1 00:00:00,280 --> 00:00:02,920 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,160 --> 00:00:07,320 Speaker 1: It's ready. Are you welcome to Stuff you should know 3 00:00:07,880 --> 00:00:10,680 Speaker 1: from how Stuff Works dot Com? Brought to you by 4 00:00:10,880 --> 00:00:15,520 Speaker 1: Consumer Guide Automotive We make Garbine easier. Hello, and welcome 5 00:00:15,560 --> 00:00:18,240 Speaker 1: to the podcast. I'm Josh Clark, as staff writer here 6 00:00:18,280 --> 00:00:20,920 Speaker 1: at how Stuff Works dot Com. With me is my trust, 7 00:00:20,960 --> 00:00:23,600 Speaker 1: the edit, Tricks, the Intrepid, Candice Gifts and how are 8 00:00:23,600 --> 00:00:27,440 Speaker 1: you Candidas? Well, I hope you are feeling intrepid right now. 9 00:00:27,480 --> 00:00:30,360 Speaker 1: We're about to enter some grizzly territory. Let's talk about 10 00:00:30,440 --> 00:00:33,960 Speaker 1: Jack the Ripper, shall we? Indeed? Okay, so specifically, could 11 00:00:34,040 --> 00:00:37,560 Speaker 1: Jack the Ripper have been an artist? Ah the artists 12 00:00:37,600 --> 00:00:40,560 Speaker 1: formerly known as Jack the Ripper a k a. One 13 00:00:40,760 --> 00:00:44,600 Speaker 1: Walter Sickert, a British impressionist painter. He would have been 14 00:00:44,600 --> 00:00:47,360 Speaker 1: twenty eight around the time of the famous Ripper murders, 15 00:00:47,440 --> 00:00:51,600 Speaker 1: also called the Canonical murders. These take place back from 16 00:00:51,680 --> 00:00:54,480 Speaker 1: August thirty one November nine, just as had the scene 17 00:00:54,520 --> 00:00:56,080 Speaker 1: for you, and it would have been more than just 18 00:00:56,200 --> 00:00:59,680 Speaker 1: doves crying and that dank and depraved east end of 19 00:00:59,760 --> 00:01:01,880 Speaker 1: line done in the Whitechapel District. It would have been 20 00:01:01,920 --> 00:01:05,679 Speaker 1: the sound of prostitutes. Um More specifically, his prey of 21 00:01:05,800 --> 00:01:12,280 Speaker 1: choice was the alcoholic, drunk, middle aged and unattractive prostitutes. 22 00:01:12,720 --> 00:01:15,080 Speaker 1: It's the unattractive part that really gets you, you know. 23 00:01:15,200 --> 00:01:18,080 Speaker 1: I mean, it's bad enough as it is, but unattractive 24 00:01:18,160 --> 00:01:22,240 Speaker 1: to the problem is is Jack the Ripper was never caught, 25 00:01:22,760 --> 00:01:26,360 Speaker 1: and as such, a kind of field of amateur investigation 26 00:01:26,400 --> 00:01:30,240 Speaker 1: called ripparology has grown up over the centuries um of 27 00:01:30,560 --> 00:01:33,640 Speaker 1: people who dedicate their time trying to figure out who 28 00:01:33,800 --> 00:01:36,520 Speaker 1: Jack the Ripper was, right, right, right, And over the 29 00:01:36,600 --> 00:01:39,399 Speaker 1: years police departments in London to have fingered about a 30 00:01:39,520 --> 00:01:43,440 Speaker 1: hundred seventy suspects in the case, but no one's ever 31 00:01:43,480 --> 00:01:47,400 Speaker 1: been definitively convicted of the crime. And back in two 32 00:01:47,440 --> 00:01:51,160 Speaker 1: thousand two, someone who wasn't even a real ripparologist sort 33 00:01:51,160 --> 00:01:53,280 Speaker 1: of took a stab at the case, no pun intended, 34 00:01:53,600 --> 00:01:56,920 Speaker 1: and that was crime novelist Patricia Cornwell. And she was 35 00:01:56,960 --> 00:02:00,480 Speaker 1: the one who named Walter Sickert. And she had you know, um, 36 00:02:00,680 --> 00:02:04,240 Speaker 1: hard evidence and some sort of I don't know, loosely 37 00:02:04,320 --> 00:02:06,920 Speaker 1: based evidence, and the loosely based evidence was sort of 38 00:02:06,920 --> 00:02:12,120 Speaker 1: relevant to her to her interpretation of Secrets art. Now actually, um, yeah, 39 00:02:12,760 --> 00:02:16,880 Speaker 1: she considered some of Secrets paintings confessional, like he had 40 00:02:16,919 --> 00:02:21,160 Speaker 1: actually painted, um or used the murdered prostitutes that he 41 00:02:21,480 --> 00:02:24,600 Speaker 1: murdered as models for some of his paintings, and that 42 00:02:24,680 --> 00:02:27,640 Speaker 1: that um, he was either tawning police or getting this 43 00:02:27,720 --> 00:02:30,200 Speaker 1: off his chest through these paintings, or he could have 44 00:02:30,200 --> 00:02:33,160 Speaker 1: been super authentic because he was taught under the school 45 00:02:33,320 --> 00:02:37,280 Speaker 1: of American painter James Whistler, who recommended that secret paint 46 00:02:37,360 --> 00:02:39,600 Speaker 1: from life. So, um, if you wanted to paint dead 47 00:02:39,600 --> 00:02:43,000 Speaker 1: prostitutes only made sense. Awesome first, what better way to 48 00:02:43,000 --> 00:02:45,280 Speaker 1: do it than? Yeah than that? Now? Actually, in a 49 00:02:45,400 --> 00:02:50,119 Speaker 1: nine FBI psychological profile of Jack the Ripper, um, one 50 00:02:50,120 --> 00:02:52,639 Speaker 1: of the one of the points they concluded was that 51 00:02:52,919 --> 00:02:57,480 Speaker 1: the Ripper probably would have um either gotten some of 52 00:02:57,520 --> 00:03:00,480 Speaker 1: his rage out in between murders by drawing pictures of 53 00:03:00,520 --> 00:03:05,000 Speaker 1: brutalized women, are writing, you know, fantasy stories about brutalizing women, 54 00:03:05,080 --> 00:03:08,320 Speaker 1: so sicker kind of fits that bill. But really, one 55 00:03:08,360 --> 00:03:11,520 Speaker 1: of the problems with basing your theory on art is 56 00:03:11,560 --> 00:03:16,280 Speaker 1: that artists so widely open to interpretation, especially impressionism. Yeah, 57 00:03:16,360 --> 00:03:18,440 Speaker 1: and that's what's kind of wild about this point of 58 00:03:18,480 --> 00:03:21,440 Speaker 1: Cornwell's argument. The painting that she was using as her 59 00:03:21,440 --> 00:03:24,079 Speaker 1: most damning evidence was called the camed in Town Murder, 60 00:03:24,120 --> 00:03:25,880 Speaker 1: and this featured a man sitting on the edge of 61 00:03:25,880 --> 00:03:28,160 Speaker 1: a bed and while he's dressed, there's a woman in 62 00:03:28,200 --> 00:03:32,360 Speaker 1: bed whose neket and ostensibly dead, and she was saying, look, look, 63 00:03:32,360 --> 00:03:35,360 Speaker 1: this is it, y'all. This is the ultimate tantamount confession. 64 00:03:36,080 --> 00:03:39,000 Speaker 1: But another critic pointed out that the painting has an 65 00:03:39,000 --> 00:03:42,320 Speaker 1: alternate title, and that is what shall we do for rent? Right? 66 00:03:42,360 --> 00:03:46,680 Speaker 1: So the the murderer and murdered woman go uh to 67 00:03:47,040 --> 00:03:49,880 Speaker 1: a desperate couple down on their luck, just with the 68 00:03:49,960 --> 00:03:53,760 Speaker 1: change of the time, right right, very here, scu a tonue. 69 00:03:55,240 --> 00:03:59,200 Speaker 1: She she didn't base her theory entirely on her interpretation 70 00:03:59,240 --> 00:04:03,280 Speaker 1: of secrets, though she actually um with her vast millions 71 00:04:03,640 --> 00:04:06,760 Speaker 1: um purchased some paintings to try to find clues and 72 00:04:06,800 --> 00:04:10,520 Speaker 1: actually tore one apart, which the curator of the Royal 73 00:04:10,560 --> 00:04:15,800 Speaker 1: Academy in London later called monstrously stupid publicly um that action. 74 00:04:16,040 --> 00:04:18,640 Speaker 1: But she also had some hard evidence. Yeah, she has 75 00:04:18,640 --> 00:04:22,920 Speaker 1: an empty DNA in her bag, mitchondrial DNA and the 76 00:04:23,080 --> 00:04:26,040 Speaker 1: glitch with this is that monicondrial DNA only comes from 77 00:04:26,040 --> 00:04:28,720 Speaker 1: our mother's lineage, so it's discounting your your father's and 78 00:04:28,839 --> 00:04:31,599 Speaker 1: put into you essentially, So using that to confirm the 79 00:04:31,640 --> 00:04:36,200 Speaker 1: identity of someone is only half right. It's and it 80 00:04:36,240 --> 00:04:39,640 Speaker 1: turns out it left about fifty thou people in London 81 00:04:39,680 --> 00:04:42,560 Speaker 1: at that time it could have produced a match. Strangely though, 82 00:04:42,640 --> 00:04:44,560 Speaker 1: one of them was Walter Sicker. And the way she 83 00:04:44,600 --> 00:04:48,080 Speaker 1: found a match was she compared um some secrets DNA 84 00:04:48,360 --> 00:04:51,840 Speaker 1: with DNA samples taken from the Ripper letters. Now, from 85 00:04:52,040 --> 00:04:54,800 Speaker 1: the time of the murders till about nineteen sixty, hundreds 86 00:04:54,800 --> 00:04:58,160 Speaker 1: of letters came in ostensibly written by Jack the Ripper. Um. 87 00:04:58,200 --> 00:05:01,960 Speaker 1: Most ripperologists don't think he out any of them. But um, 88 00:05:02,040 --> 00:05:06,040 Speaker 1: she Cornwell found that Secret had written one or two 89 00:05:06,080 --> 00:05:08,359 Speaker 1: of them. Uh. Now she kind of jumped to a 90 00:05:08,400 --> 00:05:10,800 Speaker 1: conclusion saying that you know, in her opinion that meant 91 00:05:10,800 --> 00:05:14,720 Speaker 1: he was the Ripper. But uh a ripperologist, um kind 92 00:05:14,720 --> 00:05:17,880 Speaker 1: of put it into perspective. Thanking Cornwell for all of 93 00:05:17,880 --> 00:05:21,159 Speaker 1: her hard work and research improving that Walter Secret was 94 00:05:21,200 --> 00:05:23,760 Speaker 1: indeed one of the people who wrote fraudulent Jack the 95 00:05:23,839 --> 00:05:26,920 Speaker 1: Ripper letters so well, that was rather tongue in chic 96 00:05:27,040 --> 00:05:29,359 Speaker 1: and if you want to learn more about this case, 97 00:05:29,400 --> 00:05:32,000 Speaker 1: there's so much more to learn. Check out Could Jack 98 00:05:32,040 --> 00:05:34,360 Speaker 1: the Ripper have been an artist? On how stuff works 99 00:05:34,480 --> 00:05:38,360 Speaker 1: dot com? For more on this and thousands of other topics. 100 00:05:38,600 --> 00:05:41,440 Speaker 1: Is that how stuff works dot com. Let us know 101 00:05:41,520 --> 00:05:44,400 Speaker 1: what you think. Send an email to podcast at how 102 00:05:44,480 --> 00:05:49,680 Speaker 1: stuff works dot com. Brought to you by the reinvented 103 00:05:49,720 --> 00:05:52,440 Speaker 1: two thousand twelve Camray. It's ready, are you