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Speaker 1: This is the Meat Eater Podcast coming at you shirtless, severely,

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Speaker 1: bug bitten, and in my case, underwear listeningcast. You can't

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Speaker 1: predict anything. The Meat Eater Podcast is brought to you

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Speaker 1: by First Light. Whether you're checking trail cams, hanging deer stands,

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Speaker 1: or scouting for ELK. First Light has performance apparel to

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Speaker 1: support every hunter in every environment. Check it out at

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Speaker 1: first light dot com. F I R S T l

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Speaker 1: I t e dot com. Joined today, Joined this morning

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Speaker 1: by Brent Reeves, Tony Peters, and Giannis pu tell Us

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Speaker 1: who's playing with his phone.

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Speaker 2: Christ hearing buck picks over here.

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Speaker 1: He's looking at that big buck picks. Give us a

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Speaker 1: quick report, Yannis. Jannis is monitoring. This is not what

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Speaker 1: we're here to talk about, but Jannis is monitoring his

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Speaker 1: Wisconsin family.

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Speaker 3: Little place that's right, got twenty cameras set out and uh,

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Speaker 3: it's interesting, man.

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Speaker 2: These bucks.

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Speaker 3: It's like they literally crawl into a hole for a while,

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Speaker 3: and then all of a sudden, there'll be a day

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Speaker 3: or two period and all three or four of the

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Speaker 3: I'm calling mature bucks there pop out, show themselves and

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Speaker 3: then crawl into a hole again, and I won't see

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Speaker 3: them for two weeks. But yeah, I've got three to

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Speaker 3: four that I'm very excited about. They're not giants, I

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Speaker 3: think in the white tail world. But if any one

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Speaker 3: of them walks underneath my stand in November, then I'll

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Speaker 3: be trying to take a shot.

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Speaker 1: Twenty cameras.

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Speaker 3: Yeah, they're all the They're all the molt Tree Edge.

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Speaker 3: I believe that's the name of the model, right. All cellular.

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Speaker 3: It's great when you live in Montana and you hunt

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Speaker 3: a spot in Wisconsin.

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Speaker 1: That's fun.

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Speaker 2: Oh, the cellular.

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Speaker 3: Yeah, I'm addicted by far way more to that than

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Speaker 3: any other little thing on my telephone, Instagram.

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Speaker 1: More than it's healthier too, is it man harder than

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Speaker 1: everything else? I'm not hacking on Instagram sayings healthier than

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Speaker 1: anything else on your phone because like, at least it's

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Speaker 1: like a sort of interaction with some kind of unknown

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Speaker 1: thing that's not man made. I just hung two and

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Speaker 1: then I didn't bring my little security boxes. And one

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Speaker 1: is so funny because like I get a picture of

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Speaker 1: a Martin I hung just like right up my at

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Speaker 1: our shack in Alaska. Uh, and I'm hanging it and

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Speaker 1: I'm talking to my buddy Jeremy Romero, and he's like, man,

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Speaker 1: those bears, you know, and I've had it happen before.

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Speaker 1: It they just tear him up. But it's funny. So

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Speaker 1: I hang it up, like right at Danny's cabin and

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Speaker 1: get a Martin and then get a bear coming at

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Speaker 1: the camera. In the next picture, the camera's pointing up

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Speaker 1: into the trees, and the next picture, the camera is

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Speaker 1: pointing straight down to the slow bushes and that's where

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Speaker 1: it sits. Now, had you just had you just hung

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Speaker 1: that camera, No, it was like within twenty four hours.

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Speaker 1: I have a theory about bears and a trail. There's

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Speaker 1: like a trail we use and they use, and you're

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Speaker 1: just like, the hell's that?

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Speaker 4: But I mean I hang a lot of cameras in

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Speaker 4: bear country, and it's like, if they don't knock that

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Speaker 4: sucker down within like seventy two hours, to leave it alone.

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Speaker 4: But if it's fresh and it's so you always drop

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Speaker 4: them off, then you leave. Then you know it used

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Speaker 4: to be you'd come back six weeks later and you're like, oh,

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Speaker 4: you know, like I have no pictures because my camera's

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Speaker 4: laying on the ground. But it seems like that fresh

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Speaker 4: hand scent, like fresh messing with it is really like

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Speaker 4: the trigger that gets them to just chew them up

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Speaker 4: and bat them around.

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Speaker 1: I think that's what he's queuing in on.

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Speaker 4: I don't know, but I mean, it's so consistent for

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Speaker 4: me where if a bear's gonna mess with a camera,

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Speaker 4: it's right away every time.

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Speaker 1: But if i'd have hung a hatchet in that tree,

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Speaker 1: I don't think you'd a bit that hatchet.

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Speaker 5: I've always heard it was the petroleum in the place,

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Speaker 5: stick and stuff that attracted them to it.

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Speaker 4: I don't know, man, I just know that it has

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Speaker 4: been so consistent for me. If I get one up

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Speaker 4: and they leave it alone and a bear doesn't walk

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Speaker 4: by and it's been out for a week or two,

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Speaker 4: that camera's not going to get knocked down. But when

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Speaker 4: I put them up that first bear that walked, like

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Speaker 4: you said, I have so many pictures of like the

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Speaker 4: inside of a bear's mouth or those ears like right

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Speaker 4: up to it, and they always knock it sideways or

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Speaker 4: down or tear it off.

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Speaker 1: And move on. But if it's been there a little while.

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Speaker 4: And I used to even when I used to bear hunt,

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Speaker 4: I would try to be really meticulous about sant like

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Speaker 4: wear gloves because you know, if you mess with bait,

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Speaker 4: you touch a camera. Yeah, it's over a lot of times.

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Speaker 4: And even then doing everything right. It was like if

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Speaker 4: they came in right away and they messed with it,

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Speaker 4: that that was the window when they were going to

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Speaker 4: mess with it.

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Speaker 1: I ended on I got comment about that. I ended

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Speaker 1: on Seth Seth Morris and then Hansi Dirschmeyers. Here have

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Speaker 1: you been on the podcast.

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Speaker 6: For Yeah, like five years ago you've done Yeah, five

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Speaker 6: years ago?

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Speaker 2: What did you talk about five years ago?

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Speaker 6: It was like Ramsey Russell and yeah, we're talking about

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Speaker 6: duck hunting.

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Speaker 1: For a little bit, and you liked to hunt ducks.

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Speaker 2: Yeah, yeah, Oh he was the guy boys call them. Yeah, yeah, right.

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Speaker 1: Hanse's on our Hanse's on our production team and as

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Speaker 1: an editor at his video content for us. We're gonna

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Speaker 1: talk a bunch about video content a minute. I got

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Speaker 1: to return to something that I was shocked about. You

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Speaker 1: guys might know about this North Carolina. I was just

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Speaker 1: down in North Carolina. You can't use processed foods on

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Speaker 1: bear baits. They're having too much tooth decay on bears.

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Speaker 1: You're allowed to bate bears way outside of the season

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Speaker 1: because they have a long dog running season, and you're

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Speaker 1: allowed to bate bears to lure into trained dogs. And

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Speaker 1: I was talking to a game war and he's showing

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Speaker 1: me pictures of tooth decay, a bad tooth decay on bears,

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Speaker 1: skulls coming in, huge cavities in their teeth from all

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Speaker 1: of the like sugar products, really candy donuts, jolly rancher, syrup,

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Speaker 1: whatever the hell that on their stuff. And he said,

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Speaker 1: in the spring, I spend most of my time not

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Speaker 1: working illegal bait stations. He spends most of his time

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Speaker 1: working illegal bait. Wow, So what are they supposed to use?

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Speaker 1: Natural foods? Corn? No processed foods. It's like it's like

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Speaker 1: parents in America right now are like fighting processed foods

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Speaker 1: in their children's diet. And apparently they've brought that fight

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Speaker 1: to the bears of North Carolina, of bears on processed

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Speaker 1: food and they've got bears like it's to be in

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Speaker 1: an eastern deciduous forest where everything's real thick and there's

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Speaker 1: just bears around. Oh, there's a bear, there's barnet guy's field,

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Speaker 1: there's bear walk across the road, big ones. Yeah, I

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Speaker 1: didn't know that that even was a thing. I mean,

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Speaker 1: I knew there was a lot of bears, but I

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Speaker 1: know there's so many bears that it's just like there's one,

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Speaker 1: there's one, there's one, there's a bear track.

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Speaker 2: Well it's become a thing. It wasn't always like that.

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Speaker 1: And people got them all hopped up on donuts.

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Speaker 7: I wonder what a bear and a lot of donut

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Speaker 7: and jolly ranchesterrup tastes like.

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Speaker 1: Yeah, now.

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Speaker 7: Alaskan blueberry bears, right, I just wonder, yeah, up.

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Speaker 1: His fat, his fast, the color a green apple, jolly

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Speaker 1: rancher like a star bears listen, and I bring this up.

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Speaker 1: I'm not I have not heavily investigated this. I I

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Speaker 1: I interacted with one individual on this subject. I'm conveying

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Speaker 1: you to you information delivered to me in one conversation

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Speaker 1: with one individual who was a wildlife professional. But I

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Speaker 1: didn't go talk to like there's probably someone out there

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Speaker 1: who's like ready to rip like the speaker out of

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Speaker 1: his car, because he's like, that's not true, and if

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Speaker 1: that's you, how that's not true. But he was showing

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Speaker 1: me multiple bears with like cavities that you could see

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Speaker 1: on a cell phone photo. Who are who are getting

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Speaker 1: a long term a lot of their diet from processed food,

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Speaker 1: so they are they allowed the bait for a particularly

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Speaker 1: long time because like in Arkansas, it's because they have

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Speaker 1: the dog training. Okay, so they have a big training season.

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Speaker 1: You're allowed to bait for dog training. So there's there

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Speaker 1: if they're I don't I don't remember if there's no

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Speaker 1: on off switch, or if it's just a very a

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Speaker 1: very generous period of time that you're allowed to do it.

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Speaker 1: But he works illegal bait.

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Speaker 5: It looks to me like if you had that many bears,

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Speaker 5: you wouldn't have to get them centralized trained the dogs

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Speaker 5: freaking man, did you do that on like property when

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Speaker 5: you're training?

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Speaker 1: Oh, like you can still train dogs off the bait. Yeah, yeah, yeah,

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Speaker 1: I can't comment on it, you know what that might be.

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Speaker 4: So in Wisconsin where they run bears where we or

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Speaker 4: they run dogs on bears where we hunt, they will

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Speaker 4: start at a bait site because they can bait the

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Speaker 4: bears in and they can check a camera and be like,

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Speaker 4: there was a big boar here doing it right.

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Speaker 1: Yeah. Yeah, So that's why they're doing that.

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Speaker 4: But so they're even in the off season when you

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Speaker 4: would think they wouldn't need to that. You could just

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Speaker 4: go find a bear track to run them. They're probably

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Speaker 4: running through the real like dress rehearsal for the hunt,

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Speaker 4: you know.

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Speaker 1: Mm hmm. Then you give them a little bears toothbrushes flooridem,

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Speaker 1: that'd be like the That's probably like what their proposal

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Speaker 1: would be, like, Okay, how about we just add fluoride?

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Speaker 5: Yeah, to the swamps pour Out of four, out of

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Speaker 5: five bear hunters approved, there's always that one.

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Speaker 1: Okay, Hans, are you ready? Yeah? Okay, Hansei's here because

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Speaker 1: he's working on Hans's working on six episodes for us

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Speaker 1: that are called me Eater rough Cuts, six hunting Trips,

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Speaker 1: yep six hunts. Some of the people on some of

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Speaker 1: these hunts. Let me think how many of these Clay's

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Speaker 1: not here, Tony's here, Seth's here, Yanni's here. Those guys

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Speaker 1: aren't and Seth's here. You're working on a project about

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Speaker 1: hunting Alaska moose Ye with me and Clay Nukeom. You're

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Speaker 1: working on a project about hunting Oklahoma white Tails of

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Speaker 1: me and Tony. You're working on a project about trapping

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Speaker 1: in Montana me and Seth. You're working on a project

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Speaker 1: about hunting COO's Dear in Mexico, Me and Yanni. You're

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Speaker 1: working on a project about hunting Mewle's in Montana with

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Speaker 1: me and Garrett, my friend Ronnie Collins, the spear fisherman.

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Speaker 1: And then you're working on Texas whitetail me and Seth.

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Speaker 6: Yeah, and Dave's with DSD.

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Speaker 1: On Dave Smith. Yeah. Yeah, Okay, So tell me the challenges.

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Speaker 1: Tell me the challenges of making something about trapping. Okay,

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Speaker 1: where do we are all the action? As my wife

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Speaker 1: points out, she doesn't like it because all the action

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Speaker 1: happens out of sight. Yeah, it's like you're not even there.

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Speaker 2: It's true.

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Speaker 1: She thinks it's cheating because you're not there.

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Speaker 6: No, it's it's true. I'm like it creates a challenge

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Speaker 6: in that it's like not all in one day, right,

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Speaker 6: there's no like there's no like through line arc natural

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Speaker 6: progression of like we climbed the mountain and then we

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Speaker 6: shot a ball and then we packed it down. It's

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Speaker 6: it's like, well, no, we we had to set the

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Speaker 6: traps first, and then we had to like give the

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Speaker 6: traps chance to work. And so you come you're coming

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Speaker 6: back days later and you're going to a whole bunch

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Speaker 6: of different locations, right, and and there's like there's there's

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Speaker 6: multiple species involved here too, right, So I mean you've

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Speaker 6: got an entirely different selection of information for each trap

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Speaker 6: different amounts of time. And now it creates kind of

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Speaker 6: a possibility I think from a from a story perspective

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Speaker 6: on like going to different places and and and learning

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Speaker 6: new things and uh sign reading. And it's gonna be

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Speaker 6: a heavily graphic treated episode because of that. So it's

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Speaker 6: gonna be something that we've we've not done before in

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Speaker 6: that regard.

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Speaker 1: No, you know, another interesting thing about trying to film

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Speaker 1: something about trapping, or in your position edit something about

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Speaker 1: trapping is uh, not only is a lot the action

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Speaker 1: occurring when you're not there in this case, the actions

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Speaker 1: occurring underneath the ice, yeah, or like sort of underground,

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Speaker 1: and when you make the set, it's obscured by dirt. Yeah,

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Speaker 1: so there's nothing clear about anything.

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Speaker 6: No, No, that's where that's like, that's where the graphics

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Speaker 6: come in.

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Speaker 1: You wouldn't know it, but that's a set. Yeah, it

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Speaker 1: just looks like dirt. Yeah. And then now we're gonna leave,

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Speaker 1: yeah and see what happens, you.

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Speaker 6: Know, there's there's a section in here where there, you know,

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Speaker 6: Seth and and Steve are talking about uh, bubble lines

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Speaker 6: in the ice, and it's like it's all this intricate detail,

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Speaker 6: but we can't see any of it. It's like, well,

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Speaker 6: in theory that's under there, like they're they're there.

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Speaker 7: You know.

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Speaker 6: And and I won't say whether or not. I guess

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Speaker 6: you guys are vindicated on your information, but yeah, it's.

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Speaker 1: In that case we were vindicating. Yeah, I want to

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Speaker 1: tell you in NAK that's one of those things where, uh,

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Speaker 1: the the bubbles don't lie. Yeah, that amount of bubbles

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Speaker 1: don't lie. Most things that are made about trapping, and

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Speaker 1: I consume like a good deal of this stuff. Most

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Speaker 1: things that are made about trap and are instructional. Yeah, right,

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Speaker 1: it's an instructional intensive Uh, it's an instructional intensive genre. Yeah,

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Speaker 1: and you're trying to make something that's sort of uh

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Speaker 1: less instructional, sort of like entertainment.

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Speaker 2: Yeah.

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Speaker 1: Yeah.

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Speaker 6: And and in our case, like we have you and Seth,

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Speaker 6: we have a long history of trapping, and so over

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Speaker 6: time we're we're showing some inserts of like photographs of

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Speaker 6: of you, like kind of set allah a Wes Anderson

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Speaker 6: kind of feel stylized. Yeah, and it I mean, so

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Speaker 6: so there's some stylized elements in here that just that

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Speaker 6: just give just a new and different treatment to this.

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Speaker 6: And and yeah, it'll still be instructional, I think, as

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Speaker 6: it should be. I mean, it's it's uh, there's a

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Speaker 6: lot to learn about it.

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Speaker 1: Do you feel that that's the first one of these

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Speaker 1: that we'll release?

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Speaker 6: Oh boy, We're we're kind of in like different stages

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Speaker 6: of production right now.

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Speaker 2: So like.

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Speaker 6: Alaska Moose with with Clay is like very I think,

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Speaker 6: very far along, and then Oklahoma White Tail with Tony

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Speaker 6: is pretty far along too. And and as far as

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Speaker 6: like as far as which one's gonna come out first,

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Speaker 6: I I just don't. I just don't know. I think

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Speaker 6: I think probably the the one that we're we're still

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Speaker 6: in the most production on is that the Texas Bucks

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Speaker 6: with with You and Seth.

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Speaker 1: I mean, that's got the farthest to go.

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Speaker 6: Yeah, yeah, it's farthest to go really, but but we

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Speaker 6: have we.

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Speaker 1: Have some really we like delivered gold I know you did. Yeah,

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Speaker 1: how much?

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Speaker 7: How many how many buck attacks on the decoys did

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Speaker 7: we see?

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Speaker 6: Well, it's also it's also called Steven Seth Rattle in

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Speaker 6: twenty two bucks. Yeah, it's I mean, that's that's the

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Speaker 6: alter ego of the episode.

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Speaker 1: They're Likeruly.

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Speaker 6: It's really cool footage. It's amazing footage. Yeah, yeah, no,

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Speaker 6: it's it is.

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Speaker 1: It is a well, let's no, but I don't want

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Speaker 1: to move into that one yet, okay, copy. I want

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Speaker 1: to move into working on working on from an editor's perspective.

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Speaker 1: And this is the listening because I asked you something

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Speaker 1: very specific. Yeah, so you're cutting Oklahoma White Tail Hunt

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Speaker 1: with me and Tony Peterson. I want you to just

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Speaker 1: this is going to be awkward, Okay. I want you

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Speaker 1: to look Tony Peterson in the eye and tell him

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Speaker 1: about what it's like to interact with his hosting as

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Speaker 1: an editor.

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Speaker 6: Tony's already like he's already like on edge, because when

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Speaker 6: we were filming this, he was like Hans Hen He's

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Speaker 6: got like he's got like really intense eyes. I keep

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Speaker 6: looking at him in the camera and uh so, so okay,

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Speaker 6: so how is it. How is it to interact with

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Speaker 6: Tony as a host as an editor, as an editor?

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Speaker 1: Are you like, God, this guy brings it?

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Speaker 6: Uh No, it's it's Uh, okay, where where do I

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Speaker 6: start with this?

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Speaker 1: Where do I tell you what it's like? I've told

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Speaker 1: I've told his story a lot of times. It's like

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Speaker 1: with Tony, Tony is a very intense person hunt with

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Speaker 1: do you really in a good way? He there to

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Speaker 1: not get nothing? Yeah, well that's true. Yeah, I don't

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Speaker 1: like on film tags. No.

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Speaker 6: I think on that particular episode, like we've got it's

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Speaker 6: kind of a cool piece because we have we have

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Speaker 6: two different stories, which is not the only place that

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Speaker 6: that's happening in rough cuts, but we have we have

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Speaker 6: you guys on the hunt itself, which is a cool story.

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Speaker 6: There's like some some drama moments and and things like

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Speaker 6: that doesn't like all go to plan, which always makes

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Speaker 6: for great TV. But on top of that, we're coming

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Speaker 6: back to Tony like in a gym environment, talking about

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Speaker 6: the logistics and the tactics of the hunt. So we

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Speaker 6: get like two different slices of Tony a little bit.

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Speaker 1: In the gym environment. Did you debate between going with

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Speaker 1: the like suit like a retired athlete dude, or did

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Speaker 1: you do you want to know how much I want

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Speaker 1: to go like an old retired quarterback? Do I want

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Speaker 1: to go like actively.

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Speaker 6: I got like a sweater vest, like an old checked

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Speaker 6: sweater vest kind of thing.

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Speaker 4: But so you want to know how much information I

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Speaker 4: got before filming that, Sam Bates sent me an email

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Speaker 4: and she said, Hey, we need you to come out

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Speaker 4: to Montana and shoot one scene for your Oklahoma show,

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Speaker 4: and we need you to look like a pe Coach

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Speaker 4: from the nineteen eighties like Taylor, right. And I really

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Speaker 4: didn't know until right before the shoot kind of what

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Speaker 4: the idea was behind this. And then when I showed up,

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Speaker 4: you know, we went out to the YMCA and set up,

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Speaker 4: and HANSI had a whole idea in his head.

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Speaker 1: And let me tell you something.

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Speaker 4: They ran me through the ringer because I had to

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Speaker 4: do chin ups and talk like talk like I had

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Speaker 4: to think on my feet and talk while do actively

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Speaker 4: doing chin ups or like curling dumbbells and doing stuff.

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Speaker 4: And after that shoot, because like I went into that shoot,

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Speaker 4: I like, I go to the gym all the time.

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Speaker 1: I'm fine.

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Speaker 4: Like after that shoot, I was so sore because you

358
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Speaker 4: never did talking well. It was like fifty reps in

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Speaker 4: a row because they're like, well, we need another take,

360
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Speaker 4: and you're like, well, this take is another six chin

361
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Speaker 4: ups or you know, like imagine if you were and

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Speaker 4: it like imagine if we just handed you like a

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Speaker 4: twenty five pound dumbell. You could curl that, no problem, right,

364
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Speaker 4: But if you had to hawk for like forty five

365
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Speaker 4: seconds or a minute while curling NonStop like and kind

366
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Speaker 4: of exaggerating it, you'd be like, well, I just did

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Speaker 4: you know fifty three reps in a very short amount

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Speaker 4: of time. And so HANSI put me through the wringer.

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Speaker 4: And I think Hillary was loving it too. She said,

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Speaker 4: let's have him do more stuff like that.

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Speaker 1: That's great. So it was a it was the I've

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Speaker 1: never done a shoot like that some of the but

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Speaker 1: it's got to be good that we got a bunch

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Speaker 1: of stuff.

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Speaker 6: Oh yeah, definitely definitely, Like dear.

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Speaker 2: Do you need I need? So, I mean some of

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Speaker 2: the some of the good thing.

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Speaker 1: We killed everyone that walked by us. Yeah, there's the two.

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Speaker 1: This is the thing and and uh that we used

380
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Speaker 1: to struggle with is the too much of a good

381
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Speaker 1: thing problem.

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Speaker 6: Yeah, that's exactly it. That's exactly it. And that's what

383
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Speaker 6: happened with we won't go into it yet, but Texas Bucks.

384
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Speaker 6: But but yeah, I mean.

385
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Speaker 2: Steve's ready to go into it too many bucks.

386
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Speaker 1: I'm not ready.

387
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Speaker 2: I'm on open. Yeah.

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Speaker 6: No, I think I think from like a from a

389
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Speaker 6: story element absolutely so like too much of a good thing,

390
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Speaker 6: and we're just trying to do something that's different. I

391
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Speaker 6: think one of the elements of the whole series was that,

392
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Speaker 6: you know, we had we had some limitations as far

393
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Speaker 6: as like cameras, as far as how many cameras were

394
00:20:13,560 --> 00:20:16,400
Speaker 6: on these shoots, and with with not having as many

395
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Speaker 6: as like a mediatter episode of the past, we didn't

396
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Speaker 6: have some like long lens footage, so we so we

397
00:20:21,520 --> 00:20:24,760
Speaker 6: didn't have those those those same moments captured in great

398
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Speaker 6: detail quite to the extent that you know we'd love.

399
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Speaker 6: But it also offered another opportunity to create something different entirely,

400
00:20:32,760 --> 00:20:34,320
Speaker 6: and that's and that's where we came up with these

401
00:20:34,320 --> 00:20:37,040
Speaker 6: you know, inter cutting these scenes like with with Tony

402
00:20:37,240 --> 00:20:39,119
Speaker 6: and uh and on this one is kind of like

403
00:20:39,760 --> 00:20:42,640
Speaker 6: it's it's predicated on like there's a scene in Lockstock

404
00:20:42,680 --> 00:20:44,960
Speaker 6: and Two Smoking Barrels Guy Ritchie film where they like

405
00:20:45,080 --> 00:20:48,720
Speaker 6: open up a boiling pot of water and you see

406
00:20:48,760 --> 00:20:52,200
Speaker 6: the cameras underneath this bottle of this pot of water

407
00:20:52,600 --> 00:20:54,360
Speaker 6: and he chucks in a bunch of vegetables. But he's

408
00:20:54,400 --> 00:20:56,480
Speaker 6: talking and you can hear the talking, and you see

409
00:20:56,480 --> 00:20:58,199
Speaker 6: this site. And that's kind of similar to how we

410
00:20:58,280 --> 00:21:00,800
Speaker 6: pitched some of these scenes with Tony, like on a

411
00:21:00,800 --> 00:21:03,760
Speaker 6: pull up bar coming into frame, which was you know,

412
00:21:03,840 --> 00:21:07,320
Speaker 6: probably uh hard, but like fun to be like, no,

413
00:21:07,359 --> 00:21:10,560
Speaker 6: I'll do that again, uh, you know, a little more exercise.

414
00:21:10,640 --> 00:21:12,560
Speaker 6: But but I think it. I think it worked. I

415
00:21:12,640 --> 00:21:13,240
Speaker 6: think it was cool.

416
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Speaker 1: And he's a good actor.

417
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Speaker 6: Yeah, yeah, he worked.

418
00:21:16,760 --> 00:21:17,919
Speaker 1: Yeah, we put him.

419
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Speaker 6: We put him to work either way, whether.

420
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Speaker 4: You know where I find my like source of inspiration

421
00:21:24,240 --> 00:21:26,720
Speaker 4: for that. I just always think I just got to

422
00:21:26,760 --> 00:21:30,600
Speaker 4: do a better job than Kenyon. I gotta imagine Kenyon

423
00:21:30,640 --> 00:21:32,600
Speaker 4: in this situation, and how would I just do a

424
00:21:32,640 --> 00:21:33,480
Speaker 4: little better job.

425
00:21:33,560 --> 00:21:36,399
Speaker 1: Well, he's thinned up so much because all the running,

426
00:21:36,600 --> 00:21:36,960
Speaker 1: I know.

427
00:21:37,320 --> 00:21:39,920
Speaker 3: You know, I think he hasn't. I asked him about that.

428
00:21:39,960 --> 00:21:42,600
Speaker 3: He looks it, but he hasn't. I think he's lost

429
00:21:42,600 --> 00:21:43,840
Speaker 3: it in his face a little bit.

430
00:21:44,680 --> 00:21:48,199
Speaker 1: Shave his mustache that strolls me off. Man, I've been

431
00:21:48,200 --> 00:21:56,879
Speaker 1: avoiding my neighbors. I heard he cut his mustache off. No,

432
00:21:56,920 --> 00:21:59,800
Speaker 1: I avoiding him because I'm like he's gonna look so different,

433
00:22:00,200 --> 00:22:07,560
Speaker 1: forget his name, and gave himself a mohawk. No, there's

434
00:22:07,600 --> 00:22:09,919
Speaker 1: a whole story about his mohawk. He was on like

435
00:22:10,680 --> 00:22:14,200
Speaker 1: his he's a high school teacher and an artist.

436
00:22:15,560 --> 00:22:16,960
Speaker 2: But that's it.

437
00:22:16,960 --> 00:22:17,760
Speaker 8: We don't need any more.

438
00:22:17,880 --> 00:22:18,200
Speaker 2: No, no, no.

439
00:22:18,680 --> 00:22:21,080
Speaker 1: It was this thing for this thing for the high school.

440
00:22:21,520 --> 00:22:23,280
Speaker 1: He was doing this thing with the high school kids,

441
00:22:23,320 --> 00:22:26,320
Speaker 1: like this dodgeball tournament. So one thing led to do

442
00:22:26,320 --> 00:22:28,720
Speaker 1: another and he had to get like a mohawk, and

443
00:22:29,000 --> 00:22:30,719
Speaker 1: I was like, that's an interesting choice. He goes, this

444
00:22:30,760 --> 00:22:32,720
Speaker 1: is a whole story behind this mohawk, and then I

445
00:22:32,760 --> 00:22:34,760
Speaker 1: heard now his mustache. He's always since the dad I

446
00:22:34,800 --> 00:22:37,480
Speaker 1: met him. He's my like one of my best buddies.

447
00:22:37,560 --> 00:22:39,680
Speaker 1: Since the day I met him, he's always had various

448
00:22:39,720 --> 00:22:43,120
Speaker 1: like configurations of crazy ass mustaches. My wife's like they're

449
00:22:43,160 --> 00:22:44,920
Speaker 1: all gone, all the mustaches.

450
00:22:45,560 --> 00:22:48,960
Speaker 4: You don't He recognized something, So you want to know

451
00:22:49,000 --> 00:22:54,399
Speaker 4: how iconic Marx mustache was in my life, even my kids.

452
00:22:54,480 --> 00:22:57,119
Speaker 4: Last night, my kids are out Yellowstone right now, I'm

453
00:22:57,119 --> 00:22:58,320
Speaker 4: gonna meet up with him a little bit, and I

454
00:22:58,320 --> 00:22:59,560
Speaker 4: talked to him last night and they when I told

455
00:22:59,560 --> 00:23:01,479
Speaker 4: me about the they saw on all this stuff, and

456
00:23:01,520 --> 00:23:03,280
Speaker 4: I was in our room and I'm rooming with Mark,

457
00:23:03,960 --> 00:23:06,280
Speaker 4: and I made a joke so Mark could hear it,

458
00:23:06,320 --> 00:23:07,439
Speaker 4: kind of like when I was talking to one of

459
00:23:07,440 --> 00:23:09,800
Speaker 4: my daughters and she goes, are you rooming with mustache?

460
00:23:11,320 --> 00:23:14,440
Speaker 4: There's multiple people in it. This is like how deer

461
00:23:14,480 --> 00:23:17,280
Speaker 4: get derivative names, right, Like you talk about this buck

462
00:23:17,280 --> 00:23:18,920
Speaker 4: and you're like that, I saw that ten pointer that

463
00:23:19,000 --> 00:23:21,560
Speaker 4: had the dropper, and then over time he just becomes dropper,

464
00:23:22,080 --> 00:23:24,200
Speaker 4: you know what I mean? So Mark, like people will

465
00:23:24,200 --> 00:23:25,919
Speaker 4: be like, is that the guy with the mustache and

466
00:23:26,000 --> 00:23:28,400
Speaker 4: eventually he just becomes mustache mustache man?

467
00:23:28,560 --> 00:23:32,480
Speaker 1: Yeah, all right, Well when you want to talk about.

468
00:23:32,280 --> 00:23:34,120
Speaker 6: Next which episode?

469
00:23:34,280 --> 00:23:34,320
Speaker 7: No?

470
00:23:34,840 --> 00:23:36,800
Speaker 1: Oh, man, let's do Moose.

471
00:23:37,200 --> 00:23:37,760
Speaker 2: You got it?

472
00:23:38,320 --> 00:23:40,720
Speaker 1: That's well, what do you want to talk about?

473
00:23:41,040 --> 00:23:44,320
Speaker 6: I love I love the Moose episode. I think it's

474
00:23:44,359 --> 00:23:44,800
Speaker 6: really cool.

475
00:23:44,880 --> 00:23:45,440
Speaker 1: You like that one?

476
00:23:45,480 --> 00:23:45,680
Speaker 2: Yeah?

477
00:23:45,720 --> 00:23:45,879
Speaker 5: I do?

478
00:23:46,000 --> 00:23:46,800
Speaker 1: You know why I like it?

479
00:23:47,680 --> 00:23:48,520
Speaker 6: I have an idea?

480
00:23:49,320 --> 00:23:50,200
Speaker 1: Yeah, that's right.

481
00:23:50,359 --> 00:23:52,240
Speaker 7: Was your moose bigger than Klay's moose?

482
00:23:53,119 --> 00:23:53,359
Speaker 1: Yeah?

483
00:23:53,560 --> 00:23:57,399
Speaker 2: Yes, guess yeah.

484
00:23:57,880 --> 00:24:00,080
Speaker 6: It's it's a great story, and it's like more of

485
00:24:00,119 --> 00:24:03,240
Speaker 6: a day by day approach versus some of these others.

486
00:24:03,320 --> 00:24:07,000
Speaker 6: So we have like day markers spread throughout, and there's

487
00:24:07,000 --> 00:24:11,439
Speaker 6: been some like back and forth on voiceover narration or not,

488
00:24:11,880 --> 00:24:17,680
Speaker 6: and I like, I'm leaning toward narration right now, whatsoever, whatsoever,

489
00:24:17,760 --> 00:24:20,080
Speaker 6: because the story really speaks for itself. I think we

490
00:24:20,280 --> 00:24:23,399
Speaker 6: like allowing allowing it to breathe, you know.

491
00:24:23,720 --> 00:24:27,600
Speaker 1: Yeah cool if if someone out there is an aspiring

492
00:24:27,720 --> 00:24:35,200
Speaker 1: outdoor filmmaker or aspiring outdoor TV show maker. The way

493
00:24:35,240 --> 00:24:38,040
Speaker 1: you want to set everything up is that you try,

494
00:24:38,119 --> 00:24:40,520
Speaker 1: you go do something, you try really hard, and it

495
00:24:40,560 --> 00:24:42,320
Speaker 1: doesn't work, and then all of a sudden it works.

496
00:24:43,560 --> 00:24:46,639
Speaker 6: The hero story I mean, yeah, yeah, not that you

497
00:24:46,760 --> 00:24:47,439
Speaker 6: rattle in.

498
00:24:48,920 --> 00:24:52,640
Speaker 2: Not that it works every time the first time.

499
00:24:53,320 --> 00:24:57,440
Speaker 1: Here comes the book and comes every time. Yeah, that's great.

500
00:24:57,880 --> 00:25:02,159
Speaker 1: That's a great lived experience. Yeah, it's better if you

501
00:25:02,280 --> 00:25:04,960
Speaker 1: just can't get anything to come in. Yeah, and you

502
00:25:05,040 --> 00:25:08,840
Speaker 1: do it for days and then finally one comes in

503
00:25:08,880 --> 00:25:09,479
Speaker 1: and you get it.

504
00:25:09,960 --> 00:25:12,800
Speaker 6: That's the payoff. Yeah, that's what draft to build up

505
00:25:12,840 --> 00:25:13,400
Speaker 6: that payoff.

506
00:25:13,640 --> 00:25:16,640
Speaker 1: Editors don't want you to have a good hunt. Yeah,

507
00:25:16,680 --> 00:25:19,600
Speaker 1: they want you to have a nail biting. The editor

508
00:25:19,640 --> 00:25:24,720
Speaker 1: wants you to have a nail biting horrible time. Yeah. Yeah,

509
00:25:24,760 --> 00:25:25,280
Speaker 1: and then.

510
00:25:27,240 --> 00:25:29,600
Speaker 2: But that's a metaphor for life, isn't it.

511
00:25:29,680 --> 00:25:32,480
Speaker 1: Yeah. Oh yeah. They don't make movies about like a

512
00:25:32,520 --> 00:25:36,800
Speaker 1: sports team, like sports movies. You know, they don't make

513
00:25:36,840 --> 00:25:40,359
Speaker 1: it that the movie starts and they're in they're champions. Yeah,

514
00:25:42,240 --> 00:25:45,320
Speaker 1: dog story.

515
00:25:46,600 --> 00:25:48,080
Speaker 2: Everyone loves their richest riches.

516
00:25:48,320 --> 00:25:52,520
Speaker 1: Yeah, totally.

517
00:25:52,920 --> 00:25:56,320
Speaker 2: Yeah, Texas White was like we were born millionaires.

518
00:26:01,119 --> 00:26:03,520
Speaker 1: So yeah, tell about your approach with the moose one.

519
00:26:03,720 --> 00:26:04,520
Speaker 1: It's quiet.

520
00:26:04,800 --> 00:26:07,680
Speaker 6: It is quiet, Yeah, relatively speaking. It's not like it's

521
00:26:07,720 --> 00:26:11,040
Speaker 6: not like a lot of chugging music like driving the

522
00:26:11,080 --> 00:26:13,639
Speaker 6: whole thing. It's a lot of it's a lot of

523
00:26:13,680 --> 00:26:17,960
Speaker 6: moments between you and Clay talking, giving each other crap,

524
00:26:19,040 --> 00:26:23,080
Speaker 6: and and and the logistics of it and and uh

525
00:26:23,200 --> 00:26:26,680
Speaker 6: little details and and scenery. I mean that's and that's

526
00:26:27,280 --> 00:26:29,720
Speaker 6: that's it. But it's it's uh it. I think it

527
00:26:29,800 --> 00:26:32,400
Speaker 6: functions in that way because this is a story that's

528
00:26:32,440 --> 00:26:33,840
Speaker 6: been like a long time in the making. You've been

529
00:26:33,880 --> 00:26:38,640
Speaker 6: on how many nine hunts for this or how many.

530
00:26:38,560 --> 00:26:39,840
Speaker 1: Times have I've done that sort of thing?

531
00:26:39,920 --> 00:26:40,080
Speaker 2: Yeah?

532
00:26:40,160 --> 00:26:43,480
Speaker 1: Yeah, yeah, A bunch for just generally hunting moose in Alaska,

533
00:26:43,560 --> 00:26:46,520
Speaker 1: A bunch honey moose that way in Alaska, maybe four

534
00:26:46,560 --> 00:26:47,440
Speaker 1: or five times.

535
00:26:47,160 --> 00:26:51,320
Speaker 6: Okay, And it gives us a perspective on that that,

536
00:26:51,480 --> 00:26:55,639
Speaker 6: Like the beginning, you talk about the several different types

537
00:26:55,680 --> 00:26:58,720
Speaker 6: of hunt that that can be in Alaska, and so

538
00:26:58,760 --> 00:27:00,320
Speaker 6: we I think we really get a like a very

539
00:27:00,400 --> 00:27:04,800
Speaker 6: visceral experience of what that fly in type of hunt is.

540
00:27:05,200 --> 00:27:06,159
Speaker 6: And it can be grueling.

541
00:27:06,680 --> 00:27:11,199
Speaker 1: I mean, I try to explain in it there's we've

542
00:27:11,240 --> 00:27:13,600
Speaker 1: filmed all these kinds I think, yeah, we have over

543
00:27:13,600 --> 00:27:16,240
Speaker 1: the years. Yeah, I try to break up something that's

544
00:27:16,320 --> 00:27:19,800
Speaker 1: kind of complicated into three buckets. With moose hunting, float

545
00:27:19,880 --> 00:27:23,680
Speaker 1: hunts where you're like, hunt float down the river, hunt

546
00:27:23,680 --> 00:27:25,640
Speaker 1: float down the river, hunt float down the river. It's

547
00:27:25,680 --> 00:27:28,600
Speaker 1: very dynamic. You're eys in different spots, you're seeing cool stuff.

548
00:27:28,600 --> 00:27:30,840
Speaker 1: You're like, hey, look at there's a fish. You know,

549
00:27:31,200 --> 00:27:33,639
Speaker 1: setting up camp all damn time whatever, It's just a

550
00:27:33,680 --> 00:27:38,280
Speaker 1: lot happening. That's the pro The con is you don't

551
00:27:38,280 --> 00:27:41,560
Speaker 1: really settle in and you're not doing a long game

552
00:27:41,640 --> 00:27:45,320
Speaker 1: calling strategy because you're always in new spots. Another style

553
00:27:45,359 --> 00:27:48,000
Speaker 1: of moose hunting would be that you're cruising somehow. You're

554
00:27:48,000 --> 00:27:51,919
Speaker 1: cruising by quad runner, you're cruising by bow, you're cruising

555
00:27:51,920 --> 00:27:54,080
Speaker 1: on foot, you're cruising the horses and you're like looking

556
00:27:54,119 --> 00:27:57,600
Speaker 1: for moose that you'll make a play on. Then the

557
00:27:57,640 --> 00:28:00,399
Speaker 1: third is that you're somewhere where you can't move stock

558
00:28:00,560 --> 00:28:02,119
Speaker 1: and you have to just try to call one to you.

559
00:28:04,080 --> 00:28:07,000
Speaker 1: And that's the kind that's the most boring to do.

560
00:28:07,720 --> 00:28:11,639
Speaker 1: It's the most boring to watch, but it's psychologically the

561
00:28:11,680 --> 00:28:18,639
Speaker 1: most fulfilling. Yeah, in my view, Yo, any think's stupid, I.

562
00:28:18,640 --> 00:28:22,320
Speaker 3: Don't know about its stupid, but not on my list

563
00:28:22,440 --> 00:28:23,640
Speaker 3: of things to repeat.

564
00:28:23,920 --> 00:28:27,000
Speaker 1: He's not mature enough for it.

565
00:28:27,000 --> 00:28:29,560
Speaker 6: It's more of a gentleman's game what you're saying.

566
00:28:29,640 --> 00:28:36,080
Speaker 2: No, no, no, just an old guys game.

567
00:28:36,160 --> 00:28:37,760
Speaker 1: It's the old guy's game.

568
00:28:39,120 --> 00:28:42,120
Speaker 2: Well you said mature. Usually people mature with age.

569
00:28:42,880 --> 00:28:46,720
Speaker 1: Not like that. That spot the old guys game.

570
00:28:47,280 --> 00:28:50,320
Speaker 8: Oh guys not walking half a mile down the hill

571
00:28:50,320 --> 00:28:50,960
Speaker 8: to get water.

572
00:28:52,520 --> 00:28:53,240
Speaker 2: Pack that up.

573
00:28:54,040 --> 00:28:57,840
Speaker 1: It's a mind Uh, it's all mental.

574
00:28:58,240 --> 00:29:01,920
Speaker 6: It's patience thing, isn't it? That intrigues me about it?

575
00:29:01,960 --> 00:29:02,320
Speaker 2: For sure?

576
00:29:02,360 --> 00:29:05,280
Speaker 8: I've grown to really like that hunt. At first, I

577
00:29:05,280 --> 00:29:06,040
Speaker 8: didn't like it.

578
00:29:06,800 --> 00:29:09,040
Speaker 1: Because of what I'm talking about. Yeah, let me tell

579
00:29:09,080 --> 00:29:10,200
Speaker 1: you so. I got a way of put it. I

580
00:29:10,240 --> 00:29:13,160
Speaker 1: got a metaphor for you. Years ago, I was on

581
00:29:13,200 --> 00:29:15,760
Speaker 1: an airplane. I only had two kids at the time,

582
00:29:15,800 --> 00:29:17,719
Speaker 1: and they were real little, and I was flying with

583
00:29:17,760 --> 00:29:20,760
Speaker 1: the two little kids without my wife, and I'm struggling.

584
00:29:21,480 --> 00:29:24,640
Speaker 1: Everybody's shitting themselves, pissing themselves, crying, you know what I mean,

585
00:29:24,680 --> 00:29:29,160
Speaker 1: little kids. And the guy behind me offers me a

586
00:29:29,160 --> 00:29:36,680
Speaker 1: word of encouragement. He says, listen, right now, it's all physical.

587
00:29:37,800 --> 00:29:41,720
Speaker 1: Later it'll all be mental. And it's better when it's physical.

588
00:29:42,400 --> 00:29:43,040
Speaker 2: It's easier.

589
00:29:44,240 --> 00:29:45,920
Speaker 1: Now, let's apply that to moose hunting.

590
00:29:49,080 --> 00:29:56,120
Speaker 3: Yeah, but I think by that metaphor, you're agreeing with me.

591
00:29:59,600 --> 00:30:01,240
Speaker 2: You're saying it's better when it's physical.

592
00:30:01,280 --> 00:30:03,120
Speaker 1: Yeah, never mind that story.

593
00:30:05,920 --> 00:30:06,360
Speaker 2: That's right.

594
00:30:06,600 --> 00:30:12,400
Speaker 5: But but aren't you.

595
00:30:12,360 --> 00:30:14,880
Speaker 4: Also saying that we always view the physical stuff as

596
00:30:14,920 --> 00:30:17,120
Speaker 4: the hard part, but the mental stuff is really the

597
00:30:17,160 --> 00:30:17,600
Speaker 4: hard part.

598
00:30:17,680 --> 00:30:20,280
Speaker 1: Yeah, that's right. I put that back. Yeah, you put

599
00:30:20,280 --> 00:30:20,640
Speaker 1: it back in.

600
00:30:21,480 --> 00:30:23,720
Speaker 8: But there is some physical aspects of that hunt, because

601
00:30:23,720 --> 00:30:25,520
Speaker 8: you got to pack the thing back to the strip.

602
00:30:26,720 --> 00:30:28,960
Speaker 3: Well, but once you get good at that hunt, you

603
00:30:29,040 --> 00:30:30,320
Speaker 3: shoot them on the strip.

604
00:30:31,960 --> 00:30:33,400
Speaker 2: From what I understand, I'm not to.

605
00:30:33,360 --> 00:30:36,680
Speaker 1: That level of discipline. I'm not to that level of mental.

606
00:30:37,960 --> 00:30:39,520
Speaker 2: It'd be tough. Well, you could do it there, but

607
00:30:39,720 --> 00:30:40,320
Speaker 2: there are guys.

608
00:30:40,560 --> 00:30:44,480
Speaker 1: There are guys that I believe there are I know

609
00:30:44,560 --> 00:30:46,480
Speaker 1: this for a fact because I've just heard it from

610
00:30:46,520 --> 00:30:49,320
Speaker 1: too many people who are trustworthy sources. There are people

611
00:30:49,600 --> 00:30:56,120
Speaker 1: who will that I've known, who will be like, oh,

612
00:30:56,160 --> 00:30:59,760
Speaker 1: we could get that bowl right now, dead to rights,

613
00:31:00,120 --> 00:31:02,160
Speaker 1: but we're going to call it more toward the air strip.

614
00:31:02,800 --> 00:31:07,160
Speaker 1: That is not a place I have arrived at, nor

615
00:31:07,200 --> 00:31:09,320
Speaker 1: will I ever arrive at that place mentally.

616
00:31:10,520 --> 00:31:13,000
Speaker 2: Yeah, but maybe physically.

617
00:31:13,560 --> 00:31:16,640
Speaker 1: I could see that you'd be placed there physically, That's true.

618
00:31:16,760 --> 00:31:19,080
Speaker 1: You might be placed there physically, but I will never

619
00:31:19,280 --> 00:31:21,320
Speaker 1: arrive there. Where Like, we could get it now and

620
00:31:21,360 --> 00:31:23,800
Speaker 1: just have it be gotten, or we could try to

621
00:31:23,840 --> 00:31:27,320
Speaker 1: call it up to the airstrip. There's a level of

622
00:31:27,320 --> 00:31:32,200
Speaker 1: confidence there, there's a certain swagger. Yeah, now that would

623
00:31:32,200 --> 00:31:33,600
Speaker 1: be a good episode.

624
00:31:33,480 --> 00:31:35,560
Speaker 6: Calling it to the airstrip. You know, Well, there's a

625
00:31:35,600 --> 00:31:38,360
Speaker 6: lot too calling I mean, you talked about it with

626
00:31:38,360 --> 00:31:41,720
Speaker 6: with Buck Bowden in the past, and we talked about

627
00:31:41,720 --> 00:31:43,600
Speaker 6: it a little bit in this episode, and I mean

628
00:31:43,640 --> 00:31:47,000
Speaker 6: it's it's all with your throat in your mouth, and

629
00:31:47,040 --> 00:31:49,800
Speaker 6: it's I mean, that's a pretty intriguing element to me.

630
00:31:50,520 --> 00:31:53,160
Speaker 6: I'm nodding here, like oh yeah, yeah, calling it to

631
00:31:53,200 --> 00:31:54,920
Speaker 6: the landing strip like I know what I'm talking about,

632
00:31:54,960 --> 00:31:56,680
Speaker 6: but I really I've just like watched you know, I've

633
00:31:56,720 --> 00:31:57,960
Speaker 6: watched all this transit.

634
00:31:57,680 --> 00:32:00,480
Speaker 1: Watched enough of it. Yeah, but you know what you do.

635
00:32:00,520 --> 00:32:02,480
Speaker 1: I want to ask you this, ask you this as

636
00:32:02,520 --> 00:32:05,520
Speaker 1: an editor. This was kind of our white whale. I think.

637
00:32:05,520 --> 00:32:07,360
Speaker 1: I think, yeah, you were working on me either when

638
00:32:07,360 --> 00:32:09,040
Speaker 1: we with this is the thing we wanted to do.

639
00:32:09,160 --> 00:32:16,160
Speaker 1: We wanted to make a show one day twenty two minutes. Okay,

640
00:32:16,200 --> 00:32:18,600
Speaker 1: if people wondered, why twenty minutes, because it's a show's

641
00:32:18,640 --> 00:32:20,120
Speaker 1: thirty minutes. But when you pull out the ad time,

642
00:32:20,160 --> 00:32:21,640
Speaker 1: you got twenty minutes to work with. Is that the

643
00:32:21,640 --> 00:32:22,640
Speaker 1: point you're gonna make Yanny?

644
00:32:24,000 --> 00:32:25,520
Speaker 3: Uh No, I was just gonna say, you're talking about

645
00:32:25,520 --> 00:32:27,880
Speaker 3: the one that we want. Our dream was to make

646
00:32:27,920 --> 00:32:28,840
Speaker 3: one in real time.

647
00:32:28,960 --> 00:32:36,160
Speaker 1: Yep. Yeah. We wanted to somehow find a way to

648
00:32:36,440 --> 00:32:40,640
Speaker 1: make an episode that was just hit record.

649
00:32:40,680 --> 00:32:43,520
Speaker 7: A live stream, no.

650
00:32:43,680 --> 00:32:48,480
Speaker 1: But hit record and then after twenty two minutes, hit stop.

651
00:32:49,720 --> 00:32:52,480
Speaker 1: And we used to think that you would like go

652
00:32:52,560 --> 00:32:55,120
Speaker 1: out and sort of pick a thing like a stock,

653
00:32:55,240 --> 00:32:58,240
Speaker 1: find a stock and be like, okay, go.

654
00:33:00,120 --> 00:33:01,200
Speaker 2: Yeah. I used to prep you.

655
00:33:01,240 --> 00:33:02,720
Speaker 3: I mean, there were a couple of hunts we went

656
00:33:02,760 --> 00:33:05,480
Speaker 3: on and where we were like, if we have the opportunity,

657
00:33:06,080 --> 00:33:08,640
Speaker 3: I'll be like, Steve, this is it. We're going to

658
00:33:08,720 --> 00:33:10,520
Speaker 3: try it right now, and I would prep you with

659
00:33:10,600 --> 00:33:13,280
Speaker 3: talking points that you'd have to hit in those twenty

660
00:33:13,280 --> 00:33:16,000
Speaker 3: two minutes, and the goal would be that, like the

661
00:33:16,040 --> 00:33:18,400
Speaker 3: beginning of the stock was the beginning, and then as

662
00:33:18,400 --> 00:33:20,920
Speaker 3: we went through the stock, you'd be like, you know,

663
00:33:21,160 --> 00:33:25,720
Speaker 3: keeping people along, doing your thing, and then somewhere around

664
00:33:25,880 --> 00:33:28,880
Speaker 3: the bang or soon after the bang, you would hit

665
00:33:28,920 --> 00:33:31,560
Speaker 3: stop and you'd have twenty two minutes of like literally

666
00:33:31,640 --> 00:33:34,280
Speaker 3: one shot, and you'd have this episode.

667
00:33:34,320 --> 00:33:41,080
Speaker 1: You'd be like a Robert Altman scene. We never did this, Hansy,

668
00:33:42,760 --> 00:33:46,960
Speaker 1: great edit. You should do more of the show.

669
00:33:49,120 --> 00:33:49,960
Speaker 8: In Texas.

670
00:33:50,240 --> 00:33:52,640
Speaker 7: With the twenty two bucks that got called in.

671
00:33:53,560 --> 00:33:56,280
Speaker 1: We could have made a twenty two minute bus. You

672
00:33:56,280 --> 00:33:59,120
Speaker 1: know what what made us think? What made us think

673
00:33:59,160 --> 00:34:03,200
Speaker 1: of that idea. We were in New Zealand one time

674
00:34:03,280 --> 00:34:05,360
Speaker 1: and we did like kind of a little bonus thing.

675
00:34:05,360 --> 00:34:07,240
Speaker 1: One day. This guy was going out the hunt pigs

676
00:34:07,280 --> 00:34:10,879
Speaker 1: with his dogs in New Zealand and he's like, Okay,

677
00:34:10,880 --> 00:34:12,239
Speaker 1: we'll meet at whatever place were.

678
00:34:12,120 --> 00:34:16,080
Speaker 3: You on this No, but I've often referenced this episode

679
00:34:16,120 --> 00:34:18,560
Speaker 3: because it's impressive what transpired.

680
00:34:18,600 --> 00:34:20,320
Speaker 1: We didn't know where we're going, and we're like, okay,

681
00:34:20,320 --> 00:34:23,000
Speaker 1: we'll bring all our stuff and we go out. This

682
00:34:23,040 --> 00:34:27,000
Speaker 1: guy we get there like right at daylight, his little

683
00:34:27,040 --> 00:34:32,160
Speaker 1: dogs strike a track of a pig. We're in the mountains.

684
00:34:32,719 --> 00:34:35,279
Speaker 1: And also in a while later, like the dogs, I'm

685
00:34:35,280 --> 00:34:40,280
Speaker 1: not kidding you, the dogs cease existing on his GPS.

686
00:34:40,080 --> 00:34:45,480
Speaker 1: It's because they've gone into a pig's hole. Okay, so

687
00:34:45,800 --> 00:34:48,080
Speaker 1: you just lose contact with you know where they were,

688
00:34:48,120 --> 00:34:49,920
Speaker 1: but you're not getting any feedback from m because they're

689
00:34:49,960 --> 00:34:53,560
Speaker 1: down in a hole fighting a pig in a cave hole. Okay,

690
00:34:53,760 --> 00:34:58,040
Speaker 1: like a like a hole in the ground. We eventually

691
00:34:58,040 --> 00:35:02,040
Speaker 1: find the pig. The dogs are blocking them up. We

692
00:35:02,560 --> 00:35:08,560
Speaker 1: excavate straight down and arrive at the pig's back like

693
00:35:08,680 --> 00:35:11,000
Speaker 1: dig a big hole down to the pig, find the pig,

694
00:35:12,280 --> 00:35:15,440
Speaker 1: get the pig killed, drag the pig up out of

695
00:35:15,440 --> 00:35:18,919
Speaker 1: the hole. The New Zealand dude gets a big fire going,

696
00:35:19,800 --> 00:35:21,759
Speaker 1: gets the pig all wet in the creek, burns all

697
00:35:21,800 --> 00:35:23,400
Speaker 1: the hair off it, and by this point it's like

698
00:35:23,440 --> 00:35:26,000
Speaker 1: ten in the morning and we're like, oh, that's we

699
00:35:26,160 --> 00:35:28,520
Speaker 1: just made like an episode of a TV show and

700
00:35:28,560 --> 00:35:31,840
Speaker 1: like ran it. Yeah, it was great. Yeah, all this

701
00:35:31,840 --> 00:35:34,279
Speaker 1: stuff going somewhere seven days. It's like it was like,

702
00:35:34,320 --> 00:35:36,520
Speaker 1: I mean, I'm not kidding you. Besides us cooking some

703
00:35:36,560 --> 00:35:38,360
Speaker 1: pig later, I mean, it was like eleven o'clock in

704
00:35:38,400 --> 00:35:40,400
Speaker 1: the morning and we're like, that was the most amazing

705
00:35:41,400 --> 00:35:45,520
Speaker 1: morning of the most amazing morning I've ever been involved in.

706
00:35:45,760 --> 00:35:49,960
Speaker 3: It's definitely besides maybe a cooking episode that's a totally

707
00:35:49,960 --> 00:35:52,600
Speaker 3: different animal. But as far as a hunting meter episode,

708
00:35:52,600 --> 00:35:54,880
Speaker 3: I think it's the only one that's ever been shot

709
00:35:54,920 --> 00:35:55,720
Speaker 3: in one day.

710
00:35:56,200 --> 00:35:58,799
Speaker 1: Half a day that got a sick. We should try

711
00:35:58,800 --> 00:36:05,000
Speaker 1: to do one in twenty two minutes. Uh hell are

712
00:36:05,000 --> 00:36:05,880
Speaker 1: we talking about.

713
00:36:07,600 --> 00:36:08,600
Speaker 2: Long moose?

714
00:36:08,920 --> 00:36:14,960
Speaker 1: Moose? Yeah, so the moose hunt. Yeah, No one goes anywhere.

715
00:36:15,960 --> 00:36:21,040
Speaker 6: No, you're in the same spot the whole time. I mean,

716
00:36:21,080 --> 00:36:21,600
Speaker 6: it's a it.

717
00:36:21,640 --> 00:36:23,919
Speaker 1: We shot maybe about twenty yards from where we spent

718
00:36:24,040 --> 00:36:24,880
Speaker 1: eight six days.

719
00:36:24,920 --> 00:36:27,200
Speaker 6: It's like a war of attrition, you guys just like

720
00:36:27,560 --> 00:36:28,200
Speaker 6: waiting it out.

721
00:36:28,719 --> 00:36:32,239
Speaker 3: What makes that one particularly tough and the patients is

722
00:36:32,280 --> 00:36:34,759
Speaker 3: that there are many other hunts where the same level

723
00:36:34,800 --> 00:36:36,080
Speaker 3: of patients is required.

724
00:36:36,320 --> 00:36:39,240
Speaker 2: I mean, hunting eight days in the white tail rut.

725
00:36:39,040 --> 00:36:41,480
Speaker 3: Can be that way because you're going you're like, I

726
00:36:41,480 --> 00:36:43,440
Speaker 3: want to see five bucks a day. Often you're like,

727
00:36:43,520 --> 00:36:45,759
Speaker 3: I saw a flicker of a tail, and I sat

728
00:36:45,800 --> 00:36:50,839
Speaker 3: here for ten hours, but I saw birds and squirrels

729
00:36:51,040 --> 00:36:54,680
Speaker 3: and a bobcat watch by, and there's other things happening

730
00:36:54,719 --> 00:36:59,959
Speaker 3: in the eastern deciduous force up there. The amount of wildlife,

731
00:37:00,080 --> 00:37:03,680
Speaker 3: even though Alaska is often considered this just the place of.

732
00:37:07,040 --> 00:37:07,480
Speaker 2: A lot with.

733
00:37:07,560 --> 00:37:11,680
Speaker 3: Abundance, abundance with critters, it's not. When the salmon are

734
00:37:11,680 --> 00:37:14,959
Speaker 3: there that day in the river, it's amazing, there's tens

735
00:37:14,960 --> 00:37:17,680
Speaker 3: of thousands swimming by your feet. But a month earlier

736
00:37:17,680 --> 00:37:19,960
Speaker 3: there was zero, and a month later there's zero. And

737
00:37:20,000 --> 00:37:22,320
Speaker 3: when you're sitting on that knob waiting for that moose,

738
00:37:23,200 --> 00:37:26,160
Speaker 3: there is not an abundance of wildlife, which makes it

739
00:37:26,200 --> 00:37:28,160
Speaker 3: particularly tough to entertain your mind.

740
00:37:28,560 --> 00:37:31,600
Speaker 1: That's what I've tried to raise that point. Before caribou hunting,

741
00:37:31,760 --> 00:37:35,160
Speaker 1: you're sitting there watching three hundred cariboo walk by, and

742
00:37:35,200 --> 00:37:37,400
Speaker 1: you're like, my god, like the land of plenty, and

743
00:37:37,480 --> 00:37:39,920
Speaker 1: be like, let's talk about the other eleven months in

744
00:37:39,960 --> 00:37:42,600
Speaker 1: two weeks, you can sit here and nothing walks by.

745
00:37:44,560 --> 00:37:46,840
Speaker 6: Yeah, there's all these there's all these moments that you know,

746
00:37:46,960 --> 00:37:49,480
Speaker 6: like for all of this together, all these episodes, I

747
00:37:49,520 --> 00:37:52,000
Speaker 6: want to say, there's probably like one hundred and forty

748
00:37:52,040 --> 00:37:56,960
Speaker 6: hours of a footage. Sure, yeah, so, and and all

749
00:37:56,960 --> 00:37:58,960
Speaker 6: that comes down to like a little over two hours

750
00:37:59,239 --> 00:38:01,920
Speaker 6: like of final really what you're dealing with. Yeah, so

751
00:38:01,960 --> 00:38:05,640
Speaker 6: that's that's the gross amount. But like even within this

752
00:38:05,680 --> 00:38:08,160
Speaker 6: episode with like nine days or however many long, it

753
00:38:08,320 --> 00:38:11,080
Speaker 6: was like, there's all these moments that I want to

754
00:38:11,120 --> 00:38:13,960
Speaker 6: include that like evidence exactly what you guys are talking about,

755
00:38:14,000 --> 00:38:17,600
Speaker 6: Like where the like your your mental stimulus from your

756
00:38:17,600 --> 00:38:21,680
Speaker 6: surroundings becomes so narrowed over time where you're so hyper attuned.

757
00:38:21,719 --> 00:38:24,480
Speaker 6: It seems like so hyper attuned to your surroundings and

758
00:38:24,520 --> 00:38:27,960
Speaker 6: the environment and what you're seeing. That like you've got that,

759
00:38:28,360 --> 00:38:31,399
Speaker 6: and then you've got like the mental stimulus between each other,

760
00:38:31,960 --> 00:38:34,600
Speaker 6: and then you end up creating these like and it

761
00:38:34,640 --> 00:38:37,040
Speaker 6: all kind of killed me to cut this, but there

762
00:38:37,120 --> 00:38:39,400
Speaker 6: was like this one scene where you guys create this

763
00:38:39,520 --> 00:38:43,840
Speaker 6: song about like a watermelon man on a corn stand

764
00:38:44,680 --> 00:38:47,680
Speaker 6: on a block on some block in New York city.

765
00:38:49,480 --> 00:38:55,640
Speaker 1: We were singing, and I cut it simple man. Yes, yes,

766
00:38:55,760 --> 00:39:00,440
Speaker 1: that's a simple kind. Yeah, because Clay was saying when

767
00:39:00,440 --> 00:39:03,280
Speaker 1: he retires, he wants to open up a sweet corn stand.

768
00:39:05,640 --> 00:39:09,320
Speaker 1: So we rewrote simple man as cornstan.

769
00:39:13,400 --> 00:39:14,440
Speaker 2: I forgot about that.

770
00:39:16,360 --> 00:39:21,840
Speaker 1: When I was young. Uh, build your stand, son, and

771
00:39:21,880 --> 00:39:25,279
Speaker 1: they will come plant your seeds in the morning sun.

772
00:39:27,120 --> 00:39:34,200
Speaker 7: And then we need like some outtakes because part of

773
00:39:34,239 --> 00:39:36,359
Speaker 7: his problem was he wants to be a corn stand man,

774
00:39:36,440 --> 00:39:39,920
Speaker 7: but just not grow the corn, which is not the

775
00:39:40,040 --> 00:39:41,640
Speaker 7: kind of corn stand I want to go to.

776
00:39:42,760 --> 00:39:47,799
Speaker 1: Yeah, he's store man. He wants to be like I mean,

777
00:39:47,840 --> 00:39:53,280
Speaker 1: he wants to be like a like a retailer system.

778
00:39:54,080 --> 00:39:57,360
Speaker 3: I'm just guessing here, but I don't think that that

779
00:39:57,560 --> 00:40:00,839
Speaker 3: on average, the person running the corn and stand is

780
00:40:00,880 --> 00:40:01,400
Speaker 3: the farmer.

781
00:40:02,120 --> 00:40:04,440
Speaker 1: That's the kind I like to go to. That I

782
00:40:04,480 --> 00:40:08,480
Speaker 1: would have family, really, Yeah, where I mean I grew up.

783
00:40:08,480 --> 00:40:10,960
Speaker 2: They have to be out on the well.

784
00:40:11,040 --> 00:40:15,920
Speaker 4: You's like the farmer's fifteen year old daughter has to

785
00:40:15,960 --> 00:40:19,080
Speaker 4: set there all day or somebody in the in the sphere,

786
00:40:19,120 --> 00:40:19,560
Speaker 4: maybe not.

787
00:40:19,520 --> 00:40:22,359
Speaker 1: The person planting the seed and run the combine. Yeah,

788
00:40:22,360 --> 00:40:24,239
Speaker 1: when I go to a corn stand man, I do

789
00:40:24,360 --> 00:40:26,959
Speaker 1: not want to be buying no corn from some guy

790
00:40:26,960 --> 00:40:30,920
Speaker 1: that bought that corn. I will, I don't want to

791
00:40:32,000 --> 00:40:34,959
Speaker 1: that's the grocery store, right, well, that's the business Clay

792
00:40:35,000 --> 00:40:40,360
Speaker 1: wants to retire into it. Imagine that he wants to

793
00:40:40,400 --> 00:40:42,200
Speaker 1: be a simple corn stand man. He told me, you

794
00:40:42,239 --> 00:40:45,880
Speaker 1: want to be a commercial cab fisherman. When yeah, but

795
00:40:45,960 --> 00:40:48,960
Speaker 1: you can't do that, a simple commercial cat fishing man.

796
00:40:49,280 --> 00:40:55,399
Speaker 1: Too many syllables even for us. Uh so you cut

797
00:40:55,440 --> 00:41:01,600
Speaker 1: that out? Yeah, yeah, sadly I wish, because that would

798
00:41:01,600 --> 00:41:02,799
Speaker 1: have given you six minutes, right.

799
00:41:02,880 --> 00:41:04,319
Speaker 2: I know, I know, yeah it was.

800
00:41:04,360 --> 00:41:05,000
Speaker 6: It was too long.

801
00:41:05,040 --> 00:41:06,399
Speaker 2: We should make that a YouTube short.

802
00:41:06,920 --> 00:41:09,360
Speaker 6: There are so many that come out of these. I mean, yeah,

803
00:41:09,400 --> 00:41:11,040
Speaker 6: there's and uh you know we do.

804
00:41:11,120 --> 00:41:12,640
Speaker 2: We have a whole channel for that now.

805
00:41:12,719 --> 00:41:15,960
Speaker 6: So yeah, yeah, no, the YouTube clips, there's some cool

806
00:41:15,960 --> 00:41:18,960
Speaker 6: stuff happening on that, yeah for sure. But yeah, Tho's

807
00:41:19,080 --> 00:41:21,400
Speaker 6: future stuff, future projects. And you know, we've talked about

808
00:41:21,440 --> 00:41:24,040
Speaker 6: like director's cuts, you know, the equivalent with some of

809
00:41:24,080 --> 00:41:28,120
Speaker 6: these episodes too. It seems like a possibility, especially with

810
00:41:28,160 --> 00:41:29,239
Speaker 6: a couple of them.

811
00:41:29,520 --> 00:41:32,759
Speaker 1: So we talked about ratland Bucks, but have we talked

812
00:41:32,760 --> 00:41:35,959
Speaker 1: about ratland Box a ratland Box episode. I mean, we've

813
00:41:36,000 --> 00:41:37,520
Speaker 1: touched on it, but have we tackled it?

814
00:41:37,600 --> 00:41:37,680
Speaker 2: No?

815
00:41:37,960 --> 00:41:39,759
Speaker 6: No, No, we touched on it over.

816
00:41:39,960 --> 00:41:42,400
Speaker 1: We've played for again, we've played flag football.

817
00:41:42,480 --> 00:41:44,560
Speaker 6: Yeah, we're just giving stones on it over the top

818
00:41:44,600 --> 00:41:48,520
Speaker 6: of it. So go on, too many Bucks? Too Many Bucks?

819
00:41:48,560 --> 00:41:51,960
Speaker 6: Is that twenty two bucks episode? And it's just like

820
00:41:52,239 --> 00:41:53,799
Speaker 6: if I were to compare it like a like a

821
00:41:53,840 --> 00:41:55,600
Speaker 6: through line like a story. You know, most of these

822
00:41:55,600 --> 00:41:58,160
Speaker 6: stories have like a curve and it goes up and

823
00:41:58,200 --> 00:42:00,640
Speaker 6: then there's an apex and it comes down very quickly,

824
00:42:00,680 --> 00:42:03,680
Speaker 6: and then this one is just like flat line of

825
00:42:03,719 --> 00:42:06,799
Speaker 6: action for like twenty two minutes. So in trying to

826
00:42:06,800 --> 00:42:08,160
Speaker 6: like figure out what to do with that.

827
00:42:09,400 --> 00:42:09,880
Speaker 2: We were.

828
00:42:11,560 --> 00:42:13,160
Speaker 1: I mean, it's like, the footage is cool.

829
00:42:13,200 --> 00:42:13,920
Speaker 6: I shouldn't say that.

830
00:42:14,000 --> 00:42:18,719
Speaker 1: As I went into that, no one. I went into

831
00:42:18,760 --> 00:42:21,839
Speaker 1: it thinking, this is about rattling a bunch of bucks.

832
00:42:22,160 --> 00:42:24,120
Speaker 8: Yeah, you're like, I just wanted to be a montage

833
00:42:24,120 --> 00:42:25,960
Speaker 8: of us rattling a bunch of bucks.

834
00:42:26,000 --> 00:42:27,040
Speaker 2: And by the end I was like, but I think

835
00:42:27,040 --> 00:42:27,440
Speaker 2: we got that.

836
00:42:27,680 --> 00:42:32,480
Speaker 6: Yeah, you definitely got that. You definitely got that. But

837
00:42:32,800 --> 00:42:34,560
Speaker 6: on top of that, there's just like some other cool

838
00:42:34,560 --> 00:42:36,279
Speaker 6: things that I think we were able to weave in

839
00:42:36,320 --> 00:42:40,840
Speaker 6: which was this, you have a posturing deer decoy, which

840
00:42:41,080 --> 00:42:44,319
Speaker 6: I think is a pretty interesting concept just from like

841
00:42:44,360 --> 00:42:48,680
Speaker 6: a just bringing in bucks to a decoy is an

842
00:42:48,680 --> 00:42:51,279
Speaker 6: interesting concept on its own, but then rattling it in

843
00:42:51,320 --> 00:42:54,600
Speaker 6: on top of that provides another element. But with this

844
00:42:54,680 --> 00:42:59,120
Speaker 6: DSD decoy, I mean getting a little bit of background

845
00:42:59,200 --> 00:43:01,600
Speaker 6: and context for that, for that how that came about

846
00:43:02,000 --> 00:43:05,759
Speaker 6: in your relationship with Dave, and using it on this

847
00:43:05,880 --> 00:43:08,239
Speaker 6: shoot was like a whole interesting through line that that

848
00:43:08,280 --> 00:43:11,439
Speaker 6: we're gonna weave together with the with the with the action,

849
00:43:11,640 --> 00:43:14,759
Speaker 6: which is cool obviously, but but it gives you some

850
00:43:14,760 --> 00:43:15,440
Speaker 6: some context.

851
00:43:15,560 --> 00:43:17,640
Speaker 1: Yeah. I don't mean this has any disrespect to anybody

852
00:43:17,640 --> 00:43:19,080
Speaker 1: in this room, but I like Dave by name that

853
00:43:19,200 --> 00:43:19,600
Speaker 1: I work with.

854
00:43:19,680 --> 00:43:22,560
Speaker 6: Oh, he's a he's a great person. I mean you

855
00:43:22,600 --> 00:43:25,080
Speaker 6: see that on the interview, and I don't hardly know.

856
00:43:26,400 --> 00:43:27,759
Speaker 1: You can't hear a thing anybody says.

857
00:43:30,280 --> 00:43:34,400
Speaker 3: He spoke yesterday we had a big company wide meeting.

858
00:43:35,480 --> 00:43:37,640
Speaker 3: He started off by saying very nervous to speak in

859
00:43:37,640 --> 00:43:40,640
Speaker 3: front of people, but then landed like three very good jokes.

860
00:43:40,680 --> 00:43:44,279
Speaker 3: I felt that aside had he not done his little joke,

861
00:43:44,360 --> 00:43:47,480
Speaker 3: but at all when that man starts to talk about

862
00:43:47,480 --> 00:43:51,359
Speaker 3: his craft. I mean you can just feel it from

863
00:43:51,440 --> 00:43:54,239
Speaker 3: his heart. And like I was skeoching up in my

864
00:43:54,360 --> 00:43:57,200
Speaker 3: seat being like, what else is he gonna say? I mean,

865
00:43:57,840 --> 00:44:01,200
Speaker 3: I find it very captivating when he's about his craft,

866
00:44:01,280 --> 00:44:03,160
Speaker 3: and uh yeah, he's great.

867
00:44:03,600 --> 00:44:05,799
Speaker 1: Yeah, no, he's He's the next level. It's hard.

868
00:44:05,840 --> 00:44:10,160
Speaker 6: It was hard to like isolate and Hillary Hillary Burne,

869
00:44:10,280 --> 00:44:13,920
Speaker 6: our post production director, has provided so much for this

870
00:44:13,960 --> 00:44:17,799
Speaker 6: whole project, like idea wise, and but she was on

871
00:44:17,880 --> 00:44:20,640
Speaker 6: the she was on that shoot. And when she brought

872
00:44:20,640 --> 00:44:21,480
Speaker 6: the footage.

873
00:44:21,080 --> 00:44:22,839
Speaker 1: Back and was pulling Dave.

874
00:44:23,000 --> 00:44:26,239
Speaker 6: Yeah, and when she brought that stuff back, she was

875
00:44:26,280 --> 00:44:28,480
Speaker 6: pulling the selects, which is like the best moments of it.

876
00:44:28,560 --> 00:44:30,399
Speaker 6: And it was like I was asking her, how's it going,

877
00:44:30,440 --> 00:44:32,759
Speaker 6: and She's like, there's this just so much that's good,

878
00:44:32,960 --> 00:44:35,960
Speaker 6: like so much everything that he talks about, everything his story,

879
00:44:36,320 --> 00:44:38,719
Speaker 6: it's like so interesting and so and then it was

880
00:44:38,880 --> 00:44:40,239
Speaker 6: all of a sudden it was like, all right, well,

881
00:44:40,400 --> 00:44:43,160
Speaker 6: we can't, we don't. This is not a DSD commercial.

882
00:44:43,200 --> 00:44:45,160
Speaker 6: We don't want it to be like a marketing piece,

883
00:44:45,480 --> 00:44:48,960
Speaker 6: like necessarily, this is a this is a story profile,

884
00:44:49,000 --> 00:44:53,080
Speaker 6: it's a profile. And and but his there's so much

885
00:44:53,320 --> 00:44:55,359
Speaker 6: interesting stuff that he says. It's like we could make

886
00:44:55,400 --> 00:44:58,239
Speaker 6: a whole we could make a whole show on on Dave.

887
00:44:58,320 --> 00:45:03,880
Speaker 6: I think. I mean, he's just seems like a cool cat. Uh.

888
00:45:04,640 --> 00:45:06,200
Speaker 1: I'll tell you a funny story about day, but I

889
00:45:06,200 --> 00:45:08,640
Speaker 1: gotta give a little background on it to the listener.

890
00:45:09,400 --> 00:45:11,279
Speaker 1: Here at our company, we have this thing. I don't

891
00:45:11,280 --> 00:45:12,960
Speaker 1: know if anyone pays attention to it, but it's on

892
00:45:13,000 --> 00:45:14,600
Speaker 1: your calendar every day. There's supposed to be like a

893
00:45:14,600 --> 00:45:17,160
Speaker 1: time of day people are like, oh, I got you know,

894
00:45:17,200 --> 00:45:18,840
Speaker 1: I got two men emails. I can't focus on what

895
00:45:18,880 --> 00:45:20,399
Speaker 1: I want to focus on. So there's like this time

896
00:45:20,440 --> 00:45:21,919
Speaker 1: of day when it's supposed to be that you can't

897
00:45:21,960 --> 00:45:23,800
Speaker 1: email like company focus time.

898
00:45:24,080 --> 00:45:25,919
Speaker 2: You can't have meetings during that time.

899
00:45:26,400 --> 00:45:27,840
Speaker 1: But I never get to do it because I always

900
00:45:27,880 --> 00:45:32,840
Speaker 1: have meetings. But it's like company focus time, so it

901
00:45:32,920 --> 00:45:34,920
Speaker 1: always pops up. I don't know, fait does it? Does anybody

902
00:45:34,920 --> 00:45:38,680
Speaker 1: pay attention to Company focus Time four day? It's just

903
00:45:38,800 --> 00:45:40,560
Speaker 1: it's just built. It's like it's a it's a joke.

904
00:45:40,600 --> 00:45:42,000
Speaker 1: It's always been there and no one knows what it

905
00:45:42,080 --> 00:45:45,000
Speaker 1: is whatever, but it's there. Yeah, I'm hunting turkeys with

906
00:45:45,120 --> 00:45:49,239
Speaker 1: Dave during the week. Hey, me and Dave, we're hunting turkeys.

907
00:45:50,160 --> 00:45:53,600
Speaker 1: We're driving from one spot to the next days like

908
00:45:53,640 --> 00:45:55,640
Speaker 1: looking at his phone, he looks at me. Oh shit,

909
00:45:55,920 --> 00:45:57,040
Speaker 1: it's company focused on.

910
00:46:01,640 --> 00:46:02,680
Speaker 6: So did he observe it?

911
00:46:06,800 --> 00:46:08,879
Speaker 1: We focused on driving to our next jury?

912
00:46:10,000 --> 00:46:10,280
Speaker 2: Nice?

913
00:46:11,360 --> 00:46:14,840
Speaker 1: Okay, who's dear with Yannis? What a smart guy is?

914
00:46:15,360 --> 00:46:18,880
Speaker 6: Well, because you guys have some good ribbing back and forth.

915
00:46:18,960 --> 00:46:21,799
Speaker 6: But yeah, that's a that's that one's where like things

916
00:46:21,800 --> 00:46:24,839
Speaker 6: get weird right where we took this episode that was.

917
00:46:26,480 --> 00:46:29,120
Speaker 1: All right, all right, where's.

918
00:46:28,800 --> 00:46:29,320
Speaker 6: He going with this?

919
00:46:30,000 --> 00:46:30,080
Speaker 7: Well?

920
00:46:30,520 --> 00:46:31,680
Speaker 1: Made us go to a new spot.

921
00:46:31,840 --> 00:46:36,520
Speaker 6: Okay, Yeah, so that's what started maybe the beginning. It's

922
00:46:36,520 --> 00:46:37,720
Speaker 6: maybe the beginning.

923
00:46:37,640 --> 00:46:39,280
Speaker 1: I want to hear from your perspective, but.

924
00:46:39,320 --> 00:46:40,959
Speaker 6: Well, from what I saw, I was like, we had

925
00:46:41,320 --> 00:46:45,560
Speaker 6: this tremendously beautiful hunt in Sonora. I mean this the

926
00:46:45,560 --> 00:46:49,839
Speaker 6: scenery there is outstanding. It's incredible. I've never been, but again,

927
00:46:49,880 --> 00:46:52,480
Speaker 6: I've like just watched a lot of those footage, but

928
00:46:52,840 --> 00:46:57,440
Speaker 6: it was it was like nothing happened for seven days.

929
00:46:58,520 --> 00:47:01,440
Speaker 6: So we had we had we had all this footage

930
00:47:01,480 --> 00:47:04,920
Speaker 6: of like you know, driving around, Johnny gets stuck in

931
00:47:05,000 --> 00:47:07,719
Speaker 6: a can am or a polaris or something, and that's

932
00:47:07,760 --> 00:47:12,040
Speaker 6: like kind of an interesting moment and which is evidence

933
00:47:12,040 --> 00:47:15,480
Speaker 6: of the hard country. But like that's that's what we

934
00:47:15,560 --> 00:47:18,080
Speaker 6: have for like seven days. And then in like twenty

935
00:47:18,080 --> 00:47:20,279
Speaker 6: minutes at the end of this, like you guys both

936
00:47:20,360 --> 00:47:24,320
Speaker 6: do deer at the end of this, and it happens

937
00:47:24,400 --> 00:47:28,200
Speaker 6: so fast, and we don't have any like long lens,

938
00:47:28,400 --> 00:47:32,959
Speaker 6: so like the very zoomed in picture of the deer

939
00:47:33,120 --> 00:47:35,440
Speaker 6: and what they're doing and things like that. So we

940
00:47:35,440 --> 00:47:37,719
Speaker 6: were just limited on what we have for this episode.

941
00:47:37,840 --> 00:47:40,840
Speaker 6: And so in the process of trying to come up,

942
00:47:40,880 --> 00:47:43,000
Speaker 6: we like I cut an episode and it turned out

943
00:47:43,040 --> 00:47:45,719
Speaker 6: to be I want to say it was like fourteen

944
00:47:45,760 --> 00:47:48,360
Speaker 6: minutes or something like that, and it was it was

945
00:47:48,400 --> 00:47:50,640
Speaker 6: interesting to watch. I thought, like, once we got it

946
00:47:50,680 --> 00:47:52,840
Speaker 6: all together, it was like a it was an interesting

947
00:47:52,840 --> 00:47:55,400
Speaker 6: fourteen minute episode, but like these these have to be

948
00:47:55,400 --> 00:48:00,000
Speaker 6: twenty two. And so the idea became like, all right,

949
00:48:00,120 --> 00:48:03,719
Speaker 6: what if we what if we have you guys like

950
00:48:03,840 --> 00:48:06,600
Speaker 6: Ciskel and Ebert like in a movie theater kind of

951
00:48:06,640 --> 00:48:10,640
Speaker 6: like uh Mystery science Theater, the show where they watch

952
00:48:10,719 --> 00:48:12,759
Speaker 6: like b movies and science fiction and they have these

953
00:48:12,760 --> 00:48:15,120
Speaker 6: like little silhouetted guys in front of the movie, and

954
00:48:15,160 --> 00:48:17,880
Speaker 6: what if we have them sitting there talking about and

955
00:48:18,000 --> 00:48:21,680
Speaker 6: narrating effectively this episode. And so we had you guys

956
00:48:21,719 --> 00:48:24,800
Speaker 6: come on a to a little cinema and Livingstone and

957
00:48:24,800 --> 00:48:28,359
Speaker 6: and uh and basically reshoot the thing. So we had

958
00:48:28,360 --> 00:48:30,799
Speaker 6: a what the cinema people would call like second unit.

959
00:48:30,840 --> 00:48:32,440
Speaker 6: So we had you know, we had lighting and we

960
00:48:32,480 --> 00:48:35,560
Speaker 6: had cameras again, and then we we shot. We shot you.

961
00:48:35,920 --> 00:48:37,280
Speaker 1: Doctor Randall makes a cameo.

962
00:48:37,440 --> 00:48:40,960
Speaker 6: Doctor Randall makes a cameo. He's a he is an

963
00:48:40,960 --> 00:48:44,960
Speaker 6: annoyed an annoyed theater goer, which is which is kind

964
00:48:45,000 --> 00:48:47,520
Speaker 6: of fun. But but no, I think we get a

965
00:48:47,520 --> 00:48:51,200
Speaker 6: little bit of like extra again, extra context, extra extra background,

966
00:48:51,400 --> 00:48:54,520
Speaker 6: and uh, it is it was a giant pain in

967
00:48:54,560 --> 00:48:56,439
Speaker 6: the butt. I mean, like you're talking about a TV

968
00:48:56,480 --> 00:48:59,640
Speaker 6: show in a TV show like so, so that alone

969
00:48:59,760 --> 00:49:03,319
Speaker 6: is like got a lot of technical constraints and our

970
00:49:03,840 --> 00:49:06,840
Speaker 6: team is awesome and so like Zoe, our post production

971
00:49:06,880 --> 00:49:09,920
Speaker 6: supervisor has done some cool work and like compositing that

972
00:49:10,040 --> 00:49:14,400
Speaker 6: all together so that it just it's it looks different,

973
00:49:14,440 --> 00:49:15,840
Speaker 6: like I don't think anybody's ever done this in the

974
00:49:15,920 --> 00:49:18,279
Speaker 6: hunting space, Like I don't think that exists. So that's

975
00:49:18,920 --> 00:49:20,880
Speaker 6: that's what makes me excited about this episode.

976
00:49:23,040 --> 00:49:29,680
Speaker 1: We still haven't tackled the too many bucks. Yeah, why

977
00:49:29,719 --> 00:49:31,759
Speaker 1: why why do you think people don't? Why do people

978
00:49:31,800 --> 00:49:34,319
Speaker 1: not just want to watch awesome buck footage? I think

979
00:49:34,320 --> 00:49:36,200
Speaker 1: we're gonna just call it awesome buck footage.

980
00:49:36,239 --> 00:49:37,799
Speaker 6: I think I think we're going to get that too.

981
00:49:38,800 --> 00:49:39,480
Speaker 1: Did you see that one?

982
00:49:39,480 --> 00:49:47,120
Speaker 9: It's drooling I've seen I've seen multiple more like have

983
00:49:47,280 --> 00:49:49,880
Speaker 9: like swollen necks and just like he's drooling.

984
00:49:51,680 --> 00:49:53,560
Speaker 6: I think I think I know the shot you're talking about.

985
00:49:53,560 --> 00:49:54,560
Speaker 1: He's coming straight straight in.

986
00:49:54,840 --> 00:49:58,120
Speaker 6: Yeah, got a little bit more of a vertical set

987
00:49:58,120 --> 00:49:58,680
Speaker 6: of antlers.

988
00:50:00,120 --> 00:50:02,319
Speaker 1: Yeah, now that's the one I had to stomp ACTU

989
00:50:02,320 --> 00:50:06,400
Speaker 1: I thought he was gonna get That's that's pretty wild. Yeah,

990
00:50:06,800 --> 00:50:08,359
Speaker 1: what else am I think? Do you see the one

991
00:50:08,400 --> 00:50:11,600
Speaker 1: that you see how they what's going through their head

992
00:50:11,600 --> 00:50:13,000
Speaker 1: when they want to attack the decoy?

993
00:50:13,080 --> 00:50:15,440
Speaker 6: Oh, I mean we have we have footage of them

994
00:50:15,480 --> 00:50:18,640
Speaker 6: literally attacking the decoy. I mean that's that's cool stuff too.

995
00:50:18,719 --> 00:50:20,760
Speaker 1: I always pictured when a buck was going to attack,

996
00:50:21,480 --> 00:50:24,080
Speaker 1: like because your picture this, it's like you're giving a

997
00:50:24,120 --> 00:50:28,480
Speaker 1: buck the dream scenario as the assaulter.

998
00:50:29,640 --> 00:50:32,399
Speaker 6: Because he's going anyway, here's a buck.

999
00:50:32,520 --> 00:50:36,360
Speaker 1: He's gonna fight, but the buck is doing no defensive maneuvering.

1000
00:50:37,280 --> 00:50:39,319
Speaker 1: So you're able to see like like let's say I

1001
00:50:39,360 --> 00:50:43,040
Speaker 1: said to you, uh, go punch that guy right, and

1002
00:50:43,080 --> 00:50:45,759
Speaker 1: you're approaching thinking like, okay, I'm gonna have to dodge

1003
00:50:46,520 --> 00:50:49,560
Speaker 1: his punches, you know, but it winds up being like

1004
00:50:49,600 --> 00:50:53,520
Speaker 1: power slapping. So but you can just do what you

1005
00:50:53,600 --> 00:50:55,960
Speaker 1: want to do. So here you're seeing bucks who are

1006
00:50:56,000 --> 00:50:58,440
Speaker 1: coming in being like, oh shit, I'm gonna need to

1007
00:50:58,480 --> 00:51:01,319
Speaker 1: fight this buck. I hope I don't get hurt. And

1008
00:51:01,440 --> 00:51:05,120
Speaker 1: after comments, he's like, oh it, man, this buck is

1009
00:51:05,160 --> 00:51:11,200
Speaker 1: not doing any of the things that would defend it. Yeah,

1010
00:51:11,239 --> 00:51:15,680
Speaker 1: so he's like, so what I'm gonna do. I'm gonna

1011
00:51:15,719 --> 00:51:19,760
Speaker 1: come from behind. I'm gonna get up to him, right

1012
00:51:19,960 --> 00:51:24,320
Speaker 1: alongside of him. I'm gonna stand there a long time,

1013
00:51:24,480 --> 00:51:29,880
Speaker 1: and then I'm gonna bayl Ris. That's what he wants

1014
00:51:29,920 --> 00:51:30,440
Speaker 1: to hit. And the.

1015
00:51:32,560 --> 00:51:35,759
Speaker 6: Moment, the moment of curiosity was like it's like it

1016
00:51:35,840 --> 00:51:39,400
Speaker 6: lasted so long, curious, curious, and then the moment of

1017
00:51:39,440 --> 00:51:41,440
Speaker 6: aggression was like four seconds, like.

1018
00:51:42,280 --> 00:51:44,560
Speaker 1: But you get to see what he would prefer to

1019
00:51:44,600 --> 00:51:49,520
Speaker 1: do is hit you so hard in your ribs. He

1020
00:51:49,560 --> 00:51:52,600
Speaker 1: doesn't want to hit your head. Ye, yeah, he doesn't

1021
00:51:52,600 --> 00:51:56,200
Speaker 1: want to hit your your weapons are man. He wants

1022
00:51:56,239 --> 00:51:58,960
Speaker 1: to punch your ribs hard death.

1023
00:51:59,480 --> 00:52:02,680
Speaker 3: Do you ever have any that, because, like you said,

1024
00:52:02,719 --> 00:52:05,680
Speaker 3: they figure out once they make impact that there's not

1025
00:52:05,760 --> 00:52:08,560
Speaker 3: a buck. But did you ever have some so some

1026
00:52:08,800 --> 00:52:12,000
Speaker 3: that were so curious or aggressive that even then they're like,

1027
00:52:12,040 --> 00:52:12,399
Speaker 3: that's not.

1028
00:52:12,360 --> 00:52:14,960
Speaker 2: A buck, but I can't take it. I'm gonna go

1029
00:52:15,080 --> 00:52:15,600
Speaker 2: back again.

1030
00:52:15,880 --> 00:52:20,080
Speaker 1: They were definitely, they definitely were like something is askew.

1031
00:52:20,960 --> 00:52:22,960
Speaker 8: Well, we got one where he came in, knocked the

1032
00:52:23,040 --> 00:52:25,200
Speaker 8: decoy over. I ran out there, set it back up,

1033
00:52:25,480 --> 00:52:26,680
Speaker 8: and then he came back in again.

1034
00:52:26,840 --> 00:52:32,840
Speaker 1: Yeah, I should say there's always it's hard to know

1035
00:52:32,840 --> 00:52:35,200
Speaker 1: what's going on in a deer's head. I would say

1036
00:52:35,239 --> 00:52:37,799
Speaker 1: that that the handful of times, there was always like

1037
00:52:38,080 --> 00:52:41,200
Speaker 1: what I read as a bit of like what yeah,

1038
00:52:41,440 --> 00:52:42,120
Speaker 1: like a what.

1039
00:52:42,920 --> 00:52:44,400
Speaker 2: You know not.

1040
00:52:45,960 --> 00:52:49,680
Speaker 1: That he would hit and then kind of recovered from

1041
00:52:49,680 --> 00:52:50,280
Speaker 1: the surprise.

1042
00:52:50,400 --> 00:52:52,359
Speaker 3: It was like a gobbler, right, he just will sit

1043
00:52:52,360 --> 00:52:55,120
Speaker 3: there and keep flogging that thing. You know, there's no

1044
00:52:55,680 --> 00:52:57,800
Speaker 3: it sounds like plastic, it's on the ground.

1045
00:52:57,840 --> 00:52:58,640
Speaker 2: Its throlling around.

1046
00:52:58,719 --> 00:53:01,839
Speaker 3: Still hasn't reacted to him, but he's like whatever, I'm

1047
00:53:01,880 --> 00:53:02,640
Speaker 3: waving it to you.

1048
00:53:02,800 --> 00:53:06,880
Speaker 1: Yeah, he's like, oh yeah, well now I'm gonna breathe you.

1049
00:53:06,880 --> 00:53:08,600
Speaker 6: You make a really good point in that episode that

1050
00:53:08,640 --> 00:53:11,680
Speaker 6: you say, like i'd like to to the effect of

1051
00:53:11,760 --> 00:53:14,520
Speaker 6: like I'd like to interview I'd like to interview a deer,

1052
00:53:15,520 --> 00:53:17,560
Speaker 6: but it's got to be an honest one. Yeah, Like

1053
00:53:17,760 --> 00:53:18,600
Speaker 6: and that's that was.

1054
00:53:19,160 --> 00:53:22,120
Speaker 1: So mister buck when you came running up here and

1055
00:53:22,160 --> 00:53:24,160
Speaker 1: you saw that deer standard, what was the first thing

1056
00:53:24,200 --> 00:53:25,359
Speaker 1: you thought, you.

1057
00:53:25,360 --> 00:53:29,200
Speaker 6: Know, like an exit interview like this won't affect you,

1058
00:53:29,239 --> 00:53:31,279
Speaker 6: but we've got to know.

1059
00:53:32,160 --> 00:53:35,680
Speaker 1: Yeah, I just my advice as my advice to use.

1060
00:53:35,760 --> 00:53:38,000
Speaker 1: Just let people like those bucks.

1061
00:53:39,080 --> 00:53:41,480
Speaker 6: It's definitely definitely not gonna tell you how to do

1062
00:53:41,520 --> 00:53:42,280
Speaker 6: your job, Hansei.

1063
00:53:42,760 --> 00:53:45,880
Speaker 1: But okay, it's one last one we was talked about

1064
00:53:46,760 --> 00:53:49,000
Speaker 1: cutting cutting a Mule Deer episode.

1065
00:53:49,239 --> 00:53:53,600
Speaker 6: Yeah, so the Mealier episode is you Ronnie Collins Garrett,

1066
00:53:54,280 --> 00:53:56,520
Speaker 6: and uh, it happens like it's kind of another one

1067
00:53:56,520 --> 00:54:00,759
Speaker 6: that happens quickly, like it's like a day right, too good.

1068
00:54:01,200 --> 00:54:03,799
Speaker 6: It's it's just too good. And there's one and this

1069
00:54:03,880 --> 00:54:07,080
Speaker 6: is like a technical consideration that's just sometimes just a bummer.

1070
00:54:07,080 --> 00:54:10,120
Speaker 6: It's just it's windy, and like it's just when and

1071
00:54:10,200 --> 00:54:14,279
Speaker 6: like there's no really great way to everything sounds like, yeah,

1072
00:54:14,360 --> 00:54:16,920
Speaker 6: there's no really great way to like eliminate that or

1073
00:54:17,080 --> 00:54:20,480
Speaker 6: or you know, clean it up afterward. And so is

1074
00:54:20,480 --> 00:54:22,719
Speaker 6: that right, There's not like there's there's an extent.

1075
00:54:22,880 --> 00:54:26,160
Speaker 1: Right, there's no I would think there's gotta be some

1076
00:54:26,239 --> 00:54:28,360
Speaker 1: little magic trick to make all that goal away.

1077
00:54:28,400 --> 00:54:32,480
Speaker 6: It's it still just sounds like you've you've treated it heavily,

1078
00:54:32,520 --> 00:54:35,400
Speaker 6: and so it's like distracting. So I think it's it's

1079
00:54:35,440 --> 00:54:37,759
Speaker 6: getting better like every year, but still, but I think

1080
00:54:37,920 --> 00:54:40,680
Speaker 6: another another element of that is just that it's like

1081
00:54:40,719 --> 00:54:43,720
Speaker 6: when it's windy, people just talk less, like on camera

1082
00:54:43,960 --> 00:54:45,520
Speaker 6: when it's windy. And I don't know what that is,

1083
00:54:46,160 --> 00:54:49,239
Speaker 6: but it's just an observation I've had is that it's

1084
00:54:49,640 --> 00:54:52,000
Speaker 6: something I don't know if it's a just a something

1085
00:54:52,120 --> 00:54:55,760
Speaker 6: very primordial or or whatnot, but like they just talk less.

1086
00:54:56,239 --> 00:54:59,120
Speaker 6: And that's and that's definitely what happened. But it gave

1087
00:54:59,160 --> 00:55:00,680
Speaker 6: us a kind of a cool oppera ortunity to like,

1088
00:55:01,760 --> 00:55:06,640
Speaker 6: I mean, these hunts are across big expanses and long

1089
00:55:06,719 --> 00:55:08,520
Speaker 6: they can be long shots. And so it kind of

1090
00:55:08,560 --> 00:55:11,759
Speaker 6: gave us an example, like an instance in which to

1091
00:55:11,920 --> 00:55:17,479
Speaker 6: talk about long distance shooting as it pertains to meld

1092
00:55:17,480 --> 00:55:20,200
Speaker 6: your hunting yep. And so we have this episode that

1093
00:55:20,400 --> 00:55:22,960
Speaker 6: was that we then shot again with Garrett and you

1094
00:55:23,600 --> 00:55:26,399
Speaker 6: at the range talking about long range shooting and talk

1095
00:55:26,400 --> 00:55:30,080
Speaker 6: about talking about the evolution of long range shooting as

1096
00:55:30,120 --> 00:55:33,040
Speaker 6: it applies to hunting and practice. And so the other

1097
00:55:33,040 --> 00:55:34,600
Speaker 6: cool thing about this is it is going to be

1098
00:55:34,840 --> 00:55:37,360
Speaker 6: like graphically treated, So we're going to have graphics in

1099
00:55:37,400 --> 00:55:41,120
Speaker 6: it that demonstrate and show some of the trajectory trajectories

1100
00:55:41,120 --> 00:55:45,840
Speaker 6: of bullets over distance and and how that how that works,

1101
00:55:45,840 --> 00:55:50,360
Speaker 6: and how practice like actually works, like how it actually

1102
00:55:50,400 --> 00:55:51,200
Speaker 6: affects your hunt.

1103
00:55:51,400 --> 00:55:54,680
Speaker 1: And also a thing we'll get into is that people

1104
00:55:54,719 --> 00:55:58,400
Speaker 1: want to I think this will be in the final

1105
00:55:58,440 --> 00:56:06,200
Speaker 1: product an observation that no one questions gravity, but shooters

1106
00:56:06,320 --> 00:56:09,400
Speaker 1: want to act like the wind, that they can wish

1107
00:56:09,440 --> 00:56:12,799
Speaker 1: the wind away, right.

1108
00:56:12,920 --> 00:56:13,440
Speaker 6: Yeah.

1109
00:56:13,840 --> 00:56:15,760
Speaker 1: They would never be like I'm just going to act

1110
00:56:15,800 --> 00:56:19,120
Speaker 1: like gravity isn't going to pull that bullet down, But

1111
00:56:19,160 --> 00:56:21,480
Speaker 1: when it's windy, they're like, I'm going to act like

1112
00:56:21,520 --> 00:56:24,080
Speaker 1: the wind isn't going to blow that bullet because I

1113
00:56:24,080 --> 00:56:26,960
Speaker 1: don't want to go into that hole. I don't want

1114
00:56:26,960 --> 00:56:30,120
Speaker 1: to go into that whole deal, you know, So it's

1115
00:56:30,160 --> 00:56:32,200
Speaker 1: gonna be like somehow it's not actually going to blow

1116
00:56:32,200 --> 00:56:34,880
Speaker 1: the bullet way over to the right or left, you know,

1117
00:56:34,920 --> 00:56:36,399
Speaker 1: which is the thing we talked about on the range,

1118
00:56:37,200 --> 00:56:40,759
Speaker 1: like wind is as real factor. It's as real as gravity.

1119
00:56:41,000 --> 00:56:45,160
Speaker 3: Yeah, it's easy to understand one axis, but when you

1120
00:56:45,200 --> 00:56:47,600
Speaker 3: add in the second one, it gets real complicated.

1121
00:56:47,680 --> 00:56:51,560
Speaker 1: Yeah, And my tendency would my tendency has been to

1122
00:56:51,600 --> 00:56:54,120
Speaker 1: be like I'm just going to wish that one away,

1123
00:56:54,280 --> 00:56:58,520
Speaker 1: like maybe it's only windy where I'm at. Is it

1124
00:56:58,600 --> 00:57:00,480
Speaker 1: going to be blowing the bullet the whole old time,

1125
00:57:00,520 --> 00:57:03,719
Speaker 1: because how could it. That's time on the range, you know,

1126
00:57:03,880 --> 00:57:06,840
Speaker 1: not home on the range. Time on the range has demonstrated,

1127
00:57:06,880 --> 00:57:08,840
Speaker 1: like when you one of the things about shooting extreme

1128
00:57:08,880 --> 00:57:11,480
Speaker 1: dis not even extreme distances, because that means a whole

1129
00:57:11,520 --> 00:57:15,200
Speaker 1: new thing. Though shooting long distances, shooting at distances greater

1130
00:57:15,239 --> 00:57:18,760
Speaker 1: than I would shoot in the hunting has taught me

1131
00:57:18,960 --> 00:57:23,920
Speaker 1: to accept the reality of wind. When you're shooting at

1132
00:57:23,960 --> 00:57:25,919
Speaker 1: in the high wind, you're shooting at stuff six seven

1133
00:57:25,960 --> 00:57:29,400
Speaker 1: hundred yards away and you're watching bullets hit the sand

1134
00:57:30,960 --> 00:57:34,400
Speaker 1: several targets to the left or right. You're like, Okay,

1135
00:57:34,480 --> 00:57:36,520
Speaker 1: I now agree that this has to be paid attention to.

1136
00:57:37,560 --> 00:57:39,760
Speaker 6: You know, there's a moment in that where you're like,

1137
00:57:40,440 --> 00:57:44,760
Speaker 6: this is like post post hunt where you're like, my

1138
00:57:44,880 --> 00:57:47,680
Speaker 6: practice has paid off. Yeah, and and and it's not

1139
00:57:47,800 --> 00:57:50,600
Speaker 6: just it's obvious. It's like obvious to the viewer, and

1140
00:57:50,640 --> 00:57:53,240
Speaker 6: it's obvious to Garrett. And it's like you don't hardly

1141
00:57:53,320 --> 00:57:55,360
Speaker 6: need to say it because we've seen it happen, but

1142
00:57:55,960 --> 00:57:58,440
Speaker 6: it just it. It's yeah, it's the real deal.

1143
00:58:00,120 --> 00:58:02,040
Speaker 1: Right, Yeah, what else you want to add there?

1144
00:58:02,600 --> 00:58:05,080
Speaker 6: Jordans Jordan Martin's our editor working on that one right now,

1145
00:58:05,120 --> 00:58:09,640
Speaker 6: and he's doing bang up job. And uh, I think there.

1146
00:58:10,200 --> 00:58:12,040
Speaker 6: The thing about these episodes that kind of ties them

1147
00:58:12,040 --> 00:58:16,680
Speaker 6: all together is that we get a little bit deeper

1148
00:58:17,320 --> 00:58:22,480
Speaker 6: context of you as a character, a human, a hunter.

1149
00:58:22,920 --> 00:58:25,280
Speaker 6: Like we just we it's like we layer down. It's

1150
00:58:25,280 --> 00:58:29,760
Speaker 6: not like a substitute for meat Eater the show, but

1151
00:58:29,840 --> 00:58:32,040
Speaker 6: it's just like we get some little snippets here and

1152
00:58:32,080 --> 00:58:37,400
Speaker 6: there of like seth of you, of of dirt. We

1153
00:58:37,440 --> 00:58:41,280
Speaker 6: get some like camera operator moments that are that are

1154
00:58:41,360 --> 00:58:45,160
Speaker 6: like just cool little little tidbits that I think add

1155
00:58:45,680 --> 00:58:49,200
Speaker 6: add some humor, add some fun. And we're just psyched

1156
00:58:49,200 --> 00:58:49,880
Speaker 6: about it right now.

1157
00:58:49,920 --> 00:58:50,720
Speaker 1: Unless governed.

1158
00:58:50,960 --> 00:58:53,080
Speaker 6: Yeah, yeah, there's like we kind of threw the rules

1159
00:58:53,080 --> 00:58:57,840
Speaker 6: out the window to an extent. And so and when

1160
00:58:57,880 --> 00:59:02,200
Speaker 6: does this series drop? I think early November. I think

1161
00:59:02,320 --> 00:59:03,600
Speaker 6: that is what we're looking at right now.

1162
00:59:03,960 --> 00:59:05,880
Speaker 1: You better get out of this place and get up

1163
00:59:05,880 --> 00:59:06,640
Speaker 1: to your little place.

1164
00:59:06,720 --> 00:59:09,800
Speaker 6: I know was not at half of yesterday for that

1165
00:59:09,920 --> 00:59:14,480
Speaker 6: exact reason. So, yeah, clock's ticking, I believe me, I

1166
00:59:14,520 --> 00:59:16,080
Speaker 6: feel it. I feel it.

1167
00:59:16,240 --> 00:59:20,840
Speaker 1: Well, stay tuned everybody for rough cuts. Thanks, It's gonna

1168
00:59:20,840 --> 00:59:25,560
Speaker 1: be fun many Yeah. SE's got little moments in there.

1169
00:59:25,600 --> 00:59:26,080
Speaker 1: It's cute.

1170
00:59:27,480 --> 00:59:29,040
Speaker 6: John, he's got some great one liners.

1171
00:59:29,040 --> 00:59:32,880
Speaker 1: And Tony's in there. Brent, you had it said, hell

1172
00:59:32,920 --> 00:59:33,800
Speaker 1: a lot. You titillated.

1173
00:59:34,400 --> 00:59:39,160
Speaker 5: I can't hardly wait. I want to hear the rest

1174
00:59:39,200 --> 00:59:42,960
Speaker 5: of the song. Yeah, oh, but not right now. You

1175
00:59:43,040 --> 00:59:44,560
Speaker 5: won a case pocket knife last night.

1176
00:59:44,720 --> 00:59:48,760
Speaker 1: I did. Congratulations, I did. He gave it away he

1177
00:59:48,800 --> 00:59:49,360
Speaker 1: has one.

1178
00:59:49,240 --> 00:59:53,240
Speaker 5: Yeah, I gave you yeah, or three. I gave it

1179
00:59:53,240 --> 00:59:58,280
Speaker 5: to Myriva Dreva Hanson, who does all the editing on

1180
00:59:58,320 --> 01:00:01,640
Speaker 5: my podcast A wonderful human being.

1181
01:00:02,760 --> 01:00:06,120
Speaker 1: And real quick house this country life going. You're appreciating

1182
01:00:06,120 --> 01:00:09,200
Speaker 1: it very much, So yeah, it's very good. I get

1183
01:00:09,240 --> 01:00:11,360
Speaker 1: a lot, a lot of feedback.

1184
01:00:11,400 --> 01:00:14,160
Speaker 5: You know, when I started that thing, I really didn't

1185
01:00:14,160 --> 01:00:16,600
Speaker 5: really know the direction it was going to go. I

1186
01:00:16,600 --> 01:00:19,520
Speaker 5: thought it would just be I didn't want it to

1187
01:00:19,600 --> 01:00:23,880
Speaker 5: just be hunting fishing stories or hauling hay stories. And

1188
01:00:24,600 --> 01:00:26,480
Speaker 5: because I didn't think there was enough meat there to

1189
01:00:26,520 --> 01:00:29,720
Speaker 5: do it. Because there's way more people who are a

1190
01:00:29,760 --> 01:00:31,800
Speaker 5: lot better at hunting and fishing than I am that

1191
01:00:32,040 --> 01:00:38,240
Speaker 5: are putting stuff out there to educate people. And the

1192
01:00:38,360 --> 01:00:43,640
Speaker 5: about three episodes in, I got a letter or Instagram

1193
01:00:43,640 --> 01:00:46,760
Speaker 5: message from a guy in New York City. I've told

1194
01:00:46,800 --> 01:00:49,160
Speaker 5: this story several times, but it's just so meaningful to

1195
01:00:49,200 --> 01:00:52,880
Speaker 5: me that I always think about it. But he said,

1196
01:00:52,880 --> 01:00:55,240
Speaker 5: you know, I live in New York City and I

1197
01:00:55,240 --> 01:00:58,200
Speaker 5: have never hunted or fished. My dad never took me

1198
01:00:58,280 --> 01:01:02,280
Speaker 5: hunting or fishing. When you're dad was taking you, he said,

1199
01:01:02,280 --> 01:01:06,280
Speaker 5: But my dad was taking me to Yankee Stadium towards

1200
01:01:06,320 --> 01:01:10,240
Speaker 5: the Yankees play, he said. And it's I relate to

1201
01:01:10,320 --> 01:01:12,840
Speaker 5: what you're doing because I was with my dad or

1202
01:01:12,880 --> 01:01:16,000
Speaker 5: my family members doing the same thing. And that's he said,

1203
01:01:16,040 --> 01:01:19,200
Speaker 5: your your show is really good and I like it,

1204
01:01:19,240 --> 01:01:20,919
Speaker 5: and I thought, why in the world with this guy

1205
01:01:21,080 --> 01:01:23,600
Speaker 5: like that? But then I figured it out, Well, it's

1206
01:01:23,600 --> 01:01:27,080
Speaker 5: about the show that I'm doing is about relationships. And

1207
01:01:28,080 --> 01:01:32,720
Speaker 5: when I when I had that focus, everything became real

1208
01:01:32,760 --> 01:01:35,880
Speaker 5: easy for me to do. Then it could be a

1209
01:01:35,920 --> 01:01:39,280
Speaker 5: story about anything, you know, it's just the relationship with

1210
01:01:40,120 --> 01:01:43,600
Speaker 5: a place, or a person or a thing, even you know,

1211
01:01:43,720 --> 01:01:50,240
Speaker 5: a case pocket knife, which has been a tangible object

1212
01:01:50,360 --> 01:01:54,280
Speaker 5: in my family's legacy and history that started with my

1213
01:01:54,320 --> 01:01:59,760
Speaker 5: great grandfather that's carried on now and it's something that

1214
01:02:00,880 --> 01:02:05,200
Speaker 5: everyone in my family can is a fan of and

1215
01:02:05,280 --> 01:02:09,080
Speaker 5: appreciates because of the history of you know, our family

1216
01:02:09,120 --> 01:02:11,520
Speaker 5: with it just a simple thing as a as a

1217
01:02:11,560 --> 01:02:15,680
Speaker 5: pocket knife, but it's just it's something that connects all

1218
01:02:15,760 --> 01:02:18,200
Speaker 5: of us, even to the folks that have gone before.

1219
01:02:18,560 --> 01:02:21,640
Speaker 5: Like I never knew my great grandfather, but I got

1220
01:02:21,640 --> 01:02:25,560
Speaker 5: a pretty good idea of when he needed a pocket knife,

1221
01:02:26,000 --> 01:02:28,840
Speaker 5: where he was reaching forward and what he was breaking out,

1222
01:02:30,080 --> 01:02:32,320
Speaker 5: So that that's been real meaningful for me.

1223
01:02:32,800 --> 01:02:34,400
Speaker 1: I like that that you got it narrow down and

1224
01:02:34,480 --> 01:02:36,560
Speaker 1: it's about relationships. I remember at a point trying to

1225
01:02:36,560 --> 01:02:38,360
Speaker 1: think of all the stuff I've done and written about

1226
01:02:38,400 --> 01:02:40,720
Speaker 1: and all that like through a career. I was like,

1227
01:02:40,760 --> 01:02:42,320
Speaker 1: how do you would you define it? And I thought, well,

1228
01:02:43,040 --> 01:02:45,880
Speaker 1: I guess I would define it like like I explore

1229
01:02:45,920 --> 01:02:51,600
Speaker 1: and have explored human relationships to nature. Sure right, yeah,

1230
01:02:51,680 --> 01:02:55,440
Speaker 1: from the perspective of a hunter, perspective of biologists, whatever, whatever.

1231
01:02:55,720 --> 01:02:58,360
Speaker 1: It's always been like most of my stuff, there's people.

1232
01:02:59,080 --> 01:03:03,720
Speaker 1: This is why, hey, ann are I'm opposed to that

1233
01:03:03,760 --> 01:03:07,600
Speaker 1: poll because there's nobody there. Because there was no people.

1234
01:03:08,480 --> 01:03:10,840
Speaker 1: I asked myself, why do I hate that pole, the

1235
01:03:10,880 --> 01:03:13,760
Speaker 1: South Pole, because it's got the nature but not the people.

1236
01:03:15,120 --> 01:03:17,760
Speaker 5: Well, you know, my wife and little girl and I

1237
01:03:17,800 --> 01:03:21,000
Speaker 5: we went out to Bradford, Pennsylvania to the case factory

1238
01:03:21,040 --> 01:03:26,000
Speaker 5: three weeks ago, and I thought I need to since

1239
01:03:26,000 --> 01:03:28,919
Speaker 5: I've always carried pocketknives, I wanted to carry something out

1240
01:03:28,920 --> 01:03:31,280
Speaker 5: there that meant something to me and that might mean

1241
01:03:31,360 --> 01:03:34,480
Speaker 5: something to them. So I found a pocket knife that

1242
01:03:34,520 --> 01:03:36,120
Speaker 5: I had setting up on a chef that I give

1243
01:03:36,120 --> 01:03:38,400
Speaker 5: it the first pocket knife I ever bought with my

1244
01:03:38,440 --> 01:03:41,760
Speaker 5: own money, and I gave it to my dad as

1245
01:03:41,760 --> 01:03:46,920
Speaker 5: a president in nineteen seventy nine and when he passed away,

1246
01:03:46,960 --> 01:03:49,240
Speaker 5: I got that back. So I thought, I want to

1247
01:03:49,240 --> 01:03:53,040
Speaker 5: take something with me that will that means something. So

1248
01:03:53,200 --> 01:03:55,160
Speaker 5: and I always carry twupocket knife, so I was trying

1249
01:03:55,200 --> 01:03:57,160
Speaker 5: to figure out what's the other pocket knife I would take.

1250
01:03:58,400 --> 01:04:04,840
Speaker 5: And last year when someone arbitrarily sent the case folks

1251
01:04:05,280 --> 01:04:08,120
Speaker 5: my podcast of the things that carry in my pocket,

1252
01:04:08,760 --> 01:04:13,280
Speaker 5: and those guys appreciated it. Wy, those guys appreciated and

1253
01:04:13,320 --> 01:04:17,040
Speaker 5: they sent me. Guy sent me a pocket knife and

1254
01:04:17,120 --> 01:04:19,160
Speaker 5: on a case knife, you know it's got the tang

1255
01:04:19,280 --> 01:04:20,840
Speaker 5: stamp on there, and you can tell what date it

1256
01:04:20,880 --> 01:04:22,800
Speaker 5: was manufactured that.

1257
01:04:23,080 --> 01:04:24,800
Speaker 1: Yeah, I know what you're talking about it. I know

1258
01:04:24,840 --> 01:04:25,280
Speaker 1: I told you that.

1259
01:04:25,360 --> 01:04:27,480
Speaker 5: Yeah, yeah, it'll tell you the year and what year

1260
01:04:27,480 --> 01:04:32,800
Speaker 5: it was manufactured a decade in the year. So I thought, well,

1261
01:04:32,840 --> 01:04:35,000
Speaker 5: I'm gonna take that one, the first one that they

1262
01:04:35,080 --> 01:04:38,840
Speaker 5: sent me for a token of their appreciation of, you know,

1263
01:04:38,920 --> 01:04:41,720
Speaker 5: my family's history with it. So we go out there

1264
01:04:41,760 --> 01:04:45,080
Speaker 5: and when they're taking my wife Alexis and my daughter

1265
01:04:45,120 --> 01:04:46,760
Speaker 5: Bailey and I on this tour of the factory, in

1266
01:04:46,800 --> 01:04:51,320
Speaker 5: the first place we stopped the plant manager, the production

1267
01:04:51,440 --> 01:04:55,560
Speaker 5: manager said, this guy over here is he's doing he's

1268
01:04:55,560 --> 01:04:59,040
Speaker 5: weld in the first part of the pocket knife together.

1269
01:04:59,440 --> 01:05:03,560
Speaker 5: He said, he's been doing this fifty one years, this

1270
01:05:03,640 --> 01:05:08,160
Speaker 5: job right here in this case factory, and I'm doing

1271
01:05:08,200 --> 01:05:11,920
Speaker 5: math in my head and I go so I reached

1272
01:05:11,920 --> 01:05:13,600
Speaker 5: in my pocket and I pulled out this knife and

1273
01:05:13,640 --> 01:05:15,000
Speaker 5: I go over there in a medium and I said,

1274
01:05:15,000 --> 01:05:18,640
Speaker 5: mister Dave, would you have worked on this knife? And

1275
01:05:18,680 --> 01:05:20,080
Speaker 5: I handed to him and he opened it up and

1276
01:05:20,080 --> 01:05:21,600
Speaker 5: looked at it and he said, oh, yeah, I worked

1277
01:05:21,640 --> 01:05:21,920
Speaker 5: on it.

1278
01:05:21,920 --> 01:05:23,800
Speaker 1: Now and.

1279
01:05:25,360 --> 01:05:27,000
Speaker 5: Handed it back to him, and I stuck in my

1280
01:05:27,040 --> 01:05:30,200
Speaker 5: pocket and I started telling him the story of me

1281
01:05:30,320 --> 01:05:32,720
Speaker 5: buying it and give it to my dad, my dad

1282
01:05:32,760 --> 01:05:35,240
Speaker 5: passing away, and me getting it back. And I got

1283
01:05:35,240 --> 01:05:37,920
Speaker 5: about halfway through that, my wife said, here, let me

1284
01:05:37,960 --> 01:05:39,560
Speaker 5: help you tell the rest of this, because it was

1285
01:05:39,640 --> 01:05:42,440
Speaker 5: just a pretty emotional moment, you know, for that thing

1286
01:05:42,520 --> 01:05:47,439
Speaker 5: to have gone full circle, yeah, and beyond full circle really,

1287
01:05:47,480 --> 01:05:49,560
Speaker 5: because I gave it to him, I got it back

1288
01:05:49,560 --> 01:05:51,960
Speaker 5: when he passed away, and then I took it back

1289
01:05:52,000 --> 01:05:55,640
Speaker 5: to where it was built. So it was that that

1290
01:05:56,160 --> 01:05:59,160
Speaker 5: is the true representation I think of what my show

1291
01:05:59,320 --> 01:06:01,160
Speaker 5: is and ship for sure.

1292
01:06:02,160 --> 01:06:04,800
Speaker 1: You know collisions, yep.

1293
01:06:04,960 --> 01:06:09,520
Speaker 5: Yeah, just life collisions. I was telling Kren about one

1294
01:06:09,520 --> 01:06:14,640
Speaker 5: the other day, a collision that I'm looking forward to having. Yeah,

1295
01:06:14,840 --> 01:06:17,040
Speaker 5: if I could never catch this guy that is stealing

1296
01:06:17,120 --> 01:06:21,280
Speaker 5: my fish. You have fished on my brother and I

1297
01:06:21,320 --> 01:06:23,840
Speaker 5: have have been putting we.

1298
01:06:26,080 --> 01:06:28,960
Speaker 1: Eat a commercial.

1299
01:06:29,480 --> 01:06:31,280
Speaker 2: It sounds like a bear Grease episode.

1300
01:06:31,320 --> 01:06:35,280
Speaker 5: Now, yeah, I hope this guy. I'm sure this guy

1301
01:06:35,360 --> 01:06:38,200
Speaker 5: doesn't doesn't listen to anything. But my brother and I

1302
01:06:38,200 --> 01:06:42,480
Speaker 5: have commercial fishing licenses and we fish nets on a

1303
01:06:42,600 --> 01:06:45,560
Speaker 5: big Arkansas river. I'm not going to say which one

1304
01:06:45,560 --> 01:06:47,959
Speaker 5: it is, but it is a big Arkansas river.

1305
01:06:49,240 --> 01:06:49,880
Speaker 1: Uh.

1306
01:06:50,080 --> 01:06:55,080
Speaker 5: And when we put these nets out, there's sometimes there's

1307
01:06:55,080 --> 01:06:57,960
Speaker 5: people around. Sometimes you can see if the water's up

1308
01:06:58,240 --> 01:06:59,720
Speaker 5: where we have them anchor to the bank.

1309
01:07:00,560 --> 01:07:02,120
Speaker 1: Uh, you can't see the strings.

1310
01:07:02,120 --> 01:07:05,959
Speaker 5: But as the dams operate and there the rivers coming

1311
01:07:06,040 --> 01:07:09,560
Speaker 5: up and down there, they're either generating power downstream and

1312
01:07:09,600 --> 01:07:12,040
Speaker 5: they need water, you know, the river level will go

1313
01:07:12,120 --> 01:07:15,280
Speaker 5: up and down, and then sometimes you can see the

1314
01:07:15,320 --> 01:07:22,600
Speaker 5: strings that hold our nets well as as locks. Keep honest,

1315
01:07:22,640 --> 01:07:26,720
Speaker 5: people honest. If a few see If you're a fisherman

1316
01:07:26,760 --> 01:07:28,400
Speaker 5: and you hook one of these nets, and you hook

1317
01:07:28,480 --> 01:07:30,040
Speaker 5: or you see one of these lines, you're supposed to

1318
01:07:30,080 --> 01:07:35,000
Speaker 5: just leave it alone. Some folks don't do that. So

1319
01:07:35,240 --> 01:07:37,439
Speaker 5: we had some guys stealing. There they leave and there

1320
01:07:37,480 --> 01:07:41,760
Speaker 5: they're they're running our nets, keeping our fish, and but

1321
01:07:41,800 --> 01:07:43,000
Speaker 5: they leave our nets back out.

1322
01:07:43,080 --> 01:07:44,680
Speaker 1: I guess, so we can catch some more for them.

1323
01:07:46,160 --> 01:07:47,200
Speaker 1: So I was telling what.

1324
01:07:47,440 --> 01:07:49,720
Speaker 2: They do with the nets. They're too lazy to set

1325
01:07:49,720 --> 01:07:50,960
Speaker 2: on themselves, exactly.

1326
01:07:51,200 --> 01:07:52,960
Speaker 1: So I was telling Karen about this the other things.

1327
01:07:53,000 --> 01:07:55,280
Speaker 5: She said, Oh my gosh, this is a here's a

1328
01:07:55,320 --> 01:07:57,040
Speaker 5: here's a here's a moment right here we need to

1329
01:07:57,080 --> 01:08:01,680
Speaker 5: take advantage of. So the good folks at Moultrie and

1330
01:08:01,840 --> 01:08:04,160
Speaker 5: I are fixing to lay a trap for.

1331
01:08:04,160 --> 01:08:07,880
Speaker 1: Him, advertising the trap right now. Oh yeah, but they don't.

1332
01:08:07,920 --> 01:08:10,640
Speaker 1: They don't listen. It's going to be good. I wish

1333
01:08:10,640 --> 01:08:12,680
Speaker 1: I could tell you the best forward I ever heard

1334
01:08:12,680 --> 01:08:15,000
Speaker 1: in my whole life, but I'll never tell you. Okay,

1335
01:08:15,440 --> 01:08:21,120
Speaker 1: why not, I'll never tell you. Okay, this is pretaining

1336
01:08:21,160 --> 01:08:23,479
Speaker 1: to fish. If we all, if we start working together

1337
01:08:24,080 --> 01:08:28,960
Speaker 1: and ten years goes by, you come ask me. Okay, Okay,

1338
01:08:30,720 --> 01:08:38,320
Speaker 1: that's a statue. Limitations. Keep it up, man. I hope

1339
01:08:38,320 --> 01:08:42,240
Speaker 1: you catch those guys. Oh I do too, me too.

1340
01:08:42,400 --> 01:08:43,639
Speaker 1: You can do something bad to them.

1341
01:08:43,640 --> 01:08:47,559
Speaker 5: Oh no, no, nothing like that. Shame them absolutely on.

1342
01:08:47,720 --> 01:08:50,680
Speaker 5: You canna shoot at him right? Oh no, it's no,

1343
01:08:50,760 --> 01:08:51,880
Speaker 5: that's that's pretty serious.

1344
01:08:52,160 --> 01:08:52,880
Speaker 1: Unch them or nothing.

1345
01:08:53,080 --> 01:08:55,639
Speaker 5: No, no, no that. I just want to catch them,

1346
01:08:55,640 --> 01:08:57,280
Speaker 5: just want to let them know I know what you're doing.

1347
01:08:58,160 --> 01:09:01,640
Speaker 5: Sometimes that's the like the old farmer that caught me

1348
01:09:01,640 --> 01:09:05,559
Speaker 5: and my partner stealing watermelons out of his watermelon patch

1349
01:09:05,600 --> 01:09:08,120
Speaker 5: when we were in high school. He caught us dead

1350
01:09:08,120 --> 01:09:12,360
Speaker 5: the rights and I learned that night that my friend,

1351
01:09:12,880 --> 01:09:17,040
Speaker 5: who was six to two could jump a five strand

1352
01:09:17,040 --> 01:09:20,479
Speaker 5: babo our fence in one one leap, and I could

1353
01:09:20,560 --> 01:09:21,400
Speaker 5: jump four of them.

1354
01:09:25,240 --> 01:09:29,640
Speaker 1: We had to go. Do you know there's a is

1355
01:09:29,680 --> 01:09:31,559
Speaker 1: there a melon called the brad This is the last

1356
01:09:31,560 --> 01:09:33,200
Speaker 1: sound I say, the Bradbury Melon.

1357
01:09:34,600 --> 01:09:36,240
Speaker 7: I got a check for that right now.

1358
01:09:37,160 --> 01:09:38,519
Speaker 1: I'm nothing familiar with that.

1359
01:09:38,680 --> 01:09:39,200
Speaker 2: I'm not either.

1360
01:09:40,240 --> 01:09:42,960
Speaker 1: Uh, there's a melon.

1361
01:09:43,960 --> 01:09:48,680
Speaker 7: Brad Bradford watermelon, the Bradford melon. Oh yeah, the heirloom

1362
01:09:48,720 --> 01:09:49,519
Speaker 7: Bradford water.

1363
01:09:50,040 --> 01:09:56,960
Speaker 1: There used to be watermelon wars and melon theft was

1364
01:09:57,000 --> 01:10:03,840
Speaker 1: so bad in the American South. The people were lace

1365
01:10:03,880 --> 01:10:07,599
Speaker 1: and watermelons was strict. Nine people were going out. They

1366
01:10:07,600 --> 01:10:11,000
Speaker 1: were so fed up with watermelon theft. They were rigging explosives.

1367
01:10:11,920 --> 01:10:15,960
Speaker 1: What on watermelon? Well, here's was this type in.

1368
01:10:17,120 --> 01:10:25,360
Speaker 7: It looks like it's like an elongated Bradford watermelon.

1369
01:10:25,520 --> 01:10:27,759
Speaker 1: Yeah, I want listeners. No, this is all bonus material

1370
01:10:27,840 --> 01:10:29,240
Speaker 1: right here. Mm hmm.

1371
01:10:33,760 --> 01:10:35,840
Speaker 7: It looks like a foot and a half long. It's

1372
01:10:35,840 --> 01:10:40,040
Speaker 7: like long and skinny.

1373
01:10:40,400 --> 01:10:41,160
Speaker 1: Listen for a second.

1374
01:10:51,080 --> 01:10:54,880
Speaker 10: This is the saga return of the legendary melon, the

1375
01:10:54,920 --> 01:11:00,479
Speaker 10: Bradford watermelon. There's a problem with watermelons. A watermelon cross

1376
01:11:00,600 --> 01:11:06,040
Speaker 10: with any cord, cucumber, pumpkin, other melon or squash in

1377
01:11:06,120 --> 01:11:09,679
Speaker 10: the vicinity, so you have to keep a mile apart

1378
01:11:09,920 --> 01:11:15,280
Speaker 10: from any other vegetable, or else it will form vegetable mongrels.

1379
01:11:15,840 --> 01:11:18,080
Speaker 1: Anyways, goes out and telling the story of the Bradford Melon.

1380
01:11:18,400 --> 01:11:26,400
Speaker 1: That's one of my favorite videos now watermelon theft. But

1381
01:11:26,439 --> 01:11:28,240
Speaker 1: I never met a watermelon thief talking about you, I

1382
01:11:28,240 --> 01:11:30,759
Speaker 1: thought it was all bs. I was unsuccessful. Oh okay,

1383
01:11:32,240 --> 01:11:34,880
Speaker 1: you're lucky he didn't rig dynamite underneath. Oh yeah, what

1384
01:11:34,920 --> 01:11:37,559
Speaker 1: he did was he we'd Actually, I take that back.

1385
01:11:37,640 --> 01:11:38,440
Speaker 1: I was successful.

1386
01:11:38,640 --> 01:11:40,960
Speaker 5: Just the night before we went and got one and

1387
01:11:41,040 --> 01:11:43,840
Speaker 5: it was really good, and we raised watermelons at home.

1388
01:11:43,880 --> 01:11:45,600
Speaker 5: I could have gone out there and got them. But

1389
01:11:45,640 --> 01:11:48,200
Speaker 5: there was just a little more excitement to it to

1390
01:11:48,200 --> 01:11:50,800
Speaker 5: be running around uptown with your friends and like, ah,

1391
01:11:50,960 --> 01:11:53,800
Speaker 5: we'll go get you a watermelon, and everybody, I'll wait

1392
01:11:53,880 --> 01:11:54,960
Speaker 5: right here at the parking lot.

1393
01:11:55,000 --> 01:11:55,599
Speaker 1: We'll be back.

1394
01:11:56,560 --> 01:11:58,760
Speaker 5: So we go out there the second night, and then

1395
01:11:58,880 --> 01:12:01,760
Speaker 5: under this night light in front of the barn, this

1396
01:12:01,920 --> 01:12:04,800
Speaker 5: humongous watermelon and I don't remember seeing the night before,

1397
01:12:04,840 --> 01:12:08,960
Speaker 5: but I mean, it's a target of opportunity, So we're going,

1398
01:12:10,520 --> 01:12:12,240
Speaker 5: so we go. When we pick it up, my buddy

1399
01:12:12,240 --> 01:12:14,439
Speaker 5: picks it up, and we start walking back across the fence,

1400
01:12:14,479 --> 01:12:17,920
Speaker 5: and I turned around and somebody whistles real loud, and

1401
01:12:17,920 --> 01:12:21,280
Speaker 5: I turn around looking there's you can see the glow

1402
01:12:21,320 --> 01:12:23,160
Speaker 5: of a cigarette in the hall of that barn. That's

1403
01:12:23,200 --> 01:12:27,559
Speaker 5: all you see is a big glow, red glow. Somebody

1404
01:12:28,040 --> 01:12:29,000
Speaker 5: smoking a cigarette.

1405
01:12:29,000 --> 01:12:30,200
Speaker 1: That's the owner of the watermelon.

1406
01:12:30,360 --> 01:12:33,000
Speaker 5: Yeah, And the next thing we heard was a shotgun boom.

1407
01:12:36,160 --> 01:12:37,639
Speaker 1: What happened to the watermelon, I don't know. It could

1408
01:12:37,640 --> 01:12:39,240
Speaker 1: have been made out of plastic, I don't know.

1409
01:12:39,280 --> 01:12:41,880
Speaker 5: But when we headed to the fence, when I finally

1410
01:12:41,920 --> 01:12:44,639
Speaker 5: got through it, my buddy sounded like a typewriter going

1411
01:12:44,680 --> 01:12:47,800
Speaker 5: down that gravel road in front of me, just out

1412
01:12:47,880 --> 01:12:48,200
Speaker 5: of sight.

1413
01:12:50,160 --> 01:12:52,320
Speaker 1: But I grew up not terribly fire from my wife

1414
01:12:52,880 --> 01:12:55,760
Speaker 1: and uh sometimes I'll tell her things and she's like,

1415
01:12:57,000 --> 01:12:58,800
Speaker 1: you know, and I was telling her about I said, yay,

1416
01:12:58,840 --> 01:13:00,560
Speaker 1: if you get a watermelon, know you put it in

1417
01:13:00,600 --> 01:13:02,519
Speaker 1: the creek and cool it off or the creek. She's like,

1418
01:13:02,560 --> 01:13:06,760
Speaker 1: I don't know, you stand out. Yeah, like how was

1419
01:13:06,800 --> 01:13:09,400
Speaker 1: this all occurring? Like so close together? But just like

1420
01:13:09,479 --> 01:13:13,160
Speaker 1: stuff I have, Like my wife used to like, all right,

1421
01:13:13,200 --> 01:13:15,400
Speaker 1: take that watermelon sink in the creek. She asked me,

1422
01:13:15,439 --> 01:13:17,200
Speaker 1: She said, did you grow up on the little house

1423
01:13:17,240 --> 01:13:21,840
Speaker 1: on the All right, thanks for.

1424
01:13:21,760 --> 01:13:23,920
Speaker 6: Coming on, Hansei, Yeah, thank you, thanks for having me.

1425
01:13:24,040 --> 01:13:27,880
Speaker 1: I think people are thoroughly titillated. Hope so well, yeah,

1426
01:13:28,280 --> 01:13:31,519
Speaker 1: stay tuned for rough cuts coming out and that video

1427
01:13:31,560 --> 01:13:33,000
Speaker 1: I just played from the mind of a chef, but

1428
01:13:33,040 --> 01:13:34,160
Speaker 1: this is from the mind to Hansey.

1429
01:13:34,840 --> 01:13:38,160
Speaker 6: No, yeah, that's that's good. But it's yeah, it's a

1430
01:13:38,160 --> 01:13:40,800
Speaker 6: good team effort. We've it's been in a pretty huge collaboration.

1431
01:13:41,000 --> 01:13:44,560
Speaker 6: So mind mind of post production, find of mind of

1432
01:13:44,640 --> 01:13:45,480
Speaker 6: Steve slash.

1433
01:13:45,200 --> 01:13:49,519
Speaker 1: Post You're like someone receiving an oscar, so much experience

1434
01:13:51,000 --> 01:13:53,599
Speaker 1: than all the people pull out my list, all right,

1435
01:13:53,600 --> 01:13:55,400
Speaker 1: thanks for coming on, man Hey, thanks, appreciate it.