1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:16,440 Speaker 2: Oh that's you. 3 00:00:17,760 --> 00:00:21,919 Speaker 1: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo, an 4 00:00:21,960 --> 00:00:26,680 Speaker 1: iHeart radio podcast, The Dynamic Duo is back. Amy, How 5 00:00:26,760 --> 00:00:29,320 Speaker 1: are you doing? I missed you earlier this week. 6 00:00:29,560 --> 00:00:32,640 Speaker 3: I told people where you were. I told them you did. 7 00:00:33,560 --> 00:00:35,120 Speaker 3: I said you were doing a secret thing in New 8 00:00:35,200 --> 00:00:38,320 Speaker 3: York with Kristin Davis from Are You a Charlotte and 9 00:00:38,360 --> 00:00:40,640 Speaker 3: that if people don't listen to Are You as Charlotte, 10 00:00:40,680 --> 00:00:41,560 Speaker 3: they should. 11 00:00:43,080 --> 00:00:47,360 Speaker 4: Because it's amazing. And Easton filled in and did amazing. 12 00:00:47,400 --> 00:00:49,680 Speaker 3: But I felt like I got nervous because you weren't there, 13 00:00:49,720 --> 00:00:50,479 Speaker 3: so I talked too much. 14 00:00:50,479 --> 00:00:51,159 Speaker 4: I'm not gonna lie. 15 00:00:52,600 --> 00:00:55,200 Speaker 1: I'm not gonna lie. I was nervous Eastern was gonna 16 00:00:55,240 --> 00:00:57,080 Speaker 1: take my job because he's so good. 17 00:00:57,880 --> 00:01:02,120 Speaker 3: Easton's amazing, but he really really like sat back and 18 00:01:02,240 --> 00:01:05,319 Speaker 3: just you know, said some funny things. But I definitely 19 00:01:06,319 --> 00:01:08,959 Speaker 3: got nervous because I didn't have like my ping to 20 00:01:09,040 --> 00:01:09,520 Speaker 3: my pong. 21 00:01:11,400 --> 00:01:14,840 Speaker 1: I've ever heard ping to my pong into my yang, sure, 22 00:01:14,959 --> 00:01:17,479 Speaker 1: but ping to my pong is new. I like it. 23 00:01:18,560 --> 00:01:19,520 Speaker 2: I mightn't made up. 24 00:01:19,400 --> 00:01:20,800 Speaker 4: And you're saying, but it's gonna be. 25 00:01:20,920 --> 00:01:23,520 Speaker 1: Something we own that's good. 26 00:01:23,720 --> 00:01:28,240 Speaker 3: Wait this episode of Parenth my God, do the synopsis first, 27 00:01:28,280 --> 00:01:28,800 Speaker 3: because I don't. 28 00:01:28,800 --> 00:01:29,520 Speaker 4: I always get ahead. 29 00:01:29,520 --> 00:01:32,800 Speaker 1: Okay, it's season one, episode nine, per Chance to Dream. 30 00:01:32,880 --> 00:01:35,640 Speaker 1: Adam juggles the kids alone for the weekend and helps 31 00:01:35,720 --> 00:01:39,600 Speaker 1: Drew with girl advice, while Sarah encourages Amber to think 32 00:01:39,640 --> 00:01:42,839 Speaker 1: about college during a campus visit that brings an unexpected 33 00:01:42,920 --> 00:01:46,720 Speaker 1: run in with her ex. Meanwhile, Julia teaches Sidney a 34 00:01:46,760 --> 00:01:49,360 Speaker 1: lesson about lying, and Crosby takes Jasmine on a date 35 00:01:49,440 --> 00:01:53,840 Speaker 1: without jabbar. Oh. This episode is so good. Literally l 36 00:01:53,880 --> 00:01:56,480 Speaker 1: O L l O l l O L immediately, there's 37 00:01:56,560 --> 00:01:57,080 Speaker 1: so much. 38 00:01:57,160 --> 00:02:01,160 Speaker 3: The pooping first of all, had me in stitches. As 39 00:02:01,200 --> 00:02:04,120 Speaker 3: we know, I love a great sort of poop poop storyline. 40 00:02:04,800 --> 00:02:08,320 Speaker 3: Number two, I cannot wait to talk everything about Mike 41 00:02:08,360 --> 00:02:13,800 Speaker 3: O'Malley and Berkeley and the poem because. 42 00:02:13,560 --> 00:02:16,399 Speaker 4: There is no one funnier than May Whitman uh huh. 43 00:02:16,400 --> 00:02:22,320 Speaker 3: And number three Monica Potter being so a little bit 44 00:02:22,360 --> 00:02:26,080 Speaker 3: too old because I can relate but then crushing it. 45 00:02:26,520 --> 00:02:28,440 Speaker 1: We have. We have so much to talk about. 46 00:02:28,480 --> 00:02:30,320 Speaker 3: I don't even know where to start. Where do we 47 00:02:30,400 --> 00:02:32,680 Speaker 3: start poop? Should we start with the poop? 48 00:02:32,880 --> 00:02:37,000 Speaker 1: Sure, let's talk about Crosby and Jasmine. So Crosby kisses 49 00:02:37,080 --> 00:02:40,960 Speaker 1: Jasmine for the first time this episode, after you know, 50 00:02:40,960 --> 00:02:42,000 Speaker 1: they put Jabbar in bed. 51 00:02:42,320 --> 00:02:46,560 Speaker 4: Who saw that coming, everybody? 52 00:02:46,760 --> 00:02:49,000 Speaker 1: And when like one night he brings over one of 53 00:02:49,040 --> 00:02:51,239 Speaker 1: Jabbar's socks that he that Jabar left at the house 54 00:02:51,320 --> 00:02:55,480 Speaker 1: and was like, hey, Jabbar left the suck and Jazza 55 00:02:55,600 --> 00:03:00,480 Speaker 1: was like, yeah, you really, his foot is gonna be gold. 56 00:03:00,520 --> 00:03:01,560 Speaker 1: Thank god you brought it. 57 00:03:01,600 --> 00:03:08,720 Speaker 3: Right, like like Jabbar left his toothbrush. 58 00:03:06,320 --> 00:03:09,880 Speaker 1: And you know, long story short, he asked he asked 59 00:03:09,880 --> 00:03:14,600 Speaker 1: her out, which I was like, thank god, finally, so happy, so. 60 00:03:14,600 --> 00:03:18,160 Speaker 3: Cute how they did it so like they each are cool, 61 00:03:18,320 --> 00:03:20,920 Speaker 3: they each have game. It's very swoony like it was 62 00:03:21,000 --> 00:03:24,680 Speaker 3: just like, really they got the Riz as the kids. 63 00:03:24,919 --> 00:03:27,480 Speaker 1: They got the Riz and they got the chem Like 64 00:03:27,560 --> 00:03:32,680 Speaker 1: the two all together are so good. Yeah, and the 65 00:03:32,680 --> 00:03:36,080 Speaker 1: poop storyline that Amy is referenced my god, Oh my god. 66 00:03:36,200 --> 00:03:40,080 Speaker 1: Love story short. Crosby and Jasmine asked Julia and Joel 67 00:03:40,280 --> 00:03:43,280 Speaker 1: to watch Jabbar right for the night. 68 00:03:43,200 --> 00:03:46,680 Speaker 3: And because their kid is in similar age, Like I 69 00:03:46,760 --> 00:03:47,760 Speaker 3: get why they pick. 70 00:03:47,680 --> 00:03:51,040 Speaker 1: Them right, I do too, And you know it was 71 00:03:51,040 --> 00:03:53,360 Speaker 1: supposed to be a sleepover and and they go out 72 00:03:53,360 --> 00:03:56,720 Speaker 1: on their date and midway through the date, was it 73 00:03:56,800 --> 00:03:59,080 Speaker 1: Julia or Joel that calls Crosby. I think it was 74 00:03:59,160 --> 00:04:01,720 Speaker 1: Julia and was like, Jabbar wants to be picked up, like. 75 00:04:01,880 --> 00:04:05,000 Speaker 4: And she doesn't know why, right right. 76 00:04:04,840 --> 00:04:08,240 Speaker 1: And you think like there's something like weird, not weird, 77 00:04:08,280 --> 00:04:11,040 Speaker 1: but like, oh no, did Sydney like hurt his feelings 78 00:04:11,160 --> 00:04:11,640 Speaker 1: or something? 79 00:04:11,920 --> 00:04:14,360 Speaker 4: Right? I definitely did not see it coming. 80 00:04:14,680 --> 00:04:17,760 Speaker 1: I didn't either. I did either. But it was so 81 00:04:18,000 --> 00:04:20,640 Speaker 1: funny that once Crosby and Chasmin get there, he literally 82 00:04:20,680 --> 00:04:24,200 Speaker 1: was like, I have to poop. 83 00:04:22,720 --> 00:04:25,200 Speaker 3: Poop, doesn't he whisper it kind of in their ears, 84 00:04:25,680 --> 00:04:28,840 Speaker 3: And I was like, never has anything been more relatable 85 00:04:28,880 --> 00:04:29,760 Speaker 3: in my entire life. 86 00:04:29,800 --> 00:04:32,960 Speaker 1: I totally understand poop right, like to the next level, 87 00:04:33,040 --> 00:04:36,159 Speaker 1: like I cannot poop at somebody else's home at all. 88 00:04:36,360 --> 00:04:38,160 Speaker 1: It just I cannot do it. 89 00:04:38,279 --> 00:04:40,080 Speaker 4: Now, can you poop at your mom's house? 90 00:04:40,160 --> 00:04:40,480 Speaker 2: Yes? 91 00:04:41,040 --> 00:04:45,240 Speaker 1: Yet yes, sure, I still don't want to for the 92 00:04:45,279 --> 00:04:48,080 Speaker 1: most part, Like it's really hard for me to do that. 93 00:04:48,400 --> 00:04:54,720 Speaker 1: So I totally sympathized with Jabbar in the situation. 94 00:04:54,800 --> 00:04:57,160 Speaker 3: Beyond I have to like plan my day because I'm 95 00:04:57,200 --> 00:05:02,000 Speaker 3: like I cannot be at like certain locations and have. 96 00:05:01,920 --> 00:05:07,760 Speaker 4: To go potty, Like can you imagine had a Nordstrom? Never? 97 00:05:08,040 --> 00:05:11,720 Speaker 3: Oh, no way, no way, never, never on the eleventh 98 00:05:11,720 --> 00:05:15,599 Speaker 3: of never no, like, I have to be mindful of 99 00:05:15,640 --> 00:05:17,840 Speaker 3: what I eat because I don't want to have a situation. 100 00:05:18,320 --> 00:05:24,440 Speaker 1: Right, So, I mean they basically coach Jabar they're pooping 101 00:05:24,480 --> 00:05:26,000 Speaker 1: at well, they kind. 102 00:05:25,839 --> 00:05:28,559 Speaker 3: Of like Julius is a great place to go because 103 00:05:29,800 --> 00:05:32,320 Speaker 3: and they get him into the bathroom and they sing 104 00:05:32,400 --> 00:05:34,240 Speaker 3: the poop song or no, they sing the wheels on 105 00:05:34,279 --> 00:05:36,640 Speaker 3: the bus. And then I laughed so hard because it 106 00:05:36,720 --> 00:05:39,560 Speaker 3: was like suddenly, somehow there was a verse I'd never 107 00:05:39,720 --> 00:05:40,160 Speaker 3: been heard. 108 00:05:40,200 --> 00:05:42,920 Speaker 4: And then I think Crosby thought they were making up verses. 109 00:05:43,200 --> 00:05:45,359 Speaker 1: No, they were, They weren't making up verses, and I 110 00:05:45,360 --> 00:05:46,839 Speaker 1: can I can confirm that. 111 00:05:47,360 --> 00:05:51,680 Speaker 3: No, she's saying Joy Bryant was saying that's how the song. 112 00:05:51,520 --> 00:05:54,680 Speaker 1: Goes, and I was like, no, it doesn't. She's joking. 113 00:05:54,760 --> 00:05:55,880 Speaker 1: She's being sarcastic. 114 00:05:56,279 --> 00:05:58,080 Speaker 4: Oh, I thought she was dead serious. 115 00:05:58,560 --> 00:06:00,400 Speaker 1: No, I sing wheels on the bus to my son 116 00:06:00,560 --> 00:06:01,560 Speaker 1: every freaking day. 117 00:06:01,720 --> 00:06:05,279 Speaker 3: Was she singing the doors open and close, open, end closed? 118 00:06:05,640 --> 00:06:09,160 Speaker 1: It was the phrase right after that, and Jackie and Emma, 119 00:06:09,240 --> 00:06:12,000 Speaker 1: maybe an heavy who's on this Maybe you guys can 120 00:06:12,360 --> 00:06:14,480 Speaker 1: can get the exact line that she did. But it 121 00:06:14,600 --> 00:06:17,120 Speaker 1: was a made up verse she they were singing it correctly, 122 00:06:17,200 --> 00:06:21,880 Speaker 1: and then the last verse it was a joke. 123 00:06:22,440 --> 00:06:26,080 Speaker 3: But I felt like Joy Bryant was definitive, like that 124 00:06:26,240 --> 00:06:28,839 Speaker 3: is how the song goes, and I believed her. And 125 00:06:28,880 --> 00:06:31,599 Speaker 3: then Crosby thought, that's not how the song goes, so 126 00:06:31,640 --> 00:06:35,880 Speaker 3: he just started making crap up. I need somebody immediately 127 00:06:36,279 --> 00:06:39,280 Speaker 3: stat as they say, to sing me the real lyrics 128 00:06:39,320 --> 00:06:40,480 Speaker 3: to the wheels on the books. 129 00:06:40,680 --> 00:06:42,160 Speaker 1: I mean, I'll tell you the wheels on the bus 130 00:06:42,240 --> 00:06:44,160 Speaker 1: go round and round, run around that one, and then 131 00:06:44,279 --> 00:06:47,560 Speaker 1: the doors on the bus go open endchut, open endchut. 132 00:06:48,200 --> 00:06:50,360 Speaker 4: Isn't that so that's what Joy Bryant was so right? 133 00:06:50,440 --> 00:06:53,000 Speaker 1: But but it was like the line right after that 134 00:06:53,000 --> 00:06:56,240 Speaker 1: that was like funny. I don't somebody did a line 135 00:06:56,279 --> 00:06:57,559 Speaker 1: that was not wheels on the bus. 136 00:06:57,600 --> 00:06:58,800 Speaker 4: I feel like it was Crosby. 137 00:06:58,839 --> 00:07:00,640 Speaker 1: Maybe maybe maybe is there. 138 00:07:00,560 --> 00:07:03,039 Speaker 4: More versus than open and shut open? 139 00:07:03,160 --> 00:07:05,800 Speaker 1: Yeah? Yeah, yeah, I like the people on the bus 140 00:07:05,839 --> 00:07:10,320 Speaker 1: go up and down, up, and I'm good. The horn 141 00:07:10,400 --> 00:07:12,600 Speaker 1: on the bus goes beep, beep, beep, Oh my god, 142 00:07:13,320 --> 00:07:15,560 Speaker 1: no one wants to listen to these nurseres I. 143 00:07:15,520 --> 00:07:17,920 Speaker 2: Do is there more money? 144 00:07:18,000 --> 00:07:19,400 Speaker 1: There's so many, there's so many. 145 00:07:19,480 --> 00:07:20,239 Speaker 2: What's the rest? 146 00:07:20,720 --> 00:07:24,840 Speaker 1: Mommy on the bus goes? But when I sing that 147 00:07:24,920 --> 00:07:27,200 Speaker 1: to my song my son, I switch it up. I 148 00:07:27,240 --> 00:07:29,560 Speaker 1: say the mommy's on the bus say I love you 149 00:07:29,640 --> 00:07:31,600 Speaker 1: because I hate that them saying. 150 00:07:33,160 --> 00:07:35,520 Speaker 4: Yeah, So what else do they do? What else is 151 00:07:35,520 --> 00:07:36,119 Speaker 4: in the song? 152 00:07:37,080 --> 00:07:39,280 Speaker 1: And then you could just oh, the wipers on the 153 00:07:39,280 --> 00:07:44,640 Speaker 1: bus go swish swish swish. Yeah, there's a lot coming 154 00:07:44,720 --> 00:07:50,080 Speaker 1: back to me. So good. But but then the payoff 155 00:07:50,400 --> 00:07:55,120 Speaker 1: is that Crosby and Jasmine definitely hook up the total 156 00:07:55,480 --> 00:07:57,240 Speaker 1: because ends up staying. 157 00:07:57,400 --> 00:07:59,440 Speaker 4: And then they hooked up, and then there was like 158 00:07:59,480 --> 00:08:00,360 Speaker 4: a confused same thing. 159 00:08:00,400 --> 00:08:02,000 Speaker 3: They didn't want to both go back and pick him 160 00:08:02,080 --> 00:08:05,040 Speaker 3: up together, which I was like, I think you're overthinking 161 00:08:05,080 --> 00:08:07,560 Speaker 3: what a six year old is going to actually figure out. 162 00:08:07,600 --> 00:08:10,960 Speaker 1: This is what I hate about the the ending of it. 163 00:08:12,600 --> 00:08:16,040 Speaker 1: Crosby made up his lyrics, yes, yes, but what was 164 00:08:16,080 --> 00:08:18,080 Speaker 1: Crosby's lyric that he made up? 165 00:08:18,120 --> 00:08:20,000 Speaker 4: Thing that was like British or something. 166 00:08:20,000 --> 00:08:35,360 Speaker 1: I don't know, oh English soccer fans. I feel like 167 00:08:35,400 --> 00:08:37,160 Speaker 1: after they hooked up and they woke up the next 168 00:08:37,160 --> 00:08:39,520 Speaker 1: morning and they were late to picking up picking up 169 00:08:39,559 --> 00:08:42,760 Speaker 1: Jabar from Julia's house. I feel like Crosby got like 170 00:08:43,040 --> 00:08:46,720 Speaker 1: stressed a little weird. He got a little little weird. 171 00:08:47,040 --> 00:08:48,679 Speaker 3: I had a glimpse of that too, and I didn't 172 00:08:48,679 --> 00:08:51,280 Speaker 3: know if it was an acting error, if he was 173 00:08:51,320 --> 00:08:52,440 Speaker 3: supposed to be doing. 174 00:08:52,440 --> 00:08:54,880 Speaker 1: I think he was supposed to because Jasmine was like, 175 00:08:55,040 --> 00:08:58,320 Speaker 1: we're good. She was comtor bull like. 176 00:08:58,440 --> 00:08:59,040 Speaker 4: She was. 177 00:08:59,679 --> 00:09:01,520 Speaker 1: She was happy to be there, she was happy to 178 00:09:01,559 --> 00:09:05,480 Speaker 1: be in his bed. She was she was happy, and 179 00:09:05,640 --> 00:09:08,920 Speaker 1: I feel like Crosby got real stressy. The only thing 180 00:09:09,080 --> 00:09:12,160 Speaker 1: the red flag on this, I'm like, did Crossby break 181 00:09:12,240 --> 00:09:14,120 Speaker 1: up with the girlfriend? Did that happen? 182 00:09:14,520 --> 00:09:19,160 Speaker 3: I guess that we're supposed to assume that happened, Like 183 00:09:19,520 --> 00:09:20,920 Speaker 3: I guess that has happened. 184 00:09:21,440 --> 00:09:24,079 Speaker 1: It was definitely not like stated. 185 00:09:25,920 --> 00:09:27,560 Speaker 4: I know, I think we're just to assume. 186 00:09:27,640 --> 00:09:29,920 Speaker 1: Bit oh that's what I'm assuming. But I kind of 187 00:09:30,000 --> 00:09:32,319 Speaker 1: was like, wait, hold on, we haven't seen Crosby like 188 00:09:32,520 --> 00:09:37,319 Speaker 1: break up with the girl yet. But AnyWho, uh, great, great, 189 00:09:37,440 --> 00:09:43,760 Speaker 1: all around great. Let's talk about Amber and Sarah because 190 00:09:44,520 --> 00:09:49,160 Speaker 1: I literally just thought of you the whole time because 191 00:09:49,160 --> 00:09:51,960 Speaker 1: of Berkeley Berkeley, Berkeley. I'm like, oh my god, Amy's 192 00:09:51,960 --> 00:09:54,240 Speaker 1: gonna have so much to say about Berkeley. 193 00:09:54,760 --> 00:09:59,240 Speaker 3: Okay, first of all, this is the situation where I 194 00:09:59,280 --> 00:10:00,200 Speaker 3: had read about this. 195 00:10:00,920 --> 00:10:03,880 Speaker 4: It is the campus, but they were not there. 196 00:10:04,320 --> 00:10:07,320 Speaker 1: Oh, they did the Burell shots of the campus. 197 00:10:06,800 --> 00:10:09,760 Speaker 4: Somehow they used like CGI or whatever. 198 00:10:09,920 --> 00:10:12,040 Speaker 3: I read about this because I wanted to be when 199 00:10:12,040 --> 00:10:13,120 Speaker 3: I was like doing a deep. 200 00:10:12,920 --> 00:10:16,040 Speaker 1: Dive CGI in like two thousand and nine. 201 00:10:16,720 --> 00:10:21,400 Speaker 3: I guess, so basically that is col right, that's sprou Plaza. 202 00:10:21,559 --> 00:10:25,440 Speaker 3: I think I'm trying to remember near saythor Gate where 203 00:10:25,440 --> 00:10:30,760 Speaker 3: you enter campus from Bancroft Street, but or maybe it's 204 00:10:30,800 --> 00:10:35,199 Speaker 3: Bancroft Avenue whatever, it's Bankruft. But May Whitman and Lauren 205 00:10:35,240 --> 00:10:40,079 Speaker 3: Graham were not on campus, and if you look closely 206 00:10:40,840 --> 00:10:46,000 Speaker 3: and really watch it with an eagle eye, you can kind. 207 00:10:45,760 --> 00:10:50,319 Speaker 1: Of tell interesting. Okay, I look, I didn't catch that, 208 00:10:50,480 --> 00:10:53,400 Speaker 1: but like I also never went to Berkeley, so like. 209 00:10:55,120 --> 00:10:57,800 Speaker 3: A regular viewer would never have noticed. I'm not even 210 00:10:57,840 --> 00:11:00,400 Speaker 3: sure I would have noticed had I not red. 211 00:11:00,559 --> 00:11:03,679 Speaker 1: Uh, Jackie's showing us, She's showing us the scenes. That 212 00:11:03,760 --> 00:11:04,480 Speaker 1: looks real to me. 213 00:11:04,760 --> 00:11:09,200 Speaker 3: You see the extra background actors kind of engaging, and 214 00:11:09,200 --> 00:11:11,760 Speaker 3: I think someone hands a flyer and it does it 215 00:11:11,800 --> 00:11:16,120 Speaker 3: is shot that they somebody obviously shot that footage. 216 00:11:16,120 --> 00:11:17,360 Speaker 1: It feels real to me. 217 00:11:18,480 --> 00:11:21,079 Speaker 3: If you look closely at May Whitman and Lauren Graham, 218 00:11:21,120 --> 00:11:26,120 Speaker 3: you're like, uh. 219 00:11:24,440 --> 00:11:25,840 Speaker 4: I think this is a green screen. 220 00:11:26,120 --> 00:11:28,800 Speaker 3: So what I'm assuming is like it's a green screen 221 00:11:29,040 --> 00:11:31,480 Speaker 3: and they acted in front of the green screen. 222 00:11:31,920 --> 00:11:35,320 Speaker 1: There's people going into the building behind them, correct. 223 00:11:35,000 --> 00:11:38,360 Speaker 3: Because they're acting with a green screen, so on the 224 00:11:38,400 --> 00:11:41,400 Speaker 3: green screen, so they're acting in front of the green screen. 225 00:11:41,440 --> 00:11:43,840 Speaker 4: And then in post. 226 00:11:43,160 --> 00:11:47,360 Speaker 3: They lay in the Berkeley footage and those two are 227 00:11:47,400 --> 00:11:49,520 Speaker 3: just chitty chatting in front of a green screen. 228 00:11:50,000 --> 00:11:51,839 Speaker 1: I mean, it would make sense since they've filmed this 229 00:11:51,960 --> 00:11:55,280 Speaker 1: on NBC, which is in la done. 230 00:11:55,360 --> 00:11:58,960 Speaker 4: But still I'm like, why didn't they just go up there? Anyway? 231 00:12:00,240 --> 00:12:04,280 Speaker 1: Let's discuss, Yeah, let's discuss. So I'm assuming Sarah doesn't 232 00:12:04,320 --> 00:12:07,920 Speaker 1: know that Amber just totally ditched her SATs because she's like, 233 00:12:08,240 --> 00:12:10,560 Speaker 1: you should you should, you know, think about applying just 234 00:12:10,760 --> 00:12:13,480 Speaker 1: college and YadA, YadA, yeta. It's like, how about you 235 00:12:13,520 --> 00:12:15,520 Speaker 1: get her to take her sad correct. 236 00:12:15,559 --> 00:12:17,520 Speaker 4: I don't even think the mom knows she ditched the. 237 00:12:17,559 --> 00:12:22,120 Speaker 3: SAT exactly, but I have a few important questions. Okay, 238 00:12:22,400 --> 00:12:26,560 Speaker 3: Number one, Michael Mallley. I thought he was like a barista. 239 00:12:26,679 --> 00:12:30,880 Speaker 1: He is, but if you remember and my memory has 240 00:12:31,040 --> 00:12:33,360 Speaker 1: I had to jog my memory, but if you remember, 241 00:12:33,440 --> 00:12:35,560 Speaker 1: he was like, oh, yeah, you know, I do this 242 00:12:35,679 --> 00:12:37,760 Speaker 1: and that. He's like, but I also work at you know, 243 00:12:37,840 --> 00:12:38,640 Speaker 1: the coffee shop. 244 00:12:38,880 --> 00:12:42,280 Speaker 3: But did he ever say I'm a world famous poet 245 00:12:42,760 --> 00:12:45,840 Speaker 3: who speaks at one of the best universities in the country. 246 00:12:46,320 --> 00:12:49,040 Speaker 1: I don't He definitely didn't say that, but I could 247 00:12:49,080 --> 00:12:53,040 Speaker 1: have maybe remembered hearing him say like, oh, he likes 248 00:12:53,120 --> 00:12:56,160 Speaker 1: to write, like like it was very cat like. He's 249 00:12:56,280 --> 00:12:56,880 Speaker 1: very casual. 250 00:12:56,960 --> 00:12:58,720 Speaker 4: Yea, there something about that. 251 00:12:58,920 --> 00:13:01,040 Speaker 1: It was like it was thing like, oh, I do 252 00:13:01,160 --> 00:13:04,679 Speaker 1: this and that, but you know, I also like working 253 00:13:04,720 --> 00:13:05,520 Speaker 1: at a coffee shop. 254 00:13:06,080 --> 00:13:08,240 Speaker 3: All Right, it's a little lot of left field that 255 00:13:08,360 --> 00:13:11,920 Speaker 3: the coffee shop barista is also a poet. 256 00:13:12,000 --> 00:13:14,559 Speaker 4: Lauria, I don't know if that's how you. 257 00:13:14,480 --> 00:13:18,800 Speaker 3: Say it, but that he's like a famous poet giving 258 00:13:18,880 --> 00:13:21,640 Speaker 3: speeches at cow Like. It's not like, hey, we're down 259 00:13:21,679 --> 00:13:24,920 Speaker 3: at the y and we're reading some cool poetry tonight. 260 00:13:25,320 --> 00:13:30,840 Speaker 3: This was like a clear, fancy group of fancy people 261 00:13:31,040 --> 00:13:33,240 Speaker 3: and he is the star of the show. 262 00:13:33,840 --> 00:13:39,800 Speaker 1: About Sarah's vagina. 263 00:13:37,720 --> 00:13:41,080 Speaker 3: She goes, nothing was funnier than May Whitman saying to 264 00:13:41,120 --> 00:13:44,200 Speaker 3: her mom, I think this is about your vetch. 265 00:13:44,760 --> 00:13:47,280 Speaker 1: It's so good. It's so good. 266 00:13:47,559 --> 00:13:51,680 Speaker 3: May Whitman's is such a great actress because she has 267 00:13:51,880 --> 00:13:55,920 Speaker 3: snark and like she literally her face everything about her. 268 00:13:55,920 --> 00:13:58,440 Speaker 3: When she says it to Lauren Graham, just like you 269 00:13:58,920 --> 00:14:00,160 Speaker 3: kind of she's just got you. 270 00:14:00,880 --> 00:14:03,920 Speaker 4: And she's like, I think this is. 271 00:14:03,880 --> 00:14:05,800 Speaker 1: It's too good. It's too good. 272 00:14:06,000 --> 00:14:09,640 Speaker 3: I oh my god, the whole thing, the car ride home, 273 00:14:10,240 --> 00:14:13,440 Speaker 3: the whole payoff that she gets the application to cal 274 00:14:13,559 --> 00:14:14,680 Speaker 3: and says, it's for you. 275 00:14:15,800 --> 00:14:18,360 Speaker 4: It was just genius from top to bottom. 276 00:14:18,440 --> 00:14:22,040 Speaker 3: And there I get why Lauren Graham and May Whitman 277 00:14:22,160 --> 00:14:25,040 Speaker 3: like are tight, because I get it. 278 00:14:25,200 --> 00:14:27,000 Speaker 4: You can see that the two of them. 279 00:14:27,560 --> 00:14:31,480 Speaker 3: Get along, have a real chemistry, have a real mother 280 00:14:31,640 --> 00:14:33,680 Speaker 3: daughter but sisterly situation. 281 00:14:34,960 --> 00:14:36,000 Speaker 4: She's just genius. 282 00:14:36,240 --> 00:14:42,400 Speaker 1: Yeah, no, I agree. I have to admit I loved 283 00:14:42,480 --> 00:14:47,440 Speaker 1: that Jim just came back as a baller, Like, I 284 00:14:47,520 --> 00:14:51,640 Speaker 1: love that you just literally he did the mic drop 285 00:14:51,760 --> 00:14:53,760 Speaker 1: of mic drops in this episode. 286 00:14:54,640 --> 00:14:58,080 Speaker 4: Like, I agree. I seriously think he went from wearing 287 00:14:58,120 --> 00:15:00,040 Speaker 4: a barista outfit to to wearing. 288 00:14:59,800 --> 00:15:02,120 Speaker 1: Like a fancy Kashmir sweater. 289 00:15:02,680 --> 00:15:05,240 Speaker 4: That's what I was like, is he wearing a totalneck sweater? 290 00:15:05,800 --> 00:15:05,880 Speaker 1: Like? 291 00:15:06,040 --> 00:15:07,520 Speaker 4: Is that even the same guy? 292 00:15:07,760 --> 00:15:10,440 Speaker 1: Like looks great? Looked great? 293 00:15:10,520 --> 00:15:13,200 Speaker 4: First of all, Micha oh Maalley is freaking cool. Look, 294 00:15:13,280 --> 00:15:14,880 Speaker 4: I love Jason Ritterer. I get it. 295 00:15:14,920 --> 00:15:18,160 Speaker 3: If it's Michael Malley versus Jason Ritder, fine, But if 296 00:15:18,160 --> 00:15:21,840 Speaker 3: it's Michael Malley versus almost anybody else, So like, if 297 00:15:21,840 --> 00:15:23,880 Speaker 3: she's not gonna be with Jason Ridder, go back to 298 00:15:23,960 --> 00:15:25,080 Speaker 3: mica oh Mally. 299 00:15:25,200 --> 00:15:32,480 Speaker 1: I agree. I agree. I want to save the Christina 300 00:15:33,280 --> 00:15:37,480 Speaker 1: Adam Hattie storyline for the end because that is my. 301 00:15:37,360 --> 00:15:42,200 Speaker 3: Say interject, sorry does I'm surprised that Lauren Graham who 302 00:15:42,400 --> 00:15:43,920 Speaker 3: Sarah doesn't. 303 00:15:43,680 --> 00:15:47,200 Speaker 4: Say to May Whitman, I'm not dating your teacher anymore. 304 00:15:47,280 --> 00:15:50,120 Speaker 4: I feel like she she did? Hey, I read like, 305 00:15:51,120 --> 00:15:51,880 Speaker 4: did I miss that? 306 00:15:52,480 --> 00:15:57,560 Speaker 1: She did? She? She? She? She did? She? She basically 307 00:15:57,640 --> 00:16:00,560 Speaker 1: was like, I cut it off. I'm cutting it off 308 00:16:00,720 --> 00:16:04,080 Speaker 1: like she she did. She did put the button on 309 00:16:04,120 --> 00:16:05,240 Speaker 1: that for sure. 310 00:16:05,760 --> 00:16:08,040 Speaker 3: Okay, because it's blurry to me, but I'm glad to 311 00:16:08,080 --> 00:16:08,960 Speaker 3: hear it, glad to hear it. 312 00:16:09,120 --> 00:16:21,320 Speaker 1: Yeah, okay, so we can talk about Sidney and Julia 313 00:16:21,520 --> 00:16:22,640 Speaker 1: as being a liar. 314 00:16:23,280 --> 00:16:25,680 Speaker 4: Oh my god. First of all, that was sort of 315 00:16:25,760 --> 00:16:27,280 Speaker 4: not it was it was. 316 00:16:28,200 --> 00:16:31,800 Speaker 3: Not my favorite storyline because I was like, did she 317 00:16:32,400 --> 00:16:33,920 Speaker 3: did Sidney not break the vase? 318 00:16:34,000 --> 00:16:35,960 Speaker 1: I don't think Sidney broke the vase. I think she 319 00:16:36,160 --> 00:16:38,680 Speaker 1: just copped to it at the end just to like 320 00:16:39,240 --> 00:16:41,960 Speaker 1: get over it. Like, I actually don't think she did. 321 00:16:42,160 --> 00:16:44,400 Speaker 1: I think the dog did come in and break it. 322 00:16:44,640 --> 00:16:47,520 Speaker 3: The only bird I liked about that storyline was the 323 00:16:47,520 --> 00:16:50,240 Speaker 3: fact that there was like literally police tape up in 324 00:16:50,280 --> 00:16:54,240 Speaker 3: their house and then when when Dax Shepherd gets there, 325 00:16:54,280 --> 00:16:56,240 Speaker 3: he's like what's going on and she's like, don't worry 326 00:16:56,240 --> 00:16:56,560 Speaker 3: about it. 327 00:16:56,600 --> 00:17:01,040 Speaker 4: Like that was amusing to me, but like other like, gosh, 328 00:17:01,080 --> 00:17:03,240 Speaker 4: this is really kind of irritating. 329 00:17:03,520 --> 00:17:05,880 Speaker 1: The thing that I think we're supposed to get from it, though, 330 00:17:06,040 --> 00:17:11,720 Speaker 1: is that Harmony's mom told Sidney that lawyers are liars. 331 00:17:12,080 --> 00:17:14,600 Speaker 1: Oh my god. So that kind of like puts the 332 00:17:14,640 --> 00:17:17,879 Speaker 1: little you know, puts the knife a little bit deeper 333 00:17:18,359 --> 00:17:19,080 Speaker 1: a hundred percent. 334 00:17:19,119 --> 00:17:22,080 Speaker 3: But that's like a line from the Jim Carrey movie 335 00:17:22,800 --> 00:17:24,760 Speaker 3: when he says, my dad is. 336 00:17:24,960 --> 00:17:27,600 Speaker 4: Oh sorry, can you hear that. Hold, I'm sorry. 337 00:17:27,400 --> 00:17:30,159 Speaker 3: When in the Jim Carrey movie when he says my 338 00:17:30,280 --> 00:17:34,800 Speaker 3: dad is a liar and the teacher's like, what, he's 339 00:17:34,840 --> 00:17:37,400 Speaker 3: a liar, but it's Jim Carrey's Little Warrior, but the. 340 00:17:37,400 --> 00:17:40,960 Speaker 4: Movie is liar Liar. Do you know that movie? Yeah? Yeah, yeah, 341 00:17:40,960 --> 00:17:43,440 Speaker 4: So I kind of laughed about that. Also, that movie 342 00:17:43,520 --> 00:17:44,359 Speaker 4: randomly was on. 343 00:17:44,280 --> 00:17:46,600 Speaker 1: The other day and I was like, I love that movie. 344 00:17:46,960 --> 00:17:49,040 Speaker 4: That kid is so cute. I forget who plays the 345 00:17:49,119 --> 00:17:51,359 Speaker 4: kid in that movie, but I think I love that kid. 346 00:17:52,240 --> 00:17:55,960 Speaker 1: But it just also further establishes that Julia is like, 347 00:17:56,440 --> 00:17:58,480 Speaker 1: obviously she's going to change something of their job. I 348 00:17:58,520 --> 00:18:03,200 Speaker 1: feel like something's career wise is going to change. 349 00:18:03,640 --> 00:18:08,600 Speaker 3: Yes, And also you get another Sam Jeger is it 350 00:18:08,680 --> 00:18:13,800 Speaker 3: Yeager Jigger whatever? Yeah, Sam Jaeger Yeger Joel Joel sort 351 00:18:13,800 --> 00:18:17,720 Speaker 3: of giving a like mother like daughter sort of like 352 00:18:18,000 --> 00:18:21,960 Speaker 3: uh huh, you know, they're very similar, uh huh, they're 353 00:18:21,960 --> 00:18:25,639 Speaker 3: wrote kind of type a smart all the things. So 354 00:18:25,680 --> 00:18:30,120 Speaker 3: he kind of gives that subtle Oh yeah, I'm surprised too, 355 00:18:30,520 --> 00:18:31,840 Speaker 3: like sarcastic. 356 00:18:31,920 --> 00:18:35,240 Speaker 4: So I enjoyed that, right, I enjoyed that. 357 00:18:35,680 --> 00:18:38,320 Speaker 1: So, as Amy said, I was gone, you know, in 358 00:18:38,320 --> 00:18:40,200 Speaker 1: New York for a few days this week. So when 359 00:18:40,240 --> 00:18:42,680 Speaker 1: I got back is when I listened. When I got 360 00:18:42,720 --> 00:18:44,760 Speaker 1: back is when I watched this episode, and so I 361 00:18:44,840 --> 00:18:48,760 Speaker 1: was kind of giggling a little bit because Christina leaves 362 00:18:48,800 --> 00:18:52,439 Speaker 1: to go, you know, do work, and leaves Adam home 363 00:18:52,560 --> 00:18:57,200 Speaker 1: with the kids, and I there is nothing that made 364 00:18:57,200 --> 00:19:00,840 Speaker 1: me laugh more than when Adam thought that the bra 365 00:19:01,119 --> 00:19:05,479 Speaker 1: was for Christina. Christina's like, I did not order this, 366 00:19:06,160 --> 00:19:07,679 Speaker 1: and he's like, get it off of me. 367 00:19:08,920 --> 00:19:13,200 Speaker 4: I was so funny, so funny. 368 00:19:14,000 --> 00:19:17,679 Speaker 3: Number one that was hilarious, but also chill out, Adam. 369 00:19:17,760 --> 00:19:22,440 Speaker 4: He's being a little tough on the daughter whatever her 370 00:19:22,520 --> 00:19:25,679 Speaker 4: name is. God, why can I not Patty? 371 00:19:27,440 --> 00:19:30,200 Speaker 1: I disagree. I think this was so relatable, at least 372 00:19:30,200 --> 00:19:33,480 Speaker 1: for me. I had a dad that was like this, Oh. 373 00:19:34,680 --> 00:19:36,800 Speaker 4: Changing the rules in the middle of the game. 374 00:19:37,640 --> 00:19:38,919 Speaker 1: Changing the rules in the middle of the game. What 375 00:19:38,920 --> 00:19:39,480 Speaker 1: do you mean. 376 00:19:39,760 --> 00:19:43,159 Speaker 3: Because the mom said she could go, Then he says, no, 377 00:19:43,240 --> 00:19:43,800 Speaker 3: you can't go. 378 00:19:43,840 --> 00:19:45,520 Speaker 4: You need to stay here and take care of your brother, 379 00:19:45,680 --> 00:19:46,760 Speaker 4: which she then does. 380 00:19:47,359 --> 00:19:50,199 Speaker 3: Then she's like, Okay, now I'm going, and then he 381 00:19:50,359 --> 00:19:53,600 Speaker 3: tries to say no again, and it's like, nah, dude. 382 00:19:53,760 --> 00:19:56,960 Speaker 1: Dude, welcome to my childhood. I literally felt like it 383 00:19:57,040 --> 00:20:01,200 Speaker 1: was my dad and me on a screen. I could 384 00:20:01,200 --> 00:20:02,360 Speaker 1: not stop laughing. 385 00:20:02,800 --> 00:20:03,080 Speaker 2: I have. 386 00:20:03,440 --> 00:20:06,479 Speaker 1: I related so much to the storyline because that was 387 00:20:06,640 --> 00:20:09,040 Speaker 1: that would be something my dad would do, and he 388 00:20:09,080 --> 00:20:10,760 Speaker 1: would tell me all the time. He's like, you're not 389 00:20:10,880 --> 00:20:12,920 Speaker 1: you're you're not wearing those shorts. They don't even cover 390 00:20:12,960 --> 00:20:16,159 Speaker 1: your butt like you no, no way, no way, like 391 00:20:16,400 --> 00:20:20,800 Speaker 1: all the time. And I literally, oh, no, I this 392 00:20:20,920 --> 00:20:23,960 Speaker 1: is this This one hit home for sure for sure. 393 00:20:24,880 --> 00:20:25,400 Speaker 4: Oh. 394 00:20:25,440 --> 00:20:29,240 Speaker 3: I mean I loved watching it and was happy I 395 00:20:29,280 --> 00:20:32,439 Speaker 3: didn't have to deal with that situation in life, because that. 396 00:20:32,400 --> 00:20:35,320 Speaker 1: Was if there was, like, you don't want me to 397 00:20:35,320 --> 00:20:37,679 Speaker 1: wear this bra, fine, I'll take it off. And she 398 00:20:37,800 --> 00:20:40,919 Speaker 1: just goes to Steve's house without a brawl like may 399 00:20:41,119 --> 00:20:44,360 Speaker 1: like twenty times worse like than wearing the black bra. 400 00:20:45,840 --> 00:20:48,680 Speaker 1: The where Adam obviously took it too far is going 401 00:20:48,720 --> 00:20:52,080 Speaker 1: to Steve's house and busting through the root the door 402 00:20:52,240 --> 00:20:56,840 Speaker 1: and like obviously catching them making that and whatever, and 403 00:20:57,119 --> 00:20:59,360 Speaker 1: that that was obviously the step too far. 404 00:21:00,200 --> 00:21:03,679 Speaker 4: I mean when he drags her out of the house, 405 00:21:07,200 --> 00:21:09,080 Speaker 4: I don't even know. I don't even know how to 406 00:21:09,119 --> 00:21:11,720 Speaker 4: exist with that part. And I love. 407 00:21:11,600 --> 00:21:14,040 Speaker 3: The fact that the two. Well, first of all, there's 408 00:21:14,080 --> 00:21:15,400 Speaker 3: so much happening in this episode. 409 00:21:15,480 --> 00:21:17,760 Speaker 4: We didn't even talk about the brother and the dance. 410 00:21:18,200 --> 00:21:22,760 Speaker 3: Oh yeah, when Sarah's kid is in the car along 411 00:21:22,800 --> 00:21:26,359 Speaker 3: with Max and Adam's going to grab Hattie out of 412 00:21:26,400 --> 00:21:29,440 Speaker 3: the boyfriend's house and they're kind of in the car. 413 00:21:29,520 --> 00:21:32,120 Speaker 3: Oh oh, like almost laughing, but get in the back 414 00:21:32,840 --> 00:21:34,760 Speaker 3: like that was so amusing. 415 00:21:34,960 --> 00:21:39,720 Speaker 1: Also, Sarah's son Drew, I like his character because I 416 00:21:39,720 --> 00:21:43,120 Speaker 1: feel like there's there's something that we don't like. He's 417 00:21:43,119 --> 00:21:46,119 Speaker 1: not a fully developed character yet, but I like that 418 00:21:46,200 --> 00:21:50,560 Speaker 1: he's like starting to get close to Adam. Adam's dance move, 419 00:21:50,600 --> 00:21:53,080 Speaker 1: showing him how to dance. That was hilarious. 420 00:21:54,040 --> 00:21:56,240 Speaker 4: Oh that was the best. And then the dance party, 421 00:21:56,720 --> 00:21:59,920 Speaker 4: Oh my god. And when he's like I've got the move, 422 00:22:00,480 --> 00:22:04,600 Speaker 4: I'm what what was Adam's dance nickname Fever? Was it 423 00:22:04,680 --> 00:22:06,720 Speaker 4: fever because of dance fever or something? 424 00:22:07,240 --> 00:22:10,720 Speaker 1: I think it was fever or something like that. But yeah, 425 00:22:10,840 --> 00:22:13,439 Speaker 1: it was. It was great. But the one bone I 426 00:22:13,480 --> 00:22:15,960 Speaker 1: have to pick on this that like kind of bumms 427 00:22:16,000 --> 00:22:17,600 Speaker 1: me out a little bit. I mean, I get it 428 00:22:17,640 --> 00:22:20,919 Speaker 1: and I understand, but at the end, where you know, 429 00:22:21,040 --> 00:22:27,280 Speaker 1: Christina just freaking crushes it and does so good at uh, 430 00:22:27,400 --> 00:22:29,919 Speaker 1: you know, her job. And then she was offered the 431 00:22:29,960 --> 00:22:32,520 Speaker 1: full time job. And she was talking to Adam and 432 00:22:32,520 --> 00:22:35,040 Speaker 1: and and saying, you know, I got just I got 433 00:22:35,040 --> 00:22:36,639 Speaker 1: offer this full time job. I think I want to 434 00:22:36,640 --> 00:22:38,600 Speaker 1: take it. And he's like, great, we'll make it work. 435 00:22:38,680 --> 00:22:40,840 Speaker 1: Sometimes I'll work from home. You know, we can ask 436 00:22:41,160 --> 00:22:44,440 Speaker 1: our family to help and help, you know, help help 437 00:22:44,480 --> 00:22:47,960 Speaker 1: out and whatnot. And and then basically Christina got cold feet, 438 00:22:48,080 --> 00:22:51,280 Speaker 1: and she was like, actually, know, my kids need me 439 00:22:51,359 --> 00:22:54,359 Speaker 1: right now. I need I need to this can wait. 440 00:22:54,440 --> 00:22:58,520 Speaker 1: And I get it, I totally get it. But I 441 00:22:58,600 --> 00:23:01,360 Speaker 1: really really wanted her to do it. 442 00:23:02,160 --> 00:23:06,720 Speaker 3: How about the fact that Adam is doing the right thing, 443 00:23:07,040 --> 00:23:11,760 Speaker 3: A thousand percent right, so supportive, He's totally doing the 444 00:23:11,800 --> 00:23:15,800 Speaker 3: right thing. I loved when she crushed that meeting with 445 00:23:15,920 --> 00:23:19,639 Speaker 3: the other politician guy, and. 446 00:23:20,960 --> 00:23:22,160 Speaker 4: I think she should do it too. 447 00:23:22,400 --> 00:23:22,680 Speaker 2: Now. 448 00:23:23,200 --> 00:23:25,560 Speaker 3: The way I looked at it is that, yes, I 449 00:23:25,600 --> 00:23:28,600 Speaker 3: think she got cold feet, but I also think she realized, 450 00:23:29,680 --> 00:23:31,760 Speaker 3: as a mom, and you can weigh into this better, 451 00:23:31,920 --> 00:23:34,080 Speaker 3: that she might be missing too much. 452 00:23:35,359 --> 00:23:35,560 Speaker 2: Yeah. 453 00:23:35,840 --> 00:23:40,560 Speaker 1: I think I think her point of view was my 454 00:23:40,680 --> 00:23:42,600 Speaker 1: kids need me right now and they're not always going 455 00:23:42,680 --> 00:23:46,000 Speaker 1: to need me, so let me take this time to 456 00:23:46,080 --> 00:23:49,560 Speaker 1: be there for them kind of situation, you know, mentality, 457 00:23:49,600 --> 00:23:54,639 Speaker 1: which again I totally understand. I just I just really 458 00:23:54,720 --> 00:23:57,960 Speaker 1: wanted this for her, especially after we, you know, a 459 00:23:57,960 --> 00:24:02,000 Speaker 1: few episodes ago, we saw that scene with being like, oh, 460 00:24:02,320 --> 00:24:07,320 Speaker 1: you know, aunt, Julia is the career woman mom, isn't 461 00:24:07,440 --> 00:24:11,000 Speaker 1: you know? Like, and I just really wanted that for Christine. 462 00:24:11,040 --> 00:24:13,720 Speaker 1: I wanted something just for her where she's like, you 463 00:24:13,760 --> 00:24:16,320 Speaker 1: know what, I am a bad ass and I'm going 464 00:24:16,400 --> 00:24:18,720 Speaker 1: to do it, not do it all, but you know 465 00:24:18,720 --> 00:24:21,280 Speaker 1: what I mean, I'm gonna do something for myself while 466 00:24:21,280 --> 00:24:24,240 Speaker 1: also being a kick ass mom. I wanted that for her, 467 00:24:24,560 --> 00:24:26,040 Speaker 1: but I get it. I get where she's. 468 00:24:25,960 --> 00:24:29,760 Speaker 3: Kind of too, and I think, look, I don't want 469 00:24:29,800 --> 00:24:33,480 Speaker 3: to say anything because there's things to come, so that's 470 00:24:33,480 --> 00:24:34,080 Speaker 3: all I'll say. 471 00:24:34,640 --> 00:24:37,400 Speaker 4: So I think some of that is weighing into my. 472 00:24:38,240 --> 00:24:41,800 Speaker 1: Judgment to the yes, yes, Well that's where I stand 473 00:24:41,840 --> 00:24:45,480 Speaker 1: as a first time watcher. I love Christina's character. I 474 00:24:45,480 --> 00:24:48,000 Speaker 1: think she's such a good mom, and I get the 475 00:24:48,000 --> 00:24:50,719 Speaker 1: position that she's in right now and choosing what she 476 00:24:51,600 --> 00:24:54,560 Speaker 1: chose in this episode, But part of my heart really 477 00:24:54,600 --> 00:24:57,119 Speaker 1: wanted her to take that job and for her to 478 00:24:57,240 --> 00:25:00,880 Speaker 1: just like you know, fulfill her her herself in that way. 479 00:25:01,720 --> 00:25:04,280 Speaker 1: But I'm excited to see what comes. I mean, this episode, 480 00:25:04,560 --> 00:25:07,240 Speaker 1: like I said, I was giggling out loud. I thought 481 00:25:07,240 --> 00:25:11,359 Speaker 1: it was so funny, just it's it's actually one of 482 00:25:11,400 --> 00:25:12,560 Speaker 1: my favorite episodes so far. 483 00:25:12,840 --> 00:25:14,600 Speaker 4: Oh, it was so good. I agree. 484 00:25:14,880 --> 00:25:17,600 Speaker 1: I would rate this one a nine seven. 485 00:25:18,160 --> 00:25:18,920 Speaker 4: I'm thinking nine. 486 00:25:19,800 --> 00:25:24,040 Speaker 1: Okay, all right, guys, well, Braverman's out. 487 00:25:25,280 --> 00:25:46,240 Speaker 2: Braverman's out. 488 00:25:54,880 --> 00:25:58,480 Speaker 1: Hey, everybody, don't forget Follow us on Instagram at I 489 00:25:58,520 --> 00:26:02,600 Speaker 1: am all in Podcasts, and email us at Gilmore at 490 00:26:02,760 --> 00:26:14,400 Speaker 1: iHeartRadio dot com