1 00:00:03,920 --> 00:00:11,280 Speaker 1: It's that time, time, time, time, luck and load. So 2 00:00:11,520 --> 00:00:32,840 Speaker 1: Michael Very Show is on the air. So our sister 3 00:00:32,960 --> 00:00:38,680 Speaker 1: station in Houston, which is seven ninety on the dial. 4 00:00:40,440 --> 00:00:45,559 Speaker 1: The call letters are KBM. And even though it's a 5 00:00:45,600 --> 00:00:53,000 Speaker 1: sports station today, in years past it was an oldies 6 00:00:53,200 --> 00:00:57,560 Speaker 1: station when oldies was a relatively popular format on the 7 00:00:57,680 --> 00:01:03,320 Speaker 1: radio and there was less focus in those days on 8 00:01:04,480 --> 00:01:11,480 Speaker 1: young listeners. Radio, like many things in American society, is 9 00:01:11,520 --> 00:01:17,360 Speaker 1: obsessed with selling to young people. Because ad agencies are 10 00:01:17,400 --> 00:01:22,199 Speaker 1: obsessed with selling to young people doesn't bother me one bit, 11 00:01:22,520 --> 00:01:28,080 Speaker 1: because we don't dominate in young people. We dominate in 12 00:01:28,200 --> 00:01:33,360 Speaker 1: forty plus. We do okay. At twenty five plus, we 13 00:01:33,400 --> 00:01:36,679 Speaker 1: get stronger. At thirty five plus, we get much stronger 14 00:01:36,720 --> 00:01:42,200 Speaker 1: at forty plus, and at fifty plus we kill it. 15 00:01:43,520 --> 00:01:46,600 Speaker 1: But the ad agencies, which are not my friends and 16 00:01:46,640 --> 00:01:51,120 Speaker 1: I am certainly not theirs. The ad agencies are comprised 17 00:01:51,960 --> 00:01:54,560 Speaker 1: of twenty three year old girls that just graduated Daddy 18 00:01:54,600 --> 00:01:57,760 Speaker 1: paid their way through A and M or ut and 19 00:01:58,600 --> 00:02:05,400 Speaker 1: they do the ad buy for companies, and they deal 20 00:02:05,800 --> 00:02:09,880 Speaker 1: with a sales rep within the radio companies, and they 21 00:02:09,919 --> 00:02:13,160 Speaker 1: ask for the numbers of people, say eighteen to thirty 22 00:02:13,160 --> 00:02:17,560 Speaker 1: four or at most twenty five or fifty four, and 23 00:02:18,080 --> 00:02:21,360 Speaker 1: that's what they build their ad buy around. How many 24 00:02:21,400 --> 00:02:26,240 Speaker 1: people listen to that. It's completely qualitative, quantitative how many 25 00:02:26,280 --> 00:02:30,200 Speaker 1: people listen. But we don't kill that in that demographic. 26 00:02:30,480 --> 00:02:33,720 Speaker 1: Never have, never will not our message. By the way, 27 00:02:35,000 --> 00:02:37,840 Speaker 1: those people don't care about the things we're talking about. 28 00:02:37,919 --> 00:02:42,080 Speaker 1: Yet most of them are still on daddy's payroll. They're unmarried, 29 00:02:42,720 --> 00:02:47,040 Speaker 1: they're going out there, you know the drill, they're early 30 00:02:47,080 --> 00:02:51,519 Speaker 1: in their careers. The ad agencies are largely staffed by 31 00:02:51,560 --> 00:02:55,400 Speaker 1: people in that demographic, and that's what they buy. But 32 00:02:55,560 --> 00:02:59,680 Speaker 1: for me, as you age, you become more interesting, and 33 00:02:59,720 --> 00:03:01,000 Speaker 1: that is that's why if you look at who our 34 00:03:01,040 --> 00:03:04,760 Speaker 1: show sponsors are, our show sponsors are not Budweiser or 35 00:03:04,800 --> 00:03:09,520 Speaker 1: bud Light Beer. They're not the things that you sell to, 36 00:03:10,040 --> 00:03:15,880 Speaker 1: you know, twenty four year olds. They're companies that sell 37 00:03:15,919 --> 00:03:18,960 Speaker 1: goods and services to people as they get older and 38 00:03:19,000 --> 00:03:22,239 Speaker 1: they own a home and they're beginning to age, and 39 00:03:22,280 --> 00:03:27,920 Speaker 1: they're beginning to invest or aggressively invest and travel and 40 00:03:28,120 --> 00:03:31,600 Speaker 1: that sort of thing. And that's always been kind of 41 00:03:31,639 --> 00:03:39,480 Speaker 1: the spot we're in. So anyway, when oldies was was hot, 42 00:03:39,920 --> 00:03:43,200 Speaker 1: it was still considered a viable format. You almost don't 43 00:03:43,200 --> 00:03:46,320 Speaker 1: hear it on the news anymore. But it's also because 44 00:03:47,200 --> 00:03:50,840 Speaker 1: if you loved oldies, I loved I'm such a goof. 45 00:03:51,280 --> 00:03:53,040 Speaker 1: I love the oldies when I was in high school, 46 00:03:54,160 --> 00:03:56,360 Speaker 1: and the oldies when I was in high school was 47 00:03:56,400 --> 00:04:00,480 Speaker 1: the sixties. And mind you, this was mid eighties, fifties, sixties. 48 00:04:01,480 --> 00:04:05,960 Speaker 1: The Cadillacs singing speed Oh for instance, or Dean Martin 49 00:04:06,120 --> 00:04:11,960 Speaker 1: for that matter. Well, that format largely went away, but 50 00:04:12,640 --> 00:04:16,440 Speaker 1: as did the multiple news formats. There just wasn't the 51 00:04:16,520 --> 00:04:20,080 Speaker 1: market for news on the radio anymore. Everything is always changing. 52 00:04:20,120 --> 00:04:21,760 Speaker 1: We don't have to be angry about it. I know 53 00:04:21,800 --> 00:04:26,200 Speaker 1: people get angry, but they don't have to. It's the reality. 54 00:04:26,680 --> 00:04:28,400 Speaker 1: There are news stars that are going to come up 55 00:04:28,520 --> 00:04:32,160 Speaker 1: with each generation. But there was a station called k 56 00:04:32,600 --> 00:04:36,760 Speaker 1: n u z K News and they had a guy 57 00:04:36,800 --> 00:04:38,640 Speaker 1: who was a star for them for twenty five years 58 00:04:38,720 --> 00:04:41,480 Speaker 1: named Paul Berlin. Some of you know him. Was originally 59 00:04:41,480 --> 00:04:45,400 Speaker 1: from Memphis. He came to Houston when he was nineteen 60 00:04:45,480 --> 00:04:48,880 Speaker 1: years old. Well, Paul had spent all these years at 61 00:04:48,920 --> 00:04:51,680 Speaker 1: k News and then he had gone over to KBME, 62 00:04:51,839 --> 00:04:54,560 Speaker 1: which was best Music Ever, which was oldies, long before 63 00:04:54,560 --> 00:04:57,000 Speaker 1: it became a sports stations. He'd spent some time. Toward 64 00:04:57,040 --> 00:05:00,680 Speaker 1: the end, Dan Patrick brought him over to KSV. We 65 00:05:00,760 --> 00:05:02,279 Speaker 1: had him come and do a show with us and 66 00:05:02,320 --> 00:05:04,680 Speaker 1: sit in live, and it was so much fun. I 67 00:05:04,720 --> 00:05:07,280 Speaker 1: had Johnny Nash call in, I had Roy Head call in. 68 00:05:07,600 --> 00:05:09,680 Speaker 1: I had all these guys that he had covered and 69 00:05:09,720 --> 00:05:11,520 Speaker 1: been friends with back in the day. It was kind 70 00:05:11,520 --> 00:05:13,440 Speaker 1: of an old home week, and it was so much 71 00:05:13,480 --> 00:05:16,360 Speaker 1: fun for me to just get to kind of conduct 72 00:05:16,720 --> 00:05:19,640 Speaker 1: as this symphony of awesomeness was going on, and so 73 00:05:19,760 --> 00:05:23,360 Speaker 1: many of you, some of you were listening back then anyway. 74 00:05:23,440 --> 00:05:27,839 Speaker 1: So Paul Berlin came to k News in nineteen fifty 75 00:05:28,760 --> 00:05:34,440 Speaker 1: at nineteen years old boy yesterday talking about Sheriff Fryar. 76 00:05:35,120 --> 00:05:37,120 Speaker 1: I got a number of emails and I forwarded every 77 00:05:37,120 --> 00:05:38,719 Speaker 1: single one of them to her and I will continue 78 00:05:38,720 --> 00:05:42,040 Speaker 1: to afford them to her. And I got an email 79 00:05:42,080 --> 00:05:44,400 Speaker 1: from a fellow who'll occasionally email me, and he and 80 00:05:44,480 --> 00:05:50,000 Speaker 1: before him, his father were longtime radio folks in Houston. 81 00:05:50,480 --> 00:05:53,400 Speaker 1: He's moved away, but he'll send me emails of reminiscing, 82 00:05:54,120 --> 00:05:56,080 Speaker 1: and he says, Zar, I want to thank you for 83 00:05:56,120 --> 00:05:59,640 Speaker 1: telling the Sheriff Friar reason for being gone for mornings. 84 00:06:00,080 --> 00:06:01,880 Speaker 1: I was very impressed the way you told the story. 85 00:06:01,920 --> 00:06:04,479 Speaker 1: I worked all over Houston radio from nineteen sixty five 86 00:06:04,520 --> 00:06:08,160 Speaker 1: to nineteen ninety seven. I had the chance to meet 87 00:06:08,160 --> 00:06:10,320 Speaker 1: Sheriff several times over the years, and she was always 88 00:06:10,400 --> 00:06:13,080 Speaker 1: very nice. Sad that she's gone from k TRH. She 89 00:06:13,240 --> 00:06:16,040 Speaker 1: is loved and respected by many. Please let her know that. 90 00:06:16,920 --> 00:06:20,280 Speaker 1: Back in nineteen sixty one, I used to visit k 91 00:06:20,400 --> 00:06:25,320 Speaker 1: News Radio and Dave Ward was the night time seven 92 00:06:25,400 --> 00:06:28,560 Speaker 1: pm to midnight newsman and would let me in the 93 00:06:28,600 --> 00:06:32,440 Speaker 1: station to learn and observe the operation. Dave was very 94 00:06:32,520 --> 00:06:35,720 Speaker 1: kind to me. I've attached a rare copy of Dave 95 00:06:35,760 --> 00:06:39,520 Speaker 1: Ward during doing K News Radio news. This is what 96 00:06:39,600 --> 00:06:42,200 Speaker 1: I planned to send Sheriff, but I never did. If 97 00:06:42,200 --> 00:06:44,880 Speaker 1: you like, please forward to her and I have, but 98 00:06:45,320 --> 00:06:48,279 Speaker 1: I'll bet you she's never heard it. Nineteen sixty one, 99 00:06:48,480 --> 00:06:52,000 Speaker 1: I was eleven years old. Merry Christmas to you and 100 00:06:52,040 --> 00:06:56,919 Speaker 1: your family. So here's Dave Ward, nineteen sixty one, nighttime 101 00:06:57,000 --> 00:06:59,279 Speaker 1: newsman on k News Radio. 102 00:07:01,560 --> 00:07:07,040 Speaker 2: Here from No News in Houston Capital eight nine one one, 103 00:07:07,760 --> 00:07:11,560 Speaker 2: your person of newsland nights for you with the vacus 104 00:07:11,600 --> 00:07:16,800 Speaker 2: and no no news in Houston Capitals. 105 00:07:16,240 --> 00:07:22,200 Speaker 3: Eight seven one LBJ says space shots helping hats. 106 00:07:22,520 --> 00:07:24,960 Speaker 1: This is Dave Ward. Complete the tails in eight minutes. 107 00:07:25,440 --> 00:07:29,000 Speaker 2: The city for fun on the number one found in 108 00:07:29,120 --> 00:07:32,040 Speaker 2: town number wonderful knez. 109 00:07:32,280 --> 00:07:36,800 Speaker 3: Here u see on Newsaler twenty four hours a day, Washington. 110 00:07:36,840 --> 00:07:40,200 Speaker 3: The USS it might accept seven on site nuclear inspections 111 00:07:40,240 --> 00:07:43,400 Speaker 3: to police an atomic test ban Houston, Walter Williams. That's 112 00:07:43,400 --> 00:07:45,360 Speaker 3: an official to speak in the city tonight. 113 00:07:45,160 --> 00:07:45,560 Speaker 4: New York. 114 00:07:45,800 --> 00:07:49,080 Speaker 3: The OAS has concerned action by Hemisphere nation should be 115 00:07:49,160 --> 00:07:53,360 Speaker 3: considered toward Kimma Washington. A special representative of President Kennedy 116 00:07:53,400 --> 00:07:55,480 Speaker 3: is en route to Europe to talk about a NATO 117 00:07:55,560 --> 00:07:58,760 Speaker 3: nuclear force. Current CA news temperature forty seven degrees di 118 00:07:58,880 --> 00:08:00,960 Speaker 3: on news at Canews for it was at Capital eight 119 00:08:01,080 --> 00:08:06,640 Speaker 3: ninety seven. Hockey talk Piana style, Bobby right down now 120 00:08:07,880 --> 00:08:08,960 Speaker 3: a butterfly. 121 00:08:08,760 --> 00:08:15,560 Speaker 1: Than that does my heart good, partly because it takes 122 00:08:15,600 --> 00:08:18,760 Speaker 1: me back to a time I never actually even experienced, 123 00:08:19,400 --> 00:08:21,960 Speaker 1: but I feel like I have immersed myself in it. 124 00:08:22,240 --> 00:08:25,760 Speaker 1: And my mother was such a good storyteller and so 125 00:08:26,040 --> 00:08:32,160 Speaker 1: immersive in her stories of you know, when she was 126 00:08:32,559 --> 00:08:37,200 Speaker 1: in the junior or senior year of her high school, 127 00:08:37,200 --> 00:08:40,640 Speaker 1: maybe junior or or high school. And the news came 128 00:08:40,720 --> 00:08:43,880 Speaker 1: over the speakers that John F. Kennedy had died, and 129 00:08:43,880 --> 00:08:46,840 Speaker 1: they wheeled in a television for everybody to see it. 130 00:08:47,200 --> 00:08:48,839 Speaker 1: So I feel like I was there. I think a 131 00:08:48,880 --> 00:08:52,040 Speaker 1: good storyteller can take you back to the time. 132 00:08:52,320 --> 00:08:57,120 Speaker 5: Anyway, Tracy Bird, and I tipped my hand to the 133 00:08:57,240 --> 00:09:01,640 Speaker 5: keeper the storm. 134 00:09:00,320 --> 00:09:00,640 Speaker 4: And the. 135 00:09:03,240 --> 00:09:07,120 Speaker 1: Extra credit. If you know that the uncredited background to 136 00:09:07,280 --> 00:09:18,199 Speaker 1: the Righteous Brothers here is keep listening. Oh, give you 137 00:09:18,240 --> 00:09:19,240 Speaker 1: a hint. It's a woman. 138 00:09:19,800 --> 00:09:23,760 Speaker 5: There's a whole welcome look in your fies. 139 00:09:24,080 --> 00:09:33,240 Speaker 1: What a bitch for you there, You're starting to the 140 00:09:33,920 --> 00:09:49,880 Speaker 1: size I do? It makes me just you ouy cofd 141 00:09:52,840 --> 00:09:53,160 Speaker 1: you go? 142 00:09:58,480 --> 00:10:03,640 Speaker 5: Whoa you. 143 00:10:06,720 --> 00:10:07,000 Speaker 3: Share? 144 00:10:09,120 --> 00:10:12,400 Speaker 1: If your answer was Bobby Hatfield? No, Bobby Hatfield was 145 00:10:12,880 --> 00:10:14,640 Speaker 1: one half of the Righteous Brothers. Of course he was 146 00:10:14,679 --> 00:10:20,280 Speaker 1: credited inasmuch as people knew who the Righteous Brothers actually were. 147 00:10:20,840 --> 00:10:26,520 Speaker 1: Get oh, go back, go back, now, go back. That 148 00:10:26,640 --> 00:10:28,920 Speaker 1: This is white man manna from heaven right. 149 00:10:28,840 --> 00:10:35,000 Speaker 5: Here, baby, baby, I'll get down on my knees for you. 150 00:10:35,400 --> 00:10:37,760 Speaker 1: It's kind of a Conway rattle of the voice. 151 00:10:37,800 --> 00:10:38,280 Speaker 2: I like that. 152 00:10:40,559 --> 00:10:45,440 Speaker 5: If you would all let me like you used to do. 153 00:10:50,760 --> 00:10:54,440 Speaker 5: We hadn't know. 154 00:10:54,040 --> 00:10:59,600 Speaker 1: The uncredited background singer is share and know that one? 155 00:10:59,640 --> 00:11:10,880 Speaker 1: Did you? Speaking of Bill Medley and the Righteous Brothers, 156 00:11:12,360 --> 00:11:17,240 Speaker 1: I watched the documentary the other day on the song 157 00:11:17,360 --> 00:11:23,120 Speaker 1: The Time of My Life from Dirty Dancing, and you know, 158 00:11:23,240 --> 00:11:26,480 Speaker 1: dudes aren't supposed to like that. It's a chick flick, right, 159 00:11:27,000 --> 00:11:32,280 Speaker 1: But chicks love that song, I mean love it. And 160 00:11:32,400 --> 00:11:35,240 Speaker 1: I love Patrick Swayzee. I don't care who knows that. 161 00:11:36,559 --> 00:11:38,120 Speaker 1: I don't think I would love him as much if 162 00:11:38,120 --> 00:11:41,040 Speaker 1: he wasn't from Houston, but he's one of those guys. 163 00:11:41,520 --> 00:11:44,079 Speaker 1: I'm fifty three. If I make it twenty years, I'll 164 00:11:44,120 --> 00:11:47,520 Speaker 1: be happy. If I don't worry, I had a good life. 165 00:11:47,760 --> 00:11:49,600 Speaker 1: I won't feel like I got cheated if I'm not 166 00:11:49,640 --> 00:11:51,880 Speaker 1: here tomorrow. You don't have to go. Oh no, I've 167 00:11:51,960 --> 00:11:54,760 Speaker 1: done pretty much all I'm ever gonna do. I'm just 168 00:11:54,760 --> 00:11:58,000 Speaker 1: gonna do what I'm doing a bunch more times. But 169 00:11:59,160 --> 00:12:01,760 Speaker 1: one of my goals in life, and I've already got 170 00:12:01,840 --> 00:12:05,000 Speaker 1: crossways with Whipmyer, so I probably probably had to wait 171 00:12:05,040 --> 00:12:07,680 Speaker 1: till the next mayor. One of my goals in life 172 00:12:07,760 --> 00:12:10,960 Speaker 1: is there's about five people in this town there's about 173 00:12:11,000 --> 00:12:13,920 Speaker 1: five people that I would like to get Rhodes named for. 174 00:12:14,440 --> 00:12:17,000 Speaker 1: You might not know this, but when I was mayor 175 00:12:17,000 --> 00:12:20,319 Speaker 1: pro tim, I got mylo Hamilton Way named running right 176 00:12:20,400 --> 00:12:28,679 Speaker 1: beside the Right beside Minute made Part. There are about 177 00:12:28,720 --> 00:12:30,920 Speaker 1: five people at a minimum I would like to have 178 00:12:31,040 --> 00:12:33,160 Speaker 1: Rhodes named for that there would be no criticism of 179 00:12:34,600 --> 00:12:39,280 Speaker 1: George Foreman being one of them, bum Phillips being one 180 00:12:39,320 --> 00:12:42,960 Speaker 1: of them. And it's not like they're, you know, somebody 181 00:12:43,200 --> 00:12:46,040 Speaker 1: all that right wing Michael Berry. And one of them 182 00:12:46,080 --> 00:12:50,200 Speaker 1: is Patrick Swayze. This city should honor him. You talk 183 00:12:50,240 --> 00:12:56,160 Speaker 1: about a multi tool player. This guy could sing, Yes, 184 00:12:56,200 --> 00:13:01,400 Speaker 1: he could sing. He could dance lights out. I mean, 185 00:13:01,480 --> 00:13:03,560 Speaker 1: you think of the If I asked you who are 186 00:13:03,600 --> 00:13:11,080 Speaker 1: the great dancers in film, you'd say, well, Borishnikoff, because 187 00:13:11,080 --> 00:13:13,400 Speaker 1: they brought Barishnikoff in, but you were already told he 188 00:13:13,440 --> 00:13:16,079 Speaker 1: was a great dancer, and he did these movies with 189 00:13:16,120 --> 00:13:20,600 Speaker 1: Gregory Hines so they could showcase this phenomenal Russian dancer. 190 00:13:21,400 --> 00:13:25,720 Speaker 1: But who else as a dancer Tommy Toons. I mean, honestly, 191 00:13:25,960 --> 00:13:29,480 Speaker 1: who else do you think of as a fretistaire? Okay? 192 00:13:30,080 --> 00:13:36,240 Speaker 1: Who else? Ginger Roger's a woman. What other man do 193 00:13:36,320 --> 00:13:44,080 Speaker 1: you think of John Travolta. Okay, but John Travolta as 194 00:13:44,120 --> 00:13:50,160 Speaker 1: an actor, not as a pure dancer. I don't know 195 00:13:50,160 --> 00:13:52,440 Speaker 1: if Patrick. I think her name is Barbara. I'm not positive. 196 00:13:52,480 --> 00:13:54,920 Speaker 1: I don't know if his mother is still alive, but 197 00:13:55,040 --> 00:13:58,360 Speaker 1: this should be done while she's still alive. If she's 198 00:13:58,360 --> 00:13:59,839 Speaker 1: still alive, I don't know if she is. He died 199 00:14:00,160 --> 00:14:06,080 Speaker 1: too young. Anyway, He could dance, he could sing, he 200 00:14:06,120 --> 00:14:09,240 Speaker 1: could ride horses, he could whoop ass. Have you seen Roadhouse? 201 00:14:10,080 --> 00:14:13,240 Speaker 1: He could be a cooler at a at a John Travolts. 202 00:14:13,240 --> 00:14:15,280 Speaker 1: I mean, he's the whole package. Man got the hair 203 00:14:16,160 --> 00:14:19,560 Speaker 1: and Houston Boy. I love the story and then the 204 00:14:19,560 --> 00:14:23,080 Speaker 1: ghost and the whole deal. Anyway, So the documentary was 205 00:14:23,120 --> 00:14:29,000 Speaker 1: about the song the Time of My Life, and apparently 206 00:14:29,080 --> 00:14:32,600 Speaker 1: that was the song that ushered in the era of 207 00:14:32,640 --> 00:14:36,440 Speaker 1: the great closing song to a movie, and then everybody 208 00:14:36,480 --> 00:14:39,560 Speaker 1: had to do it after that. So they're trying to 209 00:14:39,600 --> 00:14:43,360 Speaker 1: get Bill Medley to to he's in New York, they're 210 00:14:43,360 --> 00:14:46,840 Speaker 1: trying to get him to fly out to California to 211 00:14:46,960 --> 00:14:52,080 Speaker 1: do to sing this song, and he said, nope, my wife, 212 00:14:52,200 --> 00:14:56,000 Speaker 1: I missed the birth of my last child, my first child, 213 00:14:56,680 --> 00:14:58,960 Speaker 1: and I promised my wife I would not miss the 214 00:14:58,960 --> 00:15:04,120 Speaker 1: birth of my second child, and he said, I cannot 215 00:15:04,160 --> 00:15:05,960 Speaker 1: do it. And they said, man, this is going to 216 00:15:06,040 --> 00:15:09,360 Speaker 1: be big. What's this movie. Nobody's gonna watch that movie 217 00:15:09,480 --> 00:15:12,320 Speaker 1: because we always look at things afterwards and assume that 218 00:15:12,360 --> 00:15:15,080 Speaker 1: it was always going to be great. That's never the case. 219 00:15:15,680 --> 00:15:17,760 Speaker 1: They never know great things are gonna be great, and 220 00:15:17,800 --> 00:15:19,240 Speaker 1: it turns out to be great, and everybody go, oh, 221 00:15:19,320 --> 00:15:21,880 Speaker 1: I knew all along, No you didn't. There's people that 222 00:15:21,920 --> 00:15:23,760 Speaker 1: turned down roles in that because it was gonna be 223 00:15:23,760 --> 00:15:26,960 Speaker 1: a nothing movie. It did not have a star studded cast. 224 00:15:28,080 --> 00:15:30,520 Speaker 1: Jennifer Gray was not a major star at the time. 225 00:15:30,560 --> 00:15:32,400 Speaker 1: And by the way, she never should have had plastic 226 00:15:32,440 --> 00:15:35,480 Speaker 1: surgery on her nose or jacked up big ol' honkin 227 00:15:35,560 --> 00:15:41,360 Speaker 1: nose was great anyway. So they're begging Bill Medley to 228 00:15:41,520 --> 00:15:46,560 Speaker 1: do that song and he won't and they keep calling him, 229 00:15:47,280 --> 00:15:52,760 Speaker 1: and he said the director said I would call him 230 00:15:52,800 --> 00:15:56,640 Speaker 1: once a week, and they cut to Bill Medley saying 231 00:15:56,720 --> 00:16:00,800 Speaker 1: it wasn't once a week. He called every day every day, 232 00:16:01,000 --> 00:16:02,840 Speaker 1: and finally one day he called and he said, yep, 233 00:16:02,960 --> 00:16:05,920 Speaker 1: she had the baby, and he said, look, I don't 234 00:16:06,000 --> 00:16:08,560 Speaker 1: really want to do this song. I don't you know, 235 00:16:08,840 --> 00:16:12,560 Speaker 1: I'm not a soundtrack guy. I don't think it's gonna 236 00:16:13,400 --> 00:16:17,120 Speaker 1: And he said, well, we got Jennifer Warrens to agree 237 00:16:18,200 --> 00:16:21,880 Speaker 1: to do the duet with you, and he loved Jennifer 238 00:16:21,920 --> 00:16:29,400 Speaker 1: Warrens and he said, really, mm hmm, I'm in flies out. 239 00:16:29,680 --> 00:16:33,280 Speaker 1: They do the song. You can't hear that song and 240 00:16:33,320 --> 00:16:35,680 Speaker 1: not think of the movie. But more importantly, you can't 241 00:16:35,680 --> 00:16:39,760 Speaker 1: think of the movie which became a blockbuster without think 242 00:16:39,920 --> 00:16:43,880 Speaker 1: singing without listening to that song. Ramon, do you have 243 00:16:44,000 --> 00:16:47,280 Speaker 1: Eddie on speed Doll or Sylvia. He's in Dallas. Just 244 00:16:47,360 --> 00:16:50,160 Speaker 1: let him know we're gonna play a chick flick theme 245 00:16:50,240 --> 00:16:55,720 Speaker 1: song movie in its entirety to begin the next segment. 246 00:16:55,960 --> 00:16:57,760 Speaker 1: We don't normally do that because he doesn't like the 247 00:16:57,920 --> 00:17:00,320 Speaker 1: music to go too long, but I think we should 248 00:17:00,400 --> 00:17:03,880 Speaker 1: out of honor of Bill Medley and Jennifer Warrens and 249 00:17:03,920 --> 00:17:09,320 Speaker 1: what that song represented, which was a trend in movies 250 00:17:09,320 --> 00:17:12,520 Speaker 1: that carried on from then on. Which was the big 251 00:17:13,680 --> 00:17:18,720 Speaker 1: strong song to end the movie, to send you out 252 00:17:18,720 --> 00:17:23,240 Speaker 1: of the theater, and the credit read with this overwhelming 253 00:17:23,240 --> 00:17:28,359 Speaker 1: feeling and it's easy to take for granted today that 254 00:17:28,359 --> 00:17:32,480 Speaker 1: that's what happened, but that was not the trend before 255 00:17:32,520 --> 00:17:36,400 Speaker 1: that moment. I do love the Righteous Brothers. I absolutely 256 00:17:36,640 --> 00:17:42,199 Speaker 1: love that sound. What are you looking at? Well, if 257 00:17:42,240 --> 00:17:46,000 Speaker 1: it's Harry from Nashville, he's a drummer. He was a 258 00:17:46,320 --> 00:17:49,840 Speaker 1: Oh by the way, Jim Mudd said that he was 259 00:17:49,920 --> 00:17:55,080 Speaker 1: in Port O'Connor last weekend and he bought his bait 260 00:17:55,320 --> 00:17:58,520 Speaker 1: from Froggies Bacim and it was that woman who took 261 00:17:58,560 --> 00:18:01,840 Speaker 1: care of him the Michael Bay Show. Oh Live Shrimp. 262 00:18:01,840 --> 00:18:16,120 Speaker 1: He's please clap passion. There's any goodness, guys, listen, there's 263 00:18:16,160 --> 00:18:20,760 Speaker 1: no shame as a dude to tipping your hat to 264 00:18:20,800 --> 00:18:29,439 Speaker 1: another man, whether that's John Wayne, the Marlborough Man, Hulk Hogan. 265 00:18:32,080 --> 00:18:34,919 Speaker 1: When Patrick sways, he does that little thing where I 266 00:18:35,000 --> 00:18:37,600 Speaker 1: can't even balance to do it where he puts his 267 00:18:37,640 --> 00:18:40,480 Speaker 1: shoulders down low like he's about to like it's a 268 00:18:40,520 --> 00:18:44,359 Speaker 1: blitz package and he's about to shoot the gap and 269 00:18:44,480 --> 00:18:47,000 Speaker 1: he sways back to back and forth, and he's coming 270 00:18:47,000 --> 00:18:51,240 Speaker 1: to her and her dad, who is the guy that 271 00:18:51,320 --> 00:18:54,399 Speaker 1: plays her dad. Let me tell you something, that is 272 00:18:54,440 --> 00:19:00,240 Speaker 1: the unsung hero of that movie. He's in he's in 273 00:19:00,280 --> 00:19:08,040 Speaker 1: something I can't remember. He's serious. He plays the candle 274 00:19:08,080 --> 00:19:10,439 Speaker 1: and beauty and the beast. God, that's not what I'm in. 275 00:19:10,680 --> 00:19:13,680 Speaker 1: He plays in something like a Father's Nose, best kind 276 00:19:13,720 --> 00:19:17,760 Speaker 1: of TV show from the fifties or sixties. When Patrick 277 00:19:17,800 --> 00:19:23,040 Speaker 1: swayzey comes at her and he's all squatted down but 278 00:19:23,200 --> 00:19:27,240 Speaker 1: moving forward like, I've never tried that move, because that's 279 00:19:27,280 --> 00:19:30,199 Speaker 1: not really, that's not in my brand, if you know 280 00:19:30,240 --> 00:19:36,280 Speaker 1: what I mean. Jerry Warbock, huh, Jerry Orbach. Look up 281 00:19:36,280 --> 00:19:40,240 Speaker 1: his IMDb and see what else he's in. But let 282 00:19:40,240 --> 00:19:48,840 Speaker 1: me finish this description. When Patrick Swayze starts in on 283 00:19:48,920 --> 00:19:53,159 Speaker 1: her and he leans down, his shoulders go low, and 284 00:19:53,200 --> 00:19:56,920 Speaker 1: he's that's a move. I can't tell you how hard 285 00:19:56,960 --> 00:19:59,040 Speaker 1: that is because I've never tried it and never would. 286 00:19:59,600 --> 00:20:04,040 Speaker 1: But I the sense that ninety nine percent of us 287 00:20:04,119 --> 00:20:07,640 Speaker 1: couldn't do that, and I've never seen it before, right, 288 00:20:09,280 --> 00:20:12,200 Speaker 1: And it's just so perfect. And you know he choreographed 289 00:20:12,200 --> 00:20:15,119 Speaker 1: that himself. You know that, there's no doubt he choreographed 290 00:20:15,119 --> 00:20:21,760 Speaker 1: that himself. Nobody, you know, no flamboyant dude told him 291 00:20:21,760 --> 00:20:23,960 Speaker 1: to do this. They were like, all right, here's the deal. 292 00:20:24,160 --> 00:20:28,200 Speaker 1: Patrick here's your mark right here. You're gonna be right there, 293 00:20:29,520 --> 00:20:34,200 Speaker 1: and Jennifer is gonna be down here. And we got 294 00:20:34,240 --> 00:20:36,879 Speaker 1: this song working with you know, Bill Medley from The 295 00:20:36,920 --> 00:20:40,119 Speaker 1: Righteous Brothers and Jennifer Warren's gonna do it. But but whatever, 296 00:20:40,200 --> 00:20:43,480 Speaker 1: whether that song comes together or not, this is the 297 00:20:43,760 --> 00:20:48,639 Speaker 1: uplifting crescendo moment. You're coming at her and we're gonna 298 00:20:48,680 --> 00:20:51,119 Speaker 1: do this thing, and it's gonna nail it. And this 299 00:20:51,440 --> 00:20:54,359 Speaker 1: you know this, this might make the movie. Heck, people 300 00:20:54,400 --> 00:20:57,720 Speaker 1: might pay attention to this movie. All right, So we 301 00:20:57,800 --> 00:21:01,000 Speaker 1: got the song here it is, give it a god, 302 00:21:01,040 --> 00:21:05,520 Speaker 1: what do you think I would have walked stiff lee 303 00:21:07,680 --> 00:21:09,439 Speaker 1: and I mean, like, we got to get a stand 304 00:21:09,440 --> 00:21:13,560 Speaker 1: in for this pool. But he comes, I mean he 305 00:21:13,720 --> 00:21:19,160 Speaker 1: takes this position catlike and he's come. Nobody. You tell 306 00:21:19,240 --> 00:21:22,040 Speaker 1: me another actor that could pull that off. I'm serious, 307 00:21:22,640 --> 00:21:27,720 Speaker 1: tell me another actor that could pull that scene off 308 00:21:28,200 --> 00:21:31,240 Speaker 1: the way he did. And you can't help yourself. I 309 00:21:31,280 --> 00:21:33,920 Speaker 1: don't care. As a dude, I will tell you that's 310 00:21:33,960 --> 00:21:38,560 Speaker 1: a moment now what I'm thinking and what everybody else 311 00:21:38,640 --> 00:21:44,919 Speaker 1: is thinking. Because I thought Jennifer Gray was whoo. I 312 00:21:44,960 --> 00:21:46,919 Speaker 1: was like, I don't know why her dad smiling so 313 00:21:47,040 --> 00:21:54,040 Speaker 1: much because it's about to be own like Donkey Kong. Yes, indeed, 314 00:21:54,480 --> 00:21:57,320 Speaker 1: that's a scene right there, and that's all Patrick Swayze. 315 00:21:57,680 --> 00:22:03,760 Speaker 1: That is all Patrick Swayze. Tom writes hearing that caller 316 00:22:03,800 --> 00:22:07,480 Speaker 1: from the bait shop earlier from Froggies down in Port 317 00:22:07,520 --> 00:22:12,679 Speaker 1: O'Connor talking about how she still comes across kids who 318 00:22:12,760 --> 00:22:17,520 Speaker 1: are raised properly when they're homeschooled, gives me hope for 319 00:22:17,560 --> 00:22:20,760 Speaker 1: the future and reminds me of my all time favorite 320 00:22:20,760 --> 00:22:25,080 Speaker 1: Bible verse. You fathers and you mothers, be good to 321 00:22:25,160 --> 00:22:29,240 Speaker 1: one another. Please try to raise your children right. Don't 322 00:22:29,320 --> 00:22:32,400 Speaker 1: let the darkness take them, don't make them feel forsaken, 323 00:22:33,280 --> 00:22:36,640 Speaker 1: just lead them safely to the light. Shaver nine two 324 00:22:36,680 --> 00:22:42,199 Speaker 1: through seven. Now, that's briefly right there. Alex van Halen, 325 00:22:42,280 --> 00:22:43,840 Speaker 1: I have to play this for Jim Mudd. I don't 326 00:22:43,840 --> 00:22:45,680 Speaker 1: want to, but he's our creative director, and ever so 327 00:22:45,760 --> 00:22:49,400 Speaker 1: often he asked for something. We were talking about uncredited, 328 00:22:50,240 --> 00:22:55,240 Speaker 1: uncredited backup singers and things like that, and the fact 329 00:22:55,240 --> 00:22:58,440 Speaker 1: that Eddie van Halen Quincy Jones called Eddie van Halen 330 00:22:58,480 --> 00:23:02,919 Speaker 1: in to play on Michael Jackson's beat It and uh, 331 00:23:03,640 --> 00:23:06,560 Speaker 1: Jim says. Alex van Halen says that Eddie playing on 332 00:23:06,600 --> 00:23:08,560 Speaker 1: Michael Jackson's beat It played a big part in David 333 00:23:08,600 --> 00:23:11,800 Speaker 1: lee Roth leaving the band. Here's Eddie van Halen telling 334 00:23:11,840 --> 00:23:14,879 Speaker 1: the story on Piers Morgan about how he ended up 335 00:23:14,920 --> 00:23:17,439 Speaker 1: playing on Michael Jackson's beat It. 336 00:23:18,080 --> 00:23:19,840 Speaker 6: You play a big part in my life. My early 337 00:23:19,880 --> 00:23:21,960 Speaker 6: life is when I was nineteen, Jump came out. It 338 00:23:22,040 --> 00:23:25,280 Speaker 6: was a huge, huge hit, wasn't it one of those things? 339 00:23:25,280 --> 00:23:25,560 Speaker 2: He said? 340 00:23:25,600 --> 00:23:26,800 Speaker 4: It was Roes. 341 00:23:26,880 --> 00:23:28,679 Speaker 1: That's funny because at the time. 342 00:23:28,680 --> 00:23:31,440 Speaker 4: I had played unbat it on Michael Jackson's record and 343 00:23:31,880 --> 00:23:34,600 Speaker 4: his album went to number one, and our album was 344 00:23:34,640 --> 00:23:37,680 Speaker 4: number two, our singles number one, his singles number two. 345 00:23:37,920 --> 00:23:40,000 Speaker 4: Then he needed a Pepsi commercial, burned his hair and 346 00:23:40,000 --> 00:23:45,600 Speaker 4: he stayed at number one. Face sel face man to 347 00:23:45,680 --> 00:23:47,640 Speaker 4: this day, you know, the guys in the band still 348 00:23:47,640 --> 00:23:48,200 Speaker 4: blame me. 349 00:23:48,240 --> 00:23:51,200 Speaker 1: For that hour that album. Not knowing the number one 350 00:23:51,840 --> 00:23:53,080 Speaker 1: your fault? Is it true? 351 00:23:53,080 --> 00:23:55,040 Speaker 6: You didn't get paid to be on the Jackson It 352 00:23:55,119 --> 00:23:57,640 Speaker 6: is favor, you know. So Michael Jackson rings up and says, 353 00:23:57,640 --> 00:23:59,320 Speaker 6: any you're the best guitaris in the world. Can you 354 00:23:59,320 --> 00:24:01,639 Speaker 6: play on my some beats it? It's a smash hit 355 00:24:01,680 --> 00:24:04,200 Speaker 6: around the world. Well, can you get zero Dulle's Well, I. 356 00:24:04,119 --> 00:24:06,760 Speaker 4: Didn't ask for anything. It was about twenty minutes out 357 00:24:06,800 --> 00:24:09,320 Speaker 4: of my life. Quincy had called me up and asked 358 00:24:09,359 --> 00:24:12,040 Speaker 4: me if I wanted to do it, and honest got truth. 359 00:24:14,720 --> 00:24:16,840 Speaker 4: The band's policy was, you know, we don't do things 360 00:24:16,880 --> 00:24:21,040 Speaker 4: outside of the band at the time, and everybody's out 361 00:24:21,080 --> 00:24:23,480 Speaker 4: of town, so no one asked. And I swear to God, 362 00:24:23,520 --> 00:24:25,639 Speaker 4: I figured, who's going to know if that's man? This 363 00:24:25,720 --> 00:24:26,520 Speaker 4: Black Kids record? 364 00:24:29,040 --> 00:24:37,080 Speaker 1: So true though. Harold ju Churchhill of our favorite downtown 365 00:24:37,160 --> 00:24:40,679 Speaker 1: Chinese restaurant, our favorite Chinese restaurant in town, reminded me 366 00:24:40,880 --> 00:24:45,120 Speaker 1: the dad from Dirty Dancing was from Law and Order? 367 00:24:46,280 --> 00:24:49,520 Speaker 1: Was that before or after Dirty Dancing? It was after? Right? Yeah? 368 00:24:49,560 --> 00:24:52,639 Speaker 1: So okay, so maybe I first was introduced to him. 369 00:24:52,720 --> 00:24:56,680 Speaker 1: It feels like it feels like he was something kind 370 00:24:56,680 --> 00:24:59,720 Speaker 1: of to Kill a Mockingbird era or you know, Father 371 00:24:59,800 --> 00:25:02,680 Speaker 1: Knows Best, or Dick Tracy or Mary Tyler Moore. Feels 372 00:25:02,720 --> 00:25:06,719 Speaker 1: like he was something from that air it's the Michael 373 00:25:06,760 --> 00:25:18,120 Speaker 1: Barry show. That is Jerry or Back or Bach or Back. 374 00:25:18,200 --> 00:25:24,560 Speaker 1: I don't know. As Lumire the Candlestick, I assume that's 375 00:25:24,600 --> 00:25:28,760 Speaker 1: how you pronounce it l U M I E R E. 376 00:25:32,119 --> 00:25:37,880 Speaker 1: You don't know if that's how it's pronounced. Okay. The 377 00:25:39,200 --> 00:25:42,720 Speaker 1: Jerry Orback had quite the career. I did not know 378 00:25:44,359 --> 00:25:48,320 Speaker 1: what a Broadway career he had. He was an accomplished 379 00:25:48,880 --> 00:25:55,720 Speaker 1: Broadway actor. But the movie where I think I'm thinking 380 00:25:55,760 --> 00:25:59,359 Speaker 1: of him is The Gang that Couldn't Shoot Straight, and 381 00:25:59,520 --> 00:26:00,960 Speaker 1: he was a star of that, and he has a 382 00:26:00,960 --> 00:26:05,080 Speaker 1: cigarette dangling from his mouth the entire time. And once 383 00:26:05,160 --> 00:26:09,320 Speaker 1: you see Rachel sent me that. Once you see a 384 00:26:09,480 --> 00:26:11,840 Speaker 1: scene of him in that, you ah, that's where I've 385 00:26:11,840 --> 00:26:14,240 Speaker 1: seen him. He's just he's just older than he was 386 00:26:14,720 --> 00:26:19,080 Speaker 1: right there. That's it. Apparently Patsy Swayzee was her name, 387 00:26:19,600 --> 00:26:27,600 Speaker 1: has passed away. Yeah, many times I hear from listeners 388 00:26:28,720 --> 00:26:33,440 Speaker 1: who will say, hey, I tried to use your sponsor, 389 00:26:34,760 --> 00:26:36,440 Speaker 1: but I guess you're too good at what you do 390 00:26:36,560 --> 00:26:40,680 Speaker 1: because they couldn't get to me for six months because 391 00:26:41,800 --> 00:26:44,480 Speaker 1: they're busy. Well that's the reason for the partnership. They're 392 00:26:44,480 --> 00:26:50,400 Speaker 1: busy with fellow listeners. If you will email me, if 393 00:26:50,440 --> 00:26:54,439 Speaker 1: I can possibly get that person to you faster because 394 00:26:54,440 --> 00:26:58,679 Speaker 1: they know you're a listener, I can connect you with 395 00:26:58,760 --> 00:27:02,400 Speaker 1: the owner directly, and then you're gonna get the brother 396 00:27:02,400 --> 00:27:05,359 Speaker 1: in law connection. I'm not saying you're gonna get it free, 397 00:27:05,720 --> 00:27:08,919 Speaker 1: not even saying you're gonna get a discount. But listen, 398 00:27:10,320 --> 00:27:14,720 Speaker 1: put yourself in the shoes of anybody else. Let's say 399 00:27:14,760 --> 00:27:17,680 Speaker 1: you own the dairy queen. This is my dreamer. Let's 400 00:27:17,680 --> 00:27:21,000 Speaker 1: say you own a dairy queen, but you work at 401 00:27:21,000 --> 00:27:23,920 Speaker 1: the drive through at the dairy queen, your own dairy queen, 402 00:27:23,920 --> 00:27:27,960 Speaker 1: because you don't quality control, and you're busy that day 403 00:27:28,000 --> 00:27:29,960 Speaker 1: and you know, you're just trying to get to trying 404 00:27:29,960 --> 00:27:32,959 Speaker 1: to get everything in there get you don't even have 405 00:27:32,960 --> 00:27:35,280 Speaker 1: time to turn the blizzard upside down to prove it. 406 00:27:36,000 --> 00:27:37,680 Speaker 1: And I don't know why they're still doing that. We 407 00:27:38,200 --> 00:27:41,760 Speaker 1: got it, okay, the blizzard, Yes, you don't. You're gonna 408 00:27:41,800 --> 00:27:44,920 Speaker 1: end up with carpal tunnel out of that. Remember Chris 409 00:27:44,920 --> 00:27:49,639 Speaker 1: Baker had carpal tunnel. Yeah, yeah, he had. He showed 410 00:27:49,680 --> 00:27:53,120 Speaker 1: me his hand after he had carpal tunnel, and it 411 00:27:53,160 --> 00:27:55,920 Speaker 1: looked like he had been in a firefight. I don't. 412 00:27:56,040 --> 00:27:59,439 Speaker 1: I mean they he had these. His hand was raised 413 00:27:59,520 --> 00:28:02,119 Speaker 1: up with that. I mean it was bad. Do you 414 00:28:02,160 --> 00:28:05,159 Speaker 1: remember for a while there people would use those crooked 415 00:28:05,240 --> 00:28:08,119 Speaker 1: keyboards because that was supposed to help you with carpal tunnel. 416 00:28:09,119 --> 00:28:12,240 Speaker 1: You had that, but you don't have it. So it's 417 00:28:12,320 --> 00:28:14,720 Speaker 1: kind of one of those funny things that one day 418 00:28:14,760 --> 00:28:18,520 Speaker 1: everybody goes, we're not going to use that crooked keyboard anymore, okay, 419 00:28:18,920 --> 00:28:21,480 Speaker 1: and we're just not going to discuss it anymore. Well 420 00:28:21,520 --> 00:28:25,359 Speaker 1: that's there wasn't a memo that came out, but is hey, 421 00:28:25,400 --> 00:28:27,359 Speaker 1: you're gonna learn to type on this crooked keyboard. I 422 00:28:27,359 --> 00:28:30,280 Speaker 1: never did, because that's gonna save you from carpal tunnel. 423 00:28:30,880 --> 00:28:32,800 Speaker 1: So do you remember what was the point where you go, 424 00:28:33,040 --> 00:28:36,680 Speaker 1: I'll screw it. I'll just go back to rectorkboard, less space. 425 00:28:36,720 --> 00:28:38,960 Speaker 1: It took up too much space. But did you just 426 00:28:39,000 --> 00:28:40,440 Speaker 1: decide at that point, I don't care if I get 427 00:28:40,480 --> 00:28:44,560 Speaker 1: carpal tunnel, it's less space. There's certain things, so remember 428 00:28:45,560 --> 00:28:50,120 Speaker 1: there was the carbon capture on the on the the 429 00:28:50,160 --> 00:28:53,440 Speaker 1: gas pump. You could you had to sit there and 430 00:28:53,480 --> 00:28:56,480 Speaker 1: be inconvenienced at the gas pump and hold the damn 431 00:28:56,560 --> 00:28:59,080 Speaker 1: thing because you couldn't clip it even though they had 432 00:28:59,080 --> 00:29:02,280 Speaker 1: the trigger that would pop it off and cause it 433 00:29:02,280 --> 00:29:06,360 Speaker 1: to close again. Another all of that Greeny Winnie. Crap 434 00:29:06,640 --> 00:29:10,360 Speaker 1: at that's what you got to understand. One hundred percent 435 00:29:10,360 --> 00:29:14,640 Speaker 1: of it is crap. And then somewhere along the way 436 00:29:14,880 --> 00:29:18,200 Speaker 1: and this never happened, they sunseted that, and then all 437 00:29:18,240 --> 00:29:21,280 Speaker 1: of a sudden, you go, and you go, I guess 438 00:29:21,320 --> 00:29:23,840 Speaker 1: I'll sit here and risk getting mugged for the next 439 00:29:23,880 --> 00:29:27,000 Speaker 1: ten minutes as I fell up, and you pull it up, 440 00:29:27,000 --> 00:29:29,240 Speaker 1: and then there was, oh, what do I see here? 441 00:29:30,240 --> 00:29:33,760 Speaker 1: A little three pun prong clamp. Well, they must have 442 00:29:33,800 --> 00:29:35,640 Speaker 1: forgot to put it on there. And then you clamped 443 00:29:35,680 --> 00:29:39,440 Speaker 1: it and you let it go and it held, and 444 00:29:39,480 --> 00:29:41,080 Speaker 1: you waited and you waited, and you got on your 445 00:29:41,080 --> 00:29:44,240 Speaker 1: phone and you could put that time to good use, 446 00:29:46,160 --> 00:29:49,000 Speaker 1: and nobody ever announced. Hey, remember that whole thing. It 447 00:29:49,080 --> 00:29:53,800 Speaker 1: was stupid. Hey, Remember how the ozone had a big 448 00:29:53,840 --> 00:29:57,320 Speaker 1: hole and y'all were down in there and you were 449 00:29:57,320 --> 00:29:59,320 Speaker 1: gonna get killed because the sun was going to come 450 00:29:59,320 --> 00:30:03,880 Speaker 1: in and burn you up. Just went away. Acid Rain's 451 00:30:03,920 --> 00:30:06,640 Speaker 1: gonna kill I remember, as in middle school, we'd have 452 00:30:06,680 --> 00:30:08,640 Speaker 1: papers we had to write about acid rains gonna kill 453 00:30:08,720 --> 00:30:11,000 Speaker 1: us all. And we didn't know back then that the 454 00:30:11,040 --> 00:30:13,960 Speaker 1: news lied. We just figured the news didn't matter because 455 00:30:14,000 --> 00:30:16,200 Speaker 1: we were never gonna live long enough for any of 456 00:30:16,200 --> 00:30:19,040 Speaker 1: that to But we didn't know they were just making stuff. 457 00:30:19,240 --> 00:30:22,560 Speaker 1: We didn't know there were people sitting in New York 458 00:30:23,440 --> 00:30:30,080 Speaker 1: and China scheme and Brussels scheming for how to reduce 459 00:30:30,200 --> 00:30:34,320 Speaker 1: America's strength in the world and make money off of 460 00:30:34,360 --> 00:30:39,400 Speaker 1: selling you crappy products, and that in order to do that, 461 00:30:39,880 --> 00:30:43,440 Speaker 1: they had to have kids on anxiety meds for fear 462 00:30:43,760 --> 00:30:47,360 Speaker 1: of being hit with acid rain or the ozone or 463 00:30:47,440 --> 00:30:51,200 Speaker 1: carbon capture or fill in the blanks. And there are 464 00:30:51,240 --> 00:30:54,560 Speaker 1: still people in this country old enough to know better 465 00:30:55,120 --> 00:30:58,680 Speaker 1: who still don't want to believe that happened because to 466 00:30:58,800 --> 00:31:02,200 Speaker 1: do so would in some way make them feel bad 467 00:31:02,200 --> 00:31:06,600 Speaker 1: about themselves. So they feel better if they think, well, 468 00:31:07,120 --> 00:31:10,360 Speaker 1: because they don't. This is your naive neighbor. It's my theory, 469 00:31:10,440 --> 00:31:14,240 Speaker 1: the naive neighbor. I'm copyrighting that because it's brilliant when 470 00:31:14,240 --> 00:31:16,920 Speaker 1: you stop and think about it. The problems in this country, 471 00:31:16,960 --> 00:31:20,360 Speaker 1: if I may say so myself, the naive neighbor problem. 472 00:31:21,000 --> 00:31:24,160 Speaker 1: We like to think it's the evil people. But if 473 00:31:24,160 --> 00:31:28,280 Speaker 1: the evil people could never take root, the evil people 474 00:31:28,480 --> 00:31:33,760 Speaker 1: outsource what they do to your naive neighbor, I will 475 00:31:33,840 --> 00:31:39,880 Speaker 1: never ever forgive nor forget the people who behaved irrationally. 476 00:31:39,960 --> 00:31:43,600 Speaker 1: I told someone a week ago, I said, remember when, 477 00:31:43,640 --> 00:31:44,800 Speaker 1: and I'm not going to tell you what it was, 478 00:31:44,920 --> 00:31:46,920 Speaker 1: because it's somebody that people might figure out who it was. 479 00:31:47,480 --> 00:31:49,640 Speaker 1: You did this, this and this, and it cost all 480 00:31:49,640 --> 00:31:53,120 Speaker 1: these problems within the circle that I run in because 481 00:31:53,760 --> 00:31:56,640 Speaker 1: of because I refuse to be remember that, because I 482 00:31:56,680 --> 00:32:00,360 Speaker 1: refuse to be vaccinated. And that person said, well, you 483 00:32:00,400 --> 00:32:04,960 Speaker 1: can't blame me. I was scared. I wasn't scared. Why 484 00:32:05,000 --> 00:32:08,440 Speaker 1: were you scared? But do you if you get a 485 00:32:08,480 --> 00:32:10,080 Speaker 1: knock at the door, do you shoot through the door 486 00:32:10,280 --> 00:32:11,720 Speaker 1: because it might be a bad guy on the other 487 00:32:11,760 --> 00:32:16,880 Speaker 1: side because crime is up. That's irrational too. Any person 488 00:32:16,960 --> 00:32:20,760 Speaker 1: who behaved irrationally during COVID will behave irrationally again. They've 489 00:32:20,760 --> 00:32:24,680 Speaker 1: got the gene. They're weak. That's your naive neighbor. They 490 00:32:24,720 --> 00:32:27,840 Speaker 1: believe the wrong people. They don't trust their heart, they 491 00:32:27,880 --> 00:32:30,560 Speaker 1: don't love their neighbor enough to say, I don't care 492 00:32:30,600 --> 00:32:32,840 Speaker 1: what Fauci says. You see that they're looking to get 493 00:32:32,960 --> 00:32:36,600 Speaker 1: a pardon for Fauci. That's how you know they're looking 494 00:32:36,600 --> 00:32:39,200 Speaker 1: to get a pardon for Adam Schiff. That they are 495 00:32:39,360 --> 00:32:43,280 Speaker 1: scared the death of Trump right now, and nothing makes 496 00:32:43,360 --> 00:32:44,320 Speaker 1: me happier