving my life. By

0:38:31.040 --> 0:38:36.280
<v Speaker 5>the time we got into Monogua the capitol, CBS already

0:38:36.320 --> 0:38:39.839
<v Speaker 5>had medevac jets waiting for us to take the three

0:38:39.880 --> 0:38:43.480
<v Speaker 5>of us to Miami. We were all injured. We had

0:38:43.520 --> 0:38:48.600
<v Speaker 5>internal injuries, we had outward injuries. And again CBS came through.

0:38:48.960 --> 0:38:51.920
<v Speaker 5>They always took care of their journalists, got us out

0:38:51.960 --> 0:38:55.640
<v Speaker 5>of there. God us medevac to Miami. We spent about

0:38:55.800 --> 0:38:58.440
<v Speaker 5>four to six weeks recovering in Miami.

0:38:58.840 --> 0:39:01.200
<v Speaker 1>By the way, this is where Teacho story kicks in.

0:39:02.040 --> 0:39:04.040
<v Speaker 1>And that must have been terrifying. How did you hear

0:39:04.080 --> 0:39:05.759
<v Speaker 1>about it? How did it go down for you?

0:39:05.920 --> 0:39:08.400
<v Speaker 8>Anytime that she was going to cover something that would

0:39:08.560 --> 0:39:11.480
<v Speaker 8>be in overnight, or it would be something that would

0:39:11.480 --> 0:39:14.080
<v Speaker 8>take a few days, whatever, she would tell me about

0:39:14.080 --> 0:39:16.600
<v Speaker 8>it so I would know and prepare or whatever. But

0:39:16.800 --> 0:39:19.520
<v Speaker 8>she had left to go to do one of her trips.

0:39:19.840 --> 0:39:22.000
<v Speaker 8>After a few days, she didn't come back and hadn't

0:39:22.040 --> 0:39:24.520
<v Speaker 8>heard from her, and somebody she worked with came up

0:39:24.560 --> 0:39:25.880
<v Speaker 8>to me and they were like, Hey, I need to

0:39:25.880 --> 0:39:27.959
<v Speaker 8>tell you something really important. Your mom was in a

0:39:28.000 --> 0:39:32.440
<v Speaker 8>helicopter accident. All I knew about helicopter accidents was what

0:39:32.560 --> 0:39:34.040
<v Speaker 8>I saw in action movies.

0:39:34.200 --> 0:39:35.200
<v Speaker 6>You know, I'm.

0:39:35.040 --> 0:39:38.160
<v Speaker 8>Picturing this helicopter blew up or whatever, you know, and

0:39:38.719 --> 0:39:41.160
<v Speaker 8>I just didn't really know what to think or what

0:39:41.200 --> 0:39:44.080
<v Speaker 8>the extent of her injuries were. So I just remember

0:39:44.239 --> 0:39:46.879
<v Speaker 8>being like, where is she. They were like, oh, she's

0:39:46.880 --> 0:39:48.640
<v Speaker 8>in Miami. She's in a hospital, and I was like,

0:39:48.640 --> 0:39:52.040
<v Speaker 8>all right, I'm going to Miami. I remember going to

0:39:52.120 --> 0:39:54.960
<v Speaker 8>the airport. I was flying by myself. I think I

0:39:55.120 --> 0:39:58.800
<v Speaker 8>was in a suit jacket and a dress shirt and

0:39:58.960 --> 0:39:59.719
<v Speaker 8>Miami Vice.

0:40:00.200 --> 0:40:05.919
<v Speaker 5>Yeah, yeah, wearing the Miami Vice cotton suit with the pinked,

0:40:06.120 --> 0:40:07.440
<v Speaker 5>you know, lavender colors.

0:40:07.719 --> 0:40:11.120
<v Speaker 6>It was wild. Yeah wait you had the yeah, the

0:40:11.160 --> 0:40:12.520
<v Speaker 6>spiked area for sure.

0:40:12.640 --> 0:40:15.160
<v Speaker 8>So I was flying by myself, and you know, I

0:40:15.239 --> 0:40:18.680
<v Speaker 8>just remember that ride going to Miami and just having

0:40:18.680 --> 0:40:20.880
<v Speaker 8>that uncertainty because all I knew was, you know, a

0:40:20.920 --> 0:40:23.600
<v Speaker 8>helicopter crash. You know, so I didn't really know what

0:40:23.920 --> 0:40:26.480
<v Speaker 8>I was walking into, and you know, there was that

0:40:26.520 --> 0:40:28.839
<v Speaker 8>reality set in that, you know, I could have lost

0:40:28.920 --> 0:40:31.040
<v Speaker 8>my mom. Once I got to the hospital, I was

0:40:31.160 --> 0:40:33.440
<v Speaker 8>you know, obviously I was relieved that she was okay,

0:40:33.520 --> 0:40:36.759
<v Speaker 8>but man, she was banged up. Man, I've never seen

0:40:36.800 --> 0:40:40.399
<v Speaker 8>her like that. Yeah, I've never seen her like that.

0:40:40.600 --> 0:40:43.960
<v Speaker 1>How did the experience knowing your mom could have died

0:40:44.040 --> 0:40:46.720
<v Speaker 1>right then and how did that play out going forward?

0:40:46.760 --> 0:40:49.040
<v Speaker 1>Were you Was it a different experience from that point on?

0:40:49.400 --> 0:40:50.040
<v Speaker 6>No, Yeah, it was.

0:40:50.160 --> 0:40:52.279
<v Speaker 8>It was a reality for me at that point. You know,

0:40:52.400 --> 0:40:55.040
<v Speaker 8>I realized that I could have lost her at that moment,

0:40:55.120 --> 0:40:57.319
<v Speaker 8>and and then that reality was there that I could

0:40:57.320 --> 0:40:59.759
<v Speaker 8>lose her in the future. You know. So it wasn't

0:40:59.800 --> 0:41:01.840
<v Speaker 8>something than I was actively thinking about every day, but

0:41:02.200 --> 0:41:04.320
<v Speaker 8>every time that she was going out to do anything,

0:41:04.360 --> 0:41:06.240
<v Speaker 8>it was something that was in the back of my head.

0:41:06.120 --> 0:41:08.359
<v Speaker 5>Like, wow, I didn't think I was gonna live.

0:41:08.560 --> 0:41:12.240
<v Speaker 6>Yeah, she was so banged up. It was wow.

0:41:12.520 --> 0:41:14.520
<v Speaker 5>It was so scary, it really was.

0:41:15.560 --> 0:41:17.839
<v Speaker 1>The Miami Herald ran this story a few days later.

0:41:18.719 --> 0:41:22.400
<v Speaker 11>TV news crew Okay, after forced landing three members of

0:41:22.440 --> 0:41:26.040
<v Speaker 11>a CBS television crew who survived a forced landing aboard

0:41:26.040 --> 0:41:29.759
<v Speaker 11>a Soviet made Nicaraguan government helicopter over the weekend were

0:41:29.760 --> 0:41:34.040
<v Speaker 11>brought to Miami for treatment of minor injuries. Reporter Courtney Hood,

0:41:34.360 --> 0:41:38.879
<v Speaker 11>cameraman Domingo Rex, and sound man aziz A Chiavas were

0:41:38.920 --> 0:41:43.680
<v Speaker 11>treated for cut cintebrations. Unspecified mechanical problems brought the aircraft

0:41:43.719 --> 0:41:48.040
<v Speaker 11>down Sunday in southeast Nicaragua. CBS producer John Seislof said

0:41:48.040 --> 0:41:52.640
<v Speaker 11>Tuesday in Nicaragua, it was a bullshit story.

0:41:52.800 --> 0:41:55.919
<v Speaker 5>He never said that he had been censored. He could

0:41:56.000 --> 0:41:58.920
<v Speaker 5>not say what had happened, or they weren't going to

0:41:59.000 --> 0:42:02.640
<v Speaker 5>allow them to get me out the country for medical treatment,

0:42:03.080 --> 0:42:06.560
<v Speaker 5>so you say this or she dies kind of thing.

0:42:06.920 --> 0:42:08.080
<v Speaker 5>So I didn't know any of that.

0:42:09.360 --> 0:42:13.200
<v Speaker 1>It was covered up like everything during war. The truth

0:42:13.480 --> 0:42:18.600
<v Speaker 1>is also a casualty. After a few weeks, Cookie and

0:42:18.680 --> 0:42:21.759
<v Speaker 1>the crew were released from the hospital, CBS thought it

0:42:21.760 --> 0:42:23.120
<v Speaker 1>was a good idea to put him up in a

0:42:23.120 --> 0:42:25.239
<v Speaker 1>fancy hotel to continue the recovery.

0:42:25.360 --> 0:42:28.200
<v Speaker 5>We each had our own suite, but two of us

0:42:28.239 --> 0:42:31.319
<v Speaker 5>wound up just crashing in the same suite because we

0:42:31.360 --> 0:42:31.719
<v Speaker 5>had the.

0:42:31.680 --> 0:42:34.680
<v Speaker 1>Same Basically the party, the party was on.

0:42:35.200 --> 0:42:40.000
<v Speaker 5>Oh, the party was on, all expense paid. Yeah, it

0:42:40.040 --> 0:42:42.520
<v Speaker 5>was a great place to recuperate. By that point, I

0:42:42.600 --> 0:42:45.680
<v Speaker 5>was like, kind of this helicopter crash wasn't so bad

0:42:45.760 --> 0:42:46.319
<v Speaker 5>after all.

0:42:46.600 --> 0:42:53.240
<v Speaker 1>You know, Cookie survives a near death experience. But shit's

0:42:53.239 --> 0:42:55.960
<v Speaker 1>about to get real. She comes face to face with

0:42:56.000 --> 0:42:57.680
<v Speaker 1>the bloody consequences of terror.

0:42:58.920 --> 0:43:03.719
<v Speaker 5>Next time on Joenerally, we're heading to the Jungles. We're

0:43:03.800 --> 0:43:09.680
<v Speaker 5>just looking for a story. A mortar blows up. We

0:43:09.760 --> 0:43:14.480
<v Speaker 5>all exit the vehicles, get in the dirt and start crawling,

0:43:15.040 --> 0:43:18.280
<v Speaker 5>and all of a sudden, I hear on the side

0:43:18.320 --> 0:43:23.799
<v Speaker 5>of me some soldier whispering Cookie, Cookie, is that you?

0:43:24.440 --> 0:43:26.680
<v Speaker 5>He says, I have something I don't know if it

0:43:26.760 --> 0:43:31.080
<v Speaker 5>means anything. A book. So I'm reading it and I'm

0:43:31.120 --> 0:43:35.320
<v Speaker 5>like on the inside freaking out. I turned to Richard Wagner,

0:43:35.680 --> 0:43:38.879
<v Speaker 5>can you look at this? He starts to read it,

0:43:39.040 --> 0:43:44.000
<v Speaker 5>and he says, this is a goddamn CIA torture manual.

0:43:47.320 --> 0:43:51.120
<v Speaker 1>The Journalista podcast features the stories and voice of Cookie Hood,

0:43:51.880 --> 0:43:56.560
<v Speaker 1>narrated by Steven Estepp, produced by Sean J. Donnelly. Executive

0:43:56.600 --> 0:44:01.680
<v Speaker 1>producers Jason Wagensback, Roy Laughlin, and Ellen k iHeart Executive

0:44:01.680 --> 0:44:06.920
<v Speaker 1>producer Tyler Klang. Written and edited by Steven stem Music

0:44:06.960 --> 0:44:10.520
<v Speaker 1>by Jay Weigel, Associate producer in sound design Stephen Tanti.

0:44:10.840 --> 0:44:16.800
<v Speaker 1>Sound mixing by Jesse Solansnyder. Special Guestjulaine History professor Justin Woolf,

0:44:16.920 --> 0:44:20.680
<v Speaker 1>Cindy Pohl as the voice of Nora Estorga, Patrick Chico Hood,

0:44:21.160 --> 0:44:25.759
<v Speaker 1>Lloyd Sherr. Special thanks to Esplanade Studios, The Ranch Studios,

0:44:25.920 --> 0:44:31.200
<v Speaker 1>Jason Gerwitz, Kyle Frederick, Zach Slaff. This is a production

0:44:31.280 --> 0:44:34.759
<v Speaker 1>of Journalista podcast LLC and iHeartRadio