WEBVTT - Doing Your Own Stunts With Mark Hamill 

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<v Speaker 1>Yeah, it was crazy. It was sort of like, oh,

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<v Speaker 1>this is what must be like for Mick jagger.

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<v Speaker 2>Man. What's handed man?

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<v Speaker 3>You got Marshaw Bismall Lynch.

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<v Speaker 4>Doug Hendrickson and Gavin Newsome and you're listening to politics

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<v Speaker 4>you know, to be you knowing to be.

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<v Speaker 5>Hey, Marshawn, what about this? I mean, it's it's it's

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<v Speaker 5>been like Christmas for me. Early the greatest coach of

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<v Speaker 5>all time, our good friend of the program who many

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<v Speaker 5>people don't realize that you and Bill are good friends,

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<v Speaker 5>Bill Belichick, Bill Belichick, the head coach the North Carolina

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<v Speaker 5>I mean, Marshawn, what's your thoughts on that?

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<v Speaker 2>Man?

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<v Speaker 3>That's crazy? That is crazy considering we just talked to

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<v Speaker 3>Grunt and uh edam Man and edam I said he

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<v Speaker 3>one hundred.

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<v Speaker 2>Guaranteed that he would give back the coaching.

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<v Speaker 5>Well, here's my thought. People are like, why is he

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<v Speaker 5>doing this? This is crazy? But like at the end

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<v Speaker 5>of the day, like we always say, we're on borrowed

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<v Speaker 5>fucking time. And so if you if your coaching is

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<v Speaker 5>in your blood, you think Bill's insider on the condo

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<v Speaker 5>in Florida and just chilling.

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<v Speaker 4>Yeah, but I think but the big back to coach.

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<v Speaker 4>Of course he wants to coach, and he said that,

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<v Speaker 4>he said, they said, why do you want to do this?

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<v Speaker 4>There's better than a job, he says, I love what

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<v Speaker 4>I do. But what about all those NFL teams that

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<v Speaker 4>were that were I like, I look, I think a

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<v Speaker 4>lot of them. I think a lot of them missed

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<v Speaker 4>the boat. I think that, But you got you. We

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<v Speaker 4>were talking about Bloody Monday a couple of weeks ago

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<v Speaker 4>on the podcast Coming It's Coming hasn't even come, and

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<v Speaker 4>then all those opportunities to present themselves anew every one

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<v Speaker 4>of these head coaches.

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<v Speaker 5>I think the problem is the perception on Coach is

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<v Speaker 5>that they think he's going to come in and have

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<v Speaker 5>his own people do his own thing instead of being

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<v Speaker 5>open to possibly work with others, et cetera.

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<v Speaker 4>Which is not I'm not saying it's the right move.

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<v Speaker 5>I'm saying it's short sighted on these owners because it's

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<v Speaker 5>the greatest coach of all time. Okay, yeah, you're gonna

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<v Speaker 5>hire an assistant, to hire a coordinator defense court and

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<v Speaker 5>offense court un versus Bill.

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<v Speaker 4>I think it's crazy. But I think he said, you're

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<v Speaker 4>telling me, Marshawn, you think that's is accurate that he

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<v Speaker 4>wasn't likely going to get an NFL UH coaching opportunity,

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<v Speaker 4>and that's why he jumped it. You would see.

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<v Speaker 3>I just don't think it would have been in the

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<v Speaker 3>conditions that he would apparently want.

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<v Speaker 5>It so more Sean, the question is these youngsters. How

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<v Speaker 5>will the youngsters deal with Bill? The college kids in

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<v Speaker 5>this transfer portal want more money going to him for money?

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<v Speaker 5>Do they want to play for him? How do you

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<v Speaker 5>think these guys are going to react as far as

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<v Speaker 5>the young guys in today's culture.

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<v Speaker 3>I mean, it's going to show a lot. It's going

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<v Speaker 3>to show, uh you know with those youngsters, like is

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<v Speaker 3>they really in it for you know what, I mean,

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<v Speaker 3>to be the best player or if they just in

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<v Speaker 3>it for a bag and a lot of that shit

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<v Speaker 3>is going to show because we're just talking to a

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<v Speaker 3>lot of players that play for him, like like he

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<v Speaker 3>he no fucking joke when it comes to you, I

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<v Speaker 3>mean playing off. So if that's not what you're about,

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<v Speaker 3>then you probably not gonna make it over there, most definitely.

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<v Speaker 3>But he don'na he gonna weed out. And I mean,

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<v Speaker 3>you know, you look at it he took you know,

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<v Speaker 3>he take late round drafted individuals and he gonna build

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<v Speaker 3>super teams with him. So I mean, you know it's

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<v Speaker 3>he it's anything to do it. And then I mean,

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<v Speaker 3>you know, just the fact that he'll be able to

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<v Speaker 3>get exactly the kind of players that he won't then

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<v Speaker 3>that shiit just will take care of everything. Because once

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<v Speaker 3>you buy into the program, then it's hard to uh

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<v Speaker 3>to to.

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<v Speaker 2>To be beat.

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<v Speaker 3>Which is why I think he had so much success,

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<v Speaker 3>you know, I mean, especially with with the guys that

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<v Speaker 3>he had. It wasn't like he had a team full

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<v Speaker 3>of fucking uh superstars. He took guys and then turned

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<v Speaker 3>them into superstars because they bought into his program.

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<v Speaker 5>Well, now, look like the college is a an NFL system,

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<v Speaker 5>gut and you have a salary cap of twelve thirteen

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<v Speaker 5>million bucks. You got to spend one hundred players, and

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<v Speaker 5>so you now have to figure out what value upon

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<v Speaker 5>the quarterback, the running back, O line, transfer, portal guys

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<v Speaker 5>and all that stuff. So Bill can manage this now.

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<v Speaker 4>Because he's got that NFL mindset.

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<v Speaker 5>And he spent a lot of time University Washington with

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<v Speaker 5>my client Jed Fish, his son was coordinator up there,

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<v Speaker 5>to learn what to do.

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<v Speaker 4>But This brings me back to the Wether way. You

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<v Speaker 4>know what, that Washington experience may explain a lot of

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<v Speaker 4>this one hundred percent like not overstated. Yeah, because it

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<v Speaker 4>was interesting. You were telling me this time last year

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<v Speaker 4>how much time Bill was actually spending up there. Yeah,

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<v Speaker 4>and hanging out, walking around engaged. That was kind of

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<v Speaker 4>an earthly got to know it and he got to

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<v Speaker 4>like it. Interesting. Yeah, I didn't even think about that

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<v Speaker 4>in the.

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<v Speaker 5>Co for for our audience. One of the great stories.

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<v Speaker 5>I don't know if you remember more Sean a couple

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<v Speaker 5>years ago, we leave it. We leave a lunch and

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<v Speaker 5>there's media and coach and we get in the car

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<v Speaker 5>and I'll never forget I'm in the I think I'm

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<v Speaker 5>in the very back seat, and you and Bill are

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<v Speaker 5>in the in the in the front seat, and where

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<v Speaker 5>Sean looks at Bill as a coach, I fuck with you,

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<v Speaker 5>and he's like, no, no, no, really fuck with you. Bill

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<v Speaker 5>looks at him. It's like Marshawn, I fuck with you too.

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<v Speaker 5>He's like no, no, no, coach, you don't understand. I really

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<v Speaker 5>fuck you with you. And Bill's like dude. And there

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<v Speaker 5>was a love fest between Marshawn and Bill and I

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<v Speaker 5>think Marshaun correct me if I'm wrong. You then said, coach,

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<v Speaker 5>by the way you do, will be in one of

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<v Speaker 5>these rings.

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<v Speaker 4>Yeah, you won't be one of these rings. Remember that.

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<v Speaker 4>I do remember that. It's hard to people that don't

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<v Speaker 4>know Belichick don't know what a great guy he is.

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<v Speaker 4>Great guy, and I mean you see him on and

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<v Speaker 4>even the way Marshawn was describing him. If you're not

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<v Speaker 4>bought into the program, you're out of the program. It's

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<v Speaker 4>one thing on the field when he's coaching, that's sort

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<v Speaker 4>of a different Bill Belichick.

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<v Speaker 5>But off the field, there's nothing. If you're in Bill's orbit,

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<v Speaker 5>he's he's family like I. For whatever reason, Bill and

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<v Speaker 5>I have gotten to be very close, and I was

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<v Speaker 5>always one of the only agency ever dealt with and

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<v Speaker 5>communicating with. But if you're not in that orbit, he

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<v Speaker 5>can be a scary motherfucker.

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<v Speaker 4>Do you remember, speaking of family, You remember we had

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<v Speaker 4>and this is one of my great memories. We're at

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<v Speaker 4>the Super Bowl. We you and I were there together.

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<v Speaker 4>Belichick is there. He's sitting to my right and pat

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<v Speaker 4>Riley sitting on my left, and I We're watching the

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<v Speaker 4>forty nine ers in Miami and had Belichick and Riley,

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<v Speaker 4>who have more Super I mean Super.

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<v Speaker 5>Bowl and by the way, the greatest hedge fun guy

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<v Speaker 5>of all time, Paul Peter Joe.

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<v Speaker 4>Yeah, well, of course, I mean that was there was

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<v Speaker 4>the reason the Mount Rushmore of people and Mount Rushmore

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<v Speaker 4>of people, but the Mount Rushmore of experiences. Every single

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<v Speaker 4>down Belichick was calling the play, literally whispering over to

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<v Speaker 4>Riley and I saying, they're like, they're going to do

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<v Speaker 4>a past, like, damn to do a pass. I'm like,

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<v Speaker 4>and it's second and long. You guess running. I'm like,

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<v Speaker 4>it ain't gonna be a running play. Coach.

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<v Speaker 5>He goes running, like predicted every single day you had you,

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<v Speaker 5>I mean you you. That was probably one of the

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<v Speaker 5>unique chairs ever. I mean you're sitting between what thirteen

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<v Speaker 5>four teen rings? It's crazy more between Belichick and Riley

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<v Speaker 5>and Riley. You know the funniest part about that too.

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<v Speaker 5>Riley gets up and there's someone next next to us,

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<v Speaker 5>and the guy. As Riley leaves, he comes up to

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<v Speaker 5>me says, hey, man, just wanted to introduce myself.

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<v Speaker 4>My name is Sam. I said, hey, Sam, my name

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<v Speaker 4>is Gavin goes Man. It must be so cool to

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<v Speaker 4>have Pat Riley as your dad, He's not my father.

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<v Speaker 4>You got that hair, man, it was the hair. But

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<v Speaker 4>that was a hell of an experience. And uh, and

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<v Speaker 4>that's when we got That's what I really got to

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<v Speaker 4>know Belichick at a different level and just matter.

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<v Speaker 5>Respect and And what's interesting where Sean lately in the NFL,

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<v Speaker 5>He've been seeing an NBA too, like.

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<v Speaker 4>All these robberies of these guys. You saw Joe.

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<v Speaker 5>Burrow got robbed, Gavin if you saw that mahomes Kelsey.

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<v Speaker 5>There is this ring across the countryes robing these athletes,

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<v Speaker 5>which is bizarre. So these guys are going to play

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<v Speaker 5>and it's a if you're if you're a Robert, it's

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<v Speaker 5>a brilliant move. It's almost like Ocean is eleven movie.

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<v Speaker 5>These guys are playing a game Monday night and they're

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<v Speaker 5>gonna go rob Joe Burrow or whatever it may be.

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<v Speaker 4>And watch watch your Instagram, brother, watch your Instagram what

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<v Speaker 4>you put up there?

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<v Speaker 2>Man, I don't play Instagram.

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<v Speaker 4>Watch your TikTok, watch your Twitter, none of that.

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<v Speaker 2>I don't play none of them. Ships.

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<v Speaker 3>But yeah, I think I've just seen uh Tua said,

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<v Speaker 3>somebody had I think ran up in his car or something.

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<v Speaker 3>But yeah, they they they bowled, and I mean, you know,

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<v Speaker 3>I think, uh, you know, rest in peace to one

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<v Speaker 3>of the one of the greats, like you know that

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<v Speaker 3>happened with Sean Taylor. Yeah, you're right, And I think

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<v Speaker 3>and I think that the concept was, you know, they

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<v Speaker 3>tried to hit his house considering thinking that he you know,

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<v Speaker 3>he wouldn't be home, and you know just how tragic

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<v Speaker 3>that is. But uh, Tua was saying that he went

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<v Speaker 3>and uh he got I get some arm go.

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<v Speaker 2>Yeah, I mean to be at his house when he

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<v Speaker 2>when he's gone leave by the talent and shit like that. Yeah.

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<v Speaker 3>Man, it's getting I don't want to say it's getting

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<v Speaker 3>but you know, now everything is you know, broadcasted through

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<v Speaker 3>social media.

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<v Speaker 5>Well, speaking of our guards, Moore, Sean, the insurance guy

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<v Speaker 5>needed some of them guards as the problem. And this

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<v Speaker 5>guy's now people looking at this. By the way, that's

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<v Speaker 5>another thing that people look at this guy Luigi who

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<v Speaker 5>by the way, that the guy who killed the insurance

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<v Speaker 5>guy more Sean, you know, to me, I thought, initially

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<v Speaker 5>in San Francisco's but California, initially I thought, maybe okay,

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<v Speaker 5>you know, maybe his his mom had cancer. The refused

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<v Speaker 5>payments and she died within thirty days instead of whatever

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<v Speaker 5>it may be, none of that was actually there. People

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<v Speaker 5>a looted this guy like he's a hero, which is

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<v Speaker 5>really crazy.

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<v Speaker 4>Well, they hate the insurance companies and they hate the

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<v Speaker 4>fact the insurance companies den I so much coverage and

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<v Speaker 4>people are dying on their watch. And there's a lot there,

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<v Speaker 4>But that doesn't excuse someone from being assassinated. Someone being

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<v Speaker 4>killed from behind doesn't absolutely doesn't excuse a horrific act.

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<v Speaker 4>But yeah, no, everything about that disturbed me on every

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<v Speaker 4>damn level. I mean, we can there's a plenty of

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<v Speaker 4>time and plenty of ways to focus on insurance abuse,

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<v Speaker 4>and I take a back seat to no one. I

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<v Speaker 4>happened to be governor of a state that's only stay

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<v Speaker 4>in America that's provided universal healthcare regardless of preexistent condition,

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<v Speaker 4>ability to pay, or your immigration status. It's controversial, but

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<v Speaker 4>the fact is we're doing it at a whole different

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<v Speaker 4>level than any state in America. So I have a

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<v Speaker 4>lot of a lot of opinions about.

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<v Speaker 5>Being study is that screwed up?

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<v Speaker 4>Because it is completely screwed up and in every way,

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<v Speaker 4>shape or form, But that's not the way you highlight

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<v Speaker 4>an issue by assassinating a guy's got two young kids

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<v Speaker 4>in the middle of the you know, in the middle

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<v Speaker 4>of the streets.

0:10:43.120 --> 0:10:44.640
<v Speaker 5>So now you got a twenty six year old kid

0:10:44.640 --> 0:10:46.040
<v Speaker 5>who's going to be in jailed the rest of his life.

0:10:46.080 --> 0:10:48.800
<v Speaker 4>Yeah, and he's got a manifest in his life's completely destroyed.

0:10:48.880 --> 0:10:52.360
<v Speaker 4>So not about nothing about this. There was some weird

0:10:52.679 --> 0:10:55.800
<v Speaker 4>punitary around this, and people sort of romanticizing this. They

0:10:56.120 --> 0:10:58.720
<v Speaker 4>them right about it. Everything was wrong.

0:10:58.520 --> 0:11:00.120
<v Speaker 5>About it, by the way Sean they spell, by the

0:11:00.120 --> 0:11:03.160
<v Speaker 5>way they say more Shawn, this guy's gotten over twenty

0:11:03.240 --> 0:11:07.360
<v Speaker 5>thousand letters from women that one like married this guy

0:11:07.360 --> 0:11:09.000
<v Speaker 5>already in jail, which is bizarre.

0:11:09.400 --> 0:11:12.679
<v Speaker 4>No, he's been there three days. It'll be their thirty

0:11:12.800 --> 0:11:16.960
<v Speaker 4>damn years. Well uh, well, and we'll see maybe more.

0:11:17.160 --> 0:11:20.360
<v Speaker 2>But what was you say? He was the insurance guy?

0:11:20.440 --> 0:11:22.480
<v Speaker 2>What what was his? Uh?

0:11:22.640 --> 0:11:25.720
<v Speaker 4>This guy just went went right out there and assassinated

0:11:25.800 --> 0:11:28.560
<v Speaker 4>a fifty year old young executive.

0:11:28.880 --> 0:11:33.079
<v Speaker 2>Of which which insurance was he?

0:11:33.160 --> 0:11:34.480
<v Speaker 4>United Healthcare? United Healthcare?

0:11:34.600 --> 0:11:37.080
<v Speaker 2>Yeah, United Healthcare? Oh shit.

0:11:37.440 --> 0:11:39.079
<v Speaker 4>But then all of a sudden, he's you know some

0:11:39.240 --> 0:11:42.480
<v Speaker 4>you know, some hero to some folks. I guess on

0:11:42.520 --> 0:11:45.040
<v Speaker 4>the uber left. I don't even understand. And on the

0:11:45.120 --> 0:11:49.360
<v Speaker 4>uber right, I our pop men again. The world we're

0:11:49.400 --> 0:11:51.280
<v Speaker 4>living in right now goes to the point of people

0:11:51.360 --> 0:11:53.240
<v Speaker 4>going on your So you can you can say it's better.

0:11:53.280 --> 0:11:55.440
<v Speaker 5>You could say I'm going to go I want I

0:11:55.480 --> 0:11:57.360
<v Speaker 5>want Roger Good. They'll take it out because people can

0:11:57.400 --> 0:11:58.280
<v Speaker 5>see t from football.

0:11:58.280 --> 0:11:58.880
<v Speaker 4>You can say that.

0:11:59.160 --> 0:12:02.280
<v Speaker 5>People will cole minds. Then they have trust U. I

0:12:02.280 --> 0:12:05.080
<v Speaker 5>mean everybody in this whole industry. Someone's I don't think this.

0:12:05.320 --> 0:12:09.040
<v Speaker 4>I can I can personally vouch for a half dozen

0:12:09.080 --> 0:12:12.160
<v Speaker 4>people that I know have now security that never had

0:12:12.240 --> 0:12:14.960
<v Speaker 4>in their life really because they think they're on some

0:12:15.679 --> 0:12:20.240
<v Speaker 4>buddy's list and they're not. But they just think because

0:12:20.320 --> 0:12:22.960
<v Speaker 4>of the nature that sort of the classes and that everything,

0:12:23.120 --> 0:12:25.600
<v Speaker 4>it's not just classism. It's just there's something else going on.

0:12:25.840 --> 0:12:27.680
<v Speaker 4>And by the way, speaking of that, did you guys

0:12:27.679 --> 0:12:30.640
<v Speaker 4>watch that Brett farv thing I did? Do you watch

0:12:30.640 --> 0:12:32.319
<v Speaker 4>that mar Sean? You miss that? Marshan?

0:12:33.480 --> 0:12:38.280
<v Speaker 5>Well, it's Brett Farvard, Mark Gastineau, and Gastineau approached far

0:12:38.640 --> 0:12:41.880
<v Speaker 5>At like an autograph show, you know about the sack

0:12:42.280 --> 0:12:44.679
<v Speaker 5>about straight ahead side and he was he was emotionally

0:12:44.720 --> 0:12:47.599
<v Speaker 5>and passed. Yeah, and it got so bad Far have

0:12:47.640 --> 0:12:50.600
<v Speaker 5>had to actually leave Yea and not talk to Gaston

0:12:50.640 --> 0:12:53.080
<v Speaker 5>anymore because Gas said ruined Gaston's life because it.

0:12:53.040 --> 0:12:54.480
<v Speaker 4>Would have been the Sack record. It would have been.

0:12:54.840 --> 0:12:57.880
<v Speaker 5>You know it's it stood for what twenty years, and

0:12:58.040 --> 0:13:00.760
<v Speaker 5>you know, poor Strayians getting put in the thing and

0:13:01.240 --> 0:13:03.080
<v Speaker 5>take it Far did take it time's.

0:13:03.000 --> 0:13:07.319
<v Speaker 4>He didn't want to take straights hit, which was arguably understandable,

0:13:07.400 --> 0:13:09.160
<v Speaker 4>but that's just mere Far.

0:13:09.280 --> 0:13:12.120
<v Speaker 3>A tough So when you say you know he didn't

0:13:12.120 --> 0:13:15.920
<v Speaker 3>want to take straight hand hit, bred farther A tough motherfucker, man,

0:13:16.760 --> 0:13:17.439
<v Speaker 3>I mean, I don't.

0:13:17.559 --> 0:13:18.520
<v Speaker 2>I don't know if it was.

0:13:18.480 --> 0:13:21.120
<v Speaker 5>That man, I mean you know I think it. I

0:13:21.160 --> 0:13:23.640
<v Speaker 5>think it was a I think it was. It was it.

0:13:23.720 --> 0:13:27.000
<v Speaker 2>Was brother in law, thy ship going on.

0:13:27.120 --> 0:13:29.240
<v Speaker 5>It was with Nod like, hey, I'm gonna roll right,

0:13:29.400 --> 0:13:30.200
<v Speaker 5>I'm gonna go down.

0:13:30.240 --> 0:13:31.720
<v Speaker 4>You got the right. So you think the whole thing

0:13:31.800 --> 0:13:33.199
<v Speaker 4>was choreographed.

0:13:33.280 --> 0:13:36.360
<v Speaker 3>I mean should from the from the sounds of it,

0:13:36.800 --> 0:13:40.600
<v Speaker 3>you know what, I don't. I don't uh actually remember

0:13:40.640 --> 0:13:43.360
<v Speaker 3>the play, but I had a conversation with it with it,

0:13:43.720 --> 0:13:46.199
<v Speaker 3>had a conversation about it with an individual, say kind

0:13:46.200 --> 0:13:48.960
<v Speaker 3>of rolled out and you know, kind of dropped down

0:13:48.960 --> 0:13:49.600
<v Speaker 3>and gave him that.

0:13:49.640 --> 0:13:50.560
<v Speaker 2>Half a second.

0:13:52.040 --> 0:13:56.360
<v Speaker 3>I mean, I mean it wasn't that straight hand. You know,

0:13:56.480 --> 0:14:00.840
<v Speaker 3>probably needed him to do that, but I mean, you see,

0:14:00.880 --> 0:14:02.080
<v Speaker 3>we're straight hening at now.

0:14:02.880 --> 0:14:04.160
<v Speaker 5>Hey, But more Sean, I want to ask you. I

0:14:04.200 --> 0:14:06.160
<v Speaker 5>want to ask you a serious question. I thought about

0:14:06.160 --> 0:14:08.880
<v Speaker 5>this last night when I was watching the game. Your

0:14:08.920 --> 0:14:11.880
<v Speaker 5>teammate walks out of the game and refuses to play.

0:14:12.520 --> 0:14:13.880
<v Speaker 5>What do you do to the guy.

0:14:13.679 --> 0:14:14.240
<v Speaker 4>After the game?

0:14:14.440 --> 0:14:15.480
<v Speaker 2>You said? After the game?

0:14:15.960 --> 0:14:18.600
<v Speaker 5>Yeah, and the guy, the Niner linebacker left the game,

0:14:18.679 --> 0:14:22.320
<v Speaker 5>refused to go in the games as his teammate. What

0:14:22.400 --> 0:14:25.080
<v Speaker 5>do you do at the end of the game.

0:14:25.200 --> 0:14:27.560
<v Speaker 2>What was going on? What prompt him to do that?

0:14:28.040 --> 0:14:30.840
<v Speaker 5>Nobody knows why, but apparently he was upset he wasn't

0:14:30.880 --> 0:14:33.680
<v Speaker 5>starting to playing, and so instead of going in the

0:14:33.720 --> 0:14:35.840
<v Speaker 5>game in the third quarter when Greenlaw came out, he

0:14:35.920 --> 0:14:38.800
<v Speaker 5>actually quit, walked off the field in the locker room

0:14:38.840 --> 0:14:41.600
<v Speaker 5>and left. He's gone, well, yeah, but what does Marshaan do.

0:14:42.120 --> 0:14:45.520
<v Speaker 3>Know what I'm saying, Well, you you know me fresh,

0:14:46.000 --> 0:14:48.480
<v Speaker 3>especially if that's one of my one of my dudes,

0:14:48.640 --> 0:14:52.160
<v Speaker 3>and most of the time guys I'll play with. I

0:14:52.280 --> 0:14:56.400
<v Speaker 3>fucked with tough, and if he is somebody who didn't

0:14:56.440 --> 0:14:59.920
<v Speaker 3>matter a situation like that happened, I'm going in the

0:15:00.120 --> 0:15:01.800
<v Speaker 3>locker room to go and get.

0:15:01.640 --> 0:15:03.240
<v Speaker 4>Him, right.

0:15:03.360 --> 0:15:05.760
<v Speaker 3>I mean, come on, bro, at least at least we

0:15:05.840 --> 0:15:08.880
<v Speaker 3>gonna do is We're gonna finish this motherfucker out together,

0:15:09.280 --> 0:15:12.920
<v Speaker 3>and then you feel me. Yeah, I mean after the game,

0:15:13.000 --> 0:15:15.200
<v Speaker 3>we can go ahead and figure out, you know what

0:15:15.200 --> 0:15:17.280
<v Speaker 3>I mean, what type of time we on and what

0:15:17.440 --> 0:15:20.920
<v Speaker 3>need to be done. But you know, a lot of

0:15:21.000 --> 0:15:26.120
<v Speaker 3>guys like you know what I mean, you get you

0:15:26.200 --> 0:15:28.880
<v Speaker 3>get that edge when when I'm looking over to the

0:15:28.920 --> 0:15:31.720
<v Speaker 3>sideline or you know what I mean, I'm on the

0:15:31.760 --> 0:15:35.400
<v Speaker 3>sideline and I and I hear Cam Chancellor talking about, hey,

0:15:35.440 --> 0:15:39.520
<v Speaker 3>beach molds you up. Yeah, I'm up like that. That

0:15:39.640 --> 0:15:41.240
<v Speaker 3>kind of give me going and to see one of

0:15:41.280 --> 0:15:45.200
<v Speaker 3>my guys. Yeah, I mean just walk off the field now.

0:15:45.280 --> 0:15:50.760
<v Speaker 3>If I'm not aware of the situation of what's going on, yeah,

0:15:50.800 --> 0:15:53.800
<v Speaker 3>for sure, I'm going in the locker room telling brother, hey,

0:15:54.080 --> 0:15:55.320
<v Speaker 3>let's go finish this shit out.

0:15:55.600 --> 0:15:56.640
<v Speaker 2>Then figure this out.

0:15:57.520 --> 0:15:59.480
<v Speaker 4>That's the beauty. So that's an open ended question, and

0:15:59.560 --> 0:16:01.600
<v Speaker 4>any any of any of his players, any of his

0:16:01.640 --> 0:16:05.360
<v Speaker 4>college going but Shawn is gotting reserved judgment until he

0:16:05.400 --> 0:16:10.280
<v Speaker 4>finds out what's going on. Bro Niners didn't reserve any judgment.

0:16:10.280 --> 0:16:13.920
<v Speaker 4>They they're getting rid of this guy. Yeah, they spend them.

0:16:14.240 --> 0:16:16.240
<v Speaker 4>I guess the spending, and then they're not going to

0:16:16.920 --> 0:16:17.520
<v Speaker 4>he's gonna be.

0:16:17.520 --> 0:16:19.360
<v Speaker 5>If you spend them, then you don't have to pay him.

0:16:19.400 --> 0:16:20.600
<v Speaker 4>You can go after signing bonus.

0:16:20.640 --> 0:16:22.320
<v Speaker 5>If you cut him, then he gets everything.

0:16:22.640 --> 0:16:35.120
<v Speaker 4>Can't put up with that man? All right?

0:16:35.160 --> 0:16:38.240
<v Speaker 5>Listen, guys, this is an incredible moment for me because

0:16:38.520 --> 0:16:40.640
<v Speaker 5>you know what a Star Wars fan I am?

0:16:40.880 --> 0:16:43.000
<v Speaker 4>Are you an actual Star Wars fan? How can you

0:16:43.040 --> 0:16:43.280
<v Speaker 4>not be?

0:16:43.720 --> 0:16:48.400
<v Speaker 5>Seven? Forty seven times? Okay only forty And not only that.

0:16:48.640 --> 0:16:50.480
<v Speaker 5>You know we have out of Oakland. I can name

0:16:50.520 --> 0:16:53.360
<v Speaker 5>the athletes, but we have you know, Tom Hanks, and

0:16:53.400 --> 0:16:56.960
<v Speaker 5>we got obviously more Shawn Lynch, and we have all

0:16:57.000 --> 0:17:00.800
<v Speaker 5>the people, but we also Clinton California, Oakland, California. I mean,

0:17:00.800 --> 0:17:02.640
<v Speaker 5>this guy is the most one of the most iconic

0:17:03.120 --> 0:17:07.160
<v Speaker 5>people in the world today and we're blessed to have him.

0:17:07.520 --> 0:17:10.959
<v Speaker 4>Gavin the one, the only Mark Hamill, what's up?

0:17:11.000 --> 0:17:16.520
<v Speaker 1>Mark? My guys, I'm a proud product of Oakland, California.

0:17:17.280 --> 0:17:22.680
<v Speaker 1>Who else was from Oakland. I'm getting a fist pump

0:17:22.720 --> 0:17:25.440
<v Speaker 1>from Marshawn. So maybe he's from Oakland too.

0:17:25.920 --> 0:17:30.720
<v Speaker 4>Yes, he may be the next Mark. He may be

0:17:30.840 --> 0:17:33.720
<v Speaker 4>the next mayor of Oakland. The things are going.

0:17:35.080 --> 0:17:38.520
<v Speaker 5>If you don't Mark. I do remember when Marshawn uh

0:17:38.800 --> 0:17:41.080
<v Speaker 5>did not stand for the anthem? I think you liked

0:17:41.119 --> 0:17:43.959
<v Speaker 5>his his uh that back in the day.

0:17:44.000 --> 0:17:44.440
<v Speaker 4>Am I right?

0:17:45.640 --> 0:17:49.600
<v Speaker 1>Probably? I mean I was. I'm always for uh, you know,

0:17:50.440 --> 0:17:54.439
<v Speaker 1>resisting authority and standing up for what you believe in regardless.

0:17:54.440 --> 0:17:57.240
<v Speaker 1>I mean, it was shocking to me that Colin Kaepernick

0:17:57.760 --> 0:18:03.960
<v Speaker 1>suffered such consequences for express you know, it's his right

0:18:04.040 --> 0:18:07.960
<v Speaker 1>to say what he wants. Now I'm wondering about how

0:18:08.080 --> 0:18:10.199
<v Speaker 1>Marshawn got the nickname beast Mode.

0:18:11.000 --> 0:18:13.400
<v Speaker 3>Oh man, if you're from Oakland, you know a little

0:18:13.440 --> 0:18:16.000
<v Speaker 3>bit about how to start, you know.

0:18:16.080 --> 0:18:19.879
<v Speaker 2>I mean, it wasn't it wasn't easy. It was not easy.

0:18:19.920 --> 0:18:23.800
<v Speaker 2>But it started off as.

0:18:23.640 --> 0:18:29.919
<v Speaker 3>As man child, and then I evolved into beast mode.

0:18:30.320 --> 0:18:33.360
<v Speaker 2>That was a little more fitting.

0:18:33.680 --> 0:18:36.120
<v Speaker 1>I should be clearer now. I yes, I was born

0:18:36.160 --> 0:18:40.880
<v Speaker 1>in Oakland, but I was like six weeks old when

0:18:40.920 --> 0:18:45.040
<v Speaker 1>we moved. Father My father was in the Navy. I

0:18:45.160 --> 0:18:48.160
<v Speaker 1>was in the middle of seven kids. And I went

0:18:48.200 --> 0:18:53.840
<v Speaker 1>to nine different schools in twelve years. God damn yeah,

0:18:53.880 --> 0:18:58.600
<v Speaker 1>from kindergarten to twelfth grade. And I graduated Yokoma High

0:18:58.640 --> 0:19:03.080
<v Speaker 1>School in Japan. So, and it was always coast to

0:19:03.119 --> 0:19:07.879
<v Speaker 1>coast because it was Navy, so it would be like Oakland, Annadale, Virginia,

0:19:08.119 --> 0:19:16.200
<v Speaker 1>San Diego, Pennsylvania, San Jose, Williamsburg. You never never the Midwest.

0:19:16.280 --> 0:19:18.840
<v Speaker 1>Always coast to coast to coast. Do you pick up.

0:19:18.800 --> 0:19:20.479
<v Speaker 4>Japanese when you were out in Japan?

0:19:21.600 --> 0:19:24.800
<v Speaker 1>Well, when you're there, especially when we lived off base

0:19:24.880 --> 0:19:27.920
<v Speaker 1>the first summer we lived off base. When they move

0:19:28.000 --> 0:19:31.679
<v Speaker 1>you on base, everybody speaks English, including the Japanese. So

0:19:31.760 --> 0:19:35.240
<v Speaker 1>I learned more in that first three months off base.

0:19:36.320 --> 0:19:38.120
<v Speaker 1>And if you don't keep it up, you know, I'll

0:19:38.160 --> 0:19:43.200
<v Speaker 1>turn on a Japanese television station. I'll start remembering phrases.

0:19:43.280 --> 0:19:46.440
<v Speaker 1>But if you don't keep it up, you know you can't.

0:19:47.000 --> 0:19:50.879
<v Speaker 1>I was never conversion. I couldn't discuss politics in Japanese.

0:19:51.000 --> 0:19:54.520
<v Speaker 1>I could tell the taxi driver, wait here, turn right,

0:19:54.800 --> 0:19:57.640
<v Speaker 1>you know that kind of thing.

0:19:57.920 --> 0:20:00.800
<v Speaker 5>Look, what age did Luke sky Walker come to be?

0:20:00.880 --> 0:20:03.320
<v Speaker 5>What age when I started? How old were you I

0:20:03.359 --> 0:20:07.399
<v Speaker 5>was twenty four, So twenty four years old. Here you

0:20:07.440 --> 0:20:10.000
<v Speaker 5>are the most iconic, one of the most iconic characters

0:20:10.000 --> 0:20:12.520
<v Speaker 5>of all time. I mean, how was that? That had

0:20:12.560 --> 0:20:13.120
<v Speaker 5>to be insane?

0:20:14.280 --> 0:20:16.560
<v Speaker 1>Well, you try and ground yourself, you know, because you

0:20:16.640 --> 0:20:21.879
<v Speaker 1>haven't changed. Everybody around you is going nuts. You know,

0:20:22.000 --> 0:20:25.159
<v Speaker 1>you sort of at the center of the hurricane. But

0:20:25.400 --> 0:20:30.000
<v Speaker 1>it was crazy. I mean I eventually snuck into the

0:20:30.000 --> 0:20:32.919
<v Speaker 1>back of the theater see it with an audience. I

0:20:32.960 --> 0:20:35.600
<v Speaker 1>couldn't believe it. I mean it was like a party there.

0:20:35.640 --> 0:20:41.800
<v Speaker 1>They were bouncing beach balls around. I mean, who knows it.

0:20:41.880 --> 0:20:44.920
<v Speaker 4>By the way, where where were you? What city? What theater?

0:20:45.040 --> 0:20:46.000
<v Speaker 4>Do you remember where you were?

0:20:46.200 --> 0:20:49.480
<v Speaker 1>Yeah? I was here in southern California, and I think

0:20:49.520 --> 0:20:52.239
<v Speaker 1>I snuck into the back of wherever it was, like

0:20:52.280 --> 0:20:55.040
<v Speaker 1>at the Egyptian somewhere on Hollywood Boulevard. Maybe No, it

0:20:55.080 --> 0:20:57.040
<v Speaker 1>was at the Gramments. It was Garments Chinese.

0:20:57.680 --> 0:20:58.320
<v Speaker 4>Remember act.

0:20:58.800 --> 0:21:03.720
<v Speaker 1>The day it opened May twenty fifth, seventy seven, they

0:21:03.760 --> 0:21:07.720
<v Speaker 1>picked me up to go dub the thirty five millimeter

0:21:07.760 --> 0:21:11.160
<v Speaker 1>prints because only the seven millimeter prints were in. I

0:21:11.200 --> 0:21:14.360
<v Speaker 1>think sixteen theaters went and open. Can you imagine nowadays?

0:21:14.400 --> 0:21:18.720
<v Speaker 1>They opened up in one thousand theaters, so they they're

0:21:18.800 --> 0:21:21.640
<v Speaker 1>driving me in. I was in Malibu, and I said

0:21:21.640 --> 0:21:25.520
<v Speaker 1>to the driver, can you drive past Grahman's Chinese Because

0:21:26.280 --> 0:21:29.399
<v Speaker 1>there was a huge argument at Fox on how to

0:21:29.440 --> 0:21:34.160
<v Speaker 1>promote it, and because of that, it opened with no poster.

0:21:35.119 --> 0:21:38.680
<v Speaker 1>There was no They put photographs from the movie outside,

0:21:38.680 --> 0:21:40.439
<v Speaker 1>but it took a while to get a poster. What

0:21:40.600 --> 0:21:43.600
<v Speaker 1>shocked me was when we drove past the theater there

0:21:43.600 --> 0:21:47.600
<v Speaker 1>were lines around the block. Now, I hadn't seen any

0:21:47.680 --> 0:21:51.479
<v Speaker 1>ads on television, usually on Saturday Night Live or you know,

0:21:51.520 --> 0:21:54.919
<v Speaker 1>those kind of programs. They they want to get the

0:21:54.960 --> 0:21:57.920
<v Speaker 1>young audience there. I didn't see any ads. I can't

0:21:57.920 --> 0:22:00.840
<v Speaker 1>say for sure there were none, but I didn't see any.

0:22:00.880 --> 0:22:02.720
<v Speaker 1>And I thought to myself, well, this is going to

0:22:02.800 --> 0:22:04.600
<v Speaker 1>take a couple of weeks for word of mouth to

0:22:04.640 --> 0:22:09.080
<v Speaker 1>get around because science fiction is usually very dry and serious,

0:22:09.160 --> 0:22:11.359
<v Speaker 1>you know, two thousand and one and so forth, and

0:22:11.440 --> 0:22:14.760
<v Speaker 1>this thing was, you know, funny. It was, you know,

0:22:14.840 --> 0:22:15.760
<v Speaker 1>like a fairy tale.

0:22:16.040 --> 0:22:18.440
<v Speaker 5>Remember those are the days of Rocky in seventy six,

0:22:18.760 --> 0:22:21.359
<v Speaker 5>in Star Wars. I mean, these were like massive movies

0:22:21.400 --> 0:22:22.120
<v Speaker 5>back in those days.

0:22:22.160 --> 0:22:25.240
<v Speaker 4>I was in the front row in corner Madera, California.

0:22:25.280 --> 0:22:27.520
<v Speaker 4>I'll never forget. It's ten years I mean literally ten

0:22:27.600 --> 0:22:30.399
<v Speaker 4>years old. Corner Madera like I felt, but we were in

0:22:30.440 --> 0:22:32.440
<v Speaker 4>the center of the universe because we're kind of felt

0:22:32.640 --> 0:22:36.880
<v Speaker 4>the Marin vibe, because Lucas being out in Marina felt

0:22:36.920 --> 0:22:38.720
<v Speaker 4>the Bay Area thing. So you kind of felt it

0:22:38.800 --> 0:22:43.679
<v Speaker 4>was like your own personal like discovery, which you'll never forget.

0:22:43.680 --> 0:22:46.040
<v Speaker 4>But the lions were the thing I remember the most.

0:22:46.400 --> 0:22:50.320
<v Speaker 1>It's no surprise George stayed in Marin County. He's not

0:22:51.000 --> 0:22:57.600
<v Speaker 1>comfortable in Los Angeles or southern California. And it's a

0:22:57.640 --> 0:23:00.200
<v Speaker 1>wonderful place to work. I mean when I go up there,

0:23:01.560 --> 0:23:04.720
<v Speaker 1>it's because everybody's so happy to be there, you know,

0:23:04.880 --> 0:23:07.080
<v Speaker 1>at Skywalker Ranch by.

0:23:06.960 --> 0:23:09.840
<v Speaker 4>The way Mark speaking of where you know, because place

0:23:09.920 --> 0:23:15.959
<v Speaker 4>matters right now. Malibu Franklin fire. Yes, we share this

0:23:16.040 --> 0:23:19.320
<v Speaker 4>in common. I from afar, you from a lived experience.

0:23:20.000 --> 0:23:23.040
<v Speaker 4>How's this been going for you? The major four plus

0:23:23.040 --> 0:23:26.280
<v Speaker 4>thousand acre fire down in Malibu just this week?

0:23:26.320 --> 0:23:29.720
<v Speaker 1>How you doing well. We're monitoring it very closely and

0:23:29.880 --> 0:23:33.880
<v Speaker 1>as as of now, it's not coming towards us because

0:23:33.880 --> 0:23:39.119
<v Speaker 1>we're right near Topanga Canyon, so it's up by Pepperdine.

0:23:39.480 --> 0:23:41.240
<v Speaker 1>But I mean that's just one of the things that

0:23:41.280 --> 0:23:43.800
<v Speaker 1>you have to deal with living in a place like this.

0:23:43.960 --> 0:23:49.080
<v Speaker 1>It's mud slides and fires. And the reason we love

0:23:49.080 --> 0:23:52.080
<v Speaker 1>it so much is you feel like you're outside Los Angeles.

0:23:52.160 --> 0:23:56.639
<v Speaker 1>You don't like feel like you're in town. But we're

0:23:56.840 --> 0:24:00.160
<v Speaker 1>you know, we're keeping an eye on it. It's it's

0:24:00.240 --> 0:24:02.520
<v Speaker 1>it was shocking how fast it grew because I was

0:24:02.560 --> 0:24:05.880
<v Speaker 1>watching what I was watching, Jimmy Kimmel, and they interrupted

0:24:05.920 --> 0:24:08.960
<v Speaker 1>to show that I think it was at that time

0:24:09.320 --> 0:24:12.840
<v Speaker 1>ten acres were on fire, so I stayed there. An

0:24:12.840 --> 0:24:16.320
<v Speaker 1>hour later, it was one hundred dang yeah, and my

0:24:16.400 --> 0:24:18.600
<v Speaker 1>wife had gone to bed, and I thought, should I

0:24:18.640 --> 0:24:21.320
<v Speaker 1>wake her? Ey won't bother But by three d am

0:24:21.480 --> 0:24:24.760
<v Speaker 1>it was eight hundred acres, so I went up and

0:24:24.920 --> 0:24:27.520
<v Speaker 1>just let her know, and she turned on the TV

0:24:27.640 --> 0:24:28.360
<v Speaker 1>in our bedroom.

0:24:28.400 --> 0:24:31.600
<v Speaker 4>But yeah, you had to shelter in place, right, you

0:24:31.960 --> 0:24:33.280
<v Speaker 4>were sort of actually stay.

0:24:33.760 --> 0:24:37.119
<v Speaker 1>We couldn't leave, which, as I said, fits in with

0:24:37.160 --> 0:24:44.120
<v Speaker 1>my elderly rec loose lifestyle. But now it's open. Yeah,

0:24:44.160 --> 0:24:47.119
<v Speaker 1>it's open, so you know, and again, I mean, you

0:24:47.200 --> 0:24:49.440
<v Speaker 1>never get used to it, but it's not like it's

0:24:49.480 --> 0:24:51.840
<v Speaker 1>never happened before. And by the way, now that you're

0:24:51.880 --> 0:24:54.800
<v Speaker 1>mentioning Malleble, I want to thank you signing the bill

0:24:54.840 --> 0:25:01.120
<v Speaker 1>that allowed cameras to come on peace. Yeah, because it's tragic,

0:25:01.200 --> 0:25:04.560
<v Speaker 1>you know, these four teenage girls walking along and the

0:25:05.680 --> 0:25:09.440
<v Speaker 1>it's so narrow, especially with the added bike paths that

0:25:09.520 --> 0:25:13.080
<v Speaker 1>you know, somebody gets distracted and swerves even afoot. It's

0:25:13.520 --> 0:25:16.480
<v Speaker 1>really critical that and I want to thank you for that.

0:25:16.720 --> 0:25:18.880
<v Speaker 5>Wait where the camera's gon No, just on pH.

0:25:18.960 --> 0:25:22.160
<v Speaker 4>We've had so many We've had so many pedestrian fatalities,

0:25:22.560 --> 0:25:26.359
<v Speaker 4>and it's such an iconic freeway and a lot of tourists,

0:25:26.400 --> 0:25:29.520
<v Speaker 4>but not even just tourists. People get easily distracted understandably

0:25:29.600 --> 0:25:34.080
<v Speaker 4>and and and Caltransit State manages and operates it. But

0:25:34.200 --> 0:25:38.000
<v Speaker 4>we haven't been doing've been investing in pedestrian safety as

0:25:38.040 --> 0:25:39.960
<v Speaker 4>much as we should. So we're going to finally get

0:25:40.000 --> 0:25:44.560
<v Speaker 4>some cameras out there. We've got some other strategies to

0:25:44.600 --> 0:25:46.440
<v Speaker 4>address just slowing folks down.

0:25:58.240 --> 0:26:00.680
<v Speaker 5>Hey, Mark, I appreciate asking about the be I always

0:26:00.720 --> 0:26:02.520
<v Speaker 5>love the story or two of how someone got there.

0:26:02.560 --> 0:26:04.680
<v Speaker 4>Like you know, I've known Gavin for thirty years.

0:26:04.720 --> 0:26:06.639
<v Speaker 5>He's my family, Like I know, he got here, and

0:26:07.280 --> 0:26:08.399
<v Speaker 5>Marshaun's been my client.

0:26:08.480 --> 0:26:09.400
<v Speaker 4>I know he got there.

0:26:09.600 --> 0:26:12.840
<v Speaker 5>So as a navy brat like you were, take me through,

0:26:12.960 --> 0:26:17.040
<v Speaker 5>really how you got from that, travel around twelve cities

0:26:17.040 --> 0:26:20.040
<v Speaker 5>and night schools, whatever it may be, to become Luke Skywalker.

0:26:20.080 --> 0:26:21.480
<v Speaker 4>Take me through how you got there.

0:26:22.000 --> 0:26:25.560
<v Speaker 1>Well, I came to Los Angeles. You know, I my

0:26:25.720 --> 0:26:27.760
<v Speaker 1>parents thought I was crazy. They said, we don't know

0:26:27.840 --> 0:26:31.280
<v Speaker 1>anybody in show business, and we don't know anybody who

0:26:31.320 --> 0:26:33.879
<v Speaker 1>knows someone in show was. There's no connections. There's no

0:26:33.960 --> 0:26:39.240
<v Speaker 1>way that we can see this happening. Because my game

0:26:39.280 --> 0:26:41.240
<v Speaker 1>plan was, well, I'll go to New York. I'll get

0:26:41.280 --> 0:26:44.320
<v Speaker 1>a job as a waiter or a taxi driver and

0:26:44.400 --> 0:26:46.800
<v Speaker 1>start auditioning. That's the only way I knew because I

0:26:46.840 --> 0:26:49.840
<v Speaker 1>read a lot of books about people and how they

0:26:49.840 --> 0:26:52.560
<v Speaker 1>got started, and that was my game plan. But my brother,

0:26:52.920 --> 0:26:55.600
<v Speaker 1>my older brother, Bill, was getting married in Los Angeles

0:26:56.280 --> 0:26:58.960
<v Speaker 1>and I came to be the best man. And at

0:26:59.000 --> 0:27:00.880
<v Speaker 1>that we talk about luck.

0:27:00.960 --> 0:27:01.240
<v Speaker 2>I mean.

0:27:01.840 --> 0:27:05.840
<v Speaker 1>His best friend was an artist named Michael Franks who

0:27:05.920 --> 0:27:09.600
<v Speaker 1>had written a musical that he had hoped to bring

0:27:09.600 --> 0:27:13.160
<v Speaker 1>to Broadway. And it was a summer of sixty nine

0:27:13.920 --> 0:27:17.239
<v Speaker 1>and he had known me growing up because they had

0:27:17.280 --> 0:27:20.480
<v Speaker 1>been friends for years and years and years. So he said,

0:27:20.520 --> 0:27:22.159
<v Speaker 1>you can be in it. You don't even have to audition.

0:27:22.240 --> 0:27:24.160
<v Speaker 1>I have a part for you. So I did that

0:27:24.920 --> 0:27:27.800
<v Speaker 1>and one of the girls in the cast had a

0:27:27.840 --> 0:27:30.560
<v Speaker 1>father who was in the music business. He worked for

0:27:30.560 --> 0:27:33.840
<v Speaker 1>Neil Diamond, and he, after a performance said, if you're

0:27:33.880 --> 0:27:36.560
<v Speaker 1>serious about this, I could probably introduce you to some

0:27:36.720 --> 0:27:40.200
<v Speaker 1>people so you could get an agent. So I went

0:27:40.240 --> 0:27:42.760
<v Speaker 1>around to all the offices and I did two scenes.

0:27:42.800 --> 0:27:45.640
<v Speaker 1>I did a monologue as Snoopy from Your Good Man

0:27:45.760 --> 0:27:49.639
<v Speaker 1>Charlie Brown Show comedy, and I brought his daughter, the

0:27:49.760 --> 0:27:53.679
<v Speaker 1>cast mate Lauren, in to read with me. For the

0:27:53.720 --> 0:27:56.959
<v Speaker 1>subject was roses. I played the Martin sheenpart to show drama.

0:27:57.480 --> 0:28:00.800
<v Speaker 1>So after about six of those, an e took me on.

0:28:01.840 --> 0:28:04.480
<v Speaker 1>That was the summer sixty nine. He wanted to start

0:28:04.520 --> 0:28:06.920
<v Speaker 1>sending me out. I said, but no, if I don't

0:28:06.960 --> 0:28:10.280
<v Speaker 1>go to college, I'll get drafted. And I didn't have

0:28:10.320 --> 0:28:13.840
<v Speaker 1>any money, but luckily, as a California resident, I could

0:28:13.920 --> 0:28:18.719
<v Speaker 1>get into LACC eight dollars in the pen and you

0:28:18.760 --> 0:28:22.320
<v Speaker 1>were in. It's probably more now, but yeah, you know,

0:28:22.400 --> 0:28:23.360
<v Speaker 1>I buy zero to.

0:28:23.600 --> 0:28:26.040
<v Speaker 4>Just for the records, not the full cost of attendance,

0:28:26.040 --> 0:28:29.000
<v Speaker 4>but tuition's free for two years. So thank you to

0:28:29.080 --> 0:28:31.960
<v Speaker 4>the you know, I'm just saying just for the record.

0:28:31.880 --> 0:28:37.840
<v Speaker 1>Which is so pro you know, free education for all regardless.

0:28:37.880 --> 0:28:39.640
<v Speaker 1>I mean, by the way, I sent my daughter to

0:28:41.600 --> 0:28:43.560
<v Speaker 1>USC and boy is it pricey.

0:28:43.760 --> 0:28:47.600
<v Speaker 4>Yeah, that's another that's a that's that's ridiculous. Right, it's

0:28:47.640 --> 0:28:50.040
<v Speaker 4>literally it's one or two of the most it's one

0:28:50.400 --> 0:28:53.000
<v Speaker 4>or the second most expensive school in the United States

0:28:53.080 --> 0:28:53.800
<v Speaker 4>now exactly.

0:28:54.080 --> 0:28:56.320
<v Speaker 1>But she did really well. And what did she get married?

0:28:56.520 --> 0:29:00.360
<v Speaker 1>What were degrees? Anyway, she did fantastic. What I'm saying is,

0:29:00.760 --> 0:29:04.000
<v Speaker 1>you know, when I bought to young students and so forth,

0:29:04.400 --> 0:29:06.920
<v Speaker 1>I say that you have to be ready to not

0:29:07.000 --> 0:29:11.760
<v Speaker 1>only seize an opportunity, but recognize an opportunity. I said,

0:29:11.760 --> 0:29:15.200
<v Speaker 1>go do dinner theater. It doesn't matter what the status

0:29:15.440 --> 0:29:17.760
<v Speaker 1>of the production is. You just got to get on stage.

0:29:17.800 --> 0:29:22.320
<v Speaker 1>You have to get out there. So I majored in

0:29:22.360 --> 0:29:26.600
<v Speaker 1>the theater arts. But and he would send me out.

0:29:27.080 --> 0:29:29.239
<v Speaker 1>One time I got a part where it was going

0:29:29.280 --> 0:29:33.160
<v Speaker 1>to take five days, and I said, and he said,

0:29:33.200 --> 0:29:35.480
<v Speaker 1>you've got to do this, so you know, to get

0:29:35.480 --> 0:29:40.680
<v Speaker 1>your SAG card. And all that I had to lie,

0:29:40.840 --> 0:29:43.840
<v Speaker 1>I said to I went to the head of the department,

0:29:44.200 --> 0:29:48.040
<v Speaker 1>Jerry Blunt, and said, my mom has diabetes, which is true,

0:29:48.080 --> 0:29:50.160
<v Speaker 1>but I said, she's going into the hospital. I have

0:29:50.200 --> 0:29:52.239
<v Speaker 1>to go visitor in San Diego. So I went and

0:29:52.320 --> 0:29:57.200
<v Speaker 1>I hit out, I got it's crazy. But what I'm

0:29:57.240 --> 0:30:01.440
<v Speaker 1>saying is by the second summer I there, I got

0:30:01.480 --> 0:30:06.480
<v Speaker 1>my union card, I had four credits. I look back

0:30:06.480 --> 0:30:09.160
<v Speaker 1>and I say, it's just astonishing because a lot of

0:30:09.160 --> 0:30:13.520
<v Speaker 1>these actors struggle for decades. Even some of these character

0:30:13.560 --> 0:30:16.000
<v Speaker 1>actors have to grow into the way they look because

0:30:16.000 --> 0:30:18.840
<v Speaker 1>they're not right at twenty four. But by the time

0:30:18.840 --> 0:30:23.320
<v Speaker 1>they're forty five, they become really successful character actors. But

0:30:24.640 --> 0:30:30.080
<v Speaker 1>it's the perseverance. So you know, that's what happened. And

0:30:32.040 --> 0:30:36.400
<v Speaker 1>you know I did. I don't know, maybe I don't know.

0:30:36.520 --> 0:30:44.160
<v Speaker 1>Thirty or forty guest appearances and twelve TV movies, and

0:30:44.200 --> 0:30:47.760
<v Speaker 1>then some my friend of mine said, did you hear

0:30:47.760 --> 0:30:51.560
<v Speaker 1>about this movie that George Lucas is doing Star Wars?

0:30:51.920 --> 0:30:56.080
<v Speaker 1>And in fact it's Robert England who plays Freddy Krueger.

0:30:56.080 --> 0:30:58.200
<v Speaker 1>Into this day, even in his book he said, if

0:30:58.240 --> 0:31:01.760
<v Speaker 1>it weren't for me. Mark would have never. I don't

0:31:01.760 --> 0:31:04.040
<v Speaker 1>want to burst his bubble. But when I called my agent,

0:31:04.240 --> 0:31:07.400
<v Speaker 1>she said, oh, yeah, you have an appointment, you know,

0:31:07.480 --> 0:31:08.280
<v Speaker 1>ten days from now.

0:31:08.320 --> 0:31:10.440
<v Speaker 4>I know it was already set up, huh.

0:31:10.440 --> 0:31:13.200
<v Speaker 1>But the weird thing was when we went in. It

0:31:13.320 --> 0:31:16.760
<v Speaker 1>was a meet and greet with Brian DePalma, who was

0:31:16.800 --> 0:31:22.760
<v Speaker 1>casting Carrie the King horror film, and George and you

0:31:22.800 --> 0:31:24.800
<v Speaker 1>know it's just like tell us a little about yourself

0:31:24.840 --> 0:31:27.560
<v Speaker 1>and blah blah blah. And so five minutes over I

0:31:27.600 --> 0:31:29.920
<v Speaker 1>went out to it was a cattle call. You know,

0:31:29.960 --> 0:31:33.120
<v Speaker 1>there's fifty guys there, you know, Han Solo types and

0:31:33.200 --> 0:31:35.640
<v Speaker 1>Luke types. And I said to one of the actors

0:31:36.320 --> 0:31:39.080
<v Speaker 1>who was Brian DePalma's assistant in there, the guy with

0:31:39.120 --> 0:31:41.640
<v Speaker 1>the beard that didn't say a word, They said, you idiot,

0:31:41.720 --> 0:31:45.000
<v Speaker 1>That was George Lucas. I said, oh, I didn't say anything.

0:31:45.600 --> 0:31:49.840
<v Speaker 1>Brian talked. And the next step was getting a screen

0:31:49.920 --> 0:31:54.680
<v Speaker 1>test about ten pages long. What I'm geting to. When

0:31:54.720 --> 0:31:58.480
<v Speaker 1>I got the part, you see, I hadn't read the script.

0:31:58.600 --> 0:32:02.240
<v Speaker 1>I read the one scene and you couldn't make heads

0:32:02.320 --> 0:32:04.480
<v Speaker 1>or tails out of it. I said to Harrison, who

0:32:04.520 --> 0:32:07.600
<v Speaker 1>I tested with, I said you were in American Graffiti.

0:32:07.640 --> 0:32:09.680
<v Speaker 1>You know, George, is this like a comedy or a

0:32:09.720 --> 0:32:12.960
<v Speaker 1>send up, like a spoof or it just it can't

0:32:13.000 --> 0:32:16.640
<v Speaker 1>be serious, right He said, Hey, you know whatever, let's

0:32:16.680 --> 0:32:22.080
<v Speaker 1>just get it done. There's no help, no help at all.

0:32:22.480 --> 0:32:25.120
<v Speaker 1>I said to George, is this sort of like a parody?

0:32:25.200 --> 0:32:28.560
<v Speaker 1>Is it like a send up? Well, let's just do

0:32:28.600 --> 0:32:31.480
<v Speaker 1>it and we'll talk about it later, which translates to

0:32:31.680 --> 0:32:34.240
<v Speaker 1>let's just do it and we'll never talk about it.

0:32:35.000 --> 0:32:38.800
<v Speaker 1>Because George isn't an actor type of director. He comes

0:32:38.840 --> 0:32:41.160
<v Speaker 1>alive in the editing room. He doesn't want to hear

0:32:41.200 --> 0:32:44.720
<v Speaker 1>about backstory or motivation or any of that stuff. Just

0:32:44.880 --> 0:32:48.240
<v Speaker 1>say your lines and do your best. But what what

0:32:48.240 --> 0:32:52.360
<v Speaker 1>what was astonishing is when I when I finally because

0:32:52.560 --> 0:32:56.360
<v Speaker 1>you know, there's a line in the screen test. Thank

0:32:56.400 --> 0:32:59.160
<v Speaker 1>god it's not in the movie to show you how

0:32:59.200 --> 0:33:01.240
<v Speaker 1>difficult it was to make it sound like it was

0:33:01.400 --> 0:33:05.920
<v Speaker 1>natural dialogue spontaneously come coming out of your head. Because

0:33:05.920 --> 0:33:09.560
<v Speaker 1>at one point here since said, hey kid, I've held

0:33:09.640 --> 0:33:12.080
<v Speaker 1>up my part of the bargain. And then I get

0:33:12.080 --> 0:33:15.800
<v Speaker 1>the chance you and the droids I'm dumping in moving on,

0:33:15.960 --> 0:33:19.320
<v Speaker 1>and my line in the screenplay was, but we can't

0:33:19.360 --> 0:33:22.400
<v Speaker 1>turn back. Fear is their greatest defense. I doubt if

0:33:22.440 --> 0:33:24.520
<v Speaker 1>the actual security there is any greater than it was

0:33:24.600 --> 0:33:27.400
<v Speaker 1>on Aquaire's Solace, and what there is is most likely

0:33:27.440 --> 0:33:32.320
<v Speaker 1>directed forwards a large scale assault. Huh, I mean you

0:33:32.360 --> 0:33:35.640
<v Speaker 1>could make sense of it. Fear is their greatest defense. Yeah,

0:33:35.720 --> 0:33:38.560
<v Speaker 1>the Death Star is intimidating. I doubt if the actual

0:33:38.600 --> 0:33:41.760
<v Speaker 1>security there's integrated. That was on two made up planets

0:33:42.120 --> 0:33:45.000
<v Speaker 1>acquire sauce, and what there is is most likely directed

0:33:45.160 --> 0:33:47.640
<v Speaker 1>towards a large scale assault. Yeah, like an armada. But

0:33:47.800 --> 0:33:49.880
<v Speaker 1>we could slip through because you're like the size of

0:33:49.960 --> 0:33:55.480
<v Speaker 1>a penny. But again, how does any of that make sense?

0:33:55.560 --> 0:33:55.920
<v Speaker 2>Hold on?

0:33:55.960 --> 0:33:56.040
<v Speaker 4>You?

0:33:56.200 --> 0:33:57.960
<v Speaker 2>Wasn't just read us something right now?

0:33:58.360 --> 0:34:04.280
<v Speaker 1>No, I've remembered that line for nearly fifty years, because no,

0:34:05.000 --> 0:34:07.360
<v Speaker 1>I couldn't get it out of my head. And when

0:34:07.400 --> 0:34:10.080
<v Speaker 1>I read the screenplay, which by the way, was called

0:34:10.120 --> 0:34:15.160
<v Speaker 1>the The Adventures of Luke's Starkiller. That's taken from the

0:34:15.239 --> 0:34:18.560
<v Speaker 1>Journal of the Wills, Saga number one, the Star Wars

0:34:18.960 --> 0:34:23.160
<v Speaker 1>and my name was Luke star Killer, well killer that

0:34:23.920 --> 0:34:27.759
<v Speaker 1>I read on the call sheet. When I rescue the Princess,

0:34:28.440 --> 0:34:31.759
<v Speaker 1>I had filmed it. She said, aren't you a little

0:34:31.760 --> 0:34:34.240
<v Speaker 1>short for a stormtrooper? And go what? Oh the helmet?

0:34:34.239 --> 0:34:36.640
<v Speaker 1>I take the helmet off. I'm Luke Starkiller. I'm here

0:34:36.680 --> 0:34:40.320
<v Speaker 1>to rescue you. So we had filmed that and I

0:34:40.480 --> 0:34:42.360
<v Speaker 1>got the call sheet and I saw that scene was

0:34:42.400 --> 0:34:45.839
<v Speaker 1>on there again. I said, what's up with that? They said, oh, well,

0:34:45.840 --> 0:34:49.200
<v Speaker 1>they've changed your name. I said to what? And they

0:34:49.200 --> 0:34:53.640
<v Speaker 1>said to Skywalker. I said Skywalker, Oh, my.

0:34:53.560 --> 0:34:54.840
<v Speaker 2>God, like fire.

0:34:55.840 --> 0:34:59.560
<v Speaker 1>I mean, because we have just gotten used to that name.

0:34:59.760 --> 0:35:02.080
<v Speaker 1>And I I thought I could use a little macho

0:35:02.320 --> 0:35:05.040
<v Speaker 1>in my name, and given my character he's such a

0:35:05.080 --> 0:35:10.200
<v Speaker 1>wimpy little farm boy, but I had just gotten used

0:35:10.200 --> 0:35:12.600
<v Speaker 1>to star Killer. But they said they pulled all the

0:35:12.719 --> 0:35:14.960
<v Speaker 1>women at the ages eighteen to thirty five don't like

0:35:15.440 --> 0:35:21.480
<v Speaker 1>characters with kill in their name. They had a little

0:35:21.480 --> 0:35:24.520
<v Speaker 1>contest on set because at one point George was told

0:35:24.520 --> 0:35:30.239
<v Speaker 1>that the focus group don't like the word wars.

0:35:29.640 --> 0:35:32.799
<v Speaker 5>So Mark, here you are. You're doing this movie. You

0:35:32.840 --> 0:35:34.799
<v Speaker 5>probably have no idea where this thing's going.

0:35:36.520 --> 0:35:40.040
<v Speaker 4>But actually tell me, Nobs, deep down, you're like this

0:35:40.040 --> 0:35:42.120
<v Speaker 4>thing's going to be a flop. I mean, did you

0:35:42.239 --> 0:35:44.440
<v Speaker 4>feel that way or just it's a paycheck or what

0:35:44.520 --> 0:35:44.839
<v Speaker 4>did you do?

0:35:45.160 --> 0:35:48.200
<v Speaker 1>I asked Carrie and Harrison what they thought. They were

0:35:48.200 --> 0:35:51.280
<v Speaker 1>sort of noncommittal and I and I remember telling Robert Watson,

0:35:51.280 --> 0:35:54.400
<v Speaker 1>the production manager, the first person I met when I

0:35:54.440 --> 0:35:57.600
<v Speaker 1>went to England and went to the studio. He says,

0:35:57.640 --> 0:36:00.120
<v Speaker 1>what do you think of this little endeavor about to

0:36:00.200 --> 0:36:03.760
<v Speaker 1>embark upon? And I said, I think we're on a winner,

0:36:04.160 --> 0:36:07.799
<v Speaker 1>because here's why. At that point it was only seven

0:36:07.840 --> 0:36:10.920
<v Speaker 1>and a half million. It later went up to just

0:36:11.040 --> 0:36:13.960
<v Speaker 1>under nine. So I did the math and I said,

0:36:13.960 --> 0:36:17.600
<v Speaker 1>we'll only have to make twenty five to get in,

0:36:18.280 --> 0:36:21.520
<v Speaker 1>you know, get our money back. And I thought this

0:36:21.600 --> 0:36:25.719
<v Speaker 1>thing is so funny and whimsical. I said, it's not

0:36:25.920 --> 0:36:28.719
<v Speaker 1>science fiction. It's like a fairy tale. You've got a

0:36:28.760 --> 0:36:31.480
<v Speaker 1>farm boy, you've got a pirate, you've got a princess,

0:36:31.560 --> 0:36:35.360
<v Speaker 1>you got a wizard's it's it's a fairy tale dressed

0:36:35.440 --> 0:36:41.600
<v Speaker 1>up as science fiction. And I said, and it's effortlessly feminist.

0:36:42.000 --> 0:36:44.120
<v Speaker 1>I said, how about the princess. You know she doesn't

0:36:44.239 --> 0:36:48.000
<v Speaker 1>she's not a damsel in distress, and she takes over

0:36:48.080 --> 0:36:51.320
<v Speaker 1>her own rescue, grabs the gun from Luke and Hans.

0:36:51.440 --> 0:36:53.440
<v Speaker 1>You call this a rescue, give me that gun. I

0:36:53.480 --> 0:36:58.440
<v Speaker 1>said that kind of thing, because women overall are not

0:36:58.680 --> 0:37:03.640
<v Speaker 1>the biggest audience for science fiction. But said, I just

0:37:03.680 --> 0:37:08.120
<v Speaker 1>think it's so different, I said, And I was a kid.

0:37:08.200 --> 0:37:11.040
<v Speaker 1>I was a famous Monsters of Film Land kid. I

0:37:11.120 --> 0:37:14.600
<v Speaker 1>loved all the black and white universal horror films, and

0:37:14.680 --> 0:37:17.240
<v Speaker 1>so this is right up my alley. I loved science

0:37:17.280 --> 0:37:21.839
<v Speaker 1>fiction and fantasy, so I was predisposed to like it.

0:37:22.080 --> 0:37:24.400
<v Speaker 1>And I know, I said, even if I wasn't cast

0:37:24.440 --> 0:37:27.360
<v Speaker 1>in the movie, I'd still love this movie no matter

0:37:27.400 --> 0:37:31.840
<v Speaker 1>who played Luke. But not everybody felt that way, Like

0:37:31.880 --> 0:37:35.360
<v Speaker 1>I say, even to the point where they were about

0:37:35.400 --> 0:37:38.440
<v Speaker 1>to release it, Fox didn't really believe in it, and

0:37:39.320 --> 0:37:44.600
<v Speaker 1>we had no poster because one segment wanted to you know,

0:37:45.160 --> 0:37:50.399
<v Speaker 1>entertainment voyage beyond your imagination, far beyond, and the other

0:37:51.239 --> 0:37:54.000
<v Speaker 1>campaign was sort of like little rascals in outer space,

0:37:54.440 --> 0:37:56.520
<v Speaker 1>but they couldn't merge them.

0:37:56.680 --> 0:37:59.200
<v Speaker 5>So nine million dollars to make what's that gross?

0:37:59.280 --> 0:37:59.480
<v Speaker 2>Now?

0:37:59.560 --> 0:38:01.200
<v Speaker 4>After all yours? I'm curious.

0:38:01.360 --> 0:38:04.400
<v Speaker 1>I don't know eleven d building and I don't know.

0:38:07.920 --> 0:38:10.400
<v Speaker 2>Yeah, oh yeah, you definitely from Oakland.

0:38:11.520 --> 0:38:14.120
<v Speaker 1>Yeah, I don't really know. I mean, it's a lot

0:38:14.160 --> 0:38:17.400
<v Speaker 1>of money, but uh, uh, you know, for a while,

0:38:17.440 --> 0:38:19.960
<v Speaker 1>I think, yeah, I remember an ad where they had

0:38:20.120 --> 0:38:23.600
<v Speaker 1>R two D two with a fishing rod pulling Jaws

0:38:23.640 --> 0:38:27.200
<v Speaker 1>out of the water. Spielberg said, congratulations, George, who has

0:38:27.280 --> 0:38:31.400
<v Speaker 1>replaced Jaws as number one film of all time. But

0:38:31.719 --> 0:38:34.600
<v Speaker 1>it's been surpassed many many times since. I don't know

0:38:34.640 --> 0:38:35.319
<v Speaker 1>how many, But.

0:38:36.239 --> 0:38:38.480
<v Speaker 4>Mark, did you know how many there would be? I mean,

0:38:38.600 --> 0:38:41.879
<v Speaker 4>was it was? This? Was there a contract option when

0:38:41.880 --> 0:38:44.760
<v Speaker 4>you did the first one subsequence exactly?

0:38:44.840 --> 0:38:48.920
<v Speaker 1>So when we signed, if it were successful, we were

0:38:49.600 --> 0:38:53.960
<v Speaker 1>required to do a second and a third. And uh

0:38:55.520 --> 0:38:57.520
<v Speaker 1>that was one of the reasons I wanted to be

0:38:57.560 --> 0:39:01.480
<v Speaker 1>successful because, uh, you know it was it was so

0:39:01.640 --> 0:39:05.320
<v Speaker 1>much fun. I have to tell you. We just laughed

0:39:05.440 --> 0:39:09.239
<v Speaker 1>all day long. I mean it was especially My fondest

0:39:09.280 --> 0:39:13.000
<v Speaker 1>memories are on the Death Star with Harrison and Carrie,

0:39:13.080 --> 0:39:15.880
<v Speaker 1>because by the time of the second one we all separated.

0:39:16.000 --> 0:39:19.279
<v Speaker 1>I went off to a swamp planet with Yoda, and

0:39:19.320 --> 0:39:21.640
<v Speaker 1>I loved working with Frank Oz. He's still one of

0:39:21.680 --> 0:39:26.239
<v Speaker 1>my closest friends. But i'd see, you know, all the

0:39:26.280 --> 0:39:29.919
<v Speaker 1>other actors walking in the other direction, Hi, guys. I mean,

0:39:30.400 --> 0:39:33.920
<v Speaker 1>but it was very isolated on the second one, it

0:39:33.960 --> 0:39:36.439
<v Speaker 1>was the call sheet. I'd be the only human being

0:39:36.440 --> 0:39:42.480
<v Speaker 1>on the planet on the call sheet, me robots, a puppet,

0:39:42.680 --> 0:39:44.279
<v Speaker 1>various snakes and lizards.

0:39:46.239 --> 0:39:48.960
<v Speaker 5>So, Mark, you're now the Heyday, You're in the seventies,

0:39:49.000 --> 0:39:51.160
<v Speaker 5>You're you're in your mid twenties, you got the biggest

0:39:51.200 --> 0:39:54.120
<v Speaker 5>hit in the planet and your single la. I mean,

0:39:54.400 --> 0:39:56.239
<v Speaker 5>how was that life back then? I mean not had

0:39:56.280 --> 0:39:58.000
<v Speaker 5>to be pretty. I mean, I know, you're wife's into

0:39:58.040 --> 0:40:02.319
<v Speaker 5>the room, give not out of be a fun time, right, Well,

0:40:02.360 --> 0:40:02.879
<v Speaker 5>it was a.

0:40:02.840 --> 0:40:07.200
<v Speaker 4>Different time, you know.

0:40:07.440 --> 0:40:07.799
<v Speaker 2>I was.

0:40:08.000 --> 0:40:12.520
<v Speaker 1>I did fine before that happened. I mean, you know,

0:40:12.600 --> 0:40:15.400
<v Speaker 1>go to when I was doing the Texas Wheelers, a

0:40:15.520 --> 0:40:19.279
<v Speaker 1>TV series for Mary Tyler Moore. I mean there would

0:40:19.280 --> 0:40:25.160
<v Speaker 1>be all these beautiful actresses that were extras and I mean,

0:40:25.520 --> 0:40:28.479
<v Speaker 1>you know, and it was like seventy four. So when

0:40:28.480 --> 0:40:33.280
<v Speaker 1>that happened, Yeah, it was crazy. It was sort of like, oh,

0:40:33.320 --> 0:40:38.480
<v Speaker 1>this is what must be like for Mick Jagger. I

0:40:38.520 --> 0:40:41.799
<v Speaker 1>met my wife. She was my dental hygienis, and I

0:40:41.880 --> 0:40:47.040
<v Speaker 1>cleaned her, she cleaned my teeth, and you know we're

0:40:47.080 --> 0:40:50.440
<v Speaker 1>still married. What is it now, forty five years? Honey? Yeah,

0:40:50.480 --> 0:40:56.440
<v Speaker 1>congratulations most men, Yeah, fingers crossed. It's gonna work Gezo.

0:40:57.440 --> 0:40:59.839
<v Speaker 2>When you started, did you not that it will be

0:41:00.600 --> 0:41:02.239
<v Speaker 2>as successful as it is now?

0:41:02.320 --> 0:41:02.400
<v Speaker 4>Like?

0:41:03.200 --> 0:41:05.400
<v Speaker 1>Of course not. I mean I thought, like I said.

0:41:05.880 --> 0:41:09.400
<v Speaker 1>I remember specifically saying I was talking about the original,

0:41:09.440 --> 0:41:13.000
<v Speaker 1>not the remake. I said, this thing's going to outgross

0:41:13.120 --> 0:41:17.000
<v Speaker 1>Planet of the Apes, which at that time I had

0:41:17.040 --> 0:41:22.680
<v Speaker 1>made like forty million dollars. And I believe that. I said,

0:41:22.880 --> 0:41:26.000
<v Speaker 1>not only will it one of the reasons I thought

0:41:26.000 --> 0:41:28.919
<v Speaker 1>I would be successful even without a poster and no commercials,

0:41:29.520 --> 0:41:32.520
<v Speaker 1>I said, people like me. There are so many people

0:41:32.520 --> 0:41:35.520
<v Speaker 1>like me that will go see this just because of

0:41:35.560 --> 0:41:38.319
<v Speaker 1>the genre, and then word of mouth will kick in.

0:41:38.440 --> 0:41:40.480
<v Speaker 1>Oh but it's funny, and it's this and that, and

0:41:40.520 --> 0:41:46.080
<v Speaker 1>it's scary, it's all these things. So I was fairly

0:41:46.120 --> 0:41:48.920
<v Speaker 1>confident that it would be successful enough at least to

0:41:48.960 --> 0:41:53.319
<v Speaker 1>make the second one. Did I think it would go supernova?

0:41:53.440 --> 0:41:53.920
<v Speaker 1>Of course not.

0:42:05.680 --> 0:42:08.160
<v Speaker 4>You know, going back just to sort of the origin story,

0:42:08.160 --> 0:42:10.360
<v Speaker 4>because I'm curious you talked to I mean, sounds like

0:42:10.640 --> 0:42:13.799
<v Speaker 4>you had the acting bug very early on. I mean,

0:42:13.840 --> 0:42:16.120
<v Speaker 4>you knew what you wanted to do, and and you

0:42:16.120 --> 0:42:18.440
<v Speaker 4>know you're a pretty young man. But was it what

0:42:18.600 --> 0:42:22.520
<v Speaker 4>did you Was it you're inspired to get into acting

0:42:22.680 --> 0:42:25.319
<v Speaker 4>as you're traveling around the globe. Is you're you know

0:42:25.440 --> 0:42:27.759
<v Speaker 4>you're you're there at different naval bases. Was there someone

0:42:27.800 --> 0:42:29.600
<v Speaker 4>you admired, someone you looked up to, and you said

0:42:29.600 --> 0:42:31.440
<v Speaker 4>I want to be that when I grow up. At

0:42:31.480 --> 0:42:34.240
<v Speaker 4>what age did you really say this is my career path.

0:42:34.800 --> 0:42:39.520
<v Speaker 1>I hosted a variety show with my Jerry Mahoney dummy

0:42:39.719 --> 0:42:44.080
<v Speaker 1>in sixth grade, and I realized what all ventrilo chist

0:42:44.120 --> 0:42:48.920
<v Speaker 1>must realize is that you can say really obnoxious things

0:42:49.239 --> 0:42:51.680
<v Speaker 1>and blame it on the dummy. So I was able

0:42:51.719 --> 0:42:56.840
<v Speaker 1>to insult the cafeteria food. And I don't say that

0:42:57.040 --> 0:43:01.239
<v Speaker 1>about mister Gagnan. He's a nice man. Yeah, sneak gag, Oh,

0:43:01.320 --> 0:43:06.040
<v Speaker 1>don't be so terrible. And when the way the laughter,

0:43:06.640 --> 0:43:12.000
<v Speaker 1>I was just it gosh, I thought this, this is

0:43:12.040 --> 0:43:13.759
<v Speaker 1>what I want to do. And I didn't think, well,

0:43:13.760 --> 0:43:15.759
<v Speaker 1>I'm going to be an actor because all the time,

0:43:15.800 --> 0:43:19.600
<v Speaker 1>I mean, I loved I learned to read by getting

0:43:19.640 --> 0:43:22.600
<v Speaker 1>the paper off the doorstep and reading the comic strips,

0:43:23.120 --> 0:43:28.320
<v Speaker 1>you know, simple comic strips like Nancy and Hey you stop.

0:43:28.600 --> 0:43:33.600
<v Speaker 1>So I loved cartoons and comic strips and stop frame animation.

0:43:33.760 --> 0:43:36.480
<v Speaker 1>I mean I saw King Kong on TV when I

0:43:36.520 --> 0:43:39.240
<v Speaker 1>wasn't know five or six, and it was the first

0:43:39.280 --> 0:43:41.839
<v Speaker 1>movie that made me cry. And I didn't know how

0:43:41.840 --> 0:43:45.120
<v Speaker 1>they did the dinosaurs, I mean until Famous Monsters came

0:43:45.160 --> 0:43:49.160
<v Speaker 1>along and explained Willis O'Brien stop frame animation and Marcel

0:43:49.239 --> 0:43:52.440
<v Speaker 1>Delgado and the model makers and all that, and they

0:43:52.480 --> 0:43:56.640
<v Speaker 1>showed illustrations of the tabletops with the miniatures. I mean,

0:43:57.000 --> 0:43:59.480
<v Speaker 1>it just blew my mind, and I thought that I

0:43:59.680 --> 0:44:02.680
<v Speaker 1>want to somebody goes to work every day and makes

0:44:02.719 --> 0:44:06.880
<v Speaker 1>dinosaurs come to life. I want that job. I mean,

0:44:06.920 --> 0:44:09.200
<v Speaker 1>I didn't really think of much as and I remember

0:44:09.200 --> 0:44:13.200
<v Speaker 1>seeing Clarence Nash, this distinguished man in a suit and

0:44:13.280 --> 0:44:17.120
<v Speaker 1>tie on the Walt Disney Sunday Night Show and he

0:44:17.160 --> 0:44:20.240
<v Speaker 1>steps up to the microphone and does Donald Duck again.

0:44:20.680 --> 0:44:22.840
<v Speaker 1>I don't even know if I'd started school. Then it

0:44:22.960 --> 0:44:25.360
<v Speaker 1>just blew my mind because in those days you just

0:44:25.360 --> 0:44:28.400
<v Speaker 1>think of cartoons as you know, they just arrived full blown.

0:44:29.080 --> 0:44:31.799
<v Speaker 1>But I thought, somebody goes to work every day because

0:44:31.800 --> 0:44:34.520
<v Speaker 1>this is the wife goodbye, and pat's the kids on

0:44:34.560 --> 0:44:38.120
<v Speaker 1>the head and goes and he's he does Donald Duck

0:44:38.160 --> 0:44:40.480
<v Speaker 1>and they paid him for that, and I did a

0:44:40.560 --> 0:44:43.840
<v Speaker 1>terrible Donald Duck. But I was always putting on shows,

0:44:43.880 --> 0:44:47.360
<v Speaker 1>puppet shows and imitating people. I could make my brothers

0:44:47.360 --> 0:44:52.200
<v Speaker 1>and sisters laugh by imitating relatives and so forth, and

0:44:52.280 --> 0:44:55.560
<v Speaker 1>so I always had that performance gene in me. But

0:44:56.400 --> 0:45:00.560
<v Speaker 1>I also was pragmatic. I thought, well, don't know how

0:45:00.600 --> 0:45:03.880
<v Speaker 1>to go about doing it, but I don't have to

0:45:03.920 --> 0:45:05.640
<v Speaker 1>be in the show. I just want to be near

0:45:06.040 --> 0:45:08.719
<v Speaker 1>the show. Because again, Disney would put on these shows

0:45:08.719 --> 0:45:11.440
<v Speaker 1>where they say it's the making of Darby O'Gill and

0:45:11.480 --> 0:45:14.120
<v Speaker 1>the Little People, and he would show the camera crew

0:45:14.280 --> 0:45:18.800
<v Speaker 1>and wardrobe and the the carpenters and all these things.

0:45:18.800 --> 0:45:21.040
<v Speaker 1>And I would think in my mind, I said, well,

0:45:21.080 --> 0:45:23.880
<v Speaker 1>I'm not a bad cook. If I can't be in

0:45:24.000 --> 0:45:28.040
<v Speaker 1>I could be a caterer for sure. So I just

0:45:28.120 --> 0:45:31.239
<v Speaker 1>knew that I want to be, you know, in in

0:45:31.320 --> 0:45:35.920
<v Speaker 1>a business that uh that you know, the escape is

0:45:36.120 --> 0:45:37.200
<v Speaker 1>some business.

0:45:37.120 --> 0:45:38.960
<v Speaker 5>And what's to take me through? So you're you're in

0:45:38.960 --> 0:45:41.319
<v Speaker 5>the You're doing these movies and and and again, I

0:45:41.360 --> 0:45:43.400
<v Speaker 5>mean you're the biggest start on the planet.

0:45:43.440 --> 0:45:46.160
<v Speaker 4>Luke Skywalker, et cetera. Take me through.

0:45:46.200 --> 0:45:48.400
<v Speaker 5>After that was there was there was there some years

0:45:48.400 --> 0:45:51.919
<v Speaker 5>where it's like you're a pigeonholed as this guy did

0:45:51.920 --> 0:45:53.080
<v Speaker 5>the did the call.

0:45:52.840 --> 0:45:53.960
<v Speaker 4>Stop coming at times?

0:45:53.960 --> 0:45:56.600
<v Speaker 5>And a meetings d I mean, tell me take me

0:45:56.640 --> 0:45:58.000
<v Speaker 5>through some of the rejection part of it.

0:45:58.040 --> 0:45:59.360
<v Speaker 4>And it struggles you face.

0:45:59.200 --> 0:46:04.239
<v Speaker 1>That the the the business I'm in. When you do

0:46:04.360 --> 0:46:07.160
<v Speaker 1>something well, they want you to do the same thing

0:46:07.200 --> 0:46:10.759
<v Speaker 1>over and over again because it's been proven to be profitable.

0:46:12.000 --> 0:46:16.520
<v Speaker 1>And Mary lud just said Amadeus. When I couldn't get

0:46:16.600 --> 0:46:19.000
<v Speaker 1>character parts, I went to New York where they will

0:46:19.040 --> 0:46:22.279
<v Speaker 1>add open auditions. You can just audition for things. So

0:46:22.360 --> 0:46:26.839
<v Speaker 1>I auditioned for Amadeus and Sir Peter Hall said, we

0:46:27.120 --> 0:46:31.480
<v Speaker 1>actually we've offered it. Who was it, Colin Firth whoever?

0:46:31.719 --> 0:46:34.640
<v Speaker 1>He was a British actor that they wanted, but they

0:46:34.680 --> 0:46:37.120
<v Speaker 1>couldn't be sure that he could get his green card,

0:46:37.239 --> 0:46:39.279
<v Speaker 1>so they put me up an hotel. This is why

0:46:39.320 --> 0:46:42.440
<v Speaker 1>I know they were serious. If he couldn't get his

0:46:42.480 --> 0:46:46.360
<v Speaker 1>green card, then I would replace Tim Curry. So on

0:46:46.440 --> 0:46:49.000
<v Speaker 1>my fingers crossed, I felt like, you know, John Cassavetti's

0:46:49.040 --> 0:46:53.520
<v Speaker 1>and Rosemary's baby rooting for ill will to befall some actor.

0:46:54.840 --> 0:46:57.959
<v Speaker 1>So that didn't feel good, but turned out. I didn't

0:46:58.000 --> 0:47:00.239
<v Speaker 1>get that, but Peter said, well, I want I want

0:47:00.239 --> 0:47:02.920
<v Speaker 1>you to do the first national tour. So I did that.

0:47:02.960 --> 0:47:09.719
<v Speaker 1>I did Los Angeles, San Francisco, Baltimore, Chicago. I was

0:47:09.760 --> 0:47:13.080
<v Speaker 1>scheduled to go to Boston and they pulled me out

0:47:13.080 --> 0:47:16.640
<v Speaker 1>of the company and put me in the Broadway production. Anyway,

0:47:16.880 --> 0:47:19.280
<v Speaker 1>so I got some of the best reviews of my career.

0:47:19.880 --> 0:47:23.120
<v Speaker 1>But when I Milis Foreman said will you come in

0:47:23.320 --> 0:47:26.839
<v Speaker 1>because I'm doing the movie of Amadaeis and I want

0:47:26.880 --> 0:47:31.480
<v Speaker 1>you to read off camera for Costanza the actresses that

0:47:31.520 --> 0:47:35.160
<v Speaker 1>were up to play Costanza. Of course, so I get in.

0:47:35.239 --> 0:47:40.759
<v Speaker 1>I'm doing that between auditions for these all these young actresses.

0:47:41.080 --> 0:47:44.000
<v Speaker 1>I said to him, I said, you know, I've played

0:47:44.160 --> 0:47:48.719
<v Speaker 1>Mozart and I wonder if you be willing to consider me.

0:47:49.080 --> 0:47:52.319
<v Speaker 1>He laughed me. He said, oh, no, one is to

0:47:52.520 --> 0:47:55.440
<v Speaker 1>be believing that the Luke Skywalker is the most so

0:47:56.640 --> 0:47:59.200
<v Speaker 1>and I thought, well, I get that, and at least

0:47:59.239 --> 0:48:03.000
<v Speaker 1>he was honest with me, so it removed any sort

0:48:03.040 --> 0:48:05.200
<v Speaker 1>And I thought Tom Holse did a great job of

0:48:05.239 --> 0:48:08.600
<v Speaker 1>the movie. But that's just what this business is. It's

0:48:08.680 --> 0:48:11.680
<v Speaker 1>you know, and I tell young actors you have to have.

0:48:11.960 --> 0:48:15.279
<v Speaker 1>I don't know, just the nerves of steel because you're

0:48:15.280 --> 0:48:20.040
<v Speaker 1>gonna face constant rejection. And it's not because you're not talented.

0:48:20.280 --> 0:48:23.160
<v Speaker 1>You might be too tall, too short, too fat, the

0:48:23.239 --> 0:48:26.920
<v Speaker 1>wrong color eyes, whatever it is. There's thousands of people

0:48:26.960 --> 0:48:29.200
<v Speaker 1>that you're going to be competing with and the odds

0:48:29.200 --> 0:48:32.560
<v Speaker 1>are it's like playing Roulette. You have to spin the

0:48:32.560 --> 0:48:34.320
<v Speaker 1>wheel five thousand times.

0:48:34.400 --> 0:48:36.200
<v Speaker 5>By the way, it's funny Mark because you know Marshaan

0:48:36.239 --> 0:48:38.840
<v Speaker 5>obviously is transitioned and doing acting. Now, are you getting

0:48:38.840 --> 0:48:41.759
<v Speaker 5>that mare Sean from as Do they look at you

0:48:41.760 --> 0:48:44.799
<v Speaker 5>and say, well, dude, you're beismo, you're the running back

0:48:45.520 --> 0:48:48.040
<v Speaker 5>and you can't do this or do you get a

0:48:48.080 --> 0:48:51.040
<v Speaker 5>lot of that on some of these directors Marshall, Uh No,

0:48:51.280 --> 0:48:51.879
<v Speaker 5>not so much.

0:48:51.920 --> 0:48:55.520
<v Speaker 3>But it's just more so like because they're not familiar

0:48:55.560 --> 0:48:59.960
<v Speaker 3>with me. So like the movie that I've just did,

0:49:00.480 --> 0:49:05.600
<v Speaker 3>Love Hurts, They like a lot of them knew me

0:49:05.680 --> 0:49:07.759
<v Speaker 3>from football, but a lot of the guys was like

0:49:07.800 --> 0:49:11.640
<v Speaker 3>from Germany, so they didn't really understand, you know, the

0:49:11.680 --> 0:49:15.880
<v Speaker 3>football aspect. But I'm like, you know, like I'm really athletic.

0:49:15.960 --> 0:49:19.120
<v Speaker 3>I can do a lot of the stunts that you

0:49:19.160 --> 0:49:21.239
<v Speaker 3>know that got going on, but they're like, ah, well

0:49:21.280 --> 0:49:22.960
<v Speaker 3>you just don't know. And then I you know, I

0:49:23.040 --> 0:49:25.320
<v Speaker 3>have to prove to them to show them like no,

0:49:25.440 --> 0:49:28.000
<v Speaker 3>I can actually really move, like I can move move

0:49:28.120 --> 0:49:31.120
<v Speaker 3>like really moving, you know. I mean, they'll give me

0:49:31.120 --> 0:49:34.239
<v Speaker 3>an opportunity like, oh ship, I had no idea. And

0:49:34.280 --> 0:49:38.840
<v Speaker 3>then they were going actually watch me uh uh you

0:49:38.880 --> 0:49:41.479
<v Speaker 3>know play like oh I had no idea type ship.

0:49:41.920 --> 0:49:45.600
<v Speaker 3>But when you when you when you say that, I

0:49:45.680 --> 0:49:52.000
<v Speaker 3>got to work with uh with with Mike Loven Chris

0:49:52.040 --> 0:49:55.120
<v Speaker 3>and he did uh he played Mike Lovin and uh

0:49:55.320 --> 0:50:00.880
<v Speaker 3>super Bad and we were doing the show uh stars

0:50:00.880 --> 0:50:04.920
<v Speaker 3>on Mars and everybody you know, we would seeing and

0:50:04.920 --> 0:50:07.040
<v Speaker 3>we're like, oh shit, is mc loving And he's like, no,

0:50:07.280 --> 0:50:08.400
<v Speaker 3>don't call me mc loven.

0:50:08.480 --> 0:50:10.319
<v Speaker 2>My name is is Chris, Like.

0:50:11.880 --> 0:50:12.680
<v Speaker 4>Call me Chris.

0:50:13.480 --> 0:50:15.680
<v Speaker 3>And it got to a point where, you know, some

0:50:15.760 --> 0:50:20.160
<v Speaker 3>of the producers had did some ship and they had

0:50:20.520 --> 0:50:24.600
<v Speaker 3>called him like mc lovin and he lost his ship.

0:50:24.760 --> 0:50:28.120
<v Speaker 3>Like I told you, my fucking name is Chris, Call

0:50:28.200 --> 0:50:31.600
<v Speaker 3>me fucking Chris. So when you were speaking on that,

0:50:31.680 --> 0:50:34.120
<v Speaker 3>I'm like that was the first thing that went to

0:50:34.200 --> 0:50:37.759
<v Speaker 3>my mind, like, you know, getting a pigeonholed.

0:50:37.280 --> 0:50:40.200
<v Speaker 4>In a row and Mark, you ever break down like that?

0:50:40.360 --> 0:50:43.480
<v Speaker 4>You said, fucking talk to you. My name's not Luke,

0:50:43.560 --> 0:50:44.000
<v Speaker 4>you asked me.

0:50:44.200 --> 0:50:46.480
<v Speaker 1>While I listened to him talking, I'm you know a

0:50:46.520 --> 0:50:48.800
<v Speaker 1>lot of times they won't let you do stunts because

0:50:48.800 --> 0:50:52.640
<v Speaker 1>it's an insurance risk. Because in my career, I said,

0:50:52.680 --> 0:50:54.359
<v Speaker 1>I want to do all my own stunts. The only

0:50:54.400 --> 0:50:57.440
<v Speaker 1>one I wasn't allowed to do was when he gets

0:50:57.480 --> 0:51:01.520
<v Speaker 1>blown out the portal uh and I think the second one,

0:51:01.600 --> 0:51:05.560
<v Speaker 1>and the stunt guy said, can you do a flip

0:51:05.560 --> 0:51:07.160
<v Speaker 1>off a diving board? I said, oh, yeah, I've been

0:51:07.160 --> 0:51:08.880
<v Speaker 1>doing that all my life. Well, then you can do this.

0:51:09.360 --> 0:51:11.680
<v Speaker 1>So I was really thrilled because they had a springboard.

0:51:11.800 --> 0:51:15.879
<v Speaker 1>Colin Skeeping was my stunt double. He never he wasn't

0:51:15.920 --> 0:51:17.600
<v Speaker 1>even on the first one. I didn't have a stunt

0:51:17.600 --> 0:51:19.760
<v Speaker 1>double on the first one, but I did on Empire.

0:51:19.840 --> 0:51:22.799
<v Speaker 1>But then insurance stepped in and says, no way you're

0:51:22.840 --> 0:51:26.479
<v Speaker 1>doing that, because do a flip out candy glass which

0:51:26.560 --> 0:51:29.759
<v Speaker 1>can't damage you. Onto to all these mattresses that are

0:51:29.760 --> 0:51:33.640
<v Speaker 1>on those big, you know, packing boxes like beacons. What's

0:51:33.680 --> 0:51:37.360
<v Speaker 1>out with stunt guys all around to make sure you

0:51:37.400 --> 0:51:40.480
<v Speaker 1>don't bounce off or whatever. So I wasn't worried about it,

0:51:40.520 --> 0:51:43.200
<v Speaker 1>but they said, you can't do it. Now flash forward

0:51:43.239 --> 0:51:47.080
<v Speaker 1>to my elderly years. I look at the script and

0:51:47.120 --> 0:51:49.400
<v Speaker 1>I said, anything you can get away with with a

0:51:49.480 --> 0:51:51.279
<v Speaker 1>stunt double, I'm down with that.

0:51:51.880 --> 0:51:56.600
<v Speaker 3>So there was fighting and uh, there's a lot of fightings,

0:51:56.640 --> 0:51:59.520
<v Speaker 3>but one in particulars it was actually like, you know,

0:51:59.600 --> 0:52:03.080
<v Speaker 3>what's moves that you can do that we can incorporate

0:52:03.400 --> 0:52:06.319
<v Speaker 3>in the facing that you know would show it now

0:52:06.520 --> 0:52:09.840
<v Speaker 3>to you know you actually you know, being an athlete.

0:52:10.640 --> 0:52:12.359
<v Speaker 3>And I was like, well, I mean, you know, there's

0:52:12.440 --> 0:52:14.560
<v Speaker 3>a few things like I played running back, so you

0:52:14.600 --> 0:52:17.840
<v Speaker 3>know I can move a latter latter room, you know,

0:52:18.000 --> 0:52:20.880
<v Speaker 3>pretty quick. So I showed them a couple moves like

0:52:20.960 --> 0:52:23.600
<v Speaker 3>I actually just you know, ran a you know, like

0:52:23.640 --> 0:52:26.160
<v Speaker 3>a simple drill in the in the gods they like

0:52:26.600 --> 0:52:29.560
<v Speaker 3>blew they ship like, oh my god, like that ship

0:52:29.760 --> 0:52:32.880
<v Speaker 3>is amazing. And I was like, well, you know, if

0:52:32.960 --> 0:52:35.680
<v Speaker 3>I could hit somebody, and they're like, well, we'll show

0:52:35.719 --> 0:52:38.520
<v Speaker 3>us what you mean. So they got a guy and uh,

0:52:38.880 --> 0:52:41.960
<v Speaker 3>and I tackled him and they're like, oh, my fucking god,

0:52:42.040 --> 0:52:45.560
<v Speaker 3>let's go. How would you how would you feel if

0:52:47.080 --> 0:52:50.360
<v Speaker 3>we actually had you tackle this guy through a wall.

0:52:51.160 --> 0:52:55.359
<v Speaker 3>And I'm like, hell fucking year, Like, yeah, so they

0:52:55.400 --> 0:52:59.320
<v Speaker 3>put up this. They put up this whole fucking wall,

0:52:59.360 --> 0:53:05.240
<v Speaker 3>and was like, okay. The stunt coordinator, the second director,

0:53:05.760 --> 0:53:07.640
<v Speaker 3>was like, hey, man, you know, you know if you're

0:53:07.640 --> 0:53:10.280
<v Speaker 3>not up to it, you know your stunt guy who Marcus,

0:53:10.280 --> 0:53:12.960
<v Speaker 3>who was who was really good? And I'm like, no,

0:53:13.200 --> 0:53:16.560
<v Speaker 3>you know, I'm good. I'm ready for it. He's like,

0:53:16.600 --> 0:53:18.640
<v Speaker 3>because I don't know, man, we got that, we got

0:53:18.640 --> 0:53:21.200
<v Speaker 3>one wall. I'm like, all right, don't worry about it.

0:53:21.400 --> 0:53:23.680
<v Speaker 3>He's like, but you got to land here and where

0:53:23.719 --> 0:53:27.359
<v Speaker 3>it sat is probably like five feet from uh from

0:53:27.400 --> 0:53:29.640
<v Speaker 3>the wall. And I'm like, you know what, I'll be

0:53:29.680 --> 0:53:32.920
<v Speaker 3>able to get it done. So when we do it,

0:53:33.800 --> 0:53:37.160
<v Speaker 3>And I mean, I fucked that wall up. I tried

0:53:37.200 --> 0:53:39.720
<v Speaker 3>to tear the whole fucking house down, to be honest

0:53:39.760 --> 0:53:42.120
<v Speaker 3>with you, And all I remember was running through that

0:53:42.239 --> 0:53:46.240
<v Speaker 3>fucking wall and I hit the dude so fucking hard,

0:53:47.120 --> 0:53:49.600
<v Speaker 3>and when I landed on it, I just heard all

0:53:49.600 --> 0:53:55.080
<v Speaker 3>the air going oh. And for a second I fucking

0:53:55.120 --> 0:53:57.319
<v Speaker 3>forgot we was even filming. Hey, hey, you all right,

0:53:57.480 --> 0:53:59.759
<v Speaker 3>I shouldn't stay in it. Stay in it, oh ship

0:54:00.040 --> 0:54:04.640
<v Speaker 3>yeah and right. It was probably some of the most

0:54:04.640 --> 0:54:10.360
<v Speaker 3>funny shit I ever did period. But when I fucking

0:54:10.400 --> 0:54:15.120
<v Speaker 3>smashed that dude through that wall, like the insurance that

0:54:15.160 --> 0:54:18.719
<v Speaker 3>you were just talking about, now they everybody coming in,

0:54:19.320 --> 0:54:25.600
<v Speaker 3>all the doctors on set, the pro everybody, Hey, you

0:54:25.640 --> 0:54:27.640
<v Speaker 3>all right, you all right, making sure everything's all right,

0:54:28.000 --> 0:54:29.520
<v Speaker 3>and you go back and you look at that.

0:54:29.520 --> 0:54:32.400
<v Speaker 2>Wall, like, what the fuck just happened. Now.

0:54:32.440 --> 0:54:37.080
<v Speaker 3>I'm not big on playback so or watching playback, so

0:54:37.719 --> 0:54:39.680
<v Speaker 3>I just kind of was. I was in a zone.

0:54:41.040 --> 0:54:41.800
<v Speaker 3>Pick up the phone.

0:54:41.800 --> 0:54:44.160
<v Speaker 2>I called Doug, Like, Doug, I just ran somebody through

0:54:44.160 --> 0:54:44.920
<v Speaker 2>a fucking wall. Bro.

0:54:45.040 --> 0:54:48.120
<v Speaker 3>See if anybody want to, uh, if anybody want a

0:54:48.120 --> 0:54:50.200
<v Speaker 3>thirty eight year old running back, I think I got

0:54:50.200 --> 0:54:52.480
<v Speaker 3>some more left in the tank. So I hear the

0:54:52.520 --> 0:54:54.839
<v Speaker 3>people they watching it, and all you hear is them

0:54:54.880 --> 0:54:59.239
<v Speaker 3>motherfucker's just laughing, laughing, like, oh my god, that shit

0:54:59.400 --> 0:55:02.319
<v Speaker 3>was great. But that was a big moment. But now

0:55:02.360 --> 0:55:06.080
<v Speaker 3>you talk about the insurance. Had I done anything wrong

0:55:06.200 --> 0:55:10.279
<v Speaker 3>or fuck some shit up, then I'm probably out for

0:55:10.360 --> 0:55:10.680
<v Speaker 3>a while.

0:55:10.719 --> 0:55:12.600
<v Speaker 5>And by the way, mark as an agent as I am,

0:55:12.719 --> 0:55:14.640
<v Speaker 5>I did I did make a few calls to teams.

0:55:14.640 --> 0:55:16.560
<v Speaker 5>I said Marshawn send me that footage, and I called

0:55:16.560 --> 0:55:17.160
<v Speaker 5>a couple of teams.

0:55:17.239 --> 0:55:18.880
<v Speaker 4>I said, you need a guy for a few games.

0:55:19.200 --> 0:55:20.560
<v Speaker 1>Doug, you're his agent?

0:55:21.120 --> 0:55:24.160
<v Speaker 5>Yes, I was his football agent, correct, not his entertainment agent,

0:55:24.160 --> 0:55:24.919
<v Speaker 5>but football agent.

0:55:25.040 --> 0:55:29.600
<v Speaker 1>But he has a theatrical agent now, correct, because remember, Marshawn,

0:55:29.760 --> 0:55:33.000
<v Speaker 1>you're not just an after, You're an investment.

0:55:33.360 --> 0:55:34.000
<v Speaker 2>Yeah.

0:55:34.120 --> 0:55:36.160
<v Speaker 1>They have to protect their investments.

0:55:36.560 --> 0:55:40.400
<v Speaker 3>Yeah, so I got I got that understanding after I, uh,

0:55:40.520 --> 0:55:41.960
<v Speaker 3>after I ran through that wall.

0:55:43.160 --> 0:55:43.399
<v Speaker 4>Yeah.

0:55:43.440 --> 0:55:45.160
<v Speaker 2>Man, that ship was That ship was great.

0:55:45.160 --> 0:55:47.640
<v Speaker 3>And what's crazy is a lot of the guys that I, uh,

0:55:48.320 --> 0:55:52.680
<v Speaker 3>that I worked with, they actually did stunts for uh,

0:55:53.160 --> 0:55:55.600
<v Speaker 3>some Star Wars movies. They actually were showing me like

0:55:56.000 --> 0:55:58.600
<v Speaker 3>some of the what they call them some of the

0:55:59.320 --> 0:56:04.200
<v Speaker 3>gags where they put the harnesses on everybody and people

0:56:04.280 --> 0:56:06.839
<v Speaker 3>pulling and swinging and all that shit. And they showed

0:56:06.880 --> 0:56:10.959
<v Speaker 3>me this this clip where it was on a set

0:56:11.000 --> 0:56:16.040
<v Speaker 3>for Star Wars and uh, the guys they like through

0:56:16.120 --> 0:56:19.759
<v Speaker 3>some kind of bomb or something and everybody was exploding

0:56:19.840 --> 0:56:22.759
<v Speaker 3>and flying in every which way and shit, and I'm like,

0:56:22.880 --> 0:56:25.680
<v Speaker 3>god that like I'm going to I'm want to trye

0:56:25.719 --> 0:56:27.920
<v Speaker 3>some of that shit. I was like, nah, you probably

0:56:27.960 --> 0:56:30.399
<v Speaker 3>would never be able to do no shit like that

0:56:30.840 --> 0:56:33.919
<v Speaker 3>one because you big than a motherfucker, Like, I don't

0:56:33.960 --> 0:56:35.200
<v Speaker 3>know how many people.

0:56:34.960 --> 0:56:36.920
<v Speaker 2>We would have to pull you.

0:56:37.000 --> 0:56:40.440
<v Speaker 3>But when you start talking about the insurance and then

0:56:40.600 --> 0:56:44.080
<v Speaker 3>being a liability, uh, it kind of made sense. But

0:56:44.160 --> 0:56:46.560
<v Speaker 3>in my mind, I'm like, oh, I run through people

0:56:46.640 --> 0:56:49.680
<v Speaker 3>and run into people like that's how I made a living.

0:56:50.719 --> 0:56:51.959
<v Speaker 4>Hey, Mark, let me ask you a question.

0:56:53.120 --> 0:56:55.759
<v Speaker 5>I see the brotherhood of the athletics and sports, and

0:56:55.840 --> 0:56:58.640
<v Speaker 5>I'll I'll go back and use more Shaw's example. You know,

0:56:58.640 --> 0:57:00.720
<v Speaker 5>when they won the Super Bowl and he's the players

0:57:00.719 --> 0:57:03.239
<v Speaker 5>he played with and the love, the half of each

0:57:03.239 --> 0:57:04.920
<v Speaker 5>other and the kind of the respect and when they

0:57:04.960 --> 0:57:08.200
<v Speaker 5>see each other after years and whether it be a

0:57:08.320 --> 0:57:11.160
<v Speaker 5>you know, social setting or reunion or whatever. So when

0:57:11.200 --> 0:57:14.160
<v Speaker 5>you go back and see Harrison Ford now or George Lucas,

0:57:14.480 --> 0:57:17.440
<v Speaker 5>do you guys like have that special bond like, dude,

0:57:17.480 --> 0:57:21.160
<v Speaker 5>we did something like crazy out of this world good,

0:57:22.240 --> 0:57:24.520
<v Speaker 5>you know forty years ago, fifty years ago. Do you

0:57:24.640 --> 0:57:26.520
<v Speaker 5>kind of have that bond where you see each other

0:57:26.560 --> 0:57:28.680
<v Speaker 5>as kind of like that love as an athlete might

0:57:28.760 --> 0:57:29.520
<v Speaker 5>have with the teammate.

0:57:29.920 --> 0:57:33.000
<v Speaker 1>Absolutely, and not just with those movies.

0:57:33.040 --> 0:57:33.560
<v Speaker 4>It being.

0:57:34.960 --> 0:57:40.439
<v Speaker 1>You know, it's a community and we all support each other.

0:57:40.520 --> 0:57:44.040
<v Speaker 1>I mean, whether it's television, movies. I remember I was

0:57:44.080 --> 0:57:45.680
<v Speaker 1>telling you I went to New York to try and

0:57:45.720 --> 0:57:51.200
<v Speaker 1>get character parts. And one thing that really changed my

0:57:51.280 --> 0:57:55.560
<v Speaker 1>career is I read in I don't know, the Comic

0:57:55.640 --> 0:57:58.560
<v Speaker 1>Buyer's Guide that they were going to do an animated Batman.

0:57:59.120 --> 0:58:02.480
<v Speaker 1>And I saw the and producers they were putting forward.

0:58:02.560 --> 0:58:05.120
<v Speaker 1>I said, oh, my gosh, this is clearly going to

0:58:05.120 --> 0:58:09.240
<v Speaker 1>be a step above the Saturnnay Morning, you know super

0:58:09.280 --> 0:58:13.320
<v Speaker 1>Friends version. This looks like it's going to be intelligently

0:58:13.360 --> 0:58:16.680
<v Speaker 1>written for once. They were getting people instead of, you know,

0:58:16.840 --> 0:58:19.360
<v Speaker 1>hiring people that have never done the character, and they

0:58:19.360 --> 0:58:21.880
<v Speaker 1>read the best of Batman over the weekend and start

0:58:21.920 --> 0:58:24.840
<v Speaker 1>writing a script on Monday. And they were getting people

0:58:24.840 --> 0:58:29.720
<v Speaker 1>that had long, decades long experience with not just that character,

0:58:29.800 --> 0:58:33.800
<v Speaker 1>but all the you know, comic book characters. So I said,

0:58:33.800 --> 0:58:39.160
<v Speaker 1>I'd love to audition for the Joker. And no, I said,

0:58:39.400 --> 0:58:41.640
<v Speaker 1>I'd love to audition, but I wanted to play a

0:58:41.720 --> 0:58:45.600
<v Speaker 1>villain that never been done before, clay Face, two face, whatever.

0:58:45.960 --> 0:58:47.800
<v Speaker 1>But they said, you have an audition for the Joker.

0:58:47.840 --> 0:58:51.120
<v Speaker 1>I said, oh, it's a little too high profile. Jack

0:58:51.240 --> 0:58:55.280
<v Speaker 1>Nicholson was so great. She's a romero anyway. The only

0:58:55.400 --> 0:59:00.560
<v Speaker 1>reason I think I had confidence was about two months

0:59:00.640 --> 0:59:05.240
<v Speaker 1>earlier they cast Michael Keaton as Batman, and all the

0:59:05.320 --> 0:59:08.480
<v Speaker 1>Dan boys lost their minds. Oh my god, he's mister Mom.

0:59:08.880 --> 0:59:12.479
<v Speaker 1>He can't be Batman, blah blah blah without seeing him

0:59:12.680 --> 0:59:16.800
<v Speaker 1>play the part. Ever, so what I'm saying in that atmosphere,

0:59:16.840 --> 0:59:21.360
<v Speaker 1>I said, if you think they lost their minds over

0:59:22.360 --> 0:59:24.680
<v Speaker 1>mister Mom playing Batman, how are they gonna feel about

0:59:24.760 --> 0:59:29.880
<v Speaker 1>Luke Skywalker playing the Joker. There's no way they can

0:59:29.960 --> 0:59:32.720
<v Speaker 1>cast me. So normally you go in and if you

0:59:32.880 --> 0:59:35.880
<v Speaker 1>want the part a lot, Sometimes your anxiety can get

0:59:35.920 --> 0:59:39.000
<v Speaker 1>the better of you. They can sense a neediness that

0:59:39.080 --> 0:59:42.320
<v Speaker 1>makes them uncomfortable. You're off your game because you're nerves

0:59:42.400 --> 0:59:44.680
<v Speaker 1>or whatever. Here, I thought, well, since there's no way

0:59:44.720 --> 0:59:46.720
<v Speaker 1>I can get it, I'm going to make them lose.

0:59:47.000 --> 0:59:49.720
<v Speaker 1>I'm gonna make them sorry they can't hire me, and

0:59:49.800 --> 0:59:53.160
<v Speaker 1>I just let it rip and had the greatest time

0:59:53.200 --> 0:59:59.400
<v Speaker 1>in my life. And what happened was it really turned

0:59:59.440 --> 1:00:02.160
<v Speaker 1>my career in the sense that opened up doors in

1:00:02.200 --> 1:00:06.040
<v Speaker 1>the voiceover world, and the voiceover world is one of

1:00:06.040 --> 1:00:11.280
<v Speaker 1>the most talented subsets of show business. And everywhere you go,

1:00:11.360 --> 1:00:13.520
<v Speaker 1>if you do your job and you're on time, you're

1:00:13.560 --> 1:00:17.000
<v Speaker 1>not a prima donna. You get accepted by the Broadway community,

1:00:17.040 --> 1:00:22.360
<v Speaker 1>the off Broadway community, and so forth. So you know,

1:00:23.000 --> 1:00:27.240
<v Speaker 1>once I started doing various parts other than the joker,

1:00:28.160 --> 1:00:31.840
<v Speaker 1>I was very quickly accepted by people that I admire

1:00:31.920 --> 1:00:34.840
<v Speaker 1>so much. And I don't know, I've lost count of

1:00:34.840 --> 1:00:38.160
<v Speaker 1>how many cartoons have done over one thousand since ninety two,

1:00:38.360 --> 1:00:43.400
<v Speaker 1>but yeah, they cast with their ears, not their eyes,

1:00:43.680 --> 1:00:46.360
<v Speaker 1>so you're going to be able to play characters that

1:00:46.440 --> 1:00:49.840
<v Speaker 1>you would never get on camera. And you know, I

1:00:49.880 --> 1:00:53.320
<v Speaker 1>never got to do dialects until I did voiceover. Then

1:00:53.360 --> 1:00:55.440
<v Speaker 1>I could do Australia, and I could do Cockney, I

1:00:55.440 --> 1:00:58.720
<v Speaker 1>could do whatever, because they unless you're Meryl Street, they

1:00:59.000 --> 1:01:01.480
<v Speaker 1>if they wanted at you, they'll hire an Australian.

1:01:12.960 --> 1:01:14.680
<v Speaker 5>So Mark, how does that work? Get a voiceover? They

1:01:14.720 --> 1:01:16.720
<v Speaker 5>give you the script and then and then they give

1:01:16.760 --> 1:01:18.200
<v Speaker 5>you like, hey, you have a month to do this,

1:01:18.280 --> 1:01:19.800
<v Speaker 5>and you do it every day. I mean, how does

1:01:19.840 --> 1:01:20.320
<v Speaker 5>that go about?

1:01:20.320 --> 1:01:21.320
<v Speaker 4>With the voiceover stuff?

1:01:21.560 --> 1:01:23.960
<v Speaker 1>Well, you usually get the script the night before or

1:01:23.960 --> 1:01:27.360
<v Speaker 1>two days before you go in and they record the

1:01:27.440 --> 1:01:30.760
<v Speaker 1>voice first then send it overseas. Unfortunely, I wish they

1:01:30.760 --> 1:01:35.280
<v Speaker 1>wouldn't outsource, but it's animated somewhere else, and so the

1:01:35.320 --> 1:01:38.960
<v Speaker 1>finished product doesn't show up to at least nine months

1:01:38.960 --> 1:01:42.400
<v Speaker 1>to maybe eighteen months later, which is why I've missed

1:01:42.440 --> 1:01:44.480
<v Speaker 1>so many of the things I've done, because they don't

1:01:44.480 --> 1:01:47.720
<v Speaker 1>send you an email say hey, your episode of Powerpuff

1:01:47.760 --> 1:01:51.920
<v Speaker 1>Girls is on this Tuesday, and if you don't really

1:01:51.960 --> 1:01:53.560
<v Speaker 1>keep it. When the kids were small, I see a

1:01:53.560 --> 1:01:57.160
<v Speaker 1>lot of seriously go wait, you guys, I think that's

1:01:57.240 --> 1:01:59.720
<v Speaker 1>me playing the gangster squirrel.

1:02:00.120 --> 1:02:00.920
<v Speaker 5>Yeah, yeah, that's me.

1:02:01.080 --> 1:02:01.400
<v Speaker 4>That's me.

1:02:02.160 --> 1:02:04.360
<v Speaker 1>But I got it by accident.

1:02:04.600 --> 1:02:07.280
<v Speaker 4>By the way, Mark, it's interesting you you were. You

1:02:07.680 --> 1:02:10.120
<v Speaker 4>talked about being type We talked about being type cast.

1:02:10.440 --> 1:02:13.520
<v Speaker 4>You talked about how you can lose yourself in an

1:02:13.560 --> 1:02:17.200
<v Speaker 4>animation frame and become something so much bigger than what

1:02:17.240 --> 1:02:21.840
<v Speaker 4>you physically are are perceived as. But what you by

1:02:21.920 --> 1:02:26.880
<v Speaker 4>definition attracted to the villain character even before Joker in

1:02:27.240 --> 1:02:30.680
<v Speaker 4>order to express your desire to be more than what

1:02:30.720 --> 1:02:32.480
<v Speaker 4>you were type cast for. When he was at the

1:02:32.520 --> 1:02:37.080
<v Speaker 4>impetus for trying to find that contrary and frame, it must.

1:02:36.480 --> 1:02:40.320
<v Speaker 1>Have been because I'm so pure in one note, but

1:02:40.400 --> 1:02:43.680
<v Speaker 1>I thought the best part was Darth Vader. Now he's

1:02:43.720 --> 1:02:46.440
<v Speaker 1>only in the movie maybe twelve minutes, but in terms

1:02:46.440 --> 1:02:51.920
<v Speaker 1>of impact and gravitas, you know, that's hard to top.

1:02:52.720 --> 1:02:57.080
<v Speaker 1>But you know, I have to to tell you that

1:02:58.760 --> 1:03:02.920
<v Speaker 1>recently on its on Netflix now Mike Flanagan, who I

1:03:03.000 --> 1:03:05.440
<v Speaker 1>was a huge fan of from the Haunting of Hill House,

1:03:05.840 --> 1:03:07.960
<v Speaker 1>the Haunting of Blind Man, or Midnight Mass and so

1:03:08.120 --> 1:03:11.720
<v Speaker 1>for I was a huge fan. He requested a meeting

1:03:11.760 --> 1:03:14.280
<v Speaker 1>with me, came over the house with Trevor Macy, the producer,

1:03:14.840 --> 1:03:17.360
<v Speaker 1>and pitched me the Fall of the House of Usher,

1:03:18.320 --> 1:03:21.200
<v Speaker 1>and I was going to he was wanted to hire.

1:03:21.240 --> 1:03:25.440
<v Speaker 1>It's this criminal family. It's you know, he puts reality

1:03:25.520 --> 1:03:28.720
<v Speaker 1>into his fantasy so you can relate to it. The

1:03:29.160 --> 1:03:34.200
<v Speaker 1>Usher family is making billions of dollars on ligadone, which

1:03:34.240 --> 1:03:37.280
<v Speaker 1>is killing hundreds of thousands of people. Oh it's the

1:03:37.360 --> 1:03:42.360
<v Speaker 1>Sackler family. Yeah, I get that. So he grounds it

1:03:42.360 --> 1:03:44.320
<v Speaker 1>in reality you can relate to. And I was asked

1:03:44.320 --> 1:03:50.760
<v Speaker 1>to play this amoral, soulless sociopath lawyer who covers up

1:03:50.800 --> 1:03:55.800
<v Speaker 1>for he's the long lifelong attorney for the Usher family.

1:03:56.360 --> 1:04:00.600
<v Speaker 1>Just pure evil. And when I read script, I thought,

1:04:00.640 --> 1:04:03.040
<v Speaker 1>oh my god, I don't have no idea how I

1:04:03.080 --> 1:04:06.560
<v Speaker 1>will approach this. But if Mike thinks I can do it,

1:04:06.680 --> 1:04:09.640
<v Speaker 1>I've got to do it. So I agreed. And it

1:04:09.720 --> 1:04:14.760
<v Speaker 1>was scary because you know, normally you have some concept

1:04:14.800 --> 1:04:18.640
<v Speaker 1>of how you should play this character, what the script

1:04:18.720 --> 1:04:21.600
<v Speaker 1>requires from you to make it all work. And it's

1:04:21.640 --> 1:04:25.280
<v Speaker 1>a big ensemble cast. I'm a supporting player and like this.

1:04:25.480 --> 1:04:28.440
<v Speaker 1>And that's typical of Mike's projects. You know, he has

1:04:28.480 --> 1:04:33.840
<v Speaker 1>all these wonderful actors who I had already admired. I thought,

1:04:34.280 --> 1:04:36.360
<v Speaker 1>I just want to meet these people, because you know,

1:04:36.400 --> 1:04:38.720
<v Speaker 1>a lot of them I never seen before. Henry Thomas

1:04:38.800 --> 1:04:42.400
<v Speaker 1>i'd seen, but twelve of them i'd never seen before. Anyway,

1:04:43.160 --> 1:04:45.560
<v Speaker 1>it came very late in the game, but once I

1:04:45.600 --> 1:04:48.080
<v Speaker 1>got to pick the wardrobe and figured out, well, this

1:04:48.160 --> 1:04:49.400
<v Speaker 1>is the guy that gets out of the bed in

1:04:49.480 --> 1:04:51.240
<v Speaker 1>the morning. When he gets out of the show, he's

1:04:51.240 --> 1:04:53.840
<v Speaker 1>gonna just wipe his head once and not do any product.

1:04:53.960 --> 1:04:55.840
<v Speaker 1>So I said, kind it short enough so it's not

1:04:55.960 --> 1:04:59.520
<v Speaker 1>sticking up, just short enough so it lays down. Then

1:04:59.600 --> 1:05:03.480
<v Speaker 1>they found I found these glasses, and I found the

1:05:03.560 --> 1:05:06.400
<v Speaker 1>hat and I looked in the mirror and it wasn't

1:05:06.440 --> 1:05:10.560
<v Speaker 1>me anymore. It was Arthur Gordon Pim, who the other

1:05:10.680 --> 1:05:14.880
<v Speaker 1>characters referred to as the Pim Reaper. So the last

1:05:14.960 --> 1:05:17.080
<v Speaker 1>element they came. We went to do the first scene

1:05:17.840 --> 1:05:24.240
<v Speaker 1>on my first day of work with Madeline and Roderick,

1:05:24.400 --> 1:05:28.280
<v Speaker 1>the brother and sister that are the head ushers. And

1:05:28.800 --> 1:05:32.920
<v Speaker 1>I didn't plan this, but when I started talking, I

1:05:33.040 --> 1:05:36.920
<v Speaker 1>started talking like this. Well, we tried to contact him,

1:05:36.960 --> 1:05:40.600
<v Speaker 1>but he won't return our calls because I want to

1:05:40.640 --> 1:05:46.320
<v Speaker 1>impart this deadness in him. And later in the morning,

1:05:46.680 --> 1:05:50.360
<v Speaker 1>when Mike walked passed, he said, love the voice, and

1:05:50.440 --> 1:05:54.880
<v Speaker 1>I thought, I'm home, because once you have the blessing

1:05:54.920 --> 1:05:58.760
<v Speaker 1>of your director. And Mike fin mcnari did the other

1:05:58.840 --> 1:06:01.600
<v Speaker 1>He did four and I did for But I mean,

1:06:01.720 --> 1:06:04.680
<v Speaker 1>I just it was the first time I ever got

1:06:04.680 --> 1:06:07.920
<v Speaker 1>to do I did a typical roles all the time

1:06:08.040 --> 1:06:11.800
<v Speaker 1>in voiceover. I mean, you play all these different gangsters

1:06:11.840 --> 1:06:16.520
<v Speaker 1>and well, like I said, a gangster squirrel. But this

1:06:16.680 --> 1:06:18.160
<v Speaker 1>was the first time I was ever get to do

1:06:18.240 --> 1:06:23.040
<v Speaker 1>it on camera. And I'm really grateful for him. I

1:06:23.120 --> 1:06:25.960
<v Speaker 1>formed a real bond with him, and I've got a

1:06:26.000 --> 1:06:29.000
<v Speaker 1>movie coming out that he directed based on a Stephen

1:06:29.120 --> 1:06:32.000
<v Speaker 1>King novel called The Life of Chuck, which comes out

1:06:32.040 --> 1:06:35.640
<v Speaker 1>when in May. And I'm thinking, wait a second, these

1:06:35.680 --> 1:06:39.919
<v Speaker 1>two titans of horror, Stephen King and Mike Flanagan, I'm

1:06:39.960 --> 1:06:45.960
<v Speaker 1>expecting the script to be, you know, the horror epic

1:06:46.000 --> 1:06:49.520
<v Speaker 1>of all time. It is the sweetest, most pointed. It

1:06:49.840 --> 1:06:52.680
<v Speaker 1>is not horror at all. It's the story of a

1:06:52.720 --> 1:06:56.120
<v Speaker 1>boy named Chuck, you seem at four different stages until

1:06:56.160 --> 1:06:59.080
<v Speaker 1>he grows up to be Tom Middleston. And I'm telling

1:06:59.080 --> 1:07:02.479
<v Speaker 1>you they showed it the Toronto Film Festival. I'd seen

1:07:02.480 --> 1:07:05.080
<v Speaker 1>a screening at Mike's house, but I saw it with

1:07:05.160 --> 1:07:10.760
<v Speaker 1>an audience and I can't tell you what elation I felt,

1:07:10.760 --> 1:07:15.400
<v Speaker 1>because they loved it. They laughed the everything it's it's

1:07:15.440 --> 1:07:18.000
<v Speaker 1>it's so uh, I said, I don't know how you're

1:07:18.000 --> 1:07:21.520
<v Speaker 1>going to quote this because it's completely indescribable. You just

1:07:21.640 --> 1:07:23.880
<v Speaker 1>have to see it to believe it.

1:07:23.920 --> 1:07:25.720
<v Speaker 5>But Mark, the greatest thing about you, which I love

1:07:25.760 --> 1:07:28.520
<v Speaker 5>and I appreciate, is that you're the epitome of you

1:07:28.680 --> 1:07:31.040
<v Speaker 5>live to work instead of work to live. We just

1:07:31.080 --> 1:07:33.640
<v Speaker 5>talked about our good friend Bill Belichick, who's coaching again.

1:07:34.120 --> 1:07:36.640
<v Speaker 5>You You don't want to retire to fishing village in

1:07:36.680 --> 1:07:39.160
<v Speaker 5>Portugal or go to Anguela and sit in the beach.

1:07:39.280 --> 1:07:43.080
<v Speaker 5>You want to You're working more now than it's insane

1:07:43.160 --> 1:07:45.200
<v Speaker 5>what you're doing, which is incredible. So you love what

1:07:45.280 --> 1:07:47.720
<v Speaker 5>you're doing, and this is what you want to continue

1:07:47.720 --> 1:07:49.480
<v Speaker 5>to do it correct. There's no there's no shutting it

1:07:49.520 --> 1:07:50.000
<v Speaker 5>down for you.

1:07:51.160 --> 1:07:53.400
<v Speaker 1>I mean, I have I have a movie out now,

1:07:53.800 --> 1:07:56.760
<v Speaker 1>the Wild Robot. I'm the voice of Thorn the Bear, and.

1:07:56.840 --> 1:08:00.840
<v Speaker 4>Which is again all kinds of awards. Congratulations next level.

1:08:01.080 --> 1:08:03.720
<v Speaker 1>Yeah. I mean last year I was a Voice and

1:08:03.760 --> 1:08:06.120
<v Speaker 1>the Boy and the Hair and which won the Oscar.

1:08:06.280 --> 1:08:10.280
<v Speaker 1>This time they're talking about an Oscar nomination for Wild Robot.

1:08:10.320 --> 1:08:13.040
<v Speaker 1>And next year I have three things coming out of

1:08:13.120 --> 1:08:16.960
<v Speaker 1>the Life of Chuck, which I told you about, the

1:08:17.040 --> 1:08:20.000
<v Speaker 1>Long Walk, which is based on a Stephen King novel,

1:08:20.040 --> 1:08:24.000
<v Speaker 1>and those teams. This one really is horrific. In fact,

1:08:24.040 --> 1:08:25.960
<v Speaker 1>when I read it, I was just so turned off.

1:08:26.000 --> 1:08:29.720
<v Speaker 1>I said, ugh, you know once you have to what

1:08:29.760 --> 1:08:31.720
<v Speaker 1>we have to do is you have to don't think

1:08:31.800 --> 1:08:35.240
<v Speaker 1>like Mark, think like the character, because villains don't think

1:08:35.320 --> 1:08:39.120
<v Speaker 1>they are villains. They think they're doing what's right, even

1:08:39.160 --> 1:08:42.800
<v Speaker 1>though an objective observer would say, this guy's horrible. So

1:08:42.920 --> 1:08:45.400
<v Speaker 1>once I got into that, and plus, it's about all

1:08:45.439 --> 1:08:48.799
<v Speaker 1>these young men. It's all these twenty one year old guys,

1:08:49.360 --> 1:08:52.400
<v Speaker 1>and I'm not really the villain, but the state is

1:08:52.439 --> 1:08:54.719
<v Speaker 1>the villain, and I represent the state. So in that case,

1:08:55.000 --> 1:08:57.800
<v Speaker 1>I am the villain. And my son read it and said, Dad,

1:08:57.840 --> 1:09:00.679
<v Speaker 1>you got to do this, So I thought he because

1:09:00.680 --> 1:09:02.680
<v Speaker 1>I said, I'll watch this someday. I don't want to

1:09:02.680 --> 1:09:05.160
<v Speaker 1>be in it, but I'm glad I did. I'm glad

1:09:05.160 --> 1:09:08.000
<v Speaker 1>I got over myself. And the last one, what's the

1:09:08.040 --> 1:09:11.120
<v Speaker 1>last one? Oh, I'm in the I'm in the new

1:09:11.200 --> 1:09:15.479
<v Speaker 1>SpongeBob SquarePants movie, which comes out in December with Tom

1:09:15.600 --> 1:09:18.200
<v Speaker 1>will have one of my I've been friends with this

1:09:18.240 --> 1:09:21.240
<v Speaker 1>guy for thirty years, one of the nicest men in

1:09:21.280 --> 1:09:24.679
<v Speaker 1>show business. And I'm telling you he is so pure

1:09:25.200 --> 1:09:30.679
<v Speaker 1>and so genuine you realize he is SpongeBob in real

1:09:30.720 --> 1:09:36.880
<v Speaker 1>life because he's relentlessly optimistic, and whenever you are around

1:09:36.960 --> 1:09:40.360
<v Speaker 1>him or his wife, Jill Tally, they just lift your spirits.

1:09:41.080 --> 1:09:45.719
<v Speaker 4>Speaking of life, real life and not necessarily lifting the spirits.

1:09:45.720 --> 1:09:48.560
<v Speaker 4>It would be remiss if I didn't ask you you know,

1:09:48.600 --> 1:09:51.480
<v Speaker 4>a big part of your life and all these iterations

1:09:51.520 --> 1:09:54.400
<v Speaker 4>and just the longevity that Doug talks about, and your

1:09:54.439 --> 1:09:58.240
<v Speaker 4>resilience as an actor, and your remarkable career that seems

1:09:58.240 --> 1:10:02.120
<v Speaker 4>to be gaining speed steam not losing steam. But one

1:10:02.160 --> 1:10:05.160
<v Speaker 4>thing you're known for is your activism and your willingness

1:10:05.160 --> 1:10:07.960
<v Speaker 4>to assert a point of view in a very public

1:10:08.040 --> 1:10:12.479
<v Speaker 4>way and accept all the slings and arrows that may

1:10:12.520 --> 1:10:16.840
<v Speaker 4>come your way, the adihilation and the condemnation both And

1:10:16.920 --> 1:10:19.800
<v Speaker 4>I imagine particularly from a political sphere, when did you

1:10:19.960 --> 1:10:22.679
<v Speaker 4>start to find that voice or when did you start

1:10:22.720 --> 1:10:27.920
<v Speaker 4>to express that inner voice as someone that wanted to

1:10:27.920 --> 1:10:31.360
<v Speaker 4>be known for something more than just the work you

1:10:31.400 --> 1:10:32.120
<v Speaker 4>did on screen.

1:10:33.560 --> 1:10:37.120
<v Speaker 1>Well, I've always been interested in politics, as far back

1:10:37.160 --> 1:10:41.920
<v Speaker 1>as when I I would have been eight, when Nixon

1:10:41.960 --> 1:10:45.880
<v Speaker 1>and Kennedy ran and I said to my mom, you know,

1:10:46.400 --> 1:10:51.439
<v Speaker 1>because you see jfk And he just radiated charmed. He

1:10:51.600 --> 1:10:56.799
<v Speaker 1>was funny, he was inspirational, and you know, Nixon reminded

1:10:56.920 --> 1:10:59.559
<v Speaker 1>me of the scary teacher in school that you didn't

1:10:59.600 --> 1:11:03.400
<v Speaker 1>want to be around. Let me just you know. And

1:11:03.439 --> 1:11:07.160
<v Speaker 1>I said to my mom, why is Dan voting for Nixon?

1:11:07.240 --> 1:11:09.920
<v Speaker 1>I just don't get it. Yeah, I had no political

1:11:10.520 --> 1:11:12.800
<v Speaker 1>point of view. I didn't know what any issues were.

1:11:13.040 --> 1:11:15.360
<v Speaker 1>I'm just saying just from the standpoint of the way,

1:11:15.360 --> 1:11:18.000
<v Speaker 1>a dog will sniff you and either walk away or

1:11:18.040 --> 1:11:23.839
<v Speaker 1>want cuddles. Dogs know. And she said, well, don't tell him,

1:11:24.040 --> 1:11:26.840
<v Speaker 1>but I'm voting for JFK. Those were in the days

1:11:26.840 --> 1:11:30.760
<v Speaker 1>where the white hat slavishly follow the husband. But no.

1:11:30.800 --> 1:11:35.240
<v Speaker 1>I also, I've always been engaged. The first election that

1:11:35.320 --> 1:11:38.080
<v Speaker 1>I was able to vote was in nineteen seventy two.

1:11:38.960 --> 1:11:42.000
<v Speaker 1>I read an interview with play on Playboy magazine with

1:11:42.040 --> 1:11:44.720
<v Speaker 1>George McGovern. I said, oh my god, not only do

1:11:44.840 --> 1:11:48.760
<v Speaker 1>I despise Nixon, but this guy is I mean, I'm

1:11:48.800 --> 1:11:53.479
<v Speaker 1>wholeheartedly in love with every position he has. So I

1:11:53.560 --> 1:11:58.720
<v Speaker 1>went to after school and LACC. I'd go to McGovern headquarters,

1:11:59.040 --> 1:12:02.360
<v Speaker 1>stuff on below, go door to door, make phone calls,

1:12:02.360 --> 1:12:06.519
<v Speaker 1>all the things that we do. And of course that's

1:12:06.560 --> 1:12:11.000
<v Speaker 1>my first election. It was crushed one of them, yes exactly,

1:12:11.400 --> 1:12:14.200
<v Speaker 1>and so you could have even given up or said,

1:12:14.960 --> 1:12:17.920
<v Speaker 1>you know, double down and stick stick with it, and

1:12:17.960 --> 1:12:21.719
<v Speaker 1>that's what I did. So I never I've never missed

1:12:21.720 --> 1:12:24.760
<v Speaker 1>an election. I'm even local races, you know, whether it's

1:12:24.800 --> 1:12:28.519
<v Speaker 1>a mayor or committ you know, councilman whatever. I always vote,

1:12:29.560 --> 1:12:33.000
<v Speaker 1>but I was never asked to be so I supported

1:12:33.080 --> 1:12:39.240
<v Speaker 1>every Democrat, you know, Mondale, you'd name it Clinton, Barack Obama.

1:12:41.080 --> 1:12:43.040
<v Speaker 1>But they never asked me to be a part of

1:12:43.080 --> 1:12:45.719
<v Speaker 1>the campaign. I just told my talked to my friends

1:12:45.720 --> 1:12:49.200
<v Speaker 1>and made sure they were all voting and government Do

1:12:49.360 --> 1:12:52.679
<v Speaker 1>Caucus asked me to join the campaign in the last

1:12:52.760 --> 1:12:55.840
<v Speaker 1>six weeks when it was things were really dire, and

1:12:55.960 --> 1:12:58.519
<v Speaker 1>of course I did that. I went with him and

1:12:58.880 --> 1:13:04.120
<v Speaker 1>we went all over the Northeast. And I remember, because

1:13:04.360 --> 1:13:06.519
<v Speaker 1>you get your assignments, they say, okay, you get on

1:13:06.520 --> 1:13:08.519
<v Speaker 1>that bus, you get in this car. At one point

1:13:08.600 --> 1:13:13.760
<v Speaker 1>they said you get in the governor's limousine. And I

1:13:13.840 --> 1:13:19.639
<v Speaker 1>was there with Michael Lucucus and he said, so, Mark,

1:13:19.960 --> 1:13:24.160
<v Speaker 1>I understand you have a daughter named Chelsea and I said, yeah,

1:13:24.280 --> 1:13:28.120
<v Speaker 1>she's my youngest. He said, you know Bill Clinton has

1:13:28.160 --> 1:13:32.160
<v Speaker 1>a daughter named Chelsea. I said, oh, are you considering

1:13:32.240 --> 1:13:34.880
<v Speaker 1>him to be maybe on the ticket with He goes, well,

1:13:34.960 --> 1:13:36.639
<v Speaker 1>he's got a bit of a woman problem.

1:13:38.360 --> 1:13:42.879
<v Speaker 4>How's that for foreshadowing us? And a good do Caucus.

1:13:42.960 --> 1:13:45.120
<v Speaker 4>By the way, Mark, well done. I don't want to

1:13:45.120 --> 1:13:47.679
<v Speaker 4>hear you do me after this, I'm not a little worried.

1:13:48.000 --> 1:13:52.000
<v Speaker 1>Well, listen, the thing is, I never like you to

1:13:52.080 --> 1:14:00.360
<v Speaker 1>your question. I never became active until wanting to make

1:14:00.400 --> 1:14:03.040
<v Speaker 1>sure that first of all, I was devastating. I want

1:14:03.080 --> 1:14:05.439
<v Speaker 1>to get rid of the electoral college because Hillery Beatium

1:14:05.840 --> 1:14:08.799
<v Speaker 1>by three million votes just to Shy under three million,

1:14:09.360 --> 1:14:13.160
<v Speaker 1>and Gore be w by half a million. And it

1:14:13.240 --> 1:14:15.400
<v Speaker 1>was making me crazy because I started reading about the

1:14:15.400 --> 1:14:18.280
<v Speaker 1>electoral college. Oh my god, this is the remnants of

1:14:18.400 --> 1:14:21.919
<v Speaker 1>slave days when they were trying to you know, proportion

1:14:22.080 --> 1:14:24.759
<v Speaker 1>the amount of votes with you know, how many slaves

1:14:24.800 --> 1:14:27.960
<v Speaker 1>you owned, and oh it's awful. But anyway, so that

1:14:28.080 --> 1:14:30.559
<v Speaker 1>in Citizens United I'd like to get rid of. But

1:14:30.800 --> 1:14:36.479
<v Speaker 1>in any case, I started, as you said, you get

1:14:37.040 --> 1:14:40.920
<v Speaker 1>most scorching hate tweets from the MAGA crowd, and when

1:14:40.960 --> 1:14:43.599
<v Speaker 1>I was still on Twitter, I had to stop reading

1:14:44.520 --> 1:14:47.360
<v Speaker 1>the responses. I wouldn't block anyone because then they could

1:14:47.439 --> 1:14:50.679
<v Speaker 1>display Mark Hamill blocked you as a badge of honor.

1:14:50.920 --> 1:14:54.519
<v Speaker 1>But I muted like a mofo. I would mute, you know.

1:14:54.800 --> 1:14:56.360
<v Speaker 1>I looked up one day and like, oh my god,

1:14:56.360 --> 1:14:59.280
<v Speaker 1>I've been muting people for forty minutes. So once I

1:14:59.320 --> 1:15:02.120
<v Speaker 1>realized how it was eating into my own time, I said,

1:15:02.240 --> 1:15:05.080
<v Speaker 1>the only thing to do is don't read the response.

1:15:05.360 --> 1:15:06.080
<v Speaker 1>You just can't.

1:15:06.200 --> 1:15:06.679
<v Speaker 4>You can't.

1:15:07.400 --> 1:15:10.360
<v Speaker 1>And someone said to me, my daughter would say, Daddy,

1:15:10.360 --> 1:15:14.719
<v Speaker 1>you shouldn't tweet politically so much, because you know, people

1:15:14.720 --> 1:15:17.519
<v Speaker 1>get so angry. And so I wrote a tweet that

1:15:17.560 --> 1:15:20.920
<v Speaker 1>I said, the people complaining about my Trump tweets have

1:15:21.000 --> 1:15:24.280
<v Speaker 1>to understand I love my country and I feel it's

1:15:24.280 --> 1:15:29.519
<v Speaker 1>my patriotic duty to oppose this sociopathic well, I forget

1:15:29.680 --> 1:15:33.320
<v Speaker 1>the other word, whatever it was, with every fiber of

1:15:33.320 --> 1:15:37.759
<v Speaker 1>my being. And that's the way I've been, I thought,

1:15:37.840 --> 1:15:41.559
<v Speaker 1>I mean, I do feel it's an obligation. And who

1:15:41.600 --> 1:15:44.120
<v Speaker 1>cares about your career? People say, oh, well, it's hurting

1:15:44.120 --> 1:15:46.799
<v Speaker 1>your career because you have to appeal to the whole country,

1:15:46.880 --> 1:15:50.400
<v Speaker 1>not just half the country or forty five percent or

1:15:50.400 --> 1:15:56.160
<v Speaker 1>whatever the MAGA crowd is. But I said, in a

1:15:56.600 --> 1:15:59.240
<v Speaker 1>grander scheme of things, who cares if I lose a

1:15:59.240 --> 1:16:02.400
<v Speaker 1>part in the movie Because I hate the orange atrocity

1:16:02.720 --> 1:16:06.639
<v Speaker 1>I do, and I want people to notice. So that's

1:16:06.680 --> 1:16:08.479
<v Speaker 1>what I've done.

1:16:19.640 --> 1:16:20.240
<v Speaker 4>So here's the deal.

1:16:20.320 --> 1:16:22.320
<v Speaker 5>Mark, If our guy here runs in four years. We

1:16:22.400 --> 1:16:25.479
<v Speaker 5>know the way in the sprinter van with me and

1:16:25.520 --> 1:16:26.559
<v Speaker 5>more Shawn and Gavin.

1:16:26.720 --> 1:16:29.200
<v Speaker 4>How about that, Mark, No, it's gonna be a Corvette

1:16:29.200 --> 1:16:32.479
<v Speaker 4>because my favorite movie is Corvette Summer. You guys forgot

1:16:32.479 --> 1:16:35.040
<v Speaker 4>about Corvette Summer. Everyone forgot about.

1:16:36.400 --> 1:16:38.200
<v Speaker 2>You.

1:16:38.520 --> 1:16:41.320
<v Speaker 4>Hey, Marshaan, you got to check out Corvette Summer like

1:16:41.400 --> 1:16:42.200
<v Speaker 4>it's sweet.

1:16:42.360 --> 1:16:45.479
<v Speaker 1>When Annie and I filmed the movie, it wasn't called

1:16:45.800 --> 1:16:50.080
<v Speaker 1>Corvette Summer. Is called Dantley and Vanessa, a Fiberglass Romance.

1:16:50.439 --> 1:16:53.719
<v Speaker 1>And then god MGM changed the title of the Corvette Summer.

1:16:53.760 --> 1:16:56.320
<v Speaker 1>We all went, oh, no, it sounds like, you know,

1:16:56.600 --> 1:17:00.200
<v Speaker 1>drive in garbage. And it's a really sweet little moviere

1:17:00.240 --> 1:17:03.559
<v Speaker 1>a kid he's in love with the car. Over the

1:17:03.560 --> 1:17:05.760
<v Speaker 1>course of the movie winds up falling in love with

1:17:05.800 --> 1:17:07.879
<v Speaker 1>this girl and he doesn't care about the car anymore.

1:17:08.040 --> 1:17:10.560
<v Speaker 1>So I thought it had an interesting message.

1:17:10.680 --> 1:17:13.080
<v Speaker 5>But Mark, you've been an Mark, You've been an Oakland guy.

1:17:13.240 --> 1:17:15.800
<v Speaker 5>Marshan be an Oakland guy. I think Marshawn would be

1:17:15.840 --> 1:17:17.599
<v Speaker 5>great in some voiceovers as well. I think we've got

1:17:17.640 --> 1:17:19.800
<v Speaker 5>to connect you guys, know, man, I want to I

1:17:19.840 --> 1:17:22.599
<v Speaker 5>want to try this shit so bad. Should you should?

1:17:23.000 --> 1:17:23.919
<v Speaker 4>I'm been doing.

1:17:24.960 --> 1:17:28.000
<v Speaker 2>A lot of what is it a d R Yes.

1:17:28.439 --> 1:17:32.800
<v Speaker 1>Additional dialogue recording, get the three bet beep beep, come

1:17:32.840 --> 1:17:36.040
<v Speaker 1>in and on the fourth Yeah, what I'm saying, Marshawn,

1:17:36.360 --> 1:17:39.200
<v Speaker 1>if you go into voiceover, see, they're not gonna look

1:17:39.240 --> 1:17:42.640
<v Speaker 1>at you and say he's type. They're gonna listen to

1:17:42.720 --> 1:17:45.439
<v Speaker 1>your voice and if your voice is right, you're gonna

1:17:45.479 --> 1:17:47.920
<v Speaker 1>get it regardless of how you look. So and not

1:17:48.040 --> 1:17:53.160
<v Speaker 1>only that, but voiceover is the ultimate lazy actor's dream

1:17:53.680 --> 1:17:56.000
<v Speaker 1>because you don't have to memorize lines.

1:17:56.080 --> 1:17:56.680
<v Speaker 2>You read it.

1:17:57.200 --> 1:18:00.240
<v Speaker 1>You can you can come in looking like hell because

1:18:00.240 --> 1:18:04.000
<v Speaker 1>they don't see you. It's I said, where's this been

1:18:04.120 --> 1:18:08.160
<v Speaker 1>on my life? When I did a chess Yes, and

1:18:08.240 --> 1:18:13.519
<v Speaker 1>I'm in the early nineties, and I'm telling you it's

1:18:13.800 --> 1:18:16.040
<v Speaker 1>you can make a lot more money in television movies,

1:18:16.080 --> 1:18:19.320
<v Speaker 1>but it's volume, volume volume. If you're doing three four

1:18:19.360 --> 1:18:24.600
<v Speaker 1>hundred cartoons a year, that adds up. So some of

1:18:24.640 --> 1:18:32.679
<v Speaker 1>these people are the Jim Cummings, Tom Kenny there, Rob Paulson.

1:18:32.800 --> 1:18:35.360
<v Speaker 1>These are the most famous people you've never heard.

1:18:35.160 --> 1:18:38.400
<v Speaker 4>Of, but we've heard from. Is what you're saying, yeah,

1:18:38.479 --> 1:18:40.880
<v Speaker 4>because we're hearing their voice over and over and over again.

1:18:41.000 --> 1:18:43.280
<v Speaker 1>And it's the best of both worlds because I mean,

1:18:44.400 --> 1:18:47.639
<v Speaker 1>you can be anonymous and go anywhere you want. I mean,

1:18:47.680 --> 1:18:51.719
<v Speaker 1>if I go to like you know, last Star Wars

1:18:51.760 --> 1:18:56.439
<v Speaker 1>thing I went to, there's dealers there, not fans dealers.

1:18:56.520 --> 1:18:59.560
<v Speaker 1>Because memorabilia is such a big deal. They get you

1:18:59.720 --> 1:19:01.960
<v Speaker 1>stick you're on a poster. The value.

1:19:02.000 --> 1:19:04.320
<v Speaker 5>Can you imagine walking with Mark in a Star Wars convention?

1:19:04.520 --> 1:19:06.320
<v Speaker 5>I mean, are you kidding me?

1:19:07.160 --> 1:19:09.599
<v Speaker 1>And they follow you all the way to your car.

1:19:10.560 --> 1:19:13.160
<v Speaker 1>I've been followed home where they stop at the red

1:19:13.240 --> 1:19:16.400
<v Speaker 1>lights and run your car during red lights. They followed

1:19:16.400 --> 1:19:18.200
<v Speaker 1>me all the way to the base where I turned

1:19:18.200 --> 1:19:19.439
<v Speaker 1>to go up the hill to where I live, and

1:19:19.479 --> 1:19:21.040
<v Speaker 1>I got out of the car and said, look, you guys,

1:19:21.479 --> 1:19:25.679
<v Speaker 1>please don't follow me all the way home. And it's

1:19:25.800 --> 1:19:27.519
<v Speaker 1>like a nuisance. I mean, I remember when I was

1:19:27.520 --> 1:19:29.960
<v Speaker 1>a kid and I said, a hard day snile. I went, oh,

1:19:30.040 --> 1:19:32.400
<v Speaker 1>that's what I want. You know, the Beatle they were

1:19:32.400 --> 1:19:35.559
<v Speaker 1>being chased down the street and girls were clamoring for them,

1:19:35.600 --> 1:19:38.760
<v Speaker 1>and it just seemed I wanted it recently emptying. What

1:19:38.840 --> 1:19:42.320
<v Speaker 1>a horror movie this is. They have no life. They

1:19:42.360 --> 1:19:44.639
<v Speaker 1>go from a car to a studio through a car

1:19:44.800 --> 1:19:49.599
<v Speaker 1>to a hotel room. It's just like it's horrible, and

1:19:49.960 --> 1:19:51.840
<v Speaker 1>you know you don't want to be ungrateful. And I

1:19:51.880 --> 1:19:54.800
<v Speaker 1>do love the fans, I can't stand the dealers. And

1:19:55.439 --> 1:19:57.639
<v Speaker 1>like I said, just a commodity. I mean we signed

1:19:57.640 --> 1:20:00.280
<v Speaker 1>stuff at Universal, We drive home to maunt of who

1:20:00.600 --> 1:20:03.439
<v Speaker 1>you know, forty five through an hour later and my

1:20:03.560 --> 1:20:05.920
<v Speaker 1>son goes, hey, Dad, that stuff you signed in the

1:20:05.920 --> 1:20:10.639
<v Speaker 1>garage is already on eBay dot. Don't put it to anyone.

1:20:10.720 --> 1:20:12.840
<v Speaker 1>It's a gift and I'm not sure who I want

1:20:12.880 --> 1:20:14.439
<v Speaker 1>to give it to you. I might as well sign

1:20:14.479 --> 1:20:19.320
<v Speaker 1>it best wishes eBay because you know that thank you,

1:20:19.720 --> 1:20:22.360
<v Speaker 1>I say, instead of me signing your lightsaber, I'm about

1:20:22.360 --> 1:20:23.160
<v Speaker 1>a saltie.

1:20:23.840 --> 1:20:26.400
<v Speaker 4>How about a come tell me your son didn't your

1:20:26.400 --> 1:20:29.360
<v Speaker 4>son hasn't snuck a piece of memorabilea. Did your son

1:20:29.400 --> 1:20:31.080
<v Speaker 4>ever ask you say, hey dad, can you sign this

1:20:31.160 --> 1:20:33.280
<v Speaker 4>for me? When you weren't helping him with the allowance

1:20:33.400 --> 1:20:34.120
<v Speaker 4>or something nose?

1:20:34.240 --> 1:20:36.920
<v Speaker 1>I do notice nowadays I said, wait a minute, didn't

1:20:36.960 --> 1:20:38.240
<v Speaker 1>that used to be my shirt?

1:20:38.360 --> 1:20:44.720
<v Speaker 4>They're like, well, Mark, it's been great to be with you.

1:20:44.840 --> 1:20:47.360
<v Speaker 4>Thank you for being such a huge part of our lives.

1:20:47.360 --> 1:20:50.840
<v Speaker 4>Our journey. You know I wasn't joking. I swear to you,

1:20:50.920 --> 1:20:53.080
<v Speaker 4>I can. I can remember the exact seat in the

1:20:53.120 --> 1:20:56.760
<v Speaker 4>front row left at that court of Adrea Theater after waiting.

1:20:56.760 --> 1:20:59.240
<v Speaker 1>Looking at the movie like this in the front row right.

1:20:59.320 --> 1:20:59.519
<v Speaker 2>I know.

1:20:59.600 --> 1:21:01.679
<v Speaker 4>And you you said it when you watch King Kong.

1:21:01.760 --> 1:21:04.120
<v Speaker 4>I swear to you, I'm not making this up. When

1:21:04.200 --> 1:21:06.840
<v Speaker 4>you said you cried, that would make no sense to me,

1:21:06.880 --> 1:21:11.839
<v Speaker 4>except I remember crying watching that movie and like changed everything.

1:21:12.000 --> 1:21:14.439
<v Speaker 4>I didn't know. It was what Orson Well says, don't

1:21:14.439 --> 1:21:16.760
<v Speaker 4>give people you think they want, give what you never

1:21:16.840 --> 1:21:20.120
<v Speaker 4>thought was possible, And it was. And it was that moment.

1:21:20.200 --> 1:21:23.959
<v Speaker 4>It just expanded quite literally, not just figuratively, a universe.

1:21:24.000 --> 1:21:26.120
<v Speaker 4>And so you've been such part of that. But you

1:21:26.200 --> 1:21:30.120
<v Speaker 4>also I admire, and I of course you know, unsurprisingly

1:21:30.200 --> 1:21:32.680
<v Speaker 4>may say this, but I also I admire your activism.

1:21:32.960 --> 1:21:35.679
<v Speaker 4>You're willing to be yourself, the willing to have a conviction,

1:21:36.560 --> 1:21:40.360
<v Speaker 4>and willing to put yourself out there regardless of what

1:21:40.439 --> 1:21:43.920
<v Speaker 4>other people are thinking. And I appreciate you've been on

1:21:44.000 --> 1:21:46.040
<v Speaker 4>the right side of so many issues. So it's great

1:21:46.080 --> 1:21:48.720
<v Speaker 4>to be with you, and thank you for continuing to

1:21:48.800 --> 1:21:49.840
<v Speaker 4>be such an inspiration.

1:21:50.120 --> 1:21:53.640
<v Speaker 1>We're down, but we're not out. We're not going to

1:21:53.680 --> 1:21:58.440
<v Speaker 1>capitulate in advance. I was really sorry Chris Ray decided

1:21:58.479 --> 1:22:02.439
<v Speaker 1>to resign instead of, you know, going the distance. And

1:22:02.880 --> 1:22:05.640
<v Speaker 1>because I'm telling you one thing I would like to

1:22:05.640 --> 1:22:12.520
<v Speaker 1>say before we leave. If we can't agree on proven facts,

1:22:12.640 --> 1:22:15.679
<v Speaker 1>the conversation shuts down. There's nowhere to go from there.

1:22:16.360 --> 1:22:23.360
<v Speaker 1>So if you believe the election was stolen, there's nothing

1:22:23.360 --> 1:22:27.160
<v Speaker 1>else to talk about. And until that is adjudicated, I

1:22:27.280 --> 1:22:31.800
<v Speaker 1>believe January sixth is adjudicated in a court of law,

1:22:32.479 --> 1:22:35.439
<v Speaker 1>there's no way for us to completely heal. So that's

1:22:35.479 --> 1:22:39.200
<v Speaker 1>why I'm hoping they preserve all the January sixth committee's

1:22:39.680 --> 1:22:44.679
<v Speaker 1>materials and finally rule one way or the other, because

1:22:45.880 --> 1:22:48.439
<v Speaker 1>it's just shocking to me that, first of all, I

1:22:48.479 --> 1:22:51.840
<v Speaker 1>didn't think he could survive after inciting in an insurrection

1:22:52.040 --> 1:22:54.880
<v Speaker 1>like that. I said, oh my god, thank god he's out.

1:22:55.040 --> 1:22:57.320
<v Speaker 1>But I've been wrong before. I remember driving home from

1:22:57.360 --> 1:23:02.599
<v Speaker 1>recording something and hearing the Hollywood access grab him by

1:23:02.600 --> 1:23:04.960
<v Speaker 1>the privates remark. I said, oh, I wrote in my

1:23:05.040 --> 1:23:09.080
<v Speaker 1>datebook campaign over no one could survive that, and yet

1:23:09.120 --> 1:23:12.280
<v Speaker 1>he's been able to survive. We don't have to do

1:23:12.320 --> 1:23:15.479
<v Speaker 1>the laundry list. But it's just shocking to me. It's

1:23:15.680 --> 1:23:20.040
<v Speaker 1>very disillusioning because I said, up until the end with Kamala,

1:23:20.080 --> 1:23:22.519
<v Speaker 1>I said she's gonna beat him by more than Joe did,

1:23:23.000 --> 1:23:27.840
<v Speaker 1>because I believe there were more honest, decent people with

1:23:28.000 --> 1:23:33.439
<v Speaker 1>integrity than there are magas and I was wrong. Now

1:23:33.479 --> 1:23:36.759
<v Speaker 1>maybe I'm right that there are more, but they didn't

1:23:36.760 --> 1:23:40.479
<v Speaker 1>all vote. And again I'm still in a state of shock.

1:23:41.240 --> 1:23:46.200
<v Speaker 1>And in fact, I had second thoughts about today and

1:23:46.240 --> 1:23:49.400
<v Speaker 1>talking on the podcast, as I said, you know, for

1:23:49.520 --> 1:23:51.479
<v Speaker 1>I don't know how many weeks it's been, but I've

1:23:51.560 --> 1:23:54.679
<v Speaker 1>just been I've stopped cable news. I don't watch cable

1:23:54.720 --> 1:23:58.360
<v Speaker 1>news anymore. I'm telling you I've never watched the Food

1:23:58.439 --> 1:24:01.439
<v Speaker 1>Network more in my life now.

1:24:02.880 --> 1:24:04.879
<v Speaker 5>So here's the deal, Mark, you have an open invite

1:24:04.920 --> 1:24:06.720
<v Speaker 5>to come back to Oakland to hang out me and

1:24:06.720 --> 1:24:07.519
<v Speaker 5>Marshaan and Gavin.

1:24:07.600 --> 1:24:08.880
<v Speaker 1>I would be great. I love it.

1:24:09.160 --> 1:24:11.880
<v Speaker 4>Well, hopefully we spared you too much politics.

1:24:12.000 --> 1:24:15.720
<v Speaker 1>Frank Oz was born in Oakland. That tells Angels was

1:24:15.720 --> 1:24:16.599
<v Speaker 1>born in Oakland.

1:24:17.040 --> 1:24:18.919
<v Speaker 4>How about that, Marshaan Hell's Angels.

1:24:19.560 --> 1:24:21.960
<v Speaker 1>You know, I was so excited to give a g

1:24:22.720 --> 1:24:25.439
<v Speaker 1>key to the City of Oakland. What I didn't realize

1:24:25.840 --> 1:24:28.040
<v Speaker 1>was like when I went to the ceremony, there are

1:24:28.080 --> 1:24:30.400
<v Speaker 1>like seventy five other people getting one too.

1:24:32.920 --> 1:24:35.760
<v Speaker 2>Everybody get a key, You get a key, You get a.

1:24:35.760 --> 1:24:39.679
<v Speaker 4>Key, right right right, See when Marshan's when Marshaan's mayor,

1:24:39.720 --> 1:24:41.800
<v Speaker 4>he's going to upgrade that key and he's only hand

1:24:41.880 --> 1:24:44.280
<v Speaker 4>him out to select Field, right, Marshaan.

1:24:44.800 --> 1:24:46.240
<v Speaker 1>You Good luck to all of you.

1:24:46.479 --> 1:24:50.280
<v Speaker 5>I'm no Mark Mark I, Gavin said. I appreciate what

1:24:50.280 --> 1:24:53.360
<v Speaker 5>you've done, what you're doing. I love your drive, your

1:24:53.400 --> 1:24:56.960
<v Speaker 5>career has been incredible and this has been an absolute

1:24:57.000 --> 1:24:59.760
<v Speaker 5>pleasure to have you on with us today. Honestly, got it,

1:24:59.800 --> 1:25:02.679
<v Speaker 5>really you and I can't thank you enough.

1:25:02.680 --> 1:25:04.160
<v Speaker 2>Man, Thank you my pleasure.

1:25:04.400 --> 1:25:07.360
<v Speaker 1>Thanks guys, appreciate it. Chief next time.

1:25:07.960 --> 1:25:10.360
<v Speaker 4>Hey, Doug, we love hearing from our listeners and if

1:25:10.360 --> 1:25:13.360
<v Speaker 4>you have any questions or comments, you can email us. Doug,

1:25:13.400 --> 1:25:14.439
<v Speaker 4>where do you email us?

1:25:14.600 --> 1:25:20.360
<v Speaker 5>It's Politicken at iHeartRadio dot com. That's Politicken at iHeartRadio

1:25:20.439 --> 1:25:23.120
<v Speaker 5>dot com. But Gavin, here's the deal. We want all

1:25:23.160 --> 1:25:26.240
<v Speaker 5>the questions, good, bad, indifferent, ugly to Doug.

1:25:26.000 --> 1:25:31.000
<v Speaker 4>To beast mode. Send your questions to politicking at iHeartRadio

1:25:31.320 --> 1:25:41.080
<v Speaker 4>dot com.