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Speaker 1: Hello, Hello, Hello, Hello. Did Tony Chalks beat it yet? Oh?

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Speaker 1: It did well. Hello everybody, Welcome to the Blue le

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Speaker 1: Cap Podcast. I'm not wearing headphones as you can tell,

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Speaker 1: but we are in the motherfucking building. We got a

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Speaker 1: dope episode today with the rising superstar Lotto repping atl

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Speaker 1: formerly Mulatto, change her name to Big Lotto. She's on

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Speaker 1: fucking fire right now. Incredible artist and an incredible human being.

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Speaker 1: Based on our conversation I just got from her, I

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Speaker 1: was like, Wow, she's a fun chick. She's a cool chick,

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Speaker 1: someone who I'd kick it with, someone who I'd play

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Speaker 1: some video games with, shoot the shit with. And that's

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Speaker 1: what we did. We shot the shit. How long was

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Speaker 1: the interview? Cook? Hour long with Lotto? Hour sit down

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Speaker 1: with Lotto, and it's fire. She's hilarious. We got to

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Speaker 1: big Lotto Interview Maine BOOTLEKEV Show, Special guests, the Legend

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Speaker 1: in the Making, special guests, a lot of welcome Hey,

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Speaker 1: First of all, congratulations. I saw you posted your twenty

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Speaker 1: twenty two goals and you've already knocked one off in January,

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Speaker 1: and that's being top tenary not over. Yeah, I know,

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Speaker 1: I said, oh, top forty on Billboard right that I

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Speaker 1: had to post it because I was like, I wrote,

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Speaker 1: this goal is for like the year, not the three

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Speaker 1: weeks into the year. Yeah. I mean that's a big accomplishment.

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Speaker 1: You've had such a long journey in this music industry.

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Speaker 1: Some people are just finding out who you are. Like

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Speaker 1: there's like, you know, I I show people your La

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Speaker 1: Leakers freestyle all the time. I'm like, no, a lot

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Speaker 1: those hard. But you've been around for so long, just

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Speaker 1: grinding as an up and cooming art. It's like to

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Speaker 1: get that first top forty records, gotta feel amazing, man,

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Speaker 1: what this stuff like? Like you said, I've been rapping

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Speaker 1: for a long long time, So this stuff like eight

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Speaker 1: year old me dreamed of. I don't take nothing from granted,

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Speaker 1: Like I love my life. So on your goals list,

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Speaker 1: you had a lot of stuff blurred out. Can you

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Speaker 1: can you give us one of the blurred goals? One

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Speaker 1: of them was obviously that feature. You know that feature

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Speaker 1: that feature if you know, you know, I can't even

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Speaker 1: elaborate because you know, you're not even supposed to talk

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Speaker 1: about stuff like this. You supposed to just let it manufact.

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Speaker 1: You can't, like I take your guests, Beyonce, I don't know.

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Speaker 1: I'm not going to confirm with you not Beyonce feature

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Speaker 1: kind of hot super fire. Yeah, I really feel like

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Speaker 1: I would like to see I don't know why this

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Speaker 1: this is random because maybe musically you guys have different styles,

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Speaker 1: but each of you can rap at a very elite level.

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Speaker 1: And hell just was on NAS's album Oh Ship. You

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Speaker 1: know what, my daddy loved Lauren. My daddy loved Lauren.

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Speaker 1: We met Jerry Wanda, and I guess he like produced

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Speaker 1: for them, no disrespect. But you know, I don't this

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Speaker 1: passed my generation. I just know I grew up and

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Speaker 1: my daddy would like put me down with all this stuff,

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Speaker 1: and I'd be like, okay, nod, nod, nod, No they notice.

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Speaker 1: So I know the names and you know a little

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Speaker 1: bit of their catalogs, and I was like my dad

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Speaker 1: was like, what, like, yeah, yeah, so you didn't so

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Speaker 1: so your dad had to put you on the Lauren Ship.

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Speaker 1: And yes, Jerry like produced like they major, Like he

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Speaker 1: produced something I can't remember, but I made him coolest

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Speaker 1: for humble as hell, like yeah, your pop, Like was

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Speaker 1: he like a huge music head? Did he have like

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Speaker 1: a lot of yeah, like he it was more like

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Speaker 1: not just overall music, just like more like hip hop,

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Speaker 1: you know everything else, Like I learned like the R

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Speaker 1: and B ship from my grandma. My mom was so

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Speaker 1: that was putting up on the rap ship. Yeah, and

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Speaker 1: then he didn't really fuck with too many females, but

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Speaker 1: like the ones that I know I know from him,

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Speaker 1: like that nigga when he fucked with a bitch, Like

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Speaker 1: he loved Left Eye. He loved Lauren like you know

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Speaker 1: what I'm saying. Who else he loves Kim Like we're

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Speaker 1: his favorite, like just rappers in general, Like what was

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Speaker 1: the ship that you were like jumping in the car

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Speaker 1: with your dad and it was his favorite song? Ever?

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Speaker 1: Is like something bone Thugs, Bone Thugs and Harmony, Yeah,

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Speaker 1: something probly cross Roads, something like that ice Cube Today

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Speaker 1: was a good day or a good day. We need

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Speaker 1: to move your dad to la because both of those

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Speaker 1: artists perform at some festival in Ontario, California, once every

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Speaker 1: ninety days. There's like a Toyota Center West Coast Fest

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Speaker 1: going on. Yeah, so he like he from Ohio though,

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Speaker 1: but he like loved like West Coast Ohio bones from Ohio,

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Speaker 1: so that makes sense and he do love him some

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Speaker 1: bone shot, but he like he go crazy for n

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Speaker 1: W a pug Like, Yeah, so I grew up on that.

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Speaker 1: My parents were like in the like Death Leopard and

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Speaker 1: like yeah, no, I got you know, my mama's side,

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Speaker 1: on my daddy's side, So I got like a little

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Speaker 1: bit of everything. I'm not too familiar with everything. Yeah,

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Speaker 1: because you're you're mixed, right, So your mom what was

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Speaker 1: she listening to? See? My mama was more like all

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Speaker 1: over the place, like she loved like R and B,

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Speaker 1: oh school R and B. But like she grew up

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Speaker 1: on like country music, like that side like her mom

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Speaker 1: and them they like country music. Like when I go

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Speaker 1: out there for like and during the summer stuff, it'd

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Speaker 1: be like country pulling out guitar Like yeah, you know,

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Speaker 1: it's funny because like I just started watching this show

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Speaker 1: called Yellowstone. Have you heard of the show. It's with

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Speaker 1: Kevin Costner. It's about this ranch in Montana, some gangster shit.

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Speaker 1: It's like powerful with cowboys about a ranch. There's some

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Speaker 1: gangster ass ship. There's these motherfucking cowboys that be killing people.

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Speaker 1: It's fucking wild. But it made me like be like, dang,

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Speaker 1: I need to start listening to country because it is

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Speaker 1: I feel like country is kind of like rap music

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Speaker 1: but just for rednecks. No, I think I think it's

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Speaker 1: it's with all the music genres, like we be talking

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Speaker 1: about the same shit. It's just like our beats are different,

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Speaker 1: our flows are different. You know what I'm saying. We

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Speaker 1: all talk about fucking getting money and all type of shit.

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Speaker 1: We're just saying it different. If you had to, like,

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Speaker 1: you know, give me like your top three influences just

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Speaker 1: as a rapper that you you know, because you, like

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Speaker 1: I said, you've been doing this a long time. Like

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Speaker 1: who was who was like very influential to you in

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Speaker 1: your style? Top three I'm gonna say for sure, Nikki,

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Speaker 1: because you know, I grew up like I was saying,

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Speaker 1: like my dad taught me about all these feelings that

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Speaker 1: came before me. But it's like it's different when somebody

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Speaker 1: come out during your generation, because it feels like he

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Speaker 1: touched me. She used to go like definitely heavy influence.

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Speaker 1: I used to what Nikki Gucci. Gucci always been my

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Speaker 1: favorite rapper, like that slow Southern aesthetic like and then

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Speaker 1: you know I grew up around that lifestyle, so it's

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Speaker 1: like I appealed to that. Then I will say I'm

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Speaker 1: stuck between. I probably say t I, t I T Y.

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Speaker 1: You see t I is doing stand up comedy. Now

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Speaker 1: he was on stage the comedy. Is he give me

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Speaker 1: the yeah, give me words? You know Gucci? Uh, you know,

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Speaker 1: Gucci to me is the greatest an R and hip

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Speaker 1: hop history. I think he's got the best ear we've

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Speaker 1: ever seen. Yet don't find him an artist that nobody

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Speaker 1: heard of and they're gonna blow yeah. And like if

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Speaker 1: you even just think of the people he's put his

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Speaker 1: arm around early, like the Egos or even like Ni

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Speaker 1: yeah Nikki exactly, Like what was it like to have

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Speaker 1: him put his arm around you and have him on

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Speaker 1: one of your first records that really commercial? That ship

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Speaker 1: was solid because Gucci ain't just gonna stamp no bullshit,

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Speaker 1: you know what I'm saying, Like, you can't just pay

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Speaker 1: Gucci to do a feature and he just gonna do

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Speaker 1: it because you're paying him type shit. He got to

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Speaker 1: actually fuck with you, you you know what I'm saying. So

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Speaker 1: when they was like, actually know a case in which

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Speaker 1: he did take some money from a Korean pop band.

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Speaker 1: It was a nice bag. Yeah, shout out to him.

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Speaker 1: But anyway, it was, it was, it was, it was

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Speaker 1: a great bag. So anyway, yeah, if you independing what

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Speaker 1: kind of money were talking about what I'm saying. But no,

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Speaker 1: like they was like, no, he fuck with you, like

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Speaker 1: he gonna pull up to the video, he gonna like whatever,

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Speaker 1: and he was just humboys hell. And then that's big

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Speaker 1: for Atlanta, Like you're talking about a nigga like being

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Speaker 1: from Atlantah, Gucci is legendary period. Like I feel like

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Speaker 1: he is kind of the mountain, the mount Rushmore in Atlanta.

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Speaker 1: Like we could talk about GZ and t I, but

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Speaker 1: I just feel like in Atlanta, it's Gucci and then

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Speaker 1: it's everyone else respectively. Yeah. No, maybe nationally when we

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Speaker 1: think of Atlanta, you put Gez up there. I just

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Speaker 1: think in Atlanta, Gucci is the he is the uh

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Speaker 1: he is that, He's the one. He's him, duncan he's him. Yeah,

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Speaker 1: Yeah for sure for sure. So with this record, Big Energy,

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Speaker 1: this is a record that as soon as I heard it,

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Speaker 1: I said, Okay, she finally got her crossover record. This

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Speaker 1: is it, this is this is your moment. Like I

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Speaker 1: was like, okay, this shit is like a layer you

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Speaker 1: know what it's gonna do. This is a layup. The sample,

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Speaker 1: everything about it was just great, like it's you know,

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Speaker 1: I was talking to Lauri earlier and she was like,

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Speaker 1: it's just such an easy song to work. Like if

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Speaker 1: you don't play this song, you're a fucking hater. Did

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Speaker 1: you know that right away? As soon as you cut

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Speaker 1: the record like that, it had that potential, you know

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Speaker 1: what I did. But I would only say I did

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Speaker 1: because I'm so hard on myself. I'm so hard on myself.

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Speaker 1: The only reason why I feel like I knew that

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Speaker 1: is because first of all, I was working on this

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Speaker 1: song for like a week, like every day going to

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Speaker 1: the studio working on this same song eight hours. But

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Speaker 1: every time when I went back home, well to the hotel,

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Speaker 1: I was like humming that shit. So I'm like, this

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Speaker 1: shit means something. This shit means something. Because I'll get

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Speaker 1: frustrated and then leave a song, you know, and then

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Speaker 1: come back to it a couple months later. Wall I

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Speaker 1: did like that song but that why I did not

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Speaker 1: leave it alone because I'm like, I keep humming this

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Speaker 1: ship for a reason. So have you ever had a

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Speaker 1: guy have big dick energy and end up not his

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Speaker 1: energy not necessarily lining up with his actual physical uh situation?

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Speaker 1: You know, I ain't gonna lie. I've been blessed in

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Speaker 1: that department. I feel for my sisters. I read out

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Speaker 1: stories on Twitter, like I thought they had big, big,

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Speaker 1: big energy, and then we went to this crab and

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Speaker 1: then ship kind of was a little disappointing, and I

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Speaker 1: asked like a question like that on Twitter. I was like,

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Speaker 1: you know, like, have you I ever been in a

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Speaker 1: situation where it wasn't big dick energy and the stories

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Speaker 1: I was reading, child, I'm like, babe, I'm blessed. I'm blessed,

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Speaker 1: Like I feel like bless like like what is the

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Speaker 1: energy you think? Cause I know I know guys with

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Speaker 1: little dick energy usually they have they have like really

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Speaker 1: big trucks or like it's just like do too much.

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Speaker 1: Like it don't even gotta be like a material thing

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Speaker 1: or like what you own. It's just like a more

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Speaker 1: of a like person, like like it's a charisma. Big

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Speaker 1: big dig energy is a charisma or personality. It's just

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Speaker 1: like how you walk, how you talk. It's not even like,

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Speaker 1: oh I gotta chain, Oh I got a Ferrari like

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Speaker 1: nine times out of tender little dick Nick. They gotta

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Speaker 1: they gotta compensate, you know. I can't deal with that

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Speaker 1: little messy drones shit. Yeah, well you've been blessed. Yeah,

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Speaker 1: I'm very blessed. Shout out to you. Is there gonna

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Speaker 1: be a remix for this record? Because it feels like

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Speaker 1: the kind of record there should be like a maybe

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Speaker 1: a Doja Cat feature on the remix you guys on

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Speaker 1: the same label. No, we're definitely working on a remix.

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Speaker 1: We're definitely working on It's just this song is like

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Speaker 1: it's opened so many doors for me. So I'm like,

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Speaker 1: and I'm already just hands on with my career, Like

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Speaker 1: I irritate everybody. Everybody gets some No, I get on

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Speaker 1: everybody's line. They don't want to too, but I know

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Speaker 1: I get on everybody now. So you know, I'm just

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Speaker 1: like very particular about it. It's like, I'm not just

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Speaker 1: gonna just let anybody. I could hear Doja Cat on

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Speaker 1: this though. Have you guys talked there been a little chat,

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Speaker 1: maybe some sort of music in general. I don't want

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Speaker 1: to say yes. I feel like it'd be such an

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Speaker 1: easy play. You guys are on the same record label. Yeah,

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Speaker 1: let's just put it in the air. Doja Cat on

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Speaker 1: the Big Energy Remix? I like the way that sounds.

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Speaker 1: I like the way it sounds. I haven't even made

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Speaker 1: like a for sure decision on who I want. I'm

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Speaker 1: not sure you could put a man on that. Tell me,

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Speaker 1: could you put a man on the on the Big

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Speaker 1: dig Energy Remix? I'm not sure you could because because

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Speaker 1: you would, but you would have to, wouldn't you have

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Speaker 1: to kind of like be like listen, man, you can't

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Speaker 1: have no medium dick down there. If you can be

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Speaker 1: on the remix out, I don't know. Maybe you get

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Speaker 1: only fans girl that test it out like a I'm

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Speaker 1: thinking about him for the I saw that he was

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Speaker 1: like and your big I'm curious. No, I think I

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Speaker 1: think it would be cool to hear a boy perspective too, though.

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Speaker 1: That's fair, that's fair, that's fair to be a girl.

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Speaker 1: What would the girl if a guy made a remix

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Speaker 1: to your record and but he put the male perspective

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Speaker 1: on it, what would it? What would it be what

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Speaker 1: would be like instead of would it be like clean? No.

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Speaker 1: I feel like they expecting it to be clean because

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Speaker 1: it's like big radio record. No. I mean like, would

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Speaker 1: it be like clean pussy energy or would it be

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Speaker 1: he said it would be the male Yes, oh big

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Speaker 1: dig energies. Because it can't be big clean energy because

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Speaker 1: that's not a track that sounds like you got a bodybuilder,

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Speaker 1: a bodybuilder growth or mo. Yeah. Probably like clean, like

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Speaker 1: like good a balanced pH energy, Balanced pH Energy. I

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Speaker 1: liked the balance page Energy. I like that. You know,

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Speaker 1: I feel like a lot of people have used the

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Speaker 1: pandemic as an excuse to be lazy or why they popping,

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Speaker 1: or why they're broke. You know a lot of motherfucking

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Speaker 1: rappers who's struggling, right. I feel like you really just

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Speaker 1: gluw up on a whole other level career wise in

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Speaker 1: the last two years. Yeah, like what do you? I

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Speaker 1: was gonna say, what, Like, what was your mindset going through?

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Speaker 1: Because I really put that pressure on myself though, like

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Speaker 1: nobody knew this, but I had signed in December years

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Speaker 1: the pandemic twenty nineteen, twenty twenty twenty, because you signed

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Speaker 1: during the pandemic no, No, twenty nineteen. So you've signed

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Speaker 1: yeah before the pandemic. Yeah, so it's been two and

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Speaker 1: a half years or two years in a couple of months. O.

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Speaker 1: Life just flying it sure is anyways, twenty nineteen December

294
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Speaker 1: twenty nineteen, I signed. Nobody knew because we was, like,

295
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Speaker 1: you know, trying to have a game plan before of

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Speaker 1: course announced that and sh so I was already signed December.

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Speaker 1: We didn't announce it till like March, and then the

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Speaker 1: pandemic like hit hit in like April. Yeah, it's it's

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00:16:14,440 --> 00:16:16,760
Speaker 1: like it hit in March. Low key, Yeah, like it

300
00:16:16,960 --> 00:16:20,320
Speaker 1: was like when I announced it, Like I remember like

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Speaker 1: talks of that like that same week type shit type ship,

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00:16:24,080 --> 00:16:27,320
Speaker 1: like or two weeks later type ship, Like oh, it's

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00:16:27,400 --> 00:16:31,680
Speaker 1: gonna be this like shut down. Like I remember being like,

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Speaker 1: HM's just like this deal, we got this whole, we

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Speaker 1: got game, we got yeah, we gotta we got stuff

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00:16:37,800 --> 00:16:39,640
Speaker 1: we gotta do. Yeah, so what do you mean shut down?

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Speaker 1: I was just like nah, hell and I've been waiting

308
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Speaker 1: all my life for this fucking major record deal with Yeah,

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00:16:45,720 --> 00:16:48,800
Speaker 1: so doesn't hurt too. Atlanta really never closed. Atlanta was lit.

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Speaker 1: We was in Atlanta in January last year, and I

311
00:16:53,160 --> 00:16:54,560
Speaker 1: was it was like it was like being in a

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00:16:54,600 --> 00:16:58,440
Speaker 1: different world because we live here and over here's fucked up,

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Speaker 1: Like you can't go nowhere, you gotta We were in

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Speaker 1: Atlanta and I was like, Jesus Christ, I'm a fucking

315
00:17:05,480 --> 00:17:08,280
Speaker 1: ain't gonna lie. I ain't gonna say that's a good thing.

316
00:17:08,440 --> 00:17:10,960
Speaker 1: It's a bad thing. It's just a different thing. I

317
00:17:11,000 --> 00:17:13,240
Speaker 1: ain't mad at it. It's kind of like, you know,

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Speaker 1: I think a lot of those cities kind of blew up,

319
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Speaker 1: low key, like I know a lot of people who

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00:17:18,080 --> 00:17:19,639
Speaker 1: were just going to Atlanta the party, going to Miami

321
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Speaker 1: to party because they couldn't party here. We're going to Arizona.

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Speaker 1: Even like Scott Steele, that ship just a sensitive subject.

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Speaker 1: Have you caught the Rona yet? I did have Corona? Yeah,

324
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Speaker 1: I did. I feel like everyone's gonna catch it right

325
00:17:31,480 --> 00:17:37,160
Speaker 1: the end of November early December. Was it a mild case. Yeah,

326
00:17:37,240 --> 00:17:41,040
Speaker 1: mys was like the new variant whatever, that's like the

327
00:17:41,200 --> 00:17:45,239
Speaker 1: only Yeah, the O Marion Marion Marion's nothing right. It's

328
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Speaker 1: like a It's like a couple of coffee, only like

329
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Speaker 1: I only tested positive for like three days. Well, I

330
00:17:52,440 --> 00:17:55,800
Speaker 1: think no, no, I tested positive for like a week whatever,

331
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Speaker 1: but the like contagious stages on like three days, and

332
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Speaker 1: it just really feel like a cold, like I had

333
00:18:02,000 --> 00:18:05,760
Speaker 1: the old school where I couldn't smell. Oh yeah him so.

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00:18:05,840 --> 00:18:07,600
Speaker 1: And it's funny because I woke up one morning and

335
00:18:07,680 --> 00:18:13,560
Speaker 1: my wife was cooking breakfast and I was like, you're cooking. Yeah,

336
00:18:13,560 --> 00:18:16,080
Speaker 1: I can't smell nothing, and I have like a little

337
00:18:16,119 --> 00:18:18,920
Speaker 1: small pump about taste. I could still taste, but it

338
00:18:18,960 --> 00:18:22,359
Speaker 1: was it was like seventy percent like normal. But so

339
00:18:22,520 --> 00:18:24,919
Speaker 1: I have like a little Pomeranian, like a little dog, right,

340
00:18:25,920 --> 00:18:28,720
Speaker 1: and he shat on the grass outside, and I said,

341
00:18:28,720 --> 00:18:31,840
Speaker 1: this is the real test I got. I got on

342
00:18:31,880 --> 00:18:33,240
Speaker 1: my knees. I took a sniff of his shit and

343
00:18:33,280 --> 00:18:35,760
Speaker 1: I didn't smell nothing. I said, well, looks like I'm fucked.

344
00:18:36,200 --> 00:18:37,840
Speaker 1: Well Ali, I mean you know what I'm saying. That

345
00:18:37,920 --> 00:18:40,119
Speaker 1: could be a good thing, though there's nothing good out

346
00:18:40,160 --> 00:18:42,480
Speaker 1: of not being able to taste. There's nothing yet. So

347
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Speaker 1: I I do have a friend who allegedly can't smell.

348
00:18:46,359 --> 00:18:50,960
Speaker 1: His name is TJ. Complex. Allegedly I say, because allegedly, yeah,

349
00:18:52,119 --> 00:18:55,680
Speaker 1: he says, because he can't smell. He says that he's

350
00:18:55,720 --> 00:18:59,840
Speaker 1: never had to worry about woman odors in his life.

351
00:19:00,160 --> 00:19:03,600
Speaker 1: And I, while I do understand that could be a positive,

352
00:19:03,760 --> 00:19:07,240
Speaker 1: to me, it's a serious negative because you have no

353
00:19:07,600 --> 00:19:10,440
Speaker 1: idea what you're signing up for. Down like you wouldn't

354
00:19:10,560 --> 00:19:13,480
Speaker 1: like you would know, like if something was crazy, you'd

355
00:19:13,520 --> 00:19:16,600
Speaker 1: be like, I gotta rethink this. But for him, he's

356
00:19:16,720 --> 00:19:18,719
Speaker 1: just and he can't taste either. So he's just kind

357
00:19:18,720 --> 00:19:24,040
Speaker 1: of had coronavirus his whole life. Allegedly he was born

358
00:19:24,160 --> 00:19:25,879
Speaker 1: like this, Hey, some shit happened. I don't even know.

359
00:19:26,000 --> 00:19:27,560
Speaker 1: I don't even know. Oh, so the don't have nothing

360
00:19:27,560 --> 00:19:29,080
Speaker 1: to do with he can't taste. He can't smell, like

361
00:19:29,440 --> 00:19:30,959
Speaker 1: since I've known him, it's been like since O eight.

362
00:19:31,560 --> 00:19:33,840
Speaker 1: I wouldn't say that, like that's a good thing to

363
00:19:34,000 --> 00:19:36,080
Speaker 1: not be able to smell. I agree, But he acts like,

364
00:19:36,160 --> 00:19:37,840
Speaker 1: you know, it's a good thing, man, you know. I'm like, bro,

365
00:19:37,960 --> 00:19:41,440
Speaker 1: it's not a good thing. Yeah, no, it's not a

366
00:19:41,520 --> 00:19:45,760
Speaker 1: good thing. Tasting would be the worst. Though. What do

367
00:19:45,880 --> 00:19:49,560
Speaker 1: you like to eat? I don't like your mind went there.

368
00:19:49,560 --> 00:19:51,680
Speaker 1: I see where it went. I just met. I just met.

369
00:19:53,880 --> 00:19:56,200
Speaker 1: I was coming from a fat guy perspective talking about

370
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Speaker 1: actual food and see I'm talking about it. If he

371
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Speaker 1: can't taste, so that's another thing. If he goes down

372
00:20:02,800 --> 00:20:05,159
Speaker 1: there and it's and it's sour, you won't even know.

373
00:20:05,560 --> 00:20:10,000
Speaker 1: I don't know. It could be bad. And if you're

374
00:20:10,000 --> 00:20:12,000
Speaker 1: at the chick like let's say he's in a relationship

375
00:20:12,040 --> 00:20:14,479
Speaker 1: with a girl, she low key could be like, man,

376
00:20:14,480 --> 00:20:16,119
Speaker 1: I ain't even fucking showering and he's gonna eat my

377
00:20:16,160 --> 00:20:22,920
Speaker 1: pussy anyway, what's the matter? This ain't that's saying balanced

378
00:20:23,200 --> 00:20:26,679
Speaker 1: pH energy, not balanced pH energy at all. But in general,

379
00:20:26,840 --> 00:20:29,000
Speaker 1: what you live in Atlanta, which is one of the

380
00:20:29,040 --> 00:20:32,600
Speaker 1: best food cities. I love going to Atlanta and eating,

381
00:20:33,000 --> 00:20:34,600
Speaker 1: as a matter of fact, some of the best cuisines

382
00:20:34,600 --> 00:20:38,760
Speaker 1: and strip clubs. Is it? What is your favorite ship

383
00:20:38,840 --> 00:20:40,480
Speaker 1: to eat? Like, what are you enjoy eating the most

384
00:20:40,800 --> 00:20:47,480
Speaker 1: ten piece of lemon pepper wet Wi strip club? Though? Mmm,

385
00:20:48,080 --> 00:20:55,800
Speaker 1: because Magic Cities Flame I went and the wings were.

386
00:20:56,840 --> 00:20:59,320
Speaker 1: I ain't gonna lie. I ain't gonna say wins on

387
00:20:59,440 --> 00:21:02,960
Speaker 1: my shin on no chef. But one time, like kind

388
00:21:03,000 --> 00:21:08,440
Speaker 1: of recent, let's say, within like a year, that ship

389
00:21:08,560 --> 00:21:10,680
Speaker 1: was not as good as it usually is. I heard

390
00:21:11,040 --> 00:21:13,600
Speaker 1: killer Mic always tells me blue flame. Yeah, no, everybody

391
00:21:13,680 --> 00:21:19,240
Speaker 1: say blue flame. Yeah, that's really like if you're going

392
00:21:19,320 --> 00:21:22,040
Speaker 1: for like food, but you know that's more of like that.

393
00:21:22,160 --> 00:21:27,200
Speaker 1: Ain't the most touristy ship, are you? Are you beneath

394
00:21:27,240 --> 00:21:30,800
Speaker 1: at this point eating waffle House afore you? Hell? Fuck no?

395
00:21:31,960 --> 00:21:36,239
Speaker 1: I eat house faithfully. Got to be like old Faithful, Right,

396
00:21:36,400 --> 00:21:37,760
Speaker 1: It's like you know what it is, like, you know

397
00:21:37,840 --> 00:21:41,160
Speaker 1: what you're getting. It's always open and it's good fucking food.

398
00:21:41,240 --> 00:21:43,560
Speaker 1: There might be a world star fighting the lobby, Yeah,

399
00:21:44,119 --> 00:21:49,960
Speaker 1: the chef might. Yeah. Waffle House a WHI. I feel

400
00:21:50,000 --> 00:21:52,200
Speaker 1: like at least once a month there's like a viral

401
00:21:52,280 --> 00:21:54,680
Speaker 1: YouTube video about waffle House, Like it's like waffle House

402
00:21:54,800 --> 00:21:59,640
Speaker 1: is legendary Florida. Waffle House chef shoots Patriot over meth deal.

403
00:22:01,520 --> 00:22:04,160
Speaker 1: It goes down and walk out like I didn't pay.

404
00:22:04,520 --> 00:22:06,960
Speaker 1: I didn't pay the fucking shove Like they be like

405
00:22:07,040 --> 00:22:08,960
Speaker 1: acting like they fake closed and ship like when they

406
00:22:09,040 --> 00:22:11,359
Speaker 1: get too busy, like around like three am when everybody

407
00:22:11,440 --> 00:22:13,600
Speaker 1: coming down to the club, so they'll pull up and

408
00:22:13,640 --> 00:22:15,399
Speaker 1: they'll be like, now we ain't taking orders. I'm like

409
00:22:15,920 --> 00:22:21,480
Speaker 1: I get three hundred bless you, and they'll take it

410
00:22:21,760 --> 00:22:24,399
Speaker 1: and they'll give you their mixtape. Yeah, someone went to Atlanta.

411
00:22:24,560 --> 00:22:25,959
Speaker 1: I swear to god, I might even like I went

412
00:22:25,960 --> 00:22:28,920
Speaker 1: to Atlanta. The chef recognized me. He gave me my

413
00:22:29,000 --> 00:22:32,200
Speaker 1: food and passed me his mixtape. I was like, you

414
00:22:32,280 --> 00:22:34,639
Speaker 1: know what, to Atlanta. I'm gonna pop that in, bro,

415
00:22:34,880 --> 00:22:37,680
Speaker 1: and I'm gonna see what I would see what it

416
00:22:37,760 --> 00:22:39,840
Speaker 1: sounded like. It always be weird for me when they

417
00:22:39,920 --> 00:22:42,000
Speaker 1: when they do that to me, because I'd be like, Nigga,

418
00:22:42,000 --> 00:22:44,200
Speaker 1: I'm trying to make it. Yeah, I'm still on my

419
00:22:44,280 --> 00:22:47,399
Speaker 1: ship right now, bro, Like what you want me to do?

420
00:22:47,440 --> 00:22:52,760
Speaker 1: I'm worried about my ship. Look, yeah, what I'm gonna do? Yeah? Yeah,

421
00:22:52,880 --> 00:22:54,800
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422
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438
00:23:47,960 --> 00:23:50,360
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439
00:23:50,400 --> 00:23:52,840
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440
00:23:52,920 --> 00:23:56,479
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441
00:23:56,560 --> 00:23:58,400
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442
00:23:58,560 --> 00:24:00,480
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466
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Speaker 1: Let's get back to the podcast. It's pretty dope. Well,

467
00:25:09,200 --> 00:25:13,960
Speaker 1: like the last few years, I've just noticed how Atlanta

468
00:25:14,119 --> 00:25:17,320
Speaker 1: is fully behind you, like you are, like they take

469
00:25:17,400 --> 00:25:20,440
Speaker 1: pride in you. They show up, they see me. Yeah,

470
00:25:20,600 --> 00:25:23,800
Speaker 1: and so you know, we always hear about, like I

471
00:25:23,880 --> 00:25:28,240
Speaker 1: feel like ninety percent of well, first of all culture,

472
00:25:28,560 --> 00:25:31,320
Speaker 1: hip hop music, all of this has been at Atlanta's

473
00:25:31,359 --> 00:25:33,720
Speaker 1: for the last twenty years. Oh yeah, since like two thousand.

474
00:25:33,800 --> 00:25:35,520
Speaker 1: It's been a very long time. You guys have had

475
00:25:35,560 --> 00:25:40,160
Speaker 1: the rains. But we always hear about, like how important

476
00:25:40,200 --> 00:25:43,119
Speaker 1: it is if you're coming out of Atlanta to and

477
00:25:43,240 --> 00:25:46,719
Speaker 1: it's very heavily saturated market with artists because a lot

478
00:25:46,800 --> 00:25:48,840
Speaker 1: of people move there too to try to make it

479
00:25:48,960 --> 00:25:51,280
Speaker 1: in the rap game. What were the things you had

480
00:25:51,320 --> 00:25:53,280
Speaker 1: to make sure you did to pop off in your

481
00:25:53,320 --> 00:25:55,720
Speaker 1: own city before you had it, before we got big energy,

482
00:25:55,880 --> 00:25:57,960
Speaker 1: Because I know it's a very it's a it's a

483
00:25:58,160 --> 00:26:00,399
Speaker 1: very tough place to I mean as much people are

484
00:26:00,480 --> 00:26:04,240
Speaker 1: like it's easy as a lot of competition, that it's

485
00:26:04,280 --> 00:26:06,760
Speaker 1: oversaturated because everybody that live here want to rap, and

486
00:26:06,840 --> 00:26:08,960
Speaker 1: then you got people who come here to pursue their

487
00:26:09,080 --> 00:26:11,680
Speaker 1: rapping dreams or singing dreams or whatever. But I think

488
00:26:11,760 --> 00:26:14,280
Speaker 1: I really had the easy way out because I've been

489
00:26:14,359 --> 00:26:17,640
Speaker 1: doing it so long, Like it wasn't no thought process

490
00:26:17,800 --> 00:26:20,600
Speaker 1: into this ship, Like oh, like I'm an adult, now

491
00:26:20,720 --> 00:26:23,280
Speaker 1: what I'm gonna do? Like I want to do it

492
00:26:23,400 --> 00:26:26,240
Speaker 1: like I it's all I know, Like I've been doing

493
00:26:26,359 --> 00:26:28,639
Speaker 1: like real. When I say rapping at eight, I'm not

494
00:26:28,680 --> 00:26:30,680
Speaker 1: talking about like for my mom and shit. I'm talking

495
00:26:30,720 --> 00:26:33,080
Speaker 1: about like I would get picked up from school, do

496
00:26:33,240 --> 00:26:35,560
Speaker 1: my homework in the studio lobby, and then go record

497
00:26:35,720 --> 00:26:39,159
Speaker 1: type shit like full blown open mics, talent shows like

498
00:26:39,400 --> 00:26:42,160
Speaker 1: my daddy had me doing everything in Atlanta. And that's why,

499
00:26:42,280 --> 00:26:45,520
Speaker 1: like every artist in Atlanta that seen me somewhere like

500
00:26:45,600 --> 00:26:48,240
Speaker 1: I didn't did a show opened up for something with

501
00:26:48,440 --> 00:26:50,200
Speaker 1: every artist in Atlanta. So that's why I get so

502
00:26:50,320 --> 00:26:53,160
Speaker 1: much love and respect the seen you grow up. Yeah,

503
00:26:53,160 --> 00:26:56,760
Speaker 1: this ain't no microwave overnight. Like she put in her

504
00:26:56,800 --> 00:26:59,320
Speaker 1: fucking work for this ship. So they respect you, do

505
00:26:59,440 --> 00:27:03,040
Speaker 1: you because we always think of like when you're coming

506
00:27:03,119 --> 00:27:05,360
Speaker 1: up as an artist, right, you have opportunities to open

507
00:27:05,480 --> 00:27:07,080
Speaker 1: up for artists. Sometimes you got to pay to open up.

508
00:27:07,119 --> 00:27:09,840
Speaker 1: Did you ever have to do that? My daddy for

509
00:27:09,960 --> 00:27:12,960
Speaker 1: short and paid like two honey here, three honey here

510
00:27:13,119 --> 00:27:16,080
Speaker 1: to like that just to get you. Do you remember

511
00:27:16,760 --> 00:27:19,840
Speaker 1: the first show you opened for when you were young,

512
00:27:20,320 --> 00:27:22,600
Speaker 1: where you were like, oh shit, I'm opening for this

513
00:27:22,800 --> 00:27:35,800
Speaker 1: person mm or somebody random you opened up for somebody random.

514
00:27:35,960 --> 00:27:38,960
Speaker 1: Let me think there's a lot of random rap concerts

515
00:27:39,520 --> 00:27:41,880
Speaker 1: it is, but it's gonna be like the niggas. That's

516
00:27:41,960 --> 00:27:44,360
Speaker 1: more like, oh, that makes sense. Like I didn't open

517
00:27:44,480 --> 00:27:46,960
Speaker 1: up for Future. I didn't open up for Gucci way

518
00:27:47,119 --> 00:27:50,760
Speaker 1: way before our song. Like, had you told me you

519
00:27:50,840 --> 00:27:53,000
Speaker 1: opened up for Pete Poblo, I'd be like, h how

520
00:27:53,160 --> 00:27:57,920
Speaker 1: was that show? And enough for Past de Troy for

521
00:27:58,040 --> 00:28:03,080
Speaker 1: Travis Porter fire shout out to Travis Porter, Man, I

522
00:28:03,200 --> 00:28:06,399
Speaker 1: wish they would have kept they had a wave. What

523
00:28:07,080 --> 00:28:08,840
Speaker 1: We were just talking about that in the studio the

524
00:28:08,880 --> 00:28:11,720
Speaker 1: other day because this nigga I'll be working with London Jay.

525
00:28:11,800 --> 00:28:13,720
Speaker 1: He was like, man, you need to make a song

526
00:28:15,040 --> 00:28:18,639
Speaker 1: for the college girls, and I was like, nigga, Travis

527
00:28:18,640 --> 00:28:21,280
Speaker 1: Sporter had their ass on lock hell yeah do that.

528
00:28:21,480 --> 00:28:24,320
Speaker 1: But yeah, shout out Travis Sporter. That's legendary a Linda ship.

529
00:28:24,359 --> 00:28:27,040
Speaker 1: But yeah, I didn't opened up for them and every everybody,

530
00:28:27,320 --> 00:28:29,720
Speaker 1: even one hit wonders out of Atlantic. I didn't opened

531
00:28:29,760 --> 00:28:31,239
Speaker 1: up for him, for sure. There's a lot of one

532
00:28:31,320 --> 00:28:34,360
Speaker 1: hit wonders out in Atlanta. It is. Everybody is we've

533
00:28:34,400 --> 00:28:37,200
Speaker 1: been running it, but everybody ain't had the loan chevy.

534
00:28:37,320 --> 00:28:40,240
Speaker 1: Everyone like there's been guys who caught one. This one crazy,

535
00:28:40,320 --> 00:28:43,160
Speaker 1: but it's like, where's the follow up? And by the way,

536
00:28:43,200 --> 00:28:46,400
Speaker 1: I just want to use this interview to acknowledge the

537
00:28:46,520 --> 00:28:50,120
Speaker 1: goat rich Homi Kwan, who I feel like. I feel

538
00:28:50,160 --> 00:28:52,840
Speaker 1: like rich Onemi Kwan is like the most one of

539
00:28:52,840 --> 00:28:55,640
Speaker 1: the more under underappreciated artist. Oh yeah, for sure, he

540
00:28:55,840 --> 00:28:58,239
Speaker 1: is his wave. I was living in Tampa, Florida when

541
00:28:58,320 --> 00:29:00,560
Speaker 1: rich On mc kuan was popping. Yeah, and nobody in

542
00:29:00,600 --> 00:29:02,320
Speaker 1: the world was bigger than rich On Kwan for about

543
00:29:02,320 --> 00:29:05,480
Speaker 1: twelve years. That motherfucker was on fire. I think I

544
00:29:05,600 --> 00:29:07,840
Speaker 1: was in like middle school. I hope he catches one

545
00:29:07,960 --> 00:29:11,040
Speaker 1: soon because he is very talented. He talented as hell.

546
00:29:11,280 --> 00:29:13,520
Speaker 1: One thing about it, you ain't gonna play with that man. Pin.

547
00:29:13,840 --> 00:29:16,880
Speaker 1: Y'all know, we got a lot of them, like underrated niggas,

548
00:29:17,040 --> 00:29:19,640
Speaker 1: like rich kids, y'all probably don't know about them, but

549
00:29:19,760 --> 00:29:22,640
Speaker 1: like schooly like we got a school is incredible man,

550
00:29:23,360 --> 00:29:26,560
Speaker 1: talented as hell, Like talented as hell, like niggas who

551
00:29:26,760 --> 00:29:28,840
Speaker 1: just never got their fucking props, like people be trying

552
00:29:28,840 --> 00:29:32,280
Speaker 1: to play with them, Like school is still going in

553
00:29:32,320 --> 00:29:34,840
Speaker 1: Atlanta don't give schooly a little legend. I don't give

554
00:29:34,880 --> 00:29:37,800
Speaker 1: a fuck. That's facts. His paining's crazy. What that man

555
00:29:37,920 --> 00:29:40,920
Speaker 1: talented a fuck then he started all this shit. But

556
00:29:41,200 --> 00:29:45,320
Speaker 1: you know this day, Well, did your dad put you

557
00:29:45,360 --> 00:29:47,440
Speaker 1: on the outcast when you were younger? Hell? Yeah, my

558
00:29:47,560 --> 00:29:52,320
Speaker 1: daddy loved fucking Andre. That's definitely gonna be probably, if

559
00:29:52,400 --> 00:29:55,240
Speaker 1: not his number one, top three like to me, the

560
00:29:55,560 --> 00:29:57,920
Speaker 1: top five greatest rapper of all times three stacks and

561
00:29:57,960 --> 00:30:00,400
Speaker 1: he's from your city, so oh man, what but maybe

562
00:30:00,400 --> 00:30:03,280
Speaker 1: a bit before your time, you know what? I want

563
00:30:03,320 --> 00:30:06,560
Speaker 1: to say. My daddy was cool with so many people.

564
00:30:06,600 --> 00:30:10,560
Speaker 1: I could be tripping up, like, but this is how

565
00:30:10,560 --> 00:30:12,200
Speaker 1: I even started wrapping up my daddy in a little

566
00:30:12,200 --> 00:30:15,080
Speaker 1: street nigga type shit. So we would be I'd be

567
00:30:15,160 --> 00:30:18,400
Speaker 1: running around with him like at Dada House. At Dadada House,

568
00:30:18,440 --> 00:30:21,280
Speaker 1: I'm pretty sure I've been to Big Boy House when

569
00:30:21,320 --> 00:30:23,920
Speaker 1: I was like a kid. I feel like that sounds

570
00:30:24,040 --> 00:30:27,080
Speaker 1: right because I went to Atlanta one time, yeah, and

571
00:30:27,200 --> 00:30:29,960
Speaker 1: I ended up in Stink on You, and I was like,

572
00:30:30,040 --> 00:30:32,960
Speaker 1: oh my god, I was taking pictures and ship I

573
00:30:33,040 --> 00:30:34,920
Speaker 1: was there listening to kill you know. I met up

574
00:30:34,920 --> 00:30:36,680
Speaker 1: a killer Mike there. But I was like, this is

575
00:30:37,040 --> 00:30:40,960
Speaker 1: fucking legendary. Yeah. Oh yeah, I've been finishing up my

576
00:30:41,320 --> 00:30:43,680
Speaker 1: well right now, I'm in La finishing it, but I

577
00:30:43,880 --> 00:30:46,840
Speaker 1: was just in Atlanta finishing it in on you too.

578
00:30:47,160 --> 00:30:50,720
Speaker 1: How was the album coming along? So good? So good,

579
00:30:50,880 --> 00:30:54,000
Speaker 1: so good, just trying different ship, right, it really being done.

580
00:30:54,040 --> 00:30:56,920
Speaker 1: I'm not gonna lie, but I'm a capricorn. I'm a perfectionist,

581
00:30:57,560 --> 00:31:01,200
Speaker 1: so you know, putting finishing little tweaks. Yeah, and then

582
00:31:01,320 --> 00:31:04,920
Speaker 1: like i'd be like waiting for the Beyonce future. Yeah

583
00:31:04,960 --> 00:31:11,240
Speaker 1: you know what I'm saying. Wink wink. No. Yeah, it's

584
00:31:11,280 --> 00:31:13,600
Speaker 1: coming along real, real good. Though, Like do you feel

585
00:31:13,640 --> 00:31:17,480
Speaker 1: like you know, you have like your core fan base

586
00:31:17,560 --> 00:31:19,400
Speaker 1: that knows you for like the ship you've been doing

587
00:31:19,440 --> 00:31:21,160
Speaker 1: the last five or six years, right, and then you

588
00:31:21,320 --> 00:31:25,560
Speaker 1: catch this crossover banger like like Big Energy is, Like

589
00:31:25,760 --> 00:31:29,600
Speaker 1: it's it's very much a smash, but it's also kind

590
00:31:29,640 --> 00:31:31,600
Speaker 1: of like a little different, right from what you're like

591
00:31:31,680 --> 00:31:34,480
Speaker 1: kind of used to doing, very different. Do you have

592
00:31:34,560 --> 00:31:36,080
Speaker 1: any like are you kind of starting to try to

593
00:31:36,160 --> 00:31:38,800
Speaker 1: lean into more like doing Yeah, I'm open, but you're

594
00:31:39,280 --> 00:31:41,360
Speaker 1: more the pop ship yeah, hell yeah, because I want

595
00:31:41,400 --> 00:31:45,400
Speaker 1: to be ship this ship give me some money, different money,

596
00:31:45,480 --> 00:31:48,160
Speaker 1: so you know what, checks got bigger, checks got bigger.

597
00:31:48,440 --> 00:31:51,320
Speaker 1: Price went up, Price went up, price went up. So

598
00:31:51,640 --> 00:31:54,040
Speaker 1: hell yeah, we finished dippling dad up being that shit

599
00:31:54,120 --> 00:31:58,120
Speaker 1: some more. I ain't mad at it, So you would

600
00:31:58,120 --> 00:32:01,720
Speaker 1: just say I'm of a ninety nine percent nine. I

601
00:32:01,760 --> 00:32:04,120
Speaker 1: ain't gonna lie to me, like if you ask my

602
00:32:04,200 --> 00:32:06,400
Speaker 1: an rs and be like, bitch, shut up, it's done.

603
00:32:06,800 --> 00:32:11,200
Speaker 1: But I think I would say probably, Like I say,

604
00:32:11,280 --> 00:32:14,560
Speaker 1: probably ninety five because I really just want to like

605
00:32:14,840 --> 00:32:17,640
Speaker 1: beat out maybe like two songs type shit, like if

606
00:32:17,800 --> 00:32:19,920
Speaker 1: I like these songs, but if I can make like

607
00:32:20,720 --> 00:32:23,200
Speaker 1: two songs better than these, I'll be straight. Let me

608
00:32:23,280 --> 00:32:28,880
Speaker 1: ask you this. You're an amazing MC lyrically, You're gifted.

609
00:32:29,360 --> 00:32:32,320
Speaker 1: I mean the Super Gramen freestyle was fire. The La

610
00:32:32,400 --> 00:32:35,560
Speaker 1: Leaders freestyle was special. When it comes to crafting like

611
00:32:35,760 --> 00:32:40,040
Speaker 1: big hit records, were you ever hesitant about like maybe

612
00:32:40,360 --> 00:32:43,440
Speaker 1: having the label bringing someone to help you with a hook? Hell? What?

613
00:32:43,720 --> 00:32:46,800
Speaker 1: Because you're like, what I do? My shit? What is

614
00:32:46,880 --> 00:32:49,440
Speaker 1: that even something that's in bounds? Like? What would like?

615
00:32:49,680 --> 00:32:52,640
Speaker 1: Because because I know you had and J who I

616
00:32:52,760 --> 00:32:55,640
Speaker 1: was just talking about? He he adopte ass writer from Atlanta. Like,

617
00:32:56,400 --> 00:32:59,000
Speaker 1: but my whole thing is even. Well start from the beginning,

618
00:32:59,080 --> 00:33:01,120
Speaker 1: I was like, hell fuck no, y'all got me fucked up.

619
00:33:01,160 --> 00:33:02,920
Speaker 1: Y'all trying to turn me into this industry bitch. But

620
00:33:03,000 --> 00:33:05,760
Speaker 1: then you like, yeah, I write my shit. Yeah, like

621
00:33:05,840 --> 00:33:08,520
Speaker 1: you like, man, hell no, but you mature and you

622
00:33:08,600 --> 00:33:10,560
Speaker 1: see the bigger picture. You're like, Okay, you know what,

623
00:33:10,960 --> 00:33:14,680
Speaker 1: this does make sense whatever, And this is these people life.

624
00:33:14,960 --> 00:33:17,640
Speaker 1: You know. They feed their kids off of this shit.

625
00:33:18,240 --> 00:33:20,400
Speaker 1: They ain't feed it just off of me. So I

626
00:33:20,480 --> 00:33:24,160
Speaker 1: start learning like, oh, everybody do that. That's how y'all

627
00:33:24,200 --> 00:33:26,560
Speaker 1: need to be dropping fucking ten number ones in one year.

628
00:33:27,200 --> 00:33:30,160
Speaker 1: Oh So I'm like, okay, I do it. But it's

629
00:33:30,200 --> 00:33:32,360
Speaker 1: never gonna be no situation where you just bring me

630
00:33:32,480 --> 00:33:35,600
Speaker 1: some like a song like some ghost writer. Ass right,

631
00:33:35,760 --> 00:33:39,520
Speaker 1: we gonna work together and we collaborate exactly so where

632
00:33:39,640 --> 00:33:42,520
Speaker 1: I still have my authenticity to my song, know what

633
00:33:42,560 --> 00:33:44,360
Speaker 1: I'm saying. I'm not gonna just say what you tell

634
00:33:44,400 --> 00:33:46,360
Speaker 1: me to say. Hell fuck yeah. I think like a

635
00:33:46,440 --> 00:33:48,840
Speaker 1: lot of people don't realize, like when you get to

636
00:33:48,880 --> 00:33:51,560
Speaker 1: a certain point, like it's a lot of collaborative efforts

637
00:33:51,560 --> 00:33:54,320
Speaker 1: in the studio that are very organic it's not like

638
00:33:54,400 --> 00:33:56,080
Speaker 1: you said. It's not like someone sends you a song

639
00:33:56,120 --> 00:33:58,600
Speaker 1: and say, yo, just record this no like And I

640
00:33:58,680 --> 00:34:00,560
Speaker 1: think a lot of times too, when you say writer,

641
00:34:01,080 --> 00:34:03,400
Speaker 1: people think that's what it is, and that's not always

642
00:34:03,480 --> 00:34:06,240
Speaker 1: what it is. Like Nigga, I did that might be

643
00:34:06,320 --> 00:34:09,280
Speaker 1: a melody, right, Yeah? I did a session with Pharrell

644
00:34:09,440 --> 00:34:11,959
Speaker 1: and he's like giving me like I'm in a booth

645
00:34:12,000 --> 00:34:14,239
Speaker 1: and he like to say this, say this like it

646
00:34:14,320 --> 00:34:17,520
Speaker 1: don't always mean like I'm finna write it, and you

647
00:34:17,719 --> 00:34:20,759
Speaker 1: say it like, it's not always that like ABC maybe

648
00:34:20,760 --> 00:34:23,319
Speaker 1: even help like how you say it, like yeah, o god.

649
00:34:23,440 --> 00:34:25,480
Speaker 1: Like then I started learning about what is that called?

650
00:34:25,560 --> 00:34:30,560
Speaker 1: They just tell me vocal whatever the hell it's a

651
00:34:30,719 --> 00:34:32,680
Speaker 1: name for that Perton you were in the studio for.

652
00:34:34,320 --> 00:34:38,960
Speaker 1: How was that crazy? What's in Miami? Yeah, he fucking don't.

653
00:34:39,640 --> 00:34:46,040
Speaker 1: He fucking don't, but he doesn't and he cool. It's hell.

654
00:34:46,200 --> 00:34:48,440
Speaker 1: Like I'm like, when they told me he wanted to

655
00:34:48,520 --> 00:34:51,200
Speaker 1: work with me, I'm like, nigga, you're talking about Pharrell.

656
00:34:51,960 --> 00:34:54,440
Speaker 1: It was like, yes, I'm thinking it's it's some new

657
00:34:54,480 --> 00:34:59,760
Speaker 1: producer to call himself for real, some shit that's already

658
00:34:59,840 --> 00:35:03,279
Speaker 1: for real shit. But it was fucking for real. I'm like,

659
00:35:03,360 --> 00:35:07,840
Speaker 1: why he want to work with me? Chum? What it's like?

660
00:35:08,200 --> 00:35:10,440
Speaker 1: Like when? Because Pharrell's is one of the goats, right

661
00:35:11,520 --> 00:35:15,239
Speaker 1: and we always hear about so intimidated. Yeah, he plays it.

662
00:35:15,320 --> 00:35:17,040
Speaker 1: He's just going through beats and you're like, I like

663
00:35:17,120 --> 00:35:20,160
Speaker 1: this one? He like which one you like? And you

664
00:35:20,360 --> 00:35:23,120
Speaker 1: just like, nigga, anyone to fuck give me your throwaway.

665
00:35:23,160 --> 00:35:25,959
Speaker 1: I don't give a fuck. I'm gonna make this shit work.

666
00:35:27,600 --> 00:35:30,839
Speaker 1: It's gonna be anything he does. You see, have any

667
00:35:30,880 --> 00:35:34,960
Speaker 1: work on the project? I think so? So Pharrell was

668
00:35:35,000 --> 00:35:37,279
Speaker 1: on the album? I think so Yeah. I know some

669
00:35:37,320 --> 00:35:39,600
Speaker 1: people who have been with him recently and he's been

670
00:35:39,680 --> 00:35:41,440
Speaker 1: lending some vocals to them. Is he did he lend

671
00:35:41,520 --> 00:35:44,600
Speaker 1: you some vocals on the record on the bridge? Maybe?

672
00:35:44,960 --> 00:35:48,560
Speaker 1: Like we did like five songs one that I'm choose,

673
00:35:50,200 --> 00:35:52,680
Speaker 1: we still like we'nin five percent, you know what I'm saying.

674
00:35:52,719 --> 00:35:55,120
Speaker 1: But the one that I'm pretty sure I'm gonna put

675
00:35:55,160 --> 00:35:57,560
Speaker 1: on there that he's not on it. But there was

676
00:35:57,640 --> 00:36:00,239
Speaker 1: ones that you guys cut that he was on. That's

677
00:36:00,280 --> 00:36:04,160
Speaker 1: fire blest. What the hell like that sound crazy for

678
00:36:04,280 --> 00:36:06,680
Speaker 1: me to to be saying right now, like what, yeah,

679
00:36:07,520 --> 00:36:09,680
Speaker 1: what was there a can you tell us any other

680
00:36:09,760 --> 00:36:13,239
Speaker 1: producers maybe that have made the cut. I know you're

681
00:36:13,280 --> 00:36:14,560
Speaker 1: not going to give me any features, so I'm not

682
00:36:14,600 --> 00:36:20,279
Speaker 1: even gonna ask, but producers, maybe let's just say like

683
00:36:20,600 --> 00:36:22,520
Speaker 1: I made it a point to, like, you know, how

684
00:36:22,560 --> 00:36:24,760
Speaker 1: people be like focused on the features on the album.

685
00:36:24,880 --> 00:36:26,600
Speaker 1: I made it a point to be like focused on

686
00:36:26,680 --> 00:36:28,880
Speaker 1: the producers on Abduction. I want you to be like

687
00:36:29,360 --> 00:36:32,280
Speaker 1: when you read my track list, you're like, oh, the features,

688
00:36:32,400 --> 00:36:34,680
Speaker 1: and then you read the fucking track list and be like, oh,

689
00:36:34,880 --> 00:36:38,279
Speaker 1: the producers. You know what I'm saying. Not on some

690
00:36:38,600 --> 00:36:42,120
Speaker 1: like just do whatever it's tip. I want you to

691
00:36:42,280 --> 00:36:45,200
Speaker 1: be like, oh, this beach did her research. This beach, Oh,

692
00:36:45,280 --> 00:36:47,480
Speaker 1: she and she from Atlanta. She using these niggs. You

693
00:36:47,520 --> 00:36:50,280
Speaker 1: know what I'm saying. You don't see the thought process

694
00:36:50,360 --> 00:36:53,640
Speaker 1: in a production. There was this discussion and I'm asking

695
00:36:53,719 --> 00:36:55,840
Speaker 1: you this cause obviously for people who don't know your history,

696
00:36:55,960 --> 00:36:58,600
Speaker 1: you kind of came up. You and Jermaine de pre

697
00:36:58,640 --> 00:37:00,799
Speaker 1: will always kind of be related in some aspect, right,

698
00:37:01,239 --> 00:37:07,520
Speaker 1: always JD versus Diddy in a versus. So they was like,

699
00:37:07,800 --> 00:37:11,120
Speaker 1: I can't no, it's never gonna It's never gonna happen. Yeah,

700
00:37:11,719 --> 00:37:14,759
Speaker 1: but wasn't they on Live Like yes, But I was

701
00:37:15,200 --> 00:37:20,000
Speaker 1: very much in the camp that JD could upset Diddy.

702
00:37:20,080 --> 00:37:23,080
Speaker 1: Low key, I'm not saying it would happen. I can't

703
00:37:23,080 --> 00:37:25,759
Speaker 1: even say nothing about it. It would be very Uh.

704
00:37:26,120 --> 00:37:28,040
Speaker 1: I just feel like Daman, some people got to put

705
00:37:28,080 --> 00:37:30,920
Speaker 1: some respect on JD's name because they forget Yeah, just

706
00:37:31,040 --> 00:37:34,120
Speaker 1: go listen to Confessions. My gee, Oh that's it. That's it.

707
00:37:34,239 --> 00:37:36,000
Speaker 1: That's like you don't got to say it at the

708
00:37:36,040 --> 00:37:40,200
Speaker 1: Confessions And yeah, there's so much other you know, what

709
00:37:40,400 --> 00:37:44,120
Speaker 1: made so obviously you say you signed in twenty nineteen

710
00:37:44,160 --> 00:37:46,880
Speaker 1: into twenty nineteen, What made you finally make that decision

711
00:37:47,160 --> 00:37:49,120
Speaker 1: like to sign, because I'm sure everyone was trying to

712
00:37:49,120 --> 00:37:50,840
Speaker 1: get at you for a very long time. You're building

713
00:37:50,920 --> 00:37:53,200
Speaker 1: up and running it up Indian in Atlanta? What was

714
00:37:53,360 --> 00:37:55,520
Speaker 1: people don't even be knowing? Like I did Bitch from

715
00:37:55,560 --> 00:37:58,320
Speaker 1: the South Independent, I did Bitch from the South Remix Independent.

716
00:37:58,360 --> 00:38:01,480
Speaker 1: I already had putting them shits out Independent, so it's

717
00:38:01,600 --> 00:38:04,640
Speaker 1: like I had everybody at my door. I think I

718
00:38:04,840 --> 00:38:07,680
Speaker 1: just came to a point where it was like I

719
00:38:07,760 --> 00:38:11,520
Speaker 1: feel like I've maxed the Independent route, Like I feel

720
00:38:11,560 --> 00:38:14,120
Speaker 1: like my potential is bigger than this. I need a

721
00:38:14,360 --> 00:38:17,600
Speaker 1: team and departments in this machine behind me working twenty

722
00:38:17,640 --> 00:38:21,040
Speaker 1: four seven. Yeah, for sure. Someone to brush your hair

723
00:38:21,080 --> 00:38:26,560
Speaker 1: before an interview, you know, shit like that. Just shit's

724
00:38:26,719 --> 00:38:29,719
Speaker 1: like and then like just different people working for you

725
00:38:29,840 --> 00:38:32,440
Speaker 1: and working with you is like that, just open your

726
00:38:32,520 --> 00:38:36,040
Speaker 1: mind to different stuff. Like I know, I probably wouldn't

727
00:38:36,040 --> 00:38:37,880
Speaker 1: have tried a big energy two years ago, you know

728
00:38:37,960 --> 00:38:41,480
Speaker 1: what I'm saying. So just like just people just inspiring

729
00:38:41,560 --> 00:38:44,440
Speaker 1: you like, and just the roster on the label, like

730
00:38:44,520 --> 00:38:48,719
Speaker 1: I looked at it as inspiration and just like leveling up. Yo.

731
00:38:49,080 --> 00:38:51,239
Speaker 1: Stop of the interview. Got to tell you about our

732
00:38:51,280 --> 00:38:53,879
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733
00:38:53,960 --> 00:38:56,920
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734
00:38:57,080 --> 00:38:58,880
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735
00:38:58,880 --> 00:39:02,319
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736
00:39:02,600 --> 00:39:04,480
Speaker 1: you know what I'm saying, Shout out to a SpongeBob

737
00:39:04,640 --> 00:39:09,000
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738
00:39:09,120 --> 00:39:11,040
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739
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740
00:39:15,000 --> 00:39:16,360
Speaker 1: socks in the world to be honest, you know what

741
00:39:16,400 --> 00:39:21,279
Speaker 1: I'm saying. Plus underwear, y'all cheese it draws. Come on,

742
00:39:21,400 --> 00:39:23,480
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743
00:39:23,960 --> 00:39:27,560
Speaker 1: use the promo code Bootleg and save twenty percent off

744
00:39:28,000 --> 00:39:30,600
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745
00:39:30,680 --> 00:39:32,799
Speaker 1: other bullshit y'all be wearing on your ass, Throw all

746
00:39:32,840 --> 00:39:35,600
Speaker 1: the methicas in the trash, all that PSD shit, all

747
00:39:35,640 --> 00:39:38,720
Speaker 1: that shit is all. Listen, man, put them odd socks

748
00:39:38,760 --> 00:39:42,720
Speaker 1: on your ass cheeks and think me later. As crazy

749
00:39:42,760 --> 00:39:46,680
Speaker 1: as it is right, not too long ago. I feel

750
00:39:46,719 --> 00:39:49,839
Speaker 1: like when I was a kid and when your dad

751
00:39:50,000 --> 00:39:52,880
Speaker 1: was Obviously me and your dad are probably closer in

752
00:39:52,920 --> 00:39:56,440
Speaker 1: age than you and I, but you know, there was

753
00:39:56,520 --> 00:39:59,439
Speaker 1: like Missy Elliott, there was the Brat, there was Little Kim,

754
00:39:59,600 --> 00:40:03,279
Speaker 1: there was like a cool female Foxy Brown. But then

755
00:40:03,320 --> 00:40:04,840
Speaker 1: there was like an era after that where it was

756
00:40:04,880 --> 00:40:08,160
Speaker 1: really just NICKI and let's put some respect on Trina

757
00:40:08,160 --> 00:40:11,360
Speaker 1: as well, because Trina is there. I know, I know,

758
00:40:11,480 --> 00:40:14,600
Speaker 1: I know, but like it felt, it felt, it felt

759
00:40:14,640 --> 00:40:16,320
Speaker 1: like up until a couple of years ago that like,

760
00:40:17,080 --> 00:40:19,160
Speaker 1: for whatever reason, hip hop only had room for one

761
00:40:19,200 --> 00:40:22,319
Speaker 1: pop and female at a time, And now I feel

762
00:40:22,360 --> 00:40:26,239
Speaker 1: like we're in the greatest era of female artists in

763
00:40:26,360 --> 00:40:30,080
Speaker 1: hip hop, where it's you, it's May, and it's Cash Doll,

764
00:40:30,400 --> 00:40:33,879
Speaker 1: it's Nikki, it's city girls. I mean, sweetie, we could

765
00:40:33,920 --> 00:40:38,000
Speaker 1: just keep going down, right, Cardi B. How is it

766
00:40:38,160 --> 00:40:42,440
Speaker 1: do you feel like it's still like like harder to

767
00:40:42,560 --> 00:40:45,040
Speaker 1: be a female MC in today's climate, Because I do

768
00:40:45,200 --> 00:40:49,319
Speaker 1: feel like there is always like people are gonna judge

769
00:40:49,360 --> 00:40:51,719
Speaker 1: you harder for whatever reason. It might not be fair,

770
00:40:52,040 --> 00:40:55,320
Speaker 1: but they're always gonna judge you harder. It's hard to

771
00:40:55,440 --> 00:40:58,240
Speaker 1: talk about that because it's like, yeah, it'll always be harder,

772
00:40:58,280 --> 00:41:00,719
Speaker 1: but you don't want to like take for granted the

773
00:41:00,840 --> 00:41:03,520
Speaker 1: progress that we have made, because for sure, you know,

774
00:41:03,640 --> 00:41:05,719
Speaker 1: we got it a lot easier then I'm sure Kim

775
00:41:05,800 --> 00:41:08,080
Speaker 1: and them, did you know what I'm saying. But yeah,

776
00:41:08,120 --> 00:41:11,080
Speaker 1: I'm grateful for the progress, but it is still always harder,

777
00:41:11,200 --> 00:41:15,600
Speaker 1: Like when we do these awards show performances, and we

778
00:41:15,800 --> 00:41:20,120
Speaker 1: do it and then fucking little whoever young whoever do

779
00:41:20,280 --> 00:41:23,120
Speaker 1: it the same stage. Y'all ain't picking apart his performances.

780
00:41:23,200 --> 00:41:24,880
Speaker 1: I ain't telling this nigga he need to put his

781
00:41:25,040 --> 00:41:27,799
Speaker 1: lean cup down and run on the trademill, but y'all

782
00:41:27,840 --> 00:41:30,279
Speaker 1: gonna be like she's shopping too much. She needs to

783
00:41:30,320 --> 00:41:33,279
Speaker 1: be an artist development. Wait, like there's like you could

784
00:41:33,280 --> 00:41:35,160
Speaker 1: be the biggest rapper in the world and have a

785
00:41:35,280 --> 00:41:37,960
Speaker 1: lean gut and be sloppy as fucking late to everything

786
00:41:38,000 --> 00:41:41,720
Speaker 1: and perform like shit and no one's gonna say anything

787
00:41:43,920 --> 00:41:46,200
Speaker 1: if you're a female and you put it together an

788
00:41:46,239 --> 00:41:49,759
Speaker 1: amazing performance. But like you fuck up once or it

789
00:41:50,000 --> 00:41:53,360
Speaker 1: just feels like every single thing it's under the microscope,

790
00:41:53,520 --> 00:41:56,080
Speaker 1: like let us do something, But niggas do the ship

791
00:41:56,160 --> 00:41:58,120
Speaker 1: all day, y'all. Don't be trying to cancel the ass

792
00:41:58,400 --> 00:42:01,560
Speaker 1: or pick a part day performance ship. So, yeah, we

793
00:42:01,680 --> 00:42:05,360
Speaker 1: do got it harder, but in the same sentence for

794
00:42:05,520 --> 00:42:07,800
Speaker 1: where we've come, because you've kind of been on the

795
00:42:07,840 --> 00:42:10,120
Speaker 1: come up throughout that whole era. Yeah so I didn't.

796
00:42:10,239 --> 00:42:13,719
Speaker 1: Yeah for sure, Like I seen like it's easy to

797
00:42:13,840 --> 00:42:16,520
Speaker 1: catch one now like you can't. But that's male and

798
00:42:16,680 --> 00:42:19,360
Speaker 1: female though it's easy to catch one. But yeah, TikTok's

799
00:42:19,360 --> 00:42:22,040
Speaker 1: got everyone some of the shit on TikTok. I'm like,

800
00:42:22,120 --> 00:42:26,160
Speaker 1: what is going on? Kids getting record deals and disappearing? God,

801
00:42:27,480 --> 00:42:29,440
Speaker 1: what happened to the board in the house. Guy niggas

802
00:42:29,480 --> 00:42:32,799
Speaker 1: gett what a little million dollar deals you never heard

803
00:42:32,960 --> 00:42:34,400
Speaker 1: never hear from them a couple of months later. But

804
00:42:35,040 --> 00:42:38,600
Speaker 1: that's that's also tricky too, because you can like get

805
00:42:39,400 --> 00:42:42,600
Speaker 1: excited about it like that and chase that like the

806
00:42:42,840 --> 00:42:45,799
Speaker 1: TikTok wave and shit like that. But that ship not longevity.

807
00:42:45,840 --> 00:42:48,960
Speaker 1: It's good records in real time. I feel like we

808
00:42:49,000 --> 00:42:52,080
Speaker 1: think about who's been around forever. It's the the cream

809
00:42:52,120 --> 00:42:56,280
Speaker 1: of the crop is always around, talent the fucking long route.

810
00:42:56,400 --> 00:42:59,360
Speaker 1: Think about like the Mount wes Moore rap it's always

811
00:42:59,440 --> 00:43:02,759
Speaker 1: been the last ten years. Is Cole's Kendrick and it's

812
00:43:02,840 --> 00:43:05,920
Speaker 1: Drake and all three of them are murderers on the microphone,

813
00:43:07,040 --> 00:43:10,680
Speaker 1: think about, well, you know, Megan is an amazing MC.

814
00:43:10,840 --> 00:43:14,839
Speaker 1: I feel like I think Megan isn't with Megan pen Now,

815
00:43:14,920 --> 00:43:19,200
Speaker 1: Oh she's nice? What? Yeah, she's nice? What that bitch delivery?

816
00:43:19,280 --> 00:43:22,320
Speaker 1: I ain't gonna lie. She wanted them? Who inspires you

817
00:43:23,040 --> 00:43:25,560
Speaker 1: to get better as an MC? Not not even just females,

818
00:43:25,640 --> 00:43:27,880
Speaker 1: just in general, like something like maybe someone you've heard recently.

819
00:43:27,960 --> 00:43:29,960
Speaker 1: We're like, damn, that motherfucker's nice, Like I got I

820
00:43:30,000 --> 00:43:36,520
Speaker 1: gotta get on my ship. Shed these bitches like we

821
00:43:36,680 --> 00:43:38,840
Speaker 1: gotta be with you, like you're not Finna had No

822
00:43:39,760 --> 00:43:43,239
Speaker 1: turned up whack ass female rapper, Like if she turned up,

823
00:43:43,360 --> 00:43:48,840
Speaker 1: that bitch talented because we so fucking analyzed Thojah Thojah

824
00:43:48,920 --> 00:43:52,760
Speaker 1: killing shit. That bitch can rap sing pop ship performed.

825
00:43:52,880 --> 00:43:55,560
Speaker 1: She she her perform I feel like her performing is

826
00:43:55,640 --> 00:43:57,960
Speaker 1: like the I think she's the best performer I've seen

827
00:43:58,000 --> 00:44:01,920
Speaker 1: in a long time. Fucking Chloe, what about just money?

828
00:44:02,080 --> 00:44:03,560
Speaker 1: You don't have to be females? Like what has it

829
00:44:03,640 --> 00:44:07,240
Speaker 1: been anybody else? Like that just is just like inspired

830
00:44:07,280 --> 00:44:09,360
Speaker 1: your panel little where you're like damn, Like I just

831
00:44:09,440 --> 00:44:11,279
Speaker 1: heard this dude go in on this record and I'm like,

832
00:44:11,320 --> 00:44:15,520
Speaker 1: I need to get my ship together or I fuck

833
00:44:15,560 --> 00:44:17,719
Speaker 1: with Rod Wave. I feel like he made me want

834
00:44:17,760 --> 00:44:20,279
Speaker 1: to be on some like authentic shit like yeah, talk

835
00:44:20,280 --> 00:44:22,560
Speaker 1: about my life and shit like some shit that people

836
00:44:22,640 --> 00:44:26,640
Speaker 1: feel because his music give me that like it's not

837
00:44:26,760 --> 00:44:29,719
Speaker 1: going nowhere, like this ship be there forever. Yeah, Like

838
00:44:29,840 --> 00:44:32,160
Speaker 1: he got some ship that I'm gonna play for my

839
00:44:32,280 --> 00:44:34,160
Speaker 1: kids and be like, hey, you don't know nothing about it.

840
00:44:34,600 --> 00:44:37,960
Speaker 1: Saint Pete Florida's finest man the seven to seven. Yeah,

841
00:44:38,000 --> 00:44:44,520
Speaker 1: I fuck with Rod Wave. I don't know. I'll be

842
00:44:44,600 --> 00:44:47,040
Speaker 1: paying more attention to the females because that's my that's

843
00:44:47,120 --> 00:44:49,560
Speaker 1: my line. I get it. You're getting ready for a

844
00:44:49,600 --> 00:44:52,520
Speaker 1: big tour. Yeah, what should be fun? Yeah, this would

845
00:44:52,520 --> 00:44:56,920
Speaker 1: be my first headline tour, first headlining tour. Uh. What's on?

846
00:44:57,840 --> 00:45:10,279
Speaker 1: Lotto's writer child? Pineapples, Hallopenyo, kettle chips, core water, a

847
00:45:10,440 --> 00:45:14,360
Speaker 1: veggie tray and I and I had to take my

848
00:45:14,480 --> 00:45:16,640
Speaker 1: manager too, and I told him I needed to update

849
00:45:16,680 --> 00:45:19,239
Speaker 1: it before to two because I need to add strawberry

850
00:45:19,320 --> 00:45:22,440
Speaker 1: pop tarts on their two strawberry pop tarts. I feel like,

851
00:45:22,640 --> 00:45:24,239
Speaker 1: if you're eating any other kind of pop tart, I

852
00:45:24,360 --> 00:45:26,640
Speaker 1: judge you. You ever go to the store with somebody

853
00:45:26,680 --> 00:45:30,160
Speaker 1: and they grabbed the pop tarts with no frosty, Like, who,

854
00:45:31,280 --> 00:45:33,399
Speaker 1: who the fuck are you? What kind of cereal killer

855
00:45:33,400 --> 00:45:36,800
Speaker 1: are my friends with eating? Eating no pop tarts or

856
00:45:36,920 --> 00:45:39,840
Speaker 1: really nothing? They got them brown sugar or something like that.

857
00:45:40,000 --> 00:45:42,720
Speaker 1: Them ship's bus too. Though. I tried a fruit Loops

858
00:45:42,760 --> 00:45:45,759
Speaker 1: pop tart seven eleven. I just had to try it.

859
00:45:46,040 --> 00:45:49,080
Speaker 1: That shit was terrible. You. I was like, yo, it

860
00:45:49,200 --> 00:45:51,400
Speaker 1: could be gas fruit Loops. I was like, I like

861
00:45:51,440 --> 00:45:54,000
Speaker 1: fruit loop cereal baby No, Yeah, I do like fruit loops.

862
00:45:54,120 --> 00:45:58,720
Speaker 1: Oh I forgot hot fries are hot Cheetos flaming hot fries?

863
00:45:59,120 --> 00:46:03,200
Speaker 1: Hell yeah, Chester's flaming. Not the the Andes thing though,

864
00:46:03,320 --> 00:46:06,239
Speaker 1: like the blue bag. There's a hot Cheeto shortage right now,

865
00:46:06,440 --> 00:46:09,839
Speaker 1: so for real? Oh yeah, oh my household can't tell

866
00:46:11,719 --> 00:46:15,160
Speaker 1: that pantry state. Yeah, you're yo. What's crazy is like

867
00:46:15,440 --> 00:46:17,640
Speaker 1: the hot Cheeto fingers is a thing. You'll be sitting

868
00:46:17,680 --> 00:46:19,760
Speaker 1: on the couch and then your hands are just fucking

869
00:46:20,080 --> 00:46:21,880
Speaker 1: you ain't gonna laugh. I'm at home. I'm licking my

870
00:46:22,000 --> 00:46:25,920
Speaker 1: fingers though, of course you got to. Yeah. Is there

871
00:46:25,960 --> 00:46:28,200
Speaker 1: anything else with this tour that you're like nervous? Are

872
00:46:28,200 --> 00:46:30,600
Speaker 1: you nervous about anything like hitting the road and everyone's

873
00:46:30,640 --> 00:46:34,080
Speaker 1: there to see you? Yeah, just because I feel like,

874
00:46:34,280 --> 00:46:36,440
Speaker 1: you know, I got a top forty record. They like

875
00:46:36,800 --> 00:46:40,000
Speaker 1: this can't be no bullshit, Like too many odds gonna

876
00:46:40,000 --> 00:46:41,800
Speaker 1: be on me with this tour, like you know what

877
00:46:41,800 --> 00:46:44,040
Speaker 1: I'm saying. So it's a little pressure, But you know,

878
00:46:45,120 --> 00:46:47,360
Speaker 1: are you I don't know, I'll be praying and she'd

879
00:46:47,440 --> 00:46:50,359
Speaker 1: just be working out. Are you taking the the after

880
00:46:50,440 --> 00:46:52,759
Speaker 1: party bags and each of these? Yeah, so we gotta

881
00:46:53,080 --> 00:46:56,640
Speaker 1: you know, everybody know home with that go look at

882
00:46:56,680 --> 00:47:00,120
Speaker 1: the tour dates promoters put your offers in. Yeah, y,

883
00:47:00,360 --> 00:47:02,760
Speaker 1: she'll pull up. You know what I mean. It's probably

884
00:47:03,960 --> 00:47:05,439
Speaker 1: it's got to be for the bag. But the bag

885
00:47:05,600 --> 00:47:08,720
Speaker 1: and the costume goes in. The hookah. Oh the hookah?

886
00:47:08,920 --> 00:47:15,240
Speaker 1: Yeah you know that hookahs fa the hoop. I forgot

887
00:47:15,280 --> 00:47:18,640
Speaker 1: about that song. I swear to god, I said that too,

888
00:47:18,719 --> 00:47:23,600
Speaker 1: because I was like, yeah, that's crazy, this nigga Ben

889
00:47:23,719 --> 00:47:26,040
Speaker 1: was on the hookah ship. I probably wasn't even I

890
00:47:26,160 --> 00:47:28,399
Speaker 1: was in like middle school maybe, so I wasn't even

891
00:47:28,920 --> 00:47:30,600
Speaker 1: if I was singing the ship, I didn't know what

892
00:47:30,719 --> 00:47:32,520
Speaker 1: he was saying. Anyways, What is it? Rather just I

893
00:47:32,520 --> 00:47:36,440
Speaker 1: always listen. I never understood the hookah thing because my

894
00:47:36,560 --> 00:47:39,800
Speaker 1: thing is if I'm a smoke I'd rather just get high. No,

895
00:47:40,040 --> 00:47:42,399
Speaker 1: because it's like, we don't want to be paranoid and ship.

896
00:47:42,480 --> 00:47:44,439
Speaker 1: We ain't trying to be tripping. We just want something

897
00:47:44,440 --> 00:47:49,560
Speaker 1: to dude. When you smoked, you get paranoid weed. Hell yeah, hookah,

898
00:47:49,640 --> 00:47:50,880
Speaker 1: No you don't feel you know what I'm saying. When

899
00:47:50,880 --> 00:47:53,799
Speaker 1: you smoke weed, you get paranoid Hell yeah, wow, I don't.

900
00:47:53,920 --> 00:47:55,880
Speaker 1: And and then I just don't like the action of

901
00:47:55,960 --> 00:47:59,080
Speaker 1: smoking like it, just like i'd be confident, like how

902
00:47:59,120 --> 00:48:02,279
Speaker 1: the fun do y'all do? I don't like that. I

903
00:48:02,320 --> 00:48:04,640
Speaker 1: think a bug on me. Every two seconds, I'm jumping

904
00:48:04,760 --> 00:48:11,080
Speaker 1: like the door like you might have had angel dust. No, no,

905
00:48:11,400 --> 00:48:13,080
Speaker 1: every time I hit the blind, I'd be like that.

906
00:48:13,640 --> 00:48:17,000
Speaker 1: You know what, though, I started doing like little, like

907
00:48:17,120 --> 00:48:20,800
Speaker 1: if I'm in La, not just like doing like little,

908
00:48:21,160 --> 00:48:24,560
Speaker 1: A little little bite of the edibles, and that shit

909
00:48:24,680 --> 00:48:27,359
Speaker 1: helped me sleep. If you do too much, you're gonna

910
00:48:27,400 --> 00:48:29,440
Speaker 1: have the worst fucking day of life. Have you done

911
00:48:29,480 --> 00:48:33,160
Speaker 1: too much edibles? In ninth grade? Oh? You was? That

912
00:48:33,280 --> 00:48:36,239
Speaker 1: was some homemade Atlanta ship? Then oh what happened? Wait? Child?

913
00:48:36,360 --> 00:48:38,360
Speaker 1: Because I had the worst day of my life and

914
00:48:38,480 --> 00:48:41,120
Speaker 1: I overdosed on an edible? So what happened in ninth grade?

915
00:48:41,360 --> 00:48:44,920
Speaker 1: In ninth grade, my friend had this damn lollipop edible

916
00:48:45,280 --> 00:48:48,200
Speaker 1: and she just give it to me, and she didn't

917
00:48:48,239 --> 00:48:50,479
Speaker 1: tell me, like, you know, don't eat the whole shit,

918
00:48:50,560 --> 00:48:54,120
Speaker 1: like it's a candy, like this is drugs. I just

919
00:48:54,360 --> 00:48:56,640
Speaker 1: ate the whole thing and she was like, you ain't

920
00:48:56,719 --> 00:48:58,680
Speaker 1: the whole thing. I'm like, nigga, you ain't tell me

921
00:48:58,800 --> 00:49:05,080
Speaker 1: not to the fuck Anyways, fucking long story short, I'm tripping.

922
00:49:05,239 --> 00:49:08,560
Speaker 1: I'm going to sleep waking up like I'm crying though,

923
00:49:08,600 --> 00:49:10,680
Speaker 1: because I'm like, I don't know if I'm waking up

924
00:49:10,719 --> 00:49:12,760
Speaker 1: in my dream or I'm waking up in real life

925
00:49:12,960 --> 00:49:15,520
Speaker 1: like tripping. So I was like, bro, I'm fin of

926
00:49:15,600 --> 00:49:18,399
Speaker 1: google how to come down from a high. I pull

927
00:49:18,480 --> 00:49:21,200
Speaker 1: up Safari on my phone. I had already googled that ship. Yeah,

928
00:49:21,400 --> 00:49:24,600
Speaker 1: I say, yeah, no no. Also, like when you eat it,

929
00:49:24,800 --> 00:49:27,680
Speaker 1: there's nothing you could do. All you got. You gotta

930
00:49:27,760 --> 00:49:31,239
Speaker 1: let it just get through you. Nothing. What it was

931
00:49:31,360 --> 00:49:34,080
Speaker 1: like take a cold shower. I did that. I was

932
00:49:34,120 --> 00:49:36,200
Speaker 1: trying all this ship? Did you hallucinate it all? Because

933
00:49:36,239 --> 00:49:39,520
Speaker 1: I hallucinated when I was I don't remember. I was tripping.

934
00:49:40,920 --> 00:49:45,880
Speaker 1: I saw a Garfield. The cat he has has slot

935
00:49:45,920 --> 00:49:53,600
Speaker 1: machine eyes. I can't no, no, Ever since that day,

936
00:49:53,680 --> 00:49:57,680
Speaker 1: I know we're gonna take this little bitty bite and yeah,

937
00:49:57,680 --> 00:49:59,160
Speaker 1: it don't help you sleep. It don't help you sleep.

938
00:49:59,200 --> 00:50:00,960
Speaker 1: Like my wife like she'll eat him to help, Like

939
00:50:01,040 --> 00:50:02,759
Speaker 1: she'll like have like a because it helps you go

940
00:50:02,800 --> 00:50:05,600
Speaker 1: to bed. Yes, for sure, that shit helps me sleep

941
00:50:05,640 --> 00:50:08,719
Speaker 1: because I'll use like Middleton or some ship at home.

942
00:50:08,800 --> 00:50:10,160
Speaker 1: But when I'm out here, I'll be like, oh, let

943
00:50:10,200 --> 00:50:14,319
Speaker 1: me never tried shrooms. Fuck, you know, Boozy just did

944
00:50:14,320 --> 00:50:16,719
Speaker 1: shrooms for the first time and he was tripping balls

945
00:50:16,719 --> 00:50:22,080
Speaker 1: in the snow. Boosy is probably so funny though, Oh god,

946
00:50:22,160 --> 00:50:24,520
Speaker 1: it's great. What you think it would be? Oh yeah,

947
00:50:25,280 --> 00:50:28,759
Speaker 1: the next time, the next time I interviewed Boozy, I'm like, dude,

948
00:50:30,520 --> 00:50:32,919
Speaker 1: we're in each eighth of shrooms and just see where

949
00:50:32,960 --> 00:50:35,279
Speaker 1: this takes us on YouTube. That nigga while sober, so

950
00:50:35,360 --> 00:50:37,239
Speaker 1: I can only imagine what he's like. Yeah, No, I'm

951
00:50:37,239 --> 00:50:39,680
Speaker 1: scared of all that stuff though, Like I'm telling you,

952
00:50:39,840 --> 00:50:42,759
Speaker 1: like I don't like to be out of out of body. Yeah,

953
00:50:43,040 --> 00:50:45,200
Speaker 1: Like I don't like that, like even with alcohol, Like

954
00:50:45,239 --> 00:50:47,800
Speaker 1: I don't like to be drunk, Like I'll get a

955
00:50:47,840 --> 00:50:50,279
Speaker 1: little tipsy, you know. So I can feel it when

956
00:50:50,320 --> 00:50:56,120
Speaker 1: I'm recording this ship. You know what's overrated in the

957
00:50:56,160 --> 00:50:58,560
Speaker 1: Blue and White Bottle? You know what? I like that better?

958
00:51:00,200 --> 00:51:02,400
Speaker 1: I do like it better than the most overrated you

959
00:51:02,600 --> 00:51:04,680
Speaker 1: That ship is overrated, And I'd be rapping about that

960
00:51:04,719 --> 00:51:09,200
Speaker 1: ship too, but I take they were both hell yeah,

961
00:51:09,200 --> 00:51:11,879
Speaker 1: and it's like I like better than all of that ship.

962
00:51:12,280 --> 00:51:16,640
Speaker 1: The cheap ship. Yes, me too. When I go to

963
00:51:16,719 --> 00:51:19,200
Speaker 1: the club and they're like, whatever bottle you want, I'm

964
00:51:19,200 --> 00:51:23,240
Speaker 1: either they're like, bro, why don't you get who doesn't

965
00:51:23,280 --> 00:51:25,839
Speaker 1: take It's okay. It's like it's more about like, hey, look,

966
00:51:25,920 --> 00:51:29,480
Speaker 1: every time I've gotten drunk, like throw up drunk is

967
00:51:29,840 --> 00:51:35,200
Speaker 1: off of yes like rich people's patrona. It's like, not great.

968
00:51:35,920 --> 00:51:38,359
Speaker 1: I'm so straight on that ship. Give me the cheap ship,

969
00:51:38,719 --> 00:51:42,320
Speaker 1: like not too cheap? Nah, don Julio Blanco and Costa

970
00:51:42,400 --> 00:51:45,680
Speaker 1: Migos is fire. I ain't gonna lie because I was

971
00:51:45,719 --> 00:51:48,640
Speaker 1: on for a many and then I was like getting

972
00:51:48,640 --> 00:51:51,640
Speaker 1: burnt on that and I'm getting back on the now.

973
00:51:51,880 --> 00:51:55,920
Speaker 1: Did you did you know George Clooney owns Costagos the

974
00:51:56,040 --> 00:52:00,480
Speaker 1: actor what he's the owner? We're making George when you're rich,

975
00:52:01,320 --> 00:52:09,640
Speaker 1: Hey man, have you had any opportunities to endorse any

976
00:52:09,680 --> 00:52:11,959
Speaker 1: products or have your own like something like that, because

977
00:52:11,960 --> 00:52:14,239
Speaker 1: I'm sure you've had hell opportunity lotto, let us give

978
00:52:14,280 --> 00:52:16,759
Speaker 1: your own weed strain or hey, let's let's you want

979
00:52:16,800 --> 00:52:19,160
Speaker 1: to you want your vodka. They're trying to do like

980
00:52:19,239 --> 00:52:21,759
Speaker 1: the weed Strand ship. I just be like, it's two

981
00:52:21,840 --> 00:52:24,640
Speaker 1: fake because I talk about how I don't smoke all day.

982
00:52:24,960 --> 00:52:27,600
Speaker 1: It's like that's that's two fake. I would do like

983
00:52:27,680 --> 00:52:29,560
Speaker 1: an alcohol or something like that. I didn't did like

984
00:52:29,680 --> 00:52:32,680
Speaker 1: swim wear, clothing collubs, Like did you ever do the

985
00:52:32,719 --> 00:52:35,600
Speaker 1: fashion over deal? No, I'm with a pretty little thing,

986
00:52:36,320 --> 00:52:38,759
Speaker 1: A pretty little thing, pretty little thing. Baby. They cuts

987
00:52:38,800 --> 00:52:43,480
Speaker 1: the check. So pretty little Thing is a very big company.

988
00:52:43,960 --> 00:52:46,320
Speaker 1: They got it. They got their own thing over on Melrow.

989
00:52:46,360 --> 00:52:48,399
Speaker 1: I mean they're doing their thing, pretty little thing. He's

990
00:52:48,440 --> 00:52:50,320
Speaker 1: doing the thing, so you're pretty So do you have

991
00:52:50,400 --> 00:52:53,120
Speaker 1: your own collection with them? Yet? We supposed to be

992
00:52:53,239 --> 00:52:55,919
Speaker 1: doing that. I gotta finish this deal. If they don't

993
00:52:55,960 --> 00:52:57,920
Speaker 1: give you your a pretty little Thing collection in the

994
00:52:57,960 --> 00:52:59,880
Speaker 1: next six months, you better jump on over to fashion

995
00:53:00,080 --> 00:53:04,279
Speaker 1: because they're gonna they're gonna give you. They're gonna give

996
00:53:04,280 --> 00:53:05,800
Speaker 1: you the whole fucking thing. They're gonna be like a

997
00:53:05,880 --> 00:53:10,200
Speaker 1: lot of spring collection. Oh and Savage X Fency waitit

998
00:53:10,239 --> 00:53:13,120
Speaker 1: wait wait wait wait Savage Expency read you got you

999
00:53:13,200 --> 00:53:16,799
Speaker 1: got the fency popping? Yes, really Laingerie and I ain't

1000
00:53:16,840 --> 00:53:18,719
Speaker 1: gonna lie know that ship and like no kept like

1001
00:53:18,960 --> 00:53:21,800
Speaker 1: off the record, like this ain't even no like paid promotion,

1002
00:53:22,120 --> 00:53:25,880
Speaker 1: like no, that ship fire defeny, the quality ship, fire,

1003
00:53:26,400 --> 00:53:28,680
Speaker 1: the designs and she I'm like, is she doing this? She?

1004
00:53:29,080 --> 00:53:31,280
Speaker 1: I don't know whoever doing it? They should be fire,

1005
00:53:31,360 --> 00:53:37,680
Speaker 1: Like have you ever talked to no one but live?

1006
00:53:37,760 --> 00:53:42,040
Speaker 1: You're playing my song? What bitch from the South? I

1007
00:53:42,200 --> 00:53:45,600
Speaker 1: was like, were you a bitch from the South? Girl Frombados?

1008
00:53:46,239 --> 00:53:48,600
Speaker 1: I feel like, she replied to the d M. If

1009
00:53:48,640 --> 00:53:50,320
Speaker 1: I d M her, i'd be so weird, Like I

1010
00:53:50,360 --> 00:53:53,680
Speaker 1: don't like like making people feel pressured, you know, like

1011
00:53:54,600 --> 00:53:57,319
Speaker 1: I don't know, I'm weird like that. Do you ever

1012
00:53:57,440 --> 00:53:59,520
Speaker 1: like we'll be backstage, not to cut you off, my bad,

1013
00:53:59,680 --> 00:54:02,680
Speaker 1: We'll be backstage and they'd be like, oh da back here,

1014
00:54:02,800 --> 00:54:07,040
Speaker 1: go say hey to no or I'm gonna run into them.

1015
00:54:07,120 --> 00:54:09,360
Speaker 1: If I run into them, it's organic. It happened, like

1016
00:54:09,480 --> 00:54:12,120
Speaker 1: I don't like to like do the whole like I

1017
00:54:12,160 --> 00:54:14,160
Speaker 1: don't know that just makes people feel weird because I know,

1018
00:54:14,400 --> 00:54:16,440
Speaker 1: like I don't want people doing that. I respect that.

1019
00:54:17,120 --> 00:54:19,359
Speaker 1: How often do you check your DMS? Oh, I don't

1020
00:54:19,440 --> 00:54:24,239
Speaker 1: check my name. Your DM's got to be a dark place. Yeah,

1021
00:54:24,239 --> 00:54:26,400
Speaker 1: I don't check my DMS. I got a man, and

1022
00:54:26,800 --> 00:54:30,799
Speaker 1: I don't even mean like I mean obviously random dick

1023
00:54:30,880 --> 00:54:33,520
Speaker 1: pics I'm sure are coming. I'm flying through those. It's

1024
00:54:33,520 --> 00:54:35,319
Speaker 1: too weird because it'll be like from eight year old

1025
00:54:35,400 --> 00:54:37,960
Speaker 1: boys and shit, and it's like, y'all making me uncomfortable.

1026
00:54:38,000 --> 00:54:40,960
Speaker 1: That's fucked up. Can you imagine not knowing what you're

1027
00:54:41,000 --> 00:54:44,200
Speaker 1: opening and then it's an eight year old dick, Like, like,

1028
00:54:44,400 --> 00:54:46,239
Speaker 1: y'all make me just want to delete the whole up?

1029
00:54:46,600 --> 00:54:50,360
Speaker 1: I would, Yeah, I'm off social media, yo. It's like

1030
00:54:50,400 --> 00:54:52,200
Speaker 1: when I went on Twitter once and I saw Tiger's

1031
00:54:52,280 --> 00:54:56,600
Speaker 1: dick on accident, I was like, bro, I did not

1032
00:54:56,800 --> 00:55:01,160
Speaker 1: sign up to see Tiger's dick. Social media in general,

1033
00:55:01,200 --> 00:55:03,600
Speaker 1: it's just a lot of times I have to like

1034
00:55:03,800 --> 00:55:07,680
Speaker 1: check out and like just do something normal because God

1035
00:55:07,719 --> 00:55:11,600
Speaker 1: will get consumed and it's like virtual reality bullshit. Is

1036
00:55:11,680 --> 00:55:14,960
Speaker 1: it nice to be in a relationship when you're going

1037
00:55:15,040 --> 00:55:17,279
Speaker 1: through the stuff you're going through in your career, so

1038
00:55:17,320 --> 00:55:19,239
Speaker 1: you kind of have like a safe place? Yes, Oh

1039
00:55:19,360 --> 00:55:22,640
Speaker 1: my god, Oh my god, Like that's my fucking safe zone.

1040
00:55:22,680 --> 00:55:25,640
Speaker 1: That's my sanity for real. Like that's when I can

1041
00:55:25,719 --> 00:55:30,080
Speaker 1: come home from the studio crying and just overwhelmed with

1042
00:55:30,160 --> 00:55:32,360
Speaker 1: everything and I just saw aer old dick. Help me,

1043
00:55:33,640 --> 00:55:37,839
Speaker 1: hold me that's dope. No, because I mean, I'm married

1044
00:55:37,840 --> 00:55:39,600
Speaker 1: and it's the same thing. I think, like a strong

1045
00:55:39,640 --> 00:55:42,600
Speaker 1: relationship is very important, like it's you know, if it's

1046
00:55:42,600 --> 00:55:44,719
Speaker 1: a strong if it's toxic, it could also get you

1047
00:55:44,760 --> 00:55:46,879
Speaker 1: fucked up because that shit can just be too much.

1048
00:55:47,000 --> 00:55:49,000
Speaker 1: Like I didn't been in a toxic relationship where it's

1049
00:55:49,080 --> 00:55:51,799
Speaker 1: just does nothing for you. Now this is that shit

1050
00:55:51,960 --> 00:55:54,399
Speaker 1: like this the one so I know what it feel

1051
00:55:54,480 --> 00:55:57,640
Speaker 1: like to have that like safe space. You and your man?

1052
00:55:57,760 --> 00:56:00,400
Speaker 1: What shows do you binge watch at home? No? We

1053
00:56:00,600 --> 00:56:06,279
Speaker 1: Binge watched Snowfall. We was late to the party, so yeah,

1054
00:56:06,600 --> 00:56:11,320
Speaker 1: don't play with Frankly eight. Season five's coming. We was

1055
00:56:11,360 --> 00:56:14,239
Speaker 1: just talking about car it's five because I think we

1056
00:56:14,360 --> 00:56:18,200
Speaker 1: Binge watched one through four. Yeah, so fucking good. Let

1057
00:56:18,280 --> 00:56:21,000
Speaker 1: me ask you this is a serious question. You and

1058
00:56:21,080 --> 00:56:25,600
Speaker 1: I have both watched the show so good watching the show,

1059
00:56:26,680 --> 00:56:30,160
Speaker 1: did you think, even for a split second, I'd like

1060
00:56:30,200 --> 00:56:34,840
Speaker 1: to try crack because it looks fire? No? I no,

1061
00:56:35,239 --> 00:56:37,399
Speaker 1: not when you see No, I saw when I saw

1062
00:56:37,440 --> 00:56:40,520
Speaker 1: Franklin Saint's girlfriend smoke crack and she looked like she

1063
00:56:40,760 --> 00:56:43,120
Speaker 1: was like having the time of her life. In one episode,

1064
00:56:43,320 --> 00:56:47,480
Speaker 1: Franklin Saint's girlfriend. Flush your whole fucking life down at toilet,

1065
00:56:47,600 --> 00:56:52,920
Speaker 1: That's what I'm saying. And Wanda the other girls almost

1066
00:56:53,239 --> 00:56:57,680
Speaker 1: but Franklin frank when the cops daughter hit the crack pipe, yea,

1067
00:56:57,680 --> 00:57:01,759
Speaker 1: and her it was one episode long and her whole ship.

1068
00:57:02,040 --> 00:57:03,520
Speaker 1: I ain't gonna lie. I'm ready for that ship to

1069
00:57:03,560 --> 00:57:05,480
Speaker 1: come back because you bring your back memories. I forgot

1070
00:57:05,480 --> 00:57:08,560
Speaker 1: about her daddy being a cop, and yeah, I was like, damn,

1071
00:57:08,640 --> 00:57:11,680
Speaker 1: the cops start smoke crack once and just it was over.

1072
00:57:12,280 --> 00:57:16,600
Speaker 1: I'm like, that ship gotta be crazy. I don't. I'm

1073
00:57:16,640 --> 00:57:25,200
Speaker 1: just what kids. No, No, I'm not saying, I'm considering,

1074
00:57:25,240 --> 00:57:27,240
Speaker 1: and I'm saying. For a split second, I thought to myself,

1075
00:57:27,280 --> 00:57:29,640
Speaker 1: he cracks gotta be fire. Let's be honest. Like I mean,

1076
00:57:29,680 --> 00:57:32,479
Speaker 1: I'm not saying I get you. You see what I'm saying.

1077
00:57:32,640 --> 00:57:35,560
Speaker 1: You saying like, if you know what it's gonna do

1078
00:57:35,680 --> 00:57:38,760
Speaker 1: to you, and you like you will, You're willing to

1079
00:57:39,360 --> 00:57:43,440
Speaker 1: sell your car and your jewelry your grandma gave you

1080
00:57:43,800 --> 00:57:49,120
Speaker 1: dead and disappoint your police, your policeman father. You know

1081
00:57:49,760 --> 00:57:53,160
Speaker 1: what is it? You know it's crazy. Well, look that's

1082
00:57:53,200 --> 00:57:56,280
Speaker 1: how we're gonna end the interview on crack No wait wait, no,

1083
00:57:56,600 --> 00:58:00,200
Speaker 1: we cannot know talk about something else. Listen to The

1084
00:58:00,280 --> 00:58:04,280
Speaker 1: song is out and it's going crazy. The album is

1085
00:58:04,360 --> 00:58:09,360
Speaker 1: coming soon, yeah, pretty soon, really soon, really like when

1086
00:58:09,400 --> 00:58:15,160
Speaker 1: I say nine, gonna be bumping your ship bye March madness,

1087
00:58:15,200 --> 00:58:18,120
Speaker 1: maybe a little top top of them. I'm just thinking, Yah,

1088
00:58:18,520 --> 00:58:20,680
Speaker 1: I can't think I'm gonna go on tour without dropping

1089
00:58:20,720 --> 00:58:25,600
Speaker 1: the album once. A tour start March nineteenth, So there's

1090
00:58:25,640 --> 00:58:27,800
Speaker 1: gonna be an album before March nineteenth. Ladies and gentlemen,

1091
00:58:28,760 --> 00:58:33,080
Speaker 1: Dojia Cat's gonna be on the big Energy remix and

1092
00:58:34,520 --> 00:58:39,280
Speaker 1: and hopefully we get Beyonce on there too. Hey bab,

1093
00:58:39,280 --> 00:58:41,880
Speaker 1: we're gonna shoot for the stars. Let's start. We gotta

1094
00:58:41,880 --> 00:58:44,480
Speaker 1: put it out. Beyonce on the fuck that man, Beyonce

1095
00:58:44,600 --> 00:58:47,400
Speaker 1: gonna put you on her album? Oh what it just

1096
00:58:47,560 --> 00:58:52,800
Speaker 1: got fucking deep ink say what uh? The tour starts

1097
00:58:52,840 --> 00:58:58,120
Speaker 1: March nineteenth. Yeah, any new freestyles are in the coming. Yeah.

1098
00:58:58,600 --> 00:59:00,840
Speaker 1: Super Gremlin was nice. And you were early on that too,

1099
00:59:00,880 --> 00:59:03,360
Speaker 1: because now it's like the record. You know what how

1100
00:59:03,440 --> 00:59:05,640
Speaker 1: early I was because I was telling my A and

1101
00:59:05,800 --> 00:59:07,800
Speaker 1: RS I was like, I need to drop a freestyle.

1102
00:59:07,840 --> 00:59:09,480
Speaker 1: Before the end of the year, just to like hold

1103
00:59:09,840 --> 00:59:12,360
Speaker 1: over whatever. And I was like, I was stuck between

1104
00:59:12,800 --> 00:59:15,360
Speaker 1: the Super Grimlin and this other song, and I was like,

1105
00:59:15,480 --> 00:59:18,400
Speaker 1: should I just do this song because the super Grillain.

1106
00:59:18,480 --> 00:59:20,360
Speaker 1: I don't even know if people gonna know, Like I

1107
00:59:20,400 --> 00:59:22,480
Speaker 1: don't want them to think this my song type shit,

1108
00:59:22,520 --> 00:59:24,440
Speaker 1: you know what I'm saying, because it was still like bubbling,

1109
00:59:24,760 --> 00:59:26,720
Speaker 1: and they was like, nah, by the time you drop it,

1110
00:59:26,720 --> 00:59:28,680
Speaker 1: you're gonna be ahead of it. Like they literally called

1111
00:59:28,760 --> 00:59:30,680
Speaker 1: everything that's happening right now like it was like, you're

1112
00:59:30,680 --> 00:59:32,120
Speaker 1: gonna drop it, You're gonna be ahead of it, and

1113
00:59:32,240 --> 00:59:34,040
Speaker 1: it's gonna blow up right at the same time, it's

1114
00:59:34,080 --> 00:59:36,560
Speaker 1: gonna be perfect. Kodak reached out to be like yo,

1115
00:59:36,600 --> 00:59:38,600
Speaker 1: good job or thank you for Yeah, we got a

1116
00:59:38,640 --> 00:59:40,320
Speaker 1: song together. He was just like you know what, honey,

1117
00:59:40,480 --> 00:59:43,440
Speaker 1: Like he's a very interesting guy. Yeah, he's crazy. It's

1118
00:59:43,440 --> 00:59:46,840
Speaker 1: an enigma. He crazy, you know, Yeah, he crazy. I

1119
00:59:46,880 --> 00:59:50,400
Speaker 1: feel like he's like, yeah, he's Kodak Black. It's one

1120
00:59:50,480 --> 00:59:53,440
Speaker 1: of one. Yeah he crazy. Yeah, shout out to Kodak.

1121
00:59:53,560 --> 00:59:56,200
Speaker 1: Something that floata water. It's in that floor. I lived in.

1122
00:59:57,280 --> 01:00:00,280
Speaker 1: Florida is a wild place. It is you know, I

1123
01:00:00,360 --> 01:00:02,919
Speaker 1: love First forty eight, and it seemed like that shit

1124
01:00:03,080 --> 01:00:06,400
Speaker 1: always in Florida. It also seems like everything that ever

1125
01:00:06,480 --> 01:00:12,160
Speaker 1: happens it's embarrassing is in Florida. Yes, like Wendy's employee

1126
01:00:13,560 --> 01:00:17,480
Speaker 1: reverse drive by shoots their boss while getting a frosty

1127
01:00:17,560 --> 01:00:20,680
Speaker 1: and then crashes into a McDonald's across the street while

1128
01:00:20,760 --> 01:00:24,600
Speaker 1: cooking meth in their back seat in Florida. Saint Petersburg, Florida.

1129
01:00:24,960 --> 01:00:27,560
Speaker 1: You gotta love the Florida, but Noel, It's county sheriff reports.

1130
01:00:29,200 --> 01:00:31,800
Speaker 1: What EO, You've gotten a lot of bags in Florida, right, Yeah,

1131
01:00:31,960 --> 01:00:34,000
Speaker 1: I ain't gonna lie. I love Florida, especially I mean

1132
01:00:34,040 --> 01:00:36,840
Speaker 1: it's gonna sound like very touristy, but especially Miami, Like

1133
01:00:37,080 --> 01:00:41,000
Speaker 1: Miami's in the city. What I love Miami. What's been

1134
01:00:41,040 --> 01:00:44,880
Speaker 1: the Because Florida's like its own country. So like, depending

1135
01:00:44,920 --> 01:00:47,440
Speaker 1: on what part of Florida you go to, there's like Miami,

1136
01:00:47,600 --> 01:00:52,760
Speaker 1: and then there's like teethless redneck like crazy Florida, and

1137
01:00:52,840 --> 01:00:56,160
Speaker 1: then there's like the hoods in Florida are different because

1138
01:00:56,160 --> 01:00:59,320
Speaker 1: they're like country. So you might go to like Palmetto,

1139
01:00:59,440 --> 01:01:02,800
Speaker 1: Florida and it's it's wild. Yeah, Florida's wild. And I'm

1140
01:01:02,800 --> 01:01:04,480
Speaker 1: sure you've been up and you've gotten bags in a

1141
01:01:04,520 --> 01:01:07,200
Speaker 1: lot of those. Oh yeah, I didn't did a lot

1142
01:01:07,240 --> 01:01:09,920
Speaker 1: of Florida clubs. I didn't did the fucking what's that

1143
01:01:10,280 --> 01:01:13,640
Speaker 1: ratchet ass strip club in Miami? Which one G five?

1144
01:01:14,520 --> 01:01:17,920
Speaker 1: I did G five before it's another one. Booby trapped.

1145
01:01:18,720 --> 01:01:22,920
Speaker 1: The office, Oh the office. The office is and it's

1146
01:01:23,000 --> 01:01:28,880
Speaker 1: small in there, small, tiny, dangerous. They were definitely violating

1147
01:01:28,920 --> 01:01:31,640
Speaker 1: a lot of codes in there. So fun though. Oh yeah,

1148
01:01:31,680 --> 01:01:34,200
Speaker 1: the officers a Vibe appreciate you pulling up a lot

1149
01:01:34,280 --> 01:01:37,640
Speaker 1: of the tour and the album come in March nine. Yeah,

1150
01:01:39,080 --> 01:01:42,200
Speaker 1: do you have the name of the album? I have it,

1151
01:01:42,560 --> 01:01:45,120
Speaker 1: but we don't, well, don't have it soon enough? Is

1152
01:01:45,160 --> 01:01:47,400
Speaker 1: the artwork already shot? The covers already? I mean no,

1153
01:01:47,640 --> 01:01:49,680
Speaker 1: but I was when I was in the car here

1154
01:01:49,920 --> 01:01:53,880
Speaker 1: I'm looking at the treatments. All right, there it is.

1155
01:01:54,160 --> 01:01:57,440
Speaker 1: I'm sure follow up single coming, of course, all right,

1156
01:01:57,760 --> 01:02:00,680
Speaker 1: of course, be on the lookout soon and so sooner

1157
01:02:00,720 --> 01:02:04,200
Speaker 1: than soon. Lotto, Yeah, there it is. The biggies