1 00:00:04,480 --> 00:00:19,280 Speaker 1: Smart, small small car. 2 00:00:24,560 --> 00:00:30,400 Speaker 2: She tells me, Hey, welcome to Hollywood Handbook and Insider's 3 00:00:30,400 --> 00:00:32,480 Speaker 2: Guide to kicking button dropping names in the red carpet 4 00:00:32,520 --> 00:00:35,400 Speaker 2: lineback hallways of this industry we call show biz. I'm 5 00:00:35,400 --> 00:00:37,640 Speaker 2: hay Stavnport. I'm here with Sean Clements. 6 00:00:38,120 --> 00:00:38,640 Speaker 3: What up. 7 00:00:39,000 --> 00:00:42,640 Speaker 2: There's something that sort of caught our eye, uh in 8 00:00:42,640 --> 00:00:44,360 Speaker 2: in this Hollywood business. What we talk about. We talk 9 00:00:44,400 --> 00:00:46,560 Speaker 2: about Hollywood. We talk about the business. 10 00:00:46,360 --> 00:00:49,159 Speaker 3: Hollywood, the business. We talk about this industry, and the 11 00:00:49,240 --> 00:00:52,720 Speaker 3: industry is changing. And one of the things that's made 12 00:00:52,760 --> 00:00:56,480 Speaker 3: that so apparent lately is there are actually TV shows 13 00:00:56,520 --> 00:01:00,480 Speaker 3: now available to you on one of these online grocery 14 00:01:00,520 --> 00:01:05,280 Speaker 3: shopping sites Amazon dot com. You've seen these green trucks 15 00:01:05,360 --> 00:01:08,800 Speaker 3: driving around town. They're not just holding Daleld produce. 16 00:01:08,959 --> 00:01:12,440 Speaker 2: They're now carrying some of your favorite new comedy TV shows. 17 00:01:12,840 --> 00:01:15,280 Speaker 2: These are shows that you can just watch. You go 18 00:01:15,360 --> 00:01:21,080 Speaker 2: to www dot Amazon dot com, slash Products, slash TV, 19 00:01:21,440 --> 00:01:26,759 Speaker 2: slash show Time, slash Watch, dash TV, slash Funny. 20 00:01:26,560 --> 00:01:30,720 Speaker 3: And just download the plugin and if your software is 21 00:01:30,800 --> 00:01:34,240 Speaker 3: up to date and is able to support their specific player, 22 00:01:35,200 --> 00:01:37,640 Speaker 3: you can start watching part of some of their shows. 23 00:01:37,680 --> 00:01:40,400 Speaker 2: We have. They've come out with a lot of shows 24 00:01:40,800 --> 00:01:47,000 Speaker 2: m browsers yep, the Internet Boys, but none of those 25 00:01:47,120 --> 00:01:48,080 Speaker 2: are our favorites. 26 00:01:48,480 --> 00:01:52,040 Speaker 3: No, we each picked a favorite after watching all the shows. 27 00:01:52,720 --> 00:01:55,760 Speaker 3: Where did we find the time? It's nice for me actually, 28 00:01:55,800 --> 00:01:57,680 Speaker 3: because I don't own a TV, so the fact that 29 00:01:57,720 --> 00:02:02,600 Speaker 3: it's right there on my phone Pewter was nice. But 30 00:02:02,920 --> 00:02:06,240 Speaker 3: I love this one show. You might have liked it too. 31 00:02:07,520 --> 00:02:12,360 Speaker 3: It's called Gamma Guys from the online grocery store that 32 00:02:12,360 --> 00:02:16,760 Speaker 3: that brought you Alpha House and Beta's is Gamma Guys. 33 00:02:17,600 --> 00:02:21,680 Speaker 3: It's these two dudes who work at a chewing gum 34 00:02:21,760 --> 00:02:24,040 Speaker 3: factory and the pilot is they've got to come up 35 00:02:24,080 --> 00:02:27,800 Speaker 3: with a new flavor by midnight or else Japan's gonna 36 00:02:27,800 --> 00:02:31,800 Speaker 3: pull out all their money. And so mister Nakahashi's on 37 00:02:31,880 --> 00:02:34,920 Speaker 3: the phone and he's trying different flavors and he's going 38 00:02:35,720 --> 00:02:44,400 Speaker 3: up most honorable Gamma Guys, these flame of stinks. And 39 00:02:44,520 --> 00:02:45,920 Speaker 3: then and so then they have to come up with 40 00:02:45,919 --> 00:02:49,480 Speaker 3: another flavor and another one, and his wife's nagging him, 41 00:02:49,680 --> 00:02:54,000 Speaker 3: and the two guys they bicker. But what I liked 42 00:02:54,080 --> 00:02:57,920 Speaker 3: about it is underneath the fighting, you can tell they're 43 00:02:58,040 --> 00:03:03,080 Speaker 3: really friends. So many shows they forget to make people likable, 44 00:03:03,400 --> 00:03:05,480 Speaker 3: and they forget to put a little bit of heart 45 00:03:05,520 --> 00:03:10,840 Speaker 3: in there, and that's what makes TV work. Sorry, online 46 00:03:10,880 --> 00:03:13,920 Speaker 3: shopping store shows not TV for me. 47 00:03:14,880 --> 00:03:16,200 Speaker 2: Did you catch Primetime? 48 00:03:16,480 --> 00:03:21,520 Speaker 3: Ooh, I almost picked that one. I swear jealous. 49 00:03:22,360 --> 00:03:26,240 Speaker 2: Primetime is a show starring Wyatt's an act as a 50 00:03:26,280 --> 00:03:29,280 Speaker 2: guy who wins an Amazon Prime subscription in the lottery 51 00:03:29,840 --> 00:03:32,120 Speaker 2: and he uses it to become the first guy to 52 00:03:32,200 --> 00:03:38,760 Speaker 2: kiss every book until the trouble begins when his mailman, 53 00:03:38,960 --> 00:03:42,720 Speaker 2: played by the very underrated Alison Becker, comes along and 54 00:03:42,840 --> 00:03:44,880 Speaker 2: he actually starts falling in love with her, and he 55 00:03:44,960 --> 00:03:47,400 Speaker 2: starts to wonder if kissing all the books is really 56 00:03:47,800 --> 00:03:52,400 Speaker 2: the thing for him. And you talk about relatability, Sean, 57 00:03:52,520 --> 00:03:55,000 Speaker 2: And for me, there was the moment in the pilot 58 00:03:55,040 --> 00:03:57,400 Speaker 2: when he kissed the scary mystery book and had to 59 00:03:57,840 --> 00:04:02,600 Speaker 2: hide under his bed, and you so powerful, you know, 60 00:04:02,880 --> 00:04:09,960 Speaker 2: like a book like Frankenstein, a book like Dracula. These 61 00:04:10,000 --> 00:04:11,840 Speaker 2: are some of the books that even you hearing the 62 00:04:11,960 --> 00:04:13,320 Speaker 2: name gives you chills. 63 00:04:13,960 --> 00:04:18,720 Speaker 3: And well, then why would you say them? I mean, 64 00:04:18,800 --> 00:04:20,920 Speaker 3: I try to be professional during the show, but I've 65 00:04:20,960 --> 00:04:24,000 Speaker 3: asked you not to talk about Frankenstein's anymore. 66 00:04:24,320 --> 00:04:26,040 Speaker 2: Right, How should I say it? I guess from now 67 00:04:26,080 --> 00:04:27,080 Speaker 2: on I should say. 68 00:04:28,040 --> 00:04:33,239 Speaker 3: Mary Shelley's monstrous creation. I forgot to mention the cast 69 00:04:33,279 --> 00:04:35,920 Speaker 3: of my show, I realize in your show. Oh, it's 70 00:04:35,960 --> 00:04:41,200 Speaker 3: the cast of in Betweeners. Which one the entire cast 71 00:04:41,240 --> 00:04:44,480 Speaker 3: of the in Betweeners plays all the characters on Gamma Guys. 72 00:04:44,680 --> 00:04:47,599 Speaker 2: Right, But there were two there was there was There 73 00:04:47,640 --> 00:04:50,919 Speaker 2: was the uh, the British one and the one with 74 00:04:50,960 --> 00:04:51,480 Speaker 2: the Americans. 75 00:04:51,480 --> 00:04:54,440 Speaker 3: I don't think there was a British one. Oh, you 76 00:04:54,520 --> 00:04:58,359 Speaker 3: know what I think you're thinking of, scandal. Scandal was 77 00:04:58,400 --> 00:05:00,000 Speaker 3: a British show called House of Cars. 78 00:05:01,279 --> 00:05:04,120 Speaker 2: So those are our favorite Amazon shows. This is a 79 00:05:04,160 --> 00:05:08,240 Speaker 2: segment that we enjoy doing a lot. You open a 80 00:05:08,279 --> 00:05:11,880 Speaker 2: newspaper these days, all you seem to see are these 81 00:05:11,920 --> 00:05:15,919 Speaker 2: blind items and all the gossip columns and all the. 82 00:05:16,000 --> 00:05:19,000 Speaker 3: Blog newspapers are lousy with them. 83 00:05:19,120 --> 00:05:24,680 Speaker 2: Yes, it's when they will describe a salacious event from 84 00:05:25,080 --> 00:05:27,720 Speaker 2: something that has happened to some celebrity, but they don't 85 00:05:27,720 --> 00:05:31,400 Speaker 2: have the guts to name who the celebrity is. So 86 00:05:32,480 --> 00:05:35,880 Speaker 2: in a way, that's why we created this podcast in 87 00:05:35,920 --> 00:05:39,400 Speaker 2: the first place. Say the things that the mainstream media 88 00:05:39,480 --> 00:05:42,960 Speaker 2: will not say. This is a segment called draw the 89 00:05:43,040 --> 00:05:47,360 Speaker 2: Blinds Up, where we read some real blind items and 90 00:05:47,400 --> 00:05:51,039 Speaker 2: we draw the blinds up and tell you who the 91 00:05:51,080 --> 00:05:55,039 Speaker 2: people involved are and what the scene was because we were there. 92 00:05:55,600 --> 00:05:57,279 Speaker 2: And now we're going to start with a blind item 93 00:05:57,600 --> 00:06:00,440 Speaker 2: from the site Crazy Days and Nights sort of a 94 00:06:00,440 --> 00:06:03,760 Speaker 2: Hollywood gossip site as a real blind item, and it 95 00:06:03,800 --> 00:06:07,680 Speaker 2: goes like this. This former A plus plus list politician 96 00:06:07,800 --> 00:06:10,800 Speaker 2: visited a film set in NYC and spent forty five 97 00:06:10,839 --> 00:06:13,960 Speaker 2: minutes in a trailer with his main squeeze actress friend, 98 00:06:14,400 --> 00:06:17,040 Speaker 2: well not Maine squeeze. I mean the guy is married, 99 00:06:17,720 --> 00:06:19,600 Speaker 2: no one even bad and I that the two were 100 00:06:19,600 --> 00:06:22,279 Speaker 2: spending time alone in her trailer. It was the second 101 00:06:22,360 --> 00:06:24,560 Speaker 2: time he has visited the set, but the first time 102 00:06:24,600 --> 00:06:30,200 Speaker 2: the trailer was rocking. Now, Sean, we were, we were there. 103 00:06:30,480 --> 00:06:35,760 Speaker 3: We were supervising. Yes, And what is this sickness with 104 00:06:35,839 --> 00:06:42,679 Speaker 3: these gossip lovers that they will not leave President Jimmy 105 00:06:42,720 --> 00:06:49,960 Speaker 3: Carter alone. The man builds houses for people with no houses. 106 00:06:51,160 --> 00:06:53,719 Speaker 3: And what he was doing, by the way, with that 107 00:06:53,920 --> 00:06:58,480 Speaker 3: girl during the forty five minutes was fingering. 108 00:06:58,080 --> 00:07:02,600 Speaker 2: Her the lie that he was having sex. 109 00:07:02,560 --> 00:07:04,920 Speaker 3: Which couldn't be further from the truth. 110 00:07:05,080 --> 00:07:08,279 Speaker 2: Yes, he was really just finger blasting her. 111 00:07:08,760 --> 00:07:14,800 Speaker 3: Yeah, he was giving her some deep digit lovin'. And 112 00:07:15,400 --> 00:07:20,160 Speaker 3: he never once exposed himself. No, I don't even think 113 00:07:20,200 --> 00:07:25,280 Speaker 3: he was fully hard. The man's a peanut farmer from Georgia. 114 00:07:26,560 --> 00:07:31,000 Speaker 3: He's friends with the Allman brothers, so he's he's comfortable 115 00:07:31,000 --> 00:07:33,480 Speaker 3: in the entertainment scene. Wanted to stop by a film 116 00:07:33,520 --> 00:07:36,920 Speaker 3: set and can we not take a break anymore? 117 00:07:37,680 --> 00:07:40,560 Speaker 2: And and and what film set was that? 118 00:07:41,800 --> 00:07:44,920 Speaker 3: It was the set of Devil the Elevator movie that 119 00:07:45,040 --> 00:07:49,760 Speaker 3: m Night Shammelin made. It was the it was the 120 00:07:49,800 --> 00:07:53,160 Speaker 3: new one that he's doing. It's the The Devil went 121 00:07:53,240 --> 00:07:58,200 Speaker 3: down to p One. It's sort of a Charlie Daniels 122 00:07:58,240 --> 00:08:02,600 Speaker 3: band thing, but it's also like the movie because they 123 00:08:02,640 --> 00:08:06,080 Speaker 3: are an elevator and a bunch of people forgot where 124 00:08:06,080 --> 00:08:08,520 Speaker 3: they parked their car, and Satan is moving their car. 125 00:08:08,640 --> 00:08:11,200 Speaker 2: And Jimmy Carter went to give his blessing from the 126 00:08:11,240 --> 00:08:15,520 Speaker 2: state of Georgia to take this great song and change 127 00:08:15,560 --> 00:08:18,360 Speaker 2: the name Georgia to p One. And if he's gonna 128 00:08:18,440 --> 00:08:21,480 Speaker 2: finger blast Jennifer Lawrence while he's there, who are we 129 00:08:21,520 --> 00:08:24,120 Speaker 2: to say anything about it? He's the president, so now 130 00:08:24,160 --> 00:08:29,320 Speaker 2: you know. Next blind item, This one is from Radar Online. 131 00:08:30,120 --> 00:08:35,640 Speaker 2: This reality star demanded c star cain from strangers at 132 00:08:35,640 --> 00:08:38,480 Speaker 2: a house party during a night out of town, away 133 00:08:38,520 --> 00:08:42,600 Speaker 2: from the prying eyes of his significant other. And now 134 00:08:42,720 --> 00:08:45,840 Speaker 2: we were at this party and demanded is a pretty 135 00:08:45,840 --> 00:08:50,480 Speaker 2: strong word for what Jimmy Carter did. He asked for 136 00:08:50,600 --> 00:08:52,880 Speaker 2: some cocaine, I thought, very respectfully. 137 00:08:53,040 --> 00:08:58,240 Speaker 3: He actually said where did cocaine at? Which is literally 138 00:08:58,520 --> 00:09:00,920 Speaker 3: it doesn't even necessarily mean that he is going to 139 00:09:01,000 --> 00:09:03,160 Speaker 3: do it. Yes, he may just want to know where 140 00:09:03,200 --> 00:09:05,120 Speaker 3: it's located so he can avoid it. 141 00:09:05,280 --> 00:09:05,439 Speaker 2: Now. 142 00:09:05,480 --> 00:09:08,000 Speaker 3: As it turned out, he was chopping up big fat, 143 00:09:08,040 --> 00:09:12,599 Speaker 3: fucking gorilla fingers on their mirrored coffee table and schwacking 144 00:09:12,640 --> 00:09:17,440 Speaker 3: them back in one shot like a total boss. But 145 00:09:18,480 --> 00:09:22,040 Speaker 3: he didn't demand anything. It was offered freely after he 146 00:09:22,679 --> 00:09:24,400 Speaker 3: determined the location. 147 00:09:25,640 --> 00:09:28,160 Speaker 2: And they call him a reality star because, like we 148 00:09:28,240 --> 00:09:30,680 Speaker 2: always say, politics is like a reality show. 149 00:09:30,720 --> 00:09:33,240 Speaker 3: Well, with the twenty four hour news cycle these days, 150 00:09:33,360 --> 00:09:36,600 Speaker 3: everyone's under the microscope, and the way some of these 151 00:09:36,600 --> 00:09:39,800 Speaker 3: guys behave it is a reality You might as well. 152 00:09:39,720 --> 00:09:44,240 Speaker 2: Be on that flavor of Love or one of those osborn. 153 00:09:43,800 --> 00:09:45,600 Speaker 3: You'll have to you know, I don't own a TV. 154 00:09:45,720 --> 00:09:46,840 Speaker 3: You'll have to catch me up. 155 00:09:48,040 --> 00:09:50,320 Speaker 2: And night out of town away from the prying eyes 156 00:09:50,360 --> 00:09:52,480 Speaker 2: of his significant other. I mean, he just finger blasted 157 00:09:52,520 --> 00:09:55,040 Speaker 2: Jennifer Lawrence at one time. I wouldn't say that he's 158 00:09:55,600 --> 00:09:58,920 Speaker 2: necessarily a significant other just because of one finger blast. 159 00:09:58,960 --> 00:10:05,040 Speaker 2: That seems a little premature. Finally, last blind item. This 160 00:10:05,080 --> 00:10:08,760 Speaker 2: one is from Gawker dot com. At the Aspen Comedy 161 00:10:08,760 --> 00:10:11,760 Speaker 2: Festival a few years ago, this comedian invited a female 162 00:10:11,760 --> 00:10:14,560 Speaker 2: comedy duo back to his hotel room. The two ladies 163 00:10:14,600 --> 00:10:17,400 Speaker 2: gladly joined him and offered him some weed. He turned 164 00:10:17,440 --> 00:10:19,080 Speaker 2: it down, but asked if it would be okay if 165 00:10:19,080 --> 00:10:21,760 Speaker 2: he took his dick out. Thinking he was joking, the 166 00:10:21,800 --> 00:10:25,280 Speaker 2: women gave a facetious thumbs up. He wasn't joking when 167 00:10:25,280 --> 00:10:27,440 Speaker 2: he actually started jerking off in front of them. The 168 00:10:27,520 --> 00:10:29,800 Speaker 2: ladies decided that that wasn't their bag and made for 169 00:10:29,840 --> 00:10:32,320 Speaker 2: the exit, but he used his body to block the 170 00:10:32,400 --> 00:10:33,720 Speaker 2: door until he was finished. 171 00:10:34,960 --> 00:10:38,160 Speaker 3: This one they actually got right. Comedian was as he's 172 00:10:38,200 --> 00:10:39,800 Speaker 3: on sorry the girls with garfunklenotes. 173 00:10:41,600 --> 00:10:46,360 Speaker 2: That's draw the blinds up. We have a great guest today. 174 00:10:47,040 --> 00:10:52,480 Speaker 2: Damien Fahee is here. He was the host of Total 175 00:10:52,520 --> 00:10:57,920 Speaker 2: Request Live. He's on Twitter, he's done some Hulu hosting, 176 00:10:58,240 --> 00:11:01,480 Speaker 2: he hosts a radio show. He has a lot to 177 00:11:01,559 --> 00:11:04,280 Speaker 2: speak on from many different facets of the industry. And 178 00:11:04,320 --> 00:11:07,200 Speaker 2: that's coming up when we come back on Hollywood Handbook, 179 00:11:08,280 --> 00:11:09,400 Speaker 2: Hollywood Handbook. 180 00:11:14,240 --> 00:11:17,800 Speaker 3: So then I check you stand up from the couch 181 00:11:19,480 --> 00:11:21,040 Speaker 3: and I move away, and I. 182 00:11:22,760 --> 00:11:27,640 Speaker 1: Small, small, small, small. 183 00:11:29,200 --> 00:11:31,640 Speaker 4: Here comes Haze and Sean. 184 00:11:34,280 --> 00:11:35,680 Speaker 3: Right now, Yeah, they're still in that room. 185 00:11:36,120 --> 00:11:40,520 Speaker 2: Hey, what up? What up? Welcome to Hollywood Handbook and 186 00:11:40,559 --> 00:11:42,840 Speaker 2: Insider's Guide to Kicking button dropping names in the red 187 00:11:42,840 --> 00:11:46,640 Speaker 2: carpet lineback hallways of this industry. We call showbiz exciting guests. 188 00:11:47,040 --> 00:11:49,880 Speaker 2: I really do think we have a very exciting guest today. Uh, 189 00:11:50,120 --> 00:11:54,560 Speaker 2: Damien Faye. He is here, yo. We we have sort 190 00:11:54,559 --> 00:11:59,120 Speaker 2: of a long history with Damien Damo, going back to 191 00:12:00,120 --> 00:12:03,920 Speaker 2: I guess when we were on t R Yeah, two 192 00:12:03,960 --> 00:12:06,480 Speaker 2: thousand and three, two thousand and three, that's right when 193 00:12:06,520 --> 00:12:07,880 Speaker 2: we this. 194 00:12:07,880 --> 00:12:12,800 Speaker 4: Guys ushered in the new with a rock rave comedy comedy. 195 00:12:12,880 --> 00:12:14,880 Speaker 3: Yeah, rock rock, brave comedy comedy. 196 00:12:15,640 --> 00:12:18,120 Speaker 2: Tom Green sort of took that, spun that off into 197 00:12:18,800 --> 00:12:20,200 Speaker 2: bum bump song, and. 198 00:12:20,320 --> 00:12:23,680 Speaker 3: Yeah, we sort of gave him that and went off 199 00:12:23,720 --> 00:12:25,680 Speaker 3: to do our next thing, because we're always sort of 200 00:12:26,840 --> 00:12:29,920 Speaker 3: morphing our identity. I don't want to be pinned down. 201 00:12:30,280 --> 00:12:34,160 Speaker 3: But yeah, we had that single and video that you 202 00:12:34,200 --> 00:12:38,679 Speaker 3: probably remember, I Make You a Canoe and it's like 203 00:12:38,760 --> 00:12:41,360 Speaker 3: me and Hayes making a canoe and then we sinky 204 00:12:41,720 --> 00:12:44,440 Speaker 3: on the water because we didn't make it strong enough. 205 00:12:44,600 --> 00:12:48,800 Speaker 2: And that was sort of the beginning of music. 206 00:12:49,840 --> 00:12:54,120 Speaker 3: Well, it was the beginning of music being associated with 207 00:12:55,080 --> 00:12:57,640 Speaker 3: visual visual entertainment. 208 00:12:57,760 --> 00:13:02,000 Speaker 2: Yeah, yes, yeah, that's right. And since then, or for 209 00:13:02,000 --> 00:13:04,360 Speaker 2: a while anyway, that was like a really big deal. 210 00:13:04,520 --> 00:13:08,680 Speaker 3: People were doing it. A lot of people were making 211 00:13:08,760 --> 00:13:11,439 Speaker 3: images to go with their music, and albums for a 212 00:13:11,440 --> 00:13:17,400 Speaker 3: little while had covers that were some kind of visual image. 213 00:13:17,360 --> 00:13:21,240 Speaker 2: And Damian, your job when you were hosting TIERRL Total 214 00:13:21,440 --> 00:13:25,240 Speaker 2: Request Live right, was to go looking for some of 215 00:13:25,280 --> 00:13:29,240 Speaker 2: the coolest videos and to show them your on your 216 00:13:29,240 --> 00:13:32,680 Speaker 2: TV show. Yeah that's what that's sort of what you created. 217 00:13:32,920 --> 00:13:40,600 Speaker 4: I mean I was the culture maker, you know. I 218 00:13:40,679 --> 00:13:42,720 Speaker 4: was sort of pouring the kool aid in the water. 219 00:13:43,360 --> 00:13:47,000 Speaker 4: So before me, all you had was water, and that 220 00:13:47,240 --> 00:13:49,640 Speaker 4: was that's not tasty, and so you put a little 221 00:13:49,960 --> 00:13:52,720 Speaker 4: something in there and all of a sudden it's a craze, 222 00:13:53,240 --> 00:13:55,400 Speaker 4: and so that was it. It was I was sort 223 00:13:55,400 --> 00:13:56,600 Speaker 4: of doing that, you know, and I. 224 00:13:56,600 --> 00:14:01,320 Speaker 3: Was, well, MTV had come to your complex, yes, essentially, right. 225 00:14:01,240 --> 00:14:04,120 Speaker 4: Yeah, my production office is yeah, yeah. 226 00:14:03,520 --> 00:14:06,199 Speaker 3: And just sort of said, what would you do? Well, 227 00:14:06,400 --> 00:14:08,120 Speaker 3: you know, if you could do anything, what would you do. 228 00:14:08,280 --> 00:14:10,000 Speaker 4: Let's be honest, they were not doing well. I mean 229 00:14:10,360 --> 00:14:11,199 Speaker 4: king in the. 230 00:14:11,160 --> 00:14:15,400 Speaker 2: Tank when it was just music and no visual element 231 00:14:15,520 --> 00:14:16,120 Speaker 2: at all. 232 00:14:18,040 --> 00:14:19,480 Speaker 3: People said, why not listen to the radio? 233 00:14:19,600 --> 00:14:21,120 Speaker 2: Least I can move around with? 234 00:14:21,400 --> 00:14:24,480 Speaker 4: Yes, right, in televisions, you know, back then, now you 235 00:14:24,520 --> 00:14:27,760 Speaker 4: can carry you know, we all carry televisions with us everywhere. 236 00:14:29,200 --> 00:14:30,400 Speaker 4: But I don't know. 237 00:14:30,600 --> 00:14:32,720 Speaker 3: I don't own a TV, but I see people who 238 00:14:32,760 --> 00:14:33,760 Speaker 3: have them on them a lot. 239 00:14:34,040 --> 00:14:38,000 Speaker 4: Yeah, And so back then you can't carry a television around. 240 00:14:38,000 --> 00:14:39,520 Speaker 4: So people would would say, I have to go to 241 00:14:39,560 --> 00:14:42,120 Speaker 4: the grocery store, but I still want to hear Robert Palmer. 242 00:14:43,400 --> 00:14:46,080 Speaker 4: So this is a problem. And so they came to me, 243 00:14:46,600 --> 00:14:51,200 Speaker 4: while they came to my assistant. Yes, they called my assistant, 244 00:14:51,520 --> 00:14:55,200 Speaker 4: who called my agent, who called another How is how 245 00:14:55,360 --> 00:14:58,840 Speaker 4: is Drobney drop me? Or so I had to let 246 00:14:58,880 --> 00:15:05,200 Speaker 4: him go ooh hate when that happens. So Anyway, long 247 00:15:05,320 --> 00:15:08,000 Speaker 4: story short, I finally got on the on the phone 248 00:15:08,200 --> 00:15:11,880 Speaker 4: with them and with MTV, and they pleaded their case 249 00:15:12,040 --> 00:15:13,800 Speaker 4: and they said, look, we're we're in a pinch here. 250 00:15:14,440 --> 00:15:18,160 Speaker 4: We need something. People are tired of carrying around their televisions. 251 00:15:18,360 --> 00:15:19,040 Speaker 4: They're too big. 252 00:15:19,560 --> 00:15:22,440 Speaker 2: And this was before and ten has got and ten 253 00:15:22,560 --> 00:15:24,280 Speaker 2: is are good, just getting longer and longer, to the 254 00:15:24,280 --> 00:15:28,200 Speaker 2: point that we can carry these with us right to 255 00:15:28,280 --> 00:15:30,120 Speaker 2: the store, like you were saying, we can take them 256 00:15:30,160 --> 00:15:30,600 Speaker 2: in our car. 257 00:15:30,760 --> 00:15:33,400 Speaker 4: They're huge. And so what I did was I sat 258 00:15:33,440 --> 00:15:37,120 Speaker 4: them down. I actually flew They flew me out privately, 259 00:15:37,320 --> 00:15:40,160 Speaker 4: even though I've got my you know, I've got my 260 00:15:40,240 --> 00:15:43,360 Speaker 4: own thing, my assessinounce sure gassed up, ready to go 261 00:15:43,480 --> 00:15:45,880 Speaker 4: at all times. But they flew me to New York 262 00:15:45,920 --> 00:15:50,080 Speaker 4: and they said, help us, lead us right, and they 263 00:15:50,080 --> 00:15:51,600 Speaker 4: walked me rund into a room and they said there 264 00:15:51,680 --> 00:15:53,560 Speaker 4: was a there was a chalkboard and they said, draw 265 00:15:54,080 --> 00:15:56,040 Speaker 4: what you think is the future? 266 00:15:56,560 --> 00:15:58,360 Speaker 2: And what did you draw it? Damien. 267 00:15:59,720 --> 00:16:03,600 Speaker 4: I up to the board and I drew my name. 268 00:16:04,480 --> 00:16:05,280 Speaker 2: You drew your name. 269 00:16:05,360 --> 00:16:08,160 Speaker 4: I drew my name, yeah, and then I erased it 270 00:16:09,640 --> 00:16:13,440 Speaker 4: and I said, it's about It's about. The element was surprised. 271 00:16:13,720 --> 00:16:15,880 Speaker 3: Oh, oh, okay. I was going to say, did you 272 00:16:15,960 --> 00:16:17,760 Speaker 3: like mess it up or spell it wrong? I did 273 00:16:17,840 --> 00:16:19,640 Speaker 3: a lot of times. When I go to Starbucks, they'll 274 00:16:19,640 --> 00:16:21,240 Speaker 3: spell my name wrong on my cup. 275 00:16:22,000 --> 00:16:23,640 Speaker 4: I love that some. 276 00:16:23,560 --> 00:16:26,440 Speaker 2: Funny ones have happened to me. Damien, I've heard you 277 00:16:26,520 --> 00:16:31,840 Speaker 2: say Damon sometimes. Yeah, just occasionally, Like when you're telling 278 00:16:31,840 --> 00:16:34,720 Speaker 2: someone your name, you will mistake it for Damon. 279 00:16:35,160 --> 00:16:37,760 Speaker 4: Sometimes when I'm telling people my name, I will say Damon. 280 00:16:37,840 --> 00:16:42,320 Speaker 4: I'll say David. Sounds similar, I say Jamie. I also 281 00:16:42,360 --> 00:16:43,440 Speaker 4: said Nathan once. 282 00:16:43,600 --> 00:16:44,760 Speaker 2: It's not an easy name. 283 00:16:44,880 --> 00:16:46,200 Speaker 4: I said it on the air. You know, for the 284 00:16:46,240 --> 00:16:48,520 Speaker 4: first four years of t L, everyone thought my name 285 00:16:48,600 --> 00:16:52,920 Speaker 4: was Nathan Garbonzo because it just came out of my mouth. Wow. 286 00:16:52,960 --> 00:16:55,840 Speaker 4: But then I watched the tapes and I'm I realized 287 00:16:55,880 --> 00:16:56,720 Speaker 4: that is not my name. 288 00:16:56,960 --> 00:16:59,320 Speaker 3: I And that's something I wanted to talk about. Always 289 00:16:59,360 --> 00:17:02,640 Speaker 3: watching your work, you have to do what is the thrill? 290 00:17:03,160 --> 00:17:06,359 Speaker 3: I can't put my finger on it, but is what 291 00:17:06,440 --> 00:17:10,800 Speaker 3: is it that's so thrilling about watching yourself host something 292 00:17:11,480 --> 00:17:15,560 Speaker 3: or listening to your voice. I get home, I put 293 00:17:15,600 --> 00:17:19,359 Speaker 3: on my podcast, I get down in the tub, and 294 00:17:19,400 --> 00:17:22,280 Speaker 3: I've got a bottle of chardonnay, and it's just me 295 00:17:22,560 --> 00:17:25,960 Speaker 3: and my best friend, me hanging out and I can't 296 00:17:26,040 --> 00:17:30,399 Speaker 3: imagine a more relaxing way to spend an evening. And Damien, like, 297 00:17:30,440 --> 00:17:31,360 Speaker 3: what's your ritual? 298 00:17:31,480 --> 00:17:34,600 Speaker 4: I gotta know, it's really weird when you were describing yours. 299 00:17:34,640 --> 00:17:38,119 Speaker 4: It's almost a mirror image of what I do, except 300 00:17:38,160 --> 00:17:42,160 Speaker 4: mine's a hot tub in my back kneb. It needs 301 00:17:42,160 --> 00:17:45,000 Speaker 4: more room, needs a little bit more room. And what 302 00:17:45,080 --> 00:17:46,639 Speaker 4: I'll do is I'll just go out there. And you know, 303 00:17:46,680 --> 00:17:50,080 Speaker 4: obviously the wife will. She respects this ritual. It's a 304 00:17:50,160 --> 00:17:53,600 Speaker 4: nightly thing, and she retreats to the to the basement 305 00:17:53,640 --> 00:17:57,120 Speaker 4: where she belongs. It's her space that I gave her. 306 00:17:57,480 --> 00:17:59,479 Speaker 4: And I sit in that hot tub and I look 307 00:17:59,480 --> 00:18:02,119 Speaker 4: at it the stufs, and I go, I feel so 308 00:18:02,200 --> 00:18:05,359 Speaker 4: small down here, you know, And then I put I 309 00:18:05,440 --> 00:18:08,520 Speaker 4: hit play, and I go, I feel. 310 00:18:08,240 --> 00:18:09,120 Speaker 2: Big again. 311 00:18:10,320 --> 00:18:12,360 Speaker 4: In one of them. Yes, I'm one of those, because 312 00:18:12,359 --> 00:18:15,399 Speaker 4: we're all I don't know if you guys are hip 313 00:18:15,440 --> 00:18:18,320 Speaker 4: on you know science and how that whole thing works, 314 00:18:18,359 --> 00:18:20,560 Speaker 4: but you know, we're star dust. 315 00:18:20,640 --> 00:18:22,000 Speaker 2: We're all made of star We're. 316 00:18:21,800 --> 00:18:24,400 Speaker 4: All made of stars. And Moby saying that he came 317 00:18:24,400 --> 00:18:27,960 Speaker 4: to me for the video. Actually, and I said, stars 318 00:18:28,840 --> 00:18:32,680 Speaker 4: also means a celebrities. It's another word for celebrities. Put 319 00:18:32,720 --> 00:18:34,919 Speaker 4: celebrities in the video. Thanks Moby. 320 00:18:35,760 --> 00:18:39,560 Speaker 2: What are some other videos that people came. 321 00:18:41,480 --> 00:18:43,560 Speaker 3: Please do dish well? 322 00:18:44,840 --> 00:18:47,040 Speaker 4: I remember the first time. This is a little crazy, 323 00:18:47,080 --> 00:18:50,639 Speaker 4: because I do remember the first time Snoop and dra 324 00:18:50,960 --> 00:18:53,280 Speaker 4: rang me up and they said, all, you know we 325 00:18:53,320 --> 00:18:56,320 Speaker 4: want to do We've got this great track. We've got 326 00:18:56,320 --> 00:18:58,800 Speaker 4: this great track. We don't have much of a budget. 327 00:18:59,080 --> 00:19:02,919 Speaker 4: And I said, but guys, you do have cars, and 328 00:19:02,960 --> 00:19:07,000 Speaker 4: you do have a neighborhood, and hey, you also got 329 00:19:07,000 --> 00:19:07,879 Speaker 4: the big booty hose. 330 00:19:08,560 --> 00:19:10,440 Speaker 3: And you taught them about sharking. 331 00:19:11,040 --> 00:19:14,160 Speaker 4: And I taught them about sharking, yeah, which became. 332 00:19:14,800 --> 00:19:18,679 Speaker 3: Became something of a phenomenon a little bit, yeah around 333 00:19:18,680 --> 00:19:19,720 Speaker 3: the Long Beach community. 334 00:19:19,760 --> 00:19:23,360 Speaker 2: Why don't you teach an engineer Frank about sharking right now, Damien. 335 00:19:24,000 --> 00:19:29,040 Speaker 4: Which one is Frank? He's the heavy set. 336 00:19:29,320 --> 00:19:31,840 Speaker 2: Yes, yes, he's the less heavy set one. 337 00:19:32,400 --> 00:19:35,320 Speaker 4: Sharking is basically going out into the ocean and finding 338 00:19:35,320 --> 00:19:37,920 Speaker 4: the biggest, baddest shark in fighting it to the death. 339 00:19:39,080 --> 00:19:39,760 Speaker 2: Does that make sense? 340 00:19:39,800 --> 00:19:40,600 Speaker 4: He's nodding his head. 341 00:19:40,680 --> 00:19:43,560 Speaker 3: Okay, good, I don't think Frank gets it, but I 342 00:19:43,600 --> 00:19:45,840 Speaker 3: certainly do, and most of our listeners probably will. 343 00:19:45,880 --> 00:19:46,880 Speaker 4: And it could be a metaphor. 344 00:19:47,640 --> 00:19:53,760 Speaker 3: I don't think so. So you make total Request lives 345 00:19:53,840 --> 00:19:57,439 Speaker 3: and you I created it. Yes, you make that, and 346 00:19:58,119 --> 00:20:02,679 Speaker 3: you are showing music video, but there's still one ingredient missing, 347 00:20:02,800 --> 00:20:03,280 Speaker 3: isn't there. 348 00:20:03,440 --> 00:20:06,119 Speaker 4: Yeah, well, we were showing the videos. It wasn't there, Nathan, 349 00:20:07,720 --> 00:20:10,879 Speaker 4: It's not that anymore. But I understand why you'd say that, 350 00:20:10,920 --> 00:20:14,439 Speaker 4: but it was. It was thirteen year old girls. This 351 00:20:14,520 --> 00:20:18,400 Speaker 4: is what I realized was the missing ingredient. So I said, 352 00:20:18,400 --> 00:20:20,040 Speaker 4: fill the studio with thirteen year old girls and have 353 00:20:20,119 --> 00:20:24,080 Speaker 4: them screaming for these artists that they enjoy. And what 354 00:20:24,200 --> 00:20:27,440 Speaker 4: I learned this is so interesting because you would never 355 00:20:27,520 --> 00:20:30,720 Speaker 4: know this unless I did this, But thirteen year old 356 00:20:30,760 --> 00:20:36,880 Speaker 4: girls are actually a lot more sexually mature. See then 357 00:20:36,920 --> 00:20:38,960 Speaker 4: we give them credit for as a society, and I 358 00:20:39,000 --> 00:20:43,120 Speaker 4: don't care. I'm not talking about legality. The law's law. 359 00:20:43,840 --> 00:20:46,000 Speaker 3: Noperate within the law. 360 00:20:46,040 --> 00:20:47,000 Speaker 4: Operate within the law. 361 00:20:47,320 --> 00:20:49,119 Speaker 3: But Hayes and I have talked about. 362 00:20:48,880 --> 00:20:51,639 Speaker 2: We've spent a little time talking about this and just 363 00:20:51,680 --> 00:20:55,640 Speaker 2: the where they come up with this number eighteen eighteen. 364 00:20:55,800 --> 00:20:58,400 Speaker 2: Now it's just like one and eight. Just like where 365 00:20:58,400 --> 00:21:00,639 Speaker 2: do they get just like this two? Like out of 366 00:21:00,640 --> 00:21:04,359 Speaker 2: the hat or something like, like I think it's imaginary. 367 00:21:04,520 --> 00:21:06,879 Speaker 3: You know, it's probably the only case where random is 368 00:21:06,920 --> 00:21:09,359 Speaker 3: bad because I always say random when I like something 369 00:21:09,640 --> 00:21:13,680 Speaker 3: totally comedy wise. But in terms of just a random number, 370 00:21:13,720 --> 00:21:16,080 Speaker 3: it's like if you're going to pick any number. 371 00:21:16,119 --> 00:21:18,280 Speaker 2: You know, it just could have been any like it been. 372 00:21:18,359 --> 00:21:21,800 Speaker 3: It could have it's easily been thirteen or fifteen or anything. 373 00:21:21,840 --> 00:21:22,440 Speaker 4: Because if you. 374 00:21:22,400 --> 00:21:27,200 Speaker 2: Look at the science and when girls reached their peak 375 00:21:27,240 --> 00:21:30,600 Speaker 2: of sexual productivity, so right, you know, like if we 376 00:21:30,680 --> 00:21:34,520 Speaker 2: are trying to perpetuate the human race, I think we 377 00:21:34,560 --> 00:21:36,440 Speaker 2: should look at the science every once in a while. 378 00:21:36,520 --> 00:21:38,040 Speaker 3: We want to make more star stuff. 379 00:21:38,320 --> 00:21:41,640 Speaker 2: Yes, yeah, And if you go back to ancient Rome, 380 00:21:41,680 --> 00:21:43,880 Speaker 2: if you study the history books. 381 00:21:44,359 --> 00:21:45,880 Speaker 3: He loves ancient Rome. 382 00:21:46,600 --> 00:21:49,160 Speaker 2: I've done a lot of reading about ancient Rome. And 383 00:21:49,800 --> 00:21:53,200 Speaker 2: it was illegal then to have sex with a girl 384 00:21:53,240 --> 00:21:55,840 Speaker 2: if she was over fifteen years old. 385 00:21:56,040 --> 00:21:57,920 Speaker 3: Okay, And these guys are built the aquadult. 386 00:22:00,000 --> 00:22:02,399 Speaker 2: Oh this is uh, they founded democracy. We see the 387 00:22:02,480 --> 00:22:03,720 Speaker 2: thing that was a pretty good idea. 388 00:22:03,760 --> 00:22:06,199 Speaker 3: Why did well using that one? Right? 389 00:22:06,440 --> 00:22:07,080 Speaker 2: The other one? 390 00:22:07,280 --> 00:22:08,400 Speaker 4: So a cherry pick. 391 00:22:08,520 --> 00:22:11,600 Speaker 2: It's just crazy. And if like, if you read your Shakespeare, 392 00:22:11,680 --> 00:22:16,640 Speaker 2: we're reading that in schools these heyes loves Shakespeare. Juliet, Yes, 393 00:22:16,760 --> 00:22:19,320 Speaker 2: that girl was six years old, right. 394 00:22:19,119 --> 00:22:20,240 Speaker 4: And people don't get that. 395 00:22:20,560 --> 00:22:23,600 Speaker 2: And people we just have these blinders on where we're like, oh, 396 00:22:23,680 --> 00:22:26,160 Speaker 2: you know, that's true love, but only if she's some 397 00:22:26,400 --> 00:22:27,400 Speaker 2: imaginary age. 398 00:22:27,800 --> 00:22:31,400 Speaker 5: It's just and I've met and I've met I mean personally, 399 00:22:33,760 --> 00:22:37,399 Speaker 5: I've met just in my travels, you know, just in 400 00:22:37,440 --> 00:22:38,920 Speaker 5: my own life personal experience. 401 00:22:39,280 --> 00:22:42,200 Speaker 3: I've met twenty five year old women who have no right, 402 00:22:42,840 --> 00:22:45,679 Speaker 3: who have no business being anywhere near a boudoir. 403 00:22:46,000 --> 00:22:47,280 Speaker 4: No, they don't. 404 00:22:47,320 --> 00:22:50,000 Speaker 3: They can't handle it. They can't handle the emotions about 405 00:22:50,320 --> 00:22:52,200 Speaker 3: And by the same token, I've met girls who are 406 00:22:52,359 --> 00:22:55,720 Speaker 3: let's say, under eighteen, who were they to so choose 407 00:22:55,920 --> 00:22:57,440 Speaker 3: they would be even chor enough to handle that kind 408 00:22:57,440 --> 00:22:59,119 Speaker 3: of thing. And so I just don't understand. It's like, 409 00:22:59,160 --> 00:23:00,480 Speaker 3: why is it not case case. 410 00:23:00,960 --> 00:23:06,000 Speaker 2: We're not saying that underage girl should be forced that's aually, 411 00:23:06,080 --> 00:23:10,280 Speaker 2: you know, never get in like never disgusting, and the 412 00:23:10,359 --> 00:23:14,280 Speaker 2: idea of doing that step all at once is createy 413 00:23:14,440 --> 00:23:16,040 Speaker 2: just how would that even work? 414 00:23:16,480 --> 00:23:19,159 Speaker 3: No, you don't just jump in the deep end of 415 00:23:19,200 --> 00:23:23,840 Speaker 3: the pool. You'll drown. But let's get our toesies wet. 416 00:23:24,200 --> 00:23:26,560 Speaker 3: Let's get our toesies wet in the shallow end and 417 00:23:26,600 --> 00:23:30,480 Speaker 3: say something like, okay, well there's an interview or something 418 00:23:30,520 --> 00:23:34,080 Speaker 3: that you go through and we sort of give them 419 00:23:34,119 --> 00:23:38,239 Speaker 3: a stamp or whatever, or a different colored bracelet they 420 00:23:38,240 --> 00:23:42,600 Speaker 3: can or a different colored bracelet they could wear that 421 00:23:42,760 --> 00:23:46,200 Speaker 3: indicates hey, I'm one of the ones who's sort of cool. 422 00:23:46,960 --> 00:23:50,120 Speaker 2: Now, damon you, you went through uh this discovery while 423 00:23:50,119 --> 00:23:53,840 Speaker 2: you were hosting the show. Again, I understand that events 424 00:23:53,840 --> 00:23:56,720 Speaker 2: related to this decision you made sort of led to 425 00:23:56,760 --> 00:23:59,440 Speaker 2: the end of TRL. 426 00:23:59,000 --> 00:24:04,040 Speaker 4: And of well, let's be clear before I get torpedoed 427 00:24:04,080 --> 00:24:08,720 Speaker 4: here by that line of questioning. First of all, people 428 00:24:08,720 --> 00:24:11,200 Speaker 4: come out to me and apologize, and they feel bad 429 00:24:11,240 --> 00:24:13,239 Speaker 4: that the show ended and that, you know, I think 430 00:24:13,280 --> 00:24:15,719 Speaker 4: they feel they feel bad that I'm that I'm not 431 00:24:15,760 --> 00:24:18,880 Speaker 4: on television anymore. But I feel like it's it's more 432 00:24:18,880 --> 00:24:21,040 Speaker 4: of a selfish thing for them, because I when I 433 00:24:21,080 --> 00:24:24,240 Speaker 4: was on television, it was a very wonderful hour of 434 00:24:24,960 --> 00:24:27,879 Speaker 4: looking at me, which they note, which they've been was 435 00:24:27,960 --> 00:24:31,560 Speaker 4: snatched from them, you know, quite suddenly when I decided 436 00:24:31,560 --> 00:24:35,119 Speaker 4: to end the show on my own accord. Yes, you 437 00:24:35,160 --> 00:24:40,720 Speaker 4: want to in this business, and yes it's an entertainment. Entertainment, 438 00:24:40,800 --> 00:24:44,880 Speaker 4: yes for the layman's out there who don't know, because 439 00:24:45,680 --> 00:24:48,639 Speaker 4: if you don't know, don't judge. You have to go 440 00:24:48,680 --> 00:24:52,480 Speaker 4: out on top. Yes, you have to go out on top. 441 00:24:53,040 --> 00:24:58,199 Speaker 4: And I was standing on a pile of money, I 442 00:24:58,280 --> 00:25:02,760 Speaker 4: was standing on a pile of women, and I just 443 00:25:02,800 --> 00:25:05,560 Speaker 4: decided to pull the plug. I said, life is too good. 444 00:25:05,560 --> 00:25:06,639 Speaker 4: It cannot get any better. 445 00:25:07,440 --> 00:25:11,600 Speaker 3: And people make a big deal about Vince Gillian doing 446 00:25:12,320 --> 00:25:14,560 Speaker 3: what he did and ending breaking Bad at sort of 447 00:25:14,560 --> 00:25:17,479 Speaker 3: its peak. But it's like, hmmm, it feels kind of like, 448 00:25:17,560 --> 00:25:19,239 Speaker 3: where do you get that idea? Oh, I don't know. 449 00:25:19,840 --> 00:25:23,000 Speaker 3: Damien freaking did that, yes, when he came to a 450 00:25:23,040 --> 00:25:26,119 Speaker 3: TRL when that was on top, And so that just 451 00:25:26,200 --> 00:25:28,719 Speaker 3: makes me so mad sometimes at Vince Gillian when he's 452 00:25:28,760 --> 00:25:30,720 Speaker 3: in those interviews and he's not saying that. 453 00:25:31,480 --> 00:25:34,760 Speaker 2: Now, you ended the show in two thousand and nine, 454 00:25:34,840 --> 00:25:37,119 Speaker 2: I did, Is that right? Yes? Yes, you said at 455 00:25:37,119 --> 00:25:42,240 Speaker 2: the time it was precipitated by Susan Boyle's song and 456 00:25:42,280 --> 00:25:45,359 Speaker 2: that being the end of music. 457 00:25:45,560 --> 00:25:49,760 Speaker 4: Yes, because an ugly woman cannot sound good? Yes, do 458 00:25:49,760 --> 00:25:53,000 Speaker 4: you understand that? Hey, I get it, she was not 459 00:25:54,080 --> 00:25:55,240 Speaker 4: attractive enough for me. 460 00:25:55,640 --> 00:25:58,040 Speaker 2: And that that would change music in sort of a 461 00:25:59,280 --> 00:26:02,040 Speaker 2: way that it wouldn't be music anymore. Well, in terms 462 00:26:02,080 --> 00:26:03,520 Speaker 2: of how you how you have it. 463 00:26:03,560 --> 00:26:06,159 Speaker 4: You've got the voice, what's the concept behind that? I 464 00:26:06,240 --> 00:26:09,840 Speaker 4: want to hear the voice before I see, so I 465 00:26:09,880 --> 00:26:13,960 Speaker 4: don't judge, right, which is terrible because that's why there 466 00:26:14,000 --> 00:26:17,320 Speaker 4: haven't been many success stories. People want a pretty face 467 00:26:18,119 --> 00:26:20,760 Speaker 4: and Susan Boyle, God bless her. She comes from those 468 00:26:21,520 --> 00:26:25,400 Speaker 4: stony fields of the UK, and I'm sure she can 469 00:26:25,480 --> 00:26:29,919 Speaker 4: milk a cow really well with those big paws. But 470 00:26:29,960 --> 00:26:32,480 Speaker 4: when it comes to singing on a stage you leave 471 00:26:32,520 --> 00:26:33,199 Speaker 4: that to the pros. 472 00:26:33,720 --> 00:26:36,000 Speaker 3: And all of the voice winners, let's be frank, have 473 00:26:36,119 --> 00:26:44,119 Speaker 3: been hideous monsters. Yes, what a sick group of freaks. 474 00:26:44,160 --> 00:26:47,040 Speaker 2: And yeah, oh some of them much too old, some 475 00:26:47,080 --> 00:26:48,120 Speaker 2: of them in their thirties. 476 00:26:49,960 --> 00:26:51,359 Speaker 4: When was the last time you saw a good looking 477 00:26:51,400 --> 00:26:55,560 Speaker 4: person in their thirties? It's thirteen, it's fourteen, it's fifteen, 478 00:26:55,600 --> 00:26:59,760 Speaker 4: it's sixteen, it's not seventeen, it's thirteen to sixteen. Is 479 00:27:00,119 --> 00:27:06,280 Speaker 4: the window that really gets me? America going yeah, yeah, 480 00:27:06,400 --> 00:27:10,880 Speaker 4: assuming they're mature, right, you know, internally. 481 00:27:11,480 --> 00:27:13,680 Speaker 3: Because I mean, I mean I had made my own experience. 482 00:27:13,760 --> 00:27:16,840 Speaker 3: I mean, he's just just in dealing with just in conversation. 483 00:27:17,600 --> 00:27:22,840 Speaker 3: I met very young people who feel much older, and 484 00:27:22,920 --> 00:27:26,840 Speaker 3: I've also met older people who feel very young. 485 00:27:27,520 --> 00:27:31,280 Speaker 2: Let's cool down with a little trip into the popcorn gallery. Yes, 486 00:27:31,480 --> 00:27:35,399 Speaker 2: let's uh, let's reach inside pull out a question. 487 00:27:42,600 --> 00:27:42,919 Speaker 5: Hmm. 488 00:27:44,480 --> 00:27:48,440 Speaker 2: Here's a question for you, Damien, from a fan of 489 00:27:48,560 --> 00:27:49,640 Speaker 2: either yours or ours. 490 00:27:49,720 --> 00:27:50,840 Speaker 4: It's probably mine. 491 00:27:52,520 --> 00:27:56,600 Speaker 2: His name is Scoops and his question is Damien. I 492 00:27:56,680 --> 00:27:59,720 Speaker 2: understand your nickname is the D Man. How can I 493 00:27:59,720 --> 00:28:01,240 Speaker 2: get a cool nickname like this? 494 00:28:02,680 --> 00:28:07,159 Speaker 4: Well, Scoobs is already pretty cool. You can't really do 495 00:28:07,280 --> 00:28:10,920 Speaker 4: much with that. I could call you cubes, I could 496 00:28:10,960 --> 00:28:14,280 Speaker 4: call you boots, I could call you the s Man. 497 00:28:14,840 --> 00:28:17,840 Speaker 4: But at the end of the day, brother, you got 498 00:28:17,840 --> 00:28:18,320 Speaker 4: to earn. 499 00:28:18,160 --> 00:28:21,479 Speaker 2: It and how and would you say getting your own 500 00:28:21,520 --> 00:28:22,440 Speaker 2: show on TV is a. 501 00:28:22,440 --> 00:28:24,240 Speaker 4: Now, don't even try. It's not gonna It's not gonna 502 00:28:24,240 --> 00:28:24,760 Speaker 4: happen for you. 503 00:28:27,160 --> 00:28:30,560 Speaker 3: That's helpful advice. We need to say that to more 504 00:28:30,600 --> 00:28:33,760 Speaker 3: of our listeners. Is just it's not gonna happen. 505 00:28:33,960 --> 00:28:38,280 Speaker 4: It's healthy to dream unless you are good. Oh, if 506 00:28:38,320 --> 00:28:40,040 Speaker 4: you're good, yeah, yeah. 507 00:28:40,080 --> 00:28:42,760 Speaker 3: But if you're not good, I can't tell you the 508 00:28:42,840 --> 00:28:45,560 Speaker 3: number of people I see who aren't any good. I 509 00:28:45,600 --> 00:28:47,800 Speaker 3: mean just mind blowing everywhere. D man, do you come 510 00:28:47,840 --> 00:28:48,320 Speaker 3: across that. 511 00:28:48,600 --> 00:28:50,400 Speaker 4: They're everywhere, They're everywhere. 512 00:28:50,960 --> 00:28:54,360 Speaker 3: I'm always happy when I see them doing something like, uh, 513 00:28:55,120 --> 00:29:00,400 Speaker 3: mopping floors. Yes, if they're mopping up in a toilet room, 514 00:29:00,440 --> 00:29:01,880 Speaker 3: then I go, Okay. 515 00:29:02,040 --> 00:29:05,640 Speaker 2: I see some of these girls my daughter does tap with. 516 00:29:06,360 --> 00:29:10,520 Speaker 2: Oh you know uh, it's like they let anyone onto 517 00:29:10,600 --> 00:29:14,240 Speaker 2: the stage, like they do these recitals, and at the end, 518 00:29:14,640 --> 00:29:17,920 Speaker 2: what do they do They hand out the trophies. 519 00:29:17,640 --> 00:29:21,520 Speaker 3: You know what I mean, everybody gets a trophy. 520 00:29:21,320 --> 00:29:25,520 Speaker 2: And some of these girls are are fucking shit at tap. 521 00:29:25,680 --> 00:29:27,760 Speaker 4: Yeah, but you can't say that because it's like it's 522 00:29:27,760 --> 00:29:29,000 Speaker 4: like the thing we said earlier. 523 00:29:29,200 --> 00:29:32,200 Speaker 3: And what's so dangerous about that too, is you don't 524 00:29:32,320 --> 00:29:35,040 Speaker 3: find out what you're good at if you get rewarded 525 00:29:35,320 --> 00:29:38,080 Speaker 3: for every activity. That's part of the reason that we 526 00:29:38,200 --> 00:29:40,440 Speaker 3: actually have trophies mean something. 527 00:29:40,960 --> 00:29:43,120 Speaker 4: We're used to calm down, calm down. 528 00:29:43,280 --> 00:29:45,960 Speaker 3: But but if I'd gotten a trophy for vacuuming the floors, 529 00:29:46,720 --> 00:29:48,760 Speaker 3: you know, I would then that might have been what 530 00:29:48,840 --> 00:29:50,160 Speaker 3: I pursued. But I got no good. 531 00:29:50,200 --> 00:29:51,160 Speaker 2: I got vacuuming floors. 532 00:29:51,720 --> 00:29:54,800 Speaker 3: Ri. I'm terrible at it, I admit it. I can't 533 00:29:54,840 --> 00:29:57,280 Speaker 3: do it. No, I don't. I don't have the vision 534 00:29:57,360 --> 00:29:59,600 Speaker 3: for it. But I can make movies. I can star 535 00:29:59,680 --> 00:30:02,440 Speaker 3: and move, I can write movies. I can direct movies. 536 00:30:03,120 --> 00:30:06,840 Speaker 2: Here's a question. It's at the way bottom of the bag. 537 00:30:06,920 --> 00:30:08,080 Speaker 2: Let me just reach in and get it. 538 00:30:12,840 --> 00:30:14,440 Speaker 3: I know there's another piece in her. 539 00:30:18,600 --> 00:30:18,880 Speaker 4: Yes. 540 00:30:20,040 --> 00:30:24,400 Speaker 2: This question is from Toby keith'swat Damien, you were a 541 00:30:24,400 --> 00:30:27,160 Speaker 2: guest on Cupcake Wars once. My question is how did 542 00:30:27,200 --> 00:30:29,640 Speaker 2: you keep from meeting every freaking cupcake in that joint? 543 00:30:30,440 --> 00:30:32,480 Speaker 4: Well, it wasn't easy. And who said I didn't. 544 00:30:35,000 --> 00:30:42,600 Speaker 3: Slam dunk? So uh buzz hinga, it's the facial. 545 00:30:43,680 --> 00:30:45,280 Speaker 2: Let me just reach back in one more time for 546 00:30:45,360 --> 00:30:51,440 Speaker 2: one more question. Yeah, this one is from Freya in Sweden. 547 00:30:52,160 --> 00:30:55,000 Speaker 4: Damien, right off the bat, I already don't like your name. 548 00:30:55,680 --> 00:30:56,280 Speaker 2: Speak on that. 549 00:30:57,320 --> 00:30:58,760 Speaker 4: It's a sound, it's not a name. 550 00:31:00,120 --> 00:31:01,680 Speaker 2: Do you want to hear this question or just no? 551 00:31:02,240 --> 00:31:04,160 Speaker 4: I want to hear the last three words of it, 552 00:31:04,560 --> 00:31:09,920 Speaker 4: and then I'll decide for each topping. No, okay, absolutely not. 553 00:31:10,720 --> 00:31:14,760 Speaker 3: Well, d man, do you have anything exciting coming up 554 00:31:14,760 --> 00:31:16,000 Speaker 3: that you want to talk to us about? 555 00:31:16,400 --> 00:31:20,200 Speaker 4: Uh, well, you guys know about the latest and greatest, 556 00:31:20,200 --> 00:31:22,840 Speaker 4: which would be you know, the big the movie Russell 557 00:31:22,920 --> 00:31:25,720 Speaker 4: Crowe and Daniel day Lewis. 558 00:31:26,240 --> 00:31:27,680 Speaker 2: They're directing you in a movie. 559 00:31:27,800 --> 00:31:31,440 Speaker 4: Yeah, that's all method and I'm excited for it. Can 560 00:31:32,280 --> 00:31:33,160 Speaker 4: Film Festival. 561 00:31:33,760 --> 00:31:35,480 Speaker 3: Yeah, and I know you've been in the lab for 562 00:31:35,560 --> 00:31:37,400 Speaker 3: quite a while cooking up the concept. But if you 563 00:31:37,400 --> 00:31:41,400 Speaker 3: could give us just one line of dialogue from the film, 564 00:31:41,640 --> 00:31:44,280 Speaker 3: and don't worry that it's out of context. We know 565 00:31:44,360 --> 00:31:47,280 Speaker 3: it's going to be rich. But if you could just 566 00:31:47,320 --> 00:31:52,280 Speaker 3: give us one sentence from maybe the pivotal scene of 567 00:31:52,320 --> 00:31:54,000 Speaker 3: the movie of the film, Yes. 568 00:31:53,880 --> 00:31:56,560 Speaker 4: Let me just do you guys mind, if if I 569 00:31:56,600 --> 00:31:58,960 Speaker 4: could just go there, because it's or for me to recite, 570 00:31:59,000 --> 00:32:00,080 Speaker 4: I need to really go there. 571 00:32:00,160 --> 00:32:00,360 Speaker 2: Yeah. 572 00:32:00,360 --> 00:32:01,560 Speaker 3: Sure, I insist. 573 00:32:04,240 --> 00:32:05,560 Speaker 4: You're gonna eat your shorts. 574 00:32:07,760 --> 00:32:13,960 Speaker 2: Guys. Follow Follow Damien on Twitter at Damien Fahie this 575 00:32:14,080 --> 00:32:16,760 Speaker 2: Twitter thing, honestly, come you know. 576 00:32:16,960 --> 00:32:19,480 Speaker 4: I mean, we're waiting, we're tweeting our lives away. 577 00:32:19,600 --> 00:32:21,520 Speaker 2: What is this? What is this? 578 00:32:21,720 --> 00:32:23,440 Speaker 3: I keep waiting to wake up and find out it 579 00:32:23,480 --> 00:32:29,040 Speaker 3: was all a prank. Now follow him on Twitter, follow 580 00:32:29,160 --> 00:32:31,880 Speaker 3: us on Twitter. Hey, like our Facebook. 581 00:32:31,320 --> 00:32:34,120 Speaker 2: Page, Yeah right, go ahead and like our Facebook. 582 00:32:34,280 --> 00:32:35,920 Speaker 3: We're doing some funny shit over there. 583 00:32:36,000 --> 00:32:38,520 Speaker 2: Yeah, there's some really funny photoshops that we would really 584 00:32:38,560 --> 00:32:42,360 Speaker 2: like you guys to see. Yeah, and if we see 585 00:32:42,400 --> 00:32:46,160 Speaker 2: a funny thing on Facebook that we like, we will 586 00:32:46,200 --> 00:32:48,200 Speaker 2: share it on our own page. Like there are some 587 00:32:48,240 --> 00:32:51,640 Speaker 2: of these things where like Willy Wonka's like his like 588 00:32:52,160 --> 00:32:54,640 Speaker 2: fist on his head and he's like beating, sort of 589 00:32:54,640 --> 00:32:56,320 Speaker 2: like condescending, like. 590 00:32:56,280 --> 00:32:58,680 Speaker 3: Oh really there's this freakin cat. 591 00:32:58,880 --> 00:33:01,120 Speaker 2: I don't want to like spoil it too much, but 592 00:33:01,400 --> 00:33:04,000 Speaker 2: oh yeah he's got something I know which one. 593 00:33:04,160 --> 00:33:05,080 Speaker 3: I know which one. 594 00:33:05,240 --> 00:33:06,800 Speaker 2: I don't want to say what the attitude is. 595 00:33:06,840 --> 00:33:08,560 Speaker 4: But he's not pleased, he's. 596 00:33:08,480 --> 00:33:12,320 Speaker 3: Not Okay, that's as much as well said. Nothing else. 597 00:33:13,200 --> 00:33:16,160 Speaker 2: And oh please make sure to buy the pro version. 598 00:33:16,280 --> 00:33:18,120 Speaker 3: Oh yes, that's important. 599 00:33:18,160 --> 00:33:20,320 Speaker 2: What are we offering in the pro version this week? 600 00:33:22,080 --> 00:33:27,480 Speaker 3: Well, this week you get a signed headphone chord from Hayes. 601 00:33:27,520 --> 00:33:29,360 Speaker 3: It's very difficult to make out the signature. It is 602 00:33:29,360 --> 00:33:31,840 Speaker 3: a black cord and he did sign it with sharpie marker. 603 00:33:32,560 --> 00:33:35,000 Speaker 3: But one of Hayes's actual headphone chords that he wore 604 00:33:35,040 --> 00:33:41,440 Speaker 3: during the recording of a podcast. And also Damien announces 605 00:33:41,840 --> 00:33:46,000 Speaker 3: you as the number one music video of two thousand 606 00:33:46,040 --> 00:33:46,640 Speaker 3: and nine. 607 00:33:46,640 --> 00:33:51,280 Speaker 2: And the winner of last week's drawing from all the 608 00:33:51,280 --> 00:33:56,320 Speaker 2: people who bought the pro version was Chanson and so Chanson, 609 00:33:56,600 --> 00:34:00,320 Speaker 2: here here is your prize in it. 610 00:34:00,800 --> 00:34:03,040 Speaker 4: Can you do like a little clap or like cheering 611 00:34:03,120 --> 00:34:04,480 Speaker 4: up a little bit so I can go there? 612 00:34:04,640 --> 00:34:07,239 Speaker 2: Get all right? 613 00:34:07,320 --> 00:34:11,200 Speaker 4: Welcome back to Times Square the number one video. Boy, 614 00:34:11,239 --> 00:34:12,640 Speaker 4: we got a lot of votes. It was a close 615 00:34:12,719 --> 00:34:17,719 Speaker 4: one today between the Goo Goo Dolls, Iris and well 616 00:34:17,840 --> 00:34:23,400 Speaker 4: newcomer Chansen. Chansen his latest at number one, and this 617 00:34:23,560 --> 00:34:25,440 Speaker 4: is called Producer. 618 00:34:25,480 --> 00:34:25,839 Speaker 3: What is it? 619 00:34:25,880 --> 00:34:26,520 Speaker 4: What is it called? 620 00:34:26,680 --> 00:34:27,080 Speaker 2: What is it? 621 00:34:28,239 --> 00:34:28,920 Speaker 4: Bat Out of Hell? 622 00:34:29,000 --> 00:34:29,200 Speaker 2: Three? 623 00:34:29,800 --> 00:34:32,520 Speaker 4: The meat Loaf continuation. 624 00:34:32,480 --> 00:34:36,360 Speaker 2: And we also want to say a loving goodbye to 625 00:34:36,520 --> 00:34:39,600 Speaker 2: Engineer Frank, one of our favorite engineers. He is leaving you. 626 00:34:39,640 --> 00:34:42,160 Speaker 2: I'm sure you'll be hearing definitely one of our top 627 00:34:42,200 --> 00:34:43,799 Speaker 2: tree engineers. I'm sure you'll be hearing a lot of 628 00:34:43,800 --> 00:34:48,640 Speaker 2: goodbyes as this month goes on. But he's he's going 629 00:34:48,680 --> 00:34:52,240 Speaker 2: to be moving on to other opportunities. I will always 630 00:34:52,320 --> 00:34:57,320 Speaker 2: remember at the beginning of one of our recordings. I 631 00:34:57,320 --> 00:35:02,359 Speaker 2: think it was actually this recording when Frank couldn't get 632 00:35:02,360 --> 00:35:05,640 Speaker 2: the music to play, and it was because he had 633 00:35:05,680 --> 00:35:09,400 Speaker 2: the input and output jacks confused. 634 00:35:09,480 --> 00:35:13,080 Speaker 3: I'll remember it differently. I'll always remember the time when 635 00:35:13,239 --> 00:35:15,279 Speaker 3: we were recording with Frank. It may have actually been 636 00:35:15,320 --> 00:35:19,160 Speaker 3: this recording when he didn't know to lower the music 637 00:35:19,800 --> 00:35:22,560 Speaker 3: so that we could talk over it, as we've done 638 00:35:23,000 --> 00:35:25,360 Speaker 3: for basically the past fifty podcasts. 639 00:35:25,400 --> 00:35:26,600 Speaker 2: We've recorded. 640 00:35:28,440 --> 00:35:32,120 Speaker 3: Just those little touches that you remember about someone when 641 00:35:32,160 --> 00:35:36,799 Speaker 3: you work with them for this long. And we love you, Frank. 642 00:35:36,560 --> 00:35:40,359 Speaker 2: We love you, Frank. Everything going smoothly around here is 643 00:35:40,920 --> 00:35:43,640 Speaker 2: going to be a difficult transition, and so. 644 00:35:43,680 --> 00:35:45,880 Speaker 4: I have a heart out by the way, just so 645 00:35:45,960 --> 00:35:47,360 Speaker 4: you guys know. I know I didn't mention that in 646 00:35:47,400 --> 00:35:49,240 Speaker 4: the email, but I've got about two more minutes. 647 00:35:49,239 --> 00:35:55,880 Speaker 3: We'll fucking take off then bye. 648 00:35:59,040 --> 00:36:01,960 Speaker 6: This has been an Earwook Media production executive producers Jeff 649 00:36:02,040 --> 00:36:14,520 Speaker 6: Ulrich and Scott Ackerman. For more information, visit Earwolf dot com. 650 00:36:09,760 --> 00:36:12,520 Speaker 4: Ear warf Radio Boom dot 651 00:36:12,560 --> 00:36:20,480 Speaker 3: Com, The Worf Dead