1 00:00:06,280 --> 00:00:11,080 Speaker 1: So, yeah, it was just me and uh Tina, uh 2 00:00:11,640 --> 00:00:20,680 Speaker 1: Napoleon Dynamite is Lama and uh Siedric Garborough Sure, and 3 00:00:20,720 --> 00:00:25,520 Speaker 1: we are playing McDonald's monopoly. Uh Cedric had shown up 4 00:00:25,560 --> 00:00:31,120 Speaker 1: with two sleeves of cups right that he was walking 5 00:00:31,160 --> 00:00:36,560 Speaker 1: on like he he kind of like awkwardly walks up 6 00:00:37,400 --> 00:00:39,760 Speaker 1: like in a weird way, and then he lifts his 7 00:00:39,880 --> 00:00:44,520 Speaker 1: pant legs and his legs are sort of leaves of cups. 8 00:00:44,720 --> 00:00:45,639 Speaker 2: Are they stilts? 9 00:00:45,800 --> 00:00:47,720 Speaker 3: Is it? He has made them? Know? 10 00:00:47,960 --> 00:00:52,519 Speaker 1: He has bent his lower legs back so his knees 11 00:00:52,560 --> 00:00:54,920 Speaker 1: are in the top of the cups. He's using those 12 00:00:54,920 --> 00:00:57,480 Speaker 1: to walk around. Do you remember this? This That was amazing? 13 00:00:57,600 --> 00:00:59,840 Speaker 3: Yeah, that was That was pretty damn cool of me. 14 00:01:00,640 --> 00:01:03,760 Speaker 3: Can you still do that? Yeah? Yeah, yeah, that was 15 00:01:04,160 --> 00:01:07,880 Speaker 3: something I learned in the third grade. I don't know 16 00:01:07,880 --> 00:01:09,640 Speaker 3: about you guys. Did you guys do any drinking games 17 00:01:09,760 --> 00:01:10,279 Speaker 3: back then. 18 00:01:10,520 --> 00:01:12,319 Speaker 4: When I was in third grade? Yeah, I did a 19 00:01:12,319 --> 00:01:15,640 Speaker 4: lot of drinking games. Yeah, with McDonald's. 20 00:01:15,120 --> 00:01:18,200 Speaker 1: Cubs, So you needed a lot of cups around for 21 00:01:18,360 --> 00:01:20,080 Speaker 1: all the drinking games you were going to be playing. 22 00:01:20,160 --> 00:01:22,479 Speaker 4: Naturally, I played all the games back then. 23 00:01:23,720 --> 00:01:29,640 Speaker 3: The knee game, the elbow game, but in the drink. Yeah. Ye, 24 00:01:29,959 --> 00:01:33,280 Speaker 3: did you go to school for that? That was the thing. 25 00:01:33,360 --> 00:01:37,000 Speaker 3: I did go to school. It was a third grade 26 00:01:37,120 --> 00:01:45,679 Speaker 3: prep that had specifically I majored in game gaming with cups, 27 00:01:46,040 --> 00:01:49,120 Speaker 3: And once I got to the fourth grade, that was 28 00:01:49,360 --> 00:01:52,560 Speaker 3: I was done. I was on graduates major. You switched it. 29 00:01:52,600 --> 00:01:55,480 Speaker 3: I was on the darts okay. Wow. 30 00:01:56,720 --> 00:01:59,480 Speaker 1: So we of course we were playing McDonald's Monopoly with 31 00:01:59,520 --> 00:02:04,480 Speaker 1: all these Yeah, and we're revealing the different places on 32 00:02:04,560 --> 00:02:06,920 Speaker 1: the board and sure matching them. 33 00:02:06,760 --> 00:02:09,440 Speaker 4: On names of the streets everything. Yeah, and Dina is 34 00:02:09,480 --> 00:02:11,840 Speaker 4: eating the cups right. 35 00:02:12,360 --> 00:02:12,760 Speaker 3: Uh. 36 00:02:12,800 --> 00:02:15,880 Speaker 1: And I see as she's chowing down on one of 37 00:02:15,960 --> 00:02:20,280 Speaker 1: these cups, just a little glimmer of a blue for 38 00:02:20,520 --> 00:02:22,520 Speaker 1: freaking boardwalk the dark blue. 39 00:02:22,840 --> 00:02:27,160 Speaker 4: Yes, because blue also is Connect Avenue Oriental Avenue, which 40 00:02:27,160 --> 00:02:27,720 Speaker 4: I don't know if they. 41 00:02:27,639 --> 00:02:30,920 Speaker 3: Could even do now. Yeah, I don't think I was. 42 00:02:31,160 --> 00:02:34,639 Speaker 1: You can't have that one. Yeah, you were complaining first 43 00:02:35,040 --> 00:02:35,760 Speaker 1: you gotta. 44 00:02:35,600 --> 00:02:38,880 Speaker 3: Change that's that's not cool. 45 00:02:39,120 --> 00:02:42,280 Speaker 2: Yeah it so now it's Cedric Avenue. 46 00:02:42,520 --> 00:02:46,079 Speaker 3: Yeah, so now we've we've we've changed it to Uh. 47 00:02:46,440 --> 00:02:48,760 Speaker 3: I wanted to go with Cedric Avenue, but you know, 48 00:02:50,160 --> 00:02:53,120 Speaker 3: people have you know, there's snobs and so we're gonna 49 00:02:53,120 --> 00:02:54,080 Speaker 3: go withnue. 50 00:02:54,120 --> 00:02:58,800 Speaker 1: Okay, the spelling is this is this, Okay, But even so, no, 51 00:02:58,480 --> 00:03:00,280 Speaker 1: I totally understand. 52 00:03:00,280 --> 00:03:02,160 Speaker 3: The pronunciation is different. 53 00:03:02,480 --> 00:03:07,440 Speaker 1: And so she's licking the little sticker off with her 54 00:03:07,760 --> 00:03:11,120 Speaker 1: coarse tongue of boardwalk, which at the time I was 55 00:03:11,280 --> 00:03:15,120 Speaker 1: very if you remember that was when she and I, 56 00:03:15,120 --> 00:03:19,040 Speaker 1: I was very familiar with that what that tongue could do, 57 00:03:19,680 --> 00:03:23,600 Speaker 1: and it's power, right, and so I know very quickly 58 00:03:23,639 --> 00:03:27,600 Speaker 1: that that sticker is going to be operated. Yes, yes, 59 00:03:27,960 --> 00:03:30,160 Speaker 1: by the course tongue licked to the bone. 60 00:03:30,480 --> 00:03:35,000 Speaker 3: Yes, I didn't know that though I had no idea. 61 00:03:35,280 --> 00:03:38,400 Speaker 4: Yeah, you had no urgency at all from what I've heard. 62 00:03:38,520 --> 00:03:42,480 Speaker 3: No, and no you were I need to leave either. 63 00:03:42,640 --> 00:03:44,600 Speaker 3: You were sort of visibly kicking back. 64 00:03:44,600 --> 00:03:48,480 Speaker 1: Yeah, as the course tongue was springing into action. 65 00:03:48,760 --> 00:03:52,760 Speaker 4: Yes, sort of satisfied with yourself having done the cool 66 00:03:53,120 --> 00:03:54,320 Speaker 4: cup game club. 67 00:03:54,120 --> 00:04:00,760 Speaker 3: Game I changed, you know, I'd say I'd solved racism, 68 00:04:01,000 --> 00:04:04,360 Speaker 3: and then you know, then this, which is a lot. 69 00:04:04,200 --> 00:04:07,720 Speaker 4: For a day. Yeah, but the tongue thing also was important. 70 00:04:07,760 --> 00:04:10,440 Speaker 4: It's gonna eat Boardwalk, gonna destroy it, and. 71 00:04:10,400 --> 00:04:14,200 Speaker 1: So I have to slap it away, slap the sticker 72 00:04:14,240 --> 00:04:16,919 Speaker 1: away and I do it perfect, perfect slap where I 73 00:04:17,000 --> 00:04:21,800 Speaker 1: just with just my ring finger just lightly flick the 74 00:04:21,800 --> 00:04:24,039 Speaker 1: sticker out of her mouth. 75 00:04:23,800 --> 00:04:25,640 Speaker 4: And your middle finger goes inside her nose. 76 00:04:26,160 --> 00:04:28,760 Speaker 3: It just because that's very. 77 00:04:28,480 --> 00:04:31,599 Speaker 1: Delicately just above just like kind of tickles her nose 78 00:04:31,640 --> 00:04:35,560 Speaker 1: and uses it kind of a spring ah to get away. 79 00:04:36,120 --> 00:04:38,640 Speaker 1: But she she's standing after I've done this, She's. 80 00:04:38,440 --> 00:04:41,080 Speaker 4: Like, what what right? 81 00:04:41,120 --> 00:04:43,000 Speaker 1: She thinks that I missed and I was trying to 82 00:04:43,040 --> 00:04:45,480 Speaker 1: do like a real slap, but I was just trying 83 00:04:45,480 --> 00:04:45,880 Speaker 1: to flick this. 84 00:04:45,920 --> 00:04:48,120 Speaker 2: I show her the sticker is now on my finger. 85 00:04:48,480 --> 00:04:49,919 Speaker 2: So a million dollars on it? 86 00:04:50,320 --> 00:04:56,280 Speaker 4: Yeah, but boardwalk, so having Boardwalk alone, that's a million bucks. 87 00:04:56,960 --> 00:04:58,000 Speaker 4: You don't need part place. 88 00:04:58,680 --> 00:05:02,840 Speaker 3: So this was my what I thank you wondering because 89 00:05:02,839 --> 00:05:04,840 Speaker 3: it said a million dollars on it. 90 00:05:04,839 --> 00:05:08,120 Speaker 1: It says that on board walk, which was another complaint 91 00:05:08,200 --> 00:05:11,080 Speaker 1: as you were complaining about Oriental Avenue. I was complaining, 92 00:05:11,080 --> 00:05:14,039 Speaker 1: this says a million dollars, but it says you also 93 00:05:14,120 --> 00:05:15,920 Speaker 1: have to have the other one dark place. 94 00:05:16,000 --> 00:05:16,240 Speaker 3: Yeah. 95 00:05:16,320 --> 00:05:20,880 Speaker 2: Yeah, dang, well so I lost a relationship. 96 00:05:21,360 --> 00:05:29,120 Speaker 1: Yeah, and all this money, Well, it's time that we 97 00:05:29,200 --> 00:05:33,800 Speaker 1: do pass go and we do collect about two hundred dollars. 98 00:05:33,880 --> 00:05:35,680 Speaker 4: I think we're doing the show this year. 99 00:05:36,600 --> 00:05:41,279 Speaker 1: So hi, Hi, Welcome to Hollywood Handbook and Insider's Guide 100 00:05:41,320 --> 00:05:43,840 Speaker 1: to kicking button dropping names in this industry we call 101 00:05:43,920 --> 00:05:48,040 Speaker 1: show biz. Ciedric Yarborough is our guest today. He's joining 102 00:05:48,120 --> 00:05:50,440 Speaker 1: us from. 103 00:05:50,240 --> 00:05:53,640 Speaker 4: And if we could just one more monopoly joke, and hey, Brett, 104 00:05:54,000 --> 00:05:55,440 Speaker 4: go directly to jail. 105 00:05:56,880 --> 00:05:57,800 Speaker 3: Engineer Brett. 106 00:05:58,320 --> 00:06:00,640 Speaker 4: It's sort of a this is I don't know if 107 00:06:00,640 --> 00:06:03,279 Speaker 4: you know Engineer Brett. He's kind of always up to 108 00:06:03,320 --> 00:06:06,679 Speaker 4: no good. He's the low key of the Earwolf universe. 109 00:06:06,839 --> 00:06:09,760 Speaker 3: And so I didn't know. I didn't even see you. 110 00:06:10,080 --> 00:06:13,240 Speaker 2: He was just that's a real lucky thing. It's only 111 00:06:13,320 --> 00:06:14,680 Speaker 2: when he wants you to see him. 112 00:06:14,760 --> 00:06:18,200 Speaker 3: Okay, but he will appear pretty cool. Cloak got m 113 00:06:18,560 --> 00:06:19,359 Speaker 3: m yeah. 114 00:06:19,200 --> 00:06:24,320 Speaker 4: Thanks man, Yeah yeah, mischievous scoundrel. Okay, go to jail Brett. 115 00:06:24,760 --> 00:06:28,120 Speaker 3: Are you what are you? Hufflepuff Slytherin? I mean your hat? 116 00:06:28,480 --> 00:06:32,000 Speaker 3: What is that? Oh? I'm what are you? 117 00:06:32,120 --> 00:06:35,039 Speaker 1: Brett has one of those hats that's like those hats 118 00:06:35,040 --> 00:06:37,520 Speaker 1: that have every NBA, T bother but it has all 119 00:06:37,600 --> 00:06:40,080 Speaker 1: the Harry Potter houses, right, Okay. 120 00:06:41,000 --> 00:06:44,160 Speaker 3: So just like whoever's like winning at the time. 121 00:06:44,640 --> 00:06:50,560 Speaker 4: Oh yeah, in the quidditch man, right, uh huh, I 122 00:06:50,960 --> 00:06:54,440 Speaker 4: haven't actually seen it. Brett plays in one of these 123 00:06:54,560 --> 00:06:59,840 Speaker 4: live quidditch leagues where he's just like so into the 124 00:06:59,839 --> 00:07:01,680 Speaker 4: move that he and a bunch of his friends do 125 00:07:02,600 --> 00:07:06,280 Speaker 4: run around on brooms inside like an indoor soccer arena, 126 00:07:06,640 --> 00:07:07,600 Speaker 4: and uh. 127 00:07:07,760 --> 00:07:11,520 Speaker 3: You just run mostly now, it is just running. It's 128 00:07:11,560 --> 00:07:16,680 Speaker 3: mostly running getting our energy out, like burning, burning it out. Yeah, 129 00:07:15,880 --> 00:07:17,040 Speaker 3: right are you? 130 00:07:17,200 --> 00:07:19,880 Speaker 4: And what's your position again? 131 00:07:19,960 --> 00:07:26,600 Speaker 3: Brett? Forward? Back, forward, back, that's the direction that he runs. 132 00:07:27,200 --> 00:07:32,600 Speaker 3: Mm hmm like circle circle man, like circle man. Did 133 00:07:32,680 --> 00:07:35,320 Speaker 3: you just said like circle man? 134 00:07:36,480 --> 00:07:36,880 Speaker 2: Yeah? 135 00:07:37,000 --> 00:07:39,520 Speaker 3: Forward back, forward back circle man. 136 00:07:40,280 --> 00:07:42,400 Speaker 4: Okay, it's been tough to nail him down on what 137 00:07:42,440 --> 00:07:42,960 Speaker 4: the position. 138 00:07:43,120 --> 00:07:45,680 Speaker 1: Those are definitely the words that he's saying while he 139 00:07:45,880 --> 00:07:49,000 Speaker 1: is playing the game. That's consistent with what I've seen. 140 00:07:49,080 --> 00:07:51,360 Speaker 3: I wish Brett would go back to being low key 141 00:07:51,440 --> 00:07:53,440 Speaker 3: because I don't know what. 142 00:07:53,640 --> 00:07:56,080 Speaker 2: Yeh, he's he's become very high key. 143 00:07:56,320 --> 00:08:01,600 Speaker 3: Yeah, he's become the you don't what. Let's let's might 144 00:08:01,680 --> 00:08:02,920 Speaker 3: as well talk to Brett. 145 00:08:02,600 --> 00:08:07,880 Speaker 5: A little bit, Okay, let's sort of talk circle or 146 00:08:07,960 --> 00:08:08,600 Speaker 5: not or not? 147 00:08:08,960 --> 00:08:10,120 Speaker 3: Well, yeah, forget it. 148 00:08:10,240 --> 00:08:13,520 Speaker 4: Yeah, I don't think we need to, but we could circleman, 149 00:08:13,880 --> 00:08:17,120 Speaker 4: but we don't have to. But let's think about circleman, 150 00:08:17,200 --> 00:08:21,640 Speaker 4: are we sure? Okay, okay, we don't. 151 00:08:22,080 --> 00:08:26,520 Speaker 3: Yeah, it's the it's it's usually the most athletic member 152 00:08:26,520 --> 00:08:26,960 Speaker 3: of the team. 153 00:08:27,360 --> 00:08:28,400 Speaker 4: Really, that's not the secret. 154 00:08:29,240 --> 00:08:34,640 Speaker 5: No, okay, common all right, okay, is that what your coach? 155 00:08:35,080 --> 00:08:35,800 Speaker 2: If you say so? 156 00:08:36,280 --> 00:08:39,880 Speaker 4: Yeah, we put the best athletes in deep right field. 157 00:08:40,120 --> 00:08:45,360 Speaker 3: Yeah, we want you to be forward circleman, forward back, 158 00:08:45,440 --> 00:08:50,120 Speaker 3: circle back guy. There you go there, circleman. 159 00:08:49,840 --> 00:08:54,960 Speaker 4: Yeah right there, yeah, right right, whatever, Brett, forget it, Brett, 160 00:08:55,160 --> 00:09:00,240 Speaker 4: let's yo. 161 00:09:01,400 --> 00:09:03,960 Speaker 3: Or nine one one, I mean nine eleven. 162 00:09:04,040 --> 00:09:06,880 Speaker 1: Is it dangerous a little bit to be saying nine 163 00:09:06,960 --> 00:09:09,480 Speaker 1: one one so much on a TV show? 164 00:09:09,520 --> 00:09:10,720 Speaker 3: In fact, I think that's illegal. 165 00:09:10,760 --> 00:09:13,520 Speaker 1: The way that you can't show money, you can't say 166 00:09:13,600 --> 00:09:15,960 Speaker 1: nine to one one either, because that is technically calling. 167 00:09:15,960 --> 00:09:19,520 Speaker 4: It's firing a crowded theater to be saying nine one 168 00:09:19,559 --> 00:09:21,040 Speaker 4: one throughout the entire show. 169 00:09:21,400 --> 00:09:23,000 Speaker 3: Well, especially with Alexa. 170 00:09:23,600 --> 00:09:27,520 Speaker 1: Yes, you could not do that show in the Alexa era, 171 00:09:27,840 --> 00:09:29,120 Speaker 1: Not now, not now. 172 00:09:29,000 --> 00:09:33,559 Speaker 3: Because oh god, I mean, it'll be emergency every day 173 00:09:34,120 --> 00:09:36,360 Speaker 3: you're home, especially if you're your binge. 174 00:09:36,040 --> 00:09:40,360 Speaker 4: Watching, and which is so popular now yeah, you want 175 00:09:40,360 --> 00:09:41,880 Speaker 4: to talk about binge watching a little bit? 176 00:09:42,280 --> 00:09:45,920 Speaker 3: Sure, I mean, yeah, I'm a fan of that. Yeah, 177 00:09:46,080 --> 00:09:51,000 Speaker 3: what you feel you have a complete emotion about binge watching? 178 00:09:51,040 --> 00:09:53,959 Speaker 4: Binge watching? Yeah, I'm actually scared of it. 179 00:09:54,840 --> 00:09:58,600 Speaker 1: Can you sometimes feel like when you're just going around 180 00:09:58,600 --> 00:10:01,960 Speaker 1: town and you're some where you are getting binge washed? 181 00:10:02,400 --> 00:10:07,000 Speaker 3: Can you feel that feeling? What does that feel? 182 00:10:07,360 --> 00:10:10,319 Speaker 1: Walk us through the experience of you're at the freaking 183 00:10:10,400 --> 00:10:16,080 Speaker 1: store being binged somewhere someone is binge watching you really hard. 184 00:10:16,679 --> 00:10:22,720 Speaker 3: It not unlike an orgasm or or a good but 185 00:10:22,800 --> 00:10:30,080 Speaker 3: not like an orgasm, but no unlike But I know, 186 00:10:30,240 --> 00:10:33,600 Speaker 3: I mean, I don't know. Is it is a nice feeling, 187 00:10:33,760 --> 00:10:36,960 Speaker 3: it's it's a weird feeling because I feel like I'm 188 00:10:37,000 --> 00:10:43,600 Speaker 3: being watched. Ye, and I haven't stolen anything, yeah, and uh, 189 00:10:44,360 --> 00:10:50,000 Speaker 3: but it's a it's a Have you guys ever climbed 190 00:10:50,000 --> 00:10:50,480 Speaker 3: the mountain? 191 00:10:51,320 --> 00:10:51,560 Speaker 1: Yeah? 192 00:10:52,040 --> 00:10:55,640 Speaker 4: Yeah, A couple of times, A couple of times that feeling. 193 00:10:55,880 --> 00:11:01,560 Speaker 2: Yeah, so I think I did. Oh that's right, I'm just. 194 00:11:01,480 --> 00:11:03,280 Speaker 1: Thinking about it now. For a second, I was like, 195 00:11:03,400 --> 00:11:05,480 Speaker 1: have I Yes, and I actually did do it. 196 00:11:06,280 --> 00:11:07,520 Speaker 4: Yes, I think you were with me? 197 00:11:07,679 --> 00:11:10,680 Speaker 3: Yes, And so that's that's a that's a binge watch. 198 00:11:10,800 --> 00:11:16,360 Speaker 3: I say, so hot up there, huh on a mountain, yeah, 199 00:11:17,360 --> 00:11:21,000 Speaker 3: close to them and sharp and Tom is very always 200 00:11:21,080 --> 00:11:24,920 Speaker 3: the super pointy up there. Yeah, and you know you've 201 00:11:24,920 --> 00:11:27,640 Speaker 3: got to be careful because you could get sunburned or 202 00:11:27,679 --> 00:11:28,880 Speaker 3: cut yourself on the mountain. 203 00:11:29,040 --> 00:11:34,199 Speaker 4: Yes, and yeah, I've done that. Well, then I basically 204 00:11:34,280 --> 00:11:36,400 Speaker 4: know what the feeling is of being binge. 205 00:11:36,040 --> 00:11:40,600 Speaker 3: Watched and public. Have you ever done a running show 206 00:11:40,640 --> 00:11:42,960 Speaker 3: that's that's run on for six seasons in a movie? 207 00:11:43,800 --> 00:11:47,360 Speaker 3: Have you ever done anything like the day in and 208 00:11:47,480 --> 00:11:50,080 Speaker 3: day out doing a show over and over the round 209 00:11:50,160 --> 00:11:52,080 Speaker 3: I really love and that you got to make sure 210 00:11:52,120 --> 00:11:56,880 Speaker 3: that that show always sustains itself from being really really funny, 211 00:11:56,920 --> 00:12:01,120 Speaker 3: and then making sure that the kids below actually know 212 00:12:01,160 --> 00:12:04,800 Speaker 3: what comedy is. And then they always want to see 213 00:12:04,840 --> 00:12:08,720 Speaker 3: you in that eye of being a cop all the 214 00:12:08,880 --> 00:12:12,679 Speaker 3: fucking time, every day of your life. Have you ever 215 00:12:12,679 --> 00:12:16,720 Speaker 3: felt that where they always do catchphrases of what you do? 216 00:12:17,200 --> 00:12:21,240 Speaker 3: You know and the installation is free? I get it, Okay. 217 00:12:21,559 --> 00:12:23,080 Speaker 3: Have you ever felt. 218 00:12:23,360 --> 00:12:24,520 Speaker 2: You're just setting him up? 219 00:12:24,640 --> 00:12:27,439 Speaker 4: I think, yeah, it's so easy for me. Yeah, I mean, 220 00:12:27,480 --> 00:12:30,560 Speaker 4: you of course knows almost so similar. I was involved 221 00:12:30,559 --> 00:12:32,559 Speaker 4: in the show Murder. 222 00:12:32,320 --> 00:12:39,560 Speaker 3: Police, Murder Police. Yeah, but so the police actually do 223 00:12:39,720 --> 00:12:41,680 Speaker 3: murder now or does. 224 00:12:42,360 --> 00:12:46,440 Speaker 4: The name of for the homicide department and h it 225 00:12:46,520 --> 00:12:47,559 Speaker 4: was an animated show. 226 00:12:48,880 --> 00:12:51,880 Speaker 3: Was Circleman episodes. 227 00:12:51,920 --> 00:12:55,080 Speaker 4: The Circle Man was one of them. It was Circleman. 228 00:12:56,240 --> 00:12:56,920 Speaker 3: It was. 229 00:12:58,760 --> 00:13:01,640 Speaker 4: Originally what Rama was part of it. He was recast 230 00:13:01,720 --> 00:13:03,320 Speaker 4: midway through production. 231 00:13:05,000 --> 00:13:05,200 Speaker 3: Yeah. 232 00:13:06,440 --> 00:13:08,400 Speaker 4: Jane Lynch, they got they brought her in. 233 00:13:08,679 --> 00:13:14,880 Speaker 3: Yeah McBride, Oh wow. Yeah. 234 00:13:14,880 --> 00:13:17,960 Speaker 4: Anyway, they never put it on, so I don't have 235 00:13:18,040 --> 00:13:20,040 Speaker 4: to deal with some of the headaches you're talking about. 236 00:13:20,200 --> 00:13:21,080 Speaker 3: Right, that's kind of that. 237 00:13:21,360 --> 00:13:24,480 Speaker 4: It wasn't It wasn't like on Yes, it's sort of 238 00:13:24,520 --> 00:13:26,679 Speaker 4: the stream where you make the whole show but no. 239 00:13:26,640 --> 00:13:27,320 Speaker 3: One sees it. 240 00:13:27,480 --> 00:13:31,360 Speaker 4: Oh okay, So you get the satisfaction of creating your 241 00:13:31,480 --> 00:13:35,240 Speaker 4: art without the frustration of people kind of perverting it 242 00:13:35,559 --> 00:13:36,960 Speaker 4: and quoting it back to you. 243 00:13:37,080 --> 00:13:39,000 Speaker 1: Right, And that's kind of its own feeling when you 244 00:13:39,280 --> 00:13:41,200 Speaker 1: are going around town, going to the store, and you 245 00:13:41,200 --> 00:13:45,319 Speaker 1: can feel somewhere someone is forced deleting all the episodes 246 00:13:45,840 --> 00:13:49,880 Speaker 1: of your show, dragging it into the trash and then 247 00:13:50,160 --> 00:13:54,160 Speaker 1: fully emptying the trash, and then it says there's a 248 00:13:54,160 --> 00:13:56,559 Speaker 1: message that says, hey, you can never get the show 249 00:13:56,640 --> 00:13:59,440 Speaker 1: back if you do this and then that person gives 250 00:13:59,480 --> 00:14:01,960 Speaker 1: it and I quick, it's okay. 251 00:14:01,720 --> 00:14:04,520 Speaker 4: And I can describe that sensation a little bit. Oh, 252 00:14:04,920 --> 00:14:12,280 Speaker 4: we were on a tapeworm? No, well you to you 253 00:14:12,440 --> 00:14:15,760 Speaker 4: must just yeah, but it's like having about ten of those. 254 00:14:17,800 --> 00:14:21,080 Speaker 1: So speaking of orgasm, we should talk about something that 255 00:14:21,120 --> 00:14:22,600 Speaker 1: happened to Ken. 256 00:14:23,000 --> 00:14:25,240 Speaker 4: Oh that's right. We need to get our producer, Chef 257 00:14:25,320 --> 00:14:26,000 Speaker 4: Kevin in here. 258 00:14:26,680 --> 00:14:28,440 Speaker 3: We weren't talking about orasms. 259 00:14:29,440 --> 00:14:32,480 Speaker 2: I think you said once that. 260 00:14:34,000 --> 00:14:38,240 Speaker 3: Being on the mountain before that, it's the rest for him. 261 00:14:38,320 --> 00:14:39,920 Speaker 3: I have perfect word recall. 262 00:14:39,960 --> 00:14:41,440 Speaker 1: If you want, I could just go back from the 263 00:14:41,560 --> 00:14:43,800 Speaker 1: very beginning of the show and do the entire thing. 264 00:14:43,800 --> 00:14:44,280 Speaker 3: That I will. 265 00:14:44,320 --> 00:14:48,600 Speaker 1: Don't please, don't Kevin, something happened to you today. I 266 00:14:48,640 --> 00:14:55,160 Speaker 1: came into the office today, I was here first. Sorry, 267 00:14:55,240 --> 00:14:59,120 Speaker 1: this is Chef Kevin. Chef Kevin is our what is 268 00:14:59,160 --> 00:14:59,560 Speaker 1: he now? 269 00:15:00,960 --> 00:15:06,080 Speaker 4: Associate producer, yea producer, junior assistant producer. 270 00:15:06,160 --> 00:15:08,200 Speaker 3: But he has the word chef in his name. 271 00:15:08,960 --> 00:15:14,600 Speaker 1: He is something of an aspiring gormond and he makes 272 00:15:15,160 --> 00:15:18,600 Speaker 1: he does our blue Apron ads and he does blue Apron. 273 00:15:18,640 --> 00:15:21,640 Speaker 1: He does like inventive things with blue Apron meals. You 274 00:15:21,640 --> 00:15:22,520 Speaker 1: got to see some of us. 275 00:15:23,240 --> 00:15:25,160 Speaker 4: It really is actually pretty impressive. 276 00:15:25,280 --> 00:15:29,360 Speaker 1: Yeah, okay, so Chef Kevin. I came in today and 277 00:15:29,440 --> 00:15:31,840 Speaker 1: Chef Kevin was a little quieter than usual. He was 278 00:15:31,840 --> 00:15:34,320 Speaker 1: a little bit inside himself. 279 00:15:34,480 --> 00:15:37,240 Speaker 4: You can feel when something's going on for Chef Kevin 280 00:15:37,400 --> 00:15:38,240 Speaker 4: is one of these guys. 281 00:15:38,280 --> 00:15:40,640 Speaker 1: When Chef Kevin, sorry, when I say inside himself, Normally 282 00:15:40,720 --> 00:15:42,960 Speaker 1: that means one thing with Chef Kevin. In this case, 283 00:15:42,960 --> 00:15:45,560 Speaker 1: it means that he was like withdrawn. Sorry, that also 284 00:15:45,600 --> 00:15:49,400 Speaker 1: means something else that Kevin can do. In this case, 285 00:15:49,400 --> 00:15:52,240 Speaker 1: it means that he was just not talking very much, 286 00:15:53,040 --> 00:15:57,280 Speaker 1: kind of closed off. Sorry, that's another Kevin. It's another 287 00:15:57,360 --> 00:16:00,960 Speaker 1: Kevin thing. Uh huh, Kevin, Just talk about what was 288 00:16:01,000 --> 00:16:01,760 Speaker 1: happening to you? 289 00:16:02,440 --> 00:16:03,600 Speaker 3: What happened to you today? 290 00:16:04,000 --> 00:16:05,520 Speaker 6: Yeah, hey, guys, Chef Kevin. 291 00:16:05,560 --> 00:16:05,720 Speaker 3: Here. 292 00:16:05,920 --> 00:16:09,120 Speaker 6: I as I was walking to the office today, I 293 00:16:09,160 --> 00:16:11,360 Speaker 6: was going to go up the stairs like I normally do, 294 00:16:12,280 --> 00:16:16,320 Speaker 6: but I walked by people having sex. So I took 295 00:16:16,360 --> 00:16:21,840 Speaker 6: the elevator today and it was it was a lot. 296 00:16:22,680 --> 00:16:24,360 Speaker 3: So this is a thing with Chef Kevin. 297 00:16:24,440 --> 00:16:29,880 Speaker 1: Chef Kevin is historically very perverted and he does have 298 00:16:30,200 --> 00:16:33,200 Speaker 1: a lot of like strange desires, but as far as 299 00:16:33,200 --> 00:16:37,160 Speaker 1: like sex is concerned, he doesn't really know. But kind 300 00:16:37,160 --> 00:16:38,320 Speaker 1: of the whole deal, the. 301 00:16:38,280 --> 00:16:40,600 Speaker 3: Whole thing of it. Well. I also noticed that he 302 00:16:40,880 --> 00:16:44,720 Speaker 3: also introduces his self like Kermit the Frog. You know, 303 00:16:44,760 --> 00:16:50,560 Speaker 3: he's like, yeah, hi, yeah, chef Kevin here. Yeah. Why 304 00:16:50,960 --> 00:16:52,080 Speaker 3: does he usually. 305 00:16:52,240 --> 00:16:54,520 Speaker 4: Just yeah, he's been trying to get sort of a 306 00:16:54,600 --> 00:16:59,120 Speaker 4: Kermit the Frog at a wholesome children's character. It kind 307 00:16:59,160 --> 00:17:02,960 Speaker 4: of temper that he's normally associated with. 308 00:17:03,040 --> 00:17:07,200 Speaker 3: Oh yeah, so he doesn't really get the sex thing. 309 00:17:07,280 --> 00:17:08,720 Speaker 1: No, and this is going to be one of the 310 00:17:08,720 --> 00:17:11,560 Speaker 1: first times that it's really been put right in front 311 00:17:11,600 --> 00:17:13,760 Speaker 1: of him. 312 00:17:13,800 --> 00:17:16,399 Speaker 4: He's one of these everything but guys. 313 00:17:16,920 --> 00:17:19,840 Speaker 3: Like everything but like the. 314 00:17:19,760 --> 00:17:25,120 Speaker 4: Yes, everything but and he is now finding everything but. 315 00:17:25,600 --> 00:17:30,080 Speaker 3: Everything, all of it. Yeah, all the butt, the whole thing. 316 00:17:30,160 --> 00:17:32,960 Speaker 4: Yeah, when it comes to sex, everything but for Kevin. 317 00:17:33,240 --> 00:17:38,080 Speaker 3: Okay, And so I would have I would imagine he 318 00:17:38,240 --> 00:17:45,320 Speaker 3: announced himself before he gets to the butt Kevin here, Yes, 319 00:17:46,040 --> 00:17:47,320 Speaker 3: and then and then. 320 00:17:47,240 --> 00:17:49,320 Speaker 2: He'll just go on it. 321 00:17:49,440 --> 00:17:52,160 Speaker 4: Yeah, he's like time for a yeah, time for a 322 00:17:52,200 --> 00:17:59,000 Speaker 4: little bit of a tasting, chomping, yes, a chomping and 323 00:18:00,080 --> 00:18:09,320 Speaker 4: jumping into chewing him. I've seen him walk in and 324 00:18:09,359 --> 00:18:10,680 Speaker 4: request a flight. 325 00:18:10,560 --> 00:18:15,520 Speaker 3: Of buts we walk in a. 326 00:18:17,440 --> 00:18:21,600 Speaker 4: Yeah, yeah, yeah, that's his spot. 327 00:18:22,640 --> 00:18:24,600 Speaker 1: So you saw this today and I think it did 328 00:18:24,680 --> 00:18:28,280 Speaker 1: scare you a little bit, And now tell tell everyone 329 00:18:28,400 --> 00:18:33,800 Speaker 1: the first thing you did was when you saw this, yes, 330 00:18:33,880 --> 00:18:35,840 Speaker 1: after you introduced yourself. 331 00:18:36,640 --> 00:18:38,400 Speaker 6: Well, I walked by it because I was scared. 332 00:18:39,080 --> 00:18:42,040 Speaker 1: And then did you not call someone and request more 333 00:18:42,160 --> 00:18:43,320 Speaker 1: security in the building? 334 00:18:43,440 --> 00:18:47,840 Speaker 6: Oh yeah, I did tell Matt to tell the building manager, Like, 335 00:18:48,680 --> 00:18:51,919 Speaker 6: you know, the gate was wide open. People are having sex, 336 00:18:52,119 --> 00:18:55,359 Speaker 6: like it's kind of it's a little too uh loose 337 00:18:55,440 --> 00:18:56,000 Speaker 6: around here. 338 00:18:56,080 --> 00:19:00,440 Speaker 1: So you basically saw people in love and you call 339 00:19:00,520 --> 00:19:01,040 Speaker 1: the police. 340 00:19:02,160 --> 00:19:05,040 Speaker 6: Well, I didn't want them to be like you know, 341 00:19:05,400 --> 00:19:09,520 Speaker 6: under arrest. No, I don't want people like to scare 342 00:19:09,640 --> 00:19:12,720 Speaker 6: like guests and hosts like you didn't. 343 00:19:12,840 --> 00:19:13,959 Speaker 4: Something free to express them. 344 00:19:14,160 --> 00:19:17,919 Speaker 1: Yes, I personally am not scared of that. 345 00:19:18,040 --> 00:19:22,240 Speaker 3: Yeah. Yeah, I'm scared of not not having love. 346 00:19:22,359 --> 00:19:25,280 Speaker 4: I'm scared that there's not enough love in this world anymore. 347 00:19:25,359 --> 00:19:26,359 Speaker 4: That's pretty scary. 348 00:19:26,480 --> 00:19:30,879 Speaker 3: White people in the hallway making love to themselves, what's 349 00:19:31,000 --> 00:19:32,240 Speaker 3: the problem, Kevin. 350 00:19:32,640 --> 00:19:35,520 Speaker 4: That's the least scared I ever am of someone is 351 00:19:35,520 --> 00:19:40,520 Speaker 4: when they're in the middle of having sex, you're with me. 352 00:19:40,800 --> 00:19:44,680 Speaker 3: Yeah, you're so busy occupied. Can you describe it a 353 00:19:44,720 --> 00:19:46,520 Speaker 3: little bit more? Okay? 354 00:19:47,160 --> 00:19:47,400 Speaker 1: Uh. 355 00:19:48,160 --> 00:19:49,760 Speaker 6: The lady who was bent over. 356 00:19:51,640 --> 00:19:57,920 Speaker 3: Her bottom was in the air. Yeah yeah, Kevin's all 357 00:19:58,000 --> 00:19:59,760 Speaker 3: about that straight everything. 358 00:20:00,080 --> 00:20:03,439 Speaker 6: And the guy was standing behind her. And when I 359 00:20:03,480 --> 00:20:06,879 Speaker 6: walked by, he looked at me right in the eyes. 360 00:20:07,640 --> 00:20:11,840 Speaker 6: Oh boy, And I kind of scampered away from quick. 361 00:20:12,760 --> 00:20:15,880 Speaker 4: Where was this geographically? Paint the picture a little more. 362 00:20:16,119 --> 00:20:22,240 Speaker 6: It was at the staircase on the uh uh, on 363 00:20:22,280 --> 00:20:24,200 Speaker 6: the other side of the building, like on this side. 364 00:20:24,760 --> 00:20:27,040 Speaker 6: I don't want to start saying like street names and stuff, 365 00:20:27,080 --> 00:20:29,120 Speaker 6: but it was like that direction. 366 00:20:28,840 --> 00:20:30,520 Speaker 3: And you locked eyes when. 367 00:20:32,640 --> 00:20:34,520 Speaker 4: And then was that enough to push him over the top? 368 00:20:36,560 --> 00:20:38,720 Speaker 4: I think so that kind of brought it home for him. 369 00:20:38,800 --> 00:20:40,040 Speaker 2: Well you did a kindness for. 370 00:20:40,040 --> 00:20:40,840 Speaker 3: That man, Kevin. 371 00:20:41,040 --> 00:20:44,280 Speaker 6: Yeah, yeah, he's he's lucky. 372 00:20:47,040 --> 00:20:50,600 Speaker 3: Well, then you did something good. Yeah, I guess I 373 00:20:50,600 --> 00:20:51,320 Speaker 3: should be proud. 374 00:20:51,440 --> 00:20:52,000 Speaker 6: Yeah. 375 00:20:52,080 --> 00:20:55,399 Speaker 4: Yeah, well, I'm I'm proud of you. Except for the 376 00:20:55,400 --> 00:20:56,840 Speaker 4: part where you called the police. 377 00:20:57,600 --> 00:21:01,119 Speaker 3: I had two people who had follow him alone. I 378 00:21:01,160 --> 00:21:02,280 Speaker 3: didn't call the police. 379 00:21:02,359 --> 00:21:06,840 Speaker 6: I just I'm I'm nervous that that they're going to 380 00:21:06,960 --> 00:21:10,560 Speaker 6: like be in the closer to the studio next time. 381 00:21:10,600 --> 00:21:13,239 Speaker 4: And you think this is now their favorite place to do, 382 00:21:13,440 --> 00:21:17,240 Speaker 4: This is their spot, you think, yeah, well probably because 383 00:21:17,240 --> 00:21:19,360 Speaker 4: if this was their first date, let's say, uh huh, 384 00:21:19,560 --> 00:21:21,360 Speaker 4: it's gonna be a lot of like he's gonna come 385 00:21:21,400 --> 00:21:24,240 Speaker 4: here and bend her over to propose to her at. 386 00:21:24,080 --> 00:21:27,160 Speaker 1: The very least, Yeah, on their inverty before they have kids, 387 00:21:27,160 --> 00:21:28,600 Speaker 1: they'll probably want to come back here. 388 00:21:28,720 --> 00:21:30,960 Speaker 3: They'll probably want to bring their kids back here. Well, 389 00:21:31,000 --> 00:21:34,480 Speaker 3: there's this new phenomenon that you white folks are doing 390 00:21:34,560 --> 00:21:38,560 Speaker 3: where you just call on people the police. Yeah, for 391 00:21:39,200 --> 00:21:46,720 Speaker 3: barbecuing and swimming in the pool and fucking in the hallways. 392 00:21:47,040 --> 00:21:49,840 Speaker 2: Yeah, just normal daily activities. 393 00:21:49,920 --> 00:21:53,320 Speaker 3: Yeah, just things that aren't your business. 394 00:21:53,480 --> 00:21:57,080 Speaker 1: Kevin Okay, Kevin, I guess needs one of those names 395 00:21:57,080 --> 00:22:02,200 Speaker 1: because there's like barbecue Betty, Kevin needs chef a name 396 00:22:02,320 --> 00:22:08,560 Speaker 1: like that, Alla Kevin, Chef all the way, Kevin. God 397 00:22:08,680 --> 00:22:11,240 Speaker 1: damn Hey, guys, Chef all the way Kevin here. 398 00:22:11,359 --> 00:22:17,640 Speaker 3: Yeah, locking eyes and chef allway people live Kevin. Prepared 399 00:22:17,640 --> 00:22:18,400 Speaker 3: to be canceled. 400 00:22:18,440 --> 00:22:20,480 Speaker 1: I hate to say it, but you are going to 401 00:22:20,480 --> 00:22:21,920 Speaker 1: be dragged and canceled. 402 00:22:21,920 --> 00:22:25,400 Speaker 4: Culture is real, and Chef Kevin is maybe the prime example. 403 00:22:25,440 --> 00:22:29,640 Speaker 4: Hashtag canceled Kevin. No, I can't believe that hashtags trending. 404 00:22:31,560 --> 00:22:33,160 Speaker 2: Canceled with the king. 405 00:22:33,320 --> 00:22:36,760 Speaker 3: I'm looking here. Yeah, Twitter's bus canceled with a K. 406 00:22:36,960 --> 00:22:40,800 Speaker 4: That's catchy, that's very clever. Oh, Kevin, that is really 407 00:22:40,840 --> 00:22:42,120 Speaker 4: going to go viral. 408 00:22:45,280 --> 00:22:45,399 Speaker 3: Thing. 409 00:22:46,200 --> 00:22:49,280 Speaker 4: Yeah, let's get into the the speech holes. 410 00:22:50,320 --> 00:22:55,200 Speaker 2: Sorry, the show about the family speechless? 411 00:22:55,600 --> 00:23:01,000 Speaker 3: Yes, yes, mister and missus speechless yes, or I don't 412 00:23:01,040 --> 00:23:01,359 Speaker 3: know if you. 413 00:23:01,359 --> 00:23:04,479 Speaker 1: Have speech ol, Daddy speech ol and mommy speech it's 414 00:23:04,800 --> 00:23:05,520 Speaker 1: or speechless. 415 00:23:06,160 --> 00:23:08,560 Speaker 3: I mean, I mean, I feel like you're putting the 416 00:23:08,720 --> 00:23:11,920 Speaker 3: l where it shouldn't be. 417 00:23:12,080 --> 00:23:15,679 Speaker 1: Well, let me speech it's in the set's it's in 418 00:23:15,800 --> 00:23:19,120 Speaker 1: the speech less midnight speech ol. 419 00:23:19,400 --> 00:23:24,719 Speaker 3: Okay, Oh no, guys, it's it's speechless speechless. 420 00:23:25,000 --> 00:23:28,120 Speaker 1: Oh okay, okay, all right, okay. I wish it would 421 00:23:28,240 --> 00:23:33,520 Speaker 1: speech more the funny show, and I like the talking 422 00:23:33,560 --> 00:23:35,680 Speaker 1: in it. I like, you know, I like a lot 423 00:23:35,720 --> 00:23:38,360 Speaker 1: of the dial rather it gets me going. 424 00:23:38,400 --> 00:23:39,440 Speaker 3: You'd rather have more. 425 00:23:39,320 --> 00:23:44,600 Speaker 4: Talking, I think, meaning more episode, even more Okay, yes. 426 00:23:44,440 --> 00:23:47,280 Speaker 3: Okay, Well then you're in luck because we're in our 427 00:23:47,400 --> 00:23:52,480 Speaker 3: third season now, so there will be more talking. Okay, 428 00:23:52,840 --> 00:23:56,879 Speaker 3: what's the order? Twenty two episodes? Oh my god? 429 00:23:57,000 --> 00:23:59,919 Speaker 2: How are the hours that seems like a little greedy. 430 00:24:00,040 --> 00:24:01,760 Speaker 3: It's a lot, it's it's a lot. It's a lot 431 00:24:01,760 --> 00:24:05,600 Speaker 3: of hours. It's it's it's work. But you know what 432 00:24:05,640 --> 00:24:10,000 Speaker 3: else would we rather do? No call the police on people? Yeah? 433 00:24:10,040 --> 00:24:12,320 Speaker 3: Is that what we're going to do instead? Yeah? 434 00:24:12,560 --> 00:24:15,080 Speaker 1: And now Kevin is taking pictures of us two cents 435 00:24:15,160 --> 00:24:17,200 Speaker 1: to the police probably, Yeah. 436 00:24:17,440 --> 00:24:17,880 Speaker 3: I hope. 437 00:24:21,600 --> 00:24:24,679 Speaker 2: Hey you remember me for the sex stuff you. 438 00:24:29,160 --> 00:24:29,919 Speaker 3: Tell people. 439 00:24:30,640 --> 00:24:32,439 Speaker 4: You don't know this, but Hayes and I actually have 440 00:24:32,480 --> 00:24:34,520 Speaker 4: a competition to see who does a better curmit the 441 00:24:34,520 --> 00:24:37,320 Speaker 4: frog and it comes up maybe every ten episodes now. 442 00:24:37,600 --> 00:24:39,280 Speaker 2: But I can't do it today because my voice is 443 00:24:39,320 --> 00:24:40,360 Speaker 2: a little shot. 444 00:24:40,119 --> 00:24:42,480 Speaker 4: And so I will win this time and and you 445 00:24:42,520 --> 00:24:42,960 Speaker 4: can hear it. 446 00:24:43,240 --> 00:24:45,399 Speaker 3: Why why why is your voice so shot? 447 00:24:45,600 --> 00:24:48,920 Speaker 1: I've been eating a lot of spicy food and screaming. 448 00:24:52,160 --> 00:24:57,280 Speaker 3: Why are you screaming? So because it's too Yeah, and 449 00:24:57,359 --> 00:25:02,120 Speaker 3: I'll eat some of this food and like, ah, okay, 450 00:25:02,240 --> 00:25:06,160 Speaker 3: you know, oh yeah, that would that'll do it. I 451 00:25:06,160 --> 00:25:08,639 Speaker 3: I do a lot of voiceover work too, guys. 452 00:25:09,040 --> 00:25:16,200 Speaker 1: Yes, Bozak the horse Man, Sorry Bosak Bosarc Brojack. 453 00:25:16,520 --> 00:25:24,199 Speaker 3: It's a BoJack guys, BoJack Horseman, Jack Horseman and so 454 00:25:24,640 --> 00:25:27,080 Speaker 3: I would suggest if you want to keep your voice, 455 00:25:27,119 --> 00:25:35,399 Speaker 3: then to not eat the foods. Well, fortunately I'm something 456 00:25:35,440 --> 00:25:38,480 Speaker 3: of a heat seeker. He is. 457 00:25:40,040 --> 00:25:44,240 Speaker 4: A true heat seeker. And also Hayes is at a 458 00:25:44,280 --> 00:25:47,000 Speaker 4: crossroads in his life right now where he is either 459 00:25:47,119 --> 00:25:52,159 Speaker 4: going to pivot into voiceover work or get one of 460 00:25:52,200 --> 00:25:55,639 Speaker 4: those like Man Versus Foods, Bizarre Foods kind of food 461 00:25:55,800 --> 00:26:00,560 Speaker 4: challenge shows where he just eats something insane. Right, uh 462 00:26:00,760 --> 00:26:02,880 Speaker 4: and that is either too big or. 463 00:26:04,280 --> 00:26:05,679 Speaker 3: You know what. By the way, can I can I 464 00:26:05,720 --> 00:26:10,600 Speaker 3: suggest something please? If Chef Kevin is going to be 465 00:26:10,640 --> 00:26:13,879 Speaker 3: taking photographs, maybe you should put it on the money. Here. 466 00:26:15,440 --> 00:26:17,359 Speaker 3: You think he's front of your head, the. 467 00:26:18,840 --> 00:26:21,680 Speaker 1: Back of my head, he's going to be taking the 468 00:26:21,960 --> 00:26:25,840 Speaker 1: talent the star of the show of speechles. 469 00:26:26,080 --> 00:26:28,960 Speaker 2: He seemed to be getting very comfortable back he spent 470 00:26:29,600 --> 00:26:30,320 Speaker 2: five minutes. 471 00:26:30,480 --> 00:26:36,680 Speaker 3: Yeah, yeah, because everything but is back there and so yeah, naturally. 472 00:26:36,920 --> 00:26:39,600 Speaker 4: Yeah, Kevin, the photos aren't for you, you know, there 473 00:26:39,640 --> 00:26:43,840 Speaker 4: for the listeners. I understand that you're everything, but but 474 00:26:44,440 --> 00:26:45,119 Speaker 4: not all. 475 00:26:45,080 --> 00:26:48,560 Speaker 3: The listeners are that no anyway, So uh so your 476 00:26:48,600 --> 00:26:51,120 Speaker 3: heat seeking you're screaming. 477 00:26:51,000 --> 00:26:53,000 Speaker 4: Yes, and I'll scream about the big food as well, 478 00:26:55,560 --> 00:26:58,359 Speaker 4: and that it's insane. Yes, a lot of times be 479 00:26:58,720 --> 00:26:59,640 Speaker 4: crazy looking fish. 480 00:27:00,080 --> 00:27:03,760 Speaker 3: M hmm. Okay, and like Brenzino or some kind of 481 00:27:06,359 --> 00:27:09,600 Speaker 3: triggered the show would beg them. Yeah, I won't say 482 00:27:09,600 --> 00:27:13,159 Speaker 3: that she's so crazy. Yeah, it is a crazy pa. 483 00:27:13,920 --> 00:27:17,600 Speaker 1: So we uh, but I have Brett coming around and 484 00:27:17,760 --> 00:27:20,760 Speaker 1: just kind of sometimes taking handfuls of the food when 485 00:27:20,760 --> 00:27:23,080 Speaker 1: the cameras aren't looking, so I don't have to eat 486 00:27:23,119 --> 00:27:23,600 Speaker 1: the whole thing. 487 00:27:23,880 --> 00:27:24,320 Speaker 3: Mm hmm. 488 00:27:24,920 --> 00:27:29,040 Speaker 1: Brett will scurrier. You're taking your headphones off. You're pissed, 489 00:27:29,359 --> 00:27:30,280 Speaker 1: you're mad about that. 490 00:27:30,480 --> 00:27:34,399 Speaker 3: Well, these don't work, guys. Oh they're not. No, they 491 00:27:34,440 --> 00:27:36,359 Speaker 3: don't work at all. This is this is just for show. 492 00:27:38,440 --> 00:27:41,200 Speaker 2: You did have them, not on your ears, no, just 493 00:27:41,359 --> 00:27:42,040 Speaker 2: on my head. 494 00:27:42,200 --> 00:27:44,080 Speaker 4: But it did make me comfortable just that they were 495 00:27:44,160 --> 00:27:44,600 Speaker 4: on your head. 496 00:27:44,640 --> 00:27:46,960 Speaker 1: It felt like, okay, now that you mentioned in mine 497 00:27:47,040 --> 00:27:48,800 Speaker 1: don't work either, and they never really have. 498 00:27:49,440 --> 00:27:52,760 Speaker 3: And I thought, since Kevin is actually Ohio, Kevin is 499 00:27:53,560 --> 00:27:55,679 Speaker 3: taking pictures, I should probably take them off because they 500 00:27:55,800 --> 00:27:57,520 Speaker 3: probably looked ridiculous in the picture. 501 00:27:58,119 --> 00:28:00,240 Speaker 4: Cedar, you wanted to hear my Kermit the frog. I'm 502 00:28:00,280 --> 00:28:00,680 Speaker 4: so sorry. 503 00:28:00,720 --> 00:28:01,119 Speaker 3: We moved on. 504 00:28:02,200 --> 00:28:03,360 Speaker 4: Yes, I'm sorry, that's mine. 505 00:28:03,480 --> 00:28:05,720 Speaker 3: Thank you, Kevin, Thank you for turning mine all the 506 00:28:05,760 --> 00:28:06,280 Speaker 3: way down. 507 00:28:06,280 --> 00:28:08,720 Speaker 4: Especially since Hayes can't do it today, we will do it. 508 00:28:08,880 --> 00:28:11,520 Speaker 4: Thank you for pivoting, for pivoting away from the headphone 509 00:28:11,640 --> 00:28:15,520 Speaker 4: not working? Okay, ever too, krimit the frog here? 510 00:28:16,640 --> 00:28:18,880 Speaker 2: Oh no, you don't think that's good? 511 00:28:19,119 --> 00:28:22,199 Speaker 3: No, did you? Hi? 512 00:28:22,280 --> 00:28:23,680 Speaker 2: Ho, krimit the frog here? 513 00:28:24,400 --> 00:28:25,640 Speaker 3: Oh no? Oh boy? 514 00:28:26,000 --> 00:28:27,200 Speaker 2: Oh no, oh boy? 515 00:28:28,280 --> 00:28:34,040 Speaker 3: Like are you trying to be Kermit the Frog? Yeah? Okay, 516 00:28:34,160 --> 00:28:37,320 Speaker 3: keep okay one more time. Sorry maybe that was me? 517 00:28:37,720 --> 00:28:38,880 Speaker 3: Go ahead, Oh I. 518 00:28:38,880 --> 00:28:43,400 Speaker 4: Didn't know you were trying or no, it's yeah. The 519 00:28:43,600 --> 00:28:45,960 Speaker 4: joke is that I'm not that I don't sound like him. 520 00:28:46,680 --> 00:28:47,800 Speaker 3: Oh okay, then. 521 00:28:49,640 --> 00:28:50,400 Speaker 2: Yeah, it's funny. 522 00:28:51,360 --> 00:28:53,400 Speaker 3: Yeah you did it the frog here? 523 00:28:53,960 --> 00:28:54,080 Speaker 4: Hi? 524 00:28:56,440 --> 00:29:00,800 Speaker 3: That's yeah, not him at all. So that's good. Joke works, 525 00:29:00,920 --> 00:29:01,560 Speaker 3: thank you? Yeah? 526 00:29:01,720 --> 00:29:05,120 Speaker 4: Thanks, No, I know that's actually part of what my 527 00:29:05,320 --> 00:29:10,000 Speaker 4: comedy is, just being so sort of subtly funny by 528 00:29:10,120 --> 00:29:12,560 Speaker 4: pretending that I did think I sounded like Kermit, and 529 00:29:12,640 --> 00:29:15,160 Speaker 4: then I didn't and I knew that. 530 00:29:15,440 --> 00:29:19,080 Speaker 5: So these are not impressions, not even close. Yeah, not 531 00:29:19,200 --> 00:29:19,680 Speaker 5: even close. 532 00:29:20,240 --> 00:29:22,280 Speaker 4: No, it's the joke, is I say I'm going to 533 00:29:22,360 --> 00:29:24,960 Speaker 4: do the impression. Yes, they're impressions. 534 00:29:25,040 --> 00:29:30,880 Speaker 3: Yeah, and I'm unimpressed. Yeah, yeah, that's what it's named after. Yeah, yeah, 535 00:29:31,080 --> 00:29:31,920 Speaker 3: so uh so. 536 00:29:32,160 --> 00:29:35,040 Speaker 4: Yeah, I've got a couple of unimpressions, and Kermit's probably 537 00:29:35,040 --> 00:29:36,800 Speaker 4: the main one that I do. It's really popular. 538 00:29:37,120 --> 00:29:39,760 Speaker 3: Do you guys need any more from me here? 539 00:29:40,440 --> 00:29:44,800 Speaker 4: Yeah, we're gonna do some stuff about Project the Horseman 540 00:29:45,440 --> 00:29:48,719 Speaker 4: and and it's gonna be about how pissed we are. 541 00:29:49,320 --> 00:29:52,800 Speaker 2: Oh so between Projack. 542 00:29:52,480 --> 00:29:54,440 Speaker 4: And do you know this show animals? 543 00:29:55,600 --> 00:29:57,720 Speaker 3: I've heard of that. Have you ever been asked to 544 00:29:57,800 --> 00:29:59,640 Speaker 3: do it yet? I have not been asked to do that. 545 00:30:00,760 --> 00:30:02,920 Speaker 1: Well, I guess it's we're all in the same room 546 00:30:02,960 --> 00:30:04,840 Speaker 1: everyone in town who hasn't been asked to do that 547 00:30:04,960 --> 00:30:05,400 Speaker 1: show yet? 548 00:30:05,440 --> 00:30:07,520 Speaker 4: Yeah, three people who haven't been asked to do that 549 00:30:07,640 --> 00:30:10,560 Speaker 4: show are in this Bread's probably on it. Bread's probably 550 00:30:10,560 --> 00:30:10,720 Speaker 4: on it. 551 00:30:10,840 --> 00:30:13,880 Speaker 3: Are you on animals upcoming? Yeah? What animal? Are you 552 00:30:13,960 --> 00:30:18,800 Speaker 3: going to be? A kapy bara? That's so much fun. 553 00:30:20,200 --> 00:30:25,280 Speaker 4: The hippo of the rodent world? Yea, So I am 554 00:30:25,440 --> 00:30:30,680 Speaker 4: now h pissed because so many eeral people have been 555 00:30:30,800 --> 00:30:35,120 Speaker 4: on Project and the rest have been on animals often 556 00:30:35,240 --> 00:30:41,480 Speaker 4: both Yes, and somehow my invitation got lost in the mail. 557 00:30:41,720 --> 00:30:42,160 Speaker 4: See drik. 558 00:30:42,400 --> 00:30:44,280 Speaker 3: Yeah, what we've. 559 00:30:44,160 --> 00:30:47,400 Speaker 2: Decided is apparently in this town you can just draw it. 560 00:30:47,480 --> 00:30:52,120 Speaker 3: Animal looking for an invitation in the mail. Yeah, that's 561 00:30:53,240 --> 00:30:56,320 Speaker 3: usually not how they handle these things. How did they 562 00:30:56,400 --> 00:30:59,520 Speaker 3: do it for you, Bozar? How did he get into 563 00:31:00,080 --> 00:31:04,000 Speaker 3: They just they called me on the phone and asked 564 00:31:04,080 --> 00:31:10,160 Speaker 3: if I would I wouldn't mind doing Who who's that? Oh? King? 565 00:31:11,120 --> 00:31:13,400 Speaker 3: The King? Yeah, the King called you? 566 00:31:14,400 --> 00:31:20,080 Speaker 4: What Oh my god? Oh that must feel so it 567 00:31:20,200 --> 00:31:22,360 Speaker 4: was good to look down at your phone screen and 568 00:31:22,480 --> 00:31:24,240 Speaker 4: see that the King is calling. 569 00:31:24,920 --> 00:31:27,400 Speaker 3: What did he say? Well, first of all, it's just 570 00:31:27,560 --> 00:31:31,520 Speaker 3: KG is because he just goes by KG. Oh, and 571 00:31:32,000 --> 00:31:32,920 Speaker 3: that's what comes on. 572 00:31:33,160 --> 00:31:35,080 Speaker 4: Is confusing when Kevin Garnett calls. 573 00:31:35,360 --> 00:31:39,720 Speaker 3: Uh a little bit. But you know, me and KG 574 00:31:39,800 --> 00:31:41,959 Speaker 3: are in a fight, so I haven't heard from him 575 00:31:42,000 --> 00:31:46,360 Speaker 3: in a while. So when KG calls King King, good movies? 576 00:31:46,560 --> 00:31:54,360 Speaker 3: Yes he uh uh is like a he likes the 577 00:31:54,400 --> 00:31:57,560 Speaker 3: clear his throat a lot. Uh. 578 00:31:58,360 --> 00:32:04,520 Speaker 7: Oh, Cedric, would you like to do of animated show 579 00:32:05,280 --> 00:32:08,880 Speaker 7: that will change the world on Netflix? 580 00:32:09,400 --> 00:32:10,800 Speaker 3: Like I would? 581 00:32:11,880 --> 00:32:13,880 Speaker 4: That's the number one thing for you is you will 582 00:32:13,960 --> 00:32:16,040 Speaker 4: not do a show unless it is changing the world. 583 00:32:16,560 --> 00:32:20,320 Speaker 3: That's not I mean, yeah, would you get I mean 584 00:32:20,600 --> 00:32:21,120 Speaker 3: what I was. 585 00:32:21,640 --> 00:32:25,200 Speaker 1: Luckily, I've never been approached with an opportunity that wasn't 586 00:32:25,240 --> 00:32:27,680 Speaker 1: world changing, so I haven't been forced to make that decision. 587 00:32:27,720 --> 00:32:28,880 Speaker 3: I don't know what I would do. 588 00:32:29,400 --> 00:32:31,960 Speaker 4: Yes, I've had to face that down. Yeah, I would 589 00:32:32,000 --> 00:32:33,960 Speaker 4: probably scream as if I just saw a big piece 590 00:32:34,000 --> 00:32:37,959 Speaker 4: of food. But luckily every show that I've been involved 591 00:32:38,000 --> 00:32:44,000 Speaker 4: with ghosted everything really good has changed the world. You 592 00:32:44,120 --> 00:32:47,120 Speaker 4: asked prior to the shows I've done on six seasons. 593 00:32:47,240 --> 00:32:49,040 Speaker 4: I think if you just look at the tracker the 594 00:32:49,200 --> 00:32:52,640 Speaker 4: show ghosted, you know you've got your answer. 595 00:32:52,920 --> 00:32:59,040 Speaker 3: Yeah, so so blah blah blah. King, yeah, the King, Yeah, yeah, so. 596 00:32:59,200 --> 00:32:59,720 Speaker 2: He called you. 597 00:33:00,360 --> 00:33:02,440 Speaker 4: It didn't come in the mail. Maybe that's part of 598 00:33:02,480 --> 00:33:06,360 Speaker 4: what I've been doing wrong. But I gotta say, I've 599 00:33:06,400 --> 00:33:08,720 Speaker 4: seen my phone lately and the King hasn't called once. 600 00:33:08,840 --> 00:33:12,680 Speaker 3: I've seen your phone toe and not not at all. 601 00:33:12,800 --> 00:33:14,880 Speaker 3: He's not calling no, And I. 602 00:33:14,920 --> 00:33:18,440 Speaker 4: Don't know if it's a service issue in here? What 603 00:33:18,520 --> 00:33:19,719 Speaker 4: do you try calling me right now? 604 00:33:19,840 --> 00:33:23,120 Speaker 3: What is what is your What do you have? Huh? 605 00:33:23,240 --> 00:33:23,560 Speaker 3: I have? 606 00:33:24,400 --> 00:33:24,600 Speaker 2: Well? 607 00:33:25,440 --> 00:33:32,880 Speaker 3: Oh, hello, I'm your phone is working? I have Vonds. 608 00:33:33,560 --> 00:33:34,760 Speaker 4: Vonds is my service? 609 00:33:38,560 --> 00:33:41,520 Speaker 3: The supermarket, the grocery store. 610 00:33:41,600 --> 00:33:47,480 Speaker 4: Yeah, that's your Yeah, I used Vonds. I got a 611 00:33:48,320 --> 00:33:50,840 Speaker 4: really good package. Well because I was getting already a 612 00:33:50,920 --> 00:33:54,600 Speaker 4: bunch of these sort of like fruit roll up, fruit 613 00:33:54,720 --> 00:33:56,880 Speaker 4: leather really not fruit roll up, but I was getting 614 00:33:56,880 --> 00:34:00,440 Speaker 4: a bunch of the fruit leathers. And I guess if 615 00:34:00,440 --> 00:34:02,560 Speaker 4: you buy your phone at the same time, they'll actually 616 00:34:02,600 --> 00:34:04,000 Speaker 4: give you like sons. 617 00:34:04,120 --> 00:34:06,840 Speaker 3: Yes, of service. I have a I have a rale phone. 618 00:34:08,080 --> 00:34:13,000 Speaker 3: You have a ralph phone. It's just one word ralphone. Yeah, okay, 619 00:34:13,640 --> 00:34:19,200 Speaker 3: and it looks like a banana is but his Yeah, 620 00:34:19,239 --> 00:34:22,920 Speaker 3: it looks like a banana. Yes, it's got it's wired 621 00:34:23,160 --> 00:34:27,560 Speaker 3: to other fruit. Yes it is not wireless yet. 622 00:34:28,040 --> 00:34:31,680 Speaker 4: Okay, but yeah, he's got his rale phone, and I 623 00:34:31,760 --> 00:34:33,759 Speaker 4: have on service. And I think that the King would 624 00:34:33,760 --> 00:34:36,400 Speaker 4: be able to get through on that because honestly, some 625 00:34:36,560 --> 00:34:39,879 Speaker 4: of the deals he's gonna want to be calling to ask, 626 00:34:40,040 --> 00:34:41,880 Speaker 4: you know, well, I. 627 00:34:41,920 --> 00:34:45,239 Speaker 3: Wish you guys luck. I mean, well, we actually do 628 00:34:45,400 --> 00:34:49,120 Speaker 3: want more than that, and we want our own show. Oh. 629 00:34:49,200 --> 00:34:52,040 Speaker 3: I was just leaving, so okay, no, no, no, no, 630 00:34:52,200 --> 00:34:55,759 Speaker 3: I know, I know, no, no, I'm going to go 631 00:34:56,640 --> 00:34:57,520 Speaker 3: hold on, hold on. 632 00:34:59,000 --> 00:35:02,080 Speaker 4: At some point you can no, you are, but the 633 00:35:02,400 --> 00:35:06,640 Speaker 4: but except that apparently if you just basically draw like 634 00:35:06,800 --> 00:35:10,760 Speaker 4: animals and bugs and have ear, will people do voices? 635 00:35:10,880 --> 00:35:13,600 Speaker 4: You have a TV show now, yes, and so maybe 636 00:35:13,680 --> 00:35:15,960 Speaker 4: as a bit of a little bit of a revenge 637 00:35:16,560 --> 00:35:19,560 Speaker 4: on animals, right who after the first season, I can 638 00:35:19,680 --> 00:35:22,480 Speaker 4: understand maybe why they didn't use us. They had mostly 639 00:35:22,640 --> 00:35:26,480 Speaker 4: people that we know and no offense to, you know, 640 00:35:26,760 --> 00:35:30,480 Speaker 4: like John Gabris or whatever. But at the point that 641 00:35:30,520 --> 00:35:32,960 Speaker 4: you're calling him, you can go ahead and call me right, 642 00:35:33,680 --> 00:35:36,560 Speaker 4: nice guy, funny guy, not really moving the needle on 643 00:35:36,680 --> 00:35:39,440 Speaker 4: the old ratings ticker, you know what I mean? 644 00:35:41,320 --> 00:35:45,239 Speaker 2: Yes, yes, a podcast, Yes I have. 645 00:35:45,640 --> 00:35:51,560 Speaker 3: But wait, you're you're not using that Kermit voice on animals, 646 00:35:51,680 --> 00:35:56,160 Speaker 3: are you? That's not I'm not well, something you would do, right? 647 00:36:00,080 --> 00:36:07,360 Speaker 2: They didn't ask well if? Oh so, so I can explain. 648 00:36:09,000 --> 00:36:11,719 Speaker 2: They had told me that if. 649 00:36:11,600 --> 00:36:13,040 Speaker 4: I wanted to do it, that my animal would be 650 00:36:13,040 --> 00:36:15,520 Speaker 4: a frog, and I thought I had this really funny idea. 651 00:36:15,880 --> 00:36:20,440 Speaker 2: You know, there is a famous frog already, and which. 652 00:36:20,480 --> 00:36:28,160 Speaker 3: Are you showing or hayes I'm okay, oh boy shot kill. Yeah. 653 00:36:29,200 --> 00:36:33,080 Speaker 1: So we have very similar voices, so we can effectively 654 00:36:33,160 --> 00:36:35,640 Speaker 1: play whatever the same role is and just. 655 00:36:35,840 --> 00:36:39,719 Speaker 3: I'm just looking at you. Sometimes I can't. Yeah, I 656 00:36:39,840 --> 00:36:42,879 Speaker 3: have that. You don't even have to do that. Yeah. 657 00:36:43,800 --> 00:36:45,920 Speaker 3: And for most of the acting that I do, I 658 00:36:46,200 --> 00:36:50,560 Speaker 3: like doing look look away acting. Don't you know where 659 00:36:50,600 --> 00:36:54,000 Speaker 3: I'm always in thought talking to you? 660 00:36:54,480 --> 00:36:55,960 Speaker 4: Some importance going on up there. 661 00:36:57,160 --> 00:36:57,239 Speaker 2: So. 662 00:36:58,960 --> 00:37:06,160 Speaker 3: Hayes, uh, don't do the kurmit thing. Really, okay, that's good. 663 00:37:06,239 --> 00:37:11,240 Speaker 1: That works, to look away thing. Is it ever dangerous 664 00:37:11,280 --> 00:37:13,120 Speaker 1: that you look away too long and but then you 665 00:37:13,200 --> 00:37:14,800 Speaker 1: look back down and they're. 666 00:37:16,280 --> 00:37:21,319 Speaker 3: Gone, and many is gone they left that, and uh, 667 00:37:21,719 --> 00:37:24,800 Speaker 3: my eyes tend to dry out looking up like that. 668 00:37:25,719 --> 00:37:29,320 Speaker 3: But it's been it's been many. It is windy, and 669 00:37:30,000 --> 00:37:33,000 Speaker 3: there's been many and many times where everybody's everyone's gone, 670 00:37:33,760 --> 00:37:36,000 Speaker 3: it's wrapped. And that's why my days are so long. 671 00:37:36,040 --> 00:37:42,160 Speaker 4: I think you're saying the hours were pretty crazy. You 672 00:37:42,320 --> 00:37:47,160 Speaker 4: may want to have Chef Kevin there because he has 673 00:37:47,480 --> 00:37:53,480 Speaker 4: often offered to soak my eyes and I and I 674 00:37:53,680 --> 00:37:55,839 Speaker 4: never knew why that was coming up, but I guess 675 00:37:55,880 --> 00:37:59,720 Speaker 4: he's afraid that I have the same issue that you do. Guys, 676 00:38:00,239 --> 00:38:01,480 Speaker 4: Is Cedric allowed to leave? 677 00:38:02,200 --> 00:38:05,359 Speaker 3: Guys? No, no, no, I'm not trying to. But are 678 00:38:05,360 --> 00:38:06,279 Speaker 3: you trying to kick me? Out. 679 00:38:06,360 --> 00:38:10,520 Speaker 4: It sounded like sounds like your understanding was it would 680 00:38:10,520 --> 00:38:12,960 Speaker 4: be exactly one hour, and that's about how long we've 681 00:38:13,000 --> 00:38:15,960 Speaker 4: been here. And we had a whole idea that we want. 682 00:38:16,040 --> 00:38:17,960 Speaker 3: But that's what I wanted to get to. That's what 683 00:38:18,160 --> 00:38:22,800 Speaker 3: my guys meant. Guys, I think this is a good idea. 684 00:38:23,440 --> 00:38:28,200 Speaker 4: Wow, that is so nice to hear for the first time. 685 00:38:28,400 --> 00:38:35,200 Speaker 3: Yeah, and as soon my phone works, your phone's broken 686 00:38:35,400 --> 00:38:38,879 Speaker 3: after well after the phone call, the KG phone call. Yeah, 687 00:38:40,160 --> 00:38:43,840 Speaker 3: but you know they bust the wires. Well, it'll self destruct. 688 00:38:44,040 --> 00:38:47,320 Speaker 3: That's the KG way gives you. Hit the orders. 689 00:38:47,400 --> 00:38:49,319 Speaker 4: I noticed the King mispronounces your day. 690 00:38:49,880 --> 00:38:54,799 Speaker 3: Yes he does, but that's fine, Doctor Martin Luther. King's 691 00:38:55,200 --> 00:39:01,040 Speaker 3: the King's son. Oh the kinga move Hollywood. 692 00:39:00,719 --> 00:39:04,319 Speaker 2: Yeah, he says seed driss, Yes, Why does he think 693 00:39:04,440 --> 00:39:07,320 Speaker 2: that last c is an? S uh. 694 00:39:10,880 --> 00:39:11,080 Speaker 3: Yeah? 695 00:39:11,840 --> 00:39:14,239 Speaker 4: Who can answer what's going on inside the King's head? 696 00:39:14,280 --> 00:39:15,920 Speaker 3: You know, I mean to ask that question. 697 00:39:16,040 --> 00:39:20,880 Speaker 4: Hayes, Yeah, heyes, we've gone over this before, but like us, 698 00:39:21,120 --> 00:39:21,879 Speaker 4: and statements are good. 699 00:39:21,920 --> 00:39:25,239 Speaker 3: Why is it less Moonvez? I mean, isn't it moon 700 00:39:25,680 --> 00:39:27,120 Speaker 3: less Moonvie? Yeah? 701 00:39:27,200 --> 00:39:30,279 Speaker 1: Yeah, moonbe And we are, of course recording this in 702 00:39:30,480 --> 00:39:32,839 Speaker 1: February of twenty eighteen, and I just want to say 703 00:39:33,280 --> 00:39:35,320 Speaker 1: he is my closest friend. 704 00:39:36,560 --> 00:39:39,279 Speaker 4: And I would die for that, best best man I've 705 00:39:39,280 --> 00:39:42,719 Speaker 4: ever known. All positive for me. 706 00:39:44,080 --> 00:39:46,000 Speaker 3: And he's a good, good guy. 707 00:39:46,239 --> 00:39:49,040 Speaker 4: Yes, just a good dude. Good, just a dude you 708 00:39:49,120 --> 00:39:51,400 Speaker 4: can brow out with, play a couple of drinking games 709 00:39:51,440 --> 00:39:54,640 Speaker 4: like we talked about before, right, right, sure, quick round 710 00:39:54,680 --> 00:39:55,600 Speaker 4: of Devil's try a gole. 711 00:39:55,760 --> 00:39:56,480 Speaker 3: Right, so. 712 00:39:58,200 --> 00:39:59,120 Speaker 6: So let's. 713 00:40:00,320 --> 00:40:05,200 Speaker 4: Talk. Let's talk about just what people in Hollywood could be, 714 00:40:05,320 --> 00:40:07,360 Speaker 4: what animals, and then we'll let you go secret. 715 00:40:07,480 --> 00:40:11,880 Speaker 3: Okay, sure, let's uh where we're gonna put Eric Stone Street? 716 00:40:12,239 --> 00:40:12,359 Speaker 7: Eric? 717 00:40:12,600 --> 00:40:16,160 Speaker 1: That's a great question, really good. He could be interesting 718 00:40:16,920 --> 00:40:19,360 Speaker 1: as a as a freaky bug. 719 00:40:20,640 --> 00:40:24,560 Speaker 4: Yes, yes, and the bugs going like, hey, buzz off pal, 720 00:40:27,280 --> 00:40:28,399 Speaker 4: that sounds like Eric. 721 00:40:31,040 --> 00:40:35,279 Speaker 3: Sound okay, let's let's put some other names. 722 00:40:35,680 --> 00:40:38,920 Speaker 4: Well, I was thinking, how do you see Steven Spielberg? 723 00:40:39,920 --> 00:40:46,160 Speaker 3: Oh, oh, Steven spiel Bug. Yes, he could be very 724 00:40:46,840 --> 00:40:48,920 Speaker 3: he could be some weird freaky bug. 725 00:40:49,160 --> 00:40:51,359 Speaker 4: Yes, exactly, he's good. 726 00:40:51,640 --> 00:40:53,719 Speaker 2: He's going action cut. 727 00:40:53,760 --> 00:40:59,000 Speaker 3: Buzz off pal. Yes, Yes, that's so good. 728 00:40:59,120 --> 00:41:00,880 Speaker 4: Hey, did you have an what do you wanted to 729 00:41:00,960 --> 00:41:01,319 Speaker 4: turn into? 730 00:41:01,360 --> 00:41:02,080 Speaker 2: Any guys? 731 00:41:03,920 --> 00:41:04,040 Speaker 4: Uh? 732 00:41:05,560 --> 00:41:09,320 Speaker 2: Well, what about Michelle Rodriguez. 733 00:41:09,680 --> 00:41:17,719 Speaker 4: Okay, okay, so Michelle Rodriguez. I almost could envision right 734 00:41:18,280 --> 00:41:21,520 Speaker 4: as like sort of having like six legs, like. 735 00:41:23,280 --> 00:41:31,279 Speaker 2: Oh yeah, freaky sort of freak ass buzz my shell rolling. 736 00:41:31,120 --> 00:41:40,200 Speaker 3: Around buzz off signor definitely. So that was good. 737 00:41:40,320 --> 00:41:42,040 Speaker 1: I was worried we weren't going to get to like 738 00:41:42,440 --> 00:41:45,759 Speaker 1: the hard promise of the show, but we did. 739 00:41:47,360 --> 00:41:51,799 Speaker 4: Yeah, we got way in there. This show did, like Circle. 740 00:41:51,520 --> 00:41:55,839 Speaker 3: Man Man totally totally forward back then. 741 00:41:56,200 --> 00:41:57,759 Speaker 4: Yeah, we forward back circle Man. 742 00:41:58,360 --> 00:42:00,319 Speaker 3: Do you have anything else that you'd like to perm 743 00:42:01,320 --> 00:42:02,440 Speaker 3: like a million things? 744 00:42:02,640 --> 00:42:02,799 Speaker 4: Oh? 745 00:42:02,960 --> 00:42:07,279 Speaker 3: Sure, there's a Paradise PD on Netflix that that we 746 00:42:07,560 --> 00:42:11,480 Speaker 3: have out right now. Excuse me, your again? I am 747 00:42:11,520 --> 00:42:14,840 Speaker 3: a copy and your Police on Bozart. Correct, I'm a 748 00:42:14,920 --> 00:42:20,920 Speaker 3: cop on on that as well, Reno nine on one 749 00:42:21,000 --> 00:42:25,520 Speaker 3: we might be okay, I'm a cop on on that show. 750 00:42:29,040 --> 00:42:31,600 Speaker 4: What's Ahead. 751 00:42:31,800 --> 00:42:34,279 Speaker 3: No, it's a there's a cop movie that I saw 752 00:42:34,480 --> 00:42:39,400 Speaker 3: the other night and okay, okay, and about it, Murder Police. 753 00:42:40,480 --> 00:42:43,240 Speaker 2: They made a movie of police. 754 00:42:43,400 --> 00:42:52,160 Speaker 3: Yeah, you weren't in it. I noticed, Yeah, well, Sean, right, yeah, unfortunately, yes, 755 00:42:52,320 --> 00:42:54,839 Speaker 3: I noticed that part I wasn't a part. 756 00:42:54,920 --> 00:42:57,560 Speaker 4: You weren't in that, Yeah, you were not a part 757 00:42:57,600 --> 00:42:59,000 Speaker 4: of it. Did they bring Wilmore back? 758 00:42:59,680 --> 00:43:04,640 Speaker 3: Yes, he was in the mistake him in the first place. 759 00:43:04,800 --> 00:43:08,759 Speaker 3: Yeah he was great, Yeah he was. 760 00:43:10,840 --> 00:43:14,919 Speaker 4: Well, I do want to say I have more. 761 00:43:14,880 --> 00:43:16,880 Speaker 3: To pitch, by the way, I have other things. Hit 762 00:43:17,000 --> 00:43:23,400 Speaker 3: me project, hit me back there. Oh, the Hills of Baldwin. 763 00:43:25,000 --> 00:43:28,600 Speaker 3: It's a black soap opera that me and the guys 764 00:43:28,680 --> 00:43:30,839 Speaker 3: from the black version show that I do locally here 765 00:43:31,160 --> 00:43:35,440 Speaker 3: at the Groundlings Theater. What we do at the Groundley 766 00:43:35,520 --> 00:43:37,680 Speaker 3: Theater is a movie title. We get a movie title 767 00:43:37,719 --> 00:43:41,279 Speaker 3: from the audience. Yeah, they shout out whatever sounds and 768 00:43:41,400 --> 00:43:45,000 Speaker 3: lambs or Batman Forever or whatever, and then we do 769 00:43:45,200 --> 00:43:48,480 Speaker 3: we improvise the black version of that movie, and then 770 00:43:48,640 --> 00:43:51,399 Speaker 3: the second actor or the DVD extras or deleted seats. 771 00:43:51,520 --> 00:43:54,840 Speaker 3: So the cast of that show, we've all gone to 772 00:43:55,640 --> 00:43:58,920 Speaker 3: Audible and now we have a new podcast coming out 773 00:43:59,040 --> 00:44:02,520 Speaker 3: or black soapp called The Hills of Baltimore. Okay, and 774 00:44:02,640 --> 00:44:07,239 Speaker 3: you are all cops and the audience's cops. Yeah, it's 775 00:44:07,360 --> 00:44:10,800 Speaker 3: improv four and by cops. 776 00:44:11,520 --> 00:44:11,680 Speaker 4: You know. 777 00:44:12,200 --> 00:44:15,520 Speaker 3: Wow, can blue lives Blue Lives Matter? Can other people 778 00:44:15,640 --> 00:44:18,759 Speaker 3: listen to it on Audible? I don't disagree? Yeah, well 779 00:44:18,760 --> 00:44:20,080 Speaker 3: it sounded like you did. 780 00:44:20,440 --> 00:44:22,800 Speaker 4: No, no, no, I didn't say that was curb it. 781 00:44:23,000 --> 00:44:28,879 Speaker 4: I think they have a cooler flag that the American flag. Yeah, 782 00:44:29,520 --> 00:44:32,960 Speaker 4: the colors are we not tired of that, not at all, 783 00:44:34,160 --> 00:44:37,799 Speaker 4: not at all. So when Chef Kevin called the cops 784 00:44:37,840 --> 00:44:40,000 Speaker 4: on the people having sex, he was actually calling. 785 00:44:42,000 --> 00:44:42,239 Speaker 3: Guys. 786 00:44:42,360 --> 00:44:43,239 Speaker 2: I didn't realize that. 787 00:44:43,400 --> 00:44:49,040 Speaker 3: Yeah, yeah, And then I wanted, yeah, I mean I'm 788 00:44:49,160 --> 00:44:51,240 Speaker 3: in this cop uniform. 789 00:44:51,840 --> 00:44:54,400 Speaker 2: Right, Yes, And I suppose you did try to arrest me. 790 00:44:54,480 --> 00:44:58,000 Speaker 3: Initially I did, I did. I thought, I thought. I 791 00:44:58,160 --> 00:45:02,320 Speaker 3: mistakenly thought it was you in the hallway doing what 792 00:45:02,600 --> 00:45:03,000 Speaker 3: Chef cut. 793 00:45:03,080 --> 00:45:06,560 Speaker 1: He gets profiled a lot of someone who was recently 794 00:45:06,719 --> 00:45:07,280 Speaker 1: having sex. 795 00:45:07,680 --> 00:45:10,279 Speaker 4: Yes, yeah, my hair is always sort of tussled, and 796 00:45:10,480 --> 00:45:16,160 Speaker 4: my belt is askew. Yeah yeah, I'm sort of sweaty, 797 00:45:17,680 --> 00:45:18,600 Speaker 4: and a little. 798 00:45:20,080 --> 00:45:21,439 Speaker 3: Propylactics in your hand. 799 00:45:21,800 --> 00:45:25,840 Speaker 4: Well I'm holding those, yeah, just for I have a 800 00:45:26,040 --> 00:45:28,600 Speaker 4: sort of a stand up routine where I do kind 801 00:45:28,600 --> 00:45:30,759 Speaker 4: of a variation on the old Howiemant Dell thing where 802 00:45:30,840 --> 00:45:32,719 Speaker 4: he would put the globe over his head, but I'm 803 00:45:32,760 --> 00:45:35,840 Speaker 4: just putting the prophylactics like over my ears or whatever. 804 00:45:36,120 --> 00:45:36,279 Speaker 3: Ah. 805 00:45:36,760 --> 00:45:39,800 Speaker 4: Yeah, and then I do a whole riff On Thanksgiving 806 00:45:40,160 --> 00:45:40,200 Speaker 4: but