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Speaker 1: With Stu Gotts and Hawkman, I haven't talked to Stu

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Speaker 1: Gotts or Taylor since they returned from Radio Row. I

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Speaker 1: still have a retail row. I mean, was it the

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Speaker 1: time of your life? It was the time of my life.

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Speaker 2: I gotta tell you, Hawk, I don't know what is

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Speaker 2: going on with Taylor, but what I do know is

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Speaker 2: that Taylor on Radio Row super Bowl Week with a

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Speaker 2: microphone is a different fucking tailor, really, oh, a more

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Speaker 2: confident tailor, A tailor who likes to go out late

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Speaker 2: night to parties, to dive bars with Chris Long and

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Speaker 2: the Kelsey's different guy.

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Speaker 3: The super Bowl will do that to you, Hawk, I mean,

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Speaker 3: so you were.

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Speaker 4: In your element, Taylor, like you found your calling.

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Speaker 5: So, Hawk, I think what happened is I saw the

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Speaker 5: stage that Fox Sports Radio had for us, and I

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Speaker 5: saw the bright lights on the stage pointing back towards us,

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Speaker 5: and I saw them, and I said, it's time to

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Speaker 5: put on a show for the people.

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Speaker 2: Look at this guy he did, Yes, I mean, Hocket's great.

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Speaker 2: Joe Flacco was walking by and he's telling him how

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Speaker 2: Grady looks, and Flacco's giving him the nod.

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Speaker 3: And then but this is this is for hack.

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Speaker 2: You will love this because Taylor was not prepared for someone.

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Speaker 2: Uh So people were walking by celebrities and he just

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Speaker 2: blurting out their names. I was, yeah, yeah, One of

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Speaker 2: the guys that walks by is Fred Smoot, always funny,

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Speaker 2: and Taylor yells out smooth like he's known him for years, right.

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Speaker 2: What he didn't expect is what happened next. And what

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Speaker 2: happened next was Smoot figure and anyone who yells my

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Speaker 2: name like that must know me. And so we walked

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Speaker 2: over to Taylor to have a conversation with him, and

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Speaker 2: Taylor didn't know what to say.

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Speaker 5: Walked right up right up on the stage and he

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Speaker 5: was like, how's it going, man, how you been?

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Speaker 6: And I go, do him good?

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Speaker 3: Just kind of coward so from a distance with a microphone,

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Speaker 3: he's he's a different person.

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Speaker 1: Your college roommate mccollins had himself a game. He was

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Speaker 1: going to be the entire offense for the New England Patriots.

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Speaker 1: And you know, listen, I bet I bet the Patriots.

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Speaker 1: I had the Patriots plus five. And I don't think

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Speaker 1: a winning formula is arm punts to mccollins all night long.

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Speaker 1: I don't think that's a winning Super Bowl formula. But

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Speaker 1: he cashed my ticket over two and a half receptions.

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Speaker 1: He certainly cashed people's tickets for longest reception. I mean

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Speaker 1: anytime touchdown? Did you reach out to Mac after the game?

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Speaker 5: So I didn't reach out to him after the game.

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Speaker 5: He texted me after the game basically apologizing that I came,

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Speaker 5: that I came all the way out there and they lost.

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Speaker 5: And that kind of made me feel bad because I

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Speaker 5: think that's the consensus for a lot of the players

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Speaker 5: on the Patriots. Like I saw Drake May after the

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Speaker 5: game and he was like, I felt bad.

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Speaker 6: I ruined my family's night.

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Speaker 3: It's like, you guys are the ones that are putting

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Speaker 3: in the work.

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Speaker 5: Like all I had to do was just get on

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Speaker 5: a six hour flight to come across the country.

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Speaker 2: Right, And you came out there for me, not him?

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Speaker 2: Tell him, I mean right, it was work. He was

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Speaker 2: out there working. Yeah.

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Speaker 4: I was jealous of you, guys.

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Speaker 1: I saw some of the clips that you put on

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Speaker 1: social media, and uh, it looked like you had a fun,

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Speaker 1: fun time. I had asked Taylor off the air, I'll

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Speaker 1: ask you Stu, Guys, who do you think was the

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Speaker 1: best Radio Row guests that you guys got while you

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Speaker 1: were out there, the biggest name and then the best guest.

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Speaker 3: Oh, the biggest name.

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Speaker 2: Okay, so those are two very different questions. As you know,

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Speaker 2: biggest name. I'm trying to go through the rolodex of

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Speaker 2: whether it was Bjeon Robinson.

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Speaker 1: H that too, Taylor said, he told me b John Robinson.

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Speaker 2: Yeah, I'm trying to think was there anyone else?

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Speaker 4: Taylor?

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Speaker 3: Are we leaving?

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Speaker 5: I also mentioned Tyler shock just because he's a starting quarterback.

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Speaker 3: Oh, I have Tyler Shuck's number. This is very exciting.

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Speaker 1: Yesron Gronk was a big one radio Yeah, so, I

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Speaker 1: mean it's debatable.

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Speaker 3: I would probably say Jean Robinson.

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Speaker 2: And then in terms of who was the best guest,

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Speaker 2: not even close, slam dunk, best guest in the history

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Speaker 2: of sports radio and the history of Radio Row and

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Speaker 2: the history of Super Bowls, it was Christopher mad Doug Russ.

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Speaker 3: I mean, yes, that's exactly the stage for a half

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Speaker 3: hour Hawk.

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Speaker 1: Yes, he I mean that's like he give him a forum,

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Speaker 1: and you know, even beyond his own show shows, give

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Speaker 1: him a forum like that guy is just gold for radio.

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Speaker 5: Yes, Hawk, have I had a couple like don't meet

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Speaker 5: your hero moments with people over the course of my life,

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Speaker 5: and that's what I was kind of worried about with

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Speaker 5: Christopher mad Doug Russo being like somebody that I grew

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Speaker 5: up listening to on sports radio. Then he showed up

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Speaker 5: and whatever expectations I had for him, he blew them

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Speaker 5: complete out of the open delivery.

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Speaker 3: Yes, yes, but it seems.

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Speaker 1: Like salt of the earth kind of guy too, where

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Speaker 1: he would if he was going out to dinner, he'd

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Speaker 1: make sure Taylor was coming to like he just seems

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Speaker 1: like he's an everyman hawk.

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Speaker 2: What made this particular visit from Christopher mad Dog Russo

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Speaker 2: so good.

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Speaker 3: He's been on the show with me several times, but

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Speaker 3: we have a.

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Speaker 1: The relationship I have with Chris is different than the

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Speaker 1: relationship I had in years past.

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Speaker 3: I do his show every Friday at five.

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Speaker 2: It's one of the coolest things that has happened to

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Speaker 2: me later in my career where I have become actual

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Speaker 2: friends with the guy I grew up listening to and

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Speaker 2: the reason I got into this business. And so we

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Speaker 2: had an ongoing bet all year regular season record for

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Speaker 2: NFL bets and I beat him.

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Speaker 1: So he owes me a guest, and then we carried

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Speaker 1: into the postseason and I beat him again.

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Speaker 2: So now he owes us two guests. But there's a

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Speaker 2: real friendship there and a relationship there. And so when

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Speaker 2: he came over, it was a different man. He was

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Speaker 2: letting it fly like he was putting on a show

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Speaker 2: for our audience, the people on Radio Row, and he

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Speaker 2: knew he was doing it. And he said that I

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Speaker 2: have the ability, unlike many people, to draw it out

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Speaker 2: of them.

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Speaker 6: And so it was amazing.

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Speaker 1: He's got that that Hackman vibe, which is I'll give

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Speaker 1: you what you want. I know what you want when

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Speaker 1: I sit down. Whether I give it to you or

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Speaker 1: not is my decision. But when I sit down, I

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Speaker 1: know what you're looking for and for you. He gives

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Speaker 1: it to you.

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Speaker 3: Oh he does every single time. Yeah, listen, I'm so jealous.

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Speaker 1: Maybe one day we'll be on his private jet back

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Speaker 1: from the super Bowl next year, Taylor, we'll go for it.

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Speaker 3: I'll all take gummies together. That's what he does.

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Speaker 7: He calls you, so all he talks about is his gummies.

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Speaker 7: Man love a picture. He goes, you're jealous too, I'm like,

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Speaker 7: but yeah, here's the thing. I have a clip from

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Speaker 7: the Levantard Show.

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Speaker 1: I was looking through the archives of just Radio Row

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Speaker 1: and we were out there. I think our first one

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Speaker 1: was two thousand and six, which was in Miami. The

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Speaker 1: Bears were playing, Yes, and that was the Devin Hester

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Speaker 1: kickoff return game.

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Speaker 2: I think two thousand and six, So you're talking about

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Speaker 2: Bears and Colts, right, Yes, I think we went to Jacksonville.

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Speaker 3: Was it not the year before?

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Speaker 4: Was that the year before? Maybe?

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Speaker 3: I think it was a year before.

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Speaker 2: That's where we met Frank Calliando that I played the

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Speaker 2: k Roge clip was tongue is bleeding.

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Speaker 1: He's on Radio Row of Ray Lewis's year. That was

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Speaker 1: the year before? Yeah, I think it was the year before.

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Speaker 2: And by the way, just you know, to answer your

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Speaker 2: question again for a second time about this year's Radio

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Speaker 2: Row Frank Kelliendo asking Chris Sims questions was a close

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Speaker 2: second in.

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Speaker 4: Terms of highlights.

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Speaker 2: Calliendo fucking crushed it. Talk about guys who know what

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Speaker 2: you want and gives it to you.

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Speaker 6: He gave it to us.

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Speaker 4: He's so good.

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Speaker 1: I went and saw him a couple of weeks ago

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Speaker 1: in Naples doing stand up and he is just I

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Speaker 1: love guys who can control conversation, control a story, control

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Speaker 1: a stage. From the moment he walks out on a stage,

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Speaker 1: just like the moment he signs on to a radio show.

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Speaker 1: He is in full control and there's never weak moments.

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Speaker 1: He is just delivering, just delivering.

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Speaker 6: Yes.

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Speaker 5: So Sims's first coach in the NFL was John Gruden,

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Speaker 5: and Kelliendo was talking to Sims as Gruden and Simms

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Speaker 5: was like, I am getting chills flashbacks whatever to my

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Speaker 5: times from Tampa Bay with Gruden as the coach.

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Speaker 2: Yes, and Sims he did, by the way, Taylor, So

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Speaker 2: Sailor says to me, what do you want to do

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Speaker 2: with Frank? And I said, just just hand him my

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Speaker 2: weekend observations and let him go and tell us like,

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Speaker 2: I don't think that's a good idea, but you and

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Speaker 2: I know Frank cock and and he loved that. Yeah,

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Speaker 2: oh he loves that. And he killed it. He did

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Speaker 2: the Weekend Observations.

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Speaker 3: And he crushed it.

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Speaker 1: I'm just looking online, it looks like Jacksonville was OH five,

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Speaker 1: and then Detroit was O six, and then Miami was

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Speaker 1: O seven. It was really the six season, but the

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Speaker 1: rating seven I think we skipped Detroit.

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Speaker 4: Yeah, yeah, we didn't go to Detroit.

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Speaker 1: But I so I'm watching clips from you guys, and

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Speaker 1: you know, again, you're doing a network show and you've

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Speaker 1: got a network setup. And the years that Dan ended

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Speaker 1: up doing it for you guys with ESPN, which was

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Speaker 1: after my time, you guys had a network setup. But

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Speaker 1: this clip that I have from six o seven is

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Speaker 1: us literally at a table, yeah, with all the local

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Speaker 1: radio stations. What I like about the clip was it's

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Speaker 1: just the three of us chopping it up.

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Speaker 3: There's no like there.

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Speaker 1: You know, I've played on this podcast with Stugatts and Hawkman.

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Speaker 1: We've done a lot of bits, We've done a lot

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Speaker 1: of the funny things that we had put together. This

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Speaker 1: is really just us chopping it up at radio row.

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Speaker 1: And I thought there was something I don't know, like

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Speaker 1: pure about it. You could tell Dan doesn't really want

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Speaker 1: to be there, but he's he still knows, like, hey,

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Speaker 1: we're a local AM radio show. He didn't have aspirations

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Speaker 1: at that time to be a network show. Now, maybe

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Speaker 1: doing the show from the local tables awakened something in

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Speaker 1: him and he started to think, I don't want to

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Speaker 1: be at the local tables anymore.

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Speaker 3: You think so now, But hawk I remember this.

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Speaker 2: What happened was we just did our show yep, where

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Speaker 2: you have every other table, every other producer going after

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Speaker 2: every single guest who walks through that place, and we're like, nah,

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Speaker 2: let's just take a deep breath, settle down, do our show,

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Speaker 2: have a conversation. I had a similar conversation with Taylor

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Speaker 2: this year where I was like, Hey, enough of these

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Speaker 2: seven or eight minutes, Let's get Chris Russo on, Let's

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Speaker 2: get Dominique Foxworth on, Let's get people on and just

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Speaker 2: do show. And it turned out to be the best

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Speaker 2: moments of our show from the week. But I think

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Speaker 2: what you enjoined about this is everyone else is trying

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Speaker 2: to generate content with guests and we're just doing it

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Speaker 2: and doing it better than everyone else, just the three

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Speaker 2: of us.

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Speaker 1: And what would happen too is because Dan head Cachet

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Speaker 1: from being on ESPN and being a Herald columnist, we

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Speaker 1: were able to get some big name guests to come over,

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Speaker 1: who normally wouldn't wade into the local tables, right you

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Speaker 1: know what I mean, Like they'll do the little network roundabout,

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Speaker 1: but they will not wade into the local tables.

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Speaker 4: It was different back in O six No seven as well.

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Speaker 3: Like you had. There's a story that I.

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Speaker 1: Share in here where I'm going up to Johnny Knox,

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Speaker 1: who was a Bears receiver, and I'm actually going up

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Speaker 1: to the wrong person. But the fact that Johnny Knox

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Speaker 1: is in the game, but he's just kind of waltzing

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Speaker 1: around Radio Row is funny because that doesn't happen anymore.

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Speaker 3: I don't think radio change talk. I don't know, Like,

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Speaker 3: I don't know.

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Speaker 4: It's so different. It's so different.

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Speaker 1: It's so I mean they charge admission for fans to

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Speaker 1: watch it. Yeah, so it's like completely different. We did

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Speaker 1: a bit. We mentioned it on this little conversation that

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Speaker 1: we're having here because Roy is with us, and we

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Speaker 1: found that when you put on a pair of glasses

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Speaker 1: on Roy sunglasses kind of looks like too.

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Speaker 3: Yeah.

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Speaker 1: We were like, well, you remember that, like oys walk,

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Speaker 1: Let's walk Roy around and pretend it's too Yeah.

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Speaker 3: I was part of his entourage.

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Speaker 1: Yeah, Yes, we fooled stations.

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Speaker 8: It's easy.

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Speaker 1: You can fool anybody on Radio Row because they're just

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Speaker 1: looking for fresh meat.

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Speaker 6: Yep.

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Speaker 1: Yes, we trick stations tailor into convincing them that Roy

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Speaker 1: was Terrell Owens and Hawk is right.

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Speaker 3: It was just the glasses.

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Speaker 1: It was great and you know, Right, doesn't care's walk

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Speaker 1: around and pretend that he's important.

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Speaker 4: It was a really funny bit.

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Speaker 1: Anyway, here's just a little conversation that we're having on

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Speaker 1: Radio Row two thousand and seven in Miami. Bears are

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Speaker 1: playing and we're just kind of me you Dan, We're

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Speaker 1: just kind of chopping it up.

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Speaker 9: So what happened here Hawk today? As you wandered around

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Speaker 9: here glad handling and doing your schmoozing thing.

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Speaker 10: Well, you know, I'm into the celebrity thing, so I

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Speaker 10: get caught up in it.

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Speaker 4: It feels like a casino to me.

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Speaker 10: I just I love the energy of Radio Row, and

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Speaker 10: I will walk up to any want and ask for

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Speaker 10: a photograph. And those people that subscribe to our Twitter

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Speaker 10: account know that because I am tweeting out photos of me.

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Speaker 6: I took a photo with cl Cliff Floyd.

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Speaker 3: Why did I do that, I don't know, but Cliff

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Speaker 3: Floyd was there.

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Speaker 10: So I'm standing and Mike Marchant, the executive producer of

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Speaker 10: The Sodano Show, says to me, that's Johnny Knox over there.

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Speaker 10: Now you know me, I'm a Bears fan, big Bears fan,

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Speaker 10: of course, So I think this is gonna be cool.

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Speaker 9: I wouldn't I wouldn't recognize Johnny Knox if he came

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Speaker 9: in here in uniform. I introduced himself as Johnny Knox

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Speaker 9: and kissed me hard on the mouth.

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Speaker 4: Okay, well, I'm glad you feel that way.

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Speaker 10: Because he was standing next to someone and I said

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Speaker 10: to Mike Marchant, is that Johnny Knox? And he said yes.

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Speaker 10: I said, please follow me with your camera. I'm going

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Speaker 10: to go up to him and I'd like to take

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Speaker 10: a picture with him. I walk right up to the

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Speaker 10: big guy, because I figure football player is a big guy.

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Speaker 10: Johnny Knox apparently small. I look him straight in the eyes.

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Speaker 10: He's next to Johnny Knox. I look him straight in

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Speaker 10: the eyes, and I say, Johnny, I am a die

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Speaker 10: hard Bears fan, and I would like nothing more than

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Speaker 10: to take a photo.

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Speaker 8: A second of you. Johnny Knox is your returner, right.

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Speaker 3: He's a speedster and a receiver and a rookie wide receiver.

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Speaker 3: It's smaller than me.

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Speaker 4: Apparently.

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Speaker 10: I was talking to Jacoby Jones. Johnny Knox was right

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Speaker 10: next to him, and I looked at Jacoby Jones. I'm

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Speaker 10: telling you I do eye contact, Johnny. I am a

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Speaker 10: die hard Bears. Let me explain to you.

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Speaker 8: Let me explain to you what has happened here.

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Speaker 3: You are.

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Speaker 9: You are the person I despise at cocktail parties because

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Speaker 9: I cannot tell you how often I will be at

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Speaker 9: a cocktail party and something like that will happen to me.

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Speaker 8: Hey, I'm a huge, huge fan. Who are you again?

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Speaker 8: Or what is your name again? You are that guy?

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Speaker 3: Well?

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Speaker 8: I did it.

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Speaker 10: Also, I'm walking down radio Row and somebody that I

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Speaker 10: know introduces me. He says, ha, come here for a second.

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Speaker 10: I want to introduce you to Bob Papa. Now I

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Speaker 10: know who Bob Papa is. I don't know.

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Speaker 9: How well tell the audience because the audience probably isn't

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Speaker 9: gonna know.

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Speaker 10: Bob Papa does the play by play for the NFL

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Speaker 10: Network for the football game, so I've seen him. So

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Speaker 10: I walk up to him, I shake his hand, and

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Speaker 10: I say, Bob, I am a huge fan of yours,

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Speaker 10: and let me just tell you, for the NFL Network,

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Speaker 10: it was a huge upgrade when they hired you over Gumble. Unapologetically,

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Speaker 10: I don't mean a word of that.

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Speaker 8: So you're just lying to him. You're making small talk

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Speaker 8: or what do you what are you doing? I just

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Speaker 8: want to make him feel good.

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Speaker 10: I wanted to make him feel good. I said that,

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Speaker 10: and I walked away with a flourish. I just said,

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Speaker 10: huge upgrade over gumble, and I turned around and I

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Speaker 10: walked away.

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Speaker 6: All right, So you have some of that to look

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Speaker 6: forward to today. There's the very real.

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Speaker 9: Chance there are probably radio stories, I would guess on

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Speaker 9: radio row of I'm guessing that has to have happened

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Speaker 9: at sometime, given how many people are here, given how

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Speaker 9: many celebrities are here, given how many young people work

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Speaker 9: in radio. Where someone has been brought over to a

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Speaker 9: table and the interview starts and the interviewer thinks that

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Speaker 9: he is interviewing someone other than who he is interviewing,

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Speaker 9: that has to happen at at least sometimes, given that

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Speaker 9: you know your people are just walking by here. So

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Speaker 9: it's possible that during the middle of a conversation that

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Speaker 9: you and I are having on air, they'll sit.

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Speaker 8: If they sat Johnny Knox down here.

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Speaker 9: I wouldn't have no idea who it was. I wouldn't

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Speaker 9: recognize him. So I guess that we could probably produce

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Speaker 9: some pretty awkward radio moments with with just sitting.

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Speaker 8: People, and we should probably do that as a show.

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Speaker 8: Just sit people in front.

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Speaker 9: Of me and let's let me just don't tell me

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Speaker 9: who they are, let me interview, let me ask questions

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Speaker 9: that that are meant.

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Speaker 2: To guess who they are instead of like asking us.

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Speaker 3: Person.

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Speaker 6: I'd be great.

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Speaker 9: You could sit Jakobe Jones down here and I and

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Speaker 9: I'd never guess it. I would ask him question after

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Speaker 9: question and never arrive at who the hell it was.

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Speaker 10: You know what might be even funnier is Roy, our

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Speaker 10: associate producer, has a resemblance to Tarall Owens.

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Speaker 3: He really does, he really doesn't.

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Speaker 10: Now, if we have Mike Ryan take a notepad, have

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Speaker 10: Roy walk behind him, and then me and John and

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Speaker 10: Guzio will walk behind them yelling.

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Speaker 4: T O, can you do our show?

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Speaker 8: To can you do our show? Everyone will jump in

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Speaker 8: on that.

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Speaker 3: Everyone please do this, And I bet we.

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Speaker 4: Can get Roy interviewed by a station here.

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Speaker 8: Yes we can, thinking that he's t oh, yes, I

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Speaker 8: don't think you can.

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Speaker 1: Absolutely, I'd like to see you do that.

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Speaker 8: I think that's our goal before seven o'clock.

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Speaker 9: But Roy interviewed as Tarall Owens and I don't want

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Speaker 9: Roy to ever fall out of character.

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Speaker 8: I want him and let's make some national news where

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Speaker 8: Roy just says.

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Speaker 9: Outland but everybody the NFL is racist.

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Speaker 3: But Hawk's right because we need to sell it. We

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Speaker 3: need to have people bed behind Roy t O g

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Speaker 3: O two. We really need to act this out and

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Speaker 3: sell it. We can pull it off.

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Speaker 10: That's what happens here on Radio Rows. It just because

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Speaker 10: look at that we're putting sunglasses. I am Helen you right.

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Speaker 10: I almost want to take a picture with Roy right now.

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Speaker 10: He looks so much like too.

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Speaker 8: Is this Hawk? Who is this behind us? What is

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Speaker 8: the name of this show behind us?

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Speaker 1: Here?

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Speaker 8: This is what's happening here behind us?

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Speaker 10: This is right behind us I believe is nasty nester

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Speaker 10: from Baltimore.

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Speaker 3: I think we've battled with him before on Radio Row.

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Speaker 1: And to our left behind us is a show called

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Speaker 1: the cow Head Show.

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Speaker 4: It's the Cowhead Show.

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Speaker 3: Cow He cow Head, cow Head. I want to say that.

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Speaker 8: To this is the lowest rung of show businesses school.

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Speaker 8: The show business ladder arrived.

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Speaker 4: Do you have cow Heard? And that station over there

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Speaker 4: they have cow Head.

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Speaker 9: So we are broadcasting here at the height of journalism

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Speaker 9: and programming next to something.

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Speaker 8: Called the cow Head And of course what what station

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Speaker 8: is this? What is the Bone?

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Speaker 3: Yeah?

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Speaker 9: Or did that go without saying that Cowhead would be

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Speaker 9: on the Bone Tiki Barber with us next on seven

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Speaker 9: nine the Bone, So there's someone going on there.

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Speaker 1: One of the reasons that I like that is again

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Speaker 1: it's like very I don't know, friendly and viby.

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Speaker 4: We're just kind of cha and doing whatever.

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Speaker 1: But you start to get that feel of Dan going

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Speaker 1: what am I doing next to Cowhead at the Bone

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Speaker 1: and Nasty Nester and all these other local radio tables.

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Speaker 1: Literally we're at fulled out tables with a banner draped

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Speaker 1: over a couple.

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Speaker 3: Of things that stuck out to me.

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Speaker 2: I cannot believe that you met Bob Papa who Bob

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Speaker 2: Papa was? And the other thing, like many of our

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Speaker 2: ideas we just talked about on air and we would

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Speaker 2: form an idea and listening back to that Hockey was

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Speaker 2: your call.

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Speaker 6: It was a great call.

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Speaker 1: It's why you're great and great well you were great

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Speaker 1: as the executive producer and are great as a host.

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Speaker 3: Is that was your idea? Like right on a fly

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Speaker 3: doing that with Ry.

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Speaker 1: The other thing that stuck out to me is I

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Speaker 1: cannot believe Dan agreed to Tiki Barber. Like your dream

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Speaker 1: show there is Bob Papa followed by Tiki Barber together

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Speaker 1: and then maybe walking over to cow head at the

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Speaker 1: Bone and asking him how his day's going.

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Speaker 5: Yes, Huck, I've been struggling to put into words my

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Speaker 5: Radio Row experience. And then when I'm listening to you

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Speaker 5: say sometimes at Radio Row you just say things. That

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Speaker 5: is exactly how I felt. Because I saw Liam Cohne,

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Speaker 5: the Jaguars head coach, and the second he walked by,

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Speaker 5: I said, Liam Cohne, you were my vote for coach

446
00:20:53,640 --> 00:20:55,760
Speaker 5: of the year, and he turned around and said thank you,

447
00:20:55,800 --> 00:20:57,600
Speaker 5: and I go I also didn't have a vote for

448
00:20:57,640 --> 00:20:58,200
Speaker 5: coach of the year.

449
00:20:58,600 --> 00:20:59,359
Speaker 4: It's weird.

450
00:20:59,480 --> 00:21:03,280
Speaker 1: You want, like you see people that you only see

451
00:21:03,359 --> 00:21:08,000
Speaker 1: on television, and so like you want this moment where

452
00:21:08,040 --> 00:21:11,160
Speaker 1: they feel a connection with you, right, so you say

453
00:21:11,240 --> 00:21:12,960
Speaker 1: anything to them. And I'm telling you, I go up

454
00:21:13,000 --> 00:21:16,280
Speaker 1: to Johnny Knox and I the way that it happened,

455
00:21:16,320 --> 00:21:18,840
Speaker 1: it's still like it still keeps me up at.

456
00:21:18,800 --> 00:21:20,080
Speaker 4: Night when I think about it.

457
00:21:20,480 --> 00:21:23,000
Speaker 3: I walked Johnny Knox is standing right next.

458
00:21:22,880 --> 00:21:26,399
Speaker 1: To Jacoby Jones. Kobe Jones is huge. Yes, Jacoby Jones,

459
00:21:26,640 --> 00:21:29,280
Speaker 1: I walk right up to him. My eyes are in

460
00:21:29,359 --> 00:21:32,120
Speaker 1: his eyes. I go, Johnny Knox. I am a diehard

461
00:21:32,160 --> 00:21:36,640
Speaker 1: Bears fan, huge fan man, huge fan. And Johnny Knox,

462
00:21:37,520 --> 00:21:43,440
Speaker 1: who I am obviously not looking at, says, I'm Johnny Knox.

463
00:21:43,840 --> 00:21:50,240
Speaker 1: I'm staring right at Jacoby Jones, and I just casually

464
00:21:50,280 --> 00:21:52,919
Speaker 1: glance over to Johnny Knox and I go, I know,

465
00:21:54,680 --> 00:21:58,920
Speaker 1: And it was obvious. I didn't know I was staring.

466
00:21:59,119 --> 00:22:02,680
Speaker 1: I made a bee line to Jacoby Jones. Yes, and

467
00:22:03,520 --> 00:22:06,000
Speaker 1: pretended that Johnny Knox wasn't there because he was so small,

468
00:22:06,000 --> 00:22:08,040
Speaker 1: and I think he was a football player, right, And

469
00:22:08,080 --> 00:22:09,960
Speaker 1: then I just went, oh, yeah, I know.

470
00:22:10,600 --> 00:22:11,879
Speaker 3: Can I get a picture with you? And I have

471
00:22:11,880 --> 00:22:14,960
Speaker 3: a picture with Johnny Knox. That's so funny. By the way,

472
00:22:14,960 --> 00:22:15,960
Speaker 3: you were not staring.

473
00:22:16,200 --> 00:22:19,720
Speaker 2: Jacoby Jones was one of the most menacing physically men

474
00:22:19,880 --> 00:22:22,840
Speaker 2: is that he was built, he was ripped. You were

475
00:22:22,880 --> 00:22:26,080
Speaker 2: not looking at Jacoby Jones in the eyes Hockey sixth.

476
00:22:25,840 --> 00:22:27,439
Speaker 4: Three, He's looking at a nipples.

477
00:22:28,240 --> 00:22:29,720
Speaker 6: You were staring at his penis.

478
00:22:30,000 --> 00:22:36,359
Speaker 1: You can DM me on Instagram and ask for things

479
00:22:36,359 --> 00:22:39,280
Speaker 1: on the show. Yes, some of the things that we've

480
00:22:39,280 --> 00:22:43,400
Speaker 1: gotten on DM have turned into stuff that we hadn't remembered.

481
00:22:43,400 --> 00:22:47,560
Speaker 1: And then we played and it was the Vicodin segment

482
00:22:47,920 --> 00:22:49,560
Speaker 1: and punished the listeners.

483
00:22:49,600 --> 00:22:52,040
Speaker 4: We hadn't recalled that stuff and we ended up playing it.

484
00:22:52,400 --> 00:22:54,840
Speaker 1: I have received so many We didn't do any podds

485
00:22:55,000 --> 00:22:57,160
Speaker 1: last week because you guys were busy with Radio Row,

486
00:22:57,520 --> 00:23:01,440
Speaker 1: but I have received so many. D it's Radio Mark

487
00:23:01,520 --> 00:23:06,080
Speaker 1: Hawkman on Instagram. Here's some of them. Just to do

488
00:23:06,119 --> 00:23:07,840
Speaker 1: a little house keeping here.

489
00:23:08,000 --> 00:23:11,080
Speaker 3: Okay, hey hawk blah blah blah.

490
00:23:11,119 --> 00:23:13,399
Speaker 1: With the Canes being successful this season, I think it would

491
00:23:13,359 --> 00:23:16,720
Speaker 1: be a great listen. When Stugatts was talking about having

492
00:23:16,840 --> 00:23:21,879
Speaker 1: Mongolian beef at PF. Chang's restaurant after he left the

493
00:23:21,880 --> 00:23:25,159
Speaker 1: two thousand and three Hurricanes Gators game early before the

494
00:23:25,240 --> 00:23:28,920
Speaker 1: Canes made their huge comeback, Yes, he spoke about going

495
00:23:28,960 --> 00:23:32,440
Speaker 1: on the air the very next day and ripping fans

496
00:23:32,480 --> 00:23:37,160
Speaker 1: for leaving early. Yes, when he himself later admitted he

497
00:23:37,280 --> 00:23:39,080
Speaker 1: left the game early to go to PF.

498
00:23:39,200 --> 00:23:39,600
Speaker 4: Chang's.

499
00:23:39,800 --> 00:23:42,800
Speaker 3: Yes, one of the great moments. We should play that back.

500
00:23:42,840 --> 00:23:44,800
Speaker 3: I did. I ripped all knes fans for leaving that

501
00:23:44,880 --> 00:23:45,439
Speaker 3: game early.

502
00:23:46,040 --> 00:23:48,520
Speaker 2: And then a couple of days later revealed to everyone

503
00:23:49,119 --> 00:23:50,520
Speaker 2: that I too left that game early.

504
00:23:52,920 --> 00:23:54,920
Speaker 4: So you left one of those? Didn't you leave the

505
00:23:55,440 --> 00:23:57,359
Speaker 4: ray Allen game early for the heat?

506
00:23:57,720 --> 00:24:04,960
Speaker 3: Yeah? Just a shot early. Yep. Listen, you will agree

507
00:24:05,000 --> 00:24:05,520
Speaker 3: with me right.

508
00:24:06,400 --> 00:24:09,200
Speaker 2: Life is all about a good parking spot and getting

509
00:24:09,240 --> 00:24:09,760
Speaker 2: home early.

510
00:24:11,119 --> 00:24:15,080
Speaker 1: You know I will no longer agree a good parking spot, yes,

511
00:24:15,280 --> 00:24:16,959
Speaker 1: a good out. You know.

512
00:24:17,440 --> 00:24:18,400
Speaker 4: My dad was the.

513
00:24:18,440 --> 00:24:21,080
Speaker 1: King of We got to get out early, right, And

514
00:24:21,119 --> 00:24:23,800
Speaker 1: as I've gotten older, I'm like, why did we have

515
00:24:23,880 --> 00:24:24,960
Speaker 1: to get out early all the time?

516
00:24:24,960 --> 00:24:25,960
Speaker 4: Where did we have to go?

517
00:24:26,280 --> 00:24:28,639
Speaker 3: He wanted to get hold and work for what? What

518
00:24:28,680 --> 00:24:30,440
Speaker 3: are we trying to get home? Home for?

519
00:24:30,960 --> 00:24:31,200
Speaker 4: There?

520
00:24:31,680 --> 00:24:35,359
Speaker 1: Somebody dms hey Hawk first time long time. Would love

521
00:24:35,400 --> 00:24:37,600
Speaker 1: to reminisce Leroy Jenkins.

522
00:24:37,960 --> 00:24:38,440
Speaker 3: Oh boy?

523
00:24:38,640 --> 00:24:40,919
Speaker 4: Also good memories are the family feud.

524
00:24:41,400 --> 00:24:44,919
Speaker 1: We'll have to do the Leroy Jenkins Yes one day, Yes,

525
00:24:45,119 --> 00:24:46,920
Speaker 1: big part of yes man.

526
00:24:46,960 --> 00:24:50,359
Speaker 4: There's so many here. Somebody DM me a picture.

527
00:24:50,480 --> 00:24:54,879
Speaker 1: I always pictured Lombardo looking like the Dunesbury character with

528
00:24:54,960 --> 00:24:57,800
Speaker 1: a rough five o'clock shadow. This is and he sends

529
00:24:57,800 --> 00:25:00,280
Speaker 1: me a picture. That's how he uh that, That's how

530
00:25:00,320 --> 00:25:05,639
Speaker 1: he pictures Lombardo. We have to play Lombardo at some point, I.

531
00:25:05,640 --> 00:25:09,119
Speaker 2: Would say he would fall into top five callers of

532
00:25:09,160 --> 00:25:12,920
Speaker 2: all time at our show, like Benny is one, Lombardo's two,

533
00:25:12,960 --> 00:25:16,200
Speaker 2: Lombardo's up there. I don't have a fake Pamarati or

534
00:25:16,240 --> 00:25:18,119
Speaker 2: a fifth fake pavarad.

535
00:25:18,240 --> 00:25:20,639
Speaker 3: Oh, we could do an entire show and we will.

536
00:25:20,720 --> 00:25:21,360
Speaker 4: Pavaratti.

537
00:25:21,520 --> 00:25:24,680
Speaker 1: That's one of the most requested DMS, one of the

538
00:25:24,720 --> 00:25:27,560
Speaker 1: most requested characters that I get via DM.

539
00:25:28,040 --> 00:25:29,200
Speaker 4: Somebody DMS.

540
00:25:29,640 --> 00:25:32,600
Speaker 1: I'd like to learn more about the seven ninety the

541
00:25:32,640 --> 00:25:38,200
Speaker 1: ticket Marlins deal seven dollars and ninety cent Wednesdays. What

542
00:25:38,280 --> 00:25:42,040
Speaker 1: type of negotiation did Stu Goots and Samson have you

543
00:25:42,160 --> 00:25:45,000
Speaker 1: did that? That's before Samson was part of the show.

544
00:25:45,680 --> 00:25:48,800
Speaker 1: We had a deal with seven ninety the ticket where

545
00:25:48,800 --> 00:25:50,840
Speaker 1: you can get into a Marlins game for seven dollars

546
00:25:50,840 --> 00:25:51,760
Speaker 1: and ninety cents.

547
00:25:51,960 --> 00:25:54,240
Speaker 2: Yes, we did do that. I don't know if I

548
00:25:54,280 --> 00:25:58,120
Speaker 2: did that directly with David Sampson. I think I think,

549
00:25:58,160 --> 00:26:01,080
Speaker 2: well the negotiation I did with Samson and well, there's

550
00:26:01,080 --> 00:26:07,560
Speaker 2: been several negotiations outsides. Unfortunately not have a touchy subject,

551
00:26:08,600 --> 00:26:12,280
Speaker 2: but we will do something on the Marlins negotiation. The

552
00:26:12,440 --> 00:26:15,359
Speaker 2: seven dollars and ninety cent Wednesday Night ticket I believe

553
00:26:16,520 --> 00:26:19,600
Speaker 2: was the Marlins Idea and Howard Davis brought it to

554
00:26:19,640 --> 00:26:21,480
Speaker 2: me and I was like, yeah, that sounds cool, right,

555
00:26:22,119 --> 00:26:24,800
Speaker 2: Like that's a that's a great radio promotion to have.

556
00:26:25,240 --> 00:26:28,600
Speaker 2: Was and Marline the tickets to save their lives, like, yeah,

557
00:26:28,880 --> 00:26:30,920
Speaker 2: they can sell one hundred more tickets.

558
00:26:30,720 --> 00:26:33,480
Speaker 3: Right, seven dollars and ninety cents. A good deal never went.

559
00:26:33,960 --> 00:26:37,280
Speaker 1: Somebody says, hey, Hawk, love the show with Stugatts. I

560
00:26:37,359 --> 00:26:40,160
Speaker 1: really want to hear cats used to be currency. Bit,

561
00:26:41,080 --> 00:26:44,879
Speaker 1: keep up the great work. I'm not certain if the

562
00:26:44,960 --> 00:26:47,600
Speaker 1: bit is worth anything. It's just that final line where

563
00:26:47,640 --> 00:26:49,800
Speaker 1: I say cats used to be currency.

564
00:26:51,119 --> 00:26:52,320
Speaker 3: It's a ridiculous line.

565
00:26:52,359 --> 00:26:52,520
Speaker 6: Though.

566
00:26:53,680 --> 00:26:57,880
Speaker 1: Hawk and Stucotts absolutely loving the new podcast. My dad

567
00:26:57,880 --> 00:26:59,760
Speaker 1: and I were on the road to New Orleans for

568
00:26:59,760 --> 00:27:02,720
Speaker 1: the show Sugar Bowl. I put on the Tony Danza

569
00:27:02,840 --> 00:27:06,440
Speaker 1: episode and we were both dying laughing. We ended up

570
00:27:06,760 --> 00:27:09,840
Speaker 1: listening back to all of them. Neither of us miss

571
00:27:09,880 --> 00:27:13,080
Speaker 1: an episode. Was awesome to get the opportunity to listen

572
00:27:13,080 --> 00:27:15,159
Speaker 1: to some of the best moments from the show with

573
00:27:15,200 --> 00:27:17,680
Speaker 1: the guy who first introduced me all to it. Thank

574
00:27:17,720 --> 00:27:23,320
Speaker 1: you all for giving us this. There's so many I don't.

575
00:27:23,560 --> 00:27:26,919
Speaker 1: So you know, everybody wants to hear fake Paparatti. They

576
00:27:26,920 --> 00:27:30,000
Speaker 1: want to hear poop shoes. They want to hear the games,

577
00:27:30,080 --> 00:27:33,719
Speaker 1: which we will get to the games. Somebody says, hey,

578
00:27:33,800 --> 00:27:36,399
Speaker 1: Mark loved the show with Stu Gotts. I've been listening

579
00:27:36,440 --> 00:27:38,200
Speaker 1: since the seven ninety days. I want to hear the

580
00:27:38,240 --> 00:27:42,280
Speaker 1: episode about the Rogain spot that went downhill very quickly.

581
00:27:43,680 --> 00:27:46,080
Speaker 1: That's one of the best, so the ms I jar

582
00:27:46,200 --> 00:27:47,960
Speaker 1: my memory. That's something I forgot it.

583
00:27:48,040 --> 00:27:50,800
Speaker 2: I've been thought about that in a decade hawk and

584
00:27:50,840 --> 00:27:52,560
Speaker 2: now that you say it, I'm like laughing out loud

585
00:27:52,560 --> 00:27:53,240
Speaker 2: because I know it was.

586
00:27:53,440 --> 00:27:54,679
Speaker 4: We're going to do an episode on it.

587
00:27:54,560 --> 00:27:56,520
Speaker 1: It was my only live spot back in the day

588
00:27:56,520 --> 00:27:58,520
Speaker 1: because Stu gots had all the live spots. But I

589
00:27:58,600 --> 00:28:00,600
Speaker 1: was the only guy going bald and there was a

590
00:28:00,720 --> 00:28:04,320
Speaker 1: Roguain live spot live endorsement, so I got it and

591
00:28:04,359 --> 00:28:05,960
Speaker 1: I would get on the air. I want to save

592
00:28:06,000 --> 00:28:07,359
Speaker 1: this for an episode, but I would get on the

593
00:28:07,400 --> 00:28:09,480
Speaker 1: air for my live spot.

594
00:28:09,880 --> 00:28:11,520
Speaker 3: It'll be at the end of a segment. I would say,

595
00:28:11,600 --> 00:28:11,840
Speaker 3: you know.

596
00:28:11,840 --> 00:28:13,680
Speaker 1: What, guys, I don't know if you're watching along, but

597
00:28:13,760 --> 00:28:16,119
Speaker 1: I'd use this Roguain at home. I was reading the

598
00:28:16,119 --> 00:28:19,320
Speaker 1: copy or whatever, and finally Dan just can't take it anymore.

599
00:28:19,840 --> 00:28:22,480
Speaker 1: And he's like, and I'm looking at him. I'm trying

600
00:28:22,480 --> 00:28:25,360
Speaker 1: to do the live spot and he's laughing yeah, and

601
00:28:25,400 --> 00:28:27,280
Speaker 1: I go, what, why are you laughing.

602
00:28:27,880 --> 00:28:30,640
Speaker 3: He's like, cause you have six damn sprouts.

603
00:28:30,160 --> 00:28:31,160
Speaker 4: On the top of your head.

604
00:28:33,400 --> 00:28:35,640
Speaker 3: Not what you want while you're doing a live spot.

605
00:28:35,920 --> 00:28:41,360
Speaker 3: Not look yeah, yeah, just laughing at you. But he

606
00:28:41,440 --> 00:28:43,800
Speaker 3: was right. A lot of people want to hear the

607
00:28:43,840 --> 00:28:44,840
Speaker 3: games and the robot.

608
00:28:45,160 --> 00:28:47,400
Speaker 4: This is an interesting DM we got.

609
00:28:47,640 --> 00:28:51,000
Speaker 1: I'm pretty much caught up with Stugotts and Hawkman Pods.

610
00:28:51,120 --> 00:28:53,600
Speaker 1: I love them. I grew up in Miami Lakes. I

611
00:28:53,640 --> 00:28:56,800
Speaker 1: began to work out at Don Shula's Athletic Club around

612
00:28:56,840 --> 00:29:00,200
Speaker 1: seventeen and would run into Jim Manditch all the time.

613
00:29:00,280 --> 00:29:02,720
Speaker 1: Extremely nice guy. He would even do the all Right

614
00:29:02,840 --> 00:29:06,120
Speaker 1: Miami for us upon request. He lived in the area

615
00:29:06,720 --> 00:29:10,000
Speaker 1: nearby at a shoelas Steak too. They had a studio

616
00:29:10,120 --> 00:29:13,600
Speaker 1: where Hank Goldberg and of course Stu Goatts would do

617
00:29:13,680 --> 00:29:16,480
Speaker 1: a show there. Remember they had that studio. I think

618
00:29:16,520 --> 00:29:18,920
Speaker 1: we used that for the Lebttard show. That studio, well,

619
00:29:18,920 --> 00:29:19,200
Speaker 1: we did.

620
00:29:19,240 --> 00:29:22,160
Speaker 2: I took the the Shoela Steak to money and convert,

621
00:29:22,240 --> 00:29:25,560
Speaker 2: took it away from five sixty, converted it to seven ninety,

622
00:29:25,960 --> 00:29:28,840
Speaker 2: and suddenly Dan was doing exactly what he didn't want

623
00:29:28,880 --> 00:29:33,440
Speaker 2: to do. Host take a show at the Shula State Steakhafts. Yeah,

624
00:29:33,480 --> 00:29:38,880
Speaker 2: a tidy little like almost like a DJ booth. Yes, yeah, yeah,

625
00:29:39,000 --> 00:29:42,280
Speaker 2: they used to do the trivia show from there. Dfo Gergs,

626
00:29:43,880 --> 00:29:44,360
Speaker 2: you remember, he.

627
00:29:44,360 --> 00:29:47,160
Speaker 1: Writes, I remember when seven ninety started in two thousand

628
00:29:47,200 --> 00:29:49,160
Speaker 1: and four. I was super busy, but I would listen

629
00:29:49,200 --> 00:29:51,120
Speaker 1: as much as I could. For as long as I

630
00:29:51,240 --> 00:29:55,360
Speaker 1: have listened to talk radio Neil Rogers and Phil Henry included.

631
00:29:55,680 --> 00:29:58,880
Speaker 1: I will never forget how great radio was during the

632
00:29:58,920 --> 00:30:02,520
Speaker 1: dismal one and fift teen season, and the songs of callers,

633
00:30:02,520 --> 00:30:05,240
Speaker 1: as you explained in a recent episode like the one

634
00:30:05,280 --> 00:30:08,960
Speaker 1: with Queen Fake Queen, was just extraordinary for the time,

635
00:30:09,360 --> 00:30:11,560
Speaker 1: and the talent of the listeners was something of a

636
00:30:11,840 --> 00:30:16,680
Speaker 1: historic proponent of early day radio. Yes, there are two

637
00:30:16,720 --> 00:30:20,080
Speaker 1: Stugats memories I'd like you to find in the archives.

638
00:30:20,440 --> 00:30:23,400
Speaker 1: One where he fell off a ladder trying to get

639
00:30:23,400 --> 00:30:25,040
Speaker 1: a lizard down from his house.

640
00:30:25,200 --> 00:30:26,200
Speaker 3: Oh that was dangerous.

641
00:30:26,520 --> 00:30:27,400
Speaker 4: I don't hear all that.

642
00:30:27,680 --> 00:30:30,240
Speaker 3: Yeah, I know, I drove myself to the emergency room.

643
00:30:30,360 --> 00:30:31,480
Speaker 4: You know I did.

644
00:30:31,560 --> 00:30:33,560
Speaker 2: It was that bad now because I stood on the

645
00:30:33,600 --> 00:30:36,400
Speaker 2: top step of the ladder and it clearly says don't

646
00:30:36,400 --> 00:30:39,520
Speaker 2: step on the top step the very top step of

647
00:30:39,600 --> 00:30:42,000
Speaker 2: the ladder, and the ladder came out from underneath of.

648
00:30:41,960 --> 00:30:45,240
Speaker 3: Me, and so I was. I was in I was

649
00:30:45,280 --> 00:30:46,320
Speaker 3: in a ton of pain. Man.

650
00:30:46,400 --> 00:30:48,400
Speaker 1: I drove myself to the emergency room because my wife

651
00:30:48,440 --> 00:30:49,480
Speaker 1: had to take care of the kids.

652
00:30:49,560 --> 00:30:52,840
Speaker 3: The kids were mortified. Number than that, I was broke

653
00:30:52,880 --> 00:30:53,280
Speaker 3: his neck.

654
00:30:54,480 --> 00:30:55,440
Speaker 6: Lizard.

655
00:30:55,640 --> 00:30:58,480
Speaker 1: His number two request was when you called the police

656
00:30:58,520 --> 00:31:01,360
Speaker 1: because there was a frog in your high yep, bullfrog?

657
00:31:01,720 --> 00:31:03,600
Speaker 4: I remember that. I remember that you can call it

658
00:31:03,680 --> 00:31:04,280
Speaker 4: the police.

659
00:31:04,440 --> 00:31:07,600
Speaker 1: But there's a big difference between a frog and a bullfrog.

660
00:31:07,880 --> 00:31:10,960
Speaker 3: Okay, I mean, listen, I'm.

661
00:31:10,880 --> 00:31:12,560
Speaker 1: On your side on this one. I wouldn't know if

662
00:31:12,600 --> 00:31:15,200
Speaker 1: there was a frog in my house. I wouldn't know what.

663
00:31:15,120 --> 00:31:15,800
Speaker 4: To do, right.

664
00:31:15,800 --> 00:31:17,120
Speaker 2: I don't want to give up too much of that

665
00:31:17,200 --> 00:31:19,440
Speaker 2: story because we can't do an entire episode on it,

666
00:31:19,480 --> 00:31:20,840
Speaker 2: but there are details.

667
00:31:20,360 --> 00:31:22,320
Speaker 3: That are being a lot out there from that DP.

668
00:31:22,400 --> 00:31:25,120
Speaker 1: The guy says, thanks for covering the gas station with

669
00:31:25,240 --> 00:31:28,880
Speaker 1: Stu Gotts already. I remember listening to Mark Hackman in

670
00:31:28,920 --> 00:31:31,520
Speaker 1: my car and so glad you've done an episode on

671
00:31:31,560 --> 00:31:32,120
Speaker 1: it already.

672
00:31:32,200 --> 00:31:34,480
Speaker 4: Am Borgaso Conqueso is fantastic.

673
00:31:35,080 --> 00:31:37,320
Speaker 1: To this day, I still catch you and Crowder on

674
00:31:37,360 --> 00:31:39,880
Speaker 1: the Odyssey app, especially when our local teams like the

675
00:31:39,880 --> 00:31:43,280
Speaker 1: Panthers and Canes are making championship runs. I got asked

676
00:31:43,280 --> 00:31:46,040
Speaker 1: why I still listen to local am radio while there

677
00:31:46,040 --> 00:31:49,560
Speaker 1: are so many podcasts out there. There would be the

678
00:31:49,600 --> 00:31:52,840
Speaker 1: technology today if it wasn't there wouldn't be the technology

679
00:31:53,000 --> 00:31:56,160
Speaker 1: today if it wasn't for you guys. Two Days with

680
00:31:56,280 --> 00:31:59,720
Speaker 1: you and Stu were so funny, cocky heat fans. So

681
00:31:59,760 --> 00:32:07,200
Speaker 1: glad you guys are doing what you're doing, and the

682
00:32:07,320 --> 00:32:11,480
Speaker 1: early Leviatard Show and your current show some of the

683
00:32:11,520 --> 00:32:16,200
Speaker 1: best radio that I've ever heard. Can't wait for more episodes, Nelson.

684
00:32:16,480 --> 00:32:19,040
Speaker 1: But anyway, there was one other one. So I like

685
00:32:19,120 --> 00:32:21,560
Speaker 1: the ones where there's a request and all of a

686
00:32:21,600 --> 00:32:24,280
Speaker 1: sudden it's like, oh, I think I kind of remember that.

687
00:32:24,640 --> 00:32:28,080
Speaker 1: So some guy DMS and he says, can you play

688
00:32:28,160 --> 00:32:31,640
Speaker 1: the pool phone rant? And I hadn't really thought about it,

689
00:32:31,680 --> 00:32:34,160
Speaker 1: but it did resonate with me. I remember having a

690
00:32:34,160 --> 00:32:37,360
Speaker 1: pool phone rant, and I thought I was just ranting

691
00:32:37,400 --> 00:32:39,520
Speaker 1: on the uselessness of a pool phone, and I went

692
00:32:39,560 --> 00:32:41,600
Speaker 1: back and listened to it, and that's not exactly what

693
00:32:41,680 --> 00:32:45,720
Speaker 1: it is. We're on the show me, you and Dan

694
00:32:46,120 --> 00:32:48,840
Speaker 1: were supposed to play an interview that we had taped

695
00:32:48,880 --> 00:32:52,400
Speaker 1: with Jason Taylor. I didn't have it. I forgot to

696
00:32:52,440 --> 00:32:55,640
Speaker 1: bring it from home on my jump drive, my trustee.

697
00:32:55,840 --> 00:32:59,120
Speaker 1: It was a different time, Taylor, different times man on

698
00:32:59,160 --> 00:33:00,880
Speaker 1: my Trustee jump drive.

699
00:33:01,080 --> 00:33:03,360
Speaker 3: Taylor's like, what do you mean you didn't bring the

700
00:33:03,440 --> 00:33:04,720
Speaker 3: interview from home.

701
00:33:05,000 --> 00:33:07,600
Speaker 1: Because it's so long to email something. You could still

702
00:33:07,640 --> 00:33:09,560
Speaker 1: email something, but it would just take long. But now

703
00:33:09,560 --> 00:33:11,000
Speaker 1: I'm trying to get in touch with my wife to

704
00:33:11,080 --> 00:33:12,880
Speaker 1: email it so we can play it. But anyway, here's

705
00:33:12,920 --> 00:33:16,840
Speaker 1: the pool phone rant segment that the listener has requested.

706
00:33:17,440 --> 00:33:19,760
Speaker 11: At six forty five, we're supposed to play a Jason

707
00:33:19,760 --> 00:33:21,920
Speaker 11: Taylor interview, but he forgot to put it on his

708
00:33:21,960 --> 00:33:24,200
Speaker 11: computer here, So now he's trying to get a hold

709
00:33:24,200 --> 00:33:27,240
Speaker 11: of his wife at home to get well know whether

710
00:33:27,320 --> 00:33:29,800
Speaker 11: Jason Taylor is on the show based.

711
00:33:29,480 --> 00:33:31,840
Speaker 6: On whether his wife gets out of the pool or not.

712
00:33:32,040 --> 00:33:34,800
Speaker 12: Oh wow, Well that's he should be outraged, though, Well,

713
00:33:34,840 --> 00:33:35,560
Speaker 12: here's the problem.

714
00:33:35,640 --> 00:33:36,280
Speaker 8: It's his fault.

715
00:33:36,360 --> 00:33:39,760
Speaker 12: He forgot her husband is calling asking the wife for

716
00:33:39,800 --> 00:33:40,160
Speaker 12: a favor.

717
00:33:40,280 --> 00:33:40,880
Speaker 4: She's in the pool.

718
00:33:40,920 --> 00:33:41,600
Speaker 12: I understand.

719
00:33:42,800 --> 00:33:44,040
Speaker 4: Let me tell you why I'm outraged.

720
00:33:44,160 --> 00:33:46,520
Speaker 10: Yes, I forgot to put the Jason Taylor interview on

721
00:33:46,560 --> 00:33:47,240
Speaker 10: my jump drive.

722
00:33:48,080 --> 00:33:49,800
Speaker 4: I've been trying to call her for an hour and

723
00:33:49,800 --> 00:33:50,240
Speaker 4: a half.

724
00:33:50,680 --> 00:33:52,440
Speaker 3: I know she's in the pool with our son.

725
00:33:53,360 --> 00:33:58,480
Speaker 13: I purposely last summer bought a pool phone. I bought

726
00:33:58,520 --> 00:34:02,200
Speaker 13: a phone that boats in the pool for this occasion,

727
00:34:02,240 --> 00:34:02,600
Speaker 13: Just for.

728
00:34:02,640 --> 00:34:04,680
Speaker 4: An occasion like this, It's awesome.

729
00:34:04,760 --> 00:34:07,360
Speaker 13: The only thing you have to do is the swimmer

730
00:34:07,800 --> 00:34:09,359
Speaker 13: is to remember to bring the.

731
00:34:09,320 --> 00:34:11,080
Speaker 8: Pool phone into the pool.

732
00:34:11,160 --> 00:34:17,120
Speaker 12: So she's forgot, well, and I'm angry. I'm on his

733
00:34:17,239 --> 00:34:19,160
Speaker 12: side because there's a couple of things that play here.

734
00:34:19,160 --> 00:34:20,680
Speaker 12: When you call on you're at work, and you call

735
00:34:20,719 --> 00:34:22,479
Speaker 12: the wife at ninety minutes, there.

736
00:34:22,360 --> 00:34:24,200
Speaker 3: Could be a mergency in the house hold on a

737
00:34:24,239 --> 00:34:24,719
Speaker 3: minute to.

738
00:34:24,760 --> 00:34:25,960
Speaker 6: The phone, and I want to get out of here.

739
00:34:27,120 --> 00:34:30,480
Speaker 11: Who is the more egregious offense on the forgetfulness front?

740
00:34:30,880 --> 00:34:33,200
Speaker 11: The mother who's with the child and forgets to bring

741
00:34:33,239 --> 00:34:35,879
Speaker 11: the phone in, or the producer who forgets to put

742
00:34:35,960 --> 00:34:37,480
Speaker 11: Jason Taylor in his computer.

743
00:34:37,680 --> 00:34:41,080
Speaker 13: Yes, but what if that producer had such foresight a

744
00:34:41,200 --> 00:34:42,600
Speaker 13: year ago to things.

745
00:34:43,160 --> 00:34:44,960
Speaker 4: Maybe I'm going to have an occasion.

746
00:34:44,560 --> 00:34:45,960
Speaker 1: But I need to get a hold of somebody in

747
00:34:45,960 --> 00:34:46,680
Speaker 1: the swimming pool.

748
00:34:46,920 --> 00:34:48,920
Speaker 3: I'm gonna invest ninety.

749
00:34:48,760 --> 00:34:53,360
Speaker 13: Ridiculous dollars phone that floats in a pool on her.

750
00:34:53,600 --> 00:34:54,920
Speaker 3: No, it's on her.

751
00:34:55,480 --> 00:34:57,480
Speaker 11: It's not her job to get out of the pool

752
00:34:57,520 --> 00:34:58,560
Speaker 11: and produce my show.

753
00:34:58,719 --> 00:35:02,040
Speaker 3: What if she's your what is your job not her?

754
00:35:02,400 --> 00:35:03,920
Speaker 3: What if she's being a mother?

755
00:35:04,440 --> 00:35:05,960
Speaker 12: What if she's out and you're with a kid and

756
00:35:06,000 --> 00:35:07,680
Speaker 12: she's calling you for ninety minutes and you don't pick

757
00:35:07,760 --> 00:35:08,440
Speaker 12: up she's out.

758
00:35:08,440 --> 00:35:12,000
Speaker 13: It would never happen, because I absolutely because she has a.

759
00:35:12,000 --> 00:35:13,399
Speaker 8: Phone that works in the strip club.

760
00:35:15,760 --> 00:35:18,160
Speaker 3: She want you years ago, Come on, I bought a

761
00:35:18,200 --> 00:35:20,480
Speaker 3: pool phone. Bring it out when you go to the pool.

762
00:35:20,520 --> 00:35:21,399
Speaker 4: How hard is that?

763
00:35:22,280 --> 00:35:25,880
Speaker 3: Yeah, I would say, twenty years later, I'm still right correct.

764
00:35:25,880 --> 00:35:28,000
Speaker 2: Oh yes, yes, yes, it's still on her. I mean

765
00:35:28,040 --> 00:35:30,040
Speaker 2: the foresight for you to get a pool phone.

766
00:35:30,640 --> 00:35:31,920
Speaker 4: Ninety dollars back then.

767
00:35:31,960 --> 00:35:34,760
Speaker 1: I still remember it was bright yellow, you just floating

768
00:35:34,760 --> 00:35:35,240
Speaker 1: the pool.

769
00:35:35,560 --> 00:35:38,839
Speaker 3: Yeah, waterproof, Yes, just for an occasion like that.

770
00:35:39,160 --> 00:35:41,719
Speaker 2: You also heard the building blocks and the fundamentals of

771
00:35:41,760 --> 00:35:43,879
Speaker 2: our show, which is everyone gangs up against Dan.

772
00:35:46,160 --> 00:35:48,680
Speaker 6: I'm not even certain I agree with you, but I agree.

773
00:35:48,360 --> 00:35:51,320
Speaker 1: With you for the sake of radio anyway, email or

774
00:35:52,480 --> 00:35:55,960
Speaker 1: dm me that kind of stuff on Instagram radio Mark Hackman,

775
00:35:56,040 --> 00:35:58,520
Speaker 1: because the more stuff we get like that. Like I

776
00:35:58,600 --> 00:36:00,239
Speaker 1: just saw it and it was like pool phone, and

777
00:36:00,280 --> 00:36:02,279
Speaker 1: I looked in the archives and I'm like, oh, sure, shit,

778
00:36:02,360 --> 00:36:04,440
Speaker 1: there it is the pool phone ran and that was

779
00:36:04,440 --> 00:36:05,920
Speaker 1: a that was a good moment.

780
00:36:06,400 --> 00:36:08,600
Speaker 2: Have you discussed this with your wife since then? Like

781
00:36:08,640 --> 00:36:10,239
Speaker 2: does she realize how wrong she was?

782
00:36:13,640 --> 00:36:16,279
Speaker 1: I keep an entire list of things she's done wrong

783
00:36:16,320 --> 00:36:17,520
Speaker 1: In the last twenty minutes.

784
00:36:17,560 --> 00:36:19,760
Speaker 2: You start thinking of your wife might having an affair

785
00:36:19,920 --> 00:36:21,680
Speaker 2: or something.

786
00:36:21,640 --> 00:36:23,320
Speaker 3: Right, And what are you doing?

787
00:36:23,680 --> 00:36:26,360
Speaker 4: I got you the phone. It's like Casino.

788
00:36:26,520 --> 00:36:30,120
Speaker 1: It's like Robert de Niro he gets Sharon Stone the beeper.

789
00:36:30,920 --> 00:36:32,440
Speaker 4: She's out with James Woods.

790
00:36:33,560 --> 00:36:35,799
Speaker 3: What am I doing? I'm doing the pool guy, I'm

791
00:36:35,800 --> 00:36:36,799
Speaker 3: doing that.

792
00:36:37,360 --> 00:36:38,000
Speaker 4: I don't have time.

793
00:36:38,239 --> 00:36:39,440
Speaker 3: What do you mean you don't have time for the

794
00:36:39,440 --> 00:36:40,080
Speaker 3: pool phone.

795
00:36:40,120 --> 00:36:42,280
Speaker 1: There's three things when you walk out to the pool,

796
00:36:42,560 --> 00:36:44,759
Speaker 1: the kids, floaty, a towel.

797
00:36:44,880 --> 00:36:48,719
Speaker 4: Pool phone. Three things. It's not a long checklist.

798
00:36:48,719 --> 00:36:51,560
Speaker 1: It's like, you're not a pilot getting ready for takeoff.

799
00:36:51,560 --> 00:36:53,440
Speaker 4: You have nineteen things you got to check off on

800
00:36:53,480 --> 00:36:53,880
Speaker 4: the list.

801
00:36:54,160 --> 00:36:58,480
Speaker 3: Yeah, grab a floaty, get a towel, get the pool phone.

802
00:36:58,960 --> 00:37:03,560
Speaker 6: He's ready, a guy, it's amazing over this. I can't listen.

803
00:37:03,600 --> 00:37:06,160
Speaker 2: I got to give you credit the foresight you bought

804
00:37:06,160 --> 00:37:09,120
Speaker 2: the fold for that particular moment when I had to

805
00:37:09,239 --> 00:37:09,760
Speaker 2: know that.

806
00:37:09,640 --> 00:37:14,960
Speaker 4: We would you ever need a pool phone, but just

807
00:37:15,000 --> 00:37:15,480
Speaker 4: to have the.

808
00:37:15,440 --> 00:37:18,680
Speaker 2: Foresight to realize I might need a pool fold because

809
00:37:18,680 --> 00:37:21,440
Speaker 2: when I'm working, my wife is always in the pool

810
00:37:21,800 --> 00:37:24,120
Speaker 2: and if there's an emergency, I'm gonna need to get her.

811
00:37:24,120 --> 00:37:24,879
Speaker 2: And you got her one.

812
00:37:25,160 --> 00:37:26,719
Speaker 4: I got her one. It's on her.

813
00:37:26,800 --> 00:37:29,799
Speaker 1: That's that's an insurance policy. And then you finally get

814
00:37:29,800 --> 00:37:32,040
Speaker 1: a chance to cash in on the insurance policy.

815
00:37:32,680 --> 00:37:36,319
Speaker 4: Yes, someone forgot the policy. So the pool folk has

816
00:37:36,360 --> 00:37:39,759
Speaker 4: never been used. It never got used right, and it

817
00:37:39,800 --> 00:37:40,600
Speaker 4: never worked well.

818
00:37:40,719 --> 00:37:43,239
Speaker 1: I think what ended up happening was she did end

819
00:37:43,320 --> 00:37:49,399
Speaker 1: up calling me on the pool phone and it sounded like, er, yeah,

820
00:37:49,480 --> 00:37:53,520
Speaker 1: can you can you email There's a file on my desk,

821
00:37:53,640 --> 00:37:58,400
Speaker 1: It says Jason Taylor edited interview, Can you email that

822
00:37:58,480 --> 00:38:06,879
Speaker 1: to me? Are you in the pool, shrimp what, I'm

823
00:38:06,880 --> 00:38:10,040
Speaker 1: not kidding you. That's how the conversation went. That's how

824
00:38:10,080 --> 00:38:12,960
Speaker 1: well the pool phone worked. But I do feel like maybe,

825
00:38:13,000 --> 00:38:16,800
Speaker 1: like the idea of a phone in the pool seems

826
00:38:16,840 --> 00:38:18,839
Speaker 1: like a terrible idea and it's not going to work.

827
00:38:18,880 --> 00:38:21,759
Speaker 1: And I feel like you got two for ninety bucks. Now, yeah,

828
00:38:21,760 --> 00:38:24,960
Speaker 1: that's like a Sharper Image purchase in two thousand and six,

829
00:38:25,440 --> 00:38:27,960
Speaker 1: where it looks great at the Sharper Image. You're in

830
00:38:28,000 --> 00:38:30,560
Speaker 1: the mall and I'm like, you know what, I know

831
00:38:30,640 --> 00:38:32,320
Speaker 1: you'd go swimming with DJ.

832
00:38:32,480 --> 00:38:34,240
Speaker 4: I'm out, you know, I'm out at work.

833
00:38:34,719 --> 00:38:37,120
Speaker 1: Probably not a bad idea for you to have a

834
00:38:37,160 --> 00:38:41,799
Speaker 1: phone accessible in the pool, just in case something happens. Yes,

835
00:38:42,000 --> 00:38:44,600
Speaker 1: and then you know technology in two thousand and six,

836
00:38:45,080 --> 00:38:46,279
Speaker 1: whoa sure?

837
00:38:50,280 --> 00:38:52,280
Speaker 3: Yeah, Jason, it says Jason Taylor.

838
00:38:52,560 --> 00:38:56,319
Speaker 1: Don't send the one that says Jason Taylor unedited, send

839
00:38:56,400 --> 00:38:57,680
Speaker 1: Jason Taylor edited.

840
00:38:57,800 --> 00:38:59,600
Speaker 4: I need you to email it to me as fast

841
00:38:59,600 --> 00:39:00,280
Speaker 4: as you can.

842
00:39:03,480 --> 00:39:06,000
Speaker 3: Huh.

843
00:39:06,040 --> 00:39:08,440
Speaker 2: But the Sharper Image, now that I'm thinking about it,

844
00:39:08,480 --> 00:39:11,760
Speaker 2: what an amazing racket they were running and are running

845
00:39:12,280 --> 00:39:14,840
Speaker 2: because now exists that would show up at the Shorper

846
00:39:14,880 --> 00:39:18,239
Speaker 2: Image catalog. You would see him anywhere else, no other catalogs,

847
00:39:18,280 --> 00:39:20,960
Speaker 2: no other store, like they were the only ones that

848
00:39:21,040 --> 00:39:24,040
Speaker 2: had this particular product, and you would pay top dollar.

849
00:39:24,400 --> 00:39:27,520
Speaker 2: They had so much credibility that there's no way you

850
00:39:27,600 --> 00:39:30,080
Speaker 2: figured to yourself, I'm gonna buy something from the shorper

851
00:39:30,080 --> 00:39:31,479
Speaker 2: image and it's not gonna work.

852
00:39:32,200 --> 00:39:33,799
Speaker 4: We had a we had a.

853
00:39:33,760 --> 00:39:36,400
Speaker 1: Topic on the on the show Meet Crowd and Solana

854
00:39:36,680 --> 00:39:41,400
Speaker 1: just yesterday, what store do you miss shopping at? Just

855
00:39:41,440 --> 00:39:45,160
Speaker 1: doesn't exist anymore? What store do you miss shopping at?

856
00:39:45,719 --> 00:39:49,320
Speaker 1: And for me it was Specs or Peaches. I loved

857
00:39:49,360 --> 00:39:53,279
Speaker 1: the Rower Records store. Yeah, yeah, I would say the same.

858
00:39:53,360 --> 00:40:00,000
Speaker 1: Probably a record blockbuster. Blockbuster on a Friday night was magic.

859
00:40:00,000 --> 00:40:02,040
Speaker 2: A lotbusters on a Friday night, getting a couple of

860
00:40:02,080 --> 00:40:04,760
Speaker 2: movies and some snacks with your wife is fantastic.

861
00:40:04,760 --> 00:40:07,279
Speaker 3: Oh god, what a different time, a better time.

862
00:40:07,320 --> 00:40:10,200
Speaker 5: I would say, Did you guys have stephen Berry's down South?

863
00:40:11,080 --> 00:40:11,160
Speaker 1: No?

864
00:40:11,400 --> 00:40:11,839
Speaker 4: What was that?

865
00:40:12,640 --> 00:40:15,399
Speaker 5: Stephen Berry's was like a clothing store and they had

866
00:40:15,520 --> 00:40:18,520
Speaker 5: every college team but the shirts were like three four

867
00:40:18,600 --> 00:40:23,040
Speaker 5: dollars and they also had Starberries too, the Stefan Marburry shoes.

868
00:40:23,280 --> 00:40:25,640
Speaker 3: But like that stuff, you can get online now like

869
00:40:25,920 --> 00:40:28,279
Speaker 3: you can go to uh get anything online. But there

870
00:40:28,320 --> 00:40:29,240
Speaker 3: was something cathartic.

871
00:40:29,239 --> 00:40:31,719
Speaker 2: There was something nice about walking into the store, like

872
00:40:31,760 --> 00:40:32,640
Speaker 2: to your point.

873
00:40:32,440 --> 00:40:35,479
Speaker 1: What I loved because there was no internet, so you'd

874
00:40:35,520 --> 00:40:39,000
Speaker 1: walk into Specs or Peaches and you didn't know if

875
00:40:39,080 --> 00:40:42,239
Speaker 1: new albums were out, like like you're thumbing through the

876
00:40:42,320 --> 00:40:45,120
Speaker 1: albums or the discs and like it's all a surprise

877
00:40:45,360 --> 00:40:46,720
Speaker 1: if somebody is released.

878
00:40:46,760 --> 00:40:48,839
Speaker 4: Oh my god, the Art of Noise has a new

879
00:40:49,239 --> 00:40:49,680
Speaker 4: home own.

880
00:40:49,760 --> 00:40:52,000
Speaker 1: I can't believe this. How did I not know about this? Well,

881
00:40:52,000 --> 00:40:54,880
Speaker 1: how would I have known about it? They're not calling me,

882
00:40:55,120 --> 00:40:57,799
Speaker 1: like no, you just have to show up at the store.

883
00:40:57,719 --> 00:40:58,160
Speaker 6: And they were.

884
00:40:58,480 --> 00:40:59,799
Speaker 3: They were all done in alphabetical.

885
00:41:00,840 --> 00:41:03,279
Speaker 2: You would walk in wanting to purchase one record and

886
00:41:03,400 --> 00:41:06,920
Speaker 2: walk out with five different records like the section.

887
00:41:07,719 --> 00:41:10,520
Speaker 1: Oh my god, they only sell this in Portugal. I

888
00:41:10,600 --> 00:41:17,000
Speaker 1: don't know how Specs got this. This is incredible circula.

889
00:41:17,120 --> 00:41:20,440
Speaker 1: By the way, the pool phone I don't think lasted

890
00:41:20,520 --> 00:41:21,600
Speaker 1: more than a year and a half. I think it

891
00:41:21,640 --> 00:41:24,759
Speaker 1: got rusted out. And I'm not kidding you. I'm not

892
00:41:24,840 --> 00:41:31,719
Speaker 1: kidding you, Like sure, sure, really, I'm not kidding. We

893
00:41:31,800 --> 00:41:36,000
Speaker 1: have to thank our sponsor dec eighty four and Burton

894
00:41:36,040 --> 00:41:40,640
Speaker 1: Max's And I'm not kidding you. Buddha who runs Burton Maxes.

895
00:41:41,120 --> 00:41:43,680
Speaker 1: We were at Deck eighty four on Sunday, my wife

896
00:41:43,719 --> 00:41:45,520
Speaker 1: and I. It was such a nice day. We went

897
00:41:45,560 --> 00:41:49,000
Speaker 1: to Atlantic Avenue before the Super Bowl walked on Atlantic Avenue.

898
00:41:49,320 --> 00:41:51,799
Speaker 1: We had a nice meal at Dec eighty four. That

899
00:41:51,880 --> 00:41:55,480
Speaker 1: restaurant is fantastic. It's right on the water. But Buddha

900
00:41:56,080 --> 00:41:58,399
Speaker 1: is at Burton Max's. This is no joke because it's

901
00:41:58,400 --> 00:42:01,040
Speaker 1: in West Delray. If you ask for Buddha, if you

902
00:42:01,040 --> 00:42:03,160
Speaker 1: go to Burton Maxes and their food's great. If you

903
00:42:03,200 --> 00:42:06,040
Speaker 1: go to Burton Maxes and ask for Buddha and say, hey,

904
00:42:06,640 --> 00:42:09,279
Speaker 1: I heard Stu Gotts and Hawk talking about you and

905
00:42:09,320 --> 00:42:13,080
Speaker 1: I'd like a free apparel sprits, He'll buy an aperol sprits.

906
00:42:14,000 --> 00:42:15,239
Speaker 4: How many podcasts can offer you?

907
00:42:15,320 --> 00:42:15,480
Speaker 1: Then?

908
00:42:16,200 --> 00:42:16,680
Speaker 3: None?

909
00:42:16,840 --> 00:42:17,080
Speaker 13: None?

910
00:42:18,000 --> 00:42:21,279
Speaker 1: Right, yes, hey, you listen to these podcasts. How many

911
00:42:21,280 --> 00:42:23,240
Speaker 1: podcasts offer you a free apparol sprits?

912
00:42:26,239 --> 00:42:27,200
Speaker 6: How many hosts?

913
00:42:27,280 --> 00:42:27,320
Speaker 5: No?

914
00:42:27,840 --> 00:42:31,520
Speaker 6: An aperol sprints? Only you?

915
00:42:31,960 --> 00:42:33,040
Speaker 8: Only you will believe me.

916
00:42:33,440 --> 00:42:37,239
Speaker 1: Yes, I'll go to Burton Maxes in del Ray. But

917
00:42:37,320 --> 00:42:41,520
Speaker 1: I'm not kidding you. Actually, Valentine's Day is coming up

918
00:42:41,600 --> 00:42:44,759
Speaker 1: Decady four or Burton Maxes for Valentine's Day.

919
00:42:44,920 --> 00:42:46,480
Speaker 3: Yes, these are two perfect spots.

920
00:42:46,680 --> 00:42:49,680
Speaker 4: Listens is a perfect spot. They're both great places.

921
00:42:49,760 --> 00:42:52,000
Speaker 3: Buddha is a good friend of both of ours.

922
00:42:52,080 --> 00:42:54,239
Speaker 2: If you walk in, you just shout out his name

923
00:42:54,320 --> 00:42:56,480
Speaker 2: like Taylor with Fred Smooth out Radio Row.

924
00:42:57,120 --> 00:42:58,680
Speaker 3: He is going to take such good care of you.

925
00:42:58,800 --> 00:43:01,799
Speaker 1: He is because he is friends of both being hawk

926
00:43:01,920 --> 00:43:04,399
Speaker 1: really good friends. And he's a great guy who knows

927
00:43:04,480 --> 00:43:07,560
Speaker 1: how to run restaurants, and he runs these two restaurants

928
00:43:07,600 --> 00:43:10,080
Speaker 1: as well as anyone I'll possibly could, So.

929
00:43:10,080 --> 00:43:18,400
Speaker 2: Go there, just say Buddha, Taylor rip Buda.

930
00:43:18,840 --> 00:43:20,239
Speaker 6: You look good.

931
00:43:22,280 --> 00:43:24,320
Speaker 3: At dec eighty four and Burton Max's.

932
00:43:24,360 --> 00:43:28,160
Speaker 1: And I should probably promote cameos for Valentine's Day.

933
00:43:28,239 --> 00:43:31,400
Speaker 3: I know that you're very busy going to the studios.

934
00:43:31,480 --> 00:43:32,239
Speaker 4: I don't even know.

935
00:43:32,200 --> 00:43:33,839
Speaker 1: If I could get with you because you're not in

936
00:43:33,880 --> 00:43:37,560
Speaker 1: town right now. But Valentine's Day is Saturday. Are you

937
00:43:37,560 --> 00:43:38,960
Speaker 1: gonna be back before Saturday?

938
00:43:39,760 --> 00:43:42,200
Speaker 2: I know I'm not going to be back before Saturday.

939
00:43:42,440 --> 00:43:43,480
Speaker 2: Just I'm being honest with you.

940
00:43:43,880 --> 00:43:47,719
Speaker 1: Okay, if you want a cameo of Valentine's cameo from

941
00:43:47,760 --> 00:43:52,040
Speaker 1: me and Stugotts for your wife, girlfriend, boyfriend, whoever. It'll

942
00:43:52,080 --> 00:43:56,600
Speaker 1: be me with Stugotts on the phone. You'll see him,

943
00:43:57,200 --> 00:43:59,440
Speaker 1: but I'll be holding up video of him. We'll be

944
00:43:59,440 --> 00:44:01,800
Speaker 1: on face so we won't be at our spot in

945
00:44:01,880 --> 00:44:05,360
Speaker 1: Meisner Park, but we will be together on your cameo,

946
00:44:06,160 --> 00:44:07,399
Speaker 1: just via FaceTime.

947
00:44:07,800 --> 00:44:11,320
Speaker 2: So I'm glad you brought this up because a listener

948
00:44:11,360 --> 00:44:14,279
Speaker 2: has decided to turn the tables on you, my friends,

949
00:44:15,400 --> 00:44:18,360
Speaker 2: and he sent me a cameo and requested both of

950
00:44:18,440 --> 00:44:21,400
Speaker 2: us doing it. And he said, Stu, I'm tired of

951
00:44:21,440 --> 00:44:23,560
Speaker 2: you going the hawk, make hawk pump to you.

952
00:44:24,000 --> 00:44:26,480
Speaker 3: What he doesn't know is the place we meet.

953
00:44:27,120 --> 00:44:29,120
Speaker 6: Is equal distance. We're multiply our house.

954
00:44:29,360 --> 00:44:31,000
Speaker 1: I got to come up to Chicago to do this

955
00:44:31,040 --> 00:44:36,200
Speaker 1: one for you. Yes, yes, yes, Well, if you want to,

956
00:44:36,400 --> 00:44:36,759
Speaker 1: I love that.

957
00:44:36,840 --> 00:44:38,680
Speaker 3: Send me more. We get more money for those hawks,

958
00:44:38,719 --> 00:44:39,680
Speaker 3: the fifty fifty.

959
00:44:39,440 --> 00:44:41,560
Speaker 4: Yeah right, send them to Stebouts. I'll never see a

960
00:44:41,600 --> 00:44:43,759
Speaker 4: dime of those, but he doesn't see a dime of mine.

961
00:44:44,160 --> 00:44:49,840
Speaker 1: Yes, if you want a Valentine's Day cameo where Stugotts

962
00:44:49,880 --> 00:44:53,800
Speaker 1: and I can make the romance return in your relationship,

963
00:44:54,719 --> 00:44:59,200
Speaker 1: go to cameo and search Hawkman or Stu Gotts and

964
00:45:00,160 --> 00:45:00,880
Speaker 1: order your cameo.

965
00:45:00,960 --> 00:45:03,600
Speaker 3: But you better do it soon because Valentine's Day is Saturday.

966
00:45:04,600 --> 00:45:08,200
Speaker 1: All right, You and I reviving romance, I mean, we

967
00:45:08,320 --> 00:45:13,439
Speaker 1: can really spark the romance back in your faltering relationship,

968
00:45:13,480 --> 00:45:16,720
Speaker 1: your faltering, shitty relationship that you have with your wife

969
00:45:16,760 --> 00:45:20,120
Speaker 1: or your girlfriend, the relationship that's on its last legs.

970
00:45:20,520 --> 00:45:23,000
Speaker 1: You got to bring in the big guns, the romance

971
00:45:23,080 --> 00:45:27,239
Speaker 1: delta force, and that is these two guys, me and

972
00:45:27,360 --> 00:45:28,919
Speaker 1: Stu Gotts and our pool phone.

973
00:45:29,600 --> 00:45:30,439
Speaker 4: That is the key.

974
00:45:31,320 --> 00:45:33,160
Speaker 1: Listen, if you're calling your wife in the middle of

975
00:45:33,239 --> 00:45:36,799
Speaker 1: the day from work and she's not picking up, it's

976
00:45:36,800 --> 00:45:39,160
Speaker 1: because something's wrong with the relationship.

977
00:45:41,040 --> 00:45:41,279
Speaker 3: For you.

978
00:45:41,640 --> 00:45:45,440
Speaker 1: If you buy your wife a pool phone and you

979
00:45:45,520 --> 00:45:48,400
Speaker 1: call her while she's in the pool, she doesn't answer it,

980
00:45:49,200 --> 00:45:52,440
Speaker 1: she's fucking the pool guy.

981
00:45:54,160 --> 00:45:55,760
Speaker 4: With Stu Gotts and Hawkman,