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Speaker 1: They want to get with Snoop Doggie, let me let

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Speaker 1: you know.

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Speaker 2: What you going through with what you said.

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Speaker 3: The energy from Snoop Dogg was really the mother. I

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Speaker 3: ain't gonna do no capping. Snoop Dogg didn't make his

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Speaker 3: way across the stage and shake no hands. Snoop Dogg

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Speaker 3: didn't say what's up to nobody. Snoop Dogg didn't man.

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Speaker 3: He came right in, performed them mother dropped the beat

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Speaker 3: out halfway through through his middle fingers up, said what

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Speaker 3: you're going through? What you standing for, and got off

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Speaker 3: the stage. He never said what's uping just wanted you

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Speaker 3: guys to take note that I'm saying versus is much

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Speaker 3: more than just song versus song. There's details, There's specifics

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Speaker 3: that you must pay attention to to pull this off.

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Speaker 3: If we're being honest, we're looking at the first opportunity

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Speaker 3: cash money had, which was because you're working from a deficit.

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Speaker 3: If you cash money, you're already in a scenario where

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Speaker 3: you're not having a little Wayne. Now you know, people

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Speaker 3: think ain't gonna be there. You're not having Turk there.

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Speaker 3: People may not as cass much about Turk as they

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Speaker 3: do Wayne. But if y'all would have had Wayne. It

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Speaker 3: adds a different element to this whole versus. But knowing

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Speaker 3: you don't have Wayne, now we have to take all

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Speaker 3: of our star power and try to utilize it in

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Speaker 3: a way where we get the Wayne effect. And I

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Speaker 3: think pushing out with Juvie at the beginning. If you're

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Speaker 3: asking me, what's the first opportunity they missed?

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Speaker 2: But we lost a lot of soldiers. But cash money

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Speaker 2: ain't built. Dog, you leave, you can't. We're gonna still multiply.

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Speaker 2: Let's go. Cash money ain't gonna never die.

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Speaker 4: Lord as I'm alive, holdlad fresh waynfresh, Lord, as I'm alive.

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Speaker 2: Cash money ain't gonna never die. Shout out to my NB.

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Speaker 2: Ain't young boy Nba ain't risking. I don't like it.

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Speaker 2: Hur with all of bullshit. If he ain't with us,

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Speaker 2: peet where you at?

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Speaker 5: Broh?

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Speaker 3: He wrapped up in the Yian energy they got. Aren't

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Speaker 3: God that talking crazy they got? Hey they got, aren't

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Speaker 3: wrapped up in that Wyian energy going in and out.

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Speaker 3: D cit Is on tour with Young Boy. He done

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Speaker 3: jumped on Apple Music. If you ain't with us, he

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Speaker 3: done went left field and you're welcome back to It's

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Speaker 3: Up There Podcast, the I tendery for the culture. I

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Speaker 3: want to thank each and every person. Of course, man,

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Speaker 3: if you know you're not on Patreon, I would suggest

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Speaker 3: you do that, come to Patreon dot com It's up

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Speaker 3: There Podcast to support us in our movement. Of course,

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Speaker 3: that's how we separate the viewers from the customers, to

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Speaker 3: customers from the supporters. There is a long list of

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Speaker 3: checks and balances that we have to do as a

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Speaker 3: company to identify who exactly our target audience is. And

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Speaker 3: if you participate on the high level, I think it'll

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Speaker 3: be in your best interest to meet me behind the

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Speaker 3: paywall at Patreon dot com It's up There Podcast. We

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Speaker 3: want to make a millionaires. We want to inspire some people.

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Speaker 3: We want to give affirmations, we want to lend out admiration.

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Speaker 3: We want to read books. We want to talk about games,

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Speaker 3: we want to play games. We want to have a

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Speaker 3: true community across the entire world to wherever you go.

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Speaker 3: You know that this content brings us all together. And

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Speaker 3: that's the beginning and the end of the conversation. Meet

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Speaker 3: us on Patreon dot com It's up There podcast. Man.

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Speaker 3: I hope y'all been enjoying the content. I'm back doing

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Speaker 3: this solo thing again. I gotta get in the swing

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Speaker 3: of it right now. I'm just kind of warming up,

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Speaker 3: trying to feel my way back around, and so there's

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Speaker 3: a warming up process that you may bear witness to

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Speaker 3: in real time. Ask that you lend me some understanding.

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Speaker 3: The coach is in a great place last night, just

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Speaker 3: to timestamp this so we understand when things are being

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Speaker 3: recorded versus when they're being released. Again, I'm just getting

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Speaker 3: back in to the scenario where I want to get

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Speaker 3: in here and really speak to y'all and have some

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Speaker 3: conversations with the culture and kind of act as a

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Speaker 3: stop sign, a thinking place, a think tank, you know,

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Speaker 3: where we can sit down and really divide the power

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Speaker 3: if I'm being one hundred percent honest with y'all, and

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Speaker 3: it really just depends on how I feel as we

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Speaker 3: get through this versus conversation. But if I want to

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Speaker 3: be honest with y'all right now, of course I want

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Speaker 3: to talk about this versus thing cash money, no limit.

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Speaker 3: That's for me, you know, such an instrumental part of

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Speaker 3: my childhood and coming up in this game and having

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Speaker 3: any faithor that black men that look like us can

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Speaker 3: go and be me nails by way of music and

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Speaker 3: be executives by way of music, be executives with a

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Speaker 3: period behind that. This what gave me some of that

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Speaker 3: understanding some of the runs these gentlemen went on. But

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Speaker 3: we'll get into that because I think versus. While I

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Speaker 3: have a good relationship with them and a lot of

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Speaker 3: people that work for verses, I still don't want to

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Speaker 3: be misunderstood. I think some things happen at their versus

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Speaker 3: that we're going to talk about here today that hopefully

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Speaker 3: someone can show them this video and bring it to

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Speaker 3: their attention that you know, there's people in the South

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Speaker 3: that feel a certain way about a couple of things,

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Speaker 3: and also, you know, thank you for shining the light

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Speaker 3: on the South. But we're gonna have that conversation here

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Speaker 3: in a minute. But of course I want to talk

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Speaker 3: about versus a couple other things that I have on

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Speaker 3: the docket that I may or may not get to,

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Speaker 3: just depend on how I'm feeling and if I want

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Speaker 3: to go down some of these rabbit holes and whether

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Speaker 3: or not I believe you guys even be interested in it,

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Speaker 3: and you can let me know in the comments moving forward,

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Speaker 3: if these topics are things that because these are the

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Speaker 3: things that I'm interested in some of these things and

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Speaker 3: also some of the things that have my attention, and

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Speaker 3: so it just depends on how I feel if I

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Speaker 3: get to these topics. One was the young lady from

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Speaker 3: TikTok who was a teacher for being fired. She made

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Speaker 3: some inappropriate remarks as it pertains to the children as

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Speaker 3: well as creating content on the job. So that's one

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Speaker 3: of the things, and I want to kind of play

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Speaker 3: what she said how she felt put some context around that.

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Speaker 3: The other one is the door dash situation the young

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Speaker 3: lady who delivered to a door dash driver. It was

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Speaker 3: instructed to be a contactless delivery, meaning you leave it

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Speaker 3: somewhere on the porch, you just get out of homes

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Speaker 3: way you drop it and get out of homes the

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Speaker 3: way the young lady pulls up to this gentleman's home,

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Speaker 3: she alleges that the door was open. He was in

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Speaker 3: plane view with the hammerhead shaw gout and so then

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Speaker 3: she go ahead and put him on video and quote

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Speaker 3: unquote dos is him to the end andnet because she

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Speaker 3: says this experience with sexual assault and so there's a

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Speaker 3: melee online. I mean there's a sea of people having

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Speaker 3: conversations surrounding this, and there's a lot of ideas I

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Speaker 3: have that we may iron out, just kind of letting

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Speaker 3: y'all know what my brain is as of today as

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Speaker 3: it pertains to the show. You know, if you're asking me, man,

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Speaker 3: it's just one of the best places that the culture has,

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Speaker 3: you know, one of the more pure spots still as

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Speaker 3: the reach we have that still has the level of

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Speaker 3: integrity that we have to make the money we do,

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Speaker 3: that can make the phone calls we can you know,

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Speaker 3: I don't think it should be understated what we can do,

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Speaker 3: also what we're willing to do and how far we're

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Speaker 3: willing to go, because I truly believe and know I'm

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Speaker 3: a warrior spirit and so I'm not gonna be the

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Speaker 3: one to lay down just for the sake of being comfortable.

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Speaker 3: That will be signs that I'm at war in the

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Speaker 3: event that a war pops all. I want to start

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Speaker 3: with the verses for people who do not know. Over

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Speaker 3: the weekend to no Limit Verse cash money Versus took place.

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Speaker 3: For people who may be unawell, may have forgotten what

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Speaker 3: versus is. It's a platform that creates an environment where

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Speaker 3: you take twenty songs and you go song for song

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Speaker 3: in somewhat of a rap battle. It's not just about

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Speaker 3: the songs. It's about the placement, the arrangement. It's about

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Speaker 3: the outfit. It's about the atmosphere, the stage presence. It's

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Speaker 3: more than just about the music. Because it was just

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Speaker 3: clearly about music, it would have no excitement wrapped around it.

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Speaker 3: People would already have a preconceived which a lot of

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Speaker 3: people did even in this one. But a lot of

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Speaker 3: people will approach it with a certain mindset that won't

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Speaker 3: allow you to understand the different factors and elements that

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Speaker 3: take place. That makes this a scenario that can either

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Speaker 3: help but her the artists or label in this scenario,

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Speaker 3: we grew up off cash money. We grew up off

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Speaker 3: no limit. That's the reason why we had a hustle

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Speaker 3: we have in the South. We saw them go against

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Speaker 3: the entire industry. And so whatever I say, as it

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Speaker 3: pertains the pe or baby or cash money or no limit,

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Speaker 3: mine is out of love. And it's always out of love,

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Speaker 3: because what happens is they I watched them boys hustle.

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Speaker 3: They lit some up in the South. I always tell

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Speaker 3: y'all all you got to do as a great man

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Speaker 3: is leave footprints in the saying the other great men

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Speaker 3: will head that way and they'll find no footprints. Them

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Speaker 3: dudes left real big feet in the sand. Over the years,

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Speaker 3: there's been allegations of some of the elements that keeps

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Speaker 3: these gentlemen from working with one another. New Orleans is

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Speaker 3: a small place. It was a dangerous place for a

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Speaker 3: long time. And these two gentlemen the rolls from the dog,

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Speaker 3: rolls from the concrete and made something happen. And so

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Speaker 3: we salute them in the South and again they ignited something.

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Speaker 3: And some of the young boys, like myself, just seeing

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Speaker 3: them create their business model and executed. I always tell

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Speaker 3: you I run into a lot with a bunch of ideas.

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Speaker 3: I don't run any minute that don't executed. And that's

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Speaker 3: why I tell people wash their mouth when they're talking

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Speaker 3: to me. You dealing with the executor. I had an

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Speaker 3: executed idea. Several of them ain't got a lot more

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Speaker 3: work to do, But I respect executors. When you see

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Speaker 3: me in the building with the executor, I'm gonna start

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Speaker 3: being quiet and listening. This is somebody that doesn't executed,

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Speaker 3: not just know something. See sometime you'll get in front

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Speaker 3: of me because you know this, that and the third.

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Speaker 3: It don't move me. And although I respect your knowledge,

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Speaker 3: you will see some pushback from me as it pertains

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Speaker 3: the conversation because I'm saying, Yo, I'm dealing with execution.

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Speaker 3: I don't care nothing about who know what. It don't

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Speaker 3: do me no good. You know how to make a

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Speaker 3: good macaroni, and I ain't never had none of it.

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Speaker 3: You know the ingredients to make a hell of a

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Speaker 3: chest pine. Ain't nobody never tasted it. Your own family,

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Speaker 3: your loved ones, your people. You don't know nothing about nothing,

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Speaker 3: but you know all the ingredients and all the recipes,

200
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Speaker 3: but you ain't never put none on. Nobody play. Y'all

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Speaker 3: can miss me with that. And so I have love

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Speaker 3: and respect for the executors in the game. There's several

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Speaker 3: that run around and so cash Money and Baby No

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Speaker 3: Limited master p. These dudes was executors from the South.

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Speaker 3: We had a certain level of reverence for them and

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Speaker 3: still do to this day. We won't even get in

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Speaker 3: the why they didn't work together all those years. We'll

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Speaker 3: leave that off the table. We want to have a

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Speaker 3: productive conversation. And there's so much more to talk about

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Speaker 3: surrounding his versus number one. Coming into the verses, there

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Speaker 3: was a conversation surrounding who would be there, what errors

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Speaker 3: would they pull from, Because see cash Money has errors

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Speaker 3: on top of errors in it becomes unfast they get

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Speaker 3: to pull Drake Nicki, Wayne, I'll let in, it becomes

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Speaker 3: a mismatch. And I say that respectfully to Pete and

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Speaker 3: the game he put down. It was elite game, but

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Speaker 3: I understood that it becomes unfair if I'm able to

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Speaker 3: pull Drake Nicki in all of that. That's one, but two.

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Speaker 3: I also knew you wouldn't see Drake and Nicki and

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Speaker 3: I had a bet that you wouldn't see Wayne, and

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Speaker 3: it ain't because of Turk and salute the Turk. Turk

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Speaker 3: going through what he's going through with Cash Money. Man,

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Speaker 3: they'll figure it out, hopefully, get all that together. Wayne

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Speaker 3: didn't miss the versus because Turk didn't show up. Wayne

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Speaker 3: missed the versus because he's been negotiating with versus for

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Speaker 3: a long time. Now it's a bag on the table.

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Speaker 3: If I show up now, I lend my likeness, my

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Speaker 3: voice and everything to this in a capacity where I

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Speaker 3: won't maximize the value of it, and so Wayne isn't

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Speaker 3: showing up, not because of Turk and maybe they can

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Speaker 3: frame it that way, but it's business on the reason

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Speaker 3: why you won't see little Wayne Drake or Nikki. Imagine

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Speaker 3: Drake popping out for the love on versus that's on

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Speaker 3: Apple at Complex Con. You know the business surrounding that shit.

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Speaker 3: You know how much money's been placed into Man, come on, man,

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Speaker 3: he's this businessman. At this point, all that for the

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Speaker 3: love shit is out the dough, especially on a certain level, right,

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Speaker 3: you got to pay for my presence. See that's the

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Speaker 3: problem when you let people into your business model and

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Speaker 3: they see what trill off them, what three hundred meterions

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Speaker 3: for that shit? They got to pay me to come

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Speaker 3: through that, and now I ain't doing that. They taking

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Speaker 3: that shit and doing that with it. The same what

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Speaker 3: you see in the workplace when you see something like

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Speaker 3: what happens at Joe Budden, you get these articles written

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Speaker 3: up that you are making this kind of money, and

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Speaker 3: then the whole cast just start being very chilled and relaxed.

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Speaker 3: Sometimes people are not driven by the success of the

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Speaker 3: ship that they're even on. Sometimes the feeling of I've

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Speaker 3: made it or make somebody slow down, not speed up.

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Speaker 3: See some of us got a loose screw in there

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Speaker 3: to when it say you damn you made it. You

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Speaker 3: want to speed up even more. If I can get this,

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Speaker 3: I can do this twice. If I can get this,

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Speaker 3: I can do this three times. You want to turn

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Speaker 3: it up because you're a real hustler. You win, final boss,

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Speaker 3: you final boss, you elite if you got that kind

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Speaker 3: of mindset. Some people to get to I made it

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Speaker 3: and turn the call I'm here now. They have a

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Speaker 3: lack of understanding of momentum in things that make you

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Speaker 3: who you are and make your ship move. Some people

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Speaker 3: to see a ship moving and that don't turn them on.

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Speaker 3: They turn the car off. We're here now, we made it.

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Speaker 3: I'm here. Yes, I made it to the lead. I

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Speaker 3: made it to the lead. Now, bought my people the house.

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Speaker 3: Everybody straightway. I got some money, Yes, I'm good. Shit

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Speaker 3: they benched me, no problem. Some got two hundred million

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Speaker 3: in the bank and they still run to the bench.

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Speaker 3: Upset coach, why are you benching me? I still got

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Speaker 3: game left. And see I understand how this industry, in

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Speaker 3: this walk and this ladder that we climb to be successful.

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Speaker 3: I understand how exhausting it is. Sometimes people end up

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Speaker 3: gaining everything they ever wanted, but by the time they

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Speaker 3: get it, they so exhausted they can't even enjoy. They've

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Speaker 3: been through so much hell to get everything they ever wanted.

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Speaker 3: By the time they get it, they can't even enjoy it.

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Speaker 3: They've dealt with betrayal alone, the way they dealt with

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Speaker 3: stealing alone, the way they dealt with backbiting alone, the

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Speaker 3: way they've dealt with lying alone, the way they've dealt

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Speaker 3: with so many different things along the way. By the

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Speaker 3: time they finally look up and get everything they got,

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Speaker 3: they too exhausted to even enjoy. It's a hard there's

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Speaker 3: reality that sometimes you have to trade everybody that loved

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Speaker 3: you at that level for the next level. Think about that,

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Speaker 3: these are people you attached to, you really love, the

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Speaker 3: four you've been with d four from the Mud. These

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Speaker 3: people know you, they know what you like, what you're into,

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Speaker 3: you know, the vice versa. It's real love there. But

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Speaker 3: to get to the next level, you gotta let them

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Speaker 3: people go. They don't understand or respect the level you won,

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Speaker 3: and that'll hold you from the next level because any

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Speaker 3: vibration around you that doesn't see you as the god

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Speaker 3: and king that you are. You have to remove yourself

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Speaker 3: from that situation. So I don't think Drake and Nikki

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Speaker 3: popping out should have ever been on anyone's Bengo card.

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Speaker 3: Like that's the seventh figure probably an eight figure play

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Speaker 3: for Drake to do again in conjunction with Apple, in

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Speaker 3: conjunction with Complex Man. Come on, you're not gonna see

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Speaker 3: Drake and Nikki likeness be utilized in a way that

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Speaker 3: these rappers are just smarten up, open the market up

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Speaker 3: at this point. But I enjoyed what I saw. I

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Speaker 3: think there's a conversation to be had about Waye not

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Speaker 3: being there, and we'll have that in just a second.

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Speaker 3: I want to dig into Howard's started and just a

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Speaker 3: couple of the records, just looking back at what took place,

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Speaker 3: a couple different things. As we look at these clips,

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Speaker 3: I'm not sure YouTube will be able to show these

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Speaker 3: clips or where they be flagged. I don't know, but

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Speaker 3: this entire video is available on Patreon with the clips

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Speaker 3: in there, because again this is fair use YouTube. Sometimes

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Speaker 3: I don't want to go through the rigam role. I

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Speaker 3: send my people to dispute certain things and others. We

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Speaker 3: don't have the time, on a capacity or a bandwidth

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Speaker 3: to worry about and go back and forth about. It's

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Speaker 3: not that serious we're doing. We're keeping our journalistic integrity

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Speaker 3: and covering this story. But as we look through these

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Speaker 3: clips of the Cash Money Versus No Limit, we will

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Speaker 3: come in with commentary here and there. We're dealing with

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Speaker 3: two bohemoths of businessmen and record labels in the South. Again,

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Speaker 3: I just want to I don't think I can explain

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Speaker 3: the gravity of what we're viewing right here, not even

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Speaker 3: in this moment, because this ain't all the families together,

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Speaker 3: not even in this moment. Just I'm saying what these

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Speaker 3: dudes mean to the South, and we'll wrap that back around.

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Speaker 3: But let's take a look at how they cranked up.

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Speaker 3: Which was the first songs they chose in the verses

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Speaker 3: after Cash Money said you know what, hey, we'll go first,

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Speaker 3: and then no lem Me came out right after pay attention.

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Speaker 2: We just stuck with it. You know, it's been hard, Brook.

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Speaker 6: That's what makes you strongly make your man when you

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Speaker 6: know your real hustle.

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Speaker 3: Get with a and run with it until they make

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Speaker 3: a break.

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Speaker 6: My Jorge, I ain't going no, whether I'm like the

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Speaker 6: Michael Jordan and a rabbit, I ain't no ending with

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Speaker 6: this up.

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Speaker 4: It work's done, side size, side size science.

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Speaker 2: Flip a corn or what I'm flipping his corn?

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Speaker 3: Flip a corn?

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Speaker 2: Y'all won't go.

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Speaker 5: That's get right here so we can see that.

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Speaker 3: So what we're taking a look at is the opening

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Speaker 3: of versus. It opened this way. Man, it fresh came out.

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Speaker 3: I think that's either KLC or one of those guys

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Speaker 3: from the no limits side, and they just spoke about

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Speaker 3: flipping the corn, but cast money with the head. It took,

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Speaker 3: the took the spot.

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Speaker 2: Pair attention, Do y'all need a mic? Let's get the Yeah,

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Speaker 2: we gotta wait. We could go first, it don't matter.

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Speaker 2: We'll take it.

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Speaker 7: Yeah, hold on, yeah, yeah, yeah.

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Speaker 4: You.

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Speaker 5: All ready to get this your study and.

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Speaker 3: Still so as you see cash money come right out

355
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Speaker 3: to four hundred degrees. This is a juvenile thing, this

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Speaker 3: kind of at this moment, I guess I'm understanding what

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00:19:38,240 --> 00:19:40,360
Speaker 3: era they're gonna be in. And again they got hits

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Speaker 3: in all the errors, but juvenile carried them. I don't

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Speaker 3: think people understanding. That's why I can't wait to have

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Speaker 3: a conversation with juven and BG, that's my guy. We're

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Speaker 3: gonna have a conversation very soon. But Juvenile was a

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Speaker 3: beast man. I think it's understated and under celebrated what

363
00:19:58,880 --> 00:20:03,520
Speaker 3: Juvenile was to not only cash money to Southern artists,

364
00:20:03,560 --> 00:20:06,040
Speaker 3: the versatility, the ability to go up and work with

365
00:20:06,119 --> 00:20:08,960
Speaker 3: jay Z like Bro, It's so much we're gonna talk about.

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Speaker 3: But they had to run this awful Juvenile and they

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00:20:13,720 --> 00:20:17,800
Speaker 3: come out with four hundred degrees, very monumental moment. But

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Speaker 3: I want you to see how No Limit responded and

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Speaker 3: then we'll get into a few other things.

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Speaker 4: Fine, I can do the fighting only do no might

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Speaker 4: Nigga might be SI Nigga, might be twight blang nigga

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Speaker 4: might the filing nigga for fennig.

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Speaker 2: No more niggas telling us we all need I call

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Speaker 2: it the poors muster.

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Speaker 3: Nigga called me and classic album. Bro, that four hundred

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Speaker 3: degrees classic stamp it iconic album. And if you know Julie,

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00:20:59,720 --> 00:21:02,080
Speaker 3: this is what he does at his shows, what that

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00:21:02,160 --> 00:21:04,280
Speaker 3: ship man is doing where they put the effect on

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Speaker 3: the voice and say you don't want to fuck with me?

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Speaker 4: What's that? All? Right?

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Speaker 3: Shout out to the legend man in fresh.

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Speaker 2: All right, that's how you over that ship up.

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00:21:51,680 --> 00:21:52,399
Speaker 3: That's what sir.

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Speaker 2: All right, hold on, you're thinking the motherfucker game. What's

385
00:21:59,000 --> 00:22:01,919
Speaker 2: up all that?

386
00:22:12,480 --> 00:22:26,639
Speaker 3: The shot? So no limit comes right out, So no

387
00:22:26,760 --> 00:22:31,320
Speaker 3: limit comes out. They come right out with no limit soldiers. Now,

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Speaker 3: at this moment, I'm gonna be honest. Hold on, let me,

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Speaker 3: let me get myself together. At this moment, I'm gonna

390
00:22:36,400 --> 00:22:41,119
Speaker 3: be completely honest. I'm looking, I'm like, okay, peeding them

391
00:22:41,160 --> 00:22:44,960
Speaker 3: one hundred and fifty deep. I'm talking about peeing them

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00:22:44,960 --> 00:22:47,320
Speaker 3: come on stage one hundred and fifty deep. Everybody got

393
00:22:47,359 --> 00:22:50,320
Speaker 3: for teasing. It kind of either feel like they handing

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00:22:50,359 --> 00:22:53,200
Speaker 3: them out backstage and or if you ain't got a fatig,

395
00:22:53,280 --> 00:22:55,920
Speaker 3: you can't get on stage. Were going uniform with this thing.

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00:22:56,680 --> 00:22:58,640
Speaker 3: But for them to come right out with no limit

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00:22:58,760 --> 00:23:03,320
Speaker 3: soldiers one hundred and fifty deep, ain't no bunch of

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Speaker 3: friendly shit either. Now, I think we got to make

399
00:23:05,600 --> 00:23:08,959
Speaker 3: sure to check the temperature in the room. Now, I

400
00:23:09,000 --> 00:23:12,960
Speaker 3: think this is the first opportunity Cash Money had. They

401
00:23:13,040 --> 00:23:17,359
Speaker 3: had an opportunity to bring everybody on stage at once

402
00:23:17,400 --> 00:23:21,280
Speaker 3: and get that feeling fresh out the gate. But they

403
00:23:21,400 --> 00:23:25,080
Speaker 3: kind of let Juvie go and then master p comes

404
00:23:25,119 --> 00:23:29,439
Speaker 3: out and he uses his star power and bring everybody

405
00:23:29,480 --> 00:23:32,920
Speaker 3: on stage as soon as we crank this off. And again,

406
00:23:33,119 --> 00:23:35,200
Speaker 3: I just wanted you guys to take note that I'm

407
00:23:35,200 --> 00:23:37,960
Speaker 3: saying versus as much more than just song versus song.

408
00:23:38,880 --> 00:23:43,560
Speaker 3: There's details, there's specifics that you must pay attention to

409
00:23:43,560 --> 00:23:46,200
Speaker 3: to pull this off. If we're being honest, we're looking

410
00:23:46,200 --> 00:23:49,280
Speaker 3: at the first opportunity cash Money had, which was because

411
00:23:49,280 --> 00:23:51,720
Speaker 3: you're working from a deficit. If you cash Money, you

412
00:23:51,840 --> 00:23:54,359
Speaker 3: already in a scenario where you're not having a little

413
00:23:54,400 --> 00:23:57,560
Speaker 3: Wayne there. You know, people think wayn't gonna be there.

414
00:23:57,600 --> 00:24:00,760
Speaker 3: You're not having Turk there. People may not cast much

415
00:24:00,760 --> 00:24:02,760
Speaker 3: about Turk as they do Wayne, but if y'all would

416
00:24:02,760 --> 00:24:05,959
Speaker 3: have had Wayne, it adds a different element to this

417
00:24:06,160 --> 00:24:09,280
Speaker 3: whole versus. But knowing you don't have Wayne, now we

418
00:24:09,359 --> 00:24:11,800
Speaker 3: have to take all of our star power and try

419
00:24:11,840 --> 00:24:14,240
Speaker 3: to utilize it in a way where we get the

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Speaker 3: Wayne effect. And I think pushing out with Juvie at

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00:24:19,040 --> 00:24:22,080
Speaker 3: the beginning, if you're asking me, what's the first opportunity

422
00:24:22,119 --> 00:24:24,960
Speaker 3: they missed? And they allowed no limit to come right

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00:24:25,000 --> 00:24:28,320
Speaker 3: in with everybody on stage at once dressed to like

424
00:24:28,359 --> 00:24:31,600
Speaker 3: one hundred and fifty deep, not looking like we friendly man,

425
00:24:31,640 --> 00:24:37,400
Speaker 3: we come to whoop on you boards. Pay attention on

426
00:24:37,520 --> 00:24:42,240
Speaker 3: top of that salute to the Queen Mea X. I

427
00:24:42,280 --> 00:24:48,399
Speaker 3: think it's understated mia X's presence amongst No Limit, but

428
00:24:48,480 --> 00:24:51,639
Speaker 3: I think after this versus you clearly saw and it

429
00:24:51,760 --> 00:24:54,359
Speaker 3: was on Front Street, I think it was on full

430
00:24:54,400 --> 00:24:57,040
Speaker 3: display that Mea X was much more important than she

431
00:24:57,080 --> 00:25:00,679
Speaker 3: gets credit for, not only for No Limit, but I

432
00:25:00,720 --> 00:25:04,600
Speaker 3: think she's even important for Southern female artists. I would

433
00:25:04,600 --> 00:25:06,800
Speaker 3: love to have a conversation with mia X on this

434
00:25:06,920 --> 00:25:09,720
Speaker 3: up that podcast. But mia X was one of those

435
00:25:09,720 --> 00:25:11,920
Speaker 3: women that was out there with all of those men,

436
00:25:12,560 --> 00:25:16,240
Speaker 3: spitting and holding her own from her voice to her

437
00:25:16,280 --> 00:25:19,920
Speaker 3: delivery still to this day, her vocal ability, her ability

438
00:25:19,920 --> 00:25:23,080
Speaker 3: to still get out there and wrap that song word

439
00:25:23,119 --> 00:25:25,280
Speaker 3: for word and not be out of breath. If you

440
00:25:25,359 --> 00:25:27,720
Speaker 3: know some of her stories and what she's been through,

441
00:25:27,760 --> 00:25:30,320
Speaker 3: I prass have been with mia X, and she's been

442
00:25:30,359 --> 00:25:33,479
Speaker 3: on several journeys for mia X is a legend. It

443
00:25:33,520 --> 00:25:35,679
Speaker 3: felt good to see Mea X come out here and

444
00:25:35,720 --> 00:25:40,320
Speaker 3: get the flowers she deserves and shine bright on a

445
00:25:40,480 --> 00:25:43,800
Speaker 3: night that was dedicated to No Limit and cash Money.

446
00:25:44,040 --> 00:25:46,480
Speaker 3: We saw some of the backlash that mia X and

447
00:25:46,560 --> 00:25:48,919
Speaker 3: master P went through over the last couple of months.

448
00:25:48,920 --> 00:25:52,960
Speaker 3: Good to see them bury that hatchet and come together

449
00:25:53,000 --> 00:25:55,800
Speaker 3: at least for this moment. But mia X is someone

450
00:25:55,840 --> 00:25:58,359
Speaker 3: that we honor, we love, we respect to hear this

451
00:25:58,520 --> 00:26:02,200
Speaker 3: up that podcast as well other platform and we highlight

452
00:26:02,280 --> 00:26:08,159
Speaker 3: the dynamic voices, interesting people, and mia X is a

453
00:26:08,359 --> 00:26:11,520
Speaker 3: queen in rep We'll get to some of the other things,

454
00:26:11,520 --> 00:26:13,520
Speaker 3: but I just wanted that to be said. Pay attention

455
00:26:13,600 --> 00:26:16,080
Speaker 3: to master P again to give some context setting. This

456
00:26:16,200 --> 00:26:19,720
Speaker 3: is master p first song in response to Juvenile coming

457
00:26:19,760 --> 00:26:23,600
Speaker 3: out by hisself doing four hundred degrees. Of course many Fresh,

458
00:26:23,640 --> 00:26:25,600
Speaker 3: he has a bit of celebrity as well, a salute

459
00:26:25,640 --> 00:26:28,679
Speaker 3: to the legend Many Fresh, but doing four hundred degrees,

460
00:26:28,720 --> 00:26:31,120
Speaker 3: and then master P come out on stage four hundred deep.

461
00:26:31,160 --> 00:26:33,960
Speaker 3: You see Pete, you see Mac, you see Silk. You're

462
00:26:33,960 --> 00:26:37,320
Speaker 3: gonna see all of these guys show up off the rip,

463
00:26:37,400 --> 00:26:39,720
Speaker 3: set the tone. All of our stars are here because

464
00:26:39,760 --> 00:26:42,160
Speaker 3: this is what you have to do. That's one thing

465
00:26:42,240 --> 00:26:45,040
Speaker 3: I think No Limit understands his brand a little bit

466
00:26:45,080 --> 00:26:48,760
Speaker 3: more than Baby, and I think because Baby was in

467
00:26:48,800 --> 00:26:51,600
Speaker 3: a scenario to have so many superstars, he kind of

468
00:26:51,640 --> 00:26:57,960
Speaker 3: lost track of being able to band together because his

469
00:26:58,119 --> 00:27:01,399
Speaker 3: celebrity beg celebrity should have used all that together and

470
00:27:01,520 --> 00:27:04,800
Speaker 3: came out at the same time, very uniform, very in

471
00:27:04,920 --> 00:27:07,240
Speaker 3: tune with each other. I think it would have worked

472
00:27:07,240 --> 00:27:10,359
Speaker 3: in their favor a little bit better. But salute to

473
00:27:10,400 --> 00:27:12,760
Speaker 3: both of them, but paying attention to no limit. This

474
00:27:12,880 --> 00:27:13,720
Speaker 3: is getting interesting.

475
00:27:15,840 --> 00:27:21,800
Speaker 8: Pits kitching mine toes, please s kitching the mine r toes.

476
00:27:24,160 --> 00:27:24,520
Speaker 4: Toes.

477
00:27:24,680 --> 00:27:31,000
Speaker 2: You know, nigga fussy nose. I'm hitting down too, shall nigga.

478
00:27:30,840 --> 00:27:34,159
Speaker 4: Showing them cloth got your hole on the store watching

479
00:27:34,960 --> 00:27:37,600
Speaker 4: niggas block it. He got you this out the hard fusing,

480
00:27:38,400 --> 00:27:41,280
Speaker 4: I'm your rocking, I got your can't sha got your

481
00:27:41,359 --> 00:27:43,760
Speaker 4: niggas and plays. I got the hole on the bradys

482
00:27:43,840 --> 00:27:47,639
Speaker 4: because your nigga, I got your piggres Gonna come thinking

483
00:27:47,760 --> 00:27:50,120
Speaker 4: my got you and cheese.

484
00:27:49,840 --> 00:27:53,880
Speaker 2: And the cheese and rec pay with taper your higgs hard.

485
00:27:53,800 --> 00:27:56,800
Speaker 4: And chase your diggs cutting the test. But niggas like

486
00:27:56,880 --> 00:28:01,199
Speaker 4: Potatos chat took the game running. That's the pie up

487
00:28:01,240 --> 00:28:05,160
Speaker 4: the change. Busy Dad is some mads me buck hush son,

488
00:28:05,359 --> 00:28:09,399
Speaker 4: jiggas ain't trussing. I'm a sos Cat's why niggas ain't trussing.

489
00:28:09,480 --> 00:28:10,960
Speaker 2: No bitch, no nigga.

490
00:28:11,320 --> 00:28:15,000
Speaker 4: Oh hollo fluck see hold no truck or raggy a

491
00:28:15,119 --> 00:28:17,200
Speaker 4: hustle whip bowl Yeah, bigger.

492
00:28:16,960 --> 00:28:20,000
Speaker 2: Dnio shows Yeah, I get from them. Bros, Come on

493
00:28:20,200 --> 00:28:22,240
Speaker 2: your dogs. It's kind was this time.

494
00:28:22,560 --> 00:28:26,640
Speaker 8: Sold just we ride kill us with it, prepare the time.

495
00:28:27,080 --> 00:28:32,080
Speaker 4: Chickens get plus bo get fuck turkiski stuff it. Jiggas

496
00:28:32,119 --> 00:28:35,240
Speaker 4: get cut ready fum kind that my cat whipped my

497
00:28:35,320 --> 00:28:39,240
Speaker 4: hole straight whip my my kiggas ain't all that damn

498
00:28:39,360 --> 00:28:42,840
Speaker 4: oh boy, damn good straight rocket actually money but the

499
00:28:42,880 --> 00:28:43,920
Speaker 4: farage they'll tell you.

500
00:28:44,000 --> 00:28:46,160
Speaker 2: And we rout, so he's all their taking.

501
00:28:46,560 --> 00:28:46,920
Speaker 7: Hussy.

502
00:28:46,960 --> 00:28:50,200
Speaker 4: You don't think who's like you playing fucking what the

503
00:28:50,280 --> 00:28:52,360
Speaker 4: soldiers on the tank, because we know them.

504
00:28:52,440 --> 00:28:54,479
Speaker 2: You showd my don jes.

505
00:28:54,600 --> 00:28:57,440
Speaker 3: We know sho I thought of toes.

506
00:28:57,640 --> 00:29:04,480
Speaker 4: We don't let me show my chess chose we know living.

507
00:29:15,000 --> 00:29:15,320
Speaker 4: Let's go.

508
00:29:16,360 --> 00:29:18,280
Speaker 3: Let's go. Silk sheilk come out with some of the

509
00:29:19,360 --> 00:29:22,080
Speaker 3: that's my silk salute to the cub. He come out

510
00:29:22,160 --> 00:29:25,720
Speaker 3: with some of the worst rapid on the man, my

511
00:29:26,320 --> 00:29:30,320
Speaker 3: sial salute the silk my boy come out with that

512
00:29:30,480 --> 00:29:36,040
Speaker 3: off beat shit. Yes, Lord Entertainment, but again some is records.

513
00:29:36,080 --> 00:29:38,440
Speaker 3: I kind of where he came in and out. But man,

514
00:29:38,560 --> 00:29:42,240
Speaker 3: I'm talking about silk Man. But again, I want you

515
00:29:42,400 --> 00:29:44,920
Speaker 3: to take notice to the genius of master p Bring

516
00:29:45,040 --> 00:29:47,520
Speaker 3: all your people out, bring me a X out, bring

517
00:29:47,720 --> 00:29:51,200
Speaker 3: silk out, Break everybody out, because I start power lives

518
00:29:51,320 --> 00:29:56,000
Speaker 3: in all us together. All us together means something, especially

519
00:29:56,240 --> 00:29:58,400
Speaker 3: if I'm cash money and I ain't got Wayne there.

520
00:29:58,440 --> 00:30:01,160
Speaker 3: I just think he missed a moment right there. Come

521
00:30:01,200 --> 00:30:04,240
Speaker 3: out of all together, all on point shine. He post

522
00:30:04,320 --> 00:30:07,040
Speaker 3: had them big diamonds on. We're gonna get to it.

523
00:30:07,200 --> 00:30:09,160
Speaker 3: Don't pay attention though, Hold up.

524
00:30:09,880 --> 00:30:16,120
Speaker 8: This way, job, the sold start funing, come to you

525
00:30:17,080 --> 00:30:25,000
Speaker 8: the weapon like, let's go fucking all, y'all, truck opening up, y'all.

526
00:30:25,800 --> 00:30:27,440
Speaker 4: C Yeah we at.

527
00:30:28,080 --> 00:30:30,720
Speaker 2: I heard that trauma, but put up the parson, not

528
00:30:30,840 --> 00:30:35,040
Speaker 2: the jumps this so I want to a soldier. I

529
00:30:35,160 --> 00:30:42,280
Speaker 2: want pel that shot.

530
00:30:42,440 --> 00:30:50,080
Speaker 3: I thought, Oh not my mind.

531
00:30:50,120 --> 00:30:57,560
Speaker 8: No Caten be piogity, the FASc please put together.

532
00:30:57,720 --> 00:30:59,959
Speaker 3: You hear the crowd going out for the queen. Salute

533
00:31:00,040 --> 00:31:01,440
Speaker 3: of the Queen. Me eggs.

534
00:31:02,720 --> 00:31:07,239
Speaker 9: Us shut the mock trust trump hands, they kill from

535
00:31:07,280 --> 00:31:10,360
Speaker 9: bread and how looks him three months here exeption family

536
00:31:10,440 --> 00:31:15,040
Speaker 9: when I STU, why my rom so ci your pluck

537
00:31:15,160 --> 00:31:17,960
Speaker 9: but you can't touch him water, don't try com p,

538
00:31:18,200 --> 00:31:20,920
Speaker 9: don't even touch the life crush it so tight, it's

539
00:31:20,960 --> 00:31:24,640
Speaker 9: more corecting bright. We're not recite absolute selfie wood.

540
00:31:24,640 --> 00:31:26,920
Speaker 2: He has wholes and niggas and purple tract.

541
00:31:26,880 --> 00:31:29,480
Speaker 3: Behind door to clumb there, hurry up and it don't

542
00:31:29,560 --> 00:31:30,400
Speaker 3: can face you so.

543
00:31:35,480 --> 00:31:35,600
Speaker 4: Jo.

544
00:31:41,440 --> 00:31:46,440
Speaker 3: So at this point, I'm like, all right, so far

545
00:31:46,480 --> 00:31:49,440
Speaker 3: I've only saw juve now, so I still I'm still like,

546
00:31:49,560 --> 00:31:51,959
Speaker 3: hold on, they got cash money, we got something up

547
00:31:52,000 --> 00:31:55,400
Speaker 3: to sleep, and I saw the entire No Limit. If

548
00:31:55,440 --> 00:31:59,200
Speaker 3: you're asking me how I feel after round one, it

549
00:31:59,360 --> 00:32:02,160
Speaker 3: feels like there's more energy on No Limits side because

550
00:32:02,160 --> 00:32:05,360
Speaker 3: there's so many people they're all in uniform that it

551
00:32:05,480 --> 00:32:07,800
Speaker 3: kind of feels more like they're speaking to the crowd,

552
00:32:08,280 --> 00:32:10,760
Speaker 3: you know. There's just things that's sticking out as it

553
00:32:10,840 --> 00:32:13,040
Speaker 3: pertains to hold on man them folks come. They ain't

554
00:32:13,040 --> 00:32:15,840
Speaker 3: coming to play, is it? And so now we go

555
00:32:16,000 --> 00:32:18,480
Speaker 3: back to a song too. So now when we're into

556
00:32:18,560 --> 00:32:20,560
Speaker 3: song too, and we're not going through all the songs

557
00:32:20,600 --> 00:32:22,960
Speaker 3: we're gonna after this song too. We're gonna go a

558
00:32:23,040 --> 00:32:25,080
Speaker 3: little bit ahead into the verses because I want you

559
00:32:25,160 --> 00:32:28,120
Speaker 3: guys to see what I'm thinking about. But pay attention

560
00:32:28,200 --> 00:32:31,760
Speaker 3: to song too. I think this is very important. And

561
00:32:31,840 --> 00:32:34,000
Speaker 3: then we'll get we'll come back with some commentary.

562
00:32:35,680 --> 00:32:42,880
Speaker 2: Hell y'all, y'all people sell what's that? It's our turn baby.

563
00:32:49,960 --> 00:32:52,960
Speaker 3: There's two mistakes right there. You see how they didn't

564
00:32:53,000 --> 00:32:55,200
Speaker 3: drop it when he's a fresh as our turn baby,

565
00:32:55,240 --> 00:32:57,360
Speaker 3: they suposed to drop the song. And I know it

566
00:32:57,440 --> 00:32:59,960
Speaker 3: seems minut and it seems small, and it is small,

567
00:33:01,160 --> 00:33:04,560
Speaker 3: but when it feels like your opponent has came in

568
00:33:04,880 --> 00:33:09,560
Speaker 3: with an unexpected burst of energy, alright, no slip ups.

569
00:33:09,600 --> 00:33:12,680
Speaker 3: Everybody tighten up. Let's do it. And so they come

570
00:33:12,760 --> 00:33:14,760
Speaker 3: out with the Steel Fly, which is a hit record

571
00:33:14,840 --> 00:33:18,160
Speaker 3: in the South, but this is just bird Man in fresh.

572
00:33:19,360 --> 00:33:21,560
Speaker 3: This song, if you're asking me, should have came seven

573
00:33:21,680 --> 00:33:27,840
Speaker 3: or eight. A great song, but as number two, I'm

574
00:33:27,920 --> 00:33:31,000
Speaker 3: kind of I'm kind of about that. Pay attention.

575
00:33:44,080 --> 00:34:02,400
Speaker 2: And we like my money, My.

576
00:34:02,560 --> 00:34:16,160
Speaker 10: Money's that's so because I still cause y'all still acause

577
00:34:25,120 --> 00:34:27,320
Speaker 10: let's stay shine shot.

578
00:34:28,760 --> 00:34:32,000
Speaker 2: My red cause all my money space.

579
00:34:33,320 --> 00:34:34,000
Speaker 6: But that's so.

580
00:34:35,160 --> 00:34:37,040
Speaker 3: So they coming out to still Flying. Now, let me

581
00:34:37,160 --> 00:34:39,719
Speaker 3: just examine what's going on over there at this point,

582
00:34:39,760 --> 00:34:44,040
Speaker 3: I see bird Man and Manny Fresh. They chose to

583
00:34:44,120 --> 00:34:48,439
Speaker 3: go with a more slow record, smash record in the South,

584
00:34:48,480 --> 00:34:51,359
Speaker 3: smash record in the culture, to be fat. Bird being

585
00:34:51,480 --> 00:34:54,440
Speaker 3: got this ship on. You know, I think he got

586
00:34:54,520 --> 00:34:57,640
Speaker 3: the NBA young Boy chain on, representing the next fast

587
00:34:57,760 --> 00:34:59,920
Speaker 3: than his career, his next chance to run up a

588
00:35:00,000 --> 00:35:01,959
Speaker 3: you know, the hundred bunch of shit on his wrist,

589
00:35:02,040 --> 00:35:05,000
Speaker 3: bunch of shit on his neck, you know, pinky rains

590
00:35:05,120 --> 00:35:08,160
Speaker 3: and it rains and things. You know what I'm saying.

591
00:35:09,040 --> 00:35:11,600
Speaker 3: But I do think you would have saw a different

592
00:35:11,719 --> 00:35:15,160
Speaker 3: bird Man had he not been running around on touring things,

593
00:35:15,280 --> 00:35:17,120
Speaker 3: if he had time to really get it, to get

594
00:35:17,200 --> 00:35:19,960
Speaker 3: Oh versus is coming we three weeks out. I ain't

595
00:35:20,000 --> 00:35:22,480
Speaker 3: really doing shit at the house, chilling, doing really nothing.

596
00:35:22,480 --> 00:35:25,200
Speaker 3: He on the road. So for people who don't know,

597
00:35:25,560 --> 00:35:27,480
Speaker 3: Birdman is on the road with young boys. So he

598
00:35:27,640 --> 00:35:29,680
Speaker 3: just popping in over here. He's finna get right back

599
00:35:29,719 --> 00:35:32,479
Speaker 3: with dude. Now make sure he good get some money

600
00:35:32,520 --> 00:35:35,319
Speaker 3: with him, you understand me. So he probably showing up

601
00:35:35,400 --> 00:35:38,480
Speaker 3: somebody else, probably dressing him somebody else, probably putting his

602
00:35:38,600 --> 00:35:42,879
Speaker 3: jewelry together, putting what he weighing together, not necessarily down

603
00:35:42,960 --> 00:35:45,279
Speaker 3: to the outfitl but they giving him five six things

604
00:35:45,320 --> 00:35:47,520
Speaker 3: to choose from. He probably saying, I'm aware that with

605
00:35:47,680 --> 00:35:50,600
Speaker 3: that with them, he ain't really had time to really

606
00:35:50,680 --> 00:35:54,759
Speaker 3: come out with the red mink to the flow change outfits,

607
00:35:54,880 --> 00:35:59,160
Speaker 3: big boy pendings and jewry just going off. He understand me.

608
00:35:59,520 --> 00:36:02,080
Speaker 3: It felt like he was kind of rushed to take

609
00:36:02,160 --> 00:36:04,759
Speaker 3: Cass business. And I with bird Man, he's a big

610
00:36:04,960 --> 00:36:08,960
Speaker 3: general in the South. We got love and respect for him.

611
00:36:09,600 --> 00:36:11,640
Speaker 3: I think he was drunk this night and said some

612
00:36:11,760 --> 00:36:14,359
Speaker 3: things that well, that was funny to me. But they

613
00:36:14,440 --> 00:36:17,080
Speaker 3: came out with this At this moment, I still think

614
00:36:17,120 --> 00:36:20,040
Speaker 3: it's a misstep. Not that had already used everyone in

615
00:36:20,120 --> 00:36:23,200
Speaker 3: the click noring. Wayne isn't gonna pop out at some point.

616
00:36:23,520 --> 00:36:26,279
Speaker 3: You really ain't having no guests, so you gotta go

617
00:36:26,560 --> 00:36:28,440
Speaker 3: bring it all out, pour it on the floor. This

618
00:36:28,480 --> 00:36:30,520
Speaker 3: is what we're working with, and let's get into that.

619
00:36:31,080 --> 00:36:33,560
Speaker 3: Let's figure out what songs from what era, what we're

620
00:36:33,560 --> 00:36:35,799
Speaker 3: gonna use from each one of us that has us

621
00:36:35,880 --> 00:36:40,920
Speaker 3: shining right. This brand is huge. We know if cash

622
00:36:41,000 --> 00:36:44,600
Speaker 3: money pulled from all of that catalog. It's a different conversation.

623
00:36:44,760 --> 00:36:46,879
Speaker 3: Pay attention, though, I want you to hear the third song,

624
00:36:47,200 --> 00:36:49,560
Speaker 3: and then we're gonna get into way. I think they

625
00:36:49,640 --> 00:36:54,640
Speaker 3: really started dropping the ball in my opinions, that sit

626
00:37:04,600 --> 00:37:07,359
Speaker 3: so here they come again with something that's kind of slow,

627
00:37:07,440 --> 00:37:11,160
Speaker 3: but it's a legendary beat and tone. You understand it's

628
00:37:11,200 --> 00:37:14,440
Speaker 3: still aggressive. I think you come out of the gate aggressive.

629
00:37:14,760 --> 00:37:16,920
Speaker 3: Another couple of things I want you to pay attention

630
00:37:17,040 --> 00:37:19,840
Speaker 3: to is that when bird Man and them grabbed the

631
00:37:19,960 --> 00:37:22,399
Speaker 3: mic for song number two. When Man and Fresh first

632
00:37:22,480 --> 00:37:26,560
Speaker 3: grabbed the mic, he understood what I said, which is,

633
00:37:26,800 --> 00:37:29,680
Speaker 3: oh shit, they just brought all of their star power

634
00:37:29,760 --> 00:37:32,759
Speaker 3: out at once. So they playing a different game than

635
00:37:32,800 --> 00:37:36,120
Speaker 3: we playing. Were playing to pop out here and that

636
00:37:36,360 --> 00:37:40,160
Speaker 3: game without Wayanne, I think that that's the wrong game plan.

637
00:37:40,719 --> 00:37:43,160
Speaker 3: We supposed to come all out. And so guess what

638
00:37:43,360 --> 00:37:45,800
Speaker 3: was the first thing he said? Oh, y'all brought y'all CEO.

639
00:37:45,960 --> 00:37:49,560
Speaker 3: I he peeped it. See this is what I'm telling you.

640
00:37:49,640 --> 00:37:52,239
Speaker 3: It's more than just song for song. It's how you

641
00:37:52,440 --> 00:37:56,760
Speaker 3: do it and approach. It's the illustration, it's the entire picture.

642
00:37:56,800 --> 00:38:00,520
Speaker 3: It's the entire process that plays into how this looks

643
00:38:00,560 --> 00:38:03,080
Speaker 3: on camera and how people receive it. And so I

644
00:38:03,160 --> 00:38:07,880
Speaker 3: just want you to see they come right out with hustler, baller, gangs,

645
00:38:07,960 --> 00:38:11,879
Speaker 3: the cap pillar who I beat? Come on, man, y'all

646
00:38:11,960 --> 00:38:14,120
Speaker 3: gotta hit them hard. Y'all can't be coming out And

647
00:38:14,200 --> 00:38:18,600
Speaker 3: I'm so fly. Even though that's a big record, it

648
00:38:18,680 --> 00:38:21,360
Speaker 3: ain't aggressive enough. These niggas got arm and fatigue on.

649
00:38:21,520 --> 00:38:24,239
Speaker 3: You know, in New Orders, everybody neigga we fighting over

650
00:38:24,320 --> 00:38:27,120
Speaker 3: his arm and fatigue. Y'all just done took the army

651
00:38:27,160 --> 00:38:31,879
Speaker 3: fatigue from us. Man, Come on, man, hot boys used

652
00:38:31,920 --> 00:38:34,840
Speaker 3: to be army fatigue like a bummer. But that's a

653
00:38:34,920 --> 00:38:55,880
Speaker 3: conversation for another podcast. Pay attentions.

654
00:38:52,840 --> 00:38:53,440
Speaker 4: Take a lot.

655
00:38:53,680 --> 00:38:56,799
Speaker 3: You see how everybody on that side. You see how

656
00:38:56,840 --> 00:38:59,320
Speaker 3: everybody on that side is bouncing and moving with the

657
00:38:59,480 --> 00:39:03,319
Speaker 3: music and vibing out with the music. Cash money in them,

658
00:39:03,400 --> 00:39:06,359
Speaker 3: all the rich and shit, all them celebrities in. They

659
00:39:06,440 --> 00:39:08,560
Speaker 3: all right. So they up there saying, man, they don't

660
00:39:08,600 --> 00:39:11,040
Speaker 3: know who I am, but I'm a general. I ain't

661
00:39:11,120 --> 00:39:14,279
Speaker 3: doing all letter. I'm gonna pure just yeah, I'm part

662
00:39:14,320 --> 00:39:18,720
Speaker 3: of the infrastructure. You understand me. You know, they playing

663
00:39:18,800 --> 00:39:22,520
Speaker 3: that one on on No Limit side, everybody move and

664
00:39:22,600 --> 00:39:25,680
Speaker 3: look now what we're gonna want. Here's something I want

665
00:39:25,760 --> 00:39:27,960
Speaker 3: you to pay attention to. When this was overWe pay

666
00:39:28,000 --> 00:39:28,640
Speaker 3: attention to this.

667
00:39:30,800 --> 00:39:32,120
Speaker 4: Break you off something.

668
00:39:36,400 --> 00:39:40,759
Speaker 2: Yeah, this is do all the celebression. Man Saluke did who.

669
00:39:40,719 --> 00:39:41,520
Speaker 4: In order to do that?

670
00:39:42,640 --> 00:39:42,960
Speaker 2: Let's go.

671
00:39:43,360 --> 00:39:44,000
Speaker 4: I need a.

672
00:39:44,239 --> 00:39:51,239
Speaker 3: Project again, you see them off balance. He dropped the

673
00:39:51,320 --> 00:39:54,160
Speaker 3: song before Juvenile is even ready. And again, man, this

674
00:39:54,360 --> 00:39:57,880
Speaker 3: is why I think some of these little things cost.

675
00:39:58,040 --> 00:40:00,440
Speaker 3: If you ask me for No Limit to shine brighter

676
00:40:00,880 --> 00:40:03,160
Speaker 3: than I believe they would have shined coming in. And

677
00:40:03,239 --> 00:40:06,200
Speaker 3: I know No Limit is legendary, and they got plenty

678
00:40:06,239 --> 00:40:08,799
Speaker 3: of songs. But as it pertains to No Limit Verse

679
00:40:08,920 --> 00:40:11,839
Speaker 3: cash money, I didn't even I'm like, yo, it's no way.

680
00:40:11,880 --> 00:40:15,080
Speaker 3: They got too much. It's too much going on. But

681
00:40:15,440 --> 00:40:21,279
Speaker 3: they mishandled this. They mishandled this bro even with this song.

682
00:40:21,440 --> 00:40:24,680
Speaker 3: Now you come back, he just hit you with Hustler

683
00:40:24,880 --> 00:40:29,440
Speaker 3: Ball the gangster cap pillar after you guys just doesn't

684
00:40:29,480 --> 00:40:34,080
Speaker 3: fly still fly, which is a friendly kind of record.

685
00:40:34,400 --> 00:40:39,000
Speaker 3: Now y'all come with I need a project, which is

686
00:40:39,040 --> 00:40:41,600
Speaker 3: another friendly kind of record. Jesus, after I than I

687
00:40:41,600 --> 00:40:46,520
Speaker 3: already established, I'm here to get this job done. Yeah,

688
00:40:46,640 --> 00:40:48,960
Speaker 3: I'm here to get this job. But it feels like

689
00:40:49,440 --> 00:40:52,359
Speaker 3: on their side it isn't a serious it doesn't mean

690
00:40:52,440 --> 00:40:54,920
Speaker 3: as much. I don't know why, but it just feels

691
00:40:55,000 --> 00:40:57,200
Speaker 3: that way, And I could be wrong again. I got

692
00:40:57,239 --> 00:40:59,480
Speaker 3: a lot of respect for both these sides. I come

693
00:40:59,560 --> 00:41:01,560
Speaker 3: up off these dudes, I got a lot of respect

694
00:41:01,640 --> 00:41:05,440
Speaker 3: for them. But I'm covering the story. Pay attention. So

695
00:41:05,600 --> 00:41:08,400
Speaker 3: we we fast forward a little bit into the verses,

696
00:41:08,440 --> 00:41:12,560
Speaker 3: a little more with deep in at this point, and

697
00:41:12,680 --> 00:41:13,560
Speaker 3: let's see what we get.

698
00:41:14,080 --> 00:41:19,240
Speaker 2: It's a celen price, it's a celebration. Oh wait, ain't

699
00:41:19,320 --> 00:41:19,920
Speaker 2: my fault?

700
00:41:20,120 --> 00:41:22,240
Speaker 5: What's up? It ain't.

701
00:41:27,600 --> 00:41:32,560
Speaker 3: Crazy do that?

702
00:41:35,800 --> 00:41:39,439
Speaker 4: It ain't my fun.

703
00:41:39,760 --> 00:41:41,840
Speaker 1: Get up, it ain't.

704
00:41:45,160 --> 00:41:46,000
Speaker 11: Hold time y'all.

705
00:41:46,360 --> 00:41:48,600
Speaker 2: Oh wait, it ain't my fault.

706
00:41:50,280 --> 00:41:50,880
Speaker 4: It ain't my.

707
00:41:53,120 --> 00:41:56,440
Speaker 2: It ain't my fuck, lady, I keep it going. Let's go.

708
00:41:57,239 --> 00:42:01,440
Speaker 2: He than the silk was at my thron with that.

709
00:42:04,400 --> 00:42:07,160
Speaker 11: He took that, he took that New Orleans second line

710
00:42:07,239 --> 00:42:07,759
Speaker 11: five minutes.

711
00:42:07,760 --> 00:42:10,080
Speaker 2: You know what I'm talking about, kay, I think he's

712
00:42:10,120 --> 00:42:12,640
Speaker 2: slick though. You you know something about I know how

713
00:42:13,200 --> 00:42:14,239
Speaker 2: I know what you'd be doing.

714
00:42:14,280 --> 00:42:17,320
Speaker 4: You you know what some on? Yeah, we ain't done no,

715
00:42:17,480 --> 00:42:30,399
Speaker 4: we ain't done straight it up before you jumping back.

716
00:42:30,520 --> 00:42:32,479
Speaker 4: Game mans, give one name.

717
00:42:33,040 --> 00:42:37,479
Speaker 10: Understand New Orleans in this and y'all get y'all wars up.

718
00:42:37,400 --> 00:42:41,200
Speaker 2: For New Auks. Y'all look good man. I love y'all.

719
00:42:41,680 --> 00:42:44,440
Speaker 2: It's a real shallow break. So what you got you

720
00:42:44,520 --> 00:42:47,239
Speaker 2: got frost y'all? Keep your walls up? Fresh? Can I

721
00:42:47,320 --> 00:42:47,800
Speaker 2: say something?

722
00:42:47,920 --> 00:42:48,960
Speaker 3: Keep you on, walls up?

723
00:42:49,360 --> 00:42:52,400
Speaker 2: I'm gonna fresh. Can I say something? Bro keep him up?

724
00:42:53,160 --> 00:42:57,880
Speaker 2: I started this fun ship, I started this jury.

725
00:42:58,280 --> 00:43:00,680
Speaker 5: I'm the first thing of what damn it and their tea,

726
00:43:01,480 --> 00:43:04,040
Speaker 5: the first thing on with tattoos and they face.

727
00:43:04,640 --> 00:43:10,080
Speaker 2: I started this stunt ship. Let's get here. Push your

728
00:43:10,160 --> 00:43:12,080
Speaker 2: once in the aird man, push.

729
00:43:14,360 --> 00:43:18,880
Speaker 10: You know me, I don't need an introduction of ships.

730
00:43:17,719 --> 00:43:21,520
Speaker 3: All all bus You know, even even when I look

731
00:43:21,560 --> 00:43:24,160
Speaker 3: at the songs, I still think I want to get

732
00:43:24,200 --> 00:43:27,360
Speaker 3: it is the cash money. Even though no limits surprised

733
00:43:27,400 --> 00:43:31,120
Speaker 3: me and they they maneuver through the verses in a

734
00:43:31,239 --> 00:43:34,799
Speaker 3: way that shined a lot of light on what they've done.

735
00:43:36,719 --> 00:43:38,640
Speaker 3: Let me step back for a second and deal with

736
00:43:38,760 --> 00:43:40,560
Speaker 3: some of the things I think stood out to me

737
00:43:40,760 --> 00:43:44,200
Speaker 3: even from bird Man's perspective. A couple of things I

738
00:43:44,280 --> 00:43:46,919
Speaker 3: also think Cash Money could have done better. And again

739
00:43:47,040 --> 00:43:50,920
Speaker 3: this is us covering the story. They could have created

740
00:43:51,080 --> 00:43:53,920
Speaker 3: time and let bird Man pop that ship. That's what

741
00:43:54,160 --> 00:43:57,799
Speaker 3: people love him for. The slick talking they That's one

742
00:43:57,880 --> 00:44:00,400
Speaker 3: thing I watched No Limit take from him. So they

743
00:44:00,480 --> 00:44:03,800
Speaker 3: song was over, No Limit would transition right into their music,

744
00:44:03,920 --> 00:44:07,080
Speaker 3: not even letting him get some of that smooth talking that.

745
00:44:07,640 --> 00:44:10,520
Speaker 3: But what posted to happen is an adjustment needs to

746
00:44:10,600 --> 00:44:13,560
Speaker 3: be made on Cash Money side before we drop the record.

747
00:44:13,920 --> 00:44:17,319
Speaker 3: Let Birdman pop some of his shit. Let him get

748
00:44:17,360 --> 00:44:20,040
Speaker 3: in his bag. Because even this moment right here, how

749
00:44:20,160 --> 00:44:21,960
Speaker 3: he was like, Yo, can I say something?

750
00:44:22,000 --> 00:44:22,120
Speaker 5: Yo?

751
00:44:22,200 --> 00:44:24,719
Speaker 3: Can I say? He gotta say that he shouldn't have

752
00:44:24,840 --> 00:44:27,920
Speaker 3: to say that. That is an attribute that bird Man

753
00:44:28,120 --> 00:44:32,000
Speaker 3: has that not many people have, in particular from a

754
00:44:32,080 --> 00:44:34,840
Speaker 3: CEO standpoint, that people believe in when he popped that

755
00:44:34,960 --> 00:44:38,000
Speaker 3: money shit, so they sposed to let Birdman give him

756
00:44:38,040 --> 00:44:41,239
Speaker 3: more room to pop that money shit. They didn't do that.

757
00:44:41,600 --> 00:44:45,319
Speaker 3: I think that was a mistake. You feel what I'm saying.

758
00:44:45,719 --> 00:44:48,000
Speaker 3: That's if you're asking me. I think that was a mistake.

759
00:44:48,080 --> 00:44:50,800
Speaker 3: But I also think it was calculated from No Limit

760
00:44:50,920 --> 00:44:53,839
Speaker 3: side to take that from him soon as the song gover,

761
00:44:53,920 --> 00:44:56,080
Speaker 3: don't even let him say, Yeah, that song right there

762
00:44:56,440 --> 00:44:59,279
Speaker 3: made tim bigging off that one, That one right there

763
00:44:59,360 --> 00:45:02,319
Speaker 3: took us over the tiland. You know, don't even let

764
00:45:02,360 --> 00:45:04,680
Speaker 3: him get none of that out. Soon the song go over,

765
00:45:04,880 --> 00:45:08,840
Speaker 3: drop our shit, we finish disables bird Man's ability to

766
00:45:08,960 --> 00:45:12,000
Speaker 3: sway the public with the with the smooth talking, and

767
00:45:12,120 --> 00:45:14,399
Speaker 3: so they took it from him. He started to say

768
00:45:14,480 --> 00:45:16,799
Speaker 3: things towards the end that was not so smooth though,

769
00:45:17,160 --> 00:45:19,960
Speaker 3: And so also I was thinking to myself, Man, look

770
00:45:20,000 --> 00:45:23,640
Speaker 3: at that Pete go through something shit like mister ice

771
00:45:23,719 --> 00:45:26,920
Speaker 3: Cream Man and and all of those type of records.

772
00:45:27,040 --> 00:45:29,080
Speaker 3: I said, I wonder can Pe and Baby do one?

773
00:45:29,760 --> 00:45:33,359
Speaker 3: I mean a Master Pete and Baby versus like bird

774
00:45:33,480 --> 00:45:37,280
Speaker 3: Man versus Master Pete hit for hit, whatever songs you got, whatever,

775
00:45:37,320 --> 00:45:39,759
Speaker 3: I'd undone, he gonna bring out shit like mister ice

776
00:45:39,840 --> 00:45:43,719
Speaker 3: cream Man. You know, bird Man got albums too. Now,

777
00:45:44,800 --> 00:45:48,040
Speaker 3: don't get him mistaken. Bird Man got albums now and

778
00:45:48,200 --> 00:45:50,640
Speaker 3: he got songs. But I wonder what that would look

779
00:45:50,760 --> 00:45:56,279
Speaker 3: like Master p versus bird Man versus. Yeah, but again, man,

780
00:45:56,320 --> 00:45:58,160
Speaker 3: I think they did a great job with versus. It

781
00:45:58,280 --> 00:46:01,680
Speaker 3: looked great, looked like some shit from WWE, even though

782
00:46:01,800 --> 00:46:03,680
Speaker 3: I think they could have done better with it, made

783
00:46:03,719 --> 00:46:06,080
Speaker 3: it a little more visible, you know, when you do

784
00:46:06,280 --> 00:46:09,160
Speaker 3: get the wide shot from it, it just kind of

785
00:46:09,600 --> 00:46:11,920
Speaker 3: I don't know what it just looks. I don't know,

786
00:46:12,640 --> 00:46:16,880
Speaker 3: even though I like to set up. I guess this

787
00:46:17,040 --> 00:46:19,200
Speaker 3: is a walkway. I would have loved for them to

788
00:46:19,280 --> 00:46:22,480
Speaker 3: be in the center, right here where the fans can

789
00:46:22,600 --> 00:46:24,760
Speaker 3: be much more in tune. It feels like the fans

790
00:46:24,800 --> 00:46:27,920
Speaker 3: are far back. I don't know, man, I think it

791
00:46:28,040 --> 00:46:30,520
Speaker 3: was a good event. Shout out the complex con shut

792
00:46:30,560 --> 00:46:33,120
Speaker 3: out the versus. But I'm gonna still think about it.

793
00:46:33,160 --> 00:46:35,000
Speaker 3: I'm gonna watch it a few more times before I

794
00:46:35,120 --> 00:46:37,440
Speaker 3: actually give a verdict on who I think one. I

795
00:46:37,520 --> 00:46:41,719
Speaker 3: do think cash Money mishandled a couple of situations, and

796
00:46:41,800 --> 00:46:45,120
Speaker 3: towards the end, Baby said a few things. I think

797
00:46:45,480 --> 00:46:48,719
Speaker 3: if we're gonna talk about performance of the night, I

798
00:46:48,840 --> 00:46:52,920
Speaker 3: think it gotta be BG's performance versus Snoop Dogg performance.

799
00:46:53,120 --> 00:46:55,600
Speaker 3: I'm about to show you BG's performance and then I'm

800
00:46:55,600 --> 00:46:58,400
Speaker 3: gonna show you Snoop Doggs again. If you're on YouTube,

801
00:46:58,480 --> 00:47:00,400
Speaker 3: you may not see this. I'm gonna to try to

802
00:47:00,440 --> 00:47:02,719
Speaker 3: come back with some commentary that kind of feels in

803
00:47:02,920 --> 00:47:05,680
Speaker 3: the blanks and get some colorful language, so you making

804
00:47:05,840 --> 00:47:08,400
Speaker 3: kind of understand what we're looking at. But pay attention

805
00:47:08,520 --> 00:47:11,160
Speaker 3: to BG's performance that I think if you're asking a

806
00:47:11,200 --> 00:47:17,120
Speaker 3: lot of people what's performance other night, pay attention. It's

807
00:47:17,160 --> 00:47:17,760
Speaker 3: a celebration.

808
00:47:19,360 --> 00:47:22,000
Speaker 11: New Orders is a mother kids.

809
00:47:22,840 --> 00:47:26,000
Speaker 2: He go like money pigins my thing because I'm trying

810
00:47:26,040 --> 00:47:28,600
Speaker 2: to be rich. So with me at the propping studio.

811
00:47:28,960 --> 00:47:32,480
Speaker 3: This don't even got a back track. This is straight

812
00:47:32,600 --> 00:47:36,239
Speaker 3: home rapping, no backtrack. Now, I don't need to hear

813
00:47:36,360 --> 00:47:38,360
Speaker 3: no back talk about this here. Pay attention.

814
00:47:38,560 --> 00:47:40,919
Speaker 2: My ship dropping rap. That's a rap, Like you said,

815
00:47:40,960 --> 00:47:42,840
Speaker 2: she have the keys picked up by the fence.

816
00:47:42,880 --> 00:47:45,680
Speaker 11: First dropping beet, that's a preach. I flicking stuff, my boy,

817
00:47:45,680 --> 00:47:48,719
Speaker 11: it's been feeding so hot. He tain't a free will

818
00:47:48,760 --> 00:47:51,719
Speaker 11: clean flock. No figs at all, bigga because we roll

819
00:47:51,800 --> 00:47:53,800
Speaker 11: two set for their kids, off set.

820
00:47:53,640 --> 00:47:57,319
Speaker 2: Fish because I go by the name, so I ride

821
00:47:57,320 --> 00:47:59,959
Speaker 2: on crumb and that's not eight Yeah. Three, I must

822
00:48:00,040 --> 00:48:01,879
Speaker 2: a nigga. Don't put Bevid on his feet.

823
00:48:01,920 --> 00:48:04,000
Speaker 11: Three because I know one thing I don't do the

824
00:48:04,080 --> 00:48:06,640
Speaker 11: place for feet we found the can'ts smunny is.

825
00:48:06,640 --> 00:48:07,360
Speaker 2: The Holy nigga.

826
00:48:08,640 --> 00:48:11,640
Speaker 4: You we try to hop me, nigga get in so clear,

827
00:48:11,640 --> 00:48:12,840
Speaker 4: he thigigga, because.

828
00:48:12,600 --> 00:48:15,080
Speaker 2: I need to just stay up place real good. You

829
00:48:15,640 --> 00:48:19,920
Speaker 2: get w Cat Spunny is the holy nigga. Try the

830
00:48:19,960 --> 00:48:25,680
Speaker 2: herming nigga. Smuney his home nigga. You ever try that home.

831
00:48:28,120 --> 00:48:28,359
Speaker 5: Jack.

832
00:48:28,600 --> 00:48:30,879
Speaker 3: That's the first time I really seen a cash Money

833
00:48:31,160 --> 00:48:33,880
Speaker 3: that close over there, over there performing in the no

834
00:48:34,080 --> 00:48:36,640
Speaker 3: limit area. He went over And I ain't saying he

835
00:48:36,760 --> 00:48:38,759
Speaker 3: done that to disrespect them. It just might have been

836
00:48:38,800 --> 00:48:41,760
Speaker 3: the vibration of just why it's just how I'm feeling.

837
00:48:42,360 --> 00:48:44,640
Speaker 3: You understand me, But he definitely went over there in

838
00:48:44,719 --> 00:48:48,040
Speaker 3: the no limit area and performed cash Money is an

839
00:48:48,160 --> 00:48:52,399
Speaker 3: Army and he did it with no backtrack. That right there,

840
00:48:52,520 --> 00:48:56,560
Speaker 3: if you're asking me, is contestant of performance of the night.

841
00:48:56,960 --> 00:48:58,719
Speaker 3: And that's with me a X off the table. She

842
00:48:58,800 --> 00:49:01,640
Speaker 3: gets her flyers, she did the whole big one. We

843
00:49:01,800 --> 00:49:05,560
Speaker 3: already celebrated her. But performance of the night is that performance.

844
00:49:05,640 --> 00:49:09,080
Speaker 3: We just watched BG performing cash Money as an Army

845
00:49:09,200 --> 00:49:12,480
Speaker 3: in no limits area, and we'll put that again. Snoop

846
00:49:12,560 --> 00:49:15,160
Speaker 3: Dogg popping out for no limit and again, this is

847
00:49:15,239 --> 00:49:18,760
Speaker 3: what makes it hard to judge cash Money had no guests,

848
00:49:19,239 --> 00:49:21,560
Speaker 3: and I get it. They understand they have their own

849
00:49:21,640 --> 00:49:24,399
Speaker 3: star power. But when we talk about the verses, when

850
00:49:24,400 --> 00:49:27,040
Speaker 3: you got Snoop Dogg pop out with this kind of energy,

851
00:49:27,320 --> 00:49:28,960
Speaker 3: it's just gonna be hard for me to say you

852
00:49:29,120 --> 00:49:32,680
Speaker 3: beat him. Pay attention to this, get you if you

853
00:49:32,760 --> 00:49:33,239
Speaker 3: didn't get.

854
00:49:52,160 --> 00:50:00,359
Speaker 2: Jump down them up the niggas. What niggas niggas? Yeah,

855
00:50:00,480 --> 00:50:01,200
Speaker 2: y'all you wait it?

856
00:50:01,600 --> 00:50:01,839
Speaker 1: Fuck?

857
00:50:02,080 --> 00:50:02,680
Speaker 2: Let's kid him.

858
00:50:03,400 --> 00:50:06,400
Speaker 1: I tell him, we getting nutty in this motherfucker. I

859
00:50:06,480 --> 00:50:09,160
Speaker 1: got my pudgyes in this motherfucker. Leave a nigga bluddy

860
00:50:09,160 --> 00:50:13,160
Speaker 1: in this buck again. Contested for performance other night by

861
00:50:13,239 --> 00:50:16,680
Speaker 1: Snoop Dogg. No backtrack and for people who have never

862
00:50:16,840 --> 00:50:19,440
Speaker 1: performed a rap song live, I need you to understand

863
00:50:19,480 --> 00:50:22,200
Speaker 1: it's like the backtrack carries you and helps you with

864
00:50:22,320 --> 00:50:26,200
Speaker 1: your breath control. Right, So if I understand my backtrack

865
00:50:26,320 --> 00:50:29,160
Speaker 1: is saying the last two words of each sentence, then

866
00:50:29,239 --> 00:50:30,760
Speaker 1: I can just say leave an.

867
00:50:32,239 --> 00:50:35,000
Speaker 3: We in the cuddy. You done done too much? You

868
00:50:35,160 --> 00:50:40,120
Speaker 3: gotta instead of having to say every single word, you

869
00:50:40,320 --> 00:50:42,840
Speaker 3: understand me. And not only that, I want you to

870
00:50:42,920 --> 00:50:45,040
Speaker 3: look at Snoop Dogg's energy and we'll get to that

871
00:50:45,160 --> 00:50:47,120
Speaker 3: after this performance is over, pay attention.

872
00:50:48,160 --> 00:50:50,719
Speaker 2: We in the cuddy. But you the gun too much.

873
00:50:50,880 --> 00:50:57,879
Speaker 1: You gotta come in somebody, somebody just like you. Well,

874
00:50:58,280 --> 00:51:00,520
Speaker 1: where I'm from, we like to ride on for We

875
00:51:00,680 --> 00:51:02,480
Speaker 1: threw it from his show just to do it from

876
00:51:02,520 --> 00:51:03,080
Speaker 1: the tools.

877
00:51:03,400 --> 00:51:06,320
Speaker 11: I threw my turn off on my lunely see Murdering Magic.

878
00:51:06,440 --> 00:51:08,320
Speaker 2: Hell yeah, that my mocking homies.

879
00:51:08,640 --> 00:51:11,520
Speaker 11: So when the shit is thick and foggy, I want

880
00:51:11,560 --> 00:51:13,720
Speaker 11: to act like they want to get with Snoop Doggie.

881
00:51:13,920 --> 00:51:17,560
Speaker 2: Let me let you know what you going through with

882
00:51:17,960 --> 00:51:19,320
Speaker 2: what's the sad fogg.

883
00:51:24,840 --> 00:51:27,759
Speaker 3: You see they try to take that from Snoop and

884
00:51:27,920 --> 00:51:30,400
Speaker 3: Pete because they wanted to celebrate after that. Now we

885
00:51:30,560 --> 00:51:37,520
Speaker 3: coming right with back that ass up. That's one thing

886
00:51:37,640 --> 00:51:39,960
Speaker 3: they were doing. I think I don't want to see

887
00:51:40,120 --> 00:51:42,480
Speaker 3: that in versus. If I'm being honest, I want to

888
00:51:42,600 --> 00:51:44,759
Speaker 3: get to be able to get their ship off. That's

889
00:51:44,800 --> 00:51:47,319
Speaker 3: what made Versus one of the moments when Jada kids

890
00:51:47,640 --> 00:51:49,879
Speaker 3: pop out and say, yo, I'm talking to the real

891
00:51:50,000 --> 00:51:54,239
Speaker 3: New York and just those moments brain the vibe. I

892
00:51:54,280 --> 00:51:56,160
Speaker 3: don't want to see them cut each other off because

893
00:51:56,160 --> 00:51:58,719
Speaker 3: they're scared of how gonna celebrat and if it's gonna

894
00:51:58,719 --> 00:52:01,600
Speaker 3: sway the crowd and I ain't gonna lie. No lem

895
00:52:01,680 --> 00:52:04,600
Speaker 3: me started that because they left no room for Baby

896
00:52:04,680 --> 00:52:08,000
Speaker 3: to say anything, because they understood how powerful he is

897
00:52:08,200 --> 00:52:11,240
Speaker 3: as it pertains to just his verbs to our culture.

898
00:52:11,440 --> 00:52:14,000
Speaker 3: But pay attention to Snoop Dogg in this moment as

899
00:52:14,080 --> 00:52:17,080
Speaker 3: he walks off stage. The energy from Snoop Dogg was

900
00:52:17,200 --> 00:52:20,680
Speaker 3: really the mother. I ain't gonna do no capping. Snoop

901
00:52:20,719 --> 00:52:23,000
Speaker 3: Dogg didn't make his way across the stage and shake

902
00:52:23,080 --> 00:52:26,280
Speaker 3: no hands. Snoop Dogg didn't say what's up to nobody.

903
00:52:26,680 --> 00:52:31,200
Speaker 3: Snoop Dogg didn't man. He came right in, performed them.

904
00:52:31,280 --> 00:52:34,520
Speaker 3: Mother dropped the beat out halfway through through his middle

905
00:52:34,600 --> 00:52:37,759
Speaker 3: fingers up, said what you're going through? What you standing for,

906
00:52:38,120 --> 00:52:40,799
Speaker 3: and got off the stage. He never said what's upthing,

907
00:52:41,480 --> 00:52:44,880
Speaker 3: and he came camouflaged down. I think in our culture

908
00:52:44,960 --> 00:52:48,560
Speaker 3: we don't speak enough about the relationship between Pee and

909
00:52:48,680 --> 00:52:53,200
Speaker 3: Snoop and how Snoop has followed through. He take a

910
00:52:53,280 --> 00:52:55,560
Speaker 3: man to follow through, It take a little boy to

911
00:52:55,800 --> 00:53:01,160
Speaker 3: create broken promises. Snoop is always follow through with Pete

912
00:53:01,480 --> 00:53:03,680
Speaker 3: because p was there for him in a time when

913
00:53:03,719 --> 00:53:08,680
Speaker 3: he needed Pete be there for somebody, it may pay off.

914
00:53:09,400 --> 00:53:13,200
Speaker 3: You understand me, as biggest Snoop Dogg is he that's

915
00:53:13,280 --> 00:53:16,920
Speaker 3: a bag for him? The same way Wayne is negotiating

916
00:53:17,000 --> 00:53:20,399
Speaker 3: a bag, Drake is negotiating a bag. NICKI negotiating a bag.

917
00:53:20,520 --> 00:53:23,680
Speaker 3: Snoop has a bag on the table from versus to

918
00:53:23,840 --> 00:53:27,279
Speaker 3: do him versus someone he pops out for Pete. I'll

919
00:53:27,320 --> 00:53:29,600
Speaker 3: tell you something about this versus. A couple of things

920
00:53:29,640 --> 00:53:33,359
Speaker 3: I didn't appreciate and one thing that was undeniably clear.

921
00:53:34,520 --> 00:53:38,719
Speaker 3: Cash Money didn't have that superstar and so the superstar

922
00:53:38,960 --> 00:53:42,560
Speaker 3: power over on cash Money side that we know to

923
00:53:42,680 --> 00:53:45,880
Speaker 3: be one of the more dynamic voices ever to have

924
00:53:46,080 --> 00:53:50,200
Speaker 3: grabbed a microphone in Little Wayne, Dwayne Carter was not

925
00:53:50,440 --> 00:53:55,879
Speaker 3: there and his absence was felt. If you pop out

926
00:53:55,920 --> 00:53:59,240
Speaker 3: with a Little Wayne at this, it changes the conversation completely.

927
00:53:59,560 --> 00:54:02,160
Speaker 3: It changed just the catalog to set up what songs

928
00:54:02,200 --> 00:54:04,880
Speaker 3: you're gonna use, It changes all of that because I

929
00:54:05,000 --> 00:54:07,760
Speaker 3: understand that you don't want to come out a birdman

930
00:54:07,920 --> 00:54:10,560
Speaker 3: Cash Money and use all the Wayne songs because Wayne

931
00:54:10,680 --> 00:54:13,520
Speaker 3: is negotiating a bag. Yo, don't go up and burn

932
00:54:13,600 --> 00:54:18,640
Speaker 3: my songs up, bro, like y'all use some cash money shit,

933
00:54:18,800 --> 00:54:24,880
Speaker 3: some steal fly, some get your roll on. You know

934
00:54:24,920 --> 00:54:27,200
Speaker 3: what I'm saying that some of that shit that built

935
00:54:27,239 --> 00:54:29,919
Speaker 3: the label don't get up here into this shit because

936
00:54:29,920 --> 00:54:32,800
Speaker 3: all of us negotiating our own bag with versus and

937
00:54:32,920 --> 00:54:35,200
Speaker 3: so out of respect, YO, let's stay away from that.

938
00:54:35,400 --> 00:54:38,120
Speaker 3: They played one Wayne record and that was six foot

939
00:54:38,160 --> 00:54:41,240
Speaker 3: seven Without Wayne. You felt this absence in that moment

940
00:54:41,360 --> 00:54:45,120
Speaker 3: because usually when Wayne pops out and performs six foot seven,

941
00:54:45,280 --> 00:54:49,360
Speaker 3: the crowd goes stupid. When that six foot seven was playing,

942
00:54:49,440 --> 00:54:51,600
Speaker 3: it was just kind of like, yeah, this is one

943
00:54:51,640 --> 00:54:54,960
Speaker 3: of the ones though, And I think they missed Wayne

944
00:54:55,040 --> 00:54:56,759
Speaker 3: in a way where some of the fans are calling

945
00:54:56,840 --> 00:54:58,759
Speaker 3: for Wayne, like, yo, you should have been there. But

946
00:54:58,840 --> 00:55:02,080
Speaker 3: I understand the being in Also, I've seen what some

947
00:55:02,200 --> 00:55:04,120
Speaker 3: of these dudes on the stage. They spend a lot

948
00:55:04,200 --> 00:55:06,640
Speaker 3: of time performing to each other. Yo, you got a

949
00:55:06,719 --> 00:55:10,560
Speaker 3: crowd full of people. That's what I also respected about

950
00:55:10,640 --> 00:55:14,040
Speaker 3: BG's performance and snoops and really no limit every time

951
00:55:14,160 --> 00:55:16,200
Speaker 3: they face the crowd and win to it. But some

952
00:55:16,320 --> 00:55:18,399
Speaker 3: of the people don't cast money side. When they were

953
00:55:18,640 --> 00:55:20,640
Speaker 3: they would talk to each other. They just they love

954
00:55:20,680 --> 00:55:22,480
Speaker 3: each other. They happy to see each other, so they

955
00:55:22,600 --> 00:55:25,959
Speaker 3: rapping at each other instead of the crowd. Those little

956
00:55:26,040 --> 00:55:29,640
Speaker 3: things on camera, they come off away. They may not

957
00:55:29,800 --> 00:55:32,000
Speaker 3: come off away when you're doing your shows in these

958
00:55:32,080 --> 00:55:34,799
Speaker 3: arenas and you're just shining and doing your one two,

959
00:55:35,239 --> 00:55:37,880
Speaker 3: but they come off away when it's on camera, when

960
00:55:37,920 --> 00:55:41,480
Speaker 3: you're performing not only for an audience, but for viewing audience,

961
00:55:43,480 --> 00:55:46,440
Speaker 3: people that's watching it from the comforts of their own homes.

962
00:55:48,400 --> 00:55:50,200
Speaker 3: Let's get to the end of this, and we're gonna

963
00:55:50,239 --> 00:55:52,359
Speaker 3: make this just one episode because I don't even want

964
00:55:52,400 --> 00:55:56,000
Speaker 3: to broach any other topics because we're just basically breaking

965
00:55:56,080 --> 00:55:58,400
Speaker 3: down the verses. But let's get to the end of

966
00:55:58,440 --> 00:56:01,760
Speaker 3: the verses where a lot of color language from Cash

967
00:56:01,840 --> 00:56:06,040
Speaker 3: Money CEO and founder Brian Birdman Williams was left on

968
00:56:06,200 --> 00:56:09,600
Speaker 3: the table. Pay attention. I ain't gonna even lie, bro,

969
00:56:09,920 --> 00:56:13,520
Speaker 3: Like when I met Blood, you know, I was trying

970
00:56:13,560 --> 00:56:15,719
Speaker 3: to do something different in the game.

971
00:56:16,560 --> 00:56:19,640
Speaker 2: I ain't started this ship young. I was a young

972
00:56:19,760 --> 00:56:23,279
Speaker 2: man trying to get some money and not be in

973
00:56:23,360 --> 00:56:29,239
Speaker 2: the streets. And I met Beiji, I met Wayne, I

974
00:56:29,360 --> 00:56:33,239
Speaker 2: met Julie, I met Turk. Shout out to Turkey. Look,

975
00:56:33,600 --> 00:56:36,279
Speaker 2: she ain't here, but we're gonna put you. We want

976
00:56:36,560 --> 00:56:43,080
Speaker 2: but you're man girl. Were gonna put that, but that's

977
00:56:43,120 --> 00:56:43,920
Speaker 2: another movie.

978
00:56:44,239 --> 00:56:48,919
Speaker 10: But you know, cash money when one died, I ain't

979
00:56:48,920 --> 00:56:49,640
Speaker 10: gonna say die.

980
00:56:50,440 --> 00:56:53,319
Speaker 2: So we lost a lot of soldiers. But cash money

981
00:56:53,320 --> 00:56:57,480
Speaker 2: ain't built on you leave you can't. We're gonna steal multiply.

982
00:56:58,040 --> 00:57:00,520
Speaker 2: Let's go. Cash money ain't gonna know die.

983
00:57:01,440 --> 00:57:05,560
Speaker 4: Lors, I'm alive, hold on fresh away, fresh low as

984
00:57:05,719 --> 00:57:06,400
Speaker 4: I'm alive.

985
00:57:06,960 --> 00:57:10,600
Speaker 2: Cast money gonna never die. Shout out to my NBA,

986
00:57:10,920 --> 00:57:15,680
Speaker 2: young boy. NBA ain't risking you don't like it with

987
00:57:15,920 --> 00:57:21,040
Speaker 2: all the bullshit with us. See where you at bro

988
00:57:22,960 --> 00:57:25,360
Speaker 2: say something so they know our culture. We get together.

989
00:57:27,280 --> 00:57:29,120
Speaker 11: Looks listen, y'all listen, listen for sure.

990
00:57:29,560 --> 00:57:32,000
Speaker 3: So after Birdban saying that Pete never even got on

991
00:57:32,080 --> 00:57:33,960
Speaker 3: the mic, I don't know. I think bird Man might

992
00:57:34,040 --> 00:57:35,760
Speaker 3: have got drunk. Man got you know what I mean,

993
00:57:35,800 --> 00:57:38,440
Speaker 3: got a little head of itself and got drunk again.

994
00:57:38,560 --> 00:57:40,880
Speaker 3: That's that tour energy. He been on tour. He ain't

995
00:57:40,960 --> 00:57:43,320
Speaker 3: he ain't no separating it. He been on tour, poppy

996
00:57:43,400 --> 00:57:46,320
Speaker 3: that kind of shit. That's what he's doing. That's the vibe,

997
00:57:46,360 --> 00:57:50,960
Speaker 3: that's the mind framed me in. You know, I know

998
00:57:51,040 --> 00:57:53,080
Speaker 3: that really wasn't no dish at turk. You know what

999
00:57:53,120 --> 00:57:55,800
Speaker 3: I'm saying. People catch their word in it and they

1000
00:57:55,880 --> 00:57:58,360
Speaker 3: think that's disrespect, and I get it because I don't

1001
00:57:58,360 --> 00:58:01,280
Speaker 3: play that word. But you know a couple of my

1002
00:58:01,400 --> 00:58:03,720
Speaker 3: best friends is from New Orleans. They grew up down

1003
00:58:03,760 --> 00:58:06,000
Speaker 3: there and it's just how they talk. Sometime they kicked

1004
00:58:06,040 --> 00:58:09,440
Speaker 3: that kind of lingo, and so you know, I understood

1005
00:58:09,480 --> 00:58:11,920
Speaker 3: there wasn't no disrespect. They was just like, you know,

1006
00:58:12,320 --> 00:58:16,000
Speaker 3: I love you, when't with you right now. We'll get

1007
00:58:16,040 --> 00:58:20,200
Speaker 3: it together at some point type thing. But you know,

1008
00:58:20,360 --> 00:58:23,160
Speaker 3: Birdman is getting old. Man. You know what I'm saying,

1009
00:58:23,160 --> 00:58:25,400
Speaker 3: I think it's time to separate itself from all that

1010
00:58:25,520 --> 00:58:29,040
Speaker 3: We with all the bullshit talk, you understand me. Now,

1011
00:58:29,120 --> 00:58:30,760
Speaker 3: we know he's gonna get it done, and we know

1012
00:58:30,840 --> 00:58:33,520
Speaker 3: they gonna move on his command. You know, I kind

1013
00:58:33,560 --> 00:58:36,320
Speaker 3: of watch how people around him move and the respect

1014
00:58:36,440 --> 00:58:39,600
Speaker 3: level that they give it. He moving like a real general.

1015
00:58:39,720 --> 00:58:43,040
Speaker 3: Now it's just funny to him. We with all the

1016
00:58:43,160 --> 00:58:48,440
Speaker 3: bullshit on National on Apple Music, National TV. Just we

1017
00:58:48,640 --> 00:58:52,280
Speaker 3: with all the bullshit shout out NBA, young boy. I

1018
00:58:52,960 --> 00:58:55,800
Speaker 3: don't know, man, like, we gotta get it together. You

1019
00:58:55,840 --> 00:58:58,520
Speaker 3: know what I'm saying you a billion dollar plate. He

1020
00:58:58,640 --> 00:59:01,600
Speaker 3: wrapped up in that. Yi, energy they got unc un't

1021
00:59:01,640 --> 00:59:06,040
Speaker 3: got that talking crazy they got, Hey they got aren't

1022
00:59:06,040 --> 00:59:08,240
Speaker 3: wrapped up in the Why ain't energy going in? And

1023
00:59:08,320 --> 00:59:10,360
Speaker 3: our d city is on tour with young boy he

1024
00:59:10,440 --> 00:59:13,600
Speaker 3: done jumped on Apple Music. If he ain't with us,

1025
00:59:15,040 --> 00:59:17,920
Speaker 3: he doesn't win left field. But here's something I want

1026
00:59:17,960 --> 00:59:19,920
Speaker 3: to address before we get out of here. There was

1027
00:59:19,960 --> 00:59:26,439
Speaker 3: a dramatic difference in how VERSUS handled cash Money versus

1028
00:59:26,520 --> 00:59:30,280
Speaker 3: No Limit, in contrast to some of the other events

1029
00:59:30,360 --> 00:59:32,280
Speaker 3: that they've put on some of the other verses, in

1030
00:59:32,360 --> 00:59:36,160
Speaker 3: particular when they're dealing with legends. When we talk about

1031
00:59:36,200 --> 00:59:38,840
Speaker 3: what's going on with this one, we heard many fresh

1032
00:59:38,920 --> 00:59:42,520
Speaker 3: and others come along and say, yo, we only got

1033
00:59:42,600 --> 00:59:45,280
Speaker 3: four minutes left. It's not us, it's not cash money,

1034
00:59:45,320 --> 00:59:49,520
Speaker 3: it's not no limit, basically saying that it's either complex

1035
00:59:49,680 --> 00:59:52,479
Speaker 3: or it's versus. It's the higher ups, it's the people

1036
00:59:52,520 --> 00:59:55,840
Speaker 3: that put the event on. My question becomes one that

1037
00:59:55,960 --> 00:59:59,560
Speaker 3: I think should have been answered ages ago. Why wouldn't

1038
00:59:59,560 --> 01:00:03,000
Speaker 3: we deal with the southern district that we have to

1039
01:00:03,120 --> 01:00:06,400
Speaker 3: cut short the celebration the way that you framed it

1040
01:00:06,520 --> 01:00:11,920
Speaker 3: as I'm having a discomfort in understanding how we arise

1041
01:00:12,040 --> 01:00:15,000
Speaker 3: to the point where we're gonna take cash money versus

1042
01:00:15,080 --> 01:00:18,280
Speaker 3: no limit, which is some of the premier acts from

1043
01:00:18,360 --> 01:00:20,800
Speaker 3: the South that built the foundation that a lot of

1044
01:00:20,840 --> 01:00:23,920
Speaker 3: these guys get their fruit from, laid the roots to

1045
01:00:24,040 --> 01:00:26,440
Speaker 3: the tree that now a lot of individuals eating and

1046
01:00:26,520 --> 01:00:29,280
Speaker 3: feed their families from as it pertains to the South,

1047
01:00:29,680 --> 01:00:32,800
Speaker 3: How and why did they only have a short amount

1048
01:00:32,840 --> 01:00:35,800
Speaker 3: of time to do what was called a celebration for

1049
01:00:35,920 --> 01:00:37,760
Speaker 3: two of the labels that we grew up on in

1050
01:00:37,880 --> 01:00:40,479
Speaker 3: respect at a high level and then from the South.

1051
01:00:40,560 --> 01:00:43,480
Speaker 3: I have a question of burning question that I think

1052
01:00:43,600 --> 01:00:47,640
Speaker 3: someone somewhere should be able to answer. I would love

1053
01:00:47,720 --> 01:00:49,960
Speaker 3: to hear that this was something that cash Money, No

1054
01:00:50,120 --> 01:00:53,600
Speaker 3: Limits said or put in their contracts, that we're only

1055
01:00:53,640 --> 01:00:56,080
Speaker 3: gonna do ten songs instead of the twenty like we

1056
01:00:56,280 --> 01:00:59,040
Speaker 3: usually do, and we're gonna have a set amount of

1057
01:00:59,160 --> 01:01:02,000
Speaker 3: time that we have to deal with in which we're

1058
01:01:02,080 --> 01:01:04,680
Speaker 3: not going to be able to have a celebration in

1059
01:01:04,760 --> 01:01:07,800
Speaker 3: which we've saw dipset in the locks, be able to

1060
01:01:07,960 --> 01:01:12,080
Speaker 3: celebrate one another and celebrate the culture and celebrate the music.

1061
01:01:13,040 --> 01:01:16,480
Speaker 3: I think we have done ourselves a disservice by taking

1062
01:01:16,560 --> 01:01:20,480
Speaker 3: our Southern district and giving it such a short amount

1063
01:01:20,520 --> 01:01:24,320
Speaker 3: of time with such rich history, and so I have

1064
01:01:24,480 --> 01:01:26,840
Speaker 3: that question to put out there. I would hope that

1065
01:01:27,080 --> 01:01:32,400
Speaker 3: someone from somewhere clarifies on and conduct some sort of statement,

1066
01:01:32,520 --> 01:01:36,240
Speaker 3: interview or press release to give us an understanding. That's

1067
01:01:36,400 --> 01:01:39,280
Speaker 3: why would the verses when you're dealing with the Southern District,

1068
01:01:39,360 --> 01:01:41,560
Speaker 3: such a rich history that means so much to so

1069
01:01:41,760 --> 01:01:46,760
Speaker 3: many people, and heip hop and rapping music, why would

1070
01:01:46,760 --> 01:01:49,480
Speaker 3: we have to cut it short at ten versus ten

1071
01:01:49,680 --> 01:01:53,320
Speaker 3: vert instead of doing the normal twenty versus twenty. These

1072
01:01:53,400 --> 01:01:56,520
Speaker 3: are questions that hopefully will be answered by a legitimate

1073
01:01:56,680 --> 01:01:59,720
Speaker 3: character who has some insight as to why this is

1074
01:01:59,760 --> 01:02:03,560
Speaker 3: to get case. But those are my questions. Again, we

1075
01:02:03,960 --> 01:02:06,919
Speaker 3: appreciated the verses. I think these guys done a great job.

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01:02:08,240 --> 01:02:11,120
Speaker 3: Look forward to see what they have coming next. Hopefully

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01:02:11,160 --> 01:02:14,080
Speaker 3: they can address the stage because it's like I think

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01:02:14,160 --> 01:02:16,800
Speaker 3: it's I don't know. I like the big screen, I

1079
01:02:17,000 --> 01:02:19,600
Speaker 3: like some of it, but the complex versus just seem,

1080
01:02:20,720 --> 01:02:24,000
Speaker 3: I don't know, like an amateur kind of thing, even

1081
01:02:24,040 --> 01:02:26,160
Speaker 3: though it's clearly not. I mean, it looks like the

1082
01:02:26,360 --> 01:02:30,840
Speaker 3: WWE or some shit, but maybe the graphic design something

1083
01:02:30,960 --> 01:02:34,280
Speaker 3: has to You got to elevate something here though something's missing.

1084
01:02:34,680 --> 01:02:36,880
Speaker 3: But I hope y'all enjoyed us looking into the verses

1085
01:02:36,960 --> 01:02:39,720
Speaker 3: some of my thoughts and opinions on it. I appreciate

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01:02:39,760 --> 01:02:41,600
Speaker 3: it everybody. It is tapped in It's love you know

1087
01:02:41,720 --> 01:02:44,080
Speaker 3: that for shit show. See y'all next time hit that

1088
01:02:44,360 --> 01:02:46,560
Speaker 3: like hit shall let them know youse dere it's up

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01:02:46,600 --> 01:02:49,680
Speaker 3: that podcast dot Tenorary, Big Long Love