1 00:00:01,600 --> 00:00:04,880 Speaker 1: Hi, I'm Kristen Davis, and I want to know are 2 00:00:04,880 --> 00:00:07,040 Speaker 1: you a Charlotte. 3 00:00:07,880 --> 00:00:10,640 Speaker 2: Hi, everybody, we are here today. 4 00:00:10,680 --> 00:00:13,760 Speaker 1: It's just me and we are going to recap episode 5 00:00:13,800 --> 00:00:16,280 Speaker 1: two one, take me out to the ballgame. 6 00:00:16,880 --> 00:00:18,160 Speaker 2: So this is a great episode. 7 00:00:18,200 --> 00:00:22,040 Speaker 1: It is the first episode of season two, and it's 8 00:00:22,079 --> 00:00:24,760 Speaker 1: really fun because we go to the Yankees game, and 9 00:00:24,880 --> 00:00:27,320 Speaker 1: I remember, well, we go to a pretend Yankees game, 10 00:00:27,320 --> 00:00:29,880 Speaker 1: if I'm being honest, so it wasn't really the Yankees game. 11 00:00:29,920 --> 00:00:33,080 Speaker 1: But I remember so much about shooting that and I 12 00:00:33,159 --> 00:00:36,080 Speaker 1: remember being so excited that we got picked up for 13 00:00:36,120 --> 00:00:37,920 Speaker 1: season two because we really didn't. 14 00:00:37,640 --> 00:00:39,400 Speaker 2: Know if we would be picked up. 15 00:00:39,920 --> 00:00:43,120 Speaker 1: So I feel when you watch this episode, I can 16 00:00:43,200 --> 00:00:47,639 Speaker 1: feel just us being excited to be there and us 17 00:00:47,680 --> 00:00:50,000 Speaker 1: being kind of a little bit more relaxed, you know, 18 00:00:50,720 --> 00:00:53,720 Speaker 1: then we might have been, at least myself, I guess 19 00:00:53,760 --> 00:00:57,280 Speaker 1: I'm just speaking for myself, more relaxed than I would 20 00:00:57,280 --> 00:00:59,920 Speaker 1: have been season one, which is I think really nice 21 00:01:00,080 --> 00:01:03,680 Speaker 1: to see just across the board. This is directed by 22 00:01:03,760 --> 00:01:07,560 Speaker 1: the wonderful Alan Coulter, who I have so many memories 23 00:01:07,560 --> 00:01:10,280 Speaker 1: of and who is actually in the beginning of the 24 00:01:10,319 --> 00:01:13,160 Speaker 1: episode on the street. He is standing and kind of 25 00:01:13,200 --> 00:01:15,759 Speaker 1: bumps into carry or carry kind of bumps into him. 26 00:01:16,080 --> 00:01:18,480 Speaker 1: That is Alan culture, our director, and he made a 27 00:01:18,600 --> 00:01:21,600 Speaker 1: very very big impression on all of us, at least myself, 28 00:01:21,640 --> 00:01:23,360 Speaker 1: and I think on the show and the pacing of 29 00:01:23,400 --> 00:01:25,319 Speaker 1: the show and the style of the show. And he 30 00:01:25,440 --> 00:01:28,720 Speaker 1: comes back many times throughout the end of the show. 31 00:01:28,920 --> 00:01:29,399 Speaker 2: He's great. 32 00:01:29,720 --> 00:01:33,720 Speaker 1: And written by Michael Patrick King, Yeah, yeah, yeah. And 33 00:01:33,760 --> 00:01:35,520 Speaker 1: the thing that I think about that I want to 34 00:01:35,520 --> 00:01:37,600 Speaker 1: say first about Michael is that there's going to be 35 00:01:37,640 --> 00:01:40,959 Speaker 1: a big storyline in here about how much we talk 36 00:01:41,000 --> 00:01:44,119 Speaker 1: about men. And I feel like Michael took that from 37 00:01:44,200 --> 00:01:48,360 Speaker 1: the reviews of the first season, which that was a complaint, 38 00:01:48,400 --> 00:01:50,440 Speaker 1: was that all we talked about was men, So he 39 00:01:50,480 --> 00:01:53,040 Speaker 1: wrote it into the show, which I love and I 40 00:01:53,040 --> 00:01:56,960 Speaker 1: think is a classic classic moment coming up. Okay, so 41 00:01:57,560 --> 00:02:01,400 Speaker 1: we'll jump right in. Hey, the first thing we see 42 00:02:01,440 --> 00:02:03,840 Speaker 1: is Carrie on the street. And anytime we've got any 43 00:02:03,880 --> 00:02:06,040 Speaker 1: of us walking on the streets of New York, especially 44 00:02:06,360 --> 00:02:09,040 Speaker 1: in the olden days, I just love it because a 45 00:02:09,320 --> 00:02:12,839 Speaker 1: New York looks so quaint and adorable and b there's 46 00:02:12,880 --> 00:02:16,880 Speaker 1: usually real people walking around, and it's really just such 47 00:02:16,919 --> 00:02:19,400 Speaker 1: a you really feel the city and I love that 48 00:02:19,480 --> 00:02:22,600 Speaker 1: about it. So she's out there, she's walking around, she's 49 00:02:22,600 --> 00:02:25,000 Speaker 1: talking about how she keeps imagining that she's going to 50 00:02:25,040 --> 00:02:27,560 Speaker 1: see mister Big on the street because they broke up, 51 00:02:27,600 --> 00:02:29,400 Speaker 1: as we know at the end of season one, and 52 00:02:29,440 --> 00:02:32,000 Speaker 1: so now she's still, you know, in her breakup mode 53 00:02:32,160 --> 00:02:36,640 Speaker 1: and obviously not really together, and she is smoking her cigarettes. 54 00:02:37,000 --> 00:02:40,639 Speaker 1: Oh my goodness, takes me back. I remember her and 55 00:02:40,960 --> 00:02:43,840 Speaker 1: half the crew smoking all the time. 56 00:02:43,680 --> 00:02:44,399 Speaker 2: Back in the day. 57 00:02:45,720 --> 00:02:48,920 Speaker 1: Her voice over says that the city becomes an emotional 58 00:02:49,080 --> 00:02:52,360 Speaker 1: battlefield because of the reminders of your ex. 59 00:02:52,360 --> 00:02:54,000 Speaker 2: So she's seeing places. 60 00:02:53,600 --> 00:02:56,600 Speaker 1: They went and thinking about him, and obviously we all 61 00:02:56,639 --> 00:02:58,919 Speaker 1: know that's no fun, no fun at all. 62 00:03:00,080 --> 00:03:00,760 Speaker 2: That's how we begin. 63 00:03:01,240 --> 00:03:04,720 Speaker 1: Then Charlotte and Miranda show up at Carrie's apartment to 64 00:03:04,800 --> 00:03:07,280 Speaker 1: get her out, and this is when we start talking 65 00:03:07,320 --> 00:03:10,960 Speaker 1: about our different opinions about how once you get through 66 00:03:10,960 --> 00:03:14,440 Speaker 1: a breakup, and Miranda basically wants her to cut her 67 00:03:14,480 --> 00:03:17,640 Speaker 1: losses and get back in the game. Charlotte says she 68 00:03:17,720 --> 00:03:19,520 Speaker 1: thinks that it takes half the time that you are 69 00:03:19,560 --> 00:03:22,080 Speaker 1: in a relationship to get over that relationship. And we 70 00:03:22,200 --> 00:03:24,280 Speaker 1: learn then that Carrie and Big were together for a 71 00:03:24,400 --> 00:03:27,040 Speaker 1: year which makes sense. But also I don't think we 72 00:03:27,120 --> 00:03:30,760 Speaker 1: have been one hundred percent clear about that the first season, 73 00:03:30,880 --> 00:03:34,040 Speaker 1: so that's kind of a cool, cool fact to find out. So, 74 00:03:34,480 --> 00:03:37,120 Speaker 1: you know, Charlotte always has her ideas and her rules 75 00:03:37,200 --> 00:03:39,280 Speaker 1: or whatever, so here we've got one. And I think 76 00:03:39,280 --> 00:03:42,040 Speaker 1: it's a pretty good rule personally, but I also think 77 00:03:42,080 --> 00:03:44,240 Speaker 1: that you can't really. 78 00:03:44,840 --> 00:03:45,920 Speaker 2: Control these things. 79 00:03:46,320 --> 00:03:48,760 Speaker 1: But the thing that I like about that rule is 80 00:03:48,800 --> 00:03:52,280 Speaker 1: it's saying take some time, feel bad, go through your 81 00:03:52,280 --> 00:03:55,800 Speaker 1: different feelings, which I think is important, and then also 82 00:03:56,240 --> 00:03:57,960 Speaker 1: have an end to it so that you're not just 83 00:03:58,040 --> 00:04:00,440 Speaker 1: going on and on and on forever feel bad and 84 00:04:00,480 --> 00:04:02,800 Speaker 1: not wanting to leave your house, which is never healthy, 85 00:04:02,920 --> 00:04:05,920 Speaker 1: never healthy at all. Okay, so I like Charlotte's rule. 86 00:04:05,960 --> 00:04:06,520 Speaker 1: What do you guys think? 87 00:04:06,560 --> 00:04:07,680 Speaker 2: Do you like a rule? I don't know. 88 00:04:07,800 --> 00:04:09,280 Speaker 1: I don't know what do people think about this. I 89 00:04:09,280 --> 00:04:13,480 Speaker 1: have no idea and I don't really know. I don't 90 00:04:13,520 --> 00:04:15,320 Speaker 1: really know if it works. I do think that there's 91 00:04:15,320 --> 00:04:18,479 Speaker 1: some people that are harder to get over than others, 92 00:04:18,560 --> 00:04:21,040 Speaker 1: or some relationships that are harder to get over than others, 93 00:04:21,320 --> 00:04:23,640 Speaker 1: for sure, But I do think it's good to try 94 00:04:24,279 --> 00:04:25,000 Speaker 1: to get over them. 95 00:04:25,360 --> 00:04:27,640 Speaker 2: And I always like to get outside. That's my idea. 96 00:04:27,800 --> 00:04:31,560 Speaker 2: Get outside, walk around, walk around the city, hike if 97 00:04:31,560 --> 00:04:33,760 Speaker 2: you're somewhere you can hike, that's what I do. 98 00:04:34,200 --> 00:04:37,640 Speaker 1: Okay, then we're on the street. We're going to get 99 00:04:37,640 --> 00:04:40,080 Speaker 1: a taxi. Oh, we're all together. The girls are taking 100 00:04:40,120 --> 00:04:42,400 Speaker 1: her out. You don't know where we're going at. I 101 00:04:42,440 --> 00:04:46,520 Speaker 1: don't think do we No, I don't think we do, Carrie. 102 00:04:47,080 --> 00:04:50,480 Speaker 1: This makes me laugh. So, Harry, Carrie is too dressed 103 00:04:50,520 --> 00:04:54,080 Speaker 1: up for where we're going, which really is like very important, 104 00:04:54,120 --> 00:04:56,080 Speaker 1: you guys, because this is going to go on like 105 00:04:56,240 --> 00:04:58,960 Speaker 1: even now in life. We're getting ready to go out 106 00:04:59,000 --> 00:05:01,159 Speaker 1: and promote and just like that. And I always have 107 00:05:01,240 --> 00:05:02,960 Speaker 1: to check in with Sir Jessica because I need to 108 00:05:03,000 --> 00:05:04,560 Speaker 1: know what Sir Jessica is going to wear to our 109 00:05:04,560 --> 00:05:07,040 Speaker 1: different events, because she might be wearing something that is 110 00:05:07,080 --> 00:05:09,800 Speaker 1: like way dressier than what I pictured in my mind, 111 00:05:09,839 --> 00:05:11,360 Speaker 1: and I hate to be out of sync with her. 112 00:05:11,640 --> 00:05:13,640 Speaker 2: So this is a very important point. 113 00:05:13,680 --> 00:05:16,760 Speaker 1: She basically says that she doesn't care if she's too 114 00:05:16,800 --> 00:05:19,360 Speaker 1: dressed up because it's more important that she looks good 115 00:05:19,440 --> 00:05:21,800 Speaker 1: in case she runs into big But in general, the 116 00:05:21,800 --> 00:05:24,240 Speaker 1: important fact is she doesn't care if she's too dressed up. 117 00:05:24,520 --> 00:05:29,040 Speaker 2: That is important to know for life and the show. 118 00:05:29,960 --> 00:05:31,720 Speaker 2: And you know what, there's a. 119 00:05:31,640 --> 00:05:32,960 Speaker 1: Part of me, I mean part of me I was 120 00:05:32,960 --> 00:05:34,320 Speaker 1: always like, oh my gosh, why do I have to 121 00:05:34,400 --> 00:05:35,920 Speaker 1: dress up so much all the time. But on the 122 00:05:36,000 --> 00:05:38,440 Speaker 1: other hand, it's fun to dress up, and in life, 123 00:05:38,480 --> 00:05:40,400 Speaker 1: I really don't dress up at all. So when we 124 00:05:40,440 --> 00:05:42,039 Speaker 1: haven't worked for a while and we go back to 125 00:05:42,040 --> 00:05:43,599 Speaker 1: work and we get to get in all the clothes, 126 00:05:43,640 --> 00:05:46,159 Speaker 1: it's just really, you know, I love it so much 127 00:05:46,160 --> 00:05:48,080 Speaker 1: because I don't do it that much, and so I 128 00:05:48,080 --> 00:05:49,680 Speaker 1: think it's a good thing to remember, like it can 129 00:05:49,720 --> 00:05:52,479 Speaker 1: make you feel good to dress up. So we go 130 00:05:52,880 --> 00:05:55,680 Speaker 1: together in a cab and we pick up Samantha, and 131 00:05:55,720 --> 00:05:58,800 Speaker 1: Samantha is standing there with this guy James that shockingly 132 00:05:58,880 --> 00:06:01,599 Speaker 1: she's still with, which I did not remember that he 133 00:06:01,720 --> 00:06:04,560 Speaker 1: hung around for so long, and it's kind of amazing. 134 00:06:05,080 --> 00:06:09,560 Speaker 1: And he then calls her his princess, which is really bizarre, Okay, 135 00:06:09,600 --> 00:06:11,120 Speaker 1: like I don't know who he thinks that he's in 136 00:06:11,200 --> 00:06:14,000 Speaker 1: a relationship with. It's super interesting. But she kind of 137 00:06:14,000 --> 00:06:17,400 Speaker 1: seems to enjoy it, which is also interesting. So she 138 00:06:17,480 --> 00:06:20,839 Speaker 1: gets in the car and then again she starts talking 139 00:06:20,880 --> 00:06:25,880 Speaker 1: about her complaint with him, which is the Girkin situation, 140 00:06:26,000 --> 00:06:28,360 Speaker 1: which you know, I'm not even gonna say too many 141 00:06:28,360 --> 00:06:30,560 Speaker 1: things about, but you know, it's amazing that she's even 142 00:06:30,560 --> 00:06:32,640 Speaker 1: hanging in. That's what I think, because we all know 143 00:06:32,760 --> 00:06:34,600 Speaker 1: how she actually really feels. 144 00:06:34,760 --> 00:06:35,080 Speaker 2: Okay. 145 00:06:35,279 --> 00:06:39,640 Speaker 1: Then we go to what is the pretend Yankee Stadium. 146 00:06:39,680 --> 00:06:42,760 Speaker 1: It is actually where they used to hold the US 147 00:06:42,880 --> 00:06:49,360 Speaker 1: Open in Flushing, Queens, I think right, and it was 148 00:06:49,720 --> 00:06:52,320 Speaker 1: empty because there was no no tennis happening, and the 149 00:06:52,680 --> 00:06:54,960 Speaker 1: I think the Yankees might have used to actually be 150 00:06:55,080 --> 00:06:58,279 Speaker 1: there and then move to their big stadium. I'm not sure. 151 00:06:58,320 --> 00:07:02,240 Speaker 1: I'm not a baseball uh person, as you know you 152 00:07:02,320 --> 00:07:06,800 Speaker 1: might guess. Now, Miranda is the big baseball person in 153 00:07:06,800 --> 00:07:09,640 Speaker 1: this whole mix, and she's telling us, oh, all kind 154 00:07:09,640 --> 00:07:11,800 Speaker 1: of things about the Yankees. And then there's this new 155 00:07:11,880 --> 00:07:14,560 Speaker 1: Yankee and she knows his stats. And I do remember 156 00:07:14,600 --> 00:07:17,800 Speaker 1: being in New York and people would just really really 157 00:07:17,800 --> 00:07:19,920 Speaker 1: have so many details about these guys who played for 158 00:07:19,920 --> 00:07:22,480 Speaker 1: the Yankees, and I was always like, Okay, whatever, that's cool. 159 00:07:22,800 --> 00:07:24,720 Speaker 1: You know, I'm glad you guys are happy and into it. 160 00:07:24,760 --> 00:07:27,080 Speaker 1: But like if there's a new player, everyone talk about it. 161 00:07:27,120 --> 00:07:29,480 Speaker 1: And whatever the drama was going on with the Yankees. 162 00:07:29,520 --> 00:07:30,680 Speaker 1: You know, it's a big deal in New York. 163 00:07:30,720 --> 00:07:31,120 Speaker 2: Big deal. 164 00:07:31,680 --> 00:07:35,040 Speaker 1: So Carrie says that she's a big fan of anywhere 165 00:07:35,040 --> 00:07:37,679 Speaker 1: that you can smoke and drink at two pm without judgment, 166 00:07:37,720 --> 00:07:40,640 Speaker 1: which seems very on character, on point for Carrie. 167 00:07:41,120 --> 00:07:43,120 Speaker 2: So she's happy she's wearing her first coat. 168 00:07:44,720 --> 00:07:48,080 Speaker 1: Then Samantha goes back to her upset about her her 169 00:07:48,080 --> 00:07:51,800 Speaker 1: boyfriend James, and she's got a hot dog to do 170 00:07:51,920 --> 00:07:56,880 Speaker 1: a visual representation of, which is, you know, kind of 171 00:07:56,880 --> 00:08:02,600 Speaker 1: funny but also sad, kind of sad. So Carrie makes 172 00:08:02,640 --> 00:08:06,440 Speaker 1: lots of little, kind of funny analogies between baseball and 173 00:08:06,480 --> 00:08:09,640 Speaker 1: her own dating stats, and then a flyball comes up, 174 00:08:09,640 --> 00:08:11,320 Speaker 1: which even I know that's a big deal, like when 175 00:08:11,320 --> 00:08:16,120 Speaker 1: a ball comes to you in a game of baseball, basketball, football. 176 00:08:16,160 --> 00:08:19,720 Speaker 1: I don't know if that ever happens, probably not. Anyway, 177 00:08:19,960 --> 00:08:22,679 Speaker 1: Carrie catches the fly ball, which is really cute, really cute, 178 00:08:22,680 --> 00:08:25,720 Speaker 1: and she's very excited. And I think Sarah has gone 179 00:08:25,720 --> 00:08:29,120 Speaker 1: to probably more baseball games than possibly the rest of 180 00:08:29,200 --> 00:08:33,480 Speaker 1: us combined. Matthew loves baseball, so she probably knows how 181 00:08:33,520 --> 00:08:37,920 Speaker 1: truly exciting this is. Then cut to us somehow. Oh, 182 00:08:37,960 --> 00:08:41,600 Speaker 1: she used her press her press pass to get us backstage, 183 00:08:41,600 --> 00:08:44,160 Speaker 1: as I would call it, at the Yankees game, and 184 00:08:44,280 --> 00:08:48,360 Speaker 1: we are standing outside their locker room unembarrassed. Also, I 185 00:08:48,440 --> 00:08:52,160 Speaker 1: might add, as though we're at backstage of a theater production, 186 00:08:52,240 --> 00:08:55,360 Speaker 1: which I find also really funny that we're there standing 187 00:08:55,360 --> 00:08:59,240 Speaker 1: there waiting for them to walk through through back into 188 00:08:59,240 --> 00:09:00,200 Speaker 1: their locker room. 189 00:09:00,440 --> 00:09:01,520 Speaker 2: So then they meet the new. 190 00:09:01,480 --> 00:09:04,240 Speaker 1: Yankee, who's very cute, and Miranda is kind of acting 191 00:09:04,280 --> 00:09:06,080 Speaker 1: a fool, you know, she's pretty excited. 192 00:09:06,280 --> 00:09:07,280 Speaker 2: She kind of over the top. 193 00:09:07,400 --> 00:09:09,440 Speaker 1: She says things like I'm a lawyer, you know, she 194 00:09:09,480 --> 00:09:12,160 Speaker 1: says her blurting out things, which if you watch them, 195 00:09:12,200 --> 00:09:14,840 Speaker 1: just like that is the whole first episode of And 196 00:09:15,000 --> 00:09:17,760 Speaker 1: just like that for Miranda, which everyone complained about but I. 197 00:09:17,760 --> 00:09:19,880 Speaker 2: Felt was very very own character for her. 198 00:09:20,000 --> 00:09:22,600 Speaker 1: She just blurts some stuff out when she gets nervous, 199 00:09:22,760 --> 00:09:26,240 Speaker 1: which is really cute because Miranda obviously is also often 200 00:09:26,400 --> 00:09:29,240 Speaker 1: very not nervous and kind of cutting. So when she 201 00:09:29,280 --> 00:09:31,680 Speaker 1: does get nervous and start acting kind of silly, it's cute, 202 00:09:31,679 --> 00:09:35,240 Speaker 1: I think. So Kerry gets her ball signed by the 203 00:09:35,360 --> 00:09:39,240 Speaker 1: very adorable new Yankee, and then she gets very bold, 204 00:09:39,320 --> 00:09:41,880 Speaker 1: and she chases him down the hallway and she asks 205 00:09:41,960 --> 00:09:44,440 Speaker 1: him out to the adult Changabana party, and all of 206 00:09:44,520 --> 00:09:47,800 Speaker 1: us are like kind of shocked and really impressed, which, 207 00:09:47,960 --> 00:09:50,160 Speaker 1: you know, yes, it kind of comes out of. 208 00:09:50,080 --> 00:09:54,240 Speaker 2: Nowhere, but it is adorable. And then Miranda, well, yes, 209 00:09:54,320 --> 00:09:55,200 Speaker 2: she's not impressed. 210 00:09:55,200 --> 00:09:58,360 Speaker 1: She's kind of displeased because she thinks that Carrie should 211 00:09:58,400 --> 00:10:01,920 Speaker 1: be rebounding with the CPA or someone boring and not 212 00:10:02,000 --> 00:10:03,840 Speaker 1: rebounding with the new Yankee. 213 00:10:04,080 --> 00:10:05,720 Speaker 2: But I think it's cute. 214 00:10:06,360 --> 00:10:10,560 Speaker 1: Samantha then tries to look at the guys through the door, 215 00:10:10,920 --> 00:10:13,920 Speaker 1: which I really it was such a funny and kind 216 00:10:13,960 --> 00:10:16,800 Speaker 1: of long moment of her trying to look through that door. 217 00:10:17,240 --> 00:10:19,680 Speaker 1: And I thought that the thing that was nice about 218 00:10:19,679 --> 00:10:28,040 Speaker 1: it was the kind of unabashed, unapologetic, you know, adoration 219 00:10:28,400 --> 00:10:33,719 Speaker 1: of the male body from Samantha, especially obviously because she's 220 00:10:33,720 --> 00:10:37,920 Speaker 1: in her situation. And I think it's it's like the 221 00:10:38,000 --> 00:10:40,080 Speaker 1: thing about our show that everybody was so kind of 222 00:10:40,440 --> 00:10:43,320 Speaker 1: shocked and like ah about in the beginning, and I 223 00:10:43,400 --> 00:10:45,920 Speaker 1: like that we're leaning into it. I think that's I 224 00:10:45,960 --> 00:10:48,720 Speaker 1: think that's good because why shouldn't we, you know, we 225 00:10:48,760 --> 00:10:50,640 Speaker 1: should be allowed to do that just like men are 226 00:10:50,679 --> 00:10:52,679 Speaker 1: always googling women. 227 00:10:52,480 --> 00:10:52,680 Speaker 2: You know. 228 00:10:53,440 --> 00:10:56,280 Speaker 1: Then okay, carries back at her apartment and she's writing 229 00:10:56,520 --> 00:11:00,160 Speaker 1: and smoking I believe Sabata smoking in this episode. And 230 00:11:00,200 --> 00:11:04,160 Speaker 1: she's wondering what are the breakup rules? That is her 231 00:11:04,200 --> 00:11:05,720 Speaker 1: big question of the episode. 232 00:11:05,920 --> 00:11:08,240 Speaker 2: Then we go through a montage of real people. 233 00:11:08,920 --> 00:11:12,320 Speaker 1: I believe doesn't say it, but it says montage, so 234 00:11:12,360 --> 00:11:14,800 Speaker 1: I think that's what it means. And they say different things. 235 00:11:14,840 --> 00:11:17,640 Speaker 1: They say, don't cry, don't call for three months, which 236 00:11:17,679 --> 00:11:19,520 Speaker 1: is interesting, like why don't call for three months? 237 00:11:19,559 --> 00:11:21,040 Speaker 2: But why are you calling? Interesting? 238 00:11:21,360 --> 00:11:24,000 Speaker 1: Benn says, don't sign a thing, which I mean, who 239 00:11:24,040 --> 00:11:26,959 Speaker 1: wants you to sign something that's interesting? And then change 240 00:11:26,960 --> 00:11:28,960 Speaker 1: your name, your phone number and your job. 241 00:11:29,080 --> 00:11:30,000 Speaker 2: That's rough. 242 00:11:30,080 --> 00:11:35,160 Speaker 1: That's someone who like, probably did something wrong, I would say. 243 00:11:35,200 --> 00:11:42,319 Speaker 1: But anyway, it's interesting to hear all the different perspectives. 244 00:11:48,760 --> 00:11:51,360 Speaker 2: Okay, So then this is so cute. 245 00:11:51,400 --> 00:11:54,240 Speaker 1: This is Carrie rushing to get ready and she finds 246 00:11:54,240 --> 00:11:56,040 Speaker 1: this picture of her mister Big. But the thing I 247 00:11:56,080 --> 00:11:58,560 Speaker 1: think is so cute about it it's the you know, 248 00:11:58,600 --> 00:12:01,160 Speaker 1: the apartment that we know so well now after all 249 00:12:01,200 --> 00:12:04,480 Speaker 1: these years, but it's so early days and she's at 250 00:12:04,520 --> 00:12:06,960 Speaker 1: the you know, we have the camera kind in her bedroom, 251 00:12:07,000 --> 00:12:10,280 Speaker 1: shooting down the closet hallway and you can just see 252 00:12:10,280 --> 00:12:12,240 Speaker 1: her running back and forth in the cute little bathroom. 253 00:12:12,240 --> 00:12:14,839 Speaker 1: Whi's so realistic. That bathroom is so realistic to old 254 00:12:14,840 --> 00:12:17,120 Speaker 1: New York apartments. It's got the black and white tile. 255 00:12:17,120 --> 00:12:21,120 Speaker 1: It's really cool. And she's like like, ah, she's very 256 00:12:21,120 --> 00:12:23,840 Speaker 1: girly and getting ready. It's cute. It's really cute. I 257 00:12:23,840 --> 00:12:26,880 Speaker 1: thought it was so cute. So she decides that her 258 00:12:26,920 --> 00:12:29,640 Speaker 1: first breakup rule is to destroy all the pictures, which 259 00:12:29,720 --> 00:12:34,760 Speaker 1: I would say in this early pre you know iPhoto situation, No, 260 00:12:35,000 --> 00:12:37,680 Speaker 1: don't destroy the pictures because if you have the men film, 261 00:12:38,040 --> 00:12:39,640 Speaker 1: then you don't want to have to go find them 262 00:12:39,760 --> 00:12:42,400 Speaker 1: the negatives and get the reprinted. So don't destroy the pictures, 263 00:12:42,400 --> 00:12:43,800 Speaker 1: That's what I say. But now we don't really have 264 00:12:43,800 --> 00:12:46,400 Speaker 1: to worry about that because we the pictures follow. 265 00:12:46,200 --> 00:12:50,000 Speaker 2: Us around everywhere we go. So we go to this party. 266 00:12:50,040 --> 00:12:50,800 Speaker 2: It's adorable. 267 00:12:50,920 --> 00:12:54,800 Speaker 1: Carrie has taken the new Yankee, which is also very cute, 268 00:12:54,960 --> 00:12:58,160 Speaker 1: and you see Charlotte and she is dating this guy, Paul, 269 00:12:58,559 --> 00:13:01,199 Speaker 1: who's a VP at recording, and it's trying to sink 270 00:13:01,400 --> 00:13:04,520 Speaker 1: the phrases of Miles Davis, which is hysterical, like who 271 00:13:04,520 --> 00:13:06,880 Speaker 1: hasn't listened to Miles Davis? Oh my gosh, Like if 272 00:13:06,880 --> 00:13:08,559 Speaker 1: there's any young people right now who haven't listen to 273 00:13:08,600 --> 00:13:11,360 Speaker 1: Miles Davis, please go out and listen to Miles Davis immediately. 274 00:13:11,480 --> 00:13:12,280 Speaker 2: Oh my gosh. 275 00:13:12,480 --> 00:13:15,520 Speaker 1: So he's trying to talk about how great Miles Davis is, 276 00:13:15,679 --> 00:13:19,000 Speaker 1: which is entertaining, but also he has this weird habit 277 00:13:19,040 --> 00:13:22,040 Speaker 1: where he continually kind of adjusts himself it's private parts, 278 00:13:22,640 --> 00:13:25,680 Speaker 1: and Carrie is looking at it and kind of rolling 279 00:13:25,679 --> 00:13:29,680 Speaker 1: her eyes, and Charlotte eventually grabs his hand to trying 280 00:13:29,720 --> 00:13:34,719 Speaker 1: to like distract him from his own private parts, which is. 281 00:13:34,760 --> 00:13:37,000 Speaker 2: You know, interesting. 282 00:13:38,280 --> 00:13:41,040 Speaker 1: Poor Carrie thinks she sees Big across the party, which 283 00:13:41,160 --> 00:13:44,000 Speaker 1: actually makes total sense because I could completely see that 284 00:13:44,040 --> 00:13:46,280 Speaker 1: he would be there, and I, you know, that's just 285 00:13:46,320 --> 00:13:47,959 Speaker 1: the worst feeling when you're in a breakup and you 286 00:13:48,000 --> 00:13:49,640 Speaker 1: think you see the people or you're going to see 287 00:13:49,679 --> 00:13:52,040 Speaker 1: the people, and you have so much kind of anticipation 288 00:13:52,200 --> 00:13:57,280 Speaker 1: and you know, blah blah feeling or I guess nerves really, 289 00:13:57,360 --> 00:14:01,160 Speaker 1: you know. Then I asked Charlotte as Carrie how she feels, 290 00:14:01,240 --> 00:14:04,000 Speaker 1: and Carrie comes up with breakup rule number two. Lie 291 00:14:04,320 --> 00:14:07,240 Speaker 1: lie about your how you're feeling, because it's easier than 292 00:14:07,280 --> 00:14:10,400 Speaker 1: telling the truth about how you feel to your friends. 293 00:14:10,160 --> 00:14:11,240 Speaker 2: Which is kind of sad. 294 00:14:11,880 --> 00:14:14,720 Speaker 1: So then she goes out walking with the New Yankee 295 00:14:14,840 --> 00:14:18,120 Speaker 1: Joe on the streets of New York, looking so beautiful. 296 00:14:18,559 --> 00:14:21,600 Speaker 1: They're downtown, I think, and it just looks so quaint, 297 00:14:22,000 --> 00:14:23,920 Speaker 1: and we're, you know, in those days where we were 298 00:14:23,920 --> 00:14:26,360 Speaker 1: shooting on the Super sixteen, and the light flares are 299 00:14:26,400 --> 00:14:30,640 Speaker 1: so beautiful, and they kiss and it's adorable. Then cut 300 00:14:30,680 --> 00:14:35,680 Speaker 1: to Breakfast and page six has Carrie and the New 301 00:14:35,760 --> 00:14:38,600 Speaker 1: Yankee and Charlotte super excited about it. I feel like 302 00:14:38,640 --> 00:14:41,080 Speaker 1: I'm always very excited when anyone is in the paper. 303 00:14:41,320 --> 00:14:45,280 Speaker 1: There are many circumstances through the years where I get 304 00:14:45,280 --> 00:14:46,560 Speaker 1: myself in the paper with tray. 305 00:14:46,600 --> 00:14:48,760 Speaker 2: I'm very excited, very excited. I'm always very excited. 306 00:14:48,800 --> 00:14:51,640 Speaker 1: I'm reporting what's in that paper all the time, very 307 00:14:51,680 --> 00:14:55,240 Speaker 1: on onto the different papers, not not even just page six, 308 00:14:55,280 --> 00:14:57,480 Speaker 1: the New York Times, off the different papers. Charlotte's into 309 00:14:57,520 --> 00:15:00,240 Speaker 1: the papers, and Charlotte thinks that the this is the 310 00:15:00,280 --> 00:15:03,000 Speaker 1: best thing because Big is going to see it and 311 00:15:03,200 --> 00:15:05,800 Speaker 1: carry looks fantastic and she's with a new guy. 312 00:15:06,080 --> 00:15:11,920 Speaker 2: Isn't that great? Miranda asks, and this is the crazy part. 313 00:15:12,320 --> 00:15:17,600 Speaker 1: Miranda one says, to stop talking about guys and or sex. 314 00:15:17,680 --> 00:15:18,760 Speaker 2: It's unclear to me. 315 00:15:19,720 --> 00:15:23,320 Speaker 1: And so everyone is silent for a little while, and 316 00:15:23,360 --> 00:15:29,760 Speaker 1: then I think Charlotte, not unlike myself, has trouble is silence. 317 00:15:29,840 --> 00:15:31,600 Speaker 2: So she starts. 318 00:15:31,280 --> 00:15:34,440 Speaker 1: Talking about her new problem, which is that her boyfriend 319 00:15:34,720 --> 00:15:39,840 Speaker 1: keeps touching his private parts, and then Samantha makes jokes 320 00:15:39,840 --> 00:15:42,960 Speaker 1: that maybe his certain parts of his private parts are 321 00:15:43,000 --> 00:15:47,680 Speaker 1: too long, and then Miranda is like, has a whole 322 00:15:47,680 --> 00:15:50,240 Speaker 1: breakdown and says that all we talk about is big 323 00:15:50,640 --> 00:15:52,720 Speaker 1: or balls or small things. 324 00:15:52,800 --> 00:15:54,120 Speaker 2: I can't go down the list. 325 00:15:54,320 --> 00:15:58,320 Speaker 1: And then she says it's like seventh grade with bank accounts, 326 00:15:58,360 --> 00:16:01,200 Speaker 1: which is really funny. And then she gets up and 327 00:16:01,360 --> 00:16:06,400 Speaker 1: she leaves, which is also insane, like just because of 328 00:16:06,440 --> 00:16:08,240 Speaker 1: what the show is, right, But I do think this 329 00:16:08,280 --> 00:16:10,560 Speaker 1: is when Michael Patrick was taking some criticism of the 330 00:16:10,600 --> 00:16:14,440 Speaker 1: show and using it in the writing, which you know, Heliah. 331 00:16:14,520 --> 00:16:16,960 Speaker 2: So now we Carrie. 332 00:16:16,720 --> 00:16:19,720 Speaker 1: Decides after this breakfast with the girls that she's going 333 00:16:19,800 --> 00:16:22,080 Speaker 1: to go shopping, and we come up with breakup rule 334 00:16:22,160 --> 00:16:25,760 Speaker 1: Number three until emotionally stabilized, enter nose door. I think 335 00:16:25,760 --> 00:16:28,280 Speaker 1: that's excellent, But the problem now is that you can 336 00:16:28,320 --> 00:16:31,240 Speaker 1: shop online, so that's really hard, Like what do you 337 00:16:31,280 --> 00:16:35,080 Speaker 1: do with your phone and everything? Right, So cut to Samantha, 338 00:16:35,320 --> 00:16:38,560 Speaker 1: and this is very sweet. I mean, Samantha's so sweet here. 339 00:16:38,640 --> 00:16:42,560 Speaker 1: She's trying to coach James in all these different sex positions, 340 00:16:42,880 --> 00:16:44,920 Speaker 1: and you can tell that she's a little annoyed, but 341 00:16:44,960 --> 00:16:47,760 Speaker 1: she's doing her best, you know, She's just like in 342 00:16:47,800 --> 00:16:50,000 Speaker 1: there trying to make it work. And in the end 343 00:16:50,080 --> 00:16:52,800 Speaker 1: she gets a vibrator and then James asked her to 344 00:16:52,840 --> 00:16:53,240 Speaker 1: put it. 345 00:16:53,320 --> 00:16:57,240 Speaker 2: Away, which is so bad, really bad. 346 00:16:57,600 --> 00:16:57,800 Speaker 1: Men. 347 00:16:57,960 --> 00:16:58,680 Speaker 2: Do not do this. 348 00:16:58,760 --> 00:17:00,240 Speaker 1: I don't know if there are any men listening, but 349 00:17:00,240 --> 00:17:02,120 Speaker 1: if you are, do not do this to any women, 350 00:17:02,440 --> 00:17:04,159 Speaker 1: and women don't do it to any other women. But 351 00:17:04,200 --> 00:17:09,320 Speaker 1: I don't think you would anyway, just my advice. Then 352 00:17:09,320 --> 00:17:14,320 Speaker 1: we cut to Charlotte and she's gone out, and I 353 00:17:14,400 --> 00:17:16,680 Speaker 1: feel like there might be a scene that got cut 354 00:17:16,720 --> 00:17:20,920 Speaker 1: out where either I talk to Carrie about this, or 355 00:17:21,000 --> 00:17:23,159 Speaker 1: I go shopping, or there's some I feel like there 356 00:17:23,200 --> 00:17:25,919 Speaker 1: was a piece missing where I come up with this 357 00:17:26,000 --> 00:17:29,320 Speaker 1: plan that to get this new boyfriend to stop touching 358 00:17:29,359 --> 00:17:31,480 Speaker 1: his private parts. I'm going to buy him different underwear. 359 00:17:31,680 --> 00:17:33,240 Speaker 1: But maybe I just made that up in my head. 360 00:17:33,280 --> 00:17:33,679 Speaker 2: I don't know. 361 00:17:33,920 --> 00:17:38,080 Speaker 1: So cut to Charlotte is in her really cute white 362 00:17:38,080 --> 00:17:40,040 Speaker 1: bedroom with her white hallway, which is really all she 363 00:17:40,119 --> 00:17:43,479 Speaker 1: has at this point of her apartment, and she is 364 00:17:43,520 --> 00:17:46,760 Speaker 1: giving Paul this present, and he gets very upset with 365 00:17:46,800 --> 00:17:50,359 Speaker 1: her because they haven't even had sex and she's giving 366 00:17:50,400 --> 00:17:53,399 Speaker 1: him a gift, which is such a weird overreaction, and 367 00:17:53,440 --> 00:17:56,360 Speaker 1: I don't even he doesn't seem to have any feelings 368 00:17:56,359 --> 00:17:58,560 Speaker 1: that it's underwear, which is the thing that I would 369 00:17:58,560 --> 00:18:01,040 Speaker 1: have thought he might have thought was weird, Like what 370 00:18:01,160 --> 00:18:04,560 Speaker 1: a weird first gift. But Charlotte's all like it's supposed 371 00:18:04,600 --> 00:18:07,359 Speaker 1: to be the best. The person at the store talked 372 00:18:07,400 --> 00:18:08,200 Speaker 1: about the pocket. 373 00:18:08,240 --> 00:18:10,400 Speaker 2: Is that what she says? Something like the pocket? That's 374 00:18:10,440 --> 00:18:12,119 Speaker 2: what I say, Right, It's pretty funny. 375 00:18:12,119 --> 00:18:15,040 Speaker 1: But anyway, this guy huffs off, huffs off over getting 376 00:18:15,040 --> 00:18:19,680 Speaker 1: a gift. Also interesting and weird. Then this is all 377 00:18:19,840 --> 00:18:23,639 Speaker 1: the best sequence in the world. So here's Miranda. Previously, 378 00:18:23,680 --> 00:18:25,879 Speaker 1: she's been wearing this green turtleneck, which I own. I 379 00:18:25,920 --> 00:18:27,639 Speaker 1: used to get Miranda's clothes at the end of the 380 00:18:27,640 --> 00:18:31,080 Speaker 1: season because they're very wearable. They're everyday clothes, you know. Often, 381 00:18:31,480 --> 00:18:33,560 Speaker 1: so is a green sweater she was wearing before. I 382 00:18:33,600 --> 00:18:37,720 Speaker 1: wear that sweater still. Now she's on the street. She's 383 00:18:37,720 --> 00:18:42,520 Speaker 1: gone on her really famous what's now become a Halloween 384 00:18:42,560 --> 00:18:47,520 Speaker 1: Miranda outfit office where she's got overalls and like a 385 00:18:47,560 --> 00:18:51,200 Speaker 1: puffer on and a baseball cap. And she's out walking 386 00:18:51,240 --> 00:18:53,600 Speaker 1: on the street and she sees her ex, which we 387 00:18:53,640 --> 00:18:56,840 Speaker 1: have referred to earlier with his wife, who is the 388 00:18:56,840 --> 00:18:59,560 Speaker 1: woman that he left her for, and she hides and 389 00:18:59,600 --> 00:19:02,360 Speaker 1: then she runs away, and it's really great because she's 390 00:19:02,480 --> 00:19:05,040 Speaker 1: been kind of on her high horse about how Carrie 391 00:19:05,080 --> 00:19:08,280 Speaker 1: should or shouldn't feel about her breakup, and then I 392 00:19:08,320 --> 00:19:11,600 Speaker 1: think she's a bit surprised by her own feelings about 393 00:19:11,640 --> 00:19:16,240 Speaker 1: running into him. And she's wearing this truly iconic outfit. Iconic, 394 00:19:16,359 --> 00:19:19,919 Speaker 1: possibly for bizarre reasons, but also like so adorable and funny, 395 00:19:19,960 --> 00:19:21,800 Speaker 1: and whenever I see people wearing that for Halloween, I 396 00:19:21,840 --> 00:19:22,560 Speaker 1: really really love it. 397 00:19:22,600 --> 00:19:24,400 Speaker 2: I think it's so great. All right. 398 00:19:24,480 --> 00:19:27,800 Speaker 1: So now Carrie's out at a bar with the new Yankee, 399 00:19:28,200 --> 00:19:31,480 Speaker 1: and now she finally sees mister Big and he walks 400 00:19:31,520 --> 00:19:35,159 Speaker 1: over to her, and she feels calm because it's the 401 00:19:35,200 --> 00:19:39,879 Speaker 1: perfect first meeting. Breakup rule number four. Never stop thinking 402 00:19:39,880 --> 00:19:42,920 Speaker 1: about him, even for a moment, because that's the moment 403 00:19:43,119 --> 00:19:45,760 Speaker 1: he'll appear. I do find this to be true, Yes, 404 00:19:45,880 --> 00:19:49,240 Speaker 1: for sure. So he comes over and slow mo, it's 405 00:19:49,400 --> 00:19:51,880 Speaker 1: very good. I love how they filmed it. It's really 406 00:19:51,880 --> 00:19:54,480 Speaker 1: a good moment. And he touches her shoulder and she 407 00:19:54,680 --> 00:19:57,560 Speaker 1: looks at his hand and I mean, you just can 408 00:19:57,640 --> 00:19:59,000 Speaker 1: tell that she's a goner, you. 409 00:19:58,920 --> 00:20:01,720 Speaker 2: Know what I'm saying. Obviously we know what happens with 410 00:20:01,800 --> 00:20:02,800 Speaker 2: this relationship, but. 411 00:20:03,440 --> 00:20:06,480 Speaker 1: It's all very present, even way back in the beginning. 412 00:20:06,520 --> 00:20:10,359 Speaker 1: So he touches her shoulder and he tells her that 413 00:20:12,119 --> 00:20:14,879 Speaker 1: she looks great something like that. But anyway, it's like, 414 00:20:15,040 --> 00:20:18,560 Speaker 1: you know, it's not gonna end well for the Yankee guy. 415 00:20:18,640 --> 00:20:19,560 Speaker 2: Let's put it that way. 416 00:20:19,880 --> 00:20:22,959 Speaker 1: So she's walking home with Joe the Yankee guy, and 417 00:20:23,000 --> 00:20:24,080 Speaker 1: she's distracted. 418 00:20:24,600 --> 00:20:25,520 Speaker 2: He kisses her. 419 00:20:25,760 --> 00:20:29,760 Speaker 1: She starts crying, and she says she's she's not ready, 420 00:20:30,200 --> 00:20:33,480 Speaker 1: and she asks him to leave, and he doesn't, and 421 00:20:33,520 --> 00:20:36,560 Speaker 1: then she says, Okay, then I'll go. She's interesting here. 422 00:20:36,640 --> 00:20:39,440 Speaker 1: I think carry is so interesting. And then she she's 423 00:20:39,480 --> 00:20:42,040 Speaker 1: on the phone. She goes to the phone and it's 424 00:20:42,040 --> 00:20:45,400 Speaker 1: an adorable old phone boothy guys like these actually used 425 00:20:45,440 --> 00:20:45,800 Speaker 1: to work. 426 00:20:45,880 --> 00:20:46,600 Speaker 2: It's so cute. 427 00:20:47,320 --> 00:20:49,840 Speaker 1: And she calls someone and she's kind of dramatic and 428 00:20:49,880 --> 00:20:52,480 Speaker 1: she says, like, can you meet me at our place? 429 00:20:52,920 --> 00:20:56,040 Speaker 1: And then they do this really adorable reveal of Miranda 430 00:20:56,280 --> 00:20:58,479 Speaker 1: sitting in the coffee shop, and we now have our 431 00:20:58,480 --> 00:21:01,800 Speaker 1: coffee shop set, our first coffee shop set, which really 432 00:21:01,840 --> 00:21:04,240 Speaker 1: takes me back to look at that set, and it's 433 00:21:04,240 --> 00:21:08,320 Speaker 1: so sweet that mirandas who Carrie called, and that Miranda's there, 434 00:21:08,359 --> 00:21:10,680 Speaker 1: And really, every time I see these two together, I'm 435 00:21:10,760 --> 00:21:13,960 Speaker 1: really just so impressed by the writing of their relationship 436 00:21:14,000 --> 00:21:17,080 Speaker 1: throughout the years because I love it. It's so interesting and 437 00:21:17,160 --> 00:21:19,320 Speaker 1: I don't know that I really realized it at the time, 438 00:21:19,760 --> 00:21:23,399 Speaker 1: how interestingly they wrote them, and how they're almost like 439 00:21:23,440 --> 00:21:25,919 Speaker 1: a couple. You know, there are elements of Carrie and 440 00:21:25,920 --> 00:21:29,520 Speaker 1: Miranda that are kind of coupling, like, you know, in 441 00:21:29,600 --> 00:21:33,320 Speaker 1: terms of their like emotion together. I don't know how 442 00:21:33,320 --> 00:21:35,800 Speaker 1: to put it, but you know, it's it's like she's 443 00:21:35,840 --> 00:21:37,640 Speaker 1: got to touch like. 444 00:21:37,800 --> 00:21:38,840 Speaker 2: Touch her touchstone. 445 00:21:39,000 --> 00:21:40,800 Speaker 1: That's not really well put, but she's got to like 446 00:21:40,920 --> 00:21:44,520 Speaker 1: check in with her touchstone about her feelings. So Carrie 447 00:21:45,600 --> 00:21:49,000 Speaker 1: sees her, she sees Miranda. She explains that she fell 448 00:21:49,000 --> 00:21:51,159 Speaker 1: apart after seeing Big and then Miranda says that she 449 00:21:51,240 --> 00:21:53,560 Speaker 1: ran into Eric and that she hid and that she 450 00:21:53,600 --> 00:21:56,000 Speaker 1: forgot how hard it is, and she tells her to 451 00:21:56,040 --> 00:21:59,000 Speaker 1: take all the time she needs. And then the most 452 00:21:59,000 --> 00:22:03,000 Speaker 1: important breakup rule, You'll never get through it without your friends, 453 00:22:03,280 --> 00:22:09,240 Speaker 1: which is so nice and like very also much relevant 454 00:22:09,280 --> 00:22:14,040 Speaker 1: to where the show goes and the movies and all 455 00:22:14,119 --> 00:22:17,040 Speaker 1: of it in terms of us being each other's soulmates 456 00:22:17,200 --> 00:22:20,320 Speaker 1: and you know, maybe maybe we're the ones for each other. 457 00:22:20,440 --> 00:22:21,960 Speaker 2: And I love that part of the show. 458 00:22:22,000 --> 00:22:24,800 Speaker 1: I don't know in the beginning if we really realized 459 00:22:25,040 --> 00:22:28,720 Speaker 1: how important that would become, but I I'm one hundred 460 00:22:28,760 --> 00:22:31,400 Speaker 1: percent down with it. I love it, and I think 461 00:22:31,400 --> 00:22:34,520 Speaker 1: that's part of the longevity of the whole, the whole, 462 00:22:34,600 --> 00:22:36,720 Speaker 1: the whole thing, really and part of why the fans 463 00:22:36,720 --> 00:22:39,480 Speaker 1: connect to it so much. And I feel, I feel 464 00:22:39,480 --> 00:22:44,920 Speaker 1: like it's an awesome, awesome, you know point in terms 465 00:22:45,000 --> 00:22:49,040 Speaker 1: of you know, how important friendships are in general and 466 00:22:49,160 --> 00:22:52,320 Speaker 1: women to women relationships, and I feel in the olden 467 00:22:52,400 --> 00:22:55,680 Speaker 1: days especially I don't feel like friends were really thought 468 00:22:55,680 --> 00:22:58,000 Speaker 1: of as being that important. I feel like maybe now 469 00:22:58,160 --> 00:23:02,719 Speaker 1: friendships are are are really people are aware of how 470 00:23:02,760 --> 00:23:05,719 Speaker 1: important it is to have your your girlfriends around. 471 00:23:05,720 --> 00:23:10,240 Speaker 2: Do you feel like, yeah, sometimes I like I like 472 00:23:10,280 --> 00:23:12,800 Speaker 2: to get it. Yes, yes, I mean I feel that way. 473 00:23:12,840 --> 00:23:24,800 Speaker 1: I'd love to know what you guys think. Okay, so 474 00:23:24,840 --> 00:23:26,600 Speaker 1: I had to go pull the room you guys, and 475 00:23:26,640 --> 00:23:28,720 Speaker 1: my producers are telling me they're younger women. 476 00:23:28,760 --> 00:23:29,040 Speaker 2: Okay. 477 00:23:29,200 --> 00:23:32,400 Speaker 1: They're telling me that they think that Big knows exactly 478 00:23:32,440 --> 00:23:35,600 Speaker 1: what he's doing when he walks over and says you 479 00:23:35,640 --> 00:23:38,200 Speaker 1: look good, kid, and touches her shoulder, and they think 480 00:23:38,240 --> 00:23:44,800 Speaker 1: it's like kind of like him intentionally you know, flirting, 481 00:23:44,840 --> 00:23:49,800 Speaker 1: I guess, or or making sure she's feeling something back. 482 00:23:50,320 --> 00:23:52,480 Speaker 1: That he knows what he's doing is the main point 483 00:23:52,520 --> 00:23:54,639 Speaker 1: that he That is not it's not like he's just 484 00:23:54,760 --> 00:23:58,400 Speaker 1: being there, that he's doing something to her to get her, 485 00:23:58,600 --> 00:24:00,960 Speaker 1: make sure she's still reeled it and make sure she's 486 00:24:01,000 --> 00:24:04,760 Speaker 1: not going anywhere, which you know, yeah, I mean, I'm 487 00:24:04,800 --> 00:24:07,919 Speaker 1: sure that's true. I'm sure that's true. That does seem 488 00:24:08,400 --> 00:24:12,280 Speaker 1: in character and it works, you know, it works, which 489 00:24:12,320 --> 00:24:15,560 Speaker 1: is why it's so hard to get over people. 490 00:24:15,320 --> 00:24:17,160 Speaker 2: And you, I guess you just have to leave the city. 491 00:24:17,200 --> 00:24:20,919 Speaker 2: You just have to go somewhere else, which is really 492 00:24:21,080 --> 00:24:24,800 Speaker 2: not possible really, but yeah, it's really hard. But obviously 493 00:24:24,840 --> 00:24:25,560 Speaker 2: we know that they have. 494 00:24:25,720 --> 00:24:27,760 Speaker 1: It's so funny to look back on things when we 495 00:24:27,880 --> 00:24:31,680 Speaker 1: know what the future holds. You know, like, they're not done, 496 00:24:32,320 --> 00:24:34,119 Speaker 1: and I don't feel like they should be done. As 497 00:24:34,200 --> 00:24:37,280 Speaker 1: much as I want to criticize Big in the first 498 00:24:37,320 --> 00:24:39,560 Speaker 1: season and how he was with her, now that I'm 499 00:24:39,640 --> 00:24:41,720 Speaker 1: kind of seeing it with fresh eyes, I also feel like, 500 00:24:42,960 --> 00:24:45,639 Speaker 1: for whatever reason, they're each other's person and they're going 501 00:24:45,680 --> 00:24:48,800 Speaker 1: to go through all these different things. Obviously many many 502 00:24:48,800 --> 00:24:53,600 Speaker 1: different years of different things coming, but they do have 503 00:24:53,840 --> 00:24:56,120 Speaker 1: kind of a I guess at this point you could 504 00:24:56,119 --> 00:24:59,720 Speaker 1: call it an entanglement. You know, they're they're entwined. They're entangled. 505 00:24:59,760 --> 00:25:02,320 Speaker 1: They're not done. Might not be the healthiest thing in 506 00:25:02,359 --> 00:25:07,160 Speaker 1: the world, but there they are. You know, it's interesting 507 00:25:07,520 --> 00:25:09,760 Speaker 1: and you look, it keeps us all hanging, right, and 508 00:25:09,800 --> 00:25:13,400 Speaker 1: it keeps us hanging for years, which is kind of insane. 509 00:25:13,480 --> 00:25:15,959 Speaker 1: From the writing perspective that they were able to do that, 510 00:25:16,200 --> 00:25:19,200 Speaker 1: and from the acting perspective, like I think they're both 511 00:25:19,280 --> 00:25:23,359 Speaker 1: so good, and that's partly why we are invested in 512 00:25:23,440 --> 00:25:27,359 Speaker 1: it and have our feelings and you know, put our 513 00:25:27,400 --> 00:25:31,359 Speaker 1: own ideas onto it, you know, project onto it, basically 514 00:25:31,440 --> 00:25:35,920 Speaker 1: because it's so well written, so well acted, and. 515 00:25:36,040 --> 00:25:37,440 Speaker 2: Uh, that's it. 516 00:25:37,760 --> 00:25:42,880 Speaker 1: I hope you guys have a great day.