WEBVTT - How did settlers create New Orleans from swampland? 

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<v Speaker 1>Welcome to Part Time Genius, a production of I Heart Radio.

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<v Speaker 1>I guess what, Mango? What's that? Well? All right, so

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<v Speaker 1>you know how New Orleans is famous for being this

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<v Speaker 1>kind of wild party town. You I hope you've heard

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<v Speaker 1>this before, right, like sort of the Vegas of the

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<v Speaker 1>Gulf Coast. I like that at the Vegas of the

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<v Speaker 1>Gulf Coast. I actually just went to New Orleans for

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<v Speaker 1>the first time this year, and I loved it, but

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<v Speaker 1>I was kind of thrown off by the fact that

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<v Speaker 1>you can just drink on the streets there. It's kind

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<v Speaker 1>of amazing. Well, actually, what's weird about that is technically

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<v Speaker 1>it's only in the French Quarter that you're allowed to

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<v Speaker 1>do that, you know, as long as your drink isn't

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<v Speaker 1>in a glass or a metal container. But you know,

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<v Speaker 1>if you go into other areas that are pretty close by,

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<v Speaker 1>it's not a law that really gets enforced that often,

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<v Speaker 1>as I think you probably saw when you were there.

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<v Speaker 1>And this is a city where the official motto is

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<v Speaker 1>let the good times roll A pop quiz for you?

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<v Speaker 1>Do you know how to say that in French? Mango? No?

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<v Speaker 1>I do not, okay me either. I think it's some

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<v Speaker 1>thing like les le bon temp roulet. Maybe I just

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<v Speaker 1>butchered it completely, like I can't even imagine for all

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<v Speaker 1>those who speak French, and for even for those who don't,

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<v Speaker 1>they just know that I butchered it. I feel like

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<v Speaker 1>you're just saying, like the line from that Lady Lady

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<v Speaker 1>song or maybe from the Little Mermaid, I just stole

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<v Speaker 1>a line. But you know, it is kind of amazing that,

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<v Speaker 1>like New Orleans, it's such a good times town. But

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<v Speaker 1>but I'm curious, like, like, are you just telling me

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<v Speaker 1>that like New Orleans likes to drink? Is that? Is

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<v Speaker 1>that what is all about? Now? I'm pretty sure the

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<v Speaker 1>drinking is common knowledge at this point. It was you know,

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<v Speaker 1>the thing that caught my attention when we were talking

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<v Speaker 1>to Gabe about the research for this week was that

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<v Speaker 1>it's really more like what the residents used to treat

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<v Speaker 1>the hangover that comes after all the drinking. And that's

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<v Speaker 1>a big steamy bowl of yaka Maine soup, as you know,

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<v Speaker 1>also known as old sober. It's a soy sauce flavored

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<v Speaker 1>broth with noodles, beef, chicken, shrimp, hard boiled eggs, and

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<v Speaker 1>chopped onions. It actually sound, it is pretty good. And

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<v Speaker 1>the amazing thing that sets this hangover cure apart from

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<v Speaker 1>all the others is that it actually works. So there

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<v Speaker 1>were some researchers that looked into this from the American

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<v Speaker 1>Chemical Society, and what they've found is that the traditional

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<v Speaker 1>soup contains all the right ingredients to help the body

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<v Speaker 1>recover from a hangover. So the hardwalled eggs have this

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<v Speaker 1>compound that helps expel toxic substances. The salty broth helps

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<v Speaker 1>replenish sodium and potassium, and the beef and shrump helps

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<v Speaker 1>slow down the absorption of alcohol. So it's like a

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<v Speaker 1>one stop shop for this hangover cure. So how did

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<v Speaker 1>dish called yakamine with all this soy sauce flavor, How

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<v Speaker 1>that end up becoming a signature dish here? Like it

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<v Speaker 1>doesn't sound super southern, Yeah, that's true. And actually, according

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<v Speaker 1>to local legend, the dish came to the Big Easy

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<v Speaker 1>by way of local soldiers that had been stationed in Korea.

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<v Speaker 1>This was back during the nineteen fifties, and so when

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<v Speaker 1>the war was over, they brought this soup of this

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<v Speaker 1>yakamine soup back home with them and it's been the

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<v Speaker 1>city's surefire hangover cure ever since, and that's pretty neat.

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<v Speaker 1>So I've definitely heard before that New Orleans is one

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<v Speaker 1>of the most culturally diverse cities in America, and it's

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<v Speaker 1>kind of fun to see how it extends into food

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<v Speaker 1>as well. Yeah, it's that's definitely true, and it's always

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<v Speaker 1>been this huge cultural melting pot, going all the way

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<v Speaker 1>back to the beginning of that highly unusual three hundred

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<v Speaker 1>year old history and all of those years mingling cultures.

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<v Speaker 1>It's really turned New Orleans into this super fun and

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<v Speaker 1>very unique American city. And that's why I thought we

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<v Speaker 1>should focus on this today, like this all of these

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<v Speaker 1>one of a kind customs and traditions that make the

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<v Speaker 1>city unlike any other out there. So with three centuries

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<v Speaker 1>of stories to pull from, there's obviously a lot to

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<v Speaker 1>talk about. So let's dive in. Yeah, Hei, their podcast listeners,

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<v Speaker 1>welcome to Part Time Genius. I'm Will Pearson and as

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<v Speaker 1>always I'm joined by my good friend Manes Ticketer. And

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<v Speaker 1>then the other side of the soundproof glass, dressed to

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<v Speaker 1>impress as always, that is our friend and producer Loell Berlante.

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<v Speaker 1>Now he's picked up this mantle from where Tristan left

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<v Speaker 1>off of course, and today he's wearing a shirt with

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<v Speaker 1>a crawfish on it. He's really stepping up his game

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<v Speaker 1>to try to to to keep up with Tristan and

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<v Speaker 1>and for some reason, the crawfish has one claw in

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<v Speaker 1>the air and he's asking where you at? You know,

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<v Speaker 1>it's why apostrophe a t. I'm not sure what that means,

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<v Speaker 1>but that's what the shirt said, so I I do

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<v Speaker 1>think the crawfish is probably self explanatory. But that phrase

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<v Speaker 1>where yet is actually something I was reading about this week.

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<v Speaker 1>Apparently it's a pretty common greeting in New Orleans, kind

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<v Speaker 1>of a how are you doing? Of the region. But

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<v Speaker 1>one of the best things about the region has to

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<v Speaker 1>be the way the people talk. It's kind of this

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<v Speaker 1>hodgepodge of different languages and dialects, and you can go

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<v Speaker 1>into any given neighborhood and here half a dozen different

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<v Speaker 1>accents and idioms depending on who you're talking to and

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<v Speaker 1>where you are in the city. And then there's the pronunciation, like,

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<v Speaker 1>according to the official New Orleans website quote, we say

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<v Speaker 1>the street name Burgundy, not Burgundy, just because that's the

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<v Speaker 1>way it is. As for Calliope, say Calliope and you'll

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<v Speaker 1>pass for a local, so they're giving all this advice

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<v Speaker 1>on the site. Uh. But and you know this happens everywhere,

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<v Speaker 1>right Like in Chicago people call Gothe Street and in

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<v Speaker 1>uh in New York, Houston Street is called Houston But uh.

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<v Speaker 1>You know what what's interesting about New Orleans is how

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<v Speaker 1>so many little French idioms wound up kind of endearingly mistranslated.

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<v Speaker 1>For instance, in New Orleans, they don't say I gotta

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<v Speaker 1>go grocery shopping. They say I gotta make groceries, which

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<v Speaker 1>actually comes from the French expression for grocery shopping. It's

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<v Speaker 1>uh fair la marche. I guess the verb fair can

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<v Speaker 1>I either mean to do or to make, and you

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<v Speaker 1>wouldn't include that in your translation normally unless you're in

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<v Speaker 1>New Orleans. And another fun pull from the French language

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<v Speaker 1>is land yap, which I guess basically means a little

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<v Speaker 1>something extra. So maybe you go out to eat and

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<v Speaker 1>the waiter brings you a free dessert, or maybe the

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<v Speaker 1>hotel you're staying at upgrades you to a riverfront view,

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<v Speaker 1>and in either case you were given a land yap,

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<v Speaker 1>which is an old New Orleans way to foster friendship.

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<v Speaker 1>And and maybe some return business as well. Actually, no,

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<v Speaker 1>since we're talking about the way French has woven into

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<v Speaker 1>the language and the culture of the city, I do

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<v Speaker 1>feel like we should talk a little bit about how

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<v Speaker 1>that influence got there in the very first place. So,

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<v Speaker 1>as you mentioned upfront that New Orleans has a three

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<v Speaker 1>hundred year history, and and that's true. The city was

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<v Speaker 1>founded in seventeen eighteen by the French governor of Louisiana,

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<v Speaker 1>a guy named Jean Baptiste Bienville, and it was named

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<v Speaker 1>for the French head of state at the time, this

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<v Speaker 1>was Philippe Day Orleans. But of course, and I'm sure

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<v Speaker 1>I'm saying all of these words wrong, but that's what

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<v Speaker 1>it says. But the reality is that the French settlers

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<v Speaker 1>were far from the first people to live there. So

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<v Speaker 1>Native American communities called the place home at least six

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<v Speaker 1>hundred years before Being Bill got there, and many of

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<v Speaker 1>them are said to have lived right where the French

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<v Speaker 1>quarters sits today. Yeah, it's funny that that word I

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<v Speaker 1>mentioned a minute ago, which I probably also mispronounced land yap.

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<v Speaker 1>It's technically considered Louisiana French, but it's actually barred from

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<v Speaker 1>the Spanish language, which had taken it from Quechua, which

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<v Speaker 1>is spoken by Native South Americans. So I feel like

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<v Speaker 1>that's exactly the kind of like dense cultural overlap that

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<v Speaker 1>you find in almost every aspect of New Orleans. They're

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<v Speaker 1>all these different ethnic groups that have called the city

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<v Speaker 1>home over its long history, and every one of them

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<v Speaker 1>left its mark in ways that you can still see today.

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<v Speaker 1>That's right. And they don't call it the most haunted

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<v Speaker 1>city in America for nothing, right, Yeah, that's not exactly

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<v Speaker 1>what I meant. But you know, after reading up on

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<v Speaker 1>New Orleans history this week, I can definitely see how

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<v Speaker 1>the city got such a spooky reputation. It sounds like

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<v Speaker 1>it was a pretty rough place to live in during

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<v Speaker 1>the colonial era. Yeah, you know, Benville and his men

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<v Speaker 1>certainly had their work cut out for him, and and

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<v Speaker 1>France had claimed that Louisiana territory in but then didn't

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<v Speaker 1>do that much with it for at least a decade

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<v Speaker 1>or so. So you had the War of the Spanish Secession,

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<v Speaker 1>which began just a couple of years after the French

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<v Speaker 1>colony was established, and the fighting kept most of the

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<v Speaker 1>country's resources tied up for I guess it was the

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<v Speaker 1>next thirteen years or so, and so by the time

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<v Speaker 1>the war finally ended, France's outpost in Louisiana were pretty

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<v Speaker 1>much empty by that point. What was the mood like

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<v Speaker 1>in France during all of this? Were they so cast

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<v Speaker 1>strapped after the war that they couldn't fund their own colony?

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<v Speaker 1>I mean, they sort of were, Yeah, I mean, it

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<v Speaker 1>turns out that thirteen years of war can be quite

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<v Speaker 1>a drain on the old treasury. And you know, when

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<v Speaker 1>you also lose that thirteen year war, it's even worse.

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<v Speaker 1>That tends to drain the morale, of course, and that's

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<v Speaker 1>exactly the problem France was facing back in seventeen fourteen.

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<v Speaker 1>And then, of course, to make matters worse, there was

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<v Speaker 1>this stretch of bad weather that led to food shortages

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<v Speaker 1>and it sent many of the rural residents They're scrambling

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<v Speaker 1>to cities in order to try to find work, and

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<v Speaker 1>as a result of this, Paris was flooded with desperate people,

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<v Speaker 1>and of the country's capital city, it really became this

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<v Speaker 1>kind of den of crime and poverty at the time.

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<v Speaker 1>So it sounds like things are pretty dire in France. Uh.

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<v Speaker 1>The Louisiana colony is kind of a Wash, So how

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<v Speaker 1>does the monarchy end up turning all of this around? Right?

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<v Speaker 1>So the French king looked at everything going on and

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<v Speaker 1>he realized a couple of things. For one, the colony

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<v Speaker 1>in Louisiana could and should be making him more money

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<v Speaker 1>than it was. After all, Spain was rolling in the

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<v Speaker 1>dough thanks to its colonies in Mexico, so we thought,

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<v Speaker 1>why not France. But the biggest obstacle at that point

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<v Speaker 1>was that barely anyone was left in the Louisiana colony,

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<v Speaker 1>and very few people were lining up to live there,

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<v Speaker 1>no matter how much gold or how much land they

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<v Speaker 1>were promised. So second, he noticed that the prisons were

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<v Speaker 1>getting pretty full at the time, and this was thanks

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<v Speaker 1>to all the homeless citizens and petty criminals and some

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<v Speaker 1>prostitutes that have been just rounded up there in Paris.

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<v Speaker 1>And that's when the king hit upon what he hoped

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<v Speaker 1>would be the solution to both of his problems. He

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<v Speaker 1>would just force the prisoners to go and settle the

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<v Speaker 1>land in Louisiana. Yeah, which is kind of taking a

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<v Speaker 1>page from England, right, Like, isn't that what they did

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<v Speaker 1>in Australia? Yeah, but this was actually a good seventy

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<v Speaker 1>years or so before, England had turned Australia into a

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<v Speaker 1>prison colony, so if anything, they were the ones copying

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<v Speaker 1>the French. So at any rate, this is ultimately how

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<v Speaker 1>New Orleans was founded. It was a punishment for prisoners,

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<v Speaker 1>and so in January of seventeen nineteen, the King issued

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<v Speaker 1>a royal policy to the effects, saying, we believe that

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<v Speaker 1>we can do nothing better for the good of our

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<v Speaker 1>state than to condemn convicts to the punishment of being

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<v Speaker 1>transported to our colonies, which is not exactly a ringing

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<v Speaker 1>endorsement for Louisiana. No, I think they've changed the motto

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<v Speaker 1>at this point, and the word had gotten around about

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<v Speaker 1>how grueling it was to live in such an inhospitable region.

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<v Speaker 1>It was surrounded by these swamps and these marshes that

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<v Speaker 1>we sometimes think of with the region, and stories of

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<v Speaker 1>the heat and the stench and the threat of all

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<v Speaker 1>this disease. It, you know, it made it alan like

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<v Speaker 1>this trip was a death sentence, and it sort of was,

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<v Speaker 1>since most of the people sent there didn't live past

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<v Speaker 1>the age of forty. But it's not like these people

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<v Speaker 1>had a choice in the matter. So they were forced

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<v Speaker 1>onto ships and sent over a few hundred at a time,

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<v Speaker 1>and it wasn't until months later that someone realized they

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<v Speaker 1>had only been sending over male prisoners, which obviously wasn't

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<v Speaker 1>the ideal way to establish a thriving colony. Yeah, but

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<v Speaker 1>to be fair, like, no part of this sounds ideal.

0:11:27.400 --> 0:11:29.400
<v Speaker 1>It isn't just not having women that it does not

0:11:29.600 --> 0:11:31.880
<v Speaker 1>sound ideal in any way. But as bad as things were,

0:11:31.960 --> 0:11:35.600
<v Speaker 1>they only got worse from there. So pretty soon France

0:11:35.640 --> 0:11:40.640
<v Speaker 1>started sending shiploads of orphans and female convicts to Louisiana,

0:11:41.120 --> 0:11:43.840
<v Speaker 1>with many of them forced to marry male convicts in

0:11:43.920 --> 0:11:48.040
<v Speaker 1>these mass wedding ceremonies. It sounds so weird, that's horrible.

0:11:48.160 --> 0:11:50.320
<v Speaker 1>So how long did this force immigration go on for?

0:11:50.600 --> 0:11:55.439
<v Speaker 1>Till seventeen twenty two, so about three years total. And meanwhile,

0:11:55.480 --> 0:11:58.640
<v Speaker 1>the Louisiana governor, that Banville guy that we talked about before,

0:11:59.200 --> 0:12:02.560
<v Speaker 1>is trying to key this experiment from flying completely off

0:12:02.600 --> 0:12:05.760
<v Speaker 1>the rails. But he's obviously having a tough time keeping

0:12:05.760 --> 0:12:08.720
<v Speaker 1>a city of convicts and check and and he's not

0:12:08.800 --> 0:12:11.480
<v Speaker 1>exactly thrilled about the kind of settlers that France is

0:12:11.559 --> 0:12:14.320
<v Speaker 1>sending him. In fact, there's a good quote from his journals.

0:12:14.360 --> 0:12:17.079
<v Speaker 1>That really shows how frustrating it was, even for those

0:12:17.120 --> 0:12:21.120
<v Speaker 1>at the top. So Bnville rights, it is most disagreeable

0:12:21.160 --> 0:12:23.560
<v Speaker 1>for an officer in charge of a colony to have

0:12:23.720 --> 0:12:27.760
<v Speaker 1>nothing more for its defense than a bunch of deserters, contrabands,

0:12:27.800 --> 0:12:31.320
<v Speaker 1>salt dealers, and rogues who were always ready not only

0:12:31.360 --> 0:12:35.120
<v Speaker 1>to desert you, but also to turn against you. Both

0:12:35.200 --> 0:12:37.319
<v Speaker 1>Like having people who are ready to desert you and

0:12:37.440 --> 0:12:40.320
<v Speaker 1>turned against you sounds pretty awful. But I'm guessing most

0:12:40.320 --> 0:12:42.760
<v Speaker 1>of those people stayed right Well, yeah, they didn't really

0:12:42.760 --> 0:12:45.600
<v Speaker 1>have much of a choice. I mean, these were convicted criminals,

0:12:45.640 --> 0:12:47.680
<v Speaker 1>they were broke, they were stranded the middle of a

0:12:47.720 --> 0:12:51.360
<v Speaker 1>swamp and unknown country. It's hard to even imagine, so

0:12:51.880 --> 0:12:54.520
<v Speaker 1>leaving wasn't a real option. So most people just tried

0:12:54.559 --> 0:12:57.199
<v Speaker 1>to make the best of staying, and being a stranger

0:12:57.240 --> 0:13:00.800
<v Speaker 1>in a new world did have some advantages. For example,

0:13:01.240 --> 0:13:04.360
<v Speaker 1>nobody knew their names there, which meant settlers were free

0:13:04.400 --> 0:13:07.440
<v Speaker 1>to reinvent themselves and whatever way they wanted to, and

0:13:07.960 --> 0:13:11.240
<v Speaker 1>some people made up complex family histories for themselves or

0:13:11.240 --> 0:13:14.600
<v Speaker 1>added flourishes to their names to make themselves seem maybe

0:13:14.679 --> 0:13:17.400
<v Speaker 1>higher class, I guess, And there was no way to

0:13:17.520 --> 0:13:21.000
<v Speaker 1>prove or disprove any of this. So these false personas

0:13:21.080 --> 0:13:23.560
<v Speaker 1>just stuck and kind of became the new reality for

0:13:23.600 --> 0:13:26.160
<v Speaker 1>these people, which is kind of strangely fitting when you

0:13:26.160 --> 0:13:27.760
<v Speaker 1>think about some of the things that have gone on

0:13:27.800 --> 0:13:30.760
<v Speaker 1>to characterize New Orleans. Right, Like, I was actually skimming

0:13:30.800 --> 0:13:34.200
<v Speaker 1>a book this week. It's called The Accidental City, Improving

0:13:34.240 --> 0:13:37.000
<v Speaker 1>New Orleans, and there's one part where the author, who's

0:13:37.040 --> 0:13:39.280
<v Speaker 1>a native, is talking about what a fresh start this

0:13:39.400 --> 0:13:42.240
<v Speaker 1>experience was for so many settlers, and this is what

0:13:42.360 --> 0:13:45.199
<v Speaker 1>he writes, quote, we were a city of impostors in

0:13:45.240 --> 0:13:47.760
<v Speaker 1>a way. That's why Marty Graff fits so well with

0:13:47.800 --> 0:13:51.719
<v Speaker 1>our identity. We could always put on new masks. That's

0:13:51.760 --> 0:13:54.840
<v Speaker 1>pretty interesting. I actually hadn't really made that connection before.

0:13:55.440 --> 0:13:57.600
<v Speaker 1>All Right, Well, we're just scratching the surface of New

0:13:57.760 --> 0:14:00.800
<v Speaker 1>Orleans long storied history, so I feel like we should

0:14:00.800 --> 0:14:02.720
<v Speaker 1>take a quick break and then we'll jump right back in.

0:14:16.840 --> 0:14:18.880
<v Speaker 1>You're listening to Part Time Genius, and we're talking about

0:14:18.920 --> 0:14:21.560
<v Speaker 1>the chain of events that turned a French penal colony

0:14:21.560 --> 0:14:25.280
<v Speaker 1>into one of the most amazing cities in America. All Right, Mango,

0:14:25.400 --> 0:14:27.480
<v Speaker 1>So what's the next piece of New Orleans history? You

0:14:27.480 --> 0:14:29.600
<v Speaker 1>want to touch on. So we've talked a lot so

0:14:29.640 --> 0:14:31.720
<v Speaker 1>far about the French influence on the city, but there's

0:14:31.760 --> 0:14:34.240
<v Speaker 1>one part of the city they really can't claim credit for,

0:14:34.560 --> 0:14:38.120
<v Speaker 1>and strangely enough, it's the French Quarter. So despite what

0:14:38.160 --> 0:14:40.080
<v Speaker 1>the name suggests, most of the buildings in the famous

0:14:40.080 --> 0:14:44.080
<v Speaker 1>neighborhood were actually influenced by Spanish architecture, not French. So

0:14:44.160 --> 0:14:47.080
<v Speaker 1>you're saying that the French Quarter didn't exist when Binville

0:14:47.200 --> 0:14:49.960
<v Speaker 1>founded the city. It did, but it wasn't called that

0:14:49.960 --> 0:14:52.160
<v Speaker 1>at the time, and it also looked a whole lot different.

0:14:52.240 --> 0:14:54.480
<v Speaker 1>So as the city took shape under French rule, it

0:14:54.800 --> 0:14:57.560
<v Speaker 1>gradually organized around the highest patch of dry land in

0:14:57.600 --> 0:15:00.000
<v Speaker 1>the area, which was still only about ten to fifteen

0:15:00.080 --> 0:15:02.760
<v Speaker 1>feet above sea level. But what I'd kind of forgotten

0:15:02.960 --> 0:15:06.000
<v Speaker 1>was the sway that Spain had over New Orleans. So

0:15:06.160 --> 0:15:10.320
<v Speaker 1>following the Revolutionary War, France actually gave the Louisiana territory

0:15:10.360 --> 0:15:12.960
<v Speaker 1>to Spain, mostly as a way to keep England from

0:15:12.960 --> 0:15:14.600
<v Speaker 1>taking control of it. I mean, it's kind of a

0:15:14.640 --> 0:15:16.360
<v Speaker 1>long story, but you can look up the Treaty of

0:15:16.400 --> 0:15:20.080
<v Speaker 1>Fountain Blue if you're interested. But you know, Spain took

0:15:20.080 --> 0:15:23.960
<v Speaker 1>possession of New Orleans in seventeen sixty two, and they

0:15:24.040 --> 0:15:27.160
<v Speaker 1>held onto it for just under fifty years, and then

0:15:27.360 --> 0:15:30.840
<v Speaker 1>in eighteen o one a different treaty placed Louisiana back

0:15:30.960 --> 0:15:34.240
<v Speaker 1>under French rule until two years later when Napoleon sold

0:15:34.240 --> 0:15:35.680
<v Speaker 1>the whole thing to the US as part of the

0:15:35.760 --> 0:15:38.320
<v Speaker 1>Louisiana Purchase. All Right, so you're saying New Orleans has

0:15:38.400 --> 0:15:41.480
<v Speaker 1>changed hands a lot over the years, and it definitely

0:15:41.480 --> 0:15:43.960
<v Speaker 1>tracks with the cultural mishmash, and you know that you

0:15:44.040 --> 0:15:46.440
<v Speaker 1>kind of think about when you think of the characterization

0:15:46.480 --> 0:15:49.000
<v Speaker 1>of the city. But what it doesn't do, Mango, is

0:15:49.040 --> 0:15:52.560
<v Speaker 1>explain how the French quarter got so Spanish Like? Could

0:15:52.560 --> 0:15:55.200
<v Speaker 1>we get to that part? Basically, nearly all of the

0:15:55.240 --> 0:15:58.640
<v Speaker 1>original French colonial buildings in New Orleans were destroyed during

0:15:58.680 --> 0:16:01.480
<v Speaker 1>Spain's rule in the late eventeen hundreds. They weren't knocked

0:16:01.480 --> 0:16:04.560
<v Speaker 1>down on purpose, though. Basically there were these two massive

0:16:04.680 --> 0:16:07.880
<v Speaker 1>fires that laid waste to the city. And the first

0:16:07.880 --> 0:16:11.440
<v Speaker 1>fire took place in and it actually might not have

0:16:11.440 --> 0:16:14.000
<v Speaker 1>been that bad except that it happened to occur on

0:16:14.120 --> 0:16:17.360
<v Speaker 1>Good Friday, and because of that, the city's priests wouldn't

0:16:17.360 --> 0:16:19.960
<v Speaker 1>allow the church bells to be rung as fire alarms,

0:16:20.200 --> 0:16:23.120
<v Speaker 1>which made it nearly impossible to organize, like, you know,

0:16:23.240 --> 0:16:26.520
<v Speaker 1>help during all the chaos. So the fire burned unchecked,

0:16:26.600 --> 0:16:29.680
<v Speaker 1>and within five hours it had consumed eighty percent of

0:16:29.680 --> 0:16:31.960
<v Speaker 1>the city. Good, Lauren, And you're saying the same thing

0:16:32.040 --> 0:16:34.040
<v Speaker 1>happened just a few years later. Yeah, I mean, it

0:16:34.080 --> 0:16:37.360
<v Speaker 1>didn't happen during Good Friday this time. But after six

0:16:37.440 --> 0:16:40.760
<v Speaker 1>years of rebuilding, they had another fire and it was

0:16:41.040 --> 0:16:43.360
<v Speaker 1>extinguished a little bit faster, but it still took out

0:16:43.440 --> 0:16:46.080
<v Speaker 1>I guess two buildings. I don't know. It's still a

0:16:46.200 --> 0:16:48.520
<v Speaker 1>terrible thing, but but not as bad as the first one. Yeah,

0:16:48.560 --> 0:16:50.440
<v Speaker 1>that's tough luck for Spain there. And it sounds like

0:16:50.440 --> 0:16:54.320
<v Speaker 1>their entire reign in Louisiana was just fires and reconstruction.

0:16:54.360 --> 0:16:57.720
<v Speaker 1>It was like burn, build and repeat. But you know,

0:16:57.800 --> 0:16:59.880
<v Speaker 1>Span left a deep impression on New Orleans in the

0:17:00.040 --> 0:17:03.000
<v Speaker 1>little time it took over. So after that second fire,

0:17:03.080 --> 0:17:05.879
<v Speaker 1>the Spanish government started handing out loans for citizens to

0:17:05.920 --> 0:17:08.880
<v Speaker 1>rebuild their houses. But the only catch was in order

0:17:08.880 --> 0:17:10.520
<v Speaker 1>to get the money, you had to agree to build

0:17:10.520 --> 0:17:13.640
<v Speaker 1>according to the government's newly developed guidelines. And so this

0:17:13.720 --> 0:17:15.800
<v Speaker 1>is really smart. The idea was to make the city

0:17:15.840 --> 0:17:18.879
<v Speaker 1>a little more fireproof, including the switch to brick and

0:17:18.920 --> 0:17:22.920
<v Speaker 1>plaster town homes instead of those wooden cottages. And uh,

0:17:22.960 --> 0:17:24.960
<v Speaker 1>as you probably guess, this is when the French quarters

0:17:24.960 --> 0:17:27.680
<v Speaker 1>started to look a little more Spanish, you know, even

0:17:27.720 --> 0:17:30.919
<v Speaker 1>if the streets were still named for French royalty and nobility.

0:17:31.040 --> 0:17:33.400
<v Speaker 1>And the transformation proved to be a real turning point

0:17:33.440 --> 0:17:36.480
<v Speaker 1>in New Orleans history. And that's something this author Lyle

0:17:36.560 --> 0:17:40.000
<v Speaker 1>Saxon touches on in his book Fabulous New Orleans. As

0:17:40.000 --> 0:17:42.919
<v Speaker 1>he puts it, quote, the city that fell before the

0:17:42.920 --> 0:17:46.640
<v Speaker 1>flames was a congested French community of wooden houses, badly

0:17:46.760 --> 0:17:50.600
<v Speaker 1>arranged and irregular. A stately Spanish city rose in instead.

0:17:51.080 --> 0:17:54.160
<v Speaker 1>Large fan shaped windows looked down into courtyards which held

0:17:54.200 --> 0:17:58.720
<v Speaker 1>banana trees and oleanders, and balconies railed with delicately wrought

0:17:58.760 --> 0:18:01.800
<v Speaker 1>iron overhung the streets. You know, it's interesting because I

0:18:02.080 --> 0:18:05.879
<v Speaker 1>actually never really noticed how non French the French Quarter is.

0:18:05.920 --> 0:18:08.040
<v Speaker 1>But when you break it all down, it's like, yeah,

0:18:08.040 --> 0:18:11.680
<v Speaker 1>of course these are all Spanish architectural features, I guess. Yeah.

0:18:11.840 --> 0:18:14.119
<v Speaker 1>And and and that Spanish style wasn't only limited to

0:18:14.119 --> 0:18:17.280
<v Speaker 1>where people lived it. It also influenced how the city's

0:18:17.320 --> 0:18:20.440
<v Speaker 1>dead were laid arrest, so when settlers first came to

0:18:20.520 --> 0:18:22.400
<v Speaker 1>the region, they had a tough time getting there dead

0:18:22.440 --> 0:18:24.960
<v Speaker 1>to stay put. Because the water table in the area

0:18:25.000 --> 0:18:27.679
<v Speaker 1>is so high, all the burial plots had to be

0:18:27.800 --> 0:18:30.399
<v Speaker 1>dug shallow, otherwise the grave would fill with water and

0:18:30.440 --> 0:18:32.639
<v Speaker 1>the coffin would just pop out of the ground. And

0:18:32.680 --> 0:18:35.040
<v Speaker 1>they tried everything to keep the coffins in place right,

0:18:35.040 --> 0:18:37.000
<v Speaker 1>like they would board these holes into the lids to

0:18:37.040 --> 0:18:39.479
<v Speaker 1>make them less buoyant. It was a huge problem. They

0:18:39.720 --> 0:18:42.720
<v Speaker 1>e didn't like, tried weighing down the lids with heavy stones.

0:18:42.840 --> 0:18:45.439
<v Speaker 1>But you know, if a rainstorm was bad enough in

0:18:45.480 --> 0:18:48.119
<v Speaker 1>the area, which if you know the area, they have

0:18:48.400 --> 0:18:52.320
<v Speaker 1>terrible rainstorms, the coffins would still float right out of

0:18:52.359 --> 0:18:55.159
<v Speaker 1>the graves. So all of that changed during the Spanish

0:18:55.160 --> 0:18:58.200
<v Speaker 1>period when the city's current system of these burial chambers

0:18:58.240 --> 0:19:02.280
<v Speaker 1>was introduced. So you know, Orleans starts stacking their vaults

0:19:02.320 --> 0:19:06.359
<v Speaker 1>and using these more ornate tombs and crypts for for

0:19:06.400 --> 0:19:09.320
<v Speaker 1>I guess, the wealthier families. But when taken all together,

0:19:09.400 --> 0:19:12.200
<v Speaker 1>the new cemeteries kind of looked more like miniature cities,

0:19:12.440 --> 0:19:14.880
<v Speaker 1>and they were complete with these like house like tombs

0:19:14.920 --> 0:19:19.720
<v Speaker 1>and almost like avenues or streets for pathways. And while

0:19:19.760 --> 0:19:22.240
<v Speaker 1>it might seem a little micabre to have so many

0:19:22.240 --> 0:19:24.760
<v Speaker 1>reminders of death and plain view like that, these so

0:19:24.920 --> 0:19:27.440
<v Speaker 1>called cities of the Dead were so much better than

0:19:27.600 --> 0:19:29.679
<v Speaker 1>you know, stepping outside in the storm and having to

0:19:29.920 --> 0:19:33.159
<v Speaker 1>walk over your your late grandfather's coffin or whatever it

0:19:33.280 --> 0:19:37.000
<v Speaker 1>was floating down the streets, so so morbid. So these

0:19:37.040 --> 0:19:40.359
<v Speaker 1>fire codes and graveyards, you know, they definitely improved under

0:19:40.400 --> 0:19:43.000
<v Speaker 1>Spanish rain, but I mean, from everything I've read, the

0:19:43.080 --> 0:19:47.359
<v Speaker 1>space and sanitation issues were still pretty major concerns, because

0:19:47.600 --> 0:19:49.000
<v Speaker 1>you know, you've got to keep in mind, like the

0:19:49.200 --> 0:19:52.359
<v Speaker 1>entire city was still pretty much confined to the French

0:19:52.440 --> 0:19:55.880
<v Speaker 1>Quarter at that point, and everything beyond that was seen

0:19:55.920 --> 0:19:59.639
<v Speaker 1>as uninhabitable, like swamp and marsh lands, and so to

0:19:59.680 --> 0:20:02.040
<v Speaker 1>make the land usable, the city would need to build

0:20:02.119 --> 0:20:05.560
<v Speaker 1>these levees and canals and pumps to drain the water

0:20:05.640 --> 0:20:08.159
<v Speaker 1>and the soil beneath all of that. And so that

0:20:08.240 --> 0:20:10.800
<v Speaker 1>really took more than a century to get this system

0:20:10.880 --> 0:20:13.919
<v Speaker 1>up and running properly. So in the meantime, all the

0:20:13.960 --> 0:20:16.439
<v Speaker 1>residents of New Orleans just had to squeeze together on

0:20:16.520 --> 0:20:20.040
<v Speaker 1>this only patch of upraised terrain that they had, yeah,

0:20:20.160 --> 0:20:22.720
<v Speaker 1>which is all surrounded by a horrible swamp. Yeah, and

0:20:22.760 --> 0:20:25.439
<v Speaker 1>that later proved a problem in itself. So the city's

0:20:25.440 --> 0:20:28.119
<v Speaker 1>poor sanitation and lack of running water proved to be

0:20:28.200 --> 0:20:32.200
<v Speaker 1>this perfect breeding ground for mosquitoes, who quickly developed a

0:20:32.320 --> 0:20:35.720
<v Speaker 1>taste for human blood. And so it wasn't long after

0:20:35.760 --> 0:20:38.880
<v Speaker 1>that horrific yellow fever epidemic broke out in the city,

0:20:39.320 --> 0:20:42.040
<v Speaker 1>claiming the lives of more than forty one residents. And

0:20:42.080 --> 0:20:46.120
<v Speaker 1>this happened between eighteen seventeen and nineteen o five, So yeah,

0:20:46.160 --> 0:20:48.159
<v Speaker 1>not a lot of love lost between those living in

0:20:48.200 --> 0:20:51.040
<v Speaker 1>New Orleans and the local wetlands in those days. And

0:20:51.280 --> 0:20:53.680
<v Speaker 1>in fact, I came across this amazing quote that one

0:20:53.720 --> 0:20:57.240
<v Speaker 1>observer made about the region. This was back in eighteen fifteen,

0:20:57.280 --> 0:20:59.679
<v Speaker 1>and I sort of think it captures the spirit of

0:20:59.680 --> 0:21:02.680
<v Speaker 1>what most residents would have thought of the place during

0:21:02.720 --> 0:21:06.199
<v Speaker 1>its first two centuries or so. So he says, the

0:21:06.200 --> 0:21:08.800
<v Speaker 1>boiling Fountain of Death is one of the most dismal,

0:21:09.000 --> 0:21:11.960
<v Speaker 1>low and hard places on which the light of sun

0:21:12.119 --> 0:21:15.919
<v Speaker 1>ever shone, and yet they're under it lies the influence

0:21:15.960 --> 0:21:19.560
<v Speaker 1>of a tropical heat belching up its poison and malaria,

0:21:19.920 --> 0:21:23.000
<v Speaker 1>the dregs of the seven vials of wrath covered with

0:21:23.040 --> 0:21:27.399
<v Speaker 1>a yellow, greenish scum. How bad is that? Yeah? It

0:21:27.400 --> 0:21:31.399
<v Speaker 1>makes me think Springbreak, New Orleans exactly. It does make

0:21:31.440 --> 0:21:34.240
<v Speaker 1>you wonder, like, how did the Native Americans fashion lived

0:21:34.240 --> 0:21:36.520
<v Speaker 1>there so long if the conditions were as bad as

0:21:36.560 --> 0:21:38.399
<v Speaker 1>everyone makes it up to be. Yeah, I was wondering

0:21:38.440 --> 0:21:40.359
<v Speaker 1>the same thing. But if you stop and think about it,

0:21:40.400 --> 0:21:43.119
<v Speaker 1>their lifestyle was a little more flexible than that of

0:21:43.200 --> 0:21:46.520
<v Speaker 1>the European colonists, so when the floods came, a tribe

0:21:46.520 --> 0:21:49.639
<v Speaker 1>could simply move to higher ground or maybe build a

0:21:49.640 --> 0:21:52.600
<v Speaker 1>couple of dams to keep the village dry. And things

0:21:52.640 --> 0:21:54.800
<v Speaker 1>got a little bit more complicated though, like when you

0:21:54.840 --> 0:21:57.879
<v Speaker 1>start trying to establish a permanent city for tens of

0:21:58.000 --> 0:22:01.480
<v Speaker 1>thousands of former prisoners. So life in the swamp was

0:22:01.560 --> 0:22:05.160
<v Speaker 1>exceptionally hard for settlers, but that's largely because they were

0:22:05.200 --> 0:22:08.400
<v Speaker 1>asking more of the region than anyone before them had,

0:22:08.880 --> 0:22:12.320
<v Speaker 1>so the civilization they wanted it. It did come together

0:22:12.359 --> 0:22:14.479
<v Speaker 1>a little by little, but it took a lot of

0:22:14.520 --> 0:22:16.639
<v Speaker 1>time and a lot of trial and error just to

0:22:16.680 --> 0:22:19.200
<v Speaker 1>get there. All right, Well, now we have the history,

0:22:19.359 --> 0:22:21.320
<v Speaker 1>but I feel like we should cover some more of

0:22:21.400 --> 0:22:23.760
<v Speaker 1>the only in New Orleans things, So why don't we

0:22:23.800 --> 0:22:40.159
<v Speaker 1>do that? For first a quick break? Welcome back to

0:22:40.160 --> 0:22:42.480
<v Speaker 1>part time genius. All right, Mango, So before the break

0:22:42.520 --> 0:22:45.480
<v Speaker 1>we talked about why New Orleans is a terrible place

0:22:45.520 --> 0:22:48.520
<v Speaker 1>to be a grave digger. So I didn't know that before.

0:22:48.600 --> 0:22:51.800
<v Speaker 1>It's water table is so high that above ground interment

0:22:51.920 --> 0:22:55.440
<v Speaker 1>is really the only safe option. And you know, as

0:22:55.440 --> 0:23:00.240
<v Speaker 1>you might guess, that kind of concern extends beyond the cemetery. So, friends, things,

0:23:00.240 --> 0:23:03.080
<v Speaker 1>you'd be hard pressed to find an underground basement in

0:23:03.080 --> 0:23:05.320
<v Speaker 1>New Orleans for very much the same reason, like it

0:23:05.359 --> 0:23:08.880
<v Speaker 1>would flood any time it rained. But again, just like

0:23:08.920 --> 0:23:12.280
<v Speaker 1>with the above ground tombs, residents solve the dilemma by

0:23:12.320 --> 0:23:15.960
<v Speaker 1>getting pretty creative. So in the early twentieth century, these

0:23:16.040 --> 0:23:19.960
<v Speaker 1>new raised basement houses started appearing throughout the city. So

0:23:20.000 --> 0:23:23.560
<v Speaker 1>these homes consisted of these low ceiling basements built at

0:23:23.600 --> 0:23:27.040
<v Speaker 1>ground level and a higher ceiling living space on top

0:23:27.040 --> 0:23:29.199
<v Speaker 1>of those. So if you've ever seen a house in

0:23:29.200 --> 0:23:32.600
<v Speaker 1>New Orleans with an unusually long staircase leading up to

0:23:32.680 --> 0:23:35.800
<v Speaker 1>the front door, that's probably what's going on there. Like

0:23:35.840 --> 0:23:38.879
<v Speaker 1>these stairs go straight to the second floor because the

0:23:38.960 --> 0:23:41.920
<v Speaker 1>first floor is actually just the basement. You know. It's

0:23:41.960 --> 0:23:44.280
<v Speaker 1>neat to see all the different workarounds residents have come

0:23:44.359 --> 0:23:46.439
<v Speaker 1>up with over the years, like that first floor basement

0:23:46.480 --> 0:23:48.879
<v Speaker 1>set up. That works great for a private home, but

0:23:48.960 --> 0:23:51.800
<v Speaker 1>it's a little less practical for a shop in the city, right,

0:23:51.880 --> 0:23:54.560
<v Speaker 1>So customers need to be able to pop in easily

0:23:54.600 --> 0:23:56.680
<v Speaker 1>without having to climb a steep set of stairs or

0:23:57.119 --> 0:23:59.760
<v Speaker 1>navigate through the store's basements. And that's why if you

0:23:59.840 --> 0:24:02.200
<v Speaker 1>look up some of the older row homes in New Orleans,

0:24:02.280 --> 0:24:04.959
<v Speaker 1>the ground floor is taken up by retail space and

0:24:05.000 --> 0:24:07.879
<v Speaker 1>the basement is actually in the ceiling. Isn't that just

0:24:07.960 --> 0:24:10.040
<v Speaker 1>an attic? Yeah, I mean it sounds like it the

0:24:10.080 --> 0:24:11.960
<v Speaker 1>way I put it, but but actually that's not the case.

0:24:12.000 --> 0:24:14.919
<v Speaker 1>So it's actually more like a crawl space between the

0:24:14.960 --> 0:24:18.280
<v Speaker 1>first floor and the second story. So you'd open a

0:24:18.320 --> 0:24:21.120
<v Speaker 1>trapdoor in the floor, and rather than climbing up into

0:24:21.160 --> 0:24:24.240
<v Speaker 1>the ceiling like you wouldn't addict, you'd actually like sneak

0:24:24.320 --> 0:24:27.680
<v Speaker 1>down into the space between the store and your first

0:24:27.680 --> 0:24:30.000
<v Speaker 1>floor of a home. And it's a pretty clever way

0:24:30.000 --> 0:24:32.800
<v Speaker 1>to sneak some extra storage space into a rowhouse without

0:24:32.800 --> 0:24:34.920
<v Speaker 1>having to go all the way up to an attic. Yeah,

0:24:34.920 --> 0:24:36.720
<v Speaker 1>I guess that's true. So if you ask me, the

0:24:36.800 --> 0:24:39.840
<v Speaker 1>real historical must have for your New Orleans home is

0:24:39.880 --> 0:24:43.600
<v Speaker 1>a floor level mirror. So apparently a lot of the

0:24:43.640 --> 0:24:46.200
<v Speaker 1>plantation homes in and around the city at the time

0:24:46.240 --> 0:24:49.480
<v Speaker 1>feature these long mirrors, and they were mounted flush with

0:24:49.560 --> 0:24:51.520
<v Speaker 1>the floor, and and that was so that women could

0:24:51.600 --> 0:24:54.600
<v Speaker 1>check the links of their dresses to make sure that

0:24:54.680 --> 0:24:57.080
<v Speaker 1>their ankles weren't showing, because mago, if you if you

0:24:57.240 --> 0:24:59.880
<v Speaker 1>know this, like, the ankle is the gateway to all

0:25:00.040 --> 0:25:05.760
<v Speaker 1>impure thoughts and deeds, I think. So it does seem

0:25:05.800 --> 0:25:08.320
<v Speaker 1>strange that people actually freaked out about seeing an ankle

0:25:08.400 --> 0:25:11.320
<v Speaker 1>in public, considering that, like the summers in New Orleans

0:25:11.320 --> 0:25:14.240
<v Speaker 1>are so hot, it is tough to imagine like how

0:25:14.359 --> 0:25:17.240
<v Speaker 1>unbearable that would be. In in addition to ankle coverings,

0:25:17.240 --> 0:25:20.119
<v Speaker 1>folks in the region had another way to prevent scandals.

0:25:20.440 --> 0:25:24.280
<v Speaker 1>They would use this architectural cork called the Romeo catcher.

0:25:24.720 --> 0:25:26.640
<v Speaker 1>So if you've ever spent time in the French Quarter

0:25:26.760 --> 0:25:29.560
<v Speaker 1>or seeing pictures of it, you're likely familiar with the

0:25:29.640 --> 0:25:32.920
<v Speaker 1>second and third floor balconies. They're called galleries. When you're

0:25:32.920 --> 0:25:36.360
<v Speaker 1>in New Orleans, and these things line the historic streets

0:25:36.359 --> 0:25:39.520
<v Speaker 1>when you go visit there, and along these balconies, you'll

0:25:39.560 --> 0:25:43.960
<v Speaker 1>also see lots of ornate rod and cast iron railings,

0:25:44.000 --> 0:25:47.000
<v Speaker 1>as well as some metal support columns connecting the balconies

0:25:47.080 --> 0:25:50.040
<v Speaker 1>to the streets below. Now, on some of these buildings,

0:25:50.119 --> 0:25:52.640
<v Speaker 1>if you're near the top of the columns, you'll see

0:25:52.680 --> 0:25:55.520
<v Speaker 1>what looks like a ring of spikes or barbed wire

0:25:55.600 --> 0:25:59.040
<v Speaker 1>going all the way around the post. And on some houses,

0:25:59.080 --> 0:26:02.600
<v Speaker 1>the spikes might like nails sticking out in all directions,

0:26:02.640 --> 0:26:05.480
<v Speaker 1>while other houses might have spikes that look like coat

0:26:05.560 --> 0:26:08.520
<v Speaker 1>hooks or thorns or something like that. But you know,

0:26:08.520 --> 0:26:11.560
<v Speaker 1>in either case, the purpose of the spikes was the same.

0:26:11.600 --> 0:26:14.920
<v Speaker 1>It was to deter these would be Romeos from climbing

0:26:15.000 --> 0:26:18.440
<v Speaker 1>up to Juliette's balcony late at night. And I'm guessing

0:26:18.520 --> 0:26:21.600
<v Speaker 1>those still coming pretty handy during Mardigras, right, Like, if

0:26:21.600 --> 0:26:23.720
<v Speaker 1>someone has too much to drink, they'd probably think twice

0:26:23.720 --> 0:26:26.720
<v Speaker 1>about climbing that balcony once they see those spikes. Yeah, definitely.

0:26:26.720 --> 0:26:29.720
<v Speaker 1>And that's actually where this story takes a little bit

0:26:29.720 --> 0:26:31.800
<v Speaker 1>of a dark turn, which seems like what we've been

0:26:31.840 --> 0:26:34.240
<v Speaker 1>doing a lot of in this episode, But because the

0:26:34.359 --> 0:26:37.560
<v Speaker 1>Romeo catchers weren't really meant to catch the late night

0:26:37.560 --> 0:26:40.480
<v Speaker 1>boyfriends on the way up, the hope was that the

0:26:40.520 --> 0:26:45.000
<v Speaker 1>side of the spikes would scare the boy off, but realistically,

0:26:45.040 --> 0:26:47.400
<v Speaker 1>if he wanted to get around the spikes badly enough,

0:26:47.520 --> 0:26:49.800
<v Speaker 1>it wouldn't be too much of a problem as long

0:26:49.840 --> 0:26:53.080
<v Speaker 1>as he was sober. The true danger of these spikes

0:26:53.119 --> 0:26:55.639
<v Speaker 1>was on the way back down, because even if a

0:26:55.680 --> 0:26:58.520
<v Speaker 1>suitor did make it up to the balcony, there was

0:26:58.560 --> 0:27:01.120
<v Speaker 1>still a strong chance that the girl father would hear

0:27:01.160 --> 0:27:04.080
<v Speaker 1>the commotion come charging in with a loaded shotgun, and

0:27:04.160 --> 0:27:07.119
<v Speaker 1>at that point the boy would usually make for a break,

0:27:07.160 --> 0:27:09.440
<v Speaker 1>you know, for the railing and trying to scramble down

0:27:09.520 --> 0:27:12.439
<v Speaker 1>and this what's happening so quickly, and in his panic,

0:27:12.520 --> 0:27:15.240
<v Speaker 1>the Romeo might forget about all the spikes, waiting to

0:27:15.320 --> 0:27:19.119
<v Speaker 1>snag whichever parts it might be able to. Uh, and

0:27:19.280 --> 0:27:21.480
<v Speaker 1>you're saying these Romeo spikes are still there today though,

0:27:21.520 --> 0:27:23.720
<v Speaker 1>Oh yeah, I mean they're all over the French Quarter

0:27:23.800 --> 0:27:26.080
<v Speaker 1>and a lot of people never notice them though, So

0:27:26.119 --> 0:27:29.360
<v Speaker 1>they're like these little remnants of the city's history, sort

0:27:29.359 --> 0:27:32.240
<v Speaker 1>of hidden in plain side. Is something worth looking for

0:27:32.400 --> 0:27:34.639
<v Speaker 1>when you're there, and it's funny. Before the show, I

0:27:34.680 --> 0:27:37.600
<v Speaker 1>was thinking about the crowds on Bourbon Street and thinking

0:27:37.640 --> 0:27:40.520
<v Speaker 1>it's not a city for everyone. But the more we

0:27:40.560 --> 0:27:43.320
<v Speaker 1>talk about it, it's really more the opposite, Like there's

0:27:43.359 --> 0:27:47.160
<v Speaker 1>so many things going on in New Orleans, both culturally historically,

0:27:47.280 --> 0:27:50.560
<v Speaker 1>that there really is something for everybody. Like you can

0:27:50.600 --> 0:27:53.879
<v Speaker 1>look and do basically any aspect of the city and

0:27:53.920 --> 0:27:56.720
<v Speaker 1>come away with some colorful bit of history that ties

0:27:56.800 --> 0:28:00.879
<v Speaker 1>together these five different cultures from food to music to whatever.

0:28:00.920 --> 0:28:02.840
<v Speaker 1>There's actually so much I feel like we should do

0:28:02.880 --> 0:28:05.199
<v Speaker 1>a follow up episode that's all joyful instead of just

0:28:06.000 --> 0:28:09.080
<v Speaker 1>disaster stuff. But you know, it's true, it isn't the

0:28:09.119 --> 0:28:11.960
<v Speaker 1>case with all American cities. Like that level of historical

0:28:11.960 --> 0:28:14.960
<v Speaker 1>scope and kind of the variety that is in New

0:28:15.080 --> 0:28:19.040
<v Speaker 1>Orleans is something we almost exclusively attribute to like cities

0:28:19.040 --> 0:28:21.520
<v Speaker 1>in Europe, where like the old and newer kind of

0:28:21.560 --> 0:28:24.280
<v Speaker 1>intermingled and and you can see the different phases of

0:28:24.320 --> 0:28:27.760
<v Speaker 1>civilization all at once. You know, New Orleans is is

0:28:28.000 --> 0:28:30.040
<v Speaker 1>kind of an exception in that way in America. It's

0:28:30.080 --> 0:28:32.120
<v Speaker 1>it's an American city that's been shaped by so many

0:28:32.200 --> 0:28:35.440
<v Speaker 1>different hands over the years, and it's impossible to pin

0:28:35.480 --> 0:28:38.560
<v Speaker 1>down if it's strictly Southern or French or Spanish or

0:28:38.600 --> 0:28:42.320
<v Speaker 1>Haitian or Creole. It's like all of that all at once. Yeah,

0:28:42.320 --> 0:28:45.160
<v Speaker 1>and I appreciate how innately weird the result of that

0:28:45.240 --> 0:28:47.600
<v Speaker 1>mash up is, Like you read about those efforts to

0:28:47.720 --> 0:28:50.600
<v Speaker 1>keep Portland's weird or keep Austin weird, which you're never

0:28:50.640 --> 0:28:53.160
<v Speaker 1>really going to need a public campaign like that in

0:28:53.200 --> 0:28:55.720
<v Speaker 1>New Orleans, Like there's no other option. The city can't

0:28:55.720 --> 0:28:58.440
<v Speaker 1>help but be itself. Yeah, well, I think that's a

0:28:58.440 --> 0:29:00.520
<v Speaker 1>good place to leave things right now. But since we've

0:29:00.520 --> 0:29:02.840
<v Speaker 1>been talking about the Crescent City, it's only fitting that

0:29:02.880 --> 0:29:05.480
<v Speaker 1>we end by offering a little land yaff of our own.

0:29:05.560 --> 0:29:17.280
<v Speaker 1>So why don't we do the fact off? All right?

0:29:17.320 --> 0:29:19.560
<v Speaker 1>I'll start us off. So New Orleans is the birthplace

0:29:19.600 --> 0:29:22.720
<v Speaker 1>of a few unexpected inventions, I think you'd say, And

0:29:22.760 --> 0:29:26.320
<v Speaker 1>this includes the game of craps, the modern version of poker,

0:29:26.520 --> 0:29:30.320
<v Speaker 1>and randomly enough, dental floss. But one thing that New

0:29:30.400 --> 0:29:34.400
<v Speaker 1>Orleans can't actually claim credit for is the Marty Gross Festival.

0:29:34.640 --> 0:29:37.000
<v Speaker 1>And that's because, believe it or not, the oldest Fat

0:29:37.000 --> 0:29:40.240
<v Speaker 1>Tuesday celebration in America dates back to seventeen oh three,

0:29:40.640 --> 0:29:42.800
<v Speaker 1>and it took place not in New Orleans but in

0:29:42.880 --> 0:29:46.320
<v Speaker 1>my own Mobile, Alabama. I guess I really can't say

0:29:46.320 --> 0:29:48.160
<v Speaker 1>my own I'm from Birmingham, but you know it's it's

0:29:48.200 --> 0:29:51.280
<v Speaker 1>in Alabama. So the Gulf coast of Alabama saw its

0:29:51.320 --> 0:29:54.320
<v Speaker 1>share of French explorers in the seventeen hundreds, just like

0:29:54.400 --> 0:29:58.000
<v Speaker 1>Louisiana did, and the more free spirited among them started

0:29:58.040 --> 0:30:00.800
<v Speaker 1>holding Marty Gross celebrations just like they had back home.

0:30:01.000 --> 0:30:03.640
<v Speaker 1>So I've got another bit of fun New Orleans lingo

0:30:03.760 --> 0:30:07.640
<v Speaker 1>for you. And the words are neutral ground, and that's

0:30:07.680 --> 0:30:09.760
<v Speaker 1>the term the locals used for that grassy strip of

0:30:09.800 --> 0:30:12.520
<v Speaker 1>brown do you find between two roads. We normally refer

0:30:12.600 --> 0:30:15.080
<v Speaker 1>to them as medians, but in New Orleans they're called

0:30:15.120 --> 0:30:18.640
<v Speaker 1>neutral ground. And the term apparently dates back to the

0:30:18.680 --> 0:30:22.160
<v Speaker 1>mid eighteen hundreds when there were these cultural and political

0:30:22.160 --> 0:30:24.680
<v Speaker 1>tensions and it was kind of an all time high

0:30:24.720 --> 0:30:27.560
<v Speaker 1>in the city. At that point. Things got so bad

0:30:27.640 --> 0:30:31.280
<v Speaker 1>that New Orleans was actually split into separate municipalities. Like

0:30:31.320 --> 0:30:34.120
<v Speaker 1>the French speaking Creoles and the supporters were on one side,

0:30:34.440 --> 0:30:37.360
<v Speaker 1>the Anglo English speaking populations were on the other. But

0:30:37.440 --> 0:30:40.040
<v Speaker 1>the dividing line for these groups was Canal Street, which

0:30:40.120 --> 0:30:42.800
<v Speaker 1>had a wide, grassy median running right down the middle,

0:30:43.160 --> 0:30:46.320
<v Speaker 1>and residents kind of half jokingly started calling the media

0:30:46.440 --> 0:30:49.200
<v Speaker 1>neutral ground, and before long the nickname was applied to

0:30:49.240 --> 0:30:51.880
<v Speaker 1>all the medians in the city. All right, Well, speaking

0:30:51.920 --> 0:30:54.120
<v Speaker 1>of ways to keep the peace in New Orleans, I

0:30:54.120 --> 0:30:57.080
<v Speaker 1>have to tell you about the peacemakers sandwich, which is

0:30:57.120 --> 0:31:01.000
<v Speaker 1>basically the precursor to the city's famous Oh Boy. So

0:31:01.040 --> 0:31:05.200
<v Speaker 1>according to newspaper reports from the late nineteenth century, the peacemaker,

0:31:05.240 --> 0:31:08.360
<v Speaker 1>also known as the oyster loaf, was pretty much a

0:31:08.400 --> 0:31:11.920
<v Speaker 1>French loaf stuffed with these hot fried oysters. But this

0:31:12.000 --> 0:31:15.040
<v Speaker 1>wasn't a lunchtime staple like the po boy would eventually be,

0:31:15.280 --> 0:31:18.640
<v Speaker 1>and instead, the peacemaker was a sandwich for a very

0:31:18.640 --> 0:31:22.800
<v Speaker 1>specific occasion. So as the name suggests, peacemakers were usually

0:31:22.840 --> 0:31:26.240
<v Speaker 1>purchased by husbands as a way to preemptively smooth things

0:31:26.240 --> 0:31:28.520
<v Speaker 1>over with their wives after coming home late from a

0:31:28.600 --> 0:31:31.720
<v Speaker 1>bar or wherever else. And this was common and a

0:31:31.760 --> 0:31:34.560
<v Speaker 1>pretty well known practice in New Orleans that was actually

0:31:34.600 --> 0:31:38.040
<v Speaker 1>reported about in a San Francisco newspaper way back in

0:31:40.040 --> 0:31:42.720
<v Speaker 1>But the description of how the whole exchange plays out

0:31:42.840 --> 0:31:45.280
<v Speaker 1>is too good not to share, So I'm just gonna

0:31:45.440 --> 0:31:48.240
<v Speaker 1>read out this excerpt that I pulled from it. When

0:31:48.240 --> 0:31:51.200
<v Speaker 1>the sandwich has been wrapped in paper, the buyer flees

0:31:51.240 --> 0:31:54.160
<v Speaker 1>as a bird to his home. The little difficulty with

0:31:54.200 --> 0:31:57.880
<v Speaker 1>the keyhole overcome, he steps into the awful presence undismayed.

0:31:58.280 --> 0:32:02.160
<v Speaker 1>There she stands, grim as old yor but without an

0:32:02.200 --> 0:32:05.800
<v Speaker 1>apologetic word. The airing one climbs slowly up the stair

0:32:05.880 --> 0:32:09.800
<v Speaker 1>and holds forth the peace banker. She takes it, puts

0:32:09.840 --> 0:32:13.440
<v Speaker 1>down the lamp, and removes the cover. The deliciously flavored

0:32:13.440 --> 0:32:18.760
<v Speaker 1>steam ascends like sweet incense until it reaches her rigid knockles,

0:32:18.800 --> 0:32:21.840
<v Speaker 1>and then her features relaxed into something like a smile.

0:32:22.320 --> 0:32:25.080
<v Speaker 1>When her lord is banging his shoes and depositing his

0:32:25.120 --> 0:32:28.360
<v Speaker 1>hat carefully in the washbasin, she sits on one side

0:32:28.360 --> 0:32:32.040
<v Speaker 1>of the bed, eating the spoils of domestic war. That

0:32:32.240 --> 0:32:36.520
<v Speaker 1>is ridiculous. Is very ridiculous. I can't imagine working in

0:32:36.600 --> 0:32:40.560
<v Speaker 1>my house. But here's another food related fact. There's a

0:32:40.640 --> 0:32:44.120
<v Speaker 1>legendary restaurant in New Orleans called Dukey Chase's Restaurant, and

0:32:44.200 --> 0:32:47.520
<v Speaker 1>the long running executive chef there actually served as the

0:32:47.560 --> 0:32:51.160
<v Speaker 1>inspiration for the Tiana character in The Princess and the Frog.

0:32:51.680 --> 0:32:53.640
<v Speaker 1>So when the production team for that movie came to

0:32:53.640 --> 0:32:56.080
<v Speaker 1>New Orleans on a research trip, they met with the

0:32:56.160 --> 0:32:58.400
<v Speaker 1>chef at a restaurant and knew right away that she'd

0:32:58.440 --> 0:33:01.360
<v Speaker 1>be the basis for the main character. Now, the chef's

0:33:01.480 --> 0:33:04.840
<v Speaker 1>name is not Tiana, it's Leah Chase, and after reading

0:33:04.880 --> 0:33:07.000
<v Speaker 1>about her this week, she's kind of my new hero.

0:33:07.520 --> 0:33:10.280
<v Speaker 1>She and her husband's restaurant served as a crucial gathering

0:33:10.320 --> 0:33:13.160
<v Speaker 1>place during the civil rights movement in the sixties. Um

0:33:13.200 --> 0:33:16.240
<v Speaker 1>In fact, MLK and the Freedom writers frequently met there

0:33:16.280 --> 0:33:19.680
<v Speaker 1>to discuss strategies in her upstairs meeting rooms. And we

0:33:19.680 --> 0:33:21.160
<v Speaker 1>don't have time to go through her whole life, but

0:33:21.200 --> 0:33:23.760
<v Speaker 1>it's a really lovely story about a woman who came

0:33:23.840 --> 0:33:26.560
<v Speaker 1>from nothing and became this source of hope and pride

0:33:26.560 --> 0:33:29.280
<v Speaker 1>for a community. She passed away in June this year,

0:33:29.320 --> 0:33:31.200
<v Speaker 1>but right up until the end, she was still hard

0:33:31.200 --> 0:33:33.360
<v Speaker 1>at work in the kitchen of Dukie Chase, doing what

0:33:33.400 --> 0:33:35.520
<v Speaker 1>she loved most. You know, I don't feel like I

0:33:35.560 --> 0:33:37.920
<v Speaker 1>can top the sweetness of that fact, So I think

0:33:37.960 --> 0:33:41.760
<v Speaker 1>I'm gonna go the strange path instead. Alright, So, during

0:33:41.800 --> 0:33:45.600
<v Speaker 1>the nineteen seventies. Three of the first nine Super Bowls

0:33:45.680 --> 0:33:48.720
<v Speaker 1>were played at Two Lane University and the stadium there.

0:33:48.720 --> 0:33:51.560
<v Speaker 1>It was in New Orleans, and each of those games

0:33:51.640 --> 0:33:55.720
<v Speaker 1>was attended by two ancient Egyptian mummies who had lived

0:33:55.800 --> 0:33:59.520
<v Speaker 1>around nine hundred BC. So that is not where I

0:33:59.520 --> 0:34:03.720
<v Speaker 1>expected sentence dayhand. But how did two ancient Egyptian mummies

0:34:03.760 --> 0:34:06.040
<v Speaker 1>go to the Super Bowl? That's pretty easy, Maga. They

0:34:06.120 --> 0:34:08.640
<v Speaker 1>took the Sarkafa bus. I don't know if you've ever

0:34:08.680 --> 0:34:13.000
<v Speaker 1>heard this one. I feel like that's a terrible joke

0:34:13.040 --> 0:34:15.399
<v Speaker 1>you stole from yourself. Now I totally stole that joke.

0:34:15.440 --> 0:34:18.960
<v Speaker 1>But here's the real fact. Two ancient Egyptian mummies were

0:34:19.000 --> 0:34:22.440
<v Speaker 1>donated to Tulane University in eighteen fifty and so for

0:34:22.480 --> 0:34:25.600
<v Speaker 1>the next hundred years they were passed from one museum

0:34:25.600 --> 0:34:28.880
<v Speaker 1>exhibit to another until they ultimately made it back to

0:34:28.960 --> 0:34:31.719
<v Speaker 1>the school's math department. I don't know why, but that's

0:34:31.719 --> 0:34:34.840
<v Speaker 1>where they ended up. Then in the nineteen fifties, the

0:34:34.880 --> 0:34:37.960
<v Speaker 1>mummies were put in a storage room beneath the bleachers

0:34:38.120 --> 0:34:41.279
<v Speaker 1>of Two Lane Stadium, and that's where they stayed until

0:34:41.320 --> 0:34:44.640
<v Speaker 1>the mid seventies when the stadium was torn down. So

0:34:44.680 --> 0:34:48.240
<v Speaker 1>According to an article in the Tulane University magazine Quote,

0:34:48.280 --> 0:34:51.320
<v Speaker 1>the Mummies attended every two lane home game from nineteen

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<v Speaker 1>fifty five until the last wave appearance in Tulane Stadium

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<v Speaker 1>in nineteen seventy four. They were presented all three Super

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<v Speaker 1>Bowls and does of New Orleans Saints games waged on

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<v Speaker 1>two lane turf, and they never once complained about their

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<v Speaker 1>lousy seats. You know, I like that football loving mummies story,

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<v Speaker 1>but I really love the peacemaker sandwich story, which I

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<v Speaker 1>think earns you the victory of this dround. All. Well,

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<v Speaker 1>thanks for that, and from Gabe, little Mango and me,

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<v Speaker 1>thanks so much for listening. We'll be back soon with

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<v Speaker 1>another episode. Ye Part Time Genius is a production of

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<v Speaker 1>I Heart Radio. For more podcasts from my Heart Radio,

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<v Speaker 1>visit the I Heart Radio app, Apple podcast, or wherever

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<v Speaker 1>you listen to your favorite shows.