1 00:00:01,080 --> 00:00:03,520 Speaker 1: Hi, this is Buzzsnight and this is the Taking a 2 00:00:03,560 --> 00:00:07,160 Speaker 1: Walk Podcast. Welcome to our backstage report of the Rock 3 00:00:07,200 --> 00:00:11,320 Speaker 1: and Roll Hall of Fame Induction Ceremony at the Rocket Mortgage. 4 00:00:10,880 --> 00:00:12,880 Speaker 2: Field House in Cleveland, Ohio. 5 00:00:13,039 --> 00:00:14,960 Speaker 1: Now, if you like to Take In a Walk podcast, 6 00:00:15,000 --> 00:00:17,840 Speaker 1: please make sure you follow and please share Take It 7 00:00:17,880 --> 00:00:19,000 Speaker 1: a Walk with your friends. 8 00:00:19,600 --> 00:00:21,160 Speaker 2: Well, it was about six months. 9 00:00:20,960 --> 00:00:24,560 Speaker 1: Ago to Take It a Walk was proudly welcomed to 10 00:00:24,680 --> 00:00:27,920 Speaker 1: the Rock and Roll Hall of Fame Library and Archives 11 00:00:28,160 --> 00:00:30,720 Speaker 1: with select episodes of Taken a Walk as. 12 00:00:30,640 --> 00:00:33,280 Speaker 2: A part of the Library and Archives. 13 00:00:33,720 --> 00:00:36,199 Speaker 1: I want to give special shoutouts and thanks for that 14 00:00:36,440 --> 00:00:40,559 Speaker 1: to Lindsey Godwin Kresky, who is the archivist for the 15 00:00:40,600 --> 00:00:44,400 Speaker 1: Library and Archives, for her help and support. And also 16 00:00:44,560 --> 00:00:47,800 Speaker 1: special thanks go out to Greg Harris, the CEO of 17 00:00:47,840 --> 00:00:50,960 Speaker 1: the Rock and Roll Hall of Fame. So tonight at 18 00:00:50,960 --> 00:00:55,600 Speaker 1: the induction ceremony, it's kind of a continuation of this 19 00:00:55,760 --> 00:00:59,280 Speaker 1: dream for me, dream come true, as Taking a Walk 20 00:00:59,640 --> 00:01:03,040 Speaker 1: was Green did press access. I was granted press access 21 00:01:03,080 --> 00:01:06,760 Speaker 1: to be a fly on the wall here in the 22 00:01:06,800 --> 00:01:14,040 Speaker 1: induction ceremony backstage area when presenters come through and inductees come. 23 00:01:13,880 --> 00:01:16,039 Speaker 2: Through, so you'll get a flavor of that. 24 00:01:16,240 --> 00:01:18,680 Speaker 1: And you know, Taking a Walk is part of the 25 00:01:18,720 --> 00:01:22,640 Speaker 1: iHeart Podcast network, So tonight we've also got some special 26 00:01:22,680 --> 00:01:25,320 Speaker 1: boots on the ground. I want to acknowledge my dear 27 00:01:25,360 --> 00:01:29,959 Speaker 1: friend Sal Serenciani. He's the senior director of Programming and 28 00:01:30,120 --> 00:01:33,560 Speaker 1: Specials at the Premiere Radio Network, which is a division 29 00:01:33,640 --> 00:01:39,680 Speaker 1: of iHeart that welcome Taking a Walk into their network. 30 00:01:39,640 --> 00:01:40,520 Speaker 2: About a year ago. 31 00:01:40,640 --> 00:01:43,959 Speaker 1: So you're gonna hear a lot from Sal as he's 32 00:01:44,480 --> 00:01:47,520 Speaker 1: asking questions of the artists and the inductees and the 33 00:01:47,560 --> 00:01:53,400 Speaker 1: presenters as well. So he'll be our extra special capture 34 00:01:53,600 --> 00:01:56,680 Speaker 1: of the audio as we get the fly on the 35 00:01:56,720 --> 00:02:00,800 Speaker 1: Wall comments here. You can also watch the twenty twenty 36 00:02:00,840 --> 00:02:05,559 Speaker 1: four induction now on Disney Plus and also January first 37 00:02:05,600 --> 00:02:11,200 Speaker 1: on ABCTV at eight pm Eastern Time. So now, coming 38 00:02:11,280 --> 00:02:14,000 Speaker 1: up to the mic first in a little bit is 39 00:02:14,000 --> 00:02:18,240 Speaker 1: a woman whose career has spanned seven decades. In fact, 40 00:02:18,600 --> 00:02:21,280 Speaker 1: she's the first woman to have a number one song 41 00:02:21,400 --> 00:02:25,600 Speaker 1: on a Billboard chart in each of the past seven decades. 42 00:02:25,880 --> 00:02:30,560 Speaker 1: She's a Grammy winner, Golden Globes winner, Academy Award winner, 43 00:02:30,960 --> 00:02:35,000 Speaker 1: congratulations into the Rock and Roll Hall of Fame, and 44 00:02:35,160 --> 00:02:37,480 Speaker 1: welcome share. 45 00:02:39,200 --> 00:02:39,760 Speaker 3: I share it. 46 00:02:39,919 --> 00:02:43,800 Speaker 4: Sal from Premier Radio, iHeart out of New York. Congratulations, 47 00:02:44,080 --> 00:02:48,519 Speaker 4: thank you. You mentioned David Yepp if your guardian angel. Yes, 48 00:02:48,720 --> 00:02:52,079 Speaker 4: now you you know it's well documented that you were 49 00:02:52,240 --> 00:02:54,480 Speaker 4: had some negative things to say about the Hall of Fame. 50 00:02:54,919 --> 00:02:58,520 Speaker 5: Hell, yes, I said, I didn't give a fucking flying 51 00:02:58,560 --> 00:02:59,520 Speaker 5: fuck if I got in. 52 00:03:00,639 --> 00:03:03,360 Speaker 4: What all did your stance on it and your emotions? 53 00:03:03,480 --> 00:03:07,040 Speaker 5: Well, a couple of things, But I'm really I was. 54 00:03:07,200 --> 00:03:10,520 Speaker 5: I got really softened when I heard the people that 55 00:03:10,560 --> 00:03:13,200 Speaker 5: were going to be in and people that, you know, 56 00:03:13,480 --> 00:03:16,000 Speaker 5: that I admire, and then I just thought, I'm going 57 00:03:16,080 --> 00:03:18,040 Speaker 5: to be with this group of people. I don't care 58 00:03:18,080 --> 00:03:22,239 Speaker 5: about where I am with them. I just they're great 59 00:03:22,360 --> 00:03:25,440 Speaker 5: and I'm happy to just be with them. But I mean, 60 00:03:25,600 --> 00:03:30,480 Speaker 5: I you know, I I had kind of a love 61 00:03:30,560 --> 00:03:33,680 Speaker 5: hate relationship because it was like I thought, what do 62 00:03:33,720 --> 00:03:38,120 Speaker 5: I have to fucking do you know to be inducted 63 00:03:38,160 --> 00:03:40,320 Speaker 5: into this place? Like, really, what do you what do 64 00:03:40,360 --> 00:03:41,360 Speaker 5: you have to do. 65 00:03:41,960 --> 00:03:43,040 Speaker 2: To be part of it? 66 00:03:43,080 --> 00:03:45,520 Speaker 5: And so then I was really proud to say I 67 00:03:45,520 --> 00:03:47,119 Speaker 5: don't want to be part of it, and don't get 68 00:03:47,160 --> 00:03:52,080 Speaker 5: me in posthumously, but I'm I'm I have to tell you, 69 00:03:52,200 --> 00:03:56,520 Speaker 5: I would have said to David, David, please take it back, 70 00:03:56,840 --> 00:04:01,000 Speaker 5: but you know he was, sweetheart. You know this is 71 00:04:01,040 --> 00:04:06,520 Speaker 5: great and you deserve it. And I felt good. I 72 00:04:06,560 --> 00:04:09,480 Speaker 5: can say that I'm happy that I'm in, you know, 73 00:04:09,720 --> 00:04:12,080 Speaker 5: because if I didn't feel like it, I wouldn't say it. 74 00:04:12,080 --> 00:04:12,839 Speaker 5: I wouldn't be here. 75 00:04:14,360 --> 00:04:16,800 Speaker 1: You're listening to our Fly on the Wall coverage of 76 00:04:16,880 --> 00:04:20,640 Speaker 1: the Rock and Roll Hall of Fame induction ceremonies and 77 00:04:21,000 --> 00:04:24,600 Speaker 1: the inductees they have supporters and friends who give a 78 00:04:24,640 --> 00:04:28,920 Speaker 1: special speech to welcome them in to the Rock and 79 00:04:29,040 --> 00:04:31,920 Speaker 1: Roll Hall of Fame. Tonight, the great to R and 80 00:04:32,000 --> 00:04:34,960 Speaker 1: B soul group Cool On the Gang is going in 81 00:04:35,000 --> 00:04:36,239 Speaker 1: the Rock and Roll Hall of Fame. 82 00:04:36,480 --> 00:04:37,839 Speaker 2: And the person who. 83 00:04:37,680 --> 00:04:41,520 Speaker 1: Is bringing them on and helping to induct them with 84 00:04:41,640 --> 00:04:45,800 Speaker 1: his speech is the great Chuck D, the legendary rapper 85 00:04:45,880 --> 00:04:49,400 Speaker 1: from Public Enemy. So Chuck D stepping to the mic 86 00:04:49,480 --> 00:04:52,440 Speaker 1: right now at the induction ceremonies. 87 00:04:53,440 --> 00:04:57,320 Speaker 6: Question, Yes, for somebody who has used his voice and 88 00:04:57,440 --> 00:05:01,679 Speaker 6: his music as activism, do you find that that also 89 00:05:01,760 --> 00:05:05,919 Speaker 6: exists in music? The music genre in twenty twenty four, 90 00:05:06,040 --> 00:05:11,800 Speaker 6: and I'm speaking straight to Buscha Bantan speaking about what 91 00:05:11,920 --> 00:05:16,240 Speaker 6: afrobeat is and that it lacks the activism that Bob 92 00:05:16,320 --> 00:05:19,839 Speaker 6: or Peta Tashar those ogi's the same thing that you 93 00:05:19,880 --> 00:05:23,039 Speaker 6: did coming up. Do you find that still existing on 94 00:05:23,120 --> 00:05:23,679 Speaker 6: music today? 95 00:05:23,839 --> 00:05:26,559 Speaker 7: It's very different because everybody got a mic in the camera. 96 00:05:26,640 --> 00:05:26,880 Speaker 2: Now. 97 00:05:27,360 --> 00:05:29,520 Speaker 7: When I came up, you had to get to a 98 00:05:29,560 --> 00:05:31,400 Speaker 7: point where you had the privilege to get a mic 99 00:05:31,480 --> 00:05:33,240 Speaker 7: in the camera and in which you had the privilege 100 00:05:33,600 --> 00:05:35,839 Speaker 7: to talk to so many people, whether they liked it 101 00:05:35,960 --> 00:05:38,159 Speaker 7: or not. At the same time, you got a chance 102 00:05:38,200 --> 00:05:40,479 Speaker 7: to talk to a constituency and make the other side 103 00:05:41,040 --> 00:05:44,159 Speaker 7: and listen and see your point of view. Today people 104 00:05:44,200 --> 00:05:48,080 Speaker 7: listen with their eyes too much, so what they are 105 00:05:48,200 --> 00:05:50,919 Speaker 7: listening to, what there is going to their minds is 106 00:05:50,920 --> 00:05:53,920 Speaker 7: scattered all over the place with too many people talking 107 00:05:53,920 --> 00:05:56,920 Speaker 7: at the same goddamn time. That's the problem you even 108 00:05:56,960 --> 00:06:00,560 Speaker 7: had with the election coming up. It's so much noise 109 00:06:00,600 --> 00:06:03,680 Speaker 7: out there. When you look at a commercial and you 110 00:06:03,720 --> 00:06:07,280 Speaker 7: see the candidates commercials, it's like, I mean, welcome to 111 00:06:07,360 --> 00:06:10,520 Speaker 7: seventh grade again, come on, get what the fuck you know? 112 00:06:11,080 --> 00:06:13,600 Speaker 7: So what musicians were be able to do, they were 113 00:06:13,640 --> 00:06:16,159 Speaker 7: able to add some sense into it, But it's very 114 00:06:16,200 --> 00:06:20,760 Speaker 7: different now. So Boujou Bontin bringing up something. Look, there's 115 00:06:20,880 --> 00:06:25,240 Speaker 7: over a hundred conflict areas in the world, not just 116 00:06:25,400 --> 00:06:28,840 Speaker 7: what's happening over Israel and Palestine and going on, and 117 00:06:28,839 --> 00:06:32,320 Speaker 7: then the Ukraine and Russia. This conflict area is all over. 118 00:06:32,400 --> 00:06:35,960 Speaker 7: So Boujou Bontin is going to talk about Africa as 119 00:06:36,040 --> 00:06:38,840 Speaker 7: he might talk about Haiti. Just because Haiti drops off 120 00:06:38,880 --> 00:06:41,200 Speaker 7: at the top of the news doesn't mean that there's 121 00:06:41,240 --> 00:06:44,560 Speaker 7: not a monstrosity going on. So a lot of times 122 00:06:44,560 --> 00:06:45,920 Speaker 7: people just want to say I don't want to hear 123 00:06:46,000 --> 00:06:48,600 Speaker 7: musicians talk about it because so many other voices are 124 00:06:48,640 --> 00:06:52,240 Speaker 7: saying everything at the same time, and so new artists 125 00:06:52,279 --> 00:06:55,120 Speaker 7: become scared, and then at the same time they go 126 00:06:55,160 --> 00:06:57,000 Speaker 7: to their record companies and might not be part of 127 00:06:57,000 --> 00:07:01,040 Speaker 7: their marketing plan. And so we had a crossroads and 128 00:07:01,160 --> 00:07:04,840 Speaker 7: music where people take music differently than they did in 129 00:07:04,880 --> 00:07:08,120 Speaker 7: the past, where you sat back and you listened, and 130 00:07:08,200 --> 00:07:12,120 Speaker 7: you listen and you read the words and you saw 131 00:07:12,160 --> 00:07:14,400 Speaker 7: if the words could line up with your philosophies or 132 00:07:14,400 --> 00:07:18,240 Speaker 7: build those philosophies. We're in a different time where now 133 00:07:18,400 --> 00:07:21,760 Speaker 7: images moved the next following generations and if the one 134 00:07:21,800 --> 00:07:23,640 Speaker 7: thing that they all have in common out. 135 00:07:23,520 --> 00:07:25,400 Speaker 2: There is social media. 136 00:07:25,920 --> 00:07:31,520 Speaker 7: So social media is taken over the drum of influence 137 00:07:32,760 --> 00:07:37,200 Speaker 7: and word with images and pictures. And we want to 138 00:07:37,240 --> 00:07:40,480 Speaker 7: get less caveman than that. You know, they said, cavemen 139 00:07:40,640 --> 00:07:44,560 Speaker 7: just drew pictures on a cave. We shouldn't be going 140 00:07:44,720 --> 00:07:46,600 Speaker 7: just back to that. We have to have detail in 141 00:07:46,600 --> 00:07:50,480 Speaker 7: our words, our meaning because one thing we know in music. 142 00:07:50,880 --> 00:07:54,000 Speaker 7: I'll say this on a closing note to that centric sentence, 143 00:07:55,000 --> 00:07:57,480 Speaker 7: you know, Marvin Gay said, what was not the answer? 144 00:07:58,120 --> 00:08:00,360 Speaker 7: John Lennon said, all we need is love. I mean, 145 00:08:00,400 --> 00:08:03,560 Speaker 7: so love makes the world go around, and it could 146 00:08:03,560 --> 00:08:06,880 Speaker 7: get distorted with so many voices talking at the same time, 147 00:08:07,240 --> 00:08:09,280 Speaker 7: because it's a gift in the honor to be able 148 00:08:09,280 --> 00:08:12,400 Speaker 7: to play a note, to sing a song with words 149 00:08:12,400 --> 00:08:15,239 Speaker 7: that will move people in the right way as opposed 150 00:08:15,240 --> 00:08:16,120 Speaker 7: of feeling stuck in. 151 00:08:16,080 --> 00:08:16,640 Speaker 2: The wrong way. 152 00:08:17,360 --> 00:08:23,520 Speaker 8: That was very eloquent. Anyone else, We're good, one right here, pritty, yes, Anemona, actually, 153 00:08:23,600 --> 00:08:27,040 Speaker 8: thank you, hi, thank you for being here. My question 154 00:08:27,120 --> 00:08:29,120 Speaker 8: is who do you think deserves to be inducted in 155 00:08:29,160 --> 00:08:29,960 Speaker 8: twenty twenty five. 156 00:08:31,320 --> 00:08:34,000 Speaker 7: Well, one thing I like to say in twenty twenty 157 00:08:34,040 --> 00:08:38,640 Speaker 7: four I like to really appreciate and salute the fact 158 00:08:38,679 --> 00:08:42,280 Speaker 7: that a tribe called Quest is acknowledged from the hip 159 00:08:42,280 --> 00:08:45,360 Speaker 7: hop idiom and genre, and the support of a tribe 160 00:08:45,400 --> 00:08:48,200 Speaker 7: called Quest from people who are here tonight, such as 161 00:08:48,240 --> 00:08:51,960 Speaker 7: Buster Rhymes, the Spiff Star, the Roots, I saw Mad 162 00:08:52,000 --> 00:08:57,199 Speaker 7: Skills out there, Queen Latifa de La Soul. Their community 163 00:08:57,240 --> 00:09:00,680 Speaker 7: within a community that's very supportive. It's one thinks, so 164 00:09:00,800 --> 00:09:04,120 Speaker 7: foreigner gets in. So the support system of those bands 165 00:09:04,280 --> 00:09:07,280 Speaker 7: at that particular time, they hold each other up. And 166 00:09:07,320 --> 00:09:09,880 Speaker 7: that's the same thing we had in thee in the 167 00:09:09,920 --> 00:09:13,960 Speaker 7: eighties and the nineties from rap artists that supported each other. 168 00:09:14,679 --> 00:09:17,720 Speaker 7: But I do think we need a significant branch that's 169 00:09:17,760 --> 00:09:20,560 Speaker 7: its own rocket, its own rap music hip hop hall 170 00:09:20,640 --> 00:09:24,319 Speaker 7: of fame, and then out of that pecking order floats 171 00:09:24,360 --> 00:09:26,800 Speaker 7: somebody to the rock and roll Hall of Fame. And 172 00:09:26,840 --> 00:09:30,040 Speaker 7: I think I said it very clearly on Nightline. People 173 00:09:30,400 --> 00:09:34,000 Speaker 7: who actually come from the rock idioms sometimes got lost 174 00:09:34,040 --> 00:09:37,240 Speaker 7: in the sauce and they forget that it's the rock 175 00:09:37,400 --> 00:09:40,320 Speaker 7: en roll Hall of Fame. It comes out of that 176 00:09:40,440 --> 00:09:43,720 Speaker 7: nineteen forties and fifties period where it went from jump 177 00:09:43,760 --> 00:09:47,640 Speaker 7: blues into rhythm and blues into rock and roll with 178 00:09:47,800 --> 00:09:51,240 Speaker 7: a bunch of different changes with technology as well, and 179 00:09:51,280 --> 00:09:53,760 Speaker 7: it didn't make it exclusive to people that just played 180 00:09:53,760 --> 00:09:57,200 Speaker 7: guitar and went like this and sank power chords in 181 00:09:57,200 --> 00:10:00,760 Speaker 7: the seventies with their hair flailing, flailing all over the place. 182 00:10:01,600 --> 00:10:05,200 Speaker 7: This rock in the role, and rap music has been 183 00:10:05,200 --> 00:10:07,920 Speaker 7: a big part of the role, just like funk, cass, 184 00:10:08,559 --> 00:10:11,960 Speaker 7: like disco. You know, rocking is one thing and rolling 185 00:10:12,080 --> 00:10:15,480 Speaker 7: is another thing. It's a swinging, it's a sway. So 186 00:10:16,520 --> 00:10:20,640 Speaker 7: twenty twenty five, there's a host of names that have 187 00:10:20,640 --> 00:10:23,840 Speaker 7: been deserving to go in. I'm going to lean to 188 00:10:25,080 --> 00:10:28,840 Speaker 7: opening up that's opened up a can of worms and 189 00:10:28,920 --> 00:10:31,880 Speaker 7: hip hop and rap because I do feel like dal 190 00:10:32,000 --> 00:10:34,520 Speaker 7: I Soul should should have been in here. I think 191 00:10:35,400 --> 00:10:39,719 Speaker 7: Salt and Pepper que Latifa and see like I mean, 192 00:10:40,360 --> 00:10:43,040 Speaker 7: maybe maybe one day, one day that the Rock and 193 00:10:43,120 --> 00:10:46,920 Speaker 7: Roll Hall of Fame does to certain genres, that it 194 00:10:47,000 --> 00:10:50,520 Speaker 7: opens up a branch of electees like they did some 195 00:10:50,640 --> 00:10:52,959 Speaker 7: years ago when they brought in all the singing do 196 00:10:53,120 --> 00:10:55,720 Speaker 7: wop groups in the backing groups, when the Miracles got 197 00:10:55,760 --> 00:11:01,240 Speaker 7: in and I think the night Lighters got in people 198 00:11:01,320 --> 00:11:03,360 Speaker 7: like that, and they brought in eight groups at a 199 00:11:03,400 --> 00:11:08,439 Speaker 7: time and they just said this is its own category 200 00:11:08,480 --> 00:11:11,040 Speaker 7: that comes in as a sweep. Maybe one day they'll 201 00:11:11,040 --> 00:11:14,480 Speaker 7: acknowledge that they native tongues comes in, but not to 202 00:11:14,640 --> 00:11:17,000 Speaker 7: dilute what they think is dilution. I think what we 203 00:11:17,080 --> 00:11:20,120 Speaker 7: need to do in rap music and hip hop is 204 00:11:20,440 --> 00:11:24,920 Speaker 7: establish more organization, administration, and so what because it's been 205 00:11:24,960 --> 00:11:27,280 Speaker 7: a terrible hip hop fifty one. It was a great 206 00:11:27,360 --> 00:11:30,640 Speaker 7: hip hop fifty and been an awful hip hop fifty 207 00:11:30,679 --> 00:11:33,640 Speaker 7: one because every time you turn around, look at the 208 00:11:33,679 --> 00:11:36,480 Speaker 7: top of the news, there's some bullshit that don't need 209 00:11:36,520 --> 00:11:36,960 Speaker 7: to be there. 210 00:11:38,760 --> 00:11:42,480 Speaker 2: Thank you, thank you. I think I'm done right. Thank you. 211 00:11:42,840 --> 00:11:45,000 Speaker 7: Let me run my mouth. It's not my party, but 212 00:11:46,440 --> 00:11:51,719 Speaker 7: I'm here with my heroes, Cooling the Gang and it 213 00:11:51,840 --> 00:11:55,520 Speaker 7: was a long time overdue and thank you, thank you. 214 00:11:57,320 --> 00:11:59,280 Speaker 1: It's buzznight here at the Rock and Roll Hall of 215 00:11:59,280 --> 00:12:03,920 Speaker 1: Fame Induction Ceremony twenty twenty four. We've captured the feed, 216 00:12:04,000 --> 00:12:10,960 Speaker 1: the backstage feed of the guests and inductees bringing them 217 00:12:11,160 --> 00:12:12,880 Speaker 1: through to talk to the press. 218 00:12:13,559 --> 00:12:15,880 Speaker 2: Cool In the Gang is an American R and B 219 00:12:16,200 --> 00:12:17,360 Speaker 2: soul group. 220 00:12:17,320 --> 00:12:21,880 Speaker 1: From Jersey City, New Jersey, and coming out right now from. 221 00:12:21,760 --> 00:12:27,000 Speaker 2: Cool in the Gang, Robert cool Bell and James J. T. Taylor. 222 00:12:28,240 --> 00:12:30,600 Speaker 9: Well, I think it's just a testament of the era 223 00:12:30,679 --> 00:12:33,839 Speaker 9: that we grew in, grew up in. You know, when 224 00:12:33,840 --> 00:12:36,360 Speaker 9: you think back to like say fifty through like ninety, 225 00:12:37,160 --> 00:12:40,480 Speaker 9: they collect the group of artists that you know, we're famous. 226 00:12:40,520 --> 00:12:41,560 Speaker 2: Then it came up. 227 00:12:43,160 --> 00:12:47,080 Speaker 9: Gave us like that, like a collage, you know, of autists. 228 00:12:47,080 --> 00:12:49,840 Speaker 9: Why you don't really have to pick a genre. You know, 229 00:12:49,880 --> 00:12:52,480 Speaker 9: you may have your favorite, but all this other stuff 230 00:12:52,559 --> 00:12:53,120 Speaker 9: is great. 231 00:12:52,880 --> 00:12:53,760 Speaker 2: Too, you know. 232 00:12:53,960 --> 00:12:56,920 Speaker 9: And I'm walking in the arena, I'm saying everybody that 233 00:12:56,960 --> 00:12:59,800 Speaker 9: I studied, you know, I listened to them, met some 234 00:12:59,840 --> 00:13:03,839 Speaker 9: of them, you know, and it's it's humbling actually, as 235 00:13:03,880 --> 00:13:07,360 Speaker 9: exciting as it is, it really makes you remember those 236 00:13:07,440 --> 00:13:09,760 Speaker 9: days in the in the shed, you know, when you 237 00:13:09,800 --> 00:13:12,960 Speaker 9: had just a pencil in a blank sheet and you said, okay, 238 00:13:13,840 --> 00:13:16,840 Speaker 9: take me there, you know, and sometimes you hit, sometimes 239 00:13:16,840 --> 00:13:19,480 Speaker 9: you don't. So I think all of us share those 240 00:13:19,520 --> 00:13:23,640 Speaker 9: same things, those same experiences, and you know, but to 241 00:13:23,640 --> 00:13:25,160 Speaker 9: see them up dance and it's like, you. 242 00:13:25,120 --> 00:13:27,679 Speaker 2: Know, say, wow, I guess I did something good. 243 00:13:27,760 --> 00:13:28,439 Speaker 9: Huh. 244 00:13:28,520 --> 00:13:30,520 Speaker 10: You know, it was a great feeling. 245 00:13:30,640 --> 00:13:33,679 Speaker 11: I mean, the family make it to the Rock and 246 00:13:33,800 --> 00:13:37,160 Speaker 11: Roll Hall of Fame. We saw it back in nineteen 247 00:13:37,240 --> 00:13:39,440 Speaker 11: sixty four. I think that was before the Rock and 248 00:13:39,480 --> 00:13:42,120 Speaker 11: Roll Hall of Fame. But the finally you make it here. 249 00:13:42,679 --> 00:13:46,240 Speaker 11: I was just in Tanzania about two weeks ago, no 250 00:13:46,360 --> 00:13:50,160 Speaker 11: less than that, and we were in Serengetti, you know 251 00:13:50,200 --> 00:13:54,000 Speaker 11: where they have all the animals, and they told me, well, 252 00:13:54,000 --> 00:13:56,720 Speaker 11: the plane got of land on the dirt road. 253 00:13:57,240 --> 00:13:59,160 Speaker 2: Wait, man, a plane going. 254 00:13:58,960 --> 00:13:59,840 Speaker 11: To a land on the dirt. 255 00:14:01,240 --> 00:14:02,719 Speaker 2: So it did that. 256 00:14:02,920 --> 00:14:04,360 Speaker 11: It was like graveling, dude. 257 00:14:06,080 --> 00:14:07,040 Speaker 12: But we didn't know. 258 00:14:07,440 --> 00:14:11,600 Speaker 11: Going to the hotel, it was all these animals. It 259 00:14:11,640 --> 00:14:17,520 Speaker 11: was like real droom got boogie Elephance, Lioners, Tigers, A 260 00:14:17,600 --> 00:14:19,880 Speaker 11: hippo got in front of the road and we couldn't 261 00:14:19,880 --> 00:14:23,680 Speaker 11: move into the hippo move across the road. So my 262 00:14:23,840 --> 00:14:29,280 Speaker 11: thing was, well, all roads these to the Rock and 263 00:14:29,360 --> 00:14:33,560 Speaker 11: Roll Hall of Fame. Tiger's line, we made it. We're here, 264 00:14:33,960 --> 00:14:38,440 Speaker 11: and we thank you for supporting us for so many years. 265 00:14:38,440 --> 00:14:40,280 Speaker 11: Because this is an up and down business like a 266 00:14:40,400 --> 00:14:43,080 Speaker 11: roller coaster eye. But we say here and we thank 267 00:14:43,120 --> 00:14:44,640 Speaker 11: you and we love you for that support. 268 00:14:44,760 --> 00:14:45,080 Speaker 2: Thank you. 269 00:14:47,000 --> 00:14:50,520 Speaker 1: Okay, we have another artist who is bringing a band 270 00:14:50,600 --> 00:14:53,560 Speaker 1: into the Rock and Roll Hall of Fame and representing 271 00:14:53,640 --> 00:14:57,760 Speaker 1: that band. That band going in is the American rock 272 00:14:57,800 --> 00:15:01,560 Speaker 1: band from Lincoln Park, Michigan, the MC five. They were 273 00:15:01,640 --> 00:15:05,760 Speaker 1: led by the great Wayne Kramer, and the person representing 274 00:15:05,800 --> 00:15:10,320 Speaker 1: them and bringing them on is Tom Morello, the guitarist, singer, songwriter, 275 00:15:10,520 --> 00:15:13,840 Speaker 1: political activists known for his work with Rage Against the 276 00:15:13,880 --> 00:15:17,680 Speaker 1: Machine and Audio Slave and Bruce Springsteen, among others. 277 00:15:18,240 --> 00:15:20,400 Speaker 2: So here's Tom stepping to the mic. 278 00:15:22,160 --> 00:15:24,920 Speaker 13: The MC five's musical imprint was all over everything that 279 00:15:24,960 --> 00:15:27,160 Speaker 13: I've ever done. On each I've made like twenty two 280 00:15:27,200 --> 00:15:29,680 Speaker 13: records in my career, and on each of those records, 281 00:15:29,720 --> 00:15:32,440 Speaker 13: the working title of the song that was the fastest 282 00:15:32,480 --> 00:15:35,640 Speaker 13: and ross was always EMC five. Rage Against the Machines, 283 00:15:35,640 --> 00:15:37,520 Speaker 13: Sleep Now in the Fire, for example, was called MC 284 00:15:37,640 --> 00:15:39,520 Speaker 13: five for about a year before it finally got a 285 00:15:39,560 --> 00:15:42,240 Speaker 13: proper name. And so to be able to participate and 286 00:15:42,560 --> 00:15:45,000 Speaker 13: donate some of my guitar riffs to what will be 287 00:15:45,000 --> 00:15:47,480 Speaker 13: the final MC five record and my brother Wayne Kramer 288 00:15:47,520 --> 00:15:49,360 Speaker 13: is it's just it's a great honor and we're just 289 00:15:49,400 --> 00:15:51,760 Speaker 13: trying to make one last great EMC five record, and 290 00:15:51,880 --> 00:15:52,920 Speaker 13: I think they did a great job. 291 00:15:53,680 --> 00:15:53,920 Speaker 2: Tom. 292 00:15:54,040 --> 00:15:57,040 Speaker 3: It's been great to see your in depth involvement with 293 00:15:57,120 --> 00:15:59,280 Speaker 3: the rock Hole the past few years now that you're 294 00:15:59,360 --> 00:16:01,480 Speaker 3: like in it, and like where do you see, Like 295 00:16:01,840 --> 00:16:03,920 Speaker 3: where would you like to see the organization go in 296 00:16:03,920 --> 00:16:05,080 Speaker 3: the next five, ten fifty years. 297 00:16:05,080 --> 00:16:07,160 Speaker 13: I'd like to see the organization go to get iron 298 00:16:07,240 --> 00:16:09,040 Speaker 13: fucking Maiden in the Rock and Roll Hall of Fame. 299 00:16:09,120 --> 00:16:10,280 Speaker 2: That's where I'd like to see it go. 300 00:16:10,840 --> 00:16:13,040 Speaker 13: Let's get that done first, and then we'll talk about 301 00:16:13,080 --> 00:16:15,120 Speaker 13: anything else after that. Yeah, I mean, I've been a 302 00:16:15,120 --> 00:16:17,200 Speaker 13: strong add the good news. Like the reason why they 303 00:16:17,280 --> 00:16:19,800 Speaker 13: let me in the room to help make the ballot 304 00:16:19,840 --> 00:16:21,480 Speaker 13: was because I complained about it so much to the 305 00:16:21,480 --> 00:16:23,440 Speaker 13: people that ran the Rock and Roll Hall of Fame, 306 00:16:23,480 --> 00:16:26,760 Speaker 13: and to their credit, they you know, they had the courage. 307 00:16:26,400 --> 00:16:27,160 Speaker 2: To put me in the room. 308 00:16:27,200 --> 00:16:29,680 Speaker 13: And you know, since then, Rush Kiss, Stevie Ray Vaughan, 309 00:16:30,160 --> 00:16:33,520 Speaker 13: Judas Priest, Randy Rhoades, the MC five, and a number 310 00:16:33,520 --> 00:16:36,120 Speaker 13: of other acts that previously like on the outside, have 311 00:16:36,240 --> 00:16:36,960 Speaker 13: been welcomed in. 312 00:16:37,080 --> 00:16:39,800 Speaker 2: I love the idea of a rock and roll fame. 313 00:16:39,800 --> 00:16:41,320 Speaker 13: Like if you're a base if you're a little kid 314 00:16:41,320 --> 00:16:43,600 Speaker 13: playing Little League, you dream of one day having a 315 00:16:43,680 --> 00:16:46,640 Speaker 13: career that would land you in the Baseball Hall of Fame. 316 00:16:46,840 --> 00:16:49,360 Speaker 2: As a like hard rock guitar player. 317 00:16:49,120 --> 00:16:50,440 Speaker 13: As a kid the rock and roll None of my 318 00:16:50,440 --> 00:16:52,000 Speaker 13: favorite bands were in the Rock and Roll Hall of Fame, 319 00:16:52,000 --> 00:16:54,800 Speaker 13: so it wasn't that meaningful. Now it's meaningful, and it's 320 00:16:54,800 --> 00:16:57,600 Speaker 13: been my mission so that everybody who out there, whatever 321 00:16:57,600 --> 00:16:59,720 Speaker 13: their instrument, whether the pop, hip hop, rock and roll, 322 00:16:59,720 --> 00:17:02,840 Speaker 13: heavy metal, folk, whatever, that it's a place that really 323 00:17:02,840 --> 00:17:06,280 Speaker 13: feels like home when you've made it well. 324 00:17:06,320 --> 00:17:09,080 Speaker 1: Our last rock and Roll Hall of Fame inductee coming 325 00:17:09,160 --> 00:17:12,879 Speaker 1: up in a little bit to the Microphone continues to 326 00:17:12,920 --> 00:17:16,160 Speaker 1: have a distinguished career as one of the elite rock 327 00:17:16,200 --> 00:17:20,719 Speaker 1: guitarists of our time. He catapulted to success with his 328 00:17:20,840 --> 00:17:25,160 Speaker 1: breakthrough live album and besides known for his solo work, 329 00:17:25,200 --> 00:17:27,360 Speaker 1: he's had a host of other folks he's worked with, 330 00:17:27,400 --> 00:17:33,080 Speaker 1: from George Harrison to Harry Nilsen, among others. Peter Frampton 331 00:17:33,400 --> 00:17:36,640 Speaker 1: is a new twenty twenty four inductee into the Rock 332 00:17:36,680 --> 00:17:40,680 Speaker 1: and Roll Hall of Fame. Remember Frampton comes alive? Who 333 00:17:40,680 --> 00:17:44,440 Speaker 1: could forget about that? And he's going to be ultimately 334 00:17:44,560 --> 00:17:48,040 Speaker 1: joined by a couple of folks here at the Microphone. 335 00:17:48,440 --> 00:17:50,520 Speaker 1: He played with Keith Urban and they did do. 336 00:17:50,480 --> 00:17:51,520 Speaker 2: You Feel Like We Do? 337 00:17:51,920 --> 00:17:54,879 Speaker 1: Some great guitar work from both of them, including Keith 338 00:17:55,440 --> 00:17:59,600 Speaker 1: So Keith will be coming up and also the presenter 339 00:17:59,720 --> 00:18:00,680 Speaker 1: for Peter Frampton. 340 00:18:00,800 --> 00:18:02,720 Speaker 2: Coming up also will. 341 00:18:02,560 --> 00:18:06,480 Speaker 1: Be the one and only Roger Daltrey from The Who. 342 00:18:06,840 --> 00:18:08,480 Speaker 1: But first here's Peter. 343 00:18:08,280 --> 00:18:10,359 Speaker 2: Frampton to. 344 00:18:11,840 --> 00:18:16,399 Speaker 4: Hi, Peter sal from Premiere Radio. Congratulations yet again. So 345 00:18:16,480 --> 00:18:19,800 Speaker 4: we've been talking the past couple of weeks months, you 346 00:18:19,880 --> 00:18:22,800 Speaker 4: getting ready to write your speech, et cetera. Talk to 347 00:18:22,880 --> 00:18:25,120 Speaker 4: us about the emotions that we're going through your mind. 348 00:18:25,160 --> 00:18:29,840 Speaker 4: As Roger was eloquently speaking about your friendship first and foremost, 349 00:18:29,960 --> 00:18:32,320 Speaker 4: your career, the fact that you're a survivor, et cetera. 350 00:18:33,240 --> 00:18:37,880 Speaker 14: Well, it's it's just something that i've When he was talking, 351 00:18:39,280 --> 00:18:41,600 Speaker 14: it was all coming back, you know, and it's basically 352 00:18:41,800 --> 00:18:44,840 Speaker 14: as you say, when I was writing my speech as well, 353 00:18:45,080 --> 00:18:48,439 Speaker 14: you know, it's it. It is what it is, you know, 354 00:18:48,800 --> 00:18:56,720 Speaker 14: my career. But I think that the emotions that come up, basically, 355 00:18:58,040 --> 00:19:05,479 Speaker 14: I was overwhelmed when I heard that I'd been nominated first, 356 00:19:06,440 --> 00:19:11,880 Speaker 14: and then when I realized that I'd got inducted, it 357 00:19:11,920 --> 00:19:15,200 Speaker 14: was it was almost I didn't know how to deal 358 00:19:15,240 --> 00:19:19,120 Speaker 14: with it because I didn't expect this after so long. 359 00:19:19,240 --> 00:19:22,959 Speaker 14: I kind of like cross that off my list because 360 00:19:23,000 --> 00:19:27,119 Speaker 14: it hadn't happened when I thought maybe it would have happened, 361 00:19:27,119 --> 00:19:30,480 Speaker 14: But so it sort of brought it all up again. 362 00:19:30,680 --> 00:19:35,439 Speaker 14: And basically I just got very, very excited, and it 363 00:19:35,520 --> 00:19:37,960 Speaker 14: scared me in a way because I knew I had 364 00:19:37,960 --> 00:19:42,840 Speaker 14: to do this. It's been but it's so enjoyable and 365 00:19:43,080 --> 00:19:47,880 Speaker 14: I thank everybody. The main thing is the fans that voted. 366 00:19:48,119 --> 00:19:50,800 Speaker 14: I mean they voted like crazy for all of us. 367 00:19:51,320 --> 00:19:54,639 Speaker 14: But one day I woke up and my daughter said, look, 368 00:19:54,840 --> 00:19:57,480 Speaker 14: look on the list and I was number two with 369 00:19:57,560 --> 00:20:01,480 Speaker 14: over five hundred thousand votes from the fans. And those 370 00:20:01,520 --> 00:20:05,919 Speaker 14: are the people that that's why I'm a live player. 371 00:20:06,200 --> 00:20:10,840 Speaker 14: The fans make me play better because of the adrenaline 372 00:20:10,880 --> 00:20:13,320 Speaker 14: I get from them and knowing that they are so 373 00:20:13,480 --> 00:20:15,000 Speaker 14: excited about what we're doing. 374 00:20:15,800 --> 00:20:19,760 Speaker 3: We're gonna bring Roger Daltrey, okay, and Keith Urban. 375 00:20:20,480 --> 00:20:21,600 Speaker 2: It's like an interrogation. 376 00:20:21,720 --> 00:20:23,240 Speaker 12: Oh yeah, talk amongst yourselves. 377 00:20:24,160 --> 00:20:28,080 Speaker 8: My question is for mister Frampton. So you mentioned the 378 00:20:28,119 --> 00:20:32,280 Speaker 8: fan votes earlier, but you also received so many votes 379 00:20:32,320 --> 00:20:35,280 Speaker 8: from artists themselves. How does it feel to think about 380 00:20:35,280 --> 00:20:37,400 Speaker 8: your impact and the influence you've had on so many 381 00:20:37,440 --> 00:20:38,520 Speaker 8: artists like Keith Urban. 382 00:20:38,920 --> 00:20:39,160 Speaker 2: Well. 383 00:20:39,200 --> 00:20:42,960 Speaker 14: It always amazes me actually when I hear, because I'm 384 00:20:43,000 --> 00:20:45,960 Speaker 14: such a big fan of so many great musicians, like 385 00:20:46,040 --> 00:20:48,320 Speaker 14: this one right here and this one right here, and 386 00:20:48,359 --> 00:20:52,280 Speaker 14: then all of a sudden I hear, oh, do you 387 00:20:52,359 --> 00:20:55,160 Speaker 14: know I stole this bit from your guitar playing? And 388 00:20:55,480 --> 00:20:59,320 Speaker 14: you know I mean Eddie van Halen verst in Peace. 389 00:21:00,400 --> 00:21:03,359 Speaker 14: When I visited the studio one day when they were recording, 390 00:21:03,760 --> 00:21:07,399 Speaker 14: he played played me at the beginning of one of 391 00:21:07,400 --> 00:21:10,280 Speaker 14: their songs, and he said, I nicked that from nowhere. 392 00:21:10,280 --> 00:21:13,439 Speaker 14: It's too far from my Baby from the Frampton album. 393 00:21:13,800 --> 00:21:17,960 Speaker 14: So it's like, oh my god. You don't realize how 394 00:21:19,280 --> 00:21:23,240 Speaker 14: what you do is listen to by your peers and 395 00:21:24,160 --> 00:21:25,879 Speaker 14: I A dah, they don't want to listen to me, 396 00:21:26,480 --> 00:21:29,080 Speaker 14: listen to somebody else, you know. But it's very nice 397 00:21:29,119 --> 00:21:31,840 Speaker 14: and obviously it's it makes you feel good when. 398 00:21:31,720 --> 00:21:34,240 Speaker 15: You hear that we've known each other since the nineties 399 00:21:35,840 --> 00:21:37,800 Speaker 15: and to get to play together. I think that might 400 00:21:37,800 --> 00:21:41,080 Speaker 15: be the first time properly. I mean we played together 401 00:21:41,080 --> 00:21:43,720 Speaker 15: New Ye's Eve, yes, but the first time properly sitting 402 00:21:43,840 --> 00:21:45,040 Speaker 15: and playing with you was amazing. 403 00:21:45,440 --> 00:21:46,520 Speaker 2: Yeah, so real. 404 00:21:46,800 --> 00:21:49,879 Speaker 12: Oh my friendship with Peter Wow, Like I say it 405 00:21:49,920 --> 00:21:53,359 Speaker 12: goes back way to the ninety sixties. Was it sixty 406 00:21:53,440 --> 00:21:54,400 Speaker 12: seven or sixty eight? 407 00:21:54,480 --> 00:21:56,240 Speaker 14: I mean I think it was the end of sixty seven. 408 00:21:56,359 --> 00:21:59,320 Speaker 12: Yeah, kind of right right there. Yeah, you were at 409 00:21:59,359 --> 00:22:01,240 Speaker 12: the pinnacle of your decline. 410 00:22:04,200 --> 00:22:04,919 Speaker 2: No wonder you were. 411 00:22:05,240 --> 00:22:05,880 Speaker 5: No one of you. 412 00:22:06,200 --> 00:22:09,160 Speaker 12: Joined up with Steve Marriott because you needed to go there, 413 00:22:09,200 --> 00:22:12,919 Speaker 12: you know, because you were going to be forever stuck 414 00:22:13,000 --> 00:22:16,919 Speaker 12: in the herd. Has been in a herd, is forever stuck. 415 00:22:18,280 --> 00:22:21,440 Speaker 12: But all I can say is just listening to these 416 00:22:21,480 --> 00:22:25,920 Speaker 12: two playing tonight, For me, having been in this you know, 417 00:22:26,080 --> 00:22:31,879 Speaker 12: in this limelight for since nineteen sixty five, it was 418 00:22:32,320 --> 00:22:36,040 Speaker 12: fabulous to hear the sound of real guitars instead of 419 00:22:36,080 --> 00:22:40,000 Speaker 12: all that fuzz box shit that they put on these days. Detuned. 420 00:22:40,600 --> 00:22:43,679 Speaker 12: It's not rock and roll, it's not music. It's become 421 00:22:43,800 --> 00:22:47,919 Speaker 12: something completely different. And it was just wonderful and refreshing 422 00:22:48,480 --> 00:22:52,560 Speaker 12: to hear Peter's guitar sound and joined by Keith. The 423 00:22:52,680 --> 00:22:56,239 Speaker 12: balance together and the sensitivity in your voice, and like 424 00:22:56,280 --> 00:22:59,840 Speaker 12: I said on the screen, it's reflected in your playing. 425 00:23:00,359 --> 00:23:03,359 Speaker 12: And your secret is everything you do comes from your heart, 426 00:23:03,359 --> 00:23:06,120 Speaker 12: and it's always been that way, and it's always affected 427 00:23:06,200 --> 00:23:08,639 Speaker 12: me because that's what I tried to do as a singer. 428 00:23:09,240 --> 00:23:11,560 Speaker 12: I mean that. I'm not blowing smoke up your ass. 429 00:23:11,760 --> 00:23:18,480 Speaker 12: Here's a bloody long way down. But I really know, 430 00:23:18,560 --> 00:23:23,679 Speaker 12: I really do mean that. And you know we what 431 00:23:23,800 --> 00:23:25,480 Speaker 12: I do know about Peter. I've got to tell you 432 00:23:25,480 --> 00:23:30,320 Speaker 12: about this man. He's absolutely unconditional when it comes to music. 433 00:23:31,200 --> 00:23:34,040 Speaker 12: We both ended up on a tour of Australia in 434 00:23:34,080 --> 00:23:37,320 Speaker 12: the year two thousand and The promoter who put it 435 00:23:37,359 --> 00:23:40,040 Speaker 12: on was a kind of Barnum and Bailey kind of guy, 436 00:23:40,960 --> 00:23:43,399 Speaker 12: and he signed us all up to do this British 437 00:23:43,480 --> 00:23:48,320 Speaker 12: Rock Symphony tour. And it was Peter, Alice Cooper, myself, 438 00:23:49,680 --> 00:23:55,479 Speaker 12: Paul Rogers and a couple of Australian geezers I can't remember, 439 00:23:55,560 --> 00:24:01,160 Speaker 12: can you No Go In? But the guy who signed 440 00:24:01,200 --> 00:24:05,000 Speaker 12: us up to do this tour didn't in the contracts 441 00:24:05,080 --> 00:24:10,000 Speaker 12: put any billing arrangement. So this this tour for us artists, 442 00:24:10,080 --> 00:24:12,520 Speaker 12: if we had, if there had been any egos involved, 443 00:24:13,760 --> 00:24:16,640 Speaker 12: would have been an absolute nightmare because no one would 444 00:24:16,640 --> 00:24:18,840 Speaker 12: have wanted to go on first. You know, everybody wanted 445 00:24:18,920 --> 00:24:21,119 Speaker 12: would want to be the star of the show. But 446 00:24:21,200 --> 00:24:25,040 Speaker 12: as it happened, Pisa was so unconditional. He didn't give 447 00:24:25,040 --> 00:24:27,280 Speaker 12: a ship where he went. I didn't give a ship 448 00:24:27,280 --> 00:24:31,480 Speaker 12: where I went. Alice didn't care where he went. And 449 00:24:31,560 --> 00:24:33,880 Speaker 12: somehow the other we put the show together and had 450 00:24:33,920 --> 00:24:36,800 Speaker 12: a great balance and did very well. It was here 451 00:24:36,920 --> 00:24:39,719 Speaker 12: was really good fun. So it just shows you nobody 452 00:24:39,760 --> 00:24:43,720 Speaker 12: remembers the perfect show, but everybody remembers a fuck up. 453 00:24:44,640 --> 00:24:48,960 Speaker 12: They really do. And I've learned in my career to 454 00:24:49,000 --> 00:24:50,520 Speaker 12: make as many fuck ups as I can. 455 00:24:52,240 --> 00:24:54,440 Speaker 14: Then the guy didn't pay us, and. 456 00:24:54,359 --> 00:24:56,400 Speaker 12: I know, of course he didn't pay us. He was barn. 457 00:24:56,600 --> 00:24:58,920 Speaker 12: He was a barn. I mean this, you know it 458 00:24:58,960 --> 00:25:01,720 Speaker 12: was Keith Richard said, being in the music business, I'm 459 00:25:01,720 --> 00:25:04,320 Speaker 12: getting ripped off. Which has happened to Peter, has happened 460 00:25:04,400 --> 00:25:04,560 Speaker 12: to me? 461 00:25:05,119 --> 00:25:05,880 Speaker 2: That to you, Keith? 462 00:25:06,040 --> 00:25:10,720 Speaker 12: Yes, oh yeah, well oh what a surprise, as surprise 463 00:25:10,840 --> 00:25:16,520 Speaker 12: of a fucking education here. Yeah, well, I'm. 464 00:25:18,760 --> 00:25:19,080 Speaker 5: All right. 465 00:25:19,160 --> 00:25:19,440 Speaker 4: Doctor. 466 00:25:21,600 --> 00:25:24,000 Speaker 1: Well, thanks for listening to the Rock and Roll Hall 467 00:25:24,040 --> 00:25:28,639 Speaker 1: of Fame Induction Special, capturing the backstage fly on the 468 00:25:28,680 --> 00:25:33,439 Speaker 1: Walls sound from the presenters and the inductees into the 469 00:25:33,480 --> 00:25:37,480 Speaker 1: twenty twenty four class special. Thanks go out to South 470 00:25:37,520 --> 00:25:41,720 Speaker 1: Sarenciani from Premiere Radio Network. Thanks to the Rock and 471 00:25:41,840 --> 00:25:45,040 Speaker 1: Roll Hall of Fame as well for allowing me in 472 00:25:45,119 --> 00:25:48,639 Speaker 1: here and for allowing some of our select episodes to 473 00:25:48,680 --> 00:25:52,160 Speaker 1: be in their library and archives. And thanks for listening 474 00:25:52,200 --> 00:25:56,920 Speaker 1: and supporting Taking a Walk part of the iHeart podcast Network. 475 00:25:58,560 --> 00:26:01,000 Speaker 10: Thanks for listening to this episod of the Taking a 476 00:26:01,040 --> 00:26:04,960 Speaker 10: Walk podcast. Share this and other episodes with your friends 477 00:26:05,040 --> 00:26:07,639 Speaker 10: and follow us so you never miss an episode. 478 00:26:08,240 --> 00:26:09,080 Speaker 2: Taking a Walk is 479 00:26:09,080 --> 00:26:13,800 Speaker 10: Available on the iHeartRadio app, Apple Podcasts, and wherever you 480 00:26:13,840 --> 00:26:14,960 Speaker 10: get your podcasts.