WEBVTT - #226 - Symba

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<v Speaker 1>Bulet Cap Show special guest in here. Come on the

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<v Speaker 1>very first day of my new career. Yes, as a bipper. Yes,

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<v Speaker 1>I decided to cancel the podcast. I'm gonna move to

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<v Speaker 1>San Francisco, Yes, and I'm going to pays very well. Yeah,

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<v Speaker 1>I'm just gonna play the odds game. I'm a bit

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<v Speaker 1>everybody look for every rental and hopefully I hit like

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<v Speaker 1>a you know, a nice you know, hopefully Draymond's slipping

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<v Speaker 1>one day. Draymond ain't gonna be slipping, obviously. Draymond is

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<v Speaker 1>never going to slip. Never, He's never going to slip.

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<v Speaker 1>He's always ready for action. A Draymond was at your

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<v Speaker 1>concert at the Roxy. That's my brother. Super nice guy. Yes,

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<v Speaker 1>great guy. I saw him out back and chopped it

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<v Speaker 1>up with him. He did a video saying hi to

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<v Speaker 1>my son. Yeah, so talk to me about your conference.

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<v Speaker 1>Talked to him since he knocked out Jordan Poole. Ain't

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<v Speaker 1>never but a little bit of straighten it. Yeah. You know,

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<v Speaker 1>I feel like families fight, friends fight, things happen, you know,

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<v Speaker 1>and you know they just you know, they had to

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<v Speaker 1>get some just get a little bit of frustration up.

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<v Speaker 1>That's all it was. It wasn't nothing too crazy. So

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<v Speaker 1>how bad does he want to be a Laker? I

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<v Speaker 1>don't know. You would have to call and he's your

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<v Speaker 1>he's your friend, he's not my friend. We don't talk

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<v Speaker 1>about those things. I gotta ask. I don't because at

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<v Speaker 1>your concert, he was sitting next to Lebron James and

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<v Speaker 1>his wife. He loves it in La Jordan Poole wasn't

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<v Speaker 1>at your concert, you know, Kamingo wasn't there. You know,

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<v Speaker 1>Draymond and Lebron were there. You know. Well, if that,

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<v Speaker 1>if that does happen, right, let's say that does happen,

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<v Speaker 1>which I don't think it will happen. When that does happen,

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<v Speaker 1>let's see, I don't think it will. I think he'll

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<v Speaker 1>be a warrior. You don't think that. You're just saying

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<v Speaker 1>that because we're being work. I think he'll be a warrior.

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<v Speaker 1>You're full of shit. Let's say let's say that does happen. Okay, Okay,

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<v Speaker 1>how do you see that working. I think if Russell

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<v Speaker 1>Westbrook is gone, okay, and they give him like comparable

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<v Speaker 1>salary to what he's making now, which I think is

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<v Speaker 1>like twenty seven million dollars, yeah, they could probably afford

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<v Speaker 1>to get another player. I mean, I'm not mad Ron

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<v Speaker 1>Draymond and A D. I'm not mad at the at

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<v Speaker 1>the front court of A D and Draymond. Yeah, I'm

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<v Speaker 1>not mad at it. But the problem with the Lakers

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<v Speaker 1>is they still don't have nobody who can shoot. They

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<v Speaker 1>don't have no shooters. So it's like, could we get

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<v Speaker 1>Draymond and Jordan Poole. I think he could push it

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<v Speaker 1>if you put some shooting. I said. We like, I'm

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<v Speaker 1>a fucking Laker fan. I'm a Lebron You are a

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<v Speaker 1>Lakers I'm not. I'm a Sun's fan like the Sons.

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<v Speaker 1>You just root for him because you're from there. No,

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<v Speaker 1>you're a Laker fan. Listen Bootleg keV podcast. No, no, no,

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<v Speaker 1>I'm gonna tell you what he does Lebron. Let me

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<v Speaker 1>tell you what he does when he's not in Phoenix.

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<v Speaker 1>He wears Lakers gear, He goes to Lakers game that

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<v Speaker 1>he celebrates Lakers wins. He just don't let y'all see

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<v Speaker 1>the ship because he got this Phoenix monkey on his back.

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<v Speaker 1>He's a liar. I'm telling you the truth. I've seen

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<v Speaker 1>him in this suite with a Lebron James Laker jersey

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<v Speaker 1>on You haven't, Yes, I have. I've never worn a

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<v Speaker 1>Lebron Lakers jer I'm probably making it up, but I've

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<v Speaker 1>seeing you in the suite rooting for the Lakers. I

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<v Speaker 1>have every Lebron jersey in my except the Lakers. No,

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<v Speaker 1>I have one. So you see that, yall? He has

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<v Speaker 1>the fucking jersey. But he wears the jersey to the games.

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<v Speaker 1>I've seen it. I have it for collection purposes. I mean,

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<v Speaker 1>I'm I'm Lebron is like my my favorite player ever. Okay,

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<v Speaker 1>so if you go into my office, I have like

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<v Speaker 1>a Lebron toy. So what do you think your sons

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<v Speaker 1>are gonna do this year? Because they lost you some

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<v Speaker 1>money last year and a little bit of embarrassment. I

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<v Speaker 1>think it's gonna be rough. He's gonna be rough because

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<v Speaker 1>DeAndre Ayden don't want to be there. Jay Crowder is

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<v Speaker 1>trying to get the fuck up out of there. Should

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<v Speaker 1>have got Kadi. We tried. I don't think you tried

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<v Speaker 1>hard enough. You're probably right. We should have just said, whatever,

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<v Speaker 1>what do you want? Give me what he wants. He's

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<v Speaker 1>a goat. Hopefully by January fifteenth he's unhappy there and

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<v Speaker 1>Ayton is tradable and then we we fucking make the swap.

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<v Speaker 1>I'm gonna go. I'm gonna go in the state Lakers.

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<v Speaker 1>So this the Sun's So what that tells me is

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<v Speaker 1>you are a Laker fan growing up because of Kobe.

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<v Speaker 1>But then the Warriors got good and you're like, it's

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<v Speaker 1>convenient because I'm from the Hey, let's go Warriors. You

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<v Speaker 1>were very close. You were very very close. I know

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<v Speaker 1>a lot of people first the first half, yes, but

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<v Speaker 1>it was the we believe Warriors team for me with

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<v Speaker 1>Baron Davis, Matt Barnes, Stephen Jackson, Michael Petrice. Yeah, it

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<v Speaker 1>was that, Jason Richardson, it was that team. Was Beadrin's

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<v Speaker 1>on that team, the center, the white guy from think

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<v Speaker 1>he was. I think he was on that team. But

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<v Speaker 1>that's when I became a real Warriors fan. You were

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<v Speaker 1>a Warriors fan for like that run and then they

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<v Speaker 1>sucked again. But even when they sucked, the rocket So

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<v Speaker 1>Marta Ellis, I rocked with early early Steph. Then Clay came,

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<v Speaker 1>Draymond came. I remember me and Bam went to the series.

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<v Speaker 1>When they first went to the playoffs and played the

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<v Speaker 1>Spurs in the second round, I think it was around

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<v Speaker 1>twenty fourteen, twenty fifteen, somewhere around there. But that's when

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<v Speaker 1>we kind of started to see like, okay, the Warriors

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<v Speaker 1>is about I remember that serious when they first made

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<v Speaker 1>it to the second round. That's when we kind of knew,

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<v Speaker 1>like the Warriors, Mark was the coach, Yes, sir, and

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<v Speaker 1>they got my boy out of there, and it ain't

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<v Speaker 1>brought him back since. Yes, it's crazy he hasn't got

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<v Speaker 1>another job. Yeah, I think he offended the wrong people. Yes,

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<v Speaker 1>or the NBA is mildly racist. At least we know

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<v Speaker 1>that's why he didn't get hired by the Suns because

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<v Speaker 1>the owners. I'm kidding the our coach is black and

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<v Speaker 1>towards our GM. Hey, that doesn't mean the owner can't

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<v Speaker 1>be racist. Oh he's a piece of shit and he's

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<v Speaker 1>out of there. I hope Jeff Bezos PI is the team.

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<v Speaker 1>They're saying, if Jeff Bezos by the team, it's going downhill.

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<v Speaker 1>What does that mean? We got to we'll always be

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<v Speaker 1>in the luxury tax. You know, you guys, he'll be

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<v Speaker 1>the richest owner in the league by far, but just

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<v Speaker 1>living the luxury tax, like y'all do, you guys will

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<v Speaker 1>be flying spaceships to the games. I like it. You know,

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<v Speaker 1>you'd just be two in the future to win. I

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<v Speaker 1>gotta don't see it. Well, listen, man, I gotta give

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<v Speaker 1>you props. The new album is out, thank you. It's

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<v Speaker 1>he Got a Boone to pick with you too, It's

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<v Speaker 1>a mixtape. Why because you called Freddy Gibbs album of

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<v Speaker 1>the Year over minds. I think his album is better

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<v Speaker 1>than yours. Okay, your opinion, I think you got. I

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<v Speaker 1>think I got you around five. Okay. I put the

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<v Speaker 1>list together the other day. You're about five. So who's

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<v Speaker 1>the four before me? I got Freddie Kendrick, Push your

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<v Speaker 1>T and j I D and then Simba. That's disrespectful.

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<v Speaker 1>You know what's disrespectful is the songs you keep losing

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<v Speaker 1>or leaving off these fucking projects. I can't get shit

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<v Speaker 1>cleared now. You got this fucking was it Black Jesus? Oh? Yeah,

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<v Speaker 1>that's the oldest song. Yeah, but that ship should be honest,

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<v Speaker 1>it's crazy. It comes soon. Let me tell you something.

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<v Speaker 1>But I respect your opinion. You know you're up there.

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<v Speaker 1>I put the list together, like literally, what makes what

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<v Speaker 1>makes those albums better? I just think that they're I

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<v Speaker 1>just think they're better. I don't know, what, do you

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<v Speaker 1>want me to lie to you better? Because they're more

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<v Speaker 1>like you're friends with them. No, you're I'm closer friends

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<v Speaker 1>with you than everybody, but Freddy, like I love you, bro,

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<v Speaker 1>like I'm waving your flag all the time. I know

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<v Speaker 1>I wave your flag over the tome. I want to

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<v Speaker 1>put you. They're definite. I'm not. J I D. Has

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<v Speaker 1>been on my show once. He's a nice guy. I'm

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<v Speaker 1>not what makes j I D's album better than Mane.

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<v Speaker 1>I just think front to back it's it's just I

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<v Speaker 1>just think it's strong. Yeah, but you don't have a reason,

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<v Speaker 1>you just I think j I D's album conceptually super crazy.

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<v Speaker 1>He's got a song called Mom and Them on there.

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<v Speaker 1>I just think it's like to me j I D's album,

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<v Speaker 1>And I think that the top three or four albums

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<v Speaker 1>of the year are all pretty close. Like some days

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<v Speaker 1>I might feel like it's Push, or some days I

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<v Speaker 1>might feel like it's Kendrick. I think the top three

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<v Speaker 1>is like Freddie, Kendrick Push in any order. But then

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<v Speaker 1>I think it's like j I D. It's you, It's

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<v Speaker 1>Denzel Curry Joey Badasses album, his album is Dope Convey's album,

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<v Speaker 1>Benny Tannatos the j I D Two with j I

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<v Speaker 1>D's album I Just Want to also also also, your

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<v Speaker 1>Ship's a mixtape, yeah, DJ Drama host it. Yeah, but

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<v Speaker 1>what's a mixtape compared to album? I agree? I agree.

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<v Speaker 1>I'm just I'm just so. I would say that, uh,

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<v Speaker 1>you are. I just feel like some shit got left

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<v Speaker 1>off this project. N The only thing that really got

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<v Speaker 1>left was it was a beat we couldn't get clear.

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<v Speaker 1>I would say this, I think that your album is great,

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<v Speaker 1>and I think that you have some of the more

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<v Speaker 1>like dope relatable shit, and I think that there are

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<v Speaker 1>I think that some of the like records I don't

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<v Speaker 1>prefer on the album or probably like the Keyglock record

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<v Speaker 1>I love, Yeah, I don't, I don't know, just not

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<v Speaker 1>crazy about it. That's the record. There's the Jeffrey Dude

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<v Speaker 1>on that record. Yeah, but I didn't like that record

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<v Speaker 1>when you played it for me before Keyglock was on it.

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<v Speaker 1>I like it. I think it's a great performance record.

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<v Speaker 1>It brings a lout of energy. The album is dope though. No, No,

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<v Speaker 1>it's a great album. I know. I'm not saying it's not.

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<v Speaker 1>I'm saying, I'm trying to make you like the song.

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<v Speaker 1>It's not that I hate it, It's just that I

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<v Speaker 1>just like, I don't know, I feel like I can't

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<v Speaker 1>wait for nothing. It is one of my favorite songs

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<v Speaker 1>of the year. I told you like just on some yo.

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<v Speaker 1>Let's talk about this, Okay. Can I open the cabinet

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<v Speaker 1>a bit, open it up, let's go. Are you sure

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<v Speaker 1>I'm ready? Doctor Drake cut a verse. I heard the verse. Yes,

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<v Speaker 1>didn't make the album? No, what that doesn't mean it's

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<v Speaker 1>not coming. Got tricks up to sleeve. Well, you did

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<v Speaker 1>two parts to the song. You get the first part.

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<v Speaker 1>They got to push three. It might be a four,

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<v Speaker 1>might be a five. There's a few people that like

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<v Speaker 1>that beat so that they've rapped to it. Mm hmmm.

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<v Speaker 1>So I feel like we had a time today where

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<v Speaker 1>you could keep making your album. So Doctor Dre was

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<v Speaker 1>supposed to be on the on the song? Is he

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<v Speaker 1>supposed to be on that song or maybe when that's coming? Well?

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<v Speaker 1>I heard him on that song, but was it that version?

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<v Speaker 1>I heard him on the version I feel like person,

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<v Speaker 1>So what's it like? Uh, by the way, did you

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<v Speaker 1>help him write the record? No? He he like the

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<v Speaker 1>way Dre works is like a collaborative thing. He might

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<v Speaker 1>take a line or two here, take certain things, but

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<v Speaker 1>he kind of knows what he wants to say, right,

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<v Speaker 1>So it's just more so like you kind of just like, so,

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<v Speaker 1>did you help him with the verse? No? No, no no, no,

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<v Speaker 1>I didn never met all with the verse. I just

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<v Speaker 1>pulled up one day and actually the verse we're talking

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<v Speaker 1>I never end up broke. Yes, yes, never ended up broke.

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<v Speaker 1>He actually laid the verse. It was him and them

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<v Speaker 1>joints and I came to the studio one day and

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<v Speaker 1>he played it and you know, we're figuring it out

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<v Speaker 1>exclusively right here on the bootleg keV Show. This is

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<v Speaker 1>the first time I've ever said this. I gotta get

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<v Speaker 1>permission to open the cabinet a little. You know, well,

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<v Speaker 1>you know you you're my brother, so I'm all for it.

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<v Speaker 1>I mean, I think that like having Dre obviously co

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<v Speaker 1>sign is crazy because he doesn't co sign a lot

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<v Speaker 1>of people. How did uh that a relationship originally start?

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<v Speaker 1>So Dre has a nephew who's a producer as well.

0:10:50.880 --> 0:10:54.240
<v Speaker 1>His name is Keon, right, and I met Keon at

0:10:54.240 --> 0:10:56.920
<v Speaker 1>the studio session. He was like, gonna take you to

0:10:56.960 --> 0:10:59.560
<v Speaker 1>meet my uncle. We ended up jumping on the phone.

0:11:01.920 --> 0:11:03.560
<v Speaker 1>He was like, after the super Bowl, I want to

0:11:03.559 --> 0:11:06.200
<v Speaker 1>link up with you and put some music together. Super

0:11:06.200 --> 0:11:08.600
<v Speaker 1>Bowl passed. About two days later. He hit me, told

0:11:08.640 --> 0:11:11.520
<v Speaker 1>me to pull up to the crib. I told everybody

0:11:11.520 --> 0:11:13.440
<v Speaker 1>in the studio I was going to the bathroom, and

0:11:13.480 --> 0:11:18.760
<v Speaker 1>I never came back. Wow. So I left the studio

0:11:18.920 --> 0:11:20.600
<v Speaker 1>and I went to Dre's house and I was over

0:11:20.640 --> 0:11:23.959
<v Speaker 1>there for about four days working. I heard his speakers

0:11:23.960 --> 0:11:27.800
<v Speaker 1>at his house are crazy. It's immaculate. Everything is like incredible,

0:11:28.160 --> 0:11:31.080
<v Speaker 1>and it's so crazy. Is as loud as the speakers are.

0:11:31.400 --> 0:11:33.720
<v Speaker 1>When you close the door to the studio, you can't

0:11:33.760 --> 0:11:38.120
<v Speaker 1>hear nothing. It's just so you just like isolated. Oh

0:11:38.200 --> 0:11:40.640
<v Speaker 1>I got you, I got you. The room so quiet,

0:11:41.000 --> 0:11:43.600
<v Speaker 1>like it's like you close the door, like imagine if

0:11:43.600 --> 0:11:46.880
<v Speaker 1>we closed that door, Yeah, you wouldn't hear nothing. You

0:11:46.920 --> 0:11:49.520
<v Speaker 1>could still like you could if that was his studio

0:11:49.640 --> 0:11:51.560
<v Speaker 1>and you could turn the music all the way up

0:11:52.280 --> 0:11:55.319
<v Speaker 1>the podcast, you wouldn't hear What the fuck? And then

0:11:55.400 --> 0:11:58.040
<v Speaker 1>what's crazy is he has that same set up built

0:11:58.080 --> 0:12:00.760
<v Speaker 1>in about like two or three different studios. Shout out

0:12:00.760 --> 0:12:04.560
<v Speaker 1>to dream Man. The Goat, the Goat, the Greatest shut Out. So,

0:12:04.559 --> 0:12:08.480
<v Speaker 1>how many records did y'all do together? We have a few. Wow,

0:12:09.080 --> 0:12:12.440
<v Speaker 1>we have a record that's really, really, really good. I

0:12:12.480 --> 0:12:15.240
<v Speaker 1>wish he drop it. Is it on him to drop

0:12:15.280 --> 0:12:19.680
<v Speaker 1>it that one? Yeah? Yeah, yeah, okay, Yeah, it's really

0:12:19.720 --> 0:12:22.120
<v Speaker 1>really good. I can get it come out soon. I

0:12:22.120 --> 0:12:24.960
<v Speaker 1>think he's working on something. Yeah, I mean I've heard, yeah,

0:12:25.120 --> 0:12:29.000
<v Speaker 1>I've heard that. You've u there's some potential stuff in

0:12:29.000 --> 0:12:31.240
<v Speaker 1>the works for you with a lot of artists. Yeah. Yeah.

0:12:31.480 --> 0:12:33.240
<v Speaker 1>There was a particular record that I really liked of

0:12:33.320 --> 0:12:35.360
<v Speaker 1>yours that I told Caston. I was like, man, I'm

0:12:35.360 --> 0:12:37.160
<v Speaker 1>just gonna ask him for the song and just make

0:12:37.200 --> 0:12:40.240
<v Speaker 1>it a bootleg keV single west Side Griselda. But he

0:12:40.280 --> 0:12:44.400
<v Speaker 1>said that that verse might make some big ship. Yeah.

0:12:44.760 --> 0:12:46.880
<v Speaker 1>I put the verse somewhere else because we couldn't get

0:12:46.880 --> 0:12:49.679
<v Speaker 1>the sample clear That be the thing, man, These damn

0:12:49.720 --> 0:12:52.480
<v Speaker 1>simple clearances. Like some of my best verses is like

0:12:52.600 --> 0:12:55.680
<v Speaker 1>always over a sample, and it's so tough to clear

0:12:55.760 --> 0:12:59.440
<v Speaker 1>these samples. Sometimes it's tough, and like if you're like

0:12:59.440 --> 0:13:01.560
<v Speaker 1>you're on atlant so like I feel like that sample

0:13:01.640 --> 0:13:05.040
<v Speaker 1>clearances Atlantic and they're like they just shoot for the

0:13:05.080 --> 0:13:06.840
<v Speaker 1>moon on how much they want to. Robin Thick made

0:13:06.880 --> 0:13:10.280
<v Speaker 1>it hard for everybody he did. Robin Thick made it

0:13:10.280 --> 0:13:12.719
<v Speaker 1>hard for because they won that lawsuit against him, right,

0:13:13.000 --> 0:13:16.640
<v Speaker 1>Robin Dick made it hard for us. And uh, what

0:13:16.760 --> 0:13:19.559
<v Speaker 1>was the other lawsuit that it was Robin Thick blurred

0:13:19.640 --> 0:13:25.840
<v Speaker 1>lines and it was another one, the Bruno Mars or no, no,

0:13:25.880 --> 0:13:29.720
<v Speaker 1>it was, Uh, it was another one. I can't remember

0:13:29.720 --> 0:13:32.160
<v Speaker 1>which one when it was, but it was another one.

0:13:32.640 --> 0:13:36.559
<v Speaker 1>But the Robin Thick one was. That was the one. Hey, yeah,

0:13:36.640 --> 0:13:39.560
<v Speaker 1>big time, good for that, big time, big time. But

0:13:39.640 --> 0:13:44.000
<v Speaker 1>sometimes I feel like, you know, like, for instance, I

0:13:44.000 --> 0:13:47.800
<v Speaker 1>had a record that it's on the project, but it's

0:13:47.840 --> 0:13:51.280
<v Speaker 1>a different beat behind it, right, And I feel like

0:13:51.320 --> 0:13:53.800
<v Speaker 1>if the original beat was on it, it was out

0:13:53.800 --> 0:13:58.200
<v Speaker 1>of here records. I felt like it was it would

0:13:58.240 --> 0:14:01.439
<v Speaker 1>have been a big, massive record if the original beat

0:14:02.000 --> 0:14:04.920
<v Speaker 1>was what it was, it was a sample and it

0:14:05.000 --> 0:14:08.440
<v Speaker 1>was a sample from a big album. And the writer

0:14:08.800 --> 0:14:11.839
<v Speaker 1>who passed away, not gonna say his name, passed away.

0:14:11.840 --> 0:14:15.600
<v Speaker 1>And I think twenty sixteen he told his wife to

0:14:15.679 --> 0:14:19.600
<v Speaker 1>never clear music after he passes. He wants his music

0:14:19.640 --> 0:14:22.680
<v Speaker 1>to live on the way that he made it. But

0:14:22.760 --> 0:14:25.040
<v Speaker 1>I felt like the way to keep the music living

0:14:25.120 --> 0:14:27.160
<v Speaker 1>on is too and the way to keep money in

0:14:27.200 --> 0:14:30.760
<v Speaker 1>your family's pockets. Yeah, but I ain't feel bad. I

0:14:30.760 --> 0:14:32.880
<v Speaker 1>felt bad because the record is this mass. But at

0:14:32.920 --> 0:14:36.280
<v Speaker 1>the same time I heard like everybody's tried to clear

0:14:36.320 --> 0:14:37.960
<v Speaker 1>the record. Like I talked to two Chains and he

0:14:38.240 --> 0:14:40.680
<v Speaker 1>like had the same sample with the same song that

0:14:40.760 --> 0:14:43.640
<v Speaker 1>was Man, he couldn't get it clear. Lizzo, oh you

0:14:43.680 --> 0:14:47.560
<v Speaker 1>know what the two change shit. I wish that would

0:14:47.560 --> 0:14:51.440
<v Speaker 1>have been on your album sell Itself. Yeah, yeah, I

0:14:51.520 --> 0:14:53.400
<v Speaker 1>wish that would have been on your album. Why because

0:14:53.440 --> 0:14:55.800
<v Speaker 1>it was supposed to be and that shit was that

0:14:55.840 --> 0:14:57.360
<v Speaker 1>shits so hard, And I feel like it was just

0:14:57.400 --> 0:14:59.400
<v Speaker 1>an album cut on the fucking Two Chain's album as

0:14:59.440 --> 0:15:00.880
<v Speaker 1>to where if it was a the album left on,

0:15:00.960 --> 0:15:02.720
<v Speaker 1>for sure, y'all would have shot a fucking video to it.

0:15:02.800 --> 0:15:04.560
<v Speaker 1>Yet Stove got Cooks on it. I feel like, I

0:15:04.560 --> 0:15:07.280
<v Speaker 1>think that's a great rap record. That song so fucking hard.

0:15:07.600 --> 0:15:09.920
<v Speaker 1>It's a great rap. But that's the problem with it

0:15:09.960 --> 0:15:11.640
<v Speaker 1>was like at the end of his album. But that's

0:15:11.640 --> 0:15:14.560
<v Speaker 1>the problem with streaming today. It's like everything is so

0:15:14.720 --> 0:15:17.720
<v Speaker 1>curated to hear one specific sound. You would have shot

0:15:17.760 --> 0:15:19.560
<v Speaker 1>that music video though I would have shot the video

0:15:19.640 --> 0:15:22.280
<v Speaker 1>for sure. That song's hard, but I understand why he

0:15:22.360 --> 0:15:24.520
<v Speaker 1>did it, you know, like change. I mean, you guys

0:15:24.600 --> 0:15:28.440
<v Speaker 1>got three songs now, yeah, got three that's out. Yeah.

0:15:28.520 --> 0:15:31.240
<v Speaker 1>I mean, I'm sure we got great chemistry though, because

0:15:31.280 --> 0:15:35.760
<v Speaker 1>I think, like I think with Changs, I bring out

0:15:35.920 --> 0:15:39.440
<v Speaker 1>kind of like his rap side. You know, everybody knows

0:15:39.520 --> 0:15:42.920
<v Speaker 1>him for like the Big Chang Chains is a lyricist

0:15:42.960 --> 0:15:46.160
<v Speaker 1>for Shane's Get Busy, and I always just love to

0:15:46.200 --> 0:15:48.680
<v Speaker 1>hear him rap. So every time, like we make something

0:15:48.880 --> 0:15:53.520
<v Speaker 1>pop Paul was like the first like fun just entertaining record.

0:15:53.520 --> 0:15:56.280
<v Speaker 1>But every time we make something we try to go Bimie.

0:15:56.360 --> 0:15:57.880
<v Speaker 1>Both of y'all were going in. It was going in

0:15:57.920 --> 0:16:02.720
<v Speaker 1>on big Onie for sure. Yeah that's big. You've kind

0:16:02.720 --> 0:16:07.160
<v Speaker 1>of like had the biggest people in and out of

0:16:07.160 --> 0:16:12.320
<v Speaker 1>the music industry get behind you, Lebron, going and on

0:16:12.360 --> 0:16:16.400
<v Speaker 1>and on. But like, what do you I think that Well?

0:16:16.400 --> 0:16:19.560
<v Speaker 1>I always tell people about you when I say why

0:16:19.600 --> 0:16:21.800
<v Speaker 1>you're great, is that you be saying the illess shit,

0:16:22.520 --> 0:16:24.800
<v Speaker 1>but you say it in a way that's so relatable

0:16:24.840 --> 0:16:28.800
<v Speaker 1>and so like easy. You don't understand how I'm number five.

0:16:29.520 --> 0:16:32.200
<v Speaker 1>Listen man, when everybody else is so confusing, do you

0:16:32.240 --> 0:16:35.040
<v Speaker 1>want me to lie to you? I'm just saying everybody

0:16:35.080 --> 0:16:38.120
<v Speaker 1>else is so confusing. But you just said here and said, Okay,

0:16:38.200 --> 0:16:40.480
<v Speaker 1>I break it down in a way that's so relatable.

0:16:40.880 --> 0:16:45.080
<v Speaker 1>So what's more relatable than results? Take time? It's very relatable.

0:16:45.800 --> 0:16:50.320
<v Speaker 1>And five and I don't even know what the fuck

0:16:50.360 --> 0:16:55.720
<v Speaker 1>I was gonna says she was good to say. I

0:16:55.880 --> 0:16:59.960
<v Speaker 1>was one just Fridge your guy. No, it is Indrix

0:17:00.120 --> 0:17:02.680
<v Speaker 1>big time. It's not even that he's my guy. He's

0:17:03.240 --> 0:17:05.680
<v Speaker 1>I told him because Fred is my guy to shut

0:17:05.680 --> 0:17:07.960
<v Speaker 1>out to Fred. I love Fred. Fred has always shown

0:17:07.960 --> 0:17:10.440
<v Speaker 1>me he had a couple of records that we're gonna

0:17:10.440 --> 0:17:12.400
<v Speaker 1>make the album that I was really worried about because

0:17:12.400 --> 0:17:14.800
<v Speaker 1>if they would have made the album, I was very

0:17:14.880 --> 0:17:17.320
<v Speaker 1>worried about, like the direction of the project. If these

0:17:17.320 --> 0:17:20.240
<v Speaker 1>two records would have made the album and they didn't

0:17:20.240 --> 0:17:23.159
<v Speaker 1>make the album, Okay, And like I purposely, like I

0:17:23.200 --> 0:17:26.600
<v Speaker 1>had probably seventy five percent of his album already, but

0:17:26.760 --> 0:17:30.080
<v Speaker 1>like purposely didn't listen to everything in order. Why didn't

0:17:30.080 --> 0:17:32.960
<v Speaker 1>you like those two songs? It must have been commercial, Yeah,

0:17:33.040 --> 0:17:36.639
<v Speaker 1>you don't like commercial music. Yeah, it was a Forrell

0:17:36.720 --> 0:17:38.880
<v Speaker 1>record on a swale record. Okay, let me ask you this,

0:17:40.920 --> 0:17:45.160
<v Speaker 1>what's the most successful record on Fred's new project? Too Much?

0:17:45.920 --> 0:17:47.760
<v Speaker 1>I think that that's the record they're pushing. But I

0:17:47.760 --> 0:17:50.920
<v Speaker 1>think streaming wise, I think the one record that's going

0:17:51.000 --> 0:17:54.919
<v Speaker 1>up is the uh, the fucking Anderson Pac record. The

0:17:54.920 --> 0:17:56.919
<v Speaker 1>one I keep hearing is the money Bag record. So

0:17:56.960 --> 0:17:59.639
<v Speaker 1>that record is a single. You don't like that record,

0:17:59.640 --> 0:18:02.679
<v Speaker 1>do you? I like it, but I don't love it.

0:18:02.760 --> 0:18:05.840
<v Speaker 1>I love it. It's dope. I love it. I love

0:18:05.880 --> 0:18:07.880
<v Speaker 1>that record. Shut out to Fred for making that record.

0:18:08.000 --> 0:18:11.560
<v Speaker 1>That's dope ass record. But I'm starting to gauge what

0:18:11.640 --> 0:18:15.200
<v Speaker 1>it is you look for. So you you hate commercial shiit? No,

0:18:15.320 --> 0:18:17.560
<v Speaker 1>that's not true. You do I like commercial ship? No?

0:18:17.680 --> 0:18:19.679
<v Speaker 1>You do? I do? You do? You just said you

0:18:19.680 --> 0:18:22.760
<v Speaker 1>don't like the Jeffrey record. That doesn't mean I love bro.

0:18:23.000 --> 0:18:25.919
<v Speaker 1>I DJ the same like. I DJ all the ignorant

0:18:25.960 --> 0:18:28.879
<v Speaker 1>shit BRO like. I just don't particularly enjoying that record.

0:18:28.880 --> 0:18:31.320
<v Speaker 1>But that's because you're not. Also, I didn't like I

0:18:31.320 --> 0:18:33.720
<v Speaker 1>also didn't like the record on the last album, The

0:18:33.720 --> 0:18:36.119
<v Speaker 1>fucking fucking did not even follow me. I hated that record.

0:18:36.520 --> 0:18:38.720
<v Speaker 1>I didn't really like that record. That record was to me,

0:18:38.800 --> 0:18:42.080
<v Speaker 1>that record was a stretch. It didn't feel natural. The

0:18:42.240 --> 0:18:44.280
<v Speaker 1>key Block record feels natural to you. I just I'm

0:18:44.320 --> 0:18:47.280
<v Speaker 1>just not crazy about it. I'm with that, Yeah, with that.

0:18:47.400 --> 0:18:50.560
<v Speaker 1>I love that record though, performers record, if you come

0:18:50.600 --> 0:18:53.639
<v Speaker 1>to the show coming tonight, you'll like it tonight. I

0:18:53.680 --> 0:18:57.040
<v Speaker 1>bet I will. Yeah. But who else has been like

0:18:57.040 --> 0:18:59.639
<v Speaker 1>the most random person that's like just tapped in, Like

0:18:59.680 --> 0:19:02.280
<v Speaker 1>whether it's someone who just reposted you or DMD or

0:19:02.320 --> 0:19:07.840
<v Speaker 1>that Mike Tyson tired yesterday, Mike Tyson and styles p oh.

0:19:07.880 --> 0:19:11.400
<v Speaker 1>I saw that yeah with the Andrew Martinez. Yeah, yeah, yeah,

0:19:11.440 --> 0:19:16.240
<v Speaker 1>that was dope. And I recently ran into Akon in Atlanta.

0:19:16.400 --> 0:19:19.320
<v Speaker 1>Great hair. Oh man, he's going crazy. Yeah, I love hair.

0:19:19.320 --> 0:19:22.000
<v Speaker 1>He's going crazy. I'm interviewing him tomorrow, tell him. I said,

0:19:22.040 --> 0:19:24.520
<v Speaker 1>what's up? I will. But I ran into Acon in

0:19:24.600 --> 0:19:27.959
<v Speaker 1>Atlanta and he was like, yeah, man, you know I've

0:19:27.960 --> 0:19:30.200
<v Speaker 1>been seeing your freestyles. I'm gonna check out your project.

0:19:30.520 --> 0:19:33.600
<v Speaker 1>So literally about four hours goes by and my phone

0:19:33.720 --> 0:19:36.240
<v Speaker 1>ringing his Acon. I was just about to get on

0:19:36.280 --> 0:19:38.359
<v Speaker 1>stage in Atlanta. I had like twenty minutes before I

0:19:38.400 --> 0:19:41.720
<v Speaker 1>got on stage, and he was like, yo, He's like, man,

0:19:42.440 --> 0:19:45.320
<v Speaker 1>this fucking albums incredible. He was like, I ain't heard

0:19:45.359 --> 0:19:47.840
<v Speaker 1>nothing like this in five years, which y'all understand why

0:19:47.920 --> 0:19:50.640
<v Speaker 1>keV got me at five. He said, I haven't heard

0:19:50.720 --> 0:19:52.920
<v Speaker 1>nothing like this in five years. This is some real

0:19:53.000 --> 0:19:56.679
<v Speaker 1>fucking rap records. Like you talking some real shit, some

0:19:56.720 --> 0:19:59.480
<v Speaker 1>relatable shit, right, which y'all understand why keV asked me

0:19:59.520 --> 0:20:03.400
<v Speaker 1>at five. But he was like, this ship isn't fucking incredible.

0:20:03.680 --> 0:20:06.800
<v Speaker 1>I'm like, damn cut, I really appreciate that because I

0:20:06.840 --> 0:20:10.080
<v Speaker 1>grew up like literally watching you, like, learning how to

0:20:10.080 --> 0:20:12.879
<v Speaker 1>write hooks, listening a kon of t pain. So the

0:20:12.920 --> 0:20:15.560
<v Speaker 1>fact that he rocked with it and bulet Kiv did it,

0:20:16.040 --> 0:20:18.240
<v Speaker 1>I do. What do you mean? I love the album?

0:20:18.520 --> 0:20:21.439
<v Speaker 1>You said it was number five? That's great you like it?

0:20:21.480 --> 0:20:24.080
<v Speaker 1>You don't love it? If I bro, I love every

0:20:24.080 --> 0:20:27.199
<v Speaker 1>other album in my top ten I have, so after that,

0:20:27.280 --> 0:20:31.240
<v Speaker 1>I have, like, Joey, what other album I love I loved?

0:20:31.400 --> 0:20:33.600
<v Speaker 1>I love the Kodak Black album. So that's ko. Kodak

0:20:33.640 --> 0:20:36.600
<v Speaker 1>got a great Kodex album. Is hard. Kodek's a generation

0:20:36.680 --> 0:20:39.840
<v Speaker 1>of talent I think he doesn't get. I'm really looking

0:20:39.840 --> 0:20:42.960
<v Speaker 1>forward to hearing what this Little Baby album sounds like two. Yeah,

0:20:43.000 --> 0:20:45.359
<v Speaker 1>My Turn was like a classic, So I think it

0:20:45.400 --> 0:20:47.399
<v Speaker 1>was a classic. I think My Turn is. Yeah. I

0:20:47.400 --> 0:20:49.199
<v Speaker 1>think we're gonna look back and it's gonna be uh

0:20:49.760 --> 0:20:52.960
<v Speaker 1>regarded as a classic for sure. I can't argue that. Yeah,

0:20:53.080 --> 0:20:55.280
<v Speaker 1>I think I don't think it's a classic now, but

0:20:55.359 --> 0:20:58.160
<v Speaker 1>I think, like overtime, over time, I be like, damn,

0:20:58.240 --> 0:21:01.480
<v Speaker 1>I you know what I'm saying. Yeah, I just think, like,

0:21:01.600 --> 0:21:05.480
<v Speaker 1>you know, yeah, shout out to Baby. Yeah. Who else

0:21:05.520 --> 0:21:08.800
<v Speaker 1>is dope this year? What albums did you like? Future

0:21:08.840 --> 0:21:12.119
<v Speaker 1>had the best album of the year? To me, I

0:21:12.160 --> 0:21:16.120
<v Speaker 1>respect the opinion, just to me. Yeah, to me. Besides

0:21:16.280 --> 0:21:18.320
<v Speaker 1>results take saying so you got them, you got your

0:21:18.440 --> 0:21:21.000
<v Speaker 1>number two then, motherfucker, I got me in one ship,

0:21:22.080 --> 0:21:24.320
<v Speaker 1>I got me. You know, just dropped a great album,

0:21:24.960 --> 0:21:29.080
<v Speaker 1>punk and few. Oh the Migos is really good. The

0:21:29.280 --> 0:21:35.960
<v Speaker 1>uh yeah, no, it's album Herbo's dope. Yeah no. The

0:21:37.840 --> 0:21:40.320
<v Speaker 1>I'm very sad about the Bingos breakup, to be honest,

0:21:40.600 --> 0:21:43.280
<v Speaker 1>but what happened. I don't know. They're all related, bro,

0:21:43.320 --> 0:21:44.760
<v Speaker 1>So I don't get it. You know what happened? Tell

0:21:44.800 --> 0:21:46.520
<v Speaker 1>people to happen. I don't know what happened. I mean,

0:21:46.520 --> 0:21:49.400
<v Speaker 1>I think it was all about money, contracts, QC. Ship.

0:21:49.440 --> 0:21:51.520
<v Speaker 1>I don't know. I don't know, but I love I

0:21:51.560 --> 0:21:54.840
<v Speaker 1>love man, damn so sad. I love how they recreated

0:21:54.840 --> 0:22:00.040
<v Speaker 1>the RAYK. I think it's good why. I think some

0:22:00.119 --> 0:22:04.359
<v Speaker 1>times certain things run his course. But they're related. Yeah,

0:22:04.359 --> 0:22:06.119
<v Speaker 1>but I think my thing is if they break up

0:22:06.119 --> 0:22:09.160
<v Speaker 1>and it's like amicable, they're not, It's fine. Off Set

0:22:09.200 --> 0:22:12.440
<v Speaker 1>is not related to them, He's not on Takeoff is related.

0:22:12.480 --> 0:22:17.119
<v Speaker 1>I thought they related in some I think Vos Takeoff's nephew. Correct,

0:22:17.920 --> 0:22:23.000
<v Speaker 1>I think is Takeoff's uncle. Yes, okay, one of them.

0:22:23.000 --> 0:22:25.920
<v Speaker 1>But off Set was the homie. Are we sure? Yes?

0:22:26.080 --> 0:22:29.640
<v Speaker 1>Are we sure? Yes? They're all related, all related? Yeah,

0:22:29.680 --> 0:22:33.560
<v Speaker 1>you know they're all related. They can't all be related. No, No,

0:22:34.320 --> 0:22:38.040
<v Speaker 1>they can't all be related. Google it, dwighted, they can't.

0:22:38.920 --> 0:22:41.760
<v Speaker 1>They can't all be related. They're all related. They're not.

0:22:42.400 --> 0:22:45.760
<v Speaker 1>Quavo and Takeoff is related, off Sets the homie? What

0:22:45.840 --> 0:22:55.359
<v Speaker 1>was the homie? Look it up? I guarantee you. Wow,

0:22:57.480 --> 0:22:59.720
<v Speaker 1>I told you we're both from well. I knew that

0:22:59.760 --> 0:23:02.920
<v Speaker 1>they were related. Damn No, that's a great album though. Yeah.

0:23:03.200 --> 0:23:05.520
<v Speaker 1>Now I listened to it yesterday. It was real good rock.

0:23:05.560 --> 0:23:09.240
<v Speaker 1>Marciano has a album with Alchemists. Yeah, Stove got cooking

0:23:09.320 --> 0:23:11.000
<v Speaker 1>up some dope shit too. I just seen him the

0:23:11.080 --> 0:23:14.720
<v Speaker 1>other day in New York. The uh Rome Streets album

0:23:14.800 --> 0:23:16.720
<v Speaker 1>is dough too. Shout Hi. You gotta get in with

0:23:16.760 --> 0:23:18.480
<v Speaker 1>like that. I want to hear you again with the Alchemists, bro.

0:23:18.880 --> 0:23:22.040
<v Speaker 1>I'm ready, man. I've been talking to Alchemists, me and

0:23:22.240 --> 0:23:25.600
<v Speaker 1>uh the legendary Pete Rock been talking. That'd be hard,

0:23:25.960 --> 0:23:27.560
<v Speaker 1>but you gotta get in with alc He got a

0:23:27.560 --> 0:23:30.320
<v Speaker 1>studio Santa Monica. I'm with it. I'm with it. I

0:23:30.320 --> 0:23:36.720
<v Speaker 1>actually met him through you. I met him with you. Yeah, yeah, yeah,

0:23:37.080 --> 0:23:40.480
<v Speaker 1>through you. Look, I'm sure we'll get in soon. What up, y'all?

0:23:40.480 --> 0:23:42.200
<v Speaker 1>We got to stop the interview to tell you about

0:23:42.240 --> 0:23:47.320
<v Speaker 1>our new sponsors, our family at har Dean, Lost Vegas.

0:23:47.600 --> 0:23:49.920
<v Speaker 1>You see what it is. You see what it is.

0:23:50.280 --> 0:23:53.000
<v Speaker 1>Welcome to the family, Hard Dean man. We're so excited.

0:23:53.000 --> 0:23:54.639
<v Speaker 1>I've been going to Harden for so many years. For

0:23:54.680 --> 0:23:58.280
<v Speaker 1>people who don't know, Hard Dean is that premium cannabis dispensary,

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0:24:06.440 --> 0:24:09.360
<v Speaker 1>of course in Vegas, but I'm talking about worldwide. They're

0:24:09.400 --> 0:24:11.760
<v Speaker 1>then motherfuckers. All right, So what you gotta do is

0:24:11.800 --> 0:24:14.800
<v Speaker 1>pull up when you're in Vegas to Hardan, go to

0:24:14.840 --> 0:24:17.800
<v Speaker 1>Harden Underscore Los Vegas. Shoot them that follow on Instagram,

0:24:18.119 --> 0:24:21.280
<v Speaker 1>Go see them, Tell them I sent you. When you

0:24:21.320 --> 0:24:23.359
<v Speaker 1>go to check out, be like yo, Bootleg keV sent me.

0:24:23.400 --> 0:24:26.520
<v Speaker 1>I saw y'all talking about it on the Bootleg cav podcast. Look,

0:24:26.520 --> 0:24:29.720
<v Speaker 1>when you're in Vegas, they will also deliver right to

0:24:29.840 --> 0:24:32.479
<v Speaker 1>your room whatever you need, all right, make sure you

0:24:32.520 --> 0:24:37.280
<v Speaker 1>follow the crew Harden Underscore, Loss Vegas, go to Hardanlos

0:24:37.480 --> 0:24:40.159
<v Speaker 1>Vegas dot com. That's J A. R. D I n

0:24:40.520 --> 0:24:44.239
<v Speaker 1>Las Vegas dot com. And don't forget when you go

0:24:44.320 --> 0:24:47.400
<v Speaker 1>to Vegas, you go to Hardan, tell them I sent you,

0:24:47.480 --> 0:24:49.080
<v Speaker 1>and then you know they might throw a little extra

0:24:49.080 --> 0:24:51.119
<v Speaker 1>little eighth in the bag or something, them a little discount,

0:24:51.160 --> 0:24:53.000
<v Speaker 1>the Bootleg discount, you know what I'm saying. Get them

0:24:53.040 --> 0:24:55.959
<v Speaker 1>packwards too. They give me a packword the other day. Geez,

0:24:55.960 --> 0:24:58.000
<v Speaker 1>I'm still recovering from that shit. Blew my whole fucking

0:24:58.000 --> 0:25:00.760
<v Speaker 1>face off in the best way heart in Las Vegas.

0:25:00.800 --> 0:25:02.119
<v Speaker 1>All right, shout out to them, Let's get back to

0:25:02.160 --> 0:25:05.480
<v Speaker 1>the interview. Hey, let's uh, you know what kind of

0:25:05.520 --> 0:25:07.359
<v Speaker 1>me and you always have these talks about kind of

0:25:07.400 --> 0:25:10.560
<v Speaker 1>like you're you have a pretty unique path to where

0:25:10.560 --> 0:25:15.600
<v Speaker 1>you are right now. Yes, most like you're a new artist,

0:25:15.600 --> 0:25:17.919
<v Speaker 1>but you're not a new artist. I'm a new artist. Well,

0:25:17.920 --> 0:25:19.840
<v Speaker 1>you're a new artist to the world, but I feel

0:25:19.840 --> 0:25:22.960
<v Speaker 1>like your grind is not new for sure, Like kind

0:25:22.960 --> 0:25:25.000
<v Speaker 1>of give us a little bit of background on just

0:25:25.040 --> 0:25:27.439
<v Speaker 1>like give me. Let's start out, like when you were

0:25:27.480 --> 0:25:31.720
<v Speaker 1>running around with DJ a man. Oh wow, so you

0:25:31.760 --> 0:25:35.040
<v Speaker 1>were managing artists too. Yeah, So before I actually wanted

0:25:35.040 --> 0:25:37.639
<v Speaker 1>to be an artist, I was managing artists, right. So

0:25:37.680 --> 0:25:40.159
<v Speaker 1>it was an artist named Young Kirk. Shout out to

0:25:40.200 --> 0:25:43.280
<v Speaker 1>Young Kirk. A lot of people know Kurt music. You

0:25:43.320 --> 0:25:47.400
<v Speaker 1>remember the Nigga Ma Mama that goes. So Kurt had

0:25:47.480 --> 0:25:50.359
<v Speaker 1>like a bunch of songs and we would running around

0:25:50.840 --> 0:25:53.760
<v Speaker 1>and I was just telling this story earlier, like Kurt

0:25:53.840 --> 0:25:58.560
<v Speaker 1>was like not the most friendly person, you know, So

0:25:58.640 --> 0:26:01.000
<v Speaker 1>it was kind of tough to like get them to

0:26:01.240 --> 0:26:07.000
<v Speaker 1>talk to program directors and promoters and so I naturally

0:26:07.040 --> 0:26:09.920
<v Speaker 1>had to go do that work, which kind of made

0:26:09.960 --> 0:26:12.240
<v Speaker 1>me more of a people person and understood how to

0:26:12.280 --> 0:26:14.200
<v Speaker 1>talk to people and deal with people in the industry.

0:26:14.640 --> 0:26:17.479
<v Speaker 1>So me and Kurt ran into some differences, and I

0:26:17.520 --> 0:26:20.359
<v Speaker 1>started doing my own thing and just me naturally seeing

0:26:20.400 --> 0:26:22.760
<v Speaker 1>what it took to kind of like cut through, I

0:26:22.800 --> 0:26:24.919
<v Speaker 1>applied that to what it was I was doing. The

0:26:25.000 --> 0:26:27.320
<v Speaker 1>problem was my music was just terrible at the time.

0:26:27.880 --> 0:26:29.800
<v Speaker 1>So people rocked with me as a person, but the

0:26:29.920 --> 0:26:32.840
<v Speaker 1>music wasn't all the way there. So I will notice that.

0:26:33.040 --> 0:26:35.920
<v Speaker 1>I will notice when I play my music and somebody

0:26:35.920 --> 0:26:37.800
<v Speaker 1>else would play something, I'd be like, damn, I shit

0:26:37.920 --> 0:26:41.560
<v Speaker 1>wasn't hitting like that got around a bunch of different songwriters,

0:26:41.560 --> 0:26:45.119
<v Speaker 1>a bunch of different producers, signed my first deal at Columbia,

0:26:46.040 --> 0:26:49.480
<v Speaker 1>immediately realized I wasn't a priority in the building. When

0:26:49.520 --> 0:26:51.880
<v Speaker 1>I realized I wasn't a priority in the building, about

0:26:51.880 --> 0:26:54.280
<v Speaker 1>a week later, it was a regime change where everybody

0:26:54.359 --> 0:26:56.800
<v Speaker 1>who signed me over there and brought me in left

0:26:56.800 --> 0:26:59.240
<v Speaker 1>and went to a new label. So I was stuck

0:26:59.320 --> 0:27:03.120
<v Speaker 1>on this label being a traditional rapper that got signed

0:27:03.160 --> 0:27:05.720
<v Speaker 1>through writing a song for somebody else, and they wanted

0:27:05.760 --> 0:27:08.040
<v Speaker 1>me to make music that type of way, what did

0:27:08.040 --> 0:27:09.560
<v Speaker 1>you write a song for? I can't tell you that.

0:27:10.000 --> 0:27:12.000
<v Speaker 1>I can't tell that, but it's a well known rapper

0:27:13.000 --> 0:27:20.680
<v Speaker 1>wrote no from New York though not nuts legend, not Nuts.

0:27:21.920 --> 0:27:24.240
<v Speaker 1>So I was writing a song and they wanted me

0:27:24.359 --> 0:27:27.080
<v Speaker 1>to continue to do that, but it was like no,

0:27:27.240 --> 0:27:34.159
<v Speaker 1>it was like some melody, younger, new guy. So so

0:27:34.240 --> 0:27:37.879
<v Speaker 1>I kept going and I did that because I was

0:27:37.920 --> 0:27:40.600
<v Speaker 1>basically broke at the time. I used all my money

0:27:40.640 --> 0:27:43.840
<v Speaker 1>moving out here, right, So I was running around buying

0:27:43.840 --> 0:27:46.600
<v Speaker 1>people drinks, buying tables every night, thinking this is what

0:27:46.640 --> 0:27:49.399
<v Speaker 1>it get me known, wasting a bunch of fucking money.

0:27:49.760 --> 0:27:55.359
<v Speaker 1>Artists don't ever think buying DJs and buying table, buying

0:27:55.440 --> 0:27:58.600
<v Speaker 1>DJ's drinks and buying it doesn't matter. It's gonna change

0:27:58.600 --> 0:28:01.760
<v Speaker 1>your career. It only when your music is. Actually it's

0:28:01.800 --> 0:28:05.360
<v Speaker 1>gotta be dopey. Get the music first and then do that. Actually.

0:28:05.400 --> 0:28:07.720
<v Speaker 1>Like if I'm and someone and a rapper comes up

0:28:07.760 --> 0:28:10.200
<v Speaker 1>to me and gets me a drink, I hate it, yeah,

0:28:10.280 --> 0:28:12.560
<v Speaker 1>because now I feel like you're using me. No, I

0:28:12.640 --> 0:28:15.679
<v Speaker 1>just feel like I know this guy thinks I'm going

0:28:15.680 --> 0:28:17.600
<v Speaker 1>to play a song now, and you feel like he's

0:28:17.680 --> 0:28:19.680
<v Speaker 1>using you. I'm not gonna play the songs, so I'd

0:28:19.680 --> 0:28:22.520
<v Speaker 1>almost rather just you keep the drink exactly, you know.

0:28:22.840 --> 0:28:26.719
<v Speaker 1>So I went through that whole phase and then around

0:28:26.720 --> 0:28:30.360
<v Speaker 1>twenty nineteen I ran into Dallas Martin. Yeah, and Dallas

0:28:30.440 --> 0:28:33.600
<v Speaker 1>is like, he's like the A and R. That's like

0:28:33.720 --> 0:28:38.320
<v Speaker 1>always taking the chance, right. He sign like he's not

0:28:38.360 --> 0:28:41.120
<v Speaker 1>really just signing you because of your following or because

0:28:41.160 --> 0:28:44.160
<v Speaker 1>you gotta hit record. He's signing you because he believes

0:28:44.720 --> 0:28:47.520
<v Speaker 1>and he's trying to change the trajectory of things of

0:28:47.560 --> 0:28:49.560
<v Speaker 1>how they may be. Yeah. I feel like that's how

0:28:49.560 --> 0:28:51.640
<v Speaker 1>people should get signed, based off of the gut, based

0:28:51.640 --> 0:28:53.880
<v Speaker 1>off the music, not off the metrics. The problem is

0:28:53.960 --> 0:28:56.640
<v Speaker 1>is people like Boulet Kiv that caused my album number

0:28:56.640 --> 0:29:01.680
<v Speaker 1>five and all these others get stringed because of what

0:29:01.720 --> 0:29:04.160
<v Speaker 1>he just said, but does neither here nor there. So

0:29:04.280 --> 0:29:06.280
<v Speaker 1>people like Dallas got to take a chance on me

0:29:06.360 --> 0:29:09.480
<v Speaker 1>because people like Boulet Kiv calls my album number five. Okay,

0:29:09.560 --> 0:29:12.600
<v Speaker 1>So shouts out to Dallas Morton for taking that chance,

0:29:12.640 --> 0:29:18.600
<v Speaker 1>because without him, I just be number five show. Shout

0:29:18.600 --> 0:29:25.480
<v Speaker 1>out to Dallas, You're a dick. Jesus. I was gonna

0:29:25.480 --> 0:29:30.120
<v Speaker 1>say though, like I always have, like Uh. I love

0:29:30.160 --> 0:29:33.240
<v Speaker 1>Bay Area music, yeah, but I always feel like the

0:29:33.320 --> 0:29:35.959
<v Speaker 1>music that gets embraced out of the Bay it almost

0:29:36.000 --> 0:29:38.400
<v Speaker 1>only gets embraced if it sounds a certain way regional.

0:29:38.840 --> 0:29:41.120
<v Speaker 1>Like we have a guy named John Coston who we

0:29:41.120 --> 0:29:43.600
<v Speaker 1>probably both know he's a slimy bastard. Shout out to John.

0:29:43.640 --> 0:29:46.680
<v Speaker 1>I love him, yeah, but like I'm taught the slimiest

0:29:46.720 --> 0:29:49.040
<v Speaker 1>of the slimiest. But like you know, when I'm talking

0:29:49.080 --> 0:29:50.960
<v Speaker 1>to him about like yourself or guys like Larussell, I

0:29:51.000 --> 0:29:52.920
<v Speaker 1>feel like the excitement's not there as opposed to if

0:29:52.920 --> 0:29:54.640
<v Speaker 1>I'm talking to him about like they want us to

0:29:54.640 --> 0:29:56.720
<v Speaker 1>put guns in the video. I don't know, I just

0:29:56.920 --> 0:29:59.880
<v Speaker 1>it's just frustrating because I'm like, yo, sometimes I feel like,

0:30:00.480 --> 0:30:03.560
<v Speaker 1>how is it? In my opinion, you and l Russell,

0:30:03.680 --> 0:30:05.680
<v Speaker 1>in my opinion, are like the next like Jay Z

0:30:05.840 --> 0:30:08.400
<v Speaker 1>and Nike knas Like Larrussell's gonna change the music industry

0:30:08.440 --> 0:30:10.560
<v Speaker 1>based off of his business model. The music is good,

0:30:10.600 --> 0:30:14.160
<v Speaker 1>like you're just like I think the new Hove, you

0:30:14.160 --> 0:30:17.680
<v Speaker 1>know what I'm saying. And I feel like up until

0:30:17.720 --> 0:30:20.480
<v Speaker 1>like everybody outside of the Bay was fucking with you,

0:30:20.920 --> 0:30:23.120
<v Speaker 1>it didn't feel like the people inside of the Bay

0:30:23.160 --> 0:30:26.440
<v Speaker 1>were fucking with you. You You know, Coca Cola was the

0:30:26.440 --> 0:30:31.800
<v Speaker 1>first cola to be a brand. They didn't take heat

0:30:31.880 --> 0:30:34.360
<v Speaker 1>of pepsi too much when it first came around, right,

0:30:34.880 --> 0:30:37.400
<v Speaker 1>So pepsi had to become the drink of the generation.

0:30:38.040 --> 0:30:41.120
<v Speaker 1>So related to a new demographic. And what's going on

0:30:41.280 --> 0:30:44.080
<v Speaker 1>is me and Larussell are relating to a different demographic

0:30:44.160 --> 0:30:46.920
<v Speaker 1>than what typically you see in the Bay, right. So

0:30:47.080 --> 0:30:50.080
<v Speaker 1>because of that, you're gonna get clashed, You're gonna get

0:30:50.720 --> 0:30:53.440
<v Speaker 1>a little pushedback because people have been doing it one

0:30:53.480 --> 0:30:55.480
<v Speaker 1>way for so long. They look at it like who

0:30:55.480 --> 0:30:57.680
<v Speaker 1>the fuck are y'all right to come change what the

0:30:57.720 --> 0:31:00.360
<v Speaker 1>fuck is going on? And that's cool. Oh, we're not

0:31:00.440 --> 0:31:02.720
<v Speaker 1>trying to change what's going on. He's trying to offer

0:31:02.800 --> 0:31:05.640
<v Speaker 1>some balance. We just want to relate to a broader audience.

0:31:05.640 --> 0:31:07.680
<v Speaker 1>And me and the Russell talk about this a lot.

0:31:07.760 --> 0:31:11.080
<v Speaker 1>Same thing with Rex light Rise, who's incredible. Yeah, same

0:31:11.120 --> 0:31:14.200
<v Speaker 1>thing with a little Kayla. You know, like everybody's looking

0:31:14.200 --> 0:31:16.520
<v Speaker 1>to expand we're tired of being the city that just

0:31:16.600 --> 0:31:20.600
<v Speaker 1>get looked at as like the little cousin of La, right,

0:31:20.720 --> 0:31:22.600
<v Speaker 1>you know what I mean, It's like we're bigger than that.

0:31:22.680 --> 0:31:25.080
<v Speaker 1>We could be bigger as well, but sometimes our music

0:31:25.120 --> 0:31:27.720
<v Speaker 1>doesn't translate because well, you guys don't also like make

0:31:27.960 --> 0:31:30.960
<v Speaker 1>like traditional at least what we look at as Bay

0:31:31.040 --> 0:31:33.400
<v Speaker 1>Area records. Yeah, you know what I'm saying. And to me,

0:31:33.480 --> 0:31:35.880
<v Speaker 1>that's like I think that that is why I love

0:31:35.920 --> 0:31:37.440
<v Speaker 1>the Bay because I love the area music. But I

0:31:37.480 --> 0:31:40.160
<v Speaker 1>also feel like it is also what makes the ceiling

0:31:40.200 --> 0:31:42.520
<v Speaker 1>a little bit harder to break through, because it is

0:31:42.760 --> 0:31:46.920
<v Speaker 1>a bit regional facts and you know, like being down here,

0:31:47.480 --> 0:31:49.160
<v Speaker 1>Like I remember last year, it was a bunch of

0:31:49.160 --> 0:31:52.080
<v Speaker 1>people that felt like I was actually from La right,

0:31:52.160 --> 0:31:54.840
<v Speaker 1>you know, people that actually see me into Bay working

0:31:54.880 --> 0:31:57.400
<v Speaker 1>and put it work in for years like oh yeah, nigga.

0:31:57.480 --> 0:32:00.000
<v Speaker 1>But it's like, nah, I'm just trying to expand it.

0:32:00.000 --> 0:32:02.760
<v Speaker 1>I'm trying to do something different than just we all

0:32:02.760 --> 0:32:05.040
<v Speaker 1>get hot, go to petalum or, go to Fresno, go

0:32:05.120 --> 0:32:08.920
<v Speaker 1>to Sacramento, go to Seattle. Boom come back after that?

0:32:09.000 --> 0:32:11.560
<v Speaker 1>What comes after that? Right? Why can't we be on

0:32:11.560 --> 0:32:14.000
<v Speaker 1>the level of a Kendrick Even if Bootleg keV caused

0:32:14.000 --> 0:32:16.760
<v Speaker 1>the album Number five and Kendrick Number two, Why can't

0:32:16.800 --> 0:32:18.840
<v Speaker 1>we be on the level of a Freddy Gibbs, even

0:32:18.840 --> 0:32:21.840
<v Speaker 1>though Bootleg keV calls it number five, Why can't we

0:32:21.960 --> 0:32:24.240
<v Speaker 1>be on a level We get it, We get it,

0:32:24.280 --> 0:32:26.560
<v Speaker 1>you know. So we got to make bigger records and

0:32:26.600 --> 0:32:29.160
<v Speaker 1>we got to stick together because people like Bootleg keV

0:32:29.240 --> 0:32:34.360
<v Speaker 1>hasn't called the project number one, but he has went

0:32:34.440 --> 0:32:37.720
<v Speaker 1>till the Russell's backyard. So we we we appreciate that.

0:32:37.920 --> 0:32:41.760
<v Speaker 1>If I stayed in the hotel, we love Crest, we

0:32:41.840 --> 0:32:43.840
<v Speaker 1>love that. Shout out to l Russell too, because he's

0:32:43.880 --> 0:32:46.960
<v Speaker 1>doing amazing ship. By the way, the Hampton in right

0:32:46.960 --> 0:32:49.880
<v Speaker 1>across the street from that seven eleven in Balcross. He

0:32:50.000 --> 0:32:53.080
<v Speaker 1>was in Valo Verla. My hotel that for two nights

0:32:53.080 --> 0:32:56.600
<v Speaker 1>was in Vallejo in the Crane World. It was fucking lit.

0:32:56.720 --> 0:32:58.200
<v Speaker 1>You know. We was at what's the name of that

0:32:58.200 --> 0:33:01.400
<v Speaker 1>liquor store, King's Liquor. Yeah, it's great. I got the

0:33:01.440 --> 0:33:05.720
<v Speaker 1>mac dre soda. Yeah, is a very cultural place. No,

0:33:05.800 --> 0:33:07.880
<v Speaker 1>it's great. Yeah, we had good food there, great Asian

0:33:10.880 --> 0:33:13.120
<v Speaker 1>were you and the Russell? I mean everybody's been asking

0:33:13.120 --> 0:33:14.480
<v Speaker 1>you're gonna do a new like you're gonna do an

0:33:14.480 --> 0:33:18.040
<v Speaker 1>album with him? Yeah, we're talking about it. It's it's

0:33:18.120 --> 0:33:20.520
<v Speaker 1>timing it's just trying to figure it out. Like he

0:33:20.600 --> 0:33:22.640
<v Speaker 1>got a lot going on. I got a lot going on.

0:33:23.160 --> 0:33:26.920
<v Speaker 1>We've definitely been like talking a lot more. Anytime I'm

0:33:26.960 --> 0:33:29.120
<v Speaker 1>in the Bay, always go over to his spot. We

0:33:29.160 --> 0:33:31.920
<v Speaker 1>always link up, but it's like every time we link up,

0:33:32.880 --> 0:33:37.160
<v Speaker 1>it's more of like a it's more of like a

0:33:37.240 --> 0:33:40.720
<v Speaker 1>conversation than it is about music, because we're so inspired

0:33:40.720 --> 0:33:43.680
<v Speaker 1>about being innovative that were always trying to think of

0:33:43.800 --> 0:33:45.960
<v Speaker 1>like what's the next move for the future, more so

0:33:46.080 --> 0:33:49.160
<v Speaker 1>than making a song. So it's it's definitely gonna come.

0:33:49.160 --> 0:33:52.920
<v Speaker 1>It's just timing. Who else from the Bay? Are you

0:33:53.040 --> 0:33:56.320
<v Speaker 1>fucking with? JR? Dope? Yeah, that's my boy right there.

0:33:56.360 --> 0:33:59.280
<v Speaker 1>I just brought him out in Vegas, Young Jr. He's dope.

0:33:59.320 --> 0:34:04.760
<v Speaker 1>I like Little Rex Life RAJ. Who else I've been

0:34:04.800 --> 0:34:08.359
<v Speaker 1>listening to? Also like that kid. I think his name

0:34:08.400 --> 0:34:10.320
<v Speaker 1>is dB by the Bag, but I think he's not

0:34:10.520 --> 0:34:14.600
<v Speaker 1>like Stockton or something like that up right now. Yeah,

0:34:14.760 --> 0:34:20.080
<v Speaker 1>he's dope. It's a few people that's dope Blaster. It's

0:34:20.080 --> 0:34:22.919
<v Speaker 1>a few people I rock with that's got some great

0:34:22.920 --> 0:34:25.360
<v Speaker 1>shit going on. You said on your intro that somebody

0:34:25.360 --> 0:34:27.719
<v Speaker 1>had told you needed to do a song with Kafani Canard.

0:34:28.000 --> 0:34:32.480
<v Speaker 1>Canard was the program director at Cammelle when I was

0:34:32.520 --> 0:34:35.319
<v Speaker 1>living in the Bay Area and I was bringing him

0:34:35.360 --> 0:34:40.040
<v Speaker 1>records that were not the typical sounding Bay record but

0:34:40.080 --> 0:34:42.759
<v Speaker 1>they were good records. He would tell me that I

0:34:42.840 --> 0:34:45.440
<v Speaker 1>need a Bay Area sounding record or a feature from

0:34:45.480 --> 0:34:48.640
<v Speaker 1>Kafani if I wanted to be played. And I thought

0:34:48.680 --> 0:34:52.200
<v Speaker 1>that was a very small minded way of looking at

0:34:52.200 --> 0:34:55.320
<v Speaker 1>things because it was like, Okay, so you're just gonna

0:34:55.360 --> 0:34:57.560
<v Speaker 1>dictate what people want to hear. How about you at

0:34:57.640 --> 0:34:59.560
<v Speaker 1>least get a record to shot. That's why I hate

0:34:59.600 --> 0:35:03.080
<v Speaker 1>when DJ be like I don't like the record. It's like, okay,

0:35:03.080 --> 0:35:06.120
<v Speaker 1>but what if the people do. He's just not gonna

0:35:06.120 --> 0:35:09.479
<v Speaker 1>play it because you don't like it, Like that's not fair. Also,

0:35:09.480 --> 0:35:11.960
<v Speaker 1>if you're a DJ, you have to understand that, like

0:35:13.920 --> 0:35:16.200
<v Speaker 1>there's a if you hear a record, you got to

0:35:16.280 --> 0:35:19.160
<v Speaker 1>understand like who the records for, and you also kinda

0:35:19.280 --> 0:35:21.759
<v Speaker 1>like you like unless it's a bad record. You can

0:35:22.320 --> 0:35:25.279
<v Speaker 1>you cannot like a song like I like your song

0:35:25.360 --> 0:35:28.520
<v Speaker 1>with Key Glock and Jeffrey, or it's a good record,

0:35:28.920 --> 0:35:30.759
<v Speaker 1>I just personally don't love it, But that doesn't mean

0:35:30.760 --> 0:35:33.040
<v Speaker 1>it's a bad record. I recognize like what it is, like, oh,

0:35:33.080 --> 0:35:35.000
<v Speaker 1>this is hard, Like you're not the type of person

0:35:35.040 --> 0:35:37.520
<v Speaker 1>that won't play it because you don't like like if

0:35:37.520 --> 0:35:39.879
<v Speaker 1>somebody came here and be like play Simba and Key,

0:35:40.280 --> 0:35:42.800
<v Speaker 1>I know you will play it. There's certain DJs is

0:35:42.920 --> 0:35:44.839
<v Speaker 1>like I don't like the record, I don't have it,

0:35:45.120 --> 0:35:47.000
<v Speaker 1>and they have it in the system, and I just

0:35:47.000 --> 0:35:50.759
<v Speaker 1>be thinking that's just like some Yeah, I mean listen, man,

0:35:50.840 --> 0:35:54.040
<v Speaker 1>I think like DJ's are very important, but I also

0:35:54.080 --> 0:35:56.920
<v Speaker 1>think that like they're not as important as they were

0:35:57.000 --> 0:35:59.560
<v Speaker 1>like a decade ago in terms of like radio radio.

0:35:59.600 --> 0:36:02.920
<v Speaker 1>I'm radio specific. See that's where my mind be fucked

0:36:02.960 --> 0:36:05.759
<v Speaker 1>up because I think I'm with you on that. But

0:36:05.800 --> 0:36:07.840
<v Speaker 1>I think there's a way that they can be And

0:36:07.880 --> 0:36:10.720
<v Speaker 1>I think because they be so stuck in traditional ways

0:36:10.800 --> 0:36:13.560
<v Speaker 1>and not trying to innovate what the DJs looks like today,

0:36:14.400 --> 0:36:18.040
<v Speaker 1>they get stagnant. Right, So it's a lot of DJs

0:36:18.080 --> 0:36:20.480
<v Speaker 1>that can kind of because if you look at it right,

0:36:20.640 --> 0:36:23.640
<v Speaker 1>streaming tells people what to play, so it kind of

0:36:23.680 --> 0:36:26.560
<v Speaker 1>fucks up the discovery process for artists. So if you

0:36:26.600 --> 0:36:29.960
<v Speaker 1>get DJs linking up with artists, now, DJs can help

0:36:30.000 --> 0:36:32.640
<v Speaker 1>break artists. Artists can help break DJs. I just don't

0:36:32.680 --> 0:36:37.920
<v Speaker 1>know if a DJ breaking your record in wherever it is,

0:36:38.680 --> 0:36:41.600
<v Speaker 1>I don't know how much that actually correlates to like

0:36:41.640 --> 0:36:44.120
<v Speaker 1>people giving a fuck anymore. And I'm on the radio

0:36:44.160 --> 0:36:46.880
<v Speaker 1>every day in fifteen cities. I'm telling you, I just

0:36:46.960 --> 0:36:49.719
<v Speaker 1>don't know if it matters. Like to me, it's the

0:36:49.840 --> 0:36:53.200
<v Speaker 1>final phase in like making a hit record a hit record,

0:36:53.560 --> 0:36:56.240
<v Speaker 1>because you're never gonna like chart really high on Billboard

0:36:56.280 --> 0:36:59.399
<v Speaker 1>without radio play. But like I feel like in terms

0:36:59.440 --> 0:37:05.360
<v Speaker 1>of like garnering people's interests, garnering fans, streams, all that shit,

0:37:06.120 --> 0:37:10.040
<v Speaker 1>I'm not sure what radio brings to the table unless

0:37:10.040 --> 0:37:13.080
<v Speaker 1>you are like in power rotation across the fucking country,

0:37:13.120 --> 0:37:16.480
<v Speaker 1>which means your song's already moving anyway. Yeah, I agree,

0:37:16.680 --> 0:37:18.759
<v Speaker 1>But I think because like if somebody plays your song

0:37:18.840 --> 0:37:21.399
<v Speaker 1>at like eight pm on a Friday night, yeah that's dope.

0:37:21.400 --> 0:37:23.799
<v Speaker 1>It's cool for like an ig repost, but like the

0:37:23.880 --> 0:37:26.080
<v Speaker 1>chances depending on what city it's in, Like, But that's

0:37:26.080 --> 0:37:27.719
<v Speaker 1>why I said, I think it has to be an

0:37:27.760 --> 0:37:31.399
<v Speaker 1>attachment with the DJ and the artist because DJ's helped

0:37:31.400 --> 0:37:34.160
<v Speaker 1>the discovery process, right, Yeah, I think I think I

0:37:34.160 --> 0:37:36.120
<v Speaker 1>actually think like a DJ playing your shit in a

0:37:36.120 --> 0:37:38.560
<v Speaker 1>big club over and over again is even probably like

0:37:38.680 --> 0:37:41.680
<v Speaker 1>a little bit more effective than somebody playing radio. That's

0:37:41.680 --> 0:37:44.080
<v Speaker 1>what I'm saying. Yeah, so it's not just radio, it's

0:37:44.120 --> 0:37:47.560
<v Speaker 1>having that artist to DJ relationship to where my DJ

0:37:47.840 --> 0:37:51.880
<v Speaker 1>right Erie shut out Hiller Erie, Like, now, okay, what

0:37:52.040 --> 0:37:54.400
<v Speaker 1>was it four months ago? We would only do things

0:37:54.400 --> 0:37:56.480
<v Speaker 1>in the Bay right right, So now we've been on

0:37:56.560 --> 0:37:59.319
<v Speaker 1>tour every night when he starts to set out, he's

0:37:59.320 --> 0:38:02.680
<v Speaker 1>playing never so now when Utah, when Denver, wh in

0:38:02.719 --> 0:38:05.120
<v Speaker 1>all these different places. So the more he gets booked,

0:38:05.239 --> 0:38:07.399
<v Speaker 1>it helps me. The more I get booked, it helps him.

0:38:07.760 --> 0:38:10.319
<v Speaker 1>I think it's the artist the DJ relationship which can

0:38:10.360 --> 0:38:13.680
<v Speaker 1>help break up artists today versus it kind of being

0:38:13.800 --> 0:38:17.560
<v Speaker 1>like this divisive thing of I work for the radio

0:38:17.640 --> 0:38:19.760
<v Speaker 1>and you need to make a radio record. Well. Also

0:38:19.840 --> 0:38:24.440
<v Speaker 1>like radio personalities for the most part, are really entitled dickheads, yeah,

0:38:24.520 --> 0:38:27.680
<v Speaker 1>who feel like they matter more than they do for sure,

0:38:27.719 --> 0:38:31.160
<v Speaker 1>And I'm a radio guy, and it's like, but you're

0:38:31.200 --> 0:38:34.040
<v Speaker 1>deeper than the radio guy. But I'm saying, like it

0:38:34.080 --> 0:38:35.640
<v Speaker 1>is not in my best interest to share on my

0:38:35.680 --> 0:38:37.279
<v Speaker 1>own profession, But you can sit here and have a

0:38:37.320 --> 0:38:41.680
<v Speaker 1>conversation with anybody. Most of them can't, right, because these

0:38:41.719 --> 0:38:44.560
<v Speaker 1>motherfuckers wasn't the coolest growing up, or they didn't come

0:38:44.560 --> 0:38:48.120
<v Speaker 1>from certain environments that we did. So it's different with you.

0:38:48.200 --> 0:38:50.480
<v Speaker 1>Because you could do a podcast, you can jump on

0:38:50.520 --> 0:38:53.080
<v Speaker 1>Real ninety two three, you could jump on BT, you

0:38:53.120 --> 0:38:54.640
<v Speaker 1>could do whatever it is you need to do to

0:38:54.680 --> 0:38:57.000
<v Speaker 1>get the job done. Everybody can't do that. So that

0:38:57.080 --> 0:38:59.680
<v Speaker 1>little bit of authority that they have at radio, they

0:38:59.680 --> 0:39:01.480
<v Speaker 1>try to hold on to that ship as long as

0:39:01.480 --> 0:39:03.759
<v Speaker 1>they can because that's all they fucking got. Yeah, yeah,

0:39:03.800 --> 0:39:07.480
<v Speaker 1>I see so many guys like, uh, Midwest DJ. I

0:39:07.520 --> 0:39:08.759
<v Speaker 1>was just talking to my boy about IM, like, Yo,

0:39:08.760 --> 0:39:11.280
<v Speaker 1>why is the dude still carrying himself? Like it's O two? Yeah,

0:39:11.320 --> 0:39:14.000
<v Speaker 1>Like what's happening? It's twenty two. I literally was just

0:39:14.040 --> 0:39:15.680
<v Speaker 1>in the city. I'm not gonna say the name of

0:39:15.680 --> 0:39:18.320
<v Speaker 1>the city, but I was in the city three nights

0:39:18.320 --> 0:39:20.640
<v Speaker 1>ago and they was we was listening to the radio

0:39:20.640 --> 0:39:22.880
<v Speaker 1>and he was like, how this record in the city

0:39:23.000 --> 0:39:25.000
<v Speaker 1>right now? And it was Meek Meal I'm a Boss,

0:39:26.040 --> 0:39:28.399
<v Speaker 1>And I was like, bro, where the fuck have you been?

0:39:28.480 --> 0:39:30.879
<v Speaker 1>The last that was ten years ago? Like at least

0:39:30.880 --> 0:39:35.000
<v Speaker 1>played the intro like she's explaining a boss Like it

0:39:35.040 --> 0:39:38.040
<v Speaker 1>was like, what the fuck is going on? Yeah, so

0:39:38.080 --> 0:39:42.120
<v Speaker 1>it is it's hard. Yeah were you Were you ever

0:39:42.160 --> 0:39:46.960
<v Speaker 1>trying to make those records like dude, Definitely, Yeah, definitely, definitely.

0:39:47.080 --> 0:39:49.799
<v Speaker 1>I still attempted sometimes. I Mean, the thing is, it's

0:39:49.880 --> 0:39:52.759
<v Speaker 1>like you could do it, but it's gotta be or gang,

0:39:52.800 --> 0:39:55.840
<v Speaker 1>gotta be organ Like dude, when Two Chains did I'm Different,

0:39:55.880 --> 0:39:58.319
<v Speaker 1>it didn't sound like Two Change was jocking fucking la.

0:39:58.600 --> 0:40:00.400
<v Speaker 1>It just sounded like he made a hit. You know

0:40:00.440 --> 0:40:03.520
<v Speaker 1>what I'm saying exactly. When Yo Gotti hopped on Act,

0:40:04.040 --> 0:40:08.200
<v Speaker 1>it was like, this ship is natural. It just got

0:40:08.360 --> 0:40:11.200
<v Speaker 1>to be done right. And I think sometimes as West

0:40:11.239 --> 0:40:13.440
<v Speaker 1>Coast artists, it's a little different for us because our

0:40:13.560 --> 0:40:17.160
<v Speaker 1>music moves a little faster, and the sound of today

0:40:17.239 --> 0:40:20.040
<v Speaker 1>is more so of a trap sound, which is slower, yeah,

0:40:20.080 --> 0:40:22.440
<v Speaker 1>the national sound. Yeah. So some of the records that

0:40:22.560 --> 0:40:25.080
<v Speaker 1>work over in the South doesn't work over here, But

0:40:25.120 --> 0:40:27.759
<v Speaker 1>some of the records work over here doesn't work over there.

0:40:28.239 --> 0:40:31.520
<v Speaker 1>So I think that's why Roddy was so that so

0:40:31.640 --> 0:40:35.040
<v Speaker 1>great because but not only was it that you could

0:40:35.120 --> 0:40:38.120
<v Speaker 1>understand them. Yeah, So a lot of times, like us

0:40:38.120 --> 0:40:40.760
<v Speaker 1>being from the West, we don't comprehend with the southern

0:40:40.840 --> 0:40:43.600
<v Speaker 1>accent as well. Roddy made it to where you could

0:40:43.680 --> 0:40:46.399
<v Speaker 1>kind of like get it right away no matter where

0:40:46.400 --> 0:40:49.120
<v Speaker 1>you was at. Shout out to the rich guy too, man,

0:40:49.160 --> 0:40:51.440
<v Speaker 1>my boy Roddy Rich. Yeah, he was one of the

0:40:51.520 --> 0:40:55.239
<v Speaker 1>later features that got added right. Yeah, but because me

0:40:55.239 --> 0:40:58.440
<v Speaker 1>and him had a record before. Remember I played it

0:40:58.480 --> 0:41:00.000
<v Speaker 1>for you a long time ago, and we couldn't get

0:41:00.120 --> 0:41:01.680
<v Speaker 1>that one clear, I'd have to say, you guys are

0:41:01.880 --> 0:41:05.680
<v Speaker 1>pretty much you got the same an r same, he

0:41:05.680 --> 0:41:07.680
<v Speaker 1>had the same man or he was cool got you.

0:41:07.800 --> 0:41:10.800
<v Speaker 1>It was cool before that because he had did something

0:41:10.880 --> 0:41:13.319
<v Speaker 1>for one of the homies back before I even had

0:41:13.360 --> 0:41:16.200
<v Speaker 1>met Dallas, so we knew me him and Kifa and

0:41:16.320 --> 0:41:20.280
<v Speaker 1>Cash had a relationship before I even had met Dallas.

0:41:20.280 --> 0:41:24.080
<v Speaker 1>So it just came full circle. Yo, it's Bootleg keV

0:41:24.120 --> 0:41:26.160
<v Speaker 1>here to tell you about our partners at my bookie

0:41:26.239 --> 0:41:28.920
<v Speaker 1>damnit football season. We're in the thick of it right now.

0:41:29.440 --> 0:41:31.600
<v Speaker 1>I hit big last week too. Man. I want to

0:41:31.600 --> 0:41:34.040
<v Speaker 1>give a shout out to uh, to my guy who

0:41:34.040 --> 0:41:35.839
<v Speaker 1>gave me the pick shot I got sports book killer.

0:41:35.920 --> 0:41:37.360
<v Speaker 1>But listen, what you gotta do is go to my

0:41:37.440 --> 0:41:40.160
<v Speaker 1>bookie right now, get in on this NFL action. You know,

0:41:40.320 --> 0:41:43.520
<v Speaker 1>NBA's coming up to You could bet on anything you want.

0:41:43.560 --> 0:41:46.160
<v Speaker 1>They got the player props, you could do the parlay builder.

0:41:46.520 --> 0:41:48.080
<v Speaker 1>You could bet on your favorite team to win the

0:41:48.080 --> 0:41:50.920
<v Speaker 1>Super Bowl. Get them odds up. Whatever it is the

0:41:51.000 --> 0:41:56.040
<v Speaker 1>most important thing. Get that first time deposit bonus. That

0:41:56.200 --> 0:41:58.520
<v Speaker 1>means when you sign up for your account, use the

0:41:58.520 --> 0:42:01.680
<v Speaker 1>promo code bootleg b O O T L E G,

0:42:02.360 --> 0:42:05.520
<v Speaker 1>and you will get a deposit match. So if you

0:42:05.560 --> 0:42:07.719
<v Speaker 1>put in two hundred dollars, they're gonna give you two

0:42:07.760 --> 0:42:10.560
<v Speaker 1>hundred dollars on top of that to gamble with for free.

0:42:10.719 --> 0:42:13.479
<v Speaker 1>If you put in one thousand dollars, they're gonna match

0:42:13.520 --> 0:42:16.200
<v Speaker 1>that deposit with a three thousand dollars for you to

0:42:16.239 --> 0:42:18.640
<v Speaker 1>gamble with right now. So what the fuck are you

0:42:18.680 --> 0:42:22.200
<v Speaker 1>waiting for. Let's get this money, Let's watch some fucking football,

0:42:22.280 --> 0:42:25.200
<v Speaker 1>and let's get paid with my bookie. Who are you

0:42:25.440 --> 0:42:29.080
<v Speaker 1>like a fan of just as An MC like? Obviously

0:42:29.120 --> 0:42:33.640
<v Speaker 1>you love Future best album of the year. Suppose my favorite? Yeah?

0:42:33.800 --> 0:42:39.239
<v Speaker 1>That's interesting? Ye ever ever all time? Overhap they like

0:42:39.280 --> 0:42:43.880
<v Speaker 1>one A, one B. That's interesting Future all time? For me?

0:42:44.600 --> 0:42:46.759
<v Speaker 1>He's the greatest club artist of all time. No, he's

0:42:46.760 --> 0:42:48.480
<v Speaker 1>a lyricist, and he's a lyric he's one of the

0:42:48.480 --> 0:42:50.719
<v Speaker 1>best songs. He's one of the best songwriters ever. But

0:42:50.800 --> 0:42:53.719
<v Speaker 1>for me is lyrics that relate to my life. Truth,

0:42:53.760 --> 0:42:56.000
<v Speaker 1>it probably doesn't relate to everyone else. So you're a

0:42:56.080 --> 0:43:00.719
<v Speaker 1>drug addletes. No, I'm not a drugs shit drugged out.

0:43:01.440 --> 0:43:04.799
<v Speaker 1>I can be toxic at times. Okay, that's right. I

0:43:04.840 --> 0:43:08.719
<v Speaker 1>can be toxic toxic. I love having fun. Yeah, I

0:43:08.760 --> 0:43:12.040
<v Speaker 1>love looking at life from different views. I love future,

0:43:12.080 --> 0:43:14.560
<v Speaker 1>I love women, I love vacations. I wouldn't put him.

0:43:14.560 --> 0:43:16.120
<v Speaker 1>I wouldn't put him in in the top ten though,

0:43:16.160 --> 0:43:18.560
<v Speaker 1>I just said he's mine. No person, I respect him

0:43:18.600 --> 0:43:21.200
<v Speaker 1>or personal Like I think remember that meme that was

0:43:21.200 --> 0:43:23.719
<v Speaker 1>going around like two years ago, and it was like

0:43:23.880 --> 0:43:26.480
<v Speaker 1>Field of Mount Rushmore in it was Drake, Kendrick and Cole.

0:43:27.160 --> 0:43:30.560
<v Speaker 1>I think Future is the fourth one of this generation.

0:43:30.719 --> 0:43:36.319
<v Speaker 1>I agree, Yeah, yeah, yeah, or yeah, not Travis Future,

0:43:36.320 --> 0:43:39.680
<v Speaker 1>it's Futureture, It's for sure future future, for sure. It's

0:43:39.719 --> 0:43:43.960
<v Speaker 1>not even close, not close future. Yeah, Because what was

0:43:44.000 --> 0:43:47.040
<v Speaker 1>twenty ten or eleven twenty ten? Is it twenty ten?

0:43:48.560 --> 0:43:52.319
<v Speaker 1>Oldest ship? It might have been twenty eleven. Might it's

0:43:52.360 --> 0:43:54.719
<v Speaker 1>twenty ten or twenty eleven, but either way, go No,

0:43:54.840 --> 0:43:58.040
<v Speaker 1>he's not a decade run and it's pretty crazy and

0:43:58.080 --> 0:44:01.560
<v Speaker 1>he's it's wild, still going, still going. And the new album,

0:44:01.640 --> 0:44:03.440
<v Speaker 1>like he had dropped a few albums recently that I

0:44:03.480 --> 0:44:05.520
<v Speaker 1>was like, but the new album, the new album was

0:44:05.560 --> 0:44:08.560
<v Speaker 1>the one. Yeah, that was great. He ain't ship for sure,

0:44:08.719 --> 0:44:12.240
<v Speaker 1>and he's probably like top six or seven most influential

0:44:12.280 --> 0:44:16.160
<v Speaker 1>guy ever in rap, top five. I wouldn't be mad

0:44:16.200 --> 0:44:18.319
<v Speaker 1>at five he got my album at five. I mean

0:44:18.360 --> 0:44:20.759
<v Speaker 1>he could at least put future she's top five most

0:44:20.800 --> 0:44:23.480
<v Speaker 1>influential because it's like it's it's probably like he was

0:44:23.480 --> 0:44:26.640
<v Speaker 1>your top five most influential in hip hop. I think

0:44:26.640 --> 0:44:30.760
<v Speaker 1>it's Tupac and I'm just not in no order Tupac

0:44:30.840 --> 0:44:35.520
<v Speaker 1>Hove actually not no, no, no no, not jay Z. I'm sorry.

0:44:35.880 --> 0:44:38.839
<v Speaker 1>Tweet jay Z's not tough. Wait wait wait wait, hold on,

0:44:38.960 --> 0:44:44.759
<v Speaker 1>I'm thinking in order, no wonder my album's number top

0:44:44.800 --> 0:44:49.200
<v Speaker 1>five influential. I was leasting them off in my head

0:44:49.200 --> 0:44:52.880
<v Speaker 1>in order. I think it's POC. I think like overall

0:44:52.920 --> 0:44:55.520
<v Speaker 1>in the game, like all time, like who made it

0:44:55.560 --> 0:44:58.799
<v Speaker 1>okay to really rap rock him? And I know that's

0:44:58.800 --> 0:45:00.399
<v Speaker 1>like some old head ship to say because that's before

0:45:00.440 --> 0:45:02.680
<v Speaker 1>my time. But he was like the first dude with

0:45:02.719 --> 0:45:05.319
<v Speaker 1>you on that because before rock Him, nobody was really

0:45:05.360 --> 0:45:11.240
<v Speaker 1>doing this right. Everywhere people walking on this Tupac, rock Him, Hove,

0:45:14.239 --> 0:45:20.560
<v Speaker 1>Kanye and Lila Wayne. I can't argue that because Kanye,

0:45:20.880 --> 0:45:23.840
<v Speaker 1>I cannot argue has changed music hip hop like four times.

0:45:24.000 --> 0:45:26.760
<v Speaker 1>I cannot argue that. And then it's like future Chief

0:45:26.840 --> 0:45:31.560
<v Speaker 1>Keith Drake Drake even now, I can't even say that

0:45:31.560 --> 0:45:34.720
<v Speaker 1>because musically he didn't want to get slipped on ace Hood.

0:45:35.560 --> 0:45:39.000
<v Speaker 1>I can't. Great guy, great, great physicus. So many people

0:45:39.040 --> 0:45:44.279
<v Speaker 1>stole ace Hood style. Yeah, people have made careers off

0:45:44.320 --> 0:45:46.759
<v Speaker 1>of ace Hood. So listen, don't say a statement like

0:45:46.800 --> 0:45:48.600
<v Speaker 1>that and not tell me who's stolen his style. A

0:45:48.640 --> 0:45:52.480
<v Speaker 1>lot of people give me one name. You do the

0:45:52.480 --> 0:45:55.919
<v Speaker 1>the Migos flow. The Migos flow comes from an ace

0:45:55.920 --> 0:45:59.920
<v Speaker 1>Hood style. Really, Yes, I guess I'm not listening to

0:46:00.239 --> 0:46:02.800
<v Speaker 1>listen to early ace Hood and listen to We're not

0:46:02.800 --> 0:46:05.319
<v Speaker 1>Gonna put in the top. I'm not saying you can

0:46:05.360 --> 0:46:06.600
<v Speaker 1>put them wherever you want to put them. What I'm

0:46:06.600 --> 0:46:11.120
<v Speaker 1>saying is he gets slept on has taken his style

0:46:11.320 --> 0:46:15.520
<v Speaker 1>and ran with it. There's early Meek Meals songs that

0:46:15.640 --> 0:46:18.520
<v Speaker 1>feel like I'm not seeing Meek store. They came at

0:46:18.520 --> 0:46:20.600
<v Speaker 1>the same time, so they kind of fed off each other.

0:46:20.760 --> 0:46:25.320
<v Speaker 1>But that style of hustle hard definitely under throwing my pocket,

0:46:27.680 --> 0:46:30.240
<v Speaker 1>numbing up profit, but not double up with my profit.

0:46:30.360 --> 0:46:33.040
<v Speaker 1>That whole flow came from Acehood the same way niggas

0:46:33.040 --> 0:46:36.040
<v Speaker 1>wrapped today. All right, well, a Hood gets his flowers today.

0:46:36.040 --> 0:46:40.960
<v Speaker 1>Shut very underrated, discography too, very underrated, very underrated, shut out,

0:46:41.320 --> 0:46:46.839
<v Speaker 1>most fit rapper, most fit. That motherfucker's yoked more than fifty. Yeah,

0:46:46.920 --> 0:46:48.880
<v Speaker 1>what did you see fifty hanging upside down at the

0:46:48.880 --> 0:46:52.520
<v Speaker 1>Super Bowl TV? Pushing weight on you? Though, man, Now,

0:46:52.600 --> 0:46:55.239
<v Speaker 1>Ace Hood is like a fucking specimen pause Like that

0:46:55.280 --> 0:46:58.360
<v Speaker 1>motherfucker is like a goddamn He's like the Rock. Have

0:46:58.480 --> 0:47:03.400
<v Speaker 1>you seen him lately? No, he's fucking jacked, really like Jack.

0:47:04.200 --> 0:47:06.960
<v Speaker 1>It's like it's like he should he should be like

0:47:07.000 --> 0:47:10.359
<v Speaker 1>fighting or playing football or something. He's fucking I knew

0:47:10.360 --> 0:47:12.520
<v Speaker 1>he was always like a fit. No, no, no, he's

0:47:12.560 --> 0:47:14.400
<v Speaker 1>like no, he fake guy. It's like him and method

0:47:14.480 --> 0:47:17.279
<v Speaker 1>man is him in the Rock? No, I'm talking about

0:47:17.320 --> 0:47:19.239
<v Speaker 1>hip hop like method Man is also pretty about him

0:47:19.239 --> 0:47:23.000
<v Speaker 1>and Diesel. I think Vin Diesel is probably more flabbyer

0:47:23.000 --> 0:47:26.840
<v Speaker 1>than Thehthood for sure. Yeah, what about the Rock and

0:47:26.920 --> 0:47:30.160
<v Speaker 1>Vin Diesel? The Rock is a fucking alien. Did you

0:47:30.200 --> 0:47:33.520
<v Speaker 1>see the baby that they was passing around in the crowd? Oh,

0:47:33.560 --> 0:47:35.480
<v Speaker 1>I think he meant the baby. I'm like, yeah, a

0:47:35.480 --> 0:47:39.799
<v Speaker 1>baby's kind of in all right shape. I guess yeah,

0:47:39.840 --> 0:47:45.600
<v Speaker 1>they crowdsurfed the baby. That was a newborn baby just

0:47:45.600 --> 0:47:47.480
<v Speaker 1>getting passed through a crowd to go to the Rock.

0:47:47.680 --> 0:47:50.920
<v Speaker 1>And the Rocks just like, this is weird. That was

0:47:50.960 --> 0:47:55.680
<v Speaker 1>some ship super well. That kid's parents need to be detained.

0:47:55.800 --> 0:47:59.440
<v Speaker 1>How do you feel about artists saying that they're blackball nowadays?

0:48:00.080 --> 0:48:06.080
<v Speaker 1>Speaking of the baby, some of them more. But what

0:48:06.120 --> 0:48:10.160
<v Speaker 1>does that mean? I think blackballed is when you've pissed

0:48:10.160 --> 0:48:12.560
<v Speaker 1>a certain person off that has the authority to make

0:48:12.600 --> 0:48:16.319
<v Speaker 1>a call to stop your emergence. I think it can

0:48:16.360 --> 0:48:18.799
<v Speaker 1>stop your momentum, for sure. But I think if you

0:48:18.800 --> 0:48:21.320
<v Speaker 1>have real fans, I don't think. But that's the problem.

0:48:21.320 --> 0:48:24.040
<v Speaker 1>Most people don't have real fans. They have fans of songs,

0:48:24.600 --> 0:48:27.279
<v Speaker 1>so when the sound dies out, so do they, and

0:48:27.320 --> 0:48:30.120
<v Speaker 1>they never build an underbelly. That's why I appreciate my

0:48:30.200 --> 0:48:32.800
<v Speaker 1>dog Jodan Lucas for taking me on this tour because

0:48:32.880 --> 0:48:35.960
<v Speaker 1>he's fans, yes, and it's allowing me to convert them

0:48:35.960 --> 0:48:38.920
<v Speaker 1>into Symber fans, and they're learning about me. And that's

0:48:38.960 --> 0:48:41.040
<v Speaker 1>why you got a guy like Tory who's always had

0:48:41.080 --> 0:48:44.400
<v Speaker 1>like that super strong or following. But Toy is a

0:48:44.480 --> 0:48:48.279
<v Speaker 1>different thing. See, but I'm saying Tory can say, you know,

0:48:48.320 --> 0:48:51.160
<v Speaker 1>I've been blackballed from Playlist, which has definitely happened, but

0:48:51.280 --> 0:48:53.080
<v Speaker 1>it doesn't matter because he's still had the best selling

0:48:53.360 --> 0:48:56.120
<v Speaker 1>album of the week. But he's an anomaly because that

0:48:56.239 --> 0:49:01.040
<v Speaker 1>motherfucker's talented show and everybody's not that talented. Most people

0:49:01.080 --> 0:49:04.000
<v Speaker 1>aren't as talented. Everybody ain't got that talent to be

0:49:04.040 --> 0:49:07.600
<v Speaker 1>able to wiggle through that ship. So some people they

0:49:07.760 --> 0:49:10.080
<v Speaker 1>kind of forced to take a back seat because they

0:49:10.160 --> 0:49:12.200
<v Speaker 1>can't do some of them things that he could do.

0:49:12.360 --> 0:49:17.719
<v Speaker 1>So he's he makes timeless music consistently like anomally. He's

0:49:17.719 --> 0:49:21.759
<v Speaker 1>an alien talented level person for sure. Everybody ain't got that.

0:49:21.760 --> 0:49:24.399
<v Speaker 1>That's real. Everybody ain't got that. And if you don't

0:49:24.440 --> 0:49:26.120
<v Speaker 1>have that and you're trying to cut through and you

0:49:26.120 --> 0:49:28.440
<v Speaker 1>didn't piss the wrong people off, going to be to Yeah,

0:49:28.440 --> 0:49:31.000
<v Speaker 1>I understand like what Russ was saying, because Russ was like,

0:49:31.400 --> 0:49:33.719
<v Speaker 1>you can't be blackball if there's the internet. He's right,

0:49:33.960 --> 0:49:40.160
<v Speaker 1>but he's also there's no context. Sometimes just say there's

0:49:40.160 --> 0:49:45.640
<v Speaker 1>no context to he's right, but that doesn't mean that

0:49:45.719 --> 0:49:50.520
<v Speaker 1>somebody can't stand in the way of opportunity that will

0:49:51.000 --> 0:49:54.080
<v Speaker 1>lave it like like elevate your whole entire ship, like,

0:49:54.560 --> 0:49:56.480
<v Speaker 1>which is why he is right and saying if you

0:49:56.480 --> 0:49:58.319
<v Speaker 1>have a core fan base, you'll be fine. Nobody can

0:49:58.360 --> 0:50:02.759
<v Speaker 1>blackball you, but you can if someone doesn't put you

0:50:02.800 --> 0:50:05.359
<v Speaker 1>on rap Cavear office. And I'm not saying that's ever happened.

0:50:05.719 --> 0:50:07.080
<v Speaker 1>I don't want to put that on car or anybody

0:50:07.080 --> 0:50:08.760
<v Speaker 1>over there. But somebod doesn't put you on a playlist

0:50:08.800 --> 0:50:10.520
<v Speaker 1>on purpose because something you did or you said, or

0:50:10.520 --> 0:50:13.439
<v Speaker 1>they don't like you and I and that's the only

0:50:13.440 --> 0:50:16.080
<v Speaker 1>reason they didn't put you on it. That playlist could

0:50:16.600 --> 0:50:19.080
<v Speaker 1>be the difference between an extra five million streams and

0:50:19.200 --> 0:50:23.080
<v Speaker 1>everybody's every The way everybody built their career is different.

0:50:23.520 --> 0:50:27.359
<v Speaker 1>So Russ had the ability to build his career through

0:50:27.400 --> 0:50:31.359
<v Speaker 1>SoundCloud and touring and building out and making different type

0:50:31.400 --> 0:50:34.880
<v Speaker 1>of records that somebody liked. The baby wouldn't get off

0:50:35.600 --> 0:50:37.880
<v Speaker 1>if he was in that position, you know what. And

0:50:37.880 --> 0:50:40.040
<v Speaker 1>the baby also came up with like a pretty solid

0:50:40.080 --> 0:50:43.080
<v Speaker 1>core foundation. No, for sure. But I'm just saying it's

0:50:43.120 --> 0:50:45.840
<v Speaker 1>gonna be tougher for somebody like the Baby than it

0:50:45.880 --> 0:50:48.560
<v Speaker 1>would be for us, right right. And there's a whole

0:50:48.560 --> 0:50:51.800
<v Speaker 1>bunch of different reasons that go into that. But everybody's

0:50:51.880 --> 0:50:54.880
<v Speaker 1>My whole point is everybody's journey is different, So you

0:50:55.040 --> 0:50:59.440
<v Speaker 1>just can't say that someone can't be black Ball. I

0:50:59.440 --> 0:51:02.720
<v Speaker 1>think I think both sides are correct because there's context

0:51:02.800 --> 0:51:04.960
<v Speaker 1>to both sides. It's two sides. You know what else

0:51:05.000 --> 0:51:07.160
<v Speaker 1>is important? Something you said earlier when you were tourn

0:51:07.200 --> 0:51:10.480
<v Speaker 1>with your artists. You're managing, you kind of have to

0:51:10.520 --> 0:51:13.160
<v Speaker 1>have people like want you to win. Oh yeah, like

0:51:13.200 --> 0:51:15.839
<v Speaker 1>people kind of have like either they have to like you,

0:51:16.160 --> 0:51:18.879
<v Speaker 1>or you gotta be Kanye West for sure. For sure,

0:51:18.960 --> 0:51:21.200
<v Speaker 1>That's what I'm saying. Toy is an anomaly or you

0:51:21.200 --> 0:51:23.880
<v Speaker 1>gotta be NBA Young Boy, where it's like it doesn't anomaly,

0:51:25.080 --> 0:51:26.960
<v Speaker 1>you know what I'm saying, it's nothing you can do

0:51:27.760 --> 0:51:31.640
<v Speaker 1>NBA Young Boy just dropped the album what was it Friday?

0:51:31.920 --> 0:51:33.760
<v Speaker 1>I think he's put out one hundred and ten songs

0:51:33.760 --> 0:51:36.600
<v Speaker 1>this year. Okay, so listen to this, right NBA. Young

0:51:36.680 --> 0:51:39.040
<v Speaker 1>boy just put an album out Friday. Yeah, he just

0:51:39.080 --> 0:51:43.239
<v Speaker 1>announced another one today. It's crazy. There's nothing you could

0:51:43.280 --> 0:51:45.520
<v Speaker 1>do about it. Dwight. Is he helping keep the lights

0:51:45.560 --> 0:51:49.640
<v Speaker 1>on over there? He's contributing to those lights. Cardi ain't

0:51:49.680 --> 0:51:52.839
<v Speaker 1>dropped in a while. Shit shut out to Cardi because

0:51:52.840 --> 0:51:55.600
<v Speaker 1>she been flaming them versus oh my god, that tomorrow too,

0:51:55.680 --> 0:51:58.279
<v Speaker 1>versus crazy she killed that and she just killed the

0:51:58.320 --> 0:52:00.920
<v Speaker 1>munch beat. I haven't I saw she got on it.

0:52:00.920 --> 0:52:03.200
<v Speaker 1>I didn't hear it. Yeah, she's been killing versus Yeah

0:52:03.239 --> 0:52:05.279
<v Speaker 1>she's I'm excited to hear some new Cardi. You know

0:52:05.320 --> 0:52:07.680
<v Speaker 1>what I say about Cardi. Cardi delivers records. I don't

0:52:07.680 --> 0:52:09.239
<v Speaker 1>know if she's writing or not writing. I don't give

0:52:09.239 --> 0:52:13.520
<v Speaker 1>a fuck. She's delivering records, delivered so hard. It doesn't matter.

0:52:13.600 --> 0:52:15.879
<v Speaker 1>She doesn't. She doesn't have to write if she don't

0:52:15.880 --> 0:52:19.960
<v Speaker 1>want to. Yeah, and I'm sure you have you been

0:52:20.000 --> 0:52:22.640
<v Speaker 1>helping people with the pen behind the scenes. I haven't

0:52:22.640 --> 0:52:25.799
<v Speaker 1>been lately, but in the past, you know, that's kind

0:52:25.800 --> 0:52:29.040
<v Speaker 1>of I got my name though. Yeah, But lately, no,

0:52:29.239 --> 0:52:32.000
<v Speaker 1>I haven't. I really haven't been in the studio in

0:52:32.120 --> 0:52:34.560
<v Speaker 1>like the last few months, a couple of months. I

0:52:34.600 --> 0:52:36.520
<v Speaker 1>got in the other day because I'm working on some

0:52:36.560 --> 0:52:39.600
<v Speaker 1>stuff with the Warriors and I had a few features

0:52:39.640 --> 0:52:42.479
<v Speaker 1>to do. But and it was fun because I haven't

0:52:42.480 --> 0:52:44.080
<v Speaker 1>been in there in a minute, and I was kind

0:52:44.120 --> 0:52:46.400
<v Speaker 1>of liking results take time Molde to where I was

0:52:46.400 --> 0:52:50.600
<v Speaker 1>trying to make songs or Draymond's disk to Jordan pull No, no,

0:52:51.280 --> 0:52:57.520
<v Speaker 1>that's not coming. But it was fun to be in

0:52:57.560 --> 0:52:59.880
<v Speaker 1>the studio though. So I'm excited to get back in

0:53:00.600 --> 0:53:04.400
<v Speaker 1>and like being on the road. It's made me understand

0:53:06.440 --> 0:53:11.600
<v Speaker 1>different tempos and different sonics and like why certain records

0:53:11.760 --> 0:53:14.360
<v Speaker 1>hit a certain way they do. So I'm starting to

0:53:14.360 --> 0:53:16.719
<v Speaker 1>look for a different type of production going into this

0:53:16.880 --> 0:53:19.879
<v Speaker 1>next project. What is something you've learned from just being

0:53:19.920 --> 0:53:25.120
<v Speaker 1>around Joiner for a month? Man a lot bro I

0:53:25.160 --> 0:53:27.200
<v Speaker 1>would say he's got the best videos in the game.

0:53:28.440 --> 0:53:30.439
<v Speaker 1>He's got one of the best minds in the game.

0:53:31.320 --> 0:53:37.520
<v Speaker 1>His team is great. They're very focused, they pay attention

0:53:37.640 --> 0:53:42.680
<v Speaker 1>to detail, very close. They're very concerned about how the

0:53:42.719 --> 0:53:47.280
<v Speaker 1>fans received the show, even the music. They're always thinking

0:53:47.320 --> 0:53:51.120
<v Speaker 1>of ways to be innovative and on brand. But one

0:53:51.200 --> 0:53:53.960
<v Speaker 1>thing I remember after I think it was like the

0:53:54.000 --> 0:53:57.239
<v Speaker 1>third night. I kept like because I would kill, I'll

0:53:57.280 --> 0:54:00.279
<v Speaker 1>be killing every show and then I'll walk out. And

0:54:00.320 --> 0:54:02.200
<v Speaker 1>then it was one night where they was they was

0:54:02.280 --> 0:54:05.760
<v Speaker 1>like chatting like shim sim I walked off the stage

0:54:06.120 --> 0:54:08.319
<v Speaker 1>and he was like, yo, He's like, you gotta start

0:54:08.320 --> 0:54:12.680
<v Speaker 1>going out there taking pictures. But I'm thinking, like I'm thinking,

0:54:12.760 --> 0:54:15.120
<v Speaker 1>like shit, I gotta get out the way suit, you

0:54:15.200 --> 0:54:17.120
<v Speaker 1>know what I mean. He's like, nah, go out there

0:54:17.160 --> 0:54:18.800
<v Speaker 1>taking You don't want to be the guy who while

0:54:18.840 --> 0:54:21.680
<v Speaker 1>the headliners closing there's like a line of people trying

0:54:21.719 --> 0:54:24.320
<v Speaker 1>to take a picture exactly. That's how away from his shine.

0:54:24.440 --> 0:54:26.719
<v Speaker 1>He was like, nah, you gotta take the pictures. So

0:54:26.960 --> 0:54:29.719
<v Speaker 1>the next day I start taking the pictures and I

0:54:29.760 --> 0:54:31.960
<v Speaker 1>start watching my following go up. He came to me

0:54:32.000 --> 0:54:34.000
<v Speaker 1>the next day he was like, you gotta tell him

0:54:34.040 --> 0:54:36.239
<v Speaker 1>to tag you in the pictures. Yeah, you know what

0:54:36.320 --> 0:54:39.240
<v Speaker 1>I mean. And that's how you get them die hard. Yeah,

0:54:39.280 --> 0:54:41.120
<v Speaker 1>Like I went up like I think like one hundred

0:54:41.120 --> 0:54:44.200
<v Speaker 1>and twenty thousand followers just in the last month just

0:54:44.440 --> 0:54:47.960
<v Speaker 1>on the road album coming out. Yeah, yeah, Yeah, that

0:54:48.040 --> 0:54:50.600
<v Speaker 1>shit's crazy. It's been dope, bro, it's been a great

0:54:50.680 --> 0:54:52.040
<v Speaker 1>and you've been killing it on the scene. Shit, it's

0:54:52.080 --> 0:54:53.840
<v Speaker 1>crazy because you got the End the Game record. That

0:54:53.920 --> 0:54:56.719
<v Speaker 1>is my son's favorite song, really, yes, mad my eight

0:54:56.800 --> 0:55:00.359
<v Speaker 1>year old. Yeah, he's like loves that fucking song. It's dope.

0:55:00.360 --> 0:55:03.400
<v Speaker 1>We actually just got word that the NBA is going

0:55:03.440 --> 0:55:05.480
<v Speaker 1>to be doing something with that this season as well.

0:55:05.719 --> 0:55:08.920
<v Speaker 1>Nice and that's right here on the botlet giving a

0:55:08.960 --> 0:55:11.799
<v Speaker 1>song on your on your album, No it's out there, yeh.

0:55:11.880 --> 0:55:15.000
<v Speaker 1>Space Jamship was dope. Yep. Yeah. I feel like those

0:55:15.080 --> 0:55:20.239
<v Speaker 1>records do well because they're like all purpose records, and

0:55:20.280 --> 0:55:22.919
<v Speaker 1>me sometimes as an artist, I'd be so concerned about

0:55:23.000 --> 0:55:25.759
<v Speaker 1>building out who the simber fan is. I naturally try

0:55:25.760 --> 0:55:28.719
<v Speaker 1>to run away from them records on projects they like

0:55:29.440 --> 0:55:32.880
<v Speaker 1>build the fan base out, But I'm slowly starting to

0:55:32.920 --> 0:55:35.160
<v Speaker 1>see how they perform on the road, so I'm like,

0:55:35.239 --> 0:55:37.239
<v Speaker 1>I need to mix this in a little more. So

0:55:37.280 --> 0:55:40.239
<v Speaker 1>you the first project came out in December twenty twenty. Yeah,

0:55:40.760 --> 0:55:44.640
<v Speaker 1>we just got the newest Yeah, the Gangs the Grills, Yeah,

0:55:45.239 --> 0:55:48.839
<v Speaker 1>number number five album of the year. Correct. The fifth

0:55:48.880 --> 0:55:53.360
<v Speaker 1>best album of the year. Yeah, yeah, what an accomplishment

0:55:54.400 --> 0:55:56.839
<v Speaker 1>it is. It is a great accomplishing. I wrote all

0:55:56.840 --> 0:56:00.680
<v Speaker 1>those verses to be number five, guys. I mean that's

0:56:00.719 --> 0:56:06.719
<v Speaker 1>better than ninth. It's still fus anyway, Hey, what up?

0:56:06.760 --> 0:56:10.040
<v Speaker 1>Y'all's Bootleg keV here to stop the interview? Sorry, uh,

0:56:10.280 --> 0:56:12.520
<v Speaker 1>but we gotta pay the fucking bills. And you know,

0:56:12.760 --> 0:56:14.600
<v Speaker 1>not only do we have to pay the bills, but

0:56:14.680 --> 0:56:16.919
<v Speaker 1>we also got to take care of them cocks out there.

0:56:17.000 --> 0:56:19.239
<v Speaker 1>That's right. Make sure you go to bluetoo dot com

0:56:19.320 --> 0:56:21.480
<v Speaker 1>right now, you know, the Blutleg cav podcast. We are

0:56:21.480 --> 0:56:24.640
<v Speaker 1>presented by Bluechoo. Proudly I happen to every once in

0:56:24.640 --> 0:56:26.400
<v Speaker 1>a while dabbling a little chew sky you know what

0:56:26.440 --> 0:56:28.160
<v Speaker 1>I'm saying. And let me tell you something, My Dick

0:56:28.200 --> 0:56:30.880
<v Speaker 1>thanks me for it every single time. So listen. If

0:56:30.920 --> 0:56:33.440
<v Speaker 1>you go to blue Choo, use the promo code Bootleg,

0:56:33.520 --> 0:56:37.319
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0:56:37.320 --> 0:56:41.760
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<v Speaker 1>without the awkward doctor's appointment visit. You just go online.

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<v Speaker 1>They get you taken care of. It gets delivered right

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<v Speaker 1>to your fucking door in discrete packaging. It's a beautiful thing.

0:56:50.200 --> 0:56:54.160
<v Speaker 1>And how about this brand new product alert on blue Choo?

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<v Speaker 1>All right, and I'm gonna fuck this up for sure,

0:56:56.400 --> 0:57:00.319
<v Speaker 1>so I'm gonna try to read it. Uh Now, Blue

0:57:00.400 --> 0:57:06.239
<v Speaker 1>Choo has a mint flavor chewable with bardenafil, which is

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<v Speaker 1>out to Levitra, same active ingredient in the mint flavor chewables.

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<v Speaker 1>So what are we doing. Go get you a little

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<v Speaker 1>man or etcetera that you're dealing with, they're gonna fucking

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<v Speaker 1>thank you for it, because your dick's gonna be harder

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<v Speaker 1>than it's ever been in your whole fucking life. Man,

0:57:33.240 --> 0:57:36.120
<v Speaker 1>It's gonna be great. And like, if you're a single guy,

0:57:37.440 --> 0:57:42.200
<v Speaker 1>take a blue chew jack off, be a better jerk.

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<v Speaker 1>I'll tell you that. All right, Blue Choo dot Com

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<v Speaker 1>go right now. And uh you know, I know we

0:57:48.040 --> 0:57:50.200
<v Speaker 1>have a lot of male listeners who like underground rap,

0:57:50.280 --> 0:57:52.040
<v Speaker 1>so the chances are you're not getting a lot of pussy.

0:57:52.480 --> 0:57:54.840
<v Speaker 1>But I promise you one thing. You take that Blue

0:57:54.920 --> 0:57:56.600
<v Speaker 1>che You're gonna beat your dick like it stole some

0:57:56.920 --> 0:57:59.680
<v Speaker 1>all night long. Blue Choo dot Com. Use that promo

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0:58:02.480 --> 0:58:05.680
<v Speaker 1>first month for free. So go do that ship. How

0:58:05.680 --> 0:58:07.680
<v Speaker 1>long we're gonna wait till you make a new body

0:58:07.680 --> 0:58:11.880
<v Speaker 1>of work, It's not gonna be long, right, I'm literally

0:58:11.920 --> 0:58:13.680
<v Speaker 1>I was just talking to my team the other day,

0:58:13.720 --> 0:58:17.200
<v Speaker 1>like we finished tour tomorrow, I'm gonna chill my son

0:58:17.320 --> 0:58:19.720
<v Speaker 1>for a little bit, and we're about to get to Atlanta,

0:58:20.280 --> 0:58:23.520
<v Speaker 1>get to Miami, get to New York, go to Santa

0:58:23.520 --> 0:58:26.520
<v Speaker 1>Monica and get in with the Alchemists. Yeah yes, get

0:58:26.560 --> 0:58:29.640
<v Speaker 1>in with Dre, getting with Drag yeah yeah, get in

0:58:29.680 --> 0:58:31.800
<v Speaker 1>with a bunch of people. And I'm trying to I'm

0:58:31.800 --> 0:58:37.520
<v Speaker 1>trying to push something out like summer so before. Yeah,

0:58:37.600 --> 0:58:40.800
<v Speaker 1>but I'm gonna be dropping music singles. Yeah, it might

0:58:40.880 --> 0:58:43.600
<v Speaker 1>drop a four pack, a couple of two packs, but

0:58:43.720 --> 0:58:46.320
<v Speaker 1>the next project for sure, trying to get it out

0:58:46.360 --> 0:58:51.280
<v Speaker 1>before summer. For you, what do you feel like is

0:58:51.320 --> 0:58:55.400
<v Speaker 1>the biggest uphill battle being and don't say having your

0:58:55.640 --> 0:59:00.000
<v Speaker 1>album be number five, just being an artist and toda

0:59:00.080 --> 0:59:04.320
<v Speaker 1>day's landscape that is more on the lyrical side, that

0:59:04.520 --> 0:59:07.280
<v Speaker 1>is more like I always compare you to Jay Z

0:59:07.360 --> 0:59:09.680
<v Speaker 1>because I feel like you remind me so much of

0:59:09.800 --> 0:59:14.080
<v Speaker 1>him in terms of talent, but also in terms of persona. Like,

0:59:14.120 --> 0:59:16.640
<v Speaker 1>you guys are not trying really hard. You're just cool motherfuckers.

0:59:16.680 --> 0:59:19.600
<v Speaker 1>You know what I'm saying. You're likable. But what is

0:59:19.640 --> 0:59:22.800
<v Speaker 1>the biggest challenge? Just being Simba and in today's hip

0:59:22.840 --> 0:59:28.440
<v Speaker 1>hop game, like like talk about that sometimes living in

0:59:28.480 --> 0:59:34.640
<v Speaker 1>the future too much. I've recently seen Kanye say something

0:59:34.640 --> 0:59:38.200
<v Speaker 1>where he was like, I might not be right. I'm

0:59:38.280 --> 0:59:41.160
<v Speaker 1>just not right right now. You know what I mean

0:59:41.760 --> 0:59:43.600
<v Speaker 1>to say, He's wrong about a couple of years right now.

0:59:44.200 --> 0:59:45.680
<v Speaker 1>What I don't know. The White Lives Matter. That was

0:59:45.720 --> 0:59:48.400
<v Speaker 1>a stretch, Okay, I got a take on that. Okay,

0:59:48.400 --> 0:59:50.320
<v Speaker 1>we'll get to that. Finish your finish your point, and

0:59:50.320 --> 0:59:52.720
<v Speaker 1>then we'll go there. Okay. Sometimes I feel like I

0:59:52.760 --> 0:59:55.520
<v Speaker 1>live in the future so much to where I'm thinking

0:59:56.120 --> 0:59:59.160
<v Speaker 1>so far beyond what's going on right now. I'm not

1:00:00.160 --> 1:00:04.560
<v Speaker 1>seeing what I can do to better my situation at

1:00:04.600 --> 1:00:08.120
<v Speaker 1>the moment. I'm always kind of thinking first, so I

1:00:08.320 --> 1:00:12.240
<v Speaker 1>drop a project and instead of like coming up with

1:00:12.360 --> 1:00:15.640
<v Speaker 1>all these different content ideas to continue to push the project.

1:00:16.000 --> 1:00:19.360
<v Speaker 1>I'm already on Okay, this works for tour. They like

1:00:19.440 --> 1:00:21.760
<v Speaker 1>these drums, they like these sonics. This needs to be

1:00:21.800 --> 1:00:25.360
<v Speaker 1>the next sound. But I'm already moved on, Like Christmas

1:00:25.400 --> 1:00:27.640
<v Speaker 1>then already passed in my head. I already bought my

1:00:27.720 --> 1:00:31.120
<v Speaker 1>son gifts and now I'm getting everybody. So I'm in January,

1:00:31.560 --> 1:00:35.360
<v Speaker 1>you know. And sometimes it's it hinders you because you

1:00:35.480 --> 1:00:37.840
<v Speaker 1>missing what's going on right in front of you. So

1:00:37.880 --> 1:00:42.520
<v Speaker 1>I feel like that's one thing. And also like being

1:00:42.720 --> 1:00:49.000
<v Speaker 1>from the Bay and trying to be somebody that's doing

1:00:49.080 --> 1:00:52.480
<v Speaker 1>something a little different than what typically goes on in

1:00:52.520 --> 1:00:55.760
<v Speaker 1>the Bay is an uphill battle because sometimes you go

1:00:55.840 --> 1:00:58.920
<v Speaker 1>through these like who the fuck does he think he is?

1:01:00.040 --> 1:01:02.880
<v Speaker 1>Versations right, you know, issues to where it's just like

1:01:02.920 --> 1:01:05.560
<v Speaker 1>I don't think I'm better than nobody. I'm just trying

1:01:05.600 --> 1:01:07.800
<v Speaker 1>to expand what the fuck it is we're doing all

1:01:07.800 --> 1:01:10.480
<v Speaker 1>the way around the board, right, And sometimes they could

1:01:10.520 --> 1:01:12.840
<v Speaker 1>get taken the wrong way, But I would say those

1:01:12.880 --> 1:01:14.400
<v Speaker 1>are the two three. I mean, if you think of

1:01:14.520 --> 1:01:19.360
<v Speaker 1>like the biggest rapper commercially besides MC hammer, Yeah, and

1:01:19.440 --> 1:01:23.160
<v Speaker 1>the forty obviously longevity, but it's g easy in terms

1:01:23.200 --> 1:01:25.320
<v Speaker 1>of just success now maybe not currently, it's not like

1:01:25.480 --> 1:01:29.040
<v Speaker 1>on fire, but I mean just peak, peak fame. You

1:01:29.040 --> 1:01:31.080
<v Speaker 1>know what I'm saying from the bay, from the Bay,

1:01:31.240 --> 1:01:33.920
<v Speaker 1>peak fame. And I'm not telling you put mc hammer

1:01:34.040 --> 1:01:38.560
<v Speaker 1>too short? Yeah? What easy over too short? What do

1:01:38.560 --> 1:01:42.880
<v Speaker 1>you mean he headlined a a fucking eighteen thousand c

1:01:43.240 --> 1:01:46.600
<v Speaker 1>fucking tour. If you're using your white privilege right now, No, no, no,

1:01:46.600 --> 1:01:48.720
<v Speaker 1>we're just talking about. What are you talking about? You'd

1:01:48.800 --> 1:01:53.400
<v Speaker 1>put g easy over too short? Yeah? Peak, you're fucking crazy,

1:01:53.400 --> 1:01:57.760
<v Speaker 1>peak fame hit fucking crazy? What you're fucking crazy? No, no no, no,

1:01:57.760 --> 1:01:59.560
<v Speaker 1>I'm not talking about you know how many people know

1:01:59.680 --> 1:02:04.560
<v Speaker 1>too short. I'm not talking about fame. I'm not talking

1:02:04.560 --> 1:02:08.520
<v Speaker 1>about longevity. I mean like, who had the highest peak?

1:02:09.880 --> 1:02:12.400
<v Speaker 1>Gezy never had the peak? It too short? That that's

1:02:12.440 --> 1:02:16.720
<v Speaker 1>not true. Too short made the world say bitch, oh

1:02:16.800 --> 1:02:23.600
<v Speaker 1>my god, what are you talking about? Listen, what are

1:02:23.600 --> 1:02:27.920
<v Speaker 1>you talking about? Nah, what are we talking about? I'm

1:02:27.920 --> 1:02:30.880
<v Speaker 1>talking about peak peak, We're talking about Gez is never

1:02:30.920 --> 1:02:36.200
<v Speaker 1>bigger than too short. That's not true. No, at a moment, no, no,

1:02:36.360 --> 1:02:37.640
<v Speaker 1>I can't. I can't agree with you. No, I love

1:02:37.720 --> 1:02:39.720
<v Speaker 1>too short. Too short is the coach you're getting into

1:02:39.760 --> 1:02:41.600
<v Speaker 1>one of my fad I'm not disagree. I said, Okay,

1:02:42.080 --> 1:02:44.320
<v Speaker 1>if we're taking that's why I said E forty with

1:02:44.320 --> 1:02:48.240
<v Speaker 1>the longevity. But if we're talking about who had the craziest,

1:02:48.280 --> 1:02:50.240
<v Speaker 1>like too like, we're talking about this motherfucker's got a

1:02:50.280 --> 1:02:55.880
<v Speaker 1>diamond record, fine diamond, Pitt Bull got diamond records, and

1:02:56.520 --> 1:03:00.240
<v Speaker 1>maybe e Vanilli got diamond record. Listen, pit Bull is

1:03:00.400 --> 1:03:05.400
<v Speaker 1>arguably the biggest rapper from Miami. Ever, now, I'm not

1:03:05.480 --> 1:03:09.040
<v Speaker 1>saying I love Pippules music is probably the biggest pop

1:03:09.320 --> 1:03:13.040
<v Speaker 1>star from Miami. But he's not the biggest rapper. He's

1:03:13.120 --> 1:03:16.439
<v Speaker 1>also a rapper. Hey, he's a pop star, So what's

1:03:16.440 --> 1:03:20.360
<v Speaker 1>a drake? It's g easy. So you can't compare fucking

1:03:20.480 --> 1:03:23.959
<v Speaker 1>G eazy to cultural as too short. I'm not saying

1:03:24.040 --> 1:03:25.760
<v Speaker 1>too short is not the culture. And I'm not saying

1:03:25.800 --> 1:03:28.520
<v Speaker 1>too short isn't culturally more relevant and important. I'm not

1:03:28.560 --> 1:03:31.280
<v Speaker 1>saying too short is bigger, bro. I'm not saying, listen,

1:03:31.920 --> 1:03:35.280
<v Speaker 1>bigger than the culture. How about we compare the sales. Yeah,

1:03:35.320 --> 1:03:39.040
<v Speaker 1>let's see. I just said, Okay, just too short to

1:03:39.040 --> 1:03:41.640
<v Speaker 1>of have a diamond single. It doesn't matter. It's blow

1:03:41.680 --> 1:03:44.600
<v Speaker 1>the whistle diamond. It might be I don't know. Let's

1:03:44.600 --> 1:03:48.880
<v Speaker 1>look that up. Is blow the whistle diamond Dwight. This

1:03:48.920 --> 1:03:53.760
<v Speaker 1>is a crazy conversation, KIV. You're you're crazy right now?

1:03:54.040 --> 1:03:55.760
<v Speaker 1>I am? Now about this? How about this? What's this?

1:03:56.320 --> 1:03:59.160
<v Speaker 1>Name of g Z? Record me myself and I no limit?

1:04:00.400 --> 1:04:01.960
<v Speaker 1>What do you want me to do? Name with two short?

1:04:02.000 --> 1:04:06.200
<v Speaker 1>Rigor blow the whistle? Getting it? Oh? You're gonna do that?

1:04:06.320 --> 1:04:09.280
<v Speaker 1>What do you want You're gonna do that? Okay? Cocktails?

1:04:09.440 --> 1:04:11.240
<v Speaker 1>Let's see what we're doing cuss words? What do you

1:04:11.280 --> 1:04:13.240
<v Speaker 1>want me to do? I see what you're doing? Too short? Bro?

1:04:13.440 --> 1:04:15.520
<v Speaker 1>As a kid, and this is no offense to g

1:04:15.640 --> 1:04:17.600
<v Speaker 1>because I fuck with you. I love too short. Gee,

1:04:17.600 --> 1:04:20.320
<v Speaker 1>we're talking about I love to not bigger than too short.

1:04:20.640 --> 1:04:24.800
<v Speaker 1>I'm not saying overall. I mean, like at the peak, no,

1:04:25.440 --> 1:04:28.560
<v Speaker 1>who was who was doing arenas from the bay? Imagine

1:04:28.680 --> 1:04:31.200
<v Speaker 1>fucking too short with social media in the nineties. Bro,

1:04:31.440 --> 1:04:33.280
<v Speaker 1>We're not we can't we can't do that, okay, but

1:04:33.360 --> 1:04:36.800
<v Speaker 1>we can imagine Gezy with social media, right, So we

1:04:36.880 --> 1:04:39.040
<v Speaker 1>can't take that away? Okay? Okay? So can I just

1:04:39.080 --> 1:04:44.560
<v Speaker 1>ask you one question, who's headlined arenas in the United

1:04:44.560 --> 1:04:49.760
<v Speaker 1>States outside of the Bay. Since MC hammer, I'm asking

1:04:50.680 --> 1:04:55.160
<v Speaker 1>from the Bay a rapper. It's only one answer. It's

1:04:55.280 --> 1:05:02.600
<v Speaker 1>GZ from the Bay this headline. But jeez, he's a

1:05:02.640 --> 1:05:06.120
<v Speaker 1>pop star and he's a rapper. No, he's a pop star. Okay,

1:05:06.120 --> 1:05:10.720
<v Speaker 1>that's fair. Rap music, bro, he's a pop star. Okay,

1:05:11.240 --> 1:05:13.280
<v Speaker 1>But but but can you answer the question to the answer?

1:05:13.360 --> 1:05:16.400
<v Speaker 1>I just I just answered answered. I don't know a rapper,

1:05:16.440 --> 1:05:19.880
<v Speaker 1>but was who is it? So answer the question? Who's

1:05:19.920 --> 1:05:24.640
<v Speaker 1>the rapper? Pop star? G Okay, she's the same guy

1:05:24.640 --> 1:05:26.600
<v Speaker 1>who brought forty on the Road. I am Sue on

1:05:26.640 --> 1:05:29.080
<v Speaker 1>the Road, Kaylanne on the Road, Peelo on the Road,

1:05:29.160 --> 1:05:32.480
<v Speaker 1>brought the Bay up like it's people who wouldn't have

1:05:32.520 --> 1:05:36.400
<v Speaker 1>a sustainable career. Since MC hammer, we can agree that

1:05:36.480 --> 1:05:39.280
<v Speaker 1>the only rapper to headline arena is across the country

1:05:39.600 --> 1:05:43.440
<v Speaker 1>since I'm Hammer, Because you got people like I'm not

1:05:43.440 --> 1:05:46.560
<v Speaker 1>going to hammer. I need to do my research. I

1:05:46.560 --> 1:05:48.440
<v Speaker 1>gotta do my research. I can't just who was it?

1:05:48.600 --> 1:05:51.080
<v Speaker 1>Who else? I don't know right off the bat. But

1:05:51.200 --> 1:05:53.880
<v Speaker 1>he's a pop star and he's a rapper, rapper, He's

1:05:53.880 --> 1:05:56.520
<v Speaker 1>a pop star. He's a rapper. He's a pop star.

1:05:56.680 --> 1:05:59.680
<v Speaker 1>Bro name one rapper that could fucking make me myself

1:05:59.760 --> 1:06:04.320
<v Speaker 1>a nun uh uh fucking Drake could make that song. Man.

1:06:04.440 --> 1:06:08.080
<v Speaker 1>Drake's a pop star, Okay, Drake's also around breaks, a legends,

1:06:08.080 --> 1:06:10.480
<v Speaker 1>a phenomenal rap. He's incredible. He's a top tier, top

1:06:10.520 --> 1:06:14.200
<v Speaker 1>tier for sure, But he's a pop star. Logic could

1:06:14.240 --> 1:06:18.200
<v Speaker 1>have made myself know he fucking wouldn't logic. He made

1:06:18.200 --> 1:06:20.160
<v Speaker 1>the suicide record that ship was hard, but it wouldn't

1:06:20.160 --> 1:06:23.479
<v Speaker 1>mean myself and I. So, so you're saying he could

1:06:23.560 --> 1:06:26.120
<v Speaker 1>make that because he had no So he's cool enough

1:06:26.200 --> 1:06:29.840
<v Speaker 1>as G to sell it, how G because because he

1:06:29.880 --> 1:06:32.440
<v Speaker 1>made a song that win. Who's a better rapper? G

1:06:32.600 --> 1:06:36.800
<v Speaker 1>or logic? I think logic is better? Okay yeah, lyrically logic.

1:06:36.960 --> 1:06:39.720
<v Speaker 1>He's a pop star bro, but he's a rapper. He

1:06:39.840 --> 1:06:42.480
<v Speaker 1>raps on pop records. No No Limit is a rap song,

1:06:42.680 --> 1:06:44.600
<v Speaker 1>Random is a rap song? What are we talking about?

1:06:44.680 --> 1:06:49.320
<v Speaker 1>Was Cardi B song Man? West Coast is a rap song? So,

1:06:49.320 --> 1:06:51.320
<v Speaker 1>so I won, just so we know you didn't win.

1:06:51.760 --> 1:06:54.040
<v Speaker 1>He didn't win. I'm gonna do my research because of

1:06:54.040 --> 1:06:56.439
<v Speaker 1>what I didn't say. Was. I did not say too

1:06:56.440 --> 1:06:59.360
<v Speaker 1>Short wasn't bigger in the culture and more important, I

1:06:59.400 --> 1:07:08.560
<v Speaker 1>didn't say that. I'm saying metrically at their peak, it's gazy,

1:07:09.360 --> 1:07:11.680
<v Speaker 1>and he made records that weren't. And but he also

1:07:11.760 --> 1:07:14.960
<v Speaker 1>made some barrier shiit he made by calm down and

1:07:15.040 --> 1:07:17.800
<v Speaker 1>you might you're right. He is white, so he had

1:07:17.840 --> 1:07:20.000
<v Speaker 1>a lot of too Short can't do some of that

1:07:20.080 --> 1:07:24.120
<v Speaker 1>ship gzn. He's a pop star, bro, I don't listen

1:07:24.200 --> 1:07:27.120
<v Speaker 1>we we. I was trying to bring the conversation around

1:07:27.160 --> 1:07:31.760
<v Speaker 1>to saying that g was huge because he made non

1:07:31.800 --> 1:07:35.400
<v Speaker 1>traditional Bay music like No Limit is not it's eighty

1:07:35.440 --> 1:07:40.560
<v Speaker 1>a BPNs. Yes, but think about okay, think if a

1:07:40.640 --> 1:07:43.880
<v Speaker 1>black person made the same music. Mad, You're right, I

1:07:43.960 --> 1:07:47.600
<v Speaker 1>wouldn't work. I'm not saying you're you're right. I agree fully.

1:07:47.720 --> 1:07:50.440
<v Speaker 1>So he's a pop star. He's a white rap rapper

1:07:50.480 --> 1:07:53.120
<v Speaker 1>because rappers don't have the privilege to do what pop

1:07:53.160 --> 1:07:56.240
<v Speaker 1>stars do. Eminem is a white rapper. Who if somebody

1:07:56.480 --> 1:08:00.400
<v Speaker 1>imagine if somebody like Eminem or just as if some

1:08:00.440 --> 1:08:04.000
<v Speaker 1>doesn't get the I agree, But we can't just take

1:08:04.040 --> 1:08:06.560
<v Speaker 1>them out of You can't ignore the numbers. That's all

1:08:06.600 --> 1:08:10.640
<v Speaker 1>I'm saying I'm right saying they're enhanced because of a

1:08:10.680 --> 1:08:14.720
<v Speaker 1>certain demographic. You're right, That's what I'm saying. Can it

1:08:14.760 --> 1:08:17.360
<v Speaker 1>be true that both of us are right? No, because

1:08:17.360 --> 1:08:19.400
<v Speaker 1>I'm top five on the Albums of the Year, so

1:08:19.560 --> 1:08:23.880
<v Speaker 1>somebody gotta win. So we're both right, We're both right.

1:08:24.520 --> 1:08:27.080
<v Speaker 1>We'll agree to disagree. White Lives Matter. Tell me your

1:08:27.120 --> 1:08:33.040
<v Speaker 1>take on Kanye's T shirt. Okay, a white man owns

1:08:33.040 --> 1:08:36.840
<v Speaker 1>the slogan black Lives Matter? What if Kanye owns the

1:08:36.880 --> 1:08:39.719
<v Speaker 1>slogan white Lives Matter? Can I break some news right now? Okay,

1:08:39.920 --> 1:08:42.200
<v Speaker 1>my best friend in the entire world is a black man?

1:08:42.880 --> 1:08:49.320
<v Speaker 1>Ramses owns White Lives Matter? Is he linked with Kanye? No? Well,

1:08:49.439 --> 1:08:52.799
<v Speaker 1>I don't know. Kanye don't own it, but a black

1:08:52.840 --> 1:08:55.960
<v Speaker 1>man does. A black man owns White lives matter? Right now?

1:08:56.040 --> 1:09:00.200
<v Speaker 1>So Kanye is promoting black businesses? Yeah, I mean I

1:09:00.240 --> 1:09:02.320
<v Speaker 1>don't think Kanye knew that because he just bought the

1:09:02.320 --> 1:09:06.599
<v Speaker 1>fun What if he did know? You don't think it's

1:09:06.600 --> 1:09:11.439
<v Speaker 1>a little like a like Uh, I'm not saying greet right,

1:09:11.720 --> 1:09:16.679
<v Speaker 1>I'm just saying, instead of us all bashed, let's see

1:09:16.720 --> 1:09:19.559
<v Speaker 1>what's the madness behind it? Like, does he own this slogan.

1:09:19.880 --> 1:09:23.439
<v Speaker 1>I know Candice Owens has a documentary coming out about

1:09:23.439 --> 1:09:26.240
<v Speaker 1>all the money Black Lives Matters stole from people? Is

1:09:26.280 --> 1:09:29.760
<v Speaker 1>this merch for that? So my thing is is a

1:09:29.800 --> 1:09:33.000
<v Speaker 1>couple of things can be right. One, Black Lives Matter

1:09:33.040 --> 1:09:38.519
<v Speaker 1>the organization, Yes, clearly bullshit some bullshit, yes, right, Yes,

1:09:38.840 --> 1:09:41.280
<v Speaker 1>I donated. I Also I'm glad I talked to Killer

1:09:41.320 --> 1:09:43.280
<v Speaker 1>Mike when all that was happening, because he told me

1:09:43.320 --> 1:09:44.720
<v Speaker 1>who to give money to, and I give it to

1:09:44.840 --> 1:09:47.080
<v Speaker 1>like not like I gave it to money went to

1:09:47.120 --> 1:09:51.960
<v Speaker 1>Joe Biden whoever went So that's true, right, Yes, the

1:09:52.000 --> 1:09:57.320
<v Speaker 1>fucking foundation is obviously corrupt. Yes. What also is true

1:09:57.360 --> 1:09:59.680
<v Speaker 1>is the term Black Lives Matter is factual, and the

1:09:59.720 --> 1:10:02.920
<v Speaker 1>reason why it became a thing was because it is

1:10:03.160 --> 1:10:05.400
<v Speaker 1>pretty evident that in the United States, black lives have

1:10:05.439 --> 1:10:07.600
<v Speaker 1>never been valued in the same way white lives have

1:10:07.640 --> 1:10:10.720
<v Speaker 1>been valued. Right, So I think in the spawn of

1:10:10.760 --> 1:10:13.400
<v Speaker 1>like Black Lives Matter becoming this movement that a lot

1:10:13.439 --> 1:10:16.519
<v Speaker 1>of old white people associated with riots and violence and shit,

1:10:17.880 --> 1:10:21.240
<v Speaker 1>white Lives Matter became the opposite, or All Lives Matter

1:10:21.360 --> 1:10:27.000
<v Speaker 1>became like the super like crazy redneck trump maga hat

1:10:27.000 --> 1:10:30.599
<v Speaker 1>wearing ass thing. To say, so the term white lives

1:10:30.640 --> 1:10:34.200
<v Speaker 1>matter is also true. White lives matter, sure they do.

1:10:34.600 --> 1:10:37.519
<v Speaker 1>All lives matter, all lives, of course, all lives. But

1:10:39.360 --> 1:10:41.679
<v Speaker 1>I just think that that when you say white lives matter,

1:10:42.360 --> 1:10:47.040
<v Speaker 1>it's not just them, like what Kanye said on Tucker Carlson.

1:10:47.080 --> 1:10:49.160
<v Speaker 1>I said it because it's true, like he's not wrong,

1:10:49.720 --> 1:10:52.280
<v Speaker 1>But at the same time, like the symbolism of wearing that,

1:10:52.760 --> 1:10:56.360
<v Speaker 1>I think that's where it gets combative because it's like

1:10:57.600 --> 1:11:01.559
<v Speaker 1>exactly what you're saying. It comes across as you're going

1:11:01.760 --> 1:11:06.080
<v Speaker 1>against just to do it just But I don't think

1:11:06.600 --> 1:11:10.240
<v Speaker 1>at the level Kanye's that, and you know, I could

1:11:10.240 --> 1:11:12.599
<v Speaker 1>be wrong that he would just do that. To do that,

1:11:13.080 --> 1:11:15.840
<v Speaker 1>I think there's definitely some type of method behind it,

1:11:15.880 --> 1:11:18.479
<v Speaker 1>and there's something coming behind I don't know what it is.

1:11:18.960 --> 1:11:21.400
<v Speaker 1>But what I'm going to say is until I fully know,

1:11:22.000 --> 1:11:24.840
<v Speaker 1>I'm not just going to develop an opinion and just

1:11:24.880 --> 1:11:27.160
<v Speaker 1>be like, oh, fuck Kanye because he wore a white

1:11:27.200 --> 1:11:29.800
<v Speaker 1>Lives manager, I want to see what's the medic behind it. Now,

1:11:29.840 --> 1:11:33.000
<v Speaker 1>if it's solely him just being a dick, you know

1:11:33.000 --> 1:11:34.519
<v Speaker 1>what I mean, and want to be eco bad of,

1:11:34.560 --> 1:11:37.000
<v Speaker 1>then I'm not for that. But if it is something

1:11:37.080 --> 1:11:39.200
<v Speaker 1>behind it, the way he's trying to change the narrative,

1:11:39.240 --> 1:11:43.280
<v Speaker 1>let's see how. And I understood like his reasoning for

1:11:43.320 --> 1:11:45.840
<v Speaker 1>wearing the Trump hat because I think he is I

1:11:45.840 --> 1:11:48.320
<v Speaker 1>didn't get that. So I understood it because he essentially

1:11:48.400 --> 1:11:52.800
<v Speaker 1>was saying, you don't have to like the Democratic Party

1:11:52.800 --> 1:11:55.679
<v Speaker 1>has taking advantage of the black vote forever. For sure.

1:11:55.760 --> 1:11:58.040
<v Speaker 1>The whole reason why Joe Biden is a president is

1:11:58.080 --> 1:12:00.599
<v Speaker 1>because I think it was the South Carolina. Has anybody

1:12:00.600 --> 1:12:04.400
<v Speaker 1>seen Kamala Harris? She's from your city, right, has anybody

1:12:04.439 --> 1:12:11.800
<v Speaker 1>seen her? I don't know, man, I haven't seen her

1:12:11.800 --> 1:12:15.000
<v Speaker 1>since she was Yes, Joe, we did it. We did it, Joe,

1:12:15.240 --> 1:12:18.080
<v Speaker 1>I haven't seen her. I'd like to see you outside.

1:12:18.160 --> 1:12:20.439
<v Speaker 1>But I think him wearing the Maga hat was a

1:12:20.520 --> 1:12:23.680
<v Speaker 1>point to be made that hey, we're not automatic, like

1:12:24.200 --> 1:12:27.080
<v Speaker 1>think freely, think to yourself just because you're black. But

1:12:27.160 --> 1:12:31.519
<v Speaker 1>that's Kanye, Yeah, that's Kanye. I think sometimes he's so

1:12:31.680 --> 1:12:35.639
<v Speaker 1>much of a Ford thinker, right, it gets the message

1:12:35.680 --> 1:12:38.640
<v Speaker 1>gets lost because of the way it's communicated at times.

1:12:39.479 --> 1:12:42.080
<v Speaker 1>I don't think he means any harm. I think he's

1:12:42.120 --> 1:12:46.720
<v Speaker 1>a disruptor, right, I think he's a creative genius. I

1:12:46.800 --> 1:12:52.160
<v Speaker 1>just think sometimes he communicates his message in a confusing

1:12:52.200 --> 1:12:55.320
<v Speaker 1>way to certain people. But I don't think we should

1:12:55.400 --> 1:12:58.040
<v Speaker 1>bash him for it. I think we should hear him out,

1:12:58.240 --> 1:13:01.920
<v Speaker 1>see how it plays out, what happens, and if we

1:13:02.000 --> 1:13:05.439
<v Speaker 1>don't agree, we don't agree. You know. If you do agree, cool,

1:13:05.479 --> 1:13:08.040
<v Speaker 1>If not, move on, we gotta stop the interview. Tell

1:13:08.040 --> 1:13:10.519
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1:14:33.360 --> 1:14:35.040
<v Speaker 1>Have you ever like heard of Kanye fucking with your

1:14:35.040 --> 1:14:37.479
<v Speaker 1>shit at all? Or I worked with Kanye? You've worked

1:14:37.479 --> 1:14:40.360
<v Speaker 1>with him? Yeah? I worked on Donda for four days

1:14:40.360 --> 1:14:44.160
<v Speaker 1>in the Mercedes ben Stadium. Wow, what the best experiences

1:14:44.200 --> 1:14:47.120
<v Speaker 1>in my life. That's why I said I can't just

1:14:47.160 --> 1:14:49.280
<v Speaker 1>bash him because you've been around him. You know him

1:14:49.800 --> 1:14:53.639
<v Speaker 1>is something to it, Like he's always thinking forty that's

1:14:53.640 --> 1:14:55.439
<v Speaker 1>when he was living there, right, Yeah, Yeah, he was

1:14:55.479 --> 1:14:57.479
<v Speaker 1>there for forty Well, he was there for like a month,

1:14:57.520 --> 1:15:00.599
<v Speaker 1>but I was there for four days. And watch him

1:15:01.240 --> 1:15:04.599
<v Speaker 1>write a song, go in another room doing melody, Go

1:15:04.640 --> 1:15:07.720
<v Speaker 1>in another room and design a building. Going to cafeteria

1:15:07.760 --> 1:15:11.280
<v Speaker 1>and have a meeting with Belinciaga about what the fashion

1:15:11.280 --> 1:15:13.719
<v Speaker 1>show needs to look like in twenty twenty five. Yeah,

1:15:13.840 --> 1:15:17.439
<v Speaker 1>go to rehearsals, go to choreography, go back in the

1:15:17.520 --> 1:15:19.680
<v Speaker 1>room and tell them joints to make a beat. Take

1:15:19.720 --> 1:15:21.200
<v Speaker 1>a certain part of that beat and send it to

1:15:21.240 --> 1:15:25.160
<v Speaker 1>eighty eight keys. Like he's he's just a creative guy,

1:15:25.400 --> 1:15:28.639
<v Speaker 1>you know. So it's like I can't being around somebody

1:15:28.720 --> 1:15:31.760
<v Speaker 1>like that. It's hard to just say they're coming from

1:15:31.800 --> 1:15:34.840
<v Speaker 1>a place of malice, that's fair. You know, you kind

1:15:34.840 --> 1:15:36.720
<v Speaker 1>of gotta see it all the way through because you

1:15:36.840 --> 1:15:40.080
<v Speaker 1>might not have the full information contact. Yeah, so I

1:15:40.120 --> 1:15:42.400
<v Speaker 1>gotta wait and see. I don't I don't know. I

1:15:42.400 --> 1:15:46.280
<v Speaker 1>can't just make an opinion being around Kanye and Doctor Dre. Yeah,

1:15:46.600 --> 1:15:49.400
<v Speaker 1>creative processes I've heard on each side are insane, Like,

1:15:49.479 --> 1:15:52.479
<v Speaker 1>what was the biggest difference I heard Dre's perfectionists like

1:15:52.520 --> 1:15:56.640
<v Speaker 1>a crazy perfectionist. Dre is somebody I would say that

1:16:00.000 --> 1:16:02.280
<v Speaker 1>it was where he wants to go and take time

1:16:02.320 --> 1:16:08.360
<v Speaker 1>to get there. Kanye is somebody that takes time to

1:16:08.400 --> 1:16:10.240
<v Speaker 1>get to where he doesn't want to go. Don't know

1:16:10.240 --> 1:16:12.559
<v Speaker 1>where he want to go yet, Like the journey is

1:16:12.640 --> 1:16:18.120
<v Speaker 1>the journey free right, right, So he might always known, yeah,

1:16:18.160 --> 1:16:21.839
<v Speaker 1>Like he might hear a beat and like, for instance,

1:16:22.720 --> 1:16:25.479
<v Speaker 1>I did a certain melody in a cadence right, and

1:16:25.520 --> 1:16:27.920
<v Speaker 1>I did a rap to it. He didn't like the words,

1:16:27.920 --> 1:16:30.960
<v Speaker 1>but he liked the cadence right. And then he heard

1:16:30.960 --> 1:16:34.799
<v Speaker 1>a specific beat and he only liked about four bars

1:16:34.840 --> 1:16:37.839
<v Speaker 1>of the beat, and then he took that four bars,

1:16:37.920 --> 1:16:40.559
<v Speaker 1>sent it to another producer, and then changed it. So

1:16:40.640 --> 1:16:43.000
<v Speaker 1>you ever noticed when his songs that play for like

1:16:43.040 --> 1:16:45.120
<v Speaker 1>eight bars and then do something like doom doom, doom,

1:16:45.200 --> 1:16:49.000
<v Speaker 1>doom doom do then it change. That's like four or

1:16:49.040 --> 1:16:52.400
<v Speaker 1>five different producers all on one idea. So he might

1:16:52.479 --> 1:16:55.080
<v Speaker 1>take one part of this beat, one part of this beat,

1:16:55.120 --> 1:16:56.840
<v Speaker 1>one part of his beat, and figure out way how

1:16:56.880 --> 1:16:59.120
<v Speaker 1>to mess him and then do the song on top

1:16:59.160 --> 1:17:01.800
<v Speaker 1>of that and still bringing a Mike Dean or a

1:17:01.880 --> 1:17:03.920
<v Speaker 1>Travis Scott or somebody like that to take it to

1:17:03.920 --> 1:17:07.760
<v Speaker 1>the next level. So with him, it's just constant creativity.

1:17:08.080 --> 1:17:11.400
<v Speaker 1>But Dre is like, I know where I'm going, Like

1:17:11.439 --> 1:17:13.040
<v Speaker 1>I know how this need to sound, I know how

1:17:13.040 --> 1:17:14.760
<v Speaker 1>this need to feel, I know what I want to say,

1:17:14.800 --> 1:17:16.840
<v Speaker 1>I know what I want to do. He takes his

1:17:16.920 --> 1:17:20.120
<v Speaker 1>time to get there. With Kanye, is just free lance

1:17:20.240 --> 1:17:22.920
<v Speaker 1>till we figure it out. From what I've seen. Wow,

1:17:23.160 --> 1:17:25.800
<v Speaker 1>that's dope. I mean because both of those guys are

1:17:25.920 --> 1:17:28.400
<v Speaker 1>We always hear about the processes being so incredible, some

1:17:28.479 --> 1:17:31.680
<v Speaker 1>of the greatest to ever do it. What is your

1:17:31.880 --> 1:17:36.360
<v Speaker 1>top five rap albums of all time? Simba Top five

1:17:36.520 --> 1:17:39.960
<v Speaker 1>rap albums no order, in no order and no order

1:17:41.520 --> 1:17:45.640
<v Speaker 1>fifty Get Rich of Dad Trying. Oh yeah, Kanye was

1:17:45.680 --> 1:17:52.360
<v Speaker 1>the college dropout, jay Z the blueprint, okay over reasonable

1:17:52.400 --> 1:17:55.280
<v Speaker 1>doubt hunh Yeah, I'm a blueprint guy. That's fair. That's fair.

1:17:57.800 --> 1:18:03.040
<v Speaker 1>Doug Motivation one on one, great album. I think Thug

1:18:03.120 --> 1:18:07.160
<v Speaker 1>Motivation one on one is better than ye Madic. I

1:18:07.200 --> 1:18:10.040
<v Speaker 1>respect your opinion. I don't agree, but I respect it.

1:18:10.240 --> 1:18:12.839
<v Speaker 1>Why don't you agree? I just like Illmatic e Maadics.

1:18:13.000 --> 1:18:15.160
<v Speaker 1>Why because everybody says it's a classic. I mean, now,

1:18:15.200 --> 1:18:16.920
<v Speaker 1>he's my favorite MC of all time. When was the

1:18:16.960 --> 1:18:19.040
<v Speaker 1>last time he lives in Deal Madic? Yesterday? I was

1:18:19.040 --> 1:18:20.719
<v Speaker 1>listening to New York State of Mind is a fucking

1:18:20.760 --> 1:18:23.400
<v Speaker 1>hip hop er, that's all. What do you want for me? Man?

1:18:23.400 --> 1:18:25.880
<v Speaker 1>It's a hip hoper, man, it's ten songs, it's a

1:18:25.960 --> 1:18:29.080
<v Speaker 1>hipoper no I love, I love listen TM one on

1:18:29.080 --> 1:18:33.040
<v Speaker 1>one is fucking exquisite. I listen to that album more

1:18:33.040 --> 1:18:35.800
<v Speaker 1>than I Madic. I think still Madic is better than

1:18:35.840 --> 1:18:37.920
<v Speaker 1>yill Madic. You see, the thing is is there's a

1:18:37.960 --> 1:18:40.360
<v Speaker 1>song on still Matic called Brave Heart Party feature Mary J.

1:18:40.439 --> 1:18:42.360
<v Speaker 1>Blige that is one of the worst NOA songs ever,

1:18:42.439 --> 1:18:45.600
<v Speaker 1>And it's just that song's fucking terrible, and just the

1:18:45.640 --> 1:18:47.760
<v Speaker 1>fact that that is on Steal Maatic takes it out

1:18:47.800 --> 1:18:50.599
<v Speaker 1>of the conversation. In fact, it's such a terrible song

1:18:50.760 --> 1:18:53.040
<v Speaker 1>that when they repressed Steal Madic like two years later,

1:18:53.160 --> 1:18:56.160
<v Speaker 1>they took it off. Have you ever heard of someone

1:18:56.200 --> 1:19:01.160
<v Speaker 1>doing that? Imagine the song being so shitty that there

1:19:01.160 --> 1:19:03.560
<v Speaker 1>are certain versions you buy and it's just not there anymore.

1:19:04.960 --> 1:19:09.280
<v Speaker 1>It's almost like the Trey song song on teflon Don. Fuck,

1:19:09.360 --> 1:19:12.240
<v Speaker 1>that song's garbage. It's like the only it's like the

1:19:12.240 --> 1:19:16.960
<v Speaker 1>the only song on teflon Don. That's like I got you. Yeah,

1:19:17.040 --> 1:19:22.160
<v Speaker 1>I would say you got one more college drop Thug Motivation,

1:19:22.840 --> 1:19:33.280
<v Speaker 1>Get rich Get Richard Trying, and future Monster Monster. I mean,

1:19:33.320 --> 1:19:35.920
<v Speaker 1>he is your favorite rapper, right, so it'd only be

1:19:36.000 --> 1:19:39.160
<v Speaker 1>right if you had him included in your top five.

1:19:39.680 --> 1:19:42.080
<v Speaker 1>Not quite an album though it was on that pit

1:19:42.160 --> 1:19:45.920
<v Speaker 1>for a very long time. Album. That's just during the

1:19:46.000 --> 1:19:48.280
<v Speaker 1>time we call everything mixed tapes because it was free

1:19:48.320 --> 1:19:51.240
<v Speaker 1>to U blot. That's fair. I respect it. I got

1:19:51.280 --> 1:19:52.760
<v Speaker 1>to get rid of that Trying in my top five,

1:19:52.800 --> 1:19:56.000
<v Speaker 1>I got. I got the Reasonable Doubt though over Blueprint,

1:19:56.400 --> 1:20:00.439
<v Speaker 1>and I have I have late registration over Blue Guy

1:20:00.520 --> 1:20:04.759
<v Speaker 1>because I'm somebody that likes simplistic lyricism, so I felt

1:20:04.800 --> 1:20:08.479
<v Speaker 1>like Reasonable Doubt was so lyrical, like it's a hard

1:20:08.560 --> 1:20:13.720
<v Speaker 1>listen for me. But Blueprint it's like very digestible. Also,

1:20:13.800 --> 1:20:17.200
<v Speaker 1>I got Doggie Style in there. Doggy Styles definitely, Yeah,

1:20:17.240 --> 1:20:20.559
<v Speaker 1>definitely in the top It's up there for sure. And

1:20:20.600 --> 1:20:22.880
<v Speaker 1>then my beautiful dark twist of Fantasy that's one of

1:20:22.920 --> 1:20:25.200
<v Speaker 1>the greatest hip hop's albums. I actually think it's the

1:20:25.240 --> 1:20:27.600
<v Speaker 1>greatest ever. It's not my favorite Kanye album, but it

1:20:27.680 --> 1:20:30.080
<v Speaker 1>might be. It's probably it might be the most perfect

1:20:30.240 --> 1:20:32.800
<v Speaker 1>album the rappers ever made. It might be. I think

1:20:32.840 --> 1:20:35.240
<v Speaker 1>that is like one of the greatest album But like

1:20:35.320 --> 1:20:38.599
<v Speaker 1>you said, it's not my personal favorite. My personal Kanye

1:20:38.640 --> 1:20:43.600
<v Speaker 1>favorite is college dropout or I look, really, registration. What

1:20:43.720 --> 1:20:46.760
<v Speaker 1>was the next one? Graduating? Graduation? College drop out and

1:20:46.800 --> 1:20:49.640
<v Speaker 1>graduation is my favorite. Yeah that's fair, all right? So

1:20:49.680 --> 1:20:52.719
<v Speaker 1>the album is out? Yeah, results take time, number five

1:20:52.760 --> 1:20:55.439
<v Speaker 1>album in the world compared to Blueleg if the top

1:20:55.520 --> 1:20:59.240
<v Speaker 1>five album of the year man top five? Thanks, I'm

1:20:59.360 --> 1:21:02.439
<v Speaker 1>just you know, kid out here number five. I mean,

1:21:03.280 --> 1:21:06.320
<v Speaker 1>there's plenty of years Lebron was fitting MVP voting. It's

1:21:06.360 --> 1:21:08.920
<v Speaker 1>not fair. How you be the best player in the

1:21:08.920 --> 1:21:11.760
<v Speaker 1>world and you're just number five. Sounds like what I'm

1:21:11.760 --> 1:21:14.400
<v Speaker 1>going through here at the Bootleg cam show. Ladies and gentlemen.

1:21:14.680 --> 1:21:16.720
<v Speaker 1>You could be the best in the world and be

1:21:16.840 --> 1:21:20.000
<v Speaker 1>number five. So the number five album of the year

1:21:20.080 --> 1:21:22.679
<v Speaker 1>is out, you could go support it. Yeah, and maybe

1:21:22.680 --> 1:21:25.960
<v Speaker 1>it's in your top one. Yeah, yeah, it could be.

1:21:26.000 --> 1:21:27.920
<v Speaker 1>It could be. It's you. It's your favorite album. I

1:21:27.960 --> 1:21:30.679
<v Speaker 1>think it's one. Yeah, I don't. I don't think it's

1:21:31.120 --> 1:21:33.280
<v Speaker 1>a project out with that much balance. And then you

1:21:33.360 --> 1:21:38.519
<v Speaker 1>got Futures album number two Yeah yeah, and Fred and

1:21:38.640 --> 1:21:41.640
<v Speaker 1>Kendrick and j I D. Push Your T's album was

1:21:41.680 --> 1:21:45.040
<v Speaker 1>crazy and Push your T. Yeah, I just said, what

1:21:45.120 --> 1:21:47.040
<v Speaker 1>was it like getting pushed on on that record? Because

1:21:47.040 --> 1:21:49.200
<v Speaker 1>that record it was dope, man, because you know me

1:21:49.240 --> 1:21:51.400
<v Speaker 1>and push knew each other for a minute. Yeah, so

1:21:51.439 --> 1:21:54.439
<v Speaker 1>it was it was it was dope because it took

1:21:54.560 --> 1:21:56.519
<v Speaker 1>us a minute to find the right record to do.

1:21:56.800 --> 1:21:58.640
<v Speaker 1>But once we kind of like, once I made that.

1:21:58.760 --> 1:22:00.840
<v Speaker 1>I'm glad you put the original first though, because I

1:22:00.880 --> 1:22:03.160
<v Speaker 1>love I love the verse that got left off the

1:22:03.160 --> 1:22:05.840
<v Speaker 1>Pusher one. Yeah. Yeah, first verse, the first verse the

1:22:05.840 --> 1:22:09.000
<v Speaker 1>best verse because it's so relatable to Cali. Yeah, like

1:22:09.400 --> 1:22:11.720
<v Speaker 1>that's but that's originally when I was writing the song,

1:22:11.800 --> 1:22:14.320
<v Speaker 1>I was writing it from a perspective of I was

1:22:14.360 --> 1:22:18.160
<v Speaker 1>originally about to make it this comparison between La and

1:22:18.200 --> 1:22:20.920
<v Speaker 1>the Bay, right, That's what I felt like, And it

1:22:20.960 --> 1:22:23.479
<v Speaker 1>first took a turn into like all the things we

1:22:23.560 --> 1:22:25.880
<v Speaker 1>do to get money to never end up broke. That's

1:22:25.920 --> 1:22:29.280
<v Speaker 1>tight there, it is, Manok. The tours about the end.

1:22:29.320 --> 1:22:31.720
<v Speaker 1>By the time this comes out, the tour be over. Definitely. Man,

1:22:32.040 --> 1:22:35.880
<v Speaker 1>thank you to my brother Jodan Lucas. You know, that's

1:22:35.960 --> 1:22:39.040
<v Speaker 1>that's become my real homie while we've been on this road.

1:22:39.520 --> 1:22:42.600
<v Speaker 1>I appreciate him like a motherfucker man. He's taught me

1:22:42.640 --> 1:22:45.920
<v Speaker 1>a lot, gave me a big opportunity, helped me gain

1:22:45.920 --> 1:22:48.879
<v Speaker 1>a lot of new fans. Tours been great. I'm excited

1:22:48.880 --> 1:22:50.720
<v Speaker 1>to get back in the studio and just bro, can

1:22:50.760 --> 1:22:54.240
<v Speaker 1>we get some merch? Yeah? About that? What's up with

1:22:54.280 --> 1:22:56.320
<v Speaker 1>the merch? Bro? I'm like over here trying to like, yo,

1:22:56.360 --> 1:22:59.439
<v Speaker 1>can I like, there's no fucking merch? What are you doing?

1:22:59.439 --> 1:23:01.439
<v Speaker 1>You're on tour. You should be selling t shirts every

1:23:01.439 --> 1:23:05.320
<v Speaker 1>fucking tour stop. The merch got fucked up. The merch

1:23:05.400 --> 1:23:08.439
<v Speaker 1>got fucked up? Was that because of Atlantic. It was

1:23:08.479 --> 1:23:11.120
<v Speaker 1>nothing to do with Atlantic. It was the company that

1:23:11.600 --> 1:23:14.920
<v Speaker 1>we decided to run with ended up fucking the merch up,

1:23:15.120 --> 1:23:17.559
<v Speaker 1>and it was a long back order and this whole thing.

1:23:17.640 --> 1:23:20.160
<v Speaker 1>So we went with a new company and got new

1:23:20.200 --> 1:23:22.280
<v Speaker 1>designs and we'll be having you guys missed out on

1:23:22.280 --> 1:23:23.920
<v Speaker 1>a lot of money on the road. Yeah, I'm not

1:23:23.960 --> 1:23:26.800
<v Speaker 1>really worried about the money though. The money well, you know,

1:23:26.840 --> 1:23:28.479
<v Speaker 1>but you also it's kind of cool to know that

1:23:28.479 --> 1:23:30.479
<v Speaker 1>there's like somebody in Saint Louis or whatever the fuck

1:23:30.800 --> 1:23:32.759
<v Speaker 1>for sure, but I don't never want to give people

1:23:32.800 --> 1:23:35.080
<v Speaker 1>some ship just to make money off of them. I

1:23:35.160 --> 1:23:38.759
<v Speaker 1>want people to have a quality T shirt, quality Swiss

1:23:38.760 --> 1:23:41.960
<v Speaker 1>suit or whatever. I'm assuming The merch was just was it?

1:23:42.000 --> 1:23:44.519
<v Speaker 1>Was it like you said, it was a supply chain thing. Yeah,

1:23:44.520 --> 1:23:47.679
<v Speaker 1>but it just wasn't right. It didn't It didn't come

1:23:47.680 --> 1:23:51.599
<v Speaker 1>out right, didn't look good. The quality didn't really look

1:23:51.800 --> 1:23:53.840
<v Speaker 1>look as great as we were told it would look.

1:23:55.240 --> 1:23:58.320
<v Speaker 1>And me, I wouldn't want to sell people something that

1:23:58.360 --> 1:24:00.200
<v Speaker 1>I wouldn't wear, you know what I mean. I mean,

1:24:00.200 --> 1:24:01.960
<v Speaker 1>if I'm not gonna wear it, why would I sell

1:24:02.000 --> 1:24:05.080
<v Speaker 1>it to you? And I just felt like it wasn't

1:24:05.120 --> 1:24:07.479
<v Speaker 1>something I would wear. So that's beautiful, man. That quality

1:24:07.520 --> 1:24:09.639
<v Speaker 1>control make it separate you from a lot of people. Yeah,

1:24:09.680 --> 1:24:11.920
<v Speaker 1>so we got we got some merch on the way though,

1:24:12.200 --> 1:24:14.680
<v Speaker 1>it'll be here. Let's put the album cover. No, no, no,

1:24:14.720 --> 1:24:16.400
<v Speaker 1>we got some We got some ship. You could wear

1:24:16.439 --> 1:24:19.040
<v Speaker 1>it to the club, all right, some fly ship there

1:24:19.080 --> 1:24:21.519
<v Speaker 1>it is Simba appreciate you. Shout out to the Bootleg

1:24:21.600 --> 1:24:24.800
<v Speaker 1>podcast I love this guy right here, Top five album

1:24:24.800 --> 1:24:26.760
<v Speaker 1>of the year. Come on, let's get it.