1 00:00:02,240 --> 00:00:05,840 Speaker 1: What's up, its way up with Angela Yee And as 2 00:00:05,920 --> 00:00:09,119 Speaker 1: promised when I saw Jazzline Martin in La, we have 3 00:00:09,200 --> 00:00:10,800 Speaker 1: you here our way up with Angela Yee, A real 4 00:00:10,800 --> 00:00:11,680 Speaker 1: official sit down. 5 00:00:11,960 --> 00:00:12,640 Speaker 2: Yeah. 6 00:00:12,720 --> 00:00:14,560 Speaker 1: So I wanted to make sure that we made that 7 00:00:14,760 --> 00:00:18,279 Speaker 1: happen because man, the BT media room was hectic. 8 00:00:18,440 --> 00:00:19,079 Speaker 2: That was a lot. 9 00:00:19,200 --> 00:00:20,720 Speaker 3: Yeah, it was a lot going on. 10 00:00:20,800 --> 00:00:22,440 Speaker 1: I think I did how many interviews did I do? 11 00:00:23,280 --> 00:00:26,560 Speaker 1: Thirty two in one day? In two days? I was like, 12 00:00:26,600 --> 00:00:28,160 Speaker 1: this is too much and I need to, like, I 13 00:00:28,200 --> 00:00:30,880 Speaker 1: gotta go home. Yeah No, But I also like the 14 00:00:30,920 --> 00:00:33,400 Speaker 1: opportunity to really sit down because it's a lot for 15 00:00:33,440 --> 00:00:36,960 Speaker 1: you too, like bouncing around doing a million interviews, and 16 00:00:37,040 --> 00:00:38,760 Speaker 1: a lot of times people do have to answer like 17 00:00:38,760 --> 00:00:40,800 Speaker 1: the same questions over and over again, like how do 18 00:00:40,880 --> 00:00:41,720 Speaker 1: I say this differently? 19 00:00:41,880 --> 00:00:44,960 Speaker 2: Yeah, and it's more intimate, more fun, more individual. 20 00:00:45,080 --> 00:00:47,520 Speaker 1: So, and I had a chance to start watching bel 21 00:00:47,560 --> 00:00:51,479 Speaker 1: Air season three, which is great thing. Well, first of all, 22 00:00:51,479 --> 00:00:53,280 Speaker 1: I'm glad you're there because I remember when the last 23 00:00:53,280 --> 00:00:56,080 Speaker 1: season ended they weren't sure they were against Jackie's character 24 00:00:56,200 --> 00:01:00,120 Speaker 1: coming back. I'm still I think as most of I 25 00:01:00,120 --> 00:01:02,720 Speaker 1: started trying to figure out what is going to be 26 00:01:02,760 --> 00:01:05,920 Speaker 1: the best scenario is Weill gonna stay with Lisa? Is 27 00:01:05,920 --> 00:01:09,280 Speaker 1: he gonna move on with Jackie? And there's some mystique 28 00:01:09,280 --> 00:01:11,480 Speaker 1: about you too, like you open up a little, but 29 00:01:11,520 --> 00:01:15,360 Speaker 1: we're not quite sure what Jackie's real story is, you know. 30 00:01:15,840 --> 00:01:17,880 Speaker 1: So for you being able to play that role, how 31 00:01:17,880 --> 00:01:20,480 Speaker 1: has that been life changing? Because you've been acting already. 32 00:01:20,880 --> 00:01:24,440 Speaker 1: But this is a pretty nice, you know, liituation that show. 33 00:01:25,040 --> 00:01:27,200 Speaker 2: No, for sure, I think just the platform and just 34 00:01:27,240 --> 00:01:29,280 Speaker 2: the legacy of the show already carries on. So to 35 00:01:29,280 --> 00:01:32,920 Speaker 2: be able to do a reimagination is beautiful. And yeah, 36 00:01:32,920 --> 00:01:36,720 Speaker 2: I think Jackie's very mysterious. It's like we know she 37 00:01:36,840 --> 00:01:40,360 Speaker 2: has some brokenness, we know she's confident, we know she dances, 38 00:01:40,360 --> 00:01:43,479 Speaker 2: but we don't know too much about her. So I'm 39 00:01:43,680 --> 00:01:46,680 Speaker 2: very excited to explore more of you know, her childhood, 40 00:01:46,720 --> 00:01:48,800 Speaker 2: how she grew up, you know, what she's been through, 41 00:01:49,120 --> 00:01:51,120 Speaker 2: because I think a lot of people just see how 42 00:01:51,160 --> 00:01:54,559 Speaker 2: she wants to prevent present herself and not like who 43 00:01:54,560 --> 00:01:55,320 Speaker 2: she actually is. 44 00:01:55,640 --> 00:01:58,400 Speaker 1: Yeah, she plays a little bit hard to get, but 45 00:01:58,800 --> 00:02:01,639 Speaker 1: you know when they first remember her and Will first met, 46 00:02:01,920 --> 00:02:03,520 Speaker 1: I was like, Okay, this could be cute. 47 00:02:03,280 --> 00:02:05,840 Speaker 2: For him, huh. You know, I think Will needs to 48 00:02:05,880 --> 00:02:08,600 Speaker 2: be single. That's what I think. I think he's in 49 00:02:08,720 --> 00:02:09,239 Speaker 2: loving one. 50 00:02:09,280 --> 00:02:10,240 Speaker 3: He is in love with Lisa. 51 00:02:10,320 --> 00:02:12,280 Speaker 1: But you know what I think people tend to forget 52 00:02:13,120 --> 00:02:16,600 Speaker 1: in that scenario, he did go after his cousin's woman 53 00:02:17,080 --> 00:02:20,960 Speaker 1: or you know, that is Carlton's ex, right, Lisa, And 54 00:02:21,240 --> 00:02:23,600 Speaker 1: that's kind of foul a little bit, and I think 55 00:02:23,639 --> 00:02:26,680 Speaker 1: people don't think about that still anymore, like the fact 56 00:02:26,680 --> 00:02:30,200 Speaker 1: that that was your cousin's woman and then Carlton got 57 00:02:30,240 --> 00:02:32,960 Speaker 1: on drugs and that's probably part of it. You know, 58 00:02:33,360 --> 00:02:35,200 Speaker 1: I don't know, there's a lot, there's a lot, there's 59 00:02:35,240 --> 00:02:38,079 Speaker 1: a lot to unpack when it comes to that. So far, 60 00:02:38,160 --> 00:02:40,919 Speaker 1: we haven't seen well, we did see one situation where 61 00:02:41,000 --> 00:02:42,120 Speaker 1: you were you got a little. 62 00:02:42,000 --> 00:02:46,600 Speaker 2: Drunk, yes, yes see, and I created that was my 63 00:02:46,960 --> 00:02:49,800 Speaker 2: mom's anniversary of when she left, and that's why I 64 00:02:49,800 --> 00:02:51,560 Speaker 2: got drunk that night. But you know, we don't really 65 00:02:51,600 --> 00:02:54,960 Speaker 2: dive into much about her past. But yeah, you know, 66 00:02:55,040 --> 00:02:57,800 Speaker 2: she grew up with both parents being gone, so you know, 67 00:02:57,919 --> 00:03:00,320 Speaker 2: she looks to be loved and I think Will loves 68 00:03:00,320 --> 00:03:03,040 Speaker 2: her well and the best way she knows how so 69 00:03:03,160 --> 00:03:05,120 Speaker 2: you know, she tries to latch onto that and of 70 00:03:05,120 --> 00:03:07,840 Speaker 2: course her uncle was there, but he wasn't too present. 71 00:03:07,880 --> 00:03:12,720 Speaker 1: I believe he's Yeah, he's a little grimy, a little bit. 72 00:03:12,800 --> 00:03:14,040 Speaker 3: Yeah, he has something to him. 73 00:03:14,240 --> 00:03:14,400 Speaker 2: Yeah. 74 00:03:14,760 --> 00:03:17,120 Speaker 1: You know, in addition to doing this, you've also been 75 00:03:17,200 --> 00:03:19,400 Speaker 1: doing oh and last thing. To back up into the 76 00:03:19,520 --> 00:03:22,880 Speaker 1: dancing that Jackie does, you also got to choreograph on 77 00:03:22,919 --> 00:03:25,720 Speaker 1: the show. How exciting was that for you because you 78 00:03:25,720 --> 00:03:28,079 Speaker 1: were able to merge two things that you got together. 79 00:03:27,919 --> 00:03:29,800 Speaker 2: My two loves. It was it was an honor. I 80 00:03:29,840 --> 00:03:32,680 Speaker 2: got to bring a little jazzling into Jackie, and Jackie 81 00:03:32,919 --> 00:03:35,560 Speaker 2: got to bring out a little more jazz. So it 82 00:03:35,600 --> 00:03:37,400 Speaker 2: was it was beautiful to be like, all right, I'm 83 00:03:37,400 --> 00:03:40,640 Speaker 2: gonna put both of these art forms into one. 84 00:03:41,240 --> 00:03:42,800 Speaker 3: How was it getting casted for the show? 85 00:03:43,000 --> 00:03:46,440 Speaker 2: Oh my gosh, I'm gonna tell you the whole story. 86 00:03:46,600 --> 00:03:49,800 Speaker 3: I do. That's exactly This is interesting. 87 00:03:49,920 --> 00:03:52,720 Speaker 2: I remember it was on Wilship Boulevard. I was parking, 88 00:03:52,760 --> 00:03:54,640 Speaker 2: looking for parking because it's Beverly Hills and I don't 89 00:03:54,640 --> 00:03:57,480 Speaker 2: want to get a ticket. And I walked in and 90 00:03:57,520 --> 00:04:00,520 Speaker 2: there's another girl in the room. Actually no, I was 91 00:04:00,520 --> 00:04:03,320 Speaker 2: by myself, and I heard another girl on zoom and 92 00:04:03,360 --> 00:04:07,360 Speaker 2: I heard them giving her notes and I was like okay, okay, 93 00:04:07,840 --> 00:04:10,440 Speaker 2: do that. Okay, gotcha, and then some more girls came 94 00:04:10,480 --> 00:04:14,440 Speaker 2: in and this was for the callback too, so I 95 00:04:14,520 --> 00:04:17,360 Speaker 2: did a self tape and then they wanted me to 96 00:04:17,400 --> 00:04:19,960 Speaker 2: do it in person, and then I met Jabari and 97 00:04:20,040 --> 00:04:23,000 Speaker 2: we started going and I started improvising because I was 98 00:04:23,040 --> 00:04:26,080 Speaker 2: like screw it, and they're like, oh, for it. Oh 99 00:04:26,160 --> 00:04:30,320 Speaker 2: she a little spicy and I was like yeah, and 100 00:04:30,520 --> 00:04:33,719 Speaker 2: there last me where I was from. And I felt 101 00:04:34,000 --> 00:04:36,359 Speaker 2: really good at it, like I felt at peace. I 102 00:04:36,400 --> 00:04:38,480 Speaker 2: was like, even if I don't get it, I felt 103 00:04:38,480 --> 00:04:40,320 Speaker 2: like I went in there and did my best and 104 00:04:40,320 --> 00:04:43,919 Speaker 2: that's all I can do. And so I was waiting 105 00:04:43,920 --> 00:04:45,279 Speaker 2: a couple of days and my agent was like, we 106 00:04:45,279 --> 00:04:48,239 Speaker 2: should be hearing back today and I was like, okay, 107 00:04:48,240 --> 00:04:50,440 Speaker 2: I'm just gonna take myself on a walk, go get 108 00:04:50,440 --> 00:04:54,560 Speaker 2: some distance myself myself. And he calls me and he's 109 00:04:54,640 --> 00:04:59,440 Speaker 2: like hey, Jazz. I'm like hi. He's like, so they 110 00:04:59,720 --> 00:05:03,719 Speaker 2: made it decision and you're Jackie wow, and I was like, 111 00:05:05,160 --> 00:05:07,279 Speaker 2: are you playing with me? I can't breathe and I 112 00:05:07,320 --> 00:05:10,160 Speaker 2: did a little uptilt tier that's exciting, and it's like, yeah, 113 00:05:10,200 --> 00:05:11,960 Speaker 2: this is this is going to change your life for sure. 114 00:05:12,480 --> 00:05:14,920 Speaker 1: So man, I can't even imagine having to go on 115 00:05:15,080 --> 00:05:17,760 Speaker 1: auditions and do like how many auditions would you say 116 00:05:17,839 --> 00:05:18,640 Speaker 1: you've been on? 117 00:05:21,880 --> 00:05:26,400 Speaker 2: Probably in the three hundreds like that, Yeah. 118 00:05:25,520 --> 00:05:27,960 Speaker 1: How do you keep your spirits up? Because I know 119 00:05:28,040 --> 00:05:30,440 Speaker 1: that's not an easy job. Like I've never been on 120 00:05:30,480 --> 00:05:33,760 Speaker 1: an audition, but I've always heard about, like how you 121 00:05:33,760 --> 00:05:36,839 Speaker 1: know it can be so many like callbacks, callbacks. You 122 00:05:36,839 --> 00:05:39,240 Speaker 1: have your heart and your hopes have to get a 123 00:05:39,360 --> 00:05:41,839 Speaker 1: role and then a lot of times it doesn't happen. 124 00:05:41,920 --> 00:05:45,400 Speaker 1: And that's no like offense to your craft or what 125 00:05:45,400 --> 00:05:46,920 Speaker 1: it is that you do or how great you are, 126 00:05:47,240 --> 00:05:49,080 Speaker 1: but it's just you know what it is. 127 00:05:49,560 --> 00:05:51,960 Speaker 2: It's life, and it's very human for us not to 128 00:05:52,080 --> 00:05:54,599 Speaker 2: enjoy rejections. So it's like right, you know, it's like 129 00:05:54,720 --> 00:05:57,080 Speaker 2: after all the nose, it's like how do you keep going? 130 00:05:57,160 --> 00:05:59,640 Speaker 2: But I really like to remind myself that rejection is 131 00:05:59,640 --> 00:06:02,160 Speaker 2: God's protection and if it's not for me, then it's 132 00:06:02,200 --> 00:06:05,359 Speaker 2: not meant for me. And there's some things that just 133 00:06:05,400 --> 00:06:07,200 Speaker 2: aren't in your control. So I just go in and 134 00:06:07,240 --> 00:06:10,080 Speaker 2: do my best. And I think having a really strong 135 00:06:10,120 --> 00:06:12,640 Speaker 2: foundation and a strong purpose as to why I do 136 00:06:12,720 --> 00:06:15,480 Speaker 2: this keeps me going, right, because if I wasn't strong 137 00:06:15,480 --> 00:06:16,520 Speaker 2: and though, I'd be like, all right, I'm just going 138 00:06:16,560 --> 00:06:20,640 Speaker 2: to give up. This is the fiftieth no, but the 139 00:06:20,720 --> 00:06:23,480 Speaker 2: fifty one could be a yes. So it's like that's 140 00:06:23,480 --> 00:06:24,520 Speaker 2: my reason to keep going. 141 00:06:25,000 --> 00:06:25,560 Speaker 3: I love that too. 142 00:06:25,680 --> 00:06:27,560 Speaker 1: We're very open about that because I know people will 143 00:06:27,560 --> 00:06:29,680 Speaker 1: watch this and be like, oh, yeah, she's They don't 144 00:06:29,720 --> 00:06:32,240 Speaker 1: understand the grind behind how you got to where you are. 145 00:06:32,560 --> 00:06:34,040 Speaker 3: You know, not that this is your first role. 146 00:06:34,040 --> 00:06:36,200 Speaker 1: You've had other roles, but to even know that, like 147 00:06:36,279 --> 00:06:40,159 Speaker 1: she's been on you know, hundreds of auditions and you 148 00:06:40,200 --> 00:06:42,599 Speaker 1: don't land every role. But in addition to that, like 149 00:06:42,600 --> 00:06:45,600 Speaker 1: you said, you have a strong foundation. So your parents, right, 150 00:06:45,760 --> 00:06:48,640 Speaker 1: your mom was a dancer and your dad a musician. Yeah, okay, 151 00:06:48,720 --> 00:06:50,880 Speaker 1: so talk to me about being raised that way in 152 00:06:50,920 --> 00:06:51,440 Speaker 1: the arts. 153 00:06:51,520 --> 00:06:53,240 Speaker 2: I love my parents. Shout out to my parents. 154 00:06:53,680 --> 00:06:54,479 Speaker 3: We love to hear that. 155 00:06:54,680 --> 00:06:59,120 Speaker 2: Yes, happy home. Yes. So my mom grew up being 156 00:06:59,120 --> 00:07:02,000 Speaker 2: a dancer and my dad was signed to a record label. 157 00:07:02,080 --> 00:07:05,960 Speaker 2: He didn't love the music industry, so he very early 158 00:07:06,000 --> 00:07:08,320 Speaker 2: on educated me on how evil and corrupt it could be. 159 00:07:09,279 --> 00:07:10,880 Speaker 2: And he's like, you just got to really love it. 160 00:07:11,560 --> 00:07:14,640 Speaker 2: So he poured into me. All my music comes from him, 161 00:07:14,800 --> 00:07:18,920 Speaker 2: like Prins Music, Soul Child, DiAngelo, Jill Scott, all the 162 00:07:18,960 --> 00:07:23,240 Speaker 2: greats came from him. So they're always extremely supportive of 163 00:07:23,240 --> 00:07:25,480 Speaker 2: what I wanted to do. Even you know, they're like 164 00:07:25,520 --> 00:07:27,040 Speaker 2: you don't want to go to college or if you 165 00:07:27,160 --> 00:07:28,600 Speaker 2: just want to, they're. 166 00:07:28,320 --> 00:07:29,800 Speaker 3: Just extract because they understood. 167 00:07:29,920 --> 00:07:33,040 Speaker 2: They understood, and it's you know, given me a couple 168 00:07:33,040 --> 00:07:35,120 Speaker 2: steps forward because I know a lot of people don't 169 00:07:35,120 --> 00:07:37,720 Speaker 2: have supportive parents, and I think the reason why I 170 00:07:37,760 --> 00:07:40,280 Speaker 2: think I can do what I do is because of them, 171 00:07:40,320 --> 00:07:43,440 Speaker 2: for sure. Right, They've planted that confidence in me. 172 00:07:44,040 --> 00:07:46,680 Speaker 1: And it's interesting because your EP that is coming out, 173 00:07:47,000 --> 00:07:50,320 Speaker 1: it's called the identity Crisis. Yes, now discuss that title 174 00:07:50,360 --> 00:07:52,560 Speaker 1: with me, because, like you said, you have a strong foundation, 175 00:07:52,720 --> 00:07:55,720 Speaker 1: loving parents who understood what it is that you want 176 00:07:55,760 --> 00:08:00,000 Speaker 1: to do, that were supportive of that. But yet identity crisis. 177 00:08:00,120 --> 00:08:01,760 Speaker 1: Let's discuss that identity crisis. 178 00:08:02,320 --> 00:08:04,400 Speaker 2: Yes. So I think growing up, I had a very 179 00:08:04,440 --> 00:08:06,960 Speaker 2: strong sense of my identity. You know, I was very strong, 180 00:08:07,520 --> 00:08:11,480 Speaker 2: full of joy attitude, and I feel like everyone has 181 00:08:11,520 --> 00:08:14,400 Speaker 2: gone through things and experiences and people that make you 182 00:08:14,520 --> 00:08:17,320 Speaker 2: question who you are. It's like, damn why did I 183 00:08:17,360 --> 00:08:20,400 Speaker 2: just do that? That's not me? Whoa whoa? You know, 184 00:08:20,440 --> 00:08:22,320 Speaker 2: and it kind of forces you to dim your light. 185 00:08:22,920 --> 00:08:26,560 Speaker 2: So I wanted to, you know, speak on my behalf, 186 00:08:26,640 --> 00:08:29,560 Speaker 2: on the different conflicts I have in my head and 187 00:08:29,600 --> 00:08:32,800 Speaker 2: the different things I've experienced, Like do I follow the 188 00:08:32,800 --> 00:08:34,640 Speaker 2: world or do I follow God? Do I be a 189 00:08:34,679 --> 00:08:37,600 Speaker 2: bad bitch? You know how society is promoting that? Or 190 00:08:37,600 --> 00:08:39,840 Speaker 2: do I just be me and be comfortable and love 191 00:08:39,880 --> 00:08:43,080 Speaker 2: who I am as I am? So just different things that, 192 00:08:43,200 --> 00:08:45,640 Speaker 2: you know, I think I've battled and a lot of 193 00:08:45,679 --> 00:08:48,199 Speaker 2: people don't really showcase what it is to go through 194 00:08:48,240 --> 00:08:50,760 Speaker 2: the identity crisis. And I think everyone has gone through 195 00:08:50,760 --> 00:08:53,439 Speaker 2: it right and continues to go through it no matter 196 00:08:53,520 --> 00:08:57,040 Speaker 2: age or ethnicity or gender. You know, we're always trying 197 00:08:57,040 --> 00:08:58,160 Speaker 2: to figure out who we are. 198 00:08:58,960 --> 00:09:02,160 Speaker 1: It's kind of like a because who you are also 199 00:09:02,280 --> 00:09:06,000 Speaker 1: changes all the time, you know, And so yeah, I 200 00:09:06,440 --> 00:09:09,200 Speaker 1: can definitely attest to that. That's interesting that you say that, 201 00:09:09,240 --> 00:09:11,800 Speaker 1: because you can't be a bad bitch who follows God. 202 00:09:12,000 --> 00:09:15,439 Speaker 2: Yeah, exactly. And it's like the world's like you gotta choose, 203 00:09:15,559 --> 00:09:17,240 Speaker 2: you gotta choose one, And it's like, what if I 204 00:09:17,320 --> 00:09:18,520 Speaker 2: want to be all of them. 205 00:09:18,880 --> 00:09:21,439 Speaker 1: So, and your first song that you did was perfect, right, 206 00:09:21,520 --> 00:09:24,240 Speaker 1: it's called perfect. Now. I want to discuss that song 207 00:09:24,280 --> 00:09:26,760 Speaker 1: because the lyrics. Did you write that song yourself? 208 00:09:26,960 --> 00:09:28,800 Speaker 2: Yes, with also stage Y and Trey. 209 00:09:29,120 --> 00:09:33,000 Speaker 1: Okay, now that song the lyrics are beautiful and it's 210 00:09:33,040 --> 00:09:35,480 Speaker 1: also something that a lot of us, I think, deal 211 00:09:35,520 --> 00:09:39,680 Speaker 1: with just being open and vulnerable about the lyrics to 212 00:09:39,720 --> 00:09:42,520 Speaker 1: that song because you talk about, you know, sometimes you're 213 00:09:42,520 --> 00:09:45,680 Speaker 1: scared because we're not perfect at all and there's a 214 00:09:45,679 --> 00:09:49,120 Speaker 1: lot of flaws that we have. And so talk to 215 00:09:49,160 --> 00:09:51,160 Speaker 1: me about what was going through your head while you 216 00:09:51,200 --> 00:09:54,480 Speaker 1: were writing that. You said your pedestal was crumbling beneath 217 00:09:54,520 --> 00:09:54,920 Speaker 1: your feet. 218 00:09:55,160 --> 00:10:00,600 Speaker 2: Yeah. Yeah, I think as a society, I have a 219 00:10:00,640 --> 00:10:03,120 Speaker 2: really hard time giving people grace. And I think the 220 00:10:03,160 --> 00:10:06,480 Speaker 2: cancel culture is a really big thing. I don't love it. 221 00:10:06,520 --> 00:10:08,240 Speaker 2: I don't promote it. I think people fall and we 222 00:10:08,280 --> 00:10:12,120 Speaker 2: should help them get up. And I feel like, yeah, 223 00:10:12,280 --> 00:10:13,920 Speaker 2: I think men have put me on a pedestal. I 224 00:10:13,960 --> 00:10:16,800 Speaker 2: think society has put me on a pestal. The women 225 00:10:16,880 --> 00:10:19,959 Speaker 2: are expected to be perfect, and when we're not, it's like, damn, 226 00:10:20,000 --> 00:10:22,600 Speaker 2: do we deserve to be loved? Then? Are we still 227 00:10:22,640 --> 00:10:24,560 Speaker 2: going to be wanted if you do see my secrets 228 00:10:24,559 --> 00:10:27,520 Speaker 2: and my flaws. So I just kind of wanted to 229 00:10:27,559 --> 00:10:30,000 Speaker 2: be vulnerable, which is something I'm not very great at 230 00:10:30,960 --> 00:10:34,200 Speaker 2: for my first song, and kind of expose that, like 231 00:10:34,400 --> 00:10:36,320 Speaker 2: I may look like I got it all together, but 232 00:10:36,400 --> 00:10:38,960 Speaker 2: like I'm still human, So don't rob that from me 233 00:10:39,559 --> 00:10:41,280 Speaker 2: by labeling me as perfect. 234 00:10:42,120 --> 00:10:45,920 Speaker 3: Yeah, that's there's a lot of pact. 235 00:10:47,640 --> 00:10:49,200 Speaker 1: Too, because you're right, because a lot of times we 236 00:10:49,240 --> 00:10:53,240 Speaker 1: also don't like to show how human we really are. 237 00:10:53,760 --> 00:10:57,559 Speaker 1: And I think sometimes being in the public eye, things 238 00:10:57,600 --> 00:10:59,280 Speaker 1: can bother you. It can hurt you. You could be not 239 00:10:59,360 --> 00:11:01,800 Speaker 1: happy with you know, what you had on on a 240 00:11:01,800 --> 00:11:03,680 Speaker 1: certain day, or how you looked on a certain day, 241 00:11:04,400 --> 00:11:07,600 Speaker 1: or even just you know, just this business is tough 242 00:11:07,640 --> 00:11:11,720 Speaker 1: and people are always critiquing you for superficial things too, 243 00:11:12,440 --> 00:11:14,720 Speaker 1: you know, instead of paying attention to like not knowing 244 00:11:14,720 --> 00:11:17,640 Speaker 1: if you've had a terrible day or if somebody's going 245 00:11:17,679 --> 00:11:18,960 Speaker 1: through something you just don't know what it is. 246 00:11:19,040 --> 00:11:19,760 Speaker 3: I was looking at. 247 00:11:19,640 --> 00:11:23,560 Speaker 1: This this post on Instagram. This guy was in the 248 00:11:23,559 --> 00:11:26,000 Speaker 1: airport and he was having like a breakdown. Because I 249 00:11:26,040 --> 00:11:27,960 Speaker 1: don't know if you saw it, it was viral. I 250 00:11:27,960 --> 00:11:30,680 Speaker 1: guess the doors closed for the plane and he was like, 251 00:11:30,720 --> 00:11:32,520 Speaker 1: I want to I need to see my mom and 252 00:11:32,559 --> 00:11:34,320 Speaker 1: people were laughing him, and I was like, you don't 253 00:11:34,320 --> 00:11:36,240 Speaker 1: know what's really going on though, Like you don't know 254 00:11:36,280 --> 00:11:39,200 Speaker 1: if there's some like issue that he needs to and 255 00:11:39,200 --> 00:11:41,040 Speaker 1: they're not going to open the doors of the plane anyway, 256 00:11:41,120 --> 00:11:44,000 Speaker 1: so it doesn't matter, right, and you don't know what's 257 00:11:44,040 --> 00:11:44,360 Speaker 1: going on. 258 00:11:44,400 --> 00:11:46,600 Speaker 3: But people love to make jokes out of everything. 259 00:11:46,679 --> 00:11:48,960 Speaker 2: Yeah, I think it's very easy to judge when you 260 00:11:49,000 --> 00:11:52,240 Speaker 2: don't know. So I just I wanted to encourage people 261 00:11:52,240 --> 00:11:54,000 Speaker 2: to give people grace. And like you said, it's like, 262 00:11:54,120 --> 00:11:55,960 Speaker 2: especially when you're in the eye, you always have to 263 00:11:56,000 --> 00:11:58,240 Speaker 2: be on, Like you can never have an off day, 264 00:11:58,440 --> 00:12:00,000 Speaker 2: you can never mess up. And I'm like, that's just 265 00:12:00,120 --> 00:12:03,559 Speaker 2: not human. That's not realistic and like just an unrealistic 266 00:12:03,559 --> 00:12:06,400 Speaker 2: burden to carry. And I don't want to be perfect. 267 00:12:06,559 --> 00:12:08,360 Speaker 2: I love I love that I mess up. That's where 268 00:12:08,400 --> 00:12:09,360 Speaker 2: I grow, it's where. 269 00:12:09,160 --> 00:12:11,800 Speaker 3: I learn, and you decided to. 270 00:12:12,480 --> 00:12:17,000 Speaker 1: So now jumping into music, that's a whole another thing. 271 00:12:17,400 --> 00:12:19,640 Speaker 1: So how does it feel? Because perfect, it seems like 272 00:12:19,679 --> 00:12:22,079 Speaker 1: it was. It was well received from people when they 273 00:12:22,240 --> 00:12:24,640 Speaker 1: heard it. I really it's really beautiful to listen to 274 00:12:24,679 --> 00:12:26,760 Speaker 1: you have a beautiful voice, Thank you too. And I 275 00:12:26,840 --> 00:12:28,920 Speaker 1: like that the lyrics, just listening to it and getting 276 00:12:28,960 --> 00:12:31,720 Speaker 1: like the deeper meaning of all of that. But how 277 00:12:31,960 --> 00:12:34,200 Speaker 1: is that for you, because that's a whole nother like 278 00:12:34,960 --> 00:12:36,640 Speaker 1: actually dances and now you sing. 279 00:12:36,720 --> 00:12:40,160 Speaker 2: Yeah, I've always been shied away from singing. I'm sorry, 280 00:12:41,320 --> 00:12:43,800 Speaker 2: just because people always knew me as a dancer, and 281 00:12:43,840 --> 00:12:45,440 Speaker 2: I'm like, okay, bet, I have to choose one thing. 282 00:12:45,480 --> 00:12:48,480 Speaker 2: Identity crisis, you know, like I can only be a dancer. 283 00:12:48,480 --> 00:12:52,240 Speaker 2: I can't be a singer and an actor. So now 284 00:12:52,360 --> 00:12:57,120 Speaker 2: transitioning into this world, it's drastically different, Like every day 285 00:12:57,320 --> 00:13:00,439 Speaker 2: there's something more I have to do, Like the process 286 00:13:00,679 --> 00:13:04,360 Speaker 2: just it's rough. I'm not gonna lie it's it's a 287 00:13:04,440 --> 00:13:10,480 Speaker 2: rough industry. But my dad prepared me for this, so 288 00:13:11,440 --> 00:13:12,960 Speaker 2: I just got to think, like I'm in it for 289 00:13:13,000 --> 00:13:14,679 Speaker 2: the art, I'm in it for the storytelling. 290 00:13:15,080 --> 00:13:16,600 Speaker 3: So he knew at some point you would be a 291 00:13:16,640 --> 00:13:18,280 Speaker 3: singer and that you would put out music. 292 00:13:18,360 --> 00:13:21,760 Speaker 2: I started dancing first and then singing immediately. So I 293 00:13:21,760 --> 00:13:24,760 Speaker 2: started training when I was like eight, okay, vocal training, 294 00:13:25,280 --> 00:13:27,160 Speaker 2: but I just never like put out music. I was 295 00:13:27,240 --> 00:13:30,760 Speaker 2: just just kept singing but he knew this day would come, 296 00:13:31,200 --> 00:13:33,640 Speaker 2: and he's very protective and he's like, I know things 297 00:13:33,640 --> 00:13:36,319 Speaker 2: about the industry that you don't, and especially because you're 298 00:13:36,320 --> 00:13:40,320 Speaker 2: a woman, I want you to be very cautious. So yeah, 299 00:13:40,360 --> 00:13:42,280 Speaker 2: he's he's laid a good foundation for me. 300 00:13:42,960 --> 00:13:44,480 Speaker 3: And then you put out they say, was that the 301 00:13:44,480 --> 00:13:45,040 Speaker 3: second song? 302 00:13:45,120 --> 00:13:45,280 Speaker 2: Yes? 303 00:13:45,320 --> 00:13:48,800 Speaker 1: Okay, and the video and by the way, amazing that 304 00:13:48,840 --> 00:13:52,360 Speaker 1: you're able to do these great visuals too. You definitely 305 00:13:52,440 --> 00:13:56,760 Speaker 1: have Lord. Yeah, it's the one an advent is that 306 00:13:56,840 --> 00:13:59,920 Speaker 1: you have? Yeah, that's like a fun one. 307 00:14:00,120 --> 00:14:02,280 Speaker 2: Yes, I had a great team. I had a great 308 00:14:02,320 --> 00:14:04,920 Speaker 2: team for that shoot. And yeah, I wanted to pay 309 00:14:05,080 --> 00:14:06,680 Speaker 2: much to La, so I want to do a lot 310 00:14:06,720 --> 00:14:10,240 Speaker 2: of LA spots. People in La who who know those spots? 311 00:14:10,280 --> 00:14:12,360 Speaker 2: And then it's the two thousands vibes So I wanted to, 312 00:14:12,480 --> 00:14:14,560 Speaker 2: you know, go back to that and yeah, it was 313 00:14:14,600 --> 00:14:18,440 Speaker 2: just a fun It was a fun shoot. And yeah, 314 00:14:18,440 --> 00:14:20,920 Speaker 2: I just that song was is your choreograph that too? No? 315 00:14:21,040 --> 00:14:23,840 Speaker 2: My boy, Kivaston like, I can't. 316 00:14:23,640 --> 00:14:26,960 Speaker 1: Do it all a lot of my plate sometimes I 317 00:14:27,040 --> 00:14:30,720 Speaker 1: just want to follow yes exactly an artist, ykay. 318 00:14:31,360 --> 00:14:35,920 Speaker 2: So yeah he did, he did a great job, and yeah. 319 00:14:35,160 --> 00:14:38,280 Speaker 3: Where do you see as far as what it is 320 00:14:38,320 --> 00:14:38,600 Speaker 3: that you. 321 00:14:40,120 --> 00:14:42,080 Speaker 1: Envision for yourself, because I know you're working with United 322 00:14:42,120 --> 00:14:44,960 Speaker 1: Masters right now, Why did you make that decision? Because 323 00:14:44,960 --> 00:14:47,239 Speaker 1: that's basically it's kind of being independent. 324 00:14:47,400 --> 00:14:48,240 Speaker 3: R Okay. 325 00:14:48,600 --> 00:14:52,760 Speaker 2: I want to own my music, for one and I 326 00:14:52,840 --> 00:14:57,120 Speaker 2: want to have creative control. I am very much so 327 00:14:57,160 --> 00:14:59,720 Speaker 2: a person that knows what they want and what the 328 00:15:00,000 --> 00:15:04,120 Speaker 2: action should be. And I never want anyone telling me 329 00:15:04,320 --> 00:15:06,440 Speaker 2: or telling me to be something else. 330 00:15:06,600 --> 00:15:07,480 Speaker 3: Okay, So. 331 00:15:09,240 --> 00:15:12,040 Speaker 2: Yeah, I think music is an expression of my soul 332 00:15:12,040 --> 00:15:13,360 Speaker 2: and I want to be the one to be like 333 00:15:13,560 --> 00:15:16,000 Speaker 2: this should come out and this is me as opposed 334 00:15:16,000 --> 00:15:19,400 Speaker 2: to cultivating to what they think would be popular or 335 00:15:19,400 --> 00:15:22,320 Speaker 2: a hit. And a mod who reached out to me 336 00:15:22,360 --> 00:15:25,360 Speaker 2: for United Masters, he just resonated with the project and 337 00:15:25,400 --> 00:15:27,480 Speaker 2: he was like, this is one of the greatest projects 338 00:15:27,520 --> 00:15:28,960 Speaker 2: I've heard in a really long time. 339 00:15:29,080 --> 00:15:30,120 Speaker 3: Oh, I know that felt good. 340 00:15:30,240 --> 00:15:31,480 Speaker 2: I was like, you don't got to lie to me. 341 00:15:31,600 --> 00:15:33,760 Speaker 2: Don't do that. I know you want me, but you 342 00:15:33,760 --> 00:15:35,560 Speaker 2: don't got to lie. And he was like, no, I 343 00:15:35,800 --> 00:15:37,520 Speaker 2: don't get paid enough to lie. And I was like, 344 00:15:37,800 --> 00:15:42,080 Speaker 2: that's fair, that's fair. So yeah, I love when people 345 00:15:42,280 --> 00:15:44,160 Speaker 2: connect with the with the project. 346 00:15:44,560 --> 00:15:47,360 Speaker 1: Was that the only like, was there any other considerations? 347 00:15:47,600 --> 00:15:50,200 Speaker 2: There were, but that was the one that really stood 348 00:15:50,200 --> 00:15:53,160 Speaker 2: out that I was like, yeah, this is the one, okay. 349 00:15:53,360 --> 00:15:55,800 Speaker 1: And how does how involved is your father in since 350 00:15:55,840 --> 00:15:58,600 Speaker 1: you said he's he's been kind of getting you ready 351 00:15:58,680 --> 00:16:01,080 Speaker 1: for this time in your life. So now how involved 352 00:16:01,120 --> 00:16:05,320 Speaker 1: is he as decisions are being made? Is it a 353 00:16:05,440 --> 00:16:06,600 Speaker 1: data jer situation? 354 00:16:06,840 --> 00:16:09,040 Speaker 2: No? No no, I want to keep business and the 355 00:16:09,080 --> 00:16:12,920 Speaker 2: family said no, no, no, no, no no no no. Sometimes 356 00:16:12,960 --> 00:16:14,640 Speaker 2: he gets a little involved. He's like, I think you 357 00:16:14,640 --> 00:16:16,800 Speaker 2: should do this. I said, Dad, I like it like this, 358 00:16:16,960 --> 00:16:19,080 Speaker 2: so we're gonna leave it like this is that okay? 359 00:16:19,280 --> 00:16:23,360 Speaker 2: He's like, okay, yeah, this is your music. So he's 360 00:16:23,400 --> 00:16:26,840 Speaker 2: he's involved with some critiques. But he actually produced one 361 00:16:26,840 --> 00:16:29,040 Speaker 2: of the songs on the. 362 00:16:29,280 --> 00:16:31,760 Speaker 3: I was gonna ask you that next doing music with you? 363 00:16:31,960 --> 00:16:34,239 Speaker 2: Yes, he did Stuck in the Middle, which is the interlude. 364 00:16:34,280 --> 00:16:36,480 Speaker 2: So yeah, you produced that one. 365 00:16:36,680 --> 00:16:39,360 Speaker 1: And so the project is out on August thirtieth, right, 366 00:16:39,360 --> 00:16:42,400 Speaker 1: that's the other release date, right before Labor Day weekend. Yes, 367 00:16:42,680 --> 00:16:45,320 Speaker 1: so we love that for you. And how many songs 368 00:16:45,440 --> 00:16:47,440 Speaker 1: on the EP? Because I know Fruit is out right 369 00:16:47,480 --> 00:16:49,680 Speaker 1: well about to come out. I don't think it's out. 370 00:16:49,640 --> 00:16:52,520 Speaker 2: Yet, No, not yet, Okay, it's gonna drop on the thirtieth. 371 00:16:52,560 --> 00:16:53,640 Speaker 2: And there's seven songs. 372 00:16:53,800 --> 00:16:57,720 Speaker 1: Okay, seven songs, and that's exciting to share this out 373 00:16:57,720 --> 00:16:59,520 Speaker 1: with the world. It feels like also from when you 374 00:16:59,520 --> 00:17:02,080 Speaker 1: put a for single out to now that's a pretty 375 00:17:02,160 --> 00:17:05,280 Speaker 1: quick yeah, release, so you can do what you want. 376 00:17:05,440 --> 00:17:08,000 Speaker 2: Yeah, I was. I was anxious. I was like, I 377 00:17:08,040 --> 00:17:09,919 Speaker 2: just want to get my music out. And then it 378 00:17:09,960 --> 00:17:11,480 Speaker 2: was really my team that like, you have to do 379 00:17:11,520 --> 00:17:13,520 Speaker 2: a rollout when it comes to this stuff, and I 380 00:17:13,560 --> 00:17:17,200 Speaker 2: was like, why, let's just put it out and so yeah, 381 00:17:17,200 --> 00:17:20,680 Speaker 2: they've been very gracious with me and helping me learn 382 00:17:20,800 --> 00:17:25,960 Speaker 2: about rollouts. So but yeah, seven songs and you're gonna 383 00:17:26,000 --> 00:17:30,240 Speaker 2: the last song is like a bluesy gospelish Wow. It's 384 00:17:30,400 --> 00:17:33,320 Speaker 2: very big. That's how I explain it. It's very big 385 00:17:33,480 --> 00:17:34,879 Speaker 2: and raw and vulnerable. 386 00:17:35,320 --> 00:17:36,800 Speaker 3: What's it about? Can we get a little? 387 00:17:37,280 --> 00:17:40,320 Speaker 2: It's about so many things. It's called Lead Me to Love, 388 00:17:41,320 --> 00:17:44,200 Speaker 2: and it's basically it's kind of deals with self hate. 389 00:17:45,560 --> 00:17:48,200 Speaker 2: And I wrote it when I felt like I wasn't 390 00:17:48,200 --> 00:17:53,040 Speaker 2: myself and when I was just like ashamed of myself, 391 00:17:53,359 --> 00:17:56,080 Speaker 2: and it's basically like lead me back to God because 392 00:17:56,119 --> 00:17:59,800 Speaker 2: God is love, so lead me back to myself. And yeah, 393 00:17:59,800 --> 00:18:04,359 Speaker 2: it's just feeling broken and sad and just yeah, like 394 00:18:04,400 --> 00:18:05,840 Speaker 2: I don't I don't like me right now? 395 00:18:06,440 --> 00:18:09,080 Speaker 1: What was it about yourself that you didn't like? Like 396 00:18:09,160 --> 00:18:10,120 Speaker 1: what was happening? 397 00:18:11,160 --> 00:18:17,640 Speaker 2: So much was happening? That's a great question. I think 398 00:18:17,680 --> 00:18:19,800 Speaker 2: like a lot of personal things, how I handled certain 399 00:18:19,840 --> 00:18:26,040 Speaker 2: situations I wasn't proud of, and a lot with you know, 400 00:18:26,160 --> 00:18:30,439 Speaker 2: family and friends, and it was a big change in 401 00:18:30,440 --> 00:18:32,399 Speaker 2: my life. I think this was during like the show, 402 00:18:32,440 --> 00:18:34,520 Speaker 2: so it was like so many new transitions in my 403 00:18:34,520 --> 00:18:37,040 Speaker 2: life that I was like, ooh, this is a lot. 404 00:18:37,160 --> 00:18:39,080 Speaker 2: I don't know how to navigate through this. 405 00:18:40,080 --> 00:18:43,040 Speaker 1: So that is a tough time though, because things will 406 00:18:43,119 --> 00:18:46,200 Speaker 1: change as you get a lot more going on. And yeah, 407 00:18:46,280 --> 00:18:49,840 Speaker 1: I'm sure you were really busy yeah during that time. Yeah, 408 00:18:49,880 --> 00:18:52,159 Speaker 1: but I but you said you didn't like how you 409 00:18:52,200 --> 00:18:55,560 Speaker 1: handled it. Accountability is important too, sure, you know, instead 410 00:18:55,600 --> 00:18:58,320 Speaker 1: of saying, oh, you know, forget them, you didn't like 411 00:18:59,760 --> 00:19:02,199 Speaker 1: there in ways that you were acting. Yeah, which is 412 00:19:02,240 --> 00:19:03,960 Speaker 1: different because a lot of people would be like, man, 413 00:19:04,040 --> 00:19:05,080 Speaker 1: forget them, Like. 414 00:19:05,200 --> 00:19:07,480 Speaker 2: No, yeah, I'm not like that. I'm very I'm very 415 00:19:07,520 --> 00:19:10,320 Speaker 2: hard of myself and I like to think I moved 416 00:19:10,320 --> 00:19:12,200 Speaker 2: through the world with light and love, and so when 417 00:19:12,200 --> 00:19:15,199 Speaker 2: I don't reflect that, I'm like, damn, I'm a bad person. 418 00:19:15,960 --> 00:19:18,280 Speaker 2: And that's where, you know what the identity crisis comes through, 419 00:19:18,280 --> 00:19:20,119 Speaker 2: because you know, we all do things we're not proud 420 00:19:20,119 --> 00:19:21,440 Speaker 2: of and that's just human. 421 00:19:21,400 --> 00:19:22,439 Speaker 3: And how did you handle that? 422 00:19:25,000 --> 00:19:25,800 Speaker 2: I went to therapy. 423 00:19:26,040 --> 00:19:28,600 Speaker 3: Okay, I started therapy. Okay, yes I did. 424 00:19:29,720 --> 00:19:32,600 Speaker 2: And yeah, I just got a stronger foundation with God 425 00:19:33,840 --> 00:19:36,680 Speaker 2: and just poured into myself. I started doing like salsa 426 00:19:36,760 --> 00:19:41,040 Speaker 2: classes and doing hikes and swimming and just doing you 427 00:19:41,080 --> 00:19:42,280 Speaker 2: know things that you. 428 00:19:42,240 --> 00:19:43,480 Speaker 3: Know, self care things. 429 00:19:43,520 --> 00:19:46,160 Speaker 2: Yeah, things I used to love to do as a kid. 430 00:19:46,160 --> 00:19:48,080 Speaker 2: And I was like, I want to nurture that little girl. 431 00:19:48,600 --> 00:19:51,399 Speaker 1: And did you address situations that you felt like you 432 00:19:51,400 --> 00:19:52,000 Speaker 1: weren't proud of? 433 00:19:52,040 --> 00:19:52,920 Speaker 3: How you handled yeah? 434 00:19:53,160 --> 00:19:58,880 Speaker 2: Okay, yeah, I always Yes, I love those type of conversations. 435 00:19:58,960 --> 00:20:02,920 Speaker 2: Allows me to grow, allows me to learn, and I'm 436 00:20:02,920 --> 00:20:07,840 Speaker 2: a pretty confrontational person, so I'm very blunt, so I 437 00:20:07,880 --> 00:20:10,320 Speaker 2: appreciate those conversations in a safe space. 438 00:20:10,840 --> 00:20:12,919 Speaker 1: Do you feel like you and the character of Jackie 439 00:20:12,920 --> 00:20:15,520 Speaker 1: on Bell Air, there's any like, what do you draw 440 00:20:15,560 --> 00:20:17,520 Speaker 1: from in your real life. When you think about that 441 00:20:17,680 --> 00:20:20,840 Speaker 1: character that you're like, Okay, I can take this from 442 00:20:21,080 --> 00:20:23,960 Speaker 1: how I really am and put this into this character. 443 00:20:27,040 --> 00:20:30,600 Speaker 2: That's a good question. I don't think me and Jackie 444 00:20:30,640 --> 00:20:34,199 Speaker 2: are very similar, but I think I can relate to her. 445 00:20:34,200 --> 00:20:39,399 Speaker 2: I think everyone can relate to another human being. I 446 00:20:39,400 --> 00:20:44,119 Speaker 2: think we're both very strong minded and confident, and we 447 00:20:44,160 --> 00:20:47,960 Speaker 2: know what we want. I just think Jackie has had 448 00:20:47,960 --> 00:20:50,200 Speaker 2: to go through things that I haven't had to go through, 449 00:20:50,400 --> 00:20:53,520 Speaker 2: and the way she survives looks different than me. You know, 450 00:20:53,960 --> 00:20:56,480 Speaker 2: I haven't really had a survival mindset growing up. I 451 00:20:56,520 --> 00:20:59,480 Speaker 2: was allowed to be a child, but I don't think 452 00:20:59,560 --> 00:21:02,840 Speaker 2: Jackie was given that luxury. I think she was always 453 00:21:02,840 --> 00:21:04,800 Speaker 2: you know, growing up in South Central with no parents. 454 00:21:05,200 --> 00:21:07,480 Speaker 2: It's like you really kill or be killed. 455 00:21:08,320 --> 00:21:10,040 Speaker 1: I feel like we're going to see a lot happening 456 00:21:10,080 --> 00:21:12,040 Speaker 1: in this season that we don't know about yet, just 457 00:21:12,080 --> 00:21:13,600 Speaker 1: based off of these answers. 458 00:21:13,960 --> 00:21:17,320 Speaker 2: I don't think you'll see it. It's crazy, but yeah, 459 00:21:17,359 --> 00:21:19,600 Speaker 2: I think, you know, I think she is very mysterious 460 00:21:19,600 --> 00:21:21,439 Speaker 2: and people are like, I want to know more about her, 461 00:21:21,480 --> 00:21:24,160 Speaker 2: and I think she's just very closed off. 462 00:21:24,680 --> 00:21:27,000 Speaker 1: What is some crazy things that have happened to you 463 00:21:27,080 --> 00:21:29,240 Speaker 1: since the show and the success of bel Air. 464 00:21:29,640 --> 00:21:34,720 Speaker 2: Oh, probably Tokyo. I was in Tokyo with my friend 465 00:21:35,240 --> 00:21:38,560 Speaker 2: and I was eating at a mall and some girl 466 00:21:38,560 --> 00:21:40,280 Speaker 2: came up to me and she's like, can I take 467 00:21:40,320 --> 00:21:41,800 Speaker 2: a picture with you? And I was like, you know, 468 00:21:41,960 --> 00:21:45,359 Speaker 2: first thing, I'm like, cause I'm black. Y'all gone on 469 00:21:45,440 --> 00:21:48,840 Speaker 2: black people here? And then she saw my confusion. She 470 00:21:48,920 --> 00:21:53,240 Speaker 2: was like, I watched the drama bel Air, and I said, oh. 471 00:21:53,280 --> 00:21:55,760 Speaker 2: I was like, in Tokyo, what do you guys do? 472 00:21:57,720 --> 00:22:00,440 Speaker 1: How some all the world is now ray so much 473 00:22:00,480 --> 00:22:04,040 Speaker 1: access that we have to just think about streaming services 474 00:22:04,040 --> 00:22:07,320 Speaker 1: weren't always around and they weren't always global the way that. 475 00:22:07,280 --> 00:22:09,719 Speaker 3: It is now. That's good. Look at you, superstar Tokyo. 476 00:22:09,880 --> 00:22:12,359 Speaker 2: I was like, okay, thanks for watching. Now. 477 00:22:12,400 --> 00:22:16,720 Speaker 1: Would you tell Jackie to pursue Will or would you say, girl, 478 00:22:16,800 --> 00:22:18,240 Speaker 1: leave him alone? If you were to give if that 479 00:22:18,320 --> 00:22:20,280 Speaker 1: was your homegirl and you were giving her advice. 480 00:22:20,400 --> 00:22:23,320 Speaker 2: That's a good question. That's a great question. 481 00:22:24,720 --> 00:22:27,280 Speaker 3: What would you say, go link up a Carlton instead. 482 00:22:28,960 --> 00:22:32,000 Speaker 2: Get you? I told him. I was like, you know, 483 00:22:32,040 --> 00:22:36,720 Speaker 2: Carlton and Jackie shit since you know, but I would 484 00:22:36,720 --> 00:22:40,640 Speaker 2: probably respectfully be like girl, it's time to it's time 485 00:22:40,680 --> 00:22:41,840 Speaker 2: to go a different way, right. 486 00:22:41,920 --> 00:22:42,800 Speaker 3: He's playing games. 487 00:22:42,840 --> 00:22:45,480 Speaker 2: He's playing games, and it's like, you don't need you 488 00:22:45,520 --> 00:22:47,720 Speaker 2: don't need that, you need safety. You want to feel loved, 489 00:22:47,720 --> 00:22:48,639 Speaker 2: you want to feel wanted. 490 00:22:48,720 --> 00:22:50,760 Speaker 3: And it's messy with your uncle too. 491 00:22:51,800 --> 00:22:53,800 Speaker 2: I mean, but that's my uncle's fault. I don't think 492 00:22:53,880 --> 00:22:56,639 Speaker 2: Jackie was messy. I think Jackie tried to handle it 493 00:22:56,680 --> 00:22:57,200 Speaker 2: the best way. 494 00:22:57,240 --> 00:22:59,399 Speaker 3: But it is a bad situation to be in the 495 00:22:59,440 --> 00:22:59,720 Speaker 3: middle of. 496 00:22:59,760 --> 00:23:02,560 Speaker 2: Yes, yeah, and put a seventeen year old girl in 497 00:23:02,560 --> 00:23:06,040 Speaker 2: that like and with emotions and feelings involved, like it's 498 00:23:06,040 --> 00:23:08,000 Speaker 2: gonna get messy. But I don't think it was her fault. 499 00:23:08,000 --> 00:23:11,080 Speaker 2: I don't think she has But yeah, I think i'd 500 00:23:11,119 --> 00:23:13,760 Speaker 2: be like, friend, I want you to feel wanted, and 501 00:23:13,800 --> 00:23:17,840 Speaker 2: he clearly wants someone else, and he might want her. 502 00:23:17,960 --> 00:23:20,080 Speaker 2: I think he does still, but it's like you got 503 00:23:20,080 --> 00:23:21,160 Speaker 2: to make a decision with both. 504 00:23:21,320 --> 00:23:24,320 Speaker 1: It feels like I think both of them fulfill that 505 00:23:24,480 --> 00:23:29,480 Speaker 1: certainty for sure. He probably feels, you know, a sense 506 00:23:29,520 --> 00:23:32,080 Speaker 1: of connection with Jackie's character, just because of how he 507 00:23:32,160 --> 00:23:34,520 Speaker 1: grew up and where she is now and him not 508 00:23:34,560 --> 00:23:37,800 Speaker 1: having his father president in his life and being raised 509 00:23:37,840 --> 00:23:39,119 Speaker 1: by his aunt and uncle. 510 00:23:39,359 --> 00:23:43,080 Speaker 2: Yeah, it's like two unlovable characters finding love in each other. 511 00:23:44,080 --> 00:23:46,480 Speaker 3: So yeah, but then maybe Lisa is more stable for him. 512 00:23:46,560 --> 00:23:49,280 Speaker 2: Yeah, I think Will just needs to be single and 513 00:23:49,280 --> 00:23:50,320 Speaker 2: figuring himself out. 514 00:23:52,240 --> 00:23:54,480 Speaker 3: But we're gonna see what's bel air. 515 00:23:54,680 --> 00:23:56,879 Speaker 1: We just need to make sure that Jackie's back for 516 00:23:57,240 --> 00:23:59,600 Speaker 1: the next season too. That's what really meant. We got 517 00:23:59,600 --> 00:24:00,800 Speaker 1: to make sure you hang in there if you've got 518 00:24:00,840 --> 00:24:03,240 Speaker 1: to link up with someone else or whatever is gonna 519 00:24:03,240 --> 00:24:07,760 Speaker 1: happen everyone, we need to keep it going. But again, 520 00:24:07,840 --> 00:24:10,000 Speaker 1: the album that well, the EP is out, we're calling 521 00:24:10,040 --> 00:24:11,920 Speaker 1: the EP. But seven songs, that's a long, that's a 522 00:24:12,000 --> 00:24:15,199 Speaker 1: nice that's almost an album almost, So that means the 523 00:24:15,200 --> 00:24:18,480 Speaker 1: album's coming soon too, hopefully following. Yeah, and when you 524 00:24:18,520 --> 00:24:20,280 Speaker 1: are once you put this out, are you planning to 525 00:24:20,359 --> 00:24:22,359 Speaker 1: do some live shows, go on tour? 526 00:24:22,760 --> 00:24:27,520 Speaker 2: Yeah, definitely, planting sees to do live shows and tours 527 00:24:27,520 --> 00:24:29,520 Speaker 2: whatever God has in store for me. 528 00:24:29,680 --> 00:24:31,760 Speaker 1: Who's been the most amazing person that's reached out to 529 00:24:31,800 --> 00:24:35,119 Speaker 1: you musically at this point? Because I see people in 530 00:24:35,160 --> 00:24:43,560 Speaker 1: your comments musically that's like, yo, let's collab or have 531 00:24:43,680 --> 00:24:44,879 Speaker 1: you reached out to anybody? 532 00:24:46,920 --> 00:24:52,040 Speaker 2: Maybe you guys know yeah. I mean there's a feature 533 00:24:52,119 --> 00:24:55,280 Speaker 2: on the project. Who's great? 534 00:24:56,840 --> 00:24:57,960 Speaker 3: Okay, all right, are. 535 00:24:57,840 --> 00:25:01,000 Speaker 2: We allowed to it's coming out our first Yeah, yeah, 536 00:25:01,040 --> 00:25:04,760 Speaker 2: it's a great feature. He's he's he's an amazing, amazing songwriter, 537 00:25:04,840 --> 00:25:07,359 Speaker 2: amazing artists. So R and B. 538 00:25:08,200 --> 00:25:10,960 Speaker 3: Okay, can I wait to see what this is all about? 539 00:25:11,400 --> 00:25:11,640 Speaker 2: Yeah? 540 00:25:11,760 --> 00:25:13,680 Speaker 3: What city? What's it? 541 00:25:14,640 --> 00:25:14,919 Speaker 2: All right? 542 00:25:15,000 --> 00:25:16,920 Speaker 3: Let me stop trying to get San Diego. 543 00:25:17,000 --> 00:25:20,840 Speaker 2: Okay, for San Diego, Yeah, born born in San Diego. 544 00:25:21,600 --> 00:25:27,720 Speaker 3: All right, let me let me google Florida, all right, the. 545 00:25:28,160 --> 00:25:30,960 Speaker 2: Entire United States of America. 546 00:25:32,960 --> 00:25:35,520 Speaker 1: Well, what are the goals for you now? Because you've 547 00:25:35,520 --> 00:25:38,160 Speaker 1: been knocking them down? You know, you've been doing your dancing, 548 00:25:38,280 --> 00:25:41,640 Speaker 1: you've been doing your choreography, you've been acting, you're singing, 549 00:25:41,720 --> 00:25:42,360 Speaker 1: you're writing. 550 00:25:43,000 --> 00:25:45,240 Speaker 3: What is the ultimate for you? 551 00:25:45,480 --> 00:25:53,880 Speaker 2: Oh? I don't know. Yeah. I always like the quote, 552 00:25:53,880 --> 00:25:56,879 Speaker 2: if you want to make God laugh, tell me your plans, right, So, 553 00:25:57,480 --> 00:25:59,520 Speaker 2: I mean I definitely have dreams, but you know, I 554 00:25:59,520 --> 00:26:03,320 Speaker 2: think wherever the wind carries me, yeah, whatever makes me 555 00:26:03,400 --> 00:26:05,679 Speaker 2: happy in the moment, music's really doing that for me 556 00:26:05,800 --> 00:26:08,639 Speaker 2: right now. So I'm really giving my all the music, 557 00:26:08,680 --> 00:26:13,200 Speaker 2: whether that be tours or shows and or be a movie. 558 00:26:13,240 --> 00:26:15,560 Speaker 2: I would love to do like a musical movie. 559 00:26:15,920 --> 00:26:18,359 Speaker 1: Now that's perfect. See now there you go. That would 560 00:26:18,359 --> 00:26:20,920 Speaker 1: mix mix everything in together. I think you'll be amazing 561 00:26:20,920 --> 00:26:24,159 Speaker 1: at that musical movie. Maybe one of those live you 562 00:26:24,200 --> 00:26:26,560 Speaker 1: know how they do the live action. I can see 563 00:26:26,560 --> 00:26:29,040 Speaker 1: you doing that. Yeah, okay, well let's put it in 564 00:26:29,040 --> 00:26:32,040 Speaker 1: an atmosphere that's out there. 565 00:26:32,240 --> 00:26:33,080 Speaker 2: And again, thank you. 566 00:26:33,040 --> 00:26:33,760 Speaker 3: So much for coming through. 567 00:26:33,800 --> 00:26:35,919 Speaker 1: I know we ran into each other and we you know, 568 00:26:36,000 --> 00:26:37,800 Speaker 1: didn't have much time and everybody was being pulled in 569 00:26:37,800 --> 00:26:40,399 Speaker 1: different directions. But I appreciate you keeping your word and 570 00:26:40,440 --> 00:26:41,680 Speaker 1: coming up here for to sit down. 571 00:26:41,800 --> 00:26:43,160 Speaker 2: Of course, thank you for having me. 572 00:26:43,520 --> 00:26:45,440 Speaker 3: All right, so we're going to be listening for this EP. 573 00:26:45,800 --> 00:26:48,000 Speaker 1: I cannot wait to see who the San Diego, Florida 574 00:26:48,080 --> 00:26:51,640 Speaker 1: person collab is on the project. 575 00:26:51,640 --> 00:26:54,320 Speaker 3: But congratulations to you on everything. You've really been killing it. 576 00:26:54,400 --> 00:26:55,640 Speaker 2: I appreciate it. Thank you. 577 00:26:55,920 --> 00:26:56,919 Speaker 3: All right, it's way up