WEBVTT - INTERVIEW: Ghostface Killah Talks 'Supreme Clientele 2,' Wu-Tang, Diddy, New Music Era + More

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<v Speaker 1>Every day we click your ass up the Breakfast Club.

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<v Speaker 1>You don't finished for y'all done morning.

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<v Speaker 2>Everybody's d J n V Jess hilarious. Charlamagne the guy

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<v Speaker 2>we are the Breakfast Club. He got a special guest.

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<v Speaker 1>In the building. My favorite MC of all time.

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<v Speaker 2>Legend the coming Gentlemen, ghost Face Killer.

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<v Speaker 1>Yah goa yo yo yo yo, what up? What up?

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<v Speaker 2>How you feeling?

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<v Speaker 3>Man? Now? We call him were cooling King? Glad to

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<v Speaker 3>be here right now?

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<v Speaker 4>Man had like three times, right, I think once twice alright,

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<v Speaker 4>but lost friend at the wild you know, so you

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<v Speaker 4>had you had that face on, like yo, you know

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<v Speaker 4>what I mean? Downstairs, I was like, yeah, everything I

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<v Speaker 4>wanted to have, That's what I'm saying.

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<v Speaker 5>This perfect time. And Supreme Clientele too, is out this Friday.

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<v Speaker 3>That's right.

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<v Speaker 5>You said you would never do a sequel to Supreme Clientele,

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<v Speaker 5>So what changed your mind?

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<v Speaker 4>No, it was it was it was the fans. It

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<v Speaker 4>was it was the fans. They kept calling for it.

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<v Speaker 4>So I'm like, yo, for years they was calling for it,

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<v Speaker 4>So you know, gradually I was just I started back then,

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<v Speaker 4>like you know, I saved a couple of joints every

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<v Speaker 4>time I get a joint and I felt like could

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<v Speaker 4>be supreme.

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<v Speaker 3>I just put it in the vote. Stash is stash it.

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<v Speaker 4>So look on this album right here, I got like

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<v Speaker 4>maybe like five songs from like twenty years ago, seventeen

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<v Speaker 4>and better on it.

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<v Speaker 1>You know, how do they know this body of work?

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<v Speaker 1>Was it?

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<v Speaker 3>Though?

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<v Speaker 1>This body works to be supreme clientele too, because.

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<v Speaker 4>I kind of felt good about it, you know what

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<v Speaker 4>I mean. Besides the skits member last summer had like

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<v Speaker 4>a few Iron Man.

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<v Speaker 3>Skits on it and stuff like that, but now they

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<v Speaker 3>really they on you.

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<v Speaker 4>Now you really can't really do it, so you gotta

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<v Speaker 4>you gotta just think of like, Okay, which way I'm

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<v Speaker 4>gonna go. And that was one of the hardest parts

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<v Speaker 4>I had, just trying to find like a theme behind it,

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<v Speaker 4>you know what I mean. So you know, it took me.

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<v Speaker 4>It took a while. It took a while, but I

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<v Speaker 4>got it. I feel like I feel I got it,

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<v Speaker 4>you know what I mean. But and it's a vibe.

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<v Speaker 4>You know, when I create albums, I create vibes. So

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<v Speaker 4>if I could get ahead and hear it like all

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<v Speaker 4>the way through, then I know I'm good. Then I

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<v Speaker 4>got my I got my man's and my player. For

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<v Speaker 4>you know, I don't got no yes brothers around me.

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<v Speaker 3>You know what I mean.

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<v Speaker 4>So if they like yo, nah tone like you know

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<v Speaker 4>what I mean, then I weigh and judge it and

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<v Speaker 4>feel like I, you know what, Maybe he's right. I

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<v Speaker 4>tell him, like yo, what I feel about it, you know,

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<v Speaker 4>But I make the end decision at the end of

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<v Speaker 4>the day. So on this project, I just think that

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<v Speaker 4>we got a good vibe.

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<v Speaker 2>Or now, how do you navigate the landscape today? How

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<v Speaker 2>do you like the landscape of music and musicians today?

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<v Speaker 2>Because you're the guy that drops and it gets out

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<v Speaker 2>the way. We don't see you, like literally ghost face,

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<v Speaker 2>like get gone for years but on tour. So how

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<v Speaker 2>do you feel about the landscape today of music, of.

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<v Speaker 3>Music, rap music?

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<v Speaker 4>I mean, you know, I mean it kind of shifted,

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<v Speaker 4>Its shifted, you know what I mean, to another region

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<v Speaker 4>and I get it, you know what I mean, because

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<v Speaker 4>nothing stays the same. You just sometimes you just got

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<v Speaker 4>to adapt to it. But I realized that you just

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<v Speaker 4>got to do you You just got to stay in

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<v Speaker 4>your lane, just stay right in your lane or whatever,

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<v Speaker 4>you know what I mean. Because for the people I

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<v Speaker 4>came up with, you know what I mean, It's like

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<v Speaker 4>they still there. They're still out there, even though they

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<v Speaker 4>probably got grandkids and you know what I mean, whatever

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<v Speaker 4>the case may be, but you know this real music

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<v Speaker 4>still exists out there, you know what I mean. Not

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<v Speaker 4>trying to take away from what else is going on,

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<v Speaker 4>but you just gotta do you man.

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<v Speaker 5>I feel like with this Supreme clientele too, it's not

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<v Speaker 5>even like you channeling your era.

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<v Speaker 1>This just feel like eighty six to eighty eight.

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<v Speaker 4>Yeah, because I'm I'm from that era, you know what

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<v Speaker 4>I mean. So I love that era, you know what

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<v Speaker 4>i mean. You know, I'm an R and B dude. First,

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<v Speaker 4>you know what I'm saying. So it's like just to

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<v Speaker 4>try to go back and get it. That's what I

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<v Speaker 4>was telling you, like trying to just get a feeling,

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<v Speaker 4>get a feeling. Then I found it. Then I'm like, yo,

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<v Speaker 4>you know what, let me call it tay Bookie, you

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<v Speaker 4>know what I mean, and get it more, just just

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<v Speaker 4>to more create that feeling, you know what I mean.

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<v Speaker 4>Because I was thinking, like, damn, what I'm gonna go it?

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<v Speaker 4>Like I said, I was thinking about a lot of rappists.

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<v Speaker 3>Even Laurence Hill.

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<v Speaker 4>I'm like, damn, she got miseducation to Lauryn Hill and

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<v Speaker 4>this one got that one. You know, I'm looking at

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<v Speaker 4>three feet high and rising and all the other stuff.

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<v Speaker 4>And you know, twenty five years from the last time

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<v Speaker 4>we disc supreme clientele, it's like, yo, some brothers is dead,

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<v Speaker 4>you know what I mean.

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<v Speaker 3>And it was a vibe.

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<v Speaker 4>It was like, you know, people don't understand, like if

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<v Speaker 4>you got a baby, you can't create the same baby,

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<v Speaker 4>you know what I'm saying. So fans be thinking that Joe,

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<v Speaker 4>you gotta really do it, you know what I mean?

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<v Speaker 4>Like this, but it's you know, you first of all

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<v Speaker 4>these producers now they're not making the same beats and

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<v Speaker 4>stuff that they did before they caught up in like

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<v Speaker 4>right now, so's you know, I had to find a way,

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<v Speaker 4>like and you know, like you said, God's time is

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<v Speaker 4>the best time, sol and that's that's why.

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<v Speaker 3>We're hearing now.

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<v Speaker 1>Were you afraid to call the supreme Well, not fear.

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<v Speaker 5>Fear not the right word, but you have any hesitation

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<v Speaker 5>about calling a supreme clientele too, because that gives a

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<v Speaker 5>different expectation to the body of work.

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<v Speaker 4>Not really, you know, with me, it's like if I

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<v Speaker 4>got the beats and I'm focused and I got time.

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<v Speaker 3>I could do those all day.

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<v Speaker 4>It just it's just a matter of the the really

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<v Speaker 4>the beats that could just drag me in it, because

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<v Speaker 4>the beats is everything, every every verse ever, whatever I

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<v Speaker 4>have it set on the beat.

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<v Speaker 3>It's like the beat talk to me, you know what

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<v Speaker 3>I mean. I don't know if that makes sense, but

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<v Speaker 3>it just music. It's just taught.

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<v Speaker 4>Like like when I did All I Got is You,

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<v Speaker 4>it just dragged me there, like I didn't know what

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<v Speaker 4>I was gonna do when I got it, you know

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<v Speaker 4>what I mean. I told Rizzidey, I want that bo

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<v Speaker 4>when I took it home and and just went another

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<v Speaker 4>way with it, just what I felt.

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<v Speaker 3>And that's what a lot of tracks I make.

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<v Speaker 4>So Yeah, but I'm confident in myself that I know

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<v Speaker 4>that I could do those.

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<v Speaker 3>I could do those over and over and over again.

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<v Speaker 3>Just give me some time. And that's it.

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<v Speaker 2>You said you sat on records for nineteen twenty years. Yeah,

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<v Speaker 2>I can't hear that in the album. Though it doesn't

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<v Speaker 2>sound dated. It doesn't sounds.

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<v Speaker 4>Hard right, like metaphysics right, like the other one I

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<v Speaker 4>did that was like twenty years ago.

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<v Speaker 1>That's crazy.

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<v Speaker 3>It was it was that. It was twenty years ago.

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<v Speaker 4>The whole three verses was twenty years Then I got

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<v Speaker 4>a joint called Candy Land that was the same. I

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<v Speaker 4>just wrote the second verse on that, you know what

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<v Speaker 4>I mean, And me and me and Meth got one

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<v Speaker 4>called you my friend. That that's that's that's one of

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<v Speaker 4>them tear jerker joints. So it's like that's from back then.

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<v Speaker 4>It's a few of them. Full disciple, Like you know, yeah.

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<v Speaker 5>When you you said that when you hear a beat,

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<v Speaker 5>it takes you there. So the first time you heard it,

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<v Speaker 5>impossible beat?

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<v Speaker 1>Right, what was your energy?

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<v Speaker 3>Like?

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<v Speaker 5>What was going on in your your world that you

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<v Speaker 5>just hint that classic verse?

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<v Speaker 4>It was the beat. It was the beat. It sounded

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<v Speaker 4>like it was theatrical. So I'm like, I'm in the studio,

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<v Speaker 4>we're doing We're doing forever. So you know, I get

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<v Speaker 4>up in there and I just hear her that beat.

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<v Speaker 4>And I'm one of them guys that I don't just

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<v Speaker 4>like a regular beat for the most when I'm doing that,

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<v Speaker 4>I like for the beat to get him and just

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<v Speaker 4>take me within the beat, like break down, just break

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<v Speaker 4>down on certain points so I can just get ahead

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<v Speaker 4>and just glide with it and just going that go right

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<v Speaker 4>into that pocket, then slip out and then you know

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<v Speaker 4>we go here, we go ahead, like and that's what

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<v Speaker 4>it just did to me.

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<v Speaker 3>But it felt like it's talked to me like.

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<v Speaker 4>Col ambulance Jamie evens shot Timmy, don't go something you

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<v Speaker 4>my mother fucking heart like like it just it just

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<v Speaker 4>it just it just had me there and I ain't.

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<v Speaker 4>I think I might have came back the next day

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<v Speaker 4>and finished it because I just wrote a chunk and

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<v Speaker 4>then I had to leave it alone, like don't touch

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<v Speaker 4>you no more, like you know what I'm saying, Like

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<v Speaker 4>you come back and just and get it again. It

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<v Speaker 4>was all like it was all that, but you don't

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<v Speaker 4>want to when you're dealing with something great and you

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<v Speaker 4>could feel it, you don't want to just suck it up,

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<v Speaker 4>you know what I mean. You just got to like yo,

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<v Speaker 4>hold on, just chill. You ain't got to force it.

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<v Speaker 4>Came back and just and just finished it.

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<v Speaker 1>Off with that. Based on the true story some of it,

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<v Speaker 1>some of it.

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<v Speaker 4>Yeah, my son's uncle had got shot I think on

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<v Speaker 4>a on around the fourth of July when I was like,

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<v Speaker 4>mother came down holding the rest with a gown on

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<v Speaker 4>and all that.

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<v Speaker 3>It was like it was like I was when I

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<v Speaker 3>was in that pocket.

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<v Speaker 4>It was like that one was was real, you know

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<v Speaker 4>what I mean a lot of other stuff I just

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<v Speaker 4>added behind it, like you know what I mean, but uh,

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<v Speaker 4>the cop was real, officer low and all this shit.

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<v Speaker 3>Yeah, So you know, I just like the gold places.

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<v Speaker 6>Or what are the artists like you who's so great

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<v Speaker 6>at storytelling on every single song, tell younger artists when

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<v Speaker 6>they come to you about trying to tell stories because

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<v Speaker 6>they're moving so fast. It's a lot different. You take

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<v Speaker 6>your time even in writing your music. How do you

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<v Speaker 6>mentor the younger artists who don't.

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<v Speaker 3>Really get that as far as writing.

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<v Speaker 6>Writing yep and putting it in like composing an actual

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<v Speaker 6>song from start to finish.

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<v Speaker 4>I mean, like you said, take your time and just

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<v Speaker 4>think a lot of rappers nowadays, I don't think they

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<v Speaker 4>think you know what I mean.

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<v Speaker 3>You know, knowledge is infinite, So it's like when you could.

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<v Speaker 4>Just sit there and just this is art first, you

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<v Speaker 4>know what I mean, So when you could get ahead

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<v Speaker 4>and just use your mind and just just go, man,

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<v Speaker 4>I don't care like when.

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<v Speaker 3>We did when I round, when me and slick. We

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<v Speaker 3>did the Sun, but.

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<v Speaker 4>Didn't make it on Bulletproof Wilence. It's nothing like that

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<v Speaker 4>because you risually couldn't find a sample. But it's like, Yo,

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<v Speaker 4>it's just yo, that's the Sun, you know what I mean.

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<v Speaker 4>You just got to like, if you got an imagination, you.

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<v Speaker 3>Could just go there, just go.

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<v Speaker 4>And I don't know how it is for other rappers,

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<v Speaker 4>you know what I mean, because a lot of rappers

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<v Speaker 4>is the one dimensional you know what I mean. I'd

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<v Speaker 4>be like, Yo, give me country, you know what I mean.

0:09:09.880 --> 0:09:11.240
<v Speaker 3>Let me, let me, let me dive in there. You

0:09:11.240 --> 0:09:13.360
<v Speaker 3>know what I mean. I don't care it's opera whatever.

0:09:13.160 --> 0:09:15.160
<v Speaker 4>Yo, let me just let me just go in and

0:09:14.920 --> 0:09:16.720
<v Speaker 4>and and I tried a way to finesse that.

0:09:17.040 --> 0:09:18.400
<v Speaker 3>I'm just one of those kind of guys.

0:09:18.440 --> 0:09:20.760
<v Speaker 4>So when I get the R and B tracks, which

0:09:20.800 --> 0:09:23.920
<v Speaker 4>is my best tracks, I get here, I demo that

0:09:24.200 --> 0:09:26.600
<v Speaker 4>I need a story here, you need an abstract track,

0:09:26.840 --> 0:09:28.800
<v Speaker 4>you know what I mean. It's it's whatever because I

0:09:28.920 --> 0:09:31.520
<v Speaker 4>enjoy the music of it, like you know what I mean,

0:09:31.600 --> 0:09:33.960
<v Speaker 4>just the art form just period.

0:09:34.000 --> 0:09:35.559
<v Speaker 2>But I think what you said, I think the trend

0:09:35.600 --> 0:09:38.480
<v Speaker 2>of I don't have to write. I think that kills

0:09:38.520 --> 0:09:39.040
<v Speaker 2>it right, but you know.

0:09:39.120 --> 0:09:40.200
<v Speaker 3>What it is not to cut you off.

0:09:40.679 --> 0:09:44.960
<v Speaker 4>It'd be like now I'm hearing just like jury women

0:09:45.800 --> 0:09:49.520
<v Speaker 4>cause bottles, you know what I mean. It's it's it's limited,

0:09:49.760 --> 0:09:51.640
<v Speaker 4>like you know what I mean, Like I'll not be

0:09:51.679 --> 0:09:54.319
<v Speaker 4>thinking to myself where the cream would have work today

0:09:55.400 --> 0:09:56.920
<v Speaker 4>if we would have dropped that, like you know what

0:09:56.960 --> 0:09:57.280
<v Speaker 4>I mean.

0:09:57.960 --> 0:09:59.439
<v Speaker 1>I don't know.

0:10:00.000 --> 0:10:01.720
<v Speaker 5>The reason I think so is because I think about

0:10:02.040 --> 0:10:04.880
<v Speaker 5>the artists who are really having real success.

0:10:05.280 --> 0:10:07.840
<v Speaker 1>They are detailed in a way. Whether it's the Kendrick Lamar,

0:10:07.960 --> 0:10:09.040
<v Speaker 1>the j Drake.

0:10:09.080 --> 0:10:10.600
<v Speaker 5>I'm just thinking about the guys from the last you know,

0:10:10.880 --> 0:10:13.839
<v Speaker 5>fifteen years. They are very detailed in a way, right.

0:10:13.920 --> 0:10:17.200
<v Speaker 5>I love them like they they music, they lyrics do

0:10:17.320 --> 0:10:19.120
<v Speaker 5>have a have layers to oh.

0:10:19.000 --> 0:10:20.559
<v Speaker 2>Yeah, but they could all tell a story like Kendrick.

0:10:20.800 --> 0:10:23.120
<v Speaker 2>He tells a story some of this rap. But that's

0:10:23.160 --> 0:10:26.640
<v Speaker 2>what I miss sometimes I miss driving and putting myself

0:10:26.640 --> 0:10:27.920
<v Speaker 2>into that story.

0:10:27.760 --> 0:10:28.880
<v Speaker 3>Right, you know what I mean? Right right?

0:10:28.920 --> 0:10:30.600
<v Speaker 5>And I say it, Yeah, you said something man, you

0:10:30.600 --> 0:10:33.040
<v Speaker 5>said when you and slick Rick wrote the Sun like

0:10:33.080 --> 0:10:35.160
<v Speaker 5>yore the son, everybody can feel the sun to go

0:10:35.200 --> 0:10:37.720
<v Speaker 5>back to there impossible verse. I always felt like that's

0:10:37.800 --> 0:10:40.679
<v Speaker 5>that feels like a breeze. I don't know any other

0:10:40.679 --> 0:10:42.720
<v Speaker 5>way to describe it. Did you feel something like that

0:10:42.840 --> 0:10:45.040
<v Speaker 5>like a wind? Almost?

0:10:46.360 --> 0:10:47.400
<v Speaker 1>Still? I don't know.

0:10:48.360 --> 0:10:51.840
<v Speaker 4>I just knew that it was something I can't even

0:10:52.320 --> 0:10:55.680
<v Speaker 4>I just knew it was something like and and like

0:10:56.240 --> 0:10:59.000
<v Speaker 4>the way the beat was, it was just like okay,

0:11:00.160 --> 0:11:02.920
<v Speaker 4>just got more and then more and more and more

0:11:03.040 --> 0:11:05.800
<v Speaker 4>like like like it was like a movie, you know,

0:11:06.000 --> 0:11:08.840
<v Speaker 4>And and that was it when I had to break

0:11:08.840 --> 0:11:11.839
<v Speaker 4>it down and get ready to stop and just ended it.

0:11:12.480 --> 0:11:14.719
<v Speaker 3>And that's just how And I.

0:11:14.640 --> 0:11:16.960
<v Speaker 4>Got a lot of verses like that, like they just

0:11:17.000 --> 0:11:19.400
<v Speaker 4>be like movies, you know what I mean. So I

0:11:19.440 --> 0:11:22.640
<v Speaker 4>don't know if something did I was when I was

0:11:22.679 --> 0:11:26.080
<v Speaker 4>into it, something was it was God blessed me with something,

0:11:26.520 --> 0:11:28.600
<v Speaker 4>and it was just on my back like like when

0:11:28.640 --> 0:11:30.320
<v Speaker 4>I just I just had to knock it out.

0:11:30.320 --> 0:11:30.520
<v Speaker 1>Though.

0:11:30.720 --> 0:11:33.480
<v Speaker 5>You know, when people talk about hip hop storytellers, right like,

0:11:33.520 --> 0:11:35.880
<v Speaker 5>your name is up there with the Greats, the Slick Ricks,

0:11:35.880 --> 0:11:38.080
<v Speaker 5>the nas Is, the Biggies, all of those individuals. What

0:11:38.120 --> 0:11:40.679
<v Speaker 5>do you think separates your style of storytelling from them?

0:11:41.520 --> 0:11:46.120
<v Speaker 4>Probably because my emotions. I could spell that soul on it,

0:11:46.360 --> 0:11:48.400
<v Speaker 4>like when I did holler, you know what I mean,

0:11:48.480 --> 0:11:52.240
<v Speaker 4>Like like like old Dirty was like, yo, he's one

0:11:52.240 --> 0:11:53.440
<v Speaker 4>of them that gave me like a lot of my

0:11:53.520 --> 0:11:56.200
<v Speaker 4>soul too, besides me being in the living room getting

0:11:56.280 --> 0:11:57.520
<v Speaker 4>kicked out the liver room, you know what I mean

0:11:57.559 --> 0:11:58.120
<v Speaker 4>when he was young.

0:11:58.440 --> 0:12:01.160
<v Speaker 3>But yeah, it was. I think it's a soul.

0:12:01.440 --> 0:12:03.880
<v Speaker 4>I think I know how to like to lean on

0:12:03.880 --> 0:12:06.839
<v Speaker 4>on certain tracks and cry on them and just like

0:12:07.400 --> 0:12:10.120
<v Speaker 4>you know, like just do that, like just dig in.

0:12:10.240 --> 0:12:14.120
<v Speaker 5>Like did you did you always feel like being emotional

0:12:14.240 --> 0:12:16.800
<v Speaker 5>was like your superpower? Because especially in hip hop, you know,

0:12:16.840 --> 0:12:20.959
<v Speaker 5>people often glorified being like cold and detached and emotionless.

0:12:21.280 --> 0:12:22.439
<v Speaker 5>Did you feel like that was a super.

0:12:22.280 --> 0:12:23.880
<v Speaker 1>Power for you later on?

0:12:25.080 --> 0:12:25.520
<v Speaker 3>Later on?

0:12:25.640 --> 0:12:27.160
<v Speaker 4>Like even when I hear all I got is you

0:12:27.720 --> 0:12:30.120
<v Speaker 4>and I spilled that into that like that a lot

0:12:30.200 --> 0:12:32.480
<v Speaker 4>of times it just I don't even like to I

0:12:32.559 --> 0:12:34.760
<v Speaker 4>never really performed that. Like I did it for John

0:12:34.840 --> 0:12:37.400
<v Speaker 4>Rule one time, and it was like I had to,

0:12:37.440 --> 0:12:38.880
<v Speaker 4>like I told him no, like you know what I mean,

0:12:38.920 --> 0:12:40.600
<v Speaker 4>But he was like, y'all, come on, y'o, yo, yo,

0:12:41.040 --> 0:12:42.559
<v Speaker 4>you know what I mean. And I did it though,

0:12:42.679 --> 0:12:46.920
<v Speaker 4>like but because it's just brings back too much emotion. Yeah,

0:12:47.360 --> 0:12:52.319
<v Speaker 4>of that, but I think but later on because even

0:12:52.440 --> 0:12:55.240
<v Speaker 4>God Bless the death Fat Man School, he was like, yo, man,

0:12:55.440 --> 0:12:58.679
<v Speaker 4>he said yo, when you did that, he said, yo,

0:12:58.720 --> 0:13:00.720
<v Speaker 4>go show or my I cried.

0:13:01.240 --> 0:13:06.600
<v Speaker 3>I cried because that's me cry and and I'm like mad.

0:13:06.640 --> 0:13:08.920
<v Speaker 3>People told me that they cried when they heard that record.

0:13:09.480 --> 0:13:12.679
<v Speaker 4>So I'm like it freaked not freaked me out, but

0:13:12.720 --> 0:13:14.959
<v Speaker 4>it was like I had to look and be like, yo,

0:13:15.000 --> 0:13:17.800
<v Speaker 4>you're making these people out here like a tears has

0:13:17.880 --> 0:13:21.320
<v Speaker 4>literally falling out your face over something that I went

0:13:21.480 --> 0:13:24.840
<v Speaker 4>like this. Then I start recognizing, like like what it

0:13:25.000 --> 0:13:27.040
<v Speaker 4>was like the gift or what you know?

0:13:27.200 --> 0:13:29.480
<v Speaker 3>Like I don't, I don't. I don't know, like you

0:13:29.520 --> 0:13:30.320
<v Speaker 3>know what I mean, And.

0:13:31.280 --> 0:13:34.400
<v Speaker 4>You know it just gets deep at the while, like

0:13:34.400 --> 0:13:36.000
<v Speaker 4>when you think about it, like you.

0:13:36.120 --> 0:13:38.600
<v Speaker 5>Always thought about wanted. How did your family feel about

0:13:38.640 --> 0:13:39.160
<v Speaker 5>all that I got?

0:13:40.520 --> 0:13:40.720
<v Speaker 3>Man?

0:13:40.760 --> 0:13:42.040
<v Speaker 1>I don't know.

0:13:42.440 --> 0:13:45.600
<v Speaker 3>Yeah, yeah, asked them, you know what I mean? Ask

0:13:45.679 --> 0:13:46.520
<v Speaker 3>and never asked them.

0:13:46.840 --> 0:13:48.480
<v Speaker 4>I just did it because some the type that just

0:13:48.480 --> 0:13:52.000
<v Speaker 4>do music and like this album, I might even listen

0:13:52.040 --> 0:13:53.600
<v Speaker 4>to it. No more like I don't listen to them.

0:13:53.840 --> 0:13:55.240
<v Speaker 4>I just do it and get it out the way

0:13:55.360 --> 0:13:55.640
<v Speaker 4>I feel.

0:13:55.679 --> 0:13:57.280
<v Speaker 2>I feel like I feel like sometimes you get there,

0:13:57.280 --> 0:14:00.360
<v Speaker 2>you you mad, you emotional, the angry, do it and

0:14:00.520 --> 0:14:02.400
<v Speaker 2>be like I'm done with this. That's how I feel

0:14:02.440 --> 0:14:03.320
<v Speaker 2>with your music.

0:14:03.360 --> 0:14:04.800
<v Speaker 4>I'm done with it. Yeah, I'm done with it. I'm

0:14:04.800 --> 0:14:06.760
<v Speaker 4>done with it, like like you've gotta I gotta hear

0:14:06.800 --> 0:14:09.199
<v Speaker 4>it over and over and over anyway. But yeah, man,

0:14:09.240 --> 0:14:12.560
<v Speaker 4>it was it just it just it just be that

0:14:12.559 --> 0:14:15.719
<v Speaker 4>that emotion. Man, like I don't know, like you know

0:14:15.720 --> 0:14:18.000
<v Speaker 4>what I mean, the things I said, especially on that record,

0:14:20.320 --> 0:14:23.640
<v Speaker 4>it felt like I gave people too much, you know

0:14:23.680 --> 0:14:28.040
<v Speaker 4>what I mean, like too much, But it just came

0:14:28.200 --> 0:14:30.920
<v Speaker 4>like that, you know what I mean. So it's there,

0:14:30.960 --> 0:14:32.880
<v Speaker 4>it's out in the world. You can't do nothing about it,

0:14:33.040 --> 0:14:35.080
<v Speaker 4>like yo, but but you know, people take it.

0:14:35.120 --> 0:14:35.280
<v Speaker 3>Though.

0:14:35.400 --> 0:14:38.520
<v Speaker 2>Do you miss the competitive nature of the group? Right

0:14:38.920 --> 0:14:41.600
<v Speaker 2>the Wu Tang was was rocking and tight, right you know,

0:14:41.920 --> 0:14:44.120
<v Speaker 2>if ODB comes with a verse like I gotta eat

0:14:44.160 --> 0:14:46.000
<v Speaker 2>his verse, or mess come with a verse, you gotta

0:14:46.000 --> 0:14:48.080
<v Speaker 2>eat that verse? Do you miss that element of it?

0:14:48.320 --> 0:14:48.880
<v Speaker 3>Of course?

0:14:49.240 --> 0:14:51.800
<v Speaker 4>Because even to right now, it's like if we all

0:14:51.800 --> 0:14:54.960
<v Speaker 4>getting there, Oh, it's it's a challenge, you know what

0:14:55.000 --> 0:14:57.160
<v Speaker 4>I mean. It's competitive. We're all trying to be better.

0:14:57.200 --> 0:15:00.400
<v Speaker 4>Than what we want the best verse want it. He

0:15:00.440 --> 0:15:02.400
<v Speaker 4>wants it, he wants it. So you're around a bunch

0:15:02.480 --> 0:15:04.800
<v Speaker 4>of dogs in there that just want the same thing,

0:15:05.160 --> 0:15:07.320
<v Speaker 4>you know what I mean. And and I remember back

0:15:07.360 --> 0:15:09.240
<v Speaker 4>in those days, like yo, if you couldn't make it,

0:15:09.840 --> 0:15:12.080
<v Speaker 4>Oh yo, you wasn't getting on you know what I mean?

0:15:12.120 --> 0:15:14.240
<v Speaker 4>Brothers tall you like, Nah, that that's that's not it,

0:15:14.800 --> 0:15:16.520
<v Speaker 4>you know what I mean. So we haven't did that

0:15:16.560 --> 0:15:18.840
<v Speaker 4>in a minute, you know what I mean. Even if

0:15:18.880 --> 0:15:22.040
<v Speaker 4>it was right now, I know a few brothers will

0:15:22.080 --> 0:15:24.240
<v Speaker 4>get emotional or something like dude, you mean you telling

0:15:24.240 --> 0:15:26.240
<v Speaker 4>me I can't get on that, you know what I'm saying.

0:15:26.480 --> 0:15:29.480
<v Speaker 4>But that's just what it was like back then, Like yo,

0:15:29.800 --> 0:15:32.320
<v Speaker 4>Like even myself, if Genius was on there like that

0:15:32.400 --> 0:15:34.000
<v Speaker 4>and he and him and deck in him and it

0:15:34.120 --> 0:15:34.720
<v Speaker 4>was crazy.

0:15:35.240 --> 0:15:37.400
<v Speaker 3>I can't touch it. I can't. I can't.

0:15:37.000 --> 0:15:39.280
<v Speaker 2>Who is the one that you was like, I gotta eat?

0:15:39.800 --> 0:15:44.440
<v Speaker 2>That was always just coming to a ball madly.

0:15:45.280 --> 0:15:46.400
<v Speaker 3>No, Nah, I know what you mean.

0:15:48.560 --> 0:15:52.440
<v Speaker 4>I mean it was it was if I could do it,

0:15:52.440 --> 0:15:56.360
<v Speaker 4>it was everybody. It was everybody like because you want

0:15:56.360 --> 0:15:58.280
<v Speaker 4>that number one spot, like you know what I mean?

0:15:58.320 --> 0:16:01.680
<v Speaker 4>But I knew we're not to touch too, like, no, Tom,

0:16:01.680 --> 0:16:04.040
<v Speaker 4>you ain't got it right now, let that go?

0:16:04.960 --> 0:16:06.440
<v Speaker 3>And that was it? Yeah?

0:16:06.560 --> 0:16:07.680
<v Speaker 1>What record did you hear that on?

0:16:07.720 --> 0:16:07.800
<v Speaker 3>Like?

0:16:08.200 --> 0:16:09.000
<v Speaker 2>What's the one you missed?

0:16:10.040 --> 0:16:12.720
<v Speaker 1>I felt like Krirean. I always felt like been on cream.

0:16:14.440 --> 0:16:16.720
<v Speaker 3>Not at that time, not at that time. No, they

0:16:16.840 --> 0:16:17.720
<v Speaker 3>was just him and Deck.

0:16:17.800 --> 0:16:21.600
<v Speaker 4>That Deck had two verses, mighty ones, and you know

0:16:21.800 --> 0:16:23.960
<v Speaker 4>the other one to me was even better than that one.

0:16:24.440 --> 0:16:28.280
<v Speaker 3>But really yeah, yeah he was saying something. He was

0:16:28.440 --> 0:16:30.400
<v Speaker 3>he was really inspected for real real.

0:16:30.480 --> 0:16:31.680
<v Speaker 1>So what happened with that other bird?

0:16:31.760 --> 0:16:33.520
<v Speaker 3>I don't know. I don't think he put it out yet.

0:16:33.720 --> 0:16:35.920
<v Speaker 4>Wow, I mean no, I mean yet, but I don't

0:16:35.920 --> 0:16:37.200
<v Speaker 4>even he's gonna do it, you know what I mean?

0:16:37.240 --> 0:16:39.640
<v Speaker 4>Something with some rubber bands, like wrapped in rubber bands.

0:16:39.960 --> 0:16:41.680
<v Speaker 4>I gotta ask him about that again, like you know

0:16:41.680 --> 0:16:42.000
<v Speaker 4>what I mean?

0:16:42.040 --> 0:16:45.000
<v Speaker 3>But yeah, what was it again?

0:16:45.040 --> 0:16:46.960
<v Speaker 1>With what record? Did you missed that? You felt like?

0:16:47.040 --> 0:16:48.040
<v Speaker 2>Damn, I missed that one.

0:16:48.240 --> 0:16:51.080
<v Speaker 4>I mean even when I did Cuban, you know, but

0:16:51.160 --> 0:16:54.760
<v Speaker 4>I was on too much. So when Ray did ah Scarface,

0:16:55.240 --> 0:17:00.240
<v Speaker 4>because I heard Scarface, it was like chumps, like because

0:17:00.720 --> 0:17:02.600
<v Speaker 4>yeah yeah.

0:17:02.640 --> 0:17:05.240
<v Speaker 3>And I was like because I wasn't there, so I'm like, yo,

0:17:05.240 --> 0:17:08.640
<v Speaker 3>when did he do that one? Like yeah? But then

0:17:08.760 --> 0:17:10.960
<v Speaker 3>Rizz was like, yo, nah, you're just too much. You're

0:17:11.000 --> 0:17:12.280
<v Speaker 3>doing too much stuff like that.

0:17:12.320 --> 0:17:16.160
<v Speaker 4>He needs some solo ones, so that one, and you know,

0:17:16.400 --> 0:17:17.280
<v Speaker 4>I was there, we need.

0:17:17.160 --> 0:17:19.160
<v Speaker 3>The spot Russians whatever the case may be.

0:17:19.240 --> 0:17:21.720
<v Speaker 4>But uh yeah, like like that, but I know it

0:17:21.800 --> 0:17:24.200
<v Speaker 4>was mega more tracks though, Like you know what I mean.

0:17:24.160 --> 0:17:26.280
<v Speaker 5>What made y'all want to remix? Can it be also simple?

0:17:27.160 --> 0:17:28.159
<v Speaker 5>I always think about it.

0:17:29.320 --> 0:17:31.720
<v Speaker 4>I don't know if it was the if it was

0:17:31.760 --> 0:17:34.400
<v Speaker 4>a label or whatever they called for the remix or

0:17:34.440 --> 0:17:35.800
<v Speaker 4>maybe Rizz I'm not too sure.

0:17:36.880 --> 0:17:39.040
<v Speaker 3>Yeah, so yeah, I like I liked that track right

0:17:39.080 --> 0:17:39.480
<v Speaker 3>there too.

0:17:39.720 --> 0:17:42.240
<v Speaker 5>I used to run around just screaming, Baggy Jean's wiould

0:17:42.280 --> 0:17:44.680
<v Speaker 5>be closed, pretty women. I put it in him, shout

0:17:44.800 --> 0:17:48.960
<v Speaker 5>up in him.

0:17:48.359 --> 0:17:50.320
<v Speaker 3>Heard yeah, I'm telling you that.

0:17:50.600 --> 0:17:52.800
<v Speaker 4>And those were the days though, those were the s

0:17:52.960 --> 0:17:55.600
<v Speaker 4>I missed those days because when I used to hear

0:17:55.680 --> 0:17:58.000
<v Speaker 4>like Biggie nas and like, it made me want to

0:17:58.040 --> 0:18:00.800
<v Speaker 4>go right, And I can't even run home to go

0:18:00.880 --> 0:18:02.720
<v Speaker 4>right no more, you know what I mean? Unless I'm

0:18:02.720 --> 0:18:05.000
<v Speaker 4>hearing the locks. Is somebody that that I really like?

0:18:05.119 --> 0:18:07.400
<v Speaker 4>That of my Piers that I could. You know, that's

0:18:07.440 --> 0:18:10.560
<v Speaker 4>getting busy, you know what I mean. But nowadays it's

0:18:10.600 --> 0:18:12.840
<v Speaker 4>really not like that. So a lot of times I

0:18:12.840 --> 0:18:14.840
<v Speaker 4>don't even listen. I listen to more R and B

0:18:15.000 --> 0:18:16.800
<v Speaker 4>than I do RAT you know what I mean, because

0:18:16.800 --> 0:18:19.359
<v Speaker 4>it's really not there for me, Like like, yo, you

0:18:19.400 --> 0:18:20.680
<v Speaker 4>just do it because you want to do it.

0:18:20.600 --> 0:18:21.600
<v Speaker 1>Like you know what I mean.

0:18:21.640 --> 0:18:23.479
<v Speaker 3>But I used to hear huh no, go ahead, Oh

0:18:23.600 --> 0:18:23.840
<v Speaker 3>not now.

0:18:23.880 --> 0:18:26.399
<v Speaker 4>I'm just saying though, like Brother's back, like the Mob

0:18:26.440 --> 0:18:29.320
<v Speaker 4>albums or Noa's album drop. It was like, yo, I

0:18:29.359 --> 0:18:33.080
<v Speaker 4>gotta go right, gotta go right. I miss those days.

0:18:33.680 --> 0:18:35.440
<v Speaker 6>I was just gonna ask, even when we were talking

0:18:35.440 --> 0:18:37.480
<v Speaker 6>about the song from twenty years ago, like what does

0:18:37.520 --> 0:18:39.520
<v Speaker 6>inspire you now? Because you don't really get with a

0:18:39.600 --> 0:18:41.719
<v Speaker 6>lot of the music now rat wise and R and

0:18:41.720 --> 0:18:43.320
<v Speaker 6>B wise, though, what do you listen to where you're like,

0:18:43.440 --> 0:18:45.280
<v Speaker 6>I want to go now that you want to go

0:18:45.359 --> 0:18:46.760
<v Speaker 6>right after R and B?

0:18:46.880 --> 0:18:48.280
<v Speaker 3>Yeah, like what R and B songs? I mean?

0:18:48.359 --> 0:18:52.280
<v Speaker 4>You know you got I love Stevie, you know what

0:18:52.320 --> 0:18:52.640
<v Speaker 4>I mean.

0:18:53.359 --> 0:18:54.840
<v Speaker 6>So it's still the older R and B. It's nothing

0:18:54.880 --> 0:18:55.320
<v Speaker 6>old R.

0:18:55.280 --> 0:18:57.720
<v Speaker 4>And B and No and the Donelle Jones and all that,

0:18:57.840 --> 0:19:01.400
<v Speaker 4>the jahiemes and all that, like I'll catch a few bars,

0:19:01.680 --> 0:19:04.480
<v Speaker 4>but I'm hearing that I'll just catch bars like like

0:19:04.480 --> 0:19:06.840
<v Speaker 4>like yo and be like yo, you know what I'm

0:19:06.880 --> 0:19:08.280
<v Speaker 4>I'm gonna do one of these kind of tapes or

0:19:08.280 --> 0:19:10.480
<v Speaker 4>whatever the case may be and just get it like

0:19:10.480 --> 0:19:14.640
<v Speaker 4>like you know, but that's that's I love that, especially nineties.

0:19:15.359 --> 0:19:18.320
<v Speaker 5>What's your favorite feature on the R and B record?

0:19:18.440 --> 0:19:21.800
<v Speaker 5>Your your your personal favorite verse you spit on an

0:19:21.880 --> 0:19:22.199
<v Speaker 5>R and B.

0:19:22.280 --> 0:19:26.040
<v Speaker 3>Record, favorite verse or favorite record?

0:19:27.920 --> 0:19:29.200
<v Speaker 1>Give me both? Then give me both.

0:19:32.320 --> 0:19:33.879
<v Speaker 3>I never even looked at it like that before.

0:19:34.440 --> 0:19:36.320
<v Speaker 1>You never thought about what your favorite.

0:19:36.560 --> 0:19:38.719
<v Speaker 3>Don't don't be doing next? People ask me all the time, like, yo,

0:19:38.720 --> 0:19:40.400
<v Speaker 3>what's your favorite? I got mad records?

0:19:40.680 --> 0:19:42.719
<v Speaker 1>Mine is freaking you remixed with jobs?

0:19:42.920 --> 0:19:44.280
<v Speaker 3>All right? That was?

0:19:44.320 --> 0:19:46.800
<v Speaker 1>That was many ridiculous, man, You know what.

0:19:46.800 --> 0:19:48.800
<v Speaker 3>You might be right now that you said it. That

0:19:48.920 --> 0:19:50.000
<v Speaker 3>was I picked that one.

0:19:50.040 --> 0:19:50.760
<v Speaker 2>That was a hard record.

0:19:50.840 --> 0:19:51.600
<v Speaker 3>I picked that one.

0:19:51.960 --> 0:19:54.960
<v Speaker 4>But the best one out that I that that that

0:19:54.960 --> 0:19:56.800
<v Speaker 4>that I had like was the one I do with Beyonce.

0:19:57.040 --> 0:20:04.000
<v Speaker 1>He made Summertime sound grimy summertime. But that freaking know that.

0:20:03.880 --> 0:20:06.400
<v Speaker 4>One, My that's number one, didn't That's number one that's

0:20:06.400 --> 0:20:08.440
<v Speaker 4>more than shade of me, you know what I mean?

0:20:08.560 --> 0:20:10.919
<v Speaker 3>But uh, yeah, no, we was in pocket with that.

0:20:11.040 --> 0:20:12.800
<v Speaker 1>Where was you? What was the Tell me how that

0:20:12.840 --> 0:20:13.520
<v Speaker 1>record happened?

0:20:13.960 --> 0:20:16.159
<v Speaker 2>He was in the studio with those guys.

0:20:16.520 --> 0:20:18.280
<v Speaker 1>We was in there, but y'all knew y'all was gonna

0:20:18.280 --> 0:20:18.919
<v Speaker 1>do a record up.

0:20:19.160 --> 0:20:19.720
<v Speaker 3>Yeah, we was.

0:20:19.640 --> 0:20:21.800
<v Speaker 4>Coming in there to do the remix whatever, you know

0:20:21.840 --> 0:20:23.760
<v Speaker 4>what I mean. But I know that beat was that

0:20:23.880 --> 0:20:26.000
<v Speaker 4>chunky though, you know what I mean. When we got

0:20:26.040 --> 0:20:27.679
<v Speaker 4>in there and then he just put it on and

0:20:28.000 --> 0:20:30.479
<v Speaker 4>it was just crazy in there. They was in here

0:20:30.560 --> 0:20:34.480
<v Speaker 4>drinking that some red ship, some after shot ship, this

0:20:34.520 --> 0:20:40.480
<v Speaker 4>ship after shot after Yeah, that's what I tell.

0:20:40.320 --> 0:20:45.040
<v Speaker 3>You about some ship.

0:20:45.600 --> 0:20:48.560
<v Speaker 4>So so I'm like, but there was Ben, you know

0:20:48.600 --> 0:20:50.320
<v Speaker 4>what I mean, and he was just it was just

0:20:50.359 --> 0:20:50.719
<v Speaker 4>on there.

0:20:50.800 --> 0:20:53.800
<v Speaker 3>So just me and Ray. Ray caught his.

0:20:53.680 --> 0:20:56.199
<v Speaker 4>Lines while he's catching his lines and catching my lines

0:20:56.800 --> 0:20:58.840
<v Speaker 4>and showy show.

0:20:58.920 --> 0:21:00.679
<v Speaker 3>We just went and did it like he did he laders.

0:21:01.280 --> 0:21:03.560
<v Speaker 3>I laid minds and it just came out the way

0:21:03.600 --> 0:21:04.320
<v Speaker 3>it just came out.

0:21:04.480 --> 0:21:06.520
<v Speaker 5>And Yo, sit back, kick your feet up on the

0:21:06.560 --> 0:21:09.760
<v Speaker 5>glass table, grab the remote, baby, check my niggas on cable.

0:21:09.920 --> 0:21:12.520
<v Speaker 5>I got the hay Love Album plus Jodah said, roll

0:21:12.600 --> 0:21:15.520
<v Speaker 5>it up, the Easy Riders and the Full Moons, conk

0:21:15.560 --> 0:21:17.480
<v Speaker 5>weed up, all up in the room, you got the munchies,

0:21:17.680 --> 0:21:18.720
<v Speaker 5>ice cold milk.

0:21:18.480 --> 0:21:19.280
<v Speaker 3>And long the dunes.

0:21:19.320 --> 0:21:20.320
<v Speaker 1>How you like it, baby?

0:21:20.440 --> 0:21:22.480
<v Speaker 5>I like it on the sink you freak me but

0:21:23.200 --> 0:21:27.240
<v Speaker 5>a long ma Oh my god, you study Islam, play

0:21:27.280 --> 0:21:27.600
<v Speaker 5>it off.

0:21:27.680 --> 0:21:31.480
<v Speaker 1>If my wife calls you and my cousin don. That

0:21:31.720 --> 0:21:33.080
<v Speaker 1>was crazy, man.

0:21:33.440 --> 0:21:35.200
<v Speaker 3>Yo, there's a dose with those days.

0:21:35.280 --> 0:21:35.440
<v Speaker 1>Yo.

0:21:35.960 --> 0:21:36.280
<v Speaker 3>I don't know.

0:21:36.280 --> 0:21:38.119
<v Speaker 4>It's something in the air at that time. Man, it

0:21:38.160 --> 0:21:40.560
<v Speaker 4>was just it was just something. And then we was young,

0:21:41.119 --> 0:21:42.560
<v Speaker 4>you know what I mean. So your mind is like

0:21:42.840 --> 0:21:47.160
<v Speaker 4>it's open, it's like to whatever. It's just adapting to what.

0:21:47.400 --> 0:21:48.960
<v Speaker 1>How did it feel performing it on Apollo?

0:21:50.520 --> 0:21:55.080
<v Speaker 4>It's crazy, It's crazy. Yeah, we just it was a moment.

0:21:55.320 --> 0:21:57.159
<v Speaker 4>See those as moments. Like the same thing when I

0:21:57.200 --> 0:21:59.280
<v Speaker 4>did with Beyonce at the Witch you mulda call it

0:22:00.080 --> 0:22:03.560
<v Speaker 4>at the Garden, I forgot my verse right before I

0:22:03.600 --> 0:22:05.120
<v Speaker 4>went on, like I'm scared to death.

0:22:05.200 --> 0:22:07.040
<v Speaker 1>Fuck, the building was shaken. I remember you say that

0:22:07.080 --> 0:22:07.840
<v Speaker 1>on the dot yo.

0:22:08.000 --> 0:22:08.160
<v Speaker 3>Nah.

0:22:08.280 --> 0:22:10.600
<v Speaker 4>Yeah, it was like that, but I just forgot the verse,

0:22:10.720 --> 0:22:13.800
<v Speaker 4>like like I knew it prior, but I just forgot it,

0:22:13.880 --> 0:22:15.600
<v Speaker 4>like you know what I mean, slick rick over there

0:22:15.640 --> 0:22:17.960
<v Speaker 4>throwing changed on and this and that and the third

0:22:18.240 --> 0:22:20.760
<v Speaker 4>you know what I mean. But then I'm like, she's

0:22:20.880 --> 0:22:25.719
<v Speaker 4>singing it already. It's like, Yo, I asked my manager, Yo,

0:22:25.760 --> 0:22:28.200
<v Speaker 4>what's my verse? You know what I'm saying, Like you, Mike,

0:22:28.920 --> 0:22:32.399
<v Speaker 4>he don't know, He's just a manager. I'm like, oh, snap,

0:22:32.520 --> 0:22:34.800
<v Speaker 4>Like yo, I'm scared to death, like I don't want

0:22:34.800 --> 0:22:37.320
<v Speaker 4>to do this in front of twenty thousand whatever it is.

0:22:37.840 --> 0:22:40.400
<v Speaker 4>I start walking up those steps. I saw a dame

0:22:40.520 --> 0:22:42.879
<v Speaker 4>dash like right there from this like looking down. He

0:22:43.000 --> 0:22:45.040
<v Speaker 4>must have seen all the truck shuit, you know what

0:22:45.040 --> 0:22:47.120
<v Speaker 4>I mean. He like, oh, I just seen his mouth say,

0:22:47.160 --> 0:22:50.800
<v Speaker 4>oh shit, bone Bom is coming closer. But I'm scared,

0:22:50.920 --> 0:22:53.560
<v Speaker 4>like what the but I gotta go out there. I

0:22:53.560 --> 0:22:58.080
<v Speaker 4>don't you know what I mean. God just smacked me bow, yo,

0:22:58.560 --> 0:23:00.199
<v Speaker 4>just like it just I just spit it up up

0:23:00.640 --> 0:23:02.880
<v Speaker 4>just as soon as it was my turn for the verse.

0:23:03.040 --> 0:23:05.400
<v Speaker 3>It's just like bow and that's and it was over.

0:23:06.119 --> 0:23:07.439
<v Speaker 1>That was it, And that was that was at an

0:23:07.480 --> 0:23:08.119
<v Speaker 1>official remix.

0:23:08.200 --> 0:23:08.280
<v Speaker 3>Right?

0:23:08.280 --> 0:23:09.280
<v Speaker 1>You did that on your own, right?

0:23:09.640 --> 0:23:09.840
<v Speaker 3>Yeah?

0:23:10.000 --> 0:23:11.960
<v Speaker 4>Because my man charm La rock when I was doing

0:23:12.760 --> 0:23:15.399
<v Speaker 4>pretty Chony album. He was out there was he was

0:23:15.440 --> 0:23:17.480
<v Speaker 4>out he live out there, so he's like, yo, tone,

0:23:17.560 --> 0:23:20.439
<v Speaker 4>like you know, Djack whatever, You're like, yo, Yo, I

0:23:20.480 --> 0:23:23.639
<v Speaker 4>got this joint yours Beyonce joint like YO, played it

0:23:23.680 --> 0:23:26.120
<v Speaker 4>for me fire, you know. I just went and later

0:23:26.119 --> 0:23:28.720
<v Speaker 4>it immediately, and I gave it to God bless the Dad.

0:23:28.800 --> 0:23:31.879
<v Speaker 4>Kate Slay gave it to him bawl and it was

0:23:31.920 --> 0:23:33.520
<v Speaker 4>on from there. And I was still out there while

0:23:33.520 --> 0:23:36.120
<v Speaker 4>I was getting played out here. So I came back

0:23:36.119 --> 0:23:38.960
<v Speaker 4>from there at the like doing my thing, and it

0:23:39.000 --> 0:23:39.840
<v Speaker 4>was was popping.

0:23:39.960 --> 0:23:42.520
<v Speaker 2>Do you ever look back and really think about and

0:23:42.520 --> 0:23:44.840
<v Speaker 2>take it all in the success of Wu Tang the

0:23:44.880 --> 0:23:47.959
<v Speaker 2>biggest group that logo. I mean, we had Pete Davison here,

0:23:48.000 --> 0:23:51.480
<v Speaker 2>he has he has a tattooed on them Superhero. But

0:23:51.480 --> 0:23:54.360
<v Speaker 2>it's not only that it transcends through generations, Like it's

0:23:54.400 --> 0:23:57.920
<v Speaker 2>not just fifty sixty you got thirty twenty year old

0:23:58.000 --> 0:24:00.240
<v Speaker 2>teams that still know that logo and still you know

0:24:00.320 --> 0:24:04.800
<v Speaker 2>y'all Walmart, like y'all, look, you ever look back and

0:24:04.880 --> 0:24:08.479
<v Speaker 2>be like Jesus just yeah, some kids from Staten Island.

0:24:08.480 --> 0:24:10.280
<v Speaker 2>It's just like we're gonna find a way.

0:24:10.160 --> 0:24:12.000
<v Speaker 3>Old they hit you, you know what I mean.

0:24:12.040 --> 0:24:13.919
<v Speaker 4>I started seeing it like that when I when I

0:24:13.920 --> 0:24:15.720
<v Speaker 4>got older, when I was young, you just in the mix.

0:24:16.000 --> 0:24:17.639
<v Speaker 3>But when you look, when you try to put.

0:24:17.480 --> 0:24:22.600
<v Speaker 4>Yourself on the outside looking in, it's like, yo, I

0:24:22.600 --> 0:24:23.760
<v Speaker 4>didn't know it was gonna be like that.

0:24:23.840 --> 0:24:26.080
<v Speaker 3>I just knew that we was coming in to do damage.

0:24:26.640 --> 0:24:28.240
<v Speaker 3>I said, you ain't nobody playing with anybody.

0:24:28.400 --> 0:24:31.320
<v Speaker 4>Anybody. We're just too ill like boom. But then at

0:24:31.359 --> 0:24:33.960
<v Speaker 4>the while it just turned into some cold you.

0:24:33.920 --> 0:24:34.360
<v Speaker 3>Know what I mean.

0:24:34.400 --> 0:24:37.159
<v Speaker 4>And then you still hear like like I seened a

0:24:37.160 --> 0:24:39.840
<v Speaker 4>lot of my favorite like like not old I like

0:24:39.880 --> 0:24:41.760
<v Speaker 4>saying old school rappers, but you know that you once

0:24:41.800 --> 0:24:44.200
<v Speaker 4>you look up to it's like, yo, we're still selling out,

0:24:44.640 --> 0:24:47.119
<v Speaker 4>like like right now. And then my best year with

0:24:47.200 --> 0:24:49.480
<v Speaker 4>these guys was like the tour that we just did

0:24:49.800 --> 0:24:52.399
<v Speaker 4>like like like yo, like like you know what I mean,

0:24:52.440 --> 0:24:55.640
<v Speaker 4>it's Matt thirty some years later. So but yeah, nah,

0:24:55.640 --> 0:24:57.920
<v Speaker 4>it's a it's an amazing yo, man. And I say

0:24:57.960 --> 0:25:00.760
<v Speaker 4>to myself, I'm like, yo, like I know there's people

0:25:00.840 --> 0:25:03.359
<v Speaker 4>that went to the grave with that w you know

0:25:03.400 --> 0:25:06.280
<v Speaker 4>what I mean, Like I be in Australia. One kid

0:25:06.280 --> 0:25:09.000
<v Speaker 4>pulled down his pants. It was like yo, so whole

0:25:09.080 --> 0:25:11.960
<v Speaker 4>thigh was on dirty fast his face like yo, nigga,

0:25:12.040 --> 0:25:15.240
<v Speaker 4>you know what I mean? Like yo, and I'm like yo, wow,

0:25:15.400 --> 0:25:19.200
<v Speaker 4>like like I'm just grateful. I'm just I'm just humbled

0:25:19.200 --> 0:25:22.440
<v Speaker 4>to be a part of something that that's living when

0:25:22.480 --> 0:25:25.400
<v Speaker 4>they said it was forever and you know, I guess

0:25:25.440 --> 0:25:28.000
<v Speaker 4>the universe took it like that because I'm seeing.

0:25:27.720 --> 0:25:28.880
<v Speaker 3>Like seven year old kids.

0:25:29.760 --> 0:25:32.000
<v Speaker 4>It stands, you know what I mean, little ones even

0:25:32.000 --> 0:25:33.679
<v Speaker 4>little more than that with shirts on.

0:25:34.440 --> 0:25:37.119
<v Speaker 3>I'm like, damn, like it's still going, like you know

0:25:37.160 --> 0:25:38.560
<v Speaker 3>what I mean. So I don't know.

0:25:38.600 --> 0:25:40.600
<v Speaker 4>I'm just here to keep that flag, to raise the

0:25:40.640 --> 0:25:42.679
<v Speaker 4>whatever flag I could raise, and just keep it the

0:25:42.760 --> 0:25:43.400
<v Speaker 4>movement going.

0:25:43.480 --> 0:25:45.240
<v Speaker 5>Like That's why it's so interesting that you drop a

0:25:45.240 --> 0:25:47.320
<v Speaker 5>Supreme clientele two at a time like this, because back

0:25:47.320 --> 0:25:49.560
<v Speaker 5>in two thousand, when you drop Supreme Clientele, there was

0:25:49.560 --> 0:25:51.080
<v Speaker 5>a lot of people that was like yo, that saved

0:25:51.119 --> 0:25:53.280
<v Speaker 5>the Wu Tang brand in a lot of ways, like

0:25:53.520 --> 0:25:55.600
<v Speaker 5>really kept that flag held high. Did you feel that

0:25:55.640 --> 0:25:57.359
<v Speaker 5>pressure when you were making it back then or you

0:25:57.440 --> 0:25:58.959
<v Speaker 5>just were in a.

0:25:58.680 --> 0:26:00.560
<v Speaker 3>It was just zoning out because you know, what happened.

0:26:00.680 --> 0:26:02.919
<v Speaker 4>Remember how I be saying like yo, iron Man, was

0:26:03.000 --> 0:26:05.159
<v Speaker 4>like they only gave me like a few months to

0:26:05.200 --> 0:26:06.359
<v Speaker 4>get ahead and to do that.

0:26:06.440 --> 0:26:08.199
<v Speaker 1>Yeah, you bug it. Every time I say that, I'm like, oh,

0:26:08.280 --> 0:26:08.600
<v Speaker 1>bugging you.

0:26:10.080 --> 0:26:13.840
<v Speaker 3>No why I just rolled all over Cuba Lynx. I

0:26:13.920 --> 0:26:14.240
<v Speaker 3>just rode.

0:26:14.280 --> 0:26:17.240
<v Speaker 4>I just skated on it and to get ahead. And

0:26:17.359 --> 0:26:20.040
<v Speaker 4>you know, I got rushed with a contract. I'm young,

0:26:20.200 --> 0:26:21.800
<v Speaker 4>like you know what I mean. So it's like when

0:26:21.800 --> 0:26:23.560
<v Speaker 4>you're gonna hit me with like four or five hundred

0:26:23.560 --> 0:26:25.679
<v Speaker 4>thousand dollars, but I got to hurry up and do

0:26:25.720 --> 0:26:28.119
<v Speaker 4>it in like like two months, like sixty they is

0:26:28.200 --> 0:26:30.720
<v Speaker 4>something like that. It's like I had to make a decision,

0:26:31.280 --> 0:26:33.080
<v Speaker 4>you know right then you know when you be like

0:26:33.240 --> 0:26:37.640
<v Speaker 4>hold on gee, But that's that is that I took that,

0:26:38.040 --> 0:26:39.600
<v Speaker 4>you know what I mean. But I was undepressed under

0:26:39.600 --> 0:26:42.480
<v Speaker 4>the gun. And my best friend just he done got

0:26:42.480 --> 0:26:44.800
<v Speaker 4>caught for something that a body that he even commit.

0:26:45.600 --> 0:26:48.720
<v Speaker 4>It was dog diabetes is on you, you know what I mean.

0:26:48.800 --> 0:26:52.040
<v Speaker 4>So it was just it wasn't you know, it was

0:26:52.080 --> 0:26:54.320
<v Speaker 4>just it was gloomy for me. Then I'm shooting it

0:26:54.320 --> 0:26:55.840
<v Speaker 4>out with the del phonics.

0:26:56.200 --> 0:26:56.880
<v Speaker 1>It's just bad.

0:26:56.960 --> 0:26:57.760
<v Speaker 2>This just going on.

0:26:58.400 --> 0:27:00.240
<v Speaker 3>You know what I'm saying. It was just mad. It

0:27:00.320 --> 0:27:02.080
<v Speaker 3>was just crazy. But I got to.

0:27:02.160 --> 0:27:05.639
<v Speaker 4>Sit there and and and and try to try to

0:27:05.680 --> 0:27:08.600
<v Speaker 4>get this thing done. So it was like only thing

0:27:08.600 --> 0:27:10.600
<v Speaker 4>I really liked about it. It was a couple of

0:27:10.640 --> 0:27:12.600
<v Speaker 4>songs put all I got is you you know what

0:27:12.600 --> 0:27:14.800
<v Speaker 4>I mean. But the album cover was the private Fly

0:27:14.960 --> 0:27:18.639
<v Speaker 4>seven album cover I ever did. But and that's that's it.

0:27:18.720 --> 0:27:21.360
<v Speaker 4>But I'm just saying I stated on links right, But

0:27:21.400 --> 0:27:25.919
<v Speaker 4>then it was like, Okay, I didn't you know, I

0:27:26.000 --> 0:27:29.960
<v Speaker 4>wasn't satisfied. So when we got the Supreme Clientele, it

0:27:30.080 --> 0:27:33.359
<v Speaker 4>was like, Okay, I had more, more time, you know

0:27:33.359 --> 0:27:33.760
<v Speaker 4>what I mean.

0:27:34.200 --> 0:27:34.360
<v Speaker 3>More.

0:27:34.400 --> 0:27:35.960
<v Speaker 4>I think I might have did like quick six months,

0:27:36.000 --> 0:27:37.879
<v Speaker 4>real quick, if I'm not mistaken, then came back and

0:27:37.880 --> 0:27:41.679
<v Speaker 4>finished it off rkers, But yeah, it was it was

0:27:41.720 --> 0:27:44.639
<v Speaker 4>just it was just something that I knew that I

0:27:44.640 --> 0:27:46.399
<v Speaker 4>always could do. Because at first I was going to

0:27:46.520 --> 0:27:49.240
<v Speaker 4>name my first album, was gonna name that Supreme Clientele,

0:27:49.760 --> 0:27:51.240
<v Speaker 4>you know what I mean. But they was like on

0:27:51.440 --> 0:27:54.080
<v Speaker 4>iron Man which one? So I had to I asked

0:27:54.119 --> 0:27:58.040
<v Speaker 4>Rizid Raiding. They just went with iron Man first Classic.

0:27:58.080 --> 0:27:59.679
<v Speaker 1>Yeah, I don't care what you say. I've heard you

0:27:59.720 --> 0:28:02.480
<v Speaker 1>say that, I heard I drink Champs. I'm like, what

0:28:03.359 --> 0:28:05.880
<v Speaker 1>classic record Wildflower cam made?

0:28:06.000 --> 0:28:10.440
<v Speaker 5>Daytona five hundred nut Meg was on spreakline that's preme.

0:28:10.520 --> 0:28:13.959
<v Speaker 4>Yeah, yeah, but I get it. But it was just

0:28:14.080 --> 0:28:15.880
<v Speaker 4>it was just me because it was just a spirit

0:28:16.480 --> 0:28:19.240
<v Speaker 4>it was. It was kind of like dark and cloudy

0:28:19.280 --> 0:28:22.520
<v Speaker 4>to me, like like even rap wise, I wasn't really

0:28:22.680 --> 0:28:25.439
<v Speaker 4>like like like dead with it. I had to hurry up,

0:28:25.520 --> 0:28:27.280
<v Speaker 4>and I don't like being rushed. So that's why I

0:28:27.280 --> 0:28:29.639
<v Speaker 4>don't get deadlines no more. If I'm doing music, I

0:28:29.680 --> 0:28:31.800
<v Speaker 4>don't want no deadline, like let me go.

0:28:32.119 --> 0:28:32.320
<v Speaker 1>You know.

0:28:32.359 --> 0:28:34.320
<v Speaker 5>The first time I met Ghost, I was drunk as

0:28:34.320 --> 0:28:37.680
<v Speaker 5>hell at a party. Some party went throwing. I ran

0:28:37.800 --> 0:28:40.640
<v Speaker 5>upon him outside and started rapping wildflowers.

0:28:43.200 --> 0:28:45.640
<v Speaker 3>I remember that. I remember that somewhere.

0:28:45.200 --> 0:28:48.360
<v Speaker 5>Your bit your friend, stay hold, I see you on

0:28:48.400 --> 0:28:49.720
<v Speaker 5>the helipade, honey grab I.

0:28:49.640 --> 0:28:53.840
<v Speaker 4>Can't go, And you did tell me back then, yo yo,

0:28:54.760 --> 0:28:57.920
<v Speaker 4>my favorite rap whatever man exactly. Now, I respect that respect.

0:29:00.120 --> 0:29:02.720
<v Speaker 4>Sometime I write a couple of bars, a couple of songs,

0:29:02.760 --> 0:29:04.640
<v Speaker 4>and I might think, like I might think of you,

0:29:04.800 --> 0:29:06.280
<v Speaker 4>like you know what I mean, Like I wonder what

0:29:06.320 --> 0:29:07.960
<v Speaker 4>he gonna think about this, you know what I mean?

0:29:08.320 --> 0:29:10.840
<v Speaker 3>Like, yo, like you know what I'm saying. So nah,

0:29:10.840 --> 0:29:11.920
<v Speaker 3>that's love right there. Though.

0:29:12.280 --> 0:29:14.040
<v Speaker 5>You know in the in the press release for the

0:29:14.080 --> 0:29:17.880
<v Speaker 5>Supreme clientele Too, it says a real rap, no gimmicks. Right,

0:29:17.920 --> 0:29:19.800
<v Speaker 5>It's like you don't like you don't like gimmicks and rap?

0:29:21.040 --> 0:29:21.520
<v Speaker 3>What do you say?

0:29:22.040 --> 0:29:23.680
<v Speaker 5>I saw a press release it was like this Supreme

0:29:23.680 --> 0:29:25.720
<v Speaker 5>Client Teller is about real Supreme Clint tell twos about

0:29:25.760 --> 0:29:26.800
<v Speaker 5>real rap, no gimmicks.

0:29:26.840 --> 0:29:29.280
<v Speaker 1>Oh okay, but when you will walk when you had the.

0:29:30.160 --> 0:29:32.440
<v Speaker 5>Stocking mask on back in the right right and you

0:29:32.440 --> 0:29:34.600
<v Speaker 5>were a ghost Face killer, did you consider that a gimmick?

0:29:35.640 --> 0:29:38.240
<v Speaker 3>No? I ain't, No, I wasn't even thinking like that.

0:29:38.760 --> 0:29:40.800
<v Speaker 3>It well, just like yo, it was his ghost face.

0:29:40.840 --> 0:29:42.840
<v Speaker 4>It was like you know where I got the name

0:29:42.880 --> 0:29:45.360
<v Speaker 4>from mystery a chest boxing, you know what I mean,

0:29:45.400 --> 0:29:48.960
<v Speaker 4>the god It was ghost Face, the ghost Face Killer.

0:29:49.000 --> 0:29:51.200
<v Speaker 4>You know, he came back after twenty years and just

0:29:51.200 --> 0:29:53.160
<v Speaker 4>started like doing what he do. But I just felt,

0:29:53.280 --> 0:29:55.640
<v Speaker 4>for some reason at that time, I thought that name

0:29:55.720 --> 0:29:57.800
<v Speaker 4>applied to me, you know what I mean. So you

0:29:57.840 --> 0:30:00.000
<v Speaker 4>know I threw the mask on, you know what I mean.

0:30:00.400 --> 0:30:02.720
<v Speaker 4>But I took the masks off. I took the mask

0:30:02.800 --> 0:30:05.280
<v Speaker 4>off because I didn't really have no other masses like

0:30:05.360 --> 0:30:06.400
<v Speaker 4>I had stocking.

0:30:06.080 --> 0:30:07.560
<v Speaker 3>Cap on, you know what I mean.

0:30:07.680 --> 0:30:09.479
<v Speaker 4>So it's like, you know, you can't really wrap all

0:30:09.560 --> 0:30:11.720
<v Speaker 4>day with a cat on like that, so you couldn't

0:30:11.720 --> 0:30:13.959
<v Speaker 4>breathe you heard. So I'm like, yo, now this got

0:30:14.040 --> 0:30:16.000
<v Speaker 4>to go, man, you know what I mean. But you know,

0:30:16.080 --> 0:30:18.920
<v Speaker 4>as time went on, like now, you know they got

0:30:18.920 --> 0:30:20.960
<v Speaker 4>things like that where you can throw a mask on it,

0:30:21.480 --> 0:30:22.880
<v Speaker 4>you know, do what you want to. If I would

0:30:22.880 --> 0:30:23.840
<v Speaker 4>have kept that mask on.

0:30:23.840 --> 0:30:28.120
<v Speaker 5>It, that made your mythical figures even back then, because

0:30:28.200 --> 0:30:30.840
<v Speaker 5>you know, you be talking like, yo, it was wrong

0:30:30.880 --> 0:30:31.360
<v Speaker 5>with ghost face.

0:30:31.400 --> 0:30:33.080
<v Speaker 1>People like y'all think his face is just figured.

0:30:36.280 --> 0:30:38.520
<v Speaker 3>Run yeah, run and all that. I heard all that,

0:30:38.760 --> 0:30:40.880
<v Speaker 3>you know what I mean. It was just it was

0:30:40.920 --> 0:30:41.800
<v Speaker 3>just ghost face.

0:30:41.880 --> 0:30:42.720
<v Speaker 1>That's what you wanted to do.

0:30:43.720 --> 0:30:43.880
<v Speaker 3>You know.

0:30:44.840 --> 0:30:46.680
<v Speaker 2>During the recent interview, there was always a room in

0:30:46.720 --> 0:30:50.760
<v Speaker 2>New York that that puff Banjohn from radio. That was

0:30:50.920 --> 0:30:52.960
<v Speaker 2>a big rumor for years and years and years, right,

0:30:53.200 --> 0:30:54.200
<v Speaker 2>and you kind of confirmed that.

0:30:54.280 --> 0:30:55.120
<v Speaker 3>So that was true.

0:30:55.280 --> 0:30:57.400
<v Speaker 1>Yeah, yeah, like you don't know you was a DJ.

0:30:57.840 --> 0:30:59.520
<v Speaker 2>I didn't work I was I didn't work that during

0:30:59.520 --> 0:31:00.080
<v Speaker 2>that time I was.

0:31:01.720 --> 0:31:04.880
<v Speaker 4>Yo now because yeah, Rizzie was telling us. He was like, yo,

0:31:05.600 --> 0:31:08.479
<v Speaker 4>he said, yeah, Puff admitted to it, like it was talking,

0:31:08.840 --> 0:31:10.880
<v Speaker 4>and I think rizz asked him the question and Puff

0:31:10.920 --> 0:31:11.440
<v Speaker 4>agreed to.

0:31:11.400 --> 0:31:12.640
<v Speaker 3>It, you know what I'm saying.

0:31:12.680 --> 0:31:15.320
<v Speaker 4>And I'm like, because it was just like after that

0:31:15.360 --> 0:31:18.479
<v Speaker 4>hot ninety seventh thing, it just went, haywhy it just

0:31:18.480 --> 0:31:21.280
<v Speaker 4>went Things just went down like it was.

0:31:21.320 --> 0:31:24.160
<v Speaker 3>It ain't even fail right, no more and and and.

0:31:24.080 --> 0:31:26.600
<v Speaker 4>If Puff did that, that was a nice chance move,

0:31:26.920 --> 0:31:28.840
<v Speaker 4>you know what I mean, because he told Rizzy he said, yo.

0:31:29.160 --> 0:31:32.000
<v Speaker 4>But y'all was just too like coming up. You know,

0:31:32.360 --> 0:31:34.440
<v Speaker 4>hold on, did Dirty did that? Did Dirty do that?

0:31:34.480 --> 0:31:38.160
<v Speaker 3>Before that? Or that was after Dirty? They had the

0:31:38.200 --> 0:31:40.960
<v Speaker 3>Grammys he did it? That was after after after.

0:31:40.800 --> 0:31:44.480
<v Speaker 1>He did that? Had to be like ninety eight after

0:31:45.240 --> 0:31:45.520
<v Speaker 1>I think it.

0:31:45.520 --> 0:31:45.880
<v Speaker 3>Was all right?

0:31:45.960 --> 0:31:49.800
<v Speaker 4>So we did Forever in ninety seven, right right, Yeah,

0:31:49.840 --> 0:31:51.120
<v Speaker 4>Yo nominated for Album of the Year.

0:31:51.160 --> 0:31:55.280
<v Speaker 5>It was no way out Life after Death? Who tang Forever?

0:31:55.400 --> 0:31:56.920
<v Speaker 5>I forgot what else was in that category?

0:31:57.080 --> 0:31:57.360
<v Speaker 3>Right?

0:31:58.040 --> 0:32:00.880
<v Speaker 4>So yeah, so he was like yo, he said something

0:32:00.880 --> 0:32:03.840
<v Speaker 4>like yo. Puffer is like saying that, yo, y'all was I.

0:32:03.760 --> 0:32:06.320
<v Speaker 3>Guess we was this competition, you know, what I mean.

0:32:06.640 --> 0:32:10.520
<v Speaker 4>And yeah, and it just was on that that time

0:32:10.600 --> 0:32:13.840
<v Speaker 4>right there, so we they banned us. I guess we

0:32:13.840 --> 0:32:15.840
<v Speaker 4>should have just stayed on and raised against the machines.

0:32:16.240 --> 0:32:18.200
<v Speaker 5>You know what I'm saying, Well, how did that make

0:32:18.280 --> 0:32:20.160
<v Speaker 5>y'all feel back then when you saw, like even now,

0:32:20.160 --> 0:32:21.320
<v Speaker 5>but when you saw all of those white.

0:32:21.200 --> 0:32:23.760
<v Speaker 1>People embraced war tank, y'all was so pro black still

0:32:23.800 --> 0:32:24.280
<v Speaker 1>now though.

0:32:26.360 --> 0:32:29.080
<v Speaker 3>White people started coming, I don't know.

0:32:29.120 --> 0:32:31.040
<v Speaker 4>I always think I think about that, and I just

0:32:31.080 --> 0:32:33.440
<v Speaker 4>think that might have been the knowledge we I mean,

0:32:33.640 --> 0:32:35.880
<v Speaker 4>first of all, you got non members we up there,

0:32:35.920 --> 0:32:39.160
<v Speaker 4>like earth Wind and fire Man. Everybody is just different,

0:32:39.360 --> 0:32:41.840
<v Speaker 4>unique in their own way, and I don't think I

0:32:41.840 --> 0:32:44.280
<v Speaker 4>don't think they probably ever seen nothing like that. It

0:32:44.320 --> 0:32:48.200
<v Speaker 4>didn't especially when you got brothers speaking the truth, and you.

0:32:48.200 --> 0:32:50.440
<v Speaker 3>Know, like like like like like.

0:32:50.520 --> 0:32:52.680
<v Speaker 4>The people, when you hear the truth, you become attracted

0:32:52.720 --> 0:32:54.840
<v Speaker 4>to that, you know what I mean, and everything else.

0:32:54.880 --> 0:32:57.600
<v Speaker 3>So it's I think it's a few things.

0:32:57.320 --> 0:33:02.880
<v Speaker 4>That that, uh, that got the whole world just to

0:33:03.040 --> 0:33:06.680
<v Speaker 4>just to come in, not just blacks, Latinos and stuff

0:33:06.720 --> 0:33:06.920
<v Speaker 4>like that.

0:33:07.040 --> 0:33:10.440
<v Speaker 3>So yeah, man, it's funny because when we go overseas.

0:33:09.960 --> 0:33:15.280
<v Speaker 4>It's like it's like mania, Oh shit, like inga you

0:33:15.360 --> 0:33:17.920
<v Speaker 4>get more I say, more love, but it's it just

0:33:17.920 --> 0:33:20.040
<v Speaker 4>feels like they just on it.

0:33:20.640 --> 0:33:22.640
<v Speaker 2>You said, you made more money in the last couple

0:33:22.640 --> 0:33:24.880
<v Speaker 2>of years than you made before. Torn right with the

0:33:24.920 --> 0:33:27.800
<v Speaker 2>new group? Well with with this group. I know there's

0:33:27.840 --> 0:33:30.640
<v Speaker 2>always problems with the group. Would y'all consider keep going

0:33:30.680 --> 0:33:33.200
<v Speaker 2>on to it because y'all made more than y'all ever made,

0:33:33.240 --> 0:33:35.760
<v Speaker 2>And I know sometimes the groups is the most difficult thing.

0:33:35.800 --> 0:33:36.760
<v Speaker 3>Everybody got to schedule.

0:33:36.840 --> 0:33:40.560
<v Speaker 2>Everybody got an emotion of feeling right with that continue

0:33:40.560 --> 0:33:41.800
<v Speaker 2>to happen with what's your thoughts on it?

0:33:42.040 --> 0:33:43.600
<v Speaker 4>I mean, I think so you know what I mean,

0:33:43.640 --> 0:33:47.200
<v Speaker 4>Like when when Rizza said he said he said, he said,

0:33:47.760 --> 0:33:49.360
<v Speaker 4>like a couple of years ago, Yo, we're gonna do

0:33:49.400 --> 0:33:51.680
<v Speaker 4>this Vegas thing and then we're gonna we're gonna just

0:33:52.560 --> 0:33:55.240
<v Speaker 4>uh uh through through a char Then we entered it.

0:33:55.200 --> 0:33:57.560
<v Speaker 3>Off right there. But then it like that's it just

0:33:57.600 --> 0:33:58.080
<v Speaker 3>flew by.

0:33:58.240 --> 0:34:00.400
<v Speaker 4>So when he was up here telling y'all, like, yo,

0:34:00.960 --> 0:34:03.000
<v Speaker 4>that shit was a shocking to me, Like hold on,

0:34:03.000 --> 0:34:05.920
<v Speaker 4>we're talking about bro, you know what I mean? And

0:34:06.280 --> 0:34:08.279
<v Speaker 4>you know, final chapter this and that and the third

0:34:08.360 --> 0:34:10.160
<v Speaker 4>and I'm like I ain't here about that.

0:34:10.160 --> 0:34:13.279
<v Speaker 3>I ain't know that it's right now, you know what

0:34:13.280 --> 0:34:13.600
<v Speaker 3>I'm saying.

0:34:14.160 --> 0:34:16.680
<v Speaker 4>I know it's right now, like like yo, so but

0:34:16.840 --> 0:34:20.440
<v Speaker 4>in my heart, in my heart, I feel like we

0:34:20.520 --> 0:34:21.359
<v Speaker 4>still got more to give.

0:34:21.440 --> 0:34:24.280
<v Speaker 3>But I don't. I don't think it's over over, But.

0:34:24.200 --> 0:34:27.680
<v Speaker 4>I just didn't understand the fact of like yo, like damn,

0:34:27.719 --> 0:34:30.319
<v Speaker 4>the final chapter. It's like nigga, we're still selling out

0:34:30.880 --> 0:34:33.680
<v Speaker 4>right regardless, like like like you didn't have to call

0:34:33.719 --> 0:34:35.960
<v Speaker 4>it that, you know what I'm saying, or that's just

0:34:36.080 --> 0:34:38.920
<v Speaker 4>something else like like you know, and but you know,

0:34:38.960 --> 0:34:40.280
<v Speaker 4>whatever it was, it was beautiful.

0:34:40.680 --> 0:34:42.480
<v Speaker 6>Have y'all talked that all. Have y'all talked that all

0:34:42.480 --> 0:34:44.640
<v Speaker 6>about continuing after this final tour?

0:34:45.200 --> 0:34:47.400
<v Speaker 4>That was because when we left that last to everybody

0:34:47.520 --> 0:34:49.520
<v Speaker 4>was like peal, we mean you know what I mean,

0:34:50.600 --> 0:34:52.680
<v Speaker 4>just everybody just went I think we might got some

0:34:52.800 --> 0:34:55.319
<v Speaker 4>dates coming up in Europe probably that they're trying to

0:34:55.320 --> 0:34:58.000
<v Speaker 4>do it whatever, but not to really be like yo,

0:34:58.160 --> 0:34:59.680
<v Speaker 4>all right, where we're going from where we're.

0:34:59.560 --> 0:35:01.560
<v Speaker 3>Going from here? You know what I'm saying.

0:35:01.600 --> 0:35:03.480
<v Speaker 4>But like I said, to my heart, I feel like

0:35:03.520 --> 0:35:07.400
<v Speaker 4>we're gonna I feel it ain't it. I mean when

0:35:07.400 --> 0:35:10.760
<v Speaker 4>you got Bruce Springsteen and these Beatle Cats still going

0:35:10.840 --> 0:35:11.960
<v Speaker 4>and sharing all these.

0:35:12.040 --> 0:35:15.239
<v Speaker 3>It's like, nigga, what money, go get that ship.

0:35:15.400 --> 0:35:18.160
<v Speaker 2>But I got so many records together solo, like y'all

0:35:18.160 --> 0:35:19.480
<v Speaker 2>be on stage for four hours.

0:35:19.520 --> 0:35:19.960
<v Speaker 3>Yeah we do.

0:35:20.120 --> 0:35:22.360
<v Speaker 4>Yeah, and it'd be hard to pick sometime from the

0:35:22.400 --> 0:35:24.319
<v Speaker 4>records from like that or whatever.

0:35:24.400 --> 0:35:26.120
<v Speaker 3>Then you got some brothers with less records.

0:35:26.560 --> 0:35:28.960
<v Speaker 4>That's like, yo, now you can't do all that because

0:35:29.400 --> 0:35:30.920
<v Speaker 4>you know what I mean, these guys gotta you know,

0:35:31.320 --> 0:35:34.040
<v Speaker 4>whatever whatever, So it always be like that. That's one

0:35:34.080 --> 0:35:36.360
<v Speaker 4>thing about us though, like we can never make a

0:35:36.360 --> 0:35:37.120
<v Speaker 4>straight decision.

0:35:38.320 --> 0:35:40.080
<v Speaker 3>It's too many, you know what I mean?

0:35:40.120 --> 0:35:42.200
<v Speaker 4>You know mean I want to bring a white ferry couch.

0:35:42.239 --> 0:35:45.040
<v Speaker 4>I don't stead do all this then, yo, come on, No,

0:35:45.080 --> 0:35:47.040
<v Speaker 4>we got a step of wardrobe, but yo, we can't

0:35:47.080 --> 0:35:48.799
<v Speaker 4>be out here looking like we ninety three, like back

0:35:48.840 --> 0:35:51.319
<v Speaker 4>in ninety two, miss and that and the third Yo,

0:35:52.400 --> 0:35:55.799
<v Speaker 4>I seen them. I seen Bell BIV devoing them. Matter

0:35:55.840 --> 0:36:02.440
<v Speaker 4>of fact, the whole new addition at New Orleans that.

0:36:02.080 --> 0:36:05.760
<v Speaker 2>Yo, flies they changed their outfits together.

0:36:06.040 --> 0:36:08.120
<v Speaker 4>Yes, like yo, that's supposed to be us and telling

0:36:08.200 --> 0:36:10.759
<v Speaker 4>Ray like yo, look look look boom, you know what

0:36:10.800 --> 0:36:12.319
<v Speaker 4>I mean but then when you bring it back to

0:36:12.360 --> 0:36:16.040
<v Speaker 4>the guys, they'd be excited, but then it's like, nine, nigga,

0:36:16.320 --> 0:36:18.760
<v Speaker 4>I'm not throwing that on this SNA and the thirst.

0:36:18.760 --> 0:36:20.680
<v Speaker 4>So I'm like, once you get three and four saying

0:36:20.680 --> 0:36:22.880
<v Speaker 4>they're not doing it, the whole idea is.

0:36:22.880 --> 0:36:23.920
<v Speaker 3>A rat oh.

0:36:24.000 --> 0:36:26.160
<v Speaker 5>I felt like w Tang and New Addition were like

0:36:26.160 --> 0:36:28.800
<v Speaker 5>like cousins because when you look at Wu Tang and

0:36:28.840 --> 0:36:31.200
<v Speaker 5>you look at New Addition, there they both essentially did

0:36:31.239 --> 0:36:33.640
<v Speaker 5>the same thing. You can't name a group where damn

0:36:33.640 --> 0:36:36.600
<v Speaker 5>that every member had individual success like that, Like they

0:36:36.640 --> 0:36:38.920
<v Speaker 5>come together in a group of success, but then they

0:36:38.960 --> 0:36:40.680
<v Speaker 5>break apart and do BBD and.

0:36:44.120 --> 0:36:44.239
<v Speaker 3>Right.

0:36:44.440 --> 0:36:46.120
<v Speaker 1>They'll had conversations about that.

0:36:46.640 --> 0:36:46.759
<v Speaker 3>Now.

0:36:46.800 --> 0:36:48.719
<v Speaker 4>I wanted to go on to roll with them, you

0:36:48.760 --> 0:36:50.560
<v Speaker 4>know what I mean, Like, Yo, let's see how that'll go,

0:36:51.080 --> 0:36:53.440
<v Speaker 4>you know what I mean. But yeah, we never really

0:36:53.480 --> 0:36:55.320
<v Speaker 4>like I mean, I know, I wasn't in the conversation.

0:36:55.920 --> 0:36:58.600
<v Speaker 5>It was though, you know, you know the onest thing

0:36:58.600 --> 0:37:01.000
<v Speaker 5>about Wu Tang. I read all of y'all books, right,

0:37:01.000 --> 0:37:02.960
<v Speaker 5>I read Ray book, I read your book. You got

0:37:03.880 --> 0:37:07.600
<v Speaker 5>y'all was so deep in the street. But that's not

0:37:07.680 --> 0:37:10.640
<v Speaker 5>what y'all put out there in the music, y'all chose

0:37:10.760 --> 0:37:13.640
<v Speaker 5>to talk about the lessons and you know, talk about

0:37:13.680 --> 0:37:16.359
<v Speaker 5>God and like give people something of substance. Was that

0:37:16.400 --> 0:37:18.920
<v Speaker 5>intentional because y'all could have been the stream superstreet rappers

0:37:18.960 --> 0:37:19.640
<v Speaker 5>if y'all wanted to.

0:37:20.200 --> 0:37:22.520
<v Speaker 4>I think in all reality, I think with us, I

0:37:22.560 --> 0:37:27.439
<v Speaker 4>think we just I mean, I mean, besides the street

0:37:27.480 --> 0:37:29.360
<v Speaker 4>stuff and stuff, I think we just respectful.

0:37:29.360 --> 0:37:32.279
<v Speaker 3>We just good dudes. Man. That that when we were.

0:37:32.200 --> 0:37:34.440
<v Speaker 4>Young, you know, you were surrounded by a bunch of

0:37:35.760 --> 0:37:38.160
<v Speaker 4>not a bunch, but you know certain people that was intelligent,

0:37:38.239 --> 0:37:40.919
<v Speaker 4>that was giving you mathematics and hit trying to gud

0:37:41.000 --> 0:37:43.080
<v Speaker 4>you in the right direction, you know what I mean.

0:37:43.160 --> 0:37:46.440
<v Speaker 4>And then you know, butang is like like mainly all

0:37:46.480 --> 0:37:48.400
<v Speaker 4>god body, you know what I mean. So when you

0:37:48.480 --> 0:37:50.400
<v Speaker 4>when you want to bus traveling, you know, when the

0:37:50.560 --> 0:37:52.680
<v Speaker 4>lessons start getting pulled out and this and that and

0:37:52.719 --> 0:37:53.200
<v Speaker 4>the third it.

0:37:53.320 --> 0:37:55.520
<v Speaker 3>Just it just shapes you, you know what I mean.

0:37:55.560 --> 0:37:57.600
<v Speaker 4>So a lot of that like my seeds run with

0:37:57.600 --> 0:38:01.319
<v Speaker 4>his seeds, married his money, you know what I mean,

0:38:01.360 --> 0:38:03.359
<v Speaker 4>All that is like part of that. It's just it's

0:38:03.480 --> 0:38:06.360
<v Speaker 4>just it just it just when your mom was that

0:38:06.600 --> 0:38:08.960
<v Speaker 4>like and you know, and you know we didn't that

0:38:09.000 --> 0:38:10.520
<v Speaker 4>we mix it up with that, mix it up with that,

0:38:10.640 --> 0:38:14.280
<v Speaker 4>you know, you know, but yeah, for the most part,

0:38:14.480 --> 0:38:15.120
<v Speaker 4>that's you know.

0:38:15.800 --> 0:38:18.040
<v Speaker 5>Did you ever did y'all ever have conversations about Yeah,

0:38:18.040 --> 0:38:19.399
<v Speaker 5>we could rap about bussing our guns.

0:38:19.440 --> 0:38:20.480
<v Speaker 1>We could rap about.

0:38:21.040 --> 0:38:24.520
<v Speaker 5>People, I know y'all do, but not like the overglorification

0:38:24.600 --> 0:38:26.840
<v Speaker 5>of people like now like nowadays you got people that

0:38:26.960 --> 0:38:27.520
<v Speaker 5>just leave with that.

0:38:27.480 --> 0:38:28.520
<v Speaker 1>And probably yeah.

0:38:29.880 --> 0:38:33.880
<v Speaker 3>Nah nah man, We just we just we just do

0:38:33.960 --> 0:38:35.600
<v Speaker 3>what we do, bro this, you know what I mean.

0:38:35.640 --> 0:38:37.560
<v Speaker 4>Whatever, if that track is like that, if it calls

0:38:37.560 --> 0:38:40.160
<v Speaker 4>for certain a little bit of that, whatever, whatever, you

0:38:40.239 --> 0:38:42.080
<v Speaker 4>know what I mean, we throw frough that in there,

0:38:42.360 --> 0:38:44.160
<v Speaker 4>hit him with this and with that, and you know,

0:38:44.440 --> 0:38:46.120
<v Speaker 4>a couple of lines, you know, you got risk in them.

0:38:46.120 --> 0:38:48.600
<v Speaker 4>They is like a doctor, bro, you know what I mean.

0:38:48.640 --> 0:38:52.680
<v Speaker 4>So that's why his dogs be like all scientifical, you

0:38:52.719 --> 0:38:54.840
<v Speaker 4>know what I mean, even genius like you know what

0:38:54.840 --> 0:38:57.040
<v Speaker 4>I mean. That's why you know when I was saying

0:38:57.040 --> 0:38:59.560
<v Speaker 4>like yo, nas and genius is like my favorite rapper

0:38:59.600 --> 0:39:02.360
<v Speaker 4>is like yo, it's like, you know, he's smart.

0:39:02.600 --> 0:39:03.959
<v Speaker 3>He's a genius for real real.

0:39:04.760 --> 0:39:07.160
<v Speaker 4>So it's like and I learned a lot from them,

0:39:07.200 --> 0:39:09.040
<v Speaker 4>you know what I mean so from all of them mainly,

0:39:09.120 --> 0:39:11.440
<v Speaker 4>but yeah, he's just one that really sticks out.

0:39:11.480 --> 0:39:13.960
<v Speaker 3>Like if I had his words and ship it'll be different.

0:39:14.160 --> 0:39:14.800
<v Speaker 1>That's crazy.

0:39:14.920 --> 0:39:16.120
<v Speaker 3>His words, like his vocal.

0:39:16.760 --> 0:39:18.239
<v Speaker 4>I was a school I ain't really listen, you know

0:39:18.280 --> 0:39:19.920
<v Speaker 4>what I mean, Like you know what I mean, it

0:39:20.000 --> 0:39:24.839
<v Speaker 4>was just I'm in school. But but the vocabulary, if

0:39:24.880 --> 0:39:28.200
<v Speaker 4>the vocabulary was more, it'll be trouble.

0:39:28.320 --> 0:39:31.160
<v Speaker 5>Have you ever heard yourself man talking about I'm talking

0:39:31.160 --> 0:39:34.200
<v Speaker 5>about im?

0:39:34.520 --> 0:39:37.640
<v Speaker 4>Yeah, Like damn, it's like it's just on another level.

0:39:38.000 --> 0:39:41.680
<v Speaker 4>And how I look at rap, It's like I just

0:39:41.760 --> 0:39:44.000
<v Speaker 4>I don't know, KENNI. It's just a certain way how

0:39:44.080 --> 0:39:46.080
<v Speaker 4>I see it. So I know, like if I was

0:39:46.160 --> 0:39:49.720
<v Speaker 4>just throwing around the words that when he be throwing

0:39:49.760 --> 0:39:52.680
<v Speaker 4>around like that but putting it applying to how I do.

0:39:53.480 --> 0:39:55.759
<v Speaker 3>Oh, it's just this this this my head would be

0:39:55.800 --> 0:39:56.480
<v Speaker 3>a field day.

0:39:57.760 --> 0:40:00.799
<v Speaker 1>Damn, heav prase coming from you. Man. Come on, man,

0:40:01.080 --> 0:40:01.839
<v Speaker 1>when you look at.

0:40:01.719 --> 0:40:04.400
<v Speaker 5>The documentaries and the TV shows about Wu Tang, do

0:40:04.400 --> 0:40:07.160
<v Speaker 5>you feel Hollywood has ever told the full story?

0:40:07.239 --> 0:40:07.399
<v Speaker 1>Right?

0:40:09.080 --> 0:40:15.000
<v Speaker 3>No? I mean basically not not for the Hulu series,

0:40:15.760 --> 0:40:17.200
<v Speaker 3>you know what I mean? I mean, not for me.

0:40:17.280 --> 0:40:18.000
<v Speaker 3>I can't speak for that.

0:40:18.120 --> 0:40:21.000
<v Speaker 4>I can't speak on that for me, Like the Tony

0:40:21.040 --> 0:40:23.319
<v Speaker 4>Starks story, you know what I mean. I didn't get

0:40:23.320 --> 0:40:25.640
<v Speaker 4>a chance to tell nobody my story, like my side,

0:40:26.000 --> 0:40:29.320
<v Speaker 4>you know what I mean. But you know, whatever is

0:40:29.360 --> 0:40:32.200
<v Speaker 4>it had did or whoever was the writers for that,

0:40:32.280 --> 0:40:34.239
<v Speaker 4>whatever the case may be, you know what they did

0:40:34.280 --> 0:40:35.680
<v Speaker 4>what they had to do, like you know what I mean.

0:40:35.719 --> 0:40:38.080
<v Speaker 4>And I'm glad he did it because it just opened

0:40:38.120 --> 0:40:41.360
<v Speaker 4>us up to like a whole new audience.

0:40:41.560 --> 0:40:42.120
<v Speaker 3>You know what I mean.

0:40:42.760 --> 0:40:47.160
<v Speaker 4>But yeah, but my side of the story it's different,

0:40:47.200 --> 0:40:48.960
<v Speaker 4>Bro's it's different.

0:40:48.960 --> 0:40:51.640
<v Speaker 3>So I didn't I don't feel like they did that,

0:40:52.160 --> 0:40:52.560
<v Speaker 3>not with me.

0:40:53.239 --> 0:40:55.239
<v Speaker 5>Why didn't you get to get to the studio to

0:40:55.239 --> 0:40:58.200
<v Speaker 5>get on the Heaven Record man on j Z Magna Carta.

0:41:01.080 --> 0:41:01.480
<v Speaker 3>Studio.

0:41:01.880 --> 0:41:03.120
<v Speaker 1>I thought you was supposed to be on the Heaven

0:41:03.160 --> 0:41:03.839
<v Speaker 1>Record with Ja.

0:41:05.280 --> 0:41:07.359
<v Speaker 3>He he did. I think I might have. I think

0:41:07.360 --> 0:41:09.160
<v Speaker 3>I might have did that. He didn't.

0:41:10.000 --> 0:41:14.600
<v Speaker 4>Maybe maybe I think I think you remember, right, I

0:41:14.600 --> 0:41:16.359
<v Speaker 4>remember writing to it, you know what I mean.

0:41:16.840 --> 0:41:18.680
<v Speaker 3>And I don't know if they use it or maybe

0:41:18.719 --> 0:41:19.800
<v Speaker 3>I didn't. I can't remember.

0:41:19.800 --> 0:41:23.520
<v Speaker 4>Maybe I didn't.

0:41:24.440 --> 0:41:25.760
<v Speaker 3>Maybe you know what I'm saying.

0:41:26.640 --> 0:41:28.040
<v Speaker 6>He didn't make it or he wrote and he didn't

0:41:28.120 --> 0:41:28.359
<v Speaker 6>use it.

0:41:29.000 --> 0:41:29.560
<v Speaker 1>Didn't make it?

0:41:30.000 --> 0:41:32.040
<v Speaker 3>Is it not? He make it? Did I write it?

0:41:32.160 --> 0:41:34.120
<v Speaker 2>You got to beat Ray Ray? Ray was on his

0:41:34.200 --> 0:41:35.560
<v Speaker 2>way up there to and stuff like that.

0:41:36.080 --> 0:41:36.880
<v Speaker 3>Didn't make it. I don't know.

0:41:36.960 --> 0:41:38.959
<v Speaker 2>I don't remember what happened, but I know you didn't

0:41:38.960 --> 0:41:39.560
<v Speaker 2>make it up there.

0:41:39.840 --> 0:41:42.359
<v Speaker 1>I remember shooting to go up there.

0:41:42.440 --> 0:41:43.680
<v Speaker 2>I think Ray made it up there.

0:41:44.480 --> 0:41:46.640
<v Speaker 3>You didn't make it up. Did they do it?

0:41:46.960 --> 0:41:48.360
<v Speaker 1>No, not on that record?

0:41:48.400 --> 0:41:53.359
<v Speaker 4>They on it unless you right, oh yeah, man.

0:41:53.440 --> 0:41:55.440
<v Speaker 5>But always the first time I ever heard Heaven, I'm like, yo,

0:41:55.480 --> 0:41:57.839
<v Speaker 5>this sounds like a rhythm beat. And you know, Jay

0:41:57.840 --> 0:41:59.960
<v Speaker 5>started off on hand. I was like, yo, ghost and

0:42:00.080 --> 0:42:01.960
<v Speaker 5>Ray would have been crazy on it on.

0:42:02.239 --> 0:42:04.480
<v Speaker 4>I caught bars to it though, right, You never went

0:42:04.560 --> 0:42:08.160
<v Speaker 4>up You never made Oh okay, I know I did

0:42:08.200 --> 0:42:10.799
<v Speaker 4>something to it. Yeah, all right, cool?

0:42:10.880 --> 0:42:12.640
<v Speaker 5>Because I always I always wanted to hear you and

0:42:12.719 --> 0:42:15.279
<v Speaker 5>Jay on the record to do it again video when

0:42:15.320 --> 0:42:19.080
<v Speaker 5>you and Cap and.

0:42:18.200 --> 0:42:19.560
<v Speaker 3>Yeah, yeah, yeah, No.

0:42:19.719 --> 0:42:21.840
<v Speaker 4>I always wanted to get busy with Jay, you know

0:42:21.880 --> 0:42:25.839
<v Speaker 4>what I mean? But you know, j J, I guess

0:42:26.000 --> 0:42:27.520
<v Speaker 4>what makes you not show up to the studio.

0:42:28.239 --> 0:42:29.759
<v Speaker 3>I don't know what I was doing that day, I

0:42:29.760 --> 0:42:31.799
<v Speaker 3>don't I don't I don't. I don't. I can't. I

0:42:31.840 --> 0:42:34.359
<v Speaker 3>really can't remember. But it was. It was something though,

0:42:34.400 --> 0:42:35.800
<v Speaker 3>But I would have did it, Duff I was writing

0:42:35.800 --> 0:42:38.600
<v Speaker 3>to it. I would have did it. I don't know.

0:42:41.480 --> 0:42:45.000
<v Speaker 3>One of those. I don't know, man, I just you know, damn.

0:42:45.560 --> 0:42:46.520
<v Speaker 1>Well goes gotta go.

0:42:46.600 --> 0:42:46.880
<v Speaker 3>Hold on.

0:42:46.920 --> 0:42:48.880
<v Speaker 5>If Ghosts never picked up a microphone, where do you

0:42:48.920 --> 0:42:50.440
<v Speaker 5>think Dennis Coles would be right now?

0:42:50.440 --> 0:42:54.759
<v Speaker 3>I don't say that. It probably wouldn't be good. It

0:42:54.760 --> 0:42:55.480
<v Speaker 3>wouldn't be good.

0:42:55.480 --> 0:42:58.200
<v Speaker 4>It wouldn't be good because we was out there doing it.

0:42:58.680 --> 0:43:01.759
<v Speaker 4>We was out there still, you know, I mean I was,

0:43:02.280 --> 0:43:04.239
<v Speaker 4>I mean riginally had to tell me, like, yo, listen, man,

0:43:04.239 --> 0:43:06.239
<v Speaker 4>you can't really you can't mix park with beef bro.

0:43:06.960 --> 0:43:08.200
<v Speaker 3>You know what I mean. I'm hearing what you're.

0:43:08.040 --> 0:43:10.400
<v Speaker 4>Doing that whatever, whatever, whatever, whatever. And I had to

0:43:10.440 --> 0:43:12.920
<v Speaker 4>make a decision, you know what I mean. So that

0:43:13.040 --> 0:43:17.680
<v Speaker 4>route that I was in, it was, Yeah, it was

0:43:17.719 --> 0:43:21.600
<v Speaker 4>even in jail dance somewhere or whatever. Whatever the streets

0:43:21.760 --> 0:43:23.600
<v Speaker 4>would have been calling for. That's what it would have been.

0:43:24.440 --> 0:43:26.399
<v Speaker 4>That's why I say it wasn't mm hmm.

0:43:27.320 --> 0:43:29.040
<v Speaker 2>Let's get into a joint off down what you want

0:43:29.080 --> 0:43:29.239
<v Speaker 2>to hear?

0:43:29.280 --> 0:43:31.160
<v Speaker 5>Go, you want to do rap, Kingpin, you want to

0:43:31.160 --> 0:43:34.520
<v Speaker 5>do the joint with meth You you're my friend.

0:43:34.560 --> 0:43:35.480
<v Speaker 1>What you want to do, what you want to.

0:43:35.680 --> 0:43:39.399
<v Speaker 3>I mean you can do both. I forget, dude, do that.

0:43:39.400 --> 0:43:44.520
<v Speaker 3>Didn't do that?

0:43:46.239 --> 0:43:47.920
<v Speaker 1>You got to hear the pause? Get too on?

0:43:49.920 --> 0:43:53.680
<v Speaker 4>Oh yeah yeah yeah, hold on no, because yeah, man,

0:43:54.000 --> 0:43:56.640
<v Speaker 4>the pauses and pauses. It's like yo, yo, I'll begetting

0:43:56.640 --> 0:43:58.759
<v Speaker 4>here with the pause like yo, and you know we

0:43:58.840 --> 0:44:00.360
<v Speaker 4>for the ever when we just talked talk like.

0:44:00.400 --> 0:44:01.080
<v Speaker 1>Yo, were'sday.

0:44:01.080 --> 0:44:02.359
<v Speaker 2>I'm ten songs that I hear that yet.

0:44:02.440 --> 0:44:03.279
<v Speaker 1>But you hit the pause.

0:44:03.360 --> 0:44:06.720
<v Speaker 4>Get no, when you get when you hit the albums

0:44:06.760 --> 0:44:09.920
<v Speaker 4>all the way straight through, you'd be like, oh snap, yo,

0:44:09.960 --> 0:44:12.880
<v Speaker 4>this is gliding that poor skit. I had to do

0:44:13.000 --> 0:44:16.279
<v Speaker 4>it because it's like yo, heybody pausing me like you

0:44:16.280 --> 0:44:17.360
<v Speaker 4>know this is you know what I'm.

0:44:17.200 --> 0:44:18.319
<v Speaker 3>Saying, like this, how talk?

0:44:18.400 --> 0:44:18.600
<v Speaker 1>Bro?

0:44:19.160 --> 0:44:21.080
<v Speaker 3>You know what I mean? Like yo, like I said

0:44:21.080 --> 0:44:25.400
<v Speaker 3>when I told y'all blow your head off. Yeah but

0:44:25.440 --> 0:44:30.160
<v Speaker 3>I'm serious, Yeah you know what I mean.

0:44:30.200 --> 0:44:32.839
<v Speaker 4>But Yo, it got the pause game is too much

0:44:32.920 --> 0:44:35.360
<v Speaker 4>right now. I don't even think I ever told somebody

0:44:35.400 --> 0:44:39.120
<v Speaker 4>pause like Paul, you know what I mean. But but

0:44:39.160 --> 0:44:40.400
<v Speaker 4>I've been going at it all the time with the

0:44:42.400 --> 0:44:45.200
<v Speaker 4>I mean like, Yo, he's crazy man. Yeah, man, I

0:44:45.200 --> 0:44:48.600
<v Speaker 4>can't write my rhymes like the engineer telling me because

0:44:48.640 --> 0:44:50.480
<v Speaker 4>he's younger than me. Yo, Yo, Yo, I don't think

0:44:50.480 --> 0:44:52.920
<v Speaker 4>that's a good you know what I mean. I mean

0:44:52.920 --> 0:44:53.640
<v Speaker 4>what you're talking about.

0:44:53.680 --> 0:44:55.799
<v Speaker 3>You don't mean that's that's good nigga. This is my ship.

0:44:55.800 --> 0:44:58.200
<v Speaker 4>I'm talking like this, yo, But you know this, And

0:44:58.200 --> 0:44:59.960
<v Speaker 4>then he got me thinking, you know what I mean?

0:45:00.320 --> 0:45:02.520
<v Speaker 4>So now I gotta change it up like I'm not

0:45:02.600 --> 0:45:03.040
<v Speaker 4>used to that.

0:45:03.040 --> 0:45:04.520
<v Speaker 1>Yo said.

0:45:04.880 --> 0:45:06.719
<v Speaker 5>Now, we let you live for a long time. You know,

0:45:06.760 --> 0:45:08.359
<v Speaker 5>back in the day, you said, Yo, we eat fish

0:45:08.440 --> 0:45:09.280
<v Speaker 5>and toss salice.

0:45:12.200 --> 0:45:18.160
<v Speaker 4>Make you know what I mean, that's a fresh salad,

0:45:18.600 --> 0:45:20.440
<v Speaker 4>fresh house. You know we call tors house back then,

0:45:20.480 --> 0:45:22.480
<v Speaker 4>fred y'all. But I mean, I'm a jail nigga. Just

0:45:22.560 --> 0:45:26.880
<v Speaker 4>now in the third I got doing that. We gonna

0:45:26.880 --> 0:45:29.640
<v Speaker 4>do that just continued from right there, tho. But yo,

0:45:29.800 --> 0:45:32.600
<v Speaker 4>may yo, Now it's it's the game is crazy, man.

0:45:32.840 --> 0:45:38.400
<v Speaker 5>I appreciate your brobs out right now, Coach face, Jap City,

0:45:38.640 --> 0:45:40.560
<v Speaker 5>hold on my brother Dridge right here, we can do

0:45:40.640 --> 0:45:42.000
<v Speaker 5>this compilation is jap City.

0:45:42.560 --> 0:45:47.640
<v Speaker 3>Yeah, more King, pull up, you're in the Club right now.

0:45:47.840 --> 0:45:50.560
<v Speaker 4>Yeah, we got that Yap City compilation coming up next,

0:45:50.560 --> 0:45:51.960
<v Speaker 4>so we just want you to look out for that.

0:45:52.040 --> 0:45:54.680
<v Speaker 3>We got sole Thing on the album as well. Yeah,

0:45:54.800 --> 0:46:00.600
<v Speaker 3>definitely definitely artists. Yeah yeah, that's the label. Go Sade

0:46:00.600 --> 0:46:03.279
<v Speaker 3>and Supreme to the Sole Thing. And we got talking

0:46:03.280 --> 0:46:06.399
<v Speaker 3>about the record, sohol things. But that's that's that's all

0:46:06.400 --> 0:46:09.640
<v Speaker 3>of you know, him, Wreak, the Villain, Pills.

0:46:09.640 --> 0:46:12.040
<v Speaker 4>Oh yeah, we got Busy, my two sons on there,

0:46:12.280 --> 0:46:16.440
<v Speaker 4>you know what I mean, Nim's you know, Iceman, Bronxman,

0:46:16.800 --> 0:46:20.799
<v Speaker 4>you know, yeah, the whole yeah, ill, yeah, he's up,

0:46:20.880 --> 0:46:22.360
<v Speaker 4>he's a he's he's talking about.

0:46:22.120 --> 0:46:24.439
<v Speaker 3>That on the record. Record on the red Yeah yeah yeah,

0:46:24.440 --> 0:46:25.279
<v Speaker 3>but hold on.

0:46:25.360 --> 0:46:27.560
<v Speaker 5>She on the label too, absolutely, yeah, picked up that

0:46:27.680 --> 0:46:30.480
<v Speaker 5>album's Face Killer.

0:46:30.560 --> 0:46:31.439
<v Speaker 1>It's the Breakfast Club.

0:46:31.440 --> 0:46:32.839
<v Speaker 2>Good morning, hold up.

0:46:33.480 --> 0:46:37.720
<v Speaker 5>Every day waiting, click your glass up The Breakfast Club finished.

0:46:37.840 --> 0:46:38.279
<v Speaker 1>Y'all done