WEBVTT - Episode 158 w/ Redman

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<v Speaker 1>And his Drink Chats motherfucking podcast. He's a legendary queen's rapper.

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<v Speaker 1>He's like, that's your boy in o R. He's a

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<v Speaker 1>Miami hippop lioneer up his dj e FN. Together they

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<v Speaker 1>drinking up with some of the biggest players in the

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<v Speaker 1>most professional unprofessional podcast and yet number one sorts for

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<v Speaker 1>drunk back drink chas motherfuckers New year'z. That's time for

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<v Speaker 1>drink champ trick up motherfuck mother would it could be

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<v Speaker 1>hoping he wouldn't to be This is your boy in

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<v Speaker 1>o R. What up his dj e F fan and

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<v Speaker 1>this is drink Chas motherfucker? Yeap yalla make some now.

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<v Speaker 1>When it comes to legends, when it comes to the

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<v Speaker 1>word New Jersey, I think when you google New Jersey,

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<v Speaker 1>his face picks picture just comes out. When it comes

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<v Speaker 1>to the most legendary uh MTV cribs of all times,

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<v Speaker 1>still to this day, people talk about it when it

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<v Speaker 1>comes to a person that you say a legend. When

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<v Speaker 1>we started this show, we said me one of the

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<v Speaker 1>big up legends that got ten years and more, and

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<v Speaker 1>this is his name automatically popped up first, like you know,

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<v Speaker 1>we're in the top five. We were in three years

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<v Speaker 1>to get this man here. We are so happy, We

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<v Speaker 1>are so happy, We're I'm so happy because in our culture,

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<v Speaker 1>there's so many people that don't pick up our culture.

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<v Speaker 1>And I'm so proud. I'm so honest to tell you

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<v Speaker 1>one of my friends, one of the best mcs on

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<v Speaker 1>the planet Earth down, you know what I'm saying, one

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<v Speaker 1>of the realest people, one of my favorite people. Not

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<v Speaker 1>only my favorite and one of my favorite mcs, but

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<v Speaker 1>one of my favorite people period in life. If you

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<v Speaker 1>don't know what the funk I'm talking about, we're talking

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<v Speaker 1>about the morning Only Breggie mother wucking. I need that

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<v Speaker 1>for my hot I practiced this boy. So I don't

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<v Speaker 1>know if you know, but when we interview artists, we

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<v Speaker 1>like to get together and we like to go through

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<v Speaker 1>like the artists playlist and you know, go through the

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<v Speaker 1>whole good your ship pause is long as fucking how

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<v Speaker 1>like you you've been going like since the nineties. It's

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<v Speaker 1>nineteen ninety and how so let's take us take us

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<v Speaker 1>through people who are who didn't have internet. Take us

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<v Speaker 1>how how that was in the ninety two? Like Fun,

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<v Speaker 1>the album Fun, just promotion, just how we work. That's

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<v Speaker 1>the whole circuit everything. Let's go back the the one.

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<v Speaker 1>The early nineties era circuit was communication straight up. We

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<v Speaker 1>had to We only had maybe two outlets of music

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<v Speaker 1>to release, our shipped through, and we made our impact

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<v Speaker 1>through in stores. And then when they two outlets you

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<v Speaker 1>talking about like magazine, Yeah, like magazine radio and in

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<v Speaker 1>a couple of outlets far as video mix tapes exactly

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<v Speaker 1>does and yeah, in the early nineties, not too happy.

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<v Speaker 1>I started bubbling in the ninth in the late nineties

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<v Speaker 1>a little bit. In that early era, it was all

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<v Speaker 1>about the in stores, baby, And if you don't know

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<v Speaker 1>what the in store is, that means. We actually called

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<v Speaker 1>top up shops. Now, yeah, yeah, that's that's what the

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<v Speaker 1>that's what that list shot was for closing bulls. Yeah,

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<v Speaker 1>so it's the same thing. That's true. I said you

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<v Speaker 1>that trying to trying. Yeah, but I thought the pop

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<v Speaker 1>up shopper is when it's unannnounced and you just pop

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<v Speaker 1>up and put the shops. Do anybody's the same, you

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<v Speaker 1>know pretty much? You know why we had to announce

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<v Speaker 1>it back then, it's because we couldn't get information that

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<v Speaker 1>people as fast. Right, So now I could say, you know,

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<v Speaker 1>Red Man is here after Black World Ordinary never got

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<v Speaker 1>a pop up shop back such everybody would just come.

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<v Speaker 1>So but it's the same thing as an in Stoke.

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<v Speaker 1>God damn it, I just see you popping and that

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<v Speaker 1>still jumped, just like, yeah, the same that. Then we

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<v Speaker 1>gotta beat too, they said, because they said Red might

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<v Speaker 1>not drink. So we said, but if Red drake because

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<v Speaker 1>we celebrate. I don't know if you know, we're gonna

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<v Speaker 1>say with Red take the champagne or when Red takes

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<v Speaker 1>a rock, if Red has one drink, we have a

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<v Speaker 1>back on. No pressure you want me to no, no, yeah, yeah, yeah,

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<v Speaker 1>I can't decide that right now. When y'all that this is,

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<v Speaker 1>this is, this is, this is my class. I don't

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<v Speaker 1>know what, but yeah, this point, leave it there. If

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<v Speaker 1>he side he wants to have something, yeah, leave him both.

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<v Speaker 1>Damn ye you know we're side this side, which when

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<v Speaker 1>I go forward, shet you lost nigga. Yeah, but quickly

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<v Speaker 1>though the in stores when we have to actually go

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<v Speaker 1>to the record store and actually shake people hands and

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<v Speaker 1>sell all material right over the deaths and let people

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<v Speaker 1>know that we out And that was what we mostly

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<v Speaker 1>did in the nineties. But that ship was fun to

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<v Speaker 1>sell because we actually got to go to different cities

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<v Speaker 1>see see actually the hood come to this record store

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<v Speaker 1>and and actually see what was going down in that

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<v Speaker 1>city before we went on stage. Because you did an

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<v Speaker 1>in store at my store, the Possi Store. So I'm

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<v Speaker 1>not gonna lie. The other day I looked at Instagram,

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<v Speaker 1>tear came into my eye that you better have that

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<v Speaker 1>to see a lot of people. I got so many

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<v Speaker 1>legendary stories from Branson, but one of my best favorite

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<v Speaker 1>legendary stories is I pulled up the Branson one day,

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<v Speaker 1>but those are don't know Branson is a week spot,

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<v Speaker 1>the most famous week spot, and we stay and then

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<v Speaker 1>the scribe come to you. You could be known down

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<v Speaker 1>the block. But if they don't know you, they're not

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<v Speaker 1>serving exactly. Like so everybody used to want to come

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<v Speaker 1>from my hood because I had to wrapper past. It's new.

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<v Speaker 1>I ain't police, so they're not. So one day doesn't

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<v Speaker 1>we can move on to the story. One day, I

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<v Speaker 1>just walk in the spot and Red Man is behind

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<v Speaker 1>the day. It's like working the spot. Yes, yes, here,

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<v Speaker 1>and I grab a couple of the ship and I'll

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<v Speaker 1>say something like how about this this? He's like, yo,

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<v Speaker 1>that's said like, and I'm looking like this is right

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<v Speaker 1>man behind, but I don't want to say and I

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<v Speaker 1>did the hold your section and he's like, you know

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<v Speaker 1>it was something I never said that. By the way, listen,

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<v Speaker 1>because I really want the people to understand this is

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<v Speaker 1>an exclusive weak spot. So let her know. You couldn't

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<v Speaker 1>even go in there so they wanted to get behind it.

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<v Speaker 1>You had to really be in. And then with Eddie

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<v Speaker 1>god Bless recipes, Eddie uh Big of the Branson but

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<v Speaker 1>that was exclusive. And you know why I liked it.

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<v Speaker 1>You know, I loved your post because let me tell

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<v Speaker 1>you how accurate you were. If you want to set

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<v Speaker 1>Component oriega that you would have been wrong because Component

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<v Speaker 1>should never go to Branston. You knew, you knew the

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<v Speaker 1>Let's just make some noise for his weak I have

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<v Speaker 1>to say Component, yeah, you know, um, I want people

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<v Speaker 1>to for people because we don't even have now we

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<v Speaker 1>have dispenceries, right, yeah, dispinceries a great thing. But can

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<v Speaker 1>you describe to the people back in the nineties because

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<v Speaker 1>usually you're able to drink champagne. Man, the police wouldn't

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<v Speaker 1>sunk with you in front of brands like it's a legendary,

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<v Speaker 1>but describe this is the same dude depicted by half Bankers.

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<v Speaker 1>I don't leave. I believe so. I believe so Samson,

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<v Speaker 1>But you want to talk to Yeah, the motherfucking ship

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<v Speaker 1>cous getting me a backboard I get after your ball

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<v Speaker 1>went up? Um, but the burnt the spot, Yes, like

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<v Speaker 1>you said, it was an exclusive spot to be at

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<v Speaker 1>and like definitely, I'm you know, me and Biggie definitely

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<v Speaker 1>kicked it out there plenty of times. Like Biggie used

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<v Speaker 1>to be out there all the times, And I used

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<v Speaker 1>to know when he was out there because if I

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<v Speaker 1>pulled up and it was like champagne bottles lined up, Yeah,

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<v Speaker 1>he was up there all the red the red was

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<v Speaker 1>the Red Land Cruiser. Yeah yeah, oh yeah, oh yeah,

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<v Speaker 1>oh yeah. So it was a legendary spot that I

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<v Speaker 1>used to wonder how the funk he had a spot

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<v Speaker 1>running that. I'm talking about a dispensary in the early

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<v Speaker 1>nine like like free like everyone knew you get your

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<v Speaker 1>butt and ship that's nothing. But for us, it was

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<v Speaker 1>like a communication spot for us to get for us

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<v Speaker 1>to talk about on the record as well. And ship

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<v Speaker 1>because you know the CALLI niggas had that fire out there,

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<v Speaker 1>like we wasn't hardly getting that fire like them Callie niggers.

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<v Speaker 1>So that Branson was the closest thing we had to

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<v Speaker 1>like a fresh calli bud that we could connect. But

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<v Speaker 1>the triangle back were going. If you had the triangle back,

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<v Speaker 1>you was a fishot listen about. Let's go right back

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<v Speaker 1>to the triangle back. But it's correct me if I'm wrong.

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<v Speaker 1>Was that the last good brown weed? Was it to stick?

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<v Speaker 1>That was in that ship? It it went to Tostick,

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<v Speaker 1>then it it then it went to uh, then it

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<v Speaker 1>went to green Bud too, So I know, I know

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<v Speaker 1>what I'm saying. But the ship that had us all

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<v Speaker 1>stuck was that brown Yeah, that that brown ship had

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<v Speaker 1>you come from Jersey, I'm coming from Queens. Like that

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<v Speaker 1>was a little close to the spot by the way,

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<v Speaker 1>like this is at least where was it in New York?

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<v Speaker 1>This was in Harlem, but he lived in Jersey. I

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<v Speaker 1>lived in Queens. Let's think about that. So that's like

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<v Speaker 1>a forty five to fifty minute commute just for weeds.

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<v Speaker 1>And I was staying in Long Alan too, so I

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<v Speaker 1>used to that brown Louis this is the last brown Now,

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<v Speaker 1>now for first of all the brown weed, y'all if

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<v Speaker 1>you I mean, you're not gonna see it in these

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<v Speaker 1>days in time. Brown fucking weed is what Jamaican is

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<v Speaker 1>usually smoking. They got that it's called it schalk. But

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<v Speaker 1>his brown weed have white season. It was sticky. So

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<v Speaker 1>we used to take the green in the brown. We

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<v Speaker 1>used to make what you call it beef and brock.

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<v Speaker 1>But did that weed that cocaine? And let's just be clear,

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<v Speaker 1>yea was y'all already honest because it was a certain

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<v Speaker 1>that's certain days I was making into banking. I know

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<v Speaker 1>me out. It was certain days I was waking up

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<v Speaker 1>and I was like, oh, we started twitching. I had

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<v Speaker 1>no week and like people from my hook was like, yeah,

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<v Speaker 1>you want week up? Like now, I wait until any

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<v Speaker 1>open up shop and I would wait. You remember the

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<v Speaker 1>open to the level still remember I would And I

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<v Speaker 1>was like, damn the way I would never like want

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<v Speaker 1>anything else. I knew there was some type of might

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<v Speaker 1>be the heroic. I'm not sure, but I'm soone took

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<v Speaker 1>it to that week. Okay, before you don't ranting. This

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<v Speaker 1>reminded me I had faith on the show. Oh yes,

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<v Speaker 1>And she said, y'all dated you were her first, like

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<v Speaker 1>official boyfriend. What did he say, boyfriend or friend? She

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<v Speaker 1>said boyfriend and yeah, yeah had faith earlier. So you

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<v Speaker 1>was a drummer in the church. Yeah, yeah, she shung

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<v Speaker 1>in the church too. You know what's funny. Faith was

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<v Speaker 1>the first woman. I never said that two first, Faith

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<v Speaker 1>was the first woman. My mother caught us in a

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<v Speaker 1>bad way. She was the first one. My my mother

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<v Speaker 1>caught us where she was. My mother came in every room,

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<v Speaker 1>she was like, get your motherfucking as is about my

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<v Speaker 1>goddamn room. And yeah, but that was my love though.

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<v Speaker 1>That was only that was way before. So that sounds

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<v Speaker 1>like But then we went up in the game and

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<v Speaker 1>you're the first person to take it, of course, of course,

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<v Speaker 1>but we we we went up in the game, and

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<v Speaker 1>we we always be main friends up in this game

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<v Speaker 1>because it's like Jersey, we got a cold where you

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<v Speaker 1>where you came from, you know, with what route you're going,

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<v Speaker 1>and we always gonna stick together. And we because we

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<v Speaker 1>always felt we had to fight to get in that

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<v Speaker 1>New York circle, y'all. Motherfucker's trying to block us out

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<v Speaker 1>from so long. So when we come up in the game,

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<v Speaker 1>we stick together. Man, it don't matter from Rod Digger

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<v Speaker 1>to Trash. You already know Trashed from underground. Yeah. Absolutely,

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<v Speaker 1>we all all remain friends still to this thing. Wow wow.

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<v Speaker 1>So Faith, so you know Faith is doing her things right.

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<v Speaker 1>That's right, that's right, that's right. So the mom Man

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<v Speaker 1>is the momp of the man. Told that's the first

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<v Speaker 1>time you ever met m Uh. I met that man

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<v Speaker 1>during Yo and Yo. Nev said he met me at

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<v Speaker 1>a criss Cross party and ship. I was high. I

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<v Speaker 1>didn't even read it back from the criss Cross, right, said,

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<v Speaker 1>we know, at the criss Cross party and ship, but

0:13:34.000 --> 0:13:36.240
<v Speaker 1>I was high. I don't remember that ship though, my nigger.

0:13:36.280 --> 0:13:38.679
<v Speaker 1>We I think we did though. But when we got

0:13:38.720 --> 0:13:40.960
<v Speaker 1>really connected was on the month of the Man tour,

0:13:41.640 --> 0:13:43.720
<v Speaker 1>when we was like, you know what, let was definitely

0:13:43.840 --> 0:13:45.719
<v Speaker 1>we put you all together. Hell yeah. I mean it

0:13:45.800 --> 0:13:48.000
<v Speaker 1>was a smart idea too, because we was like we

0:13:48.000 --> 0:13:50.440
<v Speaker 1>we came out with the album around the same time,

0:13:50.480 --> 0:13:52.120
<v Speaker 1>and we had the same kind of feeld, so it

0:13:52.200 --> 0:13:54.480
<v Speaker 1>was like, fucking why wouldn't we put these two on

0:13:54.520 --> 0:13:57.160
<v Speaker 1>the road and see what we create and were ounce

0:13:57.240 --> 0:14:00.200
<v Speaker 1>there smashing ship. Then they came up with a add

0:14:00.240 --> 0:14:03.880
<v Speaker 1>in meth song how High, and it just built from there. Man,

0:14:04.120 --> 0:14:06.439
<v Speaker 1>you know we're gonna cheat people to take it a

0:14:06.480 --> 0:14:08.439
<v Speaker 1>little bit of champagne because I got I gotta ask

0:14:08.440 --> 0:14:11.040
<v Speaker 1>you this question. So I listened to red Man. Everybody's

0:14:11.240 --> 0:14:12.880
<v Speaker 1>hold on water manute. So I'm supposed to take it,

0:14:12.920 --> 0:14:15.679
<v Speaker 1>don't Yeah? Yeah, yeah, I'm supposed take a drink. You

0:14:16.400 --> 0:14:20.640
<v Speaker 1>take a sip. Let me pray about because I ain't

0:14:20.640 --> 0:14:24.520
<v Speaker 1>take a drink. It's all time. It's cool, it's it's champaigne, champagne.

0:14:24.880 --> 0:14:27.280
<v Speaker 1>I do for my nigger, all right, that's right. So

0:14:31.520 --> 0:14:34.680
<v Speaker 1>you just mentioned how high? Now, when I hear how high,

0:14:34.720 --> 0:14:37.040
<v Speaker 1>and I hear that how high too, and I hear

0:14:37.120 --> 0:14:40.840
<v Speaker 1>it's yahdi, and I hear it's young boy DC, young Fly,

0:14:41.240 --> 0:14:43.920
<v Speaker 1>no disrespect to them, but a little it's like, that's

0:14:43.960 --> 0:14:46.360
<v Speaker 1>not the franchise. When I hear how high, I mean

0:14:46.440 --> 0:14:49.080
<v Speaker 1>from the horse's mouth, you know what I mean? How

0:14:49.160 --> 0:14:51.160
<v Speaker 1>did you feel? I know your message was working on

0:14:51.240 --> 0:14:55.400
<v Speaker 1>the script about it, But how disappointed? Off? Are you

0:14:55.520 --> 0:14:58.720
<v Speaker 1>not disappointed? Because I'm a I'm a kind of dude

0:14:58.800 --> 0:15:01.360
<v Speaker 1>that in know I'm about the youth. I'm about the

0:15:01.480 --> 0:15:04.440
<v Speaker 1>young is coming up, and you know I want young

0:15:04.560 --> 0:15:07.320
<v Speaker 1>Yanni in DC defeat their family like me and met

0:15:07.360 --> 0:15:10.080
<v Speaker 1>felt our family off the How High entity. It was

0:15:10.120 --> 0:15:12.440
<v Speaker 1>a good thing that we can We was able to

0:15:12.480 --> 0:15:16.400
<v Speaker 1>say we started that ship. But because of business rights

0:15:16.600 --> 0:15:21.160
<v Speaker 1>and and uh, because of you know, political and that

0:15:21.280 --> 0:15:25.000
<v Speaker 1>we're not characters. Well no, they're going to create their

0:15:25.040 --> 0:15:28.800
<v Speaker 1>own characters now. They asked us to be in a movie,

0:15:30.600 --> 0:15:35.400
<v Speaker 1>not even cameo to be as well. But we as

0:15:35.480 --> 0:15:37.760
<v Speaker 1>grown men and we want to move on and own

0:15:37.840 --> 0:15:41.160
<v Speaker 1>our own ship next time because we don't own How High.

0:15:41.480 --> 0:15:43.440
<v Speaker 1>We came up with the ideas for How High, but

0:15:43.520 --> 0:15:46.560
<v Speaker 1>they own the characters and everything. So we're gonna move on.

0:15:46.880 --> 0:15:49.200
<v Speaker 1>And we already got a movie that we've been being

0:15:49.240 --> 0:15:51.880
<v Speaker 1>written right now. Hopefully we can start shooting the Boy

0:15:51.920 --> 0:15:54.160
<v Speaker 1>the end of this year or tipp of next year.

0:15:54.680 --> 0:15:56.880
<v Speaker 1>And uh, and we're gonna own that bitch. And that's

0:15:56.920 --> 0:16:02.720
<v Speaker 1>what it's about. So y'all think up to d C

0:16:03.160 --> 0:16:05.160
<v Speaker 1>fly yati man, like you know, I got on the

0:16:05.240 --> 0:16:07.440
<v Speaker 1>GRAM and shout at them niggers out man, like you know,

0:16:07.560 --> 0:16:10.200
<v Speaker 1>y'all stick together, man, y'all just make that ship funny man,

0:16:10.320 --> 0:16:12.320
<v Speaker 1>and carry the ball. You know, at the end of

0:16:12.360 --> 0:16:14.760
<v Speaker 1>the death Right, you would if it was your choice?

0:16:14.840 --> 0:16:17.720
<v Speaker 1>Would you which they changed the name? You know what

0:16:17.760 --> 0:16:21.240
<v Speaker 1>I'm saying, because like it's like, uh, it's like someone

0:16:21.320 --> 0:16:24.520
<v Speaker 1>else naming the album Muddy Waters, Like it's because def

0:16:24.680 --> 0:16:26.880
<v Speaker 1>Jam had owned that name, you know what I'm saying. Like,

0:16:29.160 --> 0:16:32.000
<v Speaker 1>so it's like a moviemak. I mean, I mean I

0:16:32.080 --> 0:16:34.800
<v Speaker 1>would take it personal, not personally as far as ading

0:16:34.880 --> 0:16:37.040
<v Speaker 1>like I'm telling about all or being mad. I'm gonna

0:16:37.040 --> 0:16:39.520
<v Speaker 1>take you personally, just as far as something I don't understand,

0:16:39.600 --> 0:16:46.320
<v Speaker 1>like I don't know, no, not even like like I said,

0:16:46.440 --> 0:16:49.440
<v Speaker 1>when you when you already know you made the How

0:16:49.560 --> 0:16:55.080
<v Speaker 1>High franchise are classic already, it's like we either take it.

0:16:55.480 --> 0:16:58.800
<v Speaker 1>First of all, we the mentality of going into doing

0:16:58.840 --> 0:17:01.240
<v Speaker 1>the How High Part two, We already said if the

0:17:01.280 --> 0:17:03.240
<v Speaker 1>ship ain't gonna be funny, we're not gonna do it.

0:17:03.760 --> 0:17:06.240
<v Speaker 1>You know, we ain't gonna tamper with the first How

0:17:06.359 --> 0:17:08.320
<v Speaker 1>High and trying to make a How High too funny

0:17:08.400 --> 0:17:11.600
<v Speaker 1>and and it end up crap. So the script wasn't

0:17:11.640 --> 0:17:13.840
<v Speaker 1>even ready for us to say, you know what, we're

0:17:13.880 --> 0:17:17.000
<v Speaker 1>ready to shoot anyway. So my thing is when a

0:17:17.600 --> 0:17:20.840
<v Speaker 1>when a bunch, when another branch or brand come in

0:17:21.359 --> 0:17:25.439
<v Speaker 1>without us knowing and then start tapping into the script

0:17:25.560 --> 0:17:28.320
<v Speaker 1>without us knowing. That's when we draw the line like

0:17:28.400 --> 0:17:30.199
<v Speaker 1>you know what, y'all go ahead and run with that anyway,

0:17:30.640 --> 0:17:32.840
<v Speaker 1>because y'all might put some things in there that we

0:17:32.960 --> 0:17:36.560
<v Speaker 1>don't agree on, and we're not we're not on part

0:17:36.640 --> 0:17:39.080
<v Speaker 1>of the full process of building how high script, So

0:17:39.200 --> 0:17:40.840
<v Speaker 1>y'all go ahead and run with that. We we're good,

0:17:41.280 --> 0:17:43.760
<v Speaker 1>like we were not mad at all. We're congratulating, you know,

0:17:43.920 --> 0:17:51.119
<v Speaker 1>our error congratulates right, We don't, we don't. We just

0:17:51.240 --> 0:17:54.000
<v Speaker 1>went to bounced the ball a correct way because when

0:17:54.000 --> 0:17:56.639
<v Speaker 1>the eighties n just gave it to us. Nigga, we

0:17:56.920 --> 0:18:00.760
<v Speaker 1>good point. We motherfucking we elevated that bitch, you know

0:18:00.760 --> 0:18:02.920
<v Speaker 1>what I'm talking about, Like nineties one of the most

0:18:03.040 --> 0:18:06.399
<v Speaker 1>pivotal errors there is still to this day to me,

0:18:06.760 --> 0:18:10.119
<v Speaker 1>you know, in my mother that's another good segue. Yes, sir,

0:18:10.280 --> 0:18:12.640
<v Speaker 1>who get the Mark can give you his name though,

0:18:13.040 --> 0:18:17.040
<v Speaker 1>but you was but he was eamily with Mark, Yeah, absolutely,

0:18:17.080 --> 0:18:21.880
<v Speaker 1>best was from Jersey. Bro from this story was living

0:18:21.920 --> 0:18:24.040
<v Speaker 1>in Jersey. He was living in Jersey a long time.

0:18:25.200 --> 0:18:28.080
<v Speaker 1>Most ruined my childhood long h No, no, no, he

0:18:28.240 --> 0:18:30.359
<v Speaker 1>was let when he came from Long Island. At an

0:18:30.359 --> 0:18:32.760
<v Speaker 1>early age, he was in Jersey Ald connecting what were

0:18:32.840 --> 0:18:37.600
<v Speaker 1>all doing? Like like everybody heard this is pre yeah yeah, yeah,

0:18:37.920 --> 0:18:40.560
<v Speaker 1>waiting before you know everybody heards lived in York and

0:18:40.640 --> 0:18:43.000
<v Speaker 1>ship and Bens used to have a big gass like

0:18:44.320 --> 0:18:49.480
<v Speaker 1>like two three floor like condo in York downtown. Excuse me,

0:18:49.880 --> 0:18:58.640
<v Speaker 1>see damn ye, gotta drink some more. No man, so yo.

0:18:59.080 --> 0:19:00.960
<v Speaker 1>I used to go to this ship like you know,

0:19:01.080 --> 0:19:02.800
<v Speaker 1>Bears was good man. Put me on, put me on,

0:19:02.880 --> 0:19:05.560
<v Speaker 1>because I went the bills first hit tell you like Bess,

0:19:05.600 --> 0:19:08.119
<v Speaker 1>put me on, put me on, and you know, I

0:19:08.240 --> 0:19:10.879
<v Speaker 1>just kept pushing and kept pushing, and you know we

0:19:11.040 --> 0:19:14.119
<v Speaker 1>just remained friends and ship. But on my way up,

0:19:14.440 --> 0:19:16.720
<v Speaker 1>he used to take me the battle. That's how I

0:19:16.800 --> 0:19:19.280
<v Speaker 1>got really known in New York for doing that Queen's

0:19:19.840 --> 0:19:22.920
<v Speaker 1>freestyle at monta Cello Park or something like that. That's

0:19:22.960 --> 0:19:26.000
<v Speaker 1>where I got I don't know it was. It was.

0:19:26.160 --> 0:19:27.920
<v Speaker 1>I was I was supposed to go to queens to

0:19:27.960 --> 0:19:31.360
<v Speaker 1>battle o Nigga at Mano Cello Park and somebody recorded

0:19:31.440 --> 0:19:34.280
<v Speaker 1>it and that ship went on the airways quickly like

0:19:34.480 --> 0:19:37.480
<v Speaker 1>Barbito show stretching Barbito. So that's how I got my

0:19:37.600 --> 0:19:39.840
<v Speaker 1>name in New York a little bit. But Biss used

0:19:39.880 --> 0:19:41.920
<v Speaker 1>to take me around battle for money, and I used

0:19:42.000 --> 0:19:46.240
<v Speaker 1>that air month of fuckers out like I used to

0:19:46.280 --> 0:19:49.240
<v Speaker 1>a niggas out so bad. Yeah, they tried to. They

0:19:49.760 --> 0:19:52.639
<v Speaker 1>protested against me at the end of the club. It's like, Man,

0:19:52.720 --> 0:19:55.080
<v Speaker 1>get this nigga the funk out. It was bad, But

0:19:55.200 --> 0:19:57.360
<v Speaker 1>I used to wreck niggas in long Hour. I used

0:19:57.400 --> 0:20:05.199
<v Speaker 1>to wreck niggas in New York a lot. Straight up,

0:20:05.800 --> 0:20:08.000
<v Speaker 1>what's going on? Drink Champs Army is your boy? D

0:20:08.119 --> 0:20:10.320
<v Speaker 1>J E F Fenn. I want to interrupt the show

0:20:10.400 --> 0:20:13.120
<v Speaker 1>for a second to announce that my documentary film, Coming

0:20:13.160 --> 0:20:16.399
<v Speaker 1>Home Columbia is an official selection at the two thousand

0:20:16.520 --> 0:20:19.920
<v Speaker 1>nine Miami Film Festival. This is the fifth film in

0:20:20.000 --> 0:20:23.000
<v Speaker 1>my Coming Home series where we explore countries through the

0:20:23.040 --> 0:20:25.600
<v Speaker 1>scope of hip hop. The film will have its public

0:20:25.680 --> 0:20:29.360
<v Speaker 1>premiere at the festival March six in Miami, Florida. We're

0:20:29.400 --> 0:20:31.879
<v Speaker 1>so excited about being included in the festival that were

0:20:31.920 --> 0:20:34.240
<v Speaker 1>given away a few tickets. If you'd like a chance

0:20:34.320 --> 0:20:36.960
<v Speaker 1>to win free tickets to attend the Miami Film Festival

0:20:37.040 --> 0:20:40.399
<v Speaker 1>premiere of Coming Home Columbia. Here's what to do. Go

0:20:40.520 --> 0:20:44.679
<v Speaker 1>to Instagram and follow at Who's Crazy an official Crazyhood

0:20:45.119 --> 0:20:48.679
<v Speaker 1>look for any image promoting the screening and comment hashtag

0:20:49.200 --> 0:20:53.080
<v Speaker 1>coming Home Columbia. Again, go to i G follow at

0:20:53.119 --> 0:20:57.359
<v Speaker 1>Who's Crazy and at official crazy Hood. They look for

0:20:57.480 --> 0:21:01.440
<v Speaker 1>any image promoting the screening coming Home Columbia and comment

0:21:01.920 --> 0:21:05.920
<v Speaker 1>hashtag coming Home Columbia. Will randomly pick a few people

0:21:06.040 --> 0:21:09.800
<v Speaker 1>and award them plus a guest tickets to the screening again.

0:21:09.840 --> 0:21:13.880
<v Speaker 1>The screening is Wednesday, March six, at Tower Theater in Miami, Florida.

0:21:14.240 --> 0:21:16.800
<v Speaker 1>We will have complimentary cocktail our sponsored by our very

0:21:16.840 --> 0:21:19.520
<v Speaker 1>own Columbian White at eight thirty and the film will

0:21:19.560 --> 0:21:22.040
<v Speaker 1>start at nine pm. If you want to buy pass

0:21:22.080 --> 0:21:25.000
<v Speaker 1>the giveaway process and just buy tickets, you can buy

0:21:25.080 --> 0:21:29.200
<v Speaker 1>tickets at coming home dot dot com. That's coming Home

0:21:29.720 --> 0:21:32.879
<v Speaker 1>d o C dot com. For more info, just go

0:21:33.000 --> 0:21:35.520
<v Speaker 1>to crazyhood dot com. Now let's get back to the show.

0:21:40.440 --> 0:21:44.600
<v Speaker 1>So um, one of my favorite videos all the time,

0:21:48.800 --> 0:22:08.240
<v Speaker 1>yea good hold on making a lot of noise. I

0:22:08.320 --> 0:22:12.600
<v Speaker 1>got to look for you right there, yes, ye yes,

0:22:12.880 --> 0:22:16.159
<v Speaker 1>old school you even looted yourself. You know. It was

0:22:16.200 --> 0:22:21.359
<v Speaker 1>like one of my favorite videos all the time is

0:22:22.600 --> 0:22:25.560
<v Speaker 1>that it's one of the greatest. You shot that in

0:22:25.640 --> 0:22:29.120
<v Speaker 1>Quins Queens, right, so holdless, let's take take me through

0:22:29.160 --> 0:22:32.399
<v Speaker 1>that because whose idea was that video? Period? That was

0:22:32.480 --> 0:22:34.840
<v Speaker 1>my idea. I need you to shoot a video for me.

0:22:35.040 --> 0:22:37.840
<v Speaker 1>But let's continue to Yeah, that was my idea, like

0:22:38.400 --> 0:22:41.280
<v Speaker 1>when you hit the girl with the girl, the girl

0:22:41.800 --> 0:22:43.920
<v Speaker 1>the car, the girl in the car she ran into

0:22:43.920 --> 0:22:47.480
<v Speaker 1>the back of right, yeah, yeah, and no, I just

0:22:48.040 --> 0:22:50.280
<v Speaker 1>I just wanted to be different. And mostly all the

0:22:50.400 --> 0:22:52.520
<v Speaker 1>videos I shot it in the nineties was my idea.

0:22:52.840 --> 0:22:55.520
<v Speaker 1>Just directors took the idea and built on it. So

0:22:55.600 --> 0:22:59.040
<v Speaker 1>who's credit for that day? Minds? What was that? Damn?

0:22:59.080 --> 0:23:01.280
<v Speaker 1>Who the funk was that ship? I forgot? Man? Was

0:23:01.320 --> 0:23:05.800
<v Speaker 1>it Diane too? Come on Google that? Come on? Look

0:23:05.800 --> 0:23:09.000
<v Speaker 1>at Hillary? We got the googler a little but I

0:23:09.119 --> 0:23:11.639
<v Speaker 1>described so. So the video was shot of Silver Cup Studios,

0:23:11.680 --> 0:23:16.200
<v Speaker 1>I imagine because because Civil Cup students around the corner

0:23:16.200 --> 0:23:19.360
<v Speaker 1>from Queens Bridge, that was the safe place where Sopranos

0:23:19.440 --> 0:23:23.399
<v Speaker 1>was filmed. Back, Um, I didn't know was the studio

0:23:23.520 --> 0:23:26.320
<v Speaker 1>that you filmed? And I shot it right outside. No

0:23:26.480 --> 0:23:29.440
<v Speaker 1>talking because remember you did the workout part. Oh you

0:23:29.520 --> 0:23:36.359
<v Speaker 1>know what you you? I'm not sure I don't probably

0:23:36.359 --> 0:23:41.960
<v Speaker 1>you probably right. I always guessed that for years because

0:23:42.040 --> 0:23:44.159
<v Speaker 1>you know, it was funny. But this is like right

0:23:44.200 --> 0:23:47.320
<v Speaker 1>after like, um, there was kind of like termri with

0:23:47.400 --> 0:23:50.520
<v Speaker 1>your marv D or whatever. And then it's crazy because

0:23:50.600 --> 0:23:53.040
<v Speaker 1>at the time I believe Cormega was kind of be

0:23:53.160 --> 0:23:56.200
<v Speaker 1>from mar D and then you have Kobega and you

0:23:56.359 --> 0:23:59.520
<v Speaker 1>sent the ill message to Quez. I don't know if

0:23:59.560 --> 0:24:02.720
<v Speaker 1>you knew. I kind of. I kind of knew, but

0:24:02.880 --> 0:24:05.800
<v Speaker 1>but but but it wasn't delivered. Come on, brother, you

0:24:05.920 --> 0:24:08.520
<v Speaker 1>already know. Um Also to come on, I was living

0:24:08.600 --> 0:24:11.720
<v Speaker 1>right in the projects right here, and um um, what'side?

0:24:11.760 --> 0:24:14.560
<v Speaker 1>I was in what'side projects? Man, Look, nigga, I was

0:24:14.600 --> 0:24:18.560
<v Speaker 1>in what's ode projects to my fourth album Nigga. Yeah, man,

0:24:18.760 --> 0:24:20.880
<v Speaker 1>right there, man. I used to walk down on what's

0:24:20.920 --> 0:24:26.320
<v Speaker 1>that little shopper area y'all got that northern yeah, nigga,

0:24:26.359 --> 0:24:28.560
<v Speaker 1>So I used to I used to walk from one

0:24:28.640 --> 0:24:31.280
<v Speaker 1>side down to that and the Queen's Bridge on that

0:24:31.480 --> 0:24:34.399
<v Speaker 1>and we spot. It used to be a we spot

0:24:34.520 --> 0:24:36.479
<v Speaker 1>right there right in the back of Queen's Bridge. One door.

0:24:36.520 --> 0:24:38.480
<v Speaker 1>I used to go in and see that. Yeah, you

0:24:38.880 --> 0:24:44.719
<v Speaker 1>see that, man. So I was already in Queens right

0:24:44.800 --> 0:24:47.280
<v Speaker 1>there two minutes from my beat. While we why it

0:24:47.440 --> 0:24:50.440
<v Speaker 1>was so called, we was beefing. So I was already there.

0:24:50.520 --> 0:24:53.080
<v Speaker 1>So when we when they decided to shoot the video,

0:24:53.359 --> 0:24:55.600
<v Speaker 1>I didn't come up with that location. The video people

0:24:55.680 --> 0:24:57.760
<v Speaker 1>came up with that location. It was like yeah, it

0:24:57.920 --> 0:24:59.440
<v Speaker 1>was like this is a great area and it just

0:24:59.520 --> 0:25:03.600
<v Speaker 1>happens be Queen's Bridge. And but what you were saying though,

0:25:03.680 --> 0:25:05.520
<v Speaker 1>I was like, you know, motherfucker's was coming in and

0:25:05.560 --> 0:25:08.240
<v Speaker 1>it's like, yo, you know, my deeping them niggas, you know,

0:25:08.600 --> 0:25:10.639
<v Speaker 1>but my niggas who I was with, like Twins and

0:25:10.680 --> 0:25:14.560
<v Speaker 1>all themiga, they was like, well, fuck who around this?

0:25:14.680 --> 0:25:19.000
<v Speaker 1>When he was well streeting the video he was at

0:25:19.040 --> 0:25:20.480
<v Speaker 1>the time, there was like it was a little toy

0:25:20.600 --> 0:25:23.359
<v Speaker 1>word between the two sides. But I didn't know that

0:25:25.840 --> 0:25:27.960
<v Speaker 1>murders before that. I didn't know that though. I didn't

0:25:27.960 --> 0:25:31.240
<v Speaker 1>know that term all between car Maker and you know,

0:25:31.840 --> 0:25:36.080
<v Speaker 1>you always have a real positive attitude, Like I just

0:25:36.160 --> 0:25:37.960
<v Speaker 1>want to congratulate you for that, you know what I'm saying,

0:25:37.960 --> 0:25:40.399
<v Speaker 1>because you know, you know what I remember when I

0:25:40.600 --> 0:25:42.440
<v Speaker 1>first went on tour to one of my first time

0:25:42.720 --> 0:25:45.800
<v Speaker 1>I was covering the mic and no one would tell

0:25:45.880 --> 0:25:48.000
<v Speaker 1>me nothing like I was just bluting and people couldn't

0:25:48.000 --> 0:25:50.000
<v Speaker 1>really hear me. And he was the only nigger you

0:25:50.080 --> 0:25:52.400
<v Speaker 1>came out and he was like, yo, dude, stop coming

0:25:52.440 --> 0:25:55.359
<v Speaker 1>to mic. You're covering the whole bit. Go to And

0:25:55.480 --> 0:25:59.800
<v Speaker 1>I was like, Jesus, jes like, you know, I respect that.

0:26:00.000 --> 0:26:05.520
<v Speaker 1>I appreciate that. I might say some ship like that.

0:26:05.640 --> 0:26:07.840
<v Speaker 1>You must have been on them before I was. I was,

0:26:07.960 --> 0:26:09.960
<v Speaker 1>I was wild. I'm okay, it has to text me. Okay,

0:26:10.520 --> 0:26:16.480
<v Speaker 1>Dane Martel, Dianeel. She's a bad one. She she she was,

0:26:16.560 --> 0:26:19.280
<v Speaker 1>she was so okay. So you came up with this

0:26:19.400 --> 0:26:25.720
<v Speaker 1>concept you felm that it happens out and now so

0:26:25.840 --> 0:26:28.920
<v Speaker 1>you said you didn't know that you know the things

0:26:29.080 --> 0:26:32.800
<v Speaker 1>is happening, right, No, okay, alright, but what did you

0:26:33.320 --> 0:26:35.800
<v Speaker 1>feel like when you heard about the when Keith Murray

0:26:36.359 --> 0:26:40.480
<v Speaker 1>and and the Mardy thing happened at the tunnel? Um, well,

0:26:40.560 --> 0:26:44.000
<v Speaker 1>keep m we're already. Uh. First of all, I don't

0:26:44.000 --> 0:26:46.680
<v Speaker 1>even know. I forgot how to beef even started. Wasn't

0:26:46.680 --> 0:26:50.720
<v Speaker 1>over the skit the astronomical diabola cool, it wasn't, but

0:26:51.359 --> 0:26:54.879
<v Speaker 1>over his ship. I believe Prodigy did a skit. I

0:26:55.000 --> 0:26:58.280
<v Speaker 1>believe it is um and was like like making fun

0:26:58.320 --> 0:27:02.320
<v Speaker 1>of like the lyrics, like yeah, like like and everyone

0:27:02.400 --> 0:27:05.840
<v Speaker 1>thought it was going as Keith Murray about this. Yeah,

0:27:06.280 --> 0:27:08.160
<v Speaker 1>everyone thought that at the time, and it was going

0:27:08.240 --> 0:27:12.200
<v Speaker 1>at you and Keith Murray. Oh yeah, oh yeah you

0:27:12.280 --> 0:27:15.040
<v Speaker 1>know what. Yeah he when he said something about you

0:27:15.160 --> 0:27:21.680
<v Speaker 1>talking that space space space, Yeah, yeah, my story was

0:27:21.760 --> 0:27:26.960
<v Speaker 1>talking about me. I ain't. I don't know if that

0:27:27.160 --> 0:27:29.800
<v Speaker 1>was the same thing that kind of sparked Keith Murray.

0:27:29.840 --> 0:27:31.359
<v Speaker 1>I think it was something. I think it is. I

0:27:31.480 --> 0:27:36.640
<v Speaker 1>think it is. I'm, you know, outside different like him

0:27:36.640 --> 0:27:38.280
<v Speaker 1>and Keith Murray. But at the end of the day,

0:27:38.320 --> 0:27:40.560
<v Speaker 1>when I heard that he, uh what happened at the

0:27:40.600 --> 0:27:45.480
<v Speaker 1>tunnel um, I wasn't surprised because Keith Murray was was

0:27:45.640 --> 0:27:49.639
<v Speaker 1>a loose cannon at that time and everybody was getting

0:27:50.080 --> 0:27:53.280
<v Speaker 1>like everybody was getting it like whoever like said something

0:27:53.480 --> 0:27:56.640
<v Speaker 1>mention anything about the squad, like Keith Murray was out

0:27:56.720 --> 0:27:59.440
<v Speaker 1>there running ship down, didn't keep having a fight with

0:27:59.560 --> 0:28:02.080
<v Speaker 1>Dame down the pole. Yeah, I ain't. I ain't see it.

0:28:02.720 --> 0:28:05.479
<v Speaker 1>I just heard about it about Dame getting cracked over

0:28:05.560 --> 0:28:07.399
<v Speaker 1>the head or something shaped like that. I don't know.

0:28:07.720 --> 0:28:11.040
<v Speaker 1>God Bless God blessed, God blessed. We all hear all positivity.

0:28:11.119 --> 0:28:13.399
<v Speaker 1>That's right. But that's the one thing about the nineties,

0:28:13.440 --> 0:28:17.000
<v Speaker 1>dope money nineties, you had to get hit the head. Yes, yeah,

0:28:17.080 --> 0:28:23.280
<v Speaker 1>like it's just you smacked. You know, that's just because

0:28:23.400 --> 0:28:27.960
<v Speaker 1>we had that communication. Just so there's no bms. Yeah,

0:28:28.160 --> 0:28:31.800
<v Speaker 1>there wasn't no bms. There's no titter, no, not that

0:28:31.920 --> 0:28:34.120
<v Speaker 1>at all. By time it got to the great vines

0:28:34.160 --> 0:28:36.680
<v Speaker 1>saying you're sorry, we already have saying you at your show.

0:28:36.800 --> 0:28:40.200
<v Speaker 1>And yeah, now that was real. That was real because

0:28:41.160 --> 0:28:43.360
<v Speaker 1>right now you can be when you control, you can

0:28:43.400 --> 0:28:45.320
<v Speaker 1>do all that. You might have never seen this person

0:28:45.400 --> 0:28:48.160
<v Speaker 1>that you're talking about. Back then you had to talk

0:28:48.240 --> 0:28:50.280
<v Speaker 1>ship and then be on some effects and then you

0:28:50.360 --> 0:28:53.400
<v Speaker 1>meet each other gaming convention and impacts and all this

0:28:53.520 --> 0:28:58.000
<v Speaker 1>crazy and Max show power something. And the thing about

0:28:58.040 --> 0:29:00.600
<v Speaker 1>it is, especially if you had an album record label,

0:29:00.680 --> 0:29:02.920
<v Speaker 1>was forcing you to be in there and with the

0:29:02.960 --> 0:29:04.560
<v Speaker 1>same as that people. He was being right, So it

0:29:04.960 --> 0:29:06.920
<v Speaker 1>forced us to be men. Not to say these people

0:29:07.000 --> 0:29:09.400
<v Speaker 1>nowadays about men, I'm just saying it forced us to

0:29:09.440 --> 0:29:11.640
<v Speaker 1>be more manly. You know, come in front the ship,

0:29:11.680 --> 0:29:17.240
<v Speaker 1>you're talking exactly what you know and Usually if someone

0:29:17.360 --> 0:29:19.960
<v Speaker 1>was sad, like in the nineties that was out of pocket,

0:29:20.280 --> 0:29:23.280
<v Speaker 1>it usually had to get dealt with. It wasn't no

0:29:23.520 --> 0:29:26.640
<v Speaker 1>just snick ship and oh he needs to correct himself now.

0:29:27.000 --> 0:29:29.920
<v Speaker 1>Usually if a motherfucker said something about somebody in the nineties,

0:29:30.320 --> 0:29:32.680
<v Speaker 1>that ship was on the pop and no beefing it

0:29:32.760 --> 0:29:35.880
<v Speaker 1>out or whatever, because you know, we took this music

0:29:35.920 --> 0:29:40.120
<v Speaker 1>ship series, you know, to the truest, took very serious.

0:29:40.240 --> 0:29:41.880
<v Speaker 1>That's one of the things that you could probably help

0:29:41.920 --> 0:29:43.280
<v Speaker 1>me out. This is a pure of me as a

0:29:43.360 --> 0:29:46.360
<v Speaker 1>hip hop fan. Yeah, one of the first records I've

0:29:46.360 --> 0:29:49.640
<v Speaker 1>ever heard Dear Max. It comes out, he's this is

0:29:49.760 --> 0:29:53.440
<v Speaker 1>case solo O case someone was out five six year

0:29:53.720 --> 0:29:57.000
<v Speaker 1>I could not understand the relation. I still to this

0:29:57.160 --> 0:30:01.040
<v Speaker 1>day don't understand. Well I wasn't dear ma first practice.

0:30:01.280 --> 0:30:04.120
<v Speaker 1>I'm not getting at me. That leaves so, yeah, he

0:30:04.200 --> 0:30:07.040
<v Speaker 1>said something about solo on one or though, yeah, and

0:30:07.200 --> 0:30:10.840
<v Speaker 1>I just I didn't because it was two different generational gaps,

0:30:10.920 --> 0:30:15.000
<v Speaker 1>and I like, maybe they're saying, hey, no, yeah, yeah,

0:30:15.000 --> 0:30:18.400
<v Speaker 1>but definitely. But what I'm saying is like they was

0:30:18.480 --> 0:30:22.240
<v Speaker 1>locked up or something that Yeah, DX have been around

0:30:22.280 --> 0:30:25.360
<v Speaker 1>for a minute, he has deals, but but he wasn't on,

0:30:27.360 --> 0:30:29.160
<v Speaker 1>but he was in the circuit right, so I never

0:30:29.240 --> 0:30:32.520
<v Speaker 1>understood what happened. You know what's funny that me and

0:30:32.640 --> 0:30:35.240
<v Speaker 1>my brother argue about that all the time, me and Solo,

0:30:36.560 --> 0:30:40.480
<v Speaker 1>and still to this day, still to this day, he's

0:30:40.520 --> 0:30:43.920
<v Speaker 1>still like, you know that guy? Then you know d

0:30:44.080 --> 0:30:46.640
<v Speaker 1>m X man d M Max. And I don't know

0:30:46.720 --> 0:30:49.360
<v Speaker 1>if DMX is still saying you know that God damn

0:30:49.440 --> 0:30:52.920
<v Speaker 1>K Solo, Kay Solo, but you know both of them,

0:30:53.120 --> 0:30:55.280
<v Speaker 1>you know his family. I called m X my cousin.

0:30:56.000 --> 0:30:59.520
<v Speaker 1>But the beef, what you're saying is right like it was.

0:30:59.640 --> 0:31:02.720
<v Speaker 1>It was a little a bridge, a little gap in

0:31:02.800 --> 0:31:06.040
<v Speaker 1>between Solo and when DN Mix came out. But they

0:31:06.160 --> 0:31:08.920
<v Speaker 1>was talking about a beat that happened with way back.

0:31:09.720 --> 0:31:13.600
<v Speaker 1>And it's still going like bumbling to this. They see

0:31:13.640 --> 0:31:17.400
<v Speaker 1>each other exactly. And I'm telling my big brother, because

0:31:17.440 --> 0:31:20.040
<v Speaker 1>you know, big brother big a little older than I'm like,

0:31:20.120 --> 0:31:24.040
<v Speaker 1>your big brother, don't know fighting goods. You DMX out

0:31:24.160 --> 0:31:28.000
<v Speaker 1>here shaking the tail feather on some old ass beat.

0:31:29.680 --> 0:31:32.600
<v Speaker 1>You know, you want to yo straight up to make this,

0:31:33.040 --> 0:31:38.840
<v Speaker 1>make it, to make that situation acceptable, y'all should do

0:31:38.920 --> 0:31:50.960
<v Speaker 1>a motherfucking record, have a sell off Yeah yeah, spelling yeah,

0:31:51.960 --> 0:31:56.120
<v Speaker 1>spell off, having these things to spell out like not

0:31:56.360 --> 0:31:58.239
<v Speaker 1>a lot. I'm like, there's the older niggers in him.

0:31:58.360 --> 0:32:04.240
<v Speaker 1>I'm bugging out and I was loose like that. That's

0:32:04.240 --> 0:32:15.160
<v Speaker 1>what I'm saying. Don't got the crowd? Uh working with

0:32:15.440 --> 0:32:21.240
<v Speaker 1>l L? How was that? What the fourth three two one?

0:32:21.840 --> 0:32:27.000
<v Speaker 1>Because it wasn't that the cannabis he was just quartered in.

0:32:27.160 --> 0:32:32.400
<v Speaker 1>How did you feel when the drama Old well Ship?

0:32:32.520 --> 0:32:35.360
<v Speaker 1>We were surprised because we was like when we heard

0:32:35.440 --> 0:32:39.560
<v Speaker 1>cannabis first, when you take it like he was talking

0:32:39.560 --> 0:32:43.920
<v Speaker 1>about l L. Yeah, yeah, because I mean it sounded

0:32:44.000 --> 0:32:47.480
<v Speaker 1>a little aggressive, like all right, I take that money.

0:32:48.040 --> 0:32:52.520
<v Speaker 1>But the way cannabis was going at it, because cannabis

0:32:52.640 --> 0:32:54.760
<v Speaker 1>was like hanging around, that's a lot at that time.

0:32:55.200 --> 0:32:59.600
<v Speaker 1>Let's describe to scene. Everybody in the studio the first records,

0:33:00.040 --> 0:33:03.120
<v Speaker 1>No No No had a version that he changed it exactly.

0:33:03.160 --> 0:33:06.320
<v Speaker 1>We we we did our versus separate and me and

0:33:06.360 --> 0:33:09.240
<v Speaker 1>MEP did diverses together and everyone came in with diverse.

0:33:09.720 --> 0:33:12.560
<v Speaker 1>But when we found either the track, so I got

0:33:12.640 --> 0:33:15.480
<v Speaker 1>to hear the versus. So when I when I when

0:33:15.520 --> 0:33:22.640
<v Speaker 1>I saw ye, every one absolutely big up to eat

0:33:22.720 --> 0:33:28.840
<v Speaker 1>dub in this bitch. That's what's up, yo. But bottom

0:33:28.880 --> 0:33:31.080
<v Speaker 1>line is that when I heard the verse, no one

0:33:31.640 --> 0:33:34.640
<v Speaker 1>took it as he was trying to dis L until

0:33:34.880 --> 0:33:37.440
<v Speaker 1>l L just heard it. He was like, no, no,

0:33:38.440 --> 0:33:41.160
<v Speaker 1>that don't sound right. I'm not feeling good about this

0:33:41.320 --> 0:33:45.040
<v Speaker 1>on my record. And because I think I heard the

0:33:45.200 --> 0:33:48.200
<v Speaker 1>verse that LLL did before that, I'm not sure. Don't

0:33:48.280 --> 0:33:51.400
<v Speaker 1>quote me and ship, but I think I heard the verse,

0:33:51.560 --> 0:33:55.880
<v Speaker 1>and I was like, all right, Cannabis laid this verse

0:33:56.080 --> 0:33:58.480
<v Speaker 1>and LLL went and changed his version that ship was

0:33:58.600 --> 0:34:02.360
<v Speaker 1>long as hell, and uh he was, and he was

0:34:02.400 --> 0:34:05.680
<v Speaker 1>trying to tell Cannabis and new one. And the bottom

0:34:05.720 --> 0:34:08.040
<v Speaker 1>line is what I was saying is that when we

0:34:08.160 --> 0:34:10.040
<v Speaker 1>heard Cannabis verse, we didn't take it as he was

0:34:10.080 --> 0:34:11.920
<v Speaker 1>trying to dis And I don't think Cannabis wrote it

0:34:12.000 --> 0:34:14.399
<v Speaker 1>as a disrecord either. I just think as a young

0:34:14.480 --> 0:34:16.360
<v Speaker 1>and he was just coming up and he knew he

0:34:16.480 --> 0:34:18.880
<v Speaker 1>was the new jack out of all of us, so

0:34:19.000 --> 0:34:21.520
<v Speaker 1>he was like, fucking, let me just get a little aggressive.

0:34:21.640 --> 0:34:23.719
<v Speaker 1>We had al on here and else said that the

0:34:23.800 --> 0:34:26.759
<v Speaker 1>problem was that when he said yo, he actually told

0:34:26.840 --> 0:34:28.759
<v Speaker 1>him that in person. He was like, yo, yo, I

0:34:29.000 --> 0:34:30.719
<v Speaker 1>want to get a mike just like that. And I

0:34:30.920 --> 0:34:32.200
<v Speaker 1>was like, Yo, listen to home and you don't have

0:34:32.320 --> 0:34:35.480
<v Speaker 1>to give mike like me, get get something else. And

0:34:35.600 --> 0:34:38.279
<v Speaker 1>he made it clear right there. And then when he

0:34:38.360 --> 0:34:40.080
<v Speaker 1>put it in the rod, he was like, oh, let

0:34:40.160 --> 0:34:42.920
<v Speaker 1>me take that mic off y'all. I was like, oh, no,

0:34:43.520 --> 0:34:46.239
<v Speaker 1>I told you he took it personally. It was a conversation.

0:34:47.480 --> 0:34:53.280
<v Speaker 1>See I didn't hear that. Yeah, perspectively because when nigger

0:34:53.400 --> 0:34:55.279
<v Speaker 1>had something off my arm and they mentioned it in

0:34:55.360 --> 0:34:57.600
<v Speaker 1>the recorded and like that, Nigga was trying to get fun,

0:34:58.800 --> 0:35:01.080
<v Speaker 1>was trying to all that's a good ship. I learned

0:35:01.120 --> 0:35:05.120
<v Speaker 1>something to day. But the bottom line is l wasn't

0:35:05.120 --> 0:35:09.640
<v Speaker 1>having that ship. And uh, great that you came. He

0:35:09.800 --> 0:35:12.520
<v Speaker 1>came in and destroyed who y'all think one? Between that

0:35:12.600 --> 0:35:19.600
<v Speaker 1>batter quis who y'all think wrong? Between the cannabis records, man,

0:35:20.080 --> 0:35:22.200
<v Speaker 1>you're talking about records like the records that came afterwards

0:35:22.239 --> 0:35:25.200
<v Speaker 1>when the battle period, because Canada didn't cannabis come back

0:35:25.280 --> 0:35:34.720
<v Speaker 1>up with one the Canada's records cannabis when he's my friend,

0:35:35.160 --> 0:35:41.680
<v Speaker 1>and then Jackson was it's the l joint afterwards, let's love. Yeah,

0:35:42.280 --> 0:35:46.360
<v Speaker 1>I don't know the second round, knockout is back. But

0:35:46.480 --> 0:35:51.040
<v Speaker 1>in the end, ultimately who's here? Yeah, at the end

0:35:51.080 --> 0:35:54.640
<v Speaker 1>of the day. So we rather be called a couple

0:35:54.680 --> 0:35:56.840
<v Speaker 1>of people to ask you some questions. You want to

0:35:56.880 --> 0:36:00.919
<v Speaker 1>see if you know who this person is, Oh Ship

0:36:01.800 --> 0:36:07.880
<v Speaker 1>as a DJ. It was a d J first, What

0:36:08.120 --> 0:36:12.360
<v Speaker 1>was his favorite songs to mix? And we called to

0:36:12.440 --> 0:36:22.279
<v Speaker 1>tape genre it's new, it's a newer thing though. I

0:36:22.360 --> 0:36:25.399
<v Speaker 1>know that's Eric Surro And what did he say? What's

0:36:25.440 --> 0:36:30.640
<v Speaker 1>your favorite genre? Mix? What's your favorite genre? What's my

0:36:30.719 --> 0:36:36.799
<v Speaker 1>favorite John Johnsons mix? As a DJ? Oh Ship, Well,

0:36:36.880 --> 0:36:39.200
<v Speaker 1>of course hip hop, but he sounds a new thing

0:36:39.880 --> 0:36:44.600
<v Speaker 1>club like dance music. I'll mix some club nicking. What

0:36:44.719 --> 0:36:46.640
<v Speaker 1>do we say when we say club, it's like how

0:36:46.760 --> 0:36:58.080
<v Speaker 1>the music Jersey? You know we want Jersey niggers never

0:36:58.200 --> 0:37:00.880
<v Speaker 1>never been, no suckers and no club. Wait, you know

0:37:01.000 --> 0:37:04.840
<v Speaker 1>you need this beat on wild move, No nigga Jersey niggas.

0:37:04.880 --> 0:37:09.000
<v Speaker 1>We danced with the hammer, honest, niggs, k you come

0:37:09.040 --> 0:37:11.920
<v Speaker 1>in that bit like this, that's we got that. You know,

0:37:12.040 --> 0:37:14.920
<v Speaker 1>we got that club and rooted isn't rooted in this nigger?

0:37:15.000 --> 0:37:17.600
<v Speaker 1>So yeah, it was always the club niggas because that's

0:37:17.600 --> 0:37:20.279
<v Speaker 1>what he must have been talking about. Yeah, yeah, yeah, yeah,

0:37:21.760 --> 0:37:24.640
<v Speaker 1>it's a new thing. Yeah yeah, it's a thing. Okay,

0:37:25.239 --> 0:37:29.080
<v Speaker 1>that's a new thing. Here's a third question asked him.

0:37:29.200 --> 0:37:32.160
<v Speaker 1>Do you remember who close signed to me after he

0:37:32.239 --> 0:37:35.280
<v Speaker 1>got turned down by death Jim that once or twice?

0:37:35.920 --> 0:37:40.000
<v Speaker 1>Who made um Leo's head turned around after he got

0:37:40.480 --> 0:37:47.319
<v Speaker 1>told about this other rapper that Reman was dope. I'm

0:37:47.320 --> 0:37:51.000
<v Speaker 1>assuming it would It wouldn't be him. I don't know.

0:37:51.080 --> 0:37:55.160
<v Speaker 1>It sounds like a trick question the beat gonna be honest.

0:37:55.200 --> 0:37:57.160
<v Speaker 1>I would say that would careme up with them questions?

0:37:57.200 --> 0:38:00.920
<v Speaker 1>You know, I reached out some ship there only you

0:38:00.960 --> 0:38:04.279
<v Speaker 1>would know I need you. Red Man got there. We

0:38:04.360 --> 0:38:06.760
<v Speaker 1>gotta go up with me? Damn man? Who the funds

0:38:06.760 --> 0:38:09.279
<v Speaker 1>aint said? Who? Who? What would you like to get

0:38:09.280 --> 0:38:12.759
<v Speaker 1>the questions again? After death Jam turned you down? Is

0:38:12.800 --> 0:38:15.239
<v Speaker 1>what he's saying. I didn't even no death Jam turned

0:38:15.280 --> 0:38:19.320
<v Speaker 1>me down twice. That hurt my heart. I wasn't that.

0:38:19.600 --> 0:38:26.400
<v Speaker 1>I wasn't not go to sleep. I turned down to

0:38:27.120 --> 0:38:36.719
<v Speaker 1>the one time that ship, but twice, no, wow, fuckers,

0:38:37.719 --> 0:38:40.439
<v Speaker 1>twice I got turned down and he said I'm sorry.

0:38:41.360 --> 0:38:43.480
<v Speaker 1>He said you was dope and had Leo turned it.

0:38:45.640 --> 0:38:49.080
<v Speaker 1>That's what he says. Wow, what artists told Leo is

0:38:49.160 --> 0:38:51.919
<v Speaker 1>that the leof turned his head. I want here again?

0:38:52.120 --> 0:38:55.240
<v Speaker 1>Or yes, so I could think, so I could feel

0:38:55.560 --> 0:38:58.960
<v Speaker 1>maybe who it was? Asked him, do you remember who

0:38:59.040 --> 0:39:02.080
<v Speaker 1>COO signed to me? After he got turned down by

0:39:02.200 --> 0:39:05.279
<v Speaker 1>that cham not once, but twice he said that real

0:39:05.440 --> 0:39:13.360
<v Speaker 1>cockey too, once twice about the rapper That man was dope.

0:39:16.600 --> 0:39:19.080
<v Speaker 1>Uh so he's not talking about himself. He counted him out.

0:39:19.440 --> 0:39:25.040
<v Speaker 1>That's the only thing I didn't ask him for the Listen.

0:39:25.200 --> 0:39:27.080
<v Speaker 1>This is all new news to me. I didn't know

0:39:27.160 --> 0:39:29.120
<v Speaker 1>I had to get a co Sanna. I've been telling

0:39:29.200 --> 0:39:31.520
<v Speaker 1>niggas for years. Yeah, I just you know what's funny

0:39:31.520 --> 0:39:46.120
<v Speaker 1>because not Uster twice hus you know he said that

0:39:46.280 --> 0:39:50.959
<v Speaker 1>real r off. It ain't said it was like not Mary,

0:39:51.800 --> 0:39:56.120
<v Speaker 1>but twice. You know, if it ain't cute, I don't

0:39:56.160 --> 0:39:58.120
<v Speaker 1>know who who If it ain't cute, If I don't

0:39:58.120 --> 0:40:03.640
<v Speaker 1>know who, you know, I'm just gonna say, yeah, that's amazing,

0:40:04.560 --> 0:40:07.799
<v Speaker 1>is that it might have been cute to it might

0:40:07.840 --> 0:40:10.480
<v Speaker 1>have been asking when he got a little bit money,

0:40:10.480 --> 0:40:13.000
<v Speaker 1>but with the first car he bought. I know it's

0:40:13.040 --> 0:40:15.880
<v Speaker 1>corny though, this was not corning us. You got a

0:40:15.920 --> 0:40:20.640
<v Speaker 1>little The first car I bought when I got a

0:40:20.680 --> 0:40:23.919
<v Speaker 1>little money, what was the first cap first car board?

0:40:24.880 --> 0:40:27.200
<v Speaker 1>Because when I was living with I jacked the nigga

0:40:27.280 --> 0:40:32.799
<v Speaker 1>for a car. Was for half a year that New

0:40:32.880 --> 0:40:36.319
<v Speaker 1>Jersey ship waits Yeah, I needed the fucking car. Plus

0:40:36.440 --> 0:40:39.680
<v Speaker 1>then that objected from did something to fucking Ei. We

0:40:39.800 --> 0:40:45.360
<v Speaker 1>had the handle, but ship it had to be a

0:40:45.440 --> 0:40:54.839
<v Speaker 1>four runner for the four runner hand of ye don't

0:40:54.920 --> 0:40:56.960
<v Speaker 1>running l C. Do you want to do? You want

0:40:57.000 --> 0:40:59.120
<v Speaker 1>to show Tito's gift? All right, so look so just

0:40:59.160 --> 0:41:02.439
<v Speaker 1>see you know rap man at we this is the DJ.

0:41:02.640 --> 0:41:07.520
<v Speaker 1>This we didn't know um Eric B and rock Killer,

0:41:07.600 --> 0:41:10.480
<v Speaker 1>I'm the wrapping DJ. We got a show, right, so

0:41:10.600 --> 0:41:12.440
<v Speaker 1>we never knew this. She was gonna blow up. So

0:41:12.520 --> 0:41:19.880
<v Speaker 1>we got voted for what National film um n f

0:41:20.080 --> 0:41:25.520
<v Speaker 1>T a National Film Television Academa against Jimmy Killers Ellien

0:41:25.640 --> 0:41:30.040
<v Speaker 1>Degenerous Saturday Night at We got supposed to win. So

0:41:30.160 --> 0:41:31.840
<v Speaker 1>Nickers didn't even want to go to the walls. He

0:41:31.960 --> 0:41:35.080
<v Speaker 1>was like wet winning this ship and we actually want

0:41:35.360 --> 0:41:37.880
<v Speaker 1>when a true drink champs fashion, we send one of

0:41:37.880 --> 0:41:39.920
<v Speaker 1>our friends to pick up no walls in l A

0:41:40.080 --> 0:41:43.239
<v Speaker 1>and l A because he was here and we didn't.

0:41:43.280 --> 0:41:45.160
<v Speaker 1>So we said our friend and this is what our

0:41:45.200 --> 0:41:49.520
<v Speaker 1>friends tells us back, he said the award to us.

0:41:51.719 --> 0:41:56.000
<v Speaker 1>This is a true drink championship, right man, But that's

0:41:56.040 --> 0:42:02.560
<v Speaker 1>not this ship. We ain't frienish this woman. Here's the

0:42:03.080 --> 0:42:14.359
<v Speaker 1>part that says national film achieving. Man, here's a point.

0:42:14.400 --> 0:42:18.480
<v Speaker 1>All the parts out here, atleast get to share it.

0:42:23.960 --> 0:42:27.759
<v Speaker 1>I mean, you try to share the right man would

0:42:27.760 --> 0:42:34.279
<v Speaker 1>be a positives So lonely stop show eighteen drink chance. Right,

0:42:35.040 --> 0:42:39.520
<v Speaker 1>that's that's ship. That's just creep it right here. Ship.

0:42:40.120 --> 0:42:45.080
<v Speaker 1>We actually are our first about this our first ward award,

0:42:45.239 --> 0:42:47.040
<v Speaker 1>Like I think it's our first. We got another award,

0:42:47.120 --> 0:42:57.560
<v Speaker 1>but this is our first podcast. Your podcast is kicking out. Listen,

0:42:57.640 --> 0:43:00.479
<v Speaker 1>this is this was dope. It was dope with two drinks, chants, trash.

0:43:00.640 --> 0:43:03.520
<v Speaker 1>What is it? Tito um five seven? What does it? No?

0:43:03.680 --> 0:43:09.080
<v Speaker 1>What's this? Yeah? Nickname got to keep thinking about his

0:43:09.160 --> 0:43:11.400
<v Speaker 1>Twitter thing, ain't man. Thank you guys, thank you for

0:43:11.440 --> 0:43:15.000
<v Speaker 1>showing up and collecting the award, and also fuck you

0:43:15.080 --> 0:43:21.680
<v Speaker 1>were breading He dropped it going into an uber and

0:43:21.719 --> 0:43:24.680
<v Speaker 1>this was crazy. He had the plan of not getting

0:43:24.680 --> 0:43:26.759
<v Speaker 1>two drunks. So he's figured this go in the Uba.

0:43:26.840 --> 0:43:28.520
<v Speaker 1>So I was like, all right, Uba. You know, Uba

0:43:28.640 --> 0:43:31.080
<v Speaker 1>is like all right, cool, but you still suck up

0:43:31.800 --> 0:43:35.000
<v Speaker 1>and you drop it going into the Uba. That's what you.

0:43:36.200 --> 0:43:39.440
<v Speaker 1>I definitely no believe. There's pictures and he went bar hopping.

0:43:39.680 --> 0:43:41.680
<v Speaker 1>Oh yeah, there's pictures of the award and every bar

0:43:41.840 --> 0:43:44.280
<v Speaker 1>I'm going to bar hopping bar hopping with the fucking

0:43:44.320 --> 0:44:00.040
<v Speaker 1>award show. You fucking break that sound them now, I

0:44:00.080 --> 0:44:04.560
<v Speaker 1>said this time I wouldn't have did, but not not

0:44:04.719 --> 0:44:10.080
<v Speaker 1>like coming out of Red mountm Like it wasn't the

0:44:14.680 --> 0:44:16.759
<v Speaker 1>Left Fail one. Hold on, we got one from Left Fail.

0:44:16.840 --> 0:44:21.920
<v Speaker 1>Hold on, yo, what it is? What it is? Red

0:44:22.280 --> 0:44:28.000
<v Speaker 1>track chips? Noory f was good babies to rule. Listen, bread,

0:44:28.080 --> 0:44:33.919
<v Speaker 1>I got a question for your statle man. So this ship.

0:44:34.360 --> 0:44:39.720
<v Speaker 1>I started doing your fucking red back chip at my shows.

0:44:39.760 --> 0:44:43.239
<v Speaker 1>But I to fuck echall, but I started doing it

0:44:43.320 --> 0:44:46.759
<v Speaker 1>because my message to the world is wing going hand

0:44:46.800 --> 0:44:50.360
<v Speaker 1>to watch y'all. U hate the twin Oh that was

0:44:50.400 --> 0:44:54.520
<v Speaker 1>mean draped my back. So I'm not that professional, but

0:44:54.560 --> 0:44:57.160
<v Speaker 1>I'm trying to get my life together. That's right, Okay.

0:44:57.200 --> 0:45:01.000
<v Speaker 1>Hold on, we gotta started from beginning, it seems like it. Yeah,

0:45:01.400 --> 0:45:05.840
<v Speaker 1>what it is? What it is? Red straight chansnory e

0:45:06.160 --> 0:45:09.520
<v Speaker 1>f A was good baby, it's the rule. Listen, Red,

0:45:09.600 --> 0:45:15.080
<v Speaker 1>I gotta question fell stake your ass, yo. So this

0:45:15.280 --> 0:45:20.719
<v Speaker 1>year I started doing your fuck you redneck chin at

0:45:20.760 --> 0:45:23.080
<v Speaker 1>my shows. But I have to fuck y'all rule obviously,

0:45:23.800 --> 0:45:27.080
<v Speaker 1>But I started doing it because my message to the

0:45:27.160 --> 0:45:29.440
<v Speaker 1>world is we gonna have to watch y'all Rule eight

0:45:29.520 --> 0:45:32.600
<v Speaker 1>and twenty nineteen going forward. So the fuck use y'all

0:45:32.719 --> 0:45:34.760
<v Speaker 1>route sense for them to get it out their system.

0:45:35.320 --> 0:45:37.440
<v Speaker 1>But I always admired when you used to do that

0:45:37.560 --> 0:45:39.719
<v Speaker 1>ship and thought it was dopen and the energy you

0:45:39.760 --> 0:45:43.680
<v Speaker 1>know that that that crowd gives the crowding to get

0:45:43.760 --> 0:45:46.120
<v Speaker 1>you the feeds off. So I just wanted to ask

0:45:46.160 --> 0:45:49.439
<v Speaker 1>you what what made you want the crowd to say

0:45:49.560 --> 0:45:52.840
<v Speaker 1>fuck you Red Man? Oh? Well, ship man, that's an

0:45:52.840 --> 0:45:55.520
<v Speaker 1>easy question. My Well, he got it from me, And

0:45:55.880 --> 0:45:59.040
<v Speaker 1>you know what that's that's a very good analogy about

0:45:59.080 --> 0:46:01.040
<v Speaker 1>the MAB because you know where I got it from

0:46:01.480 --> 0:46:07.200
<v Speaker 1>was my mentor ice Cube. Like I just say, easy

0:46:07.239 --> 0:46:10.759
<v Speaker 1>and guess because those all advisers out there and I'm

0:46:10.800 --> 0:46:15.640
<v Speaker 1>talking to you, we want to fuck you easy. But

0:46:16.880 --> 0:46:18.680
<v Speaker 1>but see I got it from I got it from

0:46:18.719 --> 0:46:22.960
<v Speaker 1>a historical time and like when ice Cube first came

0:46:23.000 --> 0:46:25.880
<v Speaker 1>to New York doing that in w Wybe and he

0:46:26.000 --> 0:46:30.680
<v Speaker 1>did the show because yeah he didn't. He did this

0:46:30.760 --> 0:46:33.320
<v Speaker 1>show like the Apollos first time in New York. And

0:46:33.440 --> 0:46:37.400
<v Speaker 1>when I tell you that Apollo was rampat and that

0:46:37.560 --> 0:46:39.799
<v Speaker 1>nigga went out there and he was like say fuck

0:46:39.880 --> 0:46:43.040
<v Speaker 1>you ice Cube, I was like I almost cat the

0:46:43.120 --> 0:46:46.279
<v Speaker 1>heart attack. I was like a nigga saying tell the

0:46:46.320 --> 0:46:50.040
<v Speaker 1>crowd fuck him at that age, come on, this was

0:46:50.120 --> 0:46:52.040
<v Speaker 1>like like when it was like ninety one. I was

0:46:52.120 --> 0:46:55.760
<v Speaker 1>like twenty one two one, and he came on stage

0:46:55.800 --> 0:46:58.239
<v Speaker 1>just said fuck you. Say everybody say fuck you, Rce

0:46:58.360 --> 0:47:03.880
<v Speaker 1>Cub and I'm literally ship a chicken white because I

0:47:04.000 --> 0:47:08.600
<v Speaker 1>couldn't believe how you would get a positive energy from

0:47:08.680 --> 0:47:12.479
<v Speaker 1>such a negative reaction. It was like, funk your wife, Cube,

0:47:12.560 --> 0:47:14.960
<v Speaker 1>and I just ran with that bitch from there and

0:47:15.880 --> 0:47:18.000
<v Speaker 1>and then Ja ru you know he got it from

0:47:18.040 --> 0:47:20.040
<v Speaker 1>me thinking that I made that ship up. But I

0:47:20.080 --> 0:47:21.719
<v Speaker 1>gotta let him know I got it from ice Cube.

0:47:21.719 --> 0:47:24.880
<v Speaker 1>But it just shows the line of respect and mcs

0:47:24.960 --> 0:47:27.080
<v Speaker 1>that we have for each other. Far Era and for

0:47:27.200 --> 0:47:29.480
<v Speaker 1>the Arab beyond us. That was a good analogy, right.

0:47:33.800 --> 0:47:38.719
<v Speaker 1>I am surprised to myself for that. Man. So do

0:47:38.800 --> 0:47:40.440
<v Speaker 1>you ever look at do you have to look at

0:47:40.520 --> 0:47:42.719
<v Speaker 1>your career and you because a lot of people they

0:47:42.760 --> 0:47:48.200
<v Speaker 1>always say that, uh, if Eminem was black, he would

0:47:48.239 --> 0:47:50.840
<v Speaker 1>be red. Man. I think that that is like a

0:47:51.000 --> 0:47:53.360
<v Speaker 1>great thing to say. I don't think that, No, not

0:47:53.480 --> 0:47:58.600
<v Speaker 1>at all. It's it's good. Yeah, that's it's as hard

0:47:58.640 --> 0:48:03.759
<v Speaker 1>as fun. And he it's up to you. Absolutely, yeah, absolutely. Um.

0:48:03.840 --> 0:48:06.120
<v Speaker 1>You know, Eminem was in north Way a long time

0:48:06.160 --> 0:48:09.640
<v Speaker 1>ago before songs absolutely, so he was always connected. He

0:48:09.760 --> 0:48:14.040
<v Speaker 1>was always enthused by that Jersey Uh you know Crewcuma

0:48:14.160 --> 0:48:16.360
<v Speaker 1>we have far As m c and or whatever and

0:48:16.680 --> 0:48:18.720
<v Speaker 1>we just remained friends. I think we did that record.

0:48:19.280 --> 0:48:25.279
<v Speaker 1>Uh that was for the Clumps uh Clump soundtrack, what

0:48:25.800 --> 0:48:30.520
<v Speaker 1>is that? Yeah, yeah, not a professor. We did a

0:48:30.800 --> 0:48:34.600
<v Speaker 1>song on the soundtrack, I think part two. And even

0:48:34.680 --> 0:48:36.759
<v Speaker 1>from there, like I was going to Detroit and Lite,

0:48:37.040 --> 0:48:38.600
<v Speaker 1>I would go to his house this one. He was,

0:48:38.880 --> 0:48:40.880
<v Speaker 1>you know, living in a crib or whatever and uh

0:48:41.800 --> 0:48:44.920
<v Speaker 1>early days your way, early days yeah, yeah, yeah, he

0:48:45.080 --> 0:48:49.520
<v Speaker 1>was doing the battle circuits absolutely, and uh you know

0:48:49.640 --> 0:48:52.799
<v Speaker 1>and we just remained friends, and I always respected this crap.

0:48:52.880 --> 0:48:57.200
<v Speaker 1>He respect my crap, and that was it, you know, yeah,

0:48:57.320 --> 0:49:01.000
<v Speaker 1>a shot for the Goodness if the WiFi go out?

0:49:04.000 --> 0:49:06.280
<v Speaker 1>Why did you never shoot the video for the Goodness

0:49:06.360 --> 0:49:08.880
<v Speaker 1>feature of him? Even though it was big in the

0:49:08.960 --> 0:49:12.680
<v Speaker 1>streets and on radio like it was a single. Okay,

0:49:12.760 --> 0:49:15.400
<v Speaker 1>this is niggas coming after right now this? Come on?

0:49:16.719 --> 0:49:20.279
<v Speaker 1>What do you say? He said? Um, ask him why

0:49:20.320 --> 0:49:23.080
<v Speaker 1>he never shot the video for the Goodness featuring me

0:49:23.760 --> 0:49:25.759
<v Speaker 1>even though it was big in the streets and on

0:49:25.960 --> 0:49:28.960
<v Speaker 1>radio like it was a single. Oh you know what

0:49:32.120 --> 0:49:34.479
<v Speaker 1>I wanted? What are you talking about? I wanted bust

0:49:34.520 --> 0:49:36.040
<v Speaker 1>the rounds a part of that video. I think that

0:49:36.160 --> 0:49:40.080
<v Speaker 1>was a label thing, um with the label and death

0:49:40.160 --> 0:49:42.800
<v Speaker 1>jam or whatever. Ship, come on, bus, No, that's my nigga.

0:49:42.800 --> 0:49:44.840
<v Speaker 1>I would I'm the first to be like even my

0:49:44.920 --> 0:49:47.759
<v Speaker 1>niggas asked, you know why a't? I was like, ship,

0:49:48.000 --> 0:49:50.040
<v Speaker 1>it seemed like that's a label issue. Was a little

0:49:50.080 --> 0:49:52.520
<v Speaker 1>bit above my pay grade. So I was just like,

0:49:52.600 --> 0:49:54.400
<v Speaker 1>all right, I let them deal with it. But of

0:49:54.480 --> 0:49:57.080
<v Speaker 1>course I wouldn't had busted right there. That's my nigga

0:49:57.160 --> 0:50:00.440
<v Speaker 1>right there. He already know Yeah, I mean when you

0:50:00.520 --> 0:50:04.120
<v Speaker 1>when it comes to performance, especially hip hop. I think

0:50:04.160 --> 0:50:09.440
<v Speaker 1>it's you read how many you are? Math Rass about

0:50:09.480 --> 0:50:12.320
<v Speaker 1>to skip to Buster can't even say kars one in

0:50:12.360 --> 0:50:20.759
<v Speaker 1>the Wolf. Wait wait, Brad math Buster Karras d d

0:50:21.040 --> 0:50:25.759
<v Speaker 1>NEX Day Last Soul Soul. Y'all ain't ever see a

0:50:25.840 --> 0:50:28.239
<v Speaker 1>full Day Last score. I was on Tommy Boy of course,

0:50:28.280 --> 0:50:30.000
<v Speaker 1>shout out to the Spit Cookers tour when they were

0:50:30.040 --> 0:50:32.640
<v Speaker 1>killing it out there with that nigga, and then you'll

0:50:32.680 --> 0:50:35.120
<v Speaker 1>see the Day Last Show. Anybody seem to Day Last

0:50:35.120 --> 0:50:41.440
<v Speaker 1>Soul Show and nigga they're like a killer. Y'all. Listen, man,

0:50:42.080 --> 0:50:45.319
<v Speaker 1>y'all listen to I Went too far? Yeah, yeah, don't

0:50:45.320 --> 0:50:49.640
<v Speaker 1>even mix that somebody. We can't even mix that in

0:50:49.719 --> 0:50:53.840
<v Speaker 1>the pot right now. But um, it's certain niggas that

0:50:54.040 --> 0:50:56.960
<v Speaker 1>tear the fucking building down, a certain niggas that that

0:50:57.120 --> 0:51:01.120
<v Speaker 1>get busy. Um, I could definitely and say they like

0:51:01.280 --> 0:51:03.080
<v Speaker 1>so on them niggas that tear the building down with

0:51:03.280 --> 0:51:08.160
<v Speaker 1>busting rooms. D MX tests the building down and crying. Yes,

0:51:08.280 --> 0:51:12.480
<v Speaker 1>he cries, and he tests the building down. Sciences, Yeah,

0:51:12.560 --> 0:51:15.719
<v Speaker 1>she can't forget Cube. Cube also kills it. Cypress Hill

0:51:15.840 --> 0:51:21.839
<v Speaker 1>kills it. Cypress, Oh Cypress Hill Test the building down down,

0:51:22.239 --> 0:51:23.960
<v Speaker 1>And I'm like, we just learned from niggas. We just

0:51:24.040 --> 0:51:27.279
<v Speaker 1>learned off each other because we still do shows and

0:51:27.360 --> 0:51:30.080
<v Speaker 1>we still do shows. May they're like, we still do

0:51:30.200 --> 0:51:32.880
<v Speaker 1>shows like it's the nineties. It's still room for us,

0:51:32.920 --> 0:51:35.239
<v Speaker 1>a whole lot of room because even now in the

0:51:35.360 --> 0:51:37.440
<v Speaker 1>States right now to it used to it came to

0:51:37.560 --> 0:51:39.200
<v Speaker 1>a certain part where we was getting a lot of

0:51:39.239 --> 0:51:43.840
<v Speaker 1>money overseason. But since a lot of motherfucker's are a

0:51:43.920 --> 0:51:46.480
<v Speaker 1>lot of new artists, is not putting on good shows,

0:51:47.120 --> 0:51:51.160
<v Speaker 1>they turned right back around to the nineties. Yes, they

0:51:51.440 --> 0:51:54.000
<v Speaker 1>just wanted for us to be rocket and we you

0:51:54.080 --> 0:51:56.120
<v Speaker 1>know it's we flew it. Now we're back on the road.

0:51:56.200 --> 0:52:02.880
<v Speaker 1>Man ship. God damn makes some lois for that be

0:52:02.920 --> 0:52:05.360
<v Speaker 1>on the road too. If you wasn't here, yeah I was.

0:52:05.600 --> 0:52:10.080
<v Speaker 1>I was killing you up a little while. Now. MTV cribs,

0:52:11.080 --> 0:52:14.759
<v Speaker 1>this has to be the most legendary, Like it's the

0:52:14.840 --> 0:52:18.560
<v Speaker 1>motion memorabilia, because I love your story every time I

0:52:18.680 --> 0:52:22.200
<v Speaker 1>see you. You know, obviously I go watch interviews and

0:52:23.080 --> 0:52:25.160
<v Speaker 1>every type you say that everybody wanted me to write

0:52:25.200 --> 0:52:29.200
<v Speaker 1>a crib. Yeah, they wanted you that. That's what they

0:52:29.239 --> 0:52:32.120
<v Speaker 1>were doing a lot of artists were doing that. Give

0:52:32.120 --> 0:52:34.200
<v Speaker 1>me a break. You going. You see that ship on TV,

0:52:34.360 --> 0:52:37.359
<v Speaker 1>that ship all neat like we see him and then

0:52:37.520 --> 0:52:43.520
<v Speaker 1>ship touch that he openly refrigerator, the food is neatly placed.

0:52:43.600 --> 0:52:46.359
<v Speaker 1>In that season of MTV Cribs was this I don't

0:52:46.400 --> 0:52:50.200
<v Speaker 1>even know. It was like going near two day last season.

0:52:51.160 --> 0:52:53.440
<v Speaker 1>Because I wasn't a part of the first couple of seasons.

0:52:53.480 --> 0:52:55.719
<v Speaker 1>I know that, But the only thing I know is

0:52:56.280 --> 0:53:04.520
<v Speaker 1>is that they expected something else. No, my cousin, my

0:53:04.600 --> 0:53:07.600
<v Speaker 1>fatists cousin was there. He he was the one sleeping

0:53:07.600 --> 0:53:11.640
<v Speaker 1>on Yeah you want to sleeping on the floor, you know,

0:53:12.880 --> 0:53:16.840
<v Speaker 1>because because they we talked about it and it was like,

0:53:16.960 --> 0:53:19.520
<v Speaker 1>I was like, you want you to do MTV criz

0:53:19.920 --> 0:53:21.880
<v Speaker 1>I was like, all right, cool. They say, yo, we

0:53:22.080 --> 0:53:24.359
<v Speaker 1>we got a house that we would like to put

0:53:24.400 --> 0:53:26.000
<v Speaker 1>you and I was like, oh word. And I had

0:53:26.040 --> 0:53:29.040
<v Speaker 1>to think about that ship. My my brand was on

0:53:29.120 --> 0:53:31.240
<v Speaker 1>the line. And at the time, how many goal albums

0:53:31.280 --> 0:53:33.440
<v Speaker 1>you got at the time, I I think I had

0:53:33.520 --> 0:53:39.440
<v Speaker 1>like four fourgol albums. But just in the midst of

0:53:39.560 --> 0:53:41.839
<v Speaker 1>that decision, I had to make a real, a real

0:53:41.960 --> 0:53:46.279
<v Speaker 1>executive decision on that uh on that answer, And I said,

0:53:46.320 --> 0:53:48.319
<v Speaker 1>you know what, now, I don't want to rent the house.

0:53:48.520 --> 0:53:50.800
<v Speaker 1>I want you all to come to my house. And

0:53:51.719 --> 0:53:53.400
<v Speaker 1>they ain't have no idea. Where the funk they was

0:53:53.440 --> 0:53:57.279
<v Speaker 1>coming to me? Was this house happened? This house was

0:53:57.360 --> 0:54:00.920
<v Speaker 1>in standing out and see what happened was no, no,

0:54:01.520 --> 0:54:03.520
<v Speaker 1>it wasn't. This was like a real estate project. I

0:54:03.680 --> 0:54:05.680
<v Speaker 1>was doing this ship. So this was like my first

0:54:05.960 --> 0:54:08.840
<v Speaker 1>real estate ship. I was like, I'm fixing this, but

0:54:08.960 --> 0:54:11.120
<v Speaker 1>I ended up staying in the bit. I had no

0:54:11.160 --> 0:54:19.640
<v Speaker 1>way to go. Yeah, I end up I adn't want

0:54:19.640 --> 0:54:22.560
<v Speaker 1>to go. So so this mother fuckers showed up like

0:54:22.640 --> 0:54:24.680
<v Speaker 1>a half hour early, trying to be all cocky and

0:54:24.719 --> 0:54:27.040
<v Speaker 1>ship at my door, you know, half hour early. And

0:54:27.080 --> 0:54:29.560
<v Speaker 1>then they came in my ship. It was like, damn,

0:54:30.920 --> 0:54:32.520
<v Speaker 1>this is where you're saying that for real? And I

0:54:32.640 --> 0:54:35.120
<v Speaker 1>was like, yeah, this is where we're shooting that for real.

0:54:39.080 --> 0:54:41.359
<v Speaker 1>And it was like, okay, let's get the cameras rolling

0:54:41.400 --> 0:54:46.279
<v Speaker 1>this set up, and and and they came in with

0:54:47.440 --> 0:54:53.200
<v Speaker 1>an assumption and they left with an understanding, with appreciation

0:54:54.600 --> 0:54:58.520
<v Speaker 1>of how artists can be so known to the world,

0:54:59.040 --> 0:55:01.719
<v Speaker 1>but a pre shakes standing in the spot like this

0:55:01.960 --> 0:55:04.879
<v Speaker 1>to generate his brand and still to this day, I'm

0:55:04.960 --> 0:55:07.839
<v Speaker 1>right in that spot. Now, I don't that's my last question.

0:55:08.520 --> 0:55:11.920
<v Speaker 1>Yeah you really really there? Like yeah, my nigga cousin

0:55:12.000 --> 0:55:18.000
<v Speaker 1>minig Yeah, yeah man, because bottom line asked you. That's

0:55:18.040 --> 0:55:20.839
<v Speaker 1>real niggas. You know, you always gotta have somewhere, can

0:55:21.000 --> 0:55:24.960
<v Speaker 1>ship go down? I gotta if ship go down spot?

0:55:25.080 --> 0:55:27.480
<v Speaker 1>But the bell didn't work. The bell still don't work.

0:55:28.719 --> 0:55:34.879
<v Speaker 1>I don't don't know. He's still a real but after

0:55:35.320 --> 0:55:38.600
<v Speaker 1>the day, I bought that bitch for sixty grand and

0:55:38.640 --> 0:55:41.880
<v Speaker 1>I can sell that ship for two hunting now. But

0:55:42.160 --> 0:55:45.640
<v Speaker 1>I'm I'm I stay in it because it's my little sanctuary,

0:55:45.880 --> 0:55:47.520
<v Speaker 1>you know. I mean, I'm scared to live in a

0:55:47.560 --> 0:55:51.120
<v Speaker 1>big gass house. Yeah, I'm I'm scared. Too many windows

0:55:51.200 --> 0:55:54.200
<v Speaker 1>and ship for sneaking around and coasts and ship can

0:55:54.320 --> 0:55:57.520
<v Speaker 1>build them a house. Yeah, I can't funk with her

0:55:57.560 --> 0:56:03.399
<v Speaker 1>big gass you know that you can build up? Yeah,

0:56:03.440 --> 0:56:12.040
<v Speaker 1>exactly day, So this is legendary. Yeah right, I got

0:56:12.120 --> 0:56:14.959
<v Speaker 1>eight bathrooms and ship ain't not talking about the space

0:56:15.360 --> 0:56:19.080
<v Speaker 1>they live, no, not at all. So so you really

0:56:19.160 --> 0:56:23.040
<v Speaker 1>do you really do live in that credit? Yes? So

0:56:23.200 --> 0:56:26.839
<v Speaker 1>we we make empty people if you remake it, because

0:56:26.880 --> 0:56:28.120
<v Speaker 1>you know what I'm trying to make you trying to

0:56:28.160 --> 0:56:31.520
<v Speaker 1>make fun of me. Now listen. So if I'm gonna

0:56:31.520 --> 0:56:33.719
<v Speaker 1>bring it back, um, because I want to bring back

0:56:33.800 --> 0:56:35.520
<v Speaker 1>MTV Criz, but I want to bring it back it

0:56:35.880 --> 0:56:39.680
<v Speaker 1>on the Spanish version called Lakassa. So you're gonna go

0:56:39.760 --> 0:56:42.919
<v Speaker 1>to like get block to those and then we're gonna

0:56:43.040 --> 0:56:45.600
<v Speaker 1>gonna be the only black name on this episode. I

0:56:45.640 --> 0:56:47.840
<v Speaker 1>can go see you and we can go there copy that.

0:56:48.200 --> 0:56:50.120
<v Speaker 1>Let's do that. Matter of fact, look on my Instagram

0:56:50.239 --> 0:56:51.719
<v Speaker 1>right now. I'm getting my ship done up right now,

0:56:51.800 --> 0:56:57.600
<v Speaker 1>so crip saying, time to do it. You revisited, They

0:56:57.719 --> 0:57:01.440
<v Speaker 1>didn't revisited. They did a part and that ship was

0:57:01.520 --> 0:57:05.279
<v Speaker 1>funny yourself too, because they revisited and I got some

0:57:05.480 --> 0:57:07.160
<v Speaker 1>things done and there I was like, y'all want you

0:57:07.200 --> 0:57:10.520
<v Speaker 1>all to see her? I got don yeah, But then

0:57:10.640 --> 0:57:13.560
<v Speaker 1>we went to the bathroom and ship and I forgot

0:57:13.960 --> 0:57:16.560
<v Speaker 1>because they said because I said, yeah, and you and

0:57:16.880 --> 0:57:20.160
<v Speaker 1>and they you know what they knew because they've seen

0:57:20.200 --> 0:57:22.000
<v Speaker 1>the first version. They said, so it's this the same

0:57:22.040 --> 0:57:24.360
<v Speaker 1>shower curtain. And I was like, no, I wouldn't do

0:57:24.480 --> 0:57:28.400
<v Speaker 1>an MTV crib way back then, twelve fourteen years ago,

0:57:28.440 --> 0:57:31.120
<v Speaker 1>and they still had the same shower curtain and they

0:57:31.200 --> 0:57:33.120
<v Speaker 1>went back to the first one and I still had

0:57:33.200 --> 0:57:41.320
<v Speaker 1>that sense ship. They blamed me heavy, but it was

0:57:41.400 --> 0:57:45.000
<v Speaker 1>good though. It was good. Yeah, it was a revisit.

0:57:45.080 --> 0:57:50.240
<v Speaker 1>It was carding TV cribs revisit. Oh that is her

0:57:50.280 --> 0:57:55.400
<v Speaker 1>laxed all right now, one of my favorite guns black

0:57:55.480 --> 0:58:03.760
<v Speaker 1>and white video. It's nice night, a classic chills go classic.

0:58:04.640 --> 0:58:07.640
<v Speaker 1>Like again, like I said, like I just like to

0:58:07.760 --> 0:58:11.000
<v Speaker 1>go have a platelist. Most of the time is it's

0:58:11.200 --> 0:58:16.240
<v Speaker 1>in the audio. But you know this morning, well this afternoon,

0:58:16.400 --> 0:58:21.720
<v Speaker 1>my barber a barn don't know, but the bar is

0:58:22.040 --> 0:58:24.480
<v Speaker 1>put the whole shoot on. When that ship came on,

0:58:25.120 --> 0:58:27.920
<v Speaker 1>we just both He just stopped cutting my hair. I

0:58:28.080 --> 0:58:31.040
<v Speaker 1>just stopped getting my hair cut and we just looked

0:58:31.080 --> 0:58:34.160
<v Speaker 1>like it was just like it palls of all life

0:58:34.320 --> 0:58:36.520
<v Speaker 1>like it was just like when it was it was

0:58:36.560 --> 0:58:39.240
<v Speaker 1>just something between just like like who it was five

0:58:39.280 --> 0:58:44.320
<v Speaker 1>minute breakless? Who produced that record? Eric Sherman dam And

0:58:44.440 --> 0:58:46.040
<v Speaker 1>you know, did you know it was a classic when

0:58:46.040 --> 0:58:47.920
<v Speaker 1>you record it? Yeah? Well you know because these was

0:58:48.000 --> 0:58:49.800
<v Speaker 1>batchels of records that I had and we would just

0:58:49.880 --> 0:58:52.680
<v Speaker 1>get loops off the recommend but yeah, the way he

0:58:52.760 --> 0:58:56.000
<v Speaker 1>put it together, in the way I orchestrated the lyrics.

0:58:56.080 --> 0:58:59.040
<v Speaker 1>Yet it was what we was feeling such a crazy

0:58:59.280 --> 0:59:01.240
<v Speaker 1>like in the nineties, we really didn't give a funk

0:59:01.320 --> 0:59:04.240
<v Speaker 1>what the audience was feeling. We made out. So that's

0:59:04.280 --> 0:59:08.520
<v Speaker 1>why all of us stood out. It's still different, you know. Yeah, man,

0:59:09.000 --> 0:59:12.760
<v Speaker 1>Actually on that video that was that was Russell Simmons

0:59:12.840 --> 0:59:15.920
<v Speaker 1>helped put that video together and put that was Brett

0:59:16.000 --> 0:59:19.400
<v Speaker 1>Ratner's first video he ever shot, and after that he

0:59:19.520 --> 0:59:24.480
<v Speaker 1>went on and Dead Movies, Rushoe exactly. Actually, his mama

0:59:24.560 --> 0:59:26.360
<v Speaker 1>was in the video too. That white Lady was in

0:59:26.440 --> 0:59:28.920
<v Speaker 1>the video. That was Brett ratner mama. That's really I

0:59:29.120 --> 0:59:36.040
<v Speaker 1>just can't say that absolutely I rat video. Just let's

0:59:36.040 --> 0:59:39.080
<v Speaker 1>just say you have Ratner's mama tworking. Let's just stow

0:59:39.120 --> 0:59:42.360
<v Speaker 1>it out there. Let's just I don't think that was

0:59:42.400 --> 0:59:44.800
<v Speaker 1>out in the nineties. She was working. She was doing

0:59:44.840 --> 0:59:48.120
<v Speaker 1>the White Miami there was doing something like it. Y'all

0:59:48.240 --> 0:59:53.520
<v Speaker 1>was out. You was out here, you left you from here.

0:59:54.440 --> 0:59:57.600
<v Speaker 1>L A born but raised in Miamikay, So what's your

0:59:57.640 --> 1:00:00.800
<v Speaker 1>favorite ever in hip hop? What? And then this is

1:00:00.840 --> 1:00:03.240
<v Speaker 1>a ten years fans. You don't have to say, you know,

1:00:05.960 --> 1:00:08.400
<v Speaker 1>you don't have to be in the era doesn't matter.

1:00:08.520 --> 1:00:12.080
<v Speaker 1>Favorite era of hip hop. It had to be like

1:00:12.320 --> 1:00:16.680
<v Speaker 1>our error and the eighties era. I wasn't big. Yeah,

1:00:16.920 --> 1:00:19.360
<v Speaker 1>so when you say eight nine and eight nine, I

1:00:19.400 --> 1:00:22.680
<v Speaker 1>would say, well ship, I would ship well run d

1:00:22.800 --> 1:00:27.880
<v Speaker 1>MC kind of how early eighties? Yeah yeah, yeah, I'm

1:00:27.880 --> 1:00:30.960
<v Speaker 1>saying I would say from me, Yeah, I would say

1:00:31.040 --> 1:00:37.960
<v Speaker 1>eighties to nineties to our era to forever. Well, from

1:00:38.040 --> 1:00:41.160
<v Speaker 1>eighties to our arrow is like my favorite era hip

1:00:41.160 --> 1:00:44.360
<v Speaker 1>hop is where I molded from. You know, I could

1:00:44.360 --> 1:00:47.200
<v Speaker 1>say that definitely. Was it ever point in hip hop

1:00:47.240 --> 1:00:52.000
<v Speaker 1>where you like was disappointed? I mean, keep it real,

1:00:52.080 --> 1:00:54.160
<v Speaker 1>this is drink chaps. Well ship, come on, you already

1:00:54.160 --> 1:00:58.960
<v Speaker 1>know I'm gonna keep you one hunting anyway. Um, when

1:01:00.040 --> 1:01:03.320
<v Speaker 1>when the new music started coming in, I had to

1:01:03.360 --> 1:01:06.760
<v Speaker 1>get a better understanding of what was going on, because

1:01:06.800 --> 1:01:09.200
<v Speaker 1>bottom line is, my nigga like, I can't never shipped

1:01:09.200 --> 1:01:11.520
<v Speaker 1>on a hip hop because it's still provide jabs for

1:01:11.640 --> 1:01:13.800
<v Speaker 1>my niggas out here and you're able to come off

1:01:13.840 --> 1:01:18.440
<v Speaker 1>the street and feed your family. But the fabric of

1:01:18.600 --> 1:01:21.800
<v Speaker 1>it was because that boy I was looking at your

1:01:21.840 --> 1:01:25.240
<v Speaker 1>Instagram and you kept like keep nineties alive type ship.

1:01:25.360 --> 1:01:28.680
<v Speaker 1>You was also yeah, yeah, let's doing all nineties niggas. Yeah,

1:01:28.760 --> 1:01:31.120
<v Speaker 1>let's just represent nineties niggs. But did that come from

1:01:31.400 --> 1:01:34.320
<v Speaker 1>a form of frustration. No, not even, not even because

1:01:34.360 --> 1:01:37.960
<v Speaker 1>I'm not frustrated about the new era, because bottom line is,

1:01:38.600 --> 1:01:40.760
<v Speaker 1>you know either, but some of these things disappoint me.

1:01:41.240 --> 1:01:44.280
<v Speaker 1>Some of the things might disappoint you. On the things

1:01:44.360 --> 1:01:48.320
<v Speaker 1>that disappoint me is it's not the music is gonna

1:01:48.360 --> 1:01:51.840
<v Speaker 1>be music. You have an option to turn that ship

1:01:51.960 --> 1:01:54.760
<v Speaker 1>off or keep it. On the bottom line, The thing

1:01:55.240 --> 1:01:59.800
<v Speaker 1>that kind of disappoint me is the the ethic, that

1:02:00.200 --> 1:02:02.680
<v Speaker 1>ethic to get in the game. It's just so easy,

1:02:02.800 --> 1:02:05.720
<v Speaker 1>like if my grandma could record a hot club right now,

1:02:08.440 --> 1:02:11.480
<v Speaker 1>motherfucking America with a hot song. You heard Grandma with

1:02:11.600 --> 1:02:14.000
<v Speaker 1>red Grandma and that ship. She was killing that ship

1:02:14.480 --> 1:02:16.120
<v Speaker 1>and that should be all over and she did gonna

1:02:16.120 --> 1:02:18.360
<v Speaker 1>get a deal and producers the want to work with

1:02:18.480 --> 1:02:23.840
<v Speaker 1>a It's good for it's good that you have that,

1:02:24.320 --> 1:02:27.480
<v Speaker 1>the opportunity so much in your face. But you know,

1:02:27.600 --> 1:02:30.080
<v Speaker 1>when you have when you get something that grand that

1:02:30.200 --> 1:02:33.520
<v Speaker 1>kind of also comes with a con to it. It's

1:02:33.560 --> 1:02:37.280
<v Speaker 1>always a contour pro and personal. It's not it's not

1:02:37.400 --> 1:02:40.200
<v Speaker 1>good for the culture. And so it just made it

1:02:40.320 --> 1:02:43.760
<v Speaker 1>that real, diluted far as what kind of material represents

1:02:43.840 --> 1:02:46.560
<v Speaker 1>a good fabric that we bumped. We don't bounced the

1:02:46.600 --> 1:02:48.560
<v Speaker 1>ball too, because you know, we had to pass the ball.

1:02:48.920 --> 1:02:51.080
<v Speaker 1>And like I said, when we got the ball from

1:02:51.120 --> 1:02:54.320
<v Speaker 1>the eighties, niggas, we bounced that ship, and we we

1:02:54.520 --> 1:02:57.160
<v Speaker 1>elevated that ship, and we we branched it out and

1:02:57.280 --> 1:03:01.600
<v Speaker 1>we made it more of a a language for other

1:03:01.760 --> 1:03:05.040
<v Speaker 1>countries and coaches that understand us as a people. And

1:03:05.160 --> 1:03:08.440
<v Speaker 1>then as we bounced the ball more to the next generation,

1:03:08.880 --> 1:03:11.360
<v Speaker 1>I think a little bit of that fabric of them

1:03:11.480 --> 1:03:13.760
<v Speaker 1>thinking what we're trying to do has lost and turned

1:03:13.760 --> 1:03:16.080
<v Speaker 1>into just money and you know, let me just do

1:03:16.240 --> 1:03:19.040
<v Speaker 1>this record, put it out, get this pub Yeah. But

1:03:19.520 --> 1:03:23.240
<v Speaker 1>overall I think it's coming back around because motherfucker's even

1:03:23.280 --> 1:03:25.840
<v Speaker 1>a new audience. Look, nick I got five kids, and

1:03:25.880 --> 1:03:29.360
<v Speaker 1>they are ranged from twenty nine to fourteen, you know,

1:03:29.920 --> 1:03:32.760
<v Speaker 1>and and three of them is is grown in their twenties,

1:03:33.160 --> 1:03:35.760
<v Speaker 1>so I get the rundown. And two of them living

1:03:35.760 --> 1:03:38.520
<v Speaker 1>in Atlanta, so I get the rundown on new artists,

1:03:38.600 --> 1:03:41.760
<v Speaker 1>old artists who new liggas to who the young and

1:03:41.840 --> 1:03:44.960
<v Speaker 1>the young, and most of the young people that I

1:03:45.080 --> 1:03:47.840
<v Speaker 1>talked to, they'd be like, nah, nah no, that young

1:03:47.880 --> 1:03:49.760
<v Speaker 1>ship they play on the radio, that's for the little

1:03:49.840 --> 1:03:52.400
<v Speaker 1>young niggas. We we listen to them. We listen to

1:03:52.520 --> 1:03:55.360
<v Speaker 1>y'all niggas. We bumped nineties ship, yo, And it's a

1:03:55.480 --> 1:03:58.240
<v Speaker 1>lot a lot of your cast that's doing that. So

1:03:58.880 --> 1:04:01.560
<v Speaker 1>I would, I would definitely they say, Oh, Errolman, pick

1:04:01.640 --> 1:04:04.240
<v Speaker 1>up to the out. He got a cold station rock

1:04:04.320 --> 1:04:10.240
<v Speaker 1>the bell rocked the bells. I listened to the rock.

1:04:10.320 --> 1:04:13.280
<v Speaker 1>The bells is killing it. Swing Sway is always killing.

1:04:13.840 --> 1:04:24.800
<v Speaker 1>Shout to man, the became along that. So she's Jersey right, Yes,

1:04:25.800 --> 1:04:29.080
<v Speaker 1>So what's what's the best perks about hip hop? What's

1:04:29.120 --> 1:04:33.880
<v Speaker 1>the best thing that hip hop was done for you?

1:04:35.960 --> 1:04:41.320
<v Speaker 1>Good fucking question. Help me, Uh besides put money on

1:04:41.400 --> 1:04:48.200
<v Speaker 1>the fucking table, and uh, it allowed me to be

1:04:48.360 --> 1:04:50.479
<v Speaker 1>that nigger who I am. It helped me. It helped

1:04:50.520 --> 1:04:53.200
<v Speaker 1>molded me because I knew I wasn't working a nine,

1:04:53.280 --> 1:04:56.200
<v Speaker 1>a fucking five, and I knew I wasn't gonna be

1:04:56.280 --> 1:04:58.680
<v Speaker 1>able to take waters from nobody waking up in them

1:04:59.040 --> 1:05:02.640
<v Speaker 1>nigga The reason why I've rapped is because I didn't

1:05:02.680 --> 1:05:05.240
<v Speaker 1>want to wake up in the morning. I'm not a

1:05:05.320 --> 1:05:09.160
<v Speaker 1>morning nigger. I can't wake up in the morning. Take

1:05:09.200 --> 1:05:12.520
<v Speaker 1>it no orders from no motherfucking body, not even my mama.

1:05:13.000 --> 1:05:14.880
<v Speaker 1>This morning, I woke up in my mama house. She

1:05:14.960 --> 1:05:16.760
<v Speaker 1>tried to give me something to do. Early summers, I

1:05:16.840 --> 1:05:21.840
<v Speaker 1>got to funk all up my ship. Like, hold up,

1:05:21.920 --> 1:05:24.680
<v Speaker 1>let me get into myself first before you started passing

1:05:24.760 --> 1:05:28.920
<v Speaker 1>me the school driving and ship ship. You know, I

1:05:29.000 --> 1:05:31.560
<v Speaker 1>need to mold I need to get into myself. And

1:05:32.040 --> 1:05:36.040
<v Speaker 1>as creative as I am, I know that I would

1:05:36.160 --> 1:05:38.520
<v Speaker 1>not be able to get up and take orders from

1:05:38.600 --> 1:05:40.360
<v Speaker 1>nine to five and be the man I'm supposed to be,

1:05:40.440 --> 1:05:42.800
<v Speaker 1>even though I did, and I got fired from every

1:05:42.880 --> 1:05:46.200
<v Speaker 1>job I had. I ain't quit, I got fired. You know.

1:05:46.680 --> 1:05:49.880
<v Speaker 1>So what hip hop done for me is molded me

1:05:50.000 --> 1:05:56.080
<v Speaker 1>into this person who I am and actually brought out

1:05:56.240 --> 1:06:00.200
<v Speaker 1>the reality of this world because I was able to

1:06:01.080 --> 1:06:04.200
<v Speaker 1>travel here and there, travel to this country, travel to

1:06:04.280 --> 1:06:07.000
<v Speaker 1>this state and see how motherfucker's work, see how people

1:06:07.080 --> 1:06:10.160
<v Speaker 1>work over here and live, see how people appreciate their

1:06:10.200 --> 1:06:13.600
<v Speaker 1>culture over here. So it also, you know, opened my

1:06:13.760 --> 1:06:16.520
<v Speaker 1>eyes to you know this fucking world. Man, you know

1:06:16.640 --> 1:06:19.720
<v Speaker 1>what bro like? Yeah, it's like man ship. The only

1:06:19.760 --> 1:06:24.040
<v Speaker 1>thing I knew was now and I was afraid, like, look, nigga,

1:06:24.120 --> 1:06:26.880
<v Speaker 1>either I'm gonna be rapping or be selling Druggs because

1:06:26.920 --> 1:06:28.920
<v Speaker 1>I'm not going to know now. In the five Waking

1:06:29.000 --> 1:06:32.440
<v Speaker 1>Up and Ship, you know when we had we had

1:06:32.480 --> 1:06:35.080
<v Speaker 1>the ep m D on the show, and I kicked

1:06:35.120 --> 1:06:39.040
<v Speaker 1>myself after that show because one of my favorite collectives

1:06:39.080 --> 1:06:41.600
<v Speaker 1>and crews and hip hop hands down, at least my

1:06:41.800 --> 1:06:44.680
<v Speaker 1>squad is his squad. Obviously there's the Jews crew and

1:06:44.720 --> 1:06:47.040
<v Speaker 1>all these guys. That was as far as first right

1:06:47.920 --> 1:06:50.800
<v Speaker 1>know what I'm talking about Juice Worlds. That's not my generation.

1:06:50.880 --> 1:06:53.280
<v Speaker 1>That's right before it me. I'm in high school when

1:06:53.400 --> 1:06:58.000
<v Speaker 1>his squad and that and that too. So what I

1:06:58.080 --> 1:07:00.640
<v Speaker 1>want to know is how did that all come together?

1:07:01.440 --> 1:07:03.120
<v Speaker 1>What did it mean to you? What was that whole

1:07:04.040 --> 1:07:09.160
<v Speaker 1>vibe in the hit squad? Because you had and I

1:07:09.240 --> 1:07:10.640
<v Speaker 1>had to go to break up because I got to

1:07:10.680 --> 1:07:17.080
<v Speaker 1>take people. So the his squad came came like I

1:07:17.280 --> 1:07:19.040
<v Speaker 1>think I was No, I wasn't the last member to

1:07:19.120 --> 1:07:21.880
<v Speaker 1>come in. Um like effects was the last member to

1:07:21.920 --> 1:07:26.120
<v Speaker 1>come in. And when Doss Effects got signed, then I

1:07:26.240 --> 1:07:28.440
<v Speaker 1>got signed. Then we kind of came up with the

1:07:28.480 --> 1:07:30.240
<v Speaker 1>His Squad We're gonna go on. We came up with it.

1:07:30.720 --> 1:07:34.240
<v Speaker 1>I don't know, it was either Parish thing, I'm not

1:07:34.400 --> 1:07:37.960
<v Speaker 1>too sure and Ship like I think Parish didn't and uh,

1:07:38.640 --> 1:07:40.280
<v Speaker 1>we went out on the road. We called ourselves to

1:07:40.320 --> 1:07:44.680
<v Speaker 1>his Squad and everyone out on the beside me. I

1:07:44.720 --> 1:07:47.080
<v Speaker 1>don't think I really had a strong single out on anything,

1:07:47.360 --> 1:07:50.080
<v Speaker 1>but I was just on the roll before your album. Yeah,

1:07:50.080 --> 1:07:53.400
<v Speaker 1>it was like kind of before my album, uh that

1:07:53.520 --> 1:07:55.240
<v Speaker 1>we had to hit squad. I was just going out,

1:07:55.280 --> 1:07:57.560
<v Speaker 1>you know, I was going out doing freestyles and I

1:07:57.800 --> 1:08:02.680
<v Speaker 1>was murdering Ship, murdering everything on the road every time

1:08:02.720 --> 1:08:06.080
<v Speaker 1>they brought me out. I was murdering Ship and head

1:08:06.120 --> 1:08:09.200
<v Speaker 1>Bangers out already, right because that's before you We we

1:08:09.360 --> 1:08:12.640
<v Speaker 1>kind of started to his Squad beforehead Bangers because that's

1:08:12.680 --> 1:08:15.680
<v Speaker 1>what solidified it. Yeah, I was on, I was on.

1:08:16.160 --> 1:08:19.200
<v Speaker 1>I was on the third album when we went out

1:08:19.280 --> 1:08:22.520
<v Speaker 1>on the road, and then we came up with Headbangers.

1:08:22.720 --> 1:08:25.160
<v Speaker 1>So it was right in that in between the third album,

1:08:25.200 --> 1:08:27.719
<v Speaker 1>fourth album was like the his Squad kind of built

1:08:27.800 --> 1:08:31.000
<v Speaker 1>up and uh, and we just took it there. Man.

1:08:31.080 --> 1:08:33.439
<v Speaker 1>We was just rolling. And then when it split up

1:08:33.479 --> 1:08:38.800
<v Speaker 1>into that, it's death squad and we'll stayed with his squad, right, No, no, no,

1:08:39.000 --> 1:08:43.240
<v Speaker 1>Parrish still stayed with him. That's what I say, said, Parish,

1:08:43.520 --> 1:08:46.519
<v Speaker 1>Parish stayed with his squad. Eric, We went to his squad.

1:08:48.160 --> 1:08:50.400
<v Speaker 1>How old was that for you? It wasn't awful. It

1:08:50.560 --> 1:08:53.840
<v Speaker 1>was just the business move because you came in with, yeah,

1:08:54.200 --> 1:08:56.600
<v Speaker 1>that's right now, I'm gonna leave with you know, And

1:08:56.960 --> 1:08:59.080
<v Speaker 1>it wasn't nothing, man, It was just like, alright, these

1:08:59.120 --> 1:09:02.400
<v Speaker 1>two guys the ball just you know, they're not getting along,

1:09:02.960 --> 1:09:05.519
<v Speaker 1>so they gotta go their ways and learn, you know,

1:09:05.640 --> 1:09:09.280
<v Speaker 1>no big fucking deal. Now. It was an awkward moment

1:09:09.479 --> 1:09:14.120
<v Speaker 1>right at one point where Tupac comes home from jail,

1:09:15.000 --> 1:09:18.800
<v Speaker 1>he's wild on everybody, he's telling everybody fuck you from

1:09:18.840 --> 1:09:21.799
<v Speaker 1>New York. And then this record comes out of nowhere.

1:09:22.479 --> 1:09:24.559
<v Speaker 1>We hear the story that you guys did it for dads.

1:09:24.720 --> 1:09:28.400
<v Speaker 1>Later before a week in New York history, people who

1:09:28.520 --> 1:09:32.120
<v Speaker 1>was like, what the fund is going on? But man,

1:09:32.960 --> 1:09:35.680
<v Speaker 1>did you never? Did you never? Not Don Pounds on

1:09:35.760 --> 1:09:40.760
<v Speaker 1>the record too, right, yeah? Because before we honestly, yeah,

1:09:41.040 --> 1:09:44.960
<v Speaker 1>I mean I don't ever knew that. People kind of skept, Okay,

1:09:45.000 --> 1:09:49.400
<v Speaker 1>well look at that, it's real. That's the way. That's

1:09:49.439 --> 1:09:51.920
<v Speaker 1>two bucks. I ever knew that. Yeah, It's like it's

1:09:51.960 --> 1:09:54.000
<v Speaker 1>like I was like, it might have been two or

1:09:54.080 --> 1:09:56.160
<v Speaker 1>three days, you know, because back then when you have

1:09:56.200 --> 1:09:58.040
<v Speaker 1>a Twitter, when you could have said, yo, we did

1:09:58.120 --> 1:10:01.320
<v Speaker 1>that for dads, Like you know, you gotta remember even

1:10:01.360 --> 1:10:03.599
<v Speaker 1>when you did a source article, you did that ship

1:10:03.720 --> 1:10:07.400
<v Speaker 1>two months in events that's right, you did an exxel

1:10:07.520 --> 1:10:10.400
<v Speaker 1>or Vibe or some ship that's you did an October

1:10:11.200 --> 1:10:15.400
<v Speaker 1>for the Sabers issue. So I under staying like there

1:10:15.479 --> 1:10:17.920
<v Speaker 1>was a like at least a two or three day period,

1:10:18.560 --> 1:10:21.160
<v Speaker 1>maybe even a week where people was like, it's red

1:10:21.479 --> 1:10:25.200
<v Speaker 1>beanom we're hiding with the West Side. Get the funk

1:10:25.280 --> 1:10:28.599
<v Speaker 1>out of just being honest, like I'm sure I've never

1:10:28.680 --> 1:10:34.200
<v Speaker 1>heard that. I'm had some moment, but you never heard, Like, no,

1:10:34.320 --> 1:10:40.320
<v Speaker 1>I ain't never heard that ship. The craziest, I would

1:10:40.360 --> 1:10:43.920
<v Speaker 1>be honest, that's crazy because we don't remember like this

1:10:44.120 --> 1:10:46.360
<v Speaker 1>came out right right after who shot y'all something like

1:10:46.439 --> 1:10:49.000
<v Speaker 1>that came out right in the period of where it

1:10:49.120 --> 1:10:51.600
<v Speaker 1>was like, even if you love pot, you had to

1:10:51.680 --> 1:10:54.599
<v Speaker 1>kind of like take the choice that stands. And then

1:10:54.720 --> 1:10:57.479
<v Speaker 1>this record came out my mom made up and it

1:10:57.680 --> 1:11:00.639
<v Speaker 1>was like, whoa, I'm saying, how did you know? What happened?

1:11:00.800 --> 1:11:03.760
<v Speaker 1>Was you guys? You all all? Man? I forget which

1:11:03.800 --> 1:11:05.680
<v Speaker 1>one of y'all came to say, Yeah, we did that

1:11:05.760 --> 1:11:08.240
<v Speaker 1>for Dash and it cleared it up. Both. Yeah, we

1:11:08.360 --> 1:11:09.960
<v Speaker 1>both cleared it up. You won't clear it up, but

1:11:10.240 --> 1:11:12.240
<v Speaker 1>I'm saying for that we can talk. Like I said,

1:11:12.320 --> 1:11:15.080
<v Speaker 1>we didn't have out of here. That's something. So people

1:11:15.120 --> 1:11:17.800
<v Speaker 1>were like, yeah, I kid, you're not out of here. Man.

1:11:17.960 --> 1:11:20.360
<v Speaker 1>I never really heard that, bro, But you didn't hear

1:11:20.560 --> 1:11:23.240
<v Speaker 1>you didn't feel like, I ain't feel nothing else because

1:11:23.280 --> 1:11:25.760
<v Speaker 1>we knew we was doing it for Dash, yo. Like

1:11:26.080 --> 1:11:28.160
<v Speaker 1>we didn't feeling nothing because we knew we was gonna

1:11:28.200 --> 1:11:30.519
<v Speaker 1>even if we was going in for pop, like we

1:11:30.680 --> 1:11:33.280
<v Speaker 1>really didn't. We wasn't tripping that much, you know what

1:11:33.280 --> 1:11:35.800
<v Speaker 1>I'm talking about. But we went to do it for Dad,

1:11:35.920 --> 1:11:37.760
<v Speaker 1>so we didn't have no feelings at all. We was

1:11:37.800 --> 1:11:39.680
<v Speaker 1>just like, yeah, we're just gonna lace this ship. And

1:11:39.760 --> 1:11:43.679
<v Speaker 1>even death was in there. They cut that off on that. Yeah,

1:11:43.760 --> 1:11:46.400
<v Speaker 1>but yeah, we know that ship was going on pop albums,

1:11:47.439 --> 1:11:49.680
<v Speaker 1>you know, so you had no water. It was just

1:11:50.439 --> 1:11:52.320
<v Speaker 1>it wasn't now, but we heard the story how it

1:11:52.400 --> 1:11:55.200
<v Speaker 1>happened and Ship because we probably came over. Yeah. Yeah,

1:11:55.280 --> 1:11:58.040
<v Speaker 1>as soon as he came home, he was taking everything.

1:11:58.160 --> 1:12:01.519
<v Speaker 1>Now did I watched the movies all was like all right, yeah, okay,

1:12:01.720 --> 1:12:03.759
<v Speaker 1>and that missed the time while he was doing that album,

1:12:04.160 --> 1:12:05.840
<v Speaker 1>how that song made it. He came home and he

1:12:06.200 --> 1:12:08.639
<v Speaker 1>said they he was just taking everything, like I need

1:12:08.760 --> 1:12:14.360
<v Speaker 1>that absolutely describe that. I've never got to meet whatever

1:12:15.400 --> 1:12:17.360
<v Speaker 1>I've seen Pocket a couple of times. I took pictures

1:12:17.400 --> 1:12:20.679
<v Speaker 1>with Pocket ship Man Park was he was cool, coolest

1:12:21.439 --> 1:12:24.640
<v Speaker 1>bottom line. You know, when you see it's certain motherfucker's

1:12:24.720 --> 1:12:28.519
<v Speaker 1>like you know, you carry an aura about yourself till

1:12:28.520 --> 1:12:32.599
<v Speaker 1>when motherfucker's meet you. Whenever, whatever they're doing in the world,

1:12:33.080 --> 1:12:36.000
<v Speaker 1>they come down to a YO, what's good, my niggaw

1:12:36.320 --> 1:12:38.320
<v Speaker 1>to a certain level of respect because you know that

1:12:38.560 --> 1:12:40.599
<v Speaker 1>that person know you love hip hop just as much

1:12:40.640 --> 1:12:43.200
<v Speaker 1>as they do. So it was always a mutual good,

1:12:43.800 --> 1:12:46.160
<v Speaker 1>you know, understanding with us every time we've seen each other.

1:12:46.280 --> 1:12:49.680
<v Speaker 1>Never no no ray Alan or anything. My nigga. That's

1:12:49.680 --> 1:12:52.720
<v Speaker 1>a beautiful thing that it was got to be now,

1:12:52.960 --> 1:12:55.200
<v Speaker 1>so I'm surprised you've never heard that though now I

1:12:55.200 --> 1:13:00.120
<v Speaker 1>ain't never heard that ship made that ship up? Was

1:13:00.360 --> 1:13:03.600
<v Speaker 1>there was three days people like, you know because you

1:13:03.920 --> 1:13:07.160
<v Speaker 1>and you know what else was uh cues that was

1:13:07.439 --> 1:13:10.200
<v Speaker 1>buck shot shortly enough, because that was really close. I'm

1:13:10.200 --> 1:13:12.680
<v Speaker 1>gonna tell you why. Because not only that day was

1:13:12.920 --> 1:13:16.000
<v Speaker 1>close to but because remember Buckshot and them had beef

1:13:16.000 --> 1:13:20.439
<v Speaker 1>for big so them want to record what Pock at

1:13:20.520 --> 1:13:24.160
<v Speaker 1>the time seemed like they were aligning thisxself. You understand

1:13:24.160 --> 1:13:26.840
<v Speaker 1>I'm saying, So then you don't. Everybody was like, where

1:13:26.880 --> 1:13:29.000
<v Speaker 1>the fun they think it is coming? Now you're saying

1:13:29.040 --> 1:13:30.599
<v Speaker 1>that I can't do. You know what I'm saying. I'm

1:13:30.640 --> 1:13:32.800
<v Speaker 1>just saying because but no one else at that time

1:13:33.479 --> 1:13:36.479
<v Speaker 1>we're working with them because of pox harsh words, you

1:13:36.520 --> 1:13:39.280
<v Speaker 1>know what I'm saying. So what I'm saying people were

1:13:39.360 --> 1:13:40.840
<v Speaker 1>kind of mad at you all for a fort a

1:13:40.880 --> 1:13:44.360
<v Speaker 1>while until it was an interview. I get what interview

1:13:44.400 --> 1:13:45.680
<v Speaker 1>it was when y'all was like, yeah, we did it

1:13:45.760 --> 1:13:48.160
<v Speaker 1>for dads and corrup putting the room, and then he

1:13:48.320 --> 1:13:51.360
<v Speaker 1>was like, okay, you know what I'm saying, it right

1:13:51.439 --> 1:13:53.439
<v Speaker 1>up like it was amazing, But see you know, because

1:13:53.600 --> 1:13:55.640
<v Speaker 1>you know now now I can put you on the

1:13:55.720 --> 1:13:58.000
<v Speaker 1>bracket with Amy Truman. You know what I'm saying. And

1:13:58.680 --> 1:14:02.080
<v Speaker 1>and you you you had addressed the rumor immediately. You listen, listen, Look,

1:14:02.080 --> 1:14:05.360
<v Speaker 1>I did't working for Nori. Nori put Amy Shrimming on.

1:14:05.760 --> 1:14:07.719
<v Speaker 1>I don't care. I don't know be for Amy Shrimming.

1:14:08.040 --> 1:14:10.280
<v Speaker 1>But it's Amy Shmer. I don't know. I just you know,

1:14:10.320 --> 1:14:20.400
<v Speaker 1>I'm just saying. He's like, you understand what I'm saying. Like,

1:14:21.080 --> 1:14:23.800
<v Speaker 1>so back then you couldn't address a rumor like you

1:14:23.840 --> 1:14:26.920
<v Speaker 1>know what I'm saying. Like that's why right now, if

1:14:27.000 --> 1:14:30.880
<v Speaker 1>you don't address a rumor immediately, you seem guilty because

1:14:30.920 --> 1:14:33.439
<v Speaker 1>you have any outlet to do it. You know what

1:14:33.439 --> 1:14:35.439
<v Speaker 1>I'm saying. Back in the days you can ignore this ship.

1:14:35.520 --> 1:14:37.800
<v Speaker 1>You'd be like, Yo, they said I got such a

1:14:38.200 --> 1:14:43.400
<v Speaker 1>us because nor it goes away now North, They're like

1:14:43.479 --> 1:14:46.840
<v Speaker 1>that motherfucker guilty. Look look at all Kelly, I'm sorry

1:14:46.840 --> 1:14:50.040
<v Speaker 1>forging my book in what He's been a ship for

1:14:50.160 --> 1:14:52.479
<v Speaker 1>a long time. And look at what's his people going on.

1:14:53.000 --> 1:14:56.680
<v Speaker 1>He gotta go to jail, you know that's something that's

1:14:56.720 --> 1:15:00.120
<v Speaker 1>something little with jail. But this is a chance at

1:15:00.160 --> 1:15:02.040
<v Speaker 1>the end of the day, that's something for him in

1:15:02.080 --> 1:15:04.960
<v Speaker 1>the higher power that deal with And yeah, he's gonna

1:15:05.160 --> 1:15:07.400
<v Speaker 1>he's gonna pay the price whatever him and the eye power.

1:15:07.439 --> 1:15:09.760
<v Speaker 1>And I told him, you know what you gotta do.

1:15:09.920 --> 1:15:12.640
<v Speaker 1>He gotta deal with it. I got my office. You're

1:15:12.680 --> 1:15:18.800
<v Speaker 1>worried with him? Did I know? I got one my

1:15:18.880 --> 1:15:22.599
<v Speaker 1>only record with jay Z as well, Kelly me jay

1:15:22.720 --> 1:15:25.080
<v Speaker 1>Z and Camra has called me ride. Come on Google

1:15:25.120 --> 1:15:27.519
<v Speaker 1>it has nine millions. So I got the flat that's right,

1:15:28.040 --> 1:15:34.080
<v Speaker 1>that's right. I shouldn't did that right now, I didn't

1:15:34.720 --> 1:15:47.160
<v Speaker 1>all He was like, yeah, I didn't know that. Actually

1:15:47.280 --> 1:15:51.360
<v Speaker 1>the funny ship is um I don't know. But when

1:15:51.400 --> 1:15:54.559
<v Speaker 1>I went to the studio, ID actually seek a bed

1:15:54.640 --> 1:16:02.000
<v Speaker 1>in the studio and I didn't get along open the cannon.

1:16:02.080 --> 1:16:08.400
<v Speaker 1>Wa Yeah, I mean, all right, listen, have you I

1:16:08.439 --> 1:16:10.920
<v Speaker 1>don't know if you guys ever know, like if there's

1:16:10.920 --> 1:16:17.479
<v Speaker 1>a studio called Bearsville. No Bearsville, I'm like, I like

1:16:17.840 --> 1:16:21.320
<v Speaker 1>you you like you know that I can take a joke.

1:16:21.720 --> 1:16:25.640
<v Speaker 1>But Bearsville, New York, Woodstock. This is where we did

1:16:25.680 --> 1:16:28.320
<v Speaker 1>the Firm album. When we did all in our e

1:16:28.479 --> 1:16:31.519
<v Speaker 1>album to track masters, to read this. So each studio

1:16:31.800 --> 1:16:35.479
<v Speaker 1>had their own had their own like house to it.

1:16:35.960 --> 1:16:38.840
<v Speaker 1>So you were reading studio A studio A upstairs. That's

1:16:38.840 --> 1:16:41.000
<v Speaker 1>when the engineer was sleep. You know what saying. You

1:16:41.320 --> 1:16:43.720
<v Speaker 1>you stay in the studio the whole time. So when

1:16:43.760 --> 1:16:46.960
<v Speaker 1>I just came from that, mind you, this is track match,

1:16:47.040 --> 1:16:50.160
<v Speaker 1>this track mass was working on R. Kelly. Um. So

1:16:50.400 --> 1:16:54.680
<v Speaker 1>when I looked in his studio to to to lead

1:16:54.760 --> 1:16:56.960
<v Speaker 1>my purse, I didn't, by the way, but when I

1:16:57.040 --> 1:16:59.960
<v Speaker 1>later verse, when I see the bedroom, I see nothing

1:17:00.000 --> 1:17:03.080
<v Speaker 1>every wrong with it. Like not because I knew what

1:17:03.200 --> 1:17:05.840
<v Speaker 1>was going on, but because I had just seen woodstock.

1:17:05.880 --> 1:17:07.640
<v Speaker 1>You know what I'm saying, and I see that. You know,

1:17:08.000 --> 1:17:09.600
<v Speaker 1>you can actually sleep in the studio. You know what

1:17:09.600 --> 1:17:14.360
<v Speaker 1>I'm saying. Um, No, you know I'm trying to prop

1:17:15.840 --> 1:17:18.759
<v Speaker 1>Let me describe it. Let me describe. This is studio,

1:17:20.280 --> 1:17:23.200
<v Speaker 1>this is this is not this is stock. This is

1:17:23.280 --> 1:17:27.240
<v Speaker 1>one stopt next to the micro this is food stide.

1:17:27.240 --> 1:17:30.240
<v Speaker 1>It's called Bearsville Studio. He is here right, Studio b

1:17:30.479 --> 1:17:34.720
<v Speaker 1>is here, studio CDs here. They all individually houses. One

1:17:34.760 --> 1:17:39.000
<v Speaker 1>of the stock. No, this is all in woodstock, all

1:17:39.080 --> 1:17:41.920
<v Speaker 1>of the woods. It's called Bearsville so studio, Hey, I

1:17:42.000 --> 1:17:44.080
<v Speaker 1>can walk to the studio. Hey, they'll be NAEs and

1:17:44.160 --> 1:17:47.400
<v Speaker 1>there Jung going there. But they got a three bedroom upstairs,

1:17:47.920 --> 1:17:50.800
<v Speaker 1>like staying the whole thing. So you understand I'm saying

1:17:50.840 --> 1:17:52.360
<v Speaker 1>the studio being would be the same thing, would be

1:17:52.439 --> 1:17:55.679
<v Speaker 1>nature fifty cent and of such, and then his studio

1:17:55.720 --> 1:17:58.880
<v Speaker 1>see would be Norie and my crew. You know what

1:17:58.880 --> 1:18:01.759
<v Speaker 1>I'm saying. So after seeing that, I was like, okay,

1:18:01.800 --> 1:18:06.120
<v Speaker 1>like circle house, ccer house, the same circle house. And

1:18:06.240 --> 1:18:09.439
<v Speaker 1>so when I see our ship, I didn't I didn't

1:18:09.479 --> 1:18:12.639
<v Speaker 1>become alarm because I was like, okay, certain niggas just record,

1:18:13.080 --> 1:18:15.679
<v Speaker 1>let the engine there sing them. No, I don't see

1:18:15.760 --> 1:18:18.640
<v Speaker 1>not not even a person. It was just weird. They

1:18:18.680 --> 1:18:20.280
<v Speaker 1>wanted me to lay the verse by myself, and I

1:18:20.320 --> 1:18:22.160
<v Speaker 1>was just like, I just broke out, yeah, because I'm

1:18:22.200 --> 1:18:24.639
<v Speaker 1>trying to see where he was going with this motherfucker. Yeah,

1:18:24.880 --> 1:18:28.080
<v Speaker 1>you know, I'm saying the same exactly the same exact

1:18:28.240 --> 1:18:30.640
<v Speaker 1>ship that they're showing on the ship and where they

1:18:30.680 --> 1:18:33.640
<v Speaker 1>said that where the beds was. I actually went to there.

1:18:33.720 --> 1:18:38.439
<v Speaker 1>Oh yeah, document, yeah, the document of document. You can

1:18:38.520 --> 1:18:41.880
<v Speaker 1>see that you saw that. I can't see what you said.

1:18:42.080 --> 1:18:45.720
<v Speaker 1>You see out the studio. When the studio, they said,

1:18:45.760 --> 1:18:48.560
<v Speaker 1>the studio where the lady do the rocks and was

1:18:48.640 --> 1:18:52.120
<v Speaker 1>trying to do well. They said, in a studio they

1:18:52.200 --> 1:18:55.439
<v Speaker 1>had beds in there, like beds, like likestead of how

1:18:55.640 --> 1:18:59.560
<v Speaker 1>lounge that lounge would be in bed. You know what

1:18:59.600 --> 1:19:03.560
<v Speaker 1>I'm saying, you winning there? I saw actually bed, but

1:19:03.640 --> 1:19:05.840
<v Speaker 1>I didn't see you didn't win it. I ain't. I

1:19:05.840 --> 1:19:08.240
<v Speaker 1>ain't going to bed. I need go on the bed room.

1:19:08.280 --> 1:19:11.479
<v Speaker 1>I had eight days and then there's a little different,

1:19:12.680 --> 1:19:15.400
<v Speaker 1>a little different all the way, a little bit terrible.

1:19:15.439 --> 1:19:19.120
<v Speaker 1>But yeah, um, I don't know how we got here.

1:19:19.160 --> 1:19:25.840
<v Speaker 1>How do we get a little bed? He just kept

1:19:25.920 --> 1:19:32.400
<v Speaker 1>going to work with our you know what the crazy

1:19:32.720 --> 1:19:35.759
<v Speaker 1>black line is like R Kelly and like in the nineties.

1:19:35.920 --> 1:19:38.760
<v Speaker 1>Whatever he was doing personally ain't my business. But I

1:19:38.920 --> 1:19:41.920
<v Speaker 1>know when I was a part of his video when

1:19:41.960 --> 1:19:44.400
<v Speaker 1>he invited the whole gang in music, it was there.

1:19:45.120 --> 1:19:49.400
<v Speaker 1>I did just backed that game of rappers and it

1:19:49.560 --> 1:19:53.320
<v Speaker 1>was outside of not affecting. No, it was an R.

1:19:53.400 --> 1:19:57.000
<v Speaker 1>Kelly video and it was game I'll see. I don't forget,

1:19:57.000 --> 1:19:59.080
<v Speaker 1>I don't, I don't know. I don't know what song

1:19:59.160 --> 1:20:02.439
<v Speaker 1>it was. She has a bottom line is like he

1:20:02.560 --> 1:20:06.479
<v Speaker 1>showed motherfucker's love. Like he definitely showed Nigga's love when

1:20:06.520 --> 1:20:08.160
<v Speaker 1>he was out, Like to Keith Murray did a song

1:20:08.240 --> 1:20:11.120
<v Speaker 1>with him and Shape, I'm sure he showed me. Yeah, yeah,

1:20:11.120 --> 1:20:13.200
<v Speaker 1>I'm sure he showed Murray love. That video was hot,

1:20:13.400 --> 1:20:15.479
<v Speaker 1>but he personal, Hey, MA ain't gonna you know, I

1:20:15.600 --> 1:20:19.360
<v Speaker 1>gotta deal with funked up. I never thought Michael Jackson

1:20:19.479 --> 1:20:26.519
<v Speaker 1>did it. Yeah, what a segree Jesus Christian, What did

1:20:26.560 --> 1:20:28.200
<v Speaker 1>you say? You think he didn't do it. I don't

1:20:28.240 --> 1:20:30.280
<v Speaker 1>think Michel Jackson. I don't think. I don't like nobody

1:20:30.320 --> 1:20:32.640
<v Speaker 1>talking about Michey. I don't think Michael Jackson. Like you

1:20:32.680 --> 1:20:34.840
<v Speaker 1>can't talk about really like Michael rack That's all I

1:20:34.880 --> 1:20:36.840
<v Speaker 1>said that you can't talk about Whitney around me me.

1:20:37.080 --> 1:20:39.519
<v Speaker 1>You don't Pokemon, don't talk about Whitney or I feel

1:20:39.560 --> 1:20:43.439
<v Speaker 1>that too. I feel, you know, but Mike, I don't

1:20:43.439 --> 1:20:46.200
<v Speaker 1>think Mike deal. I don't know. I just feel like,

1:20:46.680 --> 1:20:49.800
<v Speaker 1>you know, you know what, as weedn grew older and

1:20:49.920 --> 1:20:54.360
<v Speaker 1>started understanding the government and how just that whole operation

1:20:54.520 --> 1:20:57.920
<v Speaker 1>of the world works. Now I know he didn't do it,

1:20:58.200 --> 1:21:02.200
<v Speaker 1>but now it's the way away. These popular people are

1:21:02.320 --> 1:21:05.400
<v Speaker 1>dying and getting caught up in ship. My, my, my,

1:21:05.840 --> 1:21:09.720
<v Speaker 1>My percentage on if he was set up is more

1:21:09.840 --> 1:21:12.479
<v Speaker 1>higher than him. Just yeah, he was set up, of course,

1:21:12.880 --> 1:21:15.479
<v Speaker 1>you know for just media, the way media manipulates and

1:21:16.000 --> 1:21:19.320
<v Speaker 1>this this, this, you up. Though, I also think Old

1:21:19.360 --> 1:21:22.920
<v Speaker 1>Jay ain't do it. Oh my god, I think you

1:21:23.000 --> 1:21:27.240
<v Speaker 1>think this funk up my credibility. Just don't look like.

1:21:29.000 --> 1:21:32.080
<v Speaker 1>I don't think Old Jay did it. Man, that's Jowe

1:21:36.800 --> 1:21:40.400
<v Speaker 1>think old Jake drove. I don't know. No, no, that

1:21:40.680 --> 1:21:44.519
<v Speaker 1>is not allow you ask. I don't think. I don't

1:21:44.520 --> 1:21:48.960
<v Speaker 1>think old jo for either black, I don't think j

1:21:49.120 --> 1:21:51.200
<v Speaker 1>did it. I'm figured out with a lot of killers. Yeah,

1:21:52.800 --> 1:21:56.200
<v Speaker 1>remember the story though, at the backstage of them, which

1:21:56.360 --> 1:21:58.400
<v Speaker 1>I got to, I got one one in the futures,

1:21:58.439 --> 1:22:00.400
<v Speaker 1>I got one of the sports grip no one, he's

1:22:00.840 --> 1:22:05.080
<v Speaker 1>he's murdering. Yell, just say this murder. No. I grabbed

1:22:05.120 --> 1:22:07.880
<v Speaker 1>olj I said you murder unit he said, he said,

1:22:08.080 --> 1:22:17.679
<v Speaker 1>he said, you know listen, brack Gang said murder game murder,

1:22:20.120 --> 1:22:26.680
<v Speaker 1>we get murder. Yeah. I mean he might have just

1:22:26.800 --> 1:22:40.040
<v Speaker 1>been yes, yes, yes, yes, yes, so look old James

1:22:40.320 --> 1:22:43.760
<v Speaker 1>was Walker sports girl kinda one day. Yeah, he lived

1:22:43.800 --> 1:22:47.439
<v Speaker 1>in Kendall, and I looked at I know every color

1:22:47.640 --> 1:22:51.599
<v Speaker 1>in the world. They got a certain Jenner said about

1:22:51.680 --> 1:22:55.280
<v Speaker 1>the I don't mean that's right. There's something about them

1:22:55.360 --> 1:22:58.200
<v Speaker 1>there and O J Happy. I looked for him every

1:22:58.240 --> 1:23:01.280
<v Speaker 1>which way, shake for a fast and I tried to

1:23:01.360 --> 1:23:05.759
<v Speaker 1>ask some questions each way, Oh Jane, Man, he didn't

1:23:05.840 --> 1:23:08.400
<v Speaker 1>do it. Man, Now he might have know somebody who

1:23:08.520 --> 1:23:12.080
<v Speaker 1>did it, but himself, he didn't do this. Ship man,

1:23:12.160 --> 1:23:20.479
<v Speaker 1>Let's make him old Jack bigger, you saying you cross examine, Okay,

1:23:23.920 --> 1:23:27.120
<v Speaker 1>you was a part of He was a part of

1:23:27.640 --> 1:23:33.439
<v Speaker 1>hip hop's first his stoical toll like to me and

1:23:33.520 --> 1:23:36.240
<v Speaker 1>my like, we got run DMC, we got we got

1:23:36.720 --> 1:23:38.960
<v Speaker 1>fresh Fast, we got all that. But this is the

1:23:39.040 --> 1:23:42.639
<v Speaker 1>one for you know, breaking into that new era, he said,

1:23:42.680 --> 1:23:46.640
<v Speaker 1>the new caves of hip hop. And it would have

1:23:46.760 --> 1:23:54.800
<v Speaker 1>to be you read DMX Girou and the Homie Hole.

1:23:55.640 --> 1:23:58.559
<v Speaker 1>How was that? Because I heard John Nicks was flying

1:23:58.640 --> 1:24:04.519
<v Speaker 1>through their pe on people like Kelly. I don't know,

1:24:04.960 --> 1:24:06.680
<v Speaker 1>I don't know why it is on my mom, I'm

1:24:06.680 --> 1:24:11.360
<v Speaker 1>so sorry, y'all was flying through though. Definitely Kelly what

1:24:11.520 --> 1:24:15.400
<v Speaker 1>then the hard knock life to him? Not like um yeah,

1:24:15.479 --> 1:24:19.760
<v Speaker 1>you fucking right, your most historical tour that were first off,

1:24:20.600 --> 1:24:23.479
<v Speaker 1>hold on before you answer that question, because they were

1:24:23.600 --> 1:24:27.040
<v Speaker 1>it was so much bad press and when y'all announced

1:24:27.080 --> 1:24:31.400
<v Speaker 1>it to ask if this tour would never las, I'm

1:24:31.439 --> 1:24:35.120
<v Speaker 1>not gonna lie. I ain't think it's gonna last. And y'all,

1:24:35.160 --> 1:24:41.080
<v Speaker 1>what was it? Sixty days, three months on the motherfucking road,

1:24:41.200 --> 1:24:50.920
<v Speaker 1>every day, fucking every day, songs out Because this is

1:24:50.960 --> 1:24:54.600
<v Speaker 1>a long pause, this long question. So who approaches you

1:24:54.760 --> 1:24:58.200
<v Speaker 1>and what did they say? They say hard, not like nigga,

1:24:58.240 --> 1:25:02.000
<v Speaker 1>let's go, yes, that it, but you know what it was,

1:25:02.280 --> 1:25:06.240
<v Speaker 1>uh j and I'm coming in the Death cham and

1:25:06.560 --> 1:25:09.160
<v Speaker 1>uh you know they I mean they got to building hot.

1:25:09.240 --> 1:25:11.760
<v Speaker 1>I mean we had the building hot already with the

1:25:11.880 --> 1:25:14.439
<v Speaker 1>artist that was bumping up there with us and you know,

1:25:14.600 --> 1:25:17.000
<v Speaker 1>everybody else. But when they came into building, it was

1:25:17.120 --> 1:25:20.439
<v Speaker 1>like a growth because they had their own entity, you

1:25:20.520 --> 1:25:25.200
<v Speaker 1>know what I'm saying. They had yeah entity, that's like

1:25:25.680 --> 1:25:31.880
<v Speaker 1>I sayd entity. So so they had their own their

1:25:31.880 --> 1:25:34.479
<v Speaker 1>own brand, I would say. And they collap with death Jim,

1:25:35.080 --> 1:25:38.760
<v Speaker 1>and when they decided to do the fucking tour, it

1:25:38.920 --> 1:25:42.000
<v Speaker 1>was just like we was that ingredient that they needed

1:25:42.000 --> 1:25:45.880
<v Speaker 1>and we was like fuck yeah for sixty days, sixty

1:25:45.960 --> 1:25:48.200
<v Speaker 1>days straight, fat as Market. You was on he was

1:25:48.280 --> 1:25:51.400
<v Speaker 1>on it, you know was on there too. You know

1:25:51.479 --> 1:25:55.600
<v Speaker 1>everybody was on that bitch man, BBC, BEANIEC back to

1:25:55.680 --> 1:25:58.479
<v Speaker 1>back dates, back to no not back to back. Someone

1:25:58.600 --> 1:26:00.560
<v Speaker 1>some of them were like, for like Will worked like

1:26:00.640 --> 1:26:03.679
<v Speaker 1>four or five days out the week they drive two days,

1:26:04.040 --> 1:26:06.000
<v Speaker 1>had to rest for the bus driver and all that ship.

1:26:06.280 --> 1:26:08.680
<v Speaker 1>But it was literally like tim Buster is out that

1:26:08.800 --> 1:26:11.479
<v Speaker 1>beach man, damn, that's what Dame DA's called. Kevin was

1:26:11.520 --> 1:26:17.800
<v Speaker 1>a quarter water. Yeah on that on that backstage, my brother.

1:26:17.880 --> 1:26:25.240
<v Speaker 1>But that was a laughs man. But yeah. But how

1:26:26.120 --> 1:26:27.640
<v Speaker 1>so they come to you and they just say you

1:26:28.000 --> 1:26:30.479
<v Speaker 1>guys want to do it? You just automatically just just

1:26:30.600 --> 1:26:34.080
<v Speaker 1>jump on. And then so you know, this is a

1:26:34.160 --> 1:26:36.680
<v Speaker 1>story tour from the first night or when do you

1:26:36.920 --> 1:26:41.960
<v Speaker 1>when do you realize it? I noticed that after the

1:26:42.400 --> 1:26:47.120
<v Speaker 1>f first night because we just walking on people's hands. Yeah. Man,

1:26:47.560 --> 1:26:49.639
<v Speaker 1>it was like yo, it was like the first night,

1:26:50.640 --> 1:26:52.880
<v Speaker 1>it was like game time. It was like all right,

1:26:53.200 --> 1:26:56.320
<v Speaker 1>you got like you got like six seven major niggas

1:26:56.360 --> 1:26:58.160
<v Speaker 1>on the tour, and it's like all right. The first

1:26:58.240 --> 1:27:00.760
<v Speaker 1>night We're like, all right, who Who're gonna blow the

1:27:00.800 --> 1:27:03.559
<v Speaker 1>building down? That ship and usually man, I ain't gonna

1:27:03.760 --> 1:27:06.080
<v Speaker 1>a lot. Man when we read enough came out and

1:27:06.120 --> 1:27:10.960
<v Speaker 1>ship niggas was still sweeping the floors before you. Yeah. Yeah,

1:27:11.040 --> 1:27:14.160
<v Speaker 1>the niggas was putting up and ship and sweeping and

1:27:14.280 --> 1:27:18.160
<v Speaker 1>putting up chairs and shot and the building didn't get

1:27:18.240 --> 1:27:21.360
<v Speaker 1>packed until the half of Red and Me show everything

1:27:21.880 --> 1:27:24.240
<v Speaker 1>like it was and John Ruling them came out with

1:27:24.880 --> 1:27:30.720
<v Speaker 1>with with Jayna. Although they came and he came back out,

1:27:33.040 --> 1:27:35.840
<v Speaker 1>did he he came up before you and they came

1:27:35.960 --> 1:27:38.400
<v Speaker 1>back Yeah, I mean if he came out before and said,

1:27:38.439 --> 1:27:41.880
<v Speaker 1>I mean, he had to definitely be getting up. The

1:27:42.000 --> 1:27:45.680
<v Speaker 1>crowd was the people that worked there, because when we

1:27:45.880 --> 1:27:48.880
<v Speaker 1>came out literally sometimes they'd be setting up seats and

1:27:48.920 --> 1:27:50.840
<v Speaker 1>ship and it would be a small crowd in the front,

1:27:51.080 --> 1:27:52.639
<v Speaker 1>but it would be kind of packed in the back

1:27:52.680 --> 1:27:55.720
<v Speaker 1>and ship and then half our show it uh get

1:27:55.760 --> 1:27:59.240
<v Speaker 1>packed in the front. But the first day, what I

1:27:59.320 --> 1:28:02.040
<v Speaker 1>knew it was to be a historical tour was the

1:28:02.080 --> 1:28:04.240
<v Speaker 1>first day because we all went out there to show

1:28:04.280 --> 1:28:06.679
<v Speaker 1>our balls. We was like, fuck that we're coming on early.

1:28:06.920 --> 1:28:09.760
<v Speaker 1>We're blowing this bitch down and then we came out there.

1:28:09.800 --> 1:28:11.479
<v Speaker 1>We did our thing. We swung on the ropes and

1:28:11.520 --> 1:28:14.000
<v Speaker 1>shipped kick niggas in the head, and then we stayed

1:28:14.400 --> 1:28:18.040
<v Speaker 1>and watched J and Them show and then Mixing Them show,

1:28:18.200 --> 1:28:21.560
<v Speaker 1>and we was like, oh man, and they stayed and

1:28:21.680 --> 1:28:24.000
<v Speaker 1>watched our show. And I mean they came in a

1:28:24.080 --> 1:28:26.000
<v Speaker 1>couple of times early and watched our show, and it

1:28:26.160 --> 1:28:28.599
<v Speaker 1>was like these niggas is flying. And then we seen

1:28:29.240 --> 1:28:32.080
<v Speaker 1>as they started adding more ship because niggas ain't know

1:28:32.479 --> 1:28:37.120
<v Speaker 1>we was flying. They had to come to watch. Yeah,

1:28:37.200 --> 1:28:45.920
<v Speaker 1>she did fucking ship. But I'll tell you what we

1:28:46.200 --> 1:28:49.120
<v Speaker 1>we decided to fly when we knew how early we

1:28:49.240 --> 1:28:51.000
<v Speaker 1>had to come on and ship. You know, we had

1:28:51.040 --> 1:28:53.640
<v Speaker 1>to come on early. So we we was like we

1:28:53.720 --> 1:29:05.439
<v Speaker 1>had to make an impact. Yeah did, and we are

1:29:05.600 --> 1:29:11.559
<v Speaker 1>motherfucking beat bad. You know, we gotta do what we got.

1:29:11.800 --> 1:29:13.800
<v Speaker 1>We've got new guests. Weren't let to introduced itself to

1:29:13.840 --> 1:29:15.519
<v Speaker 1>the people who go on talk to the people. Mr

1:29:15.600 --> 1:29:21.200
<v Speaker 1>motherfucking Craze, go ahead, stop blowing that guy. I need

1:29:21.240 --> 1:29:23.560
<v Speaker 1>to do a show than that. I ain't gonna be

1:29:23.640 --> 1:29:25.479
<v Speaker 1>here here the guy. We're going to your show. We're

1:29:25.479 --> 1:29:28.599
<v Speaker 1>coming to sport. Mr Cream in the building. Yes, yes,

1:29:28.800 --> 1:29:31.760
<v Speaker 1>Mr Cream, Brick City Yellow. I was pretty reale. You

1:29:31.840 --> 1:29:42.320
<v Speaker 1>know how we do, man, that's hard from this. So

1:29:42.479 --> 1:29:46.960
<v Speaker 1>this is a dream champip. This is a dream champter ship.

1:29:46.960 --> 1:29:49.960
<v Speaker 1>We should drink this in Branson. This is full backs

1:29:49.960 --> 1:29:54.320
<v Speaker 1>and pizza Eddie, So we're gonna have one. Let's vegan. Yeah, yeah,

1:29:54.360 --> 1:30:01.400
<v Speaker 1>definitely is it's this purpose no nig Yeah, yeah, yeah,

1:30:01.520 --> 1:30:04.320
<v Speaker 1>me all over the place to start, y'all, man, solute

1:30:04.360 --> 1:30:11.519
<v Speaker 1>just one shots. Shouldn't give a dreaming. It's not like

1:30:11.720 --> 1:30:13.360
<v Speaker 1>I don't worry. Don't worry one. It's kind of like

1:30:13.680 --> 1:30:19.479
<v Speaker 1>not really, it's a tradition. It's like it's any secret

1:30:19.760 --> 1:30:24.639
<v Speaker 1>Asian chinny secret. Just one. This was the first. Should

1:30:24.640 --> 1:30:26.200
<v Speaker 1>I do it for my point? Am I doing it

1:30:26.280 --> 1:30:41.439
<v Speaker 1>for you? This one? Yeah? And you are now alive?

1:30:47.760 --> 1:30:55.880
<v Speaker 1>That was almost horrible. Expanding to the people ship. That's

1:30:56.000 --> 1:30:58.080
<v Speaker 1>that is that's a strung look it's no, it's not

1:30:58.240 --> 1:31:00.519
<v Speaker 1>look at them just urge. But I think we fun

1:31:00.640 --> 1:31:02.360
<v Speaker 1>this batch up because I've had that ship in my

1:31:02.439 --> 1:31:06.000
<v Speaker 1>career and mind here ready this morning? You come on? Well, yeah,

1:31:06.240 --> 1:31:13.880
<v Speaker 1>I gotta be behind those turns. Okay, okay, Okay, you're

1:31:13.880 --> 1:31:23.439
<v Speaker 1>gonna drink that motherfucker. Yes, that's how he said. Because

1:31:23.479 --> 1:31:25.599
<v Speaker 1>I Eddie, I had to do it. Yes, yes, yes,

1:31:25.640 --> 1:31:30.560
<v Speaker 1>because doing that, how crazy is it? DJ? And for

1:31:30.720 --> 1:31:32.479
<v Speaker 1>Red because I don't know, he got to be like

1:31:32.520 --> 1:31:35.840
<v Speaker 1>a spontaneous guy, is he is? He a structure, never

1:31:35.960 --> 1:31:43.559
<v Speaker 1>got nasty, that don't know. Me and Redmond friends since

1:31:43.680 --> 1:31:47.920
<v Speaker 1>ninety two eight squad days, so that chemistry was always there.

1:31:48.600 --> 1:31:54.880
<v Speaker 1>And when I left that effects in ninety nine, the

1:31:55.040 --> 1:32:00.519
<v Speaker 1>twins cold a thing, and then was so happened that

1:32:01.280 --> 1:32:04.360
<v Speaker 1>Red like with that blue black funk, I had diced.

1:32:04.520 --> 1:32:06.800
<v Speaker 1>So he found me and I've been with him ever

1:32:06.920 --> 1:32:09.960
<v Speaker 1>since year two thousand one when the Twin thous went down.

1:32:10.320 --> 1:32:14.320
<v Speaker 1>But working with him is incredible. He keeps you on

1:32:14.479 --> 1:32:18.760
<v Speaker 1>your toes. It's that type of person like you funk up,

1:32:18.760 --> 1:32:21.160
<v Speaker 1>you're gonna let you know. I think I must and

1:32:21.240 --> 1:32:23.400
<v Speaker 1>I keep it to the world. I'm from broken him,

1:32:23.479 --> 1:32:25.800
<v Speaker 1>But how must I got fired a bout a hundred times?

1:32:27.439 --> 1:32:31.160
<v Speaker 1>Like But he does that for a reason, and you know,

1:32:31.400 --> 1:32:35.880
<v Speaker 1>but it's on the tables. He's He's amazing. That's why

1:32:35.920 --> 1:32:43.200
<v Speaker 1>I showed him where it is that you would say question,

1:32:43.600 --> 1:32:48.639
<v Speaker 1>so los for that lippy fucking just gave me. How

1:32:49.320 --> 1:32:53.439
<v Speaker 1>is it being around of golf? It's beautiful man, because

1:32:53.560 --> 1:32:56.080
<v Speaker 1>I love it around him, man, around him? Since I

1:32:56.200 --> 1:33:02.840
<v Speaker 1>was key was MTV crib and that. Yeah. Yeah, the

1:33:02.920 --> 1:33:05.320
<v Speaker 1>jackets you have on was it wasn't a jacket and

1:33:05.479 --> 1:33:07.559
<v Speaker 1>I just had it like it was like a blue

1:33:07.800 --> 1:33:11.080
<v Speaker 1>a grayish shirt or something that you was under a cupole.

1:33:12.120 --> 1:33:18.040
<v Speaker 1>My arm was out, yeah, got me, all yeah, got me.

1:33:20.160 --> 1:33:22.320
<v Speaker 1>It's fun though, so that I'm growing up in Brooke

1:33:22.400 --> 1:33:27.400
<v Speaker 1>City and seeing all the things that you have seen,

1:33:27.520 --> 1:33:29.479
<v Speaker 1>you you ever thought that he would make it this

1:33:29.600 --> 1:33:36.519
<v Speaker 1>Fase's that's a good question, all the things that I've seen,

1:33:37.120 --> 1:33:39.920
<v Speaker 1>all right, It's like, yeah, I always making this funny

1:33:41.800 --> 1:33:44.240
<v Speaker 1>kind of you since I came up to hill. You

1:33:44.280 --> 1:33:45.760
<v Speaker 1>remember that time I came up the hill and you

1:33:45.840 --> 1:33:48.479
<v Speaker 1>were back there and you were DJ in the backyard

1:33:48.520 --> 1:33:51.559
<v Speaker 1>and doing the ones out there rapping, and I came

1:33:51.640 --> 1:33:53.600
<v Speaker 1>up there. I spent my little version ship. But you

1:33:53.640 --> 1:33:55.840
<v Speaker 1>know you rether won't pay me no attention. But I

1:33:55.960 --> 1:33:58.120
<v Speaker 1>seen you and you was doing your ship and I

1:33:58.240 --> 1:33:59.920
<v Speaker 1>was like yo, But I always looked up and with

1:34:00.080 --> 1:34:03.599
<v Speaker 1>like there are no cars gonna be you know because

1:34:03.640 --> 1:34:06.800
<v Speaker 1>he used to always come to my goddamn house trying

1:34:06.840 --> 1:34:08.839
<v Speaker 1>to get on the road, and I used to always

1:34:08.960 --> 1:34:12.439
<v Speaker 1>turn him around listen and not tell him, no, I

1:34:12.479 --> 1:34:14.519
<v Speaker 1>don't want you out here with me. And he forced

1:34:14.560 --> 1:34:17.599
<v Speaker 1>his way on to me because he was my younger cousin,

1:34:18.360 --> 1:34:21.400
<v Speaker 1>but he forced his way on. And now I know

1:34:24.160 --> 1:34:26.840
<v Speaker 1>turning us how run the veil. It was a cab

1:34:26.960 --> 1:34:29.640
<v Speaker 1>already waiting for me, like he already knew I was

1:34:29.640 --> 1:34:34.240
<v Speaker 1>coming in, was sending me on. No but now and

1:34:34.360 --> 1:34:37.680
<v Speaker 1>this motherfucker here, you know, since we got history from

1:34:37.720 --> 1:34:42.040
<v Speaker 1>the his squad days, you know I fired his motherfuckering

1:34:42.120 --> 1:34:45.760
<v Speaker 1>asks every motherfucker's show a chance I get, I trying

1:34:45.800 --> 1:34:49.160
<v Speaker 1>to fire and just for some reason, you know, we

1:34:49.320 --> 1:34:54.160
<v Speaker 1>just stayed connected because of family. But in all sense,

1:34:54.880 --> 1:34:58.559
<v Speaker 1>they know that expectancy on the stage to compete, because

1:34:58.600 --> 1:35:00.479
<v Speaker 1>you know, no, we we came from an error with

1:35:01.160 --> 1:35:04.479
<v Speaker 1>we gotta compete. Bottom line, you have a good show

1:35:04.640 --> 1:35:07.320
<v Speaker 1>and good record exactly, you have to have both of them.

1:35:07.360 --> 1:35:10.080
<v Speaker 1>And if you ain't have the hit records, you have

1:35:10.280 --> 1:35:13.000
<v Speaker 1>to have a good fucking show. And that's just what

1:35:13.160 --> 1:35:15.960
<v Speaker 1>we're about, you know. Bottom line. That ship got me

1:35:16.040 --> 1:35:19.280
<v Speaker 1>talking snow. It's about that. It's so mean, man, you understand,

1:35:19.520 --> 1:35:21.640
<v Speaker 1>you don't understand, man, But let me say something. You

1:35:21.680 --> 1:35:24.080
<v Speaker 1>know that ship is crazy, yo, how livid just goes

1:35:24.160 --> 1:35:27.000
<v Speaker 1>to my feet because I don't drink. You know, this

1:35:27.040 --> 1:35:32.080
<v Speaker 1>ship just went right to my feet, went right to

1:35:32.240 --> 1:35:35.920
<v Speaker 1>my feet. But take you something, rad, There's so many places,

1:35:36.000 --> 1:35:38.720
<v Speaker 1>there's so many artists that after you get ten years

1:35:38.760 --> 1:35:40.400
<v Speaker 1>in this game, these people want to call you what

1:35:40.479 --> 1:35:43.519
<v Speaker 1>they want, but they call quote unquote wash stuff. They

1:35:43.600 --> 1:35:45.880
<v Speaker 1>want to say that it's it's over for you. And

1:35:45.960 --> 1:35:48.440
<v Speaker 1>the thing about it this, I want to change that perspective.

1:35:48.680 --> 1:35:51.599
<v Speaker 1>I want people to know that the longevity you get

1:35:51.680 --> 1:35:54.320
<v Speaker 1>in this game, just like rock and roll or jazz

1:35:54.400 --> 1:35:58.800
<v Speaker 1>or whatever you want to celebrate, you motherfucker's you know

1:35:58.920 --> 1:36:01.160
<v Speaker 1>what you know? O G. But because a lot of

1:36:01.240 --> 1:36:03.080
<v Speaker 1>times people call you o G but they don't really

1:36:03.120 --> 1:36:05.760
<v Speaker 1>mean it. They're just calling you O G because there's

1:36:05.880 --> 1:36:07.479
<v Speaker 1>something that they want to say or couldn't even be

1:36:07.560 --> 1:36:09.800
<v Speaker 1>the rocking tory sometimes, you know what I'm saying. What

1:36:10.200 --> 1:36:12.160
<v Speaker 1>I don't want to change that perspective. I want to

1:36:12.160 --> 1:36:14.120
<v Speaker 1>say that the longer you've been in this game, the

1:36:14.200 --> 1:36:16.160
<v Speaker 1>longest season you've been the game. You want to salute you,

1:36:16.479 --> 1:36:18.240
<v Speaker 1>We want to bang you. What you want to stand

1:36:18.360 --> 1:36:20.439
<v Speaker 1>say as opposed to kicking these people out of the

1:36:20.520 --> 1:36:22.639
<v Speaker 1>game and doing that, That's what Drink Champions for. We're

1:36:22.640 --> 1:36:25.360
<v Speaker 1>a platform for people who have been in this game

1:36:25.400 --> 1:36:27.599
<v Speaker 1>for ten years and more and you know what as

1:36:27.640 --> 1:36:29.720
<v Speaker 1>opposed to ten years and more, but we're telling you

1:36:29.880 --> 1:36:33.240
<v Speaker 1>we fuck with you exactly. People with you season like

1:36:33.360 --> 1:36:36.400
<v Speaker 1>MS Sammy Damon's got ten years. They loved him for that.

1:36:36.720 --> 1:36:39.200
<v Speaker 1>You know why the funding our game, you get ten years,

1:36:39.280 --> 1:36:41.680
<v Speaker 1>you get twelve years, you get fifteen years. People say, well,

1:36:41.720 --> 1:36:43.680
<v Speaker 1>it's over for him, and it's a new version of him.

1:36:43.920 --> 1:36:47.160
<v Speaker 1>Why the funky gotta be that? Why they gotta be that?

1:36:47.560 --> 1:36:50.840
<v Speaker 1>After me? Unsense? In the new version of rock Him.

1:36:51.080 --> 1:36:54.400
<v Speaker 1>He's his verse in the podcast, not another version, you understand.

1:36:54.840 --> 1:36:57.439
<v Speaker 1>So let's just motherfucker make you sure that you're right there.

1:37:00.600 --> 1:37:03.280
<v Speaker 1>You want you want to say six of people, Well, listen,

1:37:03.360 --> 1:37:05.800
<v Speaker 1>you can follow me on Instagram at Mr Kream not

1:37:06.080 --> 1:37:08.080
<v Speaker 1>fight you know what I mean. I got a single

1:37:08.120 --> 1:37:12.920
<v Speaker 1>out called Congo is on every digital platform right now.

1:37:13.120 --> 1:37:20.320
<v Speaker 1>You know it's crazy, please pick it up. But else

1:37:20.960 --> 1:37:23.439
<v Speaker 1>I don't know a lot of people. I knew that

1:37:24.560 --> 1:37:27.479
<v Speaker 1>red Man had DJ for Dotson Fence backed them to

1:37:29.080 --> 1:37:35.080
<v Speaker 1>sign YouTube. I'm there really that we all went to

1:37:35.200 --> 1:37:38.960
<v Speaker 1>Virginia State. But then I left and he took your job.

1:37:39.080 --> 1:37:42.280
<v Speaker 1>When you left, red Man took your jobs. No no, no,

1:37:42.520 --> 1:37:44.920
<v Speaker 1>no no no. Because at that time Red Man less

1:37:45.479 --> 1:37:49.400
<v Speaker 1>in the process doing his music and getting on. So

1:37:50.240 --> 1:37:54.519
<v Speaker 1>before Weeks got signed or Pick discovered, we was in

1:37:54.600 --> 1:37:58.519
<v Speaker 1>Virginia State. So when they finally dead get signed, already

1:37:58.560 --> 1:38:00.920
<v Speaker 1>had left Virginia State. Came after New York in DJAF

1:38:00.920 --> 1:38:06.120
<v Speaker 1>for Timdall, so in that that period he already had

1:38:06.360 --> 1:38:10.519
<v Speaker 1>got his deal Damn and Dies and he started DJ

1:38:10.720 --> 1:38:13.080
<v Speaker 1>for Dots. And then when the hit squad came, they

1:38:13.200 --> 1:38:17.920
<v Speaker 1>found me another blessing dicey y'all. Pete Parridge wants you.

1:38:18.520 --> 1:38:20.560
<v Speaker 1>They want to work this DJ's I'm gonna be on

1:38:20.680 --> 1:38:24.479
<v Speaker 1>the Originals. So this whole you know, expect there you

1:38:24.600 --> 1:38:27.360
<v Speaker 1>lift all over the place. You like to dig up

1:38:27.479 --> 1:38:34.160
<v Speaker 1>that from castaway, you like the ball. You're like everywhere.

1:38:34.439 --> 1:38:43.280
<v Speaker 1>Yea dead a lot of fucking places. And he didn't

1:38:43.320 --> 1:38:48.160
<v Speaker 1>like all that. Let me find out, I probably was

1:38:50.880 --> 1:38:54.160
<v Speaker 1>all the elements, and you know the true version. Let

1:38:54.160 --> 1:38:56.360
<v Speaker 1>me just tell you, right, you do the two version

1:38:56.360 --> 1:38:59.000
<v Speaker 1>of an MC do, a truth version of a good person.

1:38:59.160 --> 1:39:01.800
<v Speaker 1>Every time I have a seeing you, you always let

1:39:01.840 --> 1:39:03.800
<v Speaker 1>me tell you before we get up out of here.

1:39:04.080 --> 1:39:05.880
<v Speaker 1>He made me join that tager bone and we're about

1:39:05.880 --> 1:39:13.840
<v Speaker 1>to get there. I couldn't say that thing. Maybe everywhere

1:39:13.960 --> 1:39:16.080
<v Speaker 1>have we ever been, you always gave me advice. It's

1:39:16.120 --> 1:39:19.479
<v Speaker 1>only one time that you didn't give me advice. I

1:39:19.600 --> 1:39:22.320
<v Speaker 1>think we were on tour and I'm one of your

1:39:22.360 --> 1:39:24.559
<v Speaker 1>tour bus and he was like, you ain't playing this game.

1:39:24.640 --> 1:39:27.000
<v Speaker 1>I forget what game it was, and I came on.

1:39:27.160 --> 1:39:30.360
<v Speaker 1>It was expected like him to like teach me or something.

1:39:31.760 --> 1:39:35.479
<v Speaker 1>We got in the game. I passed the blade, just

1:39:35.760 --> 1:39:41.200
<v Speaker 1>kept whipping back and I keep going and he's like, yeah,

1:39:41.200 --> 1:39:48.200
<v Speaker 1>that wasn't even smoke, just kick. And I said, they

1:39:48.240 --> 1:39:53.040
<v Speaker 1>have certain things. He's not going to teach you. We're

1:39:53.080 --> 1:39:56.600
<v Speaker 1>not yo, You're a great person. Hip hop has to

1:39:56.640 --> 1:39:59.439
<v Speaker 1>continue to salute people like you. Got to continue to

1:39:59.600 --> 1:40:02.439
<v Speaker 1>loot own. This is our own kind. Because I see

1:40:02.840 --> 1:40:05.960
<v Speaker 1>anybody else to salute us, then we're fucking idiots from

1:40:06.000 --> 1:40:07.920
<v Speaker 1>the beginning to think about us. We need to have

1:40:08.040 --> 1:40:11.559
<v Speaker 1>a hip hop union, people who've been involved with us

1:40:11.640 --> 1:40:16.240
<v Speaker 1>from the beginning, meaning you know, the enlightenment to hip

1:40:16.280 --> 1:40:18.640
<v Speaker 1>hop and and when it brings to the culture, and

1:40:18.720 --> 1:40:21.320
<v Speaker 1>this is gotta keep being elevated. That's trying to think

1:40:21.360 --> 1:40:23.400
<v Speaker 1>about it. Is this if we don't pick up our

1:40:23.439 --> 1:40:25.080
<v Speaker 1>own people that don't want to be there. When I

1:40:25.120 --> 1:40:27.080
<v Speaker 1>say I want people, I'm talking about hip hop. I

1:40:27.120 --> 1:40:30.000
<v Speaker 1>ain't talking race, I ain't talking coach. I'm talking hip

1:40:30.040 --> 1:40:33.120
<v Speaker 1>hop hip hop. So that could be that could be

1:40:33.520 --> 1:40:36.720
<v Speaker 1>you know, Kid Frost, it could be MC search. I

1:40:36.760 --> 1:40:40.240
<v Speaker 1>don't feel like if you guys, you know us, put

1:40:40.360 --> 1:40:43.000
<v Speaker 1>in these ten fifteen years of working something happened to

1:40:43.040 --> 1:40:45.000
<v Speaker 1>your family, I feel like hip hops will come in

1:40:45.080 --> 1:40:48.519
<v Speaker 1>and be responsible. It's like he's like, we all said that,

1:40:48.600 --> 1:40:50.800
<v Speaker 1>well K restaurant to do that back in the day. Man,

1:40:50.880 --> 1:40:53.160
<v Speaker 1>that's what he wanted to do. Man, he actually wanted

1:40:53.200 --> 1:40:55.760
<v Speaker 1>to put something together where we can actually eat and

1:40:55.920 --> 1:40:59.680
<v Speaker 1>actually have dental benefits. We are a fucking union, We

1:40:59.800 --> 1:41:01.720
<v Speaker 1>are of like a in we are a job. We

1:41:01.880 --> 1:41:05.840
<v Speaker 1>do served serve the public. So why shouldn't we get

1:41:05.920 --> 1:41:09.040
<v Speaker 1>dental benefits from our label? Because you know, while black,

1:41:09.120 --> 1:41:11.400
<v Speaker 1>then we didn't have Will Smith said, we didn't have

1:41:11.600 --> 1:41:14.080
<v Speaker 1>jay z s and but now we do where where

1:41:14.160 --> 1:41:17.439
<v Speaker 1>we can help people, you know, structure them where because

1:41:17.560 --> 1:41:19.960
<v Speaker 1>you know, for less of people. You know what I'm saying.

1:41:19.960 --> 1:41:21.320
<v Speaker 1>I want to say that to people that that was

1:41:21.560 --> 1:41:24.479
<v Speaker 1>the worst worldever, but people didn't have as much success

1:41:24.680 --> 1:41:26.880
<v Speaker 1>as others, you know what I'm saying, because I don't

1:41:26.880 --> 1:41:28.400
<v Speaker 1>feel like I feel like if we both put in

1:41:28.400 --> 1:41:30.920
<v Speaker 1>the same twenty years of hip hop and you, you know,

1:41:31.080 --> 1:41:33.360
<v Speaker 1>dedicated your life and I probably been a little bit

1:41:33.400 --> 1:41:37.560
<v Speaker 1>more successful. Success fool doesn't mean that I'm more important.

1:41:38.439 --> 1:41:40.280
<v Speaker 1>I feel like we should all be important, you know

1:41:40.280 --> 1:41:42.080
<v Speaker 1>what I'm saying. Like it's just like it's just like

1:41:42.439 --> 1:41:44.360
<v Speaker 1>you know, the brothers you've got with you. He might

1:41:44.400 --> 1:41:46.160
<v Speaker 1>be the hype man, he might be the d jail

1:41:46.680 --> 1:41:49.080
<v Speaker 1>or whatever, but he put in the same twenty years

1:41:49.160 --> 1:41:50.840
<v Speaker 1>and then one of them get sick. I feel like

1:41:50.920 --> 1:41:52.320
<v Speaker 1>we should take care of them the same where we

1:41:52.360 --> 1:41:53.720
<v Speaker 1>would take care of you if you was to get

1:41:53.760 --> 1:41:55.960
<v Speaker 1>sick hip pop and I feel like that we should

1:41:55.960 --> 1:41:58.280
<v Speaker 1>do that because there's so many other corporations for me,

1:41:58.280 --> 1:42:00.639
<v Speaker 1>even like fucking you know, construc Actually you can get

1:42:00.640 --> 1:42:02.640
<v Speaker 1>something hit on your head and they'll take care of you.

1:42:02.960 --> 1:42:05.360
<v Speaker 1>And hip hop somebody that you had a bottle you

1:42:05.439 --> 1:42:10.680
<v Speaker 1>gotta deal with said club also that that sh it

1:42:10.720 --> 1:42:12.960
<v Speaker 1>ain't right. So you know again, man, I want to

1:42:13.000 --> 1:42:14.600
<v Speaker 1>thank you, brother. I want to say one thing real

1:42:14.680 --> 1:42:17.880
<v Speaker 1>quick on the half of Miami as well. Growing up here,

1:42:18.160 --> 1:42:21.439
<v Speaker 1>Miami hip hop kid in the early nineties, you know,

1:42:21.560 --> 1:42:24.200
<v Speaker 1>we was trying to rep just like how Jergy was

1:42:24.200 --> 1:42:26.640
<v Speaker 1>battling the New York thing. Imagine in the South. You

1:42:26.720 --> 1:42:28.680
<v Speaker 1>know New York was late to the South. But you're

1:42:28.680 --> 1:42:30.320
<v Speaker 1>one of the few cats that came to the South,

1:42:30.400 --> 1:42:33.320
<v Speaker 1>came to Miami working Miami artists. Mother disappear. I had

1:42:33.360 --> 1:42:35.760
<v Speaker 1>at the show last time. He was showing blackbirds. I

1:42:35.800 --> 1:42:37.519
<v Speaker 1>just want to say, good looking out, thank you for that.

1:42:38.160 --> 1:42:40.120
<v Speaker 1>You know, we appreciate you here. You owe me some

1:42:40.240 --> 1:42:46.439
<v Speaker 1>beasts for that guy. What's that damn song? What's funny

1:42:46.600 --> 1:42:49.200
<v Speaker 1>is man? Like I watched that hip hop documentary on

1:42:49.280 --> 1:42:53.800
<v Speaker 1>Netflix man and understood, y'all Miami rat man, how it started? Man,

1:42:53.920 --> 1:42:56.559
<v Speaker 1>that's that It was crazy as hell. Man, y'all started

1:42:56.600 --> 1:43:00.639
<v Speaker 1>straight from bass music. Basic. Y'all, y'all, y'all, y'all, y'all,

1:43:00.920 --> 1:43:06.720
<v Speaker 1>Sugar Hill game was was too Lives of the Niggah

1:43:08.240 --> 1:43:10.559
<v Speaker 1>Yeah yeah man, Like you know, I learned a lot

1:43:10.640 --> 1:43:13.280
<v Speaker 1>from that ship. Man well red Man, we want you

1:43:13.360 --> 1:43:15.519
<v Speaker 1>to know, just in case anybody did never tell you

1:43:16.080 --> 1:43:18.439
<v Speaker 1>overhead drink chance, we love you. We love what you

1:43:18.520 --> 1:43:20.360
<v Speaker 1>did to the coach, and I'm glad I probably got

1:43:20.439 --> 1:43:28.240
<v Speaker 1>the chance to do this bit. You listen, you know,

1:43:28.800 --> 1:43:31.240
<v Speaker 1>shout out to Cuz but put put put it there again.

1:43:31.280 --> 1:43:33.439
<v Speaker 1>But I'm gonna tell you something like this. As soon

1:43:33.479 --> 1:43:35.920
<v Speaker 1>as this show started, my brother called me about it,

1:43:36.520 --> 1:43:38.720
<v Speaker 1>and I ain't gonna a lot man, like he I

1:43:38.920 --> 1:43:40.519
<v Speaker 1>was one of the first thing. And you know, me

1:43:40.600 --> 1:43:42.680
<v Speaker 1>and Nori talked through the phone. We know, you know,

1:43:42.840 --> 1:43:46.360
<v Speaker 1>industry friends, you talked through the phone. And when he

1:43:46.520 --> 1:43:49.439
<v Speaker 1>started the show, he wanted me on it, and like,

1:43:49.560 --> 1:43:51.400
<v Speaker 1>I'm just glad I got to do this for my

1:43:51.520 --> 1:43:55.400
<v Speaker 1>nigga because I know, like you know, out of all

1:43:55.560 --> 1:43:57.840
<v Speaker 1>people you know he had on the show, he wanted

1:43:57.920 --> 1:44:01.320
<v Speaker 1>his real brothers on it. And I appreciate that my nigga,

1:44:01.960 --> 1:44:05.600
<v Speaker 1>trying to let them know, like he was on me directly,

1:44:05.720 --> 1:44:12.200
<v Speaker 1>no management, he was on me like yeah, yeah, yeah,

1:44:12.920 --> 1:44:15.960
<v Speaker 1>he do day one with this ship and I'm glad

1:44:16.040 --> 1:44:18.120
<v Speaker 1>to be a part of this bitch, and I took

1:44:18.160 --> 1:44:25.960
<v Speaker 1>a trade just this. I'm this because you know why,

1:44:26.120 --> 1:44:29.200
<v Speaker 1>it's about time hip hop start controlling hip hop. We

1:44:29.320 --> 1:44:32.400
<v Speaker 1>can't keep him playing and saying, you know, we could

1:44:32.439 --> 1:44:34.680
<v Speaker 1>do this and do this, but we're not putting our

1:44:34.800 --> 1:44:38.160
<v Speaker 1>own people in position to control with you understand what

1:44:38.160 --> 1:44:40.280
<v Speaker 1>I'm saying. It's like, it's like it's like what's my

1:44:40.400 --> 1:44:44.320
<v Speaker 1>man name? For all the book? The mayor from New York.

1:44:46.200 --> 1:44:48.600
<v Speaker 1>We can't keep Clint complaining about things that's happening in

1:44:48.680 --> 1:44:51.600
<v Speaker 1>the New York unless we motherfucker get behind person like that.

1:44:51.960 --> 1:44:54.280
<v Speaker 1>So it's the same thing to this culture, Like I

1:44:54.439 --> 1:44:57.439
<v Speaker 1>believe that everything from our coaches should come from our culture.

1:44:57.439 --> 1:44:59.920
<v Speaker 1>That's if you watch sports, it should come from Jada Kiss.

1:45:01.000 --> 1:45:03.000
<v Speaker 1>To watch the news is a couple of Jim Jones.

1:45:03.520 --> 1:45:06.240
<v Speaker 1>If you watch the motherfucking you know, the podcast is

1:45:06.280 --> 1:45:08.800
<v Speaker 1>a couple of Drake Checks. You know what I'm saying,

1:45:13.760 --> 1:45:17.599
<v Speaker 1>y'all take a picture in and wrap it up. Drop drop,