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Speaker 1: And his Drink Chats motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's like, that's your boy in o R. He's a

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Speaker 1: Miami hippop lioneer up his dj e FN. Together they

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Speaker 1: drinking up with some of the biggest players in the

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Speaker 1: most professional unprofessional podcast and yet number one sorts for

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Speaker 1: drunk back drink chas motherfuckers New year'z. That's time for

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Speaker 1: drink champ trick up motherfuck mother would it could be

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Speaker 1: hoping he wouldn't to be This is your boy in

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Speaker 1: o R. What up his dj e F fan and

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Speaker 1: this is drink Chas motherfucker? Yeap yalla make some now.

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Speaker 1: When it comes to legends, when it comes to the

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Speaker 1: word New Jersey, I think when you google New Jersey,

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Speaker 1: his face picks picture just comes out. When it comes

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Speaker 1: to the most legendary uh MTV cribs of all times,

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Speaker 1: still to this day, people talk about it when it

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Speaker 1: comes to a person that you say a legend. When

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Speaker 1: we started this show, we said me one of the

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Speaker 1: big up legends that got ten years and more, and

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Speaker 1: this is his name automatically popped up first, like you know,

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Speaker 1: we're in the top five. We were in three years

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Speaker 1: to get this man here. We are so happy, We

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Speaker 1: are so happy, We're I'm so happy because in our culture,

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Speaker 1: there's so many people that don't pick up our culture.

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Speaker 1: And I'm so proud. I'm so honest to tell you

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Speaker 1: one of my friends, one of the best mcs on

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Speaker 1: the planet Earth down, you know what I'm saying, one

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Speaker 1: of the realest people, one of my favorite people. Not

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Speaker 1: only my favorite and one of my favorite mcs, but

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Speaker 1: one of my favorite people period in life. If you

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Speaker 1: don't know what the funk I'm talking about, we're talking

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Speaker 1: about the morning Only Breggie mother wucking. I need that

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Speaker 1: for my hot I practiced this boy. So I don't

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Speaker 1: know if you know, but when we interview artists, we

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Speaker 1: like to get together and we like to go through

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Speaker 1: like the artists playlist and you know, go through the

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Speaker 1: whole good your ship pause is long as fucking how

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Speaker 1: like you you've been going like since the nineties. It's

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Speaker 1: nineteen ninety and how so let's take us take us

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Speaker 1: through people who are who didn't have internet. Take us

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Speaker 1: how how that was in the ninety two? Like Fun,

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Speaker 1: the album Fun, just promotion, just how we work. That's

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Speaker 1: the whole circuit everything. Let's go back the the one.

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Speaker 1: The early nineties era circuit was communication straight up. We

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Speaker 1: had to We only had maybe two outlets of music

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Speaker 1: to release, our shipped through, and we made our impact

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Speaker 1: through in stores. And then when they two outlets you

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Speaker 1: talking about like magazine, Yeah, like magazine radio and in

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Speaker 1: a couple of outlets far as video mix tapes exactly

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Speaker 1: does and yeah, in the early nineties, not too happy.

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Speaker 1: I started bubbling in the ninth in the late nineties

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Speaker 1: a little bit. In that early era, it was all

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Speaker 1: about the in stores, baby, And if you don't know

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Speaker 1: what the in store is, that means. We actually called

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Speaker 1: top up shops. Now, yeah, yeah, that's that's what the

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Speaker 1: that's what that list shot was for closing bulls. Yeah,

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Speaker 1: so it's the same thing. That's true. I said you

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Speaker 1: that trying to trying. Yeah, but I thought the pop

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Speaker 1: up shopper is when it's unannnounced and you just pop

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Speaker 1: up and put the shops. Do anybody's the same, you

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Speaker 1: know pretty much? You know why we had to announce

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Speaker 1: it back then, it's because we couldn't get information that

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Speaker 1: people as fast. Right, So now I could say, you know,

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Speaker 1: Red Man is here after Black World Ordinary never got

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Speaker 1: a pop up shop back such everybody would just come.

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Speaker 1: So but it's the same thing as an in Stoke.

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Speaker 1: God damn it, I just see you popping and that

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Speaker 1: still jumped, just like, yeah, the same that. Then we

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Speaker 1: gotta beat too, they said, because they said Red might

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Speaker 1: not drink. So we said, but if Red drake because

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Speaker 1: we celebrate. I don't know if you know, we're gonna

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Speaker 1: say with Red take the champagne or when Red takes

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Speaker 1: a rock, if Red has one drink, we have a

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Speaker 1: back on. No pressure you want me to no, no, yeah, yeah, yeah,

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Speaker 1: I can't decide that right now. When y'all that this is,

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Speaker 1: this is, this is, this is my class. I don't

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Speaker 1: know what, but yeah, this point, leave it there. If

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Speaker 1: he side he wants to have something, yeah, leave him both.

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Speaker 1: Damn ye you know we're side this side, which when

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Speaker 1: I go forward, shet you lost nigga. Yeah, but quickly

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Speaker 1: though the in stores when we have to actually go

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Speaker 1: to the record store and actually shake people hands and

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Speaker 1: sell all material right over the deaths and let people

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Speaker 1: know that we out And that was what we mostly

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Speaker 1: did in the nineties. But that ship was fun to

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Speaker 1: sell because we actually got to go to different cities

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Speaker 1: see see actually the hood come to this record store

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Speaker 1: and and actually see what was going down in that

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Speaker 1: city before we went on stage. Because you did an

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Speaker 1: in store at my store, the Possi Store. So I'm

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Speaker 1: not gonna lie. The other day I looked at Instagram,

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Speaker 1: tear came into my eye that you better have that

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Speaker 1: to see a lot of people. I got so many

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Speaker 1: legendary stories from Branson, but one of my best favorite

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Speaker 1: legendary stories is I pulled up the Branson one day,

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Speaker 1: but those are don't know Branson is a week spot,

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Speaker 1: the most famous week spot, and we stay and then

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Speaker 1: the scribe come to you. You could be known down

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Speaker 1: the block. But if they don't know you, they're not

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Speaker 1: serving exactly. Like so everybody used to want to come

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Speaker 1: from my hood because I had to wrapper past. It's new.

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Speaker 1: I ain't police, so they're not. So one day doesn't

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Speaker 1: we can move on to the story. One day, I

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Speaker 1: just walk in the spot and Red Man is behind

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Speaker 1: the day. It's like working the spot. Yes, yes, here,

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Speaker 1: and I grab a couple of the ship and I'll

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Speaker 1: say something like how about this this? He's like, yo,

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Speaker 1: that's said like, and I'm looking like this is right

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Speaker 1: man behind, but I don't want to say and I

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Speaker 1: did the hold your section and he's like, you know

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Speaker 1: it was something I never said that. By the way, listen,

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Speaker 1: because I really want the people to understand this is

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Speaker 1: an exclusive weak spot. So let her know. You couldn't

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Speaker 1: even go in there so they wanted to get behind it.

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Speaker 1: You had to really be in. And then with Eddie

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Speaker 1: god Bless recipes, Eddie uh Big of the Branson but

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Speaker 1: that was exclusive. And you know why I liked it.

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Speaker 1: You know, I loved your post because let me tell

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Speaker 1: you how accurate you were. If you want to set

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Speaker 1: Component oriega that you would have been wrong because Component

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Speaker 1: should never go to Branston. You knew, you knew the

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Speaker 1: Let's just make some noise for his weak I have

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Speaker 1: to say Component, yeah, you know, um, I want people

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Speaker 1: to for people because we don't even have now we

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Speaker 1: have dispenceries, right, yeah, dispinceries a great thing. But can

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Speaker 1: you describe to the people back in the nineties because

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Speaker 1: usually you're able to drink champagne. Man, the police wouldn't

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Speaker 1: sunk with you in front of brands like it's a legendary,

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Speaker 1: but describe this is the same dude depicted by half Bankers.

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Speaker 1: I don't leave. I believe so. I believe so Samson,

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Speaker 1: But you want to talk to Yeah, the motherfucking ship

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Speaker 1: cous getting me a backboard I get after your ball

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Speaker 1: went up? Um, but the burnt the spot, Yes, like

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Speaker 1: you said, it was an exclusive spot to be at

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Speaker 1: and like definitely, I'm you know, me and Biggie definitely

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Speaker 1: kicked it out there plenty of times. Like Biggie used

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Speaker 1: to be out there all the times, And I used

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Speaker 1: to know when he was out there because if I

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Speaker 1: pulled up and it was like champagne bottles lined up, Yeah,

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Speaker 1: he was up there all the red the red was

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Speaker 1: the Red Land Cruiser. Yeah yeah, oh yeah, oh yeah,

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Speaker 1: oh yeah. So it was a legendary spot that I

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Speaker 1: used to wonder how the funk he had a spot

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Speaker 1: running that. I'm talking about a dispensary in the early

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Speaker 1: nine like like free like everyone knew you get your

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Speaker 1: butt and ship that's nothing. But for us, it was

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Speaker 1: like a communication spot for us to get for us

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Speaker 1: to talk about on the record as well. And ship

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Speaker 1: because you know the CALLI niggas had that fire out there,

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Speaker 1: like we wasn't hardly getting that fire like them Callie niggers.

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Speaker 1: So that Branson was the closest thing we had to

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Speaker 1: like a fresh calli bud that we could connect. But

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Speaker 1: the triangle back were going. If you had the triangle back,

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Speaker 1: you was a fishot listen about. Let's go right back

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Speaker 1: to the triangle back. But it's correct me if I'm wrong.

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Speaker 1: Was that the last good brown weed? Was it to stick?

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Speaker 1: That was in that ship? It it went to Tostick,

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Speaker 1: then it it then it went to uh, then it

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Speaker 1: went to green Bud too, So I know, I know

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Speaker 1: what I'm saying. But the ship that had us all

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Speaker 1: stuck was that brown Yeah, that that brown ship had

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Speaker 1: you come from Jersey, I'm coming from Queens. Like that

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Speaker 1: was a little close to the spot by the way,

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Speaker 1: like this is at least where was it in New York?

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Speaker 1: This was in Harlem, but he lived in Jersey. I

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Speaker 1: lived in Queens. Let's think about that. So that's like

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Speaker 1: a forty five to fifty minute commute just for weeds.

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Speaker 1: And I was staying in Long Alan too, so I

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Speaker 1: used to that brown Louis this is the last brown Now,

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Speaker 1: now for first of all the brown weed, y'all if

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Speaker 1: you I mean, you're not gonna see it in these

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Speaker 1: days in time. Brown fucking weed is what Jamaican is

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Speaker 1: usually smoking. They got that it's called it schalk. But

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Speaker 1: his brown weed have white season. It was sticky. So

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Speaker 1: we used to take the green in the brown. We

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Speaker 1: used to make what you call it beef and brock.

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Speaker 1: But did that weed that cocaine? And let's just be clear,

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Speaker 1: yea was y'all already honest because it was a certain

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Speaker 1: that's certain days I was making into banking. I know

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Speaker 1: me out. It was certain days I was waking up

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Speaker 1: and I was like, oh, we started twitching. I had

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Speaker 1: no week and like people from my hook was like, yeah,

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Speaker 1: you want week up? Like now, I wait until any

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Speaker 1: open up shop and I would wait. You remember the

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Speaker 1: open to the level still remember I would And I

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Speaker 1: was like, damn the way I would never like want

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Speaker 1: anything else. I knew there was some type of might

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Speaker 1: be the heroic. I'm not sure, but I'm soone took

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Speaker 1: it to that week. Okay, before you don't ranting. This

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Speaker 1: reminded me I had faith on the show. Oh yes,

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Speaker 1: And she said, y'all dated you were her first, like

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Speaker 1: official boyfriend. What did he say, boyfriend or friend? She

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Speaker 1: said boyfriend and yeah, yeah had faith earlier. So you

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Speaker 1: was a drummer in the church. Yeah, yeah, she shung

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Speaker 1: in the church too. You know what's funny. Faith was

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Speaker 1: the first woman. I never said that two first, Faith

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Speaker 1: was the first woman. My mother caught us in a

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Speaker 1: bad way. She was the first one. My my mother

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Speaker 1: caught us where she was. My mother came in every room,

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Speaker 1: she was like, get your motherfucking as is about my

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Speaker 1: goddamn room. And yeah, but that was my love though.

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Speaker 1: That was only that was way before. So that sounds

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Speaker 1: like But then we went up in the game and

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Speaker 1: you're the first person to take it, of course, of course,

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Speaker 1: but we we we went up in the game, and

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Speaker 1: we we always be main friends up in this game

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Speaker 1: because it's like Jersey, we got a cold where you

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Speaker 1: where you came from, you know, with what route you're going,

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Speaker 1: and we always gonna stick together. And we because we

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Speaker 1: always felt we had to fight to get in that

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Speaker 1: New York circle, y'all. Motherfucker's trying to block us out

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Speaker 1: from so long. So when we come up in the game,

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Speaker 1: we stick together. Man, it don't matter from Rod Digger

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Speaker 1: to Trash. You already know Trashed from underground. Yeah. Absolutely,

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Speaker 1: we all all remain friends still to this thing. Wow wow.

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Speaker 1: So Faith, so you know Faith is doing her things right.

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Speaker 1: That's right, that's right, that's right. So the mom Man

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Speaker 1: is the momp of the man. Told that's the first

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Speaker 1: time you ever met m Uh. I met that man

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Speaker 1: during Yo and Yo. Nev said he met me at

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Speaker 1: a criss Cross party and ship. I was high. I

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Speaker 1: didn't even read it back from the criss Cross, right, said,

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Speaker 1: we know, at the criss Cross party and ship, but

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Speaker 1: I was high. I don't remember that ship though, my nigger.

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Speaker 1: We I think we did though. But when we got

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Speaker 1: really connected was on the month of the Man tour,

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Speaker 1: when we was like, you know what, let was definitely

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Speaker 1: we put you all together. Hell yeah. I mean it

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Speaker 1: was a smart idea too, because we was like we

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Speaker 1: we came out with the album around the same time,

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Speaker 1: and we had the same kind of feeld, so it

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Speaker 1: was like, fucking why wouldn't we put these two on

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Speaker 1: the road and see what we create and were ounce

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Speaker 1: there smashing ship. Then they came up with a add

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Speaker 1: in meth song how High, and it just built from there. Man,

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Speaker 1: you know we're gonna cheat people to take it a

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Speaker 1: little bit of champagne because I got I gotta ask

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Speaker 1: you this question. So I listened to red Man. Everybody's

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Speaker 1: hold on water manute. So I'm supposed to take it,

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Speaker 1: don't Yeah? Yeah, yeah, I'm supposed take a drink. You

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Speaker 1: take a sip. Let me pray about because I ain't

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Speaker 1: take a drink. It's all time. It's cool, it's it's champaigne, champagne.

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Speaker 1: I do for my nigger, all right, that's right. So

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Speaker 1: you just mentioned how high? Now, when I hear how high,

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Speaker 1: and I hear that how high too, and I hear

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Speaker 1: it's yahdi, and I hear it's young boy DC, young Fly,

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Speaker 1: no disrespect to them, but a little it's like, that's

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Speaker 1: not the franchise. When I hear how high, I mean

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Speaker 1: from the horse's mouth, you know what I mean? How

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Speaker 1: did you feel? I know your message was working on

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Speaker 1: the script about it, But how disappointed? Off? Are you

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Speaker 1: not disappointed? Because I'm a I'm a kind of dude

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Speaker 1: that in know I'm about the youth. I'm about the

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Speaker 1: young is coming up, and you know I want young

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Speaker 1: Yanni in DC defeat their family like me and met

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Speaker 1: felt our family off the How High entity. It was

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Speaker 1: a good thing that we can We was able to

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Speaker 1: say we started that ship. But because of business rights

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Speaker 1: and and uh, because of you know, political and that

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Speaker 1: we're not characters. Well no, they're going to create their

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Speaker 1: own characters now. They asked us to be in a movie,

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Speaker 1: not even cameo to be as well. But we as

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Speaker 1: grown men and we want to move on and own

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Speaker 1: our own ship next time because we don't own How High.

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Speaker 1: We came up with the ideas for How High, but

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Speaker 1: they own the characters and everything. So we're gonna move on.

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Speaker 1: And we already got a movie that we've been being

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Speaker 1: written right now. Hopefully we can start shooting the Boy

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Speaker 1: the end of this year or tipp of next year.

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Speaker 1: And uh, and we're gonna own that bitch. And that's

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Speaker 1: what it's about. So y'all think up to d C

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Speaker 1: fly yati man, like you know, I got on the

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Speaker 1: GRAM and shout at them niggers out man, like you know,

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Speaker 1: y'all stick together, man, y'all just make that ship funny man,

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Speaker 1: and carry the ball. You know, at the end of

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Speaker 1: the death Right, you would if it was your choice?

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Speaker 1: Would you which they changed the name? You know what

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Speaker 1: I'm saying, because like it's like, uh, it's like someone

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Speaker 1: else naming the album Muddy Waters, Like it's because def

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Speaker 1: Jam had owned that name, you know what I'm saying. Like,

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Speaker 1: so it's like a moviemak. I mean, I mean I

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Speaker 1: would take it personal, not personally as far as ading

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Speaker 1: like I'm telling about all or being mad. I'm gonna

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Speaker 1: take you personally, just as far as something I don't understand,

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Speaker 1: like I don't know, no, not even like like I said,

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Speaker 1: when you when you already know you made the How

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Speaker 1: High franchise are classic already, it's like we either take it.

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Speaker 1: First of all, we the mentality of going into doing

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Speaker 1: the How High Part two, We already said if the

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Speaker 1: ship ain't gonna be funny, we're not gonna do it.

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Speaker 1: You know, we ain't gonna tamper with the first How

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Speaker 1: High and trying to make a How High too funny

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Speaker 1: and and it end up crap. So the script wasn't

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Speaker 1: even ready for us to say, you know what, we're

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Speaker 1: ready to shoot anyway. So my thing is when a

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Speaker 1: when a bunch, when another branch or brand come in

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Speaker 1: without us knowing and then start tapping into the script

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Speaker 1: without us knowing. That's when we draw the line like

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Speaker 1: you know what, y'all go ahead and run with that anyway,

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Speaker 1: because y'all might put some things in there that we

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Speaker 1: don't agree on, and we're not we're not on part

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Speaker 1: of the full process of building how high script, So

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Speaker 1: y'all go ahead and run with that. We we're good,

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Speaker 1: like we were not mad at all. We're congratulating, you know,

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Speaker 1: our error congratulates right, We don't, we don't. We just

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Speaker 1: went to bounced the ball a correct way because when

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Speaker 1: the eighties n just gave it to us. Nigga, we

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Speaker 1: good point. We motherfucking we elevated that bitch, you know

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Speaker 1: what I'm talking about, Like nineties one of the most

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Speaker 1: pivotal errors there is still to this day to me,

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Speaker 1: you know, in my mother that's another good segue. Yes, sir,

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Speaker 1: who get the Mark can give you his name though,

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Speaker 1: but you was but he was eamily with Mark, Yeah, absolutely,

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Speaker 1: best was from Jersey. Bro from this story was living

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Speaker 1: in Jersey. He was living in Jersey a long time.

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Speaker 1: Most ruined my childhood long h No, no, no, he

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Speaker 1: was let when he came from Long Island. At an

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Speaker 1: early age, he was in Jersey Ald connecting what were

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Speaker 1: all doing? Like like everybody heard this is pre yeah yeah, yeah,

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Speaker 1: waiting before you know everybody heards lived in York and

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Speaker 1: ship and Bens used to have a big gass like

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Speaker 1: like two three floor like condo in York downtown. Excuse me,

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Speaker 1: see damn ye, gotta drink some more. No man, so yo.

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Speaker 1: I used to go to this ship like you know,

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Speaker 1: Bears was good man. Put me on, put me on,

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Speaker 1: because I went the bills first hit tell you like Bess,

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Speaker 1: put me on, put me on, and you know, I

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00:19:08,240 --> 00:19:10,879
Speaker 1: just kept pushing and kept pushing, and you know we

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Speaker 1: just remained friends and ship. But on my way up,

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Speaker 1: he used to take me the battle. That's how I

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Speaker 1: got really known in New York for doing that Queen's

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Speaker 1: freestyle at monta Cello Park or something like that. That's

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Speaker 1: where I got I don't know it was. It was.

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Speaker 1: I was I was supposed to go to queens to

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Speaker 1: battle o Nigga at Mano Cello Park and somebody recorded

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Speaker 1: it and that ship went on the airways quickly like

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Speaker 1: Barbito show stretching Barbito. So that's how I got my

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00:19:37,600 --> 00:19:39,840
Speaker 1: name in New York a little bit. But Biss used

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00:19:39,880 --> 00:19:41,920
Speaker 1: to take me around battle for money, and I used

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Speaker 1: that air month of fuckers out like I used to

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Speaker 1: a niggas out so bad. Yeah, they tried to. They

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Speaker 1: protested against me at the end of the club. It's like, Man,

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Speaker 1: get this nigga the funk out. It was bad, But

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Speaker 1: I used to wreck niggas in long Hour. I used

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Speaker 1: to wreck niggas in New York a lot. Straight up,

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Speaker 1: what's going on? Drink Champs Army is your boy? D

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Speaker 1: J E F Fenn. I want to interrupt the show

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Speaker 1: for a second to announce that my documentary film, Coming

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Speaker 1: Home Columbia is an official selection at the two thousand

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Speaker 1: nine Miami Film Festival. This is the fifth film in

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Speaker 1: my Coming Home series where we explore countries through the

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Speaker 1: scope of hip hop. The film will have its public

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Speaker 1: premiere at the festival March six in Miami, Florida. We're

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00:20:29,400 --> 00:20:31,879
Speaker 1: so excited about being included in the festival that were

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00:20:31,920 --> 00:20:34,240
Speaker 1: given away a few tickets. If you'd like a chance

355
00:20:34,320 --> 00:20:36,960
Speaker 1: to win free tickets to attend the Miami Film Festival

356
00:20:37,040 --> 00:20:40,399
Speaker 1: premiere of Coming Home Columbia. Here's what to do. Go

357
00:20:40,520 --> 00:20:44,679
Speaker 1: to Instagram and follow at Who's Crazy an official Crazyhood

358
00:20:45,119 --> 00:20:48,679
Speaker 1: look for any image promoting the screening and comment hashtag

359
00:20:49,200 --> 00:20:53,080
Speaker 1: coming Home Columbia. Again, go to i G follow at

360
00:20:53,119 --> 00:20:57,359
Speaker 1: Who's Crazy and at official crazy Hood. They look for

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00:20:57,480 --> 00:21:01,440
Speaker 1: any image promoting the screening coming Home Columbia and comment

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00:21:01,920 --> 00:21:05,920
Speaker 1: hashtag coming Home Columbia. Will randomly pick a few people

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00:21:06,040 --> 00:21:09,800
Speaker 1: and award them plus a guest tickets to the screening again.

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00:21:09,840 --> 00:21:13,880
Speaker 1: The screening is Wednesday, March six, at Tower Theater in Miami, Florida.

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Speaker 1: We will have complimentary cocktail our sponsored by our very

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Speaker 1: own Columbian White at eight thirty and the film will

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00:21:19,560 --> 00:21:22,040
Speaker 1: start at nine pm. If you want to buy pass

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00:21:22,080 --> 00:21:25,000
Speaker 1: the giveaway process and just buy tickets, you can buy

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00:21:25,080 --> 00:21:29,200
Speaker 1: tickets at coming home dot dot com. That's coming Home

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00:21:29,720 --> 00:21:32,879
Speaker 1: d o C dot com. For more info, just go

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Speaker 1: to crazyhood dot com. Now let's get back to the show.

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Speaker 1: So um, one of my favorite videos all the time,

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Speaker 1: yea good hold on making a lot of noise. I

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Speaker 1: got to look for you right there, yes, ye yes,

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00:22:12,880 --> 00:22:16,159
Speaker 1: old school you even looted yourself. You know. It was

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00:22:16,200 --> 00:22:21,359
Speaker 1: like one of my favorite videos all the time is

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00:22:22,600 --> 00:22:25,560
Speaker 1: that it's one of the greatest. You shot that in

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00:22:25,640 --> 00:22:29,120
Speaker 1: Quins Queens, right, so holdless, let's take take me through

379
00:22:29,160 --> 00:22:32,399
Speaker 1: that because whose idea was that video? Period? That was

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00:22:32,480 --> 00:22:34,840
Speaker 1: my idea. I need you to shoot a video for me.

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00:22:35,040 --> 00:22:37,840
Speaker 1: But let's continue to Yeah, that was my idea, like

382
00:22:38,400 --> 00:22:41,280
Speaker 1: when you hit the girl with the girl, the girl

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00:22:41,800 --> 00:22:43,920
Speaker 1: the car, the girl in the car she ran into

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00:22:43,920 --> 00:22:47,480
Speaker 1: the back of right, yeah, yeah, and no, I just

385
00:22:48,040 --> 00:22:50,280
Speaker 1: I just wanted to be different. And mostly all the

386
00:22:50,400 --> 00:22:52,520
Speaker 1: videos I shot it in the nineties was my idea.

387
00:22:52,840 --> 00:22:55,520
Speaker 1: Just directors took the idea and built on it. So

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00:22:55,600 --> 00:22:59,040
Speaker 1: who's credit for that day? Minds? What was that? Damn?

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00:22:59,080 --> 00:23:01,280
Speaker 1: Who the funk was that ship? I forgot? Man? Was

390
00:23:01,320 --> 00:23:05,800
Speaker 1: it Diane too? Come on Google that? Come on? Look

391
00:23:05,800 --> 00:23:09,000
Speaker 1: at Hillary? We got the googler a little but I

392
00:23:09,119 --> 00:23:11,639
Speaker 1: described so. So the video was shot of Silver Cup Studios,

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00:23:11,680 --> 00:23:16,200
Speaker 1: I imagine because because Civil Cup students around the corner

394
00:23:16,200 --> 00:23:19,360
Speaker 1: from Queens Bridge, that was the safe place where Sopranos

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00:23:19,440 --> 00:23:23,399
Speaker 1: was filmed. Back, Um, I didn't know was the studio

396
00:23:23,520 --> 00:23:26,320
Speaker 1: that you filmed? And I shot it right outside. No

397
00:23:26,480 --> 00:23:29,440
Speaker 1: talking because remember you did the workout part. Oh you

398
00:23:29,520 --> 00:23:36,359
Speaker 1: know what you you? I'm not sure I don't probably

399
00:23:36,359 --> 00:23:41,960
Speaker 1: you probably right. I always guessed that for years because

400
00:23:42,040 --> 00:23:44,159
Speaker 1: you know, it was funny. But this is like right

401
00:23:44,200 --> 00:23:47,320
Speaker 1: after like, um, there was kind of like termri with

402
00:23:47,400 --> 00:23:50,520
Speaker 1: your marv D or whatever. And then it's crazy because

403
00:23:50,600 --> 00:23:53,040
Speaker 1: at the time I believe Cormega was kind of be

404
00:23:53,160 --> 00:23:56,200
Speaker 1: from mar D and then you have Kobega and you

405
00:23:56,359 --> 00:23:59,520
Speaker 1: sent the ill message to Quez. I don't know if

406
00:23:59,560 --> 00:24:02,720
Speaker 1: you knew. I kind of. I kind of knew, but

407
00:24:02,880 --> 00:24:05,800
Speaker 1: but but but it wasn't delivered. Come on, brother, you

408
00:24:05,920 --> 00:24:08,520
Speaker 1: already know. Um Also to come on, I was living

409
00:24:08,600 --> 00:24:11,720
Speaker 1: right in the projects right here, and um um, what'side?

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00:24:11,760 --> 00:24:14,560
Speaker 1: I was in what'side projects? Man, Look, nigga, I was

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00:24:14,600 --> 00:24:18,560
Speaker 1: in what's ode projects to my fourth album Nigga. Yeah, man,

412
00:24:18,760 --> 00:24:20,880
Speaker 1: right there, man. I used to walk down on what's

413
00:24:20,920 --> 00:24:26,320
Speaker 1: that little shopper area y'all got that northern yeah, nigga,

414
00:24:26,359 --> 00:24:28,560
Speaker 1: So I used to I used to walk from one

415
00:24:28,640 --> 00:24:31,280
Speaker 1: side down to that and the Queen's Bridge on that

416
00:24:31,480 --> 00:24:34,399
Speaker 1: and we spot. It used to be a we spot

417
00:24:34,520 --> 00:24:36,479
Speaker 1: right there right in the back of Queen's Bridge. One door.

418
00:24:36,520 --> 00:24:38,480
Speaker 1: I used to go in and see that. Yeah, you

419
00:24:38,880 --> 00:24:44,719
Speaker 1: see that, man. So I was already in Queens right

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00:24:44,800 --> 00:24:47,280
Speaker 1: there two minutes from my beat. While we why it

421
00:24:47,440 --> 00:24:50,440
Speaker 1: was so called, we was beefing. So I was already there.

422
00:24:50,520 --> 00:24:53,080
Speaker 1: So when we when they decided to shoot the video,

423
00:24:53,359 --> 00:24:55,600
Speaker 1: I didn't come up with that location. The video people

424
00:24:55,680 --> 00:24:57,760
Speaker 1: came up with that location. It was like yeah, it

425
00:24:57,920 --> 00:24:59,440
Speaker 1: was like this is a great area and it just

426
00:24:59,520 --> 00:25:03,600
Speaker 1: happens be Queen's Bridge. And but what you were saying though,

427
00:25:03,680 --> 00:25:05,520
Speaker 1: I was like, you know, motherfucker's was coming in and

428
00:25:05,560 --> 00:25:08,240
Speaker 1: it's like, yo, you know, my deeping them niggas, you know,

429
00:25:08,600 --> 00:25:10,639
Speaker 1: but my niggas who I was with, like Twins and

430
00:25:10,680 --> 00:25:14,560
Speaker 1: all themiga, they was like, well, fuck who around this?

431
00:25:14,680 --> 00:25:19,000
Speaker 1: When he was well streeting the video he was at

432
00:25:19,040 --> 00:25:20,480
Speaker 1: the time, there was like it was a little toy

433
00:25:20,600 --> 00:25:23,359
Speaker 1: word between the two sides. But I didn't know that

434
00:25:25,840 --> 00:25:27,960
Speaker 1: murders before that. I didn't know that though. I didn't

435
00:25:27,960 --> 00:25:31,240
Speaker 1: know that term all between car Maker and you know,

436
00:25:31,840 --> 00:25:36,080
Speaker 1: you always have a real positive attitude, Like I just

437
00:25:36,160 --> 00:25:37,960
Speaker 1: want to congratulate you for that, you know what I'm saying,

438
00:25:37,960 --> 00:25:40,399
Speaker 1: because you know, you know what I remember when I

439
00:25:40,600 --> 00:25:42,440
Speaker 1: first went on tour to one of my first time

440
00:25:42,720 --> 00:25:45,800
Speaker 1: I was covering the mic and no one would tell

441
00:25:45,880 --> 00:25:48,000
Speaker 1: me nothing like I was just bluting and people couldn't

442
00:25:48,000 --> 00:25:50,000
Speaker 1: really hear me. And he was the only nigger you

443
00:25:50,080 --> 00:25:52,400
Speaker 1: came out and he was like, yo, dude, stop coming

444
00:25:52,440 --> 00:25:55,359
Speaker 1: to mic. You're covering the whole bit. Go to And

445
00:25:55,480 --> 00:25:59,800
Speaker 1: I was like, Jesus, jes like, you know, I respect that.

446
00:26:00,000 --> 00:26:05,520
Speaker 1: I appreciate that. I might say some ship like that.

447
00:26:05,640 --> 00:26:07,840
Speaker 1: You must have been on them before I was. I was,

448
00:26:07,960 --> 00:26:09,960
Speaker 1: I was wild. I'm okay, it has to text me. Okay,

449
00:26:10,520 --> 00:26:16,480
Speaker 1: Dane Martel, Dianeel. She's a bad one. She she she was,

450
00:26:16,560 --> 00:26:19,280
Speaker 1: she was so okay. So you came up with this

451
00:26:19,400 --> 00:26:25,720
Speaker 1: concept you felm that it happens out and now so

452
00:26:25,840 --> 00:26:28,920
Speaker 1: you said you didn't know that you know the things

453
00:26:29,080 --> 00:26:32,800
Speaker 1: is happening, right, No, okay, alright, but what did you

454
00:26:33,320 --> 00:26:35,800
Speaker 1: feel like when you heard about the when Keith Murray

455
00:26:36,359 --> 00:26:40,480
Speaker 1: and and the Mardy thing happened at the tunnel? Um, well,

456
00:26:40,560 --> 00:26:44,000
Speaker 1: keep m we're already. Uh. First of all, I don't

457
00:26:44,000 --> 00:26:46,680
Speaker 1: even know. I forgot how to beef even started. Wasn't

458
00:26:46,680 --> 00:26:50,720
Speaker 1: over the skit the astronomical diabola cool, it wasn't, but

459
00:26:51,359 --> 00:26:54,879
Speaker 1: over his ship. I believe Prodigy did a skit. I

460
00:26:55,000 --> 00:26:58,280
Speaker 1: believe it is um and was like like making fun

461
00:26:58,320 --> 00:27:02,320
Speaker 1: of like the lyrics, like yeah, like like and everyone

462
00:27:02,400 --> 00:27:05,840
Speaker 1: thought it was going as Keith Murray about this. Yeah,

463
00:27:06,280 --> 00:27:08,160
Speaker 1: everyone thought that at the time, and it was going

464
00:27:08,240 --> 00:27:12,200
Speaker 1: at you and Keith Murray. Oh yeah, oh yeah you

465
00:27:12,280 --> 00:27:15,040
Speaker 1: know what. Yeah he when he said something about you

466
00:27:15,160 --> 00:27:21,680
Speaker 1: talking that space space space, Yeah, yeah, my story was

467
00:27:21,760 --> 00:27:26,960
Speaker 1: talking about me. I ain't. I don't know if that

468
00:27:27,160 --> 00:27:29,800
Speaker 1: was the same thing that kind of sparked Keith Murray.

469
00:27:29,840 --> 00:27:31,359
Speaker 1: I think it was something. I think it is. I

470
00:27:31,480 --> 00:27:36,640
Speaker 1: think it is. I'm, you know, outside different like him

471
00:27:36,640 --> 00:27:38,280
Speaker 1: and Keith Murray. But at the end of the day,

472
00:27:38,320 --> 00:27:40,560
Speaker 1: when I heard that he, uh what happened at the

473
00:27:40,600 --> 00:27:45,480
Speaker 1: tunnel um, I wasn't surprised because Keith Murray was was

474
00:27:45,640 --> 00:27:49,639
Speaker 1: a loose cannon at that time and everybody was getting

475
00:27:50,080 --> 00:27:53,280
Speaker 1: like everybody was getting it like whoever like said something

476
00:27:53,480 --> 00:27:56,640
Speaker 1: mention anything about the squad, like Keith Murray was out

477
00:27:56,720 --> 00:27:59,440
Speaker 1: there running ship down, didn't keep having a fight with

478
00:27:59,560 --> 00:28:02,080
Speaker 1: Dame down the pole. Yeah, I ain't. I ain't see it.

479
00:28:02,720 --> 00:28:05,479
Speaker 1: I just heard about it about Dame getting cracked over

480
00:28:05,560 --> 00:28:07,399
Speaker 1: the head or something shaped like that. I don't know.

481
00:28:07,720 --> 00:28:11,040
Speaker 1: God Bless God blessed, God blessed. We all hear all positivity.

482
00:28:11,119 --> 00:28:13,399
Speaker 1: That's right. But that's the one thing about the nineties,

483
00:28:13,440 --> 00:28:17,000
Speaker 1: dope money nineties, you had to get hit the head. Yes, yeah,

484
00:28:17,080 --> 00:28:23,280
Speaker 1: like it's just you smacked. You know, that's just because

485
00:28:23,400 --> 00:28:27,960
Speaker 1: we had that communication. Just so there's no bms. Yeah,

486
00:28:28,160 --> 00:28:31,800
Speaker 1: there wasn't no bms. There's no titter, no, not that

487
00:28:31,920 --> 00:28:34,120
Speaker 1: at all. By time it got to the great vines

488
00:28:34,160 --> 00:28:36,680
Speaker 1: saying you're sorry, we already have saying you at your show.

489
00:28:36,800 --> 00:28:40,200
Speaker 1: And yeah, now that was real. That was real because

490
00:28:41,160 --> 00:28:43,360
Speaker 1: right now you can be when you control, you can

491
00:28:43,400 --> 00:28:45,320
Speaker 1: do all that. You might have never seen this person

492
00:28:45,400 --> 00:28:48,160
Speaker 1: that you're talking about. Back then you had to talk

493
00:28:48,240 --> 00:28:50,280
Speaker 1: ship and then be on some effects and then you

494
00:28:50,360 --> 00:28:53,400
Speaker 1: meet each other gaming convention and impacts and all this

495
00:28:53,520 --> 00:28:58,000
Speaker 1: crazy and Max show power something. And the thing about

496
00:28:58,040 --> 00:29:00,600
Speaker 1: it is, especially if you had an album record label,

497
00:29:00,680 --> 00:29:02,920
Speaker 1: was forcing you to be in there and with the

498
00:29:02,960 --> 00:29:04,560
Speaker 1: same as that people. He was being right, So it

499
00:29:04,960 --> 00:29:06,920
Speaker 1: forced us to be men. Not to say these people

500
00:29:07,000 --> 00:29:09,400
Speaker 1: nowadays about men, I'm just saying it forced us to

501
00:29:09,440 --> 00:29:11,640
Speaker 1: be more manly. You know, come in front the ship,

502
00:29:11,680 --> 00:29:17,240
Speaker 1: you're talking exactly what you know and Usually if someone

503
00:29:17,360 --> 00:29:19,960
Speaker 1: was sad, like in the nineties that was out of pocket,

504
00:29:20,280 --> 00:29:23,280
Speaker 1: it usually had to get dealt with. It wasn't no

505
00:29:23,520 --> 00:29:26,640
Speaker 1: just snick ship and oh he needs to correct himself now.

506
00:29:27,000 --> 00:29:29,920
Speaker 1: Usually if a motherfucker said something about somebody in the nineties,

507
00:29:30,320 --> 00:29:32,680
Speaker 1: that ship was on the pop and no beefing it

508
00:29:32,760 --> 00:29:35,880
Speaker 1: out or whatever, because you know, we took this music

509
00:29:35,920 --> 00:29:40,120
Speaker 1: ship series, you know, to the truest, took very serious.

510
00:29:40,240 --> 00:29:41,880
Speaker 1: That's one of the things that you could probably help

511
00:29:41,920 --> 00:29:43,280
Speaker 1: me out. This is a pure of me as a

512
00:29:43,360 --> 00:29:46,360
Speaker 1: hip hop fan. Yeah, one of the first records I've

513
00:29:46,360 --> 00:29:49,640
Speaker 1: ever heard Dear Max. It comes out, he's this is

514
00:29:49,760 --> 00:29:53,440
Speaker 1: case solo O case someone was out five six year

515
00:29:53,720 --> 00:29:57,000
Speaker 1: I could not understand the relation. I still to this

516
00:29:57,160 --> 00:30:01,040
Speaker 1: day don't understand. Well I wasn't dear ma first practice.

517
00:30:01,280 --> 00:30:04,120
Speaker 1: I'm not getting at me. That leaves so, yeah, he

518
00:30:04,200 --> 00:30:07,040
Speaker 1: said something about solo on one or though, yeah, and

519
00:30:07,200 --> 00:30:10,840
Speaker 1: I just I didn't because it was two different generational gaps,

520
00:30:10,920 --> 00:30:15,000
Speaker 1: and I like, maybe they're saying, hey, no, yeah, yeah,

521
00:30:15,000 --> 00:30:18,400
Speaker 1: but definitely. But what I'm saying is like they was

522
00:30:18,480 --> 00:30:22,240
Speaker 1: locked up or something that Yeah, DX have been around

523
00:30:22,280 --> 00:30:25,360
Speaker 1: for a minute, he has deals, but but he wasn't on,

524
00:30:27,360 --> 00:30:29,160
Speaker 1: but he was in the circuit right, so I never

525
00:30:29,240 --> 00:30:32,520
Speaker 1: understood what happened. You know what's funny that me and

526
00:30:32,640 --> 00:30:35,240
Speaker 1: my brother argue about that all the time, me and Solo,

527
00:30:36,560 --> 00:30:40,480
Speaker 1: and still to this day, still to this day, he's

528
00:30:40,520 --> 00:30:43,920
Speaker 1: still like, you know that guy? Then you know d

529
00:30:44,080 --> 00:30:46,640
Speaker 1: m X man d M Max. And I don't know

530
00:30:46,720 --> 00:30:49,360
Speaker 1: if DMX is still saying you know that God damn

531
00:30:49,440 --> 00:30:52,920
Speaker 1: K Solo, Kay Solo, but you know both of them,

532
00:30:53,120 --> 00:30:55,280
Speaker 1: you know his family. I called m X my cousin.

533
00:30:56,000 --> 00:30:59,520
Speaker 1: But the beef, what you're saying is right like it was.

534
00:30:59,640 --> 00:31:02,720
Speaker 1: It was a little a bridge, a little gap in

535
00:31:02,800 --> 00:31:06,040
Speaker 1: between Solo and when DN Mix came out. But they

536
00:31:06,160 --> 00:31:08,920
Speaker 1: was talking about a beat that happened with way back.

537
00:31:09,720 --> 00:31:13,600
Speaker 1: And it's still going like bumbling to this. They see

538
00:31:13,640 --> 00:31:17,400
Speaker 1: each other exactly. And I'm telling my big brother, because

539
00:31:17,440 --> 00:31:20,040
Speaker 1: you know, big brother big a little older than I'm like,

540
00:31:20,120 --> 00:31:24,040
Speaker 1: your big brother, don't know fighting goods. You DMX out

541
00:31:24,160 --> 00:31:28,000
Speaker 1: here shaking the tail feather on some old ass beat.

542
00:31:29,680 --> 00:31:32,600
Speaker 1: You know, you want to yo straight up to make this,

543
00:31:33,040 --> 00:31:38,840
Speaker 1: make it, to make that situation acceptable, y'all should do

544
00:31:38,920 --> 00:31:50,960
Speaker 1: a motherfucking record, have a sell off Yeah yeah, spelling yeah,

545
00:31:51,960 --> 00:31:56,120
Speaker 1: spell off, having these things to spell out like not

546
00:31:56,360 --> 00:31:58,239
Speaker 1: a lot. I'm like, there's the older niggers in him.

547
00:31:58,360 --> 00:32:04,240
Speaker 1: I'm bugging out and I was loose like that. That's

548
00:32:04,240 --> 00:32:15,160
Speaker 1: what I'm saying. Don't got the crowd? Uh working with

549
00:32:15,440 --> 00:32:21,240
Speaker 1: l L? How was that? What the fourth three two one?

550
00:32:21,840 --> 00:32:27,000
Speaker 1: Because it wasn't that the cannabis he was just quartered in.

551
00:32:27,160 --> 00:32:32,400
Speaker 1: How did you feel when the drama Old well Ship?

552
00:32:32,520 --> 00:32:35,360
Speaker 1: We were surprised because we was like when we heard

553
00:32:35,440 --> 00:32:39,560
Speaker 1: cannabis first, when you take it like he was talking

554
00:32:39,560 --> 00:32:43,920
Speaker 1: about l L. Yeah, yeah, because I mean it sounded

555
00:32:44,000 --> 00:32:47,480
Speaker 1: a little aggressive, like all right, I take that money.

556
00:32:48,040 --> 00:32:52,520
Speaker 1: But the way cannabis was going at it, because cannabis

557
00:32:52,640 --> 00:32:54,760
Speaker 1: was like hanging around, that's a lot at that time.

558
00:32:55,200 --> 00:32:59,600
Speaker 1: Let's describe to scene. Everybody in the studio the first records,

559
00:33:00,040 --> 00:33:03,120
Speaker 1: No No No had a version that he changed it exactly.

560
00:33:03,160 --> 00:33:06,320
Speaker 1: We we we did our versus separate and me and

561
00:33:06,360 --> 00:33:09,240
Speaker 1: MEP did diverses together and everyone came in with diverse.

562
00:33:09,720 --> 00:33:12,560
Speaker 1: But when we found either the track, so I got

563
00:33:12,640 --> 00:33:15,480
Speaker 1: to hear the versus. So when I when I when

564
00:33:15,520 --> 00:33:22,640
Speaker 1: I saw ye, every one absolutely big up to eat

565
00:33:22,720 --> 00:33:28,840
Speaker 1: dub in this bitch. That's what's up, yo. But bottom

566
00:33:28,880 --> 00:33:31,080
Speaker 1: line is that when I heard the verse, no one

567
00:33:31,640 --> 00:33:34,640
Speaker 1: took it as he was trying to dis L until

568
00:33:34,880 --> 00:33:37,440
Speaker 1: l L just heard it. He was like, no, no,

569
00:33:38,440 --> 00:33:41,160
Speaker 1: that don't sound right. I'm not feeling good about this

570
00:33:41,320 --> 00:33:45,040
Speaker 1: on my record. And because I think I heard the

571
00:33:45,200 --> 00:33:48,200
Speaker 1: verse that LLL did before that, I'm not sure. Don't

572
00:33:48,280 --> 00:33:51,400
Speaker 1: quote me and ship, but I think I heard the verse,

573
00:33:51,560 --> 00:33:55,880
Speaker 1: and I was like, all right, Cannabis laid this verse

574
00:33:56,080 --> 00:33:58,480
Speaker 1: and LLL went and changed his version that ship was

575
00:33:58,600 --> 00:34:02,360
Speaker 1: long as hell, and uh he was, and he was

576
00:34:02,400 --> 00:34:05,680
Speaker 1: trying to tell Cannabis and new one. And the bottom

577
00:34:05,720 --> 00:34:08,040
Speaker 1: line is what I was saying is that when we

578
00:34:08,160 --> 00:34:10,040
Speaker 1: heard Cannabis verse, we didn't take it as he was

579
00:34:10,080 --> 00:34:11,920
Speaker 1: trying to dis And I don't think Cannabis wrote it

580
00:34:12,000 --> 00:34:14,399
Speaker 1: as a disrecord either. I just think as a young

581
00:34:14,480 --> 00:34:16,360
Speaker 1: and he was just coming up and he knew he

582
00:34:16,480 --> 00:34:18,880
Speaker 1: was the new jack out of all of us, so

583
00:34:19,000 --> 00:34:21,520
Speaker 1: he was like, fucking, let me just get a little aggressive.

584
00:34:21,640 --> 00:34:23,719
Speaker 1: We had al on here and else said that the

585
00:34:23,800 --> 00:34:26,759
Speaker 1: problem was that when he said yo, he actually told

586
00:34:26,840 --> 00:34:28,759
Speaker 1: him that in person. He was like, yo, yo, I

587
00:34:29,000 --> 00:34:30,719
Speaker 1: want to get a mike just like that. And I

588
00:34:30,920 --> 00:34:32,200
Speaker 1: was like, Yo, listen to home and you don't have

589
00:34:32,320 --> 00:34:35,480
Speaker 1: to give mike like me, get get something else. And

590
00:34:35,600 --> 00:34:38,279
Speaker 1: he made it clear right there. And then when he

591
00:34:38,360 --> 00:34:40,080
Speaker 1: put it in the rod, he was like, oh, let

592
00:34:40,160 --> 00:34:42,920
Speaker 1: me take that mic off y'all. I was like, oh, no,

593
00:34:43,520 --> 00:34:46,239
Speaker 1: I told you he took it personally. It was a conversation.

594
00:34:47,480 --> 00:34:53,280
Speaker 1: See I didn't hear that. Yeah, perspectively because when nigger

595
00:34:53,400 --> 00:34:55,279
Speaker 1: had something off my arm and they mentioned it in

596
00:34:55,360 --> 00:34:57,600
Speaker 1: the recorded and like that, Nigga was trying to get fun,

597
00:34:58,800 --> 00:35:01,080
Speaker 1: was trying to all that's a good ship. I learned

598
00:35:01,120 --> 00:35:05,120
Speaker 1: something to day. But the bottom line is l wasn't

599
00:35:05,120 --> 00:35:09,640
Speaker 1: having that ship. And uh, great that you came. He

600
00:35:09,800 --> 00:35:12,520
Speaker 1: came in and destroyed who y'all think one? Between that

601
00:35:12,600 --> 00:35:19,600
Speaker 1: batter quis who y'all think wrong? Between the cannabis records, man,

602
00:35:20,080 --> 00:35:22,200
Speaker 1: you're talking about records like the records that came afterwards

603
00:35:22,239 --> 00:35:25,200
Speaker 1: when the battle period, because Canada didn't cannabis come back

604
00:35:25,280 --> 00:35:34,720
Speaker 1: up with one the Canada's records cannabis when he's my friend,

605
00:35:35,160 --> 00:35:41,680
Speaker 1: and then Jackson was it's the l joint afterwards, let's love. Yeah,

606
00:35:42,280 --> 00:35:46,360
Speaker 1: I don't know the second round, knockout is back. But

607
00:35:46,480 --> 00:35:51,040
Speaker 1: in the end, ultimately who's here? Yeah, at the end

608
00:35:51,080 --> 00:35:54,640
Speaker 1: of the day. So we rather be called a couple

609
00:35:54,680 --> 00:35:56,840
Speaker 1: of people to ask you some questions. You want to

610
00:35:56,880 --> 00:36:00,919
Speaker 1: see if you know who this person is, Oh Ship

611
00:36:01,800 --> 00:36:07,880
Speaker 1: as a DJ. It was a d J first, What

612
00:36:08,120 --> 00:36:12,360
Speaker 1: was his favorite songs to mix? And we called to

613
00:36:12,440 --> 00:36:22,279
Speaker 1: tape genre it's new, it's a newer thing though. I

614
00:36:22,360 --> 00:36:25,399
Speaker 1: know that's Eric Surro And what did he say? What's

615
00:36:25,440 --> 00:36:30,640
Speaker 1: your favorite genre? Mix? What's your favorite genre? What's my

616
00:36:30,719 --> 00:36:36,799
Speaker 1: favorite John Johnsons mix? As a DJ? Oh Ship, Well,

617
00:36:36,880 --> 00:36:39,200
Speaker 1: of course hip hop, but he sounds a new thing

618
00:36:39,880 --> 00:36:44,600
Speaker 1: club like dance music. I'll mix some club nicking. What

619
00:36:44,719 --> 00:36:46,640
Speaker 1: do we say when we say club, it's like how

620
00:36:46,760 --> 00:36:58,080
Speaker 1: the music Jersey? You know we want Jersey niggers never

621
00:36:58,200 --> 00:37:00,880
Speaker 1: never been, no suckers and no club. Wait, you know

622
00:37:01,000 --> 00:37:04,840
Speaker 1: you need this beat on wild move, No nigga Jersey niggas.

623
00:37:04,880 --> 00:37:09,000
Speaker 1: We danced with the hammer, honest, niggs, k you come

624
00:37:09,040 --> 00:37:11,920
Speaker 1: in that bit like this, that's we got that. You know,

625
00:37:12,040 --> 00:37:14,920
Speaker 1: we got that club and rooted isn't rooted in this nigger?

626
00:37:15,000 --> 00:37:17,600
Speaker 1: So yeah, it was always the club niggas because that's

627
00:37:17,600 --> 00:37:20,279
Speaker 1: what he must have been talking about. Yeah, yeah, yeah, yeah,

628
00:37:21,760 --> 00:37:24,640
Speaker 1: it's a new thing. Yeah yeah, it's a thing. Okay,

629
00:37:25,239 --> 00:37:29,080
Speaker 1: that's a new thing. Here's a third question asked him.

630
00:37:29,200 --> 00:37:32,160
Speaker 1: Do you remember who close signed to me after he

631
00:37:32,239 --> 00:37:35,280
Speaker 1: got turned down by death Jim that once or twice?

632
00:37:35,920 --> 00:37:40,000
Speaker 1: Who made um Leo's head turned around after he got

633
00:37:40,480 --> 00:37:47,319
Speaker 1: told about this other rapper that Reman was dope. I'm

634
00:37:47,320 --> 00:37:51,000
Speaker 1: assuming it would It wouldn't be him. I don't know.

635
00:37:51,080 --> 00:37:55,160
Speaker 1: It sounds like a trick question the beat gonna be honest.

636
00:37:55,200 --> 00:37:57,160
Speaker 1: I would say that would careme up with them questions?

637
00:37:57,200 --> 00:38:00,920
Speaker 1: You know, I reached out some ship there only you

638
00:38:00,960 --> 00:38:04,279
Speaker 1: would know I need you. Red Man got there. We

639
00:38:04,360 --> 00:38:06,760
Speaker 1: gotta go up with me? Damn man? Who the funds

640
00:38:06,760 --> 00:38:09,279
Speaker 1: aint said? Who? Who? What would you like to get

641
00:38:09,280 --> 00:38:12,759
Speaker 1: the questions again? After death Jam turned you down? Is

642
00:38:12,800 --> 00:38:15,239
Speaker 1: what he's saying. I didn't even no death Jam turned

643
00:38:15,280 --> 00:38:19,320
Speaker 1: me down twice. That hurt my heart. I wasn't that.

644
00:38:19,600 --> 00:38:26,400
Speaker 1: I wasn't not go to sleep. I turned down to

645
00:38:27,120 --> 00:38:36,719
Speaker 1: the one time that ship, but twice, no, wow, fuckers,

646
00:38:37,719 --> 00:38:40,439
Speaker 1: twice I got turned down and he said I'm sorry.

647
00:38:41,360 --> 00:38:43,480
Speaker 1: He said you was dope and had Leo turned it.

648
00:38:45,640 --> 00:38:49,080
Speaker 1: That's what he says. Wow, what artists told Leo is

649
00:38:49,160 --> 00:38:51,919
Speaker 1: that the leof turned his head. I want here again?

650
00:38:52,120 --> 00:38:55,240
Speaker 1: Or yes, so I could think, so I could feel

651
00:38:55,560 --> 00:38:58,960
Speaker 1: maybe who it was? Asked him, do you remember who

652
00:38:59,040 --> 00:39:02,080
Speaker 1: COO signed to me? After he got turned down by

653
00:39:02,200 --> 00:39:05,279
Speaker 1: that cham not once, but twice he said that real

654
00:39:05,440 --> 00:39:13,360
Speaker 1: cockey too, once twice about the rapper That man was dope.

655
00:39:16,600 --> 00:39:19,080
Speaker 1: Uh so he's not talking about himself. He counted him out.

656
00:39:19,440 --> 00:39:25,040
Speaker 1: That's the only thing I didn't ask him for the Listen.

657
00:39:25,200 --> 00:39:27,080
Speaker 1: This is all new news to me. I didn't know

658
00:39:27,160 --> 00:39:29,120
Speaker 1: I had to get a co Sanna. I've been telling

659
00:39:29,200 --> 00:39:31,520
Speaker 1: niggas for years. Yeah, I just you know what's funny

660
00:39:31,520 --> 00:39:46,120
Speaker 1: because not Uster twice hus you know he said that

661
00:39:46,280 --> 00:39:50,959
Speaker 1: real r off. It ain't said it was like not Mary,

662
00:39:51,800 --> 00:39:56,120
Speaker 1: but twice. You know, if it ain't cute, I don't

663
00:39:56,160 --> 00:39:58,120
Speaker 1: know who who If it ain't cute, If I don't

664
00:39:58,120 --> 00:40:03,640
Speaker 1: know who, you know, I'm just gonna say, yeah, that's amazing,

665
00:40:04,560 --> 00:40:07,799
Speaker 1: is that it might have been cute to it might

666
00:40:07,840 --> 00:40:10,480
Speaker 1: have been asking when he got a little bit money,

667
00:40:10,480 --> 00:40:13,000
Speaker 1: but with the first car he bought. I know it's

668
00:40:13,040 --> 00:40:15,880
Speaker 1: corny though, this was not corning us. You got a

669
00:40:15,920 --> 00:40:20,640
Speaker 1: little The first car I bought when I got a

670
00:40:20,680 --> 00:40:23,919
Speaker 1: little money, what was the first cap first car board?

671
00:40:24,880 --> 00:40:27,200
Speaker 1: Because when I was living with I jacked the nigga

672
00:40:27,280 --> 00:40:32,799
Speaker 1: for a car. Was for half a year that New

673
00:40:32,880 --> 00:40:36,319
Speaker 1: Jersey ship waits Yeah, I needed the fucking car. Plus

674
00:40:36,440 --> 00:40:39,680
Speaker 1: then that objected from did something to fucking Ei. We

675
00:40:39,800 --> 00:40:45,360
Speaker 1: had the handle, but ship it had to be a

676
00:40:45,440 --> 00:40:54,839
Speaker 1: four runner for the four runner hand of ye don't

677
00:40:54,920 --> 00:40:56,960
Speaker 1: running l C. Do you want to do? You want

678
00:40:57,000 --> 00:40:59,120
Speaker 1: to show Tito's gift? All right, so look so just

679
00:40:59,160 --> 00:41:02,439
Speaker 1: see you know rap man at we this is the DJ.

680
00:41:02,640 --> 00:41:07,520
Speaker 1: This we didn't know um Eric B and rock Killer,

681
00:41:07,600 --> 00:41:10,480
Speaker 1: I'm the wrapping DJ. We got a show, right, so

682
00:41:10,600 --> 00:41:12,440
Speaker 1: we never knew this. She was gonna blow up. So

683
00:41:12,520 --> 00:41:19,880
Speaker 1: we got voted for what National film um n f

684
00:41:20,080 --> 00:41:25,520
Speaker 1: T a National Film Television Academa against Jimmy Killers Ellien

685
00:41:25,640 --> 00:41:30,040
Speaker 1: Degenerous Saturday Night at We got supposed to win. So

686
00:41:30,160 --> 00:41:31,840
Speaker 1: Nickers didn't even want to go to the walls. He

687
00:41:31,960 --> 00:41:35,080
Speaker 1: was like wet winning this ship and we actually want

688
00:41:35,360 --> 00:41:37,880
Speaker 1: when a true drink champs fashion, we send one of

689
00:41:37,880 --> 00:41:39,920
Speaker 1: our friends to pick up no walls in l A

690
00:41:40,080 --> 00:41:43,239
Speaker 1: and l A because he was here and we didn't.

691
00:41:43,280 --> 00:41:45,160
Speaker 1: So we said our friend and this is what our

692
00:41:45,200 --> 00:41:49,520
Speaker 1: friends tells us back, he said the award to us.

693
00:41:51,719 --> 00:41:56,000
Speaker 1: This is a true drink championship, right man, But that's

694
00:41:56,040 --> 00:42:02,560
Speaker 1: not this ship. We ain't frienish this woman. Here's the

695
00:42:03,080 --> 00:42:14,359
Speaker 1: part that says national film achieving. Man, here's a point.

696
00:42:14,400 --> 00:42:18,480
Speaker 1: All the parts out here, atleast get to share it.

697
00:42:23,960 --> 00:42:27,759
Speaker 1: I mean, you try to share the right man would

698
00:42:27,760 --> 00:42:34,279
Speaker 1: be a positives So lonely stop show eighteen drink chance. Right,

699
00:42:35,040 --> 00:42:39,520
Speaker 1: that's that's ship. That's just creep it right here. Ship.

700
00:42:40,120 --> 00:42:45,080
Speaker 1: We actually are our first about this our first ward award,

701
00:42:45,239 --> 00:42:47,040
Speaker 1: Like I think it's our first. We got another award,

702
00:42:47,120 --> 00:42:57,560
Speaker 1: but this is our first podcast. Your podcast is kicking out. Listen,

703
00:42:57,640 --> 00:43:00,479
Speaker 1: this is this was dope. It was dope with two drinks, chants, trash.

704
00:43:00,640 --> 00:43:03,520
Speaker 1: What is it? Tito um five seven? What does it? No?

705
00:43:03,680 --> 00:43:09,080
Speaker 1: What's this? Yeah? Nickname got to keep thinking about his

706
00:43:09,160 --> 00:43:11,400
Speaker 1: Twitter thing, ain't man. Thank you guys, thank you for

707
00:43:11,440 --> 00:43:15,000
Speaker 1: showing up and collecting the award, and also fuck you

708
00:43:15,080 --> 00:43:21,680
Speaker 1: were breading He dropped it going into an uber and

709
00:43:21,719 --> 00:43:24,680
Speaker 1: this was crazy. He had the plan of not getting

710
00:43:24,680 --> 00:43:26,759
Speaker 1: two drunks. So he's figured this go in the Uba.

711
00:43:26,840 --> 00:43:28,520
Speaker 1: So I was like, all right, Uba. You know, Uba

712
00:43:28,640 --> 00:43:31,080
Speaker 1: is like all right, cool, but you still suck up

713
00:43:31,800 --> 00:43:35,000
Speaker 1: and you drop it going into the Uba. That's what you.

714
00:43:36,200 --> 00:43:39,440
Speaker 1: I definitely no believe. There's pictures and he went bar hopping.

715
00:43:39,680 --> 00:43:41,680
Speaker 1: Oh yeah, there's pictures of the award and every bar

716
00:43:41,840 --> 00:43:44,280
Speaker 1: I'm going to bar hopping bar hopping with the fucking

717
00:43:44,320 --> 00:44:00,040
Speaker 1: award show. You fucking break that sound them now, I

718
00:44:00,080 --> 00:44:04,560
Speaker 1: said this time I wouldn't have did, but not not

719
00:44:04,719 --> 00:44:10,080
Speaker 1: like coming out of Red mountm Like it wasn't the

720
00:44:14,680 --> 00:44:16,759
Speaker 1: Left Fail one. Hold on, we got one from Left Fail.

721
00:44:16,840 --> 00:44:21,920
Speaker 1: Hold on, yo, what it is? What it is? Red

722
00:44:22,280 --> 00:44:28,000
Speaker 1: track chips? Noory f was good babies to rule. Listen, bread,

723
00:44:28,080 --> 00:44:33,919
Speaker 1: I got a question for your statle man. So this ship.

724
00:44:34,360 --> 00:44:39,720
Speaker 1: I started doing your fucking red back chip at my shows.

725
00:44:39,760 --> 00:44:43,239
Speaker 1: But I to fuck echall, but I started doing it

726
00:44:43,320 --> 00:44:46,759
Speaker 1: because my message to the world is wing going hand

727
00:44:46,800 --> 00:44:50,360
Speaker 1: to watch y'all. U hate the twin Oh that was

728
00:44:50,400 --> 00:44:54,520
Speaker 1: mean draped my back. So I'm not that professional, but

729
00:44:54,560 --> 00:44:57,160
Speaker 1: I'm trying to get my life together. That's right, Okay.

730
00:44:57,200 --> 00:45:01,000
Speaker 1: Hold on, we gotta started from beginning, it seems like it. Yeah,

731
00:45:01,400 --> 00:45:05,840
Speaker 1: what it is? What it is? Red straight chansnory e

732
00:45:06,160 --> 00:45:09,520
Speaker 1: f A was good baby, it's the rule. Listen, Red,

733
00:45:09,600 --> 00:45:15,080
Speaker 1: I gotta question fell stake your ass, yo. So this

734
00:45:15,280 --> 00:45:20,719
Speaker 1: year I started doing your fuck you redneck chin at

735
00:45:20,760 --> 00:45:23,080
Speaker 1: my shows. But I have to fuck y'all rule obviously,

736
00:45:23,800 --> 00:45:27,080
Speaker 1: But I started doing it because my message to the

737
00:45:27,160 --> 00:45:29,440
Speaker 1: world is we gonna have to watch y'all Rule eight

738
00:45:29,520 --> 00:45:32,600
Speaker 1: and twenty nineteen going forward. So the fuck use y'all

739
00:45:32,719 --> 00:45:34,760
Speaker 1: route sense for them to get it out their system.

740
00:45:35,320 --> 00:45:37,440
Speaker 1: But I always admired when you used to do that

741
00:45:37,560 --> 00:45:39,719
Speaker 1: ship and thought it was dopen and the energy you

742
00:45:39,760 --> 00:45:43,680
Speaker 1: know that that that crowd gives the crowding to get

743
00:45:43,760 --> 00:45:46,120
Speaker 1: you the feeds off. So I just wanted to ask

744
00:45:46,160 --> 00:45:49,439
Speaker 1: you what what made you want the crowd to say

745
00:45:49,560 --> 00:45:52,840
Speaker 1: fuck you Red Man? Oh? Well, ship man, that's an

746
00:45:52,840 --> 00:45:55,520
Speaker 1: easy question. My Well, he got it from me, And

747
00:45:55,880 --> 00:45:59,040
Speaker 1: you know what that's that's a very good analogy about

748
00:45:59,080 --> 00:46:01,040
Speaker 1: the MAB because you know where I got it from

749
00:46:01,480 --> 00:46:07,200
Speaker 1: was my mentor ice Cube. Like I just say, easy

750
00:46:07,239 --> 00:46:10,759
Speaker 1: and guess because those all advisers out there and I'm

751
00:46:10,800 --> 00:46:15,640
Speaker 1: talking to you, we want to fuck you easy. But

752
00:46:16,880 --> 00:46:18,680
Speaker 1: but see I got it from I got it from

753
00:46:18,719 --> 00:46:22,960
Speaker 1: a historical time and like when ice Cube first came

754
00:46:23,000 --> 00:46:25,880
Speaker 1: to New York doing that in w Wybe and he

755
00:46:26,000 --> 00:46:30,680
Speaker 1: did the show because yeah he didn't. He did this

756
00:46:30,760 --> 00:46:33,320
Speaker 1: show like the Apollos first time in New York. And

757
00:46:33,440 --> 00:46:37,400
Speaker 1: when I tell you that Apollo was rampat and that

758
00:46:37,560 --> 00:46:39,799
Speaker 1: nigga went out there and he was like say fuck

759
00:46:39,880 --> 00:46:43,040
Speaker 1: you ice Cube, I was like I almost cat the

760
00:46:43,120 --> 00:46:46,279
Speaker 1: heart attack. I was like a nigga saying tell the

761
00:46:46,320 --> 00:46:50,040
Speaker 1: crowd fuck him at that age, come on, this was

762
00:46:50,120 --> 00:46:52,040
Speaker 1: like like when it was like ninety one. I was

763
00:46:52,120 --> 00:46:55,760
Speaker 1: like twenty one two one, and he came on stage

764
00:46:55,800 --> 00:46:58,239
Speaker 1: just said fuck you. Say everybody say fuck you, Rce

765
00:46:58,360 --> 00:47:03,880
Speaker 1: Cub and I'm literally ship a chicken white because I

766
00:47:04,000 --> 00:47:08,600
Speaker 1: couldn't believe how you would get a positive energy from

767
00:47:08,680 --> 00:47:12,479
Speaker 1: such a negative reaction. It was like, funk your wife, Cube,

768
00:47:12,560 --> 00:47:14,960
Speaker 1: and I just ran with that bitch from there and

769
00:47:15,880 --> 00:47:18,000
Speaker 1: and then Ja ru you know he got it from

770
00:47:18,040 --> 00:47:20,040
Speaker 1: me thinking that I made that ship up. But I

771
00:47:20,080 --> 00:47:21,719
Speaker 1: gotta let him know I got it from ice Cube.

772
00:47:21,719 --> 00:47:24,880
Speaker 1: But it just shows the line of respect and mcs

773
00:47:24,960 --> 00:47:27,080
Speaker 1: that we have for each other. Far Era and for

774
00:47:27,200 --> 00:47:29,480
Speaker 1: the Arab beyond us. That was a good analogy, right.

775
00:47:33,800 --> 00:47:38,719
Speaker 1: I am surprised to myself for that. Man. So do

776
00:47:38,800 --> 00:47:40,440
Speaker 1: you ever look at do you have to look at

777
00:47:40,520 --> 00:47:42,719
Speaker 1: your career and you because a lot of people they

778
00:47:42,760 --> 00:47:48,200
Speaker 1: always say that, uh, if Eminem was black, he would

779
00:47:48,239 --> 00:47:50,840
Speaker 1: be red. Man. I think that that is like a

780
00:47:51,000 --> 00:47:53,360
Speaker 1: great thing to say. I don't think that, No, not

781
00:47:53,480 --> 00:47:58,600
Speaker 1: at all. It's it's good. Yeah, that's it's as hard

782
00:47:58,640 --> 00:48:03,759
Speaker 1: as fun. And he it's up to you. Absolutely, yeah, absolutely. Um.

783
00:48:03,840 --> 00:48:06,120
Speaker 1: You know, Eminem was in north Way a long time

784
00:48:06,160 --> 00:48:09,640
Speaker 1: ago before songs absolutely, so he was always connected. He

785
00:48:09,760 --> 00:48:14,040
Speaker 1: was always enthused by that Jersey Uh you know Crewcuma

786
00:48:14,160 --> 00:48:16,360
Speaker 1: we have far As m c and or whatever and

787
00:48:16,680 --> 00:48:18,720
Speaker 1: we just remained friends. I think we did that record.

788
00:48:19,280 --> 00:48:25,279
Speaker 1: Uh that was for the Clumps uh Clump soundtrack, what

789
00:48:25,800 --> 00:48:30,520
Speaker 1: is that? Yeah, yeah, not a professor. We did a

790
00:48:30,800 --> 00:48:34,600
Speaker 1: song on the soundtrack, I think part two. And even

791
00:48:34,680 --> 00:48:36,759
Speaker 1: from there, like I was going to Detroit and Lite,

792
00:48:37,040 --> 00:48:38,600
Speaker 1: I would go to his house this one. He was,

793
00:48:38,880 --> 00:48:40,880
Speaker 1: you know, living in a crib or whatever and uh

794
00:48:41,800 --> 00:48:44,920
Speaker 1: early days your way, early days yeah, yeah, yeah, he

795
00:48:45,080 --> 00:48:49,520
Speaker 1: was doing the battle circuits absolutely, and uh you know

796
00:48:49,640 --> 00:48:52,799
Speaker 1: and we just remained friends, and I always respected this crap.

797
00:48:52,880 --> 00:48:57,200
Speaker 1: He respect my crap, and that was it, you know, yeah,

798
00:48:57,320 --> 00:49:01,000
Speaker 1: a shot for the Goodness if the WiFi go out?

799
00:49:04,000 --> 00:49:06,280
Speaker 1: Why did you never shoot the video for the Goodness

800
00:49:06,360 --> 00:49:08,880
Speaker 1: feature of him? Even though it was big in the

801
00:49:08,960 --> 00:49:12,680
Speaker 1: streets and on radio like it was a single. Okay,

802
00:49:12,760 --> 00:49:15,400
Speaker 1: this is niggas coming after right now this? Come on?

803
00:49:16,719 --> 00:49:20,279
Speaker 1: What do you say? He said? Um, ask him why

804
00:49:20,320 --> 00:49:23,080
Speaker 1: he never shot the video for the Goodness featuring me

805
00:49:23,760 --> 00:49:25,759
Speaker 1: even though it was big in the streets and on

806
00:49:25,960 --> 00:49:28,960
Speaker 1: radio like it was a single. Oh you know what

807
00:49:32,120 --> 00:49:34,479
Speaker 1: I wanted? What are you talking about? I wanted bust

808
00:49:34,520 --> 00:49:36,040
Speaker 1: the rounds a part of that video. I think that

809
00:49:36,160 --> 00:49:40,080
Speaker 1: was a label thing, um with the label and death

810
00:49:40,160 --> 00:49:42,800
Speaker 1: jam or whatever. Ship, come on, bus, No, that's my nigga.

811
00:49:42,800 --> 00:49:44,840
Speaker 1: I would I'm the first to be like even my

812
00:49:44,920 --> 00:49:47,759
Speaker 1: niggas asked, you know why a't? I was like, ship,

813
00:49:48,000 --> 00:49:50,040
Speaker 1: it seemed like that's a label issue. Was a little

814
00:49:50,080 --> 00:49:52,520
Speaker 1: bit above my pay grade. So I was just like,

815
00:49:52,600 --> 00:49:54,400
Speaker 1: all right, I let them deal with it. But of

816
00:49:54,480 --> 00:49:57,080
Speaker 1: course I wouldn't had busted right there. That's my nigga

817
00:49:57,160 --> 00:50:00,440
Speaker 1: right there. He already know Yeah, I mean when you

818
00:50:00,520 --> 00:50:04,120
Speaker 1: when it comes to performance, especially hip hop. I think

819
00:50:04,160 --> 00:50:09,440
Speaker 1: it's you read how many you are? Math Rass about

820
00:50:09,480 --> 00:50:12,320
Speaker 1: to skip to Buster can't even say kars one in

821
00:50:12,360 --> 00:50:20,759
Speaker 1: the Wolf. Wait wait, Brad math Buster Karras d d

822
00:50:21,040 --> 00:50:25,759
Speaker 1: NEX Day Last Soul Soul. Y'all ain't ever see a

823
00:50:25,840 --> 00:50:28,239
Speaker 1: full Day Last score. I was on Tommy Boy of course,

824
00:50:28,280 --> 00:50:30,000
Speaker 1: shout out to the Spit Cookers tour when they were

825
00:50:30,040 --> 00:50:32,640
Speaker 1: killing it out there with that nigga, and then you'll

826
00:50:32,680 --> 00:50:35,120
Speaker 1: see the Day Last Show. Anybody seem to Day Last

827
00:50:35,120 --> 00:50:41,440
Speaker 1: Soul Show and nigga they're like a killer. Y'all. Listen, man,

828
00:50:42,080 --> 00:50:45,319
Speaker 1: y'all listen to I Went too far? Yeah, yeah, don't

829
00:50:45,320 --> 00:50:49,640
Speaker 1: even mix that somebody. We can't even mix that in

830
00:50:49,719 --> 00:50:53,840
Speaker 1: the pot right now. But um, it's certain niggas that

831
00:50:54,040 --> 00:50:56,960
Speaker 1: tear the fucking building down, a certain niggas that that

832
00:50:57,120 --> 00:51:01,120
Speaker 1: get busy. Um, I could definitely and say they like

833
00:51:01,280 --> 00:51:03,080
Speaker 1: so on them niggas that tear the building down with

834
00:51:03,280 --> 00:51:08,160
Speaker 1: busting rooms. D MX tests the building down and crying. Yes,

835
00:51:08,280 --> 00:51:12,480
Speaker 1: he cries, and he tests the building down. Sciences, Yeah,

836
00:51:12,560 --> 00:51:15,719
Speaker 1: she can't forget Cube. Cube also kills it. Cypress Hill

837
00:51:15,840 --> 00:51:21,839
Speaker 1: kills it. Cypress, Oh Cypress Hill Test the building down down,

838
00:51:22,239 --> 00:51:23,960
Speaker 1: And I'm like, we just learned from niggas. We just

839
00:51:24,040 --> 00:51:27,279
Speaker 1: learned off each other because we still do shows and

840
00:51:27,360 --> 00:51:30,080
Speaker 1: we still do shows. May they're like, we still do

841
00:51:30,200 --> 00:51:32,880
Speaker 1: shows like it's the nineties. It's still room for us,

842
00:51:32,920 --> 00:51:35,239
Speaker 1: a whole lot of room because even now in the

843
00:51:35,360 --> 00:51:37,440
Speaker 1: States right now to it used to it came to

844
00:51:37,560 --> 00:51:39,200
Speaker 1: a certain part where we was getting a lot of

845
00:51:39,239 --> 00:51:43,840
Speaker 1: money overseason. But since a lot of motherfucker's are a

846
00:51:43,920 --> 00:51:46,480
Speaker 1: lot of new artists, is not putting on good shows,

847
00:51:47,120 --> 00:51:51,160
Speaker 1: they turned right back around to the nineties. Yes, they

848
00:51:51,440 --> 00:51:54,000
Speaker 1: just wanted for us to be rocket and we you

849
00:51:54,080 --> 00:51:56,120
Speaker 1: know it's we flew it. Now we're back on the road.

850
00:51:56,200 --> 00:52:02,880
Speaker 1: Man ship. God damn makes some lois for that be

851
00:52:02,920 --> 00:52:05,360
Speaker 1: on the road too. If you wasn't here, yeah I was.

852
00:52:05,600 --> 00:52:10,080
Speaker 1: I was killing you up a little while. Now. MTV cribs,

853
00:52:11,080 --> 00:52:14,759
Speaker 1: this has to be the most legendary, Like it's the

854
00:52:14,840 --> 00:52:18,560
Speaker 1: motion memorabilia, because I love your story every time I

855
00:52:18,680 --> 00:52:22,200
Speaker 1: see you. You know, obviously I go watch interviews and

856
00:52:23,080 --> 00:52:25,160
Speaker 1: every type you say that everybody wanted me to write

857
00:52:25,200 --> 00:52:29,200
Speaker 1: a crib. Yeah, they wanted you that. That's what they

858
00:52:29,239 --> 00:52:32,120
Speaker 1: were doing a lot of artists were doing that. Give

859
00:52:32,120 --> 00:52:34,200
Speaker 1: me a break. You going. You see that ship on TV,

860
00:52:34,360 --> 00:52:37,359
Speaker 1: that ship all neat like we see him and then

861
00:52:37,520 --> 00:52:43,520
Speaker 1: ship touch that he openly refrigerator, the food is neatly placed.

862
00:52:43,600 --> 00:52:46,359
Speaker 1: In that season of MTV Cribs was this I don't

863
00:52:46,400 --> 00:52:50,200
Speaker 1: even know. It was like going near two day last season.

864
00:52:51,160 --> 00:52:53,440
Speaker 1: Because I wasn't a part of the first couple of seasons.

865
00:52:53,480 --> 00:52:55,719
Speaker 1: I know that, But the only thing I know is

866
00:52:56,280 --> 00:53:04,520
Speaker 1: is that they expected something else. No, my cousin, my

867
00:53:04,600 --> 00:53:07,600
Speaker 1: fatists cousin was there. He he was the one sleeping

868
00:53:07,600 --> 00:53:11,640
Speaker 1: on Yeah you want to sleeping on the floor, you know,

869
00:53:12,880 --> 00:53:16,840
Speaker 1: because because they we talked about it and it was like,

870
00:53:16,960 --> 00:53:19,520
Speaker 1: I was like, you want you to do MTV criz

871
00:53:19,920 --> 00:53:21,880
Speaker 1: I was like, all right, cool. They say, yo, we

872
00:53:22,080 --> 00:53:24,359
Speaker 1: we got a house that we would like to put

873
00:53:24,400 --> 00:53:26,000
Speaker 1: you and I was like, oh word. And I had

874
00:53:26,040 --> 00:53:29,040
Speaker 1: to think about that ship. My my brand was on

875
00:53:29,120 --> 00:53:31,240
Speaker 1: the line. And at the time, how many goal albums

876
00:53:31,280 --> 00:53:33,440
Speaker 1: you got at the time, I I think I had

877
00:53:33,520 --> 00:53:39,440
Speaker 1: like four fourgol albums. But just in the midst of

878
00:53:39,560 --> 00:53:41,839
Speaker 1: that decision, I had to make a real, a real

879
00:53:41,960 --> 00:53:46,279
Speaker 1: executive decision on that uh on that answer, And I said,

880
00:53:46,320 --> 00:53:48,319
Speaker 1: you know what, now, I don't want to rent the house.

881
00:53:48,520 --> 00:53:50,800
Speaker 1: I want you all to come to my house. And

882
00:53:51,719 --> 00:53:53,400
Speaker 1: they ain't have no idea. Where the funk they was

883
00:53:53,440 --> 00:53:57,279
Speaker 1: coming to me? Was this house happened? This house was

884
00:53:57,360 --> 00:54:00,920
Speaker 1: in standing out and see what happened was no, no,

885
00:54:01,520 --> 00:54:03,520
Speaker 1: it wasn't. This was like a real estate project. I

886
00:54:03,680 --> 00:54:05,680
Speaker 1: was doing this ship. So this was like my first

887
00:54:05,960 --> 00:54:08,840
Speaker 1: real estate ship. I was like, I'm fixing this, but

888
00:54:08,960 --> 00:54:11,120
Speaker 1: I ended up staying in the bit. I had no

889
00:54:11,160 --> 00:54:19,640
Speaker 1: way to go. Yeah, I end up I adn't want

890
00:54:19,640 --> 00:54:22,560
Speaker 1: to go. So so this mother fuckers showed up like

891
00:54:22,640 --> 00:54:24,680
Speaker 1: a half hour early, trying to be all cocky and

892
00:54:24,719 --> 00:54:27,040
Speaker 1: ship at my door, you know, half hour early. And

893
00:54:27,080 --> 00:54:29,560
Speaker 1: then they came in my ship. It was like, damn,

894
00:54:30,920 --> 00:54:32,520
Speaker 1: this is where you're saying that for real? And I

895
00:54:32,640 --> 00:54:35,120
Speaker 1: was like, yeah, this is where we're shooting that for real.

896
00:54:39,080 --> 00:54:41,359
Speaker 1: And it was like, okay, let's get the cameras rolling

897
00:54:41,400 --> 00:54:46,279
Speaker 1: this set up, and and and they came in with

898
00:54:47,440 --> 00:54:53,200
Speaker 1: an assumption and they left with an understanding, with appreciation

899
00:54:54,600 --> 00:54:58,520
Speaker 1: of how artists can be so known to the world,

900
00:54:59,040 --> 00:55:01,719
Speaker 1: but a pre shakes standing in the spot like this

901
00:55:01,960 --> 00:55:04,879
Speaker 1: to generate his brand and still to this day, I'm

902
00:55:04,960 --> 00:55:07,839
Speaker 1: right in that spot. Now, I don't that's my last question.

903
00:55:08,520 --> 00:55:11,920
Speaker 1: Yeah you really really there? Like yeah, my nigga cousin

904
00:55:12,000 --> 00:55:18,000
Speaker 1: minig Yeah, yeah man, because bottom line asked you. That's

905
00:55:18,040 --> 00:55:20,839
Speaker 1: real niggas. You know, you always gotta have somewhere, can

906
00:55:21,000 --> 00:55:24,960
Speaker 1: ship go down? I gotta if ship go down spot?

907
00:55:25,080 --> 00:55:27,480
Speaker 1: But the bell didn't work. The bell still don't work.

908
00:55:28,719 --> 00:55:34,879
Speaker 1: I don't don't know. He's still a real but after

909
00:55:35,320 --> 00:55:38,600
Speaker 1: the day, I bought that bitch for sixty grand and

910
00:55:38,640 --> 00:55:41,880
Speaker 1: I can sell that ship for two hunting now. But

911
00:55:42,160 --> 00:55:45,640
Speaker 1: I'm I'm I stay in it because it's my little sanctuary,

912
00:55:45,880 --> 00:55:47,520
Speaker 1: you know. I mean, I'm scared to live in a

913
00:55:47,560 --> 00:55:51,120
Speaker 1: big gass house. Yeah, I'm I'm scared. Too many windows

914
00:55:51,200 --> 00:55:54,200
Speaker 1: and ship for sneaking around and coasts and ship can

915
00:55:54,320 --> 00:55:57,520
Speaker 1: build them a house. Yeah, I can't funk with her

916
00:55:57,560 --> 00:56:03,399
Speaker 1: big gass you know that you can build up? Yeah,

917
00:56:03,440 --> 00:56:12,040
Speaker 1: exactly day, So this is legendary. Yeah right, I got

918
00:56:12,120 --> 00:56:14,959
Speaker 1: eight bathrooms and ship ain't not talking about the space

919
00:56:15,360 --> 00:56:19,080
Speaker 1: they live, no, not at all. So so you really

920
00:56:19,160 --> 00:56:23,040
Speaker 1: do you really do live in that credit? Yes? So

921
00:56:23,200 --> 00:56:26,839
Speaker 1: we we make empty people if you remake it, because

922
00:56:26,880 --> 00:56:28,120
Speaker 1: you know what I'm trying to make you trying to

923
00:56:28,160 --> 00:56:31,520
Speaker 1: make fun of me. Now listen. So if I'm gonna

924
00:56:31,520 --> 00:56:33,719
Speaker 1: bring it back, um, because I want to bring back

925
00:56:33,800 --> 00:56:35,520
Speaker 1: MTV Criz, but I want to bring it back it

926
00:56:35,880 --> 00:56:39,680
Speaker 1: on the Spanish version called Lakassa. So you're gonna go

927
00:56:39,760 --> 00:56:42,919
Speaker 1: to like get block to those and then we're gonna

928
00:56:43,040 --> 00:56:45,600
Speaker 1: gonna be the only black name on this episode. I

929
00:56:45,640 --> 00:56:47,840
Speaker 1: can go see you and we can go there copy that.

930
00:56:48,200 --> 00:56:50,120
Speaker 1: Let's do that. Matter of fact, look on my Instagram

931
00:56:50,239 --> 00:56:51,719
Speaker 1: right now. I'm getting my ship done up right now,

932
00:56:51,800 --> 00:56:57,600
Speaker 1: so crip saying, time to do it. You revisited, They

933
00:56:57,719 --> 00:57:01,440
Speaker 1: didn't revisited. They did a part and that ship was

934
00:57:01,520 --> 00:57:05,279
Speaker 1: funny yourself too, because they revisited and I got some

935
00:57:05,480 --> 00:57:07,160
Speaker 1: things done and there I was like, y'all want you

936
00:57:07,200 --> 00:57:10,520
Speaker 1: all to see her? I got don yeah, But then

937
00:57:10,640 --> 00:57:13,560
Speaker 1: we went to the bathroom and ship and I forgot

938
00:57:13,960 --> 00:57:16,560
Speaker 1: because they said because I said, yeah, and you and

939
00:57:16,880 --> 00:57:20,160
Speaker 1: and they you know what they knew because they've seen

940
00:57:20,200 --> 00:57:22,000
Speaker 1: the first version. They said, so it's this the same

941
00:57:22,040 --> 00:57:24,360
Speaker 1: shower curtain. And I was like, no, I wouldn't do

942
00:57:24,480 --> 00:57:28,400
Speaker 1: an MTV crib way back then, twelve fourteen years ago,

943
00:57:28,440 --> 00:57:31,120
Speaker 1: and they still had the same shower curtain and they

944
00:57:31,200 --> 00:57:33,120
Speaker 1: went back to the first one and I still had

945
00:57:33,200 --> 00:57:41,320
Speaker 1: that sense ship. They blamed me heavy, but it was

946
00:57:41,400 --> 00:57:45,000
Speaker 1: good though. It was good. Yeah, it was a revisit.

947
00:57:45,080 --> 00:57:50,240
Speaker 1: It was carding TV cribs revisit. Oh that is her

948
00:57:50,280 --> 00:57:55,400
Speaker 1: laxed all right now, one of my favorite guns black

949
00:57:55,480 --> 00:58:03,760
Speaker 1: and white video. It's nice night, a classic chills go classic.

950
00:58:04,640 --> 00:58:07,640
Speaker 1: Like again, like I said, like I just like to

951
00:58:07,760 --> 00:58:11,000
Speaker 1: go have a platelist. Most of the time is it's

952
00:58:11,200 --> 00:58:16,240
Speaker 1: in the audio. But you know this morning, well this afternoon,

953
00:58:16,400 --> 00:58:21,720
Speaker 1: my barber a barn don't know, but the bar is

954
00:58:22,040 --> 00:58:24,480
Speaker 1: put the whole shoot on. When that ship came on,

955
00:58:25,120 --> 00:58:27,920
Speaker 1: we just both He just stopped cutting my hair. I

956
00:58:28,080 --> 00:58:31,040
Speaker 1: just stopped getting my hair cut and we just looked

957
00:58:31,080 --> 00:58:34,160
Speaker 1: like it was just like it palls of all life

958
00:58:34,320 --> 00:58:36,520
Speaker 1: like it was just like when it was it was

959
00:58:36,560 --> 00:58:39,240
Speaker 1: just something between just like like who it was five

960
00:58:39,280 --> 00:58:44,320
Speaker 1: minute breakless? Who produced that record? Eric Sherman dam And

961
00:58:44,440 --> 00:58:46,040
Speaker 1: you know, did you know it was a classic when

962
00:58:46,040 --> 00:58:47,920
Speaker 1: you record it? Yeah? Well you know because these was

963
00:58:48,000 --> 00:58:49,800
Speaker 1: batchels of records that I had and we would just

964
00:58:49,880 --> 00:58:52,680
Speaker 1: get loops off the recommend but yeah, the way he

965
00:58:52,760 --> 00:58:56,000
Speaker 1: put it together, in the way I orchestrated the lyrics.

966
00:58:56,080 --> 00:58:59,040
Speaker 1: Yet it was what we was feeling such a crazy

967
00:58:59,280 --> 00:59:01,240
Speaker 1: like in the nineties, we really didn't give a funk

968
00:59:01,320 --> 00:59:04,240
Speaker 1: what the audience was feeling. We made out. So that's

969
00:59:04,280 --> 00:59:08,520
Speaker 1: why all of us stood out. It's still different, you know. Yeah, man,

970
00:59:09,000 --> 00:59:12,760
Speaker 1: Actually on that video that was that was Russell Simmons

971
00:59:12,840 --> 00:59:15,920
Speaker 1: helped put that video together and put that was Brett

972
00:59:16,000 --> 00:59:19,400
Speaker 1: Ratner's first video he ever shot, and after that he

973
00:59:19,520 --> 00:59:24,480
Speaker 1: went on and Dead Movies, Rushoe exactly. Actually, his mama

974
00:59:24,560 --> 00:59:26,360
Speaker 1: was in the video too. That white Lady was in

975
00:59:26,440 --> 00:59:28,920
Speaker 1: the video. That was Brett ratner mama. That's really I

976
00:59:29,120 --> 00:59:36,040
Speaker 1: just can't say that absolutely I rat video. Just let's

977
00:59:36,040 --> 00:59:39,080
Speaker 1: just say you have Ratner's mama tworking. Let's just stow

978
00:59:39,120 --> 00:59:42,360
Speaker 1: it out there. Let's just I don't think that was

979
00:59:42,400 --> 00:59:44,800
Speaker 1: out in the nineties. She was working. She was doing

980
00:59:44,840 --> 00:59:48,120
Speaker 1: the White Miami there was doing something like it. Y'all

981
00:59:48,240 --> 00:59:53,520
Speaker 1: was out. You was out here, you left you from here.

982
00:59:54,440 --> 00:59:57,600
Speaker 1: L A born but raised in Miamikay, So what's your

983
00:59:57,640 --> 01:00:00,800
Speaker 1: favorite ever in hip hop? What? And then this is

984
01:00:00,840 --> 01:00:03,240
Speaker 1: a ten years fans. You don't have to say, you know,

985
01:00:05,960 --> 01:00:08,400
Speaker 1: you don't have to be in the era doesn't matter.

986
01:00:08,520 --> 01:00:12,080
Speaker 1: Favorite era of hip hop. It had to be like

987
01:00:12,320 --> 01:00:16,680
Speaker 1: our error and the eighties era. I wasn't big. Yeah,

988
01:00:16,920 --> 01:00:19,360
Speaker 1: so when you say eight nine and eight nine, I

989
01:00:19,400 --> 01:00:22,680
Speaker 1: would say, well ship, I would ship well run d

990
01:00:22,800 --> 01:00:27,880
Speaker 1: MC kind of how early eighties? Yeah yeah, yeah, I'm

991
01:00:27,880 --> 01:00:30,960
Speaker 1: saying I would say from me, Yeah, I would say

992
01:00:31,040 --> 01:00:37,960
Speaker 1: eighties to nineties to our era to forever. Well, from

993
01:00:38,040 --> 01:00:41,160
Speaker 1: eighties to our arrow is like my favorite era hip

994
01:00:41,160 --> 01:00:44,360
Speaker 1: hop is where I molded from. You know, I could

995
01:00:44,360 --> 01:00:47,200
Speaker 1: say that definitely. Was it ever point in hip hop

996
01:00:47,240 --> 01:00:52,000
Speaker 1: where you like was disappointed? I mean, keep it real,

997
01:00:52,080 --> 01:00:54,160
Speaker 1: this is drink chaps. Well ship, come on, you already

998
01:00:54,160 --> 01:00:58,960
Speaker 1: know I'm gonna keep you one hunting anyway. Um, when

999
01:01:00,040 --> 01:01:03,320
Speaker 1: when the new music started coming in, I had to

1000
01:01:03,360 --> 01:01:06,760
Speaker 1: get a better understanding of what was going on, because

1001
01:01:06,800 --> 01:01:09,200
Speaker 1: bottom line is, my nigga like, I can't never shipped

1002
01:01:09,200 --> 01:01:11,520
Speaker 1: on a hip hop because it's still provide jabs for

1003
01:01:11,640 --> 01:01:13,800
Speaker 1: my niggas out here and you're able to come off

1004
01:01:13,840 --> 01:01:18,440
Speaker 1: the street and feed your family. But the fabric of

1005
01:01:18,600 --> 01:01:21,800
Speaker 1: it was because that boy I was looking at your

1006
01:01:21,840 --> 01:01:25,240
Speaker 1: Instagram and you kept like keep nineties alive type ship.

1007
01:01:25,360 --> 01:01:28,680
Speaker 1: You was also yeah, yeah, let's doing all nineties niggas. Yeah,

1008
01:01:28,760 --> 01:01:31,120
Speaker 1: let's just represent nineties niggs. But did that come from

1009
01:01:31,400 --> 01:01:34,320
Speaker 1: a form of frustration. No, not even, not even because

1010
01:01:34,360 --> 01:01:37,960
Speaker 1: I'm not frustrated about the new era, because bottom line is,

1011
01:01:38,600 --> 01:01:40,760
Speaker 1: you know either, but some of these things disappoint me.

1012
01:01:41,240 --> 01:01:44,280
Speaker 1: Some of the things might disappoint you. On the things

1013
01:01:44,360 --> 01:01:48,320
Speaker 1: that disappoint me is it's not the music is gonna

1014
01:01:48,360 --> 01:01:51,840
Speaker 1: be music. You have an option to turn that ship

1015
01:01:51,960 --> 01:01:54,760
Speaker 1: off or keep it. On the bottom line, The thing

1016
01:01:55,240 --> 01:01:59,800
Speaker 1: that kind of disappoint me is the the ethic, that

1017
01:02:00,200 --> 01:02:02,680
Speaker 1: ethic to get in the game. It's just so easy,

1018
01:02:02,800 --> 01:02:05,720
Speaker 1: like if my grandma could record a hot club right now,

1019
01:02:08,440 --> 01:02:11,480
Speaker 1: motherfucking America with a hot song. You heard Grandma with

1020
01:02:11,600 --> 01:02:14,000
Speaker 1: red Grandma and that ship. She was killing that ship

1021
01:02:14,480 --> 01:02:16,120
Speaker 1: and that should be all over and she did gonna

1022
01:02:16,120 --> 01:02:18,360
Speaker 1: get a deal and producers the want to work with

1023
01:02:18,480 --> 01:02:23,840
Speaker 1: a It's good for it's good that you have that,

1024
01:02:24,320 --> 01:02:27,480
Speaker 1: the opportunity so much in your face. But you know,

1025
01:02:27,600 --> 01:02:30,080
Speaker 1: when you have when you get something that grand that

1026
01:02:30,200 --> 01:02:33,520
Speaker 1: kind of also comes with a con to it. It's

1027
01:02:33,560 --> 01:02:37,280
Speaker 1: always a contour pro and personal. It's not it's not

1028
01:02:37,400 --> 01:02:40,200
Speaker 1: good for the culture. And so it just made it

1029
01:02:40,320 --> 01:02:43,760
Speaker 1: that real, diluted far as what kind of material represents

1030
01:02:43,840 --> 01:02:46,560
Speaker 1: a good fabric that we bumped. We don't bounced the

1031
01:02:46,600 --> 01:02:48,560
Speaker 1: ball too, because you know, we had to pass the ball.

1032
01:02:48,920 --> 01:02:51,080
Speaker 1: And like I said, when we got the ball from

1033
01:02:51,120 --> 01:02:54,320
Speaker 1: the eighties, niggas, we bounced that ship, and we we

1034
01:02:54,520 --> 01:02:57,160
Speaker 1: elevated that ship, and we we branched it out and

1035
01:02:57,280 --> 01:03:01,600
Speaker 1: we made it more of a a language for other

1036
01:03:01,760 --> 01:03:05,040
Speaker 1: countries and coaches that understand us as a people. And

1037
01:03:05,160 --> 01:03:08,440
Speaker 1: then as we bounced the ball more to the next generation,

1038
01:03:08,880 --> 01:03:11,360
Speaker 1: I think a little bit of that fabric of them

1039
01:03:11,480 --> 01:03:13,760
Speaker 1: thinking what we're trying to do has lost and turned

1040
01:03:13,760 --> 01:03:16,080
Speaker 1: into just money and you know, let me just do

1041
01:03:16,240 --> 01:03:19,040
Speaker 1: this record, put it out, get this pub Yeah. But

1042
01:03:19,520 --> 01:03:23,240
Speaker 1: overall I think it's coming back around because motherfucker's even

1043
01:03:23,280 --> 01:03:25,840
Speaker 1: a new audience. Look, nick I got five kids, and

1044
01:03:25,880 --> 01:03:29,360
Speaker 1: they are ranged from twenty nine to fourteen, you know,

1045
01:03:29,920 --> 01:03:32,760
Speaker 1: and and three of them is is grown in their twenties,

1046
01:03:33,160 --> 01:03:35,760
Speaker 1: so I get the rundown. And two of them living

1047
01:03:35,760 --> 01:03:38,520
Speaker 1: in Atlanta, so I get the rundown on new artists,

1048
01:03:38,600 --> 01:03:41,760
Speaker 1: old artists who new liggas to who the young and

1049
01:03:41,840 --> 01:03:44,960
Speaker 1: the young, and most of the young people that I

1050
01:03:45,080 --> 01:03:47,840
Speaker 1: talked to, they'd be like, nah, nah no, that young

1051
01:03:47,880 --> 01:03:49,760
Speaker 1: ship they play on the radio, that's for the little

1052
01:03:49,840 --> 01:03:52,400
Speaker 1: young niggas. We we listen to them. We listen to

1053
01:03:52,520 --> 01:03:55,360
Speaker 1: y'all niggas. We bumped nineties ship, yo, And it's a

1054
01:03:55,480 --> 01:03:58,240
Speaker 1: lot a lot of your cast that's doing that. So

1055
01:03:58,880 --> 01:04:01,560
Speaker 1: I would, I would definitely they say, Oh, Errolman, pick

1056
01:04:01,640 --> 01:04:04,240
Speaker 1: up to the out. He got a cold station rock

1057
01:04:04,320 --> 01:04:10,240
Speaker 1: the bell rocked the bells. I listened to the rock.

1058
01:04:10,320 --> 01:04:13,280
Speaker 1: The bells is killing it. Swing Sway is always killing.

1059
01:04:13,840 --> 01:04:24,800
Speaker 1: Shout to man, the became along that. So she's Jersey right, Yes,

1060
01:04:25,800 --> 01:04:29,080
Speaker 1: So what's what's the best perks about hip hop? What's

1061
01:04:29,120 --> 01:04:33,880
Speaker 1: the best thing that hip hop was done for you?

1062
01:04:35,960 --> 01:04:41,320
Speaker 1: Good fucking question. Help me, Uh besides put money on

1063
01:04:41,400 --> 01:04:48,200
Speaker 1: the fucking table, and uh, it allowed me to be

1064
01:04:48,360 --> 01:04:50,479
Speaker 1: that nigger who I am. It helped me. It helped

1065
01:04:50,520 --> 01:04:53,200
Speaker 1: molded me because I knew I wasn't working a nine,

1066
01:04:53,280 --> 01:04:56,200
Speaker 1: a fucking five, and I knew I wasn't gonna be

1067
01:04:56,280 --> 01:04:58,680
Speaker 1: able to take waters from nobody waking up in them

1068
01:04:59,040 --> 01:05:02,640
Speaker 1: nigga The reason why I've rapped is because I didn't

1069
01:05:02,680 --> 01:05:05,240
Speaker 1: want to wake up in the morning. I'm not a

1070
01:05:05,320 --> 01:05:09,160
Speaker 1: morning nigger. I can't wake up in the morning. Take

1071
01:05:09,200 --> 01:05:12,520
Speaker 1: it no orders from no motherfucking body, not even my mama.

1072
01:05:13,000 --> 01:05:14,880
Speaker 1: This morning, I woke up in my mama house. She

1073
01:05:14,960 --> 01:05:16,760
Speaker 1: tried to give me something to do. Early summers, I

1074
01:05:16,840 --> 01:05:21,840
Speaker 1: got to funk all up my ship. Like, hold up,

1075
01:05:21,920 --> 01:05:24,680
Speaker 1: let me get into myself first before you started passing

1076
01:05:24,760 --> 01:05:28,920
Speaker 1: me the school driving and ship ship. You know, I

1077
01:05:29,000 --> 01:05:31,560
Speaker 1: need to mold I need to get into myself. And

1078
01:05:32,040 --> 01:05:36,040
Speaker 1: as creative as I am, I know that I would

1079
01:05:36,160 --> 01:05:38,520
Speaker 1: not be able to get up and take orders from

1080
01:05:38,600 --> 01:05:40,360
Speaker 1: nine to five and be the man I'm supposed to be,

1081
01:05:40,440 --> 01:05:42,800
Speaker 1: even though I did, and I got fired from every

1082
01:05:42,880 --> 01:05:46,200
Speaker 1: job I had. I ain't quit, I got fired. You know.

1083
01:05:46,680 --> 01:05:49,880
Speaker 1: So what hip hop done for me is molded me

1084
01:05:50,000 --> 01:05:56,080
Speaker 1: into this person who I am and actually brought out

1085
01:05:56,240 --> 01:06:00,200
Speaker 1: the reality of this world because I was able to

1086
01:06:01,080 --> 01:06:04,200
Speaker 1: travel here and there, travel to this country, travel to

1087
01:06:04,280 --> 01:06:07,000
Speaker 1: this state and see how motherfucker's work, see how people

1088
01:06:07,080 --> 01:06:10,160
Speaker 1: work over here and live, see how people appreciate their

1089
01:06:10,200 --> 01:06:13,600
Speaker 1: culture over here. So it also, you know, opened my

1090
01:06:13,760 --> 01:06:16,520
Speaker 1: eyes to you know this fucking world. Man, you know

1091
01:06:16,640 --> 01:06:19,720
Speaker 1: what bro like? Yeah, it's like man ship. The only

1092
01:06:19,760 --> 01:06:24,040
Speaker 1: thing I knew was now and I was afraid, like, look, nigga,

1093
01:06:24,120 --> 01:06:26,880
Speaker 1: either I'm gonna be rapping or be selling Druggs because

1094
01:06:26,920 --> 01:06:28,920
Speaker 1: I'm not going to know now. In the five Waking

1095
01:06:29,000 --> 01:06:32,440
Speaker 1: Up and Ship, you know when we had we had

1096
01:06:32,480 --> 01:06:35,080
Speaker 1: the ep m D on the show, and I kicked

1097
01:06:35,120 --> 01:06:39,040
Speaker 1: myself after that show because one of my favorite collectives

1098
01:06:39,080 --> 01:06:41,600
Speaker 1: and crews and hip hop hands down, at least my

1099
01:06:41,800 --> 01:06:44,680
Speaker 1: squad is his squad. Obviously there's the Jews crew and

1100
01:06:44,720 --> 01:06:47,040
Speaker 1: all these guys. That was as far as first right

1101
01:06:47,920 --> 01:06:50,800
Speaker 1: know what I'm talking about Juice Worlds. That's not my generation.

1102
01:06:50,880 --> 01:06:53,280
Speaker 1: That's right before it me. I'm in high school when

1103
01:06:53,400 --> 01:06:58,000
Speaker 1: his squad and that and that too. So what I

1104
01:06:58,080 --> 01:07:00,640
Speaker 1: want to know is how did that all come together?

1105
01:07:01,440 --> 01:07:03,120
Speaker 1: What did it mean to you? What was that whole

1106
01:07:04,040 --> 01:07:09,160
Speaker 1: vibe in the hit squad? Because you had and I

1107
01:07:09,240 --> 01:07:10,640
Speaker 1: had to go to break up because I got to

1108
01:07:10,680 --> 01:07:17,080
Speaker 1: take people. So the his squad came came like I

1109
01:07:17,280 --> 01:07:19,040
Speaker 1: think I was No, I wasn't the last member to

1110
01:07:19,120 --> 01:07:21,880
Speaker 1: come in. Um like effects was the last member to

1111
01:07:21,920 --> 01:07:26,120
Speaker 1: come in. And when Doss Effects got signed, then I

1112
01:07:26,240 --> 01:07:28,440
Speaker 1: got signed. Then we kind of came up with the

1113
01:07:28,480 --> 01:07:30,240
Speaker 1: His Squad We're gonna go on. We came up with it.

1114
01:07:30,720 --> 01:07:34,240
Speaker 1: I don't know, it was either Parish thing, I'm not

1115
01:07:34,400 --> 01:07:37,960
Speaker 1: too sure and Ship like I think Parish didn't and uh,

1116
01:07:38,640 --> 01:07:40,280
Speaker 1: we went out on the road. We called ourselves to

1117
01:07:40,320 --> 01:07:44,680
Speaker 1: his Squad and everyone out on the beside me. I

1118
01:07:44,720 --> 01:07:47,080
Speaker 1: don't think I really had a strong single out on anything,

1119
01:07:47,360 --> 01:07:50,080
Speaker 1: but I was just on the roll before your album. Yeah,

1120
01:07:50,080 --> 01:07:53,400
Speaker 1: it was like kind of before my album, uh that

1121
01:07:53,520 --> 01:07:55,240
Speaker 1: we had to hit squad. I was just going out,

1122
01:07:55,280 --> 01:07:57,560
Speaker 1: you know, I was going out doing freestyles and I

1123
01:07:57,800 --> 01:08:02,680
Speaker 1: was murdering Ship, murdering everything on the road every time

1124
01:08:02,720 --> 01:08:06,080
Speaker 1: they brought me out. I was murdering Ship and head

1125
01:08:06,120 --> 01:08:09,200
Speaker 1: Bangers out already, right because that's before you We we

1126
01:08:09,360 --> 01:08:12,640
Speaker 1: kind of started to his Squad beforehead Bangers because that's

1127
01:08:12,680 --> 01:08:15,680
Speaker 1: what solidified it. Yeah, I was on, I was on.

1128
01:08:16,160 --> 01:08:19,200
Speaker 1: I was on the third album when we went out

1129
01:08:19,280 --> 01:08:22,520
Speaker 1: on the road, and then we came up with Headbangers.

1130
01:08:22,720 --> 01:08:25,160
Speaker 1: So it was right in that in between the third album,

1131
01:08:25,200 --> 01:08:27,719
Speaker 1: fourth album was like the his Squad kind of built

1132
01:08:27,800 --> 01:08:31,000
Speaker 1: up and uh, and we just took it there. Man.

1133
01:08:31,080 --> 01:08:33,439
Speaker 1: We was just rolling. And then when it split up

1134
01:08:33,479 --> 01:08:38,800
Speaker 1: into that, it's death squad and we'll stayed with his squad, right, No, no, no,

1135
01:08:39,000 --> 01:08:43,240
Speaker 1: Parrish still stayed with him. That's what I say, said, Parish,

1136
01:08:43,520 --> 01:08:46,519
Speaker 1: Parish stayed with his squad. Eric, We went to his squad.

1137
01:08:48,160 --> 01:08:50,400
Speaker 1: How old was that for you? It wasn't awful. It

1138
01:08:50,560 --> 01:08:53,840
Speaker 1: was just the business move because you came in with, yeah,

1139
01:08:54,200 --> 01:08:56,600
Speaker 1: that's right now, I'm gonna leave with you know, And

1140
01:08:56,960 --> 01:08:59,080
Speaker 1: it wasn't nothing, man, It was just like, alright, these

1141
01:08:59,120 --> 01:09:02,400
Speaker 1: two guys the ball just you know, they're not getting along,

1142
01:09:02,960 --> 01:09:05,519
Speaker 1: so they gotta go their ways and learn, you know,

1143
01:09:05,640 --> 01:09:09,280
Speaker 1: no big fucking deal. Now. It was an awkward moment

1144
01:09:09,479 --> 01:09:14,120
Speaker 1: right at one point where Tupac comes home from jail,

1145
01:09:15,000 --> 01:09:18,800
Speaker 1: he's wild on everybody, he's telling everybody fuck you from

1146
01:09:18,840 --> 01:09:21,799
Speaker 1: New York. And then this record comes out of nowhere.

1147
01:09:22,479 --> 01:09:24,559
Speaker 1: We hear the story that you guys did it for dads.

1148
01:09:24,720 --> 01:09:28,400
Speaker 1: Later before a week in New York history, people who

1149
01:09:28,520 --> 01:09:32,120
Speaker 1: was like, what the fund is going on? But man,

1150
01:09:32,960 --> 01:09:35,680
Speaker 1: did you never? Did you never? Not Don Pounds on

1151
01:09:35,760 --> 01:09:40,760
Speaker 1: the record too, right, yeah? Because before we honestly, yeah,

1152
01:09:41,040 --> 01:09:44,960
Speaker 1: I mean I don't ever knew that. People kind of skept, Okay,

1153
01:09:45,000 --> 01:09:49,400
Speaker 1: well look at that, it's real. That's the way. That's

1154
01:09:49,439 --> 01:09:51,920
Speaker 1: two bucks. I ever knew that. Yeah, It's like it's

1155
01:09:51,960 --> 01:09:54,000
Speaker 1: like I was like, it might have been two or

1156
01:09:54,080 --> 01:09:56,160
Speaker 1: three days, you know, because back then when you have

1157
01:09:56,200 --> 01:09:58,040
Speaker 1: a Twitter, when you could have said, yo, we did

1158
01:09:58,120 --> 01:10:01,320
Speaker 1: that for dads, Like you know, you gotta remember even

1159
01:10:01,360 --> 01:10:03,599
Speaker 1: when you did a source article, you did that ship

1160
01:10:03,720 --> 01:10:07,400
Speaker 1: two months in events that's right, you did an exxel

1161
01:10:07,520 --> 01:10:10,400
Speaker 1: or Vibe or some ship that's you did an October

1162
01:10:11,200 --> 01:10:15,400
Speaker 1: for the Sabers issue. So I under staying like there

1163
01:10:15,479 --> 01:10:17,920
Speaker 1: was a like at least a two or three day period,

1164
01:10:18,560 --> 01:10:21,160
Speaker 1: maybe even a week where people was like, it's red

1165
01:10:21,479 --> 01:10:25,200
Speaker 1: beanom we're hiding with the West Side. Get the funk

1166
01:10:25,280 --> 01:10:28,599
Speaker 1: out of just being honest, like I'm sure I've never

1167
01:10:28,680 --> 01:10:34,200
Speaker 1: heard that. I'm had some moment, but you never heard, Like, no,

1168
01:10:34,320 --> 01:10:40,320
Speaker 1: I ain't never heard that ship. The craziest, I would

1169
01:10:40,360 --> 01:10:43,920
Speaker 1: be honest, that's crazy because we don't remember like this

1170
01:10:44,120 --> 01:10:46,360
Speaker 1: came out right right after who shot y'all something like

1171
01:10:46,439 --> 01:10:49,000
Speaker 1: that came out right in the period of where it

1172
01:10:49,120 --> 01:10:51,600
Speaker 1: was like, even if you love pot, you had to

1173
01:10:51,680 --> 01:10:54,599
Speaker 1: kind of like take the choice that stands. And then

1174
01:10:54,720 --> 01:10:57,479
Speaker 1: this record came out my mom made up and it

1175
01:10:57,680 --> 01:11:00,639
Speaker 1: was like, whoa, I'm saying, how did you know? What happened?

1176
01:11:00,800 --> 01:11:03,760
Speaker 1: Was you guys? You all all? Man? I forget which

1177
01:11:03,800 --> 01:11:05,680
Speaker 1: one of y'all came to say, Yeah, we did that

1178
01:11:05,760 --> 01:11:08,240
Speaker 1: for Dash and it cleared it up. Both. Yeah, we

1179
01:11:08,360 --> 01:11:09,960
Speaker 1: both cleared it up. You won't clear it up, but

1180
01:11:10,240 --> 01:11:12,240
Speaker 1: I'm saying for that we can talk. Like I said,

1181
01:11:12,320 --> 01:11:15,080
Speaker 1: we didn't have out of here. That's something. So people

1182
01:11:15,120 --> 01:11:17,800
Speaker 1: were like, yeah, I kid, you're not out of here. Man.

1183
01:11:17,960 --> 01:11:20,360
Speaker 1: I never really heard that, bro, But you didn't hear

1184
01:11:20,560 --> 01:11:23,240
Speaker 1: you didn't feel like, I ain't feel nothing else because

1185
01:11:23,280 --> 01:11:25,760
Speaker 1: we knew we was doing it for Dash, yo. Like

1186
01:11:26,080 --> 01:11:28,160
Speaker 1: we didn't feeling nothing because we knew we was gonna

1187
01:11:28,200 --> 01:11:30,519
Speaker 1: even if we was going in for pop, like we

1188
01:11:30,680 --> 01:11:33,280
Speaker 1: really didn't. We wasn't tripping that much, you know what

1189
01:11:33,280 --> 01:11:35,800
Speaker 1: I'm talking about. But we went to do it for Dad,

1190
01:11:35,920 --> 01:11:37,760
Speaker 1: so we didn't have no feelings at all. We was

1191
01:11:37,800 --> 01:11:39,680
Speaker 1: just like, yeah, we're just gonna lace this ship. And

1192
01:11:39,760 --> 01:11:43,679
Speaker 1: even death was in there. They cut that off on that. Yeah,

1193
01:11:43,760 --> 01:11:46,400
Speaker 1: but yeah, we know that ship was going on pop albums,

1194
01:11:47,439 --> 01:11:49,680
Speaker 1: you know, so you had no water. It was just

1195
01:11:50,439 --> 01:11:52,320
Speaker 1: it wasn't now, but we heard the story how it

1196
01:11:52,400 --> 01:11:55,200
Speaker 1: happened and Ship because we probably came over. Yeah. Yeah,

1197
01:11:55,280 --> 01:11:58,040
Speaker 1: as soon as he came home, he was taking everything.

1198
01:11:58,160 --> 01:12:01,519
Speaker 1: Now did I watched the movies all was like all right, yeah, okay,

1199
01:12:01,720 --> 01:12:03,759
Speaker 1: and that missed the time while he was doing that album,

1200
01:12:04,160 --> 01:12:05,840
Speaker 1: how that song made it. He came home and he

1201
01:12:06,200 --> 01:12:08,639
Speaker 1: said they he was just taking everything, like I need

1202
01:12:08,760 --> 01:12:14,360
Speaker 1: that absolutely describe that. I've never got to meet whatever

1203
01:12:15,400 --> 01:12:17,360
Speaker 1: I've seen Pocket a couple of times. I took pictures

1204
01:12:17,400 --> 01:12:20,679
Speaker 1: with Pocket ship Man Park was he was cool, coolest

1205
01:12:21,439 --> 01:12:24,640
Speaker 1: bottom line. You know, when you see it's certain motherfucker's

1206
01:12:24,720 --> 01:12:28,519
Speaker 1: like you know, you carry an aura about yourself till

1207
01:12:28,520 --> 01:12:32,599
Speaker 1: when motherfucker's meet you. Whenever, whatever they're doing in the world,

1208
01:12:33,080 --> 01:12:36,000
Speaker 1: they come down to a YO, what's good, my niggaw

1209
01:12:36,320 --> 01:12:38,320
Speaker 1: to a certain level of respect because you know that

1210
01:12:38,560 --> 01:12:40,599
Speaker 1: that person know you love hip hop just as much

1211
01:12:40,640 --> 01:12:43,200
Speaker 1: as they do. So it was always a mutual good,

1212
01:12:43,800 --> 01:12:46,160
Speaker 1: you know, understanding with us every time we've seen each other.

1213
01:12:46,280 --> 01:12:49,680
Speaker 1: Never no no ray Alan or anything. My nigga. That's

1214
01:12:49,680 --> 01:12:52,720
Speaker 1: a beautiful thing that it was got to be now,

1215
01:12:52,960 --> 01:12:55,200
Speaker 1: so I'm surprised you've never heard that though now I

1216
01:12:55,200 --> 01:13:00,120
Speaker 1: ain't never heard that ship made that ship up? Was

1217
01:13:00,360 --> 01:13:03,600
Speaker 1: there was three days people like, you know because you

1218
01:13:03,920 --> 01:13:07,160
Speaker 1: and you know what else was uh cues that was

1219
01:13:07,439 --> 01:13:10,200
Speaker 1: buck shot shortly enough, because that was really close. I'm

1220
01:13:10,200 --> 01:13:12,680
Speaker 1: gonna tell you why. Because not only that day was

1221
01:13:12,920 --> 01:13:16,000
Speaker 1: close to but because remember Buckshot and them had beef

1222
01:13:16,000 --> 01:13:20,439
Speaker 1: for big so them want to record what Pock at

1223
01:13:20,520 --> 01:13:24,160
Speaker 1: the time seemed like they were aligning thisxself. You understand

1224
01:13:24,160 --> 01:13:26,840
Speaker 1: I'm saying, So then you don't. Everybody was like, where

1225
01:13:26,880 --> 01:13:29,000
Speaker 1: the fun they think it is coming? Now you're saying

1226
01:13:29,040 --> 01:13:30,599
Speaker 1: that I can't do. You know what I'm saying. I'm

1227
01:13:30,640 --> 01:13:32,800
Speaker 1: just saying because but no one else at that time

1228
01:13:33,479 --> 01:13:36,479
Speaker 1: we're working with them because of pox harsh words, you

1229
01:13:36,520 --> 01:13:39,280
Speaker 1: know what I'm saying. So what I'm saying people were

1230
01:13:39,360 --> 01:13:40,840
Speaker 1: kind of mad at you all for a fort a

1231
01:13:40,880 --> 01:13:44,360
Speaker 1: while until it was an interview. I get what interview

1232
01:13:44,400 --> 01:13:45,680
Speaker 1: it was when y'all was like, yeah, we did it

1233
01:13:45,760 --> 01:13:48,160
Speaker 1: for dads and corrup putting the room, and then he

1234
01:13:48,320 --> 01:13:51,360
Speaker 1: was like, okay, you know what I'm saying, it right

1235
01:13:51,439 --> 01:13:53,439
Speaker 1: up like it was amazing, But see you know, because

1236
01:13:53,600 --> 01:13:55,640
Speaker 1: you know now now I can put you on the

1237
01:13:55,720 --> 01:13:58,000
Speaker 1: bracket with Amy Truman. You know what I'm saying. And

1238
01:13:58,680 --> 01:14:02,080
Speaker 1: and you you you had addressed the rumor immediately. You listen, listen, Look,

1239
01:14:02,080 --> 01:14:05,360
Speaker 1: I did't working for Nori. Nori put Amy Shrimming on.

1240
01:14:05,760 --> 01:14:07,719
Speaker 1: I don't care. I don't know be for Amy Shrimming.

1241
01:14:08,040 --> 01:14:10,280
Speaker 1: But it's Amy Shmer. I don't know. I just you know,

1242
01:14:10,320 --> 01:14:20,400
Speaker 1: I'm just saying. He's like, you understand what I'm saying. Like,

1243
01:14:21,080 --> 01:14:23,800
Speaker 1: so back then you couldn't address a rumor like you

1244
01:14:23,840 --> 01:14:26,920
Speaker 1: know what I'm saying. Like that's why right now, if

1245
01:14:27,000 --> 01:14:30,880
Speaker 1: you don't address a rumor immediately, you seem guilty because

1246
01:14:30,920 --> 01:14:33,439
Speaker 1: you have any outlet to do it. You know what

1247
01:14:33,439 --> 01:14:35,439
Speaker 1: I'm saying. Back in the days you can ignore this ship.

1248
01:14:35,520 --> 01:14:37,800
Speaker 1: You'd be like, Yo, they said I got such a

1249
01:14:38,200 --> 01:14:43,400
Speaker 1: us because nor it goes away now North, They're like

1250
01:14:43,479 --> 01:14:46,840
Speaker 1: that motherfucker guilty. Look look at all Kelly, I'm sorry

1251
01:14:46,840 --> 01:14:50,040
Speaker 1: forging my book in what He's been a ship for

1252
01:14:50,160 --> 01:14:52,479
Speaker 1: a long time. And look at what's his people going on.

1253
01:14:53,000 --> 01:14:56,680
Speaker 1: He gotta go to jail, you know that's something that's

1254
01:14:56,720 --> 01:15:00,120
Speaker 1: something little with jail. But this is a chance at

1255
01:15:00,160 --> 01:15:02,040
Speaker 1: the end of the day, that's something for him in

1256
01:15:02,080 --> 01:15:04,960
Speaker 1: the higher power that deal with And yeah, he's gonna

1257
01:15:05,160 --> 01:15:07,400
Speaker 1: he's gonna pay the price whatever him and the eye power.

1258
01:15:07,439 --> 01:15:09,760
Speaker 1: And I told him, you know what you gotta do.

1259
01:15:09,920 --> 01:15:12,640
Speaker 1: He gotta deal with it. I got my office. You're

1260
01:15:12,680 --> 01:15:18,800
Speaker 1: worried with him? Did I know? I got one my

1261
01:15:18,880 --> 01:15:22,599
Speaker 1: only record with jay Z as well, Kelly me jay

1262
01:15:22,720 --> 01:15:25,080
Speaker 1: Z and Camra has called me ride. Come on Google

1263
01:15:25,120 --> 01:15:27,519
Speaker 1: it has nine millions. So I got the flat that's right,

1264
01:15:28,040 --> 01:15:34,080
Speaker 1: that's right. I shouldn't did that right now, I didn't

1265
01:15:34,720 --> 01:15:47,160
Speaker 1: all He was like, yeah, I didn't know that. Actually

1266
01:15:47,280 --> 01:15:51,360
Speaker 1: the funny ship is um I don't know. But when

1267
01:15:51,400 --> 01:15:54,559
Speaker 1: I went to the studio, ID actually seek a bed

1268
01:15:54,640 --> 01:16:02,000
Speaker 1: in the studio and I didn't get along open the cannon.

1269
01:16:02,080 --> 01:16:08,400
Speaker 1: Wa Yeah, I mean, all right, listen, have you I

1270
01:16:08,439 --> 01:16:10,920
Speaker 1: don't know if you guys ever know, like if there's

1271
01:16:10,920 --> 01:16:17,479
Speaker 1: a studio called Bearsville. No Bearsville, I'm like, I like

1272
01:16:17,840 --> 01:16:21,320
Speaker 1: you you like you know that I can take a joke.

1273
01:16:21,720 --> 01:16:25,640
Speaker 1: But Bearsville, New York, Woodstock. This is where we did

1274
01:16:25,680 --> 01:16:28,320
Speaker 1: the Firm album. When we did all in our e

1275
01:16:28,479 --> 01:16:31,519
Speaker 1: album to track masters, to read this. So each studio

1276
01:16:31,800 --> 01:16:35,479
Speaker 1: had their own had their own like house to it.

1277
01:16:35,960 --> 01:16:38,840
Speaker 1: So you were reading studio A studio A upstairs. That's

1278
01:16:38,840 --> 01:16:41,000
Speaker 1: when the engineer was sleep. You know what saying. You

1279
01:16:41,320 --> 01:16:43,720
Speaker 1: you stay in the studio the whole time. So when

1280
01:16:43,760 --> 01:16:46,960
Speaker 1: I just came from that, mind you, this is track match,

1281
01:16:47,040 --> 01:16:50,160
Speaker 1: this track mass was working on R. Kelly. Um. So

1282
01:16:50,400 --> 01:16:54,680
Speaker 1: when I looked in his studio to to to lead

1283
01:16:54,760 --> 01:16:56,960
Speaker 1: my purse, I didn't, by the way, but when I

1284
01:16:57,040 --> 01:16:59,960
Speaker 1: later verse, when I see the bedroom, I see nothing

1285
01:17:00,000 --> 01:17:03,080
Speaker 1: every wrong with it. Like not because I knew what

1286
01:17:03,200 --> 01:17:05,840
Speaker 1: was going on, but because I had just seen woodstock.

1287
01:17:05,880 --> 01:17:07,640
Speaker 1: You know what I'm saying, and I see that. You know,

1288
01:17:08,000 --> 01:17:09,600
Speaker 1: you can actually sleep in the studio. You know what

1289
01:17:09,600 --> 01:17:14,360
Speaker 1: I'm saying. Um, No, you know I'm trying to prop

1290
01:17:15,840 --> 01:17:18,759
Speaker 1: Let me describe it. Let me describe. This is studio,

1291
01:17:20,280 --> 01:17:23,200
Speaker 1: this is this is not this is stock. This is

1292
01:17:23,280 --> 01:17:27,240
Speaker 1: one stopt next to the micro this is food stide.

1293
01:17:27,240 --> 01:17:30,240
Speaker 1: It's called Bearsville Studio. He is here right, Studio b

1294
01:17:30,479 --> 01:17:34,720
Speaker 1: is here, studio CDs here. They all individually houses. One

1295
01:17:34,760 --> 01:17:39,000
Speaker 1: of the stock. No, this is all in woodstock, all

1296
01:17:39,080 --> 01:17:41,920
Speaker 1: of the woods. It's called Bearsville so studio, Hey, I

1297
01:17:42,000 --> 01:17:44,080
Speaker 1: can walk to the studio. Hey, they'll be NAEs and

1298
01:17:44,160 --> 01:17:47,400
Speaker 1: there Jung going there. But they got a three bedroom upstairs,

1299
01:17:47,920 --> 01:17:50,800
Speaker 1: like staying the whole thing. So you understand I'm saying

1300
01:17:50,840 --> 01:17:52,360
Speaker 1: the studio being would be the same thing, would be

1301
01:17:52,439 --> 01:17:55,679
Speaker 1: nature fifty cent and of such, and then his studio

1302
01:17:55,720 --> 01:17:58,880
Speaker 1: see would be Norie and my crew. You know what

1303
01:17:58,880 --> 01:18:01,759
Speaker 1: I'm saying. So after seeing that, I was like, okay,

1304
01:18:01,800 --> 01:18:06,120
Speaker 1: like circle house, ccer house, the same circle house. And

1305
01:18:06,240 --> 01:18:09,439
Speaker 1: so when I see our ship, I didn't I didn't

1306
01:18:09,479 --> 01:18:12,639
Speaker 1: become alarm because I was like, okay, certain niggas just record,

1307
01:18:13,080 --> 01:18:15,679
Speaker 1: let the engine there sing them. No, I don't see

1308
01:18:15,760 --> 01:18:18,640
Speaker 1: not not even a person. It was just weird. They

1309
01:18:18,680 --> 01:18:20,280
Speaker 1: wanted me to lay the verse by myself, and I

1310
01:18:20,320 --> 01:18:22,160
Speaker 1: was just like, I just broke out, yeah, because I'm

1311
01:18:22,200 --> 01:18:24,639
Speaker 1: trying to see where he was going with this motherfucker. Yeah,

1312
01:18:24,880 --> 01:18:28,080
Speaker 1: you know, I'm saying the same exactly the same exact

1313
01:18:28,240 --> 01:18:30,640
Speaker 1: ship that they're showing on the ship and where they

1314
01:18:30,680 --> 01:18:33,640
Speaker 1: said that where the beds was. I actually went to there.

1315
01:18:33,720 --> 01:18:38,439
Speaker 1: Oh yeah, document, yeah, the document of document. You can

1316
01:18:38,520 --> 01:18:41,880
Speaker 1: see that you saw that. I can't see what you said.

1317
01:18:42,080 --> 01:18:45,720
Speaker 1: You see out the studio. When the studio, they said,

1318
01:18:45,760 --> 01:18:48,560
Speaker 1: the studio where the lady do the rocks and was

1319
01:18:48,640 --> 01:18:52,120
Speaker 1: trying to do well. They said, in a studio they

1320
01:18:52,200 --> 01:18:55,439
Speaker 1: had beds in there, like beds, like likestead of how

1321
01:18:55,640 --> 01:18:59,560
Speaker 1: lounge that lounge would be in bed. You know what

1322
01:18:59,600 --> 01:19:03,560
Speaker 1: I'm saying, you winning there? I saw actually bed, but

1323
01:19:03,640 --> 01:19:05,840
Speaker 1: I didn't see you didn't win it. I ain't. I

1324
01:19:05,840 --> 01:19:08,240
Speaker 1: ain't going to bed. I need go on the bed room.

1325
01:19:08,280 --> 01:19:11,479
Speaker 1: I had eight days and then there's a little different,

1326
01:19:12,680 --> 01:19:15,400
Speaker 1: a little different all the way, a little bit terrible.

1327
01:19:15,439 --> 01:19:19,120
Speaker 1: But yeah, um, I don't know how we got here.

1328
01:19:19,160 --> 01:19:25,840
Speaker 1: How do we get a little bed? He just kept

1329
01:19:25,920 --> 01:19:32,400
Speaker 1: going to work with our you know what the crazy

1330
01:19:32,720 --> 01:19:35,759
Speaker 1: black line is like R Kelly and like in the nineties.

1331
01:19:35,920 --> 01:19:38,760
Speaker 1: Whatever he was doing personally ain't my business. But I

1332
01:19:38,920 --> 01:19:41,920
Speaker 1: know when I was a part of his video when

1333
01:19:41,960 --> 01:19:44,400
Speaker 1: he invited the whole gang in music, it was there.

1334
01:19:45,120 --> 01:19:49,400
Speaker 1: I did just backed that game of rappers and it

1335
01:19:49,560 --> 01:19:53,320
Speaker 1: was outside of not affecting. No, it was an R.

1336
01:19:53,400 --> 01:19:57,000
Speaker 1: Kelly video and it was game I'll see. I don't forget,

1337
01:19:57,000 --> 01:19:59,080
Speaker 1: I don't, I don't know. I don't know what song

1338
01:19:59,160 --> 01:20:02,439
Speaker 1: it was. She has a bottom line is like he

1339
01:20:02,560 --> 01:20:06,479
Speaker 1: showed motherfucker's love. Like he definitely showed Nigga's love when

1340
01:20:06,520 --> 01:20:08,160
Speaker 1: he was out, Like to Keith Murray did a song

1341
01:20:08,240 --> 01:20:11,120
Speaker 1: with him and Shape, I'm sure he showed me. Yeah, yeah,

1342
01:20:11,120 --> 01:20:13,200
Speaker 1: I'm sure he showed Murray love. That video was hot,

1343
01:20:13,400 --> 01:20:15,479
Speaker 1: but he personal, Hey, MA ain't gonna you know, I

1344
01:20:15,600 --> 01:20:19,360
Speaker 1: gotta deal with funked up. I never thought Michael Jackson

1345
01:20:19,479 --> 01:20:26,519
Speaker 1: did it. Yeah, what a segree Jesus Christian, What did

1346
01:20:26,560 --> 01:20:28,200
Speaker 1: you say? You think he didn't do it. I don't

1347
01:20:28,240 --> 01:20:30,280
Speaker 1: think Michel Jackson. I don't think. I don't like nobody

1348
01:20:30,320 --> 01:20:32,640
Speaker 1: talking about Michey. I don't think Michael Jackson. Like you

1349
01:20:32,680 --> 01:20:34,840
Speaker 1: can't talk about really like Michael rack That's all I

1350
01:20:34,880 --> 01:20:36,840
Speaker 1: said that you can't talk about Whitney around me me.

1351
01:20:37,080 --> 01:20:39,519
Speaker 1: You don't Pokemon, don't talk about Whitney or I feel

1352
01:20:39,560 --> 01:20:43,439
Speaker 1: that too. I feel, you know, but Mike, I don't

1353
01:20:43,439 --> 01:20:46,200
Speaker 1: think Mike deal. I don't know. I just feel like,

1354
01:20:46,680 --> 01:20:49,800
Speaker 1: you know, you know what, as weedn grew older and

1355
01:20:49,920 --> 01:20:54,360
Speaker 1: started understanding the government and how just that whole operation

1356
01:20:54,520 --> 01:20:57,920
Speaker 1: of the world works. Now I know he didn't do it,

1357
01:20:58,200 --> 01:21:02,200
Speaker 1: but now it's the way away. These popular people are

1358
01:21:02,320 --> 01:21:05,400
Speaker 1: dying and getting caught up in ship. My, my, my,

1359
01:21:05,840 --> 01:21:09,720
Speaker 1: My percentage on if he was set up is more

1360
01:21:09,840 --> 01:21:12,479
Speaker 1: higher than him. Just yeah, he was set up, of course,

1361
01:21:12,880 --> 01:21:15,479
Speaker 1: you know for just media, the way media manipulates and

1362
01:21:16,000 --> 01:21:19,320
Speaker 1: this this, this, you up. Though, I also think Old

1363
01:21:19,360 --> 01:21:22,920
Speaker 1: Jay ain't do it. Oh my god, I think you

1364
01:21:23,000 --> 01:21:27,240
Speaker 1: think this funk up my credibility. Just don't look like.

1365
01:21:29,000 --> 01:21:32,080
Speaker 1: I don't think Old Jay did it. Man, that's Jowe

1366
01:21:36,800 --> 01:21:40,400
Speaker 1: think old Jake drove. I don't know. No, no, that

1367
01:21:40,680 --> 01:21:44,519
Speaker 1: is not allow you ask. I don't think. I don't

1368
01:21:44,520 --> 01:21:48,960
Speaker 1: think old jo for either black, I don't think j

1369
01:21:49,120 --> 01:21:51,200
Speaker 1: did it. I'm figured out with a lot of killers. Yeah,

1370
01:21:52,800 --> 01:21:56,200
Speaker 1: remember the story though, at the backstage of them, which

1371
01:21:56,360 --> 01:21:58,400
Speaker 1: I got to, I got one one in the futures,

1372
01:21:58,439 --> 01:22:00,400
Speaker 1: I got one of the sports grip no one, he's

1373
01:22:00,840 --> 01:22:05,080
Speaker 1: he's murdering. Yell, just say this murder. No. I grabbed

1374
01:22:05,120 --> 01:22:07,880
Speaker 1: olj I said you murder unit he said, he said,

1375
01:22:08,080 --> 01:22:17,679
Speaker 1: he said, you know listen, brack Gang said murder game murder,

1376
01:22:20,120 --> 01:22:26,680
Speaker 1: we get murder. Yeah. I mean he might have just

1377
01:22:26,800 --> 01:22:40,040
Speaker 1: been yes, yes, yes, yes, yes, so look old James

1378
01:22:40,320 --> 01:22:43,760
Speaker 1: was Walker sports girl kinda one day. Yeah, he lived

1379
01:22:43,800 --> 01:22:47,439
Speaker 1: in Kendall, and I looked at I know every color

1380
01:22:47,640 --> 01:22:51,599
Speaker 1: in the world. They got a certain Jenner said about

1381
01:22:51,680 --> 01:22:55,280
Speaker 1: the I don't mean that's right. There's something about them

1382
01:22:55,360 --> 01:22:58,200
Speaker 1: there and O J Happy. I looked for him every

1383
01:22:58,240 --> 01:23:01,280
Speaker 1: which way, shake for a fast and I tried to

1384
01:23:01,360 --> 01:23:05,759
Speaker 1: ask some questions each way, Oh Jane, Man, he didn't

1385
01:23:05,840 --> 01:23:08,400
Speaker 1: do it. Man, Now he might have know somebody who

1386
01:23:08,520 --> 01:23:12,080
Speaker 1: did it, but himself, he didn't do this. Ship man,

1387
01:23:12,160 --> 01:23:20,479
Speaker 1: Let's make him old Jack bigger, you saying you cross examine, Okay,

1388
01:23:23,920 --> 01:23:27,120
Speaker 1: you was a part of He was a part of

1389
01:23:27,640 --> 01:23:33,439
Speaker 1: hip hop's first his stoical toll like to me and

1390
01:23:33,520 --> 01:23:36,240
Speaker 1: my like, we got run DMC, we got we got

1391
01:23:36,720 --> 01:23:38,960
Speaker 1: fresh Fast, we got all that. But this is the

1392
01:23:39,040 --> 01:23:42,639
Speaker 1: one for you know, breaking into that new era, he said,

1393
01:23:42,680 --> 01:23:46,640
Speaker 1: the new caves of hip hop. And it would have

1394
01:23:46,760 --> 01:23:54,800
Speaker 1: to be you read DMX Girou and the Homie Hole.

1395
01:23:55,640 --> 01:23:58,559
Speaker 1: How was that? Because I heard John Nicks was flying

1396
01:23:58,640 --> 01:24:04,519
Speaker 1: through their pe on people like Kelly. I don't know,

1397
01:24:04,960 --> 01:24:06,680
Speaker 1: I don't know why it is on my mom, I'm

1398
01:24:06,680 --> 01:24:11,360
Speaker 1: so sorry, y'all was flying through though. Definitely Kelly what

1399
01:24:11,520 --> 01:24:15,400
Speaker 1: then the hard knock life to him? Not like um yeah,

1400
01:24:15,479 --> 01:24:19,760
Speaker 1: you fucking right, your most historical tour that were first off,

1401
01:24:20,600 --> 01:24:23,479
Speaker 1: hold on before you answer that question, because they were

1402
01:24:23,600 --> 01:24:27,040
Speaker 1: it was so much bad press and when y'all announced

1403
01:24:27,080 --> 01:24:31,400
Speaker 1: it to ask if this tour would never las, I'm

1404
01:24:31,439 --> 01:24:35,120
Speaker 1: not gonna lie. I ain't think it's gonna last. And y'all,

1405
01:24:35,160 --> 01:24:41,080
Speaker 1: what was it? Sixty days, three months on the motherfucking road,

1406
01:24:41,200 --> 01:24:50,920
Speaker 1: every day, fucking every day, songs out Because this is

1407
01:24:50,960 --> 01:24:54,600
Speaker 1: a long pause, this long question. So who approaches you

1408
01:24:54,760 --> 01:24:58,200
Speaker 1: and what did they say? They say hard, not like nigga,

1409
01:24:58,240 --> 01:25:02,000
Speaker 1: let's go, yes, that it, but you know what it was,

1410
01:25:02,280 --> 01:25:06,240
Speaker 1: uh j and I'm coming in the Death cham and

1411
01:25:06,560 --> 01:25:09,160
Speaker 1: uh you know they I mean they got to building hot.

1412
01:25:09,240 --> 01:25:11,760
Speaker 1: I mean we had the building hot already with the

1413
01:25:11,880 --> 01:25:14,439
Speaker 1: artist that was bumping up there with us and you know,

1414
01:25:14,600 --> 01:25:17,000
Speaker 1: everybody else. But when they came into building, it was

1415
01:25:17,120 --> 01:25:20,439
Speaker 1: like a growth because they had their own entity, you

1416
01:25:20,520 --> 01:25:25,200
Speaker 1: know what I'm saying. They had yeah entity, that's like

1417
01:25:25,680 --> 01:25:31,880
Speaker 1: I sayd entity. So so they had their own their

1418
01:25:31,880 --> 01:25:34,479
Speaker 1: own brand, I would say. And they collap with death Jim,

1419
01:25:35,080 --> 01:25:38,760
Speaker 1: and when they decided to do the fucking tour, it

1420
01:25:38,920 --> 01:25:42,000
Speaker 1: was just like we was that ingredient that they needed

1421
01:25:42,000 --> 01:25:45,880
Speaker 1: and we was like fuck yeah for sixty days, sixty

1422
01:25:45,960 --> 01:25:48,200
Speaker 1: days straight, fat as Market. You was on he was

1423
01:25:48,280 --> 01:25:51,400
Speaker 1: on it, you know was on there too. You know

1424
01:25:51,479 --> 01:25:55,600
Speaker 1: everybody was on that bitch man, BBC, BEANIEC back to

1425
01:25:55,680 --> 01:25:58,479
Speaker 1: back dates, back to no not back to back. Someone

1426
01:25:58,600 --> 01:26:00,560
Speaker 1: some of them were like, for like Will worked like

1427
01:26:00,640 --> 01:26:03,679
Speaker 1: four or five days out the week they drive two days,

1428
01:26:04,040 --> 01:26:06,000
Speaker 1: had to rest for the bus driver and all that ship.

1429
01:26:06,280 --> 01:26:08,680
Speaker 1: But it was literally like tim Buster is out that

1430
01:26:08,800 --> 01:26:11,479
Speaker 1: beach man, damn, that's what Dame DA's called. Kevin was

1431
01:26:11,520 --> 01:26:17,800
Speaker 1: a quarter water. Yeah on that on that backstage, my brother.

1432
01:26:17,880 --> 01:26:25,240
Speaker 1: But that was a laughs man. But yeah. But how

1433
01:26:26,120 --> 01:26:27,640
Speaker 1: so they come to you and they just say you

1434
01:26:28,000 --> 01:26:30,479
Speaker 1: guys want to do it? You just automatically just just

1435
01:26:30,600 --> 01:26:34,080
Speaker 1: jump on. And then so you know, this is a

1436
01:26:34,160 --> 01:26:36,680
Speaker 1: story tour from the first night or when do you

1437
01:26:36,920 --> 01:26:41,960
Speaker 1: when do you realize it? I noticed that after the

1438
01:26:42,400 --> 01:26:47,120
Speaker 1: f first night because we just walking on people's hands. Yeah. Man,

1439
01:26:47,560 --> 01:26:49,639
Speaker 1: it was like yo, it was like the first night,

1440
01:26:50,640 --> 01:26:52,880
Speaker 1: it was like game time. It was like all right,

1441
01:26:53,200 --> 01:26:56,320
Speaker 1: you got like you got like six seven major niggas

1442
01:26:56,360 --> 01:26:58,160
Speaker 1: on the tour, and it's like all right. The first

1443
01:26:58,240 --> 01:27:00,760
Speaker 1: night We're like, all right, who Who're gonna blow the

1444
01:27:00,800 --> 01:27:03,559
Speaker 1: building down? That ship and usually man, I ain't gonna

1445
01:27:03,760 --> 01:27:06,080
Speaker 1: a lot. Man when we read enough came out and

1446
01:27:06,120 --> 01:27:10,960
Speaker 1: ship niggas was still sweeping the floors before you. Yeah. Yeah,

1447
01:27:11,040 --> 01:27:14,160
Speaker 1: the niggas was putting up and ship and sweeping and

1448
01:27:14,280 --> 01:27:18,160
Speaker 1: putting up chairs and shot and the building didn't get

1449
01:27:18,240 --> 01:27:21,360
Speaker 1: packed until the half of Red and Me show everything

1450
01:27:21,880 --> 01:27:24,240
Speaker 1: like it was and John Ruling them came out with

1451
01:27:24,880 --> 01:27:30,720
Speaker 1: with with Jayna. Although they came and he came back out,

1452
01:27:33,040 --> 01:27:35,840
Speaker 1: did he he came up before you and they came

1453
01:27:35,960 --> 01:27:38,400
Speaker 1: back Yeah, I mean if he came out before and said,

1454
01:27:38,439 --> 01:27:41,880
Speaker 1: I mean, he had to definitely be getting up. The

1455
01:27:42,000 --> 01:27:45,680
Speaker 1: crowd was the people that worked there, because when we

1456
01:27:45,880 --> 01:27:48,880
Speaker 1: came out literally sometimes they'd be setting up seats and

1457
01:27:48,920 --> 01:27:50,840
Speaker 1: ship and it would be a small crowd in the front,

1458
01:27:51,080 --> 01:27:52,639
Speaker 1: but it would be kind of packed in the back

1459
01:27:52,680 --> 01:27:55,720
Speaker 1: and ship and then half our show it uh get

1460
01:27:55,760 --> 01:27:59,240
Speaker 1: packed in the front. But the first day, what I

1461
01:27:59,320 --> 01:28:02,040
Speaker 1: knew it was to be a historical tour was the

1462
01:28:02,080 --> 01:28:04,240
Speaker 1: first day because we all went out there to show

1463
01:28:04,280 --> 01:28:06,679
Speaker 1: our balls. We was like, fuck that we're coming on early.

1464
01:28:06,920 --> 01:28:09,760
Speaker 1: We're blowing this bitch down and then we came out there.

1465
01:28:09,800 --> 01:28:11,479
Speaker 1: We did our thing. We swung on the ropes and

1466
01:28:11,520 --> 01:28:14,000
Speaker 1: shipped kick niggas in the head, and then we stayed

1467
01:28:14,400 --> 01:28:18,040
Speaker 1: and watched J and Them show and then Mixing Them show,

1468
01:28:18,200 --> 01:28:21,560
Speaker 1: and we was like, oh man, and they stayed and

1469
01:28:21,680 --> 01:28:24,000
Speaker 1: watched our show. And I mean they came in a

1470
01:28:24,080 --> 01:28:26,000
Speaker 1: couple of times early and watched our show, and it

1471
01:28:26,160 --> 01:28:28,599
Speaker 1: was like these niggas is flying. And then we seen

1472
01:28:29,240 --> 01:28:32,080
Speaker 1: as they started adding more ship because niggas ain't know

1473
01:28:32,479 --> 01:28:37,120
Speaker 1: we was flying. They had to come to watch. Yeah,

1474
01:28:37,200 --> 01:28:45,920
Speaker 1: she did fucking ship. But I'll tell you what we

1475
01:28:46,200 --> 01:28:49,120
Speaker 1: we decided to fly when we knew how early we

1476
01:28:49,240 --> 01:28:51,000
Speaker 1: had to come on and ship. You know, we had

1477
01:28:51,040 --> 01:28:53,640
Speaker 1: to come on early. So we we was like we

1478
01:28:53,720 --> 01:29:05,439
Speaker 1: had to make an impact. Yeah did, and we are

1479
01:29:05,600 --> 01:29:11,559
Speaker 1: motherfucking beat bad. You know, we gotta do what we got.

1480
01:29:11,800 --> 01:29:13,800
Speaker 1: We've got new guests. Weren't let to introduced itself to

1481
01:29:13,840 --> 01:29:15,519
Speaker 1: the people who go on talk to the people. Mr

1482
01:29:15,600 --> 01:29:21,200
Speaker 1: motherfucking Craze, go ahead, stop blowing that guy. I need

1483
01:29:21,240 --> 01:29:23,560
Speaker 1: to do a show than that. I ain't gonna be

1484
01:29:23,640 --> 01:29:25,479
Speaker 1: here here the guy. We're going to your show. We're

1485
01:29:25,479 --> 01:29:28,599
Speaker 1: coming to sport. Mr Cream in the building. Yes, yes,

1486
01:29:28,800 --> 01:29:31,760
Speaker 1: Mr Cream, Brick City Yellow. I was pretty reale. You

1487
01:29:31,840 --> 01:29:42,320
Speaker 1: know how we do, man, that's hard from this. So

1488
01:29:42,479 --> 01:29:46,960
Speaker 1: this is a dream champip. This is a dream champter ship.

1489
01:29:46,960 --> 01:29:49,960
Speaker 1: We should drink this in Branson. This is full backs

1490
01:29:49,960 --> 01:29:54,320
Speaker 1: and pizza Eddie, So we're gonna have one. Let's vegan. Yeah, yeah,

1491
01:29:54,360 --> 01:30:01,400
Speaker 1: definitely is it's this purpose no nig Yeah, yeah, yeah,

1492
01:30:01,520 --> 01:30:04,320
Speaker 1: me all over the place to start, y'all, man, solute

1493
01:30:04,360 --> 01:30:11,519
Speaker 1: just one shots. Shouldn't give a dreaming. It's not like

1494
01:30:11,720 --> 01:30:13,360
Speaker 1: I don't worry. Don't worry one. It's kind of like

1495
01:30:13,680 --> 01:30:19,479
Speaker 1: not really, it's a tradition. It's like it's any secret

1496
01:30:19,760 --> 01:30:24,639
Speaker 1: Asian chinny secret. Just one. This was the first. Should

1497
01:30:24,640 --> 01:30:26,200
Speaker 1: I do it for my point? Am I doing it

1498
01:30:26,280 --> 01:30:41,439
Speaker 1: for you? This one? Yeah? And you are now alive?

1499
01:30:47,760 --> 01:30:55,880
Speaker 1: That was almost horrible. Expanding to the people ship. That's

1500
01:30:56,000 --> 01:30:58,080
Speaker 1: that is that's a strung look it's no, it's not

1501
01:30:58,240 --> 01:31:00,519
Speaker 1: look at them just urge. But I think we fun

1502
01:31:00,640 --> 01:31:02,360
Speaker 1: this batch up because I've had that ship in my

1503
01:31:02,439 --> 01:31:06,000
Speaker 1: career and mind here ready this morning? You come on? Well, yeah,

1504
01:31:06,240 --> 01:31:13,880
Speaker 1: I gotta be behind those turns. Okay, okay, Okay, you're

1505
01:31:13,880 --> 01:31:23,439
Speaker 1: gonna drink that motherfucker. Yes, that's how he said. Because

1506
01:31:23,479 --> 01:31:25,599
Speaker 1: I Eddie, I had to do it. Yes, yes, yes,

1507
01:31:25,640 --> 01:31:30,560
Speaker 1: because doing that, how crazy is it? DJ? And for

1508
01:31:30,720 --> 01:31:32,479
Speaker 1: Red because I don't know, he got to be like

1509
01:31:32,520 --> 01:31:35,840
Speaker 1: a spontaneous guy, is he is? He a structure, never

1510
01:31:35,960 --> 01:31:43,559
Speaker 1: got nasty, that don't know. Me and Redmond friends since

1511
01:31:43,680 --> 01:31:47,920
Speaker 1: ninety two eight squad days, so that chemistry was always there.

1512
01:31:48,600 --> 01:31:54,880
Speaker 1: And when I left that effects in ninety nine, the

1513
01:31:55,040 --> 01:32:00,519
Speaker 1: twins cold a thing, and then was so happened that

1514
01:32:01,280 --> 01:32:04,360
Speaker 1: Red like with that blue black funk, I had diced.

1515
01:32:04,520 --> 01:32:06,800
Speaker 1: So he found me and I've been with him ever

1516
01:32:06,920 --> 01:32:09,960
Speaker 1: since year two thousand one when the Twin thous went down.

1517
01:32:10,320 --> 01:32:14,320
Speaker 1: But working with him is incredible. He keeps you on

1518
01:32:14,479 --> 01:32:18,760
Speaker 1: your toes. It's that type of person like you funk up,

1519
01:32:18,760 --> 01:32:21,160
Speaker 1: you're gonna let you know. I think I must and

1520
01:32:21,240 --> 01:32:23,400
Speaker 1: I keep it to the world. I'm from broken him,

1521
01:32:23,479 --> 01:32:25,800
Speaker 1: But how must I got fired a bout a hundred times?

1522
01:32:27,439 --> 01:32:31,160
Speaker 1: Like But he does that for a reason, and you know,

1523
01:32:31,400 --> 01:32:35,880
Speaker 1: but it's on the tables. He's He's amazing. That's why

1524
01:32:35,920 --> 01:32:43,200
Speaker 1: I showed him where it is that you would say question,

1525
01:32:43,600 --> 01:32:48,639
Speaker 1: so los for that lippy fucking just gave me. How

1526
01:32:49,320 --> 01:32:53,439
Speaker 1: is it being around of golf? It's beautiful man, because

1527
01:32:53,560 --> 01:32:56,080
Speaker 1: I love it around him, man, around him? Since I

1528
01:32:56,200 --> 01:33:02,840
Speaker 1: was key was MTV crib and that. Yeah. Yeah, the

1529
01:33:02,920 --> 01:33:05,320
Speaker 1: jackets you have on was it wasn't a jacket and

1530
01:33:05,479 --> 01:33:07,559
Speaker 1: I just had it like it was like a blue

1531
01:33:07,800 --> 01:33:11,080
Speaker 1: a grayish shirt or something that you was under a cupole.

1532
01:33:12,120 --> 01:33:18,040
Speaker 1: My arm was out, yeah, got me, all yeah, got me.

1533
01:33:20,160 --> 01:33:22,320
Speaker 1: It's fun though, so that I'm growing up in Brooke

1534
01:33:22,400 --> 01:33:27,400
Speaker 1: City and seeing all the things that you have seen,

1535
01:33:27,520 --> 01:33:29,479
Speaker 1: you you ever thought that he would make it this

1536
01:33:29,600 --> 01:33:36,519
Speaker 1: Fase's that's a good question, all the things that I've seen,

1537
01:33:37,120 --> 01:33:39,920
Speaker 1: all right, It's like, yeah, I always making this funny

1538
01:33:41,800 --> 01:33:44,240
Speaker 1: kind of you since I came up to hill. You

1539
01:33:44,280 --> 01:33:45,760
Speaker 1: remember that time I came up the hill and you

1540
01:33:45,840 --> 01:33:48,479
Speaker 1: were back there and you were DJ in the backyard

1541
01:33:48,520 --> 01:33:51,559
Speaker 1: and doing the ones out there rapping, and I came

1542
01:33:51,640 --> 01:33:53,600
Speaker 1: up there. I spent my little version ship. But you

1543
01:33:53,640 --> 01:33:55,840
Speaker 1: know you rether won't pay me no attention. But I

1544
01:33:55,960 --> 01:33:58,120
Speaker 1: seen you and you was doing your ship and I

1545
01:33:58,240 --> 01:33:59,920
Speaker 1: was like yo, But I always looked up and with

1546
01:34:00,080 --> 01:34:03,599
Speaker 1: like there are no cars gonna be you know because

1547
01:34:03,640 --> 01:34:06,800
Speaker 1: he used to always come to my goddamn house trying

1548
01:34:06,840 --> 01:34:08,839
Speaker 1: to get on the road, and I used to always

1549
01:34:08,960 --> 01:34:12,439
Speaker 1: turn him around listen and not tell him, no, I

1550
01:34:12,479 --> 01:34:14,519
Speaker 1: don't want you out here with me. And he forced

1551
01:34:14,560 --> 01:34:17,599
Speaker 1: his way on to me because he was my younger cousin,

1552
01:34:18,360 --> 01:34:21,400
Speaker 1: but he forced his way on. And now I know

1553
01:34:24,160 --> 01:34:26,840
Speaker 1: turning us how run the veil. It was a cab

1554
01:34:26,960 --> 01:34:29,640
Speaker 1: already waiting for me, like he already knew I was

1555
01:34:29,640 --> 01:34:34,240
Speaker 1: coming in, was sending me on. No but now and

1556
01:34:34,360 --> 01:34:37,680
Speaker 1: this motherfucker here, you know, since we got history from

1557
01:34:37,720 --> 01:34:42,040
Speaker 1: the his squad days, you know I fired his motherfuckering

1558
01:34:42,120 --> 01:34:45,760
Speaker 1: asks every motherfucker's show a chance I get, I trying

1559
01:34:45,800 --> 01:34:49,160
Speaker 1: to fire and just for some reason, you know, we

1560
01:34:49,320 --> 01:34:54,160
Speaker 1: just stayed connected because of family. But in all sense,

1561
01:34:54,880 --> 01:34:58,559
Speaker 1: they know that expectancy on the stage to compete, because

1562
01:34:58,600 --> 01:35:00,479
Speaker 1: you know, no, we we came from an error with

1563
01:35:01,160 --> 01:35:04,479
Speaker 1: we gotta compete. Bottom line, you have a good show

1564
01:35:04,640 --> 01:35:07,320
Speaker 1: and good record exactly, you have to have both of them.

1565
01:35:07,360 --> 01:35:10,080
Speaker 1: And if you ain't have the hit records, you have

1566
01:35:10,280 --> 01:35:13,000
Speaker 1: to have a good fucking show. And that's just what

1567
01:35:13,160 --> 01:35:15,960
Speaker 1: we're about, you know. Bottom line. That ship got me

1568
01:35:16,040 --> 01:35:19,280
Speaker 1: talking snow. It's about that. It's so mean, man, you understand,

1569
01:35:19,520 --> 01:35:21,640
Speaker 1: you don't understand, man, But let me say something. You

1570
01:35:21,680 --> 01:35:24,080
Speaker 1: know that ship is crazy, yo, how livid just goes

1571
01:35:24,160 --> 01:35:27,000
Speaker 1: to my feet because I don't drink. You know, this

1572
01:35:27,040 --> 01:35:32,080
Speaker 1: ship just went right to my feet, went right to

1573
01:35:32,240 --> 01:35:35,920
Speaker 1: my feet. But take you something, rad, There's so many places,

1574
01:35:36,000 --> 01:35:38,720
Speaker 1: there's so many artists that after you get ten years

1575
01:35:38,760 --> 01:35:40,400
Speaker 1: in this game, these people want to call you what

1576
01:35:40,479 --> 01:35:43,519
Speaker 1: they want, but they call quote unquote wash stuff. They

1577
01:35:43,600 --> 01:35:45,880
Speaker 1: want to say that it's it's over for you. And

1578
01:35:45,960 --> 01:35:48,440
Speaker 1: the thing about it this, I want to change that perspective.

1579
01:35:48,680 --> 01:35:51,599
Speaker 1: I want people to know that the longevity you get

1580
01:35:51,680 --> 01:35:54,320
Speaker 1: in this game, just like rock and roll or jazz

1581
01:35:54,400 --> 01:35:58,800
Speaker 1: or whatever you want to celebrate, you motherfucker's you know

1582
01:35:58,920 --> 01:36:01,160
Speaker 1: what you know? O G. But because a lot of

1583
01:36:01,240 --> 01:36:03,080
Speaker 1: times people call you o G but they don't really

1584
01:36:03,120 --> 01:36:05,760
Speaker 1: mean it. They're just calling you O G because there's

1585
01:36:05,880 --> 01:36:07,479
Speaker 1: something that they want to say or couldn't even be

1586
01:36:07,560 --> 01:36:09,800
Speaker 1: the rocking tory sometimes, you know what I'm saying. What

1587
01:36:10,200 --> 01:36:12,160
Speaker 1: I don't want to change that perspective. I want to

1588
01:36:12,160 --> 01:36:14,120
Speaker 1: say that the longer you've been in this game, the

1589
01:36:14,200 --> 01:36:16,160
Speaker 1: longest season you've been the game. You want to salute you,

1590
01:36:16,479 --> 01:36:18,240
Speaker 1: We want to bang you. What you want to stand

1591
01:36:18,360 --> 01:36:20,439
Speaker 1: say as opposed to kicking these people out of the

1592
01:36:20,520 --> 01:36:22,639
Speaker 1: game and doing that, That's what Drink Champions for. We're

1593
01:36:22,640 --> 01:36:25,360
Speaker 1: a platform for people who have been in this game

1594
01:36:25,400 --> 01:36:27,599
Speaker 1: for ten years and more and you know what as

1595
01:36:27,640 --> 01:36:29,720
Speaker 1: opposed to ten years and more, but we're telling you

1596
01:36:29,880 --> 01:36:33,240
Speaker 1: we fuck with you exactly. People with you season like

1597
01:36:33,360 --> 01:36:36,400
Speaker 1: MS Sammy Damon's got ten years. They loved him for that.

1598
01:36:36,720 --> 01:36:39,200
Speaker 1: You know why the funding our game, you get ten years,

1599
01:36:39,280 --> 01:36:41,680
Speaker 1: you get twelve years, you get fifteen years. People say, well,

1600
01:36:41,720 --> 01:36:43,680
Speaker 1: it's over for him, and it's a new version of him.

1601
01:36:43,920 --> 01:36:47,160
Speaker 1: Why the funky gotta be that? Why they gotta be that?

1602
01:36:47,560 --> 01:36:50,840
Speaker 1: After me? Unsense? In the new version of rock Him.

1603
01:36:51,080 --> 01:36:54,400
Speaker 1: He's his verse in the podcast, not another version, you understand.

1604
01:36:54,840 --> 01:36:57,439
Speaker 1: So let's just motherfucker make you sure that you're right there.

1605
01:37:00,600 --> 01:37:03,280
Speaker 1: You want you want to say six of people, Well, listen,

1606
01:37:03,360 --> 01:37:05,800
Speaker 1: you can follow me on Instagram at Mr Kream not

1607
01:37:06,080 --> 01:37:08,080
Speaker 1: fight you know what I mean. I got a single

1608
01:37:08,120 --> 01:37:12,920
Speaker 1: out called Congo is on every digital platform right now.

1609
01:37:13,120 --> 01:37:20,320
Speaker 1: You know it's crazy, please pick it up. But else

1610
01:37:20,960 --> 01:37:23,439
Speaker 1: I don't know a lot of people. I knew that

1611
01:37:24,560 --> 01:37:27,479
Speaker 1: red Man had DJ for Dotson Fence backed them to

1612
01:37:29,080 --> 01:37:35,080
Speaker 1: sign YouTube. I'm there really that we all went to

1613
01:37:35,200 --> 01:37:38,960
Speaker 1: Virginia State. But then I left and he took your job.

1614
01:37:39,080 --> 01:37:42,280
Speaker 1: When you left, red Man took your jobs. No no, no,

1615
01:37:42,520 --> 01:37:44,920
Speaker 1: no no no. Because at that time Red Man less

1616
01:37:45,479 --> 01:37:49,400
Speaker 1: in the process doing his music and getting on. So

1617
01:37:50,240 --> 01:37:54,519
Speaker 1: before Weeks got signed or Pick discovered, we was in

1618
01:37:54,600 --> 01:37:58,519
Speaker 1: Virginia State. So when they finally dead get signed, already

1619
01:37:58,560 --> 01:38:00,920
Speaker 1: had left Virginia State. Came after New York in DJAF

1620
01:38:00,920 --> 01:38:06,120
Speaker 1: for Timdall, so in that that period he already had

1621
01:38:06,360 --> 01:38:10,519
Speaker 1: got his deal Damn and Dies and he started DJ

1622
01:38:10,720 --> 01:38:13,080
Speaker 1: for Dots. And then when the hit squad came, they

1623
01:38:13,200 --> 01:38:17,920
Speaker 1: found me another blessing dicey y'all. Pete Parridge wants you.

1624
01:38:18,520 --> 01:38:20,560
Speaker 1: They want to work this DJ's I'm gonna be on

1625
01:38:20,680 --> 01:38:24,479
Speaker 1: the Originals. So this whole you know, expect there you

1626
01:38:24,600 --> 01:38:27,360
Speaker 1: lift all over the place. You like to dig up

1627
01:38:27,479 --> 01:38:34,160
Speaker 1: that from castaway, you like the ball. You're like everywhere.

1628
01:38:34,439 --> 01:38:43,280
Speaker 1: Yea dead a lot of fucking places. And he didn't

1629
01:38:43,320 --> 01:38:48,160
Speaker 1: like all that. Let me find out, I probably was

1630
01:38:50,880 --> 01:38:54,160
Speaker 1: all the elements, and you know the true version. Let

1631
01:38:54,160 --> 01:38:56,360
Speaker 1: me just tell you, right, you do the two version

1632
01:38:56,360 --> 01:38:59,000
Speaker 1: of an MC do, a truth version of a good person.

1633
01:38:59,160 --> 01:39:01,800
Speaker 1: Every time I have a seeing you, you always let

1634
01:39:01,840 --> 01:39:03,800
Speaker 1: me tell you before we get up out of here.

1635
01:39:04,080 --> 01:39:05,880
Speaker 1: He made me join that tager bone and we're about

1636
01:39:05,880 --> 01:39:13,840
Speaker 1: to get there. I couldn't say that thing. Maybe everywhere

1637
01:39:13,960 --> 01:39:16,080
Speaker 1: have we ever been, you always gave me advice. It's

1638
01:39:16,120 --> 01:39:19,479
Speaker 1: only one time that you didn't give me advice. I

1639
01:39:19,600 --> 01:39:22,320
Speaker 1: think we were on tour and I'm one of your

1640
01:39:22,360 --> 01:39:24,559
Speaker 1: tour bus and he was like, you ain't playing this game.

1641
01:39:24,640 --> 01:39:27,000
Speaker 1: I forget what game it was, and I came on.

1642
01:39:27,160 --> 01:39:30,360
Speaker 1: It was expected like him to like teach me or something.

1643
01:39:31,760 --> 01:39:35,479
Speaker 1: We got in the game. I passed the blade, just

1644
01:39:35,760 --> 01:39:41,200
Speaker 1: kept whipping back and I keep going and he's like, yeah,

1645
01:39:41,200 --> 01:39:48,200
Speaker 1: that wasn't even smoke, just kick. And I said, they

1646
01:39:48,240 --> 01:39:53,040
Speaker 1: have certain things. He's not going to teach you. We're

1647
01:39:53,080 --> 01:39:56,600
Speaker 1: not yo, You're a great person. Hip hop has to

1648
01:39:56,640 --> 01:39:59,439
Speaker 1: continue to salute people like you. Got to continue to

1649
01:39:59,600 --> 01:40:02,439
Speaker 1: loot own. This is our own kind. Because I see

1650
01:40:02,840 --> 01:40:05,960
Speaker 1: anybody else to salute us, then we're fucking idiots from

1651
01:40:06,000 --> 01:40:07,920
Speaker 1: the beginning to think about us. We need to have

1652
01:40:08,040 --> 01:40:11,559
Speaker 1: a hip hop union, people who've been involved with us

1653
01:40:11,640 --> 01:40:16,240
Speaker 1: from the beginning, meaning you know, the enlightenment to hip

1654
01:40:16,280 --> 01:40:18,640
Speaker 1: hop and and when it brings to the culture, and

1655
01:40:18,720 --> 01:40:21,320
Speaker 1: this is gotta keep being elevated. That's trying to think

1656
01:40:21,360 --> 01:40:23,400
Speaker 1: about it. Is this if we don't pick up our

1657
01:40:23,439 --> 01:40:25,080
Speaker 1: own people that don't want to be there. When I

1658
01:40:25,120 --> 01:40:27,080
Speaker 1: say I want people, I'm talking about hip hop. I

1659
01:40:27,120 --> 01:40:30,000
Speaker 1: ain't talking race, I ain't talking coach. I'm talking hip

1660
01:40:30,040 --> 01:40:33,120
Speaker 1: hop hip hop. So that could be that could be

1661
01:40:33,520 --> 01:40:36,720
Speaker 1: you know, Kid Frost, it could be MC search. I

1662
01:40:36,760 --> 01:40:40,240
Speaker 1: don't feel like if you guys, you know us, put

1663
01:40:40,360 --> 01:40:43,000
Speaker 1: in these ten fifteen years of working something happened to

1664
01:40:43,040 --> 01:40:45,000
Speaker 1: your family, I feel like hip hops will come in

1665
01:40:45,080 --> 01:40:48,519
Speaker 1: and be responsible. It's like he's like, we all said that,

1666
01:40:48,600 --> 01:40:50,800
Speaker 1: well K restaurant to do that back in the day. Man,

1667
01:40:50,880 --> 01:40:53,160
Speaker 1: that's what he wanted to do. Man, he actually wanted

1668
01:40:53,200 --> 01:40:55,760
Speaker 1: to put something together where we can actually eat and

1669
01:40:55,920 --> 01:40:59,680
Speaker 1: actually have dental benefits. We are a fucking union, We

1670
01:40:59,800 --> 01:41:01,720
Speaker 1: are of like a in we are a job. We

1671
01:41:01,880 --> 01:41:05,840
Speaker 1: do served serve the public. So why shouldn't we get

1672
01:41:05,920 --> 01:41:09,040
Speaker 1: dental benefits from our label? Because you know, while black,

1673
01:41:09,120 --> 01:41:11,400
Speaker 1: then we didn't have Will Smith said, we didn't have

1674
01:41:11,600 --> 01:41:14,080
Speaker 1: jay z s and but now we do where where

1675
01:41:14,160 --> 01:41:17,439
Speaker 1: we can help people, you know, structure them where because

1676
01:41:17,560 --> 01:41:19,960
Speaker 1: you know, for less of people. You know what I'm saying.

1677
01:41:19,960 --> 01:41:21,320
Speaker 1: I want to say that to people that that was

1678
01:41:21,560 --> 01:41:24,479
Speaker 1: the worst worldever, but people didn't have as much success

1679
01:41:24,680 --> 01:41:26,880
Speaker 1: as others, you know what I'm saying, because I don't

1680
01:41:26,880 --> 01:41:28,400
Speaker 1: feel like I feel like if we both put in

1681
01:41:28,400 --> 01:41:30,920
Speaker 1: the same twenty years of hip hop and you, you know,

1682
01:41:31,080 --> 01:41:33,360
Speaker 1: dedicated your life and I probably been a little bit

1683
01:41:33,400 --> 01:41:37,560
Speaker 1: more successful. Success fool doesn't mean that I'm more important.

1684
01:41:38,439 --> 01:41:40,280
Speaker 1: I feel like we should all be important, you know

1685
01:41:40,280 --> 01:41:42,080
Speaker 1: what I'm saying. Like it's just like it's just like

1686
01:41:42,439 --> 01:41:44,360
Speaker 1: you know, the brothers you've got with you. He might

1687
01:41:44,400 --> 01:41:46,160
Speaker 1: be the hype man, he might be the d jail

1688
01:41:46,680 --> 01:41:49,080
Speaker 1: or whatever, but he put in the same twenty years

1689
01:41:49,160 --> 01:41:50,840
Speaker 1: and then one of them get sick. I feel like

1690
01:41:50,920 --> 01:41:52,320
Speaker 1: we should take care of them the same where we

1691
01:41:52,360 --> 01:41:53,720
Speaker 1: would take care of you if you was to get

1692
01:41:53,760 --> 01:41:55,960
Speaker 1: sick hip pop and I feel like that we should

1693
01:41:55,960 --> 01:41:58,280
Speaker 1: do that because there's so many other corporations for me,

1694
01:41:58,280 --> 01:42:00,639
Speaker 1: even like fucking you know, construc Actually you can get

1695
01:42:00,640 --> 01:42:02,640
Speaker 1: something hit on your head and they'll take care of you.

1696
01:42:02,960 --> 01:42:05,360
Speaker 1: And hip hop somebody that you had a bottle you

1697
01:42:05,439 --> 01:42:10,680
Speaker 1: gotta deal with said club also that that sh it

1698
01:42:10,720 --> 01:42:12,960
Speaker 1: ain't right. So you know again, man, I want to

1699
01:42:13,000 --> 01:42:14,600
Speaker 1: thank you, brother. I want to say one thing real

1700
01:42:14,680 --> 01:42:17,880
Speaker 1: quick on the half of Miami as well. Growing up here,

1701
01:42:18,160 --> 01:42:21,439
Speaker 1: Miami hip hop kid in the early nineties, you know,

1702
01:42:21,560 --> 01:42:24,200
Speaker 1: we was trying to rep just like how Jergy was

1703
01:42:24,200 --> 01:42:26,640
Speaker 1: battling the New York thing. Imagine in the South. You

1704
01:42:26,720 --> 01:42:28,680
Speaker 1: know New York was late to the South. But you're

1705
01:42:28,680 --> 01:42:30,320
Speaker 1: one of the few cats that came to the South,

1706
01:42:30,400 --> 01:42:33,320
Speaker 1: came to Miami working Miami artists. Mother disappear. I had

1707
01:42:33,360 --> 01:42:35,760
Speaker 1: at the show last time. He was showing blackbirds. I

1708
01:42:35,800 --> 01:42:37,519
Speaker 1: just want to say, good looking out, thank you for that.

1709
01:42:38,160 --> 01:42:40,120
Speaker 1: You know, we appreciate you here. You owe me some

1710
01:42:40,240 --> 01:42:46,439
Speaker 1: beasts for that guy. What's that damn song? What's funny

1711
01:42:46,600 --> 01:42:49,200
Speaker 1: is man? Like I watched that hip hop documentary on

1712
01:42:49,280 --> 01:42:53,800
Speaker 1: Netflix man and understood, y'all Miami rat man, how it started? Man,

1713
01:42:53,920 --> 01:42:56,559
Speaker 1: that's that It was crazy as hell. Man, y'all started

1714
01:42:56,600 --> 01:43:00,639
Speaker 1: straight from bass music. Basic. Y'all, y'all, y'all, y'all, y'all,

1715
01:43:00,920 --> 01:43:06,720
Speaker 1: Sugar Hill game was was too Lives of the Niggah

1716
01:43:08,240 --> 01:43:10,559
Speaker 1: Yeah yeah man, Like you know, I learned a lot

1717
01:43:10,640 --> 01:43:13,280
Speaker 1: from that ship. Man well red Man, we want you

1718
01:43:13,360 --> 01:43:15,519
Speaker 1: to know, just in case anybody did never tell you

1719
01:43:16,080 --> 01:43:18,439
Speaker 1: overhead drink chance, we love you. We love what you

1720
01:43:18,520 --> 01:43:20,360
Speaker 1: did to the coach, and I'm glad I probably got

1721
01:43:20,439 --> 01:43:28,240
Speaker 1: the chance to do this bit. You listen, you know,

1722
01:43:28,800 --> 01:43:31,240
Speaker 1: shout out to Cuz but put put put it there again.

1723
01:43:31,280 --> 01:43:33,439
Speaker 1: But I'm gonna tell you something like this. As soon

1724
01:43:33,479 --> 01:43:35,920
Speaker 1: as this show started, my brother called me about it,

1725
01:43:36,520 --> 01:43:38,720
Speaker 1: and I ain't gonna a lot man, like he I

1726
01:43:38,920 --> 01:43:40,519
Speaker 1: was one of the first thing. And you know, me

1727
01:43:40,600 --> 01:43:42,680
Speaker 1: and Nori talked through the phone. We know, you know,

1728
01:43:42,840 --> 01:43:46,360
Speaker 1: industry friends, you talked through the phone. And when he

1729
01:43:46,520 --> 01:43:49,439
Speaker 1: started the show, he wanted me on it, and like,

1730
01:43:49,560 --> 01:43:51,400
Speaker 1: I'm just glad I got to do this for my

1731
01:43:51,520 --> 01:43:55,400
Speaker 1: nigga because I know, like you know, out of all

1732
01:43:55,560 --> 01:43:57,840
Speaker 1: people you know he had on the show, he wanted

1733
01:43:57,920 --> 01:44:01,320
Speaker 1: his real brothers on it. And I appreciate that my nigga,

1734
01:44:01,960 --> 01:44:05,600
Speaker 1: trying to let them know, like he was on me directly,

1735
01:44:05,720 --> 01:44:12,200
Speaker 1: no management, he was on me like yeah, yeah, yeah,

1736
01:44:12,920 --> 01:44:15,960
Speaker 1: he do day one with this ship and I'm glad

1737
01:44:16,040 --> 01:44:18,120
Speaker 1: to be a part of this bitch, and I took

1738
01:44:18,160 --> 01:44:25,960
Speaker 1: a trade just this. I'm this because you know why,

1739
01:44:26,120 --> 01:44:29,200
Speaker 1: it's about time hip hop start controlling hip hop. We

1740
01:44:29,320 --> 01:44:32,400
Speaker 1: can't keep him playing and saying, you know, we could

1741
01:44:32,439 --> 01:44:34,680
Speaker 1: do this and do this, but we're not putting our

1742
01:44:34,800 --> 01:44:38,160
Speaker 1: own people in position to control with you understand what

1743
01:44:38,160 --> 01:44:40,280
Speaker 1: I'm saying. It's like, it's like it's like what's my

1744
01:44:40,400 --> 01:44:44,320
Speaker 1: man name? For all the book? The mayor from New York.

1745
01:44:46,200 --> 01:44:48,600
Speaker 1: We can't keep Clint complaining about things that's happening in

1746
01:44:48,680 --> 01:44:51,600
Speaker 1: the New York unless we motherfucker get behind person like that.

1747
01:44:51,960 --> 01:44:54,280
Speaker 1: So it's the same thing to this culture, Like I

1748
01:44:54,439 --> 01:44:57,439
Speaker 1: believe that everything from our coaches should come from our culture.

1749
01:44:57,439 --> 01:44:59,920
Speaker 1: That's if you watch sports, it should come from Jada Kiss.

1750
01:45:01,000 --> 01:45:03,000
Speaker 1: To watch the news is a couple of Jim Jones.

1751
01:45:03,520 --> 01:45:06,240
Speaker 1: If you watch the motherfucking you know, the podcast is

1752
01:45:06,280 --> 01:45:08,800
Speaker 1: a couple of Drake Checks. You know what I'm saying,

1753
01:45:13,760 --> 01:45:17,599
Speaker 1: y'all take a picture in and wrap it up. Drop drop,