WEBVTT - Civic Cipher 091022 2-Year Anniversary Episode (Part 2)

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<v Speaker 1>And now.

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<v Speaker 2>Moving my mic back, you're like that.

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<v Speaker 3>We can strikes with waters from headquarters behind him and

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<v Speaker 3>the line the border.

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<v Speaker 1>If you're just tuning into Civic Cipher, I'm your houst.

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<v Speaker 1>Ramsay's job he is.

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<v Speaker 4>They call me q Ward.

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<v Speaker 2>You are listening to so excited for.

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<v Speaker 4>Listening to you.

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<v Speaker 1>And we're two two years old, doing the show for

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<v Speaker 1>two years, and we are celebrating that with some more

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<v Speaker 1>positive stories, some more positive outcomes, and there's a lot

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<v Speaker 1>more to stick around for. Of course, we were going

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<v Speaker 1>to take it all the way back to the beginning

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<v Speaker 1>our way black history factor. We're going to be talking

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<v Speaker 1>about Freedom's Journal, which was the first black owned and

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<v Speaker 1>operated newspaper in the United States. We here at Civic

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<v Speaker 1>Cipher stand on the shoulder of giants, and those.

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<v Speaker 2>Were the first to.

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<v Speaker 1>Uh try to create a lane for a black voice,

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<v Speaker 1>and so we're very grateful and excited to be able

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<v Speaker 1>to share their story as well. We're also going to

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<v Speaker 1>be talking about again some more positive things that have

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<v Speaker 1>happened in the media and with respect to black people

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<v Speaker 1>and I guess a general plight of black folks.

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<v Speaker 2>So a lot to stick around for.

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<v Speaker 1>But before we get to all that let's discuss becoming

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<v Speaker 1>a better ally Baba. So today's Baba comes to you

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<v Speaker 1>sponsored by Hip Hop Weekly magazine and this comes by

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<v Speaker 1>a JP Morgan Chase directly from their website. So what

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<v Speaker 1>they're doing is building existing investments and helping drive inclusive

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<v Speaker 1>growth growth by committing thirty billion that's billion with a

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<v Speaker 1>B dollars by the end of twenty twenty five to

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<v Speaker 1>advance economic growth and opportunity for Black, Hispanic and Latino communities.

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<v Speaker 1>There's been much said about reparations, There's been much set about,

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<v Speaker 1>you know, supporting black business. There's been much said about,

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<v Speaker 1>you know, economic equality and equitable economic landscape for all

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<v Speaker 1>people to engage in the in this capitalistic society. And

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<v Speaker 1>some people have a little bit more in the way

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<v Speaker 1>of various entry than other folks. So when people literally

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<v Speaker 1>put their money where their mouth is, obviously we need

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<v Speaker 1>to applaud that. So the purpose of this is to

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<v Speaker 1>originate additional home purchase loans for Black, Hispanic and Latino households,

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<v Speaker 1>finance and creation and preservation of affordable housing units and

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<v Speaker 1>underserved communities, help Black Hispanic and Latino households achieve lower

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<v Speaker 1>mortgage payments through refinance loans, provide additional loans to small

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<v Speaker 1>business that's key in major majority Black, Hispanic and Latino communities.

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<v Speaker 1>Help people open low cost checking and savings accounts, invest

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<v Speaker 1>capital and deposits in Black, Hispanic and Latino o MBIs

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<v Speaker 1>and CDFI's. And here's a quote from David Murray, Global

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<v Speaker 1>head of Diversity, Equity and Inclusion at JP morgan Chase

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<v Speaker 1>and co. Quote, aiming to be the bank of choice

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<v Speaker 1>for all. We are breaking down barriers to lead with diversity,

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<v Speaker 1>equity and inclusion and drive inclusive economic.

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<v Speaker 2>Growth all over the world.

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<v Speaker 1>So shout out to JP Morgan Chase for putting their

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<v Speaker 1>money where their mouth is. Speaking of which, if you

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<v Speaker 1>want to support some black causes, you can support Civic Cipher,

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<v Speaker 1>the very one you're listening to right now. All of

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<v Speaker 1>our apps where you can donate are at Civic Cipher.

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<v Speaker 1>If you want to become a patron, if you want

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<v Speaker 1>to send a cash app, if you want to do

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<v Speaker 1>a venmo any of that stuff. It helps the show grow,

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<v Speaker 1>and obviously we've experienced a tremendous amount of growth. A

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<v Speaker 1>lot of that comes from donations and support. I want

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<v Speaker 1>to take a moment to talk about our positioner. So

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<v Speaker 1>this is going to take us back a bit. Our

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<v Speaker 1>positioner is broadcasting the balance, defending the discourse. This is

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<v Speaker 1>something that you might see in our press materials if

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<v Speaker 1>you engage to that degree, you know, here and there,

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<v Speaker 1>and a positioner is a term that basically in radio,

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<v Speaker 1>at least in broadcasting, it's a term that kind of

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<v Speaker 1>positioned you in the marketplace. Basically, a short brief passage

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<v Speaker 1>usually sounds pretty catchy, and it helps people that have

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<v Speaker 1>never heard of your show before kind of identify what

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<v Speaker 1>you're about. So my first radio station was Power ninety

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<v Speaker 1>two point three. Their positioner was where hip Hop Lives. Okay,

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<v Speaker 1>you following, all right? So our positioner is broadcasting the balance,

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<v Speaker 1>defending the discourse. And this has kind of been central

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<v Speaker 1>to our focus since starting this show and for a

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<v Speaker 1>long time, and I think for a long time into

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<v Speaker 1>the future. What that means is we are broadcasting the

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<v Speaker 1>balance of our stories, of our lives. You know, we

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<v Speaker 1>do our best to partner with hip hop stations, but

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<v Speaker 1>we don't refuse partnerships in radio or in any other

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<v Speaker 1>media space because we recognize the importance we get in

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<v Speaker 1>the word out. But we with hip hop stations in particular,

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<v Speaker 1>we recognize that it very much paints a one sided

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<v Speaker 1>or otherwise a limited view of what it means to

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<v Speaker 1>be a black person in this country, and that can

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<v Speaker 1>be very misleading to people who wish to be allies

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<v Speaker 1>to black people. That can be also misleading to black

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<v Speaker 1>people where they might tune in to, you know, celebrate

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<v Speaker 1>their own culture, their own music, their own dances, their

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<v Speaker 1>own fashion, their own language, you know, et cetera. And

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<v Speaker 1>we are not just I say this all the time,

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<v Speaker 1>we are not just rap or not just singers.

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<v Speaker 2>You know.

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<v Speaker 1>That's like looking at, you know, like an Asian person

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<v Speaker 1>and thinking that they do karate, you know what I mean,

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<v Speaker 1>Like it's that's one part of an exceptionally rich and

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<v Speaker 1>beautiful culture, but that's the part that you see in

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<v Speaker 1>the movies and so forth. Right.

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<v Speaker 2>So, when we approached.

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<v Speaker 1>This show and we came up with our positioner, the

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<v Speaker 1>idea was that we were going to bring some balance

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<v Speaker 1>to those airwaves. We were going to talk about what

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<v Speaker 1>it really means to be black, and we were going

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<v Speaker 1>to give instruction to our allies who tune into hip

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<v Speaker 1>hop stations who may not themselves be black, but obviously

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<v Speaker 1>are there are brothers and our sisters, and they celebrate

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<v Speaker 1>our culture. We celebrate there as we're out, you know,

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<v Speaker 1>celebrating on different holidays, you know, single Demio Columbus Day,

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<v Speaker 1>you know, not Columbus Day, but you know what I mean, what's.

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<v Speaker 2>The other one?

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<v Speaker 1>I was thinking of Saint Patrick's Day, you know, things

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<v Speaker 1>like this, and uh, you know, we just kind of

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<v Speaker 1>felt like, you know, there's an opportunity to bring some

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<v Speaker 1>again balance to what it is that people are exposed

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<v Speaker 1>to in these spaces, you know, And I think that

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<v Speaker 1>for today's show, while we're here, balance will mean something

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<v Speaker 1>a little different. Balance will mean positive stories because I

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<v Speaker 1>don't want to mislead anyone and I don't want to

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<v Speaker 1>misrepresent my people.

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<v Speaker 2>We are not.

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<v Speaker 1>Just born to die, and we are not just born

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<v Speaker 1>to suffer, and we are not just born to be sad.

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<v Speaker 1>We deserve to be happy. You deserve to be happy,

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<v Speaker 1>and I think it's important that we affirm that. And

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<v Speaker 1>today we obviously have a tremendous opportunity. We can't divorce

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<v Speaker 1>ourselves from the reality. Obviously, this show exists to deal

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<v Speaker 1>with the real you know, there's lots of celebration of

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<v Speaker 1>Black culture and American culture and you know, whatever it

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<v Speaker 1>is that your culture is, even perhaps on the station

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<v Speaker 1>that you're listening to us on. You know, but we

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<v Speaker 1>do have to deal with the real because we feel

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<v Speaker 1>like oftentimes we're the only ones doing that. But the

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<v Speaker 1>people that set their clock to wake up sometimes early

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<v Speaker 1>or stay up late or listen to this show. And

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<v Speaker 1>you know, whichever city you're in, if you're in you know, Bellingham,

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<v Speaker 1>if you're in Portland, if you're in New Orleans, if

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<v Speaker 1>you're in Detroit, you know, wherever you are. Shout out

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<v Speaker 1>to the motor for those of you who you know,

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<v Speaker 1>tune into this show specifically. It's important that we share

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<v Speaker 1>positive stories. It's important that you know that you listening,

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<v Speaker 1>you fighting, you marching, you voting, you registering people to vote,

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<v Speaker 1>you participating in the democratic process, that it does create

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<v Speaker 1>a ripple effect, and that ripple effect ultimately creates change. Again,

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<v Speaker 1>we're playing the long game, and black people historically have

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<v Speaker 1>played the long game. We have we're just currently at

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<v Speaker 1>the front lines of a battle that's been going on

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<v Speaker 1>for hundreds of years. The names that we discuss on

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<v Speaker 1>our way Black History fact each week. You know, a

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<v Speaker 1>lot of those people have passed away. A lot of

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<v Speaker 1>those stories happened before our great grandparents were born. Even so,

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<v Speaker 1>you know, we do recognize that, you know, this is

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<v Speaker 1>a long game, but we also recognize that we've come

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<v Speaker 1>a long way.

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<v Speaker 2>And so.

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<v Speaker 1>I wanted to take a moment to make sure you

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<v Speaker 1>kind of understood that broadcasting the balance and defending the

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<v Speaker 1>discourse our positioner for the show, not only means bringing

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<v Speaker 1>you know, balance to you know, whatever radio station you're

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<v Speaker 1>listening to, but also that we try to have some

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<v Speaker 1>balance here as well, so that you recognize that, you know,

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<v Speaker 1>our efforts are not in vain. And of course, defending

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<v Speaker 1>the discourse means defending our right to have these conversations,

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<v Speaker 1>because obviously the show was very much born out of

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<v Speaker 1>us getting choked out from having very necessary conversations. And

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<v Speaker 1>the people that were choking us out were people that

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<v Speaker 1>were they didn't look like us, They were using our

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<v Speaker 1>culture to make money, and they didn't care enough to

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<v Speaker 1>let us try to save our own lives.

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<v Speaker 2>And that still hurts me.

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<v Speaker 1>I don't know why it's, you know, it's obviously been

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<v Speaker 1>a very long time, but it very much is because

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<v Speaker 1>I knew those people.

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<v Speaker 2>You knew those people.

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<v Speaker 4>I mean, that's the thing, though, you spent so many

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<v Speaker 4>years there, and I even talked to, you know, the

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<v Speaker 4>people that work with me in the corporate space. Now

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<v Speaker 4>about kind of fooling yourself into believing that this company

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<v Speaker 4>cares more about you than its bottom line. Right, Ultimately,

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<v Speaker 4>a lot of times corporate America will remind you, I mean, yeah,

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<v Speaker 4>we like you and you're cool, right, but.

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<v Speaker 1>We all we got you just work here. So that's

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<v Speaker 1>that's what I was thinking. But so watch this. So

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<v Speaker 1>to your point, Q, at the time when I quit

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<v Speaker 1>my old radio station, I had worked there for twelve years.

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<v Speaker 1>I was the most tenured employee. There was nobody that

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<v Speaker 1>worked there longer than me. The only person who had

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<v Speaker 1>been there longer was the person who owned the business.

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<v Speaker 1>Everybody had, every position had turnover prior to, you know, resigning.

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<v Speaker 1>I was told by the general manager something that confused

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<v Speaker 1>me later on, but at the time felt like, kind

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<v Speaker 1>of felt like it made sense because of course I

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<v Speaker 1>had been there for a long time, and as you

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<v Speaker 1>mentioned earlier in the show, I do my best to

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<v Speaker 1>try to deliver good content in this space. You know,

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<v Speaker 1>I am a broadcaster. I'd leaned one hundred percent into it.

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<v Speaker 1>This is what I know. The general manager pulled me

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<v Speaker 1>into his office one day and he told me, he says,

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<v Speaker 1>you know, we've never really took an inventory, if you will,

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<v Speaker 1>of what we had here at the radio station. And

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<v Speaker 1>you know, just so you know, in radio, the morning

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<v Speaker 1>show is the big show and the afternoon show is

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<v Speaker 1>the second big show, even though oftentimes in afternoon you

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<v Speaker 1>get more listeners. All right, I wasn't on either show.

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<v Speaker 2>I was.

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<v Speaker 1>I forgot what timeslot I was doing. It might have

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<v Speaker 1>even just been a weekend time slot. But you know,

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<v Speaker 1>I had a presence on the website and this was

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<v Speaker 1>the way that the station could kind of gauge engagement, engagement.

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<v Speaker 1>And the general manager of that radio station told me,

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<v Speaker 1>he said that, you uh, the engagement for your page

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<v Speaker 1>on our website is twice as high as the next link,

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<v Speaker 1>and that's for the morning show. And he says, what

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<v Speaker 1>I want to do is kind of pick your brain

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<v Speaker 1>and get a sense of how it is that you're

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<v Speaker 1>so popular among our listener base, and try to teach

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<v Speaker 1>the other folks how to engage with our listeners. Oh way,

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<v Speaker 1>you guys, hear this? Not hey, you're by far the

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<v Speaker 1>most popular challeent we have here. We need to build

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<v Speaker 1>a better show around you and give you more resources. No,

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<v Speaker 1>we want to pick your brain on how you're so

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<v Speaker 1>great at what you do and give that to our

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<v Speaker 1>other people.

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<v Speaker 2>God bless America.

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<v Speaker 1>Well so because of because of that conversation, I felt

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<v Speaker 1>like they and and the way that it was given

0:13:59.760 --> 0:14:01.840
<v Speaker 1>to me was like, Yo, you know what's going on

0:14:01.920 --> 0:14:04.800
<v Speaker 1>with the people, and you know to your point earlier.

0:14:04.840 --> 0:14:06.360
<v Speaker 1>You know, when it came time to get out there

0:14:06.360 --> 0:14:08.719
<v Speaker 1>and get busy, I wasn't, you know, sitting up on

0:14:08.760 --> 0:14:11.920
<v Speaker 1>my high horse. I'm not getting out in the streets

0:14:11.920 --> 0:14:12.599
<v Speaker 1>and protesting.

0:14:12.640 --> 0:14:12.720
<v Speaker 2>No.

0:14:12.920 --> 0:14:15.400
<v Speaker 1>I got took this body that I was born into,

0:14:16.120 --> 0:14:18.800
<v Speaker 1>and I took my babies and we went outside and

0:14:18.840 --> 0:14:22.440
<v Speaker 1>we stood in our place among the ranks, and we

0:14:22.560 --> 0:14:24.440
<v Speaker 1>held those signs with those names on it.

0:14:24.520 --> 0:14:26.880
<v Speaker 2>Breonna Taylor. There's people that should be here right now.

0:14:27.480 --> 0:14:31.320
<v Speaker 2>We weren't. We were all equal. I'll always be equal.

0:14:31.600 --> 0:14:35.240
<v Speaker 1>I'm not one of those people that thinks anything crazy,

0:14:35.280 --> 0:14:37.400
<v Speaker 1>you know what I mean? I think I'm just a

0:14:37.400 --> 0:14:39.000
<v Speaker 1>person and this is what I do for a living.

0:14:39.000 --> 0:14:40.560
<v Speaker 1>You can see me at the grocery store. I'm gonna

0:14:40.560 --> 0:14:43.400
<v Speaker 1>look real bummy, because I ain't got to impress nobody

0:14:43.440 --> 0:14:47.920
<v Speaker 1>anymore anyway. I thought that because they knew based on

0:14:47.920 --> 0:14:53.440
<v Speaker 1>that conversation just two or three months prior, two or

0:14:53.440 --> 0:14:57.040
<v Speaker 1>three months prior to COVID hitting, that they knew that

0:14:57.280 --> 0:14:59.960
<v Speaker 1>I was kind of tapped into what the people wanted,

0:15:01.120 --> 0:15:04.560
<v Speaker 1>and so asking for thirty minutes a week to be

0:15:04.600 --> 0:15:11.400
<v Speaker 1>able to you know, share our you know, broadcast the

0:15:11.440 --> 0:15:15.080
<v Speaker 1>balance and defend the discourse. Thirty minutes a week didn't

0:15:15.080 --> 0:15:17.480
<v Speaker 1>feel like such a tall ask because I thought that

0:15:17.520 --> 0:15:18.600
<v Speaker 1>they would be all over it.

0:15:18.760 --> 0:15:22.320
<v Speaker 4>Also, speak to that specific thirty minutes, So I don't

0:15:22.360 --> 0:15:24.880
<v Speaker 4>want people to just think thirty minutes on o'clock and

0:15:24.960 --> 0:15:27.920
<v Speaker 4>all this stuff that radio has going on. Speak to

0:15:27.960 --> 0:15:30.960
<v Speaker 4>them about the thirty minutes that we requested. So what

0:15:31.000 --> 0:15:34.880
<v Speaker 4>we were trying to do was we wanted thirty minutes.

0:15:34.920 --> 0:15:36.920
<v Speaker 4>I want them to hear how easy it would have been.

0:15:36.920 --> 0:15:39.440
<v Speaker 1>For them to say yes. So we wanted to get

0:15:39.480 --> 0:15:41.520
<v Speaker 1>thirty minutes. I'm glad you asked a question here. We

0:15:41.560 --> 0:15:46.840
<v Speaker 1>wanted thirty minutes on the radio so that we could

0:15:47.200 --> 0:15:50.760
<v Speaker 1>bring up folks to interview the people that were leading

0:15:50.760 --> 0:15:52.760
<v Speaker 1>the march and so forth, and just have the conversations

0:15:52.760 --> 0:15:56.200
<v Speaker 1>about what we wanted. We would have taken any time

0:15:56.240 --> 0:15:58.600
<v Speaker 1>slot that meant that you could have put us on

0:15:58.680 --> 0:16:01.320
<v Speaker 1>Sunday morning at four am. It would have been fine.

0:16:01.720 --> 0:16:06.080
<v Speaker 1>The thing is the radio station provided a degree of

0:16:06.280 --> 0:16:09.480
<v Speaker 1>credibility to the interview and to the movement, and it

0:16:09.560 --> 0:16:14.640
<v Speaker 1>kind of fortified the media position. And I thought that

0:16:14.840 --> 0:16:17.400
<v Speaker 1>could be used in a strategic way for those people

0:16:17.440 --> 0:16:19.760
<v Speaker 1>on the streets. I didn't think my whole life was

0:16:19.800 --> 0:16:21.960
<v Speaker 1>going to go in that direction. I was thinking it

0:16:22.040 --> 0:16:27.800
<v Speaker 1>was the right thing to do. Now, thirty minutes in

0:16:27.880 --> 0:16:34.320
<v Speaker 1>a weekend overnight time slot means that your commercial inventory

0:16:34.880 --> 0:16:38.520
<v Speaker 1>is worth pennies.

0:16:39.000 --> 0:16:39.520
<v Speaker 2>You know what I mean.

0:16:39.760 --> 0:16:44.000
<v Speaker 1>Those commercials aren't worth a whole lot. Also, there is

0:16:44.040 --> 0:16:52.280
<v Speaker 1>the potential to do so. The FCC, the government mandates

0:16:52.320 --> 0:16:58.120
<v Speaker 1>that stations have some form of community service, not just radio,

0:16:58.200 --> 0:17:01.000
<v Speaker 1>but anything that broadcasts the signal, so TV stations if

0:17:01.000 --> 0:17:04.119
<v Speaker 1>it's in this country, The Federal Communications Commission says, you

0:17:04.200 --> 0:17:07.920
<v Speaker 1>have to broadcast something to your community that helps the community.

0:17:07.960 --> 0:17:10.399
<v Speaker 1>This is why you hear don't drink and drive commercials.

0:17:10.480 --> 0:17:13.800
<v Speaker 1>This stuff right, there's no money involved with that. They

0:17:13.840 --> 0:17:16.240
<v Speaker 1>have to do it, Okay, So we would have taken

0:17:16.240 --> 0:17:18.399
<v Speaker 1>that time slide. It would have been totally fine. Wouldn't

0:17:18.400 --> 0:17:20.000
<v Speaker 1>have been opposed to it. You know, we felt that

0:17:20.080 --> 0:17:23.800
<v Speaker 1>this was in line with that sort of mission. So

0:17:23.840 --> 0:17:27.159
<v Speaker 1>you're saying we didn't. We would have taken an unpaid.

0:17:26.880 --> 0:17:28.600
<v Speaker 2>Oh yeah, but there was no money involved. We wouldn't

0:17:28.600 --> 0:17:29.760
<v Speaker 2>even we wouldn't.

0:17:29.440 --> 0:17:34.760
<v Speaker 4>Even free mandated space. Sure that should have been dedicated

0:17:34.800 --> 0:17:38.080
<v Speaker 4>to community service. Anyway, we would have been creating this

0:17:38.200 --> 0:17:42.200
<v Speaker 4>content for them for free and a space where nobody's advertising,

0:17:42.520 --> 0:17:45.119
<v Speaker 4>and according to them, maybe nobody's listening.

0:17:45.720 --> 0:17:46.840
<v Speaker 2>I'll take it a step further.

0:17:47.800 --> 0:17:50.440
<v Speaker 1>That's interesting, because you're absolutely right, maybe nobody's even listening

0:17:50.480 --> 0:17:51.080
<v Speaker 1>at that time shot.

0:17:51.119 --> 0:17:52.080
<v Speaker 2>But I'll take it a step further.

0:17:54.920 --> 0:18:00.639
<v Speaker 1>We weren't even necessarily the ones who were going to.

0:18:00.240 --> 0:18:04.600
<v Speaker 4>To host this show because they could not necessarily because

0:18:04.640 --> 0:18:07.080
<v Speaker 4>even after a yes, they had a person in mind,

0:18:07.240 --> 0:18:09.919
<v Speaker 4>it wasn't Quentin or Ramses, right, we don't have to

0:18:09.920 --> 0:18:12.960
<v Speaker 4>say who. Yeah, but this was not us trying to

0:18:13.000 --> 0:18:14.240
<v Speaker 4>put ourselves on.

0:18:14.240 --> 0:18:16.000
<v Speaker 2>Yeah, we were already on good.

0:18:16.560 --> 0:18:19.520
<v Speaker 4>But we would have produced and created and curated the

0:18:19.560 --> 0:18:21.600
<v Speaker 4>content and everything. All they would have had to do

0:18:21.680 --> 0:18:24.600
<v Speaker 4>is turn a mic on record. It for thirty minutes

0:18:25.040 --> 0:18:28.120
<v Speaker 4>and then broadcast. So this is the point I'm making.

0:18:28.200 --> 0:18:30.240
<v Speaker 4>I was like, you guys can put you know, so

0:18:30.400 --> 0:18:33.040
<v Speaker 4>bear in mind that you and I, we at the time,

0:18:33.119 --> 0:18:38.360
<v Speaker 4>are doing rather more and we had more visible time slots,

0:18:38.960 --> 0:18:41.760
<v Speaker 4>so we would have had to had we would have

0:18:41.880 --> 0:18:46.600
<v Speaker 4>had to do extra work. We would have had to

0:18:46.840 --> 0:18:50.280
<v Speaker 4>set up meetings, you know, create you know, the content

0:18:50.280 --> 0:18:53.200
<v Speaker 4>as you as you mentioned, produce it, edit it, send

0:18:53.240 --> 0:18:56.760
<v Speaker 4>it to air every week, right, And they could have

0:18:57.280 --> 0:18:59.760
<v Speaker 4>taken one of the interns or someone in development and

0:18:59.760 --> 0:19:02.919
<v Speaker 4>put them on that show. Because remember, it's it's just necessary.

0:19:02.960 --> 0:19:05.280
<v Speaker 4>It's not like I don't need that to be the man.

0:19:05.400 --> 0:19:07.919
<v Speaker 4>You know, I already I was on TV. I was

0:19:08.000 --> 0:19:10.840
<v Speaker 4>billboards and magazine covers, everything like that for many years.

0:19:10.880 --> 0:19:13.280
<v Speaker 4>That wasn't I wasn't going to be on Sunday morning

0:19:13.320 --> 0:19:15.760
<v Speaker 4>at four am and like all of a sudden, you know,

0:19:15.880 --> 0:19:17.160
<v Speaker 4>hit my stride, you know what I mean.

0:19:17.240 --> 0:19:19.800
<v Speaker 2>So I'm glad that.

0:19:19.760 --> 0:19:21.359
<v Speaker 1>You asked that question, because yeah, it was a very

0:19:21.359 --> 0:19:23.360
<v Speaker 1>easy thing to say yes to. I know radio well

0:19:23.480 --> 0:19:27.160
<v Speaker 1>enough to know how how to put together that proposal

0:19:27.200 --> 0:19:30.200
<v Speaker 1>to where it wouldn't have impacted the bottom line at all.

0:19:30.280 --> 0:19:33.640
<v Speaker 1>So anyone who's ever stood in the way of this progress,

0:19:33.760 --> 0:19:35.480
<v Speaker 1>hold on, I got to cut you off. You say

0:19:35.520 --> 0:19:38.480
<v Speaker 1>it would not have impacted the bottom line. There was

0:19:38.520 --> 0:19:42.800
<v Speaker 1>no way for it to negatively impact the bottom line.

0:19:43.600 --> 0:19:46.720
<v Speaker 1>We've learned in several meetings that we've had since launching

0:19:46.760 --> 0:19:49.760
<v Speaker 1>this show that there are a bunch of ways it

0:19:49.800 --> 0:19:53.560
<v Speaker 1>could have impacted the bottom line in a positive way. Sure, yeah, yeah,

0:19:53.680 --> 0:19:57.080
<v Speaker 1>because there are a bunch of advertisers who want to

0:19:57.119 --> 0:20:00.359
<v Speaker 1>be on the right side of the topics that we reach.

0:20:01.000 --> 0:20:04.800
<v Speaker 1>So there was a zero percent chance there would have

0:20:04.800 --> 0:20:08.160
<v Speaker 1>been a negative impact to the station. Sure to air

0:20:08.840 --> 0:20:12.160
<v Speaker 1>thirty minutes a night, overnight Sunday, three o'clock in the morning,

0:20:12.160 --> 0:20:18.119
<v Speaker 1>four o'clock in the morning on this unrated, low advertisement

0:20:19.480 --> 0:20:24.840
<v Speaker 1>necessary time slot. Sure, well, you know, the good news

0:20:24.880 --> 0:20:30.480
<v Speaker 1>is that now we're on and rather you know, better

0:20:30.520 --> 0:20:34.320
<v Speaker 1>time slots or all over the country, and we have

0:20:34.400 --> 0:20:37.200
<v Speaker 1>a full hour a week, which again is not everything,

0:20:37.240 --> 0:20:39.920
<v Speaker 1>but we'll take it. You know, everybody's got to start somewhere. Again,

0:20:39.960 --> 0:20:41.800
<v Speaker 1>we're playing a long game, and having been on for

0:20:41.840 --> 0:20:44.320
<v Speaker 1>two years, there's a few more things that I think

0:20:44.359 --> 0:20:47.560
<v Speaker 1>that it's important to share. Things that we look back

0:20:47.600 --> 0:20:49.720
<v Speaker 1>on and we say, well, look, I'm happy to see that.

0:20:51.359 --> 0:20:55.720
<v Speaker 1>One of the things is that, you know, there's been

0:20:55.760 --> 0:21:01.800
<v Speaker 1>black Barbies for very long time. There's been historical figures

0:21:01.800 --> 0:21:04.399
<v Speaker 1>that have you know, they've paid homage to with you know,

0:21:04.680 --> 0:21:10.640
<v Speaker 1>Barbie dolls. But uh, recently Mattel introduced a new historical

0:21:10.720 --> 0:21:15.320
<v Speaker 1>Barbie in honor of Madam C. J. Walker and we

0:21:15.480 --> 0:21:20.000
<v Speaker 1>think that that is something that is.

0:21:22.000 --> 0:21:25.480
<v Speaker 2>Amazing. Obviously, again, black girl magic.

0:21:25.520 --> 0:21:29.160
<v Speaker 1>We in twenty twenty, we saw in our city, we

0:21:29.200 --> 0:21:33.760
<v Speaker 1>saw black women out there marching, Shout out to Tsara,

0:21:33.840 --> 0:21:38.440
<v Speaker 1>shout out to Mimi. You know, we saw them out

0:21:38.560 --> 0:21:42.160
<v Speaker 1>making it happen with bullhorns and they We saw these

0:21:42.200 --> 0:21:44.560
<v Speaker 1>people crying. We saw these people, you know, we saw

0:21:44.600 --> 0:21:49.280
<v Speaker 1>the passion, and we learned the strategy and we learned

0:21:49.320 --> 0:21:53.560
<v Speaker 1>what was necessary and we were able to recognize that, Okay,

0:21:53.720 --> 0:21:58.159
<v Speaker 1>here's we need to find a meaningful contribution, and you know,

0:21:58.680 --> 0:22:01.080
<v Speaker 1>we're always going to be hopeful that this contribution is

0:22:01.119 --> 0:22:04.760
<v Speaker 1>the right one. So black girl magic is something again

0:22:04.760 --> 0:22:07.280
<v Speaker 1>that we always celebrate here. So the fact that Barbie

0:22:07.400 --> 0:22:11.119
<v Speaker 1>has made Madam C. J. Walker doll recently, that's something

0:22:11.119 --> 0:22:14.080
<v Speaker 1>that we feel is positive for those that followed the

0:22:14.119 --> 0:22:17.200
<v Speaker 1>story about the children that were ignored at the Sesame

0:22:17.240 --> 0:22:22.760
<v Speaker 1>Street parade. You know, we want to make sure that

0:22:22.800 --> 0:22:25.720
<v Speaker 1>we call attention to the fact that I think it

0:22:25.840 --> 0:22:30.600
<v Speaker 1>was at Disneyland that Jesse, the Woody's counterpart in the

0:22:30.640 --> 0:22:33.920
<v Speaker 1>movie Toy Story. There was a video that came out

0:22:33.920 --> 0:22:36.479
<v Speaker 1>afterwards where Jesse ran over to the little black children

0:22:36.480 --> 0:22:39.040
<v Speaker 1>and gave them a big hug. And to me, that

0:22:39.160 --> 0:22:43.439
<v Speaker 1>looks like, Okay, these things that we're bringing attention to

0:22:43.720 --> 0:22:48.200
<v Speaker 1>are resonating with people. I'll take it a step further

0:22:48.240 --> 0:22:52.480
<v Speaker 1>Snoop Dogg released the children's cartoon series Doggy Land with

0:22:52.600 --> 0:22:54.600
<v Speaker 1>kids songs and nursery rhymes and things like that. So

0:22:54.600 --> 0:22:58.560
<v Speaker 1>we're seeing black faces and black characters in these spaces increased.

0:23:00.640 --> 0:23:06.480
<v Speaker 1>And I want to also talk about the there's the

0:23:06.560 --> 0:23:09.359
<v Speaker 1>College Board that launched the first ever AP program in

0:23:09.400 --> 0:23:16.000
<v Speaker 1>African American studies. So this there's a whole article from

0:23:16.160 --> 0:23:20.760
<v Speaker 1>Education Week that I can't get into the whole thing,

0:23:20.800 --> 0:23:23.480
<v Speaker 1>but you know, because we've had to deal with CRT

0:23:23.720 --> 0:23:26.800
<v Speaker 1>and the war on really American history, the fact that

0:23:27.320 --> 0:23:30.560
<v Speaker 1>you know, the College Board launched the AP program in

0:23:30.640 --> 0:23:33.520
<v Speaker 1>African American Studies, that's something that we feel is very

0:23:33.560 --> 0:23:37.359
<v Speaker 1>special as well, and something that again we've accomplished in

0:23:37.359 --> 0:23:39.440
<v Speaker 1>the past couple of years by having these really important

0:23:39.440 --> 0:23:44.760
<v Speaker 1>conversations and then moving forward, we're going to be talking

0:23:44.760 --> 0:23:49.399
<v Speaker 1>more about reparations. We're gonna obviously continue growing in the

0:23:49.480 --> 0:23:52.040
<v Speaker 1>more cities. Hopefully before the end of the year, will

0:23:52.400 --> 0:23:55.399
<v Speaker 1>be able to make a major announcement. We're going to

0:23:55.440 --> 0:24:01.199
<v Speaker 1>continue giving you resources to become a better ally, and

0:24:01.240 --> 0:24:02.840
<v Speaker 1>we're just going to keep doing our best for you.

0:24:03.000 --> 0:24:06.920
<v Speaker 1>So you know, again I can't say it enough. Thank

0:24:06.960 --> 0:24:10.560
<v Speaker 1>you for your support these past two years. We'll see

0:24:10.600 --> 0:24:13.119
<v Speaker 1>you on our third anniversary with a lot more to

0:24:13.160 --> 0:24:17.320
<v Speaker 1>talk about, but you know, we'll leave that right there.

0:24:18.160 --> 0:24:20.720
<v Speaker 1>And now it's time for the Way Black History Fact,

0:24:22.760 --> 0:24:24.880
<v Speaker 1>and this one is sponsored by Hip Hop Weekly magazine.

0:24:24.880 --> 0:24:30.159
<v Speaker 1>The article comes from PBS, and again we're going to

0:24:30.240 --> 0:24:35.920
<v Speaker 1>talk about really the origins of black media. Now we've

0:24:35.960 --> 0:24:39.119
<v Speaker 1>shared a bit about our story and what it took

0:24:39.640 --> 0:24:47.399
<v Speaker 1>to get this show off and to grow it to

0:24:47.400 --> 0:24:55.119
<v Speaker 1>where it is now. But we've done this in a

0:24:55.200 --> 0:24:59.320
<v Speaker 1>modern world, and we recognize every time I read a

0:24:59.320 --> 0:25:04.840
<v Speaker 1>Way Black History in Fact, I recognize that the social

0:25:04.960 --> 0:25:13.959
<v Speaker 1>conditions around the goings on in the story cannot be overlooked.

0:25:14.760 --> 0:25:19.920
<v Speaker 1>The social climate of these people trying to accomplish something,

0:25:20.000 --> 0:25:23.959
<v Speaker 1>do something, make some sort of change cannot be overlooked.

0:25:24.520 --> 0:25:26.520
<v Speaker 1>And I try my best not to overlook that, but

0:25:26.560 --> 0:25:29.439
<v Speaker 1>in this instance, because they do. You know, this is

0:25:29.440 --> 0:25:33.240
<v Speaker 1>a media outlet, and we're talking about The Freedom's Journal,

0:25:33.280 --> 0:25:38.480
<v Speaker 1>which again is a media outlet our story times ten.

0:25:39.040 --> 0:25:40.760
<v Speaker 1>You know, in terms of the struggles, in terms of

0:25:40.760 --> 0:25:43.359
<v Speaker 1>all the things that need to be overcome, you know,

0:25:45.160 --> 0:25:47.640
<v Speaker 1>I can only imagine how difficult it must have been

0:25:47.720 --> 0:25:50.280
<v Speaker 1>and the fight that it must have taken inside of

0:25:50.320 --> 0:25:53.879
<v Speaker 1>all the people responsible. And so when I say we

0:25:53.960 --> 0:25:57.280
<v Speaker 1>stand on the shoulders of giants, I recognize that. You know,

0:25:57.320 --> 0:26:00.119
<v Speaker 1>you might have never heard of the Freedom's Journal, but

0:26:00.200 --> 0:26:02.320
<v Speaker 1>you will hear about it today. They deserve every bit

0:26:02.359 --> 0:26:05.280
<v Speaker 1>of this way Black history fact, and we are grateful

0:26:05.720 --> 0:26:08.159
<v Speaker 1>to them. Hopefully in the future in thirty years and

0:26:08.160 --> 0:26:10.480
<v Speaker 1>one hundred years, someone looks back on what we're doing

0:26:10.560 --> 0:26:14.199
<v Speaker 1>right now, and it's grateful for what we're doing. And

0:26:14.320 --> 0:26:17.720
<v Speaker 1>really we're here right now. We're not trying to think

0:26:17.760 --> 0:26:19.679
<v Speaker 1>too far back, too far in the future.

0:26:19.800 --> 0:26:20.280
<v Speaker 2>We have to.

0:26:20.200 --> 0:26:23.359
<v Speaker 1>Obviously keep an eye on both of those things. But

0:26:24.400 --> 0:26:28.600
<v Speaker 1>hopefully we're we're doing right by you, our listener right now.

0:26:28.600 --> 0:26:30.800
<v Speaker 1>People that are engaging with us right now, we think

0:26:30.800 --> 0:26:32.560
<v Speaker 1>that's more important than anything.

0:26:32.640 --> 0:26:34.399
<v Speaker 2>But I'll read.

0:26:36.200 --> 0:26:40.240
<v Speaker 1>Founded on March sixteenth, eighteen twenty seven, as a four page,

0:26:40.240 --> 0:26:44.280
<v Speaker 1>four columns standard sized weekly, Freedom's Journal was the first

0:26:44.359 --> 0:26:47.320
<v Speaker 1>black owned and operated newspaper in the United States and

0:26:47.600 --> 0:26:50.520
<v Speaker 1>was established the same year that slavery was abolished in

0:26:50.600 --> 0:26:53.560
<v Speaker 1>New York State be Gone by a group of free

0:26:53.560 --> 0:26:56.080
<v Speaker 1>black men in New York City. The paper served to

0:26:56.200 --> 0:26:59.240
<v Speaker 1>counter racist commentary published by the mainstream news.

0:27:00.080 --> 0:27:03.399
<v Speaker 2>Samuel E. Cornish and John B.

0:27:04.000 --> 0:27:10.120
<v Speaker 1>Russworm served respectively as its senior and junior editors. Freedom's

0:27:10.160 --> 0:27:13.399
<v Speaker 1>Journal was similar to other Antebellum reform papers in that

0:27:13.440 --> 0:27:17.760
<v Speaker 1>its pages consisted of news of current events, anecdotes, and editorials,

0:27:18.000 --> 0:27:20.840
<v Speaker 1>and was used to address contemporary issues such as slavery

0:27:20.920 --> 0:27:25.560
<v Speaker 1>and colonization, a concept which was conceived by members of

0:27:25.600 --> 0:27:31.440
<v Speaker 1>the American Colonization Society, a mostly white pro immigration organization

0:27:31.880 --> 0:27:36.399
<v Speaker 1>founded in eighteen sixteen to repatriate the free Black people

0:27:36.440 --> 0:27:42.240
<v Speaker 1>to Africa. Initially opposed to colonization efforts, Freedom's Journal denounced

0:27:42.280 --> 0:27:45.720
<v Speaker 1>slavery and advocated for black people's political rights, the right

0:27:45.760 --> 0:27:50.159
<v Speaker 1>to vote, and spoke out against lynchings. Freedom's Journal provided

0:27:50.160 --> 0:27:54.560
<v Speaker 1>its readers with regional, national, and international news, and with

0:27:54.720 --> 0:27:58.359
<v Speaker 1>news that could serve to both entertain and educate. It

0:27:58.480 --> 0:28:02.919
<v Speaker 1>sought to improve conditions for the over three hundred thousand

0:28:03.240 --> 0:28:05.760
<v Speaker 1>newly freed black men and women living in the North.

0:28:06.280 --> 0:28:09.800
<v Speaker 1>Newspaper broadened reader's knowledge of the world by featuring articles

0:28:10.240 --> 0:28:14.000
<v Speaker 1>on such country as Haiti and Sierra Leone.

0:28:14.119 --> 0:28:14.800
<v Speaker 2>As a paper of.

0:28:14.760 --> 0:28:19.239
<v Speaker 1>Record, Freedom's Journal published birth, death and wedding announcements to

0:28:19.359 --> 0:28:23.480
<v Speaker 1>encourage black achievement. It featured biographies of renowned black figures

0:28:23.520 --> 0:28:26.679
<v Speaker 1>such as Paul Cuffey, a black Bostonian who owned a

0:28:26.720 --> 0:28:30.800
<v Speaker 1>trading ship staffed by free black people, to Saunt Lowe Retour,

0:28:31.600 --> 0:28:36.320
<v Speaker 1>and poet Phyllis Wheatley. The paper also printed school, job

0:28:36.440 --> 0:28:41.840
<v Speaker 1>and housing listings various times. The newspaper employed between fourteen

0:28:41.960 --> 0:28:45.040
<v Speaker 1>to forty four agents to collect and renew subscriptions, which

0:28:45.080 --> 0:28:48.680
<v Speaker 1>cost three dollars per year. One of its agents, David

0:28:48.720 --> 0:28:53.400
<v Speaker 1>Walker from Boston, eventually became the writer of David Walker's Appeal,

0:28:53.560 --> 0:28:57.200
<v Speaker 1>which called for slaves to rebel against their masters. Freedom's

0:28:57.240 --> 0:29:02.400
<v Speaker 1>Journal was soon circulated in eleven states, the District of Columbia, Haiti, Europe,

0:29:02.400 --> 0:29:06.200
<v Speaker 1>and Canada. A typical advertisement costs between twenty five to

0:29:06.240 --> 0:29:11.800
<v Speaker 1>seventy five cents. Russworm became sole editor Freedom's Journal following

0:29:11.840 --> 0:29:15.960
<v Speaker 1>the resignation of Cornish in September eighteen twenty seven, and

0:29:16.040 --> 0:29:19.240
<v Speaker 1>began to promote the colonization movement. The majority of the

0:29:19.280 --> 0:29:22.440
<v Speaker 1>newspaper's readers did not support the paper's radical shift in

0:29:22.480 --> 0:29:26.080
<v Speaker 1>support of colonization, and in March eighteen twenty nine, Freedom's

0:29:26.160 --> 0:29:30.840
<v Speaker 1>Journal ceased publication. Soon after, Russworm immigrated to the American

0:29:30.960 --> 0:29:36.480
<v Speaker 1>Colonization Society of Liberia and became governor of the Maryland Colony.

0:29:37.520 --> 0:29:41.840
<v Speaker 1>Cornish returned and attempted to revive the newspaper in May

0:29:41.880 --> 0:29:44.680
<v Speaker 1>eighteen twenty nine under the new name The Rights of All,

0:29:45.080 --> 0:29:47.760
<v Speaker 1>but the paper folded after less than a year. Freedom's

0:29:47.800 --> 0:29:51.280
<v Speaker 1>Journal's two year existence, however, helped spawn other papers. By

0:29:51.320 --> 0:29:53.760
<v Speaker 1>the start of the Civil War, over forty black owned

0:29:53.800 --> 0:29:59.280
<v Speaker 1>and operated newspapers had been established throughout the United States.

0:30:00.520 --> 0:30:12.440
<v Speaker 1>And you know this tradition continues today. In fact, I

0:30:12.480 --> 0:30:15.880
<v Speaker 1>want to shout out Sheen magazine. I want to shout

0:30:15.920 --> 0:30:21.160
<v Speaker 1>out the Kansas City Defender. These are black owned media publications.

0:30:21.280 --> 0:30:25.840
<v Speaker 1>You know, earlier today h Q and myself and Maggie

0:30:25.880 --> 0:30:31.280
<v Speaker 1>B knowing you do, we had to interview with you know,

0:30:31.840 --> 0:30:34.600
<v Speaker 1>these black owned media outlets about what it is we're

0:30:34.600 --> 0:30:40.600
<v Speaker 1>doing here, and you know, I cannot stress how important

0:30:40.640 --> 0:30:43.640
<v Speaker 1>that is. And then hopefully you start to see that

0:30:44.040 --> 0:30:47.280
<v Speaker 1>in this space. In a broadcast space, you know, there's

0:30:47.280 --> 0:30:50.200
<v Speaker 1>lots of newspapers, there's lots of television shows, there's lots

0:30:50.200 --> 0:30:53.800
<v Speaker 1>of podcasts. But on the radio, you know, on hip

0:30:53.800 --> 0:30:57.240
<v Speaker 1>hop radio, you know, there's I'm not going to pretend

0:30:57.240 --> 0:30:59.000
<v Speaker 1>like there's not a lot of radio shows that deal

0:30:59.040 --> 0:31:01.960
<v Speaker 1>with black issues, but on hip hop radio, there's really

0:31:02.000 --> 0:31:06.640
<v Speaker 1>not a lot of content like this. And again that's

0:31:06.640 --> 0:31:09.680
<v Speaker 1>where we're going to find a good amount of our allies.

0:31:09.720 --> 0:31:16.400
<v Speaker 1>And so this blueprint, this format obviously continues to this

0:31:16.560 --> 0:31:19.400
<v Speaker 1>day and it's still very much in use for people

0:31:19.440 --> 0:31:26.240
<v Speaker 1>who are very engaged, people who value stories that don't

0:31:26.240 --> 0:31:31.480
<v Speaker 1>make their way to CNN, but are just as monumental

0:31:31.760 --> 0:31:36.600
<v Speaker 1>or pivotal or necessary as some of those other stories.

0:31:37.720 --> 0:31:41.800
<v Speaker 1>And you know, this is certainly an example of you

0:31:41.840 --> 0:31:44.080
<v Speaker 1>know if we don't tell our stories, who will and

0:31:44.120 --> 0:31:47.120
<v Speaker 1>how will they tell them? Will they be accurate? And

0:31:47.200 --> 0:31:50.960
<v Speaker 1>if we don't celebrate our wins, then perhaps no one will.

0:31:52.040 --> 0:31:55.520
<v Speaker 1>And so while we have the opportunity to do so

0:31:55.640 --> 0:31:58.360
<v Speaker 1>on our second birthday, here again we want to salute

0:31:58.360 --> 0:32:03.920
<v Speaker 1>Freedom's Journal for paving the way for all black media,

0:32:04.760 --> 0:32:10.240
<v Speaker 1>true news media certainly, and we're grateful that we get

0:32:10.240 --> 0:32:13.440
<v Speaker 1>to again stand on the shoulders of those giants.

0:32:13.680 --> 0:32:16.280
<v Speaker 4>And I'm grateful I get to do it with you, man,

0:32:16.480 --> 0:32:21.000
<v Speaker 4>like I asked, man, excessively proud of your vision and

0:32:21.200 --> 0:32:27.480
<v Speaker 4>ingenuity and taking what felt like a failed space and

0:32:27.520 --> 0:32:30.840
<v Speaker 4>turning it into something that might have some impact on

0:32:30.920 --> 0:32:35.600
<v Speaker 4>bringing forth this change that you and our producer seem

0:32:35.640 --> 0:32:38.720
<v Speaker 4>to be a little bit more hopeful about actually happening

0:32:38.720 --> 0:32:42.800
<v Speaker 4>than me sometimes. But again, we talk about balance in

0:32:42.840 --> 0:32:46.600
<v Speaker 4>our placement and that I think that's required. So grateful

0:32:46.600 --> 0:32:49.960
<v Speaker 4>for you, Thankful for you, and appreciate the opportunity to

0:32:50.000 --> 0:32:51.520
<v Speaker 4>sit in the second chair.

0:32:51.680 --> 0:32:55.160
<v Speaker 1>I appreciate the opportunity as well, and that's going to

0:32:55.200 --> 0:32:57.480
<v Speaker 1>do it for us for our second anniversary show. So

0:32:58.000 --> 0:32:59.640
<v Speaker 1>once again I'm host Ramsay's job.

0:33:00.040 --> 0:33:04.880
<v Speaker 4>Years Josh I am que board once again, you guys

0:33:04.960 --> 0:33:07.920
<v Speaker 4>are you guys make us where we are?

0:33:07.920 --> 0:33:10.640
<v Speaker 2>So thank you and until next with y'all peace.

0:33:16.400 --> 0:33:19.680
<v Speaker 3>Yeah, like yo, we handle it. These brothers a fabulous

0:33:20.080 --> 0:33:23.320
<v Speaker 3>our lady showing you where bomb travels who speak to

0:33:23.720 --> 0:33:27.200
<v Speaker 3>from sunlight to move, busting on stage like gonna fights

0:33:27.240 --> 0:33:28.880
<v Speaker 3>the b ro.

0:33:29.040 --> 0:33:29.760
<v Speaker 1>My mic back.

0:33:29.880 --> 0:33:33.040
<v Speaker 3>You're like that journalist with journalist too. We can strike

0:33:33.120 --> 0:33:36.440
<v Speaker 3>back all borders with waters from head, borders behind in,

0:33:36.560 --> 0:33:39.240
<v Speaker 3>the beline sides up, and the borders the press pass.

0:33:39.560 --> 0:33:41.719
<v Speaker 2>We bring it to you as it happens the streets.

0:33:41.760 --> 0:33:44.880
<v Speaker 3>Love popped him from music, Your rapping the street compared

0:33:45.000 --> 0:33:47.760
<v Speaker 3>the slash we expando. You're to fight the slander with

0:33:47.840 --> 0:33:50.600
<v Speaker 3>the proper propaganda. What's happening, it's hop You've got a

0:33:50.720 --> 0:33:53.320
<v Speaker 3>questions to ask in deduce, it's just a TV show.

0:33:53.640 --> 0:33:56.840
<v Speaker 3>You're past it. And this from a white wartime journalist

0:33:57.000 --> 0:33:58.280
<v Speaker 3>headlines We're gonna

0:33:58.320 --> 0:33:59.280
<v Speaker 2>Previews and res