WEBVTT - Perverted w/ Emma Myles

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories.

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<v Speaker 4>Done done, yay.

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<v Speaker 2>Welcome to That's Messed Up an SVU podcast. My name

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<v Speaker 2>is Lisa Traeger.

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<v Speaker 1>Hello, and I'm Kara Klink and welcome. This is our

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<v Speaker 1>podcast where we talk about Law and Order SVU episodes

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<v Speaker 1>the crimes they're based on, and then we talk to

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<v Speaker 1>an actor from the show. And it is our two

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<v Speaker 1>year anniversary today from today, Yeah, it's like our hundred

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<v Speaker 1>and like I don't know, it's like one episode one

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<v Speaker 1>oh six or something. But we started two years ago,

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<v Speaker 1>December of twenty twenty, in the middle of the pandemic.

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<v Speaker 1>And thank you guys, all of you who listen to

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<v Speaker 1>us and have made this podcast so much fun, and

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<v Speaker 1>people that come out to our tour dates and blah

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<v Speaker 1>blah blah.

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<v Speaker 3>You guys are the best.

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<v Speaker 2>Yeah, from the day ones to the people who just

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<v Speaker 2>recently found us, to the people that dabble, to the

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<v Speaker 2>people who listen every day on their commits, all of you.

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<v Speaker 2>We're so lucky and we're having a good time doing this.

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<v Speaker 3>Yeah.

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<v Speaker 1>Also, one more quick piece of business, we would like

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<v Speaker 1>to shout out our mixer. We have a mixer, someone

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<v Speaker 1>who makes our episode sound appealing to your ears and

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<v Speaker 1>has as is sort of an unsung hero of our show.

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<v Speaker 1>His name is John Bradley, and we would like to

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<v Speaker 1>thank you John for everything you do to make our

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<v Speaker 1>podcast sound cool and normal and palatable. And this episode

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<v Speaker 1>is wide releasing on just December thirteenth, which means tonight

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<v Speaker 1>we are in Texas, we are in Houston, and tomorrow

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<v Speaker 1>we are in Dallas. So if you're listening and you're

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<v Speaker 1>like I live in Houston, I live in Dallas, and

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<v Speaker 1>I would love to go see these bitches live. Come

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<v Speaker 1>watch us be totally on hinge and talk about really

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<v Speaker 1>fun episodes of SBU that have never been on the podcast.

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<v Speaker 1>And the link to tickets for that is That's messed

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<v Speaker 1>up Live dot com.

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<v Speaker 3>Come check out our our tour dates.

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<v Speaker 1>We also are doing Northeast Philly, Boston, Hartford in January,

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<v Speaker 1>so get New York two and New York New York

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<v Speaker 1>is so sorry, yeah, but yeah the rest of those

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<v Speaker 1>cities still have some tickets left. We added an extra

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<v Speaker 1>show in Boston. So if you tried for Boston early

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<v Speaker 1>on and didn't get a ticket, we added another show.

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<v Speaker 3>And that's that for that business.

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<v Speaker 1>And we do we want to do our other big

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<v Speaker 1>announcement before we get into our chit chat.

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<v Speaker 2>Or do we wait, let's wait, we'll do an announcement. Well,

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<v Speaker 2>first chit chat. We have a lot to talk about, yeah,

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<v Speaker 2>and then we'll tease one more bit of announcement towards

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<v Speaker 2>yeah in a few minutes. In a few minutes, no

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<v Speaker 2>big deal. I just yeah, one listen. I love you

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<v Speaker 2>for you. I can't get enough. But I watched it

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<v Speaker 2>all in three days. I stayed up till seven in

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<v Speaker 2>the morning. Oh my god, that's me in my damages days.

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<v Speaker 3>Oh yeah.

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<v Speaker 2>And the thing is it is emotional. It's it's definitely

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<v Speaker 2>because people said it was dark and everyone kept saying it,

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<v Speaker 2>and I was like, I used to watch OZ when

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<v Speaker 2>I was twelve, Like, let me, I'll tell you.

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<v Speaker 1>Yeah, we do an SVU podcast. We can handle a

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<v Speaker 1>little darkness.

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<v Speaker 2>And the people were dead on it is really brutal,

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<v Speaker 2>but in a way that's not gratuitous or just because

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<v Speaker 2>like and I listened to all the interviews, you know,

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<v Speaker 2>HBO does really good behind the scenes little things and

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<v Speaker 2>Zendaia Zendeia, I forget she says it too, but she

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<v Speaker 2>was just saying, it's like so much about empathy and

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<v Speaker 2>really understanding what people are going through.

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<v Speaker 3>And I think they like nail it.

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<v Speaker 2>And now that I've been on a set consistently more

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<v Speaker 2>than I've ever had in my life, watching this show,

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<v Speaker 2>I'm like so impressed. I like, can't these young actors.

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<v Speaker 2>If you think Olivia Benson's wet eyes are impressive, these

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<v Speaker 2>fucking teams, I swear to God, like they are so good.

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<v Speaker 2>Zenda deserves every award ever. And you remember like this

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<v Speaker 2>year the but so that everyone was obsessed with where

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<v Speaker 2>it's like her running and it like really got a

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<v Speaker 2>lot of attention. Do you remember this at all? Know,

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<v Speaker 2>took him a month to film it, and it was

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<v Speaker 2>It's just like, I don't know, I've never really had

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<v Speaker 2>an addict in my life, but there are scenes where

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<v Speaker 2>I mean I was hysterically crying throughout the days. Oh

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<v Speaker 2>my God, for sure, But then like so impressed with everything,

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<v Speaker 2>and I just and then people that I was telling

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<v Speaker 2>that I was seeing around town were like second season

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<v Speaker 2>sucks and It's like, who are these people?

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<v Speaker 5>Like?

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<v Speaker 2>It was so good and I just don't get people's

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<v Speaker 2>standards or what they're like, what sucks, what's good? It's

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<v Speaker 2>so annoying to me. It really I really enjoyed it.

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<v Speaker 2>I really, yeah.

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<v Speaker 1>I'm so glad I watched. I went to go see

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<v Speaker 1>something I really enjoyed. I went to go see the

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<v Speaker 1>Glass Onion, the Knives Out, and the New Knives Out.

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<v Speaker 3>Moh my god, lucky.

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<v Speaker 4>I guess it was.

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<v Speaker 3>Right up top our our new best friend, Dallas Roberts.

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<v Speaker 1>He is a very small part, but he's married to

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<v Speaker 1>Catherine Han and I feel like he didn't mention that

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<v Speaker 1>to when we asked him, what.

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<v Speaker 3>Are you up to coming up?

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<v Speaker 1>He was never like, I'm gonna be in this star

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<v Speaker 1>studded cinematic event of fucking Christmas twenty twenty two.

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<v Speaker 3>Maybe he didn't. He wasn't allowed to talk about it yet,

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<v Speaker 3>but it was the movie good, so good.

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<v Speaker 1>I famously fell asleep during Knives Out one because I

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<v Speaker 1>was had a new baby and they had wine at

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<v Speaker 1>the theater and warmed seats, and that was like a

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<v Speaker 1>combination for me being unable to stay awake.

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<v Speaker 3>But I did see it later on a plane and

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<v Speaker 3>was like, oh, this is fun.

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<v Speaker 1>I liked it, but I don't know seeing it on

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<v Speaker 1>the big screen that you can only really see it

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<v Speaker 1>on the big screen for like a couple of weeks.

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<v Speaker 1>It's gonna go right to Netflix. It's like they just

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<v Speaker 1>did movie theaters for a week. But it's I loved it.

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<v Speaker 1>We were My husband thought it was better than the

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<v Speaker 1>first one. I really thought it was great. I didn't

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<v Speaker 1>know anything about it going in. I didn't even really

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<v Speaker 1>even know who was in it, so it was so fun.

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<v Speaker 1>When little celebs would pop up, I'd be like, they're

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<v Speaker 1>in this, Like but I saw Dallas and I go

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<v Speaker 1>we interviewed him and I was like, he didn't tell

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<v Speaker 1>us so he had a.

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<v Speaker 3>Small part, but he was, but he was very fun.

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<v Speaker 2>Way you have to bring up the big part of

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<v Speaker 2>Euphoria or girl Martha Kelly. Oh yes, she is as

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<v Speaker 2>chilling as they said. I mean, I was most looking

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<v Speaker 2>forward to seeing her, and I got like, that's the thing.

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<v Speaker 2>Like all of the stuff I was hearing and all

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<v Speaker 2>the press and stuff like, seeing it, I was like

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<v Speaker 2>everyone was dead.

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<v Speaker 3>On she is chilling, evil, casual.

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<v Speaker 2>It's like it's really teaches a lot of lessons. It's

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<v Speaker 2>just like incredible, it really was. There is a lot

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<v Speaker 2>of sex, so like get ready for there's so much dick,

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<v Speaker 2>a lot of dick. Well they showed dick, so many dicks,

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<v Speaker 2>like I would say a minimum of forty.

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<v Speaker 3>Dicks, like teen dicks. Well yeah, but they're not old.

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<v Speaker 1>I know the actors are not teens, but they're supposed

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<v Speaker 1>to be teen dicks.

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<v Speaker 3>Daddy dicks. Photos of dicks, like, yeah, a lot.

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<v Speaker 2>Of dicks, wow wow, a lot of great makeup, a

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<v Speaker 2>lot of fashion. I already followed all of them. I'm

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<v Speaker 2>just like stalking their lives, like yeah, good.

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<v Speaker 3>Enough, And it's funny.

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<v Speaker 2>There's like moments and departures like you vibes where they

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<v Speaker 2>are funny. And she's just like an incredible actress, Like

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<v Speaker 2>no wonder she's won these Emmys, like she really is.

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<v Speaker 3>Zenda Yeah yeah, yeah, yeah no.

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<v Speaker 2>But Martha Kelly's wearing like crocs but is like a

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<v Speaker 2>vicious motherfucker.

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<v Speaker 3>I don't I know.

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<v Speaker 1>That's why I love her so much, like as a

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<v Speaker 1>person but also like on baskets, I loved her and

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<v Speaker 1>I like, I can't believe she's taking this evil turn

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<v Speaker 1>and I need to watch I want to watch.

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<v Speaker 3>It, like for that pretty much.

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<v Speaker 2>But you know how I was really annoyed when people

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<v Speaker 2>are like, if you're a parent, don't watch it, like

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<v Speaker 2>other people can't get sad. But I understand now why

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<v Speaker 2>people say that. Yeah, that's why I'm kind of like.

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<v Speaker 1>But then I also heard I don't know if you're

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<v Speaker 1>gonna like disagree with this, but what I heard was like,

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<v Speaker 1>this is what thirty five year olds think that high

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<v Speaker 1>school is like now, and it's not really what high

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<v Speaker 1>school's like now. Like I was reading something about Euphoria

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<v Speaker 1>where it was like, this is what like the writer

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<v Speaker 1>creator of the show thinks high school is like.

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<v Speaker 3>But it's like not.

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<v Speaker 1>And so when you're watching it as a parent, like,

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<v Speaker 1>don't get too war that like your kid's.

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<v Speaker 3>Gonna be doing Heroin or whatever. But people are.

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<v Speaker 2>It also depends where you grow up in what group there,

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<v Speaker 2>And I'm sure there's a lot of people at Yuphoria

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<v Speaker 2>High School who are not doing all this. But no,

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<v Speaker 2>the writer and creator of the show and who directed

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<v Speaker 2>a lot of it to he was an addict. He

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<v Speaker 2>was a teen addict, and so Ruzandaia's character is him.

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<v Speaker 2>So it's like his experience, and he was saying that

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<v Speaker 2>he really wanted people our age to have more empathy

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<v Speaker 2>for high school students today and that's why it's like

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<v Speaker 2>so much technology and like all the phone stuff, and

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<v Speaker 2>it's like because they feel they're dismissed a lot that generation.

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<v Speaker 3>Like you're annoying or something or this.

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<v Speaker 2>And his goal wasn't even to be like this is

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<v Speaker 2>high school orgies. It was more like to actually like

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<v Speaker 2>feel for these teens and the way they're growing up

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<v Speaker 2>right now. And yeah, but the scenes that are the

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<v Speaker 2>most sad that I think for a parent is like

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<v Speaker 2>you see Ru. You see Ru's mom just like not

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<v Speaker 2>be able to help her who is so addicted to drugs.

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<v Speaker 3>Oh my god. You know who else is good? I

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<v Speaker 3>worked with her Alana Uhbacher.

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<v Speaker 2>She was the best friend and legally blonde, the brunette,

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<v Speaker 2>she's like in everything.

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<v Speaker 3>Oh yeah, yeah.

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<v Speaker 2>I worked with her on a pilot that never aired.

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<v Speaker 2>But she's incredible and she plays such a good mom,

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<v Speaker 2>like not a good mom is a good parent, but

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<v Speaker 2>like she's an incredible I just was impressed, like hands down.

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<v Speaker 2>I also think I thought it was gonna be too

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<v Speaker 2>teen like and it wasn't It just was like so impressive. Also,

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<v Speaker 2>I'm looking at it right now. Shout out to the

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<v Speaker 2>woman in Madison who brought me my IVY bag.

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<v Speaker 3>Thank you so much. Oh yes, that was amazing. Have

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<v Speaker 3>you ever amazing? Up and down that?

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<v Speaker 1>I mean truly, Like we get a lot of fun stuff.

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<v Speaker 1>People do needle point, people draw pictures, people bring us joints.

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<v Speaker 3>It's great, they bring presence for Rosie. But the IVY

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<v Speaker 3>bag off the charts, off the charts, and what's funny?

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<v Speaker 2>So like I'm house, I was cat sitting for friends

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<v Speaker 2>while they were out of town for Thanksgiving. Well and

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<v Speaker 2>I got to stay in New York, but I get

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<v Speaker 2>COVID tested for the shoot, you know, and so like

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<v Speaker 2>the the only things on the couch when this COVID

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<v Speaker 2>tester came into the apartment was the IVY bag in

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<v Speaker 2>my laptop.

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<v Speaker 3>So just like a clean apartment.

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<v Speaker 2>I had not even unpacked yet, and it was just

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<v Speaker 2>and I could see him looking at the IVY bag,

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<v Speaker 2>and I'm like, I wonder what he thinks.

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<v Speaker 1>And I thought, there's no reway and hall Lisa is

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<v Speaker 1>going to take this from city to city where she's

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<v Speaker 1>about to keep being living out of a suitcase, and

0:10:28.160 --> 0:10:29.040
<v Speaker 1>she definitely is.

0:10:29.679 --> 0:10:30.720
<v Speaker 3>She figured out away.

0:10:31.080 --> 0:10:34.440
<v Speaker 2>I wrapped it in three clear garbage bags from the

0:10:34.440 --> 0:10:36.320
<v Speaker 2>hotel that we were at, and then I put it

0:10:36.360 --> 0:10:38.600
<v Speaker 2>in a clear, my clear fanny pack.

0:10:39.880 --> 0:10:44.160
<v Speaker 3>Smart, smart, Thank you so much? Is that all I had?

0:10:44.200 --> 0:10:46.040
<v Speaker 2>Am I really living that boring of a life that

0:10:46.080 --> 0:10:48.400
<v Speaker 2>it was just like euphoria and an IV bag?

0:10:48.480 --> 0:10:49.120
<v Speaker 3>And then I'm done?

0:10:49.160 --> 0:10:53.599
<v Speaker 1>Yeah? We had Thanksgiving and I took my couch to

0:10:53.679 --> 0:10:54.280
<v Speaker 1>a farm.

0:10:54.640 --> 0:10:55.679
<v Speaker 3>Thanksgiving was fun.

0:10:55.760 --> 0:10:58.679
<v Speaker 1>I just watched five kids tear my house apart, and

0:10:58.720 --> 0:11:01.160
<v Speaker 1>then I took my kids to a farm so they

0:11:01.160 --> 0:11:04.240
<v Speaker 1>could like pet animals. My my son is like truly

0:11:04.280 --> 0:11:07.720
<v Speaker 1>addicted to this baby Instagram animals thing that I that

0:11:07.800 --> 0:11:10.040
<v Speaker 1>I show them Sometimes when he's like freaking out, I'll

0:11:10.080 --> 0:11:11.560
<v Speaker 1>just be like, want to look at baby animals And

0:11:11.559 --> 0:11:13.320
<v Speaker 1>we just look at baby And now he's grabbing my

0:11:13.320 --> 0:11:15.760
<v Speaker 1>phone on the type of going animals animals, and I'm like.

0:11:15.720 --> 0:11:18.559
<v Speaker 3>Oscar, stop, like you're addicted. You can't. I can't have you.

0:11:19.080 --> 0:11:21.880
<v Speaker 1>Like addicted to screens this quick. And so I've been

0:11:21.920 --> 0:11:23.319
<v Speaker 1>trying to wean him off of it. But I took

0:11:23.400 --> 0:11:25.520
<v Speaker 1>him to a real farm, and I didn't realize it's

0:11:25.559 --> 0:11:27.280
<v Speaker 1>like this cool farm sanctuary.

0:11:27.320 --> 0:11:28.720
<v Speaker 3>I didn't realize it's like kind of.

0:11:30.120 --> 0:11:33.800
<v Speaker 1>Related like Joaquin Phoenix like saved a cow from a

0:11:33.840 --> 0:11:37.000
<v Speaker 1>factory that lives there. We saw the cow, They're like,

0:11:37.040 --> 0:11:38.599
<v Speaker 1>this is the Joaquin Phoenix cow. And I was like,

0:11:38.600 --> 0:11:39.800
<v Speaker 1>I don't know what you're talking about. And then they

0:11:39.800 --> 0:11:45.000
<v Speaker 1>like told us and it was this cool it's a sanctuary.

0:11:45.080 --> 0:11:47.480
<v Speaker 1>It's like called farm Sanctuary and they like help animals

0:11:47.520 --> 0:11:49.920
<v Speaker 1>and they but I didn't realize that they like take

0:11:49.960 --> 0:11:51.680
<v Speaker 1>you on a tour and tell you like all the

0:11:51.720 --> 0:11:53.960
<v Speaker 1>horrors of the meat industry, and like I already don't

0:11:53.960 --> 0:11:56.640
<v Speaker 1>eat meat, but like my kids are on this tour,

0:11:56.679 --> 0:12:00.360
<v Speaker 1>and I think the guy's trying to like soup like breasts.

0:12:00.400 --> 0:12:02.920
<v Speaker 1>How horrific it is at like chicken plants or like

0:12:03.000 --> 0:12:06.199
<v Speaker 1>at like animals that are bred with antibiotics for farm

0:12:06.360 --> 0:12:09.160
<v Speaker 1>like whatever and farmed out or whatever. And Oscar and

0:12:09.200 --> 0:12:12.360
<v Speaker 1>Rosie are just like like making so much noise and

0:12:12.880 --> 0:12:14.920
<v Speaker 1>but it was really cute and Rosie got to touch

0:12:14.960 --> 0:12:16.560
<v Speaker 1>a pig and a cow and she was happy and

0:12:16.600 --> 0:12:19.600
<v Speaker 1>a sheep, but not the birds.

0:12:19.200 --> 0:12:20.160
<v Speaker 3>Because of avian flu.

0:12:20.240 --> 0:12:22.120
<v Speaker 1>The birds we went we saw them all from Afar

0:12:22.200 --> 0:12:23.320
<v Speaker 1>the chickens and the turkeys.

0:12:23.840 --> 0:12:27.199
<v Speaker 2>Martha Kelly's character in Euphoria has a bunch of parakeets

0:12:27.240 --> 0:12:29.240
<v Speaker 2>that squawk or well, no, that's not what they're called.

0:12:29.280 --> 0:12:32.160
<v Speaker 2>What are the parrots? Parrots not parents? Yeah, is that

0:12:32.160 --> 0:12:32.720
<v Speaker 2>the same thing?

0:12:33.320 --> 0:12:35.200
<v Speaker 1>Well, I always think of a parakeet as like a

0:12:35.240 --> 0:12:37.640
<v Speaker 1>smaller parrot, but I think they're kind of similar. But

0:12:37.720 --> 0:12:39.880
<v Speaker 1>I could be that could be a thing I made

0:12:39.920 --> 0:12:41.480
<v Speaker 1>up in my mind because of the way the words

0:12:41.480 --> 0:12:46.640
<v Speaker 1>sound similar. But yeah, oh, we were talking also about

0:12:47.200 --> 0:12:50.200
<v Speaker 1>we were talking about like a bad article recently when

0:12:50.240 --> 0:12:52.199
<v Speaker 1>we were recording another episode.

0:12:51.720 --> 0:12:53.800
<v Speaker 3>And did you see do you happen to see this?

0:12:53.960 --> 0:12:57.280
<v Speaker 1>Like LA Magazine, which I usually respect and think LA

0:12:57.320 --> 0:12:59.640
<v Speaker 1>Magazine is like a great publication and like I always

0:12:59.679 --> 0:13:02.040
<v Speaker 1>want them to like post about how my comedy.

0:13:01.679 --> 0:13:02.320
<v Speaker 3>Show is good.

0:13:02.960 --> 0:13:06.600
<v Speaker 1>They released this article over like right before Thanksgiving about

0:13:06.640 --> 0:13:09.560
<v Speaker 1>this woman. This famously happened in like Hidden Hills. This

0:13:09.600 --> 0:13:13.880
<v Speaker 1>woman lives next door to like Laurie McLaughlin from Aunt

0:13:13.880 --> 0:13:16.319
<v Speaker 1>Becky from Full House, the one who did like you know,

0:13:16.480 --> 0:13:18.000
<v Speaker 1>Operation Varsity Blues or whatever.

0:13:18.040 --> 0:13:19.000
<v Speaker 3>So all these rich people.

0:13:19.320 --> 0:13:24.559
<v Speaker 1>No, no, Laurie McLaughlin, Laurie Laughlin got it, Laurie metcalf

0:13:24.600 --> 0:13:27.719
<v Speaker 1>is from Roseanne. No Laurie Laughlin, I said MacLaughlin, but

0:13:27.720 --> 0:13:32.040
<v Speaker 1>it's Laughlin. She's her husband is like Massimo, the guy

0:13:32.080 --> 0:13:34.120
<v Speaker 1>that's in all the like targets or whatever.

0:13:34.240 --> 0:13:38.040
<v Speaker 3>Yeah, Like they're most famous for the scandal.

0:13:37.800 --> 0:13:39.800
<v Speaker 1>The scandal, but that's how they have their money is

0:13:39.840 --> 0:13:43.160
<v Speaker 1>from the Massa. So she lives in This woman was

0:13:43.200 --> 0:13:45.280
<v Speaker 1>living in this like hidden Hills, saying she was driving

0:13:45.280 --> 0:13:47.720
<v Speaker 1>her Mercedes, she was drunk, she was going eighty miles

0:13:47.720 --> 0:13:49.400
<v Speaker 1>an hour in a forty five and she hit two

0:13:49.440 --> 0:13:53.160
<v Speaker 1>little boys and killed them. Okay, this fucking woman. And

0:13:53.480 --> 0:13:57.200
<v Speaker 1>LA magazine does a full fucking profile on her with

0:13:57.400 --> 0:14:02.880
<v Speaker 1>photographs of her looking down about how her life was

0:14:02.960 --> 0:14:06.679
<v Speaker 1>destroyed in an instant and how her dream life has

0:14:06.720 --> 0:14:10.600
<v Speaker 1>become a nightmare. And it was like everybody on Twitter

0:14:10.720 --> 0:14:13.200
<v Speaker 1>was like what the fuck is going on here? Like

0:14:13.480 --> 0:14:15.680
<v Speaker 1>how are you writing this article about this woman who

0:14:15.760 --> 0:14:19.720
<v Speaker 1>fully made choices that took the lives of two children,

0:14:20.480 --> 0:14:22.480
<v Speaker 1>Like they were just on their bikes with their family

0:14:22.520 --> 0:14:25.840
<v Speaker 1>on a family walk and like died because this woman

0:14:25.880 --> 0:14:29.040
<v Speaker 1>had to get bombed and drive eighty down residential streets.

0:14:29.520 --> 0:14:31.640
<v Speaker 3>And we're doing an LA magazine.

0:14:31.240 --> 0:14:36.560
<v Speaker 1>Article about how like that literally there's a part about

0:14:36.560 --> 0:14:38.800
<v Speaker 1>how her and another car we're like racing each other

0:14:38.840 --> 0:14:41.040
<v Speaker 1>and the author called it a frisky game of cat

0:14:41.080 --> 0:14:43.720
<v Speaker 1>and mouse. It's like, please, don't use the word frisky

0:14:43.840 --> 0:14:45.800
<v Speaker 1>in an article right before you talk about how two

0:14:45.800 --> 0:14:48.480
<v Speaker 1>little boys died. So that was just like really making

0:14:48.520 --> 0:14:50.040
<v Speaker 1>me crazy. And I wasn't sure if you saw it.

0:14:50.120 --> 0:14:52.480
<v Speaker 1>I just go was surprised LA mag because that's how

0:14:52.720 --> 0:14:54.360
<v Speaker 1>was Lri Laughlin involved.

0:14:54.800 --> 0:14:55.520
<v Speaker 3>They are neighbors.

0:14:56.560 --> 0:14:59.320
<v Speaker 1>God, So that just like gives you a little background

0:14:59.320 --> 0:15:01.200
<v Speaker 1>on like the privilege and the kind of neighborhood it

0:15:01.240 --> 0:15:04.320
<v Speaker 1>is in LA It's like a hidden hills or whatever.

0:15:04.560 --> 0:15:07.360
<v Speaker 2>Well, yeah, and of course she is only thinking about herself,

0:15:07.360 --> 0:15:10.080
<v Speaker 2>not two dead children that she Yeah, is she in jail,

0:15:11.160 --> 0:15:11.640
<v Speaker 2>that's the thing.

0:15:11.720 --> 0:15:14.160
<v Speaker 1>She's awaiting her trial, like her trial's about to start.

0:15:14.680 --> 0:15:16.520
<v Speaker 1>And I was like, how did you fucking you must

0:15:16.560 --> 0:15:18.040
<v Speaker 1>have had to pay all the money in the world

0:15:18.080 --> 0:15:21.800
<v Speaker 1>to get a notable publication to do this puff piece

0:15:21.800 --> 0:15:24.120
<v Speaker 1>about you and how you're good or how you're like

0:15:24.360 --> 0:15:25.440
<v Speaker 1>just like friends with an editor.

0:15:25.600 --> 0:15:26.200
<v Speaker 6>You're like a.

0:15:26.120 --> 0:15:30.280
<v Speaker 1>Regular person who but like everybody was like tweeting at

0:15:30.280 --> 0:15:32.840
<v Speaker 1>the magazine, tweeting at the author, like, how could you

0:15:32.840 --> 0:15:34.760
<v Speaker 1>guys do? Like if I was a journalist, I'd be like,

0:15:34.800 --> 0:15:37.240
<v Speaker 1>you guys gotta put la magstaff. I'm not gonna like

0:15:37.280 --> 0:15:39.440
<v Speaker 1>you gotta you gotta like make this generic, like I

0:15:39.480 --> 0:15:45.120
<v Speaker 1>can't have my name on this like crazy crazy Anyway.

0:15:44.760 --> 0:15:48.360
<v Speaker 2>Well, Laura Laughlin just reminds me of fucking Candae Cameron.

0:15:49.000 --> 0:15:51.200
<v Speaker 3>Oh yeah, and she can go kick rocks.

0:15:51.520 --> 0:15:54.560
<v Speaker 2>Yeah, and then they it's just like what bothers me

0:15:54.640 --> 0:15:56.160
<v Speaker 2>too is now people call her out and she's like,

0:15:56.240 --> 0:15:58.760
<v Speaker 2>I love people of all different It's like, you don't

0:15:59.760 --> 0:16:02.080
<v Speaker 2>just say you're a fucking homophobe, you dumb back, and

0:16:02.080 --> 0:16:04.240
<v Speaker 2>that's why you didn't want to hang out with Jojo Seawatt.

0:16:04.320 --> 0:16:08.360
<v Speaker 3>Listen, I fucking hate religious people.

0:16:09.280 --> 0:16:12.320
<v Speaker 1>Oh and I wanted to also remind you guys, with

0:16:12.440 --> 0:16:13.840
<v Speaker 1>the holiday season coming.

0:16:13.760 --> 0:16:17.480
<v Speaker 3>Up, we do have new merch. We got uh, We've.

0:16:17.280 --> 0:16:19.840
<v Speaker 1>Got our tank top and our zip up that we've

0:16:19.840 --> 0:16:21.960
<v Speaker 1>had for a while, but we added this super cute

0:16:22.000 --> 0:16:26.080
<v Speaker 1>purple sweatshirt obviously to talk about our conspiracy theory of

0:16:26.120 --> 0:16:27.400
<v Speaker 1>there being so much purple on us.

0:16:27.440 --> 0:16:29.280
<v Speaker 3>For you, it's so cute. The lettering is.

0:16:29.280 --> 0:16:31.800
<v Speaker 1>Beautiful, and then we have a cute is that is

0:16:31.800 --> 0:16:34.560
<v Speaker 1>that merch? Is this merch beanie, which I think is

0:16:34.600 --> 0:16:36.720
<v Speaker 1>so funny because we say that all the time, and

0:16:37.160 --> 0:16:39.000
<v Speaker 1>we're adding a couple of things too that should be

0:16:39.000 --> 0:16:42.760
<v Speaker 1>in there any day now. So check in, go to

0:16:42.840 --> 0:16:45.840
<v Speaker 1>exactly Rightmedia dot com slash shop and you should be

0:16:45.880 --> 0:16:48.120
<v Speaker 1>able to find that that's messed up stuff, or if

0:16:48.120 --> 0:16:51.440
<v Speaker 1>you follow us on Instagram, it's the It's at the

0:16:51.440 --> 0:16:52.000
<v Speaker 1>top of.

0:16:51.960 --> 0:16:53.080
<v Speaker 3>Our link in our bio.

0:16:53.320 --> 0:16:56.560
<v Speaker 1>So check that out, go buy some stuff for the

0:16:56.600 --> 0:17:00.640
<v Speaker 1>holiday season, and yeah, gift the other TMU lovers in

0:17:00.680 --> 0:17:02.400
<v Speaker 1>your life some TMU merch.

0:17:03.320 --> 0:17:06.439
<v Speaker 3>And now stay where you are. Our episode is beginning.

0:17:10.400 --> 0:17:15.760
<v Speaker 2>Okay, we're doing the episode Perverted, Season eleven, episode nine.

0:17:16.080 --> 0:17:21.320
<v Speaker 3>Any initial thoughts, Karra, This is a wild one. This

0:17:21.400 --> 0:17:24.480
<v Speaker 3>is a twisty one. You know. Is that a song

0:17:25.000 --> 0:17:28.560
<v Speaker 3>Dona Donna was a wild one? Is that a song?

0:17:29.960 --> 0:17:34.240
<v Speaker 1>Uh? Yeah, it's a csong were the Wild Ones? Yeah,

0:17:34.240 --> 0:17:38.000
<v Speaker 1>it's called wild Ones. Yeah, perfection.

0:17:38.680 --> 0:17:41.439
<v Speaker 2>We open up on a statue and it's like there

0:17:41.480 --> 0:17:43.960
<v Speaker 2>are birds and it looks like Ariel the cartoon Little

0:17:44.000 --> 0:17:47.479
<v Speaker 2>Mermaid's Dad aka Got of the Sea, but like right,

0:17:47.680 --> 0:17:51.680
<v Speaker 2>but not really but there's also a hell element to it.

0:17:52.119 --> 0:17:54.400
<v Speaker 2>So we hear a man's voice and he like as

0:17:54.440 --> 0:17:56.840
<v Speaker 2>a voice over, and he's obsessed with the statue, and

0:17:56.880 --> 0:17:58.719
<v Speaker 2>the woman with him is like, I really don't give

0:17:58.760 --> 0:18:01.320
<v Speaker 2>a shit about the statue. She's like, sure, it's interesting,

0:18:01.720 --> 0:18:03.800
<v Speaker 2>and then we see it's a whole family, and the

0:18:03.880 --> 0:18:06.919
<v Speaker 2>dad asked the daughter what she thinks, and she says,

0:18:07.400 --> 0:18:09.359
<v Speaker 2>I think we should take the subway and get mugged.

0:18:09.359 --> 0:18:12.000
<v Speaker 2>So something interesting happens on this trip and it's like, bitch,

0:18:12.040 --> 0:18:13.240
<v Speaker 2>do you not know you're on SV.

0:18:14.720 --> 0:18:15.360
<v Speaker 3>I don't say that.

0:18:16.600 --> 0:18:19.440
<v Speaker 2>The dad then starts reading about the statue. It's a

0:18:19.640 --> 0:18:24.080
<v Speaker 2>peace fountain, good over evil, violence and harmony, light and darkness,

0:18:24.160 --> 0:18:26.679
<v Speaker 2>life and death. And the girl's like, what's that and

0:18:26.680 --> 0:18:29.639
<v Speaker 2>the mom's like, that's the devil and she's like, no,

0:18:30.160 --> 0:18:33.320
<v Speaker 2>that and points to a dead body, and we do

0:18:33.440 --> 0:18:37.320
<v Speaker 2>see a dead body. There's tattoos, bald leather vest, biker

0:18:37.400 --> 0:18:40.520
<v Speaker 2>vibes from a distance, and now we're at work, okay,

0:18:40.920 --> 0:18:43.640
<v Speaker 2>and we got Melinda Benson's stable or iced tea full

0:18:43.680 --> 0:18:45.760
<v Speaker 2>house we're at we're at the scene of the crime.

0:18:46.119 --> 0:18:49.560
<v Speaker 2>And Benson's like, okay, whoever called this is whoever called

0:18:49.560 --> 0:18:51.719
<v Speaker 2>this crime in is a fucking comedian. They said they

0:18:51.760 --> 0:18:55.119
<v Speaker 2>found a sexually mutilated tree hugger, and it is funny

0:18:55.160 --> 0:18:58.480
<v Speaker 2>and accurate. This guy is bloody on his crotch area.

0:18:58.840 --> 0:19:02.000
<v Speaker 2>He is very bloody, tied to the tree pants around

0:19:02.040 --> 0:19:05.840
<v Speaker 2>the ankles. So then Melinda then continues and she goes,

0:19:05.960 --> 0:19:09.119
<v Speaker 2>someone did some illegal pruning, left the berries chop, the

0:19:09.160 --> 0:19:12.000
<v Speaker 2>branch clean off. So we know this is gonna be

0:19:12.040 --> 0:19:15.440
<v Speaker 2>a classic Neil Brear extravaganza, you know what I mean,

0:19:15.760 --> 0:19:20.120
<v Speaker 2>Like it's all fun and game. Still, someone loses a penis. Yes, yes,

0:19:20.359 --> 0:19:23.040
<v Speaker 2>So Sabler asks if it could be a trophy, and

0:19:23.080 --> 0:19:25.840
<v Speaker 2>Melinda's like, honestly, I thought it was that too, but

0:19:26.040 --> 0:19:29.720
<v Speaker 2>CSU saw a squirrel run up a tree with the dick, so.

0:19:31.240 --> 0:19:33.560
<v Speaker 3>I says, I thought squirrels preferred nuts.

0:19:34.320 --> 0:19:35.000
<v Speaker 2>I love it.

0:19:35.320 --> 0:19:38.560
<v Speaker 3>Oh, I mean, we're hitting so many laughlines already. We're

0:19:38.600 --> 0:19:39.119
<v Speaker 3>a minute in.

0:19:40.040 --> 0:19:43.720
<v Speaker 2>Sabler fakes laughs and then he says, well, our guy

0:19:43.800 --> 0:19:46.400
<v Speaker 2>is huge, so there must have been more than one attacker,

0:19:46.480 --> 0:19:50.040
<v Speaker 2>And Melinda's like, I don't know, because there's two holes

0:19:50.040 --> 0:19:53.000
<v Speaker 2>in the shirt, which means he's tasered and he was

0:19:53.480 --> 0:19:56.040
<v Speaker 2>he has the logo of his motorcycle club on his person,

0:19:56.119 --> 0:19:59.240
<v Speaker 2>so they know he belongs or belonged to the Death Knights,

0:20:00.000 --> 0:20:02.880
<v Speaker 2>which is an outlaw gang outside of the East Village,

0:20:02.960 --> 0:20:08.240
<v Speaker 2>says iced tea drug running, prostitution, contract killing, you know, classic.

0:20:08.800 --> 0:20:11.719
<v Speaker 2>And then they find this man's ID and it's Clyde

0:20:11.840 --> 0:20:14.520
<v Speaker 2>van Dine does that rhyme or not?

0:20:14.680 --> 0:20:17.520
<v Speaker 3>I can't tell, and it sounds good.

0:20:17.560 --> 0:20:20.679
<v Speaker 2>It's a poetic name, and so that's the name on

0:20:20.720 --> 0:20:23.240
<v Speaker 2>the ID and Stabl's like, who did you piss off?

0:20:23.359 --> 0:20:26.200
<v Speaker 2>And Finn Is like, well, have you ever lived questioned

0:20:26.240 --> 0:20:29.040
<v Speaker 2>this guy in a rape case or domestic And Stabler's

0:20:29.080 --> 0:20:31.480
<v Speaker 2>like I don't think so why and fing goes, well,

0:20:31.520 --> 0:20:34.000
<v Speaker 2>then what's he doing with Olivia's card?

0:20:34.520 --> 0:20:34.800
<v Speaker 3>Done?

0:20:34.840 --> 0:20:39.640
<v Speaker 2>Done, boom, So it's credits. We arrive at Benson's apartment.

0:20:40.000 --> 0:20:42.679
<v Speaker 2>She's walking up to the door, she opens it and

0:20:42.720 --> 0:20:46.360
<v Speaker 2>Stabler's right there, and then Marishka's walking back into the apartment.

0:20:46.440 --> 0:20:49.800
<v Speaker 2>We noticed she's sick, and then Stabler goes, you look terrible.

0:20:50.800 --> 0:20:55.040
<v Speaker 1>Sure, Stabler like just what everyone needs to hear when

0:20:55.040 --> 0:20:55.640
<v Speaker 1>they have the flu.

0:20:56.160 --> 0:20:56.520
<v Speaker 3>Yeah.

0:20:56.600 --> 0:20:58.760
<v Speaker 2>She grabs the file out of his hands and is

0:20:58.840 --> 0:21:02.080
<v Speaker 2>like this guy he then says, yep, this biker with

0:21:02.119 --> 0:21:02.600
<v Speaker 2>this myth.

0:21:03.160 --> 0:21:04.760
<v Speaker 3>He said, this is so funny.

0:21:05.000 --> 0:21:09.240
<v Speaker 2>He then says, yep, the biker with the missing kickstand am,

0:21:09.600 --> 0:21:11.880
<v Speaker 2>and I feel like this is rivaling the episode Sick

0:21:11.920 --> 0:21:14.520
<v Speaker 2>the Michael Jackson one in terms of like how funny,

0:21:14.760 --> 0:21:15.760
<v Speaker 2>how many funny lines?

0:21:15.800 --> 0:21:16.760
<v Speaker 3>There are so many.

0:21:17.880 --> 0:21:20.040
<v Speaker 2>He asked if she has been to the doctor, and

0:21:20.160 --> 0:21:23.280
<v Speaker 2>it's like Benson won't even get protective detail when people

0:21:23.320 --> 0:21:25.760
<v Speaker 2>are actively trying to murder her. She did not go

0:21:25.840 --> 0:21:30.760
<v Speaker 2>to the doctor, sir. And so she's not gone to

0:21:30.800 --> 0:21:34.480
<v Speaker 2>the doctor. And she does not recognize Clyde. She suggests

0:21:34.520 --> 0:21:36.840
<v Speaker 2>maybe he found her card on one of their victims

0:21:36.880 --> 0:21:39.360
<v Speaker 2>and assumed maybe she talked and he messed her up,

0:21:39.359 --> 0:21:41.159
<v Speaker 2>and then instead of going back to the cops, she

0:21:41.200 --> 0:21:44.880
<v Speaker 2>got revenge. That's a wild first guess.

0:21:44.880 --> 0:21:49.400
<v Speaker 3>Four things had to happen for this to happen, Like.

0:21:50.359 --> 0:21:53.480
<v Speaker 1>Yeah, what, she's really created a narrative.

0:21:54.720 --> 0:21:56.200
<v Speaker 3>Stabler's like, I'll figure it out.

0:21:56.240 --> 0:21:59.440
<v Speaker 2>You rest up, and then Stabler touches her and goes

0:21:59.480 --> 0:22:02.560
<v Speaker 2>fuck you. But she's like, oh, I only have progress,

0:22:02.600 --> 0:22:04.240
<v Speaker 2>Like I'm at I was at one O two, I'm

0:22:04.240 --> 0:22:06.520
<v Speaker 2>at one O one right now. But Stave Butlero cares

0:22:06.560 --> 0:22:08.679
<v Speaker 2>about her, so he starts filling up a tea kettle

0:22:09.280 --> 0:22:11.800
<v Speaker 2>to make her some tea. And the apartments is different

0:22:11.800 --> 0:22:13.520
<v Speaker 2>than the apartment in my head. And now I'm like,

0:22:13.560 --> 0:22:16.240
<v Speaker 2>how many apartments have we seen of Lives three? I know,

0:22:16.680 --> 0:22:19.760
<v Speaker 2>I don't know they they kind of I can't remember,

0:22:19.760 --> 0:22:22.840
<v Speaker 2>Like they never really say whether she moves, but like I've.

0:22:22.680 --> 0:22:24.280
<v Speaker 3>Only remember having a door one.

0:22:24.359 --> 0:22:28.080
<v Speaker 1>She has a doorman in more recent seasons, like in

0:22:28.160 --> 0:22:31.560
<v Speaker 1>teen seasons, but I don't know if she did back

0:22:31.560 --> 0:22:32.120
<v Speaker 1>in this day.

0:22:33.160 --> 0:22:36.000
<v Speaker 2>Yeah, I want to if any of our moles on

0:22:36.000 --> 0:22:38.879
<v Speaker 2>the inside want to talk to set design or we

0:22:38.960 --> 0:22:41.439
<v Speaker 2>just have to have someone on I just or if

0:22:41.440 --> 0:22:42.400
<v Speaker 2>you're a super fan.

0:22:42.280 --> 0:22:44.240
<v Speaker 3>And you know you just know.

0:22:44.760 --> 0:22:48.840
<v Speaker 2>Yeah, I'm really curious the apartments of Olivia Ben's.

0:22:48.640 --> 0:22:50.840
<v Speaker 1>Because like, was it the one we just did with

0:22:50.880 --> 0:22:56.440
<v Speaker 1>the serial Killer and Shannon Woodward where they're like all

0:22:56.560 --> 0:22:59.280
<v Speaker 1>units to Benson's apartment and like everyone just knows where

0:22:59.320 --> 0:23:02.000
<v Speaker 1>it is, Like they don't like say what the address is.

0:23:02.080 --> 0:23:04.080
<v Speaker 1>Like everyone's like, oh shit, yeah, we've all partied to

0:23:04.119 --> 0:23:04.800
<v Speaker 1>Benson's apartment.

0:23:04.840 --> 0:23:05.280
<v Speaker 3>We know where that.

0:23:05.280 --> 0:23:10.720
<v Speaker 2>I mean, she just needed protective detail. Seventeen times they

0:23:10.800 --> 0:23:15.040
<v Speaker 2>got that address. So then while he's making tea, she's like, wait,

0:23:15.160 --> 0:23:18.000
<v Speaker 2>so this happened outside of Saint John's, Like.

0:23:18.040 --> 0:23:20.680
<v Speaker 3>Did Clyde worship there? Like what's going on?

0:23:20.880 --> 0:23:21.080
<v Speaker 4>You know?

0:23:21.280 --> 0:23:22.720
<v Speaker 3>Like why is it outside the church?

0:23:23.160 --> 0:23:25.159
<v Speaker 2>And he opens her fridge and is like, ugh, you

0:23:25.240 --> 0:23:27.199
<v Speaker 2>have no food and it's like, bitch, this is New

0:23:27.280 --> 0:23:29.879
<v Speaker 2>York and she doesn't have a family of five, like,

0:23:30.720 --> 0:23:32.840
<v Speaker 2>and she's like, have you never heard of a thing

0:23:32.880 --> 0:23:35.840
<v Speaker 2>called delivery? And it's like, yeah, get away from us.

0:23:36.520 --> 0:23:40.240
<v Speaker 2>On her coffee table there's a candle in fresh lavender flowers.

0:23:40.359 --> 0:23:43.920
<v Speaker 2>I love that Benson is into self care. He then

0:23:43.960 --> 0:23:46.240
<v Speaker 2>finds brochures on her counter and is like, oh wait,

0:23:46.280 --> 0:23:48.920
<v Speaker 2>were you planning on an island vacation? And she snatches

0:23:48.960 --> 0:23:52.840
<v Speaker 2>them and he's like, stop snooping, you dumb it. But

0:23:52.960 --> 0:23:55.280
<v Speaker 2>they see that he has a record he had a

0:23:55.320 --> 0:23:58.040
<v Speaker 2>brawl at a bike expo, but nothing that was related

0:23:58.080 --> 0:24:01.000
<v Speaker 2>to SVU, so they really don't know how he has

0:24:01.040 --> 0:24:03.879
<v Speaker 2>Olivia's card. So then Stabler's being kind of creepy and

0:24:03.880 --> 0:24:05.280
<v Speaker 2>he's like, let's get you to bed, and to me,

0:24:05.320 --> 0:24:07.000
<v Speaker 2>I'm like, mind your business. Let her watch the price

0:24:07.080 --> 0:24:08.560
<v Speaker 2>is right, let her stay on the couch, like, go

0:24:08.640 --> 0:24:09.240
<v Speaker 2>fuck yourself.

0:24:10.240 --> 0:24:11.960
<v Speaker 3>Can she just watch the view in peace?

0:24:12.119 --> 0:24:14.239
<v Speaker 2>Like she has to go sleep and drink tea and

0:24:14.240 --> 0:24:18.320
<v Speaker 2>have groceries. Benson then warns him and is like, bite,

0:24:18.400 --> 0:24:21.320
<v Speaker 2>gangs don't play nice. Watch out, and he says that

0:24:21.320 --> 0:24:22.760
<v Speaker 2>Finn's already at the clubhouse.

0:24:22.760 --> 0:24:24.520
<v Speaker 3>So we jumped to the clubhouse. Lol.

0:24:24.640 --> 0:24:26.520
<v Speaker 2>Munch is there and we just hear his voice say

0:24:26.600 --> 0:24:30.400
<v Speaker 2>what's wrong with you people? And then a man who

0:24:30.440 --> 0:24:33.359
<v Speaker 2>looks like Colin Quinn with a Lord four quad wig

0:24:33.520 --> 0:24:37.920
<v Speaker 2>and Denham cut off shirt and a leather vest, and

0:24:37.960 --> 0:24:40.600
<v Speaker 2>he only cares about pool. He's like, you're blocking must

0:24:40.640 --> 0:24:43.920
<v Speaker 2>shot and Munch is like, dude, if someone caught off

0:24:43.960 --> 0:24:45.920
<v Speaker 2>my friend's dick, I would try to find out who

0:24:45.920 --> 0:24:49.760
<v Speaker 2>did it, loyal friend. And you know what that Yeah,

0:24:49.800 --> 0:24:51.760
<v Speaker 2>I'll do that too for my friends. If your dick's

0:24:51.760 --> 0:24:54.800
<v Speaker 2>get chopped off, we're gonna get to the bottom of it.

0:24:54.960 --> 0:24:59.320
<v Speaker 2>I'll join the search party for the dick. And then

0:25:00.080 --> 0:25:03.320
<v Speaker 2>they act so tough, like all these bikers act so tough,

0:25:03.320 --> 0:25:05.160
<v Speaker 2>but it's like you guys are in drag, Like you're

0:25:05.160 --> 0:25:08.280
<v Speaker 2>straight up doing drag. Yeah, you're putting on a little

0:25:08.320 --> 0:25:11.600
<v Speaker 2>costume and Froom rooming through the streets and leather like

0:25:12.080 --> 0:25:16.080
<v Speaker 2>it's kind of humiliating but cool. And then this other

0:25:16.119 --> 0:25:18.720
<v Speaker 2>biker in a raspy voice, goes, we're gonna handle this

0:25:18.800 --> 0:25:19.320
<v Speaker 2>in house.

0:25:19.359 --> 0:25:20.880
<v Speaker 3>We're not talking to the cops.

0:25:21.040 --> 0:25:25.119
<v Speaker 2>Munchie and Finn says, cool, We'll just make sure to

0:25:25.160 --> 0:25:25.760
<v Speaker 2>have eyes on you.

0:25:25.880 --> 0:25:26.959
<v Speaker 3>Twenty four to seven.

0:25:27.560 --> 0:25:29.240
<v Speaker 2>Then oh my god, Munch is like, did you know

0:25:29.280 --> 0:25:31.159
<v Speaker 2>there's a grammar mistake on your logo?

0:25:31.560 --> 0:25:33.359
<v Speaker 3>An extraneous apostrophe.

0:25:33.440 --> 0:25:37.119
<v Speaker 2>So Munch is the Kara today, that's me, that is you,

0:25:38.640 --> 0:25:43.360
<v Speaker 2>And that upsets the biker with the bangs and he goes, listen, Skeletor,

0:25:43.520 --> 0:25:46.600
<v Speaker 2>get your bony ass out of here before someone mistakes

0:25:46.600 --> 0:25:48.520
<v Speaker 2>you for a pool stick, Like.

0:25:48.560 --> 0:25:51.800
<v Speaker 1>Where are these lines today? We never get anything like

0:25:51.920 --> 0:25:56.440
<v Speaker 1>this anymore. It's so funny. Listen, Skeletor, Like, I'm.

0:25:56.280 --> 0:26:00.280
<v Speaker 2>No, I honestly, I you know, I'll watch forever. There's

0:26:00.359 --> 0:26:03.520
<v Speaker 2>amazing episodes. I love a lot of the characters, but

0:26:04.960 --> 0:26:06.080
<v Speaker 2>there's something missing.

0:26:06.280 --> 0:26:09.240
<v Speaker 3>And I think it's Neil Bear, yeah, and Munch a

0:26:09.280 --> 0:26:10.080
<v Speaker 3>little bit, but.

0:26:10.760 --> 0:26:13.720
<v Speaker 2>Yeah, no, I think it's the I think it's the

0:26:13.800 --> 0:26:16.639
<v Speaker 2>dynamic of Munch and say, like the dynamic of all

0:26:16.680 --> 0:26:19.000
<v Speaker 2>the actors, of course, but the granddaddy of it all

0:26:19.040 --> 0:26:19.680
<v Speaker 2>that I think.

0:26:19.600 --> 0:26:24.879
<v Speaker 3>Was really digging that humor was Neil. I don't I

0:26:24.920 --> 0:26:26.920
<v Speaker 3>don't know. Yeah.

0:26:26.960 --> 0:26:30.440
<v Speaker 2>So anyways, Finn comes in to smooth it over and

0:26:30.520 --> 0:26:32.679
<v Speaker 2>he's like, guys, guys, we're just here to make a

0:26:32.720 --> 0:26:36.199
<v Speaker 2>notification and we're not leaving without Clyde's address. They do

0:26:36.320 --> 0:26:39.960
<v Speaker 2>not cooperate. The detectives leave with no scoop. He says,

0:26:40.000 --> 0:26:41.920
<v Speaker 2>they'll never talk to us as a group. We got

0:26:41.920 --> 0:26:44.360
<v Speaker 2>to get one like away from the herd. And then

0:26:44.440 --> 0:26:47.560
<v Speaker 2>at this moment a biker room rooms up and Munch

0:26:47.720 --> 0:26:50.000
<v Speaker 2>is like, nice, maybe we can get him. He asks

0:26:50.040 --> 0:26:52.439
<v Speaker 2>for his license and registration and he's like, bitch for

0:26:52.560 --> 0:26:55.639
<v Speaker 2>what and they say that he drove up like a

0:26:55.640 --> 0:26:58.480
<v Speaker 2>motorized vehicle onto a sidewalk and he's like, yeah, but

0:26:58.520 --> 0:27:01.240
<v Speaker 2>I did that because that dumb ass horror is parked there.

0:27:01.680 --> 0:27:04.120
<v Speaker 3>And Munch goes, don't insult Bessie, and so.

0:27:04.160 --> 0:27:06.840
<v Speaker 2>I guess he calls his car Bessie and he goes

0:27:07.240 --> 0:27:09.399
<v Speaker 2>fork over the goods and this guy looks like he

0:27:09.480 --> 0:27:12.840
<v Speaker 2>straightens his hair and then much looks at the id

0:27:12.960 --> 0:27:15.239
<v Speaker 2>then calls him Timothy, and he's like, the name is

0:27:15.359 --> 0:27:16.399
<v Speaker 2>t Bone, and it's.

0:27:16.280 --> 0:27:17.560
<v Speaker 6>Like it's so funny.

0:27:18.119 --> 0:27:21.480
<v Speaker 2>You're like George Costanza, you know, like this is ridiculous.

0:27:22.200 --> 0:27:25.440
<v Speaker 2>Finn then notices and goes, hey, wrong, id you need

0:27:25.440 --> 0:27:27.560
<v Speaker 2>a class M to have a motorcycle?

0:27:27.760 --> 0:27:29.480
<v Speaker 3>So come with us Bone.

0:27:30.720 --> 0:27:33.600
<v Speaker 2>As Finn and Munch bring this guy in handcuffed, Craigan

0:27:33.640 --> 0:27:35.879
<v Speaker 2>meets them in a hallway and says, fifteen of you

0:27:35.960 --> 0:27:40.360
<v Speaker 2>against one defenseless girl. He says, sounds good, sign me up.

0:27:40.680 --> 0:27:44.159
<v Speaker 2>Then Munch says, these knuckle draggers have a website, so

0:27:44.240 --> 0:27:47.760
<v Speaker 2>now we see it's on a monitor. And the Dead

0:27:47.800 --> 0:27:50.680
<v Speaker 2>Knights they have a website and they put up a

0:27:50.760 --> 0:27:53.640
<v Speaker 2>video and it's a girl passed out getting banged by

0:27:53.640 --> 0:27:55.920
<v Speaker 2>a biker in front of a group of cheering bikers.

0:27:56.720 --> 0:27:57.240
<v Speaker 3>And he's not.

0:27:57.280 --> 0:27:59.320
<v Speaker 2>Scared of the cops because he didn't do anything wrong,

0:27:59.359 --> 0:28:02.320
<v Speaker 2>and Starlow was just laying back and enjoying it, he says,

0:28:02.720 --> 0:28:04.919
<v Speaker 2>and Finn is like, nope, she's passed out so she

0:28:04.960 --> 0:28:07.439
<v Speaker 2>can't give consents. So you're actually gonna have all your

0:28:07.440 --> 0:28:10.080
<v Speaker 2>little biker meetings in lock up because that's where people

0:28:10.160 --> 0:28:13.320
<v Speaker 2>go for rape. And he's like simmer down steroid boy

0:28:13.840 --> 0:28:16.680
<v Speaker 2>to Stabler and explains it was all in good fun,

0:28:17.040 --> 0:28:20.240
<v Speaker 2>and then Craigan's famous line, Cara, you want to take

0:28:20.280 --> 0:28:20.679
<v Speaker 2>it away?

0:28:21.080 --> 0:28:24.600
<v Speaker 1>It's all fun and games until someone loses a penis.

0:28:24.760 --> 0:28:27.760
<v Speaker 2>So the video we're looking at is from when Clyde

0:28:27.800 --> 0:28:31.760
<v Speaker 2>came back from prison. Starla was his welcome home present

0:28:31.880 --> 0:28:34.960
<v Speaker 2>and he was late, and so they got bored, and

0:28:35.000 --> 0:28:37.480
<v Speaker 2>then they're like, so he didn't mind sloppy fifteenth and

0:28:37.560 --> 0:28:40.120
<v Speaker 2>he's like, nah, he was in jail for five years

0:28:40.720 --> 0:28:44.520
<v Speaker 2>with no stink. I like hate that, And actually he

0:28:44.600 --> 0:28:46.720
<v Speaker 2>likes her a lot and made her his old lady,

0:28:47.200 --> 0:28:50.200
<v Speaker 2>big step up from a mama. So a mama is

0:28:50.200 --> 0:28:53.160
<v Speaker 2>a sheep. They're there for anyone to use. So it's

0:28:53.200 --> 0:28:57.040
<v Speaker 2>a big upgrade actually being someone's old lady because then

0:28:57.080 --> 0:29:00.080
<v Speaker 2>people care about you, because no one cares about sheeps.

0:29:01.360 --> 0:29:05.240
<v Speaker 2>Craigan says, well, now we do tell me where she is,

0:29:05.280 --> 0:29:07.520
<v Speaker 2>and He's like, why would I do that? And Craigan's like, well,

0:29:07.560 --> 0:29:09.680
<v Speaker 2>if not her word, then I'm locking her ass up

0:29:09.720 --> 0:29:11.800
<v Speaker 2>for rape. He does not like the sound of that.

0:29:12.000 --> 0:29:13.920
<v Speaker 2>So we cut to Stabler trying to kick down a

0:29:14.000 --> 0:29:18.080
<v Speaker 2>door and failing, so he groans and makes a call

0:29:18.120 --> 0:29:20.720
<v Speaker 2>and says Starla's not home. But as he's walking out

0:29:20.760 --> 0:29:23.840
<v Speaker 2>of like the apartment building, Starla's walking up into the

0:29:23.880 --> 0:29:26.760
<v Speaker 2>apartment unit and she sees him. She starts to bolt,

0:29:26.760 --> 0:29:29.920
<v Speaker 2>but before she runs away. We noticed she's from Orange

0:29:29.960 --> 0:29:33.840
<v Speaker 2>Is the New Black. Hello, it's Emma Miles and she

0:29:34.000 --> 0:29:37.880
<v Speaker 2>played Leanne Taylor, the meth racist but silly vibes like

0:29:37.880 --> 0:29:39.960
<v Speaker 2>one of the frickin' fracks of the meth community in

0:29:40.000 --> 0:29:42.000
<v Speaker 2>the prison show.

0:29:42.160 --> 0:29:44.640
<v Speaker 3>Like kind of they were like the eels from Little Mermaid.

0:29:44.840 --> 0:29:46.320
<v Speaker 3>He yet fletsam and jetsam.

0:29:46.800 --> 0:29:47.000
<v Speaker 1>Yeah.

0:29:47.120 --> 0:29:50.760
<v Speaker 2>Yeah, she's also Emma has also been in three other

0:29:50.880 --> 0:29:55.320
<v Speaker 2>SBUs So. She was played Carlene Jenkins in American Dream

0:29:55.320 --> 0:29:59.040
<v Speaker 2>and Sanctuary like a double episode, and her first episode

0:29:59.080 --> 0:30:01.800
<v Speaker 2>was Haunted and she played Lizzie Jones and I watched

0:30:01.840 --> 0:30:05.040
<v Speaker 2>it and she plays another addict, So I think she

0:30:05.200 --> 0:30:07.400
<v Speaker 2>has a type cast.

0:30:07.600 --> 0:30:08.120
<v Speaker 3>I'm a girl.

0:30:08.320 --> 0:30:10.680
<v Speaker 2>Yeah, I go a high audition for girls who love

0:30:10.800 --> 0:30:14.320
<v Speaker 2>lunch and she goes out for drug addicts, girls who

0:30:14.360 --> 0:30:15.880
<v Speaker 2>love meth, girls.

0:30:15.640 --> 0:30:16.920
<v Speaker 3>Who love meth.

0:30:17.400 --> 0:30:20.120
<v Speaker 2>Sailor's like, I just want to talk and she tries

0:30:20.160 --> 0:30:22.680
<v Speaker 2>to run but falls and that's that and so she

0:30:23.000 --> 0:30:25.280
<v Speaker 2>is not okay, and she's like, my old man was

0:30:25.360 --> 0:30:29.120
<v Speaker 2>killed yesterday and now I'm getting busted. He says, listen

0:30:29.160 --> 0:30:31.080
<v Speaker 2>to me, if you had anything to do with his murder,

0:30:31.120 --> 0:30:33.560
<v Speaker 2>I'd understand, and she's like, are you high? Why would

0:30:33.600 --> 0:30:36.400
<v Speaker 2>I kill Clyde and walks off, and he says he

0:30:36.560 --> 0:30:39.280
<v Speaker 2>watched the gang rape, but she says it was not rape.

0:30:39.680 --> 0:30:41.600
<v Speaker 2>And her job for the crew now is that she

0:30:41.640 --> 0:30:43.840
<v Speaker 2>works in a city clerk's office. And he's like, but

0:30:43.920 --> 0:30:46.840
<v Speaker 2>you're stealing blank birth certificates, so let's go.

0:30:47.560 --> 0:30:48.960
<v Speaker 3>So they walk into her apartment.

0:30:49.120 --> 0:30:51.320
<v Speaker 2>She says she doesn't know what they do with the documents,

0:30:51.400 --> 0:30:54.120
<v Speaker 2>but she just does what she's told. She takes off

0:30:54.120 --> 0:30:56.560
<v Speaker 2>her blazer and calls it a monkey suit, and she

0:30:56.560 --> 0:30:58.840
<v Speaker 2>has a tattoo that says property of the Death Knights.

0:30:59.240 --> 0:31:01.600
<v Speaker 2>She says it means I belong and he says it

0:31:01.680 --> 0:31:03.800
<v Speaker 2>means they own you. And she's like, hey, it got

0:31:03.800 --> 0:31:06.680
<v Speaker 2>me out of Sturgis, South Dakota, and to earn a

0:31:06.720 --> 0:31:08.640
<v Speaker 2>right to New York. She had a train pulled on

0:31:08.720 --> 0:31:11.400
<v Speaker 2>her and then Stabler gives the Urban Dictionary of train

0:31:11.720 --> 0:31:14.440
<v Speaker 2>He's like, so you had sex with them one after

0:31:14.520 --> 0:31:17.560
<v Speaker 2>another and it's like, yeah, like you both know what's up.

0:31:17.600 --> 0:31:20.200
<v Speaker 2>This is just for us, Like I love that he's

0:31:20.240 --> 0:31:23.800
<v Speaker 2>explaining it. She's legit is like, yeah, that's that's the definition.

0:31:23.840 --> 0:31:28.560
<v Speaker 2>And I just told you what I did, like I didn't. Yeah,

0:31:28.680 --> 0:31:30.360
<v Speaker 2>ever wrote like I didn't pull a chew chew train

0:31:30.440 --> 0:31:33.840
<v Speaker 2>with my body strength, you know what I mean, Like

0:31:33.840 --> 0:31:37.280
<v Speaker 2>like he's making sure that she wasn't just in a

0:31:37.360 --> 0:31:41.400
<v Speaker 2>strong man competition. But then she adds, yeah, anyway, they

0:31:41.440 --> 0:31:43.640
<v Speaker 2>want it, and she's nineteen and this is all kind

0:31:43.680 --> 0:31:46.280
<v Speaker 2>of a bummer and Stabler's like, I know you want

0:31:46.320 --> 0:31:49.440
<v Speaker 2>out of this. So then Stabler asks, when have you

0:31:49.440 --> 0:31:52.160
<v Speaker 2>spoken to Olivia Benson. She goes she has not, and

0:31:52.320 --> 0:31:55.440
<v Speaker 2>he's actually the first pig that she's ever had to sit.

0:31:55.320 --> 0:31:58.280
<v Speaker 3>Down with again funny yeah.

0:31:58.320 --> 0:32:00.960
<v Speaker 2>So then he's like, okay, but what was Clyde doing

0:32:00.960 --> 0:32:03.080
<v Speaker 2>with her card? And she says he didn't get it

0:32:03.080 --> 0:32:06.560
<v Speaker 2>from her and then asks where his hog is and

0:32:06.640 --> 0:32:08.960
<v Speaker 2>he says, well, not at a clubhouse or the crime

0:32:09.000 --> 0:32:12.640
<v Speaker 2>scene or outside, and she's like ugh. So then she says,

0:32:12.800 --> 0:32:15.360
<v Speaker 2>when he was done slapping her around last night, he

0:32:15.480 --> 0:32:18.240
<v Speaker 2>rode off on the hog. So that was the last

0:32:18.240 --> 0:32:21.080
<v Speaker 2>time she laid eyes on either one of him or

0:32:21.160 --> 0:32:23.200
<v Speaker 2>the bike, and then she cries and says, I loved

0:32:23.240 --> 0:32:25.600
<v Speaker 2>that bike, Like it's so funny.

0:32:26.600 --> 0:32:29.480
<v Speaker 1>Also, I don't think we gave enough time to Stabler

0:32:29.680 --> 0:32:31.560
<v Speaker 1>trying to kick that door open and not being able

0:32:31.600 --> 0:32:34.280
<v Speaker 1>to it was so funny. He was like, either these

0:32:34.280 --> 0:32:37.000
<v Speaker 1>doors are getting tougher or I'm getting older, And it's like.

0:32:37.800 --> 0:32:39.800
<v Speaker 3>I like that. Once we get to see him kick

0:32:39.840 --> 0:32:40.680
<v Speaker 3>it and nothing.

0:32:40.440 --> 0:32:43.760
<v Speaker 1>Fucking happens except he goes, how so funny.

0:32:44.400 --> 0:32:47.720
<v Speaker 3>Well, it was like a steel door, It wasn't would Yeah,

0:32:47.760 --> 0:32:49.800
<v Speaker 3>these are like bikers. I think they fucking know how

0:32:49.840 --> 0:32:51.920
<v Speaker 3>to like keep it like you know.

0:32:52.000 --> 0:32:55.280
<v Speaker 2>And it also looked like an industrial like building, a

0:32:55.360 --> 0:32:57.200
<v Speaker 2>factory turned into lofts.

0:32:57.680 --> 0:32:58.920
<v Speaker 3>Yeah, type of situation.

0:32:59.520 --> 0:33:02.440
<v Speaker 2>So to Stabler walking into the squad room and Cragan's

0:33:02.480 --> 0:33:04.360
<v Speaker 2>informing him that they found Clyde's bike.

0:33:04.840 --> 0:33:05.320
<v Speaker 3>So there.

0:33:05.400 --> 0:33:07.120
<v Speaker 2>Someone witnessed a hit and run. It was at one

0:33:07.200 --> 0:33:10.120
<v Speaker 2>hundred and thirteenth in Amsterdam. He said, a crazy brunette

0:33:10.200 --> 0:33:12.920
<v Speaker 2>hit him and ran and was driving a black Bustang

0:33:13.400 --> 0:33:15.720
<v Speaker 2>and he got part of the license plate and the

0:33:15.760 --> 0:33:17.560
<v Speaker 2>guy on the call had to go and they go

0:33:17.640 --> 0:33:20.040
<v Speaker 2>through people with partial plates and one of the partial

0:33:20.080 --> 0:33:21.880
<v Speaker 2>plates is Olivia Benson.

0:33:22.720 --> 0:33:24.600
<v Speaker 3>So she has a car. I'm concised he has a

0:33:24.640 --> 0:33:25.200
<v Speaker 3>black lust.

0:33:25.520 --> 0:33:28.840
<v Speaker 2>He's confused, like everyone's confused by this. So now Craigan

0:33:28.880 --> 0:33:32.080
<v Speaker 2>and Benson are in her parking garage walking and we're

0:33:32.080 --> 0:33:34.280
<v Speaker 2>looking at a picture of Starla while they walk and talk,

0:33:34.320 --> 0:33:36.840
<v Speaker 2>and Benson's like, no, I've never seen her before. And

0:33:36.920 --> 0:33:39.280
<v Speaker 2>Benson is sad that she's going to jail because she

0:33:39.400 --> 0:33:41.760
<v Speaker 2>is a rape victim. And Cragan's like, you don't understand

0:33:41.760 --> 0:33:44.760
<v Speaker 2>how much personal access, like how much personal info she

0:33:44.760 --> 0:33:45.440
<v Speaker 2>had access to.

0:33:45.400 --> 0:33:46.400
<v Speaker 3>In the clerk's office.

0:33:46.960 --> 0:33:49.240
<v Speaker 2>But Benson's still pissed, like these abused women are put

0:33:49.320 --> 0:33:51.600
<v Speaker 2>up to do these tasks and then take the fall

0:33:51.680 --> 0:33:52.200
<v Speaker 2>for these men.

0:33:52.280 --> 0:33:52.800
<v Speaker 3>It sucks.

0:33:53.240 --> 0:33:55.760
<v Speaker 2>It's our old school slogan, don't go to jail for

0:33:55.800 --> 0:33:58.720
<v Speaker 2>a man. We haven't said that a while. Do not

0:33:58.760 --> 0:34:01.280
<v Speaker 2>go to jail for a man. Oh, this might be

0:34:01.280 --> 0:34:03.440
<v Speaker 2>the first time Casey has heard that. That was a

0:34:03.440 --> 0:34:05.520
<v Speaker 2>big deal when we first started. I think we would

0:34:05.520 --> 0:34:07.840
<v Speaker 2>say that a lot. But yeah, we're all shocks.

0:34:07.880 --> 0:34:08.399
<v Speaker 3>She has a car.

0:34:08.520 --> 0:34:12.200
<v Speaker 2>It's a sixty five to eighty nine convertible, and Craigan

0:34:12.440 --> 0:34:14.640
<v Speaker 2>is like huh, and she's like, listen, I had a

0:34:14.640 --> 0:34:17.839
<v Speaker 2>midlife crisis moment, so I bought it. And then we see,

0:34:18.040 --> 0:34:19.799
<v Speaker 2>uh oh, the front of the car is fucked up

0:34:19.800 --> 0:34:22.160
<v Speaker 2>and it did hit something. And she's like, oh my god.

0:34:22.480 --> 0:34:24.520
<v Speaker 2>But she hasn't driven the car in a month. But

0:34:24.840 --> 0:34:27.400
<v Speaker 2>he says, well, someone did, and he immediately turns on her.

0:34:27.440 --> 0:34:29.560
<v Speaker 2>It's quite crazy, really, like he knows her so well,

0:34:29.600 --> 0:34:32.080
<v Speaker 2>but right away he's suspicious of her. And she says, well, yes,

0:34:32.120 --> 0:34:34.480
<v Speaker 2>I've been a parking attendant and he's like, well, that's

0:34:34.480 --> 0:34:36.680
<v Speaker 2>a real coincidence, don't you.

0:34:36.800 --> 0:34:37.200
<v Speaker 1>I don't know.

0:34:37.239 --> 0:34:39.799
<v Speaker 3>He just yeah, he turned on really fucking quick. He

0:34:39.920 --> 0:34:42.279
<v Speaker 3>really does. And she's dumbfounded.

0:34:42.680 --> 0:34:45.960
<v Speaker 2>So csus to come down and he has to notify iab.

0:34:46.520 --> 0:34:48.719
<v Speaker 2>She says I didn't do this, and he says, I

0:34:48.800 --> 0:34:51.160
<v Speaker 2>believe you. He says, just go home, get over the flu,

0:34:51.239 --> 0:34:53.480
<v Speaker 2>take a couple days, but she's obviously stressed.

0:34:53.560 --> 0:34:56.760
<v Speaker 3>She's sick and she's back to work. Baby.

0:34:56.840 --> 0:34:59.239
<v Speaker 2>She refuses to stay home and stay we's like okay, hi,

0:34:59.440 --> 0:35:01.160
<v Speaker 2>and she's like and he breaks in the case and

0:35:01.280 --> 0:35:04.400
<v Speaker 2>Munch is like, we can't talk to you about the case. Uh,

0:35:04.440 --> 0:35:06.799
<v Speaker 2>Craigan's orders and she looks him up and down and

0:35:06.920 --> 0:35:09.839
<v Speaker 2>is like, someone is framing me, So fill me in

0:35:09.840 --> 0:35:12.800
<v Speaker 2>on the details that don't involve me. Stabler informs Benson

0:35:12.840 --> 0:35:14.480
<v Speaker 2>that they found a knife in the trash bin on

0:35:14.520 --> 0:35:17.080
<v Speaker 2>the scene of the crime. No Prince, but two different

0:35:17.120 --> 0:35:20.640
<v Speaker 2>types of blood, and Cyper is running the DNA. Stabler

0:35:20.680 --> 0:35:22.880
<v Speaker 2>tries to relax her and be like, there are twenty

0:35:22.920 --> 0:35:25.399
<v Speaker 2>five other partial plate matches, and she's like, and how

0:35:25.400 --> 0:35:27.920
<v Speaker 2>many of them are brunettes with front damage to their cars.

0:35:28.320 --> 0:35:30.799
<v Speaker 2>Finn mentions Stabler are like, Benson, we don't think you

0:35:30.880 --> 0:35:33.239
<v Speaker 2>did this. She's like, yeah, right, you should have seen

0:35:33.239 --> 0:35:36.000
<v Speaker 2>the looks I got downstairs coming in here. Much of

0:35:36.040 --> 0:35:39.880
<v Speaker 2>all people tells her not to be paranoid. Okay, you know,

0:35:39.880 --> 0:35:45.239
<v Speaker 2>because he's always paranoid. Oh yeah, so's He says, Is

0:35:45.280 --> 0:35:48.000
<v Speaker 2>there another saying that's not pot calling the kettle black?

0:35:48.080 --> 0:35:48.160
<v Speaker 4>Like?

0:35:48.239 --> 0:35:50.600
<v Speaker 3>Is there another saying that means the same thing?

0:35:50.680 --> 0:35:50.759
<v Speaker 2>Like?

0:35:50.880 --> 0:35:52.160
<v Speaker 3>Is that the only option we have?

0:35:53.719 --> 0:35:53.799
<v Speaker 5>No?

0:35:53.920 --> 0:35:56.080
<v Speaker 1>I'm sure there are other ones, but now they're of

0:35:56.480 --> 0:35:58.360
<v Speaker 1>course not coming to my mind right now.

0:35:58.600 --> 0:36:00.480
<v Speaker 2>Yeah, I wonder let us know if you guys know

0:36:00.520 --> 0:36:04.960
<v Speaker 2>of any other sayings. So anyways, he says, it's not

0:36:05.040 --> 0:36:08.560
<v Speaker 2>about the case, babe, it's you look contagious and we

0:36:08.640 --> 0:36:09.640
<v Speaker 2>don't really want you here.

0:36:10.000 --> 0:36:11.120
<v Speaker 3>So that's a good one.

0:36:11.280 --> 0:36:13.400
<v Speaker 2>And I can't tell if those are tears of stress

0:36:13.480 --> 0:36:15.520
<v Speaker 2>or sick or during the flu. Your eyes look wet.

0:36:15.560 --> 0:36:18.120
<v Speaker 2>But she is not doing well and she's back to work.

0:36:18.920 --> 0:36:20.840
<v Speaker 2>Can we trace the nine one one call? Or what?

0:36:21.320 --> 0:36:22.719
<v Speaker 3>We trace the nine one one call?

0:36:22.800 --> 0:36:25.680
<v Speaker 2>And it's a person Khalil Asad And she wants to

0:36:25.680 --> 0:36:27.560
<v Speaker 2>go with and Stabler won't let her, and she gives

0:36:27.600 --> 0:36:29.719
<v Speaker 2>him a really hurt look and goes, yeah, I know

0:36:29.960 --> 0:36:33.239
<v Speaker 2>I'm the prime suspect. So anyway, so she runs off

0:36:33.280 --> 0:36:35.160
<v Speaker 2>and they're like, where are you going? And she yells

0:36:35.200 --> 0:36:37.400
<v Speaker 2>to clear my name. And now we cut to a

0:36:37.440 --> 0:36:40.279
<v Speaker 2>dead body. Benson's in a gray zippy hoodie with a

0:36:40.280 --> 0:36:42.440
<v Speaker 2>black leather jacket, which to me is like the hottest

0:36:42.480 --> 0:36:44.920
<v Speaker 2>look of all time, and she's standing over the body

0:36:44.920 --> 0:36:47.799
<v Speaker 2>and Melinda walks in Olivia, I just sent over the

0:36:47.800 --> 0:36:48.640
<v Speaker 2>autopsy report.

0:36:48.640 --> 0:36:49.640
<v Speaker 3>You could have saved a trip.

0:36:49.760 --> 0:36:52.200
<v Speaker 2>But Benson's like, so, did you find anything to identify

0:36:52.200 --> 0:36:54.520
<v Speaker 2>the killer? She goes, well, the mouth was taped at

0:36:54.520 --> 0:36:59.040
<v Speaker 2>some point. The wound has undulating borders, not serrated which

0:36:59.080 --> 0:37:01.880
<v Speaker 2>is consistent with the knife they found. And also they

0:37:01.920 --> 0:37:06.040
<v Speaker 2>cut his femoral artery, so he suffered but bled out quickly. Melinda,

0:37:06.080 --> 0:37:08.640
<v Speaker 2>after giving some horrific details, is like, so are you okay?

0:37:08.719 --> 0:37:10.600
<v Speaker 2>And she's like, I actually came by to ask you

0:37:10.640 --> 0:37:13.920
<v Speaker 2>a favor, and Melinda answers, I don't have a miracle

0:37:13.960 --> 0:37:16.400
<v Speaker 2>cure for this flu. Sadly, she said, no, I just

0:37:16.440 --> 0:37:18.120
<v Speaker 2>need you to take a DNA swab from me.

0:37:18.560 --> 0:37:22.120
<v Speaker 3>But like, don't they have cops DNA? I don't know.

0:37:23.120 --> 0:37:25.480
<v Speaker 2>I don't know because for the bar exam, I mean

0:37:25.480 --> 0:37:28.319
<v Speaker 2>they take lawyers DNA, So like, why wouldn't they take I.

0:37:28.280 --> 0:37:30.840
<v Speaker 3>Think they take your fingerprints. Do they take your DNA?

0:37:32.320 --> 0:37:33.760
<v Speaker 3>I don't know. I wonder.

0:37:33.840 --> 0:37:35.760
<v Speaker 2>I was confused why they wouldn't already have the DNA.

0:37:35.840 --> 0:37:39.200
<v Speaker 2>But anyways, so you know, she gives the DNA, she

0:37:39.239 --> 0:37:41.320
<v Speaker 2>gives her a concerned look, and we end that scene

0:37:41.320 --> 0:37:44.200
<v Speaker 2>on Melinda's face. The next scene, we're at Columbia University

0:37:44.239 --> 0:37:46.520
<v Speaker 2>poopen Hall, Puppin' peppine whatever.

0:37:46.960 --> 0:37:47.560
<v Speaker 3>We're at a hall.

0:37:47.840 --> 0:37:50.200
<v Speaker 2>It's November tenth, and I wonder if the detectives found

0:37:50.239 --> 0:37:52.760
<v Speaker 2>time to vote during this week of investigating.

0:37:53.000 --> 0:37:56.040
<v Speaker 3>You're always looking at the dates. I can't stop now.

0:37:57.239 --> 0:38:00.400
<v Speaker 2>It's it's yeah, I'm looking at decor, I'm looking at art,

0:38:00.440 --> 0:38:03.680
<v Speaker 2>I'm looking at dates. But it is science class. It's

0:38:03.680 --> 0:38:06.560
<v Speaker 2>about like a space and sun. Some man is lecturing,

0:38:06.600 --> 0:38:10.400
<v Speaker 2>and Fin and Munch creep into the classroom, and once

0:38:10.480 --> 0:38:12.680
<v Speaker 2>class is dismissed and the students are starting to put

0:38:12.719 --> 0:38:15.600
<v Speaker 2>their shit together, the detectives are like, which one of

0:38:15.640 --> 0:38:17.200
<v Speaker 2>you is Khalil Lesade And.

0:38:17.160 --> 0:38:18.040
<v Speaker 3>We see him.

0:38:18.400 --> 0:38:20.279
<v Speaker 2>I guess he's been really hard to track down, but

0:38:20.400 --> 0:38:22.399
<v Speaker 2>it's also only been like a day, so I don't

0:38:22.400 --> 0:38:24.960
<v Speaker 2>know what's going on. He blamed not answering their calls

0:38:24.960 --> 0:38:27.799
<v Speaker 2>on his heavy class load, and then they're like, hey, bro,

0:38:27.920 --> 0:38:29.680
<v Speaker 2>why did you have that accent in the nine to

0:38:29.680 --> 0:38:32.080
<v Speaker 2>one one call? So he has an accent, and he

0:38:32.120 --> 0:38:34.040
<v Speaker 2>said he didn't make the call. A stranger pulled up

0:38:34.040 --> 0:38:36.040
<v Speaker 2>in a car and said he saw the crime, but

0:38:36.120 --> 0:38:38.480
<v Speaker 2>his battery was dead and asked to use his cell phone.

0:38:38.719 --> 0:38:41.359
<v Speaker 2>This was at a subway at one sixteenth, so it's

0:38:41.400 --> 0:38:42.600
<v Speaker 2>three blocks from the crime.

0:38:43.120 --> 0:38:44.080
<v Speaker 3>What did he look like?

0:38:44.200 --> 0:38:46.680
<v Speaker 2>White dude five ten to six feet with brown hair

0:38:46.680 --> 0:38:50.080
<v Speaker 2>and nicely dressed, and it's like, fuck, that's tough, and

0:38:50.160 --> 0:38:53.640
<v Speaker 2>obviously that is not like a very descriptive thing.

0:38:53.840 --> 0:38:56.600
<v Speaker 3>I'll help them like an average man.

0:38:57.280 --> 0:39:00.319
<v Speaker 2>But he might have been driving a silver Mercedes, but

0:39:00.440 --> 0:39:03.439
<v Speaker 2>we didn't notice the plate, so it doesn't really make sense.

0:39:03.480 --> 0:39:06.200
<v Speaker 2>So he saw the crime, he sped off, then stopped

0:39:06.239 --> 0:39:08.440
<v Speaker 2>for a call and had enough time to see Liv's

0:39:08.520 --> 0:39:11.239
<v Speaker 2>tax and Craigan's like, okay, we got to start thinking

0:39:11.320 --> 0:39:14.120
<v Speaker 2>the alternative is true, and Finn is like, live didn't

0:39:14.160 --> 0:39:16.720
<v Speaker 2>do this, And any news on the car, he asks,

0:39:16.840 --> 0:39:19.319
<v Speaker 2>and nope, we're still waiting on that. There is no

0:39:19.400 --> 0:39:21.560
<v Speaker 2>update on the car, and the footage and the garage

0:39:21.600 --> 0:39:24.239
<v Speaker 2>recycles every twenty four hours, and to me, it's like, then,

0:39:24.280 --> 0:39:27.279
<v Speaker 2>what's the point, what's the point of having security Within

0:39:27.320 --> 0:39:28.400
<v Speaker 2>twenty four hours.

0:39:28.120 --> 0:39:28.799
<v Speaker 3>It's taken away.

0:39:29.080 --> 0:39:31.080
<v Speaker 2>Crazy, Yeah, Like, if you're out of town in a

0:39:31.080 --> 0:39:32.719
<v Speaker 2>crimes committ you're just out of luck.

0:39:32.760 --> 0:39:33.640
<v Speaker 3>It's so stupid.

0:39:34.280 --> 0:39:36.000
<v Speaker 2>So that of course sucks because we can't prove that

0:39:36.040 --> 0:39:39.040
<v Speaker 2>she didn't take the car out that night, and Finn

0:39:39.040 --> 0:39:41.400
<v Speaker 2>says someone is setting her up. Now we cut to

0:39:41.440 --> 0:39:43.640
<v Speaker 2>Olivia in the same gray hoodie going through files and

0:39:43.680 --> 0:39:45.800
<v Speaker 2>Craigan marches out of his office and is like, didn't

0:39:45.800 --> 0:39:47.960
<v Speaker 2>I order you to bed rest? And she's like, I

0:39:47.960 --> 0:39:50.399
<v Speaker 2>gotta find a connection to Clyde and someone that also

0:39:50.520 --> 0:39:53.400
<v Speaker 2>knew about my car. But Craigan's concerned because he's like,

0:39:53.440 --> 0:39:56.080
<v Speaker 2>there's thousands of cases, like you're going to go through

0:39:56.120 --> 0:39:58.840
<v Speaker 2>all of them, and she's like, and she just believes

0:39:58.840 --> 0:40:00.560
<v Speaker 2>it has to be through a victim. She goes, it

0:40:00.600 --> 0:40:03.640
<v Speaker 2>has to be through a victim. Victims always hold something back,

0:40:03.680 --> 0:40:06.160
<v Speaker 2>and Craigan's not buying it, like, really they would hide

0:40:06.160 --> 0:40:08.759
<v Speaker 2>a bike gang. She tells a story about how one

0:40:08.760 --> 0:40:12.200
<v Speaker 2>time shit a woman that like during the rape exam,

0:40:12.200 --> 0:40:14.520
<v Speaker 2>they found crystal meth on her, so like maybe Clyde

0:40:14.560 --> 0:40:17.520
<v Speaker 2>dealt her mess. And Craigan says, I'll have your partner

0:40:17.560 --> 0:40:19.759
<v Speaker 2>follow up on these. Please go home and rest. So

0:40:19.800 --> 0:40:21.600
<v Speaker 2>now we're back at the biker gang and it's just

0:40:21.680 --> 0:40:24.719
<v Speaker 2>like so lame and over. So they pan on all

0:40:24.760 --> 0:40:26.600
<v Speaker 2>the bikers and we hear Stabler on a phone call

0:40:26.640 --> 0:40:28.799
<v Speaker 2>with his wife and he's like, caf gotta work late

0:40:29.120 --> 0:40:31.680
<v Speaker 2>that He's like, oh shit, that's tonight, and then he's like, well,

0:40:31.719 --> 0:40:34.960
<v Speaker 2>I went to Elizabeth's last school play, Diary of Van Frank.

0:40:35.040 --> 0:40:37.560
<v Speaker 2>I was there opening night and it's like, is the

0:40:37.680 --> 0:40:43.360
<v Speaker 2>Junior High doing a hole a talented group of young actors,

0:40:43.600 --> 0:40:44.160
<v Speaker 2>I mean.

0:40:45.760 --> 0:40:46.160
<v Speaker 3>Shoosh.

0:40:47.560 --> 0:40:50.240
<v Speaker 2>While he's chatting the biker from the beginning of this episode,

0:40:50.280 --> 0:40:53.840
<v Speaker 2>you know Colin Quinn but not and then I eventually

0:40:53.880 --> 0:40:56.759
<v Speaker 2>find out there are two men. So I thought this

0:40:56.920 --> 0:40:59.319
<v Speaker 2>Lord four quad is the whole time, but this guy

0:40:59.440 --> 0:41:03.040
<v Speaker 2>is actually a different biker. But I got confused. I've

0:41:03.080 --> 0:41:06.359
<v Speaker 2>been confused a lot throughout this whole episode. So while

0:41:06.360 --> 0:41:10.719
<v Speaker 2>he's chatting, the biker comes and he starts pouring a

0:41:10.800 --> 0:41:14.560
<v Speaker 2>forty on the hood of Stabler's cop car, and he goes, Babe, Babe.

0:41:14.280 --> 0:41:15.000
<v Speaker 3>I gotta guy.

0:41:15.200 --> 0:41:17.680
<v Speaker 2>So Stabler says, drop the bottle, and he says, I'll

0:41:17.680 --> 0:41:21.080
<v Speaker 2>put it up your ass and stop messing with my brothers.

0:41:22.200 --> 0:41:25.200
<v Speaker 2>And then and then he like tries to punch he misses,

0:41:25.640 --> 0:41:27.640
<v Speaker 2>and Stabler then bends him over the hood of the

0:41:27.640 --> 0:41:29.440
<v Speaker 2>car and is like, what are you a moron? He goes,

0:41:29.480 --> 0:41:32.040
<v Speaker 2>I'm undercover, watch your back, and a bunch of leather

0:41:32.120 --> 0:41:35.000
<v Speaker 2>Daddy's approached. So then Stabler flashes his badge and they're like,

0:41:35.239 --> 0:41:37.919
<v Speaker 2>they know you're a cop, You're in a Crown vic

0:41:37.960 --> 0:41:41.440
<v Speaker 2>you were They know they know he's been there. Yeah,

0:41:41.560 --> 0:41:45.439
<v Speaker 2>you're like. So they're like, he's like, what's the color

0:41:45.480 --> 0:41:46.960
<v Speaker 2>of the day, and he does know the color. It

0:41:47.040 --> 0:41:50.239
<v Speaker 2>is indigo and I'm at a hotel indigo right now. Coincidence,

0:41:50.320 --> 0:41:54.160
<v Speaker 2>I think not. His partner is running surveillance in the

0:41:54.160 --> 0:41:56.080
<v Speaker 2>parking garage and he's like, go meet him in an

0:41:56.080 --> 0:41:57.759
<v Speaker 2>hour and he'll find he'll fill you in.

0:41:58.160 --> 0:41:59.960
<v Speaker 3>So he uncuffs him and throws.

0:41:59.680 --> 0:42:01.640
<v Speaker 2>The guy back at the guys because he has to

0:42:01.680 --> 0:42:03.200
<v Speaker 2>go to his kid's school play and it's like, you

0:42:03.239 --> 0:42:05.040
<v Speaker 2>don't have to tell them you have kids, Like, you

0:42:05.040 --> 0:42:07.759
<v Speaker 2>don't have to fill the biker gang in on your schedule,

0:42:08.520 --> 0:42:10.040
<v Speaker 2>and he's like, I don't want you know, this is

0:42:10.080 --> 0:42:12.560
<v Speaker 2>your only free past, guys. I don't want to do paperwork.

0:42:12.600 --> 0:42:14.279
<v Speaker 2>And then the guys are like bite me, and the

0:42:14.320 --> 0:42:18.200
<v Speaker 2>boys are like, good one, dude, they're so lame. So

0:42:18.280 --> 0:42:20.880
<v Speaker 2>now stablers with a stressed out cop who's like, you

0:42:20.880 --> 0:42:23.880
<v Speaker 2>could have ruined our investigation. He goes, I can't believe

0:42:23.920 --> 0:42:26.000
<v Speaker 2>the genevest guy would do this to us, and he's

0:42:26.040 --> 0:42:28.919
<v Speaker 2>like we've been stalking them for six months. So yeah,

0:42:28.920 --> 0:42:31.279
<v Speaker 2>he's just like describing their investigation he's like, there's a

0:42:31.320 --> 0:42:34.440
<v Speaker 2>gun drop happening. They're gonna be selling cranks. Something's happening

0:42:34.480 --> 0:42:37.200
<v Speaker 2>next week. And it's like a man's penis was ripped

0:42:37.200 --> 0:42:39.640
<v Speaker 2>off of his body. Okay, Like I don't know if

0:42:39.640 --> 0:42:43.080
<v Speaker 2>this gun sale is more important at the moment, but

0:42:43.400 --> 0:42:45.560
<v Speaker 2>he does throw Stabler a bone and says that Clyde

0:42:45.640 --> 0:42:49.240
<v Speaker 2>didn't have bad blood with anybody in the gang, and

0:42:49.280 --> 0:42:51.560
<v Speaker 2>then he asks, like, did the name Olivia Benson ever

0:42:51.640 --> 0:42:53.800
<v Speaker 2>come up? And then he picks up an open file

0:42:53.880 --> 0:42:55.960
<v Speaker 2>and there's a photo of Olivia with all these papers

0:42:55.960 --> 0:42:57.920
<v Speaker 2>and he goes, you mean her and the music starts

0:42:57.920 --> 0:43:01.120
<v Speaker 2>to play why do you have her jacket? And so

0:43:01.200 --> 0:43:02.719
<v Speaker 2>then he goes, why are you worried you have a

0:43:02.800 --> 0:43:07.160
<v Speaker 2>rogue detective? And Staylor goes no, and the guy's like, relax, relax,

0:43:07.239 --> 0:43:09.239
<v Speaker 2>and he says her name never came up. I've been

0:43:09.239 --> 0:43:10.560
<v Speaker 2>monitoring your investigation.

0:43:10.840 --> 0:43:12.759
<v Speaker 3>That's it. Her name like never came up.

0:43:13.160 --> 0:43:15.759
<v Speaker 2>So he asked for surveillance photos, and our dudes like

0:43:15.800 --> 0:43:17.640
<v Speaker 2>not till next week, like we gotta wait for this

0:43:17.719 --> 0:43:20.600
<v Speaker 2>gun like sale to drop, and Stabler's like, well, if

0:43:20.640 --> 0:43:24.080
<v Speaker 2>we find out your fucking cop wasn't involved, in Starla's gangbang.

0:43:24.120 --> 0:43:26.880
<v Speaker 2>He's done and he says, nah, he's only a prospect

0:43:26.920 --> 0:43:29.560
<v Speaker 2>into the gang. Those perks are for full members only.

0:43:30.120 --> 0:43:32.040
<v Speaker 2>And I wonder if they do an initiation in light

0:43:32.080 --> 0:43:33.839
<v Speaker 2>candles and like say things to each other.

0:43:34.200 --> 0:43:36.200
<v Speaker 1>There's like a whole thing. It's like it's all in

0:43:36.239 --> 0:43:40.600
<v Speaker 1>Sons of Anarchy. Yeah, oh really? Oh yeah, yeah, I forgot.

0:43:40.640 --> 0:43:43.759
<v Speaker 1>You're a son's creep? So is that what you guys

0:43:43.800 --> 0:43:44.440
<v Speaker 1>call yourself?

0:43:44.560 --> 0:43:47.800
<v Speaker 3>Yep, sounds creeps.

0:43:48.280 --> 0:43:50.880
<v Speaker 2>Sailor then explains what's really going on with Olivia and

0:43:50.920 --> 0:43:53.960
<v Speaker 2>the bogus charges and he's like, please help me, and

0:43:54.000 --> 0:43:56.120
<v Speaker 2>he says, I'll show you one gives him a file.

0:43:56.239 --> 0:43:58.280
<v Speaker 2>Inside is a photo of a man putting a device

0:43:58.320 --> 0:44:01.320
<v Speaker 2>on Clyde's motorcycle last week. He thought it was a bomb,

0:44:01.320 --> 0:44:03.200
<v Speaker 2>but it was just the GPS tracking device.

0:44:03.480 --> 0:44:04.720
<v Speaker 3>Why didn't they do anything?

0:44:05.080 --> 0:44:07.440
<v Speaker 2>Benson is sleeping on a couch with an open file

0:44:07.560 --> 0:44:09.600
<v Speaker 2>lying right next to her, and a man creeps up

0:44:09.600 --> 0:44:12.279
<v Speaker 2>over her and he says Detective Benson. And I'm like,

0:44:12.280 --> 0:44:13.960
<v Speaker 2>oh my god, who can it be. I'm so scared

0:44:13.960 --> 0:44:17.480
<v Speaker 2>And it's Tucker. Iab let's go baby. So she's like

0:44:17.560 --> 0:44:19.839
<v Speaker 2>a little early no, and he's like, stop playing, you

0:44:19.880 --> 0:44:21.799
<v Speaker 2>know why I am here, And before she really gets

0:44:21.840 --> 0:44:24.640
<v Speaker 2>into it, he stops her and says, before you say anything,

0:44:24.640 --> 0:44:26.880
<v Speaker 2>you need to know Clyde's killer has been identified and

0:44:26.920 --> 0:44:27.279
<v Speaker 2>it's you.

0:44:28.040 --> 0:44:29.040
<v Speaker 3>She is shocked.

0:44:29.440 --> 0:44:32.080
<v Speaker 2>He mirandizes her and walks her down the balcony steps

0:44:32.080 --> 0:44:34.600
<v Speaker 2>into the preestinct's main level and Craigan's like, you bitch,

0:44:34.680 --> 0:44:37.399
<v Speaker 2>no professional courtesy. You could have given us a heads

0:44:37.480 --> 0:44:40.120
<v Speaker 2>up instead of this dog and pony show. Also, I

0:44:40.160 --> 0:44:42.360
<v Speaker 2>hear all the time about these dog and pony shows.

0:44:42.400 --> 0:44:44.239
<v Speaker 2>I would love to go to a dog and pony show.

0:44:45.320 --> 0:44:46.440
<v Speaker 2>That seems like my dream?

0:44:46.600 --> 0:44:48.880
<v Speaker 3>Is it? Where is it? I don't see any ponies

0:44:48.920 --> 0:44:49.760
<v Speaker 3>at the Kettle Club.

0:44:49.960 --> 0:44:52.680
<v Speaker 2>I'm just saying, next year for my birthday, if you

0:44:52.680 --> 0:44:54.600
<v Speaker 2>can find me a dog and pony show, I would

0:44:54.600 --> 0:44:58.480
<v Speaker 2>love that. Love that tell the group Finn screams. So

0:44:58.560 --> 0:45:01.120
<v Speaker 2>then Finn screams out don't talk to the rat police

0:45:01.480 --> 0:45:03.520
<v Speaker 2>and that he's going to call the DA for a lawyer,

0:45:03.520 --> 0:45:06.040
<v Speaker 2>and Tucker spins around and asks if she understands her rights.

0:45:06.239 --> 0:45:08.560
<v Speaker 3>She of course says yeah, duh.

0:45:08.880 --> 0:45:11.160
<v Speaker 2>Munch starts trying to butt in, but he has no

0:45:11.280 --> 0:45:13.840
<v Speaker 2>patience and drags her off to Central Booking. She says,

0:45:13.960 --> 0:45:16.440
<v Speaker 2>just wait, I've been locked up twice under cover. This

0:45:16.600 --> 0:45:18.759
<v Speaker 2>isn't right. I didn't do this. Just talk to me,

0:45:18.840 --> 0:45:20.560
<v Speaker 2>and he says you want to chat, and Munch says,

0:45:20.600 --> 0:45:23.200
<v Speaker 2>don't you fucking do it? Wait for your lawyer, And

0:45:23.200 --> 0:45:25.880
<v Speaker 2>then Tucker's like, I don't think the detective's union's going

0:45:25.920 --> 0:45:27.399
<v Speaker 2>to cut it in this case, and I would try

0:45:27.440 --> 0:45:29.880
<v Speaker 2>to get a good criminal defense lawyer. She yells, is

0:45:29.880 --> 0:45:33.040
<v Speaker 2>there an interview room open? And Craigan's like no. She says,

0:45:33.080 --> 0:45:35.920
<v Speaker 2>I want to do this. He asks what happens Sunday night?

0:45:36.400 --> 0:45:39.040
<v Speaker 2>So an investigation room opens and they're sitting and she's

0:45:39.120 --> 0:45:43.400
<v Speaker 2>answering questions that she was home in bedsick, and of

0:45:43.440 --> 0:45:46.640
<v Speaker 2>course Tucker's like, can anyone corroborate? She goes, hell, no,

0:45:46.719 --> 0:45:49.080
<v Speaker 2>you know I was alone, Like friends don't hang out

0:45:49.120 --> 0:45:52.000
<v Speaker 2>when someone's sick. So then she asks what the probable

0:45:52.080 --> 0:45:55.080
<v Speaker 2>cause was to get their rest warrant, and so smugly

0:45:55.600 --> 0:45:57.439
<v Speaker 2>Tucker replies, let's hold your.

0:45:57.400 --> 0:45:58.600
<v Speaker 3>Questions until the end.

0:45:59.160 --> 0:46:02.560
<v Speaker 2>He asks if she's single, and she says, yes, she

0:46:02.680 --> 0:46:05.360
<v Speaker 2>is single, there's no boyfriend, but what's up? Are you

0:46:05.400 --> 0:46:08.279
<v Speaker 2>interrogating me for murder or signing me up for a

0:46:08.360 --> 0:46:11.360
<v Speaker 2>dating service, and he just finds it odd that nobody

0:46:11.440 --> 0:46:13.560
<v Speaker 2>stopped by to look in on her, and it's like,

0:46:13.560 --> 0:46:16.839
<v Speaker 2>what a dick, leave this single woman alone?

0:46:17.960 --> 0:46:19.640
<v Speaker 1>So you have no one in your life, no one

0:46:19.680 --> 0:46:21.520
<v Speaker 1>of importance. Okay, great, it's like.

0:46:21.680 --> 0:46:26.080
<v Speaker 3>Yes, sorry Stabler did, Yeah, sorry, my dad's a rapist

0:46:26.080 --> 0:46:28.880
<v Speaker 3>and my mom is dead. My bad. And then he

0:46:28.920 --> 0:46:31.080
<v Speaker 3>gets mad at her when she finds her brother. You know,

0:46:31.360 --> 0:46:32.520
<v Speaker 3>he's just he can't.

0:46:32.640 --> 0:46:35.759
<v Speaker 2>Oh god, I cannot honestly, the way he treats her,

0:46:35.880 --> 0:46:38.600
<v Speaker 2>it's really shocking that they ever fucked or dated and

0:46:38.640 --> 0:46:40.080
<v Speaker 2>that we liked their relationship.

0:46:40.160 --> 0:46:41.120
<v Speaker 3>He's such a dick.

0:46:41.760 --> 0:46:44.000
<v Speaker 2>I don't remember how they got over or like when

0:46:44.000 --> 0:46:45.520
<v Speaker 2>the relationship turns Yeah.

0:46:45.960 --> 0:46:47.680
<v Speaker 1>I don't know when he turns good either, but I

0:46:47.760 --> 0:46:48.520
<v Speaker 1>do think he's hot.

0:46:49.840 --> 0:46:50.680
<v Speaker 3>He's very hot.

0:46:51.440 --> 0:46:54.000
<v Speaker 2>He asks her what her relationship to Clyde is, and she,

0:46:54.040 --> 0:46:56.319
<v Speaker 2>of course says the truth and has no history with

0:46:56.360 --> 0:46:58.759
<v Speaker 2>that dead man. He read his sheet and he's a

0:46:58.840 --> 0:47:00.839
<v Speaker 2>rough character and not the type of guy you'd want

0:47:00.840 --> 0:47:03.000
<v Speaker 2>to run into in a dark alley, Like, who is

0:47:03.040 --> 0:47:04.520
<v Speaker 2>a man that you'd like to run into in a

0:47:04.600 --> 0:47:06.800
<v Speaker 2>dark alley, nobody maybe Erkele.

0:47:07.040 --> 0:47:08.560
<v Speaker 3>You know, I'd be like my upset.

0:47:08.680 --> 0:47:11.040
<v Speaker 1>Honestly, if you ran into like Jared in a dark alley,

0:47:11.080 --> 0:47:12.160
<v Speaker 1>you'd be like, what's up?

0:47:12.160 --> 0:47:14.560
<v Speaker 3>Are you looking for comic books? Like, well, that's because

0:47:14.600 --> 0:47:15.200
<v Speaker 3>we know him.

0:47:15.200 --> 0:47:19.160
<v Speaker 2>If he was just walking, I don't know, Yeah, yeah,

0:47:19.400 --> 0:47:21.719
<v Speaker 2>I don't know. Stabler runs in and is like what

0:47:21.760 --> 0:47:24.040
<v Speaker 2>the fuck is going on? And Craigan fills him in

0:47:24.080 --> 0:47:27.239
<v Speaker 2>behind the interrogation glass. Craigan is like, you shouldn't be here,

0:47:27.239 --> 0:47:29.719
<v Speaker 2>but Stabler produces the photo with the motorcycle, and the

0:47:29.800 --> 0:47:31.839
<v Speaker 2>guy is like, this is who we should be looking for.

0:47:32.160 --> 0:47:34.800
<v Speaker 2>We just need to see if live recognizes him. Tucker

0:47:34.840 --> 0:47:36.640
<v Speaker 2>comes out of the room. I guess he didn't like

0:47:36.640 --> 0:47:39.920
<v Speaker 2>Stabler banging on that glass, and then waves his big

0:47:40.120 --> 0:47:43.279
<v Speaker 2>smug dick around and says only Craigan can watch as

0:47:43.280 --> 0:47:44.160
<v Speaker 2>the boss, not you.

0:47:44.239 --> 0:47:46.839
<v Speaker 3>I'll talk to you later, bitch. And then the.

0:47:46.760 --> 0:47:48.799
<v Speaker 2>Pretty eyed boys go back and forth for a bit,

0:47:48.840 --> 0:47:53.000
<v Speaker 2>looking deep into each other's sexy eyes. And then he

0:47:53.120 --> 0:47:55.279
<v Speaker 2>threatened Stabler like one day I'll have something on you

0:47:55.400 --> 0:47:57.360
<v Speaker 2>to bitch. But then he's like, but I will relay

0:47:57.400 --> 0:48:00.839
<v Speaker 2>anything you'd like me to relay to Olivia, Nah, I'll

0:48:00.840 --> 0:48:02.879
<v Speaker 2>figure it out. So then Tucker goes back to talk

0:48:02.920 --> 0:48:05.399
<v Speaker 2>to Benson. So he says, so where was I?

0:48:06.040 --> 0:48:06.640
<v Speaker 3>Where was I?

0:48:07.680 --> 0:48:09.560
<v Speaker 1>Like you know, like when you go back to a conversation.

0:48:09.560 --> 0:48:17.760
<v Speaker 3>He goes, so where was I? So where was I?

0:48:17.960 --> 0:48:21.080
<v Speaker 2>Honestly this should be a commercial for punctuation so kids learn.

0:48:24.680 --> 0:48:26.279
<v Speaker 3>So he says where was I?

0:48:27.200 --> 0:48:28.799
<v Speaker 2>She says, you were trying to put me in an

0:48:28.840 --> 0:48:31.759
<v Speaker 2>alley where I wasn't And he walks over slowly to her,

0:48:31.760 --> 0:48:33.799
<v Speaker 2>but doesn't sit down then looking down on her, so

0:48:33.960 --> 0:48:37.040
<v Speaker 2>judgmental asks why she saw a psychiatrist last year?

0:48:37.560 --> 0:48:41.160
<v Speaker 3>Excuse me? Yeah, He's like, there is a rumor. Uh

0:48:41.440 --> 0:48:41.960
<v Speaker 3>what'd you say?

0:48:42.000 --> 0:48:42.160
<v Speaker 1>Oh?

0:48:42.160 --> 0:48:46.759
<v Speaker 3>I just said dirtball. I don't like that, like the implication. Yeah.

0:48:46.800 --> 0:48:49.680
<v Speaker 2>He's like there's a rumor it's for post traumatic stress.

0:48:49.840 --> 0:48:53.560
<v Speaker 2>And she's like, wow, munch was right. Big brother really

0:48:53.640 --> 0:48:56.480
<v Speaker 2>is watching and he's like, well, you weren't shot on duties,

0:48:56.480 --> 0:48:58.680
<v Speaker 2>so why are you doing that? And she's being vague

0:48:58.719 --> 0:49:00.480
<v Speaker 2>and says, I was getting help for an issue I

0:49:00.520 --> 0:49:03.400
<v Speaker 2>was having, thank you, and it wasn't even a company shrink,

0:49:03.440 --> 0:49:05.640
<v Speaker 2>how the fuck did you find out about it? And

0:49:05.920 --> 0:49:08.680
<v Speaker 2>he goes, Stabler told me, and she goes, you're lying

0:49:08.880 --> 0:49:10.560
<v Speaker 2>and surprisingly you suck at it?

0:49:10.600 --> 0:49:11.200
<v Speaker 3>Who told you?

0:49:12.080 --> 0:49:14.160
<v Speaker 2>He leans in and says, you deal with an awful

0:49:14.200 --> 0:49:16.200
<v Speaker 2>lot of rapists on this job. Did one of them

0:49:16.239 --> 0:49:18.320
<v Speaker 2>overpower you and attack you? And maybe you had a

0:49:18.360 --> 0:49:20.040
<v Speaker 2>flashback and then you lost it?

0:49:20.120 --> 0:49:20.920
<v Speaker 3>Did you lose it?

0:49:21.280 --> 0:49:23.359
<v Speaker 2>Clyde attacked you and you went back to a place

0:49:23.400 --> 0:49:26.040
<v Speaker 2>of helplessness? And then he berates her like an evil

0:49:26.040 --> 0:49:28.960
<v Speaker 2>defense attorney on this show would, and she yells and

0:49:29.120 --> 0:49:31.640
<v Speaker 2>she's had enough. Stop playing games and tell me what

0:49:31.719 --> 0:49:35.200
<v Speaker 2>you have on me? DNA positive match to the blood

0:49:35.200 --> 0:49:35.800
<v Speaker 2>on the knife.

0:49:36.000 --> 0:49:36.280
<v Speaker 6>Fuck.

0:49:36.680 --> 0:49:37.719
<v Speaker 3>She can't even believe it.

0:49:37.800 --> 0:49:40.080
<v Speaker 2>She says, I told Warner to run the DNA, Like

0:49:40.120 --> 0:49:41.799
<v Speaker 2>why would I do that if I knew it was me?

0:49:42.360 --> 0:49:44.520
<v Speaker 2>And he says he thinks it's because she wanted to

0:49:44.520 --> 0:49:48.239
<v Speaker 2>be caught. She's flabbergasted, and then she says, look, no

0:49:48.320 --> 0:49:50.880
<v Speaker 2>cuts on me. She lifts her sleeves, shows her cleavage

0:49:51.400 --> 0:49:53.439
<v Speaker 2>and like, where did the blood come from? And he goes,

0:49:53.520 --> 0:49:57.880
<v Speaker 2>maybe you had a nosebleed? Okay, all right, come on, yeah,

0:49:58.080 --> 0:50:01.440
<v Speaker 2>Like I can't believe she fucked this man, future, I really.

0:50:01.160 --> 0:50:03.880
<v Speaker 3>Can't, And then.

0:50:03.880 --> 0:50:06.359
<v Speaker 2>Goes, well, we'll find your wounds while we strip search

0:50:06.440 --> 0:50:08.959
<v Speaker 2>you at intake, and the moment is finally hitting her

0:50:09.520 --> 0:50:11.520
<v Speaker 2>as she says I made a mistake and he says,

0:50:11.520 --> 0:50:13.160
<v Speaker 2>then you need to make it right, and she goes, no,

0:50:13.360 --> 0:50:16.240
<v Speaker 2>I mean talking to you. I want a lawyer, duh,

0:50:16.440 --> 0:50:18.839
<v Speaker 2>listen to your friends. But maybe she wanted to fuck

0:50:18.880 --> 0:50:21.520
<v Speaker 2>him even here, and that's why she was like, I'll

0:50:21.560 --> 0:50:25.680
<v Speaker 2>go in interrogation. Melinda runs in and Stabler says hold

0:50:25.719 --> 0:50:27.799
<v Speaker 2>on and runs over to Craigan who's entering the room

0:50:27.840 --> 0:50:29.800
<v Speaker 2>and asks if he showed the picture and he says

0:50:29.880 --> 0:50:31.560
<v Speaker 2>as he took her out to the back, and she

0:50:31.600 --> 0:50:33.880
<v Speaker 2>does not know the guy that was fidgeting with the bicycle,

0:50:34.320 --> 0:50:38.080
<v Speaker 2>so the motorbike, the motorcycle. So Stabler's trying to think

0:50:38.120 --> 0:50:40.800
<v Speaker 2>what else he could do to help, but Craigan is like, listen,

0:50:41.000 --> 0:50:42.960
<v Speaker 2>it's bad. The DNA is on the knife and he

0:50:42.960 --> 0:50:45.959
<v Speaker 2>says no way, and it's like, sure, but try telling

0:50:45.960 --> 0:50:48.279
<v Speaker 2>a jury that and then points to Melinda and says,

0:50:48.400 --> 0:50:51.480
<v Speaker 2>especially with her as a witness, not good, and Sabler

0:50:51.600 --> 0:50:53.479
<v Speaker 2>lets his emotions get the best of him. She tries

0:50:53.520 --> 0:50:55.319
<v Speaker 2>to explain how live brought her the knife and he

0:50:55.400 --> 0:50:58.160
<v Speaker 2>jumps back and goes, so, you screwed up, And Melinda says,

0:50:58.160 --> 0:51:00.520
<v Speaker 2>excuse me, and he's like, you taint to the evan somehow,

0:51:00.520 --> 0:51:02.479
<v Speaker 2>and you got to make it right. She looks pissed

0:51:02.520 --> 0:51:03.719
<v Speaker 2>and froze her brow, and then she's like.

0:51:03.719 --> 0:51:04.560
<v Speaker 3>I'm rerunning it.

0:51:04.719 --> 0:51:07.960
<v Speaker 2>I did not make a dis mistake or taint any evidence.

0:51:08.360 --> 0:51:10.920
<v Speaker 2>I don't know how, but this is Olivia's DNA on

0:51:11.040 --> 0:51:14.040
<v Speaker 2>that knife. She turns around and leaves as her curls bounce.

0:51:14.160 --> 0:51:16.840
<v Speaker 2>And now we're in prison and we have Tregor Trevor

0:51:16.920 --> 0:51:20.440
<v Speaker 2>Langen and Kara always likes to mention that he's the

0:51:20.480 --> 0:51:25.279
<v Speaker 2>personal laundry guy. But who's buying personal? Is it a

0:51:25.360 --> 0:51:27.719
<v Speaker 2>cheaper option? Like why would you buy? Or is it

0:51:27.760 --> 0:51:31.719
<v Speaker 2>for better clothes? Is it more expensive? I think it's cheaper, I.

0:51:31.640 --> 0:51:34.000
<v Speaker 3>Think than tied. I don't know. I don't know what's

0:51:34.000 --> 0:51:37.160
<v Speaker 3>a great question. Are they new on the market? Maybe?

0:51:37.160 --> 0:51:39.480
<v Speaker 2>Are they like a classic brand? Like I just wonder

0:51:40.040 --> 0:51:42.600
<v Speaker 2>who's her great question? I don't know what the personal

0:51:42.680 --> 0:51:46.680
<v Speaker 2>vibe is? Yeah, because we know it because of Trevor.

0:51:46.719 --> 0:51:50.600
<v Speaker 2>But you know, so she insults him and is like, gross,

0:51:50.680 --> 0:51:52.480
<v Speaker 2>don't talk to me, I wouldn't want to leave one

0:51:52.520 --> 0:51:54.120
<v Speaker 2>of your scale clients waiting.

0:51:54.160 --> 0:51:56.400
<v Speaker 3>And he's like, you're the scale client. It's you.

0:51:57.480 --> 0:52:01.680
<v Speaker 2>What's a scale client? I don't know, Oh, probably gross

0:52:01.800 --> 0:52:02.320
<v Speaker 2>or something.

0:52:02.440 --> 0:52:03.160
<v Speaker 3>Yeah.

0:52:03.239 --> 0:52:05.880
<v Speaker 2>She says, I can't afford you, and he says that

0:52:05.960 --> 0:52:09.280
<v Speaker 2>his retainer has already been paid by some concerned friends.

0:52:09.400 --> 0:52:11.120
<v Speaker 2>So she does have people in her life.

0:52:11.160 --> 0:52:11.560
<v Speaker 3>Iab.

0:52:12.400 --> 0:52:15.000
<v Speaker 2>She says, it won't be your usual smoke and mirror's case.

0:52:15.040 --> 0:52:17.160
<v Speaker 2>This will be the truth. And he's like, I'm just

0:52:17.200 --> 0:52:19.360
<v Speaker 2>here to say hi and go to arrayment and explain

0:52:19.400 --> 0:52:19.759
<v Speaker 2>what's up.

0:52:19.800 --> 0:52:21.160
<v Speaker 3>She goes, I know what arrangment is.

0:52:21.560 --> 0:52:24.560
<v Speaker 2>So we're an arrayment and she's charged murder too, and

0:52:24.600 --> 0:52:27.160
<v Speaker 2>the judge asks, how do you plead? She says not guilty,

0:52:27.200 --> 0:52:29.200
<v Speaker 2>and then we hear the voice yell out guilty and

0:52:29.239 --> 0:52:32.480
<v Speaker 2>it's a bunch of bikers hanging out and the judge

0:52:32.520 --> 0:52:34.319
<v Speaker 2>is not happy and says, anyone do s somethingate that

0:52:34.360 --> 0:52:37.680
<v Speaker 2>again and it's contempt and then he goes capeche and

0:52:37.760 --> 0:52:40.600
<v Speaker 2>I haven't heard that in a while, so I love that. Okay,

0:52:40.640 --> 0:52:43.560
<v Speaker 2>So now we talk bail remander ro r, what will

0:52:43.600 --> 0:52:45.759
<v Speaker 2>we do? The judge sets bail at two hundred and

0:52:45.760 --> 0:52:48.799
<v Speaker 2>fifty thousand Casher bond. Trevor promises to get her out

0:52:48.840 --> 0:52:51.880
<v Speaker 2>of there. Jean Jacket undercover threatens her that he'll make

0:52:51.920 --> 0:52:55.160
<v Speaker 2>sure to tell his friends to say hello, oh my god.

0:52:55.280 --> 0:52:58.360
<v Speaker 2>Stabler put up the bond. He has a bad father,

0:52:58.640 --> 0:53:02.440
<v Speaker 2>but he is an incredible friend important to not his wife,

0:53:02.480 --> 0:53:07.880
<v Speaker 2>but too Olivia, his sexy coworker. She's like, babe, you

0:53:07.920 --> 0:53:10.000
<v Speaker 2>didn't have to and he's like, I wasn't gonna let

0:53:10.040 --> 0:53:12.200
<v Speaker 2>you sit in rikers And she's like, does Kathy know

0:53:12.280 --> 0:53:15.000
<v Speaker 2>you mortgaged the house for me? And he's like, it's

0:53:15.040 --> 0:53:18.160
<v Speaker 2>not a risk, You're innocent, Like, can you imagine Kathy

0:53:18.239 --> 0:53:20.680
<v Speaker 2>already thinks he's having like, first of all, he is

0:53:20.680 --> 0:53:24.240
<v Speaker 2>having an emotional affairway, yeah, yeah. She obviously knows Olivia's

0:53:24.239 --> 0:53:27.160
<v Speaker 2>the most beautiful woman in the world. They're spending eighteen

0:53:27.200 --> 0:53:31.400
<v Speaker 2>hours a day together. Now this motherfucker mortgages their house,

0:53:31.520 --> 0:53:35.919
<v Speaker 2>probably without telling her for sure. She's like, you better

0:53:35.960 --> 0:53:38.319
<v Speaker 2>hope I don't skip down and go to Bolivia or

0:53:38.320 --> 0:53:41.160
<v Speaker 2>belize you decide, and she's like, where are we with

0:53:41.239 --> 0:53:44.480
<v Speaker 2>the real killer? Stabler reveals it's in the paper. Police

0:53:44.520 --> 0:53:46.680
<v Speaker 2>seek man for questioning and it's the photo with the

0:53:46.680 --> 0:53:49.560
<v Speaker 2>motorcycle and they're hoping somebody knows that man. And so

0:53:49.600 --> 0:53:51.439
<v Speaker 2>now we're back at work and Munch says a tip

0:53:51.480 --> 0:53:53.600
<v Speaker 2>came in that the guy in the photo is her ex,

0:53:54.280 --> 0:53:57.840
<v Speaker 2>so he's actually a PI in Jersey, and Finn adds,

0:53:57.920 --> 0:54:00.320
<v Speaker 2>but his license was taken away because of a eagle

0:54:00.360 --> 0:54:03.359
<v Speaker 2>wire taps. So they're calling Elliott and gonna go pick

0:54:03.400 --> 0:54:05.239
<v Speaker 2>this guy up. And it's a mess. They believe the

0:54:05.280 --> 0:54:07.800
<v Speaker 2>death Knight's got to him first, and there are tons

0:54:07.840 --> 0:54:11.239
<v Speaker 2>of pictures of Benson and he's been tailing Benson. There's

0:54:11.280 --> 0:54:13.640
<v Speaker 2>a man groaning stuck under what we can assume is

0:54:13.680 --> 0:54:17.000
<v Speaker 2>a heavy, heavy bookcase that Finn flips up like it's

0:54:17.600 --> 0:54:20.520
<v Speaker 2>like a binder, like, why would the guy be stuck

0:54:20.560 --> 0:54:26.080
<v Speaker 2>if they have syrophoam. I just love Finn's acting. They're like, okay,

0:54:26.120 --> 0:54:29.080
<v Speaker 2>pretend this is heavy and it's squashing this man to death.

0:54:29.120 --> 0:54:32.600
<v Speaker 2>And he's just like man right up on the wall

0:54:33.719 --> 0:54:35.800
<v Speaker 2>and then he goes spew portable. We need a bus.

0:54:36.040 --> 0:54:38.600
<v Speaker 2>He says, the bikers did this to him, and Stabler's like, duh,

0:54:38.600 --> 0:54:41.399
<v Speaker 2>they're friends with the guy you killed. And he says

0:54:41.400 --> 0:54:43.759
<v Speaker 2>he didn't kill anybody, and he's covered in blood. So

0:54:43.880 --> 0:54:45.719
<v Speaker 2>they're like, why did you set her up for?

0:54:45.800 --> 0:54:46.520
<v Speaker 3>Who? For what?

0:54:46.680 --> 0:54:48.600
<v Speaker 2>Like, tell us what's up? How'd you get the blood?

0:54:48.920 --> 0:54:50.760
<v Speaker 2>And he's like, I just followed her for a client,

0:54:50.880 --> 0:54:52.720
<v Speaker 2>that's all. And they're like who who? Who?

0:54:53.080 --> 0:54:54.440
<v Speaker 3>Tell us? And he's groaning.

0:54:54.480 --> 0:54:57.880
<v Speaker 2>So Stabler hits him and he said, bikers took his file.

0:54:58.080 --> 0:55:01.960
<v Speaker 2>But the name is Brady Harrison and Stabler recognizes that name.

0:55:02.040 --> 0:55:03.960
<v Speaker 2>They put him away six or seven years ago for

0:55:04.000 --> 0:55:07.080
<v Speaker 2>a string of date rapes, the rypnahal how do you

0:55:07.080 --> 0:55:11.240
<v Speaker 2>say real hypnol? It's the ra hypnol rapist. Craigan remembers

0:55:11.320 --> 0:55:14.759
<v Speaker 2>him too, So he got out in April. Okay, so

0:55:14.800 --> 0:55:17.920
<v Speaker 2>now we're finally getting somewhere, and his stay in prison

0:55:17.960 --> 0:55:21.040
<v Speaker 2>did overlap with Clyde. Munch got scooped from the jail

0:55:21.040 --> 0:55:23.640
<v Speaker 2>and these guys had an altercation where Clyde walked away

0:55:23.640 --> 0:55:27.640
<v Speaker 2>with no injuries, but Brady Harris ended up in the infirmary,

0:55:28.120 --> 0:55:31.160
<v Speaker 2>so he got payback on the way out. So Stabler

0:55:31.160 --> 0:55:33.359
<v Speaker 2>and Finn went to go get him and Munch is like, yeah,

0:55:33.360 --> 0:55:35.600
<v Speaker 2>and hopefully he's still alive. Since the bikers could have

0:55:35.600 --> 0:55:37.560
<v Speaker 2>gotten him first. And it's a mess and that in

0:55:37.640 --> 0:55:40.640
<v Speaker 2>there like in the office, and they announce themselves.

0:55:40.680 --> 0:55:41.520
<v Speaker 3>Nobody answers.

0:55:41.520 --> 0:55:44.120
<v Speaker 2>They take their guns out and they see Bowman who's

0:55:44.160 --> 0:55:46.400
<v Speaker 2>a young detective with a side part and a low bun,

0:55:46.440 --> 0:55:49.239
<v Speaker 2>and she found a body of a dog in the back.

0:55:49.320 --> 0:55:52.000
<v Speaker 3>Throat was slip. No sign of Brady though, Jesus.

0:55:53.239 --> 0:55:55.839
<v Speaker 2>So they go to the Death Knights clubhouse raid time

0:55:55.880 --> 0:55:58.759
<v Speaker 2>and Phil the ls kiss the ground t Bone and

0:55:58.800 --> 0:56:01.799
<v Speaker 2>they asked for Brady Hare and the og okay, So

0:56:01.840 --> 0:56:05.839
<v Speaker 2>this is when I realized that the undercover guy and

0:56:05.920 --> 0:56:08.360
<v Speaker 2>the guy who loves pool are not the same people.

0:56:09.280 --> 0:56:12.160
<v Speaker 2>And then t Bones another guy was straight hair, so

0:56:12.520 --> 0:56:14.919
<v Speaker 2>he says they don't have a member by that name.

0:56:15.200 --> 0:56:17.719
<v Speaker 2>They go, sure, but you have his address from a

0:56:17.760 --> 0:56:20.440
<v Speaker 2>beat down in Jersey. He asks for a lawyer asap.

0:56:20.560 --> 0:56:23.480
<v Speaker 2>So then he turns to the undercover guy and goes,

0:56:23.520 --> 0:56:25.279
<v Speaker 2>I know you. You tell me in phone. He goes,

0:56:25.280 --> 0:56:27.960
<v Speaker 2>I don't have your girlfriend Brady and Staydlor goes, yeah,

0:56:28.080 --> 0:56:30.440
<v Speaker 2>were you in that brownstone? So he starts running and

0:56:30.480 --> 0:56:32.640
<v Speaker 2>then so they run to talk in secret in a

0:56:32.680 --> 0:56:35.280
<v Speaker 2>different room and they make all these folly art noises

0:56:35.520 --> 0:56:38.560
<v Speaker 2>like growing tires around and like doing all this stuff,

0:56:38.560 --> 0:56:40.480
<v Speaker 2>and the dude wasn't home and they don't have him.

0:56:40.719 --> 0:56:42.840
<v Speaker 3>Stabler size, where could he be?

0:56:43.360 --> 0:56:45.320
<v Speaker 2>So we cut to Livy on the phone being pissed

0:56:45.360 --> 0:56:49.160
<v Speaker 2>about a protective detail always but there's a cop car below,

0:56:49.200 --> 0:56:51.359
<v Speaker 2>and Saylor says, until we find this guy, we got

0:56:51.400 --> 0:56:54.239
<v Speaker 2>to watch your ass. His financials just came in and

0:56:54.320 --> 0:56:56.400
<v Speaker 2>Munch is like, guess who guys Mercedes to get a

0:56:56.480 --> 0:56:58.919
<v Speaker 2>dent taken out? So Frick and Frack are like, yeah,

0:56:59.000 --> 0:57:01.360
<v Speaker 2>we have the proof and stay like you know, jury's

0:57:01.440 --> 0:57:04.200
<v Speaker 2>only want to hear about DNA. So Craigan and Melinda

0:57:04.320 --> 0:57:06.440
<v Speaker 2>walk in, and Craigan says that they talked to the

0:57:06.440 --> 0:57:09.120
<v Speaker 2>private investigator who's in the hospital, who said that he

0:57:09.239 --> 0:57:12.480
<v Speaker 2>followed Live into a diner back to the utensils after

0:57:12.600 --> 0:57:13.080
<v Speaker 2>she left.

0:57:13.440 --> 0:57:15.040
<v Speaker 3>What restaurant manager would allow this?

0:57:15.239 --> 0:57:18.880
<v Speaker 2>I know, like you could just come and steal people's

0:57:18.880 --> 0:57:21.320
<v Speaker 2>forks after they a and like where are the bus boys?

0:57:21.320 --> 0:57:23.760
<v Speaker 2>It would have been gone anywhere I heard the bus

0:57:23.840 --> 0:57:27.640
<v Speaker 2>boys would have been on it. So Stabler is still

0:57:27.640 --> 0:57:29.960
<v Speaker 2>being a dick to Melinda, and Melinda gets spicy right

0:57:30.000 --> 0:57:32.080
<v Speaker 2>back to him and is like, bitch, I've been working

0:57:32.080 --> 0:57:34.320
<v Speaker 2>hard on this blood case. And so what she did

0:57:34.480 --> 0:57:37.640
<v Speaker 2>was she found an anomaly normal DNA. About eighty percent

0:57:37.640 --> 0:57:41.400
<v Speaker 2>of the markers are methylated and live sample on the

0:57:41.480 --> 0:57:44.360
<v Speaker 2>knife none are. Finn is like, so what does that mean?

0:57:44.480 --> 0:57:46.120
<v Speaker 2>And she says she had to go all the way

0:57:46.160 --> 0:57:50.040
<v Speaker 2>to Israel to find out. Okay, chabat shalom, and much

0:57:50.160 --> 0:57:53.760
<v Speaker 2>asks if his people helped him. She's like, maybe, but

0:57:53.840 --> 0:57:57.480
<v Speaker 2>also they just set crime investigations back twenty years. This

0:57:57.520 --> 0:58:00.840
<v Speaker 2>past summer, scientists found a way to fabricate DNA Sailors Like,

0:58:00.880 --> 0:58:03.720
<v Speaker 2>you're joking, and she wishes she was. So basically, you

0:58:03.760 --> 0:58:06.320
<v Speaker 2>could take any random person's blood and whip out all

0:58:06.320 --> 0:58:08.760
<v Speaker 2>the white blood cells that hold the DNA and then

0:58:08.800 --> 0:58:12.160
<v Speaker 2>take like lives DNA and amplified it and put it

0:58:12.200 --> 0:58:15.480
<v Speaker 2>in someone else's blood, making the whole sample Olivia's. And

0:58:15.560 --> 0:58:19.640
<v Speaker 2>Melinda says, it's brilliant and frighteningly simple. Okay, so where

0:58:19.680 --> 0:58:23.920
<v Speaker 2>do we go next? RPG research facility. It's a science

0:58:23.960 --> 0:58:26.720
<v Speaker 2>guy named Joseph, and Finn is there undercover asking for

0:58:26.800 --> 0:58:30.240
<v Speaker 2>some blood trick action and brings twenty five grand in cash.

0:58:30.440 --> 0:58:31.960
<v Speaker 3>So the service that this like.

0:58:32.360 --> 0:58:34.440
<v Speaker 2>Lab coat guy is like, oh, yeah, for sure, Like

0:58:34.520 --> 0:58:37.000
<v Speaker 2>I'll take some blood and sequence the genome to find

0:58:37.000 --> 0:58:39.840
<v Speaker 2>out what genetic time bounds. People are caring and Finn's like, no,

0:58:39.920 --> 0:58:41.920
<v Speaker 2>I want to set someone up for murder. And he

0:58:42.000 --> 0:58:44.600
<v Speaker 2>says no, I only do legal shit and never without

0:58:44.600 --> 0:58:47.960
<v Speaker 2>proper references. And Finn is like, respect, I appreciate you

0:58:48.000 --> 0:58:50.919
<v Speaker 2>taking precautions. But Brady isn't answering his phone and won't

0:58:50.920 --> 0:58:53.200
<v Speaker 2>call me back, and I need someone set up for

0:58:53.320 --> 0:58:56.280
<v Speaker 2>murder now, can you try to call him? So he

0:58:56.360 --> 0:58:58.240
<v Speaker 2>flashes his gun a little bit, and the lab coat

0:58:58.280 --> 0:59:00.320
<v Speaker 2>guy makes the call, and then we see the cops

0:59:00.320 --> 0:59:03.720
<v Speaker 2>are intercepting the call. Judas ciper, hell yeah baby, and

0:59:03.800 --> 0:59:06.280
<v Speaker 2>it's his voicemail too, But they did get the location

0:59:06.400 --> 0:59:10.160
<v Speaker 2>in the city, fuck it lives neighborhood. Stabler is like,

0:59:10.360 --> 0:59:12.360
<v Speaker 2>tell them not to let anyone in the building. Cut

0:59:12.440 --> 0:59:14.680
<v Speaker 2>to Benson on her couch, really cozy, with a knock,

0:59:14.720 --> 0:59:17.440
<v Speaker 2>knock knock on the door and she yells, damn, Callahan,

0:59:17.520 --> 0:59:19.520
<v Speaker 2>you have a bladder the size of a pee, and

0:59:19.560 --> 0:59:22.120
<v Speaker 2>the phone rings and she says hold on one second,

0:59:22.280 --> 0:59:24.800
<v Speaker 2>and then bang bang, somebody starts knocking down the door,

0:59:24.840 --> 0:59:28.000
<v Speaker 2>and we can assume it's not Callahan. Benson jumps up,

0:59:28.040 --> 0:59:30.680
<v Speaker 2>shocked and like fuck. He says, oh is that call

0:59:30.760 --> 0:59:33.000
<v Speaker 2>for me? Tell them I'm not here. She runs and

0:59:33.040 --> 0:59:35.040
<v Speaker 2>tries to lock herself in the bedroom, but he's making

0:59:35.120 --> 0:59:36.880
<v Speaker 2>it very hard for her, and he busts in. She

0:59:36.880 --> 0:59:39.280
<v Speaker 2>grabs a lamp. He has a taser. She's like, is

0:59:39.320 --> 0:59:41.240
<v Speaker 2>that what you used for Clyde? And he roasts her

0:59:41.280 --> 0:59:43.160
<v Speaker 2>ass like I thought you would go for your gun,

0:59:43.200 --> 0:59:45.520
<v Speaker 2>but they take those away from you right when you're

0:59:45.560 --> 0:59:48.800
<v Speaker 2>facing a trial for murder. She's like, there's a cop

0:59:48.840 --> 0:59:52.000
<v Speaker 2>downstairs watching the building, and he giggles and reveals not anymore.

0:59:52.360 --> 0:59:54.200
<v Speaker 2>Her phone rings. He won't let her answer it and

0:59:54.200 --> 0:59:56.360
<v Speaker 2>puts it in his pocket. He says, we only have

0:59:56.400 --> 0:59:58.240
<v Speaker 2>a few minutes, so do you have any questions? And

0:59:58.280 --> 1:00:01.560
<v Speaker 2>obviously there's a clear answer that that she's looking for.

1:00:01.960 --> 1:00:04.400
<v Speaker 2>Why did you frame me for murder? And he says,

1:00:04.440 --> 1:00:06.680
<v Speaker 2>why did you have Clyde terrorized me in prison? And

1:00:06.720 --> 1:00:08.960
<v Speaker 2>she's like, I didn't even know Clyde. You think I

1:00:09.080 --> 1:00:11.760
<v Speaker 2>arranged a jailhouse brawl? And he yells, you know what

1:00:11.800 --> 1:00:14.360
<v Speaker 2>I'm talking about. She doesn't. She starts to get wet eyes.

1:00:14.440 --> 1:00:17.640
<v Speaker 2>She says, oh my god, she realizes he raped you.

1:00:18.120 --> 1:00:20.520
<v Speaker 2>He brutalized me and told everyone that I was a

1:00:20.600 --> 1:00:23.600
<v Speaker 2>punk and therefore everyone to sodomize and trade as sex slaves.

1:00:23.800 --> 1:00:25.320
<v Speaker 3>And she's like, why didn't you report it?

1:00:25.400 --> 1:00:27.280
<v Speaker 2>And he's like, come on, they're in on it and

1:00:27.320 --> 1:00:29.160
<v Speaker 2>you were in on it too, and she yells no,

1:00:29.520 --> 1:00:31.280
<v Speaker 2>and he says, you couldn't stand that I had no

1:00:31.360 --> 1:00:33.680
<v Speaker 2>remorse for what I did to those women, And she's like,

1:00:34.000 --> 1:00:36.760
<v Speaker 2>who told you that? And he screams, you did. Don't

1:00:36.800 --> 1:00:39.320
<v Speaker 2>you remember? A pretty boy like you is going to

1:00:39.400 --> 1:00:42.280
<v Speaker 2>be real popular in prison. Maybe when you're raped, you'll

1:00:42.360 --> 1:00:45.080
<v Speaker 2>understand what you put those women through. She, of course,

1:00:45.200 --> 1:00:47.240
<v Speaker 2>is like, I'm sorry. I should have never said that,

1:00:47.560 --> 1:00:49.360
<v Speaker 2>even if it was just to scare you, I should

1:00:49.360 --> 1:00:51.160
<v Speaker 2>have never said that. But I swear to God I

1:00:51.200 --> 1:00:53.400
<v Speaker 2>did not arrange for this to happen to you. And

1:00:53.440 --> 1:00:55.760
<v Speaker 2>I'm so sorry. And he's like, oh, you're sorry, Well,

1:00:55.800 --> 1:00:57.800
<v Speaker 2>I'm not sorry for setting you up for murder and

1:00:57.920 --> 1:01:02.200
<v Speaker 2>DNA Trump's lists hearsay confessed and she's in shock. Where

1:01:02.200 --> 1:01:04.400
<v Speaker 2>did you get my blood? And he says that one

1:01:04.560 --> 1:01:06.520
<v Speaker 2>I'm taking to the grave. And he tries to shoot

1:01:06.600 --> 1:01:10.120
<v Speaker 2>himself and she knocks into him yelling gone, and then

1:01:10.320 --> 1:01:13.200
<v Speaker 2>grabs his taser during the struggle tases him down.

1:01:13.280 --> 1:01:15.080
<v Speaker 3>Stabler runs in right after that.

1:01:15.560 --> 1:01:17.880
<v Speaker 2>She's okay and says, I think I'm finally getting over

1:01:17.920 --> 1:01:20.240
<v Speaker 2>this damn flu. And he says, good, you got to

1:01:20.280 --> 1:01:22.440
<v Speaker 2>meet the guy who helps him set you up. So

1:01:22.480 --> 1:01:25.919
<v Speaker 2>she breathes in relief, and then Benson and Stabler walk

1:01:26.000 --> 1:01:29.840
<v Speaker 2>in together and to invest into interrogation. So the Labkokai

1:01:30.000 --> 1:01:31.919
<v Speaker 2>is in there and they ask him, like, how many

1:01:31.960 --> 1:01:34.720
<v Speaker 2>other people did you set up for this? And he's like, oh,

1:01:34.760 --> 1:01:37.800
<v Speaker 2>there's no law against what I did. And they're like, honey,

1:01:37.960 --> 1:01:40.320
<v Speaker 2>you helped frame someone for murder. That's a bad thing.

1:01:40.640 --> 1:01:42.600
<v Speaker 2>And they let him know that they found his bookkeeping

1:01:42.600 --> 1:01:44.960
<v Speaker 2>and they're at least a dozen people standing trial or

1:01:44.960 --> 1:01:47.600
<v Speaker 2>in prison for crimes they didn't commit because of your

1:01:47.640 --> 1:01:51.320
<v Speaker 2>fabricated DNA. And this guy is calm as fuck and says, hey,

1:01:51.360 --> 1:01:52.360
<v Speaker 2>it's nothing personal.

1:01:52.760 --> 1:01:55.560
<v Speaker 3>It's a brand new market. And Benson is like, do

1:01:55.680 --> 1:01:56.280
<v Speaker 3>you get this?

1:01:56.400 --> 1:01:59.160
<v Speaker 2>And Stabler taps in to say, everybody is going to

1:01:59.200 --> 1:02:01.960
<v Speaker 2>say their DNA is cooked up in some lab. But also,

1:02:02.040 --> 1:02:05.800
<v Speaker 2>Melinda did eventually find the difference, so like, you know,

1:02:05.880 --> 1:02:07.880
<v Speaker 2>we can't we can't expect everyone to be as good

1:02:07.920 --> 1:02:12.240
<v Speaker 2>as Melinda her job, but like there are anomalies, So

1:02:12.280 --> 1:02:14.200
<v Speaker 2>I guess this is really fucked up and is gonna

1:02:14.440 --> 1:02:17.720
<v Speaker 2>like fuck up investigations. But also like why were the

1:02:17.760 --> 1:02:20.080
<v Speaker 2>other med texts that good? But I guess Melinda had

1:02:20.080 --> 1:02:22.160
<v Speaker 2>to do it for a while. I'm not sure so,

1:02:22.520 --> 1:02:24.400
<v Speaker 2>And I'm like, I can't wait to read about the

1:02:24.480 --> 1:02:26.000
<v Speaker 2>real one. And I hope this is all fake and

1:02:26.000 --> 1:02:27.320
<v Speaker 2>not real and you can't fake DNA.

1:02:27.360 --> 1:02:28.040
<v Speaker 3>I'm so scared.

1:02:28.720 --> 1:02:31.520
<v Speaker 2>It's so easy, he says, And any bio undergrad can

1:02:31.520 --> 1:02:34.640
<v Speaker 2>do it. It's a whole new world. That's fun, a

1:02:34.640 --> 1:02:39.959
<v Speaker 2>whole new world, he laughs, and they're really disturbed by him,

1:02:40.040 --> 1:02:43.040
<v Speaker 2>and then he then says, guess your free ride is over.

1:02:44.560 --> 1:02:46.920
<v Speaker 1>It's like the free ride of like the only medically

1:02:47.240 --> 1:02:49.240
<v Speaker 1>like perfectly accurate thing.

1:02:49.320 --> 1:02:51.520
<v Speaker 3>We have to like get bad people or like get you.

1:02:51.640 --> 1:02:56.360
<v Speaker 2>Thought it was like a free ride, like sucks for you, cops.

1:02:56.560 --> 1:02:59.320
<v Speaker 2>Now you're gonna like it's a free ride. I don't

1:02:59.360 --> 1:03:02.480
<v Speaker 2>know whatever. So we're done. This is done. I'm done.

1:03:02.560 --> 1:03:05.320
<v Speaker 2>I need to hear about this real case. Because I'm serified.

1:03:05.600 --> 1:03:09.600
<v Speaker 1>Okay, everybody, enjoy our commercials and we'll be right back.

1:03:23.280 --> 1:03:24.320
<v Speaker 3>Okay, we are back.

1:03:24.520 --> 1:03:28.160
<v Speaker 1>So this episode draws inspo from a few real life groups,

1:03:28.160 --> 1:03:30.280
<v Speaker 1>people situations, so I'll get into all of them. The

1:03:30.280 --> 1:03:34.240
<v Speaker 1>first one is obviously the biker gang angle. Okay, I

1:03:34.280 --> 1:03:35.800
<v Speaker 1>wanted to just talk a little bit about the big

1:03:35.840 --> 1:03:39.720
<v Speaker 1>four criminal biker gangs. And I know a lot of

1:03:39.760 --> 1:03:42.960
<v Speaker 1>this is from Sons of Anarchy because I watched Sons

1:03:42.960 --> 1:03:45.120
<v Speaker 1>of Anarchy, so I knew some of this to begin with,

1:03:45.240 --> 1:03:47.600
<v Speaker 1>but it was interesting to look into, like actually how

1:03:47.640 --> 1:03:51.680
<v Speaker 1>it is. So there's four major big biker gangs that

1:03:51.760 --> 1:03:55.640
<v Speaker 1>are called outlaw biker gangs in the US and abroad

1:03:55.720 --> 1:03:59.680
<v Speaker 1>Hell's Angels MC's, the Outlaws EMCs, the Pagan's MC, and

1:03:59.720 --> 1:04:03.640
<v Speaker 1>the Big the Bandidos. MCMC stands for Motorcycle Club and

1:04:04.520 --> 1:04:06.800
<v Speaker 1>it used to be the outlaw biker gangs. They were

1:04:06.800 --> 1:04:09.520
<v Speaker 1>called outlaw just because they were not officially operating under

1:04:09.520 --> 1:04:13.600
<v Speaker 1>the American Motorcycle Association. But then certain chapters of certain

1:04:13.600 --> 1:04:17.240
<v Speaker 1>clubs started to operate illegal activities and so obviously like

1:04:17.360 --> 1:04:21.400
<v Speaker 1>running guns, producing drugs, distribution and sales of drugs, prostitution,

1:04:21.520 --> 1:04:24.960
<v Speaker 1>contract violence, racketeering, and motorcycle thefts. So a lot of

1:04:25.040 --> 1:04:29.520
<v Speaker 1>crime started to sneak in. Outlaw motorcycle gangs typically traffic

1:04:29.720 --> 1:04:32.600
<v Speaker 1>meth amphetamine on the West Coast and then cocaine in

1:04:32.640 --> 1:04:35.400
<v Speaker 1>the Midwest and East coast. So interesting, not that they

1:04:35.400 --> 1:04:39.160
<v Speaker 1>can't do both, but you know, normally in Sons of Anarchy,

1:04:39.200 --> 1:04:41.160
<v Speaker 1>they're in California, so they're doing a lot of meth.

1:04:41.320 --> 1:04:44.840
<v Speaker 1>And then you know, we thought this guy was dealing

1:04:44.920 --> 1:04:46.880
<v Speaker 1>meth on the East Coast, but it more likely would

1:04:46.880 --> 1:04:49.520
<v Speaker 1>have been coke or weed or something else. Anyway, according

1:04:49.520 --> 1:04:51.440
<v Speaker 1>to the Department of Justice, each of the Big Four

1:04:51.520 --> 1:04:56.120
<v Speaker 1>specialized in drug dealing. The Bandido's mc are involved in cocaine, marijuana,

1:04:56.120 --> 1:04:59.959
<v Speaker 1>and meth. Hell's Angels also distribute LSD, ecstasy, and PC.

1:05:00.720 --> 1:05:04.400
<v Speaker 1>Both the Pagans and the Outlaws are also centered around cocaine, marijuana,

1:05:04.400 --> 1:05:04.800
<v Speaker 1>and meth.

1:05:05.280 --> 1:05:07.800
<v Speaker 3>So they've all got their little parts of the market,

1:05:07.840 --> 1:05:08.240
<v Speaker 3>I guess.

1:05:08.560 --> 1:05:12.280
<v Speaker 2>And my question, are these like white like are these

1:05:12.320 --> 1:05:13.360
<v Speaker 2>mostly white gangs?

1:05:13.720 --> 1:05:13.800
<v Speaker 5>Like?

1:05:13.840 --> 1:05:17.520
<v Speaker 3>There are the Bandidos Latino? I don't know.

1:05:17.680 --> 1:05:19.960
<v Speaker 1>I would assume that the Bandidos have a Latino thing,

1:05:20.000 --> 1:05:23.000
<v Speaker 1>but they're actually I'll get into it. They're all over

1:05:23.040 --> 1:05:25.120
<v Speaker 1>the world, so it's not just like white people. But

1:05:25.720 --> 1:05:28.520
<v Speaker 1>I would say primarily, yeah.

1:05:28.320 --> 1:05:31.160
<v Speaker 2>I guess I just assume bikers are like in the KKK,

1:05:31.440 --> 1:05:33.240
<v Speaker 2>like I don't know why, but I feel like there's

1:05:33.280 --> 1:05:33.880
<v Speaker 2>an overlap.

1:05:33.920 --> 1:05:35.920
<v Speaker 1>Mabe, well, there is, there is white but then like

1:05:36.000 --> 1:05:38.760
<v Speaker 1>Danny Pino is in the is in the the like

1:05:39.640 --> 1:05:41.960
<v Speaker 1>oh my god, offshoot, what am I trying to say?

1:05:41.960 --> 1:05:44.960
<v Speaker 1>Spin off of Sons of Anarchy that's called the Mayans.

1:05:44.960 --> 1:05:48.240
<v Speaker 1>It's about like a Mexican bike gang. So definitely there

1:05:48.280 --> 1:05:50.520
<v Speaker 1>are bikangs that are not just white guys. But I

1:05:50.520 --> 1:05:52.320
<v Speaker 1>would say when you think of Hell's Angels, you think

1:05:52.320 --> 1:05:54.440
<v Speaker 1>of like white guys with big beards, and that's like

1:05:54.760 --> 1:05:58.400
<v Speaker 1>what a lot of them are. But so The Mayans

1:05:58.520 --> 1:06:01.440
<v Speaker 1>is not a show about ancient Mayan sooll.

1:06:03.240 --> 1:06:06.320
<v Speaker 2>Good. Now, well, if Danny Pino ever did this fucking podcast,

1:06:06.960 --> 1:06:07.760
<v Speaker 2>we would know more.

1:06:07.800 --> 1:06:10.120
<v Speaker 3>I would know more about the fucking Mayans.

1:06:10.600 --> 1:06:13.080
<v Speaker 1>So all four of these gangs are at war with

1:06:13.080 --> 1:06:15.240
<v Speaker 1>one another and they have murdered one another, so they

1:06:15.280 --> 1:06:17.840
<v Speaker 1>are you know, it's not like all kumbaya, Let's live

1:06:17.840 --> 1:06:18.320
<v Speaker 1>and let live.

1:06:18.400 --> 1:06:19.240
<v Speaker 3>Like they all want to hate.

1:06:19.280 --> 1:06:20.960
<v Speaker 1>They all hate each other because they're probably all going

1:06:20.960 --> 1:06:23.760
<v Speaker 1>in on each other's business, like you're trying to, at

1:06:23.840 --> 1:06:26.120
<v Speaker 1>least in Sons of anarchy. It's like these guys are

1:06:26.120 --> 1:06:27.840
<v Speaker 1>trying to push in on our guns. These guys are

1:06:27.880 --> 1:06:29.600
<v Speaker 1>trying to push in on our meth, like we can't

1:06:29.600 --> 1:06:30.320
<v Speaker 1>have that, you know.

1:06:30.960 --> 1:06:32.920
<v Speaker 3>So the American.

1:06:32.480 --> 1:06:36.080
<v Speaker 1>Motorcycle Association said that motorcycle clubs that engage in crime

1:06:36.120 --> 1:06:39.560
<v Speaker 1>and violence like this represent one percent of motorcycle clubs,

1:06:39.760 --> 1:06:42.479
<v Speaker 1>and then the outlaw gangs love that and started calling

1:06:42.480 --> 1:06:45.920
<v Speaker 1>themselves one percenters. And they claim that they've like always

1:06:46.000 --> 1:06:48.320
<v Speaker 1>had the phrase one percent or that that's been their thing.

1:06:48.600 --> 1:06:50.880
<v Speaker 1>So like you'll see motorcycle guys with like patches that

1:06:50.960 --> 1:06:53.640
<v Speaker 1>say like one percent, and it's not about their economic standing.

1:06:53.640 --> 1:06:55.960
<v Speaker 1>It's about the fact that they're part of the one

1:06:56.000 --> 1:06:59.960
<v Speaker 1>percent of motorcycle clubs that fuck people up. So all

1:07:00.080 --> 1:07:03.000
<v Speaker 1>of all of these four motorcycle clubs, all of them

1:07:03.040 --> 1:07:05.960
<v Speaker 1>but the Pagans, are international. The Pagans choose to stay

1:07:06.080 --> 1:07:09.160
<v Speaker 1>just within the US. But the Hell's Angels, for example,

1:07:09.400 --> 1:07:13.360
<v Speaker 1>have four hundred and sixty seven charters across fifty nine countries,

1:07:13.600 --> 1:07:15.920
<v Speaker 1>like they have charters in Egypt, like they have charters

1:07:16.000 --> 1:07:19.440
<v Speaker 1>all over the place, so some are like in Australia, Norway,

1:07:19.520 --> 1:07:21.040
<v Speaker 1>places where it would obviously have like a lot of

1:07:21.080 --> 1:07:24.000
<v Speaker 1>white people, but you know, other places different. So a

1:07:24.040 --> 1:07:26.920
<v Speaker 1>bunch of these chapters also, I should mention participate in

1:07:27.000 --> 1:07:28.920
<v Speaker 1>charity work. There was like a lot of examples in

1:07:28.920 --> 1:07:32.000
<v Speaker 1>my research of like how these guys will deliver school supplies.

1:07:32.240 --> 1:07:34.440
<v Speaker 1>But it's like the mafia or you know, a lot

1:07:34.480 --> 1:07:37.840
<v Speaker 1>of organized crime. It's like they protect their neighborhoods. They're like, yes,

1:07:37.880 --> 1:07:40.600
<v Speaker 1>we're dealing drugs, we're doing xyz, but we're also like

1:07:40.800 --> 1:07:43.000
<v Speaker 1>if somebody murders someone, we're gonna find out who did that,

1:07:43.200 --> 1:07:45.880
<v Speaker 1>or if there's like you know, in in Sons of

1:07:45.880 --> 1:07:49.520
<v Speaker 1>a Hierarchy, like they were constantly figuring out like personal

1:07:49.520 --> 1:07:53.000
<v Speaker 1>crimes and like playing robinhood a little bit. So outlaw

1:07:53.080 --> 1:07:56.600
<v Speaker 1>motorcycle gangs have been increasing their presence and criminal activity

1:07:56.600 --> 1:07:59.720
<v Speaker 1>throughout Europe since two thousand and five, using firearms and

1:07:59.720 --> 1:08:02.240
<v Speaker 1>greens needs to get their way, and they're involved in

1:08:02.320 --> 1:08:05.840
<v Speaker 1>drug trafficking, murder, money laundering, and extortion. So I guess

1:08:05.840 --> 1:08:08.360
<v Speaker 1>they're blowing up in Europe too. No pun intended with

1:08:08.400 --> 1:08:11.680
<v Speaker 1>the grenades. But in recent years, prosecutors have been trying

1:08:11.720 --> 1:08:15.959
<v Speaker 1>to take down these outlaw motorcycle gangs using RICO, which

1:08:16.000 --> 1:08:19.200
<v Speaker 1>is RICO is Racketeer Influenced and Corrupt Organizations ACT.

1:08:19.280 --> 1:08:20.920
<v Speaker 3>And in Sons of Anarchy.

1:08:20.520 --> 1:08:22.519
<v Speaker 1>There is a huge storyline where they're trying to get

1:08:22.520 --> 1:08:23.599
<v Speaker 1>them on RICO charges.

1:08:24.040 --> 1:08:25.439
<v Speaker 3>And this is just a.

1:08:25.479 --> 1:08:28.840
<v Speaker 1>General overview of what motorcycle clubs are. If you want

1:08:28.840 --> 1:08:31.000
<v Speaker 1>more information, there is a lot of I have links

1:08:31.040 --> 1:08:33.320
<v Speaker 1>in my bio, in our in our not my bio,

1:08:33.400 --> 1:08:37.720
<v Speaker 1>links in our show notes, and also tons of Anarchy

1:08:36.720 --> 1:08:40.600
<v Speaker 1>in my personal bio there will be links about Hell's Angels. No,

1:08:40.720 --> 1:08:43.240
<v Speaker 1>but also Sons of Anarchy is actually a great resource

1:08:43.280 --> 1:08:44.760
<v Speaker 1>if you want to know more about these clubs, because

1:08:44.840 --> 1:08:46.760
<v Speaker 1>I just found out that one of the characters on

1:08:46.760 --> 1:08:50.320
<v Speaker 1>the show, this guy Happy, is a real life Hell's

1:08:50.360 --> 1:08:52.559
<v Speaker 1>Angel and was the technical advisor on the show, and

1:08:52.560 --> 1:08:56.160
<v Speaker 1>he's like a character on the show, but it is

1:08:56.200 --> 1:08:58.520
<v Speaker 1>a whole thing in the show, like there are prospects

1:08:58.520 --> 1:09:00.120
<v Speaker 1>they have to do all this fucked up shit to

1:09:00.200 --> 1:09:02.400
<v Speaker 1>become full members, Like you know.

1:09:03.479 --> 1:09:05.880
<v Speaker 3>Are there any bad guys that are nice to women?

1:09:06.640 --> 1:09:06.720
<v Speaker 4>Like?

1:09:06.920 --> 1:09:11.160
<v Speaker 2>Are there just criminals and drug dealers that respect women anywhere,

1:09:11.200 --> 1:09:12.799
<v Speaker 2>Like please, we got to watch.

1:09:12.720 --> 1:09:15.040
<v Speaker 1>Queen of the South where there woman is the drug dealer.

1:09:15.680 --> 1:09:16.639
<v Speaker 1>Maybe that's the key.

1:09:17.920 --> 1:09:20.960
<v Speaker 2>Maybe it's just like, yeah, these bikers don't seem that bad.

1:09:21.040 --> 1:09:24.880
<v Speaker 2>I love I love drugs. I you know, like where

1:09:25.000 --> 1:09:28.519
<v Speaker 2>leather do charity work? Do you have to rape the women?

1:09:28.680 --> 1:09:28.920
<v Speaker 4>You know?

1:09:29.000 --> 1:09:31.519
<v Speaker 1>It's like yeah, they're just they're running like they run

1:09:31.560 --> 1:09:34.360
<v Speaker 1>a lot of Like yeah, definitely in Sons of Anarchy

1:09:34.400 --> 1:09:36.160
<v Speaker 1>there were like women hanging around that were just there

1:09:36.200 --> 1:09:36.800
<v Speaker 1>for anyone to.

1:09:36.720 --> 1:09:38.880
<v Speaker 3>Have sex with, Like for sure.

1:09:39.720 --> 1:09:42.639
<v Speaker 2>I definitely I love that hot guy in it, and

1:09:43.000 --> 1:09:45.200
<v Speaker 2>I love Married with Children.

1:09:45.320 --> 1:09:48.400
<v Speaker 3>Katie sigh, Katie sigal, Oh my god.

1:09:47.640 --> 1:09:49.559
<v Speaker 2>We want to watch it. I just can't watch that

1:09:49.640 --> 1:09:50.800
<v Speaker 2>much violence against women.

1:09:50.880 --> 1:09:55.559
<v Speaker 1>J She has one of the most like truly has

1:09:55.600 --> 1:09:58.240
<v Speaker 1>shaken me to my core sexual assaults committed on her

1:09:58.400 --> 1:10:04.160
<v Speaker 1>in that show. Horrible, horrible, horrible. So any incredible actress.

1:10:04.200 --> 1:10:07.040
<v Speaker 1>But yeah, she's an amazing actress. But yeah, it's a lot.

1:10:07.080 --> 1:10:08.800
<v Speaker 1>But she also commits a lot of violence on that

1:10:08.840 --> 1:10:09.400
<v Speaker 1>show as well.

1:10:09.840 --> 1:10:11.200
<v Speaker 3>So I'm impressed.

1:10:11.400 --> 1:10:14.679
<v Speaker 2>Besides the son, I'm really impressed that all three people,

1:10:14.840 --> 1:10:17.320
<v Speaker 2>like the main people from Married with children, like had

1:10:17.360 --> 1:10:19.840
<v Speaker 2>a career, took a break, and then killed it again.

1:10:20.240 --> 1:10:22.400
<v Speaker 3>Yeah, like that happened to again.

1:10:23.080 --> 1:10:26.040
<v Speaker 2>I don't know what's up with Bud, but funny, I

1:10:26.040 --> 1:10:28.000
<v Speaker 2>don't need like all of them are just like have

1:10:28.080 --> 1:10:30.559
<v Speaker 2>been successful for so long and I love to see that.

1:10:30.800 --> 1:10:32.120
<v Speaker 3>Sorry, let's go, let's go.

1:10:32.240 --> 1:10:32.280
<v Speaker 5>No.

1:10:32.439 --> 1:10:35.519
<v Speaker 1>I and I got to see Marcy the neighbor from

1:10:35.520 --> 1:10:36.280
<v Speaker 1>next door at the Bros.

1:10:36.280 --> 1:10:38.360
<v Speaker 3>Premiere and I was gagged. I was like, you did

1:10:38.360 --> 1:10:39.559
<v Speaker 3>you say? Yes?

1:10:39.600 --> 1:10:41.960
<v Speaker 1>I said hi to her and the coach from Glee.

1:10:42.000 --> 1:10:43.400
<v Speaker 1>They're both in the movie and I love them. And

1:10:43.400 --> 1:10:44.880
<v Speaker 1>I was like, you guys were great in the movie.

1:10:45.160 --> 1:10:47.559
<v Speaker 1>And Marcy goes she's great in it, and I was like.

1:10:47.720 --> 1:10:49.240
<v Speaker 3>You're so great at it too. But I wanted to

1:10:49.280 --> 1:10:49.880
<v Speaker 3>be like Marcy.

1:10:50.000 --> 1:10:51.599
<v Speaker 1>But I didn't want to get into my like full

1:10:51.640 --> 1:10:55.080
<v Speaker 1>married with children like I was obsessed. Anyway, That's the

1:10:55.160 --> 1:10:57.320
<v Speaker 1>end of my section on the motorcycle gangs. Just a

1:10:57.320 --> 1:11:00.679
<v Speaker 1>little bit of background the next subject, the fake DNA

1:11:00.760 --> 1:11:05.760
<v Speaker 1>thing is real. Okay, So a scientist named Dan Frumken

1:11:05.800 --> 1:11:08.760
<v Speaker 1>wrote an article published in Forensic Science International in two

1:11:08.800 --> 1:11:12.680
<v Speaker 1>thousand and nine alleging that it is possible to fake DNA.

1:11:12.800 --> 1:11:14.120
<v Speaker 3>He founded a company.

1:11:14.400 --> 1:11:16.400
<v Speaker 1>He's not the same as the guy in this episode,

1:11:16.439 --> 1:11:19.320
<v Speaker 1>because what he did was he founded a company called Nucleix,

1:11:19.840 --> 1:11:24.040
<v Speaker 1>which is in an Israel, which was created to test

1:11:24.240 --> 1:11:27.640
<v Speaker 1>to identify fake samples. Okay, So he basically was like,

1:11:27.840 --> 1:11:28.120
<v Speaker 1>this is.

1:11:28.120 --> 1:11:28.960
<v Speaker 3>Something people can do.

1:11:29.120 --> 1:11:31.320
<v Speaker 1>I figured out a way that we can figure out

1:11:31.560 --> 1:11:33.959
<v Speaker 1>that they're not doing that. It's, you know, to disprove

1:11:34.040 --> 1:11:37.800
<v Speaker 1>the fake DNA. So Israeli scientists, according to his paper,

1:11:37.840 --> 1:11:41.200
<v Speaker 1>were able to fabricate blood and saliva samples containing DNA

1:11:41.600 --> 1:11:44.360
<v Speaker 1>different from the donor. And they did this in exactly

1:11:44.400 --> 1:11:45.800
<v Speaker 1>the way that they talk about on the show. They

1:11:45.880 --> 1:11:49.040
<v Speaker 1>like spin out the white blood cells, like amplify the DNA,

1:11:49.160 --> 1:11:51.439
<v Speaker 1>put it back in, and then it I.

1:11:51.400 --> 1:11:54.120
<v Speaker 3>Just imagine the white blood cells being like we.

1:11:57.360 --> 1:11:57.400
<v Speaker 4>My.

1:12:00.240 --> 1:12:03.720
<v Speaker 1>And they also showed that if they had access to

1:12:03.760 --> 1:12:06.240
<v Speaker 1>a DNA profile in a database, they could construct a

1:12:06.280 --> 1:12:09.639
<v Speaker 1>sample of DNA to match that profile without obtaining any

1:12:09.640 --> 1:12:12.840
<v Speaker 1>tissue from that person. So Frumpkin told The New York Times,

1:12:12.960 --> 1:12:14.759
<v Speaker 1>you can just engineer a crime scene.

1:12:14.920 --> 1:12:15.280
<v Speaker 3>Quote.

1:12:15.280 --> 1:12:20.280
<v Speaker 1>He said, any biology undergraduate could perform this wild and

1:12:20.360 --> 1:12:22.120
<v Speaker 1>he said it could also be possible to get a

1:12:22.160 --> 1:12:24.439
<v Speaker 1>sample of someone's DNA from a soda can or a

1:12:24.439 --> 1:12:26.880
<v Speaker 1>cigarette turn it into a saliva sample which could then

1:12:26.920 --> 1:12:29.920
<v Speaker 1>be submitted to ancestry dot com or anything like that,

1:12:30.240 --> 1:12:33.080
<v Speaker 1>and celebrities would have to fear something called quote unquote

1:12:33.120 --> 1:12:36.240
<v Speaker 1>genetic paparazzi, which is something that Gail H. Javitt of

1:12:36.280 --> 1:12:39.040
<v Speaker 1>the Genetics and Public Policy Center at Johns Hopkins said,

1:12:39.840 --> 1:12:42.960
<v Speaker 1>I looked up nucleics and it said and it still exists,

1:12:43.240 --> 1:12:45.799
<v Speaker 1>but they now mostly sell tests to check for bladder

1:12:45.840 --> 1:12:50.040
<v Speaker 1>and lung cancer. So I feel like because not many

1:12:50.080 --> 1:12:52.080
<v Speaker 1>people know how to fake the DNA, even though it

1:12:52.080 --> 1:12:57.639
<v Speaker 1>would be easy, like their their idea of selling tests

1:12:57.720 --> 1:13:00.639
<v Speaker 1>to debunk fake DNA like didn't work out out as

1:13:00.680 --> 1:13:03.479
<v Speaker 1>a business venture, but it is wild that it's possible

1:13:03.520 --> 1:13:04.559
<v Speaker 1>and not a hard thing to do.

1:13:05.000 --> 1:13:06.320
<v Speaker 3>And I get, well, how do we know?

1:13:06.439 --> 1:13:09.120
<v Speaker 2>I'm like I said, Melinda is above and beyond like

1:13:09.240 --> 1:13:13.439
<v Speaker 2>most medical examiners like no, Tino Shaye, But like what

1:13:13.479 --> 1:13:13.840
<v Speaker 2>if they.

1:13:13.720 --> 1:13:15.040
<v Speaker 3>Say, well, we have we have.

1:13:15.840 --> 1:13:18.640
<v Speaker 1>We have some listeners who are forensic girls and I

1:13:18.720 --> 1:13:21.240
<v Speaker 1>mean guys too, but like get in touch with us,

1:13:21.240 --> 1:13:22.960
<v Speaker 1>tell us, like are they now just testing to see

1:13:22.960 --> 1:13:24.520
<v Speaker 1>if all the DNA is methylated?

1:13:24.560 --> 1:13:24.840
<v Speaker 5>Now?

1:13:25.000 --> 1:13:27.280
<v Speaker 1>Or eighty percent, like the way that Melinda did. Like,

1:13:27.320 --> 1:13:30.519
<v Speaker 1>I don't know how they're really disproving it, but they are.

1:13:31.080 --> 1:13:32.680
<v Speaker 1>It is not It does not seem like a thing

1:13:32.720 --> 1:13:36.400
<v Speaker 1>that's happening all the time, you know. But the third

1:13:36.479 --> 1:13:39.400
<v Speaker 1>case that this is supposedly drawn off of, this seems

1:13:39.400 --> 1:13:41.080
<v Speaker 1>like a bit, a bit of a bigger stretch, But

1:13:41.080 --> 1:13:42.600
<v Speaker 1>I wanted to talk about it anyway, because it's an

1:13:42.640 --> 1:13:45.679
<v Speaker 1>interesting case. Like the fandom wiki says, this is based

1:13:45.720 --> 1:13:49.680
<v Speaker 1>on Frederick Zaine, who is a forensic lab was a

1:13:49.680 --> 1:13:53.520
<v Speaker 1>forensic laboratory tech in West Virginia and Texas who falsified

1:13:53.600 --> 1:13:59.360
<v Speaker 1>sorology results to obtain convictions. So this guy famously nineteen

1:13:59.400 --> 1:14:02.000
<v Speaker 1>seventy seven and he's hired as a chemist at West Virginia,

1:14:02.080 --> 1:14:05.080
<v Speaker 1>of course, my husband's home state, West Virginia State Police

1:14:05.080 --> 1:14:08.719
<v Speaker 1>Crime Laboratory. He later became director of the sorology Department

1:14:08.840 --> 1:14:11.200
<v Speaker 1>at the State Department of Public Safety, which is also

1:14:11.280 --> 1:14:12.400
<v Speaker 1>known as the State Police.

1:14:12.479 --> 1:14:13.960
<v Speaker 3>Later, so that's what happened.

1:14:13.960 --> 1:14:16.160
<v Speaker 1>In seventy nine, he became the director of the strology department,

1:14:16.160 --> 1:14:18.840
<v Speaker 1>and he worked with the WVU State Police till nineteen

1:14:18.880 --> 1:14:21.800
<v Speaker 1>eighty nine, So a decade turns out he got the

1:14:21.880 --> 1:14:26.280
<v Speaker 1>job in the zerology apartment department completely by falsifying his credentials,

1:14:26.280 --> 1:14:28.800
<v Speaker 1>which conveniently no one checked. It was like the seventies.

1:14:29.200 --> 1:14:31.400
<v Speaker 1>He said he minored in chemistry. He actually had only

1:14:31.400 --> 1:14:33.400
<v Speaker 1>taken a few chem classes and had either failed them

1:14:33.479 --> 1:14:38.160
<v Speaker 1>or barely passed them. He got a reputation among prosecutors

1:14:38.200 --> 1:14:41.280
<v Speaker 1>in West Virginia for being able to solve hard cases,

1:14:41.680 --> 1:14:43.720
<v Speaker 1>so now all of them wanted to use him as

1:14:43.720 --> 1:14:47.839
<v Speaker 1>an expert. And then in nineteen eighty five, FBI Laboratory

1:14:47.880 --> 1:14:50.640
<v Speaker 1>director James Greer told the West Virginia State Police that

1:14:50.720 --> 1:14:54.280
<v Speaker 1>Zay had failed basic courses in roology and testing bloodstains

1:14:54.560 --> 1:14:57.880
<v Speaker 1>and nothing happened in another incident two co workers.

1:14:58.280 --> 1:15:01.720
<v Speaker 3>How did the FBI get involved in this? Yes, I

1:15:01.760 --> 1:15:03.519
<v Speaker 3>don't know. I don't know.

1:15:04.479 --> 1:15:07.519
<v Speaker 2>Maybe like they got notified someone was crushing it. Maybe

1:15:07.520 --> 1:15:09.320
<v Speaker 2>they wanted to hire him for the FBI because he

1:15:09.360 --> 1:15:11.479
<v Speaker 2>was so good at it, and then they realized he

1:15:11.560 --> 1:15:11.880
<v Speaker 2>was fake.

1:15:12.520 --> 1:15:15.519
<v Speaker 1>Maybe also, like some of these cases did get tossed

1:15:15.600 --> 1:15:17.800
<v Speaker 1>up to the FBI, because like I'm gonna talk about

1:15:17.800 --> 1:15:19.880
<v Speaker 1>a specific case in a second, so it's possible maybe

1:15:19.880 --> 1:15:22.639
<v Speaker 1>that was the case. That got them like turned onto

1:15:22.680 --> 1:15:27.120
<v Speaker 1>him and his false bullshit. But then in another incident,

1:15:27.160 --> 1:15:30.240
<v Speaker 1>two coworkers claim to have seen him record blood records

1:15:30.360 --> 1:15:32.920
<v Speaker 1>from a blank test plate, and like, none of these

1:15:32.960 --> 1:15:35.360
<v Speaker 1>complaints were taken seriously because it was known that the

1:15:35.400 --> 1:15:38.360
<v Speaker 1>workers in Zane did not get along with each other. Hilarious,

1:15:38.840 --> 1:15:40.519
<v Speaker 1>So they're like, you guys just don't like each other,

1:15:40.640 --> 1:15:41.360
<v Speaker 1>leave it alone.

1:15:41.640 --> 1:15:43.719
<v Speaker 3>But why would you just take Zaane's side.

1:15:43.920 --> 1:15:46.439
<v Speaker 1>It's so I don't know, but you know, you hear

1:15:46.439 --> 1:15:48.400
<v Speaker 1>about this all the time, fake it till you make it.

1:15:48.479 --> 1:15:50.680
<v Speaker 3>Like guys just charming their way through jobs like this.

1:15:50.760 --> 1:15:52.840
<v Speaker 1>Maybe he had a good personality, I don't know, but

1:15:52.920 --> 1:15:55.839
<v Speaker 1>the prosecutors loved him because he was like getting cases

1:15:55.920 --> 1:15:59.640
<v Speaker 1>done because he was fucking falsifying everything. So it's like

1:15:59.680 --> 1:16:02.240
<v Speaker 1>whatever they needed, he made it happen, you know, like

1:16:02.400 --> 1:16:05.240
<v Speaker 1>engineering a crime scene essentially. So when one of his

1:16:05.320 --> 1:16:08.960
<v Speaker 1>supervisors wrote to the FBI about his concerns about Zane's

1:16:08.960 --> 1:16:12.760
<v Speaker 1>test results, the reports that agents made amusing comments like

1:16:13.439 --> 1:16:15.800
<v Speaker 1>quote Fred doesn't do things by the book and called

1:16:15.880 --> 1:16:20.320
<v Speaker 1>him quote pro prosecution but recommended no action, so that

1:16:20.439 --> 1:16:22.360
<v Speaker 1>by the next year he had become head of the

1:16:22.360 --> 1:16:25.840
<v Speaker 1>Crime Laboratory. In nineteen eighty nine, he left West Virginia

1:16:25.920 --> 1:16:28.799
<v Speaker 1>to become the chief of physical evidence at the Bexar County,

1:16:29.000 --> 1:16:32.720
<v Speaker 1>Texas Medical Examiner's Office. And Bexar County is where San

1:16:32.720 --> 1:16:36.240
<v Speaker 1>Antonio is, by the way, and he was still getting

1:16:36.280 --> 1:16:38.519
<v Speaker 1>calls to go back to West Virginia and testify even

1:16:38.560 --> 1:16:40.760
<v Speaker 1>after he'd gone. So this is kind of the case

1:16:40.960 --> 1:16:44.519
<v Speaker 1>I think that blew open his scheme. In nineteen eighty seven,

1:16:44.560 --> 1:16:48.160
<v Speaker 1>a guy named Glenn Woodhall was convicted of multiple felonies,

1:16:48.200 --> 1:16:50.760
<v Speaker 1>including two cases of sexual assault, and a huge part

1:16:50.800 --> 1:16:53.720
<v Speaker 1>of his conviction was Zane's testimony regarding seamen from one

1:16:53.720 --> 1:16:56.400
<v Speaker 1>of the victims. Woodall got three hundred and thirty five

1:16:56.479 --> 1:16:58.960
<v Speaker 1>years in prison, and that was in eighty seven. In

1:16:59.040 --> 1:17:03.200
<v Speaker 1>eighty eight, DNA testing, the first ever admitted as evidence

1:17:03.240 --> 1:17:05.719
<v Speaker 1>at the state level in the United States in this case,

1:17:06.120 --> 1:17:09.120
<v Speaker 1>proved conclusively that Woodall was innocent and that the conviction

1:17:09.320 --> 1:17:12.479
<v Speaker 1>and the commission was then reversed. Zayn had used flawed

1:17:12.479 --> 1:17:15.200
<v Speaker 1>blood typing methods in tying the seamen to Woodhall. He

1:17:15.240 --> 1:17:18.200
<v Speaker 1>had also initially determined a piece of hair was unidentifiable

1:17:18.240 --> 1:17:21.360
<v Speaker 1>pubic hare, but like later changed his identification, saying it

1:17:21.400 --> 1:17:24.800
<v Speaker 1>was hair from Woodall's beard and then Woodhall. So he

1:17:24.920 --> 1:17:27.160
<v Speaker 1>was freed in nineteen ninety two, and he sued the

1:17:27.160 --> 1:17:30.400
<v Speaker 1>state for false imprisonment and won a one million dollar settlement,

1:17:30.960 --> 1:17:33.880
<v Speaker 1>and at the request of the Virginia State Police, the

1:17:34.560 --> 1:17:38.640
<v Speaker 1>Canawa County Prosecutor William Forbes started a criminal investigation, and

1:17:38.680 --> 1:17:41.519
<v Speaker 1>he was very disturbed by what he discovered, to the

1:17:41.560 --> 1:17:43.600
<v Speaker 1>point that he asked the Supreme Court of Appeals in

1:17:43.640 --> 1:17:46.040
<v Speaker 1>West Virginia to appoint a special judge and panel of

1:17:46.120 --> 1:17:50.720
<v Speaker 1>lawyers and scientists to investigate the sorology Department, because in

1:17:50.800 --> 1:17:54.759
<v Speaker 1>nineteen ninety three, Senior Circuit Court Judge James Holliday issued

1:17:54.800 --> 1:17:57.200
<v Speaker 1>a report finding that Zaine had engaged in a crazy

1:17:57.200 --> 1:18:00.679
<v Speaker 1>amount of misconduct and straight up fraud. He had missed evidence,

1:18:00.880 --> 1:18:04.840
<v Speaker 1>falsified lab results, and reported scientifically implausible results, and he

1:18:04.880 --> 1:18:07.000
<v Speaker 1>may have been responsible for one hundred and thirty four

1:18:07.040 --> 1:18:12.519
<v Speaker 1>people being wrongly convicted. His misconduct was ruled so bad

1:18:12.520 --> 1:18:15.599
<v Speaker 1>that any of his testimony going forward should be presumed

1:18:15.640 --> 1:18:17.760
<v Speaker 1>as invalid, unreliable, and inadmissible.

1:18:17.840 --> 1:18:18.840
<v Speaker 3>Not going forward, but like.

1:18:18.840 --> 1:18:21.920
<v Speaker 1>In looking back at the cases he got fired in Texas,

1:18:21.960 --> 1:18:23.840
<v Speaker 1>as soon as they heard about the West Virginia ship.

1:18:23.840 --> 1:18:25.200
<v Speaker 1>But of course they're going to check out what he's

1:18:25.200 --> 1:18:27.800
<v Speaker 1>been doing there, and in their investigation into his misconduct,

1:18:28.040 --> 1:18:30.280
<v Speaker 1>he may have resulted in one hundred and eighty were

1:18:30.520 --> 1:18:34.519
<v Speaker 1>wrongful convictions in Bexter County. So the Texas investigation found

1:18:34.600 --> 1:18:37.519
<v Speaker 1>a lot of instances of him filing reports on tests

1:18:37.560 --> 1:18:40.759
<v Speaker 1>that had never been done, reporting negative results as positive,

1:18:40.800 --> 1:18:45.080
<v Speaker 1>and describing inconclusive results as conclusive. So West Virginia paid

1:18:45.080 --> 1:18:47.639
<v Speaker 1>a total of six point five million dollars to settle

1:18:47.680 --> 1:18:50.280
<v Speaker 1>lawsuits by people who had been wrongfully convicted due to him.

1:18:50.640 --> 1:18:54.400
<v Speaker 1>He of course denied everything. He was charged with fraud eventually,

1:18:54.479 --> 1:18:57.680
<v Speaker 1>but his trial was delayed indefinitely after he was diagnosed

1:18:57.680 --> 1:19:00.679
<v Speaker 1>with liver cancer in twenty and twenty, charged with four

1:19:00.720 --> 1:19:03.720
<v Speaker 1>counts of obtaining money by false pretenses. I don't know

1:19:03.760 --> 1:19:06.720
<v Speaker 1>why that's the charge, but the jury deadlocked and then

1:19:06.720 --> 1:19:08.840
<v Speaker 1>a new fraud trial was scheduled for July of two

1:19:08.880 --> 1:19:11.120
<v Speaker 1>thousand and three, but actually in December of two thousand

1:19:11.160 --> 1:19:13.720
<v Speaker 1>and two he died of the liver cancer. So he

1:19:13.800 --> 1:19:15.599
<v Speaker 1>never really paid for his crimes. And I just hope

1:19:15.600 --> 1:19:18.080
<v Speaker 1>that they got all of those people out of jail

1:19:18.120 --> 1:19:19.680
<v Speaker 1>and were able to exonerate the one.

1:19:19.800 --> 1:19:23.920
<v Speaker 3>What the fuck? I know, crazy?

1:19:24.040 --> 1:19:27.120
<v Speaker 2>And so many people complained and THEBI told you there

1:19:27.200 --> 1:19:27.759
<v Speaker 2>was issues.

1:19:28.080 --> 1:19:30.640
<v Speaker 1>Ted Bundy's girlfriend called the police three times instead, I

1:19:30.640 --> 1:19:32.760
<v Speaker 1>think it's my boyfriend, you know, like the cops just

1:19:32.800 --> 1:19:35.759
<v Speaker 1>like I mean, different bureaucracies just don't listen.

1:19:35.840 --> 1:19:40.600
<v Speaker 3>I don't know this is well. I just someone posted.

1:19:40.280 --> 1:19:44.920
<v Speaker 2>A video on Instagram of like how men's confidence when

1:19:44.960 --> 1:19:48.240
<v Speaker 2>they enter the workforce is super high and then decreases

1:19:48.280 --> 1:19:52.800
<v Speaker 2>over time, and women starts out really low and goes

1:19:52.920 --> 1:19:57.440
<v Speaker 2>higher and that at age forty, men and women's confidences intersect,

1:19:58.400 --> 1:20:01.000
<v Speaker 2>and the woman's saying this was just like and I

1:20:01.080 --> 1:20:03.120
<v Speaker 2>don't know where the men get the confidence since they've

1:20:03.200 --> 1:20:06.400
<v Speaker 2>never done the job, but they just still feel good,

1:20:06.640 --> 1:20:10.880
<v Speaker 2>and like what at a fucking example of just like yeah,

1:20:10.880 --> 1:20:13.400
<v Speaker 2>and like you know that this guy just liked being

1:20:13.479 --> 1:20:13.960
<v Speaker 2>part of it.

1:20:14.040 --> 1:20:16.200
<v Speaker 1>You know he probably just was like, yes, like being

1:20:16.240 --> 1:20:19.559
<v Speaker 1>I like testifying, I like closing cases. I love that

1:20:19.600 --> 1:20:22.360
<v Speaker 1>the prosecutors think that I'm their guy for like closing

1:20:22.400 --> 1:20:25.479
<v Speaker 1>tough cases when it's like you're just and in his mind,

1:20:25.520 --> 1:20:27.599
<v Speaker 1>he's probably like these guys did it. I'm just helping

1:20:27.640 --> 1:20:29.920
<v Speaker 1>push it along, you know. Well, it's like.

1:20:29.880 --> 1:20:33.479
<v Speaker 2>That drug scandal documentary where one was like an addict

1:20:33.560 --> 1:20:36.040
<v Speaker 2>fucking up and stealing pills, but the other one she

1:20:36.280 --> 1:20:37.439
<v Speaker 2>liked being in with the cops.

1:20:38.000 --> 1:20:39.880
<v Speaker 3>She liked being in with the prosecution.

1:20:40.160 --> 1:20:42.120
<v Speaker 2>Like she was like, Oh, we're a team, and that's

1:20:42.120 --> 1:20:43.320
<v Speaker 2>why she falsified shit.

1:20:45.120 --> 1:20:46.439
<v Speaker 3>She wanted to be with it.

1:20:46.320 --> 1:20:48.760
<v Speaker 1>It's like weird power trips people go on and they

1:20:48.760 --> 1:20:50.880
<v Speaker 1>don't care about like just wrecking people's lives because I

1:20:50.880 --> 1:20:53.080
<v Speaker 1>guess they assume that they're criminals about.

1:20:52.880 --> 1:20:54.799
<v Speaker 3>Fuck anyone that hired him, Fuck anyone.

1:20:54.840 --> 1:20:57.000
<v Speaker 2>And like, our friend works at not a big thing,

1:20:57.040 --> 1:20:59.559
<v Speaker 2>but I'm I'm thinking about the guy that works with

1:20:59.600 --> 1:21:03.439
<v Speaker 2>her that's ruining everyone's life for years now and doesn't

1:21:03.479 --> 1:21:06.439
<v Speaker 2>do anything, gets away with it. No one will fire

1:21:06.479 --> 1:21:09.639
<v Speaker 2>him because the male bosses are also like, he's fine

1:21:09.760 --> 1:21:13.599
<v Speaker 2>until it reaches critical. Yeah, like the worst thing ever.

1:21:13.680 --> 1:21:15.760
<v Speaker 2>And thank god those steaks aren't as high as this,

1:21:15.960 --> 1:21:20.280
<v Speaker 2>but it's like it's fucking nuts. Oh this is nuts. Wow,

1:21:20.400 --> 1:21:22.519
<v Speaker 2>thank you for telling us all those things.

1:21:22.760 --> 1:21:23.519
<v Speaker 3>No worries.

1:21:23.840 --> 1:21:27.439
<v Speaker 1>I am really excited for our guests though, So let's

1:21:27.680 --> 1:21:30.280
<v Speaker 1>shake off the fake DNA and get ready to talk

1:21:30.320 --> 1:21:30.599
<v Speaker 1>to her.

1:21:37.800 --> 1:21:40.200
<v Speaker 3>Okay, our actor guest.

1:21:40.080 --> 1:21:43.360
<v Speaker 1>Today is not only an actor, but a cook and

1:21:43.400 --> 1:21:46.720
<v Speaker 1>a Hooter's enthusiast. You know her best from her role

1:21:46.760 --> 1:21:49.519
<v Speaker 1>as Leeann Taylor on Orange is the New Black Baby,

1:21:49.760 --> 1:21:52.479
<v Speaker 1>but she's also been in a bunch of episodes of SVU,

1:21:52.600 --> 1:21:56.719
<v Speaker 1>including today's where you Knew her as the Biker Mama Starla. Guys,

1:21:56.880 --> 1:21:58.960
<v Speaker 1>please enjoy our chat with Emma Miles.

1:22:00.360 --> 1:22:00.559
<v Speaker 2>Hi.

1:22:02.000 --> 1:22:03.439
<v Speaker 3>I believe that happy.

1:22:03.600 --> 1:22:05.840
<v Speaker 6>Yeah, it was so nice to me, you guys, Oh

1:22:05.880 --> 1:22:06.280
<v Speaker 6>my god.

1:22:06.760 --> 1:22:13.080
<v Speaker 1>We love talking to an SVU like multiple timer, you know.

1:22:13.160 --> 1:22:16.439
<v Speaker 3>Three I did so exciting well.

1:22:16.520 --> 1:22:20.320
<v Speaker 2>And also on your like Orange wiki, it says that

1:22:20.360 --> 1:22:24.160
<v Speaker 2>you met Dasha Polanco before you guys started shooting Orange

1:22:24.240 --> 1:22:26.479
<v Speaker 2>in an audition for Lawn Order SVU.

1:22:26.680 --> 1:22:26.880
<v Speaker 6>Yeah.

1:22:27.479 --> 1:22:29.759
<v Speaker 5>Yeah, it was in the It was in the waiting

1:22:29.840 --> 1:22:33.920
<v Speaker 5>room and we weren't auditioning for the same part. But

1:22:35.080 --> 1:22:38.960
<v Speaker 5>she went in before me, and then I went in

1:22:39.120 --> 1:22:41.720
<v Speaker 5>a little bit later, and then we didn't see each other,

1:22:41.760 --> 1:22:42.479
<v Speaker 5>and I'd never you.

1:22:42.400 --> 1:22:44.439
<v Speaker 6>Know, I didn't I'd never met her before.

1:22:44.520 --> 1:22:46.720
<v Speaker 5>So I was just like to do and I was

1:22:46.760 --> 1:22:49.760
<v Speaker 5>on the subway platform and I was like going home

1:22:49.800 --> 1:22:52.080
<v Speaker 5>on the D train because they lived in Bay Ridge

1:22:52.120 --> 1:22:54.160
<v Speaker 5>at the time, so it's like transferring to an R

1:22:54.680 --> 1:22:57.160
<v Speaker 5>at Sunset Park and she lived in Sunset Park two.

1:22:57.560 --> 1:23:00.200
<v Speaker 5>So she got on the D train and she was like, Hey,

1:23:00.479 --> 1:23:02.479
<v Speaker 5>were you just in that SPU audition And I.

1:23:02.479 --> 1:23:07.479
<v Speaker 7>Was like yeah, And so we like sat next to

1:23:07.520 --> 1:23:09.799
<v Speaker 7>each other and we talked the entire way to Brooklyn,

1:23:10.200 --> 1:23:12.479
<v Speaker 7>and we like exchanged numbers, and we were both just

1:23:12.520 --> 1:23:15.679
<v Speaker 7>like having a really hard time with the business and

1:23:15.720 --> 1:23:16.880
<v Speaker 7>everything was just like.

1:23:17.000 --> 1:23:19.680
<v Speaker 6>Really tough for both of us, and we were just like, uh.

1:23:19.720 --> 1:23:23.120
<v Speaker 5>And I was like planning on moving back to California

1:23:23.160 --> 1:23:26.400
<v Speaker 5>after being in New York for twelve years at this point.

1:23:26.439 --> 1:23:30.720
<v Speaker 5>This was twenty twelve, and and she was like, yeah,

1:23:30.760 --> 1:23:33.400
<v Speaker 5>I think I'm gonna go like back to nursing, Like

1:23:33.479 --> 1:23:34.759
<v Speaker 5>I don't really know what I'm doing.

1:23:34.880 --> 1:23:36.880
<v Speaker 6>I'm I feel really crazy right now. And I was like,

1:23:36.920 --> 1:23:37.760
<v Speaker 6>oh my god, me too.

1:23:37.920 --> 1:23:38.200
<v Speaker 4>Same.

1:23:38.560 --> 1:23:40.679
<v Speaker 5>So we exchanged numbers and then like my life got

1:23:40.800 --> 1:23:45.280
<v Speaker 5>like absolutely insane, like I went through a fire. It

1:23:45.320 --> 1:23:47.479
<v Speaker 5>was just placed for my house. I was like definitely

1:23:47.520 --> 1:23:49.840
<v Speaker 5>moving back to California. It was like there was it

1:23:49.960 --> 1:23:57.080
<v Speaker 5>was the most extreme Saturn return ever. And so I

1:23:57.160 --> 1:23:59.640
<v Speaker 5>kind of like forgot about it and then like I

1:23:59.680 --> 1:24:03.080
<v Speaker 5>booked Orange and the first day I was on set,

1:24:03.160 --> 1:24:07.360
<v Speaker 5>I was at Crafty and I walked over and she

1:24:07.479 --> 1:24:13.200
<v Speaker 5>turned around and we were like, oh my god, and uh,

1:24:13.240 --> 1:24:14.599
<v Speaker 5>you know, the rest is history.

1:24:14.640 --> 1:24:15.160
<v Speaker 6>It was love.

1:24:15.320 --> 1:24:17.360
<v Speaker 1>Did either of you get the part on SVU that

1:24:17.400 --> 1:24:22.880
<v Speaker 1>you were auditioning for? No, you know what all those

1:24:23.439 --> 1:24:26.680
<v Speaker 1>problems led to Orange? You know, it's like it was

1:24:27.080 --> 1:24:30.120
<v Speaker 1>meant to be your first episode that you did.

1:24:30.479 --> 1:24:32.960
<v Speaker 3>Was this one or Haunted? Which one was first?

1:24:33.240 --> 1:24:33.760
<v Speaker 6>Haunted?

1:24:34.000 --> 1:24:34.920
<v Speaker 3>Haunted was first?

1:24:35.040 --> 1:24:37.479
<v Speaker 1>Yeah, and then so then what did they bring you

1:24:37.520 --> 1:24:40.320
<v Speaker 1>back as Starla just like they remembered you? Or like

1:24:40.360 --> 1:24:42.640
<v Speaker 1>did you have to audition again or what happened? No?

1:24:42.720 --> 1:24:46.160
<v Speaker 5>I had to audition again, guys. I mean for Haunted.

1:24:46.360 --> 1:24:49.840
<v Speaker 5>That was actually the first job I ever had. Like

1:24:49.880 --> 1:24:54.080
<v Speaker 5>that job got my sad guard. So so yeah, that

1:24:54.280 --> 1:24:57.240
<v Speaker 5>was like and that was like my first real audition,

1:24:57.640 --> 1:24:59.760
<v Speaker 5>like out of acting school. It was like I was

1:24:59.760 --> 1:25:01.559
<v Speaker 5>trying to to impress the agency I was at at

1:25:01.560 --> 1:25:04.920
<v Speaker 5>the time, and they like didn't they didn't want to

1:25:04.960 --> 1:25:07.280
<v Speaker 5>sign me, but they wanted to freelance with me. And

1:25:07.320 --> 1:25:12.280
<v Speaker 5>I was like, oh yeah, you're like gu and it

1:25:12.320 --> 1:25:15.040
<v Speaker 5>was I was like having such a weird situation because

1:25:15.040 --> 1:25:16.680
<v Speaker 5>I was like, I need I need something. I'm a

1:25:16.760 --> 1:25:22.360
<v Speaker 5>very like, I'm a very like committed actor and I

1:25:22.400 --> 1:25:27.280
<v Speaker 5>was playing a meth addict and I was like, I

1:25:27.320 --> 1:25:30.599
<v Speaker 5>feel like my eyes need to be like glazy or whatever.

1:25:31.000 --> 1:25:32.880
<v Speaker 5>And I looked at my purse and I had like

1:25:33.479 --> 1:25:37.200
<v Speaker 5>some CarMax, some like Menthol CarMax. So I just like

1:25:37.240 --> 1:25:39.840
<v Speaker 5>put it all over my eyes and they made me

1:25:39.920 --> 1:25:42.840
<v Speaker 5>like all like you know, not able to really like

1:25:42.960 --> 1:25:45.280
<v Speaker 5>see properly and just be like.

1:25:45.360 --> 1:25:46.360
<v Speaker 6>Gross and awful.

1:25:46.880 --> 1:25:48.679
<v Speaker 5>And then I booked the job, and then the agency

1:25:48.720 --> 1:25:51.040
<v Speaker 5>signed me, and I was like whoa.

1:25:51.240 --> 1:25:53.160
<v Speaker 6>And I got my sad card and I was like whoa,

1:25:53.800 --> 1:25:54.479
<v Speaker 6>But no.

1:25:54.400 --> 1:25:56.000
<v Speaker 3>I had the Carmacks burn.

1:25:56.520 --> 1:25:58.040
<v Speaker 6>Yeah, the Menthol does.

1:25:58.280 --> 1:25:58.920
<v Speaker 3>Yeah.

1:25:59.080 --> 1:26:02.760
<v Speaker 5>Yeah, it's like it's like putting peppermint all over your eye.

1:26:02.800 --> 1:26:07.400
<v Speaker 5>It's just it's awful. It's trash. It's great for your lips,

1:26:07.400 --> 1:26:12.680
<v Speaker 5>which trash for rivals. But but yeah, I mean the

1:26:12.720 --> 1:26:17.760
<v Speaker 5>way that the way that that casting office works is

1:26:18.400 --> 1:26:21.840
<v Speaker 5>if they like you, they they'll bring you in as

1:26:21.920 --> 1:26:24.160
<v Speaker 5>much as they they think.

1:26:24.040 --> 1:26:26.360
<v Speaker 6>You're right for whatever parts they have available.

1:26:26.800 --> 1:26:29.960
<v Speaker 5>But but if you book something, there's like a rule

1:26:30.439 --> 1:26:33.280
<v Speaker 5>where you can't you can't.

1:26:33.080 --> 1:26:36.000
<v Speaker 6>Come back for like another couple of years.

1:26:36.360 --> 1:26:36.559
<v Speaker 3>Yeah.

1:26:36.840 --> 1:26:40.960
<v Speaker 5>So there was like a four year period between when

1:26:41.000 --> 1:26:43.720
<v Speaker 5>I did my first episode of SVU and then when

1:26:43.720 --> 1:26:44.439
<v Speaker 5>I booked Starla.

1:26:44.600 --> 1:26:46.800
<v Speaker 6>But I was really stoked when I booked Starlak because

1:26:46.840 --> 1:26:48.439
<v Speaker 6>I was like, I get to work with Christmas money.

1:26:48.960 --> 1:26:51.240
<v Speaker 3>Yeah yea ellas.

1:26:51.840 --> 1:26:55.439
<v Speaker 5>And I'm a huge, wet hot American summer fan me too,

1:26:56.439 --> 1:27:00.760
<v Speaker 5>So it was just like it was really a special time.

1:27:01.560 --> 1:27:04.719
<v Speaker 2>Did he meet your expectations when you met him?

1:27:05.120 --> 1:27:07.080
<v Speaker 3>Like, do you have any memories from that?

1:27:07.720 --> 1:27:07.960
<v Speaker 6>Yes?

1:27:08.240 --> 1:27:12.320
<v Speaker 5>I mean there was a he I worked with him

1:27:13.200 --> 1:27:15.880
<v Speaker 5>my second day of filming, But there was like a

1:27:15.920 --> 1:27:17.800
<v Speaker 5>period of time in between my first day and my

1:27:17.880 --> 1:27:20.200
<v Speaker 5>second day because on my first day I got injured

1:27:20.280 --> 1:27:21.519
<v Speaker 5>and I had to go.

1:27:21.479 --> 1:27:22.080
<v Speaker 6>To the hospital.

1:27:23.800 --> 1:27:25.360
<v Speaker 3>Wait what happened? What?

1:27:25.880 --> 1:27:25.960
<v Speaker 5>So?

1:27:26.320 --> 1:27:26.679
<v Speaker 6>Okay?

1:27:26.760 --> 1:27:30.160
<v Speaker 5>So you know how there's that scene in the very

1:27:30.240 --> 1:27:32.960
<v Speaker 5>like the teaser the beginning, where there's like me on

1:27:33.000 --> 1:27:35.320
<v Speaker 5>the table and like people are like spraying champagne.

1:27:35.520 --> 1:27:37.759
<v Speaker 3>Oh yeah, yeah, yeah.

1:27:37.080 --> 1:27:40.160
<v Speaker 5>So we had been we shot that first. That was

1:27:40.320 --> 1:27:44.360
<v Speaker 5>my first day and it was it was a night shoot,

1:27:44.360 --> 1:27:46.200
<v Speaker 5>but we started a little bit earlier and we'd like

1:27:46.240 --> 1:27:49.880
<v Speaker 5>blacked out all the windows whatever. So we had kind

1:27:49.920 --> 1:27:53.599
<v Speaker 5>of run through it a bunch of times, and we

1:27:53.600 --> 1:27:56.120
<v Speaker 5>were getting ready to shoot, so they were like setting

1:27:56.160 --> 1:27:59.400
<v Speaker 5>up the lights and they wanted to do a test

1:27:59.760 --> 1:28:04.519
<v Speaker 5>with the with like the props and the water, but

1:28:04.640 --> 1:28:07.400
<v Speaker 5>like not actually like use any of it. So they

1:28:07.439 --> 1:28:10.160
<v Speaker 5>were kind of trying to like show the guy who

1:28:10.240 --> 1:28:12.599
<v Speaker 5>was with me, the one who was gonna be kind

1:28:12.600 --> 1:28:14.880
<v Speaker 5>of picking me up off of the table, throwing me

1:28:14.960 --> 1:28:17.880
<v Speaker 5>over his shoulder and then walking me out of frame.

1:28:18.600 --> 1:28:21.840
<v Speaker 6>They gave him kind of the idea of like what

1:28:21.920 --> 1:28:23.640
<v Speaker 6>was going to happen, and we went through.

1:28:23.600 --> 1:28:25.959
<v Speaker 5>Our lines, which my lines were like ah.

1:28:28.720 --> 1:28:30.200
<v Speaker 6>Like in a created.

1:28:31.320 --> 1:28:33.479
<v Speaker 5>And he was really nice, and we wanted to he

1:28:33.520 --> 1:28:35.880
<v Speaker 5>wanted to practice the sleeperhole, or not the sleeperhole, but

1:28:36.240 --> 1:28:38.960
<v Speaker 5>putting me over his shoulder. So he throws me over

1:28:39.000 --> 1:28:42.639
<v Speaker 5>his shoulder and everything's cool and we walk out of frame.

1:28:42.960 --> 1:28:50.519
<v Speaker 5>Now they neglected to tell him or myself that that

1:28:50.600 --> 1:28:53.519
<v Speaker 5>there was going to be a hose. I mean, like,

1:28:53.640 --> 1:28:55.240
<v Speaker 5>of course there's going to be a hose, but like

1:28:55.280 --> 1:28:57.160
<v Speaker 5>we didn't practice it with the hose because we didn't

1:28:57.160 --> 1:29:00.400
<v Speaker 5>want to get our costumes wet obviously, so everyone's like, okay,

1:29:00.400 --> 1:29:02.120
<v Speaker 5>we'll just kind of figure out what the marks are

1:29:02.120 --> 1:29:06.040
<v Speaker 5>gonna be and then we'll walk around it. So either

1:29:07.160 --> 1:29:11.640
<v Speaker 5>either he just wasn't like paying attention to where he

1:29:11.720 --> 1:29:12.719
<v Speaker 5>was stepping or whatever.

1:29:12.800 --> 1:29:16.640
<v Speaker 6>But we start shooting. Everyone's like spraying me with stuff.

1:29:16.600 --> 1:29:20.000
<v Speaker 5>And there's like a hose with water that's coming down

1:29:20.120 --> 1:29:22.440
<v Speaker 5>and it's you know, I'm wet.

1:29:22.160 --> 1:29:22.840
<v Speaker 6>And I'm wearing this.

1:29:22.920 --> 1:29:25.439
<v Speaker 5>I had like brown hair color in because they wanted

1:29:25.479 --> 1:29:28.120
<v Speaker 5>me to have brown hair, and they cast me and

1:29:28.160 --> 1:29:31.080
<v Speaker 5>they were like, they never asked me to dye my hair.

1:29:31.120 --> 1:29:32.600
<v Speaker 6>So I showed up on set and I was like

1:29:32.960 --> 1:29:35.080
<v Speaker 6>blonde and they were like, oh shit.

1:29:35.200 --> 1:29:38.240
<v Speaker 5>So they had to go to like, I don't know,

1:29:38.320 --> 1:29:41.639
<v Speaker 5>some somewhere you get like hair stuff, and it was like.

1:29:41.600 --> 1:29:42.840
<v Speaker 3>They just give you a wig.

1:29:43.640 --> 1:29:50.759
<v Speaker 6>I don't know, you know, good question, very good question.

1:29:51.160 --> 1:29:52.559
<v Speaker 6>But they put this.

1:29:52.439 --> 1:29:55.240
<v Speaker 5>Like moose stuff in my hair that made my hair

1:29:55.439 --> 1:29:58.200
<v Speaker 5>a dark brown color. So the second it gets wet,

1:29:58.240 --> 1:30:01.000
<v Speaker 5>it's like dripping all over me and just like everything's

1:30:01.000 --> 1:30:04.200
<v Speaker 5>in my eyes, can't see anything. Everything's just like Okay,

1:30:04.200 --> 1:30:07.240
<v Speaker 5>I'm putting all of my trust in this guy, and

1:30:07.320 --> 1:30:09.280
<v Speaker 5>it's gonna be easy. Like it's gonna be an easy night.

1:30:09.360 --> 1:30:11.519
<v Speaker 5>It's not a really long scene. I'm just gonna get

1:30:11.560 --> 1:30:12.040
<v Speaker 5>a little wet.

1:30:12.080 --> 1:30:12.759
<v Speaker 3>It'll be fine.

1:30:12.920 --> 1:30:17.000
<v Speaker 6>Like it's cool. So the guy comes over.

1:30:16.920 --> 1:30:21.519
<v Speaker 5>To the table, the pool table, which I'm on, and

1:30:21.840 --> 1:30:24.880
<v Speaker 5>we do we do the hold. He throws me over

1:30:26.200 --> 1:30:29.880
<v Speaker 5>and he starts to walk out of frame and he

1:30:30.000 --> 1:30:35.960
<v Speaker 5>trips on the hooks and as he is like, he's

1:30:36.080 --> 1:30:38.160
<v Speaker 5>he's trying to not drop me. He's like trying to

1:30:38.240 --> 1:30:41.360
<v Speaker 5>keep his balance but also not drop me. So okay,

1:30:41.479 --> 1:30:43.519
<v Speaker 5>like let me see if I can kind of okay.

1:30:44.080 --> 1:30:47.760
<v Speaker 5>So here's here's like the table, here's me, here's the guy.

1:30:47.880 --> 1:30:50.679
<v Speaker 5>He's like, oh no, and I'm like on his back,

1:30:51.240 --> 1:30:51.920
<v Speaker 5>just being like.

1:30:51.920 --> 1:30:54.880
<v Speaker 6>I feel like my equilibrium is kind of hot. So

1:30:54.960 --> 1:30:57.120
<v Speaker 6>he's like try to keep his balance, trying to keep

1:30:57.160 --> 1:31:00.280
<v Speaker 6>his balance. Here's a brick wall.

1:31:00.720 --> 1:31:04.519
<v Speaker 5>As he's trying to keep his balance, he actually throws

1:31:04.640 --> 1:31:10.880
<v Speaker 5>me into the brick wall like back because I'm I'm

1:31:10.960 --> 1:31:14.960
<v Speaker 5>over his shoulders, which would not have been that bad,

1:31:15.880 --> 1:31:20.800
<v Speaker 5>but there was a like a light socket protruding off

1:31:20.920 --> 1:31:24.639
<v Speaker 5>of the wall, and that's what my back hit. Oh no,

1:31:25.439 --> 1:31:33.080
<v Speaker 5>and I heard something crap and they yelled cut and everyone, and.

1:31:33.000 --> 1:31:35.920
<v Speaker 6>I was like on the ground and everyone was like, girl,

1:31:36.040 --> 1:31:37.639
<v Speaker 6>I call it ambulance call.

1:31:40.080 --> 1:31:43.599
<v Speaker 5>And shit, yeah, I'm I mean I was a competitive

1:31:43.600 --> 1:31:44.439
<v Speaker 5>gymnast as a kid, so.

1:31:44.439 --> 1:31:46.080
<v Speaker 6>I'm like, I'm tough. I could do this.

1:31:46.560 --> 1:31:50.240
<v Speaker 5>Yeah, but I was I was hurting. I was hurting,

1:31:50.400 --> 1:31:53.200
<v Speaker 5>and they were not interested in trying it again because

1:31:53.920 --> 1:31:54.880
<v Speaker 5>they didn't want to do that.

1:31:54.920 --> 1:31:56.559
<v Speaker 6>Everyone was like, sign this, sign this.

1:31:57.160 --> 1:31:59.679
<v Speaker 5>I was with my agent at the time, my manager,

1:32:00.360 --> 1:32:08.120
<v Speaker 5>and and they basically had to send me to the hospital.

1:32:08.160 --> 1:32:10.800
<v Speaker 5>I didn't go that night, but they made me go

1:32:10.920 --> 1:32:15.799
<v Speaker 5>the next day. I was like, I'm fine. I'm not fine.

1:32:15.840 --> 1:32:17.080
<v Speaker 6>I couldn't like lift anything.

1:32:17.080 --> 1:32:19.519
<v Speaker 3>It was just like did you have like how long

1:32:19.520 --> 1:32:22.520
<v Speaker 3>did it hurt? How was it filming the rest of it?

1:32:22.280 --> 1:32:24.880
<v Speaker 6>It hurt for like a good week. It hurt for

1:32:24.920 --> 1:32:25.400
<v Speaker 6>a good week.

1:32:25.560 --> 1:32:28.080
<v Speaker 1>So like, is the scene that we saw, like that

1:32:28.200 --> 1:32:31.200
<v Speaker 1>one take before you got your back like fucked up.

1:32:31.160 --> 1:32:32.360
<v Speaker 6>Or in the teaserts.

1:32:32.360 --> 1:32:33.000
<v Speaker 3>So that's it.

1:32:33.120 --> 1:32:35.519
<v Speaker 6>Yeah, that's it. That was it cut.

1:32:37.640 --> 1:32:38.880
<v Speaker 3>We're not going back to it.

1:32:39.240 --> 1:32:42.600
<v Speaker 5>And then and they felt really bad. So when I

1:32:42.680 --> 1:32:45.000
<v Speaker 5>came back, they gave me Bead Wong's dressing.

1:32:44.760 --> 1:32:50.320
<v Speaker 1>Room, which like they're like please don't sue us, Please

1:32:50.360 --> 1:32:50.960
<v Speaker 1>don't sue us.

1:32:51.520 --> 1:32:53.559
<v Speaker 6>Yeah, I mean I got I got that sense.

1:32:53.600 --> 1:32:55.960
<v Speaker 5>I got that sense, and I guess something had happened

1:32:56.080 --> 1:32:58.160
<v Speaker 5>like weeks prior that was like kind of a big

1:32:58.200 --> 1:33:00.479
<v Speaker 5>deal in terms of that kind of stuff, which I

1:33:00.479 --> 1:33:02.960
<v Speaker 5>didn't realize after the fact, so I could tell like

1:33:03.200 --> 1:33:08.720
<v Speaker 5>everyone was had their senses heightened about that kind of situation.

1:33:08.960 --> 1:33:13.400
<v Speaker 2>But but yeah, because then your next scene with Maloney,

1:33:13.400 --> 1:33:15.120
<v Speaker 2>you're kind of running and falling too.

1:33:15.520 --> 1:33:17.479
<v Speaker 6>Yeah, I know, I know. So I had to do

1:33:17.520 --> 1:33:19.400
<v Speaker 6>that with an injury, and.

1:33:19.360 --> 1:33:21.479
<v Speaker 1>Then you have to like wrestle that jacket off and

1:33:21.520 --> 1:33:23.680
<v Speaker 1>it feels like you're like, oh, this monkey suit, but

1:33:23.760 --> 1:33:25.760
<v Speaker 1>like maybe it's because you're really like get this off

1:33:25.800 --> 1:33:26.040
<v Speaker 1>from me.

1:33:26.080 --> 1:33:29.200
<v Speaker 6>I sanjur It was, no, he was.

1:33:29.400 --> 1:33:31.600
<v Speaker 5>He was funny when we when we got because I

1:33:31.640 --> 1:33:35.320
<v Speaker 5>didn't meet him until we actually got to set, and

1:33:35.360 --> 1:33:37.840
<v Speaker 5>he was like, I heard you got your ass kicked

1:33:37.920 --> 1:33:43.120
<v Speaker 5>last week, and I was like yeah, yeah, and of course,

1:33:43.160 --> 1:33:46.800
<v Speaker 5>you know, like I was nervous, but like you know,

1:33:46.960 --> 1:33:49.160
<v Speaker 5>we started talking about what hot American summer and I

1:33:49.280 --> 1:33:51.200
<v Speaker 5>was just like, you should come out with your with

1:33:51.240 --> 1:33:55.479
<v Speaker 5>a line of cologne called food to Maloney. And it

1:33:55.520 --> 1:33:59.960
<v Speaker 5>could be like served in like a soup can, which

1:34:00.040 --> 1:34:01.120
<v Speaker 5>he thought it was really funny.

1:34:01.760 --> 1:34:02.920
<v Speaker 6>I was just trying to make him laugh.

1:34:03.000 --> 1:34:05.160
<v Speaker 3>I love it. That's so funny.

1:34:05.520 --> 1:34:09.160
<v Speaker 1>So like so like in Haunted you're this metho addict,

1:34:09.240 --> 1:34:13.280
<v Speaker 1>and in This you're like a biker girlfriend. In in

1:34:13.000 --> 1:34:17.360
<v Speaker 1>or in Orange, you're also like this methy kind of racist,

1:34:17.439 --> 1:34:19.560
<v Speaker 1>and then in American Dream and Sanctuary you're kind of

1:34:19.600 --> 1:34:19.840
<v Speaker 1>like a.

1:34:20.200 --> 1:34:22.240
<v Speaker 3>Well, how do you get typecast?

1:34:22.439 --> 1:34:24.479
<v Speaker 1>Is like this because you look like a really normal

1:34:24.520 --> 1:34:27.080
<v Speaker 1>person thing, but you keep playing racists.

1:34:28.479 --> 1:34:35.400
<v Speaker 5>I think studios and uh, people who run shows have

1:34:35.520 --> 1:34:40.679
<v Speaker 5>an idea of what audience members think of as what

1:34:40.800 --> 1:34:45.519
<v Speaker 5>a racist looks like or what a meth addict looks

1:34:45.640 --> 1:34:51.360
<v Speaker 5>like as far as the meth and and like you know, stereotypes,

1:34:51.360 --> 1:34:53.639
<v Speaker 5>but like some of it's not wrong as far as

1:34:53.680 --> 1:34:57.639
<v Speaker 5>the myth goes. Like the second you paint my teeth

1:34:57.760 --> 1:35:03.800
<v Speaker 5>like it's it's I'm on there, you put the brown

1:35:03.800 --> 1:35:05.799
<v Speaker 5>stuff on my teeth, and I'm just like.

1:35:06.360 --> 1:35:10.439
<v Speaker 7>You know, it's just it's.

1:35:09.600 --> 1:35:13.400
<v Speaker 5>Not it's not that difficult to see me as like

1:35:13.560 --> 1:35:15.320
<v Speaker 5>take all the makeup off my face and put brown

1:35:15.360 --> 1:35:18.439
<v Speaker 5>stuff on my teeth and I will look like a methatic.

1:35:18.560 --> 1:35:21.680
<v Speaker 6>That is, I think that's just genetic.

1:35:23.439 --> 1:35:23.799
<v Speaker 3>Funny.

1:35:23.840 --> 1:35:28.479
<v Speaker 2>On that show too, you got you and your friend Angie,

1:35:28.520 --> 1:35:32.439
<v Speaker 2>I feel were a little bit of a comedic racist

1:35:32.600 --> 1:35:33.160
<v Speaker 2>method duo.

1:35:33.320 --> 1:35:36.120
<v Speaker 5>But yeah, we didn't realize how racist we were going

1:35:36.200 --> 1:35:39.080
<v Speaker 5>to be until like later on, and they made it's

1:35:39.120 --> 1:35:42.080
<v Speaker 5>like really racist, and we were like, there's not we

1:35:42.120 --> 1:35:45.760
<v Speaker 5>can't really come back from this, but like you know,

1:35:45.840 --> 1:35:48.639
<v Speaker 5>there's no way we can kind of redeem ourselves. All

1:35:48.680 --> 1:35:51.200
<v Speaker 5>we can do is just like amp up the comedy

1:35:51.320 --> 1:35:52.839
<v Speaker 5>and make them like funny.

1:35:53.360 --> 1:35:56.439
<v Speaker 3>Right, you killed it? Oh my god, Yeah, thank you.

1:35:57.920 --> 1:36:00.479
<v Speaker 2>Because I remember you guys being like frickin' frack a

1:36:00.479 --> 1:36:03.439
<v Speaker 2>little bit, even though, like you know, the undercurrent of crime.

1:36:03.640 --> 1:36:05.040
<v Speaker 6>But yeah, and then the third time I got to

1:36:05.040 --> 1:36:06.320
<v Speaker 6>be on SVU, I got to work with.

1:36:06.320 --> 1:36:10.520
<v Speaker 1>Murushka, so amazing, my fingerguns, I'm Kelly.

1:36:11.800 --> 1:36:13.680
<v Speaker 6>And Pok and Scannfino.

1:36:14.000 --> 1:36:16.720
<v Speaker 2>So did you any stories with the three of them?

1:36:16.960 --> 1:36:18.880
<v Speaker 2>Are just excitement since you're a fan of the show.

1:36:19.320 --> 1:36:24.000
<v Speaker 5>I mean, Marishka and I became really friendly after that,

1:36:24.080 --> 1:36:27.080
<v Speaker 5>and she like invited me to a handful of things,

1:36:27.120 --> 1:36:30.680
<v Speaker 5>and she introduced me to Harry Connick, Junior, which was

1:36:30.760 --> 1:36:34.720
<v Speaker 5>like one of the coolest thing ever. I'm such a

1:36:34.760 --> 1:36:38.320
<v Speaker 5>hardcore Harry Conic Junior fan and like I love Hope Floats,

1:36:38.400 --> 1:36:40.559
<v Speaker 5>So I'm just I'm that bitch.

1:36:40.760 --> 1:36:42.919
<v Speaker 6>I love that movie and I love him.

1:36:43.040 --> 1:36:47.080
<v Speaker 5>And and she was like, She's like, this is my friend, Emma,

1:36:47.320 --> 1:36:48.080
<v Speaker 5>She's dope.

1:36:48.240 --> 1:36:52.080
<v Speaker 6>And I was like, I was like, oh my god,

1:36:52.240 --> 1:36:55.799
<v Speaker 6>mah just called me dope in front of Harry Conic Junior.

1:36:56.040 --> 1:36:57.599
<v Speaker 4>Whoa wow.

1:36:57.800 --> 1:36:59.479
<v Speaker 5>I'm like, and this is you know, I'm like, I'm

1:36:59.479 --> 1:37:02.240
<v Speaker 5>such a fan. I'm like almost forty years old, just like.

1:37:04.720 --> 1:37:05.280
<v Speaker 3>An idiot.

1:37:05.320 --> 1:37:07.719
<v Speaker 5>Yeah, I'm a married woman, and I'm just like melting

1:37:07.800 --> 1:37:08.760
<v Speaker 5>into a punnel.

1:37:11.160 --> 1:37:11.400
<v Speaker 3>I know.

1:37:11.479 --> 1:37:13.519
<v Speaker 2>I feel if we ever get to have Maurushika on

1:37:13.520 --> 1:37:15.560
<v Speaker 2>this podcast, like my first question is how do you

1:37:15.600 --> 1:37:17.680
<v Speaker 2>deal with everyone being obsessed and in love in an

1:37:17.680 --> 1:37:18.719
<v Speaker 2>awe of you at all times?

1:37:18.760 --> 1:37:20.360
<v Speaker 3>Like, yeah, how do you function?

1:37:20.600 --> 1:37:24.680
<v Speaker 2>Because everyone we talked to Gusha's about her in this

1:37:24.760 --> 1:37:27.360
<v Speaker 2>way where it's like she's truly an angel from you know,

1:37:27.479 --> 1:37:28.599
<v Speaker 2>how did that drop down?

1:37:29.000 --> 1:37:30.960
<v Speaker 6>I did? I called her a unicorn. I called her

1:37:30.960 --> 1:37:32.240
<v Speaker 6>a unicorn.

1:37:33.479 --> 1:37:35.240
<v Speaker 5>In like a post and she texted me and she

1:37:35.320 --> 1:37:37.479
<v Speaker 5>was like, I don't really understand the unicorn thing, but

1:37:37.520 --> 1:37:39.599
<v Speaker 5>like I love it. And then she texted me back

1:37:39.640 --> 1:37:41.160
<v Speaker 5>like a few days later, she was like I get it.

1:37:41.200 --> 1:37:43.120
<v Speaker 6>I get it. I understand how I understand.

1:37:43.360 --> 1:37:46.879
<v Speaker 5>And I was like, it's like you're this majestic creature

1:37:47.280 --> 1:37:49.920
<v Speaker 5>that no one knows where you came from or like

1:37:50.080 --> 1:37:52.439
<v Speaker 5>how long you're gonna be here, but we just worship

1:37:52.520 --> 1:37:53.559
<v Speaker 5>you in your mag.

1:37:55.280 --> 1:37:59.639
<v Speaker 6>And she's such like calm down, but no, she's like

1:37:59.720 --> 1:38:00.719
<v Speaker 6>she's It's.

1:38:00.600 --> 1:38:04.120
<v Speaker 1>Like there's like people that obviously people love Jennifer Aniston,

1:38:04.240 --> 1:38:07.599
<v Speaker 1>people love you know, whoever. They love a lot of people,

1:38:07.680 --> 1:38:10.000
<v Speaker 1>but like the way people talk about her, it's like

1:38:10.040 --> 1:38:14.040
<v Speaker 1>another level. They're like she's so professional but also warm

1:38:14.320 --> 1:38:16.840
<v Speaker 1>and like helps you get where you need to go

1:38:16.920 --> 1:38:19.559
<v Speaker 1>in the scene, and then off camera invite like sends

1:38:19.640 --> 1:38:23.040
<v Speaker 1>me Christmas cards, introduces me as dope. Like you just

1:38:23.120 --> 1:38:26.000
<v Speaker 1>hear like all these stories, like everybody has this story

1:38:26.040 --> 1:38:28.600
<v Speaker 1>about her being like just a great person, and I

1:38:28.680 --> 1:38:31.839
<v Speaker 1>just feel like you never hear that that much about

1:38:32.280 --> 1:38:33.120
<v Speaker 1>anybody else.

1:38:33.560 --> 1:38:37.160
<v Speaker 5>Yeah, I know, I mean I think for for for

1:38:37.360 --> 1:38:42.599
<v Speaker 5>like what like who she is as like a status symbol.

1:38:43.040 --> 1:38:47.280
<v Speaker 5>It's like shocking that she's as approachable as she is.

1:38:47.800 --> 1:38:54.839
<v Speaker 5>But she she's just like a really lovely, wonderful, caring person,

1:38:55.520 --> 1:38:58.120
<v Speaker 5>and she cares about the work that she does. It's

1:38:58.360 --> 1:39:02.479
<v Speaker 5>very meaningful to her. Cares about every single person. Behind

1:39:02.520 --> 1:39:05.880
<v Speaker 5>the scenes. She's always like if someone has something going on,

1:39:06.040 --> 1:39:08.400
<v Speaker 5>like she's always making sure that everyone is taking care

1:39:08.439 --> 1:39:10.800
<v Speaker 5>of no matter what. If it's raining, and like someone

1:39:10.840 --> 1:39:13.560
<v Speaker 5>doesn't have an umbrella, She's making sure that people have umbrellas,

1:39:13.600 --> 1:39:14.080
<v Speaker 5>like she.

1:39:14.960 --> 1:39:15.960
<v Speaker 6>Is the Mama Bear.

1:39:16.439 --> 1:39:17.479
<v Speaker 3>Yeah, it's just.

1:39:18.080 --> 1:39:22.960
<v Speaker 5>I'm grateful every second I got to spend in her presence.

1:39:24.240 --> 1:39:25.240
<v Speaker 3>That's so cool.

1:39:26.040 --> 1:39:28.000
<v Speaker 1>What what are you up to these days? I was

1:39:28.040 --> 1:39:30.639
<v Speaker 1>looking at your Instagram. You have this like kitchen series,

1:39:30.760 --> 1:39:32.600
<v Speaker 1>like the Triggered Kitchen Series. I don't know if you

1:39:32.640 --> 1:39:34.120
<v Speaker 1>want to tell us a little bit about that or

1:39:34.120 --> 1:39:35.519
<v Speaker 1>like other projects you have going on.

1:39:35.800 --> 1:39:39.439
<v Speaker 5>Yeah, I mean that's I'm I'm in the process of

1:39:39.880 --> 1:39:41.560
<v Speaker 5>writing a book.

1:39:43.280 --> 1:39:46.320
<v Speaker 6>That's kind of based in my trigger my kitchen series.

1:39:46.400 --> 1:39:50.080
<v Speaker 5>My whole backstory is that, like I've dealt with disordered

1:39:50.080 --> 1:39:56.080
<v Speaker 5>eating for my whole wife and and I had been

1:39:56.120 --> 1:39:58.280
<v Speaker 5>in recovery when I was like a teenager and I

1:39:58.280 --> 1:40:00.719
<v Speaker 5>thought it was gone. I was like, Okay, cool, cool cool,

1:40:00.720 --> 1:40:04.760
<v Speaker 5>And then like life kind of happens, and during like

1:40:04.920 --> 1:40:08.160
<v Speaker 5>right before the pandemic, it kind of started to like

1:40:08.320 --> 1:40:12.280
<v Speaker 5>eke back in for X, Y and Z reasons. And

1:40:12.320 --> 1:40:15.280
<v Speaker 5>then when the pandemic happened, it was just like an

1:40:15.320 --> 1:40:20.200
<v Speaker 5>insane relapse and I almost didn't make it out of it.

1:40:20.760 --> 1:40:26.200
<v Speaker 5>And so I started kind of trying to examine, like

1:40:26.800 --> 1:40:31.519
<v Speaker 5>why where this dysfunction comes from? Like why is why

1:40:31.520 --> 1:40:33.519
<v Speaker 5>do I continue to do this? Like why is this

1:40:33.600 --> 1:40:37.519
<v Speaker 5>something that like people just don't recover from. And I'm like,

1:40:37.640 --> 1:40:40.320
<v Speaker 5>I refuse to believe that. I refuse to believe that.

1:40:40.360 --> 1:40:45.719
<v Speaker 5>I refuse, I refuse to have that as my life.

1:40:45.840 --> 1:40:49.360
<v Speaker 5>And so as a way of trying to like take care,

1:40:49.640 --> 1:40:53.719
<v Speaker 5>like take take back control of what I was essentially

1:40:53.760 --> 1:40:57.680
<v Speaker 5>putting myself through instead of it being like controlled by

1:40:57.880 --> 1:41:03.120
<v Speaker 5>restrictive and self destructive behavior, I started to cook. And

1:41:03.520 --> 1:41:07.720
<v Speaker 5>I started to cook, and I started to learn that

1:41:07.840 --> 1:41:11.280
<v Speaker 5>like part of the reason why my relationship with food

1:41:11.280 --> 1:41:14.080
<v Speaker 5>and my relationship with my body was so dysfunctional was

1:41:14.120 --> 1:41:18.000
<v Speaker 5>because I was completely disconnected from what I was putting

1:41:18.000 --> 1:41:19.960
<v Speaker 5>into my body. It's like you go to the deli

1:41:20.000 --> 1:41:22.639
<v Speaker 5>at three am, It's like you're not you're not doing

1:41:22.680 --> 1:41:25.600
<v Speaker 5>anything for yourself. You're not involved in that process. You

1:41:25.600 --> 1:41:28.280
<v Speaker 5>don't know where that stuff comes from. So you just

1:41:28.400 --> 1:41:30.280
<v Speaker 5>like take a bite and it's like easy to keep

1:41:30.280 --> 1:41:32.920
<v Speaker 5>that sandwich as like a stranger as opposed to like

1:41:33.200 --> 1:41:38.080
<v Speaker 5>this thing that is like good and happy and and

1:41:38.560 --> 1:41:42.280
<v Speaker 5>helps you kind of like understand why you operate the

1:41:42.280 --> 1:41:46.120
<v Speaker 5>way that you do. So yeah, my, my, of course,

1:41:46.120 --> 1:41:50.559
<v Speaker 5>that's that's a little more like more drama than the

1:41:50.600 --> 1:41:54.439
<v Speaker 5>comedy of my of my real series.

1:41:55.080 --> 1:41:57.160
<v Speaker 6>But but yeah, I just started.

1:41:58.240 --> 1:42:01.560
<v Speaker 5>I just started like shooting them, and I have two phones,

1:42:01.800 --> 1:42:03.960
<v Speaker 5>so I would do a setup where I would have

1:42:04.000 --> 1:42:05.720
<v Speaker 5>like one be a close up and one be like an.

1:42:05.720 --> 1:42:08.680
<v Speaker 6>Overhead, and I just like taught myself how to.

1:42:09.120 --> 1:42:13.439
<v Speaker 5>Edit damn and and then you know the captions, the

1:42:13.640 --> 1:42:17.960
<v Speaker 5>like stupid punny captions like calling Shallots Timothy shallat May

1:42:18.120 --> 1:42:22.080
<v Speaker 5>and calling Garlic Bob Garley. Like that's that's the stuff

1:42:22.080 --> 1:42:27.679
<v Speaker 5>that people tend to really, they're like, yeah, so it's

1:42:27.760 --> 1:42:32.400
<v Speaker 5>just it's fun, it's fun, and it's it's it's helpful

1:42:32.439 --> 1:42:35.960
<v Speaker 5>to people. I started, Yeah, I started with the idea

1:42:35.960 --> 1:42:40.240
<v Speaker 5>of like today, I was triggered by hard pants, but

1:42:40.400 --> 1:42:42.880
<v Speaker 5>instead of self punishing. I decided to make a ra

1:42:43.040 --> 1:42:47.360
<v Speaker 5>bus and then I go into so it's like my

1:42:47.439 --> 1:42:50.240
<v Speaker 5>way of funneling, Like how my triggers used to kind

1:42:50.240 --> 1:42:56.479
<v Speaker 5>of fuel this self destructive behavior, I'm funneling that into

1:42:56.520 --> 1:43:00.639
<v Speaker 5>something that's like more productive for me as h in person.

1:43:01.280 --> 1:43:03.640
<v Speaker 1>That's so great, And I'm sure you're actually helping a

1:43:03.680 --> 1:43:07.479
<v Speaker 1>lot of people who have similar situations, you know.

1:43:07.600 --> 1:43:08.559
<v Speaker 6>Yeah, I hope so well.

1:43:08.600 --> 1:43:11.559
<v Speaker 2>I loved your bride spread. I'm really into weddings. I

1:43:11.560 --> 1:43:13.519
<v Speaker 2>did find it. I did read all of it. I

1:43:13.560 --> 1:43:17.439
<v Speaker 2>did look at every picture. I loved the Hooters. I

1:43:17.439 --> 1:43:22.080
<v Speaker 2>loved the concept. I liked the like floral with the city.

1:43:22.120 --> 1:43:24.840
<v Speaker 2>That's kind of my dream because I love flowers and green.

1:43:24.920 --> 1:43:27.120
<v Speaker 2>But like New York City skyline to me, is the

1:43:27.120 --> 1:43:27.920
<v Speaker 2>most beautiful thing.

1:43:28.160 --> 1:43:29.559
<v Speaker 6>It is it is.

1:43:29.680 --> 1:43:32.360
<v Speaker 5>I don't know, I really don't know how we got

1:43:32.600 --> 1:43:34.440
<v Speaker 5>so lucky first with Hooters.

1:43:36.720 --> 1:43:43.120
<v Speaker 8>Wait, I'm like, I'm going, I mean, like the long

1:43:43.160 --> 1:43:45.479
<v Speaker 8>story short, like so, I'm I used to go to

1:43:45.520 --> 1:43:48.640
<v Speaker 8>a lot of Liberty games, New York Liberty when they

1:43:48.680 --> 1:43:51.800
<v Speaker 8>used to play at MSG the w NBA, and I

1:43:51.840 --> 1:43:54.240
<v Speaker 8>would go with a handful of my friends.

1:43:54.280 --> 1:43:58.479
<v Speaker 5>One of them Seleene c Robinson, being a writer and producer,

1:43:59.240 --> 1:44:01.360
<v Speaker 5>passed on I'm on SVU.

1:44:01.479 --> 1:44:03.320
<v Speaker 6>That's how I met her. I met her through Marishka,

1:44:04.360 --> 1:44:05.599
<v Speaker 6>so she's she's.

1:44:05.479 --> 1:44:08.280
<v Speaker 5>A really really good friend of mine and her now

1:44:08.439 --> 1:44:10.960
<v Speaker 5>wife is also a really good friend of mine.

1:44:11.600 --> 1:44:14.080
<v Speaker 6>And we would all go.

1:44:14.000 --> 1:44:17.280
<v Speaker 5>To Hooters afterwards after the games because it was like,

1:44:17.479 --> 1:44:20.879
<v Speaker 5>you know, right down the street, and Leo was, actually,

1:44:20.920 --> 1:44:22.720
<v Speaker 5>she'll be pissed if I don't mention this. Leo was

1:44:22.760 --> 1:44:26.400
<v Speaker 5>the person who introduced me to Hooters, but we also

1:44:27.040 --> 1:44:28.360
<v Speaker 5>started to go without her.

1:44:28.280 --> 1:44:30.160
<v Speaker 6>When she wouldn't come to WNBA games.

1:44:30.240 --> 1:44:33.679
<v Speaker 5>So we started this thing called Dream Chicken Team, which

1:44:33.760 --> 1:44:36.439
<v Speaker 5>was like five of us, and we would be like.

1:44:36.439 --> 1:44:38.280
<v Speaker 6>Are we doing Dream Chicken Team after the game?

1:44:38.479 --> 1:44:39.559
<v Speaker 4>Like cool whoo.

1:44:40.120 --> 1:44:43.240
<v Speaker 5>And then when I when I was setting everything up

1:44:43.280 --> 1:44:47.680
<v Speaker 5>for the wedding, I as someone had mentioned, they were like,

1:44:47.760 --> 1:44:49.360
<v Speaker 5>oh my god, you know it would be funny, like

1:44:49.400 --> 1:44:52.120
<v Speaker 5>you should totally have Hooters, and I was like, I

1:44:52.160 --> 1:44:55.120
<v Speaker 5>totally should have Hooters, and so I tweeted them.

1:44:55.560 --> 1:44:57.040
<v Speaker 3>I was like, I was like.

1:44:57.000 --> 1:44:59.879
<v Speaker 5>Hey, you think Hooters would do partial catering for my wedding?

1:45:00.760 --> 1:45:03.600
<v Speaker 5>And within I swear to God, like a minute and

1:45:03.640 --> 1:45:05.559
<v Speaker 5>a half. They were in my inbox. They were like,

1:45:05.640 --> 1:45:08.720
<v Speaker 5>let's do it, and I was like, I was like.

1:45:08.800 --> 1:45:12.280
<v Speaker 7>Oh my god, it's amazing.

1:45:12.400 --> 1:45:14.679
<v Speaker 3>When did you get married? How long ago was this?

1:45:15.200 --> 1:45:21.320
<v Speaker 5>It was August third, twenty nineteen. Okay, so before the pandemic.

1:45:21.400 --> 1:45:22.160
<v Speaker 6>Praise Jesus.

1:45:23.000 --> 1:45:25.400
<v Speaker 3>These pictures are gorgeous. You look so pretty.

1:45:25.479 --> 1:45:28.160
<v Speaker 1>These are really cool And now I'm getting I just

1:45:28.160 --> 1:45:29.360
<v Speaker 1>scrolled to the Hooters girls.

1:45:29.360 --> 1:45:31.519
<v Speaker 3>I got them. This looks great and I.

1:45:31.439 --> 1:45:34.080
<v Speaker 1>Love this group photo where it's all just women with

1:45:34.120 --> 1:45:35.880
<v Speaker 1>the Hooters girls. Oh wait, there's one man in it,

1:45:35.880 --> 1:45:37.479
<v Speaker 1>and I see one man in the back, but like

1:45:37.920 --> 1:45:39.080
<v Speaker 1>everybody else's women.

1:45:39.200 --> 1:45:39.960
<v Speaker 3>This is awesome.

1:45:40.080 --> 1:45:40.920
<v Speaker 6>Yeah, I mean like a lot.

1:45:41.160 --> 1:45:42.880
<v Speaker 5>There were a lot of cast members that were there,

1:45:42.920 --> 1:45:46.760
<v Speaker 5>and it was so just having It was so funny too,

1:45:46.760 --> 1:45:48.439
<v Speaker 5>because they were just like, this is the.

1:45:48.320 --> 1:45:51.200
<v Speaker 6>Best wedding we've ever been to, and we were like party.

1:45:51.640 --> 1:45:54.000
<v Speaker 6>So they stayed and they partied with us for like

1:45:54.040 --> 1:45:55.000
<v Speaker 6>the rest of the night.

1:45:55.840 --> 1:45:56.519
<v Speaker 3>So cool.

1:45:56.880 --> 1:45:58.760
<v Speaker 2>Wait, as a fan of SVU, I do have to know,

1:45:58.800 --> 1:46:00.720
<v Speaker 2>are there any episodes we like to say that like

1:46:01.200 --> 1:46:04.280
<v Speaker 2>sticking your head is haunting or just like favorite episodes

1:46:04.280 --> 1:46:06.479
<v Speaker 2>when you hit up USA in a hotel room.

1:46:06.520 --> 1:46:08.400
<v Speaker 3>You're like, oh, I'm glad it's the one.

1:46:08.800 --> 1:46:12.559
<v Speaker 5>I mean, there's there's probably like too many to count,

1:46:13.640 --> 1:46:16.720
<v Speaker 5>but Leah and I have a running joke with the

1:46:16.800 --> 1:46:22.360
<v Speaker 5>episode with one of Elizabeth Mitchell's episodes, but anytime Elizabeth

1:46:22.400 --> 1:46:24.880
<v Speaker 5>Mitchell is anywhere near Svo, I'm just like, yeah, bring

1:46:24.960 --> 1:46:29.800
<v Speaker 5>it by, please, Yeah, but not not the baby and

1:46:29.840 --> 1:46:36.400
<v Speaker 5>the cooler one, the one where she's like been molested by.

1:46:36.280 --> 1:46:40.360
<v Speaker 3>Your mother, Oh, the totem Yes, and.

1:46:40.360 --> 1:46:43.360
<v Speaker 6>Jeremy Irons is the therapist and Lea. Yeah, always like

1:46:43.439 --> 1:46:44.360
<v Speaker 6>taunt each other.

1:46:44.280 --> 1:46:47.439
<v Speaker 9>Because we're always just like and then she took the

1:46:47.479 --> 1:46:55.240
<v Speaker 9>wooden spoon, so anytime we see like a wooden spoon,

1:46:55.400 --> 1:46:57.000
<v Speaker 9>we like take your picture and like send it to

1:46:57.040 --> 1:46:58.960
<v Speaker 9>each other and just go like oh.

1:46:59.160 --> 1:47:01.840
<v Speaker 6>And then obviously like Luscious Grapes is just.

1:47:02.160 --> 1:47:06.360
<v Speaker 1>Oh, yeah, our first episode we ever did on our podcast, Bully.

1:47:07.439 --> 1:47:08.960
<v Speaker 6>Why wouldn't it be? It's best.

1:47:09.240 --> 1:47:12.760
<v Speaker 2>I love that you have these inside jokes and little

1:47:12.800 --> 1:47:15.560
<v Speaker 2>moments that makes me so happy about us for you.

1:47:15.760 --> 1:47:19.919
<v Speaker 5>Yeah, I feel like like SEU fandom is its own language.

1:47:20.160 --> 1:47:25.160
<v Speaker 2>Yeah, the fans are deep and well we're desensitized too,

1:47:25.240 --> 1:47:27.200
<v Speaker 2>because I'll be watching like sex and the City or

1:47:27.200 --> 1:47:29.360
<v Speaker 2>something with a friend and be like, oh, he was

1:47:29.360 --> 1:47:31.880
<v Speaker 2>in this episode where he did this and that happened

1:47:31.880 --> 1:47:36.320
<v Speaker 2>and then this and they're like that's fucking dark, like wire. Yeah,

1:47:36.360 --> 1:47:40.519
<v Speaker 2>they're like shocked at how chill we discussed such gruesome.

1:47:40.880 --> 1:47:41.880
<v Speaker 6>Yeah, we are to say.

1:47:41.920 --> 1:47:45.240
<v Speaker 5>I mean, like I know, I can't I can't decide

1:47:45.240 --> 1:47:47.120
<v Speaker 5>whether it's a good or a bad thing, but it

1:47:47.240 --> 1:47:47.679
<v Speaker 5>is a thing.

1:47:48.640 --> 1:47:51.879
<v Speaker 2>Yeah, it's it gives us comfort. It gives us comfort.

1:47:52.160 --> 1:47:53.280
<v Speaker 6>Yeah, I think it's well.

1:47:53.320 --> 1:47:56.439
<v Speaker 5>I also think it's a way for particularly women to

1:47:56.720 --> 1:48:00.800
<v Speaker 5>like kind of have control over that kind of dialogue

1:48:01.640 --> 1:48:05.120
<v Speaker 5>as opposed to it being like thrown at them in

1:48:05.160 --> 1:48:08.680
<v Speaker 5>a way, yeah, victimizes them. It's like we get to

1:48:08.680 --> 1:48:10.680
<v Speaker 5>be like no, we love s FO and like we

1:48:10.760 --> 1:48:11.720
<v Speaker 5>know all about this ship.

1:48:12.600 --> 1:48:14.240
<v Speaker 3>Yeah, totally.

1:48:14.320 --> 1:48:16.639
<v Speaker 1>I think it gives women control in a world where

1:48:16.640 --> 1:48:18.320
<v Speaker 1>they feel there's no control.

1:48:18.600 --> 1:48:23.040
<v Speaker 5>Yeah, And that's why Marishia is such like a pinnacle

1:48:23.479 --> 1:48:26.800
<v Speaker 5>of society because we all we all just see her

1:48:26.920 --> 1:48:29.200
<v Speaker 5>like making making shit good.

1:48:29.360 --> 1:48:32.040
<v Speaker 1>And the fantasy of a cop that actually cares. I

1:48:32.040 --> 1:48:34.720
<v Speaker 1>mean like she goes after purpose. When people are like

1:48:34.760 --> 1:48:37.720
<v Speaker 1>I don't want to press charges, She's like I still do.

1:48:38.800 --> 1:48:43.519
<v Speaker 1>You're like, the cops would never do this. But okay, Emma,

1:48:43.640 --> 1:48:45.719
<v Speaker 1>this was so fun. Thank you so much for taking

1:48:45.720 --> 1:48:46.240
<v Speaker 1>the time.

1:48:46.080 --> 1:48:49.519
<v Speaker 3>To talk to us, Big, You're so cool.

1:48:53.479 --> 1:48:56.920
<v Speaker 2>Obsessed with em I feel like the Oranges and New

1:48:56.920 --> 1:48:59.200
<v Speaker 2>Black Girls are like Pokemon for us, Like I want

1:48:59.200 --> 1:48:59.519
<v Speaker 2>to catch it.

1:48:59.640 --> 1:49:01.760
<v Speaker 1>I know, we gotta catch them all. I love them,

1:49:01.800 --> 1:49:04.680
<v Speaker 1>They're all like I love when USA does. Orange is

1:49:04.720 --> 1:49:07.800
<v Speaker 1>the New Black SVU is the New Black Marathon or

1:49:07.800 --> 1:49:11.200
<v Speaker 1>whatever they fucking do. But so many of these talented

1:49:11.240 --> 1:49:13.160
<v Speaker 1>ladies have been on both shows and it's so fun

1:49:13.280 --> 1:49:16.000
<v Speaker 1>and yeah, this was great. It was great chatting with

1:49:16.040 --> 1:49:19.960
<v Speaker 1>her and loved hearing about her Hooter's wedding. And check

1:49:19.960 --> 1:49:22.120
<v Speaker 1>out her cooking videos. I've actually been seeing a bunch

1:49:22.160 --> 1:49:23.720
<v Speaker 1>of them now because we follow each other and like,

1:49:24.439 --> 1:49:27.000
<v Speaker 1>it's kind of like a fun if you want, like

1:49:27.120 --> 1:49:29.360
<v Speaker 1>a more entertaining cooking like than just.

1:49:29.360 --> 1:49:35.200
<v Speaker 3>Reading a recipe follow along. But what about this episode.

1:49:34.600 --> 1:49:39.000
<v Speaker 1>Perverted a truly wild like this episode. I think it's

1:49:39.000 --> 1:49:41.880
<v Speaker 1>truly so funny that there have been multiple episodes where

1:49:41.880 --> 1:49:44.439
<v Speaker 1>men that Olivia Benson has put in jail have launched

1:49:44.560 --> 1:49:49.439
<v Speaker 1>like like serial killer esque plots to get her back

1:49:49.560 --> 1:49:52.640
<v Speaker 1>or frame her or like send her a message. Like

1:49:52.960 --> 1:49:55.760
<v Speaker 1>she really gets on these guys, fucking under their skin.

1:49:55.800 --> 1:49:57.840
<v Speaker 3>And it's really funny to me that the show keeps

1:49:57.840 --> 1:50:00.479
<v Speaker 3>doing this. But yeah, we.

1:50:00.479 --> 1:50:03.320
<v Speaker 2>Definitely confused the two episodes. It's like the guy from

1:50:03.320 --> 1:50:06.479
<v Speaker 2>Weeds and then this one, and they're both. Yeah, just

1:50:06.560 --> 1:50:10.040
<v Speaker 2>like revenge tales of people getting you know, hurt.

1:50:10.120 --> 1:50:12.040
<v Speaker 3>If we just did it at a live show. What

1:50:12.160 --> 1:50:13.200
<v Speaker 3>is it fucking called?

1:50:13.920 --> 1:50:16.840
<v Speaker 1>I can't remember, but this I mean, but I liked

1:50:16.920 --> 1:50:17.920
<v Speaker 1>the biker vibe.

1:50:18.240 --> 1:50:20.880
<v Speaker 2>I like that the comedy in this episode was great.

1:50:20.960 --> 1:50:23.200
<v Speaker 2>I feel like she really had a spark, was stabler,

1:50:23.240 --> 1:50:24.240
<v Speaker 2>and it was nice to hear that.

1:50:24.520 --> 1:50:25.960
<v Speaker 3>Yeah, they did have that spark.

1:50:26.240 --> 1:50:28.679
<v Speaker 2>I think what we're learning is science is bad, don't

1:50:28.680 --> 1:50:31.960
<v Speaker 2>go to school, don't twist DNA.

1:50:32.640 --> 1:50:35.719
<v Speaker 3>Science is great until it goes too far like now.

1:50:35.920 --> 1:50:37.720
<v Speaker 1>But I will say, like I said, I think I

1:50:37.720 --> 1:50:39.320
<v Speaker 1>said this at the end of my thing, but like

1:50:39.520 --> 1:50:41.400
<v Speaker 1>I relooked up that company.

1:50:41.080 --> 1:50:43.320
<v Speaker 3>Again recently, and like they're not doing that anymore.

1:50:43.360 --> 1:50:45.639
<v Speaker 1>So maybe there just like wasn't enough of a market

1:50:45.680 --> 1:50:49.160
<v Speaker 1>for people trying to you know, frame people, so they

1:50:49.200 --> 1:50:51.599
<v Speaker 1>stopped doing it, or maybe they couldn't get they were

1:50:51.600 --> 1:50:53.680
<v Speaker 1>in Israel and the United States, but I'm sure the

1:50:53.800 --> 1:50:55.439
<v Speaker 1>US would be like, you can't do this.

1:50:55.479 --> 1:50:55.759
<v Speaker 3>Stop.

1:50:55.960 --> 1:50:58.920
<v Speaker 2>Yeah, it's like black market stuff, you know what I mean?

1:50:59.000 --> 1:51:02.679
<v Speaker 1>Yeah, yeah, yeah, yeah, maybe my imagine a black market

1:51:02.760 --> 1:51:06.040
<v Speaker 1>like kit that's like how to frame uh well, it's

1:51:06.080 --> 1:51:09.120
<v Speaker 1>like in Breaking Bad where that giant like German company,

1:51:09.200 --> 1:51:11.960
<v Speaker 1>the guy was actually like a big metha dealer, you know.

1:51:12.479 --> 1:51:16.360
<v Speaker 3>Yeah, do you remember that part? No, such a good show.

1:51:16.880 --> 1:51:19.720
<v Speaker 2>I love that as good as Euphoria, but pretty good. Now,

1:51:19.800 --> 1:51:24.800
<v Speaker 2>I'm it's totally different, totally different. Also, we rape isn't

1:51:24.800 --> 1:51:28.120
<v Speaker 2>funny in prison, and stop threatening men and people with

1:51:28.240 --> 1:51:28.920
<v Speaker 2>rape in prison.

1:51:29.040 --> 1:51:32.360
<v Speaker 3>It's like not fodder for fear. It's And I.

1:51:32.360 --> 1:51:34.720
<v Speaker 1>Realized that the show stopped doing that as well, because

1:51:34.760 --> 1:51:36.920
<v Speaker 1>they used to do that like every episode, like they're

1:51:36.960 --> 1:51:39.640
<v Speaker 1>gonna love you in County lock up or whatever, you know,

1:51:39.760 --> 1:51:41.920
<v Speaker 1>like they would always make little comments about that, and

1:51:42.000 --> 1:51:45.360
<v Speaker 1>I feel like they've stopped that, which is thank god.

1:51:46.320 --> 1:51:50.720
<v Speaker 1>But yeah, we've we've we've pointed out before other organization

1:51:51.240 --> 1:51:55.240
<v Speaker 1>organizations that are working to stop end prison rape.

1:51:55.320 --> 1:51:58.600
<v Speaker 3>So but this week, should we just go into what

1:51:58.600 --> 1:51:59.400
<v Speaker 3>would Sister Peg do?

1:51:59.640 --> 1:52:01.880
<v Speaker 2>Yes, I did want to say another thing, I learned

1:52:01.920 --> 1:52:05.240
<v Speaker 2>that biker gangs are mostly just leather drag, and I'm

1:52:05.240 --> 1:52:08.240
<v Speaker 2>not gonna see it. It's so embarrassing. I don't understand.

1:52:08.479 --> 1:52:13.040
<v Speaker 2>Like drags actually not embarrassing, but like tough armor, it's

1:52:13.120 --> 1:52:15.759
<v Speaker 2>just like so goofy. I just wish these gangs would

1:52:15.840 --> 1:52:17.000
<v Speaker 2>realize how funny they are.

1:52:17.120 --> 1:52:19.800
<v Speaker 3>Maybe they should get feeder the this.

1:52:20.280 --> 1:52:22.439
<v Speaker 1>I hate to once again bring up sons of anarchy,

1:52:22.439 --> 1:52:24.320
<v Speaker 1>but when you look at sons of anarchy, it's like

1:52:24.680 --> 1:52:27.439
<v Speaker 1>it's the same reason guys join fraternities, it's the same

1:52:27.479 --> 1:52:30.599
<v Speaker 1>reason guys join gangs. Like it's the same vibe. It's

1:52:30.640 --> 1:52:34.479
<v Speaker 1>like we're protecting our community. We are a band of

1:52:34.600 --> 1:52:37.519
<v Speaker 1>loyal to each other people. We also like deal meth

1:52:37.600 --> 1:52:39.799
<v Speaker 1>and like you know, kind of true women as objects.

1:52:39.840 --> 1:52:43.160
<v Speaker 1>But like that's what that's what the that's what's in

1:52:43.200 --> 1:52:45.320
<v Speaker 1>it for them, you know, Like it makes them feel

1:52:45.360 --> 1:52:49.479
<v Speaker 1>fucking tough, hot, supported, you know, and that they they

1:52:49.479 --> 1:52:55.640
<v Speaker 1>honestly get to live like fucking like criminal like playboys.

1:52:55.680 --> 1:52:57.679
<v Speaker 1>Like they have a clubhouse where they just like fuck girls.

1:52:57.680 --> 1:52:59.679
<v Speaker 1>They're all married, but they fuck girls on the side.

1:52:59.760 --> 1:53:00.880
<v Speaker 3>Like it's nuts.

1:53:01.520 --> 1:53:03.200
<v Speaker 1>I would love it if we had somebody that listens

1:53:03.200 --> 1:53:06.160
<v Speaker 1>to our podcast, it's like I'm actually in an outlagging

1:53:06.439 --> 1:53:07.679
<v Speaker 1>and that's there about.

1:53:08.439 --> 1:53:10.599
<v Speaker 3>But I don't think we're gonna have that happen.

1:53:11.360 --> 1:53:15.320
<v Speaker 1>But I wanted to move on to to what would

1:53:15.320 --> 1:53:18.160
<v Speaker 1>Sister Peg Do? And listen, guys, it's hard for me

1:53:18.200 --> 1:53:21.040
<v Speaker 1>to always find an organization that fits in perfectly with

1:53:21.080 --> 1:53:23.679
<v Speaker 1>what we talked about today. As I said, we had

1:53:24.840 --> 1:53:27.519
<v Speaker 1>an organization a few weeks ago that I could call

1:53:27.600 --> 1:53:31.040
<v Speaker 1>out again, which is called Just Attention dot org about

1:53:31.080 --> 1:53:32.880
<v Speaker 1>like you know, prison rape. So we can call that

1:53:32.960 --> 1:53:35.880
<v Speaker 1>out again this week for what would Sister Peg Do, which,

1:53:35.960 --> 1:53:38.800
<v Speaker 1>as we all know, is our weekly segment where we

1:53:38.840 --> 1:53:43.000
<v Speaker 1>direct you guys to an organization, a blog post, an article,

1:53:43.040 --> 1:53:44.840
<v Speaker 1>a book, something that gives you more info about what

1:53:44.840 --> 1:53:47.519
<v Speaker 1>we talked about today. This one's a little bit off topic,

1:53:47.600 --> 1:53:49.920
<v Speaker 1>but because Christmas is coming up, I want to direct

1:53:49.920 --> 1:53:53.040
<v Speaker 1>you guys to this organization called One Simple Wish. Of

1:53:53.080 --> 1:53:57.320
<v Speaker 1>the organization's website is www dot one Simplewish dot org,

1:53:57.600 --> 1:54:01.920
<v Speaker 1>and that is an organization that helps gifts, sends gifts

1:54:01.920 --> 1:54:04.720
<v Speaker 1>and scholarship funds to children in the foster care system.

1:54:05.360 --> 1:54:09.040
<v Speaker 3>On their website, it says definitely doing this. Yeah, you can.

1:54:08.960 --> 1:54:11.320
<v Speaker 1>Go on and it'll literally just say what one kid

1:54:11.360 --> 1:54:13.920
<v Speaker 1>specifically wants. You can give a more general gift, or

1:54:13.960 --> 1:54:16.599
<v Speaker 1>you can just fulfill what one kid specifically wants.

1:54:16.680 --> 1:54:18.280
<v Speaker 3>I'm doing it. I'm doing it this here.

1:54:18.439 --> 1:54:20.840
<v Speaker 1>I love this so because it's like I was trying

1:54:20.840 --> 1:54:23.479
<v Speaker 1>to look up sort of like you know, sponsor of

1:54:23.520 --> 1:54:26.040
<v Speaker 1>family programs and stuff like that, but a lot of

1:54:26.040 --> 1:54:28.360
<v Speaker 1>that is local to your area. I would definitely say

1:54:28.400 --> 1:54:30.479
<v Speaker 1>go out and try to find those. But this is

1:54:30.560 --> 1:54:33.960
<v Speaker 1>like a company, an organization that works nationwide, So any

1:54:34.000 --> 1:54:37.640
<v Speaker 1>of you guys can go to their website and do

1:54:37.760 --> 1:54:40.000
<v Speaker 1>it as easy or complicated as you want. You could

1:54:40.000 --> 1:54:42.040
<v Speaker 1>fulfill a bunch of wishes up to what you could afford.

1:54:42.080 --> 1:54:45.839
<v Speaker 1>You could just give general money to them. And so yeah,

1:54:46.040 --> 1:54:48.520
<v Speaker 1>there's so many. There's like half a million kids impacted

1:54:48.560 --> 1:54:51.040
<v Speaker 1>by abuse, neglect, trauma and spend time in our nation's

1:54:51.080 --> 1:54:54.280
<v Speaker 1>foster care system. According to their website, and through this

1:54:54.600 --> 1:54:56.880
<v Speaker 1>wish granting platform, you can send love to a kid

1:54:56.880 --> 1:54:59.200
<v Speaker 1>who needs it. And you guys know, obviously, with my

1:54:59.280 --> 1:55:02.040
<v Speaker 1>work in KASA, I try to support the foster care

1:55:02.120 --> 1:55:03.760
<v Speaker 1>system as much as possible because I feel like they

1:55:03.800 --> 1:55:05.760
<v Speaker 1>need a lot of help and this is a great

1:55:05.800 --> 1:55:08.160
<v Speaker 1>way to spread some holiday joy. So that will be

1:55:08.240 --> 1:55:12.760
<v Speaker 1>obviously in our show notes on our WWSPD highlight on

1:55:12.800 --> 1:55:16.400
<v Speaker 1>our Instagram stories, so check that out for a little

1:55:16.440 --> 1:55:17.160
<v Speaker 1>Christmas cheer.

1:55:17.640 --> 1:55:21.240
<v Speaker 2>I will definitely be doing one simple wish one hundred percent.

1:55:22.200 --> 1:55:25.440
<v Speaker 2>And next week please join us for another unhinged wild

1:55:25.480 --> 1:55:30.600
<v Speaker 2>episode of SVU Zebras Season ten, episode twenty two. We're

1:55:30.640 --> 1:55:43.960
<v Speaker 2>obsessed with all of you. See you soon, Thie. That's

1:55:44.000 --> 1:55:45.919
<v Speaker 2>Messed Up as an exactly right production.

1:55:46.360 --> 1:55:48.480
<v Speaker 1>If you have compliments you'd like to give us or

1:55:48.520 --> 1:55:50.760
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:55:50.800 --> 1:55:53.320
<v Speaker 1>it That's Messed uppod at gmail dot.

1:55:53.160 --> 1:55:56.680
<v Speaker 2>Com, follow the podcast on Instagram at That's Messed Up

1:55:56.720 --> 1:55:59.800
<v Speaker 2>Pod and on Twitter at messed Up Pod, and follow

1:55:59.880 --> 1:56:01.960
<v Speaker 2>us personally at Kara Klank and.

1:56:02.120 --> 1:56:03.000
<v Speaker 3>At glitter Cheese.

1:56:03.520 --> 1:56:06.200
<v Speaker 1>As always, please see our show notes for sources and

1:56:06.240 --> 1:56:06.879
<v Speaker 1>more information.

1:56:07.480 --> 1:56:10.680
<v Speaker 2>Thank you so much to our producer Kacy O'Brien.

1:56:10.560 --> 1:56:13.160
<v Speaker 1>And to our mixer John Bradley and our guest booker

1:56:13.240 --> 1:56:16.480
<v Speaker 1>Patrick Cotner, and to Henry Kaperski for our theme song

1:56:16.600 --> 1:56:19.600
<v Speaker 1>and Carly gen Andrews for our artwork. Thank you to.

1:56:19.600 --> 1:56:21.280
<v Speaker 3>Our executive producers Georgia

1:56:21.360 --> 1:56:25.480
<v Speaker 1>Hardstar, Karen Kilgarriff, Daniel Kramer, and everybody at exactly Right Media,

1:56:27.040 --> 1:56:27.919
<v Speaker 1>Dun Dun