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Speaker 1: And his drinks motherfucking podcast. He's a legendary queen's rapper,

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Speaker 1: He's Segre, it's your boy in r He's a Miami

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Speaker 1: hippop pioneer up his dj e FN. Together they drinking

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Speaker 1: up with some of the biggest players in the most

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Speaker 1: professional unprofessional podcast. And your number one source for drunk

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Speaker 1: driver is New year' z. That's time for drink champs,

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Speaker 1: trink up mother mother, wouldn't good be hopeless? Would see?

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Speaker 1: This is your point in O r U d j

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Speaker 1: e FN. What the fucking I'll trying to get my

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Speaker 1: j T boys. What's excited? Is he like fucking voice?

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Speaker 1: This is motherfucking melity even drink. And from the very

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Speaker 1: moment we started this podcast, from the very moment that

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Speaker 1: we said we was gonna cover legends, and we said

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Speaker 1: that we was gonna go out and we was gonna

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Speaker 1: get the people who's been down and who's people who's

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Speaker 1: been and the other two hourss to two hours and

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Speaker 1: there was people didn't It was a time we didn't

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Speaker 1: understand where the our home was gonna be. But once

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Speaker 1: we said Miami, Florida is going to be the home

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Speaker 1: of drink chance, I cannot tell you how many fans

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Speaker 1: requsted this man. I can't tell you how many people

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Speaker 1: has come up to us daily wherever we go. When

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Speaker 1: you're gonna have hold me on. He's a part of

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Speaker 1: a legendary group. When you first think of uh Dade County,

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Speaker 1: arguably you think of Luke to him. Some some people

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Speaker 1: might say him to Louke, depending on who you ask.

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Speaker 1: He's a legend, legend, liricly who I like to think

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Speaker 1: of him. If you put Tupac and scar Face together

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Speaker 1: and they were from Florida, that's who he would be.

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Speaker 1: Sprinkle a little Luke and there. I've been listening to

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Speaker 1: him all goddamned weak because we've been preparing, and goddamn it,

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Speaker 1: we're gonna get there. What the fundank is. We're gonna

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Speaker 1: find out. Damn case you don't know what we talked about.

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Speaker 1: The legendary, the legend of legends, King of Florida, King

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Speaker 1: of Miami, Day County. Represent Beat that up. Whoa your

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Speaker 1: one and only legendary iconic j T motherfucker off? Top off?

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Speaker 1: Top I was I love your relationship with Tupac? I

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Speaker 1: heard it was y'all an inferno in Holland down, you know,

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Speaker 1: hold on, hold on, tell his story? Are you and

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Speaker 1: Pock and Inferno and and and Hollydad? Man? You know,

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Speaker 1: I had just heard about it though, that's when I

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Speaker 1: first met him. But yeah, this song, you know, I

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Speaker 1: think Brendan's Got the Baby was out for there the

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Speaker 1: song on they wanted to be a soldier And then

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Speaker 1: dude say, tell you whatever't gonna be there to night.

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Speaker 1: I'm like, no, we gotta go see this guy. So

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Speaker 1: this is the only he only got bringing up the

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Speaker 1: baby just right after the Underground first. Yeah, do sound

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Speaker 1: like each other? So I try to, you know. And

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Speaker 1: I walked in the back of you know they see

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Speaker 1: money by there that in the hood. You know, I'm

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Speaker 1: walking the back way there, and the song was playing.

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Speaker 1: I was, man, I bought a roll in the joyce

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Speaker 1: saying uh ahead. So I walked in like, oh hell,

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Speaker 1: but he already knew I was of them two little

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Speaker 1: like mother's. But since then we've been tight, you know.

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Speaker 1: So we'll see each other on the road with a

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Speaker 1: different conventions. You know what it used to have, seminars

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Speaker 1: and conventions. Back we were always gone here right there.

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Speaker 1: We're not gone here, but running the playoffs you know,

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Speaker 1: it was good, good game, man, And I heard it

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Speaker 1: was one time that you bumped into him and you

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Speaker 1: told him, man, you got all these nigs on your album.

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Speaker 1: You ain't got me on. I was waiting, but he

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Speaker 1: passed before that, you know, prior to that, huh. You

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Speaker 1: know it was Luke Regorzen death row right, once upon

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Speaker 1: a time, the arrival, cows and continence, you know, all

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Speaker 1: that was going on. But then my man had then

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Speaker 1: got hooked up over there. You know. I was just

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Speaker 1: gonna be like me, so how you got all these things?

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Speaker 1: And you know your boy, you know you guy, you know,

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Speaker 1: But anyway, it ain't happened that way though, But that

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Speaker 1: was it though. I ain't never get to tell you no.

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Speaker 1: But I know we didn't heard about now because I

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Speaker 1: understand that one once or twice. Dude, I don't know,

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Speaker 1: stay down that, Truman. So let me ask you. Right,

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Speaker 1: when I first I've moved up living, I'm going on

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Speaker 1: I think sixteen years, like solid living three five at

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Speaker 1: this point. Just alright, but on one of the first

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Speaker 1: things that I heard was like the broward and day,

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Speaker 1: like little sayings to each other. Right, this is ship

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Speaker 1: that I didn't know when I lived in New York, right,

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Speaker 1: But then now I'm out here, I see like they'll

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Speaker 1: say like Brower's and cows, and then they were like,

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Speaker 1: don't get sprayed and Day. Well, a lot of people

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Speaker 1: tell me that that came That is the exact thing

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Speaker 1: that directly came from confidence gets sprayed and Day. Yeah,

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Speaker 1: was it? Was it the few between Broward and Day.

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Speaker 1: Somebody was no, you asked the question, Um, it was

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Speaker 1: just division of Day. Day was dating brow was broad

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Speaker 1: because anybody from anywhere else thought Miami was from Palm

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Speaker 1: Beach down right, and then Miami to be like no,

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Speaker 1: let me you know, just like like you hit the boy. Yeah,

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Speaker 1: he was like no. In the guy from the data

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Speaker 1: from Brawler, Yeah, you know, but that's all that was.

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Speaker 1: But the whole cows in Connie sprading Day, it was

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Speaker 1: cows from at first that came from that got him.

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Speaker 1: Let me knowing that a little feel about history when

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Speaker 1: pull that up in Miami, people used to be to

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Speaker 1: South Miami and North Miami always be no. But you know,

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Speaker 1: in New York, we never, I never we never saw that.

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Speaker 1: We always saw y'alls being the South is having unity. Yeah,

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Speaker 1: we never, we never, we never saw that because I

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Speaker 1: heard you. That's like how you got on. It's like

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Speaker 1: kind of got on. But like that was one of

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Speaker 1: the things you did at school was battled like New

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Speaker 1: York people who came out here that ropa, Like I

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Speaker 1: even started robbing because it wasn't no niggas like me rapping. Yeah,

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Speaker 1: it was like it was always it was almost dear.

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Speaker 1: So who influenced you? Like, who influenced your It was

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Speaker 1: cute J T Money what I was always cool Jay

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Speaker 1: Rocky and Dad King and cool, you know, but I

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Speaker 1: know the music, you know, I used to listen to

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Speaker 1: niggers like and I just don't even know about these things.

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Speaker 1: You know, just wait, how do you be influenced for

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Speaker 1: something like that? And then at the time it was

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Speaker 1: Luke that was really really doing it and bass music imperious.

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Speaker 1: But was everybody you named this real lyrical And you

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Speaker 1: could when you listen to her the lyrics, you could

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Speaker 1: tell that you I was a fan of the lyrics

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Speaker 1: the music. I actually heard him as a short like, yeah,

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Speaker 1: that's that ship like, but music was, you know, the

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Speaker 1: basics things that made them Basically if you look in

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Speaker 1: the early two Life Crew, the lyrics was similar to

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Speaker 1: what run DMC was. I'm just saying was just style,

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Speaker 1: but it was to me too. Life Crew was kind

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Speaker 1: of lyrical for that time. I say, my brother Mark

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Speaker 1: he was he was the guy for here y'all brother piece.

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Speaker 1: So okay, how did you and Uncle Luke in Netity? OHK? Well,

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Speaker 1: Mr Mix from two lot of crewel he actually heard

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Speaker 1: me and deal and like a little town to show

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Speaker 1: big that the eight six hunter I was. That was

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Speaker 1: our money. We're still in school now, but we'll go

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Speaker 1: out to a college night Tuesday Wednesday and we won

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Speaker 1: first or second place. That was a week or two

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Speaker 1: a week or something like that. We just got the

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Speaker 1: five hundred three hundreds, you know what I'm saying. So yeah,

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Speaker 1: man hunderfitted underfitted every week down without Robbins. But Mr

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Speaker 1: Mims hurts and know he's like, man, you'll want to

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Speaker 1: make a rugget. And I don't even think they knew

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Speaker 1: who he was, you know, I'm East New York NI.

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Speaker 1: But I'm like, yeah, let's do it. We wouldn't even

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Speaker 1: trying to make ruggets like and we weren't passing out demos.

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Speaker 1: We weren't going to see people. We didn't have no

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Speaker 1: industry here. It wasn't if you weren't down with Looking

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Speaker 1: m So it's just to say that Luke created the

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Speaker 1: industry here. He Well, we always had Gloriestefan Casey and

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Speaker 1: the Sunshine Band. We always Michael Stirld and we always

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Speaker 1: had in a circle. But that route music, Luke was

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Speaker 1: like the biggest independent, the major independent, like you had

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Speaker 1: other labels, you know, saying them had a label base station.

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Speaker 1: Uh whoever can in man all these every dope boy

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Speaker 1: had a record label just and then everybody get a

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Speaker 1: local single. But Looking Luke did more mankt them promotion

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Speaker 1: more of an international scale, you know, and they with

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Speaker 1: the controversy, you know what, that man was Nation one

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Speaker 1: international at that So you know, that's the way I

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Speaker 1: see it because I ain't shoot, I ain't know nothing.

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Speaker 1: I just knew I was playing on the winning team

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Speaker 1: and I was gonna kobe that ship. Nika Jordan's so

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Speaker 1: so because because at that time, it really wasn't and

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Speaker 1: I don't want to label the South like and it's

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Speaker 1: the time, but it really wasn't lyrical. Like like to

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Speaker 1: tell you too, like you're like the first lyrical person

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Speaker 1: that I heard coming from Miami. Is that fair? I

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Speaker 1: was like, I know it's been yeah, now you know

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Speaker 1: again there's been people, but you didn't hear about the

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Speaker 1: level on the level at the level. So but I

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Speaker 1: know you said what your ideas, But what made you

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Speaker 1: want to go lyrical? What what made you not say?

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Speaker 1: Let me just stick with bass. If I'm around, if

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Speaker 1: I'm gonna talk to you, I'm gonna tell you something.

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Speaker 1: I ain't gonna waste you in space and I ain't

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Speaker 1: gonna waste my you know, scratch you right now. I

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Speaker 1: ain't gonna waste these vocal corps. Stop playing on singing

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Speaker 1: next year, you know what I'm saying. So, so y'all

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Speaker 1: wait around from a new album, I'm saying, I say,

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Speaker 1: the next ship, the rap I'm from the same now goodhead.

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Speaker 1: But um yeah man, but the wrap but again, my dudes, no,

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Speaker 1: you know, dude, I was wrapping because you know it

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Speaker 1: wasn't nothing that's being represented and everybody had damn that

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Speaker 1: the same round you're wrapped the colors, you wrapped the sodas,

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Speaker 1: you're wrapped the liquors. You know, I'm like, but go

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Speaker 1: out the red coverlet the vehicles blow. Pimp deserve you

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Speaker 1: know I talked about Miami ship, but huh yeah. But

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Speaker 1: the first album they called y'all baby to baby to

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Speaker 1: to like mother. Second album, though said it's like Miami's

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Speaker 1: in way, like like fair to comp That's what that's

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Speaker 1: when me and there split, And by that time I

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Speaker 1: was like, oh, y'all like that, they wouldn't do home team.

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Speaker 1: Y'all still my brother still love them. We still like

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Speaker 1: we're doing a new Portland clan. But then when that

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Speaker 1: after that, yeah, we got all the numbers, you know,

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Speaker 1: everybody recording. You know, we got bout tents on so

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Speaker 1: far anyway, But when we split, by that time I

196
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Speaker 1: was to the pointer or y'all like that or where

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Speaker 1: they get a load of there. That's when you started

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Speaker 1: getting the actions and the hells and the whole stories

199
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Speaker 1: and say, with your MoMA, good, it's just doing me now.

200
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Speaker 1: It ain't even rapped no more. It's repped. It's representing.

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Speaker 1: It's representation. The first album I called that deal of

202
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Speaker 1: the Hags album. You got the California but docing in

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Speaker 1: New York and the Mimi Ning. I called that the

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Speaker 1: album because I just came in on the street and

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Speaker 1: field in the blanks like we would get on the phone.

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Speaker 1: I got three that we were talking what you got

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Speaker 1: for this beat? We did all up then we're going

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Speaker 1: to studio all day, all night, you know. But when

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Speaker 1: I wasn't recording, I was, you know, this is whatever

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Speaker 1: I was doing that nis the yard. Yeah, I was

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Speaker 1: doing my thing, you know, I said, so that's the album.

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Speaker 1: But by the time I got the Porta Mentality, that's

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Speaker 1: when everybody left Louke. Everybody was going from Tooline or

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Speaker 1: on team my boy. You know, I just stuck with him,

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Speaker 1: you know. And I felt like at that time there's

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Speaker 1: a lot of Nicks waiting on the fold to dangn

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Speaker 1: really like Wayne took with cash money. Yeah, and I

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Speaker 1: wrote good example, I rode with you know what I'm saying,

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Speaker 1: and I did my thing. But like if you if

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Speaker 1: you the boord the mentality, you hear my name a

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Speaker 1: lot of that bitch. I made sure a bit knew

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Speaker 1: who I was after that album. But even the album,

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Speaker 1: as you look at it, right, people j T and yeah,

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Speaker 1: that's some creative marketing by the people who wanted the

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Speaker 1: bankruptcy from looking then and they're using it because they

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Speaker 1: had the right to do so and that paperwork back

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Speaker 1: then that they want and all that right there. But

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Speaker 1: it's cool that they're not lying. Yeah, yeah, they're not

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Speaker 1: lying though. But I only god damn'd that money got

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Speaker 1: two separate careers. Man. Sometimes they don't even put me together.

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Speaker 1: If you listen to the radio stations and like playing

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Speaker 1: on Spile, you won't hear j C Money soth on

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Speaker 1: the Poortland Clan station. You won't hear a Portland Clan

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Speaker 1: record on the j Moneing station. If the only one

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Speaker 1: that will probably beled is shake with Your Mama, Gail. Yeah.

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Speaker 1: Other than that, you won't hear none of those other

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Speaker 1: PC songs if you listen to j C. Money radio,

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Speaker 1: if you listen to the radiodor well, why they don't

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Speaker 1: put them together. It's two different lives. That's not that

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Speaker 1: workout beneficially for you all. I ain't figured it out

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Speaker 1: yet that one of my yeah, well I mean my pieces,

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Speaker 1: my piece, so every third of days or three months

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Speaker 1: it will show up. You know. What's up about us

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Speaker 1: is what wait? Wait, year you came out the two

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Speaker 1: old like Monthers album. Okay, so you you definitely I

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Speaker 1: came nineties ninety seven. There was no digital and at

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Speaker 1: all at all? So how the fund do we even

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Speaker 1: go in debate that y'all always digital money when we

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Speaker 1: never actually signed the digital deal? Should just ask and

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Speaker 1: I listen, I've actually read lyrics, I mean not lyrics

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Speaker 1: concert and they're saying UM for any and other whatever

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Speaker 1: and to come they're putting that in the next thing.

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Speaker 1: Y'all start selling CDs two elephants. Yeah, they doing that.

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Speaker 1: They're like ship. But when Dance on Night came out

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Speaker 1: before the album dropped, so that was wasn't the eighty

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Speaker 1: nine I Hate for You Becoming the girl that I

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Speaker 1: got that in my notes I was eighty nine and

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Speaker 1: then the album You're the ninety y'all were running that

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Speaker 1: through the pack. Jam yeah, jam, ship whatever and nails

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Speaker 1: bumping that like wow radio we're on the radio on

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Speaker 1: DJ College. Yeah, this is before all right, let me

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Speaker 1: let me go to um something about pepper somebody you

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Speaker 1: in too short? Yeah? How did you make this? How

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Speaker 1: did you connect with to show what the is going on?

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Speaker 1: This is? This is complain be played right now? That

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Speaker 1: ship right now? See when when when Alana was the

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Speaker 1: little before I went to the Lina, I was always

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Speaker 1: see short right, he was up and now you know,

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Speaker 1: and I always want to do something in the show.

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Speaker 1: We always did a lot of shows. So when I

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Speaker 1: finally got a situation with a little budget, I was

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Speaker 1: able to say, hey man, you know without being disrespectful,

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Speaker 1: because you know, ship we had no features. That was

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Speaker 1: my first time doing features. Pimino Whites, everything else was

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Speaker 1: just from the hood and he was I knew the

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Speaker 1: Poison clan. You know what I'm saying. Yeah, we we

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Speaker 1: didn't reach out. I'm damn, that's far. I remember some

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Speaker 1: of the dudes asked me about a feature, and I

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Speaker 1: go to Lucas say, hey man, they want to do

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Speaker 1: a feature. What you think He said, I wouldn't do it,

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Speaker 1: So I didn't do it. But I'm not thinking of

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Speaker 1: networking or fucking with nobody somewhere else, you know what

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Speaker 1: I'm saying, spreading the game because I don't know. I

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Speaker 1: just it was a major independent at the time, and

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Speaker 1: the short was independent as well. It was a job.

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Speaker 1: But he was sure, you know, I guess he was

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Speaker 1: doing what he wanted to do. You know, we took

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Speaker 1: out of paperwork. But yeah, that was just some ship

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Speaker 1: I wanted to do. Like and you was on job

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Speaker 1: at the time he was on no. I was doing

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Speaker 1: um Priority Capital, Capital Priority, Cuban, and Cuban was over there,

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Speaker 1: was over there, everybody else, a lot of people, and

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Speaker 1: you were independent through Priority. Had a situation, met Dallas,

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Speaker 1: Austen and Tone of Mercedes. We had a situation and

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Speaker 1: Dallas had to plug over that Capital Capital to Privority

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Speaker 1: to work it. And I just went out and deal

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Speaker 1: with I had to do because yeah, I was getting

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Speaker 1: my money and I was getting yesterday yesterday pricing. Do

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Speaker 1: you do you do you like being on the major

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Speaker 1: or do you like being on the independ I like, well,

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Speaker 1: on that right now, I'm kind of like under the

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Speaker 1: radar but over the bullshit and like skating and ship

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Speaker 1: and then throw the dick when I want to. I'm saying,

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Speaker 1: Heisman on the whole. You know what I'm saying. I'm free,

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Speaker 1: you know what I'm saying. But amazing, Listen, man, I

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Speaker 1: believe they don't play with the money when they say

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Speaker 1: they're gonna give you the money, but then what you

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Speaker 1: got it? I think once you got it, you got it,

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Speaker 1: So don't be trying to come back like with but

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Speaker 1: you know that's what they're gonna get crazy. But if

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Speaker 1: we say they gotta need this right now, I think

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Speaker 1: they're gonna do that. The major, Yeah, I think so

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Speaker 1: eid I ever done? Me? Asked them, I said, I

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Speaker 1: said what I want. You know what I'm saying. Yeah,

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Speaker 1: so you pick the independent of major? Do I pick?

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Speaker 1: I'd rather be independent? I went again. I went again,

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Speaker 1: the reason being, couldn't hear you heard he said that? Check? Check,

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Speaker 1: that's that made. Yeah, I'm always major, he's always independent. Yeah.

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Speaker 1: See we don't mind grinding. Yeah, you know I want

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Speaker 1: I want pedicures. Even though I got a pedicure, I

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Speaker 1: don't got no pedicut. I want to ship they can

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Speaker 1: sell it. But yeah, man, you see a piece of

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Speaker 1: business the hip hop he's you know what I'm saying,

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Speaker 1: you're renting out to you can't on it? Who who

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Speaker 1: j T would do it? Versus against you? Probably gotta

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Speaker 1: get bout two or three people with me. I'm just

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Speaker 1: saying in real life, though, I mean, you can pick

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Speaker 1: whoever you want to pick like that? Could I keep

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Speaker 1: your local? Always trick trick my brother. I'll do anything. Listen,

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Speaker 1: see men treat new shows like that. Yeah, you do

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Speaker 1: a song, I do a song you do a son.

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Speaker 1: You know, we don't rock the crowds like that. No,

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Speaker 1: we don't rock the crowds like that, you know. But again,

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Speaker 1: hey man, whatever they want to man what Okay, coo

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Speaker 1: coo coo coo coo coolock get so no, no, let's

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Speaker 1: pressure so but I'm asking, yeah, yes, yes you would. Okay, now, now,

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Speaker 1: no tricks. I already saying I ain't suing nobody from

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Speaker 1: the crib. But I mean it's like a celebration and

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Speaker 1: that's how we got to such. But if who you

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Speaker 1: betting on you? Against you a track? Money? Man? Okay,

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Speaker 1: I didn't want to get you all this trouble. But me,

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00:20:28,240 --> 00:20:31,600
Speaker 1: let's let's think. Let's in a new truth zone. Okay,

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00:20:31,720 --> 00:20:36,119
Speaker 1: let's think it one more because I'm the underdog now Okay, Okay,

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Speaker 1: I got one zone and I got one. I got

345
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Speaker 1: to actually to give it to me. Let me tell

346
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Speaker 1: you tell me if because because I might be off

347
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Speaker 1: the off the rick to scale twister like a version.

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Speaker 1: Yeah yeah, but I don't know nothing, as I like

349
00:20:52,760 --> 00:20:57,720
Speaker 1: the Pope pump again, anybody, man, you ain't got to know, right,

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Speaker 1: So that's what I'm saying. It don't matter. I know,

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Speaker 1: but look, they're gonna be like to do that, and

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Speaker 1: I'm gonna say, I'm you know what I'm saying, and

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Speaker 1: I'm gonna say right for everything, genre, every style. Look

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Speaker 1: at what you wanna do? You want to roll out

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Speaker 1: the rid A couple of the front kids in the house.

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Speaker 1: You want to do? Can nobody nigga run the yard

357
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Speaker 1: what you want to? Don't get these niggas, this gang

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Speaker 1: say that what I'm gonna get? Turn it out energy,

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Speaker 1: God give me a litt I ain't gonna lie, and

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Speaker 1: I'm gonna just go out right. I'm gonna just go

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Speaker 1: outright and asking what kind of drugs do you want?

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Speaker 1: When you made that happened? It was only we yet

363
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Speaker 1: bucking club. So though I can get mom, I hate okay, yeah,

364
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Speaker 1: let thank you. I'm sorry man that shot out dog cool?

365
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Speaker 1: Who made that beat? Trick Stewart sat one of deal

366
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Speaker 1: who that hold on you go back? Don't go there?

367
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Speaker 1: Trick stuff? So what what is the first thing when

368
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Speaker 1: this beat come on you? What did you say? You say?

369
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Speaker 1: Did the chorus come immediately? Funny thing? I had one

370
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Speaker 1: of my little dogs with me and uh, he's just

371
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Speaker 1: he's While I'm writing the verses, I ain't got no

372
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Speaker 1: hood yet, and he's just putting that ship in my

373
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Speaker 1: What did he say? He said, hit them hit Hi? No,

374
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Speaker 1: hit him hi hit. I'm just like just like you're

375
00:22:52,960 --> 00:22:57,760
Speaker 1: doing nothing, you know. Yeah, they you know, we had

376
00:22:57,840 --> 00:23:02,520
Speaker 1: the riding cowboys, you know, like the Western that was

377
00:23:02,640 --> 00:23:13,240
Speaker 1: the watching what the hell? Because it wasn't ship with

378
00:23:13,880 --> 00:23:20,399
Speaker 1: some crook ship. Yeah, man, that showed that. So I

379
00:23:20,480 --> 00:23:23,320
Speaker 1: know some ship like that, right so now now or

380
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Speaker 1: the feeling that music is at the top of the game.

381
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Speaker 1: Correct or it was a genre. I was in Atlanta

382
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Speaker 1: at the time, to people thinking, you from Atlanta when

383
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Speaker 1: this record? Yeah, that's when I learned by way up,

384
00:23:40,040 --> 00:23:42,679
Speaker 1: I ain't know nothing about that. Yeah, you from by

385
00:23:42,760 --> 00:23:46,240
Speaker 1: where Miami? Like I see sending up for Mini. Man,

386
00:23:47,400 --> 00:23:51,120
Speaker 1: you know what I'm saying. But he was saying that, Yeah,

387
00:23:51,119 --> 00:23:53,520
Speaker 1: I had to put the Byeway in. Yeah, could I

388
00:23:53,560 --> 00:23:58,879
Speaker 1: do that wrong? Yeah? By way of Miami, Florida, Like, okay,

389
00:23:58,960 --> 00:24:03,359
Speaker 1: from Mania, Miami, not damn mine. All that I was

390
00:24:03,440 --> 00:24:07,840
Speaker 1: talking to all that ship right there, So holy shit, man,

391
00:24:07,920 --> 00:24:11,080
Speaker 1: holy ship. I got notes, all right, I got the

392
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Speaker 1: Inferno Okay, yeah, we got that. Okay, the joint you

393
00:24:15,560 --> 00:24:19,399
Speaker 1: got dedicated to the old school. Yeah, yeah, I like

394
00:24:19,560 --> 00:24:23,280
Speaker 1: that rugger who made you do that? I don't know.

395
00:24:23,440 --> 00:24:25,440
Speaker 1: Somebody say they were gonna get me my flowers while

396
00:24:25,440 --> 00:24:28,400
Speaker 1: I'm lave, I wanted to get them they flowers. Let's

397
00:24:28,440 --> 00:24:38,240
Speaker 1: give you old stuff. I was listening to all the stuff.

398
00:24:38,240 --> 00:24:40,800
Speaker 1: I was listening to the stuff we grew up to rocking,

399
00:24:41,359 --> 00:24:44,199
Speaker 1: And I'm like ship man because I was hoping one

400
00:24:44,320 --> 00:24:45,960
Speaker 1: day when the old nig is gonna here like we

401
00:24:46,000 --> 00:24:47,919
Speaker 1: we're gonna get your flowers to your face right now.

402
00:24:49,119 --> 00:24:52,160
Speaker 1: You know what I'm saying. You know what I'm saying. Yeah,

403
00:24:54,920 --> 00:24:57,000
Speaker 1: And that's how you know they're showing off. They put

404
00:24:57,040 --> 00:24:58,600
Speaker 1: a stick of day on the back of this and

405
00:24:58,640 --> 00:25:03,080
Speaker 1: all that. Ain't do that for nobody else. Come on, Miami, Miami,

406
00:25:03,960 --> 00:25:09,040
Speaker 1: just wreckt with Miami. Moh hold hold it down for you. Yeah,

407
00:25:09,080 --> 00:25:12,119
Speaker 1: but let's finish the old school question. So you wanted

408
00:25:12,240 --> 00:25:13,879
Speaker 1: I was hoping one of the most school he was

409
00:25:13,920 --> 00:25:16,000
Speaker 1: gonna hit and be like, damn, what game was the shot?

410
00:25:17,080 --> 00:25:19,800
Speaker 1: Probably feel like, well, who that who that is? Don't know?

411
00:25:19,880 --> 00:25:23,159
Speaker 1: I'm growing as here, but like, damn, you hear that

412
00:25:23,280 --> 00:25:26,399
Speaker 1: boy shout at your name out wanted somebody frank you

413
00:25:26,440 --> 00:25:31,440
Speaker 1: belly be like they could money sad my hold, I

414
00:25:31,560 --> 00:25:35,879
Speaker 1: love you shout to Bear White's Yeah you were shotting

415
00:25:35,880 --> 00:25:38,560
Speaker 1: all them out, shot them all them out on that record. Yeah, man.

416
00:25:39,560 --> 00:25:42,640
Speaker 1: Before I moved on to the next question, how come

417
00:25:43,359 --> 00:25:47,520
Speaker 1: you Trick and Ross they made a whole album together

418
00:25:48,880 --> 00:25:53,480
Speaker 1: like that, The Mountain Westmore like Mount Westmore Woman, and

419
00:25:53,560 --> 00:25:55,840
Speaker 1: you gotta add treating. You gotta add Trina, Right, I'm

420
00:25:55,880 --> 00:25:58,040
Speaker 1: working on all right. We gotta get all these cash

421
00:25:58,119 --> 00:26:01,879
Speaker 1: in one room together. Right. I'm thinking it's beyond ego

422
00:26:02,000 --> 00:26:04,440
Speaker 1: and pride. I hope that ain't it. I'm hoping this

423
00:26:04,560 --> 00:26:08,520
Speaker 1: busy schedules are priorities at first. And you know you

424
00:26:08,640 --> 00:26:11,159
Speaker 1: have this idea. Yeah, I've been trying to get in it,

425
00:26:11,320 --> 00:26:13,280
Speaker 1: like people have been at me for that for the longest.

426
00:26:13,320 --> 00:26:16,080
Speaker 1: And I'm like, we'll stop asking me, y'all know. Just

427
00:26:16,240 --> 00:26:18,160
Speaker 1: get these other niggas on board, and I'm gonna show

428
00:26:18,240 --> 00:26:20,800
Speaker 1: up the work, you know what I'm saying. But I

429
00:26:20,800 --> 00:26:23,040
Speaker 1: ain't gonna buy. I think Trick would it. I think

430
00:26:23,080 --> 00:26:25,360
Speaker 1: Trina would do it. I think you just gotta send

431
00:26:26,040 --> 00:26:28,000
Speaker 1: the verses to Rose and I think he'll do it.

432
00:26:28,720 --> 00:26:32,919
Speaker 1: Me knowing all. Yeah, it is a dream or fours,

433
00:26:33,200 --> 00:26:35,920
Speaker 1: three of y'all. Well, it was three. You know. I

434
00:26:36,000 --> 00:26:38,080
Speaker 1: figured trying to beat us somewhere could be on all

435
00:26:38,119 --> 00:26:45,200
Speaker 1: the hooks. Yea, yeah, I would thoughts a couple of verses.

436
00:26:45,480 --> 00:26:48,240
Speaker 1: I mean, yeah, yeah, So what's the name of the group,

437
00:26:48,280 --> 00:26:52,399
Speaker 1: if it's ever happened? I never thought that. Fine, the crib,

438
00:26:53,320 --> 00:27:02,920
Speaker 1: the crib like it. We're gonna creer, I like it.

439
00:27:03,000 --> 00:27:11,680
Speaker 1: I like, okay, alright, I'm gonna put that in there, y'all. Good.

440
00:27:11,880 --> 00:27:14,719
Speaker 1: He loved he loved being from three or five. That's

441
00:27:14,760 --> 00:27:18,920
Speaker 1: one thing about y'all. Y'all Miami people. Y'all love being

442
00:27:19,000 --> 00:27:23,400
Speaker 1: from Miami. Okay, but Damner Man, Okay, but that y'all love.

443
00:27:23,600 --> 00:27:25,200
Speaker 1: What what is it? What is it? What is it?

444
00:27:25,280 --> 00:27:29,200
Speaker 1: What is it about this Miami bride? Oh no, I

445
00:27:29,400 --> 00:27:32,159
Speaker 1: think we think we're different. It's just like y'all New

446
00:27:32,240 --> 00:27:35,680
Speaker 1: York nigga out of the world. You're like, y'all thought

447
00:27:36,240 --> 00:27:43,480
Speaker 1: out the world. And then we shot like, yeah, you

448
00:27:43,520 --> 00:27:47,480
Speaker 1: know what I'm saying, y'all, that's very true. You know

449
00:27:47,520 --> 00:27:50,600
Speaker 1: what I'm saying, y'all got ports, we got ports. Yeah,

450
00:27:50,760 --> 00:27:54,080
Speaker 1: that's she was being dropping out back yard of the

451
00:27:54,119 --> 00:27:56,320
Speaker 1: world in the eighties. I'm gonna get y'all one thing.

452
00:27:56,359 --> 00:27:58,040
Speaker 1: I'm gonna get y'all one thing. And I'm born and

453
00:27:58,119 --> 00:28:00,479
Speaker 1: raised in New Yorker, but I've been out here sometimes.

454
00:28:00,560 --> 00:28:02,840
Speaker 1: But but give y'all one thing that y'all want me.

455
00:28:03,040 --> 00:28:06,680
Speaker 1: But saying, clearly, beat us on. This is the most

456
00:28:06,760 --> 00:28:12,480
Speaker 1: corrupt place in the world. Yeah, you can buy anything anywhere,

457
00:28:13,000 --> 00:28:18,480
Speaker 1: any from a body. Okay, what are you explaining that?

458
00:28:18,680 --> 00:28:22,320
Speaker 1: That sounds like good to me. I go out of

459
00:28:22,359 --> 00:28:24,919
Speaker 1: the places like anythings. Ain't hustling around here because if

460
00:28:24,960 --> 00:28:26,800
Speaker 1: I want to go somewhere, I phone, I want to

461
00:28:26,840 --> 00:28:29,840
Speaker 1: get me a drink, buy me some way. I should

462
00:28:29,840 --> 00:28:33,520
Speaker 1: be able to do something. Growing as man, it's not

463
00:28:34,920 --> 00:28:36,639
Speaker 1: like I mean, when I was dropping down from Atlanta,

464
00:28:36,720 --> 00:28:39,240
Speaker 1: how much chain women, I would pull over at six

465
00:28:39,320 --> 00:28:41,000
Speaker 1: and the one, just to show them. I can go

466
00:28:41,040 --> 00:28:43,520
Speaker 1: on the lik a store, just to show them. Say

467
00:28:43,600 --> 00:28:45,760
Speaker 1: that's what we're doing here. It's a look a store

468
00:28:45,760 --> 00:28:49,440
Speaker 1: around here. It's called twenty three. Just added that back

469
00:28:49,520 --> 00:28:54,200
Speaker 1: there was one hour. By the way, I would be honest,

470
00:28:54,320 --> 00:28:56,840
Speaker 1: when I've been in New York at twelve o'clock, I'll

471
00:28:56,840 --> 00:28:58,920
Speaker 1: look at store is closed. So when I first started

472
00:28:59,000 --> 00:29:01,880
Speaker 1: coming out here, I would ask with the bootleg because

473
00:29:01,960 --> 00:29:04,960
Speaker 1: after twelve in New York will go to a bootlegger

474
00:29:05,360 --> 00:29:07,719
Speaker 1: and your your thirty dollar bottle of Hennessey is now.

475
00:29:09,080 --> 00:29:10,560
Speaker 1: And I would ask people when I came out here

476
00:29:10,560 --> 00:29:12,080
Speaker 1: in the first moved up here with a bootlegger, and

477
00:29:12,120 --> 00:29:14,520
Speaker 1: they would just look at me, like, what bootleg of motherfucker?

478
00:29:14,560 --> 00:29:19,480
Speaker 1: We could go to the back of it's open. I'm like,

479
00:29:19,760 --> 00:29:25,640
Speaker 1: what the corrupt motherfucker? Well, that's the corrupt party, mean,

480
00:29:25,720 --> 00:29:28,720
Speaker 1: that's that's that's the beginning of it. Yeah, I could

481
00:29:28,720 --> 00:29:31,920
Speaker 1: speak for the Cuban side of it. And then another thing,

482
00:29:33,360 --> 00:29:35,360
Speaker 1: another thing. This is another thing that I learned earlier

483
00:29:35,360 --> 00:29:38,240
Speaker 1: on in Miami. The strip club is not really a

484
00:29:38,320 --> 00:29:41,960
Speaker 1: strip club. It's a business place. It's club, it's a meeting,

485
00:29:45,000 --> 00:29:49,080
Speaker 1: you dinner. Like there's nothing sexual about the strip club

486
00:29:49,120 --> 00:29:52,480
Speaker 1: when you actually in Miami, Like when you first here

487
00:29:52,520 --> 00:29:55,440
Speaker 1: about you like, okay, especially if you a girl not

488
00:29:55,520 --> 00:29:57,360
Speaker 1: from Miami or don't, like what are you going to

489
00:29:57,440 --> 00:29:59,240
Speaker 1: tut for? You're like, I'm gonna have a meet a

490
00:29:59,320 --> 00:30:05,000
Speaker 1: meeting like the chef is five star, like really, and

491
00:30:05,040 --> 00:30:07,600
Speaker 1: then your girl looking at you like really, and then

492
00:30:08,040 --> 00:30:09,840
Speaker 1: then she winds up going there she's like I got

493
00:30:09,920 --> 00:30:12,239
Speaker 1: a meeting that. Yeah, she was really on the chef

494
00:30:12,760 --> 00:30:21,560
Speaker 1: Frid locked it serious, makes only moldly come clean. Let's

495
00:30:21,600 --> 00:30:26,920
Speaker 1: talk about that. Come at all? Yeah, motivational record in

496
00:30:27,040 --> 00:30:28,800
Speaker 1: the scripture. You know what I'm saying. If you're gonna

497
00:30:28,840 --> 00:30:30,520
Speaker 1: do it, do it all the way, don't do it

498
00:30:30,600 --> 00:30:33,200
Speaker 1: at all, come cleaner, don't come at all, because when

499
00:30:33,240 --> 00:30:35,600
Speaker 1: you have stepped, that's when motherfucker's you have to name it.

500
00:30:35,640 --> 00:30:37,320
Speaker 1: That record for us? You a j with the damnager.

501
00:30:39,200 --> 00:30:41,920
Speaker 1: That's right, he's had a record because I was just

502
00:30:42,320 --> 00:30:49,200
Speaker 1: getting on the front because yeah, let's take a hip

503
00:30:49,240 --> 00:30:56,880
Speaker 1: hop right there, only young lakers in the room there

504
00:30:56,920 --> 00:31:04,400
Speaker 1: talking about right see what time that's a real hit.

505
00:31:05,400 --> 00:31:07,400
Speaker 1: I didn't know what that was here. But come clean

506
00:31:07,520 --> 00:31:09,160
Speaker 1: was the saying. It's always been by saying, you know,

507
00:31:09,320 --> 00:31:11,240
Speaker 1: I'm cleaning, don't come at all. You know what I'm saying.

508
00:31:11,840 --> 00:31:13,280
Speaker 1: And then I can't clean on that and it might

509
00:31:13,360 --> 00:31:15,880
Speaker 1: have come clean and you know, and it's like whether

510
00:31:15,880 --> 00:31:19,800
Speaker 1: it's information or just the game. You know your car outfitting,

511
00:31:20,880 --> 00:31:23,560
Speaker 1: you gotta come clean. We're going and you know, I

512
00:31:23,600 --> 00:31:25,040
Speaker 1: don't don't hear what y'all to day and then I

513
00:31:25,160 --> 00:31:30,760
Speaker 1: better come clean, better clean. So so if he did it,

514
00:31:30,880 --> 00:31:33,520
Speaker 1: then then that means he beat me on that one. Okay,

515
00:31:33,720 --> 00:31:37,720
Speaker 1: I'm not to shoot that that, you know, one favorite rocket.

516
00:31:38,480 --> 00:31:40,640
Speaker 1: So so one of the days, this is one of

517
00:31:40,720 --> 00:31:43,640
Speaker 1: the first days. Um, this is crazy. I know. I

518
00:31:43,760 --> 00:31:45,760
Speaker 1: told the story. I told the story with Trick before,

519
00:31:47,720 --> 00:31:51,600
Speaker 1: but we were towards me, big pun Trick. I forget

520
00:31:51,640 --> 00:31:54,840
Speaker 1: who else. I believe fact Joe was on this. The

521
00:31:54,920 --> 00:31:59,000
Speaker 1: Trick called me to his room. Trick is rolling the blood,

522
00:32:01,440 --> 00:32:03,200
Speaker 1: so it's all black at first. This is when you know,

523
00:32:03,320 --> 00:32:05,360
Speaker 1: we didn't have green weed back then, like all you

524
00:32:05,480 --> 00:32:08,680
Speaker 1: fucking green weed assholes, like we had brown weed back then,

525
00:32:08,800 --> 00:32:13,280
Speaker 1: like we had Todd y'all, y'all that. So Trick is

526
00:32:13,360 --> 00:32:16,080
Speaker 1: rolling up and then before I know it, like his

527
00:32:16,480 --> 00:32:22,920
Speaker 1: blunt went from brown the straight white and then he

528
00:32:23,040 --> 00:32:26,080
Speaker 1: flipped there and you know, we're from New York, so

529
00:32:26,160 --> 00:32:29,080
Speaker 1: we don't know what the funk going on, and he

530
00:32:29,200 --> 00:32:31,840
Speaker 1: lit that and we knew that was a difference. Now,

531
00:32:35,280 --> 00:32:38,160
Speaker 1: that was a difference, man, And to this year and

532
00:32:38,480 --> 00:32:41,280
Speaker 1: years later, I would still see Trick and I would

533
00:32:41,280 --> 00:32:43,720
Speaker 1: see him so be alive, and I'm like, trick Daddy

534
00:32:43,920 --> 00:32:48,080
Speaker 1: is hair like I would never see, you know, the

535
00:32:48,120 --> 00:32:50,480
Speaker 1: whole on the side. I'm like here and I know

536
00:32:50,600 --> 00:32:53,640
Speaker 1: you know, I'm like, yes he is and showing up.

537
00:32:53,920 --> 00:32:58,360
Speaker 1: Is that what dank is or one somebody version? Yeah.

538
00:32:59,040 --> 00:33:00,800
Speaker 1: But like when I was saying thing, I was just

539
00:33:00,920 --> 00:33:04,600
Speaker 1: calling we dang anyway, talking on some good dank, good dank.

540
00:33:05,120 --> 00:33:10,000
Speaker 1: But yeah, people were talking about boom relations boom yeah

541
00:33:10,080 --> 00:33:15,240
Speaker 1: boom like you know, dirty heavy David that this this

542
00:33:15,320 --> 00:33:21,000
Speaker 1: is what I knew. Miami is an ill place. I

543
00:33:21,440 --> 00:33:23,320
Speaker 1: asked the dude one time. I don't want to say

544
00:33:23,360 --> 00:33:25,800
Speaker 1: his name because he kind of famous too, and I said, yea,

545
00:33:25,800 --> 00:33:28,520
Speaker 1: why why do you smoke that ship with the god?

546
00:33:28,920 --> 00:33:31,840
Speaker 1: He looked at me in my face and said, this

547
00:33:32,040 --> 00:33:35,720
Speaker 1: is more pure than we. He told me, go gain,

548
00:33:38,360 --> 00:33:45,480
Speaker 1: I'm gonna tell you something. Ab picture your Graham's telling

549
00:33:45,520 --> 00:33:51,000
Speaker 1: you that this good high. That's a good ship. And

550
00:33:51,080 --> 00:33:55,000
Speaker 1: I'm just like wow, like saying, no, this is better

551
00:33:55,120 --> 00:33:58,720
Speaker 1: than good. That's a good clean high. Yeah. Man, So

552
00:33:59,280 --> 00:34:05,040
Speaker 1: some people believe that, but that's it. I'm gonna compete

553
00:34:05,080 --> 00:34:07,840
Speaker 1: with weed, uh right, were just like the new crack

554
00:34:07,920 --> 00:34:11,839
Speaker 1: now anyway, right, like it's more, it's more weed all over.

555
00:34:12,080 --> 00:34:14,000
Speaker 1: I tell you all my weas story. Okay, let's go,

556
00:34:14,120 --> 00:34:18,160
Speaker 1: let's go lit, let's come on, let's get that that week.

557
00:34:18,320 --> 00:34:22,080
Speaker 1: I'll go a million places. Right, just always set it

558
00:34:22,120 --> 00:34:25,200
Speaker 1: out the best of the best. Uh, not about tiding

559
00:34:25,280 --> 00:34:28,200
Speaker 1: because I don't be smoking all day no more. I

560
00:34:28,320 --> 00:34:31,680
Speaker 1: did my seven years on papers clean. You should say

561
00:34:31,719 --> 00:34:36,000
Speaker 1: seventy years seven okay, seven years. You know everybody got

562
00:34:36,080 --> 00:34:38,680
Speaker 1: their formula method like, no, you gott do you can

563
00:34:38,680 --> 00:34:40,640
Speaker 1: still just move. You just take this, And I say,

564
00:34:40,719 --> 00:34:43,799
Speaker 1: no name, that's not I'm gonna just stay out. I'm

565
00:34:43,840 --> 00:34:47,000
Speaker 1: not gonna piss dirty. I'm of me being out here.

566
00:34:47,040 --> 00:34:49,160
Speaker 1: If all they got do not smoke. And you know

567
00:34:49,239 --> 00:34:51,040
Speaker 1: I'm single paying. At the time, I got about two

568
00:34:51,080 --> 00:34:53,000
Speaker 1: yard niggas. You know That's what I'm talking about, Daddy.

569
00:34:53,000 --> 00:34:54,960
Speaker 1: You know I'm talking about. That's what I'm talking So

570
00:34:55,120 --> 00:34:57,520
Speaker 1: when I got all papers niggas like, oh I want

571
00:34:57,560 --> 00:34:59,520
Speaker 1: to get you high one. I tried to hear that

572
00:34:59,600 --> 00:35:04,080
Speaker 1: ship once what like nig anytime I'm y'all smoking, But

573
00:35:04,840 --> 00:35:10,239
Speaker 1: this same reef no more, the ship and the like.

574
00:35:10,360 --> 00:35:13,239
Speaker 1: Even today, I still try like if you like, I'll

575
00:35:13,239 --> 00:35:14,960
Speaker 1: be like when I hear it because it's you. But

576
00:35:15,040 --> 00:35:17,839
Speaker 1: at one time you trying to pa I want that ship.

577
00:35:18,080 --> 00:35:22,319
Speaker 1: It's that ras smoke. But I found me something else. Okay,

578
00:35:22,360 --> 00:35:26,359
Speaker 1: what you got? What you got on jan there's more

579
00:35:26,440 --> 00:35:30,480
Speaker 1: medicine versus recreation or yeah, say all the drops. Yeah,

580
00:35:30,800 --> 00:35:33,360
Speaker 1: that's like a couple of dr sab that's that magic potion.

581
00:35:34,080 --> 00:35:37,120
Speaker 1: That's all in the element pain. You're saying, I want

582
00:35:37,160 --> 00:35:39,360
Speaker 1: to just get a book. Is it CPD or not?

583
00:35:39,960 --> 00:35:44,920
Speaker 1: Definitely definitely a c that's fire. So you ain't got

584
00:35:44,920 --> 00:35:47,160
Speaker 1: the smoke. Yeah right, you know I'm saying again, I'm

585
00:35:47,200 --> 00:35:49,040
Speaker 1: trying to bring a vote card back, and I'm singing

586
00:35:49,120 --> 00:35:52,040
Speaker 1: that year you're playing around, you're saying you're singing or

587
00:35:52,040 --> 00:35:55,319
Speaker 1: you're gonna You're gonna sing. I'm gonna sing. They're gonna sing, man,

588
00:35:55,440 --> 00:35:58,000
Speaker 1: why not? I just want to do it in my key.

589
00:35:59,719 --> 00:36:03,280
Speaker 1: I'm just talk. I mean to make anybody sound Goodbody

590
00:36:03,320 --> 00:36:09,960
Speaker 1: something to do, Somebody figure it out. We had t

591
00:36:10,160 --> 00:36:11,600
Speaker 1: I and Boosey here and they both told us that

592
00:36:11,640 --> 00:36:13,640
Speaker 1: they're doing an album together. If you had a chance

593
00:36:13,680 --> 00:36:17,480
Speaker 1: to do album together, obviously, besides the Crib album, what

594
00:36:17,560 --> 00:36:20,160
Speaker 1: would it be one artist that you can you collaborate?

595
00:36:20,840 --> 00:36:24,040
Speaker 1: Who would you who would you want to cut one

596
00:36:24,080 --> 00:36:30,000
Speaker 1: of them? Name? And unless you're gonna get me McCaine Younta,

597
00:36:30,000 --> 00:36:32,759
Speaker 1: give me some ship like that and I'll do my part.

598
00:36:32,840 --> 00:36:35,359
Speaker 1: They do their paw, let's go. But if you had

599
00:36:35,440 --> 00:36:40,600
Speaker 1: one Nina, Chuck d n do the dirt part. I

600
00:36:40,719 --> 00:36:46,680
Speaker 1: do the dirty part. Chuck, you will replace Flavor Flay.

601
00:36:50,960 --> 00:36:53,759
Speaker 1: It's a whole new fie. Don'ta do this ship fight

602
00:36:53,880 --> 00:36:55,960
Speaker 1: the plower? You know? Okay, we want the name of

603
00:36:56,000 --> 00:36:58,279
Speaker 1: the group. He called j T Money and Chuck D.

604
00:36:58,440 --> 00:37:00,520
Speaker 1: What was this Chuck D or j T Money? It's

605
00:37:00,520 --> 00:37:02,880
Speaker 1: got to be something something three six. It's gotta be

606
00:37:02,960 --> 00:37:08,440
Speaker 1: something with the full circle like conscious conscious enemy pointing

607
00:37:08,480 --> 00:37:22,000
Speaker 1: this enemy, poisonous enemy, holy ship, holy ship. They had

608
00:37:22,040 --> 00:37:26,200
Speaker 1: a picture with Luke said, that's where I came from.

609
00:37:26,840 --> 00:37:28,640
Speaker 1: I told I posted, I said, this is where I

610
00:37:28,719 --> 00:37:33,160
Speaker 1: came from. Luke, Calvin Joe, there's all that stuff in man,

611
00:37:33,719 --> 00:37:36,040
Speaker 1: you've seen Lucas. They seen Luke and um fat Joe

612
00:37:36,200 --> 00:37:39,880
Speaker 1: was like about trick, Yeah, what do you think about that?

613
00:37:40,760 --> 00:37:44,000
Speaker 1: They handled like this shoot because because I was hoping

614
00:37:44,000 --> 00:37:45,719
Speaker 1: they weren't gonna try to make it big, like it's

615
00:37:45,800 --> 00:37:49,439
Speaker 1: no big motherfucker issue. Who said, he says, she's say

616
00:37:50,160 --> 00:37:55,359
Speaker 1: neggative deal was done? Whoever got paid got paid? You know, yeah,

617
00:37:55,600 --> 00:38:01,600
Speaker 1: n ship N I think I discovered something, scovered the

618
00:38:01,640 --> 00:38:06,759
Speaker 1: American vision. I was here first. I was America. Yeah,

619
00:38:06,960 --> 00:38:13,080
Speaker 1: I was noiseever in America. That should be the next

620
00:38:13,320 --> 00:38:17,040
Speaker 1: name of your album. JT discovers America. That is hard

621
00:38:17,520 --> 00:38:20,719
Speaker 1: and looked like you wasting and cook up a Columboss

622
00:38:21,680 --> 00:38:28,680
Speaker 1: fail like like him kiss Columbus Jesus. I'm sorry that

623
00:38:29,040 --> 00:38:33,080
Speaker 1: sounded hard. You ain't never heard of the Columbus. I'm

624
00:38:33,080 --> 00:38:37,120
Speaker 1: going way too far, going way too far him. But

625
00:38:37,200 --> 00:38:39,160
Speaker 1: I was her first though, I'm saying, but he got

626
00:38:39,239 --> 00:38:41,440
Speaker 1: the credit, you know what I'm saying. Who my Luca?

627
00:38:43,480 --> 00:38:47,520
Speaker 1: Yeah yeah, let's let's speak about Luke before we get

628
00:38:47,520 --> 00:38:50,160
Speaker 1: into a quick time of slime. What was y'all problem?

629
00:38:50,239 --> 00:38:52,879
Speaker 1: When when you had a problem, because you, like you said,

630
00:38:52,920 --> 00:38:55,000
Speaker 1: you stuck around, You held it, you held the ship,

631
00:38:55,239 --> 00:38:58,839
Speaker 1: and then y'all eventually wond up. Everybody say the same thing.

632
00:38:59,040 --> 00:39:03,399
Speaker 1: You know, it's always financial, you know what I'm saying.

633
00:39:03,800 --> 00:39:07,759
Speaker 1: When they're getting the money. There's probably watching outside look

634
00:39:07,800 --> 00:39:10,320
Speaker 1: and feel like they should be getting more. Now. I

635
00:39:10,360 --> 00:39:14,080
Speaker 1: don't know nobody deal. I don't know nothing like my

636
00:39:14,280 --> 00:39:17,759
Speaker 1: thing me personally, I was getting more money and I

637
00:39:17,920 --> 00:39:20,680
Speaker 1: was getting risking my freedom. I didn't know the bidding,

638
00:39:20,800 --> 00:39:22,759
Speaker 1: but I figured I was strung up to learn. You know,

639
00:39:22,840 --> 00:39:26,080
Speaker 1: I bought my head the whole way to this table

640
00:39:26,160 --> 00:39:29,200
Speaker 1: to day. Ain't nobody taught me ship. I'm really trialing

641
00:39:29,400 --> 00:39:32,359
Speaker 1: arrow everything. So and then I looked at it, look

642
00:39:32,520 --> 00:39:35,680
Speaker 1: right like that line parts a picture jew has been

643
00:39:35,760 --> 00:39:38,279
Speaker 1: handed to an innocent child, Like he don't know what

644
00:39:38,360 --> 00:39:41,040
Speaker 1: he got in hand. He don't know what it's gonna be.

645
00:39:41,880 --> 00:39:43,880
Speaker 1: It's just a diamond. He just put it in my

646
00:39:44,080 --> 00:39:46,520
Speaker 1: thought around it's a rock to him, he don't know.

647
00:39:47,400 --> 00:39:49,480
Speaker 1: So that's how I look at him. The game was

648
00:39:49,520 --> 00:39:52,840
Speaker 1: still fairly young, you know, remember just a couple of

649
00:39:52,920 --> 00:39:55,520
Speaker 1: years before that care us say wrapping a whole and

650
00:39:55,600 --> 00:39:57,759
Speaker 1: even twenty years old. That was just a couple of

651
00:39:57,840 --> 00:40:01,160
Speaker 1: years before Luke Lucas still learning. That's what I'm saying.

652
00:40:01,200 --> 00:40:05,560
Speaker 1: Anything but everybody, but I mean, I still think NI

653
00:40:05,600 --> 00:40:08,640
Speaker 1: could split more money the right Yeah, let's I think

654
00:40:08,680 --> 00:40:11,440
Speaker 1: gonna share some money because if if if I saw that,

655
00:40:11,520 --> 00:40:14,799
Speaker 1: take for him, y'all not to tell my house here, man,

656
00:40:14,920 --> 00:40:17,160
Speaker 1: it's the bag. Let's bust the bits over. Let's keep

657
00:40:17,160 --> 00:40:20,920
Speaker 1: getting his money unless I'm thinking small himself is and

658
00:40:21,040 --> 00:40:23,640
Speaker 1: not nigga's mine, y'all niggas, because I hurt one time

659
00:40:23,680 --> 00:40:24,960
Speaker 1: he tried to, like you, got in trouble and he

660
00:40:25,080 --> 00:40:27,040
Speaker 1: hired like a ninety tho all old loyer. He tried

661
00:40:27,040 --> 00:40:29,480
Speaker 1: to try. Wouldn't nothing to pay for that. Oh shout

662
00:40:29,560 --> 00:40:31,839
Speaker 1: on a little listen, I just get y'all. Louke, come

663
00:40:31,920 --> 00:40:34,080
Speaker 1: get you, man, lou come get a look, come get

664
00:40:34,120 --> 00:40:36,200
Speaker 1: you man. Let's that money come get you because I

665
00:40:36,200 --> 00:40:39,040
Speaker 1: don't got to anybody was like, listen, man, before every

666
00:40:39,120 --> 00:40:42,960
Speaker 1: album went came out, we got locked up. Yeah, what's

667
00:40:43,000 --> 00:40:49,640
Speaker 1: going on? I don't know that bullshit? But who come

668
00:40:49,719 --> 00:40:53,319
Speaker 1: gets you? Though? But the fair thing was, I was like, no, bro,

669
00:40:53,480 --> 00:40:55,440
Speaker 1: that's not me. I ain't doing anything. But when the

670
00:40:55,480 --> 00:40:57,439
Speaker 1: fids come, you know they really got so I said, nigga,

671
00:40:57,520 --> 00:41:01,759
Speaker 1: this tiny ain't I ship, but not they didn't, so

672
00:41:02,000 --> 00:41:05,000
Speaker 1: you know you beat the case. Yeah, listen, I'm trying

673
00:41:05,040 --> 00:41:06,440
Speaker 1: to take you to trial and they're trying to go

674
00:41:06,560 --> 00:41:10,200
Speaker 1: to trail, like came from the ship on the whole ship,

675
00:41:10,640 --> 00:41:12,680
Speaker 1: and you go through that door to go into the courtroom.

676
00:41:12,760 --> 00:41:15,040
Speaker 1: They left me out that though I was there. I

677
00:41:15,080 --> 00:41:17,640
Speaker 1: got my mom, got a bag of clothes, and I'm

678
00:41:17,760 --> 00:41:21,160
Speaker 1: like they had nothing, man. I was only locked up

679
00:41:21,160 --> 00:41:23,359
Speaker 1: because I vialated. I stopped back smoking. I was out

680
00:41:23,440 --> 00:41:25,560
Speaker 1: on bar for a year and it's like me, my

681
00:41:25,640 --> 00:41:28,440
Speaker 1: futher ain't got nothing on me. Fuy'll stopped smoking soon

682
00:41:28,520 --> 00:41:31,640
Speaker 1: as it was day tone and spring break, Black black Beet,

683
00:41:32,560 --> 00:41:36,239
Speaker 1: Black Mike a week, Yeah, Black Beach, Daytona freaking it

684
00:41:36,440 --> 00:41:39,279
Speaker 1: was like a week apart. You know, I'm going, but

685
00:41:39,360 --> 00:41:42,279
Speaker 1: I had to piss every week. So I came in

686
00:41:42,400 --> 00:41:44,560
Speaker 1: this when we just dropped the left. I ain't waiting

687
00:41:44,560 --> 00:41:47,640
Speaker 1: on the hulk. I went up to freaking it. When

688
00:41:47,680 --> 00:41:50,279
Speaker 1: I came back next week and like, yeah, so I

689
00:41:50,360 --> 00:41:52,560
Speaker 1: had to sit, but I think trial was coming up

690
00:41:52,600 --> 00:41:55,080
Speaker 1: by for six months or something. I had to see it.

691
00:41:55,920 --> 00:41:59,800
Speaker 1: But ship, nigga, they had nothing on me. You know,

692
00:42:00,040 --> 00:42:01,920
Speaker 1: you could have got when we was used rounding with

693
00:42:02,080 --> 00:42:03,960
Speaker 1: him and when you had about three I said, well,

694
00:42:04,000 --> 00:42:06,160
Speaker 1: y'll should have did your job. You said, y'all have

695
00:42:06,280 --> 00:42:08,719
Speaker 1: me in a car for three kids. It's your craz

696
00:42:09,080 --> 00:42:12,959
Speaker 1: and y'all didn't get me. But the three keys listen,

697
00:42:13,640 --> 00:42:15,560
Speaker 1: they think I'm the youngest nigga in the crew. Heathers

698
00:42:15,560 --> 00:42:18,000
Speaker 1: that they're thinking, I'm gonna talk about like, listen, now,

699
00:42:18,040 --> 00:42:19,759
Speaker 1: I wasn't getting none of that money and I'm now

700
00:42:20,200 --> 00:42:22,080
Speaker 1: let me just like to hang with me because I'm live.

701
00:42:22,440 --> 00:42:24,799
Speaker 1: You know, it's just like me. They got the money

702
00:42:24,840 --> 00:42:27,000
Speaker 1: and I got the fame or whatever the funking was

703
00:42:27,080 --> 00:42:29,480
Speaker 1: ill get him, you know some ship like that. You

704
00:42:29,560 --> 00:42:31,920
Speaker 1: know what I'm saying. We were talking about putting the

705
00:42:31,960 --> 00:42:34,720
Speaker 1: money in the rap game. Look at what I'm selling.

706
00:42:34,760 --> 00:42:37,920
Speaker 1: The dope knew. Yeah, Like, man, I see something. The

707
00:42:38,040 --> 00:42:39,879
Speaker 1: end of the day, we'd be like we had all

708
00:42:39,920 --> 00:42:42,200
Speaker 1: that money. Yea. I wish we knew then what I said.

709
00:42:42,239 --> 00:42:46,520
Speaker 1: That's every old nigga. We knew then what we know now,

710
00:42:46,920 --> 00:42:49,360
Speaker 1: that's every old If you guys, one of my kids,

711
00:42:50,120 --> 00:42:52,400
Speaker 1: I said what I say, We'll say every old nigga

712
00:42:52,440 --> 00:42:54,400
Speaker 1: favorite line. They gon say, if I knew then what

713
00:42:54,520 --> 00:42:56,720
Speaker 1: I said. So if you listen to me, not motherfucker,

714
00:42:57,320 --> 00:42:58,920
Speaker 1: you can be ahead of the game because I'm only

715
00:42:58,960 --> 00:43:02,680
Speaker 1: gonna give you. But I understand adolescents. I understand thinking

716
00:43:02,719 --> 00:43:04,719
Speaker 1: they know what all listen, I ain't gonna parent on

717
00:43:04,800 --> 00:43:07,920
Speaker 1: y'all show. Were drinking, Yeah, but it was crazy like

718
00:43:08,480 --> 00:43:12,560
Speaker 1: they always um blame like our generation for not teaching

719
00:43:13,360 --> 00:43:17,760
Speaker 1: the younger generation right, But I'd be scared to embrace

720
00:43:17,800 --> 00:43:19,759
Speaker 1: the younger generation, not to not to think that they're

721
00:43:19,760 --> 00:43:23,600
Speaker 1: gonna embrace us back. Is that something that we're doing wrong? Is?

722
00:43:23,640 --> 00:43:26,399
Speaker 1: How do you feel about racist younger generation? I want

723
00:43:26,440 --> 00:43:28,040
Speaker 1: to embrace them. No, I don't want them to be

724
00:43:28,120 --> 00:43:30,520
Speaker 1: like your old nigga, Like yeah, I mean like you're

725
00:43:30,560 --> 00:43:33,120
Speaker 1: talking about like, you know, publicly, like like your old nigga.

726
00:43:33,120 --> 00:43:36,480
Speaker 1: Like wait a minute, they call you o G. I'm

727
00:43:36,640 --> 00:43:38,919
Speaker 1: like uping up with that. But sometimes I gotta rhyme.

728
00:43:38,960 --> 00:43:40,759
Speaker 1: I said, sometimes they call you o G, but they

729
00:43:40,840 --> 00:43:42,680
Speaker 1: don't really mean it. They're just calling you. Oh you

730
00:43:42,719 --> 00:43:44,520
Speaker 1: gotta read in between it, you know what I mean.

731
00:43:44,680 --> 00:43:46,920
Speaker 1: I felt that way the first time I came on

732
00:43:47,040 --> 00:43:49,160
Speaker 1: they started the anc sh thought they were trying to

733
00:43:49,239 --> 00:43:52,840
Speaker 1: make me old. But then there's a sign of respect

734
00:43:53,480 --> 00:43:56,200
Speaker 1: because I'm gonna bit okay, check, I'm gonna be there.

735
00:43:56,480 --> 00:43:59,759
Speaker 1: But you know, I don't know y'all need to get away, man, huh,

736
00:44:00,360 --> 00:44:02,440
Speaker 1: and I get it. You can't see how Yeah, but

737
00:44:02,719 --> 00:44:04,880
Speaker 1: pitching me rolling little nigga, Okay, you know that's your

738
00:44:04,920 --> 00:44:07,560
Speaker 1: actually uncle's an't your big brothers. You know what I'm saying. Whatever, nigga,

739
00:44:07,560 --> 00:44:09,680
Speaker 1: but I'm give you what I got for you, So

740
00:44:10,080 --> 00:44:11,719
Speaker 1: I don't think too much on that. Just give them

741
00:44:11,719 --> 00:44:13,440
Speaker 1: the on niggas that game, but they receive it. They

742
00:44:13,520 --> 00:44:15,880
Speaker 1: do leaving the world, they don't drink, show them love

743
00:44:15,920 --> 00:44:19,120
Speaker 1: and then that's you. Ever tried to, like, um, show

744
00:44:19,200 --> 00:44:21,040
Speaker 1: some a young person in love and they like kind

745
00:44:21,040 --> 00:44:23,879
Speaker 1: of looked at you like whatever. No, but I've had

746
00:44:24,080 --> 00:44:27,080
Speaker 1: real young name know who the funk was talking to him?

747
00:44:27,200 --> 00:44:30,319
Speaker 1: What I was talking about? Okay, but they was too

748
00:44:30,440 --> 00:44:33,880
Speaker 1: young to even understand. But I had something. Yeah, just

749
00:44:34,000 --> 00:44:35,960
Speaker 1: remember that. They go, like teen years from now, you're

750
00:44:36,000 --> 00:44:38,640
Speaker 1: gonna be like down, Yeah, that's that nigg that's I'm

751
00:44:38,640 --> 00:44:41,719
Speaker 1: still you know, I'm just just planting them season man

752
00:44:41,800 --> 00:44:48,680
Speaker 1: on nigga. Not real ship, real ship. You gotta explain

753
00:44:48,760 --> 00:44:52,160
Speaker 1: in the game up the explanation. You pick one answer

754
00:44:52,280 --> 00:44:55,040
Speaker 1: out of two two names we give you if you

755
00:44:55,239 --> 00:44:57,920
Speaker 1: if you pick both and neither we're drinking. If you

756
00:44:57,960 --> 00:45:03,520
Speaker 1: pick one, nobody drinks, so one we drink. We're giving

757
00:45:03,560 --> 00:45:08,480
Speaker 1: you two things. If I'm taking both, you go now

758
00:45:08,520 --> 00:45:14,200
Speaker 1: we drink. Yeah, all right, so you ready, I set

759
00:45:14,239 --> 00:45:18,560
Speaker 1: it off. This one you got, you got it tupop

760
00:45:18,680 --> 00:45:24,200
Speaker 1: or DMX too, and d M is harder than a

761
00:45:24,320 --> 00:45:28,839
Speaker 1: motherfucker too. To the next one. We're gonna drink, scar

762
00:45:28,960 --> 00:45:36,640
Speaker 1: face ice C. I can't do that. Two different levels

763
00:45:36,680 --> 00:45:43,560
Speaker 1: of gangster. Alright, alright, hold up, now, we can't do

764
00:45:43,680 --> 00:45:51,799
Speaker 1: that drinking, because do you do that like the same thing.

765
00:45:53,280 --> 00:45:55,960
Speaker 1: We could go back. We've never done this before. I

766
00:45:56,040 --> 00:45:58,040
Speaker 1: owe y'all one. Okay, okay, I like I like that.

767
00:45:58,680 --> 00:46:02,000
Speaker 1: I'm about to drink the whole let Yeah. Yeah, that's y'all.

768
00:46:02,000 --> 00:46:05,680
Speaker 1: Got a heart one from it, m hm, because you

769
00:46:05,760 --> 00:46:08,600
Speaker 1: know it's certain they're like Park And then they had

770
00:46:08,640 --> 00:46:11,560
Speaker 1: a reaction like it was a certain reciprocation for them,

771
00:46:11,600 --> 00:46:13,959
Speaker 1: kneds on the street where they related, and I feel

772
00:46:13,960 --> 00:46:16,120
Speaker 1: I had the same energy until I got that the

773
00:46:16,400 --> 00:46:19,000
Speaker 1: light turned on much just like they identified them. He

774
00:46:19,160 --> 00:46:25,920
Speaker 1: was identified with that that thug. Yeah, so alright, so

775
00:46:26,320 --> 00:46:31,759
Speaker 1: a good model, okay, all right, next one, Coco's a

776
00:46:31,920 --> 00:46:41,520
Speaker 1: Rolex still, okay, loot up or t I what loot?

777
00:46:41,960 --> 00:46:50,759
Speaker 1: How would whatever? It's whatever it's to you. I go

778
00:46:50,840 --> 00:46:52,920
Speaker 1: over then asked me about I don't cares and goody,

779
00:46:55,880 --> 00:47:05,960
Speaker 1: I'm I'm not my bad um. All right, So it's anything.

780
00:47:06,120 --> 00:47:08,520
Speaker 1: It ain't about whatever you want. It could be anything.

781
00:47:08,600 --> 00:47:12,200
Speaker 1: Who I choose, your criteria, whatever your right? You ready

782
00:47:12,520 --> 00:47:19,799
Speaker 1: you said both of them? Right? Yah ah? All right,

783
00:47:19,800 --> 00:47:22,000
Speaker 1: I got this one and use The next one is

784
00:47:22,040 --> 00:47:30,320
Speaker 1: definitely you take one or the office time period like

785
00:47:30,400 --> 00:47:32,800
Speaker 1: once upon a time that one was self known, but

786
00:47:32,960 --> 00:47:37,080
Speaker 1: the author of the day take one his legendary right now.

787
00:47:37,120 --> 00:47:40,040
Speaker 1: What I'm saying as a time and that's that's before

788
00:47:40,160 --> 00:47:46,880
Speaker 1: e J to the jukebox take one. Yeah no, no, no,

789
00:47:46,960 --> 00:47:49,000
Speaker 1: he's not drinking. He said, Oh you gonna do the

790
00:47:49,080 --> 00:47:51,719
Speaker 1: office okay, okay, right now, you gotta do this with

791
00:47:51,840 --> 00:47:54,880
Speaker 1: my brother, all right, pack jam or studio one A

792
00:47:55,080 --> 00:47:58,960
Speaker 1: three Hey jam And I'm from one three Miami and

793
00:47:59,080 --> 00:48:06,680
Speaker 1: nine right jam man? Yeah, boy, Now I feel like

794
00:48:06,719 --> 00:48:09,680
Speaker 1: I got to write to ask this one Booby trap

795
00:48:09,920 --> 00:48:13,759
Speaker 1: or ko D the late night Bull. We try the

796
00:48:13,760 --> 00:48:15,759
Speaker 1: one on the river, that's the one you talk, the

797
00:48:15,760 --> 00:48:17,400
Speaker 1: one out the way, but you know the one we're

798
00:48:17,440 --> 00:48:22,759
Speaker 1: talking about. Ko Man shop, but just down with you.

799
00:48:24,360 --> 00:48:26,160
Speaker 1: I was with I sho you said, you know it's

800
00:48:26,200 --> 00:48:32,560
Speaker 1: one by the river. Yeah, yeah, yeah, twenty taking the

801
00:48:32,560 --> 00:48:37,279
Speaker 1: shop of being confused me to feel so you're giving

802
00:48:37,280 --> 00:48:40,719
Speaker 1: me all the good ship. Yeah, Like alright, I'm a

803
00:48:40,840 --> 00:48:47,560
Speaker 1: junkie cracking. He's like, let me tell you why and

804
00:48:47,680 --> 00:48:49,640
Speaker 1: what ko d Be talked about? Told about the costcos

805
00:48:49,719 --> 00:48:52,759
Speaker 1: Ko d the big one because that could confuse him. Man,

806
00:48:53,239 --> 00:48:56,520
Speaker 1: that should just be too big, you know, like you'll

807
00:48:56,520 --> 00:48:58,439
Speaker 1: be searching, you be, so you'll be taking five minutes

808
00:48:58,440 --> 00:49:00,359
Speaker 1: to walk around to say a bathroom when they say

809
00:49:01,080 --> 00:49:03,840
Speaker 1: you to another exit another Like Jesus, she just like

810
00:49:03,880 --> 00:49:08,600
Speaker 1: really walking through costcos just motherfucker's I'm gonna add one

811
00:49:08,600 --> 00:49:16,920
Speaker 1: to this. Um Sugarhill DJs, get install DJSON. I'm drinking

812
00:49:17,960 --> 00:49:21,480
Speaker 1: sugar little Family, yellow stops my family. If you could

813
00:49:21,520 --> 00:49:25,560
Speaker 1: have said any other name, we're here to drink. I

814
00:49:25,640 --> 00:49:28,680
Speaker 1: gotta ask, how then did you lose your voice? I

815
00:49:28,760 --> 00:49:32,120
Speaker 1: had a flu for like three weeks. Are you're just

816
00:49:32,160 --> 00:49:37,120
Speaker 1: telling us now a man I got was it was

817
00:49:37,200 --> 00:49:41,120
Speaker 1: the flu that wasn't cool? It was not the flu

818
00:49:41,560 --> 00:49:48,239
Speaker 1: the flu I was not ready. We had to drink,

819
00:49:48,280 --> 00:49:50,200
Speaker 1: he said, both I did I drink. She took my

820
00:49:50,280 --> 00:49:55,319
Speaker 1: couple with Okay, now you got the next one gun

821
00:49:55,400 --> 00:49:59,919
Speaker 1: player of Briscoe. No, he skipped, don't we can go back.

822
00:50:00,600 --> 00:50:03,320
Speaker 1: We can go back. Okay, mo bad you have those boats,

823
00:50:03,480 --> 00:50:06,480
Speaker 1: don't play or Bristo. Those those guys right there that

824
00:50:06,520 --> 00:50:14,359
Speaker 1: made the crushes up, not me, my dog. I mean

825
00:50:15,480 --> 00:50:17,040
Speaker 1: thank you because they got to be on the Crib

826
00:50:17,160 --> 00:50:22,040
Speaker 1: album too. I know, right, yeah, I drink of that.

827
00:50:22,840 --> 00:50:25,560
Speaker 1: So look shoutout Triple Seeds and Pull. You ain't gonna

828
00:50:25,560 --> 00:50:30,600
Speaker 1: love a hip hop Miami. They don't like me now.

829
00:50:30,760 --> 00:50:32,560
Speaker 1: I don't know though that I'm saying. Come on, let's

830
00:50:32,560 --> 00:50:34,120
Speaker 1: talk about it. They're gonna see this. Yeah, they're gonna

831
00:50:34,280 --> 00:50:39,640
Speaker 1: they're gonna see this. They don't know no, no, okay

832
00:50:39,840 --> 00:50:45,840
Speaker 1: ya did time back to the crib. Okay, yeah, but

833
00:50:46,640 --> 00:50:48,960
Speaker 1: some people don't know. Man. You know what I'm saying,

834
00:50:49,760 --> 00:50:53,080
Speaker 1: what I learned in the day's coaches, all algorithms and

835
00:50:53,640 --> 00:50:56,479
Speaker 1: you know, hotness on the you know what I'm saying,

836
00:50:56,640 --> 00:51:01,120
Speaker 1: Like me, I'm I'm in DNA of Motherfucker's saying and

837
00:51:01,200 --> 00:51:06,359
Speaker 1: then the niggas right chill J Okay, we already asked

838
00:51:06,520 --> 00:51:13,560
Speaker 1: them the Yeah, Briscoe, he took a shot to that. Man.

839
00:51:13,920 --> 00:51:16,680
Speaker 1: All right, um, but Briscoe got this song, and I

840
00:51:16,840 --> 00:51:21,960
Speaker 1: love bitch on Me, bitch on me my song. Go ahead, okay,

841
00:51:22,160 --> 00:51:27,319
Speaker 1: Mansion or Cameo, that's a good one. I had fun

842
00:51:27,400 --> 00:51:29,400
Speaker 1: in both of them. I think. I think by the

843
00:51:29,520 --> 00:51:32,279
Speaker 1: time I got up, though, I think Manchon was it

844
00:51:32,360 --> 00:51:35,320
Speaker 1: because they gave me all the love. Like when Camio

845
00:51:35,440 --> 00:51:37,520
Speaker 1: was popping, I probly was a little nigger, you know

846
00:51:37,560 --> 00:51:40,319
Speaker 1: what I'm saying. And then by the time I got

847
00:51:40,440 --> 00:51:44,800
Speaker 1: up the mass Yeah, I managine, man, just getting managine,

848
00:51:45,000 --> 00:51:47,920
Speaker 1: I drink just color that. We got a lot. We

849
00:51:48,000 --> 00:51:52,200
Speaker 1: are longless you're doing before that. You gotta do that

850
00:51:52,560 --> 00:51:56,000
Speaker 1: bull flow rider. I love both of them. I'm drinking

851
00:51:56,000 --> 00:51:58,919
Speaker 1: of that. I love both already know what we gonna

852
00:51:58,960 --> 00:52:04,600
Speaker 1: end up like, like really love these guys, like, yeah,

853
00:52:04,680 --> 00:52:11,080
Speaker 1: you look niggers, all right, Carol Marr or USA Fleet.

854
00:52:12,200 --> 00:52:14,359
Speaker 1: I'm from Carol Mar, you know, but I hung out

855
00:52:14,400 --> 00:52:18,480
Speaker 1: to the USA. But Carol Marn mother Okay, alright, honey

856
00:52:18,600 --> 00:52:23,680
Speaker 1: thirst Market before it was Carol Mark honeylet Market US

857
00:52:24,280 --> 00:52:27,160
Speaker 1: US one free market down south. Yeah, huh. You gotta

858
00:52:27,200 --> 00:52:34,160
Speaker 1: ask this one which is trigger ross people was protecting

859
00:52:34,200 --> 00:52:39,560
Speaker 1: you your any topics like drink. They sacrifice your living

860
00:52:39,640 --> 00:52:45,520
Speaker 1: for the relations chick relationships, and I respect that need. Look,

861
00:52:45,960 --> 00:52:47,239
Speaker 1: I wouldn't do them, but that's a good we have

862
00:52:47,320 --> 00:52:51,840
Speaker 1: to throw over the right want to think about it.

863
00:52:51,840 --> 00:52:59,600
Speaker 1: We're gonna end up drinking anyway, but over the yeah,

864
00:53:05,880 --> 00:53:11,879
Speaker 1: right now, n w A O Woultan Clan damn man

865
00:53:13,880 --> 00:53:16,000
Speaker 1: because you know I was on that in their wayship.

866
00:53:16,080 --> 00:53:18,840
Speaker 1: But then enough First of World came out all right boom,

867
00:53:19,000 --> 00:53:21,160
Speaker 1: the first Flue album when it was all them nigga

868
00:53:21,880 --> 00:53:25,399
Speaker 1: six chambers. Yeah, anything after that, I ain't show them

869
00:53:25,400 --> 00:53:27,600
Speaker 1: too much, you know, like when niggers come in. They

870
00:53:27,719 --> 00:53:31,360
Speaker 1: come in Hurrah and then everybody gets famous and do

871
00:53:31,480 --> 00:53:34,600
Speaker 1: all the ship and ship. But that very way it

872
00:53:34,640 --> 00:53:37,279
Speaker 1: was n w A. They were consistent. I respect that

873
00:53:37,440 --> 00:53:41,640
Speaker 1: Drey had them boys. Okay, yeah, the Source or XX

874
00:53:41,680 --> 00:53:47,759
Speaker 1: album probably the source. We don't go properly, it's the

875
00:53:47,880 --> 00:53:54,800
Speaker 1: source the Okay. I respect that I have friends over though. Okay.

876
00:53:57,680 --> 00:54:09,040
Speaker 1: MTV raps or Rap City, that's a good one. M

877
00:54:09,120 --> 00:54:11,800
Speaker 1: TV roster beginning, right, that's the beginning out of culture

878
00:54:11,920 --> 00:54:16,279
Speaker 1: rapes when they started pop tune you know, will be

879
00:54:16,400 --> 00:54:19,920
Speaker 1: the music Box and the Boxers before and we had

880
00:54:19,920 --> 00:54:21,880
Speaker 1: the boxes down with the box of down. It was

881
00:54:21,920 --> 00:54:26,120
Speaker 1: in Miami, right, So did I answer the question the

882
00:54:26,200 --> 00:54:30,040
Speaker 1: questions the question at all? You know? Ros Ross ship,

883
00:54:31,040 --> 00:54:34,279
Speaker 1: so the rap sitting with Joe Claire. A lot of

884
00:54:34,320 --> 00:54:36,000
Speaker 1: people say, big Tigger. I like the fact that you

885
00:54:36,040 --> 00:54:40,960
Speaker 1: went to Joe class and big Less, big Less. You know,

886
00:54:41,120 --> 00:54:53,560
Speaker 1: I'm gonna big people don't don't necessary shot, we don't

887
00:54:53,560 --> 00:54:55,800
Speaker 1: even know what we again, pick the culture, that's it,

888
00:54:56,320 --> 00:55:04,840
Speaker 1: check manes or cheetas. I'm gonna going tested though the

889
00:55:05,440 --> 00:55:09,279
Speaker 1: fry lost and all that ship start you. A lot

890
00:55:09,320 --> 00:55:13,120
Speaker 1: of people say, lemon pepper invented in tutsies. I really

891
00:55:13,239 --> 00:55:17,360
Speaker 1: don't know. Rumor has it Lemon pepper invented in tutsies,

892
00:55:17,920 --> 00:55:22,759
Speaker 1: Lemon pepper wings. Yeah, so the season and that's how

893
00:55:22,800 --> 00:55:24,800
Speaker 1: to Night they just invented that. Yeah, I don't know.

894
00:55:24,840 --> 00:55:27,440
Speaker 1: That's a little crazy. I don't know. This is your room.

895
00:55:27,880 --> 00:55:30,560
Speaker 1: They made it popular. Maybe they made it popular people

896
00:55:30,560 --> 00:55:33,000
Speaker 1: from out of town, all right, but then I ain't

897
00:55:33,040 --> 00:55:35,239
Speaker 1: heard of them. Pepper the Ross say, limon pepper my wing?

898
00:55:35,680 --> 00:55:41,200
Speaker 1: What what is that now I'm just playing. That's South

899
00:55:41,280 --> 00:55:51,839
Speaker 1: ship and the main't gone. Okay, Kodak Black or ball

900
00:55:51,920 --> 00:55:56,759
Speaker 1: gueasy wow greeting my little brother. Yeah, I think you'a

901
00:55:56,920 --> 00:56:00,399
Speaker 1: the young goat man. Me personally, I just my own

902
00:56:00,560 --> 00:56:03,200
Speaker 1: thing to be too. Yeah, I just think any of

903
00:56:03,239 --> 00:56:05,640
Speaker 1: you where he said, Man, I like fly like like

904
00:56:05,800 --> 00:56:12,759
Speaker 1: time like fly like fly like like nigga like that.

905
00:56:13,520 --> 00:56:16,080
Speaker 1: I said, I don't understand that, but for some reason

906
00:56:16,120 --> 00:56:22,000
Speaker 1: I understood that. Right, what's understood. That's one of our

907
00:56:22,080 --> 00:56:24,160
Speaker 1: people that are he got that ship all right, so

908
00:56:24,320 --> 00:56:26,759
Speaker 1: we when were this one right here, you gonna might

909
00:56:26,800 --> 00:56:34,520
Speaker 1: have to drink Rock Kim or caress one arm man. Okay,

910
00:56:34,680 --> 00:56:42,359
Speaker 1: I love question Rock Kim or Big Daddy King both

911
00:56:42,400 --> 00:56:44,800
Speaker 1: of them niggas as men, because you got one nigga

912
00:56:44,920 --> 00:56:50,400
Speaker 1: like this and you got the other nigga. Battle of

913
00:56:50,480 --> 00:56:55,000
Speaker 1: the guards nigga. Let me figure this out. I'm here

914
00:56:55,080 --> 00:56:57,800
Speaker 1: still the art man, you know. I look with the

915
00:56:57,840 --> 00:57:00,080
Speaker 1: closest to the dope boy. He was the closest to

916
00:57:00,920 --> 00:57:03,799
Speaker 1: the niggas I was seeing like Rock Camp. Yeah, rock

917
00:57:03,880 --> 00:57:08,200
Speaker 1: can of niggas. I looked up to. What's more of

918
00:57:08,320 --> 00:57:13,520
Speaker 1: him than like Kane, you know? But the niggas I

919
00:57:13,640 --> 00:57:17,160
Speaker 1: looked up to, like the r Okay, that's crazy that

920
00:57:17,200 --> 00:57:19,920
Speaker 1: he never cursed the rock him and his verses as

921
00:57:20,000 --> 00:57:23,960
Speaker 1: wild and it was hard as yeah, hard as fun. Yeah,

922
00:57:25,280 --> 00:57:28,960
Speaker 1: Luke or master p Luke calmebram Man. But I love

923
00:57:29,040 --> 00:57:34,560
Speaker 1: Peter Day Phoebe changed everything, change everything, But Luke the

924
00:57:34,600 --> 00:57:37,600
Speaker 1: colbram Man. You know, thank I think for a little

925
00:57:37,680 --> 00:57:40,480
Speaker 1: colbram Are you gonna you got the next two? Queen

926
00:57:40,560 --> 00:57:45,000
Speaker 1: Latifa m c la, I'm gonna going light, next three?

927
00:57:45,080 --> 00:57:49,560
Speaker 1: You got next four? Jesus Christmas, Billy Blewe or iceberg

928
00:57:51,480 --> 00:57:53,560
Speaker 1: Bird went on my favorite niggas here and I love

929
00:57:53,640 --> 00:57:56,560
Speaker 1: blue all right. Let me just say something. So I

930
00:57:56,920 --> 00:57:59,920
Speaker 1: got Bergs was like my favorite yall niggers out of

931
00:58:00,000 --> 00:58:03,400
Speaker 1: the crib. Yeah, I'm like my favorites them till the

932
00:58:03,440 --> 00:58:07,320
Speaker 1: niggers the crib. Yeah, from the crib. I'm gonna take

933
00:58:07,320 --> 00:58:10,800
Speaker 1: a regular drink me and that we ain't drinking Pickolt

934
00:58:10,960 --> 00:58:14,840
Speaker 1: grind mode. I love both. Bro. You're saying pick at

935
00:58:14,880 --> 00:58:16,960
Speaker 1: the group or death flop pickle, Let's say the group.

936
00:58:17,040 --> 00:58:21,000
Speaker 1: Let's go to the group taking shot drinking. Because when

937
00:58:21,000 --> 00:58:24,720
Speaker 1: you said death, like every day ever you said death,

938
00:58:24,800 --> 00:58:30,919
Speaker 1: like I right with this guy every day. Okay, Dad,

939
00:58:31,000 --> 00:58:33,360
Speaker 1: you got the last one. Two poor boys, slipper slide,

940
00:58:34,720 --> 00:58:40,600
Speaker 1: slipper slide. We have the last two more. I'm taking

941
00:58:40,640 --> 00:58:42,960
Speaker 1: it from the DJs. No, I'm gonna change this one though,

942
00:58:43,000 --> 00:58:46,280
Speaker 1: is no jams are part of the six nine nine

943
00:58:46,360 --> 00:58:55,440
Speaker 1: jam eat class of Ted Lucas. Yeah, yeah, I know

944
00:58:55,600 --> 00:58:59,720
Speaker 1: he's school but um men, Ted de business man, he

945
00:58:59,760 --> 00:59:02,440
Speaker 1: ain't you. We love each other. We hug each other.

946
00:59:03,680 --> 00:59:06,760
Speaker 1: He called me Jeffrey, but nigga, we did visits me.

947
00:59:06,840 --> 00:59:13,760
Speaker 1: I think it did a visit. Phel check. Look it

948
00:59:13,880 --> 00:59:19,600
Speaker 1: ya all over it up so called drink drink. I'm

949
00:59:19,640 --> 00:59:21,720
Speaker 1: gonna do the last loyal to you expect to everything else,

950
00:59:22,360 --> 00:59:27,840
Speaker 1: all right, DJ Caller DJ Epps. That's personal with man.

951
00:59:28,480 --> 00:59:31,000
Speaker 1: That's like my guy. You know how you used to

952
00:59:31,000 --> 00:59:33,439
Speaker 1: think else with Spanish. Ain't know that it was so yeah,

953
00:59:33,480 --> 00:59:39,560
Speaker 1: I ain't know what it was that. I'm gonna give

954
00:59:39,560 --> 00:59:45,880
Speaker 1: you one more DJ College or DJ Nasty, the Miami djam.

955
00:59:46,560 --> 00:59:48,400
Speaker 1: Come on, that's my god, and that's what you said

956
00:59:48,440 --> 00:59:51,400
Speaker 1: my part. I don't hate. I love Caldi, but I'm

957
00:59:51,400 --> 00:59:54,680
Speaker 1: the same. You're talking to me personal. No, you just

958
00:59:54,720 --> 00:59:57,280
Speaker 1: talking about free cal side of looking at the inside,

959
00:59:57,320 --> 01:00:01,040
Speaker 1: of looking at college, just being on. Yeah, say call

960
01:00:01,400 --> 01:00:06,560
Speaker 1: right pre car just say cold and anybody somewhere else

961
01:00:06,800 --> 01:00:10,800
Speaker 1: and I'm gonna say cowboy, you say nasty Epps. You

962
01:00:10,840 --> 01:00:12,800
Speaker 1: know what I'm saying. You say, I'm like hell, you

963
01:00:12,920 --> 01:00:17,960
Speaker 1: say yeah, I'm like, hey man, yeah, that's me. That's

964
01:00:18,040 --> 01:00:21,160
Speaker 1: all that ship does me. Okay, So which leads you

965
01:00:21,240 --> 01:00:25,440
Speaker 1: to Uncle out slick Vigor, discoe day Man down pointed

966
01:00:25,480 --> 01:00:30,439
Speaker 1: Disco day Man. That's my ship. Mixed CD is clay

967
01:00:30,520 --> 01:00:35,640
Speaker 1: d Gucci Crew. I'm do clay Dy though, because he

968
01:00:35,760 --> 01:00:42,520
Speaker 1: had the funts Man clady. Yeah ahead you and then

969
01:00:42,640 --> 01:00:46,360
Speaker 1: oh it's the inspect uncle our jam Pony expressed me

970
01:00:46,480 --> 01:00:48,360
Speaker 1: putting one D against the whole crew book. I know

971
01:00:48,400 --> 01:00:52,960
Speaker 1: where you go. Are we talking about the CDs? Because

972
01:00:53,280 --> 01:00:56,760
Speaker 1: jam Pointy got way more harder CDs and older funk.

973
01:00:57,360 --> 01:01:01,080
Speaker 1: There's another generation. But no Alice my guy, you know,

974
01:01:02,360 --> 01:01:05,840
Speaker 1: but Jampot And that's the culture, man, that's where all

975
01:01:05,880 --> 01:01:08,320
Speaker 1: that ship come from. You know what I'm saying, Like,

976
01:01:08,480 --> 01:01:12,120
Speaker 1: I ain't heard nobody rock the micy like Victim before Victniam.

977
01:01:12,880 --> 01:01:15,200
Speaker 1: I don't care who they is, who they say they'll

978
01:01:15,520 --> 01:01:20,640
Speaker 1: something different. Jamp and master that ship like pictures just

979
01:01:20,720 --> 01:01:25,920
Speaker 1: go day here things echo slowed down. That was his thing.

980
01:01:26,320 --> 01:01:28,400
Speaker 1: But when it comes to that first was that, um

981
01:01:29,200 --> 01:01:32,120
Speaker 1: the screw slow now right, But we didn't have them

982
01:01:32,200 --> 01:01:34,440
Speaker 1: chopped and stool. We just had them slowed down. We

983
01:01:34,520 --> 01:01:38,920
Speaker 1: didn't do the tech. Yeah, but these crews they all

984
01:01:38,960 --> 01:01:41,680
Speaker 1: sped it up and put the music out and did

985
01:01:41,800 --> 01:01:45,240
Speaker 1: run y'all get up. But that's what it is really

986
01:01:45,440 --> 01:01:51,400
Speaker 1: think about it. It's the speed. You seen your video.

987
01:01:52,000 --> 01:01:55,200
Speaker 1: They got a chip on version of your video. They

988
01:01:55,240 --> 01:01:59,960
Speaker 1: got running y'all out there, chi version. I don't want

989
01:02:00,040 --> 01:02:05,160
Speaker 1: my Michael Jackson's. They got it. Let's ta for that motherfucker.

990
01:02:05,240 --> 01:02:09,080
Speaker 1: They got it. Yeah, got real. This is the last question.

991
01:02:10,360 --> 01:02:12,560
Speaker 1: Everyone thinks this trick question me and if does not

992
01:02:13,760 --> 01:02:19,240
Speaker 1: loyalty or respect that I prefer that I give. That's

993
01:02:19,240 --> 01:02:22,360
Speaker 1: a good question because they don't hear y'all. They think

994
01:02:22,400 --> 01:02:25,600
Speaker 1: it's a trick question. Yeah, how about whichever way you

995
01:02:25,680 --> 01:02:29,960
Speaker 1: want to answer it, loyalty or respect. I think the

996
01:02:30,040 --> 01:02:33,440
Speaker 1: respect gonna draw the loyalty. If you respect somebody, you

997
01:02:33,560 --> 01:02:36,160
Speaker 1: respect it, you would be loyal to it. But if

998
01:02:36,240 --> 01:02:39,160
Speaker 1: you loyal or something then you later on don't respect it.

999
01:02:39,200 --> 01:02:42,320
Speaker 1: You're gonna be like that. I'm getting I think, like,

1000
01:02:42,560 --> 01:02:45,120
Speaker 1: just say I'm being loyal to the set right now.

1001
01:02:45,240 --> 01:02:46,800
Speaker 1: Then I figured out the set ain't the set that

1002
01:02:46,840 --> 01:02:50,160
Speaker 1: I thought it was. I lost respect for the set,

1003
01:02:50,280 --> 01:02:54,040
Speaker 1: so the former lose my loyer to right, But I

1004
01:02:54,160 --> 01:02:57,760
Speaker 1: respect something and I ain't commit it yet. I'm tend

1005
01:02:57,880 --> 01:03:01,120
Speaker 1: to get loyal to it because are respected. Because that's

1006
01:03:01,160 --> 01:03:04,120
Speaker 1: just stay solid all the time. Sounds like a shot

1007
01:03:04,160 --> 01:03:09,800
Speaker 1: to me, sound like a shot. Respect Lord Tiers the tattoo,

1008
01:03:10,360 --> 01:03:15,000
Speaker 1: Lord Tiers the tattoo to these niggasigur both of them,

1009
01:03:15,000 --> 01:03:16,880
Speaker 1: and I was winning on both. That's why you gotta

1010
01:03:17,320 --> 01:03:19,640
Speaker 1: I got one more time, he said, and turn it

1011
01:03:19,680 --> 01:03:23,600
Speaker 1: into both. Right, I'm taking the first time we ever

1012
01:03:23,720 --> 01:03:26,200
Speaker 1: done this. I'm taking a double shot. I'm worried because

1013
01:03:26,640 --> 01:03:29,080
Speaker 1: because that sucked me up. You approved one side and

1014
01:03:29,120 --> 01:03:32,120
Speaker 1: then you approved looking see it right, we put it

1015
01:03:32,160 --> 01:03:34,360
Speaker 1: all on the scale. We're gonna make it make sense. Okay,

1016
01:03:34,520 --> 01:03:37,280
Speaker 1: you're gonna take a double shot with me though I

1017
01:03:37,320 --> 01:03:41,000
Speaker 1: don't want to be outside with myself, and you do, right,

1018
01:03:41,040 --> 01:03:44,880
Speaker 1: So I'm alright, cool? How did minds get double shot?

1019
01:03:45,000 --> 01:03:47,280
Speaker 1: Like when I meant double shot, you put ice in it. Bro, No,

1020
01:03:47,440 --> 01:03:50,560
Speaker 1: I meant a double shot. It's double shot. Can we

1021
01:03:50,680 --> 01:03:54,480
Speaker 1: do that one time? It's my last shots? You don't

1022
01:03:54,520 --> 01:03:59,400
Speaker 1: want a double shot. I'm shot. That's definitely a single shot.

1023
01:03:59,720 --> 01:04:05,640
Speaker 1: That's no. Oh yeah, I got that. I got that. Yeah,

1024
01:04:05,760 --> 01:04:09,080
Speaker 1: I'm gonna set it up. When I say go, then

1025
01:04:09,120 --> 01:04:21,720
Speaker 1: you go solo solo, solo solo. Yeah, we've been waiting

1026
01:04:21,760 --> 01:04:28,360
Speaker 1: to do this nor day. But I asked you who

1027
01:04:28,440 --> 01:04:32,200
Speaker 1: you would do a versus with. There's one more record

1028
01:04:33,800 --> 01:04:38,000
Speaker 1: that we would have to hear on versus immediately. That's

1029
01:04:38,040 --> 01:04:48,120
Speaker 1: gonna crush every one's bones. Let's go do it? Know that?

1030
01:04:48,280 --> 01:04:50,520
Speaker 1: All right? That was my New York ship, remember that?

1031
01:04:51,800 --> 01:04:58,120
Speaker 1: But another that we're listening to um and a lot

1032
01:04:58,160 --> 01:05:00,720
Speaker 1: of people pointing this out to me that kind of

1033
01:05:00,800 --> 01:05:03,360
Speaker 1: said this is this is this is not us to

1034
01:05:03,440 --> 01:05:06,520
Speaker 1: kind of said that juvenile kind of borrows your style

1035
01:05:07,240 --> 01:05:11,760
Speaker 1: on huh. I heard that before. But I love juvenile

1036
01:05:11,880 --> 01:05:15,280
Speaker 1: to him, and that's all I'm gonna say about that

1037
01:05:15,320 --> 01:05:18,320
Speaker 1: because I'm a fan. But I've heard that before. But

1038
01:05:18,560 --> 01:05:23,640
Speaker 1: you know, and he ain't got number love and respect now.

1039
01:05:23,680 --> 01:05:27,040
Speaker 1: He never came in you know he ain't said so,

1040
01:05:27,080 --> 01:05:29,120
Speaker 1: I ain't gonna say it them, but but but have

1041
01:05:29,280 --> 01:05:32,000
Speaker 1: you ever listened to it and felt a little bit

1042
01:05:32,520 --> 01:05:36,560
Speaker 1: of your influencing there? Well, like immediately like we was

1043
01:05:36,600 --> 01:05:38,800
Speaker 1: going through discography, soon as we heard that, someone said

1044
01:05:39,160 --> 01:05:42,040
Speaker 1: juven I got that ship from him, Like immediately, I'm

1045
01:05:42,120 --> 01:05:45,880
Speaker 1: bigger than juven He's say that, But I got another thing.

1046
01:05:46,120 --> 01:05:49,240
Speaker 1: How do it? Like certain ruggers I hear them, certain people,

1047
01:05:49,320 --> 01:05:51,320
Speaker 1: I'd be like, I ain't made that ship for me.

1048
01:05:51,640 --> 01:05:53,360
Speaker 1: I said he had that Jake spirit on him when

1049
01:05:53,400 --> 01:05:56,080
Speaker 1: he did that, because I feel that ship like it's

1050
01:05:56,120 --> 01:05:59,760
Speaker 1: certain ruckords, different artists making that. Like I had to

1051
01:05:59,800 --> 01:06:02,280
Speaker 1: be right there with him because this ship feels too good,

1052
01:06:03,520 --> 01:06:07,000
Speaker 1: feel right, so some kind of way. So it wasn't

1053
01:06:07,000 --> 01:06:09,920
Speaker 1: about because you know we all really grow off each other, right,

1054
01:06:10,000 --> 01:06:16,440
Speaker 1: y'all know we we influence, right, But so with me, like, yeah,

1055
01:06:16,520 --> 01:06:20,240
Speaker 1: just go take you ever ever feel like it? Though, no,

1056
01:06:20,600 --> 01:06:22,480
Speaker 1: well not, I've heard it a couple of times, but

1057
01:06:22,520 --> 01:06:24,680
Speaker 1: I never felt like, think a bit much. I never

1058
01:06:24,760 --> 01:06:27,600
Speaker 1: felt that all right, I felt like here doing it.

1059
01:06:27,840 --> 01:06:32,080
Speaker 1: But now I have been uh coming under my ship

1060
01:06:32,440 --> 01:06:34,280
Speaker 1: Nickel trying to sound like you and I like they

1061
01:06:34,360 --> 01:06:36,560
Speaker 1: want to say. They only heard of Junior and they

1062
01:06:36,720 --> 01:06:42,120
Speaker 1: never heard me say the world. You know, I don't

1063
01:06:42,160 --> 01:06:45,439
Speaker 1: do it though. The fingers, the chicken fingers, just saying

1064
01:06:46,880 --> 01:06:52,000
Speaker 1: come out right right right, right right, But I can't

1065
01:06:52,040 --> 01:06:54,240
Speaker 1: do that. Ship you hate that? Who that one more time?

1066
01:06:54,480 --> 01:06:58,080
Speaker 1: Who that one more time? Played the whole verse into

1067
01:06:58,160 --> 01:07:00,840
Speaker 1: the that's chorus. That's even know what the one else

1068
01:07:00,880 --> 01:07:03,560
Speaker 1: as an artist? Yeah, you played the verse until the

1069
01:07:03,640 --> 01:07:07,160
Speaker 1: next chorus. No, that's the only one I didn't meet

1070
01:07:07,560 --> 01:07:12,440
Speaker 1: and I went to I went this first show Temple.

1071
01:07:14,120 --> 01:07:17,080
Speaker 1: What about ten house in the building and the gangs?

1072
01:07:17,120 --> 01:07:25,120
Speaker 1: The short is open up. I was the first show

1073
01:07:25,320 --> 01:07:29,400
Speaker 1: to Damn we were that at Coconut Gross. No, that's

1074
01:07:29,400 --> 01:07:35,880
Speaker 1: in North staying us hit that one more time? Will happened?

1075
01:07:37,920 --> 01:07:40,439
Speaker 1: You don't know how to read the instructions of English. Yeah,

1076
01:07:41,400 --> 01:07:44,920
Speaker 1: playing in Dominican. I'm talking about what the bullshit party

1077
01:07:44,960 --> 01:07:53,280
Speaker 1: party in bullshit That honey in the back looking right there?

1078
01:07:58,600 --> 01:08:04,200
Speaker 1: Who all right? Now, man, I gotta ask straight up, now,

1079
01:08:04,600 --> 01:08:08,200
Speaker 1: straight up about the all the yacht. What kind of

1080
01:08:08,280 --> 01:08:12,640
Speaker 1: drugs was in this session? That's not the normal brother,

1081
01:08:12,760 --> 01:08:15,480
Speaker 1: that was his master. It was the energy man. But

1082
01:08:15,600 --> 01:08:18,120
Speaker 1: I did hear a story that I thought. I thought

1083
01:08:18,200 --> 01:08:20,320
Speaker 1: my story was the version, but the producer was on

1084
01:08:20,439 --> 01:08:22,759
Speaker 1: somebody else show and said another version of the story.

1085
01:08:23,000 --> 01:08:25,120
Speaker 1: And I'm like, I don't remember because I heard that

1086
01:08:25,200 --> 01:08:27,439
Speaker 1: they try to get this to TLC. Oh yeah, no,

1087
01:08:27,479 --> 01:08:30,200
Speaker 1: I said that say this came in and said, you know, man,

1088
01:08:30,479 --> 01:08:34,680
Speaker 1: they heard it like they had they say they labeled

1089
01:08:34,760 --> 01:08:38,519
Speaker 1: on the cruise or whatever, you know, yearly thing and

1090
01:08:38,640 --> 01:08:41,000
Speaker 1: tones like, you know, man, Tone was working. He said,

1091
01:08:41,000 --> 01:08:42,360
Speaker 1: I let him play all that ship that you know

1092
01:08:42,479 --> 01:08:45,040
Speaker 1: what's coming up for the next year. He said, yeah,

1093
01:08:45,040 --> 01:08:47,479
Speaker 1: I waited and I played your ship j The boat

1094
01:08:47,560 --> 01:08:50,559
Speaker 1: went crazy and then was like then Tone was over

1095
01:08:50,600 --> 01:08:53,760
Speaker 1: that again, and and l A was said, just get

1096
01:08:53,800 --> 01:08:56,680
Speaker 1: a nigga fifty thousand or something like nigga fuck down

1097
01:08:56,800 --> 01:08:59,360
Speaker 1: the motherfucking fifty thousand business. My think about it though,

1098
01:09:00,040 --> 01:09:03,920
Speaker 1: Just think about had you took that fitty thousand TLC

1099
01:09:04,120 --> 01:09:08,840
Speaker 1: with this man who I don't know how it went. Yeah,

1100
01:09:12,000 --> 01:09:13,479
Speaker 1: you should have done a remix with them on it

1101
01:09:18,120 --> 01:09:22,360
Speaker 1: it possible. I ain't gonna lie, would you on the record.

1102
01:09:23,240 --> 01:09:24,880
Speaker 1: I don't know what. I would have just did the hook.

1103
01:09:25,240 --> 01:09:29,080
Speaker 1: But see now you weren't getting the anniverse. No, this

1104
01:09:29,200 --> 01:09:33,640
Speaker 1: forever has to be his record. But I'm asking what

1105
01:09:33,760 --> 01:09:35,600
Speaker 1: if what if you would have just gave it away? What?

1106
01:09:36,640 --> 01:09:38,040
Speaker 1: I don't know. We would have had to see what

1107
01:09:38,240 --> 01:09:42,000
Speaker 1: if I would have out of halft. But but I

1108
01:09:42,000 --> 01:09:44,760
Speaker 1: already got hunting from already got a hunted from him.

1109
01:09:45,160 --> 01:09:47,360
Speaker 1: I don't need it out to fit there, you know

1110
01:09:47,439 --> 01:09:49,559
Speaker 1: what I'm saying. So how does this happen? They own

1111
01:09:49,600 --> 01:09:51,120
Speaker 1: the boat, they play the record, and then they come

1112
01:09:51,160 --> 01:09:54,040
Speaker 1: to you and say that I wasn't there. I know

1113
01:09:54,280 --> 01:09:56,759
Speaker 1: when they came back your tone said yeah, I played

1114
01:09:56,800 --> 01:10:00,479
Speaker 1: your ship and it went crazy, and UH had to ask.

1115
01:10:00,520 --> 01:10:02,080
Speaker 1: I knew he was gonna say that because I was like,

1116
01:10:02,160 --> 01:10:04,080
Speaker 1: let me come to you and say, uh, we get

1117
01:10:04,160 --> 01:10:06,640
Speaker 1: feet thousand for the whole record, but you well he

1118
01:10:06,800 --> 01:10:09,200
Speaker 1: told them to say that I won't that rather, and

1119
01:10:09,240 --> 01:10:11,160
Speaker 1: he's like, man, I can't do the man right. They

1120
01:10:11,240 --> 01:10:14,320
Speaker 1: just getting fift out or something that's I'm like, well,

1121
01:10:14,360 --> 01:10:17,840
Speaker 1: I wish I was there for that conversation. Wow, No, nigga,

1122
01:10:17,880 --> 01:10:19,760
Speaker 1: how about fifthing me and let's talk about it. You

1123
01:10:19,800 --> 01:10:23,679
Speaker 1: wanted that bad at least, nigga. You know what I'm saying.

1124
01:10:23,960 --> 01:10:25,960
Speaker 1: You would have gave him the whole record. If listen, man,

1125
01:10:26,040 --> 01:10:29,439
Speaker 1: I would have promised the bits of hunting thousand come

1126
01:10:29,479 --> 01:10:33,000
Speaker 1: of bits. I need to do something. I'm hunt this

1127
01:10:33,120 --> 01:10:39,439
Speaker 1: nigga not even stopped drinking. Man, I'm drinking. Man, I'm drinking.

1128
01:10:39,560 --> 01:10:43,240
Speaker 1: I'm drinking. I'm drinking. Man drinking. Man. Let's be back

1129
01:10:43,280 --> 01:10:46,519
Speaker 1: there making the record. So yeah, y'all in the studio.

1130
01:10:46,760 --> 01:10:50,160
Speaker 1: This beat plays. No we hang out the night before. Okay,

1131
01:10:51,080 --> 01:10:53,160
Speaker 1: Now this is my version of the story. We're hanging

1132
01:10:53,200 --> 01:10:55,280
Speaker 1: out and you know, we gotta set up, you know

1133
01:10:55,320 --> 01:10:57,519
Speaker 1: what I'm saying this before making the rain and all that.

1134
01:10:57,600 --> 01:10:59,439
Speaker 1: But we got balls, we got pictures. You know. We're

1135
01:10:59,439 --> 01:11:03,599
Speaker 1: in the club. Hum, it was called the General Club

1136
01:11:03,680 --> 01:11:06,800
Speaker 1: back then in they weren't that right downtown about to

1137
01:11:06,840 --> 01:11:10,880
Speaker 1: marry Markey's right club Club one twelve as well, was

1138
01:11:10,920 --> 01:11:15,880
Speaker 1: that no gentleman club? Okay, gentlemans you see, but um,

1139
01:11:17,200 --> 01:11:20,880
Speaker 1: we love we love that motherfucker Block three. Four in

1140
01:11:20,920 --> 01:11:24,080
Speaker 1: the morning, all I know knew called me. I think

1141
01:11:24,120 --> 01:11:26,200
Speaker 1: I got home by five in the morning, calling about

1142
01:11:26,240 --> 01:11:28,920
Speaker 1: nine o'clock, like, but you gotta get back to studio, man.

1143
01:11:28,960 --> 01:11:31,880
Speaker 1: We got this record, man here, so I jumped lass up.

1144
01:11:31,920 --> 01:11:34,320
Speaker 1: We get there, and that's what they had on the thing.

1145
01:11:34,439 --> 01:11:37,000
Speaker 1: They had the hook, they had the yah yah part.

1146
01:11:37,120 --> 01:11:40,920
Speaker 1: You know, I just added my harmonies and the beats

1147
01:11:40,960 --> 01:11:45,559
Speaker 1: playing y'all, y'all, y'all, y'all, y'all, y'all. Yeah who that. Yeah,

1148
01:11:45,600 --> 01:11:48,160
Speaker 1: none of that was done yeah, just the high yeah yeah,

1149
01:11:48,439 --> 01:11:51,920
Speaker 1: but they had to It wasn't done right. He had.

1150
01:11:52,160 --> 01:11:54,400
Speaker 1: I guess he had the idea because I remember building it.

1151
01:11:54,520 --> 01:11:57,800
Speaker 1: You know, just a certain certain voices that's not that's

1152
01:11:57,840 --> 01:12:00,160
Speaker 1: in nothing now that way. Get your mom to hit

1153
01:12:00,200 --> 01:12:03,800
Speaker 1: it because it remember me back. Let's get this makes

1154
01:12:06,360 --> 01:12:11,280
Speaker 1: motherfucking mo. Motherfucking left you out. This motherfucker got that

1155
01:12:11,320 --> 01:12:13,280
Speaker 1: live resident You're gonna be sucked up. I'm throwing that

1156
01:12:13,360 --> 01:12:22,680
Speaker 1: out there right. I anticipated, but I anticipated, but you're

1157
01:12:22,720 --> 01:12:26,400
Speaker 1: in the studio. He only got the I And how

1158
01:12:26,400 --> 01:12:28,160
Speaker 1: how do you put this together? What's the first thing

1159
01:12:28,240 --> 01:12:30,439
Speaker 1: that comes to your mind? Do you if you remember, well,

1160
01:12:30,760 --> 01:12:33,519
Speaker 1: we were talking about the night with Vogue while we're

1161
01:12:33,560 --> 01:12:36,000
Speaker 1: hanging out. We got it's going. It was just different

1162
01:12:36,120 --> 01:12:39,160
Speaker 1: dudes coming around, and I can remember who that that's

1163
01:12:39,160 --> 01:12:42,439
Speaker 1: your man? Who that is? So that's what I'm thinking.

1164
01:12:42,520 --> 01:12:45,840
Speaker 1: They got that different because I remember these conversations the

1165
01:12:45,960 --> 01:12:50,840
Speaker 1: night before, so who that? So? Who that that? We

1166
01:12:51,479 --> 01:12:56,080
Speaker 1: liked this I set up looked like this because now

1167
01:12:56,120 --> 01:12:59,479
Speaker 1: the only new people, you know, it was phonecasts with us, right,

1168
01:13:00,479 --> 01:13:05,000
Speaker 1: but now a yeah, they're just starting to come up.

1169
01:13:05,520 --> 01:13:07,840
Speaker 1: They're coming up, they're moving in, but they're moving in,

1170
01:13:08,160 --> 01:13:12,600
Speaker 1: you know, like the buses. That's just people come around us,

1171
01:13:12,640 --> 01:13:15,080
Speaker 1: like we don't know who that? Yeah, we know what

1172
01:13:15,160 --> 01:13:18,439
Speaker 1: that was. I should have made it. Yeah, take it,

1173
01:13:19,280 --> 01:13:23,840
Speaker 1: take it to the next level. So when they were like, yo,

1174
01:13:24,280 --> 01:13:28,000
Speaker 1: I'm thinking that's what we're going. So that's why my

1175
01:13:28,240 --> 01:13:30,360
Speaker 1: verses was, well, who that off bering? And they're like,

1176
01:13:30,400 --> 01:13:33,000
Speaker 1: we're trying to hang with the click flows in Like

1177
01:13:33,120 --> 01:13:35,040
Speaker 1: you came with the click, but would you bang with

1178
01:13:35,160 --> 01:13:37,639
Speaker 1: the click if it were thick? Or do you just ride?

1179
01:13:37,720 --> 01:13:39,920
Speaker 1: Dick come play? I don't know you're nigga, tell me

1180
01:13:39,960 --> 01:13:44,160
Speaker 1: who you're with. If you you're bound against us today

1181
01:13:44,240 --> 01:13:47,280
Speaker 1: years old, when I took a board, running my hands,

1182
01:13:47,400 --> 01:13:52,160
Speaker 1: running y'all run this us, I know us, and I'm

1183
01:13:52,520 --> 01:13:55,640
Speaker 1: in my mind it's us against everything else going on.

1184
01:13:56,200 --> 01:14:00,120
Speaker 1: But so now when high see so comfortable that else

1185
01:14:00,200 --> 01:14:02,880
Speaker 1: to you, like that's you got us like. You know

1186
01:14:02,920 --> 01:14:05,160
Speaker 1: what I'm saying that, Yeah, who that? So you know

1187
01:14:05,240 --> 01:14:08,439
Speaker 1: we got laying on niggers, turning out backs and to

1188
01:14:08,600 --> 01:14:12,040
Speaker 1: take our ship, you know whatever we doing that weather

1189
01:14:12,479 --> 01:14:14,559
Speaker 1: that way I was at. I don't know nobody else

1190
01:14:15,360 --> 01:14:20,720
Speaker 1: that way he was than that before. Yeah, the night before, Oh,

1191
01:14:20,840 --> 01:14:22,760
Speaker 1: I was asleep, three hos a sleep. I'm gonna go

1192
01:14:22,960 --> 01:14:25,639
Speaker 1: seeing like you gotta come back. But we got this record.

1193
01:14:25,920 --> 01:14:28,160
Speaker 1: But seeing that boom. Trigger got a version of the story.

1194
01:14:28,479 --> 01:14:31,599
Speaker 1: He said he'd been had that beat, you know Trigger

1195
01:14:31,720 --> 01:14:34,840
Speaker 1: story one who produced it? Okay, he said he'd been

1196
01:14:34,960 --> 01:14:37,080
Speaker 1: had that be he didn't try it. All kind of

1197
01:14:37,160 --> 01:14:39,439
Speaker 1: different robbers on it, but it didn't come out right

1198
01:14:39,520 --> 01:14:41,960
Speaker 1: until we did it. Now, I ain't know nobody in

1199
01:14:42,000 --> 01:14:45,080
Speaker 1: the world ever heard that before. I thought this night,

1200
01:14:45,200 --> 01:14:47,639
Speaker 1: having we had a good night, you want the studio,

1201
01:14:47,680 --> 01:14:52,080
Speaker 1: couldn't sleep, let's see it and called me back. That's

1202
01:14:52,160 --> 01:14:54,240
Speaker 1: my version of it. You know what I'm saying This

1203
01:14:54,400 --> 01:14:56,719
Speaker 1: version is he gave it to Yeah, well he didn't

1204
01:14:56,720 --> 01:14:59,160
Speaker 1: get nobody ship. If he fucking wanting they come through

1205
01:15:00,000 --> 01:15:01,960
Speaker 1: them dropping, if they ain't snapped, I guess he's going

1206
01:15:02,040 --> 01:15:04,200
Speaker 1: to erase it. The leader or whatever you know, what's

1207
01:15:04,240 --> 01:15:07,880
Speaker 1: it like, I didn't have been making mine. You know,

1208
01:15:08,760 --> 01:15:14,760
Speaker 1: Puss made for give me to drink TNS. Baby's just drinking, drinking,

1209
01:15:15,040 --> 01:15:20,240
Speaker 1: drink drinking. So hey, somebody came in with an extra

1210
01:15:20,479 --> 01:15:26,760
Speaker 1: quick time of slime. They said, mad Ballozy, Wow, Big

1211
01:15:26,920 --> 01:15:33,920
Speaker 1: ram Boom, Nigga's that's yeah, Mike Fresh, motherfucker, Devil Drugs Nigga,

1212
01:15:34,000 --> 01:15:43,400
Speaker 1: Mike Trigger. Nigger niggas ain't slick all the members Devil Drugs,

1213
01:15:43,560 --> 01:15:47,000
Speaker 1: mad Ball, Big Round, Mike for j T. Money. But

1214
01:15:47,120 --> 01:15:49,920
Speaker 1: then he had shot and then he had trigger. You know,

1215
01:15:50,000 --> 01:15:52,120
Speaker 1: these are the non wrapping numbers. You know, this is

1216
01:15:52,280 --> 01:15:57,519
Speaker 1: more faculty. They had little branches of where it was. Chain.

1217
01:15:57,640 --> 01:16:01,160
Speaker 1: Ain't like all this out ours up today there on crew,

1218
01:16:01,360 --> 01:16:03,760
Speaker 1: you know what I'm saying. Mad Man was with them

1219
01:16:04,160 --> 01:16:10,800
Speaker 1: at first, but then he was like that ship. Yeah, yeah,

1220
01:16:10,840 --> 01:16:13,800
Speaker 1: this is pre dates of course. Yeah for me, I

1221
01:16:13,840 --> 01:16:15,800
Speaker 1: don't know. I don't know, actually, I don't know when

1222
01:16:16,439 --> 01:16:19,000
Speaker 1: if they were saying what I'm saying, clan there before

1223
01:16:19,000 --> 01:16:20,960
Speaker 1: we heard it, you know, Okay, yeah, but I had

1224
01:16:20,960 --> 01:16:25,880
Speaker 1: heard Poison Clan before when you all heard who I'm saying. Yeah,

1225
01:16:25,960 --> 01:16:27,880
Speaker 1: I was on the second album to be the third

1226
01:16:27,960 --> 01:16:31,599
Speaker 1: one by then, let me tell you that take appiccially

1227
01:16:31,640 --> 01:16:34,599
Speaker 1: come out. Let me let me tell you the fall

1228
01:16:35,160 --> 01:16:38,040
Speaker 1: on the other clan. Who I was like if Luke

1229
01:16:38,080 --> 01:16:39,880
Speaker 1: would have dropped the saint and not because remember we

1230
01:16:40,000 --> 01:16:43,280
Speaker 1: had to wait a year because Professor Griff came down

1231
01:16:43,680 --> 01:16:47,880
Speaker 1: when the controversary opposed right, because we were the poor

1232
01:16:49,400 --> 01:16:58,080
Speaker 1: black and the green. She said, young brother on guard

1233
01:16:58,120 --> 01:17:03,120
Speaker 1: it for us. Three right here? Yeah, shame many. Yeah,

1234
01:17:03,280 --> 01:17:06,920
Speaker 1: so I'm gonna push it back now. Three check out

1235
01:17:06,960 --> 01:17:09,200
Speaker 1: the avenue. You know what I'm saying. Did you know

1236
01:17:09,320 --> 01:17:12,000
Speaker 1: that Professor Griff from Public Enemy was signed the loop records?

1237
01:17:12,479 --> 01:17:17,559
Speaker 1: Hell no water year And I found that like Cripps

1238
01:17:17,600 --> 01:17:20,000
Speaker 1: gonna come out before yea, what we usually gonna hid

1239
01:17:20,040 --> 01:17:22,760
Speaker 1: it like like I could say, I'm only was his

1240
01:17:22,920 --> 01:17:25,720
Speaker 1: name his name? Yeah, but remember he had some controversy.

1241
01:17:25,800 --> 01:17:29,240
Speaker 1: That controversy was the only one that would take him. Yeah,

1242
01:17:29,320 --> 01:17:31,760
Speaker 1: he was like the person yeah for lack of a

1243
01:17:31,840 --> 01:17:39,720
Speaker 1: better term, Yeah, I mean all right in terms of

1244
01:17:39,880 --> 01:17:49,960
Speaker 1: what's going on to such if that happened. So we

1245
01:17:50,080 --> 01:17:52,120
Speaker 1: waited a year, but that was the only other clans

1246
01:17:52,400 --> 01:17:56,639
Speaker 1: like all right, and we can't even say they heard

1247
01:17:56,760 --> 01:18:00,439
Speaker 1: us and then they made up whatever clan. Yeah, yeah,

1248
01:18:01,640 --> 01:18:03,800
Speaker 1: it wasn't no clans. At one point y'all thought that

1249
01:18:03,920 --> 01:18:09,360
Speaker 1: the wolf ain't clans. No that said I said, we

1250
01:18:09,479 --> 01:18:14,360
Speaker 1: couldn't have said like, we couldn't say like fun an ourld.

1251
01:18:14,600 --> 01:18:19,559
Speaker 1: There wasn't no other clans. It wasn't no no other clans.

1252
01:18:20,320 --> 01:18:24,040
Speaker 1: But then what time when this clan came on? I

1253
01:18:24,160 --> 01:18:28,439
Speaker 1: think they record came before because we had to wait.

1254
01:18:30,000 --> 01:18:32,560
Speaker 1: We had to wait, Yeah, we had to wait that

1255
01:18:32,760 --> 01:18:37,200
Speaker 1: year time. It would have been eighty nine, right, so

1256
01:18:37,320 --> 01:18:40,479
Speaker 1: I couldn't say, oh, I'm nigging. But again, we was

1257
01:18:40,560 --> 01:18:43,080
Speaker 1: into that music, so we liked that ship anyway, what

1258
01:18:43,280 --> 01:18:47,479
Speaker 1: the kids. But did y'all notice how they took all

1259
01:18:47,520 --> 01:18:49,840
Speaker 1: that music away for once though? Well you can't even

1260
01:18:49,920 --> 01:18:52,240
Speaker 1: be download that no, yeah, but just all that type

1261
01:18:52,280 --> 01:18:55,759
Speaker 1: of game, just the difference of us, all our different

1262
01:18:56,400 --> 01:19:00,200
Speaker 1: shades and hues of wherever we are in this you

1263
01:19:00,280 --> 01:19:04,840
Speaker 1: now kill kill people music, man, there's no let's sell

1264
01:19:05,120 --> 01:19:08,880
Speaker 1: dope nigga and our clothes nigga. Even even y'all looking

1265
01:19:08,880 --> 01:19:12,000
Speaker 1: around doing the research, you always had that base like

1266
01:19:12,200 --> 01:19:15,160
Speaker 1: as a first single, and then you had them some

1267
01:19:15,240 --> 01:19:19,599
Speaker 1: other stuff and then even just the process of making

1268
01:19:19,640 --> 01:19:22,880
Speaker 1: an album. We try to have a record like this.

1269
01:19:23,000 --> 01:19:24,880
Speaker 1: Now we need something like this. Now we need something

1270
01:19:24,960 --> 01:19:28,560
Speaker 1: like this. Now it wasn't whatever that single was. You

1271
01:19:28,680 --> 01:19:30,719
Speaker 1: do tena those or try to make ten of those

1272
01:19:30,760 --> 01:19:34,360
Speaker 1: same records. Yep, that's proof. They don't give a funk.

1273
01:19:34,439 --> 01:19:39,960
Speaker 1: This is like, Man, if that ship work, keep doing that.

1274
01:19:40,640 --> 01:19:42,920
Speaker 1: Don't be no artist, don't try to express yourself. Don't

1275
01:19:42,920 --> 01:19:45,840
Speaker 1: trying to be creative, nigga, this is what works. Stick

1276
01:19:45,960 --> 01:19:51,599
Speaker 1: to the script. That's the game. So it's easy for nigga. Alright,

1277
01:19:51,760 --> 01:19:54,000
Speaker 1: picture the whole. If she all, she gotta have been

1278
01:19:54,120 --> 01:19:57,760
Speaker 1: over and there's some annoy emotion. Money I never even

1279
01:19:57,760 --> 01:20:02,720
Speaker 1: seen you. You understand, I'm saying, you're like, okay, my

1280
01:20:02,880 --> 01:20:07,120
Speaker 1: four dollars, give my dollar. You know, body, no matter,

1281
01:20:08,000 --> 01:20:13,880
Speaker 1: it's easy. But but if you're motherfucker with some integrity. Indeed,

1282
01:20:14,080 --> 01:20:16,639
Speaker 1: if you if I'm an artist and I'm serious about

1283
01:20:16,680 --> 01:20:20,000
Speaker 1: my ship, if you're some Erica blad dude, remember that line.

1284
01:20:20,040 --> 01:20:23,439
Speaker 1: You got to be here to notice. Man something, I'm

1285
01:20:23,439 --> 01:20:26,960
Speaker 1: serious about my ship. If you like that, it's like, oh, man,

1286
01:20:27,040 --> 01:20:28,840
Speaker 1: I hate but don't might gonna hear that? How do

1287
01:20:28,880 --> 01:20:31,200
Speaker 1: you know? What the funk they want to hear because

1288
01:20:31,320 --> 01:20:33,840
Speaker 1: we sold this on your last time A little bill.

1289
01:20:33,840 --> 01:20:36,680
Speaker 1: Who to say, I can't sell this to the this,

1290
01:20:37,000 --> 01:20:41,760
Speaker 1: the Moorrow whatever. Man, I don't know, but it's the game.

1291
01:20:41,800 --> 01:20:45,280
Speaker 1: I understand business. I ain't no hater of business. But

1292
01:20:45,520 --> 01:20:48,519
Speaker 1: you know I like freedom, but you question independent. I

1293
01:20:48,680 --> 01:20:51,760
Speaker 1: like independent. If I wake up one then decide I

1294
01:20:51,920 --> 01:20:54,760
Speaker 1: want to slide to the left. Yeah, I can do that,

1295
01:20:55,560 --> 01:20:59,160
Speaker 1: to the right. If I could do that, girl right

1296
01:21:01,160 --> 01:21:04,240
Speaker 1: whatever where you know, because you don't know what Listen, man,

1297
01:21:05,120 --> 01:21:07,760
Speaker 1: all right, you're shooting that now, you're throwing rocks at me.

1298
01:21:07,800 --> 01:21:09,960
Speaker 1: If I just keep going around, you're gonna keep hiting me. Right,

1299
01:21:11,640 --> 01:21:14,000
Speaker 1: I got a fake one time, A dug us up right,

1300
01:21:14,760 --> 01:21:18,920
Speaker 1: then they think this ship it's real life, man, So

1301
01:21:19,040 --> 01:21:21,280
Speaker 1: let me ask you, right, because I thought I made

1302
01:21:21,320 --> 01:21:26,200
Speaker 1: the best skit of all time, and then today I

1303
01:21:26,320 --> 01:21:31,080
Speaker 1: found out that some people it wasn't what what what? What? What? What?

1304
01:21:31,920 --> 01:21:35,200
Speaker 1: That's a different things about you. It's about you. It's

1305
01:21:35,200 --> 01:21:37,560
Speaker 1: about you. Hold on, hold on now. I got a

1306
01:21:37,600 --> 01:21:43,040
Speaker 1: story about that record. Right. Somebody told me today you

1307
01:21:43,200 --> 01:21:46,560
Speaker 1: have one of the best skits of all time. So

1308
01:21:46,720 --> 01:21:48,600
Speaker 1: I had to go research it. Do you know what

1309
01:21:48,680 --> 01:21:51,840
Speaker 1: skit I'm talking about? Why must I change the cat?

1310
01:21:53,479 --> 01:21:58,720
Speaker 1: That's what they're saying. What does he say to feedback

1311
01:21:58,760 --> 01:22:07,519
Speaker 1: out of a story for that couple? And actually made that?

1312
01:22:07,760 --> 01:22:10,280
Speaker 1: So you you heard this room where you understand it's

1313
01:22:10,280 --> 01:22:12,960
Speaker 1: a possibility in the whole game of rap, you might

1314
01:22:13,040 --> 01:22:16,519
Speaker 1: have made the best skit of all times. You know that,

1315
01:22:17,200 --> 01:22:20,000
Speaker 1: No I was They said I was good at it.

1316
01:22:20,200 --> 01:22:21,680
Speaker 1: They say, Jay, you don't do that ship, No my

1317
01:22:21,760 --> 01:22:23,640
Speaker 1: wi and do it. I'll say, y'all, ain't listen to that?

1318
01:22:23,720 --> 01:22:25,840
Speaker 1: And no more, y'all listen a single the first ten

1319
01:22:25,960 --> 01:22:28,639
Speaker 1: seconds of a rocket. That's all y'all want to hear.

1320
01:22:29,000 --> 01:22:30,880
Speaker 1: Y'all want to hear what led to the rocket? No

1321
01:22:31,080 --> 01:22:34,680
Speaker 1: more the skit? Or was dumpe? Excuse me bout the

1322
01:22:34,800 --> 01:22:37,160
Speaker 1: piper hole ship? You pussy where he just want to

1323
01:22:37,200 --> 01:22:40,880
Speaker 1: get hit bitch? I'm sorry, man, forgive me, y'all, I'm

1324
01:22:40,960 --> 01:22:46,400
Speaker 1: sorry man. Drinke shout, drink shout. But now did y'all

1325
01:22:46,400 --> 01:22:49,680
Speaker 1: get what I'm saying? Okay, forget what? Just no four

1326
01:22:49,800 --> 01:22:56,320
Speaker 1: play four play? How about that? That's cleaner you had

1327
01:22:57,200 --> 01:23:01,760
Speaker 1: with y'all? Man. I figured whoever editing gonna cut, but cut,

1328
01:23:03,600 --> 01:23:05,880
Speaker 1: but you heard that. That's that's one of the best

1329
01:23:06,000 --> 01:23:09,280
Speaker 1: kids I have heard that. But then there's other Well,

1330
01:23:09,520 --> 01:23:12,439
Speaker 1: ain't going to sell those because I got I got

1331
01:23:12,520 --> 01:23:18,559
Speaker 1: Pimp versus USA interlude as well. Obviously you like Chase

1332
01:23:18,640 --> 01:23:22,680
Speaker 1: the Cap better, right, No, I don't like I was

1333
01:23:22,840 --> 01:23:25,679
Speaker 1: just I think whatever I was doing make the record

1334
01:23:25,800 --> 01:23:30,640
Speaker 1: makes sense, or make the like if I did this

1335
01:23:30,760 --> 01:23:33,800
Speaker 1: and I feel like it needs something like you're like, no,

1336
01:23:34,000 --> 01:23:35,800
Speaker 1: that ship is it? But I'm like, let me put

1337
01:23:35,880 --> 01:23:38,960
Speaker 1: this before so it can make sense to me. A

1338
01:23:39,120 --> 01:23:45,000
Speaker 1: smooth transition, you know, a ramp or shade whatever it is, though,

1339
01:23:45,080 --> 01:23:49,439
Speaker 1: but make you feel good versus uh, a prick when

1340
01:23:49,520 --> 01:23:52,640
Speaker 1: you getting you know, sometimes they squeet the ship and

1341
01:23:52,680 --> 01:23:55,800
Speaker 1: they sticky or they just stick the motherfucking like ship

1342
01:23:57,840 --> 01:24:00,920
Speaker 1: here or I got aout you now, let's like a

1343
01:24:01,240 --> 01:24:04,960
Speaker 1: ship I mean yeah, I mean for the start ask

1344
01:24:05,000 --> 01:24:07,640
Speaker 1: the question. I'm like that, But there's another one of

1345
01:24:07,680 --> 01:24:12,040
Speaker 1: the joints wrap ass nigga. Yeah, man, I think I

1346
01:24:12,160 --> 01:24:15,080
Speaker 1: think everybody in the game would appreciate it. That right now,

1347
01:24:15,200 --> 01:24:17,160
Speaker 1: that ship that work at work right now. I thought

1348
01:24:17,240 --> 01:24:20,680
Speaker 1: that was right, and you gotta think about it. That

1349
01:24:20,840 --> 01:24:23,959
Speaker 1: some people. I don't know. That's all right, you shouldn't

1350
01:24:24,040 --> 01:24:27,920
Speaker 1: mind your been with that ship. Yeah, but I could

1351
01:24:27,960 --> 01:24:29,800
Speaker 1: do that. I mean there, I told you they could

1352
01:24:29,800 --> 01:24:31,760
Speaker 1: bring you back, put you back on top of all

1353
01:24:31,800 --> 01:24:34,160
Speaker 1: the life. We don't will I'm in here to tell

1354
01:24:34,160 --> 01:24:35,840
Speaker 1: you I don't even want that. I'm like, let's stop

1355
01:24:36,000 --> 01:24:41,000
Speaker 1: being stupid. Man. They just wrap ass that wrap ship. Yeah,

1356
01:24:42,800 --> 01:24:45,160
Speaker 1: well you were gonna say something about super thug. Yeah,

1357
01:24:45,560 --> 01:24:48,479
Speaker 1: my ruggord life. I could be at the show right

1358
01:24:48,680 --> 01:24:52,240
Speaker 1: like I could be whatever I was at certain records

1359
01:24:52,320 --> 01:24:56,000
Speaker 1: that my nigger waiting and knew what to play like

1360
01:24:56,200 --> 01:24:58,720
Speaker 1: you could play what what what? And I could be

1361
01:24:58,800 --> 01:25:02,000
Speaker 1: like the to come Home and I'm like this back

1362
01:25:05,479 --> 01:25:08,479
Speaker 1: whatever the funk that was. That's the ship we was on.

1363
01:25:09,439 --> 01:25:13,120
Speaker 1: That's the end of the chat. What but yeah, I

1364
01:25:13,120 --> 01:25:14,800
Speaker 1: don't know if you'll remember. Want to mix tape part

1365
01:25:14,920 --> 01:25:16,600
Speaker 1: This is what it sounds like when we ride on

1366
01:25:18,320 --> 01:25:22,160
Speaker 1: It's serves songs. I will lift up to them degrees

1367
01:25:22,720 --> 01:25:26,719
Speaker 1: corporate thug engine like it's serves song. Like the niggas

1368
01:25:27,000 --> 01:25:30,000
Speaker 1: thought about me when they made these records. Man, face

1369
01:25:30,040 --> 01:25:32,400
Speaker 1: the noise for that got that they thought about me

1370
01:25:32,479 --> 01:25:35,840
Speaker 1: when they made these records him up. Take another shot.

1371
01:25:35,880 --> 01:25:37,840
Speaker 1: Oh damn, they already got me filled up. This is great,

1372
01:25:38,320 --> 01:25:42,519
Speaker 1: that's all right. Two week y'all noticed how i'd be anyway,

1373
01:25:42,520 --> 01:25:44,320
Speaker 1: So y'all ain't gonna get me drunk. I'm gonna get

1374
01:25:44,320 --> 01:25:50,160
Speaker 1: your fun. Let me just tell you something. We waited

1375
01:25:50,320 --> 01:25:54,280
Speaker 1: for this moment right now because you know why. I'm

1376
01:25:54,600 --> 01:25:56,519
Speaker 1: a born and raise New York guy, but live out

1377
01:25:56,560 --> 01:26:01,960
Speaker 1: here for fifteen I'm I'm going on six teams. And

1378
01:26:02,840 --> 01:26:06,360
Speaker 1: I adapted the Crib. The crib adapted me. I love it.

1379
01:26:06,920 --> 01:26:08,800
Speaker 1: The show was born out here, Miami. And the show

1380
01:26:08,920 --> 01:26:12,160
Speaker 1: was born out in Miami. And from the moment we

1381
01:26:12,560 --> 01:26:15,599
Speaker 1: started this, they said, you gotta give j T money

1382
01:26:15,960 --> 01:26:19,639
Speaker 1: his motherfucking flowers and let me just finish in our profits.

1383
01:26:20,120 --> 01:26:24,040
Speaker 1: And this is an honor. Um. We wanted to make

1384
01:26:24,120 --> 01:26:28,320
Speaker 1: for a special moment to give you your flowers at

1385
01:26:28,320 --> 01:26:31,479
Speaker 1: a special time because I'm gonna be honest. I had

1386
01:26:31,520 --> 01:26:35,080
Speaker 1: to do research, research because I wanted to really like,

1387
01:26:35,240 --> 01:26:37,200
Speaker 1: let you know, I know we know each other and

1388
01:26:37,280 --> 01:26:39,479
Speaker 1: you you guys know each other, but this is this

1389
01:26:39,640 --> 01:26:43,559
Speaker 1: is this is an honor pleasure, and um, we didn't

1390
01:26:43,560 --> 01:26:49,920
Speaker 1: want to fall short weight than you and this is

1391
01:26:50,000 --> 01:26:54,519
Speaker 1: your motherfucking house. Did your motherfucker well, no, no, no,

1392
01:26:54,640 --> 01:27:00,400
Speaker 1: take that shot oudamn it, damn you take it around. Yeah, now,

1393
01:27:00,400 --> 01:27:03,920
Speaker 1: ain't got the funny bar, right, I don't actually seen

1394
01:27:04,080 --> 01:27:07,719
Speaker 1: people tell you. Oh, but it seems like I'm bothering.

1395
01:27:07,840 --> 01:27:12,360
Speaker 1: I'm like, y'all hit them and hit them niggers, but

1396
01:27:12,479 --> 01:27:17,320
Speaker 1: don't know your fans they come out. No, no, your

1397
01:27:17,360 --> 01:27:20,080
Speaker 1: fans really come and let's just take time out to

1398
01:27:20,320 --> 01:27:27,080
Speaker 1: represent for your fans. The name of your fan club

1399
01:27:27,240 --> 01:27:28,840
Speaker 1: was everybody gotta name with their fan club. What's the

1400
01:27:28,920 --> 01:27:30,840
Speaker 1: name of your fan club used? It used to be

1401
01:27:31,160 --> 01:27:34,320
Speaker 1: family because it was never just fan because like, alright,

1402
01:27:34,439 --> 01:27:37,519
Speaker 1: one thing I noticed that I'll be pulling it out there,

1403
01:27:38,360 --> 01:27:42,719
Speaker 1: the j T. Money thing fun funny, like, only niggas

1404
01:27:42,720 --> 01:27:45,439
Speaker 1: who fun with me funk with me if they don't,

1405
01:27:45,760 --> 01:27:47,800
Speaker 1: like if they on that rap ship and they don't

1406
01:27:47,840 --> 01:27:50,400
Speaker 1: know what they don't know, they're oh yeah, yeah, yeah, okay.

1407
01:27:50,840 --> 01:27:56,800
Speaker 1: But the niggas who they think, oh brother, you know, like,

1408
01:27:57,040 --> 01:27:58,880
Speaker 1: only niggas who fun with me fun with me, Like,

1409
01:27:58,880 --> 01:28:00,680
Speaker 1: if they don't funk with me, stay away for like

1410
01:28:00,760 --> 01:28:02,720
Speaker 1: snakes and pigs and rats, they stay away from me.

1411
01:28:03,320 --> 01:28:06,400
Speaker 1: And pigs and rats. They're gonna stay away from me.

1412
01:28:06,479 --> 01:28:10,960
Speaker 1: They know, you know anyway. But what I was saying,

1413
01:28:11,000 --> 01:28:15,560
Speaker 1: want to take a shot because of that, peas and

1414
01:28:15,680 --> 01:28:18,840
Speaker 1: rats like pigs and rats stay away. I'm thinking about

1415
01:28:18,880 --> 01:28:21,880
Speaker 1: snakes and peas and rats. I'm like, what the fundas.

1416
01:28:22,840 --> 01:28:25,560
Speaker 1: I don't think about the greatest peas ever with the

1417
01:28:25,680 --> 01:28:28,080
Speaker 1: greenest peas ever. So I'm like, God, my bad. Now

1418
01:28:28,160 --> 01:28:32,040
Speaker 1: they stay away. But yeah, that's just the funny part

1419
01:28:32,120 --> 01:28:34,479
Speaker 1: about it. So with that being say, like one time

1420
01:28:34,520 --> 01:28:38,000
Speaker 1: with the fans, they got to a point with me.

1421
01:28:38,280 --> 01:28:43,320
Speaker 1: Well all the reason I was still like, I still

1422
01:28:43,479 --> 01:28:46,120
Speaker 1: make records because the neighbor like, damn, you don't give

1423
01:28:46,200 --> 01:28:49,200
Speaker 1: us nothing else. It ain't like Nigga was like, man,

1424
01:28:49,479 --> 01:28:51,040
Speaker 1: get shot out of sit down there, gonna get you

1425
01:28:51,120 --> 01:28:54,680
Speaker 1: a job. Nig you need to quit while your head

1426
01:28:54,680 --> 01:28:57,400
Speaker 1: and he lay down. They're like, damn, nig we're waiting

1427
01:28:57,439 --> 01:29:01,000
Speaker 1: on your years. So I would do something well outside

1428
01:29:01,040 --> 01:29:03,080
Speaker 1: of looking in, that's an inside of looking out. I

1429
01:29:03,080 --> 01:29:05,800
Speaker 1: don't know without the situation. What I'm telling you is

1430
01:29:06,160 --> 01:29:10,000
Speaker 1: you got real fans. Brother, like these brothers, these people,

1431
01:29:10,120 --> 01:29:13,200
Speaker 1: these people every day for six years, we're going on

1432
01:29:13,280 --> 01:29:18,840
Speaker 1: seven years, at least thirteen to thirty people that hit

1433
01:29:19,000 --> 01:29:26,240
Speaker 1: us there when you have jakes since day one. But listen,

1434
01:29:26,320 --> 01:29:28,400
Speaker 1: that's the reason I worked. But just in case you

1435
01:29:28,479 --> 01:29:31,080
Speaker 1: don't see them, we see them for you, and they

1436
01:29:31,200 --> 01:29:34,960
Speaker 1: out there and we that's why we we really wanted

1437
01:29:34,960 --> 01:29:40,200
Speaker 1: to give you your flower and I want to. But

1438
01:29:40,360 --> 01:29:42,800
Speaker 1: day the reason I still work, Like you gotta think

1439
01:29:42,840 --> 01:29:47,160
Speaker 1: of people who started when I started, and especially in

1440
01:29:47,240 --> 01:29:49,559
Speaker 1: the position here because you know, again I was always

1441
01:29:49,640 --> 01:29:52,439
Speaker 1: on the dog like no label really knew what to

1442
01:29:52,520 --> 01:29:55,080
Speaker 1: do with men. So it was always about my record.

1443
01:29:55,360 --> 01:30:00,400
Speaker 1: My records is bigger than the artists. This song that yea,

1444
01:30:00,400 --> 01:30:02,439
Speaker 1: I heard, that's something before. Oh that's who made us all.

1445
01:30:02,600 --> 01:30:06,439
Speaker 1: They don't know who made that's all. Listen. My fans

1446
01:30:06,479 --> 01:30:09,360
Speaker 1: are the reason I still work today. Like how many

1447
01:30:09,439 --> 01:30:11,759
Speaker 1: niggers started with me, came to get away free shows

1448
01:30:12,160 --> 01:30:14,760
Speaker 1: from me. I'm rocking with the motherfucker's they're still fam

1449
01:30:14,840 --> 01:30:19,880
Speaker 1: me show. Thank you you do you hear a funny

1450
01:30:19,920 --> 01:30:23,680
Speaker 1: story to my what what I forget? One time I

1451
01:30:23,760 --> 01:30:28,400
Speaker 1: was somewhere, dude bumps into me. He told out the

1452
01:30:28,439 --> 01:30:31,120
Speaker 1: record being bigger than you do, bumps into me. I'll

1453
01:30:31,280 --> 01:30:33,920
Speaker 1: turn look at him the record, Come on, what what?

1454
01:30:34,160 --> 01:30:37,080
Speaker 1: He's beating me the whole time, like he made that

1455
01:30:37,760 --> 01:30:43,519
Speaker 1: got you singing my ship, Yeah that's why and beefing

1456
01:30:43,600 --> 01:30:46,760
Speaker 1: with me. And I'm looking because we all surrounded him

1457
01:30:46,760 --> 01:30:49,000
Speaker 1: and he didn't have no idea and we was gonna

1458
01:30:49,040 --> 01:30:50,800
Speaker 1: beat the shift out of him to my record as well.

1459
01:30:51,560 --> 01:30:56,280
Speaker 1: But I don't want to. I ain't want to. Definitely

1460
01:30:56,320 --> 01:30:58,559
Speaker 1: walked away. I definitely was like, all right, I got

1461
01:30:58,640 --> 01:31:00,760
Speaker 1: one with that. Look I don't I think I'm so

1462
01:31:00,920 --> 01:31:03,479
Speaker 1: good today, right, I gotta all right, I don't tell

1463
01:31:03,560 --> 01:31:06,080
Speaker 1: them if I said, fans really don't give a funk.

1464
01:31:06,160 --> 01:31:08,200
Speaker 1: They want what they wanted, even if they say I

1465
01:31:08,240 --> 01:31:10,479
Speaker 1: don't means I don't want to don't funk. They want

1466
01:31:10,520 --> 01:31:13,160
Speaker 1: what they want or some fans ship. But nigga, hear

1467
01:31:13,200 --> 01:31:16,280
Speaker 1: you record, you know what you would And then to say, well, damn, nigga,

1468
01:31:16,320 --> 01:31:18,160
Speaker 1: what about that what you were talking about? You gotta

1469
01:31:18,200 --> 01:31:20,360
Speaker 1: say what you mean were you're looking forward with? But

1470
01:31:20,520 --> 01:31:23,000
Speaker 1: I'm so good. I got a way of talking to

1471
01:31:23,160 --> 01:31:26,519
Speaker 1: a nigga and and they'd be like like, yeah, you

1472
01:31:26,520 --> 01:31:28,120
Speaker 1: see ugly that she could have got coming. Let's go

1473
01:31:28,240 --> 01:31:30,840
Speaker 1: get a drink, man, right, but you said Ugly could

1474
01:31:30,880 --> 01:31:34,360
Speaker 1: have got but they they don't give a fuck. But

1475
01:31:34,640 --> 01:31:37,439
Speaker 1: in the mind they they're trying to impress you, and

1476
01:31:37,479 --> 01:31:40,800
Speaker 1: they're trying to impress and tests that don't even see

1477
01:31:40,920 --> 01:31:42,840
Speaker 1: maron this ship don't make sense. Do you want to

1478
01:31:42,840 --> 01:31:44,599
Speaker 1: impression meent you want to test me? What what we're doing?

1479
01:31:44,640 --> 01:31:49,360
Speaker 1: I'm confused now because but I'm so good at it now?

1480
01:31:49,760 --> 01:31:53,320
Speaker 1: Hey man, yeah, nigga, yeah, look, flip it on you

1481
01:31:53,360 --> 01:31:56,600
Speaker 1: see right, Ugly right, don't worry about that. Come man,

1482
01:31:56,680 --> 01:31:58,559
Speaker 1: let's go have some fun, man, because that's why we're here.

1483
01:31:59,280 --> 01:32:01,640
Speaker 1: You know, other time, who you came to see? You know?

1484
01:32:01,680 --> 01:32:06,280
Speaker 1: If I say that's something? Who you came to see? What? Never? Man,

1485
01:32:06,400 --> 01:32:08,560
Speaker 1: all this everything, we late back to a song with

1486
01:32:08,640 --> 01:32:11,439
Speaker 1: me anyway, just case y'all ain't know. I might always

1487
01:32:11,520 --> 01:32:13,920
Speaker 1: talk and then it's gonna go like a lyric or something.

1488
01:32:14,680 --> 01:32:18,040
Speaker 1: Let me ask you one more too real that girl,

1489
01:32:18,560 --> 01:32:24,200
Speaker 1: m who is that? That was a chick name evil?

1490
01:32:24,600 --> 01:32:29,559
Speaker 1: But originally it was a chicken name or lady Cartel

1491
01:32:29,680 --> 01:32:34,240
Speaker 1: trick from Jacksonville. But dn that's a good one cause see,

1492
01:32:34,280 --> 01:32:36,000
Speaker 1: not nobody in the world ever heard it. So let

1493
01:32:36,040 --> 01:32:37,880
Speaker 1: me tell you all this story and I did the

1494
01:32:37,960 --> 01:32:41,360
Speaker 1: song originally with the chick from Jacksonville. It was cold.

1495
01:32:43,439 --> 01:32:49,200
Speaker 1: It was cold then um, before that came out, I

1496
01:32:49,280 --> 01:32:56,479
Speaker 1: got fulled up, locked up again. But tone and the

1497
01:32:56,640 --> 01:33:01,320
Speaker 1: chick chick with trying to cut a deal behind my

1498
01:33:01,439 --> 01:33:05,680
Speaker 1: back without me, like, oh, Nikka Nicke still you know

1499
01:33:06,080 --> 01:33:08,000
Speaker 1: he can't tell me why they do the guy running

1500
01:33:08,040 --> 01:33:12,000
Speaker 1: this ship nigga, I say, so, you know, I didn't

1501
01:33:12,040 --> 01:33:13,920
Speaker 1: do nothing, but you know she was called and it

1502
01:33:14,000 --> 01:33:17,240
Speaker 1: was a violation of that. They did a deal. But

1503
01:33:17,439 --> 01:33:20,320
Speaker 1: then while I'm locked up, they do whatever they do

1504
01:33:20,560 --> 01:33:22,720
Speaker 1: and they fall out. So now you want to put

1505
01:33:22,760 --> 01:33:25,400
Speaker 1: another bit on the feeling the blame. If you'd heard

1506
01:33:25,439 --> 01:33:29,600
Speaker 1: the original, the record would have been way harder, like

1507
01:33:29,720 --> 01:33:32,800
Speaker 1: I didn't change my lyrics to feel like because it

1508
01:33:32,920 --> 01:33:35,639
Speaker 1: was just good too, because you ain't heard the original.

1509
01:33:36,439 --> 01:33:39,240
Speaker 1: That is why the idea of the song is that

1510
01:33:39,960 --> 01:33:42,720
Speaker 1: but if you had heard all right, who that you

1511
01:33:42,840 --> 01:33:45,360
Speaker 1: might say the night before the live and everything just

1512
01:33:45,520 --> 01:33:47,960
Speaker 1: makes sense when you listen to it, you see, because

1513
01:33:48,000 --> 01:33:54,559
Speaker 1: ain't genuine trying to kill you? To him, you want

1514
01:33:54,800 --> 01:33:56,760
Speaker 1: what you want to try to kill you? Man, I

1515
01:33:56,880 --> 01:34:01,720
Speaker 1: used to do this was that the man with my god,

1516
01:34:02,680 --> 01:34:04,760
Speaker 1: and it was giddy. We wanted me to want to

1517
01:34:04,800 --> 01:34:08,320
Speaker 1: meet them, like to be finished out the what do you?

1518
01:34:08,400 --> 01:34:10,439
Speaker 1: You know what I'm saying, and then you know years

1519
01:34:10,520 --> 01:34:13,280
Speaker 1: later they're married, you know kid? But oh yeah, I'd

1520
01:34:13,280 --> 01:34:16,360
Speaker 1: about to say there's finger popping, but whatever, you relax.

1521
01:34:17,600 --> 01:34:21,160
Speaker 1: But I'm just saying I think we was in the Bahamas, Niger.

1522
01:34:22,560 --> 01:34:25,120
Speaker 1: It could have been hotel. That's how last I read

1523
01:34:25,200 --> 01:34:29,400
Speaker 1: it on the highest probably I don't know what specific

1524
01:34:31,040 --> 01:34:34,200
Speaker 1: alright was coming right here? You don't remember that night

1525
01:34:34,680 --> 01:34:39,559
Speaker 1: listen shows and are you saying on dream Champs, I'm saying,

1526
01:34:39,800 --> 01:34:42,920
Speaker 1: not only did you have so late on the record,

1527
01:34:42,960 --> 01:34:46,120
Speaker 1: but you had you introduced so late to Jinia one

1528
01:34:46,320 --> 01:34:48,360
Speaker 1: you got damn right. And I'm saying it on dreams

1529
01:34:48,400 --> 01:34:52,479
Speaker 1: Chop they came to me her dances and a friend

1530
01:34:52,640 --> 01:34:54,880
Speaker 1: and they're like we want to man, and then whatever

1531
01:34:54,920 --> 01:34:57,280
Speaker 1: it was because we hadn't done a few shows and like,

1532
01:34:57,400 --> 01:35:02,240
Speaker 1: bro hey yeah because and he was on the Pony

1533
01:35:02,320 --> 01:35:07,280
Speaker 1: at that time. Problem you know, he right? But I'm

1534
01:35:07,320 --> 01:35:11,320
Speaker 1: just saying, but because because you know, you got a picture,

1535
01:35:11,320 --> 01:35:13,000
Speaker 1: a lot of people they always just ask about what

1536
01:35:13,080 --> 01:35:16,240
Speaker 1: about you on solo? I'm like no nigger strictly, it

1537
01:35:16,400 --> 01:35:21,160
Speaker 1: was never no nothing. And because lay was signed to L. A. Reid,

1538
01:35:21,320 --> 01:35:25,519
Speaker 1: right and you were signed the producer. That's how listen

1539
01:35:25,680 --> 01:35:27,760
Speaker 1: who that. I originally did three verses to who that?

1540
01:35:28,200 --> 01:35:30,080
Speaker 1: So you didn't have you didn't want so late on

1541
01:35:30,160 --> 01:35:33,240
Speaker 1: the nose. I didn't know her yet, Okay, I didn't

1542
01:35:33,240 --> 01:35:36,439
Speaker 1: know her yet. Then when I did it checking them,

1543
01:35:36,560 --> 01:35:38,880
Speaker 1: was like, yeah, bro, he just put my female on that.

1544
01:35:39,040 --> 01:35:41,439
Speaker 1: Like while we was working, he didn't play that right.

1545
01:35:41,479 --> 01:35:42,880
Speaker 1: You know, you're in the student with somebody, you hear

1546
01:35:42,920 --> 01:35:44,960
Speaker 1: what they're working on the order. So I heard a

1547
01:35:45,000 --> 01:35:48,680
Speaker 1: few songs and uh, and then he like, mad, you

1548
01:35:48,800 --> 01:35:51,599
Speaker 1: let me put on on that hookboy, you know, put

1549
01:35:51,600 --> 01:35:53,960
Speaker 1: a female on that. I got this order, and I'm saying,

1550
01:35:54,000 --> 01:35:55,400
Speaker 1: I said, well, let me see the picture, let me

1551
01:35:55,439 --> 01:36:02,320
Speaker 1: see him, okay. Because because we were bos old men

1552
01:36:02,479 --> 01:36:04,960
Speaker 1: back in the days, we bought Little Kim's album because

1553
01:36:05,280 --> 01:36:09,800
Speaker 1: she was spread eagle. We bought. We bought because she was.

1554
01:36:10,240 --> 01:36:20,519
Speaker 1: She had not so much that they didn't need to

1555
01:36:20,560 --> 01:36:23,439
Speaker 1: do that. Okay. So with that being said, it was

1556
01:36:23,520 --> 01:36:26,760
Speaker 1: just like what ship, let me um see. And then

1557
01:36:26,800 --> 01:36:28,439
Speaker 1: when I saw him like she had run that ship.

1558
01:36:28,800 --> 01:36:31,880
Speaker 1: Then they did it. We cut my first verse. Listen,

1559
01:36:31,920 --> 01:36:38,040
Speaker 1: I did three six teens on that song, but then

1560
01:36:38,120 --> 01:36:41,599
Speaker 1: I got a eight and a twelve and then yea thing.

1561
01:36:41,720 --> 01:36:44,280
Speaker 1: You know for mat I've been doing regular before three

1562
01:36:44,360 --> 01:36:48,479
Speaker 1: six season. I was doing until we finished rapping. You know.

1563
01:36:48,600 --> 01:36:52,720
Speaker 1: We wasn't selling beats and hooks back then. Yes, you know,

1564
01:36:53,040 --> 01:36:55,560
Speaker 1: but I'm from the era when they thought rat was

1565
01:36:55,600 --> 01:36:58,080
Speaker 1: gonna die, but this she gonna fade out. This ain't

1566
01:36:58,120 --> 01:37:01,000
Speaker 1: gonna lad. That's a fat yeah from that error. So

1567
01:37:01,800 --> 01:37:04,960
Speaker 1: we ain't had no form at no, you know, four minutes,

1568
01:37:05,400 --> 01:37:10,160
Speaker 1: not two minutes, niggas regular sale minute. I'm from that

1569
01:37:10,280 --> 01:37:12,439
Speaker 1: era with the hare eight minute records, but we didn't

1570
01:37:12,479 --> 01:37:17,200
Speaker 1: do that. But still a man, I'm just saying man.

1571
01:37:17,640 --> 01:37:21,720
Speaker 1: And the classic was boy yeah, managing consettas man. But

1572
01:37:22,640 --> 01:37:25,240
Speaker 1: how did you introduce hard to Jue one? What happened?

1573
01:37:26,479 --> 01:37:28,280
Speaker 1: Was that a show? I think we were right. It

1574
01:37:28,360 --> 01:37:30,599
Speaker 1: was getting ready to rock or he just got through rocking.

1575
01:37:30,680 --> 01:37:33,040
Speaker 1: They wanted to say hello, and ge one he did.

1576
01:37:33,160 --> 01:37:35,840
Speaker 1: He was riding his pony. Yeah, he probably like, hey,

1577
01:37:35,880 --> 01:37:38,800
Speaker 1: how y'all doing, what's up? Girl? What you're doing? You know,

1578
01:37:39,600 --> 01:37:41,720
Speaker 1: say whatever you're doing? And I don't know what. I

1579
01:37:41,840 --> 01:37:46,720
Speaker 1: walked up. He just brought him to, said, y'all, this

1580
01:37:46,800 --> 01:37:51,320
Speaker 1: is y'all, and y'all not y'all. Yeah, because we brought

1581
01:37:51,400 --> 01:37:56,160
Speaker 1: up all right, boom, I came with three chicks. One

1582
01:37:56,240 --> 01:37:58,000
Speaker 1: of them or two of them want to meet you.

1583
01:37:59,080 --> 01:38:01,920
Speaker 1: I'm gonna let them eat you. My one that stayed

1584
01:38:01,920 --> 01:38:03,640
Speaker 1: about she wants because she could meet you too. He

1585
01:38:03,720 --> 01:38:06,040
Speaker 1: told my team, you want to ask about whatever, whatever,

1586
01:38:06,080 --> 01:38:09,200
Speaker 1: whatever we're talking about. Just trying to make I'm making

1587
01:38:09,439 --> 01:38:15,080
Speaker 1: this it makes sense. Yes, I like this. I'm the

1588
01:38:19,680 --> 01:38:24,920
Speaker 1: Hey man, it's my brother. You know I'm playing and

1589
01:38:25,000 --> 01:38:28,600
Speaker 1: let's have fun, you know what. Not a note, But

1590
01:38:28,680 --> 01:38:30,559
Speaker 1: I'm saying nothing. They got nothing to do with nothing, man,

1591
01:38:30,760 --> 01:38:33,280
Speaker 1: and real, what's gonna stay? Man? You know what I'm saying.

1592
01:38:35,320 --> 01:38:39,200
Speaker 1: Forever lives before a moment. Just forever lives before a moment.

1593
01:38:39,479 --> 01:38:41,680
Speaker 1: When the smoke cleared, the truth gonna still be here.

1594
01:38:42,200 --> 01:38:44,320
Speaker 1: So I'm not how much smoking mirrors no matter what

1595
01:38:44,479 --> 01:38:51,400
Speaker 1: they do when the wind blow, you're nigga, man, your dog.

1596
01:38:52,040 --> 01:38:53,760
Speaker 1: You know what I'm saying. That's all I'm said. Man,

1597
01:38:54,200 --> 01:38:57,800
Speaker 1: in the name of love, of course. But y'all laughing

1598
01:38:57,880 --> 01:39:06,400
Speaker 1: that they laughing that man in the name of whole problems, right,

1599
01:39:06,960 --> 01:39:10,559
Speaker 1: whoever name that? No, that's that's the name of your songs. Yeah,

1600
01:39:10,680 --> 01:39:13,519
Speaker 1: because hope problems ain't no problem. But now you whole

1601
01:39:13,560 --> 01:39:18,120
Speaker 1: one to go. Let us gotta like this because listen,

1602
01:39:18,160 --> 01:39:20,639
Speaker 1: all right, that's one that's one of the funniest records

1603
01:39:20,760 --> 01:39:24,280
Speaker 1: right on that same I got all right, I gotta

1604
01:39:24,320 --> 01:39:26,720
Speaker 1: tell you, I'm just tell you. I'm gonna tell you

1605
01:39:26,760 --> 01:39:29,040
Speaker 1: why I gotta tell him, just tell you. That was

1606
01:39:29,120 --> 01:39:33,000
Speaker 1: one of the records. I didn't care who liked that,

1607
01:39:33,360 --> 01:39:35,760
Speaker 1: But I'm picking this one from my album for me.

1608
01:39:36,200 --> 01:39:37,760
Speaker 1: But did you have a hole that was ready to

1609
01:39:37,840 --> 01:39:39,800
Speaker 1: go and you had to let her go? No, that's

1610
01:39:39,880 --> 01:39:43,240
Speaker 1: just the situation of life, all right. When I when

1611
01:39:43,280 --> 01:39:47,080
Speaker 1: I when I first see now, I gotta take you

1612
01:39:47,120 --> 01:39:48,800
Speaker 1: all the way back to the bitch eude, I gotta

1613
01:39:48,800 --> 01:39:53,760
Speaker 1: take you back the poison plan. Like they say, I

1614
01:39:53,920 --> 01:39:58,360
Speaker 1: changed the mind state of niggas in my state. Do

1615
01:39:58,520 --> 01:40:03,280
Speaker 1: you understand ours? So now, Neggacy, like we already got

1616
01:40:03,479 --> 01:40:07,639
Speaker 1: enough to deal with men, we can't have these problems

1617
01:40:07,680 --> 01:40:10,439
Speaker 1: here as well. Like listen to a bit tight enough

1618
01:40:10,520 --> 01:40:15,679
Speaker 1: either with mill you ain't like come on, man coming

1619
01:40:15,720 --> 01:40:18,400
Speaker 1: out and I think you fly. I think you're raw girl,

1620
01:40:18,400 --> 01:40:21,080
Speaker 1: and I'm willing too, But bitch, I'm not hitting the

1621
01:40:21,120 --> 01:40:24,360
Speaker 1: gas and the brakes at the same I'm not trying

1622
01:40:24,400 --> 01:40:29,040
Speaker 1: to spend out. It's a mindset, all right. So with

1623
01:40:29,280 --> 01:40:31,800
Speaker 1: that I already did. I mean I did to push

1624
01:40:31,840 --> 01:40:34,320
Speaker 1: your pad. No, I already did the it's the song

1625
01:40:34,479 --> 01:40:38,080
Speaker 1: the bit child is born, right, So now there's Poisons,

1626
01:40:38,360 --> 01:40:40,800
Speaker 1: not j T Money solo. So now when I do

1627
01:40:40,920 --> 01:40:43,920
Speaker 1: Whope Problems, I'm thinking, I don't know who liked this

1628
01:40:44,080 --> 01:40:48,040
Speaker 1: song because they like who That. They're like, Hope Problems that,

1629
01:40:48,560 --> 01:40:52,280
Speaker 1: I mean not Hope prom They're like, uh, who that?

1630
01:40:53,040 --> 01:40:55,160
Speaker 1: What the shoot there? With Big Girl, They're like all right,

1631
01:40:55,760 --> 01:40:58,240
Speaker 1: They're like, you know they like these songs because that's

1632
01:40:58,280 --> 01:41:02,120
Speaker 1: the vibe they was on the industry people who that

1633
01:41:02,160 --> 01:41:06,880
Speaker 1: had a funny song because they dropped who That? And

1634
01:41:06,920 --> 01:41:09,160
Speaker 1: I don't even know what the second song alright on

1635
01:41:09,280 --> 01:41:11,400
Speaker 1: the album, which it should have been something about pimp

1636
01:41:12,280 --> 01:41:16,400
Speaker 1: but the priority, Yeah, they were like, no, man, let

1637
01:41:16,520 --> 01:41:18,879
Speaker 1: us do it. Ma'm tag it's the record is commence

1638
01:41:19,040 --> 01:41:21,400
Speaker 1: him to say his head something out like but we're

1639
01:41:21,400 --> 01:41:22,960
Speaker 1: gonna drop who that. We're gonna drop some of my

1640
01:41:23,080 --> 01:41:26,559
Speaker 1: penman is that I'm gonna go. They want to drop

1641
01:41:26,600 --> 01:41:30,160
Speaker 1: all right, because it sounds almost who that ishe is

1642
01:41:30,320 --> 01:41:34,200
Speaker 1: that crunk ship. Still it was still crunk, but now

1643
01:41:34,240 --> 01:41:36,000
Speaker 1: we are artists because I want to do something like this.

1644
01:41:36,120 --> 01:41:37,680
Speaker 1: I want to do something like that showed the verse

1645
01:41:37,720 --> 01:41:40,960
Speaker 1: and tell us what different audiences. I ain't trying to

1646
01:41:41,000 --> 01:41:44,400
Speaker 1: stay here with these kids like your uncle Jay Hill,

1647
01:41:44,560 --> 01:41:48,920
Speaker 1: but now your brother here, you know more of us.

1648
01:41:50,080 --> 01:41:55,400
Speaker 1: But I feel like I'm just going right m boom.

1649
01:41:55,439 --> 01:41:57,759
Speaker 1: I was trying to say it's a funny song because listen,

1650
01:41:58,080 --> 01:42:04,200
Speaker 1: I was doing shows and then based on the hype

1651
01:42:04,240 --> 01:42:07,040
Speaker 1: of the algorithms at the time and whatever wild they

1652
01:42:07,120 --> 01:42:10,960
Speaker 1: wanted to hear that. So then I will get through

1653
01:42:11,080 --> 01:42:13,679
Speaker 1: me through the shoreline from the dealer. They're like people

1654
01:42:13,720 --> 01:42:16,479
Speaker 1: still waiting, like nig you're not gonna do the whole

1655
01:42:16,479 --> 01:42:20,840
Speaker 1: prow doing, like how you gonna not do. I'm like, oh, y'all,

1656
01:42:20,920 --> 01:42:23,320
Speaker 1: like this song that same ship happened to me here

1657
01:42:23,360 --> 01:42:29,280
Speaker 1: would run the yard and them songs like the reason

1658
01:42:29,360 --> 01:42:34,760
Speaker 1: I get booked today. I'll y'all look at the body

1659
01:42:34,840 --> 01:42:37,840
Speaker 1: that the day because it's the truth. I get booked

1660
01:42:37,880 --> 01:42:41,479
Speaker 1: for whole proms and run the yard Chevy gang who

1661
01:42:41,640 --> 01:42:46,439
Speaker 1: that hollow shaped your mama gave you? Oh that's bonus.

1662
01:42:46,640 --> 01:42:49,479
Speaker 1: That's actually like, oh shit, he did that too. But

1663
01:42:49,680 --> 01:42:52,680
Speaker 1: they'll niggas on the street. They want to hear used

1664
01:42:52,720 --> 01:42:55,160
Speaker 1: to build nigga everything. They want to be in there

1665
01:42:55,240 --> 01:42:59,040
Speaker 1: to go. That's the reason they booked me the Day

1666
01:42:59,080 --> 01:43:02,800
Speaker 1: and Kite the Boy. Like the certain songs, I can't

1667
01:43:03,360 --> 01:43:06,400
Speaker 1: go know what and not perform. I'm gonna funk what

1668
01:43:06,560 --> 01:43:09,639
Speaker 1: knew I'm trying to do. It's gonna be like, yeah,

1669
01:43:09,720 --> 01:43:13,160
Speaker 1: whatever Ja niol I was waiting there my song we

1670
01:43:13,560 --> 01:43:16,240
Speaker 1: pi Ni We paid you for my song? Nick? Like

1671
01:43:17,000 --> 01:43:20,400
Speaker 1: quite just this what I'm giving you. I just said,

1672
01:43:20,439 --> 01:43:29,080
Speaker 1: how fans don't give a fun fun of your mo problems.

1673
01:43:29,200 --> 01:43:31,200
Speaker 1: Kite to the Boys to the point, come on, stop

1674
01:43:31,240 --> 01:43:33,800
Speaker 1: to stop doing my interview for me, Kite to the

1675
01:43:33,840 --> 01:43:38,240
Speaker 1: Boys my next conversation. Yeah, so you know saw when

1676
01:43:39,640 --> 01:43:44,320
Speaker 1: ye stop, stop stop selling my interview. Come on, Kite

1677
01:43:44,360 --> 01:43:46,840
Speaker 1: to the Boys. Oh yeah, what's ship? That was it?

1678
01:43:48,920 --> 01:43:52,160
Speaker 1: That's actually a real let I tried to send home

1679
01:43:52,280 --> 01:43:56,760
Speaker 1: to the boy. That's when I violated my probation. When

1680
01:43:56,760 --> 01:44:00,360
Speaker 1: I was sitting in lots the Federal Well I went

1681
01:44:00,479 --> 01:44:04,240
Speaker 1: on praying with then yeah, the second, second or third time.

1682
01:44:05,080 --> 01:44:08,120
Speaker 1: The last three or four times was avoid The first

1683
01:44:08,200 --> 01:44:10,680
Speaker 1: four or five times it was stupidess Now I'm just

1684
01:44:10,840 --> 01:44:14,760
Speaker 1: playing a little um. Yeah, well, I was just that

1685
01:44:14,880 --> 01:44:19,880
Speaker 1: that was a story like uh, kite of the boys, Mama, dearest, father,

1686
01:44:20,000 --> 01:44:24,720
Speaker 1: the son. Those really letters I wrote back home and

1687
01:44:24,800 --> 01:44:30,759
Speaker 1: I son her home. But and I wrote it lyrically.

1688
01:44:31,280 --> 01:44:35,280
Speaker 1: But then Niggas was able to see it, like all right,

1689
01:44:35,360 --> 01:44:36,720
Speaker 1: he got something out of each other, Like hell, you

1690
01:44:36,760 --> 01:44:39,000
Speaker 1: don't tell your stories no more. Man, you know, I'm

1691
01:44:39,040 --> 01:44:40,800
Speaker 1: so busy trying to say nick, I'm so, and so,

1692
01:44:41,080 --> 01:44:46,479
Speaker 1: I'm this, I'm that. But they all just that rap ship. Yeah,

1693
01:44:46,840 --> 01:44:50,559
Speaker 1: instead of spending them stories that ship, we know, facing

1694
01:44:50,600 --> 01:44:54,200
Speaker 1: them mama, talking the story. So that's what my people saying.

1695
01:44:54,280 --> 01:44:58,639
Speaker 1: I used to do for them vividly. It's so that's

1696
01:44:58,720 --> 01:45:01,439
Speaker 1: kind of one of those stories. Like they don't been

1697
01:45:01,479 --> 01:45:03,559
Speaker 1: locked up. If they get locked up after they heard

1698
01:45:03,600 --> 01:45:08,000
Speaker 1: that song, they know how to do their bid. That's

1699
01:45:08,040 --> 01:45:11,800
Speaker 1: all that. If I go to you after hearing this song,

1700
01:45:11,920 --> 01:45:14,680
Speaker 1: I know how to survive. And we talked about right

1701
01:45:14,720 --> 01:45:17,320
Speaker 1: to the balls to the boys. Yes, but then then

1702
01:45:17,400 --> 01:45:22,320
Speaker 1: they could also take run of yards. Yes, run the

1703
01:45:22,439 --> 01:45:25,000
Speaker 1: yard that was supposed to be on straight zwo wasn't.

1704
01:45:25,080 --> 01:45:27,080
Speaker 1: I did that record three times before I came out

1705
01:45:27,160 --> 01:45:29,639
Speaker 1: that way. I never throw away that good ship. Listen,

1706
01:45:29,680 --> 01:45:31,840
Speaker 1: I'll be waiting on the right beat. Because there's certain

1707
01:45:31,920 --> 01:45:36,400
Speaker 1: things you even know you don't know, there's certain things

1708
01:45:36,479 --> 01:45:41,320
Speaker 1: you know, And and that was one of them records. Man,

1709
01:45:41,360 --> 01:45:50,200
Speaker 1: I did that ship three times before came out the

1710
01:45:50,280 --> 01:45:54,280
Speaker 1: motherfucker's And that's that live resident there too. That's that yaka,

1711
01:45:56,400 --> 01:45:58,439
Speaker 1: that's that y'all are here showing how it looked like.

1712
01:45:59,320 --> 01:46:02,040
Speaker 1: It looked like a little bit Shan looked like the

1713
01:46:02,640 --> 01:46:08,880
Speaker 1: the the rass Sean Sean look there bringing out on them. Yeah, Sean, Yeah,

1714
01:46:09,439 --> 01:46:12,160
Speaker 1: it looked like it looked like it looked like I'm

1715
01:46:12,200 --> 01:46:15,599
Speaker 1: a Miami nigger a whole when you look at Yeah,

1716
01:46:15,720 --> 01:46:19,400
Speaker 1: it's something about the beautiful packaging. Y'all just said, y'all

1717
01:46:19,439 --> 01:46:23,240
Speaker 1: can see on me, some some good package. I'm about

1718
01:46:23,320 --> 01:46:26,000
Speaker 1: one for me. I'm about wanting to hang over. You know.

1719
01:46:27,840 --> 01:46:30,599
Speaker 1: It's not light ladies in June. Yeah, if please take

1720
01:46:30,640 --> 01:46:36,599
Speaker 1: that for yourself, take that for yourself. Yeah. Yeah, yeah,

1721
01:46:36,920 --> 01:46:39,439
Speaker 1: holy motorcock, I got so much more. All right, cool?

1722
01:46:39,920 --> 01:46:45,439
Speaker 1: Oh take with your mama gave yeah, man, yeah, that's

1723
01:46:45,439 --> 01:46:48,720
Speaker 1: such a classic. Man. First time looking took me to

1724
01:46:48,800 --> 01:46:53,160
Speaker 1: the strip club in Atlanta. Now what wait, Luke, wait,

1725
01:46:54,880 --> 01:46:57,679
Speaker 1: you went your fast. You just said the first first

1726
01:46:57,760 --> 01:46:59,880
Speaker 1: time you ever went to a strip club with lou

1727
01:47:00,320 --> 01:47:04,920
Speaker 1: No right, And I stayed in the car at verst time.

1728
01:47:05,000 --> 01:47:06,800
Speaker 1: Then then we went to the second place. Then I

1729
01:47:06,920 --> 01:47:08,760
Speaker 1: went in. So what was the first place I went to?

1730
01:47:09,080 --> 01:47:11,120
Speaker 1: I don't know what was the second place that you

1731
01:47:11,200 --> 01:47:13,400
Speaker 1: got into. You gotta remember the finger pop could have

1732
01:47:13,520 --> 01:47:17,960
Speaker 1: been I don't know someone, No, no, it was an

1733
01:47:18,000 --> 01:47:21,800
Speaker 1: Atlanta's earl. That's not magic snyone could have a second place,

1734
01:47:21,880 --> 01:47:25,519
Speaker 1: could have been Magic City. Okay, but me, you got

1735
01:47:25,960 --> 01:47:29,000
Speaker 1: me coming out to a little like Mothers. I'm seventeen,

1736
01:47:29,080 --> 01:47:31,720
Speaker 1: probably just turned the eight team. But you've been into this.

1737
01:47:32,320 --> 01:47:34,240
Speaker 1: This is your first time in the strip. First pack

1738
01:47:34,320 --> 01:47:36,360
Speaker 1: jam was like a strip club down there? No not

1739
01:47:36,600 --> 01:47:40,840
Speaker 1: then they then no, listen, what the funk I'm going there? Fun?

1740
01:47:41,000 --> 01:47:45,240
Speaker 1: Just get some bits my money. I'm not I'm just crabbing.

1741
01:47:45,320 --> 01:47:47,360
Speaker 1: I'm tight. I don't know whatever we was on we

1742
01:47:47,439 --> 01:47:53,599
Speaker 1: was short. I wasn't. We always had button girls and mamma.

1743
01:47:53,720 --> 01:47:56,400
Speaker 1: So we're asking when they just walk around with so

1744
01:47:56,560 --> 01:48:00,439
Speaker 1: I don't. I'm not understanding the process, touching, year rolling,

1745
01:48:01,400 --> 01:48:04,759
Speaker 1: then I going now and I and I enjoyed myself.

1746
01:48:04,840 --> 01:48:08,800
Speaker 1: It's beyond you. Just give me some bits of money.

1747
01:48:08,880 --> 01:48:12,759
Speaker 1: You can't take it with the conversation, what divide whatever

1748
01:48:12,800 --> 01:48:15,840
Speaker 1: it was that you around other money, other moneys, because

1749
01:48:15,880 --> 01:48:20,479
Speaker 1: you know we are around the same little hood. You know, ye,

1750
01:48:20,800 --> 01:48:23,000
Speaker 1: no things can advance you over here, but over here

1751
01:48:25,200 --> 01:48:28,599
Speaker 1: the whole another world to see another, a new color,

1752
01:48:28,760 --> 01:48:31,519
Speaker 1: a new shade. You know, I'm saying, I ain't even

1753
01:48:31,520 --> 01:48:35,439
Speaker 1: gonna go into the mission or a new shade. That's it,

1754
01:48:35,600 --> 01:48:39,960
Speaker 1: look at. Anyway, came back home, he go to little

1755
01:48:40,080 --> 01:48:44,320
Speaker 1: holding over the sprech see letting me seem good that

1756
01:48:45,520 --> 01:48:48,640
Speaker 1: it went like it was like I was at the

1757
01:48:48,680 --> 01:48:53,200
Speaker 1: club every week. No, they got went that night and

1758
01:48:53,760 --> 01:48:58,080
Speaker 1: that was like hoping over the spiritch. But see, listen,

1759
01:48:58,320 --> 01:49:00,840
Speaker 1: I'm gonna tell you about to be devers. Steady gave

1760
01:49:00,920 --> 01:49:06,080
Speaker 1: me three beats. I picked this one. He said, no,

1761
01:49:06,240 --> 01:49:07,760
Speaker 1: you can't get that. Look. I said, why the fund

1762
01:49:07,760 --> 01:49:09,880
Speaker 1: you gave it to me there and I wrote it

1763
01:49:09,960 --> 01:49:13,560
Speaker 1: to this bear but through interventions, and he said, no,

1764
01:49:13,680 --> 01:49:15,360
Speaker 1: I wanted on this beat, and this is the beat

1765
01:49:15,439 --> 01:49:21,960
Speaker 1: that made it boom kaboomoo booms. You understand like it

1766
01:49:22,080 --> 01:49:25,840
Speaker 1: was beyond what I thought or what he thought. Listen, man,

1767
01:49:26,040 --> 01:49:29,759
Speaker 1: tell of my game. I picked this beat. I wrote

1768
01:49:29,760 --> 01:49:32,479
Speaker 1: it for this. I think this will be here. Luke

1769
01:49:32,560 --> 01:49:36,479
Speaker 1: powder did um work it out and shake it up

1770
01:49:36,560 --> 01:49:38,559
Speaker 1: or some ship on it was sound like the regular

1771
01:49:38,600 --> 01:49:43,519
Speaker 1: typical money based ship. This one sounded like Portland Clan

1772
01:49:43,640 --> 01:49:46,120
Speaker 1: j T. Money. That ship was like ghetto foul. It

1773
01:49:46,439 --> 01:49:49,640
Speaker 1: like boom, like if you had played the instrumental for

1774
01:49:49,800 --> 01:49:52,560
Speaker 1: a nigger. If he could hand it, he can handle it,

1775
01:49:52,760 --> 01:49:55,920
Speaker 1: but he would not. You can't say no soft ship

1776
01:49:56,040 --> 01:49:58,880
Speaker 1: on that. You can't say no pussy ship on that nigga.

1777
01:49:58,920 --> 01:50:00,519
Speaker 1: You got to get in that full then get that.

1778
01:50:02,560 --> 01:50:08,840
Speaker 1: You can't play with her. She bad, I'm bad. But

1779
01:50:10,040 --> 01:50:12,880
Speaker 1: that's those type of the regular club into a strip club.

1780
01:50:14,720 --> 01:50:16,840
Speaker 1: And he got the funny part. Who that was the

1781
01:50:16,960 --> 01:50:20,280
Speaker 1: biggest I worked the longest. I'll shake with your mama

1782
01:50:20,360 --> 01:50:26,160
Speaker 1: game like I still play that now and we eat. Yeah,

1783
01:50:26,200 --> 01:50:29,280
Speaker 1: that is if I'm doing the show. It just you

1784
01:50:29,360 --> 01:50:34,360
Speaker 1: getting boyd because you're getting you get brother. You you're

1785
01:50:34,360 --> 01:50:36,280
Speaker 1: watching the sea, You're trying to give it your old

1786
01:50:36,360 --> 01:50:39,040
Speaker 1: college try. But now this single woman and I'm gonna

1787
01:50:39,080 --> 01:50:45,080
Speaker 1: drop that motherfucker like, oh ship, shake with many shame man,

1788
01:50:45,240 --> 01:50:48,240
Speaker 1: but who that was the biggest. But I worked the

1789
01:50:48,960 --> 01:50:52,320
Speaker 1: but who that came and left the next year. You

1790
01:50:52,360 --> 01:50:54,760
Speaker 1: gotta think about how the game was. You have a

1791
01:50:54,800 --> 01:50:59,160
Speaker 1: new nigger next year these rugs who that came and went?

1792
01:50:59,680 --> 01:51:01,679
Speaker 1: And and I stopped doing it in my show because

1793
01:51:01,680 --> 01:51:04,240
Speaker 1: I was still doing a whole problem. Shake your Mom

1794
01:51:04,320 --> 01:51:06,920
Speaker 1: and gave you push it, you know, the street song.

1795
01:51:07,560 --> 01:51:10,120
Speaker 1: Then I wait five teen years and I drop it again,

1796
01:51:10,320 --> 01:51:13,080
Speaker 1: like oh ship. We like we missed that, but it

1797
01:51:13,240 --> 01:51:17,439
Speaker 1: was so over stur player were like, I'm thinking that's

1798
01:51:18,600 --> 01:51:20,639
Speaker 1: are you in your mind? You're thinking that's the last

1799
01:51:20,680 --> 01:51:22,960
Speaker 1: song before you leave? And shake with your Mama? Gave

1800
01:51:23,000 --> 01:51:26,040
Speaker 1: me that's a that's a Luke sample no me and

1801
01:51:26,160 --> 01:51:29,599
Speaker 1: devastated everybody thought the hook without devastating to do who

1802
01:51:29,680 --> 01:51:32,760
Speaker 1: made the bet? Yeah, you don't think that was maybe

1803
01:51:32,840 --> 01:51:36,040
Speaker 1: one of the last real based, Miami based records that

1804
01:51:36,120 --> 01:51:40,280
Speaker 1: came out. It feels I don't like to take no credit,

1805
01:51:40,360 --> 01:51:42,920
Speaker 1: but I just love to hear people's opinions. It feels

1806
01:51:42,960 --> 01:51:46,720
Speaker 1: like and in the conversation of good ship, I like

1807
01:51:46,920 --> 01:51:49,960
Speaker 1: to be there. I think that's one of the last

1808
01:51:50,600 --> 01:51:54,439
Speaker 1: Miami based records that came out right that was kind

1809
01:51:54,479 --> 01:52:01,120
Speaker 1: of authentic, like yeah, versus trying to don quick. Uncle

1810
01:52:01,360 --> 01:52:02,720
Speaker 1: came out with his record after that, but don't go

1811
01:52:02,800 --> 01:52:05,640
Speaker 1: out as a DJ. It's not trying of necessarily right

1812
01:52:05,680 --> 01:52:07,240
Speaker 1: what I mean he was, but you know it's different.

1813
01:52:07,840 --> 01:52:10,760
Speaker 1: But I think came with holding the House right after

1814
01:52:11,120 --> 01:52:14,120
Speaker 1: there's some holes in this house and then do the Brown?

1815
01:52:14,160 --> 01:52:20,680
Speaker 1: Where do the brown? That Baltimore that Frank Ski No,

1816
01:52:20,960 --> 01:52:23,120
Speaker 1: not a no, he says it in the record. Okay,

1817
01:52:23,120 --> 01:52:26,800
Speaker 1: he says, but the one you were saying that, Yeah,

1818
01:52:26,840 --> 01:52:30,840
Speaker 1: you're thinking of dude dom due Doom, Due round dude

1819
01:52:31,400 --> 01:52:35,120
Speaker 1: that Frank Now I love it all. Yeah, that what

1820
01:52:35,240 --> 01:52:37,720
Speaker 1: you said, Baltimore. And then he made me take a

1821
01:52:37,800 --> 01:52:41,760
Speaker 1: tough crew. That's that's we're tough Philly. Why did you

1822
01:52:41,920 --> 01:52:44,519
Speaker 1: say that I was gonna tell him Philly niggas that

1823
01:52:44,600 --> 01:52:46,439
Speaker 1: I was gonna talk to my Philly niggas and met

1824
01:52:46,560 --> 01:52:50,439
Speaker 1: the Philly nigga. Y'all want to watch it like Nigga, Nigga, Philly, Nigga,

1825
01:52:50,720 --> 01:52:56,080
Speaker 1: tough creel bit rock on that classes thing. I think, think, think,

1826
01:52:56,160 --> 01:52:59,320
Speaker 1: think it's so damned but all this record that down

1827
01:53:01,000 --> 01:53:05,120
Speaker 1: up I felt like it was day County. Let me say,

1828
01:53:05,240 --> 01:53:09,760
Speaker 1: Philly bit they count should we loved it. But really

1829
01:53:09,840 --> 01:53:14,120
Speaker 1: right up here like rings out here to the confusing,

1830
01:53:14,160 --> 01:53:19,320
Speaker 1: they don't know like better have my money broke down here,

1831
01:53:19,840 --> 01:53:22,360
Speaker 1: they kind of ghetto don looting them. They made the

1832
01:53:22,600 --> 01:53:27,240
Speaker 1: bacas big. Listen. I know the lyrics man he plays,

1833
01:53:27,280 --> 01:53:29,640
Speaker 1: so I might wrap the whole motherfucker's but listen, I

1834
01:53:29,800 --> 01:53:33,680
Speaker 1: was waiting on my time to talk to Yeah, you're

1835
01:53:33,800 --> 01:53:37,360
Speaker 1: nig Philly. Yeah, nig you don't know tough crew bit

1836
01:53:38,600 --> 01:53:42,400
Speaker 1: all boss stadium nigger. That was done too, but rock on.

1837
01:53:43,120 --> 01:53:46,080
Speaker 1: I don't know my little ice dog client, and I

1838
01:53:46,160 --> 01:53:50,160
Speaker 1: was the kind of about the whip. I don't know

1839
01:53:50,240 --> 01:53:52,599
Speaker 1: what to do, but I got a shot. You gotta

1840
01:53:52,600 --> 01:54:02,320
Speaker 1: play that shot. Shot a little bit. He'll pay your mama. Yeah,

1841
01:54:04,439 --> 01:54:07,320
Speaker 1: come way back. Let's hear this man. Listen, I got

1842
01:54:07,360 --> 01:54:11,960
Speaker 1: one more feeling thing now I'm going out this. That

1843
01:54:12,120 --> 01:54:17,839
Speaker 1: was the filly thing Nigga PSK school. It d resonual

1844
01:54:17,920 --> 01:54:21,400
Speaker 1: Gate Corse, I don't care who say what Nigga ps

1845
01:54:21,479 --> 01:54:24,360
Speaker 1: K school to deal with Nigga trying to get for

1846
01:54:24,479 --> 01:54:28,360
Speaker 1: setting nig I shoot you dead for suthing Nigga Nigga school.

1847
01:54:28,400 --> 01:54:32,520
Speaker 1: That Davis, that was that was on the hardcore ship

1848
01:54:32,600 --> 01:54:35,760
Speaker 1: with a lot of people. But that nigga was got

1849
01:54:35,840 --> 01:54:38,800
Speaker 1: some through some chase, some coke. Tell you no, brother,

1850
01:54:39,040 --> 01:54:45,800
Speaker 1: say no, Joe, that'sn't cool. He was out there, Hey,

1851
01:54:46,160 --> 01:54:49,440
Speaker 1: that nigga was in the streets and that was what

1852
01:54:49,520 --> 01:54:58,840
Speaker 1: are you doing here? And that he had ship. Shoot,

1853
01:54:58,840 --> 01:55:00,440
Speaker 1: I should have brought it, but I said from my

1854
01:55:00,520 --> 01:55:05,880
Speaker 1: finish stir. Besides, when I went to Pittsburg and Nika

1855
01:55:05,920 --> 01:55:08,880
Speaker 1: sound that they were from London. As a kid like

1856
01:55:09,280 --> 01:55:12,040
Speaker 1: you're not too cool, I'm like, well, I think a

1857
01:55:12,080 --> 01:55:19,080
Speaker 1: way we are. But like Pittsburgh from London. And when

1858
01:55:19,120 --> 01:55:23,040
Speaker 1: y'all did dance on night, did y'all know y'all to hit? Well,

1859
01:55:23,080 --> 01:55:25,480
Speaker 1: we thought that was just one of those regular like

1860
01:55:25,640 --> 01:55:27,640
Speaker 1: and that's gonna be our Miami record, Like we know

1861
01:55:27,840 --> 01:55:31,240
Speaker 1: the work in Miami. We're not thinking about outside. How

1862
01:55:31,320 --> 01:55:33,680
Speaker 1: far did it it went? Everywhere? Right? Really, I'm kid,

1863
01:55:35,000 --> 01:55:39,120
Speaker 1: it really did remember being in places right and you

1864
01:55:39,200 --> 01:55:42,040
Speaker 1: got a picture of Miami and it was new and

1865
01:55:42,160 --> 01:55:45,280
Speaker 1: the Miami bass. Yeah, just the sound. So they looked

1866
01:55:45,360 --> 01:55:48,720
Speaker 1: at you got a picture of places me it was

1867
01:55:48,800 --> 01:55:50,560
Speaker 1: was not. No, they don't want to hear They're not

1868
01:55:50,680 --> 01:55:52,960
Speaker 1: They did not even used to hearing that ship. They

1869
01:55:53,040 --> 01:55:56,480
Speaker 1: weren't like like I was saying them the fights. I

1870
01:55:56,640 --> 01:56:01,400
Speaker 1: was fighting, we'll go out there and niggas be like yeah,

1871
01:56:02,480 --> 01:56:05,160
Speaker 1: like but they hurt, spoil ride like nigga do spoil right,

1872
01:56:05,200 --> 01:56:07,720
Speaker 1: and going like hell all this ship. And then it

1873
01:56:07,880 --> 01:56:12,120
Speaker 1: got to a point where I really started doing thehing. Hey, yo,

1874
01:56:12,520 --> 01:56:14,840
Speaker 1: life's a bit so what now They're like, oh, ship,

1875
01:56:15,720 --> 01:56:20,880
Speaker 1: Now I got their tips because they won't here now

1876
01:56:21,000 --> 01:56:23,040
Speaker 1: walk out there. They're sitting down and they're just doing

1877
01:56:23,080 --> 01:56:26,240
Speaker 1: whatever they're doing around the stage and show you set

1878
01:56:26,320 --> 01:56:29,360
Speaker 1: us up from any real promo to a real promo

1879
01:56:29,560 --> 01:56:32,960
Speaker 1: that like yus that let they give a fucking weeks there,

1880
01:56:33,120 --> 01:56:36,360
Speaker 1: not like when y'all niggas we gotta we got the

1881
01:56:36,760 --> 01:56:40,120
Speaker 1: full of men check how about that one. That's how

1882
01:56:40,120 --> 01:56:44,560
Speaker 1: I dared because they're never like, you know, man, the

1883
01:56:44,680 --> 01:56:47,280
Speaker 1: funk happening. You know what I'm saying, nigga think he

1884
01:56:47,360 --> 01:56:51,800
Speaker 1: got funder what the fund just happening? Thega trying to

1885
01:56:51,840 --> 01:56:54,120
Speaker 1: steal from me when they test my pocket bit and

1886
01:56:54,280 --> 01:56:57,560
Speaker 1: about of my pocket something. But yeah, yeah, yeah, but

1887
01:56:58,080 --> 01:57:00,280
Speaker 1: it's a metter to the man and man I always happen.

1888
01:57:00,440 --> 01:57:04,800
Speaker 1: It's just like nigga. Yeah, and there's another there's another

1889
01:57:04,960 --> 01:57:08,240
Speaker 1: question I always wanted to ask, especially the granddad you

1890
01:57:08,360 --> 01:57:14,040
Speaker 1: just passed away. M Yeah, yeah, so, um you gotta

1891
01:57:14,120 --> 01:57:17,000
Speaker 1: joint there were you saying for the same exact the

1892
01:57:17,080 --> 01:57:19,760
Speaker 1: bitch that I hate, the girl, the girl that I hate? Yea.

1893
01:57:20,160 --> 01:57:23,600
Speaker 1: M who who said with that first? Mr Man? Mr

1894
01:57:23,680 --> 01:57:26,360
Speaker 1: Mik did that whole first album. It was his idea,

1895
01:57:27,880 --> 01:57:31,120
Speaker 1: David Hard Mr Man, the producer everything on Luke Regors

1896
01:57:31,160 --> 01:57:35,760
Speaker 1: at that time to Lave. He did all that ship.

1897
01:57:35,920 --> 01:57:38,160
Speaker 1: Then you realize you had the same beat, something new

1898
01:57:38,280 --> 01:57:42,080
Speaker 1: and before ours to him came up. Yeah we had it.

1899
01:57:42,200 --> 01:57:44,760
Speaker 1: We had ours made. But we've been sitting you know.

1900
01:57:45,920 --> 01:57:48,120
Speaker 1: But still I who just saying how long the head there?

1901
01:57:48,320 --> 01:57:53,480
Speaker 1: It's one of my arguments. You can't you know, But yeah,

1902
01:57:53,600 --> 01:57:56,200
Speaker 1: he was talking okay boom he was was he was

1903
01:57:56,240 --> 01:58:02,400
Speaker 1: talking about himself and then was a relationship you I

1904
01:58:02,440 --> 01:58:04,880
Speaker 1: didn't the hole. It was a man and a woman.

1905
01:58:05,240 --> 01:58:07,120
Speaker 1: So yeah, I think that man and ship was always

1906
01:58:07,280 --> 01:58:18,320
Speaker 1: man and woman call and respond or little bit loving

1907
01:58:18,360 --> 01:58:24,160
Speaker 1: that wild ship go on for that. I like picture

1908
01:58:24,720 --> 01:58:27,440
Speaker 1: everything before that. That's y'all thought was Miami base. I

1909
01:58:27,520 --> 01:58:30,960
Speaker 1: felt like close to him. And then picture that nigger

1910
01:58:31,120 --> 01:58:33,760
Speaker 1: right there, right that nigga that's not mean, just that

1911
01:58:33,920 --> 01:58:36,360
Speaker 1: nigger that whoever that got here doing that record. Who

1912
01:58:36,560 --> 01:58:41,920
Speaker 1: was that guy? Listen, instruct the pussy. We're not asked,

1913
01:58:42,040 --> 01:58:44,880
Speaker 1: We're not that nigga. His first line is hoping over

1914
01:58:45,080 --> 01:58:47,760
Speaker 1: to spreading. But she let the niggle see them girls

1915
01:58:47,840 --> 01:58:51,040
Speaker 1: free tuck the ground, slap that. You're giving instructions to

1916
01:58:51,120 --> 01:58:54,320
Speaker 1: the pussy to see the pussy knees that the pussy

1917
01:58:54,400 --> 01:58:56,000
Speaker 1: I want to be wasted. The pussy don't want to

1918
01:58:56,040 --> 01:58:59,240
Speaker 1: be out here by myself doing anything. It wasn't need instructure.

1919
01:58:59,280 --> 01:59:05,840
Speaker 1: The guy who let me get that, all right, A

1920
01:59:05,880 --> 01:59:09,000
Speaker 1: second verse, fucking work for this money, hunting, stop faking.

1921
01:59:09,080 --> 01:59:11,320
Speaker 1: I want to see some real wood. Stop the grass.

1922
01:59:12,200 --> 01:59:20,800
Speaker 1: Instructions were begging up, we're getting this good ship. We're

1923
01:59:20,800 --> 01:59:27,600
Speaker 1: getting this good ship. Bit definitely Miami ship. Yeah, but

1924
01:59:27,760 --> 01:59:29,360
Speaker 1: I was just talking about that guy. That guy I

1925
01:59:29,480 --> 01:59:35,160
Speaker 1: remember because when I heard it, I was like when

1926
01:59:35,200 --> 01:59:38,120
Speaker 1: I heard that nigga talking that ship back then in

1927
01:59:38,240 --> 01:59:43,000
Speaker 1: ninety one ninety two, I was like telling yourself, Oh okay,

1928
01:59:43,040 --> 01:59:51,040
Speaker 1: well it was totally ship. But damn, I got another

1929
01:59:51,040 --> 01:59:55,520
Speaker 1: shot right here. You gotta boy, yeah, boy, And they're

1930
01:59:55,520 --> 01:59:57,360
Speaker 1: gonna be the fort ever. So y'all gonna see all

1931
01:59:57,520 --> 02:00:03,360
Speaker 1: us like this bit. You know better. But he's power.

1932
02:00:05,000 --> 02:00:10,040
Speaker 1: That's good. Good. You gotta give another shot. Whenever brother

1933
02:00:10,080 --> 02:00:13,160
Speaker 1: I go, I'm going with brother. We're not seeing nothing

1934
02:00:13,240 --> 02:00:15,800
Speaker 1: less hard. I just want to give your flowers. I

1935
02:00:15,880 --> 02:00:19,800
Speaker 1: see my nigger rationing. But you ever had that? You

1936
02:00:19,880 --> 02:00:24,360
Speaker 1: know what? You know what that is? But they make

1937
02:00:24,440 --> 02:00:27,600
Speaker 1: that in a tub and can do. But I just

1938
02:00:27,680 --> 02:00:29,360
Speaker 1: spoke to him and he's like, I said, man, just

1939
02:00:29,440 --> 02:00:32,800
Speaker 1: broke with that buck. Call it. Call it to make

1940
02:00:32,800 --> 02:00:37,840
Speaker 1: a commercial. Can do? My mama wanna people like like

1941
02:00:37,920 --> 02:00:44,720
Speaker 1: they made you got the shot. That's dope to me.

1942
02:00:46,880 --> 02:00:52,400
Speaker 1: So if you ain't got nothing to do with it,

1943
02:00:52,720 --> 02:00:57,320
Speaker 1: we drink that because we like that. Because we trust us,

1944
02:00:57,400 --> 02:00:59,120
Speaker 1: we drink one. You know what what I'm saying, I

1945
02:00:59,160 --> 02:01:00,680
Speaker 1: don't want to say. They ain't names to get up,

1946
02:01:01,040 --> 02:01:03,200
Speaker 1: But so they ain't got nothing to do with our thing.

1947
02:01:05,320 --> 02:01:13,840
Speaker 1: Like if we smoke dirty, you you gonna see super

1948
02:01:13,880 --> 02:01:17,600
Speaker 1: clean or super clean. Just say super clean, just say

1949
02:01:17,720 --> 02:01:23,000
Speaker 1: non super clean, non process. I know people like that, right, Yeah,

1950
02:01:23,760 --> 02:01:27,040
Speaker 1: I love dirty girl lovers. I hung like that for

1951
02:01:28,160 --> 02:01:31,000
Speaker 1: two days. Two days. You like the dirty girl love us.

1952
02:01:32,920 --> 02:01:35,680
Speaker 1: I probably was one. I probably was a love that

1953
02:01:36,240 --> 02:01:38,600
Speaker 1: two days. Well you're smoke to dirties with the dirt No,

1954
02:01:39,520 --> 02:01:43,840
Speaker 1: Now I was feeding. How does thank god? Yeah? Yeah,

1955
02:01:43,840 --> 02:01:46,320
Speaker 1: I wasn't that. How does this work? You say, can

1956
02:01:46,440 --> 02:01:51,200
Speaker 1: go to y'all? No, you said, and then you get right,

1957
02:01:52,960 --> 02:01:55,200
Speaker 1: you know how to roll up theirselves? Yeah, of course

1958
02:01:55,280 --> 02:01:58,960
Speaker 1: they're better. If you can't roll, then you ain't got

1959
02:01:59,040 --> 02:02:02,040
Speaker 1: no bites. No, I telling you knew when they When

1960
02:02:02,120 --> 02:02:04,320
Speaker 1: everybody first smoing, I said, if you can't roll, you

1961
02:02:04,360 --> 02:02:08,160
Speaker 1: don't joint you're been smoking? Were talking about what this

1962
02:02:08,240 --> 02:02:12,920
Speaker 1: for me? I like, business man, you know whatever? Because

1963
02:02:12,960 --> 02:02:16,240
Speaker 1: his what's crazy? Now? People are rolling like the good

1964
02:02:16,360 --> 02:02:20,440
Speaker 1: weed whatever, the good cocaine. It's like, what's that called

1965
02:02:20,600 --> 02:02:27,360
Speaker 1: dely No, it's just you know, chad we with the

1966
02:02:27,400 --> 02:02:31,280
Speaker 1: good cocaine or the bad reason. But cocaine was because

1967
02:02:31,280 --> 02:02:35,800
Speaker 1: it was a bad weed already. We found we could

1968
02:02:36,280 --> 02:02:39,680
Speaker 1: and we can think and feel how we want to feel,

1969
02:02:39,960 --> 02:02:44,440
Speaker 1: but they feel how they feel like like they're like, boy,

1970
02:02:44,520 --> 02:02:46,480
Speaker 1: y'all just don't know nig y'all ain't got a clue.

1971
02:02:46,840 --> 02:02:49,680
Speaker 1: Like we see up they're saying, yeah, nigga, but that's

1972
02:02:50,160 --> 02:02:54,680
Speaker 1: they're like shot that what you think? You know? So

1973
02:02:55,080 --> 02:02:59,280
Speaker 1: I'm just like man t is on whatever, motherfucker, but

1974
02:03:00,120 --> 02:03:01,960
Speaker 1: I right boom now I gotta bring it in to

1975
02:03:02,280 --> 02:03:05,960
Speaker 1: let's bring it and my family and my business and

1976
02:03:06,040 --> 02:03:08,720
Speaker 1: things like that. I mean, like, yeah, you know I

1977
02:03:08,840 --> 02:03:14,080
Speaker 1: love you, but you can't come with me today. You

1978
02:03:14,160 --> 02:03:17,320
Speaker 1: know I love you, but you can't ride today. Well

1979
02:03:17,400 --> 02:03:19,680
Speaker 1: we'll be back, you know because i'mnna come back and

1980
02:03:19,720 --> 02:03:22,760
Speaker 1: funk with you. But but why they can't ride today?

1981
02:03:22,920 --> 02:03:29,000
Speaker 1: Because that my business that don't play in this like

1982
02:03:29,200 --> 02:03:35,720
Speaker 1: it might play all put you over and yeah and

1983
02:03:35,840 --> 02:03:39,400
Speaker 1: play all out here, but when I'm right here, because

1984
02:03:39,520 --> 02:03:44,600
Speaker 1: you know, I'm really responsible, but everything right here, I

1985
02:03:44,720 --> 02:03:50,240
Speaker 1: still love you. It's trial. But if you want to y'all,

1986
02:03:50,320 --> 02:03:52,680
Speaker 1: you can't be around with y'all. One of y'all. Yeah,

1987
02:03:52,680 --> 02:03:56,360
Speaker 1: And that's just that like you came round here today.

1988
02:03:57,440 --> 02:03:59,680
Speaker 1: You know what I'm saying. But now I always ride there,

1989
02:03:59,760 --> 02:04:04,120
Speaker 1: but don't always be here. I don't always be right here. Yeah,

1990
02:04:04,280 --> 02:04:06,640
Speaker 1: just some ship like that you know, fell in. Honest

1991
02:04:06,760 --> 02:04:09,600
Speaker 1: is good, man, I'm saying again, let's make some noise

1992
02:04:09,680 --> 02:04:14,400
Speaker 1: for being honest. Yeah, that's so. She was just ever lives.

1993
02:04:14,480 --> 02:04:17,200
Speaker 1: But for a moment, I'm telling man, listen, man, let

1994
02:04:17,280 --> 02:04:20,400
Speaker 1: me ask you. We're learning as kids. Okay, go ahead.

1995
02:04:20,800 --> 02:04:23,280
Speaker 1: If there anything you regret that you didn't do in

1996
02:04:23,360 --> 02:04:27,080
Speaker 1: this game. I want to regret some ship. But me

1997
02:04:27,360 --> 02:04:32,960
Speaker 1: understanding whatever I understand for this life and decisions and

1998
02:04:33,160 --> 02:04:37,160
Speaker 1: God and karma and me understanding what I what I believe.

1999
02:04:37,760 --> 02:04:40,080
Speaker 1: It's like, it is what it is like. There was

2000
02:04:40,160 --> 02:04:44,480
Speaker 1: certain situations when I had one of the hardest records

2001
02:04:44,480 --> 02:04:46,640
Speaker 1: in the country and people was asking me to do

2002
02:04:46,800 --> 02:04:48,920
Speaker 1: certain things. I'm like, well, I'm gonna I'm gonna stay

2003
02:04:48,960 --> 02:04:50,920
Speaker 1: paying this ship. They ain't paying, but they're trying to

2004
02:04:50,960 --> 02:04:53,720
Speaker 1: build something I wouldn't do that. She said, you regret that,

2005
02:04:54,480 --> 02:04:56,920
Speaker 1: I want to regret it. Okay, I don't regret ship,

2006
02:04:57,000 --> 02:05:00,640
Speaker 1: because I'm here today and I'm still righting to be honest.

2007
02:05:00,720 --> 02:05:03,240
Speaker 1: Like I'm just just to we don't write what you're saying.

2008
02:05:03,800 --> 02:05:06,640
Speaker 1: One of the things that I didn't know was not

2009
02:05:06,880 --> 02:05:09,640
Speaker 1: not I regret it, but was I was doing features

2010
02:05:09,720 --> 02:05:12,840
Speaker 1: like um um, and I never knew you supposed to

2011
02:05:12,840 --> 02:05:14,880
Speaker 1: get paid for features. It was pun who was just

2012
02:05:15,000 --> 02:05:17,400
Speaker 1: doing them. I was just doing it like whoever, who

2013
02:05:17,440 --> 02:05:19,360
Speaker 1: you fought with, whoever worked with me, and they wanted

2014
02:05:19,360 --> 02:05:20,520
Speaker 1: to do a record with me, I just did it.

2015
02:05:20,560 --> 02:05:22,600
Speaker 1: But I ain't nothing wrong with that, And that's an

2016
02:05:22,600 --> 02:05:24,840
Speaker 1: exchange sometimes. That's that's what I mean. That's why I

2017
02:05:24,880 --> 02:05:26,839
Speaker 1: feel like, you know, that's what it is like somebody

2018
02:05:26,920 --> 02:05:31,160
Speaker 1: else gonna use that again, you are you crazy? Well

2019
02:05:31,200 --> 02:05:33,760
Speaker 1: you should have, but they don't even know how far

2020
02:05:34,080 --> 02:05:36,000
Speaker 1: you're not taking that a little bit, how far that

2021
02:05:36,080 --> 02:05:38,520
Speaker 1: took it. Actually in that area, it worked out for me,

2022
02:05:39,800 --> 02:05:42,080
Speaker 1: But everyone else would work out your wall can't did

2023
02:05:42,880 --> 02:05:45,440
Speaker 1: And if they want to be just men, don't let

2024
02:05:45,520 --> 02:05:50,920
Speaker 1: them fool themselves that. Yeah whatever, Just just don't be disrestresful.

2025
02:05:51,240 --> 02:05:53,800
Speaker 1: But you can be stupid over it up, you know,

2026
02:05:54,040 --> 02:05:57,440
Speaker 1: because it worked for me. I did that. I didn't

2027
02:05:58,400 --> 02:06:02,360
Speaker 1: oh man, I got I think all right. Even that

2028
02:06:02,600 --> 02:06:06,920
Speaker 1: play apart into the so called legacy or legend of

2029
02:06:07,040 --> 02:06:08,920
Speaker 1: j T. What don't you can take? You? What real nigga?

2030
02:06:09,760 --> 02:06:12,080
Speaker 1: I mean, all right, boom, he was a better one.

2031
02:06:12,680 --> 02:06:15,920
Speaker 1: I go see people, I go places, and I'm always somewhere.

2032
02:06:16,280 --> 02:06:20,640
Speaker 1: Then I'll see motherfucker's who in position. I don't know him.

2033
02:06:21,000 --> 02:06:23,160
Speaker 1: They're coming me, like, but you don't remember me? Boy,

2034
02:06:23,200 --> 02:06:24,720
Speaker 1: you was and I was a little nigg and you

2035
02:06:24,800 --> 02:06:27,280
Speaker 1: said to me and you did, and I'd be like, well,

2036
02:06:27,400 --> 02:06:29,440
Speaker 1: thank god I was a real nigga, because if I

2037
02:06:29,560 --> 02:06:32,920
Speaker 1: was a nigger, you could have gotten you know what

2038
02:06:33,160 --> 02:06:35,920
Speaker 1: was in you. But I don't know if you love

2039
02:06:36,120 --> 02:06:39,800
Speaker 1: me because whatever I said to you or whatever, tear

2040
02:06:39,880 --> 02:06:42,040
Speaker 1: for your mom and them back. Just ship like that.

2041
02:06:42,520 --> 02:06:46,560
Speaker 1: Thank God I was a real nigger. I'm still out there.

2042
02:06:46,760 --> 02:06:50,800
Speaker 1: But if I, if I did some fun ship, that

2043
02:06:50,960 --> 02:06:55,760
Speaker 1: was your chapter, right, So whatever, then I don't know

2044
02:06:55,800 --> 02:06:57,280
Speaker 1: if we're time. I don't know how he got there,

2045
02:06:57,320 --> 02:07:04,040
Speaker 1: but hey, it left me right there. It's happening that way.

2046
02:07:04,640 --> 02:07:10,120
Speaker 1: Who your favorite West Coast artists is favorite West Coast

2047
02:07:11,240 --> 02:07:14,040
Speaker 1: They gotta be my w gotta be some shot, they

2048
02:07:14,080 --> 02:07:16,720
Speaker 1: gotta be cute, We gotta beno, gotta it, gotta be

2049
02:07:16,840 --> 02:07:19,960
Speaker 1: all the things that we know Okay, alright, and I

2050
02:07:20,080 --> 02:07:23,000
Speaker 1: picture underground Okay, boom, Now you're want to say an

2051
02:07:23,080 --> 02:07:27,080
Speaker 1: underground game. I like always like sugar Free when you

2052
02:07:27,200 --> 02:07:29,840
Speaker 1: talk about that Penla, because I think that was col

2053
02:07:30,960 --> 02:07:35,920
Speaker 1: you know, singer sugar Free with with with look like

2054
02:07:36,280 --> 02:07:38,360
Speaker 1: I don't see. Look we both did the same ship,

2055
02:07:39,040 --> 02:07:43,120
Speaker 1: ain't I ain't seen that guy's cold. But then I've

2056
02:07:43,240 --> 02:07:48,360
Speaker 1: met other dudes, you know, and I think they're good.

2057
02:07:48,440 --> 02:07:50,440
Speaker 1: But when you want to say the favorite, they're good

2058
02:07:50,520 --> 02:07:53,560
Speaker 1: for what's going on now? I see them now fighting

2059
02:07:53,600 --> 02:07:56,360
Speaker 1: to fight in this era because right now I ain't

2060
02:07:56,400 --> 02:08:00,760
Speaker 1: nobody being until they say, until they say they be,

2061
02:08:01,200 --> 02:08:05,440
Speaker 1: like it's our boy, he's the man over ya, like

2062
02:08:05,920 --> 02:08:09,280
Speaker 1: for the streets, it's other things are still maintained, Like

2063
02:08:09,440 --> 02:08:11,680
Speaker 1: I think they'd be fighting the fight I fight, like

2064
02:08:11,840 --> 02:08:14,040
Speaker 1: for some strang angry. I'm saying the reason I still

2065
02:08:14,160 --> 02:08:19,160
Speaker 1: get book a certain things, those particular songs and that

2066
02:08:19,440 --> 02:08:21,160
Speaker 1: like if I'm make a new one good for me.

2067
02:08:21,560 --> 02:08:24,920
Speaker 1: If I don't make a new one, I don't know

2068
02:08:25,000 --> 02:08:28,080
Speaker 1: about for me. But those songs is I don't know

2069
02:08:28,120 --> 02:08:31,000
Speaker 1: if it's a feeling or write a passage or like

2070
02:08:31,240 --> 02:08:33,840
Speaker 1: before you get to this sage, you gotta feel like

2071
02:08:34,000 --> 02:08:36,040
Speaker 1: this that you get over here, you feel it. I don't.

2072
02:08:36,120 --> 02:08:38,520
Speaker 1: I don't understand it. I'm just thankful and blessed for

2073
02:08:39,400 --> 02:08:42,040
Speaker 1: how we got on that subject. I don't know, but

2074
02:08:42,160 --> 02:08:43,840
Speaker 1: I said I was gonna come talk to my brother

2075
02:08:45,400 --> 02:08:47,120
Speaker 1: and you said, you said you're working on a Poison

2076
02:08:47,160 --> 02:08:51,920
Speaker 1: Clan album. Definitely that tell us more about that album? Uh,

2077
02:08:53,080 --> 02:08:57,120
Speaker 1: independent obviously, Yeah, what's so far? Like if anybody feels

2078
02:08:57,160 --> 02:08:59,560
Speaker 1: free they want to do business with the fors and

2079
02:08:59,600 --> 02:09:02,000
Speaker 1: clans that you put it out, put it out there. Yeah, yeah,

2080
02:09:02,000 --> 02:09:03,680
Speaker 1: because you know I'm talking about there is no cast,

2081
02:09:03,760 --> 02:09:06,280
Speaker 1: you know, j T Money, Devin, their drugs, mad Ball.

2082
02:09:07,160 --> 02:09:10,320
Speaker 1: You know. The only difference is we got new, a

2083
02:09:10,520 --> 02:09:14,720
Speaker 1: new young production production team and these are guys who

2084
02:09:15,960 --> 02:09:18,920
Speaker 1: did their homeworking was fans on and like, yeah, but

2085
02:09:19,040 --> 02:09:22,560
Speaker 1: y'all should can't like this now, Like just see if

2086
02:09:23,360 --> 02:09:27,240
Speaker 1: everything we want to do still sounding like nineteen ninety

2087
02:09:27,600 --> 02:09:30,760
Speaker 1: and they're like, no, nigga, put that conversation over. There's

2088
02:09:30,800 --> 02:09:34,960
Speaker 1: two thousand twenty phob respect that. Some ship like that, right,

2089
02:09:35,040 --> 02:09:37,520
Speaker 1: and we gotta respect that too, and then we we

2090
02:09:37,640 --> 02:09:40,640
Speaker 1: gotta respect it all right. I run the old niggas

2091
02:09:40,640 --> 02:09:44,640
Speaker 1: who think they know everything. I know niggas. I know

2092
02:09:44,760 --> 02:09:48,000
Speaker 1: niggas raw with production right, and he's been doing Ship

2093
02:09:48,080 --> 02:09:51,480
Speaker 1: about twenty go to you and it gets to a

2094
02:09:51,560 --> 02:09:53,640
Speaker 1: point I'm so cool on home. I just had to

2095
02:09:53,680 --> 02:09:56,160
Speaker 1: get to are like, well, goddamn this My thirty two

2096
02:09:56,240 --> 02:09:58,760
Speaker 1: years don't mean nothing, even like and I got more

2097
02:09:58,800 --> 02:10:01,920
Speaker 1: accolades in just good at what you do? You think

2098
02:10:02,000 --> 02:10:06,360
Speaker 1: you know everything. I'm trying to tell you I don't

2099
02:10:06,400 --> 02:10:08,840
Speaker 1: know it received. I'm gonna tell you'll something that I

2100
02:10:09,360 --> 02:10:12,000
Speaker 1: think that Miami people don't actually take it. This is

2101
02:10:12,080 --> 02:10:14,280
Speaker 1: my last shot. You got another one, my last one.

2102
02:10:14,640 --> 02:10:20,320
Speaker 1: I'm gonna tell you something that Miami actually doesn't understand.

2103
02:10:21,040 --> 02:10:25,480
Speaker 1: Miami could actually be like Houston, Texas, like as far

2104
02:10:25,600 --> 02:10:30,879
Speaker 1: as that, because like I in New York, we have barrows.

2105
02:10:31,600 --> 02:10:38,760
Speaker 1: We don't have cities like open Locker's damn his own city, correct, Hias,

2106
02:10:38,840 --> 02:10:43,360
Speaker 1: his own city, homestead is its own city, like like y'all.

2107
02:10:44,320 --> 02:10:47,280
Speaker 1: And I'm saying this as an honorary member now, like

2108
02:10:47,880 --> 02:10:54,480
Speaker 1: y'all can sell Ship without leaving ya actual state different

2109
02:10:54,560 --> 02:10:59,440
Speaker 1: here than like doing that platinum in New York. But

2110
02:10:59,560 --> 02:11:02,280
Speaker 1: I'm telling you and the thing is we were doing

2111
02:11:02,360 --> 02:11:04,760
Speaker 1: that in the flea markets. It was happening out here.

2112
02:11:05,160 --> 02:11:06,600
Speaker 1: But the difference I think with Miami and some of

2113
02:11:06,680 --> 02:11:09,640
Speaker 1: those are places. Miami is constantly changing people coming from

2114
02:11:09,640 --> 02:11:12,160
Speaker 1: all over the place, and it is always changing them.

2115
02:11:12,440 --> 02:11:14,920
Speaker 1: But one thing he's never never changed. Across the bridge,

2116
02:11:15,880 --> 02:11:18,480
Speaker 1: it's over. No. No, I'm talking about living here too.

2117
02:11:19,440 --> 02:11:21,520
Speaker 1: I gotta no, man, you have an influx of this

2118
02:11:21,680 --> 02:11:26,600
Speaker 1: group that comes in Venezuelans are these people, and I

2119
02:11:26,640 --> 02:11:29,640
Speaker 1: feel like it changes a little bit like Miami people.

2120
02:11:29,720 --> 02:11:32,400
Speaker 1: They never want to they didn't want to act like fans.

2121
02:11:32,440 --> 02:11:36,320
Speaker 1: I don't know if you've ever felt this way. Miami, Miami,

2122
02:11:36,400 --> 02:11:38,920
Speaker 1: we we never feel like we feel like we we

2123
02:11:39,240 --> 02:11:42,120
Speaker 1: all when I used to go to the Miami Heat games,

2124
02:11:42,160 --> 02:11:45,680
Speaker 1: when I first came here, when Love Broad came here. Oh,

2125
02:11:45,800 --> 02:11:47,800
Speaker 1: let's just be clear. You have the most spoilss fans

2126
02:11:47,920 --> 02:11:50,720
Speaker 1: in the worst. As soon as the far wins, my

2127
02:11:50,880 --> 02:11:53,680
Speaker 1: four points is leaving because it's like, oh, we already

2128
02:11:53,720 --> 02:11:56,600
Speaker 1: won the game, like I've never seen that. You know,

2129
02:11:56,680 --> 02:11:59,920
Speaker 1: I'm a Knicks fan, you know how it is being

2130
02:12:00,120 --> 02:12:02,960
Speaker 1: nixt fan. We will lose by forty five, and Spike

2131
02:12:03,040 --> 02:12:07,720
Speaker 1: Lee was still standing right there leaving. We're not leaving.

2132
02:12:08,240 --> 02:12:12,280
Speaker 1: Miami fans didn't club live and the Great Goose Lounge

2133
02:12:12,320 --> 02:12:14,640
Speaker 1: like this taking shots. They're like, I don't have to

2134
02:12:14,680 --> 02:12:15,920
Speaker 1: go to the concert. I go to the v I

2135
02:12:16,080 --> 02:12:20,240
Speaker 1: P And by the way, I've learned that from Miami.

2136
02:12:21,400 --> 02:12:24,280
Speaker 1: I've got to I got gortside tickets and I stayed

2137
02:12:24,280 --> 02:12:25,920
Speaker 1: at the Great Goose Lounge in the back because it

2138
02:12:26,000 --> 02:12:28,080
Speaker 1: was like club living. It was like go out there

2139
02:12:28,600 --> 02:12:31,040
Speaker 1: like yeah, and the game is still on and ship

2140
02:12:31,720 --> 02:12:34,080
Speaker 1: and not unfortunately as a part of the Miami mentality.

2141
02:12:34,360 --> 02:12:37,760
Speaker 1: That's very true, But didn't How about in the nineties

2142
02:12:38,160 --> 02:12:42,840
Speaker 1: where it was your book shows for us and we

2143
02:12:42,880 --> 02:12:45,440
Speaker 1: will come out here and the Miami crowd would be there,

2144
02:12:45,520 --> 02:12:47,360
Speaker 1: but the New York crowd would be there too. What

2145
02:12:47,520 --> 02:12:52,000
Speaker 1: happened to that? What did it change? I don't know

2146
02:12:52,000 --> 02:12:55,240
Speaker 1: what I'm saying, Like, what what changed for we all

2147
02:12:55,360 --> 02:12:59,480
Speaker 1: party together? Yeah? That was a beautiful talk. I loved it.

2148
02:12:59,560 --> 02:13:02,640
Speaker 1: I think pop culture there that whoever put the divide

2149
02:13:02,720 --> 02:13:05,240
Speaker 1: on the eastern west, did the south of the and

2150
02:13:06,040 --> 02:13:09,280
Speaker 1: somebody did it. Somebody section it off so they could

2151
02:13:09,360 --> 02:13:12,520
Speaker 1: charge differently. Turning all over this sasons went off of

2152
02:13:12,600 --> 02:13:16,480
Speaker 1: that Sason for it off, saying the ball of sexually.

2153
02:13:16,720 --> 02:13:21,440
Speaker 1: I don't know. I'm just that's okay talking. I ain't conga.

2154
02:13:21,760 --> 02:13:24,800
Speaker 1: They just like, no, you niggas came to be friends,

2155
02:13:24,880 --> 02:13:28,560
Speaker 1: nigging that nigga from over there here like I'm gonna

2156
02:13:28,560 --> 02:13:30,760
Speaker 1: tell you, I'm gonna tell you, and this is it

2157
02:13:30,880 --> 02:13:32,720
Speaker 1: was at one point to come to Miami and I

2158
02:13:32,760 --> 02:13:35,520
Speaker 1: feel like it was Brooklyn in the house and people

2159
02:13:35,560 --> 02:13:39,320
Speaker 1: would lose their I couldn't stand that, not that I

2160
02:13:39,320 --> 02:13:42,560
Speaker 1: couldn't stand here, not you cannot go anywhere in Miami.

2161
02:13:42,800 --> 02:13:45,440
Speaker 1: Say it's Brooklyn in the house, It'll be a Miami

2162
02:13:45,560 --> 02:13:50,680
Speaker 1: Jamaican that's from Brooklyn. Sex But where was boy? But

2163
02:13:51,360 --> 02:13:55,200
Speaker 1: they're proud again. It was like I was from Fifth Street.

2164
02:13:55,360 --> 02:13:59,640
Speaker 1: Lookes oh like if you was here that unless you

2165
02:13:59,680 --> 02:14:03,080
Speaker 1: weren't down saw somewhere closer to the girl now when

2166
02:14:03,120 --> 02:14:08,240
Speaker 1: you was in literal shits overlogger, that wouldn't have win.

2167
02:14:08,360 --> 02:14:13,400
Speaker 1: Now it was the clar divide it still because it

2168
02:14:13,520 --> 02:14:16,240
Speaker 1: was definitely southeast right. But what I'm saying, that's what

2169
02:14:16,520 --> 02:14:21,000
Speaker 1: that was. So there would be like that's where me

2170
02:14:21,120 --> 02:14:23,400
Speaker 1: and my New York niggas would go, you know. But

2171
02:14:23,560 --> 02:14:27,240
Speaker 1: me and mine Overla Cash and niggers were over here

2172
02:14:27,760 --> 02:14:32,640
Speaker 1: and and the bottom. You know. I would take Madre

2173
02:14:32,720 --> 02:14:35,640
Speaker 1: that once in a while and I felt like, they

2174
02:14:35,760 --> 02:14:38,640
Speaker 1: don't worry about you with me, but nothing, none of

2175
02:14:38,680 --> 02:14:41,080
Speaker 1: this ship matters to you. You with me, that's all

2176
02:14:41,160 --> 02:14:45,080
Speaker 1: that matter. So we moved like that. Yeah, but there

2177
02:14:45,160 --> 02:14:46,800
Speaker 1: was no disrespect to New York. Is just you in

2178
02:14:46,880 --> 02:14:48,720
Speaker 1: your own city. You don't want to hear like, look,

2179
02:14:48,760 --> 02:14:51,280
Speaker 1: look we said. We both went to the Biggie show'd show.

2180
02:14:51,920 --> 02:14:54,360
Speaker 1: We all went because he was hip hop has let

2181
02:14:54,400 --> 02:14:57,320
Speaker 1: me just let me just not like singled out Miami.

2182
02:14:57,680 --> 02:14:59,840
Speaker 1: I went to Atlanta on that same tour. I went

2183
02:14:59,920 --> 02:15:01,560
Speaker 1: to They had the same and I was like, it

2184
02:15:01,680 --> 02:15:02,800
Speaker 1: was Brooklyn in the house. By the way, I'm not

2185
02:15:02,840 --> 02:15:05,480
Speaker 1: from Brooklyn, from Queens, So it was just something to say.

2186
02:15:06,440 --> 02:15:08,080
Speaker 1: It was just at the time. So I would go

2187
02:15:08,160 --> 02:15:10,240
Speaker 1: to Atlanta like it brooke to the house and just

2188
02:15:10,400 --> 02:15:12,560
Speaker 1: the prais will go crazy, and was like, I know,

2189
02:15:12,760 --> 02:15:15,200
Speaker 1: these motherfucker's not from Brooklyn, right, But that was the

2190
02:15:15,280 --> 02:15:17,800
Speaker 1: thing to do. That's at the time. We used to

2191
02:15:17,880 --> 02:15:19,560
Speaker 1: call me and my crew. We did a song called

2192
02:15:19,600 --> 02:15:21,840
Speaker 1: fake out of Towners. It was addressing that it was

2193
02:15:21,920 --> 02:15:24,200
Speaker 1: people that either they were from New York or they weren't,

2194
02:15:24,280 --> 02:15:27,120
Speaker 1: but they felt that that that was their identity here

2195
02:15:27,120 --> 02:15:28,520
Speaker 1: and we're like, yo, if you pay your bills here

2196
02:15:28,680 --> 02:15:30,560
Speaker 1: and it all due respect and all due respect. At

2197
02:15:30,600 --> 02:15:32,960
Speaker 1: that time, New York didn't seem like it ran the

2198
02:15:33,080 --> 02:15:36,640
Speaker 1: world at that time. In that's we're talking about the

2199
02:15:36,640 --> 02:15:41,720
Speaker 1: outside of mind. That's what listen. It was that it

2200
02:15:41,880 --> 02:15:47,240
Speaker 1: was listen, man rao, I think cal ran movies and

2201
02:15:47,400 --> 02:15:50,200
Speaker 1: TV kind of way. And then when the they just

2202
02:15:50,280 --> 02:15:52,640
Speaker 1: got involved, you niggas had to figure out a way

2203
02:15:52,720 --> 02:15:55,760
Speaker 1: to work together, but it was still us still fighting

2204
02:15:55,880 --> 02:15:58,720
Speaker 1: trying to we want to get in the game. I mean,

2205
02:15:58,880 --> 02:16:00,760
Speaker 1: that's kind of my question. We want to get into

2206
02:16:01,200 --> 02:16:03,760
Speaker 1: is what, like you said, I love to do what

2207
02:16:03,800 --> 02:16:05,720
Speaker 1: you just said. You just said that Callie ran like

2208
02:16:05,800 --> 02:16:09,520
Speaker 1: the movie until Gaster Rap came right and then they

2209
02:16:09,600 --> 02:16:12,480
Speaker 1: ran Gainster Raps. But the New York ran very much

2210
02:16:12,520 --> 02:16:15,000
Speaker 1: the industry. What is the state of Miami? I guess

2211
02:16:15,000 --> 02:16:16,400
Speaker 1: I'm gonna stay to you and then you can passed

2212
02:16:16,440 --> 02:16:18,480
Speaker 1: the e FN. What was the state of Miami at

2213
02:16:18,520 --> 02:16:24,000
Speaker 1: that time? Especially especially I remember me knowing that Miami

2214
02:16:24,120 --> 02:16:27,960
Speaker 1: is the mer capital at this time. But ya got

2215
02:16:28,040 --> 02:16:34,720
Speaker 1: shake with your mother and you got all this killed

2216
02:16:36,560 --> 02:16:38,600
Speaker 1: CROs to that bridge. You're gonna get killed. Let's say

2217
02:16:38,959 --> 02:16:42,160
Speaker 1: you was blessed to know that much. Those with oys

2218
02:16:42,240 --> 02:16:44,560
Speaker 1: that couldn't see, they was getting caught up in it.

2219
02:16:45,080 --> 02:16:49,560
Speaker 1: Like the mentality at that time. We still fans up.

2220
02:16:50,000 --> 02:16:52,840
Speaker 1: It's just some of us who know what's really going

2221
02:16:52,920 --> 02:16:56,160
Speaker 1: on and something must you know, blind leading the blind sheep,

2222
02:16:56,400 --> 02:16:59,520
Speaker 1: some mus with she will. But like at the time,

2223
02:16:59,600 --> 02:17:07,040
Speaker 1: were they're trying to create our identity or you know, democratic,

2224
02:17:07,120 --> 02:17:11,240
Speaker 1: republican independent just us now you know what I'm saying,

2225
02:17:11,600 --> 02:17:16,640
Speaker 1: East west, South, you know, were trying to create that. Yeah,

2226
02:17:16,720 --> 02:17:19,800
Speaker 1: that's what we were trying to do then. Yeah, but

2227
02:17:20,040 --> 02:17:22,959
Speaker 1: you know when the reality of it, it was still

2228
02:17:23,120 --> 02:17:26,160
Speaker 1: the culture. But they hadn't already put those monkers in

2229
02:17:26,280 --> 02:17:30,960
Speaker 1: place and did because you gotta think like like like

2230
02:17:31,080 --> 02:17:32,360
Speaker 1: I said, I went to school with a lot of

2231
02:17:32,400 --> 02:17:37,000
Speaker 1: New York niggas. Niggas we've been up and down. Do

2232
02:17:37,080 --> 02:17:42,880
Speaker 1: you understand what I'm saying, And that's it, that's it right,

2233
02:17:43,320 --> 02:17:45,760
Speaker 1: they've been here far as I know. I always ran

2234
02:17:45,800 --> 02:17:54,960
Speaker 1: into a New York nigga to making these niggas a look,

2235
02:17:55,200 --> 02:17:57,119
Speaker 1: and being young, I didn't even know who was who

2236
02:17:57,240 --> 02:17:59,560
Speaker 1: until we got older. Then I started looking at the

2237
02:17:59,640 --> 02:18:03,480
Speaker 1: nigga Yeah, like I was knew that nigga Mama spoke Creole.

2238
02:18:03,480 --> 02:18:05,920
Speaker 1: I knew that nigga Mama spoke Spanish. I knew that

2239
02:18:06,160 --> 02:18:11,320
Speaker 1: nigga Mama smoked PATOI. But we was all the things

2240
02:18:11,400 --> 02:18:13,720
Speaker 1: I got in the until we get old, I see

2241
02:18:14,040 --> 02:18:19,320
Speaker 1: other family members. He started shaping starts the cheek balls.

2242
02:18:20,680 --> 02:18:29,920
Speaker 1: You don't know that that's comedy, right, like damn man. Yeah, yeah,

2243
02:18:30,520 --> 02:18:33,760
Speaker 1: So let me ask you, you me, you know, going

2244
02:18:33,800 --> 02:18:36,400
Speaker 1: through this interview and you're saying how West Coast was

2245
02:18:36,720 --> 02:18:40,000
Speaker 1: influence you on you. Was it was it Luke who

2246
02:18:40,080 --> 02:18:42,160
Speaker 1: came to you and said we gotta go out these

2247
02:18:42,240 --> 02:18:45,160
Speaker 1: West Coast guys or was it something you guys already

2248
02:18:45,200 --> 02:18:49,480
Speaker 1: did in Luke co sign. You're talking about a particular

2249
02:18:49,560 --> 02:18:52,280
Speaker 1: song faking like games with Cows in content, which one

2250
02:18:52,600 --> 02:18:56,400
Speaker 1: had that little era because see right, but Dreda came

2251
02:18:56,440 --> 02:19:01,200
Speaker 1: out first. Right, No, this is this this Gangsters we

2252
02:19:01,400 --> 02:19:04,360
Speaker 1: did on a little album. But we were talking about

2253
02:19:05,840 --> 02:19:09,840
Speaker 1: niggers in the industry period, you know, niggas faking like gangsters.

2254
02:19:10,080 --> 02:19:12,520
Speaker 1: Like even my lyrics was pretty vague. They were hard

2255
02:19:12,560 --> 02:19:18,600
Speaker 1: as him. Go listen, but it's pretty very pretty open

2256
02:19:18,720 --> 02:19:23,000
Speaker 1: like nigas faith you know, picture Nigga such. You know.

2257
02:19:23,360 --> 02:19:30,959
Speaker 1: So then before the record has done, because it's the record,

2258
02:19:32,360 --> 02:19:35,560
Speaker 1: these niggers, I know, they did a skit these things out,

2259
02:19:35,640 --> 02:19:39,400
Speaker 1: no and they they calling niggers out and I'm like

2260
02:19:40,200 --> 02:19:44,200
Speaker 1: the West Coast guys like. But me, I'm like, when

2261
02:19:44,280 --> 02:19:46,440
Speaker 1: we started doing that, we're part of like as far

2262
02:19:46,520 --> 02:19:49,720
Speaker 1: as I know, Luca, the niggas was cool. When portland

2263
02:19:49,800 --> 02:19:52,160
Speaker 1: Land got on, we was cool with them niggers. They

2264
02:19:52,280 --> 02:19:57,400
Speaker 1: was it was them doing the shows against the world. Okay,

2265
02:19:58,400 --> 02:20:00,480
Speaker 1: so I don't say nothing they I mean for that

2266
02:20:00,680 --> 02:20:03,760
Speaker 1: that's just funny. Man. Then Luke came in still like

2267
02:20:03,920 --> 02:20:08,160
Speaker 1: that night he heard it and he laughing. You know,

2268
02:20:08,320 --> 02:20:10,360
Speaker 1: she never liked but they had not made a disc

2269
02:20:10,440 --> 02:20:15,000
Speaker 1: towards Luke at this night. Yeah. Remember the record we

2270
02:20:15,120 --> 02:20:19,360
Speaker 1: did was vague. It wasn't calling nobody else right, you know,

2271
02:20:20,959 --> 02:20:24,320
Speaker 1: it might have been a last somewhere, but it was

2272
02:20:24,440 --> 02:20:27,600
Speaker 1: so vague. You know, you you're looking forward to you

2273
02:20:27,640 --> 02:20:31,360
Speaker 1: ain't you know what I'm saying? What I um When

2274
02:20:31,400 --> 02:20:34,400
Speaker 1: the record came out, it was like you anyway, Luke

2275
02:20:34,480 --> 02:20:37,080
Speaker 1: allowed it because ain't nobody got to say so, but

2276
02:20:37,640 --> 02:20:41,400
Speaker 1: Luke Countell, he allowed it to go. So when that

2277
02:20:41,520 --> 02:20:44,240
Speaker 1: record came out before that and that they know the

2278
02:20:44,360 --> 02:20:48,840
Speaker 1: next year and then they did because they like like

2279
02:20:49,160 --> 02:20:58,000
Speaker 1: you and that that would have never happened if here

2280
02:20:58,160 --> 02:21:02,520
Speaker 1: said now, we're not doing that. But but I also

2281
02:21:02,720 --> 02:21:06,040
Speaker 1: heard him and them and them talking and they were

2282
02:21:06,080 --> 02:21:10,720
Speaker 1: talking about yeah concert concert like pay per review. In

2283
02:21:10,879 --> 02:21:13,040
Speaker 1: my mind, I'm not thinking that. Say I'm still young

2284
02:21:13,120 --> 02:21:17,000
Speaker 1: and I'm with the bullshit. I'm not thinking I'm like, nigga,

2285
02:21:17,040 --> 02:21:21,680
Speaker 1: how are you going? And then like y'all played, Yeah,

2286
02:21:21,879 --> 02:21:25,120
Speaker 1: y'all Niggs played too, because I'm serious, I'm gonna stay first,

2287
02:21:25,160 --> 02:21:27,400
Speaker 1: you know. And the first interview they had a K's

2288
02:21:27,440 --> 02:21:29,040
Speaker 1: on there like it was like not the people to

2289
02:21:29,080 --> 02:21:32,560
Speaker 1: play with and it was all that. But then the

2290
02:21:32,680 --> 02:21:37,480
Speaker 1: Niggs was cool, man, The Knigs was cool, respecting each

2291
02:21:37,520 --> 02:21:40,800
Speaker 1: other's ass because I don't care how many holes and

2292
02:21:40,959 --> 02:21:43,480
Speaker 1: buy ready for the front of looting them. Getta stop

2293
02:21:43,600 --> 02:21:47,240
Speaker 1: dj that the count was dead around. I witnessed that

2294
02:21:47,480 --> 02:21:52,680
Speaker 1: on too little like mother to him. I'm there, I

2295
02:21:52,840 --> 02:21:54,879
Speaker 1: was there. I was off the ports. I was there

2296
02:21:55,280 --> 02:21:59,240
Speaker 1: eighty nine. But anyway, the way that started, I think

2297
02:22:01,000 --> 02:22:04,480
Speaker 1: it shouldn't never started. It did. It did, but I

2298
02:22:04,640 --> 02:22:07,119
Speaker 1: was I was with my guy. You know what I'm saying,

2299
02:22:08,080 --> 02:22:10,200
Speaker 1: roll with Luca. Yeah, I was rolling. But he got

2300
02:22:10,280 --> 02:22:13,320
Speaker 1: the funny part of that because being that I knew

2301
02:22:13,360 --> 02:22:15,720
Speaker 1: how it started, you do it that kind of little

2302
02:22:15,959 --> 02:22:18,440
Speaker 1: a little bit. I wasn't with it at first. I

2303
02:22:18,640 --> 02:22:21,360
Speaker 1: was like, he tried three or fold. Then I just

2304
02:22:21,400 --> 02:22:24,760
Speaker 1: gave him a number, but he paid that number. Wait

2305
02:22:24,840 --> 02:22:29,760
Speaker 1: what period? Yeah, I said it, say it again again.

2306
02:22:30,040 --> 02:22:32,200
Speaker 1: At first I wasn't with it, and then I gave

2307
02:22:32,280 --> 02:22:35,200
Speaker 1: him a number and they're like, I'm getting that. Then

2308
02:22:35,240 --> 02:22:38,760
Speaker 1: I did my verses. I tried three or fold niggers,

2309
02:22:38,800 --> 02:22:41,640
Speaker 1: but they couldn't bring it home like then, like they

2310
02:22:41,720 --> 02:22:44,400
Speaker 1: were gonna bring it home and make it respectable. And

2311
02:22:44,480 --> 02:22:53,160
Speaker 1: the count in my line right check you understand. Understand.

2312
02:22:53,200 --> 02:22:55,520
Speaker 1: But because I wasn't gonna do it, because I knew

2313
02:22:55,560 --> 02:22:57,320
Speaker 1: it was. It was really some fun ship and it

2314
02:22:57,440 --> 02:22:59,760
Speaker 1: was like, damn, but I liked them niggas music. But

2315
02:23:00,320 --> 02:23:03,600
Speaker 1: but they against you. Boy, you gotta roll with the grid,

2316
02:23:03,840 --> 02:23:06,680
Speaker 1: you show you we gotta suck them up. Let's just

2317
02:23:07,280 --> 02:23:09,640
Speaker 1: cut off their lights for a week. You know what

2318
02:23:09,640 --> 02:23:13,240
Speaker 1: I'm saying, Let's not kill them something like that. I'm

2319
02:23:13,280 --> 02:23:16,840
Speaker 1: just you gotta be with me, man check. Yeah. But

2320
02:23:16,920 --> 02:23:19,560
Speaker 1: that's all though, So you know I did it, you know,

2321
02:23:19,760 --> 02:23:25,560
Speaker 1: and that was that what we're talking about? How started? Yeah? Yeah, yeah, yeah, yeah,

2322
02:23:26,240 --> 02:23:29,480
Speaker 1: yeah yeah. But you know, the Niggers was cool. So

2323
02:23:29,760 --> 02:23:32,959
Speaker 1: after the record comes out, how do y'all become American?

2324
02:23:33,360 --> 02:23:36,520
Speaker 1: Will believe with them? Like, how do y'all squad? Thank god?

2325
02:23:36,600 --> 02:23:40,160
Speaker 1: Everybody was still players. And then when Easy and that

2326
02:23:40,480 --> 02:23:45,959
Speaker 1: role was beating. Actually, recall Luke on the phone, We're

2327
02:23:46,080 --> 02:23:48,480
Speaker 1: Easy talking mar Or you know, I'm like, yeah, and

2328
02:23:48,600 --> 02:23:51,240
Speaker 1: that's the first time I heard that pay per view

2329
02:23:51,320 --> 02:23:55,720
Speaker 1: show game because I'm like, no, alright, boom here gonna

2330
02:23:55,800 --> 02:24:00,200
Speaker 1: gangs you one that nobody knows ball? Where are you at? Uh?

2331
02:24:01,920 --> 02:24:04,720
Speaker 1: The video to don't sleep on the heels or push

2332
02:24:04,800 --> 02:24:08,560
Speaker 1: it back? That's in California, that's ninety three, that's at

2333
02:24:08,640 --> 02:24:13,520
Speaker 1: the same set. Way Easy did this rugular dreading them

2334
02:24:13,560 --> 02:24:15,840
Speaker 1: the same ruga dreading them did what they had to

2335
02:24:15,920 --> 02:24:21,880
Speaker 1: sign when we're in the same studio. It cost me

2336
02:24:21,959 --> 02:24:26,800
Speaker 1: an extra ten thousand to fly to l A to

2337
02:24:26,920 --> 02:24:29,680
Speaker 1: do it like, because we're in the height of the beef.

2338
02:24:30,320 --> 02:24:33,080
Speaker 1: That's how crazy it was the young niggas, right, yeah,

2339
02:24:33,120 --> 02:24:35,200
Speaker 1: well you can say ten thousand here, do it here.

2340
02:24:35,280 --> 02:24:37,280
Speaker 1: We just created it. But if you fly out to

2341
02:24:37,360 --> 02:24:40,600
Speaker 1: CALLI in the height of his beef you say ten thousand,

2342
02:24:41,400 --> 02:24:44,240
Speaker 1: I'm like, what, let's go say the money, not knowing

2343
02:24:44,520 --> 02:24:46,240
Speaker 1: that I wasn't getting none of that money anyway. But

2344
02:24:46,400 --> 02:24:48,800
Speaker 1: you gotta have got killed. I could have got kisses.

2345
02:24:50,879 --> 02:24:52,480
Speaker 1: We have to. We had a MAT twelve and the

2346
02:24:52,600 --> 02:24:56,840
Speaker 1: nine and something else under the plane. You can fly

2347
02:24:57,000 --> 02:24:59,080
Speaker 1: back then with yeah, well you gotta report. You gotta

2348
02:24:59,120 --> 02:25:01,280
Speaker 1: let them know what you got. You can shut on

2349
02:25:01,400 --> 02:25:03,920
Speaker 1: the plane. Yeah, we were doing that way back then.

2350
02:25:04,600 --> 02:25:07,240
Speaker 1: So we're there. So I'm still like this, but now

2351
02:25:07,280 --> 02:25:09,760
Speaker 1: you gotta think that's still got extras and everybody else.

2352
02:25:10,280 --> 02:25:14,080
Speaker 1: But it was so it was just stupid. But see,

2353
02:25:14,120 --> 02:25:16,720
Speaker 1: the game wasn't what it was today because the day

2354
02:25:17,160 --> 02:25:22,000
Speaker 1: was social media. Many shut out shut down for tenth

2355
02:25:22,080 --> 02:25:25,840
Speaker 1: out now, but we're talking about nine three three, you

2356
02:25:25,840 --> 02:25:32,080
Speaker 1: know what I'm saying. Yeah, the game I'm just I'll

2357
02:25:32,120 --> 02:25:37,039
Speaker 1: tell you, niggas, I survived in the era going through

2358
02:25:37,040 --> 02:25:42,080
Speaker 1: a lot of ship and it's still it survived because yeah,

2359
02:25:42,120 --> 02:25:45,400
Speaker 1: I mean it could have been couldn't really go. I mean,

2360
02:25:45,440 --> 02:25:49,480
Speaker 1: if you're thinking about life. But but I was sent

2361
02:25:49,600 --> 02:25:53,520
Speaker 1: out now like all right, yeah, mr account and that

2362
02:25:53,720 --> 02:25:55,720
Speaker 1: my little niggas. I wouldn't even offer you that I

2363
02:25:55,760 --> 02:25:57,720
Speaker 1: ought to pay the tent out to keep you with me.

2364
02:25:58,440 --> 02:26:00,640
Speaker 1: I wouldn't have said making you can knowing I'm not

2365
02:26:00,720 --> 02:26:07,440
Speaker 1: going to give you them ten thousand. Oh that's fun. See,

2366
02:26:07,480 --> 02:26:11,160
Speaker 1: I'm thinking that's some new ship, right, but I'm here,

2367
02:26:11,480 --> 02:26:16,080
Speaker 1: I'm gonna laugh. So what for you? You know, I'm

2368
02:26:16,120 --> 02:26:19,280
Speaker 1: doing my R and B album, man saying I think

2369
02:26:19,320 --> 02:26:22,480
Speaker 1: he's serious about Listen, I'm gonna do a bunch of

2370
02:26:22,560 --> 02:26:25,960
Speaker 1: B movies. I'm gonna ride this is on the Dollar ship,

2371
02:26:26,080 --> 02:26:30,920
Speaker 1: the Chilling circuit to the motherfucker will busy. I just

2372
02:26:30,959 --> 02:26:33,880
Speaker 1: say the Chiling circuit. All that they love me, They

2373
02:26:33,959 --> 02:26:38,720
Speaker 1: love me like Chiling. I like the chicklingt circuit. But

2374
02:26:39,720 --> 02:26:41,400
Speaker 1: we understand that if I was to go back and

2375
02:26:41,480 --> 02:26:44,480
Speaker 1: do shows, I would do the chi. They love is organic,

2376
02:26:45,160 --> 02:26:51,160
Speaker 1: it's genuine his hood. Yeah right now, you know when

2377
02:26:51,320 --> 02:26:54,360
Speaker 1: we get dollar love, you know what I'm saying, it

2378
02:26:54,520 --> 02:26:57,880
Speaker 1: was helped. But when when it's Darris there now, can't

2379
02:26:57,920 --> 02:27:03,360
Speaker 1: take it, can't take what is. But if they don't,

2380
02:27:03,440 --> 02:27:06,400
Speaker 1: if you don't feed them enough, you know, they lose interest.

2381
02:27:06,520 --> 02:27:09,200
Speaker 1: You know humans, you know short attention span, you know

2382
02:27:09,920 --> 02:27:12,240
Speaker 1: regular people. You know what I'm saying. We're superheroes out

2383
02:27:12,280 --> 02:27:15,879
Speaker 1: there and at something. We got people. Let me stop.

2384
02:27:18,120 --> 02:27:20,760
Speaker 1: Got loyal fan base that that's never gonna go. A

2385
02:27:20,800 --> 02:27:23,080
Speaker 1: lot of artists don't go. I want to be forward.

2386
02:27:23,080 --> 02:27:25,600
Speaker 1: I like this just a bleading because I'm sure the

2387
02:27:25,760 --> 02:27:30,400
Speaker 1: only all right if I didn't have them, picture me rolling?

2388
02:27:30,600 --> 02:27:32,640
Speaker 1: Can't you see me? We're gonna nine and you see

2389
02:27:32,640 --> 02:27:36,160
Speaker 1: me at somebody death? That somebody? How you see me? Man?

2390
02:27:37,000 --> 02:27:44,880
Speaker 1: How did you me rolling? I ain't gonna lie. This

2391
02:27:45,000 --> 02:27:48,480
Speaker 1: ship has been so beautiful. We're glad we had gotta

2392
02:27:48,520 --> 02:27:54,800
Speaker 1: give you a flowers. My brother, take one more. Let

2393
02:27:54,840 --> 02:27:56,800
Speaker 1: me finish my ship. Porto Rican Holob. I ain't taking

2394
02:27:57,040 --> 02:28:00,600
Speaker 1: Did I miss one? Did you go without me? Oh?

2395
02:28:01,160 --> 02:28:03,280
Speaker 1: I got it? No? No, no, no, that's about regular drink.

2396
02:28:03,640 --> 02:28:07,840
Speaker 1: I just don't want to regular drink officially my last

2397
02:28:08,320 --> 02:28:12,240
Speaker 1: I can't not do it. But JT money, let me

2398
02:28:12,320 --> 02:28:17,480
Speaker 1: tell you something. We got our friend Garcia. He doesn't

2399
02:28:17,520 --> 02:28:22,800
Speaker 1: come out for nobody, and he came out because a

2400
02:28:22,879 --> 02:28:27,400
Speaker 1: real three five nigger trail five pet that up, Won't

2401
02:28:27,920 --> 02:28:31,480
Speaker 1: you know what I mean? Little to day county day counting.

2402
02:28:33,440 --> 02:28:36,640
Speaker 1: Love y'all, y'all, and you you're a real one. Hold on,

2403
02:28:36,760 --> 02:28:40,280
Speaker 1: you're a real one and you deserve every accolady, and

2404
02:28:40,320 --> 02:28:42,360
Speaker 1: this is your house. You won't come in here and

2405
02:28:42,600 --> 02:28:46,080
Speaker 1: how you told about other niggas too, But this time

2406
02:28:46,160 --> 02:28:48,120
Speaker 1: is about giving you your flowers. But I feel like

2407
02:28:48,200 --> 02:28:51,600
Speaker 1: you you you. I'm gon you start your own podcast

2408
02:28:51,680 --> 02:28:59,120
Speaker 1: as well. It's gonna be disputed by drink chance. Do that.

2409
02:28:59,240 --> 02:29:04,840
Speaker 1: We do that, Invite me home and we'll do that

2410
02:29:04,959 --> 02:29:08,120
Speaker 1: because I'm gonna tell a man love. Hold on, I'm

2411
02:29:08,120 --> 02:29:13,160
Speaker 1: gonna bathroom cause I was holding my ship north training

2412
02:29:13,240 --> 02:29:20,360
Speaker 1: for that. Oh yeah, come on, come on, come on. Yeah.

2413
02:29:22,200 --> 02:29:24,600
Speaker 1: Thanks for joining us for another episode of Drink Champs

2414
02:29:24,680 --> 02:29:27,040
Speaker 1: hosted by Yours truly, d J E f N and

2415
02:29:27,240 --> 02:29:29,280
Speaker 1: n O r E. Please make sure to follow us

2416
02:29:29,320 --> 02:29:32,560
Speaker 1: on all our socials. Let's add Drink Champs across all platforms.

2417
02:29:33,120 --> 02:29:36,560
Speaker 1: At the Real Noriegan I g at Noriega on Twitter.

2418
02:29:37,000 --> 02:29:39,960
Speaker 1: Mine is at Who's Crazy on I g at d

2419
02:29:40,120 --> 02:29:42,680
Speaker 1: j e f N on Twitter, and most importantly, stay

2420
02:29:42,760 --> 02:29:45,720
Speaker 1: up to date with the latest releases, news and merch

2421
02:29:45,920 --> 02:29:47,840
Speaker 1: by going to drink Champs dot com