1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:11,200 Speaker 1: This is the podcast that comes after the podcast. 4 00:00:11,640 --> 00:00:26,799 Speaker 2: Welcome to Disgraceland, the after Party. 5 00:00:28,320 --> 00:00:31,560 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we'd 6 00:00:31,600 --> 00:00:34,160 Speaker 1: like to call the after party. This is the show 7 00:00:34,240 --> 00:00:36,440 Speaker 1: after the show, the party after the party, the bridge 8 00:00:36,440 --> 00:00:38,280 Speaker 1: to get you from one full episode or disgrace Sland 9 00:00:38,320 --> 00:00:41,440 Speaker 1: to the other, the backyard to dig into the dirt. 10 00:00:41,800 --> 00:00:46,000 Speaker 1: On this bonus episode, we are talking about Britney Murphy 11 00:00:46,320 --> 00:00:50,159 Speaker 1: and Brittany has Us talking about some really really bad moms, 12 00:00:50,159 --> 00:00:52,680 Speaker 1: and of course we are diving into your voicemails, text 13 00:00:52,760 --> 00:00:55,320 Speaker 1: and more and as always, a whole lot of rosie. 14 00:00:55,320 --> 00:01:13,520 Speaker 1: All right, Discos, let's get into it. Being a mom 15 00:01:13,760 --> 00:01:16,319 Speaker 1: is one of the toughest jobs there is. The hours 16 00:01:16,319 --> 00:01:19,480 Speaker 1: are long, endless, even in the pay. Depending on your 17 00:01:19,520 --> 00:01:21,440 Speaker 1: lot in life, it could be short. I'm not a 18 00:01:21,440 --> 00:01:23,920 Speaker 1: mom in case you couldn't tell. I have one, though, 19 00:01:23,959 --> 00:01:25,800 Speaker 1: and I'm also married to one. And I also have 20 00:01:25,840 --> 00:01:27,480 Speaker 1: a mother in law. And I even have a sibling 21 00:01:27,520 --> 00:01:29,720 Speaker 1: who is a mom. I am lucky. All the moms 22 00:01:29,760 --> 00:01:33,000 Speaker 1: that I know are great. I admire them. I'm even 23 00:01:33,040 --> 00:01:37,160 Speaker 1: inspired by them. Dad's by comparison. I know firsthand we 24 00:01:37,200 --> 00:01:40,920 Speaker 1: have it easy and kids, well, if they have good moms, 25 00:01:40,959 --> 00:01:44,640 Speaker 1: they're probably doing okay. But what about bad moms? If 26 00:01:44,680 --> 00:01:47,240 Speaker 1: you listen to this week's episode on Britney Murphy, you 27 00:01:47,360 --> 00:01:50,400 Speaker 1: know where my head is at. Bad moms are a 28 00:01:50,480 --> 00:01:53,840 Speaker 1: thing more of a thing historically, both in Hollywood and 29 00:01:53,880 --> 00:01:58,000 Speaker 1: beyond than I realized. The true crime bad mom corner 30 00:01:58,000 --> 00:02:00,440 Speaker 1: of the street is a fascinated one. I ever heard 31 00:02:00,440 --> 00:02:03,600 Speaker 1: of Mob Barker, the Barker Gang from the nineteen thirties. 32 00:02:03,640 --> 00:02:07,440 Speaker 1: Mob Barker was a horrendous mom. Her criminal compulsions made 33 00:02:07,520 --> 00:02:10,280 Speaker 1: quick felons out of her four sons, Arthur, Herman, Fred, 34 00:02:10,280 --> 00:02:15,280 Speaker 1: and Lloyd. Murderers. These guys, armed, robbers, kidnappers, the Barker Boys, 35 00:02:15,480 --> 00:02:16,960 Speaker 1: they did a little bit of it all at the 36 00:02:16,960 --> 00:02:20,359 Speaker 1: behest of their gangster mom, and for it, they were 37 00:02:20,560 --> 00:02:24,160 Speaker 1: all either gunned down or in prison, including Mob Barker herself, 38 00:02:24,160 --> 00:02:26,800 Speaker 1: who was shot and killed by FBI agents alongside her 39 00:02:26,800 --> 00:02:31,040 Speaker 1: son Fred in nineteen thirty five. Nice work, Mom. Does 40 00:02:31,080 --> 00:02:33,680 Speaker 1: the name Mary Anne Cotton ring a bell for any 41 00:02:33,720 --> 00:02:36,480 Speaker 1: of you? True crime historians out there. This is another 42 00:02:36,560 --> 00:02:43,160 Speaker 1: Mom of the Year candidate. Marianne was. She was a bad, bad, bad, 43 00:02:43,240 --> 00:02:46,280 Speaker 1: bad bad person. She poisoned and killed eleven of her 44 00:02:46,320 --> 00:02:52,079 Speaker 1: thirteen children. Can you imagine eleven of her thirteen kids. 45 00:02:52,120 --> 00:02:55,519 Speaker 1: I don't know why I'm laughing. It's absurd, It's fucking nuts. 46 00:02:56,080 --> 00:02:59,240 Speaker 1: She also murdered four of her husbands, two of her lovers, 47 00:02:59,360 --> 00:03:04,480 Speaker 1: two other lucky souls. The insurance scam was Marianne Cotton's game. 48 00:03:04,960 --> 00:03:06,960 Speaker 1: Marianne had quite a kill sheet for her mother by 49 00:03:07,000 --> 00:03:10,160 Speaker 1: the time Scotland Yard wrangled her into custody, and her 50 00:03:10,240 --> 00:03:14,560 Speaker 1: demise was violent, painful, and not a good one, to 51 00:03:14,560 --> 00:03:17,760 Speaker 1: say the least. Sex Pistols bass guitarist Sid Vicious punk 52 00:03:17,840 --> 00:03:21,120 Speaker 1: rock icon. As a young child, he was used as 53 00:03:21,120 --> 00:03:24,239 Speaker 1: a drug mule by his mother and Beverly. His mother 54 00:03:24,360 --> 00:03:28,760 Speaker 1: was also responsible for Sid's early addiction to heroin. Sid's 55 00:03:28,760 --> 00:03:31,240 Speaker 1: mother's involvement in his death long believed to be a 56 00:03:31,240 --> 00:03:34,079 Speaker 1: self inflicted lethal heroin Doris. This is the subject of 57 00:03:34,160 --> 00:03:36,640 Speaker 1: the second episode that we ever produced on Disgracecent. For 58 00:03:36,680 --> 00:03:38,200 Speaker 1: those who haven't heard it, I'm not going to spoil 59 00:03:38,240 --> 00:03:39,720 Speaker 1: it for you, but I will say that the bad 60 00:03:39,760 --> 00:03:43,480 Speaker 1: mom vibes go far beyond the illegal drug muling and 61 00:03:43,600 --> 00:03:47,280 Speaker 1: are quite suspicious. So you should check that sid vicious 62 00:03:47,280 --> 00:03:49,480 Speaker 1: episode out if you have not already, and if you 63 00:03:49,520 --> 00:03:51,160 Speaker 1: have heard it, you should listen to it again because 64 00:03:51,200 --> 00:03:54,880 Speaker 1: it's a wild story, especially upon re listening all these 65 00:03:54,920 --> 00:03:58,320 Speaker 1: moms and we haven't even entered Hollywood yet. Okay, Drew 66 00:03:58,360 --> 00:04:01,840 Speaker 1: Barrymore's mom, Jade, introduced her daughter Drew, who was a 67 00:04:01,880 --> 00:04:04,640 Speaker 1: bona fide star by the age of seven, to the 68 00:04:04,640 --> 00:04:08,240 Speaker 1: wild goings on inside of Manhattan's Studio fifty four at 69 00:04:08,480 --> 00:04:12,040 Speaker 1: just the tender age of nine years old, where drugs, 70 00:04:12,080 --> 00:04:15,800 Speaker 1: mainly cocaine for young Drew were readily available and mom 71 00:04:15,880 --> 00:04:18,240 Speaker 1: was quick to pour the baileies over young Drew's ice cream. 72 00:04:18,279 --> 00:04:21,000 Speaker 1: By the time Drew was twelve, she tried killing herself 73 00:04:21,040 --> 00:04:23,599 Speaker 1: and her mom had her committed to a psych ward. Okay, 74 00:04:24,480 --> 00:04:28,760 Speaker 1: Brooke Shields, Okay, Brooke Shields's mother had Brooke posing in 75 00:04:28,920 --> 00:04:32,239 Speaker 1: Playboy at the age of ten. How was that legal? 76 00:04:32,320 --> 00:04:34,800 Speaker 1: You ask? I don't know, and I'm not confirming whether 77 00:04:34,880 --> 00:04:37,520 Speaker 1: or not ten year old Brookshields posed nude or not 78 00:04:37,600 --> 00:04:40,359 Speaker 1: because I'm afraid to enter those words. Into my search 79 00:04:40,400 --> 00:04:42,880 Speaker 1: bar for fear of having to do some awkward Pete 80 00:04:42,920 --> 00:04:46,120 Speaker 1: Townsend type quote unquote research explanation in front of a 81 00:04:46,160 --> 00:04:48,480 Speaker 1: future judge. So you guys can figure that one out 82 00:04:48,480 --> 00:04:51,200 Speaker 1: all on your own. There are more bad moms, of course, 83 00:04:51,240 --> 00:04:53,760 Speaker 1: this is just the tip of the iceberg. I didn't 84 00:04:53,760 --> 00:04:57,240 Speaker 1: even mention Dina Lohan or Joan Crawford, and you guys 85 00:04:57,360 --> 00:05:00,520 Speaker 1: likely know those stories. My point is that, like the 86 00:05:00,560 --> 00:05:03,680 Speaker 1: stories I mentioned stories, I'm betting most of us weren't 87 00:05:03,680 --> 00:05:06,800 Speaker 1: aware of the story of Britney Murphy's mother, a story 88 00:05:06,839 --> 00:05:09,360 Speaker 1: told in this week's full episode of Disgray s Land, 89 00:05:09,520 --> 00:05:12,160 Speaker 1: is a story that is also largely unknown, and it 90 00:05:12,240 --> 00:05:17,120 Speaker 1: is highly suspicious. Perhaps the reason it's so unknown is 91 00:05:17,160 --> 00:05:20,480 Speaker 1: because it's hard to tell the story without using conjecture. 92 00:05:20,480 --> 00:05:23,440 Speaker 1: It's not like Britney Murphy's mother was ever convicted or 93 00:05:23,520 --> 00:05:26,680 Speaker 1: anything like that. She was not. She was barely even accused. 94 00:05:27,120 --> 00:05:31,040 Speaker 1: The whole story is so damn messy and ugly that 95 00:05:31,080 --> 00:05:33,479 Speaker 1: I can just I just I can tell people just 96 00:05:33,480 --> 00:05:35,920 Speaker 1: avoid it. It's gross. They don't want to talk about it. 97 00:05:36,760 --> 00:05:39,640 Speaker 1: And it should be noted that Sharon Murphy, Brittany Murphy's mom, 98 00:05:39,880 --> 00:05:44,360 Speaker 1: refutes basically everything to Britney's father alleges, including the toxicology 99 00:05:44,480 --> 00:05:48,560 Speaker 1: report that said the circumstantial evidence seems if not damning, 100 00:05:48,600 --> 00:05:51,760 Speaker 1: then super super suspicious, And we can all look up 101 00:05:51,760 --> 00:05:54,159 Speaker 1: the facts and we can listen to the Britney Murphy 102 00:05:54,160 --> 00:05:56,279 Speaker 1: episode of Disgrace sand and make up our own minds 103 00:05:56,360 --> 00:05:59,560 Speaker 1: and come to our own judgment. Anyway, you kind of 104 00:05:59,600 --> 00:06:03,080 Speaker 1: tell Brittany Murphy's death highly suspicious, and Brittany Murphy was, 105 00:06:03,120 --> 00:06:05,599 Speaker 1: of course a celebrity, and that prompted my question to 106 00:06:05,640 --> 00:06:09,520 Speaker 1: you guys about which celebrities you think died most suspiciously, 107 00:06:10,120 --> 00:06:13,720 Speaker 1: Which celebrity cause of death you're calling bullshit on. More 108 00:06:13,800 --> 00:06:15,760 Speaker 1: of that coming up later in this bonus episode, But 109 00:06:15,839 --> 00:06:19,400 Speaker 1: in the meantime, speaking of celebrities, we have a whopper 110 00:06:19,480 --> 00:06:22,520 Speaker 1: of an icon coming next week in our episode on 111 00:06:22,720 --> 00:06:26,720 Speaker 1: Alfred Hitchcock, and this episode looks almost explicitly at the 112 00:06:26,720 --> 00:06:31,080 Speaker 1: famous director's controlling relationship with his starlet, Tippy Hedron and 113 00:06:31,120 --> 00:06:34,080 Speaker 1: the abuse that he put her through during the filming 114 00:06:34,200 --> 00:06:39,800 Speaker 1: of his iconic movie The Birds. Control is obviously the theme 115 00:06:40,000 --> 00:06:45,560 Speaker 1: for this episode, specifically male dominated exploitative control. So as 116 00:06:45,560 --> 00:06:49,120 Speaker 1: you listen to this upcoming Alfred Hitchcock episode, which is 117 00:06:49,160 --> 00:06:51,960 Speaker 1: a very critical look I should say at one of 118 00:06:51,960 --> 00:06:55,560 Speaker 1: my favorite directors, a man whose talent was almost immeasurable. 119 00:06:56,080 --> 00:06:58,680 Speaker 1: I mean, this guy just he invented new ways from 120 00:06:58,720 --> 00:07:06,240 Speaker 1: making movies. It's calling him talented seems like an understatement. Nonetheless, 121 00:07:06,279 --> 00:07:10,240 Speaker 1: he was incredibly problematic. So perhaps another thing to think 122 00:07:10,240 --> 00:07:15,040 Speaker 1: about while you're listening to this upcoming Alfred Hitchcock episode 123 00:07:15,080 --> 00:07:18,600 Speaker 1: is what I'm calling the Hitchcock dilemma, which is the 124 00:07:18,680 --> 00:07:21,400 Speaker 1: problem that we all have in this modern age, this 125 00:07:21,560 --> 00:07:25,560 Speaker 1: age of information. And the problem is this, we love 126 00:07:25,560 --> 00:07:28,560 Speaker 1: a director's films, but we know that this director was 127 00:07:28,600 --> 00:07:31,680 Speaker 1: a miserable, her full son of a bitch and made 128 00:07:31,720 --> 00:07:35,520 Speaker 1: people's lives miserable. But that doesn't make the movies any 129 00:07:35,600 --> 00:07:38,320 Speaker 1: less watchable. So what do we do? Okay? Well, for me, 130 00:07:38,400 --> 00:07:39,960 Speaker 1: I wish I could find it in me to signal 131 00:07:40,000 --> 00:07:42,920 Speaker 1: some sort of honest virtue here, but I cannot. If 132 00:07:42,920 --> 00:07:45,520 Speaker 1: it were announced tomorrow that Alfred Hitchcock was the goddamn 133 00:07:45,600 --> 00:07:47,960 Speaker 1: Zodiac killer, I don't think it would make me like 134 00:07:48,080 --> 00:07:51,240 Speaker 1: Rear Window any less. Okay, So the thing to think 135 00:07:51,240 --> 00:07:54,520 Speaker 1: about when you're listening to the Disgraceline episode on Alfred Hitchcock, 136 00:07:54,720 --> 00:08:00,920 Speaker 1: is which problematic director or problematic actors film can you 137 00:08:01,040 --> 00:08:07,080 Speaker 1: not go without? Despite their horrific behavior. Richard Pryor was 138 00:08:07,160 --> 00:08:09,560 Speaker 1: violent towards the women in his life. But if I'm 139 00:08:09,640 --> 00:08:11,880 Speaker 1: cruising the channels at night and I come across the toy, 140 00:08:12,000 --> 00:08:14,400 Speaker 1: or if I'm on YouTube scrolling around and I see 141 00:08:14,440 --> 00:08:18,080 Speaker 1: some prior stand up bits from on YouTube, I'm not 142 00:08:18,080 --> 00:08:21,400 Speaker 1: not watching those things. Okay, and Woody Allen come on 143 00:08:21,520 --> 00:08:25,160 Speaker 1: man Any Hall Manhattan, two of the greatest films ever made, 144 00:08:25,880 --> 00:08:29,400 Speaker 1: and the problems that would come to later partly define 145 00:08:29,400 --> 00:08:32,040 Speaker 1: Woody Allen are now obvious in both of those films. 146 00:08:32,080 --> 00:08:34,559 Speaker 1: But still are we not going to watch those movies? 147 00:08:34,960 --> 00:08:36,960 Speaker 1: Maybe some of you won't, and if you don't, I 148 00:08:36,960 --> 00:08:39,800 Speaker 1: can't blame you. But I think the question that I'm 149 00:08:39,800 --> 00:08:41,480 Speaker 1: going to ask you guys for next week is going 150 00:08:41,520 --> 00:08:45,200 Speaker 1: to be about which problematic directors and actors have films 151 00:08:45,200 --> 00:08:47,840 Speaker 1: that you just can't do without? Who are they, who 152 00:08:47,880 --> 00:08:49,800 Speaker 1: are the directors, who are the actors, and what are 153 00:08:49,840 --> 00:08:53,199 Speaker 1: those films that are too good to not watch? Anyway, 154 00:08:53,240 --> 00:08:54,960 Speaker 1: That's all part of the upcoming out for a Hitchcock 155 00:08:54,960 --> 00:08:56,920 Speaker 1: episode of disgrace sandwhich is up and just a bit 156 00:08:56,920 --> 00:08:59,080 Speaker 1: in your feeds. I'll be back in just a bit 157 00:08:59,280 --> 00:09:20,280 Speaker 1: with your calls in your text all right. And last 158 00:09:20,280 --> 00:09:22,679 Speaker 1: week's after party we talked a lot about heavy metal bands, 159 00:09:22,679 --> 00:09:25,520 Speaker 1: big selling heavy metal bands, all relative to of course 160 00:09:25,600 --> 00:09:29,240 Speaker 1: last week's Metallic episode, and I mentioned Tool, and that 161 00:09:29,320 --> 00:09:32,680 Speaker 1: prompted a lot of feedback from you guys on the 162 00:09:32,720 --> 00:09:37,480 Speaker 1: need apparently for a Tool episode of Disgraceland, perhaps perhaps 163 00:09:37,480 --> 00:09:41,240 Speaker 1: in the future. In the meantime, here's Gretchen in the 164 00:09:41,240 --> 00:09:45,119 Speaker 1: four h two with some much needed female perspective. 165 00:09:45,800 --> 00:09:49,080 Speaker 3: Hi, Jake, Gretchen from the four roh two. I have 166 00:09:49,120 --> 00:09:53,400 Speaker 3: a question, how come you don't like send Lizzy? Just kidding? Hey, 167 00:09:53,880 --> 00:09:57,160 Speaker 3: girls at like Tool. Me being one of them forty 168 00:09:57,240 --> 00:10:01,160 Speaker 3: nine years young, nineteen ninety four, I first got put 169 00:10:01,200 --> 00:10:05,760 Speaker 3: on to them, great album, and I think a lot 170 00:10:05,800 --> 00:10:09,280 Speaker 3: of what they say, some of the double on tondras, 171 00:10:09,480 --> 00:10:13,680 Speaker 3: some of the lyrics, some of the deeper, darker stuff 172 00:10:13,720 --> 00:10:18,920 Speaker 3: resonated with kids that were born in the seventies, went 173 00:10:19,240 --> 00:10:22,880 Speaker 3: kind of read in the eighties, and a lot of 174 00:10:22,920 --> 00:10:27,320 Speaker 3: that hit home. So we interpreted those lyrics and obviously 175 00:10:27,360 --> 00:10:30,560 Speaker 3: the music was great watching him at a concert turned 176 00:10:30,559 --> 00:10:33,760 Speaker 3: his back to people in his underwear and performed that way. 177 00:10:33,840 --> 00:10:36,920 Speaker 3: The whole show not as cool, but definitely the music 178 00:10:37,080 --> 00:10:40,840 Speaker 3: very cool. Still read still holds up. I still listened 179 00:10:40,840 --> 00:10:46,400 Speaker 3: to a lot of songs Prison Sex, Good One, three Libras, 180 00:10:46,440 --> 00:10:50,320 Speaker 3: Perfect Circle, his Breakoff. Listen to that also. But did 181 00:10:50,360 --> 00:10:52,680 Speaker 3: you see those kids that covered forty six and two? 182 00:10:54,280 --> 00:10:59,040 Speaker 3: The whole orchestra of kids from this middle school band? 183 00:10:59,040 --> 00:11:02,520 Speaker 3: Director said, hey, cover forty six and two, and they did, 184 00:11:02,640 --> 00:11:05,560 Speaker 3: and it's on YouTube. It is pretty epic. Have a 185 00:11:05,600 --> 00:11:06,720 Speaker 3: great day, rock a rolla. 186 00:11:07,200 --> 00:11:09,760 Speaker 1: Thank you, Gretchen. I've seen two a couple of times myself, 187 00:11:09,760 --> 00:11:11,800 Speaker 1: and I can't say that I remember the underwear in 188 00:11:11,840 --> 00:11:13,880 Speaker 1: the back to the audience thing, but that might say 189 00:11:13,920 --> 00:11:17,400 Speaker 1: more about me than it does the band. Regardless. It's 190 00:11:17,480 --> 00:11:19,280 Speaker 1: like I hints. Like I mentioned at the beginning, it's 191 00:11:19,320 --> 00:11:21,800 Speaker 1: cool to get a female perspective on this band. I 192 00:11:21,840 --> 00:11:25,600 Speaker 1: appreciate it. Thank you, Gretchen. Guys six one seven nine 193 00:11:26,040 --> 00:11:28,280 Speaker 1: six six six three eight if you want to be 194 00:11:28,320 --> 00:11:31,760 Speaker 1: awesome like Gretchen and chime in on voicemail or text 195 00:11:32,080 --> 00:11:34,360 Speaker 1: the five to one three texts in. Hey, the Metallica 196 00:11:34,400 --> 00:11:36,960 Speaker 1: episode was insane. You summed up that era of my 197 00:11:37,040 --> 00:11:40,000 Speaker 1: favorite band in a great way. Paying tribute to Cliff 198 00:11:40,120 --> 00:11:42,720 Speaker 1: was monumental. The story about the murder in Texas was 199 00:11:42,800 --> 00:11:45,040 Speaker 1: news to me. The only thing I think you should 200 00:11:45,040 --> 00:11:48,079 Speaker 1: have worked on is how Cliff's dad encouraged the band 201 00:11:48,120 --> 00:11:52,080 Speaker 1: to continue on without his blessing in the push. The 202 00:11:52,160 --> 00:11:55,800 Speaker 1: demise of Cliff's legacy would have been a real disgrace. 203 00:11:56,080 --> 00:12:00,959 Speaker 1: And that's so true. We didn't cover Cliff's father influence 204 00:12:01,200 --> 00:12:04,679 Speaker 1: on Metallica after his son's death. Uh, thank you five p. 205 00:12:04,760 --> 00:12:07,480 Speaker 1: One three for pointing that out. Appreciate it very much. 206 00:12:07,920 --> 00:12:10,400 Speaker 1: As stated earlier, one of the subjects we've been discussing 207 00:12:10,440 --> 00:12:13,559 Speaker 1: obviously has been this BS celebrity cause of death relative 208 00:12:13,600 --> 00:12:16,880 Speaker 1: to the Britney Murphy episode and the six one seven 209 00:12:16,960 --> 00:12:18,959 Speaker 1: right saying, Hey, Jake, it's NICKI. I think one of 210 00:12:19,000 --> 00:12:23,760 Speaker 1: the suspicious deaths of two thousands is Aliyah. They said 211 00:12:23,760 --> 00:12:26,440 Speaker 1: she was afraid of small planes and that she had 212 00:12:26,480 --> 00:12:30,160 Speaker 1: been medicated before boarding that plane from the Bahamas, and 213 00:12:30,200 --> 00:12:35,360 Speaker 1: that her security guard had to carry her on. Hmmm, yes, suspicious, Nikki, 214 00:12:35,440 --> 00:12:37,560 Speaker 1: And I can tell you, Nikki, we are right now 215 00:12:37,679 --> 00:12:40,360 Speaker 1: working on in Aaliyah episode. So I hope you dig 216 00:12:40,400 --> 00:12:43,960 Speaker 1: it all right? More women chiming in on Tool. I 217 00:12:43,960 --> 00:12:46,000 Speaker 1: got to read this one. It's funny. This is Cheesecake 218 00:12:46,040 --> 00:12:49,040 Speaker 1: from the five but one, Jake love you. But girls 219 00:12:49,080 --> 00:12:52,160 Speaker 1: are indeed into Tool. Sure, dudes are the majority, but 220 00:12:52,160 --> 00:12:53,760 Speaker 1: there are a lot of us gals that love them too. 221 00:12:53,800 --> 00:12:55,600 Speaker 1: I became a fan back in the late nineties, fell 222 00:12:55,640 --> 00:12:59,160 Speaker 1: in love with the lyrical genius first, then the musical technicality. 223 00:12:59,280 --> 00:13:02,760 Speaker 1: Danny on the I'm so good they rock. I love them. 224 00:13:02,880 --> 00:13:06,360 Speaker 1: I am a woman. Hear me roar at a Tool show. 225 00:13:07,120 --> 00:13:09,480 Speaker 1: Cheesecake from the five oh one. Thank you you have 226 00:13:09,520 --> 00:13:11,480 Speaker 1: been heard? Okay. I hope you know that you've been 227 00:13:11,480 --> 00:13:14,640 Speaker 1: heard and you are appreciated. And I'm thankful for the 228 00:13:14,640 --> 00:13:18,400 Speaker 1: female perspective on one of the most beloved apparently metal 229 00:13:18,440 --> 00:13:20,800 Speaker 1: bands of all time. Tool, a band that I guess 230 00:13:20,920 --> 00:13:22,599 Speaker 1: I was kind of taken for granted, A band that 231 00:13:22,640 --> 00:13:25,480 Speaker 1: I'm going to go back and check out, and you know, 232 00:13:25,600 --> 00:13:29,120 Speaker 1: a band that perhaps we will cover in Disgraceland at 233 00:13:29,120 --> 00:13:31,320 Speaker 1: some point if I can find some angle in that 234 00:13:31,440 --> 00:13:35,160 Speaker 1: is disgraceful. That's that's my thinking. There's got to be 235 00:13:35,160 --> 00:13:37,800 Speaker 1: something there. They've been around for too long. Banana Underscore. 236 00:13:37,880 --> 00:13:44,120 Speaker 1: Diaz x X exclamation Point writes in on X Strange 237 00:13:44,160 --> 00:13:48,600 Speaker 1: Celebrity Deaths that I am not believing Maril Monroe covered 238 00:13:48,760 --> 00:13:53,000 Speaker 1: so well in your episodes. Hey, thank you, I appreciate that. 239 00:13:53,440 --> 00:13:57,160 Speaker 1: Don't mean to be self congratulatory there by reading your text, 240 00:13:57,200 --> 00:14:01,920 Speaker 1: but yeah, I think the Marilyn Monroe is the Grand 241 00:14:01,960 --> 00:14:07,440 Speaker 1: Pooba of bullshit celebrity death, celebrity causes of death. Sorry? 242 00:14:08,200 --> 00:14:10,280 Speaker 1: Did I say that correctly? I think I did? Yes? 243 00:14:10,559 --> 00:14:12,600 Speaker 1: All right, what else we got here? Hold? I want 244 00:14:12,600 --> 00:14:14,760 Speaker 1: to get some more dms at Disgrace and pod guys 245 00:14:14,800 --> 00:14:19,600 Speaker 1: on x Instagram and Facebook. Liam Renton writes in on 246 00:14:19,760 --> 00:14:22,120 Speaker 1: this is on Facebook, I believe, although I can't tell 247 00:14:22,120 --> 00:14:24,440 Speaker 1: on the Facebook app. What is a Facebook message? And 248 00:14:24,440 --> 00:14:28,000 Speaker 1: what is an Instagram message? Anymore? Oh? This is Instagram? 249 00:14:28,040 --> 00:14:30,600 Speaker 1: This is Liam Retton writes in just listen to the 250 00:14:30,680 --> 00:14:33,480 Speaker 1: entire Brittany Murphy podcast. Brilliant. Loved it so well thought 251 00:14:33,480 --> 00:14:35,600 Speaker 1: out and structured. Your voice is next level good. You 252 00:14:35,640 --> 00:14:39,600 Speaker 1: actually sound like Sean Mullens and the song Shimmer. Super cool, 253 00:14:39,680 --> 00:14:44,080 Speaker 1: great pod mate, Thanks Liam, appreciate you. Glad you dig 254 00:14:44,120 --> 00:14:46,280 Speaker 1: in the podcast. Now I need to go check out 255 00:14:46,280 --> 00:14:49,640 Speaker 1: some Sean Mullens. Andrew Grant writes in on the Brittany 256 00:14:49,880 --> 00:14:53,440 Speaker 1: Murphy episode, one of the saddest stories you put together. 257 00:14:53,680 --> 00:14:55,800 Speaker 1: Love the team's work, man, Andrew, you got it, and 258 00:14:55,960 --> 00:14:58,120 Speaker 1: it is a team effort here at Double Evis. It's 259 00:14:58,120 --> 00:15:00,680 Speaker 1: not just me behind the mic. There are many folks 260 00:15:00,680 --> 00:15:02,560 Speaker 1: who work on the research, work, on the writing, work, 261 00:15:02,600 --> 00:15:04,920 Speaker 1: on the production work, on the mixing, work, on the promoting. 262 00:15:05,280 --> 00:15:07,720 Speaker 1: And I thank you Andrew for mentioning the team there. 263 00:15:07,760 --> 00:15:10,600 Speaker 1: Appreciate you guys at Disgrace Lamb Pod. You want to 264 00:15:10,640 --> 00:15:12,200 Speaker 1: hit me up on Facebook, you want to hit me 265 00:15:12,240 --> 00:15:14,960 Speaker 1: on X, you want to hit me on Instagram. Can 266 00:15:15,000 --> 00:15:18,560 Speaker 1: respond to any in all questions six one seven nine 267 00:15:18,640 --> 00:15:19,960 Speaker 1: or six six six three eight. You want to leave 268 00:15:19,960 --> 00:15:21,440 Speaker 1: me a voicemail, you want to send me a text? 269 00:15:21,440 --> 00:15:23,960 Speaker 1: All right, stick around back in the flash, going to 270 00:15:24,000 --> 00:15:26,280 Speaker 1: announce the winners of our free merch this week, and 271 00:15:26,400 --> 00:15:28,840 Speaker 1: going to read some of your reviews and perhaps. 272 00:15:28,600 --> 00:15:44,440 Speaker 4: Get into some emails as well. 273 00:15:44,480 --> 00:15:47,720 Speaker 1: All right, guys, we are back more on this Metallica 274 00:15:47,760 --> 00:15:50,400 Speaker 1: episode we released a week ago. This is from Joseph 275 00:15:50,480 --> 00:15:54,120 Speaker 1: de Keir on Spotify, who says, I can honestly say 276 00:15:54,120 --> 00:15:57,280 Speaker 1: that this is my favorite episode of Disgrace, saying, you 277 00:15:57,320 --> 00:16:01,360 Speaker 1: guys definitely nailed it. Joseph, thanks, thank you. Get in touch, 278 00:16:01,520 --> 00:16:04,640 Speaker 1: all right, Joseph to kure, get in touch. We've got 279 00:16:04,640 --> 00:16:06,200 Speaker 1: some merch for you guys. You guys want to win 280 00:16:06,240 --> 00:16:07,600 Speaker 1: some free merch, you want to help out the show. 281 00:16:07,600 --> 00:16:09,000 Speaker 1: You can do both at the same time. You can 282 00:16:09,080 --> 00:16:11,640 Speaker 1: leave us some review on Spotify. You can leave us 283 00:16:11,680 --> 00:16:14,720 Speaker 1: a review on Apple Podcasts as well. And as you 284 00:16:14,760 --> 00:16:18,160 Speaker 1: are hearing here, we reward you guys a couple of 285 00:16:18,200 --> 00:16:20,520 Speaker 1: you each week with some free merch. Send them out 286 00:16:20,520 --> 00:16:23,000 Speaker 1: to you in the mail, t shirts, posters, pins, whatever 287 00:16:23,040 --> 00:16:25,880 Speaker 1: we've got lining around. So hit us up, all right, 288 00:16:26,080 --> 00:16:29,160 Speaker 1: Apple Podcasts and Spotify, leave us some reviews. That's what 289 00:16:29,240 --> 00:16:31,440 Speaker 1: helps the show get recognized. It's a good way to 290 00:16:31,480 --> 00:16:35,080 Speaker 1: promote the show. It's a good way to get Disgraceland 291 00:16:35,160 --> 00:16:39,480 Speaker 1: out into the world. Speaking of Apple podcasts, found Punk 292 00:16:39,560 --> 00:16:41,720 Speaker 1: leaves us a review it says as five stars says, 293 00:16:41,760 --> 00:16:43,840 Speaker 1: I never thought I never thought I'd be into the 294 00:16:43,880 --> 00:16:47,400 Speaker 1: quote unquote celebrity world because of all the ugly consumerism 295 00:16:47,440 --> 00:16:50,080 Speaker 1: and narcissism. But this podcast keeps me wanting to know 296 00:16:50,200 --> 00:16:53,080 Speaker 1: more about what goes on behind the scenes, and I 297 00:16:53,120 --> 00:16:56,400 Speaker 1: start seeing celebrities as more than just tabloid fodder and 298 00:16:56,480 --> 00:16:59,880 Speaker 1: plastic people. Thanks Bro, you got to thank you. Found 299 00:17:00,400 --> 00:17:02,600 Speaker 1: Hit us up, all right, hit us up and we'll 300 00:17:02,600 --> 00:17:04,080 Speaker 1: get some merch out to you. And I want to 301 00:17:04,119 --> 00:17:06,400 Speaker 1: say I've been thinking about this a lot, actually, okay, 302 00:17:06,680 --> 00:17:12,159 Speaker 1: because I can relate to Found Punk's sentiment here. I 303 00:17:12,240 --> 00:17:15,159 Speaker 1: never thought that I would be, you know, I like 304 00:17:15,200 --> 00:17:17,520 Speaker 1: to think a disgraced land. It started out purely music 305 00:17:17,560 --> 00:17:21,000 Speaker 1: and true crime. We've obviously expanded. We're covering actors, recovering athletes, 306 00:17:21,040 --> 00:17:25,159 Speaker 1: recovering artists of all stars and stripes. But it is 307 00:17:25,240 --> 00:17:28,320 Speaker 1: kind of a celebrity podcast in a weird way. I've 308 00:17:28,359 --> 00:17:30,760 Speaker 1: been telling people lately it's stories be from the dark 309 00:17:30,800 --> 00:17:33,520 Speaker 1: side of entertainment, which it certainly is. There's a darkness 310 00:17:33,520 --> 00:17:36,119 Speaker 1: that is at the undercoverent of all of these stories. 311 00:17:37,600 --> 00:17:40,240 Speaker 1: And though there are celebrity names that are in the 312 00:17:40,280 --> 00:17:44,360 Speaker 1: titles of all of these podcast episodes, and certainly these 313 00:17:44,400 --> 00:17:47,560 Speaker 1: are the subjects, make no bones about it. They're not 314 00:17:47,840 --> 00:17:51,480 Speaker 1: celebrity tabloid fodder in the least. Found Punk has nailed it. 315 00:17:51,640 --> 00:17:56,360 Speaker 1: These are human stories, and I'm researching an episode right 316 00:17:56,359 --> 00:18:01,320 Speaker 1: now about a massively famous celebrity, Matthew Perry from Friends, 317 00:18:01,680 --> 00:18:04,520 Speaker 1: and those of you who are on our Patreon you 318 00:18:04,560 --> 00:18:06,880 Speaker 1: know this already. Forgive me because I've been talking about 319 00:18:06,880 --> 00:18:10,320 Speaker 1: this in the chat over there and just mentioning it, 320 00:18:10,440 --> 00:18:14,080 Speaker 1: and it's I can't I don't know if I can 321 00:18:14,080 --> 00:18:16,840 Speaker 1: say it's one of the most human stories I've ever researched. 322 00:18:16,840 --> 00:18:19,280 Speaker 1: But there there's something going on with this research where 323 00:18:19,320 --> 00:18:22,320 Speaker 1: it is supremely depressing. Now, listen, I didn't grow up 324 00:18:22,400 --> 00:18:24,560 Speaker 1: a Matthew Perry fan. I didn't even grow up a 325 00:18:24,560 --> 00:18:26,560 Speaker 1: Friends fan. I came to Friends late, like when it 326 00:18:26,600 --> 00:18:29,800 Speaker 1: went on Netflix, or years after it went on Netflix. 327 00:18:30,440 --> 00:18:33,520 Speaker 1: I became a Friends fan after I'd already devoured Seinfeld 328 00:18:33,560 --> 00:18:38,000 Speaker 1: like five times. I actively disliked Friends back in the nineties, 329 00:18:39,600 --> 00:18:42,439 Speaker 1: and then I came to I came to someone. I 330 00:18:42,480 --> 00:18:44,320 Speaker 1: heard someone talk about the first season and how it 331 00:18:44,320 --> 00:18:46,159 Speaker 1: was actually really great. So I got interested and I 332 00:18:46,160 --> 00:18:47,840 Speaker 1: watched it, and I got looped in and I started 333 00:18:47,840 --> 00:18:51,119 Speaker 1: to appreciate it. And I can appreciate, you know, I 334 00:18:51,119 --> 00:18:57,199 Speaker 1: can appreciate big mainstream popcorny commercial content, you know, just 335 00:18:57,240 --> 00:19:00,280 Speaker 1: like I can appreciate Gg Allen. They're different thing, but 336 00:19:00,800 --> 00:19:03,920 Speaker 1: I can see the value in both. But I say 337 00:19:03,960 --> 00:19:06,440 Speaker 1: this to just point out that I did not grow 338 00:19:06,560 --> 00:19:09,320 Speaker 1: up like a you know, a fanatic for Friends or 339 00:19:09,359 --> 00:19:12,159 Speaker 1: Matthew Perry or anything like that. And I found myself 340 00:19:12,200 --> 00:19:15,679 Speaker 1: researching this episode, and frankly, I found myself to be 341 00:19:15,920 --> 00:19:22,119 Speaker 1: legitimately depressed over it. It is a sad, sad episode 342 00:19:22,760 --> 00:19:27,080 Speaker 1: to research. It is a sad story, and the the 343 00:19:27,080 --> 00:19:31,719 Speaker 1: the human piece of it, the addiction, the disease that 344 00:19:31,800 --> 00:19:35,840 Speaker 1: this guy had, the toll that it took on his life. 345 00:19:36,000 --> 00:19:39,840 Speaker 1: It's it's hard to digest, and it's going to be 346 00:19:39,880 --> 00:19:43,320 Speaker 1: even harder to write. And I'm not going to write 347 00:19:43,359 --> 00:19:46,240 Speaker 1: it like some tabloidy bullshit. I'm going to write it 348 00:19:46,320 --> 00:19:48,919 Speaker 1: so that the human piece of it is right there 349 00:19:48,960 --> 00:19:51,320 Speaker 1: at the center of the story. And I think that's 350 00:19:51,359 --> 00:19:53,679 Speaker 1: why you guys keep showing up here. And I appreciate you, 351 00:19:53,720 --> 00:19:55,880 Speaker 1: and I appreciate you found Punk for calling that out 352 00:19:56,160 --> 00:19:58,919 Speaker 1: in the in the reviews there on Apple Podcasts. I 353 00:19:58,920 --> 00:20:00,959 Speaker 1: want to read this other review you here too, because 354 00:20:01,000 --> 00:20:04,280 Speaker 1: it brings up a big, a larger point for me. 355 00:20:04,920 --> 00:20:09,560 Speaker 1: This one is from Megan Locke and it says great writing, 356 00:20:09,600 --> 00:20:11,960 Speaker 1: great style. Five stars is on Apple Podcasts. I love that. 357 00:20:12,000 --> 00:20:13,840 Speaker 1: I don't feel like I'm listening to a script written 358 00:20:13,880 --> 00:20:17,000 Speaker 1: by AI. Great work, love all your picks for topics, 359 00:20:17,040 --> 00:20:20,439 Speaker 1: awesome variety. I say this not to be self congratulatory, 360 00:20:20,480 --> 00:20:22,160 Speaker 1: though I'm not immune to that, as you can tell 361 00:20:22,200 --> 00:20:27,680 Speaker 1: from from these episodes. But the Megan's Megan's larger point here, right, 362 00:20:27,840 --> 00:20:31,280 Speaker 1: the AI piece of it, This is something that I'm 363 00:20:31,320 --> 00:20:33,359 Speaker 1: in real fear of. I'm not in fear of AI 364 00:20:33,520 --> 00:20:35,920 Speaker 1: taking my job. That will never happen. You know. AI 365 00:20:36,080 --> 00:20:38,840 Speaker 1: might might affect my job so that I make less 366 00:20:38,880 --> 00:20:42,400 Speaker 1: money in the future, but whatever. Uh. The piece here 367 00:20:42,440 --> 00:20:45,320 Speaker 1: that I'm afraid of is if you go on to UH, 368 00:20:45,400 --> 00:20:47,679 Speaker 1: if you go onto YouTube and you serve there some 369 00:20:47,720 --> 00:20:52,320 Speaker 1: great storytellers on YouTube, but the YouTube algorithm, and I 370 00:20:52,359 --> 00:20:54,439 Speaker 1: fear that this is going to happen with all of 371 00:20:54,480 --> 00:20:58,760 Speaker 1: the big social media content players Instagram, Meta, et cetera, TikTok, 372 00:20:59,240 --> 00:21:02,399 Speaker 1: the YouTube algori of them. Anyways, it rewards it seems 373 00:21:02,400 --> 00:21:11,800 Speaker 1: to reward neutral broad storytelling. Okay, just like mainstream network 374 00:21:12,119 --> 00:21:18,160 Speaker 1: television or mainstream blockbuster filmmaking in past years has has 375 00:21:18,680 --> 00:21:23,680 Speaker 1: favored safe, neutral storytelling because it can reach the biggest 376 00:21:23,840 --> 00:21:27,720 Speaker 1: possible audience. And that's what YouTube is interested in, creators 377 00:21:27,800 --> 00:21:30,920 Speaker 1: making content that can reach as many people as possible 378 00:21:30,960 --> 00:21:33,600 Speaker 1: and offend as few people as possible. And they have 379 00:21:33,640 --> 00:21:35,800 Speaker 1: all these safe cards in place, and I understand why 380 00:21:35,840 --> 00:21:39,400 Speaker 1: they have them, But at the same time, it's not 381 00:21:39,640 --> 00:21:45,680 Speaker 1: like they have real humans sitting back and protecting against 382 00:21:46,320 --> 00:21:49,720 Speaker 1: harmful content. This is all sort of, as I understand it, 383 00:21:49,800 --> 00:21:55,600 Speaker 1: AI protected, and it causes if you're a creator, you 384 00:21:55,640 --> 00:21:57,240 Speaker 1: don't want to be dinged. You don't want to be 385 00:21:57,320 --> 00:21:59,040 Speaker 1: you don't want to be kicked off the platform. You 386 00:21:59,040 --> 00:22:01,520 Speaker 1: don't you don't want your content and not reach people 387 00:22:01,840 --> 00:22:05,400 Speaker 1: and to be not recommended by the algorithm. So creators 388 00:22:05,440 --> 00:22:08,920 Speaker 1: are sort of forced into this lane to create very 389 00:22:09,040 --> 00:22:12,800 Speaker 1: very safe content. And as we grow, as the media 390 00:22:12,880 --> 00:22:17,320 Speaker 1: industry grows over these next few years, and the mainstream 391 00:22:17,480 --> 00:22:21,720 Speaker 1: channels of content distribution get more and more fragmented, and 392 00:22:21,800 --> 00:22:26,640 Speaker 1: creators have less and less control over how they promote 393 00:22:26,680 --> 00:22:31,160 Speaker 1: their content through other traditional means, other partners with either 394 00:22:31,280 --> 00:22:37,240 Speaker 1: studios or normal distribution channels. It's I just, I really, 395 00:22:37,280 --> 00:22:41,160 Speaker 1: really fear that we are headed toward a place where 396 00:22:41,200 --> 00:22:45,720 Speaker 1: it will almost entirely just be the safe storytelling, because 397 00:22:45,720 --> 00:22:49,040 Speaker 1: that's the only type of storytelling that the algorithms are 398 00:22:49,080 --> 00:22:53,440 Speaker 1: going to reward. And these big social media content companies, 399 00:22:53,720 --> 00:22:56,520 Speaker 1: they have everybody else boxed out. And yes, the Internet 400 00:22:56,640 --> 00:22:59,400 Speaker 1: is a great equalizer and we can all just make 401 00:22:59,440 --> 00:23:01,760 Speaker 1: whatever we want and put it out into the world. Yes, 402 00:23:02,080 --> 00:23:06,720 Speaker 1: but we are governed by how these algorithms treat our content. 403 00:23:06,880 --> 00:23:10,959 Speaker 1: So when Meghan here talks about she's happy that Disgraceland 404 00:23:11,080 --> 00:23:15,199 Speaker 1: is not just some script written by AI. Meghan, I 405 00:23:15,200 --> 00:23:17,880 Speaker 1: don't know where we're gonna be in ten years, and 406 00:23:17,960 --> 00:23:19,920 Speaker 1: something tells me that we're going to be in a very, 407 00:23:20,040 --> 00:23:22,959 Speaker 1: very tough place where there will be the sort of 408 00:23:23,000 --> 00:23:26,320 Speaker 1: top one percent of content creators who will be so 409 00:23:26,520 --> 00:23:30,119 Speaker 1: huge and He'll have audiences that are so so big 410 00:23:30,520 --> 00:23:32,720 Speaker 1: that they will be able to sort of do whatever 411 00:23:32,720 --> 00:23:36,080 Speaker 1: they want, write whatever they want. But the majority of 412 00:23:36,240 --> 00:23:39,199 Speaker 1: other content creators, the smaller ones, are going to have to, 413 00:23:39,840 --> 00:23:43,280 Speaker 1: if not use AI to write their content right in 414 00:23:43,280 --> 00:23:46,040 Speaker 1: a way that is similar to AI. And that to 415 00:23:46,080 --> 00:23:48,919 Speaker 1: me is very fucking scary. So Meghan, I don't know 416 00:23:49,640 --> 00:23:53,080 Speaker 1: you inspired this rant. Thank you hit us up, got 417 00:23:53,119 --> 00:23:56,760 Speaker 1: some merch for you. Speaking of algorithms, over on Spotify, guys, 418 00:23:56,800 --> 00:23:58,640 Speaker 1: if you're a Spotify listener, get over there. We get 419 00:23:58,640 --> 00:24:01,280 Speaker 1: a poll over there under the Aty Murphy episode. I 420 00:24:01,320 --> 00:24:05,560 Speaker 1: want to know how you believe she died. Was it 421 00:24:06,240 --> 00:24:08,720 Speaker 1: the mom theory or the dad theory? Okay, not that 422 00:24:08,760 --> 00:24:10,960 Speaker 1: the dad is theorized who have killed her? But the 423 00:24:11,040 --> 00:24:14,000 Speaker 1: dad has his own theories. I guess that's what I'm saying. 424 00:24:14,040 --> 00:24:18,040 Speaker 1: So check that out Spotify polls. Disgraceland is available everywhere 425 00:24:18,119 --> 00:24:21,560 Speaker 1: Apple Podcasts, Spotify. Leave a review really helps out. All Right, 426 00:24:21,600 --> 00:24:23,600 Speaker 1: this episode is nearing its end, but the after party 427 00:24:23,600 --> 00:24:26,159 Speaker 1: continues for our All Access members. Sign up today and 428 00:24:26,160 --> 00:24:28,080 Speaker 1: you'll hear an extended version of the after Party where 429 00:24:28,080 --> 00:24:30,080 Speaker 1: we get into more of your text and voicemails and 430 00:24:30,119 --> 00:24:32,920 Speaker 1: dive deeper into the stories behind the stories we tell 431 00:24:32,960 --> 00:24:36,480 Speaker 1: here on Disgraceland. Don't forget All Access members, you get 432 00:24:36,600 --> 00:24:38,919 Speaker 1: ad free listening as well. Okay, you also get an 433 00:24:38,960 --> 00:24:42,280 Speaker 1: extra full episode of Disgrace Slam per month. That's an 434 00:24:42,280 --> 00:24:44,560 Speaker 1: episode that we're going to get into having you, guys, 435 00:24:44,840 --> 00:24:48,240 Speaker 1: be more involved with the choosing of those subjects you 436 00:24:48,240 --> 00:24:50,200 Speaker 1: want to hear us produce an episode on your favorite artists. 437 00:24:50,200 --> 00:24:52,119 Speaker 1: All you get to do is become an all Access member. 438 00:24:52,160 --> 00:24:53,920 Speaker 1: Help us choose the stories you want to hear. Sign 439 00:24:54,000 --> 00:25:13,640 Speaker 1: up at disgracelampod dot com slash membership. All right, welcome back. 440 00:25:13,640 --> 00:25:15,480 Speaker 1: I'm about to get out of here, but before I do, 441 00:25:15,640 --> 00:25:19,040 Speaker 1: before next week's Alfred Hitchcock episode, there will be a 442 00:25:19,080 --> 00:25:21,679 Speaker 1: rewind episode from our archive popping up in your feeds. 443 00:25:21,760 --> 00:25:24,720 Speaker 1: As usual, guys, we have so many episodes in our archive. 444 00:25:24,800 --> 00:25:27,560 Speaker 1: We talked a lot about Bad Moms today and I 445 00:25:27,640 --> 00:25:30,480 Speaker 1: mentioned the sid Vicious episode from our archive. That's episode 446 00:25:30,480 --> 00:25:34,159 Speaker 1: two from February twentieth, twenty eighteen, so go get some 447 00:25:34,280 --> 00:25:37,280 Speaker 1: of that. Staying on the bad parents theme, we have 448 00:25:37,320 --> 00:25:40,720 Speaker 1: two episodes on Britney Spears. Those are episodes one oh 449 00:25:40,760 --> 00:25:43,520 Speaker 1: five and one oh six from back on July twelfth. 450 00:25:43,520 --> 00:25:47,040 Speaker 1: In July twenty six, twenty twenty two, and for perhaps 451 00:25:47,280 --> 00:25:50,120 Speaker 1: the most fucked up rock star and mother of rock 452 00:25:50,160 --> 00:25:53,919 Speaker 1: star outcome you could possibly imagine, there is a Derek 453 00:25:53,920 --> 00:25:58,360 Speaker 1: in the Dominoes episode featuring a session drummer, the homicidal 454 00:25:58,560 --> 00:26:02,879 Speaker 1: Jim Gordon. This is one of my favorite episodes. I 455 00:26:03,000 --> 00:26:07,440 Speaker 1: re release it every Christmas. It's in part of Christmas theme. 456 00:26:07,560 --> 00:26:10,720 Speaker 1: But this is just it's so good. Go check it 457 00:26:10,720 --> 00:26:12,480 Speaker 1: out if you haven't heard it already. It was released 458 00:26:12,520 --> 00:26:17,160 Speaker 1: back December fourteenth, twenty twenty one. That's episode number ninety two. 459 00:26:17,359 --> 00:26:20,359 Speaker 1: Matt Boden mixed the shit out of this episode. Really 460 00:26:20,400 --> 00:26:22,600 Speaker 1: sounds great, sounds fucking great. Still love the way this 461 00:26:22,640 --> 00:26:25,400 Speaker 1: one sounds all right. That brings us to nearly in end, folks, 462 00:26:25,440 --> 00:26:27,680 Speaker 1: So let's recap Shallow number one right now on your feed. 463 00:26:27,720 --> 00:26:30,200 Speaker 1: A brand new episode on Brittany Murphy number two coming tomorrow, 464 00:26:30,240 --> 00:26:32,640 Speaker 1: a special rewind episode from our archive. And we are 465 00:26:32,680 --> 00:26:36,240 Speaker 1: talking Alfred Hitchcock next week. In the Hitchcock Dilemma, I e. 466 00:26:36,400 --> 00:26:39,959 Speaker 1: Directors who, despite their problematic behavior, created movies so great 467 00:26:40,080 --> 00:26:42,600 Speaker 1: that we can't not watch them. Hit me up six 468 00:26:42,720 --> 00:26:44,879 Speaker 1: one seven nine O six six sixty three eight and 469 00:26:44,960 --> 00:26:48,040 Speaker 1: tell me who you got, who you think? What directors? 470 00:26:48,119 --> 00:26:50,560 Speaker 1: What movies? Call me on the telephone, send me a text, 471 00:26:50,680 --> 00:26:53,560 Speaker 1: Hit me up at Disgrace lampod on the socials. Number 472 00:26:53,640 --> 00:26:56,000 Speaker 1: three merch winners, get in touch. You know who you are. 473 00:26:56,280 --> 00:26:58,959 Speaker 1: Number four. Remember no one cares about great storytelling more 474 00:26:59,000 --> 00:27:02,320 Speaker 1: than you do. And well that's a disgrace, all right. 475 00:27:02,400 --> 00:27:05,720 Speaker 1: In honor of Britney Murphy Gone too soon. On December twenty, 476 00:27:05,760 --> 00:27:08,800 Speaker 1: two thousand and nine, this is me reading to you 477 00:27:09,160 --> 00:27:12,439 Speaker 1: the Billboard charts from the week of Miss Murphy's death. 478 00:27:14,160 --> 00:27:18,119 Speaker 1: Number one Empire State of Mind, jay Z and Alicia 479 00:27:18,240 --> 00:27:24,040 Speaker 1: Keys last week one, peak position one weeks on chart fourteen. 480 00:27:24,760 --> 00:27:31,040 Speaker 1: Number two TikTok Kesha last week three, peak position two 481 00:27:31,200 --> 00:27:36,960 Speaker 1: weeks on chart ten. Number three, Bad Romance Lady Gaga 482 00:27:37,520 --> 00:27:42,639 Speaker 1: last week two, peak position two weeks on chart seven 483 00:27:42,800 --> 00:27:47,120 Speaker 1: weeks on Number four Replay number three, Elias Pos last 484 00:27:47,160 --> 00:27:52,159 Speaker 1: week peak position last week four, two weeks on chart seventeen. 485 00:27:53,040 --> 00:27:57,600 Speaker 1: Number five, Fireflies Number Fowls last week last week live 486 00:27:57,920 --> 00:28:01,760 Speaker 1: position peak position four, s assn. 487 00:28:01,840 --> 00:28:08,680 Speaker 2: Six, Show six, Jesus Funny Story six cut decision. 488 00:28:08,280 --> 00:28:15,680 Speaker 1: Last quit talking and start mixing. 489 00:28:15,880 --> 00:28:16,120 Speaker 3: Could