WEBVTT - Skip Bishop

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<v Speaker 1>Carola. She's the queen of talking. He was sown. She's

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<v Speaker 1>only this side. You got the scoop on on the

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<v Speaker 1>ones side. No one can do with Clie Carola Carola.

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<v Speaker 1>No one can do with Cli Carola Carola. Hey, y'all,

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<v Speaker 1>welcome to Hyper Caroline Hobby. I am your host, Caroline Hobby.

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<v Speaker 1>I know music, I know people, and I know the

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<v Speaker 1>questions do you want to ask? So let's get hyper

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<v Speaker 1>heads up. These are adults having adult conversations, so there

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<v Speaker 1>could be adult content. You guys, I am so excited.

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<v Speaker 1>I have skipped Bishop joining me today. This guy is magical.

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<v Speaker 1>It's the only way I can describe him. He You

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<v Speaker 1>see him, and he's like a musical wizard. He walks in,

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<v Speaker 1>he has all these turquoise rings. He's got this wild hair,

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<v Speaker 1>this huge, light, effervescent personality, and he comes in and

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<v Speaker 1>he literally cast a spell on you. He's amazing. I

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<v Speaker 1>got to work with him. He started a label called

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<v Speaker 1>Hit Shop Records, and we worked together. I worked on

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<v Speaker 1>his radio promotion team. It was an amazing experience. He ran.

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<v Speaker 1>He was vice president of Sony Promotion, vice president of

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<v Speaker 1>a Risk of Promotion. He's worked in record labels in

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<v Speaker 1>the industry for over forty years. He's worked with Lisa Lowe,

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<v Speaker 1>Alan Jackson, Carrie Underwood, everyone at Sony. He's absolutely incredible.

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<v Speaker 1>He has so many stories. He got started off as

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<v Speaker 1>a fake radio personality when he was a kid talking

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<v Speaker 1>into a cardboard box and performing for the whole neighborhood.

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<v Speaker 1>He is incredible. His stories are great. So I'm so

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<v Speaker 1>excited you guys welcome skip Bishop. So I'm here with

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<v Speaker 1>Ski Bishops. So strange, it's fun. Is it weird that

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<v Speaker 1>I'm interviewing Yeah, it is your employee. I think I

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<v Speaker 1>interviewed you once for a job and then you made

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<v Speaker 1>me um from a special ops regional I did. That

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<v Speaker 1>was really fun. That was you know, that really worked.

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<v Speaker 1>I really did. That was one of our craziest ideas.

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<v Speaker 1>And it's just so worked. Did I really interview you

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<v Speaker 1>or did we just say, hey, should we do this?

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<v Speaker 1>I think you just said, hey, let's do this. I

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<v Speaker 1>think I did, so okay, so going back and we did,

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<v Speaker 1>and we did, and we did a really good job.

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<v Speaker 1>So I worked for you at hit Shop Records. To

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<v Speaker 1>all you guys listening, Skip Bishop is a promotion extraordinaire

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<v Speaker 1>which most people don't know anything about what record labels are,

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<v Speaker 1>or what working in promotions means or anything like that.

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<v Speaker 1>It's a mysterious profession, it is, Isn't it kind of

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<v Speaker 1>give us a breakdown of what that even means to

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<v Speaker 1>be head of promotions at a record label. Yeah, I

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<v Speaker 1>can um, But you know, to someone who you know

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<v Speaker 1>out there in the in the outside world, they don't

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<v Speaker 1>really realize that there's this very mysterious profession called record

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<v Speaker 1>promoter and they sort of work in the shadows. They're

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<v Speaker 1>not openly known. But if they make it all happen,

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<v Speaker 1>and you think about the importance of it that take

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<v Speaker 1>a great song like like the House of Building, the

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<v Speaker 1>House It built Me, or you can go all the

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<v Speaker 1>way back to Marvin Gay What's going On? Or Bob

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<v Speaker 1>Dylan like a Rolling Stone, and all these songs that

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<v Speaker 1>either launched a revolution or became the theme of a cause,

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<v Speaker 1>or was maybe your daughter's first dance at a wedding,

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<v Speaker 1>or was something that will always remind you of a

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<v Speaker 1>beach relationship that you had in nineteen something. Somebody had

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<v Speaker 1>to get those records played. They did not just mysteriously

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<v Speaker 1>appear on the radio, which is what probably most people

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<v Speaker 1>think yeah, they think, ah, these songs are so great,

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<v Speaker 1>and they and there is a machinery that that gets

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<v Speaker 1>records on the radio. There's there's a there's a serious profession,

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<v Speaker 1>there's an education process, there is an economic structure, their

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<v Speaker 1>staffs of usually at a record company, it's the biggest

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<v Speaker 1>staff on a record company. That the staff, right, that's

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<v Speaker 1>the thing. There's a huge staff that has to get

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<v Speaker 1>records played correct. It takes a team. It takes a

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<v Speaker 1>team that. It also takes about a mountain of money,

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<v Speaker 1>a ton of money. Yeah, it's really not. It's not cheap.

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<v Speaker 1>It takes just you think about the travel alone. And

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<v Speaker 1>when you're trying to break a new artist, let's say,

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<v Speaker 1>let's come up with an artist stealing angels. Oh my gosh.

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<v Speaker 1>Those they never quite made it, did they? You know

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<v Speaker 1>they did. They did pretty darn well though. But you

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<v Speaker 1>think about just how many radio stations they walked into.

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<v Speaker 1>I think it was a million dollars at least spent.

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<v Speaker 1>It had to be, it had to be. And they

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<v Speaker 1>were so talented, thank you, thank you. Adorable stealing it's

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<v Speaker 1>so talented the world will never know. You know where

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<v Speaker 1>I saw stealing angels for the first time. I think

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<v Speaker 1>I told you this at Al Gore's house. Oh yeah,

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<v Speaker 1>we did playoffs. Yeah, and that was the first time

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<v Speaker 1>I think I met you. And it was the first

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<v Speaker 1>time I saw stealing angels. And we got in trouble

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<v Speaker 1>there because we used to always like post pictures and

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<v Speaker 1>we always had video cameras, and we started videoing everything

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<v Speaker 1>in the Secret Service confiscated all of our videos. Oh yeah,

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<v Speaker 1>I'm not surprised. And that was the first time I

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<v Speaker 1>ever really learned something about politics. That was quite a

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<v Speaker 1>that was quite a little event. A war said that

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<v Speaker 1>the lay public knows about two of what really goes on.

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<v Speaker 1>I think I agree. But I think that in today's

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<v Speaker 1>immediate environment, immediate environment where you look at the things

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<v Speaker 1>that have happened in the last forty eight hours in politics,

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<v Speaker 1>things are changing. People are starting to really be able

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<v Speaker 1>to because of social media and because of of everyone's

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<v Speaker 1>life being so broadcast and so visible that people are

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<v Speaker 1>starting to find out now that you can run, but

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<v Speaker 1>you can't hide. That's right. I mean, I'm I'm frightened

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<v Speaker 1>when I when I checked the news in the morning,

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<v Speaker 1>which I do, I say, Alexa, can you give me

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<v Speaker 1>the news headlines. Did you re name Syria Alexa? Oh god,

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<v Speaker 1>you are so yesterday cyber girlfriend Alexa is my cyber girlfriend,

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<v Speaker 1>and she's also so many other people's cyber girlfriend's. That

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<v Speaker 1>site where married men go to cheats. You know what

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<v Speaker 1>I'm talking about. I certainly do not. I am. I

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<v Speaker 1>am married to the most beautiful woman in the world.

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<v Speaker 1>Oh God, who happens to be in the room. So

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<v Speaker 1>I'll tell you the name of it later. Yes, your wife,

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<v Speaker 1>your beautiful wife, Diane is joining us and m h

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<v Speaker 1>the dog and this is really cool. Emma used to

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<v Speaker 1>be your dog. Now Diane was never your wife's, but

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<v Speaker 1>Emma was your dog. And now Emma is our dog.

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<v Speaker 1>So when I was working at head shop, I had

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<v Speaker 1>a friend who had Emma who ended up staying at

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<v Speaker 1>the house with this a show called a d D

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<v Speaker 1>dot com. Yeah, it's a rabbit trail. And so when

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<v Speaker 1>my friend Byron, he moved in with me in my

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<v Speaker 1>roommate Emily and his son Booker and Emma the dog,

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<v Speaker 1>and then I ended up keeping Emma brought in the

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<v Speaker 1>office every day. You ended up falling in love with her,

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<v Speaker 1>and now Emma is your dog. Yes, yeah, it's really funny,

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<v Speaker 1>and that you let us bring dogs to the office.

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<v Speaker 1>It was a dog friendly environment. It was we had

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<v Speaker 1>rules if they if they pet on the floor, out

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<v Speaker 1>they went. Unless you're ruby. Yeah, your ruby can stay

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<v Speaker 1>on the floor. And they had to take their little

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<v Speaker 1>walks every day and if they made too much noise,

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<v Speaker 1>they were banned. But they weren't banned for long because

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<v Speaker 1>we missed them. We had a good time. It okay,

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<v Speaker 1>when I ask you a few questions, a little rapid fire,

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<v Speaker 1>I gotta move the Buddha all right. If you had

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<v Speaker 1>to have one word to describe yourself, what would it be? Tornadic? Tornadic?

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<v Speaker 1>I don't know why I came up with that. It's

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<v Speaker 1>just you have so many moving pieces swirling at all times.

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<v Speaker 1>I am tornadic. I'm tornadic. My life is tornadic, but

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<v Speaker 1>in a good way, in a fantastic There is nothing

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<v Speaker 1>slow and peaceful going on in my life. It is

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<v Speaker 1>all one big spinning mess, and it's a beautiful mess.

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<v Speaker 1>But you can juggle the spinning mess. I'm a juggler.

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<v Speaker 1>How do you juggle the tornado? Tornadic spinning mess? I

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<v Speaker 1>don't know where I came up with tornadic. It just

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<v Speaker 1>just gave to me. I've I've always done that. I

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<v Speaker 1>like doing a lot of things, a lot of different things,

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<v Speaker 1>and a lot of and have you know, a lot

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<v Speaker 1>of different interest and a lot of different friends, and

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<v Speaker 1>that you know, keep everybody connected, and it moves fast

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<v Speaker 1>and it's really exciting. I mean, my our audience over there,

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<v Speaker 1>we were talking about was it twenty minutes ago that

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<v Speaker 1>we were thinking about doing this in New York? And

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<v Speaker 1>all of a sudden our lives have been spending sometimes

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<v Speaker 1>out of control, but mostly in control. For for as

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<v Speaker 1>long as I can ever remember it. I do like

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<v Speaker 1>it that one. What was your upbringing like? Did you

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<v Speaker 1>grow up with a lot of moving pieces all the time?

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<v Speaker 1>I did. My mother was an absolute, uh dynamic person.

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<v Speaker 1>She raised myself and my sisters and uh she was

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<v Speaker 1>a high school teacher and she she she she wrote

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<v Speaker 1>books as her life went along. She had people in

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<v Speaker 1>and out of the house all the time. People would

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<v Speaker 1>come and stay in the house, and they would like

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<v Speaker 1>these these kids that were either bounced out of their

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<v Speaker 1>house or people that needed a place to stay for

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<v Speaker 1>six months. We're always in with us. And there was

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<v Speaker 1>like twelve people at the dinner table and everyone had

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<v Speaker 1>different less names where you eyes get it because you

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<v Speaker 1>and Diane always have like Sunday dinner and all everyone

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<v Speaker 1>in the neighborhood and their dogs, like everyone can come over.

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<v Speaker 1>We do and they do. So you get that from

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<v Speaker 1>your mom, I guess. So. Yeah, she always said come one,

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<v Speaker 1>come all. Yeah, And it was it was a wonderful environment.

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<v Speaker 1>I mean when I was a kid, people were sitting

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<v Speaker 1>around in our living room playing guitars and singing. And

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<v Speaker 1>some of them I knew who they were, and some

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<v Speaker 1>of them I didn't. They were poets, there were painters.

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<v Speaker 1>It was all a very artistic group. Uh. Yeah, she was.

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<v Speaker 1>She could draw. She she was a pretty good writer. Creative. Yeah. Yeah,

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<v Speaker 1>she wrote a book and she wrote a weekly column

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<v Speaker 1>in the newspaper. And she was very very smart. But

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<v Speaker 1>she was crazy as hell. She was really wacky. Was

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<v Speaker 1>her crazy like could be annoying. It was a little annoying.

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<v Speaker 1>She was. She loved to She was kind of a

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<v Speaker 1>somewhat of a puppet master. Okay, yeah, okay, so but yours,

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<v Speaker 1>I've met your beautiful mother. Oh yes, my parents are fantastic,

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<v Speaker 1>they really are. Your dad's very very cool too. I

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<v Speaker 1>met him. He survived a shark bite bite attacked to

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<v Speaker 1>the face. Excuse me, you didn't hear about that? The

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<v Speaker 1>World Wide Web, he was, We don't have the World

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<v Speaker 1>Wide Web yet. Over here on sneed Road, he was

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<v Speaker 1>spear fishing in the Bahamas with my whole family and

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<v Speaker 1>got a fish and a shark bit him in the face.

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<v Speaker 1>And you're kidding. Yeah, he was excited about it. How

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<v Speaker 1>does his face look great? Just a few scars and

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<v Speaker 1>he thinks it adds character and I'm sure it does.

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<v Speaker 1>That is so exciting. Where are you from, Danville, Virginia?

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<v Speaker 1>What brought you to Nashville? What brought you to music?

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<v Speaker 1>I know you haven't always been a Nashville You've been

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<v Speaker 1>in New York. You've done all sorts of record label stuff. Well,

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<v Speaker 1>Nashville is kind of a funny story because we were

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<v Speaker 1>in h New York. We were living in New York

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<v Speaker 1>for a very long time. Love living in New York, Yes,

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<v Speaker 1>and we miss it very much. Was there yesterday and

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<v Speaker 1>I called home and I said, we have got to

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<v Speaker 1>move back here because miss it, miss it, miss it.

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<v Speaker 1>Do you think you love it? Love it? Love it?

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<v Speaker 1>I hope so at some point. But we love Nashville too.

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<v Speaker 1>I mean we ideally we'd like to have a house

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<v Speaker 1>here in Nashville, a house in New York, and a

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<v Speaker 1>house in Mexico. You have to well we do you

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<v Speaker 1>have the Mexico in the Nashville. So I had it

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<v Speaker 1>would just skill a little apartment in New York, tiny,

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<v Speaker 1>one little bitty. All you need is tiny apartment in

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<v Speaker 1>New York, a little bitty bitty. Our first department in

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<v Speaker 1>New York was about as big as the closet right

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<v Speaker 1>over there behind that curtain. Though it was great. The

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<v Speaker 1>living room, the dining room, the bedroom, the dressing room,

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<v Speaker 1>and the den were all one room. And then there

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<v Speaker 1>was a kitchen that was separate. And it was really

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<v Speaker 1>that was it was like we go on vacation. We

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<v Speaker 1>go into the kitchen. It was like a trip. I

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<v Speaker 1>love that. It was very nice. So how did you

0:12:50.520 --> 0:12:54.560
<v Speaker 1>get into music and the music industry and all of

0:12:54.600 --> 0:12:58.080
<v Speaker 1>that from your town, your little town, because it was

0:12:58.120 --> 0:13:02.719
<v Speaker 1>your family. Never know, I've never done anything else to

0:13:02.760 --> 0:13:05.040
<v Speaker 1>do it, because it's I was born knowing that I

0:13:05.080 --> 0:13:07.640
<v Speaker 1>wanted to do it. You know what existed? Well, I'll

0:13:07.640 --> 0:13:10.920
<v Speaker 1>tell you why. Because when I was tiny, all I

0:13:11.000 --> 0:13:13.840
<v Speaker 1>did was listening to the radio. Just it's all I

0:13:13.880 --> 0:13:17.320
<v Speaker 1>ever did, and and collect records, and that's all I did.

0:13:17.400 --> 0:13:21.719
<v Speaker 1>That's all I did, and I mean and it was

0:13:21.840 --> 0:13:24.160
<v Speaker 1>it was crazy. I tell the story all the time

0:13:24.320 --> 0:13:26.959
<v Speaker 1>that my parents used to tell because I remember when

0:13:26.960 --> 0:13:30.880
<v Speaker 1>I was really little, my parents bought some new carpet

0:13:31.720 --> 0:13:38.040
<v Speaker 1>and the carpet came in a huge cardboard roll. It

0:13:38.120 --> 0:13:40.960
<v Speaker 1>was like this big around and it was like about

0:13:41.200 --> 0:13:44.760
<v Speaker 1>seven two I guess it was about seven ft long.

0:13:45.200 --> 0:13:47.680
<v Speaker 1>It was this big tube. And they pulled the carpet

0:13:47.800 --> 0:13:50.600
<v Speaker 1>out of the big tube and at the end of

0:13:50.840 --> 0:13:53.240
<v Speaker 1>you know, one end was wide open. The other end

0:13:53.280 --> 0:13:55.240
<v Speaker 1>was closed off and had a hole in it about

0:13:55.320 --> 0:14:01.360
<v Speaker 1>this big. So I took the two the big carpet tube,

0:14:01.400 --> 0:14:04.079
<v Speaker 1>and I put it on the porch and I put

0:14:04.200 --> 0:14:07.240
<v Speaker 1>propped it up on a propped it up on a chair. Yes, ma'am,

0:14:07.840 --> 0:14:13.320
<v Speaker 1>should we should? Should we have headsets on? But we don't, okay,

0:14:13.520 --> 0:14:18.400
<v Speaker 1>So I would I took my little record player out there,

0:14:19.360 --> 0:14:22.240
<v Speaker 1>and what I would do is I put the I

0:14:22.320 --> 0:14:25.280
<v Speaker 1>propped the tube up on the railing and put the

0:14:25.280 --> 0:14:29.240
<v Speaker 1>other end on a chair, a ladder back chair, and

0:14:29.920 --> 0:14:33.440
<v Speaker 1>I would play a record on my record player, and

0:14:33.480 --> 0:14:37.480
<v Speaker 1>then I would talk into the hole like okay, that

0:14:37.640 --> 0:14:41.840
<v Speaker 1>was the searchers with bumblebee, And before you know it,

0:14:41.960 --> 0:14:44.640
<v Speaker 1>all my my buddies in the neighborhood, the kids in

0:14:44.680 --> 0:14:46.720
<v Speaker 1>the neighborhood would be sitting in the front yard and

0:14:46.720 --> 0:14:49.360
<v Speaker 1>I would do it every day I was there, DJ

0:14:49.640 --> 0:14:52.080
<v Speaker 1>and I would play it through the carpet thing and

0:14:52.200 --> 0:14:54.480
<v Speaker 1>I would I would move the tube over to the

0:14:54.480 --> 0:14:56.400
<v Speaker 1>record player when the record was playing, and then it

0:14:56.480 --> 0:14:58.600
<v Speaker 1>was time for me to talk, and I would change

0:14:58.640 --> 0:15:01.680
<v Speaker 1>records with one hand and talk about the record that

0:15:01.720 --> 0:15:04.640
<v Speaker 1>I was about to play. That's creative. Well, it was fun.

0:15:05.080 --> 0:15:09.080
<v Speaker 1>And then the audience started getting bigger, and I thought, well,

0:15:09.120 --> 0:15:11.520
<v Speaker 1>this is this is working. I'm building up a fan

0:15:11.640 --> 0:15:18.480
<v Speaker 1>base all right here on carpet Radio. Oh you should start,

0:15:19.320 --> 0:15:23.160
<v Speaker 1>I think so. And okay, it has a sad ending.

0:15:23.320 --> 0:15:27.720
<v Speaker 1>Oh no. I left the carpet tube on the porch

0:15:27.840 --> 0:15:30.800
<v Speaker 1>and there was a very very bad storm and it

0:15:30.960 --> 0:15:34.080
<v Speaker 1>just warped it. How long did you have it? Weeks?

0:15:34.360 --> 0:15:37.600
<v Speaker 1>Months and maybe a month. I'm going to call it

0:15:37.680 --> 0:15:41.560
<v Speaker 1>six weeks, but you know, and I had first I

0:15:41.560 --> 0:15:42.880
<v Speaker 1>had to walk up and down the street and say

0:15:42.960 --> 0:15:44.800
<v Speaker 1>and say hey, guys, you need to come down and

0:15:44.840 --> 0:15:47.320
<v Speaker 1>find out that. You know, I'm doing something kind of fun.

0:15:47.320 --> 0:15:49.720
<v Speaker 1>I'm playing all my favorite records and I dude. Okay,

0:15:49.960 --> 0:15:53.840
<v Speaker 1>the dude wasn't invented, but yeah, it was a blast.

0:15:53.960 --> 0:15:55.480
<v Speaker 1>It was so much fun. And they would come and

0:15:55.480 --> 0:15:57.680
<v Speaker 1>then you know, get to your fan base that now

0:15:57.960 --> 0:16:01.120
<v Speaker 1>you're no longer going to DJ. Well, it was pretty sad.

0:16:01.200 --> 0:16:05.080
<v Speaker 1>That's a little hard the neighborhood. Well, I found a

0:16:05.080 --> 0:16:12.240
<v Speaker 1>way around it. Yeah, I did. Um. I was every Saturday,

0:16:12.680 --> 0:16:16.720
<v Speaker 1>uh W y PR, which was the town's top forty

0:16:16.840 --> 0:16:20.760
<v Speaker 1>radio station, would broadcast from the Ballue Park Shopping Center,

0:16:20.800 --> 0:16:26.800
<v Speaker 1>not Blue Balu Balu Park Shopping Center, and every Saturday,

0:16:26.880 --> 0:16:29.480
<v Speaker 1>Dandy Dan Henderson would go up there, and I started

0:16:29.560 --> 0:16:32.880
<v Speaker 1>riding my bike up to see Dandy Dan. I befriended him.

0:16:32.920 --> 0:16:35.160
<v Speaker 1>I would go get coffee for Dandy Dan. I would

0:16:35.200 --> 0:16:37.880
<v Speaker 1>was his gopher and after a while he invited me

0:16:37.920 --> 0:16:40.040
<v Speaker 1>into the van and I would do things like you know,

0:16:40.320 --> 0:16:43.040
<v Speaker 1>used to work for free for people. Oh, absolutely, there

0:16:43.120 --> 0:16:47.920
<v Speaker 1>wasn't work. It was heaven. It was heaven. You were

0:16:47.920 --> 0:16:49.840
<v Speaker 1>his errand boy, I was his errand boy I would

0:16:49.840 --> 0:16:52.920
<v Speaker 1>do whatever he needed me to go get me a newspaper. Okay.

0:16:53.120 --> 0:16:55.360
<v Speaker 1>Then he started making little quips about me on the air.

0:16:55.520 --> 0:16:58.560
<v Speaker 1>He would say, you know, the skip the kid or

0:16:58.600 --> 0:17:02.000
<v Speaker 1>whatever he called me, is back again. But one day,

0:17:02.320 --> 0:17:06.720
<v Speaker 1>one fateful day, this is shortly after the carpet tube incident.

0:17:09.359 --> 0:17:12.920
<v Speaker 1>Am I moving too fast? How old am I? Now?

0:17:14.480 --> 0:17:20.040
<v Speaker 1>I'm really I'm I'm thirty eight. Now I was probably nine.

0:17:20.920 --> 0:17:23.360
<v Speaker 1>I could have been somewhere between seven and nine, which

0:17:23.359 --> 0:17:25.520
<v Speaker 1>would have made me eight if my math is correct.

0:17:29.200 --> 0:17:32.720
<v Speaker 1>I was eight. I could have been nine, Okay, so

0:17:33.720 --> 0:17:37.880
<v Speaker 1>somewhere in there, which would be eight. Anyway, So I've

0:17:37.960 --> 0:17:40.480
<v Speaker 1>been hanging out with Dandy Dan all day. I even went,

0:17:40.680 --> 0:17:42.760
<v Speaker 1>oh by the way, I would get him coffee at

0:17:42.800 --> 0:17:44.960
<v Speaker 1>one store, and they knew I was getting it for dance,

0:17:44.960 --> 0:17:46.879
<v Speaker 1>so they would give it to me for free. And

0:17:46.920 --> 0:17:49.600
<v Speaker 1>then I started going to the ice cream store and

0:17:49.640 --> 0:17:51.440
<v Speaker 1>they would I would say, I'm getting an ice cream

0:17:51.480 --> 0:17:54.520
<v Speaker 1>comfort for Dandy Dan, and then no, no, it was

0:17:54.560 --> 0:17:56.439
<v Speaker 1>for Dandy Dan. I would do one for myself of

0:17:56.440 --> 0:17:59.840
<v Speaker 1>course that was they never charge. It was like the jack.

0:18:00.119 --> 0:18:02.960
<v Speaker 1>It was awesome. So what was the Fateful Day? Oh? Yeah, yeah,

0:18:02.960 --> 0:18:08.000
<v Speaker 1>I forgot about that part. A d D radio So

0:18:08.080 --> 0:18:11.920
<v Speaker 1>what happened was, is I take my ride my bike

0:18:11.960 --> 0:18:15.320
<v Speaker 1>home after I had a great day hanging out with

0:18:15.440 --> 0:18:19.159
<v Speaker 1>Dandy Dan It's been it was great, are having a

0:18:19.160 --> 0:18:22.280
<v Speaker 1>great day, so I am. I get home and the

0:18:22.359 --> 0:18:25.800
<v Speaker 1>Danville be which is the afternoon paper, the registered Danville

0:18:25.800 --> 0:18:29.359
<v Speaker 1>Register was the morning paper. The B was the afternoon paper. Okay,

0:18:29.400 --> 0:18:37.119
<v Speaker 1>let's review. Which one was the morning paper, the Register?

0:18:37.600 --> 0:18:40.520
<v Speaker 1>The Register was the morning paper. The afternoon paper was

0:18:40.560 --> 0:18:43.920
<v Speaker 1>the B. I get home Saturday afternoon. The Saturday B,

0:18:44.240 --> 0:18:46.280
<v Speaker 1>that's what we referred to it as the Saturday B

0:18:46.960 --> 0:18:52.280
<v Speaker 1>is on the on the and I pick it up.

0:18:52.640 --> 0:18:55.159
<v Speaker 1>I take the little rubber band off. Newspapers used to

0:18:55.200 --> 0:18:57.280
<v Speaker 1>come in rubber bands. I take it off and unfolded,

0:18:57.320 --> 0:19:01.879
<v Speaker 1>and right in the bottom of the front page it said, uh,

0:19:02.160 --> 0:19:04.000
<v Speaker 1>soul singer. I don't even think they use the word

0:19:04.080 --> 0:19:07.439
<v Speaker 1>sould back then. R and B singer Sam Cook was

0:19:07.560 --> 0:19:12.240
<v Speaker 1>shot in his motel room in Los Angeles and is dead.

0:19:12.680 --> 0:19:19.400
<v Speaker 1>Details Intomorrow's Sunday Register. And I thought, this is long

0:19:19.440 --> 0:19:22.200
<v Speaker 1>before you had you know, like internet or anything else,

0:19:22.240 --> 0:19:24.520
<v Speaker 1>and you know Dandy Dance sitting out there enough, you

0:19:24.600 --> 0:19:27.520
<v Speaker 1>had breaking news. I had breaking news. I got on

0:19:27.560 --> 0:19:30.600
<v Speaker 1>my bike. I slammed that thing into the basket. It

0:19:30.920 --> 0:19:35.000
<v Speaker 1>was I was rank. You were just peddling as fast

0:19:35.040 --> 0:19:37.640
<v Speaker 1>as you could. Oh please, my little I was probably

0:19:37.680 --> 0:19:40.280
<v Speaker 1>about eight inches off the ground. You knew you had

0:19:40.280 --> 0:19:44.359
<v Speaker 1>breaking news? I did. I was thinking. I was thinking

0:19:44.440 --> 0:19:49.280
<v Speaker 1>Dan does not know this. This is big. So I'm peddling.

0:19:49.760 --> 0:19:53.399
<v Speaker 1>So I go up and I, hey, am I you're

0:19:53.480 --> 0:19:58.199
<v Speaker 1>so excited. Oh boy? Uh? So I slide, you know,

0:19:58.280 --> 0:20:00.879
<v Speaker 1>do a skid mark, and up the bike and I

0:20:01.119 --> 0:20:03.400
<v Speaker 1>walk up to the to the window of the van

0:20:03.480 --> 0:20:07.000
<v Speaker 1>and I just very cinematically pressed it up there against

0:20:07.000 --> 0:20:09.840
<v Speaker 1>the glass with with you know, my hair falling in

0:20:09.880 --> 0:20:12.280
<v Speaker 1>my face and I'm gasping for breath. I'd pedaled for

0:20:12.359 --> 0:20:14.480
<v Speaker 1>so hard. And Dan looks at it and he says,

0:20:16.400 --> 0:20:20.600
<v Speaker 1>this is a really big news. And as he said,

0:20:20.640 --> 0:20:26.840
<v Speaker 1>come in, you're going to have to read it. And

0:20:26.920 --> 0:20:29.480
<v Speaker 1>all of a sudden, did you of course? I did?

0:20:29.600 --> 0:20:32.400
<v Speaker 1>Did you find words? I did? I did? I got

0:20:32.400 --> 0:20:41.520
<v Speaker 1>into Oh of course not. They didn't ask about the carpet.

0:20:41.960 --> 0:20:45.240
<v Speaker 1>So I get into the van and he puts the

0:20:45.280 --> 0:20:48.359
<v Speaker 1>little headphones on me. Back then, they were ceramic. There

0:20:48.400 --> 0:20:51.719
<v Speaker 1>were ceramic headphones with like a metal thing going over

0:20:51.760 --> 0:20:54.879
<v Speaker 1>your head. And he says, what you're gonna hear is

0:20:55.680 --> 0:20:59.000
<v Speaker 1>you're going to hear do you know when news breaks

0:20:59.000 --> 0:21:01.520
<v Speaker 1>out whip breaks in? And I said, yeah, I know

0:21:01.560 --> 0:21:03.760
<v Speaker 1>what I've heard it on. He said, okay, when you

0:21:03.840 --> 0:21:05.960
<v Speaker 1>hear that. After that, you're going to hear the did

0:21:06.119 --> 0:21:09.640
<v Speaker 1>did did? And when you hear that, you read this.

0:21:09.760 --> 0:21:12.720
<v Speaker 1>And he took the actual piece from the from the

0:21:12.720 --> 0:21:19.000
<v Speaker 1>newspaper and he edited it. It's hard to say, that's

0:21:19.000 --> 0:21:22.240
<v Speaker 1>a tough one. Uh So luckily that word was not

0:21:22.440 --> 0:21:26.280
<v Speaker 1>in the copy. Yeah, he revised it much better. And

0:21:26.320 --> 0:21:28.159
<v Speaker 1>he said, you know, he took the whole thing and

0:21:28.200 --> 0:21:30.560
<v Speaker 1>then he tagged it out for w y PR News.

0:21:30.680 --> 0:21:33.840
<v Speaker 1>I'm skip Bishop and he said, when you hear the

0:21:33.920 --> 0:21:36.280
<v Speaker 1>deep didet, I'm going to open your mic and you

0:21:36.359 --> 0:21:40.800
<v Speaker 1>read it just as it is. Yes, my heart was

0:21:40.840 --> 0:21:42.840
<v Speaker 1>coming out of my ears. Have you ever been that

0:21:42.880 --> 0:21:45.440
<v Speaker 1>nervous again in your life? Do you think now? No?

0:21:45.560 --> 0:21:47.520
<v Speaker 1>But I have to tell you I steadied myself right

0:21:47.520 --> 0:21:50.359
<v Speaker 1>before it all happened. And he was playing a record

0:21:50.400 --> 0:21:52.480
<v Speaker 1>that you do not remember because you weren't even thought

0:21:52.480 --> 0:21:56.080
<v Speaker 1>about back then, by an artist called Millie Small, and

0:21:56.160 --> 0:21:58.879
<v Speaker 1>the song was called my boy Lollipop. It was a

0:21:59.000 --> 0:22:02.680
<v Speaker 1>big record. Did you have a radio voice at eight

0:22:02.720 --> 0:22:04.880
<v Speaker 1>years old? So how did you talk real? A little

0:22:04.880 --> 0:22:07.520
<v Speaker 1>bit more high pitched back then? Probably I was eight

0:22:08.600 --> 0:22:10.479
<v Speaker 1>year old. Probably, I don't know what it sounded like.

0:22:10.760 --> 0:22:13.359
<v Speaker 1>There was no I don't I really, I don't know

0:22:13.400 --> 0:22:17.480
<v Speaker 1>if it was ever recorded. I doubt it. Uh. So Dan,

0:22:18.040 --> 0:22:21.119
<v Speaker 1>I'm we're listening to my boy Lillypop. That it Di

0:22:21.119 --> 0:22:23.720
<v Speaker 1>did you make my heart go flip? It flop? That

0:22:23.840 --> 0:22:26.520
<v Speaker 1>it did it? And all of a sudden, bam, he

0:22:26.600 --> 0:22:30.000
<v Speaker 1>hits the news sounder. Boom when news breaks out, whipper

0:22:30.040 --> 0:22:32.760
<v Speaker 1>breaks in and then the deep did he did heat start?

0:22:33.040 --> 0:22:37.000
<v Speaker 1>And what Dan did, which was a mistake and I

0:22:37.080 --> 0:22:39.159
<v Speaker 1>will never forget it, and I knew it was a

0:22:39.200 --> 0:22:42.520
<v Speaker 1>mistake when he did it. He dumped out of the

0:22:42.600 --> 0:22:47.240
<v Speaker 1>record without turning it down, so it go went on

0:22:47.280 --> 0:22:50.119
<v Speaker 1>the air. But then the sounder came in, so it

0:22:50.200 --> 0:22:52.760
<v Speaker 1>was like Millie Small was singing along and people were

0:22:52.760 --> 0:22:56.320
<v Speaker 1>grooving in their cars, and then it was boom down

0:22:56.320 --> 0:22:58.760
<v Speaker 1>when news breaks out. So I said, oh my god, damn,

0:22:58.800 --> 0:23:01.880
<v Speaker 1>that's wasn't cool, man? Uh in my head, I said that.

0:23:02.240 --> 0:23:06.080
<v Speaker 1>So the D D D comes on and I read

0:23:06.119 --> 0:23:10.840
<v Speaker 1>the copy and I and I nailed it. I just

0:23:11.880 --> 0:23:14.080
<v Speaker 1>and I knew I had nailed it. I knew it

0:23:14.160 --> 0:23:17.200
<v Speaker 1>feeling it was incredible, you know that feeling after you're

0:23:17.240 --> 0:23:19.199
<v Speaker 1>like you're on stage, you're doing a song and the

0:23:19.280 --> 0:23:23.400
<v Speaker 1>song goes great. Yeah, Yes, smacked it out of the park.

0:23:23.680 --> 0:23:26.280
<v Speaker 1>And then he brought up the sounder and here comes

0:23:26.320 --> 0:23:28.560
<v Speaker 1>Millie small back. He goes right back into the record

0:23:28.960 --> 0:23:31.400
<v Speaker 1>and I'll never I fell back on the on the chair,

0:23:31.480 --> 0:23:33.760
<v Speaker 1>and I remember I fell back and I closed my eyes.

0:23:33.800 --> 0:23:36.000
<v Speaker 1>I was catching my breath and then I looked up

0:23:36.040 --> 0:23:38.880
<v Speaker 1>and Dan is doing this thing where he's nodding. He's nodding,

0:23:39.359 --> 0:23:44.240
<v Speaker 1>not saying anything. He's just nodding. And he said, stick

0:23:44.280 --> 0:23:47.920
<v Speaker 1>with it. You said stick with it? Do you know what? No,

0:23:48.040 --> 0:23:51.399
<v Speaker 1>And I have googled him several times with maybe we

0:23:51.440 --> 0:23:55.520
<v Speaker 1>will find him on He was incredible. I will tell

0:23:55.520 --> 0:23:59.240
<v Speaker 1>you this confidence he did well. Yes, And I would

0:23:59.320 --> 0:24:03.600
<v Speaker 1>hang around every radio station in town every I mean

0:24:03.640 --> 0:24:07.320
<v Speaker 1>I would every weekend. I would go from w BTM

0:24:07.400 --> 0:24:11.359
<v Speaker 1>to w d v A to YPR in any event

0:24:11.400 --> 0:24:13.600
<v Speaker 1>where they were, I was there and I got to

0:24:13.640 --> 0:24:18.920
<v Speaker 1>be buds with all this is available that's very like um.

0:24:19.000 --> 0:24:20.960
<v Speaker 1>For a child so young to have that kind of

0:24:21.000 --> 0:24:25.560
<v Speaker 1>confidence and hustling power is very was a really hustling patty.

0:24:25.560 --> 0:24:28.560
<v Speaker 1>It was pure joy, nervous to go talk to adults

0:24:28.600 --> 0:24:32.040
<v Speaker 1>and put themselves out there like that. Oh well ship,

0:24:33.280 --> 0:24:35.199
<v Speaker 1>it was just fun. It was fun. I would go.

0:24:35.359 --> 0:24:37.240
<v Speaker 1>But you weren't scared, that's the thing, Like most kids

0:24:37.280 --> 0:24:39.240
<v Speaker 1>would be too scared to do it. I would knock

0:24:39.280 --> 0:24:41.760
<v Speaker 1>on the door at radio stations on the weekend until

0:24:41.800 --> 0:24:44.040
<v Speaker 1>someone would come, and it was usually the weekend jock,

0:24:44.240 --> 0:24:47.280
<v Speaker 1>and they'd say, they come on in, and they let

0:24:47.320 --> 0:24:49.879
<v Speaker 1>me sit in the control room. They did, you know,

0:24:49.920 --> 0:24:51.800
<v Speaker 1>because I would, you know, can I get you anything?

0:24:51.880 --> 0:24:53.800
<v Speaker 1>You know, like you know, I can go to the store,

0:24:53.880 --> 0:24:56.520
<v Speaker 1>I can get you some coffee. No, no, no, and

0:24:56.640 --> 0:24:58.680
<v Speaker 1>you know, and I would be quiet or or I

0:24:58.720 --> 0:25:01.560
<v Speaker 1>would ask questions. Sometimes I said, look, you can't come in,

0:25:01.640 --> 0:25:04.840
<v Speaker 1>my boss is coming. But they would give me Billboard magazine,

0:25:05.000 --> 0:25:07.160
<v Speaker 1>you know, which was like the you know that would

0:25:07.280 --> 0:25:11.919
<v Speaker 1>they'd give me free copies of records gold. So that

0:25:12.119 --> 0:25:15.199
<v Speaker 1>sparked it. Did that lead to you? Were you on

0:25:15.320 --> 0:25:18.480
<v Speaker 1>air as a radio personality? First? Okay? So then you

0:25:18.520 --> 0:25:23.000
<v Speaker 1>became a radio personality and that lasted for how many years?

0:25:23.000 --> 0:25:26.360
<v Speaker 1>How long were you on air as a radio I'm

0:25:26.359 --> 0:25:33.280
<v Speaker 1>gonna have to think about that, the voice of stations.

0:25:34.240 --> 0:25:37.159
<v Speaker 1>I was mainly a morning show. Dude, did you like

0:25:37.200 --> 0:25:38.760
<v Speaker 1>me on the morning show? I did? That was the

0:25:38.760 --> 0:25:41.160
<v Speaker 1>only show I liked. Would you like about the morning show?

0:25:42.280 --> 0:25:46.080
<v Speaker 1>Not you? You were ahead of the world. You had

0:25:46.119 --> 0:25:49.560
<v Speaker 1>to jump on everything. It was more of a creative palette.

0:25:49.760 --> 0:25:52.680
<v Speaker 1>You couldn't just go in there and do the time

0:25:52.720 --> 0:25:55.400
<v Speaker 1>and the temperature and talk about what record was coming

0:25:55.480 --> 0:25:58.000
<v Speaker 1>up next and talk over the intros. This was top forty,

0:25:58.080 --> 0:26:01.040
<v Speaker 1>by the way, pop pop. So what how did you

0:26:01.080 --> 0:26:03.280
<v Speaker 1>find your breaking news? Like where did you gather that?

0:26:03.320 --> 0:26:06.440
<v Speaker 1>Because point shows you have to know what's happening. Well,

0:26:06.480 --> 0:26:11.240
<v Speaker 1>I'll tell you we we rewrote the newspaper. You just

0:26:11.280 --> 0:26:13.560
<v Speaker 1>read the news things. We rewrote it. We rewrote it.

0:26:13.560 --> 0:26:15.119
<v Speaker 1>I had a couple of people in there and we

0:26:15.160 --> 0:26:17.959
<v Speaker 1>would bring in the morning paper. And you also had

0:26:18.000 --> 0:26:20.800
<v Speaker 1>a teletype, you know, you would have the machine that

0:26:20.800 --> 0:26:23.200
<v Speaker 1>would from a p or U p I which would

0:26:23.240 --> 0:26:27.600
<v Speaker 1>constantly spit out all the news and you'd get there

0:26:27.720 --> 0:26:30.280
<v Speaker 1>early enough to take all the human interest stories, all

0:26:30.320 --> 0:26:33.440
<v Speaker 1>the headline stories and then you take the local news

0:26:33.520 --> 0:26:38.520
<v Speaker 1>out of the newspaper, which we just blatantly stole. Yeah,

0:26:38.800 --> 0:26:41.639
<v Speaker 1>what't really plagiarism, was just you know, like it is

0:26:41.680 --> 0:26:43.959
<v Speaker 1>the news, this is what's happening, and you know, and

0:26:44.000 --> 0:26:46.359
<v Speaker 1>we would just rewrite it. But how do you know

0:26:46.520 --> 0:26:50.400
<v Speaker 1>the news was correct? Who cares? It's certainly not now,

0:26:50.520 --> 0:26:54.280
<v Speaker 1>is it. Well? No, I've realized now doing some hosting

0:26:54.320 --> 0:26:58.560
<v Speaker 1>and working with some news news taken straight off the internet,

0:26:58.640 --> 0:27:03.639
<v Speaker 1>which isn't really like, well, no strong sources. Sometimes we

0:27:03.720 --> 0:27:06.879
<v Speaker 1>are finding that out, aren't. So tell me one of

0:27:06.880 --> 0:27:09.160
<v Speaker 1>the craziest stories that happened as a morning show host

0:27:09.240 --> 0:27:11.040
<v Speaker 1>and some of the celebrities that you worked with that

0:27:11.040 --> 0:27:15.600
<v Speaker 1>blew your mind? Um, I really, I don't know. I

0:27:15.960 --> 0:27:19.080
<v Speaker 1>can't off the top of my head. I can't think

0:27:19.240 --> 0:27:24.600
<v Speaker 1>of who that. Probably my favorite interview I ever did

0:27:24.680 --> 0:27:28.520
<v Speaker 1>of all time was Vincent Price. Do you know who

0:27:28.520 --> 0:27:32.000
<v Speaker 1>he is? Yeah? You do, not do He's so good looking.

0:27:32.440 --> 0:27:37.520
<v Speaker 1>He's all dead though, Yeah, but when he was alive. Yeah,

0:27:37.560 --> 0:27:40.160
<v Speaker 1>I have actually somewhere in this office, it's that guy

0:27:40.240 --> 0:27:44.000
<v Speaker 1>right about Diane. That's my son in law. That's Andy.

0:27:44.320 --> 0:27:47.000
<v Speaker 1>Andy's got some good eyes. Going on. Yeah, that's a

0:27:47.000 --> 0:27:52.479
<v Speaker 1>self portrait he painted at himself. Vincent Price, uh was

0:27:52.680 --> 0:27:56.280
<v Speaker 1>in town speaking and I got to do the interview

0:27:56.960 --> 0:27:59.199
<v Speaker 1>ask him, Well, it's really funny. I'll tell you what

0:27:59.200 --> 0:28:01.880
<v Speaker 1>it was. Uh I had a lot of questions prepared

0:28:01.920 --> 0:28:04.439
<v Speaker 1>for him about films, and I knew he was an

0:28:04.480 --> 0:28:07.639
<v Speaker 1>avid art collector. And I was so excited because I

0:28:07.680 --> 0:28:10.720
<v Speaker 1>think I had seen every Vincent Price horror film ever

0:28:10.760 --> 0:28:14.200
<v Speaker 1>made and loved them. I loved him. I mean, you

0:28:14.560 --> 0:28:17.200
<v Speaker 1>couldn't collect movies back then. This was before you could

0:28:17.240 --> 0:28:19.600
<v Speaker 1>collect movies. You just got to see them when they

0:28:19.640 --> 0:28:23.919
<v Speaker 1>came on. But uh I knew a lot about his

0:28:23.960 --> 0:28:26.000
<v Speaker 1>films and I was so ready. But when we got

0:28:26.040 --> 0:28:31.440
<v Speaker 1>into the interview, on every hand he had a turquoise ring.

0:28:31.600 --> 0:28:34.080
<v Speaker 1>Is that where you picked up your turquoise rings? That

0:28:34.320 --> 0:28:38.400
<v Speaker 1>is exactly the moment top it way way way, So

0:28:38.520 --> 0:28:40.200
<v Speaker 1>I go and you can ask you about your rings,

0:28:40.200 --> 0:28:44.000
<v Speaker 1>because here's flash rings. You're known for your rings, your

0:28:44.160 --> 0:28:48.280
<v Speaker 1>turquoise rings. That's where it started. It's it's exactly where

0:28:48.280 --> 0:28:50.200
<v Speaker 1>it started. To go by them all the next day. No,

0:28:50.400 --> 0:28:52.800
<v Speaker 1>I was very poor. I was a poor college student.

0:28:53.160 --> 0:28:56.719
<v Speaker 1>But he had these cool turquoise rings, and I couldn't

0:28:56.720 --> 0:28:59.280
<v Speaker 1>stop looking at him. And you know, we get seven

0:28:59.400 --> 0:29:04.240
<v Speaker 1>eight minutes into the interview and I say, Mr Price,

0:29:04.280 --> 0:29:10.320
<v Speaker 1>I have to ask you your rings. You're they're just beautiful,

0:29:10.360 --> 0:29:14.040
<v Speaker 1>They're stunning. Could you tell me about him? And he says, well,

0:29:14.960 --> 0:29:18.080
<v Speaker 1>you know, they're all different designs of turquoise and this

0:29:18.160 --> 0:29:21.640
<v Speaker 1>is uh. I love them. And we spent probably a

0:29:21.680 --> 0:29:25.880
<v Speaker 1>good piece of the interview talking about talking about his

0:29:26.000 --> 0:29:28.640
<v Speaker 1>rings and and that that moved on to that he

0:29:28.680 --> 0:29:33.960
<v Speaker 1>collected other arts besides painting, he collected other things. But afterward,

0:29:34.040 --> 0:29:36.440
<v Speaker 1>after the interview, we chatted about rings a little bit

0:29:36.440 --> 0:29:38.400
<v Speaker 1>more and I just, you know, I thought, man, that's

0:29:38.400 --> 0:29:41.560
<v Speaker 1>the coolest thing ever. So I have been collecting turquoise

0:29:41.680 --> 0:29:44.800
<v Speaker 1>rings since that day. Wow, and you have you wear

0:29:44.960 --> 0:29:50.560
<v Speaker 1>five every day, five turquoise rings. And that's well, that's

0:29:50.560 --> 0:29:55.560
<v Speaker 1>not that's not in the five Okay. So then you

0:29:55.600 --> 0:29:57.280
<v Speaker 1>move on to promotion. So how did you decide to

0:29:57.320 --> 0:30:00.240
<v Speaker 1>leave radio world and morning show and start working at

0:30:00.280 --> 0:30:02.960
<v Speaker 1>a record label and how did you move from pop

0:30:03.080 --> 0:30:05.360
<v Speaker 1>radio to country. Here are some of the acts that

0:30:05.440 --> 0:30:07.640
<v Speaker 1>you broke in country music because you had a seven

0:30:07.720 --> 0:30:09.480
<v Speaker 1>year number one streak at Sony. I don't know what

0:30:09.520 --> 0:30:12.160
<v Speaker 1>that means. Well, I was there for seven years and

0:30:12.200 --> 0:30:14.200
<v Speaker 1>we had a tremendous amount of Number one. I think

0:30:14.240 --> 0:30:16.240
<v Speaker 1>that the time that I was there, we had a

0:30:16.240 --> 0:30:21.280
<v Speaker 1>total of I don't remember, forty seems to come to mind.

0:30:21.360 --> 0:30:24.160
<v Speaker 1>I can't do that. Well, it was, it was several

0:30:24.160 --> 0:30:26.360
<v Speaker 1>things number one. It was a really good time for

0:30:26.520 --> 0:30:29.640
<v Speaker 1>music and we had a strong roster, and and Sony

0:30:29.680 --> 0:30:33.640
<v Speaker 1>still does that time. When I got there, I was

0:30:33.840 --> 0:30:37.960
<v Speaker 1>at Arista proper came into work at Arista. So sometimes

0:30:37.960 --> 0:30:40.080
<v Speaker 1>people don't know this. There's like a major label, which

0:30:40.080 --> 0:30:43.400
<v Speaker 1>is Sony, and then sometimes there's like labels underneath it. Correct,

0:30:43.440 --> 0:30:46.440
<v Speaker 1>so there's four labels I think under at the time.

0:30:46.520 --> 0:30:50.280
<v Speaker 1>At the time it was Arista R c A where

0:30:50.440 --> 0:30:52.640
<v Speaker 1>I was the first record yeme I ever had was

0:30:52.720 --> 0:30:56.360
<v Speaker 1>at our c A Records on the pop side, where

0:30:56.640 --> 0:31:00.560
<v Speaker 1>I met that girl over there, Beautiful was hanging out

0:31:00.560 --> 0:31:03.200
<v Speaker 1>in New York winking at me. She moved to New

0:31:03.280 --> 0:31:05.720
<v Speaker 1>York and she's following me around and she's trying to

0:31:05.720 --> 0:31:10.320
<v Speaker 1>get me coffee just like I'm Dandy Dan Anderson. We

0:31:10.600 --> 0:31:13.560
<v Speaker 1>had formed a company in New York after I had

0:31:13.600 --> 0:31:16.920
<v Speaker 1>gone from our CIA Records to m c A Records

0:31:16.920 --> 0:31:20.320
<v Speaker 1>on the West Coach Records. No, no, no, no, no,

0:31:20.360 --> 0:31:26.760
<v Speaker 1>we're pop rock everything but country rhythm records. Uh Urban Records.

0:31:26.760 --> 0:31:32.719
<v Speaker 1>Oh my god, where do you want to? Good Lord? Uh,

0:31:33.120 --> 0:31:38.960
<v Speaker 1>I don't know where to start in sync? Uh? Rick Astley,

0:31:39.360 --> 0:31:47.000
<v Speaker 1>Jefferson's Starship, Uh, Lou Reid Uh, Elton John the Band Live,

0:31:47.160 --> 0:31:53.320
<v Speaker 1>Elvis Presley not not not as a current hall of notes. Uh.

0:31:54.320 --> 0:31:56.760
<v Speaker 1>Lisa Lope Yeah, Lisa Lowe, who is still one of

0:31:56.840 --> 0:32:02.280
<v Speaker 1>my dearest friends in the world. Yes, yeah, yes, yeah.

0:32:02.640 --> 0:32:06.880
<v Speaker 1>Actually we became very very close during the state days

0:32:06.960 --> 0:32:09.440
<v Speaker 1>because she was unsigned at the time and we boom

0:32:09.440 --> 0:32:13.720
<v Speaker 1>boom boom boom. Anyway, so we had left New York

0:32:13.760 --> 0:32:16.000
<v Speaker 1>and gone to Los Angeles, and I was at m

0:32:16.040 --> 0:32:19.160
<v Speaker 1>c A Records. Then we left there because we had

0:32:19.160 --> 0:32:25.320
<v Speaker 1>decided to start our own company, which my my business

0:32:25.360 --> 0:32:27.840
<v Speaker 1>partner over there, Diane and Skip have decided to start

0:32:27.840 --> 0:32:29.680
<v Speaker 1>their own company, even which my wife was in the

0:32:29.760 --> 0:32:33.720
<v Speaker 1>music business. She was before she retired. Uh. Which here's

0:32:33.720 --> 0:32:37.840
<v Speaker 1>how she retired. Promotions she did. Okay, So y'all met

0:32:38.200 --> 0:32:44.880
<v Speaker 1>in promotions, Yes, yes, promotions we're talking about earlier where

0:32:44.920 --> 0:32:47.280
<v Speaker 1>they are kind of what launches. We're the ones that

0:32:47.360 --> 0:32:50.360
<v Speaker 1>go out and get the record. Yes, that's where we were,

0:32:50.400 --> 0:32:52.880
<v Speaker 1>the hands and feats of getting a single play exactly.

0:32:53.160 --> 0:32:55.320
<v Speaker 1>That was a long time ago. We have really just

0:32:55.360 --> 0:32:59.000
<v Speaker 1>bounced all around radio. Yeah I like it. Yeah. Okay.

0:32:59.040 --> 0:33:02.480
<v Speaker 1>So you and I and have met working promotions. You

0:33:02.520 --> 0:33:05.280
<v Speaker 1>are both in the pop world in l A. And

0:33:06.920 --> 0:33:09.440
<v Speaker 1>we decided we're going to start our own company, which

0:33:09.440 --> 0:33:13.440
<v Speaker 1>was a promotion and marketing company, and we went to

0:33:13.480 --> 0:33:15.640
<v Speaker 1>Florida for a few minutes to play with our baby

0:33:15.680 --> 0:33:18.640
<v Speaker 1>who had just been born, and we moved back to

0:33:18.680 --> 0:33:22.000
<v Speaker 1>New York after that, and we started a company called

0:33:22.000 --> 0:33:24.880
<v Speaker 1>Bishop Bait and Tackle. And if you think of what that,

0:33:24.920 --> 0:33:26.840
<v Speaker 1>you know what that really means. You know that we

0:33:26.840 --> 0:33:29.760
<v Speaker 1>would bait and tackle. We were a marketing company and

0:33:29.840 --> 0:33:32.360
<v Speaker 1>people would call all day, gone, do you guys have

0:33:32.680 --> 0:33:35.640
<v Speaker 1>uh worms and shiners, and like, no, we're not really

0:33:35.680 --> 0:33:38.880
<v Speaker 1>a bait and tackle company, but but we we get that.

0:33:39.440 --> 0:33:41.600
<v Speaker 1>So that company grew and grew and grew and grew,

0:33:42.400 --> 0:33:46.400
<v Speaker 1>and um for one reason or another that we won't

0:33:46.400 --> 0:33:49.240
<v Speaker 1>get into, we just really got tired of it. It

0:33:49.280 --> 0:33:54.880
<v Speaker 1>was really successful, unbelievably fun, but it was just it

0:33:56.080 --> 0:33:58.960
<v Speaker 1>ran its course and almost ran me ragged. It was

0:33:59.080 --> 0:34:06.760
<v Speaker 1>just so huch craziness. It was crazy. So we decided

0:34:06.760 --> 0:34:09.640
<v Speaker 1>to bull the plug, shut it down, and moved to

0:34:10.360 --> 0:34:14.160
<v Speaker 1>from New York City, living on Broadway. We decided, okay,

0:34:14.160 --> 0:34:16.440
<v Speaker 1>where do we want to move to? Where do you

0:34:16.480 --> 0:34:18.600
<v Speaker 1>think we moved to? I know where you moved because

0:34:18.600 --> 0:34:21.480
<v Speaker 1>I researched you some little tiny town on top of

0:34:21.480 --> 0:34:28.439
<v Speaker 1>a mountain, Lookout Mountain. Yes, we moved to Lookout Mountain. Yeah. Yeah.

0:34:28.520 --> 0:34:31.879
<v Speaker 1>We we like, we want to piece out from city last.

0:34:32.120 --> 0:34:34.680
<v Speaker 1>Yeah yeah, and we it was like Green Acres. Did

0:34:34.680 --> 0:34:38.320
<v Speaker 1>you like it? Well? Have you ever seen the movie

0:34:38.360 --> 0:34:42.120
<v Speaker 1>The Shining? First of all, okay, okay, alright, let me

0:34:42.280 --> 0:34:44.520
<v Speaker 1>The purpose was we were going to move there and

0:34:44.560 --> 0:34:47.040
<v Speaker 1>I was going to write a book. And you have

0:34:47.160 --> 0:34:50.160
<v Speaker 1>been to have you written a book? About eight chapters

0:34:50.160 --> 0:34:52.600
<v Speaker 1>in skit? Bishop? I have known you not for three years,

0:34:52.600 --> 0:35:00.279
<v Speaker 1>and you've been talking about writing. Let me get word

0:35:00.280 --> 0:35:06.160
<v Speaker 1>press unt. I'm writing the book and a lot of

0:35:06.239 --> 0:35:08.879
<v Speaker 1>these stories are in the book. So when it's out,

0:35:09.120 --> 0:35:12.640
<v Speaker 1>if you want to hear him again. Yeah, so you

0:35:12.680 --> 0:35:16.160
<v Speaker 1>started writing. So we went to Lookout Mountain. We bought

0:35:16.239 --> 0:35:19.280
<v Speaker 1>this big old rambling house on the with this gorgeous

0:35:19.360 --> 0:35:22.160
<v Speaker 1>view of a bunch of trees and wild turkeys and

0:35:22.719 --> 0:35:26.640
<v Speaker 1>the rocks. Yeah, it was so peaceful. So we moved

0:35:26.719 --> 0:35:31.440
<v Speaker 1>up there and in about it took about six weeks

0:35:31.480 --> 0:35:34.840
<v Speaker 1>for me to go completely out of my skull. It

0:35:35.000 --> 0:35:37.920
<v Speaker 1>was like, oh my god, in heaven and y'all did

0:35:38.040 --> 0:35:40.520
<v Speaker 1>y'all did a fat diet for moving? You were so

0:35:40.840 --> 0:35:43.560
<v Speaker 1>ready for, like a change in a diet that you

0:35:43.960 --> 0:35:46.080
<v Speaker 1>but then you got there and you wanted out. Right, Well,

0:35:46.200 --> 0:35:48.360
<v Speaker 1>it's not that we wanted out, but we knew like,

0:35:48.480 --> 0:35:50.840
<v Speaker 1>oh my god, what I mean? It was there was

0:35:50.960 --> 0:35:53.720
<v Speaker 1>no one there. There was the town was one thousand people.

0:35:54.560 --> 0:35:57.680
<v Speaker 1>There was one thousand people in our building in New York.

0:35:57.880 --> 0:36:01.920
<v Speaker 1>And then we're in and this town and it was

0:36:02.360 --> 0:36:06.279
<v Speaker 1>so isolated and crazy. And I would go down to

0:36:06.360 --> 0:36:09.520
<v Speaker 1>the grocery store just to have conversations with people, and

0:36:10.120 --> 0:36:12.800
<v Speaker 1>I would drive him nuts, are like, hey, let me

0:36:12.960 --> 0:36:17.600
<v Speaker 1>let's talk about something, and chase him around and so uh.

0:36:18.400 --> 0:36:23.360
<v Speaker 1>Then butch Waw, who I worked with my entire career,

0:36:24.160 --> 0:36:28.279
<v Speaker 1>and Joe Galante who was running Sony at the time,

0:36:28.400 --> 0:36:31.960
<v Speaker 1>but that too correct. He's the guy that hired me

0:36:32.120 --> 0:36:36.800
<v Speaker 1>into from radio into our c A Pop. So he

0:36:36.880 --> 0:36:38.920
<v Speaker 1>took you from the morning show, butch Wall took him

0:36:38.920 --> 0:36:42.040
<v Speaker 1>in the morning show to our pop promotions. Correct. Now

0:36:42.160 --> 0:36:45.279
<v Speaker 1>he's taken you to Nashville. Correct, but has been like

0:36:45.360 --> 0:36:48.320
<v Speaker 1>you're kind of like he's he I'm telling you, he

0:36:48.440 --> 0:36:52.239
<v Speaker 1>and I have been and we today we have two

0:36:52.320 --> 0:36:55.040
<v Speaker 1>companies together now we have Studio to Be and we're

0:36:55.280 --> 0:36:57.759
<v Speaker 1>we have Hits Me Up. And he was the best

0:36:57.840 --> 0:37:00.200
<v Speaker 1>man at our wedding and to work with and for

0:37:00.320 --> 0:37:02.880
<v Speaker 1>that many years and still love each other. We love

0:37:02.920 --> 0:37:06.200
<v Speaker 1>each other. Best man at your wedding is an amazing sign. Well,

0:37:06.400 --> 0:37:08.840
<v Speaker 1>I'll tell you a funny story. So we're on the

0:37:08.920 --> 0:37:12.480
<v Speaker 1>way to the church and we're getting married, you and Diane, Yes,

0:37:12.880 --> 0:37:15.480
<v Speaker 1>and and her. We're getting married. Butch and I are

0:37:15.520 --> 0:37:18.160
<v Speaker 1>in one car going to the church. This is in Manhattan.

0:37:18.640 --> 0:37:20.960
<v Speaker 1>Diane's in another limo, which is a whole another story,

0:37:20.960 --> 0:37:23.560
<v Speaker 1>because the limo driver got lost. It was twenty minutes

0:37:23.600 --> 0:37:25.400
<v Speaker 1>late to the wedding, so you thought Diane was not

0:37:25.480 --> 0:37:27.759
<v Speaker 1>showing up to the wedding. Correct, Oh my gosh, did

0:37:27.760 --> 0:37:30.920
<v Speaker 1>you have a heart attack? Yes, Anyway, I'm already sweating

0:37:30.960 --> 0:37:33.680
<v Speaker 1>bullets because I'm getting married, right, I mean, yeah, of

0:37:33.760 --> 0:37:37.919
<v Speaker 1>course yes. I'm like, I'm calling onto the cell phone.

0:37:37.960 --> 0:37:42.080
<v Speaker 1>They had just been invented. Uh and nothing, I'm getting

0:37:42.200 --> 0:37:46.239
<v Speaker 1>nothing and awful. Yeah, And I understand that she used

0:37:46.280 --> 0:37:49.160
<v Speaker 1>some very un Christian language to the limo driver who

0:37:49.280 --> 0:37:52.640
<v Speaker 1>got lost in Manhattan traffic. So we're all standing there,

0:37:52.800 --> 0:37:55.040
<v Speaker 1>and you know, the music is playing and people are

0:37:55.120 --> 0:37:58.880
<v Speaker 1>looking and up. Anyway, the point is is on the

0:37:59.000 --> 0:38:02.080
<v Speaker 1>way over. I'm already a nervous ray and BT says

0:38:02.120 --> 0:38:04.880
<v Speaker 1>to me in his true Southern accent, he says, you

0:38:05.000 --> 0:38:09.560
<v Speaker 1>know the only difference between my tuch ceda and your tuxeda.

0:38:10.040 --> 0:38:12.200
<v Speaker 1>And I said, no, what's that? He said, I tried

0:38:12.280 --> 0:38:17.000
<v Speaker 1>my own first. And I'm like, oh god, do I

0:38:17.160 --> 0:38:20.239
<v Speaker 1>need this? And he and the whole time we were

0:38:20.640 --> 0:38:23.480
<v Speaker 1>backstage or whatever you call it, at the church and

0:38:23.600 --> 0:38:27.440
<v Speaker 1>he's looking out going she ain't coming, she ain't coming.

0:38:27.480 --> 0:38:30.080
<v Speaker 1>Your tuxeda doesn't fit and she ain't coming. So you

0:38:30.160 --> 0:38:32.640
<v Speaker 1>really didn't try your tuxedoing of course I did. He

0:38:32.800 --> 0:38:36.160
<v Speaker 1>was just giving me grief. So anyway, she shows up

0:38:36.160 --> 0:38:38.560
<v Speaker 1>about an hour and a half late. Oh my god,

0:38:39.560 --> 0:38:43.360
<v Speaker 1>we get married? And where were we going with this? Friendship.

0:38:43.680 --> 0:38:46.160
<v Speaker 1>So thank god I could keep talking a little bit.

0:38:46.200 --> 0:38:48.160
<v Speaker 1>I haven't try worse than you, though. So now he

0:38:48.280 --> 0:38:51.439
<v Speaker 1>plucked you out of pop radio, and he looks he's

0:38:51.480 --> 0:38:54.480
<v Speaker 1>not running our c A or is he running Sony?

0:38:54.680 --> 0:38:59.040
<v Speaker 1>He is the president. When uh, when I left pop radio,

0:38:59.239 --> 0:39:02.839
<v Speaker 1>he was the regional guy for our c A. Pop.

0:39:02.920 --> 0:39:05.279
<v Speaker 1>He hired me to be one of his regionals. Then

0:39:05.440 --> 0:39:09.600
<v Speaker 1>he got promoted to New York to run the promotion department,

0:39:09.719 --> 0:39:12.960
<v Speaker 1>and shortly thereafter he called me and said I need

0:39:13.040 --> 0:39:16.200
<v Speaker 1>you in New York. So he took me from Texas

0:39:16.280 --> 0:39:19.160
<v Speaker 1>to New York. And boy did we have a lot

0:39:19.239 --> 0:39:22.960
<v Speaker 1>of fun and gotten a lot of trouble. Trouble trouble, trouble.

0:39:23.239 --> 0:39:26.359
<v Speaker 1>Martini's as big as your head. But it was great.

0:39:26.520 --> 0:39:28.000
<v Speaker 1>But we got a lot done. We broke a lot

0:39:28.040 --> 0:39:30.319
<v Speaker 1>of records, and we tried a lot of We took

0:39:30.320 --> 0:39:32.719
<v Speaker 1>a lot of chances and did a lot of innovative things.

0:39:33.040 --> 0:39:34.719
<v Speaker 1>Actually said a quote about you wish I have to read.

0:39:35.120 --> 0:39:38.520
<v Speaker 1>It's so cute. He goes asked the question, if you

0:39:38.520 --> 0:39:40.359
<v Speaker 1>could trade last with anyone for one day, he would

0:39:40.360 --> 0:39:42.840
<v Speaker 1>it be, And he said, I would trade with Ski Bishop.

0:39:42.920 --> 0:39:44.719
<v Speaker 1>He's the most creative person. I know. I would like

0:39:44.800 --> 0:39:46.480
<v Speaker 1>to get in his head and find out what's going

0:39:46.520 --> 0:39:50.200
<v Speaker 1>on in there? What I never heard that? Where'd you

0:39:50.280 --> 0:39:54.160
<v Speaker 1>find that on the internet. I gotta get that. He

0:39:54.239 --> 0:39:55.759
<v Speaker 1>actually quotes you a lot. He talks about you a

0:39:55.800 --> 0:39:57.880
<v Speaker 1>lot on that talk about each other with a big buddies.

0:39:58.080 --> 0:40:00.439
<v Speaker 1>You talk about him too, Yeah, he's the one of guy.

0:40:00.600 --> 0:40:02.719
<v Speaker 1>So then so now you are in pop Radio New

0:40:02.800 --> 0:40:05.759
<v Speaker 1>York together. So now he gets asked to do what

0:40:06.000 --> 0:40:10.480
<v Speaker 1>at Sony He uh, well, he well, he was the

0:40:10.960 --> 0:40:13.160
<v Speaker 1>head of promotion. He was a senior VP. I think

0:40:13.160 --> 0:40:16.120
<v Speaker 1>he was the e v P, the executive VP of

0:40:16.800 --> 0:40:19.879
<v Speaker 1>the label. And Joe Glani came up short, yes, Joe

0:40:20.360 --> 0:40:23.080
<v Speaker 1>of our CIA in New York. Yeah, And Joe Glani

0:40:23.440 --> 0:40:25.480
<v Speaker 1>left Nashville and came to New York and became the

0:40:25.560 --> 0:40:29.360
<v Speaker 1>president of our c A pop went from country to

0:40:29.440 --> 0:40:32.279
<v Speaker 1>pop correct and we were all up there, you know,

0:40:32.360 --> 0:40:34.239
<v Speaker 1>we were it was hill Billy's running the show. It

0:40:34.360 --> 0:40:37.840
<v Speaker 1>was like a reality show before reality. Country folk were

0:40:38.080 --> 0:40:40.960
<v Speaker 1>doing great. Yeah, we had a good time great. So

0:40:41.040 --> 0:40:42.719
<v Speaker 1>then what happens now, how do y'all get to know?

0:40:42.880 --> 0:40:45.399
<v Speaker 1>So I go to m C A boom, Joe goes

0:40:45.440 --> 0:40:50.280
<v Speaker 1>back to Nashville and become chairman of Nashville. Uh. Butch

0:40:50.360 --> 0:40:52.360
<v Speaker 1>goes with him to coome become the e v p

0:40:52.560 --> 0:40:56.440
<v Speaker 1>g M of Sony Nashville, which wasn't Sony at the time.

0:40:56.480 --> 0:40:59.000
<v Speaker 1>I think it was still b MG. And then the

0:40:59.040 --> 0:41:02.839
<v Speaker 1>merger happened. Uh. There's mergers everywhere left and right. Um,

0:41:03.680 --> 0:41:06.279
<v Speaker 1>and I was still out on the West Coast with

0:41:06.680 --> 0:41:09.040
<v Speaker 1>m c A. So when I left and I started

0:41:09.080 --> 0:41:13.719
<v Speaker 1>Bishop Peyton Tackle, they were already fully entrenched in Nashville,

0:41:13.840 --> 0:41:16.759
<v Speaker 1>and my one of my jobs in my company was

0:41:16.840 --> 0:41:21.880
<v Speaker 1>to cross their records to pop so for organ crossover.

0:41:22.160 --> 0:41:26.680
<v Speaker 1>Correct a matter of fact. Um, Butch and Joe brought

0:41:27.080 --> 0:41:29.920
<v Speaker 1>Lone Start to New York and said, I gotta play

0:41:30.080 --> 0:41:31.800
<v Speaker 1>this record. Do you think we can get it played

0:41:31.880 --> 0:41:34.920
<v Speaker 1>on pop radio? And Butch and I took it to

0:41:35.120 --> 0:41:38.160
<v Speaker 1>to Z one hundred, the biggest top forty radio station,

0:41:38.719 --> 0:41:40.520
<v Speaker 1>and of course, and then there's Kissing l A. I

0:41:40.600 --> 0:41:42.800
<v Speaker 1>have to say that because John Ivy is probably watching

0:41:42.840 --> 0:41:44.520
<v Speaker 1>and he would give you really mad at me if

0:41:44.560 --> 0:41:48.160
<v Speaker 1>I said that Z one hundred was bigger. But I

0:41:48.239 --> 0:41:51.120
<v Speaker 1>happen to be living in New York, so Z one

0:41:51.200 --> 0:41:54.719
<v Speaker 1>hundred We convinced them to play it one time, one

0:41:54.840 --> 0:41:58.200
<v Speaker 1>time and the things that you have to like really

0:41:58.400 --> 0:42:01.360
<v Speaker 1>work hard to get the lately. Oh it was crazy.

0:42:01.520 --> 0:42:03.800
<v Speaker 1>I mean it would go around and around and I

0:42:03.880 --> 0:42:05.839
<v Speaker 1>have to go back in. I will look, I would

0:42:05.920 --> 0:42:08.840
<v Speaker 1>plead my case, and they go, we don't play country.

0:42:08.960 --> 0:42:11.960
<v Speaker 1>Records were a top forty radio station in New York.

0:42:12.000 --> 0:42:14.960
<v Speaker 1>We're leaning dance right now and I'm going play it

0:42:15.600 --> 0:42:21.479
<v Speaker 1>one and I had and here's what I had. Here's

0:42:21.480 --> 0:42:23.360
<v Speaker 1>what I said. I said, Look, if you play it

0:42:23.480 --> 0:42:25.879
<v Speaker 1>one time in mid day and if you don't get

0:42:25.920 --> 0:42:29.279
<v Speaker 1>any reaction and it's nothing, I won't work you on

0:42:29.360 --> 0:42:33.359
<v Speaker 1>any more records. What does the reaction meaning calls? Back

0:42:33.400 --> 0:42:36.640
<v Speaker 1>then it was phone calls. Now it's it's that an

0:42:36.680 --> 0:42:40.319
<v Speaker 1>immediate reaction through things have changed and we could talk

0:42:40.360 --> 0:42:42.640
<v Speaker 1>about that later. But back then it was phone calls

0:42:43.200 --> 0:42:47.800
<v Speaker 1>and and sales. But it's still sales to a degree.

0:42:48.239 --> 0:42:51.320
<v Speaker 1>They radio steal monitors that, but it then it was

0:42:51.440 --> 0:42:58.120
<v Speaker 1>mostly phone calls in the phones. Balloonded, Yes, yeah, one time,

0:42:58.160 --> 0:43:01.360
<v Speaker 1>one play in the middle of the the you know,

0:43:01.440 --> 0:43:03.640
<v Speaker 1>hot Rock and Flamethrow and Zee one d from high

0:43:03.680 --> 0:43:06.560
<v Speaker 1>top of the world's rad question, Yes, why is it

0:43:06.760 --> 0:43:10.239
<v Speaker 1>so hard sometimes to convince radio to play songs? Because

0:43:10.280 --> 0:43:12.400
<v Speaker 1>they are the gatekeeper and I love radio so much,

0:43:12.520 --> 0:43:16.200
<v Speaker 1>but it is because their playlists are so tight, and

0:43:16.719 --> 0:43:19.839
<v Speaker 1>it's so expensive, and it's money driven because sometimes people

0:43:19.960 --> 0:43:23.040
<v Speaker 1>might think, oh, a superstars putting out a song, or oh,

0:43:23.160 --> 0:43:25.399
<v Speaker 1>an act is putting out a song. You know what's

0:43:25.440 --> 0:43:27.719
<v Speaker 1>really more important than money when it comes to a

0:43:27.800 --> 0:43:32.719
<v Speaker 1>radio campaign is passion and belief true that it's true

0:43:32.800 --> 0:43:36.479
<v Speaker 1>you you can have a tremendous budget, and and there's

0:43:36.520 --> 0:43:39.919
<v Speaker 1>three things. Passion belief in great music, because if you've

0:43:39.920 --> 0:43:43.399
<v Speaker 1>got a lousy record and a trillion dollars, you can't

0:43:43.520 --> 0:43:45.840
<v Speaker 1>make it a hit. You can't. You maybe get it

0:43:45.920 --> 0:43:48.200
<v Speaker 1>played and put it in position to be a hit,

0:43:48.719 --> 0:43:51.320
<v Speaker 1>but you it won't become a hit if it's not

0:43:51.480 --> 0:43:53.320
<v Speaker 1>a hit. If you've got great music and you know

0:43:53.480 --> 0:43:56.160
<v Speaker 1>it and you feel it and you believe in it,

0:43:56.320 --> 0:43:59.279
<v Speaker 1>and it's like they become they become your children. If

0:43:59.360 --> 0:44:02.600
<v Speaker 1>those songs you will you like it's only they're very

0:44:02.719 --> 0:44:05.800
<v Speaker 1>similar to the same thing. It's it's it's a similar

0:44:05.840 --> 0:44:07.960
<v Speaker 1>emotion to your to how you love your children and

0:44:08.120 --> 0:44:10.400
<v Speaker 1>I love my children. So you have to love the

0:44:10.440 --> 0:44:13.400
<v Speaker 1>songs you're promoting us. You can't do it. You you do,

0:44:13.800 --> 0:44:17.719
<v Speaker 1>but you can make yourself believe. Sometimes there have been

0:44:17.800 --> 0:44:20.960
<v Speaker 1>times that we have to make ourselves believe. But the

0:44:21.480 --> 0:44:23.880
<v Speaker 1>key is is when you're in a position to where

0:44:24.239 --> 0:44:28.520
<v Speaker 1>you can influence what gets what gets released as a

0:44:28.600 --> 0:44:32.560
<v Speaker 1>single because you know that one is better than that one.

0:44:32.840 --> 0:44:34.919
<v Speaker 1>So how do you know when a song is better

0:44:34.960 --> 0:44:36.839
<v Speaker 1>than another song and it's gonna work on radio? Well,

0:44:37.120 --> 0:44:40.080
<v Speaker 1>I'm gonna tell you there there is a way and

0:44:41.560 --> 0:44:44.000
<v Speaker 1>it's and a lot of people don't believe this, but

0:44:44.120 --> 0:44:47.040
<v Speaker 1>I do. And I've had a fantastic career because I

0:44:47.080 --> 0:44:50.120
<v Speaker 1>do believe it, and I and I and I will,

0:44:51.280 --> 0:44:54.279
<v Speaker 1>I will fight for this till the end of the day.

0:44:54.960 --> 0:44:58.560
<v Speaker 1>Is people are born with the gift. They are born

0:44:58.640 --> 0:45:02.520
<v Speaker 1>with the gift of hearing hit records. It's a weird gift.

0:45:03.400 --> 0:45:05.520
<v Speaker 1>It's a you know, it's like, well, I like to

0:45:05.560 --> 0:45:09.200
<v Speaker 1>be you know, if you know if God said, Okay,

0:45:09.360 --> 0:45:12.200
<v Speaker 1>we're going to make you a fantastic accountant or we're

0:45:12.239 --> 0:45:15.239
<v Speaker 1>gonna make you a brain surgeon, you know, of course

0:45:15.360 --> 0:45:17.279
<v Speaker 1>you have to do all that. You have to study it,

0:45:17.400 --> 0:45:19.640
<v Speaker 1>and you have to but you study it because you

0:45:19.880 --> 0:45:23.280
<v Speaker 1>love it. There's people who study the art of records

0:45:23.320 --> 0:45:25.720
<v Speaker 1>and hit records because they love it and they become

0:45:26.320 --> 0:45:28.239
<v Speaker 1>I mean, it's one of the I can give you

0:45:28.320 --> 0:45:33.279
<v Speaker 1>a list of three hundred and twenty six things that

0:45:33.480 --> 0:45:40.040
<v Speaker 1>I am so bad that I just terrible. But I

0:45:40.200 --> 0:45:42.279
<v Speaker 1>know I get that feeling when I hear one that

0:45:42.320 --> 0:45:48.160
<v Speaker 1>it's good, it's good. No, no, no, no, it's as

0:45:48.239 --> 0:45:52.319
<v Speaker 1>time goes by, and you do it, it's like everything else.

0:45:52.400 --> 0:45:55.200
<v Speaker 1>It's like flying a plane or blame professional football. It

0:45:55.320 --> 0:45:59.080
<v Speaker 1>becomes your d n A that you know that track

0:45:59.560 --> 0:46:02.120
<v Speaker 1>is going to work faster than that track, and that

0:46:02.239 --> 0:46:04.879
<v Speaker 1>track may work not work at all, but if it's

0:46:04.880 --> 0:46:06.719
<v Speaker 1>a great song, and you know it's a great song.

0:46:06.840 --> 0:46:09.080
<v Speaker 1>But there's sometimes you hear a great song, you're like

0:46:09.200 --> 0:46:13.120
<v Speaker 1>radio doesn't won't play this slow? Well, that's true, and

0:46:13.200 --> 0:46:15.800
<v Speaker 1>then you have to be you have to be creative,

0:46:15.840 --> 0:46:18.400
<v Speaker 1>and you have to be tenacious and sometimes like the

0:46:18.480 --> 0:46:22.359
<v Speaker 1>contents too serious and they don't want to. And I'll

0:46:22.400 --> 0:46:28.160
<v Speaker 1>tell you the the toughest and best record I ever

0:46:28.280 --> 0:46:33.719
<v Speaker 1>worked in my entire career was Brad Paisley's Welcome to

0:46:33.800 --> 0:46:40.320
<v Speaker 1>the Future. We had a it was right after Barack

0:46:40.400 --> 0:46:44.160
<v Speaker 1>Obama was elected for the first time, is when that

0:46:44.440 --> 0:46:46.640
<v Speaker 1>it really was welcome to the It really was. That's

0:46:46.680 --> 0:46:50.520
<v Speaker 1>what the song was about. It well, at least the

0:46:50.600 --> 0:46:53.759
<v Speaker 1>song was about a lot of things. The song was about. Yeah,

0:46:53.800 --> 0:46:57.239
<v Speaker 1>it landed itself. And remember the last verse was it

0:46:57.360 --> 0:47:03.839
<v Speaker 1>addressed racism and uh. And we had pushback. We really

0:47:04.000 --> 0:47:07.120
<v Speaker 1>had pushback over that song. There were people who were

0:47:07.680 --> 0:47:11.200
<v Speaker 1>upset that, you know, that their candidate didn't win, and

0:47:11.280 --> 0:47:13.840
<v Speaker 1>they would say, I didn't vote for the guy, and

0:47:13.960 --> 0:47:18.480
<v Speaker 1>it's a valentine to our to Barack Obama, and I

0:47:18.560 --> 0:47:20.799
<v Speaker 1>don't think my listeners want to hear it, and I'm going,

0:47:21.200 --> 0:47:25.120
<v Speaker 1>it's a great song about the world changing. It's not

0:47:25.480 --> 0:47:28.600
<v Speaker 1>it's not about Barack Obama per se. It's about the

0:47:28.640 --> 0:47:31.759
<v Speaker 1>world changing. And if you don't think it is, you

0:47:31.840 --> 0:47:34.479
<v Speaker 1>need to get out of your job. And we really

0:47:34.640 --> 0:47:38.640
<v Speaker 1>had to wrestle and fight and go back and people.

0:47:38.920 --> 0:47:40.719
<v Speaker 1>There were people that refused to play it. There were

0:47:40.760 --> 0:47:42.680
<v Speaker 1>people that played it and took it off because they

0:47:43.440 --> 0:47:45.840
<v Speaker 1>intentionally said, oh, it's not working for me, but they

0:47:45.920 --> 0:47:49.160
<v Speaker 1>didn't really know. There were other people who would pound

0:47:49.280 --> 0:47:51.880
<v Speaker 1>it because they thought it was an innovative piece of art,

0:47:52.480 --> 0:47:54.880
<v Speaker 1>but it was tough. When do you know when to

0:47:54.960 --> 0:47:59.799
<v Speaker 1>give up the fight for a song? Never? Never a song?

0:47:59.880 --> 0:48:05.040
<v Speaker 1>I that? Or when when you're seeing nothing And if

0:48:05.080 --> 0:48:07.040
<v Speaker 1>you've given it all you have and radio is just

0:48:07.160 --> 0:48:09.880
<v Speaker 1>resisting and the sales aren't happening, then that's then you

0:48:10.280 --> 0:48:12.320
<v Speaker 1>you know, if you're getting nothing, it must be a

0:48:12.400 --> 0:48:15.839
<v Speaker 1>hard feeling when one of your babies isn't taking fight. Well, yes,

0:48:15.920 --> 0:48:19.279
<v Speaker 1>and it happens, um it happens. But you know, the

0:48:19.320 --> 0:48:23.040
<v Speaker 1>beautiful thing is is these artists have other songs, and

0:48:23.760 --> 0:48:26.560
<v Speaker 1>you know, there's songs that you believe in so much

0:48:26.680 --> 0:48:30.440
<v Speaker 1>that don't grow grow legs or wings. And it's a

0:48:30.480 --> 0:48:34.560
<v Speaker 1>difficult thing. But if you if you know, and you

0:48:34.760 --> 0:48:36.799
<v Speaker 1>stay in it and you're seeing the signs, if you're

0:48:36.800 --> 0:48:39.400
<v Speaker 1>seeing you know, back then it was all about sales,

0:48:39.680 --> 0:48:44.319
<v Speaker 1>but now it's all about streams and uh streaming, uh

0:48:44.719 --> 0:48:46.640
<v Speaker 1>a lot of that. You want to have like millions

0:48:46.680 --> 0:48:48.840
<v Speaker 1>of streams. You want to have millions of streams, and

0:48:49.000 --> 0:48:51.480
<v Speaker 1>you still want to have sales. Yeah, and you have to.

0:48:51.680 --> 0:48:54.040
<v Speaker 1>You know, it's really interesting record promotion has changed. You

0:48:54.200 --> 0:48:57.520
<v Speaker 1>have to I talk about, you know, the endgame being

0:48:57.600 --> 0:49:00.960
<v Speaker 1>terrestrial radio, but I just like the radio station you

0:49:01.040 --> 0:49:03.080
<v Speaker 1>turn on in your car and a lot of time. Correct,

0:49:03.239 --> 0:49:05.279
<v Speaker 1>that's the one with the antennas, the ones that that

0:49:05.440 --> 0:49:09.680
<v Speaker 1>you listen to. And but ten years ago we didn't

0:49:09.760 --> 0:49:12.160
<v Speaker 1>have what we did ten years ago. But there was

0:49:12.200 --> 0:49:14.640
<v Speaker 1>a time that we didn't have Serious XM. Right, we

0:49:14.719 --> 0:49:18.319
<v Speaker 1>did not have Spotify, we did not have Pandora. Uh,

0:49:18.920 --> 0:49:23.000
<v Speaker 1>we didn't have robust social media campaign. Also those are

0:49:23.040 --> 0:49:26.520
<v Speaker 1>important to notice because terrestrial radio in your car, they

0:49:26.560 --> 0:49:29.439
<v Speaker 1>are run by major corporations and they are only allowed

0:49:29.480 --> 0:49:31.399
<v Speaker 1>to play a certain playlist for the most part, which

0:49:31.440 --> 0:49:33.880
<v Speaker 1>is like twenty songs. Right, Well, it depends on the company.

0:49:34.280 --> 0:49:37.319
<v Speaker 1>It depends on the company. And x M they can

0:49:37.360 --> 0:49:39.480
<v Speaker 1>play whatever they want. So that's a whole new appot.

0:49:39.520 --> 0:49:41.839
<v Speaker 1>They don't play whatever they want. They just take more

0:49:42.000 --> 0:49:45.000
<v Speaker 1>chances and they're more aggressive. But I will tell you

0:49:45.120 --> 0:49:48.920
<v Speaker 1>some radio stations are as aggressive. But the corporate stations

0:49:49.000 --> 0:49:52.600
<v Speaker 1>tend to have guidelines and they also have they rely

0:49:52.960 --> 0:49:56.880
<v Speaker 1>on let's look at the two difference of the models. Uh,

0:49:57.040 --> 0:50:02.000
<v Speaker 1>Spotify and Serious XM rely on subscript and where radio

0:50:03.480 --> 0:50:09.240
<v Speaker 1>relies on add money and and and time spent listening.

0:50:09.719 --> 0:50:13.160
<v Speaker 1>And they want everything to be familiar and they you know,

0:50:13.280 --> 0:50:19.360
<v Speaker 1>theyre it's a different it's a different yardstick. And luckily ratings,

0:50:20.600 --> 0:50:24.800
<v Speaker 1>ratings turned into dollars for for terrestrial radio. It's a

0:50:24.840 --> 0:50:28.960
<v Speaker 1>different game. And but but since the whole landscape is changing,

0:50:29.200 --> 0:50:37.239
<v Speaker 1>you've got um I Heart Media spending so much attention

0:50:37.360 --> 0:50:41.720
<v Speaker 1>and time and creativity with I Heart Radio an app,

0:50:42.560 --> 0:50:46.759
<v Speaker 1>so that you know, they have changed their model because

0:50:46.840 --> 0:50:51.200
<v Speaker 1>we we didn't have that before. We didn't have before

0:50:52.360 --> 0:50:54.920
<v Speaker 1>you went to radio, and you really didn't have a

0:50:54.960 --> 0:50:58.879
<v Speaker 1>whole lot more except for touring and and those sort

0:50:58.920 --> 0:51:02.960
<v Speaker 1>of in marketing and press in print. But now it's

0:51:02.960 --> 0:51:06.440
<v Speaker 1>a wonderful new world where you can break a record

0:51:06.719 --> 0:51:13.080
<v Speaker 1>off serious, Spotify, Pandora, all the other sites. Uh and

0:51:13.280 --> 0:51:18.400
<v Speaker 1>and really I can't ever downplay the importance of social media.

0:51:18.920 --> 0:51:22.200
<v Speaker 1>You can break a record on social media and in

0:51:22.400 --> 0:51:27.640
<v Speaker 1>some cases, in some cases, radio is the last piece

0:51:27.719 --> 0:51:31.440
<v Speaker 1>of the puzzle. That's still yeah, yeah, but it it is.

0:51:31.600 --> 0:51:34.800
<v Speaker 1>I mean, these records will become hits and other sources.

0:51:35.160 --> 0:51:41.120
<v Speaker 1>But that's great for radio because they someone someone will

0:51:41.160 --> 0:51:44.080
<v Speaker 1>take the chance that they don't have to take because

0:51:44.120 --> 0:51:46.960
<v Speaker 1>they're constantly being asked to take chances on new side

0:51:47.200 --> 0:51:50.759
<v Speaker 1>everybody is. That's what we radio gets a little bit

0:51:50.880 --> 0:51:52.600
<v Speaker 1>like I can't adda right now. I can't because they're

0:51:52.640 --> 0:51:54.719
<v Speaker 1>having people call them every day saying add this song,

0:51:54.800 --> 0:51:57.000
<v Speaker 1>add this song, and they're like, I have fifty songs

0:51:57.040 --> 0:51:59.000
<v Speaker 1>that people want to add today. I was on the

0:51:59.080 --> 0:52:02.480
<v Speaker 1>other side of that desk for a long time. And

0:52:02.640 --> 0:52:06.640
<v Speaker 1>if you allow the amount of phone calls, if you

0:52:06.719 --> 0:52:09.400
<v Speaker 1>take the amount of phone calls that you get, you

0:52:09.520 --> 0:52:15.120
<v Speaker 1>will never get any work done because a day endless.

0:52:15.160 --> 0:52:17.399
<v Speaker 1>Well at first you've got the major labels, then you've

0:52:17.440 --> 0:52:21.320
<v Speaker 1>got the you've got the smaller labels, then you have

0:52:21.760 --> 0:52:24.719
<v Speaker 1>you know, a lot of the smaller independence and it's

0:52:25.000 --> 0:52:28.279
<v Speaker 1>it's very different. It takes of course, that's how you

0:52:28.400 --> 0:52:30.719
<v Speaker 1>find the hits, by the way, because a lot of

0:52:30.760 --> 0:52:33.960
<v Speaker 1>those records break out of the lower sectors. And but

0:52:34.160 --> 0:52:37.759
<v Speaker 1>you you have to have someone on staff usually to

0:52:38.080 --> 0:52:41.759
<v Speaker 1>be able to filter, filter, not filter, but really take

0:52:41.840 --> 0:52:45.959
<v Speaker 1>the information, compile it. Let's look at what's happening, break

0:52:46.000 --> 0:52:49.959
<v Speaker 1>down the charts. Uh, I mean, it's it's it's quite

0:52:50.000 --> 0:52:53.160
<v Speaker 1>a thing. I mean, if you you can't spend the

0:52:53.200 --> 0:52:56.120
<v Speaker 1>whole day on the phone with every record promoter, because

0:52:56.360 --> 0:52:59.920
<v Speaker 1>your head would explode. So and also I think it's

0:53:00.080 --> 0:53:03.279
<v Speaker 1>quota segue. So you speaking of record promoter. So you've

0:53:03.360 --> 0:53:06.440
<v Speaker 1>had record promoters calling you wanting you to play their

0:53:06.480 --> 0:53:08.239
<v Speaker 1>songs when you worked on the on the other side,

0:53:08.320 --> 0:53:10.600
<v Speaker 1>like the morning shows and at the radio station. Correct.

0:53:10.840 --> 0:53:13.280
<v Speaker 1>Then you move and you're actually being the promoter calling

0:53:13.440 --> 0:53:15.200
<v Speaker 1>who you used to be saying play my record. So

0:53:15.280 --> 0:53:16.960
<v Speaker 1>you're like, you totally get it. You get both sides

0:53:16.960 --> 0:53:19.080
<v Speaker 1>of the fence. Then you go, you're working in a

0:53:19.160 --> 0:53:21.839
<v Speaker 1>major label. When you leave Sony, you start your own

0:53:21.880 --> 0:53:25.840
<v Speaker 1>independent label, which is like a really big deal because

0:53:25.880 --> 0:53:29.160
<v Speaker 1>it's so much harder to get independent acts played. But

0:53:29.160 --> 0:53:32.239
<v Speaker 1>at the same time you have more freedom and more flexibility.

0:53:33.000 --> 0:53:35.279
<v Speaker 1>How was the difference of working in a major and

0:53:35.400 --> 0:53:38.840
<v Speaker 1>running an independent Well, I'll tell you the thing that

0:53:39.360 --> 0:53:44.800
<v Speaker 1>that always comes to mind was I would think, Okay,

0:53:45.239 --> 0:53:48.600
<v Speaker 1>we let's do a campaign. We need here's what we

0:53:48.680 --> 0:53:50.680
<v Speaker 1>need to do. We need to do a marketing campaign

0:53:50.760 --> 0:53:54.080
<v Speaker 1>on this particular artist, on Natalie Stove all in the Drive.

0:53:54.160 --> 0:53:56.800
<v Speaker 1>What we need to do is this. And before I

0:53:56.920 --> 0:53:58.960
<v Speaker 1>was so used to picking up the phone and calling

0:53:59.120 --> 0:54:02.719
<v Speaker 1>someone in the marketing department or someone in in the

0:54:02.960 --> 0:54:05.840
<v Speaker 1>art department, or someone in the A and R department.

0:54:06.120 --> 0:54:08.080
<v Speaker 1>I would think, well, if I want to do that,

0:54:08.200 --> 0:54:09.880
<v Speaker 1>I kind of kind of have to do it myself.

0:54:10.120 --> 0:54:12.000
<v Speaker 1>There's no one to call, and you're, you know, a

0:54:12.120 --> 0:54:15.759
<v Speaker 1>small group of people. How many people were we twelve? Yeah,

0:54:16.160 --> 0:54:20.520
<v Speaker 1>it was not a big staff. And uh, it really

0:54:20.960 --> 0:54:24.640
<v Speaker 1>brings out the best in people. You find out everyone

0:54:25.880 --> 0:54:30.520
<v Speaker 1>rises to the occasion. And it was fantastic because I

0:54:30.600 --> 0:54:33.880
<v Speaker 1>think that we were a very creative, a very driven,

0:54:34.160 --> 0:54:37.600
<v Speaker 1>and a very tenacious group of people who had a

0:54:38.239 --> 0:54:42.120
<v Speaker 1>lot of fun. It was so nice. Oh we had

0:54:42.160 --> 0:54:46.560
<v Speaker 1>a blast. It was so yeah. And um, that's that's

0:54:46.600 --> 0:54:49.000
<v Speaker 1>really the main difference. And it's really funny. You can

0:54:49.040 --> 0:54:53.600
<v Speaker 1>have a gazillion hits at a major label and then

0:54:53.680 --> 0:54:57.880
<v Speaker 1>you call and say, hey, I'm starting my own label. Uh,

0:54:58.120 --> 0:55:00.680
<v Speaker 1>and they go, okay, well what do you got your

0:55:01.200 --> 0:55:04.839
<v Speaker 1>your even some of your best relationships musically, you're kind

0:55:04.880 --> 0:55:06.360
<v Speaker 1>of right back in the back of the line. You

0:55:06.480 --> 0:55:08.920
<v Speaker 1>have to sort of start over. Luckily, you do have

0:55:09.040 --> 0:55:10.920
<v Speaker 1>the relationships that were people that will give you a

0:55:11.000 --> 0:55:13.440
<v Speaker 1>shot and they will listen to your music. Acts and

0:55:13.680 --> 0:55:19.719
<v Speaker 1>major labels always have the manpower and which we never

0:55:19.760 --> 0:55:20.719
<v Speaker 1>have to hear are some of the acts that you

0:55:20.800 --> 0:55:23.960
<v Speaker 1>were breaking at Sony. Well, the first record I was

0:55:24.080 --> 0:55:27.080
<v Speaker 1>handed was Carry Carry had just when I got there

0:55:27.120 --> 0:55:29.800
<v Speaker 1>in two thousand and five, she had just one IDOL

0:55:30.600 --> 0:55:34.160
<v Speaker 1>and uh, I love Carrie. And the first when I

0:55:34.239 --> 0:55:36.720
<v Speaker 1>first got there, like when even before I even showed

0:55:36.760 --> 0:55:38.400
<v Speaker 1>up for work, it was when I was just kind

0:55:38.440 --> 0:55:41.960
<v Speaker 1>of hanging around the office. Uh. Butch handed me a

0:55:42.480 --> 0:55:45.400
<v Speaker 1>white label copy and said, this is the first record

0:55:45.440 --> 0:55:49.120
<v Speaker 1>you're going to work And I put it on and

0:55:49.239 --> 0:55:51.520
<v Speaker 1>it was Jesus Take the Wheel. And I thought, well,

0:55:51.600 --> 0:55:54.400
<v Speaker 1>this is gonna be easy, because this is awesome. And

0:55:55.320 --> 0:55:59.880
<v Speaker 1>I it was familiar with Carrie because I watched Idol

0:56:00.520 --> 0:56:02.880
<v Speaker 1>and she came to the office and she was just

0:56:03.000 --> 0:56:05.520
<v Speaker 1>such a little munchkin back then, and she was so

0:56:05.760 --> 0:56:09.160
<v Speaker 1>hard working and so sweet. Uh. And at the time

0:56:09.280 --> 0:56:14.680
<v Speaker 1>we had just launched when I got there, Brooks and

0:56:14.800 --> 0:56:19.040
<v Speaker 1>Done had believed, which was they were probably four weeks

0:56:19.239 --> 0:56:24.799
<v Speaker 1>into it, and it was slow going because people were going,

0:56:25.000 --> 0:56:27.880
<v Speaker 1>oh man, that's a that's a really long record. And

0:56:27.960 --> 0:56:30.279
<v Speaker 1>it has the same tempo as first time ever I

0:56:30.320 --> 0:56:32.680
<v Speaker 1>Saw Your Face by ROBERTA. Flack, which is something you

0:56:32.760 --> 0:56:37.920
<v Speaker 1>won't remember. It was a slow song and it was

0:56:38.239 --> 0:56:41.279
<v Speaker 1>tough and it took ballads are harder to break than

0:56:42.440 --> 0:56:45.040
<v Speaker 1>you know. Even though Brooks and Dunna had a gazillion hits,

0:56:45.680 --> 0:56:49.120
<v Speaker 1>they it took it took fifty weeks to get that

0:56:49.200 --> 0:56:51.040
<v Speaker 1>record all the way through Wow, when they were at

0:56:51.080 --> 0:56:55.440
<v Speaker 1>the top of their game. Fifty weeks. That made my hair.

0:56:56.320 --> 0:56:58.239
<v Speaker 1>I had brown hair when I started working at Record

0:56:58.280 --> 0:57:00.520
<v Speaker 1>because it looks great. Thank you so much. Those songs

0:57:00.600 --> 0:57:04.120
<v Speaker 1>that are superstars take like what twenty weeks? Well, a

0:57:04.200 --> 0:57:07.480
<v Speaker 1>typical back in those days when it was when Brad

0:57:07.640 --> 0:57:11.160
<v Speaker 1>and Carrie and Brooks and Dunn and Alan Jackson and

0:57:11.840 --> 0:57:16.160
<v Speaker 1>when we were you know, we had Kenny Chesney and uh,

0:57:16.280 --> 0:57:18.960
<v Speaker 1>you know we Miranda was you know, it'd come to

0:57:19.080 --> 0:57:24.920
<v Speaker 1>us from Sony. A an act would be from fourteen

0:57:25.040 --> 0:57:27.919
<v Speaker 1>to twenty weeks, some as much as fourteen as quickly

0:57:27.960 --> 0:57:31.680
<v Speaker 1>as fourteen weeks. The charn they are the chart is

0:57:31.840 --> 0:57:34.200
<v Speaker 1>very slow now. And why did artists cycle out? Like

0:57:34.360 --> 0:57:37.720
<v Speaker 1>why does artists be huge stars like Alan Jackson and

0:57:38.000 --> 0:57:39.840
<v Speaker 1>Brooks and done and then all of a sudden they're

0:57:39.880 --> 0:57:42.760
<v Speaker 1>just it's just they're not the ones that are the

0:57:43.280 --> 0:57:45.560
<v Speaker 1>huge stars on the charts anymore. Well, I will tell you,

0:57:45.800 --> 0:57:49.920
<v Speaker 1>because just like everything else, it's a lot a lot

0:57:50.040 --> 0:57:53.760
<v Speaker 1>of it's it's it's life, it's you know, the artists

0:57:53.840 --> 0:57:57.000
<v Speaker 1>are they have earned the right to try different things.

0:57:57.600 --> 0:58:00.840
<v Speaker 1>I remember when Alan came in with he had two

0:58:00.920 --> 0:58:03.439
<v Speaker 1>consecutive albums. One of them was Read on a Rose,

0:58:03.560 --> 0:58:08.560
<v Speaker 1>which was produced by Alison Krauss, and it was brilliant.

0:58:09.240 --> 0:58:12.280
<v Speaker 1>It was brilliant, and but it was not your typical

0:58:12.600 --> 0:58:15.920
<v Speaker 1>radio record. It was Some even called it a side

0:58:15.960 --> 0:58:18.040
<v Speaker 1>project for Alan. He had had a tremendous amount of

0:58:18.080 --> 0:58:19.560
<v Speaker 1>hits and he kind of took some time off and

0:58:19.680 --> 0:58:22.680
<v Speaker 1>did this brilliant record, and I I thought it was

0:58:22.720 --> 0:58:25.480
<v Speaker 1>a masterpiece. And but then I was also thinking, oh

0:58:25.560 --> 0:58:28.240
<v Speaker 1>my god, I gotta get this thing played. And you know,

0:58:28.360 --> 0:58:31.160
<v Speaker 1>country radio, we did. We had a song on there

0:58:31.160 --> 0:58:34.160
<v Speaker 1>called a Woman's Love which went top five. It could

0:58:34.200 --> 0:58:37.560
<v Speaker 1>have been number one. It was definitely inside the top five,

0:58:38.160 --> 0:58:41.280
<v Speaker 1>and it was the most radio record on there. But

0:58:41.360 --> 0:58:44.920
<v Speaker 1>the rest of it was a very ethereal esoteric, beautiful,

0:58:45.080 --> 0:58:49.720
<v Speaker 1>beautifully produced love song collection with you know, a lot

0:58:49.800 --> 0:58:51.880
<v Speaker 1>of pain, and it was almost like Alan had listened

0:58:51.880 --> 0:58:55.480
<v Speaker 1>to a Joni Mitchell record. Yeah, and then after that

0:58:55.600 --> 0:59:00.280
<v Speaker 1>he came with his gospel record, which sold two and

0:59:00.320 --> 0:59:03.120
<v Speaker 1>a half million units, but radio wasn't going to touch it.

0:59:03.520 --> 0:59:06.720
<v Speaker 1>So Alan had earned the right to take chances. But

0:59:07.720 --> 0:59:10.440
<v Speaker 1>that's what happens. I mean, you know, you look at

0:59:10.960 --> 0:59:13.680
<v Speaker 1>Paul McCartney and you look at Elton John. You know,

0:59:14.400 --> 0:59:20.040
<v Speaker 1>they right symphonies, and they write whatever they want to write.

0:59:20.280 --> 0:59:24.760
<v Speaker 1>And and you know, is pop radio or is rock

0:59:24.920 --> 0:59:28.320
<v Speaker 1>radio gonna play Paul McCartney song. I don't know if

0:59:28.320 --> 0:59:30.040
<v Speaker 1>he's going to give them the song that they want,

0:59:30.160 --> 0:59:32.240
<v Speaker 1>because he's going to do what he has earned the

0:59:32.320 --> 0:59:35.880
<v Speaker 1>right to do. So maybe when they're making their more

0:59:35.960 --> 0:59:39.840
<v Speaker 1>creative albums, someone else just slips up into that. Well,

0:59:39.880 --> 0:59:42.400
<v Speaker 1>there's always going to be. It's just like it's just

0:59:42.600 --> 0:59:45.440
<v Speaker 1>like the young kids in the school. There's always new

0:59:45.520 --> 0:59:49.480
<v Speaker 1>geniuses coming along, and you know, some people will rus

0:59:49.600 --> 0:59:53.200
<v Speaker 1>to the top and some will. Really there's it's it's

0:59:53.280 --> 0:59:57.240
<v Speaker 1>the way life is. It's the people. Just because you're

0:59:57.240 --> 1:00:00.520
<v Speaker 1>not having radio hits does not mean that you're not

1:00:01.560 --> 1:00:07.880
<v Speaker 1>a viable relevant artist. Sometimes it's even more so because

1:00:08.240 --> 1:00:12.560
<v Speaker 1>just because you're having radio hits doesn't mean that your

1:00:12.640 --> 1:00:15.760
<v Speaker 1>music because that radio plays one type of record. Records

1:00:15.800 --> 1:00:18.760
<v Speaker 1>that are gonna work for the masses. Someone could be right.

1:00:19.040 --> 1:00:24.120
<v Speaker 1>Case in point, when you know there's there's rock artists

1:00:24.120 --> 1:00:26.880
<v Speaker 1>who have written symphonies and they you know, do they

1:00:27.080 --> 1:00:31.120
<v Speaker 1>hit a water audience? Of course they don't. And I

1:00:31.160 --> 1:00:33.800
<v Speaker 1>always always go back to an artist that I loved

1:00:33.880 --> 1:00:38.880
<v Speaker 1>working with, Bruce Hornsby. Bruce keeps up with Joe and

1:00:39.000 --> 1:00:41.800
<v Speaker 1>Butch and I. We were there when Uh. He had

1:00:41.800 --> 1:00:45.760
<v Speaker 1>a tremendous record called The Way It Is and three

1:00:45.800 --> 1:00:54.320
<v Speaker 1>other hits on that album. And Bruce is a unbelievable musician, unbelievable.

1:00:54.440 --> 1:00:58.720
<v Speaker 1>He's one of the smartest, most brilliant musicians. His albums,

1:00:58.840 --> 1:01:02.160
<v Speaker 1>if you follow them, are some of the most musically

1:01:02.240 --> 1:01:05.640
<v Speaker 1>sophisticated records. He's still putting out these albums that will

1:01:05.880 --> 1:01:12.520
<v Speaker 1>never get typical terrestrial radio, but they're brilliant masterpieces because

1:01:12.560 --> 1:01:15.120
<v Speaker 1>he goes out there and does art, and he's still

1:01:15.200 --> 1:01:18.520
<v Speaker 1>tours and does great but he has written classical pieces,

1:01:18.600 --> 1:01:21.960
<v Speaker 1>he's written soundtracks. He's UH, and he is having an

1:01:22.040 --> 1:01:27.120
<v Speaker 1>unbelievably successful career producing the art that he is there

1:01:27.200 --> 1:01:30.840
<v Speaker 1>to produce. He's happy with that, happy with it, and

1:01:30.880 --> 1:01:36.000
<v Speaker 1>he's still practices his piano two hours a day. Two

1:01:36.040 --> 1:01:40.160
<v Speaker 1>hours a day. The man practices. That's crazy serious. Okay,

1:01:40.200 --> 1:01:42.560
<v Speaker 1>have three more questions for you. Okay, what does the

1:01:42.680 --> 1:01:46.480
<v Speaker 1>music industry mean to you? Everything? I just love it.

1:01:47.320 --> 1:01:50.520
<v Speaker 1>I love it. I think of my family and the

1:01:50.680 --> 1:01:55.680
<v Speaker 1>music industry and my friends are one big thing. Because there,

1:01:56.720 --> 1:02:00.160
<v Speaker 1>it's I've never known anything else. And I just love

1:02:00.200 --> 1:02:04.160
<v Speaker 1>the people in the music business. Their characters. They're smart,

1:02:04.360 --> 1:02:11.200
<v Speaker 1>they're creative, their geniuses, they're shysters there, hucksters, their comedians. There,

1:02:11.320 --> 1:02:16.680
<v Speaker 1>it's like a Faulknerian type thing. It's just fantastic and

1:02:16.760 --> 1:02:18.720
<v Speaker 1>I and I love it, and I doubt I'll ever

1:02:18.840 --> 1:02:21.360
<v Speaker 1>do anything else. And I love songwriters. Oh, I love

1:02:21.440 --> 1:02:27.600
<v Speaker 1>songwriters because they're there. They're like Picasso and Monet and Renoir.

1:02:27.880 --> 1:02:32.840
<v Speaker 1>They're there creating their art and I just love them. Um.

1:02:33.880 --> 1:02:36.120
<v Speaker 1>So that's what the music business means to me. It

1:02:36.200 --> 1:02:44.200
<v Speaker 1>means everything. How would you describe God? Well, God is

1:02:44.680 --> 1:02:48.720
<v Speaker 1>that's a that's a crazy question because I'm a deeply

1:02:48.800 --> 1:02:53.360
<v Speaker 1>spiritual person. Uh. I believe very much. I have a

1:02:53.640 --> 1:02:58.320
<v Speaker 1>very deep sense of faith, and God is a force

1:02:58.600 --> 1:03:03.280
<v Speaker 1>of goodness and light and love, love being the operative

1:03:03.600 --> 1:03:09.680
<v Speaker 1>word there. I think that the feeling of true, unquestioned

1:03:09.760 --> 1:03:12.520
<v Speaker 1>love is as close to you can get to touching

1:03:12.600 --> 1:03:15.480
<v Speaker 1>God's face, the love that you have for a child,

1:03:16.240 --> 1:03:20.640
<v Speaker 1>the love that you have for your friends and family,

1:03:21.280 --> 1:03:23.800
<v Speaker 1>the love that you have for that you would give

1:03:23.840 --> 1:03:26.160
<v Speaker 1>your life for something because you know that there's something

1:03:26.280 --> 1:03:30.000
<v Speaker 1>beyond it that's touching the face of God. And and

1:03:31.680 --> 1:03:34.920
<v Speaker 1>I love talking about the fact that sometimes you can

1:03:34.960 --> 1:03:38.040
<v Speaker 1>see what I call the tangible touch of God's love.

1:03:38.680 --> 1:03:41.680
<v Speaker 1>And I don't think God is an old white man

1:03:41.880 --> 1:03:45.400
<v Speaker 1>sitting up on a throne where with a beard, you know,

1:03:46.400 --> 1:03:49.480
<v Speaker 1>calling the shots with a scroll of who's right and

1:03:49.520 --> 1:03:55.720
<v Speaker 1>who's wrong, because I think that I think that the

1:03:56.080 --> 1:03:58.400
<v Speaker 1>you know, the Jewish faith, and the Catholic faith, and

1:03:58.480 --> 1:04:02.960
<v Speaker 1>the Baptist faith, and the Muslims and and the some

1:04:03.120 --> 1:04:07.640
<v Speaker 1>of the Eastern religion. I'm fascinated with a religion called Caldai,

1:04:07.880 --> 1:04:13.720
<v Speaker 1>which is a modern um Asian religion, which is fascinating.

1:04:14.040 --> 1:04:16.080
<v Speaker 1>But if you look at them all, it's kind of

1:04:16.160 --> 1:04:19.480
<v Speaker 1>all about this. It's all aimed at a force, a

1:04:19.640 --> 1:04:22.080
<v Speaker 1>force which is love. Why do we have to suffer?

1:04:23.160 --> 1:04:29.240
<v Speaker 1>Because that's life? Life is is real. You know, our

1:04:29.360 --> 1:04:33.360
<v Speaker 1>bodies are real. You know we're not perfect. Our bodies

1:04:33.400 --> 1:04:36.479
<v Speaker 1>aren't perfect. We that's why we This is a shell

1:04:36.600 --> 1:04:39.320
<v Speaker 1>and we decay and we fall apart. And why do

1:04:39.440 --> 1:04:42.160
<v Speaker 1>some people get sick? Because it's life. It's it's it's

1:04:42.320 --> 1:04:45.520
<v Speaker 1>this time. It's what you know. It's like a beautiful

1:04:45.680 --> 1:04:49.760
<v Speaker 1>flower that wilts. That's what happens. This is just what

1:04:50.040 --> 1:04:52.720
<v Speaker 1>life is. And and there's pain. Pain is very much

1:04:52.720 --> 1:04:56.320
<v Speaker 1>a part of life. And then there's happiness. And if

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<v Speaker 1>you believe in love and the power of love, it

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<v Speaker 1>starts to overtake you and you start doing the right

1:05:01.280 --> 1:05:05.080
<v Speaker 1>things and you start realizing the power of of of

1:05:05.560 --> 1:05:10.160
<v Speaker 1>believing in loving others and loving other people and in

1:05:10.840 --> 1:05:15.720
<v Speaker 1>this powerful word called respect. That you know, you look

1:05:15.760 --> 1:05:19.400
<v Speaker 1>at someone and so it's so easy to judge, and

1:05:19.520 --> 1:05:23.680
<v Speaker 1>you don't judge, and you find out that somebody, my grandfather,

1:05:23.760 --> 1:05:26.080
<v Speaker 1>who was the smartest man I've ever met in my life,

1:05:26.400 --> 1:05:29.040
<v Speaker 1>loved him. That's his portrait over there. You can't see

1:05:29.080 --> 1:05:32.720
<v Speaker 1>it on camera, but he looks over my desk. He

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<v Speaker 1>was the president of a college. He had a PhD

1:05:37.280 --> 1:05:40.120
<v Speaker 1>and divinity and a PhD in theology. I don't know

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<v Speaker 1>the difference of the two. Genius, eccentric genius. Well, I

1:05:42.840 --> 1:05:44.240
<v Speaker 1>don't know if I got quite that far, but he

1:05:44.360 --> 1:05:46.120
<v Speaker 1>was a very very smart man. He was also the

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<v Speaker 1>mayor of the city and he was so smart. Uh.

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<v Speaker 1>But he always told me, he said, you can learn

1:05:53.440 --> 1:05:57.400
<v Speaker 1>something from everybody. And he said you need to listen.

1:05:57.520 --> 1:06:01.040
<v Speaker 1>And he's I remember he he lived in the President's

1:06:01.080 --> 1:06:04.240
<v Speaker 1>house on the college campus, in this beautiful home, and

1:06:04.440 --> 1:06:07.760
<v Speaker 1>my grandfather Pop would love to sit and talk to

1:06:07.840 --> 1:06:10.480
<v Speaker 1>the to the people that worked in the garden. Then

1:06:10.560 --> 1:06:13.480
<v Speaker 1>there was an old African American dude that sort of

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<v Speaker 1>had a cot and everything in the basement where he

1:06:15.840 --> 1:06:17.400
<v Speaker 1>need to live there, but he had his own room,

1:06:18.280 --> 1:06:20.320
<v Speaker 1>and my grandfather would go down there and sit for

1:06:20.440 --> 1:06:24.200
<v Speaker 1>hours and talk to him. And I want to said, what, Dad,

1:06:24.200 --> 1:06:26.040
<v Speaker 1>why do you always talk to I can't remember his name,

1:06:26.480 --> 1:06:28.920
<v Speaker 1>Clarence or Amos one or the other. And he would say,

1:06:28.960 --> 1:06:31.920
<v Speaker 1>because you learned something from everybody, he said, he's so smart.

1:06:32.040 --> 1:06:35.360
<v Speaker 1>He has so much wisdom, like everyone does. They said,

1:06:35.360 --> 1:06:40.560
<v Speaker 1>you need to listen to to everybody's story because everyone,

1:06:41.800 --> 1:06:43.880
<v Speaker 1>as wisdom, has something that they can offer you and

1:06:43.960 --> 1:06:47.440
<v Speaker 1>you can learn from. It was great and it's true. Okay,

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<v Speaker 1>So one more question on this topic. And then I'm

1:06:49.840 --> 1:06:54.400
<v Speaker 1>wrapping up why are we here on this earth? Because

1:06:54.400 --> 1:06:58.200
<v Speaker 1>you're very smart, well for one reason, to break records,

1:07:00.640 --> 1:07:04.760
<v Speaker 1>to break artists wide open and bring joy to the

1:07:04.880 --> 1:07:11.200
<v Speaker 1>world through music. Because I know that that's a little

1:07:11.200 --> 1:07:13.840
<v Speaker 1>bit of a joke, but I think that we're here

1:07:13.920 --> 1:07:18.720
<v Speaker 1>to identify what we love and what we find our

1:07:18.800 --> 1:07:20.920
<v Speaker 1>joy in, and to make the world a better place,

1:07:21.120 --> 1:07:23.520
<v Speaker 1>and to create as much positive energy we can and

1:07:23.680 --> 1:07:27.920
<v Speaker 1>move on to the next level, and to teach our children. Crosby, Steels,

1:07:28.000 --> 1:07:31.439
<v Speaker 1>Nash and Young. Okay, so leave your light. This whole

1:07:31.560 --> 1:07:34.040
<v Speaker 1>interview has been inspiring, but I like trap up, but

1:07:34.200 --> 1:07:36.880
<v Speaker 1>leave your light. So leave some inspiration of how you

1:07:36.920 --> 1:07:43.600
<v Speaker 1>would like to inspire people. Um. I think the only

1:07:43.680 --> 1:07:47.520
<v Speaker 1>thing that I could really say is open your mind,

1:07:48.720 --> 1:07:56.120
<v Speaker 1>question authority, love the neighbor, and search for peace and

1:07:57.120 --> 1:08:02.760
<v Speaker 1>remember the emotions of of of hatred and the emotions

1:08:02.840 --> 1:08:06.120
<v Speaker 1>you have and when you get angry is just you

1:08:06.400 --> 1:08:13.200
<v Speaker 1>being a human person. And we're again we're inferior beings.

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<v Speaker 1>I mean we we we we come and we go.

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<v Speaker 1>You know, our time on this earth is short. Even

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<v Speaker 1>though it's when I let I pick that back, it's

1:08:21.600 --> 1:08:24.640
<v Speaker 1>kind of long's it's long and short, but you know

1:08:24.760 --> 1:08:27.719
<v Speaker 1>the real is it's it's a it's a rotating wheel.

1:08:28.320 --> 1:08:31.080
<v Speaker 1>And enjoy your time on earth and make the place

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<v Speaker 1>a better place, and and just be kind to people

1:08:34.880 --> 1:08:38.720
<v Speaker 1>and respect them, and it just it pays off in spades.

1:08:39.080 --> 1:08:41.599
<v Speaker 1>I don't even know what that means. I don't either,

1:08:41.720 --> 1:08:43.320
<v Speaker 1>But is it kind of like whatever you put out

1:08:43.439 --> 1:08:52.639
<v Speaker 1>you get back? I think more so. Yeah, Oh my god,

1:08:53.080 --> 1:08:59.639
<v Speaker 1>O lord Caral's the Queen. I hope you loved all

1:08:59.760 --> 1:09:02.760
<v Speaker 1>of the adventurous, wild, colorful stories of Skit Bishop. He

1:09:02.960 --> 1:09:05.679
<v Speaker 1>is such a character. I love him so much. Next week,

1:09:05.720 --> 1:09:08.840
<v Speaker 1>I'm super pumped. I Adam Wakefield joining me. He was

1:09:08.920 --> 1:09:11.680
<v Speaker 1>the runner up on the Voice for season ten, and

1:09:11.800 --> 1:09:14.160
<v Speaker 1>he talks all about that journey, what it was like,

1:09:14.360 --> 1:09:16.600
<v Speaker 1>who he is as an artist, the whole process of

1:09:16.680 --> 1:09:19.920
<v Speaker 1>being on TV. It's so interesting. And then I have

1:09:20.080 --> 1:09:22.760
<v Speaker 1>American Young joining me for the second half and they

1:09:22.800 --> 1:09:25.400
<v Speaker 1>are a duo signed to Curb Records. They're both incredible

1:09:25.479 --> 1:09:28.320
<v Speaker 1>songwriters and musicians and their own right, they've written some

1:09:28.560 --> 1:09:31.040
<v Speaker 1>awesome songs. John Stone wrote Me and My Gang for

1:09:31.200 --> 1:09:34.760
<v Speaker 1>Rascal Flats, Seven Days for Kenney Chesney, he wrote kiss

1:09:34.800 --> 1:09:37.120
<v Speaker 1>my Country, asked for Blake Shelton, A Woman Like You

1:09:37.760 --> 1:09:40.519
<v Speaker 1>for Lee Bryce Um Only guy could love you more

1:09:40.560 --> 1:09:44.000
<v Speaker 1>than new song out by Jared Neman. Christie wrote Cheater

1:09:44.080 --> 1:09:46.919
<v Speaker 1>Cheater for Joey and Roy when my all time favorite duos,

1:09:47.400 --> 1:09:49.760
<v Speaker 1>and she was also in a duo called Bombshell. She

1:09:49.880 --> 1:09:51.599
<v Speaker 1>had singles on the radio called Fight Like a Girl,

1:09:51.760 --> 1:09:54.360
<v Speaker 1>nineteen and Crazy. They are both so talented and this

1:09:54.520 --> 1:09:56.280
<v Speaker 1>interview is so funny. We did it at the end

1:09:56.280 --> 1:09:58.439
<v Speaker 1>of the day and so everyone's feeling a little loopy,

1:09:58.560 --> 1:10:01.160
<v Speaker 1>so we have a lot of offs. So you guys

1:10:01.240 --> 1:10:03.440
<v Speaker 1>make sure to tune in next week for Adam Wakefield

1:10:03.600 --> 1:10:20.439
<v Speaker 1>and American Young See y'all then Bye. M