WEBVTT - 315: Mama Said Knock You Out

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Iheartradios Katie Tho.

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<v Speaker 2>Guiermo. Did you get a haircut?

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<v Speaker 3>I did on Saturday. I got a haircut. Do you

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<v Speaker 3>like it?

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<v Speaker 2>And you have plain brown hair?

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<v Speaker 3>Yes? Can you believe it? I had it died first.

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<v Speaker 1>I had a bleach blonde, then I dyed it blue.

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<v Speaker 1>For a while, I had a green before the blue,

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<v Speaker 1>then blue, and then auditions started to pick up and

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<v Speaker 1>my manager was like, you need to dye your hair

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<v Speaker 1>back to black or back to brown.

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<v Speaker 4>I love your manager's so much that they say that

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<v Speaker 4>stuff to you. I feel like not all managers would

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<v Speaker 4>do that. This is a really personal question too that

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<v Speaker 4>I've always I think I want to ask you and

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<v Speaker 4>you don't have to answer honestly, But like, do you

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<v Speaker 4>shave into your eyebrows?

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<v Speaker 3>Yeah?

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<v Speaker 1>I do, just a think. I don't do it. My

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<v Speaker 1>barber does it.

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<v Speaker 2>Is there a name for that?

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<v Speaker 3>No? I don't think so.

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<v Speaker 1>I just like the look it kind of looks like

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<v Speaker 1>I got, you know, like I have a scar almost

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<v Speaker 1>or whatever. And then if I like, I just did

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<v Speaker 1>the good doctor and not too long ago, and they

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<v Speaker 1>just you know, they just color it colored in.

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<v Speaker 3>And covered up. It's such an easy cover up.

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<v Speaker 4>An eyebrow scar is very hot, it's very attractive. I

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<v Speaker 4>want to say, Jason Momoa has one. Oh my son

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<v Speaker 4>busted his eyebrow when he was eighteen months old and

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<v Speaker 4>has a really nice eyebrow scar. That is good.

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<v Speaker 3>Yeah. Oh, I hope it stays with him for.

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<v Speaker 2>Oh it's that whole life.

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<v Speaker 4>He completely has it. It's white in here, like a

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<v Speaker 4>white line.

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<v Speaker 3>Oh, it's so cute.

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<v Speaker 4>And I was so upset. Oh my god, I sobbed

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<v Speaker 4>when it happened. I was like his perfect angelic face

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<v Speaker 4>that I created in my own body. And then I

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<v Speaker 4>both myself has been completely tainted by this fareva scar

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<v Speaker 4>and now I'm obsessed with it.

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<v Speaker 2>I love it.

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<v Speaker 3>What was the accident was?

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<v Speaker 2>Oh my god, it was awful.

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<v Speaker 4>He was sitting on my lap and I was just

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<v Speaker 4>reading him a book or something like that, like I

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<v Speaker 4>was sitting crisscross applesauce, and he like soot up and

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<v Speaker 4>went to the bookshelf to go grab another book, and

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<v Speaker 4>he tripped on my knee and nailed his face on

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<v Speaker 4>the corner of the bookshelf.

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<v Speaker 2>It was like a year and a half.

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<v Speaker 4>He wasn't really great at walking yet and he nailed

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<v Speaker 4>and it was just like this big open cut in

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<v Speaker 4>his eyebrow. And I swear I spent a good four

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<v Speaker 4>hours going down a total spiral of looking up every

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<v Speaker 4>hot person that has an eyebrow scar.

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<v Speaker 2>You were like, this is to make sure that my

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<v Speaker 2>son is okay.

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<v Speaker 4>And there are plenty it's and you yourself are giving

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<v Speaker 4>one bulloh opting for that.

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<v Speaker 3>Hello, I'm shaving into it myself.

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<v Speaker 4>Oh my god, You're not gonna believe this.

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<v Speaker 3>What.

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<v Speaker 4>On November fifteenth, twenty eighteen, Momoa was slashed in the

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<v Speaker 4>face with a broken beer glass at Bird's Cafe No

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<v Speaker 4>in Hollywood, California. He received one hundred and forty stitches

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<v Speaker 4>during reconstructive surgery, which resulted in the scar on his

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<v Speaker 4>left eyebrow.

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<v Speaker 3>Yo, that's messed up. Who the hell sliced into his face?

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<v Speaker 2>Have you ever gotten to a fight in a bar? No?

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<v Speaker 3>No, I haven't.

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<v Speaker 2>I've never even gotten into a fight. Have you been

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<v Speaker 2>in a fight?

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<v Speaker 1>Shit? I have, but it's been like quick, not like

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<v Speaker 1>a full on like I remember too growing up in

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<v Speaker 1>New York, like friends that would be like yo, after

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<v Speaker 1>school and then they'd like take their shirts off.

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<v Speaker 3>All the kids would come out to watch. It was

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<v Speaker 3>like a freaking boxing match, and I was like, oh

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<v Speaker 3>my god.

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<v Speaker 1>Yeah, like I've gotten into like, you know, shoving matches

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<v Speaker 1>and a little bit of fighting, but very quickly.

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<v Speaker 2>Did you ever throw a punch, like at somebody's face?

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<v Speaker 1>I have thrown a punch, yeah, And I didn't like it.

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<v Speaker 1>I don't like it at all.

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<v Speaker 4>I'm so interesting because you always play such I feel

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<v Speaker 4>like you play some pretty fucking badass characters that have

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<v Speaker 4>been in a lot of fights.

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<v Speaker 3>Which is interesting.

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<v Speaker 1>You're saying this, Katie, because in this episode that we're

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<v Speaker 1>about to talk about, it's called Mama Said Knock you Out, Yes,

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<v Speaker 1>and and Huck beat up on a B six thirteen agent.

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<v Speaker 1>There's a couple of punches thrown in this episode. So

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<v Speaker 1>that's so interesting that you're segueing into this thing.

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<v Speaker 2>Honey, It's so good. Oh, aren't I I'm incredible?

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<v Speaker 3>Hello, You're like, dumb motherfucker. I planned this show.

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<v Speaker 2>I had no idea. This is coincidental. I had literally

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<v Speaker 2>no idea. I don't know why we're talking about fighting, oh,

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<v Speaker 2>because we're talking about Jason Momoa's eyebrow.

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<v Speaker 3>Oh my god, Gladiators, we're excited about this episode. Though.

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<v Speaker 4>This episode is pisode three fifteen. It's called Mama Said

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<v Speaker 4>Knock You Yeah?

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<v Speaker 3>Oh shout out? Oh cool Jay?

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<v Speaker 4>Oh, el l cool Jay. I saw him once at

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<v Speaker 4>a diner in Long Island.

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<v Speaker 1>You did, Have you ever met that? I've never No,

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<v Speaker 1>I've never met him, but I did a movie. I

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<v Speaker 1>was in a movie with him called Into Deep, but

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<v Speaker 1>I didn't have any scenes with him, but I love him.

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<v Speaker 2>Okay.

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<v Speaker 4>So Mama Said Knock You Out aired on March twenty seven,

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<v Speaker 4>twenty fourteen.

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<v Speaker 1>And it was written by Zahir McGhee and directed by

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<v Speaker 1>Tony Goldwin.

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<v Speaker 3>What what, Oh my god? What what what?

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<v Speaker 4>This episode is chock full guest starring John Tennys, Andrew Nichols,

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<v Speaker 4>Candy Alexander Is, Maya Lewis, Dylan Minnette as Jerry Grid Junior.

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<v Speaker 2>Oh God, he's gonna die so sad, but not in

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<v Speaker 2>this episode.

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<v Speaker 4>Madeline Carrol is Karen grit nazanin Boniati's Ad Non.

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<v Speaker 1>Salif, Charmila Davar is Lauren Wellman, Mackenzie Aston is Noah Baker,

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<v Speaker 1>Carlo Rota as Ivan Molly Bakers, Rachel Moss, Troy Wynn

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<v Speaker 1>Bush as Morris Elcott, and Eben Ham as Tanner Shaw.

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<v Speaker 4>Okay synopsis. When Olivia can't cancel an impending Grant family interview,

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<v Speaker 4>we roll back the clock to view the chaos that

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<v Speaker 4>led up to the minute before. Literally, Melly and Andrew

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<v Speaker 4>continue their affair while Olivia digs dirt up on the grandchildren,

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<v Speaker 4>only to uncover some minor political bashing that becomes a

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<v Speaker 4>bigger problem.

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<v Speaker 1>Then Adnan shows up to o Pa, seemingly turning herself

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<v Speaker 1>in while Quinn tries to reclaim some power back from Huck.

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<v Speaker 1>Moments before the interview, Fits learns about Melly's affair. Miraculously,

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<v Speaker 1>they pull it together at the last moment, as Olivia

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<v Speaker 1>and Quinn both get some shocking news at the end

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<v Speaker 1>of the episode, Wow, what the hell?

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<v Speaker 2>This episode is a ringer.

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<v Speaker 3>It's fun, it's a doozy.

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<v Speaker 2>It's a doozy and.

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<v Speaker 4>We really get This is the episode where we really

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<v Speaker 4>get the Grant kids. They have to carry a lot

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<v Speaker 4>of acting scenes.

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<v Speaker 1>Yeah, Katie, my first thought was what a couple of

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<v Speaker 1>spoiled brats. These two fucking schlubs are like they're just

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<v Speaker 1>moping around all pissed off about what, like.

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<v Speaker 4>Yeah, your mommy, ooh, you're in Dan, you're going to

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<v Speaker 4>this fancy fucking school and you're going to this fancy

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<v Speaker 4>school and you're so miserable about your parents, like when when?

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<v Speaker 1>When? And the girls like get out of my bedroom

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<v Speaker 1>and that once. I'm like, girl, I didn't even have

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<v Speaker 1>my own bedroom. At least you have your own bedroom

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<v Speaker 1>to ask somebody to get out. You're annoying me, I know.

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<v Speaker 1>And this episode starts at ten right off the.

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<v Speaker 4>Top, Yeah, I wrote dinner with Fits and Melly and

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<v Speaker 4>Karen and Jerry. It is the worst family dinner ever.

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<v Speaker 4>And he says, at the end of the day, let's

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<v Speaker 4>remember that we.

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<v Speaker 2>Love each other.

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<v Speaker 4>And then I was like, yikes, doesn't seem like nobody

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<v Speaker 4>loves nobody in this family.

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<v Speaker 1>Right, I was just gonna say really quick, and Melly

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<v Speaker 1>to the daughter, She's like, I don't know if you're

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<v Speaker 1>still vegan, but I think this is made with nuts,

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<v Speaker 1>and she's I'm just gonna eat the salad girl.

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<v Speaker 3>Whatever.

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<v Speaker 2>Whatever. Quinn does okay in this episode.

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<v Speaker 1>I listen, this is ponytail, Quinn. I call it ponytail.

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<v Speaker 1>Quinn is a bad ass. Yo. Whenever you see Quinn

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<v Speaker 1>in a ponytail, you know some badass stuff is gonna

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<v Speaker 1>go down in the episode.

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<v Speaker 2>Yes, that's exactly exactly right. But Quinn in this episode

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<v Speaker 2>is Charlie is a dog with a.

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<v Speaker 4>Bone, is going after Quinn so hard? What do you mean,

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<v Speaker 4>Huck was in your apartment? What happened in your apartment?

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<v Speaker 4>When did he push you?

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<v Speaker 2>Did he push you?

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<v Speaker 3>Before?

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<v Speaker 2>And after? And he's quizzing me. He's like, you, guys,

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<v Speaker 2>argue before, did you before he pushed you?

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<v Speaker 3>Or after he pushed She's jealous.

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<v Speaker 4>Possessive, and creepy as shit. Quinn constantly just trying to

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<v Speaker 4>calm this psychopath of a boyfriend who seems as abusive

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<v Speaker 4>and possessive and jealous as all hell. Ladies listening to

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<v Speaker 4>this podcast, if you got a boyfriend that's acting.

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<v Speaker 2>Like that, get out.

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<v Speaker 1>But yo, But Katie just ended to play devil's advocate

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<v Speaker 1>in his defense.

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<v Speaker 3>Quinn is straight up aling to him. He's he's la

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<v Speaker 3>la la lying.

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<v Speaker 1>So he has a reason to be this sort of

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<v Speaker 1>jealous and inquisitive because she's straight.

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<v Speaker 3>Up lying to him.

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<v Speaker 2>Yes she did make out.

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<v Speaker 4>Yeah, Yes, by my case, No boyfriend like that.

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<v Speaker 2>No, he's quizzing her. They're in the car. They're like

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<v Speaker 2>torturing a guy like bad.

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<v Speaker 4>They're in the clear, Aprinds, she's ponytail, Quinn, this is

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<v Speaker 4>all happening.

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<v Speaker 1>Yeah, they have Dmitri in the trunk, the guy that

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<v Speaker 1>they're gonna they're about to torture.

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<v Speaker 2>Exactly.

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<v Speaker 3>We'll be right back, guys.

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<v Speaker 2>Okay, what else do we got?

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<v Speaker 1>What?

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<v Speaker 4>Other highlights of this episode? Favorite favorite scenes.

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<v Speaker 1>This is the episode that made me think, don't these

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<v Speaker 1>people lock their doors when they're about to fuck around

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<v Speaker 1>with somebody that they're not supposed to be sucking around with,

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<v Speaker 1>even if you're will be working around with them, lock

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<v Speaker 1>the door.

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<v Speaker 3>You're in the White House.

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<v Speaker 1>Mellie goes down on Andrew Nichols and leaves the door unlocked.

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<v Speaker 3>Her daughter walks right in. What the hell? Come on,

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<v Speaker 3>I don't get it.

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<v Speaker 4>You were the best trailer locker listening ever.

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<v Speaker 1>White Trailer Debauchery Guermo was always locked.

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<v Speaker 3>It was the lock.

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<v Speaker 4>I take it from somebody who I never locked my door.

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<v Speaker 4>I never locked my trailer door. I am not a

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<v Speaker 4>door locker. Really, Yeah, it's bad. I don't like really bad,

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<v Speaker 4>and you know what, you're right because like at some

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<v Speaker 4>point my kids are coming in and I don't even

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<v Speaker 4>have locks on my door.

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<v Speaker 3>You don't. Oh wow, do.

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<v Speaker 2>You have locks on your bedroom door in your house?

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<v Speaker 3>Yeah, there's a lock on the bedroom door. There's a

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<v Speaker 3>lock in the room I'm in right now.

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<v Speaker 1>The lock is a horse that slides overcause they don't

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<v Speaker 1>have the secret bookcase in this room that I'm in.

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<v Speaker 4>Oh yeah, because you grew up with three boys in

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<v Speaker 4>a bedroom and like you didn't have any of your

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<v Speaker 4>own space ever.

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<v Speaker 1>Probably and now I like privacy, like don't be coming

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<v Speaker 1>in my room unless you knock. And even on set

0:11:07.200 --> 0:11:10.040
<v Speaker 1>I remember, and not only on Scandal, on other projects

0:11:10.360 --> 0:11:12.880
<v Speaker 1>people would you know the ad Will the eighty or

0:11:12.880 --> 0:11:14.000
<v Speaker 1>their second and whoever comes to.

0:11:13.920 --> 0:11:16.079
<v Speaker 2>Get your base camp, whoever's like running base.

0:11:15.920 --> 0:11:19.760
<v Speaker 1>Camp like a courtesy knock and then open the door, No, bitch,

0:11:20.160 --> 0:11:23.040
<v Speaker 1>knock and then wait for me to open the door,

0:11:23.160 --> 0:11:25.800
<v Speaker 1>enter or us or you open the door your ex exactly.

0:11:25.840 --> 0:11:27.520
<v Speaker 3>Don't be opening the door after you knock.

0:11:27.840 --> 0:11:31.319
<v Speaker 1>This episode also reminds me of the shenanigans that were

0:11:31.320 --> 0:11:35.040
<v Speaker 1>going on when Kelly on Conway Hasty Secretary yea.

0:11:35.040 --> 0:11:35.840
<v Speaker 3>And her kids.

0:11:35.880 --> 0:11:38.680
<v Speaker 1>Do you remember her daughter was like on TikTok, totally

0:11:38.720 --> 0:11:39.960
<v Speaker 1>talking shit about her mother.

0:11:40.240 --> 0:11:42.120
<v Speaker 4>And this is what's happening in the episode, because we

0:11:42.280 --> 0:11:47.520
<v Speaker 4>learned that Jerry Junior has created some fake Twitter account

0:11:47.720 --> 0:11:52.360
<v Speaker 4>or something that's super against his dad's presidency and her

0:11:52.360 --> 0:11:56.440
<v Speaker 4>his dad running for a second term. Yes, talk and

0:11:56.600 --> 0:11:58.880
<v Speaker 4>abby they like shut the Twitter account down.

0:11:59.000 --> 0:12:01.960
<v Speaker 1>Yes, and he's playing on wearing that shirt. Oh yeah,

0:12:02.120 --> 0:12:06.000
<v Speaker 1>the governor resting like wear is about.

0:12:05.840 --> 0:12:08.720
<v Speaker 4>To come out there, this little spoiled privileged shit. Yeah,

0:12:08.720 --> 0:12:11.560
<v Speaker 4>and come out there wearing a governor rest.

0:12:11.240 --> 0:12:11.920
<v Speaker 2>In t shirt.

0:12:12.000 --> 0:12:12.200
<v Speaker 3>Yep.

0:12:12.440 --> 0:12:15.160
<v Speaker 1>But Olivia's bitey senses catch that, right, because when she's

0:12:15.200 --> 0:12:18.600
<v Speaker 1>having that little talk with with Jerry and Karen, she

0:12:18.800 --> 0:12:20.680
<v Speaker 1>then she talks out and remember who she talks about.

0:12:20.679 --> 0:12:22.480
<v Speaker 1>She's like there was something off. I'm not sure what

0:12:22.559 --> 0:12:25.160
<v Speaker 1>it is, but look into those kids, and she was right.

0:12:25.720 --> 0:12:29.280
<v Speaker 3>She was spault spolt on.

0:12:30.000 --> 0:12:33.160
<v Speaker 2>Okay, what else did we like in this episode? I'm okay.

0:12:33.240 --> 0:12:35.439
<v Speaker 2>I wrote and add Non and Harrison fuck again.

0:12:35.640 --> 0:12:35.920
<v Speaker 1>Yay?

0:12:36.400 --> 0:12:38.440
<v Speaker 3>Yeah it sure did.

0:12:39.040 --> 0:12:45.240
<v Speaker 4>They have sex again? I think the entire section Melly

0:12:45.559 --> 0:12:50.840
<v Speaker 4>is going down on andrew daughter. Karen walks in sees

0:12:50.920 --> 0:12:56.360
<v Speaker 4>it storms out, Melly goes running after her. Karen is crying,

0:12:57.200 --> 0:13:00.600
<v Speaker 4>and Fits also comes in, and now every buddy's there,

0:13:00.840 --> 0:13:02.720
<v Speaker 4>and Karen's like, Melly.

0:13:02.520 --> 0:13:07.360
<v Speaker 2>Is screwing Uncle Andrew and Fits.

0:13:07.679 --> 0:13:13.160
<v Speaker 4>That's how Fitz learns that Melly is having an affair

0:13:13.920 --> 0:13:16.960
<v Speaker 4>with his best friend of a million years, who's sharing

0:13:17.000 --> 0:13:20.520
<v Speaker 4>the ticket with Andrew Nichols. And I just love so

0:13:20.600 --> 0:13:22.400
<v Speaker 4>much how that all unraveled. And then it's just so

0:13:22.520 --> 0:13:25.760
<v Speaker 4>sad because they're in this horrible fight and we realize

0:13:25.880 --> 0:13:30.600
<v Speaker 4>that Fits isn't upset because she's cheating. He's upset because

0:13:31.200 --> 0:13:34.520
<v Speaker 4>he just thought she was like done with being sexual,

0:13:34.640 --> 0:13:37.680
<v Speaker 4>because we flashed back to the time when Jerry Grant

0:13:38.120 --> 0:13:41.240
<v Speaker 4>raped her, and every time after that that Fitz would

0:13:41.240 --> 0:13:43.480
<v Speaker 4>try to touch her, she like cowers.

0:13:43.040 --> 0:13:45.240
<v Speaker 2>Away, and obviously there's so much trauma there.

0:13:45.679 --> 0:13:48.760
<v Speaker 4>And he was like, I just thought you fell out

0:13:48.800 --> 0:13:51.560
<v Speaker 4>of love with me, you didn't like sex anymore, and

0:13:51.760 --> 0:13:54.160
<v Speaker 4>you had the baby, and that happens to women sometimes

0:13:54.240 --> 0:13:56.680
<v Speaker 4>when they get pregnant and have babies, and Babe didn't

0:13:56.679 --> 0:13:58.360
<v Speaker 4>want me, and he was like, really, I'm just heartbroken

0:13:58.440 --> 0:14:00.280
<v Speaker 4>that it's not that you didn't want sex.

0:14:00.320 --> 0:14:01.560
<v Speaker 2>It's that you didn't want me me.

0:14:02.120 --> 0:14:03.760
<v Speaker 3>Yeah, that was such a great scene.

0:14:03.760 --> 0:14:06.400
<v Speaker 1>But then you see it on Bellamy's face, on Melly's

0:14:06.400 --> 0:14:09.640
<v Speaker 1>face that she wants to tell him, but she just can't.

0:14:09.720 --> 0:14:12.400
<v Speaker 1>She knows that it'll destroy fits if she tells him

0:14:12.679 --> 0:14:13.920
<v Speaker 1>that your dad raped me.

0:14:14.080 --> 0:14:14.760
<v Speaker 3>That's time.

0:14:14.880 --> 0:14:16.360
<v Speaker 2>I'm like, can she just tell him?

0:14:16.480 --> 0:14:18.400
<v Speaker 3>Oh, just fucking tell him. Isn't he dead at this

0:14:18.440 --> 0:14:19.080
<v Speaker 3>point already?

0:14:19.560 --> 0:14:21.360
<v Speaker 2>Yeah, he's dead, Just tell him.

0:14:21.440 --> 0:14:24.320
<v Speaker 4>Maybe she's I think she's not really telling him because

0:14:24.360 --> 0:14:28.480
<v Speaker 4>she's still afraid that the sun might not be fitz.

0:14:29.120 --> 0:14:31.000
<v Speaker 3>Oh. Maybe at this point she's.

0:14:31.040 --> 0:14:35.440
<v Speaker 4>Like situation, yeah, and I think she's more heartbroken that

0:14:35.520 --> 0:14:37.320
<v Speaker 4>their kid might not be theirs.

0:14:37.360 --> 0:14:38.760
<v Speaker 3>It might be, yes, yes.

0:14:39.200 --> 0:14:41.200
<v Speaker 1>But there's also that moment, Katie that you were just

0:14:41.200 --> 0:14:44.880
<v Speaker 1>talking about when Karen walks in on Melly on her

0:14:44.960 --> 0:14:47.600
<v Speaker 1>knees and she storms out, and then Olivia comes out

0:14:48.000 --> 0:14:51.600
<v Speaker 1>and bumps into Melly with her dress half off and

0:14:51.640 --> 0:14:54.800
<v Speaker 1>Mellie's and Olivia's like, oh my god, oh my god.

0:14:55.160 --> 0:14:59.200
<v Speaker 4>Again we lock them doors, lock them doors, Like why

0:14:59.240 --> 0:15:00.640
<v Speaker 4>are you locked them doors?

0:15:01.680 --> 0:15:04.520
<v Speaker 1>With the White House like you're doing this. Do you

0:15:04.560 --> 0:15:06.760
<v Speaker 1>think Bill Clinton locked that door when he was doing

0:15:06.760 --> 0:15:10.080
<v Speaker 1>the nasty Monica Lewinsky.

0:15:10.240 --> 0:15:14.200
<v Speaker 4>He must have he must have adored.

0:15:16.080 --> 0:15:17.360
<v Speaker 2>I can't.

0:15:17.600 --> 0:15:20.680
<v Speaker 4>There's like a very sexual moment for people who like

0:15:20.760 --> 0:15:22.720
<v Speaker 4>the steamy, steamy sins.

0:15:22.440 --> 0:15:26.240
<v Speaker 2>Of Steamy Sins of Scandal.

0:15:26.280 --> 0:15:28.720
<v Speaker 4>But I wrote whoa Fitz and Olivia are making out

0:15:28.760 --> 0:15:30.720
<v Speaker 4>in their area of the Oval office, and at the

0:15:30.720 --> 0:15:32.640
<v Speaker 4>same time, Millie and Andrew were making out in the

0:15:32.680 --> 0:15:35.400
<v Speaker 4>dining room and it's hot and he's like asking her

0:15:35.680 --> 0:15:39.520
<v Speaker 4>do you like it there or there? And she's like

0:15:40.000 --> 0:15:43.440
<v Speaker 4>both And it's like heavy breathing.

0:15:43.360 --> 0:15:44.560
<v Speaker 3>What the what?

0:15:44.920 --> 0:15:48.560
<v Speaker 1>And people are worried about me having sex in my trailer. Meanwhile,

0:15:48.600 --> 0:15:50.920
<v Speaker 1>this show, look at this, He's got his hand up

0:15:50.920 --> 0:15:51.440
<v Speaker 1>her skirt.

0:15:51.720 --> 0:15:53.520
<v Speaker 3>You like it there or there?

0:15:54.600 --> 0:15:55.800
<v Speaker 2>Who is writing this?

0:15:55.920 --> 0:15:59.520
<v Speaker 4>And also yay us, I'm always about it because I'm like,

0:15:59.560 --> 0:16:02.960
<v Speaker 4>you know what, our show was super violent. I feel

0:16:02.960 --> 0:16:05.200
<v Speaker 4>like Shanda used to always be like, it's crazy how

0:16:05.360 --> 0:16:08.400
<v Speaker 4>standards and practices the organization that sort of clears what

0:16:08.480 --> 0:16:12.560
<v Speaker 4>can be put on a network show. It's like unbelievable

0:16:12.600 --> 0:16:16.000
<v Speaker 4>what goes through in terms of violence, but what oh

0:16:16.120 --> 0:16:20.200
<v Speaker 4>yeah gets flagged in terms of sexual activity.

0:16:20.280 --> 0:16:21.280
<v Speaker 2>It's just crazy.

0:16:21.480 --> 0:16:23.240
<v Speaker 1>Yeah, it's such a it's such a I don't know

0:16:23.240 --> 0:16:26.400
<v Speaker 1>if double standard is the right word or it's shocking

0:16:26.520 --> 0:16:30.320
<v Speaker 1>that they'll show like someone's head getting blown off, Yes,

0:16:30.360 --> 0:16:32.960
<v Speaker 1>but if you put your hand up someone's skirt, like

0:16:33.080 --> 0:16:34.560
<v Speaker 1>that's an issue.

0:16:34.200 --> 0:16:36.720
<v Speaker 2>Yeah, or you know what I meanst once like sexes

0:16:36.920 --> 0:16:37.760
<v Speaker 2>like yes.

0:16:38.560 --> 0:16:38.880
<v Speaker 3>Yes.

0:16:39.600 --> 0:16:42.360
<v Speaker 1>Another scene, Katie that stuck out to me. In this episode,

0:16:42.400 --> 0:16:46.640
<v Speaker 1>there's a phone call between Maya Pope and Olivia and

0:16:47.400 --> 0:16:52.680
<v Speaker 1>where Live calls Maya a terrorist and Maya's all, Sweetie,

0:16:53.200 --> 0:16:56.240
<v Speaker 1>you're the help doing this work for all these white people.

0:16:56.880 --> 0:16:57.880
<v Speaker 3>What about you, girl?

0:16:58.000 --> 0:17:00.440
<v Speaker 1>I'm not gonna how about I don't mess into your

0:17:00.480 --> 0:17:03.400
<v Speaker 1>business and you don't go into my business and will

0:17:03.440 --> 0:17:05.640
<v Speaker 1>be good. Oh but that's such a powerful scene because

0:17:05.640 --> 0:17:08.040
<v Speaker 1>that's that you could see the light bulb go off

0:17:08.040 --> 0:17:11.399
<v Speaker 1>in Olivia's head of her thinking, oh my god, am

0:17:11.480 --> 0:17:12.560
<v Speaker 1>I just the help?

0:17:12.800 --> 0:17:14.840
<v Speaker 4>And she feels like the help in this episode. I mean,

0:17:14.840 --> 0:17:17.280
<v Speaker 4>I might be a dick, but like, yeah, she's running

0:17:17.320 --> 0:17:23.400
<v Speaker 4>around cleaning up oh yeah, after their stupid, fucking trivial

0:17:23.560 --> 0:17:26.600
<v Speaker 4>family scenes to get this family in a place where

0:17:26.600 --> 0:17:29.400
<v Speaker 4>they could do a family interview that's supposed to help

0:17:29.480 --> 0:17:32.600
<v Speaker 4>him and his election to second term. And it's like

0:17:32.640 --> 0:17:35.280
<v Speaker 4>the whole time she's running around cleaning up you know

0:17:35.600 --> 0:17:37.679
<v Speaker 4>this one, give it a blowjob to this one and

0:17:37.720 --> 0:17:40.320
<v Speaker 4>this son fucking wearing this T shirt and wearing this

0:17:40.400 --> 0:17:42.840
<v Speaker 4>Twitter account and like Karen won't go on in the

0:17:42.880 --> 0:17:43.800
<v Speaker 4>school play.

0:17:43.640 --> 0:17:44.440
<v Speaker 2>Or like whatever it is.

0:17:44.840 --> 0:17:48.440
<v Speaker 4>Yeah, and then this follows itself where she asks Cyrus,

0:17:48.440 --> 0:17:52.119
<v Speaker 4>She's like, are we just the help? Like what am

0:17:52.160 --> 0:17:55.959
<v Speaker 4>I doing? Is this worth it? Like I am like

0:17:56.040 --> 0:17:56.760
<v Speaker 4>this sucks.

0:17:57.040 --> 0:17:57.600
<v Speaker 3>Yeah.

0:17:57.640 --> 0:18:00.520
<v Speaker 1>But then and it's also it's such a power scene

0:18:00.520 --> 0:18:03.960
<v Speaker 1>when Fits is arguing with Mellie after he finds out

0:18:03.960 --> 0:18:06.520
<v Speaker 1>that she's messing around with Andrew Nichols, and Olivia comes

0:18:06.560 --> 0:18:07.920
<v Speaker 1>in and she's like, you guys, you have to knock,

0:18:08.160 --> 0:18:10.280
<v Speaker 1>and Fitch turns on her and says, I'm.

0:18:10.080 --> 0:18:14.280
<v Speaker 3>Talking to my wife. Oh, and that just is she feels.

0:18:14.000 --> 0:18:17.880
<v Speaker 4>Like the help, she shook. Yes, she feels like the help.

0:18:17.920 --> 0:18:20.040
<v Speaker 4>She feels like the mistress, she feels like the woman,

0:18:20.240 --> 0:18:23.359
<v Speaker 4>she feels like a side piece, she feels all those

0:18:23.400 --> 0:18:25.840
<v Speaker 4>things tiny and shitty.

0:18:25.520 --> 0:18:30.080
<v Speaker 1>And yeah, but in an instant he regreted immediately, Yes, yes, yes,

0:18:30.400 --> 0:18:31.240
<v Speaker 1>such a great.

0:18:31.040 --> 0:18:32.639
<v Speaker 2>Scene, such a great scene.

0:18:32.680 --> 0:18:35.000
<v Speaker 1>But then from that point on, Olivia's like, this is

0:18:35.119 --> 0:18:38.320
<v Speaker 1>my job. I am here to work. This is my job.

0:18:38.400 --> 0:18:41.200
<v Speaker 3>She's like, oh no, no more of this help nonsense.

0:18:41.720 --> 0:18:49.200
<v Speaker 4>Yeah, we will be back with more after the break.

0:18:49.920 --> 0:18:52.360
<v Speaker 2>Wait, what the hell is Hawk doing in this episode?

0:18:53.160 --> 0:18:56.399
<v Speaker 1>In this episode, he's trying to get Quinn back. Remember,

0:18:56.440 --> 0:18:58.360
<v Speaker 1>he's trying to get her out of be six thirteen.

0:18:59.040 --> 0:19:02.880
<v Speaker 2>This is that scene, Kata this Hollywood Cemetery.

0:19:03.160 --> 0:19:09.800
<v Speaker 4>Yes, yes, oh my god, I remember Tony Goldwyn directing

0:19:09.880 --> 0:19:11.040
<v Speaker 4>this scene with us.

0:19:11.080 --> 0:19:11.920
<v Speaker 2>Do you remember this?

0:19:12.240 --> 0:19:15.440
<v Speaker 1>I remember shooting it at Hollywood Cemetery. I remember being

0:19:15.440 --> 0:19:19.080
<v Speaker 1>there with you, but I don't remember him directing it.

0:19:19.119 --> 0:19:19.880
<v Speaker 3>Isn't that weird?

0:19:20.280 --> 0:19:21.080
<v Speaker 2>This is what I remember?

0:19:21.080 --> 0:19:23.600
<v Speaker 4>Okay, So for gladiators listening, this is the scene where

0:19:24.840 --> 0:19:27.080
<v Speaker 4>obviously Huck and Quinn have like texted and be like,

0:19:27.200 --> 0:19:29.840
<v Speaker 4>let's meet at this super fucking shady bridge in this

0:19:30.040 --> 0:19:32.800
<v Speaker 4>terrifying cemetery because this is the ship that turns us on.

0:19:33.119 --> 0:19:35.000
<v Speaker 4>We're standing on this bridge and we're both in our

0:19:35.040 --> 0:19:40.280
<v Speaker 4>leather coats and I lick your face. Oh and then

0:19:40.320 --> 0:19:44.280
<v Speaker 4>we make out yeah pretty hotly in my opinion.

0:19:44.760 --> 0:19:48.560
<v Speaker 1>Yeah, well, she says, yeah, that says something like you

0:19:48.600 --> 0:19:50.760
<v Speaker 1>were ready to kill me and you licked my face.

0:19:50.800 --> 0:19:52.760
<v Speaker 1>You were ready to kill me. But then when your

0:19:52.800 --> 0:19:55.600
<v Speaker 1>tongue goes in my mouth, that's a whole different story.

0:19:55.640 --> 0:19:59.399
<v Speaker 1>Now that changes everything. And then Quinn licks huck and

0:19:59.440 --> 0:20:00.800
<v Speaker 1>she's like, I'm to give you a taste of your

0:20:00.800 --> 0:20:01.560
<v Speaker 1>own medicine.

0:20:01.960 --> 0:20:04.800
<v Speaker 4>But yeah, oh, you pull my teeth out, you lick

0:20:04.960 --> 0:20:07.800
<v Speaker 4>my face. And now that I've shoved my tongue down

0:20:07.840 --> 0:20:09.840
<v Speaker 4>your throat, Oh now you like me. Now you want

0:20:09.840 --> 0:20:11.680
<v Speaker 4>me back, Now you want me a O pa.

0:20:12.080 --> 0:20:14.200
<v Speaker 1>Yes, because the last time we saw them make out

0:20:14.280 --> 0:20:16.800
<v Speaker 1>was in Quinn's apartment when they have that.

0:20:17.080 --> 0:20:20.440
<v Speaker 2>Where he and what I'm lying to Charlie about, nothing happened.

0:20:20.440 --> 0:20:22.080
<v Speaker 4>He didn't do anything. He pushed me, like, we didn't

0:20:22.080 --> 0:20:23.560
<v Speaker 4>make out. I'm not super into this dude.

0:20:23.720 --> 0:20:26.080
<v Speaker 3>Super yes, yes, super We take.

0:20:25.960 --> 0:20:27.879
<v Speaker 4>Out And this is what I remember about twenty Goldwin

0:20:27.960 --> 0:20:30.360
<v Speaker 4>saying it was we shot that scene at night.

0:20:30.520 --> 0:20:32.399
<v Speaker 2>Oh yeah, and it was really dark.

0:20:33.000 --> 0:20:36.320
<v Speaker 4>This is our six degrees of horror because we literally

0:20:36.720 --> 0:20:39.639
<v Speaker 4>for g on this episode because we literally shot this

0:20:39.760 --> 0:20:42.680
<v Speaker 4>scene in the Hollywood Forever Cemetery, which was so cool

0:20:42.720 --> 0:20:43.000
<v Speaker 4>to do.

0:20:43.160 --> 0:20:46.160
<v Speaker 3>It's so cool. It's such a beautiful space.

0:20:46.160 --> 0:20:49.160
<v Speaker 4>It's such a beautiful cemetery, and it's so filled with

0:20:49.400 --> 0:20:54.920
<v Speaker 4>just Hollywood legends. Yeah, and you Ben Garland watch movies there,

0:20:55.200 --> 0:20:55.800
<v Speaker 4>Judy Garland.

0:20:55.880 --> 0:20:58.399
<v Speaker 3>Judy Garland is buried there. Who else? I feel like

0:20:58.440 --> 0:21:02.200
<v Speaker 3>Marilyn Monroe may. I don't know. It's just a ton of.

0:21:02.280 --> 0:21:04.640
<v Speaker 4>I want to see, but I do remember Tony Goldwyn,

0:21:04.760 --> 0:21:09.240
<v Speaker 4>who's like the king of on camera makeouts, who's buried

0:21:09.280 --> 0:21:15.800
<v Speaker 4>hold On in Hollywood Forever Cemetery. He came up to

0:21:15.880 --> 0:21:18.600
<v Speaker 4>us and said, you know, it's really dark and you

0:21:18.720 --> 0:21:23.160
<v Speaker 4>guys are just like smashing your faces into each other

0:21:24.640 --> 0:21:26.960
<v Speaker 4>to make out, which obviously we were very good at that,

0:21:27.359 --> 0:21:29.000
<v Speaker 4>but he was like, I need there to be some

0:21:29.960 --> 0:21:33.159
<v Speaker 4>like some breaking a part of the kissing because I

0:21:33.440 --> 0:21:35.320
<v Speaker 4>am having a hard time seeing it because it's all

0:21:35.359 --> 0:21:37.800
<v Speaker 4>this looking like a dark mashed potato.

0:21:38.720 --> 0:21:40.680
<v Speaker 2>And do you like my direction there?

0:21:41.000 --> 0:21:43.760
<v Speaker 4>I love it, And instead, so I think that's why, Like,

0:21:44.000 --> 0:21:46.720
<v Speaker 4>if you really study our smooching in that scene, it's

0:21:46.760 --> 0:21:50.120
<v Speaker 4>a lot more like I think you can just see

0:21:50.119 --> 0:21:52.120
<v Speaker 4>a little bit more space between our we.

0:21:52.040 --> 0:21:54.800
<v Speaker 1>Make out close up and then I pull your face

0:21:54.880 --> 0:21:57.880
<v Speaker 1>back and what we wanted and then we both stick

0:21:57.920 --> 0:21:59.880
<v Speaker 1>out our tongues, do you remember, and we like our

0:22:00.080 --> 0:22:01.280
<v Speaker 1>licking each other's tongues.

0:22:01.680 --> 0:22:06.160
<v Speaker 3>It's fucking crazy. I just watched it yesterday.

0:22:06.320 --> 0:22:10.199
<v Speaker 2>Oh my god. Coordinator like, oh how do you do that?

0:22:10.320 --> 0:22:13.199
<v Speaker 4>Now you have to be like, I think this is

0:22:13.240 --> 0:22:16.119
<v Speaker 4>the part where your lung tongue licks your tongue but

0:22:16.200 --> 0:22:19.440
<v Speaker 4>your lips aren't touching these we are sick.

0:22:19.440 --> 0:22:21.320
<v Speaker 3>Ohs I love it, okay, but it's such a good scene.

0:22:21.359 --> 0:22:24.120
<v Speaker 1>And then Quinn walks away, she gives she makes out

0:22:24.119 --> 0:22:26.480
<v Speaker 1>with him, does all that, and she's yeah, that's right,

0:22:26.600 --> 0:22:28.920
<v Speaker 1>that's how it is or something like that, and I

0:22:29.040 --> 0:22:32.280
<v Speaker 1>say that, yeah, yeah, you say, yeah, that's how it is.

0:22:33.440 --> 0:22:36.480
<v Speaker 1>And Hawk is just standing there like, oh my god,

0:22:36.600 --> 0:22:37.480
<v Speaker 1>I love Gwynn.

0:22:37.640 --> 0:22:38.639
<v Speaker 2>Okay, this is crazy.

0:22:38.640 --> 0:22:43.840
<v Speaker 4>This is who's buried there, Demil, Rudolph Valentino, Mickey Rooney,

0:22:44.080 --> 0:22:48.760
<v Speaker 4>Tyrone Power, Douglas Fairbanks, Johnny and d Ramone, Chris Cornell,

0:22:49.720 --> 0:22:54.800
<v Speaker 4>Humphrey Bogart, Elizabeth Taylor, Senser, Tracy, Jimmy Stewart, Michael Jackson.

0:22:54.880 --> 0:22:59.040
<v Speaker 4>This is the other location, Nat King, Cole, Natalie Cole

0:23:00.240 --> 0:23:04.360
<v Speaker 4>Garland place is Why did everyone want to get buried there?

0:23:05.080 --> 0:23:08.000
<v Speaker 4>I haven't seen Judy Garland's gravestone? Have you ever seen that?

0:23:08.040 --> 0:23:11.119
<v Speaker 3>I have I've seen it. Yeah, is it cool? It

0:23:11.280 --> 0:23:15.080
<v Speaker 3>is really cool. It is. I'm so happy we got

0:23:15.080 --> 0:23:16.159
<v Speaker 3>to film there, I know.

0:23:16.960 --> 0:23:20.959
<v Speaker 4>And it's really cool because there's a ton of like mausoleums, yes, yes,

0:23:21.119 --> 0:23:23.959
<v Speaker 4>and building structures that are really cool.

0:23:24.160 --> 0:23:25.120
<v Speaker 3>Oh yeah, yeah yeah.

0:23:25.160 --> 0:23:27.600
<v Speaker 1>Do you remember the scene to Katie where we're making out.

0:23:28.359 --> 0:23:30.639
<v Speaker 1>I think after we're done making out in the shot,

0:23:30.680 --> 0:23:33.959
<v Speaker 1>put sort of pulls in switches into a wide You

0:23:34.080 --> 0:23:38.520
<v Speaker 1>just see this random swan just swim up right below us.

0:23:38.560 --> 0:23:39.280
<v Speaker 3>Do you remember that.

0:23:39.520 --> 0:23:42.399
<v Speaker 2>I totally remember that. I feel like it's in the shot.

0:23:42.680 --> 0:23:44.960
<v Speaker 3>Yeah. Oh yeah, it's totally in the shot. But that's

0:23:45.000 --> 0:23:46.240
<v Speaker 3>a show swan people.

0:23:46.680 --> 0:23:49.359
<v Speaker 4>It was awesome to shoot there, and I love shooting

0:23:49.359 --> 0:23:51.880
<v Speaker 4>that scene, and I feel like it's an iconic, iconic

0:23:52.600 --> 0:23:54.160
<v Speaker 4>awesome quinnin Hook.

0:23:54.080 --> 0:23:57.280
<v Speaker 1>Insane Listen, there's a lot of punching in this episode.

0:23:57.440 --> 0:24:01.280
<v Speaker 1>Huck Punch is a B six thirteen agent fits punches

0:24:01.320 --> 0:24:04.919
<v Speaker 1>Andrew Nichols and Quinn and Huck punch each other with

0:24:05.000 --> 0:24:08.240
<v Speaker 1>their tongues. There's a lot of punching in this episode, y'all.

0:24:10.080 --> 0:24:14.800
<v Speaker 4>Where we covered I don't remember anything about the fashion

0:24:14.880 --> 0:24:15.680
<v Speaker 4>to you, I don't.

0:24:16.040 --> 0:24:20.800
<v Speaker 1>I don't the horror stuff. Listen, Mattalie Carroll who played Karen.

0:24:20.840 --> 0:24:22.240
<v Speaker 1>That's her name right, the daughter?

0:24:22.600 --> 0:24:22.879
<v Speaker 2>Yes?

0:24:23.000 --> 0:24:25.840
<v Speaker 3>Is it Karen? She was on R.

0:24:26.040 --> 0:24:29.639
<v Speaker 1>L Stein a TV series called The Haunting Hour and R.

0:24:29.760 --> 0:24:33.480
<v Speaker 1>L Stein is the person that created Goosebumps. Do you

0:24:33.520 --> 0:24:35.000
<v Speaker 1>remember Goosebumps? Of course?

0:24:35.040 --> 0:24:37.119
<v Speaker 3>I love I Love Goosebumps.

0:24:37.119 --> 0:24:39.480
<v Speaker 1>And then they made the movie with Jack Black and

0:24:39.560 --> 0:24:43.280
<v Speaker 1>Dylan Mannette is the lead guy in Goosebumps the movie.

0:24:43.600 --> 0:24:44.879
<v Speaker 2>Who's Dylan Mannette?

0:24:45.000 --> 0:24:46.040
<v Speaker 3>He plays Jerry.

0:24:46.920 --> 0:24:49.720
<v Speaker 2>Oh my god? Did Jerry and Karen have like a

0:24:49.760 --> 0:24:51.320
<v Speaker 2>couple degrees separation.

0:24:51.000 --> 0:24:54.000
<v Speaker 3>Of Yes, they sure do. But also Katie.

0:24:54.040 --> 0:24:56.320
<v Speaker 1>One of my favorite things in this episode is at

0:24:56.359 --> 0:24:59.000
<v Speaker 1>the end when everybody makes up and they're like, Okay,

0:24:59.000 --> 0:25:01.040
<v Speaker 1>we're gonna be good to each other, We're gonna make

0:25:01.080 --> 0:25:04.120
<v Speaker 1>this interview work. And they all sit down, but then

0:25:04.640 --> 0:25:08.720
<v Speaker 1>Olivia walks in with freaking baby Gomez from Adam's family.

0:25:09.440 --> 0:25:12.600
<v Speaker 1>The little baby what's his name? I was like, what

0:25:12.720 --> 0:25:12.879
<v Speaker 1>is he?

0:25:13.680 --> 0:25:14.120
<v Speaker 3>Teddy?

0:25:14.280 --> 0:25:17.840
<v Speaker 1>I was like, what is this freaking little baby Gomez

0:25:17.960 --> 0:25:19.600
<v Speaker 1>freaking Adam's family doing here?

0:25:19.600 --> 0:25:20.520
<v Speaker 3>Where's the mustache?

0:25:20.720 --> 0:25:26.320
<v Speaker 2>Baby Gomez? I am dis ceased baby Gomez?

0:25:26.960 --> 0:25:30.320
<v Speaker 4>But does he look and I'm still sticking to my

0:25:30.480 --> 0:25:33.600
<v Speaker 4>story that baby Teddy was a girl that they kept

0:25:33.680 --> 0:25:38.120
<v Speaker 4>cutting to having boy haircuts. I really think that's what

0:25:38.200 --> 0:25:41.520
<v Speaker 4>was happening, if I remember correctly, that happening in the trailer, and.

0:25:41.560 --> 0:25:42.720
<v Speaker 3>Also wrote really quickly.

0:25:42.720 --> 0:25:44.840
<v Speaker 1>Maddeline Cara, who played Karen, was also in a movie

0:25:44.840 --> 0:25:47.400
<v Speaker 1>called When a Stranger Calls, which is an amazing.

0:25:47.400 --> 0:25:49.359
<v Speaker 2>Hall She's really good at that shit.

0:25:49.760 --> 0:25:53.600
<v Speaker 4>Yeah yeah, yeah, Now wait, Germo's Six Degrees of Horror.

0:25:53.640 --> 0:25:54.800
<v Speaker 2>I see in our notes here.

0:25:55.320 --> 0:25:55.959
<v Speaker 3>Oh yeah that.

0:25:56.040 --> 0:25:58.879
<v Speaker 4>In addition to Friday the Thirteenth, Tony Goldwyn, who directed

0:25:58.880 --> 0:26:01.560
<v Speaker 4>this episode, was in The belt Co Experiment in twenty sixteen,

0:26:01.560 --> 0:26:04.440
<v Speaker 4>which is a twisted social experiment. Eighty Americans are locked

0:26:04.480 --> 0:26:06.359
<v Speaker 4>in their high rise corporate office in book at That

0:26:06.520 --> 0:26:10.920
<v Speaker 4>Columbia and it's scary. There's an episode of Really Known,

0:26:11.400 --> 0:26:14.000
<v Speaker 4>an anthology about a man with a blog that searches

0:26:14.040 --> 0:26:17.439
<v Speaker 4>for the truth behind supernatural phenomenon documents people's stories of

0:26:17.440 --> 0:26:19.560
<v Speaker 4>their experiences with the unknown. And then oh, I didn't

0:26:19.560 --> 0:26:21.200
<v Speaker 4>know this. He was in the Last House on the Left.

0:26:21.680 --> 0:26:23.880
<v Speaker 3>Yes, that's right to well, I've.

0:26:23.800 --> 0:26:25.280
<v Speaker 2>Ever seen that movie.

0:26:25.560 --> 0:26:27.240
<v Speaker 3>You have to see it. It's really good, is it

0:26:27.320 --> 0:26:27.800
<v Speaker 3>so scary?

0:26:29.280 --> 0:26:30.080
<v Speaker 2>Was it so scary?

0:26:30.240 --> 0:26:32.040
<v Speaker 1>It's scary, but it's not crazy scary. I don't think

0:26:32.040 --> 0:26:34.080
<v Speaker 1>it's a super super scary film.

0:26:34.200 --> 0:26:35.879
<v Speaker 3>But it's good. I think I could handle it. I

0:26:35.880 --> 0:26:37.400
<v Speaker 3>could handle it like you could handle it.

0:26:37.520 --> 0:26:39.400
<v Speaker 2>Yeah, okay, some tweets.

0:26:42.160 --> 0:26:43.400
<v Speaker 3>I have to whistle?

0:26:43.880 --> 0:26:47.840
<v Speaker 4>Could we do it? Could we actually whistle? If you

0:26:47.880 --> 0:26:51.280
<v Speaker 4>were going to whistle? The soundtrack to Scandal?

0:26:52.359 --> 0:26:54.000
<v Speaker 3>Oh god, I'm a terrible whistler.

0:26:54.160 --> 0:26:54.760
<v Speaker 2>How does it go?

0:26:54.960 --> 0:26:56.920
<v Speaker 4>It's really hard because it's not really like a melody?

0:26:57.680 --> 0:26:59.040
<v Speaker 4>What's the one minute song?

0:27:00.280 --> 0:27:00.399
<v Speaker 2>No?

0:27:00.920 --> 0:27:03.040
<v Speaker 3>I don't even know. I'm errol. I can't, I can't,

0:27:04.119 --> 0:27:04.760
<v Speaker 3>I can't.

0:27:04.920 --> 0:27:08.000
<v Speaker 4>Okay, we tried, We tried, But let us read some

0:27:08.080 --> 0:27:13.080
<v Speaker 4>of your tweets. Okay at no MG just Jordan Jasimone

0:27:13.080 --> 0:27:15.920
<v Speaker 4>tweeted on March twenty seven to twenty fourteen, my TV family,

0:27:16.720 --> 0:27:18.440
<v Speaker 4>Quinn will come back one day.

0:27:18.560 --> 0:27:20.040
<v Speaker 2>Oh she likes Quinn.

0:27:20.760 --> 0:27:24.480
<v Speaker 1>Let's see bella Dame noir, tweeted Tony Goldwin. Since you

0:27:24.560 --> 0:27:27.719
<v Speaker 1>directed tonight's episode, nothing will be FITs' fault?

0:27:27.920 --> 0:27:31.919
<v Speaker 3>Right? Please say you edited that out? At Tom Verica

0:27:32.000 --> 0:27:32.960
<v Speaker 3>hashtag scandal.

0:27:34.320 --> 0:27:36.119
<v Speaker 2>Oh well that means, but what the hell is I

0:27:36.160 --> 0:27:36.639
<v Speaker 2>think she's.

0:27:36.520 --> 0:27:39.000
<v Speaker 1>Trying to say that it ends up looking like none

0:27:39.000 --> 0:27:40.960
<v Speaker 1>of this was fits his fault, which I don't agree with.

0:27:41.080 --> 0:27:43.160
<v Speaker 1>I think you see again the regret when he yells

0:27:43.200 --> 0:27:44.119
<v Speaker 1>at Olivia and.

0:27:44.160 --> 0:27:44.840
<v Speaker 2>Yeah, all of that.

0:27:45.600 --> 0:27:50.760
<v Speaker 4>Yeah. Emily Favreau tweeted a picture, Hey at Tony goldwhen

0:27:50.800 --> 0:27:55.080
<v Speaker 4>we think you look like at TVA eight who also

0:27:55.160 --> 0:27:56.200
<v Speaker 4>worked in the White House.

0:27:56.560 --> 0:27:58.560
<v Speaker 2>Think Fitz would hire him? Who is that?

0:27:58.720 --> 0:28:03.760
<v Speaker 1>No? I don't know, but no, they look related. They

0:28:03.800 --> 0:28:05.480
<v Speaker 1>look related, but they don't look alike.

0:28:05.640 --> 0:28:08.120
<v Speaker 4>Yeah, they look related that the one on the right

0:28:08.240 --> 0:28:09.280
<v Speaker 4>is a ginger.

0:28:09.359 --> 0:28:10.200
<v Speaker 3>These yeah.

0:28:12.359 --> 0:28:13.359
<v Speaker 2>Side yeah.

0:28:13.520 --> 0:28:19.520
<v Speaker 1>Abby at Abby Shobs tweeted quinnin Huk are weirdos side?

0:28:20.240 --> 0:28:23.760
<v Speaker 3>What do you call that? Side glance? Yeah, we are

0:28:24.119 --> 0:28:26.680
<v Speaker 3>weird is good, weirdest good Abby.

0:28:26.440 --> 0:28:27.240
<v Speaker 2>Weird is good.

0:28:27.280 --> 0:28:30.159
<v Speaker 4>Abby at Nikki Loves tweeted when Fitz finds out he

0:28:30.280 --> 0:28:33.479
<v Speaker 4>ain't the daddy, that scandal episode will be e mosh.

0:28:33.520 --> 0:28:36.560
<v Speaker 3>I don't know what either. It's a tay.

0:28:37.359 --> 0:28:41.000
<v Speaker 2>That's not what happened, right, that ends up daddy is

0:28:41.360 --> 0:28:41.920
<v Speaker 2>the daddy.

0:28:42.040 --> 0:28:47.320
<v Speaker 1>Yeah, let's see. Tazzy Aria tweeted Glass Houses Olivia ashta scandal.

0:28:47.560 --> 0:28:48.240
<v Speaker 3>She's not wrong.

0:28:48.720 --> 0:28:50.560
<v Speaker 1>She's not wrong because she was all pissed at Melly

0:28:50.680 --> 0:28:53.240
<v Speaker 1>having fucking around with Andrew Nichols, and she's like.

0:28:53.280 --> 0:28:55.280
<v Speaker 2>Girl, She was like, you can't do this.

0:28:55.560 --> 0:28:57.520
<v Speaker 3>Yeah, I'm like, you're screwing the president.

0:28:58.080 --> 0:29:02.480
<v Speaker 4>Yeah, you're screwing the dang president. At Shonda Rhyme's replying

0:29:02.520 --> 0:29:05.680
<v Speaker 4>to at nerd Lady twenty one and at TV, Taylor tweeted,

0:29:05.840 --> 0:29:10.000
<v Speaker 4>you can definitely eat during tonight's scandal Tonight's surprises, but

0:29:10.200 --> 0:29:12.640
<v Speaker 4>not the kind that will make you nauseous.

0:29:12.880 --> 0:29:16.400
<v Speaker 3>Oohoo, I guess our kissing didn't make them nauseous.

0:29:16.800 --> 0:29:22.320
<v Speaker 1>School school, Let's see the fitz Phone at the Fitzphone tweeted,

0:29:22.360 --> 0:29:24.239
<v Speaker 1>I love Scandal and I love Olitz, but I've been

0:29:24.280 --> 0:29:27.160
<v Speaker 1>waiting three years for proof that these kids exist.

0:29:27.600 --> 0:29:31.040
<v Speaker 3>This is all I'm worried about right now. True.

0:29:31.800 --> 0:29:34.920
<v Speaker 4>And then last one, ad Franco twelve tweeted, Fits is

0:29:34.960 --> 0:29:40.120
<v Speaker 4>the worst that makes me feel better. It's not only

0:29:40.200 --> 0:29:41.640
<v Speaker 4>Quinn haters in the house.

0:29:41.640 --> 0:29:43.400
<v Speaker 3>Right, There's some Fits haters now too.

0:29:43.920 --> 0:29:44.880
<v Speaker 2>And now, what is this?

0:29:44.960 --> 0:29:48.600
<v Speaker 4>Episode? Three sixteen? Next up is called the Fluffer Sluffer?

0:29:48.880 --> 0:29:48.960
<v Speaker 3>What?

0:29:49.120 --> 0:29:51.240
<v Speaker 1>I don't remember? I guess we'll find out when we

0:29:51.360 --> 0:29:53.920
<v Speaker 1>watch it. I don't remember a fluffer is like in

0:29:54.000 --> 0:29:58.080
<v Speaker 1>porn films, the person that will go and twiddle your

0:29:58.320 --> 0:30:01.640
<v Speaker 1>your nuts and your wiener to get you to have

0:30:01.680 --> 0:30:03.880
<v Speaker 1>a boner so you could get ready to shoot the scene.

0:30:04.280 --> 0:30:04.920
<v Speaker 3>A fluffer.

0:30:05.200 --> 0:30:08.560
<v Speaker 4>Oh my god, you're I literally thought you were joking

0:30:08.600 --> 0:30:11.240
<v Speaker 4>and I just looked it up on Wikipedia. Yeah, a

0:30:11.280 --> 0:30:14.600
<v Speaker 4>fluffer is a person employed to keep a porn performer's

0:30:14.760 --> 0:30:19.760
<v Speaker 4>penis erect on the set. What are fluffing duties? But

0:30:19.920 --> 0:30:21.760
<v Speaker 4>you know what fluffing can mean?

0:30:22.280 --> 0:30:24.800
<v Speaker 2>Hold on a second, This is what I thought.

0:30:24.920 --> 0:30:28.320
<v Speaker 4>It's a practice in public relations of spinning a topic

0:30:28.760 --> 0:30:30.920
<v Speaker 4>to present it in the most positive light.

0:30:31.440 --> 0:30:35.000
<v Speaker 2>That's what it is. It's not regards to porn, but.

0:30:34.920 --> 0:30:35.720
<v Speaker 3>There it's both.

0:30:35.840 --> 0:30:38.200
<v Speaker 1>I think it's both because that's definitely a slang word

0:30:38.320 --> 0:30:41.360
<v Speaker 1>in porn, a fluffer. There's a fluffer on set that

0:30:41.400 --> 0:30:41.720
<v Speaker 1>does that.

0:30:41.840 --> 0:30:45.280
<v Speaker 4>There's also a fluffer London Underground, a person who cleans

0:30:45.320 --> 0:30:47.960
<v Speaker 4>the tunnels during the night while the trains are not running.

0:30:48.560 --> 0:30:49.840
<v Speaker 2>Ooh, who the.

0:30:49.800 --> 0:30:52.080
<v Speaker 4>Hell knows where You're gonna have to tune in to

0:30:52.160 --> 0:30:54.920
<v Speaker 4>the next episode for us all to learn. Because it's

0:30:54.960 --> 0:31:00.000
<v Speaker 4>called the fluffer. Fluffer and it's probably awesome. We probably

0:31:00.080 --> 0:31:05.000
<v Speaker 4>have an amazing guest. Yes, we love you guys. This

0:31:05.080 --> 0:31:06.760
<v Speaker 4>episode really made me laugh.

0:31:06.800 --> 0:31:08.920
<v Speaker 3>These was fun. This was fun to tape.

0:31:09.520 --> 0:31:11.480
<v Speaker 2>Thanks glad. If you're singing with us, we know what

0:31:11.560 --> 0:31:12.880
<v Speaker 2>you like the fancy guests.

0:31:12.920 --> 0:31:14.960
<v Speaker 4>But sometimes G and I just want to be selfish

0:31:15.000 --> 0:31:16.760
<v Speaker 4>and we only want to hang out with each other.

0:31:16.960 --> 0:31:19.960
<v Speaker 1>Yes, and if you liked this episode and other episodes,

0:31:20.000 --> 0:31:21.760
<v Speaker 1>message us on Instagram and.

0:31:21.880 --> 0:31:24.880
<v Speaker 4>Message us on Instagram. Tell us what you like, tell

0:31:24.920 --> 0:31:27.440
<v Speaker 4>your friends to subscribe. We want to keep making this

0:31:27.600 --> 0:31:29.400
<v Speaker 4>as long as you want us to keep making us,

0:31:29.440 --> 0:31:32.520
<v Speaker 4>so tell your friends Chao Adios.

0:31:34.680 --> 0:31:38.040
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:31:38.360 --> 0:31:41.920
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends, rate,

0:31:42.120 --> 0:31:43.040
<v Speaker 1>or leave us a review.

0:31:43.120 --> 0:31:46.600
<v Speaker 4>Unpacking the Toolbox was executive produced by Sandy Bailey, Alex Alce,

0:31:47.000 --> 0:31:51.280
<v Speaker 4>Lauren Homan, Tyler Klang, and Gabrielle Collins. Our producer and

0:31:51.400 --> 0:31:54.640
<v Speaker 4>editor is Vince de Johnny, with music by Chad Fisher.

0:31:54.920 --> 0:31:57.840
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:31:57.880 --> 0:32:00.000
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:32:00.320 --> 0:32:02.720
<v Speaker 4>Unpacking the Toolbox is a production of Shondaland Audio in

0:32:02.760 --> 0:32:04.160
<v Speaker 4>partnership with iHeartRadio.

0:32:04.520 --> 0:32:06.560
<v Speaker 2>For more podcasts from Shondaland Audio.

0:32:06.840 --> 0:32:09.480
<v Speaker 4>Visit the iHeartRadio app or anywhere you subscribe to your

0:32:09.520 --> 0:32:18.320
<v Speaker 4>favorite shows.