WEBVTT - Ep. 586: BONUS DROP - Cutting the Rough Cuts

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<v Speaker 1>This is the Meat Eater Podcast coming at you shirtless, severely,

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<v Speaker 1>bug bitten, and in my case, underwear listeningcast. You can't

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<v Speaker 1>predict anything. The Meat Eater Podcast is brought to you

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<v Speaker 1>by First Light. Whether you're checking trail cams, hanging deer stands,

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<v Speaker 1>or scouting for ELK. First Light has performance apparel to

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<v Speaker 1>support every hunter in every environment. Check it out at

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<v Speaker 1>first light dot com. F I R S T l

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<v Speaker 1>I t e dot com. Joined today, Joined this morning

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<v Speaker 1>by Brent Reeves, Tony Peters, and Giannis pu tell Us

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<v Speaker 1>who's playing with his phone.

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<v Speaker 2>Christ hearing buck picks over here.

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<v Speaker 1>He's looking at that big buck picks. Give us a

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<v Speaker 1>quick report, Yannis. Jannis is monitoring. This is not what

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<v Speaker 1>we're here to talk about, but Jannis is monitoring his

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<v Speaker 1>Wisconsin family.

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<v Speaker 3>Little place that's right, got twenty cameras set out and uh,

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<v Speaker 3>it's interesting, man.

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<v Speaker 2>These bucks.

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<v Speaker 3>It's like they literally crawl into a hole for a while,

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<v Speaker 3>and then all of a sudden, there'll be a day

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<v Speaker 3>or two period and all three or four of the

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<v Speaker 3>I'm calling mature bucks there pop out, show themselves and

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<v Speaker 3>then crawl into a hole again, and I won't see

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<v Speaker 3>them for two weeks. But yeah, I've got three to

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<v Speaker 3>four that I'm very excited about. They're not giants, I

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<v Speaker 3>think in the white tail world. But if any one

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<v Speaker 3>of them walks underneath my stand in November, then I'll

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<v Speaker 3>be trying to take a shot.

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<v Speaker 1>Twenty cameras.

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<v Speaker 3>Yeah, they're all the They're all the molt Tree Edge.

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<v Speaker 3>I believe that's the name of the model, right. All cellular.

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<v Speaker 3>It's great when you live in Montana and you hunt

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<v Speaker 3>a spot in Wisconsin.

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<v Speaker 1>That's fun.

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<v Speaker 2>Oh, the cellular.

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<v Speaker 3>Yeah, I'm addicted by far way more to that than

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<v Speaker 3>any other little thing on my telephone, Instagram.

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<v Speaker 1>More than it's healthier too, is it man harder than

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<v Speaker 1>everything else? I'm not hacking on Instagram sayings healthier than

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<v Speaker 1>anything else on your phone because like, at least it's

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<v Speaker 1>like a sort of interaction with some kind of unknown

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<v Speaker 1>thing that's not man made. I just hung two and

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<v Speaker 1>then I didn't bring my little security boxes. And one

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<v Speaker 1>is so funny because like I get a picture of

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<v Speaker 1>a Martin I hung just like right up my at

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<v Speaker 1>our shack in Alaska. Uh, and I'm hanging it and

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<v Speaker 1>I'm talking to my buddy Jeremy Romero, and he's like, man,

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<v Speaker 1>those bears, you know, and I've had it happen before.

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<v Speaker 1>It they just tear him up. But it's funny. So

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<v Speaker 1>I hang it up, like right at Danny's cabin and

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<v Speaker 1>get a Martin and then get a bear coming at

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<v Speaker 1>the camera. In the next picture, the camera's pointing up

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<v Speaker 1>into the trees, and the next picture, the camera is

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<v Speaker 1>pointing straight down to the slow bushes and that's where

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<v Speaker 1>it sits. Now, had you just had you just hung

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<v Speaker 1>that camera, No, it was like within twenty four hours.

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<v Speaker 1>I have a theory about bears and a trail. There's

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<v Speaker 1>like a trail we use and they use, and you're

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<v Speaker 1>just like, the hell's that?

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<v Speaker 4>But I mean I hang a lot of cameras in

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<v Speaker 4>bear country, and it's like, if they don't knock that

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<v Speaker 4>sucker down within like seventy two hours, to leave it alone.

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<v Speaker 4>But if it's fresh and it's so you always drop

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<v Speaker 4>them off, then you leave. Then you know it used

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<v Speaker 4>to be you'd come back six weeks later and you're like, oh,

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<v Speaker 4>you know, like I have no pictures because my camera's

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<v Speaker 4>laying on the ground. But it seems like that fresh

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<v Speaker 4>hand scent, like fresh messing with it is really like

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<v Speaker 4>the trigger that gets them to just chew them up

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<v Speaker 4>and bat them around.

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<v Speaker 1>I think that's what he's queuing in on.

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<v Speaker 4>I don't know, but I mean, it's so consistent for

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<v Speaker 4>me where if a bear's gonna mess with a camera,

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<v Speaker 4>it's right away every time.

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<v Speaker 1>But if i'd have hung a hatchet in that tree,

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<v Speaker 1>I don't think you'd a bit that hatchet.

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<v Speaker 5>I've always heard it was the petroleum in the place,

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<v Speaker 5>stick and stuff that attracted them to it.

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<v Speaker 4>I don't know, man, I just know that it has

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<v Speaker 4>been so consistent for me. If I get one up

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<v Speaker 4>and they leave it alone and a bear doesn't walk

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<v Speaker 4>by and it's been out for a week or two,

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<v Speaker 4>that camera's not going to get knocked down. But when

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<v Speaker 4>I put them up that first bear that walked, like

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<v Speaker 4>you said, I have so many pictures of like the

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<v Speaker 4>inside of a bear's mouth or those ears like right

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<v Speaker 4>up to it, and they always knock it sideways or

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<v Speaker 4>down or tear it off.

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<v Speaker 1>And move on. But if it's been there a little while.

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<v Speaker 4>And I used to even when I used to bear hunt,

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<v Speaker 4>I would try to be really meticulous about sant like

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<v Speaker 4>wear gloves because you know, if you mess with bait,

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<v Speaker 4>you touch a camera. Yeah, it's over a lot of times.

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<v Speaker 4>And even then doing everything right. It was like if

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<v Speaker 4>they came in right away and they messed with it,

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<v Speaker 4>that that was the window when they were going to

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<v Speaker 4>mess with it.

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<v Speaker 1>I ended on I got comment about that. I ended

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<v Speaker 1>on Seth Seth Morris and then Hansi Dirschmeyers. Here have

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<v Speaker 1>you been on the podcast.

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<v Speaker 6>For Yeah, like five years ago you've done Yeah, five

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<v Speaker 6>years ago?

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<v Speaker 2>What did you talk about five years ago?

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<v Speaker 6>It was like Ramsey Russell and yeah, we're talking about

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<v Speaker 6>duck hunting.

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<v Speaker 1>For a little bit, and you liked to hunt ducks.

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<v Speaker 2>Yeah, yeah, Oh he was the guy boys call them. Yeah, yeah, right.

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<v Speaker 1>Hanse's on our Hanse's on our production team and as

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<v Speaker 1>an editor at his video content for us. We're gonna

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<v Speaker 1>talk a bunch about video content a minute. I got

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<v Speaker 1>to return to something that I was shocked about. You

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<v Speaker 1>guys might know about this North Carolina. I was just

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<v Speaker 1>down in North Carolina. You can't use processed foods on

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<v Speaker 1>bear baits. They're having too much tooth decay on bears.

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<v Speaker 1>You're allowed to bate bears way outside of the season

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<v Speaker 1>because they have a long dog running season, and you're

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<v Speaker 1>allowed to bate bears to lure into trained dogs. And

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<v Speaker 1>I was talking to a game war and he's showing

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<v Speaker 1>me pictures of tooth decay, a bad tooth decay on bears,

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<v Speaker 1>skulls coming in, huge cavities in their teeth from all

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<v Speaker 1>of the like sugar products, really candy donuts, jolly rancher, syrup,

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<v Speaker 1>whatever the hell that on their stuff. And he said,

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<v Speaker 1>in the spring, I spend most of my time not

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<v Speaker 1>working illegal bait stations. He spends most of his time

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<v Speaker 1>working illegal bait. Wow, So what are they supposed to use?

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<v Speaker 1>Natural foods? Corn? No processed foods. It's like it's like

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<v Speaker 1>parents in America right now are like fighting processed foods

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<v Speaker 1>in their children's diet. And apparently they've brought that fight

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<v Speaker 1>to the bears of North Carolina, of bears on processed

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<v Speaker 1>food and they've got bears like it's to be in

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<v Speaker 1>an eastern deciduous forest where everything's real thick and there's

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<v Speaker 1>just bears around. Oh, there's a bear, there's barnet guy's field,

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<v Speaker 1>there's bear walk across the road, big ones. Yeah, I

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<v Speaker 1>didn't know that that even was a thing. I mean,

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<v Speaker 1>I knew there was a lot of bears, but I

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<v Speaker 1>know there's so many bears that it's just like there's one,

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<v Speaker 1>there's one, there's one, there's a bear track.

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<v Speaker 2>Well it's become a thing. It wasn't always like that.

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<v Speaker 1>And people got them all hopped up on donuts.

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<v Speaker 7>I wonder what a bear and a lot of donut

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<v Speaker 7>and jolly ranchesterrup tastes like.

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<v Speaker 1>Yeah, now.

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<v Speaker 7>Alaskan blueberry bears, right, I just wonder, yeah, up.

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<v Speaker 1>His fat, his fast, the color a green apple, jolly

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<v Speaker 1>rancher like a star bears listen, and I bring this up.

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<v Speaker 1>I'm not I have not heavily investigated this. I I

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<v Speaker 1>I interacted with one individual on this subject. I'm conveying

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<v Speaker 1>you to you information delivered to me in one conversation

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<v Speaker 1>with one individual who was a wildlife professional. But I

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<v Speaker 1>didn't go talk to like there's probably someone out there

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<v Speaker 1>who's like ready to rip like the speaker out of

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<v Speaker 1>his car, because he's like, that's not true, and if

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<v Speaker 1>that's you, how that's not true. But he was showing

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<v Speaker 1>me multiple bears with like cavities that you could see

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<v Speaker 1>on a cell phone photo. Who are who are getting

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<v Speaker 1>a long term a lot of their diet from processed food,

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<v Speaker 1>so they are they allowed the bait for a particularly

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<v Speaker 1>long time because like in Arkansas, it's because they have

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<v Speaker 1>the dog training. Okay, so they have a big training season.

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<v Speaker 1>You're allowed to bait for dog training. So there's there

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<v Speaker 1>if they're I don't I don't remember if there's no

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<v Speaker 1>on off switch, or if it's just a very a

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<v Speaker 1>very generous period of time that you're allowed to do it.

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<v Speaker 1>But he works illegal bait.

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<v Speaker 5>It looks to me like if you had that many bears,

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<v Speaker 5>you wouldn't have to get them centralized trained the dogs

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<v Speaker 5>freaking man, did you do that on like property when

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<v Speaker 5>you're training?

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<v Speaker 1>Oh, like you can still train dogs off the bait. Yeah, yeah, yeah,

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<v Speaker 1>I can't comment on it, you know what that might be.

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<v Speaker 4>So in Wisconsin where they run bears where we or

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<v Speaker 4>they run dogs on bears where we hunt, they will

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<v Speaker 4>start at a bait site because they can bait the

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<v Speaker 4>bears in and they can check a camera and be like,

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<v Speaker 4>there was a big boar here doing it right.

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<v Speaker 1>Yeah. Yeah, So that's why they're doing that.

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<v Speaker 4>But so they're even in the off season when you

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<v Speaker 4>would think they wouldn't need to that. You could just

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<v Speaker 4>go find a bear track to run them. They're probably

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<v Speaker 4>running through the real like dress rehearsal for the hunt,

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<v Speaker 4>you know.

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<v Speaker 1>Mm hmm. Then you give them a little bears toothbrushes flooridem,

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<v Speaker 1>that'd be like the That's probably like what their proposal

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<v Speaker 1>would be, like, Okay, how about we just add fluoride?

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<v Speaker 5>Yeah, to the swamps pour Out of four, out of

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<v Speaker 5>five bear hunters approved, there's always that one.

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<v Speaker 1>Okay, Hans, are you ready? Yeah? Okay, Hansei's here because

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<v Speaker 1>he's working on Hans's working on six episodes for us

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<v Speaker 1>that are called me Eater rough Cuts, six hunting Trips,

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<v Speaker 1>yep six hunts. Some of the people on some of

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<v Speaker 1>these hunts. Let me think how many of these Clay's

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<v Speaker 1>not here, Tony's here, Seth's here, Yanni's here. Those guys

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<v Speaker 1>aren't and Seth's here. You're working on a project about

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<v Speaker 1>hunting Alaska moose Ye with me and Clay Nukeom. You're

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<v Speaker 1>working on a project about hunting Oklahoma white Tails of

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<v Speaker 1>me and Tony. You're working on a project about trapping

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<v Speaker 1>in Montana me and Seth. You're working on a project

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<v Speaker 1>about hunting COO's Dear in Mexico, Me and Yanni. You're

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<v Speaker 1>working on a project about hunting Mewle's in Montana with

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<v Speaker 1>me and Garrett, my friend Ronnie Collins, the spear fisherman.

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<v Speaker 1>And then you're working on Texas whitetail me and Seth.

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<v Speaker 6>Yeah, and Dave's with DSD.

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<v Speaker 1>On Dave Smith. Yeah. Yeah, Okay, So tell me the challenges.

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<v Speaker 1>Tell me the challenges of making something about trapping. Okay,

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<v Speaker 1>where do we are all the action? As my wife

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<v Speaker 1>points out, she doesn't like it because all the action

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<v Speaker 1>happens out of sight. Yeah, it's like you're not even there.

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<v Speaker 2>It's true.

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<v Speaker 1>She thinks it's cheating because you're not there.

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<v Speaker 6>No, it's it's true. I'm like it creates a challenge

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<v Speaker 6>in that it's like not all in one day, right,

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<v Speaker 6>there's no like there's no like through line arc natural

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<v Speaker 6>progression of like we climbed the mountain and then we

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<v Speaker 6>shot a ball and then we packed it down. It's

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<v Speaker 6>it's like, well, no, we we had to set the

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<v Speaker 6>traps first, and then we had to like give the

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<v Speaker 6>traps chance to work. And so you come you're coming

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<v Speaker 6>back days later and you're going to a whole bunch

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<v Speaker 6>of different locations, right, and and there's like there's there's

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<v Speaker 6>multiple species involved here too, right, So I mean you've

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<v Speaker 6>got an entirely different selection of information for each trap

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<v Speaker 6>different amounts of time. And now it creates kind of

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<v Speaker 6>a possibility I think from a from a story perspective

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<v Speaker 6>on like going to different places and and and learning

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<v Speaker 6>new things and uh sign reading. And it's gonna be

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<v Speaker 6>a heavily graphic treated episode because of that. So it's

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<v Speaker 6>gonna be something that we've we've not done before in

0:12:17.880 --> 0:12:18.400
<v Speaker 6>that regard.

0:12:18.679 --> 0:12:22.080
<v Speaker 1>No, you know, another interesting thing about trying to film

0:12:22.120 --> 0:12:25.120
<v Speaker 1>something about trapping, or in your position edit something about

0:12:25.120 --> 0:12:29.800
<v Speaker 1>trapping is uh, not only is a lot the action

0:12:29.880 --> 0:12:33.000
<v Speaker 1>occurring when you're not there in this case, the actions

0:12:33.000 --> 0:12:38.640
<v Speaker 1>occurring underneath the ice, yeah, or like sort of underground,

0:12:39.280 --> 0:12:42.280
<v Speaker 1>and when you make the set, it's obscured by dirt. Yeah,

0:12:42.480 --> 0:12:44.400
<v Speaker 1>so there's nothing clear about anything.

0:12:44.880 --> 0:12:49.160
<v Speaker 6>No, No, that's where that's like, that's where the graphics

0:12:49.160 --> 0:12:49.440
<v Speaker 6>come in.

0:12:49.679 --> 0:12:51.840
<v Speaker 1>You wouldn't know it, but that's a set. Yeah, it

0:12:51.960 --> 0:12:54.920
<v Speaker 1>just looks like dirt. Yeah. And then now we're gonna leave,

0:12:55.640 --> 0:12:57.640
<v Speaker 1>yeah and see what happens, you.

0:12:57.640 --> 0:12:59.680
<v Speaker 6>Know, there's there's a section in here where there, you know,

0:13:00.080 --> 0:13:03.680
<v Speaker 6>Seth and and Steve are talking about uh, bubble lines

0:13:03.679 --> 0:13:06.920
<v Speaker 6>in the ice, and it's like it's all this intricate detail,

0:13:07.000 --> 0:13:09.120
<v Speaker 6>but we can't see any of it. It's like, well,

0:13:09.120 --> 0:13:11.880
<v Speaker 6>in theory that's under there, like they're they're there.

0:13:12.160 --> 0:13:12.360
<v Speaker 7>You know.

0:13:12.480 --> 0:13:15.480
<v Speaker 6>And and I won't say whether or not. I guess

0:13:15.520 --> 0:13:19.040
<v Speaker 6>you guys are vindicated on your information, but yeah, it's.

0:13:18.880 --> 0:13:21.800
<v Speaker 1>In that case we were vindicating. Yeah, I want to

0:13:21.800 --> 0:13:27.080
<v Speaker 1>tell you in NAK that's one of those things where, uh,

0:13:27.920 --> 0:13:31.840
<v Speaker 1>the the bubbles don't lie. Yeah, that amount of bubbles

0:13:31.880 --> 0:13:35.280
<v Speaker 1>don't lie. Most things that are made about trapping, and

0:13:35.280 --> 0:13:37.480
<v Speaker 1>I consume like a good deal of this stuff. Most

0:13:37.520 --> 0:13:40.920
<v Speaker 1>things that are made about trap and are instructional. Yeah, right,

0:13:40.960 --> 0:13:48.199
<v Speaker 1>it's an instructional intensive Uh, it's an instructional intensive genre. Yeah,

0:13:48.679 --> 0:13:50.800
<v Speaker 1>and you're trying to make something that's sort of uh

0:13:51.160 --> 0:13:53.400
<v Speaker 1>less instructional, sort of like entertainment.

0:13:53.760 --> 0:13:54.240
<v Speaker 2>Yeah.

0:13:54.440 --> 0:13:54.640
<v Speaker 1>Yeah.

0:13:54.760 --> 0:13:59.160
<v Speaker 6>And and in our case, like we have you and Seth,

0:13:59.160 --> 0:14:02.280
<v Speaker 6>we have a long history of trapping, and so over

0:14:02.360 --> 0:14:05.600
<v Speaker 6>time we're we're showing some inserts of like photographs of

0:14:05.600 --> 0:14:08.760
<v Speaker 6>of you, like kind of set allah a Wes Anderson

0:14:09.080 --> 0:14:14.240
<v Speaker 6>kind of feel stylized. Yeah, and it I mean, so

0:14:14.240 --> 0:14:16.800
<v Speaker 6>so there's some stylized elements in here that just that

0:14:17.040 --> 0:14:19.840
<v Speaker 6>just give just a new and different treatment to this.

0:14:20.040 --> 0:14:22.120
<v Speaker 6>And and yeah, it'll still be instructional, I think, as

0:14:22.160 --> 0:14:27.280
<v Speaker 6>it should be. I mean, it's it's uh, there's a

0:14:27.320 --> 0:14:28.160
<v Speaker 6>lot to learn about it.

0:14:28.960 --> 0:14:30.400
<v Speaker 1>Do you feel that that's the first one of these

0:14:30.440 --> 0:14:31.040
<v Speaker 1>that we'll release?

0:14:31.640 --> 0:14:35.760
<v Speaker 6>Oh boy, We're we're kind of in like different stages

0:14:35.800 --> 0:14:36.680
<v Speaker 6>of production right now.

0:14:36.760 --> 0:14:37.200
<v Speaker 2>So like.

0:14:38.720 --> 0:14:42.280
<v Speaker 6>Alaska Moose with with Clay is like very I think,

0:14:42.360 --> 0:14:45.520
<v Speaker 6>very far along, and then Oklahoma White Tail with Tony

0:14:45.600 --> 0:14:48.960
<v Speaker 6>is pretty far along too. And and as far as

0:14:49.000 --> 0:14:51.480
<v Speaker 6>like as far as which one's gonna come out first,

0:14:51.560 --> 0:14:53.800
<v Speaker 6>I I just don't. I just don't know. I think

0:14:53.880 --> 0:14:56.800
<v Speaker 6>I think probably the the one that we're we're still

0:14:56.840 --> 0:14:59.200
<v Speaker 6>in the most production on is that the Texas Bucks

0:14:59.280 --> 0:15:00.960
<v Speaker 6>with with You and Seth.

0:15:00.960 --> 0:15:02.200
<v Speaker 1>I mean, that's got the farthest to go.

0:15:02.400 --> 0:15:05.480
<v Speaker 6>Yeah, yeah, it's farthest to go really, but but we

0:15:05.560 --> 0:15:05.960
<v Speaker 6>have we.

0:15:05.920 --> 0:15:09.200
<v Speaker 1>Have some really we like delivered gold I know you did. Yeah,

0:15:09.480 --> 0:15:09.840
<v Speaker 1>how much?

0:15:10.000 --> 0:15:13.720
<v Speaker 7>How many how many buck attacks on the decoys did

0:15:13.720 --> 0:15:14.000
<v Speaker 7>we see?

0:15:14.080 --> 0:15:16.840
<v Speaker 6>Well, it's also it's also called Steven Seth Rattle in

0:15:16.880 --> 0:15:20.920
<v Speaker 6>twenty two bucks. Yeah, it's I mean, that's that's the

0:15:20.960 --> 0:15:22.040
<v Speaker 6>alter ego of the episode.

0:15:22.040 --> 0:15:23.000
<v Speaker 1>They're Likeruly.

0:15:23.520 --> 0:15:27.600
<v Speaker 6>It's really cool footage. It's amazing footage. Yeah, yeah, no,

0:15:27.680 --> 0:15:28.320
<v Speaker 6>it's it is.

0:15:28.360 --> 0:15:32.360
<v Speaker 1>It is a well, let's no, but I don't want

0:15:32.360 --> 0:15:34.600
<v Speaker 1>to move into that one yet, okay, copy. I want

0:15:34.600 --> 0:15:39.120
<v Speaker 1>to move into working on working on from an editor's perspective.

0:15:39.160 --> 0:15:40.920
<v Speaker 1>And this is the listening because I asked you something

0:15:41.000 --> 0:15:45.120
<v Speaker 1>very specific. Yeah, so you're cutting Oklahoma White Tail Hunt

0:15:45.240 --> 0:15:47.640
<v Speaker 1>with me and Tony Peterson. I want you to just

0:15:48.000 --> 0:15:50.560
<v Speaker 1>this is going to be awkward, Okay. I want you

0:15:50.600 --> 0:15:52.760
<v Speaker 1>to look Tony Peterson in the eye and tell him

0:15:52.800 --> 0:15:55.800
<v Speaker 1>about what it's like to interact with his hosting as

0:15:55.800 --> 0:15:56.320
<v Speaker 1>an editor.

0:15:59.200 --> 0:16:01.960
<v Speaker 6>Tony's already like he's already like on edge, because when

0:16:01.960 --> 0:16:05.240
<v Speaker 6>we were filming this, he was like Hans Hen He's

0:16:05.240 --> 0:16:07.640
<v Speaker 6>got like he's got like really intense eyes. I keep

0:16:07.680 --> 0:16:12.680
<v Speaker 6>looking at him in the camera and uh so, so okay,

0:16:12.720 --> 0:16:14.640
<v Speaker 6>so how is it. How is it to interact with

0:16:14.680 --> 0:16:17.560
<v Speaker 6>Tony as a host as an editor, as an editor?

0:16:17.600 --> 0:16:18.920
<v Speaker 1>Are you like, God, this guy brings it?

0:16:25.320 --> 0:16:28.800
<v Speaker 6>Uh No, it's it's Uh, okay, where where do I

0:16:28.840 --> 0:16:29.320
<v Speaker 6>start with this?

0:16:29.360 --> 0:16:31.840
<v Speaker 1>Where do I tell you what it's like? I've told

0:16:32.000 --> 0:16:33.280
<v Speaker 1>I've told his story a lot of times. It's like

0:16:33.560 --> 0:16:35.360
<v Speaker 1>with Tony, Tony is a very intense person hunt with

0:16:36.600 --> 0:16:42.000
<v Speaker 1>do you really in a good way? He there to

0:16:42.080 --> 0:16:46.440
<v Speaker 1>not get nothing? Yeah, well that's true. Yeah, I don't

0:16:46.560 --> 0:16:48.360
<v Speaker 1>like on film tags. No.

0:16:49.240 --> 0:16:52.520
<v Speaker 6>I think on that particular episode, like we've got it's

0:16:52.600 --> 0:16:54.320
<v Speaker 6>kind of a cool piece because we have we have

0:16:54.400 --> 0:16:57.080
<v Speaker 6>two different stories, which is not the only place that

0:16:57.080 --> 0:17:00.200
<v Speaker 6>that's happening in rough cuts, but we have we have

0:17:00.480 --> 0:17:03.040
<v Speaker 6>you guys on the hunt itself, which is a cool story.

0:17:03.040 --> 0:17:05.600
<v Speaker 6>There's like some some drama moments and and things like

0:17:05.640 --> 0:17:09.080
<v Speaker 6>that doesn't like all go to plan, which always makes

0:17:09.119 --> 0:17:12.240
<v Speaker 6>for great TV. But on top of that, we're coming

0:17:12.320 --> 0:17:17.240
<v Speaker 6>back to Tony like in a gym environment, talking about

0:17:17.240 --> 0:17:20.600
<v Speaker 6>the logistics and the tactics of the hunt. So we

0:17:20.680 --> 0:17:23.600
<v Speaker 6>get like two different slices of Tony a little bit.

0:17:23.880 --> 0:17:27.080
<v Speaker 1>In the gym environment. Did you debate between going with

0:17:27.200 --> 0:17:30.680
<v Speaker 1>the like suit like a retired athlete dude, or did

0:17:30.720 --> 0:17:32.680
<v Speaker 1>you do you want to know how much I want

0:17:32.680 --> 0:17:35.440
<v Speaker 1>to go like an old retired quarterback? Do I want

0:17:35.440 --> 0:17:36.280
<v Speaker 1>to go like actively.

0:17:36.480 --> 0:17:39.399
<v Speaker 6>I got like a sweater vest, like an old checked

0:17:39.440 --> 0:17:40.720
<v Speaker 6>sweater vest kind of thing.

0:17:40.760 --> 0:17:43.119
<v Speaker 4>But so you want to know how much information I

0:17:43.160 --> 0:17:46.399
<v Speaker 4>got before filming that, Sam Bates sent me an email

0:17:46.400 --> 0:17:47.800
<v Speaker 4>and she said, Hey, we need you to come out

0:17:47.800 --> 0:17:50.400
<v Speaker 4>to Montana and shoot one scene for your Oklahoma show,

0:17:51.160 --> 0:17:54.760
<v Speaker 4>and we need you to look like a pe Coach

0:17:54.880 --> 0:18:01.640
<v Speaker 4>from the nineteen eighties like Taylor, right. And I really

0:18:01.760 --> 0:18:05.240
<v Speaker 4>didn't know until right before the shoot kind of what

0:18:05.359 --> 0:18:09.040
<v Speaker 4>the idea was behind this. And then when I showed up,

0:18:09.040 --> 0:18:11.040
<v Speaker 4>you know, we went out to the YMCA and set up,

0:18:11.440 --> 0:18:13.600
<v Speaker 4>and HANSI had a whole idea in his head.

0:18:13.800 --> 0:18:14.959
<v Speaker 1>And let me tell you something.

0:18:15.600 --> 0:18:19.840
<v Speaker 4>They ran me through the ringer because I had to

0:18:19.880 --> 0:18:24.160
<v Speaker 4>do chin ups and talk like talk like I had

0:18:24.160 --> 0:18:26.880
<v Speaker 4>to think on my feet and talk while do actively

0:18:26.960 --> 0:18:32.719
<v Speaker 4>doing chin ups or like curling dumbbells and doing stuff.

0:18:32.760 --> 0:18:35.560
<v Speaker 4>And after that shoot, because like I went into that shoot,

0:18:35.560 --> 0:18:36.760
<v Speaker 4>I like, I go to the gym all the time.

0:18:36.760 --> 0:18:37.320
<v Speaker 1>I'm fine.

0:18:37.520 --> 0:18:40.439
<v Speaker 4>Like after that shoot, I was so sore because you

0:18:40.440 --> 0:18:44.879
<v Speaker 4>never did talking well. It was like fifty reps in

0:18:44.880 --> 0:18:47.520
<v Speaker 4>a row because they're like, well, we need another take,

0:18:47.920 --> 0:18:50.080
<v Speaker 4>and you're like, well, this take is another six chin

0:18:50.160 --> 0:18:53.800
<v Speaker 4>ups or you know, like imagine if you were and

0:18:53.840 --> 0:18:55.600
<v Speaker 4>it like imagine if we just handed you like a

0:18:55.640 --> 0:18:58.440
<v Speaker 4>twenty five pound dumbell. You could curl that, no problem, right,

0:18:59.200 --> 0:19:01.400
<v Speaker 4>But if you had to hawk for like forty five

0:19:01.440 --> 0:19:04.920
<v Speaker 4>seconds or a minute while curling NonStop like and kind

0:19:04.920 --> 0:19:07.640
<v Speaker 4>of exaggerating it, you'd be like, well, I just did

0:19:07.960 --> 0:19:11.560
<v Speaker 4>you know fifty three reps in a very short amount

0:19:11.600 --> 0:19:14.200
<v Speaker 4>of time. And so HANSI put me through the wringer.

0:19:14.240 --> 0:19:16.120
<v Speaker 4>And I think Hillary was loving it too. She said,

0:19:16.160 --> 0:19:17.919
<v Speaker 4>let's have him do more stuff like that.

0:19:18.960 --> 0:19:21.600
<v Speaker 1>That's great. So it was a it was the I've

0:19:21.640 --> 0:19:24.320
<v Speaker 1>never done a shoot like that some of the but

0:19:24.359 --> 0:19:26.160
<v Speaker 1>it's got to be good that we got a bunch

0:19:26.160 --> 0:19:26.640
<v Speaker 1>of stuff.

0:19:26.840 --> 0:19:30.439
<v Speaker 6>Oh yeah, definitely definitely, Like dear.

0:19:30.359 --> 0:19:33.240
<v Speaker 2>Do you need I need? So, I mean some of

0:19:33.280 --> 0:19:34.800
<v Speaker 2>the some of the good thing.

0:19:34.920 --> 0:19:37.920
<v Speaker 1>We killed everyone that walked by us. Yeah, there's the two.

0:19:38.080 --> 0:19:40.239
<v Speaker 1>This is the thing and and uh that we used

0:19:40.280 --> 0:19:42.240
<v Speaker 1>to struggle with is the too much of a good

0:19:42.240 --> 0:19:42.840
<v Speaker 1>thing problem.

0:19:43.040 --> 0:19:45.919
<v Speaker 6>Yeah, that's exactly it. That's exactly it. And that's what

0:19:46.000 --> 0:19:48.840
<v Speaker 6>happened with we won't go into it yet, but Texas Bucks.

0:19:48.840 --> 0:19:51.000
<v Speaker 6>But but yeah, I mean.

0:19:52.240 --> 0:19:54.240
<v Speaker 2>Steve's ready to go into it too many bucks.

0:19:54.400 --> 0:19:54.840
<v Speaker 1>I'm not ready.

0:19:54.880 --> 0:19:56.800
<v Speaker 2>I'm on open. Yeah.

0:19:56.960 --> 0:19:58.520
<v Speaker 6>No, I think I think from like a from a

0:19:58.560 --> 0:20:01.240
<v Speaker 6>story element absolutely so like too much of a good thing,

0:20:01.240 --> 0:20:03.840
<v Speaker 6>and we're just trying to do something that's different. I

0:20:03.840 --> 0:20:07.000
<v Speaker 6>think one of the elements of the whole series was that,

0:20:07.320 --> 0:20:09.600
<v Speaker 6>you know, we had we had some limitations as far

0:20:09.640 --> 0:20:13.560
<v Speaker 6>as like cameras, as far as how many cameras were

0:20:13.560 --> 0:20:16.400
<v Speaker 6>on these shoots, and with with not having as many

0:20:16.480 --> 0:20:19.320
<v Speaker 6>as like a mediatter episode of the past, we didn't

0:20:19.320 --> 0:20:21.480
<v Speaker 6>have some like long lens footage, so we so we

0:20:21.520 --> 0:20:24.760
<v Speaker 6>didn't have those those those same moments captured in great

0:20:24.760 --> 0:20:27.560
<v Speaker 6>detail quite to the extent that you know we'd love.

0:20:28.760 --> 0:20:32.440
<v Speaker 6>But it also offered another opportunity to create something different entirely,

0:20:32.760 --> 0:20:34.320
<v Speaker 6>and that's and that's where we came up with these

0:20:34.320 --> 0:20:37.040
<v Speaker 6>you know, inter cutting these scenes like with with Tony

0:20:37.240 --> 0:20:39.119
<v Speaker 6>and uh and on this one is kind of like

0:20:39.760 --> 0:20:42.640
<v Speaker 6>it's it's predicated on like there's a scene in Lockstock

0:20:42.680 --> 0:20:44.960
<v Speaker 6>and Two Smoking Barrels Guy Ritchie film where they like

0:20:45.080 --> 0:20:48.720
<v Speaker 6>open up a boiling pot of water and you see

0:20:48.760 --> 0:20:52.200
<v Speaker 6>the cameras underneath this bottle of this pot of water

0:20:52.600 --> 0:20:54.360
<v Speaker 6>and he chucks in a bunch of vegetables. But he's

0:20:54.400 --> 0:20:56.480
<v Speaker 6>talking and you can hear the talking, and you see

0:20:56.480 --> 0:20:58.199
<v Speaker 6>this site. And that's kind of similar to how we

0:20:58.280 --> 0:21:00.800
<v Speaker 6>pitched some of these scenes with Tony, like on a

0:21:00.800 --> 0:21:03.760
<v Speaker 6>pull up bar coming into frame, which was you know,

0:21:03.840 --> 0:21:07.320
<v Speaker 6>probably uh hard, but like fun to be like, no,

0:21:07.359 --> 0:21:10.560
<v Speaker 6>I'll do that again, uh, you know, a little more exercise.

0:21:10.640 --> 0:21:12.560
<v Speaker 6>But but I think it. I think it worked. I

0:21:12.640 --> 0:21:13.240
<v Speaker 6>think it was cool.

0:21:13.840 --> 0:21:14.679
<v Speaker 1>And he's a good actor.

0:21:14.920 --> 0:21:16.240
<v Speaker 6>Yeah, yeah, he worked.

0:21:16.760 --> 0:21:17.919
<v Speaker 1>Yeah, we put him.

0:21:17.960 --> 0:21:19.720
<v Speaker 6>We put him to work either way, whether.

0:21:20.680 --> 0:21:24.119
<v Speaker 4>You know where I find my like source of inspiration

0:21:24.240 --> 0:21:26.720
<v Speaker 4>for that. I just always think I just got to

0:21:26.760 --> 0:21:30.600
<v Speaker 4>do a better job than Kenyon. I gotta imagine Kenyon

0:21:30.640 --> 0:21:32.600
<v Speaker 4>in this situation, and how would I just do a

0:21:32.640 --> 0:21:33.480
<v Speaker 4>little better job.

0:21:33.560 --> 0:21:36.399
<v Speaker 1>Well, he's thinned up so much because all the running,

0:21:36.600 --> 0:21:36.960
<v Speaker 1>I know.

0:21:37.320 --> 0:21:39.920
<v Speaker 3>You know, I think he hasn't. I asked him about that.

0:21:39.960 --> 0:21:42.600
<v Speaker 3>He looks it, but he hasn't. I think he's lost

0:21:42.600 --> 0:21:43.840
<v Speaker 3>it in his face a little bit.

0:21:44.680 --> 0:21:48.199
<v Speaker 1>Shave his mustache that strolls me off. Man, I've been

0:21:48.200 --> 0:21:56.879
<v Speaker 1>avoiding my neighbors. I heard he cut his mustache off. No,

0:21:56.920 --> 0:21:59.800
<v Speaker 1>I avoiding him because I'm like he's gonna look so different,

0:22:00.200 --> 0:22:07.560
<v Speaker 1>forget his name, and gave himself a mohawk. No, there's

0:22:07.600 --> 0:22:09.919
<v Speaker 1>a whole story about his mohawk. He was on like

0:22:10.680 --> 0:22:14.200
<v Speaker 1>his he's a high school teacher and an artist.

0:22:15.560 --> 0:22:16.960
<v Speaker 2>But that's it.

0:22:16.960 --> 0:22:17.760
<v Speaker 8>We don't need any more.

0:22:17.880 --> 0:22:18.200
<v Speaker 2>No, no, no.

0:22:18.680 --> 0:22:21.080
<v Speaker 1>It was this thing for this thing for the high school.

0:22:21.520 --> 0:22:23.280
<v Speaker 1>He was doing this thing with the high school kids,

0:22:23.320 --> 0:22:26.320
<v Speaker 1>like this dodgeball tournament. So one thing led to do

0:22:26.320 --> 0:22:28.720
<v Speaker 1>another and he had to get like a mohawk, and

0:22:29.000 --> 0:22:30.719
<v Speaker 1>I was like, that's an interesting choice. He goes, this

0:22:30.760 --> 0:22:32.720
<v Speaker 1>is a whole story behind this mohawk, and then I

0:22:32.760 --> 0:22:34.760
<v Speaker 1>heard now his mustache. He's always since the dad I

0:22:34.800 --> 0:22:37.480
<v Speaker 1>met him. He's my like one of my best buddies.

0:22:37.560 --> 0:22:39.680
<v Speaker 1>Since the day I met him, he's always had various

0:22:39.720 --> 0:22:43.120
<v Speaker 1>like configurations of crazy ass mustaches. My wife's like they're

0:22:43.160 --> 0:22:44.920
<v Speaker 1>all gone, all the mustaches.

0:22:45.560 --> 0:22:48.960
<v Speaker 4>You don't He recognized something, So you want to know

0:22:49.000 --> 0:22:54.399
<v Speaker 4>how iconic Marx mustache was in my life, even my kids.

0:22:54.480 --> 0:22:57.119
<v Speaker 4>Last night, my kids are out Yellowstone right now, I'm

0:22:57.119 --> 0:22:58.320
<v Speaker 4>gonna meet up with him a little bit, and I

0:22:58.320 --> 0:22:59.560
<v Speaker 4>talked to him last night and they when I told

0:22:59.560 --> 0:23:01.479
<v Speaker 4>me about the they saw on all this stuff, and

0:23:01.520 --> 0:23:03.280
<v Speaker 4>I was in our room and I'm rooming with Mark,

0:23:03.960 --> 0:23:06.280
<v Speaker 4>and I made a joke so Mark could hear it,

0:23:06.320 --> 0:23:07.439
<v Speaker 4>kind of like when I was talking to one of

0:23:07.440 --> 0:23:09.800
<v Speaker 4>my daughters and she goes, are you rooming with mustache?

0:23:11.320 --> 0:23:14.440
<v Speaker 4>There's multiple people in it. This is like how deer

0:23:14.480 --> 0:23:17.280
<v Speaker 4>get derivative names, right, Like you talk about this buck

0:23:17.280 --> 0:23:18.920
<v Speaker 4>and you're like that, I saw that ten pointer that

0:23:19.000 --> 0:23:21.560
<v Speaker 4>had the dropper, and then over time he just becomes dropper,

0:23:22.080 --> 0:23:24.200
<v Speaker 4>you know what I mean? So Mark, like people will

0:23:24.200 --> 0:23:25.919
<v Speaker 4>be like, is that the guy with the mustache and

0:23:26.000 --> 0:23:28.400
<v Speaker 4>eventually he just becomes mustache mustache man?

0:23:28.560 --> 0:23:32.480
<v Speaker 1>Yeah, all right, Well when you want to talk about.

0:23:32.280 --> 0:23:34.120
<v Speaker 6>Next which episode?

0:23:34.280 --> 0:23:34.320
<v Speaker 7>No?

0:23:34.840 --> 0:23:36.800
<v Speaker 1>Oh, man, let's do Moose.

0:23:37.200 --> 0:23:37.760
<v Speaker 2>You got it?

0:23:38.320 --> 0:23:40.720
<v Speaker 1>That's well, what do you want to talk about?

0:23:41.040 --> 0:23:44.320
<v Speaker 6>I love I love the Moose episode. I think it's

0:23:44.359 --> 0:23:44.800
<v Speaker 6>really cool.

0:23:44.880 --> 0:23:45.440
<v Speaker 1>You like that one?

0:23:45.480 --> 0:23:45.680
<v Speaker 2>Yeah?

0:23:45.720 --> 0:23:45.879
<v Speaker 5>I do?

0:23:46.000 --> 0:23:46.800
<v Speaker 1>You know why I like it?

0:23:47.680 --> 0:23:48.520
<v Speaker 6>I have an idea?

0:23:49.320 --> 0:23:50.200
<v Speaker 1>Yeah, that's right.

0:23:50.359 --> 0:23:52.240
<v Speaker 7>Was your moose bigger than Klay's moose?

0:23:53.119 --> 0:23:53.359
<v Speaker 1>Yeah?

0:23:53.560 --> 0:23:57.399
<v Speaker 2>Yes, guess yeah.

0:23:57.880 --> 0:24:00.080
<v Speaker 6>It's it's a great story, and it's like more of

0:24:00.119 --> 0:24:03.240
<v Speaker 6>a day by day approach versus some of these others.

0:24:03.320 --> 0:24:07.000
<v Speaker 6>So we have like day markers spread throughout, and there's

0:24:07.000 --> 0:24:11.439
<v Speaker 6>been some like back and forth on voiceover narration or not,

0:24:11.880 --> 0:24:17.680
<v Speaker 6>and I like, I'm leaning toward narration right now, whatsoever, whatsoever,

0:24:17.760 --> 0:24:20.080
<v Speaker 6>because the story really speaks for itself. I think we

0:24:20.280 --> 0:24:23.399
<v Speaker 6>like allowing allowing it to breathe, you know.

0:24:23.720 --> 0:24:27.600
<v Speaker 1>Yeah cool if if someone out there is an aspiring

0:24:27.720 --> 0:24:35.200
<v Speaker 1>outdoor filmmaker or aspiring outdoor TV show maker. The way

0:24:35.240 --> 0:24:38.040
<v Speaker 1>you want to set everything up is that you try,

0:24:38.119 --> 0:24:40.520
<v Speaker 1>you go do something, you try really hard, and it

0:24:40.560 --> 0:24:42.320
<v Speaker 1>doesn't work, and then all of a sudden it works.

0:24:43.560 --> 0:24:46.639
<v Speaker 6>The hero story I mean, yeah, yeah, not that you

0:24:46.760 --> 0:24:47.439
<v Speaker 6>rattle in.

0:24:48.920 --> 0:24:52.640
<v Speaker 2>Not that it works every time the first time.

0:24:53.320 --> 0:24:57.440
<v Speaker 1>Here comes the book and comes every time. Yeah, that's great.

0:24:57.880 --> 0:25:02.159
<v Speaker 1>That's a great lived experience. Yeah, it's better if you

0:25:02.280 --> 0:25:04.960
<v Speaker 1>just can't get anything to come in. Yeah, and you

0:25:05.040 --> 0:25:08.840
<v Speaker 1>do it for days and then finally one comes in

0:25:08.880 --> 0:25:09.479
<v Speaker 1>and you get it.

0:25:09.960 --> 0:25:12.800
<v Speaker 6>That's the payoff. Yeah, that's what draft to build up

0:25:12.840 --> 0:25:13.400
<v Speaker 6>that payoff.

0:25:13.640 --> 0:25:16.640
<v Speaker 1>Editors don't want you to have a good hunt. Yeah,

0:25:16.680 --> 0:25:19.600
<v Speaker 1>they want you to have a nail biting. The editor

0:25:19.640 --> 0:25:24.720
<v Speaker 1>wants you to have a nail biting horrible time. Yeah. Yeah,

0:25:24.760 --> 0:25:25.280
<v Speaker 1>and then.

0:25:27.240 --> 0:25:29.600
<v Speaker 2>But that's a metaphor for life, isn't it.

0:25:29.680 --> 0:25:32.480
<v Speaker 1>Yeah. Oh yeah. They don't make movies about like a

0:25:32.520 --> 0:25:36.800
<v Speaker 1>sports team, like sports movies. You know, they don't make

0:25:36.840 --> 0:25:40.359
<v Speaker 1>it that the movie starts and they're in they're champions. Yeah,

0:25:42.240 --> 0:25:45.320
<v Speaker 1>dog story.

0:25:46.600 --> 0:25:48.080
<v Speaker 2>Everyone loves their richest riches.

0:25:48.320 --> 0:25:52.520
<v Speaker 1>Yeah, totally.

0:25:52.920 --> 0:25:56.320
<v Speaker 2>Yeah, Texas White was like we were born millionaires.

0:26:01.119 --> 0:26:03.520
<v Speaker 1>So yeah, tell about your approach with the moose one.

0:26:03.720 --> 0:26:04.520
<v Speaker 1>It's quiet.

0:26:04.800 --> 0:26:07.680
<v Speaker 6>It is quiet, Yeah, relatively speaking. It's not like it's

0:26:07.720 --> 0:26:11.040
<v Speaker 6>not like a lot of chugging music like driving the

0:26:11.080 --> 0:26:13.639
<v Speaker 6>whole thing. It's a lot of it's a lot of

0:26:13.680 --> 0:26:17.960
<v Speaker 6>moments between you and Clay talking, giving each other crap,

0:26:19.040 --> 0:26:23.080
<v Speaker 6>and and and the logistics of it and and uh

0:26:23.200 --> 0:26:26.680
<v Speaker 6>little details and and scenery. I mean that's and that's

0:26:27.280 --> 0:26:29.720
<v Speaker 6>that's it. But it's it's uh it. I think it

0:26:29.800 --> 0:26:32.400
<v Speaker 6>functions in that way because this is a story that's

0:26:32.440 --> 0:26:33.840
<v Speaker 6>been like a long time in the making. You've been

0:26:33.880 --> 0:26:38.640
<v Speaker 6>on how many nine hunts for this or how many.

0:26:38.560 --> 0:26:39.840
<v Speaker 1>Times have I've done that sort of thing?

0:26:39.920 --> 0:26:40.080
<v Speaker 2>Yeah?

0:26:40.160 --> 0:26:43.480
<v Speaker 1>Yeah, yeah, A bunch for just generally hunting moose in Alaska,

0:26:43.560 --> 0:26:46.520
<v Speaker 1>A bunch honey moose that way in Alaska, maybe four

0:26:46.560 --> 0:26:47.440
<v Speaker 1>or five times.

0:26:47.160 --> 0:26:51.320
<v Speaker 6>Okay, And it gives us a perspective on that that,

0:26:51.480 --> 0:26:55.639
<v Speaker 6>Like the beginning, you talk about the several different types

0:26:55.680 --> 0:26:58.720
<v Speaker 6>of hunt that that can be in Alaska, and so

0:26:58.760 --> 0:27:00.320
<v Speaker 6>we I think we really get a like a very

0:27:00.400 --> 0:27:04.800
<v Speaker 6>visceral experience of what that fly in type of hunt is.

0:27:05.200 --> 0:27:06.159
<v Speaker 6>And it can be grueling.

0:27:06.680 --> 0:27:11.199
<v Speaker 1>I mean, I try to explain in it there's we've

0:27:11.240 --> 0:27:13.600
<v Speaker 1>filmed all these kinds I think, yeah, we have over

0:27:13.600 --> 0:27:16.240
<v Speaker 1>the years. Yeah, I try to break up something that's

0:27:16.320 --> 0:27:19.800
<v Speaker 1>kind of complicated into three buckets. With moose hunting, float

0:27:19.880 --> 0:27:23.680
<v Speaker 1>hunts where you're like, hunt float down the river, hunt

0:27:23.680 --> 0:27:25.640
<v Speaker 1>float down the river, hunt float down the river. It's

0:27:25.680 --> 0:27:28.600
<v Speaker 1>very dynamic. You're eys in different spots, you're seeing cool stuff.

0:27:28.600 --> 0:27:30.840
<v Speaker 1>You're like, hey, look at there's a fish. You know,

0:27:31.200 --> 0:27:33.639
<v Speaker 1>setting up camp all damn time whatever, It's just a

0:27:33.680 --> 0:27:38.280
<v Speaker 1>lot happening. That's the pro The con is you don't

0:27:38.280 --> 0:27:41.560
<v Speaker 1>really settle in and you're not doing a long game

0:27:41.640 --> 0:27:45.320
<v Speaker 1>calling strategy because you're always in new spots. Another style

0:27:45.359 --> 0:27:48.000
<v Speaker 1>of moose hunting would be that you're cruising somehow. You're

0:27:48.000 --> 0:27:51.919
<v Speaker 1>cruising by quad runner, you're cruising by bow, you're cruising

0:27:51.920 --> 0:27:54.080
<v Speaker 1>on foot, you're cruising the horses and you're like looking

0:27:54.119 --> 0:27:57.600
<v Speaker 1>for moose that you'll make a play on. Then the

0:27:57.640 --> 0:28:00.399
<v Speaker 1>third is that you're somewhere where you can't move stock

0:28:00.560 --> 0:28:02.119
<v Speaker 1>and you have to just try to call one to you.

0:28:04.080 --> 0:28:07.000
<v Speaker 1>And that's the kind that's the most boring to do.

0:28:07.720 --> 0:28:11.639
<v Speaker 1>It's the most boring to watch, but it's psychologically the

0:28:11.680 --> 0:28:18.639
<v Speaker 1>most fulfilling. Yeah, in my view, Yo, any think's stupid, I.

0:28:18.640 --> 0:28:22.320
<v Speaker 3>Don't know about its stupid, but not on my list

0:28:22.440 --> 0:28:23.640
<v Speaker 3>of things to repeat.

0:28:23.920 --> 0:28:27.000
<v Speaker 1>He's not mature enough for it.

0:28:27.000 --> 0:28:29.560
<v Speaker 6>It's more of a gentleman's game what you're saying.

0:28:29.640 --> 0:28:36.080
<v Speaker 2>No, no, no, just an old guys game.

0:28:36.160 --> 0:28:37.760
<v Speaker 1>It's the old guy's game.

0:28:39.120 --> 0:28:42.120
<v Speaker 2>Well you said mature. Usually people mature with age.

0:28:42.880 --> 0:28:46.720
<v Speaker 1>Not like that. That spot the old guys game.

0:28:47.280 --> 0:28:50.320
<v Speaker 8>Oh guys not walking half a mile down the hill

0:28:50.320 --> 0:28:50.960
<v Speaker 8>to get water.

0:28:52.520 --> 0:28:53.240
<v Speaker 2>Pack that up.

0:28:54.040 --> 0:28:57.840
<v Speaker 1>It's a mind Uh, it's all mental.

0:28:58.240 --> 0:29:01.920
<v Speaker 6>It's patience thing, isn't it? That intrigues me about it?

0:29:01.960 --> 0:29:02.320
<v Speaker 2>For sure?

0:29:02.360 --> 0:29:05.280
<v Speaker 8>I've grown to really like that hunt. At first, I

0:29:05.280 --> 0:29:06.040
<v Speaker 8>didn't like it.

0:29:06.800 --> 0:29:09.040
<v Speaker 1>Because of what I'm talking about. Yeah, let me tell

0:29:09.080 --> 0:29:10.200
<v Speaker 1>you so. I got a way of put it. I

0:29:10.240 --> 0:29:13.160
<v Speaker 1>got a metaphor for you. Years ago, I was on

0:29:13.200 --> 0:29:15.760
<v Speaker 1>an airplane. I only had two kids at the time,

0:29:15.800 --> 0:29:17.719
<v Speaker 1>and they were real little, and I was flying with

0:29:17.760 --> 0:29:20.760
<v Speaker 1>the two little kids without my wife, and I'm struggling.

0:29:21.480 --> 0:29:24.640
<v Speaker 1>Everybody's shitting themselves, pissing themselves, crying, you know what I mean,

0:29:24.680 --> 0:29:29.160
<v Speaker 1>little kids. And the guy behind me offers me a

0:29:29.160 --> 0:29:36.680
<v Speaker 1>word of encouragement. He says, listen, right now, it's all physical.

0:29:37.800 --> 0:29:41.720
<v Speaker 1>Later it'll all be mental. And it's better when it's physical.

0:29:42.400 --> 0:29:43.040
<v Speaker 2>It's easier.

0:29:44.240 --> 0:29:45.920
<v Speaker 1>Now, let's apply that to moose hunting.

0:29:49.080 --> 0:29:56.120
<v Speaker 3>Yeah, but I think by that metaphor, you're agreeing with me.

0:29:59.600 --> 0:30:01.240
<v Speaker 2>You're saying it's better when it's physical.

0:30:01.280 --> 0:30:03.120
<v Speaker 1>Yeah, never mind that story.

0:30:05.920 --> 0:30:06.360
<v Speaker 2>That's right.

0:30:06.600 --> 0:30:12.400
<v Speaker 5>But but aren't you.

0:30:12.360 --> 0:30:14.880
<v Speaker 4>Also saying that we always view the physical stuff as

0:30:14.920 --> 0:30:17.120
<v Speaker 4>the hard part, but the mental stuff is really the

0:30:17.160 --> 0:30:17.600
<v Speaker 4>hard part.

0:30:17.680 --> 0:30:20.280
<v Speaker 1>Yeah, that's right. I put that back. Yeah, you put

0:30:20.280 --> 0:30:20.640
<v Speaker 1>it back in.

0:30:21.480 --> 0:30:23.720
<v Speaker 8>But there is some physical aspects of that hunt, because

0:30:23.720 --> 0:30:25.520
<v Speaker 8>you got to pack the thing back to the strip.

0:30:26.720 --> 0:30:28.960
<v Speaker 3>Well, but once you get good at that hunt, you

0:30:29.040 --> 0:30:30.320
<v Speaker 3>shoot them on the strip.

0:30:31.960 --> 0:30:33.400
<v Speaker 2>From what I understand, I'm not to.

0:30:33.360 --> 0:30:36.680
<v Speaker 1>That level of discipline. I'm not to that level of mental.

0:30:37.960 --> 0:30:39.520
<v Speaker 2>It'd be tough. Well, you could do it there, but

0:30:39.720 --> 0:30:40.320
<v Speaker 2>there are guys.

0:30:40.560 --> 0:30:44.480
<v Speaker 1>There are guys that I believe there are I know

0:30:44.560 --> 0:30:46.480
<v Speaker 1>this for a fact because I've just heard it from

0:30:46.520 --> 0:30:49.320
<v Speaker 1>too many people who are trustworthy sources. There are people

0:30:49.600 --> 0:30:56.120
<v Speaker 1>who will that I've known, who will be like, oh,

0:30:56.160 --> 0:30:59.760
<v Speaker 1>we could get that bowl right now, dead to rights,

0:31:00.120 --> 0:31:02.160
<v Speaker 1>but we're going to call it more toward the air strip.

0:31:02.800 --> 0:31:07.160
<v Speaker 1>That is not a place I have arrived at, nor

0:31:07.200 --> 0:31:09.320
<v Speaker 1>will I ever arrive at that place mentally.

0:31:10.520 --> 0:31:13.000
<v Speaker 2>Yeah, but maybe physically.

0:31:13.560 --> 0:31:16.640
<v Speaker 1>I could see that you'd be placed there physically, That's true.

0:31:16.760 --> 0:31:19.080
<v Speaker 1>You might be placed there physically, but I will never

0:31:19.280 --> 0:31:21.320
<v Speaker 1>arrive there. Where Like, we could get it now and

0:31:21.360 --> 0:31:23.800
<v Speaker 1>just have it be gotten, or we could try to

0:31:23.840 --> 0:31:27.320
<v Speaker 1>call it up to the airstrip. There's a level of

0:31:27.320 --> 0:31:32.200
<v Speaker 1>confidence there, there's a certain swagger. Yeah, now that would

0:31:32.200 --> 0:31:33.600
<v Speaker 1>be a good episode.

0:31:33.480 --> 0:31:35.560
<v Speaker 6>Calling it to the airstrip. You know, Well, there's a

0:31:35.600 --> 0:31:38.360
<v Speaker 6>lot too calling I mean, you talked about it with

0:31:38.360 --> 0:31:41.720
<v Speaker 6>with Buck Bowden in the past, and we talked about

0:31:41.720 --> 0:31:43.600
<v Speaker 6>it a little bit in this episode, and I mean

0:31:43.640 --> 0:31:47.000
<v Speaker 6>it's it's all with your throat in your mouth, and

0:31:47.040 --> 0:31:49.800
<v Speaker 6>it's I mean, that's a pretty intriguing element to me.

0:31:50.520 --> 0:31:53.160
<v Speaker 6>I'm nodding here, like oh yeah, yeah, calling it to

0:31:53.200 --> 0:31:54.920
<v Speaker 6>the landing strip like I know what I'm talking about,

0:31:54.960 --> 0:31:56.680
<v Speaker 6>but I really I've just like watched you know, I've

0:31:56.720 --> 0:31:57.960
<v Speaker 6>watched all this transit.

0:31:57.680 --> 0:32:00.480
<v Speaker 1>Watched enough of it. Yeah, but you know what you do.

0:32:00.520 --> 0:32:02.480
<v Speaker 1>I want to ask you this, ask you this as

0:32:02.520 --> 0:32:05.520
<v Speaker 1>an editor. This was kind of our white whale. I think.

0:32:05.520 --> 0:32:07.360
<v Speaker 1>I think, yeah, you were working on me either when

0:32:07.360 --> 0:32:09.040
<v Speaker 1>we with this is the thing we wanted to do.

0:32:09.160 --> 0:32:16.160
<v Speaker 1>We wanted to make a show one day twenty two minutes. Okay,

0:32:16.200 --> 0:32:18.600
<v Speaker 1>if people wondered, why twenty minutes, because it's a show's

0:32:18.640 --> 0:32:20.120
<v Speaker 1>thirty minutes. But when you pull out the ad time,

0:32:20.160 --> 0:32:21.640
<v Speaker 1>you got twenty minutes to work with. Is that the

0:32:21.640 --> 0:32:22.640
<v Speaker 1>point you're gonna make Yanny?

0:32:24.000 --> 0:32:25.520
<v Speaker 3>Uh No, I was just gonna say, you're talking about

0:32:25.520 --> 0:32:27.880
<v Speaker 3>the one that we want. Our dream was to make

0:32:27.920 --> 0:32:28.840
<v Speaker 3>one in real time.

0:32:28.960 --> 0:32:36.160
<v Speaker 1>Yep. Yeah. We wanted to somehow find a way to

0:32:36.440 --> 0:32:40.640
<v Speaker 1>make an episode that was just hit record.

0:32:40.680 --> 0:32:43.520
<v Speaker 7>A live stream, no.

0:32:43.680 --> 0:32:48.480
<v Speaker 1>But hit record and then after twenty two minutes, hit stop.

0:32:49.720 --> 0:32:52.480
<v Speaker 1>And we used to think that you would like go

0:32:52.560 --> 0:32:55.120
<v Speaker 1>out and sort of pick a thing like a stock,

0:32:55.240 --> 0:32:58.240
<v Speaker 1>find a stock and be like, okay, go.

0:33:00.120 --> 0:33:01.200
<v Speaker 2>Yeah. I used to prep you.

0:33:01.240 --> 0:33:02.720
<v Speaker 3>I mean, there were a couple of hunts we went

0:33:02.760 --> 0:33:05.480
<v Speaker 3>on and where we were like, if we have the opportunity,

0:33:06.080 --> 0:33:08.640
<v Speaker 3>I'll be like, Steve, this is it. We're going to

0:33:08.720 --> 0:33:10.520
<v Speaker 3>try it right now, and I would prep you with

0:33:10.600 --> 0:33:13.280
<v Speaker 3>talking points that you'd have to hit in those twenty

0:33:13.280 --> 0:33:16.000
<v Speaker 3>two minutes, and the goal would be that, like the

0:33:16.040 --> 0:33:18.400
<v Speaker 3>beginning of the stock was the beginning, and then as

0:33:18.400 --> 0:33:20.920
<v Speaker 3>we went through the stock, you'd be like, you know,

0:33:21.160 --> 0:33:25.720
<v Speaker 3>keeping people along, doing your thing, and then somewhere around

0:33:25.880 --> 0:33:28.880
<v Speaker 3>the bang or soon after the bang, you would hit

0:33:28.920 --> 0:33:31.560
<v Speaker 3>stop and you'd have twenty two minutes of like literally

0:33:31.640 --> 0:33:34.280
<v Speaker 3>one shot, and you'd have this episode.

0:33:34.320 --> 0:33:41.080
<v Speaker 1>You'd be like a Robert Altman scene. We never did this, Hansy,

0:33:42.760 --> 0:33:46.960
<v Speaker 1>great edit. You should do more of the show.

0:33:49.120 --> 0:33:49.960
<v Speaker 8>In Texas.

0:33:50.240 --> 0:33:52.640
<v Speaker 7>With the twenty two bucks that got called in.

0:33:53.560 --> 0:33:56.280
<v Speaker 1>We could have made a twenty two minute bus. You

0:33:56.280 --> 0:33:59.120
<v Speaker 1>know what what made us think? What made us think

0:33:59.160 --> 0:34:03.200
<v Speaker 1>of that idea. We were in New Zealand one time

0:34:03.280 --> 0:34:05.360
<v Speaker 1>and we did like kind of a little bonus thing.

0:34:05.360 --> 0:34:07.240
<v Speaker 1>One day. This guy was going out the hunt pigs

0:34:07.280 --> 0:34:10.879
<v Speaker 1>with his dogs in New Zealand and he's like, Okay,

0:34:10.880 --> 0:34:12.239
<v Speaker 1>we'll meet at whatever place were.

0:34:12.120 --> 0:34:16.080
<v Speaker 3>You on this No, but I've often referenced this episode

0:34:16.120 --> 0:34:18.560
<v Speaker 3>because it's impressive what transpired.

0:34:18.600 --> 0:34:20.320
<v Speaker 1>We didn't know where we're going, and we're like, okay,

0:34:20.320 --> 0:34:23.000
<v Speaker 1>we'll bring all our stuff and we go out. This

0:34:23.040 --> 0:34:27.000
<v Speaker 1>guy we get there like right at daylight, his little

0:34:27.040 --> 0:34:32.160
<v Speaker 1>dogs strike a track of a pig. We're in the mountains.

0:34:32.719 --> 0:34:35.279
<v Speaker 1>And also in a while later, like the dogs, I'm

0:34:35.280 --> 0:34:40.280
<v Speaker 1>not kidding you, the dogs cease existing on his GPS.

0:34:40.080 --> 0:34:45.480
<v Speaker 1>It's because they've gone into a pig's hole. Okay, so

0:34:45.800 --> 0:34:48.080
<v Speaker 1>you just lose contact with you know where they were,

0:34:48.120 --> 0:34:49.920
<v Speaker 1>but you're not getting any feedback from m because they're

0:34:49.960 --> 0:34:53.560
<v Speaker 1>down in a hole fighting a pig in a cave hole. Okay,

0:34:53.760 --> 0:34:58.040
<v Speaker 1>like a like a hole in the ground. We eventually

0:34:58.040 --> 0:35:02.040
<v Speaker 1>find the pig. The dogs are blocking them up. We

0:35:02.560 --> 0:35:08.560
<v Speaker 1>excavate straight down and arrive at the pig's back like

0:35:08.680 --> 0:35:11.000
<v Speaker 1>dig a big hole down to the pig, find the pig,

0:35:12.280 --> 0:35:15.440
<v Speaker 1>get the pig killed, drag the pig up out of

0:35:15.440 --> 0:35:18.919
<v Speaker 1>the hole. The New Zealand dude gets a big fire going,

0:35:19.800 --> 0:35:21.759
<v Speaker 1>gets the pig all wet in the creek, burns all

0:35:21.800 --> 0:35:23.400
<v Speaker 1>the hair off it, and by this point it's like

0:35:23.440 --> 0:35:26.000
<v Speaker 1>ten in the morning and we're like, oh, that's we

0:35:26.160 --> 0:35:28.520
<v Speaker 1>just made like an episode of a TV show and

0:35:28.560 --> 0:35:31.840
<v Speaker 1>like ran it. Yeah, it was great. Yeah, all this

0:35:31.840 --> 0:35:34.279
<v Speaker 1>stuff going somewhere seven days. It's like it was like,

0:35:34.320 --> 0:35:36.520
<v Speaker 1>I mean, I'm not kidding you. Besides us cooking some

0:35:36.560 --> 0:35:38.360
<v Speaker 1>pig later, I mean, it was like eleven o'clock in

0:35:38.400 --> 0:35:40.400
<v Speaker 1>the morning and we're like, that was the most amazing

0:35:41.400 --> 0:35:45.520
<v Speaker 1>morning of the most amazing morning I've ever been involved in.

0:35:45.760 --> 0:35:49.960
<v Speaker 3>It's definitely besides maybe a cooking episode that's a totally

0:35:49.960 --> 0:35:52.600
<v Speaker 3>different animal. But as far as a hunting meter episode,

0:35:52.600 --> 0:35:54.880
<v Speaker 3>I think it's the only one that's ever been shot

0:35:54.920 --> 0:35:55.720
<v Speaker 3>in one day.

0:35:56.200 --> 0:35:58.799
<v Speaker 1>Half a day that got a sick. We should try

0:35:58.800 --> 0:36:05.000
<v Speaker 1>to do one in twenty two minutes. Uh hell are

0:36:05.000 --> 0:36:05.880
<v Speaker 1>we talking about.

0:36:07.600 --> 0:36:08.600
<v Speaker 2>Long moose?

0:36:08.920 --> 0:36:14.960
<v Speaker 1>Moose? Yeah, so the moose hunt. Yeah, No one goes anywhere.

0:36:15.960 --> 0:36:21.040
<v Speaker 6>No, you're in the same spot the whole time. I mean,

0:36:21.080 --> 0:36:21.600
<v Speaker 6>it's a it.

0:36:21.640 --> 0:36:23.919
<v Speaker 1>We shot maybe about twenty yards from where we spent

0:36:24.040 --> 0:36:24.880
<v Speaker 1>eight six days.

0:36:24.920 --> 0:36:27.200
<v Speaker 6>It's like a war of attrition, you guys just like

0:36:27.560 --> 0:36:28.200
<v Speaker 6>waiting it out.

0:36:28.719 --> 0:36:32.239
<v Speaker 3>What makes that one particularly tough and the patients is

0:36:32.280 --> 0:36:34.759
<v Speaker 3>that there are many other hunts where the same level

0:36:34.800 --> 0:36:36.080
<v Speaker 3>of patients is required.

0:36:36.320 --> 0:36:39.240
<v Speaker 2>I mean, hunting eight days in the white tail rut.

0:36:39.040 --> 0:36:41.480
<v Speaker 3>Can be that way because you're going you're like, I

0:36:41.480 --> 0:36:43.440
<v Speaker 3>want to see five bucks a day. Often you're like,

0:36:43.520 --> 0:36:45.759
<v Speaker 3>I saw a flicker of a tail, and I sat

0:36:45.800 --> 0:36:50.839
<v Speaker 3>here for ten hours, but I saw birds and squirrels

0:36:51.040 --> 0:36:54.680
<v Speaker 3>and a bobcat watch by, and there's other things happening

0:36:54.719 --> 0:36:59.959
<v Speaker 3>in the eastern deciduous force up there. The amount of wildlife,

0:37:00.080 --> 0:37:03.680
<v Speaker 3>even though Alaska is often considered this just the place of.

0:37:07.040 --> 0:37:07.480
<v Speaker 2>A lot with.

0:37:07.560 --> 0:37:11.680
<v Speaker 3>Abundance, abundance with critters, it's not. When the salmon are

0:37:11.680 --> 0:37:14.959
<v Speaker 3>there that day in the river, it's amazing, there's tens

0:37:14.960 --> 0:37:17.680
<v Speaker 3>of thousands swimming by your feet. But a month earlier

0:37:17.680 --> 0:37:19.960
<v Speaker 3>there was zero, and a month later there's zero. And

0:37:20.000 --> 0:37:22.320
<v Speaker 3>when you're sitting on that knob waiting for that moose,

0:37:23.200 --> 0:37:26.160
<v Speaker 3>there is not an abundance of wildlife, which makes it

0:37:26.200 --> 0:37:28.160
<v Speaker 3>particularly tough to entertain your mind.

0:37:28.560 --> 0:37:31.600
<v Speaker 1>That's what I've tried to raise that point. Before caribou hunting,

0:37:31.760 --> 0:37:35.160
<v Speaker 1>you're sitting there watching three hundred cariboo walk by, and

0:37:35.200 --> 0:37:37.400
<v Speaker 1>you're like, my god, like the land of plenty, and

0:37:37.480 --> 0:37:39.920
<v Speaker 1>be like, let's talk about the other eleven months in

0:37:39.960 --> 0:37:42.600
<v Speaker 1>two weeks, you can sit here and nothing walks by.

0:37:44.560 --> 0:37:46.840
<v Speaker 6>Yeah, there's all these there's all these moments that you know,

0:37:46.960 --> 0:37:49.480
<v Speaker 6>like for all of this together, all these episodes, I

0:37:49.520 --> 0:37:52.000
<v Speaker 6>want to say, there's probably like one hundred and forty

0:37:52.040 --> 0:37:56.960
<v Speaker 6>hours of a footage. Sure, yeah, so, and and all

0:37:56.960 --> 0:37:58.960
<v Speaker 6>that comes down to like a little over two hours

0:37:59.239 --> 0:38:01.920
<v Speaker 6>like of final really what you're dealing with. Yeah, so

0:38:01.960 --> 0:38:05.640
<v Speaker 6>that's that's the gross amount. But like even within this

0:38:05.680 --> 0:38:08.160
<v Speaker 6>episode with like nine days or however many long, it

0:38:08.320 --> 0:38:11.080
<v Speaker 6>was like, there's all these moments that I want to

0:38:11.120 --> 0:38:13.960
<v Speaker 6>include that like evidence exactly what you guys are talking about,

0:38:14.000 --> 0:38:17.600
<v Speaker 6>Like where the like your your mental stimulus from your

0:38:17.600 --> 0:38:21.680
<v Speaker 6>surroundings becomes so narrowed over time where you're so hyper attuned.

0:38:21.719 --> 0:38:24.480
<v Speaker 6>It seems like so hyper attuned to your surroundings and

0:38:24.520 --> 0:38:27.960
<v Speaker 6>the environment and what you're seeing. That like you've got that,

0:38:28.360 --> 0:38:31.399
<v Speaker 6>and then you've got like the mental stimulus between each other,

0:38:31.960 --> 0:38:34.600
<v Speaker 6>and then you end up creating these like and it

0:38:34.640 --> 0:38:37.040
<v Speaker 6>all kind of killed me to cut this, but there

0:38:37.120 --> 0:38:39.400
<v Speaker 6>was like this one scene where you guys create this

0:38:39.520 --> 0:38:43.840
<v Speaker 6>song about like a watermelon man on a corn stand

0:38:44.680 --> 0:38:47.680
<v Speaker 6>on a block on some block in New York city.

0:38:49.480 --> 0:38:55.640
<v Speaker 1>We were singing, and I cut it simple man. Yes, yes,

0:38:55.760 --> 0:39:00.440
<v Speaker 1>that's a simple kind. Yeah, because Clay was saying when

0:39:00.440 --> 0:39:03.280
<v Speaker 1>he retires, he wants to open up a sweet corn stand.

0:39:05.640 --> 0:39:09.320
<v Speaker 1>So we rewrote simple man as cornstan.

0:39:13.400 --> 0:39:14.440
<v Speaker 2>I forgot about that.

0:39:16.360 --> 0:39:21.840
<v Speaker 1>When I was young. Uh, build your stand, son, and

0:39:21.880 --> 0:39:25.279
<v Speaker 1>they will come plant your seeds in the morning sun.

0:39:27.120 --> 0:39:34.200
<v Speaker 7>And then we need like some outtakes because part of

0:39:34.239 --> 0:39:36.359
<v Speaker 7>his problem was he wants to be a corn stand man,

0:39:36.440 --> 0:39:39.920
<v Speaker 7>but just not grow the corn, which is not the

0:39:40.040 --> 0:39:41.640
<v Speaker 7>kind of corn stand I want to go to.

0:39:42.760 --> 0:39:47.799
<v Speaker 1>Yeah, he's store man. He wants to be like I mean,

0:39:47.840 --> 0:39:53.280
<v Speaker 1>he wants to be like a like a retailer system.

0:39:54.080 --> 0:39:57.360
<v Speaker 3>I'm just guessing here, but I don't think that that

0:39:57.560 --> 0:40:00.839
<v Speaker 3>on average, the person running the corn and stand is

0:40:00.880 --> 0:40:01.400
<v Speaker 3>the farmer.

0:40:02.120 --> 0:40:04.440
<v Speaker 1>That's the kind I like to go to. That I

0:40:04.480 --> 0:40:08.480
<v Speaker 1>would have family, really, Yeah, where I mean I grew up.

0:40:08.480 --> 0:40:10.960
<v Speaker 2>They have to be out on the well.

0:40:11.040 --> 0:40:15.920
<v Speaker 4>You's like the farmer's fifteen year old daughter has to

0:40:15.960 --> 0:40:19.080
<v Speaker 4>set there all day or somebody in the in the sphere,

0:40:19.120 --> 0:40:19.560
<v Speaker 4>maybe not.

0:40:19.520 --> 0:40:22.359
<v Speaker 1>The person planting the seed and run the combine. Yeah,

0:40:22.360 --> 0:40:24.239
<v Speaker 1>when I go to a corn stand man, I do

0:40:24.360 --> 0:40:26.959
<v Speaker 1>not want to be buying no corn from some guy

0:40:26.960 --> 0:40:30.920
<v Speaker 1>that bought that corn. I will, I don't want to

0:40:32.000 --> 0:40:34.959
<v Speaker 1>that's the grocery store, right, well, that's the business Clay

0:40:35.000 --> 0:40:40.360
<v Speaker 1>wants to retire into it. Imagine that he wants to

0:40:40.400 --> 0:40:42.200
<v Speaker 1>be a simple corn stand man. He told me, you

0:40:42.239 --> 0:40:45.880
<v Speaker 1>want to be a commercial cab fisherman. When yeah, but

0:40:45.960 --> 0:40:48.960
<v Speaker 1>you can't do that, a simple commercial cat fishing man.

0:40:49.280 --> 0:40:55.399
<v Speaker 1>Too many syllables even for us. Uh so you cut

0:40:55.440 --> 0:41:01.600
<v Speaker 1>that out? Yeah, yeah, sadly I wish, because that would

0:41:01.600 --> 0:41:02.799
<v Speaker 1>have given you six minutes, right.

0:41:02.880 --> 0:41:04.319
<v Speaker 2>I know, I know, yeah it was.

0:41:04.360 --> 0:41:05.000
<v Speaker 6>It was too long.

0:41:05.040 --> 0:41:06.399
<v Speaker 2>We should make that a YouTube short.

0:41:06.920 --> 0:41:09.360
<v Speaker 6>There are so many that come out of these. I mean, yeah,

0:41:09.400 --> 0:41:11.040
<v Speaker 6>there's and uh you know we do.

0:41:11.120 --> 0:41:12.640
<v Speaker 2>We have a whole channel for that now.

0:41:12.719 --> 0:41:15.960
<v Speaker 6>So yeah, yeah, no, the YouTube clips, there's some cool

0:41:15.960 --> 0:41:18.960
<v Speaker 6>stuff happening on that, yeah for sure. But yeah, Tho's

0:41:19.080 --> 0:41:21.400
<v Speaker 6>future stuff, future projects. And you know, we've talked about

0:41:21.440 --> 0:41:24.040
<v Speaker 6>like director's cuts, you know, the equivalent with some of

0:41:24.080 --> 0:41:28.120
<v Speaker 6>these episodes too. It seems like a possibility, especially with

0:41:28.160 --> 0:41:29.239
<v Speaker 6>a couple of them.

0:41:29.520 --> 0:41:32.759
<v Speaker 1>So we talked about ratland Bucks, but have we talked

0:41:32.760 --> 0:41:35.959
<v Speaker 1>about ratland Box a ratland Box episode. I mean, we've

0:41:36.000 --> 0:41:37.520
<v Speaker 1>touched on it, but have we tackled it?

0:41:37.600 --> 0:41:37.680
<v Speaker 2>No?

0:41:37.960 --> 0:41:39.759
<v Speaker 6>No, No, we touched on it over.

0:41:39.960 --> 0:41:42.400
<v Speaker 1>We've played for again, we've played flag football.

0:41:42.480 --> 0:41:44.560
<v Speaker 6>Yeah, we're just giving stones on it over the top

0:41:44.600 --> 0:41:48.520
<v Speaker 6>of it. So go on, too many Bucks? Too Many Bucks?

0:41:48.560 --> 0:41:51.960
<v Speaker 6>Is that twenty two bucks episode? And it's just like

0:41:52.239 --> 0:41:53.799
<v Speaker 6>if I were to compare it like a like a

0:41:53.840 --> 0:41:55.600
<v Speaker 6>through line like a story. You know, most of these

0:41:55.600 --> 0:41:58.160
<v Speaker 6>stories have like a curve and it goes up and

0:41:58.200 --> 0:42:00.640
<v Speaker 6>then there's an apex and it comes down very quickly,

0:42:00.680 --> 0:42:03.680
<v Speaker 6>and then this one is just like flat line of

0:42:03.719 --> 0:42:06.799
<v Speaker 6>action for like twenty two minutes. So in trying to

0:42:06.800 --> 0:42:08.160
<v Speaker 6>like figure out what to do with that.

0:42:09.400 --> 0:42:09.880
<v Speaker 2>We were.

0:42:11.560 --> 0:42:13.160
<v Speaker 1>I mean, it's like, the footage is cool.

0:42:13.200 --> 0:42:13.920
<v Speaker 6>I shouldn't say that.

0:42:14.000 --> 0:42:18.719
<v Speaker 1>As I went into that, no one. I went into

0:42:18.760 --> 0:42:21.839
<v Speaker 1>it thinking, this is about rattling a bunch of bucks.

0:42:22.160 --> 0:42:24.120
<v Speaker 8>Yeah, you're like, I just wanted to be a montage

0:42:24.120 --> 0:42:25.960
<v Speaker 8>of us rattling a bunch of bucks.

0:42:26.000 --> 0:42:27.040
<v Speaker 2>And by the end I was like, but I think

0:42:27.040 --> 0:42:27.440
<v Speaker 2>we got that.

0:42:27.680 --> 0:42:32.480
<v Speaker 6>Yeah, you definitely got that. You definitely got that. But

0:42:32.800 --> 0:42:34.560
<v Speaker 6>on top of that, there's just like some other cool

0:42:34.560 --> 0:42:36.279
<v Speaker 6>things that I think we were able to weave in

0:42:36.320 --> 0:42:40.840
<v Speaker 6>which was this, you have a posturing deer decoy, which

0:42:41.080 --> 0:42:44.319
<v Speaker 6>I think is a pretty interesting concept just from like

0:42:44.360 --> 0:42:48.680
<v Speaker 6>a just bringing in bucks to a decoy is an

0:42:48.680 --> 0:42:51.279
<v Speaker 6>interesting concept on its own, but then rattling it in

0:42:51.320 --> 0:42:54.600
<v Speaker 6>on top of that provides another element. But with this

0:42:54.680 --> 0:42:59.120
<v Speaker 6>DSD decoy, I mean getting a little bit of background

0:42:59.200 --> 0:43:01.600
<v Speaker 6>and context for that, for that how that came about

0:43:02.000 --> 0:43:05.759
<v Speaker 6>in your relationship with Dave, and using it on this

0:43:05.880 --> 0:43:08.239
<v Speaker 6>shoot was like a whole interesting through line that that

0:43:08.280 --> 0:43:11.439
<v Speaker 6>we're gonna weave together with the with the with the action,

0:43:11.640 --> 0:43:14.759
<v Speaker 6>which is cool obviously, but but it gives you some

0:43:14.760 --> 0:43:15.440
<v Speaker 6>some context.

0:43:15.560 --> 0:43:17.640
<v Speaker 1>Yeah. I don't mean this has any disrespect to anybody

0:43:17.640 --> 0:43:19.080
<v Speaker 1>in this room, but I like Dave by name that

0:43:19.200 --> 0:43:19.600
<v Speaker 1>I work with.

0:43:19.680 --> 0:43:22.560
<v Speaker 6>Oh, he's a he's a great person. I mean you

0:43:22.600 --> 0:43:25.080
<v Speaker 6>see that on the interview, and I don't hardly know.

0:43:26.400 --> 0:43:27.759
<v Speaker 1>You can't hear a thing anybody says.

0:43:30.280 --> 0:43:34.400
<v Speaker 3>He spoke yesterday we had a big company wide meeting.

0:43:35.480 --> 0:43:37.640
<v Speaker 3>He started off by saying very nervous to speak in

0:43:37.640 --> 0:43:40.640
<v Speaker 3>front of people, but then landed like three very good jokes.

0:43:40.680 --> 0:43:44.279
<v Speaker 3>I felt that aside had he not done his little joke,

0:43:44.360 --> 0:43:47.480
<v Speaker 3>but at all when that man starts to talk about

0:43:47.480 --> 0:43:51.359
<v Speaker 3>his craft. I mean you can just feel it from

0:43:51.440 --> 0:43:54.239
<v Speaker 3>his heart. And like I was skeoching up in my

0:43:54.360 --> 0:43:57.200
<v Speaker 3>seat being like, what else is he gonna say? I mean,

0:43:57.840 --> 0:44:01.200
<v Speaker 3>I find it very captivating when he's about his craft,

0:44:01.280 --> 0:44:03.160
<v Speaker 3>and uh yeah, he's great.

0:44:03.600 --> 0:44:05.799
<v Speaker 1>Yeah, no, he's He's the next level. It's hard.

0:44:05.840 --> 0:44:10.160
<v Speaker 6>It was hard to like isolate and Hillary Hillary Burne,

0:44:10.280 --> 0:44:13.920
<v Speaker 6>our post production director, has provided so much for this

0:44:13.960 --> 0:44:17.799
<v Speaker 6>whole project, like idea wise, and but she was on

0:44:17.880 --> 0:44:20.640
<v Speaker 6>the she was on that shoot. And when she brought

0:44:20.640 --> 0:44:21.480
<v Speaker 6>the footage.

0:44:21.080 --> 0:44:22.839
<v Speaker 1>Back and was pulling Dave.

0:44:23.000 --> 0:44:26.239
<v Speaker 6>Yeah, and when she brought that stuff back, she was

0:44:26.280 --> 0:44:28.480
<v Speaker 6>pulling the selects, which is like the best moments of it.

0:44:28.560 --> 0:44:30.399
<v Speaker 6>And it was like I was asking her, how's it going,

0:44:30.440 --> 0:44:32.759
<v Speaker 6>and She's like, there's this just so much that's good,

0:44:32.960 --> 0:44:35.960
<v Speaker 6>like so much everything that he talks about, everything his story,

0:44:36.320 --> 0:44:38.719
<v Speaker 6>it's like so interesting and so and then it was

0:44:38.880 --> 0:44:40.239
<v Speaker 6>all of a sudden it was like, all right, well,

0:44:40.400 --> 0:44:43.160
<v Speaker 6>we can't, we don't. This is not a DSD commercial.

0:44:43.200 --> 0:44:45.160
<v Speaker 6>We don't want it to be like a marketing piece,

0:44:45.480 --> 0:44:48.960
<v Speaker 6>like necessarily, this is a this is a story profile,

0:44:49.000 --> 0:44:53.080
<v Speaker 6>it's a profile. And and but his there's so much

0:44:53.320 --> 0:44:55.359
<v Speaker 6>interesting stuff that he says. It's like we could make

0:44:55.400 --> 0:44:58.239
<v Speaker 6>a whole we could make a whole show on on Dave.

0:44:58.320 --> 0:45:03.880
<v Speaker 6>I think. I mean, he's just seems like a cool cat. Uh.

0:45:04.640 --> 0:45:06.200
<v Speaker 1>I'll tell you a funny story about day, but I

0:45:06.200 --> 0:45:08.640
<v Speaker 1>gotta give a little background on it to the listener.

0:45:09.400 --> 0:45:11.279
<v Speaker 1>Here at our company, we have this thing. I don't

0:45:11.280 --> 0:45:12.960
<v Speaker 1>know if anyone pays attention to it, but it's on

0:45:13.000 --> 0:45:14.600
<v Speaker 1>your calendar every day. There's supposed to be like a

0:45:14.600 --> 0:45:17.160
<v Speaker 1>time of day people are like, oh, I got you know,

0:45:17.200 --> 0:45:18.840
<v Speaker 1>I got two men emails. I can't focus on what

0:45:18.880 --> 0:45:20.399
<v Speaker 1>I want to focus on. So there's like this time

0:45:20.440 --> 0:45:21.919
<v Speaker 1>of day when it's supposed to be that you can't

0:45:21.960 --> 0:45:23.800
<v Speaker 1>email like company focus time.

0:45:24.080 --> 0:45:25.919
<v Speaker 2>You can't have meetings during that time.

0:45:26.400 --> 0:45:27.840
<v Speaker 1>But I never get to do it because I always

0:45:27.880 --> 0:45:32.840
<v Speaker 1>have meetings. But it's like company focus time, so it

0:45:32.920 --> 0:45:34.920
<v Speaker 1>always pops up. I don't know, fait does it? Does anybody

0:45:34.920 --> 0:45:38.680
<v Speaker 1>pay attention to Company focus Time four day? It's just

0:45:38.800 --> 0:45:40.560
<v Speaker 1>it's just built. It's like it's a it's a joke.

0:45:40.600 --> 0:45:42.000
<v Speaker 1>It's always been there and no one knows what it

0:45:42.080 --> 0:45:45.000
<v Speaker 1>is whatever, but it's there. Yeah, I'm hunting turkeys with

0:45:45.120 --> 0:45:49.239
<v Speaker 1>Dave during the week. Hey, me and Dave, we're hunting turkeys.

0:45:50.160 --> 0:45:53.600
<v Speaker 1>We're driving from one spot to the next days like

0:45:53.640 --> 0:45:55.640
<v Speaker 1>looking at his phone, he looks at me. Oh shit,

0:45:55.920 --> 0:45:57.040
<v Speaker 1>it's company focused on.

0:46:01.640 --> 0:46:02.680
<v Speaker 6>So did he observe it?

0:46:06.800 --> 0:46:08.879
<v Speaker 1>We focused on driving to our next jury?

0:46:10.000 --> 0:46:10.280
<v Speaker 2>Nice?

0:46:11.360 --> 0:46:14.840
<v Speaker 1>Okay, who's dear with Yannis? What a smart guy is?

0:46:15.360 --> 0:46:18.880
<v Speaker 6>Well, because you guys have some good ribbing back and forth.

0:46:18.960 --> 0:46:21.799
<v Speaker 6>But yeah, that's a that's that one's where like things

0:46:21.800 --> 0:46:24.839
<v Speaker 6>get weird right where we took this episode that was.

0:46:26.480 --> 0:46:29.120
<v Speaker 1>All right, all right, where's.

0:46:28.800 --> 0:46:29.320
<v Speaker 6>He going with this?

0:46:30.000 --> 0:46:30.080
<v Speaker 7>Well?

0:46:30.520 --> 0:46:31.680
<v Speaker 1>Made us go to a new spot.

0:46:31.840 --> 0:46:36.520
<v Speaker 6>Okay, Yeah, so that's what started maybe the beginning. It's

0:46:36.520 --> 0:46:37.720
<v Speaker 6>maybe the beginning.

0:46:37.640 --> 0:46:39.280
<v Speaker 1>I want to hear from your perspective, but.

0:46:39.320 --> 0:46:40.959
<v Speaker 6>Well, from what I saw, I was like, we had

0:46:41.320 --> 0:46:45.560
<v Speaker 6>this tremendously beautiful hunt in Sonora. I mean this the

0:46:45.560 --> 0:46:49.839
<v Speaker 6>scenery there is outstanding. It's incredible. I've never been, but again,

0:46:49.880 --> 0:46:52.480
<v Speaker 6>I've like just watched a lot of those footage, but

0:46:52.840 --> 0:46:57.440
<v Speaker 6>it was it was like nothing happened for seven days.

0:46:58.520 --> 0:47:01.440
<v Speaker 6>So we had we had we had all this footage

0:47:01.480 --> 0:47:04.920
<v Speaker 6>of like you know, driving around, Johnny gets stuck in

0:47:05.000 --> 0:47:07.719
<v Speaker 6>a can am or a polaris or something, and that's

0:47:07.760 --> 0:47:12.040
<v Speaker 6>like kind of an interesting moment and which is evidence

0:47:12.040 --> 0:47:15.480
<v Speaker 6>of the hard country. But like that's that's what we

0:47:15.560 --> 0:47:18.080
<v Speaker 6>have for like seven days. And then in like twenty

0:47:18.080 --> 0:47:20.279
<v Speaker 6>minutes at the end of this, like you guys both

0:47:20.360 --> 0:47:24.320
<v Speaker 6>do deer at the end of this, and it happens

0:47:24.400 --> 0:47:28.200
<v Speaker 6>so fast, and we don't have any like long lens,

0:47:28.400 --> 0:47:32.959
<v Speaker 6>so like the very zoomed in picture of the deer

0:47:33.120 --> 0:47:35.440
<v Speaker 6>and what they're doing and things like that. So we

0:47:35.440 --> 0:47:37.719
<v Speaker 6>were just limited on what we have for this episode.

0:47:37.840 --> 0:47:40.840
<v Speaker 6>And so in the process of trying to come up,

0:47:40.880 --> 0:47:43.000
<v Speaker 6>we like I cut an episode and it turned out

0:47:43.040 --> 0:47:45.719
<v Speaker 6>to be I want to say it was like fourteen

0:47:45.760 --> 0:47:48.360
<v Speaker 6>minutes or something like that, and it was it was

0:47:48.400 --> 0:47:50.640
<v Speaker 6>interesting to watch. I thought, like, once we got it

0:47:50.680 --> 0:47:52.840
<v Speaker 6>all together, it was like a it was an interesting

0:47:52.840 --> 0:47:55.400
<v Speaker 6>fourteen minute episode, but like these these have to be

0:47:55.400 --> 0:48:00.000
<v Speaker 6>twenty two. And so the idea became like, all right,

0:48:00.120 --> 0:48:03.719
<v Speaker 6>what if we what if we have you guys like

0:48:03.840 --> 0:48:06.600
<v Speaker 6>Ciskel and Ebert like in a movie theater kind of

0:48:06.640 --> 0:48:10.640
<v Speaker 6>like uh Mystery science Theater, the show where they watch

0:48:10.719 --> 0:48:12.759
<v Speaker 6>like b movies and science fiction and they have these

0:48:12.760 --> 0:48:15.120
<v Speaker 6>like little silhouetted guys in front of the movie, and

0:48:15.160 --> 0:48:17.880
<v Speaker 6>what if we have them sitting there talking about and

0:48:18.000 --> 0:48:21.680
<v Speaker 6>narrating effectively this episode. And so we had you guys

0:48:21.719 --> 0:48:24.800
<v Speaker 6>come on a to a little cinema and Livingstone and

0:48:24.800 --> 0:48:28.359
<v Speaker 6>and uh and basically reshoot the thing. So we had

0:48:28.360 --> 0:48:30.799
<v Speaker 6>a what the cinema people would call like second unit.

0:48:30.840 --> 0:48:32.440
<v Speaker 6>So we had you know, we had lighting and we

0:48:32.480 --> 0:48:35.560
<v Speaker 6>had cameras again, and then we we shot. We shot you.

0:48:35.920 --> 0:48:37.280
<v Speaker 1>Doctor Randall makes a cameo.

0:48:37.440 --> 0:48:40.960
<v Speaker 6>Doctor Randall makes a cameo. He's a he is an

0:48:40.960 --> 0:48:44.960
<v Speaker 6>annoyed an annoyed theater goer, which is which is kind

0:48:45.000 --> 0:48:47.520
<v Speaker 6>of fun. But but no, I think we get a

0:48:47.520 --> 0:48:51.200
<v Speaker 6>little bit of like extra again, extra context, extra extra background,

0:48:51.400 --> 0:48:54.520
<v Speaker 6>and uh, it is it was a giant pain in

0:48:54.560 --> 0:48:56.439
<v Speaker 6>the butt. I mean, like you're talking about a TV

0:48:56.480 --> 0:48:59.640
<v Speaker 6>show in a TV show like so, so that alone

0:48:59.760 --> 0:49:03.319
<v Speaker 6>is like got a lot of technical constraints and our

0:49:03.840 --> 0:49:06.840
<v Speaker 6>team is awesome and so like Zoe, our post production

0:49:06.880 --> 0:49:09.920
<v Speaker 6>supervisor has done some cool work and like compositing that

0:49:10.040 --> 0:49:14.400
<v Speaker 6>all together so that it just it's it looks different,

0:49:14.440 --> 0:49:15.840
<v Speaker 6>like I don't think anybody's ever done this in the

0:49:15.920 --> 0:49:18.279
<v Speaker 6>hunting space, Like I don't think that exists. So that's

0:49:18.920 --> 0:49:20.880
<v Speaker 6>that's what makes me excited about this episode.

0:49:23.040 --> 0:49:29.680
<v Speaker 1>We still haven't tackled the too many bucks. Yeah, why

0:49:29.719 --> 0:49:31.759
<v Speaker 1>why why do you think people don't? Why do people

0:49:31.800 --> 0:49:34.319
<v Speaker 1>not just want to watch awesome buck footage? I think

0:49:34.320 --> 0:49:36.200
<v Speaker 1>we're gonna just call it awesome buck footage.

0:49:36.239 --> 0:49:37.799
<v Speaker 6>I think I think we're going to get that too.

0:49:38.800 --> 0:49:39.480
<v Speaker 1>Did you see that one?

0:49:39.480 --> 0:49:47.120
<v Speaker 9>It's drooling I've seen I've seen multiple more like have

0:49:47.280 --> 0:49:49.880
<v Speaker 9>like swollen necks and just like he's drooling.

0:49:51.680 --> 0:49:53.560
<v Speaker 6>I think I think I know the shot you're talking about.

0:49:53.560 --> 0:49:54.560
<v Speaker 1>He's coming straight straight in.

0:49:54.840 --> 0:49:58.120
<v Speaker 6>Yeah, got a little bit more of a vertical set

0:49:58.120 --> 0:49:58.680
<v Speaker 6>of antlers.

0:50:00.120 --> 0:50:02.319
<v Speaker 1>Yeah, now that's the one I had to stomp ACTU

0:50:02.320 --> 0:50:06.400
<v Speaker 1>I thought he was gonna get That's that's pretty wild. Yeah,

0:50:06.800 --> 0:50:08.359
<v Speaker 1>what else am I think? Do you see the one

0:50:08.400 --> 0:50:11.600
<v Speaker 1>that you see how they what's going through their head

0:50:11.600 --> 0:50:13.000
<v Speaker 1>when they want to attack the decoy?

0:50:13.080 --> 0:50:15.440
<v Speaker 6>Oh, I mean we have we have footage of them

0:50:15.480 --> 0:50:18.640
<v Speaker 6>literally attacking the decoy. I mean that's that's cool stuff too.

0:50:18.719 --> 0:50:20.760
<v Speaker 1>I always pictured when a buck was going to attack,

0:50:21.480 --> 0:50:24.080
<v Speaker 1>like because your picture this, it's like you're giving a

0:50:24.120 --> 0:50:28.480
<v Speaker 1>buck the dream scenario as the assaulter.

0:50:29.640 --> 0:50:32.399
<v Speaker 6>Because he's going anyway, here's a buck.

0:50:32.520 --> 0:50:36.360
<v Speaker 1>He's gonna fight, but the buck is doing no defensive maneuvering.

0:50:37.280 --> 0:50:39.319
<v Speaker 1>So you're able to see like like let's say I

0:50:39.360 --> 0:50:43.040
<v Speaker 1>said to you, uh, go punch that guy right, and

0:50:43.080 --> 0:50:45.759
<v Speaker 1>you're approaching thinking like, okay, I'm gonna have to dodge

0:50:46.520 --> 0:50:49.560
<v Speaker 1>his punches, you know, but it winds up being like

0:50:49.600 --> 0:50:53.520
<v Speaker 1>power slapping. So but you can just do what you

0:50:53.600 --> 0:50:55.960
<v Speaker 1>want to do. So here you're seeing bucks who are

0:50:56.000 --> 0:50:58.440
<v Speaker 1>coming in being like, oh shit, I'm gonna need to

0:50:58.480 --> 0:51:01.319
<v Speaker 1>fight this buck. I hope I don't get hurt. And

0:51:01.440 --> 0:51:05.120
<v Speaker 1>after comments, he's like, oh it, man, this buck is

0:51:05.160 --> 0:51:11.200
<v Speaker 1>not doing any of the things that would defend it. Yeah,

0:51:11.239 --> 0:51:15.680
<v Speaker 1>so he's like, so what I'm gonna do. I'm gonna

0:51:15.719 --> 0:51:19.760
<v Speaker 1>come from behind. I'm gonna get up to him, right

0:51:19.960 --> 0:51:24.320
<v Speaker 1>alongside of him. I'm gonna stand there a long time,

0:51:24.480 --> 0:51:29.880
<v Speaker 1>and then I'm gonna bayl Ris. That's what he wants

0:51:29.920 --> 0:51:30.440
<v Speaker 1>to hit. And the.

0:51:32.560 --> 0:51:35.759
<v Speaker 6>Moment, the moment of curiosity was like it's like it

0:51:35.840 --> 0:51:39.400
<v Speaker 6>lasted so long, curious, curious, and then the moment of

0:51:39.440 --> 0:51:41.440
<v Speaker 6>aggression was like four seconds, like.

0:51:42.280 --> 0:51:44.560
<v Speaker 1>But you get to see what he would prefer to

0:51:44.600 --> 0:51:49.520
<v Speaker 1>do is hit you so hard in your ribs. He

0:51:49.560 --> 0:51:52.600
<v Speaker 1>doesn't want to hit your head. Ye, yeah, he doesn't

0:51:52.600 --> 0:51:56.200
<v Speaker 1>want to hit your your weapons are man. He wants

0:51:56.239 --> 0:51:58.960
<v Speaker 1>to punch your ribs hard death.

0:51:59.480 --> 0:52:02.680
<v Speaker 3>Do you ever have any that, because, like you said,

0:52:02.719 --> 0:52:05.680
<v Speaker 3>they figure out once they make impact that there's not

0:52:05.760 --> 0:52:08.560
<v Speaker 3>a buck. But did you ever have some so some

0:52:08.800 --> 0:52:12.000
<v Speaker 3>that were so curious or aggressive that even then they're like,

0:52:12.040 --> 0:52:12.399
<v Speaker 3>that's not.

0:52:12.360 --> 0:52:14.960
<v Speaker 2>A buck, but I can't take it. I'm gonna go

0:52:15.080 --> 0:52:15.600
<v Speaker 2>back again.

0:52:15.880 --> 0:52:20.080
<v Speaker 1>They were definitely, they definitely were like something is askew.

0:52:20.960 --> 0:52:22.960
<v Speaker 8>Well, we got one where he came in, knocked the

0:52:23.040 --> 0:52:25.200
<v Speaker 8>decoy over. I ran out there, set it back up,

0:52:25.480 --> 0:52:26.680
<v Speaker 8>and then he came back in again.

0:52:26.840 --> 0:52:32.840
<v Speaker 1>Yeah, I should say there's always it's hard to know

0:52:32.840 --> 0:52:35.200
<v Speaker 1>what's going on in a deer's head. I would say

0:52:35.239 --> 0:52:37.799
<v Speaker 1>that that the handful of times, there was always like

0:52:38.080 --> 0:52:41.200
<v Speaker 1>what I read as a bit of like what yeah,

0:52:41.440 --> 0:52:42.120
<v Speaker 1>like a what.

0:52:42.920 --> 0:52:44.400
<v Speaker 2>You know not.

0:52:45.960 --> 0:52:49.680
<v Speaker 1>That he would hit and then kind of recovered from

0:52:49.680 --> 0:52:50.280
<v Speaker 1>the surprise.

0:52:50.400 --> 0:52:52.359
<v Speaker 3>It was like a gobbler, right, he just will sit

0:52:52.360 --> 0:52:55.120
<v Speaker 3>there and keep flogging that thing. You know, there's no

0:52:55.680 --> 0:52:57.800
<v Speaker 3>it sounds like plastic, it's on the ground.

0:52:57.840 --> 0:52:58.640
<v Speaker 2>Its throlling around.

0:52:58.719 --> 0:53:01.839
<v Speaker 3>Still hasn't reacted to him, but he's like whatever, I'm

0:53:01.880 --> 0:53:02.640
<v Speaker 3>waving it to you.

0:53:02.800 --> 0:53:06.880
<v Speaker 1>Yeah, he's like, oh yeah, well now I'm gonna breathe you.

0:53:06.880 --> 0:53:08.600
<v Speaker 6>You make a really good point in that episode that

0:53:08.640 --> 0:53:11.680
<v Speaker 6>you say, like i'd like to to the effect of

0:53:11.760 --> 0:53:14.520
<v Speaker 6>like I'd like to interview I'd like to interview a deer,

0:53:15.520 --> 0:53:17.560
<v Speaker 6>but it's got to be an honest one. Yeah, Like

0:53:17.760 --> 0:53:18.600
<v Speaker 6>and that's that was.

0:53:19.160 --> 0:53:22.120
<v Speaker 1>So mister buck when you came running up here and

0:53:22.160 --> 0:53:24.160
<v Speaker 1>you saw that deer standard, what was the first thing

0:53:24.200 --> 0:53:25.359
<v Speaker 1>you thought, you.

0:53:25.360 --> 0:53:29.200
<v Speaker 6>Know, like an exit interview like this won't affect you,

0:53:29.239 --> 0:53:31.279
<v Speaker 6>but we've got to know.

0:53:32.160 --> 0:53:35.680
<v Speaker 1>Yeah, I just my advice as my advice to use.

0:53:35.760 --> 0:53:38.000
<v Speaker 1>Just let people like those bucks.

0:53:39.080 --> 0:53:41.480
<v Speaker 6>It's definitely definitely not gonna tell you how to do

0:53:41.520 --> 0:53:42.280
<v Speaker 6>your job, Hansei.

0:53:42.760 --> 0:53:45.880
<v Speaker 1>But okay, it's one last one we was talked about

0:53:46.760 --> 0:53:49.000
<v Speaker 1>cutting cutting a Mule Deer episode.

0:53:49.239 --> 0:53:53.600
<v Speaker 6>Yeah, so the Mealier episode is you Ronnie Collins Garrett,

0:53:54.280 --> 0:53:56.520
<v Speaker 6>and uh, it happens like it's kind of another one

0:53:56.520 --> 0:54:00.759
<v Speaker 6>that happens quickly, like it's like a day right, too good.

0:54:01.200 --> 0:54:03.799
<v Speaker 6>It's it's just too good. And there's one and this

0:54:03.880 --> 0:54:07.080
<v Speaker 6>is like a technical consideration that's just sometimes just a bummer.

0:54:07.080 --> 0:54:10.120
<v Speaker 6>It's just it's windy, and like it's just when and

0:54:10.200 --> 0:54:14.279
<v Speaker 6>like there's no really great way to everything sounds like, yeah,

0:54:14.360 --> 0:54:16.920
<v Speaker 6>there's no really great way to like eliminate that or

0:54:17.080 --> 0:54:20.480
<v Speaker 6>or you know, clean it up afterward. And so is

0:54:20.480 --> 0:54:22.719
<v Speaker 6>that right, There's not like there's there's an extent.

0:54:22.880 --> 0:54:26.160
<v Speaker 1>Right, there's no I would think there's gotta be some

0:54:26.239 --> 0:54:28.360
<v Speaker 1>little magic trick to make all that goal away.

0:54:28.400 --> 0:54:32.480
<v Speaker 6>It's it still just sounds like you've you've treated it heavily,

0:54:32.520 --> 0:54:35.400
<v Speaker 6>and so it's like distracting. So I think it's it's

0:54:35.440 --> 0:54:37.759
<v Speaker 6>getting better like every year, but still, but I think

0:54:37.920 --> 0:54:40.680
<v Speaker 6>another another element of that is just that it's like

0:54:40.719 --> 0:54:43.720
<v Speaker 6>when it's windy, people just talk less, like on camera

0:54:43.960 --> 0:54:45.520
<v Speaker 6>when it's windy. And I don't know what that is,

0:54:46.160 --> 0:54:49.239
<v Speaker 6>but it's just an observation I've had is that it's

0:54:49.640 --> 0:54:52.000
<v Speaker 6>something I don't know if it's a just a something

0:54:52.120 --> 0:54:55.760
<v Speaker 6>very primordial or or whatnot, but like they just talk less.

0:54:56.239 --> 0:54:59.120
<v Speaker 6>And that's and that's definitely what happened. But it gave

0:54:59.160 --> 0:55:00.680
<v Speaker 6>us a kind of a cool oppera ortunity to like,

0:55:01.760 --> 0:55:06.640
<v Speaker 6>I mean, these hunts are across big expanses and long

0:55:06.719 --> 0:55:08.520
<v Speaker 6>they can be long shots. And so it kind of

0:55:08.560 --> 0:55:11.759
<v Speaker 6>gave us an example, like an instance in which to

0:55:11.920 --> 0:55:17.479
<v Speaker 6>talk about long distance shooting as it pertains to meld

0:55:17.480 --> 0:55:20.200
<v Speaker 6>your hunting yep. And so we have this episode that

0:55:20.400 --> 0:55:22.960
<v Speaker 6>was that we then shot again with Garrett and you

0:55:23.600 --> 0:55:26.399
<v Speaker 6>at the range talking about long range shooting and talk

0:55:26.400 --> 0:55:30.080
<v Speaker 6>about talking about the evolution of long range shooting as

0:55:30.120 --> 0:55:33.040
<v Speaker 6>it applies to hunting and practice. And so the other

0:55:33.040 --> 0:55:34.600
<v Speaker 6>cool thing about this is it is going to be

0:55:34.840 --> 0:55:37.360
<v Speaker 6>like graphically treated, So we're going to have graphics in

0:55:37.400 --> 0:55:41.120
<v Speaker 6>it that demonstrate and show some of the trajectory trajectories

0:55:41.120 --> 0:55:45.840
<v Speaker 6>of bullets over distance and and how that how that works,

0:55:45.840 --> 0:55:50.360
<v Speaker 6>and how practice like actually works, like how it actually

0:55:50.400 --> 0:55:51.200
<v Speaker 6>affects your hunt.

0:55:51.400 --> 0:55:54.680
<v Speaker 1>And also a thing we'll get into is that people

0:55:54.719 --> 0:55:58.400
<v Speaker 1>want to I think this will be in the final

0:55:58.440 --> 0:56:06.200
<v Speaker 1>product an observation that no one questions gravity, but shooters

0:56:06.320 --> 0:56:09.400
<v Speaker 1>want to act like the wind, that they can wish

0:56:09.440 --> 0:56:12.799
<v Speaker 1>the wind away, right.

0:56:12.920 --> 0:56:13.440
<v Speaker 6>Yeah.

0:56:13.840 --> 0:56:15.760
<v Speaker 1>They would never be like I'm just going to act

0:56:15.800 --> 0:56:19.120
<v Speaker 1>like gravity isn't going to pull that bullet down, But

0:56:19.160 --> 0:56:21.480
<v Speaker 1>when it's windy, they're like, I'm going to act like

0:56:21.520 --> 0:56:24.080
<v Speaker 1>the wind isn't going to blow that bullet because I

0:56:24.080 --> 0:56:26.960
<v Speaker 1>don't want to go into that hole. I don't want

0:56:26.960 --> 0:56:30.120
<v Speaker 1>to go into that whole deal, you know, So it's

0:56:30.160 --> 0:56:32.200
<v Speaker 1>gonna be like somehow it's not actually going to blow

0:56:32.200 --> 0:56:34.880
<v Speaker 1>the bullet way over to the right or left, you know,

0:56:34.920 --> 0:56:36.399
<v Speaker 1>which is the thing we talked about on the range,

0:56:37.200 --> 0:56:40.759
<v Speaker 1>like wind is as real factor. It's as real as gravity.

0:56:41.000 --> 0:56:45.160
<v Speaker 3>Yeah, it's easy to understand one axis, but when you

0:56:45.200 --> 0:56:47.600
<v Speaker 3>add in the second one, it gets real complicated.

0:56:47.680 --> 0:56:51.560
<v Speaker 1>Yeah, And my tendency would my tendency has been to

0:56:51.600 --> 0:56:54.120
<v Speaker 1>be like I'm just going to wish that one away,

0:56:54.280 --> 0:56:58.520
<v Speaker 1>like maybe it's only windy where I'm at. Is it

0:56:58.600 --> 0:57:00.480
<v Speaker 1>going to be blowing the bullet the whole old time,

0:57:00.520 --> 0:57:03.719
<v Speaker 1>because how could it. That's time on the range, you know,

0:57:03.880 --> 0:57:06.840
<v Speaker 1>not home on the range. Time on the range has demonstrated,

0:57:06.880 --> 0:57:08.840
<v Speaker 1>like when you one of the things about shooting extreme

0:57:08.880 --> 0:57:11.480
<v Speaker 1>dis not even extreme distances, because that means a whole

0:57:11.520 --> 0:57:15.200
<v Speaker 1>new thing. Though shooting long distances, shooting at distances greater

0:57:15.239 --> 0:57:18.760
<v Speaker 1>than I would shoot in the hunting has taught me

0:57:18.960 --> 0:57:23.920
<v Speaker 1>to accept the reality of wind. When you're shooting at

0:57:23.960 --> 0:57:25.919
<v Speaker 1>in the high wind, you're shooting at stuff six seven

0:57:25.960 --> 0:57:29.400
<v Speaker 1>hundred yards away and you're watching bullets hit the sand

0:57:30.960 --> 0:57:34.400
<v Speaker 1>several targets to the left or right. You're like, Okay,

0:57:34.480 --> 0:57:36.520
<v Speaker 1>I now agree that this has to be paid attention to.

0:57:37.560 --> 0:57:39.760
<v Speaker 6>You know, there's a moment in that where you're like,

0:57:40.440 --> 0:57:44.760
<v Speaker 6>this is like post post hunt where you're like, my

0:57:44.880 --> 0:57:47.680
<v Speaker 6>practice has paid off. Yeah, and and and it's not

0:57:47.800 --> 0:57:50.600
<v Speaker 6>just it's obvious. It's like obvious to the viewer, and

0:57:50.640 --> 0:57:53.240
<v Speaker 6>it's obvious to Garrett. And it's like you don't hardly

0:57:53.320 --> 0:57:55.360
<v Speaker 6>need to say it because we've seen it happen, but

0:57:55.960 --> 0:57:58.440
<v Speaker 6>it just it. It's yeah, it's the real deal.

0:58:00.120 --> 0:58:02.040
<v Speaker 1>Right, Yeah, what else you want to add there?

0:58:02.600 --> 0:58:05.080
<v Speaker 6>Jordans Jordan Martin's our editor working on that one right now,

0:58:05.120 --> 0:58:09.640
<v Speaker 6>and he's doing bang up job. And uh, I think there.

0:58:10.200 --> 0:58:12.040
<v Speaker 6>The thing about these episodes that kind of ties them

0:58:12.040 --> 0:58:16.680
<v Speaker 6>all together is that we get a little bit deeper

0:58:17.320 --> 0:58:22.480
<v Speaker 6>context of you as a character, a human, a hunter.

0:58:22.920 --> 0:58:25.280
<v Speaker 6>Like we just we it's like we layer down. It's

0:58:25.280 --> 0:58:29.760
<v Speaker 6>not like a substitute for meat Eater the show, but

0:58:29.840 --> 0:58:32.040
<v Speaker 6>it's just like we get some little snippets here and

0:58:32.080 --> 0:58:37.400
<v Speaker 6>there of like seth of you, of of dirt. We

0:58:37.440 --> 0:58:41.280
<v Speaker 6>get some like camera operator moments that are that are

0:58:41.360 --> 0:58:45.160
<v Speaker 6>like just cool little little tidbits that I think add

0:58:45.680 --> 0:58:49.200
<v Speaker 6>add some humor, add some fun. And we're just psyched

0:58:49.200 --> 0:58:49.880
<v Speaker 6>about it right now.

0:58:49.920 --> 0:58:50.720
<v Speaker 1>Unless governed.

0:58:50.960 --> 0:58:53.080
<v Speaker 6>Yeah, yeah, there's like we kind of threw the rules

0:58:53.080 --> 0:58:57.840
<v Speaker 6>out the window to an extent. And so and when

0:58:57.880 --> 0:59:02.200
<v Speaker 6>does this series drop? I think early November. I think

0:59:02.320 --> 0:59:03.600
<v Speaker 6>that is what we're looking at right now.

0:59:03.960 --> 0:59:05.880
<v Speaker 1>You better get out of this place and get up

0:59:05.880 --> 0:59:06.640
<v Speaker 1>to your little place.

0:59:06.720 --> 0:59:09.800
<v Speaker 6>I know was not at half of yesterday for that

0:59:09.920 --> 0:59:14.480
<v Speaker 6>exact reason. So, yeah, clock's ticking, I believe me, I

0:59:14.520 --> 0:59:16.080
<v Speaker 6>feel it. I feel it.

0:59:16.240 --> 0:59:20.840
<v Speaker 1>Well, stay tuned everybody for rough cuts. Thanks, It's gonna

0:59:20.840 --> 0:59:25.560
<v Speaker 1>be fun many Yeah. SE's got little moments in there.

0:59:25.600 --> 0:59:26.080
<v Speaker 1>It's cute.

0:59:27.480 --> 0:59:29.040
<v Speaker 6>John, he's got some great one liners.

0:59:29.040 --> 0:59:32.880
<v Speaker 1>And Tony's in there. Brent, you had it said, hell

0:59:32.920 --> 0:59:33.800
<v Speaker 1>a lot. You titillated.

0:59:34.400 --> 0:59:39.160
<v Speaker 5>I can't hardly wait. I want to hear the rest

0:59:39.200 --> 0:59:42.960
<v Speaker 5>of the song. Yeah, oh, but not right now. You

0:59:43.040 --> 0:59:44.560
<v Speaker 5>won a case pocket knife last night.

0:59:44.720 --> 0:59:48.760
<v Speaker 1>I did. Congratulations, I did. He gave it away he

0:59:48.800 --> 0:59:49.360
<v Speaker 1>has one.

0:59:49.240 --> 0:59:53.240
<v Speaker 5>Yeah, I gave you yeah, or three. I gave it

0:59:53.240 --> 0:59:58.280
<v Speaker 5>to Myriva Dreva Hanson, who does all the editing on

0:59:58.320 --> 1:00:01.640
<v Speaker 5>my podcast A wonderful human being.

1:00:02.760 --> 1:00:06.120
<v Speaker 1>And real quick house this country life going. You're appreciating

1:00:06.120 --> 1:00:09.200
<v Speaker 1>it very much, So yeah, it's very good. I get

1:00:09.240 --> 1:00:11.360
<v Speaker 1>a lot, a lot of feedback.

1:00:11.400 --> 1:00:14.160
<v Speaker 5>You know, when I started that thing, I really didn't

1:00:14.160 --> 1:00:16.600
<v Speaker 5>really know the direction it was going to go. I

1:00:16.600 --> 1:00:19.520
<v Speaker 5>thought it would just be I didn't want it to

1:00:19.600 --> 1:00:23.880
<v Speaker 5>just be hunting fishing stories or hauling hay stories. And

1:00:24.600 --> 1:00:26.480
<v Speaker 5>because I didn't think there was enough meat there to

1:00:26.520 --> 1:00:29.720
<v Speaker 5>do it. Because there's way more people who are a

1:00:29.760 --> 1:00:31.800
<v Speaker 5>lot better at hunting and fishing than I am that

1:00:32.040 --> 1:00:38.240
<v Speaker 5>are putting stuff out there to educate people. And the

1:00:38.360 --> 1:00:43.640
<v Speaker 5>about three episodes in, I got a letter or Instagram

1:00:43.640 --> 1:00:46.760
<v Speaker 5>message from a guy in New York City. I've told

1:00:46.800 --> 1:00:49.160
<v Speaker 5>this story several times, but it's just so meaningful to

1:00:49.200 --> 1:00:52.880
<v Speaker 5>me that I always think about it. But he said,

1:00:52.880 --> 1:00:55.240
<v Speaker 5>you know, I live in New York City and I

1:00:55.240 --> 1:00:58.200
<v Speaker 5>have never hunted or fished. My dad never took me

1:00:58.280 --> 1:01:02.280
<v Speaker 5>hunting or fishing. When you're dad was taking you, he said,

1:01:02.280 --> 1:01:06.280
<v Speaker 5>But my dad was taking me to Yankee Stadium towards

1:01:06.320 --> 1:01:10.240
<v Speaker 5>the Yankees play, he said. And it's I relate to

1:01:10.320 --> 1:01:12.840
<v Speaker 5>what you're doing because I was with my dad or

1:01:12.880 --> 1:01:16.000
<v Speaker 5>my family members doing the same thing. And that's he said,

1:01:16.040 --> 1:01:19.200
<v Speaker 5>your your show is really good and I like it,

1:01:19.240 --> 1:01:20.919
<v Speaker 5>and I thought, why in the world with this guy

1:01:21.080 --> 1:01:23.600
<v Speaker 5>like that? But then I figured it out, Well, it's

1:01:23.600 --> 1:01:27.080
<v Speaker 5>about the show that I'm doing is about relationships. And

1:01:28.080 --> 1:01:32.720
<v Speaker 5>when I when I had that focus, everything became real

1:01:32.760 --> 1:01:35.880
<v Speaker 5>easy for me to do. Then it could be a

1:01:35.920 --> 1:01:39.280
<v Speaker 5>story about anything, you know, it's just the relationship with

1:01:40.120 --> 1:01:43.600
<v Speaker 5>a place, or a person or a thing, even you know,

1:01:43.720 --> 1:01:50.240
<v Speaker 5>a case pocket knife, which has been a tangible object

1:01:50.360 --> 1:01:54.280
<v Speaker 5>in my family's legacy and history that started with my

1:01:54.320 --> 1:01:59.760
<v Speaker 5>great grandfather that's carried on now and it's something that

1:02:00.880 --> 1:02:05.200
<v Speaker 5>everyone in my family can is a fan of and

1:02:05.280 --> 1:02:09.080
<v Speaker 5>appreciates because of the history of you know, our family

1:02:09.120 --> 1:02:11.520
<v Speaker 5>with it just a simple thing as a as a

1:02:11.560 --> 1:02:15.680
<v Speaker 5>pocket knife, but it's just it's something that connects all

1:02:15.760 --> 1:02:18.200
<v Speaker 5>of us, even to the folks that have gone before.

1:02:18.560 --> 1:02:21.640
<v Speaker 5>Like I never knew my great grandfather, but I got

1:02:21.640 --> 1:02:25.560
<v Speaker 5>a pretty good idea of when he needed a pocket knife,

1:02:26.000 --> 1:02:28.840
<v Speaker 5>where he was reaching forward and what he was breaking out,

1:02:30.080 --> 1:02:32.320
<v Speaker 5>So that that's been real meaningful for me.

1:02:32.800 --> 1:02:34.400
<v Speaker 1>I like that that you got it narrow down and

1:02:34.480 --> 1:02:36.560
<v Speaker 1>it's about relationships. I remember at a point trying to

1:02:36.560 --> 1:02:38.360
<v Speaker 1>think of all the stuff I've done and written about

1:02:38.400 --> 1:02:40.720
<v Speaker 1>and all that like through a career. I was like,

1:02:40.760 --> 1:02:42.320
<v Speaker 1>how do you would you define it? And I thought, well,

1:02:43.040 --> 1:02:45.880
<v Speaker 1>I guess I would define it like like I explore

1:02:45.920 --> 1:02:51.600
<v Speaker 1>and have explored human relationships to nature. Sure right, yeah,

1:02:51.680 --> 1:02:55.440
<v Speaker 1>from the perspective of a hunter, perspective of biologists, whatever, whatever.

1:02:55.720 --> 1:02:58.360
<v Speaker 1>It's always been like most of my stuff, there's people.

1:02:59.080 --> 1:03:03.720
<v Speaker 1>This is why, hey, ann are I'm opposed to that

1:03:03.760 --> 1:03:07.600
<v Speaker 1>poll because there's nobody there. Because there was no people.

1:03:08.480 --> 1:03:10.840
<v Speaker 1>I asked myself, why do I hate that pole, the

1:03:10.880 --> 1:03:13.760
<v Speaker 1>South Pole, because it's got the nature but not the people.

1:03:15.120 --> 1:03:17.760
<v Speaker 5>Well, you know, my wife and little girl and I

1:03:17.800 --> 1:03:21.000
<v Speaker 5>we went out to Bradford, Pennsylvania to the case factory

1:03:21.040 --> 1:03:26.000
<v Speaker 5>three weeks ago, and I thought I need to since

1:03:26.000 --> 1:03:28.919
<v Speaker 5>I've always carried pocketknives, I wanted to carry something out

1:03:28.920 --> 1:03:31.280
<v Speaker 5>there that meant something to me and that might mean

1:03:31.360 --> 1:03:34.480
<v Speaker 5>something to them. So I found a pocket knife that

1:03:34.520 --> 1:03:36.120
<v Speaker 5>I had setting up on a chef that I give

1:03:36.120 --> 1:03:38.400
<v Speaker 5>it the first pocket knife I ever bought with my

1:03:38.440 --> 1:03:41.760
<v Speaker 5>own money, and I gave it to my dad as

1:03:41.760 --> 1:03:46.920
<v Speaker 5>a president in nineteen seventy nine and when he passed away,

1:03:46.960 --> 1:03:49.240
<v Speaker 5>I got that back. So I thought, I want to

1:03:49.240 --> 1:03:53.040
<v Speaker 5>take something with me that will that means something. So

1:03:53.200 --> 1:03:55.160
<v Speaker 5>and I always carry twupocket knife, so I was trying

1:03:55.200 --> 1:03:57.160
<v Speaker 5>to figure out what's the other pocket knife I would take.

1:03:58.400 --> 1:04:04.840
<v Speaker 5>And last year when someone arbitrarily sent the case folks

1:04:05.280 --> 1:04:08.120
<v Speaker 5>my podcast of the things that carry in my pocket,

1:04:08.760 --> 1:04:13.280
<v Speaker 5>and those guys appreciated it. Wy, those guys appreciated and

1:04:13.320 --> 1:04:17.040
<v Speaker 5>they sent me. Guy sent me a pocket knife and

1:04:17.120 --> 1:04:19.160
<v Speaker 5>on a case knife, you know it's got the tang

1:04:19.280 --> 1:04:20.840
<v Speaker 5>stamp on there, and you can tell what date it

1:04:20.880 --> 1:04:22.800
<v Speaker 5>was manufactured that.

1:04:23.080 --> 1:04:24.800
<v Speaker 1>Yeah, I know what you're talking about it. I know

1:04:24.840 --> 1:04:25.280
<v Speaker 1>I told you that.

1:04:25.360 --> 1:04:27.480
<v Speaker 5>Yeah, yeah, it'll tell you the year and what year

1:04:27.480 --> 1:04:32.800
<v Speaker 5>it was manufactured a decade in the year. So I thought, well,

1:04:32.840 --> 1:04:35.000
<v Speaker 5>I'm gonna take that one, the first one that they

1:04:35.080 --> 1:04:38.840
<v Speaker 5>sent me for a token of their appreciation of, you know,

1:04:38.920 --> 1:04:41.720
<v Speaker 5>my family's history with it. So we go out there

1:04:41.760 --> 1:04:45.080
<v Speaker 5>and when they're taking my wife Alexis and my daughter

1:04:45.120 --> 1:04:46.760
<v Speaker 5>Bailey and I on this tour of the factory, in

1:04:46.800 --> 1:04:51.320
<v Speaker 5>the first place we stopped the plant manager, the production

1:04:51.440 --> 1:04:55.560
<v Speaker 5>manager said, this guy over here is he's doing he's

1:04:55.560 --> 1:04:59.040
<v Speaker 5>weld in the first part of the pocket knife together.

1:04:59.440 --> 1:05:03.560
<v Speaker 5>He said, he's been doing this fifty one years, this

1:05:03.640 --> 1:05:08.160
<v Speaker 5>job right here in this case factory, and I'm doing

1:05:08.200 --> 1:05:11.920
<v Speaker 5>math in my head and I go so I reached

1:05:11.920 --> 1:05:13.600
<v Speaker 5>in my pocket and I pulled out this knife and

1:05:13.640 --> 1:05:15.000
<v Speaker 5>I go over there in a medium and I said,

1:05:15.000 --> 1:05:18.640
<v Speaker 5>mister Dave, would you have worked on this knife? And

1:05:18.680 --> 1:05:20.080
<v Speaker 5>I handed to him and he opened it up and

1:05:20.080 --> 1:05:21.600
<v Speaker 5>looked at it and he said, oh, yeah, I worked

1:05:21.640 --> 1:05:21.920
<v Speaker 5>on it.

1:05:21.920 --> 1:05:23.800
<v Speaker 1>Now and.

1:05:25.360 --> 1:05:27.000
<v Speaker 5>Handed it back to him, and I stuck in my

1:05:27.040 --> 1:05:30.200
<v Speaker 5>pocket and I started telling him the story of me

1:05:30.320 --> 1:05:32.720
<v Speaker 5>buying it and give it to my dad, my dad

1:05:32.760 --> 1:05:35.240
<v Speaker 5>passing away, and me getting it back. And I got

1:05:35.240 --> 1:05:37.920
<v Speaker 5>about halfway through that, my wife said, here, let me

1:05:37.960 --> 1:05:39.560
<v Speaker 5>help you tell the rest of this, because it was

1:05:39.640 --> 1:05:42.440
<v Speaker 5>just a pretty emotional moment, you know, for that thing

1:05:42.520 --> 1:05:47.439
<v Speaker 5>to have gone full circle, yeah, and beyond full circle really,

1:05:47.480 --> 1:05:49.560
<v Speaker 5>because I gave it to him, I got it back

1:05:49.560 --> 1:05:51.960
<v Speaker 5>when he passed away, and then I took it back

1:05:52.000 --> 1:05:55.640
<v Speaker 5>to where it was built. So it was that that

1:05:56.160 --> 1:05:59.160
<v Speaker 5>is the true representation I think of what my show

1:05:59.320 --> 1:06:01.160
<v Speaker 5>is and ship for sure.

1:06:02.160 --> 1:06:04.800
<v Speaker 1>You know collisions, yep.

1:06:04.960 --> 1:06:09.520
<v Speaker 5>Yeah, just life collisions. I was telling Kren about one

1:06:09.520 --> 1:06:14.640
<v Speaker 5>the other day, a collision that I'm looking forward to having. Yeah,

1:06:14.840 --> 1:06:17.040
<v Speaker 5>if I could never catch this guy that is stealing

1:06:17.120 --> 1:06:21.280
<v Speaker 5>my fish. You have fished on my brother and I

1:06:21.320 --> 1:06:23.840
<v Speaker 5>have have been putting we.

1:06:26.080 --> 1:06:28.960
<v Speaker 1>Eat a commercial.

1:06:29.480 --> 1:06:31.280
<v Speaker 2>It sounds like a bear Grease episode.

1:06:31.320 --> 1:06:35.280
<v Speaker 5>Now, yeah, I hope this guy. I'm sure this guy

1:06:35.360 --> 1:06:38.200
<v Speaker 5>doesn't doesn't listen to anything. But my brother and I

1:06:38.200 --> 1:06:42.480
<v Speaker 5>have commercial fishing licenses and we fish nets on a

1:06:42.600 --> 1:06:45.560
<v Speaker 5>big Arkansas river. I'm not going to say which one

1:06:45.560 --> 1:06:47.959
<v Speaker 5>it is, but it is a big Arkansas river.

1:06:49.240 --> 1:06:49.880
<v Speaker 1>Uh.

1:06:50.080 --> 1:06:55.080
<v Speaker 5>And when we put these nets out, there's sometimes there's

1:06:55.080 --> 1:06:57.960
<v Speaker 5>people around. Sometimes you can see if the water's up

1:06:58.240 --> 1:06:59.720
<v Speaker 5>where we have them anchor to the bank.

1:07:00.560 --> 1:07:02.120
<v Speaker 1>Uh, you can't see the strings.

1:07:02.120 --> 1:07:05.959
<v Speaker 5>But as the dams operate and there the rivers coming

1:07:06.040 --> 1:07:09.560
<v Speaker 5>up and down there, they're either generating power downstream and

1:07:09.600 --> 1:07:12.040
<v Speaker 5>they need water, you know, the river level will go

1:07:12.120 --> 1:07:15.280
<v Speaker 5>up and down, and then sometimes you can see the

1:07:15.320 --> 1:07:22.600
<v Speaker 5>strings that hold our nets well as as locks. Keep honest,

1:07:22.640 --> 1:07:26.720
<v Speaker 5>people honest. If a few see If you're a fisherman

1:07:26.760 --> 1:07:28.400
<v Speaker 5>and you hook one of these nets, and you hook

1:07:28.480 --> 1:07:30.040
<v Speaker 5>or you see one of these lines, you're supposed to

1:07:30.080 --> 1:07:35.000
<v Speaker 5>just leave it alone. Some folks don't do that. So

1:07:35.240 --> 1:07:37.439
<v Speaker 5>we had some guys stealing. There they leave and there

1:07:37.480 --> 1:07:41.760
<v Speaker 5>they're they're running our nets, keeping our fish, and but

1:07:41.800 --> 1:07:43.000
<v Speaker 5>they leave our nets back out.

1:07:43.080 --> 1:07:44.680
<v Speaker 1>I guess, so we can catch some more for them.

1:07:46.160 --> 1:07:47.200
<v Speaker 1>So I was telling what.

1:07:47.440 --> 1:07:49.720
<v Speaker 2>They do with the nets. They're too lazy to set

1:07:49.720 --> 1:07:50.960
<v Speaker 2>on themselves, exactly.

1:07:51.200 --> 1:07:52.960
<v Speaker 1>So I was telling Karen about this the other things.

1:07:53.000 --> 1:07:55.280
<v Speaker 5>She said, Oh my gosh, this is a here's a

1:07:55.320 --> 1:07:57.040
<v Speaker 5>here's a here's a moment right here we need to

1:07:57.080 --> 1:08:01.680
<v Speaker 5>take advantage of. So the good folks at Moultrie and

1:08:01.840 --> 1:08:04.160
<v Speaker 5>I are fixing to lay a trap for.

1:08:04.160 --> 1:08:07.880
<v Speaker 1>Him, advertising the trap right now. Oh yeah, but they don't.

1:08:07.920 --> 1:08:10.640
<v Speaker 1>They don't listen. It's going to be good. I wish

1:08:10.640 --> 1:08:12.680
<v Speaker 1>I could tell you the best forward I ever heard

1:08:12.680 --> 1:08:15.000
<v Speaker 1>in my whole life, but I'll never tell you. Okay,

1:08:15.440 --> 1:08:21.120
<v Speaker 1>why not, I'll never tell you. Okay, this is pretaining

1:08:21.160 --> 1:08:23.479
<v Speaker 1>to fish. If we all, if we start working together

1:08:24.080 --> 1:08:28.960
<v Speaker 1>and ten years goes by, you come ask me. Okay, Okay,

1:08:30.720 --> 1:08:38.320
<v Speaker 1>that's a statue. Limitations. Keep it up, man. I hope

1:08:38.320 --> 1:08:42.240
<v Speaker 1>you catch those guys. Oh I do too, me too.

1:08:42.400 --> 1:08:43.639
<v Speaker 1>You can do something bad to them.

1:08:43.640 --> 1:08:47.559
<v Speaker 5>Oh no, no, nothing like that. Shame them absolutely on.

1:08:47.720 --> 1:08:50.680
<v Speaker 5>You canna shoot at him right? Oh no, it's no,

1:08:50.760 --> 1:08:51.880
<v Speaker 5>that's that's pretty serious.

1:08:52.160 --> 1:08:52.880
<v Speaker 1>Unch them or nothing.

1:08:53.080 --> 1:08:55.639
<v Speaker 5>No, no, no that. I just want to catch them,

1:08:55.640 --> 1:08:57.280
<v Speaker 5>just want to let them know I know what you're doing.

1:08:58.160 --> 1:09:01.640
<v Speaker 5>Sometimes that's the like the old farmer that caught me

1:09:01.640 --> 1:09:05.559
<v Speaker 5>and my partner stealing watermelons out of his watermelon patch

1:09:05.600 --> 1:09:08.120
<v Speaker 5>when we were in high school. He caught us dead

1:09:08.120 --> 1:09:12.360
<v Speaker 5>the rights and I learned that night that my friend,

1:09:12.880 --> 1:09:17.040
<v Speaker 5>who was six to two could jump a five strand

1:09:17.040 --> 1:09:20.479
<v Speaker 5>babo our fence in one one leap, and I could

1:09:20.560 --> 1:09:21.400
<v Speaker 5>jump four of them.

1:09:25.240 --> 1:09:29.640
<v Speaker 1>We had to go. Do you know there's a is

1:09:29.680 --> 1:09:31.559
<v Speaker 1>there a melon called the brad This is the last

1:09:31.560 --> 1:09:33.200
<v Speaker 1>sound I say, the Bradbury Melon.

1:09:34.600 --> 1:09:36.240
<v Speaker 7>I got a check for that right now.

1:09:37.160 --> 1:09:38.519
<v Speaker 1>I'm nothing familiar with that.

1:09:38.680 --> 1:09:39.200
<v Speaker 2>I'm not either.

1:09:40.240 --> 1:09:42.960
<v Speaker 1>Uh, there's a melon.

1:09:43.960 --> 1:09:48.680
<v Speaker 7>Brad Bradford watermelon, the Bradford melon. Oh yeah, the heirloom

1:09:48.720 --> 1:09:49.519
<v Speaker 7>Bradford water.

1:09:50.040 --> 1:09:56.960
<v Speaker 1>There used to be watermelon wars and melon theft was

1:09:57.000 --> 1:10:03.840
<v Speaker 1>so bad in the American South. The people were lace

1:10:03.880 --> 1:10:07.599
<v Speaker 1>and watermelons was strict. Nine people were going out. They

1:10:07.600 --> 1:10:11.000
<v Speaker 1>were so fed up with watermelon theft. They were rigging explosives.

1:10:11.920 --> 1:10:15.960
<v Speaker 1>What on watermelon? Well, here's was this type in.

1:10:17.120 --> 1:10:25.360
<v Speaker 7>It looks like it's like an elongated Bradford watermelon.

1:10:25.520 --> 1:10:27.759
<v Speaker 1>Yeah, I want listeners. No, this is all bonus material

1:10:27.840 --> 1:10:29.240
<v Speaker 1>right here. Mm hmm.

1:10:33.760 --> 1:10:35.840
<v Speaker 7>It looks like a foot and a half long. It's

1:10:35.840 --> 1:10:40.040
<v Speaker 7>like long and skinny.

1:10:40.400 --> 1:10:41.160
<v Speaker 1>Listen for a second.

1:10:51.080 --> 1:10:54.880
<v Speaker 10>This is the saga return of the legendary melon, the

1:10:54.920 --> 1:11:00.479
<v Speaker 10>Bradford watermelon. There's a problem with watermelons. A watermelon cross

1:11:00.600 --> 1:11:06.040
<v Speaker 10>with any cord, cucumber, pumpkin, other melon or squash in

1:11:06.120 --> 1:11:09.679
<v Speaker 10>the vicinity, so you have to keep a mile apart

1:11:09.920 --> 1:11:15.280
<v Speaker 10>from any other vegetable, or else it will form vegetable mongrels.

1:11:15.840 --> 1:11:18.080
<v Speaker 1>Anyways, goes out and telling the story of the Bradford Melon.

1:11:18.400 --> 1:11:26.400
<v Speaker 1>That's one of my favorite videos now watermelon theft. But

1:11:26.439 --> 1:11:28.240
<v Speaker 1>I never met a watermelon thief talking about you, I

1:11:28.240 --> 1:11:30.759
<v Speaker 1>thought it was all bs. I was unsuccessful. Oh okay,

1:11:32.240 --> 1:11:34.880
<v Speaker 1>you're lucky he didn't rig dynamite underneath. Oh yeah, what

1:11:34.920 --> 1:11:37.559
<v Speaker 1>he did was he we'd Actually, I take that back.

1:11:37.640 --> 1:11:38.440
<v Speaker 1>I was successful.

1:11:38.640 --> 1:11:40.960
<v Speaker 5>Just the night before we went and got one and

1:11:41.040 --> 1:11:43.840
<v Speaker 5>it was really good, and we raised watermelons at home.

1:11:43.880 --> 1:11:45.600
<v Speaker 5>I could have gone out there and got them. But

1:11:45.640 --> 1:11:48.200
<v Speaker 5>there was just a little more excitement to it to

1:11:48.200 --> 1:11:50.800
<v Speaker 5>be running around uptown with your friends and like, ah,

1:11:50.960 --> 1:11:53.800
<v Speaker 5>we'll go get you a watermelon, and everybody, I'll wait

1:11:53.880 --> 1:11:54.960
<v Speaker 5>right here at the parking lot.

1:11:55.000 --> 1:11:55.599
<v Speaker 1>We'll be back.

1:11:56.560 --> 1:11:58.760
<v Speaker 5>So we go out there the second night, and then

1:11:58.880 --> 1:12:01.760
<v Speaker 5>under this night light in front of the barn, this

1:12:01.920 --> 1:12:04.800
<v Speaker 5>humongous watermelon and I don't remember seeing the night before,

1:12:04.840 --> 1:12:08.960
<v Speaker 5>but I mean, it's a target of opportunity, So we're going,

1:12:10.520 --> 1:12:12.240
<v Speaker 5>so we go. When we pick it up, my buddy

1:12:12.240 --> 1:12:14.439
<v Speaker 5>picks it up, and we start walking back across the fence,

1:12:14.479 --> 1:12:17.920
<v Speaker 5>and I turned around and somebody whistles real loud, and

1:12:17.920 --> 1:12:21.280
<v Speaker 5>I turn around looking there's you can see the glow

1:12:21.320 --> 1:12:23.160
<v Speaker 5>of a cigarette in the hall of that barn. That's

1:12:23.200 --> 1:12:27.559
<v Speaker 5>all you see is a big glow, red glow. Somebody

1:12:28.040 --> 1:12:29.000
<v Speaker 5>smoking a cigarette.

1:12:29.000 --> 1:12:30.200
<v Speaker 1>That's the owner of the watermelon.

1:12:30.360 --> 1:12:33.000
<v Speaker 5>Yeah, And the next thing we heard was a shotgun boom.

1:12:36.160 --> 1:12:37.639
<v Speaker 1>What happened to the watermelon, I don't know. It could

1:12:37.640 --> 1:12:39.240
<v Speaker 1>have been made out of plastic, I don't know.

1:12:39.280 --> 1:12:41.880
<v Speaker 5>But when we headed to the fence, when I finally

1:12:41.920 --> 1:12:44.639
<v Speaker 5>got through it, my buddy sounded like a typewriter going

1:12:44.680 --> 1:12:47.800
<v Speaker 5>down that gravel road in front of me, just out

1:12:47.880 --> 1:12:48.200
<v Speaker 5>of sight.

1:12:50.160 --> 1:12:52.320
<v Speaker 1>But I grew up not terribly fire from my wife

1:12:52.880 --> 1:12:55.760
<v Speaker 1>and uh sometimes I'll tell her things and she's like,

1:12:57.000 --> 1:12:58.800
<v Speaker 1>you know, and I was telling her about I said, yay,

1:12:58.840 --> 1:13:00.560
<v Speaker 1>if you get a watermelon, know you put it in

1:13:00.600 --> 1:13:02.519
<v Speaker 1>the creek and cool it off or the creek. She's like,

1:13:02.560 --> 1:13:06.760
<v Speaker 1>I don't know, you stand out. Yeah, like how was

1:13:06.800 --> 1:13:09.400
<v Speaker 1>this all occurring? Like so close together? But just like

1:13:09.479 --> 1:13:13.160
<v Speaker 1>stuff I have, Like my wife used to like, all right,

1:13:13.200 --> 1:13:15.400
<v Speaker 1>take that watermelon sink in the creek. She asked me,

1:13:15.439 --> 1:13:17.200
<v Speaker 1>She said, did you grow up on the little house

1:13:17.240 --> 1:13:21.840
<v Speaker 1>on the All right, thanks for.

1:13:21.760 --> 1:13:23.920
<v Speaker 6>Coming on, Hansei, Yeah, thank you, thanks for having me.

1:13:24.040 --> 1:13:27.880
<v Speaker 1>I think people are thoroughly titillated. Hope so well, yeah,

1:13:28.280 --> 1:13:31.519
<v Speaker 1>stay tuned for rough cuts coming out and that video

1:13:31.560 --> 1:13:33.000
<v Speaker 1>I just played from the mind of a chef, but

1:13:33.040 --> 1:13:34.160
<v Speaker 1>this is from the mind to Hansey.

1:13:34.840 --> 1:13:38.160
<v Speaker 6>No, yeah, that's that's good. But it's yeah, it's a

1:13:38.160 --> 1:13:40.800
<v Speaker 6>good team effort. We've it's been in a pretty huge collaboration.

1:13:41.000 --> 1:13:44.560
<v Speaker 6>So mind mind of post production, find of mind of

1:13:44.640 --> 1:13:45.480
<v Speaker 6>Steve slash.

1:13:45.200 --> 1:13:49.519
<v Speaker 1>Post You're like someone receiving an oscar, so much experience

1:13:51.000 --> 1:13:53.599
<v Speaker 1>than all the people pull out my list, all right,

1:13:53.600 --> 1:13:55.400
<v Speaker 1>thanks for coming on, man Hey, thanks, appreciate it.