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Speaker 1: Wait that ass up in the morning breakfast Club. Yeah,

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Speaker 1: it's the world more dangerous. Want to show the breakfast Club.

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Speaker 1: And we got a special guest in here this morning. Man.

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Speaker 1: I also got Nolla Simon in here, you know, holding

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Speaker 1: it down with me. But don Toliver is here. What's up,

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Speaker 1: my brother? What's up? How you feeling? I'm blessed black

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Speaker 1: and holly favored. Man, you got the new album, Love Sick.

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Speaker 1: I have to say I'm a little disappointed that you

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Speaker 1: don't have a leather coat on right now, sir, Well,

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Speaker 1: I'll see what she's saying. I had it. This is

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Speaker 1: like some different type of like it just feels good.

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Speaker 1: I'm sorry I couldn't do the leather. It's restricting, you

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Speaker 1: know what I'm saying. I wanted to be comfortable. We'll

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Speaker 1: talk to us about the new album. Man, Love Sick.

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Speaker 1: Why why that title? Well, love sick is kind of

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Speaker 1: just the threshold to um a story, a story that

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Speaker 1: I created. I wanted to make an album, and I

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Speaker 1: wanted to make a movie and a soundtrack for the album.

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Speaker 1: So love stick is basically just the term for you

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Speaker 1: going through whatever you're going through with your significant other

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Speaker 1: where it's whether it's bad, good, ugly, sad, whatever. Everybody

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Speaker 1: within the movie short film that I created for love sick,

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Speaker 1: it is love sick, whether it's to cook, the dining

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Speaker 1: of the cop, me my girlfriend. So it's something that

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Speaker 1: you have to pay attention to in a movie to

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Speaker 1: really understand. But that's exactly what definition is. You know,

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Speaker 1: that's a narrative you don't really hear from artists nowadays

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Speaker 1: because artists, you know, historically want to be players and

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Speaker 1: pimps and run through a bunch of women, you know

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Speaker 1: what I mean. I actually have somebody looking for love

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Speaker 1: and to say they love fit, that's a little different. Yeah,

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Speaker 1: it's definitely just like your own choice is really what

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Speaker 1: it is. It's like, do you choose to you know,

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Speaker 1: stay faithful and lock in with your significant other or

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Speaker 1: do you choose to deal with everything else in the

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Speaker 1: world that has nothing to do with that. So that's basically,

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Speaker 1: you know, the duality of love sick. On the first

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Speaker 1: track of love sickness, you say love is the fall

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Speaker 1: that you don't get up from. Yeah, was this written

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Speaker 1: prior to you falling? Or are you still like and

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Speaker 1: that I was? I was? I made that statement, Um,

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Speaker 1: I made that statement at the end of the song

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Speaker 1: just to let people know sometimes that love is heavier

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Speaker 1: than what you think, you know what I'm saying. Sometimes

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Speaker 1: you fall in love with somebody in that same feeling

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Speaker 1: sticks with you for years and you don't understand why.

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Speaker 1: And that's what I meant by you know, you're never

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Speaker 1: supposed to fall in love though, really, because when you fall,

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Speaker 1: anytime you fall historically in life, you get hurt. You

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Speaker 1: supposed to grow, yeah, in love with people. That's why

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Speaker 1: I said, you know, falling your love is the one

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Speaker 1: fall you don't get there from. See you still down?

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Speaker 1: Am I still down? Yeah? Yeah? We're falling. Yeah, I'm

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Speaker 1: still down for sure, down for the count. I feel

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Speaker 1: like down makes it sound like bad when you're actually

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Speaker 1: in a good spot. It looks like I'm in a

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Speaker 1: good spot. But I mean it's just like you know,

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Speaker 1: we are. When you're in a relationship is Sometimes it's

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Speaker 1: not like pieces and cream, you know what I'm saying.

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Speaker 1: Sometimes that ship gets you know, y'all busy, y'all schedules, conflict,

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Speaker 1: y'all might be arguing about the littlest, the dumbest things.

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Speaker 1: You know, It's like a lot of stuff that goes

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Speaker 1: on that makes it relation ship tougher than what it is.

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Speaker 1: Sometimes I really sorry, I really like and let her

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Speaker 1: go when you're like, I think I'm really here for once?

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Speaker 1: Is that what your relationship with Cali feels like? Like?

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Speaker 1: Is this the first time you feel present with your

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Speaker 1: partner more than I've ever been with somebody? For sure?

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Speaker 1: That's so, what do you think is the difference? Like?

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Speaker 1: What mix it? I just I just I'm just way

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Speaker 1: more invested into my relationship and then I've probably been

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Speaker 1: in any other relationship. I love that. Good for you.

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Speaker 1: I love the flip that you guys did with Beanie

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Speaker 1: Man and Maya Uh for for me? Was that like

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Speaker 1: on purpose? Is that a sentimental record for you guys

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Speaker 1: or what you guys just in the studio and came

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Speaker 1: up with that? It was a record, It was a record.

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Speaker 1: I really love that that sample a lot. It's a

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Speaker 1: crazy sample. Girls Girls Them Sugar is a crazy sample.

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Speaker 1: I really loved that song a lot, And it's just like,

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Speaker 1: you know, I kind of wanted something I've been into

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Speaker 1: just like really having fun dancing lately, So I wanted

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Speaker 1: to kind of like that dance hall Field and I

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Speaker 1: love Neptune was a lot, so it's kind of like

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Speaker 1: the best of both worlds. And then Wheezy did the

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Speaker 1: sample on the B so it really really I just

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Speaker 1: had to do it. Was it hard to clear that record?

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Speaker 1: I was, Yeah, I would say yes for all got

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Speaker 1: on percent. I will not disclosed I love Pe. I'm

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Speaker 1: not gonna say piece the back out here, but sample. Yeah,

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Speaker 1: business is business? Man? Is it hard mix it in

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Speaker 1: the business? I guess with with with the pleasure, um

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Speaker 1: depends on like you know who you who are you? Like?

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Speaker 1: I don't really there's not too much pleasure for me

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Speaker 1: now these days when it comes to just other artists.

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Speaker 1: I have like a kind of set amount of people

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Speaker 1: that I deal with. But um, you know, business is business,

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Speaker 1: you know. I just I chop it up to the game.

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Speaker 1: Like you know, I think I'll be mad atenoughbody for

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Speaker 1: charging me because I'm gonna charge them. Oh so you

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Speaker 1: charge your girl for features? No, that's what I was

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Speaker 1: talking about. I thought y'are talking about pan business and

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Speaker 1: pleasure like you And I was thinking you were speaking

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Speaker 1: enough terms of like business and pleasure as like me

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Speaker 1: maybe me being cool with Pee or something. And it's

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Speaker 1: like the business or not. Now, me and my girls,

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Speaker 1: it's it's beautiful. You know, we just do we kind

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Speaker 1: of stay on the music side, the whole business thing.

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Speaker 1: I'm just like, whatever she wanted, cool, blah blah blah,

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Speaker 1: let it go. I don't even like really dealing to

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Speaker 1: it too much. But we just try to really keep

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Speaker 1: in musical, you know what I'm saying. I love that.

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Speaker 1: And uh, speaking of dancing, and you talked about the dancing.

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Speaker 1: What does that dance you do when you're like hands

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Speaker 1: is moving and your feet like you have a name

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Speaker 1: for that. It's called do the food the fool food,

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Speaker 1: Do the Fool's Crazy. It's something I created in Australia

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Speaker 1: when I was I was in Australia like last year

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Speaker 1: and Metcha was dropping his album and I had like

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Speaker 1: three songs on the album. I was very excited to

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Speaker 1: hear the album. And I don't know what got into me.

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Speaker 1: I was outside just like chilling listening to the album

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Speaker 1: my headphones. I tell my brother recorded me and my

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Speaker 1: feet just started moving. And then after that I never

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Speaker 1: stopped doing the dance again. It looks like you're dancing

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Speaker 1: like nobody's watching, but we're literally all watching but when

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Speaker 1: you hit it last night on stage, I'm like, man,

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Speaker 1: this guy is having the time of his life. Yeah,

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Speaker 1: Travis Scott came out that was that was crazy? Did

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Speaker 1: you rush the deluxe because you knew that this was

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Speaker 1: happening like the show when you want to traps? I

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Speaker 1: really just wanted him on my album. I wanted to

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Speaker 1: tease it on my album, and I just wanted to

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Speaker 1: give the fans like a couple, you know, more songs.

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Speaker 1: I feel like they were asking for a lot. The

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Speaker 1: album was just amazing. I never had a chance to

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Speaker 1: really just give fans immediately something, you know. It was

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Speaker 1: like one of the funniest things for me to do.

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Speaker 1: It was challenging because after I dropped my album, I

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Speaker 1: was like, yo, I want to give my fans some

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Speaker 1: more music. But it was like kind of challenging because

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Speaker 1: I have so much music and I had to break

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Speaker 1: it down into like four songs that I wanted to

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Speaker 1: put on it this album. So it really caught me

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Speaker 1: off guard because you did it within like a week span.

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Speaker 1: Why not give us a tape and then the project?

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Speaker 1: Like why make it so lengthy? Oh? I just wanted

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Speaker 1: to I wanted to even twenty and like I said,

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Speaker 1: I want to travel and teas are on my album immediately.

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Speaker 1: I didn't want to wait a week. I didn't want

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Speaker 1: to wait a month. I wanted them on my album.

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Speaker 1: You know, I wanted to listen through exactly you know

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Speaker 1: how I planned to see it immediately then waiting. I

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Speaker 1: feel like the fans wanted the same thing. Your fans

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Speaker 1: are really demanding, and it's really because you keep doing

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Speaker 1: the snippets, Like, do you regret posting the snippets at all? Honestly,

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Speaker 1: I don't regret posting the snippets, but I will say, like,

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Speaker 1: you know, I really just want the fans to have

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Speaker 1: a chance to be able to like, you know, get

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Speaker 1: something a little early, or be able to say, like, yo,

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Speaker 1: I remember when he played this on Instagram Live before

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Speaker 1: it came out, to have a little exclusivity to whatever

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Speaker 1: I'm doing. It's really what I wanted to do. If

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Speaker 1: that helper hurts you think when you um, it's a blessing. Man.

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Speaker 1: I feel like at the end of the day, you know,

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Speaker 1: people want to consume the music regardless, so however they

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Speaker 1: get it, you know, however they get it, But as

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Speaker 1: long as it's not being stolen and somebody else's monetizing

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Speaker 1: all whatever you got going on. It's whatever. But you know,

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Speaker 1: when the time comes right, if you snip it something,

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Speaker 1: it should come out. You know. I even was wondering, like,

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Speaker 1: you know what the four new songs that you added,

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Speaker 1: how do you even decide what you want to put

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Speaker 1: out originally because you know, you don't just sit on

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Speaker 1: Travis Scott features. You know what do you mean by like,

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Speaker 1: how how do you decide you know, what to put

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Speaker 1: out later at Bonus Tracks as the polled originally? Uh,

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Speaker 1: that was That's what I'm saying. That was a challenge

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Speaker 1: behind it. I really just um, I really just day

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Speaker 1: did into four well, first it was off the four

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Speaker 1: was something that the fans wanted one song and the

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Speaker 1: other three songs were really just something that I feel

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Speaker 1: like the album really needed. Travis for sure, I want

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Speaker 1: to him on my album regardless. He's been all my albums,

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Speaker 1: and Tizo Touchdown is from Texas. I'm from Texas as well,

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Speaker 1: and I always like to highlight, you know, any artists

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Speaker 1: coming out of Texas doing whatever they possibly doing, you know,

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Speaker 1: and I felt like it was the perfect opportunity to

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Speaker 1: lay him go up on the album as well? How

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Speaker 1: would you define yourself as an artist? Because I listen,

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Speaker 1: I'm like, well, is the R and B? Is he rapping?

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Speaker 1: You know what I mean? Like, how would you define

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Speaker 1: yourself as an art I would just say it's R

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Speaker 1: and B sold just a little twist of what I

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Speaker 1: got going on, you know. I really I deal heavy

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Speaker 1: into the R and B and the melodics of things

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Speaker 1: a lot. But I definitely just like to get off

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Speaker 1: some bars here and there too. I don't like to.

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Speaker 1: I feel like, if I can do it, why not

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Speaker 1: do it? Do you hate to rap? I'm not hate,

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Speaker 1: but do you How do you feel about the rappers

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Speaker 1: who may sound like you but they're rappers? You know

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Speaker 1: what I mean? May sound like me, but they're rappers. Honestly,

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Speaker 1: I don't know, man. I get a lot of times

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Speaker 1: I don't want to horn, but a lot of people

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Speaker 1: say that I'm kind of different or I have a

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Speaker 1: certain distinctive sound. So I don't want to say people

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Speaker 1: are sound like me, but I'll say, like, you know,

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Speaker 1: there's a lot of people that are melodic and wrap

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Speaker 1: as well. I just feel like when I come across

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Speaker 1: it just hits a little different my opinion, I feel

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Speaker 1: like te Paint is the influence of yours. Yeah, tee Pain.

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Speaker 1: Te Pain is definitely, um uh someone that I wanted

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Speaker 1: to present listen to when I was coming up. Definitely

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Speaker 1: a lot of people are still expecting you to drop

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Speaker 1: Rolling Stone or the joint with Baby King. Yeah, kind

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Speaker 1: of crazy because it's like we're joining baby Ka when

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Speaker 1: you guys talking about I haven't snipped any song with

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Speaker 1: a Baby King, but Rolling Stone I know all about

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Speaker 1: that for sure. Um and what about the joint with

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Speaker 1: um innercent Pop Honeymoon Out? Was he originally on that

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Speaker 1: or did somebody just make that online? Yeah? Somebody. I

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Speaker 1: feel like they kind of like did that whole internet

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Speaker 1: twisting verse thing? It made the little situation. But um,

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Speaker 1: I love Andersen, would I would like that. Speaking of honeymoon,

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Speaker 1: is marriage something that you have in minor like on

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Speaker 1: your Yeah, I love it. I love that. You know

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Speaker 1: you know though, brother, Yeah, you're right. Don't play with it,

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Speaker 1: like you know what I'm saying. When you know she

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Speaker 1: the one, don't play with it, man, don't play with it.

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Speaker 1: I'm here, Um, you have a you have a you

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Speaker 1: know what your proposal me? Look like, because that's very

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Speaker 1: important because you got money. When you got money, you

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Speaker 1: got to make sure that the proposal is something that

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Speaker 1: they never ever forget, Like it's a story that you

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Speaker 1: can tell the people in the future. That's just fly.

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Speaker 1: I feel like whatever I do, it just has to

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Speaker 1: be organic. I can't really do too too much. My girl,

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Speaker 1: she just kind of wanted to be Heartfield. Whatever it

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Speaker 1: is gotta be organic. It don't matter if we in

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Speaker 1: the park having a picnic, you know, it just kind

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Speaker 1: of gotta feel organic. How do you How do you

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Speaker 1: know when that person is the one you want to

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Speaker 1: spend the rest of your life with. Um. I feel

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Speaker 1: like if you've been with somebody for two to three

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Speaker 1: years for this is me and my girl going on,

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Speaker 1: you kind of know if you really want to be

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Speaker 1: with them. And that's kind of like where I feel it, Like,

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Speaker 1: all right, we here. Did you see a lot of

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Speaker 1: healthy relationships growing up? Yeah? I did. I mean my

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Speaker 1: mom and my dad they separated when I got a

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Speaker 1: little older, but they managed to just keep there. Like

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Speaker 1: they would have the ups and down, she would be

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Speaker 1: mad at him or whatever, but at the end of

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Speaker 1: the day, they still kept it. Like this is my mom,

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Speaker 1: and it's my dad and then dad never that never

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Speaker 1: like kinda left the playing fielding. I respect that. And

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Speaker 1: my grandma, my grandfather, they've still been together. They've been

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Speaker 1: together for they've been married for like fifty some years. Beautiful.

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Speaker 1: I love that. You're gonna make a lot of money. Brother,

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Speaker 1: reason you're gonna make a lot of money is because

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Speaker 1: you know, like, when you have that partner like that,

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Speaker 1: you devote all your time and all your energy too.

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Speaker 1: And you ain't not here doing all extracurriculus shit. You

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Speaker 1: just watch what happens in your life. You can commit

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Speaker 1: to that one situation give you stability that other people

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Speaker 1: don't have. That. I love that you called it extracurriculum.

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Speaker 1: That's cute. Um On, go down. You have this line

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Speaker 1: that I have a bone to pick with you about.

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Speaker 1: You say twenty five the life of certified lover. Keep

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Speaker 1: me cool? She she keeps me cool undercover backseat. I

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Speaker 1: never use a rubber. That's what you promoting. Mind your business.

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Speaker 1: That's okay. Now I ask her don First of all,

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Speaker 1: this is I ask her Billy silly. And then company man,

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Speaker 1: this is the third company you've given us. Each company

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Speaker 1: is like a classic. Do you see yourself doing a

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Speaker 1: company just project company ten? Yeah, Yeah, I mean I

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Speaker 1: feel like, honestly, yeah, I feel like, honestly, it's just

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Speaker 1: one of those things where it's like I want to

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Speaker 1: have something that the fans can't always relate to on

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Speaker 1: my album, and right now, I don't see why I

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Speaker 1: wouldn't want to come with a four or five or six,

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Speaker 1: just depending on where I'm at in my life. Hopefully

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Speaker 1: I'm in a good place to continue to want the company.

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Speaker 1: If not, you know, I'm good. How did you pick

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Speaker 1: your features? I like the range of features you go

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Speaker 1: from Glorella to Justin Bieber to whiz Kid to Charlie Wilson,

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Speaker 1: Like how do you decide who you want to collaborate with?

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Speaker 1: That's kind of like it's kind of like a wide

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Speaker 1: variety of like the industry, and it's kind of like

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Speaker 1: all my favorites from like all those little pockets. I

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Speaker 1: love Toro, I love James, I'm a fan of Globe,

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Speaker 1: I'm a fan of Dirk. Futures inspired me my whole life. Travis.

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Speaker 1: You already know about that. Tiso Touchdowns a legend tis

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Speaker 1: a career is another Houston legend. It's just little pockets

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Speaker 1: on the album with Brent fan of Brand, Like all

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Speaker 1: these pockets of artists, I really just respect them, respect

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Speaker 1: their craft, and just happy to have them on my album,

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Speaker 1: you know what I'm saying, and be able to like

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Speaker 1: collaborate them cap collaborate with those guys. I always wonder

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Speaker 1: how you and Travis, you know, because because growing up

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Speaker 1: for us, Houston always had a specific sound, you know

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Speaker 1: what I mean, Like you knew what Houston sounded like,

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Speaker 1: but you and Travis kind of like broke that mold.

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Speaker 1: Was that intentional or I say in my heart it

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Speaker 1: was intentional Travis. When I've seen Travis, Travis gave me

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Speaker 1: the hope when I was doing like all my little

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Speaker 1: underground stuff back home because he was the unicorn in Houston.

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Speaker 1: That was like doing something abstract and I felt like

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Speaker 1: I was doing the same, but I didn't have when

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Speaker 1: I was really like that's what really just putting me

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Speaker 1: on in the city and had people looking at me

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Speaker 1: different because I was doing some different Yeah, we are

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Speaker 1: known for the traditional, you know, Houston rap, but at

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Speaker 1: the same time, there's a lot of great creatives out

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Speaker 1: there that do a lot of different things. You know,

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Speaker 1: and I was able to kind of cut through because

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Speaker 1: it was different and that would help me. And I

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Speaker 1: think people in the city kind of just need to

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Speaker 1: realize that, you know a lot of people are doing

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Speaker 1: a lot of different things. Don't let me take away,

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Speaker 1: but you know, staying different, it's always to go right.

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Speaker 1: Always you get flat for that in the city because

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Speaker 1: I think about, you know, I'm from South Carolina, but

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Speaker 1: I remember hearing New York like when Asap Mob first

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Speaker 1: came out, they be like, oh man, they sounds like

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Speaker 1: they from the South. They don't sound like they from

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Speaker 1: the city. Did you get flat from people in Nah? Man,

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Speaker 1: I didn't. I feel like I feel like people probably didn't.

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Speaker 1: They definitely didn't know if I was from Houston or

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Speaker 1: not or whatever. But at the same time, it was

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Speaker 1: like like I was doing something different, you know, and

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Speaker 1: I was organic. I would just go like I was

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Speaker 1: a type of kid to just pull up in the

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Speaker 1: DJ boofing be and way to the DJ's spends all

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Speaker 1: his songs and be like, Yo, can you spend this

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Speaker 1: one last song for me? And and that got me like,

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Speaker 1: you know, that kind of would That's where it had

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Speaker 1: the streets like, you know, I respect his kid. He's

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Speaker 1: doing something different, but he's in here really putting his

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Speaker 1: foot down, trying to work, and I was like the

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Speaker 1: respect factor I got from there. I see a lot

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Speaker 1: of people have been showing love to your project, Dom

344
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Speaker 1: Kennedy Bunby. What is it like like having them embraced

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Speaker 1: you like that? I love it. I mean, I respect

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Speaker 1: bun I respect everybody who's showing me love on the album.

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Speaker 1: I just respect it because at the end of the day,

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Speaker 1: I put a lot of working on this album. I'm

349
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Speaker 1: not gonna sit here and say like I just did

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Speaker 1: the album in two months and turn it in and

351
00:17:31,720 --> 00:17:34,240
Speaker 1: there was nothing. I put a lot of Like it

352
00:17:34,280 --> 00:17:38,200
Speaker 1: was very tedious, like every song, and I've never put

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Speaker 1: that type of attention on any other on any of

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Speaker 1: my other album So, like, the respect for my peers

355
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Speaker 1: is beautiful. How do you feel about the consumers because

356
00:17:47,240 --> 00:17:51,359
Speaker 1: it feels like music so disposable nowadays. I feel like

357
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Speaker 1: you gotta set tone and you gotta make sure whatever

358
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Speaker 1: you putting down into this universe, it's gonna test the time.

359
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Speaker 1: And that's the way I feel, honestly. It is disposed.

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Speaker 1: Was just here today, go on the mall but you

361
00:18:02,359 --> 00:18:05,159
Speaker 1: just gotta know in your heart whatever you're giving, you know,

362
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Speaker 1: your consumer is something that I'll be able to digest

363
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Speaker 1: for the rest of their life, not just for the moment.

364
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Speaker 1: You know. That's why I wanted to give give that Deluxe.

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Speaker 1: You know what I'm saying. I was like, Man, as

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Speaker 1: much as I can possibly get my father to my

367
00:18:17,280 --> 00:18:19,159
Speaker 1: next project, I'm not mad at it. You know what

368
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Speaker 1: I'm saying. What makes you what makes you realize the

369
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Speaker 1: music still matters? Is it? The shows? Music still matters.

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Speaker 1: When I'm in the studio and I'm recording the music

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Speaker 1: that I make, it just it just does something to me.

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Speaker 1: Bro Like I love to record, I love to challenge

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Speaker 1: my brain. All that shit, all that is um uh

374
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Speaker 1: it helps. It's like it's brain food, brain power, and

375
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Speaker 1: it's very resourceful because I would I mean, I saw

376
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Speaker 1: the videos of your show from another night and I

377
00:18:50,359 --> 00:18:52,720
Speaker 1: was like, Dan, that must as an artist, that must

378
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Speaker 1: be the only thing that makes people feel like my

379
00:18:55,600 --> 00:18:57,920
Speaker 1: music still madically, Like you could drop the Love Sick

380
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Speaker 1: album and then two days later they'll be talking about

381
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Speaker 1: something else. Then you got to give them four more

382
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Speaker 1: songs to get them back focused on the project. That's

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Speaker 1: what it just seemed like from the outside looking in. Well, honestly, bro,

384
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Speaker 1: I just uh, it's been a it's been a roller coaster.

385
00:19:10,760 --> 00:19:14,360
Speaker 1: This is probably about the most. Um, I feel like

386
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Speaker 1: the greatest blessings I've gotten from my album or the

387
00:19:19,560 --> 00:19:23,040
Speaker 1: biggest reception. So honestly, I didn't. I just wanted to go.

388
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Speaker 1: I'm like, full, full blown all cannons go, like, I

389
00:19:27,280 --> 00:19:30,119
Speaker 1: just don't even really, I want to get fans whatever

390
00:19:30,160 --> 00:19:34,520
Speaker 1: they want. I want to give you know, whoever's never

391
00:19:34,680 --> 00:19:38,159
Speaker 1: heard or who was not up to game, whatever, you know.

392
00:19:38,400 --> 00:19:41,080
Speaker 1: I'm just sewing some if I got an opportunity to give,

393
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Speaker 1: I'm trying to go up and only after a week

394
00:19:43,800 --> 00:19:47,040
Speaker 1: they already knew all the words like dancing. There's a

395
00:19:47,080 --> 00:19:50,000
Speaker 1: great reaction last night. Um, but my favorite record on

396
00:19:50,040 --> 00:19:52,840
Speaker 1: there is absolutely well it's kind of changed between Lead

397
00:19:52,880 --> 00:19:55,480
Speaker 1: the Club to now the Brent Fire's Joint. But what's

398
00:19:55,480 --> 00:20:00,360
Speaker 1: your favorite record if I had why Charlie Wilson. It's

399
00:20:00,400 --> 00:20:03,240
Speaker 1: just a legendary moment. I love Charlie. I think Charlie

400
00:20:03,320 --> 00:20:07,600
Speaker 1: is amazing and he's just like dope guy. Any intimidation

401
00:20:08,119 --> 00:20:12,240
Speaker 1: getting his studio with Charlie Wilson. I'm not gonna say intimidation,

402
00:20:12,320 --> 00:20:14,840
Speaker 1: but you know him being an og he is, I

403
00:20:14,840 --> 00:20:17,800
Speaker 1: didn't know how, you know he I didn't know how

404
00:20:17,840 --> 00:20:20,200
Speaker 1: he would react to me or knew if he knew

405
00:20:20,240 --> 00:20:22,679
Speaker 1: anything about me. So that was the only type of

406
00:20:22,920 --> 00:20:26,200
Speaker 1: I guess, a little hesitation. But he was so cool

407
00:20:26,320 --> 00:20:29,399
Speaker 1: that he was just he just went in there and

408
00:20:29,400 --> 00:20:31,360
Speaker 1: did his thing. You know, did he take direction? Well,

409
00:20:31,440 --> 00:20:33,960
Speaker 1: did you give him not to? Yeah? He was cool.

410
00:20:34,000 --> 00:20:36,840
Speaker 1: He he did everything I really wanted him to do.

411
00:20:37,280 --> 00:20:39,280
Speaker 1: He did it like he did everything I wanted to do,

412
00:20:39,440 --> 00:20:41,760
Speaker 1: no question, whatever I needed out of him, he was

413
00:20:41,840 --> 00:20:44,119
Speaker 1: like he wanted, he wanted to get it through and

414
00:20:44,160 --> 00:20:46,800
Speaker 1: I respected that. Like to the Move with a Dote

415
00:20:46,800 --> 00:20:51,400
Speaker 1: in your life. Got excited about that record, My mom, my, grandma,

416
00:20:51,600 --> 00:20:54,800
Speaker 1: Grandpa wor it up. We Live a Gap band. We

417
00:20:54,840 --> 00:20:58,240
Speaker 1: loved Charlie Um Justin Bieble who wrote his verse. Man,

418
00:20:59,560 --> 00:21:03,479
Speaker 1: I know her, Yeah, you know me and me and

419
00:21:03,680 --> 00:21:07,159
Speaker 1: me and Justin. We were just in the stud dude, dude.

420
00:21:07,240 --> 00:21:10,400
Speaker 1: We was in La in the studio. Dudes in there

421
00:21:10,400 --> 00:21:14,160
Speaker 1: with a red rollerblaze on on the mic. We back

422
00:21:14,200 --> 00:21:17,399
Speaker 1: and forth like we just like on a mic and

423
00:21:17,440 --> 00:21:19,320
Speaker 1: I'm just wondering because he had a lot going on

424
00:21:19,400 --> 00:21:21,399
Speaker 1: at the moment, and it was a certain couple of

425
00:21:21,400 --> 00:21:23,880
Speaker 1: things I really wanted him to test bases on, especially

426
00:21:23,920 --> 00:21:26,440
Speaker 1: like when you know he come back to the CD

427
00:21:26,560 --> 00:21:29,960
Speaker 1: Houston like so, but Justin was really going crazy that

428
00:21:30,040 --> 00:21:31,720
Speaker 1: I'm not gonna hold you. He was feeling the vibe.

429
00:21:31,760 --> 00:21:34,560
Speaker 1: I had him just in his mode. So did he

430
00:21:34,600 --> 00:21:37,280
Speaker 1: record that before future or he could record it that

431
00:21:37,320 --> 00:21:41,040
Speaker 1: before future. You got to love sick short film on

432
00:21:41,080 --> 00:21:43,760
Speaker 1: Amazon Prime too, Yes, sir. Why did you notice needed

433
00:21:43,760 --> 00:21:46,560
Speaker 1: a film or visual to go with it like this? Um, honestly,

434
00:21:46,600 --> 00:21:49,000
Speaker 1: I wanted. I was just tired of one. I wanted

435
00:21:49,000 --> 00:21:51,000
Speaker 1: to Like I said, I wanted to shoot. I want

436
00:21:51,040 --> 00:21:54,000
Speaker 1: to shoot a movie from my album. And uh two,

437
00:21:54,080 --> 00:21:56,360
Speaker 1: I was just kind of tired of doing a traditional

438
00:21:56,520 --> 00:22:00,280
Speaker 1: video type thing. Um. I love mutic music videos, but

439
00:22:00,440 --> 00:22:03,640
Speaker 1: I wanted to give my fans like another visual aspect

440
00:22:03,640 --> 00:22:07,000
Speaker 1: of how I felt the music should be, like you know,

441
00:22:07,200 --> 00:22:11,520
Speaker 1: play through aesthetically it's given like seventies, like what was

442
00:22:11,560 --> 00:22:16,800
Speaker 1: the late seventies. The whole the whole inspiration came from

443
00:22:16,840 --> 00:22:21,000
Speaker 1: Studio fifty four and like disco culture. Um, I kind

444
00:22:21,040 --> 00:22:24,640
Speaker 1: of like started there and it turned into like everything else.

445
00:22:26,280 --> 00:22:29,320
Speaker 1: The cocaine was way pure back then. Man, you know

446
00:22:29,880 --> 00:22:32,959
Speaker 1: I heard about it. I'm not that old. You're going

447
00:22:33,000 --> 00:22:35,800
Speaker 1: on to a future, right huh? One big party though,

448
00:22:35,840 --> 00:22:38,480
Speaker 1: One big party to March starts March ninth. So what

449
00:22:38,520 --> 00:22:41,480
Speaker 1: you're gonna do? I'm gonna go crazy? How are you

450
00:22:41,520 --> 00:22:43,240
Speaker 1: gonna keep in touch with family? You're gonna bring something

451
00:22:43,320 --> 00:22:46,080
Speaker 1: one the roll with you? Um See this tour is um,

452
00:22:46,240 --> 00:22:49,000
Speaker 1: this tour is like weekends. It's like kind of spotty.

453
00:22:49,080 --> 00:22:52,760
Speaker 1: It's not like every day. So um, I'd definitely be

454
00:22:52,840 --> 00:22:55,160
Speaker 1: able to bring my family out put up, but it's

455
00:22:55,240 --> 00:22:58,320
Speaker 1: not nothing too too too crazy. Over the past few years,

456
00:22:58,359 --> 00:23:00,399
Speaker 1: how do you think your your growth process has been

457
00:23:00,840 --> 00:23:03,680
Speaker 1: as a man and musical? Honestly, I've just been wanting

458
00:23:03,720 --> 00:23:06,440
Speaker 1: to be the best version of myself regardless, and I

459
00:23:06,520 --> 00:23:09,840
Speaker 1: think that like it fuels everything. It fuels the music,

460
00:23:10,240 --> 00:23:12,639
Speaker 1: It feels me and fuel as everybody else around me.

461
00:23:13,040 --> 00:23:15,639
Speaker 1: They just want to me, want to be the best

462
00:23:16,080 --> 00:23:18,359
Speaker 1: possible down I can be. What did that look like?

463
00:23:18,720 --> 00:23:21,640
Speaker 1: How do you how do you get to that? Therapy

464
00:23:21,840 --> 00:23:27,400
Speaker 1: is working out, meditation, it's a working out, it's it's

465
00:23:27,520 --> 00:23:30,440
Speaker 1: being able to think in the clear headspace. It's being

466
00:23:30,560 --> 00:23:36,160
Speaker 1: able to eat, you know, correctly, not like go crazy

467
00:23:36,240 --> 00:23:38,200
Speaker 1: on a bunch of shit for no reason. Like you know,

468
00:23:38,280 --> 00:23:41,159
Speaker 1: it's it's all about like what you indulge in, you know,

469
00:23:41,840 --> 00:23:44,720
Speaker 1: like get into something that's gone, like feed the brain

470
00:23:44,800 --> 00:23:48,520
Speaker 1: a little bit more than something else. Do you really

471
00:23:48,600 --> 00:23:53,840
Speaker 1: feel like time heels off? Yeah, because I used to

472
00:23:53,920 --> 00:23:55,600
Speaker 1: feel a certain way about a lot of people. But

473
00:23:55,680 --> 00:23:57,680
Speaker 1: at the end of the day, I just realized that,

474
00:23:57,960 --> 00:24:01,840
Speaker 1: you know, we are human. M do you learn a

475
00:24:01,920 --> 00:24:07,560
Speaker 1: forgive love that? Congratulations on having a hell going platinum? Yeah,

476
00:24:07,640 --> 00:24:11,960
Speaker 1: thank you? Yeah, pretty big deal. Yeah. One of my

477
00:24:12,040 --> 00:24:14,359
Speaker 1: favorites after Party is actually still one of my favorites.

478
00:24:14,400 --> 00:24:16,119
Speaker 1: I don't I don't know if I can let it go.

479
00:24:16,640 --> 00:24:19,400
Speaker 1: I love it after Party. I think that's forever, forever

480
00:24:20,720 --> 00:24:24,360
Speaker 1: joint and I let that song all right. Well, you know, listen,

481
00:24:24,440 --> 00:24:26,560
Speaker 1: Nila got a segment on this show called Past the

482
00:24:26,640 --> 00:24:31,320
Speaker 1: Auks when she plays new music every every Friday morning. Yes,

483
00:24:31,680 --> 00:24:33,520
Speaker 1: so what y'all want to get into? Off the off

484
00:24:33,560 --> 00:24:36,360
Speaker 1: the new Lovesick album? Do you want to pick one? Nwla?

485
00:24:36,400 --> 00:24:38,720
Speaker 1: You want him to pick one? You know, my personal

486
00:24:38,800 --> 00:24:40,960
Speaker 1: favorite is a Brent one. But do you want to

487
00:24:41,000 --> 00:24:46,520
Speaker 1: do the Charlie one? Yeah, or actually play embarrassed embarrassed embarrassed.

488
00:24:46,760 --> 00:24:48,800
Speaker 1: Let's go with embarrassed red. Why do you feel that

489
00:24:48,920 --> 00:24:51,119
Speaker 1: energy this morning? Why? I haven't stopped listening to it

490
00:24:51,200 --> 00:24:53,960
Speaker 1: since the drop? Okay, okay, I love that song. We

491
00:24:54,040 --> 00:24:57,159
Speaker 1: performed it last night. It's just amazing. Yeah, the Travis record.

492
00:24:58,920 --> 00:25:00,920
Speaker 1: Everybody's on it. Let's get into it. And it's your

493
00:25:00,960 --> 00:25:02,600
Speaker 1: segment now. If you want to play more than one,

494
00:25:02,680 --> 00:25:06,000
Speaker 1: don Toliver record you can. I gotta spread the love. Okay,

495
00:25:06,119 --> 00:25:08,440
Speaker 1: I got three tricks. I gotta spread them love. But

496
00:25:08,520 --> 00:25:10,800
Speaker 1: we got you in there. Let's get into it. It's embarrassed.

497
00:25:11,160 --> 00:25:12,800
Speaker 1: Where does Daver record that? Because I know you guys

498
00:25:12,880 --> 00:25:15,320
Speaker 1: be all over the all over the world recording together.

499
00:25:15,680 --> 00:25:19,399
Speaker 1: I recorded that. I feel like, a yeah, what was

500
00:25:19,440 --> 00:25:21,320
Speaker 1: it like in that studio session? How'd y'all come up

501
00:25:21,320 --> 00:25:24,639
Speaker 1: with it? Um? I was like, this is one of

502
00:25:24,720 --> 00:25:27,440
Speaker 1: those moments where I just love Wheezy Beat. Wheezy did

503
00:25:27,520 --> 00:25:30,040
Speaker 1: that bet And I don't know when I hear Wheezy be,

504
00:25:30,160 --> 00:25:31,800
Speaker 1: it just kind of pushed me in a certain mode

505
00:25:31,960 --> 00:25:35,520
Speaker 1: that particular eight O E and Snares kind of pushed

506
00:25:35,520 --> 00:25:38,240
Speaker 1: me in the mode with those and they just kind

507
00:25:38,280 --> 00:25:41,280
Speaker 1: of happened. One of those things that just happened, super

508
00:25:41,400 --> 00:25:44,879
Speaker 1: organic kind of came out. So when that Don Toliver

509
00:25:45,000 --> 00:25:48,440
Speaker 1: Travis Scott Best of Both Worlds album dropping, I know

510
00:25:48,520 --> 00:25:51,960
Speaker 1: y'all got a collaboration project, driving Hope sooner than later.

511
00:25:52,440 --> 00:25:55,560
Speaker 1: But y'all done. No, Oh, y'all got a lot of

512
00:25:55,640 --> 00:25:58,240
Speaker 1: music together, I'm sure though. Yeah, we got some tunes. Yeah,

513
00:25:58,320 --> 00:26:00,280
Speaker 1: if that's something in the works, like y'all have thought. Yeah,

514
00:26:00,600 --> 00:26:03,240
Speaker 1: it's a no brainer. It's anough brainer. It's that that's

515
00:26:03,320 --> 00:26:05,080
Speaker 1: it's like, it's such a enough brainer. It's just like,

516
00:26:05,200 --> 00:26:07,159
Speaker 1: you know, one day it's gonna we're gonna press that

517
00:26:07,240 --> 00:26:09,720
Speaker 1: button and get to work. But right now we just

518
00:26:10,000 --> 00:26:13,439
Speaker 1: you know, got records and whatever. We you know, we're

519
00:26:13,480 --> 00:26:15,239
Speaker 1: just trying to get off our own shore right now.

520
00:26:15,480 --> 00:26:17,840
Speaker 1: Get it going a dam who's pushing forward more? You

521
00:26:18,000 --> 00:26:23,520
Speaker 1: Travis to Sycamore, Um, probably me? Okay, all right, yeah,

522
00:26:24,119 --> 00:26:26,439
Speaker 1: all right, it's Don Toliver Man. Thank you for joining us,

523
00:26:26,520 --> 00:26:29,080
Speaker 1: my brother, thank you, yea, sir, It's the Breakfast Club.

524
00:26:29,480 --> 00:26:32,639
Speaker 1: Wait that ass up in the morning. Breakfast Club