1 00:00:01,520 --> 00:00:04,880 Speaker 1: Every day we click your ass up the Breakfast Club. 2 00:00:05,160 --> 00:00:07,480 Speaker 1: You don't finished for y'all done morning. 3 00:00:07,480 --> 00:00:11,119 Speaker 2: Everybody's d J n V Jess hilarious. Charlamagne the guy 4 00:00:11,160 --> 00:00:13,720 Speaker 2: we are the Breakfast Club. He got a special guest. 5 00:00:13,560 --> 00:00:16,200 Speaker 1: In the building. My favorite MC of all time. 6 00:00:16,120 --> 00:00:19,040 Speaker 2: Legend the coming Gentlemen, ghost Face Killer. 7 00:00:19,000 --> 00:00:22,400 Speaker 1: Yah goa yo yo yo yo, what up? What up? 8 00:00:22,480 --> 00:00:23,200 Speaker 2: How you feeling? 9 00:00:23,200 --> 00:00:25,959 Speaker 3: Man? Now? We call him were cooling King? Glad to 10 00:00:26,000 --> 00:00:26,760 Speaker 3: be here right now? 11 00:00:26,960 --> 00:00:33,000 Speaker 4: Man had like three times, right, I think once twice alright, 12 00:00:33,080 --> 00:00:40,640 Speaker 4: but lost friend at the wild you know, so you 13 00:00:40,680 --> 00:00:42,920 Speaker 4: had you had that face on, like yo, you know 14 00:00:42,960 --> 00:00:45,920 Speaker 4: what I mean? Downstairs, I was like, yeah, everything I 15 00:00:46,600 --> 00:00:47,880 Speaker 4: wanted to have, That's what I'm saying. 16 00:00:48,040 --> 00:00:51,000 Speaker 5: This perfect time. And Supreme Clientele too, is out this Friday. 17 00:00:51,040 --> 00:00:51,400 Speaker 3: That's right. 18 00:00:51,840 --> 00:00:54,440 Speaker 5: You said you would never do a sequel to Supreme Clientele, 19 00:00:54,520 --> 00:00:55,400 Speaker 5: So what changed your mind? 20 00:00:55,520 --> 00:00:57,280 Speaker 4: No, it was it was it was the fans. It 21 00:00:57,360 --> 00:00:59,840 Speaker 4: was it was the fans. They kept calling for it. 22 00:01:00,080 --> 00:01:03,400 Speaker 4: So I'm like, yo, for years they was calling for it, 23 00:01:03,440 --> 00:01:05,920 Speaker 4: So you know, gradually I was just I started back then, 24 00:01:06,200 --> 00:01:08,480 Speaker 4: like you know, I saved a couple of joints every 25 00:01:08,480 --> 00:01:10,119 Speaker 4: time I get a joint and I felt like could 26 00:01:10,120 --> 00:01:10,600 Speaker 4: be supreme. 27 00:01:11,000 --> 00:01:13,440 Speaker 3: I just put it in the vote. Stash is stash it. 28 00:01:13,480 --> 00:01:15,040 Speaker 4: So look on this album right here, I got like 29 00:01:15,480 --> 00:01:19,800 Speaker 4: maybe like five songs from like twenty years ago, seventeen 30 00:01:19,840 --> 00:01:21,240 Speaker 4: and better on it. 31 00:01:21,360 --> 00:01:23,240 Speaker 1: You know, how do they know this body of work? 32 00:01:23,400 --> 00:01:23,600 Speaker 1: Was it? 33 00:01:23,640 --> 00:01:23,840 Speaker 3: Though? 34 00:01:23,880 --> 00:01:26,959 Speaker 1: This body works to be supreme clientele too, because. 35 00:01:27,200 --> 00:01:29,040 Speaker 4: I kind of felt good about it, you know what 36 00:01:29,040 --> 00:01:31,360 Speaker 4: I mean. Besides the skits member last summer had like 37 00:01:31,520 --> 00:01:32,520 Speaker 4: a few Iron Man. 38 00:01:32,440 --> 00:01:34,120 Speaker 3: Skits on it and stuff like that, but now they 39 00:01:34,160 --> 00:01:35,000 Speaker 3: really they on you. 40 00:01:35,080 --> 00:01:37,280 Speaker 4: Now you really can't really do it, so you gotta 41 00:01:37,600 --> 00:01:39,440 Speaker 4: you gotta just think of like, Okay, which way I'm 42 00:01:39,440 --> 00:01:41,200 Speaker 4: gonna go. And that was one of the hardest parts 43 00:01:41,200 --> 00:01:44,319 Speaker 4: I had, just trying to find like a theme behind it, 44 00:01:44,680 --> 00:01:46,880 Speaker 4: you know what I mean. So you know, it took me. 45 00:01:47,080 --> 00:01:48,440 Speaker 4: It took a while. It took a while, but I 46 00:01:48,880 --> 00:01:50,400 Speaker 4: got it. I feel like I feel I got it, 47 00:01:50,880 --> 00:01:53,240 Speaker 4: you know what I mean. But and it's a vibe. 48 00:01:53,280 --> 00:01:55,640 Speaker 4: You know, when I create albums, I create vibes. So 49 00:01:55,720 --> 00:01:57,160 Speaker 4: if I could get ahead and hear it like all 50 00:01:57,240 --> 00:01:59,640 Speaker 4: the way through, then I know I'm good. Then I 51 00:01:59,640 --> 00:02:01,840 Speaker 4: got my I got my man's and my player. For 52 00:02:02,120 --> 00:02:03,760 Speaker 4: you know, I don't got no yes brothers around me. 53 00:02:03,800 --> 00:02:04,240 Speaker 3: You know what I mean. 54 00:02:04,280 --> 00:02:07,400 Speaker 4: So if they like yo, nah tone like you know 55 00:02:07,440 --> 00:02:09,360 Speaker 4: what I mean, then I weigh and judge it and 56 00:02:09,440 --> 00:02:12,720 Speaker 4: feel like I, you know what, Maybe he's right. I 57 00:02:12,840 --> 00:02:15,600 Speaker 4: tell him, like yo, what I feel about it, you know, 58 00:02:15,919 --> 00:02:17,519 Speaker 4: But I make the end decision at the end of 59 00:02:17,560 --> 00:02:20,400 Speaker 4: the day. So on this project, I just think that 60 00:02:20,440 --> 00:02:21,320 Speaker 4: we got a good vibe. 61 00:02:21,440 --> 00:02:24,840 Speaker 2: Or now, how do you navigate the landscape today? How 62 00:02:24,840 --> 00:02:26,880 Speaker 2: do you like the landscape of music and musicians today? 63 00:02:26,880 --> 00:02:29,760 Speaker 2: Because you're the guy that drops and it gets out 64 00:02:29,800 --> 00:02:31,959 Speaker 2: the way. We don't see you, like literally ghost face, 65 00:02:32,040 --> 00:02:35,520 Speaker 2: like get gone for years but on tour. So how 66 00:02:35,520 --> 00:02:37,600 Speaker 2: do you feel about the landscape today of music, of. 67 00:02:37,680 --> 00:02:39,840 Speaker 3: Music, rap music? 68 00:02:40,200 --> 00:02:43,280 Speaker 4: I mean, you know, I mean it kind of shifted, 69 00:02:43,800 --> 00:02:46,040 Speaker 4: Its shifted, you know what I mean, to another region 70 00:02:46,639 --> 00:02:48,080 Speaker 4: and I get it, you know what I mean, because 71 00:02:48,080 --> 00:02:50,280 Speaker 4: nothing stays the same. You just sometimes you just got 72 00:02:50,320 --> 00:02:52,640 Speaker 4: to adapt to it. But I realized that you just 73 00:02:52,639 --> 00:02:54,519 Speaker 4: got to do you You just got to stay in 74 00:02:54,560 --> 00:02:56,360 Speaker 4: your lane, just stay right in your lane or whatever, 75 00:02:56,400 --> 00:02:58,320 Speaker 4: you know what I mean. Because for the people I 76 00:02:58,360 --> 00:03:00,320 Speaker 4: came up with, you know what I mean, It's like 77 00:03:00,440 --> 00:03:02,640 Speaker 4: they still there. They're still out there, even though they 78 00:03:02,639 --> 00:03:04,600 Speaker 4: probably got grandkids and you know what I mean, whatever 79 00:03:04,600 --> 00:03:07,720 Speaker 4: the case may be, but you know this real music 80 00:03:07,800 --> 00:03:09,560 Speaker 4: still exists out there, you know what I mean. Not 81 00:03:09,800 --> 00:03:12,040 Speaker 4: trying to take away from what else is going on, 82 00:03:12,360 --> 00:03:13,600 Speaker 4: but you just gotta do you man. 83 00:03:13,760 --> 00:03:15,880 Speaker 5: I feel like with this Supreme clientele too, it's not 84 00:03:15,919 --> 00:03:18,520 Speaker 5: even like you channeling your era. 85 00:03:18,680 --> 00:03:21,000 Speaker 1: This just feel like eighty six to eighty eight. 86 00:03:21,240 --> 00:03:25,160 Speaker 4: Yeah, because I'm I'm from that era, you know what 87 00:03:25,200 --> 00:03:26,679 Speaker 4: I mean. So I love that era, you know what 88 00:03:26,680 --> 00:03:28,480 Speaker 4: i mean. You know, I'm an R and B dude. First, 89 00:03:29,040 --> 00:03:31,160 Speaker 4: you know what I'm saying. So it's like just to 90 00:03:31,200 --> 00:03:32,639 Speaker 4: try to go back and get it. That's what I 91 00:03:32,680 --> 00:03:34,320 Speaker 4: was telling you, like trying to just get a feeling, 92 00:03:34,720 --> 00:03:36,640 Speaker 4: get a feeling. Then I found it. Then I'm like, yo, 93 00:03:36,720 --> 00:03:39,400 Speaker 4: you know what, let me call it tay Bookie, you 94 00:03:39,400 --> 00:03:41,080 Speaker 4: know what I mean, and get it more, just just 95 00:03:41,120 --> 00:03:43,240 Speaker 4: to more create that feeling, you know what I mean. 96 00:03:43,280 --> 00:03:45,400 Speaker 4: Because I was thinking, like, damn, what I'm gonna go it? 97 00:03:45,480 --> 00:03:48,000 Speaker 4: Like I said, I was thinking about a lot of rappists. 98 00:03:48,000 --> 00:03:48,880 Speaker 3: Even Laurence Hill. 99 00:03:49,080 --> 00:03:52,480 Speaker 4: I'm like, damn, she got miseducation to Lauryn Hill and 100 00:03:52,600 --> 00:03:54,480 Speaker 4: this one got that one. You know, I'm looking at 101 00:03:54,480 --> 00:03:56,880 Speaker 4: three feet high and rising and all the other stuff. 102 00:03:56,920 --> 00:03:59,560 Speaker 4: And you know, twenty five years from the last time 103 00:03:59,560 --> 00:04:03,080 Speaker 4: we disc supreme clientele, it's like, yo, some brothers is dead, 104 00:04:03,600 --> 00:04:04,040 Speaker 4: you know what I mean. 105 00:04:04,080 --> 00:04:05,080 Speaker 3: And it was a vibe. 106 00:04:05,280 --> 00:04:08,400 Speaker 4: It was like, you know, people don't understand, like if 107 00:04:08,440 --> 00:04:11,200 Speaker 4: you got a baby, you can't create the same baby, 108 00:04:11,480 --> 00:04:13,640 Speaker 4: you know what I'm saying. So fans be thinking that Joe, 109 00:04:13,880 --> 00:04:15,400 Speaker 4: you gotta really do it, you know what I mean? 110 00:04:15,440 --> 00:04:17,520 Speaker 4: Like this, but it's you know, you first of all 111 00:04:17,560 --> 00:04:21,080 Speaker 4: these producers now they're not making the same beats and 112 00:04:21,120 --> 00:04:23,479 Speaker 4: stuff that they did before they caught up in like 113 00:04:23,600 --> 00:04:27,320 Speaker 4: right now, so's you know, I had to find a way, 114 00:04:27,400 --> 00:04:30,560 Speaker 4: like and you know, like you said, God's time is 115 00:04:30,560 --> 00:04:33,039 Speaker 4: the best time, sol and that's that's why. 116 00:04:32,880 --> 00:04:33,360 Speaker 3: We're hearing now. 117 00:04:33,440 --> 00:04:35,719 Speaker 1: Were you afraid to call the supreme Well, not fear. 118 00:04:35,760 --> 00:04:38,080 Speaker 5: Fear not the right word, but you have any hesitation 119 00:04:38,080 --> 00:04:40,920 Speaker 5: about calling a supreme clientele too, because that gives a 120 00:04:40,960 --> 00:04:43,040 Speaker 5: different expectation to the body of work. 121 00:04:43,880 --> 00:04:47,440 Speaker 4: Not really, you know, with me, it's like if I 122 00:04:47,480 --> 00:04:50,279 Speaker 4: got the beats and I'm focused and I got time. 123 00:04:51,480 --> 00:04:52,599 Speaker 3: I could do those all day. 124 00:04:53,279 --> 00:04:55,680 Speaker 4: It just it's just a matter of the the really 125 00:04:55,720 --> 00:04:58,040 Speaker 4: the beats that could just drag me in it, because 126 00:04:58,040 --> 00:05:01,039 Speaker 4: the beats is everything, every every verse ever, whatever I 127 00:05:01,040 --> 00:05:02,440 Speaker 4: have it set on the beat. 128 00:05:02,640 --> 00:05:05,600 Speaker 3: It's like the beat talk to me, you know what 129 00:05:05,600 --> 00:05:07,200 Speaker 3: I mean. I don't know if that makes sense, but 130 00:05:07,240 --> 00:05:08,520 Speaker 3: it just music. It's just taught. 131 00:05:08,720 --> 00:05:10,560 Speaker 4: Like like when I did All I Got is You, 132 00:05:10,640 --> 00:05:12,800 Speaker 4: it just dragged me there, like I didn't know what 133 00:05:12,800 --> 00:05:14,280 Speaker 4: I was gonna do when I got it, you know 134 00:05:14,320 --> 00:05:16,360 Speaker 4: what I mean. I told Rizzidey, I want that bo 135 00:05:16,400 --> 00:05:19,960 Speaker 4: when I took it home and and just went another 136 00:05:20,000 --> 00:05:21,960 Speaker 4: way with it, just what I felt. 137 00:05:22,400 --> 00:05:24,240 Speaker 3: And that's what a lot of tracks I make. 138 00:05:24,640 --> 00:05:28,960 Speaker 4: So Yeah, but I'm confident in myself that I know 139 00:05:29,120 --> 00:05:30,719 Speaker 4: that I could do those. 140 00:05:30,920 --> 00:05:32,920 Speaker 3: I could do those over and over and over again. 141 00:05:33,000 --> 00:05:35,520 Speaker 3: Just give me some time. And that's it. 142 00:05:35,640 --> 00:05:39,240 Speaker 2: You said you sat on records for nineteen twenty years. Yeah, 143 00:05:39,360 --> 00:05:41,000 Speaker 2: I can't hear that in the album. Though it doesn't 144 00:05:41,040 --> 00:05:43,360 Speaker 2: sound dated. It doesn't sounds. 145 00:05:43,480 --> 00:05:45,840 Speaker 4: Hard right, like metaphysics right, like the other one I 146 00:05:45,880 --> 00:05:47,800 Speaker 4: did that was like twenty years ago. 147 00:05:48,040 --> 00:05:48,640 Speaker 1: That's crazy. 148 00:05:48,680 --> 00:05:50,520 Speaker 3: It was it was that. It was twenty years ago. 149 00:05:50,600 --> 00:05:52,560 Speaker 4: The whole three verses was twenty years Then I got 150 00:05:52,600 --> 00:05:55,160 Speaker 4: a joint called Candy Land that was the same. I 151 00:05:55,240 --> 00:05:57,400 Speaker 4: just wrote the second verse on that, you know what 152 00:05:57,440 --> 00:05:59,560 Speaker 4: I mean, And me and me and Meth got one 153 00:05:59,600 --> 00:06:02,640 Speaker 4: called you my friend. That that's that's that's one of 154 00:06:02,640 --> 00:06:05,800 Speaker 4: them tear jerker joints. So it's like that's from back then. 155 00:06:05,960 --> 00:06:10,000 Speaker 4: It's a few of them. Full disciple, Like you know, yeah. 156 00:06:10,279 --> 00:06:11,960 Speaker 5: When you you said that when you hear a beat, 157 00:06:11,960 --> 00:06:14,120 Speaker 5: it takes you there. So the first time you heard it, 158 00:06:14,160 --> 00:06:15,880 Speaker 5: impossible beat? 159 00:06:16,200 --> 00:06:17,680 Speaker 1: Right, what was your energy? 160 00:06:17,839 --> 00:06:17,919 Speaker 3: Like? 161 00:06:17,960 --> 00:06:20,160 Speaker 5: What was going on in your your world that you 162 00:06:20,279 --> 00:06:22,240 Speaker 5: just hint that classic verse? 163 00:06:22,560 --> 00:06:25,440 Speaker 4: It was the beat. It was the beat. It sounded 164 00:06:25,480 --> 00:06:28,800 Speaker 4: like it was theatrical. So I'm like, I'm in the studio, 165 00:06:28,839 --> 00:06:32,360 Speaker 4: we're doing We're doing forever. So you know, I get 166 00:06:32,440 --> 00:06:34,359 Speaker 4: up in there and I just hear her that beat. 167 00:06:34,480 --> 00:06:36,760 Speaker 4: And I'm one of them guys that I don't just 168 00:06:36,839 --> 00:06:39,760 Speaker 4: like a regular beat for the most when I'm doing that, 169 00:06:40,000 --> 00:06:41,360 Speaker 4: I like for the beat to get him and just 170 00:06:41,400 --> 00:06:44,440 Speaker 4: take me within the beat, like break down, just break 171 00:06:44,440 --> 00:06:46,360 Speaker 4: down on certain points so I can just get ahead 172 00:06:46,360 --> 00:06:48,279 Speaker 4: and just glide with it and just going that go right 173 00:06:48,320 --> 00:06:50,760 Speaker 4: into that pocket, then slip out and then you know 174 00:06:50,839 --> 00:06:53,240 Speaker 4: we go here, we go ahead, like and that's what 175 00:06:53,279 --> 00:06:53,920 Speaker 4: it just did to me. 176 00:06:54,040 --> 00:06:56,080 Speaker 3: But it felt like it's talked to me like. 177 00:06:56,040 --> 00:06:59,960 Speaker 4: Col ambulance Jamie evens shot Timmy, don't go something you 178 00:07:00,080 --> 00:07:02,880 Speaker 4: my mother fucking heart like like it just it just 179 00:07:03,440 --> 00:07:05,600 Speaker 4: it just it just had me there and I ain't. 180 00:07:05,640 --> 00:07:07,800 Speaker 4: I think I might have came back the next day 181 00:07:07,800 --> 00:07:10,560 Speaker 4: and finished it because I just wrote a chunk and 182 00:07:10,600 --> 00:07:13,000 Speaker 4: then I had to leave it alone, like don't touch 183 00:07:13,000 --> 00:07:14,480 Speaker 4: you no more, like you know what I'm saying, Like 184 00:07:14,840 --> 00:07:17,400 Speaker 4: you come back and just and get it again. It 185 00:07:19,000 --> 00:07:20,800 Speaker 4: was all like it was all that, but you don't 186 00:07:20,800 --> 00:07:22,720 Speaker 4: want to when you're dealing with something great and you 187 00:07:22,720 --> 00:07:24,960 Speaker 4: could feel it, you don't want to just suck it up, 188 00:07:25,080 --> 00:07:26,480 Speaker 4: you know what I mean. You just got to like yo, 189 00:07:26,520 --> 00:07:28,600 Speaker 4: hold on, just chill. You ain't got to force it. 190 00:07:29,600 --> 00:07:31,600 Speaker 4: Came back and just and just finished it. 191 00:07:31,520 --> 00:07:34,200 Speaker 1: Off with that. Based on the true story some of it, 192 00:07:34,720 --> 00:07:35,280 Speaker 1: some of it. 193 00:07:35,400 --> 00:07:40,480 Speaker 4: Yeah, my son's uncle had got shot I think on 194 00:07:40,560 --> 00:07:43,440 Speaker 4: a on around the fourth of July when I was like, 195 00:07:43,520 --> 00:07:45,440 Speaker 4: mother came down holding the rest with a gown on 196 00:07:45,520 --> 00:07:46,360 Speaker 4: and all that. 197 00:07:46,440 --> 00:07:48,760 Speaker 3: It was like it was like I was when I 198 00:07:48,760 --> 00:07:49,400 Speaker 3: was in that pocket. 199 00:07:49,480 --> 00:07:52,840 Speaker 4: It was like that one was was real, you know 200 00:07:52,840 --> 00:07:54,400 Speaker 4: what I mean a lot of other stuff I just 201 00:07:54,440 --> 00:07:56,960 Speaker 4: added behind it, like you know what I mean, but uh, 202 00:07:57,280 --> 00:07:59,480 Speaker 4: the cop was real, officer low and all this shit. 203 00:07:59,720 --> 00:08:02,440 Speaker 3: Yeah, So you know, I just like the gold places. 204 00:08:02,400 --> 00:08:05,360 Speaker 6: Or what are the artists like you who's so great 205 00:08:05,400 --> 00:08:09,160 Speaker 6: at storytelling on every single song, tell younger artists when 206 00:08:09,160 --> 00:08:11,800 Speaker 6: they come to you about trying to tell stories because 207 00:08:11,800 --> 00:08:14,040 Speaker 6: they're moving so fast. It's a lot different. You take 208 00:08:14,040 --> 00:08:16,280 Speaker 6: your time even in writing your music. How do you 209 00:08:16,760 --> 00:08:19,080 Speaker 6: mentor the younger artists who don't. 210 00:08:18,880 --> 00:08:21,880 Speaker 3: Really get that as far as writing. 211 00:08:21,760 --> 00:08:24,120 Speaker 6: Writing yep and putting it in like composing an actual 212 00:08:24,160 --> 00:08:25,160 Speaker 6: song from start to finish. 213 00:08:25,360 --> 00:08:28,120 Speaker 4: I mean, like you said, take your time and just 214 00:08:28,200 --> 00:08:30,360 Speaker 4: think a lot of rappers nowadays, I don't think they 215 00:08:30,400 --> 00:08:31,800 Speaker 4: think you know what I mean. 216 00:08:31,840 --> 00:08:34,680 Speaker 3: You know, knowledge is infinite, So it's like when you could. 217 00:08:34,480 --> 00:08:38,280 Speaker 4: Just sit there and just this is art first, you 218 00:08:38,280 --> 00:08:39,560 Speaker 4: know what I mean, So when you could get ahead 219 00:08:39,600 --> 00:08:42,400 Speaker 4: and just use your mind and just just go, man, 220 00:08:42,760 --> 00:08:44,480 Speaker 4: I don't care like when. 221 00:08:44,280 --> 00:08:46,200 Speaker 3: We did when I round, when me and slick. We 222 00:08:46,200 --> 00:08:47,360 Speaker 3: did the Sun, but. 223 00:08:47,360 --> 00:08:49,400 Speaker 4: Didn't make it on Bulletproof Wilence. It's nothing like that 224 00:08:49,440 --> 00:08:53,040 Speaker 4: because you risually couldn't find a sample. But it's like, Yo, 225 00:08:53,200 --> 00:08:55,640 Speaker 4: it's just yo, that's the Sun, you know what I mean. 226 00:08:56,240 --> 00:08:58,959 Speaker 4: You just got to like, if you got an imagination, you. 227 00:08:58,880 --> 00:09:00,839 Speaker 3: Could just go there, just go. 228 00:09:00,960 --> 00:09:02,880 Speaker 4: And I don't know how it is for other rappers, 229 00:09:03,200 --> 00:09:04,480 Speaker 4: you know what I mean, because a lot of rappers 230 00:09:04,559 --> 00:09:06,600 Speaker 4: is the one dimensional you know what I mean. I'd 231 00:09:06,640 --> 00:09:10,560 Speaker 4: be like, Yo, give me country, you know what I mean. 232 00:09:09,880 --> 00:09:11,240 Speaker 3: Let me, let me, let me dive in there. You 233 00:09:11,240 --> 00:09:13,360 Speaker 3: know what I mean. I don't care it's opera whatever. 234 00:09:13,160 --> 00:09:15,160 Speaker 4: Yo, let me just let me just go in and 235 00:09:14,920 --> 00:09:16,720 Speaker 4: and and I tried a way to finesse that. 236 00:09:17,040 --> 00:09:18,400 Speaker 3: I'm just one of those kind of guys. 237 00:09:18,440 --> 00:09:20,760 Speaker 4: So when I get the R and B tracks, which 238 00:09:20,800 --> 00:09:23,920 Speaker 4: is my best tracks, I get here, I demo that 239 00:09:24,200 --> 00:09:26,600 Speaker 4: I need a story here, you need an abstract track, 240 00:09:26,840 --> 00:09:28,800 Speaker 4: you know what I mean. It's it's whatever because I 241 00:09:28,920 --> 00:09:31,520 Speaker 4: enjoy the music of it, like you know what I mean, 242 00:09:31,600 --> 00:09:33,960 Speaker 4: just the art form just period. 243 00:09:34,000 --> 00:09:35,559 Speaker 2: But I think what you said, I think the trend 244 00:09:35,600 --> 00:09:38,480 Speaker 2: of I don't have to write. I think that kills 245 00:09:38,520 --> 00:09:39,040 Speaker 2: it right, but you know. 246 00:09:39,120 --> 00:09:40,200 Speaker 3: What it is not to cut you off. 247 00:09:40,679 --> 00:09:44,960 Speaker 4: It'd be like now I'm hearing just like jury women 248 00:09:45,800 --> 00:09:49,520 Speaker 4: cause bottles, you know what I mean. It's it's it's limited, 249 00:09:49,760 --> 00:09:51,640 Speaker 4: like you know what I mean, Like I'll not be 250 00:09:51,679 --> 00:09:54,319 Speaker 4: thinking to myself where the cream would have work today 251 00:09:55,400 --> 00:09:56,920 Speaker 4: if we would have dropped that, like you know what 252 00:09:56,960 --> 00:09:57,280 Speaker 4: I mean. 253 00:09:57,960 --> 00:09:59,439 Speaker 1: I don't know. 254 00:10:00,000 --> 00:10:01,720 Speaker 5: The reason I think so is because I think about 255 00:10:02,040 --> 00:10:04,880 Speaker 5: the artists who are really having real success. 256 00:10:05,280 --> 00:10:07,840 Speaker 1: They are detailed in a way. Whether it's the Kendrick Lamar, 257 00:10:07,960 --> 00:10:09,040 Speaker 1: the j Drake. 258 00:10:09,080 --> 00:10:10,600 Speaker 5: I'm just thinking about the guys from the last you know, 259 00:10:10,880 --> 00:10:13,839 Speaker 5: fifteen years. They are very detailed in a way, right. 260 00:10:13,920 --> 00:10:17,200 Speaker 5: I love them like they they music, they lyrics do 261 00:10:17,320 --> 00:10:19,120 Speaker 5: have a have layers to oh. 262 00:10:19,000 --> 00:10:20,559 Speaker 2: Yeah, but they could all tell a story like Kendrick. 263 00:10:20,800 --> 00:10:23,120 Speaker 2: He tells a story some of this rap. But that's 264 00:10:23,160 --> 00:10:26,640 Speaker 2: what I miss sometimes I miss driving and putting myself 265 00:10:26,640 --> 00:10:27,920 Speaker 2: into that story. 266 00:10:27,760 --> 00:10:28,880 Speaker 3: Right, you know what I mean? Right right? 267 00:10:28,920 --> 00:10:30,600 Speaker 5: And I say it, Yeah, you said something man, you 268 00:10:30,600 --> 00:10:33,040 Speaker 5: said when you and slick Rick wrote the Sun like 269 00:10:33,080 --> 00:10:35,160 Speaker 5: yore the son, everybody can feel the sun to go 270 00:10:35,200 --> 00:10:37,720 Speaker 5: back to there impossible verse. I always felt like that's 271 00:10:37,800 --> 00:10:40,679 Speaker 5: that feels like a breeze. I don't know any other 272 00:10:40,679 --> 00:10:42,720 Speaker 5: way to describe it. Did you feel something like that 273 00:10:42,840 --> 00:10:45,040 Speaker 5: like a wind? Almost? 274 00:10:46,360 --> 00:10:47,400 Speaker 1: Still? I don't know. 275 00:10:48,360 --> 00:10:51,840 Speaker 4: I just knew that it was something I can't even 276 00:10:52,320 --> 00:10:55,680 Speaker 4: I just knew it was something like and and like 277 00:10:56,240 --> 00:10:59,000 Speaker 4: the way the beat was, it was just like okay, 278 00:11:00,160 --> 00:11:02,920 Speaker 4: just got more and then more and more and more 279 00:11:03,040 --> 00:11:05,800 Speaker 4: like like like it was like a movie, you know, 280 00:11:06,000 --> 00:11:08,840 Speaker 4: And and that was it when I had to break 281 00:11:08,840 --> 00:11:11,839 Speaker 4: it down and get ready to stop and just ended it. 282 00:11:12,480 --> 00:11:14,719 Speaker 3: And that's just how And I. 283 00:11:14,640 --> 00:11:16,960 Speaker 4: Got a lot of verses like that, like they just 284 00:11:17,000 --> 00:11:19,400 Speaker 4: be like movies, you know what I mean. So I 285 00:11:19,440 --> 00:11:22,640 Speaker 4: don't know if something did I was when I was 286 00:11:22,679 --> 00:11:26,080 Speaker 4: into it, something was it was God blessed me with something, 287 00:11:26,520 --> 00:11:28,600 Speaker 4: and it was just on my back like like when 288 00:11:28,640 --> 00:11:30,320 Speaker 4: I just I just had to knock it out. 289 00:11:30,320 --> 00:11:30,520 Speaker 1: Though. 290 00:11:30,720 --> 00:11:33,480 Speaker 5: You know, when people talk about hip hop storytellers, right like, 291 00:11:33,520 --> 00:11:35,880 Speaker 5: your name is up there with the Greats, the Slick Ricks, 292 00:11:35,880 --> 00:11:38,080 Speaker 5: the nas Is, the Biggies, all of those individuals. What 293 00:11:38,120 --> 00:11:40,679 Speaker 5: do you think separates your style of storytelling from them? 294 00:11:41,520 --> 00:11:46,120 Speaker 4: Probably because my emotions. I could spell that soul on it, 295 00:11:46,360 --> 00:11:48,400 Speaker 4: like when I did holler, you know what I mean, 296 00:11:48,480 --> 00:11:52,240 Speaker 4: Like like like old Dirty was like, yo, he's one 297 00:11:52,240 --> 00:11:53,440 Speaker 4: of them that gave me like a lot of my 298 00:11:53,520 --> 00:11:56,200 Speaker 4: soul too, besides me being in the living room getting 299 00:11:56,280 --> 00:11:57,520 Speaker 4: kicked out the liver room, you know what I mean 300 00:11:57,559 --> 00:11:58,120 Speaker 4: when he was young. 301 00:11:58,440 --> 00:12:01,160 Speaker 3: But yeah, it was. I think it's a soul. 302 00:12:01,440 --> 00:12:03,880 Speaker 4: I think I know how to like to lean on 303 00:12:03,880 --> 00:12:06,839 Speaker 4: on certain tracks and cry on them and just like 304 00:12:07,400 --> 00:12:10,120 Speaker 4: you know, like just do that, like just dig in. 305 00:12:10,240 --> 00:12:14,120 Speaker 5: Like did you did you always feel like being emotional 306 00:12:14,240 --> 00:12:16,800 Speaker 5: was like your superpower? Because especially in hip hop, you know, 307 00:12:16,840 --> 00:12:20,959 Speaker 5: people often glorified being like cold and detached and emotionless. 308 00:12:21,280 --> 00:12:22,439 Speaker 5: Did you feel like that was a super. 309 00:12:22,280 --> 00:12:23,880 Speaker 1: Power for you later on? 310 00:12:25,080 --> 00:12:25,520 Speaker 3: Later on? 311 00:12:25,640 --> 00:12:27,160 Speaker 4: Like even when I hear all I got is you 312 00:12:27,720 --> 00:12:30,120 Speaker 4: and I spilled that into that like that a lot 313 00:12:30,200 --> 00:12:32,480 Speaker 4: of times it just I don't even like to I 314 00:12:32,559 --> 00:12:34,760 Speaker 4: never really performed that. Like I did it for John 315 00:12:34,840 --> 00:12:37,400 Speaker 4: Rule one time, and it was like I had to, 316 00:12:37,440 --> 00:12:38,880 Speaker 4: like I told him no, like you know what I mean, 317 00:12:38,920 --> 00:12:40,600 Speaker 4: But he was like, y'all, come on, y'o, yo, yo, 318 00:12:41,040 --> 00:12:42,559 Speaker 4: you know what I mean. And I did it though, 319 00:12:42,679 --> 00:12:46,920 Speaker 4: like but because it's just brings back too much emotion. Yeah, 320 00:12:47,360 --> 00:12:52,319 Speaker 4: of that, but I think but later on because even 321 00:12:52,440 --> 00:12:55,240 Speaker 4: God Bless the death Fat Man School, he was like, yo, man, 322 00:12:55,440 --> 00:12:58,679 Speaker 4: he said yo, when you did that, he said, yo, 323 00:12:58,720 --> 00:13:00,720 Speaker 4: go show or my I cried. 324 00:13:01,240 --> 00:13:06,600 Speaker 3: I cried because that's me cry and and I'm like mad. 325 00:13:06,640 --> 00:13:08,920 Speaker 3: People told me that they cried when they heard that record. 326 00:13:09,480 --> 00:13:12,679 Speaker 4: So I'm like it freaked not freaked me out, but 327 00:13:12,720 --> 00:13:14,959 Speaker 4: it was like I had to look and be like, yo, 328 00:13:15,000 --> 00:13:17,800 Speaker 4: you're making these people out here like a tears has 329 00:13:17,880 --> 00:13:21,320 Speaker 4: literally falling out your face over something that I went 330 00:13:21,480 --> 00:13:24,840 Speaker 4: like this. Then I start recognizing, like like what it 331 00:13:25,000 --> 00:13:27,040 Speaker 4: was like the gift or what you know? 332 00:13:27,200 --> 00:13:29,480 Speaker 3: Like I don't, I don't. I don't know, like you 333 00:13:29,520 --> 00:13:30,320 Speaker 3: know what I mean, And. 334 00:13:31,280 --> 00:13:34,400 Speaker 4: You know it just gets deep at the while, like 335 00:13:34,400 --> 00:13:36,000 Speaker 4: when you think about it, like you. 336 00:13:36,120 --> 00:13:38,600 Speaker 5: Always thought about wanted. How did your family feel about 337 00:13:38,640 --> 00:13:39,160 Speaker 5: all that I got? 338 00:13:40,520 --> 00:13:40,720 Speaker 3: Man? 339 00:13:40,760 --> 00:13:42,040 Speaker 1: I don't know. 340 00:13:42,440 --> 00:13:45,600 Speaker 3: Yeah, yeah, asked them, you know what I mean? Ask 341 00:13:45,679 --> 00:13:46,520 Speaker 3: and never asked them. 342 00:13:46,840 --> 00:13:48,480 Speaker 4: I just did it because some the type that just 343 00:13:48,480 --> 00:13:52,000 Speaker 4: do music and like this album, I might even listen 344 00:13:52,040 --> 00:13:53,600 Speaker 4: to it. No more like I don't listen to them. 345 00:13:53,840 --> 00:13:55,240 Speaker 4: I just do it and get it out the way 346 00:13:55,360 --> 00:13:55,640 Speaker 4: I feel. 347 00:13:55,679 --> 00:13:57,280 Speaker 2: I feel like I feel like sometimes you get there, 348 00:13:57,280 --> 00:14:00,360 Speaker 2: you you mad, you emotional, the angry, do it and 349 00:14:00,520 --> 00:14:02,400 Speaker 2: be like I'm done with this. That's how I feel 350 00:14:02,440 --> 00:14:03,320 Speaker 2: with your music. 351 00:14:03,360 --> 00:14:04,800 Speaker 4: I'm done with it. Yeah, I'm done with it. I'm 352 00:14:04,800 --> 00:14:06,760 Speaker 4: done with it, like like you've gotta I gotta hear 353 00:14:06,800 --> 00:14:09,199 Speaker 4: it over and over and over anyway. But yeah, man, 354 00:14:09,240 --> 00:14:12,560 Speaker 4: it was it just it just it just be that 355 00:14:12,559 --> 00:14:15,719 Speaker 4: that emotion. Man, like I don't know, like you know 356 00:14:15,720 --> 00:14:18,000 Speaker 4: what I mean, the things I said, especially on that record, 357 00:14:20,320 --> 00:14:23,640 Speaker 4: it felt like I gave people too much, you know 358 00:14:23,680 --> 00:14:28,040 Speaker 4: what I mean, like too much, But it just came 359 00:14:28,200 --> 00:14:30,920 Speaker 4: like that, you know what I mean. So it's there, 360 00:14:30,960 --> 00:14:32,880 Speaker 4: it's out in the world. You can't do nothing about it, 361 00:14:33,040 --> 00:14:35,080 Speaker 4: like yo, but but you know, people take it. 362 00:14:35,120 --> 00:14:35,280 Speaker 3: Though. 363 00:14:35,400 --> 00:14:38,520 Speaker 2: Do you miss the competitive nature of the group? Right 364 00:14:38,920 --> 00:14:41,600 Speaker 2: the Wu Tang was was rocking and tight, right you know, 365 00:14:41,920 --> 00:14:44,120 Speaker 2: if ODB comes with a verse like I gotta eat 366 00:14:44,160 --> 00:14:46,000 Speaker 2: his verse, or mess come with a verse, you gotta 367 00:14:46,000 --> 00:14:48,080 Speaker 2: eat that verse? Do you miss that element of it? 368 00:14:48,320 --> 00:14:48,880 Speaker 3: Of course? 369 00:14:49,240 --> 00:14:51,800 Speaker 4: Because even to right now, it's like if we all 370 00:14:51,800 --> 00:14:54,960 Speaker 4: getting there, Oh, it's it's a challenge, you know what 371 00:14:55,000 --> 00:14:57,160 Speaker 4: I mean. It's competitive. We're all trying to be better. 372 00:14:57,200 --> 00:15:00,400 Speaker 4: Than what we want the best verse want it. He 373 00:15:00,440 --> 00:15:02,400 Speaker 4: wants it, he wants it. So you're around a bunch 374 00:15:02,480 --> 00:15:04,800 Speaker 4: of dogs in there that just want the same thing, 375 00:15:05,160 --> 00:15:07,320 Speaker 4: you know what I mean. And and I remember back 376 00:15:07,360 --> 00:15:09,240 Speaker 4: in those days, like yo, if you couldn't make it, 377 00:15:09,840 --> 00:15:12,080 Speaker 4: Oh yo, you wasn't getting on you know what I mean? 378 00:15:12,120 --> 00:15:14,240 Speaker 4: Brothers tall you like, Nah, that that's that's not it, 379 00:15:14,800 --> 00:15:16,520 Speaker 4: you know what I mean. So we haven't did that 380 00:15:16,560 --> 00:15:18,840 Speaker 4: in a minute, you know what I mean. Even if 381 00:15:18,880 --> 00:15:22,040 Speaker 4: it was right now, I know a few brothers will 382 00:15:22,080 --> 00:15:24,240 Speaker 4: get emotional or something like dude, you mean you telling 383 00:15:24,240 --> 00:15:26,240 Speaker 4: me I can't get on that, you know what I'm saying. 384 00:15:26,480 --> 00:15:29,480 Speaker 4: But that's just what it was like back then, Like yo, 385 00:15:29,800 --> 00:15:32,320 Speaker 4: Like even myself, if Genius was on there like that 386 00:15:32,400 --> 00:15:34,000 Speaker 4: and he and him and deck in him and it 387 00:15:34,120 --> 00:15:34,720 Speaker 4: was crazy. 388 00:15:35,240 --> 00:15:37,400 Speaker 3: I can't touch it. I can't. I can't. 389 00:15:37,000 --> 00:15:39,280 Speaker 2: Who is the one that you was like, I gotta eat? 390 00:15:39,800 --> 00:15:44,440 Speaker 2: That was always just coming to a ball madly. 391 00:15:45,280 --> 00:15:46,400 Speaker 3: No, Nah, I know what you mean. 392 00:15:48,560 --> 00:15:52,440 Speaker 4: I mean it was it was if I could do it, 393 00:15:52,440 --> 00:15:56,360 Speaker 4: it was everybody. It was everybody like because you want 394 00:15:56,360 --> 00:15:58,280 Speaker 4: that number one spot, like you know what I mean? 395 00:15:58,320 --> 00:16:01,680 Speaker 4: But I knew we're not to touch too, like, no, Tom, 396 00:16:01,680 --> 00:16:04,040 Speaker 4: you ain't got it right now, let that go? 397 00:16:04,960 --> 00:16:06,440 Speaker 3: And that was it? Yeah? 398 00:16:06,560 --> 00:16:07,680 Speaker 1: What record did you hear that on? 399 00:16:07,720 --> 00:16:07,800 Speaker 3: Like? 400 00:16:08,200 --> 00:16:09,000 Speaker 2: What's the one you missed? 401 00:16:10,040 --> 00:16:12,720 Speaker 1: I felt like Krirean. I always felt like been on cream. 402 00:16:14,440 --> 00:16:16,720 Speaker 3: Not at that time, not at that time. No, they 403 00:16:16,840 --> 00:16:17,720 Speaker 3: was just him and Deck. 404 00:16:17,800 --> 00:16:21,600 Speaker 4: That Deck had two verses, mighty ones, and you know 405 00:16:21,800 --> 00:16:23,960 Speaker 4: the other one to me was even better than that one. 406 00:16:24,440 --> 00:16:28,280 Speaker 3: But really yeah, yeah he was saying something. He was 407 00:16:28,440 --> 00:16:30,400 Speaker 3: he was really inspected for real real. 408 00:16:30,480 --> 00:16:31,680 Speaker 1: So what happened with that other bird? 409 00:16:31,760 --> 00:16:33,520 Speaker 3: I don't know. I don't think he put it out yet. 410 00:16:33,720 --> 00:16:35,920 Speaker 4: Wow, I mean no, I mean yet, but I don't 411 00:16:35,920 --> 00:16:37,200 Speaker 4: even he's gonna do it, you know what I mean? 412 00:16:37,240 --> 00:16:39,640 Speaker 4: Something with some rubber bands, like wrapped in rubber bands. 413 00:16:39,960 --> 00:16:41,680 Speaker 4: I gotta ask him about that again, like you know 414 00:16:41,680 --> 00:16:42,000 Speaker 4: what I mean? 415 00:16:42,040 --> 00:16:45,000 Speaker 3: But yeah, what was it again? 416 00:16:45,040 --> 00:16:46,960 Speaker 1: With what record? Did you missed that? You felt like? 417 00:16:47,040 --> 00:16:48,040 Speaker 2: Damn, I missed that one. 418 00:16:48,240 --> 00:16:51,080 Speaker 4: I mean even when I did Cuban, you know, but 419 00:16:51,160 --> 00:16:54,760 Speaker 4: I was on too much. So when Ray did ah Scarface, 420 00:16:55,240 --> 00:17:00,240 Speaker 4: because I heard Scarface, it was like chumps, like because 421 00:17:00,720 --> 00:17:02,600 Speaker 4: yeah yeah. 422 00:17:02,640 --> 00:17:05,240 Speaker 3: And I was like because I wasn't there, so I'm like, yo, 423 00:17:05,240 --> 00:17:08,640 Speaker 3: when did he do that one? Like yeah? But then 424 00:17:08,760 --> 00:17:10,960 Speaker 3: Rizz was like, yo, nah, you're just too much. You're 425 00:17:11,000 --> 00:17:12,280 Speaker 3: doing too much stuff like that. 426 00:17:12,320 --> 00:17:16,160 Speaker 4: He needs some solo ones, so that one, and you know, 427 00:17:16,400 --> 00:17:17,280 Speaker 4: I was there, we need. 428 00:17:17,160 --> 00:17:19,160 Speaker 3: The spot Russians whatever the case may be. 429 00:17:19,240 --> 00:17:21,720 Speaker 4: But uh yeah, like like that, but I know it 430 00:17:21,800 --> 00:17:24,200 Speaker 4: was mega more tracks though, Like you know what I mean. 431 00:17:24,160 --> 00:17:26,280 Speaker 5: What made y'all want to remix? Can it be also simple? 432 00:17:27,160 --> 00:17:28,159 Speaker 5: I always think about it. 433 00:17:29,320 --> 00:17:31,720 Speaker 4: I don't know if it was the if it was 434 00:17:31,760 --> 00:17:34,400 Speaker 4: a label or whatever they called for the remix or 435 00:17:34,440 --> 00:17:35,800 Speaker 4: maybe Rizz I'm not too sure. 436 00:17:36,880 --> 00:17:39,040 Speaker 3: Yeah, so yeah, I like I liked that track right 437 00:17:39,080 --> 00:17:39,480 Speaker 3: there too. 438 00:17:39,720 --> 00:17:42,240 Speaker 5: I used to run around just screaming, Baggy Jean's wiould 439 00:17:42,280 --> 00:17:44,680 Speaker 5: be closed, pretty women. I put it in him, shout 440 00:17:44,800 --> 00:17:48,960 Speaker 5: up in him. 441 00:17:48,359 --> 00:17:50,320 Speaker 3: Heard yeah, I'm telling you that. 442 00:17:50,600 --> 00:17:52,800 Speaker 4: And those were the days though, those were the s 443 00:17:52,960 --> 00:17:55,600 Speaker 4: I missed those days because when I used to hear 444 00:17:55,680 --> 00:17:58,000 Speaker 4: like Biggie nas and like, it made me want to 445 00:17:58,040 --> 00:18:00,800 Speaker 4: go right, And I can't even run home to go 446 00:18:00,880 --> 00:18:02,720 Speaker 4: right no more, you know what I mean? Unless I'm 447 00:18:02,720 --> 00:18:05,000 Speaker 4: hearing the locks. Is somebody that that I really like? 448 00:18:05,119 --> 00:18:07,400 Speaker 4: That of my Piers that I could. You know, that's 449 00:18:07,440 --> 00:18:10,560 Speaker 4: getting busy, you know what I mean. But nowadays it's 450 00:18:10,600 --> 00:18:12,840 Speaker 4: really not like that. So a lot of times I 451 00:18:12,840 --> 00:18:14,840 Speaker 4: don't even listen. I listen to more R and B 452 00:18:15,000 --> 00:18:16,800 Speaker 4: than I do RAT you know what I mean, because 453 00:18:16,800 --> 00:18:19,359 Speaker 4: it's really not there for me, Like like, yo, you 454 00:18:19,400 --> 00:18:20,680 Speaker 4: just do it because you want to do it. 455 00:18:20,600 --> 00:18:21,600 Speaker 1: Like you know what I mean. 456 00:18:21,640 --> 00:18:23,479 Speaker 3: But I used to hear huh no, go ahead, Oh 457 00:18:23,600 --> 00:18:23,840 Speaker 3: not now. 458 00:18:23,880 --> 00:18:26,399 Speaker 4: I'm just saying though, like Brother's back, like the Mob 459 00:18:26,440 --> 00:18:29,320 Speaker 4: albums or Noa's album drop. It was like, yo, I 460 00:18:29,359 --> 00:18:33,080 Speaker 4: gotta go right, gotta go right. I miss those days. 461 00:18:33,680 --> 00:18:35,440 Speaker 6: I was just gonna ask, even when we were talking 462 00:18:35,440 --> 00:18:37,480 Speaker 6: about the song from twenty years ago, like what does 463 00:18:37,520 --> 00:18:39,520 Speaker 6: inspire you now? Because you don't really get with a 464 00:18:39,600 --> 00:18:41,719 Speaker 6: lot of the music now rat wise and R and 465 00:18:41,720 --> 00:18:43,320 Speaker 6: B wise, though, what do you listen to where you're like, 466 00:18:43,440 --> 00:18:45,280 Speaker 6: I want to go now that you want to go 467 00:18:45,359 --> 00:18:46,760 Speaker 6: right after R and B? 468 00:18:46,880 --> 00:18:48,280 Speaker 3: Yeah, like what R and B songs? I mean? 469 00:18:48,359 --> 00:18:52,280 Speaker 4: You know you got I love Stevie, you know what 470 00:18:52,320 --> 00:18:52,640 Speaker 4: I mean. 471 00:18:53,359 --> 00:18:54,840 Speaker 6: So it's still the older R and B. It's nothing 472 00:18:54,880 --> 00:18:55,320 Speaker 6: old R. 473 00:18:55,280 --> 00:18:57,720 Speaker 4: And B and No and the Donelle Jones and all that, 474 00:18:57,840 --> 00:19:01,400 Speaker 4: the jahiemes and all that, like I'll catch a few bars, 475 00:19:01,680 --> 00:19:04,480 Speaker 4: but I'm hearing that I'll just catch bars like like 476 00:19:04,480 --> 00:19:06,840 Speaker 4: like yo and be like yo, you know what I'm 477 00:19:06,880 --> 00:19:08,280 Speaker 4: I'm gonna do one of these kind of tapes or 478 00:19:08,280 --> 00:19:10,480 Speaker 4: whatever the case may be and just get it like 479 00:19:10,480 --> 00:19:14,640 Speaker 4: like you know, but that's that's I love that, especially nineties. 480 00:19:15,359 --> 00:19:18,320 Speaker 5: What's your favorite feature on the R and B record? 481 00:19:18,440 --> 00:19:21,800 Speaker 5: Your your your personal favorite verse you spit on an 482 00:19:21,880 --> 00:19:22,199 Speaker 5: R and B. 483 00:19:22,280 --> 00:19:26,040 Speaker 3: Record, favorite verse or favorite record? 484 00:19:27,920 --> 00:19:29,200 Speaker 1: Give me both? Then give me both. 485 00:19:32,320 --> 00:19:33,879 Speaker 3: I never even looked at it like that before. 486 00:19:34,440 --> 00:19:36,320 Speaker 1: You never thought about what your favorite. 487 00:19:36,560 --> 00:19:38,719 Speaker 3: Don't don't be doing next? People ask me all the time, like, yo, 488 00:19:38,720 --> 00:19:40,400 Speaker 3: what's your favorite? I got mad records? 489 00:19:40,680 --> 00:19:42,719 Speaker 1: Mine is freaking you remixed with jobs? 490 00:19:42,920 --> 00:19:44,280 Speaker 3: All right? That was? 491 00:19:44,320 --> 00:19:46,800 Speaker 1: That was many ridiculous, man, You know what. 492 00:19:46,800 --> 00:19:48,800 Speaker 3: You might be right now that you said it. That 493 00:19:48,920 --> 00:19:50,000 Speaker 3: was I picked that one. 494 00:19:50,040 --> 00:19:50,760 Speaker 2: That was a hard record. 495 00:19:50,840 --> 00:19:51,600 Speaker 3: I picked that one. 496 00:19:51,960 --> 00:19:54,960 Speaker 4: But the best one out that I that that that 497 00:19:54,960 --> 00:19:56,800 Speaker 4: that I had like was the one I do with Beyonce. 498 00:19:57,040 --> 00:20:04,000 Speaker 1: He made Summertime sound grimy summertime. But that freaking know that. 499 00:20:03,880 --> 00:20:06,400 Speaker 4: One, My that's number one, didn't That's number one that's 500 00:20:06,400 --> 00:20:08,440 Speaker 4: more than shade of me, you know what I mean? 501 00:20:08,560 --> 00:20:10,919 Speaker 3: But uh, yeah, no, we was in pocket with that. 502 00:20:11,040 --> 00:20:12,800 Speaker 1: Where was you? What was the Tell me how that 503 00:20:12,840 --> 00:20:13,520 Speaker 1: record happened? 504 00:20:13,960 --> 00:20:16,159 Speaker 2: He was in the studio with those guys. 505 00:20:16,520 --> 00:20:18,280 Speaker 1: We was in there, but y'all knew y'all was gonna 506 00:20:18,280 --> 00:20:18,919 Speaker 1: do a record up. 507 00:20:19,160 --> 00:20:19,720 Speaker 3: Yeah, we was. 508 00:20:19,640 --> 00:20:21,800 Speaker 4: Coming in there to do the remix whatever, you know 509 00:20:21,840 --> 00:20:23,760 Speaker 4: what I mean. But I know that beat was that 510 00:20:23,880 --> 00:20:26,000 Speaker 4: chunky though, you know what I mean. When we got 511 00:20:26,040 --> 00:20:27,679 Speaker 4: in there and then he just put it on and 512 00:20:28,000 --> 00:20:30,479 Speaker 4: it was just crazy in there. They was in here 513 00:20:30,560 --> 00:20:34,480 Speaker 4: drinking that some red ship, some after shot ship, this 514 00:20:34,520 --> 00:20:40,480 Speaker 4: ship after shot after Yeah, that's what I tell. 515 00:20:40,320 --> 00:20:45,040 Speaker 3: You about some ship. 516 00:20:45,600 --> 00:20:48,560 Speaker 4: So so I'm like, but there was Ben, you know 517 00:20:48,600 --> 00:20:50,320 Speaker 4: what I mean, and he was just it was just 518 00:20:50,359 --> 00:20:50,719 Speaker 4: on there. 519 00:20:50,800 --> 00:20:53,800 Speaker 3: So just me and Ray. Ray caught his. 520 00:20:53,680 --> 00:20:56,199 Speaker 4: Lines while he's catching his lines and catching my lines 521 00:20:56,800 --> 00:20:58,840 Speaker 4: and showy show. 522 00:20:58,920 --> 00:21:00,679 Speaker 3: We just went and did it like he did he laders. 523 00:21:01,280 --> 00:21:03,560 Speaker 3: I laid minds and it just came out the way 524 00:21:03,600 --> 00:21:04,320 Speaker 3: it just came out. 525 00:21:04,480 --> 00:21:06,520 Speaker 5: And Yo, sit back, kick your feet up on the 526 00:21:06,560 --> 00:21:09,760 Speaker 5: glass table, grab the remote, baby, check my niggas on cable. 527 00:21:09,920 --> 00:21:12,520 Speaker 5: I got the hay Love Album plus Jodah said, roll 528 00:21:12,600 --> 00:21:15,520 Speaker 5: it up, the Easy Riders and the Full Moons, conk 529 00:21:15,560 --> 00:21:17,480 Speaker 5: weed up, all up in the room, you got the munchies, 530 00:21:17,680 --> 00:21:18,720 Speaker 5: ice cold milk. 531 00:21:18,480 --> 00:21:19,280 Speaker 3: And long the dunes. 532 00:21:19,320 --> 00:21:20,320 Speaker 1: How you like it, baby? 533 00:21:20,440 --> 00:21:22,480 Speaker 5: I like it on the sink you freak me but 534 00:21:23,200 --> 00:21:27,240 Speaker 5: a long ma Oh my god, you study Islam, play 535 00:21:27,280 --> 00:21:27,600 Speaker 5: it off. 536 00:21:27,680 --> 00:21:31,480 Speaker 1: If my wife calls you and my cousin don. That 537 00:21:31,720 --> 00:21:33,080 Speaker 1: was crazy, man. 538 00:21:33,440 --> 00:21:35,200 Speaker 3: Yo, there's a dose with those days. 539 00:21:35,280 --> 00:21:35,440 Speaker 1: Yo. 540 00:21:35,960 --> 00:21:36,280 Speaker 3: I don't know. 541 00:21:36,280 --> 00:21:38,119 Speaker 4: It's something in the air at that time. Man, it 542 00:21:38,160 --> 00:21:40,560 Speaker 4: was just it was just something. And then we was young, 543 00:21:41,119 --> 00:21:42,560 Speaker 4: you know what I mean. So your mind is like 544 00:21:42,840 --> 00:21:47,160 Speaker 4: it's open, it's like to whatever. It's just adapting to what. 545 00:21:47,400 --> 00:21:48,960 Speaker 1: How did it feel performing it on Apollo? 546 00:21:50,520 --> 00:21:55,080 Speaker 4: It's crazy, It's crazy. Yeah, we just it was a moment. 547 00:21:55,320 --> 00:21:57,159 Speaker 4: See those as moments. Like the same thing when I 548 00:21:57,200 --> 00:21:59,280 Speaker 4: did with Beyonce at the Witch you mulda call it 549 00:22:00,080 --> 00:22:03,560 Speaker 4: at the Garden, I forgot my verse right before I 550 00:22:03,600 --> 00:22:05,120 Speaker 4: went on, like I'm scared to death. 551 00:22:05,200 --> 00:22:07,040 Speaker 1: Fuck, the building was shaken. I remember you say that 552 00:22:07,080 --> 00:22:07,840 Speaker 1: on the dot yo. 553 00:22:08,000 --> 00:22:08,160 Speaker 3: Nah. 554 00:22:08,280 --> 00:22:10,600 Speaker 4: Yeah, it was like that, but I just forgot the verse, 555 00:22:10,720 --> 00:22:13,800 Speaker 4: like like I knew it prior, but I just forgot it, 556 00:22:13,880 --> 00:22:15,600 Speaker 4: like you know what I mean, slick rick over there 557 00:22:15,640 --> 00:22:17,960 Speaker 4: throwing changed on and this and that and the third 558 00:22:18,240 --> 00:22:20,760 Speaker 4: you know what I mean. But then I'm like, she's 559 00:22:20,880 --> 00:22:25,719 Speaker 4: singing it already. It's like, Yo, I asked my manager, Yo, 560 00:22:25,760 --> 00:22:28,200 Speaker 4: what's my verse? You know what I'm saying, Like you, Mike, 561 00:22:28,920 --> 00:22:32,399 Speaker 4: he don't know, He's just a manager. I'm like, oh, snap, 562 00:22:32,520 --> 00:22:34,800 Speaker 4: Like yo, I'm scared to death, like I don't want 563 00:22:34,800 --> 00:22:37,320 Speaker 4: to do this in front of twenty thousand whatever it is. 564 00:22:37,840 --> 00:22:40,400 Speaker 4: I start walking up those steps. I saw a dame 565 00:22:40,520 --> 00:22:42,879 Speaker 4: dash like right there from this like looking down. He 566 00:22:43,000 --> 00:22:45,040 Speaker 4: must have seen all the truck shuit, you know what 567 00:22:45,040 --> 00:22:47,120 Speaker 4: I mean. He like, oh, I just seen his mouth say, 568 00:22:47,160 --> 00:22:50,800 Speaker 4: oh shit, bone Bom is coming closer. But I'm scared, 569 00:22:50,920 --> 00:22:53,560 Speaker 4: like what the but I gotta go out there. I 570 00:22:53,560 --> 00:22:58,080 Speaker 4: don't you know what I mean. God just smacked me bow, yo, 571 00:22:58,560 --> 00:23:00,199 Speaker 4: just like it just I just spit it up up 572 00:23:00,640 --> 00:23:02,880 Speaker 4: just as soon as it was my turn for the verse. 573 00:23:03,040 --> 00:23:05,400 Speaker 3: It's just like bow and that's and it was over. 574 00:23:06,119 --> 00:23:07,439 Speaker 1: That was it, And that was that was at an 575 00:23:07,480 --> 00:23:08,119 Speaker 1: official remix. 576 00:23:08,200 --> 00:23:08,280 Speaker 3: Right? 577 00:23:08,280 --> 00:23:09,280 Speaker 1: You did that on your own, right? 578 00:23:09,640 --> 00:23:09,840 Speaker 3: Yeah? 579 00:23:10,000 --> 00:23:11,960 Speaker 4: Because my man charm La rock when I was doing 580 00:23:12,760 --> 00:23:15,399 Speaker 4: pretty Chony album. He was out there was he was 581 00:23:15,440 --> 00:23:17,480 Speaker 4: out he live out there, so he's like, yo, tone, 582 00:23:17,560 --> 00:23:20,439 Speaker 4: like you know, Djack whatever, You're like, yo, Yo, I 583 00:23:20,480 --> 00:23:23,639 Speaker 4: got this joint yours Beyonce joint like YO, played it 584 00:23:23,680 --> 00:23:26,120 Speaker 4: for me fire, you know. I just went and later 585 00:23:26,119 --> 00:23:28,720 Speaker 4: it immediately, and I gave it to God bless the Dad. 586 00:23:28,800 --> 00:23:31,879 Speaker 4: Kate Slay gave it to him bawl and it was 587 00:23:31,920 --> 00:23:33,520 Speaker 4: on from there. And I was still out there while 588 00:23:33,520 --> 00:23:36,120 Speaker 4: I was getting played out here. So I came back 589 00:23:36,119 --> 00:23:38,960 Speaker 4: from there at the like doing my thing, and it 590 00:23:39,000 --> 00:23:39,840 Speaker 4: was was popping. 591 00:23:39,960 --> 00:23:42,520 Speaker 2: Do you ever look back and really think about and 592 00:23:42,520 --> 00:23:44,840 Speaker 2: take it all in the success of Wu Tang the 593 00:23:44,880 --> 00:23:47,959 Speaker 2: biggest group that logo. I mean, we had Pete Davison here, 594 00:23:48,000 --> 00:23:51,480 Speaker 2: he has he has a tattooed on them Superhero. But 595 00:23:51,480 --> 00:23:54,360 Speaker 2: it's not only that it transcends through generations, Like it's 596 00:23:54,400 --> 00:23:57,920 Speaker 2: not just fifty sixty you got thirty twenty year old 597 00:23:58,000 --> 00:24:00,240 Speaker 2: teams that still know that logo and still you know 598 00:24:00,320 --> 00:24:04,800 Speaker 2: y'all Walmart, like y'all, look, you ever look back and 599 00:24:04,880 --> 00:24:08,479 Speaker 2: be like Jesus just yeah, some kids from Staten Island. 600 00:24:08,480 --> 00:24:10,280 Speaker 2: It's just like we're gonna find a way. 601 00:24:10,160 --> 00:24:12,000 Speaker 3: Old they hit you, you know what I mean. 602 00:24:12,040 --> 00:24:13,919 Speaker 4: I started seeing it like that when I when I 603 00:24:13,920 --> 00:24:15,720 Speaker 4: got older, when I was young, you just in the mix. 604 00:24:16,000 --> 00:24:17,639 Speaker 3: But when you look, when you try to put. 605 00:24:17,480 --> 00:24:22,600 Speaker 4: Yourself on the outside looking in, it's like, yo, I 606 00:24:22,600 --> 00:24:23,760 Speaker 4: didn't know it was gonna be like that. 607 00:24:23,840 --> 00:24:26,080 Speaker 3: I just knew that we was coming in to do damage. 608 00:24:26,640 --> 00:24:28,240 Speaker 3: I said, you ain't nobody playing with anybody. 609 00:24:28,400 --> 00:24:31,320 Speaker 4: Anybody. We're just too ill like boom. But then at 610 00:24:31,359 --> 00:24:33,960 Speaker 4: the while it just turned into some cold you. 611 00:24:33,920 --> 00:24:34,360 Speaker 3: Know what I mean. 612 00:24:34,400 --> 00:24:37,159 Speaker 4: And then you still hear like like I seened a 613 00:24:37,160 --> 00:24:39,840 Speaker 4: lot of my favorite like like not old I like 614 00:24:39,880 --> 00:24:41,760 Speaker 4: saying old school rappers, but you know that you once 615 00:24:41,800 --> 00:24:44,200 Speaker 4: you look up to it's like, yo, we're still selling out, 616 00:24:44,640 --> 00:24:47,119 Speaker 4: like like right now. And then my best year with 617 00:24:47,200 --> 00:24:49,480 Speaker 4: these guys was like the tour that we just did 618 00:24:49,800 --> 00:24:52,399 Speaker 4: like like like yo, like like you know what I mean, 619 00:24:52,440 --> 00:24:55,640 Speaker 4: it's Matt thirty some years later. So but yeah, nah, 620 00:24:55,640 --> 00:24:57,920 Speaker 4: it's a it's an amazing yo, man. And I say 621 00:24:57,960 --> 00:25:00,760 Speaker 4: to myself, I'm like, yo, like I know there's people 622 00:25:00,840 --> 00:25:03,359 Speaker 4: that went to the grave with that w you know 623 00:25:03,400 --> 00:25:06,280 Speaker 4: what I mean, Like I be in Australia. One kid 624 00:25:06,280 --> 00:25:09,000 Speaker 4: pulled down his pants. It was like yo, so whole 625 00:25:09,080 --> 00:25:11,960 Speaker 4: thigh was on dirty fast his face like yo, nigga, 626 00:25:12,040 --> 00:25:15,240 Speaker 4: you know what I mean? Like yo, and I'm like yo, wow, 627 00:25:15,400 --> 00:25:19,200 Speaker 4: like like I'm just grateful. I'm just I'm just humbled 628 00:25:19,200 --> 00:25:22,440 Speaker 4: to be a part of something that that's living when 629 00:25:22,480 --> 00:25:25,400 Speaker 4: they said it was forever and you know, I guess 630 00:25:25,440 --> 00:25:28,000 Speaker 4: the universe took it like that because I'm seeing. 631 00:25:27,720 --> 00:25:28,880 Speaker 3: Like seven year old kids. 632 00:25:29,760 --> 00:25:32,000 Speaker 4: It stands, you know what I mean, little ones even 633 00:25:32,000 --> 00:25:33,679 Speaker 4: little more than that with shirts on. 634 00:25:34,440 --> 00:25:37,119 Speaker 3: I'm like, damn, like it's still going, like you know 635 00:25:37,160 --> 00:25:38,560 Speaker 3: what I mean. So I don't know. 636 00:25:38,600 --> 00:25:40,600 Speaker 4: I'm just here to keep that flag, to raise the 637 00:25:40,640 --> 00:25:42,679 Speaker 4: whatever flag I could raise, and just keep it the 638 00:25:42,760 --> 00:25:43,400 Speaker 4: movement going. 639 00:25:43,480 --> 00:25:45,240 Speaker 5: Like That's why it's so interesting that you drop a 640 00:25:45,240 --> 00:25:47,320 Speaker 5: Supreme clientele two at a time like this, because back 641 00:25:47,320 --> 00:25:49,560 Speaker 5: in two thousand, when you drop Supreme Clientele, there was 642 00:25:49,560 --> 00:25:51,080 Speaker 5: a lot of people that was like yo, that saved 643 00:25:51,119 --> 00:25:53,280 Speaker 5: the Wu Tang brand in a lot of ways, like 644 00:25:53,520 --> 00:25:55,600 Speaker 5: really kept that flag held high. Did you feel that 645 00:25:55,640 --> 00:25:57,359 Speaker 5: pressure when you were making it back then or you 646 00:25:57,440 --> 00:25:58,959 Speaker 5: just were in a. 647 00:25:58,680 --> 00:26:00,560 Speaker 3: It was just zoning out because you know, what happened. 648 00:26:00,680 --> 00:26:02,919 Speaker 4: Remember how I be saying like yo, iron Man, was 649 00:26:03,000 --> 00:26:05,159 Speaker 4: like they only gave me like a few months to 650 00:26:05,200 --> 00:26:06,359 Speaker 4: get ahead and to do that. 651 00:26:06,440 --> 00:26:08,199 Speaker 1: Yeah, you bug it. Every time I say that, I'm like, oh, 652 00:26:08,280 --> 00:26:08,600 Speaker 1: bugging you. 653 00:26:10,080 --> 00:26:13,840 Speaker 3: No why I just rolled all over Cuba Lynx. I 654 00:26:13,920 --> 00:26:14,240 Speaker 3: just rode. 655 00:26:14,280 --> 00:26:17,240 Speaker 4: I just skated on it and to get ahead. And 656 00:26:17,359 --> 00:26:20,040 Speaker 4: you know, I got rushed with a contract. I'm young, 657 00:26:20,200 --> 00:26:21,800 Speaker 4: like you know what I mean. So it's like when 658 00:26:21,800 --> 00:26:23,560 Speaker 4: you're gonna hit me with like four or five hundred 659 00:26:23,560 --> 00:26:25,679 Speaker 4: thousand dollars, but I got to hurry up and do 660 00:26:25,720 --> 00:26:28,119 Speaker 4: it in like like two months, like sixty they is 661 00:26:28,200 --> 00:26:30,720 Speaker 4: something like that. It's like I had to make a decision, 662 00:26:31,280 --> 00:26:33,080 Speaker 4: you know right then you know when you be like 663 00:26:33,240 --> 00:26:37,640 Speaker 4: hold on gee, But that's that is that I took that, 664 00:26:38,040 --> 00:26:39,600 Speaker 4: you know what I mean. But I was undepressed under 665 00:26:39,600 --> 00:26:42,480 Speaker 4: the gun. And my best friend just he done got 666 00:26:42,480 --> 00:26:44,800 Speaker 4: caught for something that a body that he even commit. 667 00:26:45,600 --> 00:26:48,720 Speaker 4: It was dog diabetes is on you, you know what I mean. 668 00:26:48,800 --> 00:26:52,040 Speaker 4: So it was just it wasn't you know, it was 669 00:26:52,080 --> 00:26:54,320 Speaker 4: just it was gloomy for me. Then I'm shooting it 670 00:26:54,320 --> 00:26:55,840 Speaker 4: out with the del phonics. 671 00:26:56,200 --> 00:26:56,880 Speaker 1: It's just bad. 672 00:26:56,960 --> 00:26:57,760 Speaker 2: This just going on. 673 00:26:58,400 --> 00:27:00,240 Speaker 3: You know what I'm saying. It was just mad. It 674 00:27:00,320 --> 00:27:02,080 Speaker 3: was just crazy. But I got to. 675 00:27:02,160 --> 00:27:05,639 Speaker 4: Sit there and and and and try to try to 676 00:27:05,680 --> 00:27:08,600 Speaker 4: get this thing done. So it was like only thing 677 00:27:08,600 --> 00:27:10,600 Speaker 4: I really liked about it. It was a couple of 678 00:27:10,640 --> 00:27:12,600 Speaker 4: songs put all I got is you you know what 679 00:27:12,600 --> 00:27:14,800 Speaker 4: I mean. But the album cover was the private Fly 680 00:27:14,960 --> 00:27:18,639 Speaker 4: seven album cover I ever did. But and that's that's it. 681 00:27:18,720 --> 00:27:21,360 Speaker 4: But I'm just saying I stated on links right, But 682 00:27:21,400 --> 00:27:25,919 Speaker 4: then it was like, Okay, I didn't you know, I 683 00:27:26,000 --> 00:27:29,960 Speaker 4: wasn't satisfied. So when we got the Supreme Clientele, it 684 00:27:30,080 --> 00:27:33,359 Speaker 4: was like, Okay, I had more, more time, you know 685 00:27:33,359 --> 00:27:33,760 Speaker 4: what I mean. 686 00:27:34,200 --> 00:27:34,360 Speaker 3: More. 687 00:27:34,400 --> 00:27:35,960 Speaker 4: I think I might have did like quick six months, 688 00:27:36,000 --> 00:27:37,879 Speaker 4: real quick, if I'm not mistaken, then came back and 689 00:27:37,880 --> 00:27:41,679 Speaker 4: finished it off rkers, But yeah, it was it was 690 00:27:41,720 --> 00:27:44,639 Speaker 4: just it was just something that I knew that I 691 00:27:44,640 --> 00:27:46,399 Speaker 4: always could do. Because at first I was going to 692 00:27:46,520 --> 00:27:49,240 Speaker 4: name my first album, was gonna name that Supreme Clientele, 693 00:27:49,760 --> 00:27:51,240 Speaker 4: you know what I mean. But they was like on 694 00:27:51,440 --> 00:27:54,080 Speaker 4: iron Man which one? So I had to I asked 695 00:27:54,119 --> 00:27:58,040 Speaker 4: Rizid Raiding. They just went with iron Man first Classic. 696 00:27:58,080 --> 00:27:59,679 Speaker 1: Yeah, I don't care what you say. I've heard you 697 00:27:59,720 --> 00:28:02,480 Speaker 1: say that, I heard I drink Champs. I'm like, what 698 00:28:03,359 --> 00:28:05,880 Speaker 1: classic record Wildflower cam made? 699 00:28:06,000 --> 00:28:10,440 Speaker 5: Daytona five hundred nut Meg was on spreakline that's preme. 700 00:28:10,520 --> 00:28:13,959 Speaker 4: Yeah, yeah, but I get it. But it was just 701 00:28:14,080 --> 00:28:15,880 Speaker 4: it was just me because it was just a spirit 702 00:28:16,480 --> 00:28:19,240 Speaker 4: it was. It was kind of like dark and cloudy 703 00:28:19,280 --> 00:28:22,520 Speaker 4: to me, like like even rap wise, I wasn't really 704 00:28:22,680 --> 00:28:25,439 Speaker 4: like like like dead with it. I had to hurry up, 705 00:28:25,520 --> 00:28:27,280 Speaker 4: and I don't like being rushed. So that's why I 706 00:28:27,280 --> 00:28:29,639 Speaker 4: don't get deadlines no more. If I'm doing music, I 707 00:28:29,680 --> 00:28:31,800 Speaker 4: don't want no deadline, like let me go. 708 00:28:32,119 --> 00:28:32,320 Speaker 1: You know. 709 00:28:32,359 --> 00:28:34,320 Speaker 5: The first time I met Ghost, I was drunk as 710 00:28:34,320 --> 00:28:37,680 Speaker 5: hell at a party. Some party went throwing. I ran 711 00:28:37,800 --> 00:28:40,640 Speaker 5: upon him outside and started rapping wildflowers. 712 00:28:43,200 --> 00:28:45,640 Speaker 3: I remember that. I remember that somewhere. 713 00:28:45,200 --> 00:28:48,360 Speaker 5: Your bit your friend, stay hold, I see you on 714 00:28:48,400 --> 00:28:49,720 Speaker 5: the helipade, honey grab I. 715 00:28:49,640 --> 00:28:53,840 Speaker 4: Can't go, And you did tell me back then, yo yo, 716 00:28:54,760 --> 00:28:57,920 Speaker 4: my favorite rap whatever man exactly. Now, I respect that respect. 717 00:29:00,120 --> 00:29:02,720 Speaker 4: Sometime I write a couple of bars, a couple of songs, 718 00:29:02,760 --> 00:29:04,640 Speaker 4: and I might think, like I might think of you, 719 00:29:04,800 --> 00:29:06,280 Speaker 4: like you know what I mean, Like I wonder what 720 00:29:06,320 --> 00:29:07,960 Speaker 4: he gonna think about this, you know what I mean? 721 00:29:08,320 --> 00:29:10,840 Speaker 3: Like, yo, like you know what I'm saying. So nah, 722 00:29:10,840 --> 00:29:11,920 Speaker 3: that's love right there. Though. 723 00:29:12,280 --> 00:29:14,040 Speaker 5: You know in the in the press release for the 724 00:29:14,080 --> 00:29:17,880 Speaker 5: Supreme clientele Too, it says a real rap, no gimmicks. Right, 725 00:29:17,920 --> 00:29:19,800 Speaker 5: It's like you don't like you don't like gimmicks and rap? 726 00:29:21,040 --> 00:29:21,520 Speaker 3: What do you say? 727 00:29:22,040 --> 00:29:23,680 Speaker 5: I saw a press release it was like this Supreme 728 00:29:23,680 --> 00:29:25,720 Speaker 5: Client Teller is about real Supreme Clint tell twos about 729 00:29:25,760 --> 00:29:26,800 Speaker 5: real rap, no gimmicks. 730 00:29:26,840 --> 00:29:29,280 Speaker 1: Oh okay, but when you will walk when you had the. 731 00:29:30,160 --> 00:29:32,440 Speaker 5: Stocking mask on back in the right right and you 732 00:29:32,440 --> 00:29:34,600 Speaker 5: were a ghost Face killer, did you consider that a gimmick? 733 00:29:35,640 --> 00:29:38,240 Speaker 3: No? I ain't, No, I wasn't even thinking like that. 734 00:29:38,760 --> 00:29:40,800 Speaker 3: It well, just like yo, it was his ghost face. 735 00:29:40,840 --> 00:29:42,840 Speaker 4: It was like you know where I got the name 736 00:29:42,880 --> 00:29:45,360 Speaker 4: from mystery a chest boxing, you know what I mean, 737 00:29:45,400 --> 00:29:48,960 Speaker 4: the god It was ghost Face, the ghost Face Killer. 738 00:29:49,000 --> 00:29:51,200 Speaker 4: You know, he came back after twenty years and just 739 00:29:51,200 --> 00:29:53,160 Speaker 4: started like doing what he do. But I just felt, 740 00:29:53,280 --> 00:29:55,640 Speaker 4: for some reason at that time, I thought that name 741 00:29:55,720 --> 00:29:57,800 Speaker 4: applied to me, you know what I mean. So you 742 00:29:57,840 --> 00:30:00,000 Speaker 4: know I threw the mask on, you know what I mean. 743 00:30:00,400 --> 00:30:02,720 Speaker 4: But I took the masks off. I took the mask 744 00:30:02,800 --> 00:30:05,280 Speaker 4: off because I didn't really have no other masses like 745 00:30:05,360 --> 00:30:06,400 Speaker 4: I had stocking. 746 00:30:06,080 --> 00:30:07,560 Speaker 3: Cap on, you know what I mean. 747 00:30:07,680 --> 00:30:09,479 Speaker 4: So it's like, you know, you can't really wrap all 748 00:30:09,560 --> 00:30:11,720 Speaker 4: day with a cat on like that, so you couldn't 749 00:30:11,720 --> 00:30:13,959 Speaker 4: breathe you heard. So I'm like, yo, now this got 750 00:30:14,040 --> 00:30:16,000 Speaker 4: to go, man, you know what I mean. But you know, 751 00:30:16,080 --> 00:30:18,920 Speaker 4: as time went on, like now, you know they got 752 00:30:18,920 --> 00:30:20,960 Speaker 4: things like that where you can throw a mask on it, 753 00:30:21,480 --> 00:30:22,880 Speaker 4: you know, do what you want to. If I would 754 00:30:22,880 --> 00:30:23,840 Speaker 4: have kept that mask on. 755 00:30:23,840 --> 00:30:28,120 Speaker 5: It, that made your mythical figures even back then, because 756 00:30:28,200 --> 00:30:30,840 Speaker 5: you know, you be talking like, yo, it was wrong 757 00:30:30,880 --> 00:30:31,360 Speaker 5: with ghost face. 758 00:30:31,400 --> 00:30:33,080 Speaker 1: People like y'all think his face is just figured. 759 00:30:36,280 --> 00:30:38,520 Speaker 3: Run yeah, run and all that. I heard all that, 760 00:30:38,760 --> 00:30:40,880 Speaker 3: you know what I mean. It was just it was 761 00:30:40,920 --> 00:30:41,800 Speaker 3: just ghost face. 762 00:30:41,880 --> 00:30:42,720 Speaker 1: That's what you wanted to do. 763 00:30:43,720 --> 00:30:43,880 Speaker 3: You know. 764 00:30:44,840 --> 00:30:46,680 Speaker 2: During the recent interview, there was always a room in 765 00:30:46,720 --> 00:30:50,760 Speaker 2: New York that that puff Banjohn from radio. That was 766 00:30:50,920 --> 00:30:52,960 Speaker 2: a big rumor for years and years and years, right, 767 00:30:53,200 --> 00:30:54,200 Speaker 2: and you kind of confirmed that. 768 00:30:54,280 --> 00:30:55,120 Speaker 3: So that was true. 769 00:30:55,280 --> 00:30:57,400 Speaker 1: Yeah, yeah, like you don't know you was a DJ. 770 00:30:57,840 --> 00:30:59,520 Speaker 2: I didn't work I was I didn't work that during 771 00:30:59,520 --> 00:31:00,080 Speaker 2: that time I was. 772 00:31:01,720 --> 00:31:04,880 Speaker 4: Yo now because yeah, Rizzie was telling us. He was like, yo, 773 00:31:05,600 --> 00:31:08,479 Speaker 4: he said, yeah, Puff admitted to it, like it was talking, 774 00:31:08,840 --> 00:31:10,880 Speaker 4: and I think rizz asked him the question and Puff 775 00:31:10,920 --> 00:31:11,440 Speaker 4: agreed to. 776 00:31:11,400 --> 00:31:12,640 Speaker 3: It, you know what I'm saying. 777 00:31:12,680 --> 00:31:15,320 Speaker 4: And I'm like, because it was just like after that 778 00:31:15,360 --> 00:31:18,479 Speaker 4: hot ninety seventh thing, it just went, haywhy it just 779 00:31:18,480 --> 00:31:21,280 Speaker 4: went Things just went down like it was. 780 00:31:21,320 --> 00:31:24,160 Speaker 3: It ain't even fail right, no more and and and. 781 00:31:24,080 --> 00:31:26,600 Speaker 4: If Puff did that, that was a nice chance move, 782 00:31:26,920 --> 00:31:28,840 Speaker 4: you know what I mean, because he told Rizzy he said, yo. 783 00:31:29,160 --> 00:31:32,000 Speaker 4: But y'all was just too like coming up. You know, 784 00:31:32,360 --> 00:31:34,440 Speaker 4: hold on, did Dirty did that? Did Dirty do that? 785 00:31:34,480 --> 00:31:38,160 Speaker 3: Before that? Or that was after Dirty? They had the 786 00:31:38,200 --> 00:31:40,960 Speaker 3: Grammys he did it? That was after after after. 787 00:31:40,800 --> 00:31:44,480 Speaker 1: He did that? Had to be like ninety eight after 788 00:31:45,240 --> 00:31:45,520 Speaker 1: I think it. 789 00:31:45,520 --> 00:31:45,880 Speaker 3: Was all right? 790 00:31:45,960 --> 00:31:49,800 Speaker 4: So we did Forever in ninety seven, right right, Yeah, 791 00:31:49,840 --> 00:31:51,120 Speaker 4: Yo nominated for Album of the Year. 792 00:31:51,160 --> 00:31:55,280 Speaker 5: It was no way out Life after Death? Who tang Forever? 793 00:31:55,400 --> 00:31:56,920 Speaker 5: I forgot what else was in that category? 794 00:31:57,080 --> 00:31:57,360 Speaker 3: Right? 795 00:31:58,040 --> 00:32:00,880 Speaker 4: So yeah, so he was like yo, he said something 796 00:32:00,880 --> 00:32:03,840 Speaker 4: like yo. Puffer is like saying that, yo, y'all was I. 797 00:32:03,760 --> 00:32:06,320 Speaker 3: Guess we was this competition, you know, what I mean. 798 00:32:06,640 --> 00:32:10,520 Speaker 4: And yeah, and it just was on that that time 799 00:32:10,600 --> 00:32:13,840 Speaker 4: right there, so we they banned us. I guess we 800 00:32:13,840 --> 00:32:15,840 Speaker 4: should have just stayed on and raised against the machines. 801 00:32:16,240 --> 00:32:18,200 Speaker 5: You know what I'm saying, Well, how did that make 802 00:32:18,280 --> 00:32:20,160 Speaker 5: y'all feel back then when you saw, like even now, 803 00:32:20,160 --> 00:32:21,320 Speaker 5: but when you saw all of those white. 804 00:32:21,200 --> 00:32:23,760 Speaker 1: People embraced war tank, y'all was so pro black still 805 00:32:23,800 --> 00:32:24,280 Speaker 1: now though. 806 00:32:26,360 --> 00:32:29,080 Speaker 3: White people started coming, I don't know. 807 00:32:29,120 --> 00:32:31,040 Speaker 4: I always think I think about that, and I just 808 00:32:31,080 --> 00:32:33,440 Speaker 4: think that might have been the knowledge we I mean, 809 00:32:33,640 --> 00:32:35,880 Speaker 4: first of all, you got non members we up there, 810 00:32:35,920 --> 00:32:39,160 Speaker 4: like earth Wind and fire Man. Everybody is just different, 811 00:32:39,360 --> 00:32:41,840 Speaker 4: unique in their own way, and I don't think I 812 00:32:41,840 --> 00:32:44,280 Speaker 4: don't think they probably ever seen nothing like that. It 813 00:32:44,320 --> 00:32:48,200 Speaker 4: didn't especially when you got brothers speaking the truth, and you. 814 00:32:48,200 --> 00:32:50,440 Speaker 3: Know, like like like like like. 815 00:32:50,520 --> 00:32:52,680 Speaker 4: The people, when you hear the truth, you become attracted 816 00:32:52,720 --> 00:32:54,840 Speaker 4: to that, you know what I mean, and everything else. 817 00:32:54,880 --> 00:32:57,600 Speaker 3: So it's I think it's a few things. 818 00:32:57,320 --> 00:33:02,880 Speaker 4: That that, uh, that got the whole world just to 819 00:33:03,040 --> 00:33:06,680 Speaker 4: just to come in, not just blacks, Latinos and stuff 820 00:33:06,720 --> 00:33:06,920 Speaker 4: like that. 821 00:33:07,040 --> 00:33:10,440 Speaker 3: So yeah, man, it's funny because when we go overseas. 822 00:33:09,960 --> 00:33:15,280 Speaker 4: It's like it's like mania, Oh shit, like inga you 823 00:33:15,360 --> 00:33:17,920 Speaker 4: get more I say, more love, but it's it just 824 00:33:17,920 --> 00:33:20,040 Speaker 4: feels like they just on it. 825 00:33:20,640 --> 00:33:22,640 Speaker 2: You said, you made more money in the last couple 826 00:33:22,640 --> 00:33:24,880 Speaker 2: of years than you made before. Torn right with the 827 00:33:24,920 --> 00:33:27,800 Speaker 2: new group? Well with with this group. I know there's 828 00:33:27,840 --> 00:33:30,640 Speaker 2: always problems with the group. Would y'all consider keep going 829 00:33:30,680 --> 00:33:33,200 Speaker 2: on to it because y'all made more than y'all ever made, 830 00:33:33,240 --> 00:33:35,760 Speaker 2: And I know sometimes the groups is the most difficult thing. 831 00:33:35,800 --> 00:33:36,760 Speaker 3: Everybody got to schedule. 832 00:33:36,840 --> 00:33:40,560 Speaker 2: Everybody got an emotion of feeling right with that continue 833 00:33:40,560 --> 00:33:41,800 Speaker 2: to happen with what's your thoughts on it? 834 00:33:42,040 --> 00:33:43,600 Speaker 4: I mean, I think so you know what I mean, 835 00:33:43,640 --> 00:33:47,200 Speaker 4: Like when when Rizza said he said he said, he said, 836 00:33:47,760 --> 00:33:49,360 Speaker 4: like a couple of years ago, Yo, we're gonna do 837 00:33:49,400 --> 00:33:51,680 Speaker 4: this Vegas thing and then we're gonna we're gonna just 838 00:33:52,560 --> 00:33:55,240 Speaker 4: uh uh through through a char Then we entered it. 839 00:33:55,200 --> 00:33:57,560 Speaker 3: Off right there. But then it like that's it just 840 00:33:57,600 --> 00:33:58,080 Speaker 3: flew by. 841 00:33:58,240 --> 00:34:00,400 Speaker 4: So when he was up here telling y'all, like, yo, 842 00:34:00,960 --> 00:34:03,000 Speaker 4: that shit was a shocking to me, Like hold on, 843 00:34:03,000 --> 00:34:05,920 Speaker 4: we're talking about bro, you know what I mean? And 844 00:34:06,280 --> 00:34:08,279 Speaker 4: you know, final chapter this and that and the third 845 00:34:08,360 --> 00:34:10,160 Speaker 4: and I'm like I ain't here about that. 846 00:34:10,160 --> 00:34:13,279 Speaker 3: I ain't know that it's right now, you know what 847 00:34:13,280 --> 00:34:13,600 Speaker 3: I'm saying. 848 00:34:14,160 --> 00:34:16,680 Speaker 4: I know it's right now, like like yo, so but 849 00:34:16,840 --> 00:34:20,440 Speaker 4: in my heart, in my heart, I feel like we 850 00:34:20,520 --> 00:34:21,359 Speaker 4: still got more to give. 851 00:34:21,440 --> 00:34:24,280 Speaker 3: But I don't. I don't think it's over over, But. 852 00:34:24,200 --> 00:34:27,680 Speaker 4: I just didn't understand the fact of like yo, like damn, 853 00:34:27,719 --> 00:34:30,319 Speaker 4: the final chapter. It's like nigga, we're still selling out 854 00:34:30,880 --> 00:34:33,680 Speaker 4: right regardless, like like like you didn't have to call 855 00:34:33,719 --> 00:34:35,960 Speaker 4: it that, you know what I'm saying, or that's just 856 00:34:36,080 --> 00:34:38,920 Speaker 4: something else like like you know, and but you know, 857 00:34:38,960 --> 00:34:40,280 Speaker 4: whatever it was, it was beautiful. 858 00:34:40,680 --> 00:34:42,480 Speaker 6: Have y'all talked that all. Have y'all talked that all 859 00:34:42,480 --> 00:34:44,640 Speaker 6: about continuing after this final tour? 860 00:34:45,200 --> 00:34:47,400 Speaker 4: That was because when we left that last to everybody 861 00:34:47,520 --> 00:34:49,520 Speaker 4: was like peal, we mean you know what I mean, 862 00:34:50,600 --> 00:34:52,680 Speaker 4: just everybody just went I think we might got some 863 00:34:52,800 --> 00:34:55,319 Speaker 4: dates coming up in Europe probably that they're trying to 864 00:34:55,320 --> 00:34:58,000 Speaker 4: do it whatever, but not to really be like yo, 865 00:34:58,160 --> 00:34:59,680 Speaker 4: all right, where we're going from where we're. 866 00:34:59,560 --> 00:35:01,560 Speaker 3: Going from here? You know what I'm saying. 867 00:35:01,600 --> 00:35:03,480 Speaker 4: But like I said, to my heart, I feel like 868 00:35:03,520 --> 00:35:07,400 Speaker 4: we're gonna I feel it ain't it. I mean when 869 00:35:07,400 --> 00:35:10,760 Speaker 4: you got Bruce Springsteen and these Beatle Cats still going 870 00:35:10,840 --> 00:35:11,960 Speaker 4: and sharing all these. 871 00:35:12,040 --> 00:35:15,239 Speaker 3: It's like, nigga, what money, go get that ship. 872 00:35:15,400 --> 00:35:18,160 Speaker 2: But I got so many records together solo, like y'all 873 00:35:18,160 --> 00:35:19,480 Speaker 2: be on stage for four hours. 874 00:35:19,520 --> 00:35:19,960 Speaker 3: Yeah we do. 875 00:35:20,120 --> 00:35:22,360 Speaker 4: Yeah, and it'd be hard to pick sometime from the 876 00:35:22,400 --> 00:35:24,319 Speaker 4: records from like that or whatever. 877 00:35:24,400 --> 00:35:26,120 Speaker 3: Then you got some brothers with less records. 878 00:35:26,560 --> 00:35:28,960 Speaker 4: That's like, yo, now you can't do all that because 879 00:35:29,400 --> 00:35:30,920 Speaker 4: you know what I mean, these guys gotta you know, 880 00:35:31,320 --> 00:35:34,040 Speaker 4: whatever whatever, So it always be like that. That's one 881 00:35:34,080 --> 00:35:36,360 Speaker 4: thing about us though, like we can never make a 882 00:35:36,360 --> 00:35:37,120 Speaker 4: straight decision. 883 00:35:38,320 --> 00:35:40,080 Speaker 3: It's too many, you know what I mean? 884 00:35:40,120 --> 00:35:42,200 Speaker 4: You know mean I want to bring a white ferry couch. 885 00:35:42,239 --> 00:35:45,040 Speaker 4: I don't stead do all this then, yo, come on, No, 886 00:35:45,080 --> 00:35:47,040 Speaker 4: we got a step of wardrobe, but yo, we can't 887 00:35:47,080 --> 00:35:48,799 Speaker 4: be out here looking like we ninety three, like back 888 00:35:48,840 --> 00:35:51,319 Speaker 4: in ninety two, miss and that and the third Yo, 889 00:35:52,400 --> 00:35:55,799 Speaker 4: I seen them. I seen Bell BIV devoing them. Matter 890 00:35:55,840 --> 00:36:02,440 Speaker 4: of fact, the whole new addition at New Orleans that. 891 00:36:02,080 --> 00:36:05,760 Speaker 2: Yo, flies they changed their outfits together. 892 00:36:06,040 --> 00:36:08,120 Speaker 4: Yes, like yo, that's supposed to be us and telling 893 00:36:08,200 --> 00:36:10,759 Speaker 4: Ray like yo, look look look boom, you know what 894 00:36:10,800 --> 00:36:12,319 Speaker 4: I mean but then when you bring it back to 895 00:36:12,360 --> 00:36:16,040 Speaker 4: the guys, they'd be excited, but then it's like, nine, nigga, 896 00:36:16,320 --> 00:36:18,760 Speaker 4: I'm not throwing that on this SNA and the thirst. 897 00:36:18,760 --> 00:36:20,680 Speaker 4: So I'm like, once you get three and four saying 898 00:36:20,680 --> 00:36:22,880 Speaker 4: they're not doing it, the whole idea is. 899 00:36:22,880 --> 00:36:23,920 Speaker 3: A rat oh. 900 00:36:24,000 --> 00:36:26,160 Speaker 5: I felt like w Tang and New Addition were like 901 00:36:26,160 --> 00:36:28,800 Speaker 5: like cousins because when you look at Wu Tang and 902 00:36:28,840 --> 00:36:31,200 Speaker 5: you look at New Addition, there they both essentially did 903 00:36:31,239 --> 00:36:33,640 Speaker 5: the same thing. You can't name a group where damn 904 00:36:33,640 --> 00:36:36,600 Speaker 5: that every member had individual success like that, Like they 905 00:36:36,640 --> 00:36:38,920 Speaker 5: come together in a group of success, but then they 906 00:36:38,960 --> 00:36:40,680 Speaker 5: break apart and do BBD and. 907 00:36:44,120 --> 00:36:44,239 Speaker 3: Right. 908 00:36:44,440 --> 00:36:46,120 Speaker 1: They'll had conversations about that. 909 00:36:46,640 --> 00:36:46,759 Speaker 3: Now. 910 00:36:46,800 --> 00:36:48,719 Speaker 4: I wanted to go on to roll with them, you 911 00:36:48,760 --> 00:36:50,560 Speaker 4: know what I mean, Like, Yo, let's see how that'll go, 912 00:36:51,080 --> 00:36:53,440 Speaker 4: you know what I mean. But yeah, we never really 913 00:36:53,480 --> 00:36:55,320 Speaker 4: like I mean, I know, I wasn't in the conversation. 914 00:36:55,920 --> 00:36:58,600 Speaker 5: It was though, you know, you know the onest thing 915 00:36:58,600 --> 00:37:01,000 Speaker 5: about Wu Tang. I read all of y'all books, right, 916 00:37:01,000 --> 00:37:02,960 Speaker 5: I read Ray book, I read your book. You got 917 00:37:03,880 --> 00:37:07,600 Speaker 5: y'all was so deep in the street. But that's not 918 00:37:07,680 --> 00:37:10,640 Speaker 5: what y'all put out there in the music, y'all chose 919 00:37:10,760 --> 00:37:13,640 Speaker 5: to talk about the lessons and you know, talk about 920 00:37:13,680 --> 00:37:16,359 Speaker 5: God and like give people something of substance. Was that 921 00:37:16,400 --> 00:37:18,920 Speaker 5: intentional because y'all could have been the stream superstreet rappers 922 00:37:18,960 --> 00:37:19,640 Speaker 5: if y'all wanted to. 923 00:37:20,200 --> 00:37:22,520 Speaker 4: I think in all reality, I think with us, I 924 00:37:22,560 --> 00:37:27,439 Speaker 4: think we just I mean, I mean, besides the street 925 00:37:27,480 --> 00:37:29,360 Speaker 4: stuff and stuff, I think we just respectful. 926 00:37:29,360 --> 00:37:32,279 Speaker 3: We just good dudes. Man. That that when we were. 927 00:37:32,200 --> 00:37:34,440 Speaker 4: Young, you know, you were surrounded by a bunch of 928 00:37:35,760 --> 00:37:38,160 Speaker 4: not a bunch, but you know certain people that was intelligent, 929 00:37:38,239 --> 00:37:40,919 Speaker 4: that was giving you mathematics and hit trying to gud 930 00:37:41,000 --> 00:37:43,080 Speaker 4: you in the right direction, you know what I mean. 931 00:37:43,160 --> 00:37:46,440 Speaker 4: And then you know, butang is like like mainly all 932 00:37:46,480 --> 00:37:48,400 Speaker 4: god body, you know what I mean. So when you 933 00:37:48,480 --> 00:37:50,400 Speaker 4: when you want to bus traveling, you know, when the 934 00:37:50,560 --> 00:37:52,680 Speaker 4: lessons start getting pulled out and this and that and 935 00:37:52,719 --> 00:37:53,200 Speaker 4: the third it. 936 00:37:53,320 --> 00:37:55,520 Speaker 3: Just it just shapes you, you know what I mean. 937 00:37:55,560 --> 00:37:57,600 Speaker 4: So a lot of that like my seeds run with 938 00:37:57,600 --> 00:38:01,319 Speaker 4: his seeds, married his money, you know what I mean, 939 00:38:01,360 --> 00:38:03,359 Speaker 4: All that is like part of that. It's just it's 940 00:38:03,480 --> 00:38:06,360 Speaker 4: just it just it just when your mom was that 941 00:38:06,600 --> 00:38:08,960 Speaker 4: like and you know, and you know we didn't that 942 00:38:09,000 --> 00:38:10,520 Speaker 4: we mix it up with that, mix it up with that, 943 00:38:10,640 --> 00:38:14,280 Speaker 4: you know, you know, but yeah, for the most part, 944 00:38:14,480 --> 00:38:15,120 Speaker 4: that's you know. 945 00:38:15,800 --> 00:38:18,040 Speaker 5: Did you ever did y'all ever have conversations about Yeah, 946 00:38:18,040 --> 00:38:19,399 Speaker 5: we could rap about bussing our guns. 947 00:38:19,440 --> 00:38:20,480 Speaker 1: We could rap about. 948 00:38:21,040 --> 00:38:24,520 Speaker 5: People, I know y'all do, but not like the overglorification 949 00:38:24,600 --> 00:38:26,840 Speaker 5: of people like now like nowadays you got people that 950 00:38:26,960 --> 00:38:27,520 Speaker 5: just leave with that. 951 00:38:27,480 --> 00:38:28,520 Speaker 1: And probably yeah. 952 00:38:29,880 --> 00:38:33,880 Speaker 3: Nah nah man, We just we just we just do 953 00:38:33,960 --> 00:38:35,600 Speaker 3: what we do, bro this, you know what I mean. 954 00:38:35,640 --> 00:38:37,560 Speaker 4: Whatever, if that track is like that, if it calls 955 00:38:37,560 --> 00:38:40,160 Speaker 4: for certain a little bit of that, whatever, whatever, you 956 00:38:40,239 --> 00:38:42,080 Speaker 4: know what I mean, we throw frough that in there, 957 00:38:42,360 --> 00:38:44,160 Speaker 4: hit him with this and with that, and you know, 958 00:38:44,440 --> 00:38:46,120 Speaker 4: a couple of lines, you know, you got risk in them. 959 00:38:46,120 --> 00:38:48,600 Speaker 4: They is like a doctor, bro, you know what I mean. 960 00:38:48,640 --> 00:38:52,680 Speaker 4: So that's why his dogs be like all scientifical, you 961 00:38:52,719 --> 00:38:54,840 Speaker 4: know what I mean, even genius like you know what 962 00:38:54,840 --> 00:38:57,040 Speaker 4: I mean. That's why you know when I was saying 963 00:38:57,040 --> 00:38:59,560 Speaker 4: like yo, nas and genius is like my favorite rapper 964 00:38:59,600 --> 00:39:02,360 Speaker 4: is like yo, it's like, you know, he's smart. 965 00:39:02,600 --> 00:39:03,959 Speaker 3: He's a genius for real real. 966 00:39:04,760 --> 00:39:07,160 Speaker 4: So it's like and I learned a lot from them, 967 00:39:07,200 --> 00:39:09,040 Speaker 4: you know what I mean so from all of them mainly, 968 00:39:09,120 --> 00:39:11,440 Speaker 4: but yeah, he's just one that really sticks out. 969 00:39:11,480 --> 00:39:13,960 Speaker 3: Like if I had his words and ship it'll be different. 970 00:39:14,160 --> 00:39:14,800 Speaker 1: That's crazy. 971 00:39:14,920 --> 00:39:16,120 Speaker 3: His words, like his vocal. 972 00:39:16,760 --> 00:39:18,239 Speaker 4: I was a school I ain't really listen, you know 973 00:39:18,280 --> 00:39:19,920 Speaker 4: what I mean, Like you know what I mean, it 974 00:39:20,000 --> 00:39:24,839 Speaker 4: was just I'm in school. But but the vocabulary, if 975 00:39:24,880 --> 00:39:28,200 Speaker 4: the vocabulary was more, it'll be trouble. 976 00:39:28,320 --> 00:39:31,160 Speaker 5: Have you ever heard yourself man talking about I'm talking 977 00:39:31,160 --> 00:39:34,200 Speaker 5: about im? 978 00:39:34,520 --> 00:39:37,640 Speaker 4: Yeah, Like damn, it's like it's just on another level. 979 00:39:38,000 --> 00:39:41,680 Speaker 4: And how I look at rap, It's like I just 980 00:39:41,760 --> 00:39:44,000 Speaker 4: I don't know, KENNI. It's just a certain way how 981 00:39:44,080 --> 00:39:46,080 Speaker 4: I see it. So I know, like if I was 982 00:39:46,160 --> 00:39:49,720 Speaker 4: just throwing around the words that when he be throwing 983 00:39:49,760 --> 00:39:52,680 Speaker 4: around like that but putting it applying to how I do. 984 00:39:53,480 --> 00:39:55,759 Speaker 3: Oh, it's just this this this my head would be 985 00:39:55,800 --> 00:39:56,480 Speaker 3: a field day. 986 00:39:57,760 --> 00:40:00,799 Speaker 1: Damn, heav prase coming from you. Man. Come on, man, 987 00:40:01,080 --> 00:40:01,839 Speaker 1: when you look at. 988 00:40:01,719 --> 00:40:04,400 Speaker 5: The documentaries and the TV shows about Wu Tang, do 989 00:40:04,400 --> 00:40:07,160 Speaker 5: you feel Hollywood has ever told the full story? 990 00:40:07,239 --> 00:40:07,399 Speaker 1: Right? 991 00:40:09,080 --> 00:40:15,000 Speaker 3: No? I mean basically not not for the Hulu series, 992 00:40:15,760 --> 00:40:17,200 Speaker 3: you know what I mean? I mean, not for me. 993 00:40:17,280 --> 00:40:18,000 Speaker 3: I can't speak for that. 994 00:40:18,120 --> 00:40:21,000 Speaker 4: I can't speak on that for me, Like the Tony 995 00:40:21,040 --> 00:40:23,319 Speaker 4: Starks story, you know what I mean. I didn't get 996 00:40:23,320 --> 00:40:25,640 Speaker 4: a chance to tell nobody my story, like my side, 997 00:40:26,000 --> 00:40:29,320 Speaker 4: you know what I mean. But you know, whatever is 998 00:40:29,360 --> 00:40:32,200 Speaker 4: it had did or whoever was the writers for that, 999 00:40:32,280 --> 00:40:34,239 Speaker 4: whatever the case may be, you know what they did 1000 00:40:34,280 --> 00:40:35,680 Speaker 4: what they had to do, like you know what I mean. 1001 00:40:35,719 --> 00:40:38,080 Speaker 4: And I'm glad he did it because it just opened 1002 00:40:38,120 --> 00:40:41,360 Speaker 4: us up to like a whole new audience. 1003 00:40:41,560 --> 00:40:42,120 Speaker 3: You know what I mean. 1004 00:40:42,760 --> 00:40:47,160 Speaker 4: But yeah, but my side of the story it's different, 1005 00:40:47,200 --> 00:40:48,960 Speaker 4: Bro's it's different. 1006 00:40:48,960 --> 00:40:51,640 Speaker 3: So I didn't I don't feel like they did that, 1007 00:40:52,160 --> 00:40:52,560 Speaker 3: not with me. 1008 00:40:53,239 --> 00:40:55,239 Speaker 5: Why didn't you get to get to the studio to 1009 00:40:55,239 --> 00:40:58,200 Speaker 5: get on the Heaven Record man on j Z Magna Carta. 1010 00:41:01,080 --> 00:41:01,480 Speaker 3: Studio. 1011 00:41:01,880 --> 00:41:03,120 Speaker 1: I thought you was supposed to be on the Heaven 1012 00:41:03,160 --> 00:41:03,839 Speaker 1: Record with Ja. 1013 00:41:05,280 --> 00:41:07,359 Speaker 3: He he did. I think I might have. I think 1014 00:41:07,360 --> 00:41:09,160 Speaker 3: I might have did that. He didn't. 1015 00:41:10,000 --> 00:41:14,600 Speaker 4: Maybe maybe I think I think you remember, right, I 1016 00:41:14,600 --> 00:41:16,359 Speaker 4: remember writing to it, you know what I mean. 1017 00:41:16,840 --> 00:41:18,680 Speaker 3: And I don't know if they use it or maybe 1018 00:41:18,719 --> 00:41:19,800 Speaker 3: I didn't. I can't remember. 1019 00:41:19,800 --> 00:41:23,520 Speaker 4: Maybe I didn't. 1020 00:41:24,440 --> 00:41:25,760 Speaker 3: Maybe you know what I'm saying. 1021 00:41:26,640 --> 00:41:28,040 Speaker 6: He didn't make it or he wrote and he didn't 1022 00:41:28,120 --> 00:41:28,359 Speaker 6: use it. 1023 00:41:29,000 --> 00:41:29,560 Speaker 1: Didn't make it? 1024 00:41:30,000 --> 00:41:32,040 Speaker 3: Is it not? He make it? Did I write it? 1025 00:41:32,160 --> 00:41:34,120 Speaker 2: You got to beat Ray Ray? Ray was on his 1026 00:41:34,200 --> 00:41:35,560 Speaker 2: way up there to and stuff like that. 1027 00:41:36,080 --> 00:41:36,880 Speaker 3: Didn't make it. I don't know. 1028 00:41:36,960 --> 00:41:38,959 Speaker 2: I don't remember what happened, but I know you didn't 1029 00:41:38,960 --> 00:41:39,560 Speaker 2: make it up there. 1030 00:41:39,840 --> 00:41:42,359 Speaker 1: I remember shooting to go up there. 1031 00:41:42,440 --> 00:41:43,680 Speaker 2: I think Ray made it up there. 1032 00:41:44,480 --> 00:41:46,640 Speaker 3: You didn't make it up. Did they do it? 1033 00:41:46,960 --> 00:41:48,360 Speaker 1: No, not on that record? 1034 00:41:48,400 --> 00:41:53,359 Speaker 4: They on it unless you right, oh yeah, man. 1035 00:41:53,440 --> 00:41:55,440 Speaker 5: But always the first time I ever heard Heaven, I'm like, yo, 1036 00:41:55,480 --> 00:41:57,839 Speaker 5: this sounds like a rhythm beat. And you know, Jay 1037 00:41:57,840 --> 00:41:59,960 Speaker 5: started off on hand. I was like, yo, ghost and 1038 00:42:00,080 --> 00:42:01,960 Speaker 5: Ray would have been crazy on it on. 1039 00:42:02,239 --> 00:42:04,480 Speaker 4: I caught bars to it though, right, You never went 1040 00:42:04,560 --> 00:42:08,160 Speaker 4: up You never made Oh okay, I know I did 1041 00:42:08,200 --> 00:42:10,799 Speaker 4: something to it. Yeah, all right, cool? 1042 00:42:10,880 --> 00:42:12,640 Speaker 5: Because I always I always wanted to hear you and 1043 00:42:12,719 --> 00:42:15,279 Speaker 5: Jay on the record to do it again video when 1044 00:42:15,320 --> 00:42:19,080 Speaker 5: you and Cap and. 1045 00:42:18,200 --> 00:42:19,560 Speaker 3: Yeah, yeah, yeah, No. 1046 00:42:19,719 --> 00:42:21,840 Speaker 4: I always wanted to get busy with Jay, you know 1047 00:42:21,880 --> 00:42:25,839 Speaker 4: what I mean? But you know, j J, I guess 1048 00:42:26,000 --> 00:42:27,520 Speaker 4: what makes you not show up to the studio. 1049 00:42:28,239 --> 00:42:29,759 Speaker 3: I don't know what I was doing that day, I 1050 00:42:29,760 --> 00:42:31,799 Speaker 3: don't I don't I don't. I don't. I can't. I 1051 00:42:31,840 --> 00:42:34,359 Speaker 3: really can't remember. But it was. It was something though, 1052 00:42:34,400 --> 00:42:35,800 Speaker 3: But I would have did it, Duff I was writing 1053 00:42:35,800 --> 00:42:38,600 Speaker 3: to it. I would have did it. I don't know. 1054 00:42:41,480 --> 00:42:45,000 Speaker 3: One of those. I don't know, man, I just you know, damn. 1055 00:42:45,560 --> 00:42:46,520 Speaker 1: Well goes gotta go. 1056 00:42:46,600 --> 00:42:46,880 Speaker 3: Hold on. 1057 00:42:46,920 --> 00:42:48,880 Speaker 5: If Ghosts never picked up a microphone, where do you 1058 00:42:48,920 --> 00:42:50,440 Speaker 5: think Dennis Coles would be right now? 1059 00:42:50,440 --> 00:42:54,759 Speaker 3: I don't say that. It probably wouldn't be good. It 1060 00:42:54,760 --> 00:42:55,480 Speaker 3: wouldn't be good. 1061 00:42:55,480 --> 00:42:58,200 Speaker 4: It wouldn't be good because we was out there doing it. 1062 00:42:58,680 --> 00:43:01,759 Speaker 4: We was out there still, you know, I mean I was, 1063 00:43:02,280 --> 00:43:04,239 Speaker 4: I mean riginally had to tell me, like, yo, listen, man, 1064 00:43:04,239 --> 00:43:06,239 Speaker 4: you can't really you can't mix park with beef bro. 1065 00:43:06,960 --> 00:43:08,200 Speaker 3: You know what I mean. I'm hearing what you're. 1066 00:43:08,040 --> 00:43:10,400 Speaker 4: Doing that whatever, whatever, whatever, whatever. And I had to 1067 00:43:10,440 --> 00:43:12,920 Speaker 4: make a decision, you know what I mean. So that 1068 00:43:13,040 --> 00:43:17,680 Speaker 4: route that I was in, it was, Yeah, it was 1069 00:43:17,719 --> 00:43:21,600 Speaker 4: even in jail dance somewhere or whatever. Whatever the streets 1070 00:43:21,760 --> 00:43:23,600 Speaker 4: would have been calling for. That's what it would have been. 1071 00:43:24,440 --> 00:43:26,399 Speaker 4: That's why I say it wasn't mm hmm. 1072 00:43:27,320 --> 00:43:29,040 Speaker 2: Let's get into a joint off down what you want 1073 00:43:29,080 --> 00:43:29,239 Speaker 2: to hear? 1074 00:43:29,280 --> 00:43:31,160 Speaker 5: Go, you want to do rap, Kingpin, you want to 1075 00:43:31,160 --> 00:43:34,520 Speaker 5: do the joint with meth You you're my friend. 1076 00:43:34,560 --> 00:43:35,480 Speaker 1: What you want to do, what you want to. 1077 00:43:35,680 --> 00:43:39,399 Speaker 3: I mean you can do both. I forget, dude, do that. 1078 00:43:39,400 --> 00:43:44,520 Speaker 3: Didn't do that? 1079 00:43:46,239 --> 00:43:47,920 Speaker 1: You got to hear the pause? Get too on? 1080 00:43:49,920 --> 00:43:53,680 Speaker 4: Oh yeah yeah yeah, hold on no, because yeah, man, 1081 00:43:54,000 --> 00:43:56,640 Speaker 4: the pauses and pauses. It's like yo, yo, I'll begetting 1082 00:43:56,640 --> 00:43:58,759 Speaker 4: here with the pause like yo, and you know we 1083 00:43:58,840 --> 00:44:00,360 Speaker 4: for the ever when we just talked talk like. 1084 00:44:00,400 --> 00:44:01,080 Speaker 1: Yo, were'sday. 1085 00:44:01,080 --> 00:44:02,359 Speaker 2: I'm ten songs that I hear that yet. 1086 00:44:02,440 --> 00:44:03,279 Speaker 1: But you hit the pause. 1087 00:44:03,360 --> 00:44:06,720 Speaker 4: Get no, when you get when you hit the albums 1088 00:44:06,760 --> 00:44:09,920 Speaker 4: all the way straight through, you'd be like, oh snap, yo, 1089 00:44:09,960 --> 00:44:12,880 Speaker 4: this is gliding that poor skit. I had to do 1090 00:44:13,000 --> 00:44:16,279 Speaker 4: it because it's like yo, heybody pausing me like you 1091 00:44:16,280 --> 00:44:17,360 Speaker 4: know this is you know what I'm. 1092 00:44:17,200 --> 00:44:18,319 Speaker 3: Saying, like this, how talk? 1093 00:44:18,400 --> 00:44:18,600 Speaker 1: Bro? 1094 00:44:19,160 --> 00:44:21,080 Speaker 3: You know what I mean? Like yo, like I said 1095 00:44:21,080 --> 00:44:25,400 Speaker 3: when I told y'all blow your head off. Yeah but 1096 00:44:25,440 --> 00:44:30,160 Speaker 3: I'm serious, Yeah you know what I mean. 1097 00:44:30,200 --> 00:44:32,839 Speaker 4: But Yo, it got the pause game is too much 1098 00:44:32,920 --> 00:44:35,360 Speaker 4: right now. I don't even think I ever told somebody 1099 00:44:35,400 --> 00:44:39,120 Speaker 4: pause like Paul, you know what I mean. But but 1100 00:44:39,160 --> 00:44:40,400 Speaker 4: I've been going at it all the time with the 1101 00:44:42,400 --> 00:44:45,200 Speaker 4: I mean like, Yo, he's crazy man. Yeah, man, I 1102 00:44:45,200 --> 00:44:48,600 Speaker 4: can't write my rhymes like the engineer telling me because 1103 00:44:48,640 --> 00:44:50,480 Speaker 4: he's younger than me. Yo, Yo, Yo, I don't think 1104 00:44:50,480 --> 00:44:52,920 Speaker 4: that's a good you know what I mean. I mean 1105 00:44:52,920 --> 00:44:53,640 Speaker 4: what you're talking about. 1106 00:44:53,680 --> 00:44:55,799 Speaker 3: You don't mean that's that's good nigga. This is my ship. 1107 00:44:55,800 --> 00:44:58,200 Speaker 4: I'm talking like this, yo, But you know this, And 1108 00:44:58,200 --> 00:44:59,960 Speaker 4: then he got me thinking, you know what I mean? 1109 00:45:00,320 --> 00:45:02,520 Speaker 4: So now I gotta change it up like I'm not 1110 00:45:02,600 --> 00:45:03,040 Speaker 4: used to that. 1111 00:45:03,040 --> 00:45:04,520 Speaker 1: Yo said. 1112 00:45:04,880 --> 00:45:06,719 Speaker 5: Now, we let you live for a long time. You know, 1113 00:45:06,760 --> 00:45:08,359 Speaker 5: back in the day, you said, Yo, we eat fish 1114 00:45:08,440 --> 00:45:09,280 Speaker 5: and toss salice. 1115 00:45:12,200 --> 00:45:18,160 Speaker 4: Make you know what I mean, that's a fresh salad, 1116 00:45:18,600 --> 00:45:20,440 Speaker 4: fresh house. You know we call tors house back then, 1117 00:45:20,480 --> 00:45:22,480 Speaker 4: fred y'all. But I mean, I'm a jail nigga. Just 1118 00:45:22,560 --> 00:45:26,880 Speaker 4: now in the third I got doing that. We gonna 1119 00:45:26,880 --> 00:45:29,640 Speaker 4: do that just continued from right there, tho. But yo, 1120 00:45:29,800 --> 00:45:32,600 Speaker 4: may yo, Now it's it's the game is crazy, man. 1121 00:45:32,840 --> 00:45:38,400 Speaker 5: I appreciate your brobs out right now, Coach face, Jap City, 1122 00:45:38,640 --> 00:45:40,560 Speaker 5: hold on my brother Dridge right here, we can do 1123 00:45:40,640 --> 00:45:42,000 Speaker 5: this compilation is jap City. 1124 00:45:42,560 --> 00:45:47,640 Speaker 3: Yeah, more King, pull up, you're in the Club right now. 1125 00:45:47,840 --> 00:45:50,560 Speaker 4: Yeah, we got that Yap City compilation coming up next, 1126 00:45:50,560 --> 00:45:51,960 Speaker 4: so we just want you to look out for that. 1127 00:45:52,040 --> 00:45:54,680 Speaker 3: We got sole Thing on the album as well. Yeah, 1128 00:45:54,800 --> 00:46:00,600 Speaker 3: definitely definitely artists. Yeah yeah, that's the label. Go Sade 1129 00:46:00,600 --> 00:46:03,279 Speaker 3: and Supreme to the Sole Thing. And we got talking 1130 00:46:03,280 --> 00:46:06,399 Speaker 3: about the record, sohol things. But that's that's that's all 1131 00:46:06,400 --> 00:46:09,640 Speaker 3: of you know, him, Wreak, the Villain, Pills. 1132 00:46:09,640 --> 00:46:12,040 Speaker 4: Oh yeah, we got Busy, my two sons on there, 1133 00:46:12,280 --> 00:46:16,440 Speaker 4: you know what I mean, Nim's you know, Iceman, Bronxman, 1134 00:46:16,800 --> 00:46:20,799 Speaker 4: you know, yeah, the whole yeah, ill, yeah, he's up, 1135 00:46:20,880 --> 00:46:22,360 Speaker 4: he's a he's he's talking about. 1136 00:46:22,120 --> 00:46:24,439 Speaker 3: That on the record. Record on the red Yeah yeah yeah, 1137 00:46:24,440 --> 00:46:25,279 Speaker 3: but hold on. 1138 00:46:25,360 --> 00:46:27,560 Speaker 5: She on the label too, absolutely, yeah, picked up that 1139 00:46:27,680 --> 00:46:30,480 Speaker 5: album's Face Killer. 1140 00:46:30,560 --> 00:46:31,439 Speaker 1: It's the Breakfast Club. 1141 00:46:31,440 --> 00:46:32,839 Speaker 2: Good morning, hold up. 1142 00:46:33,480 --> 00:46:37,720 Speaker 5: Every day waiting, click your glass up The Breakfast Club finished. 1143 00:46:37,840 --> 00:46:38,279 Speaker 1: Y'all done