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Speaker 1: It's late.

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Speaker 2: My wife cheated on me? Gang?

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Speaker 1: Gang is crazy?

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Speaker 3: What somebody else blood my wife?

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Speaker 2: I just you know, I don't know, man. I guess

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Speaker 2: love conquers, all right.

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Speaker 1: I mean, how would you break the news that you

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Speaker 1: got cheated on?

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Speaker 2: I would put it on Gang. Probably you gotta put

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Speaker 2: it on because if it's not on Gang. Yeah, it's

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Speaker 2: like it ain't really happen.

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Speaker 3: I mean, Demarus is looking for a source. The source

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Speaker 3: was Gang. Put it on Gang.

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Speaker 2: No worrying, ain't gonna lie.

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Speaker 1: I'm kind of disappointed. But listen, but before you before

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Speaker 1: you drop that, well, before you drop this ship, let me.

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Speaker 3: Give you some inspiration because you lacking home.

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Speaker 4: The ship was trashed.

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Speaker 2: We're gonna let them get into Over free.

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Speaker 1: They got your gas.

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Speaker 2: You must think that you the new over for that

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Speaker 2: old nigga.

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Speaker 3: I jumped in a New world.

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Speaker 2: Your brother still jumping. I was watching, uh, what was

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Speaker 2: it a Planet Earth or something on on Netflix New

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Speaker 2: New Season? How do I like? I know, my brain

27
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Speaker 2: is just different because I think about like this the

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Speaker 2: Wildest Ship. When I watched that, Like, how the fuck

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Speaker 2: do you get a drone out in the middle of

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Speaker 2: the ocean to catch a fucking walrus climbing on the

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Speaker 2: only piece of ice out there.

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Speaker 3: Isn't most of that planet Earth thing like c G ship.

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Speaker 1: I don't know.

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Speaker 2: I don't think that would make sense.

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Speaker 3: I don't think all of it is.

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Speaker 2: Like actually, I think all of this is CGI.

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Speaker 5: They have cameras running for a second seasons.

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Speaker 2: Yeah, but like this one shot of this walrus like

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Speaker 2: in the middle of the ocean, Like how, I don't know,

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Speaker 2: how did you feel that moment?

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Speaker 6: You feel seen?

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Speaker 2: No, I just don't know how that Warris was seen

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Speaker 2: in that moment, like tracking devices, Yeah, because how do

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Speaker 2: you catch that climbing on that?

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Speaker 7: It was?

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Speaker 2: This was it was the only piece of ice in

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Speaker 2: the middle of the ocean that the Wafris could have found.

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Speaker 2: That's why I'm now found it. I believe that it

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Speaker 2: has to be they.

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Speaker 3: Did like a really deep sea version of one, like

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Speaker 3: where they were the submarine went and ship that had

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Speaker 3: to been seeing because they were like face to face

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Speaker 3: with fish I'd never seen before, of course, and they

54
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Speaker 3: were and they were like talking.

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Speaker 2: I'm like, this is come on, yeah, Like I'm just

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Speaker 2: looking at some of that ship like a there's no

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Speaker 2: way you got a camera to follow this waves.

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Speaker 3: This, well, they just got attacked by sharks. If this

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Speaker 3: is the same series, they're shooting sharks right now and

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Speaker 3: they got attacked by sharks like yesterday. Our post right back.

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Speaker 5: Our Planet says they do not use any CGI sequences

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Speaker 5: or animation.

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Speaker 8: It's based around absolutely real images.

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Speaker 1: I think they are real.

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Speaker 2: They collect getting shot.

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Speaker 1: I've watched other like their other Okay, watch.

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Speaker 2: The new the new season when they show the Walruses,

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Speaker 2: like you're gonna know exactly what see.

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Speaker 1: The Battenborough do the vo for that one.

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Speaker 2: I don't know who you're talking about.

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Speaker 1: David Attenborough. He's like the goat of He's like the

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Speaker 1: Bordain of our planet ship.

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Speaker 2: Like the goddess.

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Speaker 1: Like he doesn't the English voice guy yeh yeah, yeah,

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Speaker 1: yeah so.

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Speaker 2: But it's just the shot of this waves in the

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Speaker 2: middle of the ocean. This is the only piece of

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Speaker 2: ice that you can see with the naked eye. How

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Speaker 2: the fuck do you get a drone there at that

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Speaker 2: moment to capture that? Like, I just don't understand how

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Speaker 2: they do that.

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Speaker 3: Oh maybe I'm thinking of a different one. But it's

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Speaker 3: like Planet Earth, and I think it's narrated by the

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Speaker 3: guy that Julian's talking about that ship. Looks like c

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Speaker 3: G got to me, Yeah, this looks like they actually filming.

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Speaker 2: I don't know what this is. No, this is this

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Speaker 2: is not the new season. I think that was the

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Speaker 2: last season.

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Speaker 3: Yeah, that was the last ships can't climb for ship.

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Speaker 3: Yeah that has well, that's good to know that over

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Speaker 3: the weekend you were watching some some planet.

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Speaker 2: I just watched it last night. I saw it was

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Speaker 2: on Netflix. I was in bed. I was like, oh,

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Speaker 2: it's a new season of Our Planet. This is always

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Speaker 2: interesting to watch. So I just watched some of it.

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Speaker 2: And if you learned anything was smoking, you know, that's

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Speaker 2: the ship I'm into now, man, just stay away from you. No,

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Speaker 2: not we out planning. I'm in our planet now, you

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Speaker 2: know what I mean. So that's what I was doing.

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Speaker 3: So what you learned, like tell us?

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Speaker 2: I mean, I was just I was just amazed at

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Speaker 2: how they just captured these fucking these moments that just

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Speaker 2: happened like once every nine months, Like, how the fuck

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Speaker 2: do you capture that? Like that ship is just crazy

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Speaker 2: to me, Like they deserve all the wars they get

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Speaker 2: for just shooting some shit like that.

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Speaker 3: It is an interesting job, Like scientists that we don't

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Speaker 3: really know what they do, like what information they're really gathering?

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Speaker 3: And they make this much money? Yeah, Like, you guys

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Speaker 3: live in ants Arctica for six months out the year

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Speaker 3: and everything is still melting. Can we get a progress

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Speaker 3: report from you guys?

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Speaker 1: Yeah?

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Speaker 2: Like, I don't know. You can capture this walrus in

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Speaker 2: the wild on the only piece of ice left in

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Speaker 2: the fucking Arctic ocean, but can't you can't capture the

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Speaker 2: dude that keeps fucking dropping malta in my elevator every

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Speaker 2: Saturday night? Like, how can we can't catch that colvit?

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Speaker 3: Because you guys won't let us bring cameras to the block.

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Speaker 2: They won't know what they exactly they need to put

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Speaker 2: cameras in my elevator. Like, the ship is fucking pissing

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Speaker 2: me off. It's the same bottle of Mautha India on

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Speaker 2: the floor every Why are you looking at me? Because

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Speaker 2: why you think I'm looking at you?

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Speaker 3: You know, suggesting maybe a relative of yours.

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Speaker 6: No, we don't drink Manthas.

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Speaker 2: You don't drink Malthas.

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Speaker 6: I don't know.

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Speaker 2: Really, I hate that ship that you hate Malthas.

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Speaker 3: I hate drink your self? Hat now, really well, hello, interesting, Yeah, right,

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Speaker 3: what a weekend?

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Speaker 1: Yeah, Rory mentioned the submarine. Shit, I did a little

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Speaker 1: more research about it.

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Speaker 2: Yeah, they weren't sinerated. They didn't even know. They didn't.

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Speaker 1: Yeah, it was today.

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Speaker 2: The thing.

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Speaker 1: The whole thing collapsed in point to two milliseconds. Yeah,

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Speaker 1: that's how fast. So it was like a casual conversation

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Speaker 1: and then you're gone.

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Speaker 2: It takes ten milliseconds for your brain to identify pain. Yeah,

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Speaker 2: and they died in zero point two millisecondt least it

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Speaker 2: was a painless but they didn't even know. It's just like,

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Speaker 2: right now we're sitting here and just you just turn

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Speaker 2: into pasta.

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Speaker 8: That's a nice way to go.

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Speaker 1: Yeah, and they said the confusing way.

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Speaker 2: You just said nice.

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Speaker 1: You don't get to think there's no confusion. You're gone.

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Speaker 3: Well, I don't know what everyone believes as far as

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Speaker 3: the afterlife, but like, just like this and not have

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Speaker 3: to figure.

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Speaker 1: Out what the wake up out of Michael Jackson contact.

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Speaker 3: Oh, like, have you ever woken up with like from

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Speaker 3: a nap and not realize where the fuck you are?

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Speaker 1: Yeah?

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Speaker 3: Oh, imagine like then waking up and realizing, oh, I'm

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Speaker 3: at the gates of hell.

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Speaker 2: I'm dead. Yeah. I think it's kind of the same thing.

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Speaker 2: Like you wake up and you're just like, oh shit,

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Speaker 2: I'm home, Like, yeah, this is your home now. It's

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Speaker 2: kind of the same thing. Welcome to a new episode

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Speaker 2: of the new Rory and Mal podcast. I am Maul,

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Speaker 2: I'm Rory, and we are back with a new episode,

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Speaker 2: a new audio journey.

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Speaker 3: What do you think happens? Do you think like like

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Speaker 3: your family, your dead relatives are like waiting at the gate,

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Speaker 3: like you know how people hope, so with signs in

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Speaker 3: the airport. Yeah, like it's just all your dead relatives.

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Speaker 6: I hope.

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Speaker 2: So that would be dope, That would be kind of cool.

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Speaker 1: Yeah, but who's just say they're all together, some are

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Speaker 1: probably up and having others.

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Speaker 7: Oh.

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Speaker 2: I definitely got some relatives that's not in heaven. Yeah,

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Speaker 2: trust me. And they knew where they was headed. Yeah. No,

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Speaker 2: I respect that. I respect when you know where you're

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Speaker 2: going after this experience. I respect those people.

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Speaker 3: We also do, especially with like the older people in

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Speaker 3: our family, have false perceptions of them because we only

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Speaker 3: know them from a certain age, right right, Like imagine

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Speaker 3: getting up to heaven, like where's Nana and then they

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Speaker 3: like really explain to you who Nana was, Yeah, and

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Speaker 3: that she's not up here.

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Speaker 2: Yeah, she's not Lady Anana.

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Speaker 3: You knew Nana from sixty to eighty. Yeah, she was

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Speaker 3: a piece of shit for the first sixty years.

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Speaker 2: I believe that. I believe. It's definitely a lot of

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Speaker 2: relatives that I thought were like good people, and even

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Speaker 2: some of them are still here. And you can hear stories.

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Speaker 2: You're like, wait, who Yeah, you're like, oh, yeah, you forgot.

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Speaker 2: At one point he was eighteen, nineteen, twenty years old,

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Speaker 2: like or fifty five. Yeah, he was out there killing people. Now,

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Speaker 2: yeah he killed a few people. Like it's he's a

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Speaker 2: piece of shit.

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Speaker 1: I mean.

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Speaker 3: And maybe some of the scumback relatives aren't as bad

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Speaker 3: as we thought they were. Like you know, we always

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Speaker 3: have an uncle that we think is a little weird.

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Speaker 3: He might actually greet you up in heaven, while Nana

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Speaker 3: is the was the real scumback. Oh now, maybe relatives,

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Speaker 3: maybe uncle, maybe he had a point. Maybe that's why

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Speaker 3: it never showed up, because Nana was a fucking psychopath.

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Speaker 2: Listen, the family members that don't come around much. I

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Speaker 2: understand him now, I identify I get them. Yeah, I

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Speaker 2: am one of them. Now I'm part of that tribe.

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Speaker 2: Now I get why you don't come around. I get

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Speaker 2: why you missed most of the cookouts and family reunions

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Speaker 2: because it's just always some shit.

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Speaker 3: Well how awkward would that be when you do get

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Speaker 3: to the gates of heaven and then you also have

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Speaker 3: to avoid your family while waiting in line.

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Speaker 2: Like, but I feel like it would be different than them. Again,

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Speaker 2: I feel like everybody has to have fun and have anything. Yeah, absolutely,

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Speaker 2: what fun.

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Speaker 8: Is heaven to you?

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Speaker 2: Like?

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Speaker 8: Hething quiet?

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Speaker 1: All the fun ships? Probably?

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Speaker 2: I think heaven is like a party in like Mikonos.

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Speaker 2: I think heaven looks like Miconos Greece, and.

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Speaker 1: People that are getting off and Meconos are probably in hell.

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Speaker 2: It's never know. Oh they're like in a different section

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Speaker 2: in heaven.

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Speaker 3: Well that's what's weird about Like Christianity in the Bible,

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Speaker 3: it says all the things you have to do to

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Speaker 3: get into heaven, but doesn't really give you too much,

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Speaker 3: at least with certain other religions, you know, there's like

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Speaker 3: eighty virgins waiting for you if you kill yourself, like

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Speaker 3: at least you know in those religions, Christianity they're just

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Speaker 3: like Heaven's ill.

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Speaker 2: Yeah, is it gangs?

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Speaker 1: Not?

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Speaker 2: Put that on gang.

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Speaker 3: Put that on all the disciples right now.

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Speaker 2: Put that on gang in them and then I'll believe you.

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Speaker 2: If not, I'm not believing. I get we have to go.

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Speaker 3: But what is there?

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Speaker 2: Right?

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Speaker 1: I don't know.

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Speaker 2: Well, Larry June had a show this weekend in on

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Speaker 2: New York City. What a second?

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Speaker 3: Yeah we did.

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Speaker 2: I know you only went only took some some dope

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Speaker 2: pictures of Larry. I was kind of mad that she

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Speaker 2: had that dope ass picture. I need a picture like that.

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Speaker 1: Good job on me.

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Speaker 2: Yeah, that was that was That was a dope shot.

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Speaker 1: You know.

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Speaker 2: How was the show? It was good?

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Speaker 3: It was good, very positive crowd no matter what happened. Yeah,

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Speaker 3: even if there was too much bass on a song,

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Speaker 3: was still good job at the end, like a really

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Speaker 3: positive environment.

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Speaker 2: His set looked dope.

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Speaker 3: Yeah, whoever did the set design with the oranges? That

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Speaker 3: was lights like it looks it looks really really good.

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Speaker 2: Why y'all ain't think of that?

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Speaker 3: It's expensive, traveled all that fruit perishables like it's tough.

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Speaker 2: Yeah, I get it.

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Speaker 3: Going over the border too, you can't really bring get it.

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Speaker 2: I can't bring food because now they don't have oranges

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Speaker 2: over there.

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Speaker 3: So exactly and find those in Toronto. Yeah, Alchemist came out,

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Speaker 3: did his verse. Yeah, I would have preferred to out

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Speaker 3: give us like some choreography or whatever, but you know

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Speaker 3: w Yeah. So I texted him what you thought of

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Speaker 3: the show? I said, I you would have came out

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Speaker 3: with two dancers. I would have preferred it. If you're

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Speaker 3: gonna come out and surprise us a like, just don't

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Speaker 3: do your versus rapperhand.

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Speaker 2: Yeah, you gotta you gotta dance, you gotta do something,

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Speaker 2: break dance, do something. So Larry June had a good show.

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Speaker 2: He's on tour right now. Believe he's in Maryland next. Yes,

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Speaker 2: shout out to Larry June Man one of my favorite artists,

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Speaker 2: one of my favorite people. We just such a cool

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Speaker 2: laid back in his own zone, positive energy, real player.

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Speaker 2: Shit fuck with Larry a lot happy for him.

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Speaker 3: Yeah, it was a good show over the week. BT

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Speaker 3: Awards happened the following day.

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Speaker 2: First of all, before we do that, congrats to Tyler

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Speaker 2: Perry because we didn't mention it on the show yet.

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Speaker 2: Congrats to Tyler Perry on being the new owner and

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Speaker 2: CEO of BT Black Entertainment Television. That's a big, big move.

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Speaker 2: I honestly thought that Byron Allen would have been the

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Speaker 2: been the person that they sold it to. But I'm

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Speaker 2: happy that Tyler Perry got it. They play his fucking

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Speaker 2: movies every fucking weekend on BT. Can't can't turn BT

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Speaker 2: on without seeing the Tyler Perry movie. So congrats to

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Speaker 2: Tyler Perry. That's big for the culture. Big for Tyler Perry.

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Speaker 2: Another big move by him.

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Speaker 3: See at the BET Awards.

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Speaker 8: And he also owns VH one now too.

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Speaker 2: By the way, Tyler Perry, I don't know if he

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Speaker 2: I don't know if he was at the Awards.

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Speaker 1: I figured he would hosted this would assume he was there.

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Speaker 2: But they didn't have a host this year because of

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Speaker 2: the writer strike. How do we feel about that? Do

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Speaker 2: we feel like they need a host moving forward? Was

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Speaker 2: this year? I feel like they need a host?

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Speaker 5: They's a good host though, like a Monique.

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Speaker 8: Like remember when Monique was hosting the BET.

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Speaker 2: Awards, she did the Beyonce thing.

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Speaker 1: Yeah, okay, entertaining as Drake ever hosted BT Awards? No

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Speaker 1: has he ever went to the b Yeah telling you,

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Speaker 1: I'm just thinking back, because when he did the SPS,

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Speaker 1: he smoked it. So I'm just thinking, like, I know,

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Speaker 1: he's probably past that or whatever, like he's probably not

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Speaker 1: looking to do like this anymore. But he's a great host.

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Speaker 3: I mean what, I understand that even when they have

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Speaker 3: comedians host that writers helped comedians with that stuff. But

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Speaker 3: I feel like you could find a comedian at this

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Speaker 3: point that would have no problem writing all their own

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Speaker 3: segments for this.

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Speaker 2: Oh yeah, you got enough time to prepare for the

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Speaker 2: BT Awards. You let somebody know six months out that

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Speaker 2: they'll be hosting.

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Speaker 3: So was it more to just say like, we're not

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Speaker 3: doing it because of the writer strike, or we can't

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Speaker 3: do it because of the writer strike. That's where I

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Speaker 3: was confused. Were they making a statement because.

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Speaker 2: People definitely writers type of thing, Yeah, because they definitely.

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Speaker 3: Like read off teleprompters someone that write that. Yeah, So

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Speaker 3: why can't you have a host?

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Speaker 2: That's a good question. I'm going to guess that they

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Speaker 2: didn't have one because of the writer strike. In the

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Speaker 2: standing in support of the writers, I would assume.

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Speaker 1: I hope that's the case.

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Speaker 5: I think having awards because of that, Yeah, Like they

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Speaker 5: almost didn't do this show at all, like this show

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Speaker 5: was actually thrown together, like last very last minute.

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Speaker 2: Did it feel like that.

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Speaker 5: No, from what I've seen everything that I saw, I

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Speaker 5: didn't feel like it.

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Speaker 3: I mean, I guess it did help that it was

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Speaker 3: Hip Hop fifty because to me, it felt like Kid

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Speaker 3: Capri was kind of hosting m I mean, he wasn't

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Speaker 3: talking per se outside of the way Kid Capri talks

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Speaker 3: when he DJs, but that felt like the segments in

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Speaker 3: between just the Hip Hop fifty performances that Kid Capri

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Speaker 3: was djang and bringing him what not to me, so

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Speaker 3: it made sense next year. I don't know if you

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Speaker 3: could really do this without a host. Yeah, those is

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Speaker 3: important because especially like the awards, when they give those out,

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Speaker 3: it's never compelling outside of who won. It's not like

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Speaker 3: the presenters ever really say anything. I mean, ray J

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Speaker 3: gave it his best shot. I commend him for trying

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Speaker 3: to make something out of that. Yeah, which was was weird.

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Speaker 2: Did you see that the ray J Bart?

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Speaker 3: Yes, ray J went up there with his girl and said,

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Speaker 3: I've seen all y'all in her DMS. Get the fuck away,

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Speaker 3: she's mine, even though I was just cheating on her

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Speaker 3: in Vegas. None of y'all business watched the show in December.

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Speaker 2: Wait, what we know if we know, if we know

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Speaker 2: anything about ray J, we know he gonna sell something.

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Speaker 3: Oh for sure, for sure. But what you guys think

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Speaker 3: of the Hip Hop fifty performances?

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Speaker 2: I thought it was good. I thought it was dope.

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Speaker 2: A lot of people were hitting me about the whole

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Speaker 2: busting rohms receiving congrats to Buster on his Lifetime Achievement Award.

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Speaker 2: A lot of people was hitting me on social media saying,

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Speaker 2: another year Stevie Wonder doesn't get a Lifetime Achievment Award. Now,

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Speaker 2: Stevie Wonder did receive and to Marig, she was looking up.

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Speaker 2: I can't remember the name of the award, but he got.

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Speaker 5: He was honored by the Beet Honors and I think

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Speaker 5: it was like the some type of musical achievement.

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Speaker 2: But it was the first BET Award show, right, I

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Speaker 2: think it was the BTAR was the first one, I believe.

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Speaker 2: I think Stevie Wonder received in a war. I don't

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Speaker 2: think they were calling it the Lifetime Achievement Award yet,

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Speaker 2: but people know how I feel about that. I just

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Speaker 2: feel like Stevie Wonder needs his couldn't Belafetime Achievement.

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Speaker 3: It's hip hop fit.

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Speaker 2: Understand this had listen I understand. I knew this year

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Speaker 2: it wouldn't go to Stevie because it's the fifty years

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Speaker 2: of hip hop. So hopefully twenty twenty four Stevie will

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Speaker 2: get his BT Lifetime Achievement Award. But it's gotta be.

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Speaker 3: Tough, though, to try to sign that stuff because even

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Speaker 3: with hip Hop fifty, where Buster Rhymes is more than

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Speaker 3: deserving of that award. Even during hip Hop fifty, how

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Speaker 3: do you narrowed down to Buster Rhymes out of the

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Speaker 3: amount of rappers that could get that award this year?

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Speaker 2: The only other artist that I thought would have gotten

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Speaker 2: it besides Buster Uzzi I thought, I thought that, but

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Speaker 2: I think LLL got one already. Right, Oh yeah, you

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Speaker 2: did so because I'm always gold Because it's hip hop

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Speaker 2: is fifty years old, so you got to go to

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Speaker 2: the obviously the beginning, Buster who has been in hip

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Speaker 2: hop over thirty years, I believe, so it makes sense

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Speaker 2: for him to get in. Buster was really one of

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Speaker 2: the first rappers that I can remember that had those

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Speaker 2: big budget videos by far like me. As far as vision,

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Speaker 2: people like to talk about Missy Elliot a lot as

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Speaker 2: far as her videos, and she's I mean amazing as well.

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Speaker 2: But Buster is right there for me when it comes

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Speaker 2: to just visually changing hip hop and having those big,

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Speaker 2: big videos that you just couldn't even if you didn't

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Speaker 2: like Buster, you knew his videos music video just.

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Speaker 3: Out of the sheer amount. I put Buster over Missy

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Speaker 3: when it comes to videos just out of the sheer volume,

400
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Speaker 3: like they miss He has just as good videos as Buster.

401
00:16:03,560 --> 00:16:06,040
Speaker 3: Their neck and neck right there. But because Buster has

402
00:16:06,080 --> 00:16:09,480
Speaker 3: been doing it since the scenario video, Yeah, it's tough

403
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Speaker 3: to compare them because Buster has thirty years of life

404
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Speaker 3: changing videos.

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Speaker 1: I love that video, but I think Buster.

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Speaker 3: Made the most sense to this year, kind of to

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Speaker 3: your point of thirty years. The younger generation fucks with

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Speaker 3: Buster and knows who he is, and then the older

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Speaker 3: generation the same, Like he's the perfect middle point. I

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Speaker 3: think for generation gaps with hip hop.

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Speaker 2: There's another artist that I think fits the generation gap

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Speaker 2: right now perfectly, Uzi yill No. I think one person,

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Speaker 2: one artist that the city girls I don't think sounds

414
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Speaker 2: out of place with the new generation and is respected

415
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Speaker 2: by the older generation is probably Fat. He has records

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Speaker 2: with Uzi that sound good. He has records with a

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Speaker 2: lot of these young artists that sound good. He has

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Speaker 2: records with older artists that sounds sounds good, he doesn't

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Speaker 2: sound Fab is in a very unique space where he's

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Speaker 2: not out of place by doing songs. Like if jay

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Speaker 2: Z and Oozie was to do a song together, I'd

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Speaker 2: kind of be like, eh, I don't know, but Fab

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Speaker 2: and Uzzi have records together or record together. I think

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Speaker 2: I want to summertime shootouts, I believe, or the cold summers.

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Speaker 2: I think, no summertime shootout.

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Speaker 3: Do you think doesn't sound too regional? I mean, of

427
00:17:27,640 --> 00:17:31,119
Speaker 3: course Fab has had big hits. Everyone knows Fab, But

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Speaker 3: people say I'm saying he's local. But is he too

429
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Speaker 3: regional and too specific to one group of hip hop fans?

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Speaker 3: The way Buster is mainstream underground like he's everything I

431
00:17:42,960 --> 00:17:44,200
Speaker 3: don't literally everything.

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Speaker 2: I don't know. I don't And people say that about Fab.

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Speaker 2: But I don't know why people, because when you go

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Speaker 2: to different regions and a Fab song plays, people know

435
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Speaker 2: the records.

436
00:17:52,200 --> 00:17:54,440
Speaker 3: But do you think to the level and years that

437
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Speaker 3: Buster can play. Oh No, Like the amount of regions

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Speaker 3: and age groups that Buster cover is I think far

439
00:18:01,760 --> 00:18:02,800
Speaker 3: bigger than what fab do.

440
00:18:02,920 --> 00:18:05,120
Speaker 2: Oh oh no, that's not what we're saying the different things,

441
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Speaker 2: of course. I'm just saying I think that it would

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Speaker 2: be a little awkward to hear Busted with some of

443
00:18:11,200 --> 00:18:14,359
Speaker 2: these new Trip generation artists. It would be kind of like, I.

444
00:18:14,960 --> 00:18:17,040
Speaker 3: Thought the same thing to fucking look at Me Now

445
00:18:17,080 --> 00:18:19,679
Speaker 3: came out and that wasn't that long ago, and that

446
00:18:19,800 --> 00:18:22,640
Speaker 3: was one of the biggest records of however many years,

447
00:18:23,119 --> 00:18:26,080
Speaker 3: and I thought that too, and Buster had every fucking

448
00:18:26,160 --> 00:18:28,840
Speaker 3: young kid trying to wrap his verse on vine like.

449
00:18:30,240 --> 00:18:31,680
Speaker 1: Those twelve years of twenty eleven.

450
00:18:31,960 --> 00:18:34,560
Speaker 3: Jeez oh, I would have said, like twenty fourteen.

451
00:18:34,320 --> 00:18:36,320
Speaker 5: Oh yeah, I was gonna say downest the year I graduated,

452
00:18:36,400 --> 00:18:37,680
Speaker 5: I pulled up the problem to that song.

453
00:18:38,320 --> 00:18:39,960
Speaker 3: Else who's he would pull up the problem and that

454
00:18:40,080 --> 00:18:41,920
Speaker 3: to look at Chris Brown record?

455
00:18:42,000 --> 00:18:42,119
Speaker 2: Right?

456
00:18:42,200 --> 00:18:45,280
Speaker 1: Yeah, yeah, Okay, someone else who's on this list that

457
00:18:45,440 --> 00:18:47,720
Speaker 1: I think goes to Mall's point. Wayne could be that

458
00:18:47,960 --> 00:18:50,840
Speaker 1: he's respected by the old heads and.

459
00:18:50,359 --> 00:18:51,920
Speaker 2: Wayne Wayne could be that as well.

460
00:18:52,000 --> 00:18:55,680
Speaker 3: Yeah yeah, I Wayne would probably number two on that list.

461
00:18:55,720 --> 00:18:57,280
Speaker 3: I just think because Buster had that leaders of the

462
00:18:57,320 --> 00:19:02,359
Speaker 3: new school tribe Jungle Brothers, and then also rapped with

463
00:19:02,520 --> 00:19:06,240
Speaker 3: puff like. It just covers such a crazy spectrum of

464
00:19:06,320 --> 00:19:09,399
Speaker 3: hip hop that I think no one really can do.

465
00:19:10,000 --> 00:19:11,879
Speaker 3: Ll might be the only one that has a longer career.

466
00:19:12,359 --> 00:19:16,000
Speaker 3: But even then, I think the kids look at utrec.

467
00:19:15,800 --> 00:19:17,359
Speaker 2: He's the first rap superstar.

468
00:19:17,640 --> 00:19:20,679
Speaker 3: Yeah, no, I think Buster made the most sense, but

469
00:19:20,880 --> 00:19:23,720
Speaker 3: I think it's I commend BT for even narrowing it

470
00:19:23,760 --> 00:19:25,760
Speaker 3: down to one person for hip hop.

471
00:19:25,800 --> 00:19:29,520
Speaker 2: fIF No, No, that's Buster definitely, definitely is deserving of

472
00:19:29,560 --> 00:19:31,200
Speaker 2: this Lifetime Achievement award.

473
00:19:31,880 --> 00:19:35,400
Speaker 3: I wish you'd do more public speaking, very well spoken,

474
00:19:35,680 --> 00:19:36,520
Speaker 3: like he controlled.

475
00:19:36,720 --> 00:19:38,639
Speaker 2: He's always been that. He's always been that type of

476
00:19:39,000 --> 00:19:41,520
Speaker 2: type of energy, type of person, that type of voice.

477
00:19:42,600 --> 00:19:45,080
Speaker 2: He's one of the best storytellers. If you ever was

478
00:19:45,080 --> 00:19:46,480
Speaker 2: able to be in a room and just have a

479
00:19:46,520 --> 00:19:47,479
Speaker 2: conversations with him.

480
00:19:47,720 --> 00:19:50,679
Speaker 3: Most aggressive dapper in hip hop history.

481
00:19:50,960 --> 00:19:52,760
Speaker 2: Yeah, longest hugger in hip hop history.

482
00:19:52,920 --> 00:19:55,200
Speaker 3: I think my shoulder is still dislocated. Yeah, he's gonna

483
00:19:55,320 --> 00:19:56,240
Speaker 3: we didn't and we don't know each other.

484
00:19:56,280 --> 00:19:58,000
Speaker 2: Yeah, he's gonna hug you. He's gonna hug you and

485
00:19:58,080 --> 00:20:00,919
Speaker 2: let you know how appreciative he is of you and

486
00:20:01,040 --> 00:20:04,600
Speaker 2: your and what you give to the ecosystem of hit of.

487
00:20:05,800 --> 00:20:07,720
Speaker 3: But I mean, I thought it was a great OG

488
00:20:07,920 --> 00:20:10,640
Speaker 3: speech when he was absolutely all the young kids too

489
00:20:11,000 --> 00:20:11,440
Speaker 3: big enough.

490
00:20:11,480 --> 00:20:13,399
Speaker 2: Everything he said made a lot of sense. It was

491
00:20:13,520 --> 00:20:18,280
Speaker 2: right on, it needed to be said. I just hope that,

492
00:20:18,359 --> 00:20:20,760
Speaker 2: you know, people not only just heard it, but really

493
00:20:20,840 --> 00:20:23,960
Speaker 2: like let it, you know, sink in and really take

494
00:20:24,000 --> 00:20:25,760
Speaker 2: heed to what he was saying, because it's the truth.

495
00:20:25,800 --> 00:20:29,280
Speaker 2: It was absolutely beautiful what he said, and you know,

496
00:20:29,480 --> 00:20:33,080
Speaker 2: he was emotional understandably, so but I was. I was

497
00:20:33,080 --> 00:20:35,399
Speaker 2: happy for Buster because again, as far as I can

498
00:20:35,440 --> 00:20:38,119
Speaker 2: remember being a fan of hip hop, Buster probably was

499
00:20:38,359 --> 00:20:41,479
Speaker 2: putting out songs, so he definitely deserves a lifetime achievment.

500
00:20:41,480 --> 00:20:44,320
Speaker 2: The war so saluted him. Congratulations to Buster Rahms and.

501
00:20:44,280 --> 00:20:46,359
Speaker 3: Acted on it right after as well, letting Coila Ray

502
00:20:46,720 --> 00:20:48,320
Speaker 3: in the middle of his set with the sample. Like,

503
00:20:48,440 --> 00:20:50,680
Speaker 3: I thought, all of that was great. We already knew

504
00:20:50,720 --> 00:20:54,000
Speaker 3: what Buster was gonna do for the performance. Where do

505
00:20:54,040 --> 00:20:57,679
Speaker 3: we rank BT's Hip Hop fifty performances against the Grammys?

506
00:20:58,240 --> 00:20:59,720
Speaker 3: I thought the Grammys did really well or.

507
00:20:59,680 --> 00:21:04,879
Speaker 2: The Grant was great, The Grammys was great, the BET

508
00:21:05,000 --> 00:21:09,040
Speaker 2: Awards was good. Uh, I don't know where I rank

509
00:21:09,640 --> 00:21:11,440
Speaker 2: If I would say it was better than the Grammys.

510
00:21:12,680 --> 00:21:14,440
Speaker 3: They had more time and were able to break it

511
00:21:14,560 --> 00:21:16,120
Speaker 3: up different eras.

512
00:21:15,800 --> 00:21:18,840
Speaker 2: And the Grammys felt very boom boom boom. It was

513
00:21:18,920 --> 00:21:21,880
Speaker 2: like quick, like it was kind of rush. It felt

514
00:21:21,880 --> 00:21:23,000
Speaker 2: a little rush the Grammys.

515
00:21:23,040 --> 00:21:23,200
Speaker 1: One.

516
00:21:23,440 --> 00:21:25,280
Speaker 3: Yeah, but I think that is actually kind of why

517
00:21:25,560 --> 00:21:27,600
Speaker 3: I liked it, because it was so quick and it

518
00:21:27,600 --> 00:21:29,960
Speaker 3: would go from legend to legend to legends like holy fuck,

519
00:21:30,040 --> 00:21:32,880
Speaker 3: like just one verse that'd switch over and be big

520
00:21:32,880 --> 00:21:37,320
Speaker 3: boy to fucking it was nuts. I kind of preferred

521
00:21:37,359 --> 00:21:40,280
Speaker 3: that to some degree. It was more impactful. This was

522
00:21:40,320 --> 00:21:44,119
Speaker 3: great though, And I loved that they covered even you know,

523
00:21:44,200 --> 00:21:46,879
Speaker 3: one hit wonders. Yeah, Like it was great when they

524
00:21:46,920 --> 00:21:50,480
Speaker 3: did the whole Snap era dance shit from Atlanta swag

525
00:21:50,560 --> 00:21:52,800
Speaker 3: Surf to also doing eighty shit Like I'm glad they

526
00:21:52,840 --> 00:21:55,760
Speaker 3: covered even small, niche things that were so important to

527
00:21:55,880 --> 00:21:56,280
Speaker 3: hip hop.

528
00:21:56,520 --> 00:22:00,760
Speaker 2: They tried to represent every every moment, every era, every generation,

529
00:22:01,920 --> 00:22:03,520
Speaker 2: and I think they did a good job. Yeah, they

530
00:22:03,520 --> 00:22:05,360
Speaker 2: did a good job. It's good to see Chief Keef

531
00:22:05,680 --> 00:22:07,840
Speaker 2: was allowed back in Good to see Chief Keif back

532
00:22:07,880 --> 00:22:09,399
Speaker 2: on the BT stage.

533
00:22:10,359 --> 00:22:14,080
Speaker 3: As a current resident of New Jersey. I even respected him.

534
00:22:14,119 --> 00:22:16,920
Speaker 3: Doubling down twelve years later, he's still going to blow

535
00:22:16,960 --> 00:22:17,800
Speaker 3: up the entire state.

536
00:22:20,400 --> 00:22:21,040
Speaker 1: That's he should.

537
00:22:21,400 --> 00:22:23,080
Speaker 3: They didn't bleep anything out. He's like, yo, just let

538
00:22:23,160 --> 00:22:26,080
Speaker 3: y'all know I'm still gonna blow New Jersey up. Yeah,

539
00:22:26,119 --> 00:22:27,560
Speaker 3: but now I was really good to see Chief Keef.

540
00:22:27,560 --> 00:22:31,399
Speaker 3: He looks healthy, obviously, how impactful he is. He needed

541
00:22:31,440 --> 00:22:33,480
Speaker 3: to be involved in hip hop fifty for sure.

542
00:22:33,600 --> 00:22:37,200
Speaker 2: Yeah, I mean talking about icon and introduced a whole

543
00:22:37,240 --> 00:22:42,880
Speaker 2: new sound and era and generation of well to hip hop. Yeah,

544
00:22:42,920 --> 00:22:45,440
Speaker 2: so definitely shout out the Chief Keef and salute the

545
00:22:45,480 --> 00:22:47,280
Speaker 2: BT for letting him back back on the stage.

546
00:22:47,480 --> 00:22:49,160
Speaker 3: We know why he was ever been. I mean, I'm

547
00:22:49,200 --> 00:22:49,880
Speaker 3: sure there's.

548
00:22:49,840 --> 00:22:51,399
Speaker 8: He didn't show up for a performance.

549
00:22:52,000 --> 00:22:54,440
Speaker 2: Oh that that'll get you Bannedoo.

550
00:22:54,880 --> 00:22:57,320
Speaker 3: Things happened. I thought maybe it was just because people

551
00:22:57,359 --> 00:22:59,480
Speaker 3: were scared of Chief Keif at one point. But now

552
00:22:59,480 --> 00:23:02,000
Speaker 3: he kind of in retrospect, like more of a tame

553
00:23:02,080 --> 00:23:02,960
Speaker 3: rapper compared.

554
00:23:02,720 --> 00:23:03,240
Speaker 1: To these kids.

555
00:23:03,359 --> 00:23:04,760
Speaker 2: Yeah, Chief keep.

556
00:23:04,680 --> 00:23:08,160
Speaker 3: Was terrifying in twenty eleven. It was the scariest rapper

557
00:23:08,160 --> 00:23:08,919
Speaker 3: we had ever seen it.

558
00:23:09,240 --> 00:23:10,960
Speaker 2: Well, you know, now he kind of looked like he

559
00:23:11,040 --> 00:23:11,199
Speaker 2: was like.

560
00:23:11,480 --> 00:23:13,080
Speaker 3: Listen, he was just on house arrest. He did his

561
00:23:13,119 --> 00:23:16,200
Speaker 3: time and then he moved on to a kind of rapper.

562
00:23:17,240 --> 00:23:18,680
Speaker 2: What the thingbout like video games?

563
00:23:18,800 --> 00:23:19,560
Speaker 3: The new rappers?

564
00:23:19,640 --> 00:23:22,200
Speaker 2: Yeah, like the things about Chief Keith throw back in

565
00:23:22,200 --> 00:23:26,560
Speaker 2: twenty ten, twenty eleven, it really wasn't like Instagram was around.

566
00:23:26,560 --> 00:23:29,000
Speaker 2: Social media was around, but it wasn't as big as

567
00:23:29,000 --> 00:23:31,919
Speaker 2: it is now. So he probably was the same cool

568
00:23:32,040 --> 00:23:35,080
Speaker 2: guy away from his YouTube videos. But the only time

569
00:23:35,080 --> 00:23:38,200
Speaker 2: we saw him, he was just surrounded by ninety seven weapons. Yeah,

570
00:23:38,280 --> 00:23:39,760
Speaker 2: so it was kind of like, Yo, this dude is

571
00:23:39,800 --> 00:23:43,639
Speaker 2: a menace. Like he probably was the same cool, chill like,

572
00:23:43,840 --> 00:23:46,920
Speaker 2: fun loving guy away from that, but we just didn't

573
00:23:46,960 --> 00:23:49,679
Speaker 2: have that access to his personality the way we do

574
00:23:49,720 --> 00:23:50,520
Speaker 2: now with social media.

575
00:23:50,560 --> 00:23:52,800
Speaker 3: And even when he did interviews, like he wouldn't talk.

576
00:23:52,880 --> 00:23:54,639
Speaker 3: I remember when he did the Breakfast Club. They were

577
00:23:54,640 --> 00:23:57,240
Speaker 3: asking him questions and he was nodding and they were like, we're.

578
00:23:57,160 --> 00:23:58,119
Speaker 1: On the radio audio.

579
00:23:58,480 --> 00:24:03,920
Speaker 3: Yeah, thea be a microphone in front of you, Like, oh,

580
00:24:04,119 --> 00:24:05,720
Speaker 3: we bring it up all the time. I still think

581
00:24:05,760 --> 00:24:07,560
Speaker 3: it's one of the best interviews CHILDI scamb you know,

582
00:24:07,720 --> 00:24:10,080
Speaker 3: Chief Keith. And then you'd hear stories of Chief Keith,

583
00:24:10,160 --> 00:24:12,560
Speaker 3: like being in Paris with Kanye and being like man

584
00:24:12,560 --> 00:24:13,560
Speaker 3: I'll go back to Chicago.

585
00:24:13,920 --> 00:24:16,679
Speaker 1: Yeah, didn't you fly out there for like ten hours

586
00:24:16,760 --> 00:24:18,280
Speaker 1: or something like that? And then I wanted him out

587
00:24:18,320 --> 00:24:19,960
Speaker 1: there and then he was like I hate this and left.

588
00:24:20,040 --> 00:24:23,800
Speaker 2: Didn't tell anyone that flew back to I think I

589
00:24:23,920 --> 00:24:25,760
Speaker 2: like shit like that. So do I like when people

590
00:24:25,840 --> 00:24:27,159
Speaker 2: just have that like I'm out of here, man, I

591
00:24:27,119 --> 00:24:29,720
Speaker 2: don't want to be here, like because if you stay

592
00:24:29,800 --> 00:24:31,919
Speaker 2: somewhere where you really don't want to be, people feel that,

593
00:24:32,480 --> 00:24:34,239
Speaker 2: Like I'm sure somebody in that studio to be like, yoa,

594
00:24:34,240 --> 00:24:35,440
Speaker 2: I don't think homie want to be here?

595
00:24:35,680 --> 00:24:38,320
Speaker 3: Were no was it was good? Anything else happened?

596
00:24:38,359 --> 00:24:38,479
Speaker 4: Uh?

597
00:24:38,680 --> 00:24:42,440
Speaker 3: Oh, I guess we could talk about the messiness, which

598
00:24:42,520 --> 00:24:45,479
Speaker 3: which messiness Uzzie and Jay Well, actually, before we get

599
00:24:45,520 --> 00:24:48,200
Speaker 3: to that, we should first bring up Quavo and Offset

600
00:24:48,320 --> 00:24:51,880
Speaker 3: performing together. Great to see. We saw the tarm cue

601
00:24:52,359 --> 00:24:56,880
Speaker 3: and birthday party last week, so you know, it wasn't

602
00:24:56,880 --> 00:24:58,800
Speaker 3: super surprising, but it was great to see them perform

603
00:24:58,840 --> 00:25:02,760
Speaker 3: together and do the at for Takeoff. But yeah, that

604
00:25:02,880 --> 00:25:03,560
Speaker 3: was great to see.

605
00:25:04,040 --> 00:25:07,880
Speaker 2: Salute to the Migos, rest in Peace, Takeoff. Was really

606
00:25:07,920 --> 00:25:10,239
Speaker 2: happy to see them performing because this time last year

607
00:25:10,280 --> 00:25:12,080
Speaker 2: they got into something backstage correct.

608
00:25:12,080 --> 00:25:14,200
Speaker 3: That was at the Grammys the January of this year.

609
00:25:14,280 --> 00:25:16,480
Speaker 2: Yeah, that was this year.

610
00:25:16,600 --> 00:25:17,720
Speaker 3: Yeah, top of the area.

611
00:25:17,760 --> 00:25:20,360
Speaker 1: So it's nice to see you know. Yeah, six months later.

612
00:25:20,520 --> 00:25:23,600
Speaker 3: That they were not the controversy of the entire show.

613
00:25:23,800 --> 00:25:32,280
Speaker 2: Yeah, JT and Uzy, JT and Uzi.

614
00:25:32,400 --> 00:25:34,639
Speaker 3: Man, I know this kept you up at night. That's

615
00:25:34,680 --> 00:25:37,160
Speaker 3: why you tryed watching Planet Earth. No, this is just

616
00:25:37,160 --> 00:25:40,440
Speaker 3: wondering what happened. Well, this is no different from our

617
00:25:40,480 --> 00:25:42,600
Speaker 3: planet that I was watching, like this is this is

618
00:25:42,600 --> 00:25:42,960
Speaker 3: the wild.

619
00:25:43,000 --> 00:25:44,560
Speaker 2: I don't know how they got these cameras where they

620
00:25:44,640 --> 00:25:48,119
Speaker 2: got him, but see, yeah, yeah we caught uh, we

621
00:25:48,200 --> 00:25:52,959
Speaker 2: caught uh. I guess the little peek into a couple

622
00:25:53,080 --> 00:25:55,320
Speaker 2: going through something. I don't know. I think JT was

623
00:25:55,400 --> 00:26:00,520
Speaker 2: mad at Uzzi because Uzi uh took a picture of

624
00:26:00,520 --> 00:26:01,480
Speaker 2: ice spices. What they're saying.

625
00:26:01,640 --> 00:26:03,760
Speaker 1: The lyric in this in one of the songs he

626
00:26:03,840 --> 00:26:07,600
Speaker 1: previewed from his upcoming album, says something about a girl

627
00:26:07,640 --> 00:26:08,720
Speaker 1: having hair like ice spice.

628
00:26:09,240 --> 00:26:11,480
Speaker 3: I just feel like JT probably has probably heard that

629
00:26:11,520 --> 00:26:14,720
Speaker 3: song before, maybe even saw rehearsals. Like that was just

630
00:26:14,720 --> 00:26:15,800
Speaker 3: a really odd rumor.

631
00:26:16,000 --> 00:26:18,119
Speaker 2: Yeah, I don't I think this is just people just

632
00:26:18,119 --> 00:26:20,960
Speaker 2: throwing ideas or reasons at the wall and hoping that

633
00:26:21,040 --> 00:26:24,880
Speaker 2: something sticks. I hope this is not the reason why.

634
00:26:24,920 --> 00:26:28,320
Speaker 2: I'm like, like, like Ory said, I'm pretty sure she

635
00:26:28,480 --> 00:26:29,320
Speaker 2: heard the song.

636
00:26:29,440 --> 00:26:31,880
Speaker 3: Like when previewing it at the bet Ord, like she's

637
00:26:31,920 --> 00:26:32,640
Speaker 3: trying to be a single.

638
00:26:33,040 --> 00:26:34,080
Speaker 2: Yeah, she lives with him.

639
00:26:34,119 --> 00:26:35,200
Speaker 3: They shot the video already.

640
00:26:35,240 --> 00:26:39,400
Speaker 2: Yeah, she heard it. I would think that it would

641
00:26:39,400 --> 00:26:42,000
Speaker 2: maybe have to do with the picture. Maybe after the

642
00:26:42,040 --> 00:26:43,520
Speaker 2: picture he was doing a little flirting.

643
00:26:44,119 --> 00:26:46,440
Speaker 3: Yeah, you know, you know when women hate when you're

644
00:26:46,480 --> 00:26:47,359
Speaker 3: like a little too funny.

645
00:26:47,520 --> 00:26:49,920
Speaker 2: Yeah, like she's trying to be like especially if the

646
00:26:49,920 --> 00:26:51,840
Speaker 2: girl whispers something that your a and you laugh. Yeah,

647
00:26:51,880 --> 00:26:53,520
Speaker 2: because now your girl couldn't read her lips and don't

648
00:26:53,520 --> 00:26:55,160
Speaker 2: know what she said. Oh that's beef.

649
00:26:55,280 --> 00:26:57,359
Speaker 3: I mean it was probably the picture would probably not

650
00:26:57,440 --> 00:26:59,960
Speaker 3: that at law. I think there as someone that's been

651
00:27:00,119 --> 00:27:05,040
Speaker 3: through similar situations. Not with ice Pikes, of course, but women, wait,

652
00:27:05,160 --> 00:27:08,320
Speaker 3: just they just need one little reason. It doesn't have

653
00:27:08,400 --> 00:27:09,879
Speaker 3: to do with that reason at all. Yeah, it's a

654
00:27:09,960 --> 00:27:12,000
Speaker 3: much bigger thing. That's just then they can use that

655
00:27:12,080 --> 00:27:14,360
Speaker 3: one thing to just get some shit off they've been

656
00:27:14,680 --> 00:27:17,320
Speaker 3: holding for a month. Yeah, and that just triggers it.

657
00:27:17,359 --> 00:27:20,280
Speaker 3: And then phones are thrown and then you know, Natalie

658
00:27:20,320 --> 00:27:23,120
Speaker 3: Nunn's chin blocks it and videos go up.

659
00:27:23,040 --> 00:27:26,159
Speaker 2: And so now they're not together no more is she

660
00:27:26,200 --> 00:27:27,000
Speaker 2: ca JT.

661
00:27:26,920 --> 00:27:28,879
Speaker 8: Came back and sat down and they were like talking

662
00:27:29,040 --> 00:27:29,760
Speaker 8: at the awards.

663
00:27:29,800 --> 00:27:30,919
Speaker 1: After all of that.

664
00:27:30,920 --> 00:27:34,240
Speaker 3: That looked like some regular relationships shit that just happened

665
00:27:34,240 --> 00:27:34,719
Speaker 3: in public.

666
00:27:34,760 --> 00:27:35,440
Speaker 8: It happened in public.

667
00:27:35,560 --> 00:27:37,119
Speaker 1: Yeah, have you guys ever had a public breakup?

668
00:27:38,920 --> 00:27:39,240
Speaker 2: No?

669
00:27:39,240 --> 00:27:41,919
Speaker 3: No, a fight for sure. That like looks like it

670
00:27:41,960 --> 00:27:45,360
Speaker 3: was a breakup, but not an actual breakup. These situations

671
00:27:45,359 --> 00:27:49,200
Speaker 3: happen very often. This looks like a regular relationship thing

672
00:27:49,400 --> 00:27:51,159
Speaker 3: where the guy does one thing but this and the

673
00:27:51,160 --> 00:27:53,600
Speaker 3: girl flips out because she's been wanting to flip out forever.

674
00:27:53,680 --> 00:27:55,879
Speaker 2: This doesn't happen. And one of the biggest award shows

675
00:27:55,880 --> 00:27:58,920
Speaker 2: in the culture all the time between couples.

676
00:27:58,640 --> 00:28:03,159
Speaker 8: While Jean Paul dress from the Archives, thank you man.

677
00:28:03,040 --> 00:28:04,440
Speaker 2: Who was wearing at Woozie.

678
00:28:06,160 --> 00:28:11,040
Speaker 3: So good one Solange gave hold a fucking six piece

679
00:28:11,119 --> 00:28:12,479
Speaker 3: combo at the Standard Hotel.

680
00:28:12,520 --> 00:28:14,000
Speaker 1: Like these things happen in private.

681
00:28:15,800 --> 00:28:21,200
Speaker 3: The hotel at the Standard is the private elevator space leap.

682
00:28:22,359 --> 00:28:23,919
Speaker 2: We're in leaked. We would have never known about it.

683
00:28:23,960 --> 00:28:26,080
Speaker 3: How long is an elevator ride from the top of

684
00:28:26,080 --> 00:28:28,680
Speaker 3: the Standard down maybe.

685
00:28:28,440 --> 00:28:31,760
Speaker 2: A minute and thirty seconds, No, two minutes long as hell, maybe.

686
00:28:31,560 --> 00:28:33,960
Speaker 3: A minute thirty is really long. I was going to say,

687
00:28:34,000 --> 00:28:37,760
Speaker 3: somewhere around thirty five seconds. Yeah, okay, they had every

688
00:28:37,800 --> 00:28:40,400
Speaker 3: paparazzi on Earth waiting outside that. Yeah, but they were

689
00:28:40,440 --> 00:28:40,880
Speaker 3: in public.

690
00:28:40,920 --> 00:28:42,600
Speaker 1: She didn't the doors didn't open, and she didn't like

691
00:28:42,880 --> 00:28:43,840
Speaker 1: the doors open.

692
00:28:43,880 --> 00:28:46,160
Speaker 2: We wouldn't have known about it. In those surveillance tapes

693
00:28:46,200 --> 00:28:47,479
Speaker 2: didn't leak, we wouldn't even know about that.

694
00:28:47,520 --> 00:28:49,640
Speaker 3: Still, all right, if Natalie None didn't open her fucking

695
00:28:49,640 --> 00:28:51,239
Speaker 3: flip phone and film this, then we wouldn't have known.

696
00:28:51,960 --> 00:28:54,400
Speaker 2: Somebody else recorded that. It's in the space like that

697
00:28:54,520 --> 00:28:55,080
Speaker 2: public space.

698
00:28:55,080 --> 00:28:56,480
Speaker 8: At least seven eight people recorded.

699
00:28:56,560 --> 00:28:58,440
Speaker 2: Yes, what type of phone does Natalie None have?

700
00:28:58,560 --> 00:29:01,280
Speaker 3: Why was that the grain enius video I've ever seen

701
00:29:01,320 --> 00:29:02,160
Speaker 3: in twenty twenty three?

702
00:29:02,480 --> 00:29:05,320
Speaker 2: No, she probably touched the camera lens and had like

703
00:29:05,480 --> 00:29:08,240
Speaker 2: lowtion on the hands or something. You know, you know

704
00:29:08,280 --> 00:29:10,600
Speaker 2: how that goes. She ain't wipe off that lens good enough,

705
00:29:10,640 --> 00:29:13,040
Speaker 2: fucko butter. Yeah, yeah, you know how that's just the

706
00:29:13,040 --> 00:29:14,640
Speaker 2: Coco butter filter. You know how that should go.

707
00:29:14,680 --> 00:29:17,040
Speaker 3: Man, how did she get the seat behind JT Ice

708
00:29:17,040 --> 00:29:17,840
Speaker 3: Spice and Oozy.

709
00:29:18,840 --> 00:29:22,240
Speaker 2: That's not so seated. Yeah, like that's that's a better question.

710
00:29:22,760 --> 00:29:24,680
Speaker 2: But I don't know, man. I saw the video going

711
00:29:24,720 --> 00:29:27,880
Speaker 2: around of them of JT calling him a bitch ass

712
00:29:27,960 --> 00:29:30,360
Speaker 2: nigga and throwing her phone. She threw a phone twice.

713
00:29:30,400 --> 00:29:32,719
Speaker 2: I think she threw it once. Somebody picked her hand,

714
00:29:32,800 --> 00:29:34,520
Speaker 2: so she threw it again, like I want that ship.

715
00:29:35,760 --> 00:29:37,880
Speaker 8: She's like, give me my fucking phone, bitch.

716
00:29:38,400 --> 00:29:39,440
Speaker 2: So who was she talking to?

717
00:29:41,040 --> 00:29:42,680
Speaker 3: I believe she was talking to.

718
00:29:44,120 --> 00:29:44,239
Speaker 2: Well.

719
00:29:44,440 --> 00:29:48,800
Speaker 5: The real controvert controversy, allegedly is if well everyone saying

720
00:29:48,840 --> 00:29:51,360
Speaker 5: if the roles were reversed and he put his hands

721
00:29:51,760 --> 00:29:53,680
Speaker 5: he threw a phone at her, and you guys would

722
00:29:53,720 --> 00:29:55,280
Speaker 5: be asking for him to be locked up. We have

723
00:29:55,360 --> 00:29:57,000
Speaker 5: to stop all domestic violence.

724
00:29:57,080 --> 00:30:00,800
Speaker 2: But he did that already, YadA, YadA, He did that already.

725
00:30:01,120 --> 00:30:02,080
Speaker 2: That's that's nothing new.

726
00:30:03,040 --> 00:30:05,640
Speaker 3: And I believe in double standards, So no, he can't.

727
00:30:05,280 --> 00:30:08,320
Speaker 1: Yeah, yeah, even though he can do.

728
00:30:08,280 --> 00:30:10,600
Speaker 2: That, I mean, my girl called me a bitch ass

729
00:30:10,680 --> 00:30:11,360
Speaker 2: nigg and a bitch.

730
00:30:12,000 --> 00:30:14,560
Speaker 3: Yeah, the phone in the face can hurt, yeh.

731
00:30:14,600 --> 00:30:17,000
Speaker 2: Don't call me no bitch ass in a room full

732
00:30:17,040 --> 00:30:20,360
Speaker 2: of peat my peers, like I just did a record

733
00:30:20,360 --> 00:30:21,760
Speaker 2: with this dude, right Here're gona call me a bitch

734
00:30:21,760 --> 00:30:23,840
Speaker 2: ass nigg in front of him, like front of Tyler Perry,

735
00:30:24,000 --> 00:30:26,040
Speaker 2: Like he don't respect my balls after that, like are

736
00:30:26,040 --> 00:30:28,840
Speaker 2: you kidding me? Like, nah, man, you now you're fucking

737
00:30:28,920 --> 00:30:30,880
Speaker 2: up my stock, Like we can't do that. I just

738
00:30:30,880 --> 00:30:33,520
Speaker 2: want to dance like on man, don't don't do that.

739
00:30:33,520 --> 00:30:34,160
Speaker 8: You just want to rock.

740
00:30:34,600 --> 00:30:35,200
Speaker 2: That's what it is.

741
00:30:35,720 --> 00:30:42,520
Speaker 3: The lyrics, that's version. I mean, I could hear Ice

742
00:30:42,520 --> 00:30:44,840
Speaker 3: Spice on that remix. Maybe he was.

743
00:30:44,800 --> 00:30:46,600
Speaker 6: Working for his sake, he was working.

744
00:30:46,760 --> 00:30:48,280
Speaker 2: Yeah, taking pictures is working.

745
00:30:49,040 --> 00:30:50,960
Speaker 3: Sure, I'm sure JT has talked to a male rapper

746
00:30:51,040 --> 00:30:51,800
Speaker 3: before about a verse.

747
00:30:52,440 --> 00:30:54,480
Speaker 2: Mm hmmm, of course she has.

748
00:30:54,640 --> 00:30:55,160
Speaker 3: How could she?

749
00:30:55,880 --> 00:30:56,120
Speaker 1: Yeah?

750
00:30:56,200 --> 00:31:00,640
Speaker 2: Right, double standards, gang on gang. Speaking of gang, So

751
00:31:00,960 --> 00:31:03,560
Speaker 2: there's a there's an interview I guess or something on

752
00:31:03,680 --> 00:31:07,400
Speaker 2: around that Offset was caught or his side. Chick posted

753
00:31:07,440 --> 00:31:10,360
Speaker 2: pictures in the house that I guess that Offset owns

754
00:31:10,360 --> 00:31:12,720
Speaker 2: in Cali or something, and they lived together at one

755
00:31:12,720 --> 00:31:15,360
Speaker 2: point and people are now telling Carty about this. CARDI

756
00:31:15,480 --> 00:31:18,160
Speaker 2: went on to her Twitter spaces to address it and

757
00:31:18,280 --> 00:31:21,960
Speaker 2: said that if she does leave Offset, she'll just get

758
00:31:21,960 --> 00:31:25,120
Speaker 2: with another rich nigga, one of these NBA ball players

759
00:31:25,160 --> 00:31:28,840
Speaker 2: or football players or something like that. And then Offset

760
00:31:28,960 --> 00:31:32,440
Speaker 2: responded with one post. I think he said fly like

761
00:31:32,480 --> 00:31:34,480
Speaker 2: a bird for free as a bird something like that.

762
00:31:34,520 --> 00:31:37,640
Speaker 2: He said like a fly like a bird. And then

763
00:31:37,680 --> 00:31:40,760
Speaker 2: he said, Rory, come on, I'm just addressing what's going

764
00:31:40,800 --> 00:31:41,280
Speaker 2: on in the coach.

765
00:31:41,480 --> 00:31:43,040
Speaker 3: He might be up there with Meek as far as

766
00:31:43,080 --> 00:31:43,920
Speaker 3: legendary tweets.

767
00:31:44,240 --> 00:31:47,000
Speaker 2: Listen, I'm just telling you his fight back game of back.

768
00:31:47,280 --> 00:31:47,480
Speaker 9: Nah.

769
00:31:47,560 --> 00:31:49,960
Speaker 3: But this sucks because I can't even use the y'all

770
00:31:49,960 --> 00:31:51,000
Speaker 3: one meme anymore.

771
00:31:51,160 --> 00:31:51,920
Speaker 2: No, you can't.

772
00:31:52,160 --> 00:31:54,240
Speaker 3: The same way we can't respect Oozi's rhymes anymore. I

773
00:31:54,280 --> 00:31:57,080
Speaker 3: don't know if I can respect offsets, tweets, her stories anymore.

774
00:31:57,080 --> 00:31:59,480
Speaker 3: Now this the y'all one was one of my favorites ever.

775
00:31:59,600 --> 00:32:01,160
Speaker 2: This post right here, it needs to be in the

776
00:32:01,160 --> 00:32:03,960
Speaker 2: moment sometime soon, just like that, I'm going to walk

777
00:32:03,960 --> 00:32:05,960
Speaker 2: into the moment. And this is what the first piece

778
00:32:06,000 --> 00:32:10,080
Speaker 2: of art I see off Set. Why are in fifty

779
00:32:10,120 --> 00:32:10,920
Speaker 2: three seconds?

780
00:32:11,280 --> 00:32:13,120
Speaker 1: Which is crazy that someone screensho out of this ship

781
00:32:13,120 --> 00:32:14,360
Speaker 1: at fifty three seconds.

782
00:32:14,760 --> 00:32:18,840
Speaker 2: He says, my wife fucked the nigga on me gang

783
00:32:18,960 --> 00:32:20,360
Speaker 2: y'all niggas know how I come.

784
00:32:21,240 --> 00:32:23,680
Speaker 3: Okay, can you break this down for me piece by

785
00:32:23,720 --> 00:32:25,920
Speaker 3: piece because I don't fully understand. If a comma was

786
00:32:25,960 --> 00:32:27,680
Speaker 3: in there, maybe I could understand a little bit more.

787
00:32:27,760 --> 00:32:30,080
Speaker 3: This is from the run on sentence, So.

788
00:32:30,120 --> 00:32:32,120
Speaker 2: Yeah, it's a runner. It's no you just this is

789
00:32:32,160 --> 00:32:34,840
Speaker 2: why this is art, because this is what this is

790
00:32:34,880 --> 00:32:38,040
Speaker 2: if you know, you know the epitome of it. So,

791
00:32:38,160 --> 00:32:40,640
Speaker 2: my wife fucked the nigga. That's one sentence. You have

792
00:32:40,720 --> 00:32:43,680
Speaker 2: a subject and predicate you had. That's a that you

793
00:32:43,760 --> 00:32:46,280
Speaker 2: have the higher three. You know exactly what's going on.

794
00:32:46,600 --> 00:32:47,560
Speaker 3: There's an action verb.

795
00:32:47,760 --> 00:32:50,000
Speaker 2: My wife fucked an action verb.

796
00:32:50,160 --> 00:32:50,240
Speaker 1: Right.

797
00:32:50,440 --> 00:32:53,600
Speaker 8: You can't leave out the on me though, So that's me.

798
00:32:53,760 --> 00:32:54,400
Speaker 3: That's the pronoun.

799
00:32:54,480 --> 00:32:54,840
Speaker 1: Correct.

800
00:32:55,320 --> 00:32:56,479
Speaker 3: What needs to be in a sentence?

801
00:32:56,960 --> 00:32:59,320
Speaker 1: Yeah, on me should be in that upper top line.

802
00:32:59,400 --> 00:33:02,080
Speaker 2: It should be, but it doesn't have to be because see,

803
00:33:02,120 --> 00:33:03,640
Speaker 2: it's all about the artists and what the artist is

804
00:33:03,640 --> 00:33:06,040
Speaker 2: feeling at the time. This is poetic justice is one

805
00:33:06,080 --> 00:33:10,400
Speaker 2: million rory on me. Now it should be an exclamation

806
00:33:10,440 --> 00:33:15,520
Speaker 2: point there. Gang should have been all caps. You say gang.

807
00:33:15,880 --> 00:33:17,120
Speaker 2: You let him know gang.

808
00:33:17,320 --> 00:33:20,240
Speaker 8: You fucking it up? How my wife fucked the nigga?

809
00:33:20,280 --> 00:33:20,640
Speaker 3: On me?

810
00:33:21,360 --> 00:33:25,040
Speaker 8: Comma, gang, Comma. Y'all niggas know how come?

811
00:33:25,640 --> 00:33:29,560
Speaker 2: Too many comments they don't even because that shit don't

812
00:33:30,640 --> 00:33:32,720
Speaker 2: That gang is like saying, Yo, my wife fuck the

813
00:33:32,760 --> 00:33:34,840
Speaker 2: nigga on me Julian like, but instead of Julian, I'm

814
00:33:34,840 --> 00:33:35,320
Speaker 2: saying gang.

815
00:33:35,760 --> 00:33:38,320
Speaker 8: I'm telling we are a gang.

816
00:33:39,200 --> 00:33:41,000
Speaker 5: So y'all know gang, like my wife fuck the nigga

817
00:33:41,200 --> 00:33:44,800
Speaker 5: me gang all his fans and then period, y'all niggas

818
00:33:44,880 --> 00:33:45,640
Speaker 5: know how I come.

819
00:33:46,360 --> 00:33:49,880
Speaker 1: But we don't because the gang how does he come?

820
00:33:51,800 --> 00:33:52,200
Speaker 3: At that point?

821
00:33:53,440 --> 00:33:59,120
Speaker 2: Y'all know how to come? First of all, no, I don't.

822
00:34:00,680 --> 00:34:03,040
Speaker 3: I don't want to be in this gang anymore? Is

823
00:34:03,080 --> 00:34:03,600
Speaker 3: that how you get it?

824
00:34:03,640 --> 00:34:07,040
Speaker 2: And she had? Secondly, it don't really matter what you say.

825
00:34:07,120 --> 00:34:11,680
Speaker 2: After my wife fucked I was gonna say, yeah, it's like, man,

826
00:34:11,800 --> 00:34:15,640
Speaker 2: go back to your first statement, your wife fucked a

827
00:34:15,719 --> 00:34:18,879
Speaker 2: nigga on you gang, and then you would say, y'all

828
00:34:18,920 --> 00:34:20,680
Speaker 2: know how it come. I know your wife fucked a

829
00:34:20,760 --> 00:34:22,560
Speaker 2: nigga on you, Like that's what I know.

830
00:34:23,080 --> 00:34:24,000
Speaker 1: You know that's how she comes.

831
00:34:24,160 --> 00:34:27,239
Speaker 2: Yeah, Like so it's just like I mean, but you know,

832
00:34:27,360 --> 00:34:31,359
Speaker 2: to be such a brave warrior and you know, try

833
00:34:31,400 --> 00:34:34,440
Speaker 2: to fight back when the internet is seemingly laughing at

834
00:34:34,520 --> 00:34:36,880
Speaker 2: you and saying, you know, your wife over here says

835
00:34:37,040 --> 00:34:38,960
Speaker 2: once she leave you, she go get another rich nigga.

836
00:34:39,600 --> 00:34:41,919
Speaker 2: I mean, if this is how you want to fight back,

837
00:34:42,000 --> 00:34:45,920
Speaker 2: and you know, I guess, but it wasn't a good look.

838
00:34:45,960 --> 00:34:47,960
Speaker 3: There's not much you can say after that. You can't

839
00:34:48,000 --> 00:34:48,680
Speaker 3: say this person.

840
00:34:48,840 --> 00:34:50,600
Speaker 2: You gotta act like you didn't hear that. You gotta

841
00:34:50,640 --> 00:34:53,080
Speaker 2: act like you didn't see that. You just just disappear

842
00:34:53,120 --> 00:34:56,520
Speaker 2: from the Internet. Doesn't exist until you open your phone.

843
00:34:56,640 --> 00:34:58,799
Speaker 3: Did y'all know how it comes thinks like when a

844
00:34:58,880 --> 00:35:00,680
Speaker 3: dude is getting roasted and and just says like, Yo,

845
00:35:00,719 --> 00:35:02,320
Speaker 3: but I get do I get pussy? Like it's like

846
00:35:02,360 --> 00:35:03,280
Speaker 3: what doesn't matter anymore?

847
00:35:03,360 --> 00:35:03,760
Speaker 2: Yeah?

848
00:35:03,880 --> 00:35:06,080
Speaker 3: Yeah, like it's not really helping.

849
00:35:07,480 --> 00:35:07,600
Speaker 6: All.

850
00:35:07,640 --> 00:35:09,799
Speaker 2: You catch a doe with an ugly girl. But yo,

851
00:35:09,840 --> 00:35:10,759
Speaker 2: but I got bitches though?

852
00:35:11,280 --> 00:35:18,399
Speaker 1: Ah, exactly do you though?

853
00:35:18,440 --> 00:35:20,600
Speaker 2: Because I mean you can have those. If that's what

854
00:35:20,719 --> 00:35:24,839
Speaker 2: you call bitches, you got you a have a do

855
00:35:24,920 --> 00:35:27,200
Speaker 2: what you want to do. But hopefully, I don't know,

856
00:35:27,200 --> 00:35:29,799
Speaker 2: Hopefully this is just something that you know off Shet

857
00:35:29,800 --> 00:35:32,720
Speaker 2: and CARDI could kind of laugh at and move past,

858
00:35:32,760 --> 00:35:34,840
Speaker 2: because again, all your side, they have a family, They

859
00:35:34,880 --> 00:35:37,200
Speaker 2: have children together, so you do want to see family,

860
00:35:37,280 --> 00:35:38,080
Speaker 2: family stay together.

861
00:35:38,160 --> 00:35:40,960
Speaker 3: The Migos never really talked about ship on the internet

862
00:35:41,040 --> 00:35:47,359
Speaker 3: ever until Sweetie and CARDI like, did women make them

863
00:35:47,520 --> 00:35:49,520
Speaker 3: have to start addressing things? Because who just talk about

864
00:35:49,560 --> 00:35:51,279
Speaker 3: like Chief Keith is who he is?

865
00:35:51,600 --> 00:35:51,839
Speaker 1: Right?

866
00:35:52,320 --> 00:35:55,080
Speaker 3: I always felt like what made the Migos so cool

867
00:35:55,200 --> 00:35:58,080
Speaker 3: was how quiet and like reserved into themselves that they were.

868
00:35:58,360 --> 00:36:00,239
Speaker 3: And in the early days sometimes they beat and went

869
00:36:00,280 --> 00:36:02,160
Speaker 3: up on camera just let y'all know, just because we're quiet,

870
00:36:02,600 --> 00:36:05,799
Speaker 3: we'll still jump. You thought that was great, and then

871
00:36:05,840 --> 00:36:09,399
Speaker 3: they started getting with the female rappers and now they're

872
00:36:09,400 --> 00:36:13,839
Speaker 3: on their Twitter saying, y'all won just feel like women

873
00:36:13,840 --> 00:36:17,480
Speaker 3: bring the worst out of out of talented great men.

874
00:36:17,719 --> 00:36:22,799
Speaker 3: You said Wyatt stoic powerful men that bridges stoic. Yeah,

875
00:36:23,320 --> 00:36:24,719
Speaker 3: look look what happened now.

876
00:36:25,640 --> 00:36:28,880
Speaker 2: I don't know. This is just to me again, you

877
00:36:28,920 --> 00:36:31,360
Speaker 2: know when she like this happens, the best thing to

878
00:36:31,400 --> 00:36:36,240
Speaker 2: do just shut up, don't go on social media, don't

879
00:36:36,239 --> 00:36:39,480
Speaker 2: address anything, act like you didn't hear it, and just

880
00:36:39,520 --> 00:36:41,800
Speaker 2: going on about your life because again your wife is

881
00:36:41,840 --> 00:36:44,560
Speaker 2: saying if she leaves you should just get another rich nick.

882
00:36:44,840 --> 00:36:48,880
Speaker 2: I just don't know how you how you recover from that? Yeah?

883
00:36:49,640 --> 00:36:51,600
Speaker 8: No, no, no, no, no no, how do you recover? I'm

884
00:36:51,640 --> 00:36:53,879
Speaker 8: gonna I'm gonna shoot. I'm gonna shoot.

885
00:36:53,600 --> 00:36:56,240
Speaker 2: Of course, good wow.

886
00:36:56,440 --> 00:36:57,040
Speaker 6: And I'm not.

887
00:36:57,000 --> 00:37:01,040
Speaker 5: Taking accountability from women. But I listened to the Spaces

888
00:37:01,360 --> 00:37:03,480
Speaker 5: when she's saying, y'all keep trying to break up my hair.

889
00:37:03,320 --> 00:37:06,080
Speaker 3: In the space from when she was you were hosting, hosting,

890
00:37:06,520 --> 00:37:07,200
Speaker 3: she was a moderator.

891
00:37:07,239 --> 00:37:08,239
Speaker 2: She was not.

892
00:37:13,600 --> 00:37:16,399
Speaker 3: She was screaming one mic like give me liberty, give

893
00:37:16,440 --> 00:37:25,399
Speaker 3: me death, give me liberty. Are the British coming? Why

894
00:37:25,400 --> 00:37:30,359
Speaker 3: are you screaming that so loud? Their taxes right?

895
00:37:30,760 --> 00:37:31,480
Speaker 2: Holy ship?

896
00:37:31,600 --> 00:37:38,120
Speaker 3: But okay, I was just saying that.

897
00:37:38,160 --> 00:37:40,120
Speaker 5: In the spaces, she was just basically saying, like, Okay,

898
00:37:40,160 --> 00:37:42,120
Speaker 5: y'all keep trying to break my marriage up, Like y'all

899
00:37:42,120 --> 00:37:43,600
Speaker 5: want me to get divorced so bad. But let's say

900
00:37:43,600 --> 00:37:45,920
Speaker 5: I do get divorced, I'm still gonna get booked, I'm

901
00:37:45,920 --> 00:37:47,480
Speaker 5: still gonna get money, I'm still gonna be.

902
00:37:47,480 --> 00:37:48,319
Speaker 8: In your algorithms.

903
00:37:48,400 --> 00:37:50,960
Speaker 5: I'll just go date somebody else and go get another

904
00:37:51,080 --> 00:37:52,840
Speaker 5: rich nigga and get married again.

905
00:37:52,920 --> 00:37:53,839
Speaker 8: Like another rich.

906
00:37:53,880 --> 00:37:55,879
Speaker 5: Nigga is gonna cough me? Which by and I don't

907
00:37:55,920 --> 00:37:58,000
Speaker 5: blame her for that, but because it's true. But which,

908
00:37:58,040 --> 00:38:00,160
Speaker 5: by the way, really brings me to just how much

909
00:38:00,280 --> 00:38:02,600
Speaker 5: people on the internet are like stupid.

910
00:38:02,640 --> 00:38:04,600
Speaker 2: I was reading that, I brought you to it.

911
00:38:05,520 --> 00:38:07,080
Speaker 5: No, because I was reading the comment, I think like

912
00:38:07,200 --> 00:38:10,520
Speaker 5: hip hop DX or something reposted, you know, reposted her

913
00:38:10,520 --> 00:38:13,400
Speaker 5: Twitter spaces or whatever. And there were so many like

914
00:38:13,480 --> 00:38:16,000
Speaker 5: little angry men in the comments that are like, you're

915
00:38:16,040 --> 00:38:19,520
Speaker 5: a bird, nobody's gonna wife you. I'm sitt up here like, yeah, oh,

916
00:38:19,600 --> 00:38:23,239
Speaker 5: y'all think they're like nobody wife's birds. She's crazy, she

917
00:38:23,360 --> 00:38:25,640
Speaker 5: lucked up with offset, She'll never get wifed again.

918
00:38:25,719 --> 00:38:27,360
Speaker 8: You can't turn a hole into a housewife.

919
00:38:27,560 --> 00:38:31,399
Speaker 5: And like there's no way that these hundreds of men

920
00:38:31,480 --> 00:38:34,040
Speaker 5: on their computers think that no one will else will marry.

921
00:38:34,719 --> 00:38:37,160
Speaker 2: Yeah, but those those are those are those are guys

922
00:38:37,200 --> 00:38:40,879
Speaker 2: that either don't have any type of relationships with real

923
00:38:40,920 --> 00:38:43,839
Speaker 2: women or just don't come outside. They just those are

924
00:38:43,880 --> 00:38:47,400
Speaker 2: just you know, keyboard pushes, and they would wife Cardi B. Absolutely,

925
00:38:47,800 --> 00:38:48,120
Speaker 2: Like if.

926
00:38:48,000 --> 00:38:49,799
Speaker 3: Cardi B did look at them one day and was like, hey,

927
00:38:49,840 --> 00:38:51,400
Speaker 3: you want to go out and date, they wouldn't want

928
00:38:51,400 --> 00:38:53,680
Speaker 3: to know. Their whole entire discourse also.

929
00:38:53,520 --> 00:38:56,920
Speaker 1: And like the span of their related hasn't offset historically,

930
00:38:56,920 --> 00:38:59,000
Speaker 1: been the one caught cheating historically.

931
00:38:59,000 --> 00:39:01,840
Speaker 2: It is funny and that let me check the books,

932
00:39:02,640 --> 00:39:04,640
Speaker 2: let me goopedia and see what he did.

933
00:39:05,160 --> 00:39:07,960
Speaker 1: And we're gonna if we're gonna call a like offsets,

934
00:39:08,000 --> 00:39:09,799
Speaker 1: the one that seems to be doing way more work

935
00:39:09,840 --> 00:39:10,239
Speaker 1: than Cardi.

936
00:39:10,480 --> 00:39:13,080
Speaker 3: Well, that's just the media's attack on men. Yeah, that's

937
00:39:13,120 --> 00:39:15,480
Speaker 3: really like you're not doing You don't see the full picture.

938
00:39:16,160 --> 00:39:17,279
Speaker 3: They're just singing, trying.

939
00:39:17,760 --> 00:39:21,239
Speaker 2: They're trying to this guy that he isn't hopes of

940
00:39:21,320 --> 00:39:22,160
Speaker 2: him losing his but.

941
00:39:22,239 --> 00:39:24,160
Speaker 1: He did say y'all won, so he did at one

942
00:39:24,200 --> 00:39:24,839
Speaker 1: point give up.

943
00:39:25,200 --> 00:39:27,839
Speaker 2: Well, he's sending the internet one, the media one like.

944
00:39:27,800 --> 00:39:29,560
Speaker 5: Y'all he said, y'all know how I come. Like he

945
00:39:29,640 --> 00:39:30,919
Speaker 5: said he's been getting get back.

946
00:39:31,000 --> 00:39:31,680
Speaker 1: How does he come?

947
00:39:31,840 --> 00:39:32,800
Speaker 6: I wonder how he comes.

948
00:39:33,320 --> 00:39:37,480
Speaker 3: That's not real get back though, Like it's not when

949
00:39:38,280 --> 00:39:40,440
Speaker 3: if your wife like you fucking another girl.

950
00:39:40,360 --> 00:39:42,399
Speaker 2: I don't care how it's not the equivalent how much

951
00:39:42,440 --> 00:39:43,200
Speaker 2: pussy you get.

952
00:39:43,280 --> 00:39:44,760
Speaker 3: I'm sorry, if your wife fuck.

953
00:39:44,560 --> 00:39:47,480
Speaker 2: Wouldn't you could fuck a hundred girls, You're gonna be crying.

954
00:39:48,000 --> 00:39:48,640
Speaker 3: Let's not get back.

955
00:39:48,880 --> 00:39:51,520
Speaker 2: That's it's never get back, bro, like your girl, your

956
00:39:51,520 --> 00:39:54,560
Speaker 2: wife cheats on you. I don't care how many women

957
00:39:54,719 --> 00:39:57,040
Speaker 2: you go out with, how many women you think like you,

958
00:39:57,640 --> 00:40:00,719
Speaker 2: that sting, that burn will never leave your chest, It

959
00:40:00,800 --> 00:40:01,439
Speaker 2: will never leave.

960
00:40:01,880 --> 00:40:04,120
Speaker 3: It may feel some time for that night, but that's

961
00:40:04,120 --> 00:40:04,640
Speaker 3: as far as.

962
00:40:04,880 --> 00:40:06,719
Speaker 2: It's that's as far as gonna go. Like you. Every

963
00:40:06,760 --> 00:40:08,600
Speaker 2: time you look at your wife now, you just gotta

964
00:40:08,719 --> 00:40:11,400
Speaker 2: just imagine another nigga breathing on top of her, in

965
00:40:11,440 --> 00:40:15,480
Speaker 2: her nose while he's pounding up, while he's pounding on her,

966
00:40:16,040 --> 00:40:18,719
Speaker 2: drooling in her mouth. You know what I mean, like

967
00:40:19,280 --> 00:40:22,279
Speaker 2: breadfall and her eyeballs. You know how I go. And

968
00:40:22,280 --> 00:40:23,719
Speaker 2: don't let him do the you know, put the head

969
00:40:23,719 --> 00:40:26,400
Speaker 2: by the end, start whispering while he You can't let

970
00:40:26,400 --> 00:40:28,120
Speaker 2: a girl. You can't let a nigga whisper your girl.

971
00:40:28,800 --> 00:40:31,120
Speaker 3: Just you describing us right now is making my stomach hurt.

972
00:40:31,600 --> 00:40:33,759
Speaker 3: I'm not sure I couldn't do. I'm not strong enough.

973
00:40:33,800 --> 00:40:36,120
Speaker 2: All the things you do to your wife, Imagine another guy.

974
00:40:36,480 --> 00:40:37,359
Speaker 3: I'm not strong enough.

975
00:40:37,880 --> 00:40:39,320
Speaker 2: No man is strong enough for that.

976
00:40:39,320 --> 00:40:41,600
Speaker 3: That like legitimately made me physically ill.

977
00:40:42,360 --> 00:40:44,799
Speaker 2: But I felt for off set when I heard her

978
00:40:44,800 --> 00:40:47,959
Speaker 2: saying I've seen her her post that I was like, damn,

979
00:40:48,000 --> 00:40:49,759
Speaker 2: she's gonna go get another nigga, and then he said

980
00:40:49,800 --> 00:40:53,040
Speaker 2: she fucked. I just don't know how he was strong

981
00:40:53,160 --> 00:40:56,040
Speaker 2: enough to just move forward. The kids, the kids that

982
00:40:57,160 --> 00:41:00,480
Speaker 2: the kids, Yeah, like the kids is white. Makes you

983
00:41:00,719 --> 00:41:04,200
Speaker 2: accept things and forgive and move on because you don't

984
00:41:04,200 --> 00:41:06,399
Speaker 2: want to wake up one day and being at home

985
00:41:06,440 --> 00:41:08,560
Speaker 2: and your kids are out there running around making noise

986
00:41:08,560 --> 00:41:10,600
Speaker 2: because they would mommy this weekend. You don't want that feeling.

987
00:41:10,640 --> 00:41:15,040
Speaker 2: So I get yeah that, you know, because we could

988
00:41:15,040 --> 00:41:17,400
Speaker 2: lose another mego to jail behind that shit. Like I

989
00:41:17,400 --> 00:41:20,400
Speaker 2: could see offset doing some offset ship. He could be

990
00:41:20,440 --> 00:41:22,759
Speaker 2: setting it off. I could see that. I could see

991
00:41:22,800 --> 00:41:25,080
Speaker 2: him going to cry line that it's the cool ones

992
00:41:25,160 --> 00:41:28,000
Speaker 2: always in that moment, go all the way left. Like

993
00:41:28,000 --> 00:41:28,520
Speaker 2: I didn't think he.

994
00:41:28,520 --> 00:41:31,400
Speaker 3: Had that in them, but anybody look at look at

995
00:41:31,400 --> 00:41:34,160
Speaker 3: what happens when you push a man to that certain point.

996
00:41:34,160 --> 00:41:36,000
Speaker 3: Because it went from y'all one, which to me was

997
00:41:36,040 --> 00:41:38,759
Speaker 3: like an evolved version of Yo, that's crazy, Like you're

998
00:41:38,840 --> 00:41:40,600
Speaker 3: kind of just tweeting through it. You're not saying much.

999
00:41:40,920 --> 00:41:45,560
Speaker 3: That has evolved to she fucked another dude on gang. Yeah,

1000
00:41:45,719 --> 00:41:47,399
Speaker 3: look what happens when he was pushing Man too far

1001
00:41:47,800 --> 00:41:49,839
Speaker 3: off set, Stay strong, man, be praying.

1002
00:41:49,520 --> 00:41:52,920
Speaker 5: For you over here, man out here fighting for the

1003
00:41:52,960 --> 00:41:54,360
Speaker 5: men to dodge accountability.

1004
00:41:54,880 --> 00:41:57,200
Speaker 3: I'm fighting for the nuclear family. I'm not one of

1005
00:41:57,239 --> 00:42:00,799
Speaker 3: you weirdo democrats that wants everyone split up. So I

1006
00:42:00,840 --> 00:42:01,840
Speaker 3: want them to stay together.

1007
00:42:01,920 --> 00:42:04,120
Speaker 2: But only for the demon Rats.

1008
00:42:04,360 --> 00:42:05,000
Speaker 3: Only for the kids.

1009
00:42:05,360 --> 00:42:07,440
Speaker 1: Speaking of demon Rat, did you guys catch any of

1010
00:42:07,480 --> 00:42:09,680
Speaker 1: the Pride parade outside?

1011
00:42:09,920 --> 00:42:10,319
Speaker 2: No, it's not.

1012
00:42:10,400 --> 00:42:10,840
Speaker 3: I stayed in.

1013
00:42:12,000 --> 00:42:13,560
Speaker 2: You think I caught some of the proparade?

1014
00:42:14,040 --> 00:42:14,400
Speaker 1: Why not?

1015
00:42:14,920 --> 00:42:15,239
Speaker 6: Why not?

1016
00:42:15,760 --> 00:42:17,400
Speaker 3: If I would have had the energy, if we didn't

1017
00:42:17,440 --> 00:42:19,520
Speaker 3: stay out on the Saturday night, I would have went.

1018
00:42:19,560 --> 00:42:20,360
Speaker 3: I've been in the proparade.

1019
00:42:20,360 --> 00:42:20,719
Speaker 2: It's fun.

1020
00:42:21,200 --> 00:42:23,040
Speaker 1: I was. I was. I have mad.

1021
00:42:23,160 --> 00:42:25,080
Speaker 3: There's a lot of straight women too, and and you

1022
00:42:25,120 --> 00:42:26,799
Speaker 3: look like the coolest ally ever.

1023
00:42:27,600 --> 00:42:30,120
Speaker 1: Okay, I was outside. I wasn't like in the I

1024
00:42:30,160 --> 00:42:32,480
Speaker 1: wasn't walking or marching whatever, but I was. There was

1025
00:42:32,480 --> 00:42:36,319
Speaker 1: no marching. What do they call it? I was. I

1026
00:42:36,360 --> 00:42:38,400
Speaker 1: wasn't sa Why do they call it?

1027
00:42:38,920 --> 00:42:40,560
Speaker 2: You had to pick a song like you weren't on

1028
00:42:40,560 --> 00:42:41,239
Speaker 2: a dick float like.

1029
00:42:43,040 --> 00:42:43,200
Speaker 1: Walk?

1030
00:42:43,360 --> 00:42:44,480
Speaker 2: Yeah, you had your pick a song.

1031
00:42:44,640 --> 00:42:45,960
Speaker 1: I drove the butt light float.

1032
00:42:46,280 --> 00:42:48,759
Speaker 3: But what give me like a march. How would you

1033
00:42:48,800 --> 00:42:49,120
Speaker 3: march in that?

1034
00:42:49,320 --> 00:42:49,959
Speaker 6: How would you march?

1035
00:42:50,600 --> 00:42:52,160
Speaker 1: It feels a lot of like hip slang.

1036
00:42:52,280 --> 00:42:55,719
Speaker 2: Yeah you have hips swam in the march.

1037
00:42:55,640 --> 00:42:58,960
Speaker 3: Is not demarics. I'm surprised you didn't go.

1038
00:42:59,160 --> 00:43:01,799
Speaker 8: I wasn't in town, okay, but I would have been.

1039
00:43:01,960 --> 00:43:04,480
Speaker 2: Yeah, priparade is a lot of fun, moll. I think

1040
00:43:04,480 --> 00:43:06,400
Speaker 2: you would enjoy the proparade. I would have went if

1041
00:43:06,440 --> 00:43:07,920
Speaker 2: I would have remembered. It was Sunday.

1042
00:43:08,320 --> 00:43:10,040
Speaker 1: A friend of mine we went to like a wine bar.

1043
00:43:10,120 --> 00:43:11,759
Speaker 1: We were sitting on a on a corner where there

1044
00:43:11,760 --> 00:43:13,800
Speaker 1: was a lot of people and we were just people watching.

1045
00:43:13,840 --> 00:43:16,719
Speaker 1: It was everything you could do, so much going on.

1046
00:43:16,760 --> 00:43:18,040
Speaker 2: When is the straight Prede?

1047
00:43:18,760 --> 00:43:20,120
Speaker 6: When is the straight St?

1048
00:43:20,120 --> 00:43:20,680
Speaker 2: Patrick's Day?

1049
00:43:20,800 --> 00:43:21,000
Speaker 1: Yeah?

1050
00:43:21,000 --> 00:43:25,040
Speaker 3: Mar seventeen, Straight Giving parade, Yeah, March seventeenth. It's called

1051
00:43:25,080 --> 00:43:31,480
Speaker 3: the Catholicism. It's fucking firefighters and cops in mad white.

1052
00:43:31,520 --> 00:43:33,520
Speaker 2: Nobody wants to be at that parade. Man, Send me

1053
00:43:33,560 --> 00:43:35,200
Speaker 2: to the prop parade before the straight parade.

1054
00:43:35,280 --> 00:43:37,879
Speaker 3: Oh, the straight paraye. We've talked about this. That would

1055
00:43:37,880 --> 00:43:40,480
Speaker 3: be the worst fucking parade ever. Yeah, it'd be nothing,

1056
00:43:40,560 --> 00:43:43,799
Speaker 3: but dudes, it'd be a bunch of men. Yeah, I

1057
00:43:43,880 --> 00:43:47,560
Speaker 3: go where the bitch is at. They're at the proparay

1058
00:43:47,560 --> 00:43:48,200
Speaker 3: where it's fun.

1059
00:43:48,560 --> 00:43:53,520
Speaker 2: Yeah, going to parade, asking would the bitches.

1060
00:43:56,040 --> 00:43:58,439
Speaker 1: It's like the crowd that went to January sixth. It'd

1061
00:43:58,480 --> 00:43:59,560
Speaker 1: be like a bunch of those guys.

1062
00:44:00,160 --> 00:44:02,640
Speaker 3: Yeah, it's like a fucking freshman dorm in college, just

1063
00:44:03,120 --> 00:44:05,480
Speaker 3: six men around one little TV playing Xbox.

1064
00:44:07,040 --> 00:44:08,600
Speaker 2: I could see Julian storm in the Capitol.

1065
00:44:08,920 --> 00:44:11,520
Speaker 1: Oh for sure, I mean not sure everyone on this pod.

1066
00:44:11,560 --> 00:44:12,440
Speaker 1: You're gonna put that on me?

1067
00:44:12,640 --> 00:44:16,440
Speaker 3: Yea ultimate as because your family me laugh at that.

1068
00:44:16,480 --> 00:44:18,759
Speaker 1: I have a bad Yeah, I probably waltz in there,

1069
00:44:18,760 --> 00:44:19,560
Speaker 1: but I wouldn't.

1070
00:44:19,280 --> 00:44:21,840
Speaker 2: Get your key card works at the fob, works at

1071
00:44:21,880 --> 00:44:22,719
Speaker 2: the Capitol. They'll do that.

1072
00:44:22,760 --> 00:44:23,280
Speaker 3: You're fob.

1073
00:44:23,680 --> 00:44:26,279
Speaker 2: He definitely has a capital father. You have a fob

1074
00:44:26,360 --> 00:44:31,839
Speaker 2: to the Capitol door. Julie, you're definitely like you would

1075
00:44:31,840 --> 00:44:33,759
Speaker 2: storm the I don't think you'd paint your face before

1076
00:44:34,680 --> 00:44:37,040
Speaker 2: that because you look like you look like you have

1077
00:44:37,080 --> 00:44:39,960
Speaker 2: a friend that would just like be like, yo, bro,

1078
00:44:40,680 --> 00:44:42,920
Speaker 2: you will never guess what's going going down today at

1079
00:44:42,920 --> 00:44:43,400
Speaker 2: two o'clock.

1080
00:44:43,760 --> 00:44:46,880
Speaker 1: What you're the Trump guy? No, I'm not rich works

1081
00:44:46,920 --> 00:44:50,799
Speaker 1: with the Clintons, like my white friend could not be more.

1082
00:44:51,160 --> 00:44:53,000
Speaker 1: You're saying the Democratic.

1083
00:44:53,040 --> 00:44:58,600
Speaker 2: Clinton Clinton is worse than Trump? What do you They

1084
00:44:58,680 --> 00:44:59,960
Speaker 2: killed each other?

1085
00:45:00,040 --> 00:45:03,000
Speaker 6: The best friend was boy his business?

1086
00:45:03,160 --> 00:45:05,120
Speaker 2: What are you talking about trying to get this Bill interview?

1087
00:45:05,120 --> 00:45:08,200
Speaker 2: And I would love to get it. I just like Bill,

1088
00:45:08,200 --> 00:45:10,160
Speaker 2: could we come clean you out of office? Them? And let's

1089
00:45:10,160 --> 00:45:13,280
Speaker 2: just keep it real. Why y'all did that to Gadaffid?

1090
00:45:14,040 --> 00:45:15,880
Speaker 2: What y'all did to Haiti? Like are you kidding me?

1091
00:45:16,640 --> 00:45:18,480
Speaker 2: What did we talk about? Trump didn't do any of

1092
00:45:18,480 --> 00:45:21,680
Speaker 2: that type of ship. They stormed the Capitol. Oh that's bad.

1093
00:45:22,600 --> 00:45:24,640
Speaker 2: Godaf he's dead. Like what are you talking about?

1094
00:45:24,719 --> 00:45:27,720
Speaker 3: Just say you're upset that you didn't invest in privatized prisons.

1095
00:45:28,640 --> 00:45:32,280
Speaker 2: Well, yes, say, I mean I didn't get in on that.

1096
00:45:32,719 --> 00:45:35,520
Speaker 2: I ain't mad at that. But Julian deffinite was that

1097
00:45:35,560 --> 00:45:37,120
Speaker 2: he put on just a champion hoodie and storm.

1098
00:45:37,239 --> 00:45:39,439
Speaker 1: I would never storm the cap No, storm the cap

1099
00:45:39,480 --> 00:45:42,200
Speaker 1: don't put that on me like practice. I was just

1100
00:45:42,239 --> 00:45:45,200
Speaker 1: at the Pride parade. That's a different kind of crowd.

1101
00:45:45,360 --> 00:45:46,719
Speaker 3: Wine that happened to be next to it.

1102
00:45:46,760 --> 00:45:47,600
Speaker 6: You're really versatile.

1103
00:45:47,840 --> 00:45:51,440
Speaker 1: No, But like I, to my credit, we were walking

1104
00:45:51,440 --> 00:45:53,799
Speaker 1: around the city and I said why don't we find

1105
00:45:53,800 --> 00:45:55,759
Speaker 1: somewhere in the West Village because I know that's where

1106
00:45:55,800 --> 00:45:57,840
Speaker 1: like the heart of the parade is the anus of

1107
00:45:57,880 --> 00:46:00,000
Speaker 1: the parade. And I said, let's find a wine bar

1108
00:46:00,280 --> 00:46:02,879
Speaker 1: over here, and just like people watch just you.

1109
00:46:02,840 --> 00:46:05,000
Speaker 2: Know right, no, I get it. Listen is to New

1110
00:46:05,080 --> 00:46:07,000
Speaker 2: York every every every weekend is fun in New York

1111
00:46:07,040 --> 00:46:07,960
Speaker 2: in the summer time, you know that?

1112
00:46:08,040 --> 00:46:09,960
Speaker 3: Can we at least admit though, if it was under

1113
00:46:10,040 --> 00:46:14,240
Speaker 3: good terms and a good I don't know whatever theme,

1114
00:46:14,760 --> 00:46:17,719
Speaker 3: storming the Capitol would be a lot of fun. Let's

1115
00:46:17,880 --> 00:46:20,319
Speaker 3: let's say what they were doing was for like the

1116
00:46:20,400 --> 00:46:24,799
Speaker 3: rights of people, that would have been fucking fun. They

1117
00:46:24,800 --> 00:46:26,960
Speaker 3: looked like they had I was jealous they had so

1118
00:46:27,040 --> 00:46:30,680
Speaker 3: much fun doing when well she first went through the door.

1119
00:46:31,080 --> 00:46:33,520
Speaker 2: You gotta know she gotta know desk coming, that's gonna happen.

1120
00:46:34,000 --> 00:46:35,640
Speaker 3: But like everyone that was kind of in the middle,

1121
00:46:36,080 --> 00:46:38,400
Speaker 3: like they looked like they had they painted their faces,

1122
00:46:38,400 --> 00:46:39,880
Speaker 3: they were yelling, it was a community.

1123
00:46:40,000 --> 00:46:40,920
Speaker 2: Cops were letting them in.

1124
00:46:41,680 --> 00:46:43,120
Speaker 3: I mean, yeah, they got to break windows.

1125
00:46:43,480 --> 00:46:44,960
Speaker 2: I mean, you know, it is what it is.

1126
00:46:45,000 --> 00:46:48,480
Speaker 3: They had pictures that people that even pay top dollar

1127
00:46:48,640 --> 00:46:50,839
Speaker 3: for tours of the Capitol don't even have I would

1128
00:46:50,840 --> 00:46:53,680
Speaker 3: have loved to touch the Constitution like that looked like

1129
00:46:53,760 --> 00:46:54,759
Speaker 3: so much fucking fun.

1130
00:46:54,800 --> 00:46:56,960
Speaker 2: I wish it was like under the terms of I

1131
00:46:56,960 --> 00:46:58,520
Speaker 2: wish the human rights. I wish they would have told

1132
00:46:58,520 --> 00:46:59,680
Speaker 2: me earlier they were going to do that. I might

1133
00:46:59,680 --> 00:47:04,160
Speaker 2: have went to DC. You would have we eat mostly Yeah,

1134
00:47:04,719 --> 00:47:06,600
Speaker 2: And you know how funny would that be if y'all

1135
00:47:06,600 --> 00:47:08,200
Speaker 2: just got footage to meet in the capital with a

1136
00:47:08,200 --> 00:47:09,520
Speaker 2: bunch of white dudes like this?

1137
00:47:10,600 --> 00:47:11,759
Speaker 3: You know, he did you know what's fucked up?

1138
00:47:11,760 --> 00:47:11,960
Speaker 2: Though?

1139
00:47:12,560 --> 00:47:16,440
Speaker 3: My curiosity and ignorance if I was in DC at

1140
00:47:16,440 --> 00:47:18,719
Speaker 3: that time and happened to just be walking past what

1141
00:47:18,840 --> 00:47:21,600
Speaker 3: was going on, yeah, my ignorance and curiosity would have

1142
00:47:21,600 --> 00:47:23,239
Speaker 3: had me follow them.

1143
00:47:23,320 --> 00:47:23,600
Speaker 1: Today.

1144
00:47:23,640 --> 00:47:25,280
Speaker 3: I'd be like, yeah, we're going into the capitals?

1145
00:47:25,360 --> 00:47:25,600
Speaker 1: Is ill?

1146
00:47:25,760 --> 00:47:25,960
Speaker 5: Yeah?

1147
00:47:26,320 --> 00:47:26,520
Speaker 7: Yeah?

1148
00:47:26,560 --> 00:47:28,359
Speaker 2: Like are you really going in there? And then you

1149
00:47:28,360 --> 00:47:29,560
Speaker 2: just see the doors open.

1150
00:47:29,680 --> 00:47:31,440
Speaker 3: Like if if I don't run into the Q and

1151
00:47:31,520 --> 00:47:34,040
Speaker 3: on guy or any of the make America Great hats

1152
00:47:34,040 --> 00:47:35,520
Speaker 3: And I'm just like what y'all doing? Yeah, were just

1153
00:47:35,560 --> 00:47:37,960
Speaker 3: about to run in sh I'll be like, I mean,

1154
00:47:38,080 --> 00:47:38,520
Speaker 3: can I come?

1155
00:47:39,040 --> 00:47:40,640
Speaker 2: You know what I'm saying, It's like, oh shit, that's

1156
00:47:40,640 --> 00:47:42,279
Speaker 2: what you're doing fucking I might get down with that.

1157
00:47:42,560 --> 00:47:46,600
Speaker 2: Speaking of Storm of the Capitol, Jim Jones how responded

1158
00:47:46,640 --> 00:47:50,759
Speaker 2: to Virginia m D. You don't see where I'm going.

1159
00:47:50,760 --> 00:47:52,840
Speaker 3: I mean, Virginia Beach is nowhere near these not not

1160
00:47:52,920 --> 00:47:53,400
Speaker 3: even close.

1161
00:47:54,520 --> 00:47:57,520
Speaker 2: Uh. First of all, I do want to say this

1162
00:47:57,760 --> 00:48:00,640
Speaker 2: about this whole Jim Jones pushing ship. I'm just happy

1163
00:48:00,640 --> 00:48:05,520
Speaker 2: that Jim responded as fast and as quickly as aggressively

1164
00:48:05,560 --> 00:48:08,399
Speaker 2: as he did. I agree, this is hip hop. This

1165
00:48:08,480 --> 00:48:11,520
Speaker 2: is what hip hop is. It's a little war words.

1166
00:48:11,680 --> 00:48:14,359
Speaker 2: You said something slick, I say something slick. You say

1167
00:48:14,360 --> 00:48:19,200
Speaker 2: something slick back. I'm a talk slicker. So for that,

1168
00:48:19,280 --> 00:48:23,000
Speaker 2: saluted Jim, because you know, everybody didn't think Jim was

1169
00:48:23,000 --> 00:48:26,120
Speaker 2: gonna respond when he posted his response to the push

1170
00:48:26,160 --> 00:48:28,439
Speaker 2: your Push Your verse, and that's that's not a top

1171
00:48:28,440 --> 00:48:29,080
Speaker 2: fifty verse.

1172
00:48:30,880 --> 00:48:34,799
Speaker 3: I will say the snippet scared me of did.

1173
00:48:34,800 --> 00:48:38,480
Speaker 2: Push the gym response? I agree, because they showed video

1174
00:48:38,520 --> 00:48:40,160
Speaker 2: he was he was shooting the video. He was kind

1175
00:48:40,160 --> 00:48:44,120
Speaker 2: of offbeat with the words in the tempo of the record,

1176
00:48:44,719 --> 00:48:46,399
Speaker 2: but I knew it was a video, so it didn't

1177
00:48:46,400 --> 00:48:48,000
Speaker 2: really matter if he was on beat or not.

1178
00:48:48,600 --> 00:48:51,160
Speaker 3: But the full one, I thought it was a good response.

1179
00:48:51,719 --> 00:48:55,120
Speaker 2: It was a good response. Now, in no world do

1180
00:48:55,239 --> 00:48:59,360
Speaker 2: I think that Jim Jones raps better, raps, better raps

1181
00:48:59,360 --> 00:49:01,680
Speaker 2: better than Push. I think Push Your Tea is a

1182
00:49:01,680 --> 00:49:05,960
Speaker 2: better rapper than Jim Jones. But Jim has been consistent

1183
00:49:06,000 --> 00:49:09,600
Speaker 2: for years. He's put out some dope projects, He's had

1184
00:49:09,640 --> 00:49:13,360
Speaker 2: some dope fucking records. And if we all know Jim Jones,

1185
00:49:13,400 --> 00:49:16,880
Speaker 2: we know he's not ducking nobody. He's not ducking no smoke.

1186
00:49:17,480 --> 00:49:21,160
Speaker 2: So this was this was for me. It was this

1187
00:49:21,320 --> 00:49:24,839
Speaker 2: was just dope that Jim responded so quick and so aggressive,

1188
00:49:25,520 --> 00:49:27,759
Speaker 2: because this is what hip hop is. It's supposed to

1189
00:49:27,800 --> 00:49:31,480
Speaker 2: be competitive. You say my name, even if you don't

1190
00:49:31,480 --> 00:49:33,160
Speaker 2: say my name, and I think you said my name,

1191
00:49:33,560 --> 00:49:36,319
Speaker 2: I'm coming right at you. So I respect Jim for that.

1192
00:49:37,280 --> 00:49:40,080
Speaker 2: And I'm seeing people saying that shit is whack. Jim

1193
00:49:40,160 --> 00:49:42,880
Speaker 2: had some bars on there. I got some yeah, some

1194
00:49:42,960 --> 00:49:43,560
Speaker 2: lines in there.

1195
00:49:43,960 --> 00:49:47,160
Speaker 3: I thought the the roach and raid scheme was cool.

1196
00:49:47,360 --> 00:49:49,160
Speaker 3: There was some stuff on there, Yeah, some bars in

1197
00:49:49,200 --> 00:49:51,759
Speaker 3: there that I liked. And I saw, you know, of course,

1198
00:49:51,760 --> 00:49:55,799
Speaker 3: we see Twitter when these things happen. And a nerd

1199
00:49:55,840 --> 00:49:59,239
Speaker 3: nerd at the Cool Table had tweeted, y'all don't like

1200
00:49:59,320 --> 00:50:03,239
Speaker 3: rap y'all like rappers because everyone had an issue with

1201
00:50:03,320 --> 00:50:06,640
Speaker 3: Jimmy's reply, and then everyone started talking about accolades and

1202
00:50:07,120 --> 00:50:09,960
Speaker 3: who's had more impact on the culture and Push has

1203
00:50:09,960 --> 00:50:13,960
Speaker 3: been nominated for Grammys, but Jim has hit singles, and

1204
00:50:14,000 --> 00:50:16,080
Speaker 3: it's like, can we just deal with what these two

1205
00:50:16,080 --> 00:50:19,399
Speaker 3: are doing? That? Like, yeah, accolades, two rappers are rapping

1206
00:50:19,400 --> 00:50:21,719
Speaker 3: against each other. I don't care who's been nominated for

1207
00:50:21,760 --> 00:50:22,200
Speaker 3: a Grammy.

1208
00:50:22,400 --> 00:50:24,520
Speaker 2: Yeah, that none of that matters this in this situation.

1209
00:50:24,920 --> 00:50:28,360
Speaker 2: I was just happy that the get back the response

1210
00:50:28,760 --> 00:50:32,920
Speaker 2: was quick and aggressive from Jim. I love that now.

1211
00:50:34,320 --> 00:50:37,719
Speaker 3: From here, Yeah, it could get ugly tough.

1212
00:50:37,840 --> 00:50:41,080
Speaker 2: I don't know if good first round like shots from

1213
00:50:41,120 --> 00:50:42,439
Speaker 2: both good first round.

1214
00:50:44,160 --> 00:50:46,320
Speaker 8: You know who y'all think won the first round?

1215
00:50:47,000 --> 00:50:47,360
Speaker 1: Push It?

1216
00:50:48,040 --> 00:50:50,680
Speaker 2: Do we even have to that song yet?

1217
00:50:50,960 --> 00:50:51,040
Speaker 6: No?

1218
00:50:51,080 --> 00:50:52,800
Speaker 3: I don't even think it's on DSP See that's something

1219
00:50:52,800 --> 00:50:53,040
Speaker 3: I need.

1220
00:50:53,120 --> 00:50:54,680
Speaker 2: I need that song. I gotta hear that song.

1221
00:50:54,840 --> 00:50:57,839
Speaker 1: I go. There's also like levels to this ship, because

1222
00:50:57,960 --> 00:51:00,520
Speaker 1: how long has jim been swinging it? Pushed and Push

1223
00:51:00,640 --> 00:51:03,919
Speaker 1: never took the bait. Push weighted to premiere a song

1224
00:51:03,960 --> 00:51:05,280
Speaker 1: at the Louis Vuitton Fashion.

1225
00:51:05,360 --> 00:51:08,000
Speaker 2: That's what I'm saying. It's listen. I get all of that.

1226
00:51:08,600 --> 00:51:11,160
Speaker 2: I get it. It's a it's a different way. It's chess,

1227
00:51:11,239 --> 00:51:15,200
Speaker 2: it's it's things different. When it's at the Pharrell Louis

1228
00:51:15,239 --> 00:51:17,960
Speaker 2: Vuitton Fast I get that Jim is on the corner.

1229
00:51:17,719 --> 00:51:19,880
Speaker 1: Shout out for the block. That's a great program. I

1230
00:51:19,920 --> 00:51:21,880
Speaker 1: love that. But it's different.

1231
00:51:22,200 --> 00:51:25,919
Speaker 2: This is hip hop. This is rap. So the fact

1232
00:51:25,960 --> 00:51:29,160
Speaker 2: that Jim is on the block and they get the

1233
00:51:29,280 --> 00:51:33,040
Speaker 2: mic out there and he responds, I like that.

1234
00:51:33,680 --> 00:51:36,319
Speaker 1: Right, yeah, we I've worked with them a lot when

1235
00:51:36,320 --> 00:51:38,160
Speaker 1: outside Atlantic, they do really good production.

1236
00:51:38,320 --> 00:51:40,520
Speaker 2: I like that type of ship, like this is rap.

1237
00:51:40,560 --> 00:51:42,319
Speaker 2: If we're gonna rap rap, it don't have to be

1238
00:51:42,360 --> 00:51:44,760
Speaker 2: in Paris. He don't have to be at a a

1239
00:51:44,640 --> 00:51:47,600
Speaker 2: on a runway for a Louis Vuitton fashion show. This

1240
00:51:47,719 --> 00:51:48,200
Speaker 2: is rap.

1241
00:51:48,960 --> 00:51:53,240
Speaker 3: Is this the first round or is the rounds about

1242
00:51:53,239 --> 00:51:56,120
Speaker 3: to start? Because Jim also again did it on a

1243
00:51:56,120 --> 00:51:58,960
Speaker 3: platform where people freestyle? Yeah, of course it was directed

1244
00:52:00,040 --> 00:52:03,080
Speaker 3: nine percent of it. At Push he used the same beat.

1245
00:52:03,719 --> 00:52:05,239
Speaker 3: Now is is now?

1246
00:52:05,320 --> 00:52:05,880
Speaker 2: Is it beginning?

1247
00:52:05,920 --> 00:52:09,280
Speaker 3: Are they now actually decided we're entering the ring? Because

1248
00:52:09,280 --> 00:52:10,719
Speaker 3: I want to see I want to see record verse

1249
00:52:10,800 --> 00:52:14,239
Speaker 3: record on different beats, not freestyles, because even you know,

1250
00:52:14,239 --> 00:52:15,880
Speaker 3: back in the day, when rappers would take shots at

1251
00:52:15,880 --> 00:52:17,360
Speaker 3: each other, they run, they go up to flex and

1252
00:52:17,360 --> 00:52:20,400
Speaker 3: do freestyles. Yeah, which was great, but we never considered

1253
00:52:20,400 --> 00:52:23,160
Speaker 3: that to be the disc record, right, This to me

1254
00:52:23,280 --> 00:52:27,359
Speaker 3: is similar to that. Yeah, it was a freestyle, same beat.

1255
00:52:27,760 --> 00:52:31,800
Speaker 3: Took some light shots, but opened up the floor for

1256
00:52:31,920 --> 00:52:33,839
Speaker 3: Push Now to say whatever the fuck he wants. That's

1257
00:52:33,880 --> 00:52:36,600
Speaker 3: what's kind of nuts. So I'm with went light but

1258
00:52:36,719 --> 00:52:40,799
Speaker 3: also allowed Push clearance to say whatever the fuck he wants.

1259
00:52:40,800 --> 00:52:41,000
Speaker 1: Now.

1260
00:52:41,239 --> 00:52:44,480
Speaker 2: I think that this is like because it's it's like

1261
00:52:44,560 --> 00:52:47,160
Speaker 2: you don't but they say the playoffs don't start until

1262
00:52:47,160 --> 00:52:49,640
Speaker 2: you lose at home, right, mm hm, this series doesn't

1263
00:52:49,680 --> 00:52:55,360
Speaker 2: start too so now, Jim responded, But Jim is the

1264
00:52:55,400 --> 00:52:59,239
Speaker 2: one that seemingly started this whole thing by his uh,

1265
00:52:59,480 --> 00:53:02,240
Speaker 2: you know, is disdain for Pushing being named top fifty

1266
00:53:02,280 --> 00:53:05,480
Speaker 2: rappers of all time. He obviously didn't like that. He

1267
00:53:05,600 --> 00:53:08,799
Speaker 2: was very aggressive in his opinion on that for a

1268
00:53:08,840 --> 00:53:13,080
Speaker 2: few days on a few different platforms. So Jim kind

1269
00:53:13,080 --> 00:53:17,840
Speaker 2: of took the first shot, but as far as the

1270
00:53:17,960 --> 00:53:23,239
Speaker 2: music and rapping, Pusher took the shot first. So I

1271
00:53:23,239 --> 00:53:25,880
Speaker 2: think I would say that this is the that was

1272
00:53:25,920 --> 00:53:27,879
Speaker 2: the first round. I would say that was the first round.

1273
00:53:27,920 --> 00:53:30,839
Speaker 2: Pusher responded to you know what was being said about him,

1274
00:53:31,480 --> 00:53:36,439
Speaker 2: and jim responded to Pushes versus, that's the first round.

1275
00:53:36,520 --> 00:53:40,040
Speaker 2: Now the second round, does Push you put out another verse?

1276
00:53:41,320 --> 00:53:44,000
Speaker 2: I believe he will. Yeah, I believe Push already has

1277
00:53:44,040 --> 00:53:45,400
Speaker 2: a bunch of shit recorded.

1278
00:53:46,840 --> 00:53:49,680
Speaker 3: He's mentioned in interviews in the past that he has

1279
00:53:50,040 --> 00:53:53,680
Speaker 3: files upon files of every single rapper in the rap world,

1280
00:53:53,840 --> 00:53:54,399
Speaker 3: just in case.

1281
00:53:54,680 --> 00:53:57,120
Speaker 2: But you, as as a rapper, I think that you

1282
00:53:57,120 --> 00:54:00,640
Speaker 2: you should a great You should have a foul of

1283
00:54:01,000 --> 00:54:04,560
Speaker 2: because you could you always know kind of sort of

1284
00:54:04,600 --> 00:54:08,200
Speaker 2: which rapper you're gonna end up bumping heads with a

1285
00:54:08,200 --> 00:54:10,520
Speaker 2: little bit you can kind of It's a feeling that

1286
00:54:10,600 --> 00:54:12,879
Speaker 2: you have when you in the room and you kind

1287
00:54:12,880 --> 00:54:16,160
Speaker 2: of meet somebody and you like, yeah, I mean he cool,

1288
00:54:16,160 --> 00:54:17,839
Speaker 2: But I don't really fuck with him like that.

1289
00:54:18,000 --> 00:54:18,320
Speaker 4: But I do.

1290
00:54:18,520 --> 00:54:23,080
Speaker 5: I can't see push A being able to predict Jimmy

1291
00:54:23,520 --> 00:54:24,200
Speaker 5: coming at him.

1292
00:54:24,560 --> 00:54:26,800
Speaker 2: I don't think he saw that. From the very beginning,

1293
00:54:27,080 --> 00:54:28,440
Speaker 2: I don't think he saw him. I don't think he

1294
00:54:28,440 --> 00:54:30,360
Speaker 2: saw him coming at him. To wait, it happened with

1295
00:54:30,400 --> 00:54:32,480
Speaker 2: the whole Top fifty Rappers list. I don't think Pusha

1296
00:54:32,520 --> 00:54:35,200
Speaker 2: saw that, but I do kind of sort of feel

1297
00:54:35,239 --> 00:54:38,040
Speaker 2: like Pusha may have felt like.

1298
00:54:38,440 --> 00:54:41,319
Speaker 1: You know, after that Drake Allons, Yeah, I.

1299
00:54:41,239 --> 00:54:44,879
Speaker 2: Think he may have felt like he's on the list now.

1300
00:54:45,040 --> 00:54:45,480
Speaker 1: Yeah.

1301
00:54:45,640 --> 00:54:45,839
Speaker 2: Yeah.

1302
00:54:45,920 --> 00:54:49,319
Speaker 3: I think any rapper that goes near Drake push kind

1303
00:54:49,360 --> 00:54:51,360
Speaker 3: of you on the list now just has in his

1304
00:54:51,440 --> 00:54:52,879
Speaker 3: mind things could go that way.

1305
00:54:52,920 --> 00:54:55,760
Speaker 2: Yeah, like on the list, yes, oh for sure.

1306
00:54:55,920 --> 00:54:58,760
Speaker 3: I just don't think twenty one like would take a shot.

1307
00:54:58,920 --> 00:55:00,680
Speaker 2: Yeah, I don't think. I don't think that either, but

1308
00:55:01,560 --> 00:55:04,719
Speaker 2: if necessary, I think Pusha has that ready to go

1309
00:55:04,800 --> 00:55:06,960
Speaker 2: as well. Like he just pushes a rapper. He's a

1310
00:55:07,040 --> 00:55:09,200
Speaker 2: rappers rapper, He's going. He don't mind rapping, he don't

1311
00:55:09,239 --> 00:55:11,560
Speaker 2: mind getting in the booth putting bars together.

1312
00:55:13,760 --> 00:55:15,719
Speaker 5: I got into a debate with somebody who was like,

1313
00:55:16,400 --> 00:55:18,600
Speaker 5: his main thing was since when did push It become

1314
00:55:18,640 --> 00:55:20,879
Speaker 5: hole to y'all? Because everybody on the internet was like, yo,

1315
00:55:21,080 --> 00:55:24,319
Speaker 5: he's about to demolish Jimmy, like it's over for him.

1316
00:55:24,520 --> 00:55:26,160
Speaker 8: And he was like, when did push It become whole?

1317
00:55:26,239 --> 00:55:26,279
Speaker 2: Like?

1318
00:55:26,320 --> 00:55:28,759
Speaker 5: When did he just become this artist that everybody should

1319
00:55:28,800 --> 00:55:32,760
Speaker 5: be afraid of? And I'm like he won a battle

1320
00:55:32,800 --> 00:55:37,319
Speaker 5: with everyone's goat Drake. He's been coming at rappers like

1321
00:55:37,360 --> 00:55:39,160
Speaker 5: this is his arena. It's the same thing as if

1322
00:55:39,200 --> 00:55:42,759
Speaker 5: somebody challenged Eminem to rap about random ship in a room.

1323
00:55:43,120 --> 00:55:45,319
Speaker 5: You're not No matter what you think about Eminem, that's

1324
00:55:45,320 --> 00:55:46,520
Speaker 5: a battle you're not gonna be like.

1325
00:55:46,560 --> 00:55:47,840
Speaker 3: I don't want to ever see that battle.

1326
00:55:49,160 --> 00:55:52,279
Speaker 1: Yeah, he knows more household items than exactly like.

1327
00:55:52,320 --> 00:55:56,200
Speaker 5: So it's not saying that push it, but when it

1328
00:55:56,239 --> 00:55:59,680
Speaker 5: comes to this is that's his arena. That's where he shines. Well,

1329
00:55:59,680 --> 00:56:02,280
Speaker 5: push is who afraid of When it comes to that.

1330
00:56:02,239 --> 00:56:04,640
Speaker 2: Push it has he has? He has. He has sent

1331
00:56:04,719 --> 00:56:09,120
Speaker 2: bars at Wayne, Drake, Jim.

1332
00:56:09,200 --> 00:56:12,480
Speaker 3: Now, I might want to whoever you were debating with,

1333
00:56:12,520 --> 00:56:13,680
Speaker 3: I might want to play on the other side of

1334
00:56:13,719 --> 00:56:17,600
Speaker 3: this one. He's only betting one rap battle. He is

1335
00:56:17,680 --> 00:56:19,200
Speaker 3: one diss record Push.

1336
00:56:19,880 --> 00:56:21,640
Speaker 1: I heard beef with like McDonald's two.

1337
00:56:21,480 --> 00:56:27,000
Speaker 8: Though he wrote he wrote, yeah, he wrote a cook the.

1338
00:56:26,920 --> 00:56:27,840
Speaker 1: Ship out of McDonald's.

1339
00:56:27,880 --> 00:56:30,320
Speaker 3: He did, and those were great. But I mean, is

1340
00:56:30,680 --> 00:56:33,719
Speaker 3: he is he super battle test? Of course, beating Drake

1341
00:56:33,840 --> 00:56:38,719
Speaker 3: is a huge thing to say. I mean, that's he's

1342
00:56:38,760 --> 00:56:41,520
Speaker 3: sent shots at Wayne forever. Don't get me wrong. Of course,

1343
00:56:41,560 --> 00:56:43,719
Speaker 3: he said you signed one dude to sign another dude.

1344
00:56:43,719 --> 00:56:46,360
Speaker 3: That's been like, yeah, he's thrown in shots, he's a

1345
00:56:46,360 --> 00:56:49,080
Speaker 3: great rapper. That doesn't mean this is his arena. It

1346
00:56:49,120 --> 00:56:50,720
Speaker 3: was the same thing when you and I were debating

1347
00:56:50,719 --> 00:56:52,560
Speaker 3: about Meek and Drake and you were like, this is

1348
00:56:52,640 --> 00:56:55,520
Speaker 3: Meek's arena. I'm like, since when because Meek used to

1349
00:56:55,719 --> 00:56:59,120
Speaker 3: do battle raps though, way different than rapping on the

1350
00:56:59,120 --> 00:57:02,080
Speaker 3: sidewalk and philly in front of a camera than doing this.

1351
00:57:02,280 --> 00:57:07,920
Speaker 3: So push, Yeah, he's I guess he's a battle rapper.

1352
00:57:08,520 --> 00:57:10,880
Speaker 5: He's a good he's good at this sing even if

1353
00:57:10,920 --> 00:57:14,120
Speaker 5: he doesn't put out battle raps or this songs, he's

1354
00:57:14,239 --> 00:57:15,000
Speaker 5: good at dicing.

1355
00:57:15,040 --> 00:57:18,520
Speaker 2: He's gonna throw shots. It's this is somebody. It's not

1356
00:57:18,560 --> 00:57:20,880
Speaker 2: only that he push it. T is just he's a

1357
00:57:21,080 --> 00:57:23,600
Speaker 2: he's a real rapper with the rap he can he

1358
00:57:23,640 --> 00:57:26,680
Speaker 2: can really rap. And he's proven that he is battle

1359
00:57:26,680 --> 00:57:29,280
Speaker 2: tested because again he had to battle with one of

1360
00:57:29,280 --> 00:57:32,480
Speaker 2: the biggest artists ever in Drake. So you can kind

1361
00:57:32,480 --> 00:57:35,000
Speaker 2: of look at it and say, all right, this dude

1362
00:57:35,120 --> 00:57:38,160
Speaker 2: is not scared of this type of arena. He's been

1363
00:57:38,200 --> 00:57:43,680
Speaker 2: in this ring. Now obviously you know it's Jim is

1364
00:57:43,720 --> 00:57:47,800
Speaker 2: not the caliber rapper of a Drake. But again, Jim

1365
00:57:47,800 --> 00:57:50,640
Speaker 2: ain't ducking no smoke. He coming right at you. He

1366
00:57:50,720 --> 00:57:52,880
Speaker 2: wants all anything you want to however you want to

1367
00:57:52,920 --> 00:57:55,480
Speaker 2: do it. Jim is with it. So I mean, you know,

1368
00:57:56,240 --> 00:57:58,280
Speaker 2: to me, this is what rap is supposed to be.

1369
00:57:58,280 --> 00:57:59,400
Speaker 2: This is what hip hop is supposed to be. As

1370
00:57:59,440 --> 00:58:03,320
Speaker 2: long as again, it doesn't turn into anything other than

1371
00:58:03,880 --> 00:58:07,040
Speaker 2: some records and some bars, I'm all for this type

1372
00:58:07,040 --> 00:58:07,280
Speaker 2: of shit.

1373
00:58:07,320 --> 00:58:09,480
Speaker 3: Well, there was obviously the rumor that Drake had a

1374
00:58:09,520 --> 00:58:12,640
Speaker 3: response to Push that Jay Prince came in and said

1375
00:58:12,680 --> 00:58:16,080
Speaker 3: it's too messy, don't do it. We assumed that was

1376
00:58:16,120 --> 00:58:19,000
Speaker 3: more so on the Kanye side, that it was going

1377
00:58:19,040 --> 00:58:20,600
Speaker 3: to get messy. We don't know, but we all just

1378
00:58:20,640 --> 00:58:22,200
Speaker 3: assumed he was about to say, like yo, I fuck

1379
00:58:22,240 --> 00:58:24,320
Speaker 3: him or something, which on Scorpion he went on to

1380
00:58:24,360 --> 00:58:29,440
Speaker 3: allude on I think all twenty seven records. We think

1381
00:58:29,520 --> 00:58:33,080
Speaker 3: Drake is called Jimmy with some of the intel that

1382
00:58:33,200 --> 00:58:35,840
Speaker 3: he received that is in this record that never came

1383
00:58:35,880 --> 00:58:39,440
Speaker 3: out that maybe Jim will now have access to. If

1384
00:58:39,480 --> 00:58:41,760
Speaker 3: it's Push related. I think the messiness was Kanye related,

1385
00:58:42,080 --> 00:58:43,560
Speaker 3: but there could have been some pushit in there.

1386
00:58:43,960 --> 00:58:45,440
Speaker 8: I think Drake is mining his business.

1387
00:58:45,840 --> 00:58:46,680
Speaker 3: I don't so at all.

1388
00:58:47,560 --> 00:58:51,080
Speaker 2: No he oh no, two things can be true. He's

1389
00:58:51,160 --> 00:58:54,760
Speaker 2: minding his business. But he did send a file then

1390
00:58:54,880 --> 00:58:59,880
Speaker 2: hits him and say, yo, I need some You know

1391
00:59:00,040 --> 00:59:04,920
Speaker 2: he could guy, you ain't here from me, but YadA, YadA, YadA.

1392
00:59:04,640 --> 00:59:07,160
Speaker 5: But push it's he gonna know where Jim hurt that

1393
00:59:07,160 --> 00:59:09,960
Speaker 5: that's fine, and he's gonna come for Drake's ass again.

1394
00:59:10,000 --> 00:59:10,760
Speaker 8: I don't think Drake.

1395
00:59:10,720 --> 00:59:14,560
Speaker 2: That's fine, that's fine. This is hip, this is hip hop,

1396
00:59:15,120 --> 00:59:19,440
Speaker 2: this is rap. I'm extremely that's rap. Let's right, anybody,

1397
00:59:19,440 --> 00:59:21,520
Speaker 2: this will not turn into the again, man, let's not.

1398
00:59:21,960 --> 00:59:24,600
Speaker 2: Let's not make it corny and it turned into anything physical.

1399
00:59:25,360 --> 00:59:28,560
Speaker 2: Let's not go that rad that's the corny shit. That's corny.

1400
00:59:28,840 --> 00:59:32,600
Speaker 2: Let's keep it wrap. Let's talk ship and then if

1401
00:59:32,680 --> 00:59:34,320
Speaker 2: y'all want to piece it a couple of years down

1402
00:59:34,320 --> 00:59:36,160
Speaker 2: the line and say, listen, that was a moment cool.

1403
00:59:36,200 --> 00:59:38,200
Speaker 2: If not, if this, if it's fucked, both y'all, fab

1404
00:59:38,240 --> 00:59:39,959
Speaker 2: and both y'all, then let it be that too.

1405
00:59:40,160 --> 00:59:43,560
Speaker 1: This is the fun part of the older. Like this

1406
00:59:43,680 --> 00:59:48,040
Speaker 1: generation that pushes the Drakes that that generation still just

1407
00:59:48,120 --> 00:59:51,120
Speaker 1: keeps it all on records, and I think it's healthy

1408
00:59:51,240 --> 00:59:53,480
Speaker 1: when there is beef, they're tension like this in hip hop,

1409
00:59:53,520 --> 00:59:56,040
Speaker 1: and you keep it on the records because this also

1410
00:59:56,040 --> 00:59:57,880
Speaker 1: sets an example to the younger kids who have a

1411
00:59:57,920 --> 01:00:01,080
Speaker 1: tendency to react with physical Yeah, and they can see

1412
01:00:01,600 --> 01:00:04,960
Speaker 1: the goats of the current hip hop scene keeping it

1413
01:00:05,320 --> 01:00:07,480
Speaker 1: all on lyrics. We all respect.

1414
01:00:07,480 --> 01:00:10,640
Speaker 10: No one gets touched, nobody gets just keep it. Let's

1415
01:00:10,720 --> 01:00:12,960
Speaker 10: keep it music, Let's keep it bars, Let's keep it

1416
01:00:13,040 --> 01:00:15,160
Speaker 10: hip hop. Let's keep it wrap. This is the essence

1417
01:00:15,200 --> 01:00:17,080
Speaker 10: of it battling, you know what I mean, This is

1418
01:00:17,120 --> 01:00:19,439
Speaker 10: what hip hop is. You know I got an issue

1419
01:00:19,480 --> 01:00:19,680
Speaker 10: with him.

1420
01:00:19,720 --> 01:00:21,959
Speaker 2: I don't like him. Okay, well let's talk about it.

1421
01:00:22,120 --> 01:00:25,160
Speaker 2: Turn the beat on, and then let's go. So you know,

1422
01:00:25,680 --> 01:00:28,200
Speaker 2: I love it. Man Again, I was reading a lot

1423
01:00:28,200 --> 01:00:30,240
Speaker 2: of the comments and people saying, you know, the gym

1424
01:00:30,280 --> 01:00:33,000
Speaker 2: shit was trashed. It wasn't feeling in it. Listen, I

1425
01:00:33,080 --> 01:00:35,680
Speaker 2: respect it. It was right, it was direct, it was aggressive,

1426
01:00:35,760 --> 01:00:38,520
Speaker 2: it was immediate response. It wasn't no it was what

1427
01:00:38,640 --> 01:00:41,800
Speaker 2: two days maybe, yeah, at most forty eight hours. I

1428
01:00:41,920 --> 01:00:44,920
Speaker 2: like that response time. That's quick. That's fastening. The EMS

1429
01:00:44,920 --> 01:00:46,320
Speaker 2: in New York gotta love it.

1430
01:00:46,680 --> 01:00:51,440
Speaker 3: I really hope Push doesn't get in the world of

1431
01:00:51,520 --> 01:00:53,960
Speaker 3: like I'm too big to respond. I'm too big to

1432
01:00:54,000 --> 01:00:55,920
Speaker 3: respond to this. You know, I sent some shots on

1433
01:00:56,200 --> 01:00:58,560
Speaker 3: a real song. I'm rolling out this clips product.

1434
01:00:58,560 --> 01:01:00,600
Speaker 2: I don't get that from Push It Over either. But

1435
01:01:00,640 --> 01:01:03,360
Speaker 2: I have to like this type of shit he do.

1436
01:01:03,520 --> 01:01:06,200
Speaker 2: What is he going to do that with Jim Jones?

1437
01:01:06,240 --> 01:01:07,600
Speaker 2: I think so, I hope so.

1438
01:01:07,760 --> 01:01:10,040
Speaker 3: I think so, But he has to do it quick,

1439
01:01:10,200 --> 01:01:12,920
Speaker 3: Like I don't want to wait six months.

1440
01:01:13,120 --> 01:01:15,720
Speaker 2: Oh no, no, no, no no for Jim Jones for six months.

1441
01:01:15,720 --> 01:01:17,600
Speaker 2: I don't want to wait six days. You know what

1442
01:01:17,640 --> 01:01:19,360
Speaker 2: I'm saying, Like it gotta be like that saw I said.

1443
01:01:19,400 --> 01:01:22,480
Speaker 2: I love the fact that Jim right to it because

1444
01:01:22,480 --> 01:01:24,560
Speaker 2: I was. I ain't gonna lie. I felt like once

1445
01:01:24,640 --> 01:01:28,120
Speaker 2: Jim posted that, Yeah, that shit was whack, I said, Yo, Jim,

1446
01:01:28,160 --> 01:01:30,040
Speaker 2: you got to respond. I ain't think Jim was gonna respond,

1447
01:01:30,960 --> 01:01:32,840
Speaker 2: but the fact that he did and the way that

1448
01:01:32,920 --> 01:01:36,360
Speaker 2: he did the video on the block. Let me just

1449
01:01:36,360 --> 01:01:38,200
Speaker 2: get up from my beach chip, sit with my nutcrack

1450
01:01:38,200 --> 01:01:40,040
Speaker 2: and and just go at this dude real quick. I

1451
01:01:40,160 --> 01:01:41,800
Speaker 2: like that type of shit, man, So shout out to

1452
01:01:41,880 --> 01:01:43,840
Speaker 2: Jim and shout out to push it because now, I mean,

1453
01:01:44,280 --> 01:01:45,720
Speaker 2: I feel like, even though you said you don't know

1454
01:01:45,760 --> 01:01:47,760
Speaker 2: if you would, I feel like Push is definitely responding.

1455
01:01:47,960 --> 01:01:50,360
Speaker 3: I hope so. Also over the weekend, speaking of Drake,

1456
01:01:50,880 --> 01:01:54,400
Speaker 3: he announced his first poetry book, I Believe is what

1457
01:01:54,440 --> 01:01:58,360
Speaker 3: it is, titles Ruined Everything Stream of Consciouness by Kenza

1458
01:01:58,760 --> 01:02:02,320
Speaker 3: Samir and Aubrey Graham. An album was supposed to go

1459
01:02:02,400 --> 01:02:04,760
Speaker 3: with it. I believe he pushed it back because of

1460
01:02:04,800 --> 01:02:07,800
Speaker 3: the Young Thug release this past Friday. Thinks why his

1461
01:02:07,920 --> 01:02:10,880
Speaker 3: caption was saying, Doug, you on MEY for.

1462
01:02:10,840 --> 01:02:15,720
Speaker 2: All the Dogs was the name of the album. He says,

1463
01:02:15,760 --> 01:02:17,440
Speaker 2: I made an album go with the book. They say

1464
01:02:17,480 --> 01:02:19,440
Speaker 2: they missed the old Drake girl, don't temp me for

1465
01:02:19,520 --> 01:02:23,360
Speaker 2: all the Dogs. I mean, you gotta assume this is

1466
01:02:23,360 --> 01:02:25,840
Speaker 2: the album for us. Rory honestly, never Mind was for

1467
01:02:25,920 --> 01:02:28,440
Speaker 2: a specific crowd. I enjoyed it, but we do love

1468
01:02:28,560 --> 01:02:29,120
Speaker 2: rapping Drake.

1469
01:02:29,480 --> 01:02:29,800
Speaker 1: M hm.

1470
01:02:30,400 --> 01:02:31,919
Speaker 3: That's what I think this message is saying.

1471
01:02:32,000 --> 01:02:32,360
Speaker 1: Mm hmm.

1472
01:02:32,880 --> 01:02:37,160
Speaker 2: Is this is this the the full, full, full rap

1473
01:02:37,960 --> 01:02:39,520
Speaker 2: Drake album that we've been waiting for.

1474
01:02:39,640 --> 01:02:41,200
Speaker 3: I think so you don't.

1475
01:02:41,480 --> 01:02:43,600
Speaker 8: He released it with a poem book. I don't think so,

1476
01:02:43,840 --> 01:02:47,000
Speaker 8: but it's for all the dogs. That means he's just

1477
01:02:47,000 --> 01:02:49,960
Speaker 8: gonna go back to rapping about.

1478
01:02:49,680 --> 01:02:53,040
Speaker 2: For the dogs. Dog niggas shit, Yeah yes, but this

1479
01:02:53,120 --> 01:02:54,920
Speaker 2: is our moment, demaras. I won't let you step on

1480
01:02:54,960 --> 01:02:57,720
Speaker 2: this all right, this is for us. Matter of fact,

1481
01:02:58,600 --> 01:02:59,960
Speaker 2: this album, this ain't for you.

1482
01:03:00,440 --> 01:03:04,280
Speaker 1: Dog, you not, you are not a dog.

1483
01:03:04,680 --> 01:03:07,440
Speaker 2: Watched you sob and soak in your fucking depression when

1484
01:03:07,440 --> 01:03:09,760
Speaker 2: that nigga left you for three months? The marriage that

1485
01:03:09,800 --> 01:03:10,760
Speaker 2: ain't dog nigga ship.

1486
01:03:10,920 --> 01:03:15,000
Speaker 5: Like basically, y'all letting this nigga rewrite history because never happened.

1487
01:03:15,520 --> 01:03:18,160
Speaker 2: Y'all let this nigga rewrite history.

1488
01:03:20,440 --> 01:03:21,240
Speaker 3: Y'all want.

1489
01:03:21,080 --> 01:03:24,920
Speaker 2: I want y'all letting this nigga rewrite history because I

1490
01:03:25,160 --> 01:03:26,080
Speaker 2: never did that.

1491
01:03:26,280 --> 01:03:29,320
Speaker 3: Holy ship. She gotta get back the marriage. You know

1492
01:03:29,360 --> 01:03:29,880
Speaker 3: how she comes?

1493
01:03:32,200 --> 01:03:35,760
Speaker 2: How come I wass coming that? Would it came across crazy?

1494
01:03:36,240 --> 01:03:38,200
Speaker 2: I see themarage get on her bullshit. I definitely seen

1495
01:03:38,240 --> 01:03:40,880
Speaker 2: the marriage get on her bullshit before. But a female offset,

1496
01:03:41,160 --> 01:03:42,520
Speaker 2: she is the female offset.

1497
01:03:42,560 --> 01:03:47,200
Speaker 8: I don't wait, it took its I never volunteered to

1498
01:03:47,200 --> 01:03:47,400
Speaker 8: be that.

1499
01:03:47,680 --> 01:03:48,400
Speaker 3: But all the.

1500
01:03:48,360 --> 01:03:51,400
Speaker 2: Dogs and dogs listen, man, I feel like this is

1501
01:03:51,400 --> 01:03:54,160
Speaker 2: the album we wanted for Drake. I feel like this

1502
01:03:54,240 --> 01:03:56,680
Speaker 2: is him talking that ship this is. I think this

1503
01:03:56,720 --> 01:03:59,320
Speaker 2: is a full rap album. I think everything around it,

1504
01:03:59,360 --> 01:04:01,120
Speaker 2: the pole, the I don't even know if I could

1505
01:04:01,120 --> 01:04:02,440
Speaker 2: call it. Is it a poembook?

1506
01:04:02,600 --> 01:04:04,200
Speaker 3: He called it his first poetry book. I don't know

1507
01:04:04,200 --> 01:04:05,200
Speaker 3: if he's being sarcastic or not.

1508
01:04:05,280 --> 01:04:06,200
Speaker 1: No, that's a poetry book.

1509
01:04:06,240 --> 01:04:09,800
Speaker 2: Oh great, well, I mean, I don't know. I got

1510
01:04:09,800 --> 01:04:11,480
Speaker 2: a feeling this is a fucking You're gonna open that

1511
01:04:11,520 --> 01:04:13,440
Speaker 2: book and it's gonna be one letter in one picture.

1512
01:04:13,920 --> 01:04:16,440
Speaker 3: I mean titles ruined Everything is a great title for

1513
01:04:16,520 --> 01:04:18,960
Speaker 3: It's a great fucking title, and it wouldn't be mad

1514
01:04:18,960 --> 01:04:20,120
Speaker 3: if that was the name of the album. I mean,

1515
01:04:20,160 --> 01:04:21,600
Speaker 3: I get for the dogs, them and all that type

1516
01:04:21,640 --> 01:04:22,440
Speaker 3: of shit, but for.

1517
01:04:22,400 --> 01:04:24,640
Speaker 2: All the dogs, I think this is the full rap

1518
01:04:24,640 --> 01:04:26,600
Speaker 2: album that we even wanted from Drake. On those type

1519
01:04:26,600 --> 01:04:29,360
Speaker 2: of beats, that real hip hop shit, I think that

1520
01:04:29,400 --> 01:04:31,720
Speaker 2: I think this is it. Something tells me this is.

1521
01:04:31,760 --> 01:04:32,960
Speaker 2: I don't think we gonna get no R and B

1522
01:04:33,080 --> 01:04:35,760
Speaker 2: on this, not too many melodies. I think this is

1523
01:04:35,800 --> 01:04:39,720
Speaker 2: a full, full rap project and it's just dope. The

1524
01:04:39,760 --> 01:04:42,520
Speaker 2: fact that this was kind of came out of left field.

1525
01:04:42,560 --> 01:04:45,200
Speaker 2: We didn't see this album happening so soon.

1526
01:04:46,000 --> 01:04:50,720
Speaker 3: Prediction we get our first Drake and Nas collapse just

1527
01:04:52,080 --> 01:04:54,040
Speaker 3: a thought. I have no information at all. I just

1528
01:04:55,080 --> 01:04:58,040
Speaker 3: that's my first thought. Nas and Drake for the first time.

1529
01:05:00,000 --> 01:05:02,800
Speaker 3: I think that's the big, big rap surprise on this one.

1530
01:05:04,120 --> 01:05:07,280
Speaker 3: We've got three stacks already, We've gotten oh mm hmm,

1531
01:05:07,440 --> 01:05:09,840
Speaker 3: he's he's done his checklist with with some of the

1532
01:05:09,880 --> 01:05:14,320
Speaker 3: biggest artists. Still no Knaves and Drake record from my recollection,

1533
01:05:14,560 --> 01:05:17,680
Speaker 3: unless there's like some remix I don't know about. But uh,

1534
01:05:17,760 --> 01:05:18,919
Speaker 3: that's just a guess.

1535
01:05:19,880 --> 01:05:23,200
Speaker 2: I'm gonna say that. There aren't no features.

1536
01:05:22,880 --> 01:05:26,640
Speaker 3: On this album, Okay, trying to get cold the funk

1537
01:05:26,680 --> 01:05:27,080
Speaker 3: out of here.

1538
01:05:28,080 --> 01:05:30,680
Speaker 2: Nah, not like that. I just feel like I feel

1539
01:05:30,680 --> 01:05:34,080
Speaker 2: like this is just the album of Drake just going off,

1540
01:05:35,040 --> 01:05:38,280
Speaker 2: just him talking his ship.

1541
01:05:38,520 --> 01:05:43,800
Speaker 3: I think we get a few morale bars maybe, I

1542
01:05:43,840 --> 01:05:46,040
Speaker 3: definitely think a few of those are happening. I think

1543
01:05:46,080 --> 01:05:47,840
Speaker 3: we get I think we get some Hendrick smoke on this.

1544
01:05:47,920 --> 01:05:48,800
Speaker 1: He should.

1545
01:05:49,800 --> 01:05:52,200
Speaker 3: I think he thinks he's down now. His auntie just

1546
01:05:52,240 --> 01:05:54,280
Speaker 3: became a man. He's going through the therapy battle.

1547
01:05:54,360 --> 01:05:55,200
Speaker 2: What happened so bad?

1548
01:05:55,400 --> 01:05:57,560
Speaker 1: That hell Billy record was all Drake.

1549
01:05:58,280 --> 01:06:00,200
Speaker 2: I want to know. I want a real the way

1550
01:06:00,400 --> 01:06:02,360
Speaker 2: the way we got pushed it and way Jim was

1551
01:06:02,360 --> 01:06:06,560
Speaker 2: on the block with that microphone. I want Drake and Kendrick.

1552
01:06:06,320 --> 01:06:06,800
Speaker 1: Just like that.

1553
01:06:07,560 --> 01:06:07,720
Speaker 7: Yeah.

1554
01:06:07,760 --> 01:06:11,480
Speaker 3: Absolutely, You don't think Drake watched that team and Tyler

1555
01:06:11,560 --> 01:06:13,520
Speaker 3: and Kendrick blast.

1556
01:06:16,800 --> 01:06:20,080
Speaker 2: Of course. Of course, I don't know if he was mad,

1557
01:06:20,760 --> 01:06:22,200
Speaker 2: but I mean I think he saw that and was

1558
01:06:22,240 --> 01:06:25,920
Speaker 2: like all because I still and I know this sounds crazy,

1559
01:06:25,920 --> 01:06:29,960
Speaker 2: but I still feel like for reasons that may make sense,

1560
01:06:30,160 --> 01:06:33,160
Speaker 2: but I still feel like Drake, as successful as he is,

1561
01:06:34,440 --> 01:06:37,800
Speaker 2: a lot of people still doubt his rapping ability.

1562
01:06:38,760 --> 01:06:39,640
Speaker 3: I agree, I.

1563
01:06:39,600 --> 01:06:41,720
Speaker 2: Feel like, and it's it's the craziest shit to say that,

1564
01:06:42,040 --> 01:06:44,200
Speaker 2: because he is who he is, but I still feel

1565
01:06:44,240 --> 01:06:46,880
Speaker 2: like he needs that, which is why did Drake push

1566
01:06:46,960 --> 01:06:50,800
Speaker 2: A battle for me? Was again, it got cut short

1567
01:06:50,840 --> 01:06:55,200
Speaker 2: because of whatever reasons, but I feel like that was

1568
01:06:55,280 --> 01:06:57,040
Speaker 2: needed for Drake. He needed that, he needed to be

1569
01:06:57,120 --> 01:06:59,840
Speaker 2: battle tested. He needed to kind of like, you know,

1570
01:07:00,520 --> 01:07:02,280
Speaker 2: show people like yo, I could do this. Don't get

1571
01:07:02,320 --> 01:07:04,880
Speaker 2: it twisted. I know y'all know me as the song maker,

1572
01:07:04,920 --> 01:07:08,080
Speaker 2: it's hit maker, but I can really like getting go

1573
01:07:08,120 --> 01:07:10,720
Speaker 2: on these bars. Yeah, because they really go at y'all.

1574
01:07:10,840 --> 01:07:13,280
Speaker 3: Drastically different than back to back. Back to back was

1575
01:07:13,320 --> 01:07:17,560
Speaker 3: just genius in the one liners. Yeah we sang along too, Yeah, duppy,

1576
01:07:17,640 --> 01:07:20,680
Speaker 3: he was rapping, rapping, but we'll see. I mean, I

1577
01:07:20,680 --> 01:07:24,280
Speaker 3: think Drake definitely doesn't owe anyone. But oh is that

1578
01:07:24,400 --> 01:07:27,560
Speaker 3: rap album that makes it undeniable to people that say

1579
01:07:27,880 --> 01:07:30,720
Speaker 3: he's not a great rapper, Like they're going to force

1580
01:07:30,760 --> 01:07:32,680
Speaker 3: themselves to try to hate this and they're gonna look nuts.

1581
01:07:32,720 --> 01:07:34,200
Speaker 2: I think this is it. I think this is the

1582
01:07:34,240 --> 01:07:37,240
Speaker 2: album again. I can't wait to come in here after that.

1583
01:07:37,240 --> 01:07:40,440
Speaker 2: I'll come on and be totally wrong. You know, we

1584
01:07:40,480 --> 01:07:42,120
Speaker 2: can never he would try to pack. I mean, I

1585
01:07:42,120 --> 01:07:46,360
Speaker 2: did predict the Scorpion R and B rap to this shit,

1586
01:07:46,520 --> 01:07:48,680
Speaker 2: but this one, I don't know. I think that this

1587
01:07:48,840 --> 01:07:51,080
Speaker 2: is the rap rap Drake shit.

1588
01:07:51,160 --> 01:07:52,960
Speaker 1: If you believe that this is the trilogy like that.

1589
01:07:53,040 --> 01:07:55,480
Speaker 1: People keep putting the name to the last few projects

1590
01:07:55,480 --> 01:07:57,640
Speaker 1: in a row, like they say, honestly, never mind her

1591
01:07:57,800 --> 01:08:00,280
Speaker 1: loss for all the dogs. They think it's like a

1592
01:08:00,560 --> 01:08:02,280
Speaker 1: you know what I mean, Yeah, I saw that sentence.

1593
01:08:02,280 --> 01:08:04,720
Speaker 1: I don't think that's a three line. They're so different.

1594
01:08:04,840 --> 01:08:07,040
Speaker 2: No, I think those are people that are just trying

1595
01:08:07,040 --> 01:08:09,840
Speaker 2: to like figure out Drake and get in his mind

1596
01:08:09,880 --> 01:08:12,160
Speaker 2: too much and see what he's about and just enjoy

1597
01:08:12,200 --> 01:08:13,120
Speaker 2: the titles in the music.

1598
01:08:13,720 --> 01:08:17,360
Speaker 3: Well, if we do get this Drake album on Friday,

1599
01:08:17,000 --> 01:08:20,960
Speaker 3: I know where the Drake Dick Riding podcast. But well

1600
01:08:21,040 --> 01:08:24,960
Speaker 3: we are not me, we are I mean humiliation.

1601
01:08:25,920 --> 01:08:28,200
Speaker 1: When your Lost came out in London, that's always the

1602
01:08:28,240 --> 01:08:30,080
Speaker 1: whole tour was just her Loss.

1603
01:08:30,120 --> 01:08:32,280
Speaker 3: It's it's been a year and what We'll have three

1604
01:08:32,400 --> 01:08:36,679
Speaker 3: Drake projects in one year. Yeah, in a year's time.

1605
01:08:37,160 --> 01:08:40,880
Speaker 3: That's fucking like what other rap legend has done that?

1606
01:08:41,320 --> 01:08:44,240
Speaker 3: Like DMX did that one year back to back albums

1607
01:08:44,240 --> 01:08:48,679
Speaker 3: that was incredible, But the cycle of albums with legends,

1608
01:08:48,680 --> 01:08:49,559
Speaker 3: that's fucking nuts.

1609
01:08:49,720 --> 01:08:51,200
Speaker 6: Yeah, because I.

1610
01:08:51,160 --> 01:08:53,800
Speaker 3: Think it'll be well, honestly, never Mind was one year

1611
01:08:53,800 --> 01:08:57,000
Speaker 3: ago a little week, right, so he was trying to

1612
01:08:57,040 --> 01:08:59,840
Speaker 3: release it on the same day Doug went instead. So yeah,

1613
01:08:59,840 --> 01:09:01,040
Speaker 3: you're getting three Drake albums.

1614
01:09:01,200 --> 01:09:05,760
Speaker 1: Loss came out in October. That's crater early November, I believe. Yeah,

1615
01:09:05,880 --> 01:09:06,719
Speaker 1: when we were in London.

1616
01:09:07,320 --> 01:09:11,120
Speaker 3: That deserves some respect in my opinion, especially the caliber

1617
01:09:11,120 --> 01:09:15,240
Speaker 3: of those great projects. Well, we'll see on this one.

1618
01:09:20,560 --> 01:09:24,720
Speaker 2: So Young Thug dropped his album, business his business. Uh,

1619
01:09:24,760 --> 01:09:27,679
Speaker 2: we finally got the project. People were excited to hear

1620
01:09:28,080 --> 01:09:30,320
Speaker 2: what Young Thug had to say, if he was going

1621
01:09:30,360 --> 01:09:33,439
Speaker 2: to address certain things, if certain someonees would be on

1622
01:09:33,479 --> 01:09:37,920
Speaker 2: the album or not certain someone's, certain someone's Gunner. Okay,

1623
01:09:38,080 --> 01:09:39,840
Speaker 2: so we got we got the answer to that. Gun

1624
01:09:39,840 --> 01:09:43,160
Speaker 2: It was not on the album. So do we now

1625
01:09:43,280 --> 01:09:47,799
Speaker 2: feel like Thug is not fucking with Gunn anymore?

1626
01:09:48,360 --> 01:09:51,760
Speaker 3: Well, I don't know if that secreted recorded voicemail was

1627
01:09:51,840 --> 01:09:52,400
Speaker 3: AI or not.

1628
01:09:52,560 --> 01:09:54,960
Speaker 2: That was definitely they said it was a it's been addressed,

1629
01:09:55,080 --> 01:09:56,559
Speaker 2: it was a it was a okay.

1630
01:09:57,800 --> 01:09:59,920
Speaker 3: Well, I don't know. Maybe he just didn't have any

1631
01:10:00,040 --> 01:10:02,679
Speaker 3: space on the album, or maybe there just wasn't records

1632
01:10:02,680 --> 01:10:05,280
Speaker 3: that he wanted to put on. You know, it was

1633
01:10:05,320 --> 01:10:05,599
Speaker 3: a lot.

1634
01:10:05,800 --> 01:10:08,160
Speaker 2: It's okay, hit two Drake, I know, but it's okay.

1635
01:10:08,800 --> 01:10:10,960
Speaker 2: It's okay to say he's not fucking he's not fucking

1636
01:10:11,160 --> 01:10:16,160
Speaker 2: he's not fucking Gunner. No, he's not fucking Gunna again.

1637
01:10:16,200 --> 01:10:18,360
Speaker 2: I don't know if that's just for this album or

1638
01:10:18,520 --> 01:10:21,000
Speaker 2: if that's a person like for life, just not fucking them.

1639
01:10:21,000 --> 01:10:21,400
Speaker 2: I don't know.

1640
01:10:21,479 --> 01:10:23,800
Speaker 3: Well, because this most of this was recorded, if not

1641
01:10:23,920 --> 01:10:28,120
Speaker 3: all before the case. This looks like a clear intention

1642
01:10:28,560 --> 01:10:31,040
Speaker 3: to take Gunna off because you know they had records together.

1643
01:10:31,080 --> 01:10:35,439
Speaker 3: Oh absolutely, tons that could have went on there and didn't.

1644
01:10:36,160 --> 01:10:38,280
Speaker 3: So yeah, I think that's a clear indication of what

1645
01:10:38,560 --> 01:10:42,519
Speaker 3: is going on. Also because there's a lot of fucking

1646
01:10:42,560 --> 01:10:45,120
Speaker 3: mid on here too, So it's not like there was

1647
01:10:45,880 --> 01:10:48,960
Speaker 3: a flawless eleven records and that one Gunner record just

1648
01:10:49,000 --> 01:10:51,880
Speaker 3: didn't fit. Like there's mad records that I'm sure Gunna

1649
01:10:51,880 --> 01:10:54,960
Speaker 3: and Thug have that are better than these, So that

1650
01:10:54,960 --> 01:10:57,040
Speaker 3: that's a clear indication to me that he's not fucking Gunner.

1651
01:10:57,479 --> 01:11:01,800
Speaker 2: It's social clear indication to me of you know, not

1652
01:11:01,960 --> 01:11:04,559
Speaker 2: being a free man when you're trying to put out

1653
01:11:04,640 --> 01:11:08,519
Speaker 2: art and put out music and put things together, how

1654
01:11:08,560 --> 01:11:11,920
Speaker 2: it affects you. Because to me, I think that was

1655
01:11:11,960 --> 01:11:14,600
Speaker 2: noticeable on this album. You can tell that you know,

1656
01:11:15,160 --> 01:11:17,920
Speaker 2: while most, if not all, of the music may have

1657
01:11:17,960 --> 01:11:23,040
Speaker 2: been recorded prior, there's probably some things that gun excuse me,

1658
01:11:23,080 --> 01:11:25,280
Speaker 2: that Young Thug would have wanted to change some verses,

1659
01:11:26,479 --> 01:11:31,000
Speaker 2: some hooks, different production tweaks, some things here and there.

1660
01:11:32,640 --> 01:11:34,760
Speaker 2: So you just can tell that you know, this was

1661
01:11:34,800 --> 01:11:37,280
Speaker 2: something this was an album that was done already and

1662
01:11:37,320 --> 01:11:39,320
Speaker 2: they had to kind of dress it up and get

1663
01:11:39,360 --> 01:11:41,080
Speaker 2: it out to the people.

1664
01:11:41,120 --> 01:11:43,320
Speaker 3: But it was a hard drive full of records. Yeah,

1665
01:11:43,320 --> 01:11:46,320
Speaker 3: that's what That's what it sounded like. Even the complete

1666
01:11:46,320 --> 01:11:49,040
Speaker 3: records didn't feel like they were done, if that makes sense.

1667
01:11:49,760 --> 01:11:53,080
Speaker 3: The stuff that seemed polished still felt out of wacket.

1668
01:11:53,400 --> 01:11:54,120
Speaker 3: It just wasn't it.

1669
01:11:54,800 --> 01:11:58,160
Speaker 2: But what did you say about the people and gun

1670
01:11:58,160 --> 01:12:01,879
Speaker 2: are the fact that Young Thug is projected to sell.

1671
01:12:01,680 --> 01:12:05,600
Speaker 1: More currently current projection is at one ten, which you

1672
01:12:05,640 --> 01:12:09,240
Speaker 1: said one rab Yeah, the three of us said so nice.

1673
01:12:09,400 --> 01:12:12,040
Speaker 2: What does that say? Is that a clear indication that

1674
01:12:12,720 --> 01:12:16,360
Speaker 2: because people have expressed that they liked the Gun album,

1675
01:12:16,400 --> 01:12:17,080
Speaker 2: they enjoy it.

1676
01:12:17,160 --> 01:12:18,200
Speaker 3: I think the Gunn Album's better.

1677
01:12:18,280 --> 01:12:22,519
Speaker 2: Mm hmm, So what that? What does that say though?

1678
01:12:22,720 --> 01:12:25,160
Speaker 2: Is it clear people have people taking a side in

1679
01:12:25,200 --> 01:12:25,720
Speaker 2: this whole thing?

1680
01:12:26,160 --> 01:12:27,920
Speaker 3: No matter what, everyone was going to listen to the

1681
01:12:27,920 --> 01:12:31,480
Speaker 3: Thug album, even if you were just a casual.

1682
01:12:31,120 --> 01:12:33,480
Speaker 2: Thug fing well. Thug is the big artist obviously.

1683
01:12:33,200 --> 01:12:36,240
Speaker 3: For sure, but everything that's happening around him too. Of

1684
01:12:36,280 --> 01:12:38,479
Speaker 3: course everyone's gonna click it no matter who you are.

1685
01:12:38,920 --> 01:12:40,760
Speaker 3: There were some people with a gun of shit trying

1686
01:12:40,760 --> 01:12:43,720
Speaker 3: to stand on their I hate snitches things, so I'm

1687
01:12:43,720 --> 01:12:45,839
Speaker 3: not gonna listen, even though we know they probably listened.

1688
01:12:46,360 --> 01:12:48,920
Speaker 2: But you got everyone to listen to thug shit, right.

1689
01:12:49,439 --> 01:12:52,360
Speaker 2: I'm actually kind of shocked. It's a one ten. I

1690
01:12:52,360 --> 01:12:52,920
Speaker 2: thought it would be.

1691
01:12:52,960 --> 01:12:55,360
Speaker 3: I think it would have went higher. I don't think

1692
01:12:55,360 --> 01:12:58,040
Speaker 3: it's at the caliber of those numbers, but he did

1693
01:12:58,040 --> 01:13:00,280
Speaker 3: have the moment. All eyes were on Thug. It's one

1694
01:13:00,320 --> 01:13:04,639
Speaker 3: of the biggest cases yet in hip hop. So of course,

1695
01:13:04,680 --> 01:13:06,320
Speaker 3: of course everyone's gonna click. It could have been dogshit

1696
01:13:06,360 --> 01:13:08,640
Speaker 3: and people are gonna click it right now? Is it

1697
01:13:08,680 --> 01:13:10,920
Speaker 3: dog shit by thug standards? I think so.

1698
01:13:11,040 --> 01:13:11,200
Speaker 1: Yeah.

1699
01:13:12,080 --> 01:13:17,280
Speaker 3: Now it's shit is harsh, but it's definitely by young

1700
01:13:17,320 --> 01:13:19,080
Speaker 3: Thug caliber of music, not good.

1701
01:13:19,240 --> 01:13:21,599
Speaker 2: This is not one of his better albums, no worth album,

1702
01:13:21,680 --> 01:13:24,599
Speaker 2: and I'm I'm strictly gonna shay to the fact that

1703
01:13:24,840 --> 01:13:26,840
Speaker 2: he's going through. He's going through. He's not home for sure.

1704
01:13:26,840 --> 01:13:28,200
Speaker 2: He would have wanted to change a lot on this

1705
01:13:28,280 --> 01:13:32,160
Speaker 2: project that he obviously couldn't from jail. Now, Thug is

1706
01:13:32,240 --> 01:13:35,679
Speaker 2: obviously the bigger artist than Gunner. Is he a better

1707
01:13:35,760 --> 01:13:36,719
Speaker 2: artist than Gunner?

1708
01:13:36,800 --> 01:13:41,120
Speaker 3: Yes, yes, yeah, significantly. I think Gunner makes great music.

1709
01:13:42,160 --> 01:13:44,439
Speaker 3: For his era. I don't think he's a bad rapper either.

1710
01:13:45,080 --> 01:13:50,559
Speaker 3: Thug is just a different level of nerve fans are

1711
01:13:50,560 --> 01:13:53,439
Speaker 3: gonna hate me, different level of musician, like Thug isn't

1712
01:13:53,479 --> 01:13:56,200
Speaker 3: an artist for real. Yeah, so I don't think it's

1713
01:13:56,320 --> 01:13:58,840
Speaker 3: very comparable. But I would say that about Thug compared

1714
01:13:58,880 --> 01:14:04,839
Speaker 3: to artists in his generation, I would say his peers,

1715
01:14:04,840 --> 01:14:09,599
Speaker 3: he's on a way higher level of creating melodies, rapping,

1716
01:14:09,680 --> 01:14:11,920
Speaker 3: creating songs. Like he's just he's stuck.

1717
01:14:12,360 --> 01:14:17,880
Speaker 2: He's He's definitely a unique artist, especially you know, coming

1718
01:14:17,880 --> 01:14:20,840
Speaker 2: in when he did Uh, he was just he stood

1719
01:14:20,840 --> 01:14:23,160
Speaker 2: out immediately, Like as soon as you heard Thug, he

1720
01:14:23,280 --> 01:14:26,320
Speaker 2: was just a whole different type of artists, different type

1721
01:14:26,320 --> 01:14:31,600
Speaker 2: of sound tone again, like you said, melodies. So it

1722
01:14:31,680 --> 01:14:34,120
Speaker 2: is good to see that people are still supporting him.

1723
01:14:34,280 --> 01:14:36,400
Speaker 8: Is there a standout track on this that you guys?

1724
01:14:36,400 --> 01:14:39,479
Speaker 2: I like the Dream with Him in the Future. I

1725
01:14:39,600 --> 01:14:41,479
Speaker 2: forgot the name of that. I mean, I'm just came out.

1726
01:14:41,479 --> 01:14:43,320
Speaker 2: I can't remember the titles. Jam Him in the Future

1727
01:14:43,360 --> 01:14:46,160
Speaker 2: is dope, obviously did the intro.

1728
01:14:45,960 --> 01:14:48,439
Speaker 1: Would bring me Out? That's the future? It is dope.

1729
01:14:48,840 --> 01:14:50,599
Speaker 3: Uh the cause bring me Out?

1730
01:14:50,640 --> 01:14:52,040
Speaker 2: Yeah? I like that that dream of Future is.

1731
01:14:52,040 --> 01:14:55,920
Speaker 3: Hot Prayed on Cleveland it was it was cool. I

1732
01:14:55,960 --> 01:14:58,320
Speaker 3: think had he been out, that could have been like

1733
01:14:58,360 --> 01:15:02,519
Speaker 3: a real record. It felt like a incomplete Drake song

1734
01:15:02,600 --> 01:15:04,920
Speaker 3: that Thug took and then put the voicemail shit on

1735
01:15:04,920 --> 01:15:08,040
Speaker 3: it and then put his verse at the end. That's

1736
01:15:08,040 --> 01:15:09,519
Speaker 3: one of those that I think really could have been

1737
01:15:09,520 --> 01:15:12,200
Speaker 3: a record had he been outside, it was cool, he

1738
01:15:12,200 --> 01:15:15,080
Speaker 3: could have held that. I like the other Oh You

1739
01:15:15,160 --> 01:15:19,479
Speaker 3: Went Drake feature much better. That record's cool. Other than that,

1740
01:15:19,520 --> 01:15:22,519
Speaker 3: there's not just me personally. There's not really any standout.

1741
01:15:22,680 --> 01:15:24,400
Speaker 2: I like that cause bring me out shit with him

1742
01:15:24,400 --> 01:15:26,040
Speaker 2: and him in Future. I like that record a lot.

1743
01:15:27,080 --> 01:15:29,760
Speaker 2: But yeah, so, I mean, it is good to see

1744
01:15:29,760 --> 01:15:33,799
Speaker 2: that people are still supporting Thug on one tend between

1745
01:15:33,800 --> 01:15:36,920
Speaker 2: one ten and one twenty. First week solid numbers.

1746
01:15:38,240 --> 01:15:40,679
Speaker 3: I mean, depending on if this Drake album comes on Friday,

1747
01:15:40,840 --> 01:15:44,040
Speaker 3: let's say it doesn't, I still think his second week

1748
01:15:44,120 --> 01:15:48,479
Speaker 3: numbers are going to be drastically, drastically lower than usual. Yeah,

1749
01:15:48,680 --> 01:15:50,400
Speaker 3: I don't think very many people are going back to.

1750
01:15:50,360 --> 01:15:52,640
Speaker 2: This, but again that's the effect of again, you know,

1751
01:15:52,720 --> 01:15:55,880
Speaker 2: not being able to move around and you know, roll

1752
01:15:55,880 --> 01:16:00,559
Speaker 2: out friends, promote videos, change versus change music things here.

1753
01:16:00,720 --> 01:16:02,840
Speaker 2: You know, it's it's a lot to kind of try to,

1754
01:16:02,960 --> 01:16:05,000
Speaker 2: you know, put an album out, and you're not a

1755
01:16:05,000 --> 01:16:07,559
Speaker 2: free man. So you know, we gotta we gotta always

1756
01:16:07,600 --> 01:16:09,760
Speaker 2: factor that in when whenever we talk about or go

1757
01:16:09,800 --> 01:16:12,000
Speaker 2: back and listen to these albums that young thug was

1758
01:16:12,040 --> 01:16:15,920
Speaker 2: going through arguably the worst and toughest time of his life.

1759
01:16:15,920 --> 01:16:18,639
Speaker 3: So do you think Gunner has been avoiding post promo?

1760
01:16:19,640 --> 01:16:22,240
Speaker 3: Album released because it was quick? They didn't do much

1761
01:16:23,000 --> 01:16:27,040
Speaker 3: pre promo. I mean, of course he's gonna have to

1762
01:16:27,040 --> 01:16:29,719
Speaker 3: answer certain questions, but I'm kind of shocked he didn't

1763
01:16:29,720 --> 01:16:32,599
Speaker 3: even do like just a one interview, sit down thing

1764
01:16:33,240 --> 01:16:37,480
Speaker 3: and call it press, not a whole run. But I

1765
01:16:37,560 --> 01:16:40,160
Speaker 3: shocked he didn't sit with one particular person. I'm shocked

1766
01:16:40,160 --> 01:16:42,680
Speaker 3: he didn't maybe go on Gillian Willow. Shit, well, I

1767
01:16:42,720 --> 01:16:44,000
Speaker 3: know they're really close with thugs. I don't know if

1768
01:16:44,080 --> 01:16:47,400
Speaker 3: that could work. But I'm just shocked Gunner didn't do

1769
01:16:47,479 --> 01:16:48,519
Speaker 3: one single interview.

1770
01:16:49,040 --> 01:16:50,000
Speaker 2: I mean he didn't have to.

1771
01:16:50,840 --> 01:16:52,360
Speaker 1: I think it was more just like let let them

1772
01:16:52,360 --> 01:16:53,880
Speaker 1: because he knew he addressed a lot of it in

1773
01:16:53,920 --> 01:16:55,559
Speaker 1: the music itself. You think he's wanted to.

1774
01:16:55,800 --> 01:16:58,160
Speaker 2: And people are already talking about him, the fact that

1775
01:16:58,200 --> 01:17:01,080
Speaker 2: he's putting out music. Yeah, he talking about him, expressing

1776
01:17:01,080 --> 01:17:03,920
Speaker 2: their feelings and opinions about him. I mean, it's nothing

1777
01:17:04,240 --> 01:17:06,400
Speaker 2: to do an interview about Let my album be the interview.

1778
01:17:06,479 --> 01:17:09,680
Speaker 2: Let me answer whatever questions you have about me and

1779
01:17:09,760 --> 01:17:12,840
Speaker 2: my artistry. Let me answer it through this album. I think,

1780
01:17:13,240 --> 01:17:18,280
Speaker 2: you know, I understand how an interview may have helped him,

1781
01:17:18,280 --> 01:17:20,519
Speaker 2: but I think that he didn't want to sit down

1782
01:17:20,560 --> 01:17:25,760
Speaker 2: and do an interview and say something that he regretted

1783
01:17:26,000 --> 01:17:29,240
Speaker 2: once the interview came out, or have that affect people's

1784
01:17:29,280 --> 01:17:31,800
Speaker 2: opinion even more about him and not support his job

1785
01:17:31,840 --> 01:17:33,840
Speaker 2: and not download his ab and not listen to his music.

1786
01:17:34,479 --> 01:17:34,720
Speaker 1: You know.

1787
01:17:34,880 --> 01:17:36,720
Speaker 2: So I think he just was like, let me just

1788
01:17:37,360 --> 01:17:40,120
Speaker 2: put my music out and stay where I'm at, stay

1789
01:17:40,120 --> 01:17:43,000
Speaker 2: in my corner, and just you know, exist in my

1790
01:17:43,040 --> 01:17:44,639
Speaker 2: own world right now. So, I mean, I'm not mad

1791
01:17:44,640 --> 01:17:45,800
Speaker 2: at and it's a good it's a good album.

1792
01:17:46,160 --> 01:17:49,799
Speaker 3: Could also look like he's hurting more of his friends

1793
01:17:49,840 --> 01:17:52,200
Speaker 3: or ex friends if he goes and does an interview,

1794
01:17:52,240 --> 01:17:53,360
Speaker 3: even though he took a plea and now it was

1795
01:17:53,360 --> 01:17:55,920
Speaker 3: allowed to talk about everything, Yeah, probably still would be

1796
01:17:56,000 --> 01:17:57,960
Speaker 3: viewed kind of crazy. And he might have been nervous.

1797
01:17:57,960 --> 01:18:01,120
Speaker 3: He couldn't top the Kwando Rondo Angelae interview.

1798
01:18:01,520 --> 01:18:05,760
Speaker 2: I feel the same, ma'am.

1799
01:18:06,160 --> 01:18:08,720
Speaker 3: Don't do that at the queue, bro, and I swear

1800
01:18:08,720 --> 01:18:10,720
Speaker 3: it was not shot at Angelaee. That shit. That is

1801
01:18:10,840 --> 01:18:13,040
Speaker 3: a legendary and that is the one of the greatest

1802
01:18:13,080 --> 01:18:14,360
Speaker 3: interviews I've ever seen in my life.

1803
01:18:14,400 --> 01:18:18,840
Speaker 2: Miss ma'am. I love hip hop.

1804
01:18:18,880 --> 01:18:20,879
Speaker 3: You have to watch. You have to watch that interview

1805
01:18:20,920 --> 01:18:23,439
Speaker 3: first fully through looking at Quando, but then the next

1806
01:18:23,439 --> 01:18:27,599
Speaker 3: time just look at Angela. Block out Quando from your vision.

1807
01:18:27,640 --> 01:18:30,760
Speaker 3: If you just stare at Angela the entire time, it

1808
01:18:30,800 --> 01:18:33,160
Speaker 3: makes an interview ten times funnier.

1809
01:18:35,479 --> 01:18:40,360
Speaker 2: Business is Business available now download on your DSPs. Support

1810
01:18:40,400 --> 01:18:44,840
Speaker 2: Young Thug definitely one of our dopest and most unique

1811
01:18:44,920 --> 01:18:46,960
Speaker 2: artists that we have, So we always want to support

1812
01:18:46,960 --> 01:18:49,000
Speaker 2: the ones that sound and are themselves.

1813
01:18:49,200 --> 01:18:51,479
Speaker 3: Where just quickly, where's the trial at right now? Do

1814
01:18:51,520 --> 01:18:51,720
Speaker 3: we have?

1815
01:18:52,439 --> 01:18:52,559
Speaker 4: Not?

1816
01:18:52,800 --> 01:18:53,120
Speaker 2: Sure?

1817
01:18:53,479 --> 01:18:54,879
Speaker 3: Well hasn't even went to trial.

1818
01:18:54,720 --> 01:18:57,479
Speaker 1: Yet, his attorney. I just while I was looking it

1819
01:18:57,560 --> 01:19:01,800
Speaker 1: up here, I just filed the motion to get anything

1820
01:19:02,000 --> 01:19:05,240
Speaker 1: that's five years prior to the rico to the to

1821
01:19:05,320 --> 01:19:09,479
Speaker 1: the rico being sent wiped from the record. So If

1822
01:19:09,520 --> 01:19:12,080
Speaker 1: that's the case, I don't think that would change much

1823
01:19:12,160 --> 01:19:14,240
Speaker 1: in the scope of him coming out, but it would

1824
01:19:15,000 --> 01:19:17,559
Speaker 1: maybe alleviate some of the sentence to pretty much.

1825
01:19:17,640 --> 01:19:19,360
Speaker 2: When I heard when I heard that tape come out

1826
01:19:19,400 --> 01:19:24,840
Speaker 2: of them in court, and the prosecutors were like, I

1827
01:19:24,880 --> 01:19:26,439
Speaker 2: don't care, we don't care about the mother ones. We

1828
01:19:26,520 --> 01:19:29,519
Speaker 2: just want him. Yeah, that told me everything I needed

1829
01:19:29,520 --> 01:19:31,240
Speaker 2: to know about this case. When they feel like that,

1830
01:19:31,320 --> 01:19:33,920
Speaker 2: and they're vocally saying that, because you know, when you

1831
01:19:33,920 --> 01:19:36,280
Speaker 2: can tell when they feel like that, you can get yo,

1832
01:19:36,280 --> 01:19:38,040
Speaker 2: they got a hard on for him, like they want

1833
01:19:38,080 --> 01:19:41,280
Speaker 2: him bad. But to hear them say it, to hear

1834
01:19:41,280 --> 01:19:44,479
Speaker 2: them in the courtroom and say no, we want him,

1835
01:19:46,160 --> 01:19:48,200
Speaker 2: that's letting me know what I need to know. I've

1836
01:19:48,240 --> 01:19:49,960
Speaker 2: been in the courtroom when people was in that type

1837
01:19:49,960 --> 01:19:54,040
Speaker 2: of situation, and it's you know, all those people go

1838
01:19:54,080 --> 01:19:56,799
Speaker 2: back to the judges chambers and they talk the da

1839
01:19:57,000 --> 01:19:59,759
Speaker 2: the lawyers like they all when they leave that courtroom,

1840
01:19:59,800 --> 01:20:02,639
Speaker 2: they have a relationship with each other. And when they

1841
01:20:02,680 --> 01:20:07,240
Speaker 2: say things like that in the courtroom, it's not good.

1842
01:20:07,400 --> 01:20:09,479
Speaker 2: That means like they don't give a fuck, They want

1843
01:20:09,600 --> 01:20:10,559
Speaker 2: you and only you.

1844
01:20:10,760 --> 01:20:13,080
Speaker 3: Yeah, So what they're saying is your honor. I'm trying

1845
01:20:13,080 --> 01:20:15,720
Speaker 3: to get a promotion from a highly publicized case so

1846
01:20:15,760 --> 01:20:20,600
Speaker 3: I can then eventually run for some government positions.

1847
01:20:20,600 --> 01:20:22,720
Speaker 2: That's what they're saying, Absolutely, your honor, I.

1848
01:20:22,680 --> 01:20:24,679
Speaker 3: Need a promotion. I've been a DA for way too long. Yeah,

1849
01:20:24,720 --> 01:20:27,760
Speaker 3: I want to get into politics. SOT me arrest this

1850
01:20:27,880 --> 01:20:30,920
Speaker 3: rapper Jesus, so I'll move up and get promoted.

1851
01:20:31,240 --> 01:20:34,000
Speaker 2: It's bad, man, but you know, press press to thug,

1852
01:20:34,120 --> 01:20:38,240
Speaker 2: PRIs to his family and hopefully he comes out of

1853
01:20:38,240 --> 01:20:41,040
Speaker 2: this soon and is able to be back with his

1854
01:20:41,200 --> 01:20:44,559
Speaker 2: loved ones and just a free man, because again, you know,

1855
01:20:44,600 --> 01:20:46,280
Speaker 2: it's tough to be in a situation where you're out

1856
01:20:46,600 --> 01:20:48,720
Speaker 2: making music, traveling the world, you know, taking care of

1857
01:20:48,760 --> 01:20:51,400
Speaker 2: your family, and then the next you know you're sitting

1858
01:20:51,400 --> 01:20:54,960
Speaker 2: and saying in a jail looking at some time that

1859
01:20:55,040 --> 01:20:58,200
Speaker 2: nobody would ever want to do. So, you know, prayers

1860
01:20:58,240 --> 01:20:59,160
Speaker 2: and good luck to him.

1861
01:20:59,400 --> 01:21:01,880
Speaker 3: Can you legal get prescription drugs like from a doctor

1862
01:21:02,080 --> 01:21:02,519
Speaker 3: in jail?

1863
01:21:03,120 --> 01:21:06,120
Speaker 2: Yeah, they have, they have, they have a nurse, the doctors.

1864
01:21:05,720 --> 01:21:07,479
Speaker 3: And there's definitely got to get a doctor out there

1865
01:21:07,520 --> 01:21:11,120
Speaker 3: that can get Doug some legal perks. Let me just

1866
01:21:11,120 --> 01:21:14,040
Speaker 3: get high for a second, if you can really think

1867
01:21:14,080 --> 01:21:14,639
Speaker 3: this case.

1868
01:21:14,479 --> 01:21:17,120
Speaker 2: Throw that's tough because I think you would have to

1869
01:21:17,240 --> 01:21:20,680
Speaker 2: prove that you need it for fake what purpose that's for.

1870
01:21:21,520 --> 01:21:23,560
Speaker 2: It's like a pain, It's like a painkiller.

1871
01:21:23,680 --> 01:21:24,840
Speaker 3: Okay, I've never taken a perk.

1872
01:21:25,040 --> 01:21:27,000
Speaker 1: It's like if you break your back, I have a

1873
01:21:27,000 --> 01:21:30,760
Speaker 1: serious injury, people take them for recovery. But that that's

1874
01:21:30,800 --> 01:21:33,080
Speaker 1: an easy thing to get addicted to. So you just

1875
01:21:33,080 --> 01:21:35,240
Speaker 1: get addicted to that nominous yeah oxy.

1876
01:21:35,360 --> 01:21:39,000
Speaker 5: Yeah, what they do, like oxy Hydro's perks like all

1877
01:21:39,320 --> 01:21:41,320
Speaker 5: all what they do is make you so high that

1878
01:21:41,360 --> 01:21:42,439
Speaker 5: you forget that you're in pain.

1879
01:21:42,479 --> 01:21:44,439
Speaker 8: They're not actual pain killed numbing agents.

1880
01:21:44,560 --> 01:21:44,840
Speaker 2: Yeah.

1881
01:21:45,120 --> 01:21:47,240
Speaker 3: When I when I pulled my hamstring, they gave me oxy.

1882
01:21:47,280 --> 01:21:50,240
Speaker 3: I took that the actual prescribed them out once and

1883
01:21:50,320 --> 01:21:52,439
Speaker 3: I fucking hated it. I was high as ship. I

1884
01:21:52,479 --> 01:21:54,200
Speaker 3: was like this is I don't hate that at all?

1885
01:21:54,360 --> 01:21:56,960
Speaker 3: Like it made me feel awful. Yeah, it took the

1886
01:21:56,960 --> 01:22:00,000
Speaker 3: pain away, but I can only imagine people taking more

1887
01:22:00,000 --> 01:22:01,000
Speaker 3: more than what's prescribed.

1888
01:22:02,400 --> 01:22:04,280
Speaker 2: The only time I ever took a perk, I had

1889
01:22:04,920 --> 01:22:07,040
Speaker 2: my first and only toothache I ever had in my life.

1890
01:22:08,920 --> 01:22:10,519
Speaker 2: Think of that perk made me feel like I was

1891
01:22:10,560 --> 01:22:15,080
Speaker 2: a straight dope head. My stomach was fucked up drilling

1892
01:22:15,120 --> 01:22:16,799
Speaker 2: and ship. My ass was itching.

1893
01:22:18,200 --> 01:22:18,439
Speaker 6: It was.

1894
01:22:19,680 --> 01:22:21,760
Speaker 2: It was all kind of shit going on. I was like,

1895
01:22:21,760 --> 01:22:24,120
Speaker 2: what the you niggas take this for recreation?

1896
01:22:24,439 --> 01:22:25,280
Speaker 6: You should wash?

1897
01:22:25,400 --> 01:22:28,679
Speaker 2: Oh my God, should just wash my ass. Yeah, that's

1898
01:22:28,720 --> 01:22:31,360
Speaker 2: not what my ass was itching. If you think my

1899
01:22:31,400 --> 01:22:33,200
Speaker 2: ass is chuck full of ship or something like, you

1900
01:22:33,600 --> 01:22:36,559
Speaker 2: pop that perk out you think you're talking to right now,

1901
01:22:36,640 --> 01:22:38,200
Speaker 2: take up a dirty, stinky nigga.

1902
01:22:38,320 --> 01:22:40,800
Speaker 3: Like, so what a thug like does some real fiend

1903
01:22:40,840 --> 01:22:43,840
Speaker 3: ship like jumps off the second floor of the prison

1904
01:22:43,880 --> 01:22:45,880
Speaker 3: and just purposely breaks his leg? Could he then get

1905
01:22:45,880 --> 01:22:46,320
Speaker 3: some parks?

1906
01:22:46,400 --> 01:22:46,559
Speaker 4: Oh?

1907
01:22:46,600 --> 01:22:48,680
Speaker 1: I sart you talking about? Like what's his name? What

1908
01:22:48,760 --> 01:22:50,720
Speaker 1: Bundy did when he jumped out the court room and

1909
01:22:50,920 --> 01:22:51,599
Speaker 1: was on the Lamb?

1910
01:22:52,720 --> 01:22:53,360
Speaker 2: The Lamb?

1911
01:22:54,360 --> 01:22:55,960
Speaker 3: How many Ani Mob shows?

1912
01:22:55,960 --> 01:22:58,479
Speaker 2: If you watch somebody that says the Lamb wouldn't storm

1913
01:22:58,560 --> 01:22:59,320
Speaker 2: the castle.

1914
01:23:00,160 --> 01:23:02,240
Speaker 1: You didn't know they wouldn't?

1915
01:23:03,000 --> 01:23:05,560
Speaker 2: Are you kidding me? The Lamb? You are on the

1916
01:23:05,640 --> 01:23:10,120
Speaker 2: Lamb with two and on exactly? It causes that capital Lamb.

1917
01:23:10,640 --> 01:23:11,840
Speaker 2: All right, Well, we got some.

1918
01:23:12,040 --> 01:23:13,679
Speaker 3: Not watching Fierce City on Netflix.

1919
01:23:14,880 --> 01:23:15,880
Speaker 1: I don't even know what that is.

1920
01:23:16,000 --> 01:23:20,120
Speaker 2: We got some some voicemails. Uh, this is Eden's favorite

1921
01:23:20,120 --> 01:23:21,559
Speaker 2: part of the show always.

1922
01:23:21,960 --> 01:23:23,679
Speaker 1: This first one is directed at Mall, but I think

1923
01:23:23,760 --> 01:23:25,320
Speaker 1: everyone can answer.

1924
01:23:25,439 --> 01:23:26,200
Speaker 2: Directed at me.

1925
01:23:26,320 --> 01:23:27,120
Speaker 3: It's definitely directed.

1926
01:23:27,160 --> 01:23:30,960
Speaker 7: Hey, guys, I am Lauren, a thirty something with curly

1927
01:23:31,000 --> 01:23:34,400
Speaker 7: hair living in Cleveland thirty eight cly this messages from Mall.

1928
01:23:35,040 --> 01:23:39,479
Speaker 7: So I had a baby via anonymous sperm donor and

1929
01:23:39,800 --> 01:23:44,639
Speaker 7: I followed your instructions verbatim. I became a nun. I

1930
01:23:44,760 --> 01:23:47,720
Speaker 7: have not left the house. I haven't even left a

1931
01:23:47,760 --> 01:23:51,200
Speaker 7: man in the eye since giving birth. But it's been

1932
01:23:51,640 --> 01:23:52,240
Speaker 7: like two and.

1933
01:23:52,120 --> 01:23:52,880
Speaker 8: A half years.

1934
01:23:53,080 --> 01:23:56,519
Speaker 7: And is it okay if I get back out there now?

1935
01:23:56,920 --> 01:23:57,000
Speaker 5: Like?

1936
01:23:57,400 --> 01:24:02,800
Speaker 7: Am I good to start dating again? A girl needs help?

1937
01:24:03,680 --> 01:24:05,960
Speaker 7: So if you have like a ninety day re entry

1938
01:24:06,040 --> 01:24:09,000
Speaker 7: program I can find in your lank tree, please.

1939
01:24:08,800 --> 01:24:09,320
Speaker 8: Let me know.

1940
01:24:11,840 --> 01:24:11,960
Speaker 3: You.

1941
01:24:12,000 --> 01:24:14,960
Speaker 7: Wish Roy a belated happy Father's Day.

1942
01:24:15,160 --> 01:24:16,360
Speaker 3: Nice welcome to the club.

1943
01:24:16,760 --> 01:24:17,720
Speaker 7: Love you guys.

1944
01:24:18,760 --> 01:24:20,800
Speaker 3: All right, So, what what was the advice that you gave?

1945
01:24:20,840 --> 01:24:23,080
Speaker 3: What program did she talk? That's what women can't have

1946
01:24:23,120 --> 01:24:24,680
Speaker 3: sex after birth for.

1947
01:24:24,680 --> 01:24:27,599
Speaker 2: Two years, not two years? But I don't know which

1948
01:24:27,640 --> 01:24:32,000
Speaker 2: program she uh she signed up for, But we'll be

1949
01:24:32,000 --> 01:24:34,479
Speaker 2: happy to refund this lady if she was giving wrong information.

1950
01:24:34,920 --> 01:24:36,960
Speaker 3: But I just think it's it's funny that she's been

1951
01:24:37,000 --> 01:24:40,320
Speaker 3: so faithful to her sperm donor. Yeah, she hasn't gone

1952
01:24:40,320 --> 01:24:42,200
Speaker 3: out for two and a half years now. Looked at

1953
01:24:42,200 --> 01:24:44,160
Speaker 3: a man. All you did was take to come. Well,

1954
01:24:44,280 --> 01:24:46,479
Speaker 3: oh my god, is that not what it is meaning?

1955
01:24:46,560 --> 01:24:46,720
Speaker 1: Right?

1956
01:24:46,760 --> 01:24:51,439
Speaker 2: But Jesus, I would say this. Her name is Rosie. Yeah, Rosie.

1957
01:24:51,479 --> 01:24:52,160
Speaker 3: I thought it was Lauren.

1958
01:24:52,400 --> 01:24:55,759
Speaker 2: Oh shit, sorry, oh Lauren, I'm sorry, Lauren, Lauren, Lauren

1959
01:24:55,800 --> 01:25:01,599
Speaker 2: from Cleveland. Yes, Lauren, listen that that that that cat

1960
01:25:01,720 --> 01:25:04,320
Speaker 2: is ready? You got to take that cat out on

1961
01:25:04,360 --> 01:25:06,800
Speaker 2: the stroll bounce back. Yeah, you gotta go out there

1962
01:25:06,840 --> 01:25:08,439
Speaker 2: and make sure it's still work. In order to know

1963
01:25:08,520 --> 01:25:10,919
Speaker 2: the car is still running, you gotta spin it around.

1964
01:25:10,720 --> 01:25:11,680
Speaker 1: The block for some miles on it.

1965
01:25:11,760 --> 01:25:13,200
Speaker 2: Yeah, you gotta put You gotta spin it around the

1966
01:25:13,200 --> 01:25:16,200
Speaker 2: block a few times. Get on the highway, get off somewhere,

1967
01:25:16,240 --> 01:25:18,920
Speaker 2: you know what I mean. Yeah, get that cat out there,

1968
01:25:20,120 --> 01:25:22,960
Speaker 2: you know, let somebody test drive it a little bit. Wow,

1969
01:25:23,160 --> 01:25:25,120
Speaker 2: you know, make sure the buttons still work and everything

1970
01:25:25,200 --> 01:25:27,040
Speaker 2: like that. And yeah, go out there and have some fun.

1971
01:25:27,080 --> 01:25:27,479
Speaker 1: You deserve.

1972
01:25:27,520 --> 01:25:30,000
Speaker 3: It be interesting to date a woman that has a

1973
01:25:30,120 --> 01:25:32,640
Speaker 3: kid from a sperm donor. They could actually make me

1974
01:25:32,640 --> 01:25:36,559
Speaker 3: feel a little bit better. Why no baby father drama?

1975
01:25:36,760 --> 01:25:38,559
Speaker 2: Like also nobody father?

1976
01:25:38,760 --> 01:25:40,840
Speaker 3: Yeah, Like I could almost even feel like this is

1977
01:25:40,880 --> 01:25:43,559
Speaker 3: my kid, not your step kid, because like god, no

1978
01:25:43,560 --> 01:25:44,200
Speaker 3: one really knows it.

1979
01:25:45,000 --> 01:25:46,960
Speaker 5: But if you're not ready for a kid, that's what

1980
01:25:47,000 --> 01:25:48,880
Speaker 5: I'm saying, Like the baby has no father.

1981
01:25:48,880 --> 01:25:51,040
Speaker 3: It's like practice, it's like practice.

1982
01:25:51,040 --> 01:25:51,960
Speaker 1: It's true.

1983
01:25:52,400 --> 01:25:54,360
Speaker 2: I'm the opposite side of that. If I was to

1984
01:25:54,360 --> 01:25:56,200
Speaker 2: meet a girl and we're out talking and I'm like, yo,

1985
01:25:56,240 --> 01:25:58,799
Speaker 2: so you know, tell me about you know, the relationship

1986
01:25:58,800 --> 01:26:01,640
Speaker 2: with your child's fall that Oh no, I had an

1987
01:26:01,680 --> 01:26:08,160
Speaker 2: anonymous sperm donor. I'm like, nobody wanted to come inside, Like.

1988
01:26:08,720 --> 01:26:10,439
Speaker 8: Come on, that does not.

1989
01:26:12,080 --> 01:26:14,400
Speaker 3: That is no wonder the girls.

1990
01:26:16,240 --> 01:26:18,080
Speaker 8: Listen, that's outside.

1991
01:26:18,160 --> 01:26:20,400
Speaker 2: I'm just saying you couldn't find anybody to have sex,

1992
01:26:20,439 --> 01:26:21,240
Speaker 2: would have a kid with.

1993
01:26:21,439 --> 01:26:24,439
Speaker 3: I don't think that's that a desperation. Is not someone

1994
01:26:24,520 --> 01:26:25,040
Speaker 3: coming me.

1995
01:26:25,560 --> 01:26:27,640
Speaker 2: Not someone. But you couldn't date a guy and like

1996
01:26:27,720 --> 01:26:30,320
Speaker 2: have and like like like him and like, yo, should

1997
01:26:30,320 --> 01:26:31,240
Speaker 2: we could have a family.

1998
01:26:31,360 --> 01:26:33,800
Speaker 3: That sounds way messier. If you're not ready to just

1999
01:26:33,840 --> 01:26:35,360
Speaker 3: have a kid with that person, but ready to have

2000
01:26:35,400 --> 01:26:37,920
Speaker 3: a kid, you can know drama.

2001
01:26:38,800 --> 01:26:40,880
Speaker 1: You can't Cleveland.

2002
01:26:40,960 --> 01:26:43,160
Speaker 2: I just I just can't. Oh my god, I don't know.

2003
01:26:43,520 --> 01:26:45,200
Speaker 2: I'm just I don't know. I just think that if

2004
01:26:45,240 --> 01:26:47,120
Speaker 2: a girl tells me she has a kid, because she

2005
01:26:47,120 --> 01:26:51,400
Speaker 2: hasn't she had anonymous sperm donor. But then also I

2006
01:26:51,479 --> 01:26:52,639
Speaker 2: just have a lot of other questions.

2007
01:26:52,800 --> 01:26:54,680
Speaker 3: What if he's not ready to have a kid either, Like.

2008
01:26:54,840 --> 01:26:58,000
Speaker 2: Yeah, but at least you got a man, like you

2009
01:26:58,080 --> 01:26:58,880
Speaker 2: know what I'm saying.

2010
01:26:58,760 --> 01:27:01,160
Speaker 3: But that could be way more toxic. If you're ready

2011
01:27:01,160 --> 01:27:02,720
Speaker 3: to have a kid, he comes inside of you and

2012
01:27:02,760 --> 01:27:03,160
Speaker 3: then it's.

2013
01:27:03,120 --> 01:27:06,800
Speaker 2: Like, Ooh, I'm not really ready for all that, dad,

2014
01:27:07,160 --> 01:27:07,599
Speaker 2: What I mean?

2015
01:27:07,880 --> 01:27:12,200
Speaker 8: Do you know that, like mall is so fucking funny?

2016
01:27:12,439 --> 01:27:16,479
Speaker 5: You know that, like sometimes men, how can I put this,

2017
01:27:17,280 --> 01:27:19,040
Speaker 5: Sometimes men can tell you that they want to have

2018
01:27:19,120 --> 01:27:21,200
Speaker 5: kids with you, and like, you know, like back out

2019
01:27:21,240 --> 01:27:21,920
Speaker 5: of that a lot of time.

2020
01:27:22,120 --> 01:27:22,920
Speaker 2: Freddie Gibs's dat.

2021
01:27:25,720 --> 01:27:27,320
Speaker 5: You also know that when you have a kid with somebody,

2022
01:27:27,320 --> 01:27:29,360
Speaker 5: they're like, you're not just having a kid, You're locked

2023
01:27:29,400 --> 01:27:30,920
Speaker 5: in with them for the rest of your life.

2024
01:27:30,840 --> 01:27:33,679
Speaker 2: Yeah, But I just think having an anonymous sperm donor,

2025
01:27:34,320 --> 01:27:36,759
Speaker 2: like I don't know, like I need to know about

2026
01:27:36,800 --> 01:27:37,960
Speaker 2: the person like.

2027
01:27:37,880 --> 01:27:39,360
Speaker 3: Why do you need to know about the I feel

2028
01:27:39,400 --> 01:27:40,799
Speaker 3: like for someone it's.

2029
01:27:40,640 --> 01:27:43,439
Speaker 2: Hating a girl and she has a kid, Like I

2030
01:27:43,520 --> 01:27:46,200
Speaker 2: might end up being with this girl for real, long term.

2031
01:27:46,520 --> 01:27:48,920
Speaker 2: I need to know what type of genes your kid

2032
01:27:49,000 --> 01:27:50,519
Speaker 2: has in him? Like what does she get or her?

2033
01:27:50,600 --> 01:27:51,680
Speaker 1: What is she like?

2034
01:27:51,800 --> 01:27:53,559
Speaker 3: Probably to show you the do you feel the same

2035
01:27:53,560 --> 01:27:56,160
Speaker 3: way about like adoption if you were dating girl that adopted?

2036
01:27:56,320 --> 01:27:58,800
Speaker 2: Yeah, wait, what broke?

2037
01:27:58,920 --> 01:27:59,120
Speaker 1: All right?

2038
01:27:59,160 --> 01:28:01,519
Speaker 2: But what about I have to I have to take

2039
01:28:01,560 --> 01:28:03,120
Speaker 2: in your I'm gonna be a stepdad.

2040
01:28:03,200 --> 01:28:03,280
Speaker 4: Right.

2041
01:28:03,320 --> 01:28:05,160
Speaker 3: We talked about this, I think last episode when you

2042
01:28:05,240 --> 01:28:08,840
Speaker 3: date the girl who's the father just completely disappeared, the

2043
01:28:08,880 --> 01:28:09,479
Speaker 3: same thing.

2044
01:28:10,000 --> 01:28:11,439
Speaker 1: In the better scenario dead.

2045
01:28:11,840 --> 01:28:14,320
Speaker 2: Yeah, but at least at least at least you kind

2046
01:28:14,320 --> 01:28:17,719
Speaker 2: of like you you know, like she doesn't know who

2047
01:28:18,479 --> 01:28:19,400
Speaker 2: the sperm donor is.

2048
01:28:19,880 --> 01:28:22,720
Speaker 1: There's plenty of women that with dudes.

2049
01:28:22,439 --> 01:28:24,040
Speaker 2: That said it's an anonymous sperm.

2050
01:28:24,439 --> 01:28:27,920
Speaker 1: Maybe anonymous meaning anymous god.

2051
01:28:28,040 --> 01:28:29,479
Speaker 2: I know his genius she has.

2052
01:28:29,560 --> 01:28:34,080
Speaker 1: I'm certain she has like the statue like built hair color,

2053
01:28:34,160 --> 01:28:34,639
Speaker 1: all that kind.

2054
01:28:34,520 --> 01:28:36,920
Speaker 3: Of We have a friend that did it. I won't

2055
01:28:36,960 --> 01:28:39,120
Speaker 3: say her name, and yeah, she told me that they

2056
01:28:39,200 --> 01:28:41,439
Speaker 3: go through everything like you don't know who it is,

2057
01:28:41,479 --> 01:28:43,040
Speaker 3: but you know a lot about.

2058
01:28:42,920 --> 01:28:46,280
Speaker 2: Yeah, be anonymous though, because I know a girl that's

2059
01:28:46,320 --> 01:28:49,640
Speaker 2: donating her eggs and she straight up anonymous.

2060
01:28:49,720 --> 01:28:52,519
Speaker 3: Yeah anonymous, I think just as far as uh she

2061
01:28:52,680 --> 01:28:56,000
Speaker 3: named social security, like being able to go find that person.

2062
01:28:56,040 --> 01:28:58,519
Speaker 3: You're anonymous, but you still have to present your hell

2063
01:28:58,600 --> 01:29:00,880
Speaker 3: your health ship, like you have.

2064
01:29:00,840 --> 01:29:03,559
Speaker 2: To take all of that before. Absolutely it's a hell thing.

2065
01:29:03,640 --> 01:29:07,840
Speaker 2: But I'm saying you still don't know. I would want

2066
01:29:07,880 --> 01:29:10,880
Speaker 2: to know who sperm this is.

2067
01:29:11,160 --> 01:29:13,760
Speaker 3: You know how many women we know that know their

2068
01:29:13,840 --> 01:29:17,080
Speaker 3: baby father but don't know him at all, like just

2069
01:29:17,160 --> 01:29:19,519
Speaker 3: after a few times he nutted inside of her and

2070
01:29:19,520 --> 01:29:20,160
Speaker 3: now they have a kid.

2071
01:29:20,160 --> 01:29:22,439
Speaker 2: And yeah, but what if I know that, nigga, I

2072
01:29:22,439 --> 01:29:25,680
Speaker 2: could tell something like, Yo, that shit baby father, he's

2073
01:29:25,680 --> 01:29:27,360
Speaker 2: a piece of shit. I could have been told you that.

2074
01:29:27,400 --> 01:29:29,519
Speaker 2: But what does that shorty in the room. I don't know?

2075
01:29:30,080 --> 01:29:32,600
Speaker 5: Fine, why would you have to know what kind of

2076
01:29:32,760 --> 01:29:34,040
Speaker 5: jeans the kid has?

2077
01:29:34,080 --> 01:29:34,160
Speaker 4: Like?

2078
01:29:34,240 --> 01:29:37,920
Speaker 2: What could because if I'm stepdad now right, I meet

2079
01:29:37,960 --> 01:29:40,560
Speaker 2: this girl, she's be cool, hit it off with great compatible,

2080
01:29:40,600 --> 01:29:44,200
Speaker 2: we seem interested in you, so now it stepdad is right,

2081
01:29:44,720 --> 01:29:48,559
Speaker 2: I gotta know, do this little dude have the gene

2082
01:29:48,560 --> 01:29:50,000
Speaker 2: in them to come in here and try to bite

2083
01:29:50,000 --> 01:29:51,680
Speaker 2: me one day, Like, I don't know what's up with him?

2084
01:29:51,680 --> 01:29:52,920
Speaker 3: Like, do have rabies?

2085
01:29:53,200 --> 01:29:53,400
Speaker 1: Yeah?

2086
01:29:53,400 --> 01:29:54,400
Speaker 2: What he got going on?

2087
01:29:54,439 --> 01:29:54,479
Speaker 5: With?

2088
01:29:54,880 --> 01:29:55,920
Speaker 2: What tree he fell from?

2089
01:29:55,960 --> 01:29:57,599
Speaker 1: What buses he ride to school? Yeah?

2090
01:29:57,760 --> 01:29:59,679
Speaker 2: Like you you need to know those things. I think

2091
01:29:59,800 --> 01:30:02,400
Speaker 2: that that's a part of it. Especially. I'm just again

2092
01:30:02,439 --> 01:30:03,120
Speaker 2: I'm speaking on.

2093
01:30:03,280 --> 01:30:05,720
Speaker 5: Because you're saying those things to change the way that

2094
01:30:05,760 --> 01:30:07,200
Speaker 5: you enter into this relationship.

2095
01:30:07,520 --> 01:30:10,120
Speaker 2: Absolutely so, if I'm dating a girl, I would have

2096
01:30:10,200 --> 01:30:11,080
Speaker 2: to be around her child.

2097
01:30:11,200 --> 01:30:14,160
Speaker 5: So if her kid was the type to let's say

2098
01:30:14,600 --> 01:30:19,320
Speaker 5: the kid had special needs in school, right, that would

2099
01:30:19,320 --> 01:30:21,200
Speaker 5: affect whether you want to be with this woman or not.

2100
01:30:21,880 --> 01:30:23,640
Speaker 2: Even if he didn't, it would probably affect if I

2101
01:30:23,680 --> 01:30:24,800
Speaker 2: want to be with it or not. He don't have

2102
01:30:24,800 --> 01:30:28,840
Speaker 2: to have special needs. He could just be a disrespectful

2103
01:30:28,840 --> 01:30:30,600
Speaker 2: little kid. I'd be like, yoa, I can't deal with.

2104
01:30:30,520 --> 01:30:33,880
Speaker 5: It, but you disrespectful little kids are raised, So that

2105
01:30:33,920 --> 01:30:36,080
Speaker 5: means she's raising him to be disrespect I know.

2106
01:30:36,120 --> 01:30:38,559
Speaker 2: Some kids that had a straight and arrow childhood when

2107
01:30:38,560 --> 01:30:40,400
Speaker 2: they hit high school totally different.

2108
01:30:40,920 --> 01:30:43,479
Speaker 8: That's because their father was, oh yeah he locked up.

2109
01:30:43,520 --> 01:30:45,280
Speaker 3: You're doing twenty all right, So what give me the

2110
01:30:45,800 --> 01:30:48,639
Speaker 3: baby father interview. Then let's say you're dating a woman

2111
01:30:48,640 --> 01:30:51,800
Speaker 3: that knows her baby father. You want to be stepdad,

2112
01:30:52,160 --> 01:30:53,799
Speaker 3: but do you want to make sure this kid isn't crazy?

2113
01:30:53,920 --> 01:30:55,120
Speaker 3: Do you interview the baby father?

2114
01:30:55,280 --> 01:30:55,519
Speaker 2: Like what?

2115
01:30:55,720 --> 01:30:55,840
Speaker 7: No?

2116
01:30:55,840 --> 01:30:57,960
Speaker 2: No, no, tell me about you your childhood. No, you want

2117
01:30:58,000 --> 01:30:59,960
Speaker 2: to talk to the woman about her relationship with him.

2118
01:31:00,280 --> 01:31:03,080
Speaker 2: What happened? You know why they didn't work out? You know,

2119
01:31:03,280 --> 01:31:04,840
Speaker 2: is he still active? And is does he is he

2120
01:31:04,920 --> 01:31:07,360
Speaker 2: taking care of his kid? You know whatever? Whatever? Like

2121
01:31:07,800 --> 01:31:09,400
Speaker 2: you have those things. Now, if you have an anonymous

2122
01:31:09,439 --> 01:31:11,639
Speaker 2: sperm donor, you don't you can't answer those questions.

2123
01:31:11,840 --> 01:31:13,519
Speaker 8: Is that not because they're not important questions?

2124
01:31:13,560 --> 01:31:17,040
Speaker 5: Because if it's an anenomenous anonymous sperm daughter, you don't anonymous

2125
01:31:17,040 --> 01:31:18,880
Speaker 5: sperm donor, you don't you need.

2126
01:31:18,800 --> 01:31:20,759
Speaker 8: To know if he's in the life or no.

2127
01:31:21,080 --> 01:31:24,160
Speaker 2: But you still need to know the type of kid,

2128
01:31:24,280 --> 01:31:26,599
Speaker 2: like who that's something you need to know their family,

2129
01:31:26,680 --> 01:31:30,000
Speaker 2: like what what? What type of family? Does this god

2130
01:31:30,000 --> 01:31:33,080
Speaker 2: come from? Mental health like that thing? Those things are

2131
01:31:33,120 --> 01:31:36,960
Speaker 2: all things that can affect your child. Like you just

2132
01:31:37,000 --> 01:31:38,840
Speaker 2: have a lot of questions. If you don't know who

2133
01:31:38,960 --> 01:31:41,200
Speaker 2: the sperm donor is, it could be anybody, like, I

2134
01:31:41,240 --> 01:31:44,160
Speaker 2: believe that's a little tough for us. A dude involved

2135
01:31:45,600 --> 01:31:47,639
Speaker 2: donate sperm. I'm not sure they do.

2136
01:31:47,600 --> 01:31:50,720
Speaker 1: It pretty Let anyone walking not in the cup and

2137
01:31:50,720 --> 01:31:53,519
Speaker 1: then like, yeah, it's pretty thorough. You have to pass

2138
01:31:53,640 --> 01:31:57,240
Speaker 1: a certain level of like health, blood testing all that ship. Okay,

2139
01:31:57,800 --> 01:32:00,240
Speaker 1: there's like there's some barometer for you.

2140
01:32:00,280 --> 01:32:01,960
Speaker 2: Well, let me see his let me see. Let me

2141
01:32:01,960 --> 01:32:05,439
Speaker 2: see the LinkedIn true okay or whatever they call it,

2142
01:32:05,680 --> 01:32:07,519
Speaker 2: the chart on the baby. Yeah, let me just see it.

2143
01:32:07,640 --> 01:32:08,719
Speaker 1: Pull the babies LinkedIn?

2144
01:32:08,880 --> 01:32:09,680
Speaker 2: Yeah, pull it up.

2145
01:32:09,920 --> 01:32:10,639
Speaker 1: Let me see this thing.

2146
01:32:10,720 --> 01:32:14,040
Speaker 3: Well, Laura, to answer your question, mal is interested if

2147
01:32:14,080 --> 01:32:15,479
Speaker 3: you want to come, I not Wait. Don't you know

2148
01:32:15,520 --> 01:32:16,960
Speaker 3: the train route from Cleveland to here?

2149
01:32:17,160 --> 01:32:18,160
Speaker 1: Nope, never heard of it.

2150
01:32:18,520 --> 01:32:19,320
Speaker 3: No, maybe he can.

2151
01:32:19,360 --> 01:32:21,400
Speaker 1: I know someone that could probably recommend. Yeah, the m

2152
01:32:21,400 --> 01:32:23,479
Speaker 1: Trak route. It's thirteen hours. Yeah.

2153
01:32:23,680 --> 01:32:26,800
Speaker 2: Yeah, we get out there, get out there, and you know,

2154
01:32:27,320 --> 01:32:30,559
Speaker 2: let somebody test drive that that hell cat.

2155
01:32:31,280 --> 01:32:32,880
Speaker 1: It's a summer get outside.

2156
01:32:32,640 --> 01:32:34,400
Speaker 3: Yeah, yeah, Cleveland summers.

2157
01:32:34,400 --> 01:32:37,439
Speaker 1: And congrats on your your kids, what busy bones doing.

2158
01:32:38,040 --> 01:32:39,960
Speaker 5: Congrats on your kid, don't make mom felps and the

2159
01:32:40,040 --> 01:32:42,360
Speaker 5: other men will not want to see the car facts

2160
01:32:42,360 --> 01:32:45,320
Speaker 5: on your fucking child, So don't listen to them all.

2161
01:32:45,200 --> 01:32:47,120
Speaker 2: The other men won't even have a relationship with your child.

2162
01:32:47,520 --> 01:32:48,080
Speaker 2: Say that too.

2163
01:32:48,520 --> 01:32:50,240
Speaker 3: It also sounds like she just wants some dick.

2164
01:32:50,360 --> 01:32:51,000
Speaker 8: But I don't want to.

2165
01:32:51,200 --> 01:32:53,160
Speaker 5: I don't want to get her into thinking that men

2166
01:32:53,240 --> 01:32:54,839
Speaker 5: won't want Men love single mothers.

2167
01:32:54,880 --> 01:32:55,880
Speaker 8: Don't don't let them skar.

2168
01:32:56,000 --> 01:32:58,600
Speaker 2: Yeah they do love of course, men love single mothers.

2169
01:32:58,880 --> 01:33:02,519
Speaker 2: Men love women about a kid. The don't take care

2170
01:33:02,520 --> 01:33:04,599
Speaker 2: of their own kid. What do we got next?

2171
01:33:07,520 --> 01:33:10,760
Speaker 1: Okay, next? This kind of goes from coming off the

2172
01:33:10,800 --> 01:33:12,960
Speaker 1: last question. This one kind of flows into this one.

2173
01:33:14,400 --> 01:33:17,320
Speaker 9: Hey, what's up Rory, mal Eden, Julian and the Marish.

2174
01:33:17,720 --> 01:33:20,720
Speaker 9: My name is Juan calling it from Los Angeles. This

2175
01:33:20,800 --> 01:33:24,040
Speaker 9: here regards to y'all talking about being the stepfather. So,

2176
01:33:24,280 --> 01:33:26,639
Speaker 9: my girl got an aunt who was in a relationship

2177
01:33:26,640 --> 01:33:29,080
Speaker 9: for about three four years, had a kid with the man,

2178
01:33:29,760 --> 01:33:31,680
Speaker 9: and then she went from one weekend being with him

2179
01:33:31,680 --> 01:33:33,719
Speaker 9: and his family in Big Bear to the following weekend

2180
01:33:33,800 --> 01:33:34,879
Speaker 9: she brought a new man.

2181
01:33:35,160 --> 01:33:38,040
Speaker 1: Anyways, within a month, this.

2182
01:33:37,880 --> 01:33:40,040
Speaker 9: Guy moved in with her, who, by the way, is

2183
01:33:40,240 --> 01:33:41,160
Speaker 9: ten years older than her.

2184
01:33:41,280 --> 01:33:42,200
Speaker 4: He's about forty five.

2185
01:33:43,320 --> 01:33:46,080
Speaker 9: Immediately, she tells the three year old to call him

2186
01:33:46,640 --> 01:33:51,120
Speaker 9: dad to call his actual dad by his first name.

2187
01:33:51,560 --> 01:33:54,960
Speaker 2: That's missed up. But anyways, last weekend, I.

2188
01:33:54,880 --> 01:33:57,760
Speaker 9: Heard the new man call the kid daddy, and I

2189
01:33:57,800 --> 01:34:01,280
Speaker 9: thought it was weird as fuck. Do my girl said

2190
01:34:01,280 --> 01:34:01,840
Speaker 9: I was a bugger.

2191
01:34:03,600 --> 01:34:07,000
Speaker 5: He heard the kid called I think he said that backwards. Yeah, yeah,

2192
01:34:07,000 --> 01:34:08,519
Speaker 5: he heard the kid called the new.

2193
01:34:08,479 --> 01:34:10,120
Speaker 6: Daddy the new dad, daddy, daddy.

2194
01:34:10,160 --> 01:34:10,920
Speaker 2: And that's his kid.

2195
01:34:11,280 --> 01:34:13,559
Speaker 6: No, No, that's his friend's kid.

2196
01:34:13,479 --> 01:34:16,680
Speaker 2: His friend's kid. He heard his friend's kid called his

2197
01:34:16,840 --> 01:34:22,120
Speaker 2: friend's baby mom's new boyfriend dadaddy. Yeah, yeah, that's that's

2198
01:34:22,200 --> 01:34:23,080
Speaker 2: that's a bit much.

2199
01:34:23,840 --> 01:34:25,280
Speaker 6: But the actually maybe like he called him by his

2200
01:34:25,280 --> 01:34:25,720
Speaker 6: first name.

2201
01:34:25,960 --> 01:34:28,639
Speaker 8: Yeah, the mom told her to do that.

2202
01:34:28,640 --> 01:34:30,639
Speaker 3: That sounds like that's baby mother's spike.

2203
01:34:30,880 --> 01:34:33,680
Speaker 2: That sounds like programming right there, That baby is being programmed.

2204
01:34:34,520 --> 01:34:37,559
Speaker 3: That's that's strictly spite to your ex. I feel like,

2205
01:34:37,760 --> 01:34:41,000
Speaker 3: if you're bringing some new dude and immediately telling my

2206
01:34:41,080 --> 01:34:43,120
Speaker 3: kids to call him dad, you're just you're mad at me,

2207
01:34:43,240 --> 01:34:43,640
Speaker 3: and that's it.

2208
01:34:44,000 --> 01:34:47,840
Speaker 5: Yeah, and you're a cycle and and your yeah, you're

2209
01:34:48,840 --> 01:34:53,120
Speaker 5: you're letting your shittiness of a partner over rise your

2210
01:34:53,200 --> 01:34:54,000
Speaker 5: goodness of a mother.

2211
01:34:54,080 --> 01:34:56,240
Speaker 2: Like you don't don't don't have nobody, don't have no

2212
01:34:56,400 --> 01:35:02,400
Speaker 2: c because now that's just a because now the real father,

2213
01:35:04,120 --> 01:35:07,800
Speaker 2: naturally he's gonna feel away. And then now now him

2214
01:35:07,840 --> 01:35:12,240
Speaker 2: and the new boyfriend have a beef. You see what

2215
01:35:12,240 --> 01:35:14,160
Speaker 2: I'm saying, Like, those are the games that some spif

2216
01:35:14,240 --> 01:35:17,479
Speaker 2: forl women will try to play, like let me see

2217
01:35:17,479 --> 01:35:18,439
Speaker 2: these two fight for me.

2218
01:35:18,520 --> 01:35:20,559
Speaker 3: And then then be surprised when he makes Big Bear

2219
01:35:20,600 --> 01:35:22,320
Speaker 3: look like Christopher Dorner's there.

2220
01:35:22,240 --> 01:35:25,880
Speaker 2: Again, right exactly, So yeah, that's how that happen. That

2221
01:35:26,080 --> 01:35:30,360
Speaker 2: that's fucked up. I don't don't have nobody calling, don't

2222
01:35:30,360 --> 01:35:32,960
Speaker 2: have my child calling, no, no new boyfriend of yours daddy,

2223
01:35:33,000 --> 01:35:34,360
Speaker 2: when you might not even be with this dude with

2224
01:35:34,680 --> 01:35:35,120
Speaker 2: two money.

2225
01:35:35,400 --> 01:35:37,519
Speaker 3: But dud was equally as as sick. She she met

2226
01:35:37,520 --> 01:35:40,200
Speaker 3: her match, Like maybe she should stay with this guy

2227
01:35:40,240 --> 01:35:41,679
Speaker 3: because they both sound equally as sick.

2228
01:35:41,800 --> 01:35:46,800
Speaker 2: Yeah, because he letting it happen. I wouldn't even be like, yo, whoa, whoa,

2229
01:35:47,040 --> 01:35:49,439
Speaker 2: I am not your daddy, like I would tell a

2230
01:35:49,479 --> 01:35:51,160
Speaker 2: kid that like I'm not I'm not your daddy, Like

2231
01:35:51,200 --> 01:35:52,639
Speaker 2: you know who your dad is, you know who you're

2232
01:35:53,000 --> 01:35:53,639
Speaker 2: like don't know.

2233
01:35:53,720 --> 01:35:54,800
Speaker 1: And he said.

2234
01:35:54,800 --> 01:35:58,160
Speaker 3: That there was another dude that she brought up like

2235
01:35:58,200 --> 01:36:00,439
Speaker 3: the week before, and this was a new saying.

2236
01:36:00,360 --> 01:36:02,240
Speaker 5: She was with her she she was with her baby

2237
01:36:02,320 --> 01:36:04,040
Speaker 5: dad and they had a whole family, and then like

2238
01:36:04,040 --> 01:36:06,040
Speaker 5: maybe like two weeks later, she had a whole new boyfriend.

2239
01:36:06,080 --> 01:36:09,360
Speaker 1: They broke up and in that span, so now they

2240
01:36:09,400 --> 01:36:11,680
Speaker 1: broke up. She's calling, She's making her kid call the

2241
01:36:11,720 --> 01:36:14,439
Speaker 1: you guys, Yeah, that's just the victim is the kid?

2242
01:36:14,520 --> 01:36:18,200
Speaker 1: Because absolutely, this poor kid, Like, that's fun up, that's

2243
01:36:18,200 --> 01:36:18,920
Speaker 1: selfish as hell.

2244
01:36:19,040 --> 01:36:20,280
Speaker 3: And this is the type of ship that if they

2245
01:36:20,280 --> 01:36:22,840
Speaker 3: posted on like a shade room or something, it'd be

2246
01:36:22,880 --> 01:36:26,400
Speaker 3: nothing but women in the comments like, yes, queen, do

2247
01:36:26,520 --> 01:36:27,640
Speaker 3: you that's so powerful?

2248
01:36:28,400 --> 01:36:29,160
Speaker 1: That's your baby?

2249
01:36:29,320 --> 01:36:30,800
Speaker 6: Yeah, that's your baby.

2250
01:36:32,560 --> 01:36:32,760
Speaker 1: Up.

2251
01:36:33,560 --> 01:36:34,200
Speaker 3: That's awful.

2252
01:36:34,400 --> 01:36:35,920
Speaker 8: No, I hope that's it is stepdaddy?

2253
01:36:36,000 --> 01:36:42,840
Speaker 2: Season's step daddy?

2254
01:36:44,200 --> 01:36:45,479
Speaker 1: Did the steps shadow?

2255
01:36:49,280 --> 01:36:52,639
Speaker 2: How was it? Stepdaddy? That's funny? What is that?

2256
01:36:52,920 --> 01:36:53,000
Speaker 3: Like?

2257
01:36:53,040 --> 01:36:54,680
Speaker 2: When did that happen? When did that become a thing?

2258
01:36:54,680 --> 01:36:57,040
Speaker 2: When did they start saying that that daddy? Season?

2259
01:36:58,120 --> 01:36:59,320
Speaker 8: Kids? I read it in the shade Room?

2260
01:36:59,400 --> 01:37:01,960
Speaker 1: Who starts exactly? Dey's exactly?

2261
01:37:03,280 --> 01:37:06,479
Speaker 2: Didn't what's her name start that? What's her name? Uh,

2262
01:37:06,640 --> 01:37:08,120
Speaker 2: Brittany Renner? Didn't she start that.

2263
01:37:08,080 --> 01:37:10,000
Speaker 3: Probably please Stepdaddy season.

2264
01:37:10,120 --> 01:37:11,800
Speaker 2: Probably she had it. She had just had a baby

2265
01:37:11,840 --> 01:37:15,000
Speaker 2: with uh with Washington that the wrns, and they broke

2266
01:37:15,080 --> 01:37:17,400
Speaker 2: up not too far after they she had the child,

2267
01:37:17,960 --> 01:37:20,360
Speaker 2: and then she was at like a game or something

2268
01:37:21,040 --> 01:37:23,240
Speaker 2: and she was like, Yo, it's Stepdaddy season. I think

2269
01:37:23,280 --> 01:37:24,960
Speaker 2: that was the first time I think I've ever seen that.

2270
01:37:25,439 --> 01:37:28,320
Speaker 3: And then I think a big, big sexy read or

2271
01:37:28,320 --> 01:37:30,439
Speaker 3: whatever her name is, triple down on it and boundtown.

2272
01:37:31,720 --> 01:37:33,439
Speaker 3: Then she was she was out looking for someone to

2273
01:37:33,479 --> 01:37:33,960
Speaker 3: raise her son.

2274
01:37:34,000 --> 01:37:38,000
Speaker 1: She was looking for the you're right mall she uho?

2275
01:37:42,080 --> 01:37:44,120
Speaker 3: Did you see the clip during commercial break when she

2276
01:37:44,160 --> 01:37:46,160
Speaker 3: was performing that song? They were like playing it at

2277
01:37:46,160 --> 01:37:49,840
Speaker 3: the BET Awards and all the execs from BT were

2278
01:37:49,920 --> 01:37:53,160
Speaker 3: right in front of her in suits, just looking appalled

2279
01:37:53,240 --> 01:37:54,320
Speaker 3: at everything she was saying.

2280
01:37:54,600 --> 01:37:56,960
Speaker 2: Was it funnier than when they had Bobby's murdered dancing

2281
01:37:56,960 --> 01:37:57,519
Speaker 2: on the table?

2282
01:37:58,080 --> 01:37:58,679
Speaker 1: That was sick?

2283
01:37:59,080 --> 01:38:00,920
Speaker 8: That was fucking hilarious?

2284
01:38:01,520 --> 01:38:06,639
Speaker 2: So I know that was just weird. Yeah, anyway, nasty times.

2285
01:38:06,800 --> 01:38:07,639
Speaker 2: What have we got next?

2286
01:38:08,280 --> 01:38:11,599
Speaker 1: We're going to get off the step dad train and

2287
01:38:11,600 --> 01:38:13,000
Speaker 1: get into more relationships stuff.

2288
01:38:13,040 --> 01:38:14,840
Speaker 3: But it's the season for it, a right, tis the

2289
01:38:14,880 --> 01:38:18,880
Speaker 3: season to raise someone Sorry, Britty Runner, you make a

2290
01:38:18,880 --> 01:38:19,599
Speaker 3: good sty It's good.

2291
01:38:19,880 --> 01:38:20,479
Speaker 4: It was good ma.

2292
01:38:22,120 --> 01:38:23,920
Speaker 1: Ed and de Marius Julian.

2293
01:38:24,720 --> 01:38:27,840
Speaker 4: You know me A big fan of your name is

2294
01:38:27,920 --> 01:38:33,559
Speaker 4: Darnelle out of Texas. But what I really wanted to

2295
01:38:33,560 --> 01:38:36,320
Speaker 4: talk to you guys about it is, you know my girls.

2296
01:38:36,520 --> 01:38:40,840
Speaker 4: You know, she kind of dresses, you know, real provocative

2297
01:38:40,840 --> 01:38:42,800
Speaker 4: whenever she goloes out, and I'd be trying to tell

2298
01:38:42,840 --> 01:38:46,320
Speaker 4: her like, I don't know why you want to go

2299
01:38:46,400 --> 01:38:48,360
Speaker 4: out dressing like you know a lot of girls nowadays

2300
01:38:48,400 --> 01:38:51,880
Speaker 4: they be going out dressing like female wrestlers and just

2301
01:38:51,920 --> 01:38:56,080
Speaker 4: showing a whole lot of stuff that really shouldn't be shown. Hey,

2302
01:38:56,120 --> 01:38:58,720
Speaker 4: you know, my question to y'all is how do I

2303
01:38:58,800 --> 01:39:02,320
Speaker 4: really go about it? Because, as you know, anytime I

2304
01:39:02,360 --> 01:39:05,360
Speaker 4: was trying to hold up a standard, or a dude

2305
01:39:05,360 --> 01:39:07,840
Speaker 4: tries to hold up a standard, it's seen as insecurity.

2306
01:39:07,920 --> 01:39:08,639
Speaker 2: Feel what I'm saying.

2307
01:39:08,720 --> 01:39:11,360
Speaker 4: So, I mean, in a situation like that, you know,

2308
01:39:11,400 --> 01:39:15,120
Speaker 4: I really try to tell I mean, like and for

2309
01:39:15,240 --> 01:39:17,320
Speaker 4: a woman in a relationship, like why are you even

2310
01:39:17,360 --> 01:39:19,559
Speaker 4: out there trying to show all that? Like you already

2311
01:39:19,560 --> 01:39:21,600
Speaker 4: got something like I feel like you're showing all that

2312
01:39:21,640 --> 01:39:25,479
Speaker 4: you're trying to attract something like if I'm gonna cover

2313
01:39:25,560 --> 01:39:28,000
Speaker 4: myself up in honey, I'm obviously trying to attract bees.

2314
01:39:28,600 --> 01:39:29,760
Speaker 4: You know what I'm saying. That might have been a

2315
01:39:29,840 --> 01:39:30,720
Speaker 4: terrible analogy.

2316
01:39:30,920 --> 01:39:32,000
Speaker 3: Thought about that analogy for.

2317
01:39:31,920 --> 01:39:33,519
Speaker 2: A while I was at the job. Would go about

2318
01:39:33,520 --> 01:39:35,799
Speaker 2: it in this type of in this type of situation.

2319
01:39:36,400 --> 01:39:36,960
Speaker 1: Appreciate you.

2320
01:39:37,240 --> 01:39:40,639
Speaker 2: I think finally we're back to where we should have started.

2321
01:39:40,720 --> 01:39:43,920
Speaker 2: Three two one Dumper.

2322
01:39:44,040 --> 01:39:47,840
Speaker 3: Yeah, I was gonna say, maybe just like padlocker door,

2323
01:39:47,880 --> 01:39:49,479
Speaker 3: so she can't go sweater.

2324
01:39:49,800 --> 01:39:53,400
Speaker 2: Yeah, Dumper, she's showing all of that. She out there

2325
01:39:53,520 --> 01:39:55,080
Speaker 2: dress like Hulk Hogan.

2326
01:39:55,720 --> 01:39:56,320
Speaker 3: Well I want to know.

2327
01:40:00,560 --> 01:40:04,439
Speaker 2: I mean, listen, man, like you know, yeah, it's like

2328
01:40:04,479 --> 01:40:06,600
Speaker 2: you got to hold this is a sling bikini on

2329
01:40:06,720 --> 01:40:10,400
Speaker 2: going out? Like nah, man, you know, you don't want

2330
01:40:10,439 --> 01:40:11,920
Speaker 2: to get to a point of relationship where you start

2331
01:40:11,960 --> 01:40:14,040
Speaker 2: telling your girl how to dress or you know, not

2332
01:40:14,040 --> 01:40:16,680
Speaker 2: comfortable her wearing something. I think obviously you had that

2333
01:40:16,800 --> 01:40:19,680
Speaker 2: conversation at home and if she doesn't make you know,

2334
01:40:19,760 --> 01:40:22,280
Speaker 2: some changes, you know, that means she just doesn't want

2335
01:40:22,280 --> 01:40:25,160
Speaker 2: to and then you have to make your decision on Okay,

2336
01:40:25,160 --> 01:40:27,320
Speaker 2: well I'm not comfortable with that, and I'm not comfortable

2337
01:40:27,320 --> 01:40:29,439
Speaker 2: with my girl going out dressed like that. So this

2338
01:40:29,600 --> 01:40:30,640
Speaker 2: is just not the person for you.

2339
01:40:30,960 --> 01:40:33,360
Speaker 3: Yeah, I wish you described for women what it was

2340
01:40:33,400 --> 01:40:37,519
Speaker 3: though what he could he possibly could be insecure, It

2341
01:40:37,560 --> 01:40:38,160
Speaker 3: may not be.

2342
01:40:38,120 --> 01:40:41,920
Speaker 2: That wist, it's not. I mean, yes, he would like.

2343
01:40:41,880 --> 01:40:43,840
Speaker 3: To know what's crazy for him as far as what.

2344
01:40:44,000 --> 01:40:46,400
Speaker 2: Yeah, you're right, I'm not going to speak him. He

2345
01:40:46,439 --> 01:40:50,160
Speaker 2: may be insecure, but he addressed that part. He said,

2346
01:40:50,200 --> 01:40:51,720
Speaker 2: you know, when I talk, I don't want to come

2347
01:40:51,720 --> 01:40:54,360
Speaker 2: across insecure or whatever whatever. I don't want to seem insecure.

2348
01:40:55,120 --> 01:40:57,479
Speaker 2: But you know, if your girl got on something, she

2349
01:40:57,560 --> 01:41:00,120
Speaker 2: may be a curvy woman, you know, And you know

2350
01:41:00,200 --> 01:41:02,280
Speaker 2: how there is guy see women address a certain way

2351
01:41:02,280 --> 01:41:05,680
Speaker 2: to attracted to it, which now you know, urges them

2352
01:41:05,680 --> 01:41:08,320
Speaker 2: to want to start a conversation or approach them and

2353
01:41:08,680 --> 01:41:11,320
Speaker 2: try to get that number. But things like that, he's

2354
01:41:11,400 --> 01:41:14,040
Speaker 2: just saying, like, Yo, you got a man like this

2355
01:41:14,080 --> 01:41:16,080
Speaker 2: is going to attract other men the way your dress

2356
01:41:16,120 --> 01:41:17,680
Speaker 2: is going to attract other men. Now, whether or not

2357
01:41:17,720 --> 01:41:21,760
Speaker 2: she engages and you know, gives other men the opportunity

2358
01:41:21,840 --> 01:41:24,760
Speaker 2: to talk to her is a whole nother thing. But

2359
01:41:24,960 --> 01:41:28,679
Speaker 2: I think that he should absolutely like have that talk

2360
01:41:28,840 --> 01:41:31,840
Speaker 2: like listen, I'm not comfortable with that, or you know,

2361
01:41:31,960 --> 01:41:33,679
Speaker 2: no man wants to do this. But then just show

2362
01:41:33,720 --> 01:41:36,040
Speaker 2: up at what she had with pajamas on eating trail mix.

2363
01:41:37,160 --> 01:41:39,960
Speaker 2: You know what I'm saying. Yeah, just become that boy

2364
01:41:40,000 --> 01:41:42,880
Speaker 2: from that like y'all here, I'm here, I'm at the

2365
01:41:42,920 --> 01:41:43,639
Speaker 2: same club, y'all.

2366
01:41:43,720 --> 01:41:46,479
Speaker 3: In what if she pulls out what women think is

2367
01:41:46,520 --> 01:41:49,080
Speaker 3: the big joker and saying that she's getting dressed for

2368
01:41:49,200 --> 01:41:52,160
Speaker 3: her and her and her homegirls. It's not for the guys.

2369
01:41:52,200 --> 01:41:54,080
Speaker 3: When she goes out doing that for.

2370
01:41:54,000 --> 01:41:55,959
Speaker 2: Her, then that's when you hit up with the reverse

2371
01:41:56,000 --> 01:42:00,000
Speaker 2: who know, and you say your girls don't even like you.

2372
01:42:00,080 --> 01:42:02,360
Speaker 1: Wow, you start wearing sweatpants at the club.

2373
01:42:02,439 --> 01:42:03,479
Speaker 3: Go from spades too.

2374
01:42:03,960 --> 01:42:06,320
Speaker 2: The girls don't even like you. I didn't heard them

2375
01:42:06,320 --> 01:42:09,479
Speaker 2: talking about you, right like they don't. Y'all don't even

2376
01:42:09,479 --> 01:42:11,280
Speaker 2: like each other, those girls for two years.

2377
01:42:11,320 --> 01:42:12,840
Speaker 3: Well, what if she says it's just for me, I

2378
01:42:12,840 --> 01:42:14,559
Speaker 3: want to embrace my body. You say, then you don't

2379
01:42:14,560 --> 01:42:15,400
Speaker 3: even love yourself.

2380
01:42:15,680 --> 01:42:17,920
Speaker 2: Yeah, you gotta love yourself more, queen. You start showing

2381
01:42:17,960 --> 01:42:20,439
Speaker 2: up pictures of queens in Africa in the early days

2382
01:42:20,439 --> 01:42:22,639
Speaker 2: and what they were wearing this is how Queen's dressed.

2383
01:42:22,640 --> 01:42:25,400
Speaker 3: Probably topless, a lot of titties out actually, probably a

2384
01:42:25,439 --> 01:42:26,240
Speaker 3: really shitty example.

2385
01:42:26,240 --> 01:42:27,519
Speaker 6: That's what do you think?

2386
01:42:27,800 --> 01:42:31,800
Speaker 2: Not all women in Africa were topless, Julian, I.

2387
01:42:31,680 --> 01:42:33,120
Speaker 3: Mean, I just think in that era in general, a

2388
01:42:33,120 --> 01:42:34,000
Speaker 3: lot of women were t topless.

2389
01:42:34,080 --> 01:42:39,200
Speaker 2: They weren't stick okay, right, topless, And that's certain tribes.

2390
01:42:39,240 --> 01:42:39,720
Speaker 2: First of all.

2391
01:42:40,040 --> 01:42:41,240
Speaker 1: See that's most.

2392
01:42:41,439 --> 01:42:44,439
Speaker 2: No, it's not no, it's not. What are you talking about.

2393
01:42:44,520 --> 01:42:45,720
Speaker 2: You're wrong. It's okay to be wrong.

2394
01:42:45,720 --> 01:42:46,080
Speaker 1: You're wrong.

2395
01:42:47,320 --> 01:42:49,840
Speaker 8: Atoka is the biggest continent in the world.

2396
01:42:49,840 --> 01:42:52,439
Speaker 2: It's okay to be wrong. You're wrong. Not all tribes

2397
01:42:52,439 --> 01:42:53,879
Speaker 2: of women were topless.

2398
01:42:53,880 --> 01:42:56,280
Speaker 1: IM saying all, most, not even most.

2399
01:42:58,120 --> 01:42:59,479
Speaker 8: Y'all gonna make me stand up for women?

2400
01:42:59,680 --> 01:43:02,160
Speaker 2: Yes, I get really tired of women.

2401
01:43:02,640 --> 01:43:05,000
Speaker 6: Yeah, sit down for ones disagree, sir.

2402
01:43:05,680 --> 01:43:07,880
Speaker 5: She dressed like a wrestler when you met her, if

2403
01:43:07,880 --> 01:43:10,720
Speaker 5: she's saying a wrestler when you met her, he didn't

2404
01:43:10,760 --> 01:43:12,800
Speaker 5: have her get in a relationship, and suddenly she got

2405
01:43:12,840 --> 01:43:15,400
Speaker 5: a change and go buy a whole new motherfucking closet

2406
01:43:15,640 --> 01:43:17,879
Speaker 5: because you don't like the way that she dressed, because

2407
01:43:18,000 --> 01:43:20,000
Speaker 5: you afraid that niggas gonna do the same thing that

2408
01:43:20,040 --> 01:43:22,280
Speaker 5: you did when you met her and try to talk

2409
01:43:22,280 --> 01:43:23,960
Speaker 5: to her and then you wiped her up, knowing that

2410
01:43:24,000 --> 01:43:26,800
Speaker 5: she fucking dressed like the rock on a hot day.

2411
01:43:27,920 --> 01:43:30,960
Speaker 3: And also like men are still gonna if she's.

2412
01:43:30,920 --> 01:43:33,360
Speaker 5: She could be in a cosy sweater and in a

2413
01:43:33,439 --> 01:43:37,280
Speaker 5: fucking mad men are still gonna approach you.

2414
01:43:37,320 --> 01:43:39,280
Speaker 2: I would love to see exactly what he's talking about, though,

2415
01:43:39,320 --> 01:43:40,599
Speaker 2: Like I want to see like her dressed.

2416
01:43:40,640 --> 01:43:44,680
Speaker 5: She probably dressed like fashion over here, and like if

2417
01:43:44,720 --> 01:43:48,400
Speaker 5: you go Andrea's Instagram or fucking anybody's in the female

2418
01:43:48,520 --> 01:43:49,320
Speaker 5: I just got over.

2419
01:43:49,240 --> 01:43:52,920
Speaker 2: There for sure.

2420
01:43:53,960 --> 01:43:56,360
Speaker 8: She probably got some cheeks out, some under boob out,

2421
01:43:56,560 --> 01:43:57,439
Speaker 8: like I.

2422
01:43:57,360 --> 01:43:59,000
Speaker 1: Love a good underboob. That's a great way.

2423
01:43:59,080 --> 01:44:00,639
Speaker 3: Guys are also in techus as well.

2424
01:44:01,120 --> 01:44:04,040
Speaker 2: It's hot, so yeah, I kind of get got.

2425
01:44:03,880 --> 01:44:05,160
Speaker 1: A city out in Texas.

2426
01:44:05,400 --> 01:44:08,360
Speaker 5: If she dressed like that before y'all met, you can't

2427
01:44:08,920 --> 01:44:10,840
Speaker 5: ain't nothing. You could talk to her about it, but

2428
01:44:10,880 --> 01:44:12,280
Speaker 5: if she don't want to change it, then you just

2429
01:44:12,280 --> 01:44:14,640
Speaker 5: gotta leave. Like you can't be mad at that or

2430
01:44:14,640 --> 01:44:16,280
Speaker 5: say that she don't love you or she's not respecting you,

2431
01:44:16,360 --> 01:44:17,439
Speaker 5: or that she's trying to get attention.

2432
01:44:17,760 --> 01:44:19,439
Speaker 8: If that's the way that she always dressed.

2433
01:44:19,840 --> 01:44:23,800
Speaker 2: I'm more so time in place, Like it depends on

2434
01:44:23,800 --> 01:44:26,360
Speaker 2: where you're going. Like nothing is worse than a woman

2435
01:44:26,640 --> 01:44:29,519
Speaker 2: wearing the wrong shit at the wrong place. Awful that

2436
01:44:30,080 --> 01:44:34,200
Speaker 2: that is, Like that's embarrassing to me. I get uncomfortable

2437
01:44:34,240 --> 01:44:36,400
Speaker 2: because I know it's like everybody's like this ain't even

2438
01:44:36,400 --> 01:44:39,639
Speaker 2: the environment for that, Like why are you wearing that shit? Now?

2439
01:44:39,640 --> 01:44:42,240
Speaker 2: If you're getting you know, throwing some shit on and

2440
01:44:42,280 --> 01:44:44,720
Speaker 2: go to the club and cool, put that shit on.

2441
01:44:44,800 --> 01:44:47,519
Speaker 2: Like you know, I'm not have a ball. But if

2442
01:44:47,600 --> 01:44:49,760
Speaker 2: we're going to a nice restaurant.

2443
01:44:49,280 --> 01:44:51,360
Speaker 8: To eat and you look like sexy w rest.

2444
01:44:51,800 --> 01:44:54,240
Speaker 2: Some married couples here, you shouldn't be dressed like this,

2445
01:44:54,439 --> 01:44:56,599
Speaker 2: like like come on, like put you know what I mean?

2446
01:44:56,640 --> 01:44:59,040
Speaker 2: Because you can be sexy and being covered up.

2447
01:44:59,080 --> 01:45:00,880
Speaker 5: There's also a way to be know, be sexy and

2448
01:45:00,920 --> 01:45:04,360
Speaker 5: be elegant absolutely showing a low back. If you want

2449
01:45:04,400 --> 01:45:05,880
Speaker 5: to show something, show some back. It don't always have

2450
01:45:05,880 --> 01:45:06,400
Speaker 5: to be titties and.

2451
01:45:06,400 --> 01:45:08,800
Speaker 2: That everybody got whack back though, and now everybody got

2452
01:45:08,840 --> 01:45:13,240
Speaker 2: a good back, show a whack back. No, like if

2453
01:45:13,240 --> 01:45:15,160
Speaker 2: you got a good back, if you got a good back,

2454
01:45:15,160 --> 01:45:15,720
Speaker 2: show that though.

2455
01:45:15,960 --> 01:45:18,240
Speaker 3: You know what I mean, maybe get evening, go commando

2456
01:45:18,280 --> 01:45:19,120
Speaker 3: with some grace, weatpants.

2457
01:45:19,160 --> 01:45:21,320
Speaker 1: That's what I'm saying, take hit the club.

2458
01:45:21,760 --> 01:45:27,320
Speaker 2: Yeah, that's what we don't listen to Julian's advice double

2459
01:45:27,360 --> 01:45:28,200
Speaker 2: standards again.

2460
01:45:28,479 --> 01:45:30,760
Speaker 1: Why not she's showing under titty. He can't pitch a

2461
01:45:30,840 --> 01:45:31,439
Speaker 1: tent in the club.

2462
01:45:31,560 --> 01:45:35,200
Speaker 2: No, he cannot and should not. That's sexual assault. How

2463
01:45:35,200 --> 01:45:35,679
Speaker 2: about its.

2464
01:45:35,600 --> 01:45:37,280
Speaker 1: Assault not telling them to do something with him? It's

2465
01:45:37,320 --> 01:45:37,920
Speaker 1: going to pull up.

2466
01:45:38,040 --> 01:45:40,160
Speaker 3: And I just feel like the underboo work at the club.

2467
01:45:40,240 --> 01:45:42,800
Speaker 3: I just don't know if just being hard at the club.

2468
01:45:42,800 --> 01:45:45,400
Speaker 2: Because now I'm the security to get this dude out

2469
01:45:45,400 --> 01:45:47,120
Speaker 2: of here, Like, yo, do we get I'll give you

2470
01:45:47,200 --> 01:45:48,880
Speaker 2: two hundred dollars. So if you get this dude out

2471
01:45:48,920 --> 01:45:51,120
Speaker 2: of the clubs, and you know there's a lot of

2472
01:45:51,120 --> 01:45:53,080
Speaker 2: people out, well, I ain't saying all that.

2473
01:45:53,000 --> 01:45:56,080
Speaker 3: You've had to navigate through a club before you brushed

2474
01:45:56,080 --> 01:45:57,040
Speaker 3: it against people.

2475
01:45:56,800 --> 01:45:57,519
Speaker 1: Now even bump.

2476
01:45:58,160 --> 01:46:00,000
Speaker 3: Can you imagine someone just rock hard trying to get

2477
01:46:00,439 --> 01:46:01,280
Speaker 3: just get speared.

2478
01:46:01,400 --> 01:46:03,479
Speaker 2: Yeah, that's how a fight. You can't Now your hey

2479
01:46:03,560 --> 01:46:06,599
Speaker 2: got busted open with a whole Hennessy bottle and your

2480
01:46:06,640 --> 01:46:08,720
Speaker 2: girl is still happen to like you and your girls

2481
01:46:08,720 --> 01:46:11,840
Speaker 2: still and now you're in the hospital bleeding, like she

2482
01:46:12,080 --> 01:46:12,800
Speaker 2: should have just stayed.

2483
01:46:13,040 --> 01:46:16,680
Speaker 1: What's what's her behavior on the nights out? So you're

2484
01:46:16,720 --> 01:46:18,599
Speaker 1: saying these are this happens on the girl nights.

2485
01:46:18,600 --> 01:46:19,519
Speaker 2: Oh, women do the same thing.

2486
01:46:19,560 --> 01:46:21,439
Speaker 1: I'm when she comes home, like is it does she

2487
01:46:21,560 --> 01:46:24,720
Speaker 1: come home at a decent hour? Like how drunk is she?

2488
01:46:24,760 --> 01:46:24,880
Speaker 4: When?

2489
01:46:25,240 --> 01:46:26,720
Speaker 1: Like if she comes home after a night out and

2490
01:46:26,760 --> 01:46:28,840
Speaker 1: it's like okay, like, yeah, she wore that outfit, but

2491
01:46:28,920 --> 01:46:31,439
Speaker 1: she's home at an hour that you agree upon. She's

2492
01:46:31,479 --> 01:46:34,599
Speaker 1: not sloppy drunk. You go to bed together, don't There's

2493
01:46:34,720 --> 01:46:35,760
Speaker 1: room for me to be like.

2494
01:46:35,760 --> 01:46:37,280
Speaker 2: Okay, like what what time can you?

2495
01:46:37,320 --> 01:46:37,559
Speaker 1: Girl?

2496
01:46:37,720 --> 01:46:38,160
Speaker 2: You should you?

2497
01:46:38,240 --> 01:46:38,400
Speaker 3: Girl?

2498
01:46:38,760 --> 01:46:41,120
Speaker 1: I'm not a curfew person, but if you're consistently coming

2499
01:46:41,120 --> 01:46:43,120
Speaker 1: home at like three four, then it's like, what the

2500
01:46:43,120 --> 01:46:43,840
Speaker 1: fuck are you doing?

2501
01:46:44,520 --> 01:46:45,439
Speaker 3: Three four is crazy?

2502
01:46:45,479 --> 01:46:46,040
Speaker 1: That's crazy?

2503
01:46:46,120 --> 01:46:46,240
Speaker 4: Right.

2504
01:46:46,240 --> 01:46:50,040
Speaker 1: I'm not bugging for saying that things are like openly yeah, yeah,

2505
01:46:50,080 --> 01:46:53,479
Speaker 1: but like if you're in a real serious relationship still

2506
01:46:55,520 --> 01:46:58,000
Speaker 1: club and she's like I'm going to an after hour?

2507
01:46:58,120 --> 01:47:00,920
Speaker 1: No you're not. What are you doing? And after yeah,

2508
01:47:00,920 --> 01:47:02,559
Speaker 1: like something that starts at six am?

2509
01:47:02,600 --> 01:47:03,320
Speaker 2: What the fuck are you doing?

2510
01:47:04,000 --> 01:47:06,400
Speaker 8: Because I've been out with you, and you'd be moving out.

2511
01:47:06,200 --> 01:47:07,759
Speaker 1: Here in the streets very single.

2512
01:47:08,320 --> 01:47:08,760
Speaker 2: There you go.

2513
01:47:08,920 --> 01:47:11,200
Speaker 8: So if you're in a relationship, we wouldn't be hopping

2514
01:47:11,200 --> 01:47:11,599
Speaker 8: from party.

2515
01:47:11,840 --> 01:47:15,320
Speaker 1: I wouldn't unless I'm with my girl. I wouldn't feel

2516
01:47:15,320 --> 01:47:17,519
Speaker 1: the urge to go somewhere at like to like five am.

2517
01:47:17,600 --> 01:47:19,320
Speaker 2: Now, I don't want to be nowhere at five.

2518
01:47:19,479 --> 01:47:21,360
Speaker 8: I don't want to be a man or wake up

2519
01:47:21,360 --> 01:47:22,040
Speaker 8: at five if.

2520
01:47:21,960 --> 01:47:26,160
Speaker 3: You're at the Aftes man or woman at five thirty six. Yeah,

2521
01:47:26,200 --> 01:47:27,720
Speaker 3: and I don't do the drugs that I used to

2522
01:47:27,800 --> 01:47:29,400
Speaker 3: do for that shit anymore. Like I don't do that

2523
01:47:29,479 --> 01:47:31,760
Speaker 3: kind of stuff. I'm not outside like that. I took

2524
01:47:31,800 --> 01:47:33,920
Speaker 3: a nap in the middle of the BT Awards. I

2525
01:47:33,960 --> 01:47:35,960
Speaker 3: was enjoying it. I was just that exhausted. Yeah, it's

2526
01:47:35,960 --> 01:47:37,439
Speaker 3: like it still goes till midnight.

2527
01:47:37,479 --> 01:47:39,519
Speaker 6: You guys wouldn't date like a bartender or something like that.

2528
01:47:40,040 --> 01:47:43,559
Speaker 3: No, not because I have anything against that. It's I've

2529
01:47:43,600 --> 01:47:46,280
Speaker 3: talked to bartenders before. Yeah, and I didn't see them

2530
01:47:46,280 --> 01:47:49,120
Speaker 3: because we had we lived in completely different time world

2531
01:47:49,120 --> 01:47:51,799
Speaker 3: at that point. Like I'm not with till four am

2532
01:47:51,880 --> 01:47:52,240
Speaker 3: for you to.

2533
01:47:52,360 --> 01:47:55,360
Speaker 2: I'm not saying I wouldn't because I have, but It's

2534
01:47:55,400 --> 01:47:58,080
Speaker 2: just it's tough, especially as the older you get. It's

2535
01:47:58,120 --> 01:47:59,840
Speaker 2: like you're not really you, not on that algorithm. No

2536
01:47:59,840 --> 01:48:02,679
Speaker 2: more like you you're great to go to sleep, she's

2537
01:48:02,720 --> 01:48:03,400
Speaker 2: great to go out.

2538
01:48:03,760 --> 01:48:06,840
Speaker 1: They're living on like London time, Yes, in New York.

2539
01:48:07,000 --> 01:48:09,280
Speaker 2: Yeah, it's just hard to Now, when I'm getting up,

2540
01:48:09,600 --> 01:48:11,479
Speaker 2: you probably just getting in because you had to count

2541
01:48:11,479 --> 01:48:14,679
Speaker 2: out the register or whatever this day. What were we doing.

2542
01:48:15,400 --> 01:48:18,040
Speaker 2: I'm just not go data promoter.

2543
01:48:18,880 --> 01:48:19,720
Speaker 1: That would work.

2544
01:48:20,520 --> 01:48:24,840
Speaker 2: I'm just saying it's not. We on two totally different altorims.

2545
01:48:25,160 --> 01:48:26,920
Speaker 2: It's like, bro, I'm not I'm getting ready to get

2546
01:48:27,000 --> 01:48:29,439
Speaker 2: up and do what I do. You're just getting in bed.

2547
01:48:29,520 --> 01:48:31,439
Speaker 3: Like I would say the same thing for a nurse

2548
01:48:31,479 --> 01:48:33,320
Speaker 3: that like only does the graveyard shift. It'd be the

2549
01:48:33,320 --> 01:48:33,639
Speaker 3: same thing.

2550
01:48:33,680 --> 01:48:36,000
Speaker 2: It's tough. It's the same shit. It's just tough. Like

2551
01:48:36,040 --> 01:48:39,719
Speaker 2: it's you gotta find somebody where it matches you, it matches.

2552
01:48:39,800 --> 01:48:42,160
Speaker 2: That's why being in relationships is tough, because you got

2553
01:48:42,160 --> 01:48:45,160
Speaker 2: to find somebody compatible with somebody that you just match with.

2554
01:48:45,320 --> 01:48:47,000
Speaker 2: Y'all on the same type of thing. Y'all like the

2555
01:48:47,000 --> 01:48:49,800
Speaker 2: same type of things, have the same type of mindsets on,

2556
01:48:49,960 --> 01:48:53,600
Speaker 2: you know, not everything but most things. But yeah, if

2557
01:48:53,640 --> 01:48:56,200
Speaker 2: your girl is dressing you know, way too provocative or

2558
01:48:56,240 --> 01:48:59,960
Speaker 2: too sexy for your liking and going out with the girls,

2559
01:49:00,560 --> 01:49:04,680
Speaker 2: I can understand how that's a problem. But I mean, listen, man,

2560
01:49:04,680 --> 01:49:06,040
Speaker 2: you can't tell her not the way that no more,

2561
01:49:06,240 --> 01:49:07,120
Speaker 2: they'll cancel you.

2562
01:49:07,600 --> 01:49:10,400
Speaker 3: And the bartender thing worked like when the arrow was

2563
01:49:10,439 --> 01:49:13,680
Speaker 3: Thursday through Sunday. These chicks are working seven days a

2564
01:49:13,720 --> 01:49:17,200
Speaker 3: week in New York. These bartenders like even on a Monday.

2565
01:49:17,160 --> 01:49:21,000
Speaker 1: And work at that makes a big difference. That's a

2566
01:49:21,000 --> 01:49:25,080
Speaker 1: big difference. Yeah. Yeah, if my girl worked at like

2567
01:49:25,120 --> 01:49:28,639
Speaker 1: a really nice like cocktail lounge or something like that,

2568
01:49:28,880 --> 01:49:31,720
Speaker 1: and she was like whatever, the bartender or whatever someone there,

2569
01:49:32,400 --> 01:49:32,880
Speaker 1: that's cool.

2570
01:49:33,680 --> 01:49:35,680
Speaker 3: There's no money in this because all the ones you

2571
01:49:35,920 --> 01:49:37,720
Speaker 3: wouldn't want your girl working at is where she would

2572
01:49:37,760 --> 01:49:38,840
Speaker 3: make the money.

2573
01:49:39,000 --> 01:49:42,240
Speaker 2: You don't want your girl with an NBA niggas is at.

2574
01:49:42,000 --> 01:49:44,240
Speaker 8: But that's the thing though, like why does that why

2575
01:49:44,240 --> 01:49:45,559
Speaker 8: does that matter?

2576
01:49:46,000 --> 01:49:46,240
Speaker 2: What?

2577
01:49:47,000 --> 01:49:49,479
Speaker 1: Well, it's just like the crowd and the people that

2578
01:49:49,720 --> 01:49:52,120
Speaker 1: I just I just don't want. I don't like hanging

2579
01:49:52,120 --> 01:49:54,080
Speaker 1: out in those environments. So someone that I care about

2580
01:49:54,080 --> 01:49:55,960
Speaker 1: I probably just wouldn't be attracted someone that would be

2581
01:49:55,960 --> 01:49:57,160
Speaker 1: in those environments like that.

2582
01:49:58,080 --> 01:50:00,280
Speaker 8: But she's working hm.

2583
01:50:00,479 --> 01:50:02,360
Speaker 1: But like they hire a certain kind of person.

2584
01:50:02,400 --> 01:50:04,640
Speaker 8: You can watch time, Like, I don't want you to

2585
01:50:04,680 --> 01:50:05,400
Speaker 8: coming to work here.

2586
01:50:05,600 --> 01:50:07,559
Speaker 5: You work with all men, well before Yomi got here,

2587
01:50:07,600 --> 01:50:09,400
Speaker 5: you work with all men, and they all get bitches.

2588
01:50:09,400 --> 01:50:10,600
Speaker 8: So I'm very uncomfortable with you.

2589
01:50:10,760 --> 01:50:13,120
Speaker 1: There's a fucking studio. We podcasts for a living. We're

2590
01:50:13,120 --> 01:50:13,920
Speaker 1: not on the club.

2591
01:50:15,479 --> 01:50:17,280
Speaker 3: And like what we're threatening.

2592
01:50:17,479 --> 01:50:21,200
Speaker 1: We're drinking energy drinks and talking about music.

2593
01:50:21,240 --> 01:50:24,080
Speaker 5: J The fucking NBA players that he that his girl

2594
01:50:24,160 --> 01:50:28,840
Speaker 5: is serving fucking Makers Mark two aren't threatening either.

2595
01:50:29,240 --> 01:50:30,759
Speaker 8: But it all depends on how shot.

2596
01:50:31,320 --> 01:50:34,240
Speaker 2: Come on, shit, it got me fucked up. You serve

2597
01:50:34,320 --> 01:50:36,599
Speaker 2: that six eight nigga one more shot, he gonna get shot.

2598
01:50:36,640 --> 01:50:37,479
Speaker 2: That's what's gonna happen.

2599
01:50:37,720 --> 01:50:38,519
Speaker 6: I shot for shot.

2600
01:50:38,840 --> 01:50:39,599
Speaker 2: Yeah wow.

2601
01:50:40,320 --> 01:50:42,559
Speaker 3: And it's sick for an athlete to drink makers Mark.

2602
01:50:43,720 --> 01:50:45,680
Speaker 2: That's wrong with that guy.

2603
01:50:46,320 --> 01:50:49,160
Speaker 3: He's plays doing something sick if he's ordering Makers Mark

2604
01:50:49,560 --> 01:50:53,360
Speaker 3: at Starletts. They have that at Starlet's, I don't.

2605
01:50:53,160 --> 01:50:59,400
Speaker 2: Know know they have hennessy uh rack fucking champagne there.

2606
01:50:59,800 --> 01:51:00,920
Speaker 2: It all right?

2607
01:51:01,080 --> 01:51:02,360
Speaker 3: Well, I mean, best of luck.

2608
01:51:02,560 --> 01:51:05,439
Speaker 2: I would tell your girls staying to fight or just

2609
01:51:05,439 --> 01:51:07,840
Speaker 2: flat out to say, hey, I think that's inappropriate for

2610
01:51:07,880 --> 01:51:09,479
Speaker 2: being in a relationship, and see what her.

2611
01:51:10,280 --> 01:51:13,920
Speaker 8: Shopping or get the fuck over it to take your shopping.

2612
01:51:14,320 --> 01:51:14,960
Speaker 2: Take a shopping.

2613
01:51:15,000 --> 01:51:16,840
Speaker 1: He said he had a conversation with her about it already,

2614
01:51:16,880 --> 01:51:19,439
Speaker 1: right yeah, so okay, Yeah, then if she's not willing.

2615
01:51:19,200 --> 01:51:21,160
Speaker 2: To go take a shopping, we'll get a new wardrobe.

2616
01:51:21,400 --> 01:51:23,320
Speaker 2: You know, some sweat, some new pieces.

2617
01:51:24,240 --> 01:51:27,880
Speaker 8: Go get with the fucking somebody who wears Cosby sweaters.

2618
01:51:27,880 --> 01:51:29,360
Speaker 8: You you can't be with it. You can't be a

2619
01:51:29,360 --> 01:51:29,760
Speaker 8: bad bitch.

2620
01:51:29,840 --> 01:51:32,559
Speaker 3: See if Lauren is her body type becau, Lauren is

2621
01:51:32,560 --> 01:51:35,000
Speaker 3: going from being a nun now to doing outside to

2622
01:51:35,040 --> 01:51:38,240
Speaker 3: give the pussy up. She's gonna give up that numb wardrobe. True,

2623
01:51:38,439 --> 01:51:41,559
Speaker 3: donate it to uh his girl. We can connect people

2624
01:51:41,600 --> 01:51:42,920
Speaker 3: with this whole voicemail thing.

2625
01:51:43,360 --> 01:51:45,679
Speaker 5: Bad because for everybody, and I think people need to

2626
01:51:45,720 --> 01:51:47,439
Speaker 5: be more honest with themselves about that.

2627
01:51:47,520 --> 01:51:48,160
Speaker 1: They're not for me.

2628
01:51:48,240 --> 01:51:49,519
Speaker 3: I know that that's true.

2629
01:51:49,840 --> 01:51:53,879
Speaker 1: That's that's a profound exhausting of a lifestyle. It's very exhausting,

2630
01:51:54,360 --> 01:51:55,840
Speaker 1: like an understated beautiful woman.

2631
01:51:55,880 --> 01:51:57,960
Speaker 5: When y'all were talking about like women taking too long

2632
01:51:58,000 --> 01:51:58,960
Speaker 5: to get ready and all of that.

2633
01:51:59,120 --> 01:52:00,720
Speaker 8: I said, bad bitch say for everybody.

2634
01:52:00,880 --> 01:52:05,800
Speaker 2: No, no, I don't do that's just because it takes

2635
01:52:05,800 --> 01:52:07,719
Speaker 2: you long to get Chuck told me you a bad bitch.

2636
01:52:07,800 --> 01:52:08,479
Speaker 8: No what I mean?

2637
01:52:08,560 --> 01:52:10,559
Speaker 5: No, No, But what I mean by what I mean

2638
01:52:10,600 --> 01:52:12,240
Speaker 5: by bad bitch? You know what I mean what I

2639
01:52:12,240 --> 01:52:14,360
Speaker 5: mean by bad bitch. I'm not talking about girls who

2640
01:52:14,439 --> 01:52:18,080
Speaker 5: are obviously pretty right or beautiful women. When I say

2641
01:52:18,120 --> 01:52:20,439
Speaker 5: a bad bitch lifestyle. When I think of that, I

2642
01:52:20,479 --> 01:52:22,200
Speaker 5: think of the girls who are going to go get

2643
01:52:22,680 --> 01:52:26,160
Speaker 5: the bust down, the hair, the nails, the lashes, the

2644
01:52:26,680 --> 01:52:28,599
Speaker 5: spray tand the ones.

2645
01:52:28,720 --> 01:52:30,880
Speaker 8: You know what bad bitches are. You know what I'm

2646
01:52:30,920 --> 01:52:33,759
Speaker 8: talking It's the lifestyle.

2647
01:52:33,760 --> 01:52:36,000
Speaker 5: It's the ones who put all that effort into the

2648
01:52:36,000 --> 01:52:38,320
Speaker 5: way that they look so bad can be bad bitches.

2649
01:52:39,240 --> 01:52:40,679
Speaker 1: Yeah, okay for sure.

2650
01:52:40,720 --> 01:52:41,320
Speaker 2: Yeah, but I don't.

2651
01:52:41,400 --> 01:52:41,759
Speaker 1: I don't.

2652
01:52:42,360 --> 01:52:44,400
Speaker 2: Again, you're talking to somebody that's just a little older

2653
01:52:44,439 --> 01:52:47,920
Speaker 2: and past that stage. I just because you can always

2654
01:52:47,920 --> 01:52:49,800
Speaker 2: get your hand nails done throughout the week, whatever. Just

2655
01:52:49,920 --> 01:52:52,960
Speaker 2: up keep self care, self maintenance. That's a thing that

2656
01:52:53,000 --> 01:52:53,680
Speaker 2: you just have to have.

2657
01:52:53,640 --> 01:52:55,439
Speaker 5: As an adult or somebody who's gonna put like the

2658
01:52:55,439 --> 01:52:57,400
Speaker 5: people who put a pound and makeup on and they're

2659
01:52:57,400 --> 01:52:58,639
Speaker 5: gonna they have.

2660
01:52:58,600 --> 01:53:02,240
Speaker 8: To freshly curl their hair, y'all know exactly the yeah, yeah.

2661
01:53:02,040 --> 01:53:04,080
Speaker 2: But that's not an every day thing. No, like you

2662
01:53:04,080 --> 01:53:05,920
Speaker 2: don't even know every night.

2663
01:53:06,160 --> 01:53:08,639
Speaker 5: Yeah, when we were talking about going out, it takes

2664
01:53:08,640 --> 01:53:09,639
Speaker 5: two get ready.

2665
01:53:09,680 --> 01:53:10,840
Speaker 2: Yeah, but you got to be a pro at this

2666
01:53:10,840 --> 01:53:11,960
Speaker 2: by now, you know, not how long it take you

2667
01:53:12,000 --> 01:53:13,639
Speaker 2: to do all that shit? By now? You've been doing

2668
01:53:13,640 --> 01:53:16,000
Speaker 2: this ship for years. You've been putting on makeup to

2669
01:53:16,040 --> 01:53:19,320
Speaker 2: go out, doing your hair before you go out, finding

2670
01:53:19,320 --> 01:53:20,880
Speaker 2: the outfit. You've been doing this for you How long

2671
01:53:20,880 --> 01:53:22,840
Speaker 2: have you been doing this? Like, you have to be

2672
01:53:22,880 --> 01:53:25,320
Speaker 2: a pro bot at this by now. So it's like

2673
01:53:25,360 --> 01:53:27,559
Speaker 2: what we're doing, like you mean, you're gonna still take

2674
01:53:27,640 --> 01:53:30,559
Speaker 2: forever for us to make it appointment, a reservation somewhere,

2675
01:53:30,600 --> 01:53:34,360
Speaker 2: like just to put on makeup and hair and something

2676
01:53:34,400 --> 01:53:37,880
Speaker 2: to wear. Like, No, there's women that look great and

2677
01:53:37,920 --> 01:53:40,559
Speaker 2: they can get ready in forty minutes. Had to tell

2678
01:53:40,600 --> 01:53:43,639
Speaker 2: shot with everything. I love those kind of women absolutely best.

2679
01:53:44,439 --> 01:53:49,240
Speaker 2: I love those anyways. What that was another episode of voicemails.

2680
01:53:49,640 --> 01:53:52,680
Speaker 2: Thank you for sending these voicemails. It's a lot of

2681
01:53:52,680 --> 01:53:54,240
Speaker 2: fun listening to somebody I gotta go through. I want

2682
01:53:54,240 --> 01:53:55,639
Speaker 2: to go through some of them listens out of feeling

2683
01:53:55,680 --> 01:53:57,559
Speaker 2: Julian was skipping over some really good ones. I agreed.

2684
01:53:57,640 --> 01:54:00,160
Speaker 3: You know, Julian still has this voicemail set up him

2685
01:54:00,160 --> 01:54:01,080
Speaker 3: over the weekend on the phone.

2686
01:54:01,240 --> 01:54:02,360
Speaker 2: Oh yeah, and he had.

2687
01:54:02,240 --> 01:54:03,599
Speaker 3: He has a legitimate voicemail.

2688
01:54:03,640 --> 01:54:05,280
Speaker 2: It's like your voice, like he is, Julian.

2689
01:54:05,560 --> 01:54:09,240
Speaker 1: Please. My friend uh called me out because it used

2690
01:54:09,240 --> 01:54:11,600
Speaker 1: to be way worse and I updated it and I

2691
01:54:11,600 --> 01:54:14,160
Speaker 1: thought it was better. Not having one is better?

2692
01:54:14,560 --> 01:54:15,280
Speaker 6: Yeah, way better?

2693
01:54:15,439 --> 01:54:17,599
Speaker 2: Yeah, I can, I can. I call your phone right now.

2694
01:54:17,640 --> 01:54:20,679
Speaker 2: You let the voicemail like, sure, all right, it's pretty sick.

2695
01:54:20,800 --> 01:54:21,880
Speaker 2: I want to hear what you I want to hear

2696
01:54:21,880 --> 01:54:22,679
Speaker 2: what it's not good.

2697
01:54:22,800 --> 01:54:25,640
Speaker 3: I almost left the voicemail after I heard it, but

2698
01:54:25,680 --> 01:54:29,240
Speaker 3: I stopped myself, Like do you believe you voicemails?

2699
01:54:29,280 --> 01:54:30,040
Speaker 2: Beside your parents?

2700
01:54:30,760 --> 01:54:33,600
Speaker 1: Even my mom is My friends as jokes too, because

2701
01:54:33,640 --> 01:54:35,240
Speaker 1: they always make fun of my voicemail.

2702
01:54:35,800 --> 01:54:37,160
Speaker 2: All right, I'm calling your phone now.

2703
01:54:37,280 --> 01:54:39,080
Speaker 3: Does anyone else have a voicemailer you played in?

2704
01:54:39,680 --> 01:54:43,000
Speaker 2: I don't know if my going to play right again.

2705
01:54:43,920 --> 01:54:44,600
Speaker 3: It was nasty.

2706
01:54:45,680 --> 01:54:46,640
Speaker 2: It can't be that bad.

2707
01:54:47,280 --> 01:54:49,200
Speaker 1: Ignore, I'm not going to answer it.

2708
01:54:49,240 --> 01:54:53,640
Speaker 3: Well hit side button, save some time. Oh I thought

2709
01:54:53,640 --> 01:54:55,600
Speaker 3: that used to send it to boicemail Julian.

2710
01:54:55,720 --> 01:54:56,600
Speaker 4: Sorry, I'm gonna available.

2711
01:54:56,880 --> 01:54:58,520
Speaker 1: Please leave the message. I'll get back to you too

2712
01:54:58,520 --> 01:55:02,640
Speaker 1: as I can. Yes, it used to be where it

2713
01:55:02,720 --> 01:55:08,040
Speaker 1: used to be. Yeah, it was, Yeah, it was just

2714
01:55:08,120 --> 01:55:08,680
Speaker 1: it was a lot.

2715
01:55:09,560 --> 01:55:10,840
Speaker 2: Hey, it's not bad.

2716
01:55:11,160 --> 01:55:12,920
Speaker 1: I think it's not better than everyone when you call

2717
01:55:12,960 --> 01:55:16,720
Speaker 1: it just like okay, I don't even have on my phone.

2718
01:55:16,760 --> 01:55:19,760
Speaker 1: It's just no one has a voicemail like or will

2719
01:55:19,800 --> 01:55:21,520
Speaker 1: text me vocable voicemails.

2720
01:55:21,560 --> 01:55:24,839
Speaker 3: It used to make sense without like caller ID and everything.

2721
01:55:24,840 --> 01:55:26,640
Speaker 3: Why are you saying, hey, it's Julian. I know it is.

2722
01:55:26,680 --> 01:55:27,920
Speaker 3: I just hit Julian on my phone.

2723
01:55:30,040 --> 01:55:32,160
Speaker 2: That's why I was sitting there when I was like, no,

2724
01:55:32,240 --> 01:55:32,960
Speaker 2: I know it's Julian.

2725
01:55:33,440 --> 01:55:34,160
Speaker 3: I'll text you.

2726
01:55:34,240 --> 01:55:35,839
Speaker 2: Hey, hey it's Julian.

2727
01:55:36,040 --> 01:55:36,560
Speaker 3: I know it is.

2728
01:55:37,840 --> 01:55:39,080
Speaker 1: Well, you know, with all the.

2729
01:55:40,880 --> 01:55:46,360
Speaker 2: World global warming, global warming, I get it. Happened that

2730
01:55:47,320 --> 01:55:50,520
Speaker 2: I get it. I understand. Oh man, all right, well,

2731
01:55:50,600 --> 01:55:56,120
Speaker 2: uh subscribe to our Patreon new roryanmaul dot com merch

2732
01:55:56,240 --> 01:56:01,000
Speaker 2: is now available as well. We appreciate everybody. We appreciate

2733
01:56:01,040 --> 01:56:05,040
Speaker 2: everybody buying the merch merchant selling selling out fast. It's

2734
01:56:05,040 --> 01:56:08,560
Speaker 2: still some enough pieces left if you haven't gotten anything yet,

2735
01:56:08,600 --> 01:56:12,920
Speaker 2: so and we will be adding more pieces soon as well.

2736
01:56:13,200 --> 01:56:13,680
Speaker 2: That is true.

2737
01:56:14,040 --> 01:56:17,640
Speaker 3: Umars and I are on horrible decisions right now. Go

2738
01:56:17,720 --> 01:56:20,560
Speaker 3: listen to that episode with Weezy and Mandy. That was

2739
01:56:20,560 --> 01:56:23,480
Speaker 3: a fun conversation. Also, I don't know if you guys

2740
01:56:23,560 --> 01:56:26,919
Speaker 3: noticed that the submarine was really just a distraction for Russia.

2741
01:56:27,280 --> 01:56:29,480
Speaker 3: But that's is that what we can save that for Patreon.

2742
01:56:29,600 --> 01:56:33,200
Speaker 2: It's a bunch of distractions, it is. The Navy said

2743
01:56:33,240 --> 01:56:37,760
Speaker 2: they heard the implosion Sunday when they first dove down.

2744
01:56:37,800 --> 01:56:43,040
Speaker 2: Inn didn't decide say that distractions again, did it happen?

2745
01:56:44,400 --> 01:56:47,880
Speaker 2: So again take with that which will Uh this has

2746
01:56:47,880 --> 01:56:51,480
Speaker 2: been another episode. Congrats to the San Antonos Spurge once again.

2747
01:56:51,600 --> 01:56:57,920
Speaker 2: Thank you on Victor. Why when by when by Yama, Yama,

2748
01:56:59,120 --> 01:56:59,960
Speaker 2: I'm gonna get it right. One.

2749
01:57:00,400 --> 01:57:02,640
Speaker 3: He looks like he'd order a maker's mark and say

2750
01:57:03,040 --> 01:57:05,280
Speaker 3: that's sick chocolate before.

2751
01:57:05,200 --> 01:57:07,560
Speaker 2: Oh chocolate, he's a kid, He'll ordered hot choc kid.

2752
01:57:07,600 --> 01:57:08,960
Speaker 3: He looks like he'd walk to the bar and say

2753
01:57:09,000 --> 01:57:10,120
Speaker 3: can I please have some alcohol?

2754
01:57:10,360 --> 01:57:12,440
Speaker 2: No, he said, give me a milk and a dirty cup.

2755
01:57:12,520 --> 01:57:13,600
Speaker 1: With a Shirley Temple.

2756
01:57:18,520 --> 01:57:21,200
Speaker 2: It was something else I wanted to address before we left,

2757
01:57:21,200 --> 01:57:24,120
Speaker 2: but I can't remember what that was. Save with Patreon, alright,

2758
01:57:24,280 --> 01:57:24,920
Speaker 2: save with Patreon.

2759
01:57:25,000 --> 01:57:27,640
Speaker 3: Okay, see you guys, soon, See y'all soon.

2760
01:57:27,760 --> 01:57:29,880
Speaker 2: Be safe. Enjoyed the week. I'm that nigga. He's just

2761
01:57:29,960 --> 01:57:32,360
Speaker 2: Ginger peace, No worry, en