1 00:00:00,040 --> 00:00:02,599 Speaker 1: What you got for its Now, this right here Shirley 2 00:00:02,800 --> 00:00:09,040 Speaker 1: is bump and grind, bump and grind, and yeah, let's 3 00:00:09,080 --> 00:00:10,600 Speaker 1: go cat, I'm bumping ground. 4 00:00:10,680 --> 00:00:10,840 Speaker 2: Man. 5 00:00:10,960 --> 00:00:15,040 Speaker 3: I don't see eating anything around on this show. 6 00:00:15,080 --> 00:00:15,720 Speaker 4: You. 7 00:00:17,920 --> 00:00:22,840 Speaker 2: Hello, hello, long time Marcus, Marcus. Yeah, this is me. Hey, 8 00:00:23,000 --> 00:00:25,200 Speaker 2: can you hear me? Can you hear me? Pretty good? Yeah? 9 00:00:25,200 --> 00:00:29,120 Speaker 2: I can, manad. Hey, hey listen, let me turn the 10 00:00:29,200 --> 00:00:32,559 Speaker 2: radio now for gay. Hey listen, I live in and 11 00:00:32,880 --> 00:00:35,360 Speaker 2: I live in the apartment building that you just moved into. 12 00:00:36,080 --> 00:00:39,000 Speaker 2: I live in twenty one A and you live above. 13 00:00:38,760 --> 00:00:39,880 Speaker 3: Me in twenty two A. 14 00:00:40,640 --> 00:00:43,120 Speaker 2: Uh huh. I actually got your number from the least 15 00:00:43,120 --> 00:00:43,520 Speaker 2: in office. 16 00:00:43,560 --> 00:00:44,960 Speaker 3: I told him I wanted to welcome you to the 17 00:00:45,040 --> 00:00:47,840 Speaker 3: apartment building, man, but I don't want to really raise 18 00:00:47,880 --> 00:00:51,080 Speaker 3: no operas. But I was really calling about you know. 19 00:00:51,240 --> 00:00:52,600 Speaker 3: You know, first of all, let me go ahead and 20 00:00:52,600 --> 00:00:54,360 Speaker 3: say welcome to the building. Man. 21 00:00:54,400 --> 00:00:56,400 Speaker 2: I hope that you and your your is that your 22 00:00:56,400 --> 00:00:59,440 Speaker 2: wife that lives with you? First of all, thank you, brother, 23 00:00:59,480 --> 00:01:02,440 Speaker 2: I appreciate. But why would you need to have my 24 00:01:02,560 --> 00:01:04,120 Speaker 2: number to do that? You could just came and knocked 25 00:01:04,160 --> 00:01:07,039 Speaker 2: on my door. Man. But yeah, yeah, we'll see whatever 26 00:01:07,200 --> 00:01:09,280 Speaker 2: reason why. I mean, I really called and got the number. 27 00:01:09,480 --> 00:01:11,160 Speaker 2: Was kind of reach out to you. 28 00:01:11,200 --> 00:01:11,320 Speaker 4: Man. 29 00:01:11,360 --> 00:01:13,080 Speaker 2: I don't be wanting to start no trouble with nobody 30 00:01:13,120 --> 00:01:14,920 Speaker 2: or nothing like that. I be wanting to you know, 31 00:01:15,240 --> 00:01:16,880 Speaker 2: I want my neighbor to be cool with me, and 32 00:01:16,920 --> 00:01:18,280 Speaker 2: I want to be cool with my neighbors. You know 33 00:01:18,319 --> 00:01:21,360 Speaker 2: what I'm saying. Yeah, So, so I. 34 00:01:21,280 --> 00:01:24,119 Speaker 3: Was reaching out man, because you know the noise, man, 35 00:01:24,200 --> 00:01:28,160 Speaker 3: I was. I'm I work at night and I sleep 36 00:01:28,240 --> 00:01:28,760 Speaker 3: during the day. 37 00:01:28,840 --> 00:01:32,040 Speaker 2: Man, But it seemed like the you guys moved in, Man, 38 00:01:32,080 --> 00:01:34,560 Speaker 2: in the middle of the day. It's you know, I mean, 39 00:01:34,600 --> 00:01:38,480 Speaker 2: I know what it's like to have la You're hearing 40 00:01:38,600 --> 00:01:41,720 Speaker 2: marriage is coming from my place in the middle of the. 41 00:01:41,760 --> 00:01:45,959 Speaker 3: Day, right, I mean I'm here, I'm getting them here 42 00:01:46,000 --> 00:01:47,240 Speaker 3: and you're making love to your lady. 43 00:01:47,280 --> 00:01:47,440 Speaker 4: Man. 44 00:01:47,560 --> 00:01:50,920 Speaker 2: I mean no, man, Now you know what it did. 45 00:01:51,360 --> 00:01:54,440 Speaker 2: You might be hearing something from a mother another unit. Man. 46 00:01:54,480 --> 00:01:56,440 Speaker 2: It definely not coming from UK because I'm at. 47 00:01:56,320 --> 00:01:57,640 Speaker 4: Work and my you. 48 00:01:57,560 --> 00:01:59,720 Speaker 2: Know, my girl is there, but she on a computer. 49 00:02:00,040 --> 00:02:04,680 Speaker 2: Know she's looking for a gig right now? Right? Hellok it, okay, okay, okay, 50 00:02:04,680 --> 00:02:10,799 Speaker 2: waiting now, So you live in apartment twenty two A right, yeah, okay, 51 00:02:12,200 --> 00:02:15,400 Speaker 2: see I live in twenty one A. Your your bedroom 52 00:02:15,960 --> 00:02:20,239 Speaker 2: is above my bedroom was then helda HOLDA. You're telling 53 00:02:20,320 --> 00:02:25,239 Speaker 2: me that you hearing uses that sounds like somebody making 54 00:02:25,320 --> 00:02:28,720 Speaker 2: love coming from my crib at this time of day 55 00:02:29,280 --> 00:02:33,320 Speaker 2: and I'm not there and only my woman is doing dude. Man, 56 00:02:33,480 --> 00:02:35,480 Speaker 2: you know I get it. I'm not trying to be 57 00:02:35,560 --> 00:02:38,520 Speaker 2: rude any day. I appreciate you calling. And you know 58 00:02:38,639 --> 00:02:41,160 Speaker 2: name right now that twenty you shake you want right? 59 00:02:41,840 --> 00:02:46,120 Speaker 2: Uh yeah, yeah, yeah, man, Look, I mean you call 60 00:02:46,520 --> 00:02:49,000 Speaker 2: me all right, So let's get to the bottom of 61 00:02:49,040 --> 00:02:51,919 Speaker 2: this one time you saying you hearing with what kind 62 00:02:51,960 --> 00:02:55,320 Speaker 2: of winners are you hearing? Exactly? Tell me? Hey, hey, hey, hey, 63 00:02:55,400 --> 00:02:56,800 Speaker 2: you know what, man, there's probably. 64 00:02:56,600 --> 00:02:58,160 Speaker 3: Just a big mistake. I mean, maybe she just hanging 65 00:02:58,240 --> 00:03:03,519 Speaker 3: some pictures or something. Bro, you know what, No, I 66 00:03:02,560 --> 00:03:04,360 Speaker 3: don't know pitches. 67 00:03:04,440 --> 00:03:06,720 Speaker 2: Man, we ain't even me. 68 00:03:06,880 --> 00:03:09,919 Speaker 4: You calling me like you hear'a camming band after my 69 00:03:10,040 --> 00:03:11,360 Speaker 4: sid you're. 70 00:03:11,160 --> 00:03:17,279 Speaker 3: Talking about many Hey man, listen, Marcus IPODGIZM. 71 00:03:17,360 --> 00:03:20,640 Speaker 2: I'm I'm you know, no my minute you telling me 72 00:03:21,000 --> 00:03:23,320 Speaker 2: I'm mad? You see what I'm saying. I don't know 73 00:03:23,520 --> 00:03:25,799 Speaker 2: what you are and I'm a mind no I'm not 74 00:03:26,320 --> 00:03:29,280 Speaker 2: you understand that. You calling me telling me you hearing 75 00:03:29,440 --> 00:03:32,760 Speaker 2: what is coming from our krid and should like somebody. 76 00:03:33,600 --> 00:03:35,920 Speaker 2: And now you're telling me that talk. You know. 77 00:03:36,320 --> 00:03:38,160 Speaker 3: Hey man, all I'm saying is maybe it's just a 78 00:03:38,480 --> 00:03:40,640 Speaker 3: legitimate mistake. I don't think may she hanging the pictures 79 00:03:40,640 --> 00:03:42,040 Speaker 3: of moves the burnis or something like that. 80 00:03:42,920 --> 00:03:46,720 Speaker 2: I just keep telling you that, you know, ain't nobody 81 00:03:46,840 --> 00:03:49,800 Speaker 2: handing this. It shouldn't do no mos coming from my 82 00:03:49,960 --> 00:03:53,880 Speaker 2: pred Hey man, I ain't trying to I ain't trying 83 00:03:53,880 --> 00:03:56,840 Speaker 2: to start no trouble man, And you're not what you 84 00:03:56,920 --> 00:03:59,080 Speaker 2: tell me that. All I was going about. 85 00:03:58,800 --> 00:04:01,480 Speaker 3: Was trying to get a decent, decent rests man said, 86 00:04:01,480 --> 00:04:03,520 Speaker 3: I work at night brought us all I'm talking about. 87 00:04:03,520 --> 00:04:06,680 Speaker 2: Man, I'm not trying to you the great guys ship. 88 00:04:06,760 --> 00:04:08,320 Speaker 2: I don't care it you call on this. 89 00:04:08,400 --> 00:04:08,800 Speaker 4: Telling me. 90 00:04:10,360 --> 00:04:14,200 Speaker 2: That just want good for your ranging any one man 91 00:04:14,320 --> 00:04:16,720 Speaker 2: like that. I ain't believe it. You got to write 92 00:04:16,720 --> 00:04:17,080 Speaker 2: it dress. 93 00:04:17,200 --> 00:04:17,880 Speaker 4: What do you live at? 94 00:04:17,920 --> 00:04:18,120 Speaker 2: Man? 95 00:04:18,480 --> 00:04:18,919 Speaker 3: You live on. 96 00:04:20,760 --> 00:04:23,599 Speaker 2: Yes, Man in apartment twenty one A. And you'll play 97 00:04:23,680 --> 00:04:26,120 Speaker 2: to the above line man, hold on, man, hold on, 98 00:04:26,200 --> 00:04:30,280 Speaker 2: he pulling tuck over man over what second man? Because 99 00:04:30,320 --> 00:04:32,800 Speaker 2: you talk us off. Dude. Hey, man, look, I'm not 100 00:04:32,960 --> 00:04:35,240 Speaker 2: I'm not trying to have no trouble. Man, I'm not 101 00:04:35,240 --> 00:04:36,279 Speaker 2: trying to have no trouble. 102 00:04:36,400 --> 00:04:36,520 Speaker 3: Right. 103 00:04:36,839 --> 00:04:40,239 Speaker 2: I do come to working there, Joe. I just fifty 104 00:04:40,320 --> 00:04:43,479 Speaker 2: hours a week while we did like this. Okay, Okay, 105 00:04:43,800 --> 00:04:46,520 Speaker 2: I'm not all I'm saying is man, I thought I 106 00:04:46,600 --> 00:04:49,000 Speaker 2: thought you was making love to your your woman. Man, 107 00:04:49,040 --> 00:04:50,560 Speaker 2: That's what I thought. That's why I called you to 108 00:04:50,560 --> 00:04:53,919 Speaker 2: ask her to keep the noise down to my wife. 109 00:04:56,600 --> 00:05:00,320 Speaker 4: Up enough there, You just who. 110 00:05:01,200 --> 00:05:06,480 Speaker 2: Anyway that's coming to work? He held. Man. 111 00:05:06,520 --> 00:05:08,479 Speaker 4: Hold on, Hold the hell up, dude. You're not coming 112 00:05:08,720 --> 00:05:10,560 Speaker 4: to my apartment to hear nothing. Man, I ain't got 113 00:05:10,640 --> 00:05:16,839 Speaker 4: nothing to do with this I want. I ain't letting 114 00:05:16,880 --> 00:05:17,520 Speaker 4: you in my house. 115 00:05:17,600 --> 00:05:20,240 Speaker 2: Man. If I no minute you got going on upstairs, 116 00:05:20,560 --> 00:05:21,920 Speaker 2: you gotta control your woman. 117 00:05:22,000 --> 00:05:22,120 Speaker 3: Man. 118 00:05:22,160 --> 00:05:24,840 Speaker 2: It ain't got nothing to do with me. I tell me. 119 00:05:25,600 --> 00:05:30,400 Speaker 2: Woman wasn't even not. I know, I know, I know 120 00:05:30,800 --> 00:05:33,039 Speaker 2: it there weighing it out for the last two weeks 121 00:05:33,120 --> 00:05:37,640 Speaker 2: between twelve and two. I know that you got you 122 00:05:37,800 --> 00:05:41,120 Speaker 2: talking to that James. Man, I'm coming to your health. 123 00:05:41,360 --> 00:05:42,960 Speaker 2: You ain't coming to my apartment, man, I'm not. 124 00:05:43,320 --> 00:05:43,560 Speaker 4: I ain't. 125 00:05:43,600 --> 00:05:46,520 Speaker 2: Man, listen, No, I ain't got nothing to do with it. 126 00:05:47,000 --> 00:05:51,400 Speaker 2: I'm telling you troubles many. I got one little thing 127 00:05:51,480 --> 00:05:54,279 Speaker 2: I need to say you man that you're listen irish? 128 00:05:55,160 --> 00:05:57,160 Speaker 2: I got one more thing I need to say. All right, 129 00:05:57,480 --> 00:05:59,880 Speaker 2: all right, better? Who lets say? Better? Be telling me? Man? 130 00:06:00,160 --> 00:06:01,760 Speaker 2: Don't are you less it? 131 00:06:02,080 --> 00:06:02,240 Speaker 3: Yeah? 132 00:06:02,440 --> 00:06:06,080 Speaker 2: Listen, this is Nephew tire me from the Steve Harvey 133 00:06:06,240 --> 00:06:09,400 Speaker 2: Morning Show. You just got breaked by your own boy. 134 00:06:11,360 --> 00:06:16,800 Speaker 2: Wait a minute, Oh, what them for twenty one A man? 135 00:06:16,960 --> 00:06:20,720 Speaker 2: Step away from twenty one to a Please listen nephew 136 00:06:20,800 --> 00:06:22,960 Speaker 2: tire me from the Steve Harvey Morning till your boy 137 00:06:23,400 --> 00:06:24,640 Speaker 2: got me to break you man? 138 00:06:25,720 --> 00:06:25,920 Speaker 4: Oh? 139 00:06:28,240 --> 00:06:34,320 Speaker 2: Oh are you at twenty one eight? Dude, I'm right 140 00:06:34,400 --> 00:06:39,279 Speaker 2: outside my apointment. Man, I'm read blow ahead. Hang up, man, 141 00:06:40,839 --> 00:06:44,760 Speaker 2: nephew tell me just tell me man, how you doing? Brother? Oh? Man? 142 00:06:45,040 --> 00:06:45,240 Speaker 4: Man? 143 00:06:45,440 --> 00:06:47,560 Speaker 2: Timmy? You you mad? Me going? 144 00:06:47,680 --> 00:06:47,800 Speaker 3: Man? 145 00:06:47,839 --> 00:06:53,080 Speaker 2: I was coming up? Man, I'm serious, man, I got 146 00:06:53,160 --> 00:06:55,160 Speaker 2: one more thing I got asked for. I let you go. Man. 147 00:06:55,240 --> 00:06:59,560 Speaker 2: What is what is the maddest radio show in the land? Man, Man, 148 00:06:59,640 --> 00:07:03,400 Speaker 2: it's the Morning Show without a doubt? Hey man, step 149 00:07:03,480 --> 00:07:05,000 Speaker 2: away from twenty one eight. 150 00:07:08,520 --> 00:07:11,520 Speaker 1: What y'all think Greg getting up stupid on a Monday morning. 151 00:07:11,600 --> 00:07:13,560 Speaker 3: I like that. That's that Greg getting up. 152 00:07:13,480 --> 00:07:16,320 Speaker 4: Stupid, nosing Nate, who you went to sleep like that? 153 00:07:19,280 --> 00:07:21,720 Speaker 1: And your wife y'all, y'all, she getting it in while 154 00:07:21,720 --> 00:07:24,400 Speaker 1: you gonnas so wrong. 155 00:07:25,160 --> 00:07:26,520 Speaker 2: She getting it in. Boy. 156 00:07:26,920 --> 00:07:31,360 Speaker 1: All this noise, y'all make Lord today we're gonna make 157 00:07:31,400 --> 00:07:33,840 Speaker 1: some noise thing. The theater I had this Burg, Mississippi, 158 00:07:33,840 --> 00:07:38,000 Speaker 1: The Nephew was coming at this Saturday, July eleven. Thiggas 159 00:07:38,000 --> 00:07:41,520 Speaker 1: are on sale right now, all right, I'm floating around 160 00:07:41,600 --> 00:07:44,320 Speaker 1: the country. That's Hattiesburg, all right. That's the All White 161 00:07:44,360 --> 00:07:47,880 Speaker 1: Affair by ten Rugs Office twenty ninth. It's another all 162 00:07:47,960 --> 00:07:50,400 Speaker 1: white affair. That's for all white affair. Where's that at? 163 00:07:50,480 --> 00:07:52,400 Speaker 2: That is the the River City Theater. 164 00:07:52,720 --> 00:07:56,320 Speaker 1: Niggas on seale right now. Chicago, the Nephew was coming 165 00:07:56,360 --> 00:07:58,800 Speaker 1: to town July twenty fourth through the twenty sixth at 166 00:07:58,880 --> 00:07:59,680 Speaker 1: the City Winery. 167 00:07:59,760 --> 00:07:59,960 Speaker 2: Shot. 168 00:08:00,800 --> 00:08:03,720 Speaker 1: I expect y'all to come out, trip out, wild out 169 00:08:03,880 --> 00:08:06,320 Speaker 1: with you boy landing to cut August eighth. I got 170 00:08:06,400 --> 00:08:09,840 Speaker 1: the Pittsburgh City Wyery. Check out my days Thomas Myles 171 00:08:09,920 --> 00:08:13,160 Speaker 1: dot com. The Nephew is coming you'll wait. Oh lord, 172 00:08:13,240 --> 00:08:15,480 Speaker 1: look at the time. What's what's next? We gotta go. 173 00:08:15,920 --> 00:08:18,640 Speaker 2: You're listening Steve Hardy Morning Show