WEBVTT - "Chucky"

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<v Speaker 1>Hold on, hold on, I rather kick you with Rory

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<v Speaker 1>sud be the hardest to keep in the boat. So

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<v Speaker 1>why would you wait every day? Still? It's too because

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<v Speaker 1>I know for faces they're gonna say, we're so I

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<v Speaker 1>bade my call on the station. Ain't know, not anxious.

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<v Speaker 1>I'm waiting on them to go live if it ain't

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<v Speaker 1>them in all right in the sidace, I promise that

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<v Speaker 1>no one can do what they do. It's like hundreds

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<v Speaker 1>of station. That's Aaron, But I'd rather listen to are Sue?

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<v Speaker 1>Are we in? Sup sup a soup a sup wor

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<v Speaker 1>so a sup sup boran sup so Ocome to the

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<v Speaker 1>Bawler Alert Show starting for Ry Simmons and Sue Solo. Yes, sir,

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<v Speaker 1>welcome to the Fall Alert Show podcast. I go by

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<v Speaker 1>the day with pit cifics and it's your best friend.

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<v Speaker 1>Sue Solo, Welcome to the Ball Show Podcast. You ready

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<v Speaker 1>to get into it? That's good in case you missed it. Alright,

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<v Speaker 1>chall So if you believe that racism is taught, then

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<v Speaker 1>I would agree. A nine year old Caucasian shall had

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<v Speaker 1>a few words for her school board after seeing Black

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<v Speaker 1>Lives Matters posters on campus. Listen to this little child.

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<v Speaker 1>I looked up onto the wall and saw a BLM

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<v Speaker 1>poster and an Amanda Gorman poster. And least you don't

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<v Speaker 1>know who that chick is. She's some girl who did

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<v Speaker 1>a poem that Biden so called inauguration. I was so mad.

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<v Speaker 1>Does not matter the color you make the posters and

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<v Speaker 1>the font you use, we all understand the meaning. It

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<v Speaker 1>is a political message about getting rid of police officers rioting,

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<v Speaker 1>burning buildings down while King Governor Walts just sits on

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<v Speaker 1>his throne and watches Yo, the micro water. Listen, the

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<v Speaker 1>micro aggression in her voice is absolutely little girl, you

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<v Speaker 1>know who that chick is? Okay, Now, the fact that

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<v Speaker 1>she is so mad and so sure she even knows

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<v Speaker 1>what the Black Lives Matter movement is actually about really

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<v Speaker 1>tells us a lot about her upbringing. And I'm just

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<v Speaker 1>gonna say this because I really don't care. It's sad, Okay,

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<v Speaker 1>it is sad. Your mama and your daddy is sad,

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<v Speaker 1>all right. Now, moving on. I interviewed Rapper to See

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<v Speaker 1>not too long ago, and you know what, he was

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<v Speaker 1>as cool as hell. He seemed to have his head

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<v Speaker 1>on straight. And like me, he's a bit of a

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<v Speaker 1>conspiracy theorist. But I did not see this one coming. Y'all.

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<v Speaker 1>Listen to what he said about pop Eyes. Why after

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<v Speaker 1>the Popeye's chicken said, which came out A pandemic was

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<v Speaker 1>a thing. That will tell me did the world not

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<v Speaker 1>go in a hole? What's Popeye? Alright? Boom, We're gonna

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<v Speaker 1>kill Papa's all right. It's a lot of black folks

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<v Speaker 1>that I actually never had it, and that's probably why

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<v Speaker 1>I never got the covids. I mean, Tucy might be right.

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<v Speaker 1>I had a young gripper from here. Okay, now, so listen.

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<v Speaker 1>At this point, it really is just whatever you believe

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<v Speaker 1>about the global pandemic, because everybody just saying whatever you

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<v Speaker 1>want to say. All right, that is what's new with Sue.

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<v Speaker 1>In case you missed it, We'll be right back. Stay

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<v Speaker 1>tuned with more of the Baller Alert Show. Back to

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<v Speaker 1>the Baller Alert Show start. Ferrori Simmons and Sue Solo

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<v Speaker 1>Faller Nation joined us in welcoming and American producer who

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<v Speaker 1>was a known hit man. Amongst the hit man that

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<v Speaker 1>helped make music Moogo Shaan Kom's bad Boy Records of Vibe,

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<v Speaker 1>A man who's behind some of our favorite classics behind

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<v Speaker 1>the notorious B I. G. Faith Evans, V. Mary J.

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<v Speaker 1>Blige and more, Ball the Nations. Snap your fingers or

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<v Speaker 1>clap your hands for Chucky Man. Let's dope to be here.

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<v Speaker 1>Appreciate it. How you feeling today's sir? And I'm good

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<v Speaker 1>man anticipating this when you know what I'm saying. Ball

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<v Speaker 1>Alert is like one of my favorite spots, you know

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<v Speaker 1>what I mean. So, Chucky, you've been in the game

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<v Speaker 1>since the nineties, the early nineties at that you have

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<v Speaker 1>a crazy resume. What are some of the classics that

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<v Speaker 1>people may know you for and don't know that you

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<v Speaker 1>had anything to do with them. I mean one of

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<v Speaker 1>the biggest ones would be Big Cooper, you know what

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<v Speaker 1>I mean? Um, and then My Life you know that one. Um,

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<v Speaker 1>But then a lot of people don't realize I did one,

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<v Speaker 1>Mike so Nas you know, Wow, that's one of the

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<v Speaker 1>biggest songs ever. Yeah, but I mean, you know it's

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<v Speaker 1>you know, I've always been a little key with it,

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<v Speaker 1>you know what I mean. Um, So it's you know,

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<v Speaker 1>it's partly my fault that people don't know these things.

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<v Speaker 1>But I mean they know the records, and you know

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<v Speaker 1>these records have been a part of of hip hop

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<v Speaker 1>and pop culture. So you know, I just feel good

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<v Speaker 1>about that that that my contributions have helped, you know,

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<v Speaker 1>push this thing along, you know. All right, So so

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<v Speaker 1>paint the picture for me. It's the nineties. You know,

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<v Speaker 1>you're talented, you know your how the help to become

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<v Speaker 1>a hitman at that um well, you know, it was

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<v Speaker 1>a mutual friend that that kind of pushed the situation

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<v Speaker 1>with me and Puff, And you know, at that time,

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<v Speaker 1>I was just submitting songs and one of those songs

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<v Speaker 1>was the one song that Mary liked, which was to

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<v Speaker 1>be with You record. So you know I heard at

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<v Speaker 1>that time she was just picking a bunch of songs

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<v Speaker 1>and nothing really attracted her, but that one song came

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<v Speaker 1>in and was like, yo, I want to do this.

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<v Speaker 1>So that's when Puff really said, you know what, let

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<v Speaker 1>me get ready. We we decided on a management agreement,

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<v Speaker 1>so you know, he was my manager. But then you

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<v Speaker 1>know a lot of the work that I was getting

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<v Speaker 1>was worked to help him solidify himself as a producer.

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<v Speaker 1>So we kind of made that pack that you know,

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<v Speaker 1>we're helping each other, you know, and you know, that's

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<v Speaker 1>pretty much how the story started. I was really the

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<v Speaker 1>first one. Uh you know son he was working with

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<v Speaker 1>a couple of producers at that time. You know, EASYMBI

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<v Speaker 1>was in a situation. Um Rashard tumming on Dice was

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<v Speaker 1>in the situation. But you know, I was the first

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<v Speaker 1>one that was kind of signed under management. So you know,

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<v Speaker 1>when I got there, it was just like okay, I

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<v Speaker 1>got this DC thing, this hospitality thing, and I played

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<v Speaker 1>like eight different instruments, so I started going around the

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<v Speaker 1>different sessions and just contribute, you know. But that was

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<v Speaker 1>also getting me on projects. So when you hear the

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<v Speaker 1>guitars on Ready to Die, that's me with easy Mobile,

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<v Speaker 1>you know what I'm saying. So, like, you know, it

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<v Speaker 1>started from there pretty much. Wait wait wait, wait, let

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<v Speaker 1>me interrupt. Let me interjet because this sounds really good

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<v Speaker 1>and it sounds like you have been making a lot

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<v Speaker 1>of money. So I want to ask you what was

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<v Speaker 1>the biggest first check that you got and how much

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<v Speaker 1>was it and what the hell did you do with it?

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<v Speaker 1>Go with that, man, I mean, it was when I

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<v Speaker 1>signed my publishing agreement, you know what I mean, when

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<v Speaker 1>I signed with Sony and um, you know at that time,

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<v Speaker 1>you know, step over the mouth, don't skip over the

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<v Speaker 1>mouth truck. It was it was, it was, you know,

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<v Speaker 1>my first million dollars came from Badward. You know that

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<v Speaker 1>that was you know, our agreement, like Puff felt that

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<v Speaker 1>strongly about the union that you know at that time

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<v Speaker 1>for me to be a new producer coming in the game,

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<v Speaker 1>and you know, that was my contract. And then from

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<v Speaker 1>there it was the publishing Tony Publishing, which I just

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<v Speaker 1>re read did my agreement with Big John over there?

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<v Speaker 1>So shout out the Big John and all of the

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<v Speaker 1>people over that, Sony, you know what I'm saying. So yeah,

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<v Speaker 1>I gotta kicked in, you know what I mean. And

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<v Speaker 1>the crazy thing is a million dollars then was was

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<v Speaker 1>a little more than a million dollars. Now, yeah, real

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<v Speaker 1>real talk, real talk. But you know it's like I said,

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<v Speaker 1>a lot of it had to do with that that

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<v Speaker 1>that trust, you know what I mean, because you don't

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<v Speaker 1>just signing people and giving them that type of a

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<v Speaker 1>situation if you don't think that it's going to work

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<v Speaker 1>out or think that you know, you're capable of making

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<v Speaker 1>it happen with them. So I still got to get

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<v Speaker 1>a puffle out of credit for just seeing, you know,

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<v Speaker 1>seeing seeing something to me that I probably didn't even

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<v Speaker 1>seeing myself at that time because you know, I'm coming

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<v Speaker 1>from d C. You know, he was in the game.

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<v Speaker 1>I'm trying to get there, you know, and that was

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<v Speaker 1>just the startup. So that was a dope to me,

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<v Speaker 1>like one of the dopest stars, you know, to get

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<v Speaker 1>it kicked in. Yeah. I can't imagine it could have gotten, honestly,

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<v Speaker 1>any bigger than that at that time, especially being in

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<v Speaker 1>black culture because he was he was the man, he

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<v Speaker 1>was real talk. I mean, you know, I was just

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<v Speaker 1>I was lucky, you know to have had uh, somebody

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<v Speaker 1>because did anything about it. At that time, it was

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<v Speaker 1>no Internet. It was really no way to get to

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<v Speaker 1>people other than for you to actually meet them and

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<v Speaker 1>then you have to actually you know, meet them in

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<v Speaker 1>a way where they want to even deal with you.

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<v Speaker 1>You know what I'm saying. It was a weird time,

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<v Speaker 1>but I was lucky enough to have somebody there to

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<v Speaker 1>kind of like, you know, at least have a bridge

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<v Speaker 1>into it. Um and it got that song placed and

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<v Speaker 1>you know the rest of the rest kicked it in.

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<v Speaker 1>That was it. That was history, you know, Chuck, Chuck,

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<v Speaker 1>I got a question. I know you have a Biggie

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<v Speaker 1>story that you can tell us, because you know, I

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<v Speaker 1>grew up listening to bigg He never met him. I

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<v Speaker 1>was a kid when he passed away. Um. You know,

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<v Speaker 1>so I kind of was. I kind of came in.

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<v Speaker 1>I mean, he had a short career anyway. But at

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<v Speaker 1>the same time, you know, I kind of didn't realize

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<v Speaker 1>or understand why he died, you know, because I was

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<v Speaker 1>a kid. Um. I know you have a story to

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<v Speaker 1>tell us about you in the studio with Biggie or

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<v Speaker 1>come on, man, give us some Yeah. Yeah, I mean,

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<v Speaker 1>let's let's let's let's talk about I almost didn't make. Um,

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<v Speaker 1>I almost didn't make Life after Death. Um. At that

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<v Speaker 1>particular time for me, I was work and on my artists.

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<v Speaker 1>I had an artist signed the Effort. It's a guy

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<v Speaker 1>named Frankie. And I was just trying to devote my time,

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<v Speaker 1>you know, watching Pump and seeing how much Heed to

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<v Speaker 1>vote at his time in the building this company. I

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<v Speaker 1>wanted to put that same energy into mine, you know.

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<v Speaker 1>And at that time I was just focused on that,

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<v Speaker 1>and I had went into the studio. I think I

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<v Speaker 1>went to Daddy's house to grab something and Big was

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<v Speaker 1>in the other room. He sent somebody in there to

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<v Speaker 1>talk to me, like you're big one. The haul is

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<v Speaker 1>shoot and say okay, So I go in there. This

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<v Speaker 1>is right after the accident, sees he got the cane

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<v Speaker 1>and all that. So I walked in. He's like, yo,

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<v Speaker 1>what's up man, You ain't doing nothing on my album,

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<v Speaker 1>like he was closing out the Life After Death album.

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<v Speaker 1>So I was like, no, I even like that. He said,

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<v Speaker 1>come on you. I was like, first off, you got

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<v Speaker 1>one of the biggest records on my last album, so

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<v Speaker 1>it's gonna look real funny that you don't have nothing

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<v Speaker 1>on this. So I'm about to take offense if you don't.

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<v Speaker 1>You know, if you don't jump on this record, we

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<v Speaker 1>might have me issues. So I you know, he's that

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<v Speaker 1>real that he pulled me up, you know what I mean.

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<v Speaker 1>So I said, cool, let me let me finally sit

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<v Speaker 1>with Puff and kind of here what what was happening?

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<v Speaker 1>And he played me a bunch of records and he

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<v Speaker 1>played Storytell and if you go online, it's an original

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<v Speaker 1>version of it um and they couldn't clear that sample.

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<v Speaker 1>So I was like, okay, so that's my end, I

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<v Speaker 1>was saying. So I was I'll replay this sample. And

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<v Speaker 1>get us through the door. So I basically it was

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<v Speaker 1>it was a night of the Grammys. I'm in the

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<v Speaker 1>studio with a big boats I on, you know what

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<v Speaker 1>I mean, like just finishing it up because they're closing

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<v Speaker 1>it out. If it doesn't happen tonight, it's not gonna happen.

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<v Speaker 1>So I finished that up. And you know the sad

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<v Speaker 1>part is I never really got to talk to Big

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<v Speaker 1>to see how he felt about it, you know, but

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<v Speaker 1>I know it made the record, so um you know,

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<v Speaker 1>all of that stuff kicked in like like right after

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<v Speaker 1>you know, um man that story to tell kid flow down.

0:12:00.040 --> 0:12:04.679
<v Speaker 1>Remember that's one, Remember that one? So chucky. At the time,

0:12:04.800 --> 0:12:07.320
<v Speaker 1>did you know that you were working with not only

0:12:08.120 --> 0:12:13.000
<v Speaker 1>classic music, but classic artists? I mean, yeah, It's like

0:12:13.679 --> 0:12:17.040
<v Speaker 1>it's funny with me because I get personal with people,

0:12:17.080 --> 0:12:20.720
<v Speaker 1>you know. When you know Big and and we used

0:12:20.760 --> 0:12:23.400
<v Speaker 1>to hang out all the time, you know what I mean.

0:12:23.480 --> 0:12:26.439
<v Speaker 1>I remember him having issues with Safe. You know what

0:12:26.480 --> 0:12:29.080
<v Speaker 1>I'm saying, I'm coming to be like dope, I want

0:12:29.080 --> 0:12:31.280
<v Speaker 1>to fix my marriage Joe, And I'm like, come on, man,

0:12:31.360 --> 0:12:34.640
<v Speaker 1>you out here and how are home coming? Going nuts?

0:12:34.720 --> 0:12:36.920
<v Speaker 1>And you're tik about fixing your marriage. Come on church,

0:12:37.200 --> 0:12:39.600
<v Speaker 1>you know what I'm saying. So going nuts? Like how

0:12:40.720 --> 0:12:42.960
<v Speaker 1>I mean, he was big. You've seen what it was

0:12:43.480 --> 0:12:45.240
<v Speaker 1>he you know he was a gym or not. I

0:12:45.240 --> 0:12:50.280
<v Speaker 1>mean big was I mean he got married because he

0:12:50.400 --> 0:12:54.840
<v Speaker 1>loved her, but he was big because he was big.

0:12:54.960 --> 0:12:57.000
<v Speaker 1>So it was just you know, he was that player.

0:12:57.040 --> 0:12:58.520
<v Speaker 1>He had that in them, you know what I mean.

0:12:58.679 --> 0:13:01.960
<v Speaker 1>And and and that's was the thing that broke them up.

0:13:02.040 --> 0:13:04.199
<v Speaker 1>You know what I'm saying, that that's the part that

0:13:04.200 --> 0:13:07.160
<v Speaker 1>that killed it. But you know, I'm I'm hearing all

0:13:07.200 --> 0:13:09.080
<v Speaker 1>of these stories and I'm catching the vibe. So, like

0:13:09.120 --> 0:13:12.360
<v Speaker 1>I said, I was around, I was around people in

0:13:12.480 --> 0:13:16.280
<v Speaker 1>different lights. You know. USh it was only what seventeen

0:13:16.320 --> 0:13:19.839
<v Speaker 1>and something crazy, you know, But he was in the house,

0:13:19.880 --> 0:13:21.679
<v Speaker 1>you know what I mean. Mary, you would hang with

0:13:21.720 --> 0:13:24.679
<v Speaker 1>her and we're having so much fun. And then she

0:13:24.800 --> 0:13:27.040
<v Speaker 1>get on the microphone and then we realized, Wait, aut

0:13:27.120 --> 0:13:29.880
<v Speaker 1>job was hanging with Mary. You know what I'm saying.

0:13:29.920 --> 0:13:32.400
<v Speaker 1>Like I didn't realize it until I realized it. But

0:13:32.880 --> 0:13:36.480
<v Speaker 1>you could feel the part about them just being real people.

0:13:36.600 --> 0:13:39.200
<v Speaker 1>You know, if you if we don't know nothing else

0:13:39.240 --> 0:13:41.840
<v Speaker 1>about these artists, we liked them because of that you know,

0:13:42.400 --> 0:13:45.640
<v Speaker 1>and that's really what it was. Just being around family.

0:13:45.720 --> 0:13:49.440
<v Speaker 1>You know, puff created this energy where it was just

0:13:49.520 --> 0:13:53.319
<v Speaker 1>like young black up and coming like the next That's

0:13:53.360 --> 0:13:55.520
<v Speaker 1>all that was around. Is everybody that was a Craig

0:13:55.600 --> 0:13:58.760
<v Speaker 1>mac over here, like everybody around was on their up.

0:13:59.440 --> 0:14:03.480
<v Speaker 1>So it was it was a blessing to come into

0:14:03.480 --> 0:14:07.440
<v Speaker 1>a situation like that. Because it's question we all got

0:14:07.440 --> 0:14:10.840
<v Speaker 1>that vibe. Okay, question, if you had to give us

0:14:10.920 --> 0:14:12.840
<v Speaker 1>your top five and you know we have a lot

0:14:12.880 --> 0:14:15.640
<v Speaker 1>of listeners on the Ball the Show podcast, if you

0:14:15.679 --> 0:14:17.880
<v Speaker 1>had to give it us your top five of the

0:14:17.920 --> 0:14:20.480
<v Speaker 1>records that you had something to do with or do

0:14:20.560 --> 0:14:22.800
<v Speaker 1>you have a top five? Or is this is gonna

0:14:22.800 --> 0:14:25.200
<v Speaker 1>be hard for you to say. I mean it's you

0:14:25.200 --> 0:14:27.680
<v Speaker 1>know what, it probably won't be what most people would

0:14:27.680 --> 0:14:30.440
<v Speaker 1>think would be my top five. You know what, Let's

0:14:30.440 --> 0:14:33.040
<v Speaker 1>brag a little bit. Let's brag. Come on, give us,

0:14:33.040 --> 0:14:35.080
<v Speaker 1>give us, give us a list, give us about ten

0:14:35.160 --> 0:14:37.800
<v Speaker 1>records you have something to do with Bonnie and Sean,

0:14:38.320 --> 0:14:42.640
<v Speaker 1>with Sean, you know, can't you see what total Dey're wrong?

0:14:42.720 --> 0:14:45.680
<v Speaker 1>Would be one of my favorite records. Like I said,

0:14:45.720 --> 0:14:48.080
<v Speaker 1>I got records that people probably wouldn't recognize that they

0:14:48.120 --> 0:14:49.760
<v Speaker 1>need to go back and here it's a song called

0:14:49.840 --> 0:14:53.720
<v Speaker 1>rest of My Life with nas and the final one

0:14:53.760 --> 0:14:56.320
<v Speaker 1>would be Another one that most people don't understand is

0:14:56.400 --> 0:14:59.480
<v Speaker 1>Chuck Baby. I produced the record with Chuck Brown Soul

0:14:59.520 --> 0:15:03.160
<v Speaker 1>searches down here in d C. And um, you know

0:15:03.320 --> 0:15:06.040
<v Speaker 1>it's like a d C classes, you know. But I'm

0:15:06.080 --> 0:15:09.600
<v Speaker 1>super proud of that record. That's like total total record

0:15:09.680 --> 0:15:13.960
<v Speaker 1>was a big record. Yeah, man, I mean shot off

0:15:13.960 --> 0:15:17.040
<v Speaker 1>to Rashard Tumblin Dice he you know, it was like

0:15:17.080 --> 0:15:20.160
<v Speaker 1>a synergy around us, like it was walking the room

0:15:20.200 --> 0:15:23.680
<v Speaker 1>and just started working. So Rashard had something going. I

0:15:23.760 --> 0:15:27.560
<v Speaker 1>came in and added some pieces. You know. Puff put

0:15:27.560 --> 0:15:29.720
<v Speaker 1>the cherry on top of as Big to get on it.

0:15:30.400 --> 0:15:32.640
<v Speaker 1>I think he paid them five thousand longs to know

0:15:32.680 --> 0:15:35.320
<v Speaker 1>what I'm saying. But Big was a hustler, so he

0:15:35.400 --> 0:15:36.920
<v Speaker 1>snatched it. It, did it and done. You know what

0:15:37.000 --> 0:15:40.280
<v Speaker 1>I mean was family. So it was a lot of

0:15:40.280 --> 0:15:43.840
<v Speaker 1>a lot of good love back then. So Mary J.

0:15:43.960 --> 0:15:47.680
<v Speaker 1>Blige is in the spotlight right now. Heavy you know

0:15:47.880 --> 0:15:50.720
<v Speaker 1>she She's always in a spotlight to me. But as

0:15:50.760 --> 0:15:56.080
<v Speaker 1>of right now, my life celebrates the anniversary this year

0:15:56.640 --> 0:16:00.240
<v Speaker 1>the Mary J. Blige My Life documentary is actually out

0:16:00.320 --> 0:16:05.480
<v Speaker 1>on Amazon pime um. How is think that the fans

0:16:05.520 --> 0:16:07.280
<v Speaker 1>are going to react to this documentary and what does

0:16:07.320 --> 0:16:09.360
<v Speaker 1>it mean to you to actually be a part of

0:16:09.360 --> 0:16:12.520
<v Speaker 1>it to some degree, I think the fans are gonna

0:16:12.560 --> 0:16:15.280
<v Speaker 1>love it because it goes back to what I was saying, like,

0:16:15.960 --> 0:16:18.880
<v Speaker 1>she's a real one, you know she She's a super

0:16:18.960 --> 0:16:22.840
<v Speaker 1>real one, and this story shows you behind the curtain.

0:16:23.080 --> 0:16:25.320
<v Speaker 1>You know, we already see this Wizard of Odd story,

0:16:25.360 --> 0:16:27.520
<v Speaker 1>you know what I'm saying, And what's out in front

0:16:27.560 --> 0:16:30.400
<v Speaker 1>is one thing. You go behind that curtain, it ain't pretty,

0:16:30.440 --> 0:16:32.920
<v Speaker 1>you know what I'm saying. To keep up that that

0:16:32.960 --> 0:16:35.480
<v Speaker 1>look of what's out front. But she was, she was

0:16:35.520 --> 0:16:37.760
<v Speaker 1>so dope that she just said, you know what, that's

0:16:37.760 --> 0:16:40.800
<v Speaker 1>the best way for me to to to be able

0:16:40.840 --> 0:16:44.320
<v Speaker 1>to connect with the people is to just be as

0:16:44.360 --> 0:16:47.440
<v Speaker 1>real as possible, you know what I'm saying. And with

0:16:47.560 --> 0:16:49.840
<v Speaker 1>the crazy part about it was real painful for her

0:16:50.360 --> 0:16:53.080
<v Speaker 1>after the success of the record, because you think about it,

0:16:53.920 --> 0:16:57.280
<v Speaker 1>You're going through a situation that's probably the lowest point

0:16:57.320 --> 0:16:59.880
<v Speaker 1>in your life, and that was being broadcasts all over

0:17:00.240 --> 0:17:02.520
<v Speaker 1>you know what I'm saying, and you gotta get on stage,

0:17:02.560 --> 0:17:05.800
<v Speaker 1>you gotta single for four and these these songs are painful.

0:17:06.520 --> 0:17:09.080
<v Speaker 1>So you know, I give a lot of credit to

0:17:09.119 --> 0:17:13.800
<v Speaker 1>her to be able to, you know, just expose herself

0:17:13.920 --> 0:17:15.600
<v Speaker 1>like that. You know what I'm talking. I'm talking about

0:17:15.600 --> 0:17:19.720
<v Speaker 1>some ugly truths in it, and this documentary it just

0:17:19.960 --> 0:17:23.160
<v Speaker 1>you know, it packages it up. It packages it up

0:17:23.200 --> 0:17:26.760
<v Speaker 1>for everybody that loves her to really understand, you know,

0:17:27.400 --> 0:17:29.440
<v Speaker 1>all that goes on with her, you know what I'm saying,

0:17:29.560 --> 0:17:34.560
<v Speaker 1>just from just being married, you know. Um And and

0:17:34.720 --> 0:17:36.720
<v Speaker 1>I'm I'm proud of it. I really like how it

0:17:36.840 --> 0:17:40.359
<v Speaker 1>came out, you know. I like the fact that this record,

0:17:40.760 --> 0:17:43.480
<v Speaker 1>I mean, for a time that we were just I

0:17:43.520 --> 0:17:46.359
<v Speaker 1>don't know, it's like being a somebody that builds houses

0:17:46.400 --> 0:17:49.320
<v Speaker 1>and you're just making sure to screws in the right place,

0:17:49.359 --> 0:17:50.760
<v Speaker 1>and you know what I mean, and then you just

0:17:50.800 --> 0:17:53.480
<v Speaker 1>step away, you off to the next house. But then

0:17:53.480 --> 0:17:55.320
<v Speaker 1>for people to come back and just look at the

0:17:55.359 --> 0:17:59.040
<v Speaker 1>house and admire and just see the art in the

0:17:59.040 --> 0:18:01.120
<v Speaker 1>work that we put in, you know what I mean,

0:18:01.200 --> 0:18:04.720
<v Speaker 1>It is incredible. Twenty five years of of of a

0:18:04.800 --> 0:18:08.240
<v Speaker 1>situation that took four months. That record was done in

0:18:08.359 --> 0:18:13.280
<v Speaker 1>four months, So it's like, you know, I'm I'm I'm

0:18:13.320 --> 0:18:17.320
<v Speaker 1>overwhelmed with I don't even know how to put this

0:18:17.520 --> 0:18:20.360
<v Speaker 1>right now. So I'm just happy and I want everybody

0:18:20.400 --> 0:18:22.560
<v Speaker 1>to just check it out, you know, and look at

0:18:22.560 --> 0:18:24.960
<v Speaker 1>it from a couple of different angles. You know that

0:18:25.400 --> 0:18:27.200
<v Speaker 1>there was a lot of it was a lot of love.

0:18:27.240 --> 0:18:29.320
<v Speaker 1>It's like when you look at the Motown story and

0:18:29.400 --> 0:18:31.600
<v Speaker 1>you think about all that love that went into making

0:18:31.600 --> 0:18:35.120
<v Speaker 1>those records. Puff took a page right out of that book,

0:18:35.320 --> 0:18:37.600
<v Speaker 1>and that's what we were doing. It was just it

0:18:37.760 --> 0:18:40.760
<v Speaker 1>was a lot of God around, you know, it had

0:18:40.800 --> 0:18:42.840
<v Speaker 1>to be for that record to turn out that way

0:18:42.960 --> 0:18:47.840
<v Speaker 1>and still be relevant, you know. So I'm happy it

0:18:48.000 --> 0:18:50.639
<v Speaker 1>is absolutely still relevant. I mean, I think it's I

0:18:50.680 --> 0:18:53.040
<v Speaker 1>think that that's kind of what makes a classical classic,

0:18:53.200 --> 0:18:56.159
<v Speaker 1>is that new generations to come can still relate to

0:18:56.240 --> 0:18:59.720
<v Speaker 1>the music and still feel it. I'm just happy they

0:18:59.840 --> 0:19:02.720
<v Speaker 1>let me be the canvas. You know, when when when

0:19:02.760 --> 0:19:06.320
<v Speaker 1>you're an artists, if you don't have a good canvas,

0:19:06.600 --> 0:19:08.600
<v Speaker 1>your paint not gonna stick right, you know what I mean,

0:19:08.640 --> 0:19:11.520
<v Speaker 1>something he's gonna be right. So that's just the part

0:19:11.600 --> 0:19:13.679
<v Speaker 1>that I feel like I played with that, Like, you know,

0:19:13.840 --> 0:19:15.920
<v Speaker 1>the master Chef, you know what I mean. But they

0:19:15.920 --> 0:19:19.800
<v Speaker 1>were they were the you know, they weren't agreed. They

0:19:19.840 --> 0:19:21.960
<v Speaker 1>just let me season and you know, let me do

0:19:22.040 --> 0:19:25.200
<v Speaker 1>my thing, and that kind of trust, you know, is

0:19:25.280 --> 0:19:29.119
<v Speaker 1>important because I was brand new, you know. She she

0:19:29.280 --> 0:19:32.840
<v Speaker 1>had a list of producers from the previous project, but

0:19:32.920 --> 0:19:35.600
<v Speaker 1>they all came in kind of you know, we just

0:19:35.640 --> 0:19:37.560
<v Speaker 1>sold three million that I that, you know what I mean,

0:19:37.640 --> 0:19:39.760
<v Speaker 1>that she just she's real. She's like, you know what,

0:19:40.640 --> 0:19:44.160
<v Speaker 1>I'm liking what this is doing. So if she asked,

0:19:44.160 --> 0:19:46.439
<v Speaker 1>puff would it be cool if we did the whole project,

0:19:46.520 --> 0:19:50.359
<v Speaker 1>It's I was only contracted to do one song, you

0:19:50.400 --> 0:19:53.000
<v Speaker 1>know what I'm saying, So it just flipped the whole script.

0:19:53.080 --> 0:19:57.560
<v Speaker 1>Likes Joe, she wants to do the whole album. Mean

0:19:57.600 --> 0:20:00.320
<v Speaker 1>what we were doing. They never met the talk about

0:20:00.359 --> 0:20:03.399
<v Speaker 1>with that. So that's how fast it happened. But I

0:20:03.440 --> 0:20:06.719
<v Speaker 1>mean because of that synergy of everybody just being around

0:20:06.760 --> 0:20:09.040
<v Speaker 1>each other. It's like, that's what made it happen as

0:20:09.080 --> 0:20:11.680
<v Speaker 1>fast as as it did and as dope as it did.

0:20:11.760 --> 0:20:14.080
<v Speaker 1>Like every day that raised was supposed to be on

0:20:14.200 --> 0:20:15.960
<v Speaker 1>My Life album. I don't know if you remember that song.

0:20:16.640 --> 0:20:19.280
<v Speaker 1>It was on the show soundtrack. It's a song called

0:20:19.320 --> 0:20:23.240
<v Speaker 1>every Day, and that was actually supposed to be on

0:20:23.400 --> 0:20:26.240
<v Speaker 1>the My Life album, but I think because the time

0:20:26.280 --> 0:20:28.800
<v Speaker 1>of them made of the double album, so then they

0:20:28.800 --> 0:20:30.720
<v Speaker 1>were like, you know, and then also Who Shot You

0:20:31.040 --> 0:20:35.200
<v Speaker 1>was an interlude on My Life album. People don't know that,

0:20:35.280 --> 0:20:39.320
<v Speaker 1>like Pluff went and got big off the street. It's

0:20:39.320 --> 0:20:42.000
<v Speaker 1>a Friday night, you know what I'm saying. So he

0:20:42.160 --> 0:20:46.600
<v Speaker 1>comes in, he shoots that that line, that rhyme. I mean,

0:20:46.640 --> 0:20:50.440
<v Speaker 1>he said something even crazier than that, Like he said,

0:20:51.680 --> 0:20:54.520
<v Speaker 1>he said some crazy stuff, and it was so crazy

0:20:54.600 --> 0:20:56.520
<v Speaker 1>that they were gonna they were gonna have to put

0:20:56.640 --> 0:21:00.719
<v Speaker 1>the uh, the parental sticker on her album if they

0:21:00.760 --> 0:21:04.159
<v Speaker 1>would have kept his version. So that's why they switched

0:21:04.160 --> 0:21:07.240
<v Speaker 1>it up and got Keith Murray because Bigg's verse was

0:21:07.280 --> 0:21:10.000
<v Speaker 1>so gangster. But look at the time frame. Everybody's trying

0:21:10.040 --> 0:21:14.160
<v Speaker 1>to think that he made Who Shot You behind that situation,

0:21:14.240 --> 0:21:17.119
<v Speaker 1>but look at the time frame that was before that

0:21:17.200 --> 0:21:21.040
<v Speaker 1>was before that was ninety four. It was like summer

0:21:21.160 --> 0:21:23.959
<v Speaker 1>ninety four that he wrote that. We will be right

0:21:24.000 --> 0:21:28.840
<v Speaker 1>back with more of The Baller Alert Show. You're listening

0:21:28.840 --> 0:21:32.720
<v Speaker 1>to a special edition of The Baller Alert Show. Mary

0:21:32.880 --> 0:21:38.280
<v Speaker 1>Serai Simmons and Sue so Long. This is special cloth alert.

0:21:38.520 --> 0:21:41.080
<v Speaker 1>Now I wanted I wanted to shift gears a little

0:21:41.119 --> 0:21:45.399
<v Speaker 1>bit um and we're talking very professionally. How is this

0:21:45.480 --> 0:21:48.520
<v Speaker 1>taken off? How is this success that you've had in

0:21:48.680 --> 0:21:52.520
<v Speaker 1>your lifetime taking a toll on you personally? I mean,

0:21:52.640 --> 0:21:54.680
<v Speaker 1>it's to me, it's all one and the same. Like

0:21:54.960 --> 0:21:58.400
<v Speaker 1>I don't I'm not a I'm not a famed cat,

0:21:58.640 --> 0:22:01.560
<v Speaker 1>you know what I mean. So I'm all about the work.

0:22:02.600 --> 0:22:05.160
<v Speaker 1>I always try to let the work speak for ourselves,

0:22:05.400 --> 0:22:07.480
<v Speaker 1>and that keeps me in a real space. You know

0:22:07.800 --> 0:22:12.520
<v Speaker 1>that I'm I'm I'm I'm approachable. You know. I try

0:22:12.600 --> 0:22:15.879
<v Speaker 1>to look at every situation is as real as it is,

0:22:16.080 --> 0:22:17.280
<v Speaker 1>or you know what I'm saying, trying to get the

0:22:17.359 --> 0:22:20.399
<v Speaker 1>reality of each situation. So I don't, I don't know.

0:22:20.480 --> 0:22:22.760
<v Speaker 1>It's no separation to me. I try not to do

0:22:22.880 --> 0:22:26.520
<v Speaker 1>that because you you know, you start to create these

0:22:26.600 --> 0:22:30.440
<v Speaker 1>different levels and all that does and sometimes it will

0:22:30.440 --> 0:22:33.879
<v Speaker 1>bring you down. So I stay low to the ground,

0:22:34.040 --> 0:22:38.159
<v Speaker 1>I stay right connected to because the streets dictate everything.

0:22:38.240 --> 0:22:40.639
<v Speaker 1>This is That's how I always feel about it. If

0:22:40.680 --> 0:22:42.840
<v Speaker 1>they don't move in the streets it's not gonna move.

0:22:42.920 --> 0:22:46.800
<v Speaker 1>It's like the foundation. So I stay connected to that

0:22:46.960 --> 0:22:49.760
<v Speaker 1>type of life, like I focus on real people like

0:22:49.840 --> 0:22:52.000
<v Speaker 1>in my music, you know what I mean, not the guy,

0:22:52.640 --> 0:22:54.240
<v Speaker 1>not the guy in the suits, in the in the

0:22:54.359 --> 0:22:56.439
<v Speaker 1>offices and this and that, they're gonna like it if

0:22:56.520 --> 0:22:59.320
<v Speaker 1>the people in the streets like so always and that

0:22:59.480 --> 0:23:03.440
<v Speaker 1>was always be in puffs uh um connection to He

0:23:03.600 --> 0:23:06.080
<v Speaker 1>stayed in the quasions. I loved him for that. But

0:23:06.200 --> 0:23:08.520
<v Speaker 1>I always stayed in the street so he could always

0:23:08.560 --> 0:23:11.160
<v Speaker 1>look across the room and know the perspective I'm coming

0:23:11.240 --> 0:23:15.720
<v Speaker 1>from is to make sure that the everyday person respects

0:23:15.760 --> 0:23:18.000
<v Speaker 1>what we're doing. And thank you for that, because you know,

0:23:18.240 --> 0:23:20.560
<v Speaker 1>we talked about mental health a lot on our show,

0:23:20.960 --> 0:23:22.879
<v Speaker 1>and I like, I like that you said that, you

0:23:22.920 --> 0:23:24.680
<v Speaker 1>know you you stayed real grounded, because I think a

0:23:24.720 --> 0:23:27.639
<v Speaker 1>lot of people don't realize that when you stay grounded

0:23:27.680 --> 0:23:30.159
<v Speaker 1>and you keep you here low um, that helps your

0:23:30.200 --> 0:23:32.720
<v Speaker 1>mental state of mind as well. So you know what,

0:23:33.080 --> 0:23:35.520
<v Speaker 1>I was lucky enough to be crowned. You know, I

0:23:35.600 --> 0:23:37.879
<v Speaker 1>gotta give give a lot of things to the people

0:23:37.920 --> 0:23:40.160
<v Speaker 1>that that that were around that raised me. I came

0:23:40.240 --> 0:23:43.879
<v Speaker 1>up in a term where you know, you're doing stuff

0:23:43.920 --> 0:23:45.920
<v Speaker 1>in the street, You're gonna get checked. You know. We

0:23:46.000 --> 0:23:48.040
<v Speaker 1>used to bust bottles in the in the alley, just

0:23:48.200 --> 0:23:51.080
<v Speaker 1>busting bottles like food, and somebody came and checked that.

0:23:51.680 --> 0:23:54.520
<v Speaker 1>You know what I'm saying, And that that that type

0:23:54.520 --> 0:23:58.240
<v Speaker 1>of community, that type of you know, that type of

0:23:58.400 --> 0:24:01.320
<v Speaker 1>energy around you is going to push you to you know,

0:24:01.720 --> 0:24:05.840
<v Speaker 1>try to succeed, because it's more to life than just

0:24:06.440 --> 0:24:10.200
<v Speaker 1>you know, doing doing reckless stuff, you know what I mean.

0:24:10.280 --> 0:24:13.040
<v Speaker 1>And I'm at the point right now I reach out

0:24:13.119 --> 0:24:15.119
<v Speaker 1>to these youngest I try to talk to him because

0:24:15.160 --> 0:24:18.160
<v Speaker 1>they need, you know, they need to see that there's

0:24:18.160 --> 0:24:20.560
<v Speaker 1>no difference. You know a lot of people feel like

0:24:21.280 --> 0:24:26.040
<v Speaker 1>you're old or you're young. Nah, even you fly or

0:24:26.119 --> 0:24:28.600
<v Speaker 1>you're not. It's not even a really old or young

0:24:28.680 --> 0:24:31.720
<v Speaker 1>to it. You know what I'm saying. Uh, Douggie Fresh

0:24:31.840 --> 0:24:34.080
<v Speaker 1>is still one of the dopest people that I know.

0:24:35.480 --> 0:24:37.760
<v Speaker 1>It's not about what record he put out, you know

0:24:37.800 --> 0:24:41.200
<v Speaker 1>what I'm saying. He can staying get drop him in

0:24:41.240 --> 0:24:43.560
<v Speaker 1>the middle of the street with nothing and see what happens.

0:24:44.600 --> 0:24:46.240
<v Speaker 1>He'll rock the whole you know what I'm saying. So

0:24:46.359 --> 0:24:48.720
<v Speaker 1>it's never really about an age thing. It's just about

0:24:49.720 --> 0:24:52.000
<v Speaker 1>what you know, how you know, how, what's your codes?

0:24:52.160 --> 0:24:54.760
<v Speaker 1>How how you working? You know what? What? What are

0:24:54.800 --> 0:24:57.480
<v Speaker 1>the things that matter? And a lot of people don't

0:24:57.520 --> 0:25:00.959
<v Speaker 1>really have those those codes. So it's it's it's almost

0:25:01.600 --> 0:25:03.560
<v Speaker 1>if you meet somebody, you talk to him, you just

0:25:03.960 --> 0:25:06.359
<v Speaker 1>just talk about life. Just get on a life page

0:25:06.400 --> 0:25:08.920
<v Speaker 1>and see what's happened. You know. I'm down for that.

0:25:10.200 --> 0:25:13.120
<v Speaker 1>So I wanted to ask you if Mary J. Blige

0:25:13.760 --> 0:25:17.840
<v Speaker 1>does a versus battle one, who do you think could

0:25:17.880 --> 0:25:21.119
<v Speaker 1>go up against her? And too? What would be the

0:25:21.280 --> 0:25:26.560
<v Speaker 1>first song that she should start with? Oh? Man, who

0:25:26.640 --> 0:25:29.000
<v Speaker 1>do I think will go up against her in a

0:25:29.320 --> 0:25:33.560
<v Speaker 1>versus battle? I know everybody off the top of sake faith,

0:25:33.880 --> 0:25:36.399
<v Speaker 1>you know what I'm saying, just because of that, the

0:25:36.560 --> 0:25:42.920
<v Speaker 1>time frames and things like that. Um, But uh, with her,

0:25:43.119 --> 0:25:46.159
<v Speaker 1>I mean I'm all the way up there with Anita

0:25:46.200 --> 0:25:48.520
<v Speaker 1>Baker and all of that. Like for me, with her,

0:25:48.720 --> 0:25:55.080
<v Speaker 1>it's it's different things, you know, um, because she has

0:25:55.119 --> 0:25:58.679
<v Speaker 1>the soul about her, She has this like hood about her,

0:25:59.359 --> 0:26:03.000
<v Speaker 1>you know, and and all of these things come from

0:26:03.520 --> 0:26:06.879
<v Speaker 1>that place of just being in you know, being in

0:26:07.000 --> 0:26:09.640
<v Speaker 1>the hood and hearing these songs like those were those

0:26:09.720 --> 0:26:13.200
<v Speaker 1>were medicine. What I'm saying that that Anita Baker's songs

0:26:13.240 --> 0:26:16.160
<v Speaker 1>just record that ship was medicine. It's almost the same

0:26:16.280 --> 0:26:19.160
<v Speaker 1>as the medicine with my life out. So I would

0:26:19.359 --> 0:26:21.520
<v Speaker 1>I would, you know, I know that seems crazy to

0:26:21.600 --> 0:26:24.879
<v Speaker 1>say that, but I would probably go with that. I

0:26:24.960 --> 0:26:28.480
<v Speaker 1>would go with with Anita Baker with her Now, it's

0:26:28.520 --> 0:26:32.600
<v Speaker 1>not crazy. I actually think you are giving um an

0:26:32.640 --> 0:26:35.720
<v Speaker 1>opinion based off of some ship that you really know. Okay,

0:26:36.480 --> 0:26:40.680
<v Speaker 1>it's not crazy at all. Are the phone calls going

0:26:40.840 --> 0:26:43.800
<v Speaker 1>crazy now? With this documentary coming out and like the

0:26:44.000 --> 0:26:47.320
<v Speaker 1>resurface of one of the men who are responsible for

0:26:47.400 --> 0:26:50.879
<v Speaker 1>its success. I mean, yeah, it's it's it's it's like up,

0:26:51.119 --> 0:26:53.280
<v Speaker 1>you know, a little bit more than normal, but you know,

0:26:53.920 --> 0:26:55.440
<v Speaker 1>it's it's a lot of this. It's a lot of

0:26:55.480 --> 0:26:57.040
<v Speaker 1>the same people though, you know, it's a lot of

0:26:57.080 --> 0:27:00.840
<v Speaker 1>people that's been you know and know having me in

0:27:00.920 --> 0:27:03.640
<v Speaker 1>their prayers and things like that. So it's just been

0:27:03.680 --> 0:27:06.879
<v Speaker 1>a lot of reassurance that you know, uh, you know,

0:27:06.960 --> 0:27:09.159
<v Speaker 1>I was a part of something that I helped create,

0:27:09.320 --> 0:27:13.359
<v Speaker 1>something that's like, you know, a soundtrack for all of us,

0:27:13.440 --> 0:27:15.800
<v Speaker 1>you know, and and and it's here forever. I mean,

0:27:15.880 --> 0:27:19.000
<v Speaker 1>we just survived. You know, I put that in the

0:27:19.119 --> 0:27:21.960
<v Speaker 1>classic box with you know, the Oasy Brothers and and

0:27:22.320 --> 0:27:25.760
<v Speaker 1>you know, certain situations like that. So I'm ecstatic things

0:27:25.840 --> 0:27:29.080
<v Speaker 1>are happening, you know, just from that level. But you know,

0:27:29.359 --> 0:27:32.639
<v Speaker 1>I have, UM, I have some things that that are

0:27:32.680 --> 0:27:35.200
<v Speaker 1>in the works too, you know, that are about to

0:27:35.240 --> 0:27:38.560
<v Speaker 1>get ready to surface. Because one thing that most people

0:27:38.600 --> 0:27:40.639
<v Speaker 1>don't realize is the fact that I am from d C,

0:27:41.560 --> 0:27:46.240
<v Speaker 1>and d C has uh music in that town, you know,

0:27:46.640 --> 0:27:49.960
<v Speaker 1>is go Go music. The crazy part about it is

0:27:50.000 --> 0:27:52.520
<v Speaker 1>a lot of people don't realize how much Go Go

0:27:52.680 --> 0:27:56.399
<v Speaker 1>has played a part and pushing hip hop you know,

0:27:57.320 --> 0:28:00.840
<v Speaker 1>UM and and and just pop culture in general. You know,

0:28:00.920 --> 0:28:03.280
<v Speaker 1>when you look at Beyonce is one of her biggest

0:28:03.320 --> 0:28:07.720
<v Speaker 1>records was done by Rich Harrison, who I'm gonna tell

0:28:07.760 --> 0:28:10.320
<v Speaker 1>you off the top and his brain was thinking go

0:28:10.480 --> 0:28:13.600
<v Speaker 1>Go when he made that record. And it's that pocket

0:28:13.680 --> 0:28:17.360
<v Speaker 1>in that field. So I have a documentary coming out.

0:28:17.400 --> 0:28:21.760
<v Speaker 1>It's called Chuckie Thompson Presents DC Go Go, and it

0:28:21.880 --> 0:28:24.160
<v Speaker 1>basically breaks down, you know a lot of people don't

0:28:24.200 --> 0:28:26.960
<v Speaker 1>understand the music. They don't understand even what it takes

0:28:27.000 --> 0:28:29.879
<v Speaker 1>to make Go Go. Then it's also a big movement

0:28:29.960 --> 0:28:33.040
<v Speaker 1>behind it, you know, where it's the official music of

0:28:33.160 --> 0:28:36.159
<v Speaker 1>the city. And then also a lot of people in

0:28:36.240 --> 0:28:39.520
<v Speaker 1>the city they either deem it that Go Go has

0:28:39.560 --> 0:28:43.440
<v Speaker 1>been on or that it's a mainstay, like it's just

0:28:44.000 --> 0:28:46.760
<v Speaker 1>for the city. It's probably one of the only places

0:28:46.800 --> 0:28:48.760
<v Speaker 1>that you can go and see a true art form

0:28:48.880 --> 0:28:52.760
<v Speaker 1>still in its truest art form. And I just you know,

0:28:53.040 --> 0:28:54.840
<v Speaker 1>I took it as a mission. It's not the Go

0:28:55.000 --> 0:28:57.520
<v Speaker 1>Go story. It's my story with Go Go. People don't

0:28:57.520 --> 0:29:01.800
<v Speaker 1>even realize that my life. The song I was mimicking

0:29:01.840 --> 0:29:04.440
<v Speaker 1>a Go Go band in d C. I I played

0:29:04.520 --> 0:29:07.240
<v Speaker 1>that Royer's record like a Go Go band with Clay,

0:29:07.520 --> 0:29:09.720
<v Speaker 1>you know what I'm saying. So it's it's behind a

0:29:09.840 --> 0:29:12.840
<v Speaker 1>lot of the records that I've made. So you know,

0:29:13.600 --> 0:29:18.440
<v Speaker 1>with that being said, it's like everything is uh is happening,

0:29:18.880 --> 0:29:20.920
<v Speaker 1>and I think it's happening for a reason, you know.

0:29:21.280 --> 0:29:25.080
<v Speaker 1>Definitely for Mary, I really wanted uh. I want to

0:29:25.360 --> 0:29:27.600
<v Speaker 1>give a stupid shout out to her man because it's

0:29:27.680 --> 0:29:32.280
<v Speaker 1>it's it's just incredible that, you know, for a situation

0:29:32.400 --> 0:29:36.520
<v Speaker 1>that she was sad about, you know, and it turned

0:29:36.560 --> 0:29:39.120
<v Speaker 1>into all of this to realize how many other people

0:29:39.200 --> 0:29:42.720
<v Speaker 1>related to that sadness, you know, and the fact that

0:29:42.840 --> 0:29:45.080
<v Speaker 1>I was able to play a part in that, you know,

0:29:45.600 --> 0:29:48.880
<v Speaker 1>is amazing. So I appreciate all the phone calls right now.

0:29:49.240 --> 0:29:53.040
<v Speaker 1>I'm loving it. I love it, and we absolutely appreciate

0:29:53.120 --> 0:29:55.000
<v Speaker 1>you for coming to the Ball of our show podcast

0:29:55.160 --> 0:29:58.640
<v Speaker 1>before we let you go, Before we let you go,

0:29:58.840 --> 0:30:02.240
<v Speaker 1>we have to have you as a part of our

0:30:02.720 --> 0:30:07.680
<v Speaker 1>father mail segments. Go for it all, right, here we go.

0:30:08.160 --> 0:30:11.800
<v Speaker 1>I'm gonna read it, dear Rory. My wife is terrible

0:30:11.880 --> 0:30:14.520
<v Speaker 1>with money. I have to hide money from her all

0:30:14.560 --> 0:30:17.560
<v Speaker 1>the time. I love her with all my heart, but

0:30:17.680 --> 0:30:21.520
<v Speaker 1>from managing money to managing credit, she's hella irresponsible. How

0:30:21.600 --> 0:30:23.479
<v Speaker 1>do I speak with How do I speak to her

0:30:23.560 --> 0:30:26.600
<v Speaker 1>in a way that won't hurt her feelings? Chuck, you

0:30:26.880 --> 0:30:29.320
<v Speaker 1>have to go first. I mean, in a situation like that,

0:30:29.520 --> 0:30:32.840
<v Speaker 1>you gotta be real. It's money, you know what I'm saying.

0:30:32.840 --> 0:30:36.240
<v Speaker 1>I don't think that that's the situation you should play with.

0:30:36.320 --> 0:30:38.320
<v Speaker 1>And I'm not saying you should scream and go nuts

0:30:38.680 --> 0:30:41.080
<v Speaker 1>when you're talking about it. But you also have to

0:30:41.200 --> 0:30:43.680
<v Speaker 1>understand where she may be coming from. You know, you

0:30:43.760 --> 0:30:46.880
<v Speaker 1>have to see the root of the problem. Why why

0:30:47.040 --> 0:30:49.360
<v Speaker 1>is she acting this way? What is it about money

0:30:49.400 --> 0:30:52.080
<v Speaker 1>that makes her? Actors? Right? And you deal with that,

0:30:52.320 --> 0:30:54.200
<v Speaker 1>you know, you try to figure out, Okay, you know what,

0:30:55.000 --> 0:30:57.720
<v Speaker 1>maybe you can't have this, but maybe we give you this,

0:30:58.160 --> 0:31:00.520
<v Speaker 1>and then after this, you know, you just have to manage.

0:31:00.680 --> 0:31:05.520
<v Speaker 1>But that that story rains and every household. You know,

0:31:05.560 --> 0:31:09.480
<v Speaker 1>I'm saying everybody has to deal with money, but it's

0:31:09.520 --> 0:31:11.440
<v Speaker 1>just you know, how real are you with it? Because

0:31:11.920 --> 0:31:14.320
<v Speaker 1>the one lesson that I learned is the money always

0:31:14.400 --> 0:31:17.360
<v Speaker 1>gets spent. You know, I don't give if you get

0:31:17.400 --> 0:31:21.040
<v Speaker 1>a check for forty million dollars, the money's gonna get spent.

0:31:21.720 --> 0:31:24.240
<v Speaker 1>The question is is what have you done? You know,

0:31:24.400 --> 0:31:27.840
<v Speaker 1>what's the plan? What's the situation? So I would just

0:31:27.880 --> 0:31:29.880
<v Speaker 1>say they just need to sit down and just, you know,

0:31:30.720 --> 0:31:33.320
<v Speaker 1>be real and then map out a plan. But be

0:31:33.480 --> 0:31:37.000
<v Speaker 1>real with the plan. You know, understand where she's at,

0:31:37.400 --> 0:31:40.280
<v Speaker 1>why she moves like that, you know, and trying to

0:31:40.440 --> 0:31:45.000
<v Speaker 1>try to meet the middle. I love because the reality

0:31:45.160 --> 0:31:48.440
<v Speaker 1>is some of us never had no money. So when

0:31:48.480 --> 0:31:50.040
<v Speaker 1>you get to a place where you have a little bit,

0:31:50.400 --> 0:31:51.920
<v Speaker 1>you don't know what to do with it, you know,

0:31:52.120 --> 0:31:55.640
<v Speaker 1>So I love Chucky's approach. Talk to or see what

0:31:55.680 --> 0:31:57.800
<v Speaker 1>the rule of the problem is, because she might not

0:31:57.880 --> 0:32:00.400
<v Speaker 1>be spending it just because she wants to. She may

0:32:00.480 --> 0:32:03.040
<v Speaker 1>just not know how to do any better. So I

0:32:03.160 --> 0:32:07.080
<v Speaker 1>definitely agree with R. That's it. You know, she might

0:32:07.280 --> 0:32:11.520
<v Speaker 1>be feeling like, you know, money is a band aid

0:32:11.640 --> 0:32:13.960
<v Speaker 1>for something, you know what I'm saying. So you just

0:32:14.040 --> 0:32:16.480
<v Speaker 1>gotta literally really gotta get into that problem. But what

0:32:16.880 --> 0:32:19.280
<v Speaker 1>is it that's doing this, Like, why are you doing this?

0:32:19.480 --> 0:32:21.320
<v Speaker 1>You know a lot of people don't tag me in.

0:32:21.680 --> 0:32:24.920
<v Speaker 1>Somebody tagged me in. Man, you know I'm a little

0:32:25.080 --> 0:32:27.280
<v Speaker 1>I'm a little rente game chop. This is to the dude,

0:32:27.480 --> 0:32:30.640
<v Speaker 1>Oh man, get your goddamn feelings out of or why

0:32:30.640 --> 0:32:33.440
<v Speaker 1>are you worried about how she feels? Bro her little

0:32:33.520 --> 0:32:37.520
<v Speaker 1>as down down and keep it to her raw and

0:32:37.720 --> 0:32:40.360
<v Speaker 1>funky so it stank when you talk to her. Bro

0:32:41.160 --> 0:32:43.719
<v Speaker 1>stop acting like, oh, I don't want to hurt her spinnings.

0:32:43.920 --> 0:32:46.560
<v Speaker 1>If you got damn goddamn, if you shed just spend

0:32:46.600 --> 0:32:49.680
<v Speaker 1>the rent money, this is a problem. She's a problem

0:32:50.440 --> 0:32:52.440
<v Speaker 1>if both. If your credit is good or her credit

0:32:52.480 --> 0:32:55.600
<v Speaker 1>is not good, this is a problem. Okay, by the

0:32:55.640 --> 0:32:57.520
<v Speaker 1>credit need to be on point when you sit down,

0:32:57.680 --> 0:33:01.320
<v Speaker 1>has thrill goals? Have a list. I am married to

0:33:01.360 --> 0:33:04.400
<v Speaker 1>an accountant. She saved my life, Chuck. When I met her,

0:33:04.680 --> 0:33:07.560
<v Speaker 1>I had a five ninety five. Chup. Now I'm sitting

0:33:07.600 --> 0:33:10.880
<v Speaker 1>next to you and I got a seven credits for

0:33:11.440 --> 0:33:15.640
<v Speaker 1>seven five for I say that ship with confidence. All

0:33:15.680 --> 0:33:19.000
<v Speaker 1>I'm saying is, she sat me down, and she wrote

0:33:19.080 --> 0:33:21.680
<v Speaker 1>down and we figured out the root of the problems.

0:33:21.680 --> 0:33:24.080
<v Speaker 1>So Chuck, you all right, we gotta figure out the

0:33:24.160 --> 0:33:27.080
<v Speaker 1>root of the problem. But dude, we are your balls,

0:33:27.160 --> 0:33:30.760
<v Speaker 1>that bro. I gotta speak to her in a way

0:33:30.800 --> 0:33:36.320
<v Speaker 1>that they don't hurt hut all that. When you do

0:33:36.520 --> 0:33:38.800
<v Speaker 1>stuff like that, you hurt your films. You know what

0:33:38.840 --> 0:33:41.280
<v Speaker 1>I'm saying. It's like, at the end of the day,

0:33:41.960 --> 0:33:44.400
<v Speaker 1>it's a team, you know. I always looked at it

0:33:44.520 --> 0:33:46.920
<v Speaker 1>like that. Some of the some of the dopest hustlers

0:33:47.000 --> 0:33:49.840
<v Speaker 1>that I've ever met. I'm talking about the Eights. Some

0:33:50.000 --> 0:33:53.880
<v Speaker 1>of their rules to the organization was if a guy

0:33:54.040 --> 0:33:56.160
<v Speaker 1>is not a person that uses his brain, I'm not

0:33:56.480 --> 0:33:59.120
<v Speaker 1>enforcing to use his brain. Like, if you're a person

0:33:59.200 --> 0:34:01.160
<v Speaker 1>to use your hand, I'm gonna give you that job.

0:34:01.800 --> 0:34:04.080
<v Speaker 1>So if you're not the person to manage the money

0:34:05.200 --> 0:34:08.040
<v Speaker 1>that that's not your job. Give it to the person

0:34:08.120 --> 0:34:11.279
<v Speaker 1>that manages the money. And then guess what. Now you

0:34:11.360 --> 0:34:14.000
<v Speaker 1>can live your life. You will have everything you want

0:34:14.920 --> 0:34:16.680
<v Speaker 1>and guess what days are gonna be taken care of?

0:34:17.239 --> 0:34:20.959
<v Speaker 1>And we're teams. You know that's a good aass point

0:34:21.000 --> 0:34:23.960
<v Speaker 1>because sometimes people expect you to be a professional is

0:34:24.080 --> 0:34:27.200
<v Speaker 1>something that you don't know it about. So identify the

0:34:27.280 --> 0:34:30.279
<v Speaker 1>weaknesses the strengths, and rely on that person for where

0:34:30.280 --> 0:34:33.600
<v Speaker 1>they're strong and and support them where they're not. And

0:34:33.680 --> 0:34:35.880
<v Speaker 1>but you got there at some point that everybody has

0:34:35.960 --> 0:34:37.839
<v Speaker 1>to be real because you might not want to hear

0:34:37.920 --> 0:34:39.920
<v Speaker 1>that fact that that's all you need to do is that.

0:34:40.920 --> 0:34:43.840
<v Speaker 1>But if you're if you love somebody enough, you know

0:34:44.840 --> 0:34:47.000
<v Speaker 1>that that you are in that union that where you're

0:34:47.120 --> 0:34:49.920
<v Speaker 1>dealing with money somewhere, and then you know it should

0:34:49.960 --> 0:34:52.480
<v Speaker 1>be it should be just you know, second nature that

0:34:52.960 --> 0:34:55.520
<v Speaker 1>appreciate you. Thank you now, this is a super dogbity

0:34:56.400 --> 0:34:59.960
<v Speaker 1>got you hYP got my man hype for two second,

0:35:02.320 --> 0:35:05.080
<v Speaker 1>admitted he was with a chucky Please tell bother nation

0:35:05.239 --> 0:35:07.480
<v Speaker 1>where they can find you, how they can keep up

0:35:07.800 --> 0:35:11.719
<v Speaker 1>with all of your current successes. Future successes as successes

0:35:12.160 --> 0:35:15.200
<v Speaker 1>where does ball the nation find you? Okay, so right

0:35:15.280 --> 0:35:18.480
<v Speaker 1>now you can definitely find me on my Instagram, which

0:35:18.640 --> 0:35:21.359
<v Speaker 1>is at chuck like three sixty five. Let me say

0:35:21.400 --> 0:35:25.760
<v Speaker 1>that again. At Chuck Like three sixty five, I post

0:35:25.840 --> 0:35:29.160
<v Speaker 1>some wow. It's funny, but it's all about life. It's

0:35:29.200 --> 0:35:32.520
<v Speaker 1>always real. Just come hang out with me. Also, my

0:35:32.680 --> 0:35:36.440
<v Speaker 1>Twitter is CHUCKI Thompson and my Facebook is CHUCKI. Thompson.

0:35:36.600 --> 0:35:39.520
<v Speaker 1>So come on all that Chucky Thompson, come come on

0:35:39.920 --> 0:35:44.600
<v Speaker 1>fall in line. Yea, welcome on us whenever you are

0:35:44.640 --> 0:35:49.359
<v Speaker 1>in Atlanta. Pleasure man. We we had a ball today.

0:35:49.400 --> 0:35:51.920
<v Speaker 1>Thank you so much for joining us on. I appreciate,

0:35:52.440 --> 0:35:54.840
<v Speaker 1>I appreciate. So so you got any shots before we

0:35:54.840 --> 0:35:56.239
<v Speaker 1>can go, because you know what I'm about to say,

0:35:56.280 --> 0:36:00.440
<v Speaker 1>So you go ahead and go first. Well first, I

0:36:00.520 --> 0:36:03.400
<v Speaker 1>mean shout out to my mom's man. Shout out to

0:36:03.560 --> 0:36:06.360
<v Speaker 1>Charlotte Jay Thompson man. And that's my mother and my

0:36:06.480 --> 0:36:11.880
<v Speaker 1>sister's Christal and callers. Um. You know my son's Quincy

0:36:11.920 --> 0:36:15.279
<v Speaker 1>and Trede, who are also producers. You know the name

0:36:15.360 --> 0:36:18.600
<v Speaker 1>of their group is Negative Minds. They're about to get

0:36:18.640 --> 0:36:20.680
<v Speaker 1>ready like the scene up. Trust me when I tell

0:36:20.719 --> 0:36:23.920
<v Speaker 1>you I didn't even know they were focusing on production

0:36:24.000 --> 0:36:27.239
<v Speaker 1>until I heard the records, Like they are amazing. They

0:36:27.320 --> 0:36:29.000
<v Speaker 1>do it different than I do it, but they do

0:36:29.120 --> 0:36:32.080
<v Speaker 1>it for what's happening right now, and they'll make their

0:36:32.160 --> 0:36:34.880
<v Speaker 1>mix between my hip hop and theirs. I didn't know

0:36:34.920 --> 0:36:37.439
<v Speaker 1>they were listening to the call that time. So shout

0:36:37.480 --> 0:36:41.399
<v Speaker 1>out to my family, man, and uh, you know that's

0:36:41.440 --> 0:36:47.200
<v Speaker 1>pretty much it. Man. Love out to the people of Tidy,

0:36:47.320 --> 0:36:49.359
<v Speaker 1>which is the northern region of Ethiopia, and I want

0:36:49.360 --> 0:36:53.240
<v Speaker 1>to give a big shout out to a really trying

0:36:53.320 --> 0:36:55.879
<v Speaker 1>to bring an end to the table eye genocide. People

0:36:55.920 --> 0:37:00.160
<v Speaker 1>that are speaking about it, repeat, reposting, retweeting, reaching out

0:37:00.200 --> 0:37:04.040
<v Speaker 1>to local government. I appreciate you guys were standing for Tickaday.

0:37:04.160 --> 0:37:08.400
<v Speaker 1>Whether you are Ethiopian, eritre and Molly's American, if you

0:37:08.520 --> 0:37:11.160
<v Speaker 1>stand on the right side of humanity, this shout out

0:37:11.320 --> 0:37:13.480
<v Speaker 1>is to you. Oh and my shoutout is to the

0:37:13.560 --> 0:37:18.680
<v Speaker 1>Atlanta Hawks. Okay, hey, New York Nick fans. We told

0:37:18.760 --> 0:37:22.759
<v Speaker 1>y'all we beat y'all last. Philadelphia set the ships for fans.

0:37:22.840 --> 0:37:26.080
<v Speaker 1>We told y'all we beat y'all ast and hopefully now

0:37:26.840 --> 0:37:29.600
<v Speaker 1>we told everybody that's said we was gonna get swept,

0:37:29.880 --> 0:37:32.960
<v Speaker 1>and it was gonna be bucks in five when we

0:37:33.080 --> 0:37:37.360
<v Speaker 1>beat y'all, and then one trade t L Hawks and

0:37:37.440 --> 0:37:40.080
<v Speaker 1>seven Hawks going to the finals. And then when we

0:37:40.160 --> 0:37:43.839
<v Speaker 1>get to the finals, Hawks and six chuck. You heard

0:37:43.880 --> 0:37:47.879
<v Speaker 1>it first from me. Hey man, I'm with you, Joe.

0:37:48.160 --> 0:37:52.000
<v Speaker 1>Appreciate your chuck. I can't get enough of baller Alerts.

0:37:52.040 --> 0:37:55.560
<v Speaker 1>Follow us on all social media platforms at valler Alert Holdo,

0:37:55.680 --> 0:37:57.040
<v Speaker 1>going to baller alert dot com