1 00:00:00,040 --> 00:00:02,400 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast. I 2 00:00:02,520 --> 00:00:05,480 Speaker 1: a movie Mike on Twitter and Instagram. Add Mike Destro 3 00:00:05,600 --> 00:00:07,480 Speaker 1: and a lot has happened in the world of movies 4 00:00:07,480 --> 00:00:09,880 Speaker 1: since the last episode. I got on here last week 5 00:00:09,920 --> 00:00:12,080 Speaker 1: and talked about James Bond, which is the first movie 6 00:00:12,119 --> 00:00:14,920 Speaker 1: that delayed its release, and since then a bunch of 7 00:00:14,960 --> 00:00:18,080 Speaker 1: movies have come out, either delaying production or delaying when 8 00:00:18,120 --> 00:00:19,600 Speaker 1: it's gonna come out in theater. So I'm gonna talk 9 00:00:19,600 --> 00:00:22,200 Speaker 1: about that. I'm not gonna dwell on at the entire episode. 10 00:00:22,200 --> 00:00:23,800 Speaker 1: I did find a way to kind of make this 11 00:00:24,239 --> 00:00:27,560 Speaker 1: own interesting episode, even if you're tired of hearing about 12 00:00:27,560 --> 00:00:30,240 Speaker 1: the coronavirus, because over the last week we've kind of 13 00:00:30,240 --> 00:00:32,440 Speaker 1: been just inundated with it. And I'm not a news podcast, 14 00:00:32,479 --> 00:00:34,279 Speaker 1: I'm a movie podcast, So I'm gonna find a way 15 00:00:34,320 --> 00:00:36,279 Speaker 1: to tie into movies to where we can still kind 16 00:00:36,280 --> 00:00:39,040 Speaker 1: of learn something together and have some fun in here 17 00:00:39,080 --> 00:00:41,560 Speaker 1: to just kind of distract us a bit. But it's 18 00:00:41,600 --> 00:00:43,159 Speaker 1: really big in the news right now, so it's kind 19 00:00:43,159 --> 00:00:46,000 Speaker 1: of hard to avoid it, especially when the box office 20 00:00:46,080 --> 00:00:48,599 Speaker 1: hit a twenty year low over the weekend, like they 21 00:00:48,600 --> 00:00:51,000 Speaker 1: made around fifty five to fifty six million dollars at 22 00:00:51,040 --> 00:00:54,520 Speaker 1: the box office, and that's every single movie in theaters, 23 00:00:54,800 --> 00:00:57,280 Speaker 1: which is insane. The lowest has been in twenty years. 24 00:00:57,600 --> 00:01:01,800 Speaker 1: And about fifty million dollars is what a typical blockbuster movie. 25 00:01:01,800 --> 00:01:03,440 Speaker 1: When a movie does well as the box office, it 26 00:01:03,440 --> 00:01:06,400 Speaker 1: makes about fifty million. So you're talking about every single 27 00:01:06,560 --> 00:01:09,040 Speaker 1: movie in theaters, including new ones that came out there, 28 00:01:09,040 --> 00:01:11,520 Speaker 1: like Movie Still came out over the weekend, but all 29 00:01:11,600 --> 00:01:14,920 Speaker 1: combined made fifty five million dollars, which is insane. So 30 00:01:15,000 --> 00:01:16,720 Speaker 1: I kind of wanted to look at on this episode 31 00:01:16,720 --> 00:01:19,760 Speaker 1: is just how exactly a movie makes money. So when 32 00:01:19,800 --> 00:01:21,880 Speaker 1: a movie goes into theaters, all the costs that go 33 00:01:21,920 --> 00:01:24,080 Speaker 1: into it, and with the number that gets reported, like 34 00:01:24,120 --> 00:01:25,880 Speaker 1: what does that actually mean? Is what I'm gonna be 35 00:01:25,959 --> 00:01:29,000 Speaker 1: talking about in this episode. And also, I think a 36 00:01:29,000 --> 00:01:30,520 Speaker 1: lot of us right now are gonna be just watching 37 00:01:30,520 --> 00:01:32,759 Speaker 1: stuff on Netflix and stuff on Hulu. So I'm also 38 00:01:32,800 --> 00:01:35,640 Speaker 1: gonna look at how those movies make money because it's 39 00:01:35,640 --> 00:01:37,600 Speaker 1: a little bit different in the fact that don't have 40 00:01:37,680 --> 00:01:40,759 Speaker 1: a theatrical release, So I'll talk about that. I also 41 00:01:40,800 --> 00:01:43,840 Speaker 1: watched the movie over the weekend with Pete Davidson that 42 00:01:43,880 --> 00:01:45,679 Speaker 1: which was brand new on Hulu, so I'll give a 43 00:01:45,680 --> 00:01:47,760 Speaker 1: review on that, and then at the very end, I'll 44 00:01:47,800 --> 00:01:49,800 Speaker 1: just kind of touched on the coronavirus news of all 45 00:01:49,840 --> 00:01:52,880 Speaker 1: the movies getting delayed or pushed back because of it. 46 00:01:53,000 --> 00:01:55,440 Speaker 1: So that's what I'm covering on this episode. A lot 47 00:01:55,480 --> 00:01:58,520 Speaker 1: to get too, So again, just thank you for checking 48 00:01:58,560 --> 00:02:00,680 Speaker 1: out this episode. Again, I'm gonna try to make it 49 00:02:00,720 --> 00:02:03,680 Speaker 1: fun and talk about movies. So we're kind of thinking 50 00:02:03,720 --> 00:02:06,200 Speaker 1: about that right now. So if you don't mind hitting 51 00:02:06,200 --> 00:02:08,760 Speaker 1: that five star rating, or if you're listening on iHeart 52 00:02:08,840 --> 00:02:12,400 Speaker 1: Radio or any other podcast app, just hit that subscribe buttons. 53 00:02:12,400 --> 00:02:15,680 Speaker 1: You get brand new episodes every single Monday. But without 54 00:02:15,760 --> 00:02:18,240 Speaker 1: further ado, let's get into this episode of how movies 55 00:02:18,320 --> 00:02:21,160 Speaker 1: actually make money. Here we go in a world where 56 00:02:21,200 --> 00:02:25,280 Speaker 1: everyone and their mother has a podcast. One man stands 57 00:02:25,360 --> 00:02:28,840 Speaker 1: to infiltrate the ears of listeners like never before in 58 00:02:28,880 --> 00:02:33,080 Speaker 1: a movie podcast. A man with so much movie knowledge, 59 00:02:33,360 --> 00:02:38,079 Speaker 1: he's basically like a walking I MTV with glasses from 60 00:02:38,080 --> 00:02:44,280 Speaker 1: the Nashville Podcast Network is movie movie podcast. Alright, So 61 00:02:44,360 --> 00:02:47,919 Speaker 1: today we're talking about how a movie makes money because 62 00:02:48,040 --> 00:02:50,919 Speaker 1: you hear it every single week when a movie does 63 00:02:50,960 --> 00:02:52,679 Speaker 1: well at the box office. It's like, oh, they made 64 00:02:52,680 --> 00:02:55,280 Speaker 1: a hundred million dollars, this is like the most successful 65 00:02:55,280 --> 00:02:57,919 Speaker 1: movie of all time. But there are actually a lot 66 00:02:58,040 --> 00:03:00,280 Speaker 1: of costs that go into it. And sometimes it's a 67 00:03:00,320 --> 00:03:03,440 Speaker 1: little kind of skewed of how much a movie actually 68 00:03:03,480 --> 00:03:06,320 Speaker 1: makes and how much because how much spent to put 69 00:03:06,320 --> 00:03:08,880 Speaker 1: in it isn't always out there entirely. They kind of 70 00:03:08,880 --> 00:03:12,000 Speaker 1: put production costs out there, but the overall cost of 71 00:03:12,040 --> 00:03:13,799 Speaker 1: what it is to make a movie is a lot 72 00:03:13,840 --> 00:03:16,560 Speaker 1: more than studios kind of report. A lot goes into 73 00:03:16,560 --> 00:03:18,079 Speaker 1: making a movie. So what I did is a bunch 74 00:03:18,160 --> 00:03:22,720 Speaker 1: of research on what all the numbers mean and how 75 00:03:22,840 --> 00:03:25,720 Speaker 1: much like a typical movie in the box office would make. 76 00:03:25,800 --> 00:03:29,919 Speaker 1: So I'm looking at about like a hundred million dollar blockbusters. 77 00:03:29,960 --> 00:03:32,320 Speaker 1: So you an average movie probably makes about fifty million, 78 00:03:32,360 --> 00:03:34,600 Speaker 1: but when a movie does really well is about a 79 00:03:34,680 --> 00:03:37,400 Speaker 1: hundred million dollars at the box office. So I'm going 80 00:03:37,440 --> 00:03:40,240 Speaker 1: to kind of break it down of what each step 81 00:03:40,400 --> 00:03:42,760 Speaker 1: takes to get there, which there are a bunch of 82 00:03:42,800 --> 00:03:45,680 Speaker 1: steps they in costs that are leading up to that 83 00:03:45,720 --> 00:03:47,760 Speaker 1: to make it too, even to getting into in the theater. 84 00:03:47,920 --> 00:03:50,280 Speaker 1: So so what we have to look at first and 85 00:03:50,400 --> 00:03:52,560 Speaker 1: going into the cost of making a movie is the 86 00:03:52,640 --> 00:03:55,480 Speaker 1: overall budget. So this has to do with everything from development, 87 00:03:56,040 --> 00:03:58,040 Speaker 1: which has to do with getting the final script, the 88 00:03:58,080 --> 00:04:00,840 Speaker 1: pre production stuff which is building a team planning to shoot, 89 00:04:01,240 --> 00:04:04,320 Speaker 1: the actual production which is shooting the movie, and then 90 00:04:04,360 --> 00:04:07,000 Speaker 1: the post production which is the editing, the visual effects, 91 00:04:07,000 --> 00:04:09,840 Speaker 1: the sound design, and music. So all this goes in 92 00:04:09,840 --> 00:04:12,320 Speaker 1: to this factory of how much it costs to make 93 00:04:12,360 --> 00:04:15,440 Speaker 1: a movie. This also includes like the cast and crew wages, 94 00:04:15,600 --> 00:04:17,880 Speaker 1: and also like the director and the lead actors. This 95 00:04:17,960 --> 00:04:20,719 Speaker 1: is all factored into just the initial budget. And also 96 00:04:20,760 --> 00:04:22,839 Speaker 1: what we'll get into later is some of these people 97 00:04:23,400 --> 00:04:26,159 Speaker 1: will end up making a certain amount based on how 98 00:04:26,240 --> 00:04:28,599 Speaker 1: well the movie does. So say an actor makes a 99 00:04:28,640 --> 00:04:30,800 Speaker 1: deal to where like, okay, I'll do this movie for 100 00:04:31,880 --> 00:04:34,120 Speaker 1: twenty million dollars, but I also want some of the 101 00:04:34,160 --> 00:04:37,560 Speaker 1: box office amount in ticket sales. I want that edit 102 00:04:37,640 --> 00:04:40,359 Speaker 1: into my contract. This is also gets factored into this budget. 103 00:04:40,760 --> 00:04:43,479 Speaker 1: Or say like a big time director wants to take 104 00:04:43,480 --> 00:04:45,200 Speaker 1: on a project, but he's only willing to do it 105 00:04:45,240 --> 00:04:48,000 Speaker 1: for this amount of money, and then this the profits 106 00:04:48,040 --> 00:04:51,160 Speaker 1: That is where this also gets factored into, and budgets 107 00:04:51,160 --> 00:04:53,680 Speaker 1: have just been getting bigger and bigger over the years. 108 00:04:53,800 --> 00:04:55,560 Speaker 1: So what I'm just looking at in this episode, I'll 109 00:04:55,640 --> 00:04:57,839 Speaker 1: kind of base all the numbers on a typical movie 110 00:04:57,880 --> 00:05:00,000 Speaker 1: that makes about a hundred million dollars at the box office, 111 00:05:00,040 --> 00:05:02,760 Speaker 1: which is considered like a big, you know, summer blockbuster hits. 112 00:05:02,760 --> 00:05:05,880 Speaker 1: So it's something like Jurassic World took a hundred and 113 00:05:05,920 --> 00:05:08,800 Speaker 1: fifty million dollars to make, is what they reported. But 114 00:05:08,839 --> 00:05:10,960 Speaker 1: when you actually look at the numbers, they end up 115 00:05:11,000 --> 00:05:15,600 Speaker 1: spending about about twelve more than they actually report. So 116 00:05:16,040 --> 00:05:18,640 Speaker 1: if they say it costs a hundred and fifty million 117 00:05:18,680 --> 00:05:22,520 Speaker 1: dollars to make, they actually probably spend about nineteen million more, 118 00:05:22,680 --> 00:05:25,120 Speaker 1: and they kind of just factored in other ways, and 119 00:05:25,120 --> 00:05:26,800 Speaker 1: they don't really want to put that number out there 120 00:05:26,880 --> 00:05:29,599 Speaker 1: that way, Whenever the box office numbers come out, they 121 00:05:29,640 --> 00:05:32,000 Speaker 1: look higher and it looks like they actually made more 122 00:05:32,040 --> 00:05:34,760 Speaker 1: of a profit then probably they actually did. And then 123 00:05:34,800 --> 00:05:36,640 Speaker 1: there are a bunch of other costs and making a 124 00:05:36,680 --> 00:05:39,159 Speaker 1: movie that you don't really think about. So all of 125 00:05:39,160 --> 00:05:42,240 Speaker 1: this just leads into how much it costs to get 126 00:05:42,279 --> 00:05:44,960 Speaker 1: the movie made. So that hundred and fifty million dollars 127 00:05:44,960 --> 00:05:47,920 Speaker 1: that they report, which is actually more like a hundred 128 00:05:47,960 --> 00:05:51,960 Speaker 1: and sixty nine is actually a lot more when it 129 00:05:52,000 --> 00:05:54,080 Speaker 1: comes to all the other costs of making a movie. 130 00:05:54,360 --> 00:05:56,560 Speaker 1: So now when you get into is the other cost 131 00:05:56,680 --> 00:05:58,640 Speaker 1: of making a movie. So this is even before a 132 00:05:58,720 --> 00:06:00,680 Speaker 1: movie is making money yet. So this is all in 133 00:06:00,720 --> 00:06:03,200 Speaker 1: the hole so far. So you have your movie shot, 134 00:06:03,240 --> 00:06:05,320 Speaker 1: you have your either your hour and a half, your 135 00:06:05,320 --> 00:06:07,720 Speaker 1: two hour movie. It's ready to go. But there are 136 00:06:07,720 --> 00:06:10,560 Speaker 1: a bunch of other costs that are get factored into this, 137 00:06:10,760 --> 00:06:12,679 Speaker 1: and it's stuff we don't really think about it because 138 00:06:12,720 --> 00:06:14,640 Speaker 1: we just see like, oh, how much of that movie 139 00:06:14,760 --> 00:06:16,520 Speaker 1: take to get made, and then how much did you 140 00:06:16,560 --> 00:06:18,200 Speaker 1: make it the box office? Like oh wow, that made 141 00:06:18,200 --> 00:06:20,599 Speaker 1: so much money. But there's a bunch of other hidden 142 00:06:20,680 --> 00:06:24,640 Speaker 1: costs that really go into making a movie successful. And 143 00:06:24,720 --> 00:06:29,520 Speaker 1: this includes marketing, which, aside from just how much it 144 00:06:29,560 --> 00:06:33,320 Speaker 1: makes takes to make a movie, marketing is probably this 145 00:06:33,560 --> 00:06:36,960 Speaker 1: next biggest thing to factor in because once the movie 146 00:06:37,040 --> 00:06:39,839 Speaker 1: is made, they gotta sell it. They gotta make posters, 147 00:06:39,880 --> 00:06:42,760 Speaker 1: they gotta make trailers, they gotta send out them the 148 00:06:42,800 --> 00:06:45,479 Speaker 1: actors to promote the movie. They gotta put commercials on TV, 149 00:06:45,680 --> 00:06:48,200 Speaker 1: on radio, they gotta do all this stuff to market 150 00:06:48,200 --> 00:06:50,640 Speaker 1: the movie. They gotta make promotional items and stuff out 151 00:06:51,000 --> 00:06:54,120 Speaker 1: to TV networks, to radio stations, they make like weird 152 00:06:54,160 --> 00:06:57,720 Speaker 1: little stuffs animals to promote the movie in any way 153 00:06:57,760 --> 00:07:00,279 Speaker 1: to just build a buzz around the movie and to 154 00:07:00,400 --> 00:07:03,320 Speaker 1: get people into the theater and excited about this movie. 155 00:07:03,320 --> 00:07:06,320 Speaker 1: And the weird part about this is that actually, like 156 00:07:06,400 --> 00:07:09,200 Speaker 1: the bigger the movie, the less they end up spending 157 00:07:09,200 --> 00:07:10,920 Speaker 1: on marketing, which you think would be a little bit 158 00:07:10,920 --> 00:07:13,840 Speaker 1: different because like a movie like The Avengers, they're gonna 159 00:07:13,880 --> 00:07:17,320 Speaker 1: spend less money on advertising than like a brand new 160 00:07:17,880 --> 00:07:20,800 Speaker 1: John Cena movie, because a John Cena movie maybe doesn't 161 00:07:20,800 --> 00:07:23,080 Speaker 1: have as much of a draw to audiences to get 162 00:07:23,080 --> 00:07:25,440 Speaker 1: into the theaters. So The Avengers are kind of good 163 00:07:25,440 --> 00:07:28,280 Speaker 1: and like, okay, we can spend a little miss less 164 00:07:28,320 --> 00:07:32,520 Speaker 1: money on advertising, and like a John Cena movie he 165 00:07:32,560 --> 00:07:35,880 Speaker 1: has a brand new whatever action romcom coming out, they're 166 00:07:35,920 --> 00:07:37,840 Speaker 1: going to spend a lot more money putting out the 167 00:07:37,840 --> 00:07:39,760 Speaker 1: world of like, oh, here's this John Cena movie. They 168 00:07:39,800 --> 00:07:44,000 Speaker 1: want the word to travel and get people into the 169 00:07:44,000 --> 00:07:46,600 Speaker 1: seats for that opening weekend, because the opening weekend is 170 00:07:46,640 --> 00:07:49,320 Speaker 1: pretty much make your break for like a bunch of 171 00:07:49,320 --> 00:07:51,200 Speaker 1: new movies, like whether or not to get a sequel 172 00:07:51,240 --> 00:07:53,400 Speaker 1: and whether or not how much they actually make on 173 00:07:53,440 --> 00:07:55,600 Speaker 1: that first weekend is really what they're going for. So 174 00:07:55,640 --> 00:07:58,880 Speaker 1: all this marketing cost is just driving people to that 175 00:07:58,920 --> 00:08:01,880 Speaker 1: opening weekend to get that biggest number possible to put 176 00:08:01,920 --> 00:08:04,280 Speaker 1: on paper. So again, looking back at that number, say 177 00:08:04,280 --> 00:08:07,160 Speaker 1: a movie took a hundred and fifty million dollars to make, 178 00:08:07,720 --> 00:08:11,000 Speaker 1: the average marketing costs would be about a hundred and 179 00:08:11,040 --> 00:08:15,000 Speaker 1: twenty one million dollars. So about of the budget is 180 00:08:15,040 --> 00:08:17,160 Speaker 1: going to be just straight up marketing the movie and 181 00:08:17,200 --> 00:08:20,040 Speaker 1: selling the thing. And overall, when you factor everything else 182 00:08:20,080 --> 00:08:22,920 Speaker 1: in besides that, it comes out to be about thirty 183 00:08:22,960 --> 00:08:25,240 Speaker 1: percent of the average costs to make in a movie 184 00:08:25,320 --> 00:08:28,040 Speaker 1: is just spent on advertising. And then you think, okay, 185 00:08:28,160 --> 00:08:30,120 Speaker 1: we have the movie made, we have our advertising, we're 186 00:08:30,120 --> 00:08:33,040 Speaker 1: good to go. Right, No, there's still more costs need 187 00:08:33,080 --> 00:08:34,800 Speaker 1: to be factored into how much it costs to make 188 00:08:34,800 --> 00:08:37,679 Speaker 1: a movie. You have what you call our prints, which 189 00:08:37,720 --> 00:08:40,600 Speaker 1: are the physical copies of the movies that they send 190 00:08:40,600 --> 00:08:42,880 Speaker 1: to the movie theaters. So back in the day they 191 00:08:42,880 --> 00:08:45,760 Speaker 1: would actually send like the thirty five millimeter film. Now 192 00:08:45,760 --> 00:08:48,720 Speaker 1: it's a hard drive, so essentially they put the movie 193 00:08:48,880 --> 00:08:50,720 Speaker 1: on a really big file and they put it on 194 00:08:50,720 --> 00:08:54,800 Speaker 1: this hard drive, and the movie theaters rent out essentially 195 00:08:54,920 --> 00:08:58,479 Speaker 1: those hard drives to show their movies in their movie theaters, 196 00:08:58,520 --> 00:09:01,600 Speaker 1: and what they're called is digitill cinema prints. There these 197 00:09:01,679 --> 00:09:04,680 Speaker 1: d cps, it's pretty much a big hard drive with 198 00:09:04,760 --> 00:09:07,280 Speaker 1: a really big file on it, and then it has 199 00:09:07,320 --> 00:09:10,480 Speaker 1: this other little tiny file that kind of gives all 200 00:09:10,520 --> 00:09:12,480 Speaker 1: the permissions for the hard drive. So this is why 201 00:09:12,600 --> 00:09:14,880 Speaker 1: movies really don't get leaked from movie theaters and what 202 00:09:14,960 --> 00:09:17,640 Speaker 1: they kind of all set out not to do. So 203 00:09:17,679 --> 00:09:19,840 Speaker 1: they have this little file on the hard drive that 204 00:09:19,880 --> 00:09:23,439 Speaker 1: tells it essentially when it can even be played at 205 00:09:23,480 --> 00:09:25,840 Speaker 1: what time it can be played in different like permissions 206 00:09:25,880 --> 00:09:29,000 Speaker 1: on that even like what kind of projector has shown on. 207 00:09:29,160 --> 00:09:31,559 Speaker 1: So so the movie theaters get this version, and also 208 00:09:31,840 --> 00:09:35,760 Speaker 1: when it goes out to like TV stations or like satellite, 209 00:09:36,120 --> 00:09:38,000 Speaker 1: they get a different version of the movie too. But 210 00:09:38,040 --> 00:09:40,520 Speaker 1: it's all on this hard drive. So the physical cost 211 00:09:40,640 --> 00:09:43,000 Speaker 1: of creating these hard drives and shipping them out to 212 00:09:43,040 --> 00:09:45,960 Speaker 1: movie theaters is about sixties seven million dollars, so on 213 00:09:46,040 --> 00:09:48,839 Speaker 1: top of all the marketing to make in the movie, 214 00:09:48,880 --> 00:09:53,160 Speaker 1: it takes just sixties seven million dollars in addition just 215 00:09:53,280 --> 00:09:57,200 Speaker 1: to get that movie to all these theaters worldwide. And 216 00:09:57,240 --> 00:09:59,640 Speaker 1: then another factor into what it costs to make a 217 00:09:59,679 --> 00:10:02,360 Speaker 1: movie is all the residuals. So what I talked about 218 00:10:02,360 --> 00:10:05,560 Speaker 1: earlier is that first of all, you have unions for 219 00:10:05,640 --> 00:10:07,840 Speaker 1: cast and crew, which they have set up with the 220 00:10:07,880 --> 00:10:11,400 Speaker 1: Hollywood studios, and then you also have here where an 221 00:10:11,440 --> 00:10:14,240 Speaker 1: actor will kind of get residuals for their part in 222 00:10:14,280 --> 00:10:17,199 Speaker 1: the movie. So sometimes you'll see like actors who they 223 00:10:17,280 --> 00:10:19,240 Speaker 1: end up making a lot of more money just based 224 00:10:19,240 --> 00:10:21,679 Speaker 1: off of like a movie's longevity over the year. So 225 00:10:21,880 --> 00:10:27,000 Speaker 1: like Tom Hanks in Forrest Gump initially asked for less 226 00:10:27,160 --> 00:10:29,400 Speaker 1: up front and more on the back end, so over 227 00:10:29,480 --> 00:10:31,640 Speaker 1: time he's made a lot of money off Forrest Gump 228 00:10:32,120 --> 00:10:34,240 Speaker 1: just based on his residuals that he gets every time 229 00:10:34,280 --> 00:10:36,720 Speaker 1: the movies played on TV. So an actor could have 230 00:10:36,760 --> 00:10:39,160 Speaker 1: a really good pay to if a movie is not 231 00:10:39,160 --> 00:10:41,160 Speaker 1: only profitable at the box office, but they also have 232 00:10:41,240 --> 00:10:43,800 Speaker 1: these residuals, and also the movie studios like it because 233 00:10:43,840 --> 00:10:45,760 Speaker 1: if a movie doesn't do well at the box office, 234 00:10:45,800 --> 00:10:48,000 Speaker 1: they don't have to pay up as much. And then 235 00:10:48,000 --> 00:10:50,480 Speaker 1: finally factoring the last amount of what it takes to 236 00:10:50,520 --> 00:10:53,600 Speaker 1: make a movie is financing costs, which is anything from 237 00:10:53,600 --> 00:10:56,920 Speaker 1: like borrowing money from studios to make up movie. Also, 238 00:10:57,000 --> 00:10:59,040 Speaker 1: like when you have a movie overseas, you've got to 239 00:10:59,160 --> 00:11:01,520 Speaker 1: account for like and see conversions, all that kind of 240 00:11:01,520 --> 00:11:04,880 Speaker 1: associated and defiancing costs, and then you just have overheads. 241 00:11:04,880 --> 00:11:07,640 Speaker 1: So pretty much studios charge their own productions and overhead 242 00:11:07,640 --> 00:11:10,760 Speaker 1: fee which covers like the time of the staff spends 243 00:11:10,800 --> 00:11:12,800 Speaker 1: on the project, the cost of the deals to make 244 00:11:12,840 --> 00:11:15,080 Speaker 1: the movie. All that kind of stuff is just their 245 00:11:15,160 --> 00:11:17,760 Speaker 1: movies overhead all right. So now that's all of the 246 00:11:17,760 --> 00:11:20,120 Speaker 1: costs that go into making movie. Let's look at how 247 00:11:20,240 --> 00:11:22,720 Speaker 1: actually they turn that around and make a profit off that. 248 00:11:22,800 --> 00:11:25,880 Speaker 1: So the biggest income driver for any movie is going 249 00:11:25,920 --> 00:11:28,640 Speaker 1: to be that initial theatrical release. That's where they make 250 00:11:28,760 --> 00:11:31,840 Speaker 1: really all their money. So, say a movie makes about 251 00:11:31,880 --> 00:11:34,200 Speaker 1: a hundred and twenty nine million dollars at the box 252 00:11:34,200 --> 00:11:37,319 Speaker 1: office domestically, they go on to make another two hundred 253 00:11:37,400 --> 00:11:41,040 Speaker 1: forty three million dollars internationally. You combine that and you 254 00:11:41,120 --> 00:11:44,120 Speaker 1: get that gross box office number, which is about three 255 00:11:44,200 --> 00:11:47,240 Speaker 1: hundred and seventy three million dollars. So that's kind of 256 00:11:47,240 --> 00:11:49,840 Speaker 1: the amount you get here. So that's the amount that 257 00:11:49,840 --> 00:11:51,640 Speaker 1: they always kind of report out there like, oh, this 258 00:11:51,679 --> 00:11:54,000 Speaker 1: movie made three hundred and seventy three million dollars the 259 00:11:54,000 --> 00:11:56,680 Speaker 1: box office this weekend. It's a big hit. But before 260 00:11:56,679 --> 00:11:58,720 Speaker 1: they see any of that money, too big costs have 261 00:11:58,800 --> 00:12:00,920 Speaker 1: to be deducted from it, which is the sales tax 262 00:12:01,280 --> 00:12:04,200 Speaker 1: and what the movie theaters takeaway. So the actual movie 263 00:12:04,200 --> 00:12:08,160 Speaker 1: studio will get about fifty of the box office gross 264 00:12:08,200 --> 00:12:12,600 Speaker 1: domestically and of the international growth. So you have that 265 00:12:12,640 --> 00:12:14,679 Speaker 1: three d and seventy three million dollars or so, like 266 00:12:14,720 --> 00:12:17,720 Speaker 1: a big impressive number, but what they actually end up 267 00:12:17,720 --> 00:12:20,160 Speaker 1: taking from that is about a hundred and sixty nine 268 00:12:20,200 --> 00:12:22,440 Speaker 1: million dollars. And then you got to go in and 269 00:12:22,480 --> 00:12:25,600 Speaker 1: remove what it took to market that movie, which for 270 00:12:25,600 --> 00:12:29,040 Speaker 1: this example it was about nine million dollars. So then 271 00:12:29,080 --> 00:12:32,080 Speaker 1: you're left with about seventy million dollars, a total about 272 00:12:32,120 --> 00:12:35,280 Speaker 1: forty of the overall income. That big number that we 273 00:12:35,320 --> 00:12:39,520 Speaker 1: saw initially went down and now we're looking at seventy 274 00:12:39,559 --> 00:12:42,400 Speaker 1: million dollars. So that is all that plays into the 275 00:12:42,440 --> 00:12:45,559 Speaker 1: box office numbers. And then you move on to home entertainment, 276 00:12:45,559 --> 00:12:48,240 Speaker 1: which is everything you can do to watch the movie 277 00:12:48,240 --> 00:12:51,679 Speaker 1: at home. Essentially, so this same kind of movie will 278 00:12:52,040 --> 00:12:54,400 Speaker 1: make an average of a hundred and thirty four million 279 00:12:54,440 --> 00:12:57,319 Speaker 1: dollars just on home entertainment. So first of all, that 280 00:12:57,400 --> 00:12:58,880 Speaker 1: kind of sounds like it more than it made of 281 00:12:58,880 --> 00:13:01,240 Speaker 1: the box office, but there's other costs in here. They 282 00:13:01,280 --> 00:13:03,560 Speaker 1: do have to spend some money on advertising here, which 283 00:13:03,600 --> 00:13:06,920 Speaker 1: is about another twenty million dollars. And then obviously if 284 00:13:06,920 --> 00:13:09,520 Speaker 1: they're making DVDs that they're making Blue rays, that's gonna 285 00:13:09,520 --> 00:13:12,200 Speaker 1: cost about another thirty million dollars to make those and 286 00:13:12,200 --> 00:13:14,360 Speaker 1: get those shipped out to stores. And this is why 287 00:13:14,400 --> 00:13:16,400 Speaker 1: movie studios are kind of hurting that people don't really 288 00:13:16,400 --> 00:13:18,800 Speaker 1: buy Blu rays or DVDs as much. They still make 289 00:13:18,840 --> 00:13:21,440 Speaker 1: a pretty good amount of money because last year the 290 00:13:21,520 --> 00:13:24,280 Speaker 1: number one selling Blu ray was The Avengers Endgame, which 291 00:13:24,280 --> 00:13:27,400 Speaker 1: made about sixty nine million dollars, and the number one 292 00:13:27,440 --> 00:13:31,560 Speaker 1: selling DVD was Aquaman, which made seventeen million dollars. So 293 00:13:31,600 --> 00:13:33,640 Speaker 1: there's still some money to be made here, and they 294 00:13:33,679 --> 00:13:37,000 Speaker 1: make some pretty good money back basically because the movie 295 00:13:37,080 --> 00:13:38,880 Speaker 1: is already done. It's already made, and they just kind 296 00:13:38,880 --> 00:13:40,720 Speaker 1: of have to push it out there with production costs. 297 00:13:40,960 --> 00:13:43,520 Speaker 1: But they're able to get a pretty good return on this. 298 00:13:44,000 --> 00:13:46,240 Speaker 1: But with the fall of kind of blue rays and DVDs. 299 00:13:46,280 --> 00:13:48,480 Speaker 1: Over time, they'll see less and less money, the same 300 00:13:48,480 --> 00:13:50,600 Speaker 1: way the music industry is seen less and less on 301 00:13:50,720 --> 00:13:53,000 Speaker 1: CD sales. But if you're wondering why, you go to 302 00:13:53,040 --> 00:13:55,160 Speaker 1: the store and you still see brand new DVDs, Yes, 303 00:13:55,200 --> 00:13:58,000 Speaker 1: people still do buy them. The next way a movie 304 00:13:58,040 --> 00:14:01,120 Speaker 1: will make money is on TV. So the average income 305 00:14:01,160 --> 00:14:03,200 Speaker 1: for the same kind of movie would be about eighties 306 00:14:03,200 --> 00:14:06,040 Speaker 1: six million dollars. And this pretty much has little to 307 00:14:06,120 --> 00:14:08,840 Speaker 1: no direct cost of the movie studios because they typically 308 00:14:08,960 --> 00:14:11,160 Speaker 1: they charge a distribution fee to whoever is going to 309 00:14:11,240 --> 00:14:12,960 Speaker 1: put out the movie, and then it's out there. It's 310 00:14:12,960 --> 00:14:16,040 Speaker 1: either on cable or like TV over the year. And 311 00:14:16,080 --> 00:14:18,320 Speaker 1: this is kind of why you think sometimes that movies 312 00:14:18,360 --> 00:14:20,600 Speaker 1: don't do so well at the box office. They get 313 00:14:20,640 --> 00:14:23,320 Speaker 1: on like maybe like a TBS, and you're like, why 314 00:14:23,520 --> 00:14:25,760 Speaker 1: this movie isn't that great, But it ends up kind 315 00:14:25,760 --> 00:14:28,240 Speaker 1: of making a profit bag because so this is where 316 00:14:28,280 --> 00:14:30,200 Speaker 1: maybe a movie that didn't do so well on the 317 00:14:30,240 --> 00:14:32,640 Speaker 1: box office kind of gets a second live because maybe 318 00:14:32,680 --> 00:14:34,960 Speaker 1: you wouldn't pay money to go see it in theaters. 319 00:14:34,960 --> 00:14:37,520 Speaker 1: But if you already have cable and you're scrolling through 320 00:14:37,520 --> 00:14:39,920 Speaker 1: and you watch and maybe TBS and you see like 321 00:14:40,400 --> 00:14:43,200 Speaker 1: a movie with Will Ferrel that's maybe not his best movie, 322 00:14:43,800 --> 00:14:45,880 Speaker 1: but it's there and you watch it, and it's a 323 00:14:45,880 --> 00:14:47,880 Speaker 1: way these movie studios still make money on maybe a 324 00:14:47,920 --> 00:14:49,920 Speaker 1: flop or a movie that didn't perform as well as 325 00:14:49,960 --> 00:14:52,280 Speaker 1: they thought. They can put it on TV and still 326 00:14:52,320 --> 00:14:54,360 Speaker 1: get some money back from it. And then you have 327 00:14:54,480 --> 00:14:58,200 Speaker 1: video on demand, which is essentially like Amazon, iTunes or 328 00:14:58,280 --> 00:15:00,280 Speaker 1: any way you pay for a movie at home, be 329 00:15:00,400 --> 00:15:02,600 Speaker 1: a pay per view, and this is kind of where 330 00:15:02,720 --> 00:15:05,480 Speaker 1: movies are starting to go more because if you don't 331 00:15:05,480 --> 00:15:07,080 Speaker 1: go see a movie in theaters, you can just click 332 00:15:07,120 --> 00:15:09,320 Speaker 1: a button and have it in your home. I think 333 00:15:09,400 --> 00:15:12,200 Speaker 1: maybe eventually there'll be a wave to have brand new 334 00:15:12,280 --> 00:15:15,000 Speaker 1: movies in your house, but if you want to do 335 00:15:15,040 --> 00:15:17,520 Speaker 1: that now, it's actually really expensive. There's this thing that 336 00:15:17,720 --> 00:15:20,640 Speaker 1: essentially only rich people can have where you pay to 337 00:15:20,680 --> 00:15:22,520 Speaker 1: have this box in your house to where you can 338 00:15:22,560 --> 00:15:25,880 Speaker 1: have movies streamed into your house before they're even released, 339 00:15:26,280 --> 00:15:28,600 Speaker 1: and it costs like two d and fifty dollars, but 340 00:15:28,680 --> 00:15:30,920 Speaker 1: it actually costs like two hundred and fifty dollars just 341 00:15:30,960 --> 00:15:32,760 Speaker 1: to rent a movie for twenty four hours, and you 342 00:15:32,760 --> 00:15:34,480 Speaker 1: have to pay a lot of money just to get 343 00:15:34,480 --> 00:15:36,040 Speaker 1: this box in your house. I think it's like twenty 344 00:15:36,120 --> 00:15:38,040 Speaker 1: or thirty thousand dollars just to put it in your house. 345 00:15:38,400 --> 00:15:40,160 Speaker 1: But until that's available with all of us at a 346 00:15:40,280 --> 00:15:42,640 Speaker 1: cheaper price, we kind of have to sit around and 347 00:15:42,680 --> 00:15:44,760 Speaker 1: wait until a movie comes to us. And I think 348 00:15:44,760 --> 00:15:47,120 Speaker 1: they should have a quicker turnaround time because it's kind 349 00:15:47,120 --> 00:15:49,960 Speaker 1: of like if you go see a concert, like say 350 00:15:49,960 --> 00:15:51,640 Speaker 1: you go see a new band, you leave there and 351 00:15:51,680 --> 00:15:53,920 Speaker 1: you go stream their music when you get home. There's 352 00:15:53,960 --> 00:15:56,080 Speaker 1: really not that for movies. If you go see a movie, 353 00:15:56,120 --> 00:15:58,760 Speaker 1: you have to wait another six months or so. It's 354 00:15:58,760 --> 00:16:01,400 Speaker 1: probably a lot less now, but essentially to watch that 355 00:16:01,440 --> 00:16:03,040 Speaker 1: movie at home. How cool would it be just to 356 00:16:03,080 --> 00:16:05,320 Speaker 1: be able to go see a movie in theaters and 357 00:16:05,320 --> 00:16:06,760 Speaker 1: then be like, oh, I kind of want to see 358 00:16:06,760 --> 00:16:09,240 Speaker 1: that again. You take it home right after, or you 359 00:16:09,280 --> 00:16:10,680 Speaker 1: wait a bit and you kind of don't have to 360 00:16:10,680 --> 00:16:12,400 Speaker 1: go to the theater and you can watch it in 361 00:16:12,440 --> 00:16:14,800 Speaker 1: your house. Also, when this is airlines, you can get 362 00:16:14,800 --> 00:16:16,480 Speaker 1: on a flight, you hop on there, you hit a 363 00:16:16,520 --> 00:16:18,280 Speaker 1: touch screen, and you can watch a movie on your flight. 364 00:16:18,680 --> 00:16:20,960 Speaker 1: And while it's free to us, the airline actually has 365 00:16:20,960 --> 00:16:22,640 Speaker 1: to pay to have those movies in there, and they 366 00:16:22,720 --> 00:16:26,640 Speaker 1: can make another two point seven million dollars by licensing 367 00:16:26,640 --> 00:16:30,480 Speaker 1: out their movies to airlines. And that's pretty easy money 368 00:16:30,520 --> 00:16:31,920 Speaker 1: for them because all they had to do is make 369 00:16:31,960 --> 00:16:34,840 Speaker 1: a deal, put the movie on the airplane, and their 370 00:16:35,280 --> 00:16:37,800 Speaker 1: instant money. And then the final way a movie makes 371 00:16:37,840 --> 00:16:41,960 Speaker 1: money is through merchandising. So say a big Hollywood production 372 00:16:42,080 --> 00:16:45,160 Speaker 1: something like Star Wars would make an average of another 373 00:16:45,280 --> 00:16:49,960 Speaker 1: eleven point five million dollars just in merchandise. But then again, 374 00:16:50,000 --> 00:16:52,080 Speaker 1: Star Wars is a bit different because they're kind of 375 00:16:52,120 --> 00:16:56,640 Speaker 1: the o G s of movies making money off merchandizing. 376 00:16:56,680 --> 00:16:59,360 Speaker 1: And that's kind of why them and Disney pair so 377 00:16:59,440 --> 00:17:02,920 Speaker 1: well together right now, because Disney is like so hyper 378 00:17:02,920 --> 00:17:07,800 Speaker 1: focused on the merchandizing because essentially their movies are commercials 379 00:17:07,840 --> 00:17:10,520 Speaker 1: for their merch. So they put a movie out that's 380 00:17:10,520 --> 00:17:13,760 Speaker 1: about ninety minutes of an animated movie. It's a great 381 00:17:13,920 --> 00:17:16,760 Speaker 1: feel good story and that's a great Disney classic, but 382 00:17:16,840 --> 00:17:20,399 Speaker 1: they see it as a commercial for their their merch. 383 00:17:20,680 --> 00:17:22,920 Speaker 1: I mean, they make so much money off toys, off 384 00:17:22,960 --> 00:17:26,080 Speaker 1: of it, t shirts, and I mean anything that Disney 385 00:17:26,119 --> 00:17:29,560 Speaker 1: can put their characters on is what they're making money off. 386 00:17:29,600 --> 00:17:32,280 Speaker 1: Of and this is really big for them when it 387 00:17:32,280 --> 00:17:35,520 Speaker 1: comes to like The Avengers or anything like Pixarre and 388 00:17:35,560 --> 00:17:38,040 Speaker 1: then even I mean maybe not right now in the 389 00:17:38,040 --> 00:17:42,520 Speaker 1: world of today, but Disney World and Disneyland, those attractions 390 00:17:42,520 --> 00:17:45,640 Speaker 1: are based on the movie. So as long as they're 391 00:17:45,640 --> 00:17:48,800 Speaker 1: turning out new movies, putting out new stories, new characters, 392 00:17:48,800 --> 00:17:51,680 Speaker 1: they get more people into the parks, and they're selling 393 00:17:51,720 --> 00:17:55,960 Speaker 1: merch They're selling tickets to their their parks. So merchandizing 394 00:17:56,040 --> 00:17:58,679 Speaker 1: is huge for Disney. For some of the other movies, 395 00:17:58,720 --> 00:18:01,760 Speaker 1: it's not as big. Um looking at just the average 396 00:18:01,760 --> 00:18:03,879 Speaker 1: of what other movies will make off of this is 397 00:18:03,920 --> 00:18:07,080 Speaker 1: about one million dollars, which is still pretty good. But 398 00:18:07,520 --> 00:18:10,040 Speaker 1: if you don't have anything attached to like a toy 399 00:18:10,119 --> 00:18:14,040 Speaker 1: line or um like any kind of collectibles from a movie, 400 00:18:14,160 --> 00:18:16,720 Speaker 1: you get less merched. People aren't really gonna buy a 401 00:18:16,720 --> 00:18:19,280 Speaker 1: t shirt for a movie, but when it comes to 402 00:18:19,320 --> 00:18:22,560 Speaker 1: animated movies, man, they can really crush it here. And 403 00:18:22,600 --> 00:18:24,160 Speaker 1: the weird thing about when they put out the first 404 00:18:24,200 --> 00:18:27,200 Speaker 1: Star Wars movie as is that the toys weren't ready 405 00:18:27,240 --> 00:18:29,080 Speaker 1: by the time the movie came out, which is kind 406 00:18:29,080 --> 00:18:31,560 Speaker 1: of what's happening now with Babe Yoda um with the 407 00:18:31,600 --> 00:18:35,119 Speaker 1: Mandalorian coming out last year, but Baby Yoda still hasn't shipped. 408 00:18:35,160 --> 00:18:38,560 Speaker 1: So Star Wars is kind of creates a buzz over 409 00:18:38,600 --> 00:18:42,040 Speaker 1: their merchandizing and they make a lot of money. And 410 00:18:42,280 --> 00:18:45,360 Speaker 1: like back in the day, those toys just flew off 411 00:18:45,400 --> 00:18:47,880 Speaker 1: the shelves, making them a lot of money. And they 412 00:18:47,960 --> 00:18:50,960 Speaker 1: kind of saw a correlation between the toys coming out 413 00:18:51,480 --> 00:18:53,239 Speaker 1: with the movies and how much money they would make 414 00:18:53,280 --> 00:18:55,560 Speaker 1: off the toys, because when there was the years that 415 00:18:55,600 --> 00:18:57,239 Speaker 1: they didn't put out at a new Star Wars, they 416 00:18:57,240 --> 00:18:59,880 Speaker 1: were still making toys and they weren't really making any money. 417 00:18:59,880 --> 00:19:02,560 Speaker 1: So they were like, George Lucas, please make another movie 418 00:19:02,560 --> 00:19:04,480 Speaker 1: because we need to sell these toys. They need to 419 00:19:04,520 --> 00:19:06,480 Speaker 1: have kids go to the theaters and see like, oh, 420 00:19:06,880 --> 00:19:09,240 Speaker 1: I remember that character. I love that character. I want 421 00:19:09,240 --> 00:19:11,800 Speaker 1: to go home later and go to a store and 422 00:19:11,880 --> 00:19:15,200 Speaker 1: have my parents buy me that character. So these movies 423 00:19:15,240 --> 00:19:18,600 Speaker 1: are really just the vehicles to kind of pushed towards 424 00:19:18,600 --> 00:19:23,960 Speaker 1: this merchandise, and a movie studio like Disney really can 425 00:19:24,040 --> 00:19:27,439 Speaker 1: really just clean up here. So that is essentially how 426 00:19:27,480 --> 00:19:34,240 Speaker 1: a movie makes money, all the costs that go into it. 427 00:19:34,600 --> 00:19:36,520 Speaker 1: All right, So I'm gonna talk about now how a 428 00:19:36,760 --> 00:19:40,560 Speaker 1: Netflix movie makes money. So you're probably wonder when they 429 00:19:40,560 --> 00:19:43,240 Speaker 1: put out these movies with like Will Smith and Mark Wahlberg, like, 430 00:19:43,359 --> 00:19:46,640 Speaker 1: what is it a benefit to them? So last year 431 00:19:47,160 --> 00:19:50,240 Speaker 1: The Irishman, which was the Martin scorsesey movie that ended 432 00:19:50,280 --> 00:19:53,679 Speaker 1: up being nominated for Best Picture. That costs Netflix like 433 00:19:53,720 --> 00:19:56,040 Speaker 1: the most they've ever spent on a movie at one 434 00:19:56,440 --> 00:19:58,560 Speaker 1: and fifty nine million dollars to make that, and they 435 00:19:58,600 --> 00:20:01,800 Speaker 1: claim that's twenty six allion people watch that in their homes. 436 00:20:02,400 --> 00:20:06,840 Speaker 1: But you wonder what's the profit there, because nobody really 437 00:20:06,840 --> 00:20:10,280 Speaker 1: hoped to Netflix just to watch that movie. If you 438 00:20:10,320 --> 00:20:13,680 Speaker 1: already have a subscription, what difference is that if you 439 00:20:13,720 --> 00:20:16,080 Speaker 1: cook play on it or not. So really, what Netflix 440 00:20:16,119 --> 00:20:18,960 Speaker 1: cares about is how many subscribers they have. That's how 441 00:20:18,960 --> 00:20:21,680 Speaker 1: they make money. You pay a monthly fee and you're 442 00:20:21,680 --> 00:20:24,880 Speaker 1: able to watch anything on their service, and that's essentially 443 00:20:24,880 --> 00:20:27,000 Speaker 1: how they make money. That's what they care about. The 444 00:20:27,119 --> 00:20:32,879 Speaker 1: benefit to movie studios and filmmakers to Netflix is that 445 00:20:33,280 --> 00:20:37,760 Speaker 1: there's really no worry. There's a lot less like anticipation 446 00:20:37,800 --> 00:20:39,960 Speaker 1: when it comes to They don't have to meet box 447 00:20:40,000 --> 00:20:42,919 Speaker 1: office numbers, they don't have to meet like critics. They 448 00:20:42,960 --> 00:20:44,760 Speaker 1: don't care what people say. Once the movie comes out. 449 00:20:45,160 --> 00:20:47,920 Speaker 1: There's a lot less of that because once a movie 450 00:20:47,960 --> 00:20:50,160 Speaker 1: gets put on Netflix, it's out there. The deal is done. 451 00:20:50,440 --> 00:20:53,280 Speaker 1: How a Netflix movie works is they essentially make the deal. 452 00:20:53,880 --> 00:20:56,760 Speaker 1: They have this algorithm that determines how much they should 453 00:20:56,800 --> 00:21:00,720 Speaker 1: spend on creating original content, and then they based that 454 00:21:00,920 --> 00:21:03,199 Speaker 1: around how much they will pay for a movie to 455 00:21:03,200 --> 00:21:06,560 Speaker 1: get put on their service. Because Netflix distributes the movie 456 00:21:06,640 --> 00:21:08,560 Speaker 1: and then the movie studios, they don't have to worry 457 00:21:08,600 --> 00:21:12,440 Speaker 1: about distribution. They don't have to worry about even like advertising, 458 00:21:12,480 --> 00:21:14,920 Speaker 1: all that stuff I talked about earlier. None of those 459 00:21:14,920 --> 00:21:18,080 Speaker 1: returns matter for a Netflix movie. Once they paid for 460 00:21:18,119 --> 00:21:20,880 Speaker 1: the movie, it's there. That's it. They got their paycheck. 461 00:21:21,040 --> 00:21:24,200 Speaker 1: They're good. So that's essentially how Netflix movies get made. 462 00:21:24,359 --> 00:21:27,040 Speaker 1: They make the film, they get a check, that's it. 463 00:21:27,280 --> 00:21:30,080 Speaker 1: That's simple. And what Netflix does to kind of make 464 00:21:30,119 --> 00:21:32,160 Speaker 1: money off of this is they rely on the word 465 00:21:32,200 --> 00:21:35,040 Speaker 1: of mouth in a way that kind of theaters can't 466 00:21:35,080 --> 00:21:38,040 Speaker 1: afford to. Because the movie gets put out on a 467 00:21:38,080 --> 00:21:41,119 Speaker 1: certain weekend and then somebody watches it, They tell a 468 00:21:41,160 --> 00:21:43,160 Speaker 1: friend to watch it, and they get more people talking 469 00:21:43,160 --> 00:21:46,160 Speaker 1: about the movie, and then maybe that in turn brings 470 00:21:46,200 --> 00:21:48,720 Speaker 1: more subscribers to their service who come to watch that movie, 471 00:21:49,080 --> 00:21:50,720 Speaker 1: and then they see all the other stuff they have 472 00:21:50,840 --> 00:21:53,760 Speaker 1: on their so and then essentially they're not coming just 473 00:21:53,880 --> 00:21:56,119 Speaker 1: to see that movie like you would in a movie theater. 474 00:21:56,640 --> 00:21:58,719 Speaker 1: But once you get somebody there, you hope that they 475 00:21:58,720 --> 00:22:00,639 Speaker 1: stick around and end up paying for your service. So 476 00:22:00,720 --> 00:22:03,240 Speaker 1: that's kind of how Netflix makes money off of their movies. 477 00:22:03,480 --> 00:22:06,000 Speaker 1: So it sounds pretty good. You make a movie, you 478 00:22:06,040 --> 00:22:08,240 Speaker 1: get that check, and you're good to go. I think 479 00:22:08,240 --> 00:22:10,800 Speaker 1: what I kind of see less of is that Netflix 480 00:22:10,840 --> 00:22:14,119 Speaker 1: doesn't really have any franchises, Like there's not like a 481 00:22:14,200 --> 00:22:16,160 Speaker 1: part two is being made of a bunch of movies. 482 00:22:16,160 --> 00:22:17,919 Speaker 1: They essentially put out one movie and then that's all. 483 00:22:17,960 --> 00:22:19,400 Speaker 1: Can you kind of hear about it? So I think 484 00:22:19,400 --> 00:22:22,520 Speaker 1: it kind of takes away from franchises a bit, and 485 00:22:22,600 --> 00:22:25,480 Speaker 1: also it takes like, while it does take away the 486 00:22:25,600 --> 00:22:28,720 Speaker 1: risk for directors and filmmakers, sometimes that risk is good. 487 00:22:28,840 --> 00:22:32,200 Speaker 1: One of the highest grossing and most profitable movies ever 488 00:22:32,320 --> 00:22:36,280 Speaker 1: was Paranormal Activity. So that movie only costs fifteen thousand 489 00:22:36,280 --> 00:22:39,160 Speaker 1: dollars to make. That's it. It's a pretty basic movie. 490 00:22:39,160 --> 00:22:41,240 Speaker 1: If you've seen it. It's basically like a lost footage 491 00:22:41,280 --> 00:22:45,200 Speaker 1: movie where all this paranormal stuff hence the name, happens 492 00:22:45,200 --> 00:22:48,480 Speaker 1: in the house. It was really cheap to make, but 493 00:22:48,560 --> 00:22:52,080 Speaker 1: it ended up making a hundred and ninety three million dollars, 494 00:22:52,119 --> 00:22:54,880 Speaker 1: so that makes it a really profitable movie. Another movie 495 00:22:54,920 --> 00:22:57,920 Speaker 1: like Magic Mike, which cost seven million dollars to make, 496 00:22:58,000 --> 00:23:00,520 Speaker 1: ended up making a hundred and sixty seven million dollars, 497 00:23:00,560 --> 00:23:03,840 Speaker 1: so again they took us They took a risk putting 498 00:23:03,880 --> 00:23:06,520 Speaker 1: these movies out, paying this money, but it was such 499 00:23:06,560 --> 00:23:08,600 Speaker 1: a big hit. They had such a big return on that, 500 00:23:09,119 --> 00:23:12,240 Speaker 1: which is something you couldn't really get through Netflix because 501 00:23:12,280 --> 00:23:14,480 Speaker 1: you get kind of that upfront money, you get paid 502 00:23:14,520 --> 00:23:17,840 Speaker 1: for it, but you don't really get anything in return. Again, 503 00:23:17,880 --> 00:23:21,520 Speaker 1: it takes away then anticipatient of worrying about how well 504 00:23:21,560 --> 00:23:24,320 Speaker 1: it's gonna do, but it also kind of takes away 505 00:23:24,320 --> 00:23:26,720 Speaker 1: from this. You can't really have like an unexpected hit 506 00:23:27,080 --> 00:23:29,520 Speaker 1: and if it is a highly successful movie. Probably the 507 00:23:29,560 --> 00:23:32,800 Speaker 1: most one we would know was Birdcage with Sandra Bullock, 508 00:23:33,240 --> 00:23:35,399 Speaker 1: which was a movie Netflix put out that kind of 509 00:23:35,440 --> 00:23:38,240 Speaker 1: got everybody talking in the entire country, which was different 510 00:23:38,280 --> 00:23:40,680 Speaker 1: for them. They haven't really put out anything on part 511 00:23:40,680 --> 00:23:43,280 Speaker 1: of that sense, and in turn they probably got a 512 00:23:43,320 --> 00:23:46,280 Speaker 1: lot more subscribers because of that movie, which allowed them 513 00:23:46,320 --> 00:23:49,040 Speaker 1: to make other movies than kind of just overall adds 514 00:23:49,119 --> 00:23:53,040 Speaker 1: to the big machine that is Netflix. I think really 515 00:23:53,040 --> 00:23:56,000 Speaker 1: where they kind of have a space in is like 516 00:23:56,080 --> 00:23:58,440 Speaker 1: movies that probably wouldn't get made that they are able 517 00:23:58,480 --> 00:24:00,560 Speaker 1: to put out on their service, especially when it comes 518 00:24:00,560 --> 00:24:03,879 Speaker 1: to like things like documentaries, lower budget stuff that people 519 00:24:03,920 --> 00:24:07,240 Speaker 1: discover on Netflix, and those are really movies and projects 520 00:24:07,320 --> 00:24:09,480 Speaker 1: that people kind of talk about a lot. So I 521 00:24:09,480 --> 00:24:11,800 Speaker 1: think that's kind of cool to see like a smaller 522 00:24:11,840 --> 00:24:14,680 Speaker 1: director get a chance to put out his documentary on Netflix. 523 00:24:15,000 --> 00:24:18,240 Speaker 1: Something like in sen there's a documentary called Icarus which 524 00:24:18,280 --> 00:24:20,159 Speaker 1: was paid for by Netflix and actually ended up in 525 00:24:20,200 --> 00:24:23,880 Speaker 1: theaters and one of the best documentary Oscar back in tweens, 526 00:24:23,880 --> 00:24:26,000 Speaker 1: So stuff like that it's cool too. But that just 527 00:24:26,080 --> 00:24:29,800 Speaker 1: kind of explains Netflix's model where film producers kind of 528 00:24:29,920 --> 00:24:32,680 Speaker 1: can sleep well at night knowing that they're not tied 529 00:24:32,720 --> 00:24:36,040 Speaker 1: to these box office earnings and they already get their money, 530 00:24:36,160 --> 00:24:38,880 Speaker 1: and then Netflix is cool because hey, we put out 531 00:24:38,920 --> 00:24:41,040 Speaker 1: this movie, we know we can cover the cost, we 532 00:24:41,080 --> 00:24:43,200 Speaker 1: know how much we paid for it. We have it 533 00:24:43,440 --> 00:24:46,399 Speaker 1: only on our service, so it gets more subscribers and 534 00:24:46,520 --> 00:24:49,560 Speaker 1: people paying money for our service. So that's kind of 535 00:24:49,560 --> 00:24:52,119 Speaker 1: how the whole Netflix model works, all right. Gonna get 536 00:24:52,119 --> 00:24:55,000 Speaker 1: into my review now of Big Time Adolescents starring Pete 537 00:24:55,040 --> 00:24:57,760 Speaker 1: Davidson Griffin Gluck, who you may know if you watch 538 00:24:57,880 --> 00:25:00,679 Speaker 1: the Netflix series called American Van Dole. He was in 539 00:25:00,720 --> 00:25:04,199 Speaker 1: that also John Cryer and Machine Gun Kelly. And it 540 00:25:04,320 --> 00:25:07,040 Speaker 1: is written and directed by Jason Orley, who this is 541 00:25:07,080 --> 00:25:11,199 Speaker 1: his first ever directorial debut, and it's essentially about this 542 00:25:11,320 --> 00:25:15,119 Speaker 1: kid who his sister dates Pete Davidson in high school 543 00:25:15,480 --> 00:25:17,840 Speaker 1: and he's much younger than them, but he becomes friends 544 00:25:17,840 --> 00:25:20,360 Speaker 1: with them, and then even after they break up, they 545 00:25:20,359 --> 00:25:24,240 Speaker 1: stay friends. Pete Davidson isn't really the best influence on him. 546 00:25:24,280 --> 00:25:26,720 Speaker 1: He parties, he does drugs, he drops out of college, 547 00:25:27,320 --> 00:25:29,280 Speaker 1: but they just have this kind of bond because the 548 00:25:29,320 --> 00:25:31,560 Speaker 1: kid doesn't have an older brother, so they hang out 549 00:25:31,600 --> 00:25:34,760 Speaker 1: all the time. And then his parents kind of don't 550 00:25:34,840 --> 00:25:37,720 Speaker 1: really approve of it, and they end up getting into 551 00:25:37,760 --> 00:25:40,200 Speaker 1: some pretty big trouble. So I'll get into my review here, 552 00:25:40,480 --> 00:25:45,040 Speaker 1: but first here's a bit of big time adolescence. This weekend, 553 00:25:44,280 --> 00:25:47,720 Speaker 1: it's you at your party. You think I'm just gonna 554 00:25:47,760 --> 00:25:49,600 Speaker 1: walk into a party and everyone's gonna want to buy 555 00:25:49,600 --> 00:25:55,160 Speaker 1: pop from me? Call me crazy. So, like I said, 556 00:25:55,160 --> 00:25:58,840 Speaker 1: this movie is directed by Jason Orley, who actually had 557 00:25:58,880 --> 00:26:01,920 Speaker 1: the idea of maybe back five years ago, and he 558 00:26:02,119 --> 00:26:04,760 Speaker 1: knew that he wanted Pete Davidson to play his character 559 00:26:05,200 --> 00:26:07,800 Speaker 1: whenever he saw him on the Comedy Central roast of 560 00:26:07,840 --> 00:26:10,840 Speaker 1: Justin Bieber and then he was like, that's it, Like 561 00:26:10,960 --> 00:26:14,160 Speaker 1: I want Pete Davidson to essentially be this character. So 562 00:26:14,359 --> 00:26:16,679 Speaker 1: his characters in the movie is named Zeke and the 563 00:26:16,840 --> 00:26:20,840 Speaker 1: younger kid is named Mo. So Pete Davidson's character dated 564 00:26:20,920 --> 00:26:24,120 Speaker 1: his sister in high school and this kid didn't really 565 00:26:24,160 --> 00:26:26,160 Speaker 1: have any kind of big brother influence that we saw 566 00:26:26,240 --> 00:26:29,120 Speaker 1: Pete Davidson and was like, hey, let's start hanging out 567 00:26:29,160 --> 00:26:32,200 Speaker 1: even though you and my sister broke up. So Pete 568 00:26:32,280 --> 00:26:35,280 Speaker 1: Davidson kind of takes him under his wing, but he's 569 00:26:35,320 --> 00:26:39,000 Speaker 1: not really the best influence. He like parties, does drugs um. 570 00:26:39,040 --> 00:26:41,159 Speaker 1: After graduating high school, he goes on to college, but 571 00:26:41,320 --> 00:26:44,080 Speaker 1: he drops out and he's like working at some random 572 00:26:44,160 --> 00:26:47,480 Speaker 1: like applying store, UM. But it's kind of cool to 573 00:26:47,520 --> 00:26:50,760 Speaker 1: see the contrast of like a coming of age story 574 00:26:51,240 --> 00:26:53,680 Speaker 1: that's told in a different way. What I like about 575 00:26:53,720 --> 00:26:58,040 Speaker 1: it is, although Pete Davidson's kind of playing himself, I 576 00:26:58,240 --> 00:27:00,639 Speaker 1: like seeing him in a movie and see that character 577 00:27:00,720 --> 00:27:02,679 Speaker 1: more because really, I I mean, I'm a fan of 578 00:27:02,680 --> 00:27:04,720 Speaker 1: his comedy. I like him on Ut and Nell, but 579 00:27:04,760 --> 00:27:06,800 Speaker 1: I really don't get to see him fully kind of 580 00:27:06,920 --> 00:27:08,800 Speaker 1: interact with other people because on Us and L it's 581 00:27:08,880 --> 00:27:12,240 Speaker 1: essentially a skit and even in the stand up it's 582 00:27:12,280 --> 00:27:13,960 Speaker 1: not really the same as seeing him in a movie. 583 00:27:14,000 --> 00:27:17,240 Speaker 1: So I enjoyed seeing kind of his personality come out 584 00:27:17,240 --> 00:27:19,720 Speaker 1: through this character. But it does kind of feel like, oh, 585 00:27:19,760 --> 00:27:22,560 Speaker 1: it's Pete Davidson playing himself. But I think it works. 586 00:27:22,880 --> 00:27:24,800 Speaker 1: So again, I won't spoil the movie. If you want 587 00:27:24,800 --> 00:27:26,960 Speaker 1: to go watch it, um, if you have a Hulu account, 588 00:27:27,040 --> 00:27:29,760 Speaker 1: it's essentially you pay for the subscription and it's free 589 00:27:29,760 --> 00:27:31,760 Speaker 1: to watch. I always say it's free, but you're already 590 00:27:31,760 --> 00:27:34,160 Speaker 1: paying for it. So what essentially happens is the kid 591 00:27:34,240 --> 00:27:36,639 Speaker 1: takes a bunch of advice from Pete Davidson's character on 592 00:27:36,720 --> 00:27:39,080 Speaker 1: you know, Getting Girls, how to make friends at school, 593 00:27:39,080 --> 00:27:42,359 Speaker 1: but it's not necessarily the best advice because his life, 594 00:27:42,359 --> 00:27:44,360 Speaker 1: in turn, hasn't really turned out how he wanted to. 595 00:27:44,880 --> 00:27:46,960 Speaker 1: I don't think in the movie Pete Davidson really comes 596 00:27:46,960 --> 00:27:49,159 Speaker 1: off as being a bad guy. I just think maybe 597 00:27:49,480 --> 00:27:51,359 Speaker 1: he doesn't have it all together and he's just kind 598 00:27:51,400 --> 00:27:53,240 Speaker 1: of trying to do the best with what he has. 599 00:27:53,400 --> 00:27:56,000 Speaker 1: And I just saw so many parallels in this and 600 00:27:56,000 --> 00:27:58,040 Speaker 1: like other people I know growing up, so I kind 601 00:27:58,040 --> 00:28:00,520 Speaker 1: of related to it in that sense. So the kid 602 00:28:00,560 --> 00:28:03,200 Speaker 1: takes his advice, it doesn't really turn out very well 603 00:28:03,960 --> 00:28:05,560 Speaker 1: when it comes to the girls, and then he ends 604 00:28:05,600 --> 00:28:08,200 Speaker 1: up trying to make friends with kids his own age 605 00:28:08,200 --> 00:28:10,440 Speaker 1: because he's essentially in the movie just hanging out with 606 00:28:10,480 --> 00:28:12,680 Speaker 1: Pete Davidson and his friends who are much older, which 607 00:28:12,720 --> 00:28:15,000 Speaker 1: was something like I was kind of like in high school. 608 00:28:15,000 --> 00:28:16,919 Speaker 1: I didn't really have any high school friends that I 609 00:28:16,920 --> 00:28:18,600 Speaker 1: would go hang out with on the weekend, but like 610 00:28:18,640 --> 00:28:21,440 Speaker 1: my older brother was seven years older than me, I 611 00:28:21,600 --> 00:28:22,960 Speaker 1: like go hang out with him, and I'd be the 612 00:28:23,000 --> 00:28:26,119 Speaker 1: youngest one in the crowd. So I kind of felt 613 00:28:26,160 --> 00:28:29,200 Speaker 1: the kids in this movie just based on that. And 614 00:28:29,240 --> 00:28:32,560 Speaker 1: he tries to make friends in high school, but Pete 615 00:28:32,600 --> 00:28:35,400 Speaker 1: Davidson's advice is like, hey, you should probably go sound 616 00:28:35,480 --> 00:28:38,000 Speaker 1: drugs at their parties, and you can kind of tell 617 00:28:38,040 --> 00:28:39,920 Speaker 1: that that did turn out so well. I thought the 618 00:28:39,920 --> 00:28:42,160 Speaker 1: movie was good overall. I thought it was pretty funny. 619 00:28:42,200 --> 00:28:44,600 Speaker 1: I laughed out loud a lot. Um, it's a little 620 00:28:44,680 --> 00:28:46,880 Speaker 1: more on the raunchy side. Is rated art. There's no 621 00:28:46,960 --> 00:28:49,200 Speaker 1: like nudity or anything, but it's a bunch of language 622 00:28:49,200 --> 00:28:51,520 Speaker 1: and drug use, so I'd say it's on the same 623 00:28:51,520 --> 00:28:53,600 Speaker 1: scale and maybe like a super bad four year old 624 00:28:53,680 --> 00:28:56,280 Speaker 1: virgin when it comes to the R rating. So if 625 00:28:56,520 --> 00:28:58,400 Speaker 1: that kind of takes you away from watching a movie 626 00:28:58,440 --> 00:29:00,600 Speaker 1: like this, maybe not for you, but if it needs 627 00:29:00,640 --> 00:29:03,560 Speaker 1: something that's kind of a raunchier comedy in a way, 628 00:29:03,640 --> 00:29:05,840 Speaker 1: not I wouldn't say it's super raunchy, but it's a 629 00:29:05,840 --> 00:29:07,959 Speaker 1: little more on that side of those kind of movies. 630 00:29:08,480 --> 00:29:10,680 Speaker 1: But I think it's pretty funny. I liked the story. 631 00:29:10,880 --> 00:29:14,240 Speaker 1: I found it pretty relatable, and I was had my 632 00:29:14,240 --> 00:29:16,280 Speaker 1: attention throughout the entire movie. It's about an hour and 633 00:29:16,280 --> 00:29:18,200 Speaker 1: a half, so it's a pretty quick watch too, if 634 00:29:18,200 --> 00:29:20,800 Speaker 1: you're looking for something on Hulu, which I think right 635 00:29:20,840 --> 00:29:23,120 Speaker 1: now we're kind of I was trying to stay indoors 636 00:29:23,160 --> 00:29:25,040 Speaker 1: and not go out a whole lot to the movie theaters. 637 00:29:25,640 --> 00:29:27,480 Speaker 1: So it's a good at home watch if you want 638 00:29:27,520 --> 00:29:30,840 Speaker 1: something funny, I give it about three point five out 639 00:29:30,840 --> 00:29:34,280 Speaker 1: of five homemade tattoos. All Right, gonna get into some 640 00:29:34,280 --> 00:29:36,560 Speaker 1: movie dues now. So last week I talked about James 641 00:29:36,560 --> 00:29:39,120 Speaker 1: Bond to laying it's really stayed from April ten to 642 00:29:39,200 --> 00:29:42,480 Speaker 1: there's November, and since then it just kind of caused 643 00:29:42,520 --> 00:29:44,760 Speaker 1: a chain reaction of other movies just to laying either 644 00:29:45,200 --> 00:29:47,680 Speaker 1: when the movie will come out or not even saying 645 00:29:47,720 --> 00:29:49,800 Speaker 1: when they're gonna put it out now, or movies now 646 00:29:49,800 --> 00:29:52,800 Speaker 1: are kind of starting to delay production due to the coronavirus. 647 00:29:53,400 --> 00:29:55,479 Speaker 1: But James Bond was the first one to do this, 648 00:29:55,560 --> 00:29:56,920 Speaker 1: and the one that kind of was the biggest to 649 00:29:56,960 --> 00:29:59,600 Speaker 1: me was A Quiet Place, which is supposed to come 650 00:29:59,640 --> 00:30:03,040 Speaker 1: out on March twentie and now the new data is unknown, 651 00:30:03,040 --> 00:30:06,520 Speaker 1: but I saw John Krasinski post that he essentially doesn't 652 00:30:06,520 --> 00:30:08,040 Speaker 1: think it's the right time to put it out because 653 00:30:08,080 --> 00:30:10,800 Speaker 1: it's a movie that he wants everybody to see together, 654 00:30:11,280 --> 00:30:13,400 Speaker 1: and with what everything going on in the world, he 655 00:30:13,520 --> 00:30:15,680 Speaker 1: doesn't think it's a great environment to put the movie 656 00:30:15,680 --> 00:30:17,920 Speaker 1: out right now. And as we saw over the weekend 657 00:30:18,000 --> 00:30:20,280 Speaker 1: with his box office numbers being a record low in 658 00:30:20,320 --> 00:30:23,320 Speaker 1: twenty years. I think they're making the right move here. 659 00:30:23,880 --> 00:30:25,560 Speaker 1: It's kind of hard for me as a movie goer 660 00:30:25,600 --> 00:30:27,480 Speaker 1: to see all these movies I was so excited to 661 00:30:27,480 --> 00:30:31,120 Speaker 1: see and stuff that was just on my highly anticipated 662 00:30:31,120 --> 00:30:33,240 Speaker 1: list for the year just be delayed, and kind of 663 00:30:33,680 --> 00:30:36,040 Speaker 1: wondering how that's kind of kind of affect everything. Because 664 00:30:36,800 --> 00:30:40,200 Speaker 1: the movie schedules essentially have their slots and they put 665 00:30:40,240 --> 00:30:43,120 Speaker 1: them out in certain times of the year based on 666 00:30:43,160 --> 00:30:45,120 Speaker 1: a lot of there's a lot of reasoning that goes 667 00:30:45,160 --> 00:30:47,720 Speaker 1: into that, and delaying when it comes out. I just 668 00:30:47,960 --> 00:30:49,840 Speaker 1: wonder what it's gonna look like later in the year 669 00:30:50,560 --> 00:30:53,080 Speaker 1: when you have these other big movies now going up 670 00:30:53,120 --> 00:30:56,440 Speaker 1: against other movies. It's really gonna change numbers. And it's 671 00:30:56,480 --> 00:31:00,760 Speaker 1: just overall affecting like how people make money for these movies, 672 00:31:00,760 --> 00:31:03,520 Speaker 1: and even like the production schedules of stuff coming out 673 00:31:03,640 --> 00:31:05,920 Speaker 1: like one or two years later, Like how is that 674 00:31:05,920 --> 00:31:08,080 Speaker 1: going to affect stuff down the line. So I'll run 675 00:31:08,120 --> 00:31:09,840 Speaker 1: through now the list of just all the movies that 676 00:31:09,960 --> 00:31:11,959 Speaker 1: I know so far who have that have got delayed 677 00:31:12,080 --> 00:31:14,240 Speaker 1: or just kind of postponed for a bit. It got 678 00:31:14,280 --> 00:31:16,760 Speaker 1: My Spy, which is the movie with Batista, went from 679 00:31:16,760 --> 00:31:19,800 Speaker 1: March to thirteenth to April seventeen. A Quiet Place Too, 680 00:31:19,840 --> 00:31:21,560 Speaker 1: like I talked about, which is supposed to come out 681 00:31:21,560 --> 00:31:23,600 Speaker 1: of March twentieth. Now the new data is unknown. As 682 00:31:23,640 --> 00:31:28,800 Speaker 1: of now, Disney has delayed Mulan from March to an 683 00:31:28,880 --> 00:31:32,360 Speaker 1: unknown date. Peter Rabbit too, moved from April third to 684 00:31:32,440 --> 00:31:36,480 Speaker 1: August seven. Love Birds moved from April third to now 685 00:31:36,680 --> 00:31:40,240 Speaker 1: being unknown. The other new Marvel movie coming out, The 686 00:31:40,280 --> 00:31:42,600 Speaker 1: New Mutants, moved from April third to now a date 687 00:31:42,680 --> 00:31:46,080 Speaker 1: unknown um. And then a movie called Antler's moved from 688 00:31:46,080 --> 00:31:48,560 Speaker 1: April seventeen to a new unknown date. And another really 689 00:31:48,560 --> 00:31:50,920 Speaker 1: big one which was kind of the craziest of as 690 00:31:50,960 --> 00:31:54,080 Speaker 1: far as how long they delayed it was the New 691 00:31:54,120 --> 00:31:57,160 Speaker 1: Fast in the Furies nine movie moved from May twenty 692 00:31:57,240 --> 00:32:00,720 Speaker 1: two of this year to April second of twenty one. 693 00:32:00,760 --> 00:32:02,440 Speaker 1: That's a long time to delay that movie. And I 694 00:32:02,480 --> 00:32:04,920 Speaker 1: think the reason behind that is it's such a global 695 00:32:05,000 --> 00:32:07,240 Speaker 1: movie in that movie not only makes a lot in 696 00:32:07,280 --> 00:32:10,320 Speaker 1: the United States, but just has a really big international market. 697 00:32:11,000 --> 00:32:12,960 Speaker 1: So I think just with everything going on in the 698 00:32:13,080 --> 00:32:15,440 Speaker 1: entire world, they're like, yeah, this is a movie we 699 00:32:15,520 --> 00:32:18,120 Speaker 1: just really have to wait out. We can't let this 700 00:32:18,200 --> 00:32:21,480 Speaker 1: kind of affect our box office numbers because it's I mean, 701 00:32:21,560 --> 00:32:23,920 Speaker 1: as we see it happening right now, it's crazy how 702 00:32:24,120 --> 00:32:27,239 Speaker 1: little movies are making right now because movie theaters are 703 00:32:27,280 --> 00:32:30,760 Speaker 1: either closing down and where cities it's really bad in 704 00:32:31,600 --> 00:32:35,239 Speaker 1: and AMC and Regal have reduced how many tickets they 705 00:32:35,240 --> 00:32:38,440 Speaker 1: sell by fifty, so they will only feel like, say 706 00:32:38,480 --> 00:32:41,640 Speaker 1: a theater that fits five people, they're only selling two 707 00:32:42,000 --> 00:32:44,160 Speaker 1: and fifty tickets to that showing that is I mean, 708 00:32:44,160 --> 00:32:46,680 Speaker 1: that's half of people you can even get into theaters, 709 00:32:47,520 --> 00:32:49,920 Speaker 1: and that's even less of people actually going in to 710 00:32:50,000 --> 00:32:52,920 Speaker 1: field those teats. So even myself, like I was going 711 00:32:52,960 --> 00:32:54,880 Speaker 1: to go to the movies this weekend, and I'm like, 712 00:32:54,960 --> 00:32:57,239 Speaker 1: maybe I should go, and I know, I come on here, 713 00:32:57,240 --> 00:32:59,080 Speaker 1: and I talked about how it's gonna take a lot 714 00:32:59,080 --> 00:33:01,200 Speaker 1: for me to you know, kind of not want to 715 00:33:01,200 --> 00:33:02,600 Speaker 1: go to the movies, which just even just the way 716 00:33:02,600 --> 00:33:05,800 Speaker 1: technology is changing. But I felt like maybe it wasn't 717 00:33:05,800 --> 00:33:08,360 Speaker 1: the best idea this weekend. Even looking at the box 718 00:33:08,360 --> 00:33:11,200 Speaker 1: office numbers now. The number one movie was Onward, which 719 00:33:11,240 --> 00:33:13,600 Speaker 1: I saw last week, and it only made ten million 720 00:33:13,600 --> 00:33:17,480 Speaker 1: dollars the entire weekend, which that is like one, I think, 721 00:33:17,520 --> 00:33:21,560 Speaker 1: maybe the highest Pixar drop in a very long time 722 00:33:21,600 --> 00:33:23,280 Speaker 1: for a movie. And it's all because of this going 723 00:33:23,320 --> 00:33:25,920 Speaker 1: on right now. And then you have movies delaying production. 724 00:33:26,040 --> 00:33:28,880 Speaker 1: So The Batman, which is I am just super excited 725 00:33:28,880 --> 00:33:33,120 Speaker 1: about with Robert Pattinson, that's just pulled off on production 726 00:33:33,240 --> 00:33:37,360 Speaker 1: right now. Also Jurassic World Dominion, they've pulled off production 727 00:33:37,440 --> 00:33:40,760 Speaker 1: on Flint strongest pulled off production. And the one I'm 728 00:33:40,840 --> 00:33:44,120 Speaker 1: kind of waiting on seeing what happens to is Black Widow, 729 00:33:44,640 --> 00:33:48,080 Speaker 1: which is Scarlett Johansson's solo movie. It's still scheduled to 730 00:33:48,120 --> 00:33:50,600 Speaker 1: come out on May one, but with all these other 731 00:33:50,640 --> 00:33:52,640 Speaker 1: movies getting pushed back and delayed, I don't know if 732 00:33:52,720 --> 00:33:55,240 Speaker 1: that's gonna happen. And as of the recording of this 733 00:33:55,320 --> 00:33:58,600 Speaker 1: podcast right now, it has not been delayed or pushed 734 00:33:58,600 --> 00:34:01,360 Speaker 1: back anything so far that I've seen, So I'm waiting 735 00:34:01,360 --> 00:34:03,360 Speaker 1: to see what happens with that. It would be pretty 736 00:34:03,360 --> 00:34:07,160 Speaker 1: bummed if that one gets moved because essentially May is 737 00:34:07,200 --> 00:34:10,400 Speaker 1: like the kickoff to summer blockbuster season, and it's a 738 00:34:10,400 --> 00:34:12,920 Speaker 1: big Marvel movie that always comes out usually in May 739 00:34:13,040 --> 00:34:15,160 Speaker 1: or like late April, and that kind of kicks it 740 00:34:15,200 --> 00:34:17,520 Speaker 1: off for like a bunch of great movies. So, like 741 00:34:17,560 --> 00:34:19,560 Speaker 1: I said, it's gonna be weird to have all these 742 00:34:19,600 --> 00:34:22,600 Speaker 1: movies postponed and laid. But that's it for movie news 743 00:34:22,640 --> 00:34:24,200 Speaker 1: for the week. Before I hop out of here, I 744 00:34:24,200 --> 00:34:25,560 Speaker 1: got to give my shout out of the weekend. I 745 00:34:25,640 --> 00:34:28,759 Speaker 1: usually do Instagram, but this week I'm doing Twitter because 746 00:34:28,760 --> 00:34:31,560 Speaker 1: I've got a really nice tweet from at Club Sore, 747 00:34:31,680 --> 00:34:33,760 Speaker 1: which is the Sore Losers Band Club, which is another 748 00:34:33,800 --> 00:34:36,120 Speaker 1: podcast we have on the Nashville Podcast Network if you 749 00:34:36,160 --> 00:34:38,960 Speaker 1: haven't checked out, it's a lunchbox where a Mondo and 750 00:34:39,080 --> 00:34:41,120 Speaker 1: Eddie from the Bobby Bones Show. They do a sports show, 751 00:34:41,520 --> 00:34:43,440 Speaker 1: which they're having a kind of difficult time right now. 752 00:34:43,640 --> 00:34:46,960 Speaker 1: Maybe a little not as difficult as I am removing movies, 753 00:34:47,480 --> 00:34:50,160 Speaker 1: but there's no sports right now, so it's hard for 754 00:34:50,160 --> 00:34:52,720 Speaker 1: them to do their podcast. But those are three funny 755 00:34:52,760 --> 00:34:54,920 Speaker 1: guys and they're gonna get on there and kind of 756 00:34:54,920 --> 00:34:58,360 Speaker 1: do a show anyway with life after Sports. With their Twitter, 757 00:34:58,400 --> 00:35:00,480 Speaker 1: it's kind of been blowing up with just like people 758 00:35:00,520 --> 00:35:02,440 Speaker 1: doing stuff at home right now. So that's another good 759 00:35:02,440 --> 00:35:04,759 Speaker 1: podcast to check out if you're I mean, if you're 760 00:35:04,760 --> 00:35:07,040 Speaker 1: also hurting from the loss of sports and you want 761 00:35:07,080 --> 00:35:08,600 Speaker 1: to see how those guys take it on right now, 762 00:35:08,680 --> 00:35:11,160 Speaker 1: go check out the Sore Losers. But this tweet says coaches, 763 00:35:11,280 --> 00:35:13,120 Speaker 1: If you like me, I need entertainment in this world 764 00:35:13,160 --> 00:35:15,680 Speaker 1: of no sports, check out Mike d Stro's podcast Movie 765 00:35:15,680 --> 00:35:18,360 Speaker 1: Mike's Movie Podcast. It's great even if you're not a 766 00:35:18,360 --> 00:35:21,000 Speaker 1: big movie person. Check it out. So I appreciate that 767 00:35:21,040 --> 00:35:23,560 Speaker 1: shout out at club Sore. If you want to follow 768 00:35:23,560 --> 00:35:25,359 Speaker 1: me on Twitter at Mike d Stro. But the way 769 00:35:25,400 --> 00:35:28,040 Speaker 1: you get an Instagram or Twitter shout out is all 770 00:35:28,040 --> 00:35:30,120 Speaker 1: you have to do is tag me that you're listening 771 00:35:30,120 --> 00:35:33,319 Speaker 1: to the podcast. On Twitter, you can just send me 772 00:35:33,360 --> 00:35:35,400 Speaker 1: a tweet and tag me at Mike d Stros how 773 00:35:35,400 --> 00:35:38,440 Speaker 1: you're listening, or on Instagram, just take a screenshot or 774 00:35:38,480 --> 00:35:40,359 Speaker 1: a picture of wherever you're listening and tag me in it. 775 00:35:40,400 --> 00:35:42,400 Speaker 1: Put it in your story and I'll pick one of 776 00:35:42,440 --> 00:35:44,200 Speaker 1: those to reposted about the week and then give you 777 00:35:44,239 --> 00:35:47,040 Speaker 1: a shout out next week. Hope you guys enjoyed this episode. 778 00:35:47,080 --> 00:35:49,760 Speaker 1: I'll try to do more movie reviews on stuff streaming 779 00:35:49,760 --> 00:35:51,520 Speaker 1: because I think that's kind of where I'm gonna be 780 00:35:52,120 --> 00:35:54,160 Speaker 1: the next couple of months or so, so I'm gonna 781 00:35:54,200 --> 00:35:56,600 Speaker 1: be looking out for not only new movies coming out streaming, 782 00:35:56,600 --> 00:35:59,120 Speaker 1: but maybe stuff that you may have missed on there. 783 00:35:59,160 --> 00:36:02,640 Speaker 1: There's a lot of kind of hidden gems in Netflix 784 00:36:02,680 --> 00:36:05,160 Speaker 1: and like Hulu and Amazon, a bunch of good stuff 785 00:36:05,160 --> 00:36:07,240 Speaker 1: out there. So I'll kind of put together some reviews 786 00:36:07,280 --> 00:36:10,000 Speaker 1: on that, maybe even make some top list of different 787 00:36:10,000 --> 00:36:11,719 Speaker 1: categories and stuff you can check out on the area 788 00:36:11,719 --> 00:36:13,520 Speaker 1: if you're stuck at home and needs something good to watch. 789 00:36:13,600 --> 00:36:16,360 Speaker 1: So look out for that coming up in the next episode. 790 00:36:16,880 --> 00:36:19,239 Speaker 1: But I will talk to you guys next week here 791 00:36:19,360 --> 00:36:22,040 Speaker 1: on another Monday of Movie Mix Movie Podcast. Until then 792 00:36:22,280 --> 00:36:22,520 Speaker 1: later