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Speaker 1: You got that husky kind of old school voice going

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Speaker 1: on today, Sabrina.

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Speaker 2: I've had it since the day after we did our

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Speaker 2: last taping. I woke up the next day like, oh okay, wow,

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Speaker 2: and Jordan's been like he's sick again.

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Speaker 3: And I'm still sick. I literally am still sick. So

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Speaker 3: they I.

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Speaker 2: Don't know if my mine must just be laryngitis, because

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Speaker 2: I'm not like sneezing or coffee or anything like that.

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Speaker 2: I'm just sounding like.

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Speaker 1: A Well luckily you don't use your slot machine. Yeah,

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Speaker 1: you don't use your voice for a living.

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Speaker 3: There you go.

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Speaker 1: Yeah, No, it's it's good. Well, I hope you feel okay,

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Speaker 1: I do.

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Speaker 2: I do. I'm totally good. I'm tired. I feel like

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Speaker 2: it's been a little bit of a whirlwind lately. Just

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Speaker 2: one thing, ye another every day is like seven things

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Speaker 2: to do, like seven events to get to type of

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Speaker 2: thing is what it feels like. So I'm a little exhausted,

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Speaker 2: but me too, seize the day. I have been bored,

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Speaker 2: that's for sure, so I'd rather I love it crazy

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Speaker 2: busy then bored as hell at home. I can't stand that.

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Speaker 3: So I agree with you one hundred percent. Well you

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Speaker 3: know one thing that's going to carry better. I sound better.

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Speaker 1: I did not this morning. I'm better now, but I'm not.

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Speaker 1: And so I've taken so many antibiotics that whatever biotics are,

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Speaker 1: I don't have any left in my body because they're

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Speaker 1: very anti biotic at this point. So I have no

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Speaker 1: biotics left anywhere, and I just it's the worst.

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Speaker 3: It's been two months. Two months of a sinus infection. Yeah,

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Speaker 3: so it's been fun.

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Speaker 2: Because you kind of felt better for a bit and

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Speaker 2: then with slip.

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Speaker 1: Well, when I go on to the antibiotics, yeah, I

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Speaker 1: feel okay, and then when the course is done, I

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Speaker 1: get about forty eight hours before it just socks in again.

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Speaker 2: So yeah, that's something that's something bigger.

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Speaker 3: Yeah, it is.

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Speaker 2: Glad you're starting to look into it.

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Speaker 3: Oh yeah, no, I'm going to yet another doctor to

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Speaker 3: figure it out.

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Speaker 1: So this is, by the way, some of my most

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Speaker 1: fun preshow chatter that we've ever done is just about

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Speaker 1: sinuses and laryngitis and you chain smoking cigarettes while to

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Speaker 1: a slot machine.

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Speaker 2: I swear that's what it sounds like. The hard part

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Speaker 2: is when people are like, well, do you have a

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Speaker 2: sore throat? And I'm like, well, yeah, because can you

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Speaker 2: hear how strenuous it is for me to yeah right now?

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Speaker 2: And imagine I got to go to Wango Tango this

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Speaker 2: last weekend for.

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Speaker 3: Them, and you told me a little bit about it.

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Speaker 3: What did you think?

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Speaker 2: Okay, so for the first time now, like, honestly, I

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Speaker 2: feel like Wango Tango over the years, I mean, it's

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Speaker 2: been going on for it was going on when I

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Speaker 2: was in high school. So you're talking like twenty twenty

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Speaker 2: five years at the least, if it wasn't before that, right,

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Speaker 2: And I remember, especially in high school, one group of

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Speaker 2: girls and this was when you kind of knew whether

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Speaker 2: you were in with this group or not. And they

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Speaker 2: spelt out Wango Tango and added one exclamation mark at

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Speaker 2: the end with their shirts. So then when they were

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Speaker 2: in the stands, because it was at the Angel Stadium,

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Speaker 2: you would see them. Okay, I didn't make from the

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Speaker 2: W to the exclamation mark where there was no place

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Speaker 2: to Sabrina, No.

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Speaker 3: I thought you were gonna be like I was the end.

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Speaker 2: No, I know, right, I'm like, we can't have like

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Speaker 2: five exclamation marks. I'd be the fifth one.

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Speaker 1: I totally.

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Speaker 2: And so you know, it was such a big deal

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Speaker 2: in high school for whatever reason, busy school whatever. And

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Speaker 2: then after that, right after high schools went a lot

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Speaker 2: of my stuff with career picked up. I know it

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Speaker 2: was schedule wise. I've never been to Waygo Tango and this,

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Speaker 2: And I listened to Kiss FM like ad bid like

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Speaker 2: you do. I mean before Ryan Sea Chris was on it,

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Speaker 2: I was listening to it. I always loved it and

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Speaker 2: I still do. That's the number one station I listened

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Speaker 2: to and hashtag I heart so. I literally I d SO.

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Speaker 2: This was so exciting to go to. However, I had

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Speaker 2: my daughter's little dance party tea party before and it

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Speaker 2: was so hot. I was already melting trying to get

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Speaker 2: myself ready for it. It just wasn't the dream day.

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Speaker 2: But when we got down to Huntington, it was cool

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Speaker 2: because this was the first time they've done it. You know,

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Speaker 2: in Huntington on the beach, really, no one that worked

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Speaker 2: for iHeart really knew what to expect for everyone. You know,

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Speaker 2: they were kind of going, Okay, this is the you know,

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Speaker 2: there was a gifting suite. There was such great products there.

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Speaker 2: It was so fun, very chill, very ocy beach life,

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Speaker 2: living right on the ocean. They had a gorgeous room

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Speaker 2: at Pisa for us. Then we walked down to the

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Speaker 2: red carpet and Tara, our producer, I got to hang

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Speaker 2: out with her on our way there, and she was

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Speaker 2: telling me, you know, Megan Trainer, I've heard from her

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Speaker 2: publicist that she's actually a pretty big Cheena Girl fan.

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Speaker 2: And I'm like, oh my gosh, I love Megan Trainer.

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Speaker 2: She's a mom, she is kill, she looks amazing, and

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Speaker 2: she's literally one of the best songwriters. She's so awesome.

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Speaker 2: It's like, that's so awesome. She's like, yeah, that's what

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Speaker 2: she told me. She's a pretty big Cheetah Girl fan.

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Speaker 2: I'm like, wow. She As we're walking into the tent

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Speaker 2: where the red carpet is, Megan's walking out will she

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Speaker 2: notices me right away and it was just this most

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Speaker 2: amazing moment. It's been so long since I've gone on

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Speaker 2: her red carpet, and like people are excited really to

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Speaker 2: like see me, like you know, they'll do the nostalgic

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Speaker 2: thing with the Cheetah girls. But it was like it

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Speaker 2: was just such an incredible moment. We hugged. I told

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Speaker 2: her how much I loved like her work and everything,

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Speaker 2: and she goes, oh, my gosh, you don't understand. I

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Speaker 2: was always Derinda from the Cheetah Girls, Like that was me.

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Speaker 2: All my friends knew I was Derenda, and I was like, oh,

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Speaker 2: she has no idea, Like I'm trying to hold it together.

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Speaker 2: I'm like inside, like freaking out. And then she I

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Speaker 2: go well, and then she goes and I always wore orange,

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Speaker 2: and I'm like, thank you, cause that's my biggest thing.

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Speaker 2: People can't find orange floor suits, so they go yellow,

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Speaker 2: and that's okay because it's hard. But the fact that

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Speaker 2: she found herself an orange floor suit really makes me

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Speaker 2: feel like.

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Speaker 3: She's like a die hard.

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Speaker 2: So you had fun at least ypt telling me yes.

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Speaker 2: Then at the last bit she said, oh my gosh,

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Speaker 2: I love you. You're the reason why I'm a pop star.

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Speaker 3: What what she's giant?

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Speaker 2: Well, she is giant and either her songs. She's also

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Speaker 2: written so many songs for other artists, like she's so incredible.

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Speaker 2: That was like the most biggest takeaway moment. Then I

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Speaker 2: got to watch her on stage because she was performing.

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Speaker 2: Then my girl went Stefani performed. I mean, the night

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Speaker 2: just kept getting better cool. The only thing that was

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Speaker 2: horrible was I hate sand, so I had to walk

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Speaker 2: into sand a few times, and you know, I didn't

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Speaker 2: let that get me down. But it was an amazing show.

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Speaker 2: It was so fine. It was a great date night,

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Speaker 2: great day night for Jordan and I to get all

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Speaker 2: about the kids.

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Speaker 3: And good for you. I'm glad.

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Speaker 2: I love you a lot.

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Speaker 1: For the record, Gwen Stefani is a pop star because

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Speaker 1: she saw me as Eric Matthews and boy me world.

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Speaker 3: Thank you very much. Uh, none of that. Why would

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Speaker 3: not have anything with anything? Did I bet you? She didn't?

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Speaker 2: I bet you, I bet you. She is a Disney fan.

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Speaker 1: Well, if we've got a Disney fan, I say, we

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Speaker 1: have Megan Trainer on the on the show.

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Speaker 2: Then I asked her she'd love to come, so we'll have.

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Speaker 1: Her pick her favorite. Maybe Cheatah Girls, maybe like we

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Speaker 1: had Danielle on for Zombies. Maybe we'll do a Cheetah

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Speaker 1: Girls with with her.

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Speaker 2: Told her the exact thing she would love to and

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Speaker 2: I said, even if we can't get it together for

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Speaker 2: this Cheatah Girls, maybe the next one or if you

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Speaker 2: have a different dcom. She goes, I loved all of them.

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Speaker 2: That's great, this is great, So we'll find something mean

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Speaker 2: fangirling for life over here, fangirling.

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Speaker 3: For that's awesome.

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Speaker 1: Well, welcome back to Magical, the show that makes you

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Speaker 1: want to grab your friends, your pjs, and your popcorn

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Speaker 1: and go back to a time when all the houses

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Speaker 1: were smart, the waves tsunamis, and Meghan Trainer was dough.

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Speaker 2: I'm Wilferdell, I'm Sabrina Bryant.

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Speaker 1: Speaking of gambling, and Sabrina hooked to machines. It's time

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Speaker 1: to hit on soft sixteen and bet on black because

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Speaker 1: we're winning big with this week's nineteen eighty seven Magical

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Speaker 1: World of Disney. Let me say that again, people, you

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Speaker 1: heard that right, nineteen eighty seven Magical World of Disney

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Speaker 1: TV movie. Again, Magical World of Disney movie, not even

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Speaker 1: Wonderful World yet And the movie title you.

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Speaker 3: Ruin my life.

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Speaker 1: And of course I have to say it like that

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Speaker 1: because it has an exclamation point. The movie debuted February first,

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Speaker 1: nineteen eighty seven, on ABC, the network for these films

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Speaker 1: at the time. And once you know what the plot

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Speaker 1: of the movie is about, you'll know why. But the

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Speaker 1: movie is shot in Las Vegas. We haven't seen it, okay,

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Speaker 1: we have to talk to see that I don't get

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Speaker 1: that oh yet, but that is right. It is a

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Speaker 1: brand new location, Utah and Canada. Each your hearts out, Sabrina.

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Speaker 1: What's your favorite Vegas movie ever?

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Speaker 2: Oh? Gosh, I really liked The Hangover.

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Speaker 3: I I I a great movie.

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Speaker 2: You watched that on repe It's just so funny. I

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Speaker 2: think that's one I'm gonna I do like any movie

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Speaker 2: because I love the man, any movie that goes ahead

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Speaker 2: and gets a cameo with Wayne Newton. Okay, we'll also

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Speaker 2: be watching because all of them are pretty pretty amazing.

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Speaker 3: No, that's fair enough.

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Speaker 1: I'm gonna go with I loved for different reasons Casino,

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Speaker 1: brilliant movie, Leaving Las Vegas, brilliant movie, The Oceans movies

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Speaker 1: I thought were a fun way to look at Las Vegas,

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Speaker 1: which I've never seen before.

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Speaker 2: Didn't even think of the ocean.

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Speaker 1: Yes, And then for a whole different reason, Showgirls. So uh,

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Speaker 1: how about all time Vegas?

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Speaker 3: Casino? You say you love Vegas. Where do you go?

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Speaker 3: Where do you stay when you're there?

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Speaker 1: Oh?

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Speaker 2: Geez, well I got to perform with Dancer with the

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Speaker 2: Stars live in Las Vegas at the Tropicana, and I

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Speaker 2: get to live there. That was rad it's no longer there.

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Speaker 3: It is not Canta.

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Speaker 2: Yeah, it was awesome to be on that stage just

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Speaker 2: because of the history, legacy of course people that had

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Speaker 2: performed on that and it was all it felt very

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Speaker 2: old school. It was just awesome, and even though I

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Speaker 2: was in like a newer tower, just felt like an

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Speaker 2: older hotel. But it was amazing. And then I think, gosh,

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Speaker 2: we well we've probably been we kind of jump around,

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Speaker 2: but we've gone to the Aria quite a bit. But

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Speaker 2: I'm I'm interested in seeing the new ones that are

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Speaker 2: out there, right.

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Speaker 3: That's what I was just gonna say.

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Speaker 1: So we just well, we just did to two Vegas

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Speaker 1: things in a row. We were just there last weekend

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Speaker 1: for Danielle's birthday. We saw Dead and Co at the Sphere,

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Speaker 1: which was unreal.

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Speaker 2: Oh, I haven't been in this sphere yet.

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Speaker 3: Both times.

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Speaker 1: We stayed now at the new Fountain Blue and it's incredible.

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Speaker 3: It's great.

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Speaker 1: It's huge and massive and clean, and the food's incredible

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Speaker 1: and it's quiet.

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Speaker 3: It's great.

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Speaker 2: So, yeah, is that farther down?

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Speaker 3: I think so.

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Speaker 1: I don't like Las Vegas or not particularly well, so

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Speaker 1: I think it's on the strip farther down.

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Speaker 3: But I don't anyway.

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Speaker 1: We know that the ABC movies were able to get

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Speaker 1: a little bit riskier with their subject matter. But do

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Speaker 1: you think that modern day Disney would make a movie

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Speaker 1: with kids about gambling?

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Speaker 3: You think this would happen.

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Speaker 2: I think they would do something, possibly like within a Casino.

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Speaker 2: I don't know if it would be. I don't know

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Speaker 2: if this movie was really a round gambling. It was

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Speaker 2: more I mean, yeah, I need to pay off his debt,

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Speaker 2: but it was more about like the teaching aspect. I

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Speaker 2: saw it as you know, it's kind of just like

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Speaker 2: the pre up into what the strange.

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Speaker 3: It was a strange balance.

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Speaker 2: But it would not be there would not be you know,

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Speaker 2: the level of how much it was very I guess, yeah,

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Speaker 2: I guess you're right. You're right, You're right, you're right.

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Speaker 1: So, in addition to this movie airing on ABC, this

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Speaker 1: one did make its way to home video.

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Speaker 3: Kids.

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Speaker 1: Home video, you used to go to the store and

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Speaker 1: actually pick up a video, making for a popular rental

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Speaker 1: back in its day.

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Speaker 3: Do you gamble?

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Speaker 2: I do?

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Speaker 3: What's your game?

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Speaker 2: I like craps?

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Speaker 3: Okay, we killed it that one night. It was so

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Speaker 3: much fun. We'll hold the craps table. One night.

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Speaker 2: Yeah, it's so fun. I can't do blackjack. I get

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Speaker 2: nervous when people are around me, and I'm like having

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Speaker 2: to add And I know i'd like have the rules.

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Speaker 2: Jordan's taught me it, but I can't move that fast.

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Speaker 3: Yeah.

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Speaker 2: No, And dealers are, especially in Vegas, are so fast. Yeah,

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Speaker 2: very quick at the blackjack table.

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Speaker 3: So yeah, they're just pumping it out. Yeah. I'm not

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Speaker 3: much of a gambler, but it was fun that one night. Yeah.

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Speaker 1: Now, since this is not an actual dcom, this one

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Speaker 1: is not viewable on Disney Plus, but it's on the YouTube,

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Speaker 1: so you can go watch it right now for free,

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Speaker 1: or watch it after listening to our opinions. I would

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Speaker 1: never tell you what to do, but let's put it

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Speaker 1: this way. Even if you turn this podcast off right now,

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Speaker 1: I'm going to keep talking, and then you're.

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Speaker 3: Never going to know what we're saying.

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Speaker 1: We're committed to this thing and we're going to see

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Speaker 1: it through with or without your help. Uh, Sabrina, did

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Speaker 1: you know anything about ruined my life? You ruined you

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Speaker 1: ruined my life before it's inclusion.

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Speaker 2: I'm actor We've got it on the last episode, no idea,

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Speaker 2: and honestly, nothing about this title really gives you an

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Speaker 2: idea what this is going to be.

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Speaker 3: No, there's nothing. This is going to put this up

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Speaker 3: there with the thirteenth Year.

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Speaker 2: I know who was in it.

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Speaker 3: Nothing. I'm not even gonna.

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Speaker 1: Say thirteenth year, because at least that they explained why

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Speaker 1: it was called the thirteenth year.

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Speaker 3: You figured it out during the movie. This one, I

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Speaker 3: didn't actually get Who's ruining whose life? Why? Why is

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Speaker 3: the exclamation point necessary? There's a lot.

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Speaker 1: Okay, call room service, everybody, because it's time for the

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Speaker 1: official synopsis. Minerva, a mischievous and privileged young girl, is

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Speaker 1: sent to live with her uncle Howie, who runs a

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Speaker 1: Las Vegas hotel, and when a down on his luck

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Speaker 1: teacher finds himself in a gambling debt, he must form

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Speaker 1: an unlikely bond with the girl to help her get

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Speaker 1: accepted at a prestigious boarding school to clear his financial crisis.

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Speaker 1: Taking a deep breath now, because yikes, that synopsis is

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Speaker 1: as long and confusing as this film was to me.

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Speaker 1: I mean, it's just like adding in it's like a

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Speaker 1: prestigious boarding school, this financial crisis to the airplane.

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Speaker 2: It was like wait, well, even the first like scene

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Speaker 2: with them him in what room were they in? Where

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Speaker 2: were they? What I don't know was that I don't know,

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Speaker 2: no idea was a teacher in the school. I was like,

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Speaker 2: what is going on?

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Speaker 4: Yeah?

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Speaker 3: It was? It was. The whole thing is strange.

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Speaker 1: Yeah. It's also worth stating up top here the title

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Speaker 1: you in my Life, as we talked about, is never

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Speaker 1: actually said or referenced in dialogue in any way, shape

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Speaker 1: or form. It's kind of a random title for being honest.

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Speaker 1: That makes no sense. Whose life is ruined? Is it

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Speaker 1: her life that's ruined? Is it his life? Is everybody's

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Speaker 1: life ruined? We just don't know either way. You ruin

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Speaker 1: My Life is directed by David Ashwell. Ashwell was a

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Speaker 1: successful commercial director, but this is his only credit in movies.

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Speaker 3: Yes, his only one. No more movies, no more TV.

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Speaker 3: This was it at all.

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Speaker 1: In two thousand and one, he appeared to have turned

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Speaker 1: his focus to painting full time, where he mostly recreates

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Speaker 1: Malibu landscapes and lives back in England. That's how I

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Speaker 1: like to pronounce it. The movie stars, so let Moonfry

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Speaker 1: as Minerva, sort of unrelated.

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Speaker 3: Have you ever heard of the name Minerva before?

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Speaker 2: That was one of my very first Sabrina Seas. Once

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Speaker 2: we figured out what her name, What in the good

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Speaker 2: god is that name?

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Speaker 1: I can okay, So Minerva is a is a Greek god.

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Speaker 3: But I'm gonna go one more with you.

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Speaker 1: I think because we had Minerva and Hermione in this one,

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Speaker 1: who were both huge characters in Harry Potter. And this

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Speaker 1: is Minerva mcgarnicle was Missus mcgarnigal's name, and Hermione Granger

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Speaker 1: is Harry's name. Then we have Howie that sounds like Harry.

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Speaker 1: And this was nineteen eighty seven, so I'm guessing JK.

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Speaker 1: Rowling was actually a fan of this movie and she

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Speaker 1: took a number of the names from this movie.

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Speaker 2: Oh you, I thought you were gonna say the books.

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Speaker 2: I thought you were gonna do the opposite of it.

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Speaker 1: No, this is nineteen eighty seven. This came out well

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Speaker 1: for any of the books or anything.

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Speaker 2: I do not know that way. Oh yeah, for this

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Speaker 2: many times? Oh no, I did those books could be

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Speaker 2: out for one hundred and fifty years.

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Speaker 1: Oh yeah, no, no, no, this is no, this is this

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Speaker 1: was all pre Harry Potter. As I'm getting one Harry

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Speaker 1: Potter name after another, I'm going like, Howie sounds like Harry,

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Speaker 1: Minerva Hermione, It's like wow, We've got a bunch, Oh wow,

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Speaker 1: Minerva Minerva mcgarnicle. Anyway, so Let is of course best

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Speaker 1: known as the iconic character Punky Brewster, a show she

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Speaker 1: started as a child that ran for four seasons in

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Speaker 1: the eighties. She was a pop culture juggernaut, but Soley

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Speaker 1: would also go on to play Roxy on Sabrina the

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Speaker 1: Teenage Witch and appeared in The Rider's Strong Vehicles Summertime Switch,

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Speaker 1: which of course we recapped on Podmeat's World. She has

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Speaker 1: since transitioned into directing documentaries, her first two being Kid ninety,

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Speaker 1: the story of her journey through Hollywood and the young

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Speaker 1: adult she met along the way, and now The Carter's

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Speaker 1: Hurts to Love You, the story of a family torn

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Speaker 1: of art by fame, addiction, and mental illness. Soley is

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Speaker 1: also somebody who is very, very nice, and I thought

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Speaker 1: everybody should know that.

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Speaker 3: Were you too young for Bunkie Brewster?

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Speaker 2: I was when they were airing, I think, But I

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Speaker 2: definitely watched a lot of the reruns. Okay, whether they

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Speaker 2: were back on ABC or they were if they I

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Speaker 2: don't know if they ever transitioned into Disney Channel.

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Speaker 3: But I don't think it was Disney Channel, but they

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Speaker 3: showed him somewhere.

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Speaker 2: Man, she was just so cute and I just like,

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Speaker 2: I absolutely loved watching any time I got a chance

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Speaker 2: to watch that.

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Speaker 1: I told I told Sole, she's on the list for

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Speaker 1: me of reasons why I became an actor, because Punky Brewster,

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Speaker 1: that's right in my age, right in my range. And

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Speaker 1: and you watched this girl who was my age at

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Speaker 1: the time, six or seven when she started starring on TV,

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Speaker 1: and it was like that, I need to do that.

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Speaker 1: I've said that too bunch of people, But she's on

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Speaker 1: that list.

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Speaker 2: I swear it popped in my head so many times.

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Speaker 2: If Monroe got a chance to see this little girl,

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Speaker 2: she would.

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Speaker 3: Be She'd love it, she'd love it hooked.

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Speaker 2: Because there's just so much of that personality that Moelle has.

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Speaker 2: I was like, oh no, she would just that would

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Speaker 2: be it. Mom punkin Agent, I'm Punky to be Punky.

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Speaker 1: We've also got the great Paul Riser is Dexter Bunch

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Speaker 1: great name. Riser began his career as a stand up

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Speaker 1: comedian in New York, but would appear in amazing movies

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Speaker 1: like this, just this, this list, Diner, Aliens, Beverly Hills,

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Speaker 1: Cop and Whiplash, will just stop there. But as best

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Speaker 1: known as the Emmy winning star and co creator of

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Speaker 1: the TV show Mad About You. We are big Paul

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Speaker 1: Riser fans in this family over here incredible.

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Speaker 3: And then we have Mimi Rogers. She plays Charlotte Rogers.

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Speaker 1: Appeared in movies like Gung Ho, The Rapture in Austin,

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Speaker 1: Powers and TV shows like Two and a Half Men, Bosh,

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Speaker 1: and Madmen, but she is probably best known as Tom Cruise,

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Speaker 1: his wife from nineteen eighty seven to nineteen ninety. She's

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Speaker 1: also a very accomplished poker player, even serving on the

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Speaker 1: board of Directors for the World Poker Tour. Crazy and

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Speaker 1: a recognizable face, a real oh that guy. Actor Alan

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Speaker 1: Garfield plays Howie Harry. Garfield appeared in Beverly Hills Cop two,

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Speaker 1: The Conversation Nashville, and Woody Allen's Bananas.

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Speaker 3: Great movie.

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Speaker 1: A great character actor who's also just superbness. He passed

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Speaker 1: away unfortunately in twenty twenty from COVID complications, and he

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Speaker 1: was put at high risk after suffering a stroke back

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Speaker 1: in two thousand and two. And I'm sad to report

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Speaker 1: that even if we think we have a winning hand

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Speaker 1: with this movie, this movie is one hundred minutes long,

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Speaker 1: ten minutes off target, which is, without hyperbole, disgusting people.

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Speaker 3: So as a result, I will say this movie is.

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Speaker 1: Say it with me, Sabrina too long.

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Speaker 3: It's time.

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Speaker 2: If you watch it on YouTube, they have all of

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Speaker 2: the commercials made it was awesome much longer. But the

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Speaker 2: commercials were awesome. Would it made it that much longer?

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Speaker 2: And it made me think, well, I'll go I'll do

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Speaker 2: that at the Greatesease because it really was like I

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Speaker 2: had just pause aka quick moment went wow, okay yeow.

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Speaker 1: I did not skip a single commercial though. These commercials

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Speaker 1: brought me right back to my childhood. I knew all

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Speaker 1: of the I knew all of the songs. I knew

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Speaker 1: the juicy fruit jingle, I knew all of them.

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Speaker 2: Nickers one killed Me.

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Speaker 1: Nickers, the little sticklets, sticklets gum, I remember that where

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Speaker 1: they're like for some reason they thought thinner gum and

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Speaker 1: more pieces nine slim sticks instead of seven wide ones.

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Speaker 1: What the fuck?

436
00:19:34,480 --> 00:19:34,600
Speaker 5: Uh?

437
00:19:34,880 --> 00:19:35,200
Speaker 3: Yeah?

438
00:19:35,240 --> 00:19:37,760
Speaker 1: So I didn't go out. I watched it all and

439
00:19:37,800 --> 00:19:40,199
Speaker 1: the writer is Robin Sweetcord.

440
00:19:40,240 --> 00:19:40,480
Speaker 3: I hope.

441
00:19:40,480 --> 00:19:43,280
Speaker 1: I'm saying that writer swy Cord, Now, let's talk about

442
00:19:43,359 --> 00:19:47,240
Speaker 1: humble beginnings. This was only her second movie, but she

443
00:19:47,359 --> 00:19:51,280
Speaker 1: went on to write this list is Staggering, nineteen ninety

444
00:19:51,280 --> 00:19:54,960
Speaker 1: four is Little Women, nineteen ninety six is Matilda cult hit,

445
00:19:55,040 --> 00:19:59,240
Speaker 1: Practical Magic, Memoirs of a Geisha, and The Curious Case

446
00:19:59,240 --> 00:20:01,560
Speaker 1: of Benjamin Button, a script that got her nominated for

447
00:20:01,600 --> 00:20:04,919
Speaker 1: an Oscar and a Colden Globe. Some huge credits for

448
00:20:04,920 --> 00:20:06,520
Speaker 1: swy Cord ors record, I hope and saying, I think

449
00:20:06,520 --> 00:20:09,000
Speaker 1: it's swy Cord a much more impressive list than what

450
00:20:09,040 --> 00:20:11,800
Speaker 1: we're used to for actual Disney Channel movies. They get

451
00:20:11,840 --> 00:20:14,919
Speaker 1: great writers on d COM's absolutely not saying they don't,

452
00:20:15,359 --> 00:20:17,359
Speaker 1: but it is a different caliber of writer when you're

453
00:20:17,400 --> 00:20:19,639
Speaker 1: going on to then win Academy Awards and Golden Globes

454
00:20:19,680 --> 00:20:21,280
Speaker 1: and nominated for all this different kind of stuff.

455
00:20:21,320 --> 00:20:25,280
Speaker 2: So, yeah, he just announced Practical Magic too is possibly

456
00:20:25,320 --> 00:20:28,159
Speaker 2: in the works. Both of the actress, Sandra Bullock and

457
00:20:28,240 --> 00:20:30,760
Speaker 2: Nicole Kidman have confirmed there's one in the work, So

458
00:20:31,040 --> 00:20:35,760
Speaker 2: we're for this. So that movie was, oh my gosh,

459
00:20:35,760 --> 00:20:37,200
Speaker 2: oh my gosh, it was so bad.

460
00:20:37,560 --> 00:20:39,560
Speaker 3: Well, she's got the banger after banger this one.

461
00:20:39,720 --> 00:20:49,280
Speaker 4: Oh wow, all right, so let's get this line of

462
00:20:49,359 --> 00:20:50,119
Speaker 4: credit and start.

463
00:20:50,240 --> 00:20:51,520
Speaker 3: You ruined My life.

464
00:20:51,920 --> 00:20:54,760
Speaker 1: The movie opens with a stretched white limo driving into Vegas.

465
00:20:54,800 --> 00:20:57,920
Speaker 1: Before sunset, we see the magical nineteen eighty skyline of

466
00:20:57,960 --> 00:21:00,119
Speaker 1: the strip, eventually giving us some shots of hotels that

467
00:21:00,160 --> 00:21:04,680
Speaker 1: are just memories in twenty twenty five, the Dunes, Oasis, Stardust, Frontier,

468
00:21:04,840 --> 00:21:09,040
Speaker 1: Imperial Palace, all since demolished and replaced. Delimmo eventually pulls

469
00:21:09,080 --> 00:21:10,880
Speaker 1: up to one of the hotels that's actually still there,

470
00:21:11,000 --> 00:21:14,880
Speaker 1: Caesar's Palace. Two hotel employees congregate to announce she's coming back,

471
00:21:15,080 --> 00:21:17,840
Speaker 1: even though she was just here. She's coming back. Apparently

472
00:21:17,840 --> 00:21:20,480
Speaker 1: things are going to liven up soon. But inside the hotel,

473
00:21:20,480 --> 00:21:22,680
Speaker 1: a cashier isn't as happy. He wants her kept away

474
00:21:22,680 --> 00:21:24,960
Speaker 1: from his bank. A security guard even gets on the

475
00:21:25,000 --> 00:21:28,440
Speaker 1: loudspeaker it's a Minerva alert. One cocktail waitress is thrilled

476
00:21:28,480 --> 00:21:31,360
Speaker 1: with the news, and Jake the bartender hides his cherries.

477
00:21:32,400 --> 00:21:35,879
Speaker 1: That sounded strange, but that's what happens. Inside his large office,

478
00:21:35,880 --> 00:21:38,159
Speaker 1: a big wig named Howie can't believe she's coming back

479
00:21:38,160 --> 00:21:41,639
Speaker 1: after only four weeks. His receptionist Charlotte eventually brings him

480
00:21:41,640 --> 00:21:43,480
Speaker 1: a milk, which obviously would have been alcohol if it

481
00:21:43,480 --> 00:21:45,239
Speaker 1: wasn't Disney, But you know, they got to give him

482
00:21:45,240 --> 00:21:47,200
Speaker 1: a little stomach problem, so they're giving him milk instead.

483
00:21:47,600 --> 00:21:49,760
Speaker 1: How he instructs Charlotte to buy Minerva a present and

484
00:21:49,800 --> 00:21:53,120
Speaker 1: fill out a loving card and market from Uncle Howie. Also,

485
00:21:53,160 --> 00:21:56,879
Speaker 1: he says, if aunt Hermione, Harry Potter calls, say nothing.

486
00:21:57,359 --> 00:21:59,520
Speaker 1: I assume it's because she's at a wizarding school again

487
00:21:59,600 --> 00:22:01,520
Speaker 1: and he's scared of her powers. But it's too late anyway,

488
00:22:01,600 --> 00:22:05,560
Speaker 1: Charlotte breaks the news Hermione already knows. The limo finally

489
00:22:05,600 --> 00:22:07,240
Speaker 1: pulls up to Caesar's right in front of the sign

490
00:22:07,280 --> 00:22:10,320
Speaker 1: advertising cool in the Gang performing Soon, which is awesome.

491
00:22:10,720 --> 00:22:12,880
Speaker 1: The valet guy helps Minerva out of the limo and

492
00:22:12,920 --> 00:22:15,919
Speaker 1: we see she's dressed in a schoolgirl outfit, roller skates,

493
00:22:16,000 --> 00:22:19,159
Speaker 1: long red gloves, and a red feather boa. She skates off,

494
00:22:19,240 --> 00:22:22,199
Speaker 1: leaving a piece of chocolate as a tip. Now in

495
00:22:22,240 --> 00:22:24,879
Speaker 1: the hotel, Minerva screams out hey everybody, I'm back, and

496
00:22:25,000 --> 00:22:27,800
Speaker 1: is instantly embraced by Lorraine, the cocktail waitress, who catches

497
00:22:27,840 --> 00:22:30,679
Speaker 1: her up on her recent soap opera storylines. Minerva then

498
00:22:30,760 --> 00:22:33,400
Speaker 1: visits Jake, the bartender, who lovingly sprays them all with water.

499
00:22:33,680 --> 00:22:37,200
Speaker 1: Minerva immediately notices that the cherries are gone. Yep, still

500
00:22:37,200 --> 00:22:39,120
Speaker 1: sounds weird, Serena.

501
00:22:38,720 --> 00:22:40,480
Speaker 3: Have your kids ever been to Vegas? You ever take

502
00:22:40,480 --> 00:22:42,359
Speaker 3: them there? Or is it just like this, This is

503
00:22:42,480 --> 00:22:43,560
Speaker 3: just for my husband and I.

504
00:22:44,280 --> 00:22:46,840
Speaker 2: No, they have not been to Vegas. Jordan and I

505
00:22:46,960 --> 00:22:49,040
Speaker 2: actually that's where we kind of said we fell in

506
00:22:49,080 --> 00:22:52,240
Speaker 2: love because I met him really close to when I

507
00:22:52,280 --> 00:22:54,439
Speaker 2: actually had to be there for four months. Oh, key

508
00:22:54,520 --> 00:22:57,760
Speaker 2: and I have been in Vegas. That's a really awesome place.

509
00:22:57,800 --> 00:23:01,840
Speaker 2: We ended up getting married there, but Mary Vegas. Yeah,

510
00:23:01,400 --> 00:23:03,880
Speaker 2: we got married at Wayne Newton's house, like.

511
00:23:05,440 --> 00:23:06,680
Speaker 3: Newton there. Yeah.

512
00:23:07,000 --> 00:23:08,879
Speaker 2: Him and I were on the Dancing with the Stars

513
00:23:08,880 --> 00:23:11,040
Speaker 2: show the first time I was on together, and we

514
00:23:11,080 --> 00:23:13,719
Speaker 2: went on tour. So I've been close with his family

515
00:23:13,760 --> 00:23:16,440
Speaker 2: for a long time. And when he met Jordan, he's

516
00:23:16,480 --> 00:23:19,320
Speaker 2: the one. He opened a business. We went into opening.

517
00:23:19,640 --> 00:23:21,879
Speaker 2: He met Jordan that night and said this guy's the one,

518
00:23:22,040 --> 00:23:24,720
Speaker 2: this is the one right here, and he found out

519
00:23:24,720 --> 00:23:26,680
Speaker 2: we got engaged. He's like, I'd love to host you guys.

520
00:23:26,920 --> 00:23:28,360
Speaker 2: How else would be amazing, and like.

521
00:23:28,520 --> 00:23:32,879
Speaker 6: Uh, dude, you got married A wait, I would I

522
00:23:32,920 --> 00:23:35,640
Speaker 6: would argue, and this is a tough argument to make,

523
00:23:35,720 --> 00:23:38,280
Speaker 6: but I could argue Wayne Newton is even better than

524
00:23:38,320 --> 00:23:40,960
Speaker 6: fig Newton's And I know that's tough.

525
00:23:40,800 --> 00:23:45,840
Speaker 2: But a great definitely better than fig Newton.

526
00:23:45,880 --> 00:23:50,040
Speaker 3: All right. I love that. Then a security guard named Mustache.

527
00:23:49,400 --> 00:23:52,600
Speaker 1: Without any explanation outside of him having one, gives her

528
00:23:52,640 --> 00:23:54,159
Speaker 1: a bear hug and carries her to see.

529
00:23:54,160 --> 00:23:56,200
Speaker 3: Quote unquote the boss, Uncle Howie.

530
00:23:56,480 --> 00:23:58,560
Speaker 1: Now we're in his office. How he's upset with Minerva.

531
00:23:58,720 --> 00:24:02,200
Speaker 1: Ten schools in five years is a disaster. He loves

532
00:24:02,200 --> 00:24:04,680
Speaker 1: his niece, but this is embarrassing. He'll get her anything

533
00:24:04,720 --> 00:24:07,520
Speaker 1: if she just stays in school. Minerva apologizes she is

534
00:24:07,560 --> 00:24:09,200
Speaker 1: not made for school. She wants to stay at the

535
00:24:09,240 --> 00:24:13,480
Speaker 1: hotel and talk about Lorraine's divorce. This kid right on

536
00:24:13,600 --> 00:24:16,480
Speaker 1: cue on Hermione storms in, she can't believe Minerva was

537
00:24:16,560 --> 00:24:18,400
Speaker 1: kicked out of it yet another school. She's demanding full

538
00:24:18,400 --> 00:24:20,600
Speaker 1: custody to get her away from the shady Vegas crowd.

539
00:24:20,880 --> 00:24:22,760
Speaker 1: Minerva says she wants to live with Howie, but on

540
00:24:22,880 --> 00:24:25,080
Speaker 1: Hermione says she's too young to make her own decisions.

541
00:24:25,240 --> 00:24:26,680
Speaker 3: And with that, Minerva.

542
00:24:26,240 --> 00:24:28,760
Speaker 1: Falls off of her roller skates, taking some drapes down

543
00:24:28,760 --> 00:24:31,359
Speaker 1: along the way. She's okay, but she is way too

544
00:24:31,400 --> 00:24:33,119
Speaker 1: young to be making your own decisions. She should not

545
00:24:33,160 --> 00:24:35,160
Speaker 1: be at that hotel, she should not be in that situation,

546
00:24:35,200 --> 00:24:36,480
Speaker 1: and she should be at a school.

547
00:24:36,200 --> 00:24:36,919
Speaker 3: With a loving family.

548
00:24:37,359 --> 00:24:40,560
Speaker 1: Right away, I was like, Nope, she's wrong, the uncle's wrong,

549
00:24:41,080 --> 00:24:43,480
Speaker 1: and aun't Hermione, who's the villain, seems to be the

550
00:24:43,520 --> 00:24:44,840
Speaker 1: only one actually looking out for.

551
00:24:44,840 --> 00:24:47,600
Speaker 3: This child's well being. Absolutely so yeah.

552
00:24:47,640 --> 00:24:51,359
Speaker 1: We then cut to EI or the Eastern Institute of

553
00:24:51,400 --> 00:24:53,840
Speaker 1: Technology in Boston, which is supposed to be MIT, but

554
00:24:54,080 --> 00:24:56,080
Speaker 1: just in another part of town. We see a group

555
00:24:56,119 --> 00:24:58,880
Speaker 1: of police there entering the lab, and inside is a

556
00:24:58,960 --> 00:25:01,640
Speaker 1: pretty active scene. Men are lined up standing in front

557
00:25:01,640 --> 00:25:04,240
Speaker 1: of computers, which I'm putting computers in quotes because this

558
00:25:04,280 --> 00:25:06,120
Speaker 1: is computers in nineteen eighty seven, so these are still

559
00:25:06,200 --> 00:25:09,520
Speaker 1: kind of new, while a professor named Dexter walks up

560
00:25:09,520 --> 00:25:12,000
Speaker 1: and down the line taking bets. It's blackjack, and there's

561
00:25:12,040 --> 00:25:14,359
Speaker 1: a different game on every screen. But just as the

562
00:25:14,400 --> 00:25:16,639
Speaker 1: hands are dealt in walks the cops and the dean.

563
00:25:16,800 --> 00:25:17,400
Speaker 3: It's a raid.

564
00:25:17,920 --> 00:25:20,320
Speaker 1: Dexter tries to say it's a top secret research project,

565
00:25:20,320 --> 00:25:24,080
Speaker 1: but he's deemed a disgrace to the institution. The next day,

566
00:25:24,560 --> 00:25:26,440
Speaker 1: Dexter's at the bank talking to his friend, one of

567
00:25:26,480 --> 00:25:28,639
Speaker 1: the branches employees. Dexter says he doesn't care if he

568
00:25:28,680 --> 00:25:31,080
Speaker 1: gets reprimanded. He doesn't want to teach anymore. He's going

569
00:25:31,160 --> 00:25:33,240
Speaker 1: to take a year sabbatical and then write a book

570
00:25:33,280 --> 00:25:35,760
Speaker 1: in Fiji. But first he's stopping in Vegas for a

571
00:25:35,760 --> 00:25:38,639
Speaker 1: little financial help. He reveals a box with flickering lights

572
00:25:38,640 --> 00:25:39,840
Speaker 1: strapped to his stomach.

573
00:25:40,400 --> 00:25:42,080
Speaker 3: Now nine out of ten people in a bank would

574
00:25:42,080 --> 00:25:45,200
Speaker 3: have assumed this was a bomb, so not good planning, Bud.

575
00:25:45,280 --> 00:25:48,360
Speaker 1: It's also the most giant computer thing I've ever seen

576
00:25:48,359 --> 00:25:51,240
Speaker 1: in my life, just strapped to a thing. But Dexter

577
00:25:51,320 --> 00:25:54,760
Speaker 1: calls it the ultimate blackjack system. It'll count cards and

578
00:25:54,800 --> 00:25:57,280
Speaker 1: tell him what to do through his watch. He just

579
00:25:57,320 --> 00:25:59,359
Speaker 1: needs a line of credit from the bank, but he

580
00:25:59,440 --> 00:26:02,480
Speaker 1: only has fifty dollars as collateral, so Dexter spills some

581
00:26:02,520 --> 00:26:04,280
Speaker 1: of a soda on his friend, forcing him to run

582
00:26:04,280 --> 00:26:06,920
Speaker 1: to the bathroom. While he's gone, Dexter decides to creep

583
00:26:07,000 --> 00:26:11,200
Speaker 1: under the computer and change his fifty dollars balance to fifty.

584
00:26:10,880 --> 00:26:17,120
Speaker 3: Thousand, you know, just some casual, enormous bank front and jump. Yeah,

585
00:26:17,160 --> 00:26:20,600
Speaker 3: I mean, yikes. Now, did you have any concerns about

586
00:26:20,640 --> 00:26:21,440
Speaker 3: Dexter at this point?

587
00:26:22,480 --> 00:26:25,639
Speaker 2: Yeah, he was very strange to me. Again, like I said,

588
00:26:25,720 --> 00:26:29,520
Speaker 2: I don't feel like it was set up enough to

589
00:26:29,560 --> 00:26:31,320
Speaker 2: know that he was a teacher. You really had to

590
00:26:31,800 --> 00:26:33,840
Speaker 2: pay attention. I felt to like the dialogue that he

591
00:26:33,880 --> 00:26:37,800
Speaker 2: was talking about then he was just like he had

592
00:26:37,840 --> 00:26:40,240
Speaker 2: everything planned out this Like you said, it looked like

593
00:26:40,280 --> 00:26:42,920
Speaker 2: a bomb. He had just a little bit. He was

594
00:26:43,000 --> 00:26:46,000
Speaker 2: a little like kind of shady, sketchy, sketchy to me,

595
00:26:46,200 --> 00:26:46,840
Speaker 2: you know, Yeah.

596
00:26:46,680 --> 00:26:48,600
Speaker 1: I agree they were trying to they It was weird.

597
00:26:48,600 --> 00:26:51,679
Speaker 1: It was almost like for the first part of the

598
00:26:51,720 --> 00:26:54,160
Speaker 1: movie they almost had to rewrite his character because Paul

599
00:26:54,240 --> 00:26:57,240
Speaker 1: Riser doesn't come off as a bank robber, gonna rob

600
00:26:57,240 --> 00:26:59,720
Speaker 1: a casino guy, no, but comes off as a great

601
00:26:59,760 --> 00:27:02,879
Speaker 1: teaure So it was like he was he miscast?

602
00:27:03,000 --> 00:27:04,280
Speaker 3: Was he properly cast? I don't know.

603
00:27:04,280 --> 00:27:06,000
Speaker 1: It was It was strange to me what they were

604
00:27:06,040 --> 00:27:07,560
Speaker 1: going because I love Paul Riser, but I was like,

605
00:27:07,760 --> 00:27:09,400
Speaker 1: I don't buy him as bank robber guy.

606
00:27:09,600 --> 00:27:12,080
Speaker 2: I'm sorry, I just don't he wasn't doing a bankrupt

607
00:27:12,160 --> 00:27:13,040
Speaker 2: he was kind I mean.

608
00:27:13,320 --> 00:27:15,800
Speaker 1: He stole fifty thousand dollars from a bank and then

609
00:27:15,880 --> 00:27:20,320
Speaker 1: tried to screw a casino with a giant cheating machine.

610
00:27:20,680 --> 00:27:22,880
Speaker 2: Seeing things like this, though, like I'm like, is it

611
00:27:22,920 --> 00:27:25,560
Speaker 2: could have really honestly been that easy to do stuff

612
00:27:25,600 --> 00:27:26,360
Speaker 2: like this back then?

613
00:27:26,480 --> 00:27:30,000
Speaker 1: Like I know, no, although the one they show in casino,

614
00:27:30,040 --> 00:27:32,000
Speaker 1: have you seen that where it's like there's it takes

615
00:27:32,040 --> 00:27:35,080
Speaker 1: two guys and one of them like taps on his leg,

616
00:27:35,160 --> 00:27:36,840
Speaker 1: and then there's the other one has like a thing

617
00:27:36,840 --> 00:27:38,640
Speaker 1: on his leg where a pencil taps him and it's

618
00:27:38,680 --> 00:27:40,800
Speaker 1: like Morse code and all that kind of stuff, so

619
00:27:40,840 --> 00:27:43,200
Speaker 1: they can get into some pretty involved stuff to rob

620
00:27:43,240 --> 00:27:43,960
Speaker 1: these It was.

621
00:27:43,920 --> 00:27:50,280
Speaker 2: Literally like let me fake a glass of coke or diet. Yeah,

622
00:27:50,320 --> 00:27:53,760
Speaker 2: it was little, and it was literally like let me

623
00:27:53,840 --> 00:27:57,639
Speaker 2: just reach over and click the zero a few times.

624
00:27:57,920 --> 00:28:00,199
Speaker 2: I'm like, is that like where bank tellers just like

625
00:28:00,240 --> 00:28:00,639
Speaker 2: I get it?

626
00:28:00,720 --> 00:28:04,320
Speaker 1: So maybe when were new I don't know either, but

627
00:28:04,359 --> 00:28:07,760
Speaker 1: anywhere now back at the hotel, Minerva orders carts and

628
00:28:07,840 --> 00:28:10,720
Speaker 1: carts and carts of room service because kids love room service. Obviously,

629
00:28:10,760 --> 00:28:13,520
Speaker 1: it's such a treat. Although when I was just there.

630
00:28:14,359 --> 00:28:17,520
Speaker 1: I got two bagels, my wife and I got This

631
00:28:17,560 --> 00:28:19,520
Speaker 1: is not a joke. We were at the hotel. My

632
00:28:19,560 --> 00:28:21,919
Speaker 1: wife and I got two bagels, two orange juices, and

633
00:28:21,960 --> 00:28:26,560
Speaker 1: two coffees, and it was one hundred and twenty three dollars.

634
00:28:26,119 --> 00:28:30,760
Speaker 1: It's got robbery. It's insane. It's absolutely insane. We were laughing,

635
00:28:30,800 --> 00:28:31,720
Speaker 1: like this can't be right.

636
00:28:32,280 --> 00:28:32,760
Speaker 3: Yeah.

637
00:28:32,840 --> 00:28:35,440
Speaker 2: When I go on vacation, my favorite thing. I love

638
00:28:35,480 --> 00:28:37,919
Speaker 2: to go to brunch. I don't really eat breakfast a

639
00:28:37,960 --> 00:28:40,760
Speaker 2: ton in real life. I love to go to a

640
00:28:40,760 --> 00:28:43,440
Speaker 2: brunch and I love to have room service. But h

641
00:28:43,520 --> 00:28:45,960
Speaker 2: I it's crazy, especially in Vegas.

642
00:28:46,000 --> 00:28:49,840
Speaker 1: I just can't we it's we were at the at

643
00:28:49,880 --> 00:28:51,720
Speaker 1: the gift shop waiting for our car.

644
00:28:51,800 --> 00:28:53,520
Speaker 3: We were at the gift shops. I only drive to Vegas.

645
00:28:53,560 --> 00:28:54,920
Speaker 3: I hate that flight. It's too bumpy.

646
00:28:55,280 --> 00:28:57,760
Speaker 2: Oh gosh, I can't handle that drive.

647
00:28:58,040 --> 00:28:58,880
Speaker 3: Oh I love the drive.

648
00:28:59,120 --> 00:29:02,120
Speaker 1: So we're there, and on May twenty seventh is my

649
00:29:02,160 --> 00:29:04,600
Speaker 1: eleven year anniversary without smoking a cigarette. So it's been

650
00:29:04,600 --> 00:29:07,200
Speaker 1: a very long time that I haven't smoked. And we're

651
00:29:07,240 --> 00:29:09,680
Speaker 1: sitting down there and I look behind the cashier and

652
00:29:09,720 --> 00:29:11,480
Speaker 1: I see packs of cigarettes and I said, you know,

653
00:29:11,520 --> 00:29:13,320
Speaker 1: it's been so long, and we're in Vegas. I said,

654
00:29:13,320 --> 00:29:15,920
Speaker 1: it's been so long, I'm just curious. How much is

655
00:29:15,960 --> 00:29:19,560
Speaker 1: a pack of cigarettes? And the woman dead straight said

656
00:29:19,800 --> 00:29:24,880
Speaker 1: twenty seven dollars? What it was to the point where

657
00:29:24,920 --> 00:29:27,239
Speaker 1: the other four people in the story had exactly are

658
00:29:27,280 --> 00:29:28,840
Speaker 1: people we hadn't even talked to you around, Like.

659
00:29:28,840 --> 00:29:32,600
Speaker 3: What did you just say? Twenty seven dollars?

660
00:29:32,920 --> 00:29:36,080
Speaker 1: How you remember it was when I started smoking, it

661
00:29:36,120 --> 00:29:37,000
Speaker 1: was a dollar ninety.

662
00:29:38,200 --> 00:29:39,960
Speaker 2: Well that seems crazy too.

663
00:29:40,080 --> 00:29:44,880
Speaker 1: Twenty seven dollars a pack, isn't that insane? So if

664
00:29:44,880 --> 00:29:46,880
Speaker 1: you're a packa day smoker, which I was, is thirty

665
00:29:46,880 --> 00:29:47,720
Speaker 1: dollars a day.

666
00:29:48,000 --> 00:29:51,240
Speaker 2: Especially though now I don't. You don't see people smoking

667
00:29:51,320 --> 00:29:52,400
Speaker 2: actual cigarettes anymore.

668
00:29:52,400 --> 00:29:55,040
Speaker 3: Every no, no, thank god, it's going away. It's going away.

669
00:29:55,080 --> 00:29:57,680
Speaker 3: It's going twenty seven dollars a pack. Yep, there you go.

670
00:29:57,720 --> 00:29:59,959
Speaker 2: It's an expense of how much would a carton be?

671
00:30:01,000 --> 00:30:03,640
Speaker 3: You'd have to call Zurich and move move some money around.

672
00:30:03,760 --> 00:30:04,400
Speaker 3: It'd be crazy.

673
00:30:05,880 --> 00:30:08,240
Speaker 1: There is now a knock at the door, and it's

674
00:30:08,280 --> 00:30:11,160
Speaker 1: another kid named Yaki. He's celebrating his birthday and wearing

675
00:30:11,160 --> 00:30:13,680
Speaker 1: a leather jacket. It's a bomber jacket. That's how you

676
00:30:13,720 --> 00:30:16,120
Speaker 1: know he's a bad ass. He invites Minerva onto a

677
00:30:16,120 --> 00:30:19,040
Speaker 1: boat ride and she immediately accepts. We cut today, Foulton,

678
00:30:19,400 --> 00:30:22,200
Speaker 1: he does the little baby bad ass. We cut to

679
00:30:22,280 --> 00:30:24,360
Speaker 1: the fountains in front of Caesar's Palace, where Yaki and

680
00:30:24,360 --> 00:30:25,880
Speaker 1: Minerva are rowing in a boat.

681
00:30:26,120 --> 00:30:29,280
Speaker 3: Yes, it's a nice little rowboat, wearing pirate and sailing hats.

682
00:30:29,640 --> 00:30:32,000
Speaker 1: Just as Uncle Howie drives by and he can't believe

683
00:30:32,000 --> 00:30:33,960
Speaker 1: what he sees, but apparently does nothing about it, just

684
00:30:34,000 --> 00:30:37,320
Speaker 1: keeps on driving. Minerva decides to make Yaki's birthday cake

685
00:30:37,560 --> 00:30:40,280
Speaker 1: in the casino kitchen. So now the two kids try

686
00:30:40,440 --> 00:30:42,640
Speaker 1: their hardest to mimic a nearby chef, and it's beautiful

687
00:30:42,640 --> 00:30:45,320
Speaker 1: cake making, but Minerva adds gumballs to their concoction and

688
00:30:45,400 --> 00:30:48,000
Speaker 1: odd decision for pastry. The kids leave their creation to

689
00:30:48,000 --> 00:30:50,320
Speaker 1: find more frosting, and while they're gone, a waiter accidentally

690
00:30:50,320 --> 00:30:51,720
Speaker 1: picks up the cake for the dining room.

691
00:30:51,920 --> 00:30:53,480
Speaker 3: When Minerva and Yaki return, they.

692
00:30:53,400 --> 00:30:56,040
Speaker 1: Realize what's happened, and they run off, and we never

693
00:30:56,080 --> 00:30:58,440
Speaker 1: find anything about this. Nobody takes a cut of the cake,

694
00:30:58,520 --> 00:31:00,080
Speaker 1: no one sees a piece, no one bites into, but

695
00:31:00,480 --> 00:31:01,480
Speaker 1: it just that's it.

696
00:31:01,600 --> 00:31:02,920
Speaker 3: There was a lot of things in this.

697
00:31:02,960 --> 00:31:06,920
Speaker 1: Movie were just scenes that meant nothing, that went nowhere.

698
00:31:07,200 --> 00:31:08,640
Speaker 1: There's a couple more coming up where I was like,

699
00:31:08,720 --> 00:31:09,800
Speaker 1: why do they have that?

700
00:31:10,040 --> 00:31:12,440
Speaker 2: Didn't this cut straight to her getting in trouble?

701
00:31:13,120 --> 00:31:15,800
Speaker 1: Well yeah, no, Later he mentions no in passing how

702
00:31:15,800 --> 00:31:17,560
Speaker 1: He's like, oh, and then the cake with the gumballs.

703
00:31:17,560 --> 00:31:20,120
Speaker 2: It's like, oh, they didn't get in trouble yet. Yeah.

704
00:31:20,160 --> 00:31:20,360
Speaker 7: Now.

705
00:31:20,400 --> 00:31:23,360
Speaker 1: Elsewhere in the hotel, Howie and receptionist Charlotte are talking

706
00:31:23,360 --> 00:31:25,120
Speaker 1: about her job. She wants to work in pr and

707
00:31:25,120 --> 00:31:27,320
Speaker 1: build a spot to attract a younger crowd, but how

708
00:31:27,360 --> 00:31:30,760
Speaker 1: He says she's a good secretary and needs to stay

709
00:31:30,760 --> 00:31:34,760
Speaker 1: that way. Little misogyny in the nineteen eighty seven that's

710
00:31:34,800 --> 00:31:36,680
Speaker 1: just how it was, and that's what we see his

711
00:31:36,800 --> 00:31:38,920
Speaker 1: niece Minerva laying out by the pool being served to

712
00:31:38,960 --> 00:31:40,960
Speaker 1: drink by Lorraine. How He begs Minerva it go back

713
00:31:40,960 --> 00:31:43,120
Speaker 1: to her room because people don't like seeing kids at

714
00:31:43,120 --> 00:31:45,640
Speaker 1: the pool. It makes them feel guilty about their families

715
00:31:45,680 --> 00:31:48,400
Speaker 1: back home. She follows his order, and Uncle Howie wonders

716
00:31:48,400 --> 00:31:50,320
Speaker 1: if Hermione was right, maybe she should be in a

717
00:31:50,320 --> 00:31:52,479
Speaker 1: big home with rules A bedtime and a loving family.

718
00:31:53,120 --> 00:31:54,680
Speaker 3: Of course she should, Howie.

719
00:31:55,120 --> 00:31:57,560
Speaker 1: Howie says she doesn't want her to end up being

720
00:31:57,640 --> 00:31:59,640
Speaker 1: like him. He just runs around stress trying to keep

721
00:31:59,680 --> 00:32:02,160
Speaker 1: his heart ulcer in check. He professes his love for her,

722
00:32:02,360 --> 00:32:05,200
Speaker 1: but they must work out this behavior before Hermione returns.

723
00:32:05,920 --> 00:32:08,160
Speaker 1: Now it's nighttime and Dexter's checking into the hotel. His

724
00:32:08,240 --> 00:32:12,440
Speaker 1: Blackjack's stomach computer, his giant Blackjack stomach computer, is already

725
00:32:12,440 --> 00:32:16,920
Speaker 1: beeping for some reason. Why you'd build this machine yourself

726
00:32:17,280 --> 00:32:19,680
Speaker 1: that's supposed to be a secret Vegas thing and yet make.

727
00:32:19,600 --> 00:32:23,600
Speaker 2: It beep the loudest and most beat It's like.

728
00:32:23,520 --> 00:32:26,160
Speaker 1: You would have gone to what was called radio shack

729
00:32:26,200 --> 00:32:28,000
Speaker 1: back in the day kids and ask for a loud

730
00:32:28,040 --> 00:32:29,520
Speaker 1: beeping machine.

731
00:32:30,040 --> 00:32:30,440
Speaker 3: Yikes.

732
00:32:30,680 --> 00:32:32,800
Speaker 1: He asks for a line of credit from the cashier

733
00:32:32,840 --> 00:32:35,120
Speaker 1: when Charlotte pops up. She's doing a survey for the

734
00:32:35,120 --> 00:32:37,600
Speaker 1: hotel and offers help if he has any questions. Dexter

735
00:32:37,720 --> 00:32:40,560
Speaker 1: is obviously very attracted to this receptionist, and the banker

736
00:32:40,600 --> 00:32:42,280
Speaker 1: returns to give him a line of credit for that

737
00:32:42,520 --> 00:32:45,520
Speaker 1: fifty grand. Remember this figure is based on the earlier

738
00:32:45,560 --> 00:32:48,840
Speaker 1: bank fraud changing his life savings while his friend was

739
00:32:48,880 --> 00:32:51,360
Speaker 1: away now committing a crime or not. Dexter's room is

740
00:32:51,440 --> 00:32:53,880
Speaker 1: massive and very nineteen eighties. It has stares in a

741
00:32:53,920 --> 00:32:56,800
Speaker 1: jacuzzi overlooking the entire strip. He lasts to himself and

742
00:32:56,880 --> 00:32:59,520
Speaker 1: dances onto a leather sofa, probably because he's got all

743
00:32:59,680 --> 00:33:02,200
Speaker 1: this for just taking out a line of credit. After

744
00:33:02,240 --> 00:33:04,240
Speaker 1: a quick rest, he puts on his nicest suit and

745
00:33:04,280 --> 00:33:08,000
Speaker 1: readies the giant blackjack stomach machine. He's very confident he'll

746
00:33:08,000 --> 00:33:10,440
Speaker 1: make oodles and noodles of cash, giving himself a pep

747
00:33:10,480 --> 00:33:13,920
Speaker 1: talk and singing around the room. Dexter wastes no time

748
00:33:14,000 --> 00:33:16,400
Speaker 1: and walks down to the Casino Florida, scout the situation

749
00:33:16,520 --> 00:33:19,880
Speaker 1: and tests the massive blinking loud box under his jacket.

750
00:33:20,240 --> 00:33:22,400
Speaker 1: He eventually decides on a blackjack table and puts down

751
00:33:22,440 --> 00:33:24,520
Speaker 1: his first bet. His hand is a dismal five and

752
00:33:24,600 --> 00:33:27,800
Speaker 1: a ten or a fifteen. His watch then tells him

753
00:33:27,800 --> 00:33:30,320
Speaker 1: to hit and boom, he gets a twenty great hand.

754
00:33:30,960 --> 00:33:33,160
Speaker 1: How would the computer know what card is next if

755
00:33:33,200 --> 00:33:33,920
Speaker 1: he just sat down?

756
00:33:34,120 --> 00:33:35,920
Speaker 3: How would that be possible? Anyway?

757
00:33:35,960 --> 00:33:38,440
Speaker 2: I imagine it was like he's counting cards.

758
00:33:38,160 --> 00:33:40,480
Speaker 1: Right, but he just sat down, so he hasn't counted

759
00:33:40,520 --> 00:33:43,240
Speaker 1: anything yet. That is true, Yeah, there's nothing to count,

760
00:33:43,320 --> 00:33:45,560
Speaker 1: he just and again, you need the computer to tell

761
00:33:45,560 --> 00:33:46,560
Speaker 1: you to stand on fifteen.

762
00:33:46,600 --> 00:33:48,120
Speaker 3: Come on, It all depends on what they did anyway.

763
00:33:48,600 --> 00:33:51,440
Speaker 1: Anyway, Dexter wins the first hand and goes on a

764
00:33:51,480 --> 00:33:54,240
Speaker 1: massive streak thanks to his computer and watch.

765
00:33:54,440 --> 00:33:56,000
Speaker 3: This guy cannot lose.

766
00:33:56,480 --> 00:33:58,920
Speaker 1: Upstairs, Minerva is in a cocktail dress and pearls, giving

767
00:33:58,960 --> 00:34:01,600
Speaker 1: herself a full face of makeup and perfume. She looks

768
00:34:01,600 --> 00:34:03,240
Speaker 1: like she's about to perform in New Year's.

769
00:34:03,000 --> 00:34:03,800
Speaker 3: Eve Vegas Show.

770
00:34:04,400 --> 00:34:07,880
Speaker 1: Meanwhile, Dexter's constant blackjack wins have a master crowd and

771
00:34:08,040 --> 00:34:11,120
Speaker 1: also the attention of casino security. The quote I in

772
00:34:11,239 --> 00:34:14,560
Speaker 1: the sky unquote watches on, noticing he's been looking at

773
00:34:14,560 --> 00:34:17,239
Speaker 1: his watch every hand. They think he's counting cards, so

774
00:34:17,440 --> 00:34:22,399
Speaker 1: Mustache again. Mustache wants to see it first hand. At

775
00:34:22,400 --> 00:34:25,240
Speaker 1: the table, Lorraine takes Dexter's drink order and thinks Dexter

776
00:34:25,400 --> 00:34:26,240
Speaker 1: is really cute.

777
00:34:26,280 --> 00:34:28,399
Speaker 3: She calls him the Brady type, but in.

778
00:34:28,320 --> 00:34:31,480
Speaker 1: Reality, Dexter is really stupid, so stupid that he decides

779
00:34:31,520 --> 00:34:34,880
Speaker 1: to put all of his winnings in for one hand.

780
00:34:35,440 --> 00:34:39,160
Speaker 1: Mustache watches on as Dexter's dealt another crappy fifteen. Lorraine

781
00:34:39,160 --> 00:34:42,640
Speaker 1: returns with the champagne, and an onlooker accidentally pushes Dexter's

782
00:34:42,640 --> 00:34:44,000
Speaker 1: hand into the ice bucket.

783
00:34:44,080 --> 00:34:46,600
Speaker 3: Uh oh, it's shorted out the watch. Dexter doesn't know

784
00:34:46,600 --> 00:34:46,920
Speaker 3: what to do.

785
00:34:47,000 --> 00:34:50,200
Speaker 1: He asks for a break, and a suspicious mustache tells

786
00:34:50,280 --> 00:34:52,680
Speaker 1: him to take his time, which seems insane to me.

787
00:34:53,440 --> 00:34:55,800
Speaker 1: That literally, there's cards on the table and they just

788
00:34:55,920 --> 00:34:58,160
Speaker 1: let him walk away in the middle of the hand.

789
00:34:58,239 --> 00:35:10,040
Speaker 1: It seems it didn't see no, it didn't seem no. Meanwhile,

790
00:35:10,080 --> 00:35:13,080
Speaker 1: Minerva's having a candle lit dinner by herself. It seems

791
00:35:13,120 --> 00:35:15,440
Speaker 1: like we should have been getting the idea that maybe

792
00:35:15,440 --> 00:35:17,200
Speaker 1: this she didn't really love this lifestyle.

793
00:35:17,239 --> 00:35:19,759
Speaker 3: She's lonely, she's that stuff. But no, she's digging it.

794
00:35:20,400 --> 00:35:22,480
Speaker 1: She's watching a chorus line of girls rehearse for Howie

795
00:35:22,520 --> 00:35:25,000
Speaker 1: and all of Howie's creepy friends. Dexter is now in

796
00:35:25,000 --> 00:35:26,880
Speaker 1: the bathroom. He's trying to drive off his watch, begging

797
00:35:26,880 --> 00:35:28,680
Speaker 1: it to work. He eventually makes his way back to

798
00:35:28,680 --> 00:35:33,200
Speaker 1: the table after again a loud beeping exchange where he's

799
00:35:33,280 --> 00:35:37,160
Speaker 1: in the toilet and the things beeping and the genitor's

800
00:35:37,239 --> 00:35:39,920
Speaker 1: there and you didn't need that scene at all. Another

801
00:35:39,920 --> 00:35:41,840
Speaker 1: scene where it was like, well, does anything happen? No,

802
00:35:41,920 --> 00:35:43,720
Speaker 1: he just runs by the janitor and the beeping is stop,

803
00:35:43,760 --> 00:35:44,680
Speaker 1: so why even do it?

804
00:35:45,120 --> 00:35:46,520
Speaker 3: But he makes his way back to the table.

805
00:35:46,560 --> 00:35:48,879
Speaker 1: He has no confidence in his invention now, and when

806
00:35:48,880 --> 00:35:51,879
Speaker 1: he returns his cards, the dealer, the other players, they're

807
00:35:51,920 --> 00:35:53,640
Speaker 1: all just waiting for him midhand.

808
00:35:54,040 --> 00:35:54,799
Speaker 3: That seems like fun.

809
00:35:55,280 --> 00:35:57,319
Speaker 1: And then at the same time, the cashier gets a call.

810
00:35:57,360 --> 00:35:59,200
Speaker 1: It's about Dexter and is fifty grand.

811
00:35:59,280 --> 00:36:00,440
Speaker 3: It looks like the j is up.

812
00:36:00,840 --> 00:36:04,040
Speaker 1: Dexter, now, without the help of his magical, large, huge

813
00:36:04,040 --> 00:36:07,640
Speaker 1: counting machine, decides to stand on fifteen, and then the

814
00:36:07,640 --> 00:36:09,759
Speaker 1: dealer hits on her fifteen and gets a six. She

815
00:36:09,800 --> 00:36:13,120
Speaker 1: has twenty one. Dexter's lost everything. He crawls away with

816
00:36:13,160 --> 00:36:15,520
Speaker 1: his tail between his legs. We're now back at the

817
00:36:15,560 --> 00:36:18,359
Speaker 1: course line. Minerva has now joined the girls dancing. When

818
00:36:18,440 --> 00:36:20,879
Speaker 1: Yaki runs in. He wants to show her something. It's

819
00:36:20,920 --> 00:36:24,320
Speaker 1: a computer at the front desk that also won't stop beeping. Apparently,

820
00:36:24,800 --> 00:36:26,160
Speaker 1: in the mid to late eighties there was just a

821
00:36:26,200 --> 00:36:29,520
Speaker 1: lot of beeping computers. Yaki jumps over the counter, which

822
00:36:29,520 --> 00:36:30,640
Speaker 1: I'm sure is not a safe thing.

823
00:36:30,680 --> 00:36:33,200
Speaker 3: To do at a Vegas casino. The two kids.

824
00:36:33,040 --> 00:36:36,920
Speaker 1: Start pounding on the keyboard, making everything beep more. Meanwhile,

825
00:36:36,920 --> 00:36:38,920
Speaker 1: two ladies are having trouble opening their room door. It

826
00:36:38,960 --> 00:36:41,120
Speaker 1: appears the kids playing on the computer have stripped the

827
00:36:41,200 --> 00:36:44,480
Speaker 1: key cards of access, causing a major security issue.

828
00:36:45,200 --> 00:36:46,400
Speaker 3: No one can get into the rooms.

829
00:36:46,400 --> 00:36:50,120
Speaker 1: And if that wasn't enough, Mustache confronts a pouting Dexter

830
00:36:50,480 --> 00:36:51,000
Speaker 1: at the bar.

831
00:36:51,600 --> 00:36:52,640
Speaker 3: We're now in Howie's office.

832
00:36:52,680 --> 00:36:55,560
Speaker 1: Minerva and Yaki are getting an earfull about their little

833
00:36:55,600 --> 00:36:58,640
Speaker 1: computer gag. Yaki gets banned from the hotel and Minerva

834
00:36:58,680 --> 00:37:01,840
Speaker 1: is being sent to her on her mind about Tom

835
00:37:02,440 --> 00:37:05,560
Speaker 1: And just as the kids are taking away, Mustache walks

836
00:37:05,600 --> 00:37:09,000
Speaker 1: in with a handcuffed Dexter. How he reveals he knows

837
00:37:09,000 --> 00:37:11,359
Speaker 1: all about Dexter scam and even though he lost it all,

838
00:37:11,440 --> 00:37:14,040
Speaker 1: he still stole from the casino to even play in

839
00:37:14,080 --> 00:37:14,720
Speaker 1: the first place.

840
00:37:15,040 --> 00:37:16,719
Speaker 3: Dexter tries to talk this way out of it, but.

841
00:37:16,680 --> 00:37:19,640
Speaker 1: How he wants the original fifty k back and Dexter

842
00:37:19,719 --> 00:37:22,640
Speaker 1: has no money to pay it off. Mustache also exposes

843
00:37:22,680 --> 00:37:25,960
Speaker 1: the enormous blackjack computer and now how he swears he'll

844
00:37:26,000 --> 00:37:28,440
Speaker 1: get that fifty thousand dollars even if he has to

845
00:37:28,480 --> 00:37:32,160
Speaker 1: sell Dexter's teeth fillings. Dexter suggests he works it off

846
00:37:32,160 --> 00:37:34,480
Speaker 1: in the casino, maybe by washing dishes, but how he

847
00:37:34,520 --> 00:37:36,640
Speaker 1: points out that'll take fifty to sixty years.

848
00:37:36,760 --> 00:37:38,520
Speaker 3: But how He then says, and this is where I

849
00:37:38,560 --> 00:37:40,560
Speaker 3: was like, Okay, I get where they're going.

850
00:37:40,280 --> 00:37:43,200
Speaker 1: But really how He then says he does have an

851
00:37:43,239 --> 00:37:46,120
Speaker 1: idea for the teacher. Soon after, Dexter has moved to

852
00:37:46,160 --> 00:37:49,759
Speaker 1: his new much smaller room under the garage and near

853
00:37:49,800 --> 00:37:50,680
Speaker 1: the boiler room.

854
00:37:51,160 --> 00:37:54,800
Speaker 3: He's then walked to meet his new student, Minerva. Yes,

855
00:37:54,880 --> 00:37:59,120
Speaker 3: to pay off his debt, he has to become her teacher. Okay,

856
00:38:00,000 --> 00:38:02,239
Speaker 3: he's blasting music, swinging a room which is filled with

857
00:38:02,239 --> 00:38:03,440
Speaker 3: stuffed animals in a jukebox.

858
00:38:03,480 --> 00:38:05,319
Speaker 1: It's a real Tom Hanks and Big vibe. It was

859
00:38:05,320 --> 00:38:06,600
Speaker 1: a very eighties trope.

860
00:38:07,000 --> 00:38:08,799
Speaker 3: It was loved it rich.

861
00:38:09,080 --> 00:38:12,600
Speaker 1: It was what Silver Spoons did this, Big did this,

862
00:38:12,880 --> 00:38:16,440
Speaker 1: the toy did this. It was all just was Richie Rich,

863
00:38:17,200 --> 00:38:20,920
Speaker 1: Richie rich shirt. But no, but it was an eighties cartoon.

864
00:38:20,960 --> 00:38:22,480
Speaker 1: I think the movie was in the early nineties, but

865
00:38:22,520 --> 00:38:25,200
Speaker 1: it was an eighties cartoon. So yes, the kid with

866
00:38:25,280 --> 00:38:28,040
Speaker 1: the awesome stuff in his room was a total eighties trope.

867
00:38:28,160 --> 00:38:32,320
Speaker 1: But what did you feel about gambler guy who steals

868
00:38:32,320 --> 00:38:35,520
Speaker 1: from casino having to pay it off by teaching the girl.

869
00:38:35,800 --> 00:38:40,239
Speaker 2: Because he did not come off like truly didn't like

870
00:38:40,280 --> 00:38:42,680
Speaker 2: you said, like just who he is as an actor

871
00:38:43,360 --> 00:38:46,880
Speaker 2: is so like just girl guy next door type thing.

872
00:38:46,960 --> 00:38:50,240
Speaker 2: He wasn't like, So it was a little bit easier.

873
00:38:50,280 --> 00:38:52,880
Speaker 2: But when you think about it, it's like, okay, uncle,

874
00:38:53,480 --> 00:38:56,160
Speaker 2: all right, fine, you find a teacher. You're not gonna

875
00:38:56,200 --> 00:39:00,799
Speaker 2: have anyone else supervising this stranger you just got cheating

876
00:39:01,440 --> 00:39:04,399
Speaker 2: who yeah, who you already know has a somewhat of

877
00:39:04,680 --> 00:39:09,920
Speaker 2: a questionable situation and is in a questionable predicament of

878
00:39:10,000 --> 00:39:13,640
Speaker 2: why he's there gambling and cheating. You're gonna have no

879
00:39:13,800 --> 00:39:16,800
Speaker 2: supervision with this adorable kid.

880
00:39:16,880 --> 00:39:19,320
Speaker 1: Dexter introduces himself, and she doesn't seem to be interested,

881
00:39:19,360 --> 00:39:21,520
Speaker 1: but still sits down to gage her level of education.

882
00:39:21,640 --> 00:39:24,080
Speaker 1: It becomes very obvious that she's way behind where she

883
00:39:24,120 --> 00:39:28,239
Speaker 1: should be, with entire subjects completely missed. All she knows

884
00:39:28,280 --> 00:39:30,200
Speaker 1: is what she's learned from the hotel, knowing what kind

885
00:39:30,239 --> 00:39:32,319
Speaker 1: of work is ahead of them. Dexter talks to mid

886
00:39:32,360 --> 00:39:36,680
Speaker 1: massage Uncle Hollie Dexter explains her education or lack thereof,

887
00:39:36,760 --> 00:39:39,040
Speaker 1: can't be fixed quickly, which is true, but how he

888
00:39:39,080 --> 00:39:41,960
Speaker 1: doesn't care. He wants Minerva to be like Princess Die

889
00:39:42,080 --> 00:39:44,240
Speaker 1: and ready for a new boarding school in the fall.

890
00:39:44,640 --> 00:39:46,080
Speaker 3: Dexter's job is to get her ready for.

891
00:39:46,040 --> 00:39:48,200
Speaker 1: The exam in a few weeks, where she'll need to

892
00:39:48,239 --> 00:39:50,399
Speaker 1: score eighty percent or better to get accepted. And they

893
00:39:50,400 --> 00:39:53,080
Speaker 1: really set it up where this girl didn't know anything.

894
00:39:53,520 --> 00:39:55,960
Speaker 1: Dexter says he's a teacher, not a magician, but if

895
00:39:55,960 --> 00:39:58,200
Speaker 1: he can get her to pass, his debt will be erased.

896
00:39:58,520 --> 00:40:00,719
Speaker 1: We're now back in my nervous room. Dexter immediately gets

897
00:40:00,719 --> 00:40:02,759
Speaker 1: to work, but she's not listening. She's jumping on a

898
00:40:02,760 --> 00:40:06,080
Speaker 1: trampoline and ordering room service. And once the food gets there,

899
00:40:06,320 --> 00:40:08,399
Speaker 1: Yaki was hiding in one of the carts to hang out.

900
00:40:09,120 --> 00:40:11,080
Speaker 3: Hashtag Yaki forever.

901
00:40:12,000 --> 00:40:14,719
Speaker 1: Meanwhile, once Day one is finished, Charlotte checks in with

902
00:40:14,760 --> 00:40:17,640
Speaker 1: Dexter on his boiler room. She notices he's packing his

903
00:40:17,680 --> 00:40:20,080
Speaker 1: bags and reminds him how he will find him no

904
00:40:20,120 --> 00:40:23,000
Speaker 1: matter where he goes. Dexter admits gambling was stupid, but

905
00:40:23,040 --> 00:40:25,080
Speaker 1: he's a human being, not someone here to reform someone

906
00:40:25,080 --> 00:40:27,440
Speaker 1: else's kid, but Charlotte grew up on the strip too

907
00:40:27,440 --> 00:40:29,920
Speaker 1: without parents and feels bad for Minerva. Dexter calls the

908
00:40:30,040 --> 00:40:33,200
Speaker 1: kid unteachable, but also Charlotte tells Dexter she.

909
00:40:33,280 --> 00:40:36,480
Speaker 3: Likes his feet. That wasn't that wasn't.

910
00:40:37,120 --> 00:40:39,880
Speaker 1: I didn't skip anything there, dear listeners, That's basically what happens,

911
00:40:39,880 --> 00:40:41,640
Speaker 1: he says. It's the girl's un teachable. He's like, well,

912
00:40:41,640 --> 00:40:43,560
Speaker 1: maybe she's not unteachable. And she looks down. She's like,

913
00:40:43,560 --> 00:40:45,120
Speaker 1: you've got nice toes or whatever, and it was like

914
00:40:45,160 --> 00:40:48,279
Speaker 1: what And so the flirting between these two heats up,

915
00:40:48,480 --> 00:40:51,120
Speaker 1: and they set up a time to get a drink together.

916
00:40:51,560 --> 00:40:54,160
Speaker 1: Dexter also says he will try again with Minerva tomorrow,

917
00:40:54,440 --> 00:40:56,640
Speaker 1: Sabrina feet yes or no?

918
00:40:57,360 --> 00:40:59,919
Speaker 3: Oh no, okay, me too.

919
00:41:00,520 --> 00:41:03,279
Speaker 1: However, the next day, when he arrives to Minerva's room,

920
00:41:03,400 --> 00:41:06,080
Speaker 1: she's gone. She's left a note behind that reads, no

921
00:41:06,200 --> 00:41:08,640
Speaker 1: lesson today had to work and thankfully all the words

922
00:41:08,640 --> 00:41:11,680
Speaker 1: were spelled correctly. Dexter finds Minerva down at the bar

923
00:41:11,719 --> 00:41:13,560
Speaker 1: getting her soap opera update from Lorraine.

924
00:41:13,640 --> 00:41:15,400
Speaker 3: Dexter acts casual with her.

925
00:41:15,400 --> 00:41:17,319
Speaker 1: He knows he can't force her to learn, but if

926
00:41:17,320 --> 00:41:18,640
Speaker 1: she knows everything about the hotel.

927
00:41:18,680 --> 00:41:20,440
Speaker 3: Why can't she do that with her schoolwork?

928
00:41:20,800 --> 00:41:22,399
Speaker 1: So this is where I was like, Okay, I wonder

929
00:41:22,440 --> 00:41:25,360
Speaker 1: how like he's gonna incorporate, how he's gonna mister Miagi

930
00:41:25,400 --> 00:41:29,359
Speaker 1: her like, incorporate the whatever to get her to learn.

931
00:41:29,400 --> 00:41:30,000
Speaker 3: And this is where we.

932
00:41:29,920 --> 00:41:31,919
Speaker 2: See he does know the stuff she's interested in.

933
00:41:32,080 --> 00:41:33,959
Speaker 1: Write her to learn, talk to her on her level.

934
00:41:34,000 --> 00:41:36,359
Speaker 1: So he starts teaching her about former presidents by using

935
00:41:36,400 --> 00:41:39,359
Speaker 1: money to point out their portraits, and it works. She

936
00:41:39,360 --> 00:41:41,480
Speaker 1: seems excited, but that night, when he tries to drop

937
00:41:41,480 --> 00:41:44,280
Speaker 1: off some textbooks to her room, she's focused on beauty

938
00:41:44,280 --> 00:41:46,440
Speaker 1: Hour with Lorraine and some of the other hotel employees.

939
00:41:46,760 --> 00:41:49,080
Speaker 1: She doesn't intend to study and tells Dexter to get lost.

940
00:41:49,200 --> 00:41:51,719
Speaker 1: In turn, he admits his situation to the girl. He

941
00:41:51,760 --> 00:41:54,759
Speaker 1: owes her uncle Howie fifty grand and this is how

942
00:41:54,800 --> 00:41:57,439
Speaker 1: he'll survive the predicament. If not for the debt, he'd

943
00:41:57,480 --> 00:42:00,719
Speaker 1: be out the door. But he's desperate open to help,

944
00:42:00,840 --> 00:42:03,600
Speaker 1: so she leaves for his date with Charlotte, and it

945
00:42:03,640 --> 00:42:07,240
Speaker 1: was very discompopulated by this point. Yes now alone, Minerva

946
00:42:07,239 --> 00:42:10,480
Speaker 1: meets up with Yaki because you know hashtag Yaki forever.

947
00:42:10,800 --> 00:42:12,759
Speaker 1: She tells him she's looking to raise fifty grand to

948
00:42:12,760 --> 00:42:14,960
Speaker 1: get Dexter out of debt and out of her life.

949
00:42:15,080 --> 00:42:18,759
Speaker 1: She'll even sell her famous nail polish collection and trumpets

950
00:42:18,800 --> 00:42:21,080
Speaker 1: which all kids love trumpets.

951
00:42:20,920 --> 00:42:24,080
Speaker 2: And famous nail ball Nobody's.

952
00:42:23,680 --> 00:42:26,520
Speaker 3: Hey, everybody, did you just didn't know what Nice seven

953
00:42:26,600 --> 00:42:26,799
Speaker 3: was like?

954
00:42:27,320 --> 00:42:30,080
Speaker 2: Putn't know, but I need to know if a nail

955
00:42:30,120 --> 00:42:31,440
Speaker 2: polish collection.

956
00:42:31,400 --> 00:42:32,959
Speaker 3: Huge in the eighties was a.

957
00:42:32,920 --> 00:42:37,960
Speaker 2: Thing to actually take it to a pawnshop, of.

958
00:42:38,000 --> 00:42:40,800
Speaker 1: Course not no, even I know that didn't happen.

959
00:42:40,880 --> 00:42:42,200
Speaker 3: That was just no.

960
00:42:42,280 --> 00:42:46,240
Speaker 1: I know, but that that didn't happen, never happened.

961
00:42:46,280 --> 00:42:48,520
Speaker 3: I promise you, that promised you. That wasn't a thing.

962
00:42:49,360 --> 00:42:51,840
Speaker 1: Over at his fancy date, Dexter tells Charlotte that he

963
00:42:51,880 --> 00:42:53,960
Speaker 1: feed one at Black Jackie would have bought a boat

964
00:42:54,000 --> 00:42:55,879
Speaker 1: for Fiji, and says that they both have a lot

965
00:42:55,920 --> 00:42:58,400
Speaker 1: in common. They're both anxious to change their lives, and

966
00:42:58,440 --> 00:43:00,919
Speaker 1: they both feel trapped. Then how he arrives, he's happy

967
00:43:00,960 --> 00:43:02,920
Speaker 1: to hear things went well with Minerva today and abruptly

968
00:43:03,000 --> 00:43:05,000
Speaker 1: joins them for dinner without the invite.

969
00:43:05,480 --> 00:43:07,120
Speaker 3: Downstairs, Minerva calls for her limo.

970
00:43:07,239 --> 00:43:10,560
Speaker 1: She says she has to help Yaki Yaki Forever get home.

971
00:43:10,840 --> 00:43:12,799
Speaker 1: They trust her, but the limo actually takes the two

972
00:43:12,880 --> 00:43:16,680
Speaker 1: kids to a nearby sketchy pawn shop. The terrifying owner

973
00:43:16,680 --> 00:43:18,600
Speaker 1: tries to hide some illegal business taking place in the

974
00:43:18,640 --> 00:43:21,080
Speaker 1: back and laughs when Minerva asks for fifty thousand dollars

975
00:43:21,160 --> 00:43:23,680
Speaker 1: minus three hundred dollars that she's already collected, and that's

976
00:43:23,680 --> 00:43:25,799
Speaker 1: when we hear sirens. Cops has surrounded the shop and

977
00:43:25,800 --> 00:43:28,520
Speaker 1: we get our second raid of the film. The sketchy

978
00:43:28,520 --> 00:43:30,520
Speaker 1: pawnshop guys try to hide the money, but the police

979
00:43:30,520 --> 00:43:32,440
Speaker 1: eventually detain everyone, even the kids.

980
00:43:32,480 --> 00:43:35,360
Speaker 3: And this was another weird scene that just didn't seem necessary.

981
00:43:35,600 --> 00:43:38,359
Speaker 2: But she was so cute. Yeah, when they're standing there

982
00:43:38,400 --> 00:43:40,160
Speaker 2: all where she's standing there, she was.

983
00:43:40,280 --> 00:43:42,080
Speaker 3: They were both just arrested. Adorable.

984
00:43:42,920 --> 00:43:45,560
Speaker 1: The cast, the kids, they were great And just like

985
00:43:45,600 --> 00:43:48,600
Speaker 1: that Mustache is marching Dexter right back to Howie's office,

986
00:43:48,600 --> 00:43:51,320
Speaker 1: where aunt Hermione has also returned. How he can't believe

987
00:43:51,360 --> 00:43:53,759
Speaker 1: the trouble his niece gotten into, and he's blamed her

988
00:43:53,800 --> 00:43:54,280
Speaker 1: new teacher.

989
00:43:54,440 --> 00:43:55,960
Speaker 3: Why he's blaming the teacher, I don't know.

990
00:43:56,040 --> 00:43:57,920
Speaker 1: Dexter will need to watch over her twenty four to

991
00:43:57,920 --> 00:43:59,640
Speaker 1: seven if that's what's needed, Because of course he's a

992
00:43:59,680 --> 00:44:02,600
Speaker 1: strange her because if she doesn't pass the test, she'll

993
00:44:02,640 --> 00:44:05,359
Speaker 1: become the property of Entremine, who then would take her

994
00:44:05,400 --> 00:44:08,799
Speaker 1: and raise her properly and have her study, and then

995
00:44:08,800 --> 00:44:09,840
Speaker 1: she'd actually be able.

996
00:44:09,600 --> 00:44:12,240
Speaker 3: To showers the test. Well, yeah, exactly.

997
00:44:13,000 --> 00:44:15,279
Speaker 1: The next day, Dexter arrives early to Minerva's room to

998
00:44:15,280 --> 00:44:18,160
Speaker 1: start quote spring cleaning. He says a cluttered room can

999
00:44:18,200 --> 00:44:21,120
Speaker 1: create a cluttered mind. He's now very motivated to help her,

1000
00:44:21,120 --> 00:44:23,359
Speaker 1: and he's decided to change his approach. They start all

1001
00:44:23,400 --> 00:44:26,520
Speaker 1: over using blackjack, a game she knows well to learn numbers,

1002
00:44:27,040 --> 00:44:29,080
Speaker 1: and later Dexter takes Minerva to a truck stop to

1003
00:44:29,080 --> 00:44:30,760
Speaker 1: get her out of the hotel and around other people.

1004
00:44:30,960 --> 00:44:32,680
Speaker 1: He's trying to teach her about etiquette, but this place

1005
00:44:32,719 --> 00:44:34,960
Speaker 1: doesn't even have soup spoons or clean forks, so they

1006
00:44:35,040 --> 00:44:37,080
Speaker 1: agree to leave, and the scene did absolutely nothing to

1007
00:44:37,120 --> 00:44:39,640
Speaker 1: further the movie. Not only that, but then it ends

1008
00:44:39,640 --> 00:44:41,880
Speaker 1: with two other guys who aren't in the movie at all,

1009
00:44:42,360 --> 00:44:44,319
Speaker 1: doing this little side of after year.

1010
00:44:44,440 --> 00:44:47,319
Speaker 2: John, are we getting a sidebar story or are.

1011
00:44:47,239 --> 00:44:49,560
Speaker 3: They going to rob? Yes?

1012
00:44:50,000 --> 00:44:52,880
Speaker 2: I thought she had trust fun baby, Is she the

1013
00:44:52,880 --> 00:44:56,000
Speaker 2: one that actually owns the hotel? Like I started going

1014
00:44:56,040 --> 00:44:57,359
Speaker 2: into all these different.

1015
00:44:57,600 --> 00:44:59,840
Speaker 1: Yep and you know what that what actually happened was

1016
00:45:00,680 --> 00:45:04,120
Speaker 1: You're like, not a thing is what actually happened. At

1017
00:45:04,120 --> 00:45:06,880
Speaker 1: the end of the day, back at the hotel, Dexter

1018
00:45:06,960 --> 00:45:09,439
Speaker 1: runs into Charlotte, who's been too busy to see him lately.

1019
00:45:09,520 --> 00:45:11,319
Speaker 1: She invites him to a party, but says it's not

1020
00:45:11,360 --> 00:45:13,880
Speaker 1: really an invite, it's a demand. Per how he's orders,

1021
00:45:13,880 --> 00:45:16,520
Speaker 1: Dexter must take Minerva to the benefit to prove her progress,

1022
00:45:16,600 --> 00:45:19,240
Speaker 1: which is an awful lot of pressure. That night, Dexter

1023
00:45:19,280 --> 00:45:21,040
Speaker 1: reads a sad book to Minerva, and things seem to

1024
00:45:21,040 --> 00:45:23,319
Speaker 1: be getting better, especially when Dexter explains the history of

1025
00:45:23,320 --> 00:45:25,680
Speaker 1: France in World War One in a fun, captivating way

1026
00:45:26,000 --> 00:45:28,600
Speaker 1: as a history buff. I liked the way he talked

1027
00:45:28,600 --> 00:45:30,760
Speaker 1: about Alsace Lorrain, and I thought that was very interesting.

1028
00:45:31,440 --> 00:45:34,239
Speaker 1: Uh so again, mister Miggie kind of teaching. So as

1029
00:45:34,280 --> 00:45:36,120
Speaker 1: a break, Dexter takes her out to the desert for

1030
00:45:36,160 --> 00:45:38,640
Speaker 1: a picnic she's wanted to go on, and they're finally bonding,

1031
00:45:38,719 --> 00:45:41,600
Speaker 1: even holding hands and learning about Cinderella by wearing costumes

1032
00:45:41,600 --> 00:45:43,840
Speaker 1: and dancing new music and again this man has just

1033
00:45:43,880 --> 00:45:46,280
Speaker 1: given this girl over to a complete and total stranger.

1034
00:45:46,920 --> 00:45:47,840
Speaker 3: And now it's now.

1035
00:45:47,840 --> 00:45:49,480
Speaker 2: From the sand dunes.

1036
00:45:49,520 --> 00:45:51,239
Speaker 3: It's now in the middle of the desert. Yep. Now

1037
00:45:51,239 --> 00:45:53,000
Speaker 3: in the middle of the desert, in the middle of Nevada,

1038
00:45:54,000 --> 00:45:56,960
Speaker 3: and nothing weird about that at all. And it's like,

1039
00:45:57,040 --> 00:45:59,279
Speaker 3: this is where I bury my last three people like.

1040
00:45:59,440 --> 00:46:02,239
Speaker 2: She Then he got a car from the hotel to

1041
00:46:02,320 --> 00:46:02,680
Speaker 2: take her.

1042
00:46:03,120 --> 00:46:05,160
Speaker 3: Oh man, it's the whole thing is weird.

1043
00:46:05,320 --> 00:46:06,600
Speaker 2: We're wild now.

1044
00:46:07,440 --> 00:46:09,840
Speaker 1: We are it was, it's kind of going in a

1045
00:46:09,840 --> 00:46:13,120
Speaker 1: little nuts. Now now it's time for that famous benefit event.

1046
00:46:13,160 --> 00:46:15,880
Speaker 1: Dexter and Minerva walking together, both a little intimidated and

1047
00:46:15,880 --> 00:46:18,120
Speaker 1: nervous she won't remember the etiquette lessons. They take their

1048
00:46:18,120 --> 00:46:20,759
Speaker 1: seats for dinner, and Minerva is doing great talking to

1049
00:46:20,760 --> 00:46:22,960
Speaker 1: the adults she's really learned a lot, and pressing Howie

1050
00:46:22,960 --> 00:46:25,440
Speaker 1: and Hermione until she starts eating her food with her

1051
00:46:25,440 --> 00:46:28,080
Speaker 1: hands like an animal. In all fairness, she does that

1052
00:46:28,160 --> 00:46:30,839
Speaker 1: because nobody can cut the food that's in front of her.

1053
00:46:31,640 --> 00:46:34,480
Speaker 1: Instead of reacting negatively, Dexter and Charlotte decide to join her.

1054
00:46:34,480 --> 00:46:37,080
Speaker 1: The cornish game hen was tough anyway, and then the

1055
00:46:37,120 --> 00:46:40,440
Speaker 1: whole table, joins in she had a very good idea.

1056
00:46:40,640 --> 00:46:43,600
Speaker 1: Minerva eventually retreats to the kitchen to pretend hyperventilating into

1057
00:46:43,640 --> 00:46:46,719
Speaker 1: a bag. Dexter finds her and announces that he's very

1058
00:46:46,760 --> 00:46:48,759
Speaker 1: proud of her. She's doing a great job and even

1059
00:46:48,920 --> 00:46:51,920
Speaker 1: Uncle Howie is impressed. In response, he gave Dexter his

1060
00:46:51,960 --> 00:46:54,920
Speaker 1: plane ticket back to him, and now Minerva wants to celebrate.

1061
00:46:55,080 --> 00:46:58,919
Speaker 1: She even tells Dexter she loves him. Eventually, Charlotte tracks

1062
00:46:58,960 --> 00:47:01,759
Speaker 1: him down. Howie wants to talk to Dexter again, so

1063
00:47:01,960 --> 00:47:04,040
Speaker 1: Howie and Dexter share a drink celebrating what they saw

1064
00:47:04,040 --> 00:47:06,680
Speaker 1: from Minerva tonight. But how He reminds the teacher Minerva

1065
00:47:06,719 --> 00:47:09,440
Speaker 1: not only has to get accepted into the school, she

1066
00:47:09,600 --> 00:47:13,160
Speaker 1: also has to want to be there. If she drops out,

1067
00:47:13,239 --> 00:47:16,160
Speaker 1: the debt stands, but either way, the test is tomorrow,

1068
00:47:16,280 --> 00:47:20,000
Speaker 1: so buckle up. Later that night, Charlotte and Dexter decide

1069
00:47:20,000 --> 00:47:21,960
Speaker 1: to share a drink before he leaves, and when Minerva

1070
00:47:22,000 --> 00:47:24,040
Speaker 1: comes down to the boiler room with surprise for Dexter,

1071
00:47:24,160 --> 00:47:26,880
Speaker 1: he's not there, and when Minerva does find the couple,

1072
00:47:26,960 --> 00:47:30,160
Speaker 1: she sees them kiss. Minerva shocked, maybe even hurt, but

1073
00:47:30,239 --> 00:47:32,480
Speaker 1: she goes undetected when the new couple walks outside for

1074
00:47:32,560 --> 00:47:32,959
Speaker 1: some air.

1075
00:47:34,239 --> 00:47:34,600
Speaker 2: Was she.

1076
00:47:36,719 --> 00:47:38,240
Speaker 3: Did she like dexter?

1077
00:47:38,640 --> 00:47:41,600
Speaker 2: Okay, but you got it back up because when she

1078
00:47:41,480 --> 00:47:45,000
Speaker 2: she wanted to celebrate, did she feel like she made

1079
00:47:45,080 --> 00:47:47,239
Speaker 2: plans with him? And now he canceled the plan?

1080
00:47:47,440 --> 00:47:47,600
Speaker 5: Right?

1081
00:47:47,840 --> 00:47:49,240
Speaker 3: Is that what they're talking about?

1082
00:47:49,400 --> 00:47:52,960
Speaker 2: He canceled the plans and went with Charlotte, and that's

1083
00:47:52,960 --> 00:47:56,160
Speaker 2: why she was so hurt. Now I'm like, she had

1084
00:47:56,200 --> 00:47:59,600
Speaker 2: just said that she loved him. Did that line means

1085
00:47:59,600 --> 00:48:00,960
Speaker 2: she was in love with him?

1086
00:48:01,239 --> 00:48:04,720
Speaker 3: And they didn't there really cancel plans. They didn't have any.

1087
00:48:04,600 --> 00:48:06,799
Speaker 2: Plans for sure. Yeah, it was. It was.

1088
00:48:06,880 --> 00:48:09,040
Speaker 3: And what is she doing by herself in the boiler

1089
00:48:09,120 --> 00:48:10,839
Speaker 3: room at like eleven o'clock at night?

1090
00:48:11,239 --> 00:48:11,920
Speaker 2: Yeah it was.

1091
00:48:12,000 --> 00:48:13,520
Speaker 3: I mean, I guess she's supposed to kind of run

1092
00:48:13,520 --> 00:48:14,399
Speaker 3: of the hotel.

1093
00:48:14,120 --> 00:48:17,120
Speaker 2: But because she, yeah, runs amuck. But like, I mean,

1094
00:48:18,239 --> 00:48:20,760
Speaker 2: I know it was. It was at this point again,

1095
00:48:20,840 --> 00:48:22,920
Speaker 2: I'm still stuck on who are those other two guys?

1096
00:48:23,120 --> 00:48:26,400
Speaker 3: Yeah, who's the guy? The two guys in the dinery?

1097
00:48:26,800 --> 00:48:27,520
Speaker 3: No reason for it.

1098
00:48:27,600 --> 00:48:30,120
Speaker 2: Yeah, they're coming down the hallway any minute, I know it.

1099
00:48:30,200 --> 00:48:33,000
Speaker 2: There when they're gonna this is when they're gonna kidnap her.

1100
00:48:33,280 --> 00:48:36,319
Speaker 1: Yeah, yeah, there's gonna be another storyline, and then they

1101
00:48:36,360 --> 00:48:37,000
Speaker 1: have to save her.

1102
00:48:37,080 --> 00:48:38,560
Speaker 3: No, not that, And.

1103
00:48:38,520 --> 00:48:40,919
Speaker 2: Then we had like four or five different commercial breaks

1104
00:48:40,960 --> 00:48:41,880
Speaker 2: in between.

1105
00:48:41,520 --> 00:48:44,080
Speaker 3: All the truths. I love them, just.

1106
00:48:44,040 --> 00:48:46,400
Speaker 2: Like you got to get back because I'm confused.

1107
00:48:46,680 --> 00:48:50,040
Speaker 3: Juicy food is going to move. Yeah, it's use soft,

1108
00:48:50,280 --> 00:48:53,520
Speaker 3: it gets right through. Ye, juicy fruit. The taste, the taste,

1109
00:48:53,520 --> 00:48:55,879
Speaker 3: the taste is gonna move. Yeah, juicy fruit.

1110
00:48:55,920 --> 00:49:00,320
Speaker 1: Hell Yes, nineteen eighty seven, baby now walking together. Shearlotte

1111
00:49:00,320 --> 00:49:03,000
Speaker 1: tells Dexter she's inspired by what he's done with Minerva.

1112
00:49:03,120 --> 00:49:04,839
Speaker 1: Charlotte feels like she needs to do something with her

1113
00:49:04,880 --> 00:49:07,160
Speaker 1: life too. They both wish she wasn't leaving, and so

1114
00:49:07,200 --> 00:49:09,160
Speaker 1: they kiss again. Luckily no kid was.

1115
00:49:09,160 --> 00:49:12,280
Speaker 3: Watching this time. She's back in her room. Actually, Minerva

1116
00:49:12,400 --> 00:49:13,400
Speaker 3: is devastated.

1117
00:49:13,760 --> 00:49:16,200
Speaker 1: She decides to call Yaki, which is also exactly what

1118
00:49:16,280 --> 00:49:19,960
Speaker 1: I do call the one man party Yaki forever. Unfortunately,

1119
00:49:20,640 --> 00:49:23,120
Speaker 1: Yaki's been grounded since the pawnshop incident because he has

1120
00:49:23,760 --> 00:49:26,359
Speaker 1: oh what are those called? Parents that care about him?

1121
00:49:26,719 --> 00:49:28,680
Speaker 1: She had no she got into no trouble for getting

1122
00:49:28,719 --> 00:49:31,399
Speaker 1: arrested at a pawnshop. Minerva says, she feels like she's

1123
00:49:31,480 --> 00:49:34,760
Speaker 1: running away, so Yaki invites her over take this one.

1124
00:49:34,800 --> 00:49:37,880
Speaker 1: Say it with me, Sabrina, Yaki forever.

1125
00:49:38,000 --> 00:49:39,399
Speaker 3: Say it with me, Yaki.

1126
00:49:39,080 --> 00:49:40,800
Speaker 2: Forever, Yaki forever.

1127
00:49:41,000 --> 00:49:43,240
Speaker 3: That's right, yeahs Yaki forever.

1128
00:49:43,320 --> 00:49:45,760
Speaker 1: She writes down his address with a comically large pencil

1129
00:49:46,080 --> 00:49:47,320
Speaker 1: and leaves for his place.

1130
00:49:47,600 --> 00:49:49,439
Speaker 3: She arrives at Yaki's, but it's def Con five.

1131
00:49:49,480 --> 00:49:51,840
Speaker 1: Back at the hotel, everyone's freaking out that Minerva is

1132
00:49:51,880 --> 00:49:54,799
Speaker 1: missing and they're involving the police now, which I thought

1133
00:49:54,840 --> 00:49:57,080
Speaker 1: was a quick jump. She's been gone like twenty minutes anyway.

1134
00:49:57,320 --> 00:50:00,239
Speaker 1: Howie is screaming about kidnapping and blaming Dexter, but Exeter

1135
00:50:00,400 --> 00:50:03,120
Speaker 1: finally fights back. He says that how he pretends that

1136
00:50:03,160 --> 00:50:05,120
Speaker 1: the kid is his life, but the hotel and his

1137
00:50:05,200 --> 00:50:08,040
Speaker 1: business deals that's actually his life. As they argue, how

1138
00:50:08,080 --> 00:50:10,400
Speaker 1: he begs everyone not to tell Hermione, but guess what,

1139
00:50:11,040 --> 00:50:13,440
Speaker 1: just like good old Hermione Granger using the time turner

1140
00:50:13,520 --> 00:50:18,040
Speaker 1: she already knows. Now defeated, Dexter walks into Minerva's bedroom,

1141
00:50:18,120 --> 00:50:20,520
Speaker 1: scoping out all of their study materials. You can tell

1142
00:50:20,600 --> 00:50:23,480
Speaker 1: he feels like it all meant nothing now, but then

1143
00:50:23,600 --> 00:50:26,440
Speaker 1: he notices something. It's a red flag poked onto their

1144
00:50:26,480 --> 00:50:29,520
Speaker 1: map right on Boston. He rushes to how he knows

1145
00:50:29,520 --> 00:50:31,440
Speaker 1: where she is. He wants to go get her himself.

1146
00:50:31,560 --> 00:50:34,719
Speaker 1: No police, no sirens. Dexter says, if he's wrong, he'll

1147
00:50:34,719 --> 00:50:36,520
Speaker 1: come back and face the music. But he cares about

1148
00:50:36,520 --> 00:50:38,759
Speaker 1: Minerva and he's got to find her before Hermione does.

1149
00:50:39,520 --> 00:50:42,080
Speaker 1: Everybody's treating this Hermione like she's the worst person in

1150
00:50:42,080 --> 00:50:43,920
Speaker 1: the world. The only person who's like, you know, what

1151
00:50:43,960 --> 00:50:45,760
Speaker 1: I would love for her to do is have a family,

1152
00:50:46,320 --> 00:50:50,280
Speaker 1: have some structure, go to school. And everyone's like she's

1153
00:50:50,280 --> 00:50:52,120
Speaker 1: the evil step brother, like they.

1154
00:50:52,000 --> 00:50:54,280
Speaker 2: It should have been seem like she's very kind.

1155
00:50:54,640 --> 00:50:57,960
Speaker 1: No, but who cares At that point, You've got a

1156
00:50:58,040 --> 00:51:03,560
Speaker 1: child who is completely educated, spoiled, running amuck all over

1157
00:51:03,600 --> 00:51:06,600
Speaker 1: the place, eating everything inside.

1158
00:51:06,200 --> 00:51:09,399
Speaker 2: The backstory, she has no parents there.

1159
00:51:09,600 --> 00:51:12,080
Speaker 1: They go, well, we know she's an orphan. We said,

1160
00:51:12,120 --> 00:51:13,920
Speaker 1: they said that she's an orphan.

1161
00:51:14,320 --> 00:51:18,600
Speaker 8: I get the traumauma. No one's trying to deal with that.

1162
00:51:19,480 --> 00:51:21,120
Speaker 8: They should have I'm sorry, I know this should have

1163
00:51:21,120 --> 00:51:23,840
Speaker 8: would it could? A game is never good, but they

1164
00:51:23,880 --> 00:51:25,399
Speaker 8: they should have. It should have been.

1165
00:51:25,320 --> 00:51:27,640
Speaker 1: Something like we saw that in the one movie what

1166
00:51:27,719 --> 00:51:29,160
Speaker 1: was it where they were like, oh my god, she's

1167
00:51:29,200 --> 00:51:32,520
Speaker 1: literally talking about killing or killing the nephew. Remember the

1168
00:51:32,520 --> 00:51:34,600
Speaker 1: the was it Ghost of Buxley Hall. I forget which

1169
00:51:34,600 --> 00:51:36,640
Speaker 1: one it was, don't you remember? There was one where

1170
00:51:36,640 --> 00:51:39,280
Speaker 1: it was like they were trying to control the kid's money,

1171
00:51:39,719 --> 00:51:42,239
Speaker 1: and so if they got control. I think it was

1172
00:51:42,280 --> 00:51:44,920
Speaker 1: Ghost of Buxley Hall. I think if they got control

1173
00:51:45,000 --> 00:51:46,680
Speaker 1: of the kid and they were like, well, then we'll

1174
00:51:46,719 --> 00:51:48,920
Speaker 1: just kill the kid. I thought if they added something

1175
00:51:49,000 --> 00:51:52,760
Speaker 1: like Hermione only wants you because then you get control

1176
00:51:52,800 --> 00:51:55,960
Speaker 1: of the trust fund your parents left you, something like

1177
00:51:56,000 --> 00:51:58,600
Speaker 1: that where it's like they literally, yes, she's a curmudgeon.

1178
00:51:59,040 --> 00:52:02,040
Speaker 1: Living at her mind is gonna suck, but you're gonna

1179
00:52:02,080 --> 00:52:03,880
Speaker 1: actually grow up and learn something. It's like the equivalent

1180
00:52:03,880 --> 00:52:07,719
Speaker 1: of going to military school, which this girl needed. So

1181
00:52:07,840 --> 00:52:10,280
Speaker 1: it was like to me, is like, make her actually evil,

1182
00:52:10,320 --> 00:52:12,920
Speaker 1: make it to where she does. She's gonna control the money,

1183
00:52:12,960 --> 00:52:15,879
Speaker 1: She's gonna something's gonna happen, not just I'm gonna make

1184
00:52:15,920 --> 00:52:19,839
Speaker 1: you learn where it's like, okay, that's geez It's this

1185
00:52:20,000 --> 00:52:23,120
Speaker 1: girl needs some structure in her life. Anyway, This from

1186
00:52:23,120 --> 00:52:24,440
Speaker 1: the guy who doesn't have kids, and we'll never have

1187
00:52:24,480 --> 00:52:25,280
Speaker 1: to deal with it himself.

1188
00:52:26,600 --> 00:52:26,920
Speaker 3: Thank you.

1189
00:52:27,120 --> 00:52:30,840
Speaker 1: Eventually, how he agrees, giving Dexter permission to leave for

1190
00:52:30,880 --> 00:52:33,640
Speaker 1: a temporary task, finally leaving Las Vegas.

1191
00:52:33,760 --> 00:52:35,759
Speaker 3: Ooh, leaving Las Vegas. Good name for a movie.

1192
00:52:35,760 --> 00:52:37,960
Speaker 1: I did a jot down and getting another great look

1193
00:52:37,960 --> 00:52:41,040
Speaker 1: at eighties Vegas. Dexter eventually just appears in Boston. We

1194
00:52:41,040 --> 00:52:43,640
Speaker 1: see him drive to the airport. It says it says

1195
00:52:43,760 --> 00:52:46,280
Speaker 1: Vegas airport, but he's just there now all of a sudden.

1196
00:52:46,520 --> 00:52:49,880
Speaker 1: We also kind of don't really get how she got there.

1197
00:52:50,520 --> 00:52:53,719
Speaker 1: Even the guy says to her, she came with three

1198
00:52:53,800 --> 00:52:56,360
Speaker 1: hundred dollars. She came with three one hundred dollars bills.

1199
00:52:56,560 --> 00:52:59,680
Speaker 1: She had me change one. I just thought maybe she'd

1200
00:52:59,719 --> 00:53:03,640
Speaker 1: want to get something at the gift shop at the airport.

1201
00:53:03,880 --> 00:53:06,759
Speaker 3: So did he know she was going to the airport?

1202
00:53:06,800 --> 00:53:08,640
Speaker 1: The guy that works at the casino, I was now

1203
00:53:08,680 --> 00:53:10,560
Speaker 1: going like, wait, what the hell's going on?

1204
00:53:10,640 --> 00:53:13,160
Speaker 2: Well, it's the same thing as the limo driver taking

1205
00:53:13,200 --> 00:53:15,600
Speaker 2: her to a pawn shop, Like how is how is

1206
00:53:15,600 --> 00:53:21,400
Speaker 2: this eleven year old talking adults into getting her places

1207
00:53:21,400 --> 00:53:23,200
Speaker 2: that she should not be by herself.

1208
00:53:24,120 --> 00:53:26,840
Speaker 3: Yeah, but it's also just the whole, the whole.

1209
00:53:27,880 --> 00:53:30,160
Speaker 1: It's like, so did they know she hopped a plane,

1210
00:53:30,239 --> 00:53:32,680
Speaker 1: this girl obviously that she was in Vegas?

1211
00:53:32,719 --> 00:53:34,880
Speaker 2: She gift shop?

1212
00:53:34,960 --> 00:53:35,959
Speaker 3: Yeah yeah, but.

1213
00:53:38,040 --> 00:53:38,879
Speaker 2: Who that?

1214
00:53:39,160 --> 00:53:39,920
Speaker 3: Yeah, I don't know.

1215
00:53:40,000 --> 00:53:45,160
Speaker 1: It's very strange, like yeah, yeah, anyway, uh yeah. So

1216
00:53:45,960 --> 00:53:47,960
Speaker 1: we now see Dexter arriving at the boarding school she

1217
00:53:48,040 --> 00:53:49,920
Speaker 1: said to attend and rooms around the campus trying to

1218
00:53:49,920 --> 00:53:52,080
Speaker 1: find Mi Nerva, but instead he stumbles on an attractive

1219
00:53:52,160 --> 00:53:56,880
Speaker 1: lady that flirts with him for absolutely no reason whatsoever.

1220
00:53:57,000 --> 00:53:59,440
Speaker 3: It's like, this is another one of those why why

1221
00:53:59,440 --> 00:54:01,960
Speaker 3: do they even that? What was the point of this

1222
00:54:02,080 --> 00:54:04,120
Speaker 3: random lady just coming up and flirting.

1223
00:54:03,840 --> 00:54:07,120
Speaker 2: With this guy? Every Dexter was like a hot commodity

1224
00:54:07,200 --> 00:54:11,120
Speaker 2: in this movie. Remember we've got the waitress at the beginning,

1225
00:54:11,160 --> 00:54:13,520
Speaker 2: who thinks he's so who's so handsome?

1226
00:54:13,560 --> 00:54:15,560
Speaker 3: And then we got Charlotte.

1227
00:54:15,080 --> 00:54:17,600
Speaker 2: And then Charlotte and now this guy. And it's like,

1228
00:54:17,800 --> 00:54:20,000
Speaker 2: I'm not saying he's not a good looking guy. Oh

1229
00:54:20,040 --> 00:54:22,400
Speaker 2: but this is not. First of all, it just doesn't

1230
00:54:22,440 --> 00:54:24,680
Speaker 2: need to be anything, Like he's not using it to

1231
00:54:24,680 --> 00:54:26,000
Speaker 2: get anything for himself.

1232
00:54:26,080 --> 00:54:29,160
Speaker 1: Yeah, he's Player Riser, he ain't Paul Riiser. It's crazy,

1233
00:54:29,920 --> 00:54:31,799
Speaker 1: but yeah, what's going on? He's just you're right, But

1234
00:54:31,840 --> 00:54:33,239
Speaker 1: it was just such a weird scene. It was like,

1235
00:54:33,239 --> 00:54:37,040
Speaker 1: what why is this here? Eventually he does find Minerva

1236
00:54:37,080 --> 00:54:39,840
Speaker 1: though she's in a classroom taking the entrance exam. He

1237
00:54:39,880 --> 00:54:41,880
Speaker 1: smiles to himself and calls, Howie he found her, and

1238
00:54:41,920 --> 00:54:45,000
Speaker 1: she's okay, she's taking the test. Eventually she completes the exam,

1239
00:54:45,120 --> 00:54:47,640
Speaker 1: and Minerva is so excited to see Dexter jumping into

1240
00:54:47,640 --> 00:54:50,279
Speaker 1: his arms and completely forgetting that he's straight up all

1241
00:54:50,320 --> 00:54:53,360
Speaker 1: after Charlotte, but also that she was supposed to be

1242
00:54:53,440 --> 00:54:54,120
Speaker 1: mad at him.

1243
00:54:54,880 --> 00:54:57,719
Speaker 2: Yeah, she was just at him, but yeah, because he

1244
00:54:57,840 --> 00:55:00,560
Speaker 2: showed up, because he's an adult that I actually shows

1245
00:55:00,600 --> 00:55:03,680
Speaker 2: up for her. Yeah, her uncle does it. Her uncle

1246
00:55:03,680 --> 00:55:06,440
Speaker 2: does no hands things like after the fact, like.

1247
00:55:07,200 --> 00:55:09,520
Speaker 1: Yeah, I guess then, but why didn't she not want

1248
00:55:09,560 --> 00:55:11,640
Speaker 1: him there? Anyway, When we're back at the hotel, now

1249
00:55:11,680 --> 00:55:13,600
Speaker 1: how he congratulates his niece over the phone. He says

1250
00:55:13,640 --> 00:55:16,080
Speaker 1: he knew she could do it. Meanwhile, Charlotte finally gets

1251
00:55:16,080 --> 00:55:18,720
Speaker 1: the confidence to quit. She's been poached by another hotel's

1252
00:55:18,719 --> 00:55:20,840
Speaker 1: PR department, but when how He offers her a similar

1253
00:55:20,920 --> 00:55:22,759
Speaker 1: job at Caesar's, it looks like maybe she'll stay and

1254
00:55:22,800 --> 00:55:25,520
Speaker 1: think it over. So what kind of lesson was that

1255
00:55:26,160 --> 00:55:28,160
Speaker 1: We are now back at the boarding school. Dexter wants

1256
00:55:28,200 --> 00:55:30,120
Speaker 1: to know why my Nerva ran away was the wrong

1257
00:55:30,160 --> 00:55:33,120
Speaker 1: thing to do. Valid question. She explains that she wanted

1258
00:55:33,120 --> 00:55:36,399
Speaker 1: to do this alone, all by herself, which again doesn't

1259
00:55:36,400 --> 00:55:37,600
Speaker 1: really make a whole lot of sense, and it seems

1260
00:55:37,600 --> 00:55:41,000
Speaker 1: like she's already making friends at her new school. Dexter

1261
00:55:41,080 --> 00:55:43,520
Speaker 1: lets her know he lives only twenty minutes from the school,

1262
00:55:43,600 --> 00:55:46,920
Speaker 1: and they decide he'll visit her sometimes. She suggests he

1263
00:55:46,960 --> 00:55:49,200
Speaker 1: looks into teaching again. He says it's crossed his mind.

1264
00:55:49,280 --> 00:55:51,160
Speaker 1: She begs him for a picnic and they hold hands

1265
00:55:51,160 --> 00:55:53,600
Speaker 1: and walk together. He explains he knows a perfect spot

1266
00:55:53,640 --> 00:55:56,279
Speaker 1: for Swan Lake. In the end, it appears they both

1267
00:55:56,440 --> 00:56:05,160
Speaker 1: rediscovered their purpose in life. And that's our movie.

1268
00:56:06,520 --> 00:56:08,440
Speaker 3: Okay, real reviews.

1269
00:56:09,200 --> 00:56:12,200
Speaker 1: I think I have the five star review this week.

1270
00:56:12,280 --> 00:56:14,440
Speaker 1: I do, and this five star is from Cassidy g

1271
00:56:15,640 --> 00:56:19,400
Speaker 1: and it reads as thus, this is totally cute and

1272
00:56:19,440 --> 00:56:21,759
Speaker 1: I loved everything between Paul Reiser and the kid. But

1273
00:56:21,840 --> 00:56:24,120
Speaker 1: I watched this on YouTube with the original commercials, and

1274
00:56:24,200 --> 00:56:26,239
Speaker 1: let me just say how startling it was when all

1275
00:56:26,280 --> 00:56:28,160
Speaker 1: of a sudden, the news bulletin cut in about an

1276
00:56:28,239 --> 00:56:29,719
Speaker 1: escaped serial rapist.

1277
00:56:30,440 --> 00:56:32,520
Speaker 3: I thought the same thing. I'm totally honest with you.

1278
00:56:33,400 --> 00:56:37,640
Speaker 3: Uh it was. It was like magical world of Disney.

1279
00:56:37,160 --> 00:56:41,680
Speaker 1: Serial rapists on the loosers like whoa yeah, all right, Sabrina,

1280
00:56:41,800 --> 00:56:43,320
Speaker 1: you've got the one star review.

1281
00:56:43,400 --> 00:56:44,040
Speaker 3: What do you got?

1282
00:56:44,400 --> 00:56:49,000
Speaker 2: I got a one star from Frankie B. Should we

1283
00:56:49,120 --> 00:56:50,000
Speaker 2: be teaching kids?

1284
00:56:50,080 --> 00:56:50,480
Speaker 5: Sorry?

1285
00:56:50,800 --> 00:56:54,400
Speaker 3: Sorry, stop? Just the way you said, Frankie P is

1286
00:56:54,440 --> 00:56:56,719
Speaker 3: my new favorite of Frankie B. It was my new

1287
00:56:56,760 --> 00:57:00,120
Speaker 3: favorite thing ever. I apologize for interrupting.

1288
00:57:00,160 --> 00:57:01,880
Speaker 1: I just Frankie P made me laugh the way you

1289
00:57:01,920 --> 00:57:06,120
Speaker 1: said anyway, p franky peeky pee?

1290
00:57:06,400 --> 00:57:11,160
Speaker 2: All right? Should we be teaching kids about gambling? Get

1291
00:57:11,200 --> 00:57:11,920
Speaker 2: with it? Disney?

1292
00:57:13,040 --> 00:57:14,800
Speaker 3: One star? All right, one star?

1293
00:57:15,480 --> 00:57:19,040
Speaker 1: We now are approaching something that, of course is Sabrina's favorite. Uh.

1294
00:57:19,200 --> 00:57:24,520
Speaker 1: Part of today is even more I think, well, it's blackjack,

1295
00:57:24,640 --> 00:57:26,760
Speaker 1: So is what we're doing. And she just told us

1296
00:57:26,760 --> 00:57:29,800
Speaker 1: how she gets scared a little bit. What we've done, though,

1297
00:57:29,800 --> 00:57:31,240
Speaker 1: to make the game a little easier is I'm gonna

1298
00:57:31,240 --> 00:57:33,080
Speaker 1: have eleven strangers come in to your house right now

1299
00:57:33,120 --> 00:57:36,560
Speaker 1: and surround you as you are playing Blackjack. No, okay,

1300
00:57:36,600 --> 00:57:38,200
Speaker 1: so our feature is called Blackjack.

1301
00:57:38,800 --> 00:57:39,160
Speaker 3: Of course.

1302
00:57:39,200 --> 00:57:42,000
Speaker 1: Producer Jensen put this together for I like to say us,

1303
00:57:42,040 --> 00:57:43,080
Speaker 1: but it's really for Sabrina.

1304
00:57:43,480 --> 00:57:44,640
Speaker 3: You ruin My Life.

1305
00:57:44,600 --> 00:57:47,520
Speaker 1: Is obviously set in Las Vegas and the casinos that

1306
00:57:47,520 --> 00:57:50,080
Speaker 1: the city is known for, but as far as gambling,

1307
00:57:50,120 --> 00:57:53,560
Speaker 1: we only see Dexter's obsession with beating blackjack. So to

1308
00:57:53,600 --> 00:57:55,280
Speaker 1: find out how much we actually know about the movie's

1309
00:57:55,280 --> 00:57:57,600
Speaker 1: favorite table game, we will be given a scenario out

1310
00:57:57,600 --> 00:57:59,280
Speaker 1: of a hand, and we have to decide if we

1311
00:57:59,320 --> 00:58:02,600
Speaker 1: should hit stand, double down, or split three out of

1312
00:58:02,600 --> 00:58:04,439
Speaker 1: five correct answers as dictated by.

1313
00:58:04,320 --> 00:58:08,560
Speaker 3: The Book of Blackjack odds wins. So here we go

1314
00:58:09,600 --> 00:58:10,480
Speaker 3: first hand.

1315
00:58:10,280 --> 00:58:12,040
Speaker 7: And also, you don't have a ton of time. I'm

1316
00:58:12,080 --> 00:58:14,080
Speaker 7: going to give you about ten seconds each.

1317
00:58:14,520 --> 00:58:18,200
Speaker 1: Okay, great, you have okay, wait, and so hit yeah,

1318
00:58:18,280 --> 00:58:20,720
Speaker 1: hit stand, double downer slip. So the first hand we

1319
00:58:20,800 --> 00:58:22,560
Speaker 1: have is a king and a four and the dealer

1320
00:58:22,640 --> 00:58:25,840
Speaker 1: showing a nine. I'm gonna say, oh, fourteen, the dealer's

1321
00:58:25,840 --> 00:58:26,280
Speaker 1: got a nine.

1322
00:58:26,320 --> 00:58:28,760
Speaker 7: You have to hit yeah, you have to Okay, that's

1323
00:58:28,800 --> 00:58:30,480
Speaker 7: the first one, right, I mean I also think like

1324
00:58:30,560 --> 00:58:32,360
Speaker 7: maybe you should count to three and then both say

1325
00:58:32,360 --> 00:58:32,960
Speaker 7: it at the same time.

1326
00:58:33,000 --> 00:58:35,560
Speaker 3: But oh, okay, that's fair, that's fair. Okay, let'll do

1327
00:58:35,720 --> 00:58:38,360
Speaker 3: one good Okay, first, we're good. We have a five

1328
00:58:38,400 --> 00:58:38,800
Speaker 3: and a four.

1329
00:58:39,280 --> 00:58:46,320
Speaker 1: The dealer is showing a seven, right, yeah, one, two.

1330
00:58:45,960 --> 00:58:51,160
Speaker 7: Three hit all right? I would have also accepted double okay, yeah,

1331
00:58:51,480 --> 00:58:53,600
Speaker 7: also just a double? Great okay, two for two?

1332
00:58:54,480 --> 00:58:54,840
Speaker 2: Okay.

1333
00:58:55,600 --> 00:58:57,960
Speaker 1: You have a king and an eight. The dealer is

1334
00:58:57,960 --> 00:59:01,280
Speaker 1: showing a jack. Stand all right, we are already in

1335
00:59:01,320 --> 00:59:03,560
Speaker 1: the lead. That's it, that's you will Yeah, eights, have

1336
00:59:03,640 --> 00:59:06,280
Speaker 1: two for fun. I'd look at Sabrina sanction like a gamble.

1337
00:59:06,320 --> 00:59:07,600
Speaker 1: She's probably in at.

1338
00:59:08,560 --> 00:59:10,360
Speaker 2: I know, but my heart is beating so hard up

1339
00:59:10,400 --> 00:59:14,120
Speaker 2: for you, and my palms are sweety.

1340
00:59:14,280 --> 00:59:16,240
Speaker 3: I just love that. That's the best.

1341
00:59:16,320 --> 00:59:18,120
Speaker 1: And it's like I just want to see a random

1342
00:59:18,120 --> 00:59:19,720
Speaker 1: waitress walk by and like you want to drink onme.

1343
00:59:21,200 --> 00:59:24,439
Speaker 3: You have two eights. The dealer is showing a four

1344
00:59:25,120 --> 00:59:26,840
Speaker 3: one two three split.

1345
00:59:26,880 --> 00:59:27,040
Speaker 2: Wow.

1346
00:59:27,160 --> 00:59:29,439
Speaker 7: I mean you guys both know this game very well.

1347
00:59:29,480 --> 00:59:31,320
Speaker 7: Is this going to be a double five for five?

1348
00:59:31,560 --> 00:59:33,640
Speaker 7: This would be our first double five are easy?

1349
00:59:33,840 --> 00:59:34,880
Speaker 2: These are easier.

1350
00:59:35,040 --> 00:59:35,520
Speaker 5: Let's see.

1351
00:59:35,600 --> 00:59:36,080
Speaker 3: Here we go.

1352
00:59:36,680 --> 00:59:39,360
Speaker 1: You have an ace and a six. The dealer has

1353
00:59:39,400 --> 00:59:43,080
Speaker 1: an eight, one two, three hit.

1354
00:59:43,160 --> 00:59:46,400
Speaker 7: Wow, five for five our first ever please enter like

1355
00:59:46,440 --> 00:59:48,880
Speaker 7: a party sound effect here, Yes.

1356
00:59:49,400 --> 00:59:51,720
Speaker 3: Yes, to change, to change change.

1357
00:59:51,760 --> 00:59:55,280
Speaker 7: Little did we know this would be the one.

1358
00:59:55,600 --> 00:59:56,640
Speaker 3: That's the best.

1359
00:59:56,840 --> 00:59:59,920
Speaker 2: Oh, thank you, by the way, like never get these hands,

1360
01:00:01,920 --> 01:00:05,320
Speaker 2: I get like a like a like a two and

1361
01:00:05,400 --> 01:00:06,120
Speaker 2: like a six.

1362
01:00:06,760 --> 01:00:07,080
Speaker 3: I did.

1363
01:00:07,440 --> 01:00:08,680
Speaker 2: I never get good hands.

1364
01:00:08,720 --> 01:00:10,160
Speaker 3: We did it. We got five for five.

1365
01:00:10,480 --> 01:00:13,720
Speaker 1: Yes, thank you, Producer Jensen. I'm sorry to do that

1366
01:00:13,760 --> 01:00:17,960
Speaker 1: to you. You need to go to SAP now can

1367
01:00:17,960 --> 01:00:22,360
Speaker 1: we do some Sabrina seas?

1368
01:00:23,320 --> 01:00:26,720
Speaker 2: So there's obviously there's so many things say about the commercials,

1369
01:00:26,720 --> 01:00:29,320
Speaker 2: but it's not about the movie. I gotta stay focused.

1370
01:00:29,360 --> 01:00:34,000
Speaker 2: But before we didn't mention that we got another one,

1371
01:00:34,000 --> 01:00:36,120
Speaker 2: and I can't remember if we've gotten them on all

1372
01:00:36,160 --> 01:00:38,200
Speaker 2: of them or if it's just been one. But of

1373
01:00:38,240 --> 01:00:42,200
Speaker 2: the like Michael Eisner with like the cast, like it's

1374
01:00:42,320 --> 01:00:47,600
Speaker 2: like a whole introuzz buck it was it. Oh I

1375
01:00:47,640 --> 01:00:50,080
Speaker 2: saw her, she was that way go tango anyway?

1376
01:00:50,120 --> 01:00:51,400
Speaker 3: Did you say hi? Yes?

1377
01:00:51,520 --> 01:00:53,800
Speaker 2: I did, And her husband was there too, so it

1378
01:00:53,840 --> 01:00:56,280
Speaker 2: was really nice to see them. So fuzz Buckle was

1379
01:00:56,320 --> 01:00:57,800
Speaker 2: the last time, so I was like, oh, I was

1380
01:00:57,800 --> 01:01:02,080
Speaker 2: like super excited to see this. However, we got the

1381
01:01:02,120 --> 01:01:07,040
Speaker 2: same or similar Mickey voice. Yeah, like in no way

1382
01:01:07,160 --> 01:01:09,400
Speaker 2: it sounds like Mickey. I just was like, oh gosh,

1383
01:01:09,480 --> 01:01:11,480
Speaker 2: Will's gonna have to say something. I can't believe you

1384
01:01:11,480 --> 01:01:15,680
Speaker 2: didn't say anything. And then I actually kind of liked

1385
01:01:15,680 --> 01:01:18,840
Speaker 2: the crazy inventions. I it was a giant thing to me.

1386
01:01:18,840 --> 01:01:22,440
Speaker 2: It's so eighties. It was so big, so was everything,

1387
01:01:22,480 --> 01:01:25,320
Speaker 2: like the computers are big. Like everything was just like

1388
01:01:25,640 --> 01:01:29,240
Speaker 2: so giant back then, right, So it's like his little

1389
01:01:29,320 --> 01:01:32,160
Speaker 2: like contraption. But I also loved the fact that we

1390
01:01:32,280 --> 01:01:36,200
Speaker 2: got another look into some future actual things that we

1391
01:01:36,280 --> 01:01:41,760
Speaker 2: have nowadays, like a smart watch yep saw. I mean,

1392
01:01:41,880 --> 01:01:44,640
Speaker 2: I don't know if this key card thing was already

1393
01:01:44,640 --> 01:01:47,240
Speaker 2: happening or whatever. But I liked the key cards, and

1394
01:01:47,240 --> 01:01:49,960
Speaker 2: then I liked the idea of how they malfunctioned, because

1395
01:01:50,240 --> 01:01:52,520
Speaker 2: they always seem sketchy and the first time like I

1396
01:01:52,600 --> 01:01:54,760
Speaker 2: really thought about a key card, going, how do I

1397
01:01:54,840 --> 01:01:57,840
Speaker 2: know that the person before me didn't have this same card? Like,

1398
01:01:57,840 --> 01:01:58,960
Speaker 2: how do you really.

1399
01:02:00,680 --> 01:02:00,880
Speaker 3: Right?

1400
01:02:01,080 --> 01:02:03,080
Speaker 2: So anyway, it just made me kind of think like,

1401
01:02:03,120 --> 01:02:05,080
Speaker 2: oh wow, I guess they were made at this time

1402
01:02:05,120 --> 01:02:08,280
Speaker 2: in the eighties. Moving back a little bit, did it

1403
01:02:08,400 --> 01:02:10,440
Speaker 2: throw you off at all? Why he had a solo

1404
01:02:10,520 --> 01:02:12,880
Speaker 2: cup in the bank while he was banking.

1405
01:02:12,720 --> 01:02:14,400
Speaker 3: Like Joe, Oh, I didn't even notice it. It's because

1406
01:02:14,440 --> 01:02:15,880
Speaker 3: he had to he had to spill it.

1407
01:02:16,120 --> 01:02:18,440
Speaker 2: Well, he had to spill it. But I was going

1408
01:02:18,440 --> 01:02:21,280
Speaker 2: to does he have this yellow solo cup like it's

1409
01:02:21,280 --> 01:02:23,520
Speaker 2: like a full blown like so he just came.

1410
01:02:23,440 --> 01:02:25,360
Speaker 3: From a fraternity party, right.

1411
01:02:25,280 --> 01:02:28,760
Speaker 2: Bryant, giant, big, old bright and solo cup and then

1412
01:02:28,960 --> 01:02:30,640
Speaker 2: then he spills it and I went, oh, I guess that.

1413
01:02:31,120 --> 01:02:31,800
Speaker 3: Yeah, that was it.

1414
01:02:31,880 --> 01:02:33,680
Speaker 1: But that's how that's all bank fraud took in the

1415
01:02:33,720 --> 01:02:36,640
Speaker 1: in the eighties. Was just a solo cup full of diet.

1416
01:02:36,320 --> 01:02:42,120
Speaker 2: Coke and then just the last one. Oh, how did

1417
01:02:42,120 --> 01:02:45,160
Speaker 2: he get the room? How did he get that giant suite?

1418
01:02:45,320 --> 01:02:46,720
Speaker 3: Was it back? Yeah?

1419
01:02:46,800 --> 01:02:48,800
Speaker 1: Back in the day, especially if you went in, I'm

1420
01:02:48,800 --> 01:02:50,080
Speaker 1: sure you get a good room now, But if you

1421
01:02:50,120 --> 01:02:51,480
Speaker 1: went in back in the day and you got a

1422
01:02:51,560 --> 01:02:55,000
Speaker 1: fifty thousand dollars line of credit, they probably would have

1423
01:02:55,000 --> 01:02:56,200
Speaker 1: put you in pretty fast.

1424
01:02:55,800 --> 01:02:58,480
Speaker 7: But because that is too Sabrina, Yeah, so he only

1425
01:02:58,560 --> 01:03:01,840
Speaker 7: has fifty thousand dollars basically because they've seen the bank number.

1426
01:03:02,440 --> 01:03:05,000
Speaker 2: How much would that room be? Like that room was giant.

1427
01:03:04,800 --> 01:03:06,560
Speaker 7: Yeah, so you're telling me that if someone proved they

1428
01:03:06,560 --> 01:03:08,880
Speaker 7: had fifty thousand dollars, they got the ball or sweet,

1429
01:03:08,960 --> 01:03:09,440
Speaker 7: that's weird.

1430
01:03:10,040 --> 01:03:12,680
Speaker 1: It was what would fifty thousand dollars in the eighties

1431
01:03:12,680 --> 01:03:14,560
Speaker 1: would be what like one hundred and twenty grand? Now

1432
01:03:14,560 --> 01:03:16,440
Speaker 1: maybe a lot, but at I mean it's a lot

1433
01:03:16,480 --> 01:03:18,200
Speaker 1: to drop it a casino, right. If I walked in

1434
01:03:18,280 --> 01:03:20,160
Speaker 1: with one hundred and twenty thousand dollars line of credit,

1435
01:03:20,160 --> 01:03:21,800
Speaker 1: they probably put me in a nice room with them.

1436
01:03:21,840 --> 01:03:24,240
Speaker 7: But you're weird because they see you have that number

1437
01:03:24,320 --> 01:03:26,240
Speaker 7: and they're just willing to just give it all to you.

1438
01:03:26,480 --> 01:03:27,440
Speaker 3: Yeah, that's true.

1439
01:03:27,800 --> 01:03:30,040
Speaker 2: I guess they don't understand the line of credit. I've

1440
01:03:30,080 --> 01:03:32,640
Speaker 2: never gone in with like and gotten a line of credit.

1441
01:03:32,680 --> 01:03:34,480
Speaker 2: I mean, it's like you give them your whole.

1442
01:03:34,320 --> 01:03:37,280
Speaker 3: Out passion, you get cap Yeah. Do they still do

1443
01:03:37,400 --> 01:03:38,120
Speaker 3: lines of credit?

1444
01:03:38,160 --> 01:03:39,720
Speaker 7: Or is that an old Simol Vegas thing. We were

1445
01:03:40,000 --> 01:03:41,720
Speaker 7: in Vegas and I saw it happen a lot.

1446
01:03:42,360 --> 01:03:45,400
Speaker 2: Really had no idea what that was. I've never done

1447
01:03:45,480 --> 01:03:47,400
Speaker 2: Vegas that way. It's like you just more so get

1448
01:03:47,960 --> 01:03:51,360
Speaker 2: you know, pay thirty dollars to get your money out

1449
01:03:51,360 --> 01:03:52,160
Speaker 2: of the ATM.

1450
01:03:52,320 --> 01:03:54,560
Speaker 1: It was nine to ninety nine for me to get

1451
01:03:54,760 --> 01:03:56,840
Speaker 1: money out of the ATM. It cost me ten dollars

1452
01:03:56,920 --> 01:03:58,520
Speaker 1: to get my money exactly.

1453
01:03:59,600 --> 01:04:02,840
Speaker 2: And then the last thing was you did mention one

1454
01:04:02,960 --> 01:04:06,400
Speaker 2: the foot thing. They had a really weird way of

1455
01:04:06,480 --> 01:04:10,320
Speaker 2: flirty because when they're out by the pool and she

1456
01:04:10,480 --> 01:04:13,439
Speaker 2: sits down, he then rarely says like, oh, I thought

1457
01:04:13,440 --> 01:04:14,760
Speaker 2: you were so much taller than that.

1458
01:04:15,080 --> 01:04:17,440
Speaker 3: And I can eat spaghetti off your head.

1459
01:04:17,640 --> 01:04:20,080
Speaker 2: Yeah, like that's because I'm sitting down. He goes, oh, yeah,

1460
01:04:20,120 --> 01:04:22,720
Speaker 2: well from here, I can eat the spaghetti off your head,

1461
01:04:22,840 --> 01:04:26,840
Speaker 2: and she goes, I guess that's what she.

1462
01:04:26,880 --> 01:04:28,640
Speaker 7: What can I tell you my thoughts on that? I

1463
01:04:28,640 --> 01:04:29,800
Speaker 7: actually have kind of a hot.

1464
01:04:30,280 --> 01:04:32,080
Speaker 3: Like do you wait, well, how can you have a

1465
01:04:32,080 --> 01:04:33,120
Speaker 3: hot take on that? Right?

1466
01:04:33,200 --> 01:04:36,960
Speaker 7: Here's my hot take. Paul Riser, big star, you know,

1467
01:04:37,360 --> 01:04:39,720
Speaker 7: getting a bunch of offers, is told that he's going

1468
01:04:39,800 --> 01:04:44,240
Speaker 7: to be working across from Tom Cruise's ex wife, Mimi Rodgers,

1469
01:04:44,280 --> 01:04:46,280
Speaker 7: who's absolutely stunning.

1470
01:04:46,920 --> 01:04:48,480
Speaker 3: Yeah, he says.

1471
01:04:48,400 --> 01:04:51,440
Speaker 7: No one's going to believe it, And so they add

1472
01:04:51,480 --> 01:04:54,320
Speaker 7: in all these things about women just randomly talking to

1473
01:04:54,400 --> 01:04:56,840
Speaker 7: him and making sure that we know he's very attractive.

1474
01:04:57,240 --> 01:04:59,400
Speaker 3: Oh, maybe that that's it.

1475
01:04:59,520 --> 01:05:01,600
Speaker 7: He was given in a bunch of like flirty things

1476
01:05:01,640 --> 01:05:04,240
Speaker 7: to prove that he would actually get Mimi Rodgers.

1477
01:05:05,000 --> 01:05:06,400
Speaker 3: Oh god, that makes sense.

1478
01:05:06,560 --> 01:05:09,240
Speaker 1: Actually, this wasn't Tom Cruise's ex wife. This at the

1479
01:05:09,240 --> 01:05:11,919
Speaker 1: time in nineteen eighty seven wife current wife.

1480
01:05:12,080 --> 01:05:14,080
Speaker 3: She was married to Tom Cruise at the time.

1481
01:05:14,160 --> 01:05:19,160
Speaker 1: Yeah, that's okay, interesting, that's totally interesting. Yeah, that's definitely

1482
01:05:19,240 --> 01:05:21,440
Speaker 1: could be it because it was weird.

1483
01:05:21,840 --> 01:05:26,960
Speaker 2: It was the flirting was so weird. The eating spaghetti

1484
01:05:27,080 --> 01:05:29,520
Speaker 2: off her head. Yeah, she was kind of like, if

1485
01:05:29,560 --> 01:05:30,240
Speaker 2: that's what.

1486
01:05:30,160 --> 01:05:32,720
Speaker 1: You well, that was really you did. Have you never

1487
01:05:32,760 --> 01:05:34,280
Speaker 1: heard that was really sexy in the eighties?

1488
01:05:34,280 --> 01:05:36,360
Speaker 3: Spaghetti eating? Oh my god, No.

1489
01:05:36,360 --> 01:05:37,320
Speaker 2: You're not getting me on this.

1490
01:05:39,080 --> 01:05:41,840
Speaker 7: Isn't there a thing for that? Will come on movie history?

1491
01:05:41,920 --> 01:05:43,840
Speaker 7: Isn't nine and a half have food stuff in it?

1492
01:05:44,200 --> 01:05:46,560
Speaker 3: Nine and a half weeks had had a huge food thing. Yeah,

1493
01:05:46,600 --> 01:05:47,439
Speaker 3: that was like their thing.

1494
01:05:47,560 --> 01:05:51,080
Speaker 2: The only thing I've ever seen was spaghetti and adorable

1495
01:05:51,120 --> 01:05:54,200
Speaker 2: cuteness is from Lady in the Tramp with the kid

1496
01:05:54,280 --> 01:05:57,840
Speaker 2: with the two dogs. Like, other than that, spaghetti's not sexy.

1497
01:05:57,920 --> 01:05:59,800
Speaker 1: It's because it's because you ain't eating the Rise of

1498
01:06:00,800 --> 01:06:04,680
Speaker 1: That's all I gotta say. I don't want to any

1499
01:06:05,520 --> 01:06:07,720
Speaker 1: It is, now, of course, time to rate our film.

1500
01:06:07,800 --> 01:06:09,760
Speaker 1: I think you're going first this time, souse. I think

1501
01:06:09,800 --> 01:06:12,680
Speaker 1: I went first last time? Or no, No, I think

1502
01:06:12,760 --> 01:06:16,160
Speaker 1: Yell went Yell went first, and then you went second.

1503
01:06:16,200 --> 01:06:18,160
Speaker 3: I think so I go first. I go first.

1504
01:06:18,400 --> 01:06:21,480
Speaker 1: Our options for this week again, let's do one out

1505
01:06:21,480 --> 01:06:24,920
Speaker 1: of ten. No, let's do one out of fifteen. But

1506
01:06:25,000 --> 01:06:29,680
Speaker 1: we're gonna make ten the highest is what we're gonna do.

1507
01:06:29,000 --> 01:06:30,840
Speaker 1: Uh do we want to do one out of ten

1508
01:06:30,960 --> 01:06:34,640
Speaker 1: Las Vegas wizarding students, one out of ten cool in

1509
01:06:34,680 --> 01:06:40,800
Speaker 1: the Gang performances, giant blackjack, stomach computers, casual bank frauds,

1510
01:06:41,680 --> 01:06:44,880
Speaker 1: one out of ten, useless diner scenes, one out of ten,

1511
01:06:45,240 --> 01:06:46,480
Speaker 1: Howie's creepy.

1512
01:06:46,160 --> 01:06:49,400
Speaker 3: Friends, one on a ten tough cornish.

1513
01:06:48,960 --> 01:06:53,480
Speaker 1: Game, hen one at a ten Dexter's Feet, or one

1514
01:06:53,520 --> 01:06:56,520
Speaker 1: out of ten forever yackeys. I think I'm gonna pick

1515
01:06:56,560 --> 01:06:59,280
Speaker 1: this time. It's my turn, right, because I want to

1516
01:06:59,280 --> 01:07:00,960
Speaker 1: hear you say it. We're gonna do one out of ten.

1517
01:07:01,000 --> 01:07:04,960
Speaker 1: Dexter's Feet is what we're coming off with, ye you No,

1518
01:07:05,040 --> 01:07:07,120
Speaker 1: we're gonna do Dexter's Feet because it's creepy and weird.

1519
01:07:07,600 --> 01:07:08,400
Speaker 3: I let me tell you something.

1520
01:07:08,440 --> 01:07:10,720
Speaker 1: Yaki is so cool he doesn't need our help. So

1521
01:07:10,920 --> 01:07:13,360
Speaker 1: if I'm rating first, then this was a strange movie

1522
01:07:13,400 --> 01:07:16,959
Speaker 1: for me. It was again great cast, especially in its day,

1523
01:07:18,320 --> 01:07:20,360
Speaker 1: looks cool because you're in Vegas, you get to see

1524
01:07:20,400 --> 01:07:22,480
Speaker 1: Vegas of the eighties. But the story to me made

1525
01:07:22,680 --> 01:07:25,240
Speaker 1: very little sense. I found the relationship to be a

1526
01:07:25,280 --> 01:07:30,840
Speaker 1: little bit creepy. I thought the bad lady was frankly

1527
01:07:30,880 --> 01:07:34,720
Speaker 1: the lady that anybody should have given this child to A.

1528
01:07:34,720 --> 01:07:37,120
Speaker 3: Huge Paul Reiser fan, big solet moon Fry fan.

1529
01:07:38,000 --> 01:07:42,280
Speaker 1: So you know, I can't go more than five point

1530
01:07:42,280 --> 01:07:46,120
Speaker 1: five Dexter's Feet for this movie.

1531
01:07:46,160 --> 01:07:47,840
Speaker 3: Again not an awful movie.

1532
01:07:48,240 --> 01:07:51,360
Speaker 1: Watching it with the commercials from the eighties made it

1533
01:07:51,440 --> 01:07:54,640
Speaker 1: like kind of an all around experience, which made it cooler.

1534
01:07:54,960 --> 01:07:57,480
Speaker 1: Without those, it probably wouldn't have been a five point five.

1535
01:07:57,520 --> 01:07:59,200
Speaker 1: I think the point five came from just being able

1536
01:07:59,200 --> 01:08:03,320
Speaker 1: to watch the commercials. But this was just the story

1537
01:08:03,480 --> 01:08:07,320
Speaker 1: was very muddled in this movie. Great eighties cast, looked cool,

1538
01:08:07,560 --> 01:08:10,560
Speaker 1: muddled story five point five Dexter's Feet, Yeah, what do

1539
01:08:10,600 --> 01:08:10,880
Speaker 1: you got?

1540
01:08:11,080 --> 01:08:13,560
Speaker 2: I'm right around that as well. I thought there was

1541
01:08:13,600 --> 01:08:15,960
Speaker 2: like a lot of holes, a lot of questions, not

1542
01:08:16,000 --> 01:08:20,360
Speaker 2: sure where we were going, like we've said, unnecessary scenes

1543
01:08:20,400 --> 01:08:23,599
Speaker 2: all together. Like we said, we didn't hit the ninety

1544
01:08:23,600 --> 01:08:25,800
Speaker 2: minute mark. We could have cut those scenes, gotten a

1545
01:08:25,800 --> 01:08:29,799
Speaker 2: little bit closer. Yeah, but in all honesty, I really

1546
01:08:29,840 --> 01:08:35,639
Speaker 2: love watching movies from this era. And yeah, truly the

1547
01:08:35,760 --> 01:08:38,840
Speaker 2: commercials just it made it worth the watch for me.

1548
01:08:39,240 --> 01:08:41,720
Speaker 2: It I remembered a few of them, didn't remember a

1549
01:08:41,760 --> 01:08:44,479
Speaker 2: lot of them, but like, it was definitely if you're

1550
01:08:44,479 --> 01:08:46,920
Speaker 2: looking for kind of a nostalgic night, like this isn't

1551
01:08:46,920 --> 01:08:50,479
Speaker 2: the best movie, but you definitely still get that really

1552
01:08:50,520 --> 01:08:54,160
Speaker 2: great level of nostalgia, and that I think is something

1553
01:08:54,200 --> 01:08:58,280
Speaker 2: everyone's wanting. And they made me like the movie more,

1554
01:08:58,680 --> 01:09:01,880
Speaker 2: made me kind of forget, made me push back because

1555
01:09:01,920 --> 01:09:05,000
Speaker 2: I was thinking about being in that era and you know,

1556
01:09:05,160 --> 01:09:08,120
Speaker 2: their relationship didn't I because I allowed myself to go there,

1557
01:09:08,120 --> 01:09:10,000
Speaker 2: it didn't bother me. If that was a movie now

1558
01:09:10,040 --> 01:09:12,479
Speaker 2: in twenty twenty five that would drive the hell like

1559
01:09:12,880 --> 01:09:15,080
Speaker 2: me crazy, I would just it would just I would

1560
01:09:15,120 --> 01:09:18,360
Speaker 2: hate it. Right, So it bumped mine up a little bit.

1561
01:09:18,400 --> 01:09:23,200
Speaker 2: I'm going with six point five, Okay, Dexter's Food. There

1562
01:09:23,240 --> 01:09:27,080
Speaker 2: you go because of that nostalgia aspect, and I think

1563
01:09:27,120 --> 01:09:29,360
Speaker 2: that's really what our podcast is about is finding like

1564
01:09:29,360 --> 01:09:32,559
Speaker 2: that nostalgia And truly it's weird to say, but the

1565
01:09:32,560 --> 01:09:33,760
Speaker 2: commercials held its own.

1566
01:09:34,160 --> 01:09:36,120
Speaker 3: That's I agree. The commercials are the best part for me,

1567
01:09:36,400 --> 01:09:37,160
Speaker 3: and it really was.

1568
01:09:37,280 --> 01:09:39,080
Speaker 2: It was it was fun. And of course I mean

1569
01:09:39,160 --> 01:09:44,040
Speaker 2: watching so like she's on her elements. She's just absolutely adorable,

1570
01:09:44,040 --> 01:09:45,120
Speaker 2: and she is adorable.

1571
01:09:45,200 --> 01:09:48,160
Speaker 1: She was an icon, she was and she certainly has

1572
01:09:48,200 --> 01:09:49,479
Speaker 1: an energy when she's on screen.

1573
01:09:49,760 --> 01:09:52,360
Speaker 2: Absolutely she She's just so cute. And I did love

1574
01:09:53,080 --> 01:09:55,920
Speaker 2: the little bit of over the top Disney the boat

1575
01:09:55,960 --> 01:09:59,240
Speaker 2: in the fountain, the ice, the cake that they made,

1576
01:09:59,320 --> 01:10:01,840
Speaker 2: like all that, the her bedroom, all that stuff is

1577
01:10:01,880 --> 01:10:04,200
Speaker 2: what I was looking for when I was watching those

1578
01:10:04,240 --> 01:10:07,320
Speaker 2: movies back in the day, still do today. So I'm

1579
01:10:07,360 --> 01:10:08,920
Speaker 2: going with that. Six point five.

1580
01:10:09,439 --> 01:10:10,400
Speaker 3: Well, there you go, everybody.

1581
01:10:10,479 --> 01:10:13,160
Speaker 1: I think it's fair you ruin My life is again

1582
01:10:13,200 --> 01:10:15,320
Speaker 1: available on the youtubes if you want to go and

1583
01:10:15,400 --> 01:10:15,800
Speaker 1: check it out.

1584
01:10:15,840 --> 01:10:22,440
Speaker 3: And our next movie, Sabrina It's Time. Yes, we're taking.

1585
01:10:22,160 --> 01:10:27,360
Speaker 1: On Cheetah Girls too, and I couldn't be more excited.

1586
01:10:27,640 --> 01:10:29,559
Speaker 3: We're gonna cheatah chatter all about it.

1587
01:10:29,600 --> 01:10:30,920
Speaker 1: So you can watch it on Disney Plus for a

1588
01:10:30,920 --> 01:10:33,240
Speaker 1: little research if you want and this week on the

1589
01:10:33,400 --> 01:10:36,320
Speaker 1: dedicated magical Rewine Feed, We've got a Hall of Fame

1590
01:10:36,360 --> 01:10:39,000
Speaker 1: guest back on the show. It's one of our dcom daddies. Ooh,

1591
01:10:39,120 --> 01:10:41,799
Speaker 1: sounds strange even when I say it. Writer Stu Krieger

1592
01:10:41,840 --> 01:10:44,599
Speaker 1: is coming back, That's right. He penned basically every movie

1593
01:10:44,640 --> 01:10:47,280
Speaker 1: we love, Going to the Matt Smart House, Zenn True Confessions,

1594
01:10:47,280 --> 01:10:49,879
Speaker 1: The poof Point, Gotta Kick It Up, cow Bells, Freaky Friday,

1595
01:10:50,880 --> 01:10:52,960
Speaker 1: I've run out of breath because the man has done

1596
01:10:53,000 --> 01:10:53,719
Speaker 1: so many things.

1597
01:10:53,720 --> 01:10:54,960
Speaker 3: The list goes on and on.

1598
01:10:55,080 --> 01:10:57,200
Speaker 1: Let's take a listen to what you can expect from

1599
01:10:57,240 --> 01:10:59,719
Speaker 1: our return Rendezvous with a Disney Channel legend.

1600
01:11:01,320 --> 01:11:03,200
Speaker 5: Here's how it would play out as a series, and

1601
01:11:03,240 --> 01:11:05,960
Speaker 5: the idea is going to be that Xena was sent

1602
01:11:06,040 --> 01:11:08,200
Speaker 5: down to Earth to run a space camp to train

1603
01:11:08,280 --> 01:11:10,599
Speaker 5: the kids who are going to be going to space. Okay,

1604
01:11:10,720 --> 01:11:12,479
Speaker 5: And part of that was so it was much more

1605
01:11:12,520 --> 01:11:15,280
Speaker 5: sustainable on a series budget.

1606
01:11:15,280 --> 01:11:20,040
Speaker 3: Tonight we're on Earth. Yeah, So we sold that.

1607
01:11:20,040 --> 01:11:22,200
Speaker 5: That's what they bought. That's what we're doing. Come in

1608
01:11:22,240 --> 01:11:24,800
Speaker 5: Friday morning for a production meeting. Before I ever got

1609
01:11:24,840 --> 01:11:27,040
Speaker 5: to the production meeting, I got a call and said

1610
01:11:27,080 --> 01:11:28,439
Speaker 5: the series has been canceled.

1611
01:11:30,280 --> 01:11:30,920
Speaker 3: It was so much fun.

1612
01:11:30,960 --> 01:11:33,559
Speaker 1: He is full of stories and anecdotes and honestly, he's

1613
01:11:33,600 --> 01:11:36,000
Speaker 1: just a real OJ So don't miss our new long

1614
01:11:36,040 --> 01:11:37,960
Speaker 1: form talk with him, available this week on the Magical

1615
01:11:37,960 --> 01:11:41,040
Speaker 1: Rewind podcast feed, and for more info, you can follow

1616
01:11:41,080 --> 01:11:43,519
Speaker 1: us at the Magical Rewind pod on the Instagram Machine.

1617
01:11:43,520 --> 01:11:49,760
Speaker 3: Now Cheetah girls too. I'm so excited.

1618
01:11:50,240 --> 01:11:53,760
Speaker 1: You have no idea how excited I am to see this.

1619
01:11:54,000 --> 01:11:56,120
Speaker 1: I know, and like this is all your dancing stuff

1620
01:11:56,160 --> 01:11:58,559
Speaker 1: like you Oh, I'm oh, I'm so excited for this.

1621
01:11:58,600 --> 01:12:00,720
Speaker 1: I have not been this excited a movie in a

1622
01:12:00,760 --> 01:12:02,960
Speaker 1: while that we've been watching zombies too, all that stuff.

1623
01:12:02,960 --> 01:12:05,760
Speaker 3: I'm really looking forward to that, but seeing you kicking it,

1624
01:12:06,160 --> 01:12:09,040
Speaker 3: forget it. I can't wait. So please join us next time.

1625
01:12:09,120 --> 01:12:24,439
Speaker 3: Bye everybody,