1 00:00:00,040 --> 00:00:02,600 Speaker 1: Here's the debate of the day. You ready, Well, there 2 00:00:02,600 --> 00:00:04,520 Speaker 1: may be more than one, but here's the first one 3 00:00:04,519 --> 00:00:10,320 Speaker 1: of the day. There's a woman who refused to This 4 00:00:10,480 --> 00:00:12,600 Speaker 1: was on and I guess TikToker or something, and then 5 00:00:12,720 --> 00:00:14,960 Speaker 1: it was shared on Reddit. Maybe there was just a photograph. 6 00:00:15,000 --> 00:00:16,960 Speaker 1: I'm not sure, but there was a woman who refused 7 00:00:17,000 --> 00:00:21,759 Speaker 1: to move up while in an airport line until it 8 00:00:21,800 --> 00:00:26,040 Speaker 1: had moved all the way forward. So the post reads 9 00:00:26,040 --> 00:00:28,200 Speaker 1: the girl at the airport waits until the Q moves 10 00:00:28,400 --> 00:00:31,960 Speaker 1: all the way forward to move. People confronted her and 11 00:00:32,000 --> 00:00:33,720 Speaker 1: she said, well, it's the same if I move now 12 00:00:33,800 --> 00:00:34,680 Speaker 1: or if I move later. 13 00:00:35,080 --> 00:00:35,599 Speaker 2: No it's not. 14 00:00:35,800 --> 00:00:38,520 Speaker 1: So is she wrong? Does it make any difference whether 15 00:00:38,560 --> 00:00:41,240 Speaker 1: she moves now or later. The Internet was actually divided 16 00:00:41,280 --> 00:00:43,680 Speaker 1: about this, so a lot of people were infuriated by 17 00:00:43,680 --> 00:00:45,560 Speaker 1: the woman who refused to move up in lime, saying 18 00:00:45,640 --> 00:00:48,080 Speaker 1: she was entitled and rude. Others suggested teaching her a 19 00:00:48,159 --> 00:00:51,159 Speaker 1: lesson about rudeness by using her logic against her and 20 00:00:51,240 --> 00:00:53,640 Speaker 1: pretending to be on the same flight, cutting the line 21 00:00:54,040 --> 00:00:55,880 Speaker 1: and then telling her since around the same flight, it 22 00:00:55,920 --> 00:00:59,560 Speaker 1: doesn't make a difference, meaning I suppose if you haven't 23 00:00:59,560 --> 00:01:01,520 Speaker 1: a science, well, then who cares if I go ahead 24 00:01:01,520 --> 00:01:02,880 Speaker 1: of you or behind you or whatever. 25 00:01:03,320 --> 00:01:04,160 Speaker 2: But here's the thing. 26 00:01:05,080 --> 00:01:09,960 Speaker 1: Does it matter if you're in line and someone's like, well, 27 00:01:10,480 --> 00:01:12,400 Speaker 1: I'm in line and the line in front of us 28 00:01:12,480 --> 00:01:14,720 Speaker 1: is as long as it is, whether I move forward 29 00:01:14,800 --> 00:01:17,160 Speaker 1: or not. And in this case, she had bags and stuff. 30 00:01:17,200 --> 00:01:19,480 Speaker 1: I guess she just didn't want to keep lugging them, 31 00:01:19,920 --> 00:01:22,880 Speaker 1: so she just decided I'll stand right here until it's 32 00:01:22,920 --> 00:01:24,480 Speaker 1: my turn and then I'll walk all the way up 33 00:01:24,520 --> 00:01:27,559 Speaker 1: there and do the thing. Now, you got people behind you, though, 34 00:01:28,200 --> 00:01:29,880 Speaker 1: and who knows where they are? I mean there were 35 00:01:29,920 --> 00:01:34,840 Speaker 1: I don't know, spilling off into the exact into the corridor. 36 00:01:35,120 --> 00:01:37,440 Speaker 2: I don't know where they are. So does it matter? 37 00:01:38,240 --> 00:01:40,199 Speaker 1: Like next time I get in line, I just stand 38 00:01:40,240 --> 00:01:43,160 Speaker 1: there and just not move until it's my turn, and 39 00:01:42,880 --> 00:01:44,479 Speaker 1: the like you know how it does the thing where 40 00:01:44,720 --> 00:01:46,440 Speaker 1: like you go up and back and up and why 41 00:01:46,680 --> 00:01:49,560 Speaker 1: why am I slapping all my stuff up and back? 42 00:01:49,600 --> 00:01:53,520 Speaker 2: I just I just wait. It doesn't matter. But it's 43 00:01:53,760 --> 00:01:56,880 Speaker 2: real weirdo behavior, like just no move matter. 44 00:01:57,000 --> 00:01:58,880 Speaker 3: I would have walked right around her right yeah, Like 45 00:01:59,240 --> 00:02:01,840 Speaker 3: I wouldn't have been like, okay, girl, you sit right here, Okay, 46 00:02:01,880 --> 00:02:04,520 Speaker 3: I'm going right on up here, So yeah, I would 47 00:02:04,520 --> 00:02:06,360 Speaker 3: have walked right around her and she would have just 48 00:02:06,360 --> 00:02:07,120 Speaker 3: been standing there. 49 00:02:07,440 --> 00:02:07,680 Speaker 2: Yeah. 50 00:02:07,680 --> 00:02:10,360 Speaker 4: The line cueser for a reason, because you don't want 51 00:02:10,880 --> 00:02:13,800 Speaker 4: that line spilling all the way down the concourse with 52 00:02:14,080 --> 00:02:15,959 Speaker 4: because that's what that's what that rope is for. You 53 00:02:16,080 --> 00:02:18,280 Speaker 4: follow that line, you get to the front. It's like 54 00:02:18,680 --> 00:02:20,960 Speaker 4: if you were if there's traffic, you're gonna just sit 55 00:02:21,000 --> 00:02:22,640 Speaker 4: there in the one lane and not move until all 56 00:02:22,680 --> 00:02:23,440 Speaker 4: the traffic's gone. 57 00:02:23,760 --> 00:02:26,000 Speaker 2: No, everyone's gonna get in your way and cut in 58 00:02:26,000 --> 00:02:27,440 Speaker 2: front of you. Yeah. Yeah. 59 00:02:27,520 --> 00:02:30,120 Speaker 1: Now, the argument would be that the reason they zigzag 60 00:02:30,240 --> 00:02:32,520 Speaker 1: those lines like that is because it would take it 61 00:02:32,560 --> 00:02:36,720 Speaker 1: takes up less like space, like one big straight line 62 00:02:37,200 --> 00:02:39,640 Speaker 1: would spill out into other areas of the airport, but 63 00:02:39,680 --> 00:02:41,959 Speaker 1: they zigzag it so that you can put more people 64 00:02:42,000 --> 00:02:45,520 Speaker 1: in a confined space. Right, So that's why it's important, 65 00:02:45,560 --> 00:02:47,880 Speaker 1: I would imagine to not just stand at the beginning 66 00:02:47,919 --> 00:02:49,800 Speaker 1: of the line and wait, because the reason that they 67 00:02:49,880 --> 00:02:52,520 Speaker 1: have set it up that way is so that you know, 68 00:02:52,600 --> 00:02:55,400 Speaker 1: they can keep the line sort of here, as opposed 69 00:02:55,440 --> 00:02:56,960 Speaker 1: to you know, if you like you go to an airport, 70 00:02:57,000 --> 00:02:59,480 Speaker 1: they got the ticket counters, they got security. And then 71 00:02:59,520 --> 00:03:01,040 Speaker 1: now you got to if it's just if it's just 72 00:03:01,040 --> 00:03:03,359 Speaker 1: a straight line, now you've got a street line all 73 00:03:03,360 --> 00:03:05,480 Speaker 1: out into the ticket counter area, and then are you 74 00:03:05,520 --> 00:03:08,120 Speaker 1: in line for this or that? So that's the reason 75 00:03:08,120 --> 00:03:10,760 Speaker 1: you've got to keep moving is because you're being respectful 76 00:03:10,800 --> 00:03:14,200 Speaker 1: of the space. But in fairness, your place in line 77 00:03:14,280 --> 00:03:16,560 Speaker 1: is your place in line. It doesn't matter if there's 78 00:03:16,560 --> 00:03:18,200 Speaker 1: ten people in front of you. There there's always gonna 79 00:03:18,200 --> 00:03:20,520 Speaker 1: be ten people in front of you. Now now you 80 00:03:20,560 --> 00:03:23,240 Speaker 1: know me, I'm moving. I get I get annoyed if 81 00:03:23,240 --> 00:03:25,440 Speaker 1: there's like if somebody is looking at their phone and 82 00:03:25,680 --> 00:03:27,359 Speaker 1: like there's two people to move and there's like I 83 00:03:27,360 --> 00:03:29,120 Speaker 1: don't know five feet and they you don't move. 84 00:03:29,639 --> 00:03:35,280 Speaker 3: Yeah, yeah, you know what I'm saying doesn't mean Yeah, 85 00:03:35,520 --> 00:03:41,000 Speaker 3: I breathe real hard behind and like oh okay, every 86 00:03:41,120 --> 00:03:42,000 Speaker 3: step count. 87 00:03:43,040 --> 00:03:45,760 Speaker 1: Like I'm like on their butt, Like yes, But I 88 00:03:45,800 --> 00:03:49,000 Speaker 1: was thinking about this last night. We we live in 89 00:03:49,000 --> 00:03:51,400 Speaker 1: a This is depressing the start, but we no one, 90 00:03:51,720 --> 00:03:54,880 Speaker 1: no one gives a damn about anybody else anymore, like truly, 91 00:03:54,960 --> 00:03:57,960 Speaker 1: like like it's as far as like public settings are concerned, 92 00:03:58,160 --> 00:04:00,800 Speaker 1: it's a free for all. Like there there is no 93 00:04:00,840 --> 00:04:04,160 Speaker 1: etiquette anymore, no one is thinking about anyone other than themselves. 94 00:04:04,200 --> 00:04:05,960 Speaker 1: And it's just something else that we blame on social 95 00:04:06,000 --> 00:04:09,200 Speaker 1: media because you know, I don't know, you're on TikTok 96 00:04:09,200 --> 00:04:12,480 Speaker 1: and Instagram and it's kind of a narcissistic environment. I mean, 97 00:04:12,520 --> 00:04:14,520 Speaker 1: if you think about it, the content you're creating or 98 00:04:14,560 --> 00:04:16,760 Speaker 1: the stuff you're looking at is about one person, you 99 00:04:16,839 --> 00:04:18,280 Speaker 1: know what I mean? So like when you I don't know, 100 00:04:18,400 --> 00:04:19,720 Speaker 1: is that what we blame it on. We blame everything 101 00:04:19,720 --> 00:04:20,559 Speaker 1: else on social media. 102 00:04:20,720 --> 00:04:21,600 Speaker 2: But like I went to I. 103 00:04:21,600 --> 00:04:24,440 Speaker 1: Went to uh uh, where the hell do I go? 104 00:04:24,520 --> 00:04:27,480 Speaker 1: Lest a Panic Express? But like I'm standing in line 105 00:04:27,640 --> 00:04:32,080 Speaker 1: and people are just walking in and just ordering and 106 00:04:32,120 --> 00:04:35,839 Speaker 1: there's a line, and it was like nobody cares, like 107 00:04:35,920 --> 00:04:37,920 Speaker 1: it's just somebody walks it off the street and then 108 00:04:38,000 --> 00:04:40,920 Speaker 1: just stands like behind me and then starts ordering behind 109 00:04:41,000 --> 00:04:43,080 Speaker 1: me and pointing at stuff, and the lady's like okay, 110 00:04:43,520 --> 00:04:45,080 Speaker 1: and I'm going and I'm I don't want to be 111 00:04:45,120 --> 00:04:47,360 Speaker 1: that old man guy who's like I'm not that old yet, 112 00:04:47,400 --> 00:04:50,479 Speaker 1: but I'm like looking around, going there's a line, why 113 00:04:50,520 --> 00:04:52,440 Speaker 1: do you not have to wait in it? And I 114 00:04:52,440 --> 00:04:54,680 Speaker 1: feel like this happens all the time, like people are. 115 00:04:54,960 --> 00:04:57,600 Speaker 1: They'll stop right in the middle of the sidewalk, right 116 00:04:57,600 --> 00:04:59,279 Speaker 1: in the middle. They don't walk back to see. 117 00:04:59,080 --> 00:05:00,120 Speaker 2: If anyone's behind you. 118 00:05:00,120 --> 00:05:00,240 Speaker 1: You. 119 00:05:00,760 --> 00:05:01,120 Speaker 2: I don't know. 120 00:05:01,160 --> 00:05:02,760 Speaker 1: I just I feel like we live in a world 121 00:05:02,839 --> 00:05:07,560 Speaker 1: where nobody is necessarily concerned with anyone else. 122 00:05:08,040 --> 00:05:08,240 Speaker 2: You know. 123 00:05:08,279 --> 00:05:09,800 Speaker 1: It's like, I don't know, Like, if you're gonna do 124 00:05:09,839 --> 00:05:12,880 Speaker 1: something that might impact another person in public, don't you 125 00:05:12,880 --> 00:05:15,279 Speaker 1: normally stop and go? Okay, If I'm gonna stop right 126 00:05:15,320 --> 00:05:17,400 Speaker 1: in the middle of the walkway, I'm gonna look to 127 00:05:17,400 --> 00:05:18,719 Speaker 1: make sure I'm not in somebody's way. 128 00:05:18,800 --> 00:05:21,360 Speaker 2: Oh no, I'll just stop. I don't know. I'm just 129 00:05:21,400 --> 00:05:23,920 Speaker 2: noticing you more and more. I know my new thing now. 130 00:05:24,000 --> 00:05:25,800 Speaker 2: And I did this yesterday at a festival that we 131 00:05:25,880 --> 00:05:26,200 Speaker 2: went to. 132 00:05:26,279 --> 00:05:28,880 Speaker 4: But it's like I just keep walking, like if you stop, 133 00:05:29,080 --> 00:05:30,040 Speaker 4: I just walk into you. 134 00:05:30,080 --> 00:05:33,480 Speaker 2: Now, I know. I started doing that on the sidewalk. 135 00:05:33,640 --> 00:05:35,040 Speaker 2: Yes I was doing this yesterday. 136 00:05:35,320 --> 00:05:37,760 Speaker 1: I did the rules of the sidewalk are the same 137 00:05:37,800 --> 00:05:39,880 Speaker 1: as the rules for the road, yes, okay, And so 138 00:05:40,040 --> 00:05:42,279 Speaker 1: yesterday I'm walking down the sidewalk and I'm on the 139 00:05:42,320 --> 00:05:44,760 Speaker 1: right side, and people are coming at me on the 140 00:05:44,839 --> 00:05:47,200 Speaker 1: right side, and I would normally move and now I 141 00:05:47,360 --> 00:05:48,120 Speaker 1: just keep walking. 142 00:05:48,200 --> 00:05:51,480 Speaker 4: Yeah, like we're gonna have to figure this out somehow. 143 00:05:51,520 --> 00:05:52,080 Speaker 2: I don't care. 144 00:05:52,240 --> 00:05:54,120 Speaker 4: Yes, And there's the times when, like, you know, you're 145 00:05:54,120 --> 00:05:56,040 Speaker 4: gonna be close and you see those people are not 146 00:05:56,120 --> 00:06:02,240 Speaker 4: gonna move. Man, my shoulder gets stiff. So they're like, bro, 147 00:06:02,360 --> 00:06:05,040 Speaker 4: I'm like, you're in my You're on my. 148 00:06:05,160 --> 00:06:06,200 Speaker 2: Side of the sidewalk. 149 00:06:06,839 --> 00:06:09,800 Speaker 1: We live in a society band and there are rules, okay, 150 00:06:10,040 --> 00:06:11,760 Speaker 1: and one of the rules is you walk on the 151 00:06:11,800 --> 00:06:14,039 Speaker 1: right side of the sidewalk. And so yesterday I'm walking 152 00:06:14,040 --> 00:06:15,719 Speaker 1: and there's a dude He's coming just right at me 153 00:06:16,560 --> 00:06:19,880 Speaker 1: and and I'm not stopping. This was after my This 154 00:06:19,960 --> 00:06:24,200 Speaker 1: was after my panic. I'm like, no, no, no, I'm 155 00:06:24,320 --> 00:06:26,760 Speaker 1: just going to keep And then I did one of 156 00:06:26,800 --> 00:06:30,839 Speaker 1: these numbers. They were so inconvenience that I'm like, dude, 157 00:06:30,839 --> 00:06:32,799 Speaker 1: you got a whole another side of the sidewalk, right, 158 00:06:33,320 --> 00:06:35,919 Speaker 1: We got rules and you need to follow them. And 159 00:06:35,960 --> 00:06:39,120 Speaker 1: I'm in a forcer. I'm just saying I don't. I 160 00:06:39,160 --> 00:06:43,480 Speaker 1: feel like, for whatever reason, it's it's kind of sad 161 00:06:43,640 --> 00:06:47,360 Speaker 1: and it's getting worse. And I don't know why exactly, 162 00:06:47,839 --> 00:06:48,640 Speaker 1: but people. 163 00:06:48,360 --> 00:06:50,760 Speaker 4: Don't same with when you say we talked about before 164 00:06:50,760 --> 00:06:53,640 Speaker 4: for people crossing the street. Nowadays, I'm like, like, I 165 00:06:53,680 --> 00:06:54,040 Speaker 4: am in. 166 00:06:54,000 --> 00:06:56,480 Speaker 2: A car, like you have to lose. 167 00:06:56,720 --> 00:07:01,760 Speaker 3: Yeah, I'm doing a lot of other things, make up, 168 00:07:01,800 --> 00:07:06,000 Speaker 3: text and everything. I cannot be responsible for whatever happens, right. 169 00:07:06,080 --> 00:07:07,200 Speaker 2: You know that's a great point. 170 00:07:07,279 --> 00:07:10,680 Speaker 1: Every single day driving home, at least one person I 171 00:07:10,760 --> 00:07:13,720 Speaker 1: have a green light and I'm going forty miles an hour, 172 00:07:13,880 --> 00:07:16,119 Speaker 1: thirty miles an hour or whatever, and the person won't 173 00:07:16,120 --> 00:07:18,160 Speaker 1: even get they won't even look up from their phone 174 00:07:18,480 --> 00:07:21,200 Speaker 1: and they just cross the street. And then I'm in 175 00:07:21,240 --> 00:07:23,840 Speaker 1: the car trying to maneuver it. You know what, did 176 00:07:23,880 --> 00:07:27,800 Speaker 1: you remember a inertia. I'm trying to maneuver a large 177 00:07:27,840 --> 00:07:30,960 Speaker 1: automobile and you're you know what, even if I am 178 00:07:31,000 --> 00:07:33,080 Speaker 1: focused and can stop the car not to hit you. 179 00:07:33,440 --> 00:07:36,800 Speaker 1: To Kicki's point, you're you're giving that person who's driving 180 00:07:36,840 --> 00:07:40,000 Speaker 1: an awful lot of credit. You're assuming that person's paying attention, 181 00:07:40,240 --> 00:07:42,600 Speaker 1: because that in itself would be would be something. 182 00:07:42,640 --> 00:07:44,360 Speaker 2: And then when you get close to them, they look at. 183 00:07:44,360 --> 00:07:46,480 Speaker 4: You like oh yeah, oh well yeah, I'm like, yeah, 184 00:07:46,720 --> 00:07:47,080 Speaker 4: cross it. 185 00:07:47,160 --> 00:07:49,600 Speaker 2: I'm like, dude, this is up a car. 186 00:07:49,720 --> 00:07:52,680 Speaker 1: And I see people do it with with kids, and 187 00:07:52,720 --> 00:07:55,160 Speaker 1: strollers and they'll like start to walk out in the 188 00:07:55,200 --> 00:07:56,600 Speaker 1: street and then they'll look back and then look at 189 00:07:56,600 --> 00:07:57,320 Speaker 1: you like you're the a hole. 190 00:07:57,320 --> 00:08:00,240 Speaker 2: And I'm like, I've got a child, Like, can you 191 00:08:00,280 --> 00:08:01,280 Speaker 2: wait till it's your turn? 192 00:08:01,600 --> 00:08:04,520 Speaker 1: It's dangerous enough when you got the walk signe, I'm 193 00:08:04,560 --> 00:08:06,920 Speaker 1: still looking to make sure nobody's t and you're just 194 00:08:06,960 --> 00:08:09,320 Speaker 1: gonna man, I don't know. 195 00:08:09,440 --> 00:08:12,440 Speaker 3: Yep, the kids and the dog walkers, I'm like, I 196 00:08:12,480 --> 00:08:15,080 Speaker 3: love the animals, I love them, but maybe please, this 197 00:08:15,200 --> 00:08:17,360 Speaker 3: is a car and I'm not paying attention. 198 00:08:19,200 --> 00:08:22,000 Speaker 2: That's what I mean. That's what I mean. That's what 199 00:08:22,040 --> 00:08:25,320 Speaker 2: I mean. So you don't care about about you know, 200 00:08:25,440 --> 00:08:25,760 Speaker 2: the car. 201 00:08:25,960 --> 00:08:28,000 Speaker 1: The driver having to slow down or slam on the 202 00:08:28,000 --> 00:08:31,120 Speaker 1: brake's fine, but you're assuming they're paying attention, right, So 203 00:08:31,320 --> 00:08:32,840 Speaker 1: I don't know if I would do that these days 204 00:08:33,400 --> 00:08:37,240 Speaker 1: quite frankly, but yeah, okay, you gotta move in the line. 205 00:08:37,280 --> 00:08:39,600 Speaker 1: You gotta move in the line. You know you got 206 00:08:39,640 --> 00:08:41,559 Speaker 1: to it if it's you gotta move in the line. 207 00:08:41,960 --> 00:08:44,840 Speaker 1: Plus it's for the people behind you. And you were 208 00:08:44,880 --> 00:08:48,640 Speaker 1: once the person. This is like, like, what's some kind 209 00:08:48,640 --> 00:08:50,839 Speaker 1: of metaphor You were once the person at the back 210 00:08:50,880 --> 00:08:53,800 Speaker 1: of the line too, but it's a mental thing like 211 00:08:53,840 --> 00:08:56,440 Speaker 1: if the line's moving, I feel better about the line. 212 00:08:56,559 --> 00:08:58,800 Speaker 1: If the line's not moving and it's not moving because 213 00:08:58,800 --> 00:09:01,959 Speaker 1: you're not moving, I think we're not getting anywhere exactly, 214 00:09:02,040 --> 00:09:03,640 Speaker 1: And then I get frustrated. 215 00:09:03,160 --> 00:09:04,040 Speaker 2: Especially at the airport. 216 00:09:04,200 --> 00:09:06,920 Speaker 4: I'm already running late, like you're gonna piss me off 217 00:09:06,960 --> 00:09:07,720 Speaker 4: even more so. 218 00:09:07,800 --> 00:09:10,000 Speaker 2: Don't even get me started on the airport. This is 219 00:09:10,000 --> 00:09:12,040 Speaker 2: why I get there for hours earlier. This woman was 220 00:09:12,080 --> 00:09:12,520 Speaker 2: in front of. 221 00:09:12,480 --> 00:09:15,880 Speaker 3: Me, and Jackson would just stand there behind your like, okay, 222 00:09:15,920 --> 00:09:16,720 Speaker 3: this is what we're doing. 223 00:09:17,160 --> 00:09:20,880 Speaker 2: You would not say anything. Oh no, I was Were 224 00:09:20,920 --> 00:09:21,920 Speaker 2: you scared to say anything? 225 00:09:21,960 --> 00:09:24,000 Speaker 1: You guys know, I love to play the airline credit 226 00:09:24,000 --> 00:09:26,400 Speaker 1: card game. I try and put absolutely everything on my 227 00:09:26,440 --> 00:09:29,240 Speaker 1: airline credit card. Everything I know. Caitlin just got turned 228 00:09:29,280 --> 00:09:31,600 Speaker 1: onto this. I'd put my mortgage on it if they'd 229 00:09:31,640 --> 00:09:33,000 Speaker 1: let me, because I don't know. For some reason, I'm 230 00:09:33,120 --> 00:09:35,280 Speaker 1: very competitive now about airline miles. But then it gives 231 00:09:35,280 --> 00:09:37,120 Speaker 1: you some little perks, you know, sometimes you've got a 232 00:09:37,120 --> 00:09:39,280 Speaker 1: lot of airline miles. Like you get to boarding group 233 00:09:39,559 --> 00:09:42,640 Speaker 1: you know one, well it's boarding group like one d 234 00:09:43,280 --> 00:09:45,360 Speaker 1: you know, because boarding group one doesn't mean morning group 235 00:09:45,400 --> 00:09:47,640 Speaker 1: one anymore. You know, you're like, oh good, this is 236 00:09:47,640 --> 00:09:49,240 Speaker 1: a whole key and peel skit, like, oh good, I'm 237 00:09:49,280 --> 00:09:52,800 Speaker 1: boarding group one. They're like, well, first people with red 238 00:09:53,400 --> 00:09:54,319 Speaker 1: raccoons at home? 239 00:09:56,480 --> 00:10:00,600 Speaker 2: Okay, do you have a one eyed dog? You can board? Now? 240 00:10:00,920 --> 00:10:02,680 Speaker 2: Were you? Do you know anyone who is in the 241 00:10:02,679 --> 00:10:05,640 Speaker 2: military board now? Hamster? Just die right right? And then 242 00:10:05,679 --> 00:10:06,320 Speaker 2: before long. 243 00:10:06,280 --> 00:10:09,839 Speaker 1: My boarding room one. It's actually boarding group Z or whatever. 244 00:10:09,880 --> 00:10:11,559 Speaker 1: But my thing is, I'll walk up to I'll walk 245 00:10:11,600 --> 00:10:13,800 Speaker 1: up to the gate, any gate right now at any 246 00:10:13,880 --> 00:10:16,600 Speaker 1: airport if it's within fifteen minutes of the flight boarding. 247 00:10:16,840 --> 00:10:20,199 Speaker 1: The people have spilled out into the middle of the airport, 248 00:10:20,280 --> 00:10:22,760 Speaker 1: So now I can't walk around you. She got you 249 00:10:22,840 --> 00:10:26,160 Speaker 1: got one hundred people all surrounding the little little you 250 00:10:26,200 --> 00:10:26,560 Speaker 1: know thing. 251 00:10:26,920 --> 00:10:28,840 Speaker 2: You are not all boarding group one. 252 00:10:29,720 --> 00:10:31,679 Speaker 1: And then so you look down at somebody's ticket and 253 00:10:31,720 --> 00:10:34,960 Speaker 1: they're like boarding group four or whatever, and I'm like, well, 254 00:10:35,000 --> 00:10:37,280 Speaker 1: I'm one and you're four. You're not getting on this 255 00:10:37,360 --> 00:10:40,760 Speaker 1: plane for thirty minutes at least, so why are you 256 00:10:40,880 --> 00:10:44,080 Speaker 1: standing here? Like, and you have an assigned seat, So 257 00:10:44,120 --> 00:10:45,280 Speaker 1: what difference does it make? 258 00:10:45,640 --> 00:10:45,800 Speaker 2: You know? 259 00:10:45,920 --> 00:10:48,200 Speaker 1: So then you got to navigate your way through people 260 00:10:48,240 --> 00:10:50,760 Speaker 1: who are like not getting on, stay get a stand 261 00:10:50,760 --> 00:10:51,920 Speaker 1: by person standing. 262 00:10:51,640 --> 00:10:52,080 Speaker 2: By the door. 263 00:10:52,240 --> 00:10:57,040 Speaker 1: You're not getting on at all. I don't understand, Like, 264 00:10:57,240 --> 00:10:59,160 Speaker 1: see you can really get me going. It's too early 265 00:10:59,200 --> 00:11:02,400 Speaker 1: for this. Yeah, I just I guess that's my message today. 266 00:11:02,400 --> 00:11:06,840 Speaker 1: Move forward in line, guys, move forward so deep and 267 00:11:07,040 --> 00:11:09,400 Speaker 2: Move forward in line, move forward in life.