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Speaker 1: You told me stories back in the day when you

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Speaker 1: were first beginning, how you drove from the Toronto to

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Speaker 1: Halifax the show and then drove back. Okay, So what

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Speaker 1: that reason the reason that yeah, let's hear it. Okay.

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Speaker 1: So nine eleven was on a Tuesday. I had a

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Speaker 1: gig on the Thursday in New Brunswick and the airports

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Speaker 1: still weren't open yet. There was no flights, no New Brunswick, Canada,

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Speaker 1: and I was like, still trying. I was like and

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Speaker 1: like they called me on the two on the Wednesday night.

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Speaker 1: They were like, dude, show they're still doing it. And

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Speaker 1: I'm like fuck, I said, all right, So I left

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Speaker 1: it like eight in the morning or ten in the morning,

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Speaker 1: I left it. Whatever the fund was. I got the

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Speaker 1: show started eight. I got there at eight fifteen. And

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Speaker 1: that's how far that is. That's that's going to cross

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Speaker 1: two states and not like the like full like Quebec's

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Speaker 1: a big province when Brunswick is no fucking little little

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Speaker 1: province either. Wow. So you like like driving through Texas

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Speaker 1: because Texas is a ten hour drive across. Yeah, it's

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Speaker 1: about right there. Yeah, did the show and then they

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Speaker 1: were like, we got a hotel room for you and

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Speaker 1: I go, m can turn around, go home is where

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Speaker 1: I love you. This is it's so wacky. It's like,

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Speaker 1: what's the point. I don't two more of the fucking

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Speaker 1: flights are opening up. I don't want to be stuck

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Speaker 1: here with my car knowing I gotta flone home twelve

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Speaker 1: hours again ten ten hours. It should have taken twelve. Yeah,

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Speaker 1: but still out of cool. Ship is over. You know,

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Speaker 1: I even know fucking flights. I had no money then

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Speaker 1: I could. I did not have the luxury to do

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Speaker 1: that at that time in my career. Yeah, and I

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Speaker 1: think the gig was like I might even like eight

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Speaker 1: hundred five or eight hundred bucks or something or something hazing.

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Speaker 1: You had to do, right, Yeah, what was you? And

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Speaker 1: And at some place W went in northern Ontario in

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Speaker 1: a snowstorm, crazy snowstorm a hundred dollars each. It was dumb.

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Speaker 1: And I had this girl with me. It was Brazilian girl,

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Speaker 1: friend of mine, and her name was Jennifer Lopez, but

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Speaker 1: with an S. Not sent it for Lopez with Jennifer

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Speaker 1: because of Portuguese the last name Jane s. The story

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Speaker 1: no, no no, she was just we never nothing ever happened

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Speaker 1: we just but she came for the drive because I

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Speaker 1: really want to see her shout come with me. We

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Speaker 1: got this gig and we drove meet her and Ange

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Speaker 1: and Uh. I had my Lexus, my GS four hundred

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Speaker 1: at the time, I had snow tires on it, so

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Speaker 1: I was quite happy with it, and I put it

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Speaker 1: in snow in the snow mode. I got us there

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Speaker 1: and I got us out. We left right after for

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Speaker 1: about a hundred dollars each, right, yeah, basically basically even

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Speaker 1: if it was three, I may have gotten three and

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Speaker 1: may have gotten to you know, and then did the show.

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Speaker 1: Just drove right back. Amazing. It was like that. Now,

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Speaker 1: that drive without the snow would have taken us four

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Speaker 1: and a half to five hours. In the snow, it

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Speaker 1: took us twelve hours each water and there are actually

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Speaker 1: people there, amazing. It's Canada that where we went to.

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Speaker 1: It's all the snowy up there. So they were like,

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Speaker 1: is that nothing us? Yeah? I was like, well, d

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Speaker 1: beats anything I was thinking of in my career. Ship.

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Speaker 1: You know, I'm thinking about some shows and I ain't

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Speaker 1: never do no ship like that. Well, because you were

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Speaker 1: already like when you're when you're a musician. You don't.

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Speaker 1: You're going because they booked you, so they're gonna treat

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Speaker 1: you fair. I'm going because they just booked a comedian.

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Speaker 1: It didn't matter if it was me. It could have

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Speaker 1: been me, could have been say you did comedy. That

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Speaker 1: was like, now you got to get had to have

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Speaker 1: a meeting with my booking agency back in the days,

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Speaker 1: because they just put me in these dangerous spots. It

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Speaker 1: was always a shootout at the end of my event.

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Speaker 1: I had a couple. I had a couple of those gigs,

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Speaker 1: so you know why I keep doing this ship to

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Speaker 1: me like it's just you shoot out. I remember I

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Speaker 1: did a show on it was either Christmas Eve or

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Speaker 1: the day after Christmas. I think it might have been

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Speaker 1: Christmas Eve. And it was in Mississauga and it was

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Speaker 1: at this pool hall that already sounds right. So I'm

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Speaker 1: on stage and you know, I mean, I rip on everybody.

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Speaker 1: I'm ripping on all these everybody has a good time.

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Speaker 1: Then and right behind me was the DJ. So my

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Speaker 1: buddy Christian was DJs staying the DJ with with him,

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Speaker 1: just watching looking out, you know, he's playing music and

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Speaker 1: I'm like, and then I see I see a pool

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Speaker 1: ball go flying. I'm goin to see another pool of

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Speaker 1: all to fly in the other direction, like what's going on?

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Speaker 1: Then I see fucking pool ques going at each other

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Speaker 1: and I go, oh ship those And then I see

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Speaker 1: like this big brawl star. And then I see guys

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Speaker 1: running into the kitchen and come out butcher's knives, and

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Speaker 1: I'm like, oh shit, and I go and I go,

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Speaker 1: that's those guys I was making fun of. So I

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Speaker 1: ducked down in the DJ booth and he had the

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Speaker 1: This is because this is before Serrano. He had his

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Speaker 1: records with him, but he had him in the metal crates.

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Speaker 1: And I took a metal crate put it over my

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Speaker 1: head and he hit under the DJ booth. And then

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Speaker 1: this girl ran in the booth and and she was like,

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Speaker 1: I go get the funk out of here. And she's like,

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Speaker 1: first let's me, I'll go, bitch, get out, and she's

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Speaker 1: aren't getting here, and I put the helmet. A guy

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Speaker 1: put the crate over both of our heads because I

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Speaker 1: didn't want a pool ball flying over hit me on

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Speaker 1: the head, and then all of you here, so we're

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Speaker 1: there and all you pop up up and I'm like,

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Speaker 1: oh ship, Wow. There was a lot of There was

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Speaker 1: a few of those we had back in the day.

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Speaker 1: It was always like these really rough Jamaican type of gigs.

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Speaker 1: I was talking about ships like that when they missed

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Speaker 1: those days, you missed those things. I do a little

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Speaker 1: bit because I remember how fearless I was back then.

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Speaker 1: Back then you would you can put me in any

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Speaker 1: room up, I can put me on. I'm gonna go on.

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Speaker 1: I'll go on and I'll do it. Now I walk

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Speaker 1: in and you want to go on and go I

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Speaker 1: look at the islands. Gone. Nah oh, we don't get

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Speaker 1: your fearless and sleeves. I get that fearful Now you

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Speaker 1: got something to lose. I have nothing to lose. It's

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Speaker 1: like in your younger years, I don't give a fuck whatever.

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Speaker 1: Now it's like, na, I don't want to deal with

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Speaker 1: that ship tonight. Well, what's one of your stories? There's

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Speaker 1: one that sticks in your mind like you were, you

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Speaker 1: were scared for your life. There was just one in

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Speaker 1: another gig in right by the airport in Toronto called

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Speaker 1: Club Paradise. It was a reggae club, Jamaican club, and

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Speaker 1: Sundays they would do the the comedy showing them. I

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Speaker 1: turned into a big reggae party after always a shooting

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Speaker 1: every single weekend at that place, and I would continue

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Speaker 1: to go to the show. I'm like, I don't give

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Speaker 1: a shot. I know they're not shooting at me. I

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Speaker 1: knew everybody, so it's like, I know, I know who

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Speaker 1: the shooters are. They know me. I know they're not

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Speaker 1: gonna shoot at me because they are already cool. So

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Speaker 1: the gangsters always like me, so I was already cool.

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Speaker 1: I was like, okay, good, I'm good. And then I

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Speaker 1: would know when it was gonna happen because I would

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Speaker 1: see one of the shooter guys walk in. I'd look

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Speaker 1: at him and go and they go glad, glad, and

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Speaker 1: I'm out. I leave, and then hey there was a

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Speaker 1: shooting a clip Paradise se tonight, we're gonna go. I

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Speaker 1: was there right before it. I left when I saw

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Speaker 1: them walk in. My relist shows just like a fucking

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Speaker 1: project field trip. You know, people in the projects don't

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Speaker 1: get the go nowhere for that's gotta show. We all

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Speaker 1: going and literally be like no li cars, we pull

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Speaker 1: up the main, you know, the main. If it was me,

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Speaker 1: if it was a and show and we all black

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Speaker 1: hoodid out with Thames and army fatigues and with half

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Speaker 1: the projects behind us, so it would just be crazy.

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Speaker 1: But that's how we used the party like it was

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Speaker 1: if it was a party going on and be a

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Speaker 1: neighborhood field trip over here. Yeah it was. We'll go

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Speaker 1: to Red Zone. It was an incredible spot in the

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Speaker 1: city called the Red Zone, huge spot. Those thousands we're

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Speaker 1: being there a lie about sixties seventy deep. But the

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Speaker 1: funny thing is when we went in the club, we

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Speaker 1: ain't all hang together. We all just scattered out. When

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Speaker 1: different parts of the club, it feels like you're going

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Speaker 1: to different parts of the city and the club. Okay,

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Speaker 1: that's Room and his people over there. Okay, oh, that's

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Speaker 1: waning them over there, and and you know it was

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Speaker 1: the same. It was the same idea in Toronto at

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Speaker 1: that time. Okay, so there's um that wasn't Brenton, that's

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Speaker 1: Brenton and his crew over there. There's a Huggy and

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Speaker 1: his crew over there. And then you're like, get his

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Speaker 1: Drew and his guys over there, and I go, I

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Speaker 1: know they all get along, so we're okay. And then

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Speaker 1: some just some fucking random personal walk and you're like,

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Speaker 1: I don't know who that guy is, and I would

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Speaker 1: see him. Brenton would shake everybody down. He was like

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Speaker 1: the debo and he would wear a fucking Davy Crocket hat.

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Speaker 1: I remember that sho. He would wear a fucking Davy

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Speaker 1: Crocket hat with a raccoon tail, and he was that

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Speaker 1: big fun It was like six five and he was like,

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Speaker 1: but he's like a kid, Like he's just a big kid,

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Speaker 1: you know. Like it was like it was that Brenton, Yeah, yeah, yeah,

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Speaker 1: everything cool tonight, We'll see and You're like, let me

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Speaker 1: know because I want to go before that happens again.

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Speaker 1: But let me ask this question. Let me ask this question.

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Speaker 1: Say we're a friends, but I'm also a fan of

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Speaker 1: both of yours. So what was the show this that

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Speaker 1: he walked out? And it was the You're like, oh

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Speaker 1: this this can work, I can really do this. What

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Speaker 1: do you mean though? Like the first time, there was

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Speaker 1: a larger, larger audience and the venue was more of

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Speaker 1: a maybe a higher yeah, not class made, but a

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Speaker 1: larger venue for me. It wasn't that the classier things

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Speaker 1: scared me, did they the more hood ship and didn't

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Speaker 1: entice me, But it made me feel more comfortable. Okay, Um, so,

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Speaker 1: I remember going to do this reggae party one time.

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Speaker 1: I was like, it was always reggae party because of Toronto, right,

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Speaker 1: And there was that keeling Lawrence, which is kind of

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Speaker 1: a the hood. It is the fucking noted, and it

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Speaker 1: was in a banquet hall and they're literally playing music.

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Speaker 1: Everyone's dancing and they I'm still nobody at the time,

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Speaker 1: so they just stopped the music and everyone's having a

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Speaker 1: great time. They just stopped the music and then the

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Speaker 1: guy gets in the mic goes, all right, we'll have

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Speaker 1: a comedian for you tonight. All right, um give it

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Speaker 1: up for your name Russell pet I knocked up. I'd

201
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Speaker 1: walk out and I remember hearing this Jamaican go who

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Speaker 1: is you? And I was on, I was on points.

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Speaker 1: I was like, dude, match, I said, who is blood

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Speaker 1: clot you? And they were like, oh my god, he's funny,

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Speaker 1: speaks Jamaican and he's not Jamaican. And then I had

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Speaker 1: him from that very moment. But the guy went on

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Speaker 1: after me. Bombed. Yeah, I go first of all, you

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Speaker 1: should have gone on before me. Stupid, Because there was

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Speaker 1: a lot of those types of gigs back in the

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Speaker 1: day because they weren't gig gigs, just like somebody like, Yeo,

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Speaker 1: I'll give you a hundred bucks. You come by my

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Speaker 1: party and do it some time like hundred bucks. Hell yeah.

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Speaker 1: I remember. I took Dave Chappelle with me. This is

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Speaker 1: like nineties nineties seven. I took him this nightclub that

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Speaker 1: I used to go to, Studio fifty club, Studio sixty nine.

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Speaker 1: It was called and and Carlos used to own it

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Speaker 1: and run it. And I get to the door with Chappelle.

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Speaker 1: Dave's wearing black jeans, like you can't commit to wearing jeans,

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Speaker 1: Go Steve Chappelle. I'll give a funk who that is.

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Speaker 1: And I go, it's sucking Dave Chappelle. They go, so

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Speaker 1: you can come in, but your friends wearing jeans like

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Speaker 1: I'm wearing fucking jeans, but we know you. I go,

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Speaker 1: trust me when I tell you this guy is fucking

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Speaker 1: Dave Chappelle. And nah. And then a bunch of fucking

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Speaker 1: cornball ass basketball The players come by with their fucked

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Speaker 1: up jeans and ship, hey, guys, come on, and I'm

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Speaker 1: like them, I go, he's not even all stars. These

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Speaker 1: are guys. Nobody's gonna remember. The people gonna go, oh,

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Speaker 1: I remember a c Earl, one of the best, that's

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Speaker 1: who one of those guys, like a c Earl, Morris Peterson, Um,

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Speaker 1: at least if it was Vince Carter, like it's Vince Carter.

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Speaker 1: But it wasn't those guys. It was like the c

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Speaker 1: players on the team. And I was like, that's fucked up, man,

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Speaker 1: and I left with him. I'm gonna leave Dave out though, dude,

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Speaker 1: I'm going in. Then I go, Sorry, man, it made

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Speaker 1: me look back, so sorry. I don't have the cloud

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Speaker 1: to get you in this shitty club on a Saturday night.

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Speaker 1: But what was do you remember one of the first

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Speaker 1: gigs where it was the graduation from that there was

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Speaker 1: you know people, yeah, but it was I guess it

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Speaker 1: was two thousand four, late two thousand four, early two

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Speaker 1: thousand five. I was doing some theater up at the

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Speaker 1: top of Young Street in Toronto, and I remember that

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Speaker 1: night was like magic. It was I was on stage

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Speaker 1: and I was just firing off that night like perfectly,

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Speaker 1: and I was like, that was the best show we've

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Speaker 1: ever seen. It was like and like people are literally

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Speaker 1: just yelling at what they were Italian bang Roman bang bang.

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Speaker 1: You know, it's like everybody would yell something, I would

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Speaker 1: get them on their culture and I was just like, Wow,

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Speaker 1: this guy is amazing and I was like, this is

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Speaker 1: a meant. That was the night I met Roddy, Roddy

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Speaker 1: Piper became friends. We became really good friends after that.

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Speaker 1: Remember that still, Oh that was me, Roddy Old and Polines.

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Speaker 1: Daniel was the wolf there too, He might have been,

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Speaker 1: I don't know. Yeah, yeah, that was the night rodd

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Speaker 1: came back to my house. Roddy Pepper came back to

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Speaker 1: my house and I made it. Was such a sweet guy,

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Speaker 1: what a fucking great guy him. I just think when

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Speaker 1: he hit uh super flower with that coconut. Man, that's

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Speaker 1: that's all I remember, is you know, welcome, I'm gonna

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Speaker 1: make you at hold. Yeah, I got polke, we got pineapples,

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Speaker 1: we got coconuts, and they go on and he just

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Speaker 1: cracks and with the coconut and it would have been

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Speaker 1: a real crack out of real coconut too. But that

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Speaker 1: night Rowdy Roddy got really drunk at Cheesecake and then

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Speaker 1: he came back to my house and had some more

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Speaker 1: drinks and just one other than the Hollywood Hills, and

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Speaker 1: my you know what that street was like Remember the

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Speaker 1: street was on an angle like this, but the curb

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Speaker 1: was like that. Yeah, so when you walk out of

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Speaker 1: my house, the street went like that. So he's standing

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Speaker 1: on the curb and I go, roddy, I'm gonna take

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Speaker 1: you home, all right, brother. He would always do this

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Speaker 1: thing where you'd snap his fingers right by his ear

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Speaker 1: so he could hear again. It's like he's waking himself

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Speaker 1: up and like you know when you tap the space

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Speaker 1: part is on sleeper computer. He'd be like, es hey,

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Speaker 1: right by his here and all right, brother. And so

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Speaker 1: he's standing on the curb, but the curb is like

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Speaker 1: a it's about a two to two and a half

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Speaker 1: to three ft drop to the to the to the

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Speaker 1: road because the road an angle. And he goes, I'm

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Speaker 1: just gonna jump, and I go no, no, no, and

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Speaker 1: he jumps off one leg like h and I grabbed

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Speaker 1: him by his jacket and a leather jacket, but he

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Speaker 1: was so fucking big. He's still landed right, but he

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Speaker 1: didn't fall. I hand was like, all right, are you

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Speaker 1: gonna you're gonna hurt yourself? Gets in the car, take

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Speaker 1: him home. I don't hear from him for two weeks

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Speaker 1: two weeks later to call them, Hey, brother, did I

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Speaker 1: do anything stupid at your house the other night? I mean,

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Speaker 1: what do you mean? I mean you got drunk. But

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Speaker 1: that's not normal and that's not that's not new. He goes, Nah,

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Speaker 1: because my ankle is broken and what Yeah, I'm trying

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Speaker 1: to figure out when I broke it. I go at

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Speaker 1: my house. You jumped off the curb on one leg.

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Speaker 1: Is it your left ankles? Yeah? I go, yeah, you

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Speaker 1: jumped off the curb. I tried to grab you, but

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Speaker 1: you were too big and heavy. That's what it was. Thanks, brother,

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Speaker 1: hopen it caused any drums. He was such a sweet guy. Yeah.

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Speaker 1: How do we make the most of our time here

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Speaker 1: on earth? How do we bring meaning to our life's work?

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00:16:50,320 --> 00:16:53,360
Speaker 1: And what's the best emoji to use when texting? These

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00:16:53,400 --> 00:16:56,200
Speaker 1: are the important questions asked on the weekly interview podcast

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Speaker 1: Life is Short with Justin Long. Justin chats with celebrities, actors, musicians, artists,

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Speaker 1: and more about how they get the most out of life.

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Speaker 1: Recent guests include comedian Rob Wriggle and singer Amy Man.

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Speaker 1: He digs deep and each episode goes beyond what you'd

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Speaker 1: expect to hear on an interview show, and in an

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Speaker 1: all new episode, Justin talks with the actor Billy Zane

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Speaker 1: about his long and story to Hollywood career, which started

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Speaker 1: with a small role in Back to the Future. Justin's

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Speaker 1: candid interview style pulls out some unexpected stories from Billy,

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Speaker 1: from his time on the set in the new comedy

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Speaker 1: series Mcgruber, to his villainous role in the international blockbuster Titanic,

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Speaker 1: which he admits he secretly played like a comedy. And

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Speaker 1: of course you'll find out Billy Zane's favorite emo G two.

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Speaker 1: If my podcast gives you any idea, I'm a big

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Speaker 1: fan of open and honest conversations, So I really love

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Speaker 1: Life Is Short and all the great stories and tangents

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Speaker 1: that happened on the show. So listen to Life Is

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Speaker 1: Short with Justin Long on Apple podcast, Amazon Music, or

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Speaker 1: you can listen ad free by joining Wandery plus in

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Speaker 1: the Wandering app. My show, Ye, what was your show

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Speaker 1: that you It's not the big show, So when you

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Speaker 1: kind of set to yourself like I like this, Uh,

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Speaker 1: it's one of those nights where you're just on point

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Speaker 1: and it's early in your career. I was at the

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Speaker 1: spot calling Marquis men and the New York Manhattan was

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Speaker 1: Mike's mooth. We're going back to funky technician days. So

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Speaker 1: you know, it's red alert the first time I really

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Speaker 1: sit down then, and I'm kicking it with OC. We

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Speaker 1: at the ball talking and I gotta go perform. Now,

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Speaker 1: I'll go jump on the stage. All these drug dealers

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Speaker 1: in front of the stage, and you know, I'm doing

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Speaker 1: the show and they keep heckling me, and I'm like, yo,

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Speaker 1: fuck man, you know so I turned the music up.

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Speaker 1: Yeah you ain't all that man. I don't like anybody

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Speaker 1: you put on this stage. So we're gonna put soon.

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Speaker 1: So they put one of their man's on the stage.

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Speaker 1: I said, so I took my my show money out

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Speaker 1: of the pocket and put it on there. Match what's

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Speaker 1: on the stage, and let's go. Boom they throwing they

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Speaker 1: they throwing all types of knights and money on the stage,

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Speaker 1: and I'm like, damn, this ship is gonna get crazy.

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Speaker 1: King's Sun comes, he steps on the stage. Whatever whatever

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Speaker 1: is the rest, I covered the rest, so boom Money

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Speaker 1: starts rhyming. He's fucking horrible. I go acapella. I'm busting money,

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Speaker 1: asks they pulling the money off the stage, like, now

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Speaker 1: I stopped working around, get off stage. You know. Now

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00:19:47,760 --> 00:19:50,399
Speaker 1: he's just working around, and you know, the show went on.

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Speaker 1: But at that at the point it was tense. I'm like,

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Speaker 1: oh ship at least and you can tell it was

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Speaker 1: from Brooklyn. You know you Brooklyn else you know you

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Speaker 1: here all that ship. But that was one of the

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Speaker 1: shows where everybody was like, damn, this nigg is on point.

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Speaker 1: He's shop like, he led a hundred dudes in front

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Speaker 1: of the stage, even cracked whatever he came to do.

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Speaker 1: So that was one point and all the shows I

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Speaker 1: never really had. I never had no problems at shows.

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Speaker 1: I can tell you one of the Ellis ciphers I've

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Speaker 1: done in my career Romen with Freddie Fox Coolgi wrapping

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Speaker 1: scarfaceumpy knuckles, bumpy knuckles. Yeah, And that was the show

365
00:20:37,800 --> 00:20:39,600
Speaker 1: where people was like, Hey, we're gonna see what this

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Speaker 1: lawful nest dude is about. And surprisingly they was looking like,

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Speaker 1: oh ship, this dude, it's really you know, how's g

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Speaker 1: rap on the freestyle? He's not really a freestyle, Yeah,

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00:20:53,359 --> 00:20:55,480
Speaker 1: he's he's he's an ol g of it, you know.

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Speaker 1: But you know, I'm I'm looking at it as um.

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Speaker 1: Anytime you get a chance to be on stage with

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Speaker 1: some of the greatest in the world and you get

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Speaker 1: the state check case at the at the peak point

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Speaker 1: of your your career, Yeah, there's always gonna be something.

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Speaker 1: It's like putting Russ on stage with some of the

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Speaker 1: top comedians. You're you're thinking about the crowd, but you

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Speaker 1: in a in a competitive fashion, You're thinking about how

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Speaker 1: are you gonna match up with your peers, how are

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Speaker 1: you gonna look with your peers? Remembered comedy jam, Remember

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00:21:31,160 --> 00:21:34,000
Speaker 1: that challenge you your face? You were that was that

381
00:21:34,160 --> 00:21:36,359
Speaker 1: was touching up for you, right? And you were there

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00:21:36,400 --> 00:21:38,879
Speaker 1: that night, weren't you. Yeah? It was at the or

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Speaker 1: Field in downtown l A two seven, and I was.

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Speaker 1: They gave me like two weeks notice to do deaf jam,

385
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Speaker 1: so Ruben helped me put my set together to this,

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Speaker 1: to this, to this, to this. Okay, I went to

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Speaker 1: run it. I ran it one Sunday night at Chocolate Sunday's.

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Speaker 1: I want to run it again the next Sunday and

389
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Speaker 1: then Chris Rock showed up and they bumped me and

390
00:22:04,920 --> 00:22:06,480
Speaker 1: I was like, Pooky, what the funk man? I need

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Speaker 1: to get this set ready for for fucking death cham

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Speaker 1: It was on, man, Chris is here I go? Can

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Speaker 1: you put Chris on after me? I'm just doing my

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Speaker 1: seven minutes. I ain't going after chrism funk that I

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Speaker 1: didn't go on and pissed. First of all, am I

396
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Speaker 1: gonna follow Chris Rock When I'm working on a set,

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Speaker 1: that's not the way the night's gonna go. And it's

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Speaker 1: in all black room, Like I'm not trying to eat

399
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Speaker 1: a dick twice in one night. So I never got

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Speaker 1: to really run it solidly before I recorded it. I

401
00:22:36,040 --> 00:22:40,760
Speaker 1: was recording two days later. Wow, that's that's crazy. I

402
00:22:40,960 --> 00:22:43,880
Speaker 1: had a good set which on YouTube. Yeah you watch

403
00:22:43,920 --> 00:22:46,440
Speaker 1: it was like to go right at the beginning that

404
00:22:46,520 --> 00:22:50,119
Speaker 1: you grab him right, yeah, Because you know, l A

405
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Speaker 1: and New York are very different. The black communities are

406
00:22:52,200 --> 00:22:57,159
Speaker 1: very different. M now. The black community in in l A.

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00:22:57,320 --> 00:23:02,000
Speaker 1: Is very segregated. It's like we are us, you are then,

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00:23:03,720 --> 00:23:07,600
Speaker 1: and and even if you're Mexican, you're still then We're

409
00:23:07,680 --> 00:23:10,800
Speaker 1: familiar with you. But still you stay there. I'm gonna

410
00:23:10,840 --> 00:23:13,040
Speaker 1: stay here. New York is not like that. New York

411
00:23:13,160 --> 00:23:15,800
Speaker 1: is like uh huh, go ahead, you're gonna spit. We

412
00:23:15,800 --> 00:23:17,960
Speaker 1: don't give a ship what you are. Yeah, just do

413
00:23:18,080 --> 00:23:20,560
Speaker 1: your thing. But New York could be a scary place too,

414
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Speaker 1: especially in the black rooms. New York is New York

415
00:23:23,520 --> 00:23:27,600
Speaker 1: is rough. If I feel, if you can destroy New York,

416
00:23:27,680 --> 00:23:31,120
Speaker 1: you should be able to destroy anywhere. Especially in the nineties,

417
00:23:31,200 --> 00:23:34,399
Speaker 1: they just didn't give a ship. They just they just

418
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Speaker 1: come to boot They like like it was getting paid

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Speaker 1: the booth. Oh yeah, I got sh I got booted

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00:23:39,040 --> 00:23:47,720
Speaker 1: off in New York. Yeah, the Bronx BBQ in the morning. Yeah,

421
00:23:47,840 --> 00:23:51,720
Speaker 1: but no, New York. New York could be rough. It

422
00:23:51,800 --> 00:23:53,760
Speaker 1: could be very rough. Like I said, if you can

423
00:23:53,840 --> 00:23:56,240
Speaker 1: make it in New York, you could you can make

424
00:23:56,240 --> 00:23:59,640
Speaker 1: it anywhere. You know, its depends in New York. Which

425
00:23:59,720 --> 00:24:02,159
Speaker 1: room doing like a Bronx BBQ on a Saturday night

426
00:24:02,240 --> 00:24:05,240
Speaker 1: on Fordham Roads tough. That was one thirty in the morning.

427
00:24:05,480 --> 00:24:07,480
Speaker 1: You got you better. You've gotta be hood as fucked

428
00:24:07,520 --> 00:24:12,120
Speaker 1: to do the set. So the first two guys knocked

429
00:24:12,200 --> 00:24:13,800
Speaker 1: up and they were like the first two guys got

430
00:24:13,840 --> 00:24:15,880
Speaker 1: booed off. I was just the third guy to get

431
00:24:15,880 --> 00:24:20,159
Speaker 1: booted off. And then I went to do Nagasaki's in

432
00:24:20,280 --> 00:24:22,960
Speaker 1: Long Island. But I killed there because there's a lot

433
00:24:22,960 --> 00:24:25,840
Speaker 1: of West Indian people in the crowd. And I was like, okay,

434
00:24:26,000 --> 00:24:30,120
Speaker 1: all right, so I see where my niche is. But yeah,

435
00:24:30,240 --> 00:24:31,840
Speaker 1: I mean I've seen I've seen that happen at hip

436
00:24:31,880 --> 00:24:34,520
Speaker 1: hop shows in Toronto. Remember Roxton and Shante came to Toronto,

437
00:24:34,600 --> 00:24:37,520
Speaker 1: must have been like a d maybe eighty eight or something,

438
00:24:38,560 --> 00:24:41,600
Speaker 1: and her she brought a beat boxer with her, but

439
00:24:41,680 --> 00:24:46,480
Speaker 1: he couldn't get across the border. So they said, I

440
00:24:46,600 --> 00:24:49,520
Speaker 1: need a beat boxer, So the promoter gave her this

441
00:24:49,640 --> 00:24:53,879
Speaker 1: white guy from Toronto who called themselves The Box the Rocks,

442
00:24:55,440 --> 00:24:58,359
Speaker 1: And he got on and everyone's booing him, get the

443
00:24:58,400 --> 00:25:01,440
Speaker 1: funk off if you suck, and he was like and

444
00:25:01,480 --> 00:25:04,520
Speaker 1: they're like, get the funk out of here, and and

445
00:25:04,880 --> 00:25:06,520
Speaker 1: Shanta is like, well you think you could do better

446
00:25:06,520 --> 00:25:08,640
Speaker 1: and he's like yeah. And then some other guy gets

447
00:25:08,680 --> 00:25:11,959
Speaker 1: something black head and stuff, and audience gets on fucking

448
00:25:12,080 --> 00:25:14,840
Speaker 1: murders this kid and said, you get my beatboxing tonight.

449
00:25:15,760 --> 00:25:20,840
Speaker 1: That's crazy, uh, Ship, I mean with New York you

450
00:25:21,359 --> 00:25:23,720
Speaker 1: just you got a tough skin. I mean, I come

451
00:25:23,760 --> 00:25:26,800
Speaker 1: out on stage, Ship, I'll tell you in a minute, man,

452
00:25:26,880 --> 00:25:28,920
Speaker 1: don't come here to face fuck me. If you're gonna

453
00:25:28,920 --> 00:25:31,800
Speaker 1: do that, you know, go go to the ball, have

454
00:25:32,000 --> 00:25:35,000
Speaker 1: something to drink and were at a party. You're gonna

455
00:25:35,119 --> 00:25:38,479
Speaker 1: grill me. Just just do something else and I'll let

456
00:25:38,520 --> 00:25:41,199
Speaker 1: you know from the beginning and when the show start,

457
00:25:41,600 --> 00:25:44,040
Speaker 1: you know, and then going with my show like I

458
00:25:44,080 --> 00:25:47,440
Speaker 1: ain't say ship and just go ahead, you know. But

459
00:25:47,600 --> 00:25:51,640
Speaker 1: my routine is just just this mainly I've learned. We're

460
00:25:51,760 --> 00:25:55,920
Speaker 1: performing what I see a lot of artists do. It

461
00:25:56,080 --> 00:25:59,320
Speaker 1: tends to run the clock out. In its corny is

462
00:25:59,359 --> 00:26:03,040
Speaker 1: when somebody a song, then they stopped, they talked to

463
00:26:03,119 --> 00:26:07,480
Speaker 1: the crowd. Do another song, they stopped, they talked to

464
00:26:07,560 --> 00:26:12,600
Speaker 1: the crowd. Yeah, it's like you cheat. I did an

465
00:26:12,640 --> 00:26:16,159
Speaker 1: hour show, but I did three songs, right so and

466
00:26:16,280 --> 00:26:18,160
Speaker 1: a lot of three your hands in the air. Yeah,

467
00:26:18,280 --> 00:26:22,120
Speaker 1: so when you can do a medley. M I'm gonna

468
00:26:22,160 --> 00:26:25,200
Speaker 1: do five joints in a row, but I'm not gonna

469
00:26:25,240 --> 00:26:29,200
Speaker 1: do the whole song. At the Pop Duke show, Bumpy

470
00:26:29,240 --> 00:26:32,439
Speaker 1: said that night. Yeah, he did sixty minutes strong, no breaks,

471
00:26:32,480 --> 00:26:35,560
Speaker 1: no talking to the crowd, bam bam, bam bam. Because

472
00:26:35,600 --> 00:26:38,760
Speaker 1: the crowd feeds off the energy. Every time you stop,

473
00:26:38,880 --> 00:26:43,280
Speaker 1: you stopping the energy unless you got something prolific to say,

474
00:26:44,400 --> 00:26:47,200
Speaker 1: keep that ship going. You haven't met Bumpy yet, have you. No,

475
00:26:48,080 --> 00:26:51,920
Speaker 1: Bumpy is awesome. Gill me me know what the wedding,

476
00:26:51,960 --> 00:26:56,520
Speaker 1: Hen'll be there any other questions, sir? Five hours and

477
00:26:57,320 --> 00:27:04,600
Speaker 1: before Yeah, I'm that Bumpy would say ninety one ish,

478
00:27:04,960 --> 00:27:07,560
Speaker 1: I'm at Bump. And that's when I was living in Man,

479
00:27:07,600 --> 00:27:09,639
Speaker 1: That's when he was Freddie Fox. Yeah, that's when I

480
00:27:09,720 --> 00:27:12,680
Speaker 1: was living on I was living on fifty eighth and

481
00:27:12,760 --> 00:27:15,399
Speaker 1: tenth and he would come to my crib. Then you know,

482
00:27:15,640 --> 00:27:19,560
Speaker 1: gangster out, you know. But you know, from the day

483
00:27:19,600 --> 00:27:21,920
Speaker 1: I met him, we it was just a bond. I

484
00:27:22,960 --> 00:27:26,600
Speaker 1: the same same with me and Bump. Like I met

485
00:27:26,680 --> 00:27:31,880
Speaker 1: Bumpy maybe about let's at least twelve years ago. Yeah,

486
00:27:32,840 --> 00:27:37,280
Speaker 1: and we became He was cool with me immediately, and

487
00:27:37,359 --> 00:27:39,320
Speaker 1: then we became closer and closer and closer to the

488
00:27:39,400 --> 00:27:43,639
Speaker 1: point where I became best man at his wedding. And

489
00:27:43,880 --> 00:27:46,480
Speaker 1: when people like people know that I'm associated with them,

490
00:27:46,600 --> 00:27:49,080
Speaker 1: so people talk to me a different way because they

491
00:27:49,119 --> 00:27:53,440
Speaker 1: know it's so funny, like how Bumpy doing. It's good

492
00:27:54,960 --> 00:28:02,280
Speaker 1: Bumpy man, And I'm like, I like that. It's there.

493
00:28:02,320 --> 00:28:05,480
Speaker 1: It's always there. I mean, I've never seen that side

494
00:28:05,480 --> 00:28:07,000
Speaker 1: of him, never had to see that side of him.

495
00:28:07,040 --> 00:28:12,320
Speaker 1: So but I've heard the folklore the same with Rap.

496
00:28:12,480 --> 00:28:15,840
Speaker 1: I mean when when Rap was alive and and I

497
00:28:15,880 --> 00:28:18,600
Speaker 1: would go out with Rap, it was funny because I knew.

498
00:28:18,840 --> 00:28:21,560
Speaker 1: I only met Rap when he got out of jail. Now,

499
00:28:21,640 --> 00:28:23,200
Speaker 1: for those who are listening, Rapp is a friend of

500
00:28:23,240 --> 00:28:27,760
Speaker 1: mine to the thirty three years in prison in total,

501
00:28:27,840 --> 00:28:32,520
Speaker 1: fourteen years in solitary. And Rapp was a stone cold

502
00:28:32,600 --> 00:28:35,560
Speaker 1: gangster and you know, I mean, you know the stories

503
00:28:35,600 --> 00:28:38,560
Speaker 1: behind him before I even knew him. So when I

504
00:28:38,600 --> 00:28:40,680
Speaker 1: would go out with him in New York and he

505
00:28:40,720 --> 00:28:42,920
Speaker 1: didn't he was not an intimidating looking guy at all.

506
00:28:43,720 --> 00:28:45,800
Speaker 1: And his voice was real high like that, you know

507
00:28:46,760 --> 00:28:50,040
Speaker 1: you'll clean man, Dude, he's not Paulina's man. It's is

508
00:28:50,160 --> 00:28:54,320
Speaker 1: good baby, give me some of them ships. Man. That's

509
00:28:54,360 --> 00:28:57,600
Speaker 1: how That's exactly how Rap talked. But I'd be like,

510
00:28:58,440 --> 00:29:00,400
Speaker 1: they're like, yo, you know Rap was above, but why

511
00:29:00,480 --> 00:29:03,640
Speaker 1: I'm like, I don't see Rap like that. I see Rappers.

512
00:29:03,760 --> 00:29:06,840
Speaker 1: This guy it's really sweet with me. I knew he

513
00:29:06,960 --> 00:29:10,440
Speaker 1: was a gangster, but again, see, but that's the thing,

514
00:29:11,240 --> 00:29:16,080
Speaker 1: like people I'll tell you stories. But when you know

515
00:29:16,400 --> 00:29:18,800
Speaker 1: you got a good vibe about you and your intentions

516
00:29:18,840 --> 00:29:21,880
Speaker 1: are good, and you don't have no ill intentions, you

517
00:29:21,960 --> 00:29:25,480
Speaker 1: don't look at nobody as, oh he's he's a gangster.

518
00:29:25,520 --> 00:29:28,120
Speaker 1: I'm gonna act a certain way. They don't want to

519
00:29:28,120 --> 00:29:30,959
Speaker 1: be around with the gangsters. Yeah, I mean my whole thing,

520
00:29:31,080 --> 00:29:34,280
Speaker 1: if you don't have bad intentions. I've met so many

521
00:29:34,400 --> 00:29:38,800
Speaker 1: people throughout my career that out and I know did

522
00:29:38,920 --> 00:29:43,160
Speaker 1: some crazy shit, heard did some crazy ship. But I

523
00:29:43,240 --> 00:29:45,760
Speaker 1: always had a good relationship with him. And you know,

524
00:29:46,000 --> 00:29:48,680
Speaker 1: I'm like, well, I don't know how you're looking at

525
00:29:48,720 --> 00:29:52,000
Speaker 1: the situation here. This is my my man. We cool.

526
00:29:52,120 --> 00:29:54,400
Speaker 1: I ain't. I ain't worried about that. You know. One

527
00:29:54,480 --> 00:29:58,880
Speaker 1: of my first security people, UM, you know his name

528
00:29:58,960 --> 00:30:04,720
Speaker 1: was Bo. That's what I have. Yeah. Um, I never um,

529
00:30:06,160 --> 00:30:09,680
Speaker 1: I never knew his background. I just knew when he

530
00:30:09,800 --> 00:30:11,960
Speaker 1: came home. They're like, look, NIC's take him out on

531
00:30:12,040 --> 00:30:14,560
Speaker 1: the road with you. You're doing shows now, I need

532
00:30:14,720 --> 00:30:19,120
Speaker 1: some security. It's just like fam look out. And I'm like, okay,

533
00:30:20,120 --> 00:30:23,200
Speaker 1: you know, but I ain't know this was the gangster

534
00:30:23,280 --> 00:30:26,240
Speaker 1: of the gangsters, you know, I just know it's like

535
00:30:26,360 --> 00:30:28,200
Speaker 1: you know what you're gonna do next, I'm gonna go

536
00:30:28,400 --> 00:30:30,560
Speaker 1: hang out. You wanna come hang out with me? Yeah?

537
00:30:30,600 --> 00:30:33,560
Speaker 1: And I just go to spots and should be clearing out,

538
00:30:33,760 --> 00:30:37,680
Speaker 1: Like I'm like, what's going on? Why? Why should always

539
00:30:37,760 --> 00:30:43,200
Speaker 1: clearing out? You know? And I ain't know until yeah, somebody,

540
00:30:43,280 --> 00:30:46,160
Speaker 1: until somebody was telling me like, yo, you know he's

541
00:30:46,200 --> 00:30:49,040
Speaker 1: someone son. I'm like, nah, it's just like family. So

542
00:30:49,920 --> 00:30:51,600
Speaker 1: you know, like I said, if you don't never have

543
00:30:51,760 --> 00:30:55,840
Speaker 1: bad intentions and you you got nothing but positive energy,

544
00:30:55,880 --> 00:30:57,920
Speaker 1: I don't think it's ever to be nothing to worry

545
00:30:57,960 --> 00:31:01,880
Speaker 1: about or somebody starting your fearful. I feel like the

546
00:31:01,960 --> 00:31:05,480
Speaker 1: gangsters have the much better radar on them, like they know,

547
00:31:05,800 --> 00:31:08,200
Speaker 1: like I'm good with you. If you say I'm fine,

548
00:31:08,840 --> 00:31:10,360
Speaker 1: I gotta look up my back when I'm with you,

549
00:31:11,360 --> 00:31:15,080
Speaker 1: because you're not trying to be like them. We admire

550
00:31:15,280 --> 00:31:20,160
Speaker 1: like wow, because I would ask me questions like what's

551
00:31:20,160 --> 00:31:22,000
Speaker 1: the what does it smell like when you kill? Somebody?

552
00:31:23,440 --> 00:31:27,440
Speaker 1: Smells like iron, all the bloods and a lot of iron.

553
00:31:30,000 --> 00:31:32,600
Speaker 1: Right now wrapping, I had some real deep ones. I

554
00:31:32,640 --> 00:31:34,960
Speaker 1: remember going to a take graand with me to a

555
00:31:34,960 --> 00:31:38,280
Speaker 1: club with me in New York, Big mean looking bouncer

556
00:31:38,360 --> 00:31:40,960
Speaker 1: at the door. He knew who I was. It was

557
00:31:41,040 --> 00:31:43,680
Speaker 1: a Russellman. It was with you, and I go blah

558
00:31:43,680 --> 00:31:46,440
Speaker 1: blah blah blah blah, and they go okay and I go,

559
00:31:46,720 --> 00:31:49,280
Speaker 1: and he would see rapidly with him, but he didn't

560
00:31:49,320 --> 00:31:51,880
Speaker 1: know it was Wrapp and I go, I go, and uh,

561
00:31:52,160 --> 00:31:55,920
Speaker 1: you know, o g rap, Oh, Hey, what's up? What's up? Rap? Doing?

562
00:31:56,120 --> 00:31:58,120
Speaker 1: Good to see man, Welcome holcome home, take off his

563
00:31:58,240 --> 00:32:00,800
Speaker 1: hat ship. I'm like, god, this is I am. Motherfucker

564
00:32:00,880 --> 00:32:04,480
Speaker 1: just bound to you. Hey, brother, welcome home. Good see

565
00:32:04,600 --> 00:32:07,880
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566
00:32:08,000 --> 00:32:18,120
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567
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588
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589
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590
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591
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592
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593
00:33:46,440 --> 00:33:55,000
Speaker 1: or text hope N why four six seven nine. I

594
00:33:55,040 --> 00:33:58,360
Speaker 1: remember when we went to the Jazzy Jeff thing at

595
00:33:58,560 --> 00:34:05,800
Speaker 1: UH who was that cee los C los C. I'm saying,

596
00:34:05,880 --> 00:34:08,560
Speaker 1: see los And I was like I look and I

597
00:34:08,640 --> 00:34:11,640
Speaker 1: was like, oh Ship, what up o G You know,

598
00:34:11,840 --> 00:34:14,759
Speaker 1: because Fox would always tell me about Rap. Yeah, I

599
00:34:14,800 --> 00:34:18,319
Speaker 1: brought Rap that night. Yeah. And then I called Fox like, yeah, man,

600
00:34:18,360 --> 00:34:20,719
Speaker 1: I see Rapped last night. Man. I chopped it up

601
00:34:20,760 --> 00:34:23,759
Speaker 1: with him for a minute, not wrapped, don't hang out less.

602
00:34:24,920 --> 00:34:28,120
Speaker 1: I'm like, he hung out that night. Now you ain't

603
00:34:28,160 --> 00:34:31,279
Speaker 1: see Rap. And then he hit me back later. Yeah,

604
00:34:31,400 --> 00:34:34,040
Speaker 1: Rap was would rush that night, and yeah, I said, yeah,

605
00:34:34,160 --> 00:34:39,560
Speaker 1: no I've seen him. Yeah, Rap was that guy when

606
00:34:39,600 --> 00:34:42,920
Speaker 1: he died, because anything like kind of the people care

607
00:34:43,000 --> 00:34:44,759
Speaker 1: did you hear anything? Oh? There wasn't like a lot

608
00:34:44,800 --> 00:34:50,640
Speaker 1: of tributes on Instagram to him. Um, but I remember

609
00:34:50,760 --> 00:34:52,960
Speaker 1: rappking and maybe for dinner one time in New York.

610
00:34:53,840 --> 00:34:57,080
Speaker 1: This is all this makes me laugh. And he comes

611
00:34:57,080 --> 00:35:01,120
Speaker 1: to me at the hotel. My son was maybe maybe

612
00:35:01,160 --> 00:35:03,680
Speaker 1: six months old, maybe maybe five months old. Six months old.

613
00:35:03,680 --> 00:35:06,040
Speaker 1: My son was six months old. So it comes to

614
00:35:06,160 --> 00:35:09,920
Speaker 1: meet me at the hotel. I come down stairs with

615
00:35:09,960 --> 00:35:13,200
Speaker 1: my son and the stroller and wraps in a lot.

616
00:35:13,320 --> 00:35:16,440
Speaker 1: I go, Rap, I want you with my son, goes, Oh,

617
00:35:16,600 --> 00:35:19,000
Speaker 1: let me see it man, and I lift up the

618
00:35:19,120 --> 00:35:21,239
Speaker 1: thing in my sentence and looks wrapping, smiles at him

619
00:35:21,239 --> 00:35:26,359
Speaker 1: and goes, smill, beautiful, And I passed the baby. There's

620
00:35:26,400 --> 00:35:29,840
Speaker 1: baby smiling so happy. And then he goes, where are

621
00:35:29,840 --> 00:35:32,120
Speaker 1: we going? I go, we're going to dinner, goes I go,

622
00:35:32,400 --> 00:35:36,440
Speaker 1: oh cool, man, I go, who's gonna be there? I go, Mellie,

623
00:35:36,480 --> 00:35:41,560
Speaker 1: Mel cast shouting baby. He's like, oh god, I brought

624
00:35:41,600 --> 00:35:44,279
Speaker 1: my baby with me too. Man. I go, we're talking

625
00:35:44,280 --> 00:35:46,200
Speaker 1: about He lift up his shirt and had his gun

626
00:35:46,280 --> 00:35:47,920
Speaker 1: in his way, and I go, you know what, the

627
00:35:47,960 --> 00:35:49,880
Speaker 1: funk wrap. We don't need that nice New York man.

628
00:35:49,960 --> 00:35:52,560
Speaker 1: She's crazy right here. I'm like, no, you're with me

629
00:35:52,760 --> 00:35:54,799
Speaker 1: and Mel We're like, we're not doing none of that. Ship.

630
00:35:55,440 --> 00:35:58,000
Speaker 1: Give me the fucking gun. I go, Rap, stay here

631
00:35:58,040 --> 00:35:59,320
Speaker 1: with the baby. I left the baby with him. I

632
00:35:59,360 --> 00:36:01,000
Speaker 1: took the gun up to the room, put it in

633
00:36:01,080 --> 00:36:06,120
Speaker 1: the safe. Then after dinner we go back to the hotel.

634
00:36:06,160 --> 00:36:08,760
Speaker 1: Got a picture wrapped that night holding my son. After

635
00:36:08,840 --> 00:36:14,600
Speaker 1: dinner and we'll go back to the hotel. Goes, all right, man,

636
00:36:14,600 --> 00:36:16,359
Speaker 1: I'll see you later. A bron, don't forget my baby.

637
00:36:16,680 --> 00:36:19,080
Speaker 1: My baby from up stairs it's like, okay, hold on,

638
00:36:19,160 --> 00:36:21,680
Speaker 1: I went up and got the gun, standing in the

639
00:36:21,760 --> 00:36:24,960
Speaker 1: elevator with a gun in my waist hoping I don't

640
00:36:25,320 --> 00:36:28,960
Speaker 1: shoot myself in the leg or something. I'm not a

641
00:36:29,040 --> 00:36:33,719
Speaker 1: gun guy, So you know, where is that picture? It's

642
00:36:33,719 --> 00:36:36,319
Speaker 1: a great picture. You ever, like Harry when you were

643
00:36:37,719 --> 00:36:42,919
Speaker 1: do you ever? Right? And that was not that guy either.

644
00:36:43,960 --> 00:36:46,479
Speaker 1: I was running with too many people where I ain't

645
00:36:46,560 --> 00:36:49,320
Speaker 1: have to worry about that. The whole thing is like

646
00:36:49,960 --> 00:36:52,239
Speaker 1: it was. It was just crazy. It's like you that

647
00:36:52,520 --> 00:36:56,040
Speaker 1: person that came out the project with you, that that

648
00:36:56,360 --> 00:37:00,360
Speaker 1: that that shining pathway out the project. It's just like,

649
00:37:01,520 --> 00:37:03,960
Speaker 1: this is the dude. You know, we gotta, you know,

650
00:37:04,120 --> 00:37:07,120
Speaker 1: make sure he's good at all course, but I never

651
00:37:07,320 --> 00:37:09,400
Speaker 1: used that in any type of way like you know

652
00:37:09,760 --> 00:37:12,960
Speaker 1: these rappers nowadays they use that ship like the data

653
00:37:13,000 --> 00:37:19,480
Speaker 1: gangsters and ship. Let's wrapper chumpy right there, like if

654
00:37:19,480 --> 00:37:23,520
Speaker 1: you stow that guy even like, no, he's fine, but

655
00:37:23,560 --> 00:37:26,399
Speaker 1: when he would start telling your stories, like you can

656
00:37:26,440 --> 00:37:28,800
Speaker 1: sort of see his eyes there right, But when he

657
00:37:28,920 --> 00:37:30,520
Speaker 1: was it was weird because when he would start telling

658
00:37:30,520 --> 00:37:34,239
Speaker 1: you the street stories and stuff about people that he

659
00:37:34,320 --> 00:37:39,279
Speaker 1: may have gone missing with him. Um, his eyes would

660
00:37:39,320 --> 00:37:41,320
Speaker 1: get fully black. It looked like his eyes just like

661
00:37:41,480 --> 00:37:44,080
Speaker 1: the whites of his eyes got consumed with black, and

662
00:37:44,440 --> 00:37:48,399
Speaker 1: he would just get this little like this little yeah,

663
00:37:48,800 --> 00:37:51,360
Speaker 1: like you'd see this little shift in him, and it

664
00:37:51,480 --> 00:37:54,040
Speaker 1: was wild. I was asking like really dumb questions, like

665
00:37:54,120 --> 00:37:56,920
Speaker 1: not dumb, but like questions you would always want to

666
00:37:56,960 --> 00:37:59,960
Speaker 1: ask somebody like that. And I would like, what's your favor.

667
00:38:00,000 --> 00:38:05,520
Speaker 1: We're way of killing people, push them off buildings. Take

668
00:38:05,600 --> 00:38:07,560
Speaker 1: him the top of a building and push them off.

669
00:38:08,040 --> 00:38:14,400
Speaker 1: Then look like suicide because it was suicide. I was

670
00:38:14,440 --> 00:38:18,360
Speaker 1: gonna kill you or you were gonna kill yourself. So what.

671
00:38:20,880 --> 00:38:23,360
Speaker 1: And one time he went to uh some Projects to

672
00:38:23,360 --> 00:38:26,520
Speaker 1: go shoot some dude. When he got in the elevator,

673
00:38:26,600 --> 00:38:29,320
Speaker 1: the dude was in the elevator with this girl and

674
00:38:29,440 --> 00:38:31,640
Speaker 1: wrap its in was like, oh shit, he's right there.

675
00:38:32,600 --> 00:38:35,160
Speaker 1: And the guy didn't know that was wrap wrap as

676
00:38:35,200 --> 00:38:37,759
Speaker 1: I had head down and stuff, and it was like, fun,

677
00:38:37,880 --> 00:38:39,080
Speaker 1: I'm gonna do it here. And he shot the guy

678
00:38:39,080 --> 00:38:41,960
Speaker 1: in the elevator and he said, I couldn't hear for

679
00:38:42,080 --> 00:38:45,480
Speaker 1: like six months. I couldn't hear. I had bringing in

680
00:38:45,600 --> 00:38:48,359
Speaker 1: my head the whole fucking time. I remember I left,

681
00:38:48,360 --> 00:38:49,840
Speaker 1: I quite clean up, and I still went out and

682
00:38:49,840 --> 00:38:51,520
Speaker 1: I was like a piece of this guy's braining, my

683
00:38:51,600 --> 00:38:58,040
Speaker 1: fucking head stuff. Damn you. No, he passed away before

684
00:38:58,680 --> 00:39:04,040
Speaker 1: before we were seen him. Yeah, but I never met him. Amazing, Yeah,

685
00:39:05,000 --> 00:39:06,960
Speaker 1: amazing because he was going to be best man at

686
00:39:06,960 --> 00:39:13,880
Speaker 1: the wedding. Yeah he might have been. Who's gonna tell him? No?

687
00:39:16,640 --> 00:39:23,480
Speaker 1: Amazing stories? Amazing You didn't comment that. He didn't write

688
00:39:23,520 --> 00:39:27,600
Speaker 1: she's looking at my bulge? No, I just saw him

689
00:39:28,000 --> 00:39:32,000
Speaker 1: with our mutual friend has said he was a top comedian,

690
00:39:33,200 --> 00:39:34,560
Speaker 1: but he wasn't black, because I was like, I'm not

691
00:39:34,600 --> 00:39:37,840
Speaker 1: dating with black, guess, and she wasn't. No, he's not black,

692
00:39:37,920 --> 00:39:40,560
Speaker 1: and she gets saying you guys would be perfect for

693
00:39:40,600 --> 00:39:42,120
Speaker 1: each other. She kept telling me that too, and I

694
00:39:42,200 --> 00:39:44,720
Speaker 1: was like, I don't care. So when I was annoying

695
00:39:45,000 --> 00:39:46,640
Speaker 1: how old this sen she was like she's older. She's like,

696
00:39:46,719 --> 00:39:47,800
Speaker 1: you know, a couple of years younger than you. And

697
00:39:47,880 --> 00:39:49,719
Speaker 1: I'm like, what am I gonna do with an old bat?

698
00:39:49,760 --> 00:39:54,000
Speaker 1: I did? I mean that? Wow, that's a smart move,

699
00:39:54,200 --> 00:39:56,080
Speaker 1: right yeah. And then I was like they're like, I go,

700
00:39:56,200 --> 00:39:57,920
Speaker 1: what is she? Because I thought she was black? She's

701
00:39:57,960 --> 00:40:01,200
Speaker 1: like she's Philippine and I'm like, in my head, were

702
00:40:01,200 --> 00:40:03,399
Speaker 1: since the Filippino. I was like, then, I can't wait

703
00:40:03,440 --> 00:40:06,759
Speaker 1: to meet you, sir. You had for me, That's what

704
00:40:06,880 --> 00:40:09,320
Speaker 1: I was picturing. Oh, I didn't know. I was picturing

705
00:40:09,360 --> 00:40:12,360
Speaker 1: the female me. I don't know if I love you.

706
00:40:12,480 --> 00:40:21,759
Speaker 1: I just love me with long hair. It's just a narcisstic. Yeah.

707
00:40:21,840 --> 00:40:25,200
Speaker 1: So when he walked into North Sham, I was like, oh,

708
00:40:25,320 --> 00:40:28,120
Speaker 1: he's cute. I was like, God damn. But I was

709
00:40:28,200 --> 00:40:30,680
Speaker 1: just like trying. She was trying to play it off.

710
00:40:30,680 --> 00:40:32,400
Speaker 1: But he knew Dante, you know. Or we had the

711
00:40:32,440 --> 00:40:36,200
Speaker 1: same sales guy. And I was like, she's cute. I

712
00:40:36,320 --> 00:40:38,479
Speaker 1: was like that black girls cute. But he kept staring

713
00:40:38,480 --> 00:40:39,759
Speaker 1: at my feet. Do it baby? I was looking at

714
00:40:39,800 --> 00:40:42,319
Speaker 1: her toes. I was like, then she caught me looking

715
00:40:42,360 --> 00:40:47,200
Speaker 1: and I looked at it wow, and she smiled and

716
00:40:47,239 --> 00:40:52,160
Speaker 1: I was like, I win because I got caught staring

717
00:40:52,200 --> 00:40:57,719
Speaker 1: at her feet. I was like, oh yeah. And then

718
00:40:57,920 --> 00:41:00,520
Speaker 1: and then when he leaves, he says bye to our

719
00:41:00,600 --> 00:41:03,400
Speaker 1: sales guy and he saw you know who that is, right?

720
00:41:03,440 --> 00:41:05,680
Speaker 1: I was like no. I was like, that's your client.

721
00:41:06,480 --> 00:41:08,440
Speaker 1: And I was like, but he's cute. And he goes,

722
00:41:08,520 --> 00:41:12,279
Speaker 1: that's that that's that hype. What did he call you?

723
00:41:12,480 --> 00:41:16,920
Speaker 1: Comedian said that's where the comics in the world. That's

724
00:41:16,920 --> 00:41:19,160
Speaker 1: so yeah, something like that, and I was like, that's

725
00:41:19,200 --> 00:41:22,600
Speaker 1: why she No, that's not why on the other side,

726
00:41:22,640 --> 00:41:24,759
Speaker 1: but no, no, he said that's that fame. Now he goes,

727
00:41:24,760 --> 00:41:29,239
Speaker 1: that's that famous comedian and I was like, I don't know.

728
00:41:29,320 --> 00:41:31,719
Speaker 1: And I was like and then I go, wait, he's

729
00:41:31,760 --> 00:41:33,800
Speaker 1: not black. I'm gonna go wait a minute, that Russell

730
00:41:33,840 --> 00:41:37,040
Speaker 1: Peters and he goes, yeah, that's his name. That's going

731
00:41:37,120 --> 00:41:39,800
Speaker 1: to know my name. No, that's why. I was like,

732
00:41:39,920 --> 00:41:42,799
Speaker 1: I said that that's your guy, that that's your client.

733
00:41:42,840 --> 00:41:44,560
Speaker 1: Where should have you know? We should have invited Dante

734
00:41:44,680 --> 00:41:48,800
Speaker 1: to the wedding. He was there from the beginning and

735
00:41:48,880 --> 00:41:51,400
Speaker 1: then um I called. I text the girl and I

736
00:41:51,480 --> 00:41:53,239
Speaker 1: was like, hey, I saw your friend. He was here.

737
00:41:54,040 --> 00:41:56,800
Speaker 1: Then he happened to go there. I literally left that

738
00:41:56,880 --> 00:41:59,000
Speaker 1: store and went to the store where our mutual friend work,

739
00:41:59,480 --> 00:42:04,080
Speaker 1: former show friend. And then then he came back to

740
00:42:04,360 --> 00:42:06,960
Speaker 1: Neimans and Nesta to go to the New Year's Eve party. Yeah.

741
00:42:07,000 --> 00:42:08,719
Speaker 1: I would invite her every year to my nearest party.

742
00:42:08,760 --> 00:42:10,799
Speaker 1: So I was like, I'm having a party again this year. Okay, cool,

743
00:42:10,800 --> 00:42:15,000
Speaker 1: I'll come. Can I bring some friends? Of course? And

744
00:42:15,080 --> 00:42:17,160
Speaker 1: then I was the one, don't She brought her and

745
00:42:17,360 --> 00:42:22,080
Speaker 1: you brought Gurp. They were there before a scarping, but

746
00:42:22,200 --> 00:42:26,120
Speaker 1: they were there because Bridget told him to come. Yea, yeah,

747
00:42:27,120 --> 00:42:29,759
Speaker 1: so it was you Bridget, that other tall girl that

748
00:42:30,320 --> 00:42:34,000
Speaker 1: used to come with her every year anyway, and then you, oh, hey,

749
00:42:34,840 --> 00:42:37,640
Speaker 1: oh hey, sorry, I go, oh hey, is that you're

750
00:42:37,680 --> 00:42:39,759
Speaker 1: the girl from the store, and his face lit up

751
00:42:40,040 --> 00:42:48,120
Speaker 1: and everybody whatever, No, because even even she was like, damn,

752
00:42:48,320 --> 00:42:50,680
Speaker 1: can I get a hug because he he went straight

753
00:42:50,760 --> 00:42:55,440
Speaker 1: to me because there's those toes. Was like then apparently

754
00:42:55,480 --> 00:42:59,320
Speaker 1: everyone else saw because I've got bombarded by their questions.

755
00:42:59,360 --> 00:43:02,760
Speaker 1: They were covered then night, parted by questions by questions,

756
00:43:02,760 --> 00:43:06,200
Speaker 1: how do you know him? What do you do with him?

757
00:43:07,280 --> 00:43:09,240
Speaker 1: Everyone was asking me how I just met the motherfucker?

758
00:43:09,320 --> 00:43:12,879
Speaker 1: Were you talking? Yeah? I was like, my friend knows him. Yeah.

759
00:43:13,040 --> 00:43:17,160
Speaker 1: Everyone was like that that night there asking the powers

760
00:43:17,200 --> 00:43:20,000
Speaker 1: that bead at that time, how do you know him?

761
00:43:20,320 --> 00:43:22,719
Speaker 1: Shoved the baby in my face? I was wrong, this

762
00:43:22,920 --> 00:43:27,040
Speaker 1: is the son? Yeah, cornered breastfeed you know. I was like,

763
00:43:27,400 --> 00:43:35,359
Speaker 1: I can't do that. It's all sailing now they're gummiest married. Yeah,

764
00:43:35,480 --> 00:43:37,919
Speaker 1: right after him three there at end of yours party?

765
00:43:38,560 --> 00:43:41,600
Speaker 1: Was there then too, We both met at the same time.

766
00:43:42,680 --> 00:43:46,600
Speaker 1: I think she was dancing with Shelena most of the

767
00:43:46,680 --> 00:43:48,880
Speaker 1: night then, right you were hanging out with her? No,

768
00:43:49,840 --> 00:43:52,759
Speaker 1: I was. I wasn't really dancing. Oh you know what,

769
00:43:52,840 --> 00:43:55,799
Speaker 1: if anything, Shelena must have been standing by a high

770
00:43:55,840 --> 00:43:59,879
Speaker 1: top table by the staircase, because that's where I was. Hmm,

771
00:44:00,560 --> 00:44:03,160
Speaker 1: that's where I was. Yeah, that makes sense because that

772
00:44:03,320 --> 00:44:04,800
Speaker 1: was saying that we were just kind of like, okay,

773
00:44:04,880 --> 00:44:08,400
Speaker 1: watching did you think you get married again again? You

774
00:44:08,520 --> 00:44:13,400
Speaker 1: never married before? Did you think you get married? No,

775
00:44:13,600 --> 00:44:17,280
Speaker 1: because I was like I never wanted to marry unless

776
00:44:17,280 --> 00:44:19,600
Speaker 1: I knew for sure, like this is it. I wanted

777
00:44:19,640 --> 00:44:21,920
Speaker 1: to be one and done, and everyone that I was

778
00:44:22,000 --> 00:44:24,640
Speaker 1: with I was like, no, that's not gonna happen. Mean, wrestle,

779
00:44:24,800 --> 00:44:27,920
Speaker 1: we offer invest never get married, Like He's like, I'm

780
00:44:27,960 --> 00:44:33,239
Speaker 1: not getting married, and then all stud Yeah, and then

781
00:44:33,280 --> 00:44:35,520
Speaker 1: every time you know, it's more of one of those

782
00:44:35,520 --> 00:44:37,640
Speaker 1: things where as it gets closer and I was like,

783
00:44:37,680 --> 00:44:40,600
Speaker 1: you're nervous, Like nope, not even a little bit. I'm

784
00:44:40,640 --> 00:44:44,399
Speaker 1: like it just feels right. He just hears the cock

785
00:44:44,480 --> 00:44:49,879
Speaker 1: of the gun every night. Should be getting my cock

786
00:44:49,960 --> 00:44:57,680
Speaker 1: every night. Slap bag mcgillo at the other area. So,

787
00:44:57,840 --> 00:45:00,759
Speaker 1: we were at my cousin's fifty at in Vegas, and

788
00:45:01,080 --> 00:45:03,919
Speaker 1: I guess one of her cousins was a huge fan

789
00:45:05,440 --> 00:45:13,359
Speaker 1: of all of them. So he walks up to him

790
00:45:13,400 --> 00:45:15,279
Speaker 1: and was asking, like, hey, I heard your what he

791
00:45:15,360 --> 00:45:17,799
Speaker 1: was telling, like, I listened to your Joe Rogan podcast

792
00:45:18,440 --> 00:45:20,360
Speaker 1: and I heard about the girl that you were talking

793
00:45:20,400 --> 00:45:22,920
Speaker 1: about and you're going to marry her. And then I go,

794
00:45:23,040 --> 00:45:25,279
Speaker 1: that's her. There he goes, I didn't realize that was her.

795
00:45:25,360 --> 00:45:28,480
Speaker 1: I know her, Yeah, a good old slutbag mcgilla cut

796
00:45:28,600 --> 00:45:32,719
Speaker 1: over there, and ever since then, I've been calling her

797
00:45:32,719 --> 00:45:39,799
Speaker 1: slatbag MGI it's apparently he says, I'm marrying into royalty. Well,

798
00:45:39,920 --> 00:45:47,320
Speaker 1: I mean by default, I was like, shut it was

799
00:45:47,360 --> 00:45:50,040
Speaker 1: because Mama was talking about royalty and like the blood

800
00:45:50,080 --> 00:45:53,440
Speaker 1: and everything I got. Well, mamall quarantine your son. I'm

801
00:45:53,480 --> 00:45:57,960
Speaker 1: marrying into royalty. Shels, that's my son. I'd like to

802
00:45:58,000 --> 00:46:02,960
Speaker 1: say this La Poplina Grocery of Cigars very good. Do

803
00:46:03,040 --> 00:46:04,880
Speaker 1: you see that? To all the manufacturers. Do you know

804
00:46:04,960 --> 00:46:07,279
Speaker 1: the guy? He knows a guy? Oh, yeah, I know

805
00:46:07,400 --> 00:46:12,440
Speaker 1: a guy. What's his name? Bill, Bill Palley, Bill Palley,

806
00:46:16,000 --> 00:46:19,400
Speaker 1: William Piley, William Haley Jr. You know who he is.

807
00:46:20,120 --> 00:46:24,160
Speaker 1: That's who he is. That's actually him. Oh yeah, that's

808
00:46:24,200 --> 00:46:29,680
Speaker 1: my business partner. He's home tonight. County's monocles him and

809
00:46:29,760 --> 00:46:35,480
Speaker 1: Colonel Clink. That's a certain right. Oh, that's that's some

810
00:46:35,640 --> 00:46:37,759
Speaker 1: royalty right there. So what are you guys wearing for

811
00:46:37,840 --> 00:46:41,520
Speaker 1: the wedding. I'm wearing a white dress, just so you know.

812
00:46:43,000 --> 00:46:48,360
Speaker 1: I'm wearing leather chaps, of course, he is. Yeah, and

813
00:46:48,480 --> 00:46:54,880
Speaker 1: Vanessa's actually during um okay, I want to know how

814
00:46:54,920 --> 00:46:56,839
Speaker 1: many times Vanessa is going to fall asleep that day?

815
00:46:58,480 --> 00:47:03,759
Speaker 1: Good catch it in the corner. Finesse, for the first

816
00:47:04,000 --> 00:47:06,160
Speaker 1: two years to now, he was never rocked on the day.

817
00:47:06,160 --> 00:47:08,600
Speaker 1: He was only up at night. He seemed like he

818
00:47:08,760 --> 00:47:13,560
Speaker 1: left the strain. He does. Yeah, we all do. I'm

819
00:47:13,640 --> 00:47:16,000
Speaker 1: up that nice sometimes, but I don't leave a room.

820
00:47:16,080 --> 00:47:18,640
Speaker 1: Now it's different now, you know. You know what's interesting

821
00:47:18,680 --> 00:47:24,880
Speaker 1: about you, PAULI playing Finesse. They don't have kids, so

822
00:47:24,920 --> 00:47:28,759
Speaker 1: I always look at you guys enviously, like what's that like, man, No,

823
00:47:29,040 --> 00:47:33,359
Speaker 1: I just adopted five kids last week man No. Four

824
00:47:34,120 --> 00:47:38,200
Speaker 1: No five? Yeah, you know, no, I got them. You

825
00:47:38,280 --> 00:47:43,480
Speaker 1: know twenty three cents of week. Yeah, you're out to

826
00:47:43,520 --> 00:47:49,439
Speaker 1: the village. It's different working on his Columbian Jackson five. Yeah,

827
00:47:50,960 --> 00:47:59,280
Speaker 1: Sinko it's epopian you know the Bosch, Yeah, highly the Bart.

828
00:48:02,640 --> 00:48:05,319
Speaker 1: It's a good bye to end it right there, I think, Yeah,

829
00:48:06,080 --> 00:48:09,040
Speaker 1: I like that. It was nice and easy. Well, thank

830
00:48:09,080 --> 00:48:12,600
Speaker 1: you guys for eavestrapping on this episode of Culturally canceled

831
00:48:12,760 --> 00:48:17,120
Speaker 1: with myself, Russel Peters, and m Pauli, who didn't have

832
00:48:17,200 --> 00:48:20,680
Speaker 1: a mic, but we knew he would talk. Usually his

833
00:48:20,760 --> 00:48:22,640
Speaker 1: phone goes out, which is nice that he didn't. Today,

834
00:48:22,719 --> 00:48:24,719
Speaker 1: Clay's phone went off, but it was Angela. It was

835
00:48:24,760 --> 00:48:28,080
Speaker 1: and and Then Andrew tried to face time me after Hey,

836
00:48:28,239 --> 00:48:34,360
Speaker 1: Russy with Clay. He Malacca. No, I'm in Ohio. Clay

837
00:48:34,480 --> 00:48:38,560
Speaker 1: Roberts from Lapolina Sagans was here, my dear friend, my

838
00:48:39,160 --> 00:48:48,960
Speaker 1: youngest daughter, Lord Robsky, um and my wife to be

839
00:48:49,360 --> 00:48:55,120
Speaker 1: a k my wife, Um, Ali Peters, Mrs Peters, the

840
00:48:55,200 --> 00:49:00,440
Speaker 1: first and only Mrs Peters in existence other than my mother. Welcome,

841
00:49:01,120 --> 00:49:04,239
Speaker 1: even my brother's wife. Is Mrs Peters. Do you know that? Yeah,

842
00:49:04,280 --> 00:49:07,480
Speaker 1: that's really second brother. She's married to my brother, but

843
00:49:07,560 --> 00:49:11,120
Speaker 1: she's not Missus Peters. She didn't take the name. And

844
00:49:12,920 --> 00:49:15,640
Speaker 1: my daughter's mother who I was married to briefly. I

845
00:49:15,800 --> 00:49:18,080
Speaker 1: never got the name, actually wanted it, but I was like,

846
00:49:18,239 --> 00:49:20,640
Speaker 1: I don't want a dot it. You know, what's it

847
00:49:20,680 --> 00:49:22,759
Speaker 1: going to distance? I'm like, God, even don't go through

848
00:49:22,760 --> 00:49:27,840
Speaker 1: all that paperwork for no reason. And uh, and that's it.

849
00:49:28,040 --> 00:49:30,640
Speaker 1: Thanks guys. This was It's kind of like the family

850
00:49:30,719 --> 00:49:34,400
Speaker 1: episode basically, and it's an easy listen. You know, this

851
00:49:34,600 --> 00:49:38,120
Speaker 1: is basically the Christopher Cross episode. We just put it

852
00:49:38,200 --> 00:49:41,680
Speaker 1: on and you know, you could be sailing. It takes

853
00:49:41,719 --> 00:49:51,120
Speaker 1: me away where I want to be. Yeah, yeah, well

854
00:49:51,239 --> 00:49:59,560
Speaker 1: you can wind right. Hey, thanks for listening. I hope

855
00:49:59,560 --> 00:50:02,880
Speaker 1: you enjoyed at this conversation. If you like the podcast,

856
00:50:03,000 --> 00:50:05,040
Speaker 1: please be sure to rate and review it on Apple

857
00:50:05,120 --> 00:50:07,600
Speaker 1: Podcasts so more people can find out about it. And

858
00:50:07,680 --> 00:50:09,960
Speaker 1: if you didn't like it, go fuck yourself and follow

859
00:50:10,080 --> 00:50:13,400
Speaker 1: us on Instagram and culturally canceled and culturally RP on Twitter.

860
00:50:13,840 --> 00:50:15,360
Speaker 1: We're also on YouTube if you want to see what

861
00:50:15,440 --> 00:50:17,080
Speaker 1: the backyard kind of looks like. If you don't really

862
00:50:17,080 --> 00:50:18,960
Speaker 1: see the backyard looks like. You just see where my

863
00:50:19,040 --> 00:50:21,880
Speaker 1: smoking section looks like, and you can probably sneak a

864
00:50:21,880 --> 00:50:24,400
Speaker 1: peek in the house. You're a weirdo. Also, we have

865
00:50:24,520 --> 00:50:26,920
Speaker 1: a phone line now, so call and leave a message.

866
00:50:27,160 --> 00:50:28,960
Speaker 1: You can ask me about whatever you want to ask

867
00:50:28,960 --> 00:50:32,839
Speaker 1: me about, hip hop, parenting, food boxing, mm A, relationships, comedy, sex,

868
00:50:32,880 --> 00:50:34,320
Speaker 1: so I don't give a ship. Ask me whatever you

869
00:50:34,400 --> 00:50:37,120
Speaker 1: want and I'll do my best to answer your question.

870
00:50:37,800 --> 00:50:39,560
Speaker 1: If you want to leave a message, the phone number

871
00:50:39,680 --> 00:50:45,200
Speaker 1: is four to four six six six. That's four to

872
00:50:45,440 --> 00:50:50,359
Speaker 1: four six six six until next week. I'm murder Rest

873
00:50:50,400 --> 00:50:51,080
Speaker 1: of the Petith