1 00:00:04,800 --> 00:00:07,320 Speaker 1: Hey, this is Bridget and this is Annie, and you're 2 00:00:07,360 --> 00:00:21,279 Speaker 1: listening to stuff mom never told you. Now today, I'm 3 00:00:21,320 --> 00:00:24,279 Speaker 1: pretty happy to talk about this topic. Um. This is 4 00:00:24,320 --> 00:00:27,200 Speaker 1: a topic that kind of came on my radar on 5 00:00:27,200 --> 00:00:30,960 Speaker 1: social media, specifically Twitter, and I was kind of obsessed 6 00:00:31,000 --> 00:00:32,879 Speaker 1: with it. And then I was so pleased when a 7 00:00:32,880 --> 00:00:35,440 Speaker 1: few people wrote in asking for us to do an 8 00:00:35,440 --> 00:00:39,280 Speaker 1: episode on it. And that topic is scam Queen Anna 9 00:00:39,560 --> 00:00:44,480 Speaker 1: delv Yes, Bridget was very, very very excited to talk 10 00:00:44,520 --> 00:00:49,160 Speaker 1: about this, um, and I I kind of have read 11 00:00:49,360 --> 00:00:52,240 Speaker 1: a little bit about it, and I'm excited because Bridget 12 00:00:52,240 --> 00:00:55,800 Speaker 1: is excited, so I hope that everyone is kind of 13 00:00:55,800 --> 00:00:59,960 Speaker 1: excited to learn about this. Yeah, scammers, famous scammers are 14 00:01:00,160 --> 00:01:04,160 Speaker 1: my fan fiction. Yeah, yeah, pretty much. You know you 15 00:01:04,200 --> 00:01:07,680 Speaker 1: should find fan fiction about famous scammers. I would that 16 00:01:07,680 --> 00:01:09,520 Speaker 1: would make me too happy. I would die of happiness. 17 00:01:10,160 --> 00:01:12,080 Speaker 1: It's a good way to go, though. It is a 18 00:01:12,080 --> 00:01:15,319 Speaker 1: good way reading about Reading in depth are like fan 19 00:01:15,400 --> 00:01:17,880 Speaker 1: fiction about scammers. I would die with a smile on 20 00:01:17,959 --> 00:01:20,280 Speaker 1: my face. So one thing that people, if you listen 21 00:01:20,319 --> 00:01:22,400 Speaker 1: to this show, you probably already know about me, which 22 00:01:22,400 --> 00:01:26,080 Speaker 1: is that I have a love of things that are 23 00:01:26,160 --> 00:01:29,240 Speaker 1: kind of problematic. Um. I like, you know, we have 24 00:01:29,360 --> 00:01:32,560 Speaker 1: that series specifically on problematic fames that I was excited 25 00:01:32,600 --> 00:01:36,480 Speaker 1: to do because I love so many people and things 26 00:01:36,880 --> 00:01:41,000 Speaker 1: that are problematic. Um. I love Tanya Harding, I love 27 00:01:41,200 --> 00:01:44,400 Speaker 1: bad movies and bad TV. And one of the things 28 00:01:44,480 --> 00:01:47,960 Speaker 1: on that list of problematic, kind of messed up things 29 00:01:48,000 --> 00:01:51,000 Speaker 1: that I kind of can't get enough of is scammers. 30 00:01:51,120 --> 00:01:55,000 Speaker 1: You know, I've always been fascinated by people who pretend 31 00:01:55,040 --> 00:01:57,280 Speaker 1: to be something they're not. And you know, I think 32 00:01:57,600 --> 00:02:01,040 Speaker 1: one of the reasons why we kind of myself personally 33 00:02:01,080 --> 00:02:03,160 Speaker 1: but as a culture, why I think that we're so 34 00:02:03,280 --> 00:02:07,160 Speaker 1: interested in scammers, it's because, you know, you meet so 35 00:02:07,240 --> 00:02:09,600 Speaker 1: many people that come off as confident, They come off 36 00:02:09,600 --> 00:02:11,440 Speaker 1: like they know exactly what they're doing, and they are 37 00:02:11,520 --> 00:02:13,839 Speaker 1: very good at you know, that authentic veneer of who 38 00:02:13,880 --> 00:02:16,639 Speaker 1: they are, and then you find out, oh, that's all 39 00:02:16,680 --> 00:02:20,480 Speaker 1: an act. Actually there's a scammer, Like they're scamming me 40 00:02:20,600 --> 00:02:22,760 Speaker 1: right now. And I think that there's something in that, 41 00:02:22,840 --> 00:02:25,200 Speaker 1: you know, part of me feels like we all sort 42 00:02:25,240 --> 00:02:28,320 Speaker 1: of feel like we're scamming on some level, and that 43 00:02:28,400 --> 00:02:31,960 Speaker 1: when you meet somebody who is has bold face perfected 44 00:02:32,000 --> 00:02:34,880 Speaker 1: that scam, it's almost sort of even though they're doing 45 00:02:34,919 --> 00:02:37,600 Speaker 1: something awful, at least for me, you almost kind of 46 00:02:37,600 --> 00:02:41,040 Speaker 1: have to respect it. Yeah, and you are not the 47 00:02:41,120 --> 00:02:44,160 Speaker 1: only one who feels that way, Bridget clearly because we 48 00:02:44,440 --> 00:02:48,760 Speaker 1: have found some research into it. But um, why why 49 00:02:48,800 --> 00:02:52,320 Speaker 1: do you think as a culture we are so into this? Well, 50 00:02:52,960 --> 00:02:56,760 Speaker 1: it's funny. Over at The New Yorker, writer Gia Tolentino 51 00:02:56,960 --> 00:03:01,079 Speaker 1: has this great theory that they kind of our fascination 52 00:03:01,120 --> 00:03:03,720 Speaker 1: with scammers kind of comes in seasons, and she calls 53 00:03:03,720 --> 00:03:07,560 Speaker 1: it grifter season. She writes, Grifters season comes a regularly, 54 00:03:07,960 --> 00:03:10,320 Speaker 1: but it often comes in America, which is built around 55 00:03:10,320 --> 00:03:14,280 Speaker 1: mythologies of profit and reinvention. Its spectacular ascent, the shady, 56 00:03:14,280 --> 00:03:17,160 Speaker 1: audacious figures at its center, exists on a spectrum from 57 00:03:17,240 --> 00:03:20,120 Speaker 1: folk hero to disgrace. The season begins when the public 58 00:03:20,200 --> 00:03:23,640 Speaker 1: catches onto some series of scammers of a particularly appealing sort, 59 00:03:23,720 --> 00:03:26,760 Speaker 1: the kind that provoked both shod In freuda and admiration. 60 00:03:27,360 --> 00:03:30,919 Speaker 1: And I think that really kind of nails my sort 61 00:03:30,960 --> 00:03:34,880 Speaker 1: of love hate relationship with scammers, because on the one hand, 62 00:03:35,280 --> 00:03:38,880 Speaker 1: it's disgraceful somebody somebody scamming somebody else out of money, 63 00:03:39,440 --> 00:03:42,600 Speaker 1: you know, abusing their trust. All of that is disgraceful, 64 00:03:43,080 --> 00:03:47,800 Speaker 1: but it's difficult to sort of not respect a certain 65 00:03:47,880 --> 00:03:51,480 Speaker 1: level of boldness of scams. Like there's this meme that 66 00:03:51,600 --> 00:03:53,760 Speaker 1: was kind of popular, maybe like a year or two ago, 67 00:03:54,320 --> 00:03:57,840 Speaker 1: Joanne the Scammer. It's an alter ego of a of 68 00:03:57,840 --> 00:04:01,400 Speaker 1: a comedian where he's pretending to this scammer who was 69 00:04:01,400 --> 00:04:04,160 Speaker 1: always running scams on people and coming up with sort 70 00:04:04,200 --> 00:04:07,800 Speaker 1: of little witticisms about scams, things like, you know, scam 71 00:04:07,840 --> 00:04:10,480 Speaker 1: today before today, scams you. I think it's a couple 72 00:04:10,520 --> 00:04:15,440 Speaker 1: of things. I think it's a fascination with scamming in general, 73 00:04:15,720 --> 00:04:17,760 Speaker 1: but I also think when it's a woman, I do 74 00:04:17,839 --> 00:04:19,920 Speaker 1: think there's a little bit of an anti heroin thing 75 00:04:19,920 --> 00:04:24,680 Speaker 1: happening where we so often expect women to be, you know, 76 00:04:25,160 --> 00:04:28,880 Speaker 1: good and trustworthy, and when we think about scammers or criminals, 77 00:04:28,880 --> 00:04:31,000 Speaker 1: we think about men. But then when a woman is 78 00:04:31,000 --> 00:04:34,000 Speaker 1: doing the scamming, I think she almost there's almost this 79 00:04:34,080 --> 00:04:37,480 Speaker 1: inclination to lift her up as an anti hero. Yeah, yeah, 80 00:04:37,520 --> 00:04:39,440 Speaker 1: I can see that for sure, And I think that's 81 00:04:39,440 --> 00:04:42,839 Speaker 1: something we do see in our media and entertainment and 82 00:04:43,440 --> 00:04:47,040 Speaker 1: another reason that in culturally we might have this this 83 00:04:47,120 --> 00:04:50,800 Speaker 1: kind of love and respect of scammers is that scammers 84 00:04:50,800 --> 00:04:54,800 Speaker 1: thrive in times of cultural unrest or unease. The writer 85 00:04:54,839 --> 00:04:58,040 Speaker 1: Bridget mentioned before Gia Tolentino. In her piece, he uses 86 00:04:58,080 --> 00:05:01,800 Speaker 1: a quote from Maria kna Ova from her book The 87 00:05:01,839 --> 00:05:06,680 Speaker 1: Confidence Game. Cons thrive in times of transition, and the 88 00:05:06,800 --> 00:05:09,760 Speaker 1: term confidence man was coined in eighteen forty nine by 89 00:05:09,800 --> 00:05:12,680 Speaker 1: the New York Herald and pieces about a bumbling scammer 90 00:05:12,680 --> 00:05:15,640 Speaker 1: who would ask strangers in the street, have you confidence 91 00:05:15,680 --> 00:05:19,599 Speaker 1: in me to trust me with your watch until tomorrow? No, 92 00:05:19,880 --> 00:05:22,880 Speaker 1: I hope not. At that point in American history, the 93 00:05:22,920 --> 00:05:26,480 Speaker 1: gold Rush was producing a swarm of swindlers in California, 94 00:05:26,520 --> 00:05:30,120 Speaker 1: and free banking was enabling wildcat banks and counterfeiters to 95 00:05:30,160 --> 00:05:35,000 Speaker 1: circulate worthless bills. Scammers love nothing better. ConA Cova notes 96 00:05:35,120 --> 00:05:38,320 Speaker 1: than quote explorting the sense of unease we feel when 97 00:05:38,320 --> 00:05:40,479 Speaker 1: it appears that the world as we know it is 98 00:05:40,520 --> 00:05:45,520 Speaker 1: about to change, which it does make complete sense that 99 00:05:45,520 --> 00:05:47,560 Speaker 1: that's the time when you would want to kind of 100 00:05:47,600 --> 00:05:52,080 Speaker 1: play on people's in securities and unease. Yeah, and we 101 00:05:52,120 --> 00:05:54,240 Speaker 1: are for sure in the middle of a moment of 102 00:05:54,320 --> 00:05:58,479 Speaker 1: cultural and social and political unease, goes on Terray One 103 00:05:58,520 --> 00:06:01,280 Speaker 1: gets the sense that these days that such unease may 104 00:06:01,279 --> 00:06:04,679 Speaker 1: become constant. The entire globe is getting hotter, market pressures 105 00:06:04,720 --> 00:06:08,120 Speaker 1: are accelerating, technology is advancing at a dizzying rate. At 106 00:06:08,160 --> 00:06:10,520 Speaker 1: some point between the Great Recession which began in two 107 00:06:10,560 --> 00:06:14,599 Speaker 1: thousand and eight and the terrible election, of scamming seems 108 00:06:14,640 --> 00:06:17,280 Speaker 1: to have become the dominant logic of American life. The 109 00:06:17,279 --> 00:06:19,920 Speaker 1: things that people have historically used to build non scammy 110 00:06:20,000 --> 00:06:23,800 Speaker 1: lives in this country, housing, higher education had deteriorated to 111 00:06:23,800 --> 00:06:25,600 Speaker 1: the point where they are likely to punish you if 112 00:06:25,600 --> 00:06:29,440 Speaker 1: you're not already wealthy. The bankers pushing reverse mortgages, the 113 00:06:29,480 --> 00:06:32,920 Speaker 1: recruiters at for profit colleges, and the many startup founders 114 00:06:32,920 --> 00:06:36,279 Speaker 1: hoping to take massive investor back losses until they eradicate 115 00:06:36,320 --> 00:06:38,720 Speaker 1: the rest of the market understand the world better than 116 00:06:38,760 --> 00:06:40,960 Speaker 1: we do. That's part of the reason they're so riveting. 117 00:06:41,240 --> 00:06:44,160 Speaker 1: Down to the last details. Scammers show us the glitzy 118 00:06:44,279 --> 00:06:47,880 Speaker 1: bullsh intrinsic to the stratospheric wealth in America. They show 119 00:06:47,920 --> 00:06:49,359 Speaker 1: us that the best way to make money in this 120 00:06:49,440 --> 00:06:54,279 Speaker 1: country is to treat everybody around you like a mark. Yeah, 121 00:06:54,320 --> 00:06:57,240 Speaker 1: I mean, when you think about it, it's hard not 122 00:06:57,320 --> 00:07:00,680 Speaker 1: to be fascinated by that, by that kind of social aim, 123 00:07:00,720 --> 00:07:03,960 Speaker 1: treating everybody sort of yeah, Mark, and it kind of 124 00:07:03,960 --> 00:07:06,159 Speaker 1: reminds me of the Great Gatsby and how he sort 125 00:07:06,200 --> 00:07:09,920 Speaker 1: of tricked his way up into that society. See. But 126 00:07:10,160 --> 00:07:12,280 Speaker 1: but even when I'm so glad you brought up that story, 127 00:07:12,320 --> 00:07:16,280 Speaker 1: because that story is sort of about the scam inherent 128 00:07:16,360 --> 00:07:19,400 Speaker 1: to this idea of the American dream, right, that Gatsby 129 00:07:19,480 --> 00:07:23,400 Speaker 1: has reinvented himself in kind of a scammy way, you know, 130 00:07:23,480 --> 00:07:26,040 Speaker 1: bootlegging and lying about his identity and all of that, 131 00:07:26,480 --> 00:07:30,240 Speaker 1: because like and like, on its face, it seems like 132 00:07:30,280 --> 00:07:32,600 Speaker 1: the American dream that he bootstrapped his way up into 133 00:07:32,680 --> 00:07:36,440 Speaker 1: into success. But actually the American dream is bullshit, and 134 00:07:36,440 --> 00:07:40,560 Speaker 1: so of course it's a scam exactly. Yeah. Um, And 135 00:07:40,600 --> 00:07:45,600 Speaker 1: there are plenty of quote good scammers of all genders. 136 00:07:45,760 --> 00:07:49,520 Speaker 1: Billy McFarland of fire Festival fame, the British Royal Family expert. 137 00:07:49,560 --> 00:07:51,640 Speaker 1: It was actually just a guy from upstate New York. 138 00:07:51,880 --> 00:07:54,320 Speaker 1: But we want to focus on female scammers because there 139 00:07:54,480 --> 00:07:58,160 Speaker 1: is something special about them, like Bridget mentioned earlier. Yeah, 140 00:07:58,160 --> 00:08:01,080 Speaker 1: I also think part of it is that we love 141 00:08:01,280 --> 00:08:05,360 Speaker 1: in this country to root for a woman and then 142 00:08:05,400 --> 00:08:08,360 Speaker 1: we love when she falls, like we love to follow 143 00:08:08,920 --> 00:08:11,520 Speaker 1: the demise of a woman, like we like we can't 144 00:08:11,520 --> 00:08:14,560 Speaker 1: get enough of a story of a powerful woman gone wrong, 145 00:08:14,640 --> 00:08:16,760 Speaker 1: or a woman who seemed like she had it all 146 00:08:16,880 --> 00:08:19,240 Speaker 1: and then really it turned out she was scamming everyone. 147 00:08:19,560 --> 00:08:21,600 Speaker 1: I do think that there's something about the vigor with 148 00:08:21,600 --> 00:08:25,040 Speaker 1: which that we enjoy these stories when it happens to 149 00:08:25,080 --> 00:08:29,720 Speaker 1: a woman. That's my that's just my opinion. I think 150 00:08:29,760 --> 00:08:33,760 Speaker 1: you seem like you're pretty well versed in this subject. Bridget. Yeah, 151 00:08:33,800 --> 00:08:36,120 Speaker 1: so I actually would love to do an entire series 152 00:08:36,200 --> 00:08:39,839 Speaker 1: of scammers. Scammers like Elizabeth Holmes you may know her 153 00:08:39,880 --> 00:08:43,319 Speaker 1: as blood testing scammer. She had that entire company UM 154 00:08:43,360 --> 00:08:45,840 Speaker 1: that was supposed to be able to give blood tests, 155 00:08:46,120 --> 00:08:47,559 Speaker 1: you know, like you could go to a CBS and 156 00:08:47,679 --> 00:08:49,080 Speaker 1: like prick your finger and it will be able to 157 00:08:49,080 --> 00:08:51,200 Speaker 1: give you all these tests in real time. But it 158 00:08:51,240 --> 00:08:53,040 Speaker 1: was actually just a scam. Like she'd gotten all this 159 00:08:53,120 --> 00:08:56,280 Speaker 1: money and it didn't work, and she probably knew it 160 00:08:56,320 --> 00:08:58,679 Speaker 1: didn't work, and a lot of people are like, she'd 161 00:08:58,679 --> 00:09:00,600 Speaker 1: probably be in jail, but she's not in jail. So 162 00:09:01,040 --> 00:09:05,160 Speaker 1: really interesting, fascinating, scammer. Also like black turtleneck scammer. You 163 00:09:05,240 --> 00:09:07,240 Speaker 1: never saw a picture of her not wearing a black turtleneck, 164 00:09:07,480 --> 00:09:09,400 Speaker 1: kind of ruin that look for everybody. To be honest 165 00:09:09,400 --> 00:09:12,559 Speaker 1: with you, there is Vogue scammer Yvon Bannaghan, who was 166 00:09:12,600 --> 00:09:16,880 Speaker 1: accused of siphoning away three thousand, five hundred sixty four 167 00:09:16,920 --> 00:09:21,199 Speaker 1: dollars while she was Grace Coddington's assistant. So many good 168 00:09:21,320 --> 00:09:23,760 Speaker 1: female scammers out there. So if you know of one 169 00:09:23,800 --> 00:09:25,400 Speaker 1: that you would love for us to talk about, whether 170 00:09:25,400 --> 00:09:28,960 Speaker 1: it's a scammer of today or historical female scammer, please 171 00:09:29,040 --> 00:09:32,520 Speaker 1: let us know. But today we are talking about the 172 00:09:32,679 --> 00:09:37,640 Speaker 1: undisputed scam Queen of Summer one, miss Anna Delvey. Yes, 173 00:09:38,240 --> 00:09:42,280 Speaker 1: I love scam Queen of Summer. Yeah. I actually put 174 00:09:42,280 --> 00:09:44,640 Speaker 1: out a I mean, this is an unsigned tofic pole, 175 00:09:44,720 --> 00:09:47,400 Speaker 1: but I put out one of those Twitter polls asking 176 00:09:47,800 --> 00:09:50,320 Speaker 1: who you thought the scam Queen of Summer was. I 177 00:09:50,440 --> 00:09:55,760 Speaker 1: made the running Anna Delvy, Elizabeth Holmes, Jill Stein or 178 00:09:55,880 --> 00:09:58,920 Speaker 1: like write in candidate. I think Anna Delavie actually ends 179 00:09:59,000 --> 00:10:03,120 Speaker 1: up coming in second the right and candidate one Donald Trump, 180 00:10:03,120 --> 00:10:09,600 Speaker 1: our President, came in first as the Summer's scam queen. Wow, well, 181 00:10:09,800 --> 00:10:15,079 Speaker 1: congrats to no one. I mean, that's another that's another 182 00:10:15,120 --> 00:10:18,920 Speaker 1: interesting point about why I'm so fascinated with scams because 183 00:10:18,920 --> 00:10:23,719 Speaker 1: we associate scammers with a certain class. I believe, like 184 00:10:23,760 --> 00:10:25,439 Speaker 1: when you think of scammers, you think of somebody who 185 00:10:25,520 --> 00:10:29,800 Speaker 1: is not a wealthy person trying to become or pretend 186 00:10:29,880 --> 00:10:33,240 Speaker 1: to be wealthy. We have like rich scammers all over 187 00:10:33,280 --> 00:10:35,640 Speaker 1: the place. Like Scott Brubitt, former head of the e 188 00:10:35,720 --> 00:10:39,400 Speaker 1: p A, was basically a scammer, but people people don't 189 00:10:39,480 --> 00:10:43,120 Speaker 1: label him a scammer because he's male and well connected 190 00:10:43,160 --> 00:10:46,280 Speaker 1: and rich and white. But homeboy was trying to use 191 00:10:46,320 --> 00:10:48,640 Speaker 1: his connections in the government to get his wife a 192 00:10:48,760 --> 00:10:51,120 Speaker 1: chick bil a franchise. Like, that's a scam. That is 193 00:10:51,160 --> 00:10:54,400 Speaker 1: a scam. He is a scammer. Yeah, he also was 194 00:10:54,440 --> 00:10:56,880 Speaker 1: trying to buy old mattresses. I can't wrap my head 195 00:10:56,920 --> 00:11:00,839 Speaker 1: around that one. Honestly, there's so many like classic scams 196 00:11:01,080 --> 00:11:04,240 Speaker 1: that if we stripped away the veneer of he's a 197 00:11:04,320 --> 00:11:08,000 Speaker 1: high level White House administration official, whatever, it would just 198 00:11:08,040 --> 00:11:11,920 Speaker 1: be any other scammer with like farragmo belt and like 199 00:11:12,000 --> 00:11:15,000 Speaker 1: knock off chanel, like it is such a budget scam. 200 00:11:15,040 --> 00:11:16,880 Speaker 1: The only reason we don't talk about it in that 201 00:11:16,920 --> 00:11:19,520 Speaker 1: way is because of his connections. Like if you if 202 00:11:19,559 --> 00:11:22,200 Speaker 1: you stripped all of those things away, which he actually 203 00:11:22,280 --> 00:11:24,560 Speaker 1: resigned so they have been stripped away. If you didn't 204 00:11:24,600 --> 00:11:26,360 Speaker 1: have that title, it would be it would be anybody 205 00:11:26,360 --> 00:11:29,240 Speaker 1: else like scamming their way into free stuff. Like we 206 00:11:29,360 --> 00:11:31,679 Speaker 1: like all scammers. Doe like he's not special just because 207 00:11:31,720 --> 00:11:36,960 Speaker 1: he's Scott Bruett. Yeah, Scott Pruett, You're not special. But 208 00:11:37,040 --> 00:11:40,080 Speaker 1: today we're not talking about just any scammer, right Ridget. 209 00:11:40,080 --> 00:11:43,439 Speaker 1: We're talking about Anna delbe one of your favorite scammers. 210 00:11:43,559 --> 00:11:45,520 Speaker 1: She's a good scammer. If there was like a scammer 211 00:11:46,200 --> 00:11:48,240 Speaker 1: trading cards, she'd be the one that I would be 212 00:11:48,280 --> 00:11:52,200 Speaker 1: really really stoked ticket. So let's get into who Annadelvie 213 00:11:52,320 --> 00:11:55,080 Speaker 1: is for those of you don't know um and why 214 00:11:55,160 --> 00:11:57,360 Speaker 1: she is the scam Queen of Summer. After this quick 215 00:11:57,400 --> 00:12:12,000 Speaker 1: break and we're back. So Anna Delvie, first of all, 216 00:12:12,160 --> 00:12:16,080 Speaker 1: she's my favorite scammer. I've read literally every piece of 217 00:12:16,160 --> 00:12:19,120 Speaker 1: content on the Internet about her Horizon Fall, including a 218 00:12:19,120 --> 00:12:21,360 Speaker 1: lot of comment threads. I don't know it was her 219 00:12:21,480 --> 00:12:25,480 Speaker 1: or like her representative or whatever posted her mailing address 220 00:12:25,559 --> 00:12:27,560 Speaker 1: in prison on her Instagram, and I sent her a 221 00:12:27,600 --> 00:12:29,680 Speaker 1: snail mail letter asked her to come on the podcast. 222 00:12:30,000 --> 00:12:31,720 Speaker 1: I will update you if we're able to get a 223 00:12:31,720 --> 00:12:34,920 Speaker 1: phone interview with Anna Delvie on this podcast. If someone 224 00:12:35,000 --> 00:12:36,440 Speaker 1: knows her, tell her that we would love to have 225 00:12:36,480 --> 00:12:39,120 Speaker 1: her on. So shall we come? You know, hear her 226 00:12:39,160 --> 00:12:41,880 Speaker 1: story and how she got to where she is. I 227 00:12:42,000 --> 00:12:45,960 Speaker 1: hope put it that way. Which is prison? Which is prison? 228 00:12:46,320 --> 00:12:47,800 Speaker 1: I mean, I think we know how she got where 229 00:12:47,800 --> 00:12:51,440 Speaker 1: she is. But that's the thing. It's like, when you 230 00:12:51,480 --> 00:12:53,760 Speaker 1: read these articles, there was a really there are really 231 00:12:53,800 --> 00:12:56,480 Speaker 1: good pieces in both Vanity Fair and The Cut that 232 00:12:56,520 --> 00:12:59,720 Speaker 1: are super in depth about the con that she played 233 00:12:59,800 --> 00:13:05,120 Speaker 1: and would of how she so successfully prayed on women 234 00:13:05,360 --> 00:13:09,680 Speaker 1: a certain sort of class aspiration of these women. It really, 235 00:13:09,720 --> 00:13:13,760 Speaker 1: it really is fascinating and masterful. So first, this Vanity 236 00:13:13,840 --> 00:13:17,080 Speaker 1: Fair photo editor named Rachel Williams, she was actually scammed 237 00:13:17,080 --> 00:13:19,679 Speaker 1: by delvi herself and it ended up costing her thousands 238 00:13:19,679 --> 00:13:21,920 Speaker 1: of dollars. So she wrote this piece about what exactly 239 00:13:21,960 --> 00:13:25,120 Speaker 1: happened in Vanity Fair. So basically, she meets Anna in 240 00:13:25,200 --> 00:13:27,400 Speaker 1: a hotel and Anna says that she's a German heiress 241 00:13:27,440 --> 00:13:30,720 Speaker 1: who lives out of a hotel. Anna has these grand 242 00:13:30,760 --> 00:13:33,600 Speaker 1: plans to open what basically sounds like the Soho House 243 00:13:33,600 --> 00:13:36,600 Speaker 1: of Art. So it's going to be quote a dynamic 244 00:13:36,760 --> 00:13:40,199 Speaker 1: visual art center dedicated to contemporary art um And she 245 00:13:40,400 --> 00:13:43,360 Speaker 1: talks about how she wants to use family trust money 246 00:13:43,400 --> 00:13:46,760 Speaker 1: to afford this. She wants to get investors. She sounds 247 00:13:46,800 --> 00:13:51,640 Speaker 1: like someone who has grand and ambitious plans. But here's 248 00:13:51,640 --> 00:13:54,400 Speaker 1: the thing. This kind of plan that if someone have 249 00:13:54,480 --> 00:13:56,800 Speaker 1: you met somebody in a hotel, even if they seemed 250 00:13:56,920 --> 00:13:58,800 Speaker 1: rich and they told me they had this this idea, 251 00:13:59,280 --> 00:14:02,720 Speaker 1: the plan would still kind of sound preposterous. But that's 252 00:14:02,800 --> 00:14:04,800 Speaker 1: one of the tenets of her scam, which is the 253 00:14:04,840 --> 00:14:08,440 Speaker 1: same way that Tinkerbell only exists if you believe in her, 254 00:14:08,480 --> 00:14:10,839 Speaker 1: like if you don't believe in her, she dies. And 255 00:14:11,040 --> 00:14:15,080 Speaker 1: I had this way of making people believe these grand 256 00:14:15,200 --> 00:14:18,200 Speaker 1: plans and these grand schemes of hers, even though they 257 00:14:18,240 --> 00:14:20,880 Speaker 1: sounded preposterous, and in a kind of way, the reason 258 00:14:20,920 --> 00:14:23,760 Speaker 1: that they are kind of believable is because they sound 259 00:14:23,800 --> 00:14:27,040 Speaker 1: over the top. Rachel Rights. In my line of work, 260 00:14:27,160 --> 00:14:30,600 Speaker 1: I had often encountered ambitious, well off individuals. So though 261 00:14:30,600 --> 00:14:33,840 Speaker 1: her undertaking sounded grand, in scale and promising in theory. 262 00:14:34,200 --> 00:14:38,360 Speaker 1: My sincere enthusiasm hardly outweighed a measure of skepticism. And again, yeah, 263 00:14:38,400 --> 00:14:41,480 Speaker 1: you can see how you know, someone meeting a rich 264 00:14:41,520 --> 00:14:43,480 Speaker 1: girl in a hotel who's like, I have this grand 265 00:14:43,560 --> 00:14:47,240 Speaker 1: idea to make this big, lavish club full of art 266 00:14:47,280 --> 00:14:49,480 Speaker 1: and rich people. If anybody else told you that you 267 00:14:49,520 --> 00:14:51,920 Speaker 1: would be, you'd think, oh, sure of course you're going 268 00:14:52,000 --> 00:14:54,600 Speaker 1: to do that. Yeah. Right. But because that sort of 269 00:14:54,640 --> 00:14:57,880 Speaker 1: part of her scam is, you know, having this sort 270 00:14:57,920 --> 00:15:01,240 Speaker 1: of las fair attitude about money and you know, having 271 00:15:01,280 --> 00:15:03,480 Speaker 1: these grand plans that don't seem like they would ever work. 272 00:15:03,840 --> 00:15:06,040 Speaker 1: That's kind of how rich people are. And if you 273 00:15:06,080 --> 00:15:08,480 Speaker 1: want people to believe that you are rich, having some 274 00:15:08,560 --> 00:15:12,480 Speaker 1: big undertaking that seems really far fetched would actually kind 275 00:15:12,480 --> 00:15:15,120 Speaker 1: of solidify that in a kind of way. You know, yeah, 276 00:15:15,400 --> 00:15:18,440 Speaker 1: for sure. And I think just the way she was 277 00:15:18,520 --> 00:15:23,440 Speaker 1: so she would just buy really expensive things at restaurants, 278 00:15:23,480 --> 00:15:27,000 Speaker 1: she kind of did have this particular circle of people. 279 00:15:27,080 --> 00:15:29,760 Speaker 1: So if you're thinking, m I don't know about her, 280 00:15:29,800 --> 00:15:31,680 Speaker 1: but then you meet other people and they seem to 281 00:15:31,680 --> 00:15:33,240 Speaker 1: be in this circle of orbit and they seem to 282 00:15:33,280 --> 00:15:36,960 Speaker 1: have accepted her, then you kind of start to accept, well, 283 00:15:37,360 --> 00:15:39,800 Speaker 1: she must have passed this test. If she traffics in 284 00:15:39,840 --> 00:15:43,680 Speaker 1: this group of people, then even if maybe she'll never 285 00:15:43,760 --> 00:15:47,240 Speaker 1: succeed in this plan that I think is probably unrealistic, 286 00:15:47,520 --> 00:15:50,720 Speaker 1: she must still have the money. She must still be 287 00:15:51,280 --> 00:15:54,120 Speaker 1: in this class of people that she is saying she 288 00:15:54,280 --> 00:15:58,080 Speaker 1: is in, right, And I mean I've I've actually had 289 00:15:58,120 --> 00:16:02,200 Speaker 1: a few mild ammers in my orbit and political work, 290 00:16:02,240 --> 00:16:05,480 Speaker 1: because anybody who's doing political work, like you will, you 291 00:16:05,480 --> 00:16:08,680 Speaker 1: will encounter some scammers for sure. That's another thing that 292 00:16:08,760 --> 00:16:14,280 Speaker 1: I think scammers really traffic in is having other people 293 00:16:14,480 --> 00:16:16,600 Speaker 1: to kind of vouch for them or verify them. And 294 00:16:16,800 --> 00:16:19,000 Speaker 1: I'm thinking of one scammer that who kind of like 295 00:16:19,120 --> 00:16:20,960 Speaker 1: this is something I knew personally, so I don't want 296 00:16:20,960 --> 00:16:22,720 Speaker 1: to like blow up their spot. I mean, they there 297 00:16:22,760 --> 00:16:25,640 Speaker 1: was an entire article about their scam, but one of 298 00:16:25,640 --> 00:16:28,560 Speaker 1: the things that was a hallmark of how he scammed 299 00:16:28,920 --> 00:16:32,720 Speaker 1: was getting other respected political people to kind of vouch 300 00:16:32,800 --> 00:16:34,960 Speaker 1: for him. And so once you're sort of in and 301 00:16:35,080 --> 00:16:37,440 Speaker 1: one person that you know is like authentic and like 302 00:16:37,760 --> 00:16:41,000 Speaker 1: legit like vouches for you, like you're kind of in it, 303 00:16:41,080 --> 00:16:42,920 Speaker 1: kind of like you kind of like game handstamp and 304 00:16:43,000 --> 00:16:47,600 Speaker 1: it sounds like Anna trafficked in wealthy, well connected people. 305 00:16:47,880 --> 00:16:50,160 Speaker 1: So if you meet somebody who is actually wealthy and 306 00:16:50,200 --> 00:16:51,960 Speaker 1: well connected and they're like, oh and as good people, 307 00:16:52,520 --> 00:16:55,360 Speaker 1: that's kind of like a hand stamp. Yeah. I do 308 00:16:55,520 --> 00:16:58,600 Speaker 1: find that if you the bigger the lie, the more 309 00:16:58,720 --> 00:17:01,280 Speaker 1: you might be like, well, no one would tell something 310 00:17:01,600 --> 00:17:04,320 Speaker 1: as ridiculous as that because it could be easily checked. 311 00:17:05,240 --> 00:17:07,240 Speaker 1: But if you have to do it with confidence though, 312 00:17:07,280 --> 00:17:10,400 Speaker 1: and kind of the way it sounds like her personality 313 00:17:10,560 --> 00:17:14,199 Speaker 1: was one that kind of made you believe she was 314 00:17:15,000 --> 00:17:18,720 Speaker 1: this type of person, the specific type of person, and 315 00:17:19,040 --> 00:17:24,000 Speaker 1: that her accepting you and inviting you to things, it 316 00:17:24,040 --> 00:17:27,359 Speaker 1: was kind of flattering and you sort of wanted to 317 00:17:27,400 --> 00:17:33,320 Speaker 1: be someone that Anna delv wanted to have in her circle. Definitely, 318 00:17:33,480 --> 00:17:35,880 Speaker 1: that's so part of it when someone, I mean, two 319 00:17:35,880 --> 00:17:37,880 Speaker 1: of the people who extensively went on the record about 320 00:17:37,880 --> 00:17:41,520 Speaker 1: being scammed by Delvy both talk about sort of how 321 00:17:41,600 --> 00:17:43,439 Speaker 1: she seemed but the kind of person who didn't really 322 00:17:43,520 --> 00:17:45,840 Speaker 1: let a lot of people in and like kind of 323 00:17:45,880 --> 00:17:49,480 Speaker 1: seemed a little bit isolated, and that because she chose to, 324 00:17:50,200 --> 00:17:52,040 Speaker 1: you know, want to travel with them and want to 325 00:17:52,080 --> 00:17:54,560 Speaker 1: be good friends with them, it was almost sort of flattering. 326 00:17:54,640 --> 00:17:58,040 Speaker 1: So basically, Rachel ends up going on this lavish trip 327 00:17:58,119 --> 00:18:00,920 Speaker 1: to a villa and Marrakesh, and you might be thinking like, oh, 328 00:18:00,960 --> 00:18:02,320 Speaker 1: that sounds like a lot of money, Like I bet 329 00:18:02,320 --> 00:18:04,639 Speaker 1: it was an expensive trip. Whatever you were thinking, it 330 00:18:04,720 --> 00:18:07,159 Speaker 1: was so much more lavish than that. They traveled a 331 00:18:07,240 --> 00:18:09,919 Speaker 1: full time butler who Anna was supposed to pay for, 332 00:18:10,040 --> 00:18:11,840 Speaker 1: so Anna is supposed to be picking up the tab 333 00:18:11,880 --> 00:18:14,159 Speaker 1: on this whole trip. Now here's where Rachel says that 334 00:18:14,200 --> 00:18:16,439 Speaker 1: things took a turn. So Anna ends up booking a 335 00:18:16,520 --> 00:18:19,040 Speaker 1: seven thousand dollar a night private riad, which if you 336 00:18:19,040 --> 00:18:21,159 Speaker 1: haven't heard of that, I have not either. It's a 337 00:18:21,160 --> 00:18:24,679 Speaker 1: Moroccan villa with an interior courtyard, three bedrooms, and a pool. 338 00:18:24,920 --> 00:18:28,919 Speaker 1: And Anna ends up forwarding Rachel the confirmation email, but 339 00:18:29,520 --> 00:18:33,040 Speaker 1: due to some seemingly minor snaff who, the plane tickets 340 00:18:33,040 --> 00:18:36,080 Speaker 1: have been put on Rachel's American Express card, and Anna 341 00:18:36,119 --> 00:18:38,160 Speaker 1: basically was like, oh, I'll pay you back. I'll pay 342 00:18:38,200 --> 00:18:41,960 Speaker 1: you back, Rachel. I mean, part of me thinks is 343 00:18:41,960 --> 00:18:43,679 Speaker 1: thinking that girl, what are you doing? Part of me 344 00:18:43,720 --> 00:18:46,119 Speaker 1: kind of gets it. She says, since I did this 345 00:18:46,160 --> 00:18:47,800 Speaker 1: all the time for work, I didn't give it a 346 00:18:47,800 --> 00:18:50,960 Speaker 1: second thought, So you might be thinking, wow, I would 347 00:18:51,080 --> 00:18:53,840 Speaker 1: never agree to this, But if you think your friend 348 00:18:53,920 --> 00:18:56,879 Speaker 1: is rich, you like, maybe you would? Like I asked 349 00:18:56,920 --> 00:18:59,680 Speaker 1: myself all the time, if I met this mysterious rich 350 00:18:59,720 --> 00:19:03,320 Speaker 1: woman who seemed to be rich, other rich people knew her, 351 00:19:03,320 --> 00:19:06,480 Speaker 1: she was throwing money around, she wants to take mary cash? 352 00:19:07,119 --> 00:19:08,920 Speaker 1: You know, I can't. I don't know if I would 353 00:19:08,920 --> 00:19:11,240 Speaker 1: do it or not, but I can't say that my 354 00:19:11,400 --> 00:19:13,840 Speaker 1: bullsh detector will be going off and then I wouldn't 355 00:19:13,840 --> 00:19:18,720 Speaker 1: do it. What about you? Yeah, I feel like reading 356 00:19:18,760 --> 00:19:22,560 Speaker 1: this article was very enlightening to me, because if you 357 00:19:22,640 --> 00:19:26,159 Speaker 1: just sort of hear the details without the sort of 358 00:19:26,240 --> 00:19:30,040 Speaker 1: personal all of these personal aspects of it, it does 359 00:19:30,080 --> 00:19:34,000 Speaker 1: sound like, wow, why would you ever agree to that? 360 00:19:34,040 --> 00:19:36,560 Speaker 1: But at this point they had been friends for a while, 361 00:19:37,359 --> 00:19:39,840 Speaker 1: and also she wasn't Rachel wasn't the only person going. 362 00:19:39,880 --> 00:19:43,560 Speaker 1: A personal trainer was going as well. Yeah, if if 363 00:19:43,560 --> 00:19:45,480 Speaker 1: it's your friend and she says she's going to pay 364 00:19:45,480 --> 00:19:46,760 Speaker 1: for it, you've seen her put down a lot of 365 00:19:46,760 --> 00:19:50,320 Speaker 1: money before. Um, it's it's a trip that you probably 366 00:19:50,359 --> 00:19:52,800 Speaker 1: are excited to go on. I don't think you'd have 367 00:19:52,840 --> 00:19:55,480 Speaker 1: any real reason if you've seen all these other people 368 00:19:55,560 --> 00:19:59,720 Speaker 1: vouch for her to suspect otherwise I would be uncomfortable 369 00:20:00,280 --> 00:20:01,959 Speaker 1: when it's like it would have to be on my 370 00:20:02,200 --> 00:20:04,800 Speaker 1: credit card. I think I would be uncomfortable, But I 371 00:20:05,000 --> 00:20:08,440 Speaker 1: don't think I would say anything, because you do want 372 00:20:08,480 --> 00:20:12,080 Speaker 1: the friendship to work. And uh, I mean, I can 373 00:20:12,119 --> 00:20:14,000 Speaker 1: just see it. I can see it. I can totally 374 00:20:14,440 --> 00:20:19,320 Speaker 1: understand going along with this personally. Another aspect of it 375 00:20:19,320 --> 00:20:21,680 Speaker 1: is sort of what I was talking about before, that 376 00:20:22,040 --> 00:20:24,439 Speaker 1: if you were trying to maintain that you were a 377 00:20:24,480 --> 00:20:27,359 Speaker 1: wealthy person, I do. I mean, this is going to 378 00:20:27,440 --> 00:20:30,560 Speaker 1: sound like a vast generalization. It does make sense to 379 00:20:30,600 --> 00:20:34,680 Speaker 1: me that someone who is massively, massively wealthy would also 380 00:20:34,720 --> 00:20:37,160 Speaker 1: be the kind of person who might be a bit 381 00:20:37,200 --> 00:20:40,879 Speaker 1: careless with what they perceived as small amounts of money. 382 00:20:41,080 --> 00:20:43,840 Speaker 1: I had a friend who was very, very wealthy, and 383 00:20:44,160 --> 00:20:45,960 Speaker 1: you know, she didn't work. She sort of was able 384 00:20:46,000 --> 00:20:48,199 Speaker 1: to sort of work here and there in sort of 385 00:20:48,240 --> 00:20:51,040 Speaker 1: creative field, and like was clearly being supported by her parents. 386 00:20:51,320 --> 00:20:54,520 Speaker 1: But she never paid for a cab, She never paid 387 00:20:54,560 --> 00:20:57,800 Speaker 1: for dinner. She would notoriously sort of walk out on 388 00:20:57,840 --> 00:21:00,160 Speaker 1: the tab. It would be like ten dollars to eight 389 00:21:00,200 --> 00:21:03,359 Speaker 1: dollars but because she just had a different sense of 390 00:21:03,560 --> 00:21:05,520 Speaker 1: money than we did. And so for me, someone who 391 00:21:05,600 --> 00:21:07,560 Speaker 1: is not rich, you know, if somebody picks up a 392 00:21:07,600 --> 00:21:10,080 Speaker 1: tab for me, I make a mental note, you know, 393 00:21:10,119 --> 00:21:11,760 Speaker 1: I have to get them back. I have to pay 394 00:21:11,800 --> 00:21:14,960 Speaker 1: them back. This is thirty dollars whatever. But I got 395 00:21:14,960 --> 00:21:17,560 Speaker 1: the sense from being around her that it's kind of 396 00:21:17,560 --> 00:21:20,320 Speaker 1: hard to explain, but because she was so rich, a 397 00:21:20,400 --> 00:21:23,679 Speaker 1: certain kind of las, a fair careless attitude about money 398 00:21:24,080 --> 00:21:27,520 Speaker 1: just kind of probably confirmed that she was rich. And 399 00:21:27,560 --> 00:21:29,639 Speaker 1: a kind of way, does that make sense, It totally 400 00:21:29,680 --> 00:21:31,919 Speaker 1: makes sense. I have I had a friend like that 401 00:21:32,000 --> 00:21:36,080 Speaker 1: as well, where there's kind of some resentment and we 402 00:21:36,080 --> 00:21:38,040 Speaker 1: had to talk about it because I always ended up 403 00:21:38,040 --> 00:21:42,840 Speaker 1: paying for things and he had way more money, like 404 00:21:43,119 --> 00:21:46,240 Speaker 1: way more money than I did, and it just didn't 405 00:21:46,280 --> 00:21:48,840 Speaker 1: seem to even occur to him that it would be 406 00:21:49,000 --> 00:21:51,800 Speaker 1: sort of a bigger deal for me. And like, I'm 407 00:21:51,840 --> 00:21:54,199 Speaker 1: totally I wasn't saying he needed to pay for everything 408 00:21:54,240 --> 00:21:59,159 Speaker 1: at all, but like equal let's share here, it just 409 00:21:59,200 --> 00:22:02,240 Speaker 1: didn't seem to be is big a factor to him, 410 00:22:02,280 --> 00:22:04,320 Speaker 1: So I'm not I'm not making this up. It does 411 00:22:04,320 --> 00:22:06,240 Speaker 1: seem like gets a little bit of a thing. Anecdotally, 412 00:22:06,800 --> 00:22:09,119 Speaker 1: it does seem that way. Yes, So here's where it 413 00:22:09,119 --> 00:22:12,120 Speaker 1: all kind of starts to go south for Anna and Rachel. 414 00:22:12,160 --> 00:22:15,359 Speaker 1: Well traveling, So Anna's card gets declined, and of course 415 00:22:15,520 --> 00:22:18,719 Speaker 1: Rachel asks the thing that everyone always asks when your 416 00:22:18,720 --> 00:22:20,399 Speaker 1: card is declined, oh did you tell your banks that 417 00:22:20,400 --> 00:22:23,040 Speaker 1: you're traveling? And she's like, no, I didn't, And so 418 00:22:23,359 --> 00:22:26,200 Speaker 1: this again sort of just is like, oh, well, she's traveling. 419 00:22:26,240 --> 00:22:29,320 Speaker 1: It's probably some sort of bank issue. This is embarrassing 420 00:22:29,320 --> 00:22:31,399 Speaker 1: to admit, but the times that I've had my credit 421 00:22:31,440 --> 00:22:34,560 Speaker 1: card or my debit card declined, the cashier always gives 422 00:22:34,600 --> 00:22:37,960 Speaker 1: you that very gracious you know, maybe you need to 423 00:22:38,000 --> 00:22:39,960 Speaker 1: call the bank. It's probably a problem with your card. 424 00:22:40,040 --> 00:22:41,399 Speaker 1: You know. They don't ever want to come out and 425 00:22:41,440 --> 00:22:44,919 Speaker 1: said you have no money. That's always a very gracious, 426 00:22:45,640 --> 00:22:49,200 Speaker 1: very gracious. So basically what happened after that is that 427 00:22:49,320 --> 00:22:52,919 Speaker 1: the hotel kind of gets wind that there's no credit 428 00:22:52,960 --> 00:22:57,159 Speaker 1: card on file for this extremely extremely lavish villa that 429 00:22:57,200 --> 00:22:59,320 Speaker 1: they're staying in. Then I'm sure costs. I mean, at 430 00:22:59,320 --> 00:23:00,960 Speaker 1: this point, if it's been thousand dollars a night, I 431 00:23:01,000 --> 00:23:04,560 Speaker 1: meant this point, it's probably so expensive. And once the 432 00:23:04,600 --> 00:23:07,640 Speaker 1: hotel gets wise. Basically Rachel has to flip the bill 433 00:23:07,680 --> 00:23:10,960 Speaker 1: in order for them to leave, and again that would 434 00:23:10,960 --> 00:23:13,120 Speaker 1: be so I mean, I don't know what I would 435 00:23:13,119 --> 00:23:14,600 Speaker 1: do in that situation. If you're being held in a 436 00:23:14,640 --> 00:23:17,240 Speaker 1: foreign country and you don't really have a lot of money, 437 00:23:17,280 --> 00:23:19,399 Speaker 1: and you don't you're not able to leave and listen, 438 00:23:19,840 --> 00:23:22,200 Speaker 1: a Vanity Fair photo editor probably does not make that 439 00:23:22,280 --> 00:23:25,840 Speaker 1: much money. This is probably an intensely terrifying thing for her. 440 00:23:26,240 --> 00:23:29,040 Speaker 1: Oh yeah, And in the article she talks about how 441 00:23:29,640 --> 00:23:33,399 Speaker 1: hotel security was like in their room all the time, 442 00:23:33,520 --> 00:23:35,960 Speaker 1: kind of waiting for them, not letting them go anywhere. 443 00:23:36,359 --> 00:23:38,919 Speaker 1: The personal trainers that went with them, she had already 444 00:23:39,000 --> 00:23:42,119 Speaker 1: left because she had like a stomach issue, so she 445 00:23:42,800 --> 00:23:46,240 Speaker 1: Rachel was alone with Anna, and Rachel by this point 446 00:23:46,320 --> 00:23:49,320 Speaker 1: was stressed out as well, and she wanted to go 447 00:23:49,359 --> 00:23:52,560 Speaker 1: ahead and leave, and they wouldn't let her leave unless 448 00:23:53,119 --> 00:23:57,480 Speaker 1: somebody paid, paid up, put a credit card down, and 449 00:23:57,600 --> 00:23:59,119 Speaker 1: Rachel was the one that had to do it, and 450 00:23:59,119 --> 00:24:01,320 Speaker 1: Anna was saying, you out, well, I can fix this. 451 00:24:01,840 --> 00:24:03,480 Speaker 1: I can't do it now. She was kind of being 452 00:24:03,880 --> 00:24:07,600 Speaker 1: she was very stressed about it and not being too 453 00:24:07,640 --> 00:24:10,280 Speaker 1: clear about how to solve the problem. She She was 454 00:24:10,320 --> 00:24:12,520 Speaker 1: sort of like, I'm not sure why this is happening, 455 00:24:12,600 --> 00:24:16,440 Speaker 1: I don't understand, and not offering any real solutions. I mean, 456 00:24:16,680 --> 00:24:19,520 Speaker 1: you would hope that if you're super wealthy friend, you know, 457 00:24:20,000 --> 00:24:23,360 Speaker 1: was this was happening, that they would be like, oh, 458 00:24:23,440 --> 00:24:24,879 Speaker 1: let me call my dad, let me do this, let 459 00:24:24,880 --> 00:24:26,760 Speaker 1: me do that. But it doesn't surprise me. I mean, 460 00:24:26,760 --> 00:24:28,880 Speaker 1: I'm sure that Rachel was very frustrated, but it doesn't Again, 461 00:24:28,960 --> 00:24:31,560 Speaker 1: the way that she was acting does not surprise me 462 00:24:32,200 --> 00:24:35,359 Speaker 1: that it didn't immediately kick in that oh, this girl 463 00:24:35,440 --> 00:24:38,240 Speaker 1: is broke and she's she's scamming all of us. So 464 00:24:38,280 --> 00:24:40,520 Speaker 1: when they get back to America, Rachel is trying to 465 00:24:40,520 --> 00:24:42,720 Speaker 1: get her money back, and it really sounds like she 466 00:24:42,760 --> 00:24:46,359 Speaker 1: started to kind of unravel. She writes, stress consumed to 467 00:24:46,400 --> 00:24:49,440 Speaker 1: my sleep and fueled my days. My coworkers saw me unravel. 468 00:24:49,640 --> 00:24:52,040 Speaker 1: I came to the office looking pale and undone. This 469 00:24:52,320 --> 00:24:54,679 Speaker 1: it sounds like this just take over her life. This 470 00:24:54,760 --> 00:24:57,639 Speaker 1: one trip and this one arrangement with this one person 471 00:24:58,000 --> 00:25:00,320 Speaker 1: that she happened to randomly meet in the hotel sounds 472 00:25:00,320 --> 00:25:03,040 Speaker 1: like it was hurting to take over her full life. Yeah, 473 00:25:03,119 --> 00:25:07,240 Speaker 1: And wasn't it like seventy thousand dollars on her credit card. 474 00:25:07,359 --> 00:25:11,239 Speaker 1: That's so much money. I mean in the article it's 475 00:25:11,280 --> 00:25:14,119 Speaker 1: quoted as being more than her her yearly salaries. This 476 00:25:14,200 --> 00:25:16,280 Speaker 1: is a year's worth of work that is gone because 477 00:25:16,280 --> 00:25:18,480 Speaker 1: of this one person. That's an amount of money. I 478 00:25:18,560 --> 00:25:22,000 Speaker 1: can't imagine if you you thought you a friend was 479 00:25:22,040 --> 00:25:23,359 Speaker 1: going to foot it, and then all of a sudden 480 00:25:23,359 --> 00:25:25,399 Speaker 1: it's on you and you weren't anticipating it and you 481 00:25:25,400 --> 00:25:28,359 Speaker 1: probably don't have it, that level of stress must have 482 00:25:28,440 --> 00:25:33,399 Speaker 1: been unbearable. Yeah, that would that would ruin my life. 483 00:25:33,680 --> 00:25:37,240 Speaker 1: So basically Rachel gets the police involved, and only then 484 00:25:37,480 --> 00:25:40,959 Speaker 1: is the sort of grandness of this whole situation revealed 485 00:25:41,000 --> 00:25:44,200 Speaker 1: to her. She was accused of falsifying documents from international 486 00:25:44,200 --> 00:25:47,400 Speaker 1: banks showing accounts abroad with a total balance and approximately 487 00:25:47,440 --> 00:25:51,439 Speaker 1: sixty million euro that's about seventy million American dollars, according 488 00:25:51,480 --> 00:25:53,520 Speaker 1: to a press relation from the New York County District 489 00:25:53,560 --> 00:25:57,680 Speaker 1: Attorney's Office announcing the indictment. In late she took those 490 00:25:57,720 --> 00:26:00,040 Speaker 1: documents to the City National Bank and it attempt to 491 00:26:00,119 --> 00:26:03,040 Speaker 1: secure a two million dollar loan creation for her arts 492 00:26:03,040 --> 00:26:06,640 Speaker 1: foundation and private club. When City National Bank denied a loan. 493 00:26:07,080 --> 00:26:10,360 Speaker 1: She showed the same documents to Fortress Investment Group in Midtown, 494 00:26:10,359 --> 00:26:13,200 Speaker 1: New York. Fortress agreed to consider the loan if Anna 495 00:26:13,200 --> 00:26:15,600 Speaker 1: provided a hundred thousand dollars to cover legal and due 496 00:26:15,600 --> 00:26:19,840 Speaker 1: diligence expenses. On January twelve, seventeen, almost a month before, 497 00:26:19,840 --> 00:26:22,560 Speaker 1: she returned to New York and secured a hundred thousand 498 00:26:22,560 --> 00:26:25,359 Speaker 1: dollar loan from City National Bank by convincing the bank 499 00:26:25,359 --> 00:26:29,159 Speaker 1: representative let her overdraft her account. She allegedly promised the 500 00:26:29,200 --> 00:26:32,080 Speaker 1: bank that she would rire funds shortly to cover the overdraft, 501 00:26:32,160 --> 00:26:35,480 Speaker 1: which is a very familiar thing in her world. She 502 00:26:35,600 --> 00:26:39,159 Speaker 1: gave the roan money to Fortress, so basically she was 503 00:26:39,240 --> 00:26:43,880 Speaker 1: moving around so many different large quantities of money, like 504 00:26:44,200 --> 00:26:47,200 Speaker 1: millions and millions of dollars and sort of kind of, um, 505 00:26:47,320 --> 00:26:50,040 Speaker 1: what's the expression, like robbing Peter to pay Paul, Like 506 00:26:50,320 --> 00:26:53,480 Speaker 1: getting money from getting a loan secured from one bank 507 00:26:53,520 --> 00:26:55,199 Speaker 1: and then using that loan to get another loan from 508 00:26:55,200 --> 00:26:58,199 Speaker 1: another bank, like a massive shell game where there was 509 00:26:58,240 --> 00:27:01,399 Speaker 1: never really any money to begin with. It kind of 510 00:27:01,480 --> 00:27:06,520 Speaker 1: sounds like a pyramid scheme, but with like people people 511 00:27:06,560 --> 00:27:10,080 Speaker 1: in money, not at no products at all, just just 512 00:27:10,160 --> 00:27:13,680 Speaker 1: one person convincing people she had money somewhere and she'd 513 00:27:13,680 --> 00:27:17,200 Speaker 1: get it back to you exactly, exactly. And this quote 514 00:27:17,200 --> 00:27:19,600 Speaker 1: that Rachel has from her piece kind of you know, 515 00:27:20,000 --> 00:27:24,120 Speaker 1: chronicling her nightmare with Anna, really nails it. Anna represented 516 00:27:24,160 --> 00:27:25,919 Speaker 1: the kind of life we all wish we could have. 517 00:27:26,320 --> 00:27:28,800 Speaker 1: It's too good to be true. The reality of Anna's 518 00:27:28,800 --> 00:27:31,800 Speaker 1: behind the scenes dealings, these figures flying from one account 519 00:27:31,840 --> 00:27:34,480 Speaker 1: to another, remains daizy to this day. That she was 520 00:27:34,520 --> 00:27:38,080 Speaker 1: allegedly orchestrating such an elaborate scheme while maintaining a believable 521 00:27:38,080 --> 00:27:41,400 Speaker 1: surface cool building her debit cards to pay for dinners, workouts, 522 00:27:41,400 --> 00:27:45,400 Speaker 1: beauty products, and spot treatments. She conjured a glittering, frictionless city. 523 00:27:45,600 --> 00:27:48,199 Speaker 1: Whatever one wanted could be bought. Wherever one wanted to 524 00:27:48,240 --> 00:27:50,480 Speaker 1: go was a cab or a plane right away. The 525 00:27:50,520 --> 00:27:53,520 Speaker 1: audacity of her performance sold itself and to let collapse 526 00:27:53,640 --> 00:27:56,040 Speaker 1: under the weight of its own ambition. It's part of 527 00:27:56,040 --> 00:27:58,480 Speaker 1: why I believed her, to continue to believe her. Who 528 00:27:58,480 --> 00:28:00,760 Speaker 1: would think to make this up such an elaborate tale 529 00:28:00,800 --> 00:28:03,320 Speaker 1: and carry on like this for so long? Who was she? 530 00:28:03,840 --> 00:28:07,199 Speaker 1: How do you know who anyone is? Really? And I 531 00:28:07,240 --> 00:28:10,520 Speaker 1: think that line really does a great job with encapsulating 532 00:28:10,960 --> 00:28:15,440 Speaker 1: what makes someone like Anna so so kind of mystifying. 533 00:28:15,960 --> 00:28:20,440 Speaker 1: You know, she really represented this world where everything is possible. 534 00:28:20,560 --> 00:28:22,399 Speaker 1: It's not surprising to me that it's all happened on 535 00:28:22,400 --> 00:28:24,399 Speaker 1: the back drop of New York City, because when you 536 00:28:24,440 --> 00:28:26,520 Speaker 1: live in New York, as I did for a few years, 537 00:28:26,840 --> 00:28:28,760 Speaker 1: it seems like there are two cities, right, There's the 538 00:28:28,840 --> 00:28:32,680 Speaker 1: one city where you are toiling and you're always sweaty, 539 00:28:32,760 --> 00:28:35,760 Speaker 1: and everything is always a nightmare, and even something simple 540 00:28:35,760 --> 00:28:37,600 Speaker 1: like wanting to get groceries or going to the bank 541 00:28:37,800 --> 00:28:42,520 Speaker 1: is a huge ordeal, and everything is hard. And I 542 00:28:42,560 --> 00:28:45,080 Speaker 1: just when I lived in New York, my my biggest 543 00:28:45,120 --> 00:28:48,720 Speaker 1: memories were like toil and how everything was. It was 544 00:28:48,760 --> 00:28:51,840 Speaker 1: always something like just to get groceries was the biggest 545 00:28:51,840 --> 00:28:54,400 Speaker 1: pain in the world. And I always felt like I 546 00:28:54,440 --> 00:28:57,160 Speaker 1: was sort of battling the city. And then you would 547 00:28:57,160 --> 00:29:03,080 Speaker 1: see these rich, moneyed, wealthy, well connected girls who seemingly 548 00:29:03,760 --> 00:29:05,480 Speaker 1: lived in a different city. Is like we lived. We 549 00:29:05,480 --> 00:29:07,600 Speaker 1: lived in the same city, but we lived in two 550 00:29:07,600 --> 00:29:09,760 Speaker 1: different cities in a kind of way. And I think 551 00:29:09,880 --> 00:29:14,040 Speaker 1: Anna represented the possibility that you can live in a 552 00:29:14,040 --> 00:29:17,440 Speaker 1: world where anything you want whether it's a massage or 553 00:29:17,480 --> 00:29:20,360 Speaker 1: a private workout, or a trip to Marrakesh or a 554 00:29:20,440 --> 00:29:23,040 Speaker 1: personalized gown. Whatever it is that you want, you can 555 00:29:23,120 --> 00:29:26,000 Speaker 1: have it. Like that is so seductive, and of course, 556 00:29:26,040 --> 00:29:28,480 Speaker 1: like who wouldn't want that? I think it is this 557 00:29:28,560 --> 00:29:33,360 Speaker 1: sort of modern day great Gaps, the American dream, where 558 00:29:34,040 --> 00:29:35,840 Speaker 1: you know, you can move to New York with nothing 559 00:29:35,960 --> 00:29:38,720 Speaker 1: and reinvent yourself to be this, this German heiress for 560 00:29:38,760 --> 00:29:42,360 Speaker 1: whom everything is possible, everything is at your fingertips. Yes, 561 00:29:43,480 --> 00:29:45,640 Speaker 1: And I do love that aspect of the story that 562 00:29:45,680 --> 00:29:50,280 Speaker 1: she was a German heiress. Um and that quote, I 563 00:29:50,320 --> 00:29:54,120 Speaker 1: think it's really well written in Um. It does capture 564 00:29:54,160 --> 00:29:57,160 Speaker 1: a lot of why you would you would go along 565 00:29:57,200 --> 00:29:59,880 Speaker 1: with this, why it was believable. I mean, to witness 566 00:30:00,040 --> 00:30:05,600 Speaker 1: someone outwardly so confident if the money isn't there, but 567 00:30:05,640 --> 00:30:11,600 Speaker 1: they're just playing no outward signs that there's a problem. 568 00:30:11,160 --> 00:30:15,280 Speaker 1: It's it's impressive in a way. It really is. I 569 00:30:15,520 --> 00:30:18,920 Speaker 1: like am someone who I have usually when I have money, 570 00:30:19,280 --> 00:30:22,440 Speaker 1: even if I'm always like expecting my credit card to 571 00:30:22,480 --> 00:30:24,600 Speaker 1: get turned down, like I always am like here's my 572 00:30:24,680 --> 00:30:29,360 Speaker 1: credit card with a question mark. Used free credit cards 573 00:30:29,400 --> 00:30:31,200 Speaker 1: like gift cards, so you're like, there might be something 574 00:30:31,200 --> 00:30:37,000 Speaker 1: on this one, and I'm just like secretly in turmoil 575 00:30:37,120 --> 00:30:40,720 Speaker 1: that it's going to come back. They're gonna be like, well, sorry, man, 576 00:30:40,800 --> 00:30:46,840 Speaker 1: but this did not go through. Meanwhile, she's got Anna 577 00:30:46,920 --> 00:30:52,640 Speaker 1: Deelvia's no money, and it's just like confident again. Like 578 00:30:52,760 --> 00:30:55,440 Speaker 1: I know she's a bad person for scamming people who 579 00:30:55,480 --> 00:30:57,520 Speaker 1: didn't have a ton of money, but part of me 580 00:30:57,640 --> 00:31:00,719 Speaker 1: has to sort of admire that confidence where when you 581 00:31:00,800 --> 00:31:03,000 Speaker 1: walk up to a cashier and you give your credit 582 00:31:03,000 --> 00:31:05,440 Speaker 1: card to buy something lavish and your credit card is declined, 583 00:31:05,880 --> 00:31:07,560 Speaker 1: instead of being like, oh, I don't have any money, 584 00:31:07,560 --> 00:31:10,240 Speaker 1: which all of us would do somehow making it, you know, 585 00:31:10,240 --> 00:31:11,880 Speaker 1: it's like, let me talk to a manager. It's like 586 00:31:11,920 --> 00:31:15,480 Speaker 1: the person who has that kind of audacity, that person 587 00:31:15,600 --> 00:31:18,200 Speaker 1: is so not me, and I am fascinated by that person. 588 00:31:18,600 --> 00:31:21,560 Speaker 1: She really took fake it until you make it to 589 00:31:21,720 --> 00:31:29,120 Speaker 1: its ultimate, its highest, highest point, to the most extreme. Yeah, exactly. 590 00:31:29,560 --> 00:31:32,320 Speaker 1: So another sort of major player in the whole Anna 591 00:31:32,360 --> 00:31:36,680 Speaker 1: Delvie saga is Nef Naff really has emerged that sort 592 00:31:36,680 --> 00:31:39,760 Speaker 1: of the folk hero that we all deserve in this story. Uh, 593 00:31:39,960 --> 00:31:42,800 Speaker 1: Nef is like me, a black girl from Washington, d C. 594 00:31:43,560 --> 00:31:46,200 Speaker 1: Shout out to Netflix executives who are already turning Anna 595 00:31:46,240 --> 00:31:49,080 Speaker 1: deelvie story into a Netflix show. If you need someone 596 00:31:49,120 --> 00:31:51,160 Speaker 1: to play Nev, please call me because this was the 597 00:31:51,280 --> 00:31:54,000 Speaker 1: role I was born to play. Um Nev worked at 598 00:31:54,000 --> 00:31:57,160 Speaker 1: the hotel where Anna Delvi was living and really gives 599 00:31:57,160 --> 00:32:00,560 Speaker 1: a different a different glimpse into these scams. So basically, 600 00:32:01,040 --> 00:32:03,960 Speaker 1: Nef says that Anna Delvi, one of the sort of 601 00:32:04,040 --> 00:32:06,720 Speaker 1: layers of her scam was that she would treat the 602 00:32:06,760 --> 00:32:09,960 Speaker 1: people in the hotel very, very nicely, like basically become 603 00:32:10,000 --> 00:32:12,720 Speaker 1: their friends. And bear in mind, this is the hotel 604 00:32:12,720 --> 00:32:15,160 Speaker 1: where she was living and not paying the bill, so 605 00:32:15,240 --> 00:32:18,120 Speaker 1: she was like ragging up thousands of dollars. But by 606 00:32:18,160 --> 00:32:20,880 Speaker 1: befriending the staff, it kind of gives you a certain 607 00:32:20,920 --> 00:32:24,600 Speaker 1: kind of power to be able to do that. Yeah, 608 00:32:24,640 --> 00:32:28,080 Speaker 1: they want you since you're nice to them. They want 609 00:32:28,080 --> 00:32:31,000 Speaker 1: to believe that you are a next person and that 610 00:32:31,720 --> 00:32:34,120 Speaker 1: their money is They're like, they want to give you 611 00:32:34,120 --> 00:32:37,600 Speaker 1: that benefit of a doubt. Exactly. My favorite quote about 612 00:32:37,600 --> 00:32:40,560 Speaker 1: Anna from Nef, she says, you know how Rihanna walks 613 00:32:40,600 --> 00:32:43,520 Speaker 1: out with wine glasses, That was Anna, and they let 614 00:32:43,560 --> 00:32:45,920 Speaker 1: her by miss Selvie. So if you don't know what 615 00:32:45,960 --> 00:32:50,520 Speaker 1: that means, basically, Rihanna is often photographed pretty much illegally, 616 00:32:50,600 --> 00:32:53,560 Speaker 1: like leaving restaurants going onto the street. Was a full 617 00:32:53,560 --> 00:32:55,840 Speaker 1: glass of wine for the restaurant where she was just dining. 618 00:32:56,120 --> 00:32:58,480 Speaker 1: I think that's against the law to like leave to 619 00:32:58,520 --> 00:32:59,920 Speaker 1: like get a drink at the bar at a rest 620 00:33:00,080 --> 00:33:02,200 Speaker 1: and then like, unless you're in New Orleans, to de 621 00:33:02,240 --> 00:33:04,720 Speaker 1: stroll out onto the street. But they let her, And 622 00:33:04,760 --> 00:33:07,640 Speaker 1: that's what she's saying, Like Anna Delvy had that kind 623 00:33:07,640 --> 00:33:10,520 Speaker 1: of vibe where she would do these things and people 624 00:33:10,520 --> 00:33:14,600 Speaker 1: would just let her right And um nev noticed the 625 00:33:14,640 --> 00:33:19,360 Speaker 1: same rich people who act nonchalantly about money vibe as Rachel. 626 00:33:19,520 --> 00:33:22,200 Speaker 1: That is, it seems to be one of the key 627 00:33:22,440 --> 00:33:26,480 Speaker 1: things that sold her scam. When you're super rich, you 628 00:33:26,480 --> 00:33:28,719 Speaker 1: can be forgetful in this way, which is maybe why 629 00:33:28,840 --> 00:33:31,000 Speaker 1: no one thought much of the instances in which Anna 630 00:33:31,080 --> 00:33:33,760 Speaker 1: did things that seemed odd for a wealthy person calling 631 00:33:33,760 --> 00:33:35,400 Speaker 1: a friend to have her put a taxi from the 632 00:33:35,400 --> 00:33:37,520 Speaker 1: airport on her credit card, or asking to sleep on 633 00:33:37,560 --> 00:33:40,400 Speaker 1: someone's couch, or moving into someone's apartment with the tacit 634 00:33:40,400 --> 00:33:43,920 Speaker 1: agreement to pay rent and then not doing it. Maybe 635 00:33:43,920 --> 00:33:46,480 Speaker 1: she had so much money she had just lost track 636 00:33:46,520 --> 00:33:49,120 Speaker 1: of it. Yeah, that actually reminds me my rich friend 637 00:33:49,120 --> 00:33:51,640 Speaker 1: that I mentioned earlier. I helped her move out of 638 00:33:51,640 --> 00:33:54,280 Speaker 1: her place and I put her you haul on my 639 00:33:54,360 --> 00:33:55,840 Speaker 1: credit card because I was picking up a you Hall 640 00:33:55,880 --> 00:33:57,960 Speaker 1: to meet her, and she never paid for it. It 641 00:33:58,000 --> 00:34:00,240 Speaker 1: became a big thing, and eventually when I was like, 642 00:34:00,240 --> 00:34:02,280 Speaker 1: I need my money for that you haul, she had 643 00:34:02,280 --> 00:34:04,120 Speaker 1: just forgotten it. It It just slipped her mind. And that 644 00:34:04,120 --> 00:34:06,760 Speaker 1: that like, that's what I'm saying. This is not it's 645 00:34:06,840 --> 00:34:09,319 Speaker 1: for someone who is super wealthy. This does not sound 646 00:34:09,400 --> 00:34:11,799 Speaker 1: strange to me. It may seem strange, but it would 647 00:34:11,840 --> 00:34:14,120 Speaker 1: only maybe think like, oh, she's one of those rich 648 00:34:14,160 --> 00:34:17,600 Speaker 1: people who doesn't think about money like that. Yeah. From 649 00:34:17,600 --> 00:34:21,360 Speaker 1: what I read, she kind of had this flighty vibe 650 00:34:21,840 --> 00:34:26,680 Speaker 1: being sort of forgetful. So I can see just sort 651 00:34:26,719 --> 00:34:29,120 Speaker 1: of writing it off as a part of her personality 652 00:34:29,160 --> 00:34:32,120 Speaker 1: as well totally. And it does kind of sound like 653 00:34:32,200 --> 00:34:36,399 Speaker 1: throwing money around and making it so that people kind 654 00:34:36,400 --> 00:34:38,759 Speaker 1: of owe you or feel obligated to not point out 655 00:34:38,840 --> 00:34:42,040 Speaker 1: the inconsistencies of your scam is kind of part of 656 00:34:42,080 --> 00:34:45,280 Speaker 1: her armor. Neff writes, about how she once called something 657 00:34:45,280 --> 00:34:47,960 Speaker 1: out that she found a bit odd about Anna. This 658 00:34:48,080 --> 00:34:51,880 Speaker 1: rich person who actually legitimately was rich. Anna had told 659 00:34:52,000 --> 00:34:55,160 Speaker 1: Nef that this person's father they were thinking about being 660 00:34:55,200 --> 00:34:58,800 Speaker 1: investment partners. This person like had stock in this hotel. 661 00:34:59,239 --> 00:35:01,279 Speaker 1: And so when NiFe mentioned this to the to the 662 00:35:01,360 --> 00:35:03,640 Speaker 1: rich guy, the rich guy was like, don't you think 663 00:35:03,640 --> 00:35:06,040 Speaker 1: that if my father had an investment partner staying at 664 00:35:06,040 --> 00:35:08,080 Speaker 1: a hotel where he kind of that he kind of owns, 665 00:35:08,360 --> 00:35:10,319 Speaker 1: that person will be staying in a suite, not like 666 00:35:10,320 --> 00:35:13,440 Speaker 1: a little deluxe room. When Nif asked Anna about this, 667 00:35:13,560 --> 00:35:16,040 Speaker 1: Anna said, do you ever just have someone do you 668 00:35:16,120 --> 00:35:18,080 Speaker 1: so many favors you kind of want to pay them 669 00:35:18,080 --> 00:35:20,680 Speaker 1: back in silence? And I mean, come on, that is 670 00:35:20,719 --> 00:35:22,880 Speaker 1: a great line. Like that is like something out of 671 00:35:22,880 --> 00:35:28,000 Speaker 1: a movie. It really is. It's Hollywood, Hollywood, kitten, write 672 00:35:28,200 --> 00:35:31,320 Speaker 1: something better than that. It's so good. It's so good, 673 00:35:31,400 --> 00:35:35,239 Speaker 1: It's so good. Another great tidbit about Anna's story is 674 00:35:35,520 --> 00:35:38,600 Speaker 1: just what a bold faced scammer she was. One of 675 00:35:38,600 --> 00:35:40,920 Speaker 1: my favorite points is that the personal trainer that you 676 00:35:40,960 --> 00:35:43,600 Speaker 1: mentioned earlier, when Anna was still stuck in Marrakesh and 677 00:35:43,680 --> 00:35:46,399 Speaker 1: she had been low key scamming this woman. Anna didn't 678 00:35:46,400 --> 00:35:48,000 Speaker 1: have a way to get back to the United States, 679 00:35:48,120 --> 00:35:50,800 Speaker 1: so she asked if this woman could put a plane 680 00:35:50,800 --> 00:35:52,879 Speaker 1: ticket on her credit card and then Anna would quote 681 00:35:52,920 --> 00:35:54,759 Speaker 1: pay her back later, but we all know how that goes. 682 00:35:55,200 --> 00:35:57,880 Speaker 1: And the woman said, sure, I guess I will, and 683 00:35:57,920 --> 00:36:01,320 Speaker 1: Anna asked, can you get me first class US? Which, again, 684 00:36:01,480 --> 00:36:05,600 Speaker 1: it's such a impressive display that it's hard for me 685 00:36:05,640 --> 00:36:08,399 Speaker 1: to not sort of love it. I think she she 686 00:36:08,600 --> 00:36:13,520 Speaker 1: really tapped into that kind of how people behave when 687 00:36:13,520 --> 00:36:16,160 Speaker 1: you are used to that type of money. That if 688 00:36:16,160 --> 00:36:19,000 Speaker 1: you're used to first class and you think money is 689 00:36:19,040 --> 00:36:22,239 Speaker 1: no big deal and that's just something you sort of expect, 690 00:36:22,800 --> 00:36:26,239 Speaker 1: you would ask for first class. I think she sort 691 00:36:26,280 --> 00:36:30,319 Speaker 1: of understood this class of people pretty well, and she 692 00:36:30,360 --> 00:36:32,560 Speaker 1: played the role very well. Yeah, like I think she 693 00:36:32,680 --> 00:36:36,200 Speaker 1: I think you're right that she knew the markers of 694 00:36:36,239 --> 00:36:39,000 Speaker 1: how to make these people who were not moneyed but 695 00:36:39,040 --> 00:36:42,239 Speaker 1: who were in her orbit believe the scam. Like you know, 696 00:36:42,640 --> 00:36:45,040 Speaker 1: it's like how magicians they have like a flashy thing 697 00:36:45,560 --> 00:36:47,399 Speaker 1: and that they know that you're going to your eye 698 00:36:47,440 --> 00:36:49,600 Speaker 1: is going to be drawn to it, but that it's 699 00:36:49,600 --> 00:36:52,520 Speaker 1: actually you know, a misdirect. You know, it's like these 700 00:36:52,520 --> 00:36:56,319 Speaker 1: little things that make you believe in the scam. Yeah. Absolutely, 701 00:36:56,719 --> 00:36:58,920 Speaker 1: So we have a little bit more to talk about, 702 00:36:59,120 --> 00:37:00,839 Speaker 1: but we're going to pause for one more quick break 703 00:37:01,000 --> 00:37:14,440 Speaker 1: for word from our sponsor, and we're back, Thank you, sponsor. 704 00:37:15,200 --> 00:37:17,799 Speaker 1: So NeXT's version of this story kind of begins to 705 00:37:17,840 --> 00:37:19,880 Speaker 1: unravel the same way they did for Rachel, which is 706 00:37:19,920 --> 00:37:21,880 Speaker 1: having to pick up a big bill for a price 707 00:37:21,920 --> 00:37:24,239 Speaker 1: e meal. Um, it sounds like they went on to 708 00:37:24,320 --> 00:37:26,440 Speaker 1: this big meal. The waiter came back to the station 709 00:37:26,480 --> 00:37:29,120 Speaker 1: and began entering the credit card numbers. So basically it 710 00:37:29,120 --> 00:37:31,319 Speaker 1: sounds like Anna gave him a bunch of credit card 711 00:37:31,400 --> 00:37:33,759 Speaker 1: numbers and had the waiter put a bunch of them 712 00:37:33,760 --> 00:37:35,200 Speaker 1: in to see if they would work, and none of 713 00:37:35,239 --> 00:37:38,040 Speaker 1: them did. Next says, I started to sweat because I 714 00:37:38,120 --> 00:37:40,200 Speaker 1: knew the bill was mine. The amount of the bill 715 00:37:40,239 --> 00:37:42,520 Speaker 1: was about three dollars, which isn't a lot of money 716 00:37:42,520 --> 00:37:44,640 Speaker 1: compared to the other bills that Anna was racking up, 717 00:37:44,920 --> 00:37:46,560 Speaker 1: but it was a lot of money for somebody like 718 00:37:46,680 --> 00:37:48,880 Speaker 1: Nev who ended up having to cover the bill, And 719 00:37:48,920 --> 00:37:51,160 Speaker 1: she says that doing so made her feel sick, But 720 00:37:51,280 --> 00:37:53,319 Speaker 1: after all the money Anna it spent on her, she 721 00:37:53,440 --> 00:37:56,840 Speaker 1: understood that it was her turn. Oh yeah, yeah, I 722 00:37:56,880 --> 00:37:59,399 Speaker 1: can I can see that too, Like, you don't want 723 00:37:59,400 --> 00:38:03,759 Speaker 1: to argue about money necessarily with someone who has been, 724 00:38:04,360 --> 00:38:07,120 Speaker 1: at least in your understanding paying for the bill up 725 00:38:07,120 --> 00:38:11,520 Speaker 1: and to that point exactly, exactly, um, and yeah, that's 726 00:38:11,560 --> 00:38:14,160 Speaker 1: really when things sort of took a turn. And really 727 00:38:14,200 --> 00:38:16,640 Speaker 1: for Nef, what I think was really the hard part 728 00:38:16,719 --> 00:38:20,640 Speaker 1: here was this idea that this was so intersected with 729 00:38:20,760 --> 00:38:23,640 Speaker 1: Nef's work because she was staying at the hotel where 730 00:38:23,719 --> 00:38:27,160 Speaker 1: networked and so at one point they realized Anna has 731 00:38:27,200 --> 00:38:29,719 Speaker 1: no credit card on file and she'd basically been living 732 00:38:29,719 --> 00:38:32,759 Speaker 1: in this hotel, and the management of the hotel came 733 00:38:32,800 --> 00:38:35,319 Speaker 1: to to help her sort it out, and they were like, yeah, 734 00:38:35,360 --> 00:38:38,080 Speaker 1: did you did you know this person was staying here 735 00:38:38,080 --> 00:38:40,160 Speaker 1: without a credit card? Like blah blah blah. And then 736 00:38:40,239 --> 00:38:44,000 Speaker 1: a classic scammer move when this was brought up to 737 00:38:44,440 --> 00:38:49,200 Speaker 1: Anna by NEF, Anna compensated by buying bottles of expensive 738 00:38:49,280 --> 00:38:52,719 Speaker 1: champagne for the hotel staff, thinking that like, oh, if 739 00:38:52,719 --> 00:38:54,840 Speaker 1: I get them a pricey gift, maybe that will smooth 740 00:38:54,840 --> 00:38:58,160 Speaker 1: things over. Anna didn't pay, and eventually they locked her 741 00:38:58,160 --> 00:39:01,880 Speaker 1: out of her room again with Scott Prewitt that happened 742 00:39:01,920 --> 00:39:08,920 Speaker 1: to him too. Yes, more similarities, more similarities. So in April, 743 00:39:09,080 --> 00:39:12,000 Speaker 1: Anna deposited a hundred and sixty dollars with a bad 744 00:39:12,120 --> 00:39:14,480 Speaker 1: checks into the same account and someone was able to 745 00:39:14,520 --> 00:39:18,920 Speaker 1: withdraw from that account before they were returned, and that's 746 00:39:18,920 --> 00:39:21,520 Speaker 1: how she managed to pay off her hotel. So again, 747 00:39:21,680 --> 00:39:25,160 Speaker 1: really like moving money around, using one scam to pay 748 00:39:25,160 --> 00:39:27,960 Speaker 1: off another person that she had scammed. And again keep 749 00:39:27,960 --> 00:39:30,920 Speaker 1: in mind, Nef and Anna were really cozy. They were 750 00:39:30,920 --> 00:39:33,600 Speaker 1: buddy buddy, and Nef worked at this hotel, so of 751 00:39:33,600 --> 00:39:35,440 Speaker 1: course it got her into all kinds of hot water 752 00:39:35,480 --> 00:39:38,120 Speaker 1: with her job. I'm sure. Nef writes in the cut 753 00:39:38,520 --> 00:39:40,200 Speaker 1: that at one point they called her into the office 754 00:39:40,200 --> 00:39:42,520 Speaker 1: and they said, Nef, did you know about this? She 755 00:39:42,520 --> 00:39:45,400 Speaker 1: says she started dying laughing, and she says that he 756 00:39:45,440 --> 00:39:47,440 Speaker 1: thought it was kind of a boss move. So not 757 00:39:47,600 --> 00:39:49,200 Speaker 1: what I really see eye to eye here in a 758 00:39:49,280 --> 00:39:52,319 Speaker 1: kind of way where even though it's a massive scam, 759 00:39:52,360 --> 00:39:57,279 Speaker 1: you kind of gotta respect it. Yeah, it's pretty impressive, 760 00:39:57,960 --> 00:40:00,600 Speaker 1: just the level of it, the scale, to have so 761 00:40:00,640 --> 00:40:04,200 Speaker 1: many people sort of pulled into it. There's a part 762 00:40:04,239 --> 00:40:06,600 Speaker 1: of part of you that sort of has to ask 763 00:40:06,680 --> 00:40:09,480 Speaker 1: to respect. I gotta give credit where credit is due 764 00:40:09,520 --> 00:40:13,120 Speaker 1: on this one. So later Anna deposited two bad checks 765 00:40:13,160 --> 00:40:15,520 Speaker 1: into an account she had at Signature Bank, netting her 766 00:40:15,560 --> 00:40:17,960 Speaker 1: eight thousand, two hundred dollars, and this is how she 767 00:40:18,080 --> 00:40:20,120 Speaker 1: ended up being able to take what she called a 768 00:40:20,200 --> 00:40:24,200 Speaker 1: planned trip to California, where she was arrested outside of 769 00:40:24,239 --> 00:40:27,239 Speaker 1: passages in Malibu and brought back to New York, where 770 00:40:27,320 --> 00:40:30,000 Speaker 1: she would faced six counts of grand larceny and attempted 771 00:40:30,040 --> 00:40:33,200 Speaker 1: grand larceny in addition to theft of services according to 772 00:40:33,239 --> 00:40:36,760 Speaker 1: the indictment. And the cut got to the real Anna 773 00:40:36,840 --> 00:40:40,400 Speaker 1: behind the scam. Anna Sarkin, who was born in Russia 774 00:40:40,440 --> 00:40:42,560 Speaker 1: in nineteen ninety one and moved to Germany in two 775 00:40:42,560 --> 00:40:45,080 Speaker 1: thousand seven when she was sixteen with her younger brother 776 00:40:45,440 --> 00:40:49,400 Speaker 1: and her parents. Anna attended a high school in a Schweiler, 777 00:40:49,520 --> 00:40:53,080 Speaker 1: a small working class town sixty kilometers outside of Colonia 778 00:40:53,200 --> 00:40:56,960 Speaker 1: near the Belgium and Dutch border. She's not actually an heiress. 779 00:40:57,520 --> 00:40:59,640 Speaker 1: Her dad worked as a chuck driver and later as 780 00:40:59,640 --> 00:41:03,040 Speaker 1: an executive at a transport company until it became insolvent 781 00:41:03,200 --> 00:41:06,239 Speaker 1: in two thousand thirteen, whereupon he opened a heating and 782 00:41:06,280 --> 00:41:10,560 Speaker 1: cooling business specializing in energy efficient devices. So even though 783 00:41:10,600 --> 00:41:13,400 Speaker 1: there was no truth to her being this rich German heiress, 784 00:41:13,520 --> 00:41:16,440 Speaker 1: I think a lot of Americans, myself included, probably know 785 00:41:16,719 --> 00:41:19,879 Speaker 1: so little about Germany that if she said, oh, I'm 786 00:41:19,920 --> 00:41:23,000 Speaker 1: from this like small town in Germany, it was even 787 00:41:23,040 --> 00:41:24,960 Speaker 1: that even if you knew that town was not, you know, 788 00:41:25,160 --> 00:41:27,520 Speaker 1: fancy and wealthy, it sounds like a working class town, 789 00:41:27,800 --> 00:41:29,920 Speaker 1: you might buy into it a little bit like, oh, 790 00:41:29,960 --> 00:41:33,040 Speaker 1: she says she's from this town in Germany, sounds fancy. Well, 791 00:41:33,080 --> 00:41:36,280 Speaker 1: it's kind of funny because I think it also plays 792 00:41:36,360 --> 00:41:40,160 Speaker 1: on the fear that we all have of looking stupid, right, 793 00:41:40,280 --> 00:41:44,279 Speaker 1: or being embarrassed. You want to sound like, oh, sure, 794 00:41:44,320 --> 00:41:47,040 Speaker 1: I know where that is, Like you're educated and you're 795 00:41:47,120 --> 00:41:50,200 Speaker 1: aware of that world. You don't want to admit that 796 00:41:50,280 --> 00:41:55,160 Speaker 1: you don't know something. So it kind of plays on 797 00:41:55,239 --> 00:41:58,359 Speaker 1: just the human nature of trying to to fit in 798 00:41:58,440 --> 00:42:02,040 Speaker 1: and sound and tell in front of people. Well, that 799 00:42:02,080 --> 00:42:04,959 Speaker 1: actually reminds me of another scammer couple that I love, 800 00:42:05,200 --> 00:42:08,640 Speaker 1: the couple that scammed their way into the Obama administration's 801 00:42:08,719 --> 00:42:12,760 Speaker 1: state dinner. So their last name was Salahi, and somebody 802 00:42:12,800 --> 00:42:15,000 Speaker 1: wrote that because this was a state dinner, and you 803 00:42:15,080 --> 00:42:18,040 Speaker 1: had lots of like foreign diplomats and foreign important people. 804 00:42:18,360 --> 00:42:22,320 Speaker 1: Because their name sounds a little bit like important, can important, 805 00:42:22,320 --> 00:42:24,960 Speaker 1: it could be the name of an important couple from abroad. 806 00:42:25,440 --> 00:42:27,239 Speaker 1: That that was one of the reasons they were able 807 00:42:27,280 --> 00:42:30,480 Speaker 1: to scam their way into this dinner so easily, because 808 00:42:30,840 --> 00:42:33,600 Speaker 1: nobody wants to look at the doorman who is giving 809 00:42:33,640 --> 00:42:36,680 Speaker 1: this important foreign couple a hard time, So maybe it's 810 00:42:36,719 --> 00:42:38,480 Speaker 1: just better to just let them in even though they 811 00:42:38,480 --> 00:42:41,320 Speaker 1: aren't an important couple. But you know that that idea 812 00:42:41,320 --> 00:42:44,800 Speaker 1: of not wanting to a embarrass somebody who was important 813 00:42:44,920 --> 00:42:47,320 Speaker 1: or be be embarrassed because you didn't know who this 814 00:42:47,360 --> 00:42:51,680 Speaker 1: important person was definitely feeds into it. Sure. And like 815 00:42:51,760 --> 00:42:55,920 Speaker 1: a fear of being called out on your your ignorance 816 00:42:55,960 --> 00:42:58,400 Speaker 1: on something or causing like a kind of a scene, 817 00:42:58,760 --> 00:43:01,560 Speaker 1: I can completely understand, and wanting to avoid that and 818 00:43:01,640 --> 00:43:07,360 Speaker 1: just going along with it and then finding out that, uh, 819 00:43:07,480 --> 00:43:10,880 Speaker 1: it was all a big, a big lie. So another 820 00:43:10,960 --> 00:43:14,359 Speaker 1: thing I love about this whole Anna situation is that 821 00:43:14,400 --> 00:43:17,919 Speaker 1: when the cut interviewed her from prison, she still sort 822 00:43:17,960 --> 00:43:21,560 Speaker 1: of maintained that this these grand ideas opening this fancy 823 00:43:21,640 --> 00:43:24,600 Speaker 1: art club for rich people. She still maintains that they 824 00:43:24,600 --> 00:43:26,960 Speaker 1: were actual plans that she had. They weren't. There wasn't 825 00:43:26,960 --> 00:43:30,319 Speaker 1: a scam. She actually believed that she could move enough 826 00:43:30,360 --> 00:43:33,040 Speaker 1: money around and fund this thing and make all the 827 00:43:33,040 --> 00:43:38,320 Speaker 1: money back. Yeah, and uh, if it's true, it's always 828 00:43:38,360 --> 00:43:40,680 Speaker 1: a more believable story if there is a little bit 829 00:43:40,680 --> 00:43:43,160 Speaker 1: of truth to it, you know, if there's like just 830 00:43:43,239 --> 00:43:46,799 Speaker 1: a peppery ing of of true things in there. That's 831 00:43:46,800 --> 00:43:49,000 Speaker 1: the crux of any good scam is a little bit 832 00:43:49,000 --> 00:43:52,919 Speaker 1: of truth. Yes, exactly. So this lie at the cut 833 00:43:53,000 --> 00:43:56,160 Speaker 1: I think crystallizes for me why this is such a 834 00:43:56,200 --> 00:44:00,280 Speaker 1: fascinating story. They're right about her her grand play hands 835 00:44:00,320 --> 00:44:03,359 Speaker 1: to open this art club. They right. Maybe it could 836 00:44:03,360 --> 00:44:06,480 Speaker 1: have happened in this city where enormous amounts of invisible 837 00:44:06,480 --> 00:44:09,719 Speaker 1: money trade hands every day, or glass towers are built 838 00:44:09,719 --> 00:44:12,799 Speaker 1: on paperwork promises. Why not if Abby rose in the 839 00:44:12,800 --> 00:44:15,400 Speaker 1: son of Holocaust survivors, could come to New York and 840 00:44:15,400 --> 00:44:18,759 Speaker 1: fill skyscrapers full of art, If the Kardashians could build 841 00:44:18,760 --> 00:44:21,279 Speaker 1: a billion dollar empire out of literally nothing, if a 842 00:44:21,320 --> 00:44:24,080 Speaker 1: movie star like Dakota Johnson could sculpt her ask so 843 00:44:24,120 --> 00:44:26,440 Speaker 1: that it could become the anchor of a major franchise. 844 00:44:26,440 --> 00:44:28,960 Speaker 1: Why couldn't Anna delve. During the course of my reporting, 845 00:44:29,239 --> 00:44:32,680 Speaker 1: people kept asking why this girl. She wasn't super hot, 846 00:44:32,840 --> 00:44:36,080 Speaker 1: they pointed out, or super charming, She wasn't even very nice. 847 00:44:36,200 --> 00:44:38,880 Speaker 1: How did she manage to convince an enormous amount of cool, 848 00:44:39,000 --> 00:44:42,320 Speaker 1: successful people that she was something she clearly wasn't. Watching 849 00:44:42,360 --> 00:44:45,400 Speaker 1: the Riker's guards shove Fast Company into a Manila envelope, 850 00:44:45,680 --> 00:44:47,719 Speaker 1: I realized what Anna had in common with the people 851 00:44:47,760 --> 00:44:49,840 Speaker 1: that she'd been studying on the pages of that magazine. 852 00:44:50,280 --> 00:44:52,640 Speaker 1: She saw something others didn't. Anna looked at the soul 853 00:44:52,680 --> 00:44:54,879 Speaker 1: of New York and recognize that if you distract people 854 00:44:54,920 --> 00:44:57,839 Speaker 1: with shiny objects, with large wads of cash, with the 855 00:44:57,840 --> 00:45:00,480 Speaker 1: indica of wealth, if you show them the me, they 856 00:45:00,520 --> 00:45:03,120 Speaker 1: will be virtually unable to see anything else. And the 857 00:45:03,200 --> 00:45:08,040 Speaker 1: thing was, it was so easy. I love that quote 858 00:45:08,120 --> 00:45:11,000 Speaker 1: so much because I think it's true. I mean, Anna 859 00:45:11,080 --> 00:45:14,200 Speaker 1: Delvi scammed her friends, a lot of whom didn't really 860 00:45:14,200 --> 00:45:16,399 Speaker 1: have that much money to begin with. And side note, 861 00:45:16,400 --> 00:45:18,720 Speaker 1: we actually don't even know the depths of her scams. 862 00:45:19,360 --> 00:45:22,120 Speaker 1: But when you look at like it does kind of 863 00:45:22,160 --> 00:45:25,239 Speaker 1: make you think, is in America kind of one big scam? 864 00:45:25,320 --> 00:45:27,360 Speaker 1: And in a kind of way, that is one of 865 00:45:27,400 --> 00:45:29,799 Speaker 1: the reasons why we're so fascinated by her story and 866 00:45:29,840 --> 00:45:32,800 Speaker 1: stories like hers, because we see people sort of scammed 867 00:45:32,840 --> 00:45:35,840 Speaker 1: their way into success all the time, and in a 868 00:45:35,960 --> 00:45:38,400 Speaker 1: kind of way, it just seems like what this country 869 00:45:38,480 --> 00:45:41,680 Speaker 1: is built on. Yeah, I love that quote too, and 870 00:45:41,920 --> 00:45:44,920 Speaker 1: it's sort of reminds me of um. Every time I 871 00:45:44,920 --> 00:45:47,360 Speaker 1: go to Las Vegas, I have a weird this's just 872 00:45:47,440 --> 00:45:51,480 Speaker 1: a weird feeling in being there that I can't look 873 00:45:51,520 --> 00:45:57,760 Speaker 1: away from this. This is like humanity and its basis 874 00:45:57,800 --> 00:46:02,759 Speaker 1: like pleasure, entertainment seeking. It's really hard to describe, but 875 00:46:02,840 --> 00:46:06,080 Speaker 1: I think that Anna was able to tap into if 876 00:46:06,080 --> 00:46:09,440 Speaker 1: you do have a large amounts of cash or shiny 877 00:46:09,520 --> 00:46:12,359 Speaker 1: things to distract people, that we are so hung up 878 00:46:12,360 --> 00:46:15,360 Speaker 1: on this, and it's sort of like reveals the superficial 879 00:46:15,560 --> 00:46:23,080 Speaker 1: aspect of humanity that is both fascinating and kind of upsetting. 880 00:46:23,120 --> 00:46:27,560 Speaker 1: It's a really interesting dichotomy. Definitely, I'm sure folks are 881 00:46:27,600 --> 00:46:30,000 Speaker 1: so tired of hearing me make this connection, But I 882 00:46:30,040 --> 00:46:32,240 Speaker 1: do think there's a little bit of a social media 883 00:46:32,320 --> 00:46:35,879 Speaker 1: aspect to this, because Annadelby's an Instagram is still up 884 00:46:36,360 --> 00:46:40,719 Speaker 1: and she has the artifice of someone living the lifestyle 885 00:46:40,760 --> 00:46:45,880 Speaker 1: of like a of a mysterious, wealthy, traveling you know, 886 00:46:46,160 --> 00:46:49,239 Speaker 1: rich girl. She has that down so well. And I 887 00:46:49,239 --> 00:46:51,319 Speaker 1: think it's what you're saying. It's like, if you could 888 00:46:51,360 --> 00:46:54,720 Speaker 1: have the trappings of wealth and that sort of shiny 889 00:46:55,040 --> 00:46:59,440 Speaker 1: artifice of wealth, that really it can be so distracting 890 00:47:00,080 --> 00:47:02,239 Speaker 1: even though you know it's not real, you kind of 891 00:47:02,320 --> 00:47:04,200 Speaker 1: let yourself believe it. And I think that's what Anna 892 00:47:04,280 --> 00:47:07,640 Speaker 1: traffic in. Even though we know, like there is no 893 00:47:07,760 --> 00:47:11,440 Speaker 1: free lunch. If someone befriends you and says they're going 894 00:47:11,520 --> 00:47:15,560 Speaker 1: to whisk you away to Morocco for free, that's probably 895 00:47:15,600 --> 00:47:18,279 Speaker 1: not true, but it feels so good to believe that 896 00:47:18,320 --> 00:47:20,160 Speaker 1: you could live a life like that. I just this 897 00:47:20,320 --> 00:47:21,880 Speaker 1: really just remind us me of my times living in 898 00:47:21,880 --> 00:47:24,120 Speaker 1: New York when I would just look at these these 899 00:47:24,160 --> 00:47:26,200 Speaker 1: these young women who were the same age that I was, 900 00:47:26,320 --> 00:47:29,560 Speaker 1: and I would want their life so badly. I'll never 901 00:47:29,600 --> 00:47:31,960 Speaker 1: forget this time I had to go to Kinkos to 902 00:47:31,960 --> 00:47:33,920 Speaker 1: fill because I was filling out this paperwork and it 903 00:47:33,960 --> 00:47:37,520 Speaker 1: was this really intense like involved having to get things 904 00:47:37,520 --> 00:47:39,520 Speaker 1: copied and triplicate and all of this. So I had 905 00:47:39,520 --> 00:47:42,600 Speaker 1: to go to Kinkos. Kinkos was a little bit far 906 00:47:42,600 --> 00:47:45,120 Speaker 1: away from my apartment, and the subway wasn't working, and 907 00:47:45,160 --> 00:47:46,960 Speaker 1: so the only subway that I could take to get 908 00:47:47,000 --> 00:47:49,520 Speaker 1: there was was not working. So I had to walk, 909 00:47:49,560 --> 00:47:52,080 Speaker 1: and so I walked. It was like a few miles 910 00:47:52,160 --> 00:47:54,719 Speaker 1: and the hot, hot sun. When I got to Kinkos, 911 00:47:55,000 --> 00:47:59,560 Speaker 1: it was closed, and I was like overcome with this 912 00:48:00,040 --> 00:48:05,600 Speaker 1: feeling of dread and sort of turmoil. And I turned 913 00:48:05,600 --> 00:48:08,319 Speaker 1: around to go back to you know, walk back home, 914 00:48:08,360 --> 00:48:09,719 Speaker 1: because there was no way other way to get home. 915 00:48:09,719 --> 00:48:11,840 Speaker 1: I couldn't afford a cab. The train was down. What 916 00:48:11,960 --> 00:48:14,480 Speaker 1: was it? When I turned around, I turned around too 917 00:48:14,520 --> 00:48:17,359 Speaker 1: quickly and I ran smack dab into a road sign 918 00:48:17,360 --> 00:48:21,319 Speaker 1: and it broke my glasses. And so so I sat 919 00:48:21,320 --> 00:48:24,000 Speaker 1: down on this stoop in Williamsburg and somebody opened the 920 00:48:24,040 --> 00:48:26,440 Speaker 1: window of the stoop I was sitting at, and I 921 00:48:26,520 --> 00:48:28,360 Speaker 1: was like, can you leave? Can you not sit on 922 00:48:28,400 --> 00:48:32,840 Speaker 1: my stoop? And right in that moment, this black car 923 00:48:33,120 --> 00:48:38,320 Speaker 1: full of beautiful, thin young girls, probably my same age, 924 00:48:38,560 --> 00:48:40,960 Speaker 1: got out of this car, and they were impeccably dressed. 925 00:48:40,960 --> 00:48:44,120 Speaker 1: They were like hipster sheek, they were laughing, were the 926 00:48:44,160 --> 00:48:48,719 Speaker 1: epitome of Brooklyn, care free, and I remember thinking we 927 00:48:48,800 --> 00:48:51,759 Speaker 1: live in two different cities. At that moment felt so 928 00:48:52,000 --> 00:48:54,880 Speaker 1: I just felt I've never felt dirtier or sweatier, or 929 00:48:54,920 --> 00:48:59,200 Speaker 1: grosser or more sort of down on my luck. I 930 00:48:59,239 --> 00:49:01,440 Speaker 1: want to be clear, there are people who are living much, 931 00:49:01,560 --> 00:49:03,640 Speaker 1: much harder lives than I was living in Brooklyn, But 932 00:49:03,680 --> 00:49:06,359 Speaker 1: in that moment, I felt very down. And seeing this, 933 00:49:06,760 --> 00:49:10,080 Speaker 1: these glittering girls who just seemed to float on air 934 00:49:10,200 --> 00:49:12,760 Speaker 1: getting out of a town car, like like a private 935 00:49:12,800 --> 00:49:18,560 Speaker 1: town car, I just remember wanting that so badly, so badly, 936 00:49:18,600 --> 00:49:20,480 Speaker 1: wanting to know what that life would be like to 937 00:49:20,600 --> 00:49:23,239 Speaker 1: just wherever you wanted to go, there's a it's a 938 00:49:23,320 --> 00:49:25,600 Speaker 1: town car way, you know what. I'm sure these girls 939 00:49:25,640 --> 00:49:28,000 Speaker 1: have problems. I'm definitely projecting my own stuff on them. 940 00:49:28,360 --> 00:49:30,600 Speaker 1: But I see that in Anna, where you know, a 941 00:49:30,680 --> 00:49:33,200 Speaker 1: Vanity Fair photo editor who makes sixty grand a year 942 00:49:33,520 --> 00:49:35,720 Speaker 1: in one of the most expensive cities in the world 943 00:49:36,120 --> 00:49:40,880 Speaker 1: probably sees someone like Anna and what they offer as 944 00:49:41,040 --> 00:49:45,040 Speaker 1: so just intoxicating and the idea that you could that 945 00:49:45,080 --> 00:49:48,520 Speaker 1: you could be within grasp of it. I don't blame 946 00:49:48,560 --> 00:49:51,600 Speaker 1: anybody for getting caught up in her in her whirlwind, No, 947 00:49:51,760 --> 00:49:55,160 Speaker 1: I don't either. It's like a tale of two cities 948 00:49:55,200 --> 00:49:59,520 Speaker 1: for these are modern times. It is though I know, 949 00:49:59,600 --> 00:50:01,000 Speaker 1: I know what are thinking, like, why did you do 950 00:50:01,040 --> 00:50:03,040 Speaker 1: a whole episode on this, but it is. It really 951 00:50:03,280 --> 00:50:07,440 Speaker 1: demonstrates a lot of class aspiration and sort of the 952 00:50:07,480 --> 00:50:11,399 Speaker 1: perversion of class aspiration. I think, yeah, I think you're 953 00:50:11,640 --> 00:50:14,880 Speaker 1: completely correct. So that's been our our first and what 954 00:50:14,920 --> 00:50:18,200 Speaker 1: will probably be a mini series on scammers. Oh, you know, 955 00:50:18,200 --> 00:50:20,520 Speaker 1: I could talk scammers all day. There was one time 956 00:50:20,560 --> 00:50:24,520 Speaker 1: I was I was watching this documentary on Netflix and 957 00:50:24,600 --> 00:50:26,920 Speaker 1: somebody came over to my house and I was like, oh, 958 00:50:27,080 --> 00:50:30,040 Speaker 1: I've been trying to watch this documentary on on wine 959 00:50:30,160 --> 00:50:34,040 Speaker 1: on Netflix for so long. And he was like, documentary 960 00:50:34,040 --> 00:50:36,480 Speaker 1: about wine on Netflix. That does not sound like something 961 00:50:36,520 --> 00:50:38,720 Speaker 1: that you'd be into. And I was like, Oh, actually, 962 00:50:38,760 --> 00:50:41,640 Speaker 1: it's about this wine scammer who ended up scamming all 963 00:50:41,680 --> 00:50:45,080 Speaker 1: these fancy wine types and buying like counterfeit wine. And 964 00:50:45,080 --> 00:50:47,000 Speaker 1: he said, oh, that sounds that sounds right. I was 965 00:50:47,040 --> 00:50:49,640 Speaker 1: figuring you would not be watching just a straight by 966 00:50:49,719 --> 00:50:52,560 Speaker 1: the books documentary about wine. Somebody would have to be 967 00:50:52,640 --> 00:50:58,680 Speaker 1: getting scammed for you to be interested. Well, if your 968 00:50:58,719 --> 00:51:03,360 Speaker 1: listeners any suggestions for um for scammers that we should 969 00:51:03,360 --> 00:51:07,080 Speaker 1: talk about, please send them to us. And if you're 970 00:51:07,120 --> 00:51:10,239 Speaker 1: a scammer, if you're currently scamming, give us a call. 971 00:51:09,960 --> 00:51:14,920 Speaker 1: Well let's talk. Let's talk about your scams. Yes, Bridget, 972 00:51:14,960 --> 00:51:18,200 Speaker 1: Bridget would love love more more than anything to your 973 00:51:18,200 --> 00:51:21,440 Speaker 1: from you. Yeah. And in the meantime, let's talk about 974 00:51:21,520 --> 00:51:28,400 Speaker 1: some the listener male Okay. Jacqueline wrote sports fandom Slash. 975 00:51:28,719 --> 00:51:31,759 Speaker 1: This is about our fan fiction episode. It exists. Our 976 00:51:31,840 --> 00:51:35,120 Speaker 1: PF is not slowly limited to one direction. I myself 977 00:51:35,160 --> 00:51:37,640 Speaker 1: these days, tend to read and write football RPF. I 978 00:51:37,680 --> 00:51:40,320 Speaker 1: think our demographics plants a little bit older than average. 979 00:51:40,440 --> 00:51:42,279 Speaker 1: Most folks I know in it are in the mid 980 00:51:42,320 --> 00:51:45,680 Speaker 1: twenties to mid thirties. I also know people who write 981 00:51:45,719 --> 00:51:47,640 Speaker 1: a lot of hockey AIRPF, but I don't follow hockey 982 00:51:47,719 --> 00:51:50,000 Speaker 1: enough to really know more than some of the main 983 00:51:50,080 --> 00:51:52,920 Speaker 1: players and ships in both cases, though, I think, in 984 00:51:52,960 --> 00:51:56,280 Speaker 1: addition to exploring everything you mentioned about deeper relationships between 985 00:51:56,400 --> 00:52:00,360 Speaker 1: folks we already see in Cannon, there's something kind of 986 00:52:00,400 --> 00:52:04,960 Speaker 1: interesting about exploring masculinity, issues of homophobia, and very public life, 987 00:52:05,000 --> 00:52:08,320 Speaker 1: particularly in exclusively male spaces. Maybe I like pretending to 988 00:52:08,360 --> 00:52:09,920 Speaker 1: be a fly on the wall. I don't know, but 989 00:52:10,000 --> 00:52:12,799 Speaker 1: that's definitely part of it. There's also a contingent who 990 00:52:12,800 --> 00:52:15,640 Speaker 1: writes fim slash, usually about the American Women's National Team. 991 00:52:15,960 --> 00:52:19,040 Speaker 1: Women's football outside of US w n T tends to 992 00:52:19,080 --> 00:52:21,160 Speaker 1: be pretty small fandom generally, so if you like me 993 00:52:21,200 --> 00:52:24,400 Speaker 1: and follow Brazil w NT or Chelsea Ladies, you're just 994 00:52:24,640 --> 00:52:27,600 Speaker 1: s O L. It's interesting because my academic research has 995 00:52:27,600 --> 00:52:30,040 Speaker 1: put me in contact with several professional footballers, some of 996 00:52:30,040 --> 00:52:32,680 Speaker 1: whom appear periodically and FICK. The ones I know aren't 997 00:52:32,680 --> 00:52:34,520 Speaker 1: that famous, but it's happened, and they definitely know. Some 998 00:52:34,600 --> 00:52:37,640 Speaker 1: of the guys who regularly star logically be kind of weird. 999 00:52:38,040 --> 00:52:41,680 Speaker 1: There's a really firm separation and compartmentalization, and the fandom 1000 00:52:41,680 --> 00:52:45,799 Speaker 1: between ships pick and real life characterization is thick. Is 1001 00:52:45,840 --> 00:52:48,640 Speaker 1: mostly drawn from interviews and social media personalities. But I 1002 00:52:48,680 --> 00:52:51,879 Speaker 1: don't think anyone thinks, oh boy, I don't know much 1003 00:52:51,880 --> 00:52:56,640 Speaker 1: about sports. These two sports folks are secretly in love 1004 00:52:57,320 --> 00:53:00,400 Speaker 1: or whatever present them with slash fan works and person 1005 00:53:00,600 --> 00:53:02,520 Speaker 1: which I suppose does make it a bit different from 1006 00:53:02,560 --> 00:53:05,719 Speaker 1: some live action fandoms like Supernatural or Avengers. Maybe a 1007 00:53:05,800 --> 00:53:07,680 Speaker 1: year ago there was actually a bit of panic when 1008 00:53:07,680 --> 00:53:10,280 Speaker 1: an editor from dead Spin wanted to do an article 1009 00:53:10,360 --> 00:53:14,200 Speaker 1: on football RPF centered around New York City FC players. 1010 00:53:14,640 --> 00:53:16,560 Speaker 1: This led to me and some other folks I know 1011 00:53:16,920 --> 00:53:20,840 Speaker 1: changing the privacy settings on some postings on AO three. Happily, 1012 00:53:20,880 --> 00:53:23,319 Speaker 1: I think the article was dropped. While I don't think 1013 00:53:23,360 --> 00:53:26,480 Speaker 1: many of us are ashamed of our writing hobby per se, 1014 00:53:26,600 --> 00:53:29,520 Speaker 1: sports fandom can get super toxic, and our little corner 1015 00:53:29,600 --> 00:53:32,720 Speaker 1: AO three and Tumbler tends to be pretty much troll free. 1016 00:53:33,160 --> 00:53:36,120 Speaker 1: The concern was that added attention from say, our slash 1017 00:53:36,160 --> 00:53:39,960 Speaker 1: shocker would lead to writers being harassed. I don't know 1018 00:53:40,000 --> 00:53:43,160 Speaker 1: if that concern was really logical, but hey, like the 1019 00:53:43,200 --> 00:53:45,920 Speaker 1: rest of fan fiction, football RPF is very much produced 1020 00:53:45,920 --> 00:53:49,120 Speaker 1: and consumed by women and non binary folks. The few 1021 00:53:49,160 --> 00:53:51,600 Speaker 1: cis gender men I know who exist around it, and 1022 00:53:51,640 --> 00:53:54,359 Speaker 1: I don't even think these two right are gay. And 1023 00:53:54,400 --> 00:53:56,200 Speaker 1: this was in the wake of gamer Gates, so I 1024 00:53:56,200 --> 00:53:59,520 Speaker 1: think everyone on the internet was still on high alert. Naturally, 1025 00:53:59,560 --> 00:54:01,840 Speaker 1: most of us have been put through the fake geek 1026 00:54:01,880 --> 00:54:05,240 Speaker 1: girl test at least once. We all have individual horror stories, 1027 00:54:05,239 --> 00:54:07,400 Speaker 1: but usually they go something along the lines of some 1028 00:54:07,520 --> 00:54:09,960 Speaker 1: dude at a pub thinking we're only there for a boyfriend, 1029 00:54:10,719 --> 00:54:12,600 Speaker 1: or if we are there alone, it's only because the 1030 00:54:12,600 --> 00:54:15,520 Speaker 1: players are cute. Ironically, the folks that produce fick in 1031 00:54:15,560 --> 00:54:18,440 Speaker 1: this fandom are some of the biggest tactics and history nerds. 1032 00:54:18,480 --> 00:54:21,000 Speaker 1: I know. If some dude really wants to quiz them 1033 00:54:21,040 --> 00:54:23,880 Speaker 1: on who was in the typical Manchester United starting eleven in, 1034 00:54:25,239 --> 00:54:28,520 Speaker 1: I say go for it. Jokes on you, random public ads. 1035 00:54:28,520 --> 00:54:30,800 Speaker 1: I dragged my male friends to matches from my clubs, 1036 00:54:30,800 --> 00:54:33,840 Speaker 1: and I can augle in Hazard's bubble, but while still 1037 00:54:33,880 --> 00:54:37,319 Speaker 1: knowing when he's offside and that drys Marten's is the 1038 00:54:37,360 --> 00:54:42,440 Speaker 1: superior Belgian striker. I totally butchered that name. Apologies at 1039 00:54:42,440 --> 00:54:45,800 Speaker 1: any rate. Female football fans are often victims of gate keeping, 1040 00:54:45,920 --> 00:54:49,239 Speaker 1: not unlike female fans and more traditionally geek spaces. But 1041 00:54:49,280 --> 00:54:51,920 Speaker 1: I wouldn't try it with the fan fake writers. They 1042 00:54:52,000 --> 00:54:54,680 Speaker 1: know there's anyway this has gotten long if you've made 1043 00:54:54,680 --> 00:54:56,799 Speaker 1: it through many things for your patients. I really enjoy 1044 00:54:56,840 --> 00:54:58,880 Speaker 1: the women in queer folks side a football fandom, and 1045 00:54:58,920 --> 00:55:01,400 Speaker 1: I always love sharing it with interested parties. It's been 1046 00:55:01,440 --> 00:55:04,279 Speaker 1: incredibly supportive and a wonderful way to meet folks from 1047 00:55:04,320 --> 00:55:08,239 Speaker 1: all over the world. Wow, that is fascinating. Yeah, I 1048 00:55:08,280 --> 00:55:11,800 Speaker 1: just I thought that was really interesting because I cannot 1049 00:55:11,840 --> 00:55:15,200 Speaker 1: only imagine, uh kind of the intersection of fan fiction 1050 00:55:15,239 --> 00:55:18,880 Speaker 1: and sports fandom can get pretty toxic, and I'm happy 1051 00:55:18,920 --> 00:55:21,160 Speaker 1: to hear that there are these pockets on the Internet 1052 00:55:21,200 --> 00:55:25,319 Speaker 1: that have gotten away from that, and it sounds fascinating 1053 00:55:25,360 --> 00:55:28,040 Speaker 1: to me. Yeah, of course people out there are writing 1054 00:55:28,080 --> 00:55:31,400 Speaker 1: fan fiction about athletes. This never occurred to me, but 1055 00:55:31,480 --> 00:55:33,000 Speaker 1: as soon as we read the email, I thought, of 1056 00:55:33,040 --> 00:55:35,600 Speaker 1: course people are doing, Matt, of course they are. I 1057 00:55:35,640 --> 00:55:38,680 Speaker 1: love it. Yeah, I do too. Um, and please keep 1058 00:55:38,719 --> 00:55:42,680 Speaker 1: sending in everyone who sent in their fan fiction, thank you, 1059 00:55:43,000 --> 00:55:48,160 Speaker 1: and please keep them coming. Please do Next letter, Nicole wrote, 1060 00:55:48,760 --> 00:55:50,719 Speaker 1: I was so excited to listen to this two parter 1061 00:55:50,840 --> 00:55:53,320 Speaker 1: on fan fiction. Well, I read a little fan fiction 1062 00:55:53,320 --> 00:55:55,120 Speaker 1: as a team. I am now in my mid twenties, 1063 00:55:55,160 --> 00:55:57,239 Speaker 1: and I've recently begun to write some fan fiction because 1064 00:55:57,239 --> 00:55:59,879 Speaker 1: I find it fun. I'm relaxing, creative outlet and good 1065 00:56:00,000 --> 00:56:03,080 Speaker 1: actors providing my own original fiction as well. You touched 1066 00:56:03,080 --> 00:56:05,480 Speaker 1: a little on how women can explore their sexuality through 1067 00:56:05,520 --> 00:56:08,960 Speaker 1: fan fiction, and I wanted to share my own experiences. Well, 1068 00:56:08,960 --> 00:56:11,200 Speaker 1: I have not read any fan fiction of a sexual content. 1069 00:56:11,440 --> 00:56:13,960 Speaker 1: Identify as bisexual, and I recently married to a great 1070 00:56:13,960 --> 00:56:16,280 Speaker 1: guy I had been with most of my adult life. 1071 00:56:16,680 --> 00:56:19,080 Speaker 1: I have found that the more quote smutty fan fiction 1072 00:56:19,200 --> 00:56:21,319 Speaker 1: is a way to express and acknowledge the aspects of 1073 00:56:21,320 --> 00:56:25,160 Speaker 1: my sexuality that fall outside of my heatero monogamous relationship. 1074 00:56:25,760 --> 00:56:28,600 Speaker 1: Through the safe, independent medium of reading fanfic, I have 1075 00:56:28,640 --> 00:56:30,960 Speaker 1: also learned about many different kinks that I have discovered 1076 00:56:31,000 --> 00:56:33,120 Speaker 1: new ones I have brought in a conversation with my husband, 1077 00:56:33,440 --> 00:56:35,239 Speaker 1: and we both agree it has supported us and being 1078 00:56:35,239 --> 00:56:37,520 Speaker 1: more open and more sex positive than we were raised 1079 00:56:37,520 --> 00:56:40,319 Speaker 1: to be. Recently, a thirteen year old female friend of 1080 00:56:40,320 --> 00:56:43,319 Speaker 1: the family was caught reading some sexually explicit thick on 1081 00:56:43,360 --> 00:56:45,799 Speaker 1: her what Pad account, and I felt the reaction of 1082 00:56:45,800 --> 00:56:48,759 Speaker 1: her parents was a little shaming, including banning or from 1083 00:56:48,760 --> 00:56:51,279 Speaker 1: the account and sharing their concerns with others. While there 1084 00:56:51,280 --> 00:56:53,800 Speaker 1: are certainly some smutty thick out there that is questionable, 1085 00:56:54,040 --> 00:56:56,799 Speaker 1: such as incest, fix much of an explore sexuality in 1086 00:56:56,800 --> 00:56:59,120 Speaker 1: a healthy way, and often in a way that acknowledges 1087 00:56:59,160 --> 00:57:02,359 Speaker 1: emotional aspects of sex as well. I think in this way, 1088 00:57:02,400 --> 00:57:05,359 Speaker 1: explicit fan thic might just be one more positive way 1089 00:57:05,400 --> 00:57:08,560 Speaker 1: to explore sexuality and most porn, which is certainly something 1090 00:57:08,600 --> 00:57:10,600 Speaker 1: that many parents would struggle they had caught a son 1091 00:57:10,719 --> 00:57:13,920 Speaker 1: rather than a daughter looking at ps. Your comment at 1092 00:57:13,920 --> 00:57:15,759 Speaker 1: the end of part two about making lemonade out of 1093 00:57:15,800 --> 00:57:18,720 Speaker 1: lemons might have been funnier than you know. Lemon is 1094 00:57:18,760 --> 00:57:21,840 Speaker 1: a term for smuddy scenes and fan fic. Who knew, 1095 00:57:21,920 --> 00:57:24,400 Speaker 1: Nicole think I'd love to say that we knew that, 1096 00:57:24,480 --> 00:57:26,360 Speaker 1: and that we were making a really clever joke. But 1097 00:57:26,440 --> 00:57:28,600 Speaker 1: I didn't know that Annie, did you? I did, but 1098 00:57:28,640 --> 00:57:31,400 Speaker 1: I didn't catch it when you when you made that 1099 00:57:31,400 --> 00:57:34,480 Speaker 1: that comment, I did not put together. But that is 1100 00:57:34,560 --> 00:57:40,360 Speaker 1: really funny. Um. I had a friend when we were 1101 00:57:40,440 --> 00:57:44,000 Speaker 1: probably thirteen. Her parents caught her reading some dirty fan 1102 00:57:44,080 --> 00:57:50,160 Speaker 1: fiction and I mean dirty for thirteen year olds, perhaps, um, 1103 00:57:50,240 --> 00:57:55,080 Speaker 1: and they banned her from her account, and I shared 1104 00:57:55,120 --> 00:57:57,600 Speaker 1: my printed fan fiction with her. I was a little 1105 00:57:58,160 --> 00:58:02,920 Speaker 1: little instigator trying to keeper with the hook up. I 1106 00:58:02,960 --> 00:58:05,600 Speaker 1: love it. I love that you were like well underground 1107 00:58:05,600 --> 00:58:11,680 Speaker 1: fan fiction network. Yeah, I kind of was. Um. So 1108 00:58:12,240 --> 00:58:15,760 Speaker 1: I love all these these letters about people who have 1109 00:58:15,760 --> 00:58:20,600 Speaker 1: found community and fan fiction. I'm really happy that that 1110 00:58:20,760 --> 00:58:24,360 Speaker 1: exists exists for us on the Internet, and it does 1111 00:58:24,400 --> 00:58:26,959 Speaker 1: sound like it can be a healthy sexual outlet, oh 1112 00:58:27,000 --> 00:58:30,000 Speaker 1: for sure. For sure. And even I just think that 1113 00:58:30,480 --> 00:58:34,919 Speaker 1: since I do feel we publicly don't really allow young 1114 00:58:34,960 --> 00:58:38,640 Speaker 1: women to express sexuality or talk about it, I think 1115 00:58:38,680 --> 00:58:41,680 Speaker 1: that it is a way to explore things and figure 1116 00:58:41,680 --> 00:58:46,280 Speaker 1: out things about yourself, um, safely. And there are definitely 1117 00:58:46,320 --> 00:58:48,840 Speaker 1: problematic things in fan fiction, and I'm not saying there aren't, 1118 00:58:48,880 --> 00:58:54,040 Speaker 1: but I think in general it is a positive thing 1119 00:58:54,520 --> 00:58:57,280 Speaker 1: that it is. It is out there and it is 1120 00:58:57,320 --> 00:59:00,360 Speaker 1: a way to to talk about to explore these things 1121 00:59:00,400 --> 00:59:03,960 Speaker 1: about yourself. Definitely, um And honestly, it seems like the 1122 00:59:03,960 --> 00:59:06,320 Speaker 1: fan fiction episodes really struck a chord with folks. I'm 1123 00:59:06,320 --> 00:59:08,800 Speaker 1: happy that folks are still writing in and like any said, 1124 00:59:08,800 --> 00:59:12,960 Speaker 1: please keep sending usselves fan fictions. Yes we're still We 1125 00:59:12,960 --> 00:59:17,120 Speaker 1: were not joking about the fan fiction. Uh. With high 1126 00:59:17,120 --> 00:59:20,400 Speaker 1: production value, well higher production value, we'll see what we 1127 00:59:20,400 --> 00:59:24,680 Speaker 1: can do um like many series, So keep keep sending 1128 00:59:24,720 --> 00:59:27,120 Speaker 1: them in. We are working on that. You can email 1129 00:59:27,240 --> 00:59:30,760 Speaker 1: us at a mom stuff at how stuff works dot com, 1130 00:59:30,840 --> 00:59:32,840 Speaker 1: and you can also find us on social media. Can't 1131 00:59:32,840 --> 00:59:35,560 Speaker 1: you bridget you? Absolutely can. We are on Twitter at 1132 00:59:35,600 --> 00:59:38,680 Speaker 1: mom Stuff podcast and we were on Instagram at stuff 1133 00:59:38,720 --> 00:59:41,880 Speaker 1: Mom never told you. And thanks as always to Dylan 1134 00:59:41,920 --> 00:59:46,080 Speaker 1: Fagan and Kathleen Quillian for helping us make this show happen. 1135 00:59:46,520 --> 00:59:49,240 Speaker 1: Thanks as always, and thanks to you listeners. Please keep 1136 00:59:49,280 --> 01:00:00,520 Speaker 1: those letters coming. Who do I do