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Speaker 1: Welcome back to another episode Alchemy. Yes COVID nineteen one edition.

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Speaker 1: I'm your host, Kevin Pod Yes that Why don't you

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Speaker 1: check with the landlord? What am I James Taylor's handy man?

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Speaker 1: But I digress. Let's meet her? Chamis shan't we in

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Speaker 1: no particular? PLU say hello cracket? Please share your first

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Speaker 1: time on any stage, on any stage? Question? Best friend

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Speaker 1: Toby and I, that's right, did puppet shows and some

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Speaker 1: I don't not sure how this happened, but we got

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Speaker 1: a gig to perform at the Springfield Mall in Springfield,

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Speaker 1: Virginia when we're about eight years old. And uh so,

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Speaker 1: uh we were hiding, you know, behind the table in

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Speaker 1: the in a blanket. You're holding our puppets up. You're

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Speaker 1: how old? I'm sorry? I was about eight years old.

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Speaker 1: And the show went fairly well, considering you couldn't see anyone. Uh,

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Speaker 1: I don't think anybody was paying attention. I don't know

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Speaker 1: why we were there. Um, and I've I've not continued

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Speaker 1: the puppetry. You just described the first You just described

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Speaker 1: the first thirty seven shows I did as a stand up. Yeah,

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Speaker 1: anyone knew I was magic? Uh? Yes, Hey, it's James Haney,

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Speaker 1: jelly roll, Jim, what is your bowling average? I'd say

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Speaker 1: once or twice a year. That cannot be that cannot

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Speaker 1: be true. Down UM's been. I've never been so happy.

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Speaker 1: My bowling afforage greatly between. Like you know, it depends

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Speaker 1: and if they have the bumpers up a b it depends,

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Speaker 1: and if it's a good day. Uh, and yeah, that's

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Speaker 1: I don't know. I don't know. Maybe I don't know

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Speaker 1: the afforage. I don't know it. Yeah, that is the answer.

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Speaker 1: And I I knew I had asked the right person.

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Speaker 1: And now here's Jackie Druthi, j and the d How

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Speaker 1: are you taking the j Rod breakup? You know what?

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Speaker 1: Thank you for asking because I do. I'm obsessed with

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Speaker 1: j Lo. When I was little, Like all my perfumes

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Speaker 1: were j Lo everything, Jlo, Jlo Jlo. I wanted to

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Speaker 1: be her, look like her everything. So how am I

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Speaker 1: taking it? I'm taking it? Um. You know, we can't

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Speaker 1: say we didn't see this coming. Uh. For me, if

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Speaker 1: I see like extreme doting on social media, I'm like,

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Speaker 1: there's a problem. You're covering something. The Valentine's Day posts.

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Speaker 1: Look at what he's done I'm like, this is too much,

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Speaker 1: This is too much. Um. So I can't say I'm surprised,

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Speaker 1: but I am devastated for my good friend j Lo.

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Speaker 1: Devastated for her children. Um and you know if they

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Speaker 1: are back together for publicity stunt or a business deal, like,

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Speaker 1: you know, power to her be the queen that she is. Again,

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Speaker 1: I knew I asked the right person. Yeah, you're saying

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Speaker 1: Caroline was not the right person. That was one of

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Speaker 1: the more priceless moments. Um. Yeah, And now here's Chris

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Speaker 1: Alvarado delicious soup to nuts. Prior to discovering surfing, what

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Speaker 1: sport were you any good at? Not? None, nothing, never

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Speaker 1: been And I'm not good at surfing either. Here's the

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Speaker 1: here's the problem. I'm six three, yeah, six three, I'm

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Speaker 1: fit ish people, as sue, people assume I can play

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Speaker 1: some sport. You know how many times in my adult

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Speaker 1: life other adult men have asked me to play basketball

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Speaker 1: with them, and I say I'm not good and then

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Speaker 1: they say, I'd like to guess, Yeah, how many? That's

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Speaker 1: a bit extreme, but a lot a dozen, doesn't. I mean,

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Speaker 1: I would ask you Baker's doesn't. And then here's what happens.

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Speaker 1: Here's what happens every time. Here's what happens. I said,

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Speaker 1: I'm not very good. They go, no, we're not very good.

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Speaker 1: Let's just play. We're just gonna play. Show up. I mean,

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Speaker 1: I got the fucking choose, I got the I look good,

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Speaker 1: I know how to address, and I'm six three and

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Speaker 1: get the ball in my hands and I'm so I'm

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Speaker 1: not I'm very bad. And here's what happens. We start playing,

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Speaker 1: and then they see how bad I actually am. And

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Speaker 1: then I could tell because their voices start going up.

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Speaker 1: They go like nice, dude, like like for me, and

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Speaker 1: then and and I can and I'm telling them like

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Speaker 1: I told you, and they go, oh yeah yeah. And

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Speaker 1: also with the last remaining five seconds of my time,

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Speaker 1: I just want to say that, um, Facebook memories, Facebook

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Speaker 1: reminders of memories, whatever, reminded me that Craig and I

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Speaker 1: did the show two years ago, two years ago today.

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Speaker 1: Look at that. Look at that? Friends, Yeah, okay, thank

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Speaker 1: you so much for this. Thank you. And that was

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Speaker 1: uh three in a row for me, uh asking the

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Speaker 1: correct person in that particular question. And last, but just Frank,

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Speaker 1: no beans for you. If you think of leaves, it's

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Speaker 1: joey greer birth control and shoes. When were you gonna

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Speaker 1: tell us that? You know what's crazy is like you

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Speaker 1: think you deserve to know? That's what piss me off?

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Speaker 1: Do you think you deserve like like when like I'm

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Speaker 1: supposed to, I don't have to tell you ship well,

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Speaker 1: you know what I'm saying. I don't have to do that,

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Speaker 1: but I choose to because I care, because I'm sensitive.

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Speaker 1: I'm a vulnerable guy. Uh and I just want to

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Speaker 1: be open. So the answer is right now. Thank you

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Speaker 1: for that. Let's do a damn show all of our

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Speaker 1: scene suggestions, either of course from your listen to emails,

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Speaker 1: or from our Patreon v I p s. They get priority.

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Speaker 1: Live with it to become a patron supporter of the

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Speaker 1: show and get said priority as well as exclusive content

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Speaker 1: and other perks. Just head on over to patreon dot

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Speaker 1: com slash alchemy. This is if you'd like to submit

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Speaker 1: a scene the old timey way by sending me an

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Speaker 1: email because I'm the one who's gonna read him and

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Speaker 1: I can't wait. Please write to the podcast at your

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Speaker 1: name here at alchemy this dot com. That's your name

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Speaker 1: here at see number one Today comes from Heather, who wrote, hello,

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Speaker 1: wonderful alchemists. Thank you for making me laugh out loud,

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Speaker 1: even while the world burns around us. James look away

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Speaker 1: for fox sake. Oh so this apparently was one that

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Speaker 1: James had access to. It. I just read an article

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Speaker 1: about paleontologists finding a perfectly preserved dinosaur butt hole. M

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Speaker 1: that's good dino buttle, and immediately knew I had to

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Speaker 1: tell you all about it. The article says that it

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Speaker 1: was a multi purpose glory hole and that the discover

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Speaker 1: is shedding light where the sun don't shine. Clever journalists.

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Speaker 1: But the best quote is quote it's like a Swiss

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Speaker 1: army knife of excreciatory openings. End quote. Vint said, quote

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Speaker 1: it does everything end quote. I have no idea how

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Speaker 1: this could be used as a scene, but I have

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Speaker 1: faith in you. Love you all. Head. Well, it's a cloaca, right,

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Speaker 1: I mean there was. They've said dinosaurs became birds, birds

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Speaker 1: known for the all purpose hole otherwise known as the cloaca.

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Speaker 1: Am I wrong, Craig, You're right about the cloaca. Yeah,

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Speaker 1: and also just a great word cloaca. Oh man, Yeah,

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Speaker 1: I was almost Countie Cloaca. That was almost my stage name. Tony.

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Speaker 1: What the hell is It's like, I can't print this.

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Speaker 1: What do you mean you can't print it? Story? It's

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Speaker 1: based on fact? What what? What part is the trouble

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Speaker 1: for you? Tony? Come on, look, I but this is

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Speaker 1: not the place. Okay, this is science. Jim, Jim, talk

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Speaker 1: to me. What's going on? Something at home? Yes, I'm

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Speaker 1: at home. It's so yeah, right, you can talk to me,

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Speaker 1: can you can't. I don't want to be a scientist

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Speaker 1: like you dad. Just just caiding about it for a second. Alright,

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Speaker 1: Just put on the stethoscope, all right, listen to roscope.

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Speaker 1: What does that have to do with science? Medicine is

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Speaker 1: a science, alright, just just put it on. Alright, Just look,

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Speaker 1: what do you want to look at? He doesn't love you.

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Speaker 1: He doesn't love you. I don't love your dad. You

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Speaker 1: know what you've been You've been filling them with this bullshit. Okay,

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Speaker 1: I work for a living, Okay, can't be home all

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Speaker 1: day doing well. I don't know what you're doing here.

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Speaker 1: Thank god, graphic are Thank god you make up shutting

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Speaker 1: the lamestream Mediah. God isn't real. God is not real.

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Speaker 1: It's not scientifically proven. That gotta I gotta be a priest. No,

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Speaker 1: son of mine is going to go into the clerks.

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Speaker 1: No no, no, no, no, no, no no, you're going

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Speaker 1: to go into the scientists and the maths. Are ready

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Speaker 1: to understand that I'm putting you in a math camp today.

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Speaker 1: That's not true. No you're not. I'm not doing a

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Speaker 1: math camp. I'm gonna be a Catholic priest. Don't sing that. No, no,

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Speaker 1: that's so institutionally. Hi, first day at math camp. We're

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Speaker 1: just gonna go around the circle. Everyone tell us how

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Speaker 1: excited you are to be here? Yes, you, little man.

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Speaker 1: What's your name? My name's Peter. I'm not really excited

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Speaker 1: for math camp. I like the addition, I like buy

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Speaker 1: an area, and I like computer programming. That's great, it's

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Speaker 1: right to have you. What was your name again, Peter?

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Speaker 1: Can we call you Pete? Yeah, okay, Pete. It's great

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Speaker 1: to have you. Here is camp for babies. I'm fifteen

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Speaker 1: years old. If we're gonna talk numbers, I'm gonna say,

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Speaker 1: welcome to camp math Camp. What is your name? Mr?

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Speaker 1: Fifteen Curtis Curtiss? Where did you come today? From? Where

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Speaker 1: they come from? Yeah? From God? Well? Okay, but God

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Speaker 1: created all of us. Yeah, of course, what do you

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Speaker 1: think give me a science explanation for why we're here? No,

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Speaker 1: I meant what town? Oh yeah, Denise, Look, I don't

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Speaker 1: have a lot of time something. Don't you work for me.

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Speaker 1: You're an archaeologist. You're supposed to be out in the field,

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Speaker 1: dustin digging, exactly. I don't have the time for this.

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Speaker 1: I have to go out into the field and dustin dig.

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Speaker 1: You you schedule this meeting, and I'm just letting you know.

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Speaker 1: We have to make it snappy because I just all right,

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Speaker 1: I don't got a lot of time. All right, what

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Speaker 1: you got? What you got? You got some teeth? You

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Speaker 1: gotta actually, um, I have a butt hole. Okay, alright,

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Speaker 1: you know what. Listen, listen, Denise, I told you I'm

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Speaker 1: not married, but I am seeing somebody. Okay, with these advances,

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Speaker 1: these passes, So you don't but your butt hole in here. No,

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Speaker 1: I definitely brought my own butth hole in here. I

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Speaker 1: can't go anywhere about my own dinosaurs but hole. And

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Speaker 1: it's actually, um, I'm presuming that it's a a prodactosaurus's butthole.

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Speaker 1: And what's so interesting about that is that um Podactosaurus,

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Speaker 1: much like a dog doesn't sweat. Podactosaurus is actually don't

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Speaker 1: sweat either, but they don't pant like a dog. It

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Speaker 1: all comes out the butthole to sweat this. I know

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Speaker 1: all of this. Okay, I'm the boss here. Okay, well,

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Speaker 1: I'm sorry to waste your time, and honestly, all right,

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Speaker 1: I understand what you're saying. It is. Okay, so you

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Speaker 1: discovered you have a butth hole and you want me

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Speaker 1: to see your butt hole. Okay, so, uh, I mean

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Speaker 1: I don't mind doing it, but I just want to

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Speaker 1: make sure I got this right. You want me to

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Speaker 1: for the re release a Jurassic Park go through and

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Speaker 1: c g I but holes acting like this is impossible.

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Speaker 1: It's not impossible, just like I mean, very specific and

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Speaker 1: it's a lot of work. But you're not passing judgment

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Speaker 1: on the idea, are you, because that's what I'm sensing. No,

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Speaker 1: if it's science, I mean, making movies is definitely a science. Now,

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Speaker 1: you can either add these buttholes or you can't. I can't.

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Speaker 1: I can't, step Stephen, It's Johnny Williams. Just wanted to

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Speaker 1: let you know that I'm I'm prepared to add the

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Speaker 1: butthole theme to the additional footage. Love to hear a peace? Great? Okay,

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Speaker 1: how does it? How does it go? Give me a tempo?

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Speaker 1: What is it? Guy? What are you getting? Well? We

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Speaker 1: all know the main theme of Jurassic Park. No, I'm

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Speaker 1: pretty sure that it's left me and it just Let

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Speaker 1: me just get whatever you have it now, no bad ideas?

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Speaker 1: Who are these people? See? These are just some interns

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Speaker 1: that I brought. I wrote the music. I know how

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Speaker 1: the theme to addressed Park. No. I think I think

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Speaker 1: they should tell you I wrote the music to a

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Speaker 1: little are You Go Go Go? I ever heard of it?

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Speaker 1: Ever heard it? That's it? What was I playing it first?

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Speaker 1: Let me play that again. I'm gonna play that first

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Speaker 1: part again. That's when they enter the park. But what

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Speaker 1: I'm doing is the you're doing yes, And that's the

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Speaker 1: park park entrance music. Anyway, the Island. I don't remember

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Speaker 1: what I titled. You can't get anything past the youth today, Joanny. Look, Denise,

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Speaker 1: I understand what you're saying. You've got a son, he's

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Speaker 1: away at camp. You're alone. I understand. I'm your boss, though. Okay,

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Speaker 1: you gotta dig, you gotta say, and you gotta yeah.

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Speaker 1: And what I'm telling you is that my son is

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Speaker 1: away from camp, so I actually have more time to

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Speaker 1: go sand and dig. To stop wasting my time right now.

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Speaker 1: She just feels like every time I look, I look,

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Speaker 1: I look, every time my eyes are open, my top

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Speaker 1: is off. And that is true. But that's just me

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Speaker 1: expressing myself in a way that's you don't have to

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Speaker 1: explain that. You want to explain that to me. I'm

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Speaker 1: your boss, I get it, okay, So that right now

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Speaker 1: we're wasting We're honestly, we're wasting time on semantics. I

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Speaker 1: have a lot of sun tanlution to put on, and

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Speaker 1: I have a lot of me and the and the

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Speaker 1: rest of care. We're gonna get the hell out of here.

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Speaker 1: We've been waiting out there and come here. What's your name?

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Speaker 1: What's your name? Dad's going on in here? What's your name? Eclaire? Claire? Claire?

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Speaker 1: Are you more of a digger more of a duster?

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Speaker 1: I mean both? Okay? Good? I like that. I like that,

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Speaker 1: And so what's your issue again? My issues? We've been

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Speaker 1: waiting out there. It's now seven pm. We've wasted all

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Speaker 1: the good lives. We're gonna do it, glad, We're gonna

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Speaker 1: do a night digg a cool man. So you want

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Speaker 1: me to go down and fill up the generators. You

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Speaker 1: want me to go get the gas, fill up the

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Speaker 1: generator so we can get the lights working. Those loud,

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Speaker 1: stinky ones. Every time with this guy describing his job duties,

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Speaker 1: just go do it for fun? Is that recrossant? Is

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Speaker 1: that what you want to do? You want to get

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Speaker 1: into this ocrosan, Yeah, I do want to get into this. Well,

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Speaker 1: you were given a direct or in my office, now

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Speaker 1: further into your office. Yeah, Brad, I'm sorry, we're not

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Speaker 1: gonna be able to fund the dig anymore. Excuse me,

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Speaker 1: we're not gonna be you have headpunes you take this office.

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Speaker 1: I don't know if you understanding the boss at this

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Speaker 1: dig this is a dig site. Yeah, Brad, I understand

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Speaker 1: that we're gonna cut funding from the dig. No, no, no,

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Speaker 1: it's because it's because you're waiting for a big payoff. Right,

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Speaker 1: you're waiting for a big fine, right, but not waiting

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Speaker 1: for we have find it's a butth hole. We got it.

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Speaker 1: But yes, And to be honest, a lot of your

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Speaker 1: reports are just creepy as hell. I mean the reports

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Speaker 1: you send back, Brad, I just just I like creative

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Speaker 1: non fiction. What can I say? Yeah, but this is science.

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Speaker 1: All right, Here's what I'm gonna do for you. I'm

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Speaker 1: gonna keep digging. I'm gonna keep my team intact, and

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Speaker 1: we'll get back to you with a new exciting fine

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Speaker 1: very soon. I mean, with your own money. Just be

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Speaker 1: clear about that. We're we're stopping that. You're gonna pay

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Speaker 1: me money. Boo hoo, Dad, you have to fire someone

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Speaker 1: who cares. You don't understand, You don't know what it's like. Okay,

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Speaker 1: of course you think this is just a game. This

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Speaker 1: is real. Look, there's nothing I have to of this.

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Speaker 1: It's just now. It's two thousand years ago. There's no dinosaurs, Dad,

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Speaker 1: the one about this? Huh. I wasn't supposed to take

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Speaker 1: this out of the office. But look at this. This

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Speaker 1: is a real life dinosaur buttle. This is silver forty

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Speaker 1: million years old. But your finger, yeah, it's perfectly preserved.

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Speaker 1: Perfect I mean, look at the functionality of this thing.

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Speaker 1: I mean, based on just like you know, digital mock

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Speaker 1: ups were estimating that this orifice was able to do anything,

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Speaker 1: anything and everything. Mr Paterson, I'm I'm sorry interrupt this

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Speaker 1: moment of Junior Son and you, but I still like

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Speaker 1: to get paid. Also, he did not finish his juice,

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Speaker 1: and that was a problem for both of us. Let

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Speaker 1: me just say that. Okay, so sixty, Can I take

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Speaker 1: fifty eight dollars and just put my pinky in the dinosaur?

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Speaker 1: About all? Just a quick little I'm gonna give you six.

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Speaker 1: There's definitely is no god. This is actually my third

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Speaker 1: time here at math camp. Um. Some people say I

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Speaker 1: rule the camp. I wouldn't say that. Everybody says you

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Speaker 1: rule the camp. Yeah, it's been said. So I've actually

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Speaker 1: petitioned to have some more theater arts because I'm not

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Speaker 1: just good at math, I'm also good at theater arts.

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Speaker 1: So this summer we're gonna be gone the two. Yeah,

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Speaker 1: we're gonna be doing um. We're a staged reading of proof.

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Speaker 1: I'm sorry I started. Was there someone talking about theater here? Yeah?

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Speaker 1: Theater arts? Yeah, theater arts, but also math. Can you

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Speaker 1: come with us? But can you get in the suv um?

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Speaker 1: Do you have a warrant for that? We don't need

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Speaker 1: a warrant. We work with the camp. We're not allowed

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Speaker 1: to have any think. I think she's right, I think

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Speaker 1: we need a wart d. No, we're good Okay, we

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Speaker 1: work with the camp. How come you're not wearing a sure? Okay,

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Speaker 1: we're here. On a second, dear j you're not getting

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Speaker 1: that STV. We need to see some sort of credentials here.

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Speaker 1: You can't just over the camp. She was clearly talking

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Speaker 1: about theater. Put her in the suv and get her

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Speaker 1: out of the camp. Camp now, children, you're the king gentlemen. Please,

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Speaker 1: I'm trying to conduct a camp here. This is a

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Speaker 1: math camp. What do you do camp? Not a little

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Speaker 1: theater camp? Right? Camp? Who are you? You worked with

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Speaker 1: the math? No? I mean just tell them, tell him,

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Speaker 1: tell them you're not coming. You're not just like a counselor.

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Speaker 1: Who are you? We shouldn't be. We work with black

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Speaker 1: Water and scout by the camp to make sure of

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Speaker 1: that only maths get done here. Right, you're gonna arrest

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Speaker 1: my children because they uh Dante right, I don't know

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Speaker 1: what else to say? Uh on here? Yeah? Did dad

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Speaker 1: not let you play with the math tools? No? Uh

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Speaker 1: no that was it wasn't playtime with math? So business business?

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Speaker 1: Um so you thought I knew it. I'll do I'll

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Speaker 1: round up children, that'll be my job. I'm just gonna

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Speaker 1: escort off the premises of We're gonna drop Rock. So Stephen,

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Speaker 1: you're saying that you're adding a C. G. I butt

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Speaker 1: hole to the shark because that was your vision all

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Speaker 1: along and the technology didn't allow you to to do

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00:20:33,920 --> 00:20:39,280
Speaker 1: it back wasn't ready yet. Okay, Well everybody knows the

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00:20:39,320 --> 00:20:46,360
Speaker 1: famous Jaws theme, right, we do? John? If I could

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Speaker 1: ask you, uh, do you want to put your pinky

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Speaker 1: in it? You have the butt hole here? Yes? I did,

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Speaker 1: and then this is a real sharks bud hole, or

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Speaker 1: this is the dinosaur butthole. This is the dinosaur butthole

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Speaker 1: is going to be cast as Bruce's bdole. Yeah, I

329
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Speaker 1: had to make me a mock up. Kids. Can you

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Speaker 1: get it out of the van? Please? Yeah? Yeah? Yeah

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Speaker 1: we can't. Okay, yeah, well are they theater kids are

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Speaker 1: math kids? Now? John? The only reason I'm asking if

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Speaker 1: you want to put your pinky in it because ever

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Speaker 1: so far, everyone who has magical things happen. Okay, I

335
00:21:28,880 --> 00:21:33,240
Speaker 1: like something to another world. I need some music bite here,

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Speaker 1: some some sound bite that makes the audience they their

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Speaker 1: own buttholes tighten. Right, That's what I'm going for. Stephen.

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Speaker 1: I'm so so sorry we went to the van. We

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Speaker 1: went to go get the butthole. Where's the well? Um,

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00:21:47,960 --> 00:21:50,800
Speaker 1: we were sucking around, we were we were doing the

341
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Speaker 1: Budweiser toads, you know, we were just but but then

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Speaker 1: we got method and we started hopping around and like

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Speaker 1: basically boom, I was a frog, she was a frog.

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Speaker 1: I was a frog. She was a frog. It was

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Speaker 1: bouncing between us and ended up being he's wallowed its

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00:22:09,480 --> 00:22:14,360
Speaker 1: side of me. Oh that's interesting, Okay, I can work

347
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Speaker 1: with that. That is, I don't want to put my

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Speaker 1: pinky in it. John, just a second, if you put

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Speaker 1: your pinky in Larry, Mr and Mrs Lawson. I'm sorry

350
00:22:26,480 --> 00:22:28,119
Speaker 1: to bring you this news, but there was an accident

351
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Speaker 1: of Maths camp and something happened to Pete he Um

352
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Speaker 1: wait Math's camp was this in the UK? Well, I

353
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Speaker 1: mean it's it's it's always pronounced Maths, you know, let's

354
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Speaker 1: be real in the UK. Yeah, but I mean the

355
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Speaker 1: UK started it, so Lit's not I mean, I know,

356
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Speaker 1: not zero early. We need to get this straight. What happened?

357
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Speaker 1: Why suck your son is he's doing monologus in the

358
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Speaker 1: front of Oh god, what somebody got to him? And uh,

359
00:23:08,200 --> 00:23:14,200
Speaker 1: he loves performance. He was going to be a doctor scientist.

360
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Speaker 1: He's on Samuel French's website right now and he's just

361
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Speaker 1: buying everything he camp. He told me that he went

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Speaker 1: to some goddamn theater camp. No, sir, apparently at the

363
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Speaker 1: maths camp. That's what we're going to. He was introduced

364
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Speaker 1: to a another camper who was obsessed with I don't

365
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Speaker 1: know how they got through. Who's done this to my fie.

366
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Speaker 1: We can't give out that kind of personal information, ma'am.

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Speaker 1: I'm so sorry, but just no damn it. Black Water

368
00:23:48,880 --> 00:23:58,760
Speaker 1: and One too about to us today by patron Alcamnia

369
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Speaker 1: Hayley Bob Hayley, who wrote, high, I hope everyone is

370
00:24:04,240 --> 00:24:06,760
Speaker 1: doing well. My scene suggestion is something weird is happening

371
00:24:07,040 --> 00:24:13,440
Speaker 1: at the thirty three Annual Cowboy Poetry Symposium. Sure, what

372
00:24:13,480 --> 00:24:17,720
Speaker 1: would do it? Just take a number that TA number

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Speaker 1: and then we'll be able to call you what number

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Speaker 1: of Mike, Because I can't be here all day, We'll

375
00:24:24,840 --> 00:24:27,280
Speaker 1: just pull something out of the ball right there, and

376
00:24:27,320 --> 00:24:28,760
Speaker 1: then we'll be able to see what number you got.

377
00:24:29,000 --> 00:24:31,359
Speaker 1: So it's just wreck and even if your number gets

378
00:24:31,440 --> 00:24:34,320
Speaker 1: pulled early, it's only appropriate for you to stay and

379
00:24:34,359 --> 00:24:37,080
Speaker 1: watch everybody else that goes after. You can't just read

380
00:24:37,119 --> 00:24:40,400
Speaker 1: and run, Clam. While I appreciate your opinion, I'm gonna

381
00:24:40,480 --> 00:24:42,680
Speaker 1: shove it where I shove all the other opinions. And

382
00:24:42,800 --> 00:24:46,160
Speaker 1: that's up your ass. Now. Then I just randomly pull

383
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Speaker 1: up number out of the number. He's not staying to

384
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Speaker 1: listen to all the poets. Don't give him a number.

385
00:24:51,960 --> 00:24:54,280
Speaker 1: I don't mind him. That's clam and he's a pain

386
00:24:54,400 --> 00:24:58,040
Speaker 1: and everybody's ass. So here we go, just number seven.

387
00:24:58,119 --> 00:25:00,879
Speaker 1: Look at that, eat it seth lam. Right, we'll just

388
00:25:01,200 --> 00:25:04,000
Speaker 1: uh write your name down right there for number seven,

389
00:25:04,040 --> 00:25:12,840
Speaker 1: and alright, then everything organizemat number. It just just where

390
00:25:12,840 --> 00:25:17,040
Speaker 1: the poetry happens. It's my turn to pull the number.

391
00:25:17,600 --> 00:25:19,159
Speaker 1: But he, I mean, he was just this question if

392
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Speaker 1: this was a poetry. But I'm like, all eyes on

393
00:25:23,000 --> 00:25:25,200
Speaker 1: me while I pull a number, and he just seems

394
00:25:25,240 --> 00:25:28,720
Speaker 1: like he's walking up trying to get a number. We

395
00:25:28,800 --> 00:25:32,040
Speaker 1: don't know what his motives are. He just came up. Sure,

396
00:25:32,119 --> 00:25:36,600
Speaker 1: you don't know what my motives are. She's right, No,

397
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Speaker 1: I'm just asking, is this where the poetry happens? Yeah,

398
00:25:42,080 --> 00:25:45,240
Speaker 1: it's a beautiful pen. So yeah, when you pull that number,

399
00:25:45,400 --> 00:25:48,080
Speaker 1: just you can write it right down there. All right,

400
00:25:48,840 --> 00:25:53,680
Speaker 1: thank you kindly, number first before you write your not down.

401
00:25:53,800 --> 00:25:58,520
Speaker 1: It's it's my turn to pull a number though. I'll

402
00:25:58,560 --> 00:26:09,399
Speaker 1: just sit back. A cold day, a steady steed. The

403
00:26:09,520 --> 00:26:14,879
Speaker 1: wheat was yellow, the water was cold. It was a

404
00:26:15,000 --> 00:26:19,520
Speaker 1: cold day that made the water cold, but my steed

405
00:26:20,240 --> 00:26:24,920
Speaker 1: was as steady as ever. And please just come up here.

406
00:26:26,760 --> 00:26:30,080
Speaker 1: I'm practicing it. I told you I'm practicing. Hey, you

407
00:26:30,200 --> 00:26:33,280
Speaker 1: better get in there and help you gotta help your mom. Okay,

408
00:26:33,640 --> 00:26:42,480
Speaker 1: come in my room. No, I'm practicing. Get out. Sorry,

409
00:26:42,760 --> 00:26:47,640
Speaker 1: sorry me, sorry me, okay. It was a cold day,

410
00:26:48,240 --> 00:26:52,880
Speaker 1: a steady steed. The river was cold. The cold day

411
00:26:53,640 --> 00:26:57,679
Speaker 1: made the river water cold, but the steed was as

412
00:26:57,720 --> 00:27:01,399
Speaker 1: steady as ever. And you better get your daughter in

413
00:27:01,440 --> 00:27:05,480
Speaker 1: the shape. I'll tell you what what what do you

414
00:27:05,520 --> 00:27:08,960
Speaker 1: mean or what I'm saying. I'll tell you what. Tell me?

415
00:27:09,080 --> 00:27:14,080
Speaker 1: Then she God, dang it. We got chores to do

416
00:27:14,160 --> 00:27:16,720
Speaker 1: around here. I understand that dollar is gonna do them.

417
00:27:17,320 --> 00:27:19,720
Speaker 1: Just shut up and just smoke that cigarette and eat

418
00:27:19,760 --> 00:27:26,920
Speaker 1: that lunchable. I love you and that's the truth. Fine,

419
00:27:26,960 --> 00:27:30,560
Speaker 1: I'll do whatever you guys want. You ruined my practice anyways,

420
00:27:32,000 --> 00:27:33,520
Speaker 1: you know, what we need to do. We need you

421
00:27:33,520 --> 00:27:35,320
Speaker 1: to sweep the porch, and then we need you to

422
00:27:35,440 --> 00:27:38,480
Speaker 1: dust off that old magical cowboy hat. And don't you

423
00:27:38,560 --> 00:27:46,320
Speaker 1: put that cowboy hat on wishes. I've always ducked it off.

424
00:27:47,880 --> 00:27:51,919
Speaker 1: Number fifty four. There's almost nobody else, Like, how can

425
00:27:52,000 --> 00:27:54,080
Speaker 1: I be number fifty four? Do I have to write

426
00:27:54,160 --> 00:27:58,760
Speaker 1: my name down? That's number fifty four. It's a random thing.

427
00:27:58,840 --> 00:28:02,879
Speaker 1: Claim it's not personal. This is bullshit. I mean, this

428
00:28:03,040 --> 00:28:05,520
Speaker 1: is bullshit. I've been sitting here waiting to get in line,

429
00:28:05,560 --> 00:28:11,240
Speaker 1: and alright, fine, I put my clam rogers. Wait a second.

430
00:28:11,240 --> 00:28:12,879
Speaker 1: Claim You said he've been sitting here waiting to get

431
00:28:12,920 --> 00:28:15,800
Speaker 1: in line, so you weren't even in line. Well, I

432
00:28:15,960 --> 00:28:18,760
Speaker 1: was waiting to see the competition, so clam waite taking.

433
00:28:18,800 --> 00:28:21,320
Speaker 1: So you just pulled an illegal ball out. That's not

434
00:28:21,960 --> 00:28:24,480
Speaker 1: talking about I. We're gonna have to just qualify. You're

435
00:28:24,480 --> 00:28:28,040
Speaker 1: not allowed to do anything. I'll waiting. I read poetry

436
00:28:28,119 --> 00:28:31,800
Speaker 1: in this contest every year. Claim I'm sorry, that's just

437
00:28:31,960 --> 00:28:34,280
Speaker 1: them the rules. If you weren't in line, you can't pool.

438
00:28:35,560 --> 00:28:39,080
Speaker 1: Well I was. I got in line after after I waited,

439
00:28:40,040 --> 00:28:43,440
Speaker 1: But you were waitingited line. But you weren't in the

440
00:28:43,520 --> 00:28:46,280
Speaker 1: line to pool claim. Don't you understand these are the rules?

441
00:28:48,520 --> 00:28:51,000
Speaker 1: H claim. I'm sorry, we're gonna have to borrow you

442
00:28:51,040 --> 00:28:54,080
Speaker 1: from doing any kind of poetry for the next I

443
00:28:54,160 --> 00:28:58,080
Speaker 1: got poetry in my heart. Well, it looks like we're

444
00:28:58,120 --> 00:29:02,320
Speaker 1: gonna be judging this here symposium together. They called me

445
00:29:02,440 --> 00:29:08,720
Speaker 1: the high ku kid. Well yeah, I'm just getting everything

446
00:29:08,840 --> 00:29:11,080
Speaker 1: organized so the other judges should be coming up in

447
00:29:11,120 --> 00:29:13,360
Speaker 1: a second though. But you know, oh, you're not one

448
00:29:13,400 --> 00:29:15,560
Speaker 1: of the judges. No, I'm not. I want you know.

449
00:29:16,000 --> 00:29:19,720
Speaker 1: They've asked me, but I said no, I don't. Well, thanks,

450
00:29:20,720 --> 00:29:31,440
Speaker 1: thank you, but one of the judges. Sorry, sorry, what

451
00:29:31,560 --> 00:29:36,000
Speaker 1: do they call you? Librick Larry? Oh, librick Larry. I've

452
00:29:36,040 --> 00:29:41,480
Speaker 1: heard of you. There once was a young man from someplace.

453
00:29:44,240 --> 00:29:52,800
Speaker 1: You're probably talking about me. Hey, uh, baby girl, you

454
00:29:52,920 --> 00:29:58,000
Speaker 1: in there doing your poetry? Yes, we opened the door.

455
00:29:58,080 --> 00:30:17,959
Speaker 1: Please he look, thank you. My brakes man sing. Someone's

456
00:30:17,960 --> 00:30:23,400
Speaker 1: in trouble. No, look, look, I want to apologize for

457
00:30:23,480 --> 00:30:26,200
Speaker 1: yelling at you. Okay, I know you love this thing.

458
00:30:26,320 --> 00:30:27,960
Speaker 1: It's just your mom and I we want you to

459
00:30:28,040 --> 00:30:35,840
Speaker 1: do good, great, better things. But I do great poetry. Listen,

460
00:30:36,480 --> 00:30:40,400
Speaker 1: I believe you. Now. I was on the internet just

461
00:30:40,920 --> 00:30:44,440
Speaker 1: not five minutes ago. I came across an advertisement. You

462
00:30:44,520 --> 00:30:46,440
Speaker 1: know how, let the government listen to everything we say.

463
00:30:46,960 --> 00:30:50,760
Speaker 1: Of course, Well they must have heard you talking about poetry,

464
00:30:50,840 --> 00:30:54,080
Speaker 1: because it turns out I don't know what this word means.

465
00:30:54,600 --> 00:31:00,440
Speaker 1: But there was a cowboy poetry symposium happening at at

466
00:31:00,480 --> 00:31:05,200
Speaker 1: the Square today and I can go to it. We

467
00:31:05,320 --> 00:31:08,160
Speaker 1: can't tell your mama. We can't tell your mama this

468
00:31:08,400 --> 00:31:11,200
Speaker 1: isn't the government, Daddy. I put on the magical hat.

469
00:31:11,680 --> 00:31:14,920
Speaker 1: I put it on after I just diagnamic we told

470
00:31:14,960 --> 00:31:18,400
Speaker 1: you not to. I'm I'm so alright. Alright, what's done

471
00:31:18,520 --> 00:31:20,120
Speaker 1: is done. What's done is done. And let's tell your

472
00:31:20,160 --> 00:31:22,520
Speaker 1: mama that we gotta go finding some new pigs. What

473
00:31:22,600 --> 00:31:26,800
Speaker 1: do you say, Okay, yes, she's got to find me

474
00:31:26,880 --> 00:31:29,920
Speaker 1: some new pigs. No, tell her that we're gonna go

475
00:31:30,000 --> 00:31:31,640
Speaker 1: look for pigs so we can get you to suppose

476
00:31:31,680 --> 00:31:33,840
Speaker 1: you have to do what you need to do. Goddamn

477
00:31:33,880 --> 00:31:39,040
Speaker 1: remote don't even working. We need new batteries. Oh what

478
00:31:39,160 --> 00:31:45,600
Speaker 1: the hell y'all want? Um? Nothing to say? Nothing to say? Well,

479
00:31:45,600 --> 00:31:47,760
Speaker 1: if you're gonna say something, to make sure that new

480
00:31:47,800 --> 00:31:54,440
Speaker 1: batteries she's okay, all right, pigs pigs, pigs. No, we're

481
00:31:54,440 --> 00:31:57,400
Speaker 1: gonna go look at the well. Next up. I believe

482
00:31:57,440 --> 00:32:05,840
Speaker 1: we have number number fifty five. It should be pretty interesting. Yes,

483
00:32:07,080 --> 00:32:09,640
Speaker 1: one number sounds more interesting than any other number. Well,

484
00:32:09,720 --> 00:32:13,280
Speaker 1: if you don't notice, this is a lady. This is

485
00:32:13,320 --> 00:32:16,520
Speaker 1: a lady compete. There's a lady in front of me.

486
00:32:16,840 --> 00:32:20,600
Speaker 1: Limerick Larry. Yeah, and this is uncommon. This is a

487
00:32:20,680 --> 00:32:26,640
Speaker 1: cowboy poetry symposium. Should start. Sorry, sorry, we're just talking

488
00:32:26,680 --> 00:32:30,680
Speaker 1: amongst ourselves. Are we sure this is legal in a

489
00:32:30,760 --> 00:32:36,560
Speaker 1: cowboy poetry symposium. Well, you're saying, ah, you're saying this

490
00:32:36,680 --> 00:32:40,560
Speaker 1: young girl can't be a cowboy Limerick Larry. I'm not sure.

491
00:32:40,640 --> 00:32:44,560
Speaker 1: I had never seen no lady compete in a cowboy

492
00:32:45,600 --> 00:32:48,960
Speaker 1: symposium before. I'm just afraid you're building up to something

493
00:32:49,080 --> 00:32:53,560
Speaker 1: up scene. Every every fifth sentence, this guy says it's

494
00:32:53,600 --> 00:33:00,840
Speaker 1: something super dirty. Anyway, Yeah, you go ahead, young we'd

495
00:33:00,880 --> 00:33:03,760
Speaker 1: love to hear what you got. No problem. I'll start

496
00:33:03,880 --> 00:33:07,360
Speaker 1: and it will be the best poem yet. By the

497
00:33:07,560 --> 00:33:16,600
Speaker 1: tip of my hat. Magic. Have you ever seen a

498
00:33:16,800 --> 00:33:22,360
Speaker 1: sky so blue? I've seen it with my eyes of two,

499
00:33:25,080 --> 00:33:29,280
Speaker 1: my ass in the saddle. You hear a snake and

500
00:33:29,400 --> 00:33:33,480
Speaker 1: it's giving me a rattle a wing sign with the

501
00:33:33,680 --> 00:33:37,320
Speaker 1: tip of its tail. But my god, the snake is

502
00:33:37,400 --> 00:33:40,680
Speaker 1: the size of a whale. Oh am I going to do?

503
00:33:41,040 --> 00:33:45,720
Speaker 1: Do I shoot it or shoot myself? No, just give

504
00:33:45,920 --> 00:33:56,160
Speaker 1: me a gun. Well, that was that was fantastic. You know,

505
00:33:56,320 --> 00:34:00,360
Speaker 1: I specialized in poems of exactly seventeen syllables, but that

506
00:34:00,600 --> 00:34:03,800
Speaker 1: those rhyming couplets were beautiful. And then when you deliberately

507
00:34:03,840 --> 00:34:07,280
Speaker 1: broke the pattern for the last two lines, that was

508
00:34:07,440 --> 00:34:10,959
Speaker 1: that was surprising. What do you say, don't le Well,

509
00:34:11,160 --> 00:34:13,520
Speaker 1: I gotta be honest, it came in. It is quite

510
00:34:13,600 --> 00:34:18,719
Speaker 1: the surprise. I ain't never seen a lady competing cowboy contest.

511
00:34:19,320 --> 00:34:21,920
Speaker 1: And I usually do do some I said to do.

512
00:34:22,400 --> 00:34:27,799
Speaker 1: I usually have some rhyming in my schemes as well. Yeah,

513
00:34:27,840 --> 00:34:29,920
Speaker 1: I mean I normally pick up whoever man. You know.

514
00:34:30,120 --> 00:34:33,520
Speaker 1: So you said your name was clam right, Is that right? Yeah?

515
00:34:33,680 --> 00:34:40,200
Speaker 1: I've competed in the uh the Cowboy Poetry SYMPOSI many years.

516
00:34:43,000 --> 00:34:45,799
Speaker 1: There was a technicality I'm not allowed in. It's later

517
00:34:45,880 --> 00:34:48,680
Speaker 1: he gets up there. That's a shame, man, that's a shame.

518
00:34:48,760 --> 00:34:50,520
Speaker 1: And I guess your car broke down with that look.

519
00:34:50,520 --> 00:34:52,880
Speaker 1: I don't care why your hitchhiken. You know, I'm happy

520
00:34:53,000 --> 00:34:55,160
Speaker 1: to thank you. Know I'm drive these roads a lot

521
00:34:55,280 --> 00:34:57,320
Speaker 1: on my loans from so so nice. I have some company,

522
00:34:57,400 --> 00:35:01,360
Speaker 1: you know. All right, well, thank you, thank you. How

523
00:35:01,400 --> 00:35:07,640
Speaker 1: do you believe in the magical artifacts? Congratulations, baby girl,

524
00:35:07,680 --> 00:35:12,000
Speaker 1: congratulation And I want us a horse. We no longer

525
00:35:12,120 --> 00:35:19,080
Speaker 1: have to ride the pict darling. I was thinking, wouldn't

526
00:35:19,080 --> 00:35:20,919
Speaker 1: you have felt better about that wind if you didn't

527
00:35:20,920 --> 00:35:24,560
Speaker 1: cast that magical spell on them? Judges? First? Now, don't

528
00:35:24,560 --> 00:35:26,480
Speaker 1: you want to know how your poetry holds up against

529
00:35:26,800 --> 00:35:30,759
Speaker 1: other poets that didn't cast a spell on I tip?

530
00:35:30,840 --> 00:35:32,560
Speaker 1: I'd gave a tip of my hat because that's just

531
00:35:32,680 --> 00:35:35,680
Speaker 1: proper etiquette. And yes it was the magic hat, but

532
00:35:36,120 --> 00:35:41,720
Speaker 1: I didn't. Maybe you've cast a spell, a liking spell.

533
00:35:42,520 --> 00:35:47,200
Speaker 1: They have to like you. Now. It's a nice horse,

534
00:35:49,120 --> 00:35:59,799
Speaker 1: nice horse. I'm never going to be good enough. What, darling,

535
00:36:02,280 --> 00:36:03,880
Speaker 1: Oh my god, say your daddy. He just ride out

536
00:36:03,880 --> 00:36:06,279
Speaker 1: of here on the horse. Yeah, and I don't know

537
00:36:06,320 --> 00:36:08,839
Speaker 1: if he's ever going to come back. Oh my god,

538
00:36:08,880 --> 00:36:10,200
Speaker 1: I'm so sorry. I gott tell you this, but there's

539
00:36:10,200 --> 00:36:13,879
Speaker 1: a horrible accident your house. A whole bunch of wild

540
00:36:13,920 --> 00:36:16,000
Speaker 1: pigs out of the house. They tore it up. That

541
00:36:16,080 --> 00:36:18,000
Speaker 1: they ate every today. Ate your mom. The pigs ate

542
00:36:18,040 --> 00:36:21,120
Speaker 1: your mom. You are known to eat human flesh. That

543
00:36:21,320 --> 00:36:28,080
Speaker 1: is a fact everything. I'm sorry. I wouldn't wish just

544
00:36:28,160 --> 00:36:31,600
Speaker 1: on anybody, my my worst enemy. How the hell has happened?

545
00:36:33,280 --> 00:36:39,640
Speaker 1: I wasted wishes, I've already used all my five wishes. Oh, ship,

546
00:36:40,360 --> 00:36:44,040
Speaker 1: fucking ship. And those are not wild pigs. Those are

547
00:36:44,120 --> 00:36:47,320
Speaker 1: our pigs. They were seeking vengeance. They're pissed. We're supposed

548
00:36:47,360 --> 00:36:49,960
Speaker 1: to ride them. Well. Welcome back to the thirty fourth

549
00:36:49,960 --> 00:36:53,799
Speaker 1: Annual Cowboy Poetry Symposium. Wait, we have last year's champion here.

550
00:36:53,840 --> 00:36:59,000
Speaker 1: It's it's good to see you back, Dolly. It's been

551
00:36:59,080 --> 00:37:03,759
Speaker 1: a rough year, but I'm happy to be here. Yeah,

552
00:37:03,880 --> 00:37:05,920
Speaker 1: you said your poem this year is just gonna it's

553
00:37:05,920 --> 00:37:16,280
Speaker 1: gonna get real whenever you're ready. Thank you. This poetry

554
00:37:16,440 --> 00:37:21,080
Speaker 1: is about blood. This poetry is about my body, this

555
00:37:21,520 --> 00:37:27,920
Speaker 1: poetry in mind. I'm sorry, but I just want to

556
00:37:28,000 --> 00:37:31,320
Speaker 1: remind her this is a family event, and it sounds

557
00:37:31,400 --> 00:37:33,640
Speaker 1: like she's gonna talk about blood and bodies. Are you right?

558
00:37:33,719 --> 00:37:41,040
Speaker 1: Fucking limericks for to putting the Limerick where he belongs.

559
00:37:45,520 --> 00:37:48,920
Speaker 1: Seen three today comes us from Batter Batter, who wrote, Hi, honest,

560
00:37:49,320 --> 00:37:51,680
Speaker 1: I have a good one this time. I think Lord

561
00:37:51,719 --> 00:37:54,000
Speaker 1: of the Rings characters on their way to destroy the Ring,

562
00:37:54,080 --> 00:37:57,000
Speaker 1: get lost and find themselves in Game of Thrones universe,

563
00:37:57,040 --> 00:38:02,520
Speaker 1: can't wait here order up on this one office. I

564
00:38:02,600 --> 00:38:04,360
Speaker 1: thought it was the worst I've ever read, so I

565
00:38:04,480 --> 00:38:11,880
Speaker 1: had to include it with this fellowship. We will traverse

566
00:38:12,000 --> 00:38:16,520
Speaker 1: the lands until we meet ourselves at more dog stop

567
00:38:16,560 --> 00:38:20,239
Speaker 1: being real quick right there? Sorry, are you doing some

568
00:38:20,400 --> 00:38:25,560
Speaker 1: kind Not really, No, not really, okay, I'm just kind

569
00:38:25,600 --> 00:38:28,960
Speaker 1: of affecting a certain kind of right. It's coming like

570
00:38:29,440 --> 00:38:32,040
Speaker 1: you're being a little hokey, and we want folks to

571
00:38:32,080 --> 00:38:36,320
Speaker 1: really have an adventure here. Okay. You know I was

572
00:38:36,400 --> 00:38:38,600
Speaker 1: on Game of Thrones, you know that, right, That's why

573
00:38:38,680 --> 00:38:41,680
Speaker 1: we're all here, because you know that Thrones. Well, yes,

574
00:38:41,840 --> 00:38:44,840
Speaker 1: of course, yeah. It was pretty much a core character

575
00:38:44,920 --> 00:38:48,040
Speaker 1: through that. So people love me, you know, they do,

576
00:38:48,400 --> 00:38:50,239
Speaker 1: they do, and they have a certain expectation. I think

577
00:38:50,280 --> 00:38:52,680
Speaker 1: that because we did when we hired you. So yeah,

578
00:38:52,680 --> 00:38:57,920
Speaker 1: well I'm aragone now, all right, all right, yeah, I

579
00:38:57,960 --> 00:39:00,799
Speaker 1: think that's where the who are you talking too? I'm

580
00:39:00,840 --> 00:39:04,680
Speaker 1: talking you talking to the evil eye of Soreomon Jesus Christ,

581
00:39:06,120 --> 00:39:09,040
Speaker 1: and you keep talking to someone in the sky. All right,

582
00:39:09,880 --> 00:39:11,440
Speaker 1: can we just cut for a second, Jason, can you

583
00:39:11,560 --> 00:39:14,719
Speaker 1: just pull out for a second? Would you pull out?

584
00:39:14,960 --> 00:39:16,360
Speaker 1: You don't have to be method all the time. This

585
00:39:16,440 --> 00:39:19,839
Speaker 1: is this is insane. You know what. I quit. If

586
00:39:19,920 --> 00:39:21,760
Speaker 1: you want me, you can find me at my house.

587
00:39:22,880 --> 00:39:28,560
Speaker 1: Oh my god, everyone take five. Excuse me. Um, I

588
00:39:28,680 --> 00:39:33,239
Speaker 1: happen to know all of his lines? Um, yeah, um,

589
00:39:33,520 --> 00:39:37,080
Speaker 1: I know. I'm just here too, like give you give

590
00:39:37,120 --> 00:39:40,160
Speaker 1: you some some doughnut puffs and I'm just having that.

591
00:39:40,520 --> 00:39:45,600
Speaker 1: But you know I've watched and I'm an oratory learner,

592
00:39:46,040 --> 00:39:49,759
Speaker 1: and let's all of his lines? Okay, great, yeah, yeah,

593
00:39:49,800 --> 00:39:53,200
Speaker 1: let's give it a shot. Were the doughnut boots? Oh?

594
00:39:53,480 --> 00:39:56,239
Speaker 1: Oh wait, just give me one second. I need a

595
00:39:56,320 --> 00:40:04,400
Speaker 1: godda donut poo he this most thing? Okay, okay, okay, okay,

596
00:40:04,520 --> 00:40:10,239
Speaker 1: this is all your worth. Okay, I'm ready. You're not

597
00:40:10,440 --> 00:40:14,680
Speaker 1: the real Aragon. You're not part of the fellowship where

598
00:40:14,719 --> 00:40:17,239
Speaker 1: all the fellowship we needed to live for this ring

599
00:40:17,320 --> 00:40:22,840
Speaker 1: to motor um, that's actually not his que line. So

600
00:40:23,080 --> 00:40:27,359
Speaker 1: should where am I? What are these what are these

601
00:40:27,640 --> 00:40:32,360
Speaker 1: mechanical devices? Hey, Arragon, it's your neighbors. I don't I know,

602
00:40:32,440 --> 00:40:34,680
Speaker 1: it's not your name's what you have us? Call you

603
00:40:34,880 --> 00:40:40,239
Speaker 1: Steve your neighbor. Are you in there, Bud? Yeah, I

604
00:40:40,320 --> 00:40:46,760
Speaker 1: see you. Hey. Um look man, you haven't been paying

605
00:40:47,040 --> 00:40:49,760
Speaker 1: the h O apes, you know, and that's a monthly

606
00:40:49,880 --> 00:40:52,719
Speaker 1: thing and it helps keep up with the step around here.

607
00:40:54,800 --> 00:40:58,759
Speaker 1: What's up? Are you serious? What do you mean, Bud?

608
00:40:59,600 --> 00:41:05,200
Speaker 1: I was Game of Thrones? M hmm yeah, yeah, what

609
00:41:05,360 --> 00:41:13,439
Speaker 1: were you on? Let's right, you're an accountant. Yeah. Look,

610
00:41:14,520 --> 00:41:17,960
Speaker 1: so it's a doughnut wrapped in a puff pastry. It's really,

611
00:41:18,080 --> 00:41:20,960
Speaker 1: really really food. It's really good, trust me, man, Why

612
00:41:21,000 --> 00:41:22,840
Speaker 1: why don't they have more healthy snacks around here? They

613
00:41:22,840 --> 00:41:25,880
Speaker 1: wonder why all of us grips are so fat? Like

614
00:41:25,960 --> 00:41:29,800
Speaker 1: I just I just want some some you know, celery sticks.

615
00:41:31,719 --> 00:41:36,399
Speaker 1: It's like it's more expensive to get um organic goods,

616
00:41:36,400 --> 00:41:38,359
Speaker 1: and if it's not organic then really you're just eating

617
00:41:38,760 --> 00:41:41,960
Speaker 1: like chemicals. It's just crap, would you It's more expensive

618
00:41:42,000 --> 00:41:47,960
Speaker 1: to see a cardiologist for them for something healthier down

619
00:41:48,080 --> 00:41:55,680
Speaker 1: here on Crafty it's me the magical salary stick. Is

620
00:41:55,719 --> 00:42:00,760
Speaker 1: anybody else here? This I'm gonna go back into via booth.

621
00:42:02,120 --> 00:42:07,080
Speaker 1: I'm talking to you, Ben, only you can see me. Yeah.

622
00:42:07,160 --> 00:42:10,160
Speaker 1: Here you're you're a talking celery stick. That's right, I'm

623
00:42:10,200 --> 00:42:15,560
Speaker 1: magic magic. That's right. Ben should eat its tasty alright,

624
00:42:15,640 --> 00:42:21,440
Speaker 1: little blue cheese. Ben. We need you to get on

625
00:42:21,560 --> 00:42:28,560
Speaker 1: the sand bags. You know what I mean. I tell

626
00:42:28,600 --> 00:42:31,400
Speaker 1: you a hundred of times today, that's what I do.

627
00:42:32,640 --> 00:42:42,359
Speaker 1: You killed it, sary, stuff it sandbags. Get your head

628
00:42:42,360 --> 00:42:50,160
Speaker 1: in the game ship, Ben, Ben, Well, you're all right now?

629
00:42:51,440 --> 00:42:54,719
Speaker 1: From my body back? Who shot my body back? Then? Oh,

630
00:42:54,840 --> 00:42:59,040
Speaker 1: it's in his digestive system? Who's from me? A new body?

631
00:43:03,640 --> 00:43:06,560
Speaker 1: Look at this? Look at this poor poor celery stick

632
00:43:06,640 --> 00:43:11,040
Speaker 1: of magic. You you see the dark sorcery too. We've

633
00:43:11,080 --> 00:43:13,120
Speaker 1: got to bring and we've got to get the other

634
00:43:13,200 --> 00:43:15,759
Speaker 1: half of this stick back. How do I do it go?

635
00:43:16,120 --> 00:43:20,560
Speaker 1: How do I do it? Tell me? Where did you go? Yeah?

636
00:43:20,600 --> 00:43:25,720
Speaker 1: That the head of my crew bit when he spent

637
00:43:25,880 --> 00:43:27,440
Speaker 1: half of it out, The other is probably in his

638
00:43:27,520 --> 00:43:31,200
Speaker 1: digestive track. You know, you're the only beat person here

639
00:43:31,280 --> 00:43:34,680
Speaker 1: that sees through the dark sorcery of this world. We

640
00:43:34,840 --> 00:43:38,919
Speaker 1: need to split that man open and get the bottom half. Hey,

641
00:43:39,120 --> 00:43:43,640
Speaker 1: um Arian, um My daughter threw her ball over and

642
00:43:43,760 --> 00:43:48,960
Speaker 1: we saw you take it inside your house. M hm, Hey,

643
00:43:49,040 --> 00:43:51,480
Speaker 1: but it's your neighbor. My daughter threw her ball over

644
00:43:51,600 --> 00:43:57,759
Speaker 1: and we you can see me, right, you can see me.

645
00:43:57,920 --> 00:44:01,640
Speaker 1: This is a ring camera, all right? Can I just

646
00:44:01,680 --> 00:44:09,440
Speaker 1: place that my daughter's ball? That's my ball? Dude, you're

647
00:44:09,480 --> 00:44:12,440
Speaker 1: a funked up neighbor. You know that no one likes you, man,

648
00:44:13,239 --> 00:44:15,359
Speaker 1: No one know you. How about the millions of people

649
00:44:15,360 --> 00:44:18,080
Speaker 1: who watch a Game of Thrones? Just them only then?

650
00:44:18,120 --> 00:44:23,080
Speaker 1: But no, no, nobody who knows you likes you. If

651
00:44:23,120 --> 00:44:24,480
Speaker 1: I were you, I would go and bark on some

652
00:44:24,600 --> 00:44:26,839
Speaker 1: crazy journey that leads you to some crazy places. Where

653
00:44:26,840 --> 00:44:31,319
Speaker 1: are you find some crazy beasts? Hey? Where's my ball?

654
00:44:31,480 --> 00:44:36,439
Speaker 1: Please here? Talk to him? Okay, guy? Is this Game

655
00:44:36,480 --> 00:44:39,080
Speaker 1: of Thrones? Guy? Yeah, it's Game with Thron. How you

656
00:44:39,120 --> 00:44:44,000
Speaker 1: doing a little a fan? I'm autograph. I do my

657
00:44:44,120 --> 00:44:46,200
Speaker 1: ball over the fence on purpose so you could sign

658
00:44:46,239 --> 00:44:48,200
Speaker 1: it and then we could get it back. Oh yeah,

659
00:44:49,000 --> 00:44:51,319
Speaker 1: yeah you did. What are you proud of your dad?

660
00:44:52,000 --> 00:44:57,040
Speaker 1: I'm so well? What's going on here? Do you wish

661
00:44:57,040 --> 00:44:58,640
Speaker 1: he was an actor? Somebody wish he was on Game

662
00:44:58,680 --> 00:45:01,719
Speaker 1: with Thrones? I do? I'm just gonna kill? Would you

663
00:45:02,040 --> 00:45:08,640
Speaker 1: give me? Where you going give me my daughter back?

664
00:45:09,040 --> 00:45:10,880
Speaker 1: All right? Now you see these papers at the door,

665
00:45:11,000 --> 00:45:13,080
Speaker 1: those our adoption papers? Are they already been signed by

666
00:45:13,120 --> 00:45:16,719
Speaker 1: my lawyer? What the heay, Dirk? I got those sandbags? Move?

667
00:45:16,800 --> 00:45:19,520
Speaker 1: Can I talk to you for a for a second? Yeah?

668
00:45:19,560 --> 00:45:23,839
Speaker 1: What's up? I gotta cut you open. I gotta cut

669
00:45:23,880 --> 00:45:28,440
Speaker 1: your open? Right? Where are you? Where are you a

670
00:45:28,480 --> 00:45:37,960
Speaker 1: little bit? Oh god, he's not the large testing. Maybe

671
00:45:38,000 --> 00:45:43,000
Speaker 1: he's going down in the coal and this butthole is

672
00:45:43,040 --> 00:45:48,080
Speaker 1: perfectly preserved. Where are you? Talk to me? You talk

673
00:45:48,160 --> 00:45:51,359
Speaker 1: to me, Dirk? Hang in there there. I'm gonna get

674
00:45:51,360 --> 00:45:53,800
Speaker 1: the medic there. We're gonna keep you alive. But I

675
00:45:53,960 --> 00:45:58,640
Speaker 1: need to get this magical salary STOCKSTI track. I think

676
00:45:58,640 --> 00:46:00,600
Speaker 1: we're her. I need to trick this my trick salary.

677
00:46:00,640 --> 00:46:02,920
Speaker 1: Start to the how to take him to the elves,

678
00:46:04,040 --> 00:46:06,520
Speaker 1: the only one that can heal something like this is

679
00:46:06,640 --> 00:46:12,920
Speaker 1: a terrible wound? How do okay? All right? Uh? Well?

680
00:46:13,000 --> 00:46:18,240
Speaker 1: Did I do something wrong? Like the right bend? Okay?

681
00:46:18,360 --> 00:46:23,760
Speaker 1: What do you get for us today? Well? Ben, go ahead,

682
00:46:23,800 --> 00:46:26,520
Speaker 1: tell him, tell him what we've got. Okay. I thought

683
00:46:26,560 --> 00:46:32,520
Speaker 1: I thought you would make introductions because okay, okay, he's

684
00:46:32,560 --> 00:46:35,680
Speaker 1: a christ. What's going on? This dot to me? This

685
00:46:36,040 --> 00:46:39,759
Speaker 1: giving me freak Well, I believe the dark eye of

686
00:46:39,920 --> 00:46:43,040
Speaker 1: shore On has cost a lot of confusion in the world.

687
00:46:43,680 --> 00:46:47,239
Speaker 1: You've got this sublery stick. It's been bitten half and

688
00:46:47,440 --> 00:46:53,759
Speaker 1: only I believe the power of the keeplers commend this mood. Yeah, well,

689
00:46:53,920 --> 00:46:56,280
Speaker 1: we don't just make cookies. It's true, but your story

690
00:46:56,360 --> 00:46:58,919
Speaker 1: is a little convoluted. Maybe we could just go point

691
00:47:02,320 --> 00:47:04,200
Speaker 1: we just get to the point of why you're here today.

692
00:47:04,680 --> 00:47:06,120
Speaker 1: I didn't I didn't even want to be a part

693
00:47:06,160 --> 00:47:07,640
Speaker 1: of this. I don't even want to be a part.

694
00:47:07,719 --> 00:47:13,120
Speaker 1: I was complaining about the unhealthy snacks. Magical salary snacks.

695
00:47:13,120 --> 00:47:18,040
Speaker 1: Start and come to the kibler else to complain about

696
00:47:18,080 --> 00:47:21,799
Speaker 1: unhealthy snacks. Look, this is an impressive factor. You got

697
00:47:21,960 --> 00:47:26,400
Speaker 1: in then in the base of this tree. Okay, so um,

698
00:47:26,560 --> 00:47:30,040
Speaker 1: so you are you were craft service but now you're

699
00:47:30,080 --> 00:47:31,920
Speaker 1: an actress or you've always been an actress? You just

700
00:47:32,200 --> 00:47:38,120
Speaker 1: did both right? Sure? Yeah? Okay, um, so um I

701
00:47:38,239 --> 00:47:44,200
Speaker 1: found you one casting Casting Casting com. Yes, I made

702
00:47:44,239 --> 00:47:47,799
Speaker 1: a profile just yesterday on my phone. So good, so good,

703
00:47:47,840 --> 00:47:49,960
Speaker 1: so um it's gonna be a little low budge. I mean,

704
00:47:50,000 --> 00:47:52,120
Speaker 1: I'm gonna get your feet. I'm gonna pay your feet. Um.

705
00:47:52,320 --> 00:47:54,560
Speaker 1: But like we're gonna do kind of like found footage style.

706
00:47:55,960 --> 00:47:59,080
Speaker 1: So I'm gonna seto up here on this large gate

707
00:47:59,800 --> 00:48:01,799
Speaker 1: and the action is you're gonna jump over this gate.

708
00:48:02,040 --> 00:48:04,320
Speaker 1: Can you run into that guy's house. He's an accurate

709
00:48:04,360 --> 00:48:07,799
Speaker 1: obviously he's some Game of Thrones anyway, and you're gonna

710
00:48:07,840 --> 00:48:12,520
Speaker 1: engage in an altercation. It's kind I'm not I don't

711
00:48:12,560 --> 00:48:15,759
Speaker 1: do stunts. I just um, I mostly actually do voice over,

712
00:48:15,920 --> 00:48:21,200
Speaker 1: so it's very limited in terms of my physical abilities. Okay, okay,

713
00:48:21,600 --> 00:48:23,800
Speaker 1: what do you just use your voice? Can you have

714
00:48:23,880 --> 00:48:26,719
Speaker 1: a conversation with him through this intercom and and and

715
00:48:26,920 --> 00:48:29,320
Speaker 1: and your motivation is to get him out of the

716
00:48:29,400 --> 00:48:31,640
Speaker 1: house and to hand the girl over. Hey man, we're

717
00:48:31,680 --> 00:48:34,400
Speaker 1: losing the like and we just start just already okay,

718
00:48:34,719 --> 00:48:39,440
Speaker 1: and that's what is to get this and okay, claim man,

719
00:48:39,520 --> 00:48:41,560
Speaker 1: that's crazy. Man. I don't really follow Awards season, but

720
00:48:41,640 --> 00:48:43,680
Speaker 1: that's nuts. They got a whole new another one of

721
00:48:43,680 --> 00:48:48,000
Speaker 1: those go pro CCTV movies that just made Oscars nomination.

722
00:48:48,080 --> 00:48:50,560
Speaker 1: That's sick, man. So you say normally you don't follow

723
00:48:50,640 --> 00:48:53,839
Speaker 1: it though, No, I don't know. I don't know, man,

724
00:48:53,920 --> 00:48:56,439
Speaker 1: I mean I got I got Roger here. I feel

725
00:48:56,480 --> 00:48:58,520
Speaker 1: like this my truck has been filled, which is like

726
00:48:59,120 --> 00:49:01,879
Speaker 1: friends fro He's told me you didn't pick up hitchhikers.

727
00:49:01,960 --> 00:49:03,600
Speaker 1: But it seems like if you see a person on

728
00:49:03,640 --> 00:49:05,440
Speaker 1: the side of the road, you can't pass him up.

729
00:49:06,239 --> 00:49:08,080
Speaker 1: Just a second, now, I'm trying to make a point.

730
00:49:08,280 --> 00:49:10,120
Speaker 1: How is it you know so much about these here

731
00:49:10,120 --> 00:49:12,759
Speaker 1: Academy awards. Follow me out, just hear what's going on?

732
00:49:13,080 --> 00:49:18,400
Speaker 1: I follow? Uh? He knews advance. He's great. It's like

733
00:49:18,520 --> 00:49:23,399
Speaker 1: a serious podcaster. Okay, pull over, fellow there in the road,

734
00:49:23,440 --> 00:49:29,000
Speaker 1: don't hit out. Let's go. You gotta help me. I

735
00:49:29,040 --> 00:49:33,000
Speaker 1: think I killed my boss. Uh uh. I was trying

736
00:49:33,040 --> 00:49:36,080
Speaker 1: to extract a magical cellary stock from his digestive track,

737
00:49:36,360 --> 00:49:40,080
Speaker 1: and then I saw the keebler elves. I think I

738
00:49:40,200 --> 00:49:42,279
Speaker 1: think I just might be hallucinating because I ate a

739
00:49:42,320 --> 00:49:48,240
Speaker 1: bunch of doughnut poofs. Okay, this is my body, buddy, Buddy,

740
00:49:48,239 --> 00:49:50,920
Speaker 1: calm down. Look, we're all running for something so much.

741
00:49:53,040 --> 00:49:55,200
Speaker 1: Please don't let him in here. You said he don't

742
00:49:55,239 --> 00:50:00,600
Speaker 1: pick up and got cut huh huh, And that was

743
00:50:00,640 --> 00:50:07,040
Speaker 1: a fantastic monologue. What's happening, what's happening? What's happening? You

744
00:50:07,120 --> 00:50:16,200
Speaker 1: tell everybody knows what's happening here? This iswer what half hour?

745
00:50:16,360 --> 00:50:20,640
Speaker 1: All right, that's large, sons of bitches. Oh good, you

746
00:50:20,800 --> 00:50:26,520
Speaker 1: tricked me. Sorry real quick. The police are here though, dude, guys, okay,

747
00:50:26,760 --> 00:50:35,239
Speaker 1: I did kill him him today, Oh man, just a

748
00:50:35,400 --> 00:50:39,880
Speaker 1: jolly gathering once more that ends in death. Let's thank you,

749
00:50:40,160 --> 00:50:44,600
Speaker 1: Jackie do Ruthie, thank you so much, damn it, thank

750
00:50:44,640 --> 00:50:47,600
Speaker 1: you for having me. What a good time? Yeah right,

751
00:50:48,120 --> 00:50:52,399
Speaker 1: oh yeah, Where can folks find you? Or what would

752
00:50:52,440 --> 00:50:57,040
Speaker 1: you like to direct them to? You know, Jackie, Ruthie

753
00:50:57,080 --> 00:51:02,520
Speaker 1: saw everywhere and I understand love the new billbook, my websites,

754
00:51:03,360 --> 00:51:07,920
Speaker 1: Jackie Gonzalez dot com that and that's what's up. A

755
00:51:07,960 --> 00:51:12,960
Speaker 1: little hyphen in there. No straight just all letters, letters,

756
00:51:13,080 --> 00:51:17,880
Speaker 1: letters followed by dot com com. It's super easy and

757
00:51:18,000 --> 00:51:20,239
Speaker 1: it's very good. Do you still have the link there

758
00:51:20,320 --> 00:51:24,440
Speaker 1: to Chris's yes, yes, okay, yes, good good, which like

759
00:51:24,640 --> 00:51:29,160
Speaker 1: if you haven't visited it, because I have, Let's just

760
00:51:29,320 --> 00:51:33,800
Speaker 1: say we clicked leaving me my husband, like we clicked

761
00:51:33,960 --> 00:51:36,880
Speaker 1: Chris dash Alvarado dot com and we said, whoa, oh,

762
00:51:37,600 --> 00:51:42,720
Speaker 1: Hollywood's getting served up a bad boy coming in coming

763
00:51:42,800 --> 00:51:48,840
Speaker 1: in hot. Chris, do you want to comment on the

764
00:51:48,880 --> 00:51:50,839
Speaker 1: coming in hot situation? Well, I do want to comment

765
00:51:50,920 --> 00:51:54,080
Speaker 1: on it's I used to have a link to your

766
00:51:54,160 --> 00:51:56,279
Speaker 1: instagram on my on my website, Jackie, did you ever

767
00:51:56,320 --> 00:51:59,160
Speaker 1: see that I had a link to your Instagram. I

768
00:51:59,239 --> 00:52:03,799
Speaker 1: had a link to j Ames is uh whatever the channel, Yeah,

769
00:52:03,840 --> 00:52:07,000
Speaker 1: whatever the funk? And then I had Joey's um good

770
00:52:07,080 --> 00:52:09,120
Speaker 1: Night album. So I do want to say you used

771
00:52:09,120 --> 00:52:11,600
Speaker 1: to be on there also, everybody, do you got Chris

772
00:52:11,680 --> 00:52:13,560
Speaker 1: nash Albert dot com. You look at the image she's

773
00:52:13,560 --> 00:52:19,000
Speaker 1: talking about. This is this is where the fuck I am? Yes,

774
00:52:19,480 --> 00:52:21,520
Speaker 1: because I'm how doing a drink. I don't drink anymore.

775
00:52:22,000 --> 00:52:25,520
Speaker 1: The cigarette. I don't smoke anymore, that's right. But I

776
00:52:25,600 --> 00:52:27,160
Speaker 1: still got that good hair and I look good in

777
00:52:27,239 --> 00:52:30,600
Speaker 1: the suit. Okay, actors, And that's what you're doing in

778
00:52:30,680 --> 00:52:33,799
Speaker 1: that photo. That's what I'm saying, Thank you, I'm done.

779
00:52:33,840 --> 00:52:38,040
Speaker 1: I'm done, Thanks for being here. Sure, Craigkowski again, still

780
00:52:38,120 --> 00:52:44,120
Speaker 1: drinking and smoking every morning at six am, buddy, right

781
00:52:44,160 --> 00:52:48,440
Speaker 1: after that dog walk. That is the Champions. Yeah. Uh,

782
00:52:48,640 --> 00:52:50,760
Speaker 1: you know, I recently promoted a bunch of different podcast

783
00:52:50,800 --> 00:52:53,160
Speaker 1: appearances that I did separately, but I'll do them all

784
00:52:53,200 --> 00:52:56,319
Speaker 1: in one place now, so you just have them together. Uh.

785
00:52:57,000 --> 00:52:59,239
Speaker 1: If you're a fan of the television show Community, six

786
00:52:59,280 --> 00:53:01,880
Speaker 1: Seasons in a Podcast is a fan podcast that recently

787
00:53:01,920 --> 00:53:04,080
Speaker 1: went on and talked about all my appearances on that

788
00:53:04,160 --> 00:53:07,080
Speaker 1: particular show. And uh, I did a little interview with

789
00:53:07,400 --> 00:53:10,799
Speaker 1: a gentleman in Vancouver, BC. It was a podcast called

790
00:53:10,840 --> 00:53:14,160
Speaker 1: Adventures an Improv where it kind of told some war

791
00:53:14,320 --> 00:53:17,040
Speaker 1: stories about my improv career. And then I don't think

792
00:53:17,040 --> 00:53:19,600
Speaker 1: it's come out yet, but hopefully soon. The Comedy Fixed

793
00:53:19,640 --> 00:53:23,320
Speaker 1: Chris Alvarado's podcast where we talked nuts and bolts comedy theory.

794
00:53:23,320 --> 00:53:26,440
Speaker 1: I had a blast doing that as well, So subscribe

795
00:53:26,480 --> 00:53:28,960
Speaker 1: and listen to all of those podcasts. Thank you for

796
00:53:29,040 --> 00:53:33,400
Speaker 1: that wonderful James Heeney. I just can't wait for April

797
00:53:33,440 --> 00:53:37,399
Speaker 1: twenty four at five thirty p m. Pacific time, where

798
00:53:37,480 --> 00:53:44,319
Speaker 1: we get to beyond digital. Not today, it's in one month.

799
00:53:44,800 --> 00:53:50,359
Speaker 1: It's a sketch Fest, Austin sketch Fest. Check it out.

800
00:53:51,120 --> 00:53:56,799
Speaker 1: Thanks James, and by us you mean okay, cool Joe,

801
00:53:56,880 --> 00:54:00,480
Speaker 1: did you know about this? I didn't and I guess

802
00:54:00,680 --> 00:54:05,440
Speaker 1: our alchemy. This instagram should have information on that as well,

803
00:54:05,520 --> 00:54:09,360
Speaker 1: and probably the Reddit page i'lchemy this pod and if not,

804
00:54:09,719 --> 00:54:14,399
Speaker 1: Chris dash Alvarado dot com we'll have every information. Yeah,

805
00:54:15,360 --> 00:54:17,719
Speaker 1: you gotta have a link to the fest And thanks

806
00:54:17,719 --> 00:54:20,440
Speaker 1: again Craig for that. Uh and thank you James for

807
00:54:20,480 --> 00:54:25,640
Speaker 1: stepping in from Mr Doug Bane let's help. Thank you

808
00:54:25,719 --> 00:54:31,279
Speaker 1: find folks at my Heart Media, and thank you all

809
00:54:32,200 --> 00:54:34,719
Speaker 1: for giving a good dash darn. We love having you

810
00:54:34,880 --> 00:54:37,520
Speaker 1: join us, and please write to us and every which

811
00:54:37,600 --> 00:54:40,799
Speaker 1: way you can let us know your thoughts and um,

812
00:54:41,400 --> 00:54:43,600
Speaker 1: we love your involvement in this show. As much or

813
00:54:43,640 --> 00:54:46,640
Speaker 1: as little as you'd like. Be kind to each other always,

814
00:54:47,560 --> 00:54:51,120
Speaker 1: it's the easiest route. And please still if you wouldn't

815
00:54:51,120 --> 00:54:56,000
Speaker 1: mind wear a damn mask when you go outside. All right,

816
00:54:56,239 --> 00:54:59,840
Speaker 1: that's our show for today, I remember. Until next time, welcome,

817
00:55:00,040 --> 00:55:00,440
Speaker 1: Gonna call