1 00:00:05,160 --> 00:00:07,720 Speaker 1: Hey, this is Annie and Samantha. I'm not going to Steph. 2 00:00:07,760 --> 00:00:19,200 Speaker 1: I never told your protection of high radio. And Happy 3 00:00:19,320 --> 00:00:25,360 Speaker 1: Star Wars Day, Happy Star Wars Day. Yes, yes, I 4 00:00:25,440 --> 00:00:28,760 Speaker 1: believe made the fourth Be with you when this comes out, yes, yes, 5 00:00:28,840 --> 00:00:31,880 Speaker 1: if you're listening to it when it comes out. It 6 00:00:32,080 --> 00:00:34,639 Speaker 1: is Star Wars Day. Very exciting and I'm sure you've 7 00:00:34,680 --> 00:00:38,760 Speaker 1: heard a lot of our Star Wars content lately. Uh. 8 00:00:38,800 --> 00:00:41,880 Speaker 1: And we thought, well, I thought what better way to 9 00:00:42,000 --> 00:00:45,480 Speaker 1: celebrate than with a feminist movie Wednesday on Rogue one, 10 00:00:45,800 --> 00:00:49,600 Speaker 1: a Star Wars story, And in fact, I, for the 11 00:00:49,640 --> 00:00:54,280 Speaker 1: occasion made a very special drink. It's unfortunately I made 12 00:00:54,280 --> 00:00:56,440 Speaker 1: it kind of on a whim this morning, so it's 13 00:00:56,440 --> 00:00:59,200 Speaker 1: not quite there yet. But it's like a gin infused 14 00:00:59,240 --> 00:01:03,640 Speaker 1: with butterfly, he flower and glitter, very very pretty glitter, 15 00:01:04,000 --> 00:01:08,240 Speaker 1: edible glitter. Oh I didn't just arts and craft glitter 16 00:01:08,280 --> 00:01:13,399 Speaker 1: in my but it's Star Wars Day, no no edible. 17 00:01:14,520 --> 00:01:15,960 Speaker 1: And one of the reasons this is on my mind 18 00:01:16,040 --> 00:01:18,319 Speaker 1: is because over on Saver, the other podcast I do, 19 00:01:18,360 --> 00:01:21,280 Speaker 1: we're doing an episode on the butterfly pea flower, which 20 00:01:21,280 --> 00:01:25,440 Speaker 1: actually has a fascinating history and is named after the 21 00:01:25,640 --> 00:01:32,360 Speaker 1: glitter iss so check that out if you're interested. Alright, So, yes, 22 00:01:32,440 --> 00:01:34,520 Speaker 1: today we were talking about Rogue on a Star Wars story. 23 00:01:34,560 --> 00:01:37,120 Speaker 1: A lot of you have written in to suggest this, 24 00:01:37,240 --> 00:01:41,600 Speaker 1: so thank you. Also, it feels very wrong doing this 25 00:01:41,640 --> 00:01:44,560 Speaker 1: without Holly Fry because this is her favorite or at 26 00:01:44,600 --> 00:01:47,560 Speaker 1: least to my unless anything is you know, bumped it 27 00:01:47,560 --> 00:01:50,360 Speaker 1: off the top is her favorite Star Wars thing, So 28 00:01:50,480 --> 00:01:53,320 Speaker 1: don't hate his Holly. We're thinking about maybe doing another 29 00:01:53,360 --> 00:01:55,040 Speaker 1: happy hour with her soon where we could just talk 30 00:01:55,080 --> 00:01:59,800 Speaker 1: about it. But speaking of this is a movie that 31 00:02:00,080 --> 00:02:03,880 Speaker 1: will never forget. Uh, watching with Samantha for the first 32 00:02:03,920 --> 00:02:08,560 Speaker 1: time because we had a bit of a misunderstanding or 33 00:02:08,680 --> 00:02:13,560 Speaker 1: misunderstanding on my end to be fair, though, Okay, I 34 00:02:13,600 --> 00:02:15,720 Speaker 1: feel like so we've already had this argument every time 35 00:02:15,760 --> 00:02:19,120 Speaker 1: every time she brings up this movie. I can't let 36 00:02:19,160 --> 00:02:22,440 Speaker 1: it go, uh because the one thing that I have 37 00:02:22,440 --> 00:02:24,560 Speaker 1: assigned her with and again this is all on me. 38 00:02:24,680 --> 00:02:28,200 Speaker 1: But still I love to project because it's fun that 39 00:02:28,360 --> 00:02:31,720 Speaker 1: you have to warn me if their sadness in this 40 00:02:31,919 --> 00:02:37,000 Speaker 1: because I just need to be prepped. I my journey 41 00:02:37,280 --> 00:02:39,680 Speaker 1: with Star Wars started a year and a half ago, 42 00:02:39,919 --> 00:02:44,680 Speaker 1: two years ago with you. I have never fully watched 43 00:02:44,760 --> 00:02:47,440 Speaker 1: any of the movies, and I've never seen it, so 44 00:02:47,560 --> 00:02:50,480 Speaker 1: I feel like you should have been aware that I 45 00:02:50,560 --> 00:02:56,320 Speaker 1: knew nothing, and that I get traumatized by very sad movies. 46 00:02:57,360 --> 00:03:00,520 Speaker 1: And as Holly put it, in which we were trying 47 00:03:00,560 --> 00:03:05,560 Speaker 1: to relay what happened, this is the Titanic of All 48 00:03:05,600 --> 00:03:12,520 Speaker 1: Star Wars, the franchise, everybody dies. I was not prepared 49 00:03:12,960 --> 00:03:15,640 Speaker 1: and the anger on my face. But it's not just 50 00:03:15,760 --> 00:03:18,600 Speaker 1: that everybody dies, but they start at the very beginning 51 00:03:18,600 --> 00:03:21,160 Speaker 1: just killing off everyone. So the tone of the whole 52 00:03:21,160 --> 00:03:25,280 Speaker 1: thing is there's no redemption. They just all die. I 53 00:03:25,360 --> 00:03:28,640 Speaker 1: remember very clearly we were we were at the beach 54 00:03:28,680 --> 00:03:31,760 Speaker 1: watching this and there was a part where you I 55 00:03:31,800 --> 00:03:34,080 Speaker 1: looked over and you were getting angrier and angrier, and 56 00:03:34,080 --> 00:03:36,800 Speaker 1: it was towards the end, and I kind of struck 57 00:03:36,880 --> 00:03:38,640 Speaker 1: and I was like, well, what did you expect? I mean, 58 00:03:38,680 --> 00:03:41,400 Speaker 1: they all die in the end, And the look you 59 00:03:41,600 --> 00:03:48,040 Speaker 1: gave me struck me down dead. The look I gave 60 00:03:48,080 --> 00:03:55,160 Speaker 1: me was, what do you mean everybody is dead? Why? 61 00:03:55,200 --> 00:03:57,680 Speaker 1: Oh man? And then there was a long awkward silence 62 00:03:57,760 --> 00:04:02,320 Speaker 1: until we got yes. And I just sat there and 63 00:04:02,520 --> 00:04:07,760 Speaker 1: stared and I said, you've betrayed me, and or something 64 00:04:07,800 --> 00:04:10,320 Speaker 1: along the lines of why would you do this to me? 65 00:04:11,120 --> 00:04:19,239 Speaker 1: You should have warned me, what the well? And I 66 00:04:19,360 --> 00:04:25,599 Speaker 1: you know, my bad, but I just assumed everyone knew 67 00:04:25,640 --> 00:04:32,599 Speaker 1: that's what happened in that nothing about Star Wars. I 68 00:04:32,680 --> 00:04:35,839 Speaker 1: think this was our first like head into let's watch 69 00:04:36,000 --> 00:04:42,320 Speaker 1: the prequels and the sequels at this point in time, 70 00:04:42,680 --> 00:04:46,240 Speaker 1: I hadn't seen them, and I'm like, why would you 71 00:04:46,839 --> 00:04:55,880 Speaker 1: do this to me? Well, there was redemption. No one survived, 72 00:04:56,480 --> 00:04:58,520 Speaker 1: and I was very angry. I was like, I need 73 00:04:58,560 --> 00:05:03,280 Speaker 1: at least one in person to be alive, and there 74 00:05:03,480 --> 00:05:09,239 Speaker 1: wasn't and you kept going on. And the thing about 75 00:05:09,279 --> 00:05:12,279 Speaker 1: that was you kept telling me this is my favorite, 76 00:05:12,320 --> 00:05:16,360 Speaker 1: one of my favorites, this is Holly's favorite. I did 77 00:05:16,480 --> 00:05:19,480 Speaker 1: not know why. In my mind that means something happy 78 00:05:19,600 --> 00:05:22,400 Speaker 1: is happening, and this is gonna be so amazing because 79 00:05:22,400 --> 00:05:26,400 Speaker 1: this is before I realized you like the traumatizing versions 80 00:05:26,440 --> 00:05:31,560 Speaker 1: of things fictions, and I was like what. And then 81 00:05:31,720 --> 00:05:35,240 Speaker 1: on top of that, if I remember correctly, you're like, 82 00:05:35,279 --> 00:05:37,840 Speaker 1: but it has the best talk scene ever, and I'm like, 83 00:05:39,040 --> 00:05:45,039 Speaker 1: they died. That is that's a good talk though. Okay, 84 00:05:45,240 --> 00:05:47,960 Speaker 1: I'm gone. This is how my voice goes. Every time 85 00:05:48,000 --> 00:05:53,240 Speaker 1: we discuss this, I get very very authoritative and annoyed. 86 00:05:53,880 --> 00:05:57,640 Speaker 1: I like it, uh, and I probably deserve it. I 87 00:05:57,680 --> 00:06:02,800 Speaker 1: do want to actually mentioned, though, I think this whole misunderstanding, 88 00:06:02,839 --> 00:06:05,359 Speaker 1: which I'm just going to call it, is actually based 89 00:06:05,360 --> 00:06:08,680 Speaker 1: on a misunderstanding of mine, because the first time I 90 00:06:08,720 --> 00:06:12,080 Speaker 1: saw this, this is my favorite non original trilogy Star 91 00:06:12,080 --> 00:06:15,840 Speaker 1: Wars movie. It's very sad. I watched it yesterday and 92 00:06:15,880 --> 00:06:17,960 Speaker 1: I was like, I know what happens, and I was like, 93 00:06:18,040 --> 00:06:20,480 Speaker 1: oh my gosh, that's so sad. Uh. I couldn't watch 94 00:06:20,520 --> 00:06:24,919 Speaker 1: the ending. It is brutal, that is real sad. But 95 00:06:25,320 --> 00:06:29,080 Speaker 1: the first time I saw it, which was kind of before, 96 00:06:29,120 --> 00:06:31,599 Speaker 1: I really like, I've always loved Star Wars, but it 97 00:06:31,640 --> 00:06:33,480 Speaker 1: was kind of before this, like real deep dive I've 98 00:06:33,480 --> 00:06:36,680 Speaker 1: done during the pandemic. I thought it was supposed to 99 00:06:36,720 --> 00:06:39,440 Speaker 1: take place between Empire Strikes Back and Returning the Jedi, 100 00:06:40,600 --> 00:06:43,960 Speaker 1: which is incorrect. I thought it was based on the 101 00:06:44,000 --> 00:06:46,400 Speaker 1: line mom Mathma says in Return of the Jedi, where 102 00:06:46,400 --> 00:06:49,839 Speaker 1: she says many Botons died to bring us this information. 103 00:06:50,600 --> 00:06:52,880 Speaker 1: I thought that's what it was because surprised by those 104 00:06:52,920 --> 00:06:55,279 Speaker 1: two death stars. So I feel like that's an easy 105 00:06:55,320 --> 00:06:58,800 Speaker 1: mistake to make, stealing the death Star plans. Also, it's 106 00:06:58,839 --> 00:07:01,560 Speaker 1: clear I didn't know what a boton was, but anyway 107 00:07:01,600 --> 00:07:04,920 Speaker 1: or whatever, Um I didn't. I don't. I didn't either, 108 00:07:04,960 --> 00:07:07,719 Speaker 1: but I would have known something was a miss had 109 00:07:07,800 --> 00:07:09,680 Speaker 1: I known what a Botham was. So that's part of 110 00:07:09,720 --> 00:07:12,880 Speaker 1: the reason I kind of thought everyone knew. I thought like, oh, 111 00:07:13,000 --> 00:07:16,280 Speaker 1: she says it in Return of the Jedi. Many Bothams 112 00:07:16,320 --> 00:07:19,160 Speaker 1: died to bring this information, which would have been I 113 00:07:19,200 --> 00:07:21,880 Speaker 1: please don't. This movie is very sad. That would have 114 00:07:21,920 --> 00:07:25,040 Speaker 1: been sadder because then those that plan was like a fake. 115 00:07:25,480 --> 00:07:28,960 Speaker 1: But anyway, so I was watching this in theaters when 116 00:07:28,960 --> 00:07:32,080 Speaker 1: it first came out, and tark And showed up, who 117 00:07:32,160 --> 00:07:35,400 Speaker 1: was kind of that like creepy older British guy who's 118 00:07:35,400 --> 00:07:37,119 Speaker 1: in charge of the desk Star and a new hope 119 00:07:37,320 --> 00:07:40,080 Speaker 1: And I was like, no, this is wrong. How could 120 00:07:40,080 --> 00:07:47,320 Speaker 1: they make such a big mistake? He's dead? Um good? Anyway, 121 00:07:47,360 --> 00:07:49,400 Speaker 1: I was wrong. And also I lost my scarf that day, 122 00:07:49,440 --> 00:07:52,520 Speaker 1: so that was not a win for me, not a 123 00:07:52,520 --> 00:07:58,240 Speaker 1: win for me. But yes, uh, this movie, I will 124 00:07:58,280 --> 00:08:00,680 Speaker 1: say as a very big tone old difference, and this 125 00:08:00,760 --> 00:08:04,080 Speaker 1: is something I'm kind of struggling with with um because 126 00:08:04,080 --> 00:08:07,000 Speaker 1: the original trilogy, I maintain is like children's fairy tale 127 00:08:07,160 --> 00:08:09,040 Speaker 1: and I love it, and then this comes in and 128 00:08:09,040 --> 00:08:12,680 Speaker 1: it's like, but actually everyone dies, and it's well, I 129 00:08:12,720 --> 00:08:15,320 Speaker 1: don't think it's wrong, but it's kind of like a disconnect. 130 00:08:16,960 --> 00:08:19,760 Speaker 1: I really enjoyed it. And if you have seen in 131 00:08:19,800 --> 00:08:24,040 Speaker 1: the in my opinion, very super cute deleted scene from 132 00:08:24,040 --> 00:08:28,560 Speaker 1: a New Hope where Luke and his friend slash Crush 133 00:08:28,760 --> 00:08:32,840 Speaker 1: according to fan fiction Big Dark Lighter, who later died 134 00:08:32,880 --> 00:08:35,160 Speaker 1: in the Battle of Yaven trying to destroy the Desk Star. 135 00:08:35,720 --> 00:08:38,800 Speaker 1: They're discussing politics and Luke is so excited because he 136 00:08:38,880 --> 00:08:40,960 Speaker 1: saw in the sky. This is what he thought was 137 00:08:41,000 --> 00:08:44,920 Speaker 1: a firefight. Um, and yes, that's the battle that's taking 138 00:08:44,960 --> 00:08:47,679 Speaker 1: place at the end of Rogue. One. Of course that's 139 00:08:47,760 --> 00:08:51,280 Speaker 1: rhet cond that they did that afterwards, but it is 140 00:08:52,400 --> 00:08:54,680 Speaker 1: I really like that to leave it scene. But anyway, Um, 141 00:08:55,120 --> 00:09:00,120 Speaker 1: it happens immediately before A New Hope, immediately before and 142 00:08:59,640 --> 00:09:10,040 Speaker 1: as dies and then there's Hope whatever you Yeah, I 143 00:09:10,080 --> 00:09:14,640 Speaker 1: can feel it. I can feel it. James Gunn recently 144 00:09:14,679 --> 00:09:16,640 Speaker 1: made news when he said that this movie was the 145 00:09:16,679 --> 00:09:20,640 Speaker 1: most underrated Star Wars anything a series based on the 146 00:09:20,720 --> 00:09:25,000 Speaker 1: character and or from this movie. Uh recently got greenlit 147 00:09:25,080 --> 00:09:27,680 Speaker 1: for a second season, even though the first season hasn't 148 00:09:27,679 --> 00:09:29,040 Speaker 1: come out yet. But then it was supposed to have 149 00:09:29,080 --> 00:09:30,760 Speaker 1: five and now they've cut it down to three. So 150 00:09:30,800 --> 00:09:34,280 Speaker 1: who knows. I don't know what's going on indoors where 151 00:09:34,280 --> 00:09:41,720 Speaker 1: the Wookies now and or not in door. Um. This 152 00:09:41,760 --> 00:09:43,920 Speaker 1: is why I say no, don't assume I know anything 153 00:09:43,920 --> 00:09:46,840 Speaker 1: about Star Wars. Is because I've watched it with you times. 154 00:09:48,200 --> 00:09:50,840 Speaker 1: Why would I assume that. Well, that's kind of why 155 00:09:50,840 --> 00:09:53,600 Speaker 1: I've shifted the format, and I'm very open to questions 156 00:09:53,600 --> 00:09:57,439 Speaker 1: at any time, because clearly I have no real grasp 157 00:09:57,520 --> 00:10:00,440 Speaker 1: on when people don't understand everything that I know about 158 00:10:00,480 --> 00:10:05,640 Speaker 1: Star Wars a long time. Yes, well it's confusing, it's 159 00:10:05,679 --> 00:10:08,760 Speaker 1: totally fair. Um. And yes, you can see our many 160 00:10:08,800 --> 00:10:11,600 Speaker 1: many past episodes on Star Wars, many in this month 161 00:10:11,640 --> 00:10:14,760 Speaker 1: about fictional women in the world of Star Wars, perhaps 162 00:10:14,760 --> 00:10:17,680 Speaker 1: for this one particularly, see the one that we did 163 00:10:18,040 --> 00:10:21,120 Speaker 1: on the feminism of Star Wars Forever ago. Bridge and 164 00:10:21,200 --> 00:10:23,040 Speaker 1: I did one where we talked about this movie a lot, 165 00:10:23,400 --> 00:10:27,120 Speaker 1: and the feminist movie Friday our Wednesday. Who knows? On 166 00:10:27,320 --> 00:10:31,800 Speaker 1: the prequels and the sequels. Uh, which yes, we have done. 167 00:10:31,880 --> 00:10:33,600 Speaker 1: We have done all of these things. Which I also 168 00:10:33,679 --> 00:10:36,400 Speaker 1: think the prequels could be the Titanic too, because you 169 00:10:36,400 --> 00:10:38,760 Speaker 1: know what's happening, but every everybody kind of knows what 170 00:10:38,800 --> 00:10:43,559 Speaker 1: happens to Darth Vader. Clearly not everyone knew what happened before. 171 00:10:43,559 --> 00:11:00,680 Speaker 1: I do hope. Anyway, anyway, before an think is angry 172 00:11:00,720 --> 00:11:02,280 Speaker 1: at me, let's talk about the plot. I'm sure that 173 00:11:02,320 --> 00:11:06,160 Speaker 1: will make it better. Rogue One is a twenty sixteen 174 00:11:06,240 --> 00:11:09,400 Speaker 1: space opera directed by Gareth Edwards with a screenplay by 175 00:11:09,440 --> 00:11:12,960 Speaker 1: Chris Whites and Tony Gilroy from a story by John 176 00:11:13,000 --> 00:11:15,240 Speaker 1: Noel and Gary Whitta. And yes, I watched this yesterday 177 00:11:15,280 --> 00:11:19,760 Speaker 1: and then further with characters based on George Clarious. Uh. 178 00:11:19,840 --> 00:11:22,760 Speaker 1: It is the first standalone moving in the Star Wars universe. 179 00:11:22,760 --> 00:11:25,040 Speaker 1: It's also the first one that doesn't have the scrolling 180 00:11:25,480 --> 00:11:29,800 Speaker 1: yellow script at the beginning. Uh yeah, it starts Felicity 181 00:11:29,960 --> 00:11:32,920 Speaker 1: Jones is jin urso Diego Luna as Cassie, and or 182 00:11:33,160 --> 00:11:37,960 Speaker 1: Matt Nicholson as Galen orso Ben Middelssohn as Imperial Officer 183 00:11:38,120 --> 00:11:40,800 Speaker 1: orson critic Donnie Yen, who is a huge name in 184 00:11:40,840 --> 00:11:44,520 Speaker 1: Hong Kong cinema as cheer at m Way Jeong Wyn 185 00:11:45,120 --> 00:11:49,679 Speaker 1: as a Malvis whose Holly's favorite, uh rizamed as body 186 00:11:49,800 --> 00:11:52,920 Speaker 1: Rook Alan Tu Dick as K two s for st 187 00:11:53,000 --> 00:11:56,520 Speaker 1: Ripker s Sakrera with bonus c G I cameos from 188 00:11:56,559 --> 00:11:59,880 Speaker 1: Tarkin not necessarily c G I, but Darth Vader and 189 00:12:00,160 --> 00:12:03,280 Speaker 1: Princess Leiah and other cameos by Jimmy Smith's as Bail 190 00:12:03,360 --> 00:12:05,960 Speaker 1: Organa whom I love, uh C three PO and R 191 00:12:05,960 --> 00:12:08,680 Speaker 1: two D two and yes, Darth Vader as is really 192 00:12:08,800 --> 00:12:11,559 Speaker 1: terrifying Hallway fight scene they mimicked with Luke in The 193 00:12:11,600 --> 00:12:13,240 Speaker 1: Mandalorian and you can watch a side by side. It's 194 00:12:13,280 --> 00:12:18,600 Speaker 1: really cool. Also mon Mathma. It was generally well received. 195 00:12:18,640 --> 00:12:21,240 Speaker 1: It was a financial success. I can't wait till we 196 00:12:21,280 --> 00:12:23,840 Speaker 1: talked about some of the reviews. It's gonna be so fun. Okay. 197 00:12:24,160 --> 00:12:27,840 Speaker 1: So the film opens on research scientists Galen Urso and 198 00:12:27,880 --> 00:12:30,000 Speaker 1: his wife and daughter hiding out on a remote planet. 199 00:12:30,360 --> 00:12:33,440 Speaker 1: Galen and his wife instruct their daughter Jin their star 200 00:12:33,559 --> 00:12:36,839 Speaker 1: dust to hide when they noticed Imperial troopers led by 201 00:12:36,920 --> 00:12:40,760 Speaker 1: weapons developer or some crinic approaching. Jen runs through the 202 00:12:40,760 --> 00:12:43,200 Speaker 1: fields as Galen confronts Clinic, who is there to force 203 00:12:43,280 --> 00:12:46,520 Speaker 1: him to work on completing the Empire's planet destroying weapon, 204 00:12:46,880 --> 00:12:49,600 Speaker 1: the Death Star. Galen tries to refuse, and his wife 205 00:12:49,640 --> 00:12:52,160 Speaker 1: Lera is killed in the skirmish, and Galen agrees to 206 00:12:52,320 --> 00:12:56,240 Speaker 1: coman them. We'll talk about that later, I promise. As 207 00:12:56,440 --> 00:12:59,920 Speaker 1: Jin escapes and is rescued by rebel extremists saw g Rare, 208 00:13:00,120 --> 00:13:03,720 Speaker 1: who actually was in Clone Wars. So fifteen years go by, 209 00:13:04,240 --> 00:13:07,560 Speaker 1: cargo pilot named body Rook defects from the Empire in 210 00:13:07,600 --> 00:13:11,679 Speaker 1: possession of a recorded message from Galen Urzo destin for Sagaria, 211 00:13:11,960 --> 00:13:14,400 Speaker 1: who is hiding out on the planet of Jetta. The 212 00:13:14,440 --> 00:13:18,320 Speaker 1: Rebel Alliance hears about this defection and a super weapon 213 00:13:18,400 --> 00:13:21,839 Speaker 1: called the Death Star, and they send Cassie and and 214 00:13:22,120 --> 00:13:26,040 Speaker 1: Or an Alliance intelligence officer to investigate. At the same time, 215 00:13:26,200 --> 00:13:28,679 Speaker 1: Jenner so It is free from a labor camp and 216 00:13:28,760 --> 00:13:32,440 Speaker 1: brought before Alliance leader in mon Mathma Mind convinces her 217 00:13:32,520 --> 00:13:35,000 Speaker 1: to aid in the search for Jin's father, Galen, so 218 00:13:35,040 --> 00:13:37,160 Speaker 1: they can learn more about the Death Star and a 219 00:13:37,200 --> 00:13:40,760 Speaker 1: possible weakness it might contain, while at the same time 220 00:13:40,920 --> 00:13:44,160 Speaker 1: to asking Cassian with killing Galen if they find him 221 00:13:44,320 --> 00:13:48,160 Speaker 1: also unnecessary. I love it. I can't wait till we 222 00:13:48,160 --> 00:13:52,160 Speaker 1: get to the discussion portion. Cassian Jin and a reprogrammed 223 00:13:52,160 --> 00:13:54,640 Speaker 1: Imperial joid name K two s O make their way 224 00:13:54,679 --> 00:13:58,240 Speaker 1: to the planet Jetta, where the Empire is harvesting hiber crystals, 225 00:13:58,520 --> 00:14:01,160 Speaker 1: which are the hearts of light sabers in order to 226 00:14:01,280 --> 00:14:05,160 Speaker 1: power the Death Star. When they arrive, things are immediately tense. 227 00:14:05,400 --> 00:14:08,120 Speaker 1: Saga Era and his forces are facing off against the 228 00:14:08,160 --> 00:14:11,600 Speaker 1: imperials Jin and Cassing, and are captured and taken to Saw, 229 00:14:11,760 --> 00:14:15,960 Speaker 1: who has also imprisoned and interrogated Rook. Saw plays Galen's 230 00:14:15,960 --> 00:14:19,440 Speaker 1: message for Gin, in which Galen reveals he built a 231 00:14:19,440 --> 00:14:22,720 Speaker 1: weakness into the Death Star called Project start Us, although 232 00:14:22,760 --> 00:14:25,640 Speaker 1: it's not revealed until later, and that she should go 233 00:14:25,760 --> 00:14:28,680 Speaker 1: to the planet Scariff to get the imperial layouts of 234 00:14:28,720 --> 00:14:31,680 Speaker 1: the Project. Cassing and Rooke are able to escape with 235 00:14:31,720 --> 00:14:34,160 Speaker 1: the help of cheer At m Way, a blind spiritual 236 00:14:34,160 --> 00:14:37,640 Speaker 1: warrior who uses the Force, and his companion mercenary Blaze. 237 00:14:37,680 --> 00:14:41,480 Speaker 1: Malba's My favorite line, I will say is when he 238 00:14:41,560 --> 00:14:43,640 Speaker 1: does get the hood on his head and he's like, 239 00:14:43,680 --> 00:14:48,120 Speaker 1: really right because he's blind. I thought that was fantastic, 240 00:14:48,880 --> 00:14:51,040 Speaker 1: and I'll laugh every time, and that he is the 241 00:14:51,080 --> 00:14:55,080 Speaker 1: one who even character except he dies. So at the 242 00:14:55,160 --> 00:14:57,640 Speaker 1: same time, Critic, who was desperate to show off the 243 00:14:57,680 --> 00:15:00,400 Speaker 1: fruits of his labor and looks very much a German 244 00:15:00,480 --> 00:15:03,960 Speaker 1: Nazi soldier uh and get recognition for his work, orders 245 00:15:04,080 --> 00:15:07,080 Speaker 1: a low power demonstration of what the Death Star is 246 00:15:07,120 --> 00:15:11,480 Speaker 1: capable of by firing at the capital of Jetta. Jin 247 00:15:11,600 --> 00:15:13,800 Speaker 1: and the Gain are able to escape in time. Those 248 00:15:13,800 --> 00:15:17,440 Speaker 1: Sagarira stays behind, which he didn't have to. I don't understand. 249 00:15:17,920 --> 00:15:21,320 Speaker 1: The demonstration backfires for Clinic when Tarkan takes control of 250 00:15:21,360 --> 00:15:25,440 Speaker 1: the project due to rocks defection and related security issues. 251 00:15:25,640 --> 00:15:29,080 Speaker 1: So he claims, I love the java between Turkid and 252 00:15:29,160 --> 00:15:31,760 Speaker 1: Darth Vader each othernic We're going to talk about that. 253 00:15:31,920 --> 00:15:33,400 Speaker 1: I have a whole section on it. But I really 254 00:15:33,400 --> 00:15:36,840 Speaker 1: love they're they're kind of like sassy. So I want 255 00:15:36,840 --> 00:15:39,840 Speaker 1: to go back to that. Sagarira could have lived Okay, yes, 256 00:15:40,000 --> 00:15:47,120 Speaker 1: he could have us heah, he's very intense. We shall 257 00:15:47,200 --> 00:15:49,800 Speaker 1: say he's perfectly cast though, I just want to put 258 00:15:49,840 --> 00:15:55,360 Speaker 1: that out. Excellent Whitaker so great anyway, m m m hmmm. 259 00:15:56,280 --> 00:15:58,440 Speaker 1: Rook directs them to the planet of I Do, where 260 00:15:58,480 --> 00:16:02,240 Speaker 1: Galen are So is stationed. Cassian instructs Jin to stay 261 00:16:02,240 --> 00:16:04,960 Speaker 1: behind on the ship. She ignores him, sneaking out to 262 00:16:05,000 --> 00:16:07,720 Speaker 1: catch a glimpse of her father, who again she has 263 00:16:07,760 --> 00:16:10,520 Speaker 1: not seen since she was a child. Cassian prepares to 264 00:16:10,600 --> 00:16:14,000 Speaker 1: kill Galen via sniper rifle, but decides against it when 265 00:16:14,040 --> 00:16:18,080 Speaker 1: he notices Jin approaching. However, the rebel forces launch a 266 00:16:18,080 --> 00:16:22,480 Speaker 1: bomb strike that hits just after she reveals herself, and 267 00:16:22,600 --> 00:16:25,680 Speaker 1: after Galen admits he is the trader, Critic orders the 268 00:16:25,720 --> 00:16:28,200 Speaker 1: death of the other researchers on his team and they 269 00:16:28,200 --> 00:16:31,680 Speaker 1: are executed. So this happens, and then the rebels come 270 00:16:31,720 --> 00:16:35,040 Speaker 1: in and they launched his bomb strike um and Galen 271 00:16:35,200 --> 00:16:39,280 Speaker 1: is wounded and dies in Jim's arms. She is forced 272 00:16:39,360 --> 00:16:41,960 Speaker 1: to leave his body behind and escapes with Cassian and 273 00:16:42,000 --> 00:16:45,800 Speaker 1: the others. Critic is summoned by Vader, and when Critic 274 00:16:45,960 --> 00:16:49,440 Speaker 1: demands to speak with them for Vader forced chokes him, 275 00:16:49,600 --> 00:16:54,600 Speaker 1: telling him to be careful not to choke on his aspirations. Classic. 276 00:16:54,960 --> 00:16:57,520 Speaker 1: I wonder how many puns he went around making, You 277 00:16:57,560 --> 00:16:59,680 Speaker 1: know he should have, especially when it's like don't choke 278 00:16:59,760 --> 00:17:04,320 Speaker 1: on the Also, that didn't sound much, James Earl Jones. 279 00:17:04,359 --> 00:17:06,760 Speaker 1: I wanted to put that in there when I heard 280 00:17:06,760 --> 00:17:10,040 Speaker 1: that line. Um so Jin, now armed with the knowledge 281 00:17:10,040 --> 00:17:15,080 Speaker 1: of her father's intentions after all this time, who have 282 00:17:15,320 --> 00:17:17,800 Speaker 1: obviously has to die so they can't have be happy, 283 00:17:18,280 --> 00:17:20,639 Speaker 1: tries to pursue the leaders of the rebel fleet to 284 00:17:20,720 --> 00:17:23,160 Speaker 1: go to scare Of to steal the death Star plans, 285 00:17:23,320 --> 00:17:28,400 Speaker 1: but she fails, obviously because everything is the worst. Determined 286 00:17:28,400 --> 00:17:31,119 Speaker 1: to try anyway, she sets out to common Deer a 287 00:17:31,160 --> 00:17:33,359 Speaker 1: ship and it's approached by Cassian and a group of 288 00:17:33,359 --> 00:17:36,040 Speaker 1: fighters who want to help her out of guilt. I 289 00:17:36,040 --> 00:17:39,320 Speaker 1: don't know rock names are still an Imperial ship. Rogue one. 290 00:17:40,040 --> 00:17:42,720 Speaker 1: Jin gives an inspirational speech about how they're going to 291 00:17:42,760 --> 00:17:46,440 Speaker 1: fight till the very end, and they do a disguise Jin, 292 00:17:46,680 --> 00:17:49,359 Speaker 1: Cassian and K two s O, who has become my favorite, 293 00:17:49,359 --> 00:17:51,760 Speaker 1: one of my favorites. I've decided that I just truly 294 00:17:51,880 --> 00:17:57,520 Speaker 1: love defiant rebellious robots or drawing. Those are my favorite 295 00:17:57,520 --> 00:18:00,480 Speaker 1: because I love some K two s O as much 296 00:18:00,480 --> 00:18:04,199 Speaker 1: as I love Chopper. Yes, Chopper is also fantastic. Just 297 00:18:04,240 --> 00:18:06,800 Speaker 1: so you know. They entered the Imperial base while the 298 00:18:06,800 --> 00:18:09,639 Speaker 1: rest of the rebellion force attacks to cause a distraction, 299 00:18:09,720 --> 00:18:12,359 Speaker 1: and they all die. When the Lions leaders hear about this, 300 00:18:12,680 --> 00:18:15,400 Speaker 1: they reverse their decision and send their fleet in support. 301 00:18:15,520 --> 00:18:17,720 Speaker 1: And then comes all the sadness and all the death, 302 00:18:17,800 --> 00:18:20,920 Speaker 1: and all the hateful, hateful beasts, and all the fields. 303 00:18:22,680 --> 00:18:27,600 Speaker 1: It is moving. I was surprised, I was moved. I'm angry. 304 00:18:27,800 --> 00:18:30,760 Speaker 1: I think that might be our differences and emotional reactions 305 00:18:30,760 --> 00:18:35,120 Speaker 1: to things. But okay, here we go. Let's break down 306 00:18:35,119 --> 00:18:39,719 Speaker 1: these sadness. So K two s O sacrifices himself so 307 00:18:39,840 --> 00:18:42,000 Speaker 1: Jin and Cassian can enter the room where the data 308 00:18:42,040 --> 00:18:43,840 Speaker 1: is held. And notably, this is after the kind of 309 00:18:44,800 --> 00:18:47,520 Speaker 1: Jin who is distrustful of Joys, gave him his much 310 00:18:47,520 --> 00:18:50,600 Speaker 1: desired blaster, like they kind of had this connection. Suret 311 00:18:51,080 --> 00:18:54,480 Speaker 1: dies after activating the master's switch so the rebellion can 312 00:18:54,520 --> 00:18:57,680 Speaker 1: contact the ground to get the data base. Malvis dies, 313 00:18:57,800 --> 00:19:00,840 Speaker 1: killing Imperial forces to hold them back Uh and the yard, 314 00:19:00,920 --> 00:19:03,120 Speaker 1: saying I am one with the force, the forces with me. 315 00:19:04,000 --> 00:19:08,199 Speaker 1: Brooke dies by grenade after informing the rebel forces what 316 00:19:08,280 --> 00:19:10,560 Speaker 1: they need to do to intercept the desk Star plans 317 00:19:10,560 --> 00:19:13,600 Speaker 1: and also setting up this connection. One of the rebels 318 00:19:13,680 --> 00:19:17,240 Speaker 1: uses a Hammerhead corvette ship to destroy two star destroyers, 319 00:19:17,560 --> 00:19:21,040 Speaker 1: causing the ensuing wreckage to crash onto the shield generator 320 00:19:21,160 --> 00:19:25,040 Speaker 1: and causing it to fail. Meanwhile, Jin and Cassian get 321 00:19:25,040 --> 00:19:27,480 Speaker 1: their hands on the plans, what are attacked by Critic, 322 00:19:27,480 --> 00:19:31,000 Speaker 1: who shoots and wounds Cassian. Jin climbs up to the 323 00:19:31,000 --> 00:19:33,560 Speaker 1: top of the structure and after some obstacles and a fight, 324 00:19:33,920 --> 00:19:36,720 Speaker 1: is able to transmit the schematics moments before the Desktar 325 00:19:36,800 --> 00:19:40,360 Speaker 1: arrives above. Scareff is very visually cool by the way, 326 00:19:40,600 --> 00:19:44,160 Speaker 1: um Tarkian orders another low powered blast at the antenna, 327 00:19:44,600 --> 00:19:49,080 Speaker 1: killing Critic and causing a tsunami that kills Cassian and Jin. Yes, 328 00:19:49,160 --> 00:19:52,639 Speaker 1: this is my best satisfy, however, and all the remaining 329 00:19:52,680 --> 00:19:57,119 Speaker 1: ground forces. Meanwhile, the Rebel fleet tries to jump to hyperspace, 330 00:19:57,160 --> 00:20:01,119 Speaker 1: but they are besieged by Darth Vader's star destroyer. Vader 331 00:20:01,240 --> 00:20:03,760 Speaker 1: arrives on one of the ships and kills many of 332 00:20:03,840 --> 00:20:06,359 Speaker 1: the Rebel soldiers, but they managed to pass along the 333 00:20:06,400 --> 00:20:10,280 Speaker 1: plans to another starship that escapes. Uh. Some archival footage 334 00:20:10,320 --> 00:20:12,720 Speaker 1: was used in this scene, and apparently they used vintage 335 00:20:13,080 --> 00:20:16,879 Speaker 1: seventies lenses and asked like the dudes to grow mutton 336 00:20:16,880 --> 00:20:22,320 Speaker 1: shops and mustaches to manage the seventies five pins? Is 337 00:20:22,320 --> 00:20:25,040 Speaker 1: there no Perkins? The two of them do show up. 338 00:20:25,119 --> 00:20:29,439 Speaker 1: I look for Porkins. One character I knew outside of 339 00:20:29,600 --> 00:20:34,320 Speaker 1: R two D two Leia Luke Darth Vader Han, which 340 00:20:34,320 --> 00:20:37,119 Speaker 1: I don't even think on New Hans named Chewbacca, M 341 00:20:37,680 --> 00:20:40,080 Speaker 1: is Porkins. And even to this day, I don't even 342 00:20:40,080 --> 00:20:42,359 Speaker 1: think I'll remember any of the other generals. I just 343 00:20:42,440 --> 00:20:49,399 Speaker 1: know Porkins. Anyway, keep going anyway, Perkins deside aside Yes. 344 00:20:49,600 --> 00:20:53,320 Speaker 1: Princess Leia is revealed, and this is after bail Or 345 00:20:53,400 --> 00:20:55,640 Speaker 1: Ghana is like, I have some mine. I trust her 346 00:20:55,640 --> 00:21:00,320 Speaker 1: with my life. Who bail Or Gana obviously being her dad, 347 00:21:00,400 --> 00:21:05,080 Speaker 1: her doctor dad, and she assures the person that hands 348 00:21:05,080 --> 00:21:08,320 Speaker 1: are the plans, that they contain hope. Uh. And the 349 00:21:08,359 --> 00:21:11,760 Speaker 1: movie came out less than two weeks before Carrie Fisher's death, 350 00:21:11,800 --> 00:21:14,040 Speaker 1: by the way, so it was really emotional when this happened, 351 00:21:14,880 --> 00:21:17,440 Speaker 1: and it jumps right into a new hope that that's 352 00:21:17,480 --> 00:21:22,240 Speaker 1: e seconds away. And just to really twist the nice 353 00:21:22,240 --> 00:21:26,360 Speaker 1: Samantha and they altern an ending they lived, characters lived, 354 00:21:29,240 --> 00:21:33,960 Speaker 1: but that sounds to here is the rage seating inside 355 00:21:35,640 --> 00:21:38,040 Speaker 1: this was that this was the original ending. But I 356 00:21:38,080 --> 00:21:40,080 Speaker 1: think some of the executives were like, oh gosh, this 357 00:21:40,119 --> 00:21:46,480 Speaker 1: is so sad. Two have the damn droid live, my god, 358 00:21:47,640 --> 00:21:50,560 Speaker 1: knowing Star Wars somehow that droid will show back up, 359 00:21:51,080 --> 00:21:55,399 Speaker 1: like at least my God. I love him, He's one 360 00:21:55,400 --> 00:21:59,720 Speaker 1: of my favorite actors. He needed to live. I was 361 00:21:59,800 --> 00:22:05,480 Speaker 1: very upset put his left. Yeah, this is this is ridiculous. Okay, 362 00:22:06,960 --> 00:22:10,600 Speaker 1: funny easter egg. The director stole the Death Star Plans prop, 363 00:22:11,000 --> 00:22:13,800 Speaker 1: which I think is funny. Some reviews I liked that 364 00:22:13,840 --> 00:22:16,800 Speaker 1: I wanted to include. George Lucas apparently said he liked 365 00:22:16,920 --> 00:22:19,399 Speaker 1: this movie better than The Force Awakens, and the director 366 00:22:19,400 --> 00:22:21,960 Speaker 1: of Rogue One said I can die happy now. David 367 00:22:22,040 --> 00:22:24,879 Speaker 1: el Rich at Indy Ryer wrote a spirited but agonizing 368 00:22:25,119 --> 00:22:29,000 Speaker 1: safe attempt to expand cinema's most holy blackbuster franchise and 369 00:22:29,080 --> 00:22:32,399 Speaker 1: keep the wheels greased between proper installments, just a glorified 370 00:22:32,440 --> 00:22:34,800 Speaker 1: excuse to rehet com some sense into one of the 371 00:22:34,840 --> 00:22:37,879 Speaker 1: silliest things about the original. Mostly, I'm just really tickled 372 00:22:37,920 --> 00:22:41,959 Speaker 1: by this because of everything that came after. Is this 373 00:22:42,160 --> 00:22:50,040 Speaker 1: like a silly safe How is this safe? Everybody died? Well, 374 00:22:50,440 --> 00:22:53,119 Speaker 1: there's a lot of funny things about this review in 375 00:22:53,240 --> 00:22:57,639 Speaker 1: retrospect one of my favorite things. So he's alluding to 376 00:22:59,000 --> 00:23:01,800 Speaker 1: they made this move V to explain one of the 377 00:23:01,800 --> 00:23:05,879 Speaker 1: biggest kind of jokes plot holes. I wouldn't call it 378 00:23:05,880 --> 00:23:07,879 Speaker 1: a plot hole, but it's just kind of silly that 379 00:23:08,119 --> 00:23:11,359 Speaker 1: why would they have this like one place or if 380 00:23:11,400 --> 00:23:15,720 Speaker 1: you shoot a blaster bolt down it, the whole thing 381 00:23:15,760 --> 00:23:19,760 Speaker 1: blows up. So this was this movie was like, ah, 382 00:23:19,880 --> 00:23:22,879 Speaker 1: we have your answer and it's so sad. Don't you 383 00:23:22,920 --> 00:23:26,240 Speaker 1: feel terrible about making fun of it now? But wait, 384 00:23:26,480 --> 00:23:30,040 Speaker 1: maybe it's because I didn't know the originals before Rogue One, 385 00:23:30,119 --> 00:23:31,840 Speaker 1: But I thought that was the whole point of her 386 00:23:31,920 --> 00:23:35,159 Speaker 1: having those plans. She did have plans, No, like I 387 00:23:35,240 --> 00:23:38,200 Speaker 1: didn't get those plans that could show the weakness she did. 388 00:23:38,200 --> 00:23:42,639 Speaker 1: They're saying the weakness is silly, Like as a plot point, 389 00:23:42,880 --> 00:23:45,159 Speaker 1: that is very silly that they would have that built in, 390 00:23:45,320 --> 00:23:48,200 Speaker 1: Like why would that exist? Oh, so that someone would 391 00:23:48,280 --> 00:23:54,240 Speaker 1: portray the reason they Okay, yeah, that makes sense to me. 392 00:23:54,400 --> 00:23:56,280 Speaker 1: I always made sense. It was always kind of like 393 00:23:56,680 --> 00:23:59,600 Speaker 1: maybe a little suspension of disbelief, but also like, yeah, 394 00:24:00,440 --> 00:24:03,080 Speaker 1: it's space. Now, I don't know anything about building spaceships 395 00:24:03,080 --> 00:24:05,480 Speaker 1: for sure. Maybe this thing does lead directly to the 396 00:24:05,480 --> 00:24:07,679 Speaker 1: corner is going to blow up. I don't know, um, 397 00:24:07,760 --> 00:24:11,760 Speaker 1: but it has been in the Star Wars fandom very 398 00:24:11,800 --> 00:24:14,560 Speaker 1: much joked about, and this movie was kind of like, 399 00:24:14,680 --> 00:24:18,120 Speaker 1: ah ha, well this is why, and that's so much 400 00:24:18,119 --> 00:24:22,720 Speaker 1: of what Star Wars fandom is. That's what they do. Yeah, 401 00:24:22,800 --> 00:24:27,600 Speaker 1: and I like I could. I've talked before. A lot 402 00:24:27,600 --> 00:24:29,439 Speaker 1: of Star Wars fandom is very toxic. A lot of 403 00:24:29,480 --> 00:24:33,879 Speaker 1: it is very like well, actually, um, A lot of 404 00:24:33,880 --> 00:24:35,679 Speaker 1: times it kind of if it's the smaller thing, it 405 00:24:35,720 --> 00:24:40,119 Speaker 1: tickles me like I love the kind of like Carrie 406 00:24:40,119 --> 00:24:42,600 Speaker 1: Fisher has this sort of British accent in the first one, 407 00:24:42,680 --> 00:24:46,640 Speaker 1: or like a strange detached British accents, and they later 408 00:24:46,680 --> 00:24:50,040 Speaker 1: explained it with that's a core accent, which really carry 409 00:24:50,080 --> 00:24:52,280 Speaker 1: Fisher later said, no, it's because I went to school 410 00:24:52,320 --> 00:24:55,000 Speaker 1: in London and that's kind of what I thought Royalty 411 00:24:55,119 --> 00:25:01,920 Speaker 1: would sound like. Exactly, it's not all. They're not wrong, right, 412 00:25:02,119 --> 00:25:03,959 Speaker 1: Like I never there was never any part of me 413 00:25:04,040 --> 00:25:07,120 Speaker 1: that questioned that, but then a lot of fans did. 414 00:25:07,160 --> 00:25:09,840 Speaker 1: So they wrote in an explanation like they always do this. 415 00:25:09,960 --> 00:25:14,200 Speaker 1: It's like they're embarrassed that we found a plot hole. Um, 416 00:25:14,240 --> 00:25:17,640 Speaker 1: but if it's something huge or like character altering, then 417 00:25:17,680 --> 00:25:19,800 Speaker 1: I don't like it. Then I do not like it. 418 00:25:20,080 --> 00:25:22,040 Speaker 1: And maybe it's is George Lucas being a bit of 419 00:25:22,040 --> 00:25:24,359 Speaker 1: a narcissist who just can't be wrong, so he tries 420 00:25:24,400 --> 00:25:28,960 Speaker 1: to correct it. Maybe maybe in this movie, which I 421 00:25:29,000 --> 00:25:31,600 Speaker 1: do love and I don't think, I'm kind of not 422 00:25:31,640 --> 00:25:33,560 Speaker 1: really talking about this, even though it is part of 423 00:25:33,600 --> 00:25:37,280 Speaker 1: the culture that made this. Um, George Lucas didn't. He 424 00:25:37,320 --> 00:25:39,320 Speaker 1: gave up control by this point, but he was sort 425 00:25:39,320 --> 00:25:43,320 Speaker 1: of kind of notories for that. And that's why the 426 00:25:43,640 --> 00:25:46,000 Speaker 1: who shot first with Greto and Han scene has changed 427 00:25:46,040 --> 00:25:51,240 Speaker 1: so much, because well I don't know him, but in 428 00:25:51,359 --> 00:25:55,119 Speaker 1: my in my understanding is because he kept changing his 429 00:25:55,280 --> 00:25:59,160 Speaker 1: mind on like how we interpreted that scene and how 430 00:25:59,200 --> 00:26:03,080 Speaker 1: he thought we should interpret that scene ultimately that he 431 00:26:03,119 --> 00:26:07,840 Speaker 1: wanted you to Originally he kind of was more like Hans, 432 00:26:07,920 --> 00:26:11,119 Speaker 1: a straight up smuggler at this point, and now he 433 00:26:11,280 --> 00:26:12,840 Speaker 1: sort of seems to have come to the point where 434 00:26:12,880 --> 00:26:14,959 Speaker 1: he wants you to believe Han was shooting his self defense. 435 00:26:16,119 --> 00:26:20,639 Speaker 1: So basically what I'm saying is this franchise is Are 436 00:26:20,640 --> 00:26:23,400 Speaker 1: we supposed to think that Han is like all the time, 437 00:26:23,520 --> 00:26:25,399 Speaker 1: has always been a good guy or something. Is that 438 00:26:25,440 --> 00:26:28,679 Speaker 1: what we're supposed to believe because he is not. I 439 00:26:28,760 --> 00:26:34,440 Speaker 1: don't think so, But we're supposed to think he's better valiant. 440 00:26:35,560 --> 00:26:39,240 Speaker 1: I think we're just which again, like I literally and 441 00:26:39,280 --> 00:26:41,840 Speaker 1: maybe it says something about me, But I never really 442 00:26:41,840 --> 00:26:44,760 Speaker 1: thought about it that way. Like I just was like, Okay, 443 00:26:44,800 --> 00:26:46,560 Speaker 1: he has this character arc where he comes to care 444 00:26:46,560 --> 00:26:49,040 Speaker 1: about people, But I thought his whole character arg was 445 00:26:49,080 --> 00:26:50,760 Speaker 1: like caring about people but doesn't want to show his 446 00:26:50,800 --> 00:26:57,240 Speaker 1: weakness and he'd rather whatever that means. But I think 447 00:26:57,280 --> 00:27:02,280 Speaker 1: that for whatever reason, George Lucas in that one scene 448 00:27:02,880 --> 00:27:07,160 Speaker 1: as because it's four times which, by the way, I'm 449 00:27:07,160 --> 00:27:11,760 Speaker 1: going to see a new Hope in theaters on Revenge 450 00:27:11,760 --> 00:27:16,240 Speaker 1: of the Fifth May five, and uh, I've heard that 451 00:27:16,280 --> 00:27:18,040 Speaker 1: it's going to cause a lot of drama because no 452 00:27:18,080 --> 00:27:25,639 Speaker 1: one knows what version they're showing. Yeah, immediately, oh I 453 00:27:25,680 --> 00:27:27,400 Speaker 1: will know. Oh if they don't have the green text 454 00:27:27,440 --> 00:27:29,840 Speaker 1: in the beginning that I already know, already already know. 455 00:27:31,480 --> 00:27:33,800 Speaker 1: I actually really honestly don't care. I don't think it's 456 00:27:33,800 --> 00:27:35,800 Speaker 1: worth getting that upset about I have my preferred version, 457 00:27:35,880 --> 00:27:38,720 Speaker 1: but whatever, Yes, I know, you know, but that's I mean, 458 00:27:38,720 --> 00:27:40,800 Speaker 1: that's another great example is that he kept coming in 459 00:27:40,880 --> 00:27:43,159 Speaker 1: and like adding these things and trying to change it. 460 00:27:43,240 --> 00:27:44,800 Speaker 1: And I think a lot of that was due to 461 00:27:44,920 --> 00:27:49,960 Speaker 1: the fam dialogue that happens around these um So, is 462 00:27:49,960 --> 00:27:52,160 Speaker 1: that a good quality of bad quality? Do you think? 463 00:27:52,440 --> 00:27:56,000 Speaker 1: I don't think the examples we have, I don't think 464 00:27:56,000 --> 00:27:59,440 Speaker 1: it's a good quality. I think there are instances where 465 00:27:59,440 --> 00:28:03,280 Speaker 1: it could have been, especially like something is really problematic, 466 00:28:03,320 --> 00:28:05,399 Speaker 1: even though they had an example of that book of 467 00:28:05,440 --> 00:28:07,000 Speaker 1: Boba Fett and they just handled it in the very 468 00:28:07,040 --> 00:28:10,280 Speaker 1: worst way I thought, But they didn't. They didn't acknowledge. 469 00:28:10,280 --> 00:28:13,919 Speaker 1: They just were like never might forget that happened. It 470 00:28:14,040 --> 00:28:18,240 Speaker 1: was like that we just totally changed that now, right, 471 00:28:18,520 --> 00:28:21,960 Speaker 1: I remember. So I think there are instances where it 472 00:28:22,000 --> 00:28:25,320 Speaker 1: could be good. Most of the examples we get in 473 00:28:25,359 --> 00:28:28,840 Speaker 1: this fandom, I don't think are that. And I do 474 00:28:29,000 --> 00:28:32,960 Speaker 1: think like there's just a part of me that's like 475 00:28:33,040 --> 00:28:36,199 Speaker 1: let it go, Like it's so the people fans are 476 00:28:36,200 --> 00:28:39,240 Speaker 1: gonna nitpick. A lot of these fans are are the worst. 477 00:28:39,320 --> 00:28:41,680 Speaker 1: Let's just be real. We don't need to cater to them. 478 00:28:41,840 --> 00:28:47,760 Speaker 1: Like it's whatever, just ignore them. It's fine, and we 479 00:28:47,840 --> 00:28:50,959 Speaker 1: liked them. It was a fun like fairy tale promp. 480 00:28:51,280 --> 00:28:56,080 Speaker 1: We don't need to explain that I keep this thing 481 00:28:56,120 --> 00:28:58,680 Speaker 1: can sound like I don't like this. I love, to 482 00:28:58,720 --> 00:29:01,240 Speaker 1: be honest, I don't really take it a legitimate leave 483 00:29:01,320 --> 00:29:05,040 Speaker 1: since it wasn't filmed in matter of space. I think 484 00:29:05,200 --> 00:29:08,960 Speaker 1: Samantha's referencing my favorite criticism I think you are that 485 00:29:09,040 --> 00:29:12,640 Speaker 1: I've ever read of Return of the Jedi is clearly 486 00:29:12,680 --> 00:29:17,480 Speaker 1: it was filmed on Earth, and I'm sure was was. 487 00:29:18,240 --> 00:29:20,479 Speaker 1: I get what they're saying, but that's also very ignorant 488 00:29:20,480 --> 00:29:22,880 Speaker 1: because there are desserts on Earth. They filmed that on 489 00:29:22,960 --> 00:29:25,320 Speaker 1: Earth too. It's just you don't live in a desert, 490 00:29:25,680 --> 00:29:29,880 Speaker 1: you don't live in an ice place. Anyway. His fellow 491 00:29:30,000 --> 00:29:32,880 Speaker 1: was very mad about the fact that he thought, I 492 00:29:32,920 --> 00:29:36,880 Speaker 1: guess a forest would never exist in space, and this 493 00:29:37,000 --> 00:29:44,400 Speaker 1: was clearly filmed on Earth. Star Wars fans uh speaking 494 00:29:44,400 --> 00:29:46,400 Speaker 1: of there was a lot of criticism of the digital 495 00:29:46,520 --> 00:29:49,640 Speaker 1: recreations of Tarkan and Leah, which again kind of tickles me, 496 00:29:50,000 --> 00:29:52,400 Speaker 1: given what we're dealing with now, what we're seeing now. 497 00:29:52,640 --> 00:29:55,160 Speaker 1: This was one of the first instances because Carrie Fisher 498 00:29:55,200 --> 00:29:58,800 Speaker 1: did die around this time. The actory played Tarkan had 499 00:29:58,800 --> 00:30:02,880 Speaker 1: been dead for a while where we were there was 500 00:30:02,920 --> 00:30:04,800 Speaker 1: a lot of questions about the ethics of it, because 501 00:30:04,920 --> 00:30:08,600 Speaker 1: she obviously didn't sign a contract that said she didn't 502 00:30:08,640 --> 00:30:12,000 Speaker 1: sign a contract. Was informed knowledge that that was an option, 503 00:30:12,080 --> 00:30:14,680 Speaker 1: that that was a thing like you do sort of 504 00:30:15,080 --> 00:30:17,760 Speaker 1: sign away your likeness a lot of times for these things. 505 00:30:18,200 --> 00:30:22,480 Speaker 1: But this is different than that. This is like recreating you, 506 00:30:23,360 --> 00:30:28,440 Speaker 1: and that's kind of a yeah. As in fact, there's 507 00:30:28,480 --> 00:30:32,479 Speaker 1: been apparently a whole concert show in Las Vegas with 508 00:30:32,480 --> 00:30:38,880 Speaker 1: Whitney Houston really and they've been selling out. So I 509 00:30:38,920 --> 00:30:41,800 Speaker 1: don't know, I haven't dug deeper into it. I didn't 510 00:30:41,800 --> 00:30:44,760 Speaker 1: even know this existed. I knew it's been happened because 511 00:30:44,760 --> 00:30:47,840 Speaker 1: you know, we know Tupac had a performance just but 512 00:30:47,920 --> 00:30:52,000 Speaker 1: it was like one performance. This is whole shows apparently, 513 00:30:52,160 --> 00:30:53,840 Speaker 1: And I don't know who's getting the money. That has 514 00:30:53,880 --> 00:30:57,200 Speaker 1: a lot of questions because our daughter died, um, so 515 00:30:57,400 --> 00:31:01,520 Speaker 1: I'm not really sure who gets that who Yeah, uh, yeah, 516 00:31:02,040 --> 00:31:07,080 Speaker 1: that's yeah, that's a concern that I've had, kind of 517 00:31:07,120 --> 00:31:10,120 Speaker 1: the like monetary aspect, who owns your who owns you? 518 00:31:10,160 --> 00:31:13,200 Speaker 1: And I've seen a lot of YouTube videos about it lately. Well, 519 00:31:13,200 --> 00:31:15,480 Speaker 1: like that's what we're having again. We're kind of I 520 00:31:15,720 --> 00:31:17,840 Speaker 1: will come back, but like jet Lee would not do 521 00:31:18,080 --> 00:31:21,720 Speaker 1: Nitrix because he didn't want his moves recorded to be 522 00:31:21,960 --> 00:31:27,560 Speaker 1: right that way, right, Yeah, and I like that. Yeah, 523 00:31:27,600 --> 00:31:29,880 Speaker 1: we're getting into a whole separate conversation. But one of 524 00:31:29,920 --> 00:31:33,239 Speaker 1: the reasons I really really love the Originals and I 525 00:31:33,240 --> 00:31:36,400 Speaker 1: think they work and there's a lot of the nostalgia involved, 526 00:31:36,440 --> 00:31:37,600 Speaker 1: and I'm not going to deny that, but I do 527 00:31:37,680 --> 00:31:43,240 Speaker 1: think like Carrie Fisher and Mark Hamill, they brought something 528 00:31:43,320 --> 00:31:49,680 Speaker 1: to it, like personal to it, and it was and 529 00:31:49,880 --> 00:31:51,640 Speaker 1: they I just feel like they gave so much of 530 00:31:51,640 --> 00:31:53,960 Speaker 1: themselves and they were so genuine in those roles and 531 00:31:54,000 --> 00:31:56,520 Speaker 1: they shaped them. And Harrison for did a great job, 532 00:31:56,520 --> 00:31:59,080 Speaker 1: but I think like more so because he kind of 533 00:31:59,080 --> 00:32:01,719 Speaker 1: has that whole persona vibe anyway, But they kind of 534 00:32:01,760 --> 00:32:05,720 Speaker 1: like really gave this themselves to it and they didn't 535 00:32:05,760 --> 00:32:09,120 Speaker 1: do too much outside of it. Um that was huge. 536 00:32:09,160 --> 00:32:11,200 Speaker 1: Like they've done a lot of work that they don't 537 00:32:11,200 --> 00:32:12,920 Speaker 1: get a lot of notice for and a lot of 538 00:32:12,960 --> 00:32:15,720 Speaker 1: it's great and they should get more recognition. But that's 539 00:32:15,720 --> 00:32:18,400 Speaker 1: why I think like it's missing, it's missing something, and 540 00:32:18,400 --> 00:32:21,040 Speaker 1: there's that's also on Canny Valley stuff we're talking about, 541 00:32:21,120 --> 00:32:24,640 Speaker 1: but it is a part of this conversation for sure. 542 00:32:24,920 --> 00:32:26,920 Speaker 1: And I heard, I mean, and I heard a lot 543 00:32:26,920 --> 00:32:29,080 Speaker 1: of mixed when this came out. It was really emotional 544 00:32:29,120 --> 00:32:31,440 Speaker 1: because she had just died, but I heard a lot 545 00:32:31,480 --> 00:32:35,320 Speaker 1: of mixed reactions to it. I got emotional too, but 546 00:32:35,360 --> 00:32:40,520 Speaker 1: it was still kind of like whoa, um, and that 547 00:32:40,520 --> 00:32:44,520 Speaker 1: those conversations are obviously playing out right now. Um with 548 00:32:44,640 --> 00:32:50,680 Speaker 1: all the stuff in Mandelorian a bookfet also of interest. 549 00:32:51,320 --> 00:32:55,640 Speaker 1: This movie came out soon after Donald Trump's presidential victory, 550 00:32:56,040 --> 00:32:59,000 Speaker 1: and screenwriter White's tweeted, please note that the Empire is 551 00:32:59,040 --> 00:33:03,640 Speaker 1: a white supremacist human organization. And that's it's been really 552 00:33:03,680 --> 00:33:08,120 Speaker 1: interesting of like a lot of really right leading Republicans 553 00:33:08,160 --> 00:33:12,680 Speaker 1: don't seem to realize like the Empire is bad. Like 554 00:33:12,760 --> 00:33:15,720 Speaker 1: they tweet like the death Star stuff, and I'm like, right, 555 00:33:16,080 --> 00:33:20,400 Speaker 1: everyone was like, dude, you well even the songs Republicans 556 00:33:20,480 --> 00:33:25,640 Speaker 1: used the like that's something that's not what Yeah, No, 557 00:33:26,000 --> 00:33:28,040 Speaker 1: I don't think you're listening to this. Like when they 558 00:33:28,040 --> 00:33:31,040 Speaker 1: started doing Rage against the Machine, You're like literally you're 559 00:33:31,080 --> 00:33:37,959 Speaker 1: the machine. It's strange, very strange to me. And you know, 560 00:33:38,040 --> 00:33:39,640 Speaker 1: I have to mention we've been talking a lot about 561 00:33:39,640 --> 00:33:41,960 Speaker 1: fan fandom. I found this whole thing about fan fiction 562 00:33:42,040 --> 00:33:45,560 Speaker 1: this movie, and I wanted to include a quote about 563 00:33:45,560 --> 00:33:48,000 Speaker 1: Star Wars fandom and fans from the New York Times 564 00:33:48,840 --> 00:33:52,320 Speaker 1: after this movie came out. Quote. The dominant cultural image 565 00:33:52,320 --> 00:33:55,160 Speaker 1: of a Star Wars fan maybe a lightsaber wielding fanboy. 566 00:33:55,240 --> 00:33:58,560 Speaker 1: But women have always been essential creators in this span universe. 567 00:33:58,840 --> 00:34:01,760 Speaker 1: They started early and clubs and mailed out fanzines like 568 00:34:01,800 --> 00:34:05,960 Speaker 1: Skywalker and Moonbeam, packed with fiction, essays and art. In 569 00:34:07,000 --> 00:34:09,960 Speaker 1: Pat Knuseman published an essay and the zine Al Dran 570 00:34:10,280 --> 00:34:12,960 Speaker 1: that described a female fandom so rich and vast that 571 00:34:13,040 --> 00:34:16,719 Speaker 1: she was prompted to ask where are the men? She continued, 572 00:34:17,040 --> 00:34:19,919 Speaker 1: Male names are rare, and columns are fancy and order list, 573 00:34:20,120 --> 00:34:23,160 Speaker 1: male faces scarce at media conventions, and the number of 574 00:34:23,160 --> 00:34:25,920 Speaker 1: men writing are drawing or editing, and media fandom so 575 00:34:26,040 --> 00:34:30,600 Speaker 1: minimal as to be practically non existent. So I think 576 00:34:30,600 --> 00:34:34,520 Speaker 1: this is interesting because we've talked about this with the eighties. 577 00:34:35,239 --> 00:34:37,719 Speaker 1: It was very much simplifying the eighties when that's when 578 00:34:37,840 --> 00:34:40,560 Speaker 1: returned the Jedi came out, That's when this essay was 579 00:34:40,600 --> 00:34:44,400 Speaker 1: being written. At that point, Star Wars was very equal 580 00:34:44,880 --> 00:34:50,240 Speaker 1: um publicly, but that's when all this gendering of toys 581 00:34:50,320 --> 00:34:52,680 Speaker 1: and stuff happened in Star Wars. Like, as much as 582 00:34:52,719 --> 00:34:55,480 Speaker 1: I love it was very much the sort of thing 583 00:34:55,560 --> 00:35:00,759 Speaker 1: that launched toys like movie merchandise that's tired of or 584 00:35:00,800 --> 00:35:03,640 Speaker 1: it's the thing that popularized it and made it huge, 585 00:35:04,560 --> 00:35:08,000 Speaker 1: And so I think we see this sort of flip 586 00:35:08,040 --> 00:35:11,839 Speaker 1: of it being seen as a boys thing, and by 587 00:35:12,239 --> 00:35:15,560 Speaker 1: this point, when Rogue one came out, it's still that's 588 00:35:15,560 --> 00:35:17,440 Speaker 1: still the image, even though I think a lot of 589 00:35:17,440 --> 00:35:21,399 Speaker 1: the fandom, especially the kind of the perhaps less seeing fandom, 590 00:35:21,640 --> 00:35:38,040 Speaker 1: is women for sure. All Right, but let's talk about 591 00:35:38,040 --> 00:35:42,200 Speaker 1: some stuff. Let's talk about Jin, the main character, who 592 00:35:42,320 --> 00:35:45,040 Speaker 1: is a character who's not born into politics. She's not 593 00:35:45,120 --> 00:35:47,839 Speaker 1: born with the Force, but decides to fight for what 594 00:35:47,880 --> 00:35:49,880 Speaker 1: she sees us right anyway, So this is actually unique. 595 00:35:49,880 --> 00:35:53,480 Speaker 1: When you think about past heroes and heroines in Star Wars, 596 00:35:53,560 --> 00:35:57,120 Speaker 1: they usually have some kind of relation to somebody, or 597 00:35:57,160 --> 00:36:01,319 Speaker 1: they have the Force most likely both all are they 598 00:36:01,360 --> 00:36:04,840 Speaker 1: born into politics. She comes into her own as a 599 00:36:04,920 --> 00:36:09,160 Speaker 1: leader as far as costuming. She wasn't sexualized, and this 600 00:36:09,200 --> 00:36:12,879 Speaker 1: was kind of an upsettingly big deal at the time. 601 00:36:12,960 --> 00:36:15,279 Speaker 1: I remember reading a bunch of articles about it, like, well, 602 00:36:15,280 --> 00:36:19,640 Speaker 1: oh my gosh, she's wearing boots, she's ready for combat. Um, 603 00:36:19,800 --> 00:36:24,920 Speaker 1: she's wearing situation appropriate clothes. She's wearing like these shades 604 00:36:24,920 --> 00:36:27,000 Speaker 1: of browns and gray. Her hair is in a simple 605 00:36:27,000 --> 00:36:29,720 Speaker 1: style too. I mean you maybe you wouldn't be shocked, 606 00:36:29,760 --> 00:36:33,080 Speaker 1: but people wrote so much about it, and I remember 607 00:36:33,120 --> 00:36:36,239 Speaker 1: noticing it. When I saw it, I was like, oh, wow, Okay, 608 00:36:36,520 --> 00:36:39,960 Speaker 1: she's changed. She's competent, she's never really the damsel in distress. 609 00:36:40,920 --> 00:36:44,040 Speaker 1: She's tough, but she's still kind. She saves this little 610 00:36:44,040 --> 00:36:46,759 Speaker 1: girl despite the strong I give no attitude she's trying 611 00:36:46,800 --> 00:36:49,360 Speaker 1: to pull off at first, uh, and she's willing to 612 00:36:49,400 --> 00:36:52,479 Speaker 1: listen and change and lead. She knows how to fight, 613 00:36:52,600 --> 00:36:55,640 Speaker 1: she's strong, she's good weapons. Um. I kind of always 614 00:36:55,640 --> 00:37:00,520 Speaker 1: hesitate with that stuff because it's like masculine terror a tory, 615 00:37:00,800 --> 00:37:02,640 Speaker 1: and I don't know that it should be lauded, but 616 00:37:02,680 --> 00:37:06,200 Speaker 1: it's also you don't see women doing that often, Like 617 00:37:06,320 --> 00:37:07,840 Speaker 1: she can take care of herself. I guess it's the 618 00:37:07,880 --> 00:37:10,560 Speaker 1: best way to gut it. She's unique in being the 619 00:37:10,760 --> 00:37:14,440 Speaker 1: lead as it's her alone, although some might argue it's 620 00:37:14,440 --> 00:37:17,200 Speaker 1: her and Cassian, but like normally it's like On and 621 00:37:17,280 --> 00:37:21,640 Speaker 1: Leah or Anakin and pat May. They've sort of her right, 622 00:37:22,200 --> 00:37:24,879 Speaker 1: yah see, it is just there for the hug. It's 623 00:37:24,880 --> 00:37:26,759 Speaker 1: a damn good hug. I know you hate it, but 624 00:37:26,800 --> 00:37:31,440 Speaker 1: it's so good still. She's pretty much the only woman 625 00:37:31,480 --> 00:37:34,359 Speaker 1: of character of note. Other than some other cameos, only 626 00:37:35,160 --> 00:37:39,120 Speaker 1: of the film's dialogue was spoken by women. Cassian spoke 627 00:37:39,160 --> 00:37:42,960 Speaker 1: more than Jin did. She's kind of like, of course, 628 00:37:43,920 --> 00:37:46,000 Speaker 1: her face was. I was watching it the other day. 629 00:37:46,000 --> 00:37:48,319 Speaker 1: I was like, Wow, she's always unhappy, and I guess 630 00:37:48,320 --> 00:37:58,480 Speaker 1: it's always unhappy here. Um it does. It was very sad. 631 00:37:58,600 --> 00:38:01,239 Speaker 1: I know it does past the backdel test, but we 632 00:38:01,280 --> 00:38:04,319 Speaker 1: know that is not the end. Ambi all another thing 633 00:38:04,360 --> 00:38:06,600 Speaker 1: we've talked about, and a lot of this, a lot 634 00:38:06,640 --> 00:38:09,560 Speaker 1: of the entertainment that's really popular. A lot of her 635 00:38:09,600 --> 00:38:12,960 Speaker 1: actions are influenced by men, are are precipitated by men, 636 00:38:13,040 --> 00:38:15,719 Speaker 1: So like her dad kind of draws her in and 637 00:38:15,719 --> 00:38:18,399 Speaker 1: the Cassie kind of draws her in. Things like that. 638 00:38:19,160 --> 00:38:21,400 Speaker 1: This was the most diverse Star Wars film when it 639 00:38:21,440 --> 00:38:25,880 Speaker 1: came out easily, and many expressed annoyance and concern that 640 00:38:26,400 --> 00:38:28,400 Speaker 1: there were these characters of color, but they were almost 641 00:38:28,400 --> 00:38:31,120 Speaker 1: seen as a footnote and they didn't receive as much 642 00:38:31,160 --> 00:38:34,640 Speaker 1: attention or even merchandise. And lack of women of color 643 00:38:34,680 --> 00:38:37,319 Speaker 1: in substantial roles, and I think we talked about this 644 00:38:37,360 --> 00:38:39,680 Speaker 1: in the Sequelstorm, but almost always the lead role for 645 00:38:39,760 --> 00:38:43,000 Speaker 1: a woman in Star Wars petite, white, brown haired woman 646 00:38:43,120 --> 00:38:48,200 Speaker 1: and very pretty, yeah, but genetically Hollywood things to her. 647 00:38:48,440 --> 00:38:51,000 Speaker 1: But like, I really like she reminds me of someone 648 00:38:51,040 --> 00:38:52,719 Speaker 1: else that I've never seen because I've never seen her 649 00:38:52,719 --> 00:38:57,759 Speaker 1: in another movie, But she reminds me of ABC. Mm hmm. 650 00:38:59,120 --> 00:39:04,080 Speaker 1: This the toys thing, Bridget and I did a whole 651 00:39:04,080 --> 00:39:07,239 Speaker 1: episode on it, and it's really a big deal. Like 652 00:39:07,280 --> 00:39:10,440 Speaker 1: I know, it sounds sort of silly, but they choose things, 653 00:39:10,480 --> 00:39:14,080 Speaker 1: they choose characters and genders about what they think toys 654 00:39:14,120 --> 00:39:16,440 Speaker 1: will sell. And so this whole thing could have been 655 00:39:16,480 --> 00:39:19,200 Speaker 1: in response to what happened with Ray Toys and the 656 00:39:19,200 --> 00:39:22,839 Speaker 1: Force Awakens, where there were no Ray Toys. Even though 657 00:39:23,400 --> 00:39:27,000 Speaker 1: she's the main character. It was this huge fiasco. They 658 00:39:27,040 --> 00:39:31,520 Speaker 1: still haven't gotten it great, right. I also seem to 659 00:39:31,520 --> 00:39:34,280 Speaker 1: recall a lot of discussion about Cheering and Blaze possibly 660 00:39:34,320 --> 00:39:37,200 Speaker 1: being the first queer couple in Star Wars, but that 661 00:39:37,280 --> 00:39:39,239 Speaker 1: has never been confirmed as far as I know, And 662 00:39:39,280 --> 00:39:42,880 Speaker 1: I remember at the time there was this meme because 663 00:39:42,920 --> 00:39:45,360 Speaker 1: there was an announcement like, We're finally going to have 664 00:39:45,440 --> 00:39:47,680 Speaker 1: the first queer couple in Star Wars, and then it 665 00:39:47,760 --> 00:39:50,040 Speaker 1: was like two characters nobody had ever heard of. Please 666 00:39:50,080 --> 00:39:51,520 Speaker 1: don't yell at me if I'm wrong, but I just 667 00:39:51,560 --> 00:39:53,239 Speaker 1: remember it being we thought it was going to be 668 00:39:53,280 --> 00:39:56,600 Speaker 1: then maybe, and then it was I think it was 669 00:39:56,840 --> 00:40:00,520 Speaker 1: two characters from one of the animated shows. I will say, 670 00:40:00,520 --> 00:40:02,560 Speaker 1: though I know they talked about they love each other, 671 00:40:02,600 --> 00:40:04,680 Speaker 1: but even me in my head, I was like it 672 00:40:04,719 --> 00:40:09,759 Speaker 1: could be platonic and I didn't really grasp all of that, 673 00:40:09,840 --> 00:40:11,760 Speaker 1: not that I needed them to make out or anything, 674 00:40:11,800 --> 00:40:14,960 Speaker 1: but it still was like they played it safe. Nonetheless, 675 00:40:15,560 --> 00:40:18,279 Speaker 1: did I like their bond, absolutely, but I feel like 676 00:40:18,280 --> 00:40:21,600 Speaker 1: it could have been any real like brotherhood, even like 677 00:40:21,680 --> 00:40:25,399 Speaker 1: that's that level that you just don't know. So even 678 00:40:25,440 --> 00:40:27,680 Speaker 1: if they were, I feel like they just said it 679 00:40:27,719 --> 00:40:30,040 Speaker 1: to kind of say it, but they kept it safe 680 00:40:30,040 --> 00:40:32,480 Speaker 1: so that people didn't get mad. At them and them 681 00:40:32,560 --> 00:40:37,440 Speaker 1: being the creators. Yeah. Yeah, And I think like we 682 00:40:37,520 --> 00:40:39,960 Speaker 1: sort of talked about this in Creeerbating the Creerbating episode, 683 00:40:39,960 --> 00:40:42,840 Speaker 1: and it's really a complicated subject. I think we basically 684 00:40:42,840 --> 00:40:45,799 Speaker 1: we just need to normalize queer relationships because I also 685 00:40:45,880 --> 00:40:49,200 Speaker 1: want to see these platonic relationships, Like I want to 686 00:40:49,239 --> 00:40:54,239 Speaker 1: see that too. But that's the thing is like, if 687 00:40:54,280 --> 00:40:56,960 Speaker 1: it's queer, then that's great. But if it's also like 688 00:40:57,000 --> 00:40:59,120 Speaker 1: two men can actually love each other like this and 689 00:40:59,120 --> 00:41:02,160 Speaker 1: it's still be platon Let's normalize that and make that healthy. 690 00:41:02,360 --> 00:41:04,920 Speaker 1: A woman a man can't be friends and love each 691 00:41:04,960 --> 00:41:08,960 Speaker 1: other but not love each other and be platonic. Let's 692 00:41:09,000 --> 00:41:12,520 Speaker 1: normalize that. It doesn't all have to be sexual. Agree, 693 00:41:12,600 --> 00:41:15,080 Speaker 1: I love it. That's totally That's how I feel too. 694 00:41:15,400 --> 00:41:21,240 Speaker 1: Another theme throughout this is definitely father daughter relationships. Daddy 695 00:41:21,280 --> 00:41:28,080 Speaker 1: issues continue. That's big theme and Star Wars big. So 696 00:41:28,200 --> 00:41:31,759 Speaker 1: you have Jen with Galen obviously, but also Saw who 697 00:41:31,800 --> 00:41:35,080 Speaker 1: was sort of her adoptive caretaker for a while and 698 00:41:35,120 --> 00:41:38,359 Speaker 1: her really wanting him to be proud of her, which 699 00:41:38,400 --> 00:41:40,400 Speaker 1: is not a problem, it's just kind of something we 700 00:41:40,440 --> 00:41:42,600 Speaker 1: see a lot. Also the death of the mother, which 701 00:41:42,640 --> 00:41:44,440 Speaker 1: is a recurring theme and a lot of our entertainment, 702 00:41:44,480 --> 00:41:47,560 Speaker 1: including Star Wars. Yeah, I was like actually counting it 703 00:41:47,640 --> 00:41:49,319 Speaker 1: the other day and I'm like, oh, yeah, Pad made 704 00:41:49,600 --> 00:41:55,759 Speaker 1: like I was. It is though I know you hate 705 00:41:55,800 --> 00:41:57,080 Speaker 1: it when I bring this up, but I read this 706 00:41:57,239 --> 00:41:59,960 Speaker 1: essay about like, how do you for a kid's movie? 707 00:42:00,000 --> 00:42:01,840 Speaker 1: How do you draw them in? And it's like, immediately 708 00:42:01,840 --> 00:42:04,560 Speaker 1: you have to have the emotional trauma, like the thing, 709 00:42:04,640 --> 00:42:08,840 Speaker 1: the loss, just because the kids don't have the attention span. 710 00:42:09,160 --> 00:42:13,280 Speaker 1: So I can't decide if I like, if I appreciated 711 00:42:13,360 --> 00:42:15,880 Speaker 1: the death of the mother in this movie because it 712 00:42:15,960 --> 00:42:21,360 Speaker 1: seemed unnecessary, irrational and just out of nowhere, Like is 713 00:42:21,360 --> 00:42:23,520 Speaker 1: it a good thing that she was willing to fight 714 00:42:23,600 --> 00:42:26,280 Speaker 1: against them and not be taken in like her father 715 00:42:26,400 --> 00:42:29,000 Speaker 1: who got taken in and instead of you know, fighting 716 00:42:29,040 --> 00:42:32,279 Speaker 1: with her, just let her die or is it is 717 00:42:32,320 --> 00:42:36,400 Speaker 1: it her being just unnecessarily wild and not willing to 718 00:42:36,440 --> 00:42:39,000 Speaker 1: be there for her daughter, like those two conflicts in me. 719 00:42:39,360 --> 00:42:45,120 Speaker 1: But also why right? I mean, I think that that 720 00:42:45,280 --> 00:42:48,760 Speaker 1: is a good point, and I think that I've seen 721 00:42:49,520 --> 00:42:53,080 Speaker 1: a lot of these conversations play out where it's hard 722 00:42:53,080 --> 00:42:55,400 Speaker 1: because I'm not a parent, so I can't say, but 723 00:42:55,920 --> 00:42:57,680 Speaker 1: it's a it's a point of a lot to what 724 00:42:57,680 --> 00:43:01,000 Speaker 1: you're talking about. I've seen it also like I don't 725 00:43:01,000 --> 00:43:04,400 Speaker 1: want to I love this movie. That doesn't mean that 726 00:43:04,440 --> 00:43:06,719 Speaker 1: they were clearly like trying to have an emotional thing 727 00:43:06,760 --> 00:43:08,920 Speaker 1: and put her on her own and it, you know, 728 00:43:09,239 --> 00:43:12,040 Speaker 1: maybe doesn't make the most sense. But also she'd been 729 00:43:12,080 --> 00:43:16,359 Speaker 1: that traumatized and been stolen by renegades who also abandoned her, 730 00:43:16,400 --> 00:43:18,759 Speaker 1: she would have had a lot more issues. You know 731 00:43:18,760 --> 00:43:24,480 Speaker 1: what we say, you always say this, sorry, but it's true. 732 00:43:24,800 --> 00:43:29,720 Speaker 1: Keep going on. Actually had a lot of issues. She 733 00:43:29,280 --> 00:43:33,160 Speaker 1: seemed to go past them pretty quickly. She said she's 734 00:43:33,200 --> 00:43:35,959 Speaker 1: not used to people sticking around when things go bad. 735 00:43:37,160 --> 00:43:39,520 Speaker 1: Another thing I saw pop up a lot was this 736 00:43:39,640 --> 00:43:43,440 Speaker 1: theme of believing women because Gin is the only surviving 737 00:43:43,800 --> 00:43:47,000 Speaker 1: person who saw the message from Galen saying like there 738 00:43:47,200 --> 00:43:50,160 Speaker 1: is this I put in this h flaw on the 739 00:43:50,200 --> 00:43:52,840 Speaker 1: death story. You need to get the plans. And when 740 00:43:52,840 --> 00:43:55,719 Speaker 1: she they talked about it, it's like kind of alliance 741 00:43:55,760 --> 00:43:59,200 Speaker 1: rebellion meeting people don't believe her because she's the only 742 00:43:59,239 --> 00:44:02,920 Speaker 1: one that's hot because she's his daughter. And later when 743 00:44:02,920 --> 00:44:04,880 Speaker 1: she's sort of like I'm going anyway I'll go alone. 744 00:44:05,440 --> 00:44:07,920 Speaker 1: All these people come up and support her, and Cassian says, 745 00:44:08,520 --> 00:44:13,319 Speaker 1: I believe you. And then, as I mentioned earlier, toxic masculinity, 746 00:44:13,400 --> 00:44:16,200 Speaker 1: which we talked about a lot in the sequel one 747 00:44:16,200 --> 00:44:19,720 Speaker 1: because the Last Jedi is like a whole study on toxic. 748 00:44:21,280 --> 00:44:24,560 Speaker 1: But so you have all these dudes, You've got Vader, 749 00:44:24,560 --> 00:44:27,360 Speaker 1: you've got tark and you've got Critic basically being really 750 00:44:27,400 --> 00:44:32,600 Speaker 1: petty with each other to get more right, right, And 751 00:44:32,719 --> 00:44:35,680 Speaker 1: I felt like I was watching when they do the 752 00:44:35,760 --> 00:44:40,440 Speaker 1: soap operas with women that it was beautiful. I totally agree. 753 00:44:40,960 --> 00:44:44,640 Speaker 1: And for something we because we hold masculine things about 754 00:44:44,680 --> 00:44:48,160 Speaker 1: feminine things, this is acceptable, but soap proper thing like 755 00:44:48,200 --> 00:44:50,960 Speaker 1: you should be that's a guilty pleasure, right, Well, it's 756 00:44:51,000 --> 00:44:53,719 Speaker 1: acceptable because at least someone dies. You need that action. 757 00:44:53,800 --> 00:45:00,919 Speaker 1: Apparently just being portrayed and crying. Mm hmmm, well yeah, 758 00:45:00,920 --> 00:45:03,440 Speaker 1: I guess you know you're right, You're not wrong. Violence 759 00:45:03,600 --> 00:45:10,520 Speaker 1: some type of like aggressive behavior. Um, and I don't know, 760 00:45:10,760 --> 00:45:13,200 Speaker 1: there's just something about me that gets some joy out 761 00:45:13,200 --> 00:45:15,839 Speaker 1: of that. I know it's not good, but this made 762 00:45:15,840 --> 00:45:18,640 Speaker 1: me laugh that they're all kind of like and there's 763 00:45:18,680 --> 00:45:23,080 Speaker 1: some really great Tarken Invader shade that happens. I love 764 00:45:23,239 --> 00:45:26,000 Speaker 1: it because Tarkin knows he's too high for Vader to 765 00:45:26,120 --> 00:45:29,799 Speaker 1: kill him, so I really enjoy watching them go at it. 766 00:45:30,120 --> 00:45:31,799 Speaker 1: They do that a lot in comics. You can see 767 00:45:31,800 --> 00:45:37,080 Speaker 1: there's some really good, really good exchanges. And then I 768 00:45:37,160 --> 00:45:40,400 Speaker 1: found this interesting. A lot of things, a lot of 769 00:45:40,480 --> 00:45:42,200 Speaker 1: articles I read. We're talking about how this is a 770 00:45:42,200 --> 00:45:46,279 Speaker 1: movie about war and politics or avoiding politics, and the 771 00:45:46,360 --> 00:45:50,840 Speaker 1: timing when it came out was really interesting. Um, picking 772 00:45:50,840 --> 00:45:54,000 Speaker 1: and choosing when to be political, losing sight of things 773 00:45:54,040 --> 00:45:55,960 Speaker 1: in war. So you have Cassie and being like, you know, 774 00:45:56,120 --> 00:45:58,360 Speaker 1: I didn't get to pick and choose when I'm in 775 00:45:58,400 --> 00:46:00,360 Speaker 1: the rebellion. I've been in this since I was six. 776 00:46:00,920 --> 00:46:05,960 Speaker 1: We've also got the everyday heroism, so I thought that 777 00:46:06,040 --> 00:46:09,520 Speaker 1: was really interesting. I mean, I can't talk about this. 778 00:46:09,560 --> 00:46:12,200 Speaker 1: I'm gonna it's gonna be open a whole thing. But 779 00:46:13,400 --> 00:46:16,200 Speaker 1: I I thought that was really interesting because you kind 780 00:46:16,200 --> 00:46:20,840 Speaker 1: of get to see like all these different people and 781 00:46:20,920 --> 00:46:24,200 Speaker 1: where they're coming from and why, and it's not always pretty, 782 00:46:24,520 --> 00:46:28,680 Speaker 1: I guess, and then hope. You know, it's really dark, 783 00:46:29,520 --> 00:46:35,399 Speaker 1: but rebellions are built on hope. She's giving me the 784 00:46:35,440 --> 00:46:42,680 Speaker 1: most unimpressed face. Oh, I do like that she gives 785 00:46:42,680 --> 00:46:45,839 Speaker 1: that speech. I like that she kind of steps up. 786 00:46:47,320 --> 00:46:53,240 Speaker 1: I don't know because everybody yeah, and then she dies. Yeah, 787 00:46:53,320 --> 00:46:55,120 Speaker 1: they got a good hug out of it, though. You 788 00:46:58,400 --> 00:47:01,520 Speaker 1: know what I'm learning through this. If you your favorite 789 00:47:01,520 --> 00:47:05,239 Speaker 1: fan fiction tag would be everybody lives nobody dies, which 790 00:47:05,280 --> 00:47:07,480 Speaker 1: is a tag. I just need a few. I don't 791 00:47:07,480 --> 00:47:11,080 Speaker 1: need everybody. I need a few people to live. Yeah. Well, 792 00:47:12,440 --> 00:47:14,239 Speaker 1: when I was watching Esty, I was like, well, you know, 793 00:47:14,440 --> 00:47:18,000 Speaker 1: Lea lives, but then she's not on that she's not 794 00:47:18,040 --> 00:47:21,759 Speaker 1: on that planet. And yeah she does, and she doesn't 795 00:47:21,800 --> 00:47:24,719 Speaker 1: have a happy marriage. Nothing is happy. This is why 796 00:47:24,760 --> 00:47:28,439 Speaker 1: you need headcannon. My headcanon is very well oiled. It's 797 00:47:28,480 --> 00:47:34,799 Speaker 1: like nothing in the sequels, or maybe some stuff, but 798 00:47:34,840 --> 00:47:39,640 Speaker 1: only the good stuff. Did you talk about Hans the 799 00:47:39,719 --> 00:47:45,640 Speaker 1: Solo movie movie? I like, I do kill off of 800 00:47:45,680 --> 00:47:49,600 Speaker 1: several of my favorite characters, but at least several people live. Yes, 801 00:47:50,120 --> 00:47:55,920 Speaker 1: and also Kira, who's the love interest in that one, 802 00:47:56,400 --> 00:47:58,440 Speaker 1: because she is a badass. She is, she does not 803 00:47:58,560 --> 00:48:03,640 Speaker 1: need to be his love interest. He fights Vader and wins. Yes. 804 00:48:03,680 --> 00:48:07,480 Speaker 1: In a recent comic, isn't that wild? Wow? But yeah, 805 00:48:07,480 --> 00:48:09,560 Speaker 1: it's done. For that, I would love to talk about that. 806 00:48:09,600 --> 00:48:11,800 Speaker 1: I can also kind of complain about how John Favril 807 00:48:11,880 --> 00:48:14,680 Speaker 1: has all these voice cameos and things that kind of 808 00:48:14,719 --> 00:48:26,760 Speaker 1: a polished me so different characters and Star Wars. I'm sorry. 809 00:48:28,040 --> 00:48:30,759 Speaker 1: At least he's not injecting himself as a person, like 810 00:48:30,880 --> 00:48:35,839 Speaker 1: his whole body in his face everywhere. Anyway, I have 811 00:48:35,920 --> 00:48:39,040 Speaker 1: no real problem with him. I just might wait a minute, 812 00:48:39,080 --> 00:48:43,759 Speaker 1: you can't be this, but can't I know I have 813 00:48:43,800 --> 00:48:47,879 Speaker 1: no power in this. Really wish I did. Maybe one day, 814 00:48:48,000 --> 00:48:54,520 Speaker 1: you know what, I'm going to start a scheme. We 815 00:48:54,600 --> 00:48:56,400 Speaker 1: really went off the rails on this one. I like, 816 00:48:57,920 --> 00:49:00,360 Speaker 1: I feel like we touched on some real good fitness issues. 817 00:49:00,400 --> 00:49:02,800 Speaker 1: We also touched on things that we're just Star Wars 818 00:49:02,840 --> 00:49:07,920 Speaker 1: were like. Anyway, Happy Star Wars Day, May the fourth 819 00:49:07,960 --> 00:49:10,759 Speaker 1: be with you. Thanks as always for coming all these 820 00:49:10,840 --> 00:49:13,200 Speaker 1: journeys with me. I know we didn't like it, Samantha, 821 00:49:13,520 --> 00:49:18,280 Speaker 1: but whatever, whatever, I feel like it was a good 822 00:49:19,400 --> 00:49:24,640 Speaker 1: We had differing points of view, yes well. As always, 823 00:49:25,280 --> 00:49:28,239 Speaker 1: we would love suggestions for the next movie that we 824 00:49:28,280 --> 00:49:30,680 Speaker 1: should watch. You can email those to us at Stephanie 825 00:49:30,719 --> 00:49:32,160 Speaker 1: da Mom. Stuff that I hurt me dot com. You 826 00:49:32,160 --> 00:49:33,920 Speaker 1: can find us on Twitter at moms to podcast or 827 00:49:33,960 --> 00:49:36,080 Speaker 1: on Instagram. That stuff I Never told you. Thanks as 828 00:49:36,080 --> 00:49:39,000 Speaker 1: always to our super producer, Christina. I'm sorry for screaming 829 00:49:39,080 --> 00:49:42,719 Speaker 1: so much. No she's not, and thanks to you for 830 00:49:42,840 --> 00:49:44,920 Speaker 1: listening stuff I never told you. His protection. If I 831 00:49:45,000 --> 00:49:47,239 Speaker 1: Heart radio from more podcasts from I Hear Radio, visit 832 00:49:47,400 --> 00:49:49,520 Speaker 1: her radio app Apple podcast or if you listen to 833 00:49:49,560 --> 00:49:50,120 Speaker 1: pavide Ship