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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and his Drink chas motherfucking podcast

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Speaker 1: makes He's a legendary queen's rapper. He's greed is your

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Speaker 1: boy in no R. He's a Miami hippoper pioneer up

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Speaker 1: his dj e f N. Together they drinking up with

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Speaker 1: some of the biggest players in the most professional, unprofessional

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Speaker 1: podcast and yet number one sorts for drunk back Mother

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Speaker 1: is New Year's Eve. That's it's time for drink Champs.

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Speaker 1: Trick up mother? Would it could be hoping to do

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Speaker 1: you see what you see? Boy in o R? What

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Speaker 1: up is d j e f N? This minitatement crazy

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Speaker 1: walk grk motherfucking drunk and all that makes up? And

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Speaker 1: let's just be clear, we don't we don't we We

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Speaker 1: are rich now, we don't travel for nobody. But when

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Speaker 1: not often, when when we get a good call from

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Speaker 1: one Snoop Dog Delian and then Snoop Dog Delia gives

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Speaker 1: us a call with the Chairman. Could we call him

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Speaker 1: the Chairman because he gives us a lot of money?

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Speaker 1: I like that, y'all laughed, but we didn't, and the

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Speaker 1: Chairman said, we got to talk about the Snoop Dog

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Speaker 1: Death Row collaboration n f T. And I said, wait

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Speaker 1: a minute, holy body, quacamoti, you gotta calm down. Mr

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Speaker 1: Sean Combs. He said, no, I'm gonna get him on

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Speaker 1: the phone, and then Snoop got on the phone. And

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Speaker 1: it's crazy. So in case you don't know who the

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Speaker 1: funk we're talking mark, let's make some noise for the one,

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Speaker 1: the only Snoop motherfucker d Chance alumni, Dring Chance alumni,

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Speaker 1: only artist. He came early, honest that ever make us

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Speaker 1: go to him, went to the hotel. I don't want

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Speaker 1: a break, breaking a vacation. It's the same California Snoop, Snoop.

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Speaker 1: I ain't gonna lie. I looked at the compound. We

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Speaker 1: really respect what you do. Hold on, hold on, uncle,

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Speaker 1: comment comment um the compound. His was crazy about it.

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Speaker 1: Crip like a motherfucker in Inglewood neighborhood, blood like a motherfucker.

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Speaker 1: How is we corroborating or the simple factors that I've

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Speaker 1: outgrown the bagging element. I'm more of a businessman, and

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Speaker 1: when you learn to be a businessman, you learn how

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Speaker 1: to incorporate everybody. So I got a lot of my

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Speaker 1: blood cousins. Yeah, so I got a lot of my

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Speaker 1: my blood cousins that support of the operation as well.

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Speaker 1: So we don't keep it, you know, fully creeping on

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Speaker 1: the business. We keep it fully business on the business.

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Speaker 1: So anybody that's eligible, that's you know, able to attain

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Speaker 1: the position, no matter what neighborhood you come from or

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Speaker 1: what set you represent. We represent money businessmen, and we

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Speaker 1: try to make money to make a difference. That's fire. Now,

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Speaker 1: let's excuse let's just go straight to it. It's no

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Speaker 1: game was on our show and games say that jay

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Speaker 1: Z did not want him on Super Bowl? Where are

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Speaker 1: you standing with that? I don't know. That's information that

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Speaker 1: I don't have. Remember was a guest of Dr Dre,

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Speaker 1: so I wasn't privy to the information on who was

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Speaker 1: who wasn't. All I know is that they gave me

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Speaker 1: issues with me performing, So I would imagine, you know,

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Speaker 1: there is some truth to it, but I don't know.

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Speaker 1: I'm not. But did you see what games at? I

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Speaker 1: sent entirely, and that's his opinion. He got his view.

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Speaker 1: That's my little homie, that's my nephew. We're all a family,

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Speaker 1: we're all up under the Dray tree. So whenever there's

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Speaker 1: a tree, no doubt, there's no doubt. So so and

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Speaker 1: that's I don't know the great tree truth. And that's

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Speaker 1: a beautiful thing to be under the tree. So sometimes

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Speaker 1: we quarrel, we have misunderstandings, and it's up to us

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Speaker 1: as a family to get our understanding amongst us. So

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Speaker 1: a lot of times when we air out, it's probably

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Speaker 1: because we haven't been able to communicate with our family.

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Speaker 1: So we let them know that we want to get

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Speaker 1: in touch with you. And that's the way that we

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Speaker 1: air it out. Because it was things I didn't see

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Speaker 1: Scott starts and didn't see game, and that's the two

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Speaker 1: things that I would be like, you know what this

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Speaker 1: is this this would be great. Let me tell you

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Speaker 1: what you didn't see that you ain't saying nothing about

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Speaker 1: You didn't hear a g thing. You didn't hear a

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Speaker 1: shift from death row? What about that era? That didn't

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Speaker 1: mean nothing? Okay, then so what about that? So you

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Speaker 1: gotta look at Dr Dre's mind state. Whatever he was on.

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Speaker 1: He was on, that was his show. They asked him

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Speaker 1: to perform. So whoever he wanted to bring to the party,

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Speaker 1: he had the right to. And when he said I

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Speaker 1: don't want to do this song, this song, this song,

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Speaker 1: we couldn't contest that because they didn't ask us to come.

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Speaker 1: I would have loved to do g thing Jen and Juice,

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Speaker 1: what's my name? Drop it like it's hid anything out

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Speaker 1: of my catalog. I didn't get to do one Snoop

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Speaker 1: Dogg song. I did everything to support Dr T. So

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Speaker 1: I I hit the homee the big homie jay Z

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Speaker 1: right and I told him to come pull up on me,

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Speaker 1: and he pulled up on me. And this is exactly

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Speaker 1: I swear to guard my nephew. We've wonder if you

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Speaker 1: he went here to the left. I said to my nephew,

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Speaker 1: I said, yo, listen, I have to ask him this

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Speaker 1: straight up. So I said, yo, why who is the

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Speaker 1: people that's on um and if in the foul? And

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Speaker 1: he said to me and I'm sorry for anybody who

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Speaker 1: don't understand. And he said, the white guy called for

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Speaker 1: for fifty cents mm hmm. So I said, who's who's

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Speaker 1: the white guy? Come? I'm big in this Jimmy vine

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Speaker 1: and he said no, and men them called directly fifty

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Speaker 1: and he said, he said, I can't do it if

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Speaker 1: I can't break fifty off, but that's his God God, No,

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Speaker 1: but you're the most famous rapper in in the history

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Speaker 1: of history. I begged the different who would you say

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Speaker 1: is the most famous in your mouse? No, Snoop, you're

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Speaker 1: the most favorite. But by the way, let me just

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Speaker 1: be clear, thank you. Let me just be clear, Snoop,

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Speaker 1: one million percent. We expected you to be there. We

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Speaker 1: didn't expect Mary, we didn't expect Kendrick. We expected Dre

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Speaker 1: and Snoop. So what happens at this rehearsal, um, Well,

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Speaker 1: it's it's put together before the rehearsal. It's actually a

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Speaker 1: conversation before we even get to the rehearsal. You know,

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Speaker 1: game plan, what it should look like, what it sounds like,

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Speaker 1: what we should do, you know, songs, looks et cetera,

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Speaker 1: et cetera, whole get out. Because Dr Dre is a perfectionist.

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Speaker 1: So first of all, he had to fall in love

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Speaker 1: with the project first. And once he falls in love

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Speaker 1: with then you's got to figure out how you can

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Speaker 1: creatively funk everybody up. But they've never been sucked up before,

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Speaker 1: you know, because Nick has been wanting bally men the

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Speaker 1: verses and do all this type of ship. But he

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Speaker 1: like that y'all can't funk with me. And there's only

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Speaker 1: one way to show you, Nigga's the super Bowl, the

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Speaker 1: biggest stage in the world. Give your moment. I mean.

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Speaker 1: But but what people don't understand is he didn't do

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Speaker 1: nothing from the Ruthless catalog, the Death Row catalog, nothing

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Speaker 1: from Snoop Dogg's catalog. He only had twelve minutes. Sure

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Speaker 1: see what people going into all this, nigga, Look at

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Speaker 1: what what could you do in twelve fucking minutes where

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Speaker 1: you're gonna satisfy everybody? What I'm saying, But where are

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Speaker 1: you gonna satisfy everybody? In twelve catalog is fucking three

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Speaker 1: years long. You're gonna miss a beach, You're gonna where

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Speaker 1: was ice Cube? So that's that's you didn't because that's

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Speaker 1: the ace in the hole, right But at the same time,

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Speaker 1: at the same time, but we have to we have

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Speaker 1: to respect Dre's mind state. Now when the NFL call

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Speaker 1: us individually to do a show, and we can do

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Speaker 1: what we want to do after we put in the

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Speaker 1: work that Dre put in to be on the level

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Speaker 1: to get that position. So we can't, you know, knock it.

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Speaker 1: We gotta say, you know what, we applauded, because maybe

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Speaker 1: that'll open a door for me or someone else who

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Speaker 1: continues the journey that dre put down in hip hop

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Speaker 1: for thirty fucking years. Three decades of fucking hit records.

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Speaker 1: I mean, I mean, I mean, funk all that we

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Speaker 1: can't be on. We don't have to stay there for

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Speaker 1: a minute. Three decades a these nineties, two thousand, two

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Speaker 1: thousand tiens and just dropped on the g T A

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Speaker 1: game talk to me. I talked about Yo, Snoop, I'm

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Speaker 1: gonna be honest. That's fine, pupect color, public color, mother,

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Speaker 1: public color. Snow, I'm gonna be honest, stoopid. So I

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Speaker 1: hit the big homie and I say, I say, yo, Yo,

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Speaker 1: come come through and come see me. And then jay

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Speaker 1: Z come see me. He actually come see me. He comes, Yes,

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Speaker 1: thank you. That is this the cold ones. Okay, he

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Speaker 1: actually comes see me, Snoop and high him. I said, Yo,

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Speaker 1: I just had the homie game on, and I need to,

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Speaker 1: I need I need to, I need to know for

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Speaker 1: me to you was game excluding ran? Was he black ballers?

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Speaker 1: But that's all we want to know because if he

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Speaker 1: was black balled and fuck that. If he wasn't black balled,

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Speaker 1: then we you know, games gonna have a conversation with

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Speaker 1: Dre and then and get some understanding we can keep

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Speaker 1: our brotherhood. Do you know what the big going? We

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Speaker 1: told me what the nigga said. I can't tell Dre nothing.

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Speaker 1: M hmmmm, you just say what I said. It's like

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Speaker 1: he's got a lot of friends and a lot of

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Speaker 1: people that he put on and I don't think it

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Speaker 1: was about nothing, but whatever the space he was in mentally,

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Speaker 1: Remember he just went through a divorce and and the

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Speaker 1: aneurysm was with his head. So nobody's pay attention to

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Speaker 1: nother ship that the man going through. Like we all

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Speaker 1: go through ship individually, but when we're in a highlighted

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Speaker 1: moment to show our successful stories, we have to take

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Speaker 1: advantage of that moment. But we still could be going

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Speaker 1: through some ship. And as a family, it's our job to,

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Speaker 1: you know, do what we do to support each other.

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Speaker 1: So my job is to be the mediator. You know.

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Speaker 1: I don't take any sides. I just love everybody the same,

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Speaker 1: and I empathized and sympathize with both because I understand

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Speaker 1: how both feel. I understand our game feel. I understand

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Speaker 1: how Dre feel about stories. How does he feel because

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Speaker 1: Scott folk like he should have been the guy on

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Speaker 1: the D D D D D ding. I'm asking you,

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Speaker 1: are you serious or you're serious? I'm not gonna lie.

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Speaker 1: I'll be honest with you. When I see the dud dude,

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Speaker 1: I was like, Dad, I felt like Scott should have

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Speaker 1: been should have been doing that. You probably want percent

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Speaker 1: of America, and Scott is a bad motherfucker, that's him,

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Speaker 1: but certain moments ain't made for you, and that ain't

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Speaker 1: with no disrespect, that's what all due respect. If Dre

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Speaker 1: felt like I want to showcase Scott on the piano,

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Speaker 1: then I'll do that. But I don't think that was

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Speaker 1: a disrespectful more with him to say I don't want Scott,

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Speaker 1: and I think it was just so much going down

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Speaker 1: where he didn't pay attention to details as far as

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Speaker 1: should I have the piano player, should I have the

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Speaker 1: neggtive played the horns? Should I have the nigga that

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Speaker 1: was pop blocking in the video? Should I have you

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Speaker 1: know the things that you remind you of what it is?

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Speaker 1: Or should I do something different to let you know

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Speaker 1: what it is? Now? Because it's still my sound regardless

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Speaker 1: of who played to it and who did whatever they did.

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Speaker 1: This is my record that we did together. So as

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Speaker 1: an accomplishment of what we've done together, celebrate the fact

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Speaker 1: that those are your keys being played at the super Bowl.

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Speaker 1: You don't have to be your fingers. Everybody know that

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Speaker 1: came from you. So that's your celebration right there. Snoop.

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Speaker 1: I'm gonna be honest with you. When I posted the

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Speaker 1: picture with you and Puffy and I said bad boy

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Speaker 1: death from so many people hit me and said that's

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Speaker 1: not right. People died, people, you know, so such a

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Speaker 1: I said, shut the funk up. Yeah, but people died,

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Speaker 1: but we didn't have him to do with it. It

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Speaker 1: was always the peaceful ones. That's that's the epicenter of everything.

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Speaker 1: They tried to get me to not like Puffy and

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Speaker 1: Biggy while it's in the middle of the death row

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Speaker 1: bad boy feud, and I made a choice that I

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Speaker 1: had no issues with them. That was the Aggie Martinez

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Speaker 1: interview back in the days that created having between me

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Speaker 1: and death role. Because I still wants exactly because when

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Speaker 1: you said I ain't got no issues, I said, I

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Speaker 1: do a song I want to do a song with

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Speaker 1: them niggas. That's how I engined. I said, I ain't

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Speaker 1: got no issues with Puffy and Bigger. I want to

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Speaker 1: do a song with the niggas. Middle of the war

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Speaker 1: in New York, New York. I'm hiding on the sound,

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Speaker 1: did you say? Because that's how I felt the fact.

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Speaker 1: Here's the here's the situation. Man. At that time, it

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Speaker 1: was on our ass. Let's keeping one down. While some

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Speaker 1: niggers don't like competition, I take it home. I love

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Speaker 1: when the nigga better than me because you're gonna make

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Speaker 1: me better. Do you think me and jay Z and

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Speaker 1: Nas and all these niggas was based off of us

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Speaker 1: not having creative competition. That's what it's always about. But

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Speaker 1: it ain't about hate. It's about Oh that niggas just

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Speaker 1: dropped the bomb mass album? Who did jigger? Did? Hold on?

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Speaker 1: Let me load up what producers he used? For real?

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Speaker 1: Call that nigger timber to call that nigga? Just call

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Speaker 1: them niggas. And the same thing when I boot Snoop

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Speaker 1: drop a hot rod, jay Z calling my producers this

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Speaker 1: competition is fun, is love. This is what we do.

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Speaker 1: We don't kill behind it and motherfucker's don't understand that.

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Speaker 1: I had enough sense to know that I had just

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Speaker 1: be the murder case. Murder case, So now you want

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Speaker 1: me to get in another while I'm in New York

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Speaker 1: with no guns. He's Louise. I'm from the hood, I

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Speaker 1: gang bag, so I understand street policy. You know that

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Speaker 1: gang bangers everywhere link the toughest niggers in the ward.

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Speaker 1: It's a tough nick on every block. So when you

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Speaker 1: try to be too tough, that's when your ass get checked.

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Speaker 1: So I knew my position was. I love hip hop.

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Speaker 1: I was raised off of New York hippop. That's the

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Speaker 1: mecca of hip hop. Will't always be to me. So

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Speaker 1: as far as me to respect Puffy and Biggie at

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Speaker 1: that moment, that's what it was about. I respected their music.

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Speaker 1: That ship sounded good, it felt good, and they were

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Speaker 1: friends of mine. When we were making records on Therefro.

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Speaker 1: I used to go to Daddy's house and hang out

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Speaker 1: with them. We got footage of me, and there's footage

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Speaker 1: of Tupac on stage rapping in California. But why were

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Speaker 1: you the only one? I wasn't brain you know what?

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Speaker 1: You know what I'm gonna be honest, you weren't the

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Speaker 1: only one there was corrupt. There was das on the law.

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Speaker 1: They didn't have the the mad power to say what

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Speaker 1: I said, you feel I'm saying so I could test

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Speaker 1: the system because I bet the system, you know what

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Speaker 1: I'm saying so, And I wasn't trying to test the system.

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Speaker 1: I was just trying to put some peace in the

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Speaker 1: air because I was like, you know what, maybe if

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Speaker 1: I say this ship that I really feel, maybe they'd say,

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Speaker 1: you know what, it ain't that bad. And then you

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Speaker 1: speed the clock up and find out that BIGGI didn't

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Speaker 1: had to have nothing to do with Tupac getting shot,

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Speaker 1: not at all. That's sucked up. That's sucked up. It

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Speaker 1: really is fucked up, it really and I want to

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Speaker 1: take all of that ship on my head out here

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Speaker 1: from niggaying how are you gonna rode with him? Bit

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Speaker 1: as Nigga's cul and I'm like, Nigga has to do

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Speaker 1: my values. What's happening? You got a problem? Complain? But

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Speaker 1: that's that's um. Um. Let me let me just stop

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Speaker 1: it for one second. But that's um. And I know

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Speaker 1: I'm i'm i'm, I'm, I'm big right now. I'm big,

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Speaker 1: I'm fat. But un Rivera called me and said, Yo,

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Speaker 1: I need to tell you I don't want that big

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Speaker 1: bad Boy death Row collaboration that happened. This is un Rivera.

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Speaker 1: This is little Kim Biggie. And I said why why

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Speaker 1: would you know I want that? And he said because

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Speaker 1: people got killed and whatever. So I said, I said,

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Speaker 1: you're listen, this is what I didn't do nothing, So

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Speaker 1: this is what I said. You're talking about this now,

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Speaker 1: so so so he said to me, he said to me,

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Speaker 1: he said to me, um, I don't like the don't

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Speaker 1: like me, he said. He said, this is the bad

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Speaker 1: Boy death Row collaboration what it was, because it's some

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Speaker 1: new ship. This is new ship. That's what I'm trying

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Speaker 1: to tell him. Like, let me talk to you right

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Speaker 1: now on if you listen, if you watching, we're progress

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Speaker 1: and we moved on our minds. I'm a fifty year

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Speaker 1: old man, I'm not a twenty some year old young kid,

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Speaker 1: and I leave by example a lot of kids following me.

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Speaker 1: So if we could show growth and progression, that we

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Speaker 1: can move forward and we can take this bad Boy

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Speaker 1: death Row what it used to be and making a

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Speaker 1: collaboration on Peace and Love. Just so you know on

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Speaker 1: Puffy Songs and my sons have been best friends since

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Speaker 1: they with six seven years old. And let me give

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Speaker 1: you the real story on that one brother. I didn't

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Speaker 1: make it happen and Puffy didn't make it happen. One night,

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Speaker 1: I was at my house and Puffy Song was over

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Speaker 1: about like nine o'clock and I'm like, couple time, you're

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Speaker 1: going home and he's like, I'm spending the night. I'm like,

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Speaker 1: did you tell your dad? He's like, no, my mom

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Speaker 1: dropped me off. So Kim rest in Peace was connecting.

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Speaker 1: My kids were Puff kids, and they formed a friendship

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Speaker 1: in a bond. When Justin went to U c l A.

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Speaker 1: My son went to you say, when Christian was rapping,

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Speaker 1: my son was rapping, when he was modeling, he was

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Speaker 1: flying over the world together. So they forged the friendship

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Speaker 1: in a brotherhood that me and Puff always had. So

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Speaker 1: if we got the opportunity to take these two brands

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Speaker 1: and show people what it can be as opposed to

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Speaker 1: what it used to be, that's what the funk we're

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Speaker 1: gonna do. That's all. Everyone was crazy on your new album.

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Speaker 1: You did that skit know, the dancing all dancing in

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Speaker 1: your videos like that's where like you really went on

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Speaker 1: record like this is what it is now because that's

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Speaker 1: that's who I am. I'm and Puffy. You know what

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Speaker 1: I'm saying. When the videos wrapping dancing, I'm saying because

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Speaker 1: because that's what it is, I don't have no problem

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Speaker 1: with it. You know what I'm saying. I love it.

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Speaker 1: This is who I am, and I get I get

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Speaker 1: a chance to give other motherfucker's a chance to shine

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Speaker 1: because I'm so bright. When I put the light on

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Speaker 1: somebody else, they get a chance to show they talent.

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Speaker 1: I'm not gonna lie to you. Puff. Daddy called me

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Speaker 1: on three ray. He said, he said, listen, you gotta

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Speaker 1: go see Snoop, And I said, of course, I go sneeze.

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Speaker 1: But then he three rayed me you with you in

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Speaker 1: and he said, we got an n f T puff

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Speaker 1: bad Boy death Row And I posted that. I posted

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Speaker 1: a picture of me you and did he and I said,

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00:20:39,880 --> 00:20:43,760
Speaker 1: bad boy death Row n f T All said something

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Speaker 1: like that, and I can't lie to you, Snoop. So

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Speaker 1: many people was like, what the fund are you talking about?

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Speaker 1: Bad Boy was controversial, so you gotta understand. I'm just

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00:21:00,240 --> 00:21:06,600
Speaker 1: gonna be able to drunk motherfucker talking about what it is,

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00:21:06,640 --> 00:21:10,720
Speaker 1: and I appreciate it because I get drunk. Well, the

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00:21:10,720 --> 00:21:13,240
Speaker 1: optics is that they got to understand that it's about

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Speaker 1: growth and development, right Like I keep saying that when

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Speaker 1: you get to be the age that we are, and

351
00:21:17,320 --> 00:21:19,240
Speaker 1: you get to become as successful as we are, you

352
00:21:19,280 --> 00:21:21,479
Speaker 1: have to start doing some things that matter for the future.

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Speaker 1: Because if we keep the narrative out there that East

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Speaker 1: Coast and West Coast don't funk with each other, that's

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Speaker 1: a motherfucking lie. Who are you from? Cost? I'm from

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Speaker 1: I love the funk out of you. I love the

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Speaker 1: funk out of you. Okay, that's what's that? What So

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00:21:39,240 --> 00:21:42,320
Speaker 1: if we don't if if we keep the sitting remember

359
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Speaker 1: the scene in Yes, because we dropped New York, New

360
00:21:44,960 --> 00:21:49,160
Speaker 1: York and what y'all dropped? Okay, So if we keep

361
00:21:49,160 --> 00:21:59,120
Speaker 1: getting narrative just like, but there's the evolution, right why

362
00:21:59,200 --> 00:22:02,119
Speaker 1: you have to lower And these motherfucker's that're speaking, I

363
00:22:02,160 --> 00:22:05,159
Speaker 1: don't even know what's already happening. They're just so trained

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Speaker 1: to be brainwashed by the hip hop system that they're

365
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Speaker 1: supposed to be at each other. Shut the funk up,

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Speaker 1: stop being brainwashed. I love I love his kids. Now, nigger,

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Speaker 1: what's happening. What's happened my own death row? So I

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Speaker 1: do what the funk I want to know. Let's stay

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00:22:23,119 --> 00:22:28,920
Speaker 1: right there. Hell, I'm not gonna lie, Snooper, I didn't

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Speaker 1: have your number at this time. I got your number now,

371
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Speaker 1: but I know you wanted to call me when I

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Speaker 1: found out, say said, Snoop owns death roll. Now, now

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Speaker 1: let's just be clear because I want to be clear

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Speaker 1: for the fans, not for me. Your lawyer calls you,

375
00:22:47,680 --> 00:22:50,720
Speaker 1: what this opportunity? How do you? How do you say

376
00:22:50,800 --> 00:22:53,160
Speaker 1: that you can buy the death row? I was working

377
00:22:53,200 --> 00:22:58,800
Speaker 1: for death Jam President creative executive consultant, so jay z

378
00:22:58,920 --> 00:23:04,000
Speaker 1: Yawl just makes a noise of that. So doing my

379
00:23:04,040 --> 00:23:07,800
Speaker 1: little work over there, and I really want a death

380
00:23:07,880 --> 00:23:10,919
Speaker 1: row first, but they, you know, eat One shipped on me.

381
00:23:10,960 --> 00:23:12,960
Speaker 1: They tried to treat me like a hole, wanted me

382
00:23:13,000 --> 00:23:14,880
Speaker 1: to come work for them. We told one we're talking

383
00:23:14,880 --> 00:23:21,200
Speaker 1: about what's the nicker name, Alan Grunt Black. So they

384
00:23:21,240 --> 00:23:23,840
Speaker 1: had the label I do that, Yeah you do, it's

385
00:23:23,840 --> 00:23:32,480
Speaker 1: your show. So for about a year and a half,

386
00:23:32,520 --> 00:23:33,920
Speaker 1: two years, I was just trying to get my mask

387
00:23:33,920 --> 00:23:37,959
Speaker 1: because all I wanted was doggy staff. So Sloop, I'm

388
00:23:37,960 --> 00:23:41,320
Speaker 1: gonna give you the whole rundown if you can. You

389
00:23:41,320 --> 00:23:44,880
Speaker 1: you are asking for your old masters. What he originally

390
00:23:45,000 --> 00:23:47,960
Speaker 1: thought of originally was trying to say, E one, how

391
00:23:48,000 --> 00:23:51,240
Speaker 1: can we work a deal? Because one is working with

392
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Speaker 1: the big blood no eat one Bot. They bought it

393
00:23:55,359 --> 00:24:01,960
Speaker 1: the eight boat everything Canada. They then has Bro baught

394
00:24:02,000 --> 00:24:06,399
Speaker 1: E one the toy company. Right, So now I'm dealing

395
00:24:06,400 --> 00:24:09,720
Speaker 1: with Hasbro and one. Hasbro supposed to be clean and

396
00:24:09,720 --> 00:24:11,960
Speaker 1: they don't do negative ship, and I'm like, what the

397
00:24:12,000 --> 00:24:13,520
Speaker 1: fund is going on? So I'm talking to the one

398
00:24:13,560 --> 00:24:15,159
Speaker 1: that give me the run around, something like, look, check

399
00:24:15,200 --> 00:24:16,760
Speaker 1: it out. Why don't ya let me come work for

400
00:24:16,840 --> 00:24:19,600
Speaker 1: y'all so I'll get my masters. I can blow y'all

401
00:24:19,600 --> 00:24:21,120
Speaker 1: ship up, make the ship go, give me the Death

402
00:24:21,119 --> 00:24:24,200
Speaker 1: from Catalog and let me get my masters. Okay, Snoop,

403
00:24:24,200 --> 00:24:26,680
Speaker 1: come work for us for twelve years, you get your

404
00:24:26,680 --> 00:24:29,600
Speaker 1: masters back in fifteen, you get two and fifty dollars,

405
00:24:29,640 --> 00:24:31,240
Speaker 1: and you just put them high heels back on and

406
00:24:31,280 --> 00:24:34,879
Speaker 1: be the best hole you've ever been. You went too fast,

407
00:24:34,960 --> 00:24:39,600
Speaker 1: you know, I'm telling you smith the whole shoes over there.

408
00:24:40,760 --> 00:24:52,760
Speaker 1: Put the whole shoes off. I'm not don't wearlse, don't

409
00:24:52,760 --> 00:24:54,959
Speaker 1: wear those. Put on the pimp shoes. When I had

410
00:24:54,960 --> 00:24:58,479
Speaker 1: a discussion with Lucian Grange, Mr Granger, I can come

411
00:24:58,560 --> 00:25:00,800
Speaker 1: work for you to make your label better. You're rich,

412
00:25:00,840 --> 00:25:02,680
Speaker 1: you're balling. You don't need this ship. You snoop, though

413
00:25:02,720 --> 00:25:04,520
Speaker 1: I can help you. I got people over here and

414
00:25:04,600 --> 00:25:06,800
Speaker 1: need help, and I just love death Jam. I fucking

415
00:25:06,960 --> 00:25:08,600
Speaker 1: wanted to be on death Jam as a kid. Give

416
00:25:08,600 --> 00:25:11,159
Speaker 1: me a job. Give me the job. Come over there,

417
00:25:11,240 --> 00:25:12,800
Speaker 1: change a few things and make sure happen. Get it

418
00:25:12,840 --> 00:25:18,080
Speaker 1: popping and bopping. Then out here. Oh they sold he

419
00:25:18,280 --> 00:25:22,359
Speaker 1: wanted death row to some trillionaires. Oh they did, so

420
00:25:22,400 --> 00:25:24,919
Speaker 1: I got some people that know the trillionaires. That's like,

421
00:25:25,440 --> 00:25:27,640
Speaker 1: let me get you on the phone with him. Yeah,

422
00:25:27,680 --> 00:25:29,119
Speaker 1: what's that? And we got death row. We don't know

423
00:25:29,160 --> 00:25:32,159
Speaker 1: what the fund to doing with it. I do how

424
00:25:32,240 --> 00:25:35,960
Speaker 1: much you cast boom boom? How much my master's cast? God,

425
00:25:36,119 --> 00:25:46,000
Speaker 1: damn fun hold on, give me a minute, Give me

426
00:25:46,040 --> 00:25:51,680
Speaker 1: a minute, man, so I maneuver. Let me just get

427
00:25:51,680 --> 00:25:53,760
Speaker 1: death from I don't even want the masters right now

428
00:25:54,160 --> 00:25:57,360
Speaker 1: because it's all skin. It's chess. It ain't checkers. Get

429
00:25:57,400 --> 00:26:00,359
Speaker 1: death Row. They're now Snoop Dogg got death But this

430
00:26:00,480 --> 00:26:02,879
Speaker 1: this what niggas say, always got something negative say he

431
00:26:02,920 --> 00:26:07,119
Speaker 1: ain't got the masters, he don't own him cool, I

432
00:26:07,200 --> 00:26:10,040
Speaker 1: don't let me. I'll let you out. How much for that?

433
00:26:11,000 --> 00:26:13,360
Speaker 1: I'm on all. I'm not just mind all of them,

434
00:26:13,480 --> 00:26:18,080
Speaker 1: but you I want them all? Oh it's one more

435
00:26:18,119 --> 00:26:21,520
Speaker 1: piece mission. What about the publishing? I need all of

436
00:26:21,560 --> 00:26:30,040
Speaker 1: that too, now what But in the next place, I

437
00:26:30,119 --> 00:26:35,760
Speaker 1: watched this play snatch everything death Row off traditional iTunes, apples, Spotify,

438
00:26:38,240 --> 00:26:48,920
Speaker 1: Funk out of here, Freeze Freeze. So take the death

439
00:26:48,920 --> 00:26:52,399
Speaker 1: from catalog to gall of Games, the company that I

440
00:26:52,480 --> 00:26:55,200
Speaker 1: funk within the metaverse, that's where it lives at the metaverse.

441
00:26:55,440 --> 00:26:58,280
Speaker 1: Then build the death Row app so we can be

442
00:26:58,320 --> 00:27:01,960
Speaker 1: like Netflix, Amazon, and we have an Apple all of

443
00:27:02,000 --> 00:27:04,840
Speaker 1: our content, all of our music and now instead of

444
00:27:04,920 --> 00:27:08,280
Speaker 1: Apple and Spotify and all these motherfucker's pimping, so new

445
00:27:08,320 --> 00:27:19,240
Speaker 1: motherfucking pimp on the block. Snoop. That was that was

446
00:27:19,280 --> 00:27:26,280
Speaker 1: actually in my very first question is did you go

447
00:27:26,680 --> 00:27:31,960
Speaker 1: and read take all Ship? But you did? I got

448
00:27:31,960 --> 00:27:33,440
Speaker 1: it all because I want to what first thing I

449
00:27:33,480 --> 00:27:35,840
Speaker 1: want to do is I want to get paid all

450
00:27:35,920 --> 00:27:40,440
Speaker 1: the people that didn't get paid paid doll rage or

451
00:27:41,200 --> 00:27:43,720
Speaker 1: dash for rupt you know what I'm saying. Then I

452
00:27:43,760 --> 00:27:46,240
Speaker 1: want to make sure that the founder, Harry Oh can't

453
00:27:46,240 --> 00:27:48,720
Speaker 1: get paid, you know, give him a position in the

454
00:27:48,760 --> 00:27:51,080
Speaker 1: company to be an executive because he's a a fucking

455
00:27:51,080 --> 00:27:54,639
Speaker 1: brilliant minded you god damn right, So put him in

456
00:27:54,680 --> 00:27:57,120
Speaker 1: position to make some things happen, to get this ship

457
00:27:57,160 --> 00:27:59,959
Speaker 1: from an M to a big you get me, yeah,

458
00:28:00,040 --> 00:28:03,720
Speaker 1: And then I'll take care of people like Warren G.

459
00:28:04,760 --> 00:28:07,840
Speaker 1: I'll go get I'll go get the only coast na

460
00:28:07,880 --> 00:28:09,679
Speaker 1: that kind of left right. I'll go get the warrangy

461
00:28:09,800 --> 00:28:12,760
Speaker 1: record from death Cham take it to the metaverse, make

462
00:28:12,760 --> 00:28:15,000
Speaker 1: death Jam some money and make my homies some millions,

463
00:28:15,480 --> 00:28:17,600
Speaker 1: and make sure he's straight for the rest his life.

464
00:28:17,640 --> 00:28:20,280
Speaker 1: Then I'll take care of Snoop Dogg once I take

465
00:28:20,359 --> 00:28:26,720
Speaker 1: everybody else. Snoop, I'm gonna be honest with you, probably

466
00:28:26,760 --> 00:28:37,399
Speaker 1: made the best Oh what is it called investment? No? No,

467
00:28:37,840 --> 00:28:47,680
Speaker 1: when you say something, um statement in my life, I'm

468
00:28:47,720 --> 00:28:50,680
Speaker 1: sitting there watching you at the Hollywood all the fame,

469
00:28:52,000 --> 00:28:55,400
Speaker 1: and then I said the nigga said, I gotta thank myself.

470
00:28:56,520 --> 00:29:02,040
Speaker 1: M h. I said, Holy moly, I need to take

471
00:29:02,120 --> 00:29:07,640
Speaker 1: myself a lot to what made you think yourself? My nigga,

472
00:29:08,360 --> 00:29:13,360
Speaker 1: that's I didn't had nothing written down. Um Drey was there,

473
00:29:13,440 --> 00:29:16,400
Speaker 1: My mama was there. My best friend Waring, she was there. Nigga.

474
00:29:16,440 --> 00:29:19,160
Speaker 1: Cree My dudes, your barber was there. Nigga, do you

475
00:29:19,320 --> 00:29:21,800
Speaker 1: understand what that means to me? It's the greatest niggad

476
00:29:21,800 --> 00:29:24,240
Speaker 1: ever hold of basketball, and he there for me. Manquincy

477
00:29:24,400 --> 00:29:28,960
Speaker 1: Jones was doing. Quincy Jones was there Like these is

478
00:29:29,000 --> 00:29:31,040
Speaker 1: like niggas and I'm a little kid, like I could

479
00:29:31,040 --> 00:29:33,560
Speaker 1: never know these people. And now these niggas is my

480
00:29:33,600 --> 00:29:36,880
Speaker 1: friends showing up for me, dropping conversation for me. So

481
00:29:37,280 --> 00:29:40,200
Speaker 1: when I'm up there spending my ship, I don't even

482
00:29:40,240 --> 00:29:42,840
Speaker 1: know what the funk I'm talking about. But I looked

483
00:29:43,040 --> 00:29:48,520
Speaker 1: at my mama and I'm like, I need to thank me.

484
00:29:49,480 --> 00:29:51,959
Speaker 1: Mama did what she had to do. Though Mama did

485
00:29:51,960 --> 00:29:54,280
Speaker 1: her part, but I'm looking at my mama like she

486
00:29:54,360 --> 00:29:57,160
Speaker 1: did her partner. All the rest is on me. Like

487
00:29:57,200 --> 00:29:58,880
Speaker 1: when you have a kid, you let them, you cut them,

488
00:29:58,920 --> 00:30:01,200
Speaker 1: loosening this all on them. It's what you taught him.

489
00:30:01,200 --> 00:30:03,320
Speaker 1: And it's on them from there. And I feel like

490
00:30:03,920 --> 00:30:05,320
Speaker 1: to get to where I got, I had to put

491
00:30:05,360 --> 00:30:08,760
Speaker 1: in all that hard work, that dedication to struggle, the losses,

492
00:30:09,480 --> 00:30:11,640
Speaker 1: everything that I went through. I had to be strong

493
00:30:11,760 --> 00:30:13,240
Speaker 1: enough to fight through it and get back up and

494
00:30:13,280 --> 00:30:15,720
Speaker 1: go do it again and take them ails and don't

495
00:30:15,760 --> 00:30:20,720
Speaker 1: get paid, lose friends, lose relationships, lose money. You know

496
00:30:20,760 --> 00:30:23,440
Speaker 1: what I'm saying, damn to lose my life, my freedom,

497
00:30:23,480 --> 00:30:27,120
Speaker 1: and to regroup myself to say I'm respected enough to

498
00:30:27,160 --> 00:30:29,920
Speaker 1: where everybody respects me and loves me for who I am.

499
00:30:29,960 --> 00:30:31,920
Speaker 1: I ain't changed one step of the way. I stayed

500
00:30:31,920 --> 00:30:34,400
Speaker 1: me the whole way, and people love me for being me.

501
00:30:34,480 --> 00:30:36,040
Speaker 1: So let me thank me for being me. So the

502
00:30:36,080 --> 00:30:38,280
Speaker 1: next person that comes out to do them they can

503
00:30:38,360 --> 00:30:48,840
Speaker 1: understand they can do that. The whole rose one, two three.

504
00:30:48,880 --> 00:30:51,240
Speaker 1: I ain't gonna lie. When I saw that speech, I

505
00:30:51,280 --> 00:30:53,760
Speaker 1: wanted to thank me every day too. I was like, God,

506
00:30:53,840 --> 00:31:03,240
Speaker 1: just like it was like, I'm just thinking me, I'm outside,

507
00:31:03,640 --> 00:31:05,440
Speaker 1: I'm outside. I didn't think it was like kind of

508
00:31:05,480 --> 00:31:08,720
Speaker 1: When I said that, it got so good to me.

509
00:31:09,040 --> 00:31:11,040
Speaker 1: I called my album I Want to Thank Me. I

510
00:31:11,080 --> 00:31:12,840
Speaker 1: did an album after that called I want to thank

511
00:31:12,880 --> 00:31:14,960
Speaker 1: me because I was like, you know what I do

512
00:31:15,080 --> 00:31:17,640
Speaker 1: need to and and and I didn't even understand it

513
00:31:17,680 --> 00:31:21,800
Speaker 1: was more about mental health and self esteem for other people.

514
00:31:21,960 --> 00:31:27,000
Speaker 1: Like it was right, it was like real self esteem

515
00:31:27,040 --> 00:31:28,400
Speaker 1: for people to be like, you know, I don't have

516
00:31:28,480 --> 00:31:33,320
Speaker 1: to work for your confirmation. I'm doing good by me exactly,

517
00:31:33,360 --> 00:31:34,680
Speaker 1: and I'm gonna be all right because a lot of

518
00:31:34,720 --> 00:31:36,880
Speaker 1: people wore around waiting to see what's he gonna think.

519
00:31:36,880 --> 00:31:39,160
Speaker 1: Which he's gonna think? And man, if they don't like me,

520
00:31:39,200 --> 00:31:41,600
Speaker 1: I don't know if man fun that I like me like,

521
00:31:43,120 --> 00:31:47,360
Speaker 1: so let me ask you. Um Games said something on

522
00:31:47,400 --> 00:31:52,680
Speaker 1: our show. Games said that Kanye did more for him

523
00:31:52,760 --> 00:31:56,800
Speaker 1: in two weeks that Dr Dre did for him and

524
00:31:56,960 --> 00:31:59,800
Speaker 1: his whole career. Now I'm gonna before I asked you,

525
00:32:00,720 --> 00:32:04,080
Speaker 1: I'm gonna tell you. I can. You pulled up to

526
00:32:04,160 --> 00:32:07,440
Speaker 1: him my wife's juice ball and I showed it to

527
00:32:07,520 --> 00:32:10,920
Speaker 1: car Yeah, and Kanye looked at it and said, I

528
00:32:10,920 --> 00:32:19,400
Speaker 1: don't think Games should have said that. One million was

529
00:32:19,520 --> 00:32:23,960
Speaker 1: said the truth. Game knows I listen, Kanye knows this, listen,

530
00:32:24,200 --> 00:32:28,640
Speaker 1: one million. I love every all sides, parties involved, all

531
00:32:28,720 --> 00:32:32,680
Speaker 1: parties involved, but I need to hear snoop dogs. I mean,

532
00:32:32,720 --> 00:32:35,240
Speaker 1: I don't know. I don't know. That's his personal experience.

533
00:32:35,280 --> 00:32:38,880
Speaker 1: So that's a personal, you know, situation where he feels

534
00:32:38,920 --> 00:32:42,520
Speaker 1: that that's what happened. Like maybe Kanye walked him into

535
00:32:42,560 --> 00:32:44,960
Speaker 1: metaverse and showed him the billion dollars scheme on how

536
00:32:44,960 --> 00:32:47,040
Speaker 1: to get to the billions a little bit. You know,

537
00:32:47,080 --> 00:32:49,600
Speaker 1: it could have been something to that effect, that he

538
00:32:49,640 --> 00:32:51,760
Speaker 1: could have showed him something, you know, because you ain't

539
00:32:51,760 --> 00:32:53,720
Speaker 1: not really good at showing, you know, and he basically

540
00:32:53,720 --> 00:32:56,240
Speaker 1: good at bringing your talents to the life. You know.

541
00:32:56,440 --> 00:32:59,160
Speaker 1: To worry, it's about you, not what he do for you,

542
00:32:59,200 --> 00:33:01,120
Speaker 1: but what you can do for yourself when you're point

543
00:33:01,160 --> 00:33:04,600
Speaker 1: of his guidance. So to me, I couldn't answer that.

544
00:33:04,640 --> 00:33:06,840
Speaker 1: But you know, game is my lonely so I respect

545
00:33:06,880 --> 00:33:09,160
Speaker 1: everything he's saying. Do I don't ever want to be

546
00:33:09,240 --> 00:33:11,000
Speaker 1: on the bad side. Would even none of that ship

547
00:33:11,040 --> 00:33:13,880
Speaker 1: as far as negative energy, we got a great understanding,

548
00:33:14,000 --> 00:33:15,920
Speaker 1: you know, I respect his point of view, his views.

549
00:33:16,240 --> 00:33:20,520
Speaker 1: He always said you was a safe artist. He always

550
00:33:20,560 --> 00:33:22,800
Speaker 1: check in with me like this is like, what does

551
00:33:22,840 --> 00:33:27,000
Speaker 1: that mean? Safe artists? Like safe? Like I mean, God,

552
00:33:27,040 --> 00:33:31,040
Speaker 1: bless God, bless me. For free saying this, and I'm

553
00:33:31,080 --> 00:33:33,680
Speaker 1: gonna be out front with this. You had a murder case.

554
00:33:33,760 --> 00:33:37,960
Speaker 1: There's no way you could be a safe artist. I

555
00:33:37,960 --> 00:33:41,520
Speaker 1: guess probably because of what I've created after that, after

556
00:33:42,000 --> 00:33:45,560
Speaker 1: you know what I'm saying that, Yeah, I got football leagues,

557
00:33:45,640 --> 00:33:48,800
Speaker 1: I do things for special needs kids. I do things

558
00:33:48,800 --> 00:33:51,000
Speaker 1: with the parents, the gang violence, like the things that

559
00:33:51,040 --> 00:33:53,720
Speaker 1: I've done to create a whole new narrative on who

560
00:33:53,760 --> 00:33:55,840
Speaker 1: I am. I guess that would make him feel like

561
00:33:55,880 --> 00:33:58,480
Speaker 1: I was safe. But I'm still a nigger. So you

562
00:33:59,760 --> 00:34:06,240
Speaker 1: you when I'm driving the police getting behind me, nigging

563
00:34:06,280 --> 00:34:12,760
Speaker 1: my heart beat fast, they'd be like, hey, what's up.

564
00:34:17,520 --> 00:34:24,279
Speaker 1: Just certain ship's right, don't look back. Let's be clear.

565
00:34:24,320 --> 00:34:28,520
Speaker 1: We are Inglewood, right, Yeah, Inglewood. For for what I've

566
00:34:28,600 --> 00:34:32,400
Speaker 1: known from back in the days, Inglewood was a super

567
00:34:32,480 --> 00:34:36,799
Speaker 1: blood neighborhood. Yeah, definitely. But we're not coming over here

568
00:34:36,920 --> 00:34:38,960
Speaker 1: with gang violence. We're come up here with business. I

569
00:34:39,040 --> 00:34:42,400
Speaker 1: coached for the Inglewood Chargers. I bring business to Inglewood.

570
00:34:42,400 --> 00:34:45,720
Speaker 1: I hired people from Inglewood. I associate with bloods and crips.

571
00:34:45,719 --> 00:34:49,040
Speaker 1: I associate with human beings. I'm about change. I got

572
00:34:49,160 --> 00:34:51,200
Speaker 1: kids on my team that I coached that fathers have

573
00:34:51,280 --> 00:34:53,680
Speaker 1: been active gang members for over the thirty years, and

574
00:34:53,680 --> 00:34:56,120
Speaker 1: they see me engaging with their kids, teaching their kids,

575
00:34:56,239 --> 00:34:59,400
Speaker 1: educating their kids, giving their kids hope. Gang violence is

576
00:34:59,440 --> 00:35:01,800
Speaker 1: not a part of what we bring to the table.

577
00:35:01,880 --> 00:35:04,480
Speaker 1: We bring peace to gang violence. So by me being

578
00:35:04,520 --> 00:35:07,560
Speaker 1: a cript in a blood neighborhood, bringing you know, business

579
00:35:07,600 --> 00:35:10,080
Speaker 1: and opportunities and shows that you can, I'll grow the

580
00:35:10,160 --> 00:35:13,120
Speaker 1: gang mentality of being active. I'm not active with gang

581
00:35:13,120 --> 00:35:15,800
Speaker 1: bang and I'm active in my neighborhood as far as creating.

582
00:35:15,840 --> 00:35:17,360
Speaker 1: So I feel like I'm a part of Inglewood and

583
00:35:17,360 --> 00:35:20,000
Speaker 1: I'm from Inglewood because I do things the better the

584
00:35:20,040 --> 00:35:23,120
Speaker 1: community I live here. I love helping out and I

585
00:35:23,160 --> 00:35:25,680
Speaker 1: love being a part of it. So nobody has an

586
00:35:25,719 --> 00:35:27,680
Speaker 1: issue with Snoop Dogg because he's not a gang banger.

587
00:35:33,480 --> 00:35:35,640
Speaker 1: Gonna lie, I've been drinking this ship a lot. You

588
00:35:35,920 --> 00:35:42,880
Speaker 1: better keep drinking it. Yeah, I ain't gonna lie. So

589
00:35:42,960 --> 00:35:46,800
Speaker 1: what made you get into the red Red wines? Because

590
00:35:46,800 --> 00:35:50,920
Speaker 1: you could have gotten the blue one. You could have

591
00:35:50,960 --> 00:35:58,640
Speaker 1: made I would have bought it. If you were the

592
00:35:58,719 --> 00:36:02,640
Speaker 1: board blue ones, I'd say hypnotic one. No, I think

593
00:36:02,680 --> 00:36:05,960
Speaker 1: the red one was was appealing to me because it

594
00:36:06,040 --> 00:36:09,320
Speaker 1: was Sally. It was something nobody was attacking. Everybody was

595
00:36:09,360 --> 00:36:12,680
Speaker 1: going after the everything that everybody else was doing, and

596
00:36:12,719 --> 00:36:14,399
Speaker 1: I felt like I was a step above. I feel

597
00:36:14,440 --> 00:36:15,799
Speaker 1: like I was a little bit more class here than

598
00:36:16,360 --> 00:36:18,319
Speaker 1: you know, holding the bottom on the club type of ship.

599
00:36:18,400 --> 00:36:19,880
Speaker 1: I want you to be able to pour a glass

600
00:36:19,920 --> 00:36:22,440
Speaker 1: and have a conversation and you know, tone it down

601
00:36:22,440 --> 00:36:23,799
Speaker 1: a little bit of you know, being in the middle

602
00:36:23,800 --> 00:36:26,640
Speaker 1: of a nice meal having a glass of this. So

603
00:36:26,920 --> 00:36:29,040
Speaker 1: that's what I was thinking, like more of a you know,

604
00:36:29,120 --> 00:36:32,000
Speaker 1: what is the next level of growing into a man

605
00:36:32,200 --> 00:36:35,120
Speaker 1: as opposed to being in the club. My niggles had

606
00:36:37,680 --> 00:36:40,080
Speaker 1: classic class. But if I do this too many times,

607
00:36:40,080 --> 00:36:47,680
Speaker 1: but that's love, like I was saying the other day,

608
00:36:50,000 --> 00:36:52,160
Speaker 1: turned it down a bit. She want to hear that

609
00:36:52,280 --> 00:36:55,080
Speaker 1: sometimes too. We're gonna take a shot. That's one of

610
00:36:55,120 --> 00:36:58,840
Speaker 1: your ships, drinking this one. This is my girl, right No,

611
00:36:58,960 --> 00:37:05,160
Speaker 1: this is the eighteen crimes, Kelly Rose, give me a

612
00:37:05,200 --> 00:37:06,880
Speaker 1: shot at that is This is a cute. It's a

613
00:37:06,960 --> 00:37:10,919
Speaker 1: cute right there. Yea, this is the ladies desire right there. Yeah,

614
00:37:11,160 --> 00:37:14,160
Speaker 1: let me try to come on the ladies desire. We're

615
00:37:14,160 --> 00:37:16,640
Speaker 1: gonna take the shot you're gonna take a shot of

616
00:37:16,760 --> 00:37:22,120
Speaker 1: that motherfucking snoop do let's go drink. You're a drink chap, Snoop.

617
00:37:22,360 --> 00:37:24,000
Speaker 1: I'm not gonna like you got to get a shot too, sir.

618
00:37:24,600 --> 00:37:26,440
Speaker 1: I'm gonna take a home shot. Oh damn you. You

619
00:37:26,520 --> 00:37:35,920
Speaker 1: don't you know your Oyea? Yeah, y'all drinking. We're gonna

620
00:37:35,920 --> 00:37:45,280
Speaker 1: celebrate to Snoop, Snoop. We celebrate you, Snoop. Dude. So Snoop,

621
00:37:45,600 --> 00:37:52,800
Speaker 1: let me ask you. That's good. God bless Mom's passed away.

622
00:37:55,280 --> 00:37:59,799
Speaker 1: My father passed away. God bless her so and it

623
00:37:59,880 --> 00:38:04,279
Speaker 1: was the worst thing ever for me. But I continue

624
00:38:04,400 --> 00:38:09,400
Speaker 1: to to work. I watched your interviews and I watched

625
00:38:10,080 --> 00:38:15,800
Speaker 1: um you go through through it and you continue to work.

626
00:38:16,840 --> 00:38:20,279
Speaker 1: Why that's what Mama wants me to do. I mean

627
00:38:21,280 --> 00:38:25,120
Speaker 1: to me, her transition, her transition made me better because

628
00:38:25,160 --> 00:38:28,120
Speaker 1: now she's up top watching over me. It's no accident

629
00:38:28,160 --> 00:38:30,000
Speaker 1: that I wanted all these things that I'm having right

630
00:38:30,040 --> 00:38:32,880
Speaker 1: now because she upstairs putting strength from me because her

631
00:38:32,880 --> 00:38:35,120
Speaker 1: work was done down here, and now it's my time

632
00:38:35,120 --> 00:38:37,759
Speaker 1: to do my work, to let my work speak for me.

633
00:38:38,360 --> 00:38:40,520
Speaker 1: And the reason why I went back to work is

634
00:38:40,560 --> 00:38:45,319
Speaker 1: because She always loved me doing what I do to

635
00:38:45,400 --> 00:38:49,560
Speaker 1: make people happy, to inspire, to influence. So I didn't

636
00:38:49,600 --> 00:38:52,360
Speaker 1: want to be down and take my spirit down with

637
00:38:52,480 --> 00:38:54,520
Speaker 1: everybody else that loves me. And in the spirit of her,

638
00:38:55,080 --> 00:38:57,640
Speaker 1: she raised me to be Snoop Dogg. So let me

639
00:38:57,640 --> 00:38:59,600
Speaker 1: go away and do what the thing that she told

640
00:38:59,640 --> 00:39:02,799
Speaker 1: me to be. She one name me Snoopy, Mama name

641
00:39:03,320 --> 00:39:05,839
Speaker 1: my mama. Ain't never called me nothing but Snoopy my

642
00:39:05,840 --> 00:39:09,319
Speaker 1: whole life. I ain't never heard my real name my

643
00:39:09,320 --> 00:39:11,440
Speaker 1: whole life, that's my whole life. You never heard my

644
00:39:11,520 --> 00:39:19,520
Speaker 1: real name ever come out of her mouthez Louis ship.

645
00:39:19,640 --> 00:39:21,200
Speaker 1: So I take her spirit with me, you know what

646
00:39:21,200 --> 00:39:24,239
Speaker 1: I'm saying. Mom's was a evangelist, you know, her last

647
00:39:24,280 --> 00:39:26,759
Speaker 1: few years here, so she was spreading the word. She

648
00:39:26,920 --> 00:39:29,560
Speaker 1: was very vocal. She had the same spirit I got

649
00:39:29,600 --> 00:39:31,839
Speaker 1: as far as knowing how to control a crowd, how

650
00:39:31,880 --> 00:39:33,880
Speaker 1: to make people laugh, how to be serious, how to

651
00:39:33,880 --> 00:39:36,200
Speaker 1: make them zone in. So all the things that I'm

652
00:39:36,239 --> 00:39:38,600
Speaker 1: great at, I learned from her. So it's like, now

653
00:39:38,600 --> 00:39:41,560
Speaker 1: it's my job to continue the mission that she put

654
00:39:41,560 --> 00:39:44,359
Speaker 1: in me, which is to inspire and the influence because

655
00:39:44,360 --> 00:39:46,000
Speaker 1: there's so many people that fall in my league. So

656
00:39:46,080 --> 00:39:48,600
Speaker 1: now I know what I'm here for. I'm not no

657
00:39:48,719 --> 00:39:52,560
Speaker 1: reckless gang banger telling homies a bang. I'm telling you

658
00:39:52,560 --> 00:39:54,359
Speaker 1: to stop banging, showing you how to get your life

659
00:39:54,440 --> 00:39:55,880
Speaker 1: right here, how to raise your kids, how to do

660
00:39:55,960 --> 00:39:58,799
Speaker 1: what's right. And you know, yeah, some some wrong things

661
00:39:58,840 --> 00:40:00,719
Speaker 1: are gonna happen, but we're gonna do all right than wrong.

662
00:40:08,520 --> 00:40:12,880
Speaker 1: So let's let's just take it back to UM Death

663
00:40:13,320 --> 00:40:19,800
Speaker 1: Right the original when UM Source Awards, and I always

664
00:40:19,800 --> 00:40:21,920
Speaker 1: look at this footage, and I always I was in

665
00:40:22,040 --> 00:40:26,080
Speaker 1: jail at this time. I really was. I was in

666
00:40:26,200 --> 00:40:30,160
Speaker 1: jail at the time. But when Shaw goes up there,

667
00:40:31,760 --> 00:40:42,880
Speaker 1: it's as you motherfucker's you, You motherfucker's ain't gonna be

668
00:40:43,000 --> 00:40:45,680
Speaker 1: in the videos and all this ship if you don't

669
00:40:45,680 --> 00:40:49,480
Speaker 1: want if you don't want to, we see Snoop and

670
00:40:49,560 --> 00:40:53,840
Speaker 1: we see Dre and we see y'all. I don't I

671
00:40:53,840 --> 00:40:59,120
Speaker 1: don't know if it's called saluting that, but you guys

672
00:40:59,200 --> 00:41:02,680
Speaker 1: are sitting yeah, because that's our teammate. So it's like

673
00:41:02,719 --> 00:41:05,920
Speaker 1: if the teammate score basket, you're supposed to clap for him.

674
00:41:05,920 --> 00:41:08,280
Speaker 1: You're supposed to clap even if he got a lucky basket.

675
00:41:08,840 --> 00:41:12,480
Speaker 1: But let me ask you. But you notice how they

676
00:41:12,480 --> 00:41:15,719
Speaker 1: didn't cut from that to what happened after that. They

677
00:41:15,760 --> 00:41:18,960
Speaker 1: cut from that to me. What happened directly after that

678
00:41:19,120 --> 00:41:23,080
Speaker 1: was Biggie won an award and when Biggie, when Biggie

679
00:41:23,080 --> 00:41:27,120
Speaker 1: come and win his award, Puffy say, I'm the one

680
00:41:27,200 --> 00:41:31,800
Speaker 1: he was talking about, but I ain't tripping blah blah,

681
00:41:31,840 --> 00:41:34,600
Speaker 1: this and that. Then Biggie went his award and say

682
00:41:34,880 --> 00:41:45,560
Speaker 1: Brooklyn something like like did you talking about oh Buffy,

683
00:41:45,600 --> 00:41:47,760
Speaker 1: try to turn him down this nigging Biggie said, Brooklyn,

684
00:41:47,960 --> 00:41:50,239
Speaker 1: everything from New York is on the second team. Now

685
00:41:55,160 --> 00:41:59,000
Speaker 1: New York, like I understand that. Like when we was

686
00:41:59,440 --> 00:42:01,279
Speaker 1: in the building, you can you said that when you

687
00:42:01,360 --> 00:42:03,520
Speaker 1: grabbed the bike, you said, I know, well man, yeah,

688
00:42:03,560 --> 00:42:06,600
Speaker 1: because all New York niggas said got together like nigga fucky,

689
00:42:07,560 --> 00:42:09,719
Speaker 1: like for real. It was like really that tension like that,

690
00:42:09,800 --> 00:42:12,520
Speaker 1: like you feel tenching when you come from that environment,

691
00:42:12,560 --> 00:42:14,759
Speaker 1: you know, when they could just like that, This is

692
00:42:14,760 --> 00:42:17,120
Speaker 1: what I need to ask. And this is my brother.

693
00:42:19,480 --> 00:42:21,400
Speaker 1: I love his brother. Right here. You gonna bring up

694
00:42:21,440 --> 00:42:23,080
Speaker 1: the same thing we've been talking about, bring up the

695
00:42:23,080 --> 00:42:39,000
Speaker 1: same for years uh down, South West Coast, every other region,

696
00:42:39,120 --> 00:42:43,239
Speaker 1: every other region has said to us, and this is

697
00:42:43,280 --> 00:42:46,839
Speaker 1: my brother, and I'm brother from Miami, so that's he's

698
00:42:46,880 --> 00:42:49,160
Speaker 1: on their side, by the way, and he said, you

699
00:42:49,280 --> 00:42:51,960
Speaker 1: New York niggas never gave us love. That's the fact.

700
00:42:52,840 --> 00:42:55,040
Speaker 1: And I was telling you, and it was mostly industry

701
00:42:55,040 --> 00:42:58,719
Speaker 1: wise more than anything else. In fact, we have to

702
00:42:58,760 --> 00:43:01,840
Speaker 1: fight hard to get off. Like you've got people like

703
00:43:01,960 --> 00:43:07,479
Speaker 1: from my side, you got Iced t Iceque who cut

704
00:43:07,520 --> 00:43:11,280
Speaker 1: through because they went to the other side, so to speak,

705
00:43:11,800 --> 00:43:14,799
Speaker 1: and moved to our exactly. Guess Ic moved to the

706
00:43:14,840 --> 00:43:16,880
Speaker 1: hood and was a part of New Just City and

707
00:43:16,920 --> 00:43:22,560
Speaker 1: ship like that squad, which made it okay West Coast

708
00:43:22,640 --> 00:43:26,239
Speaker 1: niggas all right. Then when Dr Dre came, it was like,

709
00:43:27,239 --> 00:43:29,719
Speaker 1: we can't funk with them niggas, so we have to

710
00:43:29,719 --> 00:43:32,400
Speaker 1: give them their respect. Then when Snoop Dogg came, it

711
00:43:32,480 --> 00:43:35,640
Speaker 1: was like this nigga is giving respect while taking the

712
00:43:35,640 --> 00:43:38,160
Speaker 1: whole rap game. But if you notice, we always had

713
00:43:38,239 --> 00:43:40,560
Speaker 1: respect for New York first because New York is always

714
00:43:40,560 --> 00:43:44,080
Speaker 1: the pinnacle. Too. If you can't crack that colde, you

715
00:43:44,160 --> 00:43:46,399
Speaker 1: ain't cracked no cold. And to every nigga in New

716
00:43:46,480 --> 00:43:50,920
Speaker 1: York respects you. You ain't respected. That's our mentality anything

717
00:43:51,000 --> 00:43:53,120
Speaker 1: outside of New York. That's just the way it going.

718
00:43:53,120 --> 00:43:56,560
Speaker 1: It's always like when we first started coming there, they

719
00:43:56,600 --> 00:43:59,120
Speaker 1: never would play our music. Then when we would show up,

720
00:43:59,480 --> 00:44:01,800
Speaker 1: they have played music for like every day we there,

721
00:44:02,120 --> 00:44:04,080
Speaker 1: and then we had Nigga State behind like two, three,

722
00:44:04,600 --> 00:44:08,760
Speaker 1: three days later and like it ain't playing our ship now, Snoop.

723
00:44:08,800 --> 00:44:11,560
Speaker 1: I'm I'll be honest, and I'm gonna look at you

724
00:44:11,600 --> 00:44:16,000
Speaker 1: in your face. I apologize on behalf of my accepted.

725
00:44:16,160 --> 00:44:19,680
Speaker 1: You're accepted. No, No, I do accept it because when

726
00:44:19,719 --> 00:44:23,799
Speaker 1: I met with Jay, Jay said they didn't play my ship,

727
00:44:25,120 --> 00:44:30,640
Speaker 1: they didn't play Biggie Ship and other regions. This is

728
00:44:30,680 --> 00:44:32,640
Speaker 1: three days ago. I'm gonna tell you what it is.

729
00:44:33,120 --> 00:44:35,799
Speaker 1: It's never the ones up top. The niggas in the

730
00:44:35,840 --> 00:44:38,000
Speaker 1: streets always funk with us, just like the niggas in

731
00:44:38,000 --> 00:44:39,839
Speaker 1: the streets are always fun with y'all. But we don't

732
00:44:39,920 --> 00:44:43,239
Speaker 1: dictate what goes down. So I could have said, let

733
00:44:43,280 --> 00:44:45,239
Speaker 1: me talk to all the real street niggas from New York.

734
00:44:45,400 --> 00:44:48,520
Speaker 1: How much West Coach shit y'all listened to would have

735
00:44:48,520 --> 00:44:50,080
Speaker 1: been like nigga we listened to all kind of West

736
00:44:50,120 --> 00:44:53,160
Speaker 1: Coast shit, Yes, but is it brought to the highlight

737
00:44:53,480 --> 00:44:56,520
Speaker 1: because we're trying to promote our people, just like out here,

738
00:44:57,040 --> 00:44:59,920
Speaker 1: we accept New York niggas wrapped fashion, and we accepted

739
00:45:00,160 --> 00:45:03,080
Speaker 1: West Coast wrapping the eighties, and now they accept South

740
00:45:03,239 --> 00:45:06,200
Speaker 1: rap faster than they accept West Coast rap out here

741
00:45:06,560 --> 00:45:10,320
Speaker 1: because whatever dictates, that's what dictates. But in the streets

742
00:45:10,360 --> 00:45:14,080
Speaker 1: it's a different dictation. Because street niggas always told me,

743
00:45:14,480 --> 00:45:16,120
Speaker 1: maybe you raised me. You know what, many New York

744
00:45:16,200 --> 00:45:19,960
Speaker 1: niggas told me that that I raised them because not

745
00:45:20,080 --> 00:45:23,759
Speaker 1: because of them, because of the right. But I'm saying, like,

746
00:45:23,800 --> 00:45:28,319
Speaker 1: for example, Asad Rocky Bobby's murder them two niggas specifically,

747
00:45:29,719 --> 00:45:32,960
Speaker 1: but they're telling me, nigga, you raised me through my

748
00:45:33,040 --> 00:45:35,759
Speaker 1: mama playing your music when I was a little kid.

749
00:45:35,840 --> 00:45:37,719
Speaker 1: So if your mama was playing in the sheet from

750
00:45:37,719 --> 00:45:41,239
Speaker 1: New York, that means Snoop Dogg is loved by New York.

751
00:45:42,239 --> 00:45:43,880
Speaker 1: And that's the part we got to look past. We

752
00:45:43,920 --> 00:45:53,759
Speaker 1: can't recognize that. But you know what, you are one

753
00:45:53,760 --> 00:45:57,920
Speaker 1: of them niggas that New York love and you accepted

754
00:45:58,440 --> 00:46:01,640
Speaker 1: you probably wanted the aw I'm probably the only Nigga's

755
00:46:01,680 --> 00:46:04,560
Speaker 1: then been to the Queen's projects, been too hard, have

756
00:46:04,600 --> 00:46:09,160
Speaker 1: been to the bronze sucking what Brooklyn were the cryptis

757
00:46:09,200 --> 00:46:11,680
Speaker 1: that I have been to every motherfucking hood in New

758
00:46:11,760 --> 00:46:16,000
Speaker 1: York where they say you say, don't go Javargus Squid

759
00:46:16,160 --> 00:46:19,160
Speaker 1: performed there in the tunnel, performed there. Don't go there,

760
00:46:19,200 --> 00:46:21,839
Speaker 1: you can't. I'm there. They got razors in their mouth.

761
00:46:21,920 --> 00:46:28,880
Speaker 1: So what they Nigga asked from Flex Nigga, he was

762
00:46:28,920 --> 00:46:31,680
Speaker 1: there on my birthday. I brought Dr Dre to the tunnel, Nigga,

763
00:46:31,960 --> 00:46:34,800
Speaker 1: Who could do that? Look at up pulling footage of Nigga,

764
00:46:34,880 --> 00:46:37,240
Speaker 1: Dr Dre and Snoop Dogg's birthday party at the Tunnel.

765
00:46:37,320 --> 00:46:39,960
Speaker 1: Nigga in New York. Myth full of raisers Nigga hunt

766
00:46:40,040 --> 00:46:43,799
Speaker 1: niggas from New York saying we're your security now, Yes

767
00:46:43,880 --> 00:46:51,400
Speaker 1: you are, Snoop. I ain't gonna lie to these, Snoop.

768
00:46:53,480 --> 00:46:56,440
Speaker 1: We love you in New York and I love y'all. Nigga.

769
00:46:56,880 --> 00:46:59,040
Speaker 1: You just don't understand if if I could have been

770
00:46:59,120 --> 00:47:00,560
Speaker 1: the other nigger than me, I have loved have been

771
00:47:00,600 --> 00:47:02,439
Speaker 1: a New York rap nick in the eighties because y'all

772
00:47:02,480 --> 00:47:04,719
Speaker 1: was sucking it up. I'm talking about from rock Hid

773
00:47:04,840 --> 00:47:08,879
Speaker 1: the Big Daddy, Kay mcint care, Riss wing ll cu

774
00:47:09,080 --> 00:47:11,360
Speaker 1: J and then it was everything came out of that

775
00:47:11,440 --> 00:47:14,040
Speaker 1: motherfucker was flawless. Let me let me give you, let

776
00:47:14,120 --> 00:47:16,400
Speaker 1: me give you your prospect from war and g the

777
00:47:16,560 --> 00:47:24,280
Speaker 1: easy to motherfucking ice t. You know, we we definitely

778
00:47:24,600 --> 00:47:26,879
Speaker 1: what it was. Let me just tell you something. I'm

779
00:47:26,880 --> 00:47:29,840
Speaker 1: gonna be honest with you. When I heard straightiler of Compton,

780
00:47:30,239 --> 00:47:34,399
Speaker 1: I thought that was Ricker's Island for real. I thought

781
00:47:34,400 --> 00:47:38,760
Speaker 1: it was a jail because I was like training on Compton,

782
00:47:38,960 --> 00:47:42,080
Speaker 1: training the motherfucking I was like, Holy, they're jailed. It's crazy.

783
00:47:42,080 --> 00:47:47,640
Speaker 1: I don't want to get I was like, I got

784
00:47:50,800 --> 00:47:55,200
Speaker 1: you know, at that time, we had Rcauslan practice Alan,

785
00:47:55,400 --> 00:47:59,360
Speaker 1: so I'm like Compton, It's like, I don't want to

786
00:47:59,360 --> 00:48:02,759
Speaker 1: go to jail, and humpy, I want to jail, but

787
00:48:02,880 --> 00:48:05,400
Speaker 1: not in content, like can I go to jail? And

788
00:48:05,560 --> 00:48:09,200
Speaker 1: like anywhere else? It was what it was. It was

789
00:48:09,320 --> 00:48:12,920
Speaker 1: that error was exactly what they sung about. It was depicted.

790
00:48:12,960 --> 00:48:15,520
Speaker 1: It was everyday life. I wasn't in the rap game

791
00:48:15,560 --> 00:48:17,400
Speaker 1: at the time, so I was in the streets and

792
00:48:17,440 --> 00:48:18,839
Speaker 1: a lot of that ship they was wrapping the ball

793
00:48:18,920 --> 00:48:21,960
Speaker 1: was actually happening like daily, like all of that ship.

794
00:48:22,120 --> 00:48:24,280
Speaker 1: So it was like to see their life story on screen.

795
00:48:24,760 --> 00:48:27,279
Speaker 1: It was educational for me too because I wasn't in

796
00:48:27,320 --> 00:48:29,120
Speaker 1: the n w A circle. I was just a fan.

797
00:48:29,239 --> 00:48:31,719
Speaker 1: So to see their story brought to life and how

798
00:48:31,760 --> 00:48:33,520
Speaker 1: the ship came in life and how and inspired me

799
00:48:34,000 --> 00:48:35,799
Speaker 1: was dope as funk. So one day soon I hope

800
00:48:35,840 --> 00:48:37,880
Speaker 1: to tell my life story so people can be inspired

801
00:48:37,920 --> 00:48:43,319
Speaker 1: by that. Dr I didn't see that ship. I ain't

802
00:48:43,320 --> 00:48:50,920
Speaker 1: gonna I watched it. You ain't watching watched There's no disrespect.

803
00:48:50,920 --> 00:48:52,719
Speaker 1: I heard some about it, so I don't want to

804
00:48:52,760 --> 00:49:02,160
Speaker 1: see it. Sorry, what did you see that? But you

805
00:49:02,239 --> 00:49:06,239
Speaker 1: gotta you gotta. It's from a different Let's move on

806
00:49:12,440 --> 00:49:18,760
Speaker 1: the first thing. Nobody know what this is? Something so smooth,

807
00:49:22,040 --> 00:49:25,439
Speaker 1: Let's get into this. What are we doing? Bad boy

808
00:49:25,560 --> 00:49:29,640
Speaker 1: and and and death Row is gonna do an n

809
00:49:29,760 --> 00:49:34,759
Speaker 1: f T collapse? Is that what we're talking about. I

810
00:49:34,840 --> 00:49:38,480
Speaker 1: don't see anything wrong with that. I see that the

811
00:49:38,600 --> 00:49:41,640
Speaker 1: n f T space and the Web three is the future,

812
00:49:41,920 --> 00:49:45,080
Speaker 1: and it's actually what I love about it. There's no feuding,

813
00:49:45,640 --> 00:49:49,040
Speaker 1: no negativity, no war, no violence, none of that ship

814
00:49:49,120 --> 00:49:51,640
Speaker 1: exists over there, so they haven't even learned how to

815
00:49:51,640 --> 00:49:56,040
Speaker 1: fight each other yet. So yes, exactly, so I love

816
00:49:56,640 --> 00:49:58,879
Speaker 1: exactly So I like that space so much to where

817
00:49:59,600 --> 00:50:02,120
Speaker 1: it's was proved to me because there's so much skepticism

818
00:50:02,200 --> 00:50:04,680
Speaker 1: and criticism when you do things, do things to the

819
00:50:04,719 --> 00:50:06,760
Speaker 1: neck of eye until they see what the mission is about.

820
00:50:07,280 --> 00:50:10,839
Speaker 1: Like why would you say anything negative negative about bad

821
00:50:10,920 --> 00:50:13,600
Speaker 1: Boy and death grow knowing that people died, that that

822
00:50:13,640 --> 00:50:16,080
Speaker 1: should be your reason to want it to be positive

823
00:50:16,280 --> 00:50:18,799
Speaker 1: because people did die. But a lot of people are

824
00:50:19,960 --> 00:50:23,799
Speaker 1: like like like when uncalled me, Un said, yo, um,

825
00:50:25,120 --> 00:50:27,919
Speaker 1: I would like to have a rebuttal And I said,

826
00:50:28,160 --> 00:50:30,440
Speaker 1: so this is what you this you should do? How

827
00:50:30,560 --> 00:50:33,879
Speaker 1: much the bad Boy do we own? I don't owns

828
00:50:33,920 --> 00:50:37,400
Speaker 1: bad Boy at all. We're talking, but he has biggies,

829
00:50:37,800 --> 00:50:41,279
Speaker 1: So unsaid, can I do over bottle? I said, yea, yeah,

830
00:50:41,400 --> 00:50:45,640
Speaker 1: give over bottle? What is he rebutton? You don't even

831
00:50:45,680 --> 00:50:49,040
Speaker 1: know what we're doing that Nigga's problems. They love to

832
00:50:49,080 --> 00:50:50,800
Speaker 1: rebuttle but don't even know what the funk they're in

833
00:50:50,880 --> 00:50:54,040
Speaker 1: court for, Like I'm going against him? What what did

834
00:50:54,040 --> 00:50:57,440
Speaker 1: he do? I'm waiting here with the nigga did. But

835
00:50:58,040 --> 00:51:01,799
Speaker 1: I got my team and lawyers sit your ass down

836
00:51:01,960 --> 00:51:06,719
Speaker 1: and bring some positivity to a negative. Come on, death

837
00:51:06,840 --> 00:51:12,320
Speaker 1: roll bad Boy together. That's that's nothing. That's nothing. I

838
00:51:12,400 --> 00:51:18,920
Speaker 1: still funk a little sees No Kim Jada, Kiss, Puffy, Maize,

839
00:51:19,000 --> 00:51:22,400
Speaker 1: whoever the funk was reparted one one, twelve called Thomas.

840
00:51:22,560 --> 00:51:24,680
Speaker 1: All of them motherfucker's it's still my friends. I got

841
00:51:24,719 --> 00:51:29,160
Speaker 1: personal relationships with all of them individually. So you're telling

842
00:51:29,239 --> 00:51:31,360
Speaker 1: how about death Row? How many relationships you got with

843
00:51:31,400 --> 00:51:35,799
Speaker 1: death Row? Everybody? All of this and the what wrong?

844
00:51:36,200 --> 00:51:46,520
Speaker 1: I mean? I don't know. Have you been listening? It

845
00:51:46,680 --> 00:51:48,880
Speaker 1: was sold three or four different times? So where does this?

846
00:51:49,000 --> 00:51:52,040
Speaker 1: What the matter? Did you hear what I just said

847
00:51:52,400 --> 00:51:56,239
Speaker 1: that people that got taken care of that, I'm here

848
00:51:56,320 --> 00:52:00,440
Speaker 1: to take care of the people that didn't get can care?

849
00:52:00,840 --> 00:52:02,200
Speaker 1: You get what I listen to. Just listen to the

850
00:52:02,280 --> 00:52:05,759
Speaker 1: meeting he got taken care of. That's how they was

851
00:52:05,800 --> 00:52:07,640
Speaker 1: able to move and shift to sell it, do this

852
00:52:07,760 --> 00:52:10,720
Speaker 1: and that and that. But the creators and the people

853
00:52:10,840 --> 00:52:13,799
Speaker 1: behind the scenes didn't get anything. So it's my job

854
00:52:13,920 --> 00:52:16,640
Speaker 1: to take it now and to rightfully make it worth something.

855
00:52:17,000 --> 00:52:19,279
Speaker 1: So I can't compensate to people who did something, because

856
00:52:19,360 --> 00:52:22,440
Speaker 1: right now it's worth nothing. So no one says the

857
00:52:22,520 --> 00:52:24,759
Speaker 1: game but the people who actually owned it, that was

858
00:52:24,800 --> 00:52:27,680
Speaker 1: sitting on it to everybody died so they can turn

859
00:52:27,760 --> 00:52:30,000
Speaker 1: into in a state. But since some of these people

860
00:52:30,040 --> 00:52:32,200
Speaker 1: are alive, I'm going to create a value for it

861
00:52:32,440 --> 00:52:36,360
Speaker 1: to where now they can receive some revenues first because

862
00:52:36,440 --> 00:52:38,760
Speaker 1: I control it now. When it was in the past,

863
00:52:38,840 --> 00:52:41,160
Speaker 1: we had to wait to get paid because the label

864
00:52:41,200 --> 00:52:43,320
Speaker 1: gets paid first and the CEO. But guess who that

865
00:52:43,520 --> 00:52:46,040
Speaker 1: is now, So I'm gonna make sure it's properly handed

866
00:52:46,080 --> 00:52:54,520
Speaker 1: down the right way to where. Oh, because it's not

867
00:52:54,600 --> 00:52:57,520
Speaker 1: about because it was about me, I got to move

868
00:52:57,600 --> 00:52:59,560
Speaker 1: to a whole another country. But like nigga, fuck y'all

869
00:52:59,640 --> 00:53:03,080
Speaker 1: believe mouth, Yeah exactly, But it's not about me. It's

870
00:53:03,080 --> 00:53:05,879
Speaker 1: about the position that I got to give. I'm a giver,

871
00:53:06,080 --> 00:53:08,200
Speaker 1: That's what I'm a natural giver. All I wanted was

872
00:53:08,320 --> 00:53:10,640
Speaker 1: my masters, remember the initial conversation. All I wanted was

873
00:53:10,760 --> 00:53:13,600
Speaker 1: my Doggie style masters. But seeing that if I just didn't,

874
00:53:13,800 --> 00:53:16,280
Speaker 1: if I just did that, then that would be selfish

875
00:53:16,719 --> 00:53:18,279
Speaker 1: because then I was gonna be straight and I was

876
00:53:18,320 --> 00:53:20,840
Speaker 1: gonna take care of me, and it was ef It

877
00:53:20,960 --> 00:53:23,600
Speaker 1: was a group effort that wanted to making Snoop Dogg

878
00:53:23,640 --> 00:53:25,520
Speaker 1: who he is. And if I got the power to

879
00:53:25,840 --> 00:53:29,000
Speaker 1: position myself to make sure that everybody is conversated, right,

880
00:53:29,280 --> 00:53:30,840
Speaker 1: then that's what the funk I'm gonna do. That's what

881
00:53:30,880 --> 00:53:34,480
Speaker 1: I'm supposed to do. That's that's so let me let

882
00:53:34,480 --> 00:53:39,880
Speaker 1: me so let me ask you doggy style the chronic.

883
00:53:40,480 --> 00:53:43,080
Speaker 1: We're trying to get all that? I got all that?

884
00:53:43,560 --> 00:53:48,759
Speaker 1: What are you talking about? Did you let me stopped drinking? Man?

885
00:53:51,160 --> 00:53:54,279
Speaker 1: I needed to reiterate that all schematics. I told you

886
00:53:54,360 --> 00:53:58,239
Speaker 1: how wanted to get my masters first. It was too

887
00:53:58,320 --> 00:54:01,239
Speaker 1: high just for my one man. So I ended up

888
00:54:01,280 --> 00:54:05,440
Speaker 1: getting the label the I P no Masters. Then when

889
00:54:05,440 --> 00:54:07,759
Speaker 1: I announced that I had the I P Niggas was

890
00:54:07,800 --> 00:54:10,600
Speaker 1: talking so much it forced me to go get everything.

891
00:54:11,160 --> 00:54:13,279
Speaker 1: Why when you got the masters and the publish? Because

892
00:54:13,280 --> 00:54:14,960
Speaker 1: I was like, I don't need no discussion. I need

893
00:54:14,960 --> 00:54:16,960
Speaker 1: to be able to make moves so I can provide

894
00:54:17,000 --> 00:54:18,799
Speaker 1: for my people, because if I leave this out there

895
00:54:19,080 --> 00:54:20,439
Speaker 1: when it's time for me to sell it, I gotta

896
00:54:20,480 --> 00:54:22,480
Speaker 1: check with him. He may not want to make sure

897
00:54:22,480 --> 00:54:25,040
Speaker 1: they get paid. But if I got it all, then

898
00:54:25,120 --> 00:54:27,440
Speaker 1: I'm the one that controls when it makes money, who

899
00:54:27,520 --> 00:54:31,680
Speaker 1: gets paid. So we took a dog powder dph everything

900
00:54:32,000 --> 00:54:36,800
Speaker 1: r b X Lady of rage year me. I'm just

901
00:54:37,440 --> 00:54:41,759
Speaker 1: warn g and these as people that haven't been compensated.

902
00:54:41,880 --> 00:54:44,960
Speaker 1: Like fully, you know what wrang you did for death? Jim,

903
00:54:48,000 --> 00:54:53,240
Speaker 1: he saved him, was never compensated for that. Never conversate

904
00:54:53,280 --> 00:54:54,839
Speaker 1: from the West Coast if you don't get out of here.

905
00:54:57,760 --> 00:55:00,359
Speaker 1: So let's just be honest. At that time, up jam

906
00:55:00,520 --> 00:55:04,040
Speaker 1: was a East Coast centered label, right, that's true. Were

907
00:55:04,560 --> 00:55:09,800
Speaker 1: West Coast artists saved them, you would think that on

908
00:55:09,960 --> 00:55:12,239
Speaker 1: the save or to come back, it'd be like, since

909
00:55:12,280 --> 00:55:15,160
Speaker 1: we didn't ended up getting jay Z d M, Max Murder,

910
00:55:15,200 --> 00:55:21,320
Speaker 1: ain't blah blah, Brianna, Kanye Justin bieber More, he go

911
00:55:21,480 --> 00:55:26,600
Speaker 1: tim My Nigga for giving us nothing. But it's okay,

912
00:55:28,120 --> 00:55:31,600
Speaker 1: we're gonna regulate more, regulate. We're gonna regulate, regulate, make

913
00:55:31,680 --> 00:55:38,520
Speaker 1: some noise for the regulation. All right, let's get into

914
00:55:38,600 --> 00:55:41,800
Speaker 1: your wands and spirits because you ain't you ain't. You

915
00:55:41,880 --> 00:55:44,920
Speaker 1: ain't really drink none of that. No, just a little bit,

916
00:55:45,000 --> 00:55:47,560
Speaker 1: you know, we get money off of it, Okay, let

917
00:55:49,360 --> 00:55:51,040
Speaker 1: pill me some of that cool got to show you

918
00:55:51,120 --> 00:55:57,200
Speaker 1: the trick what you're doing some of that come on,

919
00:55:57,320 --> 00:55:59,920
Speaker 1: come on, I couldn't sell crack with you, niggaigga to

920
00:55:59,960 --> 00:56:04,480
Speaker 1: be and how most of the let me try another

921
00:56:04,480 --> 00:56:09,080
Speaker 1: one thought. We're trying to seal this key, nig Sloop.

922
00:56:09,120 --> 00:56:14,560
Speaker 1: I'm gonna be honest, Sloop. We love you, we honor you,

923
00:56:14,840 --> 00:56:18,800
Speaker 1: we cherish you, but we want to also give you

924
00:56:18,920 --> 00:56:23,160
Speaker 1: your flowers in your face real time. Come on, do

925
00:56:23,239 --> 00:56:24,799
Speaker 1: it the first time you came around, but this time

926
00:56:24,800 --> 00:56:26,799
Speaker 1: you want to make we didn't do this the first time.

927
00:56:27,640 --> 00:56:29,840
Speaker 1: We want to honor you properly. Won't get your flower

928
00:56:31,200 --> 00:56:38,600
Speaker 1: in your face. I love the baby right here, man,

929
00:56:38,640 --> 00:56:40,360
Speaker 1: I appreciate it. You know, we don't never really do

930
00:56:40,440 --> 00:56:43,319
Speaker 1: it for this, but when we get it, this made

931
00:56:43,360 --> 00:56:45,480
Speaker 1: more than any award that you can get on some

932
00:56:45,560 --> 00:56:47,959
Speaker 1: real ship, because it means that you appreciated by your peers,

933
00:56:48,000 --> 00:56:50,320
Speaker 1: You appreciated by the people that you're do it for

934
00:56:50,760 --> 00:56:53,360
Speaker 1: a lot of times in award shows we fake you

935
00:56:53,400 --> 00:56:55,080
Speaker 1: don't really know the people that had anything to do

936
00:56:55,160 --> 00:56:56,960
Speaker 1: with it. But just right here from the heart, it

937
00:56:57,080 --> 00:56:58,920
Speaker 1: means a lot because I know how real y'all are.

938
00:56:58,960 --> 00:57:00,680
Speaker 1: I know where y'all come from. I know y'all move

939
00:57:00,760 --> 00:57:03,280
Speaker 1: as a unit. So to the whole drink Champs family.

940
00:57:03,280 --> 00:57:10,759
Speaker 1: I appreciate, not except my flowers. The Sloop. I ain't

941
00:57:10,760 --> 00:57:13,440
Speaker 1: gonna lie. We love you, Snoop, I ain't a lot

942
00:57:13,560 --> 00:57:19,400
Speaker 1: like like real real talk. I hadn't sit down with

943
00:57:19,520 --> 00:57:23,000
Speaker 1: jay Z and tell him Snoop is the most famous

944
00:57:23,120 --> 00:57:28,480
Speaker 1: rapper ever. What do you say? He agreed? He did

945
00:57:29,360 --> 00:57:42,080
Speaker 1: not really no, but stoop did you really say? Did

946
00:57:42,160 --> 00:57:48,400
Speaker 1: he just say that? He just he just swoops. But

947
00:57:49,160 --> 00:57:55,040
Speaker 1: listen what he's saying. This is no nigger in the world.

948
00:58:00,040 --> 00:58:06,600
Speaker 1: Up let. You can't go nowhere in the world and

949
00:58:06,720 --> 00:58:09,040
Speaker 1: the nigga not recognized. You can you go to a

950
00:58:09,120 --> 00:58:14,200
Speaker 1: bagel shop that's Jewish god named Diego. It's one spot

951
00:58:14,280 --> 00:58:16,120
Speaker 1: that I used. It's spot I used to be able

952
00:58:16,160 --> 00:58:18,960
Speaker 1: to go to and then my cover got blown. I

953
00:58:19,080 --> 00:58:20,680
Speaker 1: just going there all the time. It was an Asian

954
00:58:20,840 --> 00:58:23,480
Speaker 1: Um grocery store. They had the best meat in town.

955
00:58:23,560 --> 00:58:26,320
Speaker 1: That ship was bomb. They meat was just amazing, the

956
00:58:26,480 --> 00:58:28,400
Speaker 1: fish and everything. So I'm in the back one day

957
00:58:28,400 --> 00:58:30,760
Speaker 1: with the butcher. It's like the third time I didn't

958
00:58:30,760 --> 00:58:32,160
Speaker 1: want up in there that nig come out the back

959
00:58:32,240 --> 00:58:36,400
Speaker 1: this time he got cameras in all kinds. I knew.

960
00:58:36,520 --> 00:58:44,680
Speaker 1: I knew, you come on making take a picture of

961
00:58:46,480 --> 00:58:53,160
Speaker 1: right now. You can't go nowhere, I guess not. I

962
00:58:53,200 --> 00:58:55,400
Speaker 1: mean that's that's a good thing though, because it's you know,

963
00:58:56,480 --> 00:58:59,360
Speaker 1: a lot of people don't don't understand success and understand

964
00:58:59,480 --> 00:59:02,240
Speaker 1: fame enjoyed. I truly get a kick out of how

965
00:59:02,280 --> 00:59:05,520
Speaker 1: to make people feel like I watched certain videos on

966
00:59:05,600 --> 00:59:08,440
Speaker 1: Michael Jackson right like, they got like a video of

967
00:59:08,520 --> 00:59:10,880
Speaker 1: him in the backseat of a car and it's like

968
00:59:11,000 --> 00:59:13,080
Speaker 1: a million fans outside and you could just hear him

969
00:59:13,160 --> 00:59:15,720
Speaker 1: talking about look at her over there, look at that one,

970
00:59:15,760 --> 00:59:18,200
Speaker 1: and he rolling one down. He he waved at him.

971
00:59:18,200 --> 00:59:20,920
Speaker 1: It's like the fascination of knowing that people love you

972
00:59:21,840 --> 00:59:24,640
Speaker 1: is a feeling that only a few have, and it's

973
00:59:24,680 --> 00:59:26,640
Speaker 1: a beautiful feeling. And it's like we know how to

974
00:59:26,720 --> 00:59:28,280
Speaker 1: cherish it, we know how to hold on to it,

975
00:59:28,600 --> 00:59:30,040
Speaker 1: and we know how to make people feel a part

976
00:59:30,080 --> 00:59:31,840
Speaker 1: of it. And that's like a gift that I have

977
00:59:32,040 --> 00:59:34,080
Speaker 1: to where the people that love me, I don't call

978
00:59:34,160 --> 00:59:36,720
Speaker 1: him my fans, they like my family because when they

979
00:59:36,760 --> 00:59:38,360
Speaker 1: see me It's like they knew me their whole life.

980
00:59:38,400 --> 00:59:42,400
Speaker 1: They're like, yeah, if I got if I got a

981
00:59:42,480 --> 00:59:45,320
Speaker 1: bad attitude, that day would be like, oh, it's all right,

982
00:59:45,400 --> 00:59:47,360
Speaker 1: we know you don't want. They don't even be tripping,

983
00:59:47,440 --> 00:59:50,040
Speaker 1: like what fun you didn't we buying your records. They'd

984
00:59:50,040 --> 00:59:52,240
Speaker 1: be lined up out there with like it'd be cold

985
00:59:52,320 --> 00:59:54,120
Speaker 1: as fucking some of these places, like I'm talking about

986
00:59:54,120 --> 00:59:56,000
Speaker 1: like two degrees. I see you on Puffy go to

987
00:59:56,080 --> 00:59:58,880
Speaker 1: Fatburger and seven eleven. I put puff in the car

988
00:59:58,920 --> 01:00:00,240
Speaker 1: and then we went to that. We went to Bishop

989
01:00:00,280 --> 01:00:02,440
Speaker 1: magic one house and they pulled up. They drove to

990
01:00:02,520 --> 01:00:07,120
Speaker 1: South funchro LEO can get in nickel, let me going

991
01:00:11,840 --> 01:00:16,640
Speaker 1: knock on the door like this. The church opened up.

992
01:00:16,760 --> 01:00:21,120
Speaker 1: Church is green, it's green, and there's green puppy sitting

993
01:00:21,120 --> 01:00:23,280
Speaker 1: down and enjoy yourself. You're with the bishop Jack doing

994
01:00:23,280 --> 01:00:27,800
Speaker 1: the hood. We're good. The bishop dogar. You don't remember that.

995
01:00:27,840 --> 01:00:32,200
Speaker 1: I remember that. We went up the stairs and all

996
01:00:33,000 --> 01:00:36,080
Speaker 1: my famous players bring him to the bishop house because

997
01:00:36,120 --> 01:00:41,360
Speaker 1: the bishop, the bishop, who does that? Damn? What how

998
01:00:41,400 --> 01:00:45,600
Speaker 1: does that peaking man's field hood? So I just feel

999
01:00:45,640 --> 01:00:48,640
Speaker 1: like I'm popt. I feel like I said I don't

1000
01:00:48,680 --> 01:00:51,680
Speaker 1: know what what. Bishop has always been to me as

1001
01:00:51,800 --> 01:00:55,040
Speaker 1: my spiritual advisor, and nobody understood what that meant. But

1002
01:00:55,600 --> 01:00:59,080
Speaker 1: he was always the one in my life, like putting

1003
01:00:59,120 --> 01:01:02,800
Speaker 1: God in my life, as crazy as it is. He's

1004
01:01:02,800 --> 01:01:06,479
Speaker 1: the one that created the slang church, right. So church

1005
01:01:06,600 --> 01:01:09,760
Speaker 1: means that we take God everywhere we go. So every

1006
01:01:09,800 --> 01:01:11,640
Speaker 1: time you hear I say church, that means we got

1007
01:01:11,720 --> 01:01:13,720
Speaker 1: God with us and he's gonna protect us, and we

1008
01:01:13,720 --> 01:01:15,760
Speaker 1: ain't gonna do nothing out of pocket. And if we

1009
01:01:15,880 --> 01:01:18,120
Speaker 1: do do something out of pocket, he gonna make sure

1010
01:01:18,160 --> 01:01:20,880
Speaker 1: we get back home because we're in church. Hello, Hello

1011
01:01:22,000 --> 01:01:25,720
Speaker 1: Church and the buildings to people, there was a real

1012
01:01:25,960 --> 01:01:31,280
Speaker 1: bad time in death row right where Snoop was over here,

1013
01:01:34,320 --> 01:01:39,160
Speaker 1: show was over here, and like I used to go

1014
01:01:39,240 --> 01:01:41,440
Speaker 1: to parties. I used to come out here in l

1015
01:01:41,520 --> 01:01:47,320
Speaker 1: A and I just see this mad blood cars in

1016
01:01:47,520 --> 01:01:51,160
Speaker 1: front and this this will be a Sloop Dogg party

1017
01:01:51,480 --> 01:01:56,640
Speaker 1: and Snoop you still come? How did we get from

1018
01:01:56,720 --> 01:02:00,080
Speaker 1: there to here? Like where are you? And Sugar at me?

1019
01:02:00,160 --> 01:02:03,480
Speaker 1: And should cool? Um, I'm cool with everybody? Like I said, Um,

1020
01:02:03,840 --> 01:02:06,760
Speaker 1: I wouldn't. I wouldn't became the bigger man and told

1021
01:02:06,800 --> 01:02:09,480
Speaker 1: people that I want to men this. I don't want

1022
01:02:09,520 --> 01:02:12,720
Speaker 1: it to go on no further, and put that conversation

1023
01:02:12,800 --> 01:02:15,800
Speaker 1: together and put songs out. The show where I was at,

1024
01:02:15,920 --> 01:02:18,840
Speaker 1: I had a song called let Bygones be Bygones. I

1025
01:02:18,960 --> 01:02:20,560
Speaker 1: do all sorts of things, even in this movie. I

1026
01:02:20,640 --> 01:02:23,280
Speaker 1: just put out back on death Row. I gave him

1027
01:02:23,320 --> 01:02:25,200
Speaker 1: a shout out, gave him some love on the great

1028
01:02:25,240 --> 01:02:27,240
Speaker 1: things that he's done for me and my career. So

1029
01:02:28,040 --> 01:02:32,400
Speaker 1: I just feel like people gotta understand that we're moving forward.

1030
01:02:34,040 --> 01:02:35,960
Speaker 1: And when you move forward, you're going forward. You're not

1031
01:02:36,040 --> 01:02:38,600
Speaker 1: looking back. All the things we did as young kids

1032
01:02:38,720 --> 01:02:42,120
Speaker 1: or young men. I can't change that. But but as

1033
01:02:42,120 --> 01:02:44,320
Speaker 1: a fifth year old man's my job would do what's right.

1034
01:02:44,880 --> 01:02:48,439
Speaker 1: My grandfather, I got six grandkids, I got grand kids,

1035
01:02:48,720 --> 01:02:53,240
Speaker 1: six children to chill out. You can't want them to

1036
01:02:53,360 --> 01:02:56,960
Speaker 1: stop this ship. You can't. I want grandchildren, you want

1037
01:02:56,960 --> 01:03:05,120
Speaker 1: to be a grandchildren. I don't want to be finger

1038
01:03:05,160 --> 01:03:08,960
Speaker 1: popping ship relaxed. That's fun, though, I ain't no real ship.

1039
01:03:09,080 --> 01:03:12,440
Speaker 1: When I was young, hip hop at the life expectancy

1040
01:03:12,520 --> 01:03:16,320
Speaker 1: about four years. If that you get out four years

1041
01:03:16,360 --> 01:03:18,600
Speaker 1: and that that was your run. You did that? Then

1042
01:03:18,640 --> 01:03:23,200
Speaker 1: I watched LLL coolj do like twelve right, and I'm like, okay,

1043
01:03:23,560 --> 01:03:27,560
Speaker 1: it can't be done. Somebody can't run. So I said,

1044
01:03:27,600 --> 01:03:31,520
Speaker 1: when I get in, I'm gonna rewrite this ship trying

1045
01:03:31,520 --> 01:03:35,000
Speaker 1: to do two. No, I'm on thirty right now. Talk

1046
01:03:35,040 --> 01:03:41,880
Speaker 1: to me, Talk to me, talk to me nice. If

1047
01:03:41,920 --> 01:03:48,160
Speaker 1: it ain't it saying Snoop I'm gonna be honest, there's

1048
01:03:48,200 --> 01:03:53,200
Speaker 1: no one more famous than Snoop Dogg. You're probably the

1049
01:03:53,280 --> 01:03:57,360
Speaker 1: most famous rapper there is. And I stand on this

1050
01:03:58,720 --> 01:04:03,360
Speaker 1: more than just rapper, no nigga. Grandmother knows who Snoop

1051
01:04:03,440 --> 01:04:08,720
Speaker 1: dog is. Like, you could go look little little camera guys. Look,

1052
01:04:08,960 --> 01:04:13,080
Speaker 1: he said. You go to the grandmother and be like,

1053
01:04:13,120 --> 01:04:17,080
Speaker 1: you know, Snop West like, yeah, Snoop today, Grandma like

1054
01:04:17,240 --> 01:04:24,480
Speaker 1: a cool Grandma. I'm supposed to babysit, Grandma. Grandma said,

1055
01:04:24,480 --> 01:04:31,720
Speaker 1: I'm I'm school snow today. Grandma like cool. Wow. I

1056
01:04:31,760 --> 01:04:34,640
Speaker 1: don't know what that attributes to because you can't go

1057
01:04:34,760 --> 01:04:37,640
Speaker 1: new wist no from a from a grandmama to a

1058
01:04:37,760 --> 01:04:40,240
Speaker 1: two or three year old baby. One of the kids

1059
01:04:40,280 --> 01:04:42,880
Speaker 1: I coached my football league. He came over here to

1060
01:04:42,960 --> 01:04:46,000
Speaker 1: my granddaughter's birthday a couple of days ago. His daughter

1061
01:04:46,120 --> 01:04:48,680
Speaker 1: is like two or three, and I coached him two

1062
01:04:48,800 --> 01:04:52,760
Speaker 1: year No, he's he's he's twenty five now, but I

1063
01:04:52,840 --> 01:04:55,200
Speaker 1: coached him when he was like eight years old. So

1064
01:04:55,760 --> 01:04:59,160
Speaker 1: he got his daughter in his arms and I'm playing

1065
01:04:59,200 --> 01:05:01,400
Speaker 1: with him and mama and he's like, who is that?

1066
01:05:01,800 --> 01:05:04,720
Speaker 1: She said, Snoop Dogg. I'm like, how the hell does

1067
01:05:04,800 --> 01:05:08,720
Speaker 1: she know who I am? And he's like, Oh, we've

1068
01:05:08,760 --> 01:05:10,920
Speaker 1: just seen you in this movie and we've seen we

1069
01:05:11,040 --> 01:05:13,160
Speaker 1: watch you and Nickelodeon. I'll be forgetting all this ship

1070
01:05:13,240 --> 01:05:17,440
Speaker 1: I've done for kids that stays in their head. So

1071
01:05:17,560 --> 01:05:19,560
Speaker 1: that's why we created death Row Kids and g Funk

1072
01:05:19,600 --> 01:05:23,840
Speaker 1: Lullabies coming up soon too. Death Row Kids and g

1073
01:05:24,040 --> 01:05:27,520
Speaker 1: Funk Lullabies. Talk to me, we we forgot about the kids.

1074
01:05:27,520 --> 01:05:30,080
Speaker 1: We want to educate them to what does luais mean?

1075
01:05:30,960 --> 01:05:34,080
Speaker 1: Like singing like the songs? Kids don't do it like that.

1076
01:05:47,280 --> 01:05:54,240
Speaker 1: We similar things. We're looking out for the future, the

1077
01:05:54,320 --> 01:05:56,840
Speaker 1: next generation of like you said, the next generation of

1078
01:05:56,880 --> 01:05:58,840
Speaker 1: people that can do this, just like we're looking for

1079
01:05:58,880 --> 01:06:01,200
Speaker 1: the next generation of kids that can wrap and become

1080
01:06:01,280 --> 01:06:03,160
Speaker 1: businessmen and not just be the ones in front of

1081
01:06:03,200 --> 01:06:05,680
Speaker 1: the camera, but be the ones who directed and run

1082
01:06:05,800 --> 01:06:07,680
Speaker 1: the whole show because we're tired of being the step

1083
01:06:07,720 --> 01:06:09,760
Speaker 1: and fetch it always gotta be dance and then showing

1084
01:06:10,200 --> 01:06:12,320
Speaker 1: we want to be the executive. We want more chairman,

1085
01:06:12,400 --> 01:06:14,760
Speaker 1: we want more owners of labels. I shouldn't be the

1086
01:06:14,840 --> 01:06:18,600
Speaker 1: only one in the game that could turn around and

1087
01:06:18,760 --> 01:06:21,160
Speaker 1: buy the label that he was on. This should be

1088
01:06:21,240 --> 01:06:24,000
Speaker 1: inspiring to be like, Okay, I want to buy back

1089
01:06:24,600 --> 01:06:26,600
Speaker 1: my label that I sold. I want to buy back

1090
01:06:26,680 --> 01:06:28,840
Speaker 1: this that I sold because I understand the value and

1091
01:06:28,960 --> 01:06:30,920
Speaker 1: something that I helped create, rather than selling it to

1092
01:06:31,000 --> 01:06:33,840
Speaker 1: somebody who's gonna depreciate the value, to shet me down

1093
01:06:33,920 --> 01:06:35,960
Speaker 1: until I die and then bring it back up when

1094
01:06:35,960 --> 01:06:38,640
Speaker 1: I'm when I'm gone. So what's that call? When depth yam?

1095
01:06:39,680 --> 01:06:42,840
Speaker 1: Of course I want you to be the president because

1096
01:06:42,960 --> 01:06:46,200
Speaker 1: jay Z was just recently the president, and jay Z

1097
01:06:46,800 --> 01:06:49,680
Speaker 1: receives a lot of slack. That's my brother, but he

1098
01:06:49,760 --> 01:06:52,640
Speaker 1: received a lot of slack for being the president. But

1099
01:06:52,840 --> 01:06:55,840
Speaker 1: you turned around and you signed being in the butcher.

1100
01:06:56,200 --> 01:06:58,160
Speaker 1: You did the right thing, kind of like you kind

1101
01:06:58,200 --> 01:07:02,120
Speaker 1: of like sign you kind of exactly what we wanted

1102
01:07:03,040 --> 01:07:07,240
Speaker 1: a West Coast nigga to do. I'm sorry, and a

1103
01:07:07,280 --> 01:07:09,120
Speaker 1: real hip hop had but I'm in the street. I'm

1104
01:07:09,160 --> 01:07:11,120
Speaker 1: in the street, so I know what's hot and what's not.

1105
01:07:11,320 --> 01:07:13,560
Speaker 1: And how that happened was I flew to New York

1106
01:07:13,560 --> 01:07:16,240
Speaker 1: out of my own pocket right before I signed the

1107
01:07:16,320 --> 01:07:17,880
Speaker 1: deal with death Jam, just to show them what they

1108
01:07:18,000 --> 01:07:20,080
Speaker 1: was getting. Because remember I asked for the job, they

1109
01:07:20,120 --> 01:07:25,640
Speaker 1: ain't hiring me. I wanted to know. I want to

1110
01:07:25,720 --> 01:07:27,400
Speaker 1: work for you because they wouldn't get me death Throw,

1111
01:07:27,480 --> 01:07:29,920
Speaker 1: so I want to come put my executive hand down

1112
01:07:30,000 --> 01:07:32,000
Speaker 1: over here and help out some artists that need some help.

1113
01:07:32,480 --> 01:07:35,080
Speaker 1: Went over there and put that play in effect, made

1114
01:07:35,120 --> 01:07:38,480
Speaker 1: that happen. Then from that one move right there, then

1115
01:07:38,520 --> 01:07:41,160
Speaker 1: they started to respect the fact that Snoop Dogg know

1116
01:07:41,200 --> 01:07:43,560
Speaker 1: what he's doing. But I gotta sign somebody though. Let

1117
01:07:43,600 --> 01:07:45,760
Speaker 1: me signed somebody who who y'all been trying to get.

1118
01:07:45,840 --> 01:07:49,439
Speaker 1: Y'all can't get. The Butcher sold me. I'm in New York,

1119
01:07:49,880 --> 01:07:52,880
Speaker 1: and who kid is in the studio? Would Benny the Butcher?

1120
01:07:53,160 --> 01:07:55,560
Speaker 1: And who kids like my street team nigga? He like

1121
01:07:55,680 --> 01:07:57,760
Speaker 1: I got Benny over him, like sending over. I never

1122
01:07:57,840 --> 01:08:01,160
Speaker 1: met Cub Cub come to the studio. When he walked in,

1123
01:08:01,240 --> 01:08:02,880
Speaker 1: I gotta beat plan. I know he's gonna like it

1124
01:08:03,200 --> 01:08:05,960
Speaker 1: to beat his bag. He walked in. We chop up.

1125
01:08:06,440 --> 01:08:08,680
Speaker 1: I'm like, what's happing? What you're doing? Like? I ain't doinging? Like?

1126
01:08:08,720 --> 01:08:11,400
Speaker 1: He like, what's up with that beat? I said, it's yours, nigga,

1127
01:08:11,440 --> 01:08:13,720
Speaker 1: Bust wrote to it. After he finished rapping, I set

1128
01:08:13,760 --> 01:08:16,880
Speaker 1: him down. What's up with you? In death Cham? I

1129
01:08:16,960 --> 01:08:18,680
Speaker 1: tried to get this and they low balled me. They

1130
01:08:18,760 --> 01:08:21,080
Speaker 1: low bald you. Yeah, man, I said that, nigga. They

1131
01:08:21,120 --> 01:08:23,479
Speaker 1: don't know you were staring. Nigga. You're the hottest nick

1132
01:08:23,479 --> 01:08:25,080
Speaker 1: in New York a matter of fact. I said, what

1133
01:08:25,160 --> 01:08:27,559
Speaker 1: you want? He said what he want? I said, I'm

1134
01:08:27,600 --> 01:08:29,720
Speaker 1: gonna call the boss snigger, and you're gonna tell the

1135
01:08:29,800 --> 01:08:31,640
Speaker 1: boss what you want, and he's gonna give you what

1136
01:08:31,720 --> 01:08:35,600
Speaker 1: you want. You're gonna be signed. Hello. Yeah, I got

1137
01:08:35,680 --> 01:08:37,080
Speaker 1: Benny the butcher Wright and he's gonna tell you what

1138
01:08:37,120 --> 01:08:39,200
Speaker 1: he wants. You're gonna give it to him. Yeah. I

1139
01:08:39,280 --> 01:08:51,599
Speaker 1: need get a phone back to Snoop done. Deal can't

1140
01:08:51,640 --> 01:08:54,679
Speaker 1: saying what's putting us on? You can't go to West

1141
01:08:54,720 --> 01:09:03,200
Speaker 1: without the e s Holy moldy huacamone straight up now.

1142
01:09:03,280 --> 01:09:05,080
Speaker 1: But I felt good about that movie because I like

1143
01:09:05,200 --> 01:09:07,960
Speaker 1: to see young people like that get what they're supposed

1144
01:09:07,960 --> 01:09:11,760
Speaker 1: to get and maintain ConTroll and not be holed out,

1145
01:09:11,760 --> 01:09:13,599
Speaker 1: because a lot of Niggers would have had to take

1146
01:09:13,640 --> 01:09:15,519
Speaker 1: a different approach for there to give you a whole

1147
01:09:15,720 --> 01:09:17,439
Speaker 1: lot of money, to lock you up for a long

1148
01:09:17,600 --> 01:09:19,479
Speaker 1: time and to set you down, and they don't put

1149
01:09:19,520 --> 01:09:22,280
Speaker 1: your records on how you wan. He's in the private position,

1150
01:09:22,320 --> 01:09:23,760
Speaker 1: so when you bring you moon, you can talk to

1151
01:09:23,840 --> 01:09:25,880
Speaker 1: him and get the other half of the tu get

1152
01:09:25,920 --> 01:09:27,240
Speaker 1: the other half of the store and hear you know

1153
01:09:27,240 --> 01:09:29,360
Speaker 1: what I'm saying here, Tell you if I'm lying from

1154
01:09:29,439 --> 01:09:33,320
Speaker 1: telling the motherfucking tum snoop. I don't know one thing

1155
01:09:33,360 --> 01:09:38,200
Speaker 1: about snoop because we know it's for yourself. Let me

1156
01:09:38,240 --> 01:09:40,720
Speaker 1: let me can't come for yourself, spade, I'm mixed up.

1157
01:09:40,720 --> 01:09:43,080
Speaker 1: You mix it up, mix it up, come for you know.

1158
01:09:43,120 --> 01:09:48,240
Speaker 1: I work for a space. You just another ship. Let

1159
01:09:48,280 --> 01:10:01,559
Speaker 1: me say that you just got another zero that's actually

1160
01:10:01,600 --> 01:10:03,560
Speaker 1: a good mix. Yeah, let me let me get some

1161
01:10:03,600 --> 01:10:04,800
Speaker 1: of that. Let me get let's get some of that.

1162
01:10:05,080 --> 01:10:17,280
Speaker 1: I'm gonna do so so I'm not gonna lie to you.

1163
01:10:18,479 --> 01:10:23,400
Speaker 1: The death Row bad Boy collaboration. What are we talking about?

1164
01:10:23,520 --> 01:10:26,000
Speaker 1: What are we doing well right now? It is just

1165
01:10:26,040 --> 01:10:29,880
Speaker 1: an idea. It's just it's just an idea that two

1166
01:10:29,960 --> 01:10:33,800
Speaker 1: black men who actually owned that name. I felt like

1167
01:10:33,880 --> 01:10:36,400
Speaker 1: it's so much negative energy around that name that we

1168
01:10:36,479 --> 01:10:39,000
Speaker 1: could clear it up. And We've been working with each other.

1169
01:10:39,040 --> 01:10:41,040
Speaker 1: I'm a puff house all the time. He funk with me,

1170
01:10:41,160 --> 01:10:43,360
Speaker 1: my kids, funk with his kids. So it's not like

1171
01:10:43,479 --> 01:10:46,479
Speaker 1: a gimmick or a publicity stunt to try to make

1172
01:10:46,520 --> 01:10:49,160
Speaker 1: some money or make somebody happy. It's actually what what

1173
01:10:49,280 --> 01:10:51,360
Speaker 1: the world needs. They need hip hop to know that

1174
01:10:52,240 --> 01:10:55,280
Speaker 1: it's okay to have a bad you know, beginning, as

1175
01:10:55,360 --> 01:10:56,840
Speaker 1: long as you get the end of right. I'm the

1176
01:10:56,920 --> 01:11:00,600
Speaker 1: perfect example. Me and death Row didn't have the greatest relationship,

1177
01:11:01,160 --> 01:11:03,320
Speaker 1: but look at it now. Look I'm representing how I

1178
01:11:03,360 --> 01:11:05,880
Speaker 1: feel now and how everybody is happy about death Roll

1179
01:11:05,920 --> 01:11:08,360
Speaker 1: because Snoop got it and it's a different atmosphere, so

1180
01:11:08,479 --> 01:11:11,360
Speaker 1: it should be the same feeling about collaboration. So I'm

1181
01:11:11,400 --> 01:11:12,760
Speaker 1: just trying to put love in the air, and I'm

1182
01:11:12,760 --> 01:11:14,639
Speaker 1: not trying to make nobody feel no kind of way.

1183
01:11:14,880 --> 01:11:17,200
Speaker 1: I respect everybody's point of view and their feelings, but

1184
01:11:17,360 --> 01:11:19,680
Speaker 1: until you see exactly what we're doing, I think you

1185
01:11:19,680 --> 01:11:22,640
Speaker 1: should really hold back on your thoughts until you let

1186
01:11:22,760 --> 01:11:25,439
Speaker 1: us execute what we're trying to do, because as black

1187
01:11:25,520 --> 01:11:27,599
Speaker 1: people all the time, we got to shoot each other

1188
01:11:27,680 --> 01:11:30,320
Speaker 1: down before we even get started. Like, come on, man,

1189
01:11:30,360 --> 01:11:32,800
Speaker 1: give us some love for for trying to do something that.

1190
01:11:32,880 --> 01:11:35,000
Speaker 1: Don't make me have to call you out your name

1191
01:11:35,080 --> 01:11:37,639
Speaker 1: or come ash you negative because you shoot negative energy.

1192
01:11:37,680 --> 01:11:39,600
Speaker 1: How about you say, hey, can I get on the

1193
01:11:39,640 --> 01:11:41,479
Speaker 1: phone with Snoop and puffing and tell them what I

1194
01:11:41,560 --> 01:11:43,719
Speaker 1: feel because I feel like I just want to speak

1195
01:11:43,760 --> 01:11:45,640
Speaker 1: on my feeling on it. And in that way, we

1196
01:11:45,680 --> 01:11:48,120
Speaker 1: could tell him we wasn't even trying to go down

1197
01:11:48,200 --> 01:11:50,639
Speaker 1: that lane. We're on something different. Maybe it's about our kids.

1198
01:11:51,000 --> 01:11:52,559
Speaker 1: You don't even know what the bad Boy Death Roll

1199
01:11:52,960 --> 01:11:55,479
Speaker 1: collaboration is about. It could be about our kids. It

1200
01:11:55,520 --> 01:11:57,560
Speaker 1: could be about the future. It could be about you know,

1201
01:11:57,720 --> 01:11:59,719
Speaker 1: his twins. It could be about you know, the future

1202
01:11:59,760 --> 01:12:02,000
Speaker 1: of where life should be, where we don't have to

1203
01:12:02,080 --> 01:12:04,200
Speaker 1: have conflict in the beginning, because if you look at

1204
01:12:04,240 --> 01:12:06,920
Speaker 1: the hip hop music industry right now, it is driven

1205
01:12:06,960 --> 01:12:09,680
Speaker 1: by conflict. And if we could change the narrative to

1206
01:12:09,720 --> 01:12:13,320
Speaker 1: say that you can differ from that and get straight

1207
01:12:13,360 --> 01:12:15,120
Speaker 1: to the love of it all because when people love

1208
01:12:15,160 --> 01:12:17,639
Speaker 1: each other and travel and make money, those relationships tend

1209
01:12:17,680 --> 01:12:20,280
Speaker 1: to last longer than the ones. Well, I can't do

1210
01:12:20,400 --> 01:12:22,400
Speaker 1: a show with you because I don't like you, or

1211
01:12:22,720 --> 01:12:24,880
Speaker 1: my homies don't like you. You said a song about me,

1212
01:12:25,000 --> 01:12:27,439
Speaker 1: And now when we're in the same building, somebody got

1213
01:12:27,560 --> 01:12:29,800
Speaker 1: to do something because we don't want to go back

1214
01:12:29,840 --> 01:12:32,519
Speaker 1: to the hood and feel like we got pumped when

1215
01:12:32,560 --> 01:12:34,040
Speaker 1: it should be hold on, we want to go back

1216
01:12:34,080 --> 01:12:37,439
Speaker 1: to the hood saying that we create more avenues and yeah,

1217
01:12:38,240 --> 01:12:40,360
Speaker 1: that's what it's about. So let me ask you, because

1218
01:12:41,280 --> 01:12:45,160
Speaker 1: did you think that the conflicts would still be here

1219
01:12:45,240 --> 01:12:47,600
Speaker 1: like they were in the nineties? Did it? Because I

1220
01:12:47,640 --> 01:12:50,479
Speaker 1: always think back to self destruction and we're all in

1221
01:12:50,520 --> 01:12:54,040
Speaker 1: the same gang, Like, why couldn't that remedy things? So

1222
01:12:54,200 --> 01:12:56,200
Speaker 1: we're not here today the way we are right now.

1223
01:12:57,320 --> 01:13:01,240
Speaker 1: I think it is those things worked because what didn't

1224
01:13:01,400 --> 01:13:04,880
Speaker 1: continue to happen more often the industry is controlled by

1225
01:13:05,080 --> 01:13:08,080
Speaker 1: the people up top. They controlled the narrative. They want

1226
01:13:08,120 --> 01:13:15,080
Speaker 1: you to hear what that top, right, But in general

1227
01:13:16,040 --> 01:13:19,400
Speaker 1: they did they did uh self destruction And on the

1228
01:13:19,479 --> 01:13:21,840
Speaker 1: West coast we had were all on the same which

1229
01:13:25,120 --> 01:13:27,639
Speaker 1: with the most impactful wrappers at the time to say

1230
01:13:27,680 --> 01:13:29,559
Speaker 1: that we're tired of this violence and we're gonna stand

1231
01:13:29,600 --> 01:13:31,320
Speaker 1: up and say something about it because we're tired of it.

1232
01:13:31,960 --> 01:13:35,040
Speaker 1: And that worked to a certain extent to where it

1233
01:13:35,160 --> 01:13:39,200
Speaker 1: created conversations where different people from different neighborhoods to communicate

1234
01:13:39,520 --> 01:13:42,000
Speaker 1: because at that point in time, crips couldn't go in

1235
01:13:42,040 --> 01:13:44,640
Speaker 1: blood neighborhoods and it was the same way around. But

1236
01:13:44,840 --> 01:13:48,639
Speaker 1: after that happened communication on the same day. And then

1237
01:13:48,720 --> 01:13:55,240
Speaker 1: when the riots happened in ninety two after Kingo, the

1238
01:13:55,320 --> 01:13:59,120
Speaker 1: day the niggas took over, that's when everything was beautiful

1239
01:13:59,320 --> 01:14:02,400
Speaker 1: in California because now we could actually dialogue, roll together,

1240
01:14:03,800 --> 01:14:06,720
Speaker 1: we can ride on some motherfucker's together. As negative as

1241
01:14:06,760 --> 01:14:09,120
Speaker 1: it was, it was positive and beautiful for us because

1242
01:14:09,160 --> 01:14:11,400
Speaker 1: it showed us how to take off. Was aiming somewhere

1243
01:14:11,439 --> 01:14:13,240
Speaker 1: else because we were so used to doing this ship

1244
01:14:13,320 --> 01:14:15,000
Speaker 1: to I want to do right with y'all. Oh, we

1245
01:14:15,080 --> 01:14:24,560
Speaker 1: got it in. I mean, they got the period. You.

1246
01:14:31,360 --> 01:14:33,040
Speaker 1: I ain't gonna lie because I want to give it

1247
01:14:33,200 --> 01:14:39,560
Speaker 1: up to y'all because most New York niggas don't. But

1248
01:14:39,720 --> 01:14:43,000
Speaker 1: the Watts riots, No, this is this is nothing, watch rights,

1249
01:14:43,680 --> 01:14:50,439
Speaker 1: that's watch sent it off. I bought a seventy seven.

1250
01:14:52,200 --> 01:14:56,360
Speaker 1: The watch wires tell Roddy King, wis I ain't gonna lie.

1251
01:14:57,600 --> 01:15:09,639
Speaker 1: We love the nigga right because somebody you've never heard

1252
01:15:09,720 --> 01:15:12,599
Speaker 1: East Coast give it off for y'all. Listen, I'm gonna

1253
01:15:12,600 --> 01:15:14,720
Speaker 1: give it up for y'all nigger. We were looking like,

1254
01:15:15,040 --> 01:15:17,240
Speaker 1: what the fund are they doing out there, and we

1255
01:15:17,320 --> 01:15:20,280
Speaker 1: were like, yeah, it's gotta be one. It's gotta be

1256
01:15:20,400 --> 01:15:23,120
Speaker 1: one brother in the family to go outside and be

1257
01:15:23,280 --> 01:15:26,760
Speaker 1: like fuck that I ain't with this ship. And then

1258
01:15:26,840 --> 01:15:29,040
Speaker 1: it makes the other brothers around up in the house.

1259
01:15:29,120 --> 01:15:30,840
Speaker 1: We like, then it's a because let me tell you

1260
01:15:30,880 --> 01:15:33,360
Speaker 1: what happened out there on the West. Everybody didn't just

1261
01:15:33,479 --> 01:15:35,680
Speaker 1: jump at it like that. I was at home in

1262
01:15:35,800 --> 01:15:39,160
Speaker 1: Long Beach watching on the news after the verdict went down,

1263
01:15:39,320 --> 01:15:42,639
Speaker 1: and it popped off in l A first. So when

1264
01:15:42,680 --> 01:15:44,639
Speaker 1: it was in the next county, you like, the next

1265
01:15:44,680 --> 01:15:46,599
Speaker 1: count I'm gonna give you the whole dynamics. It pops

1266
01:15:46,600 --> 01:15:49,439
Speaker 1: off in l A. We're at home watching on TV.

1267
01:15:50,040 --> 01:15:53,800
Speaker 1: So homies like fun that could we need to get

1268
01:15:53,840 --> 01:15:56,160
Speaker 1: in the mix. And we jumped in the car and

1269
01:15:56,280 --> 01:15:58,280
Speaker 1: we're driving to l A. For all, while we're driving

1270
01:15:58,320 --> 01:16:00,840
Speaker 1: to l A. Ain't nothing happened in the Long Beach,

1271
01:16:01,080 --> 01:16:05,360
Speaker 1: nothing happened in Carson Compton, lynn Wood. As soon as

1272
01:16:05,360 --> 01:16:07,280
Speaker 1: we get to Englewood in l A. As fire as

1273
01:16:07,320 --> 01:16:13,519
Speaker 1: its ship popping, Like damn, they're getting it in the

1274
01:16:13,600 --> 01:16:15,679
Speaker 1: cars up in all kind of ship. They're getting every

1275
01:16:15,760 --> 01:16:19,160
Speaker 1: day radio every day. So now we're like, we gotta

1276
01:16:19,200 --> 01:16:20,960
Speaker 1: go back to the house. So now we're driving back

1277
01:16:21,400 --> 01:16:23,760
Speaker 1: the ship popping in every city that we passed by.

1278
01:16:24,120 --> 01:16:27,599
Speaker 1: In the beginning with popping, I going to the pit

1279
01:16:27,720 --> 01:16:30,000
Speaker 1: boys nigga my hair status and they're stealing motor aire.

1280
01:16:30,040 --> 01:16:33,680
Speaker 1: You you're like getting all kind of ship. We get

1281
01:16:33,720 --> 01:16:35,640
Speaker 1: to the car and get back to the hood, and

1282
01:16:35,720 --> 01:16:37,840
Speaker 1: that ship is all over the whole world now. But

1283
01:16:37,960 --> 01:16:40,840
Speaker 1: we watched TIW that ship spread from l A back

1284
01:16:41,280 --> 01:16:43,760
Speaker 1: to my city and Long Beach. So the l A

1285
01:16:43,840 --> 01:16:47,000
Speaker 1: Niggs kicked it off first. They're the ones who understand

1286
01:16:47,080 --> 01:16:49,679
Speaker 1: me that instruct the flame. And then everybody else started

1287
01:16:49,720 --> 01:16:53,000
Speaker 1: like jumping in after they kicked it off. Let's be clear,

1288
01:16:53,360 --> 01:16:56,639
Speaker 1: Let's be clear, South central Los Angeles, this is Los Angeles.

1289
01:16:57,560 --> 01:17:06,880
Speaker 1: O J did not do it. Huh A second man,

1290
01:17:07,040 --> 01:17:15,240
Speaker 1: leave me alone, Bill Coby guilty, but old J did

1291
01:17:15,280 --> 01:17:18,639
Speaker 1: not do it. Let's just let's I'm not a lawyer

1292
01:17:21,160 --> 01:17:24,280
Speaker 1: profession Bill Cock, a little ol J did not do it.

1293
01:17:25,160 --> 01:17:29,160
Speaker 1: A lottle man, Bill Cosy guilty as fund you see

1294
01:17:29,200 --> 01:17:35,559
Speaker 1: the bill com I say one, I don't watch. Let's

1295
01:17:35,600 --> 01:17:39,200
Speaker 1: tell subject because she got she got awkward. What about

1296
01:17:39,280 --> 01:17:41,760
Speaker 1: TV right now? What what do you think about like

1297
01:17:41,840 --> 01:17:45,759
Speaker 1: our fifty cent dominating? I think that's Sunday night. Niggas

1298
01:17:45,800 --> 01:17:48,240
Speaker 1: used to watch you see, this is what they don't understand.

1299
01:17:48,240 --> 01:17:50,160
Speaker 1: They got to get that. Nigga credit Nick used to

1300
01:17:50,200 --> 01:17:55,280
Speaker 1: watch HBO every Sunday night faithfully, years and years and years. Now,

1301
01:17:55,439 --> 01:17:57,680
Speaker 1: what's just going on with stories and power and all

1302
01:17:57,760 --> 01:18:03,559
Speaker 1: that ship? Nigga? Switch your much because he's doing quality ship.

1303
01:18:03,920 --> 01:18:06,400
Speaker 1: But not just because it's fifty. Because he's doing quality ship.

1304
01:18:06,479 --> 01:18:10,080
Speaker 1: And not only is that, but he translated from rapper

1305
01:18:10,720 --> 01:18:14,240
Speaker 1: to movie star to like doing movies with a level

1306
01:18:14,640 --> 01:18:17,040
Speaker 1: movie stars. And it wouldn't really translate you like the

1307
01:18:17,120 --> 01:18:28,439
Speaker 1: pastor use the pastor in there. But I love fifty

1308
01:18:28,439 --> 01:18:30,640
Speaker 1: because he got the green light gang, meaning that he

1309
01:18:30,760 --> 01:18:33,120
Speaker 1: give an opportunity to a lot of people that you

1310
01:18:33,280 --> 01:18:35,160
Speaker 1: never knew, and he's making them in the stars, Like

1311
01:18:35,680 --> 01:18:37,280
Speaker 1: he don't have to have a bunch of big name

1312
01:18:37,320 --> 01:18:41,360
Speaker 1: people to make his shows go what you know, But

1313
01:18:41,439 --> 01:18:44,120
Speaker 1: I'm saying, like the stars of his shows aren't big

1314
01:18:44,240 --> 01:18:47,519
Speaker 1: name people. They are people that become stars. They become

1315
01:18:47,760 --> 01:18:50,320
Speaker 1: you know, when you've seen ghosts, ghost became ghost Nigga

1316
01:18:50,360 --> 01:18:53,680
Speaker 1: still think he goes Niggas, sink Tarkas, Tari Canan is

1317
01:18:53,800 --> 01:18:57,760
Speaker 1: Canaan and the white boy Tommy Tommy, whoever that is,

1318
01:18:57,800 --> 01:19:02,680
Speaker 1: that's when I call him still. So that means that

1319
01:19:02,800 --> 01:19:04,680
Speaker 1: the acting and that ship is so good to well,

1320
01:19:04,720 --> 01:19:07,439
Speaker 1: you can't get that character out your mind. Even if

1321
01:19:07,479 --> 01:19:10,120
Speaker 1: he is something else, you still think he that nigger.

1322
01:19:10,600 --> 01:19:25,519
Speaker 1: That's great. We just we just want to let me

1323
01:19:25,640 --> 01:19:29,080
Speaker 1: feel good about myself this little I ain't gonna lie

1324
01:19:29,160 --> 01:19:37,800
Speaker 1: to you, my brother, you are probably the most famous brother.

1325
01:19:37,920 --> 01:19:41,200
Speaker 1: We already said that, we already stabbed. No, no, we

1326
01:19:41,240 --> 01:19:43,840
Speaker 1: already established that. No no, no, we already said that,

1327
01:19:44,080 --> 01:19:50,080
Speaker 1: established that. But but what's what's crazy? You down the

1328
01:19:50,160 --> 01:19:56,640
Speaker 1: earth like I've never seen you anywhere where. You just

1329
01:19:56,760 --> 01:19:59,280
Speaker 1: like what a cause and just like just like just

1330
01:19:59,360 --> 01:20:03,120
Speaker 1: threw me off like you always stood there and what's up?

1331
01:20:03,680 --> 01:20:08,000
Speaker 1: What's it wrong? Am? Like? That's genius to me because

1332
01:20:09,080 --> 01:20:17,680
Speaker 1: in my mind pop off in my mind. To me,

1333
01:20:17,880 --> 01:20:22,640
Speaker 1: that's like, that's who I am. Like wherever I am,

1334
01:20:23,160 --> 01:20:26,040
Speaker 1: somebody say something to me, I say, oh, say come on,

1335
01:20:27,160 --> 01:20:31,479
Speaker 1: but Snoop you're Snoop Dogg. I'm just like you. That's you.

1336
01:20:31,560 --> 01:20:33,280
Speaker 1: Gotta think of it like that the same way you

1337
01:20:33,360 --> 01:20:35,639
Speaker 1: move with that spirit. You don't never let the moment

1338
01:20:35,680 --> 01:20:37,439
Speaker 1: get bigger than who you really are. This is who

1339
01:20:37,479 --> 01:20:40,040
Speaker 1: I am all the time, whether it's a cameraon, no

1340
01:20:40,160 --> 01:20:42,800
Speaker 1: matter what's going on, this is me, and I love

1341
01:20:42,880 --> 01:20:44,680
Speaker 1: being me and I ain't gonna never change being me.

1342
01:20:44,800 --> 01:20:47,040
Speaker 1: So that's the easiest ship to do is to be me.

1343
01:20:47,160 --> 01:20:49,160
Speaker 1: So it's not about turning it own to turn it off.

1344
01:20:49,280 --> 01:20:51,840
Speaker 1: This is who I am at all times. I love

1345
01:20:51,920 --> 01:20:53,640
Speaker 1: the people that love me. When you love me, you

1346
01:20:53,720 --> 01:20:55,920
Speaker 1: make me love you more because you're appreciating the fact

1347
01:20:55,960 --> 01:21:03,320
Speaker 1: that I've done something that affects you. Okay, Still great day,

1348
01:21:03,439 --> 01:21:08,240
Speaker 1: nigger a k nigger, although I've grown a lot, keep

1349
01:21:08,280 --> 01:21:12,639
Speaker 1: it home a lot. What the fuck did did Jay

1350
01:21:12,800 --> 01:21:16,040
Speaker 1: send y'all this record? Man? Jay Z killed us on

1351
01:21:16,160 --> 01:21:20,800
Speaker 1: that record? How then did you got to him? He won't.

1352
01:21:25,200 --> 01:21:30,040
Speaker 1: We quite with the crip. The crip because he was like, yeah,

1353
01:21:30,080 --> 01:21:40,000
Speaker 1: this is gonna do my ship. I'm watching. I called

1354
01:21:40,080 --> 01:21:43,960
Speaker 1: on me. Excuse me, I don't called on me. I

1355
01:21:44,160 --> 01:21:48,960
Speaker 1: see what's going on. And I meet the home me afterwards,

1356
01:21:49,000 --> 01:21:53,280
Speaker 1: and he said, Yo, listen, the white guy, I do

1357
01:21:53,800 --> 01:21:57,400
Speaker 1: call to make sure fifth he was there. This is

1358
01:21:57,640 --> 01:22:01,120
Speaker 1: this is his his words make sense to me. But

1359
01:22:01,400 --> 01:22:07,200
Speaker 1: I'm watching you. You krip walking and the white people

1360
01:22:07,400 --> 01:22:20,040
Speaker 1: love that you're walking. You get away. It's just a

1361
01:22:20,120 --> 01:22:21,800
Speaker 1: it's a ritual. It's a tribal thing, you know what

1362
01:22:21,840 --> 01:22:24,280
Speaker 1: I mean. So they have to allow us to express

1363
01:22:24,880 --> 01:22:27,840
Speaker 1: our inner feelings when we're in that moment. It's the

1364
01:22:27,920 --> 01:22:30,240
Speaker 1: tribal thing. It was about the tribes. It was about

1365
01:22:30,280 --> 01:22:33,479
Speaker 1: the people from ancestors from years and years ago who

1366
01:22:33,520 --> 01:22:37,040
Speaker 1: created this thing that we do. That's about the movement

1367
01:22:37,160 --> 01:22:40,200
Speaker 1: to sound the feeling. And it's just back to the

1368
01:22:40,360 --> 01:22:43,640
Speaker 1: roots of where I come from, my people. You know,

1369
01:22:43,760 --> 01:22:46,479
Speaker 1: I'm just the representation of my ancestors. I'm a spirit

1370
01:22:46,960 --> 01:22:50,559
Speaker 1: that was here before. Now it's finally being recognized. That's

1371
01:22:50,560 --> 01:22:52,160
Speaker 1: what I think I am. I think I'm one of them.

1372
01:22:52,240 --> 01:22:56,000
Speaker 1: Gods from back in the days. That's finally being recognized

1373
01:22:56,400 --> 01:22:59,160
Speaker 1: and now he can profess his mission while he's here.

1374
01:23:07,040 --> 01:23:10,000
Speaker 1: But let me let let's subscribe this call. Dr Drake

1375
01:23:10,080 --> 01:23:12,439
Speaker 1: calls you and says I want you to perform for

1376
01:23:12,560 --> 01:23:16,000
Speaker 1: super Bowl. This want No. Dr Drake called to say

1377
01:23:17,080 --> 01:23:18,679
Speaker 1: they want me to do the super Bowl. I don't

1378
01:23:18,680 --> 01:23:23,400
Speaker 1: know if I want to do it. So you say

1379
01:23:23,479 --> 01:23:29,280
Speaker 1: that again, he said. Dr Drake called and said they

1380
01:23:29,320 --> 01:23:30,840
Speaker 1: want me to do the super Bowl. I don't know

1381
01:23:30,920 --> 01:23:34,160
Speaker 1: if I want to do I don't know if I

1382
01:23:34,479 --> 01:23:42,160
Speaker 1: want to do it. Yeah, he wasn't used I want

1383
01:23:42,240 --> 01:23:45,040
Speaker 1: to do it. I don't think I don't think it

1384
01:23:45,120 --> 01:23:47,479
Speaker 1: was I want to do it any time he called

1385
01:23:47,520 --> 01:23:52,920
Speaker 1: me any time to call me, but called Snupan says

1386
01:23:53,160 --> 01:23:56,080
Speaker 1: I might and I'm sure if I wouldn't do it. No,

1387
01:23:56,320 --> 01:23:58,519
Speaker 1: you canvince him no. No. You know what it's about.

1388
01:23:58,840 --> 01:24:00,880
Speaker 1: One thing you got to know about Andre's he's a

1389
01:24:00,920 --> 01:24:03,200
Speaker 1: guy that's in the moment. So if he don't feel

1390
01:24:03,240 --> 01:24:07,120
Speaker 1: like he got a record that's relevant at the moment,

1391
01:24:08,120 --> 01:24:10,479
Speaker 1: then he don't feel like he is the moment. But

1392
01:24:10,800 --> 01:24:15,759
Speaker 1: the convincing is your records don't have no moment connected

1393
01:24:15,800 --> 01:24:19,679
Speaker 1: to him. They are the moment you feel them saying.

1394
01:24:19,720 --> 01:24:23,160
Speaker 1: So the convincing was more or less about what did

1395
01:24:23,200 --> 01:24:25,360
Speaker 1: you say? What did you say? Nigga, I'm with you?

1396
01:24:25,520 --> 01:24:28,000
Speaker 1: Nigga won the dogs? Then what your Your confidence level

1397
01:24:28,040 --> 01:24:30,320
Speaker 1: goes off the roof because you know, dog won't carry

1398
01:24:30,400 --> 01:24:32,679
Speaker 1: most of the weight. Dog gonna make your right. Dog

1399
01:24:32,720 --> 01:24:35,000
Speaker 1: don't have a personality. And once you get the dog

1400
01:24:35,080 --> 01:24:38,479
Speaker 1: to the next call is to get hi. My name

1401
01:24:38,640 --> 01:24:42,479
Speaker 1: is Hi, my name is Did you suggested? I didn't

1402
01:24:42,479 --> 01:24:53,559
Speaker 1: suggest the motherfucking thing? I said, I have no problems.

1403
01:24:57,000 --> 01:24:59,559
Speaker 1: The only thing I suggested was I was like, can

1404
01:24:59,640 --> 01:25:03,400
Speaker 1: we do g Thing? Because I felt like g Thing

1405
01:25:03,720 --> 01:25:08,200
Speaker 1: was the pinnacle moment of who we are despite it

1406
01:25:08,280 --> 01:25:13,160
Speaker 1: being such an old record. You pop the bit titties out. Yeah,

1407
01:25:13,400 --> 01:25:15,639
Speaker 1: but I just feel like that soon was the soon

1408
01:25:15,720 --> 01:25:19,640
Speaker 1: and made America come into hip hop. You get what

1409
01:25:19,680 --> 01:25:30,280
Speaker 1: I'm saying. You definitely gotta so you can continue. So

1410
01:25:30,720 --> 01:25:34,439
Speaker 1: Drake calls you. I didn't know how this conversation happened.

1411
01:25:34,840 --> 01:25:37,360
Speaker 1: Drake calls you and says, we're doing the super Bowl

1412
01:25:38,120 --> 01:25:41,120
Speaker 1: in l A. WHOA did you say? Cause that's the

1413
01:25:41,200 --> 01:25:45,240
Speaker 1: crazy part. You don't say, cause my mom. Dr Drake said,

1414
01:25:45,280 --> 01:25:53,559
Speaker 1: cause you don't talk like that. We say, cause, all right,

1415
01:25:54,720 --> 01:25:58,520
Speaker 1: we're doing We're doing your own we're doing it. Once

1416
01:25:58,560 --> 01:26:00,800
Speaker 1: he said that we was doing it, went from were

1417
01:26:00,800 --> 01:26:03,880
Speaker 1: doing the super Bowl too. Now we have to do

1418
01:26:04,920 --> 01:26:09,599
Speaker 1: a commercial to blow their fucking mind because we want

1419
01:26:09,680 --> 01:26:11,760
Speaker 1: them to know what they're gonna get. So now Dre

1420
01:26:11,920 --> 01:26:14,760
Speaker 1: had to wrap his mind around because this was one

1421
01:26:14,800 --> 01:26:17,479
Speaker 1: of the time when it was like Puffy Wanta versus.

1422
01:26:17,520 --> 01:26:20,040
Speaker 1: And he's like, man, I can't think about that. This

1423
01:26:20,160 --> 01:26:22,000
Speaker 1: ship right, here's what I'm thinking about. Let me come

1424
01:26:22,040 --> 01:26:24,479
Speaker 1: up with a commercial real quick so niggas could stop

1425
01:26:24,560 --> 01:26:27,439
Speaker 1: talking about me in the verses. I want to suck

1426
01:26:27,520 --> 01:26:29,840
Speaker 1: him up on a commercial real quick. By the time

1427
01:26:29,880 --> 01:26:32,040
Speaker 1: I get to your super Bowl stage, won't be no conversation.

1428
01:26:32,520 --> 01:26:36,240
Speaker 1: So the commercial, have Gary Gray come through, put the

1429
01:26:36,400 --> 01:26:39,680
Speaker 1: cold treatment down. The whole ship is flying on pay

1430
01:26:39,720 --> 01:26:42,160
Speaker 1: for the ship look dope as fun. Then the nigga

1431
01:26:42,200 --> 01:26:44,599
Speaker 1: shoot it and it looked better in real life. Then

1432
01:26:44,680 --> 01:26:48,360
Speaker 1: we drop it. By the whole game is stuck. Oh wow,

1433
01:26:49,320 --> 01:26:54,280
Speaker 1: oh wow. So now he owned next what the stage

1434
01:26:54,360 --> 01:26:57,559
Speaker 1: gonna look like, What songs we're gonna do, what's gonna

1435
01:26:57,600 --> 01:27:00,200
Speaker 1: be the movements that's going down inside of the on me.

1436
01:27:00,320 --> 01:27:04,519
Speaker 1: So now he's going into full alone creative mode. So

1437
01:27:04,640 --> 01:27:07,200
Speaker 1: now that's when we leave him alone. We let him go,

1438
01:27:08,080 --> 01:27:09,600
Speaker 1: you know, be the scientists that he is. And then

1439
01:27:09,640 --> 01:27:11,160
Speaker 1: when he come back, he's gonna roll out what he

1440
01:27:11,280 --> 01:27:14,120
Speaker 1: roll out, and you need to be on point, on time,

1441
01:27:14,720 --> 01:27:16,920
Speaker 1: ready to go, ready to rehearse, ready to have your

1442
01:27:16,920 --> 01:27:20,640
Speaker 1: ship on deck and be flawless. He demands that you

1443
01:27:20,680 --> 01:27:21,840
Speaker 1: know what I'm saying. You don't say it, but he

1444
01:27:21,960 --> 01:27:25,160
Speaker 1: demands that. And that's just what everybody that was called

1445
01:27:25,200 --> 01:27:28,240
Speaker 1: in brings to the table. And when I got called in,

1446
01:27:28,280 --> 01:27:29,720
Speaker 1: I didn't look around and say who was there, who

1447
01:27:29,760 --> 01:27:32,080
Speaker 1: wasn't there? I was just happy I was there and

1448
01:27:32,200 --> 01:27:34,000
Speaker 1: went to work for How much rehears does it take

1449
01:27:34,040 --> 01:27:35,760
Speaker 1: for those twelve minutes, because it seems like we're probably

1450
01:27:35,760 --> 01:27:42,519
Speaker 1: a month intensive, a month cool month, Wow, that's what

1451
01:27:42,600 --> 01:27:45,080
Speaker 1: I was said, and then probably what's set afterwards, they're

1452
01:27:45,160 --> 01:27:48,680
Speaker 1: like probably three weeks without great weeks without the set,

1453
01:27:48,760 --> 01:27:50,920
Speaker 1: and then one week with the set but bits and pieces.

1454
01:27:50,960 --> 01:27:54,000
Speaker 1: Then we finally had the whole set at the Super Bowl,

1455
01:27:54,160 --> 01:27:57,439
Speaker 1: like I think the day or two before, and then

1456
01:27:57,479 --> 01:28:01,240
Speaker 1: it was so time, and this is in the middle

1457
01:28:01,280 --> 01:28:03,599
Speaker 1: of a game. So it's like the way ship moved fastest.

1458
01:28:03,840 --> 01:28:05,600
Speaker 1: Niggers at home don't even be seeing I fast this

1459
01:28:05,600 --> 01:28:13,559
Speaker 1: ship go like nigga. W them say halftime like Harry

1460
01:28:13,640 --> 01:28:23,639
Speaker 1: up and then over the struck. I need to get

1461
01:28:23,680 --> 01:28:50,080
Speaker 1: there for a song because do the no. No, it's

1462
01:28:50,120 --> 01:28:52,639
Speaker 1: a spect this record, and I never pleased it. Which

1463
01:28:52,680 --> 01:28:57,240
Speaker 1: one I got? I got? You got sph with me

1464
01:28:57,280 --> 01:28:59,800
Speaker 1: and you need to put let me put that out

1465
01:28:59,840 --> 01:29:05,519
Speaker 1: in the matter verse. Alright, alright, so snoop, this is

1466
01:29:05,600 --> 01:29:08,640
Speaker 1: we're gonna do. This is quick. Do not go to

1467
01:29:08,680 --> 01:29:15,839
Speaker 1: the bathroom. You don't know when you went to the bathroom.

1468
01:29:15,880 --> 01:29:22,080
Speaker 1: With the bathroom it was a little great hear the

1469
01:29:22,160 --> 01:29:25,840
Speaker 1: story again and again how all got started way back?

1470
01:29:25,920 --> 01:29:28,439
Speaker 1: All right, So snoops, this we're gonna do. I'm gonna

1471
01:29:28,439 --> 01:29:32,960
Speaker 1: give you two choices. If you pick both, you take

1472
01:29:33,000 --> 01:29:36,840
Speaker 1: a shot. Okay, if you don't pick no one, take

1473
01:29:36,880 --> 01:29:40,599
Speaker 1: a shot. But if you sucked up anyway, you mine.

1474
01:29:40,640 --> 01:29:42,080
Speaker 1: We'll just saying they're gonna have to take a shot

1475
01:29:46,240 --> 01:29:50,120
Speaker 1: it right, take a shot. Shot if you can't come

1476
01:29:50,200 --> 01:29:56,479
Speaker 1: up with that pretty much, so I'm taking We're taking

1477
01:29:56,479 --> 01:29:59,439
Speaker 1: a shot with rink. But but I'm gonna be honest.

1478
01:29:59,560 --> 01:30:03,439
Speaker 1: I'm gonna be honest. Car we we we we we

1479
01:30:03,640 --> 01:30:07,120
Speaker 1: we did we did you dirty? Oh wow? Come on?

1480
01:30:07,400 --> 01:30:14,439
Speaker 1: I like Cube or Scarface. I's Cube Damn he killed

1481
01:30:14,479 --> 01:30:19,920
Speaker 1: him quick. I didn't think I didn't take a quick

1482
01:30:19,960 --> 01:30:22,840
Speaker 1: times quick, a hard one. Ice Cube was my old

1483
01:30:22,920 --> 01:30:26,400
Speaker 1: g scar Faces my pier. Just so you understand that,

1484
01:30:26,560 --> 01:30:32,000
Speaker 1: Almatic or ready to die m hmm, wait a minute,

1485
01:30:32,640 --> 01:30:36,920
Speaker 1: come on, bag small, ready to die Nazi madic take

1486
01:30:36,960 --> 01:30:40,320
Speaker 1: a shot, Hold on, take a shot. I love it

1487
01:30:40,360 --> 01:30:42,519
Speaker 1: when they called me big pop? Was that on there?

1488
01:30:43,720 --> 01:30:51,880
Speaker 1: And uh morning big? I mean when I did she

1489
01:30:51,960 --> 01:30:55,160
Speaker 1: getting dick butter New York Knicks? That one that's the

1490
01:30:55,200 --> 01:30:58,360
Speaker 1: second album. That second album, that's the second album is

1491
01:30:58,400 --> 01:31:05,040
Speaker 1: that motherfucker record? Was body got unbelievables on that? Come on,

1492
01:31:05,160 --> 01:31:07,719
Speaker 1: just take a shot. Come on, I'm gonna go with biggie.

1493
01:31:09,080 --> 01:31:16,920
Speaker 1: But what I got all right? Cool? Okay, all right?

1494
01:31:17,680 --> 01:31:23,920
Speaker 1: Corrupt or method man fuck fuck fun fun fun, Damn,

1495
01:31:24,560 --> 01:31:28,760
Speaker 1: take a shot. You're the rock. I'm gonna take a

1496
01:31:28,800 --> 01:31:30,200
Speaker 1: shot on that one because I don't want to take

1497
01:31:30,240 --> 01:31:33,000
Speaker 1: that my niggas man, Can we get the rock in

1498
01:31:33,080 --> 01:31:35,200
Speaker 1: both my niggas and I can't do that. This is

1499
01:31:35,240 --> 01:31:41,599
Speaker 1: the rock blue. I can't. I can't. Ain't time I'm around,

1500
01:31:41,680 --> 01:31:44,240
Speaker 1: Like when I'm around big you, I'll be like you

1501
01:31:44,280 --> 01:31:46,600
Speaker 1: already got a song together, right cool? Method Man on

1502
01:31:46,920 --> 01:31:51,960
Speaker 1: I think it's on tupac album. Yeah, talk to talk

1503
01:31:52,040 --> 01:31:53,680
Speaker 1: to him, but he really guess who was on the

1504
01:31:53,720 --> 01:31:58,760
Speaker 1: album first? On that song first time? Nas what? What? What?

1505
01:31:59,120 --> 01:32:01,479
Speaker 1: Wait a minute? Waiting man? Yep stop snoop, what are

1506
01:32:01,479 --> 01:32:04,240
Speaker 1: you doing? Snoop? I'm telling you the truth? Your house

1507
01:32:04,280 --> 01:32:06,360
Speaker 1: and put that guy on the song first. Then red

1508
01:32:06,439 --> 01:32:08,400
Speaker 1: Man and methem Man got on that song. Then Tupac

1509
01:32:08,479 --> 01:32:10,240
Speaker 1: got out the pin and dads gave it to Tupac

1510
01:32:10,240 --> 01:32:12,120
Speaker 1: and took cous first of but left methem Man and

1511
01:32:12,200 --> 01:32:16,400
Speaker 1: red Man on it. Yeah, you heard it first, and

1512
01:32:16,479 --> 01:32:18,320
Speaker 1: if you get that dash, he may have the fouls.

1513
01:32:18,640 --> 01:32:21,519
Speaker 1: I'll call my dads right now. I gotta take it

1514
01:32:21,600 --> 01:32:25,920
Speaker 1: to method Man and corrupt. I can the north and

1515
01:32:26,240 --> 01:32:34,880
Speaker 1: it's that blue dot, that blue dock. Goddamnit, Puffy damn

1516
01:32:36,040 --> 01:32:38,240
Speaker 1: offend you got the next one? I don't know. I

1517
01:32:38,280 --> 01:32:40,600
Speaker 1: don't have to listen, but I got one MG or

1518
01:32:40,760 --> 01:32:45,080
Speaker 1: come to the most one. Mw okay see him w

1519
01:32:45,160 --> 01:32:47,439
Speaker 1: I'm want to school with him. I battled him in

1520
01:32:47,479 --> 01:32:51,720
Speaker 1: the eighth grade, both of him in the bathroom, Big

1521
01:32:52,000 --> 01:32:58,599
Speaker 1: l or Biggie big Gil didn't have enough, he didn't

1522
01:32:58,600 --> 01:33:03,200
Speaker 1: have enough material. M Okay, I'm gonna going with Biggie. Okay,

1523
01:33:03,439 --> 01:33:09,000
Speaker 1: DJ Quick or Dash, that's my little cousin. But I

1524
01:33:09,080 --> 01:33:12,920
Speaker 1: gotta go with DJ Quick. I know Dad's gonna be

1525
01:33:13,000 --> 01:33:17,920
Speaker 1: mad at me, but so what, So come over here

1526
01:33:17,920 --> 01:33:32,160
Speaker 1: and make me speak convinced me. Okay, Tupac or Nipsey, Wow,

1527
01:33:32,880 --> 01:33:35,400
Speaker 1: do you take a shot? You ain't got you You

1528
01:33:35,439 --> 01:33:39,880
Speaker 1: ain't got to think about it. M I am gonna

1529
01:33:39,880 --> 01:33:48,720
Speaker 1: think about it. I'm gonna take another shot. Will you

1530
01:33:48,840 --> 01:34:00,000
Speaker 1: come to mix it up? Nigga? Here with this quick

1531
01:34:01,840 --> 01:34:05,840
Speaker 1: O d b O bis markey. Fuck. They're both crazy

1532
01:34:05,880 --> 01:34:08,759
Speaker 1: and they both was my fucking friends. I got records

1533
01:34:08,760 --> 01:34:13,080
Speaker 1: with both of them, niggas man, both of them took

1534
01:34:13,120 --> 01:34:20,519
Speaker 1: another shot. Nah, I'm going with the diabolical Bismarke. Okay,

1535
01:34:23,200 --> 01:34:29,880
Speaker 1: all right, Dr Dre Puff Daddy Dr Dre. I know

1536
01:34:30,000 --> 01:34:31,720
Speaker 1: this Puffy show, y'all. Canna cut the ship out back?

1537
01:34:34,439 --> 01:34:49,320
Speaker 1: This show could call mm hm, take your shot, am,

1538
01:34:49,360 --> 01:34:51,960
Speaker 1: I gonna make somebody, well, I would rather make I'd

1539
01:34:52,040 --> 01:34:54,120
Speaker 1: rather make for real mad than Kanye. I'm a saying

1540
01:35:02,560 --> 01:35:15,760
Speaker 1: right right, you know Doggie Style or the Chronic. Yeah,

1541
01:35:18,040 --> 01:35:21,640
Speaker 1: well I had my hands on both of them. Let

1542
01:35:21,680 --> 01:35:24,320
Speaker 1: me see, I wrote, g think dre ain't let me

1543
01:35:24,520 --> 01:35:34,120
Speaker 1: rude uh sick an. I'm going with Doggie Staff. I'm

1544
01:35:34,160 --> 01:35:37,600
Speaker 1: taking the shot stop. I got gonna be honest. You

1545
01:35:37,680 --> 01:35:40,360
Speaker 1: changed my life, Snoop. I know you. Me and you

1546
01:35:40,439 --> 01:35:45,519
Speaker 1: were friends and I've never really told you this, but Nigga,

1547
01:35:45,640 --> 01:35:49,479
Speaker 1: when that album dropped out like that, I thought I

1548
01:35:49,520 --> 01:35:52,320
Speaker 1: could quit walk. He could not. And we did thirty

1549
01:35:52,400 --> 01:35:55,519
Speaker 1: fiversary of the Chronic this year, and next year be

1550
01:35:55,600 --> 01:36:02,040
Speaker 1: the thirty fiversey Doggie st Jesus Jesus Salus respect right there,

1551
01:36:02,160 --> 01:36:09,400
Speaker 1: my love and respect right Strata Compton or death certificate.

1552
01:36:10,240 --> 01:36:14,439
Speaker 1: God damn it, I'm going dath certificate that motherfucker the

1553
01:36:14,520 --> 01:36:18,479
Speaker 1: best lean and and and uh troke to the game.

1554
01:36:18,640 --> 01:36:22,880
Speaker 1: And here's a neget of stuff like I'm looking in

1555
01:36:22,960 --> 01:36:24,920
Speaker 1: the mirror so I can see who can see me.

1556
01:36:25,439 --> 01:36:28,920
Speaker 1: South Centure was put ice Cube to the test with

1557
01:36:29,120 --> 01:36:33,479
Speaker 1: four brothers in the s S. West Side got some vacation,

1558
01:36:33,560 --> 01:36:45,880
Speaker 1: which because you know, to make a movie going on

1559
01:36:47,720 --> 01:36:50,880
Speaker 1: that story right there, that's a movie stepped off the

1560
01:36:50,960 --> 01:36:55,400
Speaker 1: whole gang bang professional crack slanger unting the car in wholesale,

1561
01:36:55,479 --> 01:36:58,479
Speaker 1: went to the ghetto with checking the motel. I'm packing.

1562
01:36:58,560 --> 01:37:00,960
Speaker 1: I grabbed my three a d. But what we stayed at,

1563
01:37:01,040 --> 01:37:04,800
Speaker 1: niggas looks shady. But they can't faith South Central because

1564
01:37:04,880 --> 01:37:09,320
Speaker 1: busting the cap is fundamental. Peeping out every block close

1565
01:37:09,880 --> 01:37:12,560
Speaker 1: seeing which one would clock the motion. Yeah, this is

1566
01:37:12,640 --> 01:37:15,400
Speaker 1: the one, no doubt, bust of youth bone unlet's clear

1567
01:37:15,479 --> 01:37:22,120
Speaker 1: these niggas out now, clearing them out. Man casualties still

1568
01:37:22,240 --> 01:37:25,240
Speaker 1: had that l a mentality, bust a cap and out

1569
01:37:25,280 --> 01:37:27,639
Speaker 1: of that in a hurry. Wouldn't you know? A drive

1570
01:37:27,720 --> 01:37:36,639
Speaker 1: by in Missouri story at Ford niggas goring to Missouri

1571
01:37:36,800 --> 01:37:43,280
Speaker 1: taking over running the town. Nigga gotta relax notions crazy.

1572
01:37:44,439 --> 01:37:46,600
Speaker 1: I'm glad you feel what I feel to make that

1573
01:37:46,680 --> 01:37:52,400
Speaker 1: a movie. Cuba's gonna let me get it all right,

1574
01:37:52,920 --> 01:37:55,920
Speaker 1: I'm in, I got, I got no what you know what?

1575
01:37:56,360 --> 01:38:01,320
Speaker 1: You're actually a dope ass actor, because I'm let me

1576
01:38:01,400 --> 01:38:03,120
Speaker 1: say that, nigga. When you don't screen, you dope was

1577
01:38:03,200 --> 01:38:05,800
Speaker 1: a motherfucker. Was that the bet paid it for? I

1578
01:38:05,840 --> 01:38:07,599
Speaker 1: wasn't paid for and you was in the other one

1579
01:38:07,640 --> 01:38:10,679
Speaker 1: with state, Yeah I was. I was outside of guard

1580
01:38:10,760 --> 01:38:21,040
Speaker 1: hard lines. Yo, your screen, Yeah, nigga fu yeah, put

1581
01:38:21,080 --> 01:38:34,679
Speaker 1: the yallar. Okay, this is real right here. The source

1582
01:38:34,880 --> 01:38:40,639
Speaker 1: or xx out source easy or sugar night. Mm hmmm.

1583
01:38:41,920 --> 01:38:45,640
Speaker 1: Give me a shot. I love that. Look. I love that.

1584
01:38:46,880 --> 01:38:52,200
Speaker 1: Give me your motherfucker's shot too, because I can't choose neither.

1585
01:38:52,720 --> 01:38:54,280
Speaker 1: Can you give me one of those? Give me one

1586
01:38:54,280 --> 01:39:00,519
Speaker 1: of those click cups, click ups, click up. THINKA said

1587
01:39:00,680 --> 01:39:07,040
Speaker 1: he can't choose easy? Come on, come on, come on course. Hey,

1588
01:39:12,920 --> 01:39:16,200
Speaker 1: you know my mama bid the little homie is crazy.

1589
01:39:16,280 --> 01:39:18,280
Speaker 1: You see, like one of my little cousins. She come

1590
01:39:18,320 --> 01:39:22,000
Speaker 1: to spend the summer water. He goes back to his neighborhood,

1591
01:39:22,040 --> 01:39:24,080
Speaker 1: and I know I can see him be a honey nigger.

1592
01:39:24,360 --> 01:39:32,599
Speaker 1: Yeah yeah, let's do somebody a minute. Okay, okay, boys

1593
01:39:32,640 --> 01:39:36,799
Speaker 1: in the hood or minutes Society. I'm gonna go with minutes.

1594
01:39:37,439 --> 01:39:41,120
Speaker 1: Old dog was a motherfucker. The old dog, Old dog

1595
01:39:41,240 --> 01:39:45,040
Speaker 1: was my bad motherfucker. What you said, my mama? Battle

1596
01:39:45,160 --> 01:39:51,840
Speaker 1: cap or Scott Storch, wh D o C or m

1597
01:39:51,920 --> 01:39:59,040
Speaker 1: C round d oc sour or cush cush our castle

1598
01:39:59,160 --> 01:40:04,400
Speaker 1: you g care huhm, take a shot. Gotta go with

1599
01:40:04,479 --> 01:40:11,040
Speaker 1: pim C Bicker the more cocaine in the back of

1600
01:40:11,160 --> 01:40:19,840
Speaker 1: the ride, motherfucker, motherfucker. I take the shot just because

1601
01:40:19,840 --> 01:40:27,080
Speaker 1: of that come on ride. That's that ship. I got it, Okay,

1602
01:40:27,080 --> 01:40:34,479
Speaker 1: you got it? Baker Boys or Swaying King Tech Damn

1603
01:40:34,640 --> 01:40:36,559
Speaker 1: Eric v Is in the g GL two we played

1604
01:40:36,600 --> 01:40:39,599
Speaker 1: with me in my crip. By the way, I'm gonna

1605
01:40:39,640 --> 01:40:42,639
Speaker 1: go with Baker Boys, coume. I'm going with that Latino

1606
01:40:42,800 --> 01:40:53,160
Speaker 1: coachu just that. Are you going ahead? Safe with sales?

1607
01:40:53,280 --> 01:41:01,479
Speaker 1: Is the locks Latino culture? You said it? Don't you

1608
01:41:01,680 --> 01:41:13,840
Speaker 1: know that? I am local? That was insane. Member. I

1609
01:41:13,880 --> 01:41:16,320
Speaker 1: wouldn't have winn it with happen though. That was weird

1610
01:41:17,120 --> 01:41:24,240
Speaker 1: one and hand. You know you know what I don't.

1611
01:41:24,400 --> 01:41:30,080
Speaker 1: Don't you know what? We gotta bela. I gotta said.

1612
01:41:30,080 --> 01:41:33,840
Speaker 1: I thought of it on the by the way. By

1613
01:41:33,880 --> 01:41:48,160
Speaker 1: the way, I'm goosed to eat these flowers no flowers video? Alright,

1614
01:41:48,760 --> 01:41:51,560
Speaker 1: you ready to snoop? Yeah, I'm gonna see what to

1615
01:41:51,600 --> 01:41:54,160
Speaker 1: do with it. I don't want to juice like you.

1616
01:41:54,439 --> 01:41:57,759
Speaker 1: Jack City. What you say Juice or New jack City?

1617
01:41:58,720 --> 01:42:04,360
Speaker 1: Motherfucker need no brom sit, You're fine, I'll ask Damn

1618
01:42:07,720 --> 01:42:18,040
Speaker 1: all right? Good kid? Mad City or Michael Jackson? What

1619
01:42:18,240 --> 01:42:40,960
Speaker 1: the fun can you say? Can you say the documentary

1620
01:42:42,360 --> 01:42:46,080
Speaker 1: was kid right? I ain't got do with the kid?

1621
01:42:46,760 --> 01:42:53,799
Speaker 1: Bad say, I'm gonna go with k K. Last question,

1622
01:42:55,360 --> 01:43:05,920
Speaker 1: loyalty or respect? Love? That's the that's the that's the answer.

1623
01:43:06,520 --> 01:43:11,560
Speaker 1: That is the answer that Listen, we've been doing this

1624
01:43:11,680 --> 01:43:18,320
Speaker 1: for six years and we've been telling people that's not uh,

1625
01:43:19,439 --> 01:43:22,120
Speaker 1: there's nothing wrong arrest for love and respect. Love and

1626
01:43:22,200 --> 01:43:26,320
Speaker 1: respect is it's just loyalty. It's just like, it's just

1627
01:43:27,680 --> 01:43:32,599
Speaker 1: so what you just said, we really appreciate that because

1628
01:43:33,160 --> 01:43:36,080
Speaker 1: it's just love. That's that's that's just that's the ultimate goal, man.

1629
01:43:36,080 --> 01:43:38,600
Speaker 1: Because you could say loyalty, you can say respect. But

1630
01:43:38,680 --> 01:43:40,759
Speaker 1: how loyal is somebody gonna be and how much respect

1631
01:43:40,760 --> 01:43:42,680
Speaker 1: they're gonna give you if they don't love you? We

1632
01:43:42,800 --> 01:43:44,920
Speaker 1: both have loopholes, Yeah, but if you put love in

1633
01:43:45,000 --> 01:43:53,800
Speaker 1: it and all, lets you come with it. God. So

1634
01:43:53,960 --> 01:43:58,200
Speaker 1: now let's get to it. What is actually Death Row

1635
01:43:59,240 --> 01:44:03,240
Speaker 1: and bad Boy actually doing. Let's get to it. Um, Well,

1636
01:44:03,280 --> 01:44:05,360
Speaker 1: actually we don't. We don't have no plan just yet.

1637
01:44:05,439 --> 01:44:08,400
Speaker 1: What what happened was the great things that I'm doing

1638
01:44:08,479 --> 01:44:11,200
Speaker 1: over the metaverse, and then the thing with me acquiring

1639
01:44:11,320 --> 01:44:13,960
Speaker 1: death Row made my good friend Puffy call me and

1640
01:44:14,040 --> 01:44:17,160
Speaker 1: say that he would love to do a collaboration for

1641
01:44:17,240 --> 01:44:19,519
Speaker 1: the simple fact that I have control of it and

1642
01:44:19,600 --> 01:44:22,080
Speaker 1: it's in, you know, a peaceful position now, and he's

1643
01:44:22,120 --> 01:44:24,880
Speaker 1: always had bad Boy in the peaceful position. So this

1644
01:44:25,080 --> 01:44:27,200
Speaker 1: is just a conversation that we had. It's not thought

1645
01:44:27,240 --> 01:44:29,599
Speaker 1: out yet, but I feel like when we do sit

1646
01:44:29,640 --> 01:44:31,120
Speaker 1: down and really chop it up and come up with

1647
01:44:31,200 --> 01:44:34,360
Speaker 1: a real game plan, we'll take everybody's thoughts into consideration.

1648
01:44:34,439 --> 01:44:36,799
Speaker 1: The people that I feel like, you know, it shouldn't

1649
01:44:36,800 --> 01:44:38,920
Speaker 1: be out because of certain lives are lost, and that's

1650
01:44:39,360 --> 01:44:41,000
Speaker 1: some of the things that we're doing it for, because

1651
01:44:41,040 --> 01:44:42,760
Speaker 1: we don't want any more lives to be lost. We

1652
01:44:42,800 --> 01:44:44,400
Speaker 1: don't want any more people to feel like they have

1653
01:44:44,560 --> 01:44:46,519
Speaker 1: to feel a kind of way when they hear those

1654
01:44:46,560 --> 01:44:48,560
Speaker 1: two names. They should feel, you know, the way that

1655
01:44:48,640 --> 01:44:50,280
Speaker 1: they feel when they hear the music that come from

1656
01:44:50,320 --> 01:44:52,559
Speaker 1: those two names. When you think of bad Boy music

1657
01:44:52,640 --> 01:44:54,760
Speaker 1: and Death From music, it makes you feel good. So

1658
01:44:54,840 --> 01:44:57,000
Speaker 1: if you've got two people from Bad Boy and two

1659
01:44:57,040 --> 01:44:58,960
Speaker 1: people from Death Row that could really make ship work.

1660
01:44:59,120 --> 01:45:01,080
Speaker 1: Why not let the four come together and make it happen.

1661
01:45:01,120 --> 01:45:02,519
Speaker 1: And if you got two of them that can make

1662
01:45:02,560 --> 01:45:05,080
Speaker 1: it work, then it's gonna happen. Because we tried this

1663
01:45:05,160 --> 01:45:07,439
Speaker 1: before and it didn't work. And now you got Puffy

1664
01:45:07,479 --> 01:45:14,400
Speaker 1: and Snow before well won one pot, Biggie sure, and

1665
01:45:14,520 --> 01:45:18,800
Speaker 1: Puffy was alive. I believe that they tried to have

1666
01:45:18,880 --> 01:45:22,760
Speaker 1: a conversation and never went no where. It's crazy. It

1667
01:45:22,880 --> 01:45:25,120
Speaker 1: was people that was trying to make it disappear before

1668
01:45:25,160 --> 01:45:28,200
Speaker 1: it went that far. You gotta know that, you know

1669
01:45:28,240 --> 01:45:31,040
Speaker 1: about them together, Yeah, about at least having a conversation

1670
01:45:31,280 --> 01:45:33,960
Speaker 1: to get some understanding, and it didn't. It never win.

1671
01:45:34,760 --> 01:45:37,360
Speaker 1: So now there's just two people in the equation, me

1672
01:45:37,479 --> 01:45:39,559
Speaker 1: and Pelf and there's nobody to stop us to win.

1673
01:45:40,000 --> 01:45:44,479
Speaker 1: That's fine, right, that's fine. And you know what, drink Champs, y'all,

1674
01:45:44,600 --> 01:45:47,879
Speaker 1: y'all heard it first. We're gonna be here to support

1675
01:45:48,000 --> 01:45:55,240
Speaker 1: that motherfucker to make sure that what is it bad bro? No, No, no,

1676
01:45:55,400 --> 01:45:57,280
Speaker 1: it's it's it's not it's not even I won't even

1677
01:45:57,320 --> 01:45:59,680
Speaker 1: say it's anything. And I think it's more about this

1678
01:46:00,000 --> 01:46:03,360
Speaker 1: seriod of changing the narrative of what you thought it was.

1679
01:46:03,760 --> 01:46:06,040
Speaker 1: You know, I wanted to be about the music and

1680
01:46:06,120 --> 01:46:09,000
Speaker 1: the way you feel when you hear the music that

1681
01:46:09,120 --> 01:46:12,120
Speaker 1: comes from these two brands. If I play bad Boy

1682
01:46:12,320 --> 01:46:14,320
Speaker 1: music right now on Death Row music right now, y'all

1683
01:46:14,360 --> 01:46:17,360
Speaker 1: gonna feel some kind of way that is fire. And

1684
01:46:17,400 --> 01:46:19,400
Speaker 1: this isn't the metaverse or n f T S or

1685
01:46:19,439 --> 01:46:22,200
Speaker 1: what exactly. You're still working that those on that side

1686
01:46:22,240 --> 01:46:24,880
Speaker 1: of the world you're doing this stuff on in sandbox right.

1687
01:46:25,400 --> 01:46:27,000
Speaker 1: Sand Box is one of the components that I do.

1688
01:46:27,439 --> 01:46:30,760
Speaker 1: You're you're not exclusive with exclusive nobody but Snoop Dogg.

1689
01:46:31,960 --> 01:46:39,600
Speaker 1: That's the only person I can control. Jess. Something's not

1690
01:46:39,720 --> 01:46:50,639
Speaker 1: gonna don't love, give me love, Snoop, I ain't gonna last. Snoop.

1691
01:46:52,040 --> 01:46:53,960
Speaker 1: We love you, bro, I love you too. When I

1692
01:46:54,040 --> 01:46:55,880
Speaker 1: love y'all for showing up and showing up like on

1693
01:46:56,000 --> 01:46:58,080
Speaker 1: some real ship. I know that y'all don't move like that.

1694
01:46:58,240 --> 01:47:00,320
Speaker 1: Y'all usually have people pull up and y'all ship is

1695
01:47:00,360 --> 01:47:02,479
Speaker 1: so you know, tied in with the what y'all do.

1696
01:47:02,640 --> 01:47:03,760
Speaker 1: So for y'all to be able to get on the

1697
01:47:03,800 --> 01:47:06,519
Speaker 1: plane to come see me, to come see Mika because

1698
01:47:06,560 --> 01:47:09,120
Speaker 1: Mikasa Suka, I appreciate you can't stand what I'm saying.

1699
01:47:09,160 --> 01:47:11,040
Speaker 1: So it's a love thing. Now, y'all know, whenever y'all

1700
01:47:11,040 --> 01:47:13,320
Speaker 1: touchdown in l A seven minutes from l a EGX,

1701
01:47:13,640 --> 01:47:15,280
Speaker 1: you got a spot you can come. Chi'll let your

1702
01:47:15,320 --> 01:47:17,800
Speaker 1: head down and roll some smoke, something, drink some order,

1703
01:47:17,880 --> 01:47:19,920
Speaker 1: use to fool. You may want to record a song

1704
01:47:20,040 --> 01:47:21,800
Speaker 1: or something. I don't know what you want, don't want.

1705
01:47:21,840 --> 01:47:23,479
Speaker 1: I don't know if I wanted to record a song

1706
01:47:23,560 --> 01:47:26,320
Speaker 1: with Matt. You may want to shoot some dice like

1707
01:47:26,400 --> 01:47:33,680
Speaker 1: my like that, I like that my left woman. We

1708
01:47:34,120 --> 01:47:36,479
Speaker 1: all sighed, Hey, man, you may not be able to

1709
01:47:36,479 --> 01:47:38,280
Speaker 1: go to Disneyland, but you show can go to dog

1710
01:47:38,360 --> 01:47:51,800
Speaker 1: You Land. You know, listen, w bathrooms. I want to

1711
01:47:51,840 --> 01:47:53,599
Speaker 1: make it right for you when y'all pull up. Man.

1712
01:47:53,680 --> 01:47:56,360
Speaker 1: I mean, when I was building this building, I was

1713
01:47:56,439 --> 01:48:00,479
Speaker 1: thinking about, right the rapper, the businessman, and the and

1714
01:48:00,920 --> 01:48:03,400
Speaker 1: the homies that come in town that don't want to

1715
01:48:03,400 --> 01:48:05,439
Speaker 1: go to Hollywood, that don't want to drive way through

1716
01:48:05,479 --> 01:48:07,160
Speaker 1: all of that ship. They want to be able to

1717
01:48:07,240 --> 01:48:10,519
Speaker 1: come someplace where they can jump off a plane, set

1718
01:48:10,600 --> 01:48:13,240
Speaker 1: up job chier. What they you know, what I'm saying,

1719
01:48:13,280 --> 01:48:15,439
Speaker 1: they've got a hotel room by close or not. It's

1720
01:48:17,240 --> 01:48:22,240
Speaker 1: it's a little bit would pick me woa, That's what

1721
01:48:22,360 --> 01:48:25,639
Speaker 1: it is. I mean they love me like I love them.

1722
01:48:25,720 --> 01:48:28,000
Speaker 1: Like when you come into a community and you start

1723
01:48:28,080 --> 01:48:30,120
Speaker 1: doing things, you start making things happen, and you start

1724
01:48:30,120 --> 01:48:35,479
Speaker 1: aiming to the kids and you give maxim nigger. So

1725
01:48:35,720 --> 01:48:37,640
Speaker 1: I've been I've been a part of Inglewood before I

1726
01:48:37,720 --> 01:48:39,960
Speaker 1: was in Inglewood, but now to actually physically be here

1727
01:48:40,360 --> 01:48:42,439
Speaker 1: to do things where I give back and I find

1728
01:48:42,520 --> 01:48:44,720
Speaker 1: opportunities in our find ways to make sure that I'm

1729
01:48:44,760 --> 01:48:47,320
Speaker 1: trying the kids in the future into the into the

1730
01:48:47,520 --> 01:48:50,439
Speaker 1: into the jobs. Not just looking out for the older homies,

1731
01:48:50,520 --> 01:48:52,320
Speaker 1: but the young was the ones that's in high school

1732
01:48:52,640 --> 01:48:54,920
Speaker 1: or even a couple of we have a special needs

1733
01:48:54,960 --> 01:48:57,000
Speaker 1: girl that works at our story that we're giving the

1734
01:48:57,000 --> 01:48:59,600
Speaker 1: opportunity to. We help out all sorts of people. So

1735
01:48:59,720 --> 01:49:01,840
Speaker 1: it's not just about us trying to come to a

1736
01:49:01,880 --> 01:49:05,120
Speaker 1: neighborhood and identify to the gang bangers, but we're trying

1737
01:49:05,160 --> 01:49:07,160
Speaker 1: to identify the people who want to change the community.

1738
01:49:07,160 --> 01:49:09,240
Speaker 1: And sometimes those gang bankers want to change. They just

1739
01:49:09,320 --> 01:49:14,839
Speaker 1: needed opportunity to Jesus. He killed that I have nothing

1740
01:49:14,920 --> 01:49:17,640
Speaker 1: else more to say. Oh yeah, let me say this.

1741
01:49:17,760 --> 01:49:19,320
Speaker 1: And Long Beach we're trying to get some peace in

1742
01:49:19,360 --> 01:49:21,640
Speaker 1: my city too, So we're doing some things in my

1743
01:49:21,720 --> 01:49:24,280
Speaker 1: hood where we're trying to create peace and create opportunities

1744
01:49:24,320 --> 01:49:26,320
Speaker 1: for my long homies to stop killing each other. And

1745
01:49:26,400 --> 01:49:28,640
Speaker 1: I'm trying to show them this metaverse n f T

1746
01:49:28,760 --> 01:49:31,960
Speaker 1: place where they can find ways to make finances because normally,

1747
01:49:32,040 --> 01:49:35,200
Speaker 1: when you tell homies to stop killing each other, they

1748
01:49:35,240 --> 01:49:37,519
Speaker 1: can do that. But then when it when you leave,

1749
01:49:37,720 --> 01:49:39,920
Speaker 1: then there's like the question is how do we make money?

1750
01:49:40,439 --> 01:49:42,040
Speaker 1: We stopped killing each other, but you don't want us

1751
01:49:42,040 --> 01:49:43,679
Speaker 1: to sell dope, You don't want us to do nothing negative.

1752
01:49:43,680 --> 01:49:45,680
Speaker 1: What can you bring or what could you provide? So

1753
01:49:46,320 --> 01:49:48,960
Speaker 1: this metaverse n f T space is so new. I

1754
01:49:49,000 --> 01:49:50,679
Speaker 1: want to be able to provide some of my homies

1755
01:49:50,760 --> 01:49:53,560
Speaker 1: that don't want to kill no more the opportunity to

1756
01:49:53,640 --> 01:49:58,479
Speaker 1: try to be business man. Thank you, Thank you all,

1757
01:50:04,560 --> 01:50:07,080
Speaker 1: Thank you, thank you brother. I appreciate you all. Drake

1758
01:50:07,160 --> 01:50:09,560
Speaker 1: Champs and the motherfucking hell Yeah, we got you. We

1759
01:50:09,680 --> 01:50:15,120
Speaker 1: got you. That's in it, that's in it with this.

1760
01:50:15,800 --> 01:50:21,320
Speaker 1: How the funk are you control of death? Row Tell everyone.

1761
01:50:22,600 --> 01:50:27,760
Speaker 1: How yeah, Well, first thing I did was snatched all

1762
01:50:27,800 --> 01:50:30,439
Speaker 1: the music off for those platforms traditionally known to people

1763
01:50:30,840 --> 01:50:34,439
Speaker 1: because those platforms don't pay, and those platforms get millions

1764
01:50:34,479 --> 01:50:36,759
Speaker 1: and millions and millions of streams and nobody gets paid

1765
01:50:37,040 --> 01:50:39,160
Speaker 1: other than the record labels. So what I want to

1766
01:50:39,200 --> 01:50:42,320
Speaker 1: do is snatch my music off, create a platform which

1767
01:50:42,400 --> 01:50:45,800
Speaker 1: is something so similar to Amazon, Netflix, Hulu, to be

1768
01:50:45,880 --> 01:50:48,679
Speaker 1: a death row app, and then the music. In the meantime,

1769
01:50:48,720 --> 01:50:51,880
Speaker 1: we're living the stop you first, stop you, but you're

1770
01:50:51,920 --> 01:50:57,160
Speaker 1: saying that you stopped people from to stop. Go to

1771
01:50:57,240 --> 01:50:59,240
Speaker 1: Spotify right now and look up that from music. See

1772
01:50:59,280 --> 01:51:04,720
Speaker 1: how much you can find. We don't leave you, We

1773
01:51:04,840 --> 01:51:08,320
Speaker 1: don't play. It's called power, it's called control. It's like

1774
01:51:08,439 --> 01:51:14,240
Speaker 1: if you don't oh, I did it on purpose because

1775
01:51:14,240 --> 01:51:17,639
Speaker 1: when it comes back up, everything everything, and now when

1776
01:51:17,680 --> 01:51:20,439
Speaker 1: they when they finally decided to put some respect on

1777
01:51:20,560 --> 01:51:22,840
Speaker 1: them streams, because nobody in here can tell you what

1778
01:51:22,960 --> 01:51:25,719
Speaker 1: a stream as up to it's a fraction of a penny,

1779
01:51:25,840 --> 01:51:27,800
Speaker 1: it's a third of a penny. So you get a

1780
01:51:27,880 --> 01:51:30,040
Speaker 1: hundred million streams and you don't make a million dollars,

1781
01:51:30,560 --> 01:51:33,040
Speaker 1: So what the fund is that? But you want me

1782
01:51:33,120 --> 01:51:35,840
Speaker 1: to keep giving you my music, but somebody making the

1783
01:51:35,920 --> 01:51:38,320
Speaker 1: money and it ain't me, and I can't. I can't

1784
01:51:38,320 --> 01:51:40,080
Speaker 1: afford to keep doing that. And I want to create

1785
01:51:40,120 --> 01:51:42,479
Speaker 1: an avenue to where I can show people how to

1786
01:51:42,600 --> 01:51:44,439
Speaker 1: not always have to go through the slave trade, but

1787
01:51:44,600 --> 01:51:48,040
Speaker 1: create our own trade. We're engaging with our own fans.

1788
01:51:48,120 --> 01:51:50,920
Speaker 1: That's buying our music. That's you know, making money off

1789
01:51:50,960 --> 01:51:52,560
Speaker 1: of the music, and they're making us money off of

1790
01:51:52,600 --> 01:51:55,840
Speaker 1: the music, you know, by being traded and sold. And

1791
01:51:55,920 --> 01:51:58,080
Speaker 1: now what I'm doing next is I'm putting together how

1792
01:51:58,200 --> 01:52:01,720
Speaker 1: to how to get into the metaverse. Only gonna get

1793
01:52:01,760 --> 01:52:04,040
Speaker 1: it out there to my life. Two people sell it

1794
01:52:04,080 --> 01:52:06,479
Speaker 1: for like ten dollars, So anybody that wants to get

1795
01:52:06,520 --> 01:52:09,200
Speaker 1: in that wants to learn, it's only gonna be exclusive

1796
01:52:09,200 --> 01:52:11,680
Speaker 1: to two d people for ten dollars. We let you

1797
01:52:11,760 --> 01:52:14,040
Speaker 1: come get the information highline on how to get in

1798
01:52:14,160 --> 01:52:15,559
Speaker 1: and how to register and how to get your ship

1799
01:52:15,680 --> 01:52:17,479
Speaker 1: in there, and we'll give you a token on the

1800
01:52:17,520 --> 01:52:18,720
Speaker 1: way in, so that way when you get in, you

1801
01:52:18,800 --> 01:52:22,720
Speaker 1: won't get in with nothing in your bank account. That's big.

1802
01:52:28,880 --> 01:52:32,559
Speaker 1: I ain't gonna last loop. That was probably the illest

1803
01:52:32,600 --> 01:52:38,200
Speaker 1: ship we've ever heard. Chaps this is this is real talk.

1804
01:52:39,120 --> 01:52:42,880
Speaker 1: So that's what you're saying is that I got it

1805
01:52:42,960 --> 01:52:45,040
Speaker 1: noryous mind now, right, So what I didn't want to do.

1806
01:52:45,080 --> 01:52:46,760
Speaker 1: I didn't want to get death Brow records and make

1807
01:52:46,800 --> 01:52:49,559
Speaker 1: it what it was. Right when you hear Snoop Dogg

1808
01:52:49,600 --> 01:52:52,160
Speaker 1: got Deathbrow records, you naturally feel like West Coast hip

1809
01:52:52,200 --> 01:52:54,880
Speaker 1: hop gangster ship blah blah blah. You don't think about

1810
01:52:54,960 --> 01:52:58,160
Speaker 1: executive moves. You don't think about a hundred million dollar business.

1811
01:52:58,200 --> 01:53:00,880
Speaker 1: You don't think about exactly, You don't think about futuristic

1812
01:53:00,960 --> 01:53:03,439
Speaker 1: thinking and training of thought to where now we're making

1813
01:53:03,479 --> 01:53:05,679
Speaker 1: this brand what it's supposed to be. For many years,

1814
01:53:05,720 --> 01:53:09,720
Speaker 1: I bought myself brand. Other people ship. They gotta helped

1815
01:53:09,760 --> 01:53:12,559
Speaker 1: brand Instagram. I'm the first celebrity on Instagram, and they

1816
01:53:12,600 --> 01:53:20,519
Speaker 1: brag about that ship. They no nigga, Snoop Dogg. Yeah,

1817
01:53:23,080 --> 01:53:26,280
Speaker 1: So they do symposiums where they have their conversations about

1818
01:53:26,320 --> 01:53:28,479
Speaker 1: how the company became a billion dollar company. So the

1819
01:53:28,600 --> 01:53:31,439
Speaker 1: CEO will have a little headpiece on it. You know,

1820
01:53:31,800 --> 01:53:34,679
Speaker 1: when we first started Instagram, our company was a small

1821
01:53:34,800 --> 01:53:38,040
Speaker 1: company and then there's this one celebrity that you know,

1822
01:53:38,200 --> 01:53:40,280
Speaker 1: got on our page and started blowing it up, and

1823
01:53:40,320 --> 01:53:43,519
Speaker 1: then we became a hundred billion dollar company that you

1824
01:53:43,600 --> 01:53:46,080
Speaker 1: know that celebrity is it's Snoop Dogg and everybody in

1825
01:53:46,080 --> 01:53:52,320
Speaker 1: the crowd clapping this ship and I'm just talking about it.

1826
01:53:52,400 --> 01:53:54,719
Speaker 1: They didn't, and that's that's what made me see that. Okay,

1827
01:53:55,320 --> 01:53:57,519
Speaker 1: even what I do for Corona, you know what I'm saying.

1828
01:53:57,520 --> 01:54:00,320
Speaker 1: When you see me in Corocial commercials for Corona in

1829
01:54:00,400 --> 01:54:03,120
Speaker 1: best goll right, this is this is like, this is

1830
01:54:03,160 --> 01:54:06,080
Speaker 1: a real nickel doing commercials for com So it's like

1831
01:54:06,160 --> 01:54:10,559
Speaker 1: if I can brand this everyday ship, you don't think

1832
01:54:10,560 --> 01:54:14,439
Speaker 1: I can bring some ship that I helped bill for real.

1833
01:54:15,040 --> 01:54:17,760
Speaker 1: This is more believable than that ship. I don't even

1834
01:54:17,840 --> 01:54:30,120
Speaker 1: drink that ship. I live this ship though the death

1835
01:54:30,200 --> 01:54:32,520
Speaker 1: Row shot, I'll live it. That's why if you look

1836
01:54:32,560 --> 01:54:35,040
Speaker 1: out now and so many people weren't death Row ship.

1837
01:54:35,120 --> 01:54:36,960
Speaker 1: You see it everywhere now. No, but let me ask you,

1838
01:54:37,840 --> 01:54:41,880
Speaker 1: how was it even if somebody even pro to you

1839
01:54:42,400 --> 01:54:46,760
Speaker 1: with a death Row concept? Did nobody approach I don't want.

1840
01:54:46,840 --> 01:54:49,520
Speaker 1: I had to initiate the contact on that. They weren't

1841
01:54:49,520 --> 01:54:50,880
Speaker 1: trying to sell it. They was gonna hold on to

1842
01:54:50,960 --> 01:54:53,080
Speaker 1: it and let everybody die and just get paid forever.

1843
01:54:53,480 --> 01:54:55,720
Speaker 1: So what happened These guys come to you and say,

1844
01:54:56,400 --> 01:54:59,600
Speaker 1: mm hmmm, somebody I know knew who had it and

1845
01:54:59,680 --> 01:55:01,840
Speaker 1: put in touch with the guys that had it, and

1846
01:55:01,960 --> 01:55:04,480
Speaker 1: once we communicated the guy that had it, one of

1847
01:55:04,520 --> 01:55:06,320
Speaker 1: the guys that had it was a fan of Snoop Doog.

1848
01:55:06,880 --> 01:55:09,320
Speaker 1: So when I so when I naturally said, hey, man,

1849
01:55:09,320 --> 01:55:12,800
Speaker 1: I just want my master's back. Like, man, I ain't

1850
01:55:12,800 --> 01:55:14,120
Speaker 1: got no problem with that. I want you to have

1851
01:55:14,200 --> 01:55:16,760
Speaker 1: your ship back. This is what it cost. God damn,

1852
01:55:18,720 --> 01:55:25,320
Speaker 1: I don't either a bad motherfucker. Are you shaking me up? Yeah?

1853
01:55:25,400 --> 01:55:28,840
Speaker 1: Like I gotta pay for my ship was damn. But

1854
01:55:29,800 --> 01:55:33,960
Speaker 1: from that conversation, from from that to understanding, like I said,

1855
01:55:34,480 --> 01:55:37,520
Speaker 1: I don't need that right now. I need this right

1856
01:55:37,600 --> 01:55:41,880
Speaker 1: now because this is that I can make. I can

1857
01:55:42,000 --> 01:55:45,280
Speaker 1: make some new ship to pacify until I get that.

1858
01:55:45,960 --> 01:55:47,600
Speaker 1: And that's what I did. Were back on death bro.

1859
01:55:47,760 --> 01:55:52,960
Speaker 1: So the first record I dropped, no on death row.

1860
01:55:54,080 --> 01:55:58,400
Speaker 1: Don't get it sucked up. It's called be right, it's

1861
01:55:58,440 --> 01:56:00,760
Speaker 1: called b O d R. It's called on death row.

1862
01:56:01,240 --> 01:56:03,280
Speaker 1: So that was I was putting that in everybody face

1863
01:56:03,320 --> 01:56:05,400
Speaker 1: before the Super Bowl and the Super bowl came, Bump

1864
01:56:05,480 --> 01:56:07,680
Speaker 1: dropped the album the next day on the metaverse. That

1865
01:56:07,760 --> 01:56:11,480
Speaker 1: made one million the first day. Oh yeah, in the

1866
01:56:11,560 --> 01:56:18,760
Speaker 1: real okay, but in the ring, in the real world,

1867
01:56:19,040 --> 01:56:22,440
Speaker 1: it's streamed like nine million over here, seven million over here,

1868
01:56:22,720 --> 01:56:26,360
Speaker 1: and it only got like thirty four thousand downloads, which

1869
01:56:26,400 --> 01:56:30,120
Speaker 1: only added up to about nothing. So so how do

1870
01:56:30,160 --> 01:56:33,360
Speaker 1: you feel? How do you think I feel about traditional

1871
01:56:34,560 --> 01:56:37,000
Speaker 1: based off of what I did over here? And guess

1872
01:56:37,080 --> 01:56:40,240
Speaker 1: what the nigga is over here. I ain't even touched

1873
01:56:40,280 --> 01:56:44,960
Speaker 1: album yet. No, I'm saying they had to wait. It's

1874
01:56:44,960 --> 01:56:47,200
Speaker 1: a it's a situation that we gottam you know, you

1875
01:56:47,600 --> 01:56:49,440
Speaker 1: they buy a certain piece in the element and they

1876
01:56:49,480 --> 01:56:51,240
Speaker 1: get this and that and that. But it's a it's

1877
01:56:51,280 --> 01:56:53,880
Speaker 1: it's how the system works over here. So while we're

1878
01:56:53,920 --> 01:56:56,600
Speaker 1: over here, you know, training the mind on. I need

1879
01:56:56,680 --> 01:56:59,400
Speaker 1: a video, I need radio, I need this, I need

1880
01:56:59,440 --> 01:57:02,240
Speaker 1: all these and motherfucker's don't add up to no money.

1881
01:57:02,920 --> 01:57:05,680
Speaker 1: I didn't have no streams, no videos, none of that ship,

1882
01:57:05,840 --> 01:57:07,400
Speaker 1: no radio, none of that ship don't matter verse, And

1883
01:57:07,400 --> 01:57:10,000
Speaker 1: I just told you how many millions in May without

1884
01:57:10,120 --> 01:57:13,160
Speaker 1: none of that ship. So now when I dropped the record,

1885
01:57:13,240 --> 01:57:16,440
Speaker 1: everybody like b O d R. What does that mean?

1886
01:57:17,160 --> 01:57:20,520
Speaker 1: So I tell him back on death Rock. Oh, I

1887
01:57:20,600 --> 01:57:22,280
Speaker 1: know why you called it back on death row because

1888
01:57:22,280 --> 01:57:23,960
Speaker 1: you're back on death row. Now that ain't why I

1889
01:57:24,000 --> 01:57:29,240
Speaker 1: called it that back because our own death row. Try

1890
01:57:29,280 --> 01:57:52,360
Speaker 1: that over side, I say, back, don't we need you back?

1891
01:57:57,520 --> 01:58:08,960
Speaker 1: He didn't went to the whole the money changing the better? Right?

1892
01:58:19,360 --> 01:58:31,760
Speaker 1: You know you're where do you figure out what you faith?

1893
01:58:35,400 --> 01:58:55,200
Speaker 1: Typically worl Why do you still love this game? Why? Like,

1894
01:58:56,160 --> 01:59:07,160
Speaker 1: we'll talk, but I don't love this game. I'm like,

1895
01:59:10,360 --> 01:59:19,520
Speaker 1: what do you see a little? Well? Do you know what?

1896
01:59:19,880 --> 01:59:22,480
Speaker 1: Because the game loved me back. They don't know what

1897
01:59:22,600 --> 01:59:24,680
Speaker 1: to do without me, you know what I'm saying. So

1898
01:59:25,240 --> 01:59:27,000
Speaker 1: it is what it is we made for each other.

1899
01:59:27,080 --> 01:59:28,520
Speaker 1: You know what I mean that this is my life,

1900
01:59:28,560 --> 01:59:30,840
Speaker 1: this is my calling. Like one thing I can say

1901
01:59:30,880 --> 01:59:33,920
Speaker 1: about like when you think about rock and roll music, right,

1902
01:59:35,440 --> 01:59:39,240
Speaker 1: the Rolling Stones old as the motherfucker, But you don't

1903
01:59:39,240 --> 01:59:41,440
Speaker 1: put no age on them. You put the fact that

1904
01:59:41,480 --> 01:59:43,400
Speaker 1: they classic they still do their ship and they get

1905
01:59:43,440 --> 01:59:45,240
Speaker 1: down and they give you the greatest ship you've ever

1906
01:59:45,320 --> 01:59:47,440
Speaker 1: seen since the last time you've seen them. We got

1907
01:59:47,560 --> 01:59:49,600
Speaker 1: to get that in our heads that we don't have

1908
01:59:49,720 --> 01:59:52,280
Speaker 1: no time living on greatness. If we're gonna be great,

1909
01:59:52,280 --> 01:59:54,720
Speaker 1: we might aspo be great while we're here. I had

1910
01:59:54,760 --> 01:59:57,520
Speaker 1: the opportunity to have a conversation with James Brown, a

1911
01:59:57,600 --> 02:00:00,880
Speaker 1: three hour conversation with James Brown, and some things that

1912
02:00:00,960 --> 02:00:04,760
Speaker 1: he told me that remained in my life now to

1913
02:00:04,880 --> 02:00:07,280
Speaker 1: make me stronger than I had conversation with Muhammad Ali

1914
02:00:07,400 --> 02:00:10,560
Speaker 1: when he could speak. So I didn't have a conversation

1915
02:00:10,600 --> 02:00:13,000
Speaker 1: with some of the great ones. And I understand the

1916
02:00:13,120 --> 02:00:15,760
Speaker 1: object of being in the game. It's not a game.

1917
02:00:16,280 --> 02:00:19,760
Speaker 1: The game is g A and me general amount of

1918
02:00:19,800 --> 02:00:31,000
Speaker 1: money earning. That's the game. Come on, as much he

1919
02:00:31,080 --> 02:00:33,480
Speaker 1: can't in talking about you ain't gotta put that on up?

1920
02:00:33,720 --> 02:00:36,600
Speaker 1: What the sorry say? Wrap it up, Deshan, just say

1921
02:00:36,720 --> 02:00:55,640
Speaker 1: get this nigga. Some be honest too see it. But

1922
02:00:55,800 --> 02:01:12,640
Speaker 1: that's that's Let's let's take some pictures your lover, a

1923
02:01:12,720 --> 02:01:17,560
Speaker 1: couple of come on, come on, baby, baby, my baby,

1924
02:01:18,520 --> 02:01:24,640
Speaker 1: my baby baby. Thanks for joining us for another episode

1925
02:01:24,640 --> 02:01:27,040
Speaker 1: of Drink Champs hosted by Yours Truly, d J E

1926
02:01:27,200 --> 02:01:29,480
Speaker 1: f N and n O R E. Please make sure

1927
02:01:29,520 --> 02:01:31,840
Speaker 1: to follow us on all our socials. Let's at Drink

1928
02:01:31,880 --> 02:01:35,360
Speaker 1: Champs across all platforms at the Real Noriegan i g

1929
02:01:36,080 --> 02:01:39,200
Speaker 1: at Noriega on Twitter, mine is at Who's Crazy on

1930
02:01:39,320 --> 02:01:42,040
Speaker 1: I g at d j e f N on Twitter,

1931
02:01:42,440 --> 02:01:44,960
Speaker 1: and most importantly, stay up to date with the latest releases,

1932
02:01:45,400 --> 02:01:48,560
Speaker 1: news and merch by going to drink Champs dot com.

1933
02:01:55,400 --> 02:01:58,440
Speaker 1: For more podcasts from my Heart Radio, visit the iHeart

1934
02:01:58,520 --> 02:02:02,040
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

1935
02:02:02,080 --> 02:02:02,720
Speaker 1: favorite shows.