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Speaker 1: So, uh, you didn't ask, but my day was also interesting?

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Speaker 2: Yeah, no, I guess I was. I wasn't finished talking

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Speaker 2: about my day, but you apparently are so eager for

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Speaker 2: me to ask that.

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Speaker 1: Okay, you went silent for a long time.

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Speaker 2: Yeah, it's called a dramatic pause.

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Speaker 1: Finished. Finish, finished, Please go ahead and finish.

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Speaker 2: I don't want to set the whole pause up again,

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Speaker 2: but I need some of it, so I'm gonna so

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Speaker 2: I'm starting the pause now, and it's here. It turned

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Speaker 2: out there was a second gummy bear stuck in there,

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Speaker 2: a third.

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Speaker 3: You.

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Speaker 1: Yes, sorry, no, you made me use my places. I know,

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Speaker 1: I know, I'm sure that's my fault. I I do

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Speaker 1: accept that. But the second gummy bear was such a

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Speaker 1: big part. But that's why it smelled like that.

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Speaker 2: Okay, okay, okay, So please, mister Hayes, will you please

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Speaker 2: tell me about your day? I so fucking guy. Today.

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Speaker 1: I woke up and I just like do all my

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Speaker 1: morning stuff. I went back toe so so much better

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Speaker 1: than my story. It's I I am not saying it's

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Speaker 1: better than your story. Okay, Well, it sure felt like

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Speaker 1: you were your story. Was that you you thought you

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Speaker 1: smelled a lime?

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Speaker 2: Yeah? And then it was brings you inside, I mean

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Speaker 2: the sensory experience. And then it was like where is

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Speaker 2: the lime?

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Speaker 1: And then it was the discovery of the first two

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Speaker 1: gummy bears that we're stuck in.

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Speaker 2: In there. Oh, thank you for listening, and that so well.

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Speaker 1: And I guess the third one, I so you didn't

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Speaker 1: and I e didn't deliver. I guess the third one

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Speaker 1: was a lime one. And is that why?

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Speaker 4: Yeah, because the first one was pineapple.

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Speaker 2: Yeah. The second one, I don't know what it was.

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Speaker 2: I want to say root beer, but I'm like, that's

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Speaker 2: not one of the and that's not one of the

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Speaker 2: main ones main gummy bears, but it may have mixed

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Speaker 2: with something else to kind of transform. But the third

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Speaker 2: one was lime. As the day is long, and that's

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Speaker 2: normally how I finished the story, but you, of course

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Speaker 2: threw off my entire rhythm.

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Speaker 1: So I woke up and I this is like later

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Speaker 1: in the morning. I did go back to sleep for

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Speaker 1: a little bit, from like ten to eleven am, and

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Speaker 1: then I come out and then I come out again

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Speaker 1: and there's a like a roast turkey. I guess, just

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Speaker 1: kind of like sitting on my couch. My couch cushion

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Speaker 1: mm and Thanksgiving bird. That's my that's it. It was

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Speaker 1: my first thought. I said that.

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Speaker 2: Actually it was just me. I said, had that.

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Speaker 1: And I don't know who. So I have this new roommate,

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Speaker 1: Howard m m. And I don't know if this is

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Speaker 1: something Howard has like left for me. Howard has been

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Speaker 1: saying he has a surprise for me. That's actually what

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Speaker 1: he said, like when I interviewed him, to take this room.

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Speaker 2: So you're like, I've got this extra room, like you know,

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Speaker 2: I keep you know, I keep unusual hours sometimes. I

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Speaker 2: I said, sleep it till eleven and then and then

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Speaker 2: you were like, is there anything you I should know

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Speaker 2: about you?

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Speaker 1: And he's I said, tell me about yourself.

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Speaker 2: I've got a surprise for you.

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Speaker 1: He said yes. He said he worked. He works at

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Speaker 1: a car dealership. He like he does it.

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Speaker 2: Is not selling cars. When I spoke with him, he

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Speaker 2: was very clear about that. He said, I work at

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Speaker 2: a car dealership near the cars.

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Speaker 1: Yes, that's right, and he's in like an adult like

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Speaker 1: kickball league, and he has a surprise for me.

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Speaker 2: M hm.

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Speaker 1: That's what he said. And I was like, Okay, I

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Speaker 1: guess I want to find out what this is. So

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Speaker 1: he's in the room, and I'm like, is this it?

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Speaker 1: I guess this is like this would be like a

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Speaker 1: culmination of it. It's not uh hot, but it's not

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Speaker 1: like really cold either. It's not like it's like relatively fresh,

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Speaker 1: but it's not hot, but it's.

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Speaker 4: Not room temp because the room is extremely cold.

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Speaker 1: Yes, yeah, the room has been really cold ever since

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Speaker 1: he showed up. I wonder if that's the surprise, so

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Speaker 1: that this would the surprise, or you haven't seen how

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Speaker 1: it's asking. I have not seen Howard since since the interview,

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Speaker 1: but I know I know that he is. That he

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Speaker 1: is there because things keep changing.

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Speaker 2: Okay, well I gave him keys. Okay, so to me,

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Speaker 2: and and Rob will of course get to you in

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Speaker 2: a second.

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Speaker 4: So to me, this story could be really good.

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Speaker 2: Okay. I would wait to tell it to anyone else

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Speaker 2: until you effectively find the third gummy bear of the story. Okay,

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Speaker 2: got it. There's got to be that big blow that

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Speaker 2: just makes people sit up and say, damn, that's the

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Speaker 2: end of the story. Yeah, we're We're now in a

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Speaker 2: little bit of no man's lane where I'm intrigued. You've

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Speaker 2: got my attention, but you're leaving me hanging.

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Speaker 1: And maybe it'll sort of continue from here. Maybe it won't.

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Speaker 1: I mean, I ate a piece I might not eat anymore. Okay,

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Speaker 1: ate a piece of the turkeye. Was there anything crazy

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Speaker 1: that happened when you eat that?

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Speaker 2: No?

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Speaker 1: No, normal kind of dry Or it's been so long

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Speaker 1: you know, don't remember. Yeah, it's been so so long,

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Speaker 1: don't remember. Rob Rob is here.

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Speaker 2: Waities and gentlemen, Welcome to Hollywood hand Book. Our esteemed guest,

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Speaker 2: Mister Rab Sister Nino. Rob has a podcast rap. Yeah,

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Speaker 2: that's right. He's talking all things reality, whether you're into

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Speaker 2: Big Brother Survivor or a reality rewind and you want

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Speaker 2: to see him go all the way back and turn

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Speaker 2: back clock with one of his crazy buddies. This guy

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Speaker 2: loves to pod it up. He does the survivor know

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Speaker 2: at all, he does the wrap ups. He's inviting you

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Speaker 2: in to enjoy a big mouthful of the slop. He

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Speaker 2: knows what we know is reality show show fans will

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Speaker 2: day if we miss a guy ten keep going wants

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Speaker 2: to tell you whether it's uh you know. With his

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Speaker 2: Patreon subscribers tuning in for additional questions to be answered

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Speaker 2: about particular classic Survivor season for a good reason last one,

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Speaker 2: or if it's some of the more uh polished podcast personalities,

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Speaker 2: or even his damn wife. He lets everybody out bike

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Speaker 2: seven forty four seconds.

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Speaker 4: The guy is known, you've seen him on TV.

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Speaker 2: Now listen to him on your ear bees and B

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Speaker 2: stands for buds and and P stands for pots and

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Speaker 2: and I don't care what kind of headphones you gotten,

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Speaker 2: neither does he, because it's just the getting in your

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Speaker 2: ears and telling you what's what remind you of some

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Speaker 2: of the classic things that have happened, and and also

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Speaker 2: giving you in real his reactions. And we're done with

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Speaker 2: the show, and Rob thanks so much for being here,

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Speaker 2: and we am I correct, we're weaving now.

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Speaker 4: Yeah, I mean where do I send the check.

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Speaker 2: Damn for that show? Yeah? That actually does bring up

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Speaker 2: something we did pay you last time you were on

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Speaker 2: the show, because that was beyond the pay.

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Speaker 4: Well, this one there's nothing, you get nothing nothing. Yeah.

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Speaker 5: So, boy do I feel so stupid right now because

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Speaker 5: that I sent my friends giving invitation to Hayes.

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Speaker 4: I worked it all out with Howard.

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Speaker 5: That I sent that was my my The the turkey

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Speaker 5: was from me. I was inviting you in friends giving. Yeah,

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Speaker 5: and I said it, I sent it to Hayes, and

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Speaker 5: now I feel like I should have sent it to

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Speaker 5: Sean after that warm introduction.

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Speaker 1: I love friends giving, rab sweet person.

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Speaker 2: Each person who is invited receives a cooked turkey, just

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Speaker 2: kind of left on their couch, and then the rs

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Speaker 2: VP is I guess whether they finish it or not.

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Speaker 5: Yeah, it's just sort of like the system to understand. Yeah,

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Speaker 5: it's the start of the season, so it's just a

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Speaker 5: little there's more where that came from, if you know

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Speaker 5: what I mean, two more turkeys mm hmm. But it

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Speaker 5: was really it was one turkey meant for both of you.

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Speaker 5: I don't know what Howard did with the note I.

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Speaker 1: Sent again, like you are much closer to Howard than

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Speaker 1: I am. I think I actually had no idea that

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Speaker 1: you that you and I both knew Howard separately. And

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Speaker 1: I wonder if you or how Howard got to be

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Speaker 1: because I didn't even list this room.

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Speaker 5: Yeah, well, I had asked Kevin for contact, and so

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Speaker 5: how do I get something into Hayes's house?

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Speaker 2: He said, okay, he said, well maybe he's Howard to

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Speaker 2: left here. That's an interesting that's an interesting version of contacted,

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Speaker 2: but it's say, hey, how do I get something inside

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Speaker 2: his house? Well, he's got a spare room. Is there

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Speaker 2: anyone you can set up to interview? Have we now?

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Speaker 2: Did we say it's Howard Dean?

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Speaker 1: Did I not say it's Howard Dean?

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Speaker 2: Yeah?

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Speaker 1: So what he like what he said? I thought when

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Speaker 1: he said I have a surprise for you, I was

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Speaker 1: kind of like I thought he was going to do

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Speaker 1: the thing. Yeah you got that wouldn't really be a surprise.

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Speaker 1: Maybe the surprise was him not doing it.

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Speaker 2: The surprise might be that he never does that. Then

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Speaker 2: he just did it the one time. I can't believe

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Speaker 2: people took him seriously as a candidate and then he

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Speaker 2: did a big yell.

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Speaker 5: They say that they, you know, played around with the

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Speaker 5: levels that he was didn't even like he actually was

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Speaker 5: not even yelling that loud.

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Speaker 1: It was a builder Berg group. The builder Berg group

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Speaker 1: played with the levels. Yeah, I love those places in

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Speaker 1: the mall. Yes, Builderberg bid. Yeah, no, I took my

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Speaker 1: kid to Builderberg mm hmm, yeah great, he made a

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Speaker 1: great Berg mm hmm. Rob shot. I mean, guess we

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Speaker 1: ran out of time and they enter. I don't know

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Speaker 1: if you said that you were on Survivor as well.

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Speaker 2: Yeah, I said you seen him on TV?

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Speaker 1: Okay, yeah, sorry, that's my fault.

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Speaker 2: I was at a Knicks game once and they put

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Speaker 2: you on the on the have been good seats.

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Speaker 5: I know it was yeah that I had won a

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Speaker 5: contest they win. Uh no, no, sadly, you know that's

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Speaker 5: I mean, ah, ship, I didn't bring it up. Yeah,

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Speaker 5: oh no, wait you brought it up.

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Speaker 2: Well, yeah, the guy was on Survivor damn near almost one.

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Speaker 1: Mm hm and and and the Knicks might have been

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Speaker 1: watching that, can you imagine?

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Speaker 2: Yeah, yeah, yeah, I bet some of the Knicks saw it.

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Speaker 2: Yeah did they put you on?

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Speaker 1: Did they put you on? And say Rob, Yeah, they did.

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Speaker 1: They gave you the banner and everything.

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Speaker 4: I mean, I don't know what was on the telecast.

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Speaker 5: I was just on the jumbo tron in the in

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Speaker 5: the building and I'm assuming it was also broadcast out

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Speaker 5: to the crowd.

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Speaker 2: And they tossed to you and the crab went fucking

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Speaker 2: psycho huh when they saw you in there? Holy ship?

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Speaker 6: Yeah damn, I mean yeah, when the garden was eating right, yeah, yeah, yeah,

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Speaker 6: Marv Albert was was psyched.

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Speaker 2: Now oh yeah, what did Marv say. He was like, hey,

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Speaker 2: probably knows what he's probably said. Yeah, yes, Rom yeah,

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Speaker 2: yeah did you hear it? Did you? Did you?

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Speaker 4: Yeah?

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Speaker 2: Yeah?

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Speaker 1: I remember that game, remembering, I remember Alien Where.

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Speaker 2: Yeah, he started pitching Alien Where computers. He was so

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Speaker 2: fired up seeing you on the jumbo damn dude. Yeah,

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Speaker 2: I'm sorry I didn't work that into the intro. Yeah.

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Speaker 2: What year was that?

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Speaker 4: Oh that was two thousand and three.

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Speaker 2: Mm hmmm, like it was yesterday. Oh yeah, yeah. And so.

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Speaker 1: Rob has taken an unusual path to this show, which

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Speaker 1: is cutting his teeth on the pro version initially and

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Speaker 1: now here we find ourselves on the main feed.

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Speaker 2: Is that unusual? It's an unusual path. I'm trying to

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Speaker 2: remember who has anyone ever? I know we've had proper

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Speaker 2: guests on the main feed who stuck around for the

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Speaker 2: pro version? Kevin?

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Speaker 4: Has anyone else made the leap pro evens.

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Speaker 1: Are our archive this if you could pull out the

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Speaker 1: official compendium, the collected episodes, and.

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Speaker 3: I feel like if anything there's been like.

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Speaker 1: It parts that's it bo really really hard.

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Speaker 2: M hmm.

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Speaker 1: It's it's so quiet.

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Speaker 2: Yeah, why is it quiet like that? Rob? Do you

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Speaker 2: have this problem with any of your engineers and stuff.

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Speaker 2: I don't really hear you talk to your producers engineers.

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Speaker 2: This is a one man band. Yeah, one man band. Uh,

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Speaker 2: pretty much that you know, I have editor symbols, but

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Speaker 2: your knees.

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Speaker 5: Yeah, I mean I kind of feel like, yeah, I've

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Speaker 5: got I've got the engineering kazoo hanging down from.

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Speaker 2: The bill of your hat. Mm hmmm mm hmmm.

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Speaker 1: Yeah, but I've a flat brim hat with the kazoo

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Speaker 1: hanging off m Yeah.

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Speaker 2: I mean that's how you set the tone. Symbols between

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Speaker 2: the knees. Two big symbols in your hands.

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Speaker 4: Yeah.

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Speaker 2: Yeah, elbow's got symbols stuck.

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Speaker 1: To him, playing a little piano in front of you,

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Speaker 1: but your hands are symbols.

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Speaker 4: Yeah, I mean it's not easy.

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Speaker 5: I get caught up in the in the strings constantly

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Speaker 5: with all the chords and everything.

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Speaker 2: This next one's ca the symbol stop. Uh that Yeah,

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Speaker 2: that's impressive. So we do have someone who works for us,

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Speaker 2: but it might as well be a one man band

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Speaker 2: because the way he blows off the archives. Yeah, you

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Speaker 2: could barely fucking hear this shit. Yeah, the dust is

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Speaker 2: thicker than damn shredded cheese on there, big, huge, hunks

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Speaker 2: of it because we can't get the man to blow

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Speaker 2: it off. And I don't know if he has a

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Speaker 2: lung issue. I don't want to like be too hard

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Speaker 2: on him because he might have a medical condition, but

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Speaker 2: it certainly hasn't stopped him from talking a bunch of

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Speaker 2: sucking up a bunch of our episodes, so that I

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Speaker 2: go like, well, what, like how do I connect these

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Speaker 2: two ideas? But anyways, sweet kid, good kid, and I

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Speaker 2: hope he learns how to blow on something for his

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Speaker 2: sake and others.

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Speaker 1: Now, So Rob, Yeah, last time when you did the

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Speaker 1: pro version, we pitch you some reality show ideas. We're

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Speaker 1: gonna do it again. We'll do We'll keep doing it. Yeah,

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Speaker 1: like you to come on.

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Speaker 5: I loved it, and I was like, I've been a

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Speaker 5: little frustrated that we haven't been able to get anything

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Speaker 5: going from the last time. But I guess, yeah, that's

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Speaker 5: it's development hell, especially with COVID.

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Speaker 2: With COVID, Yeah, these studios are moving at a glaciers pace,

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Speaker 2: and you know, uh, I get it. You want to

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Speaker 2: be really certain what you're putting your money behind. And

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Speaker 2: so we're you know, we're in the pitch process. We're

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Speaker 2: in development. I've been looking to make some sizzles for

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Speaker 2: some of the ones that we pitched before, and I

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Speaker 2: remember them all. I won't bring them up, but uh,

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Speaker 2: I do want to say, just as we do to

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Speaker 2: close up talking about your path here. It's really impressive

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Speaker 2: because sometimes we'll pitch a guest. We'll say, like, you know,

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Speaker 2: I was on this guy's podcast, right, I know, and

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Speaker 2: Kevin will say they kind of seem like pro version

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Speaker 2: to me, yeah, which means they're not ready for the

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Speaker 2: main feed. And this is the first time ever, if

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Speaker 2: I'm not mistaken that Kevin said I missed up. This

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Speaker 2: guy's got the goddamn fucking good.

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Speaker 3: Yeah.

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Speaker 2: I said that.

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Speaker 7: I took an l It was I had to make

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Speaker 7: a big apology to the fans and the boys, and

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Speaker 7: I guess this is my apology to you. That was

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Speaker 7: a big no, no, big duke be in the pants.

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Speaker 5: Listen, I apologize, Kevin. I understood the assignment. Okay, Yeah,

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Speaker 5: talk about understanding the assignment.

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Speaker 1: This man understood the assignment. Rob the pro version, yeah.

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Speaker 2: Go on and then go off king be the pro

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Speaker 2: so reality shows. Yeah, we pitched them last time.

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Speaker 1: I did most of the pitching we do want to

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Speaker 1: keep some of my premium pitches behind the paywall, and

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Speaker 1: so this time I will be mostly reacting to some

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Speaker 1: of these pitches. And just so you know, if you'd

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Speaker 1: like to go back listen to the premium pitches, they're

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Speaker 1: still there, they're waiting for you. By this time, I'll

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Speaker 1: be mostly mostly be Hayes reacts.

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Speaker 2: So here's my first one, and there's a lot of

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Speaker 2: you know, these are usually in genre, as you can recognize,

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Speaker 2: but but we're getting a new spin on it. So

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Speaker 2: this one's called bug Makeover. We turn over a stump

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Speaker 2: and get the ugliest, most fucked up looking bug you

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Speaker 2: can imagine. We take this thing down to the studs.

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Speaker 2: Then we turn it into a stud We're going to

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Speaker 2: make this bug so beautiful that you are turned on

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Speaker 2: by what starts out as a truly grotesque creature.

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Speaker 1: Bug Makeover. Okay, are we dismantling? Are we dismantling the bug? First?

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Speaker 1: You were saying that you're we're gonna take it down

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Speaker 1: to the studs. Yeah, is that just like, well, maybe

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Speaker 1: it has to be cleaned off. It's probably dirty.

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Speaker 2: Yeah, Oh god, it's living under a stump, as so

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Speaker 2: many of them do. No judgment, but it's just a fact.

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Speaker 2: If you turn over a big ass stump, there are

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Speaker 2: bugs in there. So what I'm thinking is, yeah, I

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Speaker 2: want to take it apart. Obviously, don't want to remove

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Speaker 2: it's like head or vital organs unless its head looks bad.

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Speaker 2: But because I want the bug to be able to

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Speaker 2: enjoy the new lease on life it's given when we

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Speaker 2: make this thing over, and it can, you know, sort

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Speaker 2: of like flex on some of the people who maybe

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Speaker 2: didn't give it the best treatment and bug yeah school

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Speaker 2: or whatever.

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Speaker 5: So yeah, yeah, I think there's a lot of potential

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Speaker 5: here because I feel like that the whole insect kingdom

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Speaker 5: is set up a lot like the reality TV show

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Speaker 5: World Anyway. It's like, think of a beehive that's like

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Speaker 5: the Bachelorette.

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Speaker 2: There's a queen.

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Speaker 4: Bee, yeah, and I'm gonna I'm the only queen bee here.

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Speaker 4: Everybody's all these.

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Speaker 2: Drones coming to do the bidding of the queen.

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Speaker 5: Yeah, and we find one one bug who is just hideous.

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Speaker 2: Yeah, the bug gotta look like ship man.

353
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Speaker 5: But are we trying to get that that bug to

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Speaker 5: mate with the queen or then that bug is going

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Speaker 5: to be so incredibly attractive that a human will want

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Speaker 5: to then mate with a bug.

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Speaker 1: It's I think it's for the humans to be attracted

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Speaker 1: to the bug.

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Speaker 4: Ideally, it's to make it more appealing to humans. Are

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Speaker 4: we making the bug bigger? Like there was like a

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Speaker 4: part of it.

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Speaker 2: Yeah, because let me because because honey, I blew up

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Speaker 2: the kids. Yeah, yeah, honey, I blew up parts of

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Speaker 2: the body that's big. I p because what I because

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Speaker 2: what I'm thinking is, you know, if we make it

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Speaker 2: more appealing to bugs, bugs still aren't going to watch

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Speaker 2: the show, right, mm hmm. But we make it appealing

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Speaker 2: to humans. Ideally, some humans are watching the show, and

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Speaker 2: that's who buys, right Hyundai's mm hm.

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Speaker 5: We shrinked the people down instead of blowing up the bug,

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Speaker 5: shrink people.

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Speaker 2: Down to the bug. So this is so you've taken

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Speaker 2: the show bug makeover mm hmm, and you've made it

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Speaker 2: people shrinking her.

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Speaker 5: Well that I just don't know how a person I'm

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Speaker 5: thinking about a relationship with within it with an insect

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Speaker 5: that you'll you'll you'll crush it.

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Speaker 2: We're making the we're gonna give the bug actually uh

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Speaker 2: some really strong First of all, a lot of these

380
00:21:33,680 --> 00:21:37,320
Speaker 2: a lot of these bugs look fragile. Yeah, tough, dude.

381
00:21:38,080 --> 00:21:43,760
Speaker 2: They got this exoskeleton. This thing fast too quick as hell.

382
00:21:44,359 --> 00:21:48,240
Speaker 2: Oh yeah, the way they take corners m hm. And

383
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Speaker 2: I'm thinking.

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Speaker 5: Maybe like like like an ant, but maybe we're maybe

385
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Speaker 5: we're talking like like a Huntsman spider or something that's like,

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Speaker 5: you know, got some like size to it.

387
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Speaker 2: It's not an ant an ant. We're all ants are.

388
00:22:00,520 --> 00:22:03,119
Speaker 4: Almost a little cute. The bug I'm talking about.

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Speaker 2: This thing looks like fucking shit. When we find this thing,

390
00:22:07,880 --> 00:22:11,639
Speaker 2: it's so fucked up its own mother don't want to

391
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Speaker 2: give it a kiss and what and it's filling. Step

392
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Speaker 2: one is just clean it off. You ever see those

393
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Speaker 2: like the Dodo videos where they find some cats living

394
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Speaker 2: under a trash can and first they fucking wash it

395
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Speaker 2: and shape they pull it out. God damn man, I

396
00:22:30,200 --> 00:22:31,760
Speaker 2: don't want to see a cat like that. Why are

397
00:22:31,800 --> 00:22:34,240
Speaker 2: you showing me this? But then by the end of

398
00:22:34,280 --> 00:22:37,760
Speaker 2: the video it's like, oh, yeah, you got a date

399
00:22:37,840 --> 00:22:42,240
Speaker 2: with that cat exactly, So this is like that. It's

400
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Speaker 2: not a cat, it's a bug. So we've got a

401
00:22:43,960 --> 00:22:45,840
Speaker 2: little more work to do, but I think we have

402
00:22:45,920 --> 00:22:48,520
Speaker 2: more room to play too, because there's less of a

403
00:22:48,720 --> 00:22:52,800
Speaker 2: you know, platonic ideal version of the cat of a bug.

404
00:22:52,920 --> 00:22:55,680
Speaker 5: Rather, Yeah, it's gonna be a hot Bug summer.

405
00:22:58,119 --> 00:22:59,960
Speaker 1: Yeah, Yeah, I don't.

406
00:23:00,040 --> 00:23:03,560
Speaker 8: I'd like i'd seen a fall premiere ideally, Yeah, I

407
00:23:03,560 --> 00:23:05,640
Speaker 8: don't think we want to get buried in the summer

408
00:23:06,000 --> 00:23:06,480
Speaker 8: with this.

409
00:23:07,080 --> 00:23:07,240
Speaker 6: Yeah.

410
00:23:07,320 --> 00:23:11,080
Speaker 2: That feels like we're getting burned off. Although with streaming now,

411
00:23:11,160 --> 00:23:13,439
Speaker 2: I don't think the seasons are as important.

412
00:23:13,960 --> 00:23:17,919
Speaker 1: Yeah, but by awards, the award cycle hasn't changed, you know,

413
00:23:18,359 --> 00:23:21,639
Speaker 1: like you still like you want it to be fresh

414
00:23:21,680 --> 00:23:23,360
Speaker 1: by the time the screeners come out, by the time

415
00:23:23,560 --> 00:23:28,640
Speaker 1: voting actually happens. That's like February March. If we premiere

416
00:23:28,640 --> 00:23:32,920
Speaker 1: in the summer, people will send will send the Hot

417
00:23:32,960 --> 00:23:35,960
Speaker 1: Bug to like a Globes party and people be like,

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00:23:36,000 --> 00:23:37,640
Speaker 1: oh yeah, I sort of remember.

419
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Speaker 4: Oh right, were you not nominated last year?

420
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Speaker 2: And it's like, well, we were in eligible last year,

421
00:23:42,720 --> 00:23:45,159
Speaker 2: and it's like, so, yeah, if it's going to be

422
00:23:46,040 --> 00:23:47,840
Speaker 2: if it's June, we're gonna they're gonna have if they

423
00:23:47,920 --> 00:23:51,200
Speaker 2: drop the whole season at once, maybe, but ideally this

424
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Speaker 2: one where we're doing one or two a week to

425
00:23:53,000 --> 00:23:55,679
Speaker 2: get people invested in the story. Now, my questions for

426
00:23:55,760 --> 00:24:02,359
Speaker 2: you really are host ideas who were bringing in And oh, so.

427
00:24:03,720 --> 00:24:08,280
Speaker 1: The stever wind have more family members you think he

428
00:24:08,359 --> 00:24:10,960
Speaker 1: has to, right, I know there's at least the the

429
00:24:11,240 --> 00:24:14,600
Speaker 1: like a couple kids, is his like maybe his mom

430
00:24:14,760 --> 00:24:19,080
Speaker 1: still around or something like that, like mm hmmm, because

431
00:24:19,119 --> 00:24:20,359
Speaker 1: the kids will not do this.

432
00:24:20,640 --> 00:24:24,080
Speaker 2: They're young, and they've got everything in front of them,

433
00:24:24,200 --> 00:24:26,919
Speaker 2: and they're already working a lot with other animals. But

434
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Speaker 2: Jolie Steve Irwin's mom might be willing to get down

435
00:24:30,920 --> 00:24:34,560
Speaker 2: under that stump with us and pull out this bug.

436
00:24:35,240 --> 00:24:37,679
Speaker 1: We need something to we need something to get this

437
00:24:37,800 --> 00:24:39,879
Speaker 1: stump out too, probably yep.

438
00:24:40,640 --> 00:24:43,520
Speaker 2: Oh yeah, that was another question. How the fuck do

439
00:24:43,600 --> 00:24:46,520
Speaker 2: you move these stumps? I've been leaning on these things.

440
00:24:46,560 --> 00:24:49,720
Speaker 2: I would I was out in the woods earlier this morning. Yeah,

441
00:24:50,119 --> 00:24:57,520
Speaker 2: they won't budge solid. Yeah, so you know, do you,

442
00:24:57,640 --> 00:25:00,240
Speaker 2: like you've been on reality TV? What are they do

443
00:25:00,359 --> 00:25:01,160
Speaker 2: with the stumps?

444
00:25:02,200 --> 00:25:04,399
Speaker 5: I think that a lot of times, uh, you just

445
00:25:04,440 --> 00:25:06,919
Speaker 5: have to leave the stump and you need uh somebody

446
00:25:07,000 --> 00:25:08,399
Speaker 5: to come in and.

447
00:25:08,119 --> 00:25:10,840
Speaker 4: And grind down the stumps.

448
00:25:10,880 --> 00:25:13,239
Speaker 5: And maybe that's like part of like the you know,

449
00:25:13,359 --> 00:25:16,760
Speaker 5: this is like a very like uh you know, titillating

450
00:25:16,880 --> 00:25:19,960
Speaker 5: show that maybe we're we'll talk about the stump grinding

451
00:25:20,240 --> 00:25:24,640
Speaker 5: in sort of like a jokey way.

452
00:25:23,880 --> 00:25:28,600
Speaker 2: Okay, yeah, right right, right, right right, So.

453
00:25:28,720 --> 00:25:32,320
Speaker 5: Like he's about to stump and grind. Maybe he's a

454
00:25:32,320 --> 00:25:33,520
Speaker 5: bed bug now.

455
00:25:33,760 --> 00:25:36,320
Speaker 2: Yeah, I don't see nothing wrong with a little stumping grind.

456
00:25:36,400 --> 00:25:41,520
Speaker 2: M m mm hmmm. Yeah, a bed bug. Oh they're

457
00:25:41,560 --> 00:25:43,160
Speaker 2: trying to bed this bug?

458
00:25:43,359 --> 00:25:48,000
Speaker 5: Yeah, I mean I think Nicole Buyer seems like, uh,

459
00:25:48,040 --> 00:25:48,640
Speaker 5: a natural.

460
00:25:49,880 --> 00:25:53,520
Speaker 2: She won't do it. She'd be amazing she will, she

461
00:25:53,560 --> 00:25:57,720
Speaker 2: would ye, such a good idea. It seems like our

462
00:25:57,800 --> 00:26:04,600
Speaker 2: hosting pool is gonna skew older m m not Hume

463
00:26:04,680 --> 00:26:10,000
Speaker 2: Cronin won't do it, But who's our Hume Cronin? So

464
00:26:10,000 --> 00:26:13,080
Speaker 2: so that's so. Then my other thing with bug makeover,

465
00:26:13,240 --> 00:26:17,160
Speaker 2: which I think we have probably a hit on our hands. Yeah,

466
00:26:17,320 --> 00:26:21,520
Speaker 2: is it one season long story of a bug? Or

467
00:26:21,520 --> 00:26:25,000
Speaker 2: are we going to try to do a bug every episode? Yeah?

468
00:26:25,000 --> 00:26:26,960
Speaker 5: I think it's a bug every episode, because I mean

469
00:26:27,240 --> 00:26:29,280
Speaker 5: that what are you going to follow on the week

470
00:26:29,320 --> 00:26:29,680
Speaker 5: to week?

471
00:26:30,880 --> 00:26:32,840
Speaker 1: We don't know how many the issues, We don't know

472
00:26:32,880 --> 00:26:34,800
Speaker 1: how many bugs are under the stump.

473
00:26:34,480 --> 00:26:35,520
Speaker 2: Where I can't move it.

474
00:26:36,200 --> 00:26:40,280
Speaker 1: Yeah, we're yelling in there we're kind of like setting

475
00:26:40,320 --> 00:26:42,240
Speaker 1: some of the deal terms and stuff by just like

476
00:26:43,760 --> 00:26:46,880
Speaker 1: just yelling really loud and like hoping that they're whoever,

477
00:26:47,080 --> 00:26:49,840
Speaker 1: Like I can't tell you.

478
00:26:51,359 --> 00:26:53,640
Speaker 2: Yeah, I put I put on a pair of sambas

479
00:26:53,680 --> 00:26:55,520
Speaker 2: and I did like a running flying kick.

480
00:26:56,680 --> 00:26:57,240
Speaker 4: Did it work?

481
00:26:59,520 --> 00:27:05,000
Speaker 1: Rob it not? Or heed? He kind of he kind

482
00:27:05,000 --> 00:27:09,000
Speaker 1: of land stop the top of the stump.

483
00:27:10,240 --> 00:27:11,480
Speaker 2: And that's my shin.

484
00:27:11,960 --> 00:27:14,640
Speaker 1: Scraped his shin and it's on the edge of like

485
00:27:14,960 --> 00:27:17,439
Speaker 1: there's like a big incline on the other side of

486
00:27:17,440 --> 00:27:17,840
Speaker 1: the stump.

487
00:27:17,880 --> 00:27:21,080
Speaker 2: And I went rolling down the crack. All the way down,

488
00:27:21,320 --> 00:27:24,560
Speaker 2: I got really much. I got pinched by some crowd

489
00:27:24,640 --> 00:27:29,679
Speaker 2: ads that were crawling around in the crack. Yeah, and

490
00:27:29,760 --> 00:27:32,280
Speaker 2: I thought, is this the bug? You know? But I

491
00:27:32,280 --> 00:27:37,200
Speaker 2: think they're they are ugly, Yeah, yeah, yeah yeah.

492
00:27:37,119 --> 00:27:37,600
Speaker 4: More like.

493
00:27:39,240 --> 00:27:41,359
Speaker 2: Yeah, what what did you say?

494
00:27:41,680 --> 00:27:47,040
Speaker 1: More like a crawd daddy now across across addy, Yes,

495
00:27:47,240 --> 00:27:53,000
Speaker 1: cross Addy. That that's really strong. So okay, So you've

496
00:27:53,000 --> 00:27:56,479
Speaker 1: got some good kind of bantery ideas. It's feeling a

497
00:27:56,520 --> 00:28:01,879
Speaker 1: little like like maybe the host needs to be sort

498
00:28:01,880 --> 00:28:05,280
Speaker 1: of the circle type narrator. Yeah, Like Michelle Buteau would

499
00:28:05,280 --> 00:28:07,720
Speaker 1: come in and just after the fact, after Everything's film

500
00:28:07,760 --> 00:28:10,840
Speaker 1: would just have like a more of a cras addy

501
00:28:11,000 --> 00:28:15,919
Speaker 1: type line, So we maybe we need someone sassy. And

502
00:28:15,960 --> 00:28:18,800
Speaker 1: also if it's just v oh, we may be able

503
00:28:18,840 --> 00:28:20,239
Speaker 1: to broaden our net. We may be able to get

504
00:28:20,280 --> 00:28:22,439
Speaker 1: someone a little bit younger, don't have to.

505
00:28:22,440 --> 00:28:23,040
Speaker 4: Be on location.

506
00:28:23,520 --> 00:28:29,440
Speaker 2: Yeah yeah, maybe someone really young, right, like a little kid,

507
00:28:29,520 --> 00:28:33,760
Speaker 2: because yeah, kids love bugs. Yeah yeah, I wasn't even

508
00:28:33,800 --> 00:28:39,080
Speaker 2: thinking about that. Kids really love bugs. So so maybe

509
00:28:39,080 --> 00:28:42,080
Speaker 2: the whole show is for kids. They probably know how

510
00:28:42,080 --> 00:28:43,040
Speaker 2: to get under that stump.

511
00:28:43,160 --> 00:28:43,360
Speaker 7: Huh.

512
00:28:43,360 --> 00:28:45,200
Speaker 2: They could just wiggle around, They.

513
00:28:45,080 --> 00:28:47,040
Speaker 4: Could probably fit their fingers it.

514
00:28:47,160 --> 00:28:49,240
Speaker 2: Yeah, yeah, h mm hmm.

515
00:28:55,120 --> 00:28:56,400
Speaker 1: What's the next show?

516
00:28:56,800 --> 00:29:00,440
Speaker 2: Okay, this one is a little more It's not quite

517
00:29:01,720 --> 00:29:07,360
Speaker 2: a prank show, but it's closer to that genre. It's

518
00:29:07,400 --> 00:29:09,560
Speaker 2: maybe hopefully a little bit I was gonna say a

519
00:29:09,600 --> 00:29:12,200
Speaker 2: little bit funnier, but actually you've made bug Makeover pretty

520
00:29:12,200 --> 00:29:15,720
Speaker 2: funny with the cross addy and some of the bedbug stuff.

521
00:29:15,840 --> 00:29:16,959
Speaker 4: Yeah, can't help it.

522
00:29:17,400 --> 00:29:17,800
Speaker 7: Uh.

523
00:29:17,840 --> 00:29:22,680
Speaker 2: So this one's called Escape from the Bathroom. We lock

524
00:29:22,960 --> 00:29:29,120
Speaker 2: unsuspected civilians inside a public restroom. Yeah, from the outside,

525
00:29:29,440 --> 00:29:32,240
Speaker 2: and we see we've got cameras in there. I guess

526
00:29:32,680 --> 00:29:34,920
Speaker 2: is it probably is it a problem to have cameras

527
00:29:34,920 --> 00:29:37,160
Speaker 2: in the bathroom that they don't know about.

528
00:29:37,440 --> 00:29:38,280
Speaker 4: Well at any rate.

529
00:29:40,040 --> 00:29:42,200
Speaker 5: So they come out of the stall, like the camera

530
00:29:42,200 --> 00:29:44,320
Speaker 5: doesn't need to be in the stall, okay.

531
00:29:44,960 --> 00:29:47,880
Speaker 2: Thank you. So so when they come out of the

532
00:29:47,920 --> 00:29:49,520
Speaker 2: stall basically, or.

533
00:29:49,480 --> 00:29:51,520
Speaker 1: It could be really dark in the stall, maybe so

534
00:29:51,560 --> 00:29:54,320
Speaker 1: we have a camera in there, but you can't like but.

535
00:29:54,280 --> 00:29:57,040
Speaker 2: It's like blurry and the cameras like not very good.

536
00:29:59,440 --> 00:30:01,360
Speaker 2: Guess we're going to want a camera in that stall.

537
00:30:01,840 --> 00:30:04,240
Speaker 1: Yeah, as you were saying, like, don't put a camera

538
00:30:04,240 --> 00:30:07,200
Speaker 1: in there, I was coming, but maybe a micro should Yeah.

539
00:30:08,920 --> 00:30:11,520
Speaker 2: Maybe get it. But we just basically see how long

540
00:30:11,560 --> 00:30:13,920
Speaker 2: it takes them to get out of that thing. Mm hmm.

541
00:30:14,400 --> 00:30:16,000
Speaker 4: Okay, is there a prize?

542
00:30:16,080 --> 00:30:16,360
Speaker 2: Is there?

543
00:30:16,400 --> 00:30:18,840
Speaker 5: Like it's like American Ninja Warrior of like, how who

544
00:30:18,840 --> 00:30:20,960
Speaker 5: can get out of the bathroom the fastest.

545
00:30:22,760 --> 00:30:23,200
Speaker 2: It is?

546
00:30:24,240 --> 00:30:30,280
Speaker 5: Well, go ahead, there's water. Yeah, we started to back

547
00:30:30,360 --> 00:30:35,000
Speaker 5: up the toilets. Yeah, so that water is rising well

548
00:30:35,200 --> 00:30:37,280
Speaker 5: and from the sink. That's kind of a prize. There's

549
00:30:37,320 --> 00:30:41,320
Speaker 5: water comes out of the sink of a bathroom. I'm free.

550
00:30:42,120 --> 00:30:45,520
Speaker 1: Uh one issue that I'm I'm curious about the format,

551
00:30:45,520 --> 00:30:47,560
Speaker 1: but I am worried about you know, there's like a

552
00:30:48,120 --> 00:30:51,280
Speaker 1: crew and it's got to be like Union. The crew

553
00:30:51,360 --> 00:30:54,880
Speaker 1: is going to have to use the bathroom mm hmmm

554
00:30:55,360 --> 00:30:57,400
Speaker 1: at times. So how are they going to like get

555
00:30:57,440 --> 00:31:02,480
Speaker 1: in and out without really leasing the contestant?

556
00:31:04,720 --> 00:31:07,800
Speaker 2: Huh. So this is why I bring this stuff to

557
00:31:07,840 --> 00:31:10,240
Speaker 2: you guys, because I don't I haven't actually thought about

558
00:31:10,280 --> 00:31:13,400
Speaker 2: all this. Yeah. I just thought the idea of, like,

559
00:31:14,040 --> 00:31:19,960
Speaker 2: imagine the thrill of using a bathroom, going to leave,

560
00:31:20,520 --> 00:31:24,760
Speaker 2: realizing you are trapped inside this bathroom public restroom too.

561
00:31:24,800 --> 00:31:29,000
Speaker 2: You don't know what's going on, and how I Like

562
00:31:29,040 --> 00:31:31,200
Speaker 2: you asked me if there's a prize? I go, well,

563
00:31:31,240 --> 00:31:33,800
Speaker 2: is there any greater prize than the feeling of accomplishment

564
00:31:33,880 --> 00:31:38,840
Speaker 2: you would have? Yeah, after you somehow escape from a

565
00:31:38,880 --> 00:31:41,680
Speaker 2: public bathroom, you've been locked in against your will?

566
00:31:43,480 --> 00:31:46,480
Speaker 1: And so do they Is there someone to tell them

567
00:31:46,560 --> 00:31:49,320
Speaker 1: that it was a show or they just never know?

568
00:31:51,040 --> 00:31:53,400
Speaker 4: Uh, you know, I haven't worked it out.

569
00:31:53,480 --> 00:31:58,320
Speaker 2: I was thinking, why ruin it for these people go like, oh,

570
00:31:58,440 --> 00:32:00,320
Speaker 2: it's just some part of some TV show when they're

571
00:32:00,320 --> 00:32:03,560
Speaker 2: probably going to be feeling pretty cool by the time

572
00:32:03,600 --> 00:32:04,360
Speaker 2: they get out, so.

573
00:32:04,320 --> 00:32:06,000
Speaker 4: They never even know that they were on TV.

574
00:32:06,440 --> 00:32:11,400
Speaker 2: Just let them walk off. I mean, if they're watching it. Yeah,

575
00:32:11,680 --> 00:32:14,800
Speaker 2: but I'm also thinking we don't even need to air

576
00:32:14,880 --> 00:32:17,680
Speaker 2: this thing. Let's just get some cameras in the bathroom,

577
00:32:18,440 --> 00:32:21,880
Speaker 2: let's lock some doors. See what we end up with.

578
00:32:22,320 --> 00:32:24,960
Speaker 2: This one's pretty low budge, And as Hayes pointed out,

579
00:32:25,000 --> 00:32:27,200
Speaker 2: we're probably gonna have to minimize the crew because otherwise

580
00:32:27,240 --> 00:32:29,160
Speaker 2: they're gonna be whining all day about can't you use

581
00:32:29,160 --> 00:32:30,640
Speaker 2: the bathroom? Mm hmm.

582
00:32:32,920 --> 00:32:37,400
Speaker 4: Maybe we find some crew members who are a little

583
00:32:37,520 --> 00:32:40,760
Speaker 4: more flexible about where.

584
00:32:40,600 --> 00:32:44,680
Speaker 2: They're willing to go, you know, and so that you know,

585
00:32:45,000 --> 00:32:49,200
Speaker 2: but we we get a pretty pared down a last

586
00:32:49,480 --> 00:32:54,200
Speaker 2: squad of people, cause a couple of cameras in some

587
00:32:54,280 --> 00:32:56,840
Speaker 2: public bathrooms, throw a padlock on the outside of the

588
00:32:56,880 --> 00:32:59,720
Speaker 2: door when we see someone go in. Just see what

589
00:32:59,760 --> 00:33:01,080
Speaker 2: we get it? Right?

590
00:33:01,520 --> 00:33:01,960
Speaker 4: Yeah?

591
00:33:02,720 --> 00:33:04,920
Speaker 1: Now, does this is this I don't know if this

592
00:33:05,000 --> 00:33:07,440
Speaker 1: is related or not, but like the fact that this

593
00:33:07,600 --> 00:33:11,479
Speaker 1: happened to you me, Yeah, is that just like a

594
00:33:11,480 --> 00:33:14,600
Speaker 1: coincidence that like this is the idea or like, is

595
00:33:14,640 --> 00:33:18,120
Speaker 1: it related to to the fact that you had this

596
00:33:18,960 --> 00:33:21,640
Speaker 1: exact in.

597
00:33:22,080 --> 00:33:24,320
Speaker 2: The day of my life?

598
00:33:25,040 --> 00:33:25,840
Speaker 4: How did you get out?

599
00:33:27,280 --> 00:33:31,240
Speaker 2: I cried? Yeah, I cried, so loud that somebody set

600
00:33:31,280 --> 00:33:35,160
Speaker 2: security mm hmmm, and they they had like a saw

601
00:33:36,080 --> 00:33:36,800
Speaker 2: mm hmmm.

602
00:33:40,040 --> 00:33:43,800
Speaker 1: Yeah, special bathroom saw. They had a bathroom saw, and

603
00:33:43,960 --> 00:33:46,120
Speaker 1: it is something that would happen in the saw franchise.

604
00:33:46,360 --> 00:33:47,800
Speaker 4: Yeah, mm hmm.

605
00:33:49,320 --> 00:33:52,960
Speaker 2: Yeah, I cried and then uh yeah, somebody finally heard

606
00:33:52,960 --> 00:33:56,080
Speaker 2: me crying, you know. And it's it's a little unfair

607
00:33:56,080 --> 00:33:57,880
Speaker 2: to say that this happened to me. This would be

608
00:33:57,920 --> 00:34:00,000
Speaker 2: someone locking it from the outside. I had actually locked

609
00:34:00,120 --> 00:34:01,840
Speaker 2: from the inside and then I guess it was just

610
00:34:01,880 --> 00:34:04,720
Speaker 2: sort of slippery and my hands were wet, so I

611
00:34:04,720 --> 00:34:07,200
Speaker 2: couldn't get it unlocked. I gave up pretty fast and

612
00:34:07,240 --> 00:34:10,440
Speaker 2: then just started started screaming and crying.

613
00:34:11,040 --> 00:34:11,439
Speaker 4: Mm hmm.

614
00:34:11,800 --> 00:34:14,120
Speaker 2: But they got in there with that bathroom saw pretty quick,

615
00:34:14,160 --> 00:34:16,479
Speaker 2: which again was so loud it made me cry even more.

616
00:34:17,239 --> 00:34:20,799
Speaker 5: Um, I'm surprised you didn't drop kick the door like

617
00:34:20,840 --> 00:34:22,080
Speaker 5: you did to the tree stump.

618
00:34:22,600 --> 00:34:27,560
Speaker 2: I didn't have my sambas on hmmm, did not have

619
00:34:27,880 --> 00:34:30,440
Speaker 2: my sambas on, so there was no way for me

620
00:34:30,520 --> 00:34:31,560
Speaker 2: to really do it.

621
00:34:33,440 --> 00:34:37,200
Speaker 1: The bathroom saw was giving a very loud noise. Yeah,

622
00:34:37,440 --> 00:34:42,320
Speaker 1: oh yeah, it was. The bathroom saw was giving loud noise.

623
00:34:43,680 --> 00:34:48,120
Speaker 2: It's true. And I'll say when I calmed down afterwards,

624
00:34:48,360 --> 00:34:53,279
Speaker 2: and once I sort of toweled off and everything, I

625
00:34:53,400 --> 00:34:58,440
Speaker 2: felt so elated. First of all, I appreciated all these things,

626
00:34:58,480 --> 00:35:01,520
Speaker 2: these little things that we take for grant. Yeah, right,

627
00:35:01,800 --> 00:35:06,800
Speaker 2: not being in a bathroom, right, being outside, not having

628
00:35:06,800 --> 00:35:09,840
Speaker 2: a loud, scary saw really close to you, all this

629
00:35:09,960 --> 00:35:12,880
Speaker 2: stuff that, you know, I walk around and I just think, like,

630
00:35:13,239 --> 00:35:14,200
Speaker 2: this is normal life.

631
00:35:14,320 --> 00:35:14,640
Speaker 1: Now.

632
00:35:14,680 --> 00:35:19,000
Speaker 2: I really was looking at that with fresh eyes, and so,

633
00:35:19,520 --> 00:35:21,360
Speaker 2: you know, it was a very powerful experience for me.

634
00:35:21,400 --> 00:35:23,759
Speaker 2: And I'd like to share that with others. And if

635
00:35:23,800 --> 00:35:26,000
Speaker 2: we make a dollar and a cent along the way,

636
00:35:26,600 --> 00:35:27,799
Speaker 2: that's not a bad thing.

637
00:35:29,080 --> 00:35:32,840
Speaker 5: Yeah, so many people will be like trying to chase

638
00:35:32,920 --> 00:35:35,000
Speaker 5: that for the rest of their days, that feeling when

639
00:35:35,040 --> 00:35:36,759
Speaker 5: they first got out of the bathroom, like how do

640
00:35:36,800 --> 00:35:37,399
Speaker 5: I cap shut?

641
00:35:37,600 --> 00:35:38,680
Speaker 4: And you can't bottle that?

642
00:35:39,520 --> 00:35:40,200
Speaker 2: Mm mm hmmm.

643
00:35:41,000 --> 00:35:44,640
Speaker 1: It's childbirth, really, childbirth is the first bathroom.

644
00:35:45,040 --> 00:35:47,920
Speaker 2: Escape from the bathroom, first escape from the bathroom, not

645
00:35:48,040 --> 00:35:50,200
Speaker 2: to escape from the bathroom. And we can move on to.

646
00:35:50,160 --> 00:35:52,120
Speaker 1: The do they go to the do they go to

647
00:35:52,160 --> 00:35:52,640
Speaker 1: the bathroom?

648
00:35:52,719 --> 00:36:00,799
Speaker 2: Ember? Is there in there long enough? Babies? Yeah? They go,

649
00:36:03,719 --> 00:36:07,799
Speaker 2: Yeah they do. Yeah, they have to they have to.

650
00:36:07,920 --> 00:36:10,839
Speaker 1: They have to whether like as soon as they come out,

651
00:36:11,080 --> 00:36:13,640
Speaker 1: now they go to the bathroom. No, it makes no sense.

652
00:36:13,719 --> 00:36:17,719
Speaker 2: It must be they do it in there. Yeah, they

653
00:36:17,760 --> 00:36:21,440
Speaker 2: swim in it. Wow, and they like it.

654
00:36:22,160 --> 00:36:24,680
Speaker 4: Yeah, it doesn't bother them.

655
00:36:24,840 --> 00:36:27,560
Speaker 2: No, they love it. Mm hmm. There's a lesson in

656
00:36:27,600 --> 00:36:28,240
Speaker 2: there somewhere.

657
00:36:28,600 --> 00:36:29,960
Speaker 4: Mm hmmm, mm hmm.

658
00:36:31,120 --> 00:36:33,000
Speaker 1: I want to know. I know Kevin has a reality

659
00:36:33,040 --> 00:36:34,760
Speaker 1: show idea. I don't want him to be like sitting

660
00:36:34,800 --> 00:36:38,000
Speaker 1: here wonderful whether or not he's going to give it.

661
00:36:38,000 --> 00:36:39,759
Speaker 1: So I guess we can just decide now whether or

662
00:36:39,760 --> 00:36:42,799
Speaker 1: not he will get to do his idea. And if

663
00:36:42,800 --> 00:36:44,200
Speaker 1: he's if we're not going to get to him, you

664
00:36:44,200 --> 00:36:46,759
Speaker 1: have a bunch more and like if we're not going

665
00:36:46,800 --> 00:36:48,160
Speaker 1: to get to him, he can just go lie down

666
00:36:48,160 --> 00:36:48,680
Speaker 1: in the back.

667
00:36:49,239 --> 00:36:52,120
Speaker 2: I have three more. I'm gonna say, nothing is going

668
00:36:52,200 --> 00:36:56,000
Speaker 2: to be as good as Buck Makeover. Okay, but we

669
00:36:56,320 --> 00:36:58,359
Speaker 2: but I do have three more ideas.

670
00:36:58,600 --> 00:37:00,839
Speaker 1: That's why we have this time you now, as Bug

671
00:37:00,880 --> 00:37:05,560
Speaker 1: Makeover was so later, I mean like had so many

672
00:37:05,719 --> 00:37:07,240
Speaker 1: facets for us to examine.

673
00:37:07,680 --> 00:37:10,399
Speaker 2: No, that one and we didn't even talk about where

674
00:37:10,440 --> 00:37:13,000
Speaker 2: that should live, Like what the right network is for

675
00:37:13,080 --> 00:37:13,880
Speaker 2: bug makeover.

676
00:37:16,160 --> 00:37:18,680
Speaker 3: If it helps to know, my pitch is very long.

677
00:37:19,920 --> 00:37:22,880
Speaker 4: Okay, okay, so that's making me feel like we're not

678
00:37:22,920 --> 00:37:23,440
Speaker 4: going to hear it.

679
00:37:23,880 --> 00:37:27,239
Speaker 2: Mm hmm. Yeah, so you could just go right down

680
00:37:27,280 --> 00:37:32,120
Speaker 2: and you're the guest dr. Yeah.

681
00:37:32,160 --> 00:37:36,520
Speaker 3: Sure, Well it's called No, that's not how that went.

682
00:37:37,360 --> 00:37:39,680
Speaker 3: And it's basically a big race with a lot of

683
00:37:39,760 --> 00:37:42,840
Speaker 3: details that I wrote out. Now, if you're interested, I

684
00:37:42,880 --> 00:37:46,000
Speaker 3: can share it. But if you're not that we can

685
00:37:46,040 --> 00:37:47,080
Speaker 3: listen to Sean's too.

686
00:37:47,600 --> 00:37:56,319
Speaker 2: A big race. It's a it's a race, okay. Or

687
00:37:56,360 --> 00:37:57,040
Speaker 2: we could do this.

688
00:37:57,440 --> 00:37:59,840
Speaker 3: I could just talk until you guys are no on

689
00:38:00,080 --> 00:38:01,920
Speaker 3: we're interested, and then we could just stop.

690
00:38:03,480 --> 00:38:06,240
Speaker 1: Well, I guess, and why is why is the title?

691
00:38:07,600 --> 00:38:11,560
Speaker 2: It's part of the description Okay.

692
00:38:11,120 --> 00:38:13,400
Speaker 1: Okay, So I cannot hear just why it's called that.

693
00:38:13,480 --> 00:38:14,919
Speaker 1: I have to hear the entire thing.

694
00:38:15,520 --> 00:38:16,920
Speaker 4: You know, that's not how that happened.

695
00:38:16,960 --> 00:38:20,520
Speaker 2: That makes me think it's almost like a Rashamon reality show.

696
00:38:20,960 --> 00:38:22,879
Speaker 4: You see everybody's perspective mm hmm.

697
00:38:23,160 --> 00:38:29,759
Speaker 2: And maybe Kevin thought Rashamon was pronounced racer man, so

698
00:38:30,520 --> 00:38:32,319
Speaker 2: he the whole time has been like why don't we

699
00:38:32,360 --> 00:38:34,560
Speaker 2: do Why have I never seen a racer man type

700
00:38:34,600 --> 00:38:37,640
Speaker 2: show about one of these races where everyone thinks something

701
00:38:37,680 --> 00:38:39,040
Speaker 2: different happened in the race.

702
00:38:40,920 --> 00:38:44,520
Speaker 1: Okay, I don't think I need to hear the rest,

703
00:38:45,880 --> 00:38:47,920
Speaker 1: like do you does anyone else?

704
00:38:48,360 --> 00:38:51,680
Speaker 2: We can move through my other ideas too, Yeah, let's

705
00:38:51,719 --> 00:38:54,160
Speaker 2: do it this one. I mean you might want to

706
00:38:54,200 --> 00:38:56,560
Speaker 2: just hear and then move on immediately. So this one,

707
00:38:56,600 --> 00:38:59,920
Speaker 2: I don't really have a the titles of working to

708
00:39:00,280 --> 00:39:03,480
Speaker 2: especially I know you, Rob, and I listen to your

709
00:39:04,760 --> 00:39:06,359
Speaker 2: a lot of your shows a lot, and you don't

710
00:39:06,360 --> 00:39:10,799
Speaker 2: really that is work. And this this show even the

711
00:39:10,840 --> 00:39:13,160
Speaker 2: title I think you wouldn't probably want to be associated

712
00:39:13,200 --> 00:39:16,480
Speaker 2: with it. But working title right now, it's called ski Fuckers.

713
00:39:17,000 --> 00:39:22,479
Speaker 2: So this is young newlyweds attempt to make love while

714
00:39:22,520 --> 00:39:27,000
Speaker 2: skiing down a double black dieve and if either party

715
00:39:27,120 --> 00:39:31,480
Speaker 2: fails to bust, they do not receive their cash prize

716
00:39:32,000 --> 00:39:33,600
Speaker 2: at the end of the at the end of the

717
00:39:33,640 --> 00:39:36,319
Speaker 2: ski slope.

718
00:39:36,719 --> 00:39:38,640
Speaker 4: Yeah, and it is important.

719
00:39:39,000 --> 00:39:41,839
Speaker 5: Yeah, so this is also then if this is uh

720
00:39:42,160 --> 00:39:46,000
Speaker 5: a heterosexual couple, the woman has to reach orgasm.

721
00:39:46,080 --> 00:39:49,880
Speaker 2: Also that That's what I'm saying. And and what I

722
00:39:49,920 --> 00:39:54,279
Speaker 2: want to tell you, Rob is I will know you

723
00:39:54,400 --> 00:39:57,279
Speaker 2: can't fool me. So I think some people probably hear

724
00:39:57,320 --> 00:39:59,960
Speaker 2: this going, oh, I'll go on that show. I'll trick him.

725
00:40:00,480 --> 00:40:04,440
Speaker 2: I am not going to be tricked. I will know

726
00:40:04,800 --> 00:40:10,799
Speaker 2: if you really busted or not. So don't don't embarrass

727
00:40:10,920 --> 00:40:15,280
Speaker 2: yourself and your family by trying to go on ski

728
00:40:15,440 --> 00:40:22,279
Speaker 2: fuckers and fool me by faking. I hate like and

729
00:40:22,320 --> 00:40:25,880
Speaker 2: I hate fakers, So don't try to do that to me.

730
00:40:26,200 --> 00:40:29,320
Speaker 2: You're not doing yourself any favors if you want to

731
00:40:29,360 --> 00:40:30,840
Speaker 2: go on the show because you want to try to

732
00:40:30,880 --> 00:40:36,960
Speaker 2: ski down a double black diamond with your newly wetted whatever, Yeah,

733
00:40:37,880 --> 00:40:39,480
Speaker 2: and see if you can figure out a way to

734
00:40:39,560 --> 00:40:43,279
Speaker 2: like both kind of get there. And you gotta be

735
00:40:43,320 --> 00:40:45,640
Speaker 2: going kind of fast too, none of this doing the

736
00:40:45,880 --> 00:40:49,279
Speaker 2: doing the pizza slice style with your skis spread out

737
00:40:49,320 --> 00:40:51,040
Speaker 2: the whole time, going slow.

738
00:40:51,880 --> 00:40:53,920
Speaker 1: Because they'll wash up and give them a little nudge

739
00:40:53,920 --> 00:40:56,080
Speaker 1: with your foot or if they're going really slow, doude

740
00:40:56,120 --> 00:40:58,359
Speaker 1: flying kick with your sabas mm hmm.

741
00:41:00,840 --> 00:41:03,840
Speaker 5: So that's so that's one that's available. So this is

742
00:41:03,920 --> 00:41:07,000
Speaker 5: just I mean, who wouldn't watch that at least once?

743
00:41:08,040 --> 00:41:10,920
Speaker 2: Right, you'd have to check out because I because you know,

744
00:41:11,040 --> 00:41:13,319
Speaker 2: like people like this naked and afraid. I don't want

745
00:41:13,360 --> 00:41:16,040
Speaker 2: them to be afraid. How about naked having fun.

746
00:41:15,880 --> 00:41:21,359
Speaker 8: With you naked it horny and having fun with your.

747
00:41:21,280 --> 00:41:25,040
Speaker 5: Partner, and that they're gonna be wearing ski clothes also,

748
00:41:25,120 --> 00:41:27,360
Speaker 5: I think that that's gonna They're not gonna hurtake it.

749
00:41:27,400 --> 00:41:29,240
Speaker 4: They'll get at first.

750
00:41:29,400 --> 00:41:34,000
Speaker 2: Yeah, they'll have ski clothes. But you know, mm hmm,

751
00:41:34,560 --> 00:41:37,040
Speaker 2: as you get going, maybe so maybe you know you

752
00:41:37,120 --> 00:41:40,000
Speaker 2: heat up, you're not as worried about it. But this

753
00:41:40,040 --> 00:41:42,200
Speaker 2: is all stuff that can get worked out. I think

754
00:41:42,440 --> 00:41:45,520
Speaker 2: this one probably we don't have a host question. I'm

755
00:41:45,560 --> 00:41:48,000
Speaker 2: gonna host because I'm the only person who I'm certain

756
00:41:48,040 --> 00:41:52,120
Speaker 2: will be able to test. Yes, I will know if

757
00:41:52,160 --> 00:41:56,080
Speaker 2: you're trying to trick me. I'm not even gonna say

758
00:41:56,120 --> 00:41:57,600
Speaker 2: you have to wake up pretty early in the morning.

759
00:41:57,680 --> 00:42:00,839
Speaker 2: It does not matter when you wake up, you will

760
00:42:00,880 --> 00:42:01,719
Speaker 2: not be able to trick.

761
00:42:03,600 --> 00:42:06,880
Speaker 5: So mean you probably have to get to the slopes early.

762
00:42:07,680 --> 00:42:13,160
Speaker 5: Are you a skier rep No, yeah, I'm barely a fornicator.

763
00:42:14,600 --> 00:42:17,919
Speaker 1: Okay, okay, No, no aspect of this is gonna.

764
00:42:17,960 --> 00:42:19,200
Speaker 2: It's not appealing to you.

765
00:42:19,400 --> 00:42:25,480
Speaker 1: Maybe interesting to you as a viewer, as a viewers judge, certainly, Yeah, it.

766
00:42:25,520 --> 00:42:28,080
Speaker 2: Can be interesting. Yeah, it's something you don't you know,

767
00:42:28,480 --> 00:42:30,839
Speaker 2: necessarily do I watch shows people doing stuff I don't

768
00:42:30,840 --> 00:42:31,480
Speaker 2: do all the time.

769
00:42:31,520 --> 00:42:34,200
Speaker 4: It could be exciting and be fun. It's another world

770
00:42:34,480 --> 00:42:34,879
Speaker 4: mm hmm.

771
00:42:37,160 --> 00:42:39,680
Speaker 2: And then I don't know how like the insurance works

772
00:42:39,719 --> 00:42:44,520
Speaker 2: and everything, because obviously skiing under normal circumstances on a

773
00:42:44,520 --> 00:42:50,040
Speaker 2: double black diamond is somewhat dangerous. Yeah, so we're gonna

774
00:42:50,080 --> 00:42:53,720
Speaker 2: have to get some serious waivers signed on why.

775
00:42:54,520 --> 00:42:56,640
Speaker 1: If someone has a baby, it's like whose is that?

776
00:42:58,200 --> 00:43:02,040
Speaker 1: You know, right, just like the rights issues. Yeah, nightmare.

777
00:43:02,239 --> 00:43:06,160
Speaker 2: The first ski fucker baby, the first ski fucker baby

778
00:43:06,280 --> 00:43:11,320
Speaker 2: was born today mm hmm in Minneapolis, Minnesota.

779
00:43:11,960 --> 00:43:16,200
Speaker 5: Yeah, but when that baby comes out, boy, fans of

780
00:43:16,239 --> 00:43:17,080
Speaker 5: the reality.

781
00:43:16,760 --> 00:43:19,719
Speaker 2: Show will remember the time someone tried to trick the

782
00:43:19,719 --> 00:43:21,040
Speaker 2: host Sewn Cummins.

783
00:43:24,239 --> 00:43:29,319
Speaker 4: He dressed them down once they got dressed back up.

784
00:43:31,080 --> 00:43:37,400
Speaker 4: So so that's ski Fuckers went better than I thought.

785
00:43:37,440 --> 00:43:42,120
Speaker 2: This next one is called top Toast, Top Toast, Top Toast.

786
00:43:42,360 --> 00:43:46,280
Speaker 2: We built a toaster of my own, devilish design, no numbers,

787
00:43:47,600 --> 00:43:51,480
Speaker 2: you just gotta feel it. We get the best chefs

788
00:43:51,480 --> 00:43:54,799
Speaker 2: from across the country to come and see who can

789
00:43:54,920 --> 00:43:58,640
Speaker 2: use this devilishly designed toaster to make the very best

790
00:43:59,040 --> 00:43:59,880
Speaker 2: dry toast.

791
00:44:02,280 --> 00:44:07,920
Speaker 1: So god die is it a circular dial? Yep, and

792
00:44:08,000 --> 00:44:09,719
Speaker 1: it just doesn't have the numbers on it.

793
00:44:10,120 --> 00:44:13,080
Speaker 2: Yeah, yeah, that's right.

794
00:44:13,560 --> 00:44:17,120
Speaker 5: Okay, but is it a toaster oven or is it

795
00:44:17,200 --> 00:44:19,000
Speaker 5: the slices go in the top.

796
00:44:19,360 --> 00:44:27,160
Speaker 2: It's the slice one I've already made it actually, m hmm. Yeah,

797
00:44:27,520 --> 00:44:29,840
Speaker 2: it's just a modification of one that I bought a

798
00:44:29,880 --> 00:44:31,920
Speaker 2: really long time ago. It just got kind of old.

799
00:44:34,239 --> 00:44:37,919
Speaker 1: But it seems like people could just kind of like.

800
00:44:38,239 --> 00:44:42,719
Speaker 2: You go by feel, you play by feel, right, Well,

801
00:44:42,760 --> 00:44:44,200
Speaker 2: it seems that way, Hayes.

802
00:44:44,280 --> 00:44:46,520
Speaker 4: But you know, they've never used this toaster before.

803
00:44:46,560 --> 00:44:54,160
Speaker 2: They don't know. Wow, you have used it? Oh, I mean,

804
00:44:54,239 --> 00:44:55,960
Speaker 2: I don't know that I should be a contestant. You know,

805
00:44:55,960 --> 00:44:57,760
Speaker 2: I'm not one of the best chefs in the country.

806
00:44:57,800 --> 00:45:03,120
Speaker 2: I'm pretty good. What happens if they burn the toast,

807
00:45:03,560 --> 00:45:06,520
Speaker 2: Go to jail, Go to jail. Okay, now there's steaks,

808
00:45:06,520 --> 00:45:10,360
Speaker 2: go jail locked up. Yeah, go to jail, because it's

809
00:45:10,400 --> 00:45:13,160
Speaker 2: because the toast is pretty old. If you burn it enough,

810
00:45:13,200 --> 00:45:19,600
Speaker 2: that's gonna be mm hmm. Somebody's gonna get hurt. Right now.

811
00:45:19,640 --> 00:45:23,120
Speaker 2: I guess there's one. Yeah, yeah, currently there's one, but

812
00:45:23,239 --> 00:45:26,839
Speaker 2: I have faith actually that we could we could figure

813
00:45:26,840 --> 00:45:29,160
Speaker 2: out a backup, although I don't know if they make

814
00:45:29,200 --> 00:45:31,719
Speaker 2: this model anymore. Mm hmm.

815
00:45:32,960 --> 00:45:38,279
Speaker 1: Could be nice if afterwards, like uh, you know, there's

816
00:45:38,320 --> 00:45:40,360
Speaker 1: this stuff with like the show the activists and stuff,

817
00:45:40,360 --> 00:45:43,239
Speaker 1: and if this show, like afterwards, gave the toast to

818
00:45:43,320 --> 00:45:47,520
Speaker 1: like a pelican or something, or like a huge.

819
00:45:46,920 --> 00:45:51,040
Speaker 2: Really sick bird. Yeah, yeah, the bird's sick as hell,

820
00:45:51,239 --> 00:45:53,560
Speaker 2: and then all the chefs show up to the hospital

821
00:45:53,560 --> 00:45:56,080
Speaker 2: together and they go and they like give it to

822
00:45:56,080 --> 00:45:56,520
Speaker 2: the bird.

823
00:45:57,239 --> 00:45:57,640
Speaker 4: Mm hmm.

824
00:45:58,440 --> 00:46:00,440
Speaker 2: And the bird is the judge. I mean, that's the

825
00:46:00,440 --> 00:46:02,360
Speaker 2: other thing. The bird should really be the judge. So

826
00:46:02,480 --> 00:46:04,880
Speaker 2: it's like the sick bird. They eat it and then

827
00:46:04,920 --> 00:46:07,120
Speaker 2: they say like this was the best toast. They're not

828
00:46:07,160 --> 00:46:10,040
Speaker 2: gonna say that because they're a bird, but they dedicate

829
00:46:10,239 --> 00:46:12,239
Speaker 2: like with a big squawk that like this was the

830
00:46:12,320 --> 00:46:15,120
Speaker 2: toast that was the most pleasing to them. Mm hmm.

831
00:46:16,640 --> 00:46:18,200
Speaker 4: Should there be an element where they have to give

832
00:46:18,239 --> 00:46:19,240
Speaker 4: a toast also?

833
00:46:20,120 --> 00:46:22,600
Speaker 2: Okay, so you want to play on the word and

834
00:46:22,680 --> 00:46:28,120
Speaker 2: it's like they're doing Yeah, if they're toast masters and

835
00:46:28,200 --> 00:46:31,360
Speaker 2: they're and they're able to so so should it be

836
00:46:31,520 --> 00:46:36,000
Speaker 2: the bird's wedding day, and they're effectively the bird's best

837
00:46:36,080 --> 00:46:40,120
Speaker 2: man as in addition to I mean this could pair

838
00:46:40,200 --> 00:46:43,120
Speaker 2: great with ski fuckers mm hmm. Yeah, they're the new

839
00:46:43,200 --> 00:46:45,040
Speaker 2: because it's all but the betrothed.

840
00:46:45,360 --> 00:46:45,880
Speaker 4: Yeah.

841
00:46:45,920 --> 00:46:52,920
Speaker 2: So yeah, so then someone would have to also be

842
00:46:53,080 --> 00:46:57,400
Speaker 2: judging the toast. Are you saying that because you feel

843
00:46:57,400 --> 00:46:58,720
Speaker 2: like you're very good at giving toasts?

844
00:47:00,200 --> 00:47:00,239
Speaker 3: No?

845
00:47:01,040 --> 00:47:07,719
Speaker 5: I mean I love toast, eating the toast, you know these,

846
00:47:07,800 --> 00:47:10,759
Speaker 5: but these toasts could go really off the wall. I

847
00:47:10,800 --> 00:47:13,319
Speaker 5: mean you know that you ever be at one of

848
00:47:13,320 --> 00:47:15,760
Speaker 5: these weddings where it's just a brutal toast?

849
00:47:15,880 --> 00:47:17,560
Speaker 4: I mean I like that better than a good one.

850
00:47:17,840 --> 00:47:19,680
Speaker 2: Yeah, yeah, there's more to talk about.

851
00:47:20,200 --> 00:47:21,759
Speaker 1: Uncle gets up there.

852
00:47:24,360 --> 00:47:28,239
Speaker 2: If uncle's up there, and maybe he's had you know,

853
00:47:29,480 --> 00:47:34,920
Speaker 2: one too many heinekens. Sure, and suddenly uncle is saying

854
00:47:34,960 --> 00:47:37,840
Speaker 2: things that you really don't want to hear from uncle.

855
00:47:38,400 --> 00:47:40,800
Speaker 2: M Yeah, that can be good.

856
00:47:41,400 --> 00:47:46,480
Speaker 1: Uncle Marv Uncle, Marv from home alone. Yes, no, this

857
00:47:46,600 --> 00:47:50,640
Speaker 1: is a different part. This is Marv from home Alone.

858
00:47:50,719 --> 00:47:56,000
Speaker 1: He's like and he's like, rob dump my eyes, deceive me.

859
00:47:56,120 --> 00:47:57,520
Speaker 1: It's rab cisternito.

860
00:47:58,400 --> 00:48:02,440
Speaker 4: Yes, he's like, buzz your girlfriend wolf.

861
00:48:02,760 --> 00:48:06,440
Speaker 1: Yeah, he says that he's giving away like different aspects

862
00:48:06,520 --> 00:48:12,400
Speaker 1: of their crime during the toast, and.

863
00:48:12,360 --> 00:48:16,120
Speaker 2: So yeah that so so then you're on two different wavelengths.

864
00:48:16,160 --> 00:48:19,799
Speaker 2: So that's that's actually really dramatic if someone clearly made

865
00:48:19,800 --> 00:48:22,759
Speaker 2: the best toast. The bird was squawking its damn head

866
00:48:22,800 --> 00:48:25,239
Speaker 2: off when it's much in this guy's toast. And then

867
00:48:25,280 --> 00:48:27,359
Speaker 2: they go up to give their toast. They know they're

868
00:48:27,400 --> 00:48:30,480
Speaker 2: the front runner, and they're so nervous that they tell

869
00:48:30,520 --> 00:48:36,320
Speaker 2: an embarrassing and inappropriate story about the bird group from

870
00:48:36,360 --> 00:48:40,080
Speaker 2: like their you know, bachelor party weekend or something. Wedding's off. Now.

871
00:48:42,680 --> 00:48:47,840
Speaker 2: Then another person who totally just absolutely botched the toast

872
00:48:48,280 --> 00:48:52,400
Speaker 2: comes in and they give their toast. It's actually really touching.

873
00:48:53,000 --> 00:48:53,399
Speaker 4: Mm hmm.

874
00:48:53,600 --> 00:48:59,000
Speaker 2: It's got there. Yes. If they start off shy, yes,

875
00:48:59,040 --> 00:49:01,520
Speaker 2: and they're reading down buried in the note card, but

876
00:49:01,560 --> 00:49:03,879
Speaker 2: then when they do look up, it's even more impactful

877
00:49:05,400 --> 00:49:07,560
Speaker 2: and they say, Bird, I love you and I love

878
00:49:07,600 --> 00:49:11,960
Speaker 2: your wife. Yeah, I'm so happy you found each other.

879
00:49:12,440 --> 00:49:16,919
Speaker 2: M hm. So I only have one more reality show idea,

880
00:49:16,920 --> 00:49:19,360
Speaker 2: and this one will be fast. We may get to Kevin's.

881
00:49:20,840 --> 00:49:25,280
Speaker 2: It's called car hunt. You gotta find something in my car.

882
00:49:27,239 --> 00:49:33,160
Speaker 4: Find something in your car? Yeah, like whe oh no.

883
00:49:34,120 --> 00:49:34,640
Speaker 2: What is it?

884
00:49:34,800 --> 00:49:36,560
Speaker 1: Or will we just kind of know when we find I.

885
00:49:36,560 --> 00:49:38,600
Speaker 4: Think when you find it, you're gonna know what it is.

886
00:49:38,640 --> 00:49:46,200
Speaker 2: I'd rather not. It's in my car. Uh clues, if

887
00:49:46,239 --> 00:49:48,879
Speaker 2: I had them, i'd give them, But basically, I dropped it.

888
00:49:48,880 --> 00:49:51,960
Speaker 2: It's somewhere in my car. I can't find it. Hm.

889
00:49:55,320 --> 00:49:57,319
Speaker 1: Were you driving or were you just like sitting in

890
00:49:57,360 --> 00:49:59,680
Speaker 1: the driver's seat or like what like what were you

891
00:49:59,760 --> 00:50:04,399
Speaker 1: kind of doing in the car when you I was.

892
00:50:04,360 --> 00:50:06,879
Speaker 2: Just rolling around doing donuts?

893
00:50:07,360 --> 00:50:10,040
Speaker 1: Mm hmm okay, yeah, so you were in the driver

894
00:50:10,200 --> 00:50:12,600
Speaker 1: the g force can make it fall and roll the

895
00:50:12,680 --> 00:50:13,319
Speaker 1: driver's sea.

896
00:50:13,480 --> 00:50:16,040
Speaker 2: Yeah, I drove down. I drove down to the high

897
00:50:16,040 --> 00:50:22,680
Speaker 2: school parking lot and was doing donuts. So it's it's

898
00:50:22,719 --> 00:50:24,120
Speaker 2: in there. I can't find it.

899
00:50:24,160 --> 00:50:25,839
Speaker 1: But do you want to say what? Do you want

900
00:50:25,840 --> 00:50:26,640
Speaker 1: to say? What color?

901
00:50:26,719 --> 00:50:30,240
Speaker 2: It is? A couple of different colors? Yea?

902
00:50:30,520 --> 00:50:34,840
Speaker 4: Will you tell us which car is yours? A?

903
00:50:38,080 --> 00:50:38,319
Speaker 2: Yeah?

904
00:50:38,400 --> 00:50:39,880
Speaker 4: Okay, yeah, don't.

905
00:50:39,840 --> 00:50:48,200
Speaker 2: Like, yeah, yeah, I will, I'll tell you, m am.

906
00:50:48,200 --> 00:50:51,600
Speaker 5: I a person on the on the show. Yeah, okay,

907
00:50:54,160 --> 00:50:57,120
Speaker 5: seems a little like a like, you know, insider trading.

908
00:50:58,600 --> 00:50:59,319
Speaker 4: Uh.

909
00:51:01,200 --> 00:51:03,239
Speaker 2: Yeah, look, I just really need to find this thing

910
00:51:03,320 --> 00:51:10,879
Speaker 2: and it's kind of important, and so like I need

911
00:51:10,880 --> 00:51:12,560
Speaker 2: you guys to help me find this thing I dropped

912
00:51:12,600 --> 00:51:14,839
Speaker 2: in my car. I can't find it. So like this

913
00:51:14,880 --> 00:51:18,040
Speaker 2: show is called car Hunt, Okay, but like, yeah, you're

914
00:51:18,120 --> 00:51:21,040
Speaker 2: on the show. It's a couple of different like a

915
00:51:21,200 --> 00:51:27,040
Speaker 2: shape or it's a couple of different shapes, okay, multiple shapes.

916
00:51:29,400 --> 00:51:31,520
Speaker 1: All right, I guess we can get to Kevin's. It

917
00:51:31,560 --> 00:51:34,759
Speaker 1: turns out we do have have time. And just so

918
00:51:34,920 --> 00:51:38,200
Speaker 1: like in case people like I want to leave or anything, Rob,

919
00:51:38,280 --> 00:51:39,120
Speaker 1: is there any.

920
00:51:40,160 --> 00:51:43,160
Speaker 2: Oh yeah, people want to stop listening before Kevin starts.

921
00:51:44,120 --> 00:51:47,800
Speaker 2: Is there stuff you want to plug or any shout

922
00:51:47,800 --> 00:51:48,680
Speaker 2: outs you want to do?

923
00:51:49,760 --> 00:51:52,200
Speaker 4: Oh?

924
00:51:52,280 --> 00:51:55,799
Speaker 5: I mean, how could I top what Sean already said.

925
00:51:55,840 --> 00:51:58,040
Speaker 5: I mean, I'm just gonna be talking about the boring

926
00:51:58,280 --> 00:52:02,000
Speaker 5: regular reality shows on Rob is a podcast, But I'm

927
00:52:02,040 --> 00:52:06,080
Speaker 5: just gonna be like hopelessly depressed that there are these

928
00:52:06,120 --> 00:52:09,920
Speaker 5: better ideas that you can talk about us podcast.

929
00:52:09,920 --> 00:52:11,520
Speaker 4: You can talk about these, Yeah you can. We don't

930
00:52:11,520 --> 00:52:12,319
Speaker 4: need to wait for that.

931
00:52:12,400 --> 00:52:15,960
Speaker 2: You can start doing recaps on on Bug Makeover or

932
00:52:16,040 --> 00:52:21,000
Speaker 2: Top Toastucks. You could you could shout out your friend, no,

933
00:52:21,160 --> 00:52:23,920
Speaker 2: you have a friend who likes the show. Huh mm hmm,

934
00:52:25,160 --> 00:52:29,400
Speaker 2: too scared to come on this Rob has this friend

935
00:52:29,400 --> 00:52:31,240
Speaker 2: and he's like scared of the show.

936
00:52:32,480 --> 00:52:33,239
Speaker 4: He's shy.

937
00:52:34,760 --> 00:52:36,920
Speaker 2: Well, I think we can all relate to that.

938
00:52:37,120 --> 00:52:42,920
Speaker 1: Yeah, we're all shy. We're yeah, maybe we're really shy.

939
00:52:43,320 --> 00:52:49,480
Speaker 2: Yeah yeah, so yeah, you don't want to plug anything.

940
00:52:50,600 --> 00:52:53,160
Speaker 4: Okay, when will this come out, Kevin? In relation to

941
00:52:53,200 --> 00:52:54,200
Speaker 4: the new Survivor season?

942
00:52:54,719 --> 00:52:58,560
Speaker 3: September twenty eighth, So next Tuesday, So okay, one week.

943
00:52:58,360 --> 00:53:01,600
Speaker 5: After yeah, be ye, about four or five days then,

944
00:53:01,640 --> 00:53:05,239
Speaker 5: so we'll be talking about the second week of Survivor.

945
00:53:05,280 --> 00:53:09,040
Speaker 1: Then this is the cycle we're on now for multiple

946
00:53:09,400 --> 00:53:16,200
Speaker 1: guests in a row. Is right after the thing happened. Now,

947
00:53:16,600 --> 00:53:20,760
Speaker 1: this is this is perfect. Okay, thanks, I know it's perfect.

948
00:53:21,160 --> 00:53:23,920
Speaker 2: H all right, we cracked it.

949
00:53:24,400 --> 00:53:24,880
Speaker 1: Go ahead.

950
00:53:25,600 --> 00:53:28,680
Speaker 3: The show is called No, that's not how that went.

951
00:53:29,680 --> 00:53:33,440
Speaker 3: Each contestant wakes up fifty feet underwater. Never let You

952
00:53:33,520 --> 00:53:35,960
Speaker 3: Go by. Third Eye Blind is playing live from a

953
00:53:36,000 --> 00:53:39,400
Speaker 3: submarine next to the contestants. If the song sounds a

954
00:53:39,440 --> 00:53:43,080
Speaker 3: little odd, you're correct. The band members have all switched

955
00:53:43,120 --> 00:53:47,920
Speaker 3: instruments to further disorient the contestants. You have till the

956
00:53:48,040 --> 00:53:51,160
Speaker 3: end of the song to swim to the surface, hop

957
00:53:51,200 --> 00:53:53,920
Speaker 3: on a jet ski and arrive at the Orange County

958
00:53:53,960 --> 00:53:58,280
Speaker 3: twenty twenty one Convention on eco friendly scooters. You're giving

959
00:53:58,280 --> 00:54:01,000
Speaker 3: a big speech at the end of the event. If

960
00:54:01,040 --> 00:54:04,360
Speaker 3: it seems statistically impossible to make it to the Balboa

961
00:54:04,400 --> 00:54:09,080
Speaker 3: Pint Peninsula in three minutes and fifty seven seconds, don't worry.

962
00:54:09,719 --> 00:54:13,640
Speaker 3: Tim Wright aka Curveball, the drummer of Third Eye Blind,

963
00:54:13,760 --> 00:54:17,239
Speaker 3: forgets the lyrics to the bridge. Instead of saying I

964
00:54:17,280 --> 00:54:20,400
Speaker 3: remember the stupid things, the mood rings, the bracelets and

965
00:54:20,440 --> 00:54:23,719
Speaker 3: the beads, nickels and dimes, yours and minds? Did you

966
00:54:23,880 --> 00:54:27,920
Speaker 3: cash in all your dreams? He says, I remember the

967
00:54:28,000 --> 00:54:31,200
Speaker 3: little things, the onion rings, the blankets and the seeds.

968
00:54:31,560 --> 00:54:34,520
Speaker 3: Two dollars bill, What a thrill? Did you catch up

969
00:54:34,560 --> 00:54:38,919
Speaker 3: on all of wheeds? Singer Stephen Jenkins stops the song

970
00:54:39,040 --> 00:54:43,000
Speaker 3: to correct Tim on the lyrics quote noad. Jenkins isn't

971
00:54:43,040 --> 00:54:48,279
Speaker 3: singing exactly yeah, but he still wants to correct him

972
00:54:49,080 --> 00:54:52,880
Speaker 3: and then says, no, that's not how that went. Saying

973
00:54:52,920 --> 00:54:55,719
Speaker 3: the lucky phrase means you get an extra forty five

974
00:54:55,760 --> 00:54:58,520
Speaker 3: seconds to get to the peninsula if you make it

975
00:54:58,560 --> 00:55:02,480
Speaker 3: to the Peninsula on time. Congratulations, you can now give.

976
00:55:02,320 --> 00:55:03,120
Speaker 2: The big speech.

977
00:55:03,640 --> 00:55:06,279
Speaker 3: If not, you have to fill up the jet ski

978
00:55:06,360 --> 00:55:09,960
Speaker 3: with diesel fuel. TMZ is gonna snap a few photos

979
00:55:09,960 --> 00:55:14,320
Speaker 3: with this headline. Eco friendly scooter speaker caught doing big

980
00:55:14,400 --> 00:55:15,720
Speaker 3: bad before big event.

981
00:55:17,400 --> 00:55:18,480
Speaker 4: It's not a great headline.

982
00:55:20,239 --> 00:55:24,520
Speaker 2: You'd never you never want. That not the headline you want.

983
00:55:25,120 --> 00:55:27,680
Speaker 5: Yeah, I mean the one you do want is good

984
00:55:27,760 --> 00:55:29,560
Speaker 5: jeans are good docs.

985
00:55:30,160 --> 00:55:35,279
Speaker 1: Yes, that's a that's a that's a headline, and it's

986
00:55:35,320 --> 00:55:38,279
Speaker 1: good jeans. It's good jeans like the pants and good

987
00:55:38,320 --> 00:55:39,440
Speaker 1: docks like good dockers.

988
00:55:41,320 --> 00:55:44,879
Speaker 2: Yes, yeah, yeah, it's basically the headline is what kind

989
00:55:44,880 --> 00:55:48,440
Speaker 2: of pants are these? M hm can anyone tell mm hm?

990
00:55:50,040 --> 00:55:56,960
Speaker 2: That gets me pretty pumped up. Kevin, good job. Yeah.

991
00:55:57,080 --> 00:55:59,759
Speaker 2: I liked the new Alternate Verse a lot. I'm glad

992
00:55:59,800 --> 00:56:04,080
Speaker 2: we have time for it now too. It's no car hunt. Sure,

993
00:56:04,760 --> 00:56:07,400
Speaker 2: it's not gonna it's not gonna do better ratings than

994
00:56:07,440 --> 00:56:12,120
Speaker 2: ski Fuckers. At the same time, it was worth listening

995
00:56:12,120 --> 00:56:15,200
Speaker 2: to and maybe it inspires us to come up with

996
00:56:15,239 --> 00:56:18,200
Speaker 2: a similar show that we don't have to pay you on.

997
00:56:19,920 --> 00:56:26,240
Speaker 3: Bye this week on the Patreon, Carl and issand'scussed fantasy football,

998
00:56:26,520 --> 00:56:30,320
Speaker 3: Tom Sharpling helps bang on Hollywood Masterclass, and The Flagrant

999
00:56:30,320 --> 00:56:34,080
Speaker 3: Ones are mostly talking all things basketball. Check out these

1000
00:56:34,120 --> 00:56:38,120
Speaker 3: bonus podcasts and videos of the full episodes, including today's

1001
00:56:38,120 --> 00:56:41,480
Speaker 3: with Rob at patreon dot com Slash the Flagrant Ones