WEBVTT - How Death Masks Work

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<v Speaker 1>Brought to you by the two thousand twelve Toyota Camry.

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<v Speaker 1>Welcome to Stuff you Should Know from House Stuff Works

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<v Speaker 1>dot Com. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles W. Chuck Bryant. This is a very plaster

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<v Speaker 1>horrific episode of Stuff You Should Know. Did you ever

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<v Speaker 1>work a plaster when you were a kid art class?

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<v Speaker 1>That's a no, I did work. I had one of

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<v Speaker 1>those little uh pottery wheels. Oh yeah, like the the

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<v Speaker 1>toy ish version of it. Oh cool? And uh there's

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<v Speaker 1>something like clay wet clay in your hands is really

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<v Speaker 1>a neat feeling. Hey, just tell them any more of that?

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<v Speaker 1>Yeah you know, Yeah, I made for one sexy scene.

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<v Speaker 1>Male nipples made an appearance in that scene. Swayzy shirtless. Yeah, okay,

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<v Speaker 1>I believe so he was always shirtless? Yeah I think

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<v Speaker 1>he was. He was shirtless for most of his career.

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<v Speaker 1>Have you ever seen that Dirty Dancing You know at

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<v Speaker 1>the end of that movie when like they do the

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<v Speaker 1>whole dance showdown things that somebody put iron Man in

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<v Speaker 1>over Patrick No, over, um, Jennifer Gray, So like it's

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<v Speaker 1>the whole scene, but it's Iron Man dancing with Patrick

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<v Speaker 1>so ezy and it's really neat and hilarious. For the song,

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<v Speaker 1>iron Man is used instead of Nope, iron Man the

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<v Speaker 1>cartoon superhero, the comic book hero is dancing with Patrick's

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<v Speaker 1>wazy at the for some reason. At the end of this,

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<v Speaker 1>I gotta see that now. You know what that looks like.

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<v Speaker 1>You should check it out. I cannot visualize it well,

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<v Speaker 1>visualize this pal. July twenty Chicago's hot, real hot. Thirty

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<v Speaker 1>something people, thirty two people, maybe thirty three died from

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<v Speaker 1>the heat that day. That's how hot it was in Chicago.

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<v Speaker 1>We should we should say Chuck and I. Um. Because

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<v Speaker 1>of our work schedules. Um, we are frequently sequestered away

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<v Speaker 1>from everybody else while they do fun things like hilarious

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<v Speaker 1>book exchanges is a good current example. Yeah, if you

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<v Speaker 1>hear people laughing in the deep background, which is something

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<v Speaker 1>you've never heard before on our show, that that's because

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<v Speaker 1>our departments having a party without us. It's really sad,

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<v Speaker 1>all right, So back to it, back to July twenty,

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<v Speaker 1>there was a heat. Yeah, there was a movie, a

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<v Speaker 1>Clark Gable movie that a guy named John Dillinger wanted

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<v Speaker 1>to go see. Famous gangster John Dillinger. He was a

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<v Speaker 1>famous bank robber. He uh. He was an Indiana man

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<v Speaker 1>and over the course of a year he robbed a

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<v Speaker 1>ton of banks. He apparently robbed a police station or two,

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<v Speaker 1>killed at least one cop. And on his birthday, a

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<v Speaker 1>couple of months prior, I think it may he had

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<v Speaker 1>been made Public Enemy number one by Jager Hoover's FBI.

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<v Speaker 1>On this night July, he would be betrayed by a

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<v Speaker 1>woman in Red Madam as a matter of fact, and

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<v Speaker 1>a sage and a sage that's right. Uh. And he

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<v Speaker 1>went with his girlfriend and Anna's age, who was his

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<v Speaker 1>girlfriend's landlady, to see this movie. And after they came out,

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<v Speaker 1>the FBI was waiting for him. He takes off running,

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<v Speaker 1>pulls out his gun, really does, and they just kill

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<v Speaker 1>him with a hail of bullets. One of them gets

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<v Speaker 1>him in the back of the neck and it goes

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<v Speaker 1>out his eye. And that did it for John Dillinger,

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<v Speaker 1>a k public Enemy number one and sold out by

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<v Speaker 1>Anna's age as it turns out, who was then deported

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<v Speaker 1>back to Romania, I think for her troubles. Yeah, thanks

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<v Speaker 1>for the help. Now here's your one way ticket on

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<v Speaker 1>this disease. Ridden ship exactly. Uh so he uh, he dies,

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<v Speaker 1>but that's not the end of the story. He was

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<v Speaker 1>basically put on public display. Either he was put on

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<v Speaker 1>public display or the public said, uh, we're gonna need

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<v Speaker 1>to see this guy. Yeah, that was sort of a

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<v Speaker 1>thing though, Like I remember when I remember when Jesse

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<v Speaker 1>James was killed, same deal though. Uh, Like these notorious

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<v Speaker 1>UM criminals sometimes when they were caught, it would be

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<v Speaker 1>like a big thing, like in like back back in

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<v Speaker 1>the old day. They would put him like out in

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<v Speaker 1>the town squear, like in the pine box, come by

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<v Speaker 1>and look at him. This was I mean Chicago in

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<v Speaker 1>the thirties was not that far removed from that. You know,

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<v Speaker 1>wild West, I get your picture taken next to the

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<v Speaker 1>body of Jesse James. So that's kind of what they

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<v Speaker 1>do with Dillinger UM. And at least two different groups

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<v Speaker 1>actually three, but only one was authorized made casts of

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<v Speaker 1>his face after he was dead, and we call those

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<v Speaker 1>death masks. What those guys were doing was carrying on

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<v Speaker 1>a centuries old tradition, millennia old. Really, if you want

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<v Speaker 1>to get technical of basically making a negative image of

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<v Speaker 1>a dead person and his face so you can make um,

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<v Speaker 1>I guess masks from it later on, yeah, or you know,

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<v Speaker 1>a full statute head um bust if you will, or

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<v Speaker 1>bust or full statue if you really want to go

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<v Speaker 1>all the way. But um, curiously, and I find this

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<v Speaker 1>to be one of the facts of the show. They

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<v Speaker 1>did make a positive of Dillinger's face, and j Edgar

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<v Speaker 1>Hoover had one in his office as I guess, uh,

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<v Speaker 1>sort of a trophy of swords he did. I thought

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<v Speaker 1>that was pretty cool. I never knew that, Yeah, that

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<v Speaker 1>would be cool. And not only have a death mask

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<v Speaker 1>of John Dillinger, but the one that was in Jedger

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<v Speaker 1>Hoover's office, that's just specific. Um. So I said that

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<v Speaker 1>this is a very old thing and it goes back

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<v Speaker 1>at least to the Egyptians. But they're the first ones

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<v Speaker 1>who we know made some sort of funerary mask of

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<v Speaker 1>the deceased. They had a very good reason, and there's

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<v Speaker 1>was that if the soul, if you didn't make a

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<v Speaker 1>mask of the deceased, the soul couldn't find the body

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<v Speaker 1>any longer. It wouldn't have a face in the afterlife. Yeah,

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<v Speaker 1>because as you learned in our mummification cast, you the

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<v Speaker 1>face is wrapped up right, so there is no face

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<v Speaker 1>any longer. So there you have it. You got like

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<v Speaker 1>a King Tut and it's not like the regular death mass.

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<v Speaker 1>It didn't look like them, right or Nate. Uh, Yeah,

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<v Speaker 1>I think King Tuts was actually like that's his face. Yeah,

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<v Speaker 1>that they went to that level of trouble. I mean,

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<v Speaker 1>I knew they tried to make it look like him,

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<v Speaker 1>but was it actually a mold of it? Yeah. The

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<v Speaker 1>Egyptians weren't the only ancient group to uh to do

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<v Speaker 1>this either, Chuck. The Mycenaeans, who were whose civilization was

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<v Speaker 1>discovered by Heinrich Schliemer. Yeah. Um, he found some death

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<v Speaker 1>masks and they're really rough and weird looking, but they are.

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<v Speaker 1>They took gold sheets that were pliable enough so that

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<v Speaker 1>they laid over a people's faces and they made like

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<v Speaker 1>a again, a funerary mask. Yeah. So if you didn't have, um,

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<v Speaker 1>if you weren't super famous or nobleman or um have

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<v Speaker 1>a lot of money, you could still get the old

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<v Speaker 1>death mask. It was probably made of linen and painted

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<v Speaker 1>gold or papyrus maybe, um, but you you could still

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<v Speaker 1>get your death mask even if you weren't king died. Sure. Um.

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<v Speaker 1>The Romans did a lot of this too, and the

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<v Speaker 1>Romans actually had I thought I knew everything about ancient

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<v Speaker 1>Rome but um, it turns out that they made death masks,

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<v Speaker 1>and there at the funeral, a person who kind of

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<v Speaker 1>looked like the deceased would wear their death mask, and

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<v Speaker 1>then other people would wear that person's ancestors their dead

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<v Speaker 1>relatives death masks, and basically you just have like a

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<v Speaker 1>dead family reunion at the person's funeral. Then after the

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<v Speaker 1>funeral that that recently deceased person's death mask was put

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<v Speaker 1>together with all of his relatives or her relatives just

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<v Speaker 1>wait for the next person that and then he would

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<v Speaker 1>come out with everybody else to bring the new person

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<v Speaker 1>into the circle, which is kind of neat. I didn't

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<v Speaker 1>realize that they did that. It's very odd, but and

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<v Speaker 1>I wonder if they would do impressions of them like, oh,

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<v Speaker 1>I'm uncle Slaviast, look at me, I love wine, Come

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<v Speaker 1>here and sit on my lap. Yeah. Uh so, um,

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<v Speaker 1>you mentioned the ancient Romans. Um Caesar Julius Caesar actually

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<v Speaker 1>had a full wax cast of his entire body after

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<v Speaker 1>his death, stab wounds and everything. And Mark Anthony was

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<v Speaker 1>I guess dumb enough to go show it off to

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<v Speaker 1>a crowd, and they rioted and burned down the Senate building.

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<v Speaker 1>So I don't know what reaction he was looking for.

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<v Speaker 1>That probably wasn't it. And they're like, we love your records,

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<v Speaker 1>not that Mark Anthony. So um, I guess with the

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<v Speaker 1>Romans too, with the Gypsians. Basically throughout history, if you

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<v Speaker 1>weren't wealthy, you, um probably weren't going to have a

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<v Speaker 1>death mask made of you. If you weren't wealthier, you

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<v Speaker 1>weren't like the king. Yeah. And one reason is because

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<v Speaker 1>a lot of times these were artists before photography, artists

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<v Speaker 1>and painters and sculptors. As soon as someone died of note,

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<v Speaker 1>they would get their death mask made so they could

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<v Speaker 1>then paint them and sculpt them and have a reference

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<v Speaker 1>for what they look like. Yeah, and the same thing.

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<v Speaker 1>I mean, artists didn't paint nobody's you know what I'm saying,

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<v Speaker 1>So you didn't need to have a death mask made

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<v Speaker 1>of you. Um. And this is this is pretty much

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<v Speaker 1>the way it was for Europe, in Europe for most

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<v Speaker 1>of history except in Italy. Italy pretty early on said

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<v Speaker 1>if you if you, if you achieve something notable, probably

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<v Speaker 1>make a death mask of you. So if you see yeah,

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<v Speaker 1>early inventors and artists and those kind of like poets.

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<v Speaker 1>If you're in Italy, you probably have a death mask made.

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<v Speaker 1>If you're a notable personality like Da Vinci, sure he's

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<v Speaker 1>probably a death mask. Um. But elsewhere England, France, all that,

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<v Speaker 1>it wasn't until late modern history that um, he started

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<v Speaker 1>to see death masks of non noble people coming out.

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<v Speaker 1>And as a matter of fact, it was Madame Tussoed,

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<v Speaker 1>the lady behind the wax museums, who who kind of

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<v Speaker 1>brought um death masks to the masses during the French Revolution.

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<v Speaker 1>She and her uncle, uh Philippe Courteous, They were just

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<v Speaker 1>masters of wax and they worked a lot. Um. There

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<v Speaker 1>was one of Louis the sixteenth Mistresses, was went underwent

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<v Speaker 1>the guillotine, and um, she apparently had a terrible grimace

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<v Speaker 1>on her face when she died. People could have seen

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<v Speaker 1>you also curled up your hand for some reason. Yeah,

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<v Speaker 1>I don't think she didn't too, um and uh so

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<v Speaker 1>her Philippe Curtis, uh he basically pinched her face back

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<v Speaker 1>into pinch the decapitated heads face back into a nice

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<v Speaker 1>position and then rolled her in some whacks that he

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<v Speaker 1>laid out next to the grave. Wow, yeah, that's that's

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<v Speaker 1>they They were operating on this higher death mask level

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<v Speaker 1>like no one ever has. But the Madam two sold

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<v Speaker 1>Wax museum that you enjoyed today grew out of a

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<v Speaker 1>death mask operation. Interesting and it seems like a very

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<v Speaker 1>macab thing to do. But um, if you it's different

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<v Speaker 1>now these days we like to remember our deceased ones

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<v Speaker 1>as living and look at photographs of them doing things

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<v Speaker 1>where they're alive and lively and go die over there

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<v Speaker 1>where we don't have to think about the close casket funeral.

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<v Speaker 1>But um, it wasn't the same back then. They would

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<v Speaker 1>have they would royal and wealthy families would display these

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<v Speaker 1>death mask of their relatives in like you know, the

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<v Speaker 1>parlor room or the drawing room or here in the

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<v Speaker 1>main hallway, and it was you know, it was the

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<v Speaker 1>point of pride. It wasn't like macawbre weird or And

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<v Speaker 1>then eventually it became pseudo scientific with the advent of phrenology. Phrenology,

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<v Speaker 1>we I wish we had a good article on that.

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<v Speaker 1>We don't. I haven't seen one. It's pretty interesting, like

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<v Speaker 1>the early days of that stuff. Maybe we'll pulling together.

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<v Speaker 1>It's like when people were just starting to figure out

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<v Speaker 1>the brain and not really having any idea what they

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<v Speaker 1>were doing, really missing the mark a lot of times. Yeah. Yeah.

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<v Speaker 1>So phrenology basically was the idea that you could predict

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<v Speaker 1>a person's personality behavior, whether someone was a criminal or not, um,

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<v Speaker 1>how intelligent they would grow up to be by like

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<v Speaker 1>the shape of their face, the shape of their skull,

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<v Speaker 1>the bumps on their skull, um. And so phrenologists, as

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<v Speaker 1>as this field grew in the nineteenth century, kind of

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<v Speaker 1>increased the demand for um death masks because they wanted

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<v Speaker 1>to compare people side by side. So you've gotten some

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<v Speaker 1>pretty cool death masks of say like um, John Joseph Merrick,

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<v Speaker 1>Oh really yeah, um or uh, he's I think there's

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<v Speaker 1>like full body asks of him, um or you know,

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<v Speaker 1>a criminal or a genius or whatever, and these phrenologist

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<v Speaker 1>would keep him side by side and try to compare

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<v Speaker 1>and figure out. It's God, there's got to be a

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<v Speaker 1>key there somewhere, and they have themselves convinced, but they

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<v Speaker 1>were all wrong. Was there something There had to be

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<v Speaker 1>something to some of that research, right, I think there

0:13:21.000 --> 0:13:24.960
<v Speaker 1>was a lot of consensus among scientists, and they're all wrong.

0:13:27.240 --> 0:13:30.920
<v Speaker 1>Let's disappointing. Um. One cool thing is that later on,

0:13:31.120 --> 0:13:33.880
<v Speaker 1>in today's world, you can look back at some of

0:13:33.920 --> 0:13:38.280
<v Speaker 1>these death masks and gain a little bit of insight diagnostically,

0:13:38.280 --> 0:13:41.280
<v Speaker 1>speaking on how someone might have died. UM. In this

0:13:41.400 --> 0:13:44.800
<v Speaker 1>article they mentioned Scottish writer Sir Walter Scott. They think

0:13:44.840 --> 0:13:47.400
<v Speaker 1>now he died of a stroke because his death mask

0:13:47.520 --> 0:13:50.880
<v Speaker 1>he has the telltale signs of, like the droopy face

0:13:51.240 --> 0:13:54.320
<v Speaker 1>on one side. And Abraham Lincoln they think might have

0:13:54.320 --> 0:13:57.640
<v Speaker 1>had a wasting disease because he had life masks made,

0:13:58.480 --> 0:14:01.720
<v Speaker 1>which is the same thing except alive. Before he died,

0:14:02.080 --> 0:14:04.800
<v Speaker 1>had a couple of them made, and that they look

0:14:04.800 --> 0:14:06.480
<v Speaker 1>at these now and say, you know what Abraham Lincoln

0:14:06.520 --> 0:14:10.160
<v Speaker 1>might have been dying of, like tuberculosis or something? Maybe? Right?

0:14:10.360 --> 0:14:12.079
<v Speaker 1>Is that what they just said, a wasting disease. I

0:14:12.080 --> 0:14:14.520
<v Speaker 1>didn't even know what. I think that's a disease. Yeah,

0:14:14.679 --> 0:14:17.319
<v Speaker 1>that makes sense, consumption. But then, of course Booth took

0:14:17.320 --> 0:14:20.200
<v Speaker 1>care of that in a more hasty manner. Yes, I

0:14:20.200 --> 0:14:22.080
<v Speaker 1>don't want to give a spoiler away for the movie,

0:14:23.080 --> 0:14:26.440
<v Speaker 1>but I'm pretty surely can get shot. Um. There was

0:14:26.520 --> 0:14:29.480
<v Speaker 1>a speaking of Booth. His brother Edwin had a UM.

0:14:29.480 --> 0:14:32.360
<v Speaker 1>He was like one of the most famous actors at

0:14:32.400 --> 0:14:34.080
<v Speaker 1>least in the country, if not the world when he

0:14:34.360 --> 0:14:37.640
<v Speaker 1>was working, and he had a death mask made and

0:14:37.800 --> 0:14:44.920
<v Speaker 1>it was collected by a man named Lawrence of Arabia. No,

0:14:45.520 --> 0:14:50.760
<v Speaker 1>his name was Lawrence Hutton, and Lawrence Hutton was a

0:14:50.800 --> 0:14:54.960
<v Speaker 1>literary um editor for Harper's Magazine, which is still around today.

0:14:55.400 --> 0:14:58.880
<v Speaker 1>Very good UM. And he was in a junk store

0:14:58.920 --> 0:15:01.520
<v Speaker 1>in New York one time and ran across the death

0:15:01.560 --> 0:15:04.160
<v Speaker 1>mask and it just was immediately smitten with the idea

0:15:04.160 --> 0:15:07.720
<v Speaker 1>of collecting these things. So he spent the rest of

0:15:07.760 --> 0:15:11.760
<v Speaker 1>his life traveling the world finding death masks, buying him

0:15:11.880 --> 0:15:14.240
<v Speaker 1>having am made of people. In some cases he had

0:15:14.280 --> 0:15:17.920
<v Speaker 1>one of Edwin Booth. And he amassed this incredibly large collection,

0:15:17.960 --> 0:15:23.160
<v Speaker 1>the world's largest individual collection of death masks UM. And

0:15:23.200 --> 0:15:26.160
<v Speaker 1>when he died, he bequeathed it to Yale. No, Princeton,

0:15:26.200 --> 0:15:30.360
<v Speaker 1>I'm sorry. So Princeton has this museum of death masks

0:15:30.440 --> 0:15:34.000
<v Speaker 1>now and see that. Well, lucky for you, buddy, they

0:15:34.040 --> 0:15:40.120
<v Speaker 1>digitized it. Yep. They have like this really nice website, UM,

0:15:40.200 --> 0:15:45.160
<v Speaker 1>the Lawrence Hutton death Mask Museum website and it's got

0:15:45.200 --> 0:15:47.520
<v Speaker 1>all of them on there. It's really really interesting. Some

0:15:47.600 --> 0:15:50.800
<v Speaker 1>are very very old and like poorly done. There's one

0:15:50.800 --> 0:15:54.360
<v Speaker 1>of Lincoln that it's just like looking at Lincoln's face

0:15:54.800 --> 0:15:59.200
<v Speaker 1>because he's so recognizable, but to see the details. Daniel

0:15:59.200 --> 0:16:02.000
<v Speaker 1>dey lewis right there all right, and you can't hear

0:16:02.000 --> 0:16:05.440
<v Speaker 1>his weird voice, but you can almost you can almost

0:16:05.480 --> 0:16:07.720
<v Speaker 1>hear it's just looking at it. But the it's it's

0:16:07.760 --> 0:16:10.080
<v Speaker 1>the details. That's the thing about death masks that are

0:16:10.200 --> 0:16:14.680
<v Speaker 1>so I think um alluring to some people is it's

0:16:15.960 --> 0:16:18.080
<v Speaker 1>it's not only the detail of like you know, they're

0:16:18.200 --> 0:16:21.760
<v Speaker 1>the age and face and what life did to them,

0:16:21.800 --> 0:16:25.160
<v Speaker 1>but it's also the detail of the absence of life,

0:16:25.640 --> 0:16:28.040
<v Speaker 1>like that it's a death mask, you know, like the

0:16:28.080 --> 0:16:32.560
<v Speaker 1>hollow eyes or in the case of Dillinger, the bullet hole. Um.

0:16:33.160 --> 0:16:36.120
<v Speaker 1>Apparently that his death mask was so detailed. They did

0:16:36.160 --> 0:16:37.760
<v Speaker 1>such a good job with it that you could see

0:16:37.760 --> 0:16:39.520
<v Speaker 1>the abrasions on his face from where he hit the

0:16:39.560 --> 0:16:41.840
<v Speaker 1>pavement when he fell down dead. You're looking at some

0:16:41.880 --> 0:16:45.440
<v Speaker 1>of these up close, like the details remarkable, it's pretty eerie. Um.

0:16:45.520 --> 0:16:46.920
<v Speaker 1>So if you can't make it the Princeton, you can

0:16:46.960 --> 0:16:49.600
<v Speaker 1>check out the Lawrence Hutton. Just type in Lawrence Hutton

0:16:49.920 --> 0:16:52.680
<v Speaker 1>Princeton and we'll bring that up. It's pretty cool little

0:16:52.720 --> 0:16:54.600
<v Speaker 1>website you can spend some time on. Yeah, and if

0:16:54.640 --> 0:16:56.120
<v Speaker 1>you do go to Princeton. They got a great little

0:16:56.120 --> 0:16:58.560
<v Speaker 1>brup pub. You should go to see the death mask,

0:16:58.720 --> 0:17:01.080
<v Speaker 1>go have some beer. What a pub? Yeah, I mean

0:17:01.120 --> 0:17:03.160
<v Speaker 1>I can't remember. I mean I assume it's still there.

0:17:03.200 --> 0:17:04.920
<v Speaker 1>It opened new when I was living there in the

0:17:05.000 --> 0:17:09.000
<v Speaker 1>mid nineties. Um, I bet it's still there, but it

0:17:09.000 --> 0:17:10.040
<v Speaker 1>was kind of a new at the time. It was

0:17:10.040 --> 0:17:14.240
<v Speaker 1>like with brew pub. Yeah, this is crazy. It's crazy, alright,

0:17:14.280 --> 0:17:18.080
<v Speaker 1>So let's talk about how you do this, shall we Yes,

0:17:18.560 --> 0:17:21.160
<v Speaker 1>you need to do it really soon after the person dies,

0:17:21.280 --> 0:17:25.119
<v Speaker 1>because you don't want the bloat to set in. Um,

0:17:25.200 --> 0:17:28.080
<v Speaker 1>you can distort the face and they want like the

0:17:28.119 --> 0:17:34.640
<v Speaker 1>death face after right, exactly, So they would apply grease

0:17:34.720 --> 0:17:38.280
<v Speaker 1>to the face, especially on facial hair because, uh, it

0:17:38.359 --> 0:17:40.119
<v Speaker 1>made it easier to take the bandages off and they

0:17:40.119 --> 0:17:42.680
<v Speaker 1>didn't want to like rip out your eyebrows. Yeah, because

0:17:42.760 --> 0:17:45.600
<v Speaker 1>you still had a funeral of the hold exactly. Uh,

0:17:45.720 --> 0:17:48.480
<v Speaker 1>do you want to look like Sergeant Mauser from police Academy?

0:17:49.000 --> 0:17:51.320
<v Speaker 1>Do you remember? Yeah, he got his eyebrows blowing off.

0:17:52.280 --> 0:17:54.440
<v Speaker 1>That is. Have you ever seen anyone with no eyebrows?

0:17:54.640 --> 0:17:57.680
<v Speaker 1>I saw Mouser. It's just weird because sometimes you can't

0:17:57.720 --> 0:18:00.240
<v Speaker 1>pinpoint why they look so freaky. I remember guy in

0:18:00.320 --> 0:18:03.399
<v Speaker 1>high school shaved his eyebrows. One of the you know,

0:18:03.880 --> 0:18:06.639
<v Speaker 1>one of the bad kids, came in one day with this.

0:18:06.680 --> 0:18:08.800
<v Speaker 1>That's how he was rebelling. I don't know, he was

0:18:08.840 --> 0:18:11.240
<v Speaker 1>just one of those bad kids. Like I didn't associate

0:18:11.280 --> 0:18:12.800
<v Speaker 1>with him because I was a good boy. But he

0:18:12.840 --> 0:18:14.680
<v Speaker 1>came in one day in my industrial large class. He

0:18:14.720 --> 0:18:18.400
<v Speaker 1>has eyebrows shaved, and it freaked me out. Oh yeah,

0:18:18.560 --> 0:18:20.680
<v Speaker 1>Like I definitely didn't have anything to do it after that.

0:18:21.160 --> 0:18:24.200
<v Speaker 1>It was really strange looking he saved his eyebrows. Yeah,

0:18:24.200 --> 0:18:28.160
<v Speaker 1>I think it was probably a pink floid thing. So, um,

0:18:28.280 --> 0:18:33.720
<v Speaker 1>then you applied the plaster bandages. Um you. It's interesting

0:18:33.840 --> 0:18:35.800
<v Speaker 1>is the first layers where you get all your detail,

0:18:36.440 --> 0:18:38.360
<v Speaker 1>that's really what the death mask is, and then all

0:18:38.359 --> 0:18:40.720
<v Speaker 1>the other layers just reinforced that first layer. Right. It

0:18:40.840 --> 0:18:44.960
<v Speaker 1>telegraphs that anybody who's ever hung dry wall knows that

0:18:45.160 --> 0:18:48.480
<v Speaker 1>if you don't get that thing smooth when you tape it,

0:18:48.480 --> 0:18:52.200
<v Speaker 1>it just it's broadcast throughout the whole the whole wall.

0:18:52.440 --> 0:18:54.639
<v Speaker 1>It's that it's just ruined. Yeah, I just set the

0:18:54.680 --> 0:18:58.960
<v Speaker 1>high I was just putting the house down. My guest bedroom. Yeah,

0:18:59.000 --> 0:19:01.479
<v Speaker 1>that's just very bad job in there. Uh. And it's

0:19:01.520 --> 0:19:05.080
<v Speaker 1>funny when contractors have come by since then, they've gone

0:19:05.080 --> 0:19:06.720
<v Speaker 1>in that room and I've been like, yeah, boy, I

0:19:06.800 --> 0:19:11.720
<v Speaker 1>don't know who did this. It sucks. Um. All right,

0:19:11.720 --> 0:19:13.840
<v Speaker 1>So the plaster sets Back in the day, it took

0:19:13.880 --> 0:19:16.760
<v Speaker 1>about an hour. These days, um, it'll set in just

0:19:16.800 --> 0:19:20.280
<v Speaker 1>a few minutes, and then you carefully remove the mold.

0:19:20.359 --> 0:19:22.840
<v Speaker 1>You've got your negative, and then it's up to you.

0:19:22.840 --> 0:19:25.680
<v Speaker 1>You can do a wax positive, you can do bronze,

0:19:26.560 --> 0:19:29.760
<v Speaker 1>um what else. However, but you want to charge people, Yeah,

0:19:29.800 --> 0:19:32.040
<v Speaker 1>I guess so marble. There's one in Napoleon that they

0:19:32.040 --> 0:19:34.679
<v Speaker 1>made out of marble. Really Yeah. Yeah, he's not very

0:19:34.680 --> 0:19:38.400
<v Speaker 1>intimidating when you see his death mask, but I mean

0:19:38.440 --> 0:19:43.960
<v Speaker 1>they broke his spirit pretty good. Yeah. Sure, exile to

0:19:44.080 --> 0:19:48.040
<v Speaker 1>an island. It's just you and some other jerks. It

0:19:48.119 --> 0:19:50.439
<v Speaker 1>might have been nice. Yeah, I don't think he liked it.

0:19:50.520 --> 0:19:52.359
<v Speaker 1>He was too bent on taking over the world. The

0:19:52.359 --> 0:19:55.080
<v Speaker 1>stick came on an island was like the greatest insult

0:19:55.440 --> 0:19:59.600
<v Speaker 1>is what you control now, Napoleon and this little tiny space.

0:20:00.200 --> 0:20:03.919
<v Speaker 1>Um you said that, Uh that these days plaster drives

0:20:04.000 --> 0:20:09.119
<v Speaker 1>in a few minutes. Um. And actually there were death masks.

0:20:09.160 --> 0:20:12.560
<v Speaker 1>I'm sure somebody somewhere still making a death mask here there,

0:20:13.000 --> 0:20:15.560
<v Speaker 1>but um, George Bernard Shaw had one made when he

0:20:15.600 --> 0:20:19.040
<v Speaker 1>died in the nineteen fifties, so it's still some something

0:20:19.080 --> 0:20:21.920
<v Speaker 1>of a modern event. Um, I'm totally gonna get one made,

0:20:22.040 --> 0:20:25.240
<v Speaker 1>are you Yeah? Why not? All right? Uh? Nicola Tesla

0:20:25.280 --> 0:20:28.320
<v Speaker 1>had one made. Yeah, his is Have you ever seen his?

0:20:28.480 --> 0:20:32.600
<v Speaker 1>Is interesting because I've only seen the one picture that one. Yeah,

0:20:32.640 --> 0:20:36.000
<v Speaker 1>as a younger man, so he got older. He's just

0:20:36.080 --> 0:20:37.600
<v Speaker 1>I don't know, you know, the ears are huge, and

0:20:37.640 --> 0:20:40.480
<v Speaker 1>his nose was really large. It doesn't look that large

0:20:40.480 --> 0:20:43.320
<v Speaker 1>in this picture, and I guess I've never seen it

0:20:43.320 --> 0:20:47.600
<v Speaker 1>at profile. But yeah, he looks sort of like David Bowie. No,

0:20:48.480 --> 0:20:50.360
<v Speaker 1>it was a guy, the old old guy who took

0:20:50.400 --> 0:20:56.080
<v Speaker 1>all the drugs Walter Math, not Burrows, but Timothy Learry

0:20:56.160 --> 0:20:58.080
<v Speaker 1>sort of looked like a Timothy Larry before he died,

0:20:58.840 --> 0:21:02.960
<v Speaker 1>like just old virt Timothy Leary died on webcam, right,

0:21:03.640 --> 0:21:06.879
<v Speaker 1>didn't he like live stream his death? Like even before

0:21:06.880 --> 0:21:09.720
<v Speaker 1>anyone knew how to live stream, he figured it out somewhere.

0:21:09.800 --> 0:21:11.960
<v Speaker 1>I had no idea. I believe you did. That's sad.

0:21:12.600 --> 0:21:15.520
<v Speaker 1>I'm sure it's up on the web all right. Shall

0:21:15.560 --> 0:21:19.080
<v Speaker 1>we tell her awesome kind of fact of the podcast

0:21:19.119 --> 0:21:23.680
<v Speaker 1>story of the Unknown Woman of the Scene a k a.

0:21:24.119 --> 0:21:29.960
<v Speaker 1>The Lincoln You list scene, nineteenth century Paris, Josh, here's

0:21:30.000 --> 0:21:35.440
<v Speaker 1>the story. An anonymous woman, UH moved to Paris from

0:21:35.440 --> 0:21:38.600
<v Speaker 1>the country, falls in love with a young man and

0:21:39.080 --> 0:21:43.200
<v Speaker 1>gets her heart broke in two by this French jerk.

0:21:43.880 --> 0:21:48.399
<v Speaker 1>She is distraught. She cast herself into the river and

0:21:49.040 --> 0:21:53.040
<v Speaker 1>uh the river scene? Is it scene? I believe and

0:21:54.240 --> 0:21:58.960
<v Speaker 1>sin and nobody claimed the body ever, and the mortician

0:21:59.040 --> 0:22:02.080
<v Speaker 1>was was taken her beauty and the he said, oh,

0:22:02.160 --> 0:22:06.159
<v Speaker 1>this dead lady is so hot. Maybe, but um he

0:22:06.200 --> 0:22:09.560
<v Speaker 1>was taken with her beauty and her calm, almost peaceful

0:22:09.600 --> 0:22:12.159
<v Speaker 1>expression on her face. No one ever claimed her. He

0:22:12.200 --> 0:22:15.480
<v Speaker 1>did a death mask and said, now she is known

0:22:15.520 --> 0:22:18.560
<v Speaker 1>as the unknown Women of the Scene or the sink

0:22:19.119 --> 0:22:24.080
<v Speaker 1>the Lincoln. And they a lot of people ended up

0:22:24.119 --> 0:22:27.240
<v Speaker 1>having uh copies of this death mask in their house

0:22:27.320 --> 0:22:30.520
<v Speaker 1>as I guess art or something. Yeah, this is kind

0:22:30.520 --> 0:22:33.359
<v Speaker 1>of weird. Yeah, but I mean this is this is

0:22:33.440 --> 0:22:37.520
<v Speaker 1>before collector's plates had come along, maybe and it was

0:22:37.560 --> 0:22:41.640
<v Speaker 1>like spoons from St. Louis or this lady's death mask. Right. Um,

0:22:41.880 --> 0:22:44.480
<v Speaker 1>so the the author of this article poke some holes

0:22:44.520 --> 0:22:47.120
<v Speaker 1>in that story. Yeah. The truth is that the this

0:22:47.240 --> 0:22:50.760
<v Speaker 1>death mask was in wide circulation, right, but the it

0:22:50.840 --> 0:22:54.400
<v Speaker 1>probably wasn't from a woman who drowned, because her features

0:22:54.400 --> 0:22:56.880
<v Speaker 1>would have become bloated and distorted by the time she

0:22:56.880 --> 0:23:01.280
<v Speaker 1>started to float to the surface. Um. And she also

0:23:01.520 --> 0:23:05.000
<v Speaker 1>looks kind of peaceful. Yeah, so they think that's probably

0:23:05.080 --> 0:23:08.919
<v Speaker 1>a life mask posed for by a live model, but

0:23:09.520 --> 0:23:12.720
<v Speaker 1>they never recorded who it was. But the mystery around it,

0:23:12.760 --> 0:23:14.840
<v Speaker 1>I think probably helped sell some of the death masks,

0:23:15.200 --> 0:23:17.800
<v Speaker 1>so they kept it going. And then that's the end

0:23:17.800 --> 0:23:20.200
<v Speaker 1>of the story. You think, here's where it gets really

0:23:20.200 --> 0:23:26.160
<v Speaker 1>good me. Yeah. Uh. Nineteen sixty Peter Safar, an Austrian doctor,

0:23:26.800 --> 0:23:31.440
<v Speaker 1>is developing this really radical new thing called trying to

0:23:31.480 --> 0:23:34.000
<v Speaker 1>save someone who's having a heart attack. Rather than just

0:23:34.040 --> 0:23:36.560
<v Speaker 1>being like, oh well yeah, which is something I could do?

0:23:37.560 --> 0:23:40.080
<v Speaker 1>There is something you could do. It's called CPR, and

0:23:40.160 --> 0:23:45.240
<v Speaker 1>he championed it and got in touch with a Norwegian

0:23:45.240 --> 0:23:49.520
<v Speaker 1>toymaker named asmund uh Laird. All that sounds so made up,

0:23:49.760 --> 0:23:54.119
<v Speaker 1>it does and arm intens arian and um said, you

0:23:54.160 --> 0:23:55.639
<v Speaker 1>know what, I need a way to teach this. I

0:23:55.720 --> 0:23:58.720
<v Speaker 1>need some sort of like plastic dummy to teach people

0:23:58.760 --> 0:24:01.399
<v Speaker 1>how to do this new thing old CPR. And I

0:24:01.480 --> 0:24:04.399
<v Speaker 1>got this. I got just the thing. This will use

0:24:04.480 --> 0:24:08.440
<v Speaker 1>this face of this woman of the scene and throw

0:24:08.520 --> 0:24:11.880
<v Speaker 1>it on a dummy bust. And that is who recessa

0:24:11.920 --> 0:24:15.400
<v Speaker 1>Annie was. And as I was reading this the whole time,

0:24:15.440 --> 0:24:17.520
<v Speaker 1>I was like, no way, is that recessa Annie? Is

0:24:17.560 --> 0:24:19.919
<v Speaker 1>that recessa Annie? And it was on the following page

0:24:20.440 --> 0:24:22.720
<v Speaker 1>was the sentence that became recessa Annie. And I literally

0:24:22.800 --> 0:24:27.240
<v Speaker 1>felt like, I don't know, it felt like exalted. Yeah, man,

0:24:28.000 --> 0:24:30.000
<v Speaker 1>I used to like put my mouth on that thing

0:24:30.640 --> 0:24:34.240
<v Speaker 1>on the nineteenth century death mask. Yeah yeah, every summer

0:24:35.240 --> 0:24:38.399
<v Speaker 1>for lifeguarding. My mom used to teach CPR classes and

0:24:38.520 --> 0:24:41.760
<v Speaker 1>she had a recessa Annie and the kid too, who

0:24:41.880 --> 0:24:45.240
<v Speaker 1>had like that snappy little track suit, like dark blue tracks,

0:24:45.640 --> 0:24:50.359
<v Speaker 1>like you had these in your house. Yeah, it was

0:24:50.400 --> 0:24:54.840
<v Speaker 1>a little off, but yeah, eventually I was like it's neat. Yeah,

0:24:54.880 --> 0:24:56.960
<v Speaker 1>I can't believe. I'm still a little blown away that

0:24:57.040 --> 0:25:00.520
<v Speaker 1>that's who they ended up using. Yeah, very neat. And

0:25:00.600 --> 0:25:02.399
<v Speaker 1>when you looked and I looked up the death mask,

0:25:02.840 --> 0:25:04.880
<v Speaker 1>and then I looked up Pricessa Annie, and I was like, Yeah,

0:25:04.960 --> 0:25:07.280
<v Speaker 1>that's her. That's cool, Except she's got nostrils in a

0:25:07.359 --> 0:25:10.480
<v Speaker 1>mouth hole, right, which is very important if you're going

0:25:10.520 --> 0:25:13.280
<v Speaker 1>to practice CPR, right, or if you're gonna make a

0:25:13.359 --> 0:25:15.399
<v Speaker 1>life mask, you want to make sure that the person

0:25:15.520 --> 0:25:17.600
<v Speaker 1>has a way to breathe, and that's usually threw straws

0:25:17.680 --> 0:25:21.640
<v Speaker 1>into the nostrils. Josh, if you live in Michigan Midland

0:25:21.680 --> 0:25:25.440
<v Speaker 1>County Historical Museum, there they have Jesse James and Butch Cassidy. Sweet.

0:25:25.560 --> 0:25:27.639
<v Speaker 1>You can go by and check that out. You know.

0:25:27.840 --> 0:25:30.920
<v Speaker 1>If you go to the Maker's Mark Distillery there little tour,

0:25:31.560 --> 0:25:36.399
<v Speaker 1>they have Frank James Gunn. One of the owner's grandfathers

0:25:36.640 --> 0:25:38.840
<v Speaker 1>was the guy who Frank James surrendered to and he

0:25:39.040 --> 0:25:41.320
<v Speaker 1>handed his pistol over. It's pretty neat. Have you ever

0:25:41.400 --> 0:25:45.159
<v Speaker 1>been there? Did you dip your own bottle? They let

0:25:45.240 --> 0:25:48.280
<v Speaker 1>you do that, they do, Yeah, I know, why didn't

0:25:48.280 --> 0:25:50.520
<v Speaker 1>you do that? Man? How can you go to the

0:25:50.560 --> 0:25:52.720
<v Speaker 1>maker's mark and not dip your own bottle. If you

0:25:52.880 --> 0:25:55.159
<v Speaker 1>dip your own bottle, then it becomes a memento and

0:25:55.280 --> 0:25:58.399
<v Speaker 1>it seems like a waste of bourbon. Oh you wouldn't

0:25:58.440 --> 0:26:03.479
<v Speaker 1>drink it all right? Uh where else? There's this very

0:26:03.520 --> 0:26:06.960
<v Speaker 1>cool thing and uh called the Black Museum. I look

0:26:07.000 --> 0:26:09.399
<v Speaker 1>this up in Scotland Yard. Oh yeah, I want to

0:26:09.440 --> 0:26:12.040
<v Speaker 1>go there. Well you can't. I know. I want to

0:26:12.320 --> 0:26:16.200
<v Speaker 1>meet Scotland Yard detective who can get me in? Well

0:26:16.280 --> 0:26:19.560
<v Speaker 1>you can't, you're not at Scotland Yard Detective yourself. I

0:26:19.840 --> 0:26:22.560
<v Speaker 1>will then go to Scotland Yard Detective School so I

0:26:22.600 --> 0:26:24.680
<v Speaker 1>can get into this thing. This thing has been around

0:26:24.720 --> 0:26:28.119
<v Speaker 1>since eighteen seventy four and then moved and refurbished in

0:26:28.359 --> 0:26:31.800
<v Speaker 1>the nineteen eighties to New Scotland Yard. And it was

0:26:31.880 --> 0:26:34.360
<v Speaker 1>originally called the Black Museum. Now it's called the Crime Museum.

0:26:35.000 --> 0:26:36.960
<v Speaker 1>And do they have like letters from Jack the Ripper

0:26:37.040 --> 0:26:42.159
<v Speaker 1>in there? They have nooses that hung famous people, They

0:26:42.240 --> 0:26:45.920
<v Speaker 1>have weapons from famous murder cases and a bunch of

0:26:46.000 --> 0:26:48.399
<v Speaker 1>death masks. Apparently, why would you not let the public

0:26:48.480 --> 0:26:53.119
<v Speaker 1>in that? I think any British police officer can go

0:26:53.520 --> 0:26:56.159
<v Speaker 1>if they like, make a reservation like you don't have

0:26:56.200 --> 0:26:59.440
<v Speaker 1>to be a Scotland yard dick, but uh yeah, pretty

0:26:59.480 --> 0:27:02.960
<v Speaker 1>cool at the Ripper Letters, that's awesome. Yeah, there's gotta

0:27:03.000 --> 0:27:05.320
<v Speaker 1>be some movie plot based around the Black Museum that

0:27:05.359 --> 0:27:07.800
<v Speaker 1>you could come up with that seems like a just

0:27:07.920 --> 0:27:12.120
<v Speaker 1>the name itself, like everything comes alive maybe at night. Yeah,

0:27:12.160 --> 0:27:14.120
<v Speaker 1>there you go. There's your movie and poor Ben Stiller

0:27:14.880 --> 0:27:18.240
<v Speaker 1>gets in trouble and that's where it goes self. Um,

0:27:19.000 --> 0:27:21.399
<v Speaker 1>if you want to learn more about death masks and

0:27:21.560 --> 0:27:24.080
<v Speaker 1>you want to see some cool pictures of death masks,

0:27:24.200 --> 0:27:27.920
<v Speaker 1>you can type the words death masks into the search

0:27:28.000 --> 0:27:30.520
<v Speaker 1>bar how stuff works dot com. And since I said

0:27:30.760 --> 0:27:34.440
<v Speaker 1>search bar, it's time for what, well, a couple of

0:27:34.520 --> 0:27:37.000
<v Speaker 1>quick pieces of business and then listen to mail. Okay,

0:27:39.760 --> 0:27:41.879
<v Speaker 1>so what's the first order of business, Chuck, Well, we

0:27:41.960 --> 0:27:44.760
<v Speaker 1>got a TV show coming out on Science Channel January nineteenth,

0:27:44.800 --> 0:27:48.359
<v Speaker 1>which is right around the corner, uh ten pm, aaring

0:27:48.400 --> 0:27:51.760
<v Speaker 1>two episodes on the first night, premiere night after Idiot

0:27:51.800 --> 0:27:54.760
<v Speaker 1>Abroad's premiere, which is a very good leading for us.

0:27:55.119 --> 0:27:57.680
<v Speaker 1>We're super excited about that. And what more do you

0:27:57.720 --> 0:28:00.240
<v Speaker 1>need to know? Nothing? You need to know that you

0:28:00.320 --> 0:28:04.200
<v Speaker 1>should be there watching. Yeah, such a little DVR and uh,

0:28:04.920 --> 0:28:06.600
<v Speaker 1>you know, give us some love, make some noise at

0:28:06.680 --> 0:28:09.520
<v Speaker 1>the Science channel Facebook page that will help us out.

0:28:10.280 --> 0:28:15.080
<v Speaker 1>And Twitter, Yeah, we appreciate it. What about listening now? Okay, Josh,

0:28:15.119 --> 0:28:18.720
<v Speaker 1>I'm gonna call this Martha. Martha's got a few corrections

0:28:18.760 --> 0:28:21.240
<v Speaker 1>for us on our and we haven't done corrections in

0:28:21.240 --> 0:28:26.040
<v Speaker 1>a while. But on our topic of peak oil. She's

0:28:26.080 --> 0:28:29.920
<v Speaker 1>in the business. Uh, she knows a lot about it. Uh.

0:28:30.160 --> 0:28:33.879
<v Speaker 1>First of all, she affirms me, which I like. Chuckle's right. Guys, dinosaurs,

0:28:34.280 --> 0:28:36.080
<v Speaker 1>in no way, shape or form make up oil or

0:28:36.119 --> 0:28:39.560
<v Speaker 1>gas deposits. Most of the source material comes from things

0:28:39.640 --> 0:28:43.080
<v Speaker 1>like algae and phytoplankton that has died and sunk to

0:28:43.120 --> 0:28:46.600
<v Speaker 1>the bottom of its lake, ocean or seat um number two.

0:28:47.360 --> 0:28:50.720
<v Speaker 1>The things you said about proved reserves being unreliable, it's

0:28:50.880 --> 0:28:53.360
<v Speaker 1>partially true, guys. In some countries, like the U S

0:28:53.400 --> 0:28:57.240
<v Speaker 1>and Canada, UK the members of the Eurozone, proved reserves

0:28:57.280 --> 0:29:00.520
<v Speaker 1>are actually audited by regulatory bodies. In the US it's

0:29:00.560 --> 0:29:03.200
<v Speaker 1>the sec U. This is because an investor would most

0:29:03.240 --> 0:29:06.080
<v Speaker 1>likely consider the amount of proved reserves a company has

0:29:06.160 --> 0:29:09.200
<v Speaker 1>access to, since that tends to be a good indicator

0:29:09.200 --> 0:29:10.960
<v Speaker 1>of the health of the firm, whether or not it's

0:29:10.960 --> 0:29:14.040
<v Speaker 1>a sound investment. If you misrepresent your reserves to the public,

0:29:14.440 --> 0:29:16.640
<v Speaker 1>sec will come after you and the penalties can be severe.

0:29:17.360 --> 0:29:20.520
<v Speaker 1>So in some countries the proved reserves is very conservative,

0:29:20.520 --> 0:29:24.800
<v Speaker 1>actually heavily audited and is probably pretty reliable. But she

0:29:24.840 --> 0:29:28.400
<v Speaker 1>did point out that other countries, um where they might

0:29:28.480 --> 0:29:30.280
<v Speaker 1>not want to be as forthcoming. You can get some

0:29:30.360 --> 0:29:33.280
<v Speaker 1>hinky numbers, right, So I feel like we said that

0:29:34.560 --> 0:29:38.560
<v Speaker 1>I can't remember. Uh. And then number three she takes

0:29:38.600 --> 0:29:41.160
<v Speaker 1>its t task a little bit. On fracking. She said,

0:29:41.200 --> 0:29:43.160
<v Speaker 1>I know it's a contentious subject and we just should

0:29:43.160 --> 0:29:46.040
<v Speaker 1>do a podcast on this. It's in the in my ideas.

0:29:46.120 --> 0:29:50.080
<v Speaker 1>Cute is it? Um? You guys refer to fracking as

0:29:50.200 --> 0:29:53.320
<v Speaker 1>causing an environmental disaster every time someone does it. You

0:29:53.440 --> 0:29:55.800
<v Speaker 1>may call me a shill, but even Lisa Jackson of

0:29:55.840 --> 0:29:57.160
<v Speaker 1>the e p A, who was not a friend of

0:29:57.200 --> 0:29:59.480
<v Speaker 1>the oil industry, has said that there are no proven

0:29:59.520 --> 0:30:03.840
<v Speaker 1>cases of wracking resulting in underground freshwater contamination, and fracking

0:30:03.880 --> 0:30:06.160
<v Speaker 1>has been conducted in the U s. It's some id forties.

0:30:06.560 --> 0:30:08.680
<v Speaker 1>It's far more likely that poor, well designed and bad

0:30:08.720 --> 0:30:11.160
<v Speaker 1>cement jobs would be the culprit. However, there is a

0:30:11.200 --> 0:30:13.400
<v Speaker 1>big study being conducted right now by the e p A,

0:30:13.760 --> 0:30:16.040
<v Speaker 1>so all this may change if they find something, but

0:30:16.160 --> 0:30:18.840
<v Speaker 1>as of now, the science doesn't support the position of

0:30:19.080 --> 0:30:22.720
<v Speaker 1>most anti fracking groups. So I definitely want to do

0:30:22.760 --> 0:30:24.960
<v Speaker 1>a podcast on this now. I feel like she's challenged.

0:30:25.280 --> 0:30:28.200
<v Speaker 1>I feel like she's using psychology on us right now.

0:30:28.320 --> 0:30:31.040
<v Speaker 1>She is. I love your show. I find it fascinating,

0:30:31.320 --> 0:30:33.320
<v Speaker 1>but I'm weird like that, keep up the great work.

0:30:33.360 --> 0:30:35.200
<v Speaker 1>Can't wait to your TV show in January. And that

0:30:35.360 --> 0:30:40.080
<v Speaker 1>is from Martha. Martha. That was a perfect letter from

0:30:40.160 --> 0:30:42.720
<v Speaker 1>an expert, somebody in the field, taking us the task,

0:30:42.920 --> 0:30:45.840
<v Speaker 1>being nice about it, yeah, and letting us tell everybody

0:30:45.920 --> 0:30:48.640
<v Speaker 1>else that maybe we got it wrong, maybe didn't you know,

0:30:48.920 --> 0:30:52.200
<v Speaker 1>and then mentioning our TV show exactly. So thank you

0:30:52.320 --> 0:30:54.760
<v Speaker 1>for the perfect letter. Yes. Uh. If you want to

0:30:54.800 --> 0:30:56.960
<v Speaker 1>send us a perfect tweet, you can tweet to us

0:30:57.000 --> 0:30:59.600
<v Speaker 1>at s y s K podcast. You can send us

0:30:59.640 --> 0:31:03.320
<v Speaker 1>the for perfect Facebook posting at Facebook dot com, slash

0:31:03.400 --> 0:31:05.560
<v Speaker 1>stuff you Should Know, and you can send us a

0:31:05.680 --> 0:31:15.800
<v Speaker 1>perfect email to Stuff podcast at Discovery dot com. For

0:31:15.960 --> 0:31:18.440
<v Speaker 1>more on this and thousands of other topics, visit how

0:31:18.520 --> 0:31:28.000
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0:31:28.120 --> 0:31:29.880
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