WEBVTT - Mini Crush #161

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to movie Crush Miny Crush Monday.

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<v Speaker 1>I'm staring at the handsomest face on my zoom screen

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<v Speaker 1>right now. Are you looking at your own zoom feedback screen? Yeah,

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<v Speaker 1>I know you're more handsome than me. No. I was

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<v Speaker 1>always saying, you're looking at yourself because you're a handsome boy. No,

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<v Speaker 1>I'm looking at two faces. Yes, and I like you.

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<v Speaker 1>That's really sweet, Shuck. I appreciate it. I did my

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<v Speaker 1>makeup for you this morning. It looks very nice, Chuck.

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<v Speaker 1>I have stopped trimming my beard. I was keeping cut

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<v Speaker 1>fairly short and I would really let it, let my

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<v Speaker 1>hair go my beard. I shaped up recently, but I

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<v Speaker 1>was doing a thing where I was kind of treating

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<v Speaker 1>myself to once a month getting a nice haircut and

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<v Speaker 1>having them do a beard trim. So I did. I

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<v Speaker 1>didn't even touch it myself. I would just do it

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<v Speaker 1>once a month and have them do it. And now

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<v Speaker 1>I've been back to get haircuts. I have done that.

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<v Speaker 1>I went to our place near our office, Rudy's, but

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<v Speaker 1>they won't do beards because you gotta keep your mask

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<v Speaker 1>on the whole time. So up again. Yeah, I need

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<v Speaker 1>one real bad. I've got hair coming out the coming

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<v Speaker 1>out the little little brim of my hat. It's just

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<v Speaker 1>kind of spilling out the size it look like a

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<v Speaker 1>total bro Uh so quick, uh Crusher games update. I

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<v Speaker 1>am still really enjoying Ghost of Seshima. It is the

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<v Speaker 1>more I get into it. You know how those games

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<v Speaker 1>once you're about once you're in, you've gotten pretty good

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<v Speaker 1>and you've gotten better weapons and more skills and moves,

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<v Speaker 1>and like that's when you, for me, at least, you

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<v Speaker 1>really can start to get engross standing a storyline too.

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<v Speaker 1>But um no, it is one of the most beautiful

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<v Speaker 1>games I've ever seen. It is gorgeous, and it's because

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<v Speaker 1>it's Japan. It's these you know you'll be in these

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<v Speaker 1>like in the Golden forest and uh and you know

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<v Speaker 1>there is a map, but instead of having a map

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<v Speaker 1>overlay on the screen anywhere, you're guided by the guiding wind.

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<v Speaker 1>Oh that sounds magical. So you press a button and

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<v Speaker 1>a breeze will blow to take you in the direction,

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<v Speaker 1>and little dandelions are flying and leaves, you know, autumn

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<v Speaker 1>leaves are floating, and it's just such a peaceful relaxing game,

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<v Speaker 1>and you also get to be a samurai and just

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<v Speaker 1>have some great sword killing goodness. Is there is Is

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<v Speaker 1>there some gore? Is there some slicy slice? Oh yeah,

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<v Speaker 1>I mean it's all katana based, except for you know,

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<v Speaker 1>you've got bone arrow and you've got these other kind

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<v Speaker 1>of a little like a sort of samurai kind of

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<v Speaker 1>ninja like weapons that you can throw at people. But so,

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<v Speaker 1>I mean, it is good if you want to if

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<v Speaker 1>you want to catch your kill on. But but you're

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<v Speaker 1>always like you're trying to save the village elders or

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<v Speaker 1>you're you know, it's not like the you know, um,

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<v Speaker 1>what's the word I'm looking for of like dead red,

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<v Speaker 1>redemption just sort of a dirty, open world, ugly world. Yeah, yeah, yeah, yeah,

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<v Speaker 1>I guess get it. Get it? Like this is like

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<v Speaker 1>more pure. I feel like like the guy is always

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<v Speaker 1>trying to do something good with his with his killing. Yeah.

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<v Speaker 1>I'm I'm at this really an unfortunate place with video

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<v Speaker 1>games right now, where I have three quite large games

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<v Speaker 1>that I am at various stages of completion. I know, dude,

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<v Speaker 1>and I'm really painting myself into a corner where I

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<v Speaker 1>really want to get this one but I'm like, I

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<v Speaker 1>gotta finish Last of Us too. I gotta finish Zelda

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<v Speaker 1>Breath of the Wild, and I still have Red Dead

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<v Speaker 1>Redemption or to rather taking up like six hundred gigs

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<v Speaker 1>on my PlayStation. I haven't played it and you know,

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<v Speaker 1>like a year and I'm still holding out hope and

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<v Speaker 1>I'm gonna finish it. Maybe I should just cut my losses.

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<v Speaker 1>It's that sunk cost fallacy. But I know you love

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<v Speaker 1>the game, so I should. That's such a good story.

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<v Speaker 1>I need to finish it. Um, I'm with you. I'm

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<v Speaker 1>a one at a time or um. Really enjoying it though,

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<v Speaker 1>Like if you see a fox, you follow the fox

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<v Speaker 1>and it will lead you to this mountain peak usually

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<v Speaker 1>or something with a shrine, and you you honor the

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<v Speaker 1>shrine and you breathe in deeply and it gives you

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<v Speaker 1>like a little experience point or something like. Still all

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<v Speaker 1>these very zen. Yeah, you can take a hot springs

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<v Speaker 1>bath to increase your health. It's all just relaxing and lovely.

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<v Speaker 1>Breath of the Wild is very much like that, only

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<v Speaker 1>you know, it's obviously a Nintendo game, but it's it's

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<v Speaker 1>a little lighter on the graphics, but it knows how

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<v Speaker 1>do they know how to design these games with the

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<v Speaker 1>limitations of those systems in such a way that it's

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<v Speaker 1>like really that kind of immersive experience and Breath of

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<v Speaker 1>the Wild you can do the same thing where you

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<v Speaker 1>can like, you know, pet a dog one of the

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<v Speaker 1>stables and it'll it'll take you and dig up a

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<v Speaker 1>little treasure for you or whatever. Like, it's really gentle

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<v Speaker 1>and kind of sweet. It's a beautiful game. I'm almost

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<v Speaker 1>done with that one, actually, so good stuff. All right, No,

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<v Speaker 1>we're gonna by the way, I'm taking a lot of

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<v Speaker 1>ship for dissing Willy Wonka and the chocolate Factory. When

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<v Speaker 1>did you do that? I think? Why would you do that? Monster?

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<v Speaker 1>Did it on stuff? You should know? Okay, we watched

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<v Speaker 1>it with Ruby a few weeks ago, and dude, here's

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<v Speaker 1>my take as an adult. Gene Wilder is brilliant and

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<v Speaker 1>the movie is garbage. Okay. Uh, it's slow, it's not

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<v Speaker 1>well acted except for him. The songs that don't like.

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<v Speaker 1>It's just not even pure imagination. I hate it. It's

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<v Speaker 1>painful for me, and I'm getting people are really mad

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<v Speaker 1>at me on the internet about this. And it's a

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<v Speaker 1>beloved movie, and I love Gene Wilder in it, I

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<v Speaker 1>really really do. But the rest of it I just

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<v Speaker 1>can't even sit through hardly. I I do agree with

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<v Speaker 1>you that, like I think, upon revisiting it, it probably

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<v Speaker 1>would not hold up to people's ex dictations in their

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<v Speaker 1>nostalgia level. Is probably much more responsible for them loving

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<v Speaker 1>the movie than the fact that it's actually a good movie. Um.

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<v Speaker 1>I think it's genuinely generally considered to be kind of schlock.

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<v Speaker 1>You know, it is kind of a B movie, expensive

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<v Speaker 1>B movie in a lot of ways, you know what

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<v Speaker 1>I mean. Yeah, it doesn't land for me. And I

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<v Speaker 1>got a crusher named Grant McLeod Grant you're on my list,

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<v Speaker 1>called me coming out. He called me a snob? What

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<v Speaker 1>called me a movie snob? Grant like so much schlock

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<v Speaker 1>and garbage, like you can't love Night of the comment

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<v Speaker 1>like I do, and be called the movie snob. I

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<v Speaker 1>was like, Casey is a movie snob, right, like legit

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<v Speaker 1>movie snob. And he'll even admit it. Yeah, he only

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<v Speaker 1>he watches Criterion Blue rays exclusively Cinema yas to be cinema. No,

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<v Speaker 1>I'm the same way, dude, Like there I I obviously

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<v Speaker 1>I'm not snobby. I just you know, I have a

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<v Speaker 1>certain taste. But I love a lot of very broad things. Sure,

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<v Speaker 1>you know. I mean, I can't love The Hangover as

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<v Speaker 1>much as I love The Hangover and Ron Burgundy or

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<v Speaker 1>Anchorman or whatever. And you call me a movie some

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<v Speaker 1>anchorman too, though, forget about it. I still never saw that.

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<v Speaker 1>I didn't either. I just know that it's a total

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<v Speaker 1>retread in the way that you and I hate those

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<v Speaker 1>kind of hears, removed comedy sequels that are just like

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<v Speaker 1>beat for beat, retreads like zoo Lander was really guilty

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<v Speaker 1>of that, and this sounds like it was. So. The

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<v Speaker 1>moral of this story, though, is Grant McLoud, You've made

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<v Speaker 1>my naughty list and got my eye on you, buddy. Now.

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<v Speaker 1>Grant even said apologies beforehand. Dot dot dot Chuck is

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<v Speaker 1>a movies no. But yeah, it's like saying, uh, and now,

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<v Speaker 1>don't be mad, but uh, just kidding, Grant. It's all good,

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<v Speaker 1>It's all grid, all good in the Grant hood. It's

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<v Speaker 1>all spoopy. You know that was not a good joke. No,

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<v Speaker 1>I wasn't. I'll give you credit for spoopy spores, but

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<v Speaker 1>all good in the grand hood. No, no, it wasn't

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<v Speaker 1>good at all, but we're leaving it in because you

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<v Speaker 1>gotta you know, you got you gotta like own your mistakes.

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<v Speaker 1>You gotta grow as an artist. That's the only way

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<v Speaker 1>to do it. You gotta bomb every now and then.

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<v Speaker 1>All right, So no one, We're gonna move on to

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<v Speaker 1>a couple of things I posted here. Oscars are coming up.

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<v Speaker 1>Weird year for Oscars obviously because there were so few

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<v Speaker 1>movies well there were, and there weren't right Like, I mean,

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<v Speaker 1>there were a lot of indies that came out this year,

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<v Speaker 1>there just weren't a lot of big tent poles. I've

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<v Speaker 1>actually looked at the list for this year last year

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<v Speaker 1>and it's pretty intense and they all look really interesting,

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<v Speaker 1>and there's a lot of things that flew way under

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<v Speaker 1>my radar. So I'm kind of intrigued what the Oscars

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<v Speaker 1>are gonna look like this year because I usually just

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<v Speaker 1>really couldn't give a ship. So I asked all this,

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<v Speaker 1>what Oscar category should they add interesting? If there aren't

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<v Speaker 1>you should get rid of? What would you get rid of?

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<v Speaker 1>And uh, Josh Brennan says, fully they should have fully

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<v Speaker 1>it's a separate category, and have it featured on the

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<v Speaker 1>main uh not night. Yeah, I mean, you know, the

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<v Speaker 1>fully artist is sort of wrapped up in the and

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<v Speaker 1>the Oscar for sound design. That's kind of what that

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<v Speaker 1>award is. But I see what you're saying. I think

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<v Speaker 1>Josh wants the actual folly artist to get up there

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<v Speaker 1>and accept the award. Yeah, but do they surely if

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<v Speaker 1>Best sound Design Award that that that person is on

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<v Speaker 1>the team. Yeah, yeah, I mean that's what I'm saying.

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<v Speaker 1>That is there that gets to go on stage right Well,

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<v Speaker 1>I mean usually you don't haul a bunch of people

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<v Speaker 1>on stage for that one. For a sound design award,

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<v Speaker 1>it's usually just for the big ones. Let me see here.

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<v Speaker 1>Sabrina Merah Firminger Great Name says they need to add

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<v Speaker 1>stunt categories Best Stunt Performance and Best Stunt Choreography to

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<v Speaker 1>celebrate the artisty physical artistry, physicality and the links taken

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<v Speaker 1>to keep everyone safe and the badassory. Totally with I'm

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<v Speaker 1>I'm with that. I'm with that. I think I think

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<v Speaker 1>people have kind of been screaming about honoring the stunt

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<v Speaker 1>people for a while now. Uh, Sabrina Grogan. Another Sabrina says,

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<v Speaker 1>add best Casting Casting Director so many of whom are women,

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<v Speaker 1>can really affect the quality of film absolutely best casting? Yes,

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<v Speaker 1>why is that not a thing? I don't know if

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<v Speaker 1>some of these are sonaboly not considered an art, but

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<v Speaker 1>I disagre casting absolutely casting as an art. Yeah, I

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<v Speaker 1>don't know. I mean I guess it is. I mean,

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<v Speaker 1>you know it's surely how how responsible directly is the

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<v Speaker 1>casting director? I mean, obviously the director is going to

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<v Speaker 1>tell them who their top picks are for certain roles.

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<v Speaker 1>It's not just you know, them in a vacuum casting

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<v Speaker 1>the movie with no oversight, right, Yeah, yeah, I mean

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<v Speaker 1>I don't know. I think there would be that you

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<v Speaker 1>can find a way to award it. Vanessa Cashman. One

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<v Speaker 1>of our old prints is do they really need a

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<v Speaker 1>best adapted screenplay? I mean, isn't the work already done

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<v Speaker 1>for them? Oh? That is a hot take. I mean,

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<v Speaker 1>I'll say this. I've written screenplays, and just because there's

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<v Speaker 1>a book based on it doesn't mean you can just

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<v Speaker 1>plug it into some algorithm and it spits out a screenplay.

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<v Speaker 1>You know, I think it does matter. I mean, you know,

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<v Speaker 1>like it's not the work isn't all done? You have

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<v Speaker 1>to convert to a different voice a lot of the time.

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<v Speaker 1>You know, like maybe a book is written where it's

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<v Speaker 1>largely internal narration, and then you have to write dialogue

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<v Speaker 1>for that or vice versa. You know what I mean. Yeah,

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<v Speaker 1>I mean a lot of stylistic choices go into adjucting

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<v Speaker 1>a book. I see where Vanessa is headed. Then our

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<v Speaker 1>old buddy Austin Handler says it's essentially an editing award.

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<v Speaker 1>I'm not saying it doesn't take skill, but still, yeah,

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<v Speaker 1>I mean I see that. Take disagree though. Ultimately John

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<v Speaker 1>Desmonds has at best Comedy in Best Horror, just ahead

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<v Speaker 1>and break those out. Yeah, those don't get recognized by

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<v Speaker 1>the Oscars as best pictures, so maybe they do need

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<v Speaker 1>their own spot horror, especially especially now that we're living

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<v Speaker 1>in this like age of like kind of new Golden

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<v Speaker 1>age of horror with the ri Asters and uh um

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<v Speaker 1>Eggers David Eggers of the world. Yeah, and you know,

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<v Speaker 1>the Golden Globes obviously does that a little bit with

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<v Speaker 1>Best Musical or Comedy, which I applaud, but that has

0:12:26.400 --> 0:12:30.719
<v Speaker 1>also led to some interesting and awkward groupings every now

0:12:30.760 --> 0:12:34.920
<v Speaker 1>and then. M Golden Globes are tough. Did you watch that?

0:12:35.000 --> 0:12:37.160
<v Speaker 1>Didn't the globes happen, it's happening the next day or so.

0:12:38.600 --> 0:12:41.720
<v Speaker 1>This past week I watched them. Who were the big

0:12:41.760 --> 0:12:44.520
<v Speaker 1>Were there any big obvious winners or well, I'll tell

0:12:44.559 --> 0:12:49.000
<v Speaker 1>you my favorite was a surprise winner. Was Jason Sadekis

0:12:49.040 --> 0:12:52.199
<v Speaker 1>One Best Actor for Ted Lasso, a movie that or

0:12:52.240 --> 0:12:54.640
<v Speaker 1>a show that we're watching again when we usually don't

0:12:54.679 --> 0:12:57.760
<v Speaker 1>do that. Um in a show I have raved about

0:12:57.800 --> 0:13:00.240
<v Speaker 1>because I adore it, and he was caught very much

0:13:00.280 --> 0:13:03.240
<v Speaker 1>off guard because I think everyone thought Eugene Levy would

0:13:03.240 --> 0:13:07.320
<v Speaker 1>win it for Ship's Creek has sort of the swan song,

0:13:07.800 --> 0:13:10.240
<v Speaker 1>but he didn't win it. Ted Lasso got it, and

0:13:10.280 --> 0:13:12.920
<v Speaker 1>I was super stoked. I don't know about this at all.

0:13:13.120 --> 0:13:15.960
<v Speaker 1>What you're talking about about? What that? The show with

0:13:16.000 --> 0:13:18.240
<v Speaker 1>Ted to Ted last? I've not I've not even heard

0:13:18.280 --> 0:13:20.560
<v Speaker 1>of think about it except for the eight times that

0:13:20.559 --> 0:13:24.840
<v Speaker 1>I've talked about it on this show. No is that true?

0:13:25.120 --> 0:13:26.760
<v Speaker 1>Is it about? It's been my stream this a lot.

0:13:28.440 --> 0:13:30.280
<v Speaker 1>I've talked about it quite a bit. It's fine, Okay,

0:13:30.360 --> 0:13:33.200
<v Speaker 1>it's Jason Sadekis. It's an Apple Plus show where he

0:13:33.240 --> 0:13:37.720
<v Speaker 1>plays an American football coach who gets hired to do

0:13:37.880 --> 0:13:42.280
<v Speaker 1>an English Premier League soccer team to coach them in

0:13:42.360 --> 0:13:45.000
<v Speaker 1>hopes that the team will fail. Chuck, this is no

0:13:45.120 --> 0:13:47.079
<v Speaker 1>ding on you. It's literally just like I tune it

0:13:47.120 --> 0:13:48.800
<v Speaker 1>out when I hear that it's Apple Plus because I'm

0:13:48.840 --> 0:13:51.760
<v Speaker 1>not getting another Ala Carte subscription. I'm just not doing it.

0:13:52.679 --> 0:13:54.440
<v Speaker 1>That's what everyone looks for in a co host, is

0:13:54.480 --> 0:14:01.679
<v Speaker 1>the occasional tune out. Uh, Emily, Mike and Thomas says,

0:14:01.679 --> 0:14:04.400
<v Speaker 1>I think they should restructure the whole hierarchy for acting awards.

0:14:04.960 --> 0:14:06.800
<v Speaker 1>The way it's set up now, it makes it seem

0:14:06.840 --> 0:14:09.880
<v Speaker 1>like male actors are more important in the whole supporting

0:14:10.000 --> 0:14:13.679
<v Speaker 1>versus lead thing. It's questionable. Sometimes I would stop breaking

0:14:13.679 --> 0:14:18.400
<v Speaker 1>it down by gender altogether and do separate categories for

0:14:18.480 --> 0:14:22.320
<v Speaker 1>movie genre, then add a few more categories for amazing cameos,

0:14:22.320 --> 0:14:28.600
<v Speaker 1>breakout roles, ETCETERA very interesting thought experiment, Emily interesting and

0:14:28.680 --> 0:14:30.760
<v Speaker 1>and some good back and forth about that. I'm gonna

0:14:30.760 --> 0:14:33.160
<v Speaker 1>have to dig into that one a little more. That

0:14:33.280 --> 0:14:38.560
<v Speaker 1>is the thought. Freddy Lenz's Best Horror h Jessica Evans

0:14:38.600 --> 0:14:43.600
<v Speaker 1>Toten says, maybe the place isn't the Oscars for this,

0:14:43.760 --> 0:14:48.360
<v Speaker 1>but something like a Viewers Choice Award. I could see that.

0:14:49.760 --> 0:14:53.320
<v Speaker 1>But the Academy, the academy noble, they would never go

0:14:53.480 --> 0:14:57.240
<v Speaker 1>for something that they would never stoop, So don't let

0:14:57.320 --> 0:15:04.880
<v Speaker 1>them vote. The ra poll the people people, no, regular people. No,

0:15:07.200 --> 0:15:11.640
<v Speaker 1>a text campaign from a boat could take over exactly.

0:15:11.720 --> 0:15:13.640
<v Speaker 1>I love how like all these Academy members are like

0:15:13.640 --> 0:15:16.800
<v Speaker 1>patrician like lords or whatever. You know. I mean, I

0:15:17.080 --> 0:15:19.520
<v Speaker 1>we know people on the Academy. It's not quite as

0:15:19.800 --> 0:15:21.800
<v Speaker 1>stuffy and clothes as you think. You work in the

0:15:21.800 --> 0:15:24.800
<v Speaker 1>industry long enough you get uh, you get those screeners

0:15:24.800 --> 0:15:27.720
<v Speaker 1>and you get to to vote. But it does it

0:15:27.760 --> 0:15:32.280
<v Speaker 1>does have this air of exclusivity and um yeah, a

0:15:32.320 --> 0:15:34.400
<v Speaker 1>little out of touch kind of too, you know. And

0:15:34.440 --> 0:15:36.360
<v Speaker 1>you already kind of don't like the oscars anyway, So

0:15:36.360 --> 0:15:38.800
<v Speaker 1>that's the last thing you need. Listen, when I said

0:15:38.800 --> 0:15:40.360
<v Speaker 1>I don't usally don't give a ship, I only mean

0:15:40.440 --> 0:15:44.040
<v Speaker 1>because it's it's so politicized, with all the with all

0:15:44.040 --> 0:15:46.560
<v Speaker 1>the fur your consideration campaigns. It feels like so many

0:15:46.560 --> 0:15:48.680
<v Speaker 1>movies don't have a chance. No, No, it's it's kind

0:15:48.720 --> 0:15:50.280
<v Speaker 1>of bullshit in a lot of ways. I get it,

0:15:50.840 --> 0:15:54.760
<v Speaker 1>popularity contest and all that garbage. Some some years I'm

0:15:54.800 --> 0:15:57.520
<v Speaker 1>more cynical than others. You know. Sometimes I used to

0:15:57.640 --> 0:15:59.800
<v Speaker 1>really get into it. Now I'm a little like, come on,

0:16:00.040 --> 0:16:03.000
<v Speaker 1>can't really give art an award is better than anything else,

0:16:03.040 --> 0:16:07.920
<v Speaker 1>you know, so subjective and kind of weird. Yeah, Sadaka

0:16:07.960 --> 0:16:11.200
<v Speaker 1>said it said something really nice in his speech though,

0:16:11.280 --> 0:16:17.200
<v Speaker 1>He said, I reject the notion of best actor though.

0:16:17.280 --> 0:16:20.800
<v Speaker 1>He said, because the best actor is the person that

0:16:20.880 --> 0:16:24.400
<v Speaker 1>you're acting with in any scene. And I was like, Wow,

0:16:24.440 --> 0:16:26.720
<v Speaker 1>that's a really kind of a great thing to say.

0:16:28.160 --> 0:16:31.320
<v Speaker 1>That is pretty cool. I love it. David Barlow says

0:16:31.360 --> 0:16:35.040
<v Speaker 1>Best Practical Effects Award Visual Effects always go to c

0:16:35.160 --> 0:16:38.400
<v Speaker 1>G I these days, dude, I am all about that, Barlow.

0:16:39.000 --> 0:16:41.440
<v Speaker 1>That's a great idea, and that might encourage some people

0:16:41.440 --> 0:16:44.560
<v Speaker 1>to do it again a little more. You know, practicals

0:16:44.560 --> 0:16:48.800
<v Speaker 1>are really making a comeback to you know, are they. Yeah.

0:16:49.840 --> 0:16:53.640
<v Speaker 1>In Mandalorian, for example, the the Yota thing is a puppet,

0:16:53.680 --> 0:16:55.480
<v Speaker 1>and I just feel like, I think I think it's

0:16:55.520 --> 0:16:58.480
<v Speaker 1>it's being seen more as the art form than it is,

0:16:58.640 --> 0:17:00.840
<v Speaker 1>whereas it used to be like, oh, c G is

0:17:00.880 --> 0:17:02.520
<v Speaker 1>the way of the future, and it's going to replace

0:17:02.520 --> 0:17:04.320
<v Speaker 1>because it looks so much better, but it doesn't. We

0:17:04.359 --> 0:17:06.919
<v Speaker 1>all realize it doesn't because it's not a thing in

0:17:07.000 --> 0:17:10.800
<v Speaker 1>the shot that's taking light and feels placed correctly. It always,

0:17:10.840 --> 0:17:13.400
<v Speaker 1>even the best c G I feels a little uncanny

0:17:13.480 --> 0:17:15.360
<v Speaker 1>valley or a little you know, it takes you out

0:17:15.359 --> 0:17:17.240
<v Speaker 1>of it. So I think I think it's a really

0:17:17.240 --> 0:17:20.760
<v Speaker 1>good point and very accurate. So culver Matthew says this

0:17:20.920 --> 0:17:27.320
<v Speaker 1>at best female actor, best male actor, best non binary actor,

0:17:27.520 --> 0:17:33.879
<v Speaker 1>and ditch the anachronistic best actress. All right, m hm, oh,

0:17:34.119 --> 0:17:36.480
<v Speaker 1>isn't it. I thought actress was kind of not cool.

0:17:36.600 --> 0:17:40.680
<v Speaker 1>I I always in conversation referred to act actor. You know,

0:17:40.680 --> 0:17:44.239
<v Speaker 1>I don't. I don't say actress anymore. Starts yeah, both

0:17:44.280 --> 0:17:49.320
<v Speaker 1>of us say actor. Um let me see here. Mike

0:17:49.400 --> 0:17:52.400
<v Speaker 1>Sam says, I agree with Emily about combining gendered roles

0:17:52.440 --> 0:17:55.240
<v Speaker 1>into one category. I would leave them as two categories

0:17:55.240 --> 0:17:57.200
<v Speaker 1>to the best performance in a lead role in supporting role.

0:17:58.760 --> 0:18:00.480
<v Speaker 1>You know what I would worry about there is it's

0:18:00.520 --> 0:18:07.000
<v Speaker 1>just I mean, we're looking for more representation, not less,

0:18:07.080 --> 0:18:09.119
<v Speaker 1>and I would I would be worried if you just

0:18:09.160 --> 0:18:12.760
<v Speaker 1>had the best actor of any uh, anyone on the

0:18:12.760 --> 0:18:16.560
<v Speaker 1>gender spectrum that you know, you'd end up getting out

0:18:16.560 --> 0:18:20.520
<v Speaker 1>of the seven or eight of them would be male actors,

0:18:21.040 --> 0:18:30.560
<v Speaker 1>maybe not maybe supplies. I'm not gonna try to make

0:18:30.600 --> 0:18:35.160
<v Speaker 1>another I'm not gonna try for another Spooky Spores joke

0:18:35.240 --> 0:18:38.160
<v Speaker 1>because then you're just gonna be humiliate me again. You're

0:18:38.160 --> 0:18:43.840
<v Speaker 1>gonna humiliate me. Austin Hamler Old Princes add best Ensemble cast.

0:18:45.080 --> 0:18:47.760
<v Speaker 1>That's almost like a best casting award. I kind of

0:18:47.800 --> 0:18:51.879
<v Speaker 1>like that. Yeah, that's good, And he said, lose sound

0:18:51.920 --> 0:18:55.119
<v Speaker 1>mixing editing. He said, sorry, you can still exist, but

0:18:55.160 --> 0:18:59.560
<v Speaker 1>just move it to the technical portion. Yeah, apologies to

0:18:59.560 --> 0:19:02.040
<v Speaker 1>sound mix ors, but it's not the most exciting a

0:19:02.119 --> 0:19:05.200
<v Speaker 1>word to so you get accepted for the big show.

0:19:06.160 --> 0:19:08.000
<v Speaker 1>I know that stinks because sound is such an important

0:19:08.000 --> 0:19:10.000
<v Speaker 1>part of it. You know, Oh it's huge, and I

0:19:10.000 --> 0:19:12.560
<v Speaker 1>mean it really is. Like again, I hadn't never sat

0:19:12.600 --> 0:19:14.439
<v Speaker 1>in on like a mixed session for a movie, but

0:19:14.480 --> 0:19:18.080
<v Speaker 1>just knowing what goes into making a record a song,

0:19:18.359 --> 0:19:23.720
<v Speaker 1>it's literally like that times you know, x hundred, because

0:19:23.720 --> 0:19:25.720
<v Speaker 1>it's like you've got all of these different elements that

0:19:25.760 --> 0:19:28.240
<v Speaker 1>have to not compete with each other, and you're mixing

0:19:28.240 --> 0:19:31.359
<v Speaker 1>and like you know, super surround sound and like everything

0:19:31.400 --> 0:19:33.480
<v Speaker 1>has to be in the right field. I mean there's

0:19:33.480 --> 0:19:37.080
<v Speaker 1>a lot to it, a whole lot totally. All right, buddy,

0:19:37.080 --> 0:19:38.719
<v Speaker 1>we got about ten more minutes, so we're gonna move

0:19:38.720 --> 0:19:41.800
<v Speaker 1>on to our final category today. What TV or movie

0:19:41.800 --> 0:19:44.560
<v Speaker 1>setting would you want to live in? I said, it

0:19:44.560 --> 0:19:46.400
<v Speaker 1>can be a house if you want to get that specific,

0:19:46.480 --> 0:19:49.840
<v Speaker 1>or just a sort of a town or a place. Um.

0:19:49.920 --> 0:19:51.880
<v Speaker 1>And I thought of this because I was watching Ted

0:19:52.000 --> 0:19:54.920
<v Speaker 1>Lasso and where they this little block where they shot

0:19:54.960 --> 0:19:59.600
<v Speaker 1>where he lives in London. It's the most charming looking

0:19:59.640 --> 0:20:04.880
<v Speaker 1>place on planet Earth. It's just beautiful cobble stone alleyways

0:20:05.040 --> 0:20:07.280
<v Speaker 1>and flowers in the windows and it just looks like

0:20:07.320 --> 0:20:10.399
<v Speaker 1>the loveliest little scene. And I told Emily, I was like,

0:20:10.440 --> 0:20:13.679
<v Speaker 1>I bet you there's Ted Lasso tourism and people that

0:20:13.760 --> 0:20:15.879
<v Speaker 1>want to go stay in this little area of London

0:20:15.920 --> 0:20:19.440
<v Speaker 1>because it's so goddamn charming. So I would I would

0:20:19.480 --> 0:20:21.439
<v Speaker 1>live there. I don't know if that's my final choice,

0:20:21.520 --> 0:20:25.359
<v Speaker 1>but uh, do you have any fantasy land or or

0:20:25.359 --> 0:20:29.560
<v Speaker 1>a movie house that you love? Nol gosh, how about

0:20:29.560 --> 0:20:32.240
<v Speaker 1>that Hobbit hole from Lord of the Rings that look cute?

0:20:32.440 --> 0:20:35.480
<v Speaker 1>The shire in the shire, yeah, and and and in

0:20:35.520 --> 0:20:40.840
<v Speaker 1>hobbiton Um gosh, uh that thing on that I'm the

0:20:40.840 --> 0:20:43.240
<v Speaker 1>only half kidding about that. I do like the cute

0:20:43.240 --> 0:20:45.760
<v Speaker 1>little cozy home dug into the side of the hill

0:20:45.920 --> 0:20:49.720
<v Speaker 1>and actually renting. Renting a cabin in the Blue Ridge

0:20:49.720 --> 0:20:52.240
<v Speaker 1>Mountains is the thing we do around these parts for

0:20:52.280 --> 0:20:55.879
<v Speaker 1>a little getaway. And they're all just so cozy and

0:20:56.040 --> 0:20:59.840
<v Speaker 1>like have made of like you know, uh, tim like lumber,

0:21:00.040 --> 0:21:03.440
<v Speaker 1>and you know, have like deer heads on the wall. Look,

0:21:03.600 --> 0:21:06.720
<v Speaker 1>you know, you know what I mean. They're like they're

0:21:06.720 --> 0:21:09.840
<v Speaker 1>made of like the same kind of like stained you know,

0:21:10.400 --> 0:21:12.880
<v Speaker 1>plank boards. You know, they have a very distinct look

0:21:12.920 --> 0:21:14.600
<v Speaker 1>to them. But I think the words you're looking for

0:21:14.680 --> 0:21:19.680
<v Speaker 1>his pine, pine, lumber, whatever. And they have a hot tub.

0:21:19.680 --> 0:21:20.960
<v Speaker 1>They gotta have a hot tub. You can't have a

0:21:20.960 --> 0:21:23.240
<v Speaker 1>Blue Ridge cabin without a hot tub. It's a deal breaker,

0:21:23.560 --> 0:21:26.040
<v Speaker 1>that's true. That thing is full of grossness. Though. By

0:21:26.040 --> 0:21:28.359
<v Speaker 1>the way, Oh my god, Huck, don't ruin this for me.

0:21:29.640 --> 0:21:33.800
<v Speaker 1>Oh uh. Laura Bjorkland says Grand Budapest Hotel. Love the

0:21:33.800 --> 0:21:35.760
<v Speaker 1>colors and one I could only imagine would be fascinating

0:21:35.760 --> 0:21:39.440
<v Speaker 1>nooks and crannies everywhere to explore. Yeah, that's what I'm

0:21:39.440 --> 0:21:42.600
<v Speaker 1>talking about. Oh boy me and al Data, one of

0:21:42.600 --> 0:21:45.439
<v Speaker 1>our favorite old pal says, I wish I could have

0:21:45.440 --> 0:21:48.720
<v Speaker 1>spent the pandemic where X mocking It took place. Man,

0:21:48.760 --> 0:21:52.960
<v Speaker 1>remember that house totally in the forest. Oh my god, Yeah,

0:21:53.119 --> 0:21:58.439
<v Speaker 1>futured everything. I'm all about that place. I wonder if

0:21:58.440 --> 0:22:00.280
<v Speaker 1>that place exists or if they made that for the movie.

0:22:00.280 --> 0:22:02.000
<v Speaker 1>It was so remote, I have a hard time believing

0:22:02.040 --> 0:22:04.520
<v Speaker 1>that it's real. But it sure looked like just a dope,

0:22:04.560 --> 0:22:08.080
<v Speaker 1>modern kind of bungalow getaway. You know, I bet they

0:22:08.080 --> 0:22:11.440
<v Speaker 1>built that for the movie. Yeah, you're probably right. Well,

0:22:11.600 --> 0:22:14.399
<v Speaker 1>no, no no, no, but did you did you? Dev's Chuck,

0:22:14.720 --> 0:22:17.800
<v Speaker 1>I did? Did you really like it? I did? I

0:22:17.840 --> 0:22:19.680
<v Speaker 1>need to get back into that. It was a little

0:22:19.720 --> 0:22:22.719
<v Speaker 1>slow start, but I need to give it my attention

0:22:22.720 --> 0:22:26.240
<v Speaker 1>because I really loved X Makta and the Alex Garland fellow. Yeah,

0:22:26.280 --> 0:22:29.800
<v Speaker 1>I quite enjoyed it. Right, It is a slow burn,

0:22:30.400 --> 0:22:31.920
<v Speaker 1>But I know you can appreciate a slow burn. You

0:22:31.960 --> 0:22:42.960
<v Speaker 1>just gotta be right in the right mood. Let me

0:22:43.000 --> 0:22:45.720
<v Speaker 1>see here. Nathan vin Zel, one of our old friends, says,

0:22:45.720 --> 0:22:48.200
<v Speaker 1>I would love to live in Pawnee, Indiana from parks

0:22:48.200 --> 0:22:51.760
<v Speaker 1>and rec nice little town and interact with the characters. Well, yeah,

0:22:51.800 --> 0:22:54.399
<v Speaker 1>if you throw in the characters, sure you go get

0:22:54.400 --> 0:22:57.159
<v Speaker 1>a job in that office. That's what I do. It's like,

0:22:57.200 --> 0:22:59.679
<v Speaker 1>I want to be next to his ease, put my

0:22:59.680 --> 0:23:06.080
<v Speaker 1>desk there. Yep. Sold uh lydia pell source says this

0:23:06.119 --> 0:23:08.720
<v Speaker 1>may be an odd one, but while watching Lost, I

0:23:08.760 --> 0:23:10.600
<v Speaker 1>wanted to be stranded on that island with all those

0:23:10.640 --> 0:23:14.760
<v Speaker 1>amazing characters so bad. Mm hmmm, Yeah, I get that.

0:23:15.040 --> 0:23:17.560
<v Speaker 1>I kinda I had a lost I was big into

0:23:17.600 --> 0:23:20.040
<v Speaker 1>that show for a while. I would have wanted to

0:23:20.040 --> 0:23:22.600
<v Speaker 1>live there at a certain time in my life. Totally.

0:23:22.760 --> 0:23:25.080
<v Speaker 1>It was that'd be. I don't know, Like I feel

0:23:25.080 --> 0:23:28.159
<v Speaker 1>like maybe there was a lot of love lost on

0:23:28.240 --> 0:23:31.480
<v Speaker 1>that show because of the way it ended. Um, but

0:23:32.680 --> 0:23:34.320
<v Speaker 1>people don't talk about it as much as they used to,

0:23:34.320 --> 0:23:35.399
<v Speaker 1>you know what I mean. Like it feels like it's

0:23:35.400 --> 0:23:38.200
<v Speaker 1>sort of slipped away from from the zeitgeist a little

0:23:38.200 --> 0:23:42.159
<v Speaker 1>bit because of its pretty disastrous ending. Yeah, and it

0:23:42.240 --> 0:23:45.200
<v Speaker 1>was sort of at the beginnings of like the great

0:23:45.320 --> 0:23:48.560
<v Speaker 1>era of TV, and uh, I think it's gotten. TV

0:23:48.640 --> 0:23:51.760
<v Speaker 1>has gotten so much better since then that it may

0:23:51.760 --> 0:23:53.960
<v Speaker 1>be sort of lost in the shuffle a little bit. Yep.

0:23:55.280 --> 0:23:58.040
<v Speaker 1>Lost in the shuffle. No, you gotta stop that ship.

0:24:00.960 --> 0:24:05.199
<v Speaker 1>Tyler Murphy says, the Ewok village of Indoor on Indoor cute,

0:24:05.520 --> 0:24:09.800
<v Speaker 1>the coolest tree forts ever. Remember the actual e Walk movie?

0:24:10.400 --> 0:24:13.040
<v Speaker 1>There was an there was an e Walk movie like

0:24:13.840 --> 0:24:16.199
<v Speaker 1>I think it was called The Battle for Indoor or

0:24:16.200 --> 0:24:21.800
<v Speaker 1>something like that, and Wicket character as portrayed by Warwick Davis.

0:24:21.840 --> 0:24:23.679
<v Speaker 1>If I'm not mistaken, Yeah, I did not see that.

0:24:24.200 --> 0:24:27.960
<v Speaker 1>M Let me see Melinda beccalleo when a GIRLD friend says,

0:24:27.960 --> 0:24:29.560
<v Speaker 1>I want to live in the law from a new Girl,

0:24:30.440 --> 0:24:34.119
<v Speaker 1>but also the town of Ship's Creek a bunch of

0:24:34.119 --> 0:24:36.040
<v Speaker 1>hobbit hole people know a lot of people want to

0:24:36.040 --> 0:24:39.240
<v Speaker 1>live in those little hobbit holes. Yeah, oh good, there

0:24:39.240 --> 0:24:42.600
<v Speaker 1>we go. I wasn't It wasn't just I'm not alone

0:24:42.880 --> 0:24:45.120
<v Speaker 1>in my hobbit hole. You're not alone. You've got lots

0:24:45.160 --> 0:24:47.040
<v Speaker 1>of friends, you know. I'll get in the hots of

0:24:47.080 --> 0:24:50.680
<v Speaker 1>each with each other and reread Disease Across the Land,

0:24:50.840 --> 0:24:56.399
<v Speaker 1>love it. Cheryl Creech Signer says Midnight in Paris was

0:24:56.480 --> 0:24:59.359
<v Speaker 1>fortunate enough to spend three nights I'm sorry, three months

0:24:59.359 --> 0:25:02.080
<v Speaker 1>in Paris and only nineteen Paris is perfect for me,

0:25:02.200 --> 0:25:05.199
<v Speaker 1>except I can't speak French, Cheryl, would you do for

0:25:05.240 --> 0:25:12.240
<v Speaker 1>three months? Just wildly gesticulate, point at things, get judged,

0:25:12.480 --> 0:25:14.639
<v Speaker 1>say the American word over and over again in the

0:25:14.640 --> 0:25:17.840
<v Speaker 1>hopes that they'll understand it the next time. You say,

0:25:18.359 --> 0:25:23.879
<v Speaker 1>Greg girk or Gurka says Skyfall before it fell into disrepair? Yeah, Skyfalls.

0:25:23.960 --> 0:25:27.520
<v Speaker 1>That was pretty dope house before it sky fell into disrepair?

0:25:28.480 --> 0:25:32.360
<v Speaker 1>What is what's wrong with you today? I'm just having

0:25:32.359 --> 0:25:34.640
<v Speaker 1>a second episode. You didn't do that in the first episode.

0:25:35.400 --> 0:25:37.679
<v Speaker 1>There haven't been as many opportunity. There weren't as many opportunities.

0:25:37.760 --> 0:25:40.159
<v Speaker 1>You know, I got us, I see an opening, I

0:25:40.200 --> 0:25:43.080
<v Speaker 1>take it. Oh gosh, I feel like Jonathan Strickland's sitting

0:25:43.119 --> 0:25:45.640
<v Speaker 1>across from me all of a sudden. Oh no, don't

0:25:45.840 --> 0:25:49.919
<v Speaker 1>say that, Chuck, No, no, no, no, uh no, shade

0:25:49.920 --> 0:25:52.679
<v Speaker 1>on strick. I love I love strick of course terribly.

0:25:52.840 --> 0:25:55.840
<v Speaker 1>He is quick with the pun Terrelle chauceays the borough

0:25:55.920 --> 0:25:59.560
<v Speaker 1>in the Harry Potter series Jamie Powers is the beach

0:25:59.600 --> 0:26:04.640
<v Speaker 1>town from Lost Boys. Seems pretty cool. Yeah, they call

0:26:04.640 --> 0:26:06.320
<v Speaker 1>it something else in the in the movie they call

0:26:06.400 --> 0:26:09.840
<v Speaker 1>it what do they call it? There's like a like

0:26:09.880 --> 0:26:11.960
<v Speaker 1>it's it's like a fictionalized version of Santa Cruise, but

0:26:11.960 --> 0:26:14.680
<v Speaker 1>it is definitely Santa Cruz. Yeah, they made it look

0:26:14.680 --> 0:26:19.960
<v Speaker 1>super cool. Uh let me see here, Sarah muscle guy

0:26:20.000 --> 0:26:23.879
<v Speaker 1>with the sacks on the boardwalk, sweat glistening off his pecks.

0:26:24.240 --> 0:26:28.440
<v Speaker 1>It's funny. There were several comments on Jamie's post that said, uh,

0:26:28.720 --> 0:26:32.719
<v Speaker 1>Roy Galty said, excellent Raves if you're into sacks rock, Yeah, exactly,

0:26:33.080 --> 0:26:38.040
<v Speaker 1>totally very well known scene. Uh where was I? Oh?

0:26:38.040 --> 0:26:42.479
<v Speaker 1>Sarah Stapleton says, any Nancy Meyer's house more specifically, something's

0:26:42.480 --> 0:26:46.080
<v Speaker 1>got to give beach house or Meryll's house. And it's complicated. Yeah,

0:26:46.240 --> 0:26:51.560
<v Speaker 1>Nancy Myers always has great houses and yeah, okay, I'm

0:26:51.560 --> 0:26:56.800
<v Speaker 1>not directed. Something's got to give, and uh, it's complicated.

0:26:56.840 --> 0:27:04.280
<v Speaker 1>Among it's a rom com situation, yeah for adults. Brandy

0:27:04.359 --> 0:27:10.919
<v Speaker 1>McDonald says stars Hollow from Gilmore Girls, okay, sure, Culverra

0:27:11.000 --> 0:27:12.960
<v Speaker 1>Matthew wants to be on the island and lost as well.

0:27:14.880 --> 0:27:19.399
<v Speaker 1>Hugh Graydner says or h u Graydner says stars Hollow

0:27:19.400 --> 0:27:21.480
<v Speaker 1>should be a night would what would be a nice town?

0:27:22.240 --> 0:27:25.560
<v Speaker 1>What is stars Hollow? It's the town from Gilmore Girls. Oh,

0:27:26.080 --> 0:27:30.199
<v Speaker 1>it's just the name of the little town. McDonald just

0:27:30.200 --> 0:27:32.919
<v Speaker 1>said that like a second ago, and you spoke it

0:27:32.920 --> 0:27:36.359
<v Speaker 1>out loud too. I did with my own dirty mouth,

0:27:36.520 --> 0:27:40.439
<v Speaker 1>your own, your own dirty mouth. I know they did

0:27:40.480 --> 0:27:42.960
<v Speaker 1>a reboot of that recently that people said it was

0:27:43.000 --> 0:27:49.000
<v Speaker 1>actually not bad of of the Gilmore girls, Oh right,

0:27:49.080 --> 0:27:51.280
<v Speaker 1>right right. Emily saw that she was. She was a

0:27:51.280 --> 0:27:54.199
<v Speaker 1>Gilmore girl fan, got it. I did not. I couldn't

0:27:54.200 --> 0:27:57.600
<v Speaker 1>take that lead guy. And if you're a fan, then

0:27:57.760 --> 0:28:00.040
<v Speaker 1>that's heresy. But I did not like that guy because no,

0:28:00.160 --> 0:28:02.119
<v Speaker 1>I not have not seen a moment of it. I

0:28:02.119 --> 0:28:04.920
<v Speaker 1>thought he was well, I just I won't have anyone's

0:28:04.960 --> 0:28:07.400
<v Speaker 1>yung was not into it. Chris Nap says, the Lake

0:28:07.440 --> 0:28:13.639
<v Speaker 1>Tahoe House from Godfather Part two is that where you

0:28:13.760 --> 0:28:18.120
<v Speaker 1>broke my heart Fredo on the boat. Maybe I haven't

0:28:18.119 --> 0:28:19.520
<v Speaker 1>seen god Father Too in a long time, and I've

0:28:19.520 --> 0:28:22.200
<v Speaker 1>seen it a few times. But if they go I

0:28:22.200 --> 0:28:23.800
<v Speaker 1>don't know, they go out on a boat. It seems

0:28:23.800 --> 0:28:26.480
<v Speaker 1>like it would have been if if it was anywhere,

0:28:26.480 --> 0:28:28.119
<v Speaker 1>it was at the Lake Tahoe House, because they go

0:28:28.400 --> 0:28:30.400
<v Speaker 1>literally out on a boat on a lake, and that's

0:28:30.400 --> 0:28:34.200
<v Speaker 1>where that scene takes place. So I imagine that's possible. Interesting,

0:28:34.680 --> 0:28:36.560
<v Speaker 1>all right, but let's finish this out. We got Tracy

0:28:36.600 --> 0:28:40.520
<v Speaker 1>de Martini says, The Brady Bunch House for Nostalgia, and

0:28:41.040 --> 0:28:44.120
<v Speaker 1>One Division Yet, Chuck, have you watched One Division yet? Chuck?

0:28:44.160 --> 0:28:46.320
<v Speaker 1>I watched the first two and that was when it

0:28:46.440 --> 0:28:48.760
<v Speaker 1>first came out, and then I have not watched since.

0:28:49.440 --> 0:28:51.760
<v Speaker 1>And I'm just that in Mandalorian or kind of hanging

0:28:51.800 --> 0:28:53.560
<v Speaker 1>over my head. I just need to pass through those.

0:28:53.720 --> 0:28:56.560
<v Speaker 1>The third one is the Brady Bunch she episode, I believe,

0:28:57.400 --> 0:28:59.200
<v Speaker 1>and they do a fabulous job, and it's one you

0:28:59.200 --> 0:29:01.000
<v Speaker 1>should stick with. The real he goes places Yet's you're

0:29:01.040 --> 0:29:03.280
<v Speaker 1>sort of like head scratchy at first, like what were

0:29:03.320 --> 0:29:05.440
<v Speaker 1>they doing here? And then they make it real clear

0:29:05.760 --> 0:29:08.760
<v Speaker 1>it's good. All right, boy. A lot of people are

0:29:08.760 --> 0:29:13.720
<v Speaker 1>saying starts hollow from Gilmore Girls, Margarita Saramago, Norma Brunson,

0:29:14.960 --> 0:29:19.120
<v Speaker 1>Jake Dingler. What is that person's name? Amanda Scanlon White,

0:29:19.240 --> 0:29:21.600
<v Speaker 1>Jake Dingler, Jake Dingler, I just like this is it's

0:29:21.760 --> 0:29:24.360
<v Speaker 1>just a cool name. Um uh yeah. I think it's

0:29:24.360 --> 0:29:30.400
<v Speaker 1>probably just like a homeie, friendly, small idyllic town. I

0:29:30.400 --> 0:29:33.080
<v Speaker 1>think that's the that's the deal. It's so funny. Someone

0:29:33.240 --> 0:29:36.479
<v Speaker 1>Patrick Gorman won a World Prince at Scranton, Pennsylvania, from

0:29:36.520 --> 0:29:40.280
<v Speaker 1>the Office, but not Studio City, California. It's funny because

0:29:40.560 --> 0:29:42.320
<v Speaker 1>the Office is one of those like God bless them

0:29:42.320 --> 0:29:44.880
<v Speaker 1>every time they're outside, like it's so clearly l a

0:29:45.080 --> 0:29:48.520
<v Speaker 1>and not scratted Pennsylvania. Yeah, totally. Yeah, that's true. You

0:29:48.600 --> 0:29:52.720
<v Speaker 1>just had to sort of suspend that disbelief. All right,

0:29:52.760 --> 0:29:57.320
<v Speaker 1>and we'll finish up here with Christina Wheeler in a

0:29:57.400 --> 0:30:03.880
<v Speaker 1>show that you mentioned with Schnides wherever they film top

0:30:03.920 --> 0:30:09.160
<v Speaker 1>of the Lake, please God please, that's somewhere in news

0:30:09.280 --> 0:30:12.240
<v Speaker 1>in New Zealand. Yeah, I found not mistaken. Yeah that was,

0:30:13.280 --> 0:30:15.200
<v Speaker 1>like I said, I watched that first season, really really

0:30:15.280 --> 0:30:17.840
<v Speaker 1>enjoyed it. For some reason, never watched the second season,

0:30:17.880 --> 0:30:20.360
<v Speaker 1>which I think was a fully different thing. It was

0:30:20.400 --> 0:30:22.960
<v Speaker 1>a different story. It did like it didn't even really

0:30:22.960 --> 0:30:24.880
<v Speaker 1>hardly reference what happened in the first year. Did you

0:30:24.880 --> 0:30:27.600
<v Speaker 1>watch the second season? I think so, but I only

0:30:27.640 --> 0:30:30.280
<v Speaker 1>really remember the first season. The second season was a

0:30:30.280 --> 0:30:35.680
<v Speaker 1>little bit less memorable. Boy, Christopher Austin says stars Hollow,

0:30:35.920 --> 0:30:37.640
<v Speaker 1>I guess I'm missing out, and well, everyone wants to

0:30:37.680 --> 0:30:42.320
<v Speaker 1>live in that town. Yeah, it sounds sounds lovely, does

0:30:42.400 --> 0:30:44.560
<v Speaker 1>sounds nice? All right? Well that's it for this week.

0:30:44.640 --> 0:30:48.719
<v Speaker 1>Nolla tight thirty two minutes in and out, in and

0:30:48.760 --> 0:30:51.680
<v Speaker 1>out like the Burger place, and thanks for joining me.

0:30:53.200 --> 0:30:56.640
<v Speaker 1>Here's another hot take in and out. Fries no good. Oh,

0:30:56.760 --> 0:30:58.800
<v Speaker 1>that's that's the thing. People say that they don't like

0:30:58.880 --> 0:31:02.560
<v Speaker 1>the fries there. It's a crispy, very skinny, shoestring fry

0:31:02.600 --> 0:31:05.360
<v Speaker 1>and it's very bland unless you have to salt them yourself.

0:31:05.400 --> 0:31:07.280
<v Speaker 1>But I will say that burger is a it's a

0:31:07.280 --> 0:31:10.840
<v Speaker 1>good burger burger. They do the handcut fries, though, which

0:31:10.880 --> 0:31:13.560
<v Speaker 1>I can respect because it's you know, they've got real

0:31:13.600 --> 0:31:15.920
<v Speaker 1>potatoes in that restaurant that they're cutting up, but they

0:31:15.960 --> 0:31:19.240
<v Speaker 1>don't get crispy. They're always floppy. I gotta crispy fries, dude,

0:31:19.280 --> 0:31:21.840
<v Speaker 1>you don't like a floppy fry like you know, say

0:31:21.840 --> 0:31:24.680
<v Speaker 1>what you want about McDonald's whatever garbage they're putting on

0:31:24.760 --> 0:31:29.440
<v Speaker 1>this French frise that makes them crispy. And now it's true,

0:31:29.560 --> 0:31:32.120
<v Speaker 1>you're not wrong. That's what I wrong. I think what

0:31:32.160 --> 0:31:34.040
<v Speaker 1>we all want. I think nobody wants a floppy fry.

0:31:34.080 --> 0:31:38.560
<v Speaker 1>They or a spoopy sport or spoopy sport. All right, thanks, Buddy.

0:31:40.560 --> 0:31:43.120
<v Speaker 1>Movie Crash is produced and written by Charles Bryant and

0:31:43.160 --> 0:31:46.760
<v Speaker 1>Meel Brown, edited and engineered by Seth Nicholas Johnson, and

0:31:46.800 --> 0:31:49.440
<v Speaker 1>scored by Noel Brown here in our home studio at

0:31:49.440 --> 0:31:53.160
<v Speaker 1>Pontsity Market, Atlanta, Georgia. For I Heart Radio. For more

0:31:53.200 --> 0:31:55.720
<v Speaker 1>podcasts for my Heart Radio, visit the i Heart Radio app,

0:31:55.840 --> 0:31:58.640
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.